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Christi and Kelly are back for a mini episode, and this one starts with a little nostalgia, a little heartbreak, and a lot of comfort-movie talk.After the passing of Dolly Parton and Tim Curry, Christi and Kelly look back on what made both of them so memorable — from Dolly's perfect one-liners and 9 to 5 to Tim Curry's iconic role in Clue. That leads them into the movies they will always stop and watch, including Grease, Pretty Woman, Sweet Home Alabama, Titanic, Jurassic Park, The Goonies, and the behind-the-scenes stories that make those classics even better.Later, they get into Dancing With the Stars: The Next Pro, the Housewives Girls Trip chaos, and why those shows make them wonder what Dance Moms could have looked like if the moms ever got the fun reality-TV treatment instead of being stuck in dance jail.Grab your tickets to our LIVE TOUR!Connecticut (October 2): https://ridgefieldplayhouse.org/event/back-to-the-barre-ridgefield-ct-2026New York City (October 3): https://www.ticketmaster.com/event/00006518C2C668A9Welcome to Back to the Barre, the ultimate podcast channel where Kelly Hyland and Christi Lukasiak from Dance Moms spill the tea, share the laughs, and take you behind the scenes of your favorite reality TV moments!
In 2000, Katie Couric underwent a live colonoscopy on national television following the death of her husband, Jay Monahan, from colorectal cancer at age 42. The broadcast demystified a procedure many Americans feared, led to an estimated 20% increase in colonoscopy screenings, and became one of the clearest examples of how public storytelling can change healthcare behavior.This episode examines how celebrities, journalists, filmmakers, and entertainers helped reshape the public conversation about cancer during a period when survivorship was becoming increasingly visible. As breakthroughs in targeted therapies, immunotherapy, and early detection allowed more people to live beyond cancer, public figures used their platforms to encourage screening, reduce stigma, and accelerate research. Their influence extended far beyond awareness campaigns, helping transform cancer from a private diagnosis into a national public health conversation.Central to this story is Laura Ziskin, the Hollywood producer behind Pretty Woman and the Spider-Man films, whose metastatic breast cancer diagnosis inspired the creation of Stand Up To Cancer. Working alongside Couric and leaders from entertainment, journalism, and biomedical research, Ziskin championed a new funding model that required multidisciplinary scientific collaboration, helping accelerate discoveries that contributed to multiple FDA-approved cancer therapies. The episode also highlights the advocacy of actor Patrick Dempsey, whose family's experience with ovarian cancer led to the creation of the Dempsey Center, expanding support for patients and caregivers beyond medical treatment.The story also asks what celebrity advocacy often leaves unsaid. Financial toxicity, caregiver burden, chronic pain, mental health, and the long-term effects of treatment rarely receive the same attention as dramatic diagnoses or breakthrough cures. As cancer survivorship continues to evolve, the greatest challenge may not be convincing people to care about cancer, but helping them understand what it truly means to live with and beyond it.RELATED LINKSStand Up To CancerKatie Couric MediaDempsey CenterAmerican Association for Cancer ResearchNational Cancer InstituteDana-Farber Cancer Institute | Adult Survivorship ProgramFEEDBACKLike this episode? Rate and review The Cancer Mavericks: A History of Survivorship on your favorite podcast platform. For more information, visit CancerMavericks.com. Please send any questions to podcasts@matthewzachary.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Let's do some HAIR STUDIES! How does blondeness recruit and convey power? When is curly hair a signifier of unruliness — and when does it say Cool Girl? Will we ever be free of the tyranny of the beachy wave? What's the New Karen Cut? Should we talk about Julia Roberts' hair in Pretty Woman for a solid 10 minutes? (Yes!) Sarah Mesle joins the pod to talk about her new book, Tangled: Seven Iconic Moments in White Women's Hair and What They Tell Us About Power, Pleasure, and Complicity, parse "good" blonde dye-jobs, wonder what happened to the Old Lady cut, and answer all of your questions about the politics of white lady hair. Thanks to the sponsors of today's episode: Machine Washable Rugs, Made Better. For a limited time only, our listeners get 10% off + free shipping at tumbleliving.com/CULTURE Use code CULTURE at jonesroadbeauty.com to get a free gift with your first purchase! Get $35 off your first box of wild-caught, sustainable seafood—delivered right to your door. Go to: https://www.wildalaskan.com/CULTURE Ollie. Feed the Obsession. Go to ollie.com/culture and use code CULTURE to get 70% off your first box! Show Notes: Follow Sarah on Instagram here Buy Tangled!!!!!!! It's so good! How to submit your hair studies pitch to Avidly A great short piece by Sarah on why hair studies matters Tressie McMillan Cottom on blondeness The episode of the Amy Poehler podcast I reference about blondes — with Leanne Morgan And also the episode of Amy Poehler I reference re: Paula Pell and her beautiful hair Sarah mentions the Dragon Prince series by Melanie Rawn Sarah also references Sabrina Strings' excellent book Fearing the Black Body Sarah also cites this article from Helana Darwin The Dolly Parton and Miley in 2010 (!) singing Jolene (I also love this one that's part of Miley's Backyard Sessions) We're currently looking for your questions on the following topics: WHAT'S GOING ON INFLUENCER CULTURE? with Katie Sturino — what's going on with privacy, spon, monetization, politics, algorithm fatigue — anything you want to ask someone who's watched the influencing world transform from inside THE LATEST IN BOOK TRENDS with Alyssa Morris (from our very popular BookTok episode!). Ask Alyssa about whatever you're seeing in the book world: covers, genres, how it's handling fan-fic, BookTok trends..... JOURNO-INFLUENCERS with s.e. smith — yep, another episode on influencers, this time on how they're changing the norms of journalism. What journo-influencers do you follow and what makes them compelling? What's the future of journalism when it's wed to this style of promotion? Is it actually anything new? Ask away! Anything you need advice for/want musings about for the AAA segment. You can ask about anything — it's literally the name of the segment. Join the ranks of paid subscribers and get bonus content, access to the discussion threads, ad-free episodes, and the knowledge that you're supporting an indie pod trying to make its way in the world.Got a question to submit, a prompt for Ask Anne Anything, or an idea for a future episode? Tell us here.Catch up on everything else happening in the Culture Study universe here.Transcripts will be available here within 24 hours of publishing. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Miss Heard celebrates Season 7, Episode 365 were we dive into a hilarious misheard lyric from T.I.'s iconic mega-hit "Whatever You Like"—where "I want yo' body" somehow turns into "I want Joe Biden." We trace the journey of the Atlanta trap pioneer who built an empire with Grand Hustle Records, dominated the mid-2000s charts, and ultimately achieved unprecedented chart history when this octuple-platinum anthem repeatedly traded the Hot 100 spot with his follow-up single, "Live Your Life." Plus, we break down the clever Pretty Woman-style music video filmed under a strict house arrest curfew, its famous "Weird Al" parody, and the rapper's recent decision to hang up the mic for good after an incredible 25-year career. You can listen to all our episodes at our website at: https://pod.co/miss-heard-song-lyrics Or iTunes, Stitcher, Spotify and many more platforms under Podcast name “Miss Heard Song Lyrics” Please consider supporting our little podcast via Patreon at https://www.patreon.com/MissHeardSongLyrics or via PayPal at https://www.paypal.com/paypalme/MissHeardSongLyrics #missheardsonglyrics #missheardsongs #missheardlyrics #misheardsonglyrics #podcastinavan #vanpodcast #T.I. #WhateverYouWant https://www.youtube.com/watch?v=nQJACVmankY https://en.wikipedia.org/wiki/Whatever_You_Like https://en.wikipedia.org/wiki/T.I. https://people.com/rapper-ti-reflects-on-retiring-his-troubled-past-and-enduring-love-for-wife-tiny-exclusive-12013937 https://en.wikipedia.org/wiki/Reagan_Gomez-Preston https://www.songfacts.com/facts/ti/whatever-you-like
From live listener Laura: This episode has single-handedly destroyed my faith in Daisy and Ellyn's STFU acumen, and whatever network picked up this podcast from Grab Bag should seriously reconsider their investment. Daisy does not appreciate wedding dresses. Ellyn appreciates hats (I think? I lost track. Something about Pretty Woman). Neither appreciates leprechauns. There were accents involved, to both the boon and bane of the listening experience. Also, TIL that Ellyn's life was the inspiration for Frozen's "Let It Go".
Tout a commencé par une conversation que j'ai eu avec un autre journaliste. J'avais déjà l'idée de faire un épisode sur Julia Roberts mais je m'interrogeais sur ce que j'allais bien pouvoir dire de sulfureux sur elle. Et ce journaliste me dit : « mais tu rigoles elle est hyper scandaleuse Julia Roberts ! ». Et moi : « Ah bon?!.. » Et donc voilà, j'ai creusé. Et j'ai assez vite réalisé qu'il y avait effectivement la Julia Roberts avec laquelle j'avais grandi, celle que j'ai découverte (et adoré) dans Pretty Woman. Et celle d'avant, dont les gens plus âgés que moi se souviennent sans doute, eux, mais qui est presque introuvable sur Internet aujourd'hui. Une Julia Roberts à la vie amoureuse hyperactive et chaotique, qui a longtemps fait les Une des tabloïds américains dans les années 90… Et ça a évidemment été ma première question : qui est cette Julia que j'ai l'impression ne pas connaître ? Si elle a tant de déboires amoureux, pourquoi tout le monde l'a oublié aujourd'hui ? Plus j'ai cherché, plus j'ai découvert la femme qui se cache derrière le sourire qu'on a appelé “Megawatt”, avec ses valises et ses casseroles. Julia Roberts pourrait-elle être…méchante ? Au micro de Scandales se succèdent :Marie Telling, journaliste et host du podcast Amies, de Slate.fr, dans lequel elle décortique les films et séries mythiques des années 1990-2000Racha Belmehdi, auteure de l'ouvrage “Rivalité, nom féminin” Scandales est un podcast de Madame Figaro, écrit et présenté par Marion Galy-Ramounot, et produit par Lucile Rousseau-Garcia. Camille Lamblaut a été chargée d'enquête. Océane Ciuni est la responsable éditoriale de Scandales, un podcast produit par Louie Créative, l'agence de contenus audios de Louie Média. Cet épisode de Scandales est à retrouver sur toutes vos plateformes : Apple Podcasts, Spotify, Deezer et Amazon Music.Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.
Joel “Jay-Ray” Anderson is a drummer that was recently touring with The Wiz.I caught up with him mid-tour. We talked about growing up in a musical family in Fort Lauderdale, learning drums from YouTube and his oldest brother, coming up through the Dillard High School drumline, studying music at Broward College and Florida Memorial University, landing his first tour (Pretty Woman) the week after graduation, and transitioning to The Wiz through a network built one relationship at a time. We got into gospel drumming history, drumline battles, a month spent touring Japan, and why networking, not just chops, is what actually opens doors.Jay-Ray comes from a house full of musicians. His father plays guitar and sings; his oldest brother plays drums and keys; another brother sings, plays drums, and plays saxophone; and a third brother plays bass, guitar, and keys while producing. Jay-Ray's own introduction to the drums came at six years old, when his oldest brother sat him down in front of a kit for the first time. By twelve, he had his own Sonor drum set, a gift from that same brother, and was already teaching himself by copying drumming videos on YouTube.Jay-Ray attended Dillard Center for the Arts, where he played in two jazz bands, marched snare in the wind orchestra and drumline, and got pulled onto snare drum as a freshman after impressing section leader Javon with a string of paradiddles. He talks about the discipline instilled by band directors Christopher Dorsey and Dr. Sheldon McClain, learning traditional grip for the first time, and the intensity of real drumline battles.Jay-Ray studied at Broward College (Associate's in Music Performance) before transferring to Florida Memorial University for his bachelor's degree, where he played under percussion director Taurus Lovely, a 25-year Broadway touring veteran (including Tina Turner: The Musical) who would later become the person who got Jay-Ray his first tour. Jay-Ray's first trip to New York came in 2018, when Dillard's jazz band won the Essentially Ellington competition at Jazz at Lincoln Center, the same trip where he first saw a Broadway show, Ain't Too Proud.The day after Jay-Ray graduated from Florida Memorial in May 2023, Taurus Lovely called with an audition opportunity for the Pretty Woman national tour. Jay-Ray recorded four songs from the show, landed the gig, and was in rehearsals in Syracuse, New York within months. He talks candidly about the learning curve of running click tracks and Ableton on the road, getting walked through the system by original drummer Kevin Maynard, and the parts of touring nobody warns you about, like setting up and breaking down your own kit on travel days. Over roughly two years with the show, he toured extensively across the U.S. and spent a month performing in Japan (Shinjuku, Tachikawa, Kyoto, and Osaka).Jay-Ray's move to The Wiz came through his network: Sammy Merandino and Quentin “Q” Robinson recommended him, and MD Michael Aarons brought him in. Jay-Ray left Pretty Woman in Wichita and, within a week, was in New York starting rehearsals, spending his off-hours studying original drummer Trevor Holder's book and comparing the Broadway cast recording to the touring arrangement. He also shares how he first met Q Robinson years earlier, showing up at Hamilton's closing show in Fort Lauderdale just to introduce himself.Asked what he'd tell a high school or college drummer chasing a career like his, Jay-Ray's answer is simple: networking. Every opportunity in his career, from Pretty Woman to The Wiz to this very podcast episode, traces back to a relationship someone else made on his behalf.Where to Find Jay-Ray* Instagram & TikTok: @jay.ray04* Facebook: Joel Anderson* Email: joel.r.anderson04@gmail.comResources * Free: How to Land a Broadway Gig Roadmap — subscribe to Broadway Drumming 101 (free or paid) and grab it at broadwayboundbook.com/roadmap* The Broadway Sub Playbook ($7.99) — available at signaturebrandworks.com* Broadway Drumming 101 merch (backpacks, tees, hats, mugs, and more) — signaturebrandworks.com* Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career by Clayton Craddock — out nowClayton Craddock was most recently the drummer for Cats: The Jellicle Ball on Broadway at the Broadhurst Theatre. He is also the founder of Broadway Drumming 101 and the author of Broadway Bound and Beyond: A Musician's Guide to Building a Theater Career.His Broadway credits include Memphis, Lady Day at Emerson's Bar and Grill, Ain't Too Proud, and Cats: The Jellicle Ball, with additional credits spanning tick, tick…BOOM!, The Hippest Trip: The Soul Train Musical, and subbing on Rent, Motown, Evita, Avenue Q, and the Hadestown tour.Clayton has appeared on The View, Good Morning America, The Tonight Show Starring Jimmy Fallon, The Today Show, and the Tony Awards. He has performed with artists ranging from Chuck Berry and Ben E. King to Kristin Chenoweth and Norm Lewis.www.claytoncraddock.com Get full access to Broadway Drumming 101 at broadwaydrumming101.substack.com/subscribe
Matilda. Hook. Pretty Woman. What fictional foods looked the tastiest? Support the show and follow us here Twitter, Insta, Apple, Amazon, Spotify and the Edge!See omnystudio.com/listener for privacy information.
Die Tagebücher Anthony Faucis werfen der Corona-Opposition wieder ein paar Brocken hin, ohne dass die Zusammenhänge aufgeklärt werden und Geschädigte Genugtuung erhalten.Ein Standpunkt von Roland Rottenfußer.Wieder einmal hatten wir Kritiker recht. Mit unseren Zweifeln daran, dass in der Coronakrise alles mit rechten Dingen zuging, dass die Hauptakteure ehrlich und die freiheitsmörderischen „Maßnahmen“ angemessen waren. Die, die uns verspottet, ausgegrenzt und gedemütigt haben, hatten unrecht. Zwar ist nicht jede Vermutung der „Alternativmedien“ durch die neueren Ereignisse bis ins Letzte bewiesen worden. Doch durch das jetzt veröffentlichte Tagebuch des US-amerikanischen „Gesundheitsberaters“ Anthony Fauci wurde offenkundig, was viele schon lange vermutet haben: Zwischen dem, was das Corona-Establishment wusste, und dem, was es nach außen verlauten ließ, klaffte eine beträchtliche Lücke. Wir haben es mit einem Täuschungsmanöver zu tun — motiviert durch Macht- und Geschäftsinteressen, durch Opportunismus und — zumindest was die Person Faucis betrifft — auch durch ein Gutteil persönlicher Geltungssucht. Eine Entschuldigung bei den Opfern und eine Rehabilitierung der in Zeiten des coronabedingten Rechtgläubigkeitsfurors böse abgekanzelten Kritiker lässt weiter auf sich warten. Gelegentlich wird — wie schon bei den vom Magazin Multipolar freigeklagten RKI-Files — eine Teilenthüllung durchgelassen, die Corona-Skeptiker mit Befriedigung und falschen Hoffnungen erfüllt. Am Ende geschieht — nichts. Dem Volk wird ein Bauernopfer hingeworfen, ein Corona-Großkopferter fällt weich. Der große Zusammenhang und die Drahtzieher bleiben im Schatten. Eine Wiederholung der grausamen Vorführung scheint alles andere als ausgeschlossen.Wenn ein ziemlich normal aussehender Mann unversehens mit der berühmten Schauspielerin Julia Roberts zusammentrifft, dann stellen sich auf seiner Seite normaler Weise Verblüffung und Ergriffenheit ein. Man kann im Film „Notting Hill“ wunderbar sehen, wie unbeholfen das „normale Volk“ oft im Umgang mit einem Superstar agiert. Nicht so bei einer Begegnung zwischen Roberts und dem US-amerikanischen Immunologen Anthony Fauci. Dann sind die Rollen vertauscht, und es ist an der als „Pretty Woman“ berühmt gewordenen Actrice, zu staunen und anzuhimmeln. Sagt zumindest Fauci in seinen unlängst von US-Senator Rand Paul veröffentlichten Tagebüchern.„Schon im Mai 2020 hatte Fauci an einem Instagram-Gespräch mit Julia Roberts teilgenommen“, fasst die Berliner Zeitung den Tagebucheintrag zusammen.„Als sein Gesicht bei der Videoverbindung erschien, habe die Schauspielerin die Hände vor den Mund geschlagen und überrascht auf seine Anwesenheit reagiert. Roberts habe ihn als persönlichen Helden bezeichnet und erklärt, wie sehr sie sich über das Gespräch freue. Fauci schrieb, die Begrüßung habe ihn ein wenig verlegen gemacht.“Man kann darüber lächeln, Fauci beneiden oder zu seiner „Eroberung“ beglückwünschen.Das Virus katapultierte ihn auf einen Schlag ins Rampenlicht und machte aus ihm eine nationale Berühmtheit — und einen Mann, dessen Machtwort für Millionen Menschen mehr Freiheit oder Unfreiheit, die volle Menschenwürde oder deren Einschränkung bedeuten konnte. Faucis Tagebücher zeigen den Lohn des Opportunismus.Faucis Eitelkeit ist aber nur eine von vielen „Enthüllungen“ der über 1.000 Seiten seines Tagebuchs, die der republikanische Senator Rand Paul am 25. Juli 2026 öffentlich machte — und es ist keineswegs die wichtigste. Hier eine Zusammenfassung.Sichtbar wird über weite Strecken seines Tagesbuches, dass er durch Glamour emotional bestechlich war und sich im Dunstkreis der Reichen und Schönen nur zu gern suhlte — ein Milieu, das einem unbekannten Funktionär im Gesundheitssystem vor Corona nicht zugänglich war....https://apolut.net/fauci-ein-glamouroses-bauernopfer-von-roland-rottenfusser/
(00:00-30:40) Come hang out with us for the next five hours. A moment of gratitude that the audience was not receptive to. Like Dido in so many ways. Another Redbird nipping. That one hurt. Oli Marmol on the good at-bats and having a shot but coming up short. Yellow's their tertiary color. After Walker you don't have a lot of confidence in the lineup. Cesar Prieto still hitless. Martin's out on Gorman. Phillies love their mountain men. Who voices the Cardinals 2026 World Series video? Are you having a kid? The grandkid can wait; Ken calls. Kissing Jessica Stein coming up on Movie Boi. Is tomorrow Navy Caps On The Road announcement day?(30:48-47:27) Did Kross Kross have beef with ABC. A new segment on the dossier. Prime Tim Chaim. Chaim Bloom on if the CBA negotiations affected their approach at the deadline. Bloom talking about if Walker and Wetherholt have accelerated the teams "winning window." Where homeruns go to die. Iggy's pouch. You don't put a cap on gratitude. Phone, wallet, keys.(47:37-1:04:31) How tall was Mugsey Bogues. Send in your height, weight, and net worth. Who is our wealthiest listener? Lix vs. Joe Buck spreadsheet showdown. A minute from the clip of gratitude. Jackson loves Pretty Woman. Backpacks are a timeless accessory. Iggy called in to shed some light on things but he dropped.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Come hang out with us for the next five hours. A moment of gratitude that the audience was not receptive to. Like Dido in so many ways. Another Redbird nipping. That one hurt. Oli Marmol on the good at-bats and having a shot but coming up short. Yellow's their tertiary color. After Walker you don't have a lot of confidence in the lineup. Cesar Prieto still hitless. Martin's out on Gorman. Phillies love their mountain men. Who voices the Cardinals 2026 World Series video? Are you having a kid? The grandkid can wait; Ken calls. Kissing Jessica Stein coming up on Movie Boi. Is tomorrow Navy Caps On The Road announcement day?Did Kross Kross have beef with ABC. A new segment on the dossier. Prime Tim Chaim. Chaim Bloom on if the CBA negotiations affected their approach at the deadline. Bloom talking about if Walker and Wetherholt have accelerated the teams "winning window." Where homeruns go to die. Iggy's pouch. You don't put a cap on gratitude. Phone, wallet, keys.How tall was Mugsey Bogues. Send in your height, weight, and net worth. Who is our wealthiest listener? Lix vs. Joe Buck spreadsheet showdown. A minute from the clip of gratitude. Jackson loves Pretty Woman. Backpacks are a timeless accessory. Iggy called in to shed some light on things but he dropped.King of Wishful Thinking. Corey Feldman dances like Michael Jackson. Get ready for a Murderer's Row of callers. Larry Nickel here to recap some wrestling. Hope Solo and Prod Joe. Well that's Danhausen for ya. Jackson is the Danhausen of this program. Iggy's up next on the phone lines. Ken's life was in that pouch. Defending the pouch. Still need that Brody stick.Bangers from '92. Mr. Big. What pushed grunge music out? Dawson's Creek. The new TLC show about Suburban Wives. Shhhhh, the boss walked by. Ok, now back to ENM. Audio of new Michigan Head coach Kyle Whittingham rsponding after his comments about not hating Ohio State went viral. Dirty Dan The Garbage Man has been waiting on the phone lines and he wants to circle back to something. Not happy with Doug's take on grunge music. Scorching hot baseball takes from DDtGM. Doug's on his Kirkwood high horse again. Ricotta cheese kinks.Do you skip the intro when you're binge watching a show. Put Breaking Bad on your own damn list. We're not having a human conversation then. TMA Show Club at Francis Park. Doug kissin' at the Drive-In. John Rice keeps the phone lines white hot this morning. Getting stung by a bee at the drive in might be the folksiest thing ever said on this show. A little John Rice Cardinal recap. Happy birthday Producer Joe.Terry Crouppen joins us in studio. The Raja of Rip. Sons of Arthritis. Overusing ibuprofen. Age 80 is when the chickens come home to roost. Old courtroom tales. Defending people that you know are guilty. The alleged murderer was a personable guy. Terry's not planning on writing a book.New hour, new theme. An ode to Earl Weaver. Design Aire Heating & Cooling EMOTD.Where were you in '92? Doug has a new grandchild but we still don't know the gender. We love our prostates. Chairman was winning science fairs and spelling bees in '92.Mizzou just announced that Sheryl Crow will be sining the National Anthem at Faurot. Jeff Suppan is on the line checking in with us. It's Tom Petty Tuesday. Won't Back Down at The Swamp. Mt. Rushmore of Tom Petty songs. The Scott Spiezio book. How much were the teammates aware of Spiezio's issues while they were going on? School's started so Soup has some free time. Still wanna get Ataca La Zona off the ground and running. Doug's the closer's closer.Nice to hear from Jeff Suppan. Little Winston. A little Kennedy, a little Clinton, with some Obama mixed in.Doug and Tim just keep getting hotter with age. And the winner of the EMOTD is...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
You know Amy Yasbeck from Wings, The Mask, Pretty Woman and some of the most memorable comedies of the '80s and '90s. But today, the actress is using her voice for something far bigger than Hollywood. Amy joins Inside the Moms Club to talk about her remarkable career, the life experiences that changed her path, and the advocacy work that has become deeply personal to her. It's a conversation about reinvention, purpose and what happens when life gives you a platform—and you decide to use it.Become a supporter of this podcast: https://www.spreaker.com/podcast/inside-the-moms-club--4709676/support.
Join Amanda, Geoff, and Ben as we watch Pretty Woman. We give some background on the movie, rate it out of 5 stars and discuss what we thought! This week also features our top 4 rich people activities that we would suck at. Thank you for listening! We'll be back next week to review The Goonies so be sure to watch along with us. Follow us on our social channels @you_havent_seen_that You can find every episode on Apple Podcasts and Spotify.
I was caught between worlds in 2020. I began the year as a faithful, loyal Democrat and a true believer in Fauci the Hero vs. Trump the Villain. I was never an anti-masker or anti-vaxxer, at least, not in the beginning. As the year wore on, however, the questions started piling up in my head. Why, I wondered, was it politics as usual if this pandemic was as serious as CNN said it was? Why, if the virus was microscopic, did masks suddenly become not only essential but mandatory identifiers in our society? Why, if it was so serious, did millions flood the street on Memorial Day Weekend to protest the death of George Floyd at the hands of the police, and 1,000 health experts signed a letter saying protesting was more important than a pandemic that was supposedly hitting the black community especially hard?Every time I'd ask a question, the unified whole would scream back at me, parroting the exact same talking points from the legacy media and the Democrats. No one was allowed to even ask a question, much less question the official party line.Why? The cult of Dr. Fauci. We hadn't seen a hero rise like that since Barack Obama in 2008. We believed in him. We trusted him. We loved him. To question him became blasphemy, and even now, if you say his name among liberals, they will scowl at you.The cult of Fauci and the legacy media became one in 2020. They made him a star and, in turn, he went along with the official narrative that Trump was not competent in a crisis and helped the media convince the public to vote him out.But the truth was always chasing Dr. Fauci like a shadow, and the questions were not going away. Lucky for all of us, he kept a record of what he thought and did in 2020, and it is one history will never forget and should never forget. Dr. Fauci showed the half of America that voted for Donald Trump what he thought of them when he declined to answer any questions in Congress and instead pleaded the Fifth 111 times.Americans required something other than politics as usual when the pandemic arrived on our shores, but taking out a president was already the establishment's primary objective, and Dr. Fauci would prove instrumental in convincing Americans that Trump could not be trusted in a crisis.As Ann Coulter says on her Substack:Fauci was the left's most promising silver bullet to take out Trump. As such, the media would brook no dissent from his COVID edicts. Liberals would not only destroy the economy, but countless lives, in order to slay a pestilence worse than the virus: Donald J. Trump.Taking down a presidentIt might sound conspiratorial to say that the Democrats and their allies in the administrative state would crash the economy just to take Trump out of power, but the truth is even darker. Everything had to go wrong under Trump, including the economy.The more Fauci contradicted Trump, the more the legacy media celebrated him, elevated him, and the more the Cult of Fauci rallied around him. That led to more attacks by Trump. It's not a coincidence that cases began to surge as their own kind of October surprise, allowing the Democrats to increase measures ahead of the 2020 election. All the while, what Fauci seemed to care about most was the attention paid to him by high-profile celebrities. I was one of those people who trusted CNN and watched as they scared us, night after night, with the death count from COVID ticking upward, with no mention of who was getting hit the hardest. It just looked like everyone, everywhere was getting sick and dying.What sweet relief to hear RFK, Jr. confront Dana Bash on CNN about their willingness to pump fear into the veins of the unsuspecting public:And yet, as we found out by the Cup Foods surveillance recording, in areas the Democrats supposedly governed, like Minneapolis, the day George Floyd died, no one in that store, including him, who was still recovering from COVID, was wearing a mask. When I saw that, I realized just how small our bubble really was. Dr. Fauci knew he was a media-made star. He marvels at it throughout his diary, shaking his head at the attention paid to him but hanging on every word. But he had no immunity to this level of adulation and celebrity. This was a lot for a guy almost no one knew until he became a household name.Fauci and the BobbleheadsFauci's diaries throughout 2020 paint a picture of a seduction. Fauci the Hero was drawn in by those who projected their distrust and hatred of Trump onto him. The more he played that role, the higher his profile would rise. Of course, Hollywood would cast him that way. That's what they do. But it wasn't just Hollywood. It was all the most high-profile figures on CNN, ABC News, MSNBC, NPR, PBS and SNL. Fauci kept a healthy remove in the beginning. This wasn't his first rodeo, but he is only human after all. Trump was trying to open the country back up even in late March, instinctively knowing that in an election year, crashing the economy would be the end for him.And then, the press began to tie him to Trump:July 13, 2020:Fauci lapped up the praise with a mixture of astonishment and bemusement. Praise and adoration from Funny Girl and Pretty Woman would have gone to anyone's head.Or the painting and growing friendship with folk singer Joan Baez:A note to actor and chef Stanley Tucci promising to send cookbooks in January of 2021:Zoom calls with the best and the brightest in April of 2020:The press detailing just how beloved he was becoming in April of 2020:And of course, the bobbleheads:And somehow, Dr. Fauci even became a sex symbol.When you feel the warm embrace of the cultural elite, and you breathe that rarified air for the first time, it can be intoxicating. I've experienced a bit of it myself, but one thing you should never do is believe you are one of them, and by the end, that is what happened to Dr. Fauci. He was vulnerable because he was uncool.And of course, being routinely attacked by Trump the Villain, who was desperately trying to win re-election and could see very well what the media was doing by elevating Fauci the hero, only made Fauci more inclined to side with the side that would write his legacy. Fauci became the most important weapon against Donald Trump, as he redirected better solutions to help save kids from lockdowns, bring the economy back, and allow some common sense with masks and social distancing. Trump had to fail, and that's why Fauci became a superstar. Mass Formation PsychosisBy the time Biden took power, the entire Left was locked into “Mass Formation Psychosis,” per Mattias Desmet by way of Dr. Robert W. Malone: Fauci was trotted out to validate all of the bad policy pushed out by the Biden administration once they took power. Through it all, he maintained his tight connection to Joan Baez and Barbra Streisand, having dinner with them, advising them privately. Many were singing songs about him. Love for Fauci, trust in his word, became interchangeable with taking the vaccine. Fauci was the vaccine just as he was the science. No one would dare doubt him or question his advice. He was the leader of a cult by now and drunk on that power.But in casting his lot with the Trump “resistance,” he abandoned the other half of the country as most of our ruling elite did. But they are Americans and Fauci worked for them too. He betrayed their trust again and again and could not even be bothered to show them the respect of answering their questions. The truth would eventually come out. Dr. Jay Bhattacharya was brought back on X after having been shadow-banned for “disinformation” and is now the head of the CDC. We would finally find out that toddlers didn't need to be masked and most children did not need to be kept out of school, and Trump's efforts to open them back up that he was attacked for again and again were the right call. Why had we done that to them? How had we all gone along with it? This got much worse under Biden. It was as though the campaign to dump Trump turned into the new normal and everyone had to stand by the story.Here is Jeremy Boreing:The Fauci myth also propped up the legacy media so much so that even now, they have to link arms with the Democrats to defend him.For many Americans, the legacy media propped up the official story the Democrats needed to be true to take out a one-term president with a strong economy. But they built a high wall of protection that meant even when we finally knew the truth - that the vaccine did not stop the spread and masks offered minimal support - the legacy media would not tell the public the truth.My nephew flew in from Thailand to finally see all of us after a year of separation. He'd already contracted and survived COVID, so he was immune, but because he was not vaccinated, members of my family forbade him from visiting. I kept screaming, “He already got COVID! He doesn't need the vaccine!” But no. If Fauci didn't say it, if ABC, NBC, CBS, CNN, the New York Times didn't say it, they would not listen. You had to be vaccinated to enter restaurants, theaters, even family gatherings. Dr. Fauci knew the truth. He knew the vaccine was from a lab leak. He knew it might cause harm to some. He knew it was untested. He continued to push a one-size-fits-all solution, and anyone who didn't go along with it was treated like an enemy of the state. But for him, his legacy was already written, and nothing was going to take it from him.I lost three loved ones during COVID. One overdosed during lockdowns from loneliness. Another dropped dead suddenly of a heart attack in his early 50s. My uncle did not take the vaccine and died from COVID.It was never a one-size-fits-all solution to force everyone to inject an experimental drug, even if it saved the lives of many. It probably saved my life. But it should have been a choice, not a public pressure campaign that demanded all go along with it or they would be demonized as “anti-vaxxers.”People should have been told the truth about what it was and what it wasn't. That was Dr. Fauci's job, but at some point, he realized he had to push the party line because that is what got him into the club, over that high castle wall and in the presence of greatness. The two mirror events that depict the Two Americas could not be more stark, as now Dr. Fauci has been held in Contempt of Congress. Steve Bannon and Peter Navarro were not just held in contempt but thrown in jail over January 6th, the first time in over 50 years anyone was put in jail for the offense. It's unlikely Dr. Fauci will go to jail. Instead, he will go down in history as a hero because the more powerful side still writes that history, at least for now. Fauci might have been a real hero if he'd faced the committee and the people and simply answered the questions, no matter how difficult. That is what you do when you have nothing to hide. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe
Max Clayton stars in the hit musical Schmigadoon!, which won the Tony Award for Best Musical. Clayton, plays dashing Danny Bailey in the show. He was honored with the Chita Rivera Award along with Drama Desk and Outer Critics Circle Award nominations for his riveting and showstopping performance. His other stage credits include Chicago, The Music Man, Moulin Rouge! The Musical, Hello, Dolly!, Pretty Woman, Bandstand, Something Rotten!, On the Town, Gigi, A Chorus Line and more. On screen, he can be seen in Kiss of the Spider Woman, White Noise, and Dear Edward. Schmigadoon's original cast recording will be released on August 21 in partnership with Joy Machine Records and will include the entire Tony Award-winning score and orchestrations. This episode was recorded on July 22, 2026. Learn more about your ad choices. Visit megaphone.fm/adchoices
Join Amanda, Geoff, and Ben as we watch Twister. We give some background on the movie, rate it out of 5 stars and discuss what we thought! This week also features our top 4 natural disasters that we wouldn't want to be in. Thank you for listening! We'll be back next week to review Pretty Woman so be sure to watch along with us. Follow us on our social channels @you_havent_seen_that You can find every episode on Apple Podcasts and Spotify.
The Brothers discuss 1997's "The Jackal," which was maligned at the time but we found quite enjoyable. During which they discuss the Sidney Poitier, Kirstie Alley, and Tom Bergenger thriller "Shoot to Kill," authors David Morell and Stephen Hunter, Jack Black, and Pretty Woman. Housekeeping starts at 1:17:45 during which J introduces us to RunPee.com for your "best time to go to the restroom during a movie viewed in the theater, Christopher Nolan's "The Odyssey," the other adaptation of the Homer classic "O Brother, Where Art Thou," and a photoshoot with Father Anderson's car. File length 1:29:28 File Size 68.8 MB Theme by Jul Big Green via SongFinch Subscribe to us on Apple Podcasts Listen to us on Stitcher Like us on Facebook Follow us on Twitter Send your comments to show@notinacreepyway.com Visit the show website at Not In A Creepy Way
E Portrait vum Julia Roberts De Pit Biwer geet natierlech och op "Pretty Woman" an, a verréit, wéi dee Film an enger éischter Versioun vum Skript hätt sollen ophalen. Foto (c) AFP
Dana and Tom with 5x Club Members, Christine and Sarah Duncan, discuss The Princess Diaries for its 25th anniversary: directed by Garry Marshall, written by Gina Wendkos, cinematography by Karl Walter Lindenlaub, music by John Debney, editing by Bruce Green, starring Julie Andrews, Anne Hathaway, Hector Elizondo, and Mandy Moore.Plot Summary: The Princess Diaries follows Mia Thermopolis, an awkward San Francisco teenager who discovers she is heir to the throne of the fictional kingdom of Genovia. Her formal grandmother, Queen Clarisse Renaldi, arrives to mold Mia into a proper princess, testing the girl's confidence and sense of identity. Balancing royal expectations with ordinary teenage struggles—friendship, first crushes, and self-doubt—Mia gradually learns that true leadership stems from authenticity rather than appearance.Guests:Christine DuncanWife of Dana, Mother of Tom20x guestSarah DuncanSister of Tom, Daughter of Dana@thenomadicarchaeologist on IG12x guestChapters:00:00 Introduction, Cast, and Background for The Princess Diaries03:02 Welcome Back, Christine and Sarah Duncan!04:49 Our Relationship(s) with The Princess Diaries08:04 Coming of Age Movies for Girls13:14 How Does The Princess Diaries Compare to Pretty Woman?24:36 Plot Summary for The Princess Diaries26:05 Did You Know?28:39 First Break29:23 What's Happening with Christine and Sarah?35:28 Best Performance(s)50:22 Best Scene(s)01:00:00 Second Break01:00:35 In Memoriam01:01:39 Best Line(s)01:04:58 The Stanley Rubric - Legacy01:15:45 The Stanley Rubric - Impact/Significance01:22:39 The Stanley Rubric - Classicness01:34:24 The Stanley Rubric - Rewatchability01:37:16 The Stanley Rubric - Audience Score and Final Total01:38:57 Remaining Questions for The Princess Diaries01:46:35 Thank You to Chris and Sarah / Final Thoughts01:54:36 CreditsYou can also find this episode in full video on YouTube.You can now follow us on Instagram, Twitter, Bluesky, Threads, YouTube, or TikTok (@gmoatpodcast).For more on the episode, go to: https://www.ronnyduncanstudios.com/post/the-princess-diaries-2001-ft-christine-and-sarah-duncanFor the entire rankings list so far, go to: https://www.ronnyduncanstudios.com/post/greatest-movie-of-all-time-listKeywords:movie review, princess, fantasy, wish fulfillment, film analysis, The Princess Diaries, Anne Hathaway, Julie Andrews, coming-of-age film, 25th anniversary, movie discussion, film critique, Disney movies, teen movies, Disney princess movie, 2000s movies, movie, film, podcast, review, iconic scenes, analysis, discussionRonny Duncan Studios
Kicking off our I Love the 90s series, we rewind to 1990, when kids played GameBoy while parents watched Twin Peaks. Don and Dude drop the needle on one groundbreaking electronic album and one guitar driven rock release that set the tone for the decade to come, connecting both records to a world of slap bracelets, Pretty Woman at the box office and cassette mixtapes traded on school buses.The AlbumsEnigma – MCMXC a.D. (1990)Romanian German producer Michael Cretu built this project in Ibiza as an anonymous, continuous listening experience, weaving Gregorian chant samples, hip hop drum programming, whispered French vocals and ambient synth textures into one sensual, spiritual song cycle with Sandra Cretu and Frank Peterson. Anchored by the global hit "Sadeness," the album moved from a spoken, meditative opening through guilt, confession and a soulful, Ganges inspired close, proving electronic music could work as a full album statement rather than a string of club singles.Extreme – Extreme II: Pornograffitti (1990)Boston band Extreme, led by guitarist Nuno Bettencourt and singer Gary Cherone, opened their second album with the nearly seven minute funk metal statement "Decadence Dance" before moving through horn driven grooves like "Get the Funk Out" and socially pointed rockers into two stripped down acoustic songs, "More Than Words" and "Hole Hearted," that became the record's biggest hits. Produced by Michael Wagener, Pornograffitti (subtitled A Funked Up Fairy Tale) fused glam era hooks with funk, blues and progressive touches, turning themes of excess, money and empty relationships into a genre jumping 1990 snapshot of rock just before the grunge shift.Diggin AlbumsAnthrax – Cursum Perficio (2026):Thrash pioneers Anthrax return with their first album since 2016's For All Kings, pairing classic crushing riffs and sharp rhythms with career spanning, socially aware songwriting.Alice in Chains – Facelift (1990):Alice in Chains' debut introduced the Seattle band's heavier, more metallic strain of grunge through Jerry Cantrell's crushing riffs and his eerie vocal interplay with Layne Staley.Jacqui Hunt – Desiderium (2026):Single Gun Theory and Delerium veteran Jacqui Hunt blends electronic textures, piano and voice with husband Brian Conolly into a reflective meditation on grief and distance.The New Pornographers – The Former Site Of (2026):The Canadian indie rock collective's tenth album, led by A.C. Newman alongside Neko Case and Kathryn Calder, tells short story style songs about people pushed to emotional and societal extremes.Follow & Support Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back."I'm funny how, I mean funny like I'm a clown, I amuse you?" - Tommy DeVito (Joe Pesci), Goodfellas (1990)
Timestamps:Intro: 00:00:00How to make a killing: 00:02:00Scary Movie: 00:13:30Obsession: 00:26:15Backrooms: 00:58:20Pretty Woman: 01:17:40Unsere Links: Insta All out Film: https://www.instagram.com/alloutfilmLetterboxd Tobi: https://letterboxd.com/Toobii/Letterboxd Fabi: https://letterboxd.com/fabi211/Letterboxd Henry: https://letterboxd.com/henry_18/Letterboxd Louis: https://letterboxd.com/louis_einck18/Youtube: https://www.youtube.com/channel/UCOBzAmsInEs70LV3xgBTIcw
Join us as Ocean House owner and award-winning author Deborah Goodrich Royce has a conversation with New York Times Bestselling author Annabel Monaghan about her new book, Dolly All The Time Author Bio: Annabel is the New York Times bestselling and Library Reads Hall of Fame author of Dolly All The Time, It's A Love Story, Summer Romance, Same Time Next Summer and Nora Goes Off Script, published by G.P. Putnam's Sons. She is also the author of two novels for young adults, A Girl Named Digit and Double Digit, as well as Does This Volvo Make My Butt Look Big?, a collection of essays based on her column that appeared on the Huffington Post, The Week and The Rye Record. She has a BA in English from Duke University and an MBA in Finance from The Wharton School at The University of Pennsylvania. She hosts an author series called Friends with Words and spent several years on the novel writing faculty at The Writing Institute at Sarah Lawrence College. She lives in Florida and Connecticut with her family. Her novels have been translated into 23 languages. Book Summary: A romance about a single mother who's offered a Pretty Woman-type deal that's too good to refuse. If they begin by pretending, can they end with something real? Dolly Brick has never met a problem she couldn't solve. Not when her mom left when she was twelve, and not at thirty-nine when she moves with her son back to Wickford, Rhode Island for the summer to keep her dad and brother from losing the family home. So when she comes across Stewart Wickford—annoyingly handsome scion of the Wickford family—with a flat tire and at the wrong end of a very public, very humiliating breakup, it's in her nature to help. But Stewart's proposed arrangement ends up being more than either of them bargained for, because as public dinners and high society benefits turn into sunset boat rides and swinging on the porch, Dolly starts to feel something more than helpful. She's never relied on anyone besides herself, can she really start now? For more information about Katherine Center, visit AnnabelMonaghan.com, and for more on Deborah Goodrich Royce and her new release, Best Boy, along with information about the Ocean House Author Series, visit deborahgoodrichroyce.com
In this episode, Dave, Chris, Khrysti, and Matt discuss the 1990 beloved film, "Pretty Woman."
This week: Edward and Wes preview one of the most important matches in Team England history. News and Notes has the story of love between Lawrence and Algeria, and the W4tch has a Pretty Woman.Email: allnewsportsshow@gmail.com
We would love to hear from you. Send us your thoughts or suggestions. The Love Heist had every reason to be skippable. Then Lyndsy Fonseca and Peter Porte showed up and made it one of the most fun Hallmark movies of the year. Eric went in expecting a mess and walked out calling it a top-three of 2026.In this episode, we cover:• Why Lyndsy Fonseca might be Hallmark's best comedic actress working right now, and how The Love Heist proves it• What Peter Porte brings to the screen that makes the lead chemistry feel rare for this network• The specific zingers, Pretty Woman nods, and Ferris Bueller callbacks that actually made us laugh out loud• What the budget couldn't hide: the one green screen scene that pulled us right out of the movie• Andrea's two monks story and how it maps directly onto the emotional choices this movie makes• Our watch-alike picks: Murder She Wrote's fashion episode, Crimes of Fashion, and the Christmas CharadeChapters:0:00 - Intro and Eric's Brennan Elliott Recording Disaster4:30 - Hallmark Plus Is Cutting Murdoch Mysteries Episodes9:30 - Current Mystery Watchlist: Brokenwood, Grantchester and Acorn13:00 - The Love Heist: Our Ratings and First Impressions17:30 - Lyndsy Fonseca and Peter Porte: The Chemistry That Makes This Work21:00 - What Didn't Work: The Green Screen and Budget Reality23:30 - Standout Scenes: Zingers, Remain Calm and the Two Monks27:00 - The Romance: Soft, Flirty and Actually Convincing29:00 - Watch-Alikes: Murder She Wrote, Crimes of Fashion and More31:00 - Trivia, Christmas in July Preview and What's NextWere you as surprised by The Love Heist as we were? Drop your rating in the comments below.New episodes every week. Subscribe so you never miss a Hallmark deep dive.
ayooo netflix book club number 293 is Pretty Woman! join the usual suspects @dennisrooney7 and @_miketoohey as they chop up this 90s boberts vehicle. follow da pod on instagram @netflixbookclubpodcast!
Für diese Folge beamen wir uns mal wieder zurück in die frühen Neunziger. Im Kino läuft „Pretty Woman“ und im Radio „Listen to your heart“ von Roxette. Alles also ziemlich emotional hier. Nur nicht draußen auf dem Parkplatz. Besonders die Kleinwagen sehen ziemlich gleich aus. Doch dann kommt im Herbst 1990 einer, der wirklich Gefühle weckt. Ein Designer-Kleinwagen, rund und bunt wie ein Osterei. Und dann hat er auch noch dieses riesige Faltdach, das ihn zum Cabrio-Limousinchen nach Vorbild der Ente macht. Jetzt wisst ihr's natürlich, gemeint ist der Mazda 121 der Baureihe DB. Lange nicht gesehen, oder? Müsste man so einen nicht wegstellen – sofern es noch einen in gutem Zustand gibt? Auf ihr Herz hören diesmal Frank Otero Molanes, Jens Seltrecht und Lukas Hambrecht.Executive Producer: Christoph Falke & Ruben Schulze-FröhlichProjektleitung: Lukas HambrechtSounddesign & Produktion: Fabian SchäfflerMarketing und Ansprechpartner: Bastian SchonauerCopyrights Cover: www.oldtimer-markt.de Hosted on Acast. See acast.com/privacy for more information.
Chris "Big Mac" McMonigle breaks down his upcoming summer vacation plans, which sparks Craig to recall the time they almost opened the "Boomer and Carton Grill". Craig explains how a casual trip with his crew turned into a Pretty Woman shopping spree after a casino executive exposed his hidden high-roller status.
Twist n' Shout is a 1960s and 70s pop/hits music podcast. Please check out these great party hits from the 1960s. Enjoy. Artist names and song titles are in order of play...THE MONKEES-I'M A BELIEVER (1967), THE BEACH BOYS-SURFIN' USA (1963), CHUBBY CHECKERS-LET'S TWIST AGAIN (1961), RAY CHARLES-HIT THE ROAD JACK (1961), ELVIS PRESLEY-JAILHOUSE ROCK (1957), JAMES BROWN-GET UP (1970), ERIC CLAPTON-COCAINE (1977), CREEDENCE CLEARWATER REVIVAL-DOWN ON THE CORNER (1969), CREEDENCE CLEARWATER REVIVAL-HAVE YOU EVER SEEN THE RAIN (1970), FRANKIE VALLI & THE 4 SEASONS-CAN'T TAKE MY EYES OFF OF YOU (1967), ELVIS PRESLEY-STUCK ON YOU (1960), THE DOORS-ROADHOUSE BLUES (1970), CREEDENCE CLEARWATER REVIVAL-FORTUNATE SON (1969), JAMES BROWN-PAPA'S GOT A BRAND NEW BAG (1965), ROY ORBISON-OH' PRETTY WOMAN (1964), THE DOORS-GLORIA (1983), STEPPENWOLF-BORN TO BE WILD (1968), THE ROLLING STONES-CAN'T GET NO SATISFACTION (1965). End. Thanks for listening to Ken Steele Music.
The Jackson Burkett coaching tree. Darren Pang, Rich Gould, and Robert Thomas are going to join the program today. Cards lose. Carolina takes Game 5 of the Stanley Cup Final. Lillith Khan. People stuck in the air at Six Flags. The apology department. Old man noises. Iggy's 72 day hat marathon. People actually listen to this show. Plowsy's weight and the mile run.McGreevy has two songs about him. Texters holding the 2Fox accountable. Water breaks in the World Cup. Breakfast update from Toronto. Airport grievances. Cards going with Dobbins and the six man rotation. Gorman already has more career strikeouts than Tony Gwynn. Montreal Expos and Olympic Stadium. Steve is on the line and wants to talk Nolan Gorman.Joined by the great Darren Pang. We miss Panger in St. Louis. Panger misses Doug, but not Martin. Martin's roast of Panger. The 7 year anniversary of the Blues winning the Stanley Cup. What's Panger's most vivid memory of that night? Ope, we lost Panger. He's back. The Blues did a great job on including everyone. Berube's pre-game speech. COVID ruined the Blues chance to repeat. Bruce Cassidy getting fired just before the playoffs. Great SCF thus far. Golf questions coming in for Panger. His son's pig. Games that flew under the radar during the Cup run. Wayne Gretzky changing Panger's golf game.Pretty Woman. USMNT kicks off in The World Cup tonight. Only 8 countries have won the World Cup. Getting iced. Doug with deportation questions. Buzz Balls. Doug's never had a cigarette. Energy drinks. Audio of Stephen A. Smith chastising Knicks fans for their behavior. Doug wants people to behave themselves.Look, Doug, it's Uncle Rich. Rich Gould joins us. Iggy the angry Easter bunny. Rich came with gifts for Doug's grandson. There's A Snake Down There. You're never too young to learn things. We need to get him on a book tour. Rich has some more books in the holster ready to go. What keeps Rich busy these days? Rich hasn't had a cigarette either. Travel ball out the womb. Chairman's down on The Little League World Series. Fire in the hole. The story of Rich not wanting to work Fridays.Rich isn't watching much Cardinal baseball. Calling Cardinal games 98-06. Giving hitting advice to Delino Deshields. Riding in a cab with Ron Gant. Rich wants to make country music. He hasn't heard Navy Caps on the Road. Doug teaches Rich AI. Too injured to play golf. Roller Derby.Uncle Rich gets to hear Navy Caps on the Road for the first time. And he loves it! Little kids and Nick Siriani love his book. Teachers love guest speaker day. The genesis of Angry Iggy & The Fan Show. Rich is in the Missouri Sports Hall of Fame. Rich taught Rush Limbaugh everything he knew about television.Mike & The Mechanics. NBA Final and Stanley Cup Finals games this weekend.Drops of the Week & Design Aire Heating & Cooling EMOTDJoined by Robert Thomas to talk about the 7 year anniversary of the Blues winning The Cup. Feels like he's figuring some things out in his golf fame. Spending more time in St. Louis this summer. Winning The Cup at the age of 19. The confidence that team had that year. Chief's famous speech before Game 7. Feeling good about the team that's coming back for next year. Watching this year's NHL playoffs.Robby Thomas big Jackson guy apparently. So What'd Your Grandma Think featuring Torts.And the winner of the Design Aire Heating & Cooling EMOTD is...See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
(00:00-22:12) Pretty Woman. USMNT kicks off in The World Cup tonight. Only 8 countries have won the World Cup. Getting iced. Doug with deportation questions. Buzz Balls. Doug's never had a cigarette. Energy drinks. Audio of Stephen A. Smith chastising Knicks fans for their behavior. Doug wants people to behave themselves.(22:20-39:46) Look, Doug, it's Uncle Rich. Rich Gould joins us. Iggy the angry Easter bunny. Rich came with gifts for Doug's grandson. There's A Snake Down There. You're never too young to learn things. We need to get him on a book tour. Rich has some more books in the holster ready to go. What keeps Rich busy these days? Rich hasn't had a cigarette either. Travel ball out the womb. Chairman's down on The Little League World Series. Fire in the hole. The story of Rich not wanting to work Fridays.(39:56-1:00:19) Rich isn't watching much Cardinal baseball. Calling Cardinal games 98-06. Giving hitting advice to Delino Deshields. Riding in a cab with Ron Gant. Rich wants to make country music. He hasn't heard Navy Caps on the Road. Doug teaches Rich AI. Too injured to play golf. Roller Derby.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Welcome to “How have we not done this yet?!” month. Kicking it off with (yes really!) Pretty Woman. A little movie you may have heard of that only kind of shaped the rom com genre as we know it…. (it's a really good fun discussion, join us!) Join our Patreon: patreon.com/chartsandheartsclub
This week, Kate and Christina are getting a little too comfortable with podcasting, reliving the trauma of their youth, discussing the intersection of food and purpose, and judging books by their covers while also getting mad about people doing that to them.
The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: Which director directed Independence Day? Question 2: Which animal would you associate with the American Airlines logo? Question 3: Which three gods make up the Hindu Trimurti? Question 4: Which actor played the role of Robin Hood in The Adventures of Robin Hood? Question 5: What is the plot of the movie The Sting? Question 6: Which philosopher famously said 'We are what we repeatedly do. Excellence, then, is not an act, but a habit'? Question 7: Which country is the home country of Ban Ki-moon, secretary-general of the United Nations between 2007 and 2016? Question 8: Which actress has featured in films including Ocean's Eleven and Pretty Woman? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices
Staci Miller, founder of Gen UX Consulting, shares her winding path from fashion design and psychology to human factors engineering in MedTech. Staci explains what human factors is—through stories from World War II aviation and modern healthcare—and why the FDA now mandates usability work to reduce catastrophic use errors. She breaks down formative versus summative/validation studies, the role of risk documentation (URRA/UFMEA), and why founders should think about usability as early as they think about risk. Staci also opens up about the challenge of starting a second business after losing her first in 2008, how she built Gen UX from $0, and the leadership lessons behind year-over-year growth. Guest links: https://www.genuxconsulting.com/ | https://www.linkedin.com/company/gen-ux-consulting/ Charity supported: Feeding America Interested in being a guest on the show or have feedback to share? Email us at theleadingdifference@velentium.com. PRODUCTION CREDITS Host & Editor: Lindsey Dinneen Producer: Velentium Medical EPISODE TRANSCRIPT Episode 081 - Staci Miller [00:00:00] Lindsey Dinneen: Hi, I'm Lindsey and I'm talking with MedTech industry leaders on how they change lives for a better world. [00:00:09] Diane Bouis: The inventions and technologies are fascinating and so are the people who work with them. [00:00:15] Frank Jaskulke: There was a period of time where I realized, fundamentally, my job was to go hang out with really smart people that are saving lives and then do work that would help them save more lives. [00:00:28] Diane Bouis: I got into the business to save lives and it is incredibly motivating to work with people who are in that same business, saving or improving lives. [00:00:38] Duane Mancini: What better industry than where I get to wake up every day and just save people's lives. [00:00:42] Lindsey Dinneen: These are extraordinary people doing extraordinary work, and this is The Leading Difference. Hello, and welcome back to another episode of The Leading Difference podcast. I'm your host, Lindsey, and today I'm delighted to welcome as my guest, Staci Miller. Staci is the founder at Gen UX Consulting. Her expertise is in applying user-focused research to develop innovative solutions, and it's essential to the growth of any technology organization. As a detail-oriented and tenacious executive in human factors engineering and UX design, she has a proven record of elevating the end user experience and achieving targeted client outcomes. She has created innovative medtech and big tech solutions through a comprehensive user-centered development process, leveraging artificial intelligence and industry agnostic design tools to optimize products and services. In her current role with Gen UX, she's a key leader facilitating strategic company growth plans and service offerings while managing the capacity and workflow of the UX HF design team. Well, Staci, welcome to the show. I'm so excited to talk with you today. [00:01:49] Staci Miller: Me too. I've been looking forward to it all week, so I'm very excited to be here. And I don't know what the day has in store. I, I know that there was like a, a, a kit that you sent out and I didn't read it on purpose, so everything's gonna be organic. [00:02:03] Lindsey Dinneen: Perfect. Those are my favorite conversations anyway, so I'll take it and run. Some people I know really love to have the questions ahead of time, and others are just like, "Yeah, I don't want to know. I'm just gonna go off the cuff. Here we go." So, brilliant. All right, well, let's start, if you don't mind, by sharing a little bit about yourself, your background, and what led you to medtech. [00:02:24] Staci Miller: That is, those are my favorite questions. So, I have a background in fashion design, psychology. I spent most of my classes in cognitive psych, but it wasn't like a difference of degree, it was just psychology. And then I have a master's degree in human factors and ergonomics. So I went the psychology route and the design route. That's kind of my background. So when I graduated my master's degree, through my master's program, I was able to intern for both years and one was in tech, big tech. I interviewed and landed a, great one year long internship at Samsung, which was actually supposed to be just three months, and I stayed there for a full year. So they kept me through my whole, my whole semester, which is something they don't normally do, which was really fun. I mostly just said, "Hey, can I stay here for the year?" And they're like, "Great, no problem. Sure. We'll figure it out like that seems like a good option. We like you, you like us. Cool. We'll do that." And my second internship was in medical device at a company called Interface and Analysis. My, that was actually my internship. My second one was at Samsung, so I got to really look in like I, I guess you got the curtain. If you think about Wonderland and Oz and the curtain and being able to pull back the curtain between both industries, what did I like better? I ended up liking medical better, mostly because the research was more structured and not necessarily conversations about, "Yeah, so how do you feel about that? Did you like it?" Like to me, that's not really. What I would consider the best opportunity to gain data. Data to me, like there has to be like a clear objective as to what you're doing, the whys behind it, and what do you wanna learn. And I found that in, when I worked with engineers in medtech, they definitely had things that they wanted to learn, whereas in tech, they just had so much money. They were like, "Yeah, let's just see what people think about this." And I'm. Okay. And then when I would be really structured and I was working with people who didn't have backgrounds in research, had very strong, very good backgrounds in design, like legitimately awesome, they were leading the research and they were missing the boat. So the narratives started to be focused on the N of one. This one person said this really interesting thing, so let's base our whole design off of what they said. And I'm like, "Dude, wait a second. Wait a second. All of them said this thing about the design though, and like we have four or five data points about when you ask this question." They're like, "Yeah, but that's not interesting." And I was like, "Okay, keep my mouth shut. I got it. Move on." Like from that moment forward, I, it wasn't like "Staci, don't talk, it was more like this is how we design based on the narratives that we've learned how to, how to research on." And so it wasn't as I would say-- it wasn't considering the actual 360 view of the user. It was considering the really cool thing that happened this one time that was like totally an outlier. And it happened consistently when I was working in big tech. So I was like, uh, medtech, probably more my speed. And then my first job was at Abbott. [00:05:39] Lindsey Dinneen: Nice. [00:05:40] Staci Miller: And I ended up there. Yeah, [00:05:41] Lindsey Dinneen: Okay, great. Well. [00:05:42] Staci Miller: Cool. [00:05:43] Lindsey Dinneen: Lots of questions based on this incredible background. I want to go back a little bit. So fashion design, was this something that you grew up thinking, "Oh, this is what I wanna do and be okay?" Right. All right, so... [00:05:57] Staci Miller: it's all I ever wanted and I did that. So... [00:06:00] Lindsey Dinneen: Yeah. [00:06:02] Staci Miller: That's a, that's a great question. I think that my interest in fashion peaked around when I was 12 years old and during the time, Cindy Crawford and Naomi Campbell, and I was so fascinated by how beautiful these women were. And, and fashion was a thing in the nineties. There was like a lot of Dolce and Gabana around, and I loved it. And I couldn't wait to get my new print of Vogue every, every season. I loved Harper's Bizarre, and I would just pull pictures out of these models and what they were wearing. And then I would start you know, freehanding stuff and things like that. And I think a lot of people do that when they're really interested in clothing and things like that. And if you really think about it, fashion is art that people wear. So I was very attracted to that part of it. And it's all I wanted to do. So after high school, I went to FIDM and studied fashion design. And right outta FIDM, I started my first company in fashion design, and I was a clothing manufacturer, and we had 500 open doors in the United States and in Canada, and I was hoping to expand, but unfortunately 2008 hit and they hit it hard and fast and I lost most of my managing capital in the year that I think was my tipping point. So it was the, the year that I finally got a lot of traction and had a lot of repeat business and a lot of new business as well. And a lot of those new businesses just refused orders. Just from the east coast to the west, and it was just tons of money out that wasn't gonna come in. So there was really no way to, make that work after that, like I lost literally all the money I had in my business in like the span of, I would say three, four weeks. It was just mortifyingly scary. But I was young and people who are young are resilient and they move on and they find a new dream. And it took me a minute, like I didn't really know what the french toast I was gonna do. And I was like, well, I was still planning on staying in fashion and long, short, I was offered a job to do and run production for a one, a different company. So make sure that their goods were produced on time. Deal with the, the timing of all the orders, making sure the product line. So it was basically operations for manufacturing. And I was super excited about the job and I moved back to my parents' house at the time because things were just that tight financially for me. My parents were like, "Yeah, just, you know, come back, we'll figure it out." And I remember saying to my mom and dad, I'm like, "If this job falls through, do you mind if I just go back to school and stay here?" And they both started to laugh at me like, "Your job is fine, but if the sure why, why not?" And they, they thought it was crazy. And then I ended up back in school. So, they were like, "Whoa, that was really insane," 'cause that was in the end of 2008, starting 2009. And so the company rescinded their offer and they were really like, so sad about it, but they went to a market to sell their clothes and they got zero orders that year or something like close to that. So it was just, it was just a really intense time in the fashion industry and I was looking for jobs and I wasn't getting anywhere. So I only had an AA, and at the time that really didn't matter, but I went back to school and I'm like, "If I'm going back to school this late in age, I'm getting a master's degree." I had no idea what I was gonna get a master's degree in. I was like. I like clothes and design. We'll figure it out from there like that. And I was like, "Well, maybe I'll be..." this is crazy. But I was thinking about being a lawyer, like a property law lawyer. So, because when you are a designer in clothing, people can just knock you off. And you've seen that happen like pretty much everywhere. And people can just take advantage of your intellectual property and never pay you for it if they change enough of it. And so I was like, "You know, this would be something I'd probably be good at." So I went back to school thinking I was gonna go into that type of law. I took psychology courses and I took philosophy courses. And philosophy courses really do lean you, get you thinking very specifically about law. That's what philosophy was basically geared towards anyways. And you take these psychology courses and they're about people and how people process information, how people behave based on their behavior and things like that. So I thought the combination would be really good. Well, I ended up not liking, I did like philosophy, but philosophy's "let's think about thinking about it." And psychology is-- which is great. It's great, but psychology is like more applicable when you're interacting with others. And I found it super fascinating. And then I got really into like cognitive psychology and I'm like, "What the french toast am I gonna do with this? I can't do anything with cognitive psychology. Like I need to make money. I'm a grownup. This isn't ah, I'm gonna study underwater basket weaving and come out and go work in communications at Fox." Like I had to have an actual plan. So in my college at the time, there were these classes and they were like introductory to what you can do with your degrees. And that's literally where I found human factors. And there weren't very many schools that did it, but I was taking most of my classes at that point in cognitive psychology, which is how people process information, not their feeling based stuff. Like I didn't wanna have conversations with people about their feelings. Get that off of me. Like that's not, that's not my jam. I'm like, "Sorry, you're sad, but I'm not sad and I don't wanna be sad, so I'm gonna keep, keep going." And I'm like, "How am I gonna work this into my, you know, I love design, I wanna keep that in my background, and how am I gonna, what am I gonna do?" And so the study of human factors really is the intersection of design and research, and how people interact with said products based on the design. And you get to research that. And I'm like, "Sold. Good. I'm, I can do this. This is like this, I didn't even know this thing existed." This is crazy good. And I never looked back. [00:11:49] Lindsey Dinneen: Yeah. [00:11:50] Staci Miller: I got into a master's program the next year. I, and because I was in that specific program in San Jose State, that's why it was so easy for me to work for Samsung because it was in my backyard. And that's why it was easy for me to work for Interface Analysis because Tony was the owner of that company. Tony, he was my professor. So he just was like hiring people and I, I answered his response and I was like, "Hey, I, I'm looking for something." Do you like, he didn't say it was his company. He said, "I have a friend looking" and I'm, you know, like when I know I need to make some money, I'm gonna try to hustle up and make some money. So I'm like, "Hey, I'm open to that." He's like, "Why don't you come by my office and we'll talk?" And I was like, "That's weird." He said It was for some other, I'm like, "Sure, no problem." So I go to his office and he offered me an internship right then and there 'cause it was for me. "I just wanted to see who would respond," 'cause you are the only person that responded. I'm like, "Guess you're gonna hire me then." [00:12:37] Lindsey Dinneen: Amazing. All right. That's great. Thank you so much for that background. And it is so interesting how sometimes our paths are very, very windy to get to where we end up being and we Yeah, exactly. What, what ends up being a really good fit. But, so can you explain a little bit more about human factors, especially, maybe to help folks who have maybe some misconceptions or don't fully understand what it is just in general, but then also relate it specifically to medtech and why it's so important within the medtech industry? [00:13:11] Staci Miller: I can give you a story that probably would do both. So human factors was, was actually founded pretty recently in our timeline of psychology and understanding people. In World War II, there were a whole bunch of fighter pilots ejecting themselves from planes that caused, even in World War II, millions of dollars to produce and nobody could figure out what the problem was. They checked the planes. The planes were operating correctly. They did psychology, like psychological backgrounds on the people who are fighter pilots. I mean, they have to, to get into the military and to fly those planes, you have to be pretty good under pressure. They interviewed them, they were fine. They didn't have any breakdown of stress, and it wasn't happening on a small scale. This was happening on quite a large scale. So they, again, they went, they're like, "Okay, okay." Well, the military went back and " Well, it has to be the plane." So they looked through the plane, wasn't the plane, talk to the people, wasn't the people. So then the psychologist started to ask questions. They're like, "Well, if you're saying that it's not the person's emotional state and you're saying it's not the plane, well then what happened? Something had to happen. Something changed. What changed?" It turned out that the engineers had moved the throttle button with the ejection button in the planes. [00:14:31] Lindsey Dinneen: Oh. [00:14:31] Staci Miller: So the pilots were originally trained to hit the throttle button on the certain side that the throttle button was in the cockpit. So instead of hitting the throttle, because that was their original training, they hit the ejection button. So they ejected themselves out of the planes, which is why human factors was born. Those little changes that people don't understand about human beings. So when we learn something for the first time, because like even if you think about being a kid or being a baby, or learning a really tough lesson, right? You remember that lesson. And so what happens is that's your default setting. "This is the lesson I've learned. This is how I react." Now for that lesson, it doesn't matter if it's like an emotional exchange or if it's a physical one. So because they were taught where the, the pilots were taught specifically where the throttle was in the first place when they were under attack and they were in a high cognitive loaded space, they went back to their original training. [00:15:30] Lindsey Dinneen: Mm-hmm. [00:15:32] Staci Miller: And then the engineers were like, "Well, we told them. We told them." So, so, because they didn't wanna take the blame, right? Nobody wanted to take the blame ruining millions of dollars of planes. So this same type of thing happens in the medical industry. I mean, you can see it pretty easily, right? So you're trained on System X. There's an update, a 510K release to it. The system works differently. Errors are made, people are hurt. [00:15:57] Lindsey Dinneen: Mm-hmm. [00:15:58] Staci Miller: That's how it translates to medical. So aviation was a really big part of human factors and it still is to this day. Like NASA used to hire quite a few of my classmates. And I know that Boeing and a lot of those other, even BMW hire people that do what I do for a living and test the responses during drive time. And if you think about it, if you look at a Tesla versus a BMW, those are very different driving experiences. Like I had to relearn how to drive a Tesla, right? And like it has a one pedal situation. So now when I get into regular cars, I'm like, "Wait, what? What am I doing? What? What kind of car is this? Like how do I drive this thing again?" I know that sounds silly, but it, it's true 'cause you kind of just get used to the thing that you have. And that's exactly why human factors is prevalent in medical device or in aviation or in, you know, like any kind of like navigation systems. The reason the FDA mandated it is because a lot of products were coming to market and there was a very large influx of critical catastrophic errors in hospitals. People were suffering consequences of bad interfaces or lack of instructions on products. I know that there were a lot of intravenous medications given that weren't supposed to be IV medications in like in certain-- yes, you're supposed to inject it, but not. Intravenously and those charged caused people to perish. So that's when the FDA stepped in and said, "Okay, we were asking you as a favor to do these usability studies, but now officially they're part of your risk requirements and they're part of your requirements to get to market." And I think that happened about the time I graduated grad school, around that time. So about 15, 16 years ago. [00:17:50] Lindsey Dinneen: Okay. Yeah. Well that's a fascinating story, and I'm sorry that that is the impetus for the results that we have today, but also how incredible that that is something that's being prioritized and mandated now. And I'm wondering too, when a startup company is developing their technology, how soon should they be thinking about human factors, usability, UX/UI. [00:18:17] Staci Miller: As fast as they're thinking about risk. if you're already thinking about risk at phase zero, that's when you should be thinking about usability and UI and interactions based on user processes, because that's when this kind of conversation really needs to start with regulatory, with your team, with the engineers. So even if you don't have a human factors engineer on staff, like you can find a company that can give you like some fractional support, just, you know, to talk to and to understand what their, what, what their responsibilities are, and what their requirements are to get to market. I have found that a lot of founders don't think that it's a requirement. And I, and I'm really not sure why, but that's been happening a lot lately. [00:18:59] Lindsey Dinneen: Yeah. So because it's a requirement, because you should be thinking about it from the get go, what are some things that you've seen work really well in terms of, putting together this kind of this testing and whatnot versus things that might seem like they could work. Like perhaps somebody feels that they could maybe do some of this testing themselves. You know, just, just things that maybe people who aren't really familiar with all the regulations would perhaps do, and that could cause problems down the road. [00:19:32] Staci Miller: So there's a, these are all really great questions and let's, let's unpack the idea of research, right? So some people think that research is finding out if somebody is happy about a product and would use it, like product market fit, right? Some people do marketing for that, and I can, that's the type of research that is not technically human factors, but it is something that Gen UX can do, right? So it's just research. I, I call it like insert white meat or insert protein. We can do the research, right? So when it comes down to it, there's, I would say that research is split into two buckets, which is UX/UI, which is very popular and people understand that, which is a formative in the FDA guidance and then validation slash summative. So the validation studies are very clean cut. So I'll explain those first. And they are to validate that the user can use the system in its environments safely. So the alpha for that is the user is successful at using this product and the uses, uses and use environments correctly and safely. And this is all based on your risk documentation from your URRA or your UFMEA. Some people use ADFMEA, which is based on design, and I suggest that they don't use that because that focuses more on the system than it does on the user. And the FDA has really cracked down on that. So if you are a founder and you think you can get just one system, ADFMEA, you are probably already starting off on the wrong foot. Make sure you have your own usability. Because human factors work really focuses on two things in the medical industry. One, it focuses on helping develop the device while breaking down risks. So if you have mitigations and your system's designed a certain way to avoid a risk, that's very important, and that's really also usability testing. And I can explain this in two ways. I've worked at Meta, I've worked at Samsung, I've worked at a lot of different big tech companies, and I've worked at a lot of medtech companies. So I think that people think that human factors is different than user research, and they're right. Human factors is much harder than user research. And you really actually need a background in research methods and an understanding of how the application of research works. Formatives can be used for two reasons. One, to support the need of the product in use and to check how people are actually using the system in real life. So sometimes people are really good at thinking-- so engineers are amazing at building systems, right? I can't do what they can do. I'm not gonna pretend like I can. What I can do is help them build it for their end user, because a lot of the times engineers think very differently than the average human being. They're much more educated. Schooling for engineering is extremely difficult. A lot of it's mathematical computations, understanding actual physical properties of things in their environments and how that they work, right? So those are the things that engineers think about all day long. That's fine. I think about the user all day long. So you can create a system that an engineer thinks that is fine, but then the user is " I don't really know how to use this. What are you talking about?" Right? And so that's what user research informatives avoid. They avoid, they break down risk and they are able to help form the product. So those, those user research studies, like before, let's say phase zero to phase four in a market cycle, if phase five is market release, are for those things. And then as you get later in the cycle, you wanna do more rigid research, that's really breaking down the risk and really focusing on the user interactions within the system and med device. And making sure that they're assessing the risk based on your user, but they're very specific to the user interactions that are critical tasks and higher. Or things that lead up to the critical test and come away. So like you have to be able to do the steps before, do the thing that's really hard to do, that could hurt somebody and then make sure coming away from them you don't cause any harm either. That's the best way to look at these types of tests. And we do the exact same thing in validation for systems. So, in software you test to see if the software can do the thing that it's supposed to do. When you check that box, the software does the thing and it did it, and we're good to go. You do the same thing with mechanical engineering. The system has this, this range of motion here and this range of motion here, and it doesn't deviate from plus X to plus Y and therefore the system does what it's supposed to say. So you're verifying and validating that the system does what the system is planned to do. It's really no different in users, it's just that you're dealing with human beings and it's not, it doesn't work the same way, right? Because like people are variables no matter what. And that was really long worded. So there's like tons of different research to do, but if you don't do your summative and you don't do your risk documentation, you're not getting to, you're not gonna get to market approval. Just, there's no way. [00:24:34] Lindsey Dinneen: Yeah. Thank you. Yeah, that is incredibly helpful insight. And you know, so I wanna go back to, you had this company before, right? So you had already built a business and it was thriving, and then unfortunately life intervened a little bit. When you went to start Gen UX, did you have moments... [00:24:57] Staci Miller: Of PTSD? [00:24:58] Lindsey Dinneen: Of, yeah. [00:25:01] Staci Miller: Yes. [00:25:01] Lindsey Dinneen: Yeah. [00:25:02] Staci Miller: Yeah. I had major PTSD. Like I, so the concept of Gen UX was a play on words like, so I'm a Gen Xer, no biggie, but like I think that every Gen Xers, millennials, I feel like both of our generations very much identify with our generation. And I thought it would be kind of a fun play on words to identify to people that are also Gen Xers that, yeah, we do UX work and we're Gen UX, as a Generation X, like it was very important, right? So I kind of came up with that idea, thought it was cute. But at the time I was working for Meta, and Meta had been doing quite a bit of layoffs at the time. Nothing wrong with that, that happens with every company. But I have survived in Medtronic and Abbott and all these other companies. I had survived so many rounds of layoffs. I'm like, "One day my number is gonna be, it's just, it's just gonna happen." So, we started at Meta internally, really like they, they were very open and honest with people. They're like, "This is when this is gonna happen. We are gonna lay off more people. This is when this round is gonna happen. We're gonna lay off more people, and then this is the final round and this is when we're gonna lay off these people." So each of our groups of things like, so it was like engineers, lawyers, researchers. Like we, we had timelines that we knew if, if it was gonna happen, this is when it was gonna happen, this would be the day. [00:26:17] Lindsey Dinneen: Yeah. [00:26:17] Staci Miller: So I started to really think about what that meant, and I'm like, "Okay, well I'm not gonna start looking for jobs right away because I want my severance package." I definitely wanted that 'cause I, and then I wanted a break if I could have it. So I was like, okay. I, in between working at I was working at EDA as a contractor and that was super fun. Like I had my own time kind of, and I enjoyed the work and I got put on other projects whenever they needed me. And it was like, but I was constantly on a project, so I'm like, "I, maybe I'll go into doing IC work by myself" and I'm like, "No, I can't make enough. If I'm gonna do this, I'm gonna build something." And then I'm like, well, I started to talk to my friends every single one of my friends, including Interface Analysis' owner, Tony Andre was like, "Start your own business, Staci. Start your own consulting firm, just do it. Don't even look back. Just do it. People will end up coming to you because you know how to do this." He's like, he's it's, "You know, the first years they are what they are and everybody knows what that looks like. It's, it's rough. You have, it's like a mental game. You're like, I am gonna do this. And you just have to be consistent and can continue down your path. And more and more people will show up." And that's been true every year. But that's how GenX was started. And yes, there was this whole trepidation about, "Am I gonna make it? Am I gonna make it through this?" And I was like, "You know what, Stac, you're starting in a recession in your, in your industry. If you can get it done, if you can get two years in and be successful, you're fine." I'm in year three. [00:27:50] Lindsey Dinneen: Yeah! [00:27:51] Staci Miller: Yeah, I mean, year three, woohoo. And we're increasing 50% year over year in year three, and I started it with $0. So, and I'm not, I'm not saying like a hundred to 50, like $50 to a hundred, we're, we're talking a couple hundred thousand dollars here, a couple hundred thousand there. But it's modest and I do expect that growth, and I do expect that to continue. And the other thing I think about is becoming very malleable in, in your spaces, like what's working for you and what doesn't work for you. But I feel like that's kind of off topic from what you asked. But yeah, I had PTSD gave myself at least two years and I'm like, "I can do anything for two years. If it doesn't work out, you know, like I have everything that I have and I can go back into corporate if I need to." And I really, I really was tripping, like just to be nineties about it, I was tripping. Like I was really like, "You know, I don't know." And my husband was like. He was my biggest cheerleader. He was like, "You've gotta do this. He's you're gonna, you're gonna be able to do this. You have something that I don't have. You're really great at networking people like you." I'm like, "Do they really like what?" And he's, " No, people like being around you. You make friends easy and people really do enjoy being around you and they like know that you're smart and you're gonna be able to do this." So, that's how this all started. And yes, I was really freaked out when I first started, but every day when I had bad days, I'm like, "Everything always works itself out." [00:29:14] Lindsey Dinneen: Yeah. [00:29:14] Staci Miller: "Have you ever not been in a situation where everything works itself out?" "No. No." So I'm like, "Well, if I, if it doesn't, I'll get a new dream, but I don't-- once you hit this, this year, like year three and you know you're still growing, you don't have to get a new dream, you just keep going and you're like, this dream is happening. I'm gonna keep it going." [00:29:34] Lindsey Dinneen: Yeah. What was it like building a team? Did you start off as a one-woman show, or did you have support at the beginning? How did that work? [00:29:43] Staci Miller: So at first, actually my designer's father was working with me and he called me out of the blue and he's " Hey. I have this client, she doesn't have any human factors person working with her, but I know that she needs it and do you wanna talk to her? I know you're not working at Meta," because I put on my, oh. LinkedIn profile Open to Work. So he called me like within two days, like seriously, like people started to call me and that was when I was already like, "I'm gonna do my own thing. I'm just gonna do my own thing." So the universe just brought me a gift, right? And I met this first client and I started to work with her, and at first everything was super cool. The first year it was great, and I really liked working with her, but she also needed a couple of other things. She needed an IFU and she needed design quality assurance. I'm like, "Check, check. I can get both those things done." So I called my friend Maria, "Hey, do you wanna work with me? She's " Hey. Yeah, totally." Because we had already worked together and we knew each other pretty well. So it wasn't like it was difficult to make that connection. And, and she knows my personality. I know her personality, and I know we both work extremely hard and we have that in common. So I wasn't, never, would I be worried about Maria. And then I found I wasn't, I didn't even have a designer yet on staff. And I found someone who used to do instructions for use for a different company I worked for. I called him like, "Hey, can you do this?" He's " Yeah, yeah." So I got all that done for this other client. I'm like, "I can do this. I can do this. I can, I can find people." I know so many intelligent people who love what they do and have a fire for it every day. And then the evolution started to happen. And then I asked someone to work with me to do sales, and then they said, "Yes." And then we started to pitch people that I was friends with and knew, and sometimes they said yes, and sometimes they said no. I think the first year, I think I pitched over like $4 million in business and I got 20,000. No, I got, I got 80,000, something like that. Something, something small and I'm like, "Why am I pitching so much? This is like taking so much time outta my day," that I found someone to work with me. His name was Adam and I still actually work with Adam and he, but he's a big picture guy and he started to work with me a little bit and help me like navigate through some things. Even to this day, we talk and he's not fully, fully, fully on onboarded, but if, if some. Of the clients that he lands do come on board, he will be back on board and he will be working with me again. And then I had a salesperson this last year and I realized just I needed more of a hunter-gatherer. So like we're just going in a different direction, right? So I had that, and then last year my goal was to bring my designer Maddie on full-time. And I was able to do that too. So everything that I've kind of just said, "I'm gonna do this this year, I've been able to do this year." And I'm not taking this lightly. Like I have a board of directors, which are people who are, have different perspectives on finance because that's my weakest link, I would say. A professor at UCLA, his name's Sean Pat, also a good friend of mine. He's on my board. And my brother-in-law and my nephew, who is new in his life and on his journey, is on my board as well, and I kind of wanted him on my board so he can see what it looks like to be an entrepreneur and see what growth looks like year over year because he is already working for companies. He's, he's like 25, I think, and he's already being groomed to be in upper management. He's got upper management written all over him as like the, as like people would say in like cute little circles. And then my my brother-in-law, he is one of the CFOs at Mayo Clinic, so these are people who have some in medical, some in finance, some in finance, in medical, just helping me like grow. I throw things past them and they help, you know, make decisions for the year. And they tell me like, they give me feedback and, and work through things that I'm doing and what they think is right, what they don't think is right. And sometimes I listen, sometimes I don't. You know, like... [00:33:28] Lindsey Dinneen: Well, yeah. [00:33:29] Staci Miller: Just really depends like where I'm at and what I wanna do and where we wanna grow. [00:33:34] Lindsey Dinneen: Yeah. Excellent. Okay. So I'm curious, especially within medtech specifically, are there moments that really stand out to you as just affirming, "Oh my goodness, I am in the right place at the right time." [00:33:49] Staci Miller: Things keep happening, so, every time I speak, like I, I spoke at Project Medtech, people bombarded me. They're like, "We wanna work with you. We wanna work with you. We should talk, we should talk." Anytime I go to a symposium I walk away with two or three leads. People coming up to me, "Oh, do you do this thing? We should really talk. We should really talk." So, just being in the situation like that kind of tells me that I'm in the right direction. And the other thing is we're growing year over year. If you take a 10,000 foot view of where I was year one versus year three now, very, very different. Extremely different. And like I said, I do have, I do have other consultants that work with me. I don't want you to think it's just like a two person shop. It's not, there's other consultants that work with me but they're as needed. They're not full employees, which I think is really helpful in a situation like this. If you're a founder starting up from scratch and you're not, you don't have, I'm not trying to get angel investors. I'm not trying to get people to push money into my company. I am building it literally from zero to whatever it is that I make. And so that, that's a, what I would call like a slow burn of, you have to build your foundation, you have to manage to the capital that you do have, and then you, then you go to the next level and you do the same thing and then you do the same thing. And there's a lot of consistency with the business now, and I see a lot of people targeting me for that consistency. And as, as we are growing, like people are engaging with us on a different level, which is exciting to see. That's always exciting. [00:35:20] Lindsey Dinneen: Yes. [00:35:20] Staci Miller: That's kind of how I know. Yeah. [00:35:23] Lindsey Dinneen: I love that. Awesome. Okay, so pivoting the conversation a little bit just for fun. [00:35:28] Staci Miller: Cool. [00:35:30] Lindsey Dinneen: Imagine that you were to be offered a million dollars to teach a masterclass on anything you want. Could be within your industry, but it doesn't have to be. What would you choose to teach? [00:35:40] Staci Miller: That's a great question. I love, I think it's very important when you do what you do for a living to have something that isn't that for yourself. So I, there's very specific ways as to how I unwind at the end of the day. One of those things is cooking. I would totally do a masterclass in being a home chef. Like I'm, I'm not even a chef like that. I've never gone to culinary school, but I absolutely, I make my own breads. I make chutney sometimes when, when I want some. I would do a masterclass on-- I'm not Gordon Ramsey. I'm not Thomas Keller. Here's what it looks like to be a home cook. And here's the, the five things that you actually need. And this is what you should learn how to make first. Like I remember the first time I was trying to make pasta or something, I boiled the water to death. There was no water left in the pond. Like I didn't even know what I was doing. I, maybe I walked away from it, I don't know, but I destroyed the pot. My mom's " What were you doing?" I was like, "Making pasta." And she's " What, what, what happened? You ruined the pot." I'm like, "I'm not, I just did it wrong." So I would probably do a masterclass in how to just take that first step learning how to make your own food, right? And talk about food 'cause I like food. There you go. That's what I would do. [00:36:52] Lindsey Dinneen: Love it. I love food and I love talking about it. So, that sounds like a great class. [00:36:58] Staci Miller: I would do, I would totally do it. [00:36:59] Lindsey Dinneen: Okay, and then how do you wish to be remembered after you leave this world? [00:37:07] Staci Miller: This might be dating me, but Roy Orbison who wrote the song, "Pretty Woman" that was also in the movie, "Pretty Woman" wrote that he "just wanted to be remembered." And I thought that was really interesting. And I think that everybody knows that song knows that it's the guy like, I don't know if you know like the artist, but I think even to this day, that song, generationally, people know that song. I don't know how I wanna be remembered, but this is how I wanna impact the world. So it's kind of like that, but kind of not. I believe that knowledge transfer is the most powerful thing that we have amongst generations. And I want the next generation to be better than me, which is probably, in my opinion, I'm kind of kind of strict about this, probably a tall order, 'cause I'm like very picky. But, I have mentored and, and taught people my craft, and I want them to be better than me so they can mentor people and be better at this craft. So if I leave one mark on this world, it's that I have taught somebody what I know how to do and I expect them to do it better than me. And I don't mentor just anybody. So if I'm mentoring you is, and I'm putting all this energy into you, you better, you better bring it. And the people that I have worked with and have mentored are doing extremely well in their careers, and that's, that's kind of a thing that I like about, like what we do and how I do it. So I don't know if I would be specifically remembered for that, but I do know that it would move our industry forward and that makes me happy. [00:38:39] Lindsey Dinneen: I love that. That's a beautiful legacy. All right, and then final question. What is one I know, what is one thing that makes you smile every time you see or think about it? [00:38:52] Staci Miller: When I see what I'm building or, or how I'm building it in the future and I really go deep within my, my consciousness about this is what I'm gonna do next. This is how I'm gonna do it. This is what makes me feel really alive. I get so excited. I get like goosebumps. I start smiling. I, I'm a big-- I don't know if you do this, Lindsey, but I do this-- I kind of dance around a little bit. Like I dance when I'm making food, I dance and most people dunno that about me. But I, but my closest friends I remember I was working with this one guy and he looks at me, he's " Do you ever stop dancing?" I'm like, "Nope. Nope, Nope. Gotta dance." So all that stuff like starts to happen. And I just get really excited about the things that I'm trying to build, what I'm trying to master in my own world, what I'm trying to create. And that's what gives me like so much excitement. And then a number two would be my cats, because they're ridiculous and I love them and they give me so much love and they make me smile all the time too. [00:39:52] Lindsey Dinneen: Oh yes, those are great answers. I love that so much. It is exciting to see. Dreams come true. I can totally understand that answer of getting the, the excitement, the tingles, and then yeah, I, yeah, I, I obviously relate to dancing around all the time, and especially like celebratory dances. They're, my celebratory dances are the goofiest, most ridiculous things you've ever seen, but I'm happy! So. [00:40:20] Staci Miller: As long as you're happy, that's all that really matters, right? Like that vibe that you're putting out there and the happiness and the giddiness, like the things that I'm building in my mind, like they haven't happened yet, but I'm dancing like they have, you know, because I hope that they do. Like there you go. And I think that's important. I love it. [00:40:35] Lindsey Dinneen: True embodiment of the vision. I love it. Well, well, Staci, this has been a great conversation. Thank you so much for your insights and your stories, and we are so honored to be making a donation on your behalf today to Feeding America, which works to end hunger in the United States by partnering with food banks, food pantries, and local food programs to bring food to people facing hunger, and also they advocate for policies that create long term solutions to hunger. So thank you so much for choosing that charity to support. And gosh, I just wish you the most continued success as you work to change lives for a better world. [00:41:15] Staci Miller: Thank you, thank you. It was so much fun being with you today. I appreciate this and it was so much fun to talk about. And yeah, I can't wait to see you in the next couple weeks too. So we'll see each other soon. [00:41:26] Lindsey Dinneen: Yay! Sounds good. Well, thanks again and have the best rest of your day. [00:41:32] Dan Purvis: The Leading Difference is brought to you by Velentium Medical. Velentium Medical is a full service CDMO, serving medtech clients worldwide to securely design, manufacture, and test class two and class three medical devices. Velentium Medical's four units include research and development-- pairing electronic and mechanical design, embedded firmware, mobile app development, and cloud systems with the human factor studies and systems engineering necessary to streamline medical device regulatory approval; contract manufacturing-- building medical products at the prototype, clinical, and commercial levels in the US, as well as in low cost regions in 1345 certified and FDA registered Class VII clean rooms; cybersecurity-- generating the 12 cybersecurity design artifacts required for FDA submission; and automated test systems, assuring that every device produced is exactly the same as the device that was approved. Visit VelentiumMedical.com to explore how we can work together to change lives for a better world.
Send us Fan MailJoin director, and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with Laura San Giacomo from Just Shoot Me!Laura discusses her time on the beloved sitcom. Her role in Sex, Lies, and Videotape. Playing alongside Julia Roberts in Pretty Woman, & much more!Support the show
Send us Fan MailJoin director, and former child actor Moosie Drier, and author Jonathan Rosen, as they chat with Laura San Giacomo from Just Shoot Me!Laura discusses her time on the beloved sitcom. Her role in Sex, Lies, and Videotape. Playing alongside Julia Roberts in Pretty Woman, & much more!Support the show
¿Qué mejor manera de describir Pretty Woman que con hasta 7 referencias? Así lo ha hecho Espido Freire en Cuerpos especiales, dejando claro que la película de los 90 esconde detrás historias clásicas de Disney como Cenicienta y La bella y la bestia, pero también roles típicos de la mujer al o largo de la historia y en la mitología.
Mamen Mendizábal visita a Eva Soriano y Nacho García para presentar la nueva temporada de Anatomía de... Jorge Yorya trae la historia de Karl Bushby, un hombre que decidió que irse al sitio más alejado de la tierra y regresar andando a su casa. Y Espido Freire compara Pretty Woman con los clásicos de Disney. Además, la Patrulla Chiquilla comparte sus trucos para no recoger la mesa y Alba Cordero hace una playlist con canciones que comparten título.
Bienvenidos al episodio #137 de Spicy4tuna. Hoy trataremos desde la rentabilidad de los equipos de fútbol hasta colaboraciones históricas como AP x Swatch, pasando por el nuevo negocio IA de Euge, la cartera de inversión de Álvaro y empresas que podrían dominar el futuro. También analizamos la historia del youtuber que terminó rescatando una aerolínea y cerramos con una conversación sobre Pretty Woman, cine y negocios. Invierte de forma segura y recibe un 3% sobre tu efectivo con Trade Republic: https://trade.re/spicy4tuna Invertir conlleva riesgos, los rendimientos no están garantizados. Aplican T&Cs. Nueva empresa de IA de Euge: https://www.clonify.com/ El 21 de mayo hacemos un directo gratuito para empresarios y directivos que quieren saber dónde está su empresa con la IA y qué priorizar: https://executivelab.ai/registro?utm_source=spicy4tuna_podcast Prueba gratis la Cuenta de empresa de Qonto y simplifica las finanzas de tu negocio: https://bit.ly/4lPuNxU Accede a las formaciones de CEF.- UDIMA en el área de Tributación: https://bit.ly/cef_masteres--cursos-tributacion CEF: https://bit.ly/cef_spicy UDIMA: https://bit.ly/udima_spicy Crea tu cuenta de empresa con INFOJOBS y publica tu primera oferta de empleo estándar GRATIS con el código SPICY: https://bit.ly/4lcQtUC Crea tu Página Web con Hostinger: https://www.hostinger.com/spicy4tuna Cupón de 10% de Descuento para planes de +12 meses: SPICY4TUNA Contacta con el equipo de Executive Lab para acceder al siguiente Bootcamp de Inteligencia Artificial para Empresarios y Ejecutivos: https://executivelab.ai/ Prueba GRATIS la app de Odoo y gestiona todo tu negocio desde una misma aplicación: https://www.odoo.com/r/Avs Inspecciona tu futura vivienda y evita que se convierta en una pesadilla: https://hausum.com/?utm_source=spicy4tuna&utm_medium=youtube&utm_campaign=premier Invierte en inmuebles de forma pasiva y sin dolores de cabeza con Inversiva: https://inversiva.com/invierte-en-inmuebles/?utm_source=referral&utm_medium=web&utm_campaign=spicy4tuna Aprende a hablar inglés como un Nativo: https://youtalkonline.com/spicy4tuna ️ El curso digital #1 de Oratoria y Comunicación para Hablar en Público con Confianza: https://go.hotmart.com/D101156241X ⚪️ Consigue tu pulsera Whoop: https://join.whoop.com/Spicy4tuna ════════════════ ️ Accede a la Web de Spicy4tuna y Suscríbete a nuestra Newsletter: https://www.spicy4tuna.com Contacto para Sponsors ➡ https://tally.so/r/nrPNE5 Email de Contacto ➡ podcast@spicy4tuna.com ════════════════ Todos los episodios completos: https://www.youtube.com/playlist?list=PL9XxulgDZKuzf6zuPWcuF6anvQOrukMom ════════════════ REDES SOCIALES DE SPICY4TUNA ➜ INSTAGRAM: https://www.instagram.com/spicy4tunapodcast/ ➜ TIKTOK: https://www.tiktok.com/@spicy4tuna ➜ FACEBOOK: https://www.facebook.com/spicy4tuna ════════════════ ️ ESCUCHA SPICY4TUNA EN FORMATO PODCAST Spotify: https://open.spotify.com/show/2QPC17Z9LhTntCA4c3Ijk9?si=39b610a14bb24f1f iTunes: https://podcasts.apple.com/es/podcast/spicy4tuna/id1714279648 iVoox: https://www.ivoox.com/escuchar-audios-spicy4tuna_al_33258956_1.html ════════════════ ¿QUIÉNES SOMOS? · Euge Oller: https://www.instagram.com/euge.oller/ · Willyrex: https://www.instagram.com/willyrex/ · Marc Urgell: https://www.instagram.com/marcurgelldiaz/ · Alvaro845: https://www.instagram.com/alvaro845/ ════════════════ CAPÍTULOS 00:00:00 A continuación... 00:04:14 ¿Es rentable tener un equipo de fútbol? 00:23:34 La colaboración entre AP y Swatch 00:42:22 La cartera de inversión de Álvaro 01:06:36 El nuevo negocio de IA de Euge 01:37:08 Las empresas del futuro 01:56:11 El youtuber que rescató una aerolínea 02:04:16 Pretty Woman: films and business
Sydney Sweeney goes big! Rue might die. Maddy meets Alamo.In this episode of Previously On, Jillian and her husband Tyler are breaking down Euphoria Season 3 Episode 5 “This Little Piggy.” One of their favorite eps of the season! From Cassie chasing fame while juggling two contracts & two men, to Maddy forming a wildly dangerous business partnership with Alamo, and Rue literally getting buried alive in the sand - this episode somehow balances comedy, horror and suspense all at once. Plus, Sydney Sweeney delivers an all-time performance, Nate continues to get beat up, and Euphoria keeps throwing in nostalgic references to Seasons 1 & 2.And because this episode is basically about everyone following their dreams straight into disaster, we're ranking our Top 5 “Maybe Don't Follow Your Dreams” Moments featuring Nate losing body parts, Maddy making dangerous power moves, and Rue finding herself in the most terrifying situation of the season so far.Plus, Tyler shares his Tyler's Takes on phone alarms, Pretty Woman references, Alamo's insecurities, and the fate of Rue by the end of the season.00:00:00 Reenactment Cassie gets the role00:02:56 Intro to pod00:03:47 Will Rue survive?00:06:45 Bishop is cold00:09:02 Scheduling update00:09:53 References to S1 and S2 episodes00:11:55 Recap of Episode 5 "This Little Piggy"00:14:16 Sydney Sweeney as Cassie00:23:55 Top 5 Maybe DON'T Follow Your Dreams00:25:17 Lexi working 7 days a week00:29:20 Cassie tries to drop Maddy00:34:24 Nate losing toe and finger00:38:13 Maddy partners with Alamo00:44:00 Rue gets buried alive00:46:49 Jules sugar daddy threatens her00:51:07 Tyler's Takes00:51:27 Phone alarms00:51:47 Big Eddy00:52:24 Pulp Fiction00:53:35 Alamo's safe00:54:52 Rue's underwear00:55:35 The Master's Call song lyricsThank you to Matt Buechele (@mattbooshell) for creating our new theme song. You can listen to "Sunscreen" on Spotify: https://open.spotify.com/artist/1gFHHF3QyQxjbbKXV3qLu9Buy our merch: https://www.etsy.com/shop/PreviouslyOnTeenTVFollow Previously On Teen TV on Instagram: https://www.instagram.com/previouslyon_teentv/Follow Previously On Teen TV on TikTok: https://www.tiktok.com/@previouslyon_teentvSubscribe to our YouTube: https://www.youtube.com/channel/UCe2lgvvZGKMrQ8v24FmDdWQ?sub_confirmation=1
Thirty-five years ago, Steven Spielberg released his updated take on the classic children's story Peter Pan by J. M. Barrie. Arriving in theaters in 1991 with enormous expectations, the film was toplined by four actors at the height of their fame: Robin Williams stars as an aged-up Peter, fresh off Dead Poets Society and Awakenings - and just a year away from Aladdin and Mrs. Doubtfire; Dustin Hoffman, riding high after his Oscar win for Rain Man, as the titular Captain Hook; Julia Roberts, newly-minted as America's sweetheart after Pretty Woman, donning the wings as Tinkerbell; and Bob Hoskins as Mister Smee, following up his breakout blockbuster Who Framed Roger Rabbit. With a prime Christmas release date and a sweeping John Williams score, the film looked destined to become an instant Spielberg swashbuckling classic. Instead, a famously troubled production - marked by massive (and expensive) sets, shooting that ran 40 days over schedule, and a strained relationship between director Spielberg and ingénue Roberts - resulted in a film that critics were quick to call indulgent and uneven. Spielberg himself later admitted frustration with the project, and despite solid box‑office returns, the film was seen as a disappointment during a peak period of Spielberg's career. And yet the pixie dust of nostalgia has quietly rewritten the narrative: the film has become something of a cult favorite, embraced by fans who grew up with VHS rewatches. Now we're dropping anchor in Pirates Bay to see if Hook conjures up any happy thoughts, or if it is better off getting lost, boy! For more geeky podcasts visit GonnaGeek.com You can find us on iTunes under ''Legends Podcast''. Please subscribe and give us a positive review. You can also follow us on Twitter @LegendsPodcast or even better, send us an e-mail: LegendsPodcastS@gmail.com You can write to Rum Daddy directly: rumdaddylegends@gmail.com You can find all our contact information here on the Network page of GonnaGeek.com Our complete archive is always available at www.legendspodcast.com, www.legendspodcast.libsyn.com Show Music:Danger Storm by Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 https://creativecommons.org/licenses/by/4.0/
This week, Bri and special guest Brennan Clark (The Annoyance Theatre, Mission: IMPROVable) tell Cozi about the classic '90s rom-com Pretty Woman (1990).Julia Roberts plays Vivian Ward, a sex worker in Hollywood, California, who makes a lucrative deal with a wealthy businessman to be his escort for the week. Will Cozi be convinced to check it out? Listen and find out!Recommendations: Bri – Six Chick Flicks (a live comedy)Brennan – Be kind to yourself, because it's practical and it works better than being unkind to yourselfCozi – Prince Daddy and the Hyena's latest album Hotwire Trip Switch
Most filmmakers dream of making ambitious, big-budget epics once they're able to cash in their "blank check." Peter Weir wanted to make Green Card. Writer and romcom expert Esther Zuckerman joins us to talk about this 1990 oddity, released the same year as Pretty Woman, but centered around the star persona of Gérard Depardieu instead of Julia Roberts. We're talking about the romcom genre, the many attempts to bring international stars to Hollywood, the golden age of Andie MacDowell movies, and the undeniable smokeshow that was early 90s Bebe Neuwirth in this episode. Pardon our French. Literally. Get Esther's Book Falling In Love at the Movies Read FILM VIEW; 'Green Card' Apes 'Pretty Woman' Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook! Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices
Brandi and Julie are here. We discuss the latest about Alex Cooper's husband being accused of being a tyrant boss and if Alix Earle had anything to do with getting the story out Then we get into the classic movie Pretty Woman and why it would never fly a day. We cover Real Housewives of Rhode Island, Real Housewives of Beverly Hills and Ladies of London. Is Kyle Cook the villain of Summer House or in fact the heroin? So Juicy, so fun enjoy! -Refresh your spring wardrobe with Quince. Go to https://Quince.com/juicy for free shipping and 365-day returns. -Go to https://RO.CO/JUICYSCOOP to see if you're eligible for the new GLP-1 pill on Ro. -Sign up for your one-dollar-per-month trial today at https://SHOPIFY.COM/juicy -Get 40% off your entire order at https://Lolablankets.com by using code JUICYSCOOP at checkout. Experience the world's #1 blanket with Lola Blankets. -Our listeners can buy one prescription pair and get 20% off additional pairs at https://WarbyParker.com/JUICYSCOOP — and using our link helps support the show. #WarbyParker #ad Subscribe to my new show Juicy Crimes!: https://bit.ly/juicycrimes Stand Up Tickets and info: https://heathermcdonald.net Subscribe to Juicy Scoop with Heather McDonald and get extra juice on Patreon: https://bit.ly/JuicyScoopPod https://www.patreon.com/juicyscoop Watch the Juicy Scoop On YouTube: https://www.youtube.com/@JuicyScoop Shop Juicy Scoop Merch: https://juicyscoopshop.com/ Follow Me on Social Media: Instagram: https://www.instagram.com/heathermcdonald TikTok: https://www.tiktok.com/@heathermcdonald YouTube: https://www.youtube.com/@HeatherMcDonaldOfficial Learn more about your ad choices. Visit podcastchoices.com/adchoices
Find out exactly why Home Alone LOST to Goodfellas in this intense 1990 Movie Bracket breakdown. I am Diandre Robinson, and I'm taking you through a massive tournament featuring the top 104 movies of the year 1990 to see which film truly reigns supreme. We look at the data, the upsets, and the hard choices voters had to make between nostalgia and cinematic masterpieces.This recap covers every wild matchup, from Teenage Mutant Ninja Turtles and Ghost to Edward Scissorhands and The Hunt for Red October. You will hear about how we handled tiebreakers with our special "Friday Vote" system, saving movies like The Rookie and Die Hard 2 from elimination. We break down the path to the Final Four, where Pretty Woman and Back to the Future Part III fought for the third-place spot, culminating in the ultimate showdown.Despite Home Alone dominating earlier rounds with massive voting percentages, it faced its toughest challenge in the finals. See the percentages, hear my personal take on underrated gems like Men at Work, and discover how Goodfellas secured the victory with 58% of the final vote. Stick around until the end for a sneak peek at the heavy hitters waiting in the round four lineup for the 1991 bracket, including Terminator 2 and The Silence of the Lambs.#movieranking #movietournament #goodfellasreview #homealone1990 #goodfellasanalysisCHAPTERS:00:00 - 1990 Movie Rankings Intro00:30 - Planes Trains and Automobiles Review00:50 - DuckTales Movie Lost Lamp Review01:23 - House Party 1990 Comedy Review01:58 - The Freshman Marlon Brando Comedy02:27 - Goodfellas Martin Scorsese Crime Drama03:26 - Hunt for Red October Thriller03:44 - Rescuers Down Under Disney Animation04:10 - Handmaid's Tale 1990 Film Review04:34 - Rocky V Sylvester Stallone Sequel04:53 - Hard to Kill Steven Seagal05:52 - Total Recall Arnold Schwarzenegger Sci-Fi06:17 - Back to the Future Part 306:39 - Ghost Patrick Swayze Demi Moore06:59 - Teenage Mutant Ninja Turtles 199007:42 - Flatliners Kiefer Sutherland Julia Roberts08:08 - Mo' Better Blues Spike Lee08:29 - Kindergarten Cop Arnold Schwarzenegger Comedy08:56 - Lord of the Flies 199009:19 - Die Hard 2 Bruce Willis09:35 - Memphis Belle WWII Movie Review09:55 - Home Alone Macaulay Culkin Classic10:21 - Godfather Part III Al Pacino10:48 - Pretty Woman Julia Roberts Romance11:21 - Best 1990 Movie Bracket Tournament15:24 - 1990 Movie Bracket Round 316:50 - 1990 Movie Bracket Round 418:26 - 1990 Movie Bracket Quarterfinals Results19:11 - 1990 Movie Bracket Semifinals Results20:00 - 1990 Movie Bracket 3rd Place20:27 - 1990 Movie Bracket Grand Final
Runaway Bride is a romantic comedy that is a real trip. What if they used the same cast as Pretty Woman and made it about a bad columnist and just a small town woman who can't stop running away from this mid-as-hell men! Most importantly, the Virtual Boy makes an appearance.Don't forget to join our Discord for movie nights and additional podcast discussions!Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
Wellp... this episode starts in Hollywood and somehow ends in the emergency room. We talk about Zachariah's debut Hollywood gig, staying at the Beverly Wilshire Hotel (yuh the hotel from Pretty Woman), and a night out in WEHO before Jonathan's injury that sent the trip off the rails and into the hospital.This episode was mixed and edited by Kevin Betts.Sponsors:➜ Go to Progressive.com to see if you could save on insurance.➜ Skip the junk without overspending. Head over to ThriveMarket.com/camp to get 30% off your first order and a FREE $60 gift.➜ Go to FactorMeals.com/camp50off and use code camp50off to get 50% off plus FREE breakfast for a year!➜ Feel your best self, every day with IM8. Go to IM8health.com/CAMPCOUNSELORS and use code CAMPCOUNSELORS for a Free Welcome Kit, 5 free travel sachets, plus 10% off your order.Want BONUS CONTENT? Join our PATREON!Works Cited:➜ “Galway Hospital Accident Turns Mam's Eyes ‘Alien' Green.” Irish Star, 19 Feb. 2026.➜ “Older Male Whales More Successful at Mating Because They're Better Singers, Shows Study.” Good News Network, 28 Feb. 2026.Camp Songs:Spotify Playlist | YouTube Playlist | Sammich's Secret MixtapeSocial Media:Camp Counselors TikTokCamp Counselors InstagramCamp Counselors FacebookCamp Counselors TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
(00:00-15:07) Gabe DeArmond joins the program to talk Missouri Hoops as we head into the final regular season game tomorrow against Arkansas. What would a loss do to Missouri's tournament hopes? The Mizzou/Arkansas rivalry in football and basketball. Has Kim Anderson been back around? Who needs to step up for the Tigers for them to make a little run in March?(15:15-22:17) We know Jason Alexander from Pretty Woman. Tim may be on the lam in Wichita. Pizza Hut.(22:27-35:46) The Design Aire Heating & Cooling EMOTDSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
The Harvard Study of Adult Development, often referred to as the Grant Study, is widely recognized as the longest-running, in-depth scientific study of adult life ever conducted. I recently published an episode I did with the director, Robert Waldinger. The results of the study have now famously shown us that what most fulfills us in life is relationships. Of course not just any relationships, but the truly valuable and significant relationships of our lives. It's proven very difficult to have such relationships, if we can't effectively communicate with others. And by effectively communicate, we mean to actually connect in a meaningful way. So in this episode I bring you Renée Marino. Renée is a renowned Broadway star, singing, acting, and dancing in West Side Story, Pretty Woman, and Jersey Boys. Her lead role in Jersey Boys caught the eye of famed actor Clint Eastwood who took her from the stage and cast her for the lead female role in his film, Jersey Boys. Renée's livelihood is communicating. She must connect with and move the audience, and she's a master. Following Clint's film, Renée turned her attention to the professional and personal world and is showing us the heart and skill of real communication. The kind that does just what Renée does on stage, on film, and in her personal life...truly connects us with others in a meaningful way that moves them to engage with us. I connected with Renée so much I had her come back and co-host a bunch of episodes with me, we co-presented at a speaking event together, and became good friends. Renée has culminated her methodology of communicating in her book, Becoming a Master Communicator: Balancing New School Technology with Old School Simplicity, which you can get anywhere and just search for Renée Marino and you'll find her everywhere. Sign up for your $1/month trial period at shopify.com/kevin Go to shipstation.com and use code KEVIN to start your free trial. Learn more about your ad choices. Visit megaphone.fm/adchoices