Podcasts about documentary

John Maggio, director of the HBO documentary Paul Anka: His Way, about the life and legacy of one of popular music's most enduring figures. Paul Anka, born in 1941 in Ottawa, Canada, rose to fame at sixteen with the hit single “Diana.” Unlike many artists of his era, Anka maintained early control over his songwriting and publishing, a decision that enabled a career spanning more than six decades. In addition to his own recordings, he wrote songs for artists including Frank Sinatra, Elvis Presley, Aretha Franklin, Michael Jackson, and Tom Jones, most notably “My Way.” Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Happy Thursday! Here is the outline for today's episode:-Sara's trip to Paris!! (McDonalds)-The first two episodes of Taylor's Docuseries-Alan Jackson and Nick Reiner-RHOSLC-Sara and Nat's personal favorite moments of 2025See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Amye and Becca are back to talk about the oil industry! We recap and review Landman S2:EPS 4&5In episode 4, Dancing Rainbows: Tommy and the Norris family gather for his mother's funeral. We learn about Tommy's mom and it's not good.In episode 5, The Pirate Dinner: Tommy runs around putting out fires and Angela prepares a pirate-themed dinner for TL.For ad-free and BONUS episodes, please support the show by signing up for Little Miss Recap PREMIUM:https://www.patreon.com/littlemissrecap or click subscribe on Apple Podcasts!PLEASE VISIT OUR SPONSORS:LUMI GUMMIES are consistent, mellow, and super delicious –– Lumi Gummies are specifically designed to make you feel good, not stoned. Lumi Gummies are available nationwide. We have a 30% code for our listeners! Visit www.LumiGummies.com and use code (LITTLEMISSRECAP) for 30% off your order.Listen to my true crime podcast: Murder She Watched at www.murdershewatchedpod.comGet in touch with us:Facebook: https://www.facebook.com/groups/littlemissrecapFacebook group: https://www.facebook.com/groups/littlemissrecapInstagram: @littlemissrecap Voicemail: www.littlemissrecap.comEmail: amye@littlemissrecap.comGrab yourself some Little Miss Recap merch at: https://littlemissrecap.myshopify.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode of Documentary First, host Christian Taylor interviews acclaimed documentary filmmaker, writer, photographer, and cultural documentarian Alan Govenar—a storyteller with a 44-year career devoted to preserving overlooked American lives and histories. The conversation centers on Govenar's powerful film Quiet Voices in a Noisy World, which examines the struggle for change in Jasper, Texas, and the long shadow of racial violence on a community searching for truth, healing, and forward movement.Govenaris the president of Documentary Arts, a nonprofit media production company. He and Christian explore what it means to document communities with integrity—earning trust, listening deeply, and building narratives that uplifts the voices of others.Links:Documentary Arts: Documentary Arts, Inc. > HomeCigarette Blues: Cigarette Blues (Short 1985) ⭐ 6.8 | Short, DocumentaryStoney Knows How: Stoney Knows How (Short 1981) ⭐ 7.8 | Documentary, ShortTruth In Photography: TRUTH IN PHOTOGRAPHYQuiet Voices in A Noisy World: Quiet Voices in a Noisy World (2025) | Documentary , Quiet Voices in a Noisy World DocuView Déjà Vu“Night & Fog, 1956, 32 mins, French Short, Watch on HBO MAX, IMDB Link: Night and Fog (Short 1956) ⭐ 8.6 | Documentary, Short, History Time Codes00:00 — Meet Alan Govenar + why his work matters02:49 — How Alan found documentary storytelling05:26 — The evolution of documentary arts (film, photo, writing, music)08:08 — Mentorship, networking, and learning the craft10:48 — Distribution realities filmmakers don't talk about enough13:23 — Documentary arts as community impact16:14 — Preserving African-American history in Texas19:01 — Community, photography, and who gets seen21:42 — Juneteenth, local history, and cultural memory24:30 — Personal reflections on race and community27:04 — Storytelling as cultural dialogue30:11 — Upcoming projects + what's next34:03 — Jasper and the legacy of racial violence40:13 — The art of documentary storytelling (craft + ethics)41:51 — Hope and resilience as a creative engine45:38 — The power of music in...

Kate breaks down the shocking true story behind Hulu's Missing Millionaires and the disappearance of Australian financial fraudster Melissa Caddick. Melissa Caddick appeared to be a successful Sydney-based financial advisor living an enviable life in one of the city's wealthiest coastal neighborhoods. But in November 2020, as federal police raided her home for operating a massive Ponzi scheme, Melissa walked out for a morning run and never returned. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Our favorite moments from the virtual live show with Cecile Landi and Levi, (watch highlights here) our 2025 Opportunity for Comedy Awards, two college mini-commissions where we delve into all the Alabama-Georgia drama that never made it into the Suzanne and Sarah documentary.  Watch this week's episode with GIFS on Youtube LIVE SHOW REPLAY IS AVAILABLE: If you purchased a ticket to the live show with Cecile Landi and Levi Jung-Ruivivar benefitting The National Eating Disorder Foundation you can still watch the replay and play the quiz for a prize by going to gymcastic.com  2026 LIVE SHOW SEASON PASSES ARE NOW AVAILABLE! That's 4 live show passes for the price of 3! Season passes will be available up until the week of the first show. Buy a 2026 season pass here.  (5:25) 2025 Opportunities for Comedy Awards The ''OH HELL NO I am not going out of bounds'' award Eastern Michigan and West Virginia both contending for the ''you understood the assignment'' award Why Leila Vasilieva is getting the ''Wolf Turn Protest Award'' Recognizing Zoey Molomo as the winner of the ''Olly Hogben Unintentional Dismount'' award The impact of Courtney McCool's right heel and why it deserves to win the ''Style Accessory of the Year'' award What would this show even be if we didn't have at least six candidates for the ''Fall of the Year'' award Which country wins our ''awkward moment of the year'' award Giorgia Villa, Angela Andreoli, and Martina Maggio making us feel seen with mic issues on a live broadcast 32:05 GYMTERNET NEWS ICYMI the FIG has rebranded themselves as World Gymnastics. Are there any big changes to come from this? How are the NCAA pre-season intrasquad meets looking? Georgia looked goooood What insights did Cecile give us about Camarah Williams and JaFree Scott at the live show? UCLA looked very UCLA in December Kayla DiCello is so back Ana Barbosu is going to dominate at Stanford Nina Derwael was knighted and granted the grade of Grand Officier of the Order of Leopold by King Phillippe as recognition for her gymnastics career   45:29 MINI-COMMISSION: One Per Event Dream Team  Using only gymnasts from the past three years, selecting gymnasts from any team, who would be on our ideal college gymnastics teams?   1:07:11  MINI-COMMISSION: Alabama-Georgia Drama We go into depth as to how the Georgia-Alabama started, the back and forth between the teams, and of course the outfits and ''stereotypes'' of each team The dog bite incident How dominant were these teams in the SEC and nationally? What legacies do these teams carry on that are still applicable today? Want more? Listen to Gym Nerd School 102: College Gymnastics  SUPPORT THE SHOW: Join Club Gym Nerd: https://gymcastic.com/club/ Merch: https://gymcastic.com/shop/ Headstand Game: https://gymcastic.com/headstand-plugin/ Forum: https://gymcastic.com/community/ UP NEXT: Behind The Scenes: Live Q&A podcast Friday this week only at noon Pacific/8 GMT NEWSLETTERS Sign up for all three GymCastic newsletters  RESOURCES Spencer's essential website The Balance Beam Situation  GIFs of the Week and Meet schedule with links. Gymnastics History and Code of Points Archive from Uncle Tim The Balance: My Years Coaching Simone Biles by Aimee Boorman with Fact Checker. Aimee coached Simone from day one in gymnastics to three back to back World All Around titles, 14 world medals and an unprecedented 5 medals at the Rio Olympics. Get your copy now. And if you loved it, please leave a review.  

What makes humans so predictably irrational? Nobel Laureate Richard Thaler and Alex Imas join Guy Kawasaki to reveal the quirks that shape our decisions—from golf greens to stock markets. Drawing from their new book, The Winner's Curse: Then and Now, they revisit the field they helped pioneer: behavioral economics. This episode is a masterclass in understanding why the smartest people make the strangest choices—and how awareness turns mistakes into wisdom.---Guy Kawasaki is on a mission to make you remarkable. His Remarkable People podcast features interviews with remarkable people such as Jane Goodall, Marc Benioff, Woz, Kristi Yamaguchi, and Bob Cialdini. Every episode will make you more remarkable.With his decades of experience in Silicon Valley as a Venture Capitalist and advisor to the top entrepreneurs in the world, Guy's questions come from a place of curiosity and passion for technology, start-ups, entrepreneurship, and marketing. If you love society and culture, documentaries, and business podcasts, take a second to follow Remarkable People.Listeners of the Remarkable People podcast will learn from some of the most successful people in the world with practical tips and inspiring stories that will help you be more remarkable.Episodes of Remarkable People organized by topic: https://bit.ly/rptopologyListen to Remarkable People here: **https://podcasts.apple.com/us/podcast/guy-kawasakis-remarkable-people/id1483081827**Like this show? Please leave us a review -- even one sentence helps! Consider including your Twitter handle so we can thank you personally!Thank you for your support; it helps the show!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Tots TURNT: We are in the midst of Tots TURNT, raising money for underprivileged kids and you guys are awesome with all your support! Origin Of Corey's Angels: As we seem to be at the end of all things, we look back at the start when Corey first rolled out Corey's Angels. Corey's Angels Live: We find what we thought was lost media and this is all we can watch for the rest of our lives. The FilmOn gem known as Corey's Angels Live which is a public access type show hosted by COREY FELDMAN! COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, LEWIS SAUNDERSON!, VIRAL!, INFLUENCER!, TOTS TURNT!, CHRISTMAS SEASON!, WEDNESDAY SHOW!, HUMP DAY!, EVE OF THE DOCUMENTARY!, END OF ALL THINGS!, TOLKIEN!, REALITY SHOW!, DOCUMENTARY!, CONVENTION!, COREY'S ANGELS!, Q AND A!, FILMON!, BILL SHYTE!, FILMON!, BATTLECAM!, PUBLIC ACCESS!, YOUNG COREY!, 16!, ADRIEN AGE CHECK!, CRY LITTLE SISTER!, PITTS OF HELL!, ADRIEN SKYE!, B HOWARD!, MICHAEL JACKSON!, BEATBOXING!, NOT IN TIME!, SOUNDS!, CONSPIRACY!, JUSTIN BIEBER!, MICROPHONE!, WRONG INPUT!, POOPER!, DAISY DE LA HOYA!, ROCK OF LOVE!, DAISY OF LOVE!,  You can find the videos from this episode at our Discord RIGHT HERE!

We breakdown the snubs & surprises from the 98th Oscar Shortlists in all the feature film categories including Best International Feature, Documentary, Score, Song, Makeup and Hairstyling, Sound, VFX, Cinematography and Casting. Which films had the best day? Which struggled? Which held serve?? International Feature - 2:19 Documentary Feature - 6:54 Original Score - 12:40 Original Song - 15:40 Makeup and Hairstyling - 18:39 Sound - 23:16 Visual Effects - 24:35 Cinematography - 27:03 Casting & then we close with the Tallies - 28:53 OUTRO: We discuss the Spielberg movie - Disclosure Day trailer a bit during the Outro, and we mention a few potential upcoming episodes. So if you enjoy our work, please support our show by liking, subscribing, rating, reviewing and by telling people about our show. We appreciate it. https://linktr.ee/mikemikeandoscar

Actor Carol Kane, known for her roles in Unbreakable Kimmy Schmidt, the Princess Bride and Taxi, lives with her 98 year old mother in Manhattan. A new documentary short called "Carol & Joy" spotlights a day in the life of two singular talents as well as touches on the demands of caregiving. Carol and Joy Kane discuss their lives together, along with director Nathan Silver.

You may be familiar with today's guest, Jennifer Gulizia of The Flowering Farmhouse and The Backyard Bouquet Podcast. Like many of us, Jennifer's story began in her own garden, as her flower-growing fascination naturally melded with her professional photography career. In 2019, she and her husband, T.J., built a modern farmhouse on a 1/3-acre lot, […] The post Episode 747: Jennifer Gulizia of The Flowering Farmhouse on dahlia breeding, podcasting, filming a documentary and building a flower farm from the ground up appeared first on Slow Flowers Podcast with Debra Prinzing.

Send us a textET Phone Spaceman. Sup spacemen. Today, we explore an interest of Matts; UFOs. Or, as they are not more accurately called, UAPs. Despite what you may be thinking, this episode is not full of conspiracy theories. But it IS focused on how looking at things a little differently and being open to a differently way of thinking can make you a better man. Tune in and find out. KeywordsUFOs, UAPs, Roswell, gas station food, documentaries, quantum physics, relationships, time, cultural perspectives, memoryTakeawaysThe conversation begins with humorous anecdotes and segues into deeper topics.Roswell is portrayed as a tourist trap with disappointing attractions.Gas station food is explored as a unique cultural experience.The term UFO has evolved into UAP, reflecting a shift in societal understanding.Documentaries like 'The Age of Disclosure' provide insights into UAPs.Quantum physics is discussed in relation to UAP sightings and technology.The importance of perspective in relationships is emphasized.Time is presented as a construct that varies across cultures.Openness to different experiences can enhance personal growth.Memory is fallible and should be approached with caution in relationships.Sound bites"Roswell is a real disappointment.""I dropped down seven feet on the roof.""We must be open to new experiences."Chapters00:00 Introduction to the Man Space Podcast03:01 Exploring Roswell and Alien Culture06:00 Gas Station Food Adventures08:57 The Shift from UFOs to UAPs12:08 Documentaries and the Age of Disclosure15:02 The Science Behind UAPs17:47 Interpersonal Relationships and Perspectives20:57 Challenging Certainty in Relationships22:31 The Nature of Time and Its Constructs25:08 Experiencing Awe and Insignificance27:03 The Value of Openness in Conversations30:05 Understanding Different Perspectives32:18 Exploring the Concept of Time35:43 Integrating Different Types of Time38:33 The Impact of Time on Mental Health40:51 Cultural Perspectives on Time and Life46:14 Finding Balance in Daily LifeSpread the word! The Manspace is Rad!!

Winner of the Grand Prize for Documentary at the 2025 South by Southwest Film Festival, Shuffle is filmmaker Benjamin Flaherty's powerful exposé of unintended consequences in American health policy. Through intimate portraits of people seeking recovery from opioid addiction, Flaherty reveals how federal mandates—particularly within the Affordable Care Act and Medicaid—have unintentionally enabled predatory rehab operators to turn human suffering into revenue streams. The federal mandates are likely even increasing and subsidizing suffering, rather than reducing it.Join us for a screening of Shuffle in the Cato Institute's F. A. Hayek Auditorium, followed by a discussion of what the film uncovers about the incentives that are shaping America's addiction-treatment system and how policymakers, clinicians, and advocates can work toward more effective solutions. Hosted on Acast. See acast.com/privacy for more information.

Paranormal Heart is celebrating 8 YEARS !!!!!!!Special Guest joining in the festivity is Al "The Squatch Father” SantarigaDecember 2nd, 2025 EP: 62TOPIC: Celebrating 8 years as a PodcastAl Santariga graduated from the Center for Media Arts NYC with a Degree in Visual Arts majoring in Photography. Mother was a psychic; Brother is one of the first parapsychologists in the US. Grandmother & Aunt were white witches. Cousin was a black witch. Sister is a sensitive & intuitive. Over 56 years of experience in all aspects of the paranormal. Psychic abilities - Clairvoyance – Vision, Clairaudience – Hearing, Clairsentience – Feeling, Claircognizant- Knowing, Clairalience – Smelling, Clairgustance – Tasting, Clairtangencey – Touching, Investigator, Experiencer, Researcher, Crypto Zoologist, Ufologist, Actor (has appeared in half a dozen independent Documentary along with Network TV regarding all aspects of the paranormal. Has appeared in & co-directed a TV commercial for Mountain biking. Has appeared in a made for Country Music Television Video. Founder/ Director of the Bronxville Paranormal Society, founder/ Director of the New York State UFO Project, founder/ Director of the New York State Sasquatch Organization, and Founder/ Director of the New York State Dogman Project. Region 3 Director of the North American Dogman Project. Ex Podcaster & Co-Host of Beyond the Realm Digital Radio Network. MUFON member New York State Chapter. Profiled in: Putnam Valley After Dark News Magazine, New York's Outdoor News Magazine, The Times Community Newspaper of the Hudson Valley, The Gothamist Internet Newspaper, Author Frank R. Santariga's book titled Paranormal Family & Friends, Author Richard Moschella's book titled Case Files of the Paranormal. Lecturer / Speaker / Presenter/ Podcast Interviewee/ On all paranormal aspects.Where to contact Al: https://www.facebook.com/groups/3558038479...

Amy Scott is the Director of the Counting Crows documentary "Have You Seen Me Lately", released on December 18, 2025 (HBO Max) and produced by Bill Simmons. It focuses on the making of Recovering the Satellites and Adam's struggles with newfound fame during that time period.Join us as we ask Amy about the filming process, her history with the Crows, her creative choices, Bryson's tour scrapbook, and how talented/charming all the band members are.Amy's Website:https://www.amyelizabethscott.com/From Warner Broshttps://press.wbd.com/ca/media-release/hbo-original-documentary-music-box-counting-crows-have-you-seen-me-lately-debutsEmail Us: SullivanStreetPC@protonmail.com

Welcome back to Poppin' In! This week, friend of the pod, Chris Williams joins us again to review the latest Knives Out movie, ‘Wake Up Dead Man' (4:34) and the new documentary about Diddy, ‘Sean Combs: The Reckoning' (52:01). Plus, we discuss what we know about Rob Reiner and his wife Michele's tragic deaths  (1:20:37). We also talk about being in our Josh O'Connor era as we review ‘The History of Sound' and ‘The Mastermind' (1:27:06).   Follow us on Instagram and TikTok at @poppininpodcast!

One on One Video Call W/George https://tidycal.com/georgepmonty/60-minute-meetingSupport the show:https://www.paypal.me/Truelifepodcast?locale.x=en_USThe Lila Code: https://orcid.org/0009-0008-4612-3942

Dana Bowling joins Kate to discuss Taylor Swift: The End of an Era on Disney+, and Southern Charm and Real Housewives of Beverly Hills on Bravo. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In plain sight, in a modern city, a colleague offers to drive you home after work. How would you respond? One woman in Kazakhstan accepted the lift only to find herself kidnapped or ‘stolen' as a bride. She got away, rescued by the police, but for many Kazakh women kidnap leads to marriage. Human Rights lawyer Khalida Azhigulova reckons that thousands of women are forced into marriage each year in Kazakhstan, including many who are abducted. Some women even find that a wedding has already been arranged by the time a kidnapper gets her home. Now, after 20 years of campaigning by Khalida and other activists, legislators have passed a law making forced marriage a crime. Monica Whitlock and Roza Kudabayeva travel to Kazakhstan to meet women who have been kidnapped. This episode of The Documentary comes to you from Assignment, investigations and journeys into the heart of global events.

It's Taylor Swift's birthday, and somehow she's the one giving us gifts. In this episode of 13: A Taylor Swift Fan Podcast, we dive headfirst into the first two episodes of Taylor's Eras Tour documentary and her revealing, hilarious, and emotionally loaded appearance on The Late Show with Stephen Colbert. We unpack everything: the overwhelming emotion behind the Eras Tour, the responsibility Taylor carries as a global icon, the heartbreak and resilience surrounding Vienna, and the quiet moments that show who she really is when the spotlight dims. From backstage tears to bonus-day generosity, from Mirrorball validation to the power of audiobooks as emotional armor — nothing is off limits. Plus, we talk reputation rumors, surprise lyric changes, Swiftie clownery, Travis Kelce crumbs, dancer spotlights, and why Taylor's confidence still makes people uncomfortable (and why it absolutely shouldn't). This episode is joyful, heavy, validating, chaotic, and deeply human — just like Taylor herself.Happy birthday, Taylor. Thanks for once again reminding us why we picked the right one.  Stay Connected with 13: A Taylor Swift Fan Podcast Join the conversation in our exclusive  Lobster Lounge:  station.page/13  Contact the Podcast  Voicemail: (689) 214-1313  Email: the13podcast@gmail.com  Instagram: @the13podcast  TikTok: @the13podcast  Twitter/X: @the13TSpodcast  YouTube: 13: A Taylor Swift Fan Podcast  Follow the Hosts  Ana – @anaszabo13  Lacey – @laceygee13  Amy – @amysnichols  Nick – @heynickadams Learn more about your ad choices. Visit megaphone.fm/adchoices

Amye and Amanda recap 90 Day Fiance: The Other Way S7:EP15 Lo SientoManon reveals a secret she's been keeping from Anthony. Jenny's struggles at the cafe continue. Luke and Madelein are hit with a sudden scare days before their wedding. A heartbroken Matthew hopes his father can help mend things with Greta.For ad-free and BONUS episodes, please support the show by signing up for Little Miss Recap PREMIUM:https://www.patreon.com/littlemissrecap or click subscribe on Apple Podcasts!PLEASE VISIT OUR SPONSORS:LUMI GUMMIES are consistent, mellow, and super delicious –– Lumi Gummies are specifically designed to make you feel good, not stoned. Lumi Gummies are available nationwide. We have a 30% code for our listeners! Visit www.LumiGummies.com and use code (LITTLEMISSRECAP) for 30% off your order.Listen to my true crime podcast: Murder She Watched at www.murdershewatchedpod.comGet in touch with us:Facebook: https://www.facebook.com/groups/littlemissrecapFacebook group: https://www.facebook.com/groups/littlemissrecapInstagram: @littlemissrecap Voicemail: www.littlemissrecap.comEmail: amye@littlemissrecap.comGrab yourself some Little Miss Recap merch at: https://littlemissrecap.myshopify.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Roxxanne Shelaby is a Southern California–based performer, teacher, and producer whose work is rooted in her Lebanese/Brazilian heritage and a lifelong immersion in Egyptian Style Oriental Dance. Raised in her family's legendary nightclubs, Fez and Cascades, she grew up surrounded by live Middle Eastern music and dance, learning directly from iconic artists such as Feiruz Aram, Marie Silva, Sahra C. Kent, and members of Egypt's Komeya Troupe. Roxxanne began performing at age five and professionally at sixteen at the request of Farida Fahmy, later studying with masters including Mahmoud Reda, Fifi Abdo, Aida Nour, and Ahmed Hussein. She spent 11 years performing with and serving as Assistant Director of Sahra C. Kent's Ya Amar! Middle Eastern Dance Company, appearing in major U.S. festivals and international performances. Beyond performing, Roxxanne produces the showcases with live Arabic music, teaches internationally, and is the producer/director of the acclaimed Fez Documentary, preserving the history of belly dance on the U.S. West Coast while honoring its pioneering artists.In this episode you will learn about:- The story of The Fez club in Hollywood and why it changed belly dance history forever- The surprising origin story of the Maya movement term and the dancer it was named after- The journey from “this should be a book” to creating a 90-minute documentary against all odds- The loss of long-form performance and what modern dancers are missing because of it- Why watching other dancers perform is as important as performing yourselfShow Notes to this episode:Find Roxxanne Shelaby on Instagram, Youtube and website. For more information and purchase options, please visit The Fez Documentary website: www.TheFezDoc.comDetails and training materials for the BDE castings are available at www.JoinBDE.comFollow Iana on Instagram, FB, and Youtube . Check out her online classes and intensives at the Iana Dance Club.Find information on how you can support Ukraine and Ukrainian belly dancers HERE.Podcast: www.ianadance.com/podcast

Joining host Michael Azevedo on this episode is first-time filmmaker Nivi Jaswal-Wirtjes, the director & executive producer of a powerful and thought-provoking new documentary called “Third Degree Burnout”   Narrated by renowned meteorologist John Morales, "Third Degree Burnout" uncovers the hidden connections between personal burnout and the climate crisis, revealing them as symptoms of a larger socio-economic metacrisis. With world-class animation, engaging interviews with over 20 experts, and playful humor woven into thought-provoking skits, the film breaks down complex ideas into something accessible, relatable, and impactful. From the history of our food systems to the ripple effects of the COVID-19 pandemic and the intersections of healthcare, politics, and society, this documentary offers a fresh lens on the systemic forces shaping burnout. In 2020, Nivi lost her father to COVID-19 while she was in the process of struggling through her own burnout after 15 years in high-pressure global marketing and strategy roles across consumer packaged goods, life sciences, and media. That dual reckoning — grief and exhaustion — became the catalyst for her life's new direction: uncovering the connections between personal well-being, food systems, and planetary health, all of which a explored in "Third Degree Burnout." Making Media Now is sponsored by Filmmakers Collaborative, a non-profit organization dedicated to supporting media makers from across the creative spectrum. From providing fiscal sponsorship to presenting an array of informative and educational programs, Filmmakers Collaborative supports creatives at every step in their journey. About the host: www.writevoicecreative.com and https://www.linkedin.com/in/michael-azevedo/   Sound Engineer: A.J. Kierstead

On this episode! The Fellas discuss the documentary Sean Combs: The Reckoning including the hardships of his childhood, his ego, his power and some things we never knew before watching.Nas and DJ Premier release their long awaited Light-Years album. It leaves us feeling if this album was released at a different time, would we react differently towards it.Former University of Michigan coach Sherrone Moore has been in the hot seat after an unfortunate series of events. Who will fill his seat at the big house?Be sure to follow us on Instagram @2HipHopSenseis.a.casual and be sure to subscribe to our new YouTube page!We Love any and all feedback! If you REALLY loyal, be sure to tell a friend to tell a friend to listen to the Podcast.

It has finally happened; DJ Billy A has finally watched the Godfather. In addition, there has been several shows and Documentaries that the 209 guyz have watched and checked in about. So, sit back, relax and enjoy the show and until the next time, we will see you in the 209!

The third annual Rock Talk Studio best book and doc awards for 2025. The categories are:Book and Doc of the YearBest Book and Doc about a BandBest Book and Doc about a Band MemberBest Book and Doc not about a Band or Band Member*Want the latest in Rock N Roll Book and Documentaries news sent to your inbox?  Sign up for the FREE monthly BLAST!! newsletter- right here Subscribe now and get the BONUS newsletter featuring the first annual Rock Talk Studio Holiday Shopping Guide!Support the showemail Big Rick at:info@rocktalkstudio.com

One on One Video Call W/George https://tidycal.com/georgepmonty/60-minute-meetingSupport the show:https://www.paypal.me/Truelifepodcast?locale.x=en_USThe Lila Code: https://orcid.org/0009-0008-4612-3942

One on One Video Call W/George https://tidycal.com/georgepmonty/60-minute-meetingSupport the show:https://www.paypal.me/Truelifepodcast?locale.x=en_USThe Lila Code: https://orcid.org/0009-0008-4612-3942

The Strange Theory of The SMILEY FACE KILLERS - A True Crime DocumentaryBecome a supporter of this podcast: https://www.spreaker.com/podcast/missing-persons-mysteries--5624803/support.

Kate discusses what to watch this week including Murder in Monaco (Netflix), The Secrets We Bury (ID Discovery), Breakdown: 1975 (Netflix), and Born to Be Wild (Apple TV). Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

(SPOILER) Your Daily Roundup covers Taylor Frankie Paul's final rose ceremony location and what I've heard, is Travis Kelce gonna retire, and recap of the first 2 episodes of the “End of an Era” documentary.   Music written by Jimmer Podrasky (B'Jingo Songs/Machia Music/Bug Music BMI) Ads: ZocDoc – Click on https://zocdoc.com/RealitySteve to find and instantly book a top rated doctor today.  Learn more about your ad choices. Visit megaphone.fm/adchoices

We learn about the Selena documentary, and the life, career, and death of the Tejano singer, who was killed by a disgruntled employee. We find out the evolutionary advantage of kissing, which animals do it, how scientists define "kissing," and why it actually could protect us from harm. Susie explains why raccoons might become the next domesticated animals, why they seem to be ushering in their pet era, and why experts are convinced it's inevitable. We discuss the new female test dummy (or smartie as Susie calls her), and why it took so long to get it made, why people still aren't happy, and why it's so expensive to make. We're mad at the Guinness World Book of Records again because of their evolving business model and the schemes they're using to make bank. And Susie talks about the Stiller and Meara documentary, about the comedy duo and their famous son, Ben Stiller, and why despite their fame, they're more relatable than you'd think.Brain Candy Podcast Website - https://thebraincandypodcast.com/Brain Candy Podcast Book Recommendations - https://thebraincandypodcast.com/books/Brain Candy Podcast Merchandise - https://thebraincandypodcast.com/candy-store/Brain Candy Podcast Candy Club - https://thebraincandypodcast.com/product/candy-club/Brain Candy Podcast Sponsor Codes - https://thebraincandypodcast.com/support-us/Brain Candy Podcast Social Media & Platforms:Brain Candy Podcast LIVE Interactive Trivia Nights - https://www.youtube.com/@BrainCandyPodcast/streamsBrain Candy Podcast Instagram: https://www.instagram.com/braincandypodcastHost Susie Meister Instagram: https://www.instagram.com/susiemeisterHost Sarah Rice Instagram: https://www.instagram.com/imsarahriceBrain Candy Podcast on X: https://www.x.com/braincandypodBrain Candy Podcast Patreon: https://www.patreon.com/braincandy (JOIN FREE - TONS OF REALITY TV CONTENT)Brain Candy Podcast Sponsors, partnerships, & Products that we love:For 50% off your order, head to https://www.dailylook.com and use code BRAINCANDYGo to https://cozyearth.com and use my code BRAINCANDY for up to 20% off!Get $35 off Aura's best-selling Carver Mat frames - named #1 by Wirecutter - by going to https://auraframes.com and using promo code BRAINCANDY at checkout.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

I'VE SEEN THE FIRST EPISODE OF TLC'S MARY COSBY DOCUMENTARY!!   I got the screener for “The Cult of the Real Housewife,” which is TLC's documentary about the Real Housewives of Salt Lake City's Mary Cosby, her church, her wealth, her relationship with Robert Sr. and the members of the congregation, alleged affairs, and SO MUCH MORE! I give you my honest thoughts about the documentary and why it's worth a watch! PLUS: I convince you to also watch the Danish Deception on TikTok! We love a good “Reesa Teesa” cheater brand! Download and listen today!   Listen to the Danish Deception HERE!   SPONSORED BY: RexMD Visit rexmd.com/KENDRICK to get started today and receive up to 95% off this holiday season!   SPONSORED BY: Lumi Gummies Go to LumiGummies.com and use code KENDRICK for 30% off your order!   *** HEY! Some of you have asked how you can show your appreciation for all the content provided by your mama's favorite Black geek. How about you buy me a beer/coffee? CLICK HERE TO SUPPORT! ***   New episodes of “I Ken Not with Kendrick Tucker” are released weekly!   DON'T FORGET TO SUBSCRIBE, RATE, AND REVIEW! I LOVE 5 STARS! EMAIL ME AT IKENNOTPODCAST@GMAIL.COM! FOLLOW ME ON INSTAGRAM! FOLLOW ME ON THREADS! Learn more about your ad choices. Visit megaphone.fm/adchoices

   The Chiefs season is over for all intents and purposes and it's time to get real.  You have an aging quarterback that has slowed down and now has an ACL surgery.  High priced older players that don't play to the level expected and a team that is poorly coached.  Ya, that's pretty much everyone.  The only thing to say is there is no continuing with the same plan to keep the band together.  If the Chiefs want to chase more Super Bowls with Patrick Mahomes they need a completely different blueprint for Part II.    A pastor at Journey church in Lee's Summit jokes about these sloppy Chiefs in his sermon to inspire the congregation.    The Royals trade for a left fielder, KU's Darren Peterson gets hurt again.  Trump's coin toss at Army-Navy was an incredible scene.  Taylor Swift hands out massive cash bonuses to her crew.    Then, a new documentary by KMBC Channel 9 took 19 months for Donna Pittman and her team to produce.  It features Kansas City area women that served in Vietnam and it airs Tuesday night at 7:00.  It sounds incredible.    Our Final Final is a cold sack of burgers.

How do you know what to believe online?In this re-run episode of Remarkable People, Guy Kawasaki talks with Mike Caulfield, research scientist at the University of Washington's Center for an Informed Public, about the SIFT method—a practical framework for evaluating online information.Mike explains how to stop, investigate sources, find trusted coverage, and trace claims back to their origins, drawing from his book Verified: How to Think Straight, Get Duped Less, and Make Better Decisions about What to Believe Online.We're revisiting this conversation because its insights are just as relevant today, offering clear, actionable tools to help you navigate misinformation and become a more discerning consumer of digital content.---Guy Kawasaki is on a mission to make you remarkable. His Remarkable People podcast features interviews with remarkable people such as Jane Goodall, Marc Benioff, Woz, Kristi Yamaguchi, and Bob Cialdini. Every episode will make you more remarkable.With his decades of experience in Silicon Valley as a Venture Capitalist and advisor to the top entrepreneurs in the world, Guy's questions come from a place of curiosity and passion for technology, start-ups, entrepreneurship, and marketing. If you love society and culture, documentaries, and business podcasts, take a second to follow Remarkable People.Listeners of the Remarkable People podcast will learn from some of the most successful people in the world with practical tips and inspiring stories that will help you be more remarkable.Episodes of Remarkable People organized by topic: https://bit.ly/rptopologyListen to Remarkable People here: **https://podcasts.apple.com/us/podcast/guy-kawasakis-remarkable-people/id1483081827**Like this show? Please leave us a review -- even one sentence helps! Consider including your Twitter handle so we can thank you personally!Thank you for your support; it helps the show!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Amye and Amanda recap the first two episodes of 90 Day Fiance: Before the 90 Days S8In episode 1: After seven years, Forrest is finally going to meet his soulmate. Emma hopes her past won't ruin her dreams of getting engaged. Laura is torn between her best friend Michal and her new love Birkan. Rick hopes he can trust Trish.In episode 2: Rick finally meets his Malagasy Queen in person. Emma and Ziad get off to a rocky start. Aviva is in love with a Belizean pop star. As Forrest gets ready to depart, he's faced with the realization that Sheena lied -- again.For ad-free and BONUS episodes, please support the show by signing up for Little Miss Recap PREMIUM:https://www.patreon.com/littlemissrecap or click subscribe on Apple Podcasts!PLEASE VISIT OUR SPONSORS:LUMI GUMMIES are consistent, mellow, and super delicious –– Lumi Gummies are specifically designed to make you feel good, not stoned. Lumi Gummies are available nationwide. We have a 30% code for our listeners! Visit www.LumiGummies.com and use code (LITTLEMISSRECAP) for 30% off your order.Listen to my true crime podcast: Murder She Watched at www.murdershewatchedpod.comGet in touch with us:Facebook: https://www.facebook.com/groups/littlemissrecapFacebook group: https://www.facebook.com/groups/littlemissrecapInstagram: @littlemissrecap Voicemail: www.littlemissrecap.comEmail: amye@littlemissrecap.comGrab yourself some Little Miss Recap merch at: https://littlemissrecap.myshopify.com/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Can a documentary tell the truth when the person behind it hasn't told theirs? This week, we unpack the Netflix Diddy doc and dive into politics, sports, and queer culture — from Jasmine Crockett's Senate run to A'ja Wilson's historic season, a new celebrity romance, and the fight over Pride at the 2026 World Cup. Plus, Am I A Bad Queer? and some side-eye at online queer singles callout threads.Shoutouts:Kris: Native Son 101 List – Class of 2025. The Native Son 101 List is an annual feature by the Native Son platform spotlighting 101 influential Black, gay, and queer men (and nonbinary folks) who made significant cultural, professional, or community impacts. Follow @nativesonnow on IGShana: Bi History – Celebrating and preserving bisexual+ history. They recently launched the BI+ Archive Atlas, a digital guide featuring 60+ links to zines, newsletters, oral histories, activist materials, and more. Follow @bihistory on IGEpisode Notes:1:01 - Queer Urban Dictionary 2:22 - Category is: Why Jasmine Crockett running for senate is great for the LGBTQ+ community7:41 - Category is: Sports!17:12 - Category is: Diddy Doc46:00 - Am I A Bad Queer?53:47 - Bad Queer Opinions1:01:38 - ShoutoutsShare your Am I A Bad Queer? hereSupport the showPATREON: patreon.com/BadQueersPodcast Subscribe to our Youtubehttps://www.youtube.com/@BadQueersPodcast The opinions expressed during this podcast are conversational in nature and expressed only for comedic purposes. Not all of the facts will be correct but we attempt to be as accurate as possible. BQ Media LLC, the hosts, nor any guest host(s) hold no liability over the conversations on this podcast and by using this podcast you understand that it is solely for entertainment purposes. Copyright Disclaimer: Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, parody, scholarship and research.

The Power of Forgiveness - Watch her new Documentary, Dawn Dusk One of the most striking aspects of Chelli Look's story is her journey to forgiveness. She faced the unthinkable task of forgiving her brother-in-law for taking her sister's life.  Chelli's experience teaches us that forgiveness isn't about excusing the act or forgetting what happened. Instead, it's about freeing yourself from the burden of anger and resentment. As she put it: "The act of forgiveness was a liberating work for me to no longer let that act have such a grip on my life, and especially not on my mind." This shift in perspective allowed Chelli to sleep better, think clearer, and move forward with her life. It's a powerful reminder that forgiveness can be a gift we give ourselves. Visit our new website www.LearnfromPeoplewhoLivedit.com    

Director Seth Porges joins Emily and Haley to discuss his new documentary Santacon, whether or not he would survive in outerspace, and the most disturbing fact he learned while making his documentary Class Action Park. Emily needs to know everything about Cash Cab, Haley gives us a behind-the-scenes insight on intimacy coordination, and we decide what the Tooth Fairy looks like. So flatter your cab driver, don't time travel, and get ob-Sethed with this episode of How To Make It.Follow us on Instagram: @HowToMakeItPodcastSubscribe to our YouTube channel: @HowToMakeItPodcastFollow Emily: @emilycappello_Follow Haley: @haleymuralee

Women played a vital role in the Vietnam War. Many served as nurses, treating and caring for American soldiers, enemies and civilians. “To The Women Who Served,” a new documentary from KMBC in Kansas City, captures firsthand accounts of what the women experienced and the role history sometimes overlooks.

A CBC investigation recently found there are thousands more people behind bars in Ontario jails than just a few years ago. But the number of jail beds has remained the same. This is all happening while federal and provincial politicians are discussing new bail reform legislation -- changes that could lead to a further influx of accused people being incarcerated. The CBC's Julie Ireton brings us her documentary "Catch 22."

This week the guys kick things off debating on foods that are typically liked by everyone, but is actually nasty (1:40). TSA too aggressive on their pat downs (16:08) RIP Donovan Pugh (24:32). Would you rather a trillion dollars or a 30 minute conversation with Jesus (26:46). Racist Cinnabon worker fired (34:26). Bow wow found the fountain of youth (40:25). Diddy documentary takes over Netflix (44:32). Ask Fresh email segment (58:55) and much more so tune in.......

 When it just touches on these really profound themes and it's moving in a way that catches you off guard. Matt Nothelfer is a Committee Member of the Borrego Springs Film Festival and working documentary filmmaker.In this conversation, Matt talks:* Why small, community-driven festivals like Borrego Springs offer some of the best experiences for indie filmmakers.* How the festival creates a filmmaker-friendly environment: lounge, home-baked food, networking, and long Q&As.* The “secret weapon” of Borrego Springs: a local audience that fills a 180-seat theater from morning to night.* Why early-bird submissions matter—and when they don't.* How to spot scammy or low-value festivals on FilmFreeway through community presence, transparency, and online footprint.* Why filmmakers should focus more on storytelling and theme than technical perfection.* The blind-submission, five-category review process Borrego uses to evaluate films fairly.* Why small festivals often have the highest acceptance chances—300 submissions, 70–80 selections.* How writing a thoughtful, festival-specific cover letter can move a film from “maybe” to “yes.”* Advice to emerging filmmakers: avoid chasing 100 meaningless laurels and instead pursue festivals aligned with your goals.Thanks for reading The Creativity, Education, and Leadership Newsletter! Subscribe for free to receive new posts and support my work.Here is an AI-generated transcript of our conversation. Don't come for me.BEN: Hi everyone. This is Ben Guest and this is The Creativity Education and Leadership Podcast. Today my guest is Matt Telfer, who is a committee member for the Borrego Springs Film Festival. In this interview, we talk all things film festival, how to run a filmmaker friendly festival, and tips and tricks for submitting to film festivals.Enjoy.Matt, thanks so much for joining the podcast today.MATT: My pleasure. Happy to be here.BEN: So, I always like to start with a fun question, senior year of high school, what music were you listening toMATT: right off the bat with a curve ball? Alright, let's lay it out. I got the Talking Heads,BEN: the Cure,MATT: Like, let's see, what else?BEN: New Wave.MATT: Yeah, a little bit of the punk stuff. I mean, we got Pixies were, was I listening to the Pixies then? I can't remember. Yeah, so, uh, the Dead Milkman, stuff like that. The pubs, um, yeah, I had some of their records. You know, it's really frustrating ‘cause I had those records up until like five years ago and I left them at a colleague's house and they scattered to the wind.All that good stuff. Yeah. Anyway, I'm still a little bitter about that, but That's okay. My colleagues, my colleague was a friend and he, he deserved them.BEN: So you are a committee member at the Borrego Springs Film Festival. What? Yes, sir. And, and you've, you've held a variety of roles there and, and off air, you're saying sort of lately you've been focused on.You know, the pre-production of the festival, the website, getting the materials together. Correct? Correct. Reaching out to filmmakers, et cetera. Talk to me, talk to us about what are the fundamentals of running a good festival?MATT: Well, our context is that we're super small and modest. Uh, like we were saying before the interview, uh, officially started, we are literally a, a tiny little village in the middle of a giant state park.Actually the biggest state park in the lower 48 states desert community. We're actually just south of Palm Springs and, uh, there's like 3000 full-time residents here and, uh. So running a film festival in a place where there's literally. Not really a commercial market, it's a different type of animal.And um, so we kind of do everything on a very tight budget and we try to personalize stuff as much as we possibly can. We, since we can't really throw a lot of money at stuff, we just do everything we can in other dimensions.BEN: What's an example of that?MATT: Just trying to be considerate about stuff, uh, being friendly to filmmakers that are willing to submit and to get, and that also get accepted. So when they come here, it's a personalized experience. We work pretty hard on creating a filmmaker's lounge where folks can gather and network with each other throughout the entire uh.Five days of our film festival and while they're at the film festival and they're talking to each other, we also have food available for ‘em. One of our great committee members, her name's Pam, she literally will bake stuff in the evening and bring it in in the morning. So you have fresh pastries, cookies, coffee, like fruit vegetables, just everything laid out.And you know, there's really not a huge expense to do that, but you need like the right people to do that, so that's the thing that kind of makes our festival a little bit. Different, I guess in a way is like there's a personalized aspect to it and we spread that type of attitude across all our stuff.So we're gonna have like four parties during the entire festival, and all those parties have similar type of vibe.BEN: The reviews that I read online, um, on film freeway filmmakers were saying that it is, it's a film, it's a filmmaker friendly. Festival.MATT: Yeah. Because, you know, that's what we can do. Mm-hmm. Like, you're not gonna travel to a remote place in the desert and, you know, run into a bunch of industry folks.Usually there are exceptions to that. And, uh, as our. Film festival has gotten a little more solid, and we occasionally have some industry people coming in. Most of the time it's indie filmmakers. You know, we might have some elbow rubbing that this kind of neat. But for the most part, you know, these are just small independent filmmakers trying to do their thing and.Wanting to share their films with an appreciative audience. And aside from, being very personable, uh, with the committee and with the staff that run the film festival, one of the great things about our particular film festival is that the community is a huge part of what we do. The event they show up, we have 180 seat theater and it's full from 10:00 AM in the morning until eight o'clock at night.Oh wow. Every block and wow. It's been that way since the beginning, and it's not because of anything that we do on the committee, it's simply because the community wants to be a part of it. And so that's kind of our secret weapon, is like you show up as a filmmaker and like, oh man, I got, I got scheduled for the 10:00 AM block.They, and then they, they show up and like, what's going on here? This is look back. And then at the end of it, you know, there's an extended q and a. We don't. Push our blocks back to back really tight and there's plenty of time just to like relax and having interaction with folks and some q and as will go on for like a half an hour, if not more.And it's just, you know, so that's a unique thing that just kind of emerged without effort. And we take credit for it and we're excited that we can offer that. But you know, it wasn't any, it wasn't by design, it was just kind of like, cool. This is working.BEN: As far as festivals go, it sounds like filmmaker heaven.MATT: Well, you try to, we definitely try to be. And the dude that got this whole thing rolling, his name's Fred G and he has lived in this little community for a really long time, and he's a great guy and he's one of the reasons why a lot of people show up because, you know, he's just one of those kind of like community, uh, he's, he'll be really upset if I use this phrase, but he's like a town elder. Mm-hmm. You know what I mean? Mm-hmm. Mm-hmm. So just having that type of guidance and having that type of person that can kind of unify the entire event, I. Is really great. And again, like I said before, it's kind of our secret weapon is that we have like this great community that's willing to be a part of a filmmaker's storytelling in so much as like they'll sit there, they'll react to it, they'll ask questions about it afterwards.So yeah, if you're. A filmmaker that wants your film to be seen by actual eyeballs and actual people that are engaged. Mm-hmm. Then film festivals like ours, which there are many around, around the world. You gotta search ‘em out. As a filmmaker, you've gotta. Start getting discriminating. You've gotta really pay attention to what films are film festivals are offering and try to be a part of those kinds of environments, if that's what you want.BEN: So this is great because you're, um, you are part of the Bgo Springs Film Festival, you're also a working filmmaker. What are some other festivals that you've attended or know about that have a similar sort of filmmaker friendly vibe?MATT: Full Bloom film festival in North Carolina for sure. The WYO Film Festival in Wyoming, we enjoyed that a lot.My wife and I who are documentary filmmakers, we've taken our film films there. And again, you know, it's the exact same recipe basically, you have a core group of citizens that are willing and able to show up and be a part of an event. So when you sh, when you arrive as a filmmaker and you sit in the audience, you're not alone with, or if you're in the audience and you're only with other filmmakers there to screen their movie, you know?Yeah. You know that, you know that feeling. We've been there, right? We've been, we've all been there and, and we don't. Film festival is like what we're talking about right now. They don't wanna offer that. They want it to be something, even if they sometimes fall short, which has happened with us, we've had blocks where, maybe there's only 50 people in the audience and, you know, half of the audience might be filmmakers.But that is such a rare thing anymore. You just wanna be offering something to filmmakers. Make them feel appreciated because we know how hard it is to make these things and even and to be willing to share that in front of other people and, ask and answer questions it's a special thing and we wanna nurture that as much as possible and sort of those other film festivals.Love it. Yeah.BEN: Yeah. So we, I, I first came across you on Reddit on the film festival subreddit, and you were offering good advice and thoughts on, for filmmakers applying to festivals, how to think through strategy. So I guess for all, yeah. I mean, did you hear Yeah, help us out.MATT: Yeah. Did you, when you were reading that stuff, I mean, what kind of hit you as like the most relevant?BEN: I think it's two things and since I, I just have a documentary. I finished and am submitted a film festivals. I've read a bunch of stuff. Seen a bunch of stuff, so I may conflate some of the things that you said versus something I saw elsewhere. But two things. That's all right. I'llMATT: take credit for it.BEN: One is know what your goal is ahead of time, right? Oh, yeah, absolutely. To, be it the, be it a filmmaker friendly festival with good parties and events and networking. Is your goal to get exposure? Is your goal to meet people in the industry? Is your goal mm-hmm. To get laurels? Those are all different worthy goals, but they all will change your strategy and your approach for film festivals.And the second is, you know, submit to, don't submit to 50 festivals. Submit to 5, 6, 7, see what the results are and then adjust from there.MATT: Oh, absolutely. Yeah. So yeah, when we're talking strategy, that's so important and, and we can speak about it from the perspective of the Borrego Springs Film Festival because, you know, knowing the context of the type of festival we are now, if you were a filmmaker that was searching out, let's say.A bunch of like publicity for, you know, some type of, media push. It's like, would you necessarily want to come to Bgo Springs? Maybe yes, maybe no. It depends on how you played it, but. The main reason you would be coming to Borrego Springs, we feel is because you want that personal interaction and you want feel special as a filmmaker and you want to share your stuff with us, and we want you to share your stuff with us, right?So you're absolutely right when you're initial initiating your kind of film festival search as a filmmaker, you really gotta narrow down what your expectations are. And figure that out. I can speak as a filmmaker as well. It's like if you're gonna go someplace and spend money to do so, I mean, at the very minimum you squeak by on a budget of 500 bucks, then that's kind of like dirt cheap to go someplace and then return home.You know? That's still a lot of money. Mm-hmm. And that's, that's probably like. The least amount that you would ever be able to spend and you would need help, like getting lodging, which we try to offer to our filmmakers. Um, you know, how are you gonna, what are you gonna do? What are you going to eat when you get there, which we try to offer to our filmmakers.And, you know, all those things become part of the calculus, right? Mm-hmm. Especially when you're independent, mm-hmm. I would ask you is like when you're trying to submit, what are you aiming for right now?BEN: So great question. So I'm aiming for trying to get multiple laurels and I'm in, in a little bit of a different situation, I think, than most filmmakers.So I, I have an academic background, I have a PhD, and ideally I'd like to I've worked at various universities. In the ideal world, I'd like to go back overseas and teach film at a university. And so in the world, in the world of academia, you know, there's this phrase, publish or perish, right? You have to publish academic journal articles, publish.Mm-hmm. In film, in the world of filmmaking, academia, a film festival run. A film festival. Acceptance is like a journal article, right? Um, maybe if you do a feature film that's like publishing a book, this is sort of, uh, roughly equivalent to getting a, a journal article published. So I want to sort of garner a number of laurels so that I can indicate, you know, this, this short plate at these 10 different film festivals.MATT: Okay, so the credentials matter, right? Correct. It's kind of like that kind of that'sBEN: exactly right. LittleMATT: trophy on the mantle, as it were. Mm-hmm. Yeah. Yeah. Okay. So, um, I'm gonna ask you another question if that's okay.BEN: Yes. I feel like I'm getting a All right. Free film festival, um, consulting.MATT: Perhaps, I don't know about that, but when you are pursuing the laurels and, you know, everything's kind of like filtering through film freeway these days. Mm-hmm. So what's your strategy as far as like finding those types of film festivals that you think are going to, allow you to get those laurels on your poster or whatever?BEN: Yeah. Another great question. So couple things. One is it's a doc. My latest is a documentary short, and it's, it takes place in the world of improv comedy. And the two subjects are two black women. So looking at festivals that either are geared towards comedy, towards documentary shorts or towards black themes and African American themes. One of those three or, or, um. Themes of uh, women in, in general. Sure. Well, if I couldMATT: interrupt real quick, please. Yeah. So it seems like you're trying to basically still maintain some integrity as far as that goes. It's like, yeah, I'm not relevantBEN: all like the fly by night, if you submit, we'll give you the, you know, the UP award.Yeah, exactly. Well, that, that's why I'mMATT: asking because. Okay. Because that's why I'm asking because, there are plenty of, you know, weird little festivals that are floating around the mill fly by night, that,BEN: thatMATT: come, that come and go. And if you want to get a hundred laurels on your poster, if that's, you know, what makes you feel good, then you could definitely do that.But at least what you're saying is like, okay, let's make sure that what's happening with my film has integrity, has, has a shape, and has, something that means something after, you get accepted.BEN: Yes. Oh, a hundred percent.MATT: And the reason I bring that up is because, you know, as a small film festival we struggle with getting we just struggle competing with what's out there on film Freeway, let's put it that way.BEN: You know, because Talk about that. Break itMATT: down. Yeah. You know, it's just, as anyone knows that's trying to do this thing, it's like you hit film freeway and they're a great platform. I'm not, complaining about them at all, but there's just a lot of stuff on there that is more or less as a filmmaker or relevant.I mean, would you agree with that?BEN: Oh, a hundred percent.MATT: Unless all you're wanting to do is just get one laurel to put on your, on your poster, so you know. Maybe they offer a little bit of something. But as a filmmaker, I've been to the ones that don't offer much anything aside from a screening and even, and it's like I'm lucky enough to even go to ones that have physical screenings.A lot these days are just like, oh, we'll slap it online and call it good. So, you know, uh, let's be honest, there's a lot that are just out there and they're just trying to churn. Make some money. So as a small film festival, we're competing with that stuff and we've seen our, uh, submission rate decline, not necessarily a bad thing for us.Mm-hmm. But for other film festivals, I imagine they might be getting frustrated with it. We are actually perfectly comfortable with where we've kind of landed and the groove we've been in since the pandemic. Even a little few years before then, and we haven't tried to kind of like change our recipe much.So we're just happy with the amount that we're getting. We're happy with the amount that we're accepting and we're pleased with how we're screening stuff and the opportunities we're giving people. But I do feel, from what I've seen, it's becoming. Uh, it's just, it's a bit, it's a bit difficult to navigate the slop.Let's just break it down like that. Yeah. And I don't know if you're feeling if you're experiencing the same thing or not. I'd be curious to, to see what you, what you say.BEN: For a hundred percent, so I, I made a few documentaries in the late 20, 2011, 2012, and that was right when Without a box, which was filmed free, right withoutMATT: a box.BEN: Started and it was great because instead of having to burn a bunch of DVDs and physically mail them, you could just upload your film and then submit it to a bunch of festivals. Research a bunch of festivals. Great. Coming back to it now in 2025, it's Scam Central and I think unfortunately one of the things you, you have to spend a bunch of time doing is trying to figure out which of these festivals.First of all, which of these festivals are just legit in that they're not trying to just mm-hmm. Get money from you. They're gonna do a virtual screening and that's it. And then once you even get that breakdown, kinda like you said, which are festivals that are legit, that, that have good people working hard, good intentions, you're proud to show your film there versus they're just churning through submissions and fees.And chart, have a bunch of deadlines and a bunch of different slots you can apply for. They're not the exact opposite of how you describe Borrego Springs.MATT: Yeah. And you have to, as a film festival, at least in our opinion over here, it's like you have to bring that value to the table or else why?Why are you really doing it? And if that answer is like, you're just some guy sitting in an apartment somewhere trying to make a lot of money or a living, I don't know if you can make a lot of money doing this.BEN: Mm-hmm.MATT: Um, but. If you're just doing a film festival that is literally fly by night because you want to cash in, it's like, that's really unfortunate.Now the other side of that coin is like we see a lot of very earnest filmmakers submitting and, uh, they might not be the most technically adept. And they're fresh out of the gate as far as like trying to be a filmmaker. So they're very eager and you know, they just want to tackle everything all at once, and they end up you know, they're not really exercising any discrimination about where their films are going and they end up, you know mm-hmm.Kind of wasting a lot of money in that regard. Submitting, the, submitting, submitting without much, kind of emotional reward from it. And I think,BEN: yeah.MATT: Having some type of like positive feedback about what you're doing is great, even if it's whatever.But. It really helps to have a place to land where you feel like super special and cared for and considered and not just like, oh, I showed up and, it cost me $10 to get into my own movie and it's costing me $20 to, buy a cocktail over here and, you know, those kinds of things.If you're even lucky enough to get that, honestly.BEN: Right. What's your advice on spotting scams when you're applying to festivals?MATT: How to be discriminating as far as like submitting?BEN: Yeah,MATT: I mean I can only approach that from our, my wife and i's own experience trying to get our films into festivals. And with the insight like working on a film festival, I think that helps.But trying to spot ‘em is really, you got to. Try to get a sense if there's any type of community involvement going on mm-hmm. With the festival. And you can usually track that online if you're, you know, if you're a bit sleuthy, and you can find out if it's being supported by the community in some sort of way.Mm-hmm. And it shouldn't take you too long to figure that out with a couple of decent, online searches and follow in a few threads of information. Another thing is, is like if they're kind of nurturing their online presence, you know, it doesn't have to be super sophisticated. You just have to get a vibe that they're trying.And if, if you get that kind of sense, then it's worth the effort. Typically the other thing is you gotta really know what type of film festival that you're submitting to, right? If you're making documentaries, you're not submitting to, you know, a feature film, festival Right. In every festival.So yeah. Core effects. So I, yeah. You know, it's just being, making those obvious decisions. But when you dig beneath that superficial stuff and you get past like the obvious. Really try to get a sense about what you want yourself as a filmmaker when you go to a film festival. And for us it's like getting appreciative eyeballs on the film and giving us fun feedback and having a good time and interacting and, and doing some networking, uh, basically having a party and celebrating your film.Mm-hmm. And I think that weBEN: think about, yeah, sorry, go ahead.MATT: I think that this, that's important for us, so I imagine, and I, I would think that it's important for other people that are making movies as well. Yeah. If we, about, especially independently.BEN: Yeah. Yeah. You know, there's you were alluding to very little money in it, but, um, there are, there are rewards.Yes. One of the biggest of which is seeing your film in a packed house with an engaged audience. What from a screener perspective, from a film festival perspective, what are some tips you would give up and coming filmmakers, young filmmakers on their short films in particular mistakes that you see et cetera, et cetera.MATT: I would say the biggest mistake, especially as a, a young filmmaker, is concentrating so much on the technicalities of the craft and ignoring the storytelling. Um, you know, we, you mentioned, and we mentioned before about like when we started, uh. Kind of submitting to film festivals. This was basically what, like 15 years ago for both of us now, right?2010s, 2012, whatever. Mm-hmm. The technical back then could elevate you above everything else back then. Like today. You know, look, anyone that has a, has a mobile telephone, essentially has the skillset it takes, or not the skillset, but the technical wherewithal.AnBEN: outstanding camera.MATT: Yeah. Yeah. And the point being is like you can go out and you can create something compelling without the gate of the technical getting in the way. Uh, you can capture it. And it doesn't have to look like a million bucks. It's nice if it looks like, you did a big budget thing on a small budget.I'm not knocking the craft of anything. I'm just saying don't be so intent. Or maybe even don't even worry if like, it falls short technically a little bit. ‘cause I will. Guarantee you that a film is gonna get into a film festival based on if it's a compelling story with a good theme or not. And theme is another thing that a lot of folks don't necessarily appreciate, I don't believe.Just to give you a little bit of insight, our film festival. Is the selection committee are not industry professionals. They are regular citizens. They're just watching movies to help out our film festival. Now, try to imagine what that means. It's like folks don't focus on the technical unless it's an absolute train wreck.They will literally sit down and say, is this something I'm interested in and am, am I engaged with the story? Full stop. So that's where, that's the thing you have to focus on. And if you're not doing that as a filmmaker, okay, maybe you're just, you know, maybe your thing is gonna be, you're just a cinematographer, you're just a sound guy.You know, you're more crafty than you are. You know, a storytellers you gotta find that. You gotta find that place. That would be the main thing, because I know we, we. This, I think this is a good thing about our particular film festival is that we have taken in some films that probably weren't like technically as good as they should have been, but because they are just so.Compelling. We don't ignore it like we do pay attention to the craft, but if a story elevates beyond the craft, we're more than happy to bring those folks in. And when those folks come in, they're like, oh my gosh. You know, it was like we're having a hard time getting accepted to film festivals and we're so grateful that you took our film and we can't believe the response that we're getting.Um, they tend to be the best. Most enthusiastic filmmakers and attendance of anybody. Mm-hmm. They're not cynical, you know, they're not burnt out, they're just like over the moon.BEN: They're happy to be there.MATT: Yeah. And it, and they should be. And they're gonna spread the word ‘cause they, they've created something.Yeah. Wonderful. Now, you know, maybe it's underexposed, maybe it's overexposed. Maybe the audio's not great here and maybe the audio's okay there, whatever. It's compelling. That's the main thing. And you and you as a filmmaker really need to start analyzing. My wife and I do this all the time. It's like, what the heck are we making here?Are we making something that is compelling to us personally? Mm-hmm. Are we making something that's compelling to other people? Mm-hmm. It's two different things.BEN: Mm-hmm.MATT: I mean, that's right. So storytelling is hard.BEN: Yeah. That's the craft. It's storytelling.MATT: Yeah.BEN: Yeah, yeah. What does your, so you've got screeners, not industry folks, people just who appreciate films and filmmaking.What does your judging sheet or criteria sheet look like with your screeners, and what's the process that a film goes through?MATT: Here's another thing about our particular film festival. We're completely blind. Submissions. You know, we do not solicit anything. It's like early days we were kind of like poking around and asking for some folks to kind of consider us, but we've kind of let that fall by the wayside.Maybe that's one of the reasons our submissions have declined a little bit over the years. One of the factors, but regardless completely blind submission. So. Stuff comes in. We have a bunch of people that are at the ready and they start watching it, and we basically have a five step process.It's like, consider this, consider this, consider this, consider this. And they do that. And they mark it from scale of one to 10. And, uh, from that we kind of start our, fundamentallyBEN: what are, what are the different, consider this. Like what are the categories?MATT: Let's see. I gotta look it up, but it, it basically breaks down to, okay.Are you sentimentally engaged with this? Meaning, is it, is it a subject matter? I love that questionBEN: that,MATT: yeah, it is a subject matter that you. Like just offhand, like, okay. It's a, it's a nature movie. See, I love nature movies. Oh, I see. Are you, you see what I'm saying?BEN: Predispose, I thought, I thought you meant was the film engagement.MATT: No, no. It, no, it's, it's, it becomes both. It becomes both, right? Yeah. Because your sentimental attraction to something is going to create an engagement. So we kind of wanna know if, uh, our regular folks are like just locking into something because they just love the subject matter.BEN: They make the topic.Yeah.MATT: Yeah. Um. Then from there we do actually talk about craft, even though I was saying before, like, uh, don't worry so much filmmakers about the craft anymore, but we wanna make sure that you can hear it. Okay. It's not a total disaster with the audio and you can see everything. Okay. So we ask them to rate it on that scale.And then, um, other, you know, just more nuancey things is like, okay, is the pacing cool? In other words. Did you find it like it was dragging a lot or it was, too fast? How's the editing style? Those kinds of metrics. And there's actually a few other ones in there as well. So all that is just kind of thrown into the pile.Mm-hmm. And then from there we start to weed that out as we come to after like all the submissions come in and from. Once all the submissions come in and our, our deadline has passed, then the committee jumps in and starts doing a more nuanced type of an analytical thing to the films that have been submitted.But I will say that regardless of how we kind of shuffle things, once the deadline is closed, the people that watch our films and the committee members are usually. Copacetic. There's hardly anything that that changes. And, um. The nice thing about our particular film festival too, is like if you're a filmmaker submitting, you know, I'll just, I'll give you the numbers.We essentially get like 300 submissions, so it's not a lot. Mm-hmm. Um, and out of that 300 we are running a sub, we're running a screening rate anywhere between like 70 to 80 movies a season. Mm-hmm. So that's a really good. That's a really good, uh, opportunity to get accepted at a film festival, and that's why small film festivals might be the best bet for a lot of independent filmmakers, I think.Mm-hmm. You know, because you have that opportunity to get noticed. So I think I might have tangent, I went off tangentially a little bit there, so if you wanna pull me back in.BEN: Yeah. You went off tangentially, but in a great way. I mean that I want to appreciate the transparency with the numbers. I interviewed, um, the director of the Wyoming International Film Festival, a guy named Rudy Womack, and he was the same.He was like, here's our numbers, we publish ‘em. He's like, most festivals don't, but it just demystifies the process. So it's very helpful.MATT: Yeah. And I'll give film pre credit because they allow film festivals like ours to put those numbers online. Mm-hmm. And, and we've done that. If you hit our page on film Freeway, you can start to figure out what we're about without too much trouble.BEN: What are the, what are the different blocks you run?MATT: As far as like thematically?BEN: Yeah. Yeah. Like at a festival. What are the different categories and blocks.MATT: Aha. See now you touched on something that's kind of unique to us. Okay. So, you know, you go to a film festival and it's like, oh, this is the, this is our dog block.Every movie's about dogs.BEN: Right, right.MATT: Or something like that. We don't do that. At all. So we kind of grab bag, the whole thing. It becomes a very eclectic mix of stuff. Mm-hmm. And one of the reasons we've ended up doing that is because our community has kind of demanded it. Whoa.Interestingly enough. Yeah, so they drove the decision to kind of like stop doing thematic blocks and they wanted a better mix of things because they, again, our folks here, they show up for every single block place is packed.BEN: I just, and sorry to interrupt before you finish, like everything you're saying, it just sounds like there's an iter iterative feedback loop.Between the community in the festival, the film? Absolutely in the festival. The volunteers in the festival. So I just wanna highlight that ‘cause I'm loving everything you're saying.MATT: Well, again, like I said, it's the secret sauce. It's our, it's our weapon that we have our secret weapon that allows us to kind of like elevate beyond our like humble budget.Right.BEN: The community is, but community is letting you know, we don't want thematic blocks.MATT: Yeah. The community came in and said, we, we want mix. So when we sit down and we're sitting through movies, it's like. If we're watching something that we're not in tune with thematically, then you know, you would have to sit there for like an hour and a half and just kind of tolerate it.Whereas now, if like a movie comes on about dogs and for some reason you're just a weirdo and you don't like dogs, that movie will come and go and now you're onto something else, right? Mm-hmm. So. Yeah like you just mentioned, it, it really becomes a cooperative effort between the community, the film festival itself and, and even the filmmakers.And we're kind of proud that it is a little bit ramshackle in that way ‘cause it creates a very organic vibe and weirdly enough. Like at the end of it all because it, it's a little bit random. It is like how folks get scheduled.BEN: Mm-hmm.MATT: Themes are emergent anyway.BEN: Mm-hmm. It's, peopleMATT: start creating patterns that didn't exist and then it sometimes that becomes really profound.It's like, didn't even think of that. It's brilliant. However oh, the other thing about programming too, that we do specifically for our film festival is that we. We ask our filmmakers, say like, Hey, are you planning on coming here? And if they, if they are planning on coming here, we try our, our level hardest to make sure that we program their films to match their schedule, right?So we don't lay out our program and say, okay, you were scheduled for, you know, Wednesday at 2:00 PM. It's like, well, I'm only free on the weekend. You know, and you wouldn't, you would never be able to attend. We ask first to say, do you think you're gonna be able to be here? And if they say yes, then we try to accommodate as best we can.So again, it's, it's collaboration across the board from filmmakers down to the, to the citizens of our small town.BEN: One of the things I read somewhere, or heard somewhere, is that it's much more advantageous to apply for the early bird deadline. What's your take on that?MATT: For our film festival, not so much, but I, I definitely adhere to that strategy as a filmmaker.If nothing else, it's budget conscious, you know? Yeah, yeah. It's cheaper usually under the initial deadlines you know, you have to take advantage of that. The other thing I guess is like, I will say from our experience, uh, with our particular film festival, if you get it in under the early bird deadline, at least it's there.And you know, you've basically got like four or five, six months for the submission. Crew for that particular film festival to kind of think about it. Whereas if it comes in a last minute, you're not really gonna get as much consideration. It's just gonna have to be more like, uh, an initial one-off type of decision.SoBEN: are there other, and I mean the, the most important advice right, is always make a good movie outside of the movie. Yeah. Are there other ancillary things that. Can move the needle at all. Cover letters, director statement, press kit, stuff like that, or it's not, uh, it's negligible.MATT: Hmm. It's neg negligible to an extent in so much, it depends on how you frame it as the filmmaker.Mm. And let me, I'll try to explain. So every year as a film festival, you just basically get cover letters. It's like, oh, take my film please. It's about this, it's about that. But it's a cover lever, co cover letter. It's, uh, copy and pasted. You can tell. You can just, you just know. It's like, okay, they're making an overture to us, but they're also making an overture to like a hundred other film festivals.It's like if you're gonna write to a film festival and say you want in, just make sure that you actually acknowledge who you are sending your film to. Don't just say, Hey, Borrego Springs, I wanna be in your film. I like Borrego Springs, mm-hmm. My parents went there once and I've always been com I've always been interested in the desert and how awesome would it be?See, that tells us that you're paying attention. Right?BEN: Mm-hmm.MATT: That you're trying. We're trying. We just want the filmmakers to try as well, as far as like trying to make any requests to get preferential treatment, and it's totally cool to ask for preferential treatment. By the way. You can say, I see that you're a small community.I just made a film that's, that takes place in a small community. We might be a really good fit. That kind of thing matters, right? An email overture works. Yes. An email overture doesn't work. No. It's both things at once, depending on, it really depends on how you write that letter. So if you wanna invest the time and effort to try to impress a film festival, just make sure that.You understand what that film festival is and really think about if what you're offering, the film festival is something that they might want. And if you can, if you see a, a common thread there, write about it in a letter. And even if it's just one sentence, it's like, then we know on our side that this person's paying attention and that that kind of matters.It does matter. So at the end of the day, when you're take, when you're kind of like really trying to figure out your cutoff, if your little film happens to be on the bubble, guess what? It might get into film festival, right? Mm-hmm. Because you said that you have a connection to this place, and I think that's fair.I mean, what, does that make sense?BEN: Yeah, for sure. So the festival is coming up in January, is that correct?MATT: Yeah, we're in the middle of gearing up for it right now, as a matter of fact. Nice. I gotta run out to the, to town here in like a, like 15 minutes actually to do some stuff for the film festival.So yeah, it's, it's, well, today we're shooting, um, a little promo, uh, thing that we're gonna run, run during. At the beginning of the blocks, and I'll be doing that with Fred G the chairman of the board. Yeah, that's nice, fun stuff. We try to have fun with things, so. Yeah.BEN: We do littleMATT: skits and whatnot during the award ceremony.It's, it's goofy. I love it. Cheesy as hell, but we like doing it, soBEN: I love it. Oh, that's actually something that I sort of, in, in, in my cover letters, which I try to. You know, write tailored to the festival. Especially the ones in California say, well, the film's about this improv duo and mm-hmm. We accepted, we'll come and we would love to do a little improv performance for the festival attendees.Um,MATT: I will say this too, because we're such what you just mentioned. I just want to piggyback on that for a second. So you said in my cover letter I'll say, we're willing to attend. It's like if you say that in a cover letter and you mean it, you, and you're willing to do that. Yeah. That's good. Especially for a festival like ours.We want filmmakers to come here. We wanna treat ‘em to a good time. We want them to be part of something that's. Big in the community and the community wants that as well. So if you're here and you're willing to be here, then that matters.BEN: I love it. Well, I mean, everything I'm hearing about Borrego, like literally I just reached out ‘cause I wanted to just talk film festival submissions, but now I'm like, Ooh, next year I'm definitely gonna submit to, uh, to Borrego.MATT: Yeah, I know this was supposed to be like a strategy session and here I am bragging about the film festival. That'sBEN: No, no. It's exactly what I, what I want. It's great. Last question. What's a, what's a. Documentary that blew you away recently?MATT: So, okay, so last year at our film festival, there was this really cool documentary called Dale. Have you seen it?BEN: No. Tell me about it.MATT: So Dale is like this older woman and she's the first basic Asian American that was in the, um, uh, Los Angeles orchestra, the Los Angeles Phil Harmonic. Okay. And essentially all it is is.I say all it is like, it's a very profound kind of retrospective of what she did to get to that point and you know, her views on things and it's just, and the music that was involved, just very beautiful, very poignant and simple. And. So when, when you have like movies like this and it's, it's not even a 10 minute long movie, it's under 10 minutes.Mm-hmm. When it just touches on these really profound themes and it's moving in a way that catches you off guard. Those are the things that you can't ignore, right? Mm-hmm. And this is actually, Dale's a good example because, you know, it's not always shot pristinely, it doesn't have to look, perfect. But the story reaches kind of a transcendent level that is really, really nice. So if I would throw in Dale and let me see, uh, the the director of that, his name was Justin Strike. So if anyone, I think it's still on the film festival circuit, so you have that opportunity. Go check it out.BEN: Love it. Love it. Love it. Matt, thank you so much for taking the time. For people who are interested in Borrego Springs Film Festival, either to attend, to submit, et cetera, what where should they go and where can they find you?MATT: Oh, online search, just, you know, Borrego Springs Film Festival. It'll lead you to all the places you need to be.And, uh, yeah, just track us down that way. Pretty straightforward. Take a peek at what we're offering. We keep mm-hmm uh, we keep an archive of the stuff we've done online so you can pull back the curtain and look and say, okay, is this kind of something I'd be interested in?Um, you can get a vibe for it that way. And, uh, that's, yeah, that's kind of it. That's kind of it. I think we've tried hard to make sure that what we offered is pretty transparent, and if you take a look at it and you think it's a good fit, and by all means, send us your stuff. Including you, by the way, so, you know.Yeah, no, you have to submit as well now would definitelyBEN: be submitting early bird deadline next year. Perfect. I wish I, if I was still in LA I'd come down, uh, next month and, and just go to this upcoming festival. It sounds wonderful.MATT: Well, I know. Why don't you just do it anyway?BEN: Yeah, I'll give you aMATT: VIP pass.I that,BEN: listen, I might take you up on it. I still all, well, if you do, it'sMATT: we'll be waiting for you.BEN: You, you know, we're, we're documentary filmmakers. We always have a couple irons in the fire. So I do have one kind of idea of, uh, another doc I'd like to shoot out on la maybe I'll combine it. I'll let you know.MATT: Perfect excuse.BEN: Hey, this was fantastic. Thank you so much for taking the time. I'm so glad um, we connected and uh, just listen. Our pleasure be fantastic.MATT: Yeah, we're, we're happy as a film festival to be asked to do this kind of thing, so thank you. And um, best of luck to your film too. I'm gonna check it out, so be sure to submit it straight away.BEN: I will. Thank you so much, Matt. Alright man. Thanks.BEN: That was my interview with Matt of the Borrego Springs Film Festival. Hope you enjoyed, please forward to at least one person. Have a great week. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit benbo.substack.com

⚠️ Some listeners/viewers may find parts of this episode distressing.In this Oh My Dog mini-documentary, Sara visits Camp Beagle, the protest camp outside MBR Acres, a facility that has been breeding beagle puppies for animal testing for over 50 years.Over the course of the visit, we meet camp resident Sole, hear the dogs inside the facility, and learn what happens to puppies bred for laboratory experiments - and why campaigners believe animal testing is both unethical and outdated.This is a first-person report of what Sara saw, heard, and felt while at Camp Beagle.I recommend watching this episode, either on Spotify or on YouTube: @ompod.I'd really like to know how this made you feel, so please leave a comment or email the show: hello@omdpod.comThank you for watching/listening.Still a way to go so please SIGN THE CAMP BEAGLE PETITION: https://petition.parliament.uk/petitions/736578Huge thanks to Sole, and to John, Emma and Timea for your time and passion. Photo credit: Timea Kovács @@timeakovacs.photos. Huge thanks also to Fay Gibbons for helping me capture the day on film https://boopologysocial.co.uk/.00:00 Sara arrives at Camp Beagle00:10 Meeting camp resident Sole01:01 Outside MBR Acres – the beagle breeding facility02:27 Hearing the dogs for the first time and what happens at MBR Acres03:28 What we can all do to help04:55 Human and canine biology differ - and emerging alternatives to animal testing06:11 How animal testing delays medical progress07:10 Puppies sent to laboratories at 16 weeks old07:50 An emotional moment - pathological behaviours observed08:54 Experimented on and then killed for further testing10:00 The high failure rate of testing on dogs11:14 Where Animal Rising broke in and liberated 20 dogs12:17 The sound of puppies inside the facility12:30 Hope and humanity at Camp Beagle13:18 Sara reflects on what she's seen as she leaves#CampBeagle #OhMyDogPodcast #MiniDocumentary #AnimalWelfare #EndAnimalTesting #PodcastDocumentary#AnimalJustice #dogpodcast

Mail Call: Tots TURNT is in effect, we got some great mail from COOGS and ZOUP and we have a variety of special messages about Tots TURNT from many friends of the show. Corey Feldman Vs. The World: The trailer has dropped for the Jim Cummings produced documentary Corey Feldman Vs. The World which covers the Corey's Angels tour. Tori Spelling Podcast Pt. 2: Corey does yet another interview with Tori Spelling and it is all over the place from Wes Craven stories to ChatGPT fights, we got it all. COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, EDOC!, REMIX!, FILTH PIGS!, HAWAII TOM!, DONATE!, FBI AGENT!, SCAMMED!, PRETTY IN PINK!, ZOUP!, MARIO!, CHRISTMAS CARD!, MOUTH LEGO MINIFIGS!, SHEENSON'S GREETINGS!, COOGS!, JAYFRUCTOSE!, JOSH!, DANCING WITH GHOSTS!, HUMONGOUS!, BRENDENLMAO!, TIKTOK!, JEZEBEL SWEET!, JAKE SPRGUE!, SPRAGELS!, ADRIEN AGE CHECK!, TEASER!, THE BURBS TV SHOW!, STAND BY ME TOUR!, JERRY O'CONNELL!, TOUR!, 40TH ANNIVERSARY!, FIREMEN JACKETS!, YN!, ALEX JONES!, MARCIE HUME!, DOCUMENTARY!, JIM CUMMINGS!, DIRECTOR!, NEUTRAL!, THINK YOU'RE BETTER THAN US!?, FRIENDSHIP ARC!, Q&A!, SHOUTOUT!, WIFE SWAP!, FOOD PANTRY!, GOTHSPEL!, ADRIEN SKYE!,  You can find the videos from this episode at our Discord RIGHT HERE!

In this episode, Kate talks with Kim Huynh, whose family story spans continents, generations, and a lifetime of unanswered questions. Kim first caught Kate's attention through an Instagram video where she revealed a stunning discovery: her father—born and raised in Vietnam—had finally found a biological relative through a genealogy site. The match confirmed what had long been whispered but never proven: his father was an American soldier in the Vietnam War, a man he never knew, and about whom his own mother gave no identifying information. Kim shares her father's powerful origin story and the emotional impact of uncovering a history shaped by secrecy, war, and resilience. She also tells the story of how her parents met and married in Vietnam, and how, when she was four years old, they left their homeland to start again in Kentucky, building a life that blended Vietnamese heritage with Southern American culture. Reality Life with Kate Casey What to Watch List: https://katecasey.substack.com Patreon: http://www.patreon.com/katecasey Twitter: https://twitter.com/katecasey Instagram: http://www.instagram.com/katecaseyca Tik Tok: https://www.tiktok.com/@itskatecasey?lang=en Facebook Group: https://www.facebook.com/groups/113157919338245 Amazon List: https://www.amazon.com/shop/katecasey Like it to Know It: https://www.shopltk.com/explore/katecaseySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

One year after the fall of Syria's dictator, Bashar al-Assad, interim president Ahmed al-Sharaa has undergone a significant image makeover. He's regularly seen playing basketball or pool on social media and his posts are amplified by a network of government-backed influencers. BBC Monitoring's Samia Hosny has been watching and reflects on what this PR campaign is saying – and what it isn't.  The special administrative region of Macau on the south coast of China is sometimes referred to as the Las Vegas of the East. The gaming hub attracts tourists from all over the world, as well as from mainland China and Taiwan. But amid the glitzy casinos and hotels, Macau has just opened its very first luxury resort hospital, in the hope of capitalising on the medical tourism industry. The BBC's Osmond Chia reports from Singapore. 17-year-old Janvi Jindal, from Punjab state in India, has recently achieved 5 Guinness World Records in freestyle skating. She was able to perform, amongst other things, thirty-two 360 degree rotations in 30 seconds – whilst balancing on her inline skates. BBC reporter Sarabjit Singh Dhaliwal went to meet Janvi and her parents. This episode of The Documentary comes to you from The Fifth Floor, the show at the heart of global storytelling, with BBC journalists from all around the world. Presented by Faranak Amidi. Produced by Laura Thomas, Caroline Ferguson and Hannah Dean. (Photo: Faranak Amidi. Credit: Tricia Yourkevich.)

This is The Zone of Disruption! This is the I AM RAPAPORT: STEREO PODCAST! His name is Michael Rapaport aka The Gringo Mandingo aka aka The People's Pickle aka The Jewish Brad Pitt aka Captain Colitis aka The Disruptive Warrior and he is here to discuss: Documentary Announcement Back From Israel Brick in New York Quentin Tarrantino talking about Paul Dano P Diddy Documentary Footage Oklahoma City Thundering NBA Prime Pre-Game Showtime Philip Rivers is back in the NFL at 44 Candace Owens Is Bottom of The Barrel The Judges for Celebrity Murderers Dumb Dumb Podcasters Talking About Israel New Smacking Old School Hip Hop & a whole lotta mo'. This episode is not to be missed! CaptainPicks To Win In Sports Betting: https://www.winible.com/checkout/1357777109057032537?store_url=/captainpicks&c=kickoff Rate & Review on Apple Podcasts or Spotify Send questions & concerns to: iamrapaportpodcast@gmail.com Subscribe to Rapaport's Reality Feeds: iHeartRadio: https://www.iheart.com/podcast/867-rapaports-reality-with-keb-171162927/ Apple Podcasts: https://podcasts.apple.com/us/podcast/rapaports-reality-with-kebe-michael-rapaport/id1744160673 Spotify: https://open.spotify.com/show/3a9ArixCtWRhfpfo1Tz7MR Pandora: https://www.pandora.com/podcast/rapaports-reality-with-kebe-michael-rapaport/PC:1001087456 Amazon Music: https://music.amazon.com/podcasts/a776919e-ad8c-4b4b-90c6-f28e41fe1d40/rapaports-reality-with-kebe-michael-rapaport Stand Up Comedy Tickets on sale at: MichaelRapaportComedy.com If you are interested in NCAA, MLB, NBA, NFL & UFC Picks/Parlays Follow @CaptainPicksWins on Instagram & subscribe to packages at www.CaptainPicks.com www.dbpodcasts.com Produced by DBPodcasts.comFollow @dbpodcasts, @iamrapaport, @michaelrapaport on TikTok, Twitter & InstagramMusic by Jansport J (Follow @JansportJ) www.JansportJMusic.comSee omnystudio.com/listener for privacy information.

Max has got a crash pad in Yokohama with just one rule. Don't fall asleep in the living room. Thank you, Max, for sharing your story with Spooked!Produced by Erick Yáñez, original score by Lalin St. Juste, scouted by Dan Yashinsky.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This special Friday episode is a fun two for one. Chalene breaks down her top 10 favorite purchases of 2025 that actually made everyday life easier, comfier, and more enjoyable, from sleep upgrades and style shortcuts to wellness tools that truly earned a permanent spot in her routine. Then the conversation shifts into her most binge worthy documentary and docuseries picks, including jaw dropping true crime, messy family dynasties, cult like power stories, and investigations that stick with you long after you finish watching. She shares why certain stories hit harder, what most people overlook, and which shows are worth sitting down for versus letting play in the background. If you love honest recommendations, real talk, and ideas you can use right away, this episode is for you.