Podcasts about stagehands

CapeTalk’s Sara-Jayne Makwala King is joined on Weekend Breakfast by the Founder and CEO of Botle Ba Matsoho Guild of Stagehands, Bokang Ntsutle.See omnystudio.com/listener for privacy information.

A somewhat salty, and possibly insane, Penny Dreadful addresses another batch of DS continuity, plot, character, and canon questions in this episode, inspired by Dale Clark's wonderful Dark Shadows Books of Questions and Answers which were published between 1989 and 1995. In this installment, the following questions are addressed: Would Julia's treatments have permanently cured Barnabas? When Barnabas is in his coffin during the day, is he sleeping and can he be awakened? How does Laura Collins “work”? Was Barnabas destroyed at the end of House of Dark Shadows? Where were Gerard's pirates in 1840? Stagehands in the shot? Mic shadows, boom mics, and cameras in the shot? TERROR AT COLLINWOOD has been nominated for BEST PODCAST in the Rondo Hatton Classic Horror Awards! Check out the full ballot HERE and be sure to vote in the Rondos: https://rondoaward.comSend your votes to taraco@aol.comYou can vote in as many or as few categories as you like! Be sure to include your name in the email when you vote. Terror at Collinwood and Shilling Shockers shirts and merch at TeePublic: https://www.teepublic.com/user/pennydreadfulxiii Help support the podcast by donating at Buy Me a Coffee: https://buymeacoffee.com/terroratcollinwood Rondo Awards Website – Full Ballot Here: https://rondoaward.com/rondoaward.com/blog/ Lyndhurst Dark Shadows July Event: https://www.showclix.com/event/dark-shadows-meet-and-greet-2025 The Great Nick D streaming LINK: https://www.amazon.com/gp/video/detail/B0DJ7396MH/ref=atv_dp_share_cu_r James Storm's Lakota Artists Culture Thru Photography GoFundMe Page: https://www.gofundme.com/f/helping-share-lakota-artists-culture-through-photography?attribution_id=sl:ba1973e4-c8a9-425e-8707-b5047dcd111d&lang=en_US&utm_campaign=man_sharesheet_dash&utm_content=amp10_t1-amp13_c&utm_medium=customer&utm_source=email Our Shadowed Past Volume I digital version on Amazon: https://www.amazon.com/Our-Shadowed-Past-Bob-Issel-ebook/dp/B0CCBKFWQD/ref=sr_1_1?crid=3F8YAEZ3B1OJR&dib=eyJ2IjoiMSJ9.M5p7ULP31FBxZr8q3M5QsFLAmzVCqJ5IPpt7l7Uk_J38DZeMSVSic62LuBiC9k08cLMFno-hO2VMadi0pwYKnzLqPn-Ae-GX3_K4RenRkKo.eAWYsKj2nG2PW-V56UfAKTCjmrPh096BlPTgoNUTx5w&dib_tag=se&keywords=our+shadowed+past&qid=1740966611&sprefix=our+shadowed+pas%2Caps%2C138&sr=8-1 Shilling Shockers on Etsy: https://www.etsy.com/shop/ShillingShockers Surfing the Shadows surf rock cover of Robert Cobert's Dark Shadows theme by Johnny D & The Moonlighters: https://www.facebook.com/profile.php?id=61552762765082 TaC logos by Eric Marshall

In this episode of LIGHT TALK, The Lumen Brothers discuss everything from Horrible Programmers, to "Mr. Midnight". Join David, Stan, and Steve as they pontificate about: What to do when your show sucks; Scar Tissue; "The Endpoint Effect"; Respecting and researching other cultures when you design a show; "Blue Hawaii"; What to do when your programmer disappears; Stan becoming "Tom from CarTalk"; "Evil Kitten Clothing for Stagehands"; Stan's collection of Bowties; Escaping the madness; Standing your ground and fight for your students; "The Prime Directive" in education; Ignoring the background noise; LDI daily routines.; and What new technology will be at LDI. Nothing is Taboo, Nothing is Sacred, and Very Little Makes Sense.

We begin this episode discussing Max's "selective hearing".... Are Max & Jeff agreeing with each other or disagreeing?!?!? We're not sure whether or not they know either.... This episode is dedicated to all of The Fabulous Baker Boys & Fabulous Baker Women... Stagehands make it happen!!!! No Matter What!!!! Listen to the adventures of Max Baker Jr. on the Here's The Deal Podcast.. All Episodes of Here's The Deal Podcast Available Here!See omnystudio.com/listener for privacy information.

Season 6 - Episode 38As we deck the halls and trim the trees, even the specters are whispering of holiday mysteries. Linda's contemplating giving the Christmas fuss a miss, heading to her folks' for the festive cheer. As for me, Clinton? I might just play host this year, though my pantry's as empty as a ghost town!In this chilling episode, we unwrap an email from Nina Coward, who shares a haunting memory from her childhood. Imagine a dark road in Hatfield and a mysterious woman, garbed in an era long past, sending shivers down the spine of every passerby. "No Gary, just drive!" her mother exclaimed. What compelled her to shout? We'll delve deep in our Zoom call with Nina.Then, from the pages of Take a Break Fate and Fortune, we read 'It's Play Time' – a tale that will make you listen closely the next time a baby cries. A converted old house, a nursery that echoes with sobs, a loft room alight with otherworldly energy... what secrets does it hold?I also drop by Ruth's place in Erskin Court, extending an olive branch and a Christmas invite. It's set to be a cozy affair at Erskin, just Ruth, her roast potatoes, and me... though Neil's festive plans are up in the air!Jane Wallace stakes her claim in the paranormal annals, deciphering a story of a recurring musical track. Is it a message from the beyond? Jane weighs in.Jack Gleadow's tale scores a paltry 2 out of 10 on our spectral scale. A man at the end of his bed – sleep paralysis, or something more sinister? You be the judge.And not forgetting Luke Jones, who tells of a ghostly encounter during a radio show's ghost hunt. Stagehands unseen, objects moving of their own accord – the Tyne Theatre's secrets laid bare.Lastly, we connect with Liv Beards from Wolverhampton, live from her library. She recounts a conversation with a person that was never there.Lots of Love, until next time.Clint.xCredits:Kathrine BoyleNina CowardSally Anne-Haywood Jack Gleadow and Luke JonesLiv Beards• Podcast produced by Laurie Peters from Peters-Fox.• Outro music by GLOWE accompaniment from Archie Levy.Share your own spooky stories at clinton@clintonbaptiste.comFind more Clinton Baptiste merchandise at https://ko-fi.com/clintonbaptiste/shopTOUR DATES : www.clintonbaptiste.com Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

This week on Toilet Radio: milk and molasses enemas / Low Turnout! At the Emo Show! / Stagehands walked off the job due to poor working conditions and poop disasters at Blue Ridge Rock Fest / Being a hardcore guy is so embarrassing / Folks are excited about surprise new releases from Tomb Mold and Blood Incantation. No one gives a shit about Myrkur. / Finally, Six Feet Under are BACK!!!! Folks, it's a good one. Like this show? Want more? Listen to our latest subscriber-exclusive episode: Fantasy Labelball – Season of Piss PART TWO over at the Toilet ov Hell Patreon. Artists featured on this ‘sode: THORN – Xenolith of Slime This program is available on Spotify. It is also available on iTunes or whatever they call it now, where you can rate, review, and subscribe. Give us money on Patreon to get exclusive bonus episodes and other cool shit.

The Stagehand Pro 5 is officially released! With the Pro 5 out in the wild Harry, Kody, and Christian talk about the last push of development and testing on it. As well as some of the custom projects working through the shop right now.

Kody and Christian dive deep on some exciting Spotline and Stagehand developments while Mike recounts some of the big tech support woes from last month.

Ruby & Space talk about what goes on behind the scenes for theater productions......and of course side tangents as usual.Have a show topic you want us to cover, do you know an artist or guest you would like to have on the show, or do you just want to chat? Shoot us an email at talktothemuzzle@gmail.comJoin Our Telegram Group: https://t.me/StraightFromTheMuzzleFollow Us on Twitter: https://twitter.com/FromTheMuzzleMore About Us:https://linktr.ee/FromTheMuzzle-Episode was written by: Ruby & Space-Episode Editing done by: Skithiryx

Michael Bua is a highly experienced union stagehand; “Carp-trician,” having over “25 years of stage experience” with wide ranging equipment expertise!  He is a member of International Alliance of Theatrical Stagehand Employees (I.A.T.S.E.) LOCAL ONE - Member #3050.  Michael's talents include construct, install, maintain and operate the lighting and sound equipment, the scenery, props and special effects which thrill and delight audiences attending Broadway Shows, Concerts at Radio City Music Hall, Madison Square Garden, Carnegie Hall, the magnificent and spectacular productions at The Metropolitan Opera and throughout Lincoln Center, and the many entertaining broadcasts from NBC, CBS, ABC, FOX, CNN and PBS.  Plus numerous cable TV studios, major corporate industrials, galas, fashion shows, fundraisers and special events for a multitude of Entertainment Productions in New York City.He has been a Production Carpenter, Staging Assistant, Electrician and Studio Mechanic, Set-Dresser, Prop-maker, “MacGyver”, Light Board Operator, Moving Light Programmer, Follow Spot Operator, as well as Grip, FX, handled Live Props, Set-Dressing, and Property Assistant.His amazing resume includes these works: “The Book of Mormon” (2009-2015), “Lysistrata Jones”, “The House of Blue Leaves”“HAIR”,  “Elf”,  “How to Succeed in Business Without Really Trying”, “The Bronx Bombers” , “Annie”,  “Holler If Ya Hear Me”,  “RENT”, “The Addams Family”, “Hugh Jackman, Back on Broadway”,  “700 Sundays”,  “Rebecca”, “End of the Rainbow”, “Golden Boy”, “The Lion King” And more! The Metropolitan Opera – Lincoln Center, New York  -  (2004 – 2011)Night Gang, Service Crew, Property Department, Lighting Crew and Electrics Shop.Midsummer Night Swing, Lincoln Center Outdoor and Red Carpets.Theatrical Resources  (2007 – present) The Nightly Show with Larry Wilmore,  NBC's New Year's Eve with Carson Daly,  ABC's Dick Clark's Rockin Eve with Ryan Seacrest,  Radio City's Christmas Spectacular Rehearsals at St. Paul's Cathedral,  Rockefeller Center Tree Lighting, NBC & CBS Thanksgiving Day Parade,  America's Got Talent NYC and Las Vegas,  “Women in the World” at The Koch Theatre,  VH1-You Oughta Know Live in Concert,  The Million Second Quiz,  Time Warner Cable Studios Gala,  Hulu,  The US Open, Mercedes Benz Fashion Week,  American Comedy Awards NYC,  Versus Versace Fashion Show, Giorgio Armani Fashion,  TBS/TNT Upfronts,  G-Shock Production Gala,  JC Penny Jingle Mingle LIVE, Victoria's Secret Fashion Shows,  USA Upfronts,  Tommy Hilfiger Fashion Show,  Chanel Gala,Marc Jacobs Fashion Show,  LOGO TV Trailblazers – St. John's Cathedral,  Black Girls Rock – BET Network, VH1 – Storytellers – Jason Mraz,  LEGO,  Minds and Machines,  NIKE GALA; NIKE PHENOM, NIKE COURT,  Nokia Project Blue Box Times Square – Nicki Minaj,  Robinhood Foundation Galas; Javitz Center and Central Park – Black Eyed Peas,  The Bloomberg Party and The Governor's Ball – Randall's Island,  Bon Jovi Live at The Best Buy Theatre, The Grammy's at Madison Square Garden, The Little Shubert Theatre: Tommy Tunes, Hank Williams.NBC Universal – 30 Rockefeller Center Plaza, New York – (1999 - 2009)The Today Show, Weekend Today, The Toyota Concert Series-Dynamic, demanding, high-pressured, 4 hour constrained live television production.-Construction of different stagings and lighting truss configurations.-Installed, operated and maintained a wide variety of electronic peripherals during training, rehearsal and performance concerts.Saturday Night Live, Conan O'Brien, The Carson Daly Show, Countdown with Keith Olbermann, Dateline, NBC Sports, MSNBC and Nightly News.- SNL, The Today Show and Conan O'Brien Prop Department experience.- Obsession Operator, Remote Electrician, Spot Operator and Assistant Lighting DesignerABC Disney – Times Square Studios & 77 West 66th Street, New York – (2006 – present) Regis and Kelly, The View, Eyewitness News, All My Children, One Life to Live, Who Wants to Be a Millionaire.- Carpenter, Prop-man, Electrician, Stagehand.CBS Viacom – 524 West 57th Street, New York – (2006 – present)Evening News with Katie Couric, BET, Guiding Light, Nate Berkus, The Marriage Ref.- Carpenter, Prop-man, Electrician, Stagehand. AMV – All-Mobile-Video – Chelsea Studios - (2006 – present)Martha Stewart, The Whatever Show, Rachael Ray, Wendy Williams, Tyra Banks, Project Runway, The Talk, The Iron Chef, The Food Network, HBO, MTV, VH1, The Discovery Channel, Bravo, A&E, and SciFi…Citi-View Productions – The Rainbow Room – Cipriani's  - (2000 – 2006)- Lighting Designer and technician for multiple galas.IATSE Local 340 – Long Island, New York – (1998 – present)Nassau Coliseum, Jones Beach Theatre, Grumman Studios, CW Post Tilles Center, Hofstra U.Gateway Playhouse, GSD Productions, Bestek Lighting,  Electrician, Ground Rigger, Backline and Technician in a multitude of large-scale theatrical, concert event and touring productions.IATSE Local 4 – Brooklyn Navy Yard, New York Stiegelbauer Carpentry Shop – (1998 – 2004)- Learned valuable carpentry skills building sets for SNL, Guiding Light, and As the World Turns.LOCAL 52 – Experience – Motion Picture Studio Mechanics – (1998 – present)Silvercup Studios, Kaufman Astoria Studios, Paramount Studios and Steiner Studios.Boardwalk Empire, Gossip Girl, Law & Order SVU, Salt, Sex and the City I & II, A Couple of Dicks (Copout), Project Runway, Spiderman, The Sopranos, Non-Stop, The Following.Performance Environment Design Group (PEDG) – David Stark Design - (2006- 2012)Robinhood Foundation Gala – The Jacob Javitz Center, New York- Project Manager, Production Assistant, Lighting Coordinator, Stagehand.Oceanside Public School District – Oceanside, New York – (1998 – 2009)Drama Director and teacher for the Drama Department producing a musical every year with a cast of over 60 children.  Auditioned, cast, and directed children, blocked and facilitated rehearsals, choreographed, taught songs, Designed and constructed scenery, costumes, props and special effects for Beauty and the Beast, Alice in Wonderland, The Wizard of Oz, The Lion King, The Little Mermaid, Willy Wonka and the Chocolate Factory, Cinderella, Aladdin, Annie, and Snow White and the Seven Dwarfs.The Stage – Long Island Live Theatre – Merrick, New York – (1994 – 2000)Producer, Box Office Manager, Actor, Director, Designer, Stagehand, Scenic Artist.- Supervised and Managed all ticket sales, advertisements, and bookkeeping.  Produced and performed in The 30th Anniversary of the production HAIR.  Responsibilities also included Technical Direction and Set Design, along with Directing Children's Theatre and performing with them on main stage productions.

Fred speaks with the folks from Synchronicity Creatives and John McAfee about the tribute video to stagehands everywhere.

Es ist Festivalzeit: Veranstalter kämpfen mit dem Fachkräftemangel. Und: Manuskripte aus der Schublade - die Wiederentdeckung des Autors Leonid Zypkin. An Konzerten und Festivals stehen vor allem die Künstler und Musikerinnen im Mittelpunkt. Damit diese aber überhaupt den Weg zu grossen Live-Auftritten finden, braucht es weitere Akteure: Busfahrerinnen, Backliner, Stagehands, Zeltbauer, Technikerinnen und Leute, die sich mit Planung und Management auskennen. Daran fehlt es. - Ein später Triumph über Diktaturen ist es, wenn Texte eines Autors nach Jahrzehnten an die Öffentlichkeit kommen und endlich Leserinnen und Leser finden. Dies geschieht zur Zeit mit dem Werk von Leonid Zypkin (1926-82), der in der Sowjetunion nicht publizieren durfte. Weitere Themen: - «The Show must go on»: Sommerfestivals trotzen Personalmangel - «Die Winde des Ararat» – Leonid Zypkins Erzählung auf Deutsch

Welcome back to ArtBeat Radio! Max: Hello and welcome back to ArtBeat radio!  This week, we will be sharing a short scene called, The Glowing Battle Sword from the Sea, from a series called, Beach Front Stories, created by students in playwriting class at ART Center.   We worked together to brainstorm, rehearse, and record these scenes and we hope you enjoy them!  SCENE 4: THE GLOWING BATTLE SWORD FOUND IN THE SEALights up on four people dressed as Illumination minions from Despicable Me. There are mirrors strategically positioned around the stage to create the effect of more Minions. Other set/prop design elements may be added for the effect. There are ocean sounds in the background and stage hands flapping fabric to emulate waves. The four minions, MINION 1, MINION 2, MINION 3, and MINION 4 stand in front of the waves looking out towards the audience presumably at the rest of the ocean. The four minions begin to communicate in minioneze, making gibberish sounds that start with "B" such as "Bababababoh". The minions communicate through these sounds emphasized with gestures and facial expressions. They are obviously excited. Throughout the "conversation" the minions are pointing into the audience, presumably referencing the ocean.ED enters the stage running. He stops when he sees the minions on the other side of the stage.ED: (Breathing heavy, not in character) I am so sorry, I thought I missed the scene. (Slowly looks at the audience.) Alright, time to get in character. (The actor playing ED shakes their body around and makes some vocal warm-up noises. When they are finished, they are in character for the rest of the scene.) Come over here guys! (ED gestures off-stage.)EDDY and EDD enter, also running.EDDY: Did ya find the sword?ED: No not yet, sorry. (points to minions)But I found... minions.EDD: Can you imagine how many quarters we could sell that sword for?EDDY: I know! I can't wait to use those quarters from this sword to buy a new sword.EDD: Don't you think someone else will try to get it before us?ED: Yeah... I think that is why they are here. (ED points at the minions who are still discussing in minioneze.)EDDY: (yelling) Come over here minions, BaaBaaBooLoo!The four minion slowly walk towards ED, EDD, and EDDY until the two groups face each other.Beat it! We're the ones that are going to get that sword!MINION 1: We need that sword so we can keep it safe!EDD: WOAH, WOAH, WOAH, wait a minute! I thought I was supposed get the sword. It is so awesome and I don't have one.MINION 2: That is not a good reason.ED: Why is it not a good reason?!? He really wants the sword.MINION 3: We need that sword to defeat Vector! He's committing crimes with direction and magnitude.EDDY: You heard 'em boys! We are going to need that sword if we ever want deflection and attitude.The Minions scoff and roll their eyes at EDDY's misunderstanding.MINION 4: Hey look! You heard us first. WE NEED THE SWORD.EDDY: Well if you want the sword you're going to have to pry it from my cold, dead hands. INION 3: Good luck with that! (laughs) While we were arguing we already sent a scuba team down to get the sword.EDDY: What, really??? That ain't fair!MINION 1: Life isn't fair... deal with it.All four minions jump into the "water". Stagehands move the fabric to cover the minions so the audience only sees their hands if they reach up.ED, EDD, and EDDY jump in after them. We see hands reaching out of the water and fighting with one another, indicating a struggle for the sword.Hardcore, melodramatic action music plays loudly during the sequence.EDD emerges from the water. He whimpers and runs out of the water. EDD exits.EDDY emerges holding a plastic sword.EDDY: I got it! I got it! (MINION 1 pops up from the water.)MINION 1: I don't think so.(MINION 1 pops back into the water)MINION 2: (Emerges holding a piece of driftwood giggling.) Hahahahhaha...... oh....(MINION 2 goes back into the water)

This week we'll discuss the end of the strike at John Deere, get funky with VO5 and the UW nurses, share an update on the strike against Kellogg's, learn about the new stagehands contract, learn how West Coast workers are taking on Kaiser Permante, and more.

Stagehands and Kennedy Center reach agreement on a new contract. Today's labor quote: David McIntyre. Today's labor history: The Battle of Virden. @wpfwdc #1u #unions #LaborRadioPod @AFLCIO   Proud founding member of the Labor Radio Podcast Network

Stagehands and Kennedy Center reach agreement on a new contract. Today's labor quote: David McIntyre. Today's labor history: The Battle of Virden. @wpfwdc #1u #unions #LaborRadioPod @AFLCIO   Proud founding member of the Labor Radio Podcast Network

In Folge 4 habe ich Christian Gastler zu Gast. Chris wurde vom unerfahrenen Thekenmitarbeiter in kurzer Zeit zu einem der Theken DFs und ist an einem stressigen Abend eine der tragenden Säulen hinter der Theke. Warum manchmal ein einfach Satz als Bewerbung ausreicht und welchen wichtigen Hauptjob Chris ausübt erfahrt hier in dieser Folge. Fast wäre Chris in Australien Make-up Artist geworden oder geblieben und ist nebenbei auch noch einer unserer erfahrenen Stagehands. Über all diese Themen und noch über die ein oder andere Anekdote haben wir gesprochen. Viel Spaß bei Folge 4 ________________________________________________________ Wir freuen uns über Euer Feedback. Lasst uns eine Bewertung und ein Kommentar auf Apple da und schreibt Eure Anregungen, Fragen und Feedback an podcast@substage.de Zum Podcast: - Blog & Webplayer: https://dein-substage.podigee.io/ - Spotify: https://open.spotify.com/show/3OzVN2JA1DZkjq4sOccTGr - APPLE Podcasts: https://podcasts.apple.com/podcast/id1571360502 - AMAZON Music: https://music.amazon.de/podcasts/5377e813-e8b4-4df4-b9c2-4b611dc12382/DEIN-SUBSTAGE Im Netz: - Website: www.substage.de - Substage Cafe: https://substage.de/cafe-bar/ Social Media: - FACEBOOK Seite: https://bit.ly/359JXrk - FACEBOOK Seite des CAFE's: https://bit.ly/3zgxfF9 - INSTAGRAM: https://bit.ly/3v9AkUh

Join us for this bonus episode as Queenie and Chicken build a new stage for next week's awards ceremony, and include a special "wow" factor of a trap door. The big question is ... will anyone be brave enough to test it out? Along the way, Little Dazzy Donuts plays poems from Canada, Japan, and the United States, written by: Amritha, Aakarsha, Cameron, Ellie, Finley, Jillian, Lucy, and Theo. Check out the full  competition details on the website.The next normal episode with Little Dazzy Donuts releases, as usual, on Monday. To find out more, check out kidspoetryclub.com.    We love hearing from you! To send your poems and drawings into Kids' Poetry Club, just go to https://www.kidspoetryclub.com/joinin. Who knows, perhaps you will be a star of an upcoming episode.To contact us for any reason, just drop an email to contact@kidspoetryclub.com. 

‘Every time you let out an ooh or an aah because you've seen something on stage, there's someone backstage who worked really, really hard to make that happen. They live for those moments.’

Zugegeben, eine Folge über Corona wollten wir nicht machen. Doch der Kulturindustrie, die uns sehr am Herzen liegt, liegt gerade brach. Falco Eckhoff ist Booker, Tourmanager (u.a. FIL BO RIVA, ehemals FOUR ARTISTS) und Mitinitiator vom Berliner Ableger von KULTURGESICHTER - eine Kampagne von Akteur*innen aus der Event- und Kulturindustrie, die lautstark auf sich aufmerksam macht, weil es für sie denkbar wenig Hilfe in diesen Zeigen gibt. Jobs brechen weg, Venues schließen - und die Zukunft unserer Musikszene sieht düster aus, wenn nicht bald was passiert. Für die Kampagne haben sich bereits Künstler*innen wie NURA, BRKN und PAUL SEIDEL positioniert, doch ebenfalls Akteur*innen wie Veranstalter*innen, Stagehands, Booker*innen, Caterer, Backliner, DJs, Tontechniker, Merchandiser, Maskenbildner*innen, und viele mehr: die Kampagne macht deutlich, wie viele verschiedene Menschen aktuell um ihre Tätigkeit bangen müssen. Falco erzählt uns in der heutigen Folge von seinen Erlebnissen bei KULTURGESICHTER030 und der misslichen Lage der Kulturbranche und über die Zukunft der Konzertbranche und welche Hilfen man als Akteur*in in der Kreativbranche überhaupt kriegt (Spoiler: kaum). Außerdem sprechen wir über den Job des Bookers & Tourmanagers an sich, wie Falco in die Tätigkeit reingerutscht ist und wie es ist, wenn man eine Band begleitet, die also Support von IMAGINE DRAGONS vor circa 80.000 Menschen spielt. Herzlich willkommen im AUF EWIG WINTER Podcast, Falco Eckhoff! Mehr Infos zu KULTURGESICHTER030: https://www.kulturgesichter030.de/ Mehr Infos zum CULTURE CAST: https://www.culturecast.de/ Folgt der AUF EWIG WINTER Playlist auf Spotify: https://open.spotify.com/playlist/2hpZyJPytdmzdhzTcsMiui?si=a4ellT3VQlW2O3rLroBqLA Falco auf Instagram: @flikk.flakk AUF EWIG WINTER auf Instagram: @aufewigwinter HAXAN auf Instagram: @haxan030 Steve auf Instagram: @trvepeakstudio www.aufewigwinter.de

This week on The Finger Guns Podcast the full team get together to talk this weeks fantastic PS5 event and our overall thoughts on what Sony shared with us. It's a full on gaming love-in as we talk our hype levels for Horizon Forbidden West, Spider-Man Miles Morales, Resident Evil Village (8), Kena Bridge of Spirits and much more, along with Paul's detailed look at the design of the system. Do we prefer the base or the digital version? We get into a bit of debate in regards to what looks better. There's a lot of stuff to talk about, and we wanted to share in the excitement once again. Ah, it's all very exciting isn't it? We love a new console year. Of course there's also been a gargantuan number of indie reveals this week via the Guerrilla Collective, IGN's Summer of Gaming, Games Radar's Future Gaming Show and well, lots lots more. What do we discuss? Oh only Haven, Star Renegades, Key We, Chicken Police, Dustborn, Sherlock Holmes Chapter One, HotRod Racing, Get To The Orange Door, Maid of Sker, Wave Break, Stagehands, Paradise Lost, Operation Tango, Serial Cleaner, Exo One, Röki, Skate Story, Gory Cuddle Carnage, Drake Hollow, Lord Winklebottom Investigates, Fights In Tight Spaces, Shadowman Remastered and Metal: Hellslinger. There's just lots and lots and lots of indies, and honestly we want to play them all. Oh, and Alex Kidd in Miracle World is getting a remake! Hey, there's a big game out this week isn't there? Can't remember. Enjoy the episode! ALL THE PLACES WE ARE: https://linktr.ee/fingerguns Theme Music – Don't Feel (So Low) – Mid-Air Machine. | Indie Corner Jingle written and produced by Sarah Finney | Podcast Edited and Produced by Ross Keniston | Published by Podbean. Team: @FNGRGNS / Rossko – @RosskoKeniston / Paul – @ThePaulCollett / Greg – @GregatonBomb / Sean – @Omac_Brother / (Toby ain't on Twitter) / Facebook: FingerGunsUK / Twitch: twitch.tv/fingergunsdotnet / The Official Finger Guns Discord Discord: Join here!

Jon Franco Guitar Tech For Ernie Ball Rob Deluca and Brent Woods with Sebastian bach. Support the podcast and grab a shirt at show-logistcs.com/buscall Theme Music By The Love Elektrik  Franco talks about the time he had to learn BACHonese, Working At Ernie Ball, And howe he saved the day when we were stuck on a stupid island and the stagehands didn't speak English. #TouringLife #GuitarTech #Guitarist #MusicIndustry #MusicBusness #performance #performanceart #performancecar #performancecars #performances #music #musician #musically #musiccover #musicproducers #concert #concertphotography #concertphoto #concertphotographer #concerts #stage #stagehand #stage6 #stagelighting #stagedesign #guitar #guitarplayer #guitarsolo #guitarporn #guitarist #influencermarketinghub #performance #music #concert #guitar #stage   

Auf in Runde 9 mit den Emil Bulls! Christoph hat Spitzenlaune: Von der Euphorie der gemachten Steuer angetrieben, kann ihm diese Woche nicht mal das verlorene Bundesliga-Clásico etwas anhaben - auch nicht Moiks kleine Sticheleien. Es fand außerdem ein wichtiger Termin im Hause Bulls statt, bei dem sich ausnahmsweise alle Bandmitglieder zu einem Thema einig waren: Es wird keine Autokino-Konzerte geben, denn auf einem Emil Bulls-Konzert muss gemeinschaftlich geweint, gekuschelt & im Pit gegenseitig auf die Fresse gehauen werden. Verständlich! Auf dem Zeitstrahl der Emil Bulls befinden wir uns im Jahr 2002. Nach dem ersten folgt der zweite Streich, also machen sich die Emil Bulls, nahtlos an die Tour anknüpfend, an den Nachfolger ihres Debütalbums. Zwischendurch wird noch eine Festivalsaison abgerissen, bei der sie auf dem Southside den Titel "ärmste Band des Line-Ups" von den Stagehands verliehen bekommen & sich nebenbei noch einen unvergesslichen Gig auf der Hochzeit eines Fans sichern. Danach geht es in das legendäre Conny Plank-Studio, um an dem zweiten Album "Porcelain" zu arbeiten. Warum und wieso die Emil Bulls erst von KoRn ausgelacht wurden und dann mit ihnen gefeiert haben, erfahrt Ihr in Folge #9 von MUD, BLOOD AND BEER.

Auf in Runde 9 mit den Emil Bulls! Christoph hat Spitzenlaune: Von der Euphorie der gemachten Steuer angetrieben, kann ihm diese Woche nicht mal das verlorene Bundesliga-Clásico etwas anhaben - auch nicht Moiks kleine Sticheleien. Es fand außerdem ein wichtiger Termin im Hause Bulls statt, bei dem sich ausnahmsweise alle Bandmitglieder zu einem Thema einig waren: Es wird keine Autokino-Konzerte geben, denn auf einem Emil Bulls-Konzert muss gemeinschaftlich geweint, gekuschelt & im Pit gegenseitig auf die Fresse gehauen werden. Verständlich! Auf dem Zeitstrahl der Emil Bulls befinden wir uns im Jahr 2002. Nach dem ersten folgt der zweite Streich, also machen sich die Emil Bulls, nahtlos an die Tour anknüpfend, an den Nachfolger ihres Debütalbums. Zwischendurch wird noch eine Festivalsaison abgerissen, bei der sie auf dem Southside den Titel "ärmste Band des Line-Ups" von den Stagehands verliehen bekommen & sich nebenbei noch einen unvergesslichen Gig auf der Hochzeit eines Fans sichern. Danach geht es in das legendäre Conny Plank-Studio, um an dem zweiten Album "Porcelain" zu arbeiten. Warum und wieso die Emil Bulls erst von KoRn ausgelacht wurden und dann mit ihnen gefeiert haben, erfahrt Ihr in Folge #9 von MUD, BLOOD AND BEER.

Die komplette Veranstaltungsindustrie steht auf Stop. Keine Konzerte, Festivals, Messen, Clubs, Konferenzen, nicht mal die mobile Disco für die Gartenparty. Lichttechniker, Tontechniker, Rigger, Stagehands, Backliner, Caterer, Promoter, Booker und Betreiber von Veranstaltungsstätten arbeiten nicht. Dürfen sie nicht. Denn das finale Resultat ihrer Arbeit, runtergebrochen das Zusammenführen von Menschen, ist gegenwärtig nicht erlaubt und das ist mal Fakt. Und während sich so Mancher über den Sinn und Unsinn das Maul zerreißen mag, setze ich mich mit drei guten Freunden und jahrelangen Wegbegleitern innerhalb der Branche zusammen, um einfach mal darüber zu sprechen. Und sobald wir den anfänglich fokussierten Ansatz zur Analyse der Sachlage verlassen haben, mäandert das Gespräch über das bedingungslose Grundeinkommen, Empfehlungen zum Schwarzfahren, Anzuchttipps für Hobbygärtner bis hin zu den ganz großen systemumstürzlerischen Theorien. Viel Spaß! PS: 57 oder 58 bezeichnet zwei allgegenwärtige Mikrofonmodelle der Firma Shure, nämlich das SM57 und das SM58. Wir haben uns für die 58er entschieden. Aus Gründen.

“You really have to know what you’re doing, because people can die.” Today’s labor history: strike marks beginnings of the National Maritime Union. Today’s labor quote from Popular Science magazine.

  iTunes         Spotify         Youtube           Patreon Arica Rust is a live sound engineer specializing in Front-Of-House systems engineering based in the San Francisco Bay Area. Her expertise lies in designing, deploying, and optimizing sound reinforcement systems tailored to the client’s or artist’s needs. She is an expert in L-Acoustics and advanced user in d&b audiotechnik systems. She also has extensive experience as a monitor engineer, mix engineer, stage tech, RF coordinator, and communications specialist. Born in Oakland, California, Arica came into audio with a passion to shape how the audience experiences music. Her love of music and technology led her to receive trade certificate in Live Sound and Sound Recording from City College of San Francisco as well as a Bachelor’s Degree in Broadcasting and Electronic Media Arts with a focus in Audio Production from San Francisco State University. Arica currently works for Sound On Stage, Inc., providing audio production services for a wide range of events from high profile corporate entertainment to large-scale music festivals. Today’s episode is sponsored by stagehandsclothing.com and gig-gear.com. Use the code ROADIE to get 20% off your Stagehands order and ROADIE to get 15% off your Gig-Gear order. Special Mentions: Sound on Stage, Inc., Mountain Jam 2019, Keeping Concerts Safe Panel Discussion from NAMM 2018, The Last Kingdom – Netflix, The Mark Agnesi Show, Norman’s Rare Guitars, The Weight Band, Andrew Ratcliffe – Tweed Recording, Analogman Guitar Effects Pedals, The Fierce Five Percent: Women in the Sound Industry, Chris Selim – Mixdown-Online, NAMM, Over the Bridge.org, StageHands Clothing, ShowPro Beard Co., Airturn GoStand, Gig-gear.com

iTunes         Spotify         Youtube           Patreon Chip Auchincloss is a Monitor Engineer and Backline Tech based in Brooklyn, N.Y., who’s spent the last 20 years living his dream of working in the live sound industry. I met with Chip at his Brooklyn studio where we dove deep into his upbringing in Philadelphia, his obsession with concerts, and the crazy coincidence of our family connection. Over the years he has toured with artists ranging from Dirty Projectors, Silversun Pickups, The New Pornographers, Regina Spektor, and many more. He’s also worked as a house engineer at several venues including Sony Hall, World Stage, Webster Hall, and B.B. King’s Blues Club, where he got his start. Today’s episode is sponsored by stagehandsclothing.com and gig-gear.com. Use the code ROADIE to get 20% off your Stagehands order and ROADIE to get 15% off your Gig-Gear order. Special Mentions: Keeping Concerts Safe Panel Discussion from NAMM 2018, I know Better Now – Richie Ramone, My years with Townes Van Zandt – Harold F Eggers Jr., The Girl In The Back – Laura Davis-Chanin, The Birth of Loud – Ian S. Port, The Last Kingdom – Netflix, The Mark Agnesi Show, Norman’s Rare Guitars, The Weight Band, Andrew Ratcliffe – Tweed Recording, Analogman Guitar Effects Pedals, The Fierce Five Percent: Women in the Sound Industry, Chris Selim – Mixdown-Online, NAMM, Over the Bridge.org, StageHands Clothing, ShowPro Beard Co., Airturn GoStand, Gig-gear.com

iTunes         Spotify         Youtube           Patreon Heather Bey is a Monitor Engineer and tech from Long Island who currently works at the Space at Westbury Theatre, mixing a range of events from concerts, MMA tournaments, and more. A graduate from SUNY New Paltz with a degree in Audio and Digital Media Production, Heather was inspired to follow her passion for audio and upon graduating, and has worked steadily over the last few years, building her resume, and further deepening a love for her craft. Heather’s thesis film, The Fierce Five Percent: Women in the Sound Industry, is a testament to the incredible history of women who have forged meaningful careers in an arena predominantly dominated by men. However, with the help of organizations like Soundgirls.org, Female Frequency, and Women’s Audio Mission, Heather is poised to lead the charge of a new generation of female sound engineers who are judged on the quality of their work, not their gender. Today’s episode is sponsored by Stagehandsclothing.com and Gig-gear.com. If you use the code ROADIE when checking out, you get 20% off of your Stagehands order, and 15% off of your Gig-gear order. Special Mentions: The Fierce Five Percent: Women in the Sound Industry, The Magpie Salute Winter Tour 2019, Red Room Studios, The Space at Westbury Theater, Chris Selim – Mixdown-Online, TourlinkPro, NAMM, Over the Bridge.org, StageHands Clothing, ShowPro Beard Co., Airturn GoStand, Gig-gear.com, Telefunken M80 Dynamic Microphone

In this episode of LIGHT TALK, the Lumen Brothers discuss everything from Global Warming to "Smoke in a Can".  Join Stan, Steve, and David as they pontificate about Freezing in Chicago, "My Fair Lady" Napoli report, Kick A** Stage Managers, Dry-Teching scene shifts before you light the show, the difference between a relay and a non-dim, Chopping the sine wave, Regulated and non-regulated power, What we think of Clay Paky fixtures, Remembering Cyberlights and Pal 1200's, Making smoke without a smoke machine, AGMA and Equity atmosphere requirements, Sal ammoniac, Stagehands wearing kilts, Software manufacturers playing nicely with each other, Corporate entertainment companies killing the art, LORT not serving the community, and getting the community back into the theatre.  Nothing is Taboo, Nothing is Sacred, and very little makes sense.

We had such an amazing response to our last (host) podcast about booking shows that we had to do a follow up. This time Kaytie and I are going through the day of the big rock shows and what's really going on behind the scenes. We do our best to answer some questions we've received and explain why you should quit your bitching with technical problems, or severe weather happen. Any comments or concerns as always you can reach out to us directly.Cutter = @cuttermediaKaytie = @ktrgrocks

We had such an amazing response to our last (host) podcast about booking shows that we had to do a follow up. This time Kaytie and I are going through the day of the big rock shows and what's really going on behind the scenes. We do our best to answer some questions we've received and explain why you should quit your bitching with technical problems, or severe weather happen. Any comments or concerns as always you can reach out to us directly.Cutter = @cuttermediaKaytie = @ktrgrocks

It's time to take note of Valentine's Day by solving puzzles with linked hearts, and swinging past App Store stagehands.

Es gibt so viele helfende Hände, die eine Veranstaltung erfolgreich machen. Ton- oder Lichttechniker, Stagehands, Hausmeister, Regisseure usw. All diese Menschen geben ihr bestes, damit die Künstler auf der Bühne optimal rüberkommen. Und viel zu selten wird diesen Menschen gedankt. Klar, der Moderator bedankt sich immer mal wieder und auch der ein oder andere Künstler bedankt sich. Wir haben in den letzten Jahren ausgezeichnete Erfahrungen damit gemacht, sich über das normale Maß hinaus zu bedanken. Unsere Gedanken dazu teilen wir mit euch in dieser Podcast-Folge. ----- Wenn Dir diese Podcast-Folge gefallen hat, dann kannst Du uns virtuell applaudieren indem Du uns eine 5-Sterne-Bewertung bei iTunes gibst. Damit hilfst du diesen Podcast immer weiter zu verbessern und ihn vielen weiteren Zauberkünstlern zugänglich zu machen. Außerdem freuen wir uns über eine Rezension oder deine Kommentare auf unserer Webseite http://www.trickverrat.

Split Accel/Decel, encoder position, reusing Stagehands

James Claffey is the President of Local One, the powerful Stagehands’ union. He worked throughout the Local One jurisdiction since 1982 in venues including Radio City Music Hall, the City Center 55th Street Dance Theatre, Madison Square Garden, CBS-TV, ABCTV and various Broadway theatres. Listen in to hear . . . How one becomes a Stagehand and how you can, too. Why he responds to emails he gets right away, even at midnight. The one myth about Stagehands that he can’t stand. What the 2007 Broadway Stagehands Strike taught him. The one crisis that is crippling all unions and all companies, including Producers.   Keep up with me: @KenDavenportBway www.theproducersperspective.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The Stagehands - with Heidi L. Brown, James Fedigan and Patrick Sullivan