Podcasts about best picture

Welcome to Multiverse News, Your source for Information about all your favorite fictional universesAs has become par for the course these last few weeks, Marvel Studios released the third Avengers: Doomsday trailer, which focuses on the X-Men, Tuesday morning after an exclusive week run attached to theatrical showings of Avatar Fire and Ash. Sebastian Stan is in talks to join The Batman Part II opposite Robert Pattinson and Scarlett Johansson, making him the second Marvel Cinematic Universe alum to jump to Matt Reeves' Gotham. The Oscar-nominated Apprentice star, best known for playing Bucky Barnes aka the Winter Soldier in multiple Marvel films, would join returning cast members Colin Farrell, Jeffrey Wright and Andy Serkis ahead of spring production for an October 2027 release.Avatar: Fire and Ash crossed the 1 billion dollar mark at the global box office after 18 days in theaters, led by 40 million dollars domestically in its third weekend for a total of 306 million dollars and 777.1 million dollars internationally, making it Disney's third billion-dollar release of 2025. Meanwhile, Netflix's Stranger Things series finale generated between 25 to 28 million dollars from a limited two-day theatrical run across 600 theaters on New Year's Eve and New Year's Day, with exhibitors selling concession vouchers rather than traditional tickets and keeping all revenue themselves as an olive branch between the streamer and theaters. Simu Liu has publicly endorsed his Copenhagen Test co-star Melissa Barrera to play Wonder Woman in James Gunn's DC Universe, praising her stunt training as Wonder Woman-esque and calling her a total badass who puts in the work. DC Studios boss James Gunn confirmed in July that Wonder Woman has not been cast yet and won't be discussed until the script is finished, with Supergirl screenwriter Ana Nogueira tapped to write the new Wonder Woman film.Paul Thomas Anderson's One Battle After Another dominated the Critics Choice Awards on Sunday night, winning Best Picture, Best Director and Best Adapted Screenplay, while Timothée Chalamet won Best Actor for Marty Supreme and Jessie Buckley took Best Actress for Hamnet. Ryan Coogler's Sinners and Guillermo del Toro's Frankenstein tied for the most wins with four awards each, with Jacob Elordi scoring a surprise Best Supporting Actor victory for his performance as the Creature in Frankenstein. On the television side, The Pitt won Best Drama while The Studio took Best Comedy, with Adolescence earning four awards including Best Limited Series.Horror director James Wan has expressed interest in directing Avatar 4 if James Cameron decides to step back from the franchise, telling Screen Rant he would love to take a crack at the billion-dollar series. Cameron has indicated he may scale back his hands-on involvement with future Avatar films to pursue other projects, potentially delegating more directorial duties to second unit directors or another filmmaker while remaining as producer.Paramount+ has renewed Mayor of Kingstown for a fifth and final season consisting of eight episodes, down from the usual ten episodes per season. The Taylor Sheridan crime drama starring Jeremy Renner and Edie Falco will conclude after its upcoming season, which follows the bloody Season 4 finale that aired in December 2025.Amazon Prime Video has announced the cast for its Tomb Raider series starring Sophie Turner as Lara Croft, with Sigourney Weaver joining as Evelyn Wallis, a mysterious woman seeking to exploit Lara's talents, and Jason Isaacs as Atlas DeMornay, Lara's uncle. The series, created and co-showrun by Phoebe Waller-Bridge, will also feature several characters from the video game franchise including Bill Paterson as butler Winston and Martin Bobb-Semple as tech support Zip.

Is a secret 9th episode of Stranger Things Season 5 dropping on January 7th? We dive deep into the viral Conformity Gate fan theory that's blowing up everywhere – the idea that the "happy" finale was actually a Vecna-induced illusion, full of hidden Easter eggs like creepy hand poses, D&D book codes spelling lies, and forced "conformity" in the epilogue. Fans are convinced a real, darker ending is coming soon... but is it legit or just wishful thinking?Plus, more hot pop culture news:Avatar: Fire and Ash crosses $1 billion globally, while Zootopia 2 smashes records with massive hauls in China and overseas! Full breakdown of the 2026 Critics Choice Awards winners, including Best Picture for One Battle After Another, Timothée Chalamet taking Best Actor, and big sweeps in TV for shows like The Pitt and Adolescence. James Gunn shares his exciting vision for Supergirl: Woman of Tomorrow as a space fantasy, plus thoughts on the Netflix-Warner Bros. deal. Rumor: Ahsoka's Eman Esfandi eyed for MJ's boyfriend in the next Spider-Man movie! Confirmed: House of the Dragon wraps up with Season 4 – showrunner Ryan Condal spills the details. What do you think about Conformity Gate – real twist or fan cope? Drop your theories in the comments!#StrangerThings #StrangerThings5 #ConformityGate #SecretEpisode #Avatar #Zootopia2 #CriticsChoiceAwards #Supergirl #SpiderMan #HouseOfTheDragon #PopCulture #MovieNews #TVNews    SPONSORS: RAYCON: Go to https://www.buyraycon.com/kristian to get 20% off sitewide. Thanks to Raycon for sponsoring!

What Is This Episode - Top of Show . M1 is Back from Surgery - 1:14 . CRITICS' CHOICE RECAP: The Effect of CC on Globes, Guilds - 4:10 . The Red/Black Carpet Show Was a Mess… - 6:34 …Aside From Presenting an Award - 9:25 . Chelsea Handler's Monologue - 13:04 Is Caton a Supporting Actor Threat? - 15:12 Presentation Notes; Train Dreams Surprises - 17:10 Sinners Takes Lead in Casting - 21:57 . Techs Given in Bulk - 29:16 ELORRRRDDDDIIIIIIIII

Today on Too Opinionated, we sit down with Director Anthony Lucero to talk about his new film, Paper Bag Plan! Synopsis: After being diagnosed with cancer, Oscar (Lance Kinsey) realizes his overprotectiveness may be holding his son Billy (Cole Massie) back from gaining independence. Determined to secure Billy's future, Oscar helps him build the skills needed for a job as a grocery store bagger. Their heartfelt journey highlights the challenges and triumphs of fostering self-reliance, revealing the deep love between father and son—and the courage it takes to let go. Anthony Lucero's directorial debut feature film, East Side Sushi, was picked up by HBO after screening at the Miami International Film Festival where it was also nominated for Best Screenplay. Written by Lucero, this drama/comedy indie favorite garnered 15 film festival awards nationwide, 8 Diosa de Plata award nominations including Best Picture and Best Director, has a 94% Rotten Tomatoes score and has the distinction of being listed as one of the "Top 10 Films of 2015" by SF Weekly and one of "The Most Overlooked Films of 2015" from the Los Angeles Times. In 2017, Lucero was selected as a U.S. Envoy and screened East Side Sushi at six U.S. Embassies and Consulates throughout Japan. Born and raised in Oakland, Lucero draws on his Chicano roots to create stories that are multicultural and socially relevant. After receiving his B.A. in Film from San Francisco State University, Lucero spent over a decade working in visual effects at George Lucas' Industrial Light and Magic, working on such films as Star Wars Episode I & II, Ironman, Pirates of the Caribbean and The Avengers.   Want to Watch: YouTube Meisterkhan Pod (Please Subscribe)

Part One | Part Two January 6th was terrifying for many Americans. After all, they saw it on television. But what did they really see? Did they know what actually unfolded that day? Did they even ask? Trump is the Jan. 6 President, proclaims the New York Times' Editorial Board.And the text:What I learned, living through these events as a former Democrat, is that the New York Times Editorial Board is lying through its teeth. Or maybe they aren't lying. Maybe they really do believe it. They exist inside the Doomsday Cult of the Left, after all, along with all of those high-minded “journalists” at the New Yorker and the Atlantic.But to make the bold proclamation that any protest, or even riot, against oppressive forces, whether you believe them to be oppressive or not, is un-American proves they don't know this country or its history very well.There were two sides to this story. If I'd never left the Left, I would have believed their version of the event. I would have been just as horrified. I would have thought it was an attack on democracy. But protests are the voices of the unheard and a healthy sign of any democracy, and for a grassroots movement, and millions of Americans who had been disenfranchised by the four years Trump was in power? This was the best way for them to be heard. The only way for them to be heard.They just didn't know they were walking into an ambush by forces far greater than them, and more powerful than any political party in American history and what they wanted to do was use that protest - a moment of desperation for desperate Americans abandoned by the government, the culture and most institutions - and demonize them further by calling them extremists, terrorists, Nazis, insurrectionists. January 6th was played on a loop by the Democrats and their propaganda machine, once known as the legacy media. And why wouldn't it be? It was everything they needed at just the right time. See, there's a Confederate flag. See, there's a hangman's rope. See, there's some guy in horns howling inside the Capitol. Zip ties, hanging Mike Pence, Trump watching the mob, and hoping they wouldn't stop. It all painted a picture in our minds of an angry president amidst a violent coup. In our age of algorithm-driven mass hysteria, we're no different from the Puritans in Salem who believed in “spectral evidence,” what you can't see but can only imagine. January 6th finally provided them with the proof they needed of their campaign against MAGA.It's just that none of it was true. Why would Trump have wanted a riot? He'd gone to great effort to convince Senators Josh Hawley and Ted Cruz to debate the election in the Senate. All the riot did was hand absolute power to the Democrats, Reichstag Fire style. Not only did the media sell that lie, but you'd be severely punished if you asked any questions, especially about the 2020 election. Yes, we lived through that and more. Just because the Democrats have memory-holed everything they've done in the last ten years to cling to power doesn't mean it didn't happen or that we shouldn't talk about it. There was nothing wrong with talking about an election that was anything but free and fair. I naively went into it as a major Biden advocate, believing he could win the old-fashioned way. I didn't know they'd hide him and Kamala Harris in the basement and let the legacy media do all of the heavy lifting. I didn't know they'd planned it—everything that happened throughout 2020 to ensure Trump was taken out of power, like they were meddling in some third-world country's elections. It's all written down in TIME Magazine. They planned on saving an election that was not theirs to save. Who gave them that right? The American people decide, and if one political party believes itself to be above the people, then that is an insurrection, not against the government but against all of us and a fair process we depend on. They justified everything they did by the lies they told themselves about who Trump really was and how dangerous he was supposed to be. They rigged the election by manipulating the media, changing any law that got in their way, using COVID as an excuse to push ballot harvesting, funded by a $400 million cash infusion, and all the while pretending they were “saving democracy.”By all accounts, I should have been cheering them on. Yes, get Trump! Anything and everything should be allowed as long as we were saving the country from Hitler! I believed that at first. Why wouldn't I? I was straight out of Central Casting as a Resistance Lib. This was the back of my car in 2012.This is who I was.Before that, I was just a lowly Oscar blogger spending my time writing about superficial things, but suddenly, in 2015, everything changed. I was in a panic about the Greenhouse Effect and the sea level rise. I threw myself into politics to help the Democrats win. Overnight, I became someone who mattered online, with a growing following, adoration, and kindness from strangers. The warm embrace of the elite Left felt intoxicating: invitations to exclusive parties, friendships with high-status blue-checks on Twitter like Steve Schmidt, Rick Wilson, and Oprah, so much love and support online - after all, I was helping to save democracy and the planet! I was even invited to an early fundraiser for Joe Biden in May of 2019. It was necessary. I was important. I mattered.You can imagine, then, how surreal it would have been for anyone who knew me that way to see me starting to question the official narratives. For me, it began with what I believed was mass hysteria that had overtaken my side. Just as the Southerners had whipped themselves up into a frenzy, believing that if the slaves were freed, there would be chaos and violence, so too did we believe that if Trump won, that was the end of everything. But, looking back, all it really was was a populist revolt against a ruling class that just decided what America would be now. Class no longer mattered, only skin color and gender identity did.Little by little, I began to pull away as things got weird. The more I tried to speak out, the worse it got for me. They went after me hard on social media for years. But none of that would have driven me away from the Democrats. As with so many others, 2020 was the turning point for me. I suddenly could see the strings, and I wondered who was pulling them. Trotting out experts to say “systemic racism” was more important than a global pandemic, and trotting them out again to discourage Trump from sending in the National Guard. And again, to say the Hunter Biden laptop was Russian disinformation. How stupid did they think we were?We lurched from COVID to racism back to COVID to lockdowns, and all the while, as I would come to realize, the aim was only to GET TRUMP. Imagine completely taking over an election to take out a one-term president with a strong economy. Why?I asked the same question then as I wonder today. Why did it have to be an existential crisis? Why drive half the country to the brink of insanity? Why cosplay Trump as Hitler and pretend this was World War II? Couldn't they win the old-fashioned way with better candidates and better policies? Russiagate, spying on his campaign, two impeachments, four indictments, convicting him of a felony, taking his mug shot, two assassination attempts, trying to throw him off the ballots, and needing the Supreme Court to shut it down, and the American people still chose Trump. Shouldn't that have been the wakeup call? Shouldn't that have been the moment their stupid, futile, destructive war ended?No. It wasn't about politics for the Left. It was deeper than that. It was as deep as preserving the South before, during, and after the Civil War. January 6th allowed them a way out of what they'd become, not what MAGA had become. They were the violent ones and had been going all the way back to 2015, when a mob descended upon Trump supporters.They rioted at Trump's inaugural. They believed themselves justified in attacking Trump supporters because they were convinced they were “fascists.” But their words meant nothing because they distorted them beyond comprehension. What does it mean to call someone Hitler, a fascist, a dictator, a rapist, a pedophile, a racist, a white supremacist? These words mean nothing now. And then came 2020, the point of no return. For me, it was the recognition that my side didn't care about democracy or the truth. They only cared about defeating an imaginary enemy they invented but never existed. And were prepared to bring this country to its knees to achieve that goal.When I saw this video of Sue's 100-year-old mattress store, I posted it on social media, and the response was, “How can you care more about property than people”? By then, they had already called me a racist many times, and they were pushing me out of utopia and farther and farther away. Was I a racist because I cared about Sue and the older man who defended her with a fire extinguisher? Trump's speech at Mt. Rushmore was the first time I'd heard anyone in public life talk about what we could all see but almost no one would say out loud. The media called it dark and divisive because, of course, they did. Are you getting it yet? This only goes one way. That was for me yet another layer of the onion being pulled back to reveal what the legacy media had become. They were not reporting the news. They were telling us what to think, and they still are. After I started watching Trump's rallies for myself, I kept waiting for the version of Trump we were sold to emerge. He never did. Instead, a guy who would stand in the pouring rain to speak to his supporters showed me what MAGA was really about. It was a love story. Trump had their backs, and they had his.Just listen to them as he visits East Palestine, Ohio after the train derailed and spilled toxic waste in their tiny forgotten town.That's why they showed up in DC on January 6th. Not to storm the Capitol. Not to hang Mike Pence. Not to overthrow the United States government, as if. If you know them, you know there are no people in this country who love it more. You know they would never damage the Capitol. They are the side that prides itself on not being violent like the Left. The narrative after January 6th was and remains a lie.Why is it that the Left was given full and free rein to rampage anywhere they pleased all throughout that Summer, and the Trump supporters were treated like terrorists who flew planes into the World Trade Center, and the Japanese who bombed Pearl Harbor? Because the Left had, and still has, most of the power to shape the media narrative and thus, reality.I had to ask these questions of myself, someone who had gone along with so much of it, not because I was a conformist but because I genuinely believed it. The more questions I asked, the worse it got for me. That was when I knew there was no talking to them, no shaking them out of it, no hoping for sanity to return. And there was no saving the Left. They were no longer the party I once knew.What Democrats want is their utopia, or Woketopia, back. They have always believed Trump was an insect who needed to be crushed, and his place in American life was temporary, and once he's gone, “things will go back to normal.”To them, it's all Trump. One last cancel. He's the only person they couldn't destroy and the only thing standing in their way.Whatever he is for, they are against. They are even rooting against America, rooting for America to falter before the eyes of the world. Imagine being that petty. If we entered World War III, does anyone doubt they'd all be out there trying to ensure Trump fails? The irony of the Madouro capture is that it exposes the Left as liars yet again. Here is what it is like to be under the rule of a dictator. Everything the Left has been LARPing (Live Action RolePlay) for the last ten years is what Madouro actually was. The juxtaposition between the Venezuelans celebrating and the liberals complaining is illuminating.John Brown Two WaysJohn Brown was an abolitionist who was executed for treason by the federal government for a slave insurrection before the Civil War. He was hailed as a hero by the North and became an inspiration for those willing to fight and die for a cause.If the American Revolution was about liberating the colonies from the British and the Civil War was about liberating the slaves from bondage, what is our Virtual Civil War really about? Who is to be liberated at the end of it? More importantly, what are the causes worth fighting and dying for?In the film One Battle After Another, sure to win Best Picture this year at the Oscars, the film's ANTIFA-like revolutionary Perfidia Beverly Hills lays it out:Our Virtual Civil War already has a body count. Charlie Kirk's assassination by a transgender-supporting terrorist, Luigi Mangione's assassination of a healthcare CEO, the attempted assassinations of Trump, and the ongoing attacks on ICE agents seem to lock in what the Left is fighting for.Are they fighting for a border-free America because borders themselves are oppressive white supremacy? It sure looks that way. Are they prepared to fight and die to preserve Woketopia? Some of them are. Maybe more of them will be.Does our future look like 1984, where geography takes a backseat to ideology, and we'll be aligned with Germany, the UK, Canada, and France, with migrants flowing freely into our countries, and where you will be okay as long as you agree that 2+2=5 and you love Big Brother?Abraham Lincoln, like Winston Churchill, was what Neil Howe and William H. Strauss called a Gray Champion of the Fourth Turning. When I look at what Trump is doing now, the bold moves, the attacks he's survived, there is no doubt he is our Fourth Turning's Gray Champion. When I see videos like this, I am reminded of why. Who else but Trump would do this? He shows them every day that he is not afraid of them, not even a little bit, even after being shot in the head, impeached, and convicted.Will Tyler Robinson, Matthew David Crooks and whatever that surfer dude out in Florida's name was be seen by the Left as the John Browns of their time? Martyrs willing to fight and die to save “democracy,” or to avenge transgender people, or immigrants? Do those on the Right see the Jan 6ers as the John Browns of their fight, beating corruption and the deep state?Lincoln sought, above all, to preserve the Union and saw the war as a test of “whether that nation, or any nation so conceived, and so dedicated, can long endure.” Once you fracture the Union, then there is no America at all, and it might as well be 1984.As for me, it's like Bob Dylan once said, How does it feel? To be on your own? With no direction home? Like a complete unknown? How does it feel? It feels like freedom. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

What's better than a podcast? Nothing really... except maybe a podcast that does award shows AND brackets at the end of every season! Get ready for fun and festivities as we look back at this season's greatest hits and best/worst films. How are Best Picture and bracket winner even different awards? How many times did Lukas rank Hacksaw Ridge at the bottom of his nominations? And how many times can a 2 year old puke in 1 night? Tune in this week to find out all this and more, but only on "The Good, The Bad, & The Movies"!P.S. Check out these links to stay connected with TGTBTMDiscord: https://discord.gg/rKuMYcKvYoutube: https://youtu.be/1f84Tp9ZDac

Welcome to the 2025 'Jitsu Awards! Every January, the fools behind Filmjitsu gather for a very special episode, where Mike and Jay look back at the 25+ terrible movies they endured in 2025 and attempt to extract whatever scraps of value remain. Will Nicolas Cage take home Best Actor simply for showing up in Left Behind? Can Roseanne Barr topple her co-star Meryl Streep from She-Devil for Best Actress? And what, exactly, will become of Vanilla Ice, subversive German necrophiliac satire, and half-naked women dancing on beer-soaked New York City bar tops? It's time to find out! After (almost) all the awards are handed out, Mike and Jay unleash their Bottom Five Hot Takes of the Year—spicy opinions that frequently escaped their mouths before their brains could intervene. Then it's time for a rousing round of Kick Three, Pick One, as the hosts crown the Best Picture they reviewed in 2025 from a shared slate of nominees. And finally, as tradition demands, everything ends where it always begins: one host wielding a film as a deadly weapon against the other, kicking off another year of cinematic blight. Happy New Year, Filmjitsu style!

The Mikes make 10 bold predictions for 2026. We talk about Oscars, Box Office, the industry, celebrities and movie stars and much more. 10: The Netflix / WB Deal is just the beginning of consolidation - 3:56 9: Domestic Year End Numbers Predictions for 2026 - 8:27 8: A prediction on Tentpole Box Office Number for ‘26 films - 10:40 7: This Genre will have a major comeback in 2026 - 16:32 6: A prediction on AI - 24:20 5: Predicting WHEN the 99th Oscars' Best Picture 10 will be released - 27:25 4: A Scream VII deathpool - 35:42 3: 2026 will be a huge year for THIS actor - 40:31 2: 2026 will be a huge year for THIS filmmaker - 46:48 1: Finally, a major prediction for this year's Oscars - 50:53 NOTE: we recorded this episode before Christmas. Although there hasn't been anything to derail our presentations here, we did get some updated movie titles. Steven Spielberg's The Dish was retitled Disclosure Day, and Innarritu's Judy with Tom Cruise was retitled “Digger.” OUTRO: Stay tuned to our feed for more Oscars Profiles reviewing the contending films, get ready for many more Oscar Race Checkpoints reacting to the latest news from awards season and we certainly hope to book many more special guests. If you enjoy our work, please rate & review, like & subscribe and tell your friends and family about our show. Thanks for the support.

As the wait for the next Best Picture to reveal itself continues, Heather Bedor joins us to discuss her pick , "Newsies"!!!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : @oscarsgold @hidarknesspod @beatlesblonde @udanax19⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : facebook.com/goldstandardoscars⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : patreon.com/goldstandardoscars

We've reached the grand finale of Musical Month here on @wedrinkandwewatchthings, and we are going out with all the glitz, glamour, and cynicism of 1920s jazz-age Illinois: the 2002 Best Picture winner, "Chicago." It's time to mix yourself a Roxie's Revolver cocktail by @crft.wrld and join us as we explore a film that turned the courtroom into a stage and the media into a circus.This week, we are breaking down Rob Marshall's brilliant decision to set the musical numbers within the vaudeville theater of Roxie Hart's mind, seamlessly blending grit with high-energy fantasy. We'll be unpacking the powerhouse performances of Catherine Zeta-Jones and Renée Zellweger, the smooth-talking charm of Richard Gere's Billy Flynn, and why Queen Latifah's "Mama" Morton is an absolute scene-stealer. We also take a look at the film's biting satire of celebrity culture and how it portrays justice not as a search for truth, but as a well-choreographed performance.If you love sharp wit, incredible Fosse choreography, or just want to see us wrap up the year with a film that is pure "razzle dazzle," this is the episode for you. We're blending our fascination with the film's dark humor with our usual casual banter, making this the perfect standing ovation to conclude our Musical Month. And remember - they both reached for the gun!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

This week, Paul and Jess look back on 2025 and Season 4 of BCP with the Paulies, where they award: Best TV Show, Best Picture, TMT M&A Deal of the Year; Who had the Best Year; Pop Culture Moment; and Best BCP Episode. Learn more about your ad choices. Visit megaphone.fm/adchoices

Please say goodbye to Dynamic Duel at https://dynamicduel.com and leave a voicemailJoin us on Discord at https://discord.gg/Fghf83qListen to the DynaMic Podcast Network at http://dynamicpodcasts.com• 0:00:00 - Introduction  • 0:04:22 - 2025 Brothers Awards Intro• 0:06:43 - Best Trailer 2025• 0:11:42 - Best Original Music 2025• 0:17:49 - Best New On-Screen Character 2025• 0:22:32 - Best Villain 2025• 0:27:23 - Best Hero 2025• 0:32:28 - Best Moment 2025• 0:37:37 - Best Actress 2025• 0:43:20 - Best Actor 2025• 0:48:25 - Best Television Series 2025• 0:54:16 - Best Picture 2025• 1:01:17 - Sign offWebsite: https://dynamicduel.comInstagram: https://instagram.com/dynamicduelpodcastMerch: https://dynamic-duel-shop.fourthwall.com/Executive producers: John Starosky, Zachary Hepburn, Nathaniel Wagner, Levi Yeaton, Austin Wesolowski, AJ Dunkerley, Nic Abanto, Scott Camacho, Gil Camacho, Adam Speas, Dean Maleski, Devin Davis, Joseph Kersting, and Paul Graves"Take a Chance" "Clash Defiant" "Blip Stream" "Nowhere Land" Kevin MacLeod (incompetech.com), Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/#Marvel #DC #MarvelVsDCBecome a supporter of this podcast: https://www.spreaker.com/podcast/dynamic-duel-dc-vs-marvel--5414543/support.

Director Joachim Trier on his latest film Sentimental Value, which is nominated for eight Golden Globes, including Best Picture and Best Director. We take a look at the late Brigitte Bardot's three most important films, with critic Muriel Zhaga Writer John Lloyd on the 42nd anniversary release of The Meaning of Liff, the book he co-wrote with Douglas Adams. Ahead of a memorial concert for the late great pianist Alfred Brendel, Samira is joined by his son, the cellist Adrian Brendel, and the pianist Dame Imogen Cooper.Presenter: Samira Ahmed Producer: Oliver Jones

In this episode of Rewatching Oscar, I dive into one of the greatest films ever made about the theatre, stardom, and the razor-sharp ambition lurking behind the curtain: All About Eve. Released in 1950 and starring the legendary Bette Davis, Anne Baxter, George Sanders, Celeste Holm, and Thelma Ritter, this Oscar-winning classic isn't just a masterclass in acting—it's a biting, witty, and surprisingly timeless take on fame, friendship, manipulation, and power.We'll explore the film's iconic performances, the brilliance of Joseph L. Mankiewicz's script, the unforgettable character arcs of Margo and Eve, and the film's lasting impact on pop culture. From the razor-sharp dialogue to that haunting, cyclical ending—this episode covers it all. I even spotlight a few of my favourite scenes (with audio clips!) and break down how this film still resonates in today's celebrity-obsessed world. Looking back, was it deserving of the Best Picture Oscar for 1950? Listen and find out what film critic Jack Ferdman thinks, and which film he chooses for his Rewatch Oscar of that year.So fasten your seatbelts—it's going to be a bumpy night on Rewatching Oscar! Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHeart RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, Instagram, BlueSkyShare your thoughts and suggestions with us through:Facebook Messenger or email us atjack@rewatchingoscar.com or jackferdman@gmail.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Send us a text

It was a great year for Warner Bros. Discovery: Two of its movies (One Battle After Another and Sinners) are front-runners for the Academy Award for Best Picture, and it had a string of critical hits and box-office successes with Superman, Weapons, and A Minecraft Movie. But despite those wins, the media conglomerate—which also owns HBO and CNN—found itself up for auction with two aggressive bidders: Paramount and Netflix. The Atlantic movie critic David Sims explains why this deal could be bad for the movies. And our staff writer Frank Foer lays out why this deal could be bad for democracy—especially if President Donald Trump gets involved. --- Get more from your favorite Atlantic voices when you subscribe. You'll enjoy unlimited access to Pulitzer-winning journalism, from clear-eyed analysis and insight on breaking news to fascinating explorations of our world. Atlantic subscribers also get access to exclusive subscriber audio in Apple Podcasts. Subscribe today at TheAtlantic.com/Listener. Learn more about your ad choices. Visit megaphone.fm/adchoices

2025 didn't just happen — it unfolded.In this special year-end episode, we debut “The Timeline,” a month-by-month walkthrough of the biggest, weirdest, and most defining moments of the year across sports, news, entertainment, and culture.We kick things off in January with WWE Raw moving to Netflix, devastating Southern California wildfires, and Donald Trump being inaugurated as the 47th President, becoming only the second president ever to serve non-consecutive terms. From there, the year only gets crazier — Luka getting traded to the Lakers, the Eagles stopping the Chiefs' three-peat in the Super Bowl, Kendrick Lamar publicly ending the Drake beef, and John Cena shocking the world with a heel turn.As the months roll on, we hit the Oscars, the election of the first American Pope, Elon vs. Trump on Twitter, Netflix breaking records with K-Pop Demon Hunters, viral Coldplay concert chaos, the Sydney Sweeney jeans ad discourse, major geopolitical moments, celebrity engagements, shocking political violence, and one of the most dramatic World Series finishes ever.We close out the year with iconic sports retirements, internet moments only this show could appreciate, and AI being named 2025's Person of the Year, setting the stage for what's coming next.This episode isn't just about what happened — it's about how it felt to live through 2025 in real time. The moments we couldn't escape, the stories that sparked debates, and the timeline that defined the year.Tap into Episode 668 of the Productive Conversations Podcast—available now on all podcast platforms and YouTube.What you think of 2025 (1:58)Jan 6- Raw is Netflix (5:15)Jan 7- Southern California Wild Fires (11:12)Jan 20- Donald Trump Inaugurated as 47th president, only 2nd president to do non consecutive terms (15:13)Feb 2nd: Luka gets traded to Lakers (22:01)Feb 9- Eagles Win Super Bowl 59, 40-22 over the Chiefs, prevent the 3peat. Kendrick wins beef with Drake and calls him out in front of everyone (24:15)March 1st: Cena Turns Heel (33:50)March 2: Anora wins Best Picture (41:46) May 8: After the death of Pope Francis, the Papal Conclave elects American Cardinal Robert Francis Prevost as Pope Leo XIV. He is the first Pope from the United States. (48:19)June 6: Elon and Trump start beef on Twitter (52:08)June 20th: KPop Demon Hunters Released, most watched Netflix movie of all time (55:35)July 19: US tech CEO suspended after Coldplay concert embrace goes viral (58:25)July 23: Sydney Sweeney Jeans Ad (1:01:15)August 15: In a move that stuns the diplomatic world, President Trump meets with Vladimir Putin in Alaska for a high-stakes summit aimed at ending the war in Ukraine, though initial talks yield little progress. (1:05:06)August 25: Pop icon Taylor Swift and Travis Kelce announce their engagement, sparking a global social media frenzy. (1:06:12)September 10: Charlie Kirk assassination (1:10:08)September 17: Kimmel Suspension (1:16:12)September 29: Gaza peace plan: The plan was announced by Trump on September 29, 2025, during a press conference at the White House alongside Israeli prime minister Benjamin Netanyahu. It was signed on October 9, coming into effect the following day, and was endorsed by the United Nations Security Council on 17 November. (1:21:05)October 1st: Government shut down (1:23:53)November 2nd: Dodgers Win Epic Game 7 to win World Series 5-4 in 11 innings (1:28:15)November 4th: Zohran elected mayor (1:32:15)November 2025: Akash gets embarrassed by wife, Ryan said it's ok because it's a joke (1:34:34)December 13: Cena retires in loss to Gunther (1:46:45)December 17 "Architects of AI' is Time Magazine's 2025 Person of the Year, in recognition of their enormous technological and social influence. To reflect the complexity and multiple dimensions of this revolution, the magazine runs two different covers. Setting up more to come from AI world (1:51:05)------#trending #sports #news #entertainment #culture #popculture #podcast Best way to contact our host is by emailing him at productiveconversationspodcast@gmail.com or mbrown3212@gmail.comThis show has been brought to you by Magic Mind!Right now you can get your Magic Mind at WWW.MAGICMIND.COM/ PCLT20 to get 20% off a one-time purchase or up to 48% off a subscription using that code PCJUNE. Apple Podcast: https://podcasts.apple.com/us/podcast/productive-conversations-with-matt-brown/id1535871441 Spotify: https://open.spotify.com/show/7qCsxuzYYoeqALrWu4x4Kb YouTube: @Productive_Conversations  Linktree:https://linktr.ee/productiveconversations

This week we kick off our Best Picture Previews with the big blockbusters this year vying for a slot among the 10 - Sinners, One Battle After Another, and Wicked: For Good. Joining us is special guest SlightAstro, mastermind behind the race tracking site deathracetracking.com Join the Community! Academy of Death Racers - aodr.net Oscars Death Race Discord - https://discord.gg/gZzsdxKFS5 r/OscarsDeathRace - https://old.reddit.com/r/oscarsdeathrace/ r/OscarRace - https://old.reddit.com/r/oscarrace/ Community Race Progress Tracking Sites - https://oscarsdeathrace.com/ and https://deathracetracking.com/oscars Community Prediction Odds - GoldDerby.com Credits Email: oscarsdeathracepodcast@gmail.com Twitter: https://twitter.com/OscarsDRaceCast iTunes: https://podcasts.apple.com/us/podcast/the-oscar-death-race-podcast/id1490975424 Spotify: https://open.spotify.com/show/1H4k4ojRI8gDdE0JANfvAV Google Play: https://play.google.com/music/listen#/ps/Iyauzre7vuce4fnxnbxzqbec6um Podchaser: https://www.podchaser.com/podcasts/the-oscars-death-race-podcast-1021552 A Ninjaboi Media Production Email: ninjaboimedia@gmail.com Patreon: https://www.patreon.com/ninjaboimedia Twitter: https://twitter.com/NinjaboiMedia Twitch: https://www.twitch.tv/ninjaboi333 Letterboxd: http://letterboxd.com/ninjaboi Music from https://filmmusic.io "Take a Chance" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/) Find out more at https://the-oscar-death-race-podcast.pinecast.co This podcast is powered by Pinecast.

David Long returns for Holiday Bets part 1 of 2 as we discuss betting lines at the Oscars AND Golden Globes for the categories of Best Picture, Supportings, Screenplay, Score, Song, Animated, Cinematic or Box Office Achievement and International Feature. Mike 1's Annual Gambling Tutorial - 2:19 . Picture: Musical or Comedy at the Golden Globes - 6:41 Globe Picture: Drama - 13:57 Oscars Best Picture Winner - 18:21 Nominations for Oscars Best Picture - 25:49 . Supporting Actress at the Golden Globe & Oscars - 37:52 Supporting Actor - 52:14 . Other Categories at the Globes and Oscars including Best Screenplay, Animated Feature, Cinematic or Box Office Achievement, Original Song, Score, and Non-English Language Film at the Globes - 57:42 . OUTRO: Make sure to follow David Long on X/Twitter as he'll be posting about gambling this winter. https://x.com/1DavidLong Please stay tuned for Part 2 of this Holiday Bets special where we will discuss the rest of the available betting lines for the Golden Globes and Oscars Including for Lead Actor and Actress, Best Director, Casting, Cinematography, Film Editing, Production Design, Makeup and Hair, Costumes and Sound Design. Otherwise, please follow us on social media and support our show by liking, subscribing, rating and reviewing us. As always, thank you for doing so. https://linktr.ee/mikemikeandoscar

What's better than a podcast? Nothing really... except maybe a podcast that does award shows AND brackets at the end of every season! Get ready for fun and festivities as we look back at this season's greatest hits and best/worst films. How are Best Picture and bracket winner even different awards? How many times did Lukas rank Hacksaw Ridge at the bottom of his nominations? And how many times can a 2 year old puke in 1 night? Tune in this week to find out all this and more, but only on "The Good, The Bad, & The Movies"!P.S. Check out these links to stay connected with TGTBTMDiscord: https://discord.gg/rKuMYcKvYoutube: https://youtu.be/1f84Tp9ZDac

It's our final episode of 2025! We're back with our second annual Cinema on Tap draft. After a review of this year's monthly themes, we draft through 7 different categories and discuss some of our favorite movies we covered on the show this year. Then, we crown our shared Best Picture winner for 2025! Who won the draft? Vote here - https://forms.gle/PZ2wB3NqAzfjLy2MA Let us know your thoughts at cinemaontappodcast@gmail.com. We'll return in January with our Most Anticipated Movies of 2026.

Sean and Amanda start the show by reacting to the news that the Oscars broadcast will move to YouTube in 2029, and debate whether or not it's a good move (1:48). Then, they react to the new trailer for Steven Spielberg's science fiction film, ‘Disclosure Day' starring Josh O'Connor and Emily Blunt (12:46). Next, they dive into one of the year's most anticipated films with James Cameron's blockbuster sequel ‘Avatar: Fire and Ash'. They celebrate its breathtaking action set pieces, criticize its slow pacing, which they felt dragged the movie down, and explain why it's a real “you're mileage may vary” type of movie (15:36). Finally, they cover the Oscars short list (43:45) and take stock of what's rising and falling, before building their final Best Picture Power Rankings of 2025 (1:00:38). Hosts: Sean Fennessey and Amanda Dobbins Producers: Jack Sanders and Chris Thomas Shopping. Streaming. Celebrating. It's on Prime. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Alfred Hitchcock's Rebecca (1940) is a haunting blend of romance, mystery, and psychological suspense. In this in-depth review, Chris and Gerry explore Hitchcock's only Best Picture winner, adapted from Daphne du Maurier's classic novel. We'll break down the film's gothic atmosphere, unforgettable performances by Joan Fontaine, Laurence Olivier, and Judith Anderson, and the powerful themes of obsession, identity and control. Is Rebecca Hitchcock's most unsettling film? Join the discussion and revisit one of Hollywood's greatest classic thrillers. If you enjoy classic cinema, Hitchcock films, and Golden Age Hollywood, be sure to like, comment, and subscribe!

As the wait for the next Best Picture to reveal itself continues, we discuss Rachel's film pick , "North By Northwest"!!!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : @oscarsgold @hidarknesspod @beatlesblonde @udanax19⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : facebook.com/goldstandardoscars⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : patreon.com/goldstandardoscars

Rebecca and John are joined by VF's Hillary Busis to share some words of wisdom for Hollywood as we enter the new year. And Hollywood had better take note as they offer priceless unsolicited advice to the powers that be. They also share their predictions for the 10 Best Picture nominees, and discuss who is on the bubble and where there could be some surprises. Finally, Rebecca and John review the biggest losers (The Testament of Ann Lee) and winners (Sirāt) of the recently announced Oscars shortlist. Learn about your ad choices: dovetail.prx.org/ad-choices

Rebecca and John are joined by VF's Hillary Busis to share some words of wisdom for Hollywood as we enter the new year. And Hollywood had better take note as they offer priceless unsolicited advice to the powers that be. They also share their predictions for the 10 Best Picture nominees, and discuss who is on the bubble and where there could be some surprises. Finally, Rebecca and John review the biggest losers (The Testament of Ann Lee) and winners (Sirāt) of the recently announced Oscars shortlist. Learn about your ad choices: dovetail.prx.org/ad-choices

"Springsteen: Deliver Me From Nowhere" is an American biographical musical drama film starring Jeremy Allen White as Bruce Springsteen. Written and directed by Scott Cooper, and based on the 2023 book "Deliver Me from Nowhere" by Warren Zanes, as well as some elements from Springsteen's autobiography "Born to Run," it chronicles Springsteen's personal and professional struggles during the conception of his 1982 album "Nebraska." The film had its world premiere at the 52nd Telluride Film Festival, screened at the New York and AFI Film Festivals, and has received a Golden Globe nomination for White in the Best Actor in a Motion Picture – Drama category. White was kind enough to spend some time talking with us about his work and experience making the film, which you can listen to below. Please be sure to check out the film, which will be available to watch digitally on December 23rd from 20th Century Studios and is up for your consideration for this year's Academy Awards in all eligible categories, including Best Picture, Best Actor, and Best Sound. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Visit https://prizepicks.onelink.me/VERBAL and use code VERBAL and get $50 in lineups when you play your first $5 lineup! #ad What Up Youtube Peeps! I'm BACK with that Verbal Cardio! This episode is about the Academy Awards Best Picture fumbles, Saturday football games, my top 5 Rob Reiner movies, Nas & DJ Premier's new album, the Michigan head coach scandal, and I answer some THIS or THATs.  You want to get an exclusive look at Verbal Cardio before anyone else? Join my Patreon for early access to this and much more!! https://www.patreon.com/TonyBakerComedy

Happy holidays! On the fifty- fourth episode of ATFT, film historian/ author/ lecturer Max Alvarez is back to join me in analyzing Billy Wilder's 1960 comedy- drama masterpiece, The Apartment! This episode is spoiler- filled. The Apartment has been described by many as one of the greatest of all time, film- wise, and is regarded as the peak of Billy Wilder who had been making a string of masterpieces starting with Double Indemnity (1944), which was the focus of the previous episode. The Apartment revolves around C.C. Baxter (Jack Lemmon), a people- pleasing insurance agent, who is taken advantage of by his bosses most nights after work as they occupy his apartment to spend time with their mistresses. All the while, Baxter has a crush on the “best elevator girl in the building” Fran Kubelik (Shirley MacLaine) whose mind is elsewhere, specifically on her married ex, and C.C.'s big boss, Jeff D. Sheldrake (Fred MacMurray). When Sheldrake begins to get in on the action to use Baxter's apartment to be with Fran, the film takes a dramatic turn on the night before Christmas. The Apartment went on to win five out of the ten Oscar categories, including Best Picture. This is one of my favorite films and it has become a tradition of mine to watch the film on Christmas night, after Fanny and Alexander. Max will be leading a Q&A after a screening of Robert Wise's 1958 noir film Odds Against Tomorrow at New Plaza Cinema in NYC on Sunday, December 21 at 12:15 pm where he'll be joined by Dan Cahill and, a special guest, Harry Belefonte's widow Pamela will be in attendance. Get your tickets now by clicking here! You can also watch previous Talk Back lectures led by Max, including one on The Apartment, on that same website or on the New Plaza Cinema YouTube channel. Max also gives the occasional online lecture at the Smithsonian Institute. His most recent lecture was focused on Burt Lancaster but click here to learn of Max's upcoming lectures. Before we closed out the episode, Max shared an update on his directorial feature film debut Noirfilm which is expected to be in post- production this Spring! This is Max's third appearance on ATFT! His most recent appearance was last year to celebrate the 50th anniversary of Chinatown with an analytical discussion, but my interview with Max was actually the first wide- released episode of the show! I had been wanting to record another episode with Max this year and I actually asked him to join a prior analytical episode but I was surprised to learn he wasn't a big fan of the film. With all the technical difficulties this year, this episode came together pretty quickly but I'm thrilled with the result because I believe this is one of the best episodes of the year. I'm thrilled to end another year of All the Film Things by discussing this film I hold so dear with Max. This episode was recorded on December 4, 2025. In this episode, Max and I talk about how The Apartment anticipates the New Hollywood era, the tightrope Wilder walks between comedy and drama, and the significance of setting the film around the holiday season. While Max recounts his experience attending a screening of the film with Billy Wilder, Fred MacMurray, and I.A.L Diamond in attendance, I take any chance I get to boast about Shirley MacLaine's tremendous performance as Fran Kubelik. All this and much more on the latest episode of All the Film Things!Music credit: Rudolph by Lukrembo | https://soundcloud.com/lukrembo Free To Use | https://freetouse.com/music Music promoted by https://www.free-stock-music.com

Sinners is the kind of movie where you can pause any frame and feel the history.Ryan Coogler's 1932 Mississippi Delta vampire epic follows twin brothers (both played by Michael B. Jordan) who open a juke joint in an old sawmill, only to collide with vampires, the Klan, and a century of American sins. The film has become one of 2025's most acclaimed releases, with strong box office, critics' scores, and early awards – putting it squarely in Best Picture conversations. (Wikipedia)In this episode of Decorating Pages, Emmy-winning set decorator Kim Wannop sits down with Oscar-winning Production Designer Hannah Beachler (Black Panther) and Set Decorator Monique Champagne (Nickel Boys, Sinners) to talk about how they built the film's world from the ground up:Churches, houses, and stores placed like tiny islands on vast plantation landscapesAnnie's house as a warm, healing, hoodoo-and-capitalism space, one of the emotional hearts of the movieA downtown resurrected from empty, moldy buildings into a living 1930s Black business districtThe juke joint as a complete building you can shoot 360º – including upper levels, real water, and safely-distanced alligatorsThe film's bold red/white/blue color story and how production design, set decoration, costume, and lighting keep that palette humming across the filmIf you loved Sinners or you're tracking the craft side of awards season, this conversation is a deep dive into how design and decoration carry history, politics, and horror in one of the year's most visually powerful films.Discover the Art of TV & Film Design with Decorating Pages PodcastHosted by Emmy-winning Set Decorator Kim Wannop, this podcast takes you behind the scenes of your favorite shows and movies. Each episode features in-depth conversations with the industry's top production designers, set decorators, prop masters, and art department professionals, offering rare insight into the creative process of visual storytelling.Whether you're a film and TV fan, aspiring designer, or entertainment industry pro, Decorating Pages Podcast is your backstage pass to the world of production design. Learn how sets are built, stories are shaped visually, and characters come to life—one episode at a time.

We're making up for a long-time oversight on the podcast by finally watching The French Connection, starring Gene Hackman and Roy Scheider! After exploring the historical context of 1971 films (and which Best Picture winners we've covered on the podcast), we turn our appreciation toward a thing that influenced so many on-screen car chases, cop movies, and The Wire. We talk about how our podcast keeps crossing over with fast food restaurants, how The French Connection captures the griminess of 1970s Brooklyn and subways and real locations (and real bars), and how William Friedkin seems hellbent on showing actual illicit activities on-screen. Joe admires chemistry glass Joey breaks down *the* on-screen car chase. We talk about how the film is like Fast Five. Email us: ⁠⁠⁠⁠family@cageclub.me⁠⁠⁠⁠⁠⁠⁠⁠Visit our Patreon page at patreon.com/2fast2forever⁠⁠⁠⁠. ⁠⁠⁠⁠Show your support at the 2 Fast 2 Forever shop⁠⁠⁠⁠!Extra special shout-out to Alex Elonen, Brian Rodriguez (High School Slumber Party), Michael McGahon, Lane Middleton, Jason Rainey, Wes Hampton, Josh Buckley (Whole Lotta Wolves), Michael Moser, Christian Larson, Terra New One, Aaron Woloszyn, and Randy Carter for joining at the “Interpol's Most Wanted” level or above!Intro music by Nico Vasilo. Interlude and outro music by Wes Hampton.

What film studio consistently sparks the interest of the average moviegoer? There's really only one answer: A24.The studio behind Best Picture winners Moonlight and Everything Everywhere All at Once. But how did a small independent film distributor become one of the most profitable and iconic studios in Hollywood?The answer lies in creative risk-taking, viral marketing, and a whole lot of vibes. Join Pat and Mark, as we explore how A24 has captured the cinema zeitgeist.

On episode 319 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Dan Bayer, Mark Johnson, and Josh Parham to go back five years and take a look at the 93rd Academy Awards, covering the films of 2020. On this retrospective, the AW team take one last trip to the past for the year to talk about the pandemic year of cinema that saw one of the worst Oscar telecasts of all time. Baffling decision after another, the night ended on a sour note instead of one of celebration for Nomadland winning the top prize and Chloé Zhao becoming the second female director to win Best Director. Still, even with the ceremony being so divisive, the year presented plenty of films the team wanted to highlight and discuss over the course of changing the Academy's nominations, with films such as The Nest, Tenet, Miss Juneteenth, Never Rarely Sometimes Always, Clemency, Dick Johnson is Dead, I'm Thinking of Ending Things, The Father, Sound of Metal, Minari, Judas and the Black Messiah, and more. In their in-depth discussion, the AW team talked about the film year of 2020, briefly discuss talk about Nomadland as a Best Picture winner, how this year is full of celebrities that are problematic or "cancelled" and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to four films to make up the final set of eight nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 2h41m. We will be back in next week for a review of the last big film of the year, Avatar: Fire and Ash. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

This week Ron and Peter wish a Happy BIG 4-0 to Robert Redford and Meryl Streep in the 1985 Best Picture winner OUT OF AFRICA, and Jackie Chan's POLICE STORY. Peter also touches on ZOOTOPIA 2 and Ron talks FLIGHT RISK. Please remember to Rate, Like, and Subscribe. Next week we'll be back to wish a Happy BIG 4-0 to THE COLOR PURPLE and ENEMY MINE, and we'll have a special discussion on the LETHAL WEAPON films in honor of Ron's BIG 4-7!

The first set of big critics prizes, including NYFCC, LAFCA, NBR, and AFI, have arrived along with the Gotham Awards winners and nominations at the Film Independent Spirit Awards and Golden Globes (a mouthful!), all showing a clear consensus and complete rallying behind One Battle After Another. To talk about all of these important awards season updates, Nick and Sophia are excited to welcome back returning guest Bennett Prosser. They discuss all the trends and possibilities with Best Picture contenders, who's on the bubble, and which films have lost the most steam. With Rose Byrne winning the trifecta and Supporting Actress a tossup, it's still anyone's ball game. Will Diane Warren receive another nomination for Original Song? Listen for plenty of hot goss and tune back in next week when they discuss the Oscar Shortlists!Follow Bennett on Letterboxd and Bluesky @bennettprosserFollow us on Twitter, Instagram, Bluesky, and TikTok @oscarwildpodFollow Nick @sauerkraut27Follow Sophia @sophia_cimFind bonus content on our Patreon @ patreon.com/OscarWild More content including updated nomination predictions @ oscarwild.squarespace.comMusic: “The Greatest Adventure” by Jonathan Adamich

Green Book (2018) at first glance seems like a twist ... a retelling of another Best Picture winner ... Driving Miss Daisy.  It's not. This movie is mostly about the connection between two men from different worlds who learn to understand each other during a road trip.  It's a very entertaining film ... but looking back, did the Academy get it right and award the right film the top award at the Oscars Listen to film critic Jack Ferdman's take on it as he analyzes everything about Green Book as well as many other films from that year, and hear which film he gives his Rewatch Oscar of 2018?Download, listen, and share ALL Rewatching  Oscar episodes.SUBSCRIBE and FOLLOW Rewatching Oscar:Website: https://rewatchingoscar.buzzsprout.comApple Podcasts/iTunesSpotifyGoogle PodcastsiHeart RadioPodchaserPodcast AddictTuneInAlexaAmazon Overcasts Podcast Addict Player FMRSS Feed: https://feeds.buzzsprout.com/1815964.rssWebsite: https://rewatchingoscar.buzzsprout.comSocial Media Links: Facebook, Twitter, LinkedIn, Instagram, BlueSkyShare your thoughts and suggestions with us through:Facebook Messenger or email us atjack@rewatchingoscar.com or jackferdman@gmail.comMusic by TurpacShow Producer: Jack FerdmanPodcast Logo Design: Jack FerdmanMovie (audio) trailer courtesy of MovieClips Classic TrailersMovie (audio) clips courtesy of YouTubeSupport us by downloading, sharing, and giving us a 5-star Rating.  It helps our podcast continue to reach many people and make it available to share more episodes with everyone.Send us a text

We power rank the contenders, specifically the Best Picture Category and go film by film to discuss how all the contenders performed with this past wave of news including the Golden Globe, Critics Choice & Indie Spirit Nominations +++ wins at NBR, AFI and the LAFCA. One Battle After Another is definitely the frontrunner - 2:36 Sinners and how it stacks up w/ Hamnet - 7:50 Hamnet, Mescal's chances in Supporting Actor & NYFCC/LAFCA Stats - 11:09 Frankenstein + the Cinematic or Box Office Achievement Globe + YouTube plans - 19:30 Sentimental Value & the potential double nom in Supporting Actress - 25:23 Marty Supreme & Timothee's supreme confidence - 29:16 Wicked: For Good and the glut in the midfield for that Best Picture 10 - 33:57 Train Dreams & Bugonia + stumping for Film Independent membership - 40:08 It Was Just An Accident - 48:25 Jay Kelly & Discussing the Casting Category - 53:00 No Other Choice + AlsoMike's Review of the Film - 56:34 Avatar Fire & Ash & The Secret Agent - 58:48 Other International Contenders like Nouvelle Vague, Sirat, etc - 1:03:45 Other Domestic Players like F1, Weapons, Blue Moon, Die My Love, etc - 1:07:38 OUTRO: If you are able, please donate to the Chaz and AJ Toy Crabtree Chevrolet Toy Drive https://www.paypal.com/ncp/payment/L8CTKDGN4MZZ6 Thank you, and have yourself some happy holidays!

This week's discussion of PTA's ONE BATTLE AFTER ANOTHER keeps the tension high with war putys, Christmas Adventurers, and Leo Finger galore! Check out the discussion on this season's leading Best Picture contender at www.orwhatevermovies.com. Contains spoilers. Thank you for listening! 818-835-0473 | orwhatevermovies@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

December is here, and I'm closing out the year by spotlighting the movies that made the biggest impact on me. These aren't "Best Picture" arguments or critic-approved rankings. These are the films that stuck with me, hit me emotionally, or reminded me why I love movies in the first place.We're kicking things off with One Battle After Another. A film that stood out for it's storytelling, performances, and the way it balances intensity with real heart. I break down what grabbed me right away, the moments that linger, and why it earned a place on my personal list of the year's favorites.Plus, I preview what's coming up from the rest of the month.It's going to be a fun finish to the year, and I want to hear from you too. What movies became your favorites in 2025?

DO YOU SEE THAT I AM YOUR FRIEND?! Dances With Wolves Full Movie Reaction Watch Along: ⁠  / thereelrejects  ⁠ Start your online business with a $1 per-month trial when you visit ⁠https://www.shopify.com/rejects⁠! With Kevin Costner Presents The First Christmas, it's time for Dances With Wolves (1990) Reaction, Recap, Commentary, Analysis & Spoiler Review! Greg Alba & Aaron Alexander sit down for the legendary 3-hour epic from director Kevin Costner (Yellowstone, The Bodyguard, JFK) — a film that redefined Westerns and won 7 Academy Awards, including Best Picture. We dive deep into every iconic moment, emotional beat, and unforgettable quote from this masterpiece. If you're watching Dances With Wolves for the first time or revisiting it decades later, this commentary breaks down the filmmaking, historical themes, production value, character work, and why the movie remains one of the most important Westerns ever made. Follow Aaron On Instagram: ⁠https://www.instagram.com/therealaaronalexander/?hl=en⁠ Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ Support The Channel By Getting Some REEL REJECTS Apparel! ⁠https://www.rejectnationshop.com/⁠ Follow Us On Socials:  Instagram: ⁠https://www.instagram.com/reelrejects/⁠  Tik-Tok: ⁠https://www.tiktok.com/@reelrejects?lang=en⁠ Twitter: ⁠https://x.com/reelrejects⁠ Facebook: ⁠https://www.facebook.com/TheReelRejects/⁠ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/by/4.0/⁠ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. ⁠https://creativecommons.org/licenses/...⁠ POWERED BY @GFUEL Visit⁠ https://gfuel.ly/3wD5Ygo⁠ and use code REJECTNATION for 20% off select tubs!! Head Editor:⁠ https://www.instagram.com/praperhq/?hl=en⁠ Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license.⁠ https://creativecommons.org/licenses/by/4.0/⁠ Ask Us A QUESTION On CAMEO:⁠ https://www.cameo.com/thereelrejects⁠ Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  ⁠https://www.facebook.com/TheReelRejects/⁠ INSTAGRAM: ⁠ https://www.instagram.com/reelrejects/⁠ TWITTER:  ⁠https://twitter.com/thereelrejects⁠ Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  ⁠https://www.instagram.com/thegregalba/⁠ TWITTER:  ⁠https://twitter.com/thegregalba⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

DO YOU SEE THAT I AM YOUR FRIEND?! Dances With Wolves Full Movie Reaction Watch Along:   / thereelrejects   Start your online business with a $1 per-month trial when you visit https://www.shopify.com/rejects! With Kevin Costner Presents The First Christmas, it's time for Dances With Wolves (1990) Reaction, Recap, Commentary, Analysis & Spoiler Review! Greg Alba & Aaron Alexander sit down for the legendary 3-hour epic from director Kevin Costner (Yellowstone, The Bodyguard, JFK) — a film that redefined Westerns and won 7 Academy Awards, including Best Picture. We dive deep into every iconic moment, emotional beat, and unforgettable quote from this masterpiece. If you're watching Dances With Wolves for the first time or revisiting it decades later, this commentary breaks down the filmmaking, historical themes, production value, character work, and why the movie remains one of the most important Westerns ever made. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Arizona Highways has chosen its Best Picture of 2025, and surprise, it isn't of the Grand Canyon or Monument Valley - although one of those panoramas did place. This week on Valley 101, host Bill Goodykoontz is taking on a podcasting challenge: use audio to describe a photo. Bill talks to Arizona Highway's photo editor and the big winner about the uniqueness of the photo and the patience it took to capture it. Submit your question⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ about Phoenix! Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠,⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Guests: Jeff Kidda, Tam Ryan Host: ⁠Bill Goodykoontz⁠ Producer: ⁠⁠⁠⁠⁠⁠⁠⁠Amanda Luberto⁠, Madison Knutson Learn more about your ad choices. Visit megaphone.fm/adchoices

The deal is done. Netflix will purchase Warner Bros. Discovery for $82 billion. Yet another corporate monopoly drives a nail through Hollywood's coffin. It was bad enough when Disney bought Fox, Star Wars, and Marvel. Now, Netflix will be among the most powerful corporate monopolies, replacing what Hollywood used to be.America gave up on Hollywood because Hollywood gave up on America. The result is empty movie theaters all over the country—one bomb after another. Of course, Warner Bros. knew. You'd have to be an idiot not to know. Does anyone think Netflix is sweating the online memes accusing it of being too woke? No, they aren't. They are making too much money to care. With streaming, there is no free market pressure, no quality control. You don't have to motivate people to leave their homes. You don't need big stars to drive box office, and best of all, you can ignore the silent majority that has tuned you out long ago. Hate the trans agenda being shoved down everyone's throat? Too bad. Your boycotts are a drop in the bucket at Netflix. It's the perfect solution to Hollywood's problem. They can have everything they want — a virtue signaling paradise — and never have to worry about big budgets or low box office ever again. That's the easy way out. The truth is harder to swallow. They destroyed themselves. They wrecked their brand and alienated their audience. Hollywood built a ship of failure when it split into two divergent paths around 2003, after the Harry Potter and Lord of the Rings franchises brought in ungodly profits not just here but around the world. The branding was the key, the IPs. For years, they dominated the global box office and brought people to movie theaters across the country.Meanwhile, in the other Hollywood, in the “prestige” niche lane where the Oscars live, things began to get smaller, more isolated, more aligned with politics, especially under Barack Obama. His win influenced almost everything, as he loves to put out his top-ten lists every year and even has a deal with Netflix. These two Hollywoods existed side by side like the First Class section of the airplane vs. Coach, where they “let them eat Marvel.” You can see the rise and fall in one image, from Box Office Mojo:This year might mean that, for the first time since 2020, China will dominate the Worldwide box office rather than Hollywood, unless Jim Cameron can bring Avatar: Fire and Ash over the 2 billion mark.In 2019, Hollywood put out over 900 movies. Last year, just 624, and many of them bombed. So what happened? 2020 happened. The one-two punch of COVID and the Great Awokening brought Hollywood to its knees. The Oscar race this year is loaded with unwatchable movies that swirl around things almost no one outside the bubble of Hollywood cares about, identity mainly. Mothers' caterwauling their oppression, like Die, My Love, If I had Legs I'd Kick You, and even One Battle After Another feature women who seem to hate their children. The people who run Hollywood are still mostly rich white men, but they must always genuflect, with women or people of color as shields to protect them from accusations of sexism or racism by the mob online. The rise of female directors who get these jobs for no other reason except that they're female has transformed a once-great industry into a DEI film school. Every couple is interracial. Every movie must have significant actors of color. The GLAAD lobby demands representation everywhere. Why would anyone want to pay money to have them shove their ideology down our throats?Success doesn't even matter to them. That they project “goodness” is all they care about now, their status inside utopia. The EndAs I drive across this country, I sometimes see a multiplex in a mall. It looks as deserted to me as the old drive-ins once did, and I can't help but think this really is the end for movie theaters. They'll go the way of the record store, limited to enthusiasts in the big cities. Everyone else will numbly scroll through Netflix for whatever they can find, but it will never have the same cultural impact as a great movie when we're all under one roof, sharing a story.It's yet more separation, more isolation, more internet, more social media, less of what we all need as a society.“The Future is Coming, and You Aren't In It”After COVID ended for rational Americans, we all wondered whether people would return to the movies. The paranoid mask-wearing Liberals did not. Even Peggy Noonan noticed.In 2022, a miracle arrived in the form of Tom Cruise starring in Top Gun: Maverick. It made so much money that it wiped clean the argument that Hollywood was over and movie theaters were dying. Although it was nominated for Best Picture, it lost to the woke screed, Everything Everywhere All At Once. That was a sign that Hollywood was not ready for the iceberg right ahead.The following year showed promise, with “Barbenheimer,” “Oppenheimer,” and “Barbie” becoming cultural sensations on TikTok. The Oscars did the right thing and gave their awards to Oppenheimer. Though things seem to be moving in the right direction, it's too little, too late. Audiences don't trust Hollywood anymore, and I can't blame them. Of all the Warner Bros. movies that were successful this year, the Oscar will likely go to the anti-ICE, pro-ANTIFA, anti-Trump rallying cry, One Battle After Another. No film in recent memory has better captured the singular worldview of the progressive Left.As Curtis Yarvin wrote for The Spectator:Fundamentally, One Battle is a religious film. It is entirely set in the fantasy landscape of the great American religion, progressivism, the 20th-century evolution of our ancient Puritan tradition. If you are a true believer, imagine watching Battlefield Earth without being a Scientologist. For non-progressives, One Battle may be necessary viewing. It displays the interior landscape of the narcissistic narrative of our world's dominant cult of power. We seldom get to strap a GoPro to the inside of a lib's forehead. And he continues:So this film is out there – recruiting damaged people by presenting them as romantic heroes in a propaganda fantasy. Few will kill. But many will clap. When bad movies succeed, as One Battle will, they diagnose something bad in the audiences they entertain. Corrupt art is the pathognomonic mark of a corrupt society. Shitty people will watch this shitty film, and love it. Shitty journalists have already given it a standing ovation – the politics makes them hard, like Lockjaw. This evil is at the very heart of our culture.As Leonard Cohen noted: “I have seen the future, brother. It is murder.” Murder is as old as Cain. The anonymous internet is young. Nobody asked for the combination. But they'll get it.So, of course, the critics have gone nuts for it. It IS religious for them. It's already won many awards and is on track to win Best Picture. Trust me, Hollywood has no desire to save itself. One Battle After Another cost upwards of $140 million and only made $70 million in the US, with the bulk of its profits made overseas on Leonardo DiCaprio's name, which is why it's assumed he demanded his usual fee of $20 million. Old Hollywood understood that you don't reward failure with film awards. New Hollywood cares less about the money and more about the message. The public used to matter because the box office did. No wonder WB is selling out after watching one bomb after another this past year. Why wait for bankruptcy? Why not cash out now on a high note?This is the kind of thing Hollywood pumps out now:And therein lies the problem. They forgot it wasn't about them. They believed their own publicity. They fell in love with their own image, like Narcissus. They began to believe they were important. We loved movies and celebrities for what they gave us, not for who they are. We don't care. We don't need them to fix us. Or teach us. Or lecture us. Or scold us. We just need them to entertain us. Well, now the billionaires have arrived to prove to them how little they matter when it comes to the bottom line. And if you think that's bad, wait until the AI tsunami wipes out half the industry. The audience was always their best hope for survival. As long as we showed up, Hollywood and its stars had power. Now that audiences have vanished, well, the ship is made of iron, and it will sink.Who knows, maybe Congress or Trump can stop the merger. That still won't fix the fundamental problem of what Hollywood has become and why the public turned away. On the upside, the giant hole Hollywood leaves behind, like the asteroid that killed the dinosaurs, might open up movie theaters to a new breed of filmmaker. Maybe they can make movies Hollywood or Netflix never would - trashy comedies, cheap horror, romantic comedies, Dirty Harry movies. Who knows, maybe we can Make Hollywood Great Again. What better way to rebuild a counterculture?Altamont, Illinois, 8:42AM. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

As the wait for the next Best Picture to reveal itself continues, Greg Vorob joins us to discuss his pick , "Ghostbusters"!!!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : @oscarsgold @hidarknesspod @beatlesblonde @udanax19⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : facebook.com/goldstandardoscars⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ : patreon.com/goldstandardoscars

This week, Rebecca and John are joined by VF Senior Editor Hillary Busis to answer a slew of mailbag questions. They highlight some of the more interesting below-the-line races, including cinematography and editing. They also debate if having a popular TV show can help an Oscar contender's chances, and whether "KPop Demon Hunters" has a shot at a Best Picture nod. Finally, they make their December movie picks for films that are worth catching in theaters this month. Learn about your ad choices: dovetail.prx.org/ad-choices

Sixteen years after the previous film (The Godfather Part II) in this saga won him Oscars for Best Director, Best Screenplay, and Best Picture...Oscar-winning legend Francis Ford Coppola (Apocolypse Now, Bram Stoker's Dracula, The Conversation) returned to both co-write and direct this final entry in the beloved sage of The Corleone Family.  And this time around even though the film was nominated for seven Oscars including Best Picture, it didn't win any.....and the consensus was that it was below the quality for the first two despite including acclaimed performances by its three main stars including Al Pacino (who returned to play Michael Corleone), the late, great Diane Keaton (who returned to play Kay Corleone), and Oscar-nominated Andy Garcia who played Michael's nephew Vincent.  Infact, it was considered by many to be by far the weakest film in the trilogy.  So thirty years later during an extended COVID lock-down, Coppola decided re-edit Part III and by the end of 2020, a newly reworked version was released to both theaters and streaming.  Celebrating The Godfather Part III's 35th Anniversary, we will review this latest version to find out how or IF it improves upon the original version released on Christmas of 1990.   Host: Geoff GershonEdited By Ella GershonProducer: Marlene GershonSend us a textSupport the showhttps://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/

In 1946, director Frank Capra brought to the big screen the tale of George Bailey of Bedford Falls, in an inversion of the Charles Dickens classic A Christmas Carol. Instead of teaching a miserly villain the error of his ways by showing him his life's low points, Capra revealed that a good man's good deeds prove one man's life has worth beyond measure. Starring Jimmy Stewart, Donna Reed, Lionel Barrymore, and Henry Travers as the angel Clarence Oddbody, this film initially received mixed reviews and was unsuccessful at the box office, despite the fact that it was nominated for five Academy Awards, including Best Picture. Without significant interest, the film's copyright in the U.S. expired in 1974 and it entered the public domain, allowing it to be broadcast without licensing or royalty fees. Broadcast at almost no cost by local television stations, the film grew to become an annual Christmas classic. Turning 80 next year, it is now regarded as one of the greatest movies ever made, but will inconsistent streaming options and copyright issues make us wish this movie had never been filmed? Now we're getting the holiday spirit in the hopes of proving that It's a Wonderful Life after all!   For more geeky podcasts visit GonnaGeek.com    You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com    You can write to Rum Daddy directly: rumdaddylegends@gmail.com    You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com    Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/

Are celebrities worthy authors for our children? Is there still a place for highly detailed illustrations? Anthony Wheeler, Lee White, and Jake Parker discuss recent trends in indie kidlit, the evolution of the illustration industry, and more in this episode. 3 Point Perspective Podcast is sponsored by SVSLearn.com, the place where becoming a great illustrator starts!Click here for this episode's links and show notes.

A new week means new questions! Hope you have fun with these!Hinge, pivot, ball and socket are three types of what skeletal structure?In Canada, what province is the capital city located?Stanisław II August ruled from 1764 to 1795 and was the last king of which country, the fifth largest EU country?What element has the highest melting point?In 1926 Gertrude Ederle swam what in 14 1/2 hours, breaking the men's record by 2 hours, and the inspiration for the Daisy Ridley film "Young Woman and the Sea"?Which Aristophanes comedy shares its name with a 1963 natural horror film directed by Alfred Hitchcock?What was the first horror film to be nominated for Best Picture?The word "Alphabet" comes from the first two letters of what language?In operation since 1930, London's Great West Aerodrome later became the site of what?Traditionally, what color are the community chest cards in a game in Monopoly?In "The Office" what does Michael Scott eat at lunch to make him fall asleep?What is the best selling album of the 21st century thus far?In 2010, Jonathan Franzen was the first American novelist to appear on the cover of TIME since what legendary and prolific American writer?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

Sean and Amanda begin the show by discussing the imminent sale of Warner Brothers Discovery, consider the potential implications of a merger with one of Paramount, Comcast, or Netflix, and debate which scenario is the most likely outcome (1:22). Then, they cover the new Colleen Hoover adaptation ‘Regretting You' starring Allison Williams and Dave Franco, which they found absolutely baffling (17:28). Next, they have an extensive conversation around Joachim Trier's ‘Sentimental Value,' starring Renate Reinsve and Stellan Skarsgard, where they explore why some people are connecting to the film so strongly, while for others it doesn't seem to resonate (47:15). Finally, Trier joins the show to explain how much of himself is actually mapped onto Skarsgard's character, how being a good listener and observant of the world around you translates to strong characterization, and the story of shooting in a house that was down the street he grew up on (1:33:54). Hosts: Sean Fennessey and Amanda Dobbins Guest: Joachim Trier Producer: Jack Sanders Learn more about your ad choices. Visit podcastchoices.com/adchoices

“Wicked” was one of the biggest movies of 2024. It was culturally ubiquitous, a box office smash and an Oscar nominee for Best Picture. Now, a year later, “Wicked: For Good” arrives in theaters to finish the tale of the complicated friendship between Glinda the Good Witch and Elphaba, the Wicked Witch of the West. Can “Wicked: For Good” be the sensation that its predecessor was? Will it inject new life into a movie business that has suffered a historically bad business year? Will it satisfy the legions of “Wicked” fans who have been waiting to see their favorite musical brought to the big screen?Gilbert Cruz is joined by Kyle Buchanan, a pop culture reporter for The New York Times who profiled the stars of “Wicked,” and Madison Malone Kircher, a reporter for the Styles desk and affirmed “Wicked” fanatic, to discuss what “Wicked: For Good” means for the movies. On Today's EpisodeMadison Malone Kircher is a reporter covering internet culture for The Times.Kyle Buchanan is a pop culture reporter and serves as The Projectionist, the awards season columnist for The New York Times.Photo: Universal Pictures Additional ReadingAriana Grande Still Has Surprises in StoreThere Have Been Dozens of “Wicked” Interviews. Why Did This One Go Viral? Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.