Podcast appearances and mentions of Bob Dylan

Liz and Sarah are making it happen! They've been doing a deep dive into micro-dramas for several months, and now they're at the beginning stages of Executive Producing their first one. They talk about how they've gone about educating themselves in this new (to them) form of entertainment and ask listeners when they've made something happen. Then, in Take A Hike, they discuss the value of having a repertoire of everything from meals to small talk topics. They also share a recent Day In The Life — from dealing with a water outage to writing at the cafe at Godmothers to breaking a new pilot at Bob Dylan concert at the Santa Barbara Bowl. This week's Hollywood Hack is great for anyone who loves audio — the AirPods Pouch from Bandolier. Finally Sarah recommends Beyond Paradise on BritBox. Get in touch on Instagram: ⁠@Sfain⁠ & ⁠@LizCraft⁠ Get in touch on Threads: ⁠@Sfain⁠ & ⁠@LizCraft⁠ Visit our website: ⁠https://happierinhollywood.com⁠ Sign up for Liz & Sarah's free weekly Substack newsletter at ⁠https://happierinhollywoodpod.substack.com⁠ and Sarah's Chickening Out Substack at ⁠https://happierinhollywood.substack.com⁠. They'll come right to your inbox! Join our Facebook group: ⁠https://www.facebook.com/HappierinHollywood/⁠ Happier in Hollywood is part of ‘The Onward Project,' a family of podcasts brought together by Gretchen Rubin—all about how to make your life better. Check out the other Onward Project podcasts—⁠Happier with Gretchen Rubin⁠, and⁠Side Hustle School⁠ . If you liked this episode, 'S please subscribe, leave a review, and tell your friends! LINKS: Godmothers: https://godmothers.com/ Santa Barbara Bowl: https://sbbowl.com/ Airpods Pouch from Bandolier: https://www.bandolierstyle.com/collections/airpod-series Beyond Paradise trailer: https://www.youtube.com/watch?v=NgrI_iPsS2o Learn more about your ad choices. Visit megaphone.fm/adchoices

A new week means new questions! Hope you have fun with these!Which form of electromagnetic radiation has wavelengths of 100–400 nanometers?Following Brazil, what is the second largest Portuguese speaking country in the world?What name is given to male rhinoceroses?Founded by a french fashion designer, which company is world renown for its Number 5 perfume fragrance?Which song, written by Jimmy Webb, is considered one of the greatest songs ever written by Bob Dylan and Billy Joel and the first existential country song?In golf, an albatross is how many strokes under or over par?Sir Fred Hoyle is known for coining what two word phrase for a theory whose premise he rejected?Which Tony winning musical includes the songs "All-American Prophet", "I Believe" and "Orlando"?Al Qahirah is the Arabic name for which capital city?Within plus/minus 20, how many official species of Pokémon are there as of January 1st, 2026?In 1001 nights who is the protaganist who has to tell stories each night?This week, Andy Burnham became Prime Minister of what?The Empire State Building is an example of what style of architecture?What modern day country was formed after the marriage of Queen Isabella of Castile and King Ferdinand of Aragon and the merging of their Kingdoms?The builder of a mythical ship shares their name with what faithful dog of Odysseus who waited 20 years for his master to come home?MusicHot Swing, Fast Talkin, Bass Walker, Dances and Dames, Ambush by Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0/Don't forget to follow us on social media:Patreon – patreon.com/quizbang – Please consider supporting us on Patreon. Check out our fun extras for patrons and help us keep this podcast going. We appreciate any level of support!Website – quizbangpod.com Check out our website, it will have all the links for social media that you need and while you're there, why not go to the contact us page and submit a question!Facebook – @quizbangpodcast – we post episode links and silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Instagram – Quiz Quiz Bang Bang (quizquizbangbang), we post silly lego pictures to go with our trivia questions. Enjoy the silly picture and give your best guess, we will respond to your answer the next day to give everyone a chance to guess.Twitter – @quizbangpod We want to start a fun community for our fellow trivia lovers. If you hear/think of a fun or challenging trivia question, post it to our twitter feed and we will repost it so everyone can take a stab it. Come for the trivia – stay for the trivia.Ko-Fi – ko-fi.com/quizbangpod – Keep that sweet caffeine running through our body with a Ko-Fi, power us through a late night of fact checking and editing!

Comedians Sara Weinshenk and Maddi Mays are back together for one of the funniest SHENK episodes yet. From embarrassing high school singing telegrams and disastrous Raya dates to Love Island drama, relationship "icks," bad exes, dirty bathrooms, Comic-Con obsessions, and the absolute chaos of modern dating, nothing is off limits. The conversation also dives into bisexual dating, dating apps, religion in relationships, comedy, dating horror stories, and the tiny things that instantly ruin attraction. If you've ever had the ick, survived a terrible first date, or wondered why dating keeps getting weirder, this episode is for you. Subscribe for new episodes of SHENK every week featuring comedians, comics, and hilarious conversations from inside the Los Angeles comedy scene. Follow Maddi Mays: https://www.instagram.com/maddimays #SHENK #SaraWeinshenk #MaddiMays #ComedyPodcast #Dating #StandUpComedy

Send us Fan MailIndepedent artist: Amira - Moment.Links: https://rebrand.ly/c3csoeiSocialsHosts: Peter Cabral: www.instagram.com/brisbane_north_photography/Nick Cabral: www.instagram.com/nickcabral37/Producer: Darryn Arndt: www.instagram.com/darrynarndt/Theme song: Braden Mutch: www.instagram.com/braden_mutch/Instagram:  www.instagram.com/justhitplaypodcast/Facebook: www.facebook.com/JusthitplaypodcastEmail: justhitplay7300@gmail.comwww.youtube.com/@justhitplaypodcastwww.instagram.com/justhitplaypodcast/www.instagram.com/justhitplaypodcast/

When Bob Dylan began his career, murder ballads were having a bit of a moment. In this episode, we'll look into the influence these songs had on the young artist, and how they inspired a particular subset of his own early songs.You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.Get your Definitely Dylan baseball cap here.

Na Celjskem gradu se je začela zamenjava dotrajane kritine na mostovžu do Friderikovega stolpa in na Pelikanovem stolpu, po nekaj letih pa bo v Ljubljani spet nastopil Bob Dylan.

Heute vor genau 61 Jahren kam Bob Dylans legendärer Song "Like a Rolling Stone" heraus. Wir haben mit Musikjournalist Lennart Brauwers darüber gesprochen, was das Besondere an dem Stück ist.

In 1979, Bob Dylan released a song by this title which (through its lyrics) describes this human reality: You (and I) were created to serve and worship and "it can be the devil or it can be the Lord, but you've got to serve somebody." In this passage, we will see how Satan attempted to get Jesus to serve (and worship) him, by getting Jesus to serve himself. Selfishness is Satanism. We look at how the devil tricks us into breaking God's first command. Then we will respond by intentionally focusing our worship away from ourselves and instead upon the Father, through the Son, by the Holy Spirit.

L'Invitée culture est la romancière sénégalaise Sokhna Ndao. Son quatrième roman Catharsis est paru aux éditions Obangame. À travers le destin d'une couturière de génie, Sokhna Ndao revient sur les violences subies par les femmes dans un pays foncièrement patriarcal. RFI : Vous signez, aux éditions Obangame, un quatrième roman dans lequel vous poursuivez votre exploration des maux et des combats de la société moderne sénégalaise. Catharsis raconte la vie d'une épouse qui va se retrouver confrontée à la violence de sa belle-famille. Les violences faites aux femmes sont une problématique qui vous tient à cœur. Est-ce que vous diriez que votre héroïne, Tabara, est représentative de la condition féminine au Sénégal ?  Sokhna Ndao : Elle est représentative de la condition féminine au Sénégal parce que ce roman a été écrit durant la pandémie de Covid-19, et je me suis rendu compte que six ans plus tard, la situation n'avait pas changé. On a de plus en plus des femmes qui sont victimes de violences au quotidien. Violences psychologiques et physiques. Et ça me tenait à cœur de leur donner un espace pour s'exprimer.  Les violences faites aux femmes dans les familles, c'est quelque chose de très commun donc, mais dont on parle peu.  On en parle de plus en plus. C'est le retentissement qui n'a pas la force que j'aimerais qu'il ait. Mais si vous allez sur les réseaux sociaux, il y a énormément de mots-dièse qui se sont multipliés pour dénoncer le code de la famille, qui n'a pas été révisé. On parle encore de « puissance paternelle » au Sénégal. Votre mari peut vous battre et vous n'avez pas le droit de rentrer chez vous parce que vos parents vous disent que « c'est un déshonneur, que vous devez rester dans votre couple, dans votre mariage ». Et ces femmes enfermées meurent de plus en plus.  On s'aperçoit effectivement que votre héroïne, Tabara, est dépossédée de tout par son époux ; de sa liberté d'abord, de sa marge de manœuvre, de son identité même, et de son enfant. Et elle n'a aucun recours... C'est-à-dire que personne ne l'écoute parce qu'elle méconnaît la loi. Ce roman, il a mis du temps à sortir parce que je devais d'abord me renseigner au niveau de la loi, la loi islamique et le code de la famille au Sénégal. En fait, Tabara ne sait absolument pas qu'elle a des droits. Son mari l'enferme dans ce tunnel de doutes, ce qui lui permet de l'exploiter davantage. Et si elle avait été au courant que son mari n'a pas le droit de faire tout cela, elle se serait révoltée plus tôt. Donc dans le texte, je glisse quelques petits indices par-ci par-là pour dire « renseignez-vous ». Parce que vous êtes peut-être dans des situations qui ne sont absolument pas tolérables, ni aux yeux des hommes, ni aux yeux de Dieu.  Tabara est quand même une situation particulière parce qu'elle n'a pas une grande famille. Son père a disparu après sa naissance et sa mère est assez défaillante. Cela renforce l'emprise que la belle-famille exerce sur elle. Est-ce qu'une femme ayant une famille normale au Sénégal peut davantage compter sur une forme de protection ?  Oui et non, dans le sens où effectivement, si on prend l'exemple de la famille de Tabara, il y a une problématique, un traumatisme d'abandon dès le départ. Sa mère ne la défend pas. Elle est même absolument complice de ses bourreaux. Et ça, c'est une réalité, une mère qui projette sur son enfant ses propres traumatismes. D'ailleurs, elle le dit dans le roman à un moment donné. « Peut-être que si j'avais eu un fils, ton père serait resté avec moi », ce qui est extrêmement violent. Donc, quand Tabara part dans la belle-famille, sa mère se débarrasse d'elle – c'est le deuxième choc d'abandon – et sa belle-mère trouve en Tabara une victime parfaite. Cette femme, issue elle-même d'un milieu polygame qui a traversé énormément de traumatismes grâce à la situation financière de ses enfants, peut imposer une dictature dans cette maisonnée. Et imposer des violences psychologiques envers ces belles-filles qu'elle maltraite aux yeux de tous. Et personne ne dit rien. Personne ne fait rien.  Comment vous l'expliquez, cette apathie ?  Souvent, quand vous êtes harcelée, quand vous êtes victime d'une perversion narcissique, il y a tout un écosystème qui se fait complice. Puisqu'elle est là, elle est devenue riche, elle impose sa loi et les autres se disent : « Ah, si je prends parti, si je défends, elle va devenir violente envers moi, donc je vais devenir complice pour ne pas aussi subir les foudres de l'harceleur. »  Il y a aussi une question que vous abordez, c'est justement la transmission de l'éducation. Vous écrivez à un moment une très jolie phrase : « Mes rêves n'étaient que des inepties implantées depuis l'enfance, formatées pour me faire écraser par le monde ». C'est ce que pense Tabara dans ce roman. L'éducation est très importante, on n'apprend pas aux jeunes filles à résister, on leur apprend à se soumettre... Il y a une asymétrie. En fait, les hommes ont le droit d'être respectés, d'être obéis, de n'être jamais contredits. Et la femme, c'est « l'agneau sacrificiel », en fait. Elle doit avoir des valeurs confucéennes, faire preuve de probité, faire preuve d'humilité. En fait, on n'apprend pas aux hommes à aimer. La femme se retrouve muselée. Et si je reviens sur la mère de Tabara, elle ne l'a jamais défendue. Elle lui demande d'être humble, soumise, patiente. Pour Tabara et pour ces femmes, oui, les hommes ont plus de droits au Sénégal. Et actuellement, les femmes perdent du terrain. En tant que femme, chaque année, je rentre et je vois que la génération de ma mère a eu plus de droits que moi, et d'une certaine manière, cela m'exaspère. Dans Catharsis, vous abordez d'autres problèmes sociaux. Vous déconstruisez un certain nombre de mythes, comme celui de la justice, celui de l'expatriation, puisque Farah, l'époux de Tabara, se retrouve en France dans une situation difficile. À chaque fois, on a le sentiment que le rapport de force sociale dans ce roman est très cruel. Le monde est impitoyable...  C'est un monde impitoyable et j'aime beaucoup explorer les dynamiques, les déséquilibres qui « créent des distorsions ». Sinon, ce serait plat, ennuyeux. C'est parce qu'il y a des rapports de force, des problématiques d'argent, de liberté, que forcément, on en vient à certains comportements. Je ne suis pas en train de dire que Farah est victime, mais pour produire un monstre, il me fallait un schéma, un chaînon. On ne naît pas monstre, on le devient. La belle-mère de Tabara, pour moi, c'est ce que la société sénégalaise fabrique de pire comme monstre. Ces monstres du quotidien qui normalisent les violences psychologiques. Je voulais un peu apporter un regard différent par rapport au lecteur.  Tabara va quand même connaître un destin incroyable puisqu'elle va réussir finalement à s'émanciper. Comment y parvient-elle ? Sans divulguer pour autant la fin du roman.  Le talent. C'est son talent. Dépossédée de tout, elle se dit : « Je vais travailler, je vais devenir indépendante financièrement. » Dès le début du roman, sa mère lui dit : « Tu n'es même pas – excusez-moi le terme – foutue d'être avocate, ou médecin, tu es qu'une saltimbanque, je n'ai pas élevé une saltimbanque. » Et ce sont sa créativité, son imagination, son talent qui vont lui ouvrir les portes. Et au Sénégal, vous avez énormément de femmes couturières, artistes, chanteuses qui s'émancipent grâce à leur talent.  C'est une littérature sociale et engagée qui « porte le couteau dans la plaie », pour reprendre les mots d'un journaliste célèbre, mais c'est aussi un roman habité par une écriture très particulière et très belle. Je veux vous citer vous. À un moment, Tabara dit à son amant : « Tôt ou tard, toi aussi tu vas graver tes initiales dans l'une de mes cicatrices. » Le style est quelque chose que vous avez beaucoup travaillé ?   J'aime beaucoup la poésie. Petite, mes premiers chocs esthétiques ont été poétiques. C'était Baudelaire. Je m'en rappelle encore. Le mort joyeux m'a interloquée. Et les mots ont pour moi un poids pour parler des maux. « Un roi cruel m'a rendu cynique », dit encore Tabara. Rassurez-nous ; finalement, elle n'est pas si cynique que ça, votre héroïne ?  Son cœur continue de battre, même si pour faire cette catharsis, elle y croit encore. Même si, jusqu'à la fin, elle se pose la question du « est-ce que j'y vais, est-ce que je n'y vais pas ? » Mais pour elle, elle pensait que l'amour arrive trop tard. C'est un roman, mais il y a de la musique dedans. Tous les chapitres commencent par une citation, souvent en anglais, d'un chanteur de pop ou de rock. On a du David Bowie, on a du Coldplay, on a du Phil Collins, on en a plein d'autres comme ça. Pour quelles raisons ? C'est mon père qui m'a fait découvrir les Beatles, donc pour moi, la musique n'a pas de frontières. Je sais que ça peut choquer, mais si je cite Ismaël Lo, il dit s'être inspiré d'Ottis Redding, de Jimi Hendrix. Youssou N'Dour a chanté du Bob Dylan, donc la présence de la musique dans ce livre est un choix personnel. C'est un peu aussi pour rendre hommage à cet héritage culturel que j'ai reçu. C'est comme la bande son du roman en fait. C'est d'ailleurs ce que j'écoutais quand je l'écrivais.

L'Invitée culture est la romancière sénégalaise Sokhna Ndao. Son quatrième roman Catharsis est paru aux éditions Obangame. À travers le destin d'une couturière de génie, Sokhna Ndao revient sur les violences subies par les femmes dans un pays foncièrement patriarcal. RFI : Vous signez, aux éditions Obangame, un quatrième roman dans lequel vous poursuivez votre exploration des maux et des combats de la société moderne sénégalaise. Catharsis raconte la vie d'une épouse qui va se retrouver confrontée à la violence de sa belle-famille. Les violences faites aux femmes sont une problématique qui vous tient à cœur. Est-ce que vous diriez que votre héroïne, Tabara, est représentative de la condition féminine au Sénégal ?  Sokhna Ndao : Elle est représentative de la condition féminine au Sénégal parce que ce roman a été écrit durant la pandémie de Covid-19, et je me suis rendu compte que six ans plus tard, la situation n'avait pas changé. On a de plus en plus des femmes qui sont victimes de violences au quotidien. Violences psychologiques et physiques. Et ça me tenait à cœur de leur donner un espace pour s'exprimer.  Les violences faites aux femmes dans les familles, c'est quelque chose de très commun donc, mais dont on parle peu.  On en parle de plus en plus. C'est le retentissement qui n'a pas la force que j'aimerais qu'il ait. Mais si vous allez sur les réseaux sociaux, il y a énormément de mots-dièse qui se sont multipliés pour dénoncer le code de la famille, qui n'a pas été révisé. On parle encore de « puissance paternelle » au Sénégal. Votre mari peut vous battre et vous n'avez pas le droit de rentrer chez vous parce que vos parents vous disent que « c'est un déshonneur, que vous devez rester dans votre couple, dans votre mariage ». Et ces femmes enfermées meurent de plus en plus.  On s'aperçoit effectivement que votre héroïne, Tabara, est dépossédée de tout par son époux ; de sa liberté d'abord, de sa marge de manœuvre, de son identité même, et de son enfant. Et elle n'a aucun recours... C'est-à-dire que personne ne l'écoute parce qu'elle méconnaît la loi. Ce roman, il a mis du temps à sortir parce que je devais d'abord me renseigner au niveau de la loi, la loi islamique et le code de la famille au Sénégal. En fait, Tabara ne sait absolument pas qu'elle a des droits. Son mari l'enferme dans ce tunnel de doutes, ce qui lui permet de l'exploiter davantage. Et si elle avait été au courant que son mari n'a pas le droit de faire tout cela, elle se serait révoltée plus tôt. Donc dans le texte, je glisse quelques petits indices par-ci par-là pour dire « renseignez-vous ». Parce que vous êtes peut-être dans des situations qui ne sont absolument pas tolérables, ni aux yeux des hommes, ni aux yeux de Dieu.  Tabara est quand même une situation particulière parce qu'elle n'a pas une grande famille. Son père a disparu après sa naissance et sa mère est assez défaillante. Cela renforce l'emprise que la belle-famille exerce sur elle. Est-ce qu'une femme ayant une famille normale au Sénégal peut davantage compter sur une forme de protection ?  Oui et non, dans le sens où effectivement, si on prend l'exemple de la famille de Tabara, il y a une problématique, un traumatisme d'abandon dès le départ. Sa mère ne la défend pas. Elle est même absolument complice de ses bourreaux. Et ça, c'est une réalité, une mère qui projette sur son enfant ses propres traumatismes. D'ailleurs, elle le dit dans le roman à un moment donné. « Peut-être que si j'avais eu un fils, ton père serait resté avec moi », ce qui est extrêmement violent. Donc, quand Tabara part dans la belle-famille, sa mère se débarrasse d'elle – c'est le deuxième choc d'abandon – et sa belle-mère trouve en Tabara une victime parfaite. Cette femme, issue elle-même d'un milieu polygame qui a traversé énormément de traumatismes grâce à la situation financière de ses enfants, peut imposer une dictature dans cette maisonnée. Et imposer des violences psychologiques envers ces belles-filles qu'elle maltraite aux yeux de tous. Et personne ne dit rien. Personne ne fait rien.  Comment vous l'expliquez, cette apathie ?  Souvent, quand vous êtes harcelée, quand vous êtes victime d'une perversion narcissique, il y a tout un écosystème qui se fait complice. Puisqu'elle est là, elle est devenue riche, elle impose sa loi et les autres se disent : « Ah, si je prends parti, si je défends, elle va devenir violente envers moi, donc je vais devenir complice pour ne pas aussi subir les foudres de l'harceleur. »  Il y a aussi une question que vous abordez, c'est justement la transmission de l'éducation. Vous écrivez à un moment une très jolie phrase : « Mes rêves n'étaient que des inepties implantées depuis l'enfance, formatées pour me faire écraser par le monde ». C'est ce que pense Tabara dans ce roman. L'éducation est très importante, on n'apprend pas aux jeunes filles à résister, on leur apprend à se soumettre... Il y a une asymétrie. En fait, les hommes ont le droit d'être respectés, d'être obéis, de n'être jamais contredits. Et la femme, c'est « l'agneau sacrificiel », en fait. Elle doit avoir des valeurs confucéennes, faire preuve de probité, faire preuve d'humilité. En fait, on n'apprend pas aux hommes à aimer. La femme se retrouve muselée. Et si je reviens sur la mère de Tabara, elle ne l'a jamais défendue. Elle lui demande d'être humble, soumise, patiente. Pour Tabara et pour ces femmes, oui, les hommes ont plus de droits au Sénégal. Et actuellement, les femmes perdent du terrain. En tant que femme, chaque année, je rentre et je vois que la génération de ma mère a eu plus de droits que moi, et d'une certaine manière, cela m'exaspère. Dans Catharsis, vous abordez d'autres problèmes sociaux. Vous déconstruisez un certain nombre de mythes, comme celui de la justice, celui de l'expatriation, puisque Farah, l'époux de Tabara, se retrouve en France dans une situation difficile. À chaque fois, on a le sentiment que le rapport de force sociale dans ce roman est très cruel. Le monde est impitoyable...  C'est un monde impitoyable et j'aime beaucoup explorer les dynamiques, les déséquilibres qui « créent des distorsions ». Sinon, ce serait plat, ennuyeux. C'est parce qu'il y a des rapports de force, des problématiques d'argent, de liberté, que forcément, on en vient à certains comportements. Je ne suis pas en train de dire que Farah est victime, mais pour produire un monstre, il me fallait un schéma, un chaînon. On ne naît pas monstre, on le devient. La belle-mère de Tabara, pour moi, c'est ce que la société sénégalaise fabrique de pire comme monstre. Ces monstres du quotidien qui normalisent les violences psychologiques. Je voulais un peu apporter un regard différent par rapport au lecteur.  Tabara va quand même connaître un destin incroyable puisqu'elle va réussir finalement à s'émanciper. Comment y parvient-elle ? Sans divulguer pour autant la fin du roman.  Le talent. C'est son talent. Dépossédée de tout, elle se dit : « Je vais travailler, je vais devenir indépendante financièrement. » Dès le début du roman, sa mère lui dit : « Tu n'es même pas – excusez-moi le terme – foutue d'être avocate, ou médecin, tu es qu'une saltimbanque, je n'ai pas élevé une saltimbanque. » Et ce sont sa créativité, son imagination, son talent qui vont lui ouvrir les portes. Et au Sénégal, vous avez énormément de femmes couturières, artistes, chanteuses qui s'émancipent grâce à leur talent.  C'est une littérature sociale et engagée qui « porte le couteau dans la plaie », pour reprendre les mots d'un journaliste célèbre, mais c'est aussi un roman habité par une écriture très particulière et très belle. Je veux vous citer vous. À un moment, Tabara dit à son amant : « Tôt ou tard, toi aussi tu vas graver tes initiales dans l'une de mes cicatrices. » Le style est quelque chose que vous avez beaucoup travaillé ?   J'aime beaucoup la poésie. Petite, mes premiers chocs esthétiques ont été poétiques. C'était Baudelaire. Je m'en rappelle encore. Le mort joyeux m'a interloquée. Et les mots ont pour moi un poids pour parler des maux. « Un roi cruel m'a rendu cynique », dit encore Tabara. Rassurez-nous ; finalement, elle n'est pas si cynique que ça, votre héroïne ?  Son cœur continue de battre, même si pour faire cette catharsis, elle y croit encore. Même si, jusqu'à la fin, elle se pose la question du « est-ce que j'y vais, est-ce que je n'y vais pas ? » Mais pour elle, elle pensait que l'amour arrive trop tard. C'est un roman, mais il y a de la musique dedans. Tous les chapitres commencent par une citation, souvent en anglais, d'un chanteur de pop ou de rock. On a du David Bowie, on a du Coldplay, on a du Phil Collins, on en a plein d'autres comme ça. Pour quelles raisons ? C'est mon père qui m'a fait découvrir les Beatles, donc pour moi, la musique n'a pas de frontières. Je sais que ça peut choquer, mais si je cite Ismaël Lo, il dit s'être inspiré d'Ottis Redding, de Jimi Hendrix. Youssou N'Dour a chanté du Bob Dylan, donc la présence de la musique dans ce livre est un choix personnel. C'est un peu aussi pour rendre hommage à cet héritage culturel que j'ai reçu. C'est comme la bande son du roman en fait. C'est d'ailleurs ce que j'écoutais quand je l'écrivais.

En este nuevo capítulo de La Galería Nocturna, retomamos nuestras pláticas con el talento nacional para conversar con Miguel (vocalista) e Iván (baterista) de The Brain Rage. Originaria de Puebla, esta agrupación está redefiniendo el metal en México gracias a su potente mezcla de groove, progresivo, velocidad y la integración de elementos electrónicos. A lo largo de esta charla profunda, exploramos la evolución de la banda y los retos de hacer metal de calidad y de exportación. Durante la entrevista descubrimos el concepto detrás de su música, el cual inició abordando temas de protesta social, política y religiosa en su primer álbum llamado Control. Posteriormente, la banda decidió explorar de lleno los trastornos psicológicos en su segundo álbum de 2024, Mental, tocando temas como la piromanía en el sencillo "Ignite" y las adicciones en "Break it". De manera ingeniosa, al juntar el título de ambos trabajos, se revela el hilo conductor de la agrupación: "Control Mental". Al profundizar en sus influencias, Iván detalla cómo la genialidad de bateristas como Mike Portnoy y Bill Bruford inspiró composiciones épicas como "Deep Rest" y la incursión de texturas y baterías electrónicas. Por su parte, Miguel construye su estilo vocal y lírico basándose en leyendas tan variadas como Pink Floyd, Bob Dylan, Zack de la Rocha, Phil Anselmo y Joe Duplantier. Además, nos relatan la increíble experiencia de trabajar con el virtuoso tecladista Derek Sherinian (ex-Dream Theater, Planet X), quien tras escuchar un demo, grabó todas las líneas de teclado de "Ignite" en cuestión de horas, abriéndoles la puerta a un sonido mucho más orquestal y dándoles una enorme exposición internacional. La conversación también aborda la cruda realidad de la escena metalera. La banda reflexiona sobre el doloroso fenómeno de ser más reconocidos y lograr recintos llenos en países como Costa Rica y Colombia que en su propio país, destacando al mismo tiempo la valiosa labor de promotores y colectivos como Mexapedia por apostar genuinamente por los circuitos nacionales ante la falta de espacios. A manera de consejo para las nuevas generaciones, Miguel e Iván comparten su filosofía de éxito: ver a la banda como una empresa, ser constantes, jamás faltar a los ensayos, cuidar minuciosamente la calidad del sonido en vivo y realizar grabaciones lo más profesionales posibles sin importar los recursos. Para finalizar, The Brain Rage nos adelanta que ya se encuentran trabajando en la composición de su tercer disco, el cual mantendrá un enfoque conceptual, y nos invitan a sus próximas presentaciones en el Brutal Fest de la Ciudad de México y en las ediciones del Mexafest en Jalisco, Puebla y Tuxtla. Como ya es costumbre, cerramos el episodio repasando nuestra inmensa agenda metalera con todos los conciertos y festivales que llegarán al país en los próximos meses. GothProds Links Spotify -https://open.spotify.com/show/2hnlgkcGNl9GOAPa0WT9HW?si=7e9b95f203464fe6 Apple Podcast — https://podcasts.apple.com/mx/podcast/goth-prods/id1606324255?l=en Amazon Music — https://music.amazon.com.mx/podcasts/d10f63b6-f4f3-4a91-b21d-d98c2b08ca01/goth-prods?ref=dm_sh_xBGgYoDaqnREmWm0IoJu5r4kd Facebook — https://www.facebook.com/Goth-Prods-104237088306624/ Instagram — https://www.instagram.com/goth_prods/ TikTok - https://www.tiktok.com/@goth_prods

Das gibt es nur bei "Pop nach 8": Musikalische Verbrechen, die also solche benannt werden! Marty und Andy, die beiden von "Pop nach 8", sprechen über Rockgrößen und ihr Versagen. Bob Dylan, U2, Lou Reed, Blood, Sweat & Tears und noch einige mehr bekommen ihr Fett weg. Aber es gibt auch Positives: Andy gewährt einen seltenen Einblick ins eigene Schaffen. "Pop nach 8", der Pop-Podcast aus Berlin. Überall dort, wo es Podcasts gibt. Und direkt bei popnach8.berlinKONTAKT: mail@popnach8.berlinWEBSITE: https://popnach8.berlin

THIS BOOK IS A COLLECTION OF INTERVIEWS with people who have made records with some of the biggest names in music. Along the way, they might be engineering the recordings, picking the songs, guiding the singers, picking the best takes of songs, balancing egos, fixing the lyrics, booking the studio time, buying lunch, playing instruments, pushing artists further, writing or cowriting the songs, selecting the musicians to use, overseeing the mixes, and many other tasks. Making records is always a combination of many skills and goals, and the producer needs to have what it takes to make the session productive and the music compelling.In this book, interviewees include people who have worked with the Beatles, the Rolling Stones, Public Enemy, Taylor Swift, Bob Dylan, P!nk, U2, Emmylou Harris, Willie Nelson, Wu-Tang Clan, David Bowie, T.Rex, Johnny Cash, Aretha Franklin, Amy Winehouse, Paul McCartney, Dolly Parton, Duran Duran, the Replacements, Christina Aguilera, Alicia Keys, Kendrick Lamar, Tom Petty, and Sabrina Carpenter, plus more. And that's just the beginning of the credits these producers―Brian Eno, Finneas, Glyn Johns, Hank Shocklee, Jack Antonoff, Joe Boyd, Jon Brion, Lee "Scratch" Perry, Linda Perry, Mark Ronson, RZA, Sasami, Steve Lillywhite, Susan Rogers, T Bone Burnett, and many others―collectively hold.All of these interviews come from the pages of Tape Op magazine, founded in 1996 by editor Larry Crane. Over the last thirty years, along with publisher John Baccigaluppi, Tape Op has become the world's deepest archive of conversations about the art and science of recording music, and is still an active, print-based magazine with the highest circulation of any recording magazine in the world.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

There are few things more reliable in popular culture than a World Cup penalty shootout inspiring arguments about fairness, a Rolling Stones album being handled carefully, or Bob Dylan inspiring precisely no usable information from anyone who has worked with him. Episode 32 of On The Record with Brian Wise and Michael Mackenzie covers all three, plus a handy mid-year listening list, a salute to two much-loved cultural figures, and Daniel Lanois production lore. Show Notes Emma Donovan - Grandma's Hands (Official Visualiser)  Ruby Jones - Souvenir  Leah Senior - Mothersong  Vika & Linda - Bliss (Official Video)  Australian Music Vault Vika & Linda | Long Play Series  Sharper | Official Trailer HD | A24  Futurebirds - Sleepless in the Cage  The Rolling Stones - Rough And Twisted (Official Audio)  The Rolling Stones - Jealous Lover  Hunt for the Wilderpeople Official Trailer 1 (2016) - Sam Neill, Rhys Darby  Bryan Brown & Sam Neill open up about acting, friendship and growing old | 7NEWS Spotlight  Playwright Barry Dickins shares the importance of family in overcoming his struggles (R U OK?)  Daniel Lanois - Warp Sustain (Official Video) 

Weniger Schulden, ein tieferer Steuerfuss und kein einziges Sparpaket - so bilanziert der Zürcher Finanzdirektor seine Amtszeit auf einem Sommerspaziergang. Besonders erwähnenswert sei, dass die ganze Wirtschaft im Kanton in dieser Zeit mehr gewachsen ist, als die Ausgaben des Kantons. Weitere Themen: · In immer mehr Gemeinden darf nicht mehr grilliert oder Feuerwerk abgebrannt werden. Nun auch in Winterthur und Uster. · Bob Dylan kommt nach Zürich. Der 85-jährige weltberühmte Musiker tritt am 1. November im Hallenstadion auf. · In der Sommerserie aller Regionaljournale zu Netzwerken geht es heute um Fussball. Vor über 30 Jahren haben Migranten aus dem Kosovo in Zürich den FC Kosova gegründet. Heute gibt es den Club immer noch und die erste Mannschaft spielt in der ersten Liga. Der FC Kosova ist ein wichtiges Netzwerk und neben dem Fussball ein Ort der Begegnung.

Set the controls for the heart of 1985 and the Dead's 20th anniversary shows at the Greek Theatre in Berkeley, with a look at the band's very busy year, plus Dead Head adventures aplenty.Guests: Dennis McNally, Len Dell'Amico, Rosie McGee, John Leopold, Dave Leopold, Johnny Dwork, David Lemieux, Nicholas Meriwether, Dave PerlisSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Host Jesse Jackson welcomes new guest Dr. Rob Yonover, a Hawaii-based scientist, inventor of military survival gear, and lifelong music fan. Rob recalls seeing Bruce Springsteen in Miami in 1975 and shares his connections to Perry Farrell, along with a deep love for Bob Dylan and a desert-island album pick list (Dylan's "Highway 61 Revisited," Jane's Addiction's "Nothing's Shocking," and Sublime's "40 Ounces to Freedom"). Jesse shares his own three albums and how seeing Springsteen live in 2002 sparked an obsession that led to 20+ shows. They discuss album-focused listening, the downsides of phones and streaming culture, favorite concert stories, Rob's Shark Tank experience with his StreamR invention, and the podcast's “Mary question.,” http://seerescuestreamer.com/ 01:28 Meet Rob 02:13 First Springsteen Show 04:31 Desert Island Albums 07:24 Jesse Picks Three 09:50 Tracks 2 Overload 12:29 Growing Up in Miami 14:46 Album Listening Debate 17:44 Discovering Dylan 20:26 Jesse Springsteen Origin 23:57 Phones at Concerts 27:54 Wild Concert Stories 33:36 No Electricity Grandpa 34:14 Radio and Music Discovery 38:30 Becoming a Scientist 41:35 Volcanoes to Scholarships 43:20 StreamR Survival Invention 46:37 Shark Tank Showdown 52:08 Phones Apps and AI Rant 53:46 Thunder Road Mary Debate 57:28 Dylan Springsteen Legacy 01:01:09 Where to Find Rob 01:01:55 Final Bruce and Signoff Learn more about your ad choices. Visit megaphone.fm/adchoices

Jason and the Scorchers (née Jason and the Nashville Scorchers) were cowpunk trailblazers before anyone was talking about alt-country or Americana. Frontman/songwriter Jason Ringenberg and his bandmates, including fiery guitarist Warner Hodges, infused country music with punk energy to thrilling effect. After EMI America signed the band and added its high-octane cover of Bob Dylan's “Absolutely Sweet Marie” to its 1983 EP, Fervor, hopes were high. The first album, Lost & Found, generated rave reviews, yet when it came time to make the follow-up, the band had reached a pivot point. To mark the 40th anniversary of that second album, Still Standing, Ringenberg digs deep into the life-altering experience of making it and its aftermath. How did his songwriting change? Why did they hire Cheap Trick producer Tom Werman? Was the plan always to release a cover of the Rolling Stones' “19th Nervous Breakdown” as the first single? How did Ringenberg get from a downstate Illinois farm to this point? Bonus: There are baby chicks. (Photo by Marty Howell)

Matt and Michael wrestle with a question that has been hanging over both of them. Why have they stopped paying attention to the news? Is that a good thing or a bad thing? They land on the idea of a Cartesian crisis. Nobody trusts anything anymore. Every headline is met with an actually from someone who thinks they have the real truth. They explore how skepticism can lead to nihilism or to wisdom, and why character assassination has replaced actual argument. Then things get interesting. The conversation turns to what it means to truly love someone versus simply labeling them, why we have lost the definition of racism, and how dress codes and tattoos are really just signals we send to the world about who we want to be. They contrast David Bowie and Bob Dylan as two models of subversion, one grounded and one spinning off into the void. They talk about Jung, individuation, and why growing up means learning to reincorporate what you once rebelled against. And they end with a story about a fake recruiter that captures just how deep the trust crisis really goes. Cheers y'all

No 2000s teenager made it through their youth without singing along to Hoobastank, so Danielle is going straight to the source to hear the stories behind the band with the most baffling name in rock. Singer Doug Robb and guitarist Dan Estrin detail their journey from local dive bars to festivals with Bob Dylan and Jessica Simpson, on the SAME stage! Danielle doesn’t hold back on the 818 content because Hoobastank is a certified Valley band! Hope you’re hungry for Pizza Cookery and Ruby’s…and yes, some Topanga Plaza talk. And it hasn’t always been easy for the band, from failed monitors on live TV to needing literal brain surgery while on tour, Hoobastank has seen their share of challenges You won’t have to crawl in the dark looking for the answer, because Hoobastank is here on Teen Beat!See omnystudio.com/listener for privacy information.

Penn hurt his back but it's nothing compared to jumping in high heeled cowboy boots, Matt headlines a comedy show with magic, chandelier girls, Penn goes from Lou Reed to Bob Dylan, Debbie Harry's accidental straightjacket escape, well lit houses, and lots more.

Subscribe to Greg Fitzsimmons: https://bit.ly/subGregFitz Mark Normand returns for one of the funniest conversations we've ever had. This episode is sponsored by Kalshi, the largest prediction market in America. Trade on everything from sports and politics to entertainment and more. Download the Kalshi app and use code SOCCER10 to get $10 when you trade $10, or visit https://kalshi.com/r/soccer10. We get into bombing on stage, bad gigs, marriage, dating after divorce, having kids, growing older, comedy careers, Catholic school, vacations, Bob Dylan, cockfights in Puerto Rico, breast milk, ED, abortions, and the weird realities of life as a stand-up comedian. Mark also talks about his new material, life after Netflix, why he's back in comedy clubs, and why YouTube might be a better path than Hollywood. This one goes completely off the rails—in the best way possible. Mark's tour dates: https://marknormandcomedy.com Follow Greg:https://www.instagram.com/gregfitzsimmons https://twitter.com/gregfitzshow Subscribe for new episodes every week. This show is produced by Gotham Production Studios and part of the Gotham Network. https://www.gothamproductionstudios.com/studios/ Follow Greg Fitzsimmons: Facebook: https://facebook.com/FitzdogRadio Instagram: https://instagram.com/gregfitzsimmons Twitter: https://twitter.com/gregfitzshow Official Website: http://gregfitzsimmons.com Tour Dates: https://bit.ly/GregFitzTour Merch: https://bit.ly/GregFitzMerch “Dear Mrs. Fitzsimmons” Book: https://amzn.to/2Z2bB82 “Life on Stage” Comedy Special: https://bit.ly/GregFitzSpecial Listen to Greg Fitzsimmons: Fitzdog Radio: https://bit.ly/FitzdogRadio Sunday Papers: http://bit.ly/SundayPapersPod Childish: http://childishpod.com Watch more Greg Fitzsimmons: Latest Uploads: https://bit.ly/latestGregFitz Fitzdog Radio: https://bit.ly/radioGregFitz Sunday Papers: https://bit.ly/sundayGregFitz Stand Up Comedy: https://bit.ly/comedyGregFitz Popular Videos: https://bit.ly/popGregFitz About Greg Fitzsimmons: Mixing an incisive wit with scathing sarcasm, Greg Fitzsimmons is an accomplished stand-up, an Emmy Award winning writer, and a host on TV, radio and his own podcasts. Greg is host of the popular “FitzDog Radio” podcast (https://bit.ly/FitzdogRadio), as well as “Sunday Papers” with co-host Mike Gibbons (http://bit.ly/SundayPapersPod) and “Childish” with co-host Alison Rosen (http://childishpod.com). A regular with Conan O'Brien and Jimmy Kimmel, Greg also frequents “The Joe Rogan Experience,” “Lights Out with David Spade,” and has made more than 50 visits to “The Howard Stern Show.” Howard gave Greg his own show on Sirius/XM which lasted more than 10 years. Greg's one-hour standup special, “Life On Stage,” was named a Top 10 Comedy Release by LA Weekly. The special premiered on Comedy Central and is now available on Amazon Prime, as a DVD, or a download (https://bit.ly/GregFitzSpecial). Greg's 2011 book, Dear Mrs. Fitzsimmons (https://amzn.to/2Z2bB82), climbed the best-seller charts and garnered outstanding reviews from NPR and Vanity Fair. Greg appeared in the Netflix series “Santa Clarita Diet,” the Emmy-winning FX series “Louie,” spent five years as a panelist on VH1's “Best Week Ever,” was a reoccurring panelist on “Chelsea Lately,” and starred in two half-hour stand-up specials on Comedy Central. Greg wrote and appeared on the Judd Apatow HBO series “Crashing.” Writing credits include HBO's “Lucky Louie,” “Cedric the Entertainer Presents,” “Politically Incorrect with Bill Maher,” “The Man Show” and many others. On his mantle beside the four Daytime Emmys he won as a writer and producer on “The Ellen DeGeneres Show” sit “The Jury Award for Best Comedian” from The HBO Comedy Arts Festival and a Cable Ace Award for hosting the MTV game show "Idiot Savants." Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us Fan MailWelcome to Guess the Year: 80s Edition! This is an interactive, competitive podcast series where you will be able to play along and compete against your fellow listeners. Here is how the scoring works:10 points: Get the year dead on!7 points: 1 year off6 points: Call bluff correctly4 points: 2 years off1 point: 3 years off0 point: 4 or more years offGuesses can be emailed to drandrewmay@gmail.com or texted using the link at the top of the show notes (please leave your name).I will read your scores out before the next episode, along with the scores of your fellow listeners! Please email your guesses to Andrew no later than 12pm EST on the day the next episode posts if you want them read out on the episode (e.g., if an episode releases on Monday, then I need your guesses by 12pm EST on Wednesday; if an episode releases on Friday, then I need your guesses by 12 pm EST on Monday). Note: If you don't get your scores in on time, they will still be added to the overall scores I am keeping. So they will count for the final scores - in other words, you can catch up if you get behind, you just won't have your scores read out on the released episode. All I need is your guesses (e.g., Song 1 - 198x, Song 2 - call bluff, Song 3 - 198x, etc.). Please be honest with your guesses! Best of luck!!The answers to today's ten songs can be found below. If you are playing along, don't scroll down until you have made your guesses. Have you made your guesses yet? If so, you can scroll down and look at the answers.Okay, answers coming. Don't peek if you haven't made your guesses yet!Intro song: The Final Game / Take Me Out to the Ballgame from The Natural (1984)Song 1: Woman in Chains by Tears for Fears (1989)Song 2: Under Pressure by Queen & David Bowie (1981)Song 3: I Can't Go For That (No Can Do) by Daryl Hall & John Oates (1981)Song 4: I Guess That's Why They Call it the Blues by Elton John (1983)Song 5: Islands in the Stream by Kenny Rogers & Dolly Parton (1983)Song 6: Every Grain of Sand by Bob Dylan (1981)Song 7: When It's Love by Van Halen (1988)Song 8: (I Just) Died In Your Arms Tonight by Cutting Crew (1986)Song 9: Bourgeoisieses by Conan Gray (2024)Song 10: Candy Girl by New Edition (1983)

Era actualitat dera Val d'Aran en aran

SPONSORS: Enjoy the refreshing citrus kick of Mountain Dew, an American Original. Tasting Great Since '48. Look for Mountain Dew in stores near you at https://mountaindew.com Thanks to MANSCAPED for sponsoring today's video! Get The Beard Hedger Plus for 15% OFF + Free Shipping with code “BEARS” at https://Manscaped.com! For simple, online access to personalized and affordable care for Hair Loss, Weight Loss, and more, visit https://hims.com/bears Sign up now and Acorns will boost your new account with a $5 bonus investment. Join the over 14 million all-time customers who have already saved and invested over $27 billion dollars with Acorns. Head to https://acorns.com/bears or download the Acorns app to get started. Sponsored by BetterHelp. Sign up and get 10% off at https://betterhelp.com/bears Start your free trial at https://shopify.com/bears This week on 2 Bears, 1 Cave, Tom Segura and Bert Kreischer spiral through Bert's newest crisis: figuring out which musicians would actually like him. After Lou Reed tells him off mid-treadmill (entirely inside Bert's head), Bert starts deleting Jane's Addiction and Radiohead from his library, relives Shane Gillis walking out of a Wilco concert after five seconds, and learns his most-played song of all time is "Higher" by Creed. From there, the Bears get into Tom's tour of Kid Rock's 20,000-square-foot, two-bedroom replica White House and meeting Jimmy John from Jimmy John's, a deep dive on Subway Takes and why Bert believes celebrity hot takes are all fake, the viral "white people shouldn't sit on stoops in Bed-Stuy" debate, and a deeply satisfying story of a first-class line cutter getting humbled in front of Viola Davis. Bert also opens up about the final days of his five-and-a-half-month sobriety run, including the recovery books, journaling on planes, and why his first drink back is happening at his daughter Georgia's University of Oregon graduation before going scorched earth on the dad who posted his 4-year-old breaking a rope swing "world record" in Moab. Plus: the MyPillow guy, the thumb-to-arm gut health test, Garth Brooks friendship fantasies, and why Moby would hate them both. If you missed this show, this one's for you. 2 Bears, 1 Cave Ep. 333 https://tomsegura.com/tourhttps://www.bertbertbert.com/tourhttps://store.ymhstudios.com Chapters00:00:00 - Intro00:01:11 - Lou Reed Talks Shit to Bert on the Treadmill00:04:27 - Kurt Vile, Bob Dylan, & Shane Gillis Walking Out on Wilco00:16:15 - Deleting Every Musician Who Wouldn't Like Bert00:25:00 - Kid Rock's Replica White House & Jimmy John From Jimmy John's00:28:51 - MyPillow, Workout Underwear & Sleeping Naked00:31:11 - Subway Takes & J.Lo's Rented Hot Take00:41:01 - White People on Stoops00:43:47 - Airport Line Cutters00:50:09 - Bert's Last Week of Sobriety01:01:21 - The 4-Year-Old Moab Rope Swing Rant01:13:03 - Wrap Up Learn more about your ad choices. Visit megaphone.fm/adchoices

This week Baxie talks with Paul Rappaport—the former Vice President of Rock Promotion for Columbia Records! For 33 years Paul built an amazing track record of single handedly getting some of the most legendary recording artists in history on the radio, into the charts, and selling records by the millions. Pink Floyd, Paul McCartney, The Rolling Stones, Bob Dylan, Bruce Springsteen, Bill Joel, Aerosmith, Journey, Santana, Judas Priest, Alice in Chains, Psychedelic Furs, and countless others owe a great deal of their success to Paul's work at Columbia. The man is a true record industry legend. Paul has just released what is perhaps the single most accurate account of the wild relationship between radio and the record industry in the 1970's, 80's, and early 90's ever written in his new book “Gliders Over Hollywood: Airships, Airplay, and the Art of Rock Promotion”. As someone who lived through those days, I can tell you with 100% confidence that it EXACTLY how things used to be! If you listen to one episode of BAXIES MUSICAL PODCAST this year…listen to this one too! Just amazing! Listen on Apple Podcasts, Spotify, YouTube, and on the Rock102 app! Brought to you by Metro Chrysler Dodge Jeep Ram of Chicopee.

This week on the Bob Dylan Hotline Laura and Rebecca are talking about Bob Dylan's pronouns! In 1978, Bob Dylan told Craig McGregor, "Tangled Up In Blue [was] the first [song] I ever wrote that I felt free enough to change all the... what is it, the tenses around, is that what it is? [...] The he and the she and the I and the you, and the we and the us–I figured it was all the same anyway – I could throw them all in where they floated right – and it works on that level." How does this changing around of pronouns affect how we hear the song? And why does Dylan favour writing in the second person rather than the first? Joni Mitchell has something to say about that. You can listen to Rebecca talk about "Like a Rolling Stone" on the Pod Dylan podcast here.Find the Substack version of Graley Herren's essay on "Sweetheart Like You" here. In case anyone's interested in what I did end up talking about at the conference about Bob Dylan and Masculinity conference, you can watch my talk here. The line from "I Contain Multitudes" about "four pistols and two large knives" is from Shelby Foote's history of the Civil War, as James Adams (bob_notes on Twitter/X) noted here.If you have a question for us, send us a voice memo to bobdylanhotline[at]gmail.com. For anything else get in touch at itsdefinitelydylan[at]gmail.com You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.Book your Bob Dylan Walking Tour of NYC with Rebecca on ramblintours.com.Get your Definitely Dylan baseball cap here.Rebecca's bootleg version is here.

For the full, ad-free, 68-minute podcast, either subscribe to Discograffiti's Patreon at the Major Tier or higher, or just grab the episode as a one-off at the same link: https://www.patreon.com/discograffiti Purchase the 32-episode Jefferson Airplane series at a 33% discount (hear as they appear): https://www.patreon.com/collection/2123066   New to the show? Start at Jefferson Airplane Part 1. Apple Podcasts: https://podcasts.apple.com/us/podcast/discograffiti/id1592182331?i=1000765230378 Spotify: https://open.spotify.com/episode/5l7O6r4JMTfH7FsGT3EXj3?si=AE4HUYPKSs2Ymc1I8TdSKQ The Full Version: https://www.patreon.com/posts/full-episode-1-1-156815363   Discograffiti is the deep-dive podcast for music obsessives. Part 12 of the series takes a brief breather from the Jefferson Airplane trajectory, as we broaden our focus to take in two historically significant musical firsts that went down during the Summer of Love—the very first rock and pop music festival (The Magic Mountain Music Festival, held one week before Monterey Pop!), and the very first bootleg record (Bob Dylan's The Great White Wonder).    CONNECT Join our Soldiers of Sound Facebook Group: https://www.facebook.com/groups/1839109176272153 Patreon:  https://www.patreon.com/discograffiti Podfollow: ⁠⁠https://podfollow.com/1592182331⁠⁠ YouTube Channel: https://www.youtube.com/channel/UClyaQCdvDelj5EiKj6IRLhw Instagram: https://www.instagram.com/discograffitipod/ Facebook: https://www.facebook.com/Discograffiti/ Twitter: https://twitter.com/Discograffiti Order the Digital version of the METAL MACHINE MUZAK 2xLP (feat. Lou Barlow, Cory Hanson, Mark Robinson, & W. Cullen Hart): https://www.patreon.com/discograffiti/shop/197404 Order the $11 Digital version of the MMM 2xLP on Bandcamp: https://discograffiti.bandcamp.com/album/metal-machine-muzak Order the METAL MACHINE MUZAK Double Vinyl + Digital package: https://www.patreon.com/discograffiti/shop/169954 Merch Shop: https://discograffitipod.myspreadshop.com/all Venmo Dave A Tip: @David-Gebroe Web site: http://discograffiti.com/   CONTACT DAVE Email: dave@discograffiti.com Facebook: https://www.facebook.com/hooligandave Instagram:  https://www.instagram.com/davidgebroe/ Twitter: https://twitter.com/DaveGebroe There is no other Patreon in existence where you get more for your money. 4 shows a week is what it takes these days to successfully blot out our unacceptable reality…so do yourself a favor and give it a shot for at least one month to see what I'm talking about.   If you're already a member, please comment below about your experience.   https://www.patreon.com/discograffiti

As a teenager, Ian Berry left England to see the world. A few years later, he had joined Magnum Photos and would go on to spend more than six decades documenting people, places, and some of history's defining moments with his Leica. Together we travel across continents and through more than sixty years of photography, talking about his encounters with Henri Cartier-Bresson, joining Magnum, Ian's books, the people he met along the way, and the lessons he learned from a lifetime behind the camera. Along the way, you'll also discover why a decent hotel matters more than you might think, how one of his photographs found its way onto a Bob Dylan album, and why luck and curiosity remain a photographer's greatest companions. More than anything, this is a conversation about saying yes to adventure, and how one simple decision can lead you to a lifetime of extraordinary stories. ☕ Grab a coffee and enjoy my conversation with the amazing Ian Berry. *****

Before we get to a description of this week’s episode, I received a wonderful notification earlier this week that this show had hit #31 on MillionPodcast’s Best 100 Midwestern Music Podcast chart! Wow! This is quite an honor.  If I’m going to be honest, I believe it’s these monthly new release episodes that have helped get this sort of attention. What other radio show features around four hours of new releases each and every month? Tonight’s show, like volume one last week, may be a little shorter from a typical episode but it’s jam packed with wonderful tunes. As usual, there’s a set devoted to our friends at Rum Bar Records, including Songs From The Film, the new project of Chazz Matthews of the Cheap Cassettes. The Amplifier Heads once again hit it out of the park, and how can I not love the Paul Westerberg-ish tones of Tad Overbaugh’s “July” (plus it features Dave Minehan). Elsewhere, there’s a twofer from a debut album by Taxi Girls that’s definitely bound to hit my top ten of the year. There’s the return of The Bobby Lees, a couple of fabulous Bob Dylan covers from an upcoming Jem Records tribute to the legend, and […]

Before we get to a description of this week's episode, I received a wonderful notification earlier this week that this show had hit #31 on MillionPodcast's Best 100 Midwestern Music Podcast chart! Wow! This is quite an honor.  If I'm going to be honest, I believe it's these monthly new release episodes that have helped get this sort of attention. What other radio show features around four hours of new releases each and every month? Tonight's show, like volume one last week, may be a little shorter from a typical episode but it's jam packed with wonderful tunes. As usual, there's a set devoted to our friends at Rum Bar Records, including Songs From The Film, the new project of Chazz Matthews of the Cheap Cassettes. The Amplifier Heads once again hit it out of the park, and how can I not love the Paul Westerberg-ish tones of Tad Overbaugh's “July” (plus it features Dave Minehan). Elsewhere, there's a twofer from a debut album by Taxi Girls that's definitely bound to hit my top ten of the year. There's the return of The Bobby Lees, a couple of fabulous Bob Dylan covers from an upcoming Jem Records tribute to the legend, and […]

Leonard Cohen: Songs, Stories & Legacy | Rockshow Episode 222In Rockshow Episode 222, we take a deep dive into the extraordinary life, music, poetry, and lasting influence of Leonard Cohen—one of the most respected singer-songwriters of all time. From his beginnings as a celebrated Canadian poet and novelist to his transformation into a legendary recording artist, we explore the stories behind the songs that made him an icon.This episode examines Cohen's remarkable career, including classic albums such as Songs of Leonard Cohen, Songs of Love and Hate, New Skin for the Old Ceremony, Various Positions, I'm Your Man, The Future, and You Want It Darker. We discuss timeless songs including Suzanne, Bird on the Wire, Famous Blue Raincoat, Dance Me to the End of Love, Hallelujah, First We Take Manhattan, and many more.We also look at the historical moments that shaped Leonard Cohen's career, his influence on generations of artists, his literary background, and why his songwriting continues to resonate with listeners around the world. Along the way, we discuss his connections to artists such as Bob Dylan, Nick Cave, Tom Waits, Van Morrison, and others who helped define modern songwriting.Whether you're a lifelong Leonard Cohen fan or discovering his music for the first time, this episode celebrates the man, the music, and the enduring legacy of one of the greatest lyricists in popular music.

The difficulty in life is the choice. And this week the choice came fast: an hour before we sat down, a tree took a lightning strike around the corner, dropped a branch on a woman's car, smashed a transformer, took out the block. Genesis's people — Josh, Kyle — ran toward it and pulled her out. Then they walked over and made a podcast about the creative life.That's the register of this second episode, recorded at the corner of 4th and Market, the intersection of a city that is itself a crossroads. Genesis poured a Scotch bottled somewhere between 1929 and 1940 — a hundred years in someone's collection, traded for one of his paintings — and we talked about permanence, and how the people from a hundred years ago are speaking more resonantly to us than ever. (No, that pour you hear is not AI. That's the real thing.)Some of what we got into:* The Waffle House poet. Genesis met a woman writing “immaculate poetry” at 3 a.m. who's been at it twenty years and is certain it's not for her. The whole episode circles back to her: the gap between a real gift and the permission to claim it.* The compromises we make with ourselves. From a Seinfeld bit about the trashman to Chad's first year of seminary mopping floors as “the minister to commodes” — the dignity of honest work, and the moment a gift asks to be shared anyway.* When to keep going, and when to stop. Bukowski's twenty years at the post office. The friend who built a $50M company and blew it up because chaos was his home. The bandmate who wouldn't sign the deal. If you love the work like you love ice cream, the sugar high fades. If you love it like you love your children, you keep going — even if it costs you.* What is good art? Bob Dylan's voice. The mystery in Roethke's line, “Light takes the tree; but who can tell us how?”* The invisible layer. John O'Donohue's “invisible choreography” between the heart and what it beholds — and how the receiver often finds something in the art the maker never knew was there.Two poems. Chad read Theodore Roethke's villanelle “The Waking” (“I wake to sleep, and take my waking slow. / I learn by going where I have to go.”) — and Genesis answered with Chase Twichell's subway poem, the one that ends on “I don't know who speaks / when the horse speaks.” Then Kyle Kasper, a poet who moved to Chattanooga last year and just published his first collection — and who'd run out to that wrecked car an hour before — read his own poem, “Kind to Me”: “We must be kind to ourselves… be good to your soul, like you would to a child.”We closed on the question we're keeping: What are you alive to right now? And what are you closed to? Genesis is alive to the opinion that challenges his own — “if nobody likes you, I wonder why not; let's hang.” And what he's closed to turned out to be the most open thing he said all night: the God question, from an experience in a 2002 storm he can't un-know. “I don't have the answers, but I have the experience.”Listen above. New conversations from The Home Bar, and Mondays and Thursdays wherever you get your podcasts.From Chattanooga, a crossroads city, at a bar on an intersection — this is The Difficulty. Brought to you in part by Crossroads Publishing Group. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit chadprevost.substack.com

We'd love to hear from you! Please send us a Text Message!This 50th Celebrative Podcast Episode features not only songs pertinent to the subject matter, but also whistle-stop visits in a round table discussion with many of the world's great minds, experts on the subject of War & Peace. Come sit at the table with us as we discuss this pertinent subject regarding our world today. Cognoscenti like Mahatma Gandhi, Nelson Mandela, Ernest Hemingway, Herbert Hoover, Bertrand Russell, Martin Luther King, Sir Winston Churchill, Albert Einstein and more. With songs by Bob Dylan, John Lennon and Peter Link.Theater of the Imagination is presented by Watchfire Music:  watchfiremusic.com

Simone Schmidt from Fiver returns to discuss Fiver Trois presents Cleaning House, seeing a psychic who encouraged them to re-organize their living space and rid themself of belongings, how stuff can memorialize people who are gone, hoarding and archiving, losing and then re-gaining artistic metaphor, how life being a joke morphed into “That's a Joke,” the gamification of everything we do, important and inspiring musical conversations with Jeremy Costello and Nathan Doucet, explaining why a quartet makes up the Fiver Trois, rediscovering your singing voice as a non-binary person, praising the band Townie, an invocation of Bob Dylan's band sound in this century with a special nod to his "Frank Sinatra era" and the brilliant album Triplicate, upcoming shows, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online. Related episodes/links:Win You've Changed Records by Fiver and G̱amksimoon in July 2026!Ep. #1110: G̱a̱mksimoonEp. #1107: PotionsEp. #1096: Marisa AndersonEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #963: DestroyerEp. #935: Elijah Wald on ‘A Complete Unknown'Ep. #850: You've Changed Records is 15!Ep. #828: ‘Bob Dylan: Mixing Up the Medicine' with Mark Davidson & Parker FishelEp. #787: One Hundred DollarsEp. #542: FiverEp. #525: Jeff ParkerEp. #374: FiverEp. #238: Stuck in Your Head – Idée Fixe is 5! Support this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

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''This is the story of Harry Kane''. Bob Dylan has penned a song about Harry Kane and how he along with other English players might be playing for the wrong country. Click play to hear the song in full.

After finding success with mainstream music at the Yacht Club Festival, the folks behind that effort are debuting "The Country Club" Festival this weekend. And it's all about Folk Music and it includes artists big and small. The Last Revelers are part of the lineup, and meet one of their members on the WCCO morning News

whole episode only on patreon : www.patreon.com/dopeypodcast Dave and special guest are back for another gloriously ridiculous Dopey Tuesday. This week they celebrate Christmas in July with a twisted holiday song before diving into heroin poppies, opium tea, Bob Dylan rumors, Andy Warhol, Basquiat, and Dave's latest Hollywood masterpiece: Christmas at Katz's. They also kick off a conversation about the first-ever Dopey Short Recovery Film Festival before the paywall comes crashing down.   To hear Ray's full review of the film festival, the birth of "The Dopeys," listener emails, Zoe's voicemail, Elvis, and a whole lot more dumb shit, head over to Patreon and join the Dopey Nation Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Growing Graham Platner controversy, Stephen King’s defense of him, and the debate over political accountability. Plus, Trump’s overseas trip, the U.S. World Cup loss to Belgium, Bob Dylan, Ringo Starr, and a hilarious edition of Not the Kimmers Rainy Day Bad Text Theater Playhouse.See omnystudio.com/listener for privacy information.

Bob Dylan and the Beatles. Office Hours and Jokermen. Game recognizes game in this very special "In Conversation" podcast collaboration with OHL's Tim Heidecker, Jokermen's Ian Grant and Jim Windolf, author of Where the Music Had to Go: How Bob Dylan and the Beatles Changed Each Other―and the World. This one is for the true heads. Dig in and enjoy the conversation! Support Office Hours and watch or listen to another hour of every episode with OFFICE HOURS+. Try it FREE for seven days at patreon.com/officehoursliveGet more Jokermen in your life at patreon.com/cw/jokermen.Shop our merch store at officehours.merchtable.com and find the rest of our links at linktr.ee/officehoursliveSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Bob Dylan and the Beatles. Office Hours and Jokermen. Game recognizes game in this very special "In Conversation" podcast collaboration with OHL's Tim Heidecker, Jokermen's Ian Grant and Jim Windolf, author of Where the Music Had to Go: How Bob Dylan and the Beatles Changed Each Other―and the World. This one is for the true heads. Dig in and enjoy the conversation!

This week Laura talks to writer, editor, and musician Sam Sodomsky about the trilogy of Great American Songbook albums, Shadows in the Night (2015), Fallen Angels (2016), and Triplicate (2017) – a move that for some legacy artists might be predictable, but that for Bob Dylan was a real curveball.You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.Get your Definitely Dylan baseball cap here.

O Brother, Where Art Thou? opened in five theaters on December 22, 2000, went on to make $71.9 million worldwide on a $26 million budget, and somehow got outdone by its own soundtrack — which sold over 8 million copies and beat out Bob Dylan and U2 for the Grammy for Album of the Year, only the third movie soundtrack ever to do it.Josh, Garrett, and David kick off Mythology Month with the Coens' loose, sun-bleached riff on the Odyssey. David's watched it since he was eleven and it's in his Letterboxd top four. Josh has loved it since childhood cassette-recording "Man of Constant Sorrow" off the radio. Garrett watched it for the first time this week — and tried to track the Homer parallels in real time, which he'll tell you was a mistake. They get into the Cyclops-with-an-eye-patch stuff, the Homer Stokes subplot and what it says about 1930s (and 2026) politics, and why George Clooney's pomade matters more than you'd think.Let us know what you think.

It's been said that you can spot an American from a mile away. Travelers to Europe are advised to adjust their attire to blend in with locals and avoid looking so … casual. The French think Americans are loud and rude, and Europe has a long tradition of sneering at how classless we all are, even before Trump.I spent a month in Italy, and it's a beautiful place. The slow living, the long naps when all the stores shut down for hours during the day, the tiny cars, the laundry drying on the balconies, the fresh food at the Farmer's Market. I feel lucky that when I came back from Italy, I was pregnant and having my baby is the single greatest thing that has ever happened to me. But I'm also glad she grew up in America.I used to travel to France to cover the Cannes Film Festival, and again, I admired their way of life, the food especially. But every time I stayed too long, I began to miss my home in America. There is something thrilling about living in a free country that I've never felt anywhere else.It seems to me that if you are born here, you make up your life as it goes along. It is not planned out for you, necessarily, although in some cases, I guess it probably is. In my case, it wasn't. I knew I could invent myself any way I wanted. And if I didn't like that version, I could reinvent myself. We're like our country, a work in progress. It's always there for the taking, that promise of opportunity.Donald Trump is all of America's freedoms wrapped up in one imperfect man. He broke through the thick layer of oppressive thought and speech and showed the world that here, you really can say anything you want - as long as some crazed totalitarian doesn't try to shoot you. That's the country I want to live in. It isn't that the greatest writing or art has come from a place like America. Plenty of great works have come from places that don't center freedom as their main objective. But once you've tasted it, you can't give it up.In his speech last night, Trump said:The American founding represents the best ideas and traditions in history by the best people, like you. You can be loyal to Karl Marx or you can be loyal to America. You can be a communist or you can be a patriot. You cannot be both. As for those who peddle Marxist lies about our heritage, tell our children that we live on stolen land or that our heroes were oppressors, they're doing something much worse than slandering our past. They are slandering and attacking our future. Not going to let that happen.They're trying to tear down the great American character to destroy the people who declared independence, who crossed the Delaware, who settled the West and conquered the skies. You know who those people are. But we will never let that happen.In America now, two stories are competing to claim the right to rule the future. Trump is telling the better story, the one America was founded on and the one we've all believed, at least up until recently, when a new wave of progressives decided that the better story paints America as a corrupt, rotten, white supremacist empire that has to be torn down to the studs and rebuilt.They must be terrified about the 2030 Census because they've decided to die on the hill of illegal immigration, which is fast becoming their most important issue. That, alongside Democratic Socialism, is a recipe for disaster.This was Bill Clinton's bummer message on the Fourth:I always thought Bill Clinton was a good president, but reading that just now makes me think he wasn't. All he's ever been able to do is point the finger at the other side and never offer any real solutions. He's not the man in the arena. He's the man on the sidelines.What I love about Trump and his supporters is how much they love America. They love it so much that they plant flags all over their homes. They admire the Founding Fathers. They call themselves Patriots. We didn't have that kind of pride on the Left when I was growing up.And even now, so many see the American flag and the love of country as dangerous, racist, bigoted, fascist. Whoever told those people that is what MAGA is about lied. They're protective of America's laws and its border. That is out of love for the country. The Left has taken almost everything from them. They've locked them out of culture, forbidden them from participating in any of their major events, dehumanized, demonized, and disenfranchised them. But the one thing they couldn't take was their citizenship. They hit the jackpot just by being born in America. To think it would be so easy for people all over the world to come here illegally and claim that prize or to come here and attempt to remake America into something it was never meant to be devalues the one thing they treasure most of all. I've always been a proud American. I've always preferred this country over any other, but only in the last few years have I understood what it means to be a Patriot, to be ready to fight for the country I love. And that is because of the people I've gotten to know on the Right.This country is worth fighting for. I might not agree with all of the policies on the Right, or even Trump himself, all of the time, but I'd rather have the future of this country in the hands of people who love it the way Trump does than people who hate it, the way so many on the Left do, just because their candidates are weak and their policies are toxic. I wanted to write 250 things I love about America, but it got too long, so this will have to do. Here are just some of the things I love:I love the interstates as part of the great legacy of Dwight D. Eisenhower.I love the Pacific Ocean because it stretches along the state. I love Catalina Island off the California Coast, where I spent many a summer with my best friend.I love seeing our history in the many cultures that came here, like Chinatown, Little Italy, Mexican food in LA, soul food in the South, Irish bars and pubs in the middle of nowhere. And yes, you can appreciate a nation of immigrants while still policing our borders now. I love how nice people are in some places, like California, Ohio, and Iowa, where they smile at you on the street.I love the weather extremes, from the dusty plains to the snowy mountains to hurricanes by the sea.I love the historic monuments from the Civil War and the Revolutionary War.I love the town squares that you can still see if you drive through the middle of America. Even though many are abandoned, they still look like hope to me.I love how each town square has a church, a post office, and a school.I love the many farmlands that blanket the Midwest.I love the small mom-and-pop coffee drive-throughs, and even the convenience of a Starbucks in nearly every town.I love Route 66 and how people still drive it and visit the forgotten places.I love the absurdity of Las Vegas, how it sprouts up impossibly in the middle of the desert.I love the American writers who helped shape our country's sense of itself - Mark Twain, F. Scott Fitzgerald, Flannery O'Connor, Richard Ford, Maya Angelou. I love the musical traditions that started here: Jazz and the Blues. And became Rock n' Roll. I love the Legend of Sleepy Hollow and the town that still remembers it.I love diners and dive bars.I love Gone with the Wind and how it's still the highest-grossing film of all time when adjusted for inflation. I love The Twilight Zone and find it timeless, as relevant today as it was in the 1950s.I love the footprints at the (Grauman's) Chinese Theater in Hollywood.I love the US military and its devotion to the country. I love the wildflowers that bloom in California every year.I love soft-serve ice cream at the DQ.I love Levi's.I love New York pizza.I love Solvang in California.I love driving up the Oregon coast. I love the songs of Bob Dylan.I love the tap dancing of Fred Astaire.I love how anyone can be a star on YouTube, no matter where they come from, but YouTube couldn't have been invented anywhere but America.I love how I could build a business as a single mom in a one-room guesthouse in Van Nuys, and that business would, five years later, become profitable because I worked hard and had a good idea. And then, when my career went up in flames in 2024 because I voted for Trump, I could build another career on Substack because that is what America is all about - inventing and reinventing yourself.I love the innovative spirit that built America in real life and online.I love reading about the early settlers, the Puritans, and the homesteaders, how much they sacrificed to help make America a home. And I love the history of the Native Americans, too, even if so much of it remains a tragedy now. I love high-speed internet and Wi-Fi that are available almost everywhere, and if they're not, I have a hotspot.I love the old American cars that were not just exceptional but beautiful.I love the tradition of baseball.I love that people faithfully watch football, even if I don't.I love the tradition of sourdough bread all over social media.I love that the best basketball players in the world are from here.I love that every state is different from one to the next.I love Harper's Ferry, how it's frozen in time.I love that we found a way to move on from the trauma of our past with slavery and how we fought a bloody Civil War to end it. I love that we were the good guys in World War II. We did the right thing in entering the war and helping the Allies win. I love that you can be anything here. The door is always open. It's up to you to walk through it.I love that America is a Christian nation, and you can see that if you drive across it. But it's also a country that stands for freedom of religion, too.I love the American comedians: Groucho Marx, George Carlin, Richard Pryor, Steve Martin, and Johnny Carson.I love that the best films from the 1970s were American movies, like The Godfather, The French Connection, Taxi Driver, and Network. But I also love more modern masterpieces by American filmmakers, like No Country for Old Men and Sideways.I love that people play the lottery, thinking one day they will hit the jackpot. They never will, but they can still dream.I love Thanksgiving and the way we celebrate it in America, which is to say, all together as one big dysfunctional family.I love the tradition of Halloween and how every October, the pumpkins and costumes come out. I love the way the weather changes. I love the Declaration of Independence and those who dared to build this wild, untamed, optimistic work in progress. I love that America is always looking to the future to find a better version of itself and its people. I love that so many Americans still believe in the American Dream.I love watching the movie Jaws on the 4th of July.I love that people watch fireworks, even if I never do, because they traumatize my dogs.I love that we have a holiday just to celebrate the day we became a country, a ragtag group of deplorable revolutionaries who set out to build a brand new country. Oh, the audacity of it. I love living here and would not want to live anywhere else. Happy 250th Birthday, my beloved country.Happy 4th to you, dear readers. Thanks for everything. I hope you are having a wonderful weekend. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

We explore the very high times of the Grateful Dead's 1966, touring Rancho Olompali with Rosie McGee, swan-diving into Owsley's magical banana box of mystery reels, and celebrating the feral young Dead heard on the new July 3rd, 1966 Fillmore Auditorium release.Guests: Rosie McGee, Ron Rakow, Bob Matthews, David Freiberg, David Lemieux, HawkSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Penn is at his best when things don't go to plan, Matt follows the Penn Jillette school of thought on magic preparation - with results as expected live on stage, some new musicians performing with Bob Dylan lead to an in-depth look at guitar tech with a connection to Penn & Teller: BS!, and lots more.

A mythic trip through some of New York City’s most rock ‘n’ roll addresses. Beyond the Chelsea to beatdowns with Bob Dylan, stoopside hangs with the Stones, Miles backstage with Iggy, Jackson and Nico, Yoko and John, and the IRA and the FBI, and more.See omnystudio.com/listener for privacy information.

Throwback Thursday (Originally aired: 6/5/24)Bunnie is joined by the sweet and brilliant Mod Sun, as he talks about everything from facing heartbreak and addiction to finding purpose through his music and art. Mod reflects on his journey from farm boy to rockstar, hitting rock bottom and how he manifested success. He talks about past romances in the public eye, his soul bestie Machine Gun Kelly, Bob Dylan, and why it's okay to be delusional. Mod also shares a sneak peek into his new music and the reinvention that came along with it. Mod Sun: IG | WebsiteWatch Full Episodes & More: YouTubeSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast explores Steal Your Face's iconic artwork & visits the Grateful Dead's June 1976 return to the road, including a tour of the Dead Head culture that bloomed in their absence.Guests: Richard Loren, John Scher, Ron Rakow, Eugene Dolgoff, Pat Lee, Johnny Dwork, Dave Davis, Rob Bleetstein, John Brackett, Starfinder Stanley, David LemieuxSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.