Podcasts about delacorte press

Author Ally Russell ("It Came From the Trees," Delacorte Press, 2024) joins Scotty to discuss growing up as a horror fan in the zombie hub of Pittsburgh, taking inspiration from R.L. Stine, Stephen King, and her father's macabre sense of humor, deciding to pursue a career as a writer after working as a bookseller at Barnes & Noble, and pursuing an MFA in Children's Literature at Simmons University in Boston. She talks about what she learned about writing for young readers, her terror of the woods, her fascination with aliens and cryptids, her love of found footage horror, and how she applied all of that to her debut middle-grade novel. Ally and Scotty also talk about how "The Blair Witch Project" (1999) influenced her work, and how its under-appreciated 2016 sequel "Blair Witch" builds upon its predecessor. You can find Ally online at https://allyrussellbooks.com You can buy "It Came From the Trees" at https://www.penguinrandomhouse.com/books/720273/it-came-from-the-trees-by-ally-russell/ Be sure to tune in to Daniel Braum's YouTube series "Night Time Logic." The series focuses on the strange, weird, and wonderful side of dark fiction through readings and discussions with diverse authors from around the world. You can tune in on Daniel's You Tube Channel, which is his name DanielBraum or @danielbraum7838. https://www.facebook.com/groups/429777132474382 https://www.youtube.com/@danielbraum7838 This podcast is powered by Pinecast.

Canadian fantasy romance author Demi Winters became a BookTok sensation with the 2023 release of her debut novel, A Road of Bones, which has over 22,700 Goodreads ratings and a 4.24 star average. In 2024, she released Kingdom of Claw, book 2 in The Ashen series. Since then, her indie-published books have been picked by Delacorte Press. She's sold over 72,000 books to date, and sold the foreign rights to her series to publishers around the globe, including publishers in Germany, Italy, and Hungary. Find out what's coming from Demi this year, learn about her early storytelling attempts, and why The Ashen series will conclude with five books (plus a novella). To learn more about Demi, visit her website, follow her on Instagram, or join her discord. https://linktr.ee/demiwinters?fbclid=PAY2xjawI9yP9leHRuA2FlbQIxMQABpjUEDCl1L-O_3ac7FsEzy0eUss3DauNtp8jhBiTNY_Vcep-IuACdkTvixA_aem_6jWrrz4p3D_63u3wSHu8EA https://www.instagram.com/demiwinterswrites?igsh=YXBrMTQ0OHR1c3k0

Canadian fantasy romance author Demi Winters became a BookTok sensation with the 2023 release of her debut novel, A Road of Bones, which has over 22,700 Goodreads ratings and a 4.24 star average. In 2024, she released Kingdom of Claw, book 2 in The Ashen series. Since then, her indie-published books have been picked by Delacorte Press. She's sold over 72,000 books to date, and sold the foreign rights to her series to publishers around the globe, including publishers in Germany, Italy, and Hungary. Find out what's coming from Demi this year, learn about her early storytelling attempts, and why The Ashen series will conclude with five books (plus a novella). To learn more about Demi, visit her website, follow her on Instagram, or join her discord. https://linktr.ee/demiwinters?fbclid=PAY2xjawI9yP9leHRuA2FlbQIxMQABpjUEDCl1L-O_3ac7FsEzy0eUss3DauNtp8jhBiTNY_Vcep-IuACdkTvixA_aem_6jWrrz4p3D_63u3wSHu8EA https://www.instagram.com/demiwinterswrites?igsh=YXBrMTQ0OHR1c3k0

Écoutez la journaliste Lauren Bastide en conversation avec Lucile Génin, autrice d'un premier roman, « De nouveaux endroits », publié aux Éditions du sous-sol en 2023, récit initiatique dans lequel l'héroïne se rend au Canada pour tenter de comprendre qui est sa mère. Au cours de cette discussion, Lucile Génin revient sur les lectures qui ont marqué son enfance et son adolescence ainsi que sur la genèse de son personnage principal. Elle évoque également les liens entre littérature et cinéma, et ses sources d'inspiration.En marge des Rendez-vous littéraires rue Cambon, le podcast « les Rencontres » met en lumière l'acte de naissance d'une écrivaine dans une série imaginée par CHANEL et Charlotte Casiraghi, ambassadrice et porte-parole de la Maison.(00:00) Introduction(00:41) Présentation de Lucile Génin et de « De nouveaux endroits » par Lauren Bastide(02:14) Sa rencontre avec la littérature(04:32) Les auteurs qui l'ont inspirée(06:50) Sur les questions environnementales(09:42) Sur Mathilde, son personnage principal(12:41) Le processus de publication de son roman(16:30) Avoir son livre pour la première fois entre les mains(16:57) Lecture d'extraits de « De nouveaux endroits » par Lucile Génin(20:01) À propos du processus d'écriture de son roman(23:57) Entre littérature et cinéma(25:00) Le travail de mémoire transgénérationnel(26:42) Sur les liens intergénérationnels(28:50) Sur le choix d'écrire des sous-titres(31:16) À propos de la réception du roman(34:30) Qu'est-ce qu'être autrice ?(35:20) Le questionnaire de fin du podcast « Les Rencontres »Lucile Génin, De Nouveaux endroits © Les éditions du sous-sol, 2022Lucile Génin, De Nouveaux endroits © Les éditions Points, 2022 Le Petit Nicolas ® © 2004 Imav éditions / Goscinny – SempéRoald Dahl, Fantastique Maître Renard, traduit de l'anglais par Raymond Farré et Marie Saint-Dizier © Éditions Gallimard jeunesse, 1980, pour la traduction françaiseFantastic Mr. Fox © Roald Dahl, 1970. Published by Puffin Books. All rights reservedRoald Dahl, Sacrées Sorcières, traduit de l'anglais par Marie-Raymond Farré ©Éditions Gallimard, 1984, pour la traduction françaiseThe Witches © Roald Dahl, 1983. Published by Puffin Books. All rights reservedAnn Brashares, Quatre Filles et un jean, traduit de l'anglais par Vanessa Rubio © Gallimard Jeunesse, 2002, pour la traduction françaiseThe Sisterhood of the Traveling Pants by Ann Brashares, published by Delacorte Press, an imprint of Random House Children's Books, a division of Penguin Random House LLCJane Austen, Orgueil et préjugés, traduit de l'anglais en français par la Bibliothèque britannique de Genève en 1813Charlotte Brontë, Jane Eyre, 1847Emily Brontë, Les Hauts de Hurle-Vent, traduit de l'anglais en français par Frédéric Delebecque en 1925Ada ou l'Ardeur, © 1969, Vladimir Nabokov © Librairie Arthème Fayard, 1989, pour la traduction françaiseAda, or Ardor by Vladimir Nabokov, published by Vintage Books, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLCAda or Ardor © 1969, Vladimir Nabokov, used by permission of The Wylie Agency (UK) LimitedPhilip Pullman, La Trilogie de la Poussière, traduit de l'anglais par Jean Esch © Éditions Gallimard Jeunesse, 2017, pour la traduction françaiseLa Belle Sauvage Copyright © 2017 by Philip PullmanMarguerite Duras, Un barrage contre le Pacifique, © Éditions Gallimard, 1950

Écoutez la journaliste Lauren Bastide en conversation avec Lucile Génin, autrice d'un premier roman, « De nouveaux endroits », publié aux Éditions du sous-sol en 2023, récit initiatique dans lequel l'héroïne se rend au Canada pour tenter de comprendre qui est sa mère. Au cours de cette discussion, Lucile Génin revient sur les lectures qui ont marqué son enfance et son adolescence ainsi que sur la genèse de son personnage principal. Elle évoque également les liens entre littérature et cinéma, et ses sources d'inspiration.En marge des Rendez-vous littéraires rue Cambon, le podcast « les Rencontres » met en lumière l'acte de naissance d'une écrivaine dans une série imaginée par CHANEL et Charlotte Casiraghi, ambassadrice et porte-parole de la Maison.(00:00) Introduction(00:41) Présentation de Lucile Génin et de « De nouveaux endroits » par Lauren Bastide(02:14) Sa rencontre avec la littérature(04:32) Les auteurs qui l'ont inspirée(06:50) Sur les questions environnementales(09:42) Sur Mathilde, son personnage principal(12:41) Le processus de publication de son roman(16:30) Avoir son livre pour la première fois entre les mains(16:57) Lecture d'extraits de « De nouveaux endroits » par Lucile Génin(20:01) À propos du processus d'écriture de son roman(23:57) Entre littérature et cinéma(25:00) Le travail de mémoire transgénérationnel(26:42) Sur les liens intergénérationnels(28:50) Sur le choix d'écrire des sous-titres(31:16) À propos de la réception du roman(34:30) Qu'est-ce qu'être autrice ?(35:20) Le questionnaire de fin du podcast « Les Rencontres »Lucile Génin, De Nouveaux endroits © Les éditions du sous-sol, 2022Lucile Génin, De Nouveaux endroits © Les éditions Points, 2022 Le Petit Nicolas ® © 2004 Imav éditions / Goscinny – SempéRoald Dahl, Fantastique Maître Renard, traduit de l'anglais par Raymond Farré et Marie Saint-Dizier © Éditions Gallimard jeunesse, 1980, pour la traduction françaiseFantastic Mr. Fox © Roald Dahl, 1970. Published by Puffin Books. All rights reservedRoald Dahl, Sacrées Sorcières, traduit de l'anglais par Marie-Raymond Farré ©Éditions Gallimard, 1984, pour la traduction françaiseThe Witches © Roald Dahl, 1983. Published by Puffin Books. All rights reservedAnn Brashares, Quatre Filles et un jean, traduit de l'anglais par Vanessa Rubio © Gallimard Jeunesse, 2002, pour la traduction françaiseThe Sisterhood of the Traveling Pants by Ann Brashares, published by Delacorte Press, an imprint of Random House Children's Books, a division of Penguin Random House LLCJane Austen, Orgueil et préjugés, traduit de l'anglais en français par la Bibliothèque britannique de Genève en 1813Charlotte Brontë, Jane Eyre, 1847Emily Brontë, Les Hauts de Hurle-Vent, traduit de l'anglais en français par Frédéric Delebecque en 1925Ada ou l'Ardeur, © 1969, Vladimir Nabokov © Librairie Arthème Fayard, 1989, pour la traduction françaiseAda, or Ardor by Vladimir Nabokov, published by Vintage Books, an imprint of the Knopf Doubleday Publishing Group, a division of Penguin Random House LLCAda or Ardor © 1969, Vladimir Nabokov, used by permission of The Wylie Agency (UK) LimitedPhilip Pullman, La Trilogie de la Poussière, traduit de l'anglais par Jean Esch © Éditions Gallimard Jeunesse, 2017, pour la traduction françaiseLa Belle Sauvage Copyright © 2017 by Philip PullmanMarguerite Duras, Un barrage contre le Pacifique, © Éditions Gallimard, 1950

On being unapologetic about investing in yourself as a writer! Rachael and Rebekah also talk about the value of friends, and about writing being alive, never stagnant! Rebekah Faubion is the author of THE LOVERS, a Nora Ephron-style, sapphic rom-com coming Summer 2024 from Berkley. She is also the author of young adult horror novel LOST GIRLS coming from Delacorte Press in 2026. When she isn't writing books that make her bi soul sing, she enjoys watching anything romantic or scary (or, better yet, both), hiking in the Hollywood Hills, and reading tarot by candlelight.

Read the longform article at:https://gettherapybirmingham.com/healing-the-modern-soul-part-2/   The Philosophy of Psychotherapy The Corporatization of Healthcare and Academia: A Threat to the Future of Psychotherapy The field of psychotherapy is at a critical juncture, facing numerous challenges that threaten its ability to effectively address the complex realities of the human experience. Chief among these challenges is the growing influence of corporate interests and the trend towards hyper-specialization in academic psychology, which have led to a disconnect between the profession and its roots, as well as a lack of understanding of the physical reality of the body, anthropology, and the history of the field. In this article, we will explore the ways in which the corporatization of healthcare and academia is impacting psychotherapy, and argue that in order for the profession to remain relevant and effective, it must embrace a more holistic and integrative approach that recognizes the interconnectedness of the mind, body, and spirit. This requires a renewed commitment to developing a coherent concept of self, a shared language and understanding of implicit memory, and a vision of psychotherapy as a means of empowering individuals to become more effective at being themselves in the world and, in turn, better at transforming the world for the better. The Corporatization of Healthcare and Academia The influence of corporate interests on healthcare and academia has had a profound impact on the field of psychotherapy. The pressure to maximize profits and minimize costs has led to a shift away from comprehensive diagnosis and towards a reliance on quick fixes like medication and brief, manualized therapies. This trend is particularly evident in the way that psychiatry has evolved over the past few decades. Psychiatrists used to spend an entire hour with their patients doing psychotherapy, but now the majority of the profession relies solely on drug therapy. In fact, a staggering 89% of psychiatrists used only drug therapy in 2010, compared to just 54% in 1988 (Mojtabai & Olfson, 2008). Patients are often left feeling frustrated and unheard, with many giving up on medication after their psychiatrist writes a script in the first and last five minutes of their first session. The same forces are at work in academia, where the cost of education has skyrocketed and the focus has shifted towards producing "products" rather than fostering critical thinking and innovation. Adjunct professors, who often lack the expertise and experience to teach psychotherapy effectively, have replaced tenure-track faculty, and students are graduating with a narrow understanding of the field that is ill-suited to the realities of private practice (Collier, 2017). The result is a profession that is increasingly disconnected from its roots and the physical reality of the body. Anthropology, humanities and the history of the profession, which offer valuable insights into the nature of the human experience and the evolution of psychotherapy, are largely ignored in favor of a narrow focus on cognitive-behavioral interventions and symptom reduction pushed largely to help psychopharm companies' bottom lines (Frances, 2013). The current academic publishing system is also broken. Academics work hard to come up with original ideas and write papers, only to give their work away for free to publishers who make trillions of dollars in profits while the authors get no compensation (Buranyi, 2017). Peers often cite papers to support their own points without actually reading them in depth. And the "best" journals frequently publish absurd psychology articles that would make you laugh if you said their main point out loud, but hide their lack of substance behind academic jargon (Sokal, 2008). Meanwhile, students spend years in graduate school being forced to research what their advisor wants, not what's truly innovative or needed to advance the field. After a decade of study and compromise, the pinnacle achievement is often creating a new 30-question screener for something like anxiety, rather than developing therapists who can actually discern and treat anxiety without needing a questionnaire. The system fails to properly vet or pay therapists, assuming they can't be trusted to practice without rigid manuals and checklists. This hyper-rationality, the madness arising from too much logic rather than too little, is very useful to moneyed interests like the Department of Defense in how they want to fund and control research. Large language models and AI are the pinnacle of this - spreadsheets sorting data points to mimic human speech, created by people so disconnected from a real sense of self that they believe you can turn people into robots because they've turned themselves into robots (Weizenbaum, 1976). But psychology and therapy can't be reduced to hard science and pure empiricism the way fields like physics can (at least until you get to quantum physics and have to rely on metaphor again). We can't remove all intuition, subjective experience and uncertainty (Rogers, 1995). The reproducibility crisis in psychology research shows the folly of this over-rationality (Open Science Collaboration, 2015). Studies that throw out any participant who dropped out of CBT treatment because it wasn't helping them are not painting an accurate picture (Westen et al., 2004). Developing a Coherent Concept of Self A History of the Self Our understanding of the self has evolved throughout history: Ancient Greek Philosophy (6th century BCE - 3rd century CE) Socrates introduces the idea of the self as a distinct entity, emphasizing self-knowledge and introspection (Plato, trans. 2002). Plato's concept of the soul as the essence of the self, distinct from the physical body (Plato, trans. 1997). Aristotle's notion of the self as the unity of body and soul, with the soul being the form or essence of the individual (Aristotle, trans. 1986). Medieval Philosophy (5th century CE - 15th century CE) St. Augustine's concept of the self as a reflection of God, with the inner self being the source of truth and self-knowledge (Augustine, trans. 2002). St. Thomas Aquinas' synthesis of Aristotelian and Christian concepts of the self, emphasizing the soul as the form of the body (Aquinas, trans.1981). Renaissance and Enlightenment (16th century CE - 18th century CE) Descartes' famous "cogito ergo sum" ("I think, therefore I am"), establishing the self as a thinking, conscious being (Descartes, trans. 1996). Locke's idea of the self as a blank slate shaped by experience and the continuity of consciousness (Locke, trans. 1975). Hume's skepticism about the self, arguing that it is merely a bundle of perceptions without a unified identity (Hume, trans. 2000). Romantic Era (late 18th century CE - mid-19th century CE) The self is seen as a creative, expressive force, with an emphasis on individuality and subjective experience (Berlin, 2013). The rise of the concept of the "self-made man" and the importance of personal growth and self-realization (Trilling, 1972). 20th Century Philosophy and Psychology Freud's psychoanalytic theory, which posits the self as composed of the id, ego, and superego, with unconscious drives and conflicts shaping behavior (Freud, trans.1989). Jung's concept of the self as the center of the psyche, integrating conscious and unconscious elements (Jung, 1959). Existentialism's emphasis on the self as a product of individual choices and actions, with the need to create meaning in a meaningless world (Sartre, trans. 1956). The rise of humanistic psychology, with its focus on self-actualization and the inherent potential of the individual (Maslow, 1968). Postmodernism's deconstruction of the self, challenging the idea of a unified, coherent identity (Jameson, 1991). Contemporary Developments (late 20th century CE - present) The influence of neuroscience and cognitive science on the understanding of the self as an emergent property of brain processes (LeDoux, 2002). The impact of social and cultural factors on the construction of the self, with the recognition of multiple, intersecting identities (Gergen, 1991). The rise of narrative theories of the self, emphasizing the role of storytelling in shaping personal identity (Bruner, 1990). The influence of Eastern philosophies and contemplative practices on Western concepts of the self, with an emphasis on mindfulness and interconnectedness (Epstein, 1995). Psychotherapy and the Concept of Self Sigmund Freud (1856-1939) - Psychoanalysis: Freud, the founder of psychoanalysis, conceived of the self as being composed of three elements: the id, the ego, and the superego. The id represents the primitive, instinctual drives; the ego mediates between the demands of the id and the constraints of reality; and the superego represents the internalized moral standards and values of society. Freud believed that the goal of psychotherapy was to bring unconscious conflicts and desires into conscious awareness, allowing the ego to better manage the competing demands of the id and superego (Freud, trans. 1989). Carl Jung (1875-1961) - Analytical Psychology: Jung, a former collaborator of Freud, developed his own theory of the self, which he saw as the central archetype of the psyche. Jung believed that the self represented the unity and wholeness of the personality, and that the goal of psychotherapy was to help individuals achieve a state of self-realization or individuation. This involved integrating the conscious and unconscious aspects of the psyche, including the persona (the public face), the shadow (the repressed or hidden aspects of the self), and the anima/animus (the inner masculine or feminine) (Jung, 1959). Alfred Adler (1870-1937) - Individual Psychology: Adler, another former collaborator of Freud, emphasized the importance of social relationships and the drive for superiority in shaping the self. He believed that individuals develop a unique lifestyle or way of being in the world based on their early experiences and relationships, and that the goal of psychotherapy was to help individuals overcome feelings of inferiority and develop a healthy, socially-oriented way of living (Adler, trans. 1964). Fritz Perls (1893-1970) - Gestalt Therapy: Perls, the founder of Gestalt therapy, saw the self as an ongoing process of self-regulation and self-actualization. He believed that the goal of psychotherapy was to help individuals become more aware of their present-moment experience and to take responsibility for their thoughts, feelings, and actions. Perls emphasized the importance of contact between the self and the environment, and the need to integrate the different aspects of the self into a cohesive whole (Perls et al., 1951). Internal Family Systems (IFS) - Richard Schwartz (1950-present): IFS is a more recent approach that sees the self as being composed of multiple sub-personalities or "parts." These parts are seen as having their own unique qualities, desires, and beliefs, and the goal of IFS therapy is to help individuals develop a greater sense of self-leadership and inner harmony. The self is seen as the core of the personality, with the capacity to lead and integrate the different parts (Schwartz, 1995). As Schwartz writes in the introduction to his book on IFS, the model was heavily influenced by Gestalt therapy and the work of Carl Jung. Schwartz aimed to create a non-pathologizing approach that honored the complexity and wisdom of the psyche. IFS shares Jung's view of the self as the central organizing principle, surrounded by various archetypes or subpersonalities. It also draws on the Gestalt emphasis on present-moment awareness and the need for integration of different aspects of the self. However, IFS offers a more user-friendly language than classical Jungian analysis, without the need for extensive explanations of concepts like anima/animus. In IFS, a patient can quickly identify different "parts" - for example, a protector part that taps its foot and bites its nails to avoid painful feelings. By directly engaging with and embracing that part, the patient can access the vulnerable feelings and memories it is protecting against, fostering self-compassion and integration over time. The IFS model is an example of how contemporary approaches are building on the insights of depth psychology while offering more transparent, experience-near practices suitable for a wider range of patients and practitioners. It reflects an ongoing effort to develop a cohesive yet flexible understanding of the self that remains open to unconscious processes. Cognitive-Behavioral Therapy (CBT) - Aaron Beck (1921-2021) and Albert Ellis (1913-2007): CBT, developed by Beck and Ellis, focuses on the role of thoughts and beliefs in shaping emotional and behavioral responses. CBT sees the self as being largely determined by the individual's cognitions, and the goal of therapy is to help individuals identify and modify maladaptive or irrational beliefs and thought patterns. CBT places less emphasis on the unconscious or intrapsychic aspects of the self, and more on the conscious, rational processes that shape behavior (Beck, 1979; Ellis & Harper, 1975). Applied Behavior Analysis (ABA) - B.F. Skinner (1904-1990): ABA, based on the work of Skinner and other behaviorists, sees the self as a product of environmental contingencies and reinforcement histories. ABA focuses on observable behaviors rather than internal states or processes, and the goal of therapy is to modify behavior through the systematic application of reinforcement and punishment. ABA has been widely used in the treatment of autism and other developmental disorders, but has been criticized for its lack of attention to the inner experience of the self (Skinner, 1953; Lovaas, 1987). What is Self? One of the key challenges facing psychotherapy today is the lack of a coherent concept of self. The self is a complex and dynamic entity that is shaped by a range of internal and external factors, including our experiences, relationships, and cultural context (Baumeister, 1987). Unfortunately, many contemporary models of therapy fail to adequately capture this complexity, instead relying on simplistic and reductionistic notions of the self as a collection of symptoms or behaviors to be modified (Wachtel, 1991). To develop a more coherent and holistic concept of self, psychotherapy must draw on insights from a range of disciplines, including psychology, philosophy, anthropology, and the humanities (Sass & Parnas, 2003). This requires a willingness to engage with the messy and often paradoxical nature of the human experience, recognizing that the self is not a fixed entity but rather a constantly evolving process of becoming (Gendlin, 1978). The psychoanalyst Carl Jung's concept of the self as the central archetype, connected to the divine and the greater unconscious, offers a useful starting point for this endeavor. Jung believed that by making the unconscious conscious and dealing with ego rigidity, individuals could embody a deeper sense of purpose and connection to the universe (Jung, 1959). While we may not need to fully embrace Jung's metaphysical language, his emphasis on the dynamic interplay between conscious and unconscious processes, as well as the importance of symbol, dream, and myth in shaping the self, remains highly relevant today (Hillman, 1975). Other approaches, such as Internal Family Systems (IFS) therapy and somatic experiencing, also offer valuable insights into the nature of the self. IFS sees the self as a core of compassion, curiosity, and confidence that is surrounded by protective parts that arise in response to trauma and other challenges. By working with these parts and fostering greater integration and self-leadership, individuals can develop a more coherent and authentic sense of self (Schwartz, 1995). Similarly, somatic experiencing emphasizes the role of the body in shaping the self, recognizing that trauma and other experiences are stored not just in the mind but also in the muscles, nerves, and other physical structures (Levine, 1997). Models like IFS, somatic experiencing, and lifespan integration are appealing because they see the self as a dynamic ecosystem that is always evolving and striving for integration and actualization (Boon et al., 2011; Ogden et al., 2006; Pace, 2012). They don't try to label and categorize everything, recognizing that sometimes we need to just sit with feelings and sensations without fully understanding them intellectually. Lifespan integration in particular views the self as a continuum of moments threaded together like pearls on a necklace. Traumatic experiences can cause certain "pearls" or ego states to become frozen in time, disconnected from the flow of the self-narrative. By imaginally revisiting these moments and "smashing them together" with resource states, lifespan integration aims to re-integrate the self across time, fostering a more coherent and flexible identity (Pace, 2012). In contrast, the more behavioral and manualized approaches like CBT and ABA have a much more limited and problematic view. They see the self as just a collection of cognitions and learned behaviors, minimizing the role of the unconscious and treating people more like programmable robots (Shedler, 2010). If taken to an extreme, this is frankly offensive and damaging. There has to be room for the parts of the self that we can feel and intuit but not fully articulate (Stern, 2004). Ultimately, developing a coherent concept of self requires a willingness to sit with the tensions and paradoxes of the human experience, recognizing that the self is always in communication with the world around us, and that our sense of who we are is constantly being shaped by implicit memory and other unconscious processes (Schore & Schore, 2008). It requires remaining open to uncertainty and realizing that the self is never static or finished, but always dynamically unfolding (Bromberg, 1996). Good therapy helps people get in touch with their authentic self, not just impose a set of techniques to modify surface-level symptoms (Fosha et al., 2009). Understanding Implicit Memory Another critical challenge facing psychotherapy today is the lack of a shared language and understanding of implicit memory. Implicit memory refers to the unconscious, automatic, and often somatic ways in which our past experiences shape our present thoughts, feelings, and behaviors (Schacter et al., 1993). While the concept of implicit memory has a long history in psychotherapy, dating back to Freud's notion of the unconscious and Jung's idea of the collective unconscious, it remains poorly understood and often overlooked in contemporary practice (Kihlstrom, 1987). This is due in part to the dominance of cognitive-behavioral approaches, which tend to focus on explicit, conscious processes rather than the deeper, more intuitive and embodied aspects of the self (Bucci, 1997). To effectively address the role of implicit memory in psychological distress and personal growth, psychotherapy must develop a shared language and framework for understanding and working with these unconscious processes (Greenberg, 2002). This requires a willingness to engage with the body and the somatic experience, recognizing that our thoughts, feelings, and behaviors are deeply rooted in our physical being (van der Kolk, 2014). One way to think about implicit memory is as a kind of "photoshop filter" that our brain is constantly running, even when we are not consciously aware of it. Just as the center of our visual field is filled in by our brain based on the surrounding context, our implicit memories are constantly shaping our perceptions and reactions to the world around us, even when we are not consciously aware of them. This is why it is so important for therapists to be attuned to the subtle cues and signals that patients give off, both verbally and nonverbally. A skilled therapist can often sense the presence of implicit memories and unconscious processes long before the patient is consciously aware of them, and can use this information to guide the therapeutic process in a more effective and meaningful direction (Schore, 2012). At the same time, it is important to recognize that implicit memories are not always negative or pathological. In fact, many of our most cherished and meaningful experiences are encoded in implicit memory, shaping our sense of self and our relationships with others in profound and often unconscious ways (Fosshage, 2005). The goal of therapy, then, is not necessarily to eliminate or "fix" implicit memories, but rather to help individuals develop a more conscious and intentional relationship with them, so that they can be integrated into a more coherent and authentic sense of self (Stern, 2004). The Future of the Unconscious Many of the most interesting thinkers in the history of psychology understood this symbolic dimension of implicit memory, even if their specific theories needed refinement. Freud recognized the dynamic interplay of conscious and unconscious processes, and the way that repressed material could manifest in dreams, symptoms, and relational patterns (Freud, trans. 1989). Jung saw the unconscious as not just a repository of repressed personal material, but a deep well of collective wisdom and creative potential, populated by universal archetypes and accessed through dream, myth, and active imagination (Jung, 1968). Jung urged individuals to engage in a lifelong process of "individuation," differentiating the self from the collective while also integrating the conscious and unconscious aspects of the psyche (Jung, 1964). Reich connected chronic muscular tensions or "character armor" to blocked emotions and neurotic conflicts, pioneering body-based interventions aimed at restoring the free flow of life energy (Reich, 1980). While some of Reich's later work veered into pseudoscience, his core insights about the somatic basis of psychological experience were hugely influential on subsequent generations of clinicians (Young, 2006). More recently, emerging models such as sensorimotor psychotherapy (Ogden & Fisher, 2015), accelerated experiential dynamic psychotherapy (AEDP; Fosha, 2000), and eye movement desensitization and reprocessing (EMDR; Shapiro, 2017) aim to access and integrate implicit memories through body-based and imagistic techniques. By working with posture, sensation, movement, and breath, these approaches help patients bring nonverbal, affective material into conscious awareness and narrative coherence. Process-oriented therapies such as Arnold Mindell's process work (Mindell, 1985) offer another compelling framework for engaging implicit memory. Mindell suggests that the unconscious communicates through "channels" such as vision, audition, proprioception, kinesthesia, and relationship. By unfolding the process in each channel and following the flow of "sentient essence," therapists can help patients access and integrate implicit memories and in turn catalyze psychological and somatic healing. These contemporary approaches build on the insights of earlier clinicians while offering new maps and methods for navigating the realm of implicit memory. They point towards an understanding of the self as an ever-evolving matrix of conscious and unconscious, cognitive and somatic, personal and transpersonal processes. Engaging implicit memory is not about pathologizing the unconscious so much as learning its unique language and honoring its hidden wisdom. At the same time, this is tricky terrain to navigate, personally and professionally. As therapist and patient venture into the uncharted waters of the unconscious, it is crucial to maintain an attitude of humility, compassion, and ethical integrity (Stein, 2006). We must be mindful of the power dynamics and transference/countertransference currents that can arise in any therapeutic relationship, and work to create a safe, boundaried space for healing and transformation (Barnett et al., 2007). There is also a risk of getting lost in the fascinating world of the unconscious and losing sight of external reality. While depth psychology and experiential therapies offer valuable tools for self-exploration and meaning-making, they are not a replacement for practical skills, behavioral changes, and real-world action. We must be careful not to fall into the trap of "spiritual bypassing," using esoteric practices to avoid the hard work of embodying our insights and values in daily life (Welwood, 2000). Ultimately, the future of psychotherapy lies in integrating the best of what has come before while remaining open to new discoveries and directions. By combining scientific rigor with clinical artistry, cognitive understanding with experiential depth, and technical skill with ethical care, we can continue to expand our understanding of the self and the transformative potential of the therapeutic relationship. As we navigate the uncharted territories of the 21st century and beyond, we will need maps and methods that honor the full complexity and mystery of the human experience. Engaging with the unconscious and implicit dimensions of memory is not a luxury but a necessity if we are to rise to the challenges of our time with creativity, resilience, and wisdom. May we have the courage to venture into the depths, and the humility to be transformed by what we find there. Empowering Individuals to Be Themselves The ultimate goal of psychotherapy, in my view, is to empower individuals to become more effective at being themselves in the world and, in turn, better at transforming the world for the better. This requires a fundamental shift in the way that we think about mental health and well-being, moving beyond a narrow focus on symptom reduction and towards a more holistic and integrative approach that recognizes the interconnectedness of mind, body, and spirit. To achieve this goal, psychotherapy must embrace a range of approaches and techniques that are tailored to the unique needs and experiences of each individual. This may include somatic therapies that work with the body to release trauma and promote healing, such as somatic experiencing, sensorimotor psychotherapy, or EMDR (Levine, 1997; Ogden & Fisher, 2015; Shapiro, 2017). It may also include depth psychologies that explore the unconscious and archetypal dimensions of the psyche, such as Jungian analysis, psychosynthesis, or archetypal psychology (Jung, 1968; Assagioli, 1965; Hillman, 1975). And it may include humanistic and experiential approaches that emphasize the inherent worth and potential of each person, such as person-centered therapy, gestalt therapy, or existential psychotherapy (Rogers, 1995; Perls et al., 1951; Yalom, 1980). At the same time, psychotherapy must also be grounded in a deep understanding of the social, cultural, and political contexts in which individuals live and work. This requires a willingness to engage with issues of power, privilege, and oppression, recognizing that mental health and well-being are intimately connected to the broader structures and systems that shape our lives (Prilleltensky, 1997). It also requires a recognition that the goal of therapy is not simply to help individuals adapt to the status quo, but rather to empower them to become agents of change in their own lives and in the world around them (Freire, 1970). Therapists as Agents of the Post-Secular Sacred One way to think about this is through the lens of what depth psychologist David Tacey calls the "post-secular sacred" (Tacey, 2004). Tacey argues that we are moving into a new era of spirituality that is grounded in a deep respect for science and reason, but also recognizes the importance of myth, symbol, and the unconscious in shaping our experience of the world. In this view, the goal of therapy is not to strip away our illusions and defenses in order to reveal some kind of objective truth, but rather to help individuals develop a more authentic and meaningful relationship with the mystery and complexity of existence. This requires a willingness to sit with the discomfort and uncertainty that often accompanies the process of growth and transformation. It also requires a recognition that the path to wholeness and healing is not always a straight line, but rather a winding and often circuitous journey that involves confronting our deepest fears and vulnerabilities (Jung, 1959). Therapists of Agents of the Post Secular Sacred Riddle in the Garden by Robert Penn Warren My mind is intact, but the shapes of the world change, the peach has released the bough and at last makes full confession, its pudeur had departed like peach-fuzz wiped off, and We now know how the hot sweet- ness of flesh and the juice-dark hug the rough peach-pit, we know its most suicidal yearnings, it wants to suffer extremely, it Loves God, and I warn you, do not touch that plum, it will burn you, a blister will be on your finger, and you will put the finger to your lips for relief—oh, do be careful not to break that soft Gray bulge of blister like fruit-skin, for exposing that inwardness will increase your pain, for you are part of this world. You think I am speaking in riddles. But I am not, for The world means only itself. In the image that Penn Warren creates in "Riddle in the Garden" is a labyrinth leading back to the birth of humans in the garden of Eden.  Life itself is a swelling of inflammation from a wound or a need in both blisters and in peaches. You cannot have one part of the process without accepting all of it. The swelling in the growth of the fruit is also the swelling in the growth of a blister of pain. The peach must swell and become a sweet tempting blister or else no one would eat it and expose the "inwardness" of the seed to grow more trees.  exists to be eaten to die. We eat the peach to grow the next one. Not to touch the “suicidal” peach is not to touch life itself. For to live is to be hurt and to grow. To touch the peach is to become part of the world like Adam and Eve found out. It hurts it blisters us turning us into fruit.  For Penn Warren it is the separation of the self from the world of divine connection with nature that creates our need for meaning. This need is the reason that patients come to therapy. God tells us that “I am the lord your God” but Penn Warren tells us “I am not”. For “The world means only itself”. This process only has the meaning that we allow ourselves to give it. This is not a riddle, Penn Warren tells us.  It is only something we have to deal with but cannot not solve. The world means only itself. There is no gimmick or solution to the problem of being human.  In other words, the process of becoming more fully ourselves is not always easy or comfortable. It requires a willingness to confront the pain and suffering that is inherent in the human condition, and to recognize that growth and healing often involve an alchemical kind of death and rebirth. But it is precisely through this process of facing our fears and vulnerabilities that we can begin to develop a more authentic and meaningful relationship with ourselves, with others, and with the world around us. Ultimately, the goal of psychotherapy is not to provide answers or solutions, but rather to create a space in which individuals can begin to ask deeper questions about the nature of their existence and their place in the world. It is to help individuals develop the tools and capacities they need to navigate the complexities of life with greater courage, compassion, and wisdom. And it is to empower individuals to become more effective at being themselves in the world, so that they can contribute to the greater whole and help to create a more just, equitable, and sustainable future for all. The Future of Psychotherapy The corporatization of healthcare and academia poses a serious threat to the future of psychotherapy, undermining its ability to effectively address the complex realities of the human experience. To remain relevant and effective in the face of these challenges, the field must embrace a more holistic and integrative approach that recognizes the interconnectedness of the mind, body, and spirit. This requires a renewed commitment to developing a coherent concept of self, a shared language and understanding of implicit memory, and a vision of psychotherapy as a means of empowering individuals to become more effective at being themselves in the world and, in turn, better at transforming the world for the better. It also requires a willingness to engage with the full complexity and paradox of the human experience, recognizing that growth and healing often involve a kind of death and rebirth, and that the path to wholeness is not always a straight line. As the psychologist Carl Jung once wrote, "The privilege of a lifetime is to become who you truly are." Psychotherapy and the Dialectic of Self and World As we have explored throughout this essay, the self does not exist in a vacuum, but is always in dynamic interaction with the world around it. Our sense of who we are, what we value, and what is possible for us is shaped by a complex interplay of internal and external factors, from our earliest experiences of attachment and attunement to the broader social, cultural, and political contexts in which we are embedded. In many ways, psychotherapy can be seen as a process of exploring and working with the dialectical tension between self and world, between our innermost longings, fears, and aspirations and the often harsh realities of the environments we find ourselves in. When we enter therapy, we bring with us not only our own unique histories, personality structures, and ways of being, but also the internalized messages, expectations, and constraints of the world around us. For many individuals, these internalized messages and constraints can feel suffocating, limiting their sense of possibility and agency in the world. They may find themselves feeling stuck, trapped, or disconnected from their authentic selves, playing roles and wearing masks that no longer fit who they really are. In the face of external pressures to conform, to achieve, to fit in, the self can become fragmented, disempowered, or lost. The task of psychotherapy, then, is to help individuals rediscover and reclaim a sense of self that feels vital, authentic, and empowered, while also developing the skills and capacities needed to navigate the complexities of the world with greater flexibility, resilience, and integrity. This requires a delicate balance of supportive and challenging interventions, of validating the individual's unique experience while also gently questioning and expanding their assumptions about what is possible. On one end of the spectrum, an overly supportive or myopic approach to therapy can run the risk of enabling individuals to remain stuck in limiting patterns and beliefs, reinforcing a sense of helplessness or dependence on the therapist. While providing a warm, empathic, and nonjudgmental space is essential for building trust and safety in the therapeutic relationship, it is not sufficient for fostering real growth and change. Individuals need to be challenged to step outside their comfort zones, to experiment with new ways of being and relating, and to take responsibility for their choices and actions in the world. On the other end of the spectrum, an overly challenging or confrontational approach to therapy can be experienced as invalidating, shaming, or even retraumatizing, particularly for individuals with histories of abuse, neglect, or marginalization. Pushing individuals to "toughen up," to adapt to oppressive or toxic environments, or to simply accept the "reality" of their situation without questioning or resisting it can lead to a kind of false or forced adaptation, a loss of self that is no less harmful than remaining stuck. The key, then, is to find a middle path between these extremes, one that honors the individual's inherent worth, agency, and potential while also recognizing the very real constraints and challenges of the world they inhabit. This requires a deep understanding of the ways in which power, privilege, and oppression shape our experiences and identities, as well as a willingness to grapple with the existential questions of meaning, purpose, and authenticity that arise when we confront the gap between who we are and who we feel we ought to be. In practice, this might involve helping individuals to: Develop a clearer and more coherent sense of self, one that integrates the various parts of their personality, history, and identity in a way that feels authentic and meaningful to them. Identify and challenge limiting beliefs, assumptions, and patterns of behavior that keep them stuck or disconnected from their true desires and values. Cultivate greater self-awareness, self-compassion, and self-acceptance, learning to embrace the full range of their thoughts, feelings, and experiences with curiosity and kindness. Develop the skills and capacities needed to communicate effectively, set healthy boundaries, and navigate relationships and social situations with greater ease and confidence. Explore and experiment with new ways of being and relating in the world, taking risks and stepping outside their comfort zones in service of their growth and healing. Engage critically and creatively with the social, cultural, and political contexts that shape their lives, developing a sense of empowerment, agency, and social responsibility. Connect with a deeper sense of meaning, purpose, and spirituality, one that transcends the ego and connects them to something greater than themselves. Ultimately, the goal of psychotherapy is not simply to help individuals adapt to the world as it is, but to empower them to become active agents of change, both in their own lives and in the larger systems and structures that shape our collective reality. By developing a stronger, more integrated, and more authentic sense of self, individuals can begin to challenge and transform the limiting beliefs, oppressive power dynamics, and dehumanizing narratives that keep us all stuck and disconnected from our shared humanity. In this sense, psychotherapy is not just a personal journey of healing and self-discovery, but a deeply political and moral enterprise, one that calls us to envision and create a world that is more just, compassionate, and sustainable for all. As therapists, we have a unique opportunity and responsibility to support individuals in this process, to bear witness to their pain and their resilience, and to help them find the courage, clarity, and creativity needed to live a life of purpose, integrity, and connection. As the existential psychiatrist Viktor Frankl once wrote, "Between stimulus and response there is a space. In that space is our power to choose our response. In our response lies our growth and our freedom." By creating a space for individuals to explore and expand their capacity to choose, to respond to the world with authenticity and agency, psychotherapy can play a vital role in the ongoing dialectic of self and world, of personal and collective transformation. 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(1980). Existential psychotherapy. Basic Books. Young, C. (2006). One hundred and fifty years on: The history, significance and scope of body psychotherapy today. In J. Corrigall, H. Payne, & H. Wilkinson (Eds.), About a body: Working with the embodied mind in psychotherapy (pp. 14-28). Routledge.   #Psychotherapy #CorporateInfluence #HolisticHealing #AuthenticSelf #ImplicitMemory #PostSecularSacred #MentalHealthTransformation #IntegrativePsychotherapy #EmpoweringIndividuals #PsychotherapyChallenges #jung #philosophy #PsychotherapyInCrisis #MentalHealth #Self #eikonosphere #ImplicitMemory #Empowering #AuthenticSelf #capitalism 

In this episode of the SCBWI Podcast, we are joined by Kwame Mbalia!Kwame is a husband, father, writer, a New York Times bestselling author, a former pharmaceutical metrologist, and a publisher with Freedom Fire Books, an imprint of Disney-Hyperion. His debut middle-grade novel, TRISTAN STRONG PUNCHES A HOLE IN THE SKY was awarded a Coretta Scott King Author Honor, and it—along with the sequels TRISTAN STRONG DESTROYS THE WORLD and TRISTAN STRONG KEEPS PUNCHING—is published by Rick Riordan Presents/Disney-Hyperion. He is the co-author of LAST GATE OF THE EMPEROR with Prince Joel Makonnen, from Scholastic Books, and the editor of the #1 New York Times bestselling anthology BLACK BOY JOY, published by Delacorte Press. A Howard University graduate and a Midwesterner now in North Carolina, he survives on Dad jokes and Cheezits.Buy Rick Riordan Presents Tristan Strong Punches a Hole in the Sky (a Tristan Strong Novel, Book 1):https://bookshop.org/a/19191/9781368042413and check out the rest of his books here:https://www.kwamembalia.com/Follow him on Instagram here: https://www.instagram.com/mbalia1/Register for the 2024 In-Person Conference Here: https://www.scbwi.org/events/scbwi-in-person-winter-conference-2024SCBWI on Instagram: https://www.instagram.com/scbwi/SCBWI on Twitter: https://twitter.com/scbwiBecome an SCBWI member today: https://www.scbwi.org/join-scbwi/Shop the SCBWI Bookshop.org page: https://bookshop.org/shop/SCBWISupport the show

Thank you to Anne Fraistat and Delacorte Press for sending us eARC's of "A Place for Vanishing" for review. Last Tuesday on Jan. 16, Anne Fraistat, author of "What We Harvest," released highly anticipated novel "A Place for Vanishing." In today's episode, join us as we discuss this amazing new release! There are minimal spoilers in this episode so that you can pick this up and join in on the discussion. "A Place for Vanishing" is horror meets real life, showcasing a main character navigating the effects of a Bipolar 3 diagnosis while fighting for her life in a house that wants her gone. Big discussions in today's episode! Tune in!

Catch up with us in our pre chat, then listen as we talk to Kwame Mbalia about writing, publishing, and Freedom Fire Books, an imprint of Disney-Hyperion that will feature stories of black joy and resilience written by black creators. Kwame is a husband, father, writer, a New York Times bestselling author, a former pharmaceutical metrologist, and a publisher with Freedom Fire Books, an imprint of Disney-Hyperion. His debut middle-grade novel, TRISTAN STRONG PUNCHES A HOLE IN THE SKY was awarded a Coretta Scott King Author Honor, and it—along with the sequels TRISTAN STRONG DESTROYS THE WORLD and TRISTAN STRONG KEEPS PUNCHING—is published by Rick Riordan Presents/Disney-Hyperion. He is the co-author of LAST GATE OF THE EMPEROR with Prince Joel Makonnen, from Scholastic Books, and the editor of the #1 New York Times bestselling anthology BLACK BOY JOY, published by Delacorte Press. A Howard University graduate and a Midwesterner now in North Carolina, he survives on Dad jokes and Cheez-Its.  Learn more about Kwame at https://www.kwamembalia.com/. Follow him on social media @KSekouM on X (formally Twitter) and @mbalia1 on Instagram. --- Send in a voice message: https://podcasters.spotify.com/pod/show/afronauts-podcast/message

On this episode, Payton discusses the case of Roseann Quinn and how a casual meetup led to her death. Socials, Bonus, ad more: https://linktr.ee/bingedpod Sources:  the-line-up.com/the-goodbar-murder-a-womans-fatal-one-night-stand www.findagrave.com/memorial/16356892/roseann-m-quinn ilovetheupperwestside.com/murder-on-72nd-street-inspires-classic-novel-film/ nakedcitystories.com/goodbarmurder.php Closing Time: The True Story of the "Goodbar" Murder (1977, Delacorte Press), by Lacey Fosburgh Newspapers.com sources: newspapers.com/image/73471631 newspapers.com/image/312138699 newspapers.com/image/625496848 newspapers.com/image/623139828 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Quite a few of you have written us that you would be interested in hearing from a book editor, so we went out and find one of the best. Beverly Horowitz, Senior Vice President of Delacorte Press which is a division of Random House, joins us for a fascinating talk about what she does and how she does it. She has been editing for decades and recently has taken to adapting popular and important non fiction books for YA readers, a process that also fascinated us. After talking to Beverly, one of her authors joins us to give an author's perspective on the process: Heather McGhee, the writer of The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together. The Sum of Us is not necessarily a “simple” book for YA audiences, it presents complex arguments about how institutional racism hurts our policy making and our economy. How did the two of them work with this book and adapt it to YA audiences? What does Beverly do with an author who won't take her advice? How does a book go from the author's printer to the book store shelves? We answer all of that on this week's episode of The Book Case. Don't miss it! Books mentioned in this podcast: The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together by Heather McGhee Look Homeword, Angel by Thomas Wolfe Born a Crime by Trevor Noah (Born a Crime by Trevor Noah YA edition) My Beloved World by Sonia Sotomayor The Beloved World of Sonia Sotomayor by Sonia Sotomayor Beloved by Toni Morrison Roller Skates by Ruth Sawyer Slouching Towards Bethlehem by Joan Didion I Will Find You by Harlan Coben

Heather McGhee, chair of Color of Change board of directors and the author of The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together (One World, 2021) and the new edition for young readers, The Sum of Us: How Racism Hurts Everyone, (Delacorte Press, 2023), talks about teaching young readers about the issues of equity and racism and building a future that benefits everyone.

Would the impacts of racism be easier to communicate if we focused on the ways that bias and inequality are bad for everyone?  On Today's Show:Heather McGhee, chair of Color of Change board of directors and the author of The Sum of Us: What Racism Costs Everyone and How We Can Prosper Together (One World, 2021) and the new edition for young readers, The Sum of Us: How Racism Hurts Everyone (Delacorte Press, 2023) talks about teaching young readers about the issues of equity and racism and building a future that benefits everyone.

Homer H. Hickam, Jr. was raised in Coalwood, West Virginia. He graduated from Big Creek High School in 1960 and from the Virginia Polytechnic Institute (Virginia Tech) in 1964 with a BS degree in Industrial Engineering. A U.S. Army veteran, Mr. Hickam served as a First Lieutenant in the Fourth Infantry Division in Vietnam in 1967-1968 where he won the Army Commendation and Bronze Star medals. He served six years on active duty, leaving the service with the rank of Captain. Hickam has been a writer since 1969 after his return from Vietnam. At first, he mostly wrote about his scuba diving adventures for a variety of different magazines. Then, after diving on many of the wrecks involved, he branched off into writing about the battle against the U-boats along the American east coast during World War II. This resulted in his first book, Torpedo Junction (1989), a military history best-seller published in 1989 by the Naval Institute Press. In 1998, Delacorte Press published Hickam's second book, Rocket Boys: A Memoir, the story of his life in the little town of Coalwood, West Virginia. It became an instant classic. Rocket Boys has since been translated into eight languages and also released as an abridged audio book and electronic book. Among it's many honors, it was selected by the New York Times as one of its “Great Books of 1998” and was an alternate “Book-of-the-Month” selection for both the Literary Guild and Doubleday book clubs. Rocket Boys was also nominated by the National Book Critics Circle as Best Biography of 1998. In February, 1999, Universal Studios released its critically-acclaimed film October Sky, based on Rocket Boys (The title October Sky is an anagram of Rocket Boys). Delacorte subsequently released a mass market paperback of Rocket Boys, re-titled October Sky. October Sky reached the New York Times # 1 position on their best-seller list. While working on his writing career, Mr. Hickam was employed as an engineer for the U.S. Army Missile Command from 1971 to 1981 assigned to Huntsville, Alabama, and Germany. He began employment with the National Aeronautics and Space Administration at Marshall Space Flight Center in 1981 as an aerospace engineer. During his NASA career, Mr. Hickam worked in spacecraft design and crew training. His specialties at NASA included training astronauts on science payloads, and extravehicular activities (EVA). He also trained astronaut crews for many Spacelab and Space Shuttle missions, including the Hubble Space Telescope deployment mission, the first two Hubble repair missions, Spacelab-J (the first Japanese astronauts), and the Solar Max repair mission. Prior to his retirement in 1998, Mr. Hickam was the Payload Training Manager for the International Space Station Program.

Bio: About Theresa Carle-Sanders Outlander Kitchen was born in early 2010, on a walk in the woods with the dog. A scene from Voyager popped spontaneously into my head, where, several characters share a plate of rolls filled with minced pigeon and truffles. Outlander Kitchen: The Official Outlander Companion Cookbook was published in 2016 by Delacorte Press of Penguin Random House. Outlander Kitchen - To the New World and Back Again: The Second Official Outlander Companion Cookbook was published in 2020. Writing a fictional cookbook begins with reading. In the case of my next project, Castle Rock Kitchen, Stephen King's library kept me busy reading for six months solid and then, intermittently, for another two years while the project came together. Born and raised on the opposite coast, in Vancouver, BC, Canada, I must confess that I've been to Maine only once, in 2008, a year after the death of my father. I joined a silent retreat where I gave myself the space to look forward after months of remembrance and grief. The six days I spent southwest of Bangor changed my life. Fourteen years on, I am the author of two Outlander Kitchen cookbooks, and have completed this, my third fiction-inspired collection of recipes. Castle Rock Kitchen: Wicked Good Recipes from the World of Stephen King https://www.amazon.com/gp/product/B09PQDQ11J/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i0 Website: https://outlanderkitchen.com/ This episode is sponsored by Culinary Historians of Northern California, a Bay Area educational group dedicated to the study of food, drink, and culture in human history. To learn more about this organization and their work, please visit their website at www.chnorcal.org If you follow my podcast and enjoy it, I'm on @buymeacoffee. If you like my work, you can buy me a coffee and share your thoughts

For the very first time, Mitch discusses what went down on the set of his HBO sitcom that was cancelled halfway through the first day of shooting.Endnotes:Chris Elliott, Bob Elliott, Daddy's Boy; A Son's Shocking Account of  Life with a Famous Father, (New York, Delacorte Press, 1989)  Capsule Review:  Chris describes his privileged upbringing in New York and the pressures of living under the shadow of a massively successful, but controlling and occasionally cruel patriarch. His father, Bob is provided chapter-by-chapter rebuttals for legal reasons. Heartbreaking, scandalous. Slack Score: 6.7; Snark Score: 14.6 Overall FCA ranking #83Chris Elliott, Into Hot Air; Mounting Mount Everest, (New York, Weinstein Books, 2008)  Capsule Review:  Chris discovers the diary of his Great Uncle Percy Brackett Elliott, that suggests that he was the first person to reach the peak of Mt. Everest. Chris attempts to solve the mystery with a group of his celebrity friends. Solid adventure read, though not as autobiographical as his other works. Slack Score: 2.7; Snark Score: 9; Overall FCA ranking #83Chris Elliott, The Guy Under the Sheets: The Unauthorized Autobiography  (New York, Plume, 2012)  Capsule Review:  Chris describes his rise to greatness in the business and the outlandish misadventures he experienced at the height of success. Slack Score: 12.8; Snark Score: 12.4 Overall FCA ranking #26

Maloney discusses how his fledgling comedy career was in limbo during a global health crisis and the surprising way a convoy of truckers inspired him to embrace his destiny.Endnotes:1) Joan Rivers with Richard Merryman, Enter Talking, (New York, Delacorte Press, 1986), p.241. Capsule Review:  Interesting, occasionally inspirational story of her early career struggling to convince her upper-class family and the public that she was funny. Insightful portrayal of the gay cabaret scene in New York in the 1960's. The best of Rivers' seven memoirs. Slack Score: -5. Snark Score: -7. Overall FCA ranking #15  2) Gilbert Gottfried, Rubber Balls and Liquor, (New York, St. Martin's Press, 2011), p.45. Capsule Review:  Great show business anecdotes involving Woody Allen, Harrison Ford, etc. Clever meta-commentary throughout. More laughs per page than most other FCAs, although many are Borscht Belt standards. Slack Score: 5. Snark Score: 12.5. Overall FCA ranking #333) Tracy Morgan with Anthony Bozza, I am the New Black, (New York, Random House, 2009), from the Introduction p.XV. Capsule Review: Heartfelt, moving account of overcoming tragedy with Morgan's signature performative bravado  Slack Score: 8.2. Snark Score: -6. Overall FCA ranking #19

Trigger warning: This episode of Story of the Book contains discussions about the Holocaust, including mentions of genocide, extermination camps and anti-Semitism. Please take care. In this episode of Story of the Book, we chat to R.M. Romero about how she wrote her debut middle grade novel, The Dollmaker of Kraków, which came out in September 2017 from Delacorte Press. We talk about the challenge of balancing light and darkness in fiction, using magic to write about trauma, and why Rachael hates it when someone asks her how the magic in her books "works." We loved this conversation with Rachael and we hope you love it, too! SPOILER WARNING: In this episode, we discuss the plot of The Dollmaker of Kraków in detail. If you hate spoilers, please read the book first! We don't want to ruin it for you! :) Show notes: Buy The Dollmaker of Kraków Add The Dollmaker of Kraków on Goodreads Rachael's website Rachael visited Auschwitz-Birkenau when she was 18. NaNoWriMo Over the Garden Wall Magical realism The Boy in the Striped Pyjamas by John Boyne The Devil's Arithmetic by Jane Yolen Schindler's List The Grey Zone Mischling by Affinity Konar The Last Days The Nutcracker and the Mouse King by E.T.A Hoffman The Nutcracker Prince Thumbelina The Borrowers by Mary Norton Terry Pratchett: "The first draft is just you telling yourself the story." Rachael did a revise and resubmit for her first agent. Hans Christian Anderson Lisa Perrin, illustrator Rabbi Loeb and the Golem of Prague The Ghosts of Rose Hill is out on May 3rd, 2022. Add The Ghosts of Rose Hill on Goodreads Our logo was designed by Ashley Chewins Our theme music was written & performed by us.

Enjoy our presentation of Finn and the Intergalactic Lunchbox written by Michael Buckley and published by Delacorte Press. When Earth is threatened by an invading race of bugs called the Hunger, 11-year-old Finn, his arch-nemesis, Lincoln, his crush, Julep, and one pink unicorn lunchbox become Earth's last best hope against destruction.Finn and the Intergalactic Lunchbox is recommended for ages 10 and up for mild violence. Please see Kirkus Reviews for more information.  http://bit.ly/Finn_ReviewsThis title is available as an eBook and an audiobook on Libby by Overdrive. Libby eBook- http://bit.ly/Finn_LibbyeBookLibby Audiobook - http://bit.ly/Finn_LibbyAudioPlease visit www.calvertlibrary.info for more information.Music: Dub the Uke (excerpt) by Kara Square (c) copyright 2016. Licensed under a Creative Commons Attribution Noncommercial (3.0) license. http://dig.ccmixter.org/files/mindmapthat/53340

Warning: Listening to this podcast may result in Nic Cage appearing. We're back with another quinceañera conspiracy as Renee takes Mary through The Alchemyst, book one of The Secrets of the Immortal Nicholas Flamel. This story sees 15 year old twins Sophie and Josh get thrown into the world of magic, immortality, and gods when they discover the kind bookstore owner is famous and supposedly dead 14th century alchemist, Nicholas Flamel. Thrown into a battle between good and evil, these teens find themselves meeting the stuff of legends and uncovering their own powers. Highlights of this episode include poor French accents and a conspiracy about Nic Cage. Episode Source Material: Scott, Michael. The Alchemyst. Delacorte Press, 2007.

On episode 149 of The Quarantine Tapes, guest host Walter Mosley is joined by Morgan Entrekin. Morgan is the publisher of Grove Atlantic. He tells Walter about his experience being in New York and weathering COVID early in the pandemic.Walter and Morgan discuss how the publishing industry has been affected by the pandemic. They talk virtual events, the changing role of books, and technology’s role in publishing. Morgan expresses both his hopes and fears for publishing, ending the episode with a note of optimism for the future. Morgan Entrekin grew up in Nashville, Tennessee. After graduating from Stanford and the Radcliffe Publishing Course, he joined Delacorte Press in 1977, where he worked with such authors as Kurt Vonnegut and Richard Brautigan. In 1984 he started his own imprint at Atlantic Monthly Press, publishing books by P.J. O’Rourke, Ron Chernow, and Francisco Goldman, among others. In 1993, Morgan merged Atlantic Monthly Press with Grove Press, the publisher of authors including Samuel Beckett, William Burroughs, Harold Pinter, and Tom Stoppard. Morgan is currently the CEO and Publisher of Grove Atlantic, Inc, which publishes 120 books a year ranging from general nonfiction, current affairs, history, biography, and narrative journalism to fiction, drama, and poetry. Authors include Mark Bowden, Aminatta Forna, Jim Harrison, Donna Leon, Yan Lianke, Helen Macdonald, Viet Thanh Nguyen, Kenzaburo Oe, Sarah Broom, Bernadine Evaristo, and Douglas Stuart. In 2015, Morgan launched the Literary Hub, a website that features original content from over 200 partners including publishers large and small, literary journals, not-for-profits, and booksellers. Lit Hub now has over 3 million visitors a month.Walter Mosley is one of the most versatile and admired writers in America. He is the author of more than 60 critically-acclaimed books including the just released Elements of Fiction, a nonfiction book about the art of writing fiction; the novel John Woman,Down the River and Unto the Sea (which won an Edgar Award for “Best Novel”) and the bestselling mystery series featuring “Easy Rawlins.” His work has been translated into 25 languages and includes literary fiction, science fiction, political monographs, and a young adult novel. His short fiction has been widely published, and his nonfiction has appeared in the New York Times and The Nation, among other publications. He is also a writer and an executive producer on the John Singleton FX show, “Snowfall.”In 2013 he was inducted into the New York State Writers Hall of Fame, and he is the winner of numerous awards, including an O. Henry Award, The Mystery Writers of America’s Grand Master Award, a Grammy®, and PEN America’s Lifetime Achievement Award.Mosley lives in New York City and Los Angeles.

In this episode Mark interviews Andrew Pyper, an international award winning Canadian author with novels published in multiple countries and multiple languages, with multiple property options in play, and more interesting creative projects in the works. Prior to the interview, Mark shares a personal update that includes the two book projects due in early 2021 and the potential that he might reschedule one a few weeks back, a "wide writer" survey he has put out as well as a word from this episode's sponsor.   You can learn more about how you can get your work distributed to retailers and library systems around the world at starkreflections.ca/Findaway. In their conversation, Andrew and Mark discuss: How Mark first discovered Andrew's work years ago when he was shelving new books in the bookstore he worked at The publishing progression that Andrew experienced, writing short fiction and earning publication credits How a journal/magazine editor Andrew had sold stories to introduced him to a publisher which led to his very first book (1996), which bypassed the normal submission/rejection cycle The cross genre elements of Andrew's novels that incorporate literary, horror, mystery, thriller (which Mark suggests are the "Andrew Pyper" genre) The darkness that exists in all of Andrew's novels Loving the stories of Alice Munro and the intriguing "shadowy" and "danger" elements that exist in her writing The latest short fiction pieces and projects Andrew has been working on Some of the properties that Andrew is involved in licensing How The Residence was based on actual historical details that happened with Franklin Pierce The challenge that can come with over-researching for an author The fun of having some trivia info in your back pocket about the White House being haunted The intriguing architectural layout of the White House and the residence, including passageways and secret doors A special book and audio drama Andrew is releasing via Audible The "writers killing writers" premise in THE KILLING CIRCLE And more...   Links of Interest Andrew Pyper's Website Twitter Instagram Facebook Goodreads Findaway Voices Wide Writer Survey Wide for the Win Submission Form EP 157 - A Conversion with Jeff Elkins, The Dialogue Doctor Parodys Stuck in this House Here with You (Music) Isolation Parody Songs - K-Tel (Medley Parody) You Call Me Fever (Music) There Is No Monster Mash (Music) A Christmas Howl (Christmas Carol Dad Joke) Dramatic Exit (Stupid Dad Joke Short) You Better Knock First (Stupid Dad Joke Short) Mark's Tavern (Cheers Parody) Patreon for Stark Reflections   Andrew Pyper was born in Stratford, Ontario, in 1968. He received a B.A. and M.A. in English Literature from McGill University, as well as a law degree from the University of Toronto. Although called to the bar in 1996, he has never practiced. His most recent novels include The Homecoming (2019), The Only Child (2017), and The Damned (2015). His 2013 novel, The Demonologist, won the International Thriller Writers Award for Best Hardcover Novel, and was a #1 bestseller in Canada and Brazil. A number of Pyper's works have been acquired for TV or feature film. The Homecoming is being developed by eOne with Andrew acting as Co-Creator and Executive Producer. Other active projects have not yet been announced. Among the earlier novels, The Guardians was published in Canada (Doubleday Canada) in January 2011, the U.K. (Orion) in February 2011, and following this internationally in various territories. It was selected a Globe and Mail 100 Best Books of the Year. The Killing Circle, Andrew's fourth novel, was a national bestseller in Canada, and has been published in the U.K. (HarperCollins) and U.S. (St. Martin's/Minotaur). Translation rights have been sold in Holland, Spain, Germany, Italy, Portugal and Japan. Kiss Me, a collection of short stories, was published to acclaim in 1996. Following its publication, Mr. Pyper acted as Writer-in-Residence at Berton House, Dawson City, Yukon, as well as at Champlain College, Trent University. His first novel, Lost Girls, was a national bestseller in Canada and a Globe and Mail Notable Book selection in 1999 as well as a Notable Book selection in the New York Times Book Review (2000) and the London Evening Standard (2000). The novel won the Arthur Ellis Award for Best First Novel and is an Otto Penzler pick on Amazon.com. Lost Girls has been published in the U.S. (Delacorte Press) and U.K. (Macmillan) in 2000, and has also been translated into Italian, Dutch, German and Japanese. Andrew's second novel, The Trade Mission, was published in Canada, the U.K., U.S., the Netherlands and Germany. It was selected by The Toronto Star as one of the Ten Best Books of the Year. Andrew's third novel, The Wildfire Season, was a Globe and Mail Best Book of the Year and has been published to acclaim in the U.K., Canada, U.S. and Holland. Andrew's creative writing teaching experience includes terms at Trent University, the University of Toronto, and, currently, Colorado College. He lives in Toronto.   The introductory, end, and bumper music for this podcast (“Laser Groove”) was composed and produced by Kevin MacLeod of www.incompetech.com and is Licensed under Creative Commons: By Attribution 3.0

Enjoy our presentation of Wilder Girls, written by Rory Power and published by Delacorte Press. Friends Hetty, Byatt, and Reece go to extremes trying to uncover the dark truth about the mysterious disease that has had them quarantined at their boarding school on a Maine island.Wilder Girls is a New York Times Bestseller. It is recommended for ages 14+ for violence and Please visit Common Sense Media for more information and reviews: https://bit.ly/WilderGirlsReviewsThis title is available as an Ebook through Libby: https://bit.ly/WilderGirlLibbyEbookPlease visit www.calvertlibrary.info for more information.Music: Sad Clown (excerpt) by Orquesta Arrecife. Licensed under CC BY-SA 1.0 http://www.opsound.org/artist/orquestaarrecife/

Kelly Clayton talks about her new book Mother of Chaos: Queen of the Nines, family and Louisiana. Kelly Clayton is a writer, poet, playwright, and workshop facilitator. She is a Louisiana Creole with roots 15 generations deep. She returned home after twenty years in New York City spent teaching herself to write. Though she dropped out of high school for creative reasons (four sons), she kept both pantry and bookshelves full by working as a waitress, line cook, publisher's assistant, exotic dancer, and event producer. She is a VONA/Voices, as well as a Hedgebrook Alumnae. She was a recipient of the Hedgebrook Women Authoring Change Award.Kelly’s poetry has been published by, among others: Future Cycle Press, Delacorte Press, China Grove Press, The Dead Mule Society of Southern Literature, and Random House.She was awarded an Artist's Residency with the Acadiana Center for the Arts for the production of her original play, "Dancing With Aurora Borealis.”Kelly develops and teaches bespoke writing workshops in Louisiana schools, both public and private, for the Lafayette Juvenile Detention Center, and to groups of formerly incarcerated adults. She currently lives in Lafayette with her husband, youngest of four sons and their Great Pyrenees, Mabelline.To connect with Kelly: www.kellykclayton.comInformation about ordering signed copies: kellykclayton@gmail.comOfficial Contact: kellykclayton@gmail.comKelly is available for readings via Zoom, as well as in person. Send inquiries to:kellykclayton@gmail.comFor more information visit: That Painted Horse Press

What does it take to write a novel? What about genre? How does marketing define the books we read before we even open the first page? What does it mean to find a space that isn't programmed? And is the old right-left divide being replaced by a new one: the axis of smart-stupid? Ben is in Toronto to chat with award-winning novelist Andrew Pyper about his work, his writing process, and his take on what on earth is going on today. About the Guest Andrew Pyper was born in Stratford, Ontario, in 1968. He received a B.A. and M.A. in English Literature from McGill University, as well as a law degree from the University of Toronto. Although called to the bar in 1996, he has never practiced. His most recent novels include The Homecoming (2019), The Only Child (2017), and The Damned (2015). His 2013 novel, The Demonologist, won the International Thriller Writers Award for Best Hardcover Novel, and was a #1 bestseller in Canada and Brazil. A number of Pyper’s works have been acquired for TV or feature film. The Homecoming is being developed by eOne with Andrew acting as Co-Creator and Executive Producer. Other active projects have not yet been announced. Among the earlier novels, The Guardians was published in Canada (Doubleday Canada) in January 2011, the U.K. (Orion) in February 2011, and following this internationally in various territories. It was selected a Globe and Mail 100 Best Books of the Year. The Killing Circle, Andrew’s fourth novel, was a national bestseller in Canada, and has been published in the U.K. (HarperCollins) and U.S. (St. Martin’s/Minotaur). Translation rights have been sold in Holland, Spain, Germany, Italy, Portugal and Japan. Kiss Me, a collection of short stories, was published to acclaim in 1996. Following its publication, Mr. Pyper acted as Writer-in-Residence at Berton House, Dawson City, Yukon, as well as at Champlain College, Trent University. His first novel, Lost Girls, was a national bestseller in Canada and a Globe and Mail Notable Book selection in 1999 as well as a Notable Book selection in the New York Times Book Review (2000) and the London Evening Standard (2000). The novel won the Arthur Ellis Award for Best First Novel and is an Otto Penzler pick on Amazon.com. Lost Girls has been published in the U.S. (Delacorte Press) and U.K. (Macmillan) in 2000, and has also been translated into Italian, Dutch, German and Japanese. Andrew’s second novel, The Trade Mission, was published in Canada, the U.K., U.S., the Netherlands and Germany. It was selected by The Toronto Star as one of the Ten Best Books of the Year. Andrew’s third novel, The Wildfire Season, was a Globe and Mail Best Book of the Year and has been published to acclaim in the U.K., Canada, U.S. and Holland. Andrew’s creative writing teaching experience includes terms at Trent University, the University of Toronto, and, currently, Colorado College. He lives in Toronto. Learn more about Andrew and follow him on Twitter (@andrewpyper). Mentioned in this Episode The Paris Review, a quarterly English-language publication that often features long-form interviews with writers. Henrik Ibsen (1828-1906), Norwegian writer known for his clock-work approach to writing plays This is Horror Podcast episode 38, featuring Andrew Pyper A quote from German composer Gustav Mahler: "A symphony must be like the world. It must embrace everything." The definition of the word "catholic" (not to be confused with the Catholic church): "Including a wide variety of things; all-embracing." The Invasion of the Body Snatchers, a 1956 film The Quote of the Week Sometimes people close a door because they’re trying to figure out a way to get you to knock. - From The Demonologist by Andrew Pyper

Author Liz Lawson shares her debut THE LUCKY ONES, out now from Delacorte Press. We talk about the 3 books that she loved as a young person and what influenced her to write YA. Episode Mentions: * The Hitchhiker’s Guide to the Galaxy* The Princess Bride* The Westing Game* Megan Crane* Elizabeth Little* Bridget Jones’s Diary* John Green* Andrew Smith* Sara Zarr* Story of a Girl* Courtney Summers* E. Lockard* We Were Liars* The Disreputable History of Frankie Landau-Banks* The Baby-Sitters Club* Sweet Valley High* The Lucky Ones* In Silent Seas We Drown* If These Wings Could Fly

Author Liz Lawson shares her debut THE LUCKY ONES, out now from Delacorte Press. We talk about the 3 books that she loved as a young person and what influenced her to write YA. Episode Mentions: The Hitchhiker's Guide to the GalaxyThe Princess BrideThe Westing GameMegan CraneElizabeth LittleBridget Jones's DiaryJohn GreenAndrew SmithSara ZarrStory of a GirlCourtney SummersE. LockardWe Were LiarsThe Disreputable History of Frankie Landau-BanksThe Baby-Sitters ClubSweet Valley HighThe Lucky OnesIn Silent Seas We DrownIf These Wings Could Fly

This week, Liberty and María Cristina discuss The Confessions of Frannie Langton, Vessel, Star-Crossed, and more great books. This episode was sponsored by Audible; Delacorte Press, publisher of Hope and Other Punchlines by Julie Buxbaum; and Ritual. Pick up an All the Books! 200th episode commemorative item here. Subscribe to All the Books! using RSS or iTunes and never miss a beat book. Sign up for the weekly New Books! newsletter for even more new book news. Books discussed on the show: The Confessions of Frannie Langton: A Novel by Sara Collins How to Forget: A Daughter's Memoir by Kate Mulgrew Star-Crossed: A Novel by Minnie Darke Vessel: A Novel by Lisa A. Nichols The Things She's Seen by Ambelin Kwaymullina and Ezekiel Kwaymullina Dear Scarlet: The Story of My Postpartum Depression by Teresa Wong Red, White & Royal Blue by Casey McQuiston Fieldnotes on Ordinary Love by Keith S. Wilson What we're reading: Eileen Gray: A House Under the Sun by Charlotte Malterre-Barthes and Zosia Dzierszawska Imaginary Friend by Stephen Chbosky More books out this week: The Royal Secret: A Novel by Lucinda Riley The Naked Truth: A Memoir by Leslie Morgan The Missing Season by Gillian French Zenobia July by Lisa Bunker Where We Come From: A Novel by Oscar Cásares Talking to Strangers: Selected Essays, Prefaces, and Other Writings, 1967-2017 by Paul Auster The Organs of Sense: A Novel by Adam Ehrlich Sachs The Summer of Ellen by Agnete Friis and Sinead Quirke Kongerskov Mr. Know-It-All: The Tarnished Wisdom of a Filth Elder by John Waters  Biloxi: A Novel by Mary Miller The Usual Suspects by Maurice Broaddus Missing, Presumed Dead by Emma Berquist Her Silhouette, Drawn in Water by Vylar Kaftan Bitcoin Billionaires: A True Story of Genius, Betrayal, and Redemption by Ben Mezrich Let Me Hear a Rhyme by Tiffany D Jackson An Illusion of Thieves by Cate Glass Birthday: A Novel by Meredith Russo The Edge of Every Day: Sketches of Schizophrenia by Marin Sardy The Dreamt Land: Chasing Water and Dust Across California by Mark Arax White Peak: A Thriller by Ronan Frost Keep This To Yourself by Tom Ryan It's Hot in the Hamptons: A Novel by Holly Peterson Bright Burning Stars by A.K. Small Prairie Fever by Michael Parker The Dark Fantastic: Race and the Imagination from Harry Potter to the Hunger Games (Postmillennial Pop) by Ebony Elizabeth Thomas Sisters and Rebels: A Struggle for the Soul of America by Jacquelyn Dowd Hall Kingsbane (The Empirium Trilogy) by Claire Legrand The Queen: The Forgotten Life Behind an American Myth by Josh Levin Cari Mora by Thomas Harris Have You Seen Luis Velez? by Catherine Ryan Hyde Waisted: A Novel by Randy Susan Meyers Into the Jungle by Erica Ferencik Riots I Have Known by Ryan Chapman Little Glass Planet: Poems by Dobby Gibson Nima by Adam Popescu Superior: The Return of Race Science by Angela Saini Necessary People by Anna Pitoniak Amelia Westlake Was Never Here by Erin Gough Empty Words by Mario Levrero, Annie McDermott (translator) The Vinyl Frontier: The Story of the Voyager Golden Record by Jonathan Scott Going Off Script by Jen Wilde The Pursuit of Miss Heartbreak Hotel by Moe Bonneau Hold My Hand by Michael Barakiva The Favorite Daughter by Kaira Rouda America Is in the Heart by Carlos Bulosan and Elaine Castillo The Book of Pride: LGBTQ Heroes Who Changed the World by Mason Funk

Poets Angel Dye and Jeremy Flick interview Morgan Parker. Morgan Parker is the author of the poetry collections Magical Negro (Tin House 2019), There Are More Beautiful Things Than Beyoncé (Tin House 2017), and Other People’s Comfort Keeps Me Up At Night (Switchback Books 2015). Her debut young adult novel Who Put This Song On? will be released by Delacorte Press on September 24, 2019. A debut book of nonfiction is forthcoming from One World/ Random House. Parker received her Bachelors in Anthropology and Creative Writing from Columbia University and her MFA in Poetry from NYU. She is the recipient of a 2017 National Endowment for the Arts Literature Fellowship, winner of a 2016 Pushcart Prize, and a Cave Canem graduate fellow. Parker is the creator and host of Reparations, Live! at the Ace Hotel. With Tommy Pico, she co-curates the Poets With Attitude (PWA) reading series, and with Angel Nafis, she is The Other Black Girl Collective. Morgan is a Sagittarius, and she lives in Los Angeles.

Originally published in 1994, Marc Leeds’ The Vonnegut Encyclopedia (Delacorte Press, 2016) was initially conceived of as a comprehensive A-Z guide to the expansive oeuvre of the American author Kurt Vonnegut. The encyclopedia was created as resource for scholars, teachers and casual fans of Vonnegut’s work and was comprised of detailed entries on all of his plays, novels and stories, in addition to descriptions of individual characters, narratives and motifs. Readers of Vonnegut will, of course, be aware that rather than distinct, hermetically sealed texts, each of Vonnegut’s works forms part of a larger fictional universe wherein characters, locations, turns of phrase and even consumer products cross back and forth between different novels, short stories and plays. As such, Leeds’ encyclopedia allows researchers and readers to cross reference recurring characters, words and plot points. The book also serves as something of a glossary of Vonnegut’s various neologisms (e.g. “foma” and “karass”) as well as providing a wealth of biographical information on the author himself, his family and friends. The first edition, published in the early 1990s, provided a detailed, alphabetical guide to all of Vonnegut’s work up until 1991. The revised and updated edition which was published in 2016 includes all of Vonnegut’s work up until his death in 2007. In this insightful and engaging interview Marc Leeds discusses his unique perspective on Vonnegut’s philosophy and fiction. Leeds also explains his motivation for compiling this rigorous yet entertaining guide to Vonnegut’s work and tells me about his own friendship with Kurt Vonnegut. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Originally published in 1994, Marc Leeds’ The Vonnegut Encyclopedia (Delacorte Press, 2016) was initially conceived of as a comprehensive A-Z guide to the expansive oeuvre of the American author Kurt Vonnegut. The encyclopedia was created as resource for scholars, teachers and casual fans of Vonnegut’s work and was comprised of detailed entries on all of his plays, novels and stories, in addition to descriptions of individual characters, narratives and motifs. Readers of Vonnegut will, of course, be aware that rather than distinct, hermetically sealed texts, each of Vonnegut’s works forms part of a larger fictional universe wherein characters, locations, turns of phrase and even consumer products cross back and forth between different novels, short stories and plays. As such, Leeds’ encyclopedia allows researchers and readers to cross reference recurring characters, words and plot points. The book also serves as something of a glossary of Vonnegut’s various neologisms (e.g. “foma” and “karass”) as well as providing a wealth of biographical information on the author himself, his family and friends. The first edition, published in the early 1990s, provided a detailed, alphabetical guide to all of Vonnegut’s work up until 1991. The revised and updated edition which was published in 2016 includes all of Vonnegut’s work up until his death in 2007. In this insightful and engaging interview Marc Leeds discusses his unique perspective on Vonnegut’s philosophy and fiction. Leeds also explains his motivation for compiling this rigorous yet entertaining guide to Vonnegut’s work and tells me about his own friendship with Kurt Vonnegut. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Originally published in 1994, Marc Leeds’ The Vonnegut Encyclopedia (Delacorte Press, 2016) was initially conceived of as a comprehensive A-Z guide to the expansive oeuvre of the American author Kurt Vonnegut. The encyclopedia was created as resource for scholars, teachers and casual fans of Vonnegut’s work and was comprised of detailed entries on all of his plays, novels and stories, in addition to descriptions of individual characters, narratives and motifs. Readers of Vonnegut will, of course, be aware that rather than distinct, hermetically sealed texts, each of Vonnegut’s works forms part of a larger fictional universe wherein characters, locations, turns of phrase and even consumer products cross back and forth between different novels, short stories and plays. As such, Leeds’ encyclopedia allows researchers and readers to cross reference recurring characters, words and plot points. The book also serves as something of a glossary of Vonnegut’s various neologisms (e.g. “foma” and “karass”) as well as providing a wealth of biographical information on the author himself, his family and friends. The first edition, published in the early 1990s, provided a detailed, alphabetical guide to all of Vonnegut’s work up until 1991. The revised and updated edition which was published in 2016 includes all of Vonnegut’s work up until his death in 2007. In this insightful and engaging interview Marc Leeds discusses his unique perspective on Vonnegut’s philosophy and fiction. Leeds also explains his motivation for compiling this rigorous yet entertaining guide to Vonnegut’s work and tells me about his own friendship with Kurt Vonnegut. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Originally published in 1994, Marc Leeds’ The Vonnegut Encyclopedia (Delacorte Press, 2016) was initially conceived of as a comprehensive A-Z guide to the expansive oeuvre of the American author Kurt Vonnegut. The encyclopedia was created as resource for scholars, teachers and casual fans of Vonnegut’s work and was comprised of detailed entries on all of his plays, novels and stories, in addition to descriptions of individual characters, narratives and motifs. Readers of Vonnegut will, of course, be aware that rather than distinct, hermetically sealed texts, each of Vonnegut’s works forms part of a larger fictional universe wherein characters, locations, turns of phrase and even consumer products cross back and forth between different novels, short stories and plays. As such, Leeds’ encyclopedia allows researchers and readers to cross reference recurring characters, words and plot points. The book also serves as something of a glossary of Vonnegut’s various neologisms (e.g. “foma” and “karass”) as well as providing a wealth of biographical information on the author himself, his family and friends. The first edition, published in the early 1990s, provided a detailed, alphabetical guide to all of Vonnegut’s work up until 1991. The revised and updated edition which was published in 2016 includes all of Vonnegut’s work up until his death in 2007. In this insightful and engaging interview Marc Leeds discusses his unique perspective on Vonnegut’s philosophy and fiction. Leeds also explains his motivation for compiling this rigorous yet entertaining guide to Vonnegut’s work and tells me about his own friendship with Kurt Vonnegut. Miranda Corcoran received her Ph.D. in 2016 from University College Cork, where she currently teaches American literature. Her research interests include Cold-War literature, genre fiction, literature and psychology, and popular culture. She has published articles on paranoia, literature, and Cold-War popular culture in The Boolean, Americana, and Transverse, and contributed a book chapter on transnational paranoia to the recently published book Atlantic Crossings: Archaeology, Literature, and Spatial Culture. She blogs about literature and popular culture HERE and can also be found on Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join the Dungeon Crawlers team as they sit down with author Jaleigh Johnson to talk about her new book The Door to the Lost published by Delacorte Press. The Door to the Lost is a fantastical tale of two magical refugees trapped in a world that distrusts magic and how events are shaping so that they are the only ones who can save their new world. To learn more about this book and Jaleigh’s Solace series check out this episode.

Today's books: Little House in the Big Woods by Laura Ingalls Wilder. HarperCollins, 1932. Little House on the Prairie by Laura Ingalls Wilder. HarperCollins, 1935. Farmer Boy by Laura Ingalls Wilder. HarperCollins, 1933. On the Banks of Plum Creek by Laura Ingalls Wilder. HarperCollins, 1937. By the Shores of Silver Lake by Laura Ingalls Wilder. HarperCollins, 1939. The Long Winter by Laura Ingalls Wilder. HarperCollins, 1940. Little Town on the Prairie by Laura Ingalls Wilder. HarperCollins, 1941. These Happy Golden Years by Laura Ingalls Wilder, HarperCollins, 1943. The First Four Years by Laura Ingalls Wilder. HarperCollins, 1971. Hattie Big Sky by Kirby Larson. Delacorte Press, 2006. Links to some of the things we talked about today: The History Chicks podcast episode on Laura Ingalls Wilder. Some basic info on the Homestead Act . Links to the two charts about number of Homestead Final Patents: 5 year increments, 10 year increments. Montana specific Homestead Act Info. Roger Lea MacBride's obituary. Little House as a teachable moment. Little House from the American Indians in Children's Literature blog.

On March 6th Delacorte Press releases THE BEAUTY THAT REMAINS. Listen in as it’s author, Ashley Woodfolk, explains how she came to write her debut and the books that have inspired her. Episode Mentions: * Deenie * Nancy Drew * Fearless series * Jandy Nelson * The Sky is Everywhere * The Beauty That Remains * NaNoWriMo * The Color Purple * Wuthering Heights * Jane Eyre * Pride and Prejudice * Valley Girls * Done Dirt Cheap

On March 6th Delacorte Press releases THE BEAUTY THAT REMAINS. Listen in as it's author, Ashley Woodfolk, explains how she came to write her debut and the books that have inspired her. Episode Mentions: Deenie Nancy Drew Fearless series Jandy … Continue reading →

The YA thriller THE TRUTH BENEATH THE LIES comes out of December 12th from Delacorte Press. Hear the author Amanda Searcy discuss her journey as a writer and the books that influenced her as a young adult. Episode Mentions: * My Side of the Mountain * The Babysitters Club * Sleepover Friends * Newbery Awards * The Westing Game * The Witch of Blackbird Pond * Sweet Valley High * The Earth, My Butt, and Other Big Round Things * Twilight * The Truth Beneath the Lies * The Hunger Games * Kirkus Review * The Haunting of Hill House * The Outsiders * Long Way Down

The YA thriller THE TRUTH BENEATH THE LIES comes out of December 12th from Delacorte Press. Hear the author Amanda Searcy discuss her journey as a writer and the books that influenced her as a young adult. Episode Mentions: My … Continue reading →

New York Times Best Selling Author, Kristine Carlson invites you to practice Don't Sweat wisdom to achieve greater mental health, and better communication with your family, friends, and co-workers. Learn how to live with more peace and happiness and rediscover your joy, passion, and self-compassion, to awaken your most vibrant life. www.KristineCarlson.com and www.dontsweat.com It is with great honor Kris brings, President and Publisher, BOB MILLER, to the podcast to share how Don’t Sweat the Small Stuff rose up the charts and stayed at the top of the New York Times for over 100 consecutive weeks topping off USA Today’s bestsellers two consecutive years in the #1 position. Miller founded Hyperion for Disney in 1990 and was its president and publisher until 2008. He began his career at St. Martin’s Press and has also worked at Delacorte Press, HarperCollins, and Workman.  He has published such authors as David Halberstam, Caroline Kennedy, Oprah Winfrey, Mitch Albom, and Randy Pausch, Richard and Kristine Carlson. Miller was hired to launch Flatiron Books in 2013; the division has had 21 New York Times bestsellers in its first two years of publishing, including four #1 New York Times bestsellers. This episode is a rich conversation not only about the success of the Don’t Sweat series, but you will find valuable information here about the publishing industry and its future.  

In May 2000, the IDF withdrew from Southern Lebanon and Beaufort Castle, which Israel had held since 1982. Host Marcela Sulak reads from Ron Leshem's novel called "Beaufort" in the English translation (the Hebrew title translates as "If there is a Heaven"). It is written as the diary of Liraz Liberti, the twenty-one-year-old head of a thirteen-man commando team stationed at Beaufort during the last winter of Israeli occupation. "...We carried out a comprehensive search, circled the place to determine whether terrorists had beaten a path in through the undergrowth, and which route they’d chosen to booby-trap the target. We unrolled white marking tape wherever we walked in order to know where we’d already been. It was hot and sticky out. The sun had come up too fast. It took us half an hour to complete the first half-circle..." Leshem's novel was made into a film in 2007, directed by Josef Cedar and co-written by Cedar and Leshem. The film won the Silver Bear at the Berlin International Film Festival and was a nominee for an Academy Award for Best Foreign Language Film. Beaufort was Ron Leshem’s first novel, and it won the prestigious Sapir Prize. Texts:Beaufort by Ron Leshem. Translated by Evan Fallenberg. The Delacorte Press, 2008. Music:Ishai Adar - "Beaufort" Original SoundtrackEviatar Banai - Avot Ubanim

Angela Bahns reads from Blindspot: Hidden Biases of Good People, by Mahzarin Banaji and Anthony Greenwal, published by Delacorte Press. "One mind, two opposing preferences—one the product of her mind's reflective thinking, the other of the same mind's automatic associations."

Isn’t it odd how the golden age of correct language always seems to be around the time that its speaker was in high school, and that language has been going to the dogs ever since? Such is the anguish of declinists the world over, pushing the commercial success of language-bashing stocking fillers. But what’s the real reason that we get hung up on greengrocers’ apostrophes and the superiority of certain language forms over others? Robert Lane Greene‘s premise is that for those who hold up the standardised variety as the one true voice, the authority of the prestige language is not about words and rules, but about the perceived superiority of the people who use it. Hand-wringing over glottal stops and ‘ain’t’ contractions obscures attempts to define ‘us’ and distance ‘them’, and is a tool to support class, ethnic, or national prejudices. Lane’s new book You Are What You Speak: Grammar Grouches, Language Laws and the Politics of Identity (Delacorte Press, 2011) gives an overview of these traits and then focuses on situations in which linguistic policy has had huge political consequences or where civil unrest is manifested in language laws. We learn about the imposition of Afrikaans and the riots that marked the beginning of the end of apartheid, how Ataturk imposed a whole new way of using Turkish on his people, and why Catalan nationalism is back on the boil. I talk with Lane about small things like prepositions as well as weightier issues such as the oppression of minority groups and why George W. Bush’s southern accent may have done him a few favours. We touch on people’s deepest insecurities about the language they use and how bemoaning the loss of the glory days is a popular sport in language as in many other domains. We talk about Arabic, Catalan, French and Hindi. Lane busts a few language myths for us – not least that there is no such thing as a truly primitive language – and expands on his book which gives a comprehensive tour through history and politics across time and space. All this is done from the standpoint of languages and the societies that speak them. Learn more about your ad choices. Visit megaphone.fm/adchoices

Isn’t it odd how the golden age of correct language always seems to be around the time that its speaker was in high school, and that language has been going to the dogs ever since? Such is the anguish of declinists the world over, pushing the commercial success of language-bashing stocking fillers.  But what’s the real reason that we get hung up on greengrocers’ apostrophes and the superiority of certain language forms over others? Robert Lane Greene‘s premise is that for those who hold up the standardised variety as the one true voice, the authority of the prestige language is not about words and rules, but about the perceived superiority of the people who use it. Hand-wringing over glottal stops and ‘ain’t’ contractions obscures attempts to define ‘us’ and distance ‘them’, and is a tool to support class, ethnic, or national prejudices. Lane’s new book You Are What You Speak: Grammar Grouches, Language Laws and the Politics of Identity (Delacorte Press, 2011) gives an overview of these traits and then focuses on situations in which linguistic policy has had huge political consequences or where civil unrest is manifested in language laws. We learn about the imposition of Afrikaans and the riots that marked the beginning of the end of apartheid, how Ataturk imposed a whole new way of using Turkish on his people, and why Catalan nationalism is back on the boil. I talk with Lane about small things like prepositions as well as weightier issues such as the oppression of minority groups and why George W. Bush’s southern accent may have done him a few favours. We touch on people’s deepest insecurities about the language they use and how bemoaning the loss of the glory days is a popular sport in language as in many other domains. We talk about Arabic, Catalan, French and Hindi. Lane busts a few language myths for us – not least that there is no such thing as a truly primitive language – and expands on his book which gives a comprehensive tour through history and politics across time and space. All this is done from the standpoint of languages and the societies that speak them. Learn more about your ad choices. Visit megaphone.fm/adchoices

Isn’t it odd how the golden age of correct language always seems to be around the time that its speaker was in high school, and that language has been going to the dogs ever since? Such is the anguish of declinists the world over, pushing the commercial success of language-bashing stocking fillers. But what’s the real reason that we get hung up on greengrocers’ apostrophes and the superiority of certain language forms over others? Robert Lane Greene‘s premise is that for those who hold up the standardised variety as the one true voice, the authority of the prestige language is not about words and rules, but about the perceived superiority of the people who use it. Hand-wringing over glottal stops and ‘ain’t’ contractions obscures attempts to define ‘us’ and distance ‘them’, and is a tool to support class, ethnic, or national prejudices. Lane’s new book You Are What You Speak: Grammar Grouches, Language Laws and the Politics of Identity (Delacorte Press, 2011) gives an overview of these traits and then focuses on situations in which linguistic policy has had huge political consequences or where civil unrest is manifested in language laws. We learn about the imposition of Afrikaans and the riots that marked the beginning of the end of apartheid, how Ataturk imposed a whole new way of using Turkish on his people, and why Catalan nationalism is back on the boil. I talk with Lane about small things like prepositions as well as weightier issues such as the oppression of minority groups and why George W. Bush’s southern accent may have done him a few favours. We touch on people’s deepest insecurities about the language they use and how bemoaning the loss of the glory days is a popular sport in language as in many other domains. We talk about Arabic, Catalan, French and Hindi. Lane busts a few language myths for us – not least that there is no such thing as a truly primitive language – and expands on his book which gives a comprehensive tour through history and politics across time and space. All this is done from the standpoint of languages and the societies that speak them. Learn more about your ad choices. Visit megaphone.fm/adchoices