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MTD returned from the beach, Mark came back for another week of bad movies, and within five minutes the movie review had somehow become a pitch meeting for reality television. Brad introduced Life Stinks, where rich people have to survive homeless for 30 days, before Mark improved it with Life Swap, where a guy from rural Nebraska gets dropped into New York City while a city slicker gets sent to a farm and spends the next month being called "City Boy." Honestly, the guys may have accidentally come up with a better idea than the movie they were reviewing. Eventually they remembered they were supposed to talk about Backrooms. Brad's one-minute synopsis somehow made more sense than the actual movie. A struggling furniture salesman discovers mysterious endless hallways beneath his failing store, tells his psychiatrist about them, brings his coworkers inside, everyone starts disappearing, and somehow the psychiatrist decides that's enough evidence to go exploring herself. Sure... why not?The biggest surprise of the episode wasn't the movie—it was Mark. He admitted he genuinely loved the first hour of Backrooms, while Brad looked at him like he'd just nominated Madame Web for Best Picture. The debate lasted most of the episode, with Mark defending the atmosphere and Brad insisting the movie forgot one tiny detail... explaining literally anything. The one thing everyone agreed on was that the real star wasn't the furniture salesman or the psychiatrist—it was the backrooms themselves. Endless yellow hallways, buzzing fluorescent lights, abandoned office furniture, and that unsettling feeling of being somewhere you definitely shouldn't be. Brad even admitted the creepiest place he'd ever worked wasn't a haunted house—it was helping his girlfriend at Bath & Body Works after the mall closed. Apparently empty shopping malls at night are nightmare fuel all by themselves. As they broke down the movie, the questions just kept piling up. Why is Clark sleeping on mattresses he's supposed to sell? Who wants to buy a bed that's doubled as a grown man's apartment? How is this furniture store still in business when no customers ever appear? And who's paying the electric bill for an underground maze with enough fluorescent lights to power a small city? Naturally, none of those questions stayed on topic for long. Somehow the conversation turned into Brad explaining that if he ever lost an arm, he wouldn't want a modern prosthetic—he'd want a full Captain Hook hook. Not because it would be practical, but because people would remember him as "the hook-hand guy." By the end of the conversation they were designing interchangeable hook attachments like they were building the Swiss Army Knife of pirate hands. Then the movie paused so the guys could discuss psychiatry. Brad decided he'd make an awful therapist because he'd spend sessions doodling his autograph instead of listening. He also admitted he'd constantly want to tell Mark about the bizarre patients he'd seen that day, which is probably why becoming a psychiatrist was never in the cards. Ironically, the movie finally became its strongest once everyone entered the backrooms together. The found-footage scenes were genuinely creepy, the atmosphere worked, and both Brad and Mark were convinced the movie was about to take off. Instead, it introduced more mysteries than answers. Who was the figure lurking in the halls? What exactly are the backrooms? Why do they exist? The answer, apparently, is that you're supposed to watch the YouTube series first.By the end of the episode, the biggest mystery wasn't Backrooms. It was how a movie can make hundreds of millions of dollars while still leaving Brad convinced that the scariest thing in the entire film was buying a mattress that Clark had been sleeping—and farting—on for months.
Recorded - 8/22/2026 On Episode 386 of the Almost Sideways Movie Podcast, we review the new film diving into the younger years of Anthony Bourdain before we deep dive the runner-up in our recent 2011 Pinot Best Picture vote. Does Drive hold up 15 years later? Should it have been our Best Picture runner-up? Too low? Too high" Here are the highlights:(9:35) "13th" - Terry Oscar Anniversary Review(14:10) "Singing Behind Screens" - Todd Director Blindspot Review(18:40) "Don't Say Good Luck" - Zach Review(24:30) "Tony" - Featured Review"DRIVE" 15TH ANNIVERSARY DEEP DIVE(52:45) "Drive" Trivia(1:10:50) First Impressions & Thoughts(1:40:00) Mount Rushmore: Pawn Shop Sequences(1:48:10) Recasting "Drive"(2:05:15) Highest WAR, Worst Performance(2:16:20) Minor Character Triumvirate, Tripod of Depravity(2:26:15) Best Scene(2:28:50) Closing Thoughts(2:32:50) LVP, MVP, Quote of the DayFind AlmostSideways everywhere!http://almostsideways.comhttps://www.facebook.com/AlmostSidewayscom-130953353614569/AlmostSideways Twitter: @almostsidewaysTerry's Twitter: @almostsideterryZach's Letterboxd: https://letterboxd.com/pro_zach36/Todd: Too Cool for TwitterAdam's Twitter: @adamsidewayshttps://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4mhttps://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber
Recorded - 8/16/2026 On Episode 385 of the Almost Sideways Movie Podcast, we finalize our summer celebration of 2011 by deep diving our winner for Best Picture. What makes A Separation an all-time masterpiece? We also featured two new releases in our reviews (and no one gives a thumbs down to either of them). Here are the highlights:What We've Been Watching(5:50) "Images" - Todd Director Blindspot Review(7:45) "The Last House" - Adam & Terry Review(13:20) "Superman Returns" - Terry Oscar Anniversary Review(18:55) "Dirtbag: The Legend of Fred Beckey" - Zach Review(23:00) "The End of Oak Street" - Featured Review(41:50) "The Rivals of Amziah King" - Featured Review"A SEPARATION" 2011 PINOT BEST PICTURE DEEP DIVE(55:45) "A Separation" Trivia(1:08:20) First Impressions & Discussion(1:51:10) Mount Rushmore: Films Set in the Middle East(2:01:15) Recasting "A Separation"(2:09:00) Best Scene(2:15:25) Other Categories(2:28:00) Quote of the DayFind AlmostSideways everywhere!http://almostsideways.comhttps://www.facebook.com/AlmostSidewayscom-130953353614569/AlmostSideways Twitter: @almostsidewaysTerry's Twitter: @almostsideterryZach's Letterboxd: https://letterboxd.com/pro_zach36/Todd: Too Cool for TwitterAdam's Twitter: @adamsidewayshttps://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4mhttps://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber
Following our 505th episode of The Next Best Picture Podcast, we're back with a new episode of Mailbag Monday. Lauren LaMagna, Dan Bayer, Larry Fried & Tom O'Brien join me in this new series dedicated entirely to answering your fan-submitted questions from the NBP Film Community. Covering everything from the latest movie news, awards season, and Oscar predictions to filmmaking, industry trends, and whatever else is on your mind, Mailbag Monday allows us to engage more directly with all of you every week. Thank you to everyone who submitted questions for this episode, whether on our X account or on our Discord (Patreon members get a private link to chat with other members of NBP and me). If you'd like to be featured on a future edition of Mailbag Monday, be sure to leave your questions in the comments or submit them through our social media channels every Sunday morning when prompted on our X account. We hope you'll join us every Monday as we continue the conversation beyond our weekly Sunday podcast. Thank you, as always, for listening, subscribing, and supporting Next Best Picture, and helping us build such an incredible film community. Enjoy! https://youtu.be/c0xMRxwgfo4 Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
We're back, bitches! Along with filmmaker and podcaster extraordinaire Chris Moore, we journeyed to the fucked up land of the suburbs to tackle the 1999 Best Picture winner American Beauty! Do we spend most of the time gushing over Annette Bening, you'll have to listen to find out! Patreon episodes returning soon with exclusive content over at patreon.com/triplemmmpodFollow us on the socials @triplemmmpodClayton - @justhappy2cuShawn - @murphthesmurphChris - @somepeopleaintmeEmail - menwholikemenwholikemoviespod@gmail.comIf you're enjoying the pod, give us a rate/review - it helps SO much!Don't forget to be kind out there!
Mostly Film – Take 243: Harrison Ford In Review — Episode 4Peak Ford. Jonathan and JP cover the three-year stretch — 1992, 1993, 1994 — where Harrison Ford was the biggest movie star in the world outside of his own franchises. Combined worldwide gross across three films: approximately $572 million. All three opened at number one. One of them held number one for six consecutive weeks.First, Patriot Games. Alec Baldwin was unavailable due to a Broadway commitment, McTiernan left when Baldwin left, Tom Clancy publicly asked for his name removed from the production, and Ford stepped into Jack Ryan anyway. The original ending tested so badly they scrapped it entirely and reshot the climax — during which Ford accidentally hit Sean Bean in the face with a boat hook and gave him a scar that the Sharpe makeup department later leaned into for authenticity. The satellite strike sequence caused brief concern at the Pentagon. Roger Ebert complained about the Indiana Jones ending. The question: does Ford make Jack Ryan his own, or is he always playing Alec Baldwin's character?Then The Fugitive. Twenty-five drafts, nine writers, six editors, and a script that still wasn't finished when they started shooting. Baldwin, Costner, Douglas, and Nolte were all considered before Ford. Nobody involved had seen the original TV series. Tommy Lee Jones improvised "I don't care" during a freezing sewer sequence, told Joe Pantoliano nobody would win any awards for this film, then won the Oscar, the Golden Globe, and every critics' prize going. The train crash was 27 cameras, one take, no miniatures. The St. Patrick's Day parade was shot in the real parade with no rehearsal. Seven Oscar nominations including Best Picture. The only TV adaptation ever nominated for that award. The big question for the episode: is The Fugitive the best film Harrison Ford ever made outside of Star Wars and Indiana Jones?Then Clear and Present Danger — three screenwriters, Clancy still not fully happy, and Ford's own stated favourite of the two Jack Ryan films he made. A film whose central thesis is that telling the truth to Congress is more dangerous than participating in a cover-up. It felt provocative in 1994. It has dated extremely well.After 1994, Ford never made another Jack Ryan film. The question that hangs over the episode — and sets up Episode 5: what happens to Harrison Ford's career after the peak?
The surviving 4 films of the 1929 Best Picture race have a combined iMDB rating of 22.2. That's adding them all up. It's...not great.
Recorded - 8/8/2026 On Episode 384 of the Almost Sideways Movie Podcast, we finalize our summer project of honoring the films from 15 years ago by awarding our final Pinots for 2011. What will take home Best Picture and be our deep dive next week? We also review the film that won our "Come to the Stable" category for 2011 as a first time watch for everyone. Here are the highlights:What We've Been Watching(4:00) "Crime of the Century" - Todd Director Blindspot Review(5:50) "I Swear" - Todd Review/Rant(11:35) "Olmo" - Zach Review(15:45) "One Night Only" - Zach & Terry Review(26:35) "Loving" - Terry Oscar Anniversary Review(29:50) "The Running Man" - Adam Pinot Blindspot Review2011 PINOT FINALS!!!(31:55) "Henry's Crime" - Featured "Come to the Stable" Winning Review(54:10) 2011 Pinot Reveal Initial Thoughts(56:30) Best Actor(1:04:15) Highest WAR(1:11:10) Best Adapted Screenplay(1:14:00) Best Original Screenplay(1:18:20) Best Ensemble(1:21:55) Best Scene(1:26:50) Best Supporting Actor(1:30:15) Best Actress(1:36:35) Best Director(1:39:25) '61 Cheval Blanc(1:53:30) Best Actress(1:59:05) Best Picture(2:07:30) Quote of the DayFind AlmostSideways everywhere!http://almostsideways.comhttps://www.facebook.com/AlmostSidewayscom-130953353614569/AlmostSideways Twitter: @almostsidewaysTerry's Twitter: @almostsideterryZach's Letterboxd: https://letterboxd.com/pro_zach36/Todd: Too Cool for TwitterAdam's Twitter: @adamsidewayshttps://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4mhttps://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber
Hello and welcome to Redshirt Cinema Club, a podcast about fandom and watching movies with friends. Today, it's Oppenheimer, Christopher Nolan's multi-award-winning 2023 biopic of the man who made the bomb. Best Picture. Best actor for Cillian Murphy, Best Director for Nolan himself. But can it win the less-prestigious but harder-to-obtain award for entertaining all three of the Redshirt Cinema Club hosts? Let's find out! Hosted on Acast. See acast.com/privacy for more information.
This week on ClapperCast, Jakub Flasz joins Carson Timar to continue ClapperCast's Best Picture Rewind series by discussing 1959's Ben-Hur and what the film represents as a Best Picture winner! Subscribe on Patreon for Bonus Episodes & Early Access: https://www.patreon.com/clappercastpodEmail us at ClapperCast@gmail.com- Social Media Links -Twitter: https://twitter.com/ClapperPodcastLetterboxd: https://letterboxd.com/clappercast/Carson Timar: https://bsky.app/profile/carsontimar.bsky.socialJakub Flasz: https://letterboxd.com/jakubflasz/Create Your Podcast on Zencastr Today: https://zencastr.com/?via=clappercastThanks for Watching!
On episode 357 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Josh Parham and Karen Peterson to go back 55 years and take a look at the 44th Academy Awards, covering the films of 1971. In another Oscar retrospective, the team go back this week to the start of the 1970s, where Hollywood was in a transition period within the films of the past; costume dramas and period pieces, and the films that would dominate the decade; auteur, original filmmaking from new voices in cinema. One of those voices was director William Friedkin, who broke big in 1971 with The French Connection, a neo-noir, action thriller about a narcotics detective trying to take down a big-time, connected drug dealer. The film was a massive success for the director and its star Gene Hackman, with the Academy awarding them Oscar gold. But will the team let Friedkin and company keep their Oscars? The Best Picture winner, alongside A Clockwork Orange, Willy Wonka and the Chocolate Factory, McCabe and Mrs. Miller, The Devils, A New Leaf, Dirty Harry, The Last Picture Show, Nicholas and Alexandra, Fiddler on the Roof, Harold and Maude, and more were mentioned on the show. In their in-depth discussion, the AW team talked about the film year of 1971, briefly discuss talk about The French Connection as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h26m. We will be back next week to talk about the latest film from the director David Robert Mitchell, The End of Oak Street. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).
The Best Picture Show - Episode 16 Quintin and Sush discuss the 100 Best Picture winners from the last century of filmmaking. They discuss every Oscar ceremony, the historical context of each film, and how the film has stood the test of time. This episode they watch the Best Picture winner: Casablanca. They discuss their thoughts on one of the greatest romantic films of all time.
The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: What is the Spanish word for "hut"? Question 2: Who won the 1980 Academy Award for Best Leading Actor for playing the role of Jake LaMotta in Raging Bull? Question 3: What is the name of the Japanese religion that has many sects including Fukko and Watarai? Question 4: In her memoir 'The Princess Diarist', which star revealed that she had an affair with Harrison Ford while making 'Star Wars'? Question 5: What does the word 'um' mean in Portuguese? Question 6: Which TV Family Adopted A Greyhound For Christmas? Question 7: Name the movie that matches the following plot summary: 'The final secretary for Adolf Hitler tells of the Nazi dictator's final days.' Question 8: Which film won the Academy Award for Best Picture in 2000? Question 9: What is the plot of the movie My Neighbour Totoro? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices
Don't Kill the Messenger with movie research expert Kevin Goetz
Send Kevin a Text MessageJim Orr is President of Domestic Theatrical Distribution at Universal Pictures. He began his career at Paramount and joined Universal in 2016 after leading distribution at Focus Features and MGM. Brandon Purdie is Executive Vice President and Head of Theatrical Distribution at Angel Studios, the audience-funded studio behind Sound of Freedom, where he helped build a community-driven model that puts greenlight decisions in the hands of its 2.4 million members. Host Kevin Goetz brings the two together for a wide-ranging conversation on how films find audiences in an era of theaters, streaming, VOD, and direct fan engagement.From Del Monte to Distribution (08:41): Orr recounts talking his way into a sales job at Del Monte out of college, then cold-calling studio distribution heads until Paramount hired him on the spot.The Roadshow Era and the First Wide Break (11:36): Orr traces distribution's earliest days, when prints traveled by car with regional reps, through to the thousand-plus theater breaks standard by the time of Star Trek.Content Is Still King (23:02): Both guests agree the movie itself remains the deciding factor in box office success, with Purdie noting a quiet week usually just means there isn't a film people want to see yet.Building Angel Studios from a Membership, Not a Subscription (30:02): Purdie explains Angel's founding principle: no executive can greenlight a film without approval from the Angel Guild, whose members vote on projects and get free tickets to every release.Pay It Forward and the Sound of Freedom Phenomenon (34:06): Purdie details how Angel's "Pay It Forward" ticketing model generated more than $20 million in donated tickets, helping turn Sound of Freedom into a summer 2023 box office surprise.The Green Book Playbook (44:27): Orr points to Green Book as his proudest Universal moment, explaining how a deliberately limited release avoided split grosses and let the film build week over week toward a Best Picture win.What Keeps Them Up at Night, and the Next Five Years (49:26): Purdie names human apathy as Angel's biggest threat. Orr predicts modest theater consolidation and growth in premium formats, while Purdie sees Angel continuing to scale its guild and slate.Host: Kevin GoetzGuests: Jim Orr and Brandon PurdieProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Jim Orr and Brandon Purdie:Jim Orr (Universal Pictures): https://www.universalpictures.com/leadership-team/?name=jim-orrJim Orr (LinkedIn): https://www.linkedin.com/in/jim-orr-50ab7b8/For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com
The hills are alive...with the sound of Cinema Chat! In this episode, Stacy and Juan break down the box office blockbuster that is Spider-Man: Brand New Day, the fourth Spider-Man outing for Tom Holland. And it's a brand new Cinema Chat segment, Summer Flashback Movie Time, or maybe it's Summer Old Timey Movie Review, featuring the 1965 Best Picture winner, The Sound of Music!
The Best Picture Show - Episode 15 Quintin and Sush discuss the 100 Best Picture winners from the last century of filmmaking. They discuss every Oscar ceremony, the historical context of each film, and how the film has stood the test of time. This episode they watch the Best Picture winner: Mrs Miniver. They discuss their thoughts on the World War II propaganda film and its impact to America and film.
THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture We recently reviewed Christopher Nolan's "The Dark Knight," a film that many feel should've been part of the Best Picture lineup in 2008. So, it only makes sense that, as Nolan is once again getting his revenge with another new film in theaters, we revisit the film that was widely seen as the one that took his masterpiece out of the lineup, and that's "The Reader," starring Kate Winslet, Ralph Fiennes, David Kross, Lena Olin & Bruno Ganz. Directed by Stephen Daldry and written by David Hare based on the novel "Der Vorleser" by Bernhard Schlink, this Holocaust drama has become the poster child for the term "Oscar bait" in the years since its release (and was widely seen as such then) as it saw Winslet in another awards magnet performance that the Academy finally decided to give her an Oscar for, produced and pushed by Harvey Weinstein at the height of his powers, the film has not aged well to say the least, certainly compared to the other films it beat out that Oscar season for major nominations including Best Picture, Best Director, Best Cinematography and Best Adapted Screenplay. What did we think of it? Please tune in as Nadia Dalimonte, Dan Bayer, Amy Kim, Will Mavity, and I talk about the film's screenplay, Winslet's performance, Daldry's direction, the score, the cinematography, its awards season run, and more in our SPOILER-FILLED review. Please check out our past reviews for "Frost/Nixon," "Doubt," "Changeling," "Revolutionary Road," "WALL-E, "Milk," and "The Dark Knight." We appreciate your support and hope you enjoy our review! https://youtu.be/mZmWKG8JSFg Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
As the wait for the next Best Picture to reveal itself continues, Shaun Collins joins us to discuss his pick , "Matinee"!!!Twitter : @oscarsgold @hidarknesspod @beatlesblonde @udanax19Facebook : facebook.com/goldstandardoscarsPatreon : patreon.com/goldstandardoscars
Oppenheimer immediately established itself as one of the most important films in recent cinema. And after multiple viewings and further analysis, that belief has only grown stronger.Christopher Nolan has created far more than an entertaining and visually extraordinary epic about the brilliant scientist J. Robert Oppenheimer, whose work helped develop the atomic bomb that the United States ultimately used against Japan during the final days of the Second World War. This is also a film about opening the proverbial tube of toothpaste—releasing something that can never be put back—and forever changing the world as we know it.Nolan's masterful direction, the brilliant performances from the entire ensemble—including Cillian Murphy in the title role, Emily Blunt, Robert Downey Jr., Matt Damon, and many others—the exceptional cinematography and editing, and a story that remains as relevant today as ever all combine to make Oppenheimer a truly special, haunting, and powerful cinematic achievement.But looking back, was Oppenheimer truly deserving of the Best Picture Oscar among all the films released in 2023?Listen and find out what film critic Jack Ferdman thinks—and which film he ultimately chooses as his Rewatching Oscar winner for the year.Download, listen, and share ALL Rewatching Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHeart RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, Instagram, BlueSkyShare your thoughts and suggestions with us through:Facebook Messenger or email us atjack@rewatchingoscar.com or jackferdman@gmail.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating. It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Send us Fan Mail
The countdown reaches the film that earned Marvel its first Best Picture nomination. Adam makes the case that Black Panther is elevated above nearly every other MCU entry by a villain the audience is meant to agree with, Killmonger, whose indictment of Wakanda's isolationism is correct even when his methods are monstrous. Why the hero loses the argument and adopts it, how the film works as a Shakespearean succession tragedy, why its self-contained story is a strength, and the one CGI-heavy misstep that keeps the climax from matching everything around it
This week on ClapperCast, Jakub Flasz joins Carson Timar to continue ClapperCast's Best Picture Rewind series by discussing 1953's From Here to Eternity! Subscribe on Patreon for Bonus Episodes & Early Access: https://www.patreon.com/clappercastpodEmail us at ClapperCast@gmail.com- Social Media Links -Twitter: https://twitter.com/ClapperPodcastLetterboxd: https://letterboxd.com/clappercast/Carson Timar: https://bsky.app/profile/carsontimar.bsky.socialJakub Flasz: https://letterboxd.com/jakubflasz/Create Your Podcast on Zencastr Today: https://zencastr.com/?via=clappercastThanks for Watching!
This week, your two favorite Matts discuss The Odyssey becoming this summer's biggest blockbuster, many actors joining the 13 Going on 30 reboot, La La Land updating its posting for the 10th Anniversary, and more!Fill out the Two Gay Matts listener survey!Get some of our brand new merch from shoptwogaymatts.com!Become a part of our newly revamped Patreon!Watch Matt Steele's movie DIVOS!Watch us on YouTubeFollow @mattpalmermusicFollow @itsmattsteele Hosted on Acast. See acast.com/privacy for more information.
On episode 355 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch Editor-In-Chief Erik Anderson and AwardsWatch contributors Josh Parham and Karen Peterson to go back 20 years and take a look at the 79th Academy Awards, covering the films of 2006. The AW team goes back twenty years to take a look back on a time that was a nail biter of a season that resulted in Martin Scorsese coming out on time, winning his long awaited Oscar for the crime, gangster thriller The Departed. Alongside that, it was a fascinating five films in the Best Picture line-up that made up a pretty deep year of films that rank as some of the best of the decade of the 2010s upon retrospective. Films like Notes on a Scandal, Pan's Labyrinth, The Devil Wears Prada, United 93, Little Children, Half Nelson, and more from the nominations are talked about in-depth on this week's episode alongside Maria Antoinette, The Prestige, Miami Vice, Casino Royale, Children of Men, Inside Man, The Holiday get more attention from the group than their original award season run or get more nominations past their original snubs. It's a stacked conversation, and it makes for a fun episode of deliberation amongst the group. In their in-depth discussion, the AW team talked about the film year of 2006, briefly discuss talk about The Departed as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h44m. We will be back in next week to talk about the latest film from the MCU, Spider-Man: Brand New Day and talk about the best films of 2026 so far. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).
The Best Picture Show - Episode 14 Quintin and Sush discuss the 100 Best Picture winners from the last century of filmmaking. They discuss every Oscar ceremony, the historical context of each film, and how the film has stood the test of time. This episode they watch the Best Picture winner: How Green Was My Valley. They discuss their thoughts on the movie that beat Citizen Kane and the success of John Ford's third Oscar.
FINALLY WATCHING CHRISTOPHER NOLAN'S OSCAR WINNING FILM! The Odyssey has audiences celebrating his incredible filmography, making this the perfect time to revisit his Academy Award-winning masterpiece. Join Tara Erickson & Jackie Bonsignore as they experience Oppenheimer (2023) for the first time, reacting to the gripping story of J. Robert Oppenheimer and the creation of the atomic bomb. From the unforgettable Trinity Test sequence and Ludwig Göransson's breathtaking score to the film's nonlinear storytelling, powerhouse performances, and haunting finale, this Oppenheimer movie reaction dives into one of the greatest films of the decade. ● Build credit fast and get your first month for just a dollar at https://www.getkikoff.com/rejects today. Thanks to Kikoff for sponsoring us! In this Oppenheimer movie reaction, Oppenheimer full movie reaction, review, and breakdown, Tara & Jackie react to Christopher Nolan's (The Dark Knight Trilogy, Interstellar, The Odyssey) Best Picture-winning historical drama starring Cillian Murphy as J. Robert Oppenheimer (Peaky Blinders, 28 Days Later), Emily Blunt as Kitty Oppenheimer (A Quiet Place, Edge of Tomorrow), Matt Damon as Gen. Leslie Groves (The Martian, The Bourne Identity), Robert Downey Jr. as Lewis Strauss (Iron Man, Sherlock Holmes), Florence Pugh as Jean Tatlock (Dune: Part Two, Little Women), Josh Hartnett as Ernest Lawrence (Black Hawk Down, Trap), Benny Safdie as Edward Teller (Uncut Gems, The Curse), accompanied by Ludwig Göransson's Oscar-winning score (Black Panther, Tenet). From the race to build the atomic bomb and the breathtaking Trinity Test to the political fallout, unforgettable courtroom confrontations, and the film's thought-provoking final moments, Tara & Jackie discuss why Oppenheimer became Christopher Nolan's most celebrated achievement, earning seven Academy Awards, including Best Picture, Best Director, Best Actor, and Best Supporting Actor, while cementing its place as one of the defining films of the 2020s. Follow Jackie Bonsignore: https://www.instagram.com/jackiebonsignore/ Follow Tara Erickson: Youtube: https://www.youtube.com/@TaraErickson Instagram: https://www.instagram.com/taraerickson/ Twitter: https://twitter.com/thetaraerickson Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
NOLAN WEEK continues....Adapted from the legendary tale written by Homer, this is the epic tale of one man's treacherous journey home after leading a war effort which has left both him and his men broken and continuously in danger. That war was the Trojan War and the man is Odysseus (Oscar-winner Matt Damon) who yearns to get to his home country of Ithaca where he is king, so that he can reunite with this wife Penelope (Oscar-winner Anne Hathaway) and his son Telemachus (Tom Holland).....or DOES he?? And along the way of this journey, Odysseus and his men will encounter several otherwordly threats Calypso (Oscar-winner Charlize Theron), Circe (Oscar-nominee Samantha Morton) and the Cyclops (Bill Irwin). This is the latest big budget production from Oscar-winning writer/director Christopher Nolan (The Dark Knight, Memento, Inception) as a follow-up to his beloved Best Picture winner Oppenheimer from three years ago. Also included among the stellar, extended cast are Robert Pattinson, Oscar-winner Lupita Nyong'o, Jon Bernthal, John Leguizamo, Corey Hawkins, Himesh Patel, Mia Goth, and Emmy-winner Zendaya. Let's find out if it's time to.....DEFY THE GODS. Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/
On episode 354 of The AwardsWatch Podcast, Associate Editor Sophia Ciminello is joined by Editor-In-Chief Erik Anderson, Executive Editor Ryan McQuade, and Mark Johnson, aka The Awards Alchemist, to chat about the lineup for the 83rd Venice International Film Festival and to share their first Oscar podcast predictions for Adapted and Original Screenplay, Best Director, and Best Picture. First, they dive into Venice's world premieres, including Wild Horse Nine, Primetime, and Bucking Fastard. Does this lineup look a little bit lackluster compared to previous editions? The group gives an overview of how they think this lineup (plus early announcements for TIFF and NYFF) could shape the Telluride lineup and the rest of the season. Then, they take a look at four major Oscar categories, the likely nominees, and early possible winners. They discuss the dominance of Christopher Nolan's The Odyssey, contenders from the Cannes Film Festival, potential lone writing nominees, and other unseen films that could crash the party. Other films mentioned include Dune: Part Three, Project Hail Mary, La Bola Negra, Fjord, Minotaur, The Invite, Club Kid and more. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from Apple Podcasts, iHeartRadio, SoundCloud, Stitcher, Spotify, Audible, Amazon Music, YouTube, and more. This podcast runs 1 hr and 35 min. We will be back next week with an Oscar retrospective of the 79th Academy Awards. Until then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).
Movie of the Year: 2006Little Miss Sunshine (feat. Don Shanahan from Every Movie Has a Lesson!)Little Miss Sunshine Podcast: The Hoovers Hit the BracketThe Little Miss Sunshine podcast episode has arrived, and the Taste Buds are packing into the VW bus. This week, Movie of the Year puts one of 2006's biggest indie success stories through the tournament. Ryan, Mike, and Greg welcome film critic Don Shanahan to help judge the Hoover family's run at the crown. Together, the panel digs into the family dynamics, the unforgettable ending, the film's surprising philosophical streak, and the husband-and-wife directing team behind it all. Additionally, the crew squares off in a round of Trivia and builds a fashion-themed Rushmore. Can a sunny yellow bus carry this movie deep into the 2006 bracket? Push, hop in, and find out.About the FilmLittle Miss Sunshine follows the Hoover family on an 800-mile road trip from Albuquerque to Redondo Beach. Seven-year-old Olive has qualified for the Little Miss Sunshine beauty pageant, and the whole dysfunctional clan piles into a failing Volkswagen bus to get her there. The passenger list includes a failed motivational speaker, a suicidal Proust scholar, a Nietzsche-obsessed teen who refuses to speak, a heroin-snorting grandpa, and one very determined mom. Directed by Jonathan Dayton and Valerie Faris from Michael Arndt's screenplay, the film premiered at Sundance in January 2006. It became a box office sensation, grossing over $101 million on an $8 million budget. Moreover, it earned four Academy Award nominations, including Best Picture. Alan Arkin won Best Supporting Actor, and Arndt took home Best Original Screenplay. RogerEbert.com called it a gentle family satire in the tradition of the countercultural comedies of the 1970s. Now the film faces its toughest challenge yet: the Movie of the Year 2006 bracket.Guest Panelist: Don ShanahanThe Taste Buds welcome film critic Don Shanahan to the panel. Don is a Chicago-based, Rotten Tomatoes-approved critic and the founder of the long-running review site Every Movie Has a Lesson. He also serves as Editor-in-Chief and Content Supervisor of the film department at Film Obsessive. Furthermore, Don co-hosts the Cinephile Hissy Fit Podcast on the Ruminations Radio Network. A school teacher by day, he writes his reviews with life lessons in mind, from the serious to the farcical. Don is a director and co-founder of the Chicago Indie Critics and a voting member of the Critics Choice Association and the Online Film Critics Society. Consequently, few guests arrive better equipped to grade a movie about winners, losers, and everything in between.The Hoover Family at the Heart of the Little Miss Sunshine PodcastEvery great road movie needs great passengers, and this one has six. The panel starts with the family itself. Richard preaches his nine-step winning program while his own career collapses. Sheryl holds everyone together with fried chicken and sheer will. Frank arrives fresh from a suicide attempt, and Dwayne has taken a vow of silence until he becomes a fighter pilot. Meanwhile, Grandpa coaches Olive's pageant routine with methods no pageant has ever approved. The Little Miss Sunshine podcast crew debates what makes this dysfunction feel so real. Notably, the film establishes the entire family in one legendary twenty-minute dinner scene. The Taste Buds and Don break down how each Hoover carries a private definition of failure. Ultimately, the group asks the big question: is this the best movie family of 2006?Breaking Down the Ending on the Little Miss Sunshine 2006 PodcastYou know the scene. Olive takes the stage at the pageant, "Super Freak" drops, and the movie explodes. The panel dedicates a full segment to one of the most famous endings of the decade. By contrast with the polished pageant contestants, Olive's routine is pure chaos, and the family's response is pure love. The Hoovers stop trying to win and start dancing. Don and the Taste Buds debate whether the finale earns its catharsis or leans on shock value. In addition, the crew discusses how the ending flips the film's winners-and-losers thesis on its head. Does the dance number seal the film's bracket run, or does it divide the panel? The episode holds nothing back.Nietzsche, Proust, and the Philosophy of LosingFew crowd-pleasers smuggle in this much philosophy. Dwayne worships Nietzsche and wears his contempt for conformity on his sleeve, or at least on his t-shirt. Frank, meanwhile, claims the title of preeminent Proust scholar in America. The panel unpacks why Michael Arndt built his comedy on these two thinkers. Frank's hospital-parking-lot speech about suffering becomes the film's secret thesis: the years of struggle are the years that make us. However, the movie never turns into a lecture. Instead, it hides its ideas inside gas station stops and highway breakdowns. The crew debates whether the philosophy holds up or simply decorates the road trip. Specifically, they ask what Nietzsche would think of a nine-step program for winning.The Directors: Jonathan Dayton and Valerie FarisHusband-and-wife team Jonathan Dayton and Valerie Faris spent decades directing music videos before this debut feature. Their work with bands like The Smashing Pumpkins and R.E.M. sharpened an eye for visual storytelling on tight budgets. As a result, Little Miss Sunshine looks sun-bleached, precise, and effortlessly funny. The panel examines how the duo directs comedy through reaction shots rather than punchlines. The famous bus-pushing sequence becomes a masterclass in physical comedy and ensemble blocking. Additionally, the group traces the pair's later career through Ruby Sparks and Battle of the Sexes. Why did two music video veterans wait so long for a second film? The panel has theories, and some of them are even kind.TriviaNo Movie of the Year episode is complete without Trivia. The Taste Buds and Don test each other on all things Little Miss Sunshine. Production history, casting near-misses, pageant facts, and VW bus mechanics are all fair game. The film's six-year development saga and its record-setting Sundance sale provide plenty of ammunition. Who takes the crown this week? Listen and find out.Rushmore: FashionThis week's Rushmore segment tackles fashion. Each panelist carves their personal Mount Rushmore of movie fashion into the mountainside. Little Miss Sunshine gives the category a strong starting point. Olive's oversized glasses and red cowboy boots, Dwayne's brutal statement tees, and Richard's aggressively beige wardrobe all deserve consideration. Nevertheless, the panel ranges across all of film history for their picks. Expect passionate defenses, questionable taste, and at least one choice that starts an argument.Why Little Miss Sunshine Still MattersTwenty years later, Little Miss Sunshine remains the gold standard for the crowd-pleasing indie. It proved a tiny comedy could outgross blockbusters and crash the Best Picture race. Furthermore, its skepticism about hustle culture and toxic winning has only grown more relevant. Richard's nine steps sound like half the internet in 2026. The film also launched Abigail Breslin, revived Alan Arkin, and showed the world Steve Carell could break hearts. Above all, it argues that losing together beats winning alone. That message keeps the Little Miss Sunshine podcast conversation alive two decades after the bus first rolled. For more from the season, check out the Movie of the Year 2006 intro episode and the 2006 Mixtape.Related Episodes from Movie of the Year: 2006Movie of the Year 2006: Intro Part 1Movies of 2006: Bracket Reveal and Sweet 16Tristram Shandy: A Cock and Bull Story2006 Mixtape Part IAll Movie of the Year EpisodesFAQ: Little Miss Sunshine Podcast and FilmWhat is the Little Miss Sunshine podcast episode about?The Taste Buds and guest critic Don Shanahan judge Little Miss Sunshine in the Movie of the Year 2006 bracket. Topics include the Hoover family, the ending, the film's philosophy, and directors Jonathan Dayton and Valerie Faris.What is Little Miss Sunshine about?A dysfunctional family drives a broken-down VW bus from New Mexico to California so young Olive can compete in a beauty pageant. Along the way, every member confronts their own definition of failure.Who directed Little Miss Sunshine?Jonathan Dayton and Valerie Faris directed the film. The married duo made their feature debut after a celebrated career in music videos.Who wrote Little Miss...
The Odyssey is here! One of the most-anticipated films in Across the Movie Aisle history. Spoiler: We all liked it. But did we like it unreservedly enough? That's the question on this week's super-sized episode.
Katey and Chris Rosen look at the awards hopes for Christopher Nolan's epic The Odyssey, including just how hard it is to win best picture with back to back films. Then Katey talks to Carrie Coon about finding a home on the set of The Gilded Age, and why she feels so differently about real life billionaires. 00:00 Intro 01:22 The Odyssey: Second Viewing Verdict 04:29 Box Office Blows Past Expectations 06:37 Nolan's Humanist Warning 12:26 Can It Win Best Picture? 15:27 The Revenant Playbook 19:02 Head Movie Vs Heart Movie 21:48 Matt Damon's Best Actor Case 26:32 Starry Best Actor Showdown 28:09 Anne Hathaway: Lead Or Supporting? 32:01 Can The Odyssey Win The Big Five? 33:36 The Stacked Supporting Actor Race 38:56 Crafts And Below-The-Line 42:37 The Oppo Campaign Ahead 44:13 Next Week's Episode 46:17 Why Carrie Missed The Knicks Celebration 48:31 Joining Gilded Age During The Pandemic 50:48 Why Flying Alone Is Heaven 53:32 Gilded Age Parallels To Today 56:26 Women, Ambition And Influencer Culture 59:03 The Information Void 01:01:24 Finding Her American Roots 01:05:19 Billionaires Then And Now 01:08:48 The Miracle Of Making Tv 01:09:58 New Holocaust Film And Climate On Set 01:12:21 Celebrating The Emmy Nominations Subscribe today to Prestige Junkie After Party bonus episodes. Subscribe to the Prestige Junkie newsletter. Follow Katey on Letterboxd. Follow The Ankler.
"What you have to understand is, four days ago he was only my brother in name and this morning we had pancakes." It's time for another Frankie favourite here on Film Junk: the 1988 road trip dramedy Rain Man! This one was a huge blockbuster at the time and went on to win four Oscars including Best Picture. But has it been forgotten and a little underappreciated over the years? Was Dustin Hoffman right to question his own performance? Was Tom Cruise snubbed by the Academy that year? Did Hans Zimmer's score break new ground or was it just following '80s trends? Would Raymond really say "Kmart sucks"? Definitely three minutes to Wapner... hurry up and listen to this week's episode of the Film Junk Podcast.
The Best Picture Show - Episode 13 Quintin and Sush discuss the 100 Best Picture winners from the last century of filmmaking. They discuss every Oscar ceremony, the historical context of each film, and how the film has stood the test of time. This episode they watch the Hitchcock Best Picture winner: Rebecca. They discuss their thoughts on the romantic mystery that earned the prolific director Best Picture.
Non-Spoilers for nearly 75 Mins, we discussed Oscars potential in all categories for Christopher Nolan's The Odyssey, before we dive into about 20 minutes on the film's final act. This is Part I of our coverage of The Odyssey, followed by Part II with a very special guest in Variety's Jazz Tangcay. NON-SPOILER REVIEW OF THE ODYSSEY: Critical & Audience Reception Numbers & Box Office Projections - 2:40 Exceeded Expectations and the Plot Premise - 7:36 Best Picture & Discussing Producers Emma Thomas and Christopher Nolan - 8:12 Is Best Director over? - 11:44 Adapted Screenplay Thoughts & Should AlsoMom come see this - 17:14 Jennifer Lame's Film Editing - 24:31 Matt Damon's Lead Actor Candidacy - 28:34 Anne Hathaway, Casting, Other Supporting Possibilities & Ensemble Awards - 30:46 Sound Design - 42:55 Ludwig Goransson's Original Score - 44:49 Then Original Song: When I'm Home - 50:03 VFX - 51:52 Ellen Mirojnick's Costume Design & The MUAH - 54:20 Hoyt van Hoytema's Cinematography - 1:00:06 Production Design - 1:03:08 The Final Oscar Lens Assessments & Over / Under - 1:07:38 A SHORT SPOILER SECTION ON THE ENDING OF THE ODYSSEY - 1:16:42 OUTRO: Stay tuned for Part II of our coverage of The Odyssey next week when we are joined by a very special guest for a larger spoiler filled discussion. In the meantime, you can read Jazz Tangcay's coverage at Variety here: https://variety.com/author/jazz-tangcay/ We'll also be LIVE on Chaz and AJ in the Morning on Monday 7/20 around 8:20am EST to discuss our reactions to the film. Listen here: https://www.wplr.com/listen-live And finally, you can find links to all our other episodes and social media here: https://linktr.ee/mikemikeandoscar
Comment on this episode by going to KDramaChat.com Today, we're discussing Parasite, the Oscar-winning Korean film directed by Bong Joon Ho and starring Song Kang Ho, Choi Woo Sik, Park So Dam, Jang Hye Jin, Lee Sun Kyun, Cho Yeo Jeong, Lee Jung Eun, and Park Myung Hoon. Joining us for this special episode is our friend Ellen Sullivan, screenwriter and movie critic extraordinaire. We discuss: Why Parasite became the first non-English language film to win the Academy Award for Best Picture, in addition to Best Director, Best Original Screenplay, and Best International Feature Film. The Kim family's elaborate social engineering scheme to infiltrate the wealthy Park household and why trust and referrals make the con possible. The symbolism of the semi-basement apartment, the Park family's hilltop home, and the hidden bunker beneath the house as visual representations of class and social hierarchy. How the film dramatically shifts in tone at its midpoint, transforming from a dark comedy into a suspenseful psychological thriller. Why the Park family's comments about the Kim family's "smell" become one of the film's most powerful metaphors for poverty, class, and social exclusion. The Scholar's Rock (Suseok), its cultural significance, and how it evolves from a symbol of hope and prosperity into an instrument of tragedy. Whether hard work, education, and determination are still enough to achieve upward mobility in modern South Korea—or anywhere else. The themes of plans versus fate, social mobility, inequality, and the myth that anyone can escape the circumstances of their birth. Which characters, if any, are the true "parasites," and whether the relationships in the film are parasitic, commensal, or mutually beneficial. Whether the tragic ending was inevitable and if any of the families truly deserved the fate that awaited them. Ellen's screenwriting analysis of Bong Joon Ho's remarkable construction of the story, including why the house itself functions as the film's McGuffin. The outstanding performances from the all-star cast, including Song Kang Ho, Choi Woo Sik, Cho Yeo Jeong, Lee Jung Eun, and the surprise appearance of Park Seo Jun. The history of Seoul's semi-basement apartments (banjiha), their origins, and why they have become such a powerful symbol in Korean society. The conclusion of Season 14, our announcement that Hospital Playlist will be the show we discuss in Season 15 of K Drama Chat, and a preview of our upcoming special episode talking about Joanna's trip to the Philippines before we begin our next K Drama.
As the wait for the next Best Picture to reveal itself continues, we reciew DJ Nik's pick , "Gone Girl"!!!Twitter : @oscarsgold @hidarknesspod @beatlesblonde @udanax19Facebook : facebook.com/goldstandardoscarsPatreon : patreon.com/goldstandardoscars
This week, Rebecca and John are joined by Vanity Fair Features Editor (and resident classicist) Hillary Busis to dive in to Christopher Nolan's excellent new film, The Odyssey. First, on the off-chance you don't remember everything about Homer's original from your high school English class, Hillary gives a refresher on the plot points and themes of the epic poem. Then, the group digs in to the new adaptation, the controversies surrounding it, and what the film's quality and reception will mean for its box office and awards future. Learn more about your ad choices. Visit podcastchoices.com/adchoices
THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture With the release of Christopher Nolan's "The Odyssey" arriving in theaters, our 2008 retrospective revisits his comic book action film that not only re-defined the genre, but changed the whole industry up until the Oscar nominations where it forced the Academy to expand the Best Picture lineup for the first time in decades, "The Dark Knight," starring Christian Bale, Michael Caine, Heath Ledger, Gary Oldman, Aaron Eckhart, Maggie Gyllenhaal, and Morgan Freeman. Co-written with his brother Jonathan Nolan, the world had never seen a comic book film quite like Christopher Nolan's crime epic. Marked by the untimely passing of Heath Ledger before its release, the film had a tremendous amount of hype surrounding it during the summer of 2008 and continues to be talked about till this day for Ledger's iconic, Academy Award-winning performance, Nolan's grounded realism borrowing from other crime classics such as "Heat," the film's politics and how it directly commented on the Patriot Act, its themes of escalation, chaos, vigilantism and more! How does it hold up nearly 20 years later? Please tune in as Alyssa Christian, Josh Parham, Amy Kim, Brendan Hodges, and I talk about the film's screenplay, Nolan's direction, the performances, the action sequences, the film's historic awards season run, and more in our SPOILER-FILLED review. Please check out our past reviews for "Frost/Nixon," "Doubt," "Changeling," "Revolutionary Road," "WALL-E, and "Milk." We appreciate your support and hope you enjoy our review! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
Good evening ladies, gents, and those who remain unaffiliated! This black tie affair is reserved for part three of the 2026 Summer of Lists: Academy Award what ifs. That's right, we're taking a look back at Oscar's nearly 100 years of history to identify the Best Picture nominees that probably should have won the big award. Come with us as we rewrite history and secure justice for some great movies—as you listen, we had one caveat, the winner had to come from the pool of nominees. Did we miss the mark? Do you strongly agree with some of our controversial choices? Let us know at goodtrashgenrecast@gmail.com! Tune in next week as the Summer of Lists continues!
The Geek Buddies with John Rocha, Michael Vogel and Shannon McClung
On this episode of THE GEEK BUDDIES, John Rocha and Michael Vogel talk the new Avengers Doomsday artwork that previews some of the storylines we might seeing in the movie. They also talk the new Spidey vs Hulk footage from Brand New Day and The Rock as Apocalypse and Wagner Moura as Mister Sinister rumors. They also talk all the latest from DC with the Gorilla Grodd, Poison Ivy and V for Vendetta news, the new trailer for Dune 3 and if it's already a Best Picture contender and their spoiler review for X-Men 97 Season 2 Episode 3 featuring Apocalypse, Professor X and Magneto. Remember to Like and Share this episode on your social media and to Subscribe to The John Rocha Channel below. #marvel #DC #Xmen #jamesgunn #xmen97 #Batman #dune #johnrocha #michaelvogel #shannonmcclung #thegeekbuddies ____________________________________________________________________________________ Chapters: 0:00 INTRO AND RUNDOWN 1:20 NEW Dune 3 Trailer Drops, Teases Epic Return to Arakkis 11:22 DC News- Gorilla Grodd, Poison Ivy and V for Vendetta News 24:40 New LANTERNS Posters- Thoughts and Reactions 31:50 New Avengers Doomsday Artwork Teases Storylines 37:30 Spider-Man vs Hulk Teased in New TV Spot for BND 40:23 The Rock as Apocalypse, Wagner Moura as Mister Sinister Rumors 45:43 X-Men 97 S2 Ep 4 Spoiler Review FOLLOW THE GEEK BUDDIES: Twitter: https://twitter.com/Geek_Buddies Follow John Rocha: https://twitter.com/TheRochaSays Follow Michael Vogel: https://twitter.com/mktoon Follow Shannon McClung: https://twitter.com/Shannon_McClung Learn more about your ad choices. Visit megaphone.fm/adchoices
The Best Picture Show - Episode 12 Quintin and Sush discuss the 100 Best Picture winners from the last century of filmmaking. They discuss every Oscar ceremony, the historical context of each film, and how the film has stood the test of time. This episode they watch the 12th Best Picture winner: Gone With The Wind. They discuss their thoughts on the highest grossing film adjusted for inflation and it's technological advancement for movies as they kick off the 1940s discussion.
Welcome back to Morgan Hasn't Seen with Jeannine Brice & Morgan Robinson!!A real rounding out of perhaps the peak decade of the career of one of modern Hollywood's biggest stars throughout July as Jeannine and Morgan sink their teeth into TOM CRUISE!The Best Picture winner for 1988 is next up in the series as Tom, in typically flashy, cocky fashion is humbled on a cross country journey with his newly discovered brother; one of the most notable performances of Dustin Hoffman's career as the autistic savant Raymond Babbitt, which won him his second Best Actor Oscar!Jeannine and Morgan talk all the nuances, thematic intention, and brotherhood of Barry Levinson's RAIN MAN (1988)!Our YouTube Channel for all our regular videos: https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vowDonate: https://www.buymeacoffee.com/ItsAWonderful1Join our Patreon: https://www.patreon.com/ItsAWonderful1IT'S A WONDERFUL PODCAST STORE: https://www.teepublic.com/user/g9designSub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast: https://twitter.com/ItsAWonderful1Morgan: https://twitter.com/Th3PurpleDonJeannine: https://twitter.com/JeannineDaBean_Keep being wonderful!!
Message Dan and MikeRocky turns 50 this December, and Sylvester Stallone just turned 80 — so we're marking both with our very first Stallone review. A broke, unknown actor with bit parts in mob films turned down nearly $400,000 from the studio, wrote the script in three days, and sold his own dog to make the one movie he refused to let anyone else star in.We get into the guerrilla filmmaking behind it: a budget under a million dollars, a 28-day shoot, no permits, tarps hauled in to fake the Philadelphia skyline in New York, and a training montage stitched together from footage grabbed wherever they could get it. We talk about the producers mortgaging their homes to finish the film, the choreographers who walked off over how the fights were staged, and Stallone ultimately taking the choreography credit himself. We also cover the film's two Godfather connections through Talia Shire and Joe Spinell, the legacy of Burgess Meredith, Carl Weathers, and Burt Young, and how Rocky beat out a stacked 1976 Best Picture field that included Taxi Driver, Network, and All the President's Men.Whether you've seen Rocky fifty times or somehow never seen it, we make the case for why it still holds up as one of the most complete films ever made. Come for the trivia, stay for the argument about whether this is truly a perfect movie.Support the showOh Brother Podcast:Support the Show! (Be The First to Listen with Early Access)Listen on all podcast platformsSubscribe on YouTubeFollow us on Instagram
We continue our series looking at films and albums from the year 1977 with our best entry yet on the film side. The Oscar winner for Best Picture, Annie Hall was Woody Allen's first attempt at a film based in the real world. regardless of what we think of him now, Allen speaks a lot of truths about the realities of dating and relationships throughout this film. Amber and Robert share memories, thoughts, opinions and laughs as they discuss Annie Hall. Send us Fan MailTwitter @dockingbay77podFacebook @dockingbay77podcastdockingbay77podcast@gmail.compatreon.com/dockingbay77podcasthttps://www.youtube.com/@DockingBay77podcast
Recorded - 7/5/2026 On Episode 379 of the Almost Sideways Movie Podcast, we review a film diving into American history on Independence Day weekend. Does it get it right? Then we review a small Canadian romcom coming to theaters at the end of the month. Our main event is a deep dive of the film we awarded Best Picture in 2008 at the Pinots. Does Dear Zachary hold up almost 20 years later? Is it still as shocking on rewatch? We get more in depth than ever before discussing this documentary. Here are the highlights:What We've Been Watching(4:00) "Girls Like Girls" - Zach Review(7:15) "Episodes" - Zach Book Review(9:15) "Solo Mio" - Adam Review(11:30) Adam 2026 Mid-Year Report(14:15) Adam SideShow Report: "Better Call Saul"(16:20) "Breaking the Waves" - Terry Oscar Anniversary Review(21:40) "Confidential Report" - Todd Director Bindspot Review(24:30) "Young Washington" - Featured Review(34:15) "Middle Life" - Featured Screener Review"DEAR ZACHARY: A LETTER TO A SON ABOUT HIS FATHER" 2008 PINOT BEST PICTURE DEEP DIVE(49:40) "Dear Zachary" Trivia(1:05:30) First Impressions & Re-Watch Observations(1:59:30) Mount Rushmore: Worst Date Movies(2:09:40) Casting "Dear Zachary"(2:15:25) Deep Dive Category Discussion(2:36:30) LVP, MVP, Quote of the DayTune into the 2011 Retroactive Pinots next week! 7/11/2026 2pm PT LIVE on YouTube: https://www.youtube.com/live/OZNe3B-2SJo?si=TPOktyi5VcwZlM-MFind AlmostSideways everywhere!almostsideways.comhttps://www.facebook.com/AlmostSidewayscom-130953353614569/AlmostSideways Twitter: @almostsidewaysTerry's Twitter: @almostsideterryZach's Letterboxd: https://letterboxd.com/pro_zach36/Todd: Too Cool for TwitterAdam's Twitter: @adamsidewayshttps://podcasts.apple.com/us/podcast/almostsideways-podcast/id1270959022https://open.spotify.com/show/7oVcx7Y9U2Bj2dhTECzZ4mhttps://www.youtube.com/channel/UCfEoLqGyjn9M5Mr8umWiktA/featured?view_as=subscriber
Writer-director Jeffrey Scott Collins joins Filmmaker Mixer to discuss Above the Line, a dark Hollywood heist comedy about six struggling creatives who get the chance to steal Best Picture trophies from the producer who wronged them.Jeff shares insights into writing ensemble stories, balancing crime and comedy, directing a cast that includes Cedric the Entertainer and Sophia Ali, and navigating the realities of independent filmmaking.Filmmakers will learn about genre blending, heist structure, directing actors, and turning personal industry experiences into compelling stories.
As the wait for the next Best Picture to reveal itself continues, Beth Ann Gallagher joins us to discuss her pick , "Johanna D'Arc Of Mongolia"!!!Twitter : @oscarsgold @hidarknesspod @beatlesblonde @udanax19Facebook : facebook.com/goldstandardoscarsPatreon : patreon.com/goldstandardoscars
Don't Kill the Messenger with movie research expert Kevin Goetz
Send Kevin a Text MessageBob Bookman, one of Hollywood's most respected literary agents, managers, and producers, joins host Kevin Goetz for a masterclass on the art of discovering stories that successfully make the leap from page to screen. Over a remarkable career, Bookman has represented authors and filmmakers including Michael Crichton, John Irving, Thomas Harris, Jonathan Demme, Cameron Crowe, and Tom Stoppard, helping bring to the screen films like Jurassic Park, The Silence of the Lambs, Hannibal, The Cider House Rules, A Beautiful Mind, and Jerry Maguire. In recent years he's brought that same eye for material to producing, including the Best Picture nominee A Complete Unknown.Running the Yale Law School Film Society (06:54): Bookman recalls building an underground film education out of 16mm prints borrowed from historian Bill Everson, bringing legends like Frank Capra, Fritz Lang, and Miloš Forman to campus for free screenings.Landing the Job, and Skipping the Mailroom (18:26): Bookman shares how a chance introduction from agent Jack Gilardi led to interviews with legends like Abe Lastfogel and David Begelman, before he landed at IFA and bypassed the mailroom.Becoming "The Book Guy" (23:24): Bookman describes how agency head Marvin Josephson handed him ICM's entire literary publications franchise,launching his decades-long reputation as Hollywood's go-to book agent.What Makes a Book Cinematic (27:09): Bookman breaks down why great novels rarely make great films, and what he actually looks for: three-act structure, character conflict, and a story that takes audiences somewhere new.The Secret to a Great Adaptation (29:15): Using John Irving's Oscar-winning adaptation of his own novel The Cider House Rules as the gold standard, Bookman explains why most authors shouldn't adapt their own books, and why Irving was the exception.The Best Adaptations, and a Hawks-Hemingway Bet (33:00): Bookman names The Silence of the Lambs and A Beautiful Mind among the best adaptations he's seen, then tells the story of how Howard Hawks turned Ernest Hemingway's self-described worst book into To Have and Have Not.Rapid-Fire on the Legends (37:43): Bookman gives quick, candid impressions of the writers and directors he's worked with — Michael Crichton, Jonathan Demme (including his own cameo in The Silence of the Lambs), Cameron Crowe, Tom Stoppard, and Paul Greengrass.Originality, AI, and What's Next (40:24): Bookman argues that algorithms can imitate stories but not replicate the human heart, and discusses his new venture producing low-budget original films.Host: Kevin GoetzGuest: Bob BookmanProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Bob Bookman:IMDb: https://www.imdb.com/name/nm1023283/Website: https://www.bobbookman.com/For more information about Kevin Goetz:- Website: www.KevinGoetz360.com- Audienceology Book: https://www.simonandschuster.com/books/Audience-ology/Kevin-Goetz/9781982186678- How to Score in Hollywood: https://www.amazon.com/How-Score-Hollywood-Secrets-Business/dp/198218986X/- Facebook, X, Instagram, TikTok, YouTube, Substack: @KevinGoetz360- LinkedIn @Kevin Goetz- Screen Engine/ASI Website: www.ScreenEngineASI.com
Monica Barbaro can soon be seen starring opposite Arnold Schwarzenegger in Netflix's global spy-adventure/comedy series, FUBAR, out May 25th. The duo play a father and daughter who, after learning the other has secretly been working as a CIA operative for years, are forced to team up and tackle some difficult family dynamics. Barbaro recently gained recognition for her role as 'Phoenix' in Paramount's blockbuster sequel, TOP GUN: MAVERICK, which was awarded Best Picture by the National Board of Review and nominated for six Academy Awards including Best Picture. She also recently starred in Ricky D'Ambrose's critically-acclaimed drama, THE CATHEDRAL, which premiered at the 2021 Venice Film Festival and later went on to claim the John Cassavetes Award at the 2023 Film Independent Spirit Awards. In today's episode, Monica discusses the benefits of starting a career in a smaller market, how to navigate director meetings, and reminds listeners that as actors, our learning is never done. These are the unforgettable stories that landed Monica Barbaro right here. Credits: A Complete Unknown Crime 101 FUBAR Top Gun: Maverick Splitting Up Together The Good Cop UnREAL The Cathedral Stumptown Chicago P.D. Chicago Justice At Midnight Hawaii Five-0 Guest Links: IMDB: Monica Barbaro, actor Instagram: @monicabarbaro THAT ONE AUDITION'S LINKS: For exclusive content surrounding this and all podcast episodes, sign up for our amazing newsletter at AlyshiaOchse.com. And don't forget to snap and post a photo while listening to the show and tag me: @alyshiaochse & @thatoneaudition THE BRIDGE FOR ACTORS: Become a WORKING ACTOR (50% off special) THE PRACTICE TRACK: Membership to Practice Weekly CONSULTING: Get 1-on-1 advice for your acting career from Alyshia Ochse COACHING: Get personalized coaching from Alyshia on your next audition or role INSTAGRAM: @alyshiaochse INSTAGRAM: @thatoneaudition WEBSITE: AlyshiaOchse.com APPLE PODCASTS: Subscribe to That One Audition on Apple Podcasts SPOTIFY: Subscribe to That One Audition on Spotify STITCHER: Subscribe to That One Audition on Stitcher EPISODE CREDITS: HOST/PRODUCER: Alyshia Ochse WRITER: Maddie McCormick WEBSITE & GRAPHICS: Chase Jennings SOCIAL: Alara Cerikcioglu
At the peak of his movie stardom and in the wake of having just won several Oscars for Best Picture-winner Dances With Wolves which he both starred in and directed, Kevin Costner (Yellowstone, Bull Durham, JFK) took on the iconic role of Robin of Locksley for his next major project. He partnered with long-time friend and director Kevin Reynolds (Waterworld, The Count of Monte Cristo) to spearhead this this new adaptation of an iconic story, while also filling key roles with several prominent stars of the time including Oscar-winner Morgan Freeman as Azeem, Christian Slater as Will Scarlett, Mary Elizabeth Mastrantonio as Marian, and most importantly at the time.....Alan Rickman (Die Hard) as the Sheriff of Nottingham. What resulted was a very rushed, messy production where several roles ended up being miscast (including California-native Costner as the British Robin) and where the villain pretty much stole the show. And yet when released in June of 1991, this film was a MASSIVE hit (much of that due to Costner's stardom) with several iconic scenes and a best-selling soundtrack. In fact, this would go to be the ONLY genuinely successful on-screen adaptation of the Robin Legend since then.....so did it actually work, does it hold up? Well only one way to find out....and remember that before you embark on this review: No blades! No bows! Leave your weapons here! Host & Editor: Geoff GershonProducer: Marlene Gershon Send us Fan MailSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/
Cathy and Todd discuss Gladiator, released in 2000 and directed by Ridley Scott, it stars Russell Crowe as Maximus, a Roman general betrayed by the Emperor’s son Commodus, who murders his own father Marcus Aurelius to seize power, then orders the execution of Maximus and his entire family. Sold into slavery and forced into the arena, Maximus fights his way back to Rome for one purpose: vengeance. With a box office of $466 million, five Academy Awards including Best Picture and Best Actor for Crowe, and a Hans Zimmer score that became one of the bestselling soundtracks of all time, the film didn’t just succeed, it reinvented an entire genre and inspired everything from HBO’s Rome to The Hunger Games. It’s filled with unforgettable lines like, “What we do in life echoes in eternity” and “Are you not entertained?”, and it happens to be one of Cathy’s all-time favorite movies. Subscribe to Cathy's weekly Zen Moment and upgrade to hear a weekly Zen Moment podcast hosted by Cathy and Todd! Some Ways to Support Us Sign up for Cathy's Substack Order Restoring our Girls Links shared in this episode: For the full show notes, visit zenpopparenting.com. This week's sponsor(s): Avid Co DuPage County Area Decorating, Painting, Remodeling by Avid Co includes kitchens, basements, bathrooms, flooring, tiling, fire and flood restoration. MenLiving – A virtual and in-person community of guys connecting deeply and living fully. No requirements, no creeds, no gurus, no judgements Todd Adams Life & Leadership Coaching for Guys Other Ways to Support Us Follow us on social media Instagram YouTube Facebook Buy and leave a review for Cathy’s Book Zen Parenting: Caring for Ourselves and Our Children in an Unpredictable World
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