Podcasts about design center

While fresh back from the Florida Dental Lab Association meeting in Orlando, THANKS JENSEN DENTAL (https://jensendental.com/)… we are still bringing you conversations from the exocad (https://exocad.com/) booth from the largest dental show in the world, IDS in Cologne Germany (https://www.english.ids-cologne.de/). But first… We are many, many months away from Chicago in February, but our very own Barb Warner is going to be the very first female Chair of the Cal-Lab Association (https://cal-lab.org/) that is over 100 years old. Let's make this the most well-attended event ever. Head over to Cal-Lab.org and sign up for this amazing meeting that takes place the Thursday and Friday of the same weekend as Lab Day Chicago. Let's all plan to go and support Barb! Now, first up we chat with a dentist from India, Dr. Manish Chhabra. After going though the school, Dr. Chhabra discovered that he really had a fondness for digital design. So he opened a lab. Eventurally he meets the owner of Leixir Dental Lab Group (https://www.leixir.com/) and formed a partnership to open a design center in India to support the group of labs. Starting with 2 employees and taking it to 300, Dr. Chhabra learned all about training and scaling. Now he has set off and created dgadental.com (https://dgadental.com/) to train clinicans and technicians using VR headsets. Then we sit down with someone from Ivoclar (https://www.ivoclar.com/en_li) that has a lot to do with their success, Tobias Specht. Tobias came on the podcast about 2 years ago and this time stops by to update us on celebrating 20 years of emax (https://www.ivoclar.com/en_li/products/metal-free-ceramics/all-ceramics) , their new Ivotion Printed Base (https://www.ivoclar.com/en_li/products/digital-processes/3d-printing-materials) and how easy it is to reline, what Ivoclar has going on at IDS in their two booths, and a new way to mill emax faster. So much is covered, it's hard to believe it all new from Ivoclar. Take it from Laura Prosser, the digital marketing manager for Ivoclar North America (https://www.ivoclar.com/en_us). She would like to invite you to start following them on Instagram. It's your chance to obtain exclusive updates on product announcements, industry news, upcoming educational events, and heartwarming stories about our local team and industry professionals. Let's get social together. Simply start following us on Instagram @Ivoclar.na (https://www.instagram.com/ivoclar.na/). We'll see you there. Special Guests: Dr Manish Chhabra and Tobias Specht.

BOH executive editor Fred Nicolaus and editor in chief Kaitlin Petersen discuss the biggest news in the design world, including the latest on tariffs, Williams-Sonoma's surprise acquisition and a spotlight on Midwestern design.This episode is sponsored by LoloiLINKSBusiness of Home

How is AI redefining the way we learn? Why are simulations a powerful tool to close skill gaps?My guest on this episode is John Sangimino, Associate Director, Learning Design Center of Excellence at McKinsey & CompanyDuring our conversation John and I discuss:The three essential truths of learning design—and why all learning is experientialThe behavioral science behind why people don't always apply new skills after trainingWhy behavior change is the true measure and outcome of impactful learningHow AI is impacting cognitive skills, judgment, and career capitalThe power of simulation-based learning—from VR scenarios to structured feedback exercises—as a way to close skill gapsHow to design useful and high-impact simulations that build key skills Connecting with John: Connect with John Sangimino on LinkedInEpisode Sponsor: Next-Gen HR Accelerator - Learn more about this best-in-class leadership development program for next-gen HR leadersHR Leader's Blueprint - 18 pages of real-world advice from 100+ HR thought leaders. Simple, actionable, and proven strategies to advance your career.Succession Planning Playbook: In this focused 1-page resource, I cut through the noise to give you the vital elements that define what “great” succession planning looks like.

In this episode of Girls with Grafts, Rachel sits down with Charlene Pell, a burn survivor and the founder of Facing Forward, a nonprofit dedicated to advocating for individuals with visible differences. ✨ Charlene shares her journey, from surviving a burn injury to advocating for face equality.Rachel and Charlene also dive into Face Equality Week, this year's theme, “My Face is a Masterpiece,” and why shifting the perception of beauty and identity is so important.

In this episode of The Curious Builder, Mark Williams sits down with Andy Pace from the Green Design Center to dig into the world of healthy building versus energy efficiency. Andy drops some serious knowledge from his 33 years in the biz, pointing out how using non-toxic materials can open up a whole new market for builders. They also cover practical tips to make homes healthier, like tackling formaldehyde and EMF issues, making it a must-listen for anyone in the building game!   Support the show - https://www.curiousbuilderpodcast.com/shop   See our upcoming live events - https://www.curiousbuilderpodcast.com/events   The host of the Curious Builder Posdast is Mark D. Williams, the founder of Mark D. WIlliams Custom Homes Inc. They are an award-winning Twin Cities-based home builder, creating quality custom homes and remodels — one-of-a-kind dream homes of all styles and scopes. Whether you're looking to reimagine your current space or start fresh with a new construction, we build homes that reflect how you live your everyday life.   Sponsors for the Episode:   Pella Website: https://www.pella.com/ppc/professionals/why-wood/   Adaptive https://www.adaptive.build    Lake Society Magazine: Website: https://www.lakesocietymagazine.com/   Where to find the Guest: Website: https://www.thegreendesigncenter.com/ Instagram: https://www.instagram.com/nontoxicenvironments/ Facebook: https://www.facebook.com/greendesigncenter/   Where to find the Host: Website - https://www.mdwilliamshomes.com/ Podcast Website - https://www.curiousbuilderpodcast.com Instagram - https://www.instagram.com/markdwilliams_customhomes/ Facebook - https://www.facebook.com/MarkDWilliamsCustomHomesInc/ LinkedIn - https://www.linkedin.com/in/mark-williams-968a3420/ Houzz - https://www.houzz.com/pro/markdwilliamscustomhomes/mark-d-williams-custom-homes-inc

Join Tanja Morgan and Research Engineer Dr Chris Saunders from University of South Australia's, Agricultural Machinery Research and Design Center, as they discuss field trial work aimed at improving soil amelioration efficiency. This episode explores the second year of trials focusing on tine configurations, power requirements, and fuel efficiency with drought conditions in 2024 highlighting the gains that can be made from overcoming soil constraints. Chris and Tanja discuss how different setups can help farmers save costs, enhance productivity, and address soil constraints effectively, particularly in sandy soils. 00:00 Introduction and Welcome 00:14 Overview of the Trial Work at Copeville 00:44 Scaling Up the Project 01:07 Power and Fuel Efficiency 02:14 Soil Type and Ripper Performance 03:20 Economic Considerations 06:21 Yield Responses and Final Thoughts 06:49 Conclusion and Future Information Resources GRDC Deep Ripping Efficiency Considerations Part 1 - coming soon GRDC Deep Ripping Efficiency Considerations Part 2 - coming soon Grower case study - Mick Farley, Farmer, Copeville South Australia. Support the show: https://msfp.org.au/about/membership/See omnystudio.com/listener for privacy information.

In this episode, Cherise is joined by Darin Johnstone, Principal from Darin Johnstone Architects in Los Angeles, California. They discuss the ArtCenter, Mullin Transportation Design Center in Pasadena, California.You can see the project here as you listen along.The Mullin Transportation Design Center (MTDC) at ArtCenter College of Design is a masterful transformation of history into innovation. Once a supersonic wind tunnel designed to test objects fixed in space, the structure has been revitalized into a state-of-the-art facility that invites motion, creativity, and experimentation utilizing a building-in-a-building concept. Located within ArtCenter's South Campus in Pasadena, this adaptive reuse project redefines the boundaries of design education.If you enjoy this episode, visit arcat.com/podcast for more. If you're a frequent listener of Detailed, you might enjoy similar content at Gābl Media. Mentioned in this episode:ARCAT Detailed on Youtube

Aujourd'hui, je reçois, Charles Salmon, ex-Design Director chez PepsiCo Europe.Il nous raconte son parcours unique façonné par son esprit d'aventure et les bouleversements géopolitiques. Il débute dans l'entrepreneuriat publicitaire en France, où il acquiert les bases de la stratégie et de la créativité. Son envie de découvrir de nouveaux horizons le mène en Russie, où il ouvre un bureau de design dans un contexte en pleine mutation. Sa capacité à naviguer dans des environnements complexes le propulse chez PepsiCo, où il développe des marques globales, locales et ouvre un Design Center en Turquie,

De interieurbranche verandert razendsnel. Maar wat betekent dit voor jou als interieurprofessional? En hoe speelt het ETC Design Center hierop in? In deze aflevering gaan we in gesprek met interieurontwerper Daniela Cupello en Len de Koster van het ETC Design Center in Culemborg over de impact van deze veranderingen en de kansen voor interieurprofessionals. Laat je inspireren door deze twee amibitieuze interieurprofessionals! De Interieur Club is hét inspiratieplatform voor interieurprofessionals en interieurondernemers. Bij De Interieur Club hebben wij de wekelijkse interieurpodcast, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠De Interieur Business Club⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, De Interieur Club Academie met cursussen, netwerkborrels en interieurnieuws zodat jij jezelf kan ontwikkelen. Iedere week een inspirerend en informatief gesprek voor de interieurprofessional. Kijk voor meer informatie en de agenda onze website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deinterieurclub.com⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Music from #Uppbeat: https://uppbeat.io/t/hartzmann/clear-sky

Dear Readers,I got what I needed Going for a Burton (that's an English RAF term from WWII, like we're going off to die). I'm at the press conference for the biggest show the Design Museum has ever hosted, with 32,000 tickets sold in advance. Much as I'm falling out of love with absorbing myself in the worlds of other people, I ask this most powerful man (who has maintained his independence through an autonomous style that stems from a wonderfully 20th-century cardboard clunkiness) a single question. I extend the invitation to enter his temple and listen to the wisdom of this master world-builder, the creator of Wednesday on Netflix, Mars Attacks!, Edward Scissorhands, and a canon of identity-inspiring creations, by pressing PLAY on the little film I've made reporting on the experience above.He talks about techniques and emphasises that it's all about mastering these in whatever art we choose to deliver. The first rule of witchcraft is to keep a tidy house, but how we define "tidy" is up to us. Living in other people's worlds has been a habit of mine. Art activates, allowing me to find myself sitting opposite Tim Burton who is exceptionally rare. He is unique. He is special. A mega-talented embodiment of the gothic who articulates his critical mind in these onscreen dramas of G-pop's [general population/consumers] relationship with home duties in the sanitised Americana of 50s suburbia. Burton's drawing descends from growing up in the suburban “Horrorwood” of California's Burbank where he took an unpretentious revenge upon the superficial. I grew up in the suburbs too.“Burbank made me want to make monster movies.” I get it.There he sent his work into art competitions, which led him to be fast-tracked on a sponsorship into the Walt Disney-founded CalArts school where he was enabled to explore his interior world, with confidence, as an obsessional artist. This is his legacy.“Each [film] leaves it's emotional scars.”Engaging with his work is like stepping into alternative, often scary, magical kingdoms. Speaking to Maria McLintock, the curator as she guides us around the show (a true privilege of being a war-torn member of culture press) her Vivienne Westwood skeleton earring swings with the same charm as her knowledge and integrity. “It's about 60%” of what's been seen in the World of Tim Burton shows which have shown everywhere from New York's MOMA to Lafayette Art and Design Center in Shanghai over the past 10 years.How does it differ to the Labyrinth shows I've seen advertised for Madrid? She's dying to see them: “They're more immersive,” says the former RIBA editor, whose knowledge of architecture creates the perfect ‘housing' for a tunnel of Allison in Wonderland to walk through. “People keep on saying this is immersive. It's not, it's more of document.”Whether Burton is a higher-res Edward Gore or an all-new Edgar Allan Poe, a tripped-out Goethe, or a Nick Cave of the Movies, it doesn't matter in a graveyard. These characters haunt us with their sublimity, ultimately embodying rebellion. Goths are eternal because death is eternal (as far as we know), and death carries powerful imagery: headstones, spiders, skulls. It's perfect that he pairs with Alexander McQueen, as proper goths canonise the act of not being mainstream cool. They embrace the coffin-cold fact that we're all going to die, but they do it on their own terms.Whether gaming is replacing movies or any art form or media is taking over is irrelevant, this is the show which views Burton as an all-seeing artist. This is why the big screen has allowed him to become an unusually family-friendly weirdo, defying the odds. His drawings of characters trap us in the simplicity of fairy tales, where children find solace in extremes. Although this show demonstrates versatility, this is a filmaker exploring the boundaries of victimhood, blurring the internal and external. The peripeteia of turning our wounds into badges of shame, then into medals of honour. It voices a universal truth. Do we walk through the broken vessels that smash to the ground around us, attacked and reacting? We can engage, ignore, sweep our house, or become injured. We all inhabit the houses of others, seeking answers from what has been missing, the art is to feel full of self (not full of oneself) and content in that rather than shamed or unworthy.Yet, what we allow into our systems (or whatever is present) shapes our journeys. Be it unfiltered water, chemically-sprayed coffee, or the myths of others. I was married to a director, so can tell you they are the gods of their creations, little would get finished without them. We enter the temples of other people through literature, music, gaming, and we choose alt Heavens and Underworlds, immersing ourselves in Utopian fantasies where impossible romanticism reigns. But what we create, we can only create ourselves. Sure we collaborate, as is discussed in the film above. Yet I am here to make an inquiry. I seek escape through the ‘Burtonesque' existential monochrome, mirroring a cartoon fear of darkness as a companion in the ironic danse macabre to the inevitable: death. I am here because the Burtonesque beats black like my coffee and heart. The gothic lifeblood channels life as an outsider. Yet I wish to belong. The dilemma of being a true rebel yet accepted by those we perceive to be “inside” requires a humble acknowledgment of our shared flaws as we walk towards the grave.There is no dumbing down or fading out the "black jeans on the beach of life" joke of being here one minute and gone the next. We choose to enjoy the ride, striking a Beetlejuice meets Robert Smith hero's pose against the paradox of beauty standards which true rebels are able to defy. (I am sure Cathi Unsworth and John Robb's goth books say much of this, with far more detail.)Burton discusses ‘the system' that tells us we aren't allowed to operate. What do you do? For me, seeking magic in others is a quest to find it within myself. In my worst of times I have had no protection against this. Hail the new witchery, the return to paganism, the need to understand and create order using more ancient traditions than this era of madness where we can see injustice in rising fundamentalism against females (I'm talking about Trump and the decline of western civilisation, mirrored in Jack Nicholson's presidential performance in Mars Attacks! as we forward-march toward a dumbed-down spectacle the Salem-esque dumbed-down fear states of 'merica) but it's so basic we can only loveheart a reaction. We are frustratingly disabled to affect geopolitics as we drop our mouths in awe at the online superficiality of the post-Covid 2020s. It's akin to the Wellness Dilemma, where justice is offered as the responsibility of the individual rather than as a responsibility of community management. The Wellness Dilemma is a mirror on consumer rights operating in carelessness for anything other than profit. We are facing serious issues of climate change, wars and over-consumption, walking hand-in-hand with trauma as victimhood flexing in a drama ritual, where space is taken up by injured parties, average accidents competing against violence rites of stabbings parading beneath a lack of societal management of equity. Everyone deserves a voice, and the power to use it, but in what system? Armies of protein-rich gym babies train for a war of healthy positivity against a past generation who self-medicated beneath banners of smiley faces or war-hangovers and first-generation struggles. I sense this may be one of my last occasions where I need to confront the ghastly aesthetic of a world policed by beauty standards imposed by ‘beauty' companies in the free-market warzone of brands, houses, offices, and entertainment institutions built to annihilate our financial empowerment. Subtle demands to comply with regimes that layer us with artificial masks of botox and filler that protect us from emotional empathy and the risk of deeper connections. Look at Madonna. Look at Robert Smith. We are symbolic parodies of the flaws of illogical systems in poorly designed worlds, we are perfect in an imperfect world, where it's challenging to determine if these designs are intentional. In the end, does it matter? Culture is a natural defense system like hitting ouch on instant messaging, to receive an animal vid or guru-shared platitudes that feel (sleepy) hollow against the backdrop of authenticity solved in a world of Wednesday.Sure, we manage our houses, filling our wells with what serves us, our revenge is to take space. To be nourished physically and metaphysically is essential, but it's hard to compare these acts as great as the spectacle of the movies, the big screen paintings which allow us to escape. I vow to write more fiction (my most popular posts here). Navigating a landscape where choice is often intertwined with financial empowerment and cultures, we must invent our own, but when they're symbols of the slavery? O Lord, yes, I would like an electric Mercedes Benz. Manifest!We must remember we're in a perpetual negotiation with the structures that seek to confine us, but not relive the horror of living in a world of overconsumption. And forgive ourselves for what we cannot afford. Our power is how we boundary our responses to outer worlds that govern us. Sometimes that requires sitting in stagnant waters, plunging to the depths of our malnourished wells, and rediscovering our needs. For me, this journey has taken me to an Andalusian mountain, battling with my soul and demons to face the hermetic dawn. I still would like an electric Mercedes Benz. That's my reaction to the Trauma Scale which operates universally; male, female, trans, everyone is entitled to suffer. Whether it's rape on a refugee camp to the bullying on social media, or sharing micro-details of foodbank trauma as drama ritual of victimhood, where space is occupied by the injured and the injuring. How is there equality in these rubrics of competing for attention amid societal neglect? What we do with our injuries defines our agency, resilience, and leadership potential, applicable to all teams. We all engage with pain, and there's a comedic tragedy in empathy, but black and white as Burton's lens is, it does not patronise with guilt; instead, he explores these wounded vessels with a perception of agency and resilience. Like any creative act, we can criticise rather than celebrate (particularly under a Beschdel lens) but there's an intimacy which the exposure-driven antics of contemporary pop culture are born from. “If it inspires you, if it makes kids want to draw, then that's a thing.” Resilience is my new tidiness. I want to claim my power with the stories I tell myself, as I know it shapes our realities. We can become interdependent with the worlds which inspire us. This is the point in having successful figures, artists and ideas, rather than just pedestal creations as being better than us. Much of our system amplifies the celebrity culture born from movies, where the industrialisation of the Star Machine creates a Warhol-esque religion of gossip and behaviors, often driven by sociopathic tendencies, glorifying chaos. It's like any dogma, astrological or otherwise, there is unlikely a single code. How we navigate the complex matrix of media and art as information in this digital age is on us. The lines between success and worthiness blur in a quest for ethical sameness. Burton is an outstanding artist in world where secretly, the weird are celebrated, because the world has gone weird, governed by dull tech bros and cartoon boardrooms with no control on government. Has it ever been different? That is what makes fairy tales eternal and keeps the town criers' crying. The aspiration to conform, through patronage or substandard revolutionary rebelliousness, leads to feelings of low self-esteem and comparison, dragging us into voids of negative capability. If we harbour a damaging self-fulfilling lack of belief in our own houses, we merely assign our power to others. “Do it from your heart because you want it, not what it leads to.” This mantra speaks volumes. We have to own our own shadows, remember not relive, and know gossip or faux-concern of the Other, and what they do or think, rarely serves anyone, merely enabling averageness. We are in a tidal onslaught of individual ‘empowerment' being exploited to sell things to or from, we owe it to ourselves to heavily police what content/art/entertainment/news/information/people/other is worthy of our short lives. This duality can be a terrifying preoccupation, the management of self-control when most of life can appear to be beyond our control. We are forced to be consumers, indexed by popularity. We have all smiled whilst being f**ked. I'm not getting into a feminist critique here, the self-portraits drawing clowns (on napkins) is a get out of jail card, from this distance. The personal, whatever (although I did enjoy the trooping of the mystery front-rowers backstage after the Q&A, who were they?!). I vow to watch Sophie Koko's animations. There is so much to consume, to create, but for me, the tensions in myself have been preventative from doing what I need to do for myself, so to hear this God speak, gives palpability to the distractions of explaining the issues of the day being explained as art versus industry, or how the rational coexists with the irrational, or progressive philosophies versus conservative risk aversion. Our biggest challenge is building our own capacity to prove our capability, to hold our own houses strong, and be as fabulous as Edward Scissorhands.Last day to enter Burton's World: April 21st 2025https://designmuseum.org/exhibitions/the-world-of-tim-burtonMy news: I'm proud to support one of the stars in my life, Pete Astor, with his THE ATTENDANT project on 21st November. I love the music, with Paul Weller's bassist and Ian Button on keys, they're also joined by the voice of fine London talent, Sukie Smith. Pete was one of the first signings to Creation Records (Oasis, Primal Scream, Jesus & Mary Chain), and we last played together when Psychomachia was first published. It's a really early show. I'm on by 7, so come early. Tickets are limited and available here:https://www.eventbrite.co.uk/e/the-attendant-tickets-1039379641487I'm excited to build on what I've been doing over the past year, and I won't keep you long. I will be using the date to complete the audiobook of Psychomachia, and will be releasing it exclusively to paying subscribers here. I share these words for free to all, in the hope to inspire.From the desk of Kirsty Allison is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.      To hear more, visit kirstyallison.substack.com

Genevieve Guenther is the founding director of End Climate Silence and affiliate faculty at The New School, where she sits on the board of the Tishman Environment and Design Center. While writing the End Climate Silence newsletter, Dr. Guenther advises NGOs, corporations, and policymakers on fossil-fuel disinformation and climate communication, and she serves as an Expert Reviewer for the United Nations Intergovernmental Panel on Climate Change. Her research has appeared in both scholarly journals and media outlets such as Scientific American, The New Republic, and MSNBC, and she has been invited to speak about climate and language to audiences at Duke, Columbia, and Harvard, among other universities. She lives in New York City with her family. Links _______________________ Genevieve Guenther: ⁠https://genevieveguenther.com/ The Book: The Book: https://www.amazon.com.au/Language-Climate-Politics-Fossil-Fuel-Propaganda/dp/0197642233 Spotify: https://open.spotify.com/show/1hcQAzzFak4ITdykd5XvSX?si=c721b45ebe8e4e7a Instagram/Twitter/Linkedin: ‪@utopiaisnow‬ Timestamps ____________________ 0:00 - Intro 2:40 - How words construct our political imaginations 6:21 - Language is used and abused to influence how we think about the climate crisis 12:27 - Everything we experience is shaped by language 16:29 - The Language of Climate Politics 19:01 - A quick word game - How is the term ‘alarm-ism' being misused? 32:22 -  Facing the climate crisis with courage 35:20 - What language should we use to fight the climate crisis? 40:45 - Closing words

Hello! This is Episode 335, and in it, I'm continuing my conversation with Andy Pace from The Green Design Center in Wisconsin, USA, where we dive into the most impactful decisions in a new build when creating a healthy home. We also discuss improving indoor air quality, how to support your health and well-being through your project choices and decisions, and the process Andy uses to audit the integrity of the products he stocks at The Green Design Center. [For all resources mentioned in this podcast and a free, downloadable PDF transcript, head to www.undercoverarchitect.com/335]. If you haven't listened to Part 1 of our conversation, it's definitely worth catching up on first. Head back to Episode 334, or download the free transcript at www.undercoverarchitect.com/334. Andy Pace is a Healthy Home Concierge and Founder of The Green Design Center, a leading resource for homeowners and contractors looking to source products that are healthy and green, and receive expert consulting advice on designing and building healthy green homes. We finished Episode 334 with me asking Andy for his main suggestions on the most impactful decisions and choices for a healthy home when building new.  Andy has loads of experience in helping homeowners do this in their own projects. And, he's soon to be building his own new home, so that's given him lots of opportunities to test this personally as well. That's where this conversation kicks off, and then we talk a lot about reducing toxic emissions in your home, what to target to improve indoor air quality, and how to support your health and well-being - and that of your family as well - when making selections in your design and construction process for your project. And lastly, Andy shares how he audits and reviews materials and products to avoid the greenwashing in the industry, and ensure his selections and the products he stocks at The Green Design Center actually perform to their promises! Wherever you're tuning in from, this episode is full of super helpful tips and insights. Remember, if you'd like to grab a full transcript of this episode, plus information on the resources we discuss, you can do that by heading to www.undercoverarchitect.com/335. Now, let's dive in! SHOW NOTES: If you're struggling with understanding the overall steps for your project, what you should be focussing on and when, or how to best invest your efforts, energy and money to get a great outcome in your future home, I've created something super helpful for you. Access my free online workshop “Your Project Plan” now >>> https://undercoverarchitect.com/projectplan This free workshop will really help you understand the best steps to take wherever you're at in your project, and how you can avoid some serious and expensive mistakes.  Plus, I'll share with you what to focus on and when, so you know you're getting everything in order for a successful project and beautiful home. And you'll get access to some great bonuses as well. LISTEN TO THE PODCAST NOW. RESOURCES MENTIONED IN THIS PODCAST: For links, images and resources mentioned in this podcast, head to >>> www.undercoverarchitect.com/335 Access my free “Your Project Plan” online workshop and awesome bonuses now >>> https://undercoverarchitect.com/projectplan Access the support and guidance you need to be confident and empowered when renovating and building your family home inside my flagship online program >>> https://undercoverarchitect.com/courses/the-home-method/ Just a reminder: All content on this podcast is provided by Undercover Architect for reference purposes and as general guidance. It does not take into account specific circumstances and should not be relied on in that way. You should seek independent verification or advice before relying on this content in any circumstances, including but not limited to circumstances where loss or damage may result. The views and opinions of any guests on the podcast are solely their own. They may not reflect the views of Undercover Architect. Undercover Architect endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or has become inaccurate over time.See omnystudio.com/listener for privacy information.

Hello! This is Episode 334, and in it, I'm talking with Andy Pace from the Green Design Center in Wisconsin, USA. Andy is joining me to talk about his role as a Healthy Home Concierge and Founder of The Green Design Center, and how he helps and works with homeowners in all locations, to not only supply healthy and sustainable building products and materials, but also provide advice through consultancy, on what's required to achieve a healthy outcome for both existing and new homes. [For all resources mentioned in this podcast and a free, downloadable PDF transcript, head to www.undercoverarchitect.com/334]. When Andy reached out to connect and chat about coming on the podcast, I thought it was a really great opportunity to compare notes, and discuss the evolution of green and healthy building practices.  We've both got over 30 years industry experience, but on opposite sides of the globe. And so, it was brilliant to have this conversation, and discuss the exciting developments we've seen in the industry as the demand for healthy homes has grown. There's lots of similar challenges and opportunities for those that we each help, and commonality in the comparative experiences that homeowners are having as they make health-based decisions for their projects. Especially when it comes to mould and chemical sensitivities. As founder of the oldest healthy building supply company in the United States, Andy has become one of the single most helpful and educational experts dealing with the day-to-day concerns of those individuals who suffer from allergies, asthma and chemical sensitivities.   There's some fantastic insights shared in this podcast episode that I know will be super helpful for anyone building or renovating with their sights on achieving a healthy home, wherever in the world this information reaches you.  Remember, if you'd like to grab a full transcript of this episode, plus information on the resources we discuss, you can do that by heading to www.undercoverarchitect.com/334. Now, let's dive in! SHOW NOTES: If you're struggling with understanding the overall steps for your project, what you should be focussing on and when, or how to best invest your efforts, energy and money to get a great outcome in your future home, I've created something super helpful for you. Access my free online workshop “Your Project Plan” now >>> https://undercoverarchitect.com/projectplan This free workshop will really help you understand the best steps to take wherever you're at in your project, and how you can avoid some serious and expensive mistakes.  Plus, I'll share with you what to focus on and when, so you know you're getting everything in order for a successful project and beautiful home. And you'll get access to some great bonuses as well. LISTEN TO THE PODCAST NOW. RESOURCES MENTIONED IN THIS PODCAST: For links, images and resources mentioned in this podcast, head to >>> www.undercoverarchitect.com/334 Access my free “Your Project Plan” online workshop and awesome bonuses now >>> https://undercoverarchitect.com/projectplan Access the support and guidance you need to be confident and empowered when renovating and building your family home inside my flagship online program >>> https://undercoverarchitect.com/courses/the-home-method/ Just a reminder: All content on this podcast is provided by Undercover Architect for reference purposes and as general guidance. It does not take into account specific circumstances and should not be relied on in that way. You should seek independent verification or advice before relying on this content in any circumstances, including but not limited to circumstances where loss or damage may result. The views and opinions of any guests on the podcast are solely their own. They may not reflect the views of Undercover Architect. Undercover Architect endeavours to publish content that is accurate at the time it is published, but does not accept responsibility for content that may or has become inaccurate over time.See omnystudio.com/listener for privacy information.

In this episode, we sit down with Andy Pace of the Green Design Center to explore how our homes might be contributing to poor health, especially for those suffering from multiple chemical sensitivity (MCS). Andy explains the hidden dangers in common building materials like carpeting and paint, shedding light on how these products release harmful chemicals into the air we breathe. He shares insights on how we can take proactive streps to create safer, healthier living environments for our families. From choosing non-toxic materials to improving indoor air quality, Andy provides practical advice for anyone looking to reduce exposure to harmful chemicals in their homes. Tune in to learn more about how to make your living space a place for health and wellness!Andrew Pace is a Healthy Home Concierge and Founder of The Green Design Center, a leading resource for homeowners and contractors looking to source products that are healthy and green and receive expert consulting advice on designing and building healthy green homes. Andrew is the host of Non Toxic Environments Podcast. He is a worldwide expert on green and healthy building products and services customers and contractors from around the globe. As founder of the oldest healthy building supply company in the United States, Andrew has become one of the single most helpful and educational experts dealing with the day-to-day concerns of those individuals who suffer from allergies, asthma and chemical sensitivities. Andrew serves as a board member of the Change the Air Foundation and has been featured in numerous national media outlets.SHOW NOTES:0:51 Welcome to the show!3:05 Home Consultation service3:33 Highlights in this episode4:01 Andrew Pace's Bio5:05 Welcome Andy to the podcast!6:25 How are our homes making us sick?7:08 Multiple Chemical Sensitivity8:52 Renee's home story10:29 The problem with carpeting12:09 Doing the BEST you can14:10 Bamboo flooring15:48 The worst offenders in the home18:46 How to effectively clean a carpet22:14 Walls, Ceilings & Cabinetry24:59 *Cycle Care*27:36 Lesser Evil: new or old home?32:14 What to do about paint34:15 Air purification at home39:20 Optimal humidity levels41:58 How to remodel your home safely50:30 Where to get started54:17 How to get in touch with Andy55:11 His final piece of advice57:32 Transparency for a consumer1:00:50 Thanks for tuning in!RESOURCES:Website: Green Design CenterPodcast: Non-Toxic Environments PodcastInstagramYouTubeLinkedInBiOptimizers Cycle Care - code: biohackerbabes10Our Sponsors:* Check out Puori and use my code BIOHACKERBABES for a great deal: puori.com/biohackerbabes* Check out Timeline and use my code BABES20 for a great deal: www.timeline.comSupport this podcast at — https://redcircle.com/biohacker-babes-podcast/donationsAdvertising Inquiries: https://redcircle.com/brands

Ted speaks with Hunter Dominick, an interior designer based in Whitefish, Montana, who discusses her design philosophy and the challenges of creating diverse styles for her clients. She emphasizes the importance of early involvement in the planning process to ensure functional and well-designed spaces. Hunter also highlights the significance of incorporating personal items and sentimental pieces into the design. She discusses the value of American-made furniture and appliances and the shift towards supporting local artisans. After spending 25 years in Whitefish, Montana, she discusses her design process, the growth of the design community in Whitefish, and the misconceptions about interior designers in the industry. She emphasizes the importance of collaboration between designers, contractors, and clients to create successful projects. Overall, she is proud of her team and the ability to create beautiful and functional spaces for her clients.TOPICS DISCUSSED01:05 Introduction and Background04:50 Design Philosophy and Influences08:30 Challenges of Creating Diverse Styles10:05 The Importance of Early Involvement for an Interior Designer21:15 Building a business in Whitefish Montana25:12 The Value of a Showroom and Creating a Design Center 27:25 The Growth of the Design Community in Whitefish31:00 The Tipping Point for Whitefish's Growth34:15 Pride in the Team and Longevity in the Business38:15 Blending Different Design Elements40:35 Keeping Up with Suppliers and Changing Trends 44:15 The Challenges and Advancements in Lighting Design46:35 Overcoming Misconceptions about Interior Designers51:55 How to connect and wrap upCONNECT WITH GUESTHunter Dominick WebsiteInstagramFacebookKEY QUOTES FROM EPISODE"I think that's what makes a really interesting home, is when it's not so expected and it's kind of melding these visions that typically wouldn't be put together.""The fixed finishes and equipment end of the design profession is probably more important than anything on the back end.""I'm proud of my team. We have a great team and everybody works really hard."

Today, we've got an industry veteran, Dave Ables, sharing insights on his transition from an executive role to entrepreneurship! Dave highlights essential business development and sales strategies, the importance of understanding customer needs, having thorough preparation for cold calls, and having a clear value proposition in the trucking business!   About Dave Ables Dave has had an extensive Executive career leading Top 100 Trucking Companies & Owning and Operating various Businesses. His passion to succeed and attention to detail set the foundation for successful and profitable growth in all of his endeavors, his present ventures include: 3 Sons Holding Company: A Family owned and operated Company with an emphasis on Supply Chain Consulting Services, Retail Hardware and Building Material Businesses, Storage Facilities and Brainerd Lakes Area Vacation Rentals.  Presently, we have VRBO's available on North Long Lake and Lake Mille Lacs.. 3 Sons Hardware: A fully remodeled 15,000 sq ft state-of-the-art Hardware Supercenter @ 621 Rose Drive Big Lake MN. 55309 or www.3sonshardware.com 3 Sons Tri County Lumber Company: A Premiere Building and Design Center @ 17383 County RD 75 NW Clearwater, MN 55320 or www.tricountylumber.com.  

This episode of Across The Margin : The Podcast features an interview with Dr. Genevieve Guenther, a former Renaissance scholar who turned to climate research and activism after having a child and becoming increasingly alarmed about the world her son could inherit after she died. Now an expert in climate communication, Dr. Guenther is the founding director of End Climate Silence. At End Climate Silence she directs strategy and outreach, helping journalists explain the links between global warming and extreme weather, headline the urgent findings of climate science, and foreground the role of climate breakdown in news about politics, energy, business and finance, immigration, real estate, health, travel, food, and even the arts. She is affiliate faculty at The New School, where she sits on the board of the Tishman Environment and Design Center. Dr. Guenther advises NGOs, corporations, and policymakers on fossil-fuel disinformation and climate communication, and she serves as Expert Reviewer for the United Nations Intergovernmental Panel on Climate Change. Her recently released book, The Language of Climate Politics, is the focus of this episode, A groundbreaking investigation into the propaganda justifying the fossil-fuel economy, The Language of Climate Politics offers readers powerful new ways to talk about the climate crisis that will help create transformative change. In an illuminating analysis, Dr. Guenther shows that the climate debate is not, in fact, neatly polarized, with Republicans obstructing climate action and Democrats advancing climate solutions. Partisans on the right and the left often repeat the same fossil-fuel talking points, and this repetition produces a centrist consensus upholding the status quo, even as global heating accelerates. Ultimately, The Language of Climate Politics is an inspiring call to arms, a book that equips readers with powerful new terms that will enable them to fight more effectively for a livable future.Grab a copy of The Language of Climate Politics here, and follow Dr. Genevieve Guenther on Twitter here! Hosted on Acast. See acast.com/privacy for more information.

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Bad actors continue to push fake talking points to obscure the truth on climate change and slow down action. So how we combat these common myths and inspire people to do more? That's the focus of today's show and a new book by our guest, Dr. Genevieve Guenther. In her new book, The Language of Climate Politics: Fossil-Fuel Propaganda and How to Fight It, Guenther argues that climate leaders should use sharper language that argues for transformative action and a windfall of benefits in the face of the massive, destructive threat of climate change. She joins the show to discuss how we talk about the costs of clean energy, why the "India and China" excuse needs to stop in American climate discource, and why dramatic drops in clean energy costs have lead some to be complacent on climate.  Genevieve Guenther s the founding director of End Climate Silence and affiliate faculty at The New School, where she sits on the board of the Tishman Environment and Design Center. Her research has appeared in both scholarly journals and media outlets such as Scientific American, The New Republic, and MSNBC. You can purchase The Language of Climate Politics: Fossil-Fuel Propaganda and How to Fight It here. As always, follow us @climatepod on Twitter and email us at theclimatepod@gmail.com. Our music is "Gotta Get Up" by The Passion Hifi, check out his music at thepassionhifi.com. Rate, review and subscribe to this podcast on iTunes, Spotify, Stitcher, and more! Subscribe to our YouTube channel! Join our Facebook group.

Join Mike and Randy on a virtual walk-through of Woodland's brand-new Professional Design Center, located at the company's headquarters in Auburn Hills, MI! Explore the Center's standout features, find out what products are currently on display, and schedule your first visit.

On our most recent podcast, we spoke to Laura Eagan, owner of and senior designer with Estrella Cabinetry and Design Center, about how to make the most of your three days at KBIS 2024. The show will be here before you know it, so get the skinny here!

Atlanta Flooring Design Centers, based in Suwanee, Georgia, recently transformed into an employee-owned company. Donny Phillips and Frank Winter recently shared insights with FLOOR Trends & Installation about why they created employee stock ownership plan and what it means for the future of their business. 

In this podcast episode, Krish explores the Code Builder IDE and the Eclipse-based Anypoint Editor. He also delves into the DataWeave language and its syntax, functions, and script structure. Krish shares his experience with using these tools and provides insights into troubleshooting issues with AnyPoint Studio. He emphasizes the importance of learning by doing and using playgrounds to experiment with different features. Finally, he discusses the process of working with flows and packaging and deploying them. In this podcast episode, Krish discusses the process of getting started with a new tool and the importance of hands-on experience. He explores various MuleSoft components, including Code Builder, Design Center, and AnyPoint Studio. Krish also introduces Exchange, a platform for sharing and discovering APIs. Finally, he mentions the concept of data graphs and concludes with recommendations for using pre-built APIs to save time and effort. #snowpal #salesforce #design Snowpal's Products: Backends as Services on ⁠⁠⁠⁠⁠AWS Marketplace⁠⁠⁠⁠⁠ Mobile Apps on ⁠⁠⁠⁠⁠App Store⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠Play Store⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Web App⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Education Platform⁠⁠⁠⁠⁠ for Learners and Course Creators

In this podcast episode, Krish continues the discussion on the Salesforce Anypoint Design Center. He starts by recapping the previous episode and addressing a timeout issue. He then explores the process of publishing API documentation and compares the RAML and OpenAPI specifications. Krish also demonstrates how to access and customize the public portal. He explains how to enable and disable the portal and shares assets with team members. Finally, he provides feedback on the Design Center's user interface and concludes the episode. #snowpal #salesforce #design Snowpal's Products: Backends as Services on ⁠⁠⁠⁠⁠AWS Marketplace⁠⁠⁠⁠⁠ Mobile Apps on ⁠⁠⁠⁠⁠App Store⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠Play Store⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Web App⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Education Platform⁠⁠⁠⁠⁠ for Learners and Course Creators

In this podcast episode, Krish explores the Anypoint Design Center and walks through the process of creating an API specification using RAML. He compares RAML and OpenAPI and discusses the advantages and disadvantages of each. Krish also troubleshoots and debugs issues in the Design Center, highlighting some inconsistencies and potential bugs. Overall, the episode provides an overview of the Design Center and offers insights into working with RAML and API specifications. #snowpal #salesforce #design Snowpal's Products: Backends as Services on ⁠⁠⁠⁠⁠AWS Marketplace⁠⁠⁠⁠⁠ Mobile Apps on ⁠⁠⁠⁠⁠App Store⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠Play Store⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Web App⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Education Platform⁠⁠⁠⁠⁠ for Learners and Course Creators

In this podcast episode, Krish explores Salesforce and its low code, no code tools. He starts by introducing Salesforce and its potential as a low code platform. Krish then dives into exploring various Salesforce products and their features. He focuses on Salesforce Sales and MuleSoft Integration API Management, discussing their functionalities and potential use cases. Krish also provides a hands-on demonstration of signing up for MuleSoft and using the Anypoint Code Builder to design an API. The episode concludes with a summary of the topics covered and an invitation to continue learning together in future episodes. #snowpal #salesforce #design Snowpal's Products: Backends as Services on ⁠⁠⁠⁠⁠AWS Marketplace⁠⁠⁠⁠⁠ Mobile Apps on ⁠⁠⁠⁠⁠App Store⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠Play Store⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Web App⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Education Platform⁠⁠⁠⁠⁠ for Learners and Course Creators

Ever wonder what exactly the Career Design Center does? Wonder no more! In this episode we break down the vision and mission of the Career Design Center at Utah State University. Visit our website to learn more: https://www.usu.edu/career-design-center/

As a featured event of this year's NYCxDESIGN Festival, this special episodes of the Mic was recorded on May 24th and sponsored by Flamingo. Your host, Debbie Millman – herself one of only five women who have held the title of President Emeritus of the American Institute of Graphic Arts in over 100 years – led a panel of design revolutionaries that included Cher Russo, the Creative Director at Flamingo with previous lead creative roles at Glossier and Estée Lauder; Natasha Jen, an award-winning designer, educator, and partner at Pentagram; and Erica Eden, the founder of Tribe & Citizen, and previously the Global Director of Design Innovation at PepsiCo's Design Center. Tune in to hear their conversation on designing products and creating brands for women, with their bodies and choices in mind.

On this episode of The Circuit, Emily Chang visits Mattel's Design Center to hear about Barbie's complicated history and find out more about how her makers are inventing her next act.See omnystudio.com/listener for privacy information.

Jim Isermann (b. 1955, Kenosha, WI) received his Master of Fine Arts from the California Institute of the Arts and his Bachelor of Fine Arts from the University of Wisconsin-Milwaukee. Jim's work has been the subject of solo exhibitions at Camden Arts Center, London, United Kingdom; Hammer Museum, Los Angeles, CA; Institute of Contemporary Art, Philadelphia, PA; Le Magasin - Centre National d'Art Contemporain, Grenoble, France; Museum of Contemporary Art Chicago, Chicago, IL; Palm Springs Art Museum Architecture and Design Center, Palm Springs, CA; RISD Museum, Providence, RI; and the Van Abbemuseum, Eindhoven, The Netherlands, among others. He has been included in group exhibitions at numerous international institutions including the Los Angeles County Museum of Art, Los Angeles, CA; Louisiana Museum of Modern Art, Humlebæk, Denmark; Moderna Museet, Stockholm, Sweden; Musée d'Art Moderne de la Ville de Paris, Paris, France; Museum of Contemporary Art Chicago, Chicago, IL; Museum of Contemporary Art, Los Angeles, Los Angeles, CA; The Museum of Modern Art, New York, NY; Royal Academy of Art, London, United Kingdom; and the Solomon R. Guggenheim Museum, New York, NY. His work is in the collections of the Art Institute of Chicago, Chicago, IL; Carnegie Museum of Art, Pittsburgh, PA; FRAC Poitou-Charentes, Angoulême, France; Los Angeles County Museum of Art, Los Angeles, CA; Museum of Contemporary Art Chicago, Chicago, IL; Museum of Contemporary Art, Los Angeles, Los Angeles, CA jus to name a few. He lives and works in Palm Springs, CA.

Shannon Clark is the founder and principal of UserWise, a consultancy that helps medical device manufacturers and startups to design safe and easy-to-use medical devices. In this episode, Shannon discusses her experience founding her company, the importance of human factors engineering, her love of history, and why she's so happy about her recent "demotion." Guest link: www.UserWiseConsulting.com Charity supported: Equal Justice Initiative Interested in being a guest on the show or have feedback to share? Email us at podcast@velentium.com.  PRODUCTION CREDITS Host: Lindsey Dinneen Editor: Tim Oliphant Producer: Velentium   SHOW TRANSCRIPT Episode 006 - Shannon Clark Lindsey Dinneen: Hi, I'm Lindsey with Velentium and I'm talking with MedTech industry leaders on how they change lives for a better world. Diane Bouis: The inventions and technologies are fascinating and so are the people who work with them. Frank Jaskulke: There was a period of time where I realized, fundamentally, my job was to go hang out with really smart people that are saving lives and then do work that would help them save more lives. Diane Bouis: I got into the business to save lives and it is incredibly motivating to work with people who are in that same business, saving or improving lives. Duane Mancini: What better industry than where I get to wake up every day and just save people's lives. Lindsey Dinneen: These are extraordinary people doing extraordinary work, and this is The Leading Difference. Hello and welcome to the Leading Difference Podcast. I'm your host Lindsay, and I am excited to introduce you to my guest today, Shannon Clark. Shannon is founder and principal of UserWise, a consultancy that helps medical device manufacturers and startups to design safe and easy to use medical devices. Before founding UserWise in 2014, Shannon was a human factors engineer at Intuitive Surgical and Abbott Laboratories. Shannon graduated from UCLA with a BS in Mechanical Engineering and a technical breadth in technology management. Shannon is additionally a certified professional industrial engineer, holds two patents and has written and published three books. Clearly an absolute rockstar, thank you so much for being here, Shannon. Shannon Clark: Yeah, thanks for having me. Lindsey Dinneen: Of course. Well, I would love, if you don't mind just sharing a little bit about your background and maybe how you got to where you are. I know, you've gotten to do some really amazing things. You have an amazing company. I would just love to hear a little bit of that backstory. Shannon Clark: How far back should we go? I think it's interesting that on my application to USC, I ended up going to UCLA, but I did apply and get into USC, just for the record, and on my application. I said that my dream job, I was 17 years old, would be to run a product design firm in Spain. It's pretty interesting that I kind of ended up there and I kind of had that idea so early on, but I didn't really fall in love with human factors or even know about it until I was working at Abbott Laboratories and I had this unique opportunity to apprentice one of the world's leading experts in human factors named Ed Israelski. He was the Director of Human Factors for Abbott for many years, and laid all the groundwork for the international standards and it informed the FDA guidances around human factors, so it was a really unique opportunity to work for him. And from there I was able to really dive into human factors with that practical experience at Abbott. And I knew that I wanted to run my own company basically. And I think I, I finally made it there in 2014 when I saw some great opportunities to help fledgling companies out of Stanford Biodesign and Fogerty Institute for Innovation. And I started out with just myself consulting, and then from there built a practice and pretty soon it was 30 human factors engineers, recruiters, and operational staff as of 2022. Lindsey Dinneen: Wow. That is amazing. Congratulations. That's, that is no small accomplishment. That is amazing. So human factors engineering specifically wasn't necessarily, it sounds like, the first intention that you may have had going into school. So it's awesome to hear that having that experience is what sort of led you into your career path, but I'm kind of curious, were you always very technically minded, kind of interested in user experience growing up or what was, even going back a little further, what was the spark that interested you in that field in general? Shannon Clark: Well, I had actually never heard of engineering. My mom's a lawyer, my dad's an accountant. So I didn't know what engineering was going into college, and so I was gonna, study Latin or Spanish or something. But then I thought I don't really know what I'm gonna do after college if I study that. And I had an uncle who was an engineer who said, "you really should check this out." So I took some coursework and I thought I could probably do this. And to be honest, mechanical engineering was a big struggle for me, having not taken any of the AP courses. I took AP Latin, AP Music Theory, all the APs that you don't need for engineering. So I came into school pretty behind and feeling behind, but I made it through and I kind of had my eye on this goal of making user experiences easier for people. I was going back even further, I was really inspired by my uncle Peter Skillman, who's now with Phillips I think in their Design Center of Excellence. And he worked at IDO at the time and he was 35 years old and contributed to this project that was featured on 60 Minutes to redesign a shopping cart. And it was really inspiring to me at the age of 10 or seven or however old I was, to watch someone take something so mundane as a shopping cart and uncover all these issues that exist with shopping carts everywhere, and then completely rethink the design and improve it. And rewatching that video I can now kind of see with another lens that they even started on the basis of safety and designed for safety, which I believe is so important when prioritizing design efforts to think about, " well, how many injuries are there to toddlers every year in shopping carts and how can we address this and how can we make it better?" And then just a month ago, I actually had my toddler in a shopping cart and she got stuck because the seatbelt wouldn't unlatch. And then it made me think that's interesting, full circle. Lindsey Dinneen: Oh, that is interesting. Oh, the irony. Oh my gosh. Okay. Yeah. So designing for safety first. So I'd love to hear the evolution of you just starting this consultancy by yourself. And I mean, so you were literally doing all the things, you were marketing, you were doing the actual consulting, you were doing the accounting, I'm assuming. How did that all evolve and how did your leadership ability evolve as you've grown your business? Shannon Clark: Well, I started out with no management experience, quite young. I started out with just myself. I hired some contractors here and there in 2015 . 2016, hired my first employee and I gotta tell you, I was the worst manager. And she was like, patient zero, she's now at Intuitive Surgical. But I think overall it was a great step in her career, but good for her for getting through, I think, four years of reporting to me as I was learning to be a manager. And I think over time through trial and error, I became a better manager. That was sort of a learning experience for me. And something that people were always telling me as I was starting my company was, " you should learn on someone else's dime. Don't start a company and then learn these hard lessons on your own dime." But I'm happy that I didn't listen to them and sure there were a lot of really expensive life lessons, like the time we didn't expense $150,000 of expenses because I didn't realize that someone wasn't doing their job for four months. There's all kinds of things that happen as you're start a company. But you just have to learn from them and then embed processes to address any gaps that you uncover along the way. And so at this point, we're just such a strong company with so many internal processes and trainings and rigor, and it's really exciting to see how much it's matured over the past eight years. Lindsey Dinneen: Yeah, absolutely. Well, and correct me if I'm wrong, but it seems like you recently, in fact, had a bit of a transition even for yourself, for your role. Is that correct? Shannon Clark: Yes, we brought in a new CEO. I was able to secure significant private equity investment from a private equity firm called NaviMed. And so we're forming a new umbrella organization called ClariMed. And so that's sort of a broader quality by design thesis where we're bringing together a bunch of like-minded organizations to help support product development, specifically in the medical space. And we're starting that organization with two human factors consultancies. So it started with UserWise, my company, which was acquired in August of 2022. And then in January this year, 2023, we acquired Harvey Medical, which is a seven or eight person human factors consultancy in the UK and the Netherlands. So, that's where we're at today and I'm thrilled. I, I probably put on LinkedIn that I'm thrilled about this quote- unquote "demotion" to Principal Human Factors Engineer, 'cause previously I was Director of Human Resources, CFO, CEO, and Principal Human Factors Engineer, and it was a lot. Yeah. Let's just say I didn't get a maternity leave. But now I'm just really excited for the future and I have a CEO with 17 years experience running and growing a regulatory consultancy. So I, I'm just really excited to report to her and she's an inspiration to me every day, Kelly Kendall. Lindsey Dinneen: Awesome. That's fantastic. How has the transition been for you? Did it take a lot of transition or did it come easily? How was it for you? Shannon Clark: It's been a huge transition, cuz Kelly runs the business based on data and I think when you have investors involved, you have to really present a lot of data to them. Whereas before I didn't have to report to anyone or speak to anyone or ask anyone any questions about what I'm doing, which I think we're a lot better off now cause I'm not just making decisions as I go along. I have a, a whole support system to help me through all the decisions on a day-to-day basis. So, that's been really relaxing to share the responsibility and, and have support. But yeah, it's been a lot of work to try to come up with the data. We're trying to integrate Salesforce. We're just kind of like a small company, quickly growing, so there's a lot there to work on. Lindsey Dinneen: Yeah. Absolutely. I'm curious, is there a particular moment that stands out to you because it kind of clearly confirmed that this was the right career path for you or the correct industry? Shannon Clark: It just immediately clicked. Back when I was working for Ed Israelski at Abbott and contributing to standards committees and submitting feedback to the FDA and draft guidances on behalf of Abbott, all of that work really created a spark within me, I'd say. And I think I would pinpoint it on one project I worked on, which was to review all recalls of medical devices by the FDA over the course of time that were due to human error. So, for example, an automated external defibrillator that was on the market, I think this was 2009, where there was a low battery indicator that would blink and falsely cause individuals to cease use of the device unnecessarily. So the idea that they were confusing this red indicator light to mean, "oh, this is broken, don't use it," versus "it's just low battery. Change the battery when you have a chance, but you could have resuscitated the patient." And I wrote this 80 page internal report. All these events that had happened and it really brought to life the importance of the then new FDA focus on human factors. And the fact that you need to really intentionally bake safety into the design of products from the get-go. It's not something you can just add on post-market or even figure out through human factors validation at the end of the process. It's something that you need to think about constantly throughout design, and again, prioritize those design efforts according to risk and safety and according to patient harm and user harm so that you can, at the end, have a product that doesn't result in a recall like that. So when I saw all that data, it really centered my focus and brought clarity to me that this is something that I wanna do for the rest of my life, 10 years, 20 years. I don't know. I guess I wouldn't say for the rest of my life. But I really was super inspired to do something about it cuz I also read that there were half a million deaths every year due to preventable medical errors in hospitals alone, just in the United States. So we basically have a whole pandemic happening every year in hospitals. And some of that is due to medication errors and hospital processes. But that figure doesn't even capture instances where they amputated the wrong leg. I mean, these are deaths. And so I'm, I'm really dedicating my career to reducing that number of half a million to something lower. Lindsey Dinneen: Wow. Yeah. That's amazing. I'm so thankful for people like you that are doing that research and like you said, safety first, building it into the design from the very get-go. That's fantastic. Yeah. Shannon Clark: And I love what Velentium's doing with regards to cybersecurity. I think that definitely follows the same kind of premise of protecting users and ensuring safety. Lindsey Dinneen: Yeah, absolutely. Yeah. There is so much that goes into it. So any angles that we can take to help protect people is absolutely worth it. So, how would you define leadership or what does leadership mean to you? Shannon Clark: I think leadership to me is inspiring others to be their best selves and fulfill their own missions, whatever it may be. So sometimes I can spark someone to be inspired to follow my footsteps and become a human factors engineer. Or maybe someone wants to pursue something a little bit different and just letting them uncover their own truths and pursue their dreams. That's probably the main thing I ask in interviews, " what is your dream job?" Because I wanna make sure that you're in your dream job, whatever that may be. So I guess that's what leadership means to me. Lindsey Dinneen: I love that. Yeah, absolutely. And then what would be your best piece of advice for someone interested in obtaining a leadership role, either within the medtech industry, or very specifically following a similar career path to what you've done? What would you say to someone who that's a goal of theirs? Shannon Clark: Well, my specific path, I believe, can in fact be replicated, in that, I saw an opportunity to uniquely become an expert in a field that was emergent. And there's many emerging fields that result from regulatory shifts. And in this case, UserWise, came out of the 2011 draft guidance about human factors issued by the Food and Drug Administration that was later published as final in 2016. And so there from my position at Abbott in 2010, 2011, I was able to see that coming down the pike and I saw the huge amount of opportunity at hand, and I saw where industry was and where it would be going. And out of that, I was able to found my consultancy. So I worked tirelessly to transform myself into an expert, not only by working 12 hour days at Abbott and giving them everything I had, but also reading all the textbooks on the syllabus for human factors master's degrees at various universities and had a stack of 20 books that I was working through. So it was all sort of self-taught, but ultimately I saw this opportunity due to a shifting regulatory landscape and things like that happen all the time in all industries. And there's all these opportunities that exist that are just a great opportunity to create a new business around it whether it's consulting or software as a service. Yeah, tons of opportunities out there. Lindsey Dinneen: So sort of being open to maybe opportunities that you wouldn't have originally pinpointed for yourself, but being aware of various trends and kind of responding to the situation. Is that part of it? Shannon Clark: Yeah. I mean, ultimately, I guess I'd describe my business model, if it were to be replicated, if you wanted to have success in this manner is to uncover regulatory trends and then find an opportunity, a business opportunity within that. But I guess more generally, if you're looking for a leadership position in the medtech field, I think that expertise certainly is highly valued. And engineering abilities is also highly valued. So, I think you need to go deep before you go broad. I think I do see a lot of like marketing experts, that maybe haven't gone scientifically deep, end up as CEOs of these companies, but I think the best background of all the CEOs that I work with, I always enjoy working with CEOs that have a technical background cuz they can truly understand the ins and outs. And I, I see limitations among some of these CEOs that maybe just have sales backgrounds. Lindsey Dinneen: Sure. Yeah, that, that makes a lot of sense to me. I can understand that. Shannon Clark: I think I'm talking to a salesperson right now, so I hope I haven't offended you. Lindsey Dinneen: Not at all. I am more on the marketing engagement side of things, but I wouldn't be offended regardless, because you're right, you need both to be successful. So, absolutely. Shannon Clark: Go deep first and then go broad. That's kind of the advice that was given to me as well and I followed that advice. Lindsey Dinneen: I like it. I like that a lot. Yeah. Well, so I know from your bio that you are a published author three times. Right? I would love to hear about that and what have you written about and how did that all come about? Shannon Clark: Well, nothing too impressive, and it's quite off topic, but I really enjoy history. So I authored a history of a local neighborhood, which is actually where UserWise is located in San Jose. And so I wrote this 150 page history book and we sold I think 3000 copies. And all the funding went to fund local farmer's markets as well as ultimately the annual 4th of July parade for San Jose. So I wrote that book and then wrote a follow on, a sequel about parades in the Bay Area, California. Have you ever heard of the Pasadena Tournament of Roses? Lindsey Dinneen: I have. Shannon Clark: So, we used to have one of those in Northern California. There's a whole Northern California, Southern California rivalry. That was huge when I went to UCLA. But we used to have our parade and our parade died out with the Great Depression, and we tried to resurrect it in 1960, but it didn't work out. So it was just kind of an interesting forgotten history that I wanted to capture in a book before it got lost forever. Lindsey Dinneen: Yeah. That is awesome. Very cool. Shannon Clark: And then the third book is how to get a job in management consulting. It's called "College2Consulting." It's a silly book, but I think it's pretty helpful if you wanna get a job at LEK or some management consultancy. I didn't come up with all the material for that, but I was the ghost writer. Lindsey Dinneen: Oh, so cool. That's awesome. So what are some interesting industry trends that you are looking forward to as you continue on with UserWise and beyond? Shannon Clark: I guess when I think of industry trends, I immediately think of what's happening with Europe, with MDR, and where's the FDA headed specifically with regards to human factors cuz that's ultimately what's gonna guide where UserWise is going next. With the FDA, there's been a lot of turnover with their human factors review team over the past five years, and it's created a shift towards requiring more and more. I think that's always the story with regulations where before maybe we didn't submit a full 60 page human factors engineering submission report for a lower risk device and just submit a protocol. These days they're just rejecting a protocol if there's no full backup for all the elements found in a human factors engineering submission report. So I think overall, I guess as always there's just more and more regulations. I do hope to make some progress. I'm headed to the International Standards Committee later this month in Germany, and I hope that I can kind of start socializing some ideas around reducing the burden from an international standards standpoint for human factors. So, I guess another industry trend that's a little more specific is that we just finished our multi-year study on training decay, whereas in collaboration with the Food and Drug Administration. And to date for combination products, so drug delivery devices, you're basically required to conduct human factors testing with untrained users. And it's created a context where there's some drug delivery devices where if they were pure medical devices, they would easily get clearance. But since they're a combination product, they have a drug, they're reviewed by DMEPA, CDER, a different human factors team. They're just unapprovable because untrained users are not capable of using them successfully. So I'm hopeful that with our research, we can further promote the concept of trained usability testing and invite more devices to the table instead of requiring perfect use for combination products. That's a hope of mine. But again, with more and more regulations we'll see if that comes to fruition. Lindsey Dinneen: Yeah, of course. Yeah, that sounds like a really good path forward. So it'll be interesting to see, like you said, how the landscape changes over time. So how do you prioritize your own continued learning and growing as a leader these days? I know you mentioned having stacks of textbooks, which I love, but nowadays, how do you continue to develop your own skills and knowledge? Shannon Clark: Well, I think I mentioned earlier that I am thrilled to report to Kelly Kendall, CEO of our company. And so I learned from her every week by watching the way she runs the company, the way she makes decisions. I've just learned a ton. It's been drinking through a fire hose with regards to key performance indicators and everything to do with running a business in a more formal manner. Cuz I ran my business based purely on intuition and not really on data. And when you really get a grasp of all the data associated with a business, like she says, it's about turning knobs up and down and adjusting and fine tuning once you know what the knobs are. And so, I feel like myself professionally, I've grown so much just having a mentor continuously working with me. I have in the past had executive coaching, but that, that, pales in comparison to what I'm now able to experience having a seasoned and experienced CEO to report to. Lindsey Dinneen: Yeah, and it's completely a hundred percent relevant to you and your business, which is awesome that you get that experience. Very cool. Okay, so just for fun, imagine that someone were to offer you a million dollars to teach a masterclass on anything you want, doesn't have to be in your industry. What would you choose to teach and why? Shannon Clark: Well, I think the answer that I might be supposed to say is moderating. So I have a lot of experience moderating usability testing and minimizing bias for participants so that you can extract truth. So basically, as a moderator, you don't wanna get in the way of the truth of what a participant is experiencing or feeling or demonstrating through their interaction with a product. So we just launched a moderator course, which I'm really excited about. But I guess after having done all that work for the past months to launch that course, I need a break. So if I could teach a masterclass, I guess it would be on the history of the Maya, which right now I'm trying to learn Mayan hieroglyphs. And I have an interest in archeology. And to be honest, I know nothing about the Maya, but maybe I have a kind of a crazy overconfidence going on where I feel that I wanna learn everything about it. And I, I feel like I've done this in a couple of areas of my life where I'll learn everything about a subject and then kind of become like an expert. And so that's kinda my next side hobby. I have some ideas there about what I'm gonna do. Lindsey Dinneen: Oh, that's awesome. So what sparked your interest specifically in that? Shannon Clark: I think in part it's because I've been to Mexico a number of times. I speak Spanish. And then I have an aunt who's Mayan who was involved in kind of raising me at an early age. So, that definitely sparked my interest. And then I've been honestly, like watching a lot of TV about Ancient Apocalypse and all those shows. I don't know if you've seen them, but I was just like, oh yeah, this is so cool. Lindsey Dinneen: I love it. Yes. Isn't it great to have something outside of your main, day-to-day job life focus that just kind of brings you this other level of passion and joy-- I'll just put it, put it that way. Shannon Clark: Yeah. This is certainly, it really stems out of being able to share the burden of running a company with others namely my boss Kelly, and it opens up my time to actually think about other things. And that has been a focus for me since the transaction in August. It's something I'm excited about just to have some extra hours in my week to think about things that aren't related to work. Lindsey Dinneen: Yeah. That's fantastic. So what is the one thing you wish to be remembered for after you leave this world? Shannon Clark: I guess being a good mom and that's really all I care about. I have one daughter, her name is Emily, and she is 22 months old. And she's great. So that's definitely my focus to be a great mom. And it'd be cool to be remembered as a good contributor to the industry of human factors, but I think more importantly, I wanna be a good mom. Lindsey Dinneen: Yeah. Yeah. Absolutely. Aww. Oh my gosh. I love it. What is one thing that makes you smile every time you see or think about it? Shannon Clark: Well, my daughter Emily, obviously, lemme try to come up with a different answer. Lindsey Dinneen: Ok, it's a great answer though. Shannon Clark: Yeah, that's gotta be my answer, sorry. Lindsey Dinneen: No, that's fantastic. Well, I just want to say thank you so much for sharing a little bit about your background, about your company, about the industry, where you think things are going, and your advice. I just really appreciate your time today, and I love hearing the why behind how you got into this and what makes you tick. So, thank you. And plus, it's really fun to hear about your hobbies outside of work too. And Emily, and course Emily. So, we are honored to be making a donation on your behalf as a thank you for your time today to the Equal Justice Initiative, which provides legal representation to prisoners who may have been wrongly convicted of crimes, poor prisoners without effective representation, and others who may have been denied a fair trial. So Shannon, thank you so much for picking that organization to support today. Thank you so much for your time. We wish you continued success as you work to change lives for a better world. Shannon Clark: Thanks so much. Thanks for having me. Lindsey Dinneen: Of course. And thank you also to our listeners for tuning in and if you're feeling as inspired as I am right now, I'd love if you'd share this episode with a colleague or two, and we will catch you next time.  The Leading Difference podcast is brought to you by Velentium. Velentium is a contract design and manufacturing firm specializing in the development, production and post-market support of diagnostic and therapeutic active medical devices, including implantables and wearables for neuromodulation and other class three indications. Velentium's core competencies include electrical design, mechanical design, embedded software, mobile apps, contract manufacturing, embedded cybersecurity, OT cybersecurity, systems engineering, human factors and usability, and automated test systems. Velentium works with clients worldwide from startups seeking seed funding to established Fortune 100 companies. Visit velentium.com to explore your next step in medical device development.

Join Joe Shoes and Michael Gomez as they present their weekly buffet of pop culture goodness! This week your double main men discuss: Frosty the Snowman (1:22), Major Wrestling Figure Podcast's Live 2000 (4:00), Joe's WrestleMania moment at Sizzler (7:04), Joe attend's an exclusive event at Mattel's Design Center and sees some new WWE action figure reveals with a Q & A with the Mattel WWE design team (21:13), Joe goes to his first WrestleMania (25:57), Gomez's 24 hour SMiT stream (31:32), WrestleMania recap and chat (33:45), Sale of WWE to Endeavor (54:07), Video Game Movies Month begins with WARCRAFT (1:07:58), What's up for next week (1:21:34) & Big Finish: Top 3 Queen songs (1:25:50) Watch along for next week: SUPER MARIO BROS. (In theaters) Follow on all the socials: Twitter: @CarJoeMeZ, @TheJoeShoes, @thegomez154 Instagram: @CarJoeMeZ, @TheJoeShoes, @thegomez154 YouTube: Joe Shoes, Car JoeMeZ Podcast Twitch: Mr. Joe Shoes, MeZ Movie Pro Wrestling Tees Store: Capt. Joe Shoes TikTok: @TheJoeShoes Blog Site: CarJoeMeZ.com

In this episode of the Mules with a Mission Podcast, we discuss the variety of classes that are available to students through the Career & Life Design Center. Join Jess, Chlesea, Ethan and our special guest Reagen as we learn about the different details of the classes which can help you develop professional skills, explore career options, and enhance your personal growth. Whether you're interested in career readiness or simply want to built out your life, the Career and Life Design Center has something for everyone. Don't miss this informative episode that will inspire you to take advantage of the resources available to you on campus!

Andrew Pace is a Healthy Home Concierge and Founder of The Green Design Center, a leading resource for homeowners and contractors looking to source products that are healthy and green and receive expert consulting advice on designing and building healthy green homes. Andrew is the host of the weekly Non Toxic Environments Podcast. He is a worldwide expert on green and healthy building products and services customers and contractors from around the globe. As founder of the oldest healthy building supply company in the United States, Andrew has become one of the single most helpful and educational experts dealing with the day-to-day concerns of those individuals who suffer from allergies, asthma and chemical sensitivities.In this episode, Andy shares his holistic approach on creating healthier and sustainable homes. We touched on everything from the problems we see in our modern construction industry, the effects of using conventional materials on our health, to how important it is to work closely with clients in order to build and renovate their homes according to their specific needsHighlights:-Andy's eye opening journey from working in the commercial material supply industry for 30+ years to founding the Green Design Center-The toxic construction industry and the advantages of using a holistic approach when building a home -Working 1-1 with costumers to address their specific needs and chemical sensitivity demands - Practical advice for non-toxic living Links:The Green Design CenterGDC Building For Health InstagramAndy's PodcastHire AndyAFM Safecoat Paint

In this episode of She Renovates, Bernadette Janson speaks with Tina Dawes, an interior and building designer and the senior design consultant at Caroma showroom at the Design Center in Brisbane. Tina discusses the latest bathroom trends and products available for renovators, as well as the new Livable Housing laws and requirements for making homes more accessible. With over 30 years of experience in construction and renovating, Tina shares her expertise in the industry and offers valuable insights for those embarking on a renovation project. “I think the best thing I ever did was working on the tools with the boys on the site, getting my hands dirty because as a designer there's only a certain amount of things you can learn on a piece of paper or on a screen, and there's nothing quite like getting your hands dirty and seeing how it actually all goes together.” -Tina Dawes EPISODE HIGHLIGHTS: 00:00 Intro 00: 09 Who is Tina Dawes? 02:03 How Tina started in the construction industry. 05:50 What the general people are buying. 09:44 Quality is a big consideration in economics. 15:56 The Livable Housing Requirements. 18:24 The Triple F rules (Forms, Follow and Function). 25:19 The things you need to consider when planning a renovation. 25:30 When will the livable housing requirements rule come into play? 26:52 Tips for someone doing a plan for renovations. Resources The School Of Renovating https://www.theschoolofrenovating.com/ Caroma https://www.caroma.com.au/ The Build Design Centre https://buildanddesigncentre.com.au/seminar/bathroom-renovation-basics/ Connect with The School of Renovating ASK BERNADETTE https://www.theschoolofrenovating.com/podcasts-page Subscribe to She Renovates Apple Podcast https://apple.co/3faoWlT Subscribe to Youtube: https://www.youtube.com/c/TheSchoolOfRenovating Follow on Twitter https://twitter.com/renovatingsc Follow on Instagram https://www.instagram.com/the_school_of_renovating Follow on LinkedIn https://www.linkedin.com/in/bernadette-janson-3411652b

In this week's episode, host Margaret Walls talks with Ana Baptista, an associate professor at the New School in New York City and codirector of its Tishman Environment and Design Center. Baptista discusses the cumulative impacts of pollution on environmental justice communities; the sources of pollution in these communities; and the groundbreaking legislation and data tools that are being employed by state governments, researchers, and environmental justice groups to mitigate cumulative impacts in overburdened communities. References and recommendations: “Understanding the Evolution of Cumulative Impacts: Definitions and Policies in the U.S.” by Ana Isabel Baptista, Adrienne Perovich, Maria Fernanda Pulido-Velosa, Enrique Valencia, Marisa Valdez, and Jennifer Ventrella; https://www.tishmancenter.org/blog/new-research-understanding-the-evolution-of-cumulative-impacts-definitions-and-policies-in-the-us Articles by Rachel Morello-Frosch; https://scholar.google.com/citations?user=lSdMXgQAAAAJ&hl=en “Toxic Communities” by Dorceta Taylor; https://nyupress.org/9781479861781/toxic-communities/ “The Quest for Environmental Justice” by Robert D. Bullard and Maxine Waters; https://www.counterpointpress.com/books/the-quest-for-environmental-justice/

Der wöchentliche Podcast behandelt Infos News und Facts zum Thema Tesla. Diese Woche: 0:00 Intro & Themenüberblick 1:10 Neue Tesla Semi Trucks in Nevada gesichtet 2:14 Neue Bilder zur Gigafactory Texas Gigapresse-Lieferung von IDRA 3:13 Gerüchte: Neue Gigafactory in Indonesien bestätigt? 5:21 Gerüchte: Tesla Roadster kommt doch noch 2023?! 7:36 Tesla löst BMW als wichtigste Luxusmarke für Autos in den USA ab 9:16 Tesla integriert neue Apps in chinesische Autos 9:58 Leak über neue FSD Hardware 13:52 Tesla globale Preissenkungen: Was ist (zuvor) passiert? 16:17 Tesla globale Preissenkungen: Model 3 & Y nun bis zu 21.000€ günstiger?! 19:26 Warum globale Preissenkungen? Statement von Tesla 21:56 Tesla globale Preissenkungen: Hat Tesla vielleicht doch ein Nachfrage Problem? 24:07 E-Autos haben weltweiten Marktanteil von 10% erreicht 25:17 Neue Bilder zur Cybertruck Druckguss-Maschine 25:45 Bauantrag Giga Texas: Neues Gebäude geplant "Die Shop" 27:08 Erneute Preisänderung am Tesla Supercharger? 28:05 Tesla Chef Designer: Neue Details zum Cybertruck verraten 33:49 Tesla Chef Designer: Neue Details zum Roadster? 34:37 Tesla Chef Designer: Neue Details zum Model S verraten 35:39 Tesla Chef Designer: Warum wieder ein rundes Lenkrad? 36:14 Tesla Chef Designer: Model S Integrationen in Model 3 & Y? 36:41 Tesla Chef Designer: Neue Farben auch in den USA bald erhältlich? 37:04 Tesla Chef Designer: Wie arbeiten alle Design-Center weltweit zusammen? 37:33 Tesla Chef Designer: Meinung zu Model Y als meist verkauftes Auto in 2023? 37:59 Outro TeslaWelt wird präsentiert von Shop4Tesla! Erhalte bis zu 10% Rabatt mit dem Code "teslawelt" und unterstütze den Kanal: https://www.shop4tesla.com/?ref=Teslawelt Werdet Tesla Welt Supporter: Per Steady: https://steadyhq.com/de/teslawelt/about Oder PayPal: an feedback@teslawelt.de Twitter: https://twitter.com/teslawelt Editor: Daniel: http://instagram.com/dfmediacreations Musik: Titel: My Little Kingdom Autor: Golden Duck Orchestra Source Licence Download (9MB)

Today on Inside Design with Kandrac & Kole, Kelly and Joann talk about their much anticipated trip to the Kohler campus in Wisconsin. While there, they were able to tour the Kohler factory, visit the archive room, the Design Center and of course the infamous Kohler Spa. As interior designers, Kelly and Joann love to get a behind the scenes look at a brand and experience an immersion into not only the company's products, but their culture. Tune in for insight into the Kohler brand. IN THIS EPISODE:  [03:00] Joann and Kelly's experience in Wisconsin visiting Kohler.  [09:00] More on the factory tour of Kohler.  [16:00] Checking out faucets, sinks, tubs, shower components and more at the Design Center. [20:00] Joann and Kelly discuss their favorite styles, finishes and technology on the Kohler website. KEY TAKEAWAYS: A factory tour gives an intimate behind the scenes look into a company so that visitors can learn how products are crafted, the history of the company and how they prepare operations for the future.  Understanding the technology and craftsmanship of products helps designers build an allegiance to a particular brand. Taking the time to learn about new brands can open up opportunities and inspiration for design projects. RESOURCE LINKS: Kandrac & Kole Website Kandrac & Kole on Instagram Kandrac & Kole on YouTube Kohler Website BIO:  Kandrac & Kole was voted one of Atlanta's Top 20 Residential Interior Designs by the Atlanta Business Chronicle, and has been featured on HGTV as well as in The New York Times, Atlanta Homes & Lifestyles, Better Homes & Gardens, Southern Home Magazine and many others as well as participants of the One Room Challenge Spring 2020. Kandrac & Kole has established a well known reputation for their approachable, dynamic personalities, their signature use of color and pattern and their one of a kind, custom designs. As industry experts for residential and commercial design, Joann Kandrac & Kelly Kole share upbeat and entertaining narratives regarding their design projects, travels and personal stories on their popular blog, their podcast and via national speaking engagements. Joann and Kelly's love and commitment to the power of interior design also extends towards their charity work throughout the U.S. and Guatemala. SPONSOR: Studio Designer is a project management, product sourcing and accounting platform for the interior design industry. It is a designer-specific software that features an all-in-one project management system,where you can propose, order,invoice all project items, as well as track team activities.They Have been in business for 30 + years and are near and dear to our hearts as we started working with them about 15 years ago.We don't know how we would run our business without them. From the proposal to invoice to orders to financial reports, it is so efficient and keeps us extremely organized.Studio Designerhas an exclusive offer to Inside Design listeners-$100 off anyStudio Designer Onboarding Services. This offer is valid through December 31, 2022. If you are an interior designer and not using industry specific software, you need to check them out at http://hello.studiodesigner.com/eventskandk.

Andy Pace is a renowned expert in non-toxic and healthy building materials. He founded Green Building Design in 1992 and has contributed to starting many similar businesses throughout his career. He has also worked closely with Branch Basics co-founder Marilee over the years. In this episode, Allison and Andy discuss the importance of using healthy building materials, the difference between health and “green” building materials, and where to get started. Listen as they dive into all things non-toxic building while Allison shares some of her own experiences.  Complete show notes here 

Dana Humphrey has hung up his hard hat after 36 years of serving the University of Maine as a faculty member and dean of the College of Engineering. During his tenure, the college has undergone tremendous growth, most recently with the opening of the Ferland Engineering Education and Design Center on Aug. 24. The $78 million facility — the largest project of its kind in UMaine history — has the capacity to increase engineering enrollment by 600 additional students a year, and will help advance the university's education and research to meet the needs of students, employers and the Maine economy. In this episode of “The Maine Question,” Humphrey reflects on his career at UMaine, Ferland EEDC, the changes he has seen in the profession, engineers' role in a growing economy and what the future holds for him and the college.

This week Amy and Alicia are joined by guest Andy Pace, owner of https://www.thegreendesigncenter.com/ (The Green Design Center) and host of the https://open.spotify.com/show/4nsN1rGP6hVOW5iNAvpJCr?si=425c94d00701462d (Non Toxic Environments Podcast). Andy has over 30 years of experience in the field of chemical sensitivity, building materials and non-toxic construction. He's a leading educator for those who suffer from allergies, chemical sensitivities, and asthma when they are trying to create a healthy home environment. You can find Andy at https://www.thegreendesigncenter.com/ (The Green Design Center) for more information about the work he does with homeowners and contractors. Let's Talk Home Repair is recorded at http://www.thewinterblueroom.com/ (The Winter Blue Room) in Seattle. Alicia's music can be found at https://aliciahealey.com/ (https://aliciahealey.com/)

Is there an equivalent for cidiots in Maine? Yes there is! In fact, Mainers have their own dictionary of phrases I was excited to learn on our two-week vacation. It got me thinking about doing nothing and doing everything. I'll share my update on our to-do list and Robinson Greig sends in an update from Greig Farm. Sign up for the Cidiot newsletter for free. Subscribe at Cidiot.com with your email address. Other links: Discover Upstate Art Weekend July 22-24, 2022. Info here. Thanks to our sponsor Hudson Valley Kitchen and Design Center. Mention Cidiot for $500 off your project $5,000 or more. Info here. Send in a quick birthday message to Cidiot with the microphone at Cidiot.com My favorite Mainer phrases: "From Away" - from somewhere elsewhere than Maine "Flatlander" - someone raised at low altitude "Happier than a clam at high tide" - happy "Tighter than a bark on a tree" - tight "All stove to hell" - in bad shape --- Send in a voice message: https://anchor.fm/cidiot/message

I'm sitting with Craig Van Batenburg, CEO of Automotive Career Development Center [ACDC] and a former repair shop owner, with an update on the pulse of the industry and his business. Is it possible ACDC is the last existing brick and mortar building that operates strictly for training technicians Monday-Friday? Take a seat next to me and tune into our lively discussion about everything Hybrid and EV. Craig Van Batenburg, AMAM, https://www.fixhybrid.com/ (Automotive Career Development Center [ACDC].) Craig's previous episodes https://remarkableresults.biz/?s=%22craig+van+batenburg%22 (HERE) Key Talking Points http://Fixev.com (Fixev.com  ) 30 years in the future- 90%t of the cars are battery electric, repair shops are like a car wash, little preventive maintenance, the car-to-tech ratio is 10,000 cars per tech. There will be fewer techs What new? Expanding facility, New ACDC trainer in Sydney, Australia Getting the right people in place   Shut down for Covid for 18 months- focused on ESP (Education Support Program) Buying Tesla to learn from- Tesla has allowed the aftermarket to get a scan tool New http://web-extract.constantcontact.com/v1/social_annotation_v2?permalink_uri=https%3A%2F%2Fmyemail.constantcontact.com%2FGet-your-copy-of-ACDC-s-All-New-HEV---EV---FCEV-eBook.html%3Fsoid%3D1106633030488%26aid%3DmFtsmYBBQFs&image_url=https%3A%2F%2Fmlsvc01-prod.s3.amazonaws.com%2F85bf778a101%2F58016dbe-9eb3-450c-9dff-87b4646519db.jpg%3Fver%3D1617196504000&fbclid=IwAR3gpFlK3FYoGSYNR7KO5hQqpK6_EjFPGdyMdSXT9h9jdLxunsyy16mHsX0 (HEV - EV - FCEV eBook) that was 5 years in the making.  “Technicians are scientists.”  You have to invest in people Traveling 24/7 is never healthy Craig's https://www.fixhybrid.com/acdc-designed-evse-break-out-box-and-training-sebob/ (“Break Out Box” )was just sold to Harley Davidson Research and Design Center in Arizona New committee- working with the state of Virginia to get high school students trained to fix DC charging stations, 38% of chargers don't work Connect with the Podcast: https://aftermarketradionetwork.com/ (Aftermarket Radio Network) http://youtube.com/carmcapriotto (Subscribe on YouTube) https://remarkableresults.biz/episodes (Visit us on the Web) https://www.facebook.com/RemarkableResultsPodcast (Follow on Facebook) https://remarkableresults.biz/insider/ (Become an Insider) https://www.buymeacoffee.com/carm (Buy me a coffee) https://remarkableresults.biz/books/ (Important Books) Check out today's partners:         Set your sights on Las Vegas in 2022. Mark your calendar now … November 1-3, 2022, https://www.aapexshow.com/ (AAPEX) - Now more than ever. And don't miss the next free AAPEX webinar. Register now at http://AAPEXSHOW.COM/WEBINAR (AAPEXSHOW.COM/WEBINAR). More Time. More Profit. Transform your shop at https://getshopware.com/carm (getshopware.com/carm) http://aftermarketradionetwork.com () https://remarkableresultsradio.captivate.fm/listen ()

Andy Pace started The Green Design Center. It was created in response to the growing demand from homeowners and contractors for home building and home improvement products that are green and healthy, and for design services with an expertise in green building products.Andy has been handling green, healthy and sustainable home building products. As well as related design services for more than 30 years. That's selling products and offering expert advice and services to conscious customers worldwide. In addition, they operate as the North American distributor for AFM Safecoat. That's paint and coatings created for the chemically sensitive. Over 30,000 customers!!!For they are keenly aware of what homeowners and contractors are looking for in green, healthy and sustainable products. Also and what products best meet those interests. Finally and that experience makes us unique. So w other retailers only recently have responded to demands for green and healthy home building products, our decades of experience have given us a deep knowledge of not only the products. Moreover, they have the best ways to apply and install them.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kimberly Grigg welcomes Heather Bernstein of HKB Interior Design out of San Francisco to the show. Kimberly and Heather discuss sustainability in design elements, shifting away from stark white in color palettes, and Heather's love of using stone in design. Heather shares ideas for how versatile stone can be throughout the home.   Heather Bernstein grew up with design as second nature, surrounded by her designer mother's work and influence. After graduation she taught English in Thailand for 14 months and came home to work in real estate before spending time in the corporate world. Design proved to be her calling, however, and after working with a business partner on a co-owned design firm, she branched out on her own with HKB Interior Design just over two years ago. Heather describes her aesthetic as very different from her mother's but with the use of antiques and sustainability always at the core.   Kimberly's use of color is well known but Heather prefers a more neutral palette and they discuss how when working with neutrals, texture becomes your color. Heather has been working away from stark white recently, embracing warmer tones, and she has a vast knowledge of and love for stone in her designs. Kimberly learns the best sealant Heather recommends for stonework to avoid patina. And Heather shares some inspired design ideas from her own new home, stone elements beyond countertops, and insight from her years of experience with thinking outside the box to create a beautiful vibe. Resources discussed in this episode: HKB Interior Design HKB Interior Design Instagram Quartz and Quartzite Caesarstone MORE AntiEtch   About Heather Bernstein:   Heather Bernstein, owner of HKB Interior Design, is a master interior designer with over a decade of experience in the industry. Heather's bubbly yet professional personality leaves its mark on every home she touches with her personalized, warm approach to interiors. Heather's love for beautiful spaces originated from her time spent absorbing her mother's skill in interior design and running her independent firm. After graduating college, Heather moved to Thailand to teach English which expanded her senses and empathy for other cultures that commonly shows in her designs. Soon after, Heather accepted a corporate position for a Fortune 500 leading specialty retailer of high-quality products. This experience not only enhances her passion for design but can also be attributed to her well-rounded creativity and organizational skills that now come as second nature. When Heather isn't working with clients, you will find her chasing around her two boys and golden retriever. Heather continues to embrace travel as a necessary pleasure, is constantly seeking out the best sushi on the market, and is frequently socializing in her community, enjoying laughs over a good glass of wine. --    Contact Me: Email me at kimberly@kimberlygriggdesigns.com Visit my website: www.kimberlygriggdesigns.com Follow me on Facebook, Instagram, Pinterest Check out my Youtube channel You can find the show on Apple Podcasts, Stitcher and Spotify.   Transcription Heather Bernstein  00:00 Yeah, and you just said, the, I think, the biggest thing - you said, clients get afraid. So this, I think, is the biggest thing you can do in design. If you really want to elevate your space, be afraid, have a touch of fear that it's too bold or too much. And go for it.   Kimberly Grigg  00:23 Welcome to Decorate Like A Design Boss, a podcast for design lovers who want to create beautiful spaces in their very own homes. My name is Kimberly Grigg. And I'm a professional interior designer who teaches design lovers like yourselves how to decorate. And when I say decorate, I mean decorate like a design boss. If you're ready to create a space that your family loves, and your neighbors can't stop raving about, well, buckle up honey, because it's time to design. So hello there design lovers and enthusiasts, thank you as always for being here. And I'm so excited to be bringing you this episode. In fact, I've been talking to my guest ahead of time, and I just learned something that I didn't know about marble. And I'm going to be sharing that with you, as is Heather, and I can't wait. So today's guest is Heather Bernstein of HKB Designs. They're out of San Francisco. And we're going to talk a lot about sustainable design, interior design, and specifically about how to incorporate natural stone into your home and designs and, more importantly, how to take care of it. So welcome Heather Bernstein, glad to have you here.   Heather Bernstein  01:48 Thank you. I'm glad to be here.   Kimberly Grigg  01:50 Thank you. So I know you've been home battling COVID. Sorry to hear that. And I hope it wasn't horrible. But we forgive you in advance if your throat gets scratchy or whatever. Because, like, that is no joke. I haven't had COVID yet, but seems like everyone I know has, including my children and all that stuff, and I know it's no picnic.   Heather Bernstein  02:14 Rough nights, for sure.   Kimberly Grigg  02:16 I'm sure. So you're in the Bay Area, as is my number five child. I have six children and number five moved to San Francisco. And I've been out quite a few times, and oh my gosh, what a beautiful area architecturally. Like, wow. I can't even imagine what it's like to actually get to design there. Because the architecture is on fire.   Heather Bernstein  02:41 It's amazing. I think the best part about it is that no two projects are the same there. You have sprawling ranchers, you have Victorians that are straight up and down, you have every different kind of home, which is amazing. And especially in Marin, where we are, we're in the mountains. And so all the homes are so different based on where they are in the land. If they're on a hill, it's, you know, they're on stilts, and if there happened to be in the flats, then you know, they build for that.   Kimberly Grigg  03:19 Yeah, I actually was in Marin, and beautiful area and intriguing. So do you do different aesthetic styles? Or do you kind of focus on one?   Heather Bernstein  03:32 I would say we stay true to who we are. Meaning, we don't like to do anything that doesn't speak to our brand and what we're about and what we love. But we definitely can span from traditional to contemporary and everything in between, depending on what the client wants in the style of the home. I will say, though, our favorite thing is to take a very traditional home. We just did one of the classic Victorians on Steiner Street in San Francisco where 'Full House' was filmed. And we did a very contemporary interior, which was really, really fun to juxtapose against the classic kind of all the wood paneling. And it was just unexpected. And everybody that walks in there is surprised and it's fun and exciting.   Kimberly Grigg  04:29 How cool. So how'd you make your way into the design space? Because I think you have a corporate background, right?   Heather Bernstein  04:36 Yes. So I grew up actually here in the East Bay, so in the Bay Area but just through the Caldecott Tunnel, in a little town called Alamo, and my mom was a designer all growing up. So for 35 years, it's all I knew. We - and she, when she started out, she did all of her own sewing, all of her own upholstery, she made every window treatment, every roman shade out of our dining room. And I remember being in middle school or even elementary and most kids have to take their shoes off when they go in the house, we had to leave ours on because there was always pins and needles on the floor. And so I just, I grew up with it, and then, I guess it was about junior or senior year, my mom would start - by the time I think I was in college, like I'd gotten into school, so it must have been senior year - she would pull me out of school and say, 'Hey, let's go to the Design Center. You can come help me for the day'. And I just thought it was magical, and getting to shop and put things together for people to make their spaces something that they loved, was really just magical. So then I went to school, I went to Boulder. I graduated, I moved to Thailand for about 14 months, I taught English to high schoolers there, I just wanted to get out and experience something different. And travel, which I did, I spent a month in India, and really just - and that was after my junior year abroad in Italy - so I really tried to, like, just see different places in the world. And then I came back and I got my real estate license. And I was selling apartments downtown south of Market in San Francisco, where it was completely undeveloped, and it was like a ghost town. And now it's the sprawling amazing gentrified neighborhood, which is incredible. But real estate was not for me, I called one of my dear friends who worked at William Sonoma corporate and I said 'I need a job'. And she said, 'Great, come be an assistant, my assistant buyer'. And so I did. And I was there for five or six years, climbed up the ladder to a senior buyer, which was really, really fun and exciting. I for sure drink the Kool Aid for the first three years. And then I started to become a little disillusioned and the world was faltering as, you know, we neared 2008. And then I was laid off and I remember crying the night before they were gonna announce layoffs thinking, this is my chance, if I don't get laid off I don't know if I'll be brave enough to start my design business. And so I wanted to be laid off, which was very counterintuitive, because the world was ending. But I was laid off, with 700 others, and that was in January. And by March, I had started our S corp and I had a business partner, we joined forces and said, 'Let's do this together'. We were both going to start our own businesses, and we just said that's silly. And so I started Nest about 15 years ago. And we worked alongside each other for 12 great years. And then when COVID hit, it just kind of felt like things were changing in my life. I had been through a divorce and met a wonderful man. We joined our families and had a Brady Bunch. And I was really just, like, cleaning house and making sure that everyone around me... and it was it was a positive experience every day. And I wanted to feel that in my work and create that space, and so we both went out on our own, and that's when I started HKB. And it's been about two, two and a half years. And I have one of my oldest employees, who has been with me for 10 years. And then we have an assistant buyer who is amazing. She came from the corporate event space and when COVID hit she she jumped ship and came on to try this whole new world and she loves it, and we love having her, so it's been really positive.   Kimberly Grigg  09:08 Sounds like things just kind of lined up. Which always tells me that you're in the right space. And based on your website, you're definitely definitely in the right space. So I got to know, is your aesthetic similar to your mother's?   Heather Bernstein  09:26 No. Definitely not. She was like the consummate traditionalist with the fringe and the Sweet Pea wallpaper and the Laura Ashley and very froofy, and so, no, I actually went the opposite. And my old business partner was very traditional, and I just, I think I ran from that and became very contemporary. Anything clean lined, even mid century, modern, I was more drawn to. But now I'm starting to have this appreciation, I don't know if it's getting older, or just learning that having pieces that are from family from, you know, 100 years ago is really special. So I think I'm definitely being able to merge my style. And we just built a house for the past year, my partner and I, to fit all six of us. And it's been such a labor of love. And it will be photographed, hopefully, in the next couple of months once we get our final furniture pieces. But it definitely has a combo of very clean lines, but also some traditional pieces thrown in.   Kimberly Grigg  10:55 Sure. And I think that, I'm sure you're experiencing supply chain issues as most of us are, and, you know, my original aesthetic incorporated antiques and older pieces really juxtaposed with modern, and it was always my favorite style. But as I got busier and busier, it was just easier to order than to go antiquing on the weekends, or go antiquing, and just, like, be looking for these pieces. And I... my aesthetic sort of shifted because I was doing so many installations every single week, I didn't have time or energy, except to get it ordered. And I had assistance for all of that. So that's kind of my business in those middle years became all about ordering, tracking, ordering, tracking, ordering tracking. But, now with all of this supply chain, I'm back to my roots, I feel like Kunta Kinte. Like, let's start with that antique, baby. Let's get rid of some of those antiques that are leftover in the warehouse. Let's repurpose, let's rethink, let's re-upholster, let's do all of these things, because I don't have the patience for 28 months for upholster to arrive. And I know my clients don't have that kind of patience, either. So I think that necessity is the mother of invention. And I know that on your site, you do talk a lot about sustainability. And I think that's a, sounds like maybe a really big part of your brand. So talk to me a little bit about sustainability, why it's important to you, and how you incorporate sustainability into your designs.   Heather Bernstein  12:38 Yeah, I think just living in the Bay Area, it's kind of been hammered into us for our whole lives. You know, like, we recycled before recycling was even a thing, I think. And so it really allows you to design consciously and with thought and care. And antiques are such a beautiful part of that because there's only one, and it's available, like you said - I'm not, you know, we just got a quote for a client and it said 36 weeks, and I was trying to even calculate that in my head-   Kimberly Grigg  13:17 - it doesn't sound that big. But when you're calculating 36 weeks, you're like, whoa!   Heather Bernstein  13:24 Yeah, the client was like 'is that a joke?' Yeah, I could make that in 36 weeks.   Kimberly Grigg  13:29 Right? Exactly.   Heather Bernstein  13:31 And so, I think, really incorporating pieces that are already out there, that don't take any footprint to make, and to just infuse them in our designs is really special, and also conscious for the environment. So I think it's important to think that way and to infuse that in your design, and really be smart about it.   Kimberly Grigg  14:02 Yes. So agree. So tell me, Heather, what inspires you?   Heather Bernstein  14:08 You know, I just, I love being outside. It's so funny because I had a girlfriend over last night. We're newly friends, she's going through a divorce, so I'm kind of helping her through it.   Kimberly Grigg  14:22 Right.   Heather Bernstein  14:22 And my partner and I went on a mountain bike ride yesterday for, like, two hours just in nature, huffing and puffing, it was so beautiful. And I was telling her about it - and we had our bikes stolen a couple months ago and so we just got her new bikes, yesterday was our first ride, we were breaking them in, we were so excited - and she was like, 'you mountain bike. I did not know that about you'. And I was laughing. My dad was a mountain bike coach in high school, and I really, I think, am a girly-girl but I love to get down and dirty, and yesterday was my favorite day. We spent three hours in the garden planting, and then got on our bikes and went on a ride for two hours. And it just felt so productive. And the vitamin D, I don't know, there's something, for me, about being outside. And we clearly live, like, in the redwoods, and in this beautiful space where we can do that. And I think that is the number one thing that inspires me. Because, yeah, travel inspires me, but we can't travel every day. But we can be outside every day in nature and take it in and just revel in the beauty of it. And that is... and then, of course, my family inspires me every day. And they're just, we're an evolving, very fun family, you know - the boys are 9 and 10, the girls are 13 and 16 - and just watching their personalities and the hormones and I'm just always so curious.   Kimberly Grigg  14:29 It's so true. And I've never thought about it as family being inspiring. Supportive. But, you know, when I think back on things that we've been through - because we're a blended family as well, we're definitely the Brady Bunch. Three and three. And so, three girls, three boys.   Heather Bernstein  16:26 Oh my gosh.   Kimberly Grigg  16:26 Two were his, two we adopted, and two are biological. So it is, like.... but their spaces in life have really been an inspiration that I've probably just taken for granted as my personal life that does merge with my work life. You know, I don't necessarily know that I process that on a daily basis, until you just said it. But I can think of times when yes, my - like right now, one of my daughters is very much into boho chic. And, you know, it's just a boho chic moment. And yet I have a client with three daughters, and they are in their boho chic periods, and I can do that very well because of the inspiration that I've garnered from my daughter - what she sees on social media, what she likes, what she follows, what she wants in her own spaces, all those things - you know, has brought about an inspiration that I probably wouldn't have been interested in that style. I just wouldn't. It's just not, it doesn't necessarily speak to my personal aesthetic, but I champion being versed in all styles. And I usually get versed when someone asked me to do one. And then it's, like, I study for days and hours, and, you know, when you do this I do think that you can study a particular genre for long periods of time. And you can do it, like it's in us, we have to be a certain amount of chameleon to be able to do what we do, unless we have a particular style that we repeat, and we repeat, and we repeat. That's a little bit different. But that brings me to this question, you know, my listener is, she's not necessarily a DIYer, but she is someone who wants to make her home beautiful. And for whatever reason, she's probably not going to hire a designer, she's going to want to do it herself. She wants to be successful. But she wants her own stamp. And, again, there's many reasons that this person ends up in this space. But I'm curious, do you think that creativity can be learned?   Heather Bernstein  18:45 Hmm, I definitely think... I believe in the right brain / left brain, and, you know, the very cerebral right brain and mathematical - which I know did not come easy for me, like, even in corporate America when I lived in spreadsheets, I just, it was heavy. I felt heavy.   Kimberly Grigg  19:12 Sure.   Heather Bernstein  19:12 And so the left brain creative space, definitely think... everybody has a left brain. And so it's in them. It's just drawing it out. So what is it? You can be creative in your cooking, in your food, and how you plate something or how you think to make something that you're going to put in your body. You can be creative in your garden, and what.... My partner just made this amazing trellis for his green beans - he's so excited about his green beans, and his cucumbers climb on this trellis - that he sat out there for hours and made, and I watched him, like, that's so creative. Like how, I wouldn't have thought of that. So I definitely think there are avenues of creativity that are different for everybody. You know, obviously you think of an artist and you're like, yes, you're creative. I think what we do is definitely, you have to have some creative bones in your body, and your left brain working, but there are so many different ways to be creative. So I think...   Kimberly Grigg  20:22 For sure. And I do find, I think this, like, sometimes when people are hiring me to do a job, they don't have confidence in their creativity, or time, you know, it takes a lot of time to do what we do. And so.... but I do think that it's in there, almost with everyone, left and right brain. Like I'm... definitely my left brain is more trained than my right brain, my right brain came out of the womb screaming, 'I'm here and I'm creative' and my other brain is like, 'alright, bring her along, bring her along, you got this'. And I exercise that muscle very often, because I want it, I want the balance of the two. And, as you know, running a business requires the two. But I do find that a person who doesn't necessarily think they're very creative, it's also maybe they're not as passionate as you and I are about the subject.   Heather Bernstein  21:28 Or like you said, they're nervous. And once you put one foot in front of the other, and you just start doing, you become more confident in your creativity.   Kimberly Grigg  21:37 And I think you can exercise that muscle. And I thought a long time about this, since I teach classes to people who are, who think, who want to aspire to have that beautiful home on their own. And I really had to sit with this, do I think that they can do this? Because if they can't, you're just beating your head against the wall. And if they can, and there's ways that you can do it, then you probably can get somewhere.   Heather Bernstein  22:06 Even if they can come away with one or two, like, a-ha moments, it can help them transform one space, and then two, and then three spaces... and do this one or two things. That's, that's beautiful, because they're making their space more their own and more....   Kimberly Grigg  22:27 And I encourage people at that stage, especially if they don't have the confidence yet, 'all right, you do you and you go through the process' but then it's okay to hire someone to consult with you. It's okay to hire a professional to say, 'move this to the right three inches' because you will learn from that experience as well. I think sometimes people are afraid that, you know, someone like you and I are going to come in with all this vast experience and, like, intimidate them in some way. But it really is, like, I know when I'm doing my own work, heck, I come into my office and say to the other designers here, 'hey, what do you think about this?'   Heather Bernstein  23:11 100%!   Kimberly Grigg  23:12 Like, you know, because it's mine. It's personal. It's intimate, and, like, oh god.   Heather Bernstein  23:17 And it's hard.   Kimberly Grigg  23:20 It's so hard, so you know, I'm glad you're a kindred spirit in that way. So I'm anxious to hear your answer to this. So here's an empty space, Heather, what's your process? Like, what do you do?   Heather Bernstein  23:34 Hmm. Well, in the traditional sense, we put pen to paper and, you know, draw it in CAD and lay it out. But, throw that away because so often we check our measurements from our CAD drawing in the space and we're like, huh, that doesn't feel right. And so then we get out our old fashioned tape measure, which I literally have one every spot I am in.   Kimberly Grigg  24:05 It's attached to my fingers.   Heather Bernstein  24:08 And we measure it out and we think through, like, how does this person live? How do they entertain? Do they have a family? We go through all the process and we know - whether it's for our client or, I'm just thinking of my home that I just did - and, you know, okay this is our living room but it is not a formal living room, it has a TV, and we want it to be comfy and cozy. And it was like, okay yes a sofa, but how about a day bed where you can literally just lounge with a couple of the kids. So really thinking through who's going to use the space, how the space is going to be used, and then laying it out with your trusty tape measure, and just knowing 'okay, we're going to do a sofa, a day bed, and a pair of chairs, and then maybe we'll throw in a bench or two little benches at the, you know, by the fireplace just to pull up for extra seating because we need that'. Because there are so many of us, there are not eight of us, but there are six of us... so yeah, that's I think. But then if I back up and think through, like, the very first thing we do, is we create a vibe board. And this is the most important step because it dictates the design for every room in the house. And that offers consistency in our designs. And so we start with our vibe board, we send it to the client, we have a meeting, and we go through every image. And it's not like you're going to have this in your home, it's more like, how does this vibe board feel? It evokes a mood and what is that and you love it? And if you don't, we're back to the drawing board. So that is how we start. And then, obviously, you know, our handy tape measure comes into play.   Kimberly Grigg  26:18 Well, I tell people, like, they'll bring me plans - I do a lot of design builds, where I'm making all the selections, and it's a year and a half of building, and I love that kind of work - but when it comes to, like, I'll get, you know, into the project, and I inevitably have clients say, 'well, okay, let's order furniture, let's order our furniture right now, right now', we're still 12 months out. And, like, I understand the backlog more than most, however, I start saying it's different on paper than it is in person. It just is. And I want to feel the space before I commit. And yes, this sofa fits, yes, this is probably where we're going with this, however, I want this feeling, this vibe, to feel like you - client - and I also want it to be respectful of the architecture and the home itself. And sometimes you can't get that from a blueprint. And I think that's what you're saying, this vibe board does have this significant role, because this is what - whether every little piece in that vibe board is going in this house, probably not - but it does speak volumes to how this space is going to feel. Right?   Heather Bernstein  27:45 100%. We... when we did my home, and I say 'we' because my senior designer, Reed, was such a big part of it. It's so hard to design for yourself, I don't know why, maybe it's just me, but I've learned that from many other designers, I've heard them say the same thing. But we found this image from this amazing artist, and it's this woman with a blank face being hugged by this big, fat, wonderful, what looks like cashmere ,blanket. And I was like 'THAT - that is my home. That is what I want'. I want you to walk in and feel like you are being hugged by a cashmere blanket. And just settle into the comfort of it and the cozy.   Kimberly Grigg  28:33 I love this.   Heather Bernstein  28:35 And so, I can kind of, I can show you, my - if you can see - there she is. And so this was the start of our vibe. And it just, it all came to, you know, to be from that one image. So often times, you know, we find one image and it's amazing, and just describes the whole thing.   Kimberly Grigg  29:02 And I like to say to people, you know, when you're scrolling on Pinterest or whatever, you're not just looking for rooms, like rooms are important. Like, I get a lot from people out of the rooms that they select. But I say don't just look at rooms, look at images that speak to you. Because what you just showed me was more of a piece of art with this woman in this cashmere blanket this big, thick fluffy... that sparks 'How do I want to feel in my home?'   Heather Bernstein  29:33 Yes.   Kimberly Grigg  29:33 And that's the thing that I sometimes think people miss. They'll bring me a picture of something on Pinterest and I'm, like, so you sort of want me to copy this room? Like, because you got the wrong girl for that. Like, I don't know how to do that very well. I can look at something, I can get a vibe, and I certainly can give you a different version of that that feels that way, but it won't be that. Like, that's just not in me, it's just not. But I think it's more if people can settle into what that space needs to feel like to them, as the people who live there, then I think you tap into something that resonates with a person. And, in the end, I say this, I'm not gonna live here, I'm probably going to come visit you because we will become friends over this, but you're gonna live here.This house should look like you, not me, and get comfortable with that. Because if you don't know who that is, we're going to find out. And it sounds like you have a similar process. And, which, I love that process. I'm not the girl who does this look. And I don't have a look, I have your look. And that's the best I can say about that. So I want to segue, in a minute, into materials. And this is really how we were introduced, is you're kind of known for your use of materials. And I know that you deal a lot in stone. So first define for people what a natural stone is versus a synthetic stone, because I think there's a lot of product in the market and people get confused with materials.   Heather Bernstein  31:14 Yeah. Yeah, there's so many options out there, which is amazing and been really wonderful to design with all these options. But yes, natural stone is cut from the quarry, whether it's from Italy, Portugal, South America, it is a block of magnificent stone, cut from a quarry, and then sliced up into pieces. And what you see is what you get, no two are alike, they're like snowflakes. Synthetic stone is conglomerate, so they grind it up and glue it together, and it's very hardy. It can also be porcelain. I do think synthetic materials, synthetic slabs, have come a long way. We used to, you would see like Corian or quartz, everybody's heard of quartz, a lot of people call it Caesarstone. It's like Kleenex versus tissue: Kleenex is the brand, tissue is the thing. The Caesarstone is the brand, is one brand out of millions, it seems like these days, and quartz is the synthetic material. And there's a time and a place for it. And we have to love all materials because we're blessed to get to do many different spaces and many different places. But if you think about it, a man-made material can't live outside. So, like, if we're doing a built-in kitchen outside, we would never put a quartz outside because the heat can do things to it. Whereas a natural stone has already lived outside and it's totally fine outside. So - and there is something about natural stone that we love, that none are the same, and so every project with natural stone is unique. So we love, love, marble quartzite - not to be confused with quartz - limestone, soapstone, slate. We love these natural materials, but, you know, some of them are more porous than others. And that's where the proper sealant comes in, and treating them so that they last a lifetime.   Kimberly Grigg  33:39 So before we get into this sealant, I think that this is appropriate to say.... because a lot of people get really, really nervous about using natural stone as countertops. And I understand it, and most vendors that I work with will, you know, they'll terrify my client even though I say do not open your mouth and tell clients. But, like, let's just say I want to use marble on my kitchen countertops. And they're like, oh, no, no, no, no, no, and we won't, and all that stuff. So, first question is: Do you ever use natural stone as countertops?   Heather Bernstein  34:22 Every day. All the time.   Kimberly Grigg  34:24 Yay girl. That's what I wanted to hear.   Heather Bernstein  34:26 I had marble in my last kitchen, I have quartzite in this kitchen, I have a soapstone vanity in my powder room, I have a Calcutta vanity in my master bathroom. And, yes, it's all porous but it's beautiful and there are ways, there are two ways to think about it. One is this is a natural stone. It can be, it can last 1000 years as your countertop and you can let it patina as it will. Meaning you will see rings from water, wine, you will see spots from lemon or lime acid etching it. Think about the oldest bar you've been to in Italy, and that counter is marble and it has been there for 100 years, and it's, that is the patina you will get. The other side of it is, you can seal it and it will look as beautiful as it did on install day, as it does four years later. So do not be afraid.   Kimberly Grigg  35:36 What is the sealant? This is so exciting.   Heather Bernstein  35:40 It's called MORE AntiEtch. A gentleman named Steve Wolf used to work for DuPont and he had a lot of experience in mixing these compounds, and he left, and said 'I'm gonna make this sealant that you roll on to natural stone that is impenetrable'. And you only have to seal it like once every 10 to 20 years versus every year. And it works. It's a matte finish so it looks, if you have honed stone, it looks just like the stone. I mean you can't tell that there's any sealant on it. And it truly helps stop the effects of citrus and etching and staining, and you can leave coffee and red wine rings on your counter overnight, and then wipe the next day, and it's fine.   Kimberly Grigg  36:42 And this is M O O R?   Heather Bernstein  36:46 MOOR. MORE AntiEtch.   Kimberly Grigg  36:49 AntiEtch.   Heather Bernstein  36:49 No, M O R E. MORE AntiEtch.   Kimberly Grigg  36:52 MORE AntiEtch. Because I'm going to link it, of course. It'll be in the show notes, everyone. But I have marble countertops in my kitchen and I'm very particular about them, I don't like the patina for that particular area. And someone recently said to me there's a product now that you can use to seal. And I thought I'm gonna wait till I hear a little more about this before - because I have a lot of countertop in my kitchen - but I bet you it's the same product and I would be a fan. When you say matte, how does it work on a glossier finish or does it matte it down?   Heather Bernstein  37:30 They have two. They have a polished option and a honed option. Yeah  MoreSurfaceCare.com - M O R E. And they have different sealants for the different stones. So I have a different sealant on my quartzite than I did on my marble. So they really honed in on what the product is and created something spectacular. I don't understand what the compound is but I don't need to, I just know that it works.   Kimberly Grigg  38:03 Which is so amazing. And when we started this conversation, you've had this product in your homes for, now, a couple of years. So you know it's tried and true, because you tried it and it's true.   Heather Bernstein  38:14 Yep.   Kimberly Grigg  38:15 Which is so exciting because people will say to me, 'oh my god, I love that marble, but I'm not doing that, I'm too scared, my husband is sloppy, I spill red wine', all those things that, you know... and then I, as a designer, don't want to live with 'oh my gosh, like, I'm gonna get a phone call in three years and you're gonna be upset'. So this is a way to offset that and I'm thrilled to know about it and I'm going to be talking about it a lot too on my show. Because, you know, I love a product that will solve. Design is a lot about finding the best solutions to problems in your home and this solves a problem. And, you know, not spending hours on it, I do have a couple of questions, though, about stone because, like, I think there's also unusual ways to use stone, not just on a countertop. And I noticed on your site, you do some things. Tell me some things, other things, you've done with stone that are beautiful, that, you know, someone could incorporate into their homes.   Heather Bernstein  39:23 Yeah, I think our favorite thing right now is doing integrated sinks. So for a powder room just taking a slab and cutting it up to make a sink look like it was carved out of a block of soapstone or marble or quartzite, where the sink is fully integrated, I think is so beautiful. Because it's seamless and it looks like it was just carved out of a chunk of stone, and I love that heft, and that feel. We also use slab for fireplace surrounds all the time. Not only are they so functional because of their heat resistant qualities, but they're beautiful. And there's so many designs you can do with different mantles and, really, you can do anything with stone. It's amazing. Of course outdoor spaces. Even just with a remnant we have leftover, we'll, you know, cut a round top and put it on an iron base for outside. And clients are like, 'oh my gosh, this is amazing, I love our table', and nobody has it. And that's beautiful. So, yeah, that is... we use stone in every room. It's wonderful.   Kimberly Grigg  40:42 Yeah. It is wonderful. And I do the same with remnants. I'm doing a top for a coffee table right now. And it was just a little leftover piece, and, you know, it's so pretty, and it's so important. And it can elevate something to an entirely different level.   Heather Bernstein  41:01 Yeah.   Kimberly Grigg  41:01 And it can make it unique to you. Which are all the things that, to me, scream good design. So in your portfolio, you tend to have more neutral palettes. But... so tell me, how do you insert color? Or do you?   Heather Bernstein  41:18 I will say we used to use color a lot more than we did, and something shifted. And I think it was a combination of things. For me, my old business was being dissolved and I was transitioning to this new business where it was mine, solely mine. And then, you know, we're all stuck at home. And I was looking around, and I was - I don't want to say getting sick of - but I was finding myself, like, with really bold colors and patterns. I was... it was jarring to me. And I felt like I just wanted to take it down 10 notches and just breathe in more neutral tones, but lots of texture. And that's where our shift happened. And I don't know, I don't know if it was gradual or if it was one day, but we just started doing these vibe boards that evoked this very calm, soothing feeling. And nothing, like, too bright or jarring. And so that's kind of the direction where we've gone. Like, I'm looking at this as like a rug that's going in my bedroom, it's just, like, soft blue-gray. And then this is the headboard fabric. And the texture is what made us swoon for it.   Kimberly Grigg  42:53 You know, I say - especially when someone comes to me for a neutral palette, because I'm known for color, but can I do a neutral palette, I have done bazillions - but if you're going to do a neutral palette, then texture becomes your color.   Heather Bernstein  43:11 So do you have certain things that you do in homes that is unique to you, your aesthetic, something more like signature?   Heather Bernstein  43:11 100%. I actually think it's harder sometimes than designing with color, because that is like play on play on play, and you're layer layer layer. With textures, it's like, okay, this is velvet, we don't want another velvet, so we need to really think through the next, you know... okay, what is it? Oh, it's a chunky linen. And so really thinking through that is almost harder. But, in the end, it feels so natural and so warm and comfy and cozy. And so we love that.   Heather Bernstein  43:55 You know, I would say right now, the past couple of years, we have moved away from white kitchens - white, white, white, white, white - and we are going warm. And so we are doing wrist white oak cabinets, or custom walnut cabinets, or a color like this deep rich almost hunter green that brings in nature. And so I think right now, our signature is not a white kitchen. And I have seen white kitchens on our website because that's how we did it for so many years.   Kimberly Grigg  44:44 And it's white kitchen to death. It's white everything today.   Heather Bernstein  44:47 And a client will come and say 'I want a white kitchen, I'm coming to you' and we're like 'oh no'. And then we're like, 'well what if we do a soft gray?' and they're like 'oh, oh, can I see what that would look like?' And then they're like, 'oh, that feels nice'. And so, just warming it up, I think, has been... and also, everything has been so stark white for so long, that white, gray, white, gray, that we're really warming it up. So, like, more of, like, a warm white or an ivory. It just, it feels - and I'm saying this as my office is white white - but this canvas, this natural colored canvas, is where we are right now. We're warming it up.   Kimberly Grigg  45:44 And probably using warmer whites when you're using white.   Heather Bernstein  45:48 100%. So instead of super white.   Kimberly Grigg  45:52 Warmer whites. Yes, yes. And then that plays well with other warm colors that are branching off into other rooms and spaces. And I think it's kind of important, because subliminally we're all over-exposed to whatever is trending, even us. I mean, we get, we start seeing so so so so much of something and the next thing you know, we're doing it. And I think the average person is as well. And before you know it, and really by the time you've - not us necessarily - but by the time the person who doesn't do this professionally is incorporating into their homes, this subliminal image, it's already trending out. And, you know, I mean, think of the gray in the last 10 years. Think of the white white white, think of the white with millennial pink. I mean, all my, like, it's everywhere, right? And then I'm so sick of it, like I don't really want to do it, I want to give you something special, even though your heart is set on that white with millennial pink pop. It's the pop that's doing it for you, probably. And it's not that I don't like either color, or it's not that I don't like those looks, it's just been in my face.   Heather Bernstein  47:08 Yes.   Kimberly Grigg  47:09 And an overexposure. So it does make me, though, want to ask this - because I think about this from the perspective of someone listening to this show and gaining and garnering - like, what are things we can leave them with? So what are tips that people can incorporate that they can elevate their home to more of a designer level? Like what kinds of things can somebody really pull off?   Heather Bernstein  47:39 Yeah, you know, I think there are a few just, like, tricks that aren't even tricks. They're just inherent in what we know. But to explain it to someone and someone to say, 'oh, yeah, I never thought, I never knew that'. Like, an area rug. If you have a sprawling living room, you know, family room, whatever it is, and you put a five by eight postage stamp rug in there, your room is going to come crashing in and feel this big. But if you do a 10 x 14 rug, or a custom size to fit the space, your room will feel the size that it is. And so, I think that is something that we see all the time. That we walk in and we're like, 'oh yeah, it feels small, because you have the wrong size rug'. And that helps define your space so easily. It's like dummy proof. You know, like, once you learn like, 'oh, this is the right size rug for this room'. And that's why there are those standard rug sizes - 8 x 10, 9 x 12, 10 x 14 - because those are some standard room sizes.   Kimberly Grigg  48:55 And your point - nothing kills a space worse than that 5 x 7 rug in this huge room. And yes, it does support the furniture, perhaps, but it - I've never really thought about, I've never put it into those words, you did it so eloquently - but all of a sudden your room just shrinks. And you've got this pretty massive space. I mean people get afraid to go big. Don't you think?   Heather Bernstein  49:23 Yeah. 100%   Kimberly Grigg  49:25 Like they'll get these little bitty accessories, or they'll buy this little bitty lamp, and I'm like, 'oh, love, like, we cannot put that lamp by this high headboard'.   Heather Bernstein  49:37 Yeah. And you just said, I think the biggest thing, you said clients get afraid. So this, I think, is the biggest thing you can do in design. If you really want to elevate your space, be afraid. Have a touch of fear that it's too bold or too much, and go for it. Do a title that scares you. We, my boys' bathroom - there's no window, we put a skylight in, but there's no window - and I was like, you know what, I'm just going to enhance the darkness and do black. Black tile, black floors, black everywhere with an oak vanity and a big mirror to reflect as much light as I can get in this space. And it is by far our favorite bathroom.   Kimberly Grigg  50:31 It sounds amazing.   Heather Bernstein  50:33 Yeah, it's so fun.   Kimberly Grigg  50:35 So bold.   Heather Bernstein  50:36 And even as a designer - and I know everything that's out there, and even the stuff I don't know, I'll learn about and, you know, be like, 'oh, that's so much cooler than what I did' - but even I have to tell myself to be brave sometimes. And, like, yes, do that. Don't play it safe.   Kimberly Grigg  50:57 But you know what, I think it's why you're successful. I know that it has a lot to do with my success. Because, you know, we can all pick some things that go nicely, play nicely together. And we can break some rules and, you know, get the scale off a little bit, get this off a little bit. But I think that the reason people use me as their designer - and I have a feeling it's you too - is because we will take that risk. And we'll believe in it so hard that our clients know that if we believe in it that much, that it's worth the risk. And that we'll fix it if it goes wrong. Like, you know, I've taken risks that haven't worked. But I'd rather take that risk than cheat my client out of what it could have been, if I had stayed in the box. And, you know, I think, like, I can't wait to get out of the box when I'm working on a job, like I cannot. But I also have a lot of years of experience. So I'm not afraid to get out of the box. Yet when we don't get out of the box, and I play it safe, the room is flat to me, or the project is flat. And sometimes people just won't let you and you finally just give up in, like, frustration, and you're like, 'okay, if you won't do it, then I'm not gonna lose any more sleep about this, I'm telling you, it would be 1000 times better if you let me do it this way, but you're not doing it so here we go'. And eventually, you can get to that. But when you get to get out - and I can tell the girl that puts black tile all over a dark bathroom, I know you can take a risk, and I love it. Love it. I can't wait to see the photographs of this bathroom. I think it sounds spectacular. So.   Heather Bernstein  52:47 Yeah, no. Breaking rules. Breaking the rules is so fun.   Kimberly Grigg  52:51 Yeah, exactly. And allow yourself, yeah, allow yourself to do it. So is - obviously beauty is important to you - so, but why? Why should people care? Why is beauty important?   Heather Bernstein  53:09 My partner and I have this conversation quite a bit because he's like, 'function is better'. And I'm like, 'no beauty is better'. I mean women were high heels, you think they wear them because they're comfortable? No. We wear them because they're beautiful, right? And they elongate our calf and our leg. And there are reasons for why we do things. And I think I have learned, through this project over the past year, my own project, that beauty - the most beautiful is where it functions and is beautiful. Because that appeals to everyone. Yeah, you can just have beauty. But it also can be functional. It's like a 10 out of 10. And so I've really tried to instill in my gals, like, 'Okay, but how are they going to use that? And does it, will it work for them?' Because just pulling something that's beautiful is easy. But making sure that it works for the people, the place, the space, is the ultimate beauty. And so I've really - just in doing my own project - I've really put a focus on that. And it's been, it's been really helpful. For us and for our clients.   Kimberly Grigg  54:38 Well said, well said Heather. So it's time for my signature question, which goes a little like this. If you had a hashtag that really spoke to your legacy of design, what would it be?   Heather Bernstein  54:58 So funny. I am looking in my notes because I used to have, when I started this company two years ago, I had this saying... ah, this is it. Are you ready?   Kimberly Grigg  55:14 I'm ready.   Heather Bernstein  55:15 I should have it memorized. The courage to grow requires the ability to let go. Oh, it is that... let's be brave and mighty and go for it. Then you will grow.   Kimberly Grigg  55:33 Yes, Heather. I cannot believe this time has flown. Like, you and I could just do this...   Heather Bernstein  55:40 I know.   Kimberly Grigg  55:40 I could tell. Maybe when I come to the Bay Area, I'm going-   Heather Bernstein  55:44 - it's my roots. My grandmother was from Georgia.   Kimberly Grigg  55:48 Yeah. Oh, wow. So there we are. So how can people find you?   Heather Bernstein  55:53 HKB Interior Design.com. And I would love to... we travel. We have a project in Denver right now. So yeah, reach out.   Kimberly Grigg  56:08 So great. Well, Heather, I thoroughly have enjoyed getting to know you. It's so funny because our introduction was over the sealant. But, gosh, there's many more layers to you, girl.   Heather Bernstein  56:21 Oh, thank you.   Kimberly Grigg  56:25 Thank you. I appreciate this so much. And you guys got to go take a look at this girl's work. She's spectacular. And I can't wait to get to know you more. And so I'm going to say to our listeners, bye for now and I will see you next time and thanks for listening. And of course be sure to go rate, review, and subscribe to our show.   Kimberly Grigg  56:49 Thanks for listening to Decorate Like A Design Boss. If you want more info on how to decorate your space like a pro, visit KimberlyGriggDesigns.com. See you next week!

Dr. Ziv Yekutieli is the CEO of Mon4t, a start that provides standard neurological assessment in the clinic and home. Dr. Yekutieli holds a Bachler's and Master's degree in electrical engineering, and a PhD in Brain Science.  Dr. Yekutieli has been connecting between neurology and technology for over 20 years, and has been working in the Israel high-tech industry, primarily in Intel's Design Center in Haifa, Israel.

In today's episode I sit down with our Career Design Center here at USU and talk about the different services offered to students at Utah State. We also talk about the benefits to working on-campus, how students can find on-campus employment, and our upcoming virtual job fair specifically for incoming aggies.    New Student Orientation: https://www.usu.edu/orientation/locations/logan     Orientation Office Contact Information: 435-797-0283; orientation@usu.edu; Instagram @usuateam  Career Design Center: https://www.usu.edu/career-design-center/   Career Design Center Contact Information:   Career Design Center Instagram: @usucareerdesigncenter Aggie Handshake: https://usu.joinhandshake.com/login  Sign-up to Attend the Incoming Student Virtual Job Fair: https://usu.joinhandshake.com/career_fairs/31660/student_preview?token=FglPY_IC_2gWHkrPrTVv1gS61PdHPAi8vJRaosZ1ofODYjs1LSOI0A     Guest  Brianne Midgley – Employment Specialist, Career Design Center, Utah State University  Kevin Schwemmin – Executive Director, Career Design Center, Utah State University 

(L to R) Kent Lambert, Assistant Director of the Hack Arts Lab, and Ashlyn Sparrow, Assistant Director of the Weston Game Lab, located in the University of Chicago's Media Arts, Data, and Design Center. For the 19th episode of Board Game Times, we take a trip to Hyde Park and a new oasis of gaming and creativity at the University of Chicago: The Weston Game Lab and it's makerspace sibling the Hack Arts Lab. Clark gets all the facts about the labs from Ashlyn Sparrow, the Assistant Director of the Weston Game Lab and Kent Lambert, the Assistant Director of the Hack Arts Lab. Kent and Ashlyn tell Clark how the labs were created and set up, what it's like to create a lively gaming space inside a serious academic environment, and they walk listeners through a trip to the lab. Of course, we'll also hear about Ashlyn and Kent's experiences in gaming, their goal to create weirdness, and we play a two-hander for this episode's Minigame questionnaire! Episode Information Some of the games mentioned in the show: Catan; Spades; Agricola; Seven Wonders; Imhotep; Magic: The Gathering; Wingspan; Scythe; Betrayal at House on the Hill; Fog of Love; Fiasco; Coup; Werewolf; Avalon; Jaws; Oath; Gloomhaven; Spirit Island; and Parks. Visit the Weston Game Lab on the first floor of the John Crerar Library at 5730 S Ellis Avenue. Online at: https://arts.uchicago.edu/explore/initiatives/media-arts-data-and-design-center-madd-center/weston-game-lab The Hack Arts Lab: https://arts.uchicago.edu/hack-arts-lab-hal The Media Arts, Data and Design Center: https://arts.uchicago.edu/explore/initiatives/media-arts-data-and-design-center-madd-center Connect with the podcast! Send your feedback, questions and suggestions to Clark at: clark@boardgametimes.com Visit the Board Game Times site at https://www.boardgametimes.com and like our Facebook Page at https://www.facebook.com/boardgametimes

Motos and Friends, a weekly Podcast brought to you by Ultimate Motorcycling, and powered by the all new Suzuki Hayabusa—the ultimate sportbike. Visit suzukicycles.com to find out more. The ultimate ride awaits! In the first segment Senior Editor Nic de Sena talks about the Suzuki SV650. The iconic SV actually came out over 20 years ago, and it can be argued has subsequently become a cult classic, especially among the racing fraternity. Despite its age, this inexpensive middleweight still works extremely well with massive aftermarket support should you want to go fast with it.   In the second segment, Neale Bayly chats with Chuck Huneycutt, the Lead Motorcycle Restoration Expert at the Barber Museum. Chuck is an ex-racer and arguably the leading restorer of racing motorcycles in the country. Needless to say Chuck also gets to ride a lot of them, perhaps the most interesting one of which is the astounding Britten V1000 which is displayed on the top floor of the museum, appropriately just outside the new Design Center. Chuck rode the Britten several times so we get to hear his thoughts on that.   2020 Suzuki SV650X Review: Café and Canyon Ready By Teejay Adams 2022 Suzuki Hayabusa Test: Quicker and More Refined By Arthur Coldwells 2021 Barber Vintage Festival Report: Supermono Project Revealed By Teejay Adams

In this episode, Todd Pittman sits down with Diane Powers, a native San Diegan and local champion of cultural tourism. Diane, an accomplished design professional and entrepreneur, shares how she came to preside over Bazaar Del Mundo, a grouping of colorful shops and restaurants in Old Town San Diego. She shares how her interest in art and design started at an early age and credits her growth as an artist from studying under Lloyd and Ilse Ruocco. Diane recounts how San Diego's design and architecture landscape has been forever shaped by that era of bold calculated risk-takers.   Timestamps: [5:43] Diane talks about the many inspirational people that got her into design, from her art teacher, interior designers, and her grandfather. She learned early on that she loved the idea of creating environments and thinking beyond what was possible. [7:13] Diane discusses Ilsa Ruocco's unique personality and expansive knowledge of what she would refer to as environmental design. Having her as a teacher, she saw firsthand Ilsa's perspective and appreciated her style, and began to notice how it both matched up and differed with her own. [11:28] What Diane loved most was how Ilsa taught. It was learning together, rather than just sitting in a classroom. [18:51] Diane talks about falling in love with textiles and beautiful pieces from India, which then led to developing an appreciation for folk art and Mexican culture. [21:46] The most expansive thing that Diane learned from the Ruoccos was their use of open plans. She learned how to really see the details of the buildings, the materials, light, use of wood, etc. [23:08] The Ruoccos also had amazing parties with professionals and interesting people at the top of their game. [27:52] Lloyd would bring a lot of plants in the house and the natural materials would help homeowners feel a connection with the outdoor world while they were inside. [37:00] Did people collaborate while at the Design Center? Diane shares how architects, landscapers, photographers, and more all came together. [39:22] Diane gets emotional about a partnership and begins to explain how Bazaar Del Mundo came about. [49:02] How has technology both helped designers and architects, and how has it possibly negatively affected their creativity? [58:48] Diane carries on the legacy of her inspirations by trying to get people motivated, together, and feeding life into the city.   About C-3 In its 60 years of existence, Citizens Coordinate for Century 3 (C-3) has brought together local thought leaders from planning, design, policy, academia, community development, and more to address our region's distinctive and pressing land use challenges. In founding C-3 almost 60 years ago, architect Lloyd Ruocco's vision was to bring together our region's most creative minds from the arts, sciences, academia, and government to share ideas, learn new perspectives, and build fellowship around the idea of creating livable communities.   Opportunities for Advocacy and Engagement: C3sandiego.org Diane Powers Lloyd Ruocco Ilsa Ruocco Homer Delawie Garden Cities of To-Morrow, by Sir Ebenezer Howard Arline Fisch Robert Peterson Hal Sadler