Podcasts about Andy Warhol

durée : 00:48:07 - Affaires sensibles - par : Fabrice Drouelle - Aujourd'hui dans Affaires sensibles : qui a tiré sur Andy Warhol ? Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

What if the random obsession you keep dismissing — the sourdough baking, the knitting, the gardening, the fantasy novels — isn't a distraction from your purpose, but a direct signal toward it? And what if the reason you keep squashing those pulls isn't because they're impractical, but because you've been trained to only value what can be immediately monetized?Kathryn digs into why so many gifted entrepreneurs dismiss the very things they're being called toward because they don't fit a business model, can't be packaged, or don't have an obvious through-line to income. She shares her own journey of following pulls that made no logical sense (astrology, Human Design, Gene Keys) before understanding what they were truly pointing toward, and why the greatest creators — from Warhol to Dalí — never set out to build a legacy. They just followed their obsessions.BY THE TIME YOU FINISH LISTENING TO THIS EPISODE, YOU'LL DISCOVER:Why the hits of inspiration and left-field interests popping up for you right now — the sourdough, the gardening, the herbalism, the painting — are likely your soul's gifts trying to come online, and how the habit of immediately asking "how do I monetize this?" is the exact mechanism that shuts the channel down before it can show you where it's actually leading.How Kathryn's experiential learning style — someone who graduated top of her master's program without asking a single question or being front-of-class, who traveled to a remote Philippine village to live her research rather than study it from a lab — reveals the bigger point that the way you're wired to learn, create, and show up is not a liability, and how the sourdough baker who masters their craft with no monetization plan may be five years ahead of the bread shortage they never saw coming.A reframe on consistency that has nothing to do with posting every day or showing up the same way all the time and everything to do with being in rhythm with how you're actually designed to move through seasons of go, slow, and pause, the same way a garden consistently does what it needs to do depending on the season rather than trying to bear fruit year-round.Why trying to force clarity on your creative direction or body of work — rolling on the metaphorical tennis ball until you've just irritated the knot further — is the thing preventing the insight from coming through, and how sitting in contemplation with what's arising (without rushing it to fit a package, a price point, or a five-step path) is where the real revelation lives.And while you're here, follow us on Instagram @creativelyowned for more daily inspiration on effortlessly attracting the most aligned clients without spending hours marketing your business or chasing clients. Also, make sure to tag me in your stories @creativelyowned.To get Wispr Flow the crazy handy voice-to-text AI that turns speech into clear, polished writing in every app. click here.Selling the Invisible: Exactly how to articulate the value of your cosmic genius even if your message transcends the typical “10k months” & “Make 6-figures” types of promises. Free on-demand training >>> https://www.creativelyowned.co To find out how to own your unique edge, amplify who you truly are (& get paid for it), take your business to cosmic proportions, and have fun doing it, grab it here!! https://www.creativelyowned.com/quizOffer Architect: TURN YOUR ‘INVISIBLE' WISDOM INTO A COMPELLING OFFER THAT WILL SELL WITH A SINGLE EMAIL.

Welcome back to 1987!The decade of decadence, extravagance, elegance and other words that end in -nce was powering its way towards the later end of its cultural tenure. And whilst there is no doubt that perceived wisdom (or, the internet as we now call it) would tell us that 1987 was the year of big hair, big shoulder pads, and big mobile phones, those of that were there can tell a different story too. The year of POP aspiration was also one of smoke and mirrors. The big suits and big statements across our TV and radio were often wonderfully deceptive. Whilst the music industry had loadsamoney to spend, those acts climbing the charts and filling the pages of Smash Hits were doing so often in the most homemade and, frankly subversive way possible. And in doing so, the genres were flowing, the hits were coming and our pop landscape was as colourful and diversive as we could possibly have wished for.Step forward then the leading compilation series (other slightly inferior ones were OBVIOUSLY available) to deliver its tenth volume. I know, double figures!!Now, That's What I Call Music 10 shines brightly with its neon signage casting a glittering pop beacon over the wasteland of…..(enough with the imagery, get to the songs, Ed!)Step forward the utterly imperial Pet Shop Boys, the incredibly sophisti-poptastic Curiosity Killed The Cat, the completely covered in plaster-of-Paris Hue and Cry and many other to lead the hits-filled charge into Autumn ‘87. And joining me to provide her very own unique view of this pop snapshot is TV and radio presenter Sue Charles.Join us as we find out about Sue's journey across Radio1 AND 2, from 'Newsbeat' and 'Steve Wright in the Afternoon' to reporting behind the scenes at TOTP and to becoming one of the most familiar voices and faces across BBC Wales. And of course, dive deep back into the pop culture of 1987 that includes the The Style Council, Casey Kasem, Andy Warhol, Shrewsbury(!), Sir William of Idol, Cliff, claymation Jazz, the glorious return of Squeeze and some genuine love for one of Wales' musical legends Mike Peters.All of this plus some amazing missing in action ‘87 stars and not a single mention of Michael Fish! Ain't no doubt about it, this is The Real Thing! Hosted on Acast. See acast.com/privacy for more information.

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz share their perspectives as to why people feel behind financially -- even when they're not. ---⚙️ We're thrilled to introduce the ⁠Rich Habits Money Map!⁠ If you're someone ready to automate your saving and investing, the Rich Habits way, this workflow by Sequence is for you. ⁠Click here to sign up for Sequence⁠ and gain access to our Rich Habits Money Map! ---

Celebrate National Margarita Day with a fun dive into history, pop culture, and today's famous birthdays.We rewind to Entertainment from 1966, plus wild and fascinating factoids:• The last time Great Britain was invaded• The first dog race track• The day the U.S. officially received Florida from SpainBirthday spotlights include:George Washington, Robert Young, Robert Wadlow (the tallest human ever), Guy Mitchell, Julie Walters, Kyle MacLachlan, Steve Irwin, and Drew Barrymore.We also remember the passing of Andy Warhol.   (2025)                   Music lineup features:Intro: God Did Good – Dianna Corcoran diannacorcoran.comOne Margarita – Luke BryanLightning Strikes – Lou ChristieThere Goes My Everything – Jack GreeneBirthdays: In Da Club – 50 Cent   50cent.comRock‑A‑Billy – Guy MitchellExit: First Shots on Me – Christie Lamb   christielamb.comcountryundergroundradio.comcooolmedia.comHistory & Factoids about today webpagey/

😊Visitas guiadas privadas en Barcelona Contacto: hello@lookingbarcelona.com😃 Si queréis visitar Barcelona, me encantaría ser vuestro guía,escribeme: hello@lookingbarcelona.com ¿Te gustaría descubrir un museo moderno y lleno de obras originales? ¿te apetece conocer artistas pop y de street art como Banksy, Basquiat o Warhol, Y todos en un solo lugar en Barcelona? En los próximos 5 minutos te voy a hablar de un museo de arte urbano y moderno, situado en la parte antigua de Barcelona uno de las zonas más encantadoras de la ciudad. Soy José Gómez, guía oficial de Barcelona . Tengo una pequeña empresa que se llama Looking Barcelona, donde propongo visitas guiadas privadas para descubrir esta maravillosa ciudad. Te dejo mi email en las notas del programa .y si visitas Barcelona…. me encantaría ser tu guía. Contacto: hello@lookingbarcelona.com😃

-Episode 130- This week Bryan talks about Valentines Day, Andy Warhol and birthday parties in the middle of the week. 

This week on Reelin' In The Years... The Featured Five Theme is The "Silver Spoon"... Plus, a song David Bowie wrote about actress, model, and Warhol superstar - Cyrinda Foxe... A hit by Badfinger that was first recorded at a slower tempo and was nearly not released... A song inspired by an awkward relationship between a father and his son... John Fogerty shares the story behind the 1969 CCR hit, "Fortunate Son"... That time when Roger McGuinn reunited with a few of his former Byrds bandmates... New music from The Black Crowes, and folk-pop singer/songwriter Noah Kahan... Deep cuts from Jimi Hendrix, Mavis Staples, The Rolling Stones, The Barenaked Ladies, Spin Doctors, Koko Taylor, Patti Smith, Bruce Cockburn, and more! For more info on the show, visit reelinwithryan.com

En este episodio de Designaholic, Jorge Diego conversa con Pher, Jaki, Emiliano y Samantha, el equipo detrás de Magnolia, una plataforma joven que combina publicación física, contenido editorial y experiencias en vivo para activar comunidad creativa desde Monterrey. Hablan de cómo nació el proyecto desde una conversación entre amigos, del deseo de crear un objeto impreso que funcione como ancla cultural, y de cómo los eventos (fiestas, exhibiciones, showrooms y colaboraciones) se convirtieron en una herramienta real para conectar a la ciudad con el arte y la cultura. También comparten lo que han aprendido en el camino: crecer sin prisa pero con constancia, sostener una visión clara aunque el proyecto aún no dé dinero, entender los “errores” como aprendizaje y, sobre todo, crear desde un lugar humano —con curiosidad, disciplina y una energía que se contagia.Escucha este episodio si estás…• buscando inspiración para crear un proyecto cultural desde cero• intentando mezclar editorial + eventos + comunidad sin perder coherencia• en tus primeros años de carrera y quieres sostener un proyecto propio mientras trabajas• interesado en cómo se construye una audiencia sin pagar publicidad• buscando motivación realista sobre constancia, visión y paciencia creativaShownotesMagnolia* → https://magnoliamag.mx/Sigue a Magnolia* en Instagram → https://www.instagram.com/mag.nolia.mag/• ABL → https://www.abl-estudio.com/• Video Club Presenta → https://www.instagram.com/videoclubpresenta/?hl=es• Activación/bebida en Atlas → https://www.instagram.com/p/DNqkwlYR-jp/?img_index=1• Entrevista con Rosalía → https://youtu.be/LjmPHWXTRig?si=ZPaTYfPRJXi27VaJ• Evento durante Art Week en CDMX con Cantina Monterrey → https://www.instagram.com/p/DUMJQxaD6-e/• xpan → https://www.instagram.com/xpan.earth/• Patti Smith “Éramos unos niños” → https://www.amazon.com.mx/Éramos-unos-niños-PATTI-SMITH/dp/8499894453• Andy Warhol y “The Factory” → https://www.myartbroker.com/artist-andy-warhol/guides/5-things-to-know-about-warhols-factory• John Coltrane → https://www.johncoltrane.com/• David Lynch → https://www.imdb.com/es/name/nm0000186/• Pink Floyd → https://www.pinkfloyd.com/• The Last of Us → https://www.imdb.com/es-es/title/tt2140553/?reasonForLanguagePrompt=browser_header_mismatch Hosted on Acast. See acast.com/privacy for more information.

Dean Karayanis, New York Sun columnist, host of the History Author Show, and former member of Rush Limbaugh's highly overrated staff, sits in for Derek. Mondays are becoming a regular thing! Topics include highlighting the success of Angel Studios, which is out with the enjoyable “Solo Mio” starring Kevin James and will have “Young Washington” this summer. Plus, a discussion of how to look and presidents, some anecdotes, and warnings about “celebrity historians” who shade the facts. Marco Rubio tells NATO allies what they fear to hear. “Irish Twitter” gets angry at Dean for pointing out the aid and comfort so many in their country gave Nazi Germany and Hamas as they rushed to tout Seamus Culleton as an innocent Irish victim of “fascist” America, only to learn he fled his country on drug charges and abandoned his two beautiful little girls before marrying a U.S. citizen last year in hopes of avoiding deportation for overstaying his visa by 16 years. “In the future, everybody will be Hitler for 15 minutes,” with apologies to Andy Warhol, as the Democrats slowly move on from Trump being Hitler to the next Republican, as they have done since FDR likened his GOP opponent to the Fuhrer while World War II was still raging. The show closes with a word from the first president ever captured in audio, Benjamín Harrison, and another clip from the archives: President William McKinley.

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz are joined by the managing partners of NEOS Funds, Garrett Paolella and Troy Cates, to discuss how everyday investors can utilize their suite of ETFs to offset volatility in their own portfolios. ---

The Space Show Presents FRANK PIETRONIGRO, a visionary interdisciplinary artist, astronaut, polymath, educator, and author whose work, in part, explores the intersection of human creativity and space, Friday, 2-13-26Quick Summary:The Space Show featured a discussion with Frank Pietronigro, an interdisciplinary artist and artronaut who presented his vision for the Xenian node, a biologically living space habitat that would represent universal hospitality and integrate living biological systems. Frank shared his concept of the BioPixel, which would replace traditional flat screen pixels with living, biological units of information that could reflect light and video like cuttlefish skin. The discussion explored ethical considerations around living biological systems in space, with participants examining how to treat non-human life forms and the implications of sending human DNA into space. The conversation also touched on the technical aspects of creating such a living habitat, with engineer Phil Swan discussing the “biocompression algorithm” that would convert DNA into biological entities. The show concluded with a brief video presentation of Frank's artwork and projects, including his NASA-related work and concepts for space art.Detailed Summary:David, Frank, and John Jossy discussed Frank's ideas on biological living systems and the concept of the “biopixel,” which Frank explained as a living data storehouse. Frank emphasized the need to move away from the “flat black pixel” and towards a living architecture with respect for biological systems. He also mentioned his involvement in the Yuri's Night festivals at NASA Ames Research Center. David suggested that Frank explain his concepts more clearly to others, as the terminology might not be widely understood. The group briefly discussed a past experiment involving bouncing signals off the moon at a Yuri's Night event. Frank planned to share his screen during the show to present further ideas on a code of ethics for living biological systems and the Xenian node, which he related to universal hospitality.Frank discussed his concept for a living biopixel display and Xenian node that would use biological systems instead of traditional screens, incorporating living organisms like chromatophores from cuttlefish. He explained that these would create floating 3D images in a biokinetic drift environment, moving away from industrial metal-based technology to biological cultivation methods. David advised Frank to be more concise during the upcoming space show discussion.David introduced Rayme Silverberg, the founder of Paradigm Shift, who conducts research on alternative funding opportunities for museums and has developed an alternative funding model. Frank discussed the concept of artronauts, which expands the idea of astronauts to include the advocacy of culture and human spirit in space. The group explored the intersection of art and space exploration, with Frank sharing his experience working with NASA and his belief in the influence of art on engineering and design.Frank discussed his artistic and scientific research focused on creating living biological spacecraft and habitats, emphasizing the integration of art and science to enhance human space exploration. He highlighted collaborations with NASA and the development of systems to reduce stress and boredom in space environments, while also exploring the concept of biopixels and living cells as programmable elements for future space habitats. Frank referenced historical and contemporary influences, while David mentioned a previous guest who was a former hand surgeon now an architect talking about “living architecture for space.”Frank discussed the evolution of space art and the concept of biopixels, emphasizing the shift from geometric to organic structures and the need for an ethics of universal hospitality in space exploration. He shared his vision for a dynamic living space habitat and mentioned a proposal submitted to MIT. The Wisdom Team also discussed recent art projects on the moon, including Jeff Koons' digital sculpture and a digital museum, highlighting the intersection of art, technology, and science. Frank reflected on his own experiences with space art, including a drift painting experiment in 1986 and his work with the California Space Grant Program.Frank discussed his concept of drift painting, which involves creating art in weightlessness using magnetic fields as a medium. He explained that the BioPixel, a combination of biology and technology, is a futuristic concept he introduced in 2002, and he believes it will become real due to the influence of artists on scientific progress. Frank emphasized the importance of collaboration between artists and scientists in pushing the boundaries of art and technology.The team discussed the intersection of art and science, particularly focusing on how different people perceive space art and the emotional responses it evokes. Marshall shared his perspective on how space telescopes transform data into visible images, while Rayme mentioned the historical example of Andy Warhol's artwork on the moon from the Apollo 12 mission. The discussion explored how different individuals perceive art differently, with Rayme referencing Leonardo da Vinci's approach to using painting as a form of scientific study during a time when formal scientific inquiry was not established.Frank discussed his concept of BioPixels, which is currently in the conceptual stage and involves exploring mechanisms for artists to control and create with them. He emphasized the importance of sharing ideas, comparing it to the Indigenous potlatch tradition, and mentioned his collaboration with an IP attorney and genetic scientists at Stanford. David inquired about integrating Frank's BioPixel concept into life sciences, particularly in the context of human space travel and colonization, to which Frank responded with ideas about using floating text and three-dimensional video environments for storytelling in tight space capsules.Frank also discussed his proposal for the Aurelium Prize, which explores the Xenian node and biopixel concepts. He is also in negotiations with GoFundMe for funding and is working with an IP attorney to seek financial support. Frank reported that he is building relationships with genetic engineers and considering collaborating with Louis Guzman. He emphasized the importance of integrating new technologies beyond traditional metals and rare earth minerals and shared his belief in the power of serendipity in guiding scientific and artistic progress.Our team also discussed the concept of a “biopixel” as a biological unit of information, with Marshall sharing his perspective as a mathematician and engineer who appreciates the beauty in complex systems and technology. Rayme mentioned a 2005 European Space Agency study where lichens survived in space, suggesting potential for life in extreme environments. Frank raised questions about ethical standards for living biological entities in space exploration, and shared his personal journey of artistic expression and technological innovation, reflecting on whether to pursue the BioPixel project.David discussed the ethics of technology in self-driving cars and its limitations, comparing it to animal rights and consciousness. He shared his experience with science experiments involving plants and animals, highlighting the lack of consideration for plant consciousness in ethical discussions. David also touched on the ethical considerations of space exploration and the potential for extraterrestrial life, suggesting that any discovered life would likely be protected. Frank and David briefly discussed the possibility of interacting with extraterrestrial intelligence and the potential for scientific study to destroy life forms.David expressed hesitation about sharing his DNA for a biopixel art project due to unknowns, but he would consider it if it resulted in a museum exhibit on the moon. Phil discussed the complexity of DNA as a form of biological compression and suggested that artists could be inspired by the processes of life, such as protein folding. Frank appreciated the insights and suggested connecting with Phil on LinkedIn for further discussions.As we were drawing to a close, we focused on the concept of the Xenian node, a biologically alive living space habitat that is self-sustaining and interactive with its inhabitants. Frank discussed the potential for such a habitat to represent universal hospitality and the need for interdisciplinary collaboration to develop it further. The group also touched on the use of 3D printing for building homes on Earth and in space. To conclude, Frank shared a six minute video showcasing his artistic work related to space exploration and creativity.Special thanks to our sponsors:American Institute of Aeronautics and Astronautics, Helix Space in Luxembourg, Celestis Memorial Spaceflights, Astrox Corporation, Dr. Haym Benaroya of Rutgers University, The Space Settlement Progress Blog by John Jossy, The Atlantis Project, and Artless EntertainmentOur Toll Free Line for Live Broadcasts: 1-866-687-7223 (Not in service at this time)For real time program participation, email Dr. Space at: drspace@thespaceshow.com for instructions and access.The Space Show is a non-profit 501C3 through its parent, One Giant Leap Foundation, Inc. To donate via Pay Pal, use:To donate with Zelle, use the email address: david@onegiantleapfoundation.org.If you prefer donating with a check, please make the check payable to One Giant Leap Foundation and mail to:One Giant Leap Foundation, 11035 Lavender Hill Drive Ste. 160-306 Las Vegas, NV 89135Upcoming Programs:Space Show weekly schedule pending. See Upcoming Show Menu on the right side of our home page, www.thespaceshow.com. The weekly newsletter will be posted on Substack when completed. Get full access to The Space Show-One Giant Leap Foundation at doctorspace.substack.com/subscribe

Si dice che il primo a dirlo sia stato Andy Warhol, anche se ci sono diverse teorie. Ma se fosse vero, cosa voleva dire e perché è importante capire un po' meglio il senso della Factory di Warhol? E che c'entra McLuhan? #andywarhol #warhol #thefactory #warholfactory #warholsuperstars #superstars #popart #artecontemporanea #newyork60s #60sculture #15minutesoffame #celebrità #culturepop #storiadellarte #artpodcast #podcastitaliani #podcastarte #podcastcultura #counterculture #undergroundnyc #velvetunderground #ediesedgwick #candydarling #hollywoodlawn #nico #gerardmalanga Learn more about your ad choices. Visit megaphone.fm/adchoices

"Necesitamos usar la mirada del poeta cuando paseamos por un museo". Esta frase de la gran Estrella de Diego sobrevuela todo este episodio que combina una merienda con Maruja Mallo en Galerías Preciados, la llegada súbita del feminismo a las aulas de Historia del Arte y varias referencias a Jacques Lacan.Doctora en Historia del Arte, miembro del Real Patronato del Museo del Prado, académica de número de la Real Academia de Bellas Artes de San Fernando, Medalla de Oro al Mérito en las Bellas Artes, pionera en los estudios de género en España (¡El andrógino sexuado!), comisaria de exposiciones como la reciente “Warhol, Pollock y otros espacios americanos” (Museo Thyssen, 2025)... Estrella de Diego es uno de nuestros mayores referentes: desde la academia pelea por multiplicar las miradas, trabaja para ofrecer una versión más diversa y enriquecedora de la historia del arte haciéndose preguntas y proponiendo respuestas que nos incluyen y nos apelan a todas.En este episodio grabado en directo en el Teatro del Barrio, en Madrid, charlamos con ella sobre la trascendencia de la mirada para acercarnos al arte, sobre el comercial y atormentado Andy Warhol (al hilo de la reciente reedición en Anagrama de su ensayo "Tristísimo Warhol: Cadillacs, piscinas y otros síndromes modernos"); sobre su referente, el pintor del subconsciente, Jackson Pollock; sobre la fabulosa pintora española Maruja Mallo (solitaria... pero no mucho), de la que Estrella fue amiga y a quien el Museo Reina Sofía dedica su exposición "Maruja Mallo. Máscara y compás"; sobre el ¿autoblanqueamiento? de Juan de Pareja y muchos otros temas que van surgiendo según avanzamos hasta ese final en el que Estrella señala que la sociedad debería querer mirar y conocer en lugar de reconocer y nos invita, una vez más, a ir de cruising al Museo del Prado.Nos emocionamos, nos reímos (mucho) y aprendemos bien arropados por un pocote de compacters en el episodio de nuestros sueños. ¡Disfrutadlo y compartidlo! Gracias, Estrella.

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz share their financial red flags for relationships. With Valentine's Day right around the corner, there's no better time than to have these open and honest conversations about money with your significant other.---

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It's Andy Warhol's Frankenstein... or is it?

Baron Frankenstein creates two "zombies" and plans to mate them in order to create the master race. On this week's episode… Join the crew as we discuss Andy Warhol's horror career, running into Udo Kier in a bar, and the horniest Frankenstein movie you've ever seen, Flesh for Frankenstein (1973).    Show Notes: Housekeeping (4:20) Back of the Box/Recommendations (9:20) Spoiler Warning/Full Review (16:28) Rotten Tomatoes (1:14:20) Trivia (1:19:35) Cooter of the Week (1:23:28) What We've Been Watching (1:31:28) Hotline Scream (1:49:15)   Connect with us: Support us on Patreon Website Instagram YouTube Shop E-mail: straightchillingpodcast@gmail.com Voicemail: 904-638-3231  

Denis Curti"Robert Mapplethorpe. Le forme del desiderio"Palazzo Reale, Milanofino al 17 maggio 2026A Palazzo Reale di Milano, la mostra Robert Mapplethorpe. Le forme del desiderio: un'ampia selezione delle opere più iconiche, potenti, anticonformiste del fotografo statunitense, arricchita da una raccolta di scatti inediti, per offrire ai visitatori di Milano, anche durante il periodo olimpico e paralimpico, la grande opportunità di incontrare l'opera di uno tra i più originali, raffinati e controversi artisti del XX secolo. Promossa da Comune di Milano-Cultura e prodotta da Palazzo Reale e Marsilio Arte in collaborazione con la Fondazione Robert Mapplethorpe di New York, l'esposizione è inserita nell'ambito dell'Olimpiade Culturale di Milano Cortina 2026, il programma multidisciplinare, plurale e diffuso che animerà l'Italia per promuovere i valori Olimpici attraverso la cultura, il patrimonio e lo sport, in vista dei Giochi Olimpici e Paralimpici Invernali che l'Italia ospiterà rispettivamente dal 6 al 22 febbraio e dal 6 al 15 marzo 2026. Curata da Denis Curti, è allestita nelle sale di Palazzo Reale fino al 17 maggio 2026. Nato a New York nel 1946 e morto a Boston a soli 42 anni, Mapplethorpe è uno degli interpreti della controcultura tra gli anni Sessanta e Ottanta, quando la creatività si fa gesto politico e le arti si fondono in nuovi linguaggi di libertà e identità. “Tutto cambia quando l'amica regista Sandy Daley regala a Mapplethorpe una polaroid  - racconta Denis Curti curatore della mostra - e con questa tra le mani, tra il 1970 e il 1971, Robert inizia un percorso legato allo studio del suo autoritratto, concentrato sulla rappresentazione del sesso omoerotico e partendo da se stesso. Nello stesso momento incontra Tom of Finland (pseudonimo di Touko Laaksonen): il primo a dare vita all'estetica omosessuale. Tra di loro nasce una grande amicizia che cambia per sempre la visione di Mapplethorpe. Entrambi esplorano il tema del feticismo, della pelle e della bellezza classica applicata al corpo maschile. Mentre Tom lo faceva con l'esagerazione del disegno, Mapplethorpe lo faceva con la precisione quasi marmorea della fotografia, ma entrambi hanno contribuito a rendere "arte" ciò che prima era considerato solo un materiale sotterraneo”. A Milano protagonista è la sua ricerca estetica, i suoi nudi sensuali che si distinguono per la perfezione formale, una mimesi greca olimpica, in cui risaltano muscolatura e tensione fisica: il corpo, scolpito dall'uso sapiente della luce e dei contrasti, è il mezzo per la sublimazione della sua indagine artistica. “Autodidatta, - continua Denis Curti - Sam Wagstaff (suo mentore e compagno) gli regala nel 1975 la prima Hasselblad, la macchina a medio formato che gli permette di ottenere quella precisione scultorea e quei bianchi e neri perfetti per cui è oggi universalmente conosciuto. L'obiettivo di questa mostra è proprio quello di ricollocare Robert Mapplethorpe nella dimensione della fotografia più alta, tra i più importanti fotografi del XX secolo, oltre la provocazione e oltre la censura”. La costruzione di un percorso espositivo così completo è stata possibile grazie alla generosa collaborazione con la Fondazione Mapplethorpe di New York, creata dallo stesso fotografo nel 1988 pochi mesi prima della sua morte, non solo a tutela del suo lavoro ma anche per finanziare la ricerca medica e i progetti legati alla lotta contro il virus e alla cura dell'HIV.La mostra si snoda infatti attraverso diverse sezioni tematiche con oltre 200 opere che ripercorrono l'intera evoluzione del linguaggio di Mapplethorpe, dagli esordi sperimentali alla maturità stilistica. I primi collage. Il percorso si apre con gli assemblaggi realizzati sul finire degli anni Sessanta. In queste opere, molto rare e poco esposte, in cui Mapplethorpe combina ritagli di riviste, disegni e feticci religiosi, indumenti e oggetti, si riflettono la ricerca sull'identità e il piacere dell'artificio, sperimentati dall'artista con l'obiettivo di creare una relazione con l'altro. Patti Smith e Lisa Lyon. Ampio spazio è dedicato in due sezioni alle muse fondamentali dell'artista. Se i ritratti di Patti Smith immortalano un legame simbiotico e vulnerabile che attraversa decenni, una vera e propria ode indelebile all'amata amica, quelli della campionessa mondiale di bodybuilding Lisa Lyon esplorano una bellezza androgina che trascende le convenzioni di genere, celebrando la potenza fisica attraverso parametri estetici neoclassici. Autoritratti e identità. La sezione degli autoritratti rivela un'introspezione dolorosa e fluida. Mapplethorpe usa la macchina fotografica come uno specchio dell'anima, documentando la propria esistenza dalle pose dandy degli anni Settanta fino alle immagini finali scavate dalla malattia.  Il ritratto. In mostra i volti di celebrità come Andy Warhol, Peter Gabriel, Yoko Ono, Isabella Rossellini. Per Mapplethorpe il ritratto in studio è un incontro tra due anime: un "altare visivo" dove la corporeità viene trasfigurata in leggenda grazie a una cura maniacale per l'equilibrio e la luce. Nudi e fiori. Nudi maschili e femminili celebrano la perfezione classica, sfidando al contempo gli schemi sociali tradizionali. Particolarmente iconiche sono le fotografie dei fiori (calle, orchidee, tulipani), ritratti come apparizioni passionali e "muscoli pulsanti", in bilico tra la sacralità della forma e allusioni delicatamente erotiche. In dialogo con l'Antico. La mostra chiude con una sezione che evidenzia il legame tra la fotografia contemporanea e la statuaria classica. Mapplethorpe usa la sua Hasselblad 500C per "sciogliere" le membra marmoree delle sculture antiche, infondendo loro una scintilla di vita e rendendo la pietra morbida come carne viva.https://marsilioarte.us14.list-manage.com/track/click?u=c47da75d8834873eb7150a10f&id=81ea925391&e=0696917494La retrospettiva Robert Mapplethorpe. Le forme del desidero è il secondo atto di una più ampia trilogia, che ha avuto inizio a Venezia nelle Stanze della Fotografia e proseguirà poi a Roma, al Museo dell'Ara Pacis, dal 29 maggio al 4 ottobre 2026. Ogni evento esplora un percorso di studio e ricerca volto ad approfondire un differente aspetto della figura di Mapplethorpe.  “In Marsilio Arte - afferma Luca De Michelis, amministratore delegato di Marsilio Editori e Marsilio Arte - crediamo che la fotografia sia il linguaggio universale del contemporaneo. Il nostro impegno si concretizza in una visione che unisce la tradizione editoriale di Marsilio alla creazione di grandi progetti espositivi: dalla valorizzazione dei patrimoni di grandi fotografi alla gestione di spazi d'eccellenza come Le Stanze della Fotografia a Venezia. Attraverso una rete culturale che connette città come Venezia, Milano e Roma, vogliamo trasformare l'esperienza di una mostra in un dialogo vivo, dove la qualità del catalogo e il rigore del progetto espositivo si fondono per restituire al pubblico la forza straordinaria dell'immagine”. Accompagnano e approfondiscono la mostra il podcast - disponibile su Spotify, Apple Music e sulle principali piattaforme - Mapplethorpe Unframed, scritto e condotto da Nicolas Ballario, e un catalogo pubblicato da Marsilio Arte, che indaga la vasta produzione e l'evoluzione del linguaggio di Mapplethorpe attraverso 257 opere.Diventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.IL POSTO DELLE PAROLEascoltare fa pensarehttps://ilpostodelleparole.it/

WE STILL HAVE NO NAME... We spend most of this episode wrestling with what to name our new gallery space. The conversation moves through dozens of possibilities—from "Synchronicity" to "Room" to "Keyframe"—trying to find something that isn't pretentious, that wears well over time, and that captures the intersection between a photography gallery, Josh's furniture showroom, and a functional creative space. We talk about Star Wars naming, city names, and why the best names feel obvious once you hear them.Beyond the naming problem, we dig into what this space actually needs to be. Not a stark white-wall gallery, not a packed vintage shop, but something in between—a place that feels lived-in and functional while still formally presenting work. We discuss projectors versus CRT TVs, lighting strategies, and how to arrange furniture so the space encourages conversation rather than commerce. The bigger goal emerges: creating a scene in Omaha for street photographers and creative people, a place comparable to Warhol's Factory or the Neistat brothers' studio—somewhere work gets made because there's a community constantly pushing each other. We talk about curation philosophy, the difference between selling objects and presenting a way of seeing, and building trust with an audience by being selective about what gets shown. -Ai If you enjoyed this episode, please consider giving us a rating and/or a review. We read and appreciate all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt's YouTube Channel: https://geni.us/MatthewOBrienYT Matt's 2nd Channel: https://geni.us/PhotoVideosYT Alex's YouTube Channel: https://geni.us/AlexCarterYT Matt's Instagram: https://geni.us/MatthewIG Alex's Instagram: https://geni.us/AlexIG

The finest minds in video games discuss the evolution of turn-based combat, turning pixels into symphonies, and the devastating return of Violence Island. Hosted by Alex Jaffe, with Frank Cifaldi, Ash Parrish, and Brandon Sheffield. Edited by Esper Quinn, original music by Kurt Feldman. Watch episodes with full video on YouTube Discuss this episode in the Insert Credit Forums SHOW NOTES: Audacity E3 Doctor Who Doctor Manhattan Blink Tom Baker Sherlock Steven Moffat Daliens Cybermen “Do you think people are happy in this wizard kingdom?” Mega Man series Clown Man It Nicole Kidman Kid n' Play 1: What tips you off that someone discussing video games has no idea what they're talking about? (06:08) New York Times IGF Awards Call of Duty series Mega Man: Legacy Collection Batman Superman Zack Snyder Madden series Daryl Hall & John Oates - Out Of Touch 2: How have turn-based battle systems evolved over 30 years? (11:58) Clair Obscur: Expedition 33 Shin Megami Tensei series Valkyria Chronicles Final Fantasy XII Parasite Eve Mario + Rabbids: Kingdom Battle Metaphor: ReFantazio Kingdoms of the Dump The Doors - Riders On The Storm Final Fantasy X-2 3: On what occasions have you wished a game was harder? (17:27) Soulslike Gunstar Heroes Bayonetta 3 Pokemon series 4: If we were to re-establish an official video game seal of quality, what would be the qualifying criteria? (21:41) Official Nintendo Seal Steam Deck 5: Syswivv asks, what kind of video game would Andy Warhol have made? (28:08) Andy Warhol Madonna Fortnite CD-i Eric Idle Starship Titanic Harlan Ellison Harlan Ellison: I Have No Mouth, and I Must Scream CD+G Sega CD Empire (1965) Peter Molyneux MAGFest GDC Bubsy 3D: Bubsy Visits the James Turrell Retrospective James Turrell 6: Describe Bubsy 3D: Bubsy Visits the James Turrell Retrospective to Ash (32:24) Arcane Kids Donut County Bubsy series 7: What's the best use a game has ever made of being able to click in the analog stick? (34:39) The Godfather: The Game Manhunt God of War III Oedipus Yanya Caballista: City Skater Katamari Damacy Kinect Ghost (1990) Octodad: Dadliest Catch 8: Who is your favorite video game character to debut in the last ten years? (40:39) Crow Country Mara Forest Hollow Knight: Silksong Hornet Bayonetta series Bayonetta Nier: Automata 2B Indika Final Fantasy XV Prompto Argentum Ignis Scientia Overwatch Tracer Baldur's Gate III Astarion Balan Wonderworld Balan Concord LIGHTNING ROUND: Violence Island (46:02) Recommendations and Outro (01:01:52): Brandon: The Most Terrible Time in My Life (1993), Gnosia, yucca Ash: Put chili crisp on everything, Support Laid-off Vox Media Workers Frank: Lil' baby potatoes This week's Insert Credit Show is brought to you by patrons like you. Thank you. Subscribe: RSS, YouTube, Apple Podcasts, Spotify, and more!

The finest minds in video games discuss the evolution of turn-based combat, turning pixels into symphonies, and the devastating return of Violence Island. Hosted by Alex Jaffe, with Frank Cifaldi, Ash Parrish, and Brandon Sheffield. Edited by Esper Quinn, original music by Kurt Feldman. Watch episodes with full video on YouTube Discuss this episode in the Insert Credit Forums SHOW NOTES: Audacity E3 Doctor Who Doctor Manhattan Blink Tom Baker Sherlock Steven Moffat Daliens Cybermen “Do you think people are happy in this wizard kingdom?” Mega Man series Clown Man It Nicole Kidman Kid n' Play 1: What tips you off that someone discussing video games has no idea what they're talking about? (06:08) New York Times IGF Awards Call of Duty series Mega Man: Legacy Collection Batman Superman Zack Snyder Madden series Daryl Hall & John Oates - Out Of Touch 2: How have turn-based battle systems evolved over 30 years? (11:58) Clair Obscur: Expedition 33 Shin Megami Tensei series Valkyria Chronicles Final Fantasy XII Parasite Eve Mario + Rabbids: Kingdom Battle Metaphor: ReFantazio Kingdoms of the Dump The Doors - Riders On The Storm Final Fantasy X-2 3: On what occasions have you wished a game was harder? (17:27) Soulslike Gunstar Heroes Bayonetta 3 Pokemon series 4: If we were to re-establish an official video game seal of quality, what would be the qualifying criteria? (21:41) Official Nintendo Seal Steam Deck 5: Syswivv asks, what kind of video game would Andy Warhol have made? (28:08) Andy Warhol Madonna Fortnite CD-i Eric Idle Starship Titanic Harlan Ellison Harlan Ellison: I Have No Mouth, and I Must Scream CD+G Sega CD Empire (1965) Peter Molyneux MAGFest GDC Bubsy 3D: Bubsy Visits the James Turrell Retrospective James Turrell 6: Describe Bubsy 3D: Bubsy Visits the James Turrell Retrospective to Ash (32:24) Arcane Kids Donut County Bubsy series 7: What's the best use a game has ever made of being able to click in the analog stick? (34:39) The Godfather: The Game Manhunt God of War III Oedipus Yanya Caballista: City Skater Katamari Damacy Kinect Ghost (1990) Octodad: Dadliest Catch 8: Who is your favorite video game character to debut in the last ten years? (40:39) Crow Country Mara Forest Hollow Knight: Silksong Hornet Bayonetta series Bayonetta Nier: Automata 2B Indika Final Fantasy XV Prompto Argentum Ignis Scientia Overwatch Tracer Baldur's Gate III Astarion Balan Wonderworld Balan Concord LIGHTNING ROUND: Violence Island (46:02) Recommendations and Outro (01:01:52): Brandon: The Most Terrible Time in My Life (1993), Gnosia, yucca Ash: Put chili crisp on everything, Support Laid-off Vox Media Workers Frank: Lil' baby potatoes This week's Insert Credit Show is brought to you by patrons like you. Thank you. Subscribe: RSS, YouTube, Apple Podcasts, Spotify, and more!

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz poke holes in the financial advice your parents gave you that's now wrong. They then offer their own advice as we're living in an unprecedented time. ---

“Here they come, marching into American sunlight.” In Episode 33, DDSWTNP follow Mao II from this opening line into a chilling view of a mass Moonie wedding at Yankee Stadium, and on into the story of reclusive novelist Bill Gray, whose work, maybe, has a chance of deprogramming the mind and language of Karen Janney, one of the participants in that wedding – but maybe not, given the totalizing dominance by images that this novel documents. Our conversation delves into the several rich dialogues Mao II is known for, especially that about (quoting Bill) the “curious knot that binds novelists and terrorists,” the differing attempts by writers and bomb-makers to “alter the inner life of the culture” and “make raids on human consciousness” that DeLillo juxtaposes in this novel, which follows the writer from his cloying “bunker” to London, Athens, and (almost) Lebanon, while also taking in scenes from Iran, China, and the homeless encampments of lower Manhattan. Throughout we discuss the many followers of and sequels to Mao and Maoism DeLillo analyzes, all the ways his characters foolishly seek, outside the values of deep reading and the novel, scenes of “total vision” and messianic “total being,” the “lightning-lit” language of information and the terrorist's mastery of “the language of being noticed.” We examine in detail as well the effects of Andy Warhol's work as DeLillo sees it; what it means that readers never learn much at all about the content of Bill's famous novels; the commonalities he has with Rushdie, Salinger, Pynchon, and DeLillo himself; and why terrorist go-between George Haddad loves word processors so much. We also have a lot to say about the ailing, injured body and spirit of Bill Gray, as well as the simplicity of spoons and what they might teach us about objects and art. Mao II is a book that, as we say in the episode, sums up much of the DeLillo that came before it, lays the groundwork for the masterpiece to come, and contains so many of what have come to seem over the years since 1991 (and over the run of our episodes) the foundational DeLillo ideas and questions, especially ones about politics, violence, and images. Hope you'll have a listen and, if moved, tell us what you think! Texts referred to in this episode: David Cowart, Don DeLillo: The Physics of Language. Athens: U. of Georgia P., 2002. “Mao II is a sort of rest-and-motion book, to invent a category.  The first half of the book could have been called ‘The Book,' Bill Gray talking about his book, piling up manuscript pages, living in a house that operates as a kind of filing cabinet for his work and all the other work it engenders. And the second half of the book could have been called ‘The World.'  Here, Bill escapes his book and enters the world. It turns out to be the world of political violence . . . I was nearly finished with the first half of the book before I realized how the second half ought to be shaped. I was writing blind . . .” –“Don DeLillo: The Art of Fiction CXXXV,” The Paris Review 128 (1993): 274-306. Interview by Adam Begley. “I called him Bill Gray just as a provisional name,” DeLillo says. “I used to say to friends, 'I want to change my name to Bill Gray and disappear.' I've been saying it for 10 years. But he began to fit himself into the name, and I decided to leave it.” –Vince Passaro, “Dangerous Don DeLillo,” New York Times Magazine, May 19, 1991 (https://www.nytimes.com/1991/05/19/magazine/dangerous-don-delillo.html) Mark Osteen, American Magic and Dread: Don DeLillo's Dialogue with Culture. Philadelphia: U. of Pennsylvania P., 2000. Sources of interlude clips from Warhol and Moon: https://www.youtube.com/watch?v=9vCKc7r8U8Ehttps://www.youtube.com/watch?v=GiCYKJc_VwI

El programa de hoy lo llamamos ESTRELLAS. Comienza Isabel confesando que vive na crisis de estálo. Sí, eso existe. Y que no sabe bien que ponerse. Hoy no va a hablar “de una forma transversal”de Marlene Dietrich, la famosísima leyenda alemana que emigró a los USA. Billy Wilder decía que Marlene era sinónimo de glamour, claro, que no conocía a Isabel Calderón… Aprenderemos cosas como: “es didicil ir de blanco en invierno a no ser que sea un blanco hueso…”. OK. Next. También nos habla del color pantone de la año que es., oh sorpresa, BLANCO.  Repasa su carrera en Alemania y en los EEUU. ‘El ángel azul', ‘Morocco', y otras. Y tambo su estilo: totalmente adelantado a su tiempo radical… PAN-TA-LO-NES. También acuchamos a Isabel definir a la Dietrich como, atentas:  “la Primera Marta Sánchez de la historia…”. Genial figura dentro y fuera de la pantalla. Acompañamos a conocerla.  Lucía nos descubre a “una personaja de la contracultura neoyorquina”, Brigid Berlin. Una de las artistas más importantes en el Nueva York de los años 70.  De familia de recursos: los amigos de su papá eran Hoover o Richard Nixon, con lo que vivió su infancia rodeada de una élite económica y republicana. Su madre le daba, cuando ella tenía 6 años, un dólar por cada kilo que bajara… EJEM.  En los 60 se distancia se su familia y como tenia un trust de estos de los ricos yankees en que le según sus reglas le daban 100.000 dólares si se casaba… pues se casó. Con un señor homosexual. Su familia, oh, otra sorpresa, la repudió. Conoció a Andy Warhol y se pasaba la vida en su estudio. A Warhol le fascinaba su capacidad de mezclar lo público y lo privado. Colaboraron mucho tiempo. Performances, drogas y creación, mucha creación, incluyendo CHELSEA GIRLS, una de la películas experimentales más flipantes de todos los tiempos.  Conoce la historia de esta mujer que documentó como nadie el Nueva York de los 60 y 70.  _____________________________________________ Este programa y todo lo demás es posible gracias a personas como tú. Accede a todos los programas íntegros y a contenido extra en nuestro Patreon: https://patreon.com/deformesemanal Y ven a vernos a los teatros: https://linktr.ee/deformesemanalidealtotal Gracias. Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:59:07 - Toute une vie - par : Matthieu Garrigou-Lagrange, Virginie Bloch-Lainé - La figure d'Andy Warhol est centrale lorsqu'il s'agit d'évoquer le destin à la fois fugace et durable du Velvet Underground. C'est Warhol qui produit leur premier album, Warhol qui pousse Nico (avec laquelle il travaille déjà) à y poser sa voix. Warhol aussi qui signe la fameuse banane. Portrait. - réalisation : Pascale Rayet - invités : Alain Cueff Historien de l'art, commissaire de la rétrospective Andy Warhol au Grand Palais en 2009 “Le Grand monde de ‘Andy Warhol”; Michel Bulteau Poète et éditeur français; Mériam Korichi Spécialiste de Spinoza, dramaturge et metteure en scène, créatrice des nuits de la philosophie; Thomas Lélu Artiste plasticien et photographe français; Cécile Guibert Essayiste, romancière et journaliste française

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Adele Bertei got a Greyhound to New York in 1977 intent on joining a band. James Chance thought she “looked like a pimp” and hired her as the organist in the Contortions, an instrument she couldn't play. Her memoir No New York captures the most intoxicating times imaginable, the rise of Blondie, Talking Heads, Television, Madonna and her fellow raft of No Wave cheerleaders in pursuit of dismantling music. Highlights include … … the local priest recommending the Velvet Underground when she was 11 … “imbibe and dream”: her weekend with Lester Bangs … the rubble-filled New York wasteland of 1977, landlords setting fire to property just to claim the insurance … the No Wave circuit: crowd violence and singers who either talked or screamed .. her rivalry with Madonna: “our labels didn't want people to know we were white” … the local Cleveland “Rust Belt” - Pere Ubu, Chrissie Hynde, Devo … why Warhol, Ginsberg and Burroughs seemed laughably outmoded … Brian Eno's shopping list … the power of Tina Weymouth, Patti Smith and Debbie Harry (“sexy but with a snarl”) and why New York's venues are internationally mythical. Order Adele Bertei's ‘No New York' here: https://www.faber.co.uk/product/9780571386154-no-new-york/?srsltid=AfmBOor2IKVLRyzzZDisLz_8cTGDYIjDXphZVU9Lw5drAd4CdKR1KVhs Adele with Thomas Dolby on Whistle Test: https://www.youtube.com/watch?v=JQ3bGioFCXUHelp us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

La Factory est le nom donné au grand atelier-studio new‑yorkais d'Andy Warhol, qui est devenu dans les années 1960–70 un lieu emblématique mêlant création artistique, vie mondaine et contre‑culture.La Factory est d'abord l'atelier d'artiste où Warhol produit l'essentiel de ses œuvres de pop art (sérigraphies, peintures, commandes, etc.). C'est aussi un studio de tournage et d'enregistrement pour ses films expérimentaux, photographies et projets multimédias.-------------N'hésitez pas à aller visiter notre site racontemoinewyork.com Retrouvez tous les liens des réseaux sociaux et des plateformes du podcast ici : https://linktr.ee/racontemoinewyorkHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz share their biggest financial red flags and green flags. If you find yourself stacking a few of these red flags, take action to flip them green!---

In what is certainly one of the odder pop cultural moments of the 20th century famed artist Andy Warhol guest stars in the 200th episode of The Love Boat, a guest spot he requested! And if you're wondering whether Warhol is any good playing himself on a TV show, the answer is absolutely not and we wouldn't want it any other way.Before that: the Oscar noms! The trailer for Masters of the Universe! A probing question about the multiversal existence of Dan Aykroyd's Doctor Detroit! And so much more. If you don't care about any of that and want to just board the Pacific Princess skip to 1:08:52.Want your questions answered on the show? Send an email to ask.cinema.sangha@gmail.com and ask away, and ask about pretty much anything at all. Make sure your subject line contains the name of the show on which you want your question answered. One question per email, please, but feel free to send in multiple emails!Listen to our four hour extravaganza about Iron Man 3, available only to those at the $7 and above levels. You gotta revisit this one before Wonder Man!Want to show the world you support this weird podcast? Check out our supply of merch that is mostly made up of in-jokes for Derek. Click here!Spread the word! Tell your friends about us! And go to our YouTube channel and subscribe to our video feed!

Andy Warhol is one of the most recognisable artists of the 20th century, but after his death in 1987, it was what he owned that truly shocked the art world. Hidden inside his New York townhouse was a vast, obsessive, and deeply personal collection: furniture, fine art, kitsch, cookie jars, watches… and an extraordinary cache of jewellery he never wore in public. In this episode, we explore Andy Warhol the collector — from flea-market finds to Cartier, from Elsa Peretti for Tiffany to surrealist jewels by Salvador Dalí, modernist designs by Jean Després and the aquamarine parure once worn by Joan Crawford. We unpack the legendary Sotheby's auctions that followed his death, the records they broke, and the moment a second secret stash of jewels and watches was discovered hidden in false-bottom drawers. A story of taste, obsession, secrecy, and the quiet extravagance behind one of art's loudest icons. www.courtville.ie Get social with Courtville, follow us on Instagram, Facebook, and TikTok This podcast was produced for Courtville by Tape Deck

Before OnlyFans, before the internet, there were French postcards.Blue Movie from This Body traces the hidden history of pornography and its impact on desire, labor, and culture. From French erotic postcards to stag films, Warhol's downtown New York, Deep Throat, VHS vixens, and today's OnlyFans economy, this series asks: how did we get here, and what has porn done to our bodies and fantasies?JOIN PATREON! BONUS CONTENT! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit sofiacaramella.substack.com/subscribe

Synopsis What exactly is authority? Where does it come from? How do you get it? Can you move authority from St. Paul, MN to the south side of Chicago? Join Em and Jesse for a wide-ranging chat on the subject. Notes 1/ Of course, many people in addition to women have a hard time getting others (i.e. non-group members) to pay attention to their authority. For example, trans and nonbinary people have a hard time getting anyone to listen to them speaking about their own lived experiences. 2/ I’ve published four novels and a novella since this was recorded, and people actually do think I’m an authority on some topics for some reason. 3/ The story about Aristotle’s phony translators comes from here, I think: https://historyofphilosophy.net/translation-movement Pseudopigrapha: from pseudo, false, and epigraphe, name or inscription. A falsely attributed text. U of Michigan’s Galileo text: “After an internal investigation of the findings of Nick Wilding, professor of history at Georgia State University, the library has concluded that its “Galileo manuscript” is in fact a 20th-century forgery. We’re grateful to Professor Wilding for sharing his findings, and are now working to reconsider the manuscript’s role in our collection.” Also, “Wilding concluded that our Galileo manuscript is a 20th-century fake executed by the well-known forger Tobia Nicotra.” (The quotes are from the linked website.) 4/ According to the Virginia Woolf society, the actual quote is: “I would venture to guess that Anon, who wrote so many poems without signing them, was often a woman.” (From ch 3 of A Room of One’s Own.) Pseudo-Dionysius the Areopagite (5th/6th century CE)) Pseudo-Pseduo-Dionysius is anyone once thought to be Pseudo-Dionysius but now recognized (by modern scholars) to be someone other than Pseudo-Dionysius. Confused? 5/ Pseudo-Bonaventure (14th century CE) wrote Meditations on the Life of Christ. 6/ I’ve become a bit more familiar with copyright law in the three years(!) since we recorded this, since I’ve published three going on four books of my own since then. A really good example of a point I think past Em is trying to make is Sherlock Holmes, who has recently passed into public domain. He’s a neat character and everyone wanted to play with him (look at the adaptations of recent memory: the Robert Downey Jr. films, the BBC’s Sherlock, the American Elementary). But because of copyright law, this was fairly difficult and confusing until very recently, despite the character’s creator having been dead since 1930. These cases raise many questions of authorship vs ownership and how long someone should really be able to make money on an idea. (Patent Law is, if anything, worse, from what I understand.) 7/ It was a photograph of Prince! Since we recorded this, the Supreme Court sided against Andy Warhol’s estate: https://www.npr.org/2023/05/18/1176881182/supreme-court-sides-against-andy-warhol-foundation-in-copyright-infringement-cas Girl Talk is awesome: https://www.youtube.com/watch?v=kSoTN8suQ1o I mention him because there was a really good documentary about copyright called RiP! A Remix Manifesto that discussed his work (including a discussion of it with the head of the copyright office of the Library of Congress). 8/ Just to clarify, “fair use” is kind of a complicated issue. When you are a non-commercial educational podcast (ahem), you can use things (like samples of YouTube performances) without having to pay licensing fees. You can also fairly quote sections of things for criticism, news reporting, and research. You can therefore quote lines from songs or poems in textbooks, but not in novels because they aren’t considered teaching. Parody (hello, Weird Al!) can be a weird gray area, because a parody obviously has to be somewhat transformative but still retain enough of a likeness that people will know what you’re parodying, and on this question hangs a lot of lawsuits. (Not toward Weird Al though, as far as I know. But Margaret Mitchell’s estate did try to sue to block the publication of The Wind Done Gone.) See also: Why does Ulysses (in Em’s novels) wear so many band T-shirts and occasionally mention songs and artists, but there are zero song lyrics in the books? Because you can’t copyright band names or album/song titles. Steamboat Willie has actually entered public domain since we recorded this! [So amazing!–Jesse] Peter Pan actually first appeared in 1902! Also, sorry, “Peter Pan is a psychopomp” is somehow not a sentence I had on my bingo card. I guess it has lost a bit in its translation to the screen… On the plus side, SIDS rates have dropped dramatically since 1902? “I can rewrite Macbeth if I want to.” Or a really complex riff on The Bacchae? Em of 2022 did not know what was coming, lol. 9/ Notably, Spivak also quotes primarily women. The episode on Hrotsvit: Episode 22 10/ For more on Juliana of Cornillion and the Feast of Corpus Christi, see Episode 6. 11/ Wife of Bath’s Prologue and Tale are HERE. (Also, Chaucer was not, as far as we know, toxic like Joss Whedon!) 12/ Incidentally, violent, in-the-moment reactions to mistreatment by another person are called reactive abuse, and they’re often used by abusers to shift the blame onto their victims. If you are being abused or wondering if you are and want to talk to someone, check out the National Domestic Violence Hotline (https://www.thehotline.org/), or look for local programs. Here in Madison, for instance, we have Domestic Abuse Intervention Services (https://abuseintervention.org/).

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz sit down to have an honest conversation with the CEO of Affirm, Max Levchin. To keep up with Max, consider following him on LinkedIn and X! You can also follow Affirm on X. ---We're thrilled to introduce the Rich Habits Money Map! If you're someone ready to automate your saving and investing, the Rich Habits way, this workflow by Sequence is for you. Click here to sign up for Sequence and gain access to our Rich Habits Money Map! ---

Timestamps: 0:00:46 - Wired for chaos 00:01:45 - Allen Ginsberg 00:04:00 - The documentary 00:07:14 - Anthony Bourdain 00:11:06 - Growing up in New York 00:17:18 - Warhol! 00:18:19 - Introduction to punk rock 00:22:37- First musical memory, The Clash 00:24:00 - On being a drummer first 00:24:31 - The Lower East Side in the 70s 00:36:00 - The stimulators 00:37:15 - Early recordings 00:39:25 - Having a hit out for Harley 00:44:12 - The formation of the Cro Mags 00:47:30 - The downfalls of the band 00:48:00 - Possible reunion? 00:49:51 - The night at Webster hall 1:00:21 - New cro mags music 1:01:52 - Top 5 bass players 1:06:22 - Top 5 metal records Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of Lipps Service, Scott sits down with hardcore punk icon Harley Flanagan, founder of Cro Mags, for a raw and wide ranging conversation on Lipps Service. From Harley's chaotic early life and growing up in 1970s New York City to encounters with Allen Ginsberg, Andy Warhol, and Anthony Bourdain, the interview traces the cultural collision that shaped one of hardcore's most influential figures. Harley dives into his first musical memories, discovering punk rock and The Clash, starting out as a drummer, and surviving the Lower East Side scene as it exploded. He reflects on early bands like The Stimulators, the formation of Cro Mags, and the possibility of reunions, while also discussing new Cro Mags music. The episode closes with Harley's top five bass players and top five metal records, making this a must-listen deep dive into punk, metal, and New York underground history.Timestamps: 0:00:46 - Wired for chaos 00:01:45 - Allen Ginsberg 00:04:00 - The documentary 00:07:14 - Anthony Bourdain00:11:06 - Growing up in New York00:17:18 - Warhol! 00:18:19 - Introduction to punk rock 00:22:37- First musical memory, The Clash 00:24:00 - On being a drummer first 00:24:31 - The Lower East Side in the 70s 00:36:00 - The stimulators 00:37:15 - Early recordings 00:39:25 - Having a hit out for Harley00:44:12 - The formation of the Cro Mags 00:47:30 - The downfalls of the band 00:48:00 - Possible reunion?00:49:51 - The night at Webster hall1:00:21 - New cro mags music 1:01:52 - Top 5 bass players 1:06:22 - Top 5 metal records

The boys are back and ready to kick off the new year.They talk about Andy Warhol's Factory and wither it was good or bad for those involve. Plus they shamelessly plug a bunch of new art events coming up this month.Artattheedge.comPatreon.com/gapotheclown

Send us a textA forged Warhol can fool a buyer, but it can't outrun metadata. We open the year with a case where art fraud, marital strain, and a chilling digital footprint converge: the murder of Anna Walsh and the conviction of her husband, Brian. What began with forged “Shadows” and private checks morphed into a slow-burn crisis—federal charges, stalled accountability, and a family split between Massachusetts and Washington, D.C. Anna built a new life and a new home, hoping legal closure would reunite her with her children. Instead, a New Year's dinner became the last time friends saw her alive.We chart the full arc of the Warhol scheme: the borrowed originals, the convincing reproductions, the eBay listings under Anna's name, and the LA gallery deal that unraveled when frames came off and stamps were missing. Then the focus shifts to January 2023—store receipts, hydrogen peroxide, a mask on camera, and a cascade of searches on household devices about decomposition, trash routes, and CCTV retention. There was no body to recover, but the tools seized carried her DNA, and the surveillance trail showed where the evidence went. Friends and a boyfriend added context: a woman pleading for accountability, longing for her kids, and trying to chart a path forward.The defense offered a story of sudden death and panic; the jury took six hours to return a first-degree murder verdict. We lay out why: motive grounded in control, money, and exposure; method captured by timestamps and purchase histories; and a portrait of a man whose fraud spilled from galleries into a marriage. It's a rare no-body case that underscores how search history, receipts, and cameras can replace the physical evidence we expect. Listen for a clear, human look at the choices that led here, the investigation that tied them together, and the hard questions left behind for Anna's family.If this resonated, share the episode with a friend, follow the show, and leave a review—your support helps more listeners find thoughtful, evidence-driven true crime stories.www.texaswineandtruecrime.com

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz share the three mindset traps keeping people broke in the new year.---

On this episode of Lipps Service, Scott sits down with hardcore punk icon Harley Flanagan, founder of Cro Mags, for a raw and wide ranging conversation on Lipps Service. From Harley's chaotic early life and growing up in 1970s New York City to encounters with Allen Ginsberg, Andy Warhol, and Anthony Bourdain, the interview traces the cultural collision that shaped one of hardcore's most influential figures. Harley dives into his first musical memories, discovering punk rock and The Clash, starting out as a drummer, and surviving the Lower East Side scene as it exploded. He reflects on early bands like The Stimulators, the formation of Cro Mags, and the possibility of reunions, while also discussing new Cro Mags music. The episode closes with Harley's top five bass players and top five metal records, making this a must-listen deep dive into punk, metal, and New York underground history.Timestamps: 0:00:46 - Wired for chaos 00:01:45 - Allen Ginsberg 00:04:00 - The documentary 00:07:14 - Anthony Bourdain00:11:06 - Growing up in New York00:17:18 - Warhol! 00:18:19 - Introduction to punk rock 00:22:37- First musical memory, The Clash 00:24:00 - On being a drummer first 00:24:31 - The Lower East Side in the 70s 00:36:00 - The stimulators 00:37:15 - Early recordings 00:39:25 - Having a hit out for Harley00:44:12 - The  formation of the Cro Mags  00:47:30 - The downfalls of the band 00:48:00 - Possible reunion?00:49:51 - The night at Webster hall1:00:21 -  New cro mags music 1:01:52 -  Top 5 bass players 1:06:22 - Top 5 metal records 

listen without inserted ads at www.patreon.com/dopeypodcastsend emails and voicemails to dopeypodcast@gmail.comOn this Dopey Wednesday!  We get super spiritual about fear, gratitude and love! We read spotify comments which were super sweet. And then we dive deep with legendary actor and recovering addict Ned Van Zandt. Ned takes us from snorting heroin with Andy Warhol superstars in 1978, to living at the Chelsea Hotel the exact week Sid Vicious and Nancy Spungen moved in, to fronting Sid heroin and eating at Burger King with him the day after Nancy's murder. He shares his belief about who really killed Nancy, his years shooting heroin and meth, multiple relapses, jail, and finally finding lasting recovery.Ned also talks about being Townes Van Zandt's cousin, his acclaimed one-man show “Delle Valley: A True Tale of Sex, Drugs, Rock & Roll and Redemption,” and now running the Upper West Side sober living house Transcend NYC.All this and MUCH MORE on The Wednesday Dose!   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Happy New Year, Beauties! I wanted to start 2026 by shifting focus from productivity to seeking inspiration from creative figures. Instead of advocating for work ethic and goals, I introduce you all to my 'creative board of directors' to offer perspective. Diana Vreeland, Andre Leon Talley, Zora Neale Hurston, Walt Whitemand, and Thich Nhat Hanh are the 'creative ancestors' who help guide the way I live and work. In this episode, we explore the wisdom I've gleaned from these people, from keeping one's imagination fresh like Diana Vreeland wrote about, to the importance of not shrinking oneself, as taught by Andre Leon Talley. I reflect on Andy Warhol's views on combining commerce with creativity, and highlight the spiritual resilience of writers Zora Neale Hurston and transcendentalist Walt Whitman. To conclude, I drew on the wisdom from the mindfulness teachings of Vietnamese Zen Buddhist monk Thich Nhat Hanh regarding the importance of being present. Tune in for a reminder to embrace the present moment, stay curious, and relish the current season of their lives.Rate, Subscribe & Review the Podcast on Apple Join the Naked Beauty Community on IG: @nakedbeautyplanet Thanks for all the love and support. Tag me while you're listening @nakedbeautyplanet & as always love to hear your thoughts :) Check out nakedbeautypodcast.com for all previous episodes & search episodes by topicShop My Favorite Products & Pod Discounts on my ShopMyShelfStay in touch with me: @brookedevard Hosted on Acast. See acast.com/privacy for more information.

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz walk you through how to approach 2026 month by month to ensure you're checking all of the financial boxes. ---

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz talk about building an "anti-budget" in 2026. ---

In this solo episode of the Create! Podcast, host Ekaterina Popova explores why maintaining a personal art practice is essential not only for artistic growth, but for mental and nervous system regulation, resilience, and overall well-being. Whether you are a professional artist navigating deadlines or a creative seeking to reconnect with your practice, this episode breaks down the neuroscience behind why our brains need art. Kat shares research-backed insights, practical studio strategies, and mindset shifts to help you build a sustainable creative routine, even with a busy life. This episode is both grounding and actionable, offering permission to create imperfectly and consistently, without pressure or performance.   Join the 100 Day Painting Challenge: https://www.paintwithkat.com/challenge   In This Episode, You Will Learn: Why art-making is a powerful tool for nervous system regulation. How creative flow quiets the inner critic and reduces anxiety. Why habit and process matter more than finished results. Simple ways to lower friction in your studio and make starting easier. How to separate the creator from the editor to protect your daily practice.   Key Takeaways: The Science of Art Research from Drexel University found that just 45 minutes of art-making led to a significant drop in cortisol levels for 75 percent of participants, regardless of skill or experience. Silencing the Inner Critic Entering a creative flow state—a concept popularized by psychologist Mihaly Csikszentmihalyi—quiets the Default Mode Network (DMN), the part of the brain linked to rumination and self-judgment. The "Bad Art" Rule Strong bodies of work are built by allowing yourself to make "bad art" and prioritizing consistency over perfection. The focus should be on habit formation rather than a final product. Mise en Place for the Studio Borrowing from the culinary world, preparing your materials and workspace in advance (even if just a simple setup) reduces friction and makes it easier to begin your next session. Creator vs. Editor When you are in the studio, you are the creator; judgment and editing come later. Separating these roles prevents the pressure to produce "portfolio-ready" work from paralyzing your practice.   Memorable Quotes: "When I say come home to your art, I mean physically altering your brain chemistry to reduce stress, silence your inner critic." "The nervous system does not give a crap... it cares about the process, it cares about the meditative act of art making." "The key isn't necessarily finding more time is protecting the time that you have and prioritizing your own work over everyone else's." "At its core, [art] is a survival mechanism for sensitive people. It's the way we process life." "Don't think about making art, just get it done. Let everyone else decide if it's good or bad, whether they love it or hate it. While they are deciding, make even more art." — Andy Warhol (referenced in episode)   Mentioned in This Episode: Your Brain on Art (Book) Atomic Habits by James Clear Drexel University Cortisol Study   Connect & Resources: Join the 100 Day Painting Challenge: https://www.paintwithkat.com/challenge Website: https://www.createmagazine.co Substack: https://createmagazine.substack.com

In this week's episode of the Rich Habits Podcast, Robert Croak and Austin Hankwitz fix the hidden hangover of holiday debt. ---

In the mid-'90s, two high-end New York art galleries began selling one fake painting after another – works in the style of Jackson Pollock, Andy Warhol, Mark Rothko and others. It was the largest art fraud in modern U.S. history, totaling more than $80 million. Our first story looks at how it happened and why almost no one ever was punished by authorities. Our second story revisits an investigation into a painting looted by the Nazis during World War II. More than half a century later, a journalist helped track it down through the Panama Papers. This is an update of an episode that originally aired in January 2020.  Support Reveal's journalism at Revealnews.org/donatenow Subscribe to our weekly newsletter to get the scoop on new episodes at Revealnews.org/weekly Connect with us onBluesky, Facebook and Instagram Learn about your ad choices: dovetail.prx.org/ad-choices