Podcasts about Star Wars

Fireman Jim on The Miz, Chourio, Star Wars, and more by 102.9 The Hog

Send us Fan MailSend us Fan MailSend a textJensen is once again missing, as is TJ. JB, Grant and Scott are joined by Mark Bradley to talk about Workbenches and their impact on the quantity and quality of your work. We also talk about obstacles related to messy or crowded work areas. Scott gives an update on the Star Wars group build, and JB leads us in a new segment of events around the hobby and hobby adjacent space. Remember to check out our YouTube page and our new regular video content at the Plastic Posse Podcast YouTube Page: https://www.youtube.com/channel/UCP7O9C8b-rQx8JvxFKfG-Kw If you would like to become a Posse Outrider, and make a recurring monthly donation of $ 1 and up, visit us at www.patreon.com/plasticpossepodcast .Plastic Posse Podcast on Facebook: https://www.facebook.com/PlasticPossePlastic Posse Group on Facebook: https://www.facebook.com/groups/302255047706269Plastic Posse Podcast MERCH! : https://plastic-posse-podcast.creator-spring.com/Plastic Posse Podcast on YouTube:https://www.youtube.com/channel/UCP7O9C8b-rQx8JvxFKfG-KwOrion Paintworks (TJ): https://www.facebook.com/orionpaintworksJB-Closet Modeler (JB): https://www.facebook.com/closetmodelerThree Tens' Modelworks (Jensen): https://www.facebook.com/ThreeTensModelWorksRocky Mountain Expo: https://rockymtnhobbyexpo.com/SPONSORS:Tankraft: https://tankraft.com/AK Interactive: https://ak-interactive.com/Tamiya USA: https://www.tamiyausa.com/Micro World Games: https://mwg-hobbies.com/Bases By Bill: https://basesbybill.com/?srsltid=AfmBOoojwgAlnXwsJcB_SlYzeclVt9ZuIX3Fd18Ig9k5f4vyIYmihobbSupport the showSupport the show

The Dark Side of the Force is a pathway to many pieces of music some would consider to be unnatural. We're looking at how the music of Star Wars describes the more sinister side of the Force in this episode! From that creeping sense of dread and unease, to the inescapable pursuit of it's dark agents, and the sliding descent into the deepest depths of that galaxy far, far away. Hosted on Acast. See acast.com/privacy for more information.

The wind is shaking the stars, again, as Dark Horse brings the 1997 adaptation of the first Star Wars film back to readers in a deluxe hardcover -- The Art of Star Wars: A New Hope -- The Manga Vol. 1 -- featuring Hisao Tamaki's work with a new translation by Michael Gombos.Comics Discussed This Week:The Art of Star Wars: A New Hope -- The Manga Vol. 1 Star Wars Comics New to Marvel Unlimited This Week:
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News:Over on Threads, artist Man Tsang flips through the Star Wars: Thrawn manga. It's due out in the US on Sept. 29.Solicit details for Jan. 19's Star Wars Legends: The Clone Wars Omnibus Vol. 1 are available. The 848-page, $100 hardcover collects Star Wars: Republic 49-67, Jedi -- Mace Windu, Jedi -- Shaak-Ti, Jedi --Aayla Secura, Jedi -- Count Dooku, Darth Maul: Death Sentence 1-4 and material from Star Wars Tales 14, 19 and 22, along with Star Wars: Visionaries.Upcoming Star Wars comics, graphic novels, omnibuses and manga:June 23 _ Star Wars Legends: The New Republic Omnibus Vol. 3 (Collects Star Wars: Crimson Empire (1997) #0-6, Star Wars: The Bounty Hunters - Kenix Kil (1999) #1, Star Wars: Crimson Empire II - Council of Blood (1998) #1-6, Star Wars: Crimson Empire III - Empire Lost (2011) #1-6, Star Wars: Jedi Academy - Leviathan (1998) #1-4, Star Wars: The Mixed-Up Droid (1995) #1, Star Wars: Union (1999) #1-4, Star Wars: Chewbacca (2000) #1-4, Star Wars: Invasion (2009) #0-5, Star Wars: Invasion - Rescues (2010) #1-6, Star Wars: Invasion - Revelations (2011) #1-5, Star Wars Handbook (1998) #2; material from Dark Horse Extra (1998) #21-24; Dark Horse Presents (2011) #1; Star Wars Tales (1999) #8, 11, 16-19, 21)
June 24 _ Echoes of the Empire #3 (of 5), The Mandalorian and Grogu: Danger in the Dark One-ShotJuly 1 _ Rogue One: Saw Gerrera #1July 8 _ The High Republic Adventures — Pathfinders #3 (of 6), Shadow of Maul #5 (of 5)July 14 _ The High Republic Adventures -- The Complete Phase III Part 2 (Collects The High Republic Adventures (Phase III) 11-20, Echoes of Fear 1-4, Dispatches From the Occlusion Zone 1-4 and the one-shots 2025 Annual, The Wedding Spectacular and The Battle of Eriadu); Star Wars: Visions: TsukumoJuly 15 _ Galaxy's Edge -- Echoes of the Empire #4 (of 5), Hyperspace Stories: The Bad Batch -- Rogue Agents #4 (of 4)
July 21 _ Star Wars Legends: The Newspaper Strips Omnibus (Collects Classic Star Wars: The Early Adventures (1994) #1-9, Classic Star Wars: Han Solo at Stars' End (1997) #1-3, Classic Star Wars (1992) #1-20, Classic Star Wars: A New Hope (1994) #1-2, Classic Star Wars: The Vandelhelm Mission (1995) #1, Star Wars newspaper strips "The Constancia Affair," "The Kashyyyk Depths" and "Planet of Kadril”); Star Wars Modern Era Epic Collection: The Screaming Citadel (Collects Star Wars (2015) #31-43, Star Wars Annual (2015) #3, Star Wars: The Screaming Citadel (2017) #1, Star Wars: Doctor Aphra (2016) #7-8)

July 29 _ The High Republic Adventures — Pathfinders #4 (of 6)Aug. 5 _ Rogue One: Chirrut & Baze #1Aug. 12 _ The Fall of Kylo Ren #1 (of 5)Aug. 18 _ The Art of Star Wars: A New Hope -- The Manga Vol. 2, Star Wars -- Dark Droids Omnibus (Collects Dark Droids 1-5, D-Squad 1-4, Star Wars (Vol. 3) 37-50, Darth Vader (Vol. 3) 37-50, Doctor Aphra (Vol. 2) 35-40, Revelations #1 and Free Comic Book Day 2024 #1)Aug. 19 _ Galaxy's Edge — Echoes of the Empire #5 (of 5)Sept. 8 _ Star Wars: Poe Dameron Omnibus (Collects 1-31, Annuals 1, 2)Sept. 9 _ The High Republic Adventures -- Pathfinders #5 (of 6), Book of Boba Fett #1 (of 7)

Sept. 22 _ Star Wars: Galactic Tales of Terror Library Edition (Collects Tales from the Rancor Pit, Tales from the Death Star and Tales from the Nightlands 1-3)Sept. 29 _ Star Wars: Thrawn (The Manga)Sept. 30 _ Rogue One: Darth Vader #1
Oct. 3 _ Star Wars Comics Library Vol. 1 1977-1979 (Collects Star Wars Vol. 1 1-23)Oct. 6 _ Smugglers & Scoundrels: The Race for Jabba's Bounty Original Graphic Novel; Hyperspace Stories -- Mace Windu OGN
Oct. 13 _ Boba Fett — Black, White & Red Treasury Edition (Collects 1-4)Oct. 20 _ Hyperspace Stories -- Mace Windu OGN; The Mandalorian: Season One (The Manga) Vol. 1 and the Mandalorian: Season One (The Manga) Vol. 2Nov. 3 _ The Bad Batch — Rogue Agents TPB (Collects 1-4)Nov. 24 _ Darth Vader Modern Era Epic Collection: The Chosen One (Collects Darth Vader Vol. 2 1-12, Annual #2)
Dec. 1 _ Shadow of Maul TPB (Collects 1-5)Dec. 22 _ The High Republic Adventures -- Pathfinders TPB (Collects 1-6); Star Wars Legends: The Menace Revealed Omnibus Vol. 1 (Collects Star Wars: Jango Fett - Open Seasons (2002) #1-4, Star Wars (1998) #7-35; material from Star Wars Tales (1999) #8, 13, #21-24; Dark Horse Extra (1998) #35-37; Dark Horse Presents Annual 2000)Jan. 19 _ Star Wars Legends The Clone Wars Omnibus Vol. 1 (Collects Star Wars: Republic 49-67, Jedi -- Mace Windu, Jedi -- Shaak-Ti, Jedi --Aayla Secura, Jedi -- Count Dooku, Darth Maul: Death Sentence 1-4 and material from Star Wars Tales 14, 19 and 22, along with Star Wars: Visionaries)Feb. 9 _ The Mandalorian: Season One (The Manga) Vol. 3 and The Mandalorian: Season One (The Manga) Vol. 4March 9 _ Tales From the Outer Rim: The Legend of Beggar's Canyon Original Graphic Novel----------------------------------------------------------------------------------------------------------------------------------------Star Wars Splash Page is a weekly podcast dedicated solely to contemporary Star Wars comics published by Marvel, Dark Horse and previously IDW, featuring views about the current week's comics, interviews with the writers, artists, colorists, letterers and editors who create them, as well as the latest details on publishing schedules, upcoming series and mini-series, so that you, the listener have more detail and context about the comics that are a vital part of Star Wars canon, lore and legends.

We imagine the excitement of heading to Florida to visit Walt Disney World, Universal, Sea World, beaches, sunshine and more. Our itineraries fill up quickly with things to do, and yet one of the most important ingredients in any vacation is where to stay. This is particularly true if you're planning on a total holiday vacation stay, or if you are being joined with other friends and family, or if you're looking for a truly unique experience in your accommodation. We visit with Danielle and Shane Peterson, who as Disney fans, have created some amazing vacation homes for families looking for a park-like experience when they come back at night from the parks. We'll look at their journey, how they got into the vacation rental arena, the huge marketplace here in Orlando, and the amazing “wow” creations the Danielle and Shane have developed. Here only the hallway separates you from the worlds of Star Wars, Harry Potter, Frozen, Beauty & the Beast and more. If you're thinking of doing an AirBNB type stay while visiting Central Florida, this podcast is for you. Moreover, I think you'll be touched by their story, and how very difficult circumstances led them to creating a work of love—together. Join us as we talk creating a magical place to stay with a little bit of faith, trust & pixie dust! To learn more about the homes Danielle and Shane have created, please visit www.magicaladventurehomes.com You can also join them on their Instagram page: @magical.adventure.homes. Know that you can use disneyinsights (all lowercase) as a discount code for helping you find the best discount possible! Be sure to check out my latest endeavor, Disneyland Insights: Inspiration, Ideas & Magic for You and Your Organization. __________________________________________________ Disney Insights YouTube Page--Check it out and subscribe. DisneyInsights.com--So many resources at our home site. Be sure to subscribe to receive notice of upcoming podcasts. My newest book, A Century of Powerful Disney Insights, Volume I 1923-1973, The Walt & Roy Disney Years is available!  Also, check out my two of my other books, The Wonderful World of Customer Service at Disney and Disney, Leadership and You.  Also, for those examining other business benchmarks beyond Disney, check out Lead with Your Customer: Transform Culture and Brand Into World-Class Excellence. _______________________________________________________ Check out Zanolla Travel to book your next vacation!  David & Leah Zanolla ZanollaTravel.com Owner/Agents (309) 863-5469 _________________________________________________________ Performance Journeys This podcast and post is provided by J. Jeff Kober and Performance Journeys, which celebrates more than 20 years as a training and development group bringing best in business ideas through books, keynotes, workshops, seminars and online tools to help you take your organization to the next level. Want a Keynote Speaker? More than just nice stories, I offer proven insight and solutions having worked in the trench. Need Consulting? I've worked for decades across the public, private and non-profit arena.  Need Support? We offer so many classroom, online, and other resources to help you improve your customer service delivery, leadership excellence, and employee engagement. Contact us today, and let us help you on your Performance Journey!  

In the sixth installment of our The Force Awakens series, Finn comes clean, Rey has a vision about Luke's lightsaber, and the First Order destroys Hosnian Prime.   In this fully armed and operational episode of Podcast Stardust, we discuss: Maz Kanata recognizing the fear in Finn, Rey's plea to Finn not to leave, Rey's vision when she touches Luke Skywalker's lightsaber, Maz's attempt to convince Rey to take up the lightsaber, and The First Order uses Starkiller base to destroy Hosnian Prime. Check out the last installment of our The Force Awakens series in episode 1036.   Thanks for joining us for another episode! Subscribe to Podcast Stardust for all your Star Wars news, reviews, and discussion wherever you get your podcasts. And please leave us a five star review on Apple Podcasts.   Find Jay and her cosplay adventures on J.Snips Cosplay on Instagram.   Follow us on social media: Twitter | Facebook | Instagram | Pinterest | YouTube. T-shirts, hoodies, stickers, masks, and posters are available on TeePublic. Find all episodes on RetroZap.com.

Continuing our rewatch of The Clone Wars, we are up to the Onderon Arc. This arc includes Season 5 episodes 2 through 5. Ep 2 - A War on Two Fronts, Ep 3 - Front Runners, Ep 4 - The Soft War, and Ep 5 - Tipping Points. As we mentioned in our last episode, please help us reach our fundraiser goals for The Trevor Project, an organization that is dedicated to ending suicide in LGBTQ+ young people. You can donate for our team at this link: https://give.thetrevorproject.org/TalkinTauntauns. Talkin' Tauntauns is a Star Wars discussion podcast hosted by Jim Lehane and Nicole H. Quinn. From reviews of the latest shows and books, to breaking news and thoughtful interviews, join us as we dive into all things from a galaxy far, far away. Find us on the socials for more Star Wars conversation:Find the show on Instagram at TalkinTauntauns, Threads at TalkinTauntauns, Bluesky at TalkinTauntauns,or at our website TalkinTauntauns.com. Find Jim on IG @Dinojim, on Bluesky, or on his website at dinojim.com. Find Nicole on IG @NicoleHQuinn, Bluesky, or on her website at herviewcreative.com You can get in touch with us via our website (TalkinTauntauns.com) or email us at Contact@TalkinTauntauns.com. Talkin' Tauntauns can be found on iTunes, Spotify, Pandora, iHeartRadio, or anywhere else you listen to podcasts. If you enjoy the show, be sure to subscribe, leave us a review, and tell your friends!

Owen Dennis (creator of Among Us and Infinity Train) discusses conveying tone, discovering theme, deconstructing tropes, dueling arcs, the line from Star Wars that unlocked everything, and more.Dead Pilots Society returns live and on demand Sunday July 12, 3-5pm, at the Elysian Theater in LA! In Dead Pilots Society, scripts that were developed by studios and networks but were never produced are given the table reads they deserve.The July 12 show features Weekly World News by Michael Colton & John Aboud (Home Economics) and Fangirl by Claudia Lonow (How to Live with Your Parents [for the Rest of Your Life]).Cast includes:Brennan Lee Mulligan (Dimension 20), Alex Moffat (SNL; Bad Monkey), Rich Sommer (Mad Men), Jackie Tohn (Nobody Wants This), Isabella Roland (Dimension 20; Sex Lives of College Girls), Rekha Shankar (Dimension 20; Star Trek: Starfleet Academy), Fred Melamed (Barry), Zac Oyama (Dimension 20), Jessica Lowe (Minx), James Adomian (Krapopolis), Courtney Pauroso (Jackass Forever), and more.GET TICKETS NOWNo Notes is Sunday July 19, 7pm, at the Dynasty Typewriter Theater in LA!This is a new staged show in which great pilot scripts are adapted for the stage and performed by brilliant casts.The July 19 show features two comedy scripts:The Survivalists is by Kashana Cauley (The Great North; The Daily Show), based on her novel about a Brooklyn lawyer who falls in love with a coffee roaster/survivalist.Suckers by Eden Dranger (Beavis & Butthead) & Daley Haggar (The Big Bang Theory) is about 20-something vampires.Starring Justin Kirk (The Burbs; Weeds), Kira Kosarin (The Thundermans), Sarunas Jackson (Insecure; Clipped), and more to be announced!GET TICKETS NOWTHE WRITERS PANEL IS A COMPLETELY INDEPENDENT PRODUCTION.Follow and support the show by subscribing to Ben Blacker's newsletter, Re:Writing, where you'll also get weekly advice from the thousands of writers he's interviewed over the years, as well as access to exclusive live Q&As, meet-ups, and more: benblacker.substack.com Hosted on Acast. See acast.com/privacy for more information.

Recorded live at Indiana Comic Convention - Holly Frey and Bryan Young gathered before a live audience to talk about the challenges facing the production of A New Hope, the original Star Wars film as George Lucas worked feverishly to complete the film as Fox got more and more impatient with how over schedule and over budget the film was. Still, he had some decisions to make.

Our first guest to kick off the new edition of Armor Party may be one of our most spirited yet. With humble beginnings working with Mickey Mouse all the way to waters of Mandalore, she has ascended the ranks of different productions like Foundation, Fallout and the wilds of Jumanji. She's been a fitter, finisher and key costumer for nearly all US-based productions of Star Wars including the Emmy-winning team of Ahsoka and today she joins us as a fellow galactic geek, with a love of all things denizens and details. Gio Kendall, welcome to the Armor Party. Follow Gio: https://www.instagram.com/somethingaboutcostumes/Follow and message us on Instagram to get 15% off your first purchase at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠rsvlts.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!Follow TTM on social media: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thankthemakerpod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Donate to "WHAT CHOICE? - Star Wars Fans For Abortion Access" at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠gofundme⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Follow the hosts on social media:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Adam Russell⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Nick Ghanbarian⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠William Ryan Key⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mike Forester⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Jason Chiodo⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Ahsoka, Anakin Skywalker, Ahsoka Tano, Rosario Dawson, Hayden Christensen, Obi-Wan Kenobi, Andor, The Book of Boba Fett, The Bad Batch, The High Republic, #makesolo2happen, The Mandalorian, Star Wars Visions, Anime, Star Wars Anime, Disney Gallery, Galactic Starcruiser, Halcyon, Chandrila Star Line, Galaxy's Edge, Rogue Squadron, Disney+ Day, Hondo Supply, Armor Party, Kathleen Kennedy, Star Wars Celebration, Star Wars Black Series, Temuera Morrison, Black Krrsantan, Tosche Station, Danny Trejo, Fennec Shand, Ming-Na Wen, Mark Hamill, Luke Skywalker, Cad Bane, Princess Leia, Vivien Lyra Blair, Carrie Fisher, Tales of the Jedi, Cassian Andor, Bix Caleen, Brasso, Luthen Rael, Mon Mothma, Vel Sartha, Cinta Kaz, Dedra Meero, Syril Karn, Orson Krennic, Ryan Gosling, Mia Goth, Maul, Darth Maul, Sam Witwer

This week we breakdown the new Maul Shadow Lord episode 3 and 4! plus we have some news and some collectible stuff.

Recorded before a live Facebook (and YouTube) audience, Will, Kat and Jon discuss the following topics:0:00 - Introduction6:05 - Is Disclosure Day a psyop?24:35 - Who is Jonathan Spielberg?38:55 - Knight Rider's KITT was framed45:30 - Jem and the Holograms is getting a live-action reboot (again)51:20 - Star Wars stolen Lego lawsuit1:01:55 - Wrap-Up and Thank YouFollow us on Facebook: https://www.facebook.com/1980snow.Subscribe to our YouTube channel: https://www.youtube.com/@1980snow

Begun, this Cinema To The Letter episode has! Our Star Wars season barrels forward as Thomas is joined by Talk Film Society regulars Marcelo J. Pico and Siobhan Irving to discuss the E for Egregious choice of Star Wars Episode II: Attack of the Clones! Together, our trio answer the crucial questions. Is a practical creature more real than a CG creature? Was Yoda guilty of Clone War crimes? What sick individuals would cut a pear with a knife and fork? Well, put on your clone trooper helmets and take a seat at Dexter Jettster's diner while you listen to find out! Join our Patreon for $1 to hear monthly audio reviews of new releases, which you can vote on at patreon.com/cinema2letter! Follow us @cinema2letter on socials! Artwork by Michelle Kyle! Usual theme music by Burial Grid! We're a proud member of the TalkFilmSociety podcast network!

The Mandalorian and Grogu debuted in theaters after several season on Disney+. While some things worked really well, the movie was not without it's warts. Find out where we landed on this latest Star Wars space adventure.  Don't forget to subscribe and leave us a review on Apple Podcasts and Spotify! Instagram: @confidently_pod YouTube: @confidentlywrongpodcast Website: confidentlywrong.simplecast.com Credits: Hosted by: Wesley Nakamura, Brian Redondo, Savon Jones Edited by: Wesley Nakamura Theme Music: Implied Authority by Bass Elf Link: https://soundcloud.com/bass_elf_music

Lili Hellriegel is head of enterprise solutions at Cherry Servers, a Lithuania-based bare metal cloud provider that pitches itself as a sovereign, Web3-friendly alternative to the US hyperscalers. Before joining Cherry, Lili was head of infrastructure at staking firm Blockdaemon, where she built out data center partnerships, network architecture and the server specs behind validation workloads — work that left her unusually fluent in what crypto teams actually need from their infrastructure. Why you should listen The pitch for European infrastructure has rarely been louder, and Lili makes the case with the confidence of someone who has lived on both sides of it. Every major hyperscaler — AWS, Google Cloud, Azure, even Oracle — is a US company, and for a growing cohort of Web3 teams that is no longer a neutral fact. Cherry Servers sits under European jurisdiction, runs its own facility in Lithuania, and operates data centers across Sweden, the Netherlands, Germany, Chicago, Singapore and a newly opened site in Tokyo. Some of Cherry's customers come for hard compliance reasons; others, Lili says, come for ideological ones, wanting the chains they help secure to live beyond the reach of any single government. The conversation lands at a moment when data sovereignty and distrust of concentrated American cloud power have moved from fringe concern to boardroom agenda. The sharper argument is about economics, and here Lili thinks the industry is approaching an inflection point. She describes a shift from "cloud-first" to "workload-first" thinking: instead of defaulting to a hyperscaler and accepting whatever T-shirt-sized instance you're sold, teams running archival nodes, validators or other niche workloads are discovering they pay more and perform worse than they would on dedicated hardware tuned to the job. Cherry's answer is granular customization — choose your disks, your storage, your RAM, and pay only for what the workload demands — backed by account managers who architect the build rather than just sell a box, with human support that answers in well under a minute. For staking-heavy customers, the model is almost self-funding: a large share pay in crypto, drawing on staking rewards to cover their infrastructure across some thirty different chains. Her forecast for the next eighteen to twenty-four months is the part worth sitting with. Lili argues the era of free cloud credits is ending — she doubts AWS will keep handing startups six-figure credit grants for signing up to an accelerator — and that founders, newly disciplined about runway, will increasingly treat optimized bare metal as a way to extend it. In the closing hot-take round she plants her flag as a multi-chain "Solana maxi," names Bitcoin as the enduring store of value while backing the smaller chains' upside, and offers a builder's creed: the market ultimately rewards people who make useful things on-chain, not those treating tokens purely as speculation — which, she adds, is also why she thinks people should run nodes with smaller providers. The desert-island sci-fi pick, naturally, is Star Wars. https://www.cherryservers.com/

Baby Yoda is a comedy rock anthem that turns Star Wars lore into an over-the-top love song. A hardened Mandalorian bounty hunter melts for a tiny green chaos goblin, mixing crunchy guitars, big hooks, and hyper-specific humor.

We're back! The Smugglers' Galaxy Podcast returns from hiatus to discuss The Mandalorian and Grogu, the newest Star Wars movie heading to the big screen. But we aren't doing it alone. Special guests Jordan Ghastly, Ki-Adi-Randy (aka Jerry), and Ted Beaver join us to share their insights and opinions. We're breaking down all the details, from Grogu's journey as a lone warrior to the inclusion of Rotta the Hutt. Don't miss this packed episode of your favorite Star Wars podcast!

Continuing our recent focus on vintage Star Wars figures whose characters have appeared in The Mandalorian, the Generation Skywalker team turns its attention to one of the most unusual and memorable releases in the Kenner line — Amanaman. With The Mandalorian and Grogu now in cinemas and members of Amanaman's species making an appearance in the film, there has never been a better time to revisit this bizarre figure. This month, Palitoy Pete, Martin, and Dan are joined by Mark Mulcaster from Fantha Tracks to discuss The Mandalorian and Grogu, sharing their thoughts on the film before taking a deep dive into the history of Amanaman, his place in the vintage line, and why this strange denizen of Jabba's Palace remains one of the most distinctive and sought-after figures among collectors. Mark Andrew fron Variant Villans drops in and this time with Amanaman focus collector Ed Newborn to discuss the figure. And Ron Salvatore from the SWCA returns to the show to share his insights into the character and the figure's place within the wider history of Star Wars collecting. From the latest Star Wars film to one of most iconic oddities in Kenner's line, this episode is packed with discussion,   vintage collecting passion and AMANAMANAMAMAMAN

Join us this week as our hosts J and Z face the truth with Steven Spielberg's newest film "Disclosure Day" (0:00:00). The guys also cover the second half of "Spider-Man Noir" (0:55:59) and a Trailer Trash/Trailer Cash for some upcoming Star Wars games (1:18:07). 

Begun, this Cinema To The Letter episode has! Our Star Wars season barrels forward as Thomas is joined by Talk Film Society regulars Marcelo J. Pico and Siobhan Irving to discuss the E for Egregious choice of Star Wars Episode II: Attack of the Clones! Together, our trio answer the crucial questions. Is a practical creature more real than a CG creature? Was Yoda guilty of Clone War crimes? What sick individuals would cut a pear with a knife and fork? Well, put on your clone trooper helmets and take a seat at Dexter Jettster's diner while you listen to find out! Join our Patreon for $1 to hear monthly audio reviews of new releases which you can vote on at patreon.com/cinema2letter! Follow us @cinema2letter on socials! Artwork by Michelle Kyle! Usual theme music by Burial Grid! We're a proud member of the TalkFilmSociety podcast network! 

THE MANDALORIAN & GROGU hasn't exactly hit lightspeed at the Box Office. Has STAR WARS lost it's way? DJ and Roxy are joined by Andres Cabrera to discuss the latest adventure of Din Djarin and Baby Yoda, also starring Sigourney Weaver, with Jeremy Allen White as a jacked Hutt, and a special cameo from Pedro Pascal! Also, what's next for the future of STAR WARS and how can it find its way back to cultural dominance?Check out DJ's New Comic!https://www.kickstarter.com/projects/djtalkstrash/dangerboi2?ref=rn86a7More DJ!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/djtalkstrash⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠More Roxy! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/roxystriar⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Theme Music by: Steven James SchmidtFor exclusive bonus podcasts like What We're Into, Mutant Academy, and more, check out our Patreon! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/OnlyStupidAnswers

Spencer Pratt — yes, the guy from The Hills — made a campaign ad with AI for zero dollars. No donors, no consultants, no political machine. And it pulled more views than the entire campaign of the sitting mayor of Los Angeles, who's backed by hundreds of millions of dollars. The political establishment spent a decade building a system to control who gets attention… and a reality TV star with a laptop just broke it. In this episode I break down exactly how — because the same technique works in your business, not just a mayor's race. These ads don't land because they look like political ads; they land because they look like movies. I'll show you the engine underneath: a 130-year-old idea from French psychologist Gustave Le Bon, the false-belief framework I teach in Expert Secrets, and the uncomfortable line I think all of us have to draw now that anyone can deepfake anyone for free. I've lived one side of this — I bootstrapped ClickFunnels against an entire industry that said I couldn't compete — so I'm not watching this one from the outside. Key Highlights: ◼️The “$0 campaign ad” that beat the machine — how Spencer Pratt and a four-person studio pulled more views than a sitting mayor backed by hundreds of millions, using a free (and Chinese) AI video tool ◼️The Expert Secrets move these ads run on — “breaking false belief patterns”: they don't argue that politicians care, that the system works, or that you need money to win… they shatter each belief with a story instead of a fact ◼️The entertainment-format trick — why mapping your audience's favorite movies (Star Wars, The Dark Knight) onto their false beliefs turns an ad into something they'll actually share ◼️Gustave Le Bon's 1895 warning — crowds aren't moved by facts, they're moved by images… and why AI just handed that weapon to everyone for free ◼️The line I won't cross — use AI aggressively to compete with people who outspend you, but putting words in politicians' mouths they never said is where it tips from equalizer to dangerous Here's what I keep coming back to: for 130 years, the people who could afford to create images controlled the crowd. That era just ended. AI gave the images to everyone — and once the tools are free, the only thing left that matters is the story. The political machine is learning that the hard way in LA right now, and your market is no different. So the real question isn't whether these AI ads are fair or dangerous. It's this: in your own business, are you still paying for the old machine… or are you the one building with the new tools? Are you Spencer Pratt in this story — or are you Karen Bass? ◼️AI SECRETS CHALLENGE: Most people are either afraid of AI or using it as a toy. Russell built a challenge that teaches you how to actually MAKE MONEY with AI — not just be productive, but build real income. The best defense against being manipulated by AI companies is understanding the technology well enough to profit from it yourself. → https://www.AISecretsChallenge.com ◼️If you've got a product, offer, service… or idea… I'll show you how to sell it (the RIGHT way) Register for my next event → https://sellingonline.com/podcast ◼️Still don't have a funnel? ClickFunnels gives you the exact tools (and templates) to launch TODAY → https://clickfunnels.com/podcast Learn more about your ad choices. Visit megaphone.fm/adchoices

How can horror writing help readers — and writers — work through psychological trauma? Why does cross-genre fiction take longer to find an audience, but pay off in the long run? Is running a direct sales store actually worth the inventory, postage, and learning curve? And how can SubStack work for fiction authors? With psychotherapist and award-winning author P.D. Alleva. In the intro, thoughts on why in-person conferences are still worth it, even when they are a challenge for sensitive introverts! and tips for making the best of conferences [Self-Publishing Show]. Today's show is sponsored by Draft2Digital, self-publishing with support, where you can get free formatting, free distribution to multiple stores, and a host of other benefits. Just go to www.draft2digital.com to get started. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights and the full transcript is below. Show Notes Why horror puts the human condition on display better than any other genre Emotional trauma as the silent psychological killer most people overlook The pros and challenges of cross-genre writing and finding your audience Practical lessons from running a direct store, including integration and signed-copy fulfilment How a 3 a.m. writing routine keeps the writing separate from the marketing and admin Serialising fiction on Substack, multiple newsletters, and avoiding paid subscriber promotions Why Facebook groups, TikTok Lives, and the three-to-one rule are working right now You can find P.D. at PDAlleva.com or on Substack. Transcript of the interview with P.D. Alleva Jo: P.D. Alleva is the award-winning author of horror, sci-fi, thrillers, and fantasy books. He's also a psychotherapist. So welcome, Paul. PD: Thank you very much. Thank you for having me. This is a great opportunity. I love doing interviews, and I love talking to great people. Jo: Oh, good. Well, first up— Tell us a bit more about you and how you got into writing and being an indie author. PD: So I've been writing since I was a kid, at least second grade and more than likely even before that. I've always had that creative itch. Getting into indie author publishing, I published my first book in 2011. At the time I was also operating my own business, which took up about 24 hours of my time every single day. Then I kind of got through that and sold that in 2016, and I'm like, you know what? The time has come. I'd always written books, poetry, short stories, but never really did anything with them because I just didn't have the time. So in 2017, that's when I really came out and said, all right, the time is now. Indie publishing was doing great. The one good thing I do love about Amazon is they allowed us to come out there and start showing our craft to people. So in 2017, I just started—let's do this. Let's write full time. Let's put books out there. Let's be creative. Let's really get those juices flowing. Plus, I was getting a little bit old, and I was like, now is definitely the time to do this. Since then I've been publishing consistently, and most of my books are horror books, but I dabble. I have a sci-fi series, and I'm starting to get into psychological thrillers too. I've got a new psychological thriller that'll be published in early 2027 called Girl on a Mission. For the most part, I'm definitely into the horror genre—books, short stories, all that good fun stuff. Jo: Right, so a couple of follow-ups. You said you're a bit old. Can you give us what decade you're in at least? PD: Well, I'm 51, so born in 1971. Jo: Oh, there you go. Same age as me. PD: All right, good. See that? So we're going head-to-head there. Jo: I don't think that's old at all. Also, you mentioned you sold your business in 2016. So what was your business before? Because I think business experience is so important. PD: Agreed 100%. So I'm a psychotherapist, and I had owned a treatment centre for mental health and addiction. That was started in 2011, and in 2016 is when it sold. Since then, my wife and I started a private practice. So I still, even to this day—well, about a year and a half ago is when I stopped. I specialise in trauma, PTSD, and addiction. Trauma mostly. Most of my caseload has always been trauma, PTSD, sexual abuse, psychological abuse, war-type trauma. I was doing that mostly individually since 2016 in private practice, and I'll still go into treatment centres and see patients there too, specifically for trauma. About a year and a half ago is when I started wanting to do writing 100% full time. I thought about becoming a professor, maybe going to college, but then I wasn't sure if I wanted to get into that full time, as far as a caseload and school and everything like that. So I decided to just do group therapy, group facilitation, and I've been doing that consistently since then. It may be 15 hours a week. I do love to give back, and to me, it's more what I teach. I specialise in neuro-linguistic programming, bilateral stimulation or EMDR, hypnotherapy, science of mind concepts, psychopharmacology, biological bases of behaviour—which is pretty much how your brain works—ancient wisdom, quantum physics. I do this in a drug addiction treatment centre mostly, also mental health. And of course, just living an addictive lifestyle is traumatic, too, in and of itself. So pretty much I'm teaching them. Behaviour modification is a big part of what I'm teaching during that time. You'll see that, too, if you read my books. There's two things you can figure out from my books. You can figure out how to murder people and get away with it, and two, you can figure out how to overcome trauma as well. The whole “murder people and get away with it” comes from my upbringing. I have a very sorted past, let's put it that way. My upbringing was very different than what most people grow up in. Jo: Oh, can you give us any more than that? Now everyone's like, “Oh.” PD: “What's going on with this guy, right?” So I grew up, let's say, quote unquote, “in an Italian New York family.” Jo: Okay. All right. PD: That might give people ideas, right? Jo: That's going to give people a lot of ideas. PD: If you've ever seen the movie Goodfellas, I kind of grew up in that atmosphere, and with even some of those people too. My family had connections to those people in that movie, which I find very funny. If you watch that movie with me, you get a very different perspective on what's going on in the movie. Jo: Wow. So you're an interesting guy with an interesting background, with a very interesting backstory job as well. Some people are like, “Well, of course he's writing horror because horror is just awful and full of slasher gore and all that.” I often have to say to people who don't read horror, “Look, it's not like that.” Maybe some of it is, sure. But most of it isn't. Could you talk about how reading and writing horror can also be psychologically healthy? How do these worlds intertwine for you? PD: Well, sure. It 100% can be healthy. Especially over the last few years, there's a trend going on out there right now where people are taking their trauma and putting it into a creative process through poems, short stories, and even novels. They're taking their trauma and giving it a face, like a monster, where people are overcoming that monster within the creative process. I always say that horror is the genre that puts on display, better than any other genre out there, the human condition. Why is that? When people are in a terrifying situation, you really see who they are. You get to the heart of the matter of who that person is by putting them in these horrific but undefinable situations where it's like, what are they going to come out as? That real true personality needs to come out, and that courage comes out. That's huge in horror, and I think horror gets such a bad name. Now, I know there's the extreme horror and the splatterpunk, and that has its kind of role too in what I'm saying, but that's where horror is getting its bad reputation out there with the over-the-top type of gore. For the most part, that's a small part of the horror genre. It's a subgenre for a reason. It has its readership, and that's fine. Nothing wrong with it. I read it all the time. I find a lot of joy in it, a lot of excitement. However, for the most part, any horror novel that is not completely with the gore and stuff like splatterpunk can be seen as a psychological thriller, and a lot of psychological thrillers can be seen as a horror novel. Look at books like The Silence of the Lambs, Red Dragon. That's horrific as well, but if you read the novel, it's in there. It just gets that bad rap right now, and it's not all gore. Most horror novels that I read today are psychological horror. It's tame on the gore, and the psychological aspect is there. I always see that psychological aspect—it's like psychological trauma. Most people, even in my industry, when people are out there and you mention trauma, PTSD, they're thinking about sexual abuse, physical abuse, or war-type trauma. The silent psychological one—I once wrote an article called “Emotional Trauma: The Silent Psychological Killer.” The one that's out there is the psychological trauma, the emotional trauma that is widespread. Most people go through that, and it could even be from parent to child, and most people don't understand that that's a traumatic experience. It's like a distortion of reality that you're experiencing that then creates a belief system in your brain, and you're constantly acting out that belief system. That's where the psychological component of horror really comes out. People breaking through that psychological belief system that was created through a traumatic experience by reaching courage and coming out through a horrific situation. Jo: Yes, it really annoys me, because with romance, of course people understand that romance is a huge genre. Something like a small town sweet romance is a world away from the bully romantasy, dark, or mafia. Mafia romance is a really big thing with very dark themes. I'm like, well, how can you understand that romance is a huge genre with all these different subgenres, and not think that horror or thriller or fantasy or sci-fi all have so many different subgenres within them? I personally read a lot of supernatural horror, but rarely the slasher gore kind of stuff. So I'm really glad you said that, and hopefully more people will open up a bit more. I did also want to ask you about what you write. You write all these different things. You write standalone—I mean, often horror is standalone—but you also have some series. How do you balance it? What are the benefits of cross-genre writing, but also the challenges of it? PD: Okay. So obviously I love cross-genre writing. To me, I use fantasy to explain the supernatural elements. I blend mostly a tad of fantasy to help explain the supernatural components in my supernatural novels. When I write sci-fi, specifically sci-fi, that has the fantasy element in it too, but there's also a tad of horror in there as well. It's just who I am. When I grew up, I had a lot of different influences. I had Star Wars on one side, and then I'm watching B-rated '80s slasher films on the other side. Those two mixes just kind of followed me throughout my life, and that's why I like putting them into my novels. As I tell my patients, don't limit yourself. Never limit yourself. If you're just limiting yourself to one genre, you're missing out on so much more that's out there. So I love the blend of mixing genres. It just gets my goat each and every time. It is a challenge though. I remember when I first started getting into indie publishing, I was never big into Facebook and social media up until I started becoming an indie author. Before that, with my type of upbringing, you don't advertise yourself. You don't advertise where you're going. That's a big no-no. So I always had this aversion to social media. I'll tell you a funny story. It was the late 2000s, probably 2006. I was a full-time single father at that time, and I was living in Florida. My family—brothers and sisters-in-law—were living in New York, and my sister-in-law said, “Get a Facebook account so we can see pictures of the kids.” I said, “Oh.” I didn't want to do it, but I said, “Okay,” so I did it. And I'm thinking, looking at this Facebook thing, “How do I put pictures on here?” So I figured out how to put pictures in folders. Then I phone called her, and I'm like, “Okay, so they're on there.” And they're like, “Well, where are they?” I'm like, “I put them in these folders. You can go and look at them.” She's like, “No, you've got to post them.” That to me was like, “I'm not posting pictures of my kids.” That was a big no-no. It didn't click. When I got on there finally in 2016, 2017, I'm like, “Okay, so I need to figure out social media. As an indie author, I need to be on there, so I need to get through this aversion and get on there.” I started noticing how people are so particular with their genres. If they're reading a romance, it had to be very specific with that exact type of romance, and if you deviated from it, they're not going to like it. So that was the challenge. I was like, “All right, number one, I'm not going to dilute myself” and say, “All right, take things out of my writing or out of my novel just so I could cater to a certain type of audience.” I'm like, “I'm not going to do that.” I know with me, myself, as a reader, I'll read everything. I don't limit myself to a specific genre. I'll read psychological thrillers. I'll read romance. I've been doing that all my life. So I'm like, if there's a person like me out there—and look at this, I just met like four other people who also read cross genres—then I know that there's at least another 30,000 people, and I know that at least then there's 300,000, then there's three million people out there. So just write the books that you're writing and find your audience. Now, that takes longer. So you've got to chip away. Chip away. You're going to find readers here and there, and then that reader kind of tells a few people about you, and then you've got a few more readers. Then you keep going, and you go on these Facebook groups, and you do a whole bunch of different things, and then you gather a few more readers. Then they're telling some friends, and then you've got more. The process takes a lot longer, yes, 100% agreed, but I would say be true to yourself and you can never go wrong. Jo: Yes, I agree. I write cross-genre as well, and I've browsed your collection. Golem was the one I was like, “Ooh, yes, I like that one.” I haven't read it yet, it's on my list. I think when you're cross-genre, my people come to my store as well, and it's like, “Okay, I'm interested in lots of things, but this is the one by this author that I'm interested in.” Whereas with other authors who only write one type of thing, then I might not like any of their stuff. So I think there are definitely pros and cons and different ways into our world. I also wanted to ask you about the differences in business. Obviously you ran this treatment centre and there were physical humans on all sides, and now you've got a business as an author. So what have you learned in business from what you used to do and what you do now? PD: Okay. You're right. The treatment centre industry is very different from what I'm doing now, but it's still people. Treat those people right, have integrity. If you say you're going to do something, follow through with it. My word is my bond type of thing. That definitely has fed into the writing and publishing industry that I'm in now in a huge way. Just connecting with people is, to me, the biggest part of it. I mean, treatment centres, you've got to connect with people. When I would market the treatment centre, where would I go? I would go to hospitals, residential facilities, detoxes, and talk to them about my programme and why they should be referring clients there. It's the same thing here. Why should you be reading my books? You get there through interviews like what I'm doing here with you. Other podcasts. You get there by doing Facebook Lives, TikTok. I haven't started TikTok Lives yet, but I actually love that platform. I'm falling in love with it. IG Lives, anything like that where you're talking to people and you're making a connection with those people. Through that, I've gathered so many different types of readers who are like, “Yes, I'll give this book a shot.” And then they read it and they're like, “Hey, this is really good, and I'm going to read another book.” With my books, I have very different books. Golem is my psychological horror novel. It's my slow-burn psychological horror novel, heavily inspired by Frankenstein and the Pygmalion myth. It's my first true horror book that I published. Then there's Jigglyspot and the Zero Intellect, which is inspired by B-rated '80s horror movies and the old grindhouse movies of the '70s, and it's mind manipulation. It's just wild and bizarre. And then The Sleepy Hollow Incident is my Gothic tale—it's like a dark romance mixed in with Gothic horror. So I always try to put something for everyone that's out there. To me, when I'm writing, it's got to be about depth, psychological depth. I always refer to my books to be like peeling layers off a Texas-sized onion. The more you read, the more in-depth you get into not only the characters, but the story. It's just something that comes out of me. It's part of me. That's the way I always have to do it. I always have to put that depth in there. To me, that's good storytelling. When I grew up, I read a lot of classic literature. Yes, Edgar Allan Poe, but also Dante's Inferno, Milton's Paradise Lost, The Hunchback of Notre Dame, the Brontë sisters. Keep going. Ray Bradbury, Ayn Rand, Daphne du Maurier, Shirley Jackson. Those to me are my books that I absolutely love. So there's a sweet science in today's fast-paced, social media type of world in marrying the depth of the old classic literature and the entertainment value that is required today for being an author. There's that sweet science behind it, and I love just hitting that nail on the head every time. Jo: So did you ever pitch traditional publishing, or have you thought about going that way? Because I also find that a lot of horror actually sits very close to literary. Like, I read a lot more literary horror than I do in some of the other genres. PD: Correct. So in the beginning, yes. Not in a long time. I maybe went to a couple of indie publishers, but as far as traditional, the Big Five publishers, I have an aversion to them for a big reason. I know people who have worked in that industry that have told me some pretty bad horror stories about those places. So I haven't sent anything to that type of place in a very, very long time. Maybe close to 20 years. Indie publishers, the small presses, yes, here and there, but even then, I'm always moving at a fast pace. So if I've got a book and I'm sending it out as a query letter, by the time that query letter is even read, I'm almost done publishing. I love that aspect of it. The control of my story, where I know where this character's going. And listen, I've got my beta readers, I've got my ARC readers. They're there to tell me, “Hey, maybe you should change this or change that.” Whether I take that advice or not, of course my editor too, is really up to me. I always put out the book that I know is the one I want to read. And to me, I haven't gone wrong in doing so. I know with traditional publishing, you sometimes get too many thoughts in the pot there. Let's put it that way. Jo: Okay, so coming back to being indie then. You mentioned Amazon earlier, but you have a store where you sell direct. Many authors are doing this now, but it can be a challenge. So what have you found are the pros and cons of your direct store? What's working? Any lessons there? PD: Okay. So I use a place called Big Cartel. They're the platform where the books are on. They're hosting my website, PDAlleva.com. The big challenge was actually just starting it. It was so overwhelming. How do I put this on there? At the time, I've got all these books, so how do I present them? I'm even going to be doing another revamp with it too, because I want better pictures—taking pictures of the books, stuff like that, instead of just having the covers on there. I also have a lot of shirts that I'm selling. So I think the biggest challenge is just getting on there and starting it. Then of course, you've got to learn a whole new platform, and the mechanics, and how people are going to be downloading, and how that's done on an e-book versus a print version of the book. So it's a huge learning curve that you've really got to put your focus on and give it time. What most people like in indie publishing is signed copies. It's a huge part of indie publishing, selling those signed copies. People love a signed copy, and that's primarily what my website is for. You can order signed copies from me. I also use a place called IngramSpark, and they're more like a distributor. They're used by everyone. They've been around for a very long time. Traditional publishing uses them too, and they're just distributing your novel. I'd say about a year ago, maybe two years ago, they started where you can sell your books on discount through them as well. So I have that on my website too, where you're just clicking on the book and you're pretty much going directly to their site and you're buying paperbacks and hardbacks at a discount. That's going well too. For the most part, people are definitely coming to my site because they want the signed copies. A good thing with indie publishing is limited editions, first print copies, special editions. That type of stuff really just takes off. People love to see that, especially in the indie community. You can sell them too. I go to a few different book conventions during the year, and the limited editions are there. Like I said, people love the signed copies. They love being a part of that and getting that signed copy. They treasure it, just like I treasure my books too. I'm not referring to my books that I've written, but books that I have as well. I love my e-reader, don't get me wrong, but I still prefer the physical copy—the paperback, and even more so than the paperback, the hardback. So people love those signed copies, and that's why I created the website, to sell on there for them. Jo: Yes, I mean, we're getting to a point now though where I think some people are questioning the pros and cons of it. For example, you doing the signed copies—I don't do that from my Shopify store because I don't want to hold stock and I don't want to deal with postage. So I only do it when I do a Kickstarter. I've just finished one recently, Bones of the Deep, and I'm going up to the printer, and I'm going to sign a couple of hundred copies and then they do the postage. That's the only way I'm willing to do it because of the pain of getting books to your house, signing them, getting them in the post. So how do you manage that practically? PD: Okay, so the inventory's there. I don't go and sign everything right away. I just keep the inventory. Once somebody buys the book, then I'll pull out the book, log it and all that good fun stuff, sign it, and then ship it out immediately. Here in my country, we get discounts at the United States Post Office because they're books. So they pass that shipping cost over to the reader too, so it's a little bit cheaper for shipping. I'll just take books once or twice a week over to the United States Postal Service and ship those books out. I don't sign them until I actually get that order. Jo: How many do you have in your house? It's the holding stock of all the backlist that is the problem. PD: Ooh, gotcha. All right. That's why I have a two-car garage. But here's the thing, I won't order 500 at a time. I'll order 20 at a time. Jo: Okay. Right. PD: When I see that inventory's getting low, I'll order another 20 at a time. Jo: And you get those from IngramSpark? PD: Correct. When the new one comes out, maybe at that time I'm just selling those, bringing those to conventions that I go to. Or maybe doing a sale on those books at that time to get rid of the inventory so it's not sitting around anymore. Jo: I think that's so important. Then like you mentioned, you do T-shirts or shirts. That is also really hard because of sizing. So is that all print on demand? PD: Yes. So I don't really hold the stock on the shirts. When I get an order, whatever the size is at that time, I go directly to the place and order it. I use a place called Sublimation Station that's here in Orlando. They do great all-over print T-shirts. They're fantastic. I just did one for The Sleepy Hollow Incident. So The Sleepy Hollow Incident is one long story, and it's broken up into four books. Each book has its own. The covers are fantastic. I use a lady named Cherie Foxley. She's a phenomenal cover designer. So the shirts are, like, book one is on the front of one shirt with book two on the back, and then the second shirt is book three on the cover and book four on the back. However, I can customise those. I just did a giveaway in my Facebook group and I let people know I could customise them, and she wanted book one and book four, so I just got that and sent it out to her. Now, if people go ahead and order that on the website, I can just order it right away from them, boom, and that place will get it shipped right then and there. Jo: Right, so they do the shipping. These are all sort of practical things that people need to answer because I feel like sometimes it's like, “Oh, yes, having a direct store is great,” but there's actually quite a lot of work that goes into it, isn't there? PD: There is. There's a lot of work. You're pretty much opening almost like your own brick-and-mortar store at that point. You just don't have walk-in traffic coming in—your traffic is all coming online. So there is a lot to it, but it's worth it. If you're a self-published author or even a small indie press, it's good to have. Because like I said, people love the signed copies. Jo: When you say it's worth it, is it worth it financially or just because you like to serve the customers in that way? PD: Both. Jo: Right. So it is financially worth it for you? PD: Yes. Jo: I was talking to a friend of mine and saying, are you valuing your time in terms of things like taking the books to the post office and stuff like that? Do you find it eats into your writing at all, or do you just manage it all separately? PD: No, I manage it separately. So I'm an early morning riser. I get up at 3:00 in the morning, and that's when I write my books or do editing or brainstorming. I'm about to write a new novella now called The Adam and Eve Story, which is actually based on a little-known CIA shelved book from the 1990s called The Adam and Eve Story as well. So I've been brainstorming that, and I was doing that this morning. I get up at 3:00 a.m. and I do my writing, and by the time the kids are up and by the time the wife is up, it's like 8:00 a.m. is rolling around and I'm pretty much done at that point. Then I have my days. Tuesday I'm completely working from home and I do my thing in the morning, and then the rest of the day is marketing, fulfilling orders, stuff like that. On the days when I'm going to do group facilitation, I'll of course still get up at 3:00 o'clock in the morning, and then I'll plan out the day. I've got an hour between this group and I can go ahead and do that, and I'm already there so it's not a problem. The post office is right around the corner. You kind of figure out all the logistics for yourself. There are some days, like on Monday, I don't facilitate groups until the afternoon, so I've got the whole morning to work on marketing and do other things, and fulfilment. Then of course Saturday's a big day for that too. Jo: Oh, that's good. I feel like people always need to know how to balance their time, but it sounds like you manage, because at 3:00 a.m., as you say, there's not much else to do other than write. You mentioned marketing, and you have a Substack, pdsalternativefiction.substack.com. Talk about that and serialising fiction and how Substack works. Because I feel like a load of people are jumping in but might not necessarily know how it works, especially for fiction. PD: Correct. It is becoming quite popular out there. I think the one before that was Patreon, and Patreon is pretty big for that too, kind of the same thing. I wanted to start something and just get the work out there. I was very interested when Amazon came out a few years ago with what was called Vella. They kind of started that. I was like, “This is kind of cool.” Couple chapters at a time. I'm writing the books anyway, so why don't we kick this off and see how it goes—a type of experiment. I had a lot of fun doing it. I started on October 4th, 2024. I've done four novels so far. One is still going, which is Volume 3 of my Dark Veil serie— that's a sci-fi series. I wrote three other novels. The Hypnotist, which is a thriller, heavy on the sci-fi and a tad of horror in there too. And then I wrote Girl on a Mission, which is my psychological thriller, and then Cat Fight, which is a horror novel—all within that time. I think I finished all three of those novels in January, and then the first week of February they were all pretty much done. Now what I'm doing is, I went paid recently on the Substack. It's like everything else that's out there—chip away, chip away. I fell into that hole where they say, “Hey, we can promote you and get people to sign up for your newsletter.” And I'll be honest with you, don't do it. It's not worth it. You spend money, and what happens is they're what I refer to as dead leads. They don't click. You wind up shuffling them off after three to six months, because they're just not clicking. Everybody gets a star rating, so you know—are they clicking, are they staying on, are they not? So I got rid of pretty much all of those people, and I'll never do that again. It's got to be done organically. That's why when you read my books, especially the new books, towards the end it'll say, “Sign up for my newsletter.” I do more with that newsletter too. If you're on the free tier, every month I do a monthly newsletter, which is just me talking about updates, things going on in the publishing industry, things going on with me. My daughter puts together a weekly Horror and Sci-Fi Chronicles newsletter, which gives what's going on in new releases in the industry—sci-fi, horror, books, movies, television. She does deep dives into industry tropes, historical tidbits, and a weekly quiz. I also do a monthly Terrors and Tales newsletter. I started this last year, and it was a quarterly newsletter. It's other authors who are new, upcoming, never been published before, looking to get published. It's a chance for them to be on the newsletter where they have a flash fiction story or poem or even a short story that I publish for them. It's called the Terrors and Tales newsletter. What happened is I would put out calls for submissions. And a place called Duotrope—I don't even know who these people are, but all of a sudden I got an email from them stating, “Hey, we found that you're looking for submissions, and we posted your link. We hope you don't mind.” I'm like, “No, of course I don't mind.” I got so many submissions from that one link. I'm like, “Okay.” Do I really want to deny people? I'm not like that. I want to help promote other authors. I know what it's like when you're new and upcoming, no matter what age you are, to say, “Hey, here's a platform for you to see your stuff in print.” Obviously, I read through them just to make sure they're up to a certain standard, but for the most part, if you submit, you're getting in there. With Duotrope, I'm like, I have enough here to put out one a month. So in May 2026, the first one goes out, and then I'll have one each month until December, and then who knows? In 2027 I might go back to quarterly. I might get enough submissions to just keep it going once a month. So that's the Terrors and Tales newsletter, and it usually comes out towards the end of the month—the last two weeks. I have nothing to do with it in terms of content. None of my stories are on there. None of my poems are on there. None of my flash fiction. It's all other authors, just for them to see their name in print, see their work in print, share it with their friends, and put something on their resume, and to encourage people to keep reading and keep the craft going. Jo: When you say in print, you don't mean in physical print? PD: Oh, I mean in the newsletter. I'm sorry. Jo: I think that's important, or you're going to get a lot more submissions, and you will need to do publishing contracts and all that kind of thing. I think that's the difficult thing with a Substack newsletter approach—it's difficult to know where to categorise it. Is it marketing? Is it publishing? It's all of these things, I suppose. A bit like this podcast, it's all kinds of things. In terms of Substack actually making money on its own or leading to book sales that make money, do you think it does serve that purpose? PD: I think I've gotten more book sales through it, and also ARC readers who are enjoying the books and giving reviews. As far as the paid tiers, that's kind of a little bit slow, and that's where I'm saying chip away at it. Keep it up there. Keep it going. Over time, you're going to build that type of audience where it's going to be like, “Hey, this is financially feasible for me to continue to do this.” That's the response that I'm getting out there. Jo: Yes. Before, you mentioned you were doing Facebook Lives and you're looking at TikTok, but— Is anything else working for you in book marketing? If people have a few books and they're like, “What is working for book marketing right now?”—what do you recommend? PD: Okay. For me, the thing that has made the most sense is making sure the reader knows the book is out there through some sort of social media. I've had really good success on TikTok since the beginning of this year especially. I started it about a year ago, year and a half ago, but then my father got sick and passed away, and it was a new venture and I put it off to the side. I really got the flavour going at the beginning of this year. February, March of this year. It seems to be going really well, and I've noticed an uptick in sales from just getting the videos out there and getting it in front of people's eyes. There's an event I'm going to in August called ShiverCon, which is a pretty big event. After that event, I'm going to look to see what type of inventory I have left over from the event, and I'm going to start doing TikTok Lives. I'm very comfortable being on camera. So I'm like, “Yeah, that seems like a good way to go.” I know there's a few other horror authors who are doing it and having good success with TikTok Lives as well. A guy named Jason Davis is doing really well with TikTok Lives, and a few other authors too. I'm like, “Yes, I could definitely do that.” I want to get up to a certain number of people, and I want these events. I'm going to one in July, and then ShiverCon in August. Once those are done, I'm going to have more time to do the TikTok Lives. As far as Facebook is concerned, what I've had really great success with on Facebook is being in the groups and meeting other authors. That's not always about my book per se, but whatever books I'm reading, I'm posting my reviews about those books in those groups and meeting readers. Then obviously, they always say the three-to-one rule. Post about three different books and then post about your own book, whether you're doing a sale or a new release or a re-release or whatever. I've found success through that just by interacting with readers. When they post a book, I'll comment, “Hey, I've read that book,” or, “Hey, that book looks really cool. I like the review.” Commenting on it so you start these relationships with people who are out there in these Facebook groups. I've recently started my own Facebook reader group. I kind of go with the same thing. Last night, we did a live reading for another author. I like other authors to be on there. I always like to think, what does the reader need? What do I want to see as a reader? I would love to hear live readings from authors. So I kind of learn about them, learn about the book, and get a live reading. To me, that's a good way to go. So I started that recently, and it seems to be going well. I've got a new folk horror coming out soon, and I put out a call for ARC readers and got a fantastic response from that. That kind of drives the sales anyway, because when you get those reviews, then people see it gives credibility to the book, and then other people see it, and then they're buying it too. So that comes from the groups. There's so many wheels to spin in this industry as an indie author when you're doing this, especially when you're doing 99% of it on your own. You've got to get out there. No one's going to know your book exists if you don't get out there and tell somebody about it. Jo: Brilliant. Well, tell us— Where can people find you and your books online? PD: All right. Perfect. So obviously I'm on Amazon like everyone. Most of my books are worldwide, so you'll find them in Barnes & Noble as well. And of course, if you want the signed copies or discount print books, I always lead people straight to my website, PDAlleva.com. Then, of course, if you go to my Substack, you'll get all the updates, and you'll get all the links to purchase or find out where they are on Amazon and Barnes & Noble and things like that too. Jo: Brilliant. Well, thanks so much for your time, Paul. That was great. PD: Thank you very much for having me. It was great chatting with you. The post Writing Cross-Genre, Selling Direct, And Serialising On SubStack With P.D. Alleva first appeared on The Creative Penn.

Have you ever been told you aren't good enough to do something, then gone ahead and proved the naysayers wrong by doing it anyway - in glorious, headline-grabbing style? That is the satisfying story of Dr Dean Lomax. Dean grew up in Doncaster with a passion for fossils but after failing various school exams, was told by teachers that he'd never make it as a palaeontologist. Undeterred by leaving school with no qualifications, Dean sold his childhood Star Wars collection to fund a fossil-hunting trip to America that changed his life - after which a chance discovery led to him publishing his first ever scientific paper at the age of just 20. Today, he's an expert on ichthyosaurs - the massive marine reptiles that once inhabited our seas - and has discovered and named several new species, written books for both adults and children, and brought the prehistoric world to life on TV. Talking to Professor Jim Al-Khalili, Dean discusses dinosaurs as a 'gateway science', discovering the Rutland Sea Dragon and the importance of cutting out noise from nay-sayers to follow your dreams...

Our monthly exploration of news inside the Disney Company. In this episode: - How is Star Wars, under Disney, doing on the big screen, at the parks, and on Disney+? Bandcamp subscriptions - dhipodcast.bandcamp.com

It's 2026 and while Magic: The Gathering has grown enormously over the past half a decade on the back of Universes Beyond, a ton of other TCG's have arrived on the scene trying to crave out some space for themselves. Magic and Pokémon stand above the rest to be sure, but how has the landscape changed with the likes Star Wars, One Piece, Flesh & Blood, Riftbound, ect entering the market? Tune in to find out what Graham, Wheeler, and Ben have to say about the matter on this week's episode of TapTapConcede. This podcast is sponsored by Card Kingdom. Ordering from Card Kingdom? Tell them “LRR sent me, button please!” for a one inch button with a Magic goof on it. http://cardkingdom.com/LRR Sponsored by Dragon Shield, use LRRMTG5 to get 5% at checkout on https://www.dragonshield.com Support LRR: http://patreon.com/loadingreadyrun Merch: https://store.loadingreadyrun.com Discord: https://discord.gg/lrr Twitch: https://www.twitch.tv/loadingreadyrun Check out our other channels! Video Games: http://youtube.com/LRRVG Tabletop: http://youtube.com/LRRTT Magic the Gathering: http://youtube.com/LRRMTG Comedy: http://youtube.com/LoadingReadyRun Streams: http://youtube.com/LoadingReadyLive #Magic #TTC #lrrmtg

It's 2026 and while Magic: The Gathering has grown enormously over the past half a decade on the back of Universes Beyond, a ton of other TCG's have arrived on the scene trying to crave out some space for themselves. Magic and Pokémon stand above the rest to be sure, but how has the landscape changed with the likes Star Wars, One Piece, Flesh & Blood, Riftbound, ect entering the market? Tune in to find out what Graham, Wheeler, and Ben have to say about the matter on this week's episode of TapTapConcede. This podcast is sponsored by Card Kingdom. Ordering from Card Kingdom? Tell them “LRR sent me, button please!” for a one inch button with a Magic goof on it. http://cardkingdom.com/LRR Sponsored by Dragon Shield, use LRRMTG5 to get 5% at checkout on https://www.dragonshield.com Support LRR: http://patreon.com/loadingreadyrun Merch: https://store.loadingreadyrun.com Discord: https://discord.gg/lrr Twitch: https://www.twitch.tv/loadingreadyrun Check out our other channels! Video Games: http://youtube.com/LRRVG Tabletop: http://youtube.com/LRRTT Magic the Gathering: http://youtube.com/LRRMTG Comedy: http://youtube.com/LoadingReadyRun Streams: http://youtube.com/LoadingReadyLive #Magic #TTC #lrrmtg

The Mandalorian and Grogu star (not Pedro Pascal) Brendan Wayne has said some things I agree with, but also some things I don't in regards to the Star Wars fandom and this obsession with calling passionate fans 'toxic' if they don't like something in Star Wars or feel an expectation to sticking to pre-existing lore. THEORY SABERS - https://theorysabers.com/ Best sellers: Ani III - The Chosen One - https://www.theorysabers.com/product/hilt-... Prodigal Son V1 (Affordable Version) - https://www.theorysabers.com/product/hilt-... HATS and MERCH - https://www.theorysabers.com/products-3?ca... Facebook: https://www.facebook.com/profile.php?id=61... SPOTIFY Daily Podcast Episodes - https://open.spotify.com/show/1j8jTU5OgOsi... Apple Podcasts Star Wars Theory - https://apple.co/3Z0qBQE Twitter - https://twitter.com/realswtheory Instagram - https://www.instagram.com/star.wars.theory/ TikTok - https://www.tiktok.com/@starwarstheory66 Learn more about your ad choices. Visit megaphone.fm/adchoices

Ahsoka is captured and hunted for sport on a Trandoshan moon along with a trio of Jedi younglings in this episode of The Clone Wars.   In this fully armed and operational episode of Podcast Stardust, we discuss: Our overall thoughts on this episode of The Clone Wars, The inspiration of Richard Connell's "Most Dangerous Game," The importance of hunting in Trandoshan culture, Anakin Skywalker's response to the discovery that Ahsoka is missing, and more. For more discussion of The Clone Wars, check out episode 1041.   Thanks for joining us for another episode! Subscribe to Podcast Stardust for all your Star Wars news, reviews, and discussion wherever you get your podcasts. And please leave us a five star review on Apple Podcasts.   Find Jay and her cosplay adventures on J.Snips Cosplay on Instagram.   Follow us on social media: Twitter | Facebook | Instagram | Pinterest | YouTube. T-shirts, hoodies, stickers, masks, and posters are available on TeePublic. Find all episodes on RetroZap.com.

*******SPOILER WARNING*******This is a quick Spoiler filled review of Mandalorian and Grogu. Well...kind of!!! Corey is the only one who saw it in theaters. So it's mostly him talking about it and Adrian and Mike talking trash! So...still a good time for these fellas!Where will Corey put it on his list? Why does Adrian hate Corey's list so much? And why does Corey hate both of their lists? Find out all of that and more, right here!Click here to send us a message! Support the showIf you would please go follow us on all the socials? We would love you all forever...in a friend way...don't be weird!!!Please go rate and review us anywhere you get your podcastsPatreon: https://www.patreon.com/CultureShockedPodcastTwitter/X: https://www.twitter.com/cspodcast21TikTok: https://www.tiktok.com/@cspodcast21?lang=enFacebook: https://www.facebook.com/cultureshockedpodInstagram: https://www.instagram.com/cultureshocked21YouTube: https://www.youtube.com/cultureshocked21Website: https://cultureshocked.buzzsprout.com/

Greetings Bucketheads!We are taking a side-trip to Eternia so we can discover that we do, indeed, have the power!Strap on your buckets, let's go!Please follow the show at:Mando_Vision on Twitter and Instagram. MandoVision on Blue SkyEmail: MandoVisionTom@gmail.comPlease, like, subscribe and share the show with your friends on all of your favorite podcast platforms and if you can take the time to write a 5-Star review, it will be read on the show! Thank for all the support, please stay safe and take care of each other. Music by Dirty Sweet and used with permission.All audio clips from any “Star Wars” material is copyright of Disney Enterprises Inc. and is only used for the sole purpose of promotion of Disney property and to provide context for talking points. Mando Vision is copyright Thomas Pritchard 2026. ★ Support this podcast on Patreon ★

We take a dive into the sold items at the recent Goldin Auction of Star Wars collectibles, and we assess the hits and misses of some pretty rare items. Did you follow the auction? Let us know in the comments below!

The Yodelers attempt to bring balance to the force while trying to avoid turning to the dark side.

The PhilenApocalypse is back and this time cannabis comic Ngaio Bealum is here to witness it! This year Philena takes a swipe at super heroes just as their box office fortunes are starting to wane. Her first pick puts the trans in transgressive as trans femme comedian Vera Drew violates all manner of copyrights with THE PEOPLE'S JOKER (2022), a stinging satire of Batman and stand-up comedy wrapped in a surprisingly personal coming-of-age tale. It'll all make sense if you just watch it on Tubi, but not before getting your strain recs from Ngaio and Philena. And then Philena goes a little more mainstream with SKY HIGH (2005), a live-action Disney comedy about a high school for superheroes that is floating in the clouds. Philena thought this was something she dreamed up until rediscovering it recently. It does exist! The movie has one of the most loaded casts ever with Kurt Russell, Kelly Preston, Bruce Campbell (!), Lynda Carter (!!), Chloris Leachman (!!!), Mary Elizabeth Winstead + Dave Foley and Kevin McDonald from "The Kids in the Hall"!!! Even with Philena controlling the horizontal and the vertical, she has to endure Ngaio and Bob descending into fanboy talk as they go way too deep into Legion of Super Heroes lore for a while, but Philena was fascinated by the tragic tale of Triplicate Girl and Duo Damsel at least. SKY HIGH is streaming on Disney+. Philena, Ngaio and Bob also discuss the zero-budget hit horror movies BACK ROOMS and OBSESSION. Are the Zoomer YouTubers taking over Hollywood, or is everyone is just sick of super heroes and STAR WARS??? The OMFYS trio entertain and inform as they grasp at answers. You can now hear Ngaio on CROSS-POLINATION, a 2-hour showcase of great music and comedy every Tuesday from 10am to Noon on Sacramento's KUTZ 95.7 FM. You can listen on the web at https://www.kutzfm.org. Hosts: Philena Franklin & Bob Calhoun. Cory Sklar & Greg Franklin are on assignment. Much love to Rosemary Picado, Tigger Franklin and Buddy Sklar. Old Movies for Young Stoners and PhielnApocalypse themes courtesy of Chaki, the Funk Wizard. "Heaven and Earth" by Jeremy Black, "Jacoby" by Schwartz, and "Saving the World" by Aaron Kenny courtesy of YouTube Audio Library. Elephant Trumpets Growls.flac by D.jones -- https://freesound.org/s/527845/ -- License: Creative Commons 0 Next episode: Greek Odysseys with JASON AND THE ARGONAUTS (1963) and some crappy Italian Hercules movie. Subscribe wherever you cast pods so you don't miss it! Web: www.oldmoviesforyoungstoners.com Instagram/Facebook (Meta): oldmoviesforyoungstoners Bluesky: @oldmoviesystoners.bsky.social Contact: oldmoviesforyoungstoners@gmail.com

- Knicks In 5-

Welcome back! After the rigmarole (kids, drivers, people, food); Ron has a superhero alter ego trivia test for us; Chris wonders what we would have done other than Fire and EMS.

This week on Scarred For Life, Andy Bush and Dave Lawrence are joined by comedian, actor, writer and genuine pop culture legend, Patton Oswalt.From Star Wars and Star Trek to horror movies, comic books and classic animation, Patton takes us on a journey through the strange and unsettling things that left a lasting mark on him growing up.Along the way, he explains why comedy and horror are essentially the same craft, reveals his all-time favourite horror films, discusses physical media, Doctor Who, Ghostwatch, Akira, nuclear war paranoia, and why some of the darkest moments in children's entertainment are far more disturbing than anything intended to be scary.His three scars are:• The endless torment lurking beneath classic Looney Tunes cartoons• The horrifying final moments of the original version of The Fly• The unforgettable robot transformation scene from Superman IIIPlus, Patton shares his thoughts on ghosts, body horror, animation, Star Wars, Star Trek, and why some fictional nightmares stay with us for decades.To join Scarred Club and get fortnightly bonus episodes, ad-free listening and access to the members forum - sign-up here - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://scarredforlife.supportingcast.fm/⁠⁠Send us a voice note on WhatsApp - 07457 404 279Follow us on socials:Scarred For Life - ⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠Production Company - ⁠⁠⁠⁠⁠⁠⁠Lock It In Studio⁠⁠⁠⁠⁠⁠⁠Andy Bush - ⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠ / ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠ Hosted on Acast. See acast.com/privacy for more information.

Thirteen years after The Empire Strikes Back, the long-delayed finale arrived in 1996 — six episodes that brought the original trilogy to a close. Funding cuts had stalled production for more than a decade, but the conclusion was completed at last, with Anthony Daniels returning one final time as C-3PO, joined by Brock Peters as Darth Vader, John Lithgow's Yoda, and Ed Asner as Jabba the Hutt. Still carried by John Williams' score and the original sound effects, it's Return of the Jedi as you've never heard it. | #RRStarWarsLook for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:02:37.835 = Episode 01: Tatooine Haunts00:34:52.858 = Episode 02: Fast Friends01:04:58.749 = Episode 03: Prophecies And Destinies 01:38:38.890 = Episode 04: Pattern And Web02:06:06.595 = Episode 05: So Turns a Galaxy, So Turns a Wheel02:40:27.908 = Episode 06: Blood of a Jedi03:14:07.134 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRRSW03

Welcome to Databank Brawl Rewind! Databank Brawl was a series that ran on ForceCenter from 2016 to 2020, and it remains one of our more beloved shows. Though Databank Brawl is on hiatus, we wanted to celebrate it along with longtime listeners of the podcast and reintroduce it to the ForceCenter listeners who began listening to the podcast after the end of the show's run. Though all of the episodes remain on our podcast feed, it can be daunting to scroll back and find them, so we're launching Databank Rewind. Here's your chance to go back to those episodes week by week and laugh with us at old jokes, memorable moments, unforgettable guests, and, yeah, old microphones, recordings, and perhaps some Star Wars predictions that came true alongside many that most certainly did not. Databank Brawl -- where Star Wars characters are plucked from the entries of the StarWars.com databank and forced to fight it out in an off-the-cuff podcast moderated by Joseph Scrimshaw. It's time to fight...From the minds of Ken Napzok (comedian, host of The Napzok Files), Joseph Scrimshaw (comedian, writer, director of Dead Media), and Jennifer Landa (actress, YouTuber, crafter, contributor on StarWars.com) comes the ForceCenter Podcast Feed. Here you will find a series of shows exploring, discussing, and celebrating everything about Star Wars. Subscribe on Apple Podcasts and Google Podcasts. Listen on TuneIn, Amazon Music, Spotify, and more! Hosted on Acast. See acast.com/privacy for more information.

Star Trek: The Next Generation's "Timescape" Turns 33! We're celebrating the anniversary of one of TNG's most mind-bending episodes, originally airing on June 16, 1993. Does this classic time-travel mystery still hold up more than three decades later? We break it all down in our full review. Plus, the long-rumored Paramount-Warner Bros. merger takes a major step forward. What could it mean for the future of Star Trek and other iconic franchises? We also have new details on Star Trek: Strange New Worlds Season 4, as a producer teases what's ahead for Captain Pike and the crew of the Enterprise. And the drama surrounding Star Trek: Nemesis continues, with new revelations about the troubled film and its legacy.All that and more on Trekcast, your source for Star Trek news, reviews, and discussion!#StarTrek #StarTrekTNG #Timescape #TheNextGeneration #StrangeNewWorlds #StarTrekNews #StarTrekNemesis #Paramount #WarnerBros #CaptainPike #Trekcast #SciFi #StarTrekPodcastNews:https://www.npr.org/2026/06/12/nx-s1-5856567/paramount-acquisition-warner-bros-discovery-mergerhttps://trekmovie.com/2026/06/08/interview-star-trek-strange-new-worlds-writer-talks-fewer-big-swings-in-season-4-learning-from-season-3/https://www.slashfilm.com/2191502/star-trek-nemesis-cast-blame-director-movie-failure/"Timescape" is the 151st episode of the American science fiction television series Star Trek: The Next Generation, and the 25th episode of the sixth season. Set in the 24th century, the series follows the adventures of the Starfleet crew of the Federation starship Enterprise-D. In this episode, Captain Picard, Counselor Troi, Chief Engineer La Forge and Lt. Commander Data must save the Enterprise, which they find frozen in time, exploding, and taking weapons fire from an also-frozen Romulan Warbird.Trekcast: The Galaxy's Most Unpredictable Star Trek Podcast!Welcome to Trekcast, the galaxy's most unpredictable Star Trek podcast! We're a fan-made show that dives into everything Star Trek, plus all things sci-fi, nerdy, and geeky—covering Star Wars, Marvel, DC Comics, Stargate, and more. But Trekcast isn't just about warp drives and superheroes. If you love dad jokes, rescuing dogs, and even saving bears, you'll fit right in! Expect fun, laughs, and passionate discussions as we explore the ever-expanding universe of fandom. Join us for a wild ride through the stars—subscribe to Trekcast today! Connect with us: trekcasttng@gmail.comLeave us a voicemail - (570) 661-0001‬Check out our merch store at Trekcast.comHelp support the show - ko-fi.com/trekcastBecome a supporter of this podcast: https://www.spreaker.com/podcast/star-trek-podcast-trekcast--5651491/support.

In this bonus drop we ponder the state of franchise filmmaking in today's Hollywood, from STAR WARS to MAD MAX, and address news that movie icon Clint Eastwood may be calling it a career at 96.Listen ad-free at Patreon: https://patreon.com/MovieFilmPodcast

The Mandalorian and Grogu marks the worst performing Star Wars movie in history. Unnfortunately, this falls on the poorly written Season 3 that had Mando and Grogu back together after his climactic departure with Luke Skywalker...leading us to a nothing burger. The Mandalorian and Grogu should have set a new precedent and looming over arching dominance or presence that makes us captivated to watch Mandalorian Season 4. 20% OFF Mystery Boxes today! THEORY SABERS - https://theorysabers.com/ Best sellers: Ani III - The Chosen One - https://www.theorysabers.com/product/hilt-ani3 Prodigal Son V1 (Affordable Version) - https://www.theorysabers.com/product/hilt-lukev1 HATS and MERCH - https://www.theorysabers.com/products-3?category=Accessories&subcategory=Merch Facebook: https://www.facebook.com/profile.php?id=61577224659532 SPOTIFY Daily Podcast Episodes - https://open.spotify.com/show/1j8jTU5OgOsi7o18Zo7Jn6 Apple Podcasts Star Wars Theory - https://apple.co/3Z0qBQE Twitter - https://twitter.com/realswtheory Instagram - https://www.instagram.com/star.wars.theory/ TikTok - https://www.tiktok.com/@starwarstheory66 Join this channel to get access to perks: https://www.youtube.com/channel/UC8CbFnDTYkiVweaz8y9wd_Q/join Become a Patron to support future content - https://www.patreon.com/StarWarsTheory Chat with the community on my personal Star Wars Theory Forums https://starwarstheory.com/THEORY/posts DISCORD - https://discord.gg/starwarstheory Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello there! Welcome to Force Ghost Conversations. This podcast is your home for cozy, deep dives into all things Star Wars and Lucasfilm-adjacent properties. Each week, our host will be joined by fans, creators, and believers in the principles from the Galaxy far, far away to discuss the thematic elements from our favorite Lucasfilm properties. Without further adieu, it is time to gather around the campfire for some Force Ghost Conversations.How many times have you seen the Mandalorian and Grogu in cinemas? Our tally is 4 and counting. Our guest will have seen the movie at least 5 times by the time this recording is released. Mike Celestino from Who's the Bossk? joins the show again to give his thoughts and candid commentary on the film. We discuss what worked and what this movie will indicate for Star Wars moving forward.Topics Discussed Include:1. Seeing the Film with Commentary2. The Joy of the Slow Moments of the Movie3. Tackling the CriticismSupport the show on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!If you want to continue the conversation, please follow us at the following websites:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Blue Sky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merchandise⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Today's guest is Mike Celestino from Who's the Bossk. Be sure to support their work online!

The Mandalorian & Grogu Movie, Star Wars Celebration 2027, and the Future of the DCAU Meta Description: Moose and Game God discuss the upcoming Mandalorian & Grogu movie, the announcement of Star Wars Celebration 2027, and why the DC Animated Universe continues to set the standard for superhero storytelling. The galaxy far, far away continues to expand, and Star Wars fans have plenty to be excited about. In Episode 515 of Podcast4SciFi, Moose and Game God dive into the latest news surrounding The Mandalorian & Grogu movie, discuss the significance of Star Wars Celebration 2027, and explore why the DC Animated Universe (DCAU) remains one of the most respected superhero franchises ever created. Whether you’re a fan of Star Wars, DC animation, or both, Episode 515 is packed with discussion, speculation, and plenty of geek culture goodness. The Mandalorian & Grogu: The Next Chapter Since their debut, Din Djarin and Grogu have become two of the most beloved characters in modern science fiction. What began as a streaming series phenomenon is now making the jump to the big screen with The Mandalorian & Grogu. During the episode, Moose and Game God discuss what this move means for Star Wars and whether the franchise is entering a new era of interconnected storytelling. Why Fans Are Excited The return of Din Djarin and Grogu in a theatrical adventure. The opportunity to experience Star Wars on the big screen again. Potential connections to future Star Wars projects and characters. The continued popularity of Grogu, one of the franchise’s most recognizable modern icons. The hosts also share their predictions about where the story could go and what surprises Lucasfilm may still have in store. Star Wars Celebration 2027: Looking Ahead One of the biggest pieces of Star Wars news is the announcement of Star Wars Celebration 2027. Celebration has become the premier event for Star Wars fans worldwide, bringing together creators, actors, collectors, cosplayers, and fans for major announcements and exclusive reveals. What Could Be Announced? While it’s still early, Moose and Game God discuss several possibilities: New Star Wars films and streaming projects. Updates on future Star Wars games. Expanded universe announcements. New collectibles, merchandise, and publishing initiatives. Surprises connected to The Mandalorian & Grogu. If history has taught Star Wars fans anything, it’s that Celebration often delivers unforgettable moments. Why the DCAU Still Matters The conversation then shifts from a galaxy far, far away to the world of superheroes. The DC Animated Universe (DCAU) continues to be regarded as one of the greatest examples of comic book storytelling. From classic animated series to newer projects, DC animation has consistently delivered compelling characters, emotional storytelling, and memorable performances. What Makes the DCAU Special? Strong character-driven stories. Faithful adaptations of iconic heroes and villains. Outstanding voice acting performances. Story arcs that appeal to both longtime fans and newcomers. Consistently high critical and audience ratings. The hosts discuss how modern animated projects continue to build on the foundation established by legendary series such as Batman, Superman, Justice League, and beyond. Star Wars vs. DC Animation: Different Strengths, Same Passion One of the most interesting discussions in Episode 515 centers around how these franchises approach storytelling. Star Wars excels at creating vast worlds filled with mythology, adventure, and wonder. Meanwhile, the DCAU focuses on character development and long-form storytelling that has influenced generations of fans. Rather than competing, both franchises showcase what makes science fiction and fantasy storytelling so enduring. Final Thoughts Episode 515 highlights why fans continue to be passionate about both Star Wars and DC animation. With The Mandalorian & Grogu on the horizon, Star Wars Celebration 2027 generating excitement, and the DCAU continuing to thrive, there’s never been a better time to be a sci-fi and superhero fan. If you enjoy discussions about movies, television, gaming, comics, and all things geek culture, be sure to listen to Episode 515 of Podcast4SciFi. Listen to Podcast4SciFi Join Moose, Game God, and the Podcast4SciFi crew as they explore the latest news, reviews, theories, and discussions from across the worlds of science fiction, fantasy, gaming, and pop culture. Frequently Asked Questions What is The Mandalorian & Grogu? The Mandalorian & Grogu is an upcoming Star Wars theatrical film that continues the story of Din Djarin and Grogu following the events of The Mandalorian television series. What is Star Wars Celebration? Star Wars Celebration is the official fan convention dedicated to Star Wars, featuring announcements, panels, celebrity appearances, merchandise, and community events. What does DCAU stand for? DCAU stands for the DC Animated Universe, a collection of animated television series and films based on DC Comics characters. Why is the DCAU so highly regarded? The DCAU is known for its exceptional storytelling, memorable voice performances, and faithful adaptations of beloved comic book characters. The post Episode 515 – Mandalorian and Grogu Movie, Star Wars Celebration 2027, DCAU appeared first on Podcast4Scifi.

It's a rare "Flop House in the Aisles," as we took to the theater to see the tepidly-received (though still wildly successful) latest Star Wars thing, THE MANDALORIAN AND GROGU. It's got a li'l green guy in it! How bad could it be? And for a very special episode, we needed a special guest -- the talented actor and improvisor Will Hines, returning to the show after a seventeen year absence! See you in another 17 Will! (JK, why would we do that?) Stay updated on all things Flop House, plus a little extra, with our NEWSLETTER, “Flop Secrets! Wikipedia page for The Mandalorian and Grogu Recommended in this episode: Dan: The Sheep Detectives (2026) Stu: The Devil Wears Prada 2 (2026) Elliott: The Mysterious Castle in the Carpathians (1981) Will Hines: 28 Years Later: The Bone Temple (2025) Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joinflop

In 1981, National Public Radio turned the biggest movie in the world into a thirteen-episode radio epic that went on to break the network's listening records. George Lucas sold the rights for a single dollar and handed over the original sound effects and John Williams' score, letting a full cast bring the galaxy to life in sound alone. Mark Hamill and Anthony Daniels reprised Luke Skywalker and C-3PO in a sweeping retelling that expands well beyond the film — the original Star Wars as you've never heard it.Look for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:02:26.702 = Episode 01: A Wind To Shake The Stars00:29:28.616 = Episode 02: Points of Origin00:57:12.772 = Episode 03: Black Knight, White Princess and Pawns01:24:56.510 = Episode 04: While Giants Mark Time01:52:19.601 = Episode 05: Jedi That Was, Jedi To Be02:19:58.041 = Episode 06: The Millennium Falcon Deal02:46:11.104 = Episode 07: The Han Solo Solution03:11:18.777 = Episode 08: Death Star's Transit03:39:30.428 = Episode 09: Rogues, Rebels and Robots04:07:04.628 = Episode 10: The Luke Skywalker Initiative04:31:53.682 = Episode 11: The Jedi Nexus04:58:33.511 = Episode 12: The Case For Rebellion05:26:28.922 = Episode 13: Force And Counter Force05:54:27.266 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRRSW01

In 1983, the team behind NPR's record-breaking Star Wars returned for the darker, colder middle chapter — The Empire Strikes Back, told across ten episodes. Mark Hamill and Anthony Daniels were back as Luke and C-3PO, Billy Dee Williams reprised Lando Calrissian from the film, and a young John Lithgow voiced Yoda, all set to the original sound effects and John Williams' score. From the frozen wastes of Hoth to the clouds of Bespin, it's the Star Wars sequel as you've never heard it. | #RRStarWarsLook for this podcast on Apple Podcasts, Spotify, iHeart Radio, Amazon Music, Pandora, TuneIn Radio, and other podcast apps. Get a list of free listening apps here: https://weirddarkness.tiny.us/OTRCHAPTERS & TIME STAMPS (All Times Approximate)…00:00:00.000 = Show Open00:02:18.293 = Episode 01: Freedom's Winter00:27:42.852 = Episode 02: The Coming Storm00:53:25.863 = Episode 03: A Question of Survival01:17:59.498 = Episode 04: Fire And Ice01:44:01.903 = Episode 05: The Millennium Falcon Pursuit02:09:29.038 = Episode 06: Way of the Jedi02:36:34.560 = Episode 07: New Allies, New Enemies03:03:42.954 = Episode 08: Dark Lord's Fury03:28:52.899 = Episode 09: Gambler's Choice03:52:56.581 = Episode 10: The Clash of Lightsabers04:20:16.969 = Show Close(ADU) = Air Date Unknown(LQ) = Low Quality***WD = Remastered, edited, or cleaned up by Weird Darkness to make the episode more listenable. Audio may not be pristine, but it will be better than the original file which may have been unusable or more difficult to hear without editing.CUSTOM WEBPAGE: https://weirddarkness.com/WDRRSW02

In this episode, Chris, Luke and Tim discuss the history of Star Wars of June 13th. The post Star Wars In Calendar – June 13th first appeared on NEOZAZ.

Ep. 502: Penúltimo programa de la temporada y, como era de esperar, todo se desmadra desde el minuto cero. Como en todos los ‘Nadie Sabe Nada', vaya. Berto Romero intenta imitar a Andreu Buenafuente (mal, pero con ilusión), hablan de cambios de look traumáticos y acaban metidos en una delirante charla sobre sexo matrimonial, musicales innecesarios y "jabalises” de sobremesa. Además, entre juegos con el público, teorías absurdas sobre ‘Star Wars' (un tema siempre socorrido) y la aparición de expertos que no ayudan nada (lo típico), el episodio avanza con aroma a verano, vacaciones, pausa, descanso... Pero bueno, eso ya será en el próximo. Aún tenemos tiempo para reír... y comer.

Connecticut senator Chris Murphy joins to discuss multiculturalism, the withdrawal of Joe Biden's presidential candidacy, and his new book, ‘Crisis of the Common Good.' (0:00) Intro (1:36) Responding to the symptom of Trump (5:07) Common good capitalism (7:21) The country's most harmful cults (10:07) Building cultural connections (21:38) Getting personal (24:20) The male loneliness epidemic (27:14) Governing in 2026 (31:51) A ‘Star Wars' analogy (37:59) The Divine Nine (39:30) Too much focus on the executive branch? (43:28) The Democratic plan for Black women and men Hosts: Van Lathan and Rachel Lindsay Guest: Senator Chris Murphy Producer: Donnie Beacham Jr. Social Producers: Bernard Moore and Jon Roemer Video Supervision: Chris Thomas and Jacob Cornett Learn more about your ad choices. Visit podcastchoices.com/adchoices