Podcast appearances and mentions of Bob Dylan

In today's show South Shore icon Jeannie Chesser reveals how her father's boat racing savvy led to her competitive success, the power of love at first sight, how Bob Dylan launched her 53 year career as an artist, the perpetual gift that was Rell Sun, winning Hawaii State Champs alongside her son, why she attributes her resilience to early parental discipline, shares about Todd's little known writing career, and how the solitude of surfing can deepen spirituality but community can be a salve when life seems senseless. Enjoy!

Dolly Parton has passed away. Dolly Parton was a musical giant, an American songwriter worthy of a place on the same page in the music history books as Bob Dylan, Kurt Cobain, Johnny Cash, Taylor Swift, or anyone else you can think of. More importantly, she was a first-class human, and an inspiration to me and many, many others. For more great stories at the intersection of music and true crime, check out these episodes: The Go-Gos Bob Dylan See omnystudio.com/listener for privacy information.

As a teenager in Milwaukee, Art Rapkin became a hustler, karate champion and a fake Bob Dylan. Then he started smuggling cocaine, before ending up in a Mexican prison, where he was tortured, before working with he FBI and DEA.  Read Poison for Rats by Arthur Rapkin and Alec Banks Chameleon is a production of Campside Media and Audiochuck. Follow Chameleon on Instagram @chameleonpod Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Concluding the Deadcast's Summer Magic 1985 run, we pull into Maryland for 2 over-the-top shows, explore the band's ‘80s gear, the Dead Heads' ‘80s pipecraft, & the enthralling scene around the Dead.Guests: David Lemieux, Peter Miller, Dennis McNally, Dan English, Nick Paumgarten, Jeffrey Alexander, Christian Crumlish, Nicholas G. Meriwether, David Leopold, Will Backstrom, Andy Perrine, Geoff Mockbee, Harry Clark, Mike SmartSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of Vinyl Community Podcasts, host Sam St. John (Americana Sam) sits down with Nashville multi-instrumentalist Matt Glassmeyer for a fascinating conversation about improvisation, analog recording, musical creativity, and his new supergroup Slow Accordion. Featuring Glassmeyer alongside Oliver Wood of The Wood Brothers, bassist Ted Pecchio, and drummer Mark Rautabaugh, Slow Accordion brings four distinctive musical personalities together for an exploratory instrumental project built around improvisation. Matt takes Sam inside the formation of the group, explaining how four musicians who had crossed paths in different ways entered the studio without a rigid roadmap and discovered their sound by simply listening and reacting to one another. The conversation also dives deep into the making of Slow Accordion's self-titled debut, released by Royal Potato Family Records. Recorded in Glassmeyer's home studio using just four microphones and a four-track tape machine, the album embraces a raw, lo-fi analog approach where limitations become part of the creative process. Matt discusses why watching the tape physically roll while recording changes the way musicians perform, why fewer options can actually produce better results, and what modern recording may have lost in the age of unlimited digital takes. From there, Sam and Matt explore the larger history and philosophy of musical improvisation—from jazz and blues to fusion, jam bands, Americana, old-time music, and experimental sounds. They discuss everyone from Cecil Taylor and Keith Jarrett to Chick Corea, Weather Report, Frank Zappa, Joni Mitchell, and Bob Dylan, while questioning how useful genre labels really are when artists refuse to stay inside clearly defined musical boundaries. They also look ahead to Slow Accordion's live performances, where the group is learning how to recreate the spontaneity and space of its studio sessions in front of an audience. And then there's the description that may capture Slow Accordion better than any genre ever could: “the anti-AI summer soundtrack we all need.” In a world increasingly dominated by computers, algorithms, and artificial intelligence, Slow Accordion represents four musicians in a room, playing together in real time, recording to tape, making mistakes, reacting to each other, and trying to create something that exists only in that particular moment. It's an insightful conversation about improvisation, analog recording, vinyl, technology, artistic expression, and the very human act of making music. For fans of vinyl records, jazz, Americana, experimental music, The Wood Brothers, analog recording, improvisational music, or discovering artists outside the mainstream, this is an episode you won't want to miss! Vinyl Community Podcasts — podcasts for, by, and about members of the Vinyl Community.  

Cold Brew Conversations X!: The hilarious and charming comedian Kristen Toomey returns to the show!!! We talk about topics ranging from genetic genealogy to how to negotiate modern showbiz. Song Kristen recommends - "Whan I Get My Hands On You": https://youtu.be/BDUDx15KdkI?si=p_qCwQVb9LV0IfVOKristen Toomey's IG: https://www.instagram.com/kristentoomey?utm_source=ig_web_button_share_sheet&igsi=ZDNlZDc0MzIxNw==Link to Kristen's Comedy Special - "Shriller": https://youtu.be/tZ8SXmcsW9E?si=Xttr3GMdvZjVkG6F

One of the biggest challenges that any organization will face throughout its lifetime is conscious evolution. It is imperative to remain purposeful and intentional toward the adoption of new concepts into a system that may have worked yesterday, but – in the words of Bob Dylan, “The times, they are a-changin”. Sure, Nordstrom has won the right to be here for 125 years, but it's not because we've run the same playbook over and over again. If we want to see this thing grow into the foreseeable future, we need to stay curious, and actively listen to fresh ideas from a new generation of eager and ambitious young minds, hungry to make a meaningful impact on our industry. One of the best ways that we've found to do so is by offering these young people – in particular, current college students and recent graduates – an exceptionally appealing work environment through our 10-week corporate internship program here in Seattle. Long-time Nordy Pod listeners will remember that we've featured the internship program before – but that was over a hundred episodes and almost four years ago. So in the spirit of staying current, we've brought in a fresh new crop of interns from this year's program – five of our thirty three summer interns of 2026 – to share their experience, and what they've learned as the summer comes to a close. In this episode you'll hear from rising senior at Texas A&M University, Maci Nash, rising senior at the University of Texas in Austin, Lucia Soldi, rising senior at the Fashion Institute of Technology in New York, Layla Stanfill, rising senior at the University of Washington in Seattle, Madhumitha Gandhi, and graduate of the University of Washington, and experienced Nordstrom shoe-seller, Tony Ha There's no doubt that each of these talented individuals has a bright future ahead of them, and we're extremely proud to have played even a small part in developing those stories. We can confidently say that they've each made a lasting impression on our business, and we're extremely grateful for their unique perspectives and kind words about their time in the Nordstrom internship program. Thanks for tuning in to episode 117. We hope you enjoy it! Did you know that YOU can be on The Nordy Pod? This show isn't just a one-way conversation. We want to hear about what Nordstrom looks like through your eyes. Share your Nordstrom experience, good or bad, by giving us a call and leaving a voicemail at: 206.594.0526, or send an email to nordypodcast@nordstrom.com to be a part of the conversation! And, be sure to follow us on Instagram @thenordypod to stay up to date on new episodes, announcements and more.

This week we look Norway removing benefits from immigrants; the debts of the US, UK, Australia and China; Iran kills doctors for treating the wounded;  Sepher Amierzadeh; Ukraine war; Brazilian elections; Ebola in the Congo; Country of the week - Russia; Humza Yousafs sister promotes Islam in Scotland;  Colin Brazier on Bradford; Chelsea Clinton on abortion; Indigenous Australia attacked for being a 'Zio'; Shania Twain and Harry Styles; Bike speed limit introduced in Cambridge; Death of Frank Beard; More  archaeological evidence for the Exodus; Solar farm in Scotland destroys arable land; The world is greening;  Coal mines in the Hunter Valley extended; How did Fauci lie?  Song of the week - Bob Dylan; Feedback; Is sugar and milk coffee anti male?  The pimping out of Brisbane cathedral;  Hypocritical minister in Scotland denounced during a service by his wife; and the Final Word - Habakkuk 2:14 with music from Dire Straits; Shakila; Metallica; Red Army Choir;  Shania Twain; Henri De Bailley;  ZZ Top; Bob Dylan; Rachmanninov; 

Today we're talking about Bob Dylan's fashion through the years! What's your favourite outfit Bob Dylan has worn, or which style do you most associate with him? You can read Graley Herren's excellent essay on gender performance in Bob Dylan's The Philosophy of Modern Song here. And the other essay we mention about Gorgeous George can be found on Graley's Substack.Check out Ray's interview with JJ Holiday, who played with Bob Dylan on Letterman in 1984 and lent him his outfit here. Around 01:13, I'm talking about the chapter on "There Stands the Glass" in The Philosophy of Modern Song, where Dylan writes about the history of tailors Nuta Kotlyarenko, or Nudie Cohn, and Manuel Cuevas. Follow Britt Eisnor on Instagram for great in depth research in to a lot of Dylan and The Band related topics, but also content on Bob's fashion. Shot_of_love_69 – whose name is Alaina – who made the beautiful jacket for Britt is also a must-follow. You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.Book your Bob Dylan Walking Tour of NYC with Rebecca on ramblintours.com.Get your Definitely Dylan baseball cap here.Rebecca's bootleg version is here.

What was supposed to be a conversation about the Grateful Dead quickly becomes something else entirely when photographer Jay Blakesberg and singer-songwriter Steve Poltz join us at High Sierra.The two give us a preview of Working Man's Dead, their wonderfully unpredictable live collaboration combining Jay's iconic Grateful Dead photography and storytelling with Steve's music — including songs he writes spontaneously in response to stories and images he hasn't seen coming.They talk about Jerry Garcia, Bob Weir, Phil Lesh and the strange magic of improvisation. Jay also recounts watching an all-white-clad Steve Poltz make his way toward the rail at the Sphere as the crowd seemingly parted for him “like Moses” — leading Jay to describe Steve as “a cross between Bob Dylan and Moses.”And then things go completely off the rails.Charlton Heston. Planet of the Apes. Paper routes. Behind the Green Door. A mysterious bag of vintage magazines. And several moments when we completely lose control of our own interview.Underneath the insanity, though, is a friendship between two gifted storytellers and a shared love of the Grateful Dead, spontaneity and the kind of live experience that can never happen exactly the same way twice.This is Steve Poltz and Jay Blakesberg — unfiltered, unscripted and very much Only in the Green Room.Steve Poltz, Jay Blakesberg, Grateful Dead, Grateful Dead stories, Bob Weir, Jerry Garcia, Workingman's Dead, Grateful Dead photography, High Sierra Music Festival, Only in the Green Room

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Martin Simpson got backstage when he was 15 and met Jimmy Reed and Big Joe Williams and it changed his life forever. He's been on the folk circuit ever since, still at the top of his game and with the wealth of knowledge and experience reflected in this extremely entertaining podcast. His ‘Some Kind Of Jubilee' album celebrates 50 years since his first record and he's on tour in September. And talks to us here about … … his operatic Dad born in the 19th Century … the message carved with a knife on the door of the Bodmin Trad Music Club … hearing Paul Robeson aged four and thinking “I want to make people cry for a living” … ‘60s folk circuit snobbery and its disdain for “foreign songs” … signing Big Joe Williams' walking stick in a space between Bob Dylan and Joan Baez … memories of Alex Campbell, Matin Carthy, Dave & Jo Ann Kelly and “that swarthy bunch of lunatics from Hull, the Watersons” … the Nun & Ice Cream Cone, the Frog & Afterbirth: imaginary pub venues cooked up with June Tabor … being managed by Tony Secunda, “an extremely unpleasant human being” … “the only damage you can do to a folk song is to not sing it” … supporting Steeleye Span and the night cash rained from the heavens … Don't Think Twice It's All Right, These Days by Jackson Browne, Mississippi John Hurt and other songs that never let you down onstage … second-lining at a New Orleans jazz funeral: “the slow drag and the racing return” … and how folk songs travel abroad and evolve. Order copies of ‘Some Kind Of Jubilee' here: https://martinsimpsonmusic.com/pre-order-the-new-album/ Martin Simpson tickets here: https://martinsimpsonmusic.com/Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Martin Simpson got backstage when he was 15 and met Jimmy Reed and Big Joe Williams and it changed his life forever. He's been on the folk circuit ever since, still at the top of his game and with the wealth of knowledge and experience reflected in this extremely entertaining podcast. His ‘Some Kind Of Jubilee' album celebrates 50 years since his first record and he's on tour in September. And talks to us here about … … his operatic Dad born in the 19th Century … the message carved with a knife on the door of the Bodmin Trad Music Club … hearing Paul Robeson aged four and thinking “I want to make people cry for a living” … ‘60s folk circuit snobbery and its disdain for “foreign songs” … signing Big Joe Williams' walking stick in a space between Bob Dylan and Joan Baez … memories of Alex Campbell, Matin Carthy, Dave & Jo Ann Kelly and “that swarthy bunch of lunatics from Hull, the Watersons” … the Nun & Ice Cream Cone, the Frog & Afterbirth: imaginary pub venues cooked up with June Tabor … being managed by Tony Secunda, “an extremely unpleasant human being” … “the only damage you can do to a folk song is to not sing it” … supporting Steeleye Span and the night cash rained from the heavens … Don't Think Twice It's All Right, These Days by Jackson Browne, Mississippi John Hurt and other songs that never let you down onstage … second-lining at a New Orleans jazz funeral: “the slow drag and the racing return” … and how folk songs travel abroad and evolve. Order copies of ‘Some Kind Of Jubilee' here: https://martinsimpsonmusic.com/pre-order-the-new-album/ Martin Simpson tickets here: https://martinsimpsonmusic.com/Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Martin Simpson got backstage when he was 15 and met Jimmy Reed and Big Joe Williams and it changed his life forever. He's been on the folk circuit ever since, still at the top of his game and with the wealth of knowledge and experience reflected in this extremely entertaining podcast. His ‘Some Kind Of Jubilee' album celebrates 50 years since his first record and he's on tour in September. And talks to us here about … … his operatic Dad born in the 19th Century … the message carved with a knife on the door of the Bodmin Trad Music Club … hearing Paul Robeson aged four and thinking “I want to make people cry for a living” … ‘60s folk circuit snobbery and its disdain for “foreign songs” … signing Big Joe Williams' walking stick in a space between Bob Dylan and Joan Baez … memories of Alex Campbell, Matin Carthy, Dave & Jo Ann Kelly and “that swarthy bunch of lunatics from Hull, the Watersons” … the Nun & Ice Cream Cone, the Frog & Afterbirth: imaginary pub venues cooked up with June Tabor … being managed by Tony Secunda, “an extremely unpleasant human being” … “the only damage you can do to a folk song is to not sing it” … supporting Steeleye Span and the night cash rained from the heavens … Don't Think Twice It's All Right, These Days by Jackson Browne, Mississippi John Hurt and other songs that never let you down onstage … second-lining at a New Orleans jazz funeral: “the slow drag and the racing return” … and how folk songs travel abroad and evolve. Order copies of ‘Some Kind Of Jubilee' here: https://martinsimpsonmusic.com/pre-order-the-new-album/ Martin Simpson tickets here: https://martinsimpsonmusic.com/Help us to keep The Longest Continuous Conversation In Rock'n'Roll going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Scott Peeple's How Many Roads: A Life of Bob Dylan (Reaktion, 2026) chronicles Bob Dylan's rise from apprenticeships in Minneapolis cafés and Greenwich Village folk clubs to international stardom as a breathtakingly original songwriter and singer. Scott Peeples follows Dylan through decades of radical shifts in his writing, recording and performing styles, from the intimate lo-fi Basement Tapes to the musical collage art and apocalyptic blues of the twenty-first century. Spanning Dylan's entire career, How Many Roads illuminates Dylan's deep respect for tradition alongside his artistic restlessness, a combination that extends into his prose writing, filmmaking and visual art. Weaving lucid analyses of Dylan's major albums and live performances into a briskly paced biographical narrative, Peeples offers newcomers and Dylan die-hards alike a fresh perspective on the most compelling and challenging popular performer of our time Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Scott Peeple's How Many Roads: A Life of Bob Dylan (Reaktion, 2026) chronicles Bob Dylan's rise from apprenticeships in Minneapolis cafés and Greenwich Village folk clubs to international stardom as a breathtakingly original songwriter and singer. Scott Peeples follows Dylan through decades of radical shifts in his writing, recording and performing styles, from the intimate lo-fi Basement Tapes to the musical collage art and apocalyptic blues of the twenty-first century. Spanning Dylan's entire career, How Many Roads illuminates Dylan's deep respect for tradition alongside his artistic restlessness, a combination that extends into his prose writing, filmmaking and visual art. Weaving lucid analyses of Dylan's major albums and live performances into a briskly paced biographical narrative, Peeples offers newcomers and Dylan die-hards alike a fresh perspective on the most compelling and challenging popular performer of our time Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Scott Peeple's How Many Roads: A Life of Bob Dylan (Reaktion, 2026) chronicles Bob Dylan's rise from apprenticeships in Minneapolis cafés and Greenwich Village folk clubs to international stardom as a breathtakingly original songwriter and singer. Scott Peeples follows Dylan through decades of radical shifts in his writing, recording and performing styles, from the intimate lo-fi Basement Tapes to the musical collage art and apocalyptic blues of the twenty-first century. Spanning Dylan's entire career, How Many Roads illuminates Dylan's deep respect for tradition alongside his artistic restlessness, a combination that extends into his prose writing, filmmaking and visual art. Weaving lucid analyses of Dylan's major albums and live performances into a briskly paced biographical narrative, Peeples offers newcomers and Dylan die-hards alike a fresh perspective on the most compelling and challenging popular performer of our time Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Scott Peeple's How Many Roads: A Life of Bob Dylan (Reaktion, 2026) chronicles Bob Dylan's rise from apprenticeships in Minneapolis cafés and Greenwich Village folk clubs to international stardom as a breathtakingly original songwriter and singer. Scott Peeples follows Dylan through decades of radical shifts in his writing, recording and performing styles, from the intimate lo-fi Basement Tapes to the musical collage art and apocalyptic blues of the twenty-first century. Spanning Dylan's entire career, How Many Roads illuminates Dylan's deep respect for tradition alongside his artistic restlessness, a combination that extends into his prose writing, filmmaking and visual art. Weaving lucid analyses of Dylan's major albums and live performances into a briskly paced biographical narrative, Peeples offers newcomers and Dylan die-hards alike a fresh perspective on the most compelling and challenging popular performer of our time Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

What I learned from rereading Bob Dylan's autobiography. Made possible by: Ramp: ⁠⁠https://ramp.com⁠⁠ Applovin: ⁠⁠https://www.applovin.com Vanta: ⁠⁠https://vanta.com/founders

Odysseus and Spider Man join forces to rescue UK cinemas for the summer. Fans turning up to Phoebe Bridgers' latest gigs won't be able to film her performance on their smartphones, part of a trend pioneered by artists like Bob Dylan, Alicia Keys and Guns n' Roses. We find out what one venue thinks of the ban. And, our regular expert panel looks back over the highlights of the week's business stories.

The Grateful Dead made their only visit to the land of chocolate on a rainy night in summer 1985, a pivotal show for different reasons for lighting crew member Dan English and longtime Dead Head photographer Bob MinkinGuests: David Lemieux, Dennis McNally, Dan English, Bob Minkin, Hawk, Dave Leopold, John Leopold, James Williamson, DNA, Johnny Dwork, Andy Perrine, Tom Storrer, Joe Noce, Joe StevanoffSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The UK is experiencing its millionth heatwave of the summer and the world is on fire but at least a lot of shareholder value is being generated.On today's show, Pete regales us with stories from a day out in London which took him to the Tate Modern and into contact with the work of an avant-garde Guatemalan artist. He just couldn't take his eyes off one particular installation.Plus, Gary Vee's acting weirder than ever and Bob Dylan is incomprehensible at his present-day gigs.Send us your latest stories, questions and comments here: hello@lukeandpeteshow.com.The Luke and Pete Show is the sometimes ridiculous, always funny podcast with Luke Moore and Pete Donaldson: two men who have time on their hands and a good idea of how to waste it. Subscribe to get your comedy podcast fix every Monday and Thursday. Hosted on Acast. See acast.com/privacy for more information.

Ella Williams from Squirrel Flower is here to discuss Say a Prayer to the Gods of Getting Going, not having a real home, living in many different cities, and the joys of transience, when relationships are complicated by the city of Cleveland, which can be depicted in song or on the comedic TV show 30 Rock, playing a show where Lee Harvey Oswald was arrested, when ghosts steal your CDs, finding musical inspiration in the book Women Who Run with the Wolves and in the work of Joni Mitchell, highways and marginalization, volume and balance, frenetic motion and stark stillness, writing new songs, playing shows soon, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win You've Changed Records by Fiver and G̱amksimoon in August 2026!Ep. #1063: RatboysEp. #1045: The BethsEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #875: Ann PowersEp. #700: SpoonSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Join us for the final installment of One True Book Club '26! In this series of episodes, we are reading the Hemingway-relevant selection, Under Fire by Henri Barbusse, the classic French WWI novel published in 1916.This episode covers the final chapters of the novel. We discuss how Barbusse balances graphic, grotesque depictions of the dead with artistic restraint; we analyze anti-war themes throughout this section, including Corporal Bertrand's powerful speech; and we reflect on the "ray of light" symbolism at the end of the book.Throughout the discussion, we connect our reading to other works by Hemingway: “Chapter X” of In Our Time [They whack-whacked the horse…], A Farewell to Arms, For Whom the Bell Tolls, Men at War, “A Natural History of the Dead," and “Soldier's Home.” We also draw connections to other non-Hemingway works, among them J'accuse (dir. Abel Gance), Stephen Crane's The Red Badge of Courage, Bob Dylan's “Blowin' in the Wind,” Joseph Heller's Catch-22, Siegfried Sassoon's Memoirs of an Infantry Officer, and Saving Private Ryan (dir. Steven Spielberg).We are using the Penguin Classics edition with an Introduction written by Professor Jay Winter. In the second half of this episode, Winter kindly sits down with us to share his wisdom about this spectacular book!Thank you for listening to One True Podcast! Consider donating to the Hemingway Society, including to the recently created One True Podcast Fund or the Hemingway Café Club!

On the August 13 edition of the Music History Today podcast, two stage mishaps have tragic consequences, one band debuts, while another one breaks up. Plus, it's the birthday of the man with Tiny Bubbles, Don Ho.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayChapters: 00:00 Intro 00:34 What happened on this date in music history17:09 Music award ceremonies that were held on this date in music history18:06 Albums released on this date in music history 25:51 Singles released on this date in music history 27:57 Birthdays of music artists on this date in music history 38:27 Passings of music artists on this date in music history 47:33 What's on tomorrow's episode

This week, David makes a huge mistake with a can of snakes, Gavin's kids cry over ice cream, listen comes for us, Gavin comes for Bob Dylan, we have an uber special guest join our top 3 list, and this week we are joined by fellow gays and finanical icons David and John Auten-Schneider from the Queer Money Podcast who talk to us about saving for your kids future, how to afford (and not afford) becoming dads, and why giving your kids an allowence can be the smartest financial move you can make. Questions? Comments? Rants? Raves? Send them to GaytriarchsPodcast@gmail.com, or you can DM us anywhere @GaytriarchsPodcast

Craig Carton and Chris “Big Mac” McMonigle get into a wild debate over Tito Jackson and the Jackson 5, with a caller making the case that Tito was far more talented than people give him credit for. The conversation then turns into a bigger debate: Who are the true musical savants? Michael Jackson, Prince, Brian Wilson, Bob Dylan, Carole King, Ed Sheeran, Kid Rock, Lil Wayne and more are discussed as Craig and Big Mac debate what separates incredible musicians from true musical geniuses. Plus, Nico's 27th birthday party, Giants talk, tailgating, and a very unexpected caller update from Lori!

Sometimes a cover song is so good, so singular that it completely eclipses the original version.  Think Sinéad O'Connor doing Prince's “Nothing Compares 2 U,” Jimmy Hendrix lighting up Bob Dylan's “All Along the Watchtower” or, of course, Whitney Houston's defining take on Dolly Parton's “I Will Always Love You.”  On this week's show, we share some of our picks for cover songs that are better than the originals, talk about why, and what, exactly, a cover song needs to become a classic.NPR Music's Dora Levite and Lars Gotrich join host Robin Hilton.Leave us a review on Apple or Spotify wherever you listen to podcasts. Questions, comments, suggestions or feedback of any kind always welcome: allsongs@npr.org(00:00) Intro and the top five G.O.A.T.s (06:06) Al Green: “I Wanna Hold Your Hand”(09:58) Björk: “It's Oh So Quiet”(12:28) Aretha Franklin: “Respect”(16:22) Low: “Last Night I Dreamt That Somebody Loved Me”(19:45) Andrew Paul Woodworth: “Fight For Your Right to Party”(25:10) Yaeji: “Passionfruit”(28:13) Shonen Knife: “Top of the World”(32:06) Wednesday: “She's Actin' Single (I'm Drinkin' Double)”(34:54) Low: “Fearless”(36:37) Harry Nilsson: “Without You”(39:57) Beyonce: “Before I Let Go (Homecoming Live Bonus Track)”(42:35) Gary Jules: “Mad World”(49:19) Chaka Khan: “I Feel For You”Support public media with NPR+ and enjoy perks for over 25 podcasts like this one. This show's perks include bonus episodes and sponsor-free listening. Learn more at plus.npr.org.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

A compilation of conversations with some of the great musical artists from the Great Lakes region.0:00:00 - Sycamore Smith (from episode 106 - March 5, 2024)0:48:45 - Gerko and sinful jebidiah (from episode 119 - June 18, 2024)1:28:07 - Bob Dylan (from episode 138 - March 18, 2025)patreon.com/hbdpod

Ode (@thatsod.e / @thatsod_e) and Mo AKA Kid Licorish (@licorishislegit) welcome DJ Sir Daniel and Jay Ray of Queue Points podcast for a bonus crossover centered on Netflix's The Greatest Night in Pop. The conversation traces the recording of We Are the World, covering the roles played by Harry Belafonte, Ken Kragen, Lionel Richie, Michael Jackson, and Quincy Jones in assembling the session, along with standout moments involving Stevie Wonder, Bob Dylan, Diana Ross, Cyndi Lauper, and Al Jarreau. The group also discusses points of frustration with the documentary, including Prince's absence, the treatment of Sheila E., and Patti LaBelle missing the recording the year before her own breakout. Before the review, DJ Sir Daniel and Jay Ray walk through the origins of Queue Points tracing the show's start back to the Salt-N-Pepa Lifetime biopic and the public dispute involving Spinderella. A Time Capsule segment rounds out the front half, with selections including Valentino's 1975 recording of I Was Born This Way, Earth Wind and Fire, A Tribe Called Quest's Stressed Out, and the full catalog of Destiny's Child.The back half of the episode moves into a hypothetical modern version of the recording, with the group debating a 2026 lineup that includes Beyoncé, Kendrick Lamar, SZA, The Weeknd, and Questlove. Big Mad turns to the impact of the Canadian wildfires on air quality, commentary on Dame Dash carried over from a previous live show, and frustration with anime fans who argue that shows like One Piece, Dragon Ball Z, and Fullmetal Alchemist Brotherhood contain no political themes. Small Joys closes things out with DJ Sir Daniel's vinyl copy of Black Milk's Ceremonial, upcoming DJ sets at Stereo Atlanta and JB's Record Lounge, and Ode's read of Jessica Cage's Accidents Happen series. DJ Sir Daniel and J-Ray close by pointing to QPoints.com for the weekly podcast and Thursday night Queue Points Live sessions.Queue Points is the Black Podcasting Award and Ambie Award-nominated music podcast and media platform that celebrates Black music history and culture through smart, entertaining conversation. Hosted by DJ Sir Daniel and Jay Ray, the show blends music commentary, music history, and pop culture analysis to explore the evolution, impact, and cultural significance of Black music across genres. Facebook: https://facebook.com/queuepointspodInstagram: https://instagram.com/queuepointspodLinkedin: https://linkedin.com/company/queuepointspodBluesky: https://bsky.app/profile/queuepointspod.comYouTube: https://youtube.com/@queuepointspodConnect with the Snerdy CrewWatch, Listen, or Sponsor the show: ⁠⁠⁠⁠⁠https://beacons.ai/blackandsnerdy⁠⁠⁠⁠

Margaret Glaspy compares the experience she was having on Instagram to being lightly punched in the gut, over and over, for a very long time. Like it's not like being hit hard, just a little tap of something negative with each update you read, each comparison made, each distancing away from actual humanity and toward the simulated reality the platform presents. So she quit social media. Which was hard because it was an actual addiction. And then she wrote and recorded her new album, I Am Both, which just came out. It's a remarkable work as Margaret leaned on her own mind, her own thoughts and memories and experiences. The California-raised, Brooklyn-based musician was inspired by the clear voice and perspective of heroes like Bob Dylan, Joni Mitchell, and John Steinbeck. It's a candid interview that just might inspire you to make a big change of your own. Thank you to all our listeners who support the show as monthly members of Maximum Fun. Check out our I'm Glad You're Here and Depresh Mode merchandise at the brand new merch website MaxFunStore.com! Hey, remember, you're part of Depresh Mode and we want to hear what you want to hear about. What guests and issues would you like to have covered in a future episode? Write us at depreshmode@maximumfun.org. Depresh Mode is on BlueSky, Instagram, Substack, and you can join our Preshies Facebook group.  Help is available right away. The National Suicide Prevention Lifeline: 988 or 1-800-273-8255, 1-800-273-TALK Crisis Text Line: Text HOME to 741741. International suicide hotline numbers available here: https://www.opencounseling.com/suicide-hotlines Help support this show and unlock bonus content! Become a member at https://maximumfun.org/joindepresh

The latest revelations from Dr. Fauci’s messages about potential COVID vaccine risks during early pregnancy, President Trump’s vaccine actions and a crackdown on visas. Plus, the death of Dukes of Hazzard star Ben Jones, a bizarre Bob Dylan concert story, and the growing controversy surrounding Sophie Cunningham, DiJonai Carrington and the WNBA.

In this week's Bob Dylan Hotline, we're talking about Bob Dylan's vocals! What do YOU think his sexiest, spookiest, and most moving vocals are? This question comes from Graley Herren, one of the most referenced people on this podcast because we think he's great, and he has a new book coming out in September, which traces Dylan's career through the lens of his performances in just one city! Pre-order your copy of Dylan in Cincinnati here.Also check out Graley's Substack.You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.Book your Bob Dylan Walking Tour of NYC with Rebecca on ramblintours.com.Get your Definitely Dylan baseball cap here.Rebecca's bootleg version is here.

本期节目我将继续跟大家分享我在华盛顿的所见所闻所思所想，尤其是一些关于AI时代下我应该如何生活和工作的思考。这个世界变化得太快，每天的更新都让人措手不及。可是似乎也没有什么别的办法，只好拥抱这样的措手不及。 本期歌单 1. David Bowie – Space Oddity @ David Bowie (1969) 2. 顶楼的马戏团 – 海风 @ 谈钞票伤感情 谈感情又伤钞票又伤感情 (2013) 3. American Football – No Soul to Save @ American Football (LP4) (2026) 4. Radiohead – Fitter Happier @ OK Computer (1997) 5. Anton Khabbaz – Dog Days Are Over (2025) 6. Bob Dylan – Blowin’ in the Wind @ The Freewheelin’ Bob Dylan (1963)

A live recording from The Big Romance about a 2008 Sub Pop-released classic album of the 2000s. Listen on Apple | Android | Patreon | Pocketcasts | CastBox | Stitcher | Spotify | RSS Feed | Podlink Step into a world of misty melodies and cavernous echoes with Seattle band Fleet Foxes' landmark debut – a defining record of the late-2000s indie folk revival. Led by Robin Pecknold, the album blends the lush, pastoral harmonies of the 1960s with a haunting baroque-pop sensibility and lyrical themes rooted in nature, tradition, and introspection. Like the Bruegel painting on its cover, every track reveals a dense, beautiful world that evokes a timeless – almost mythic Americana sound. This podcast episode is a live recording from our listening party in The Big Romance in April, with guest journalist and Fleet Foxes fan Aoife Barry. Our next Listening Party is Smashing Pumpkins later this month and it's sold out. Listen Closely: Fleet Foxes – Fleet Foxes (2008) A Nialler9 listening party, hosted by Niall Byrne with guest Aoife Barry. Before the album Niall: Hello everyone, how are you? Welcome to the Listen Closely album listening party. I'm Niall, and this is Aoife Barry. Aoife: Hello. Niall: We're here tonight because Aoife picked this album, as she has before. You picked Jeff Buckley last year. Aoife: Yeah, and we ended up doing three of them. Niall: We did, we went to Cork. We did two here and then we went to Cork to talk about Jeff Buckley. And you were at the My Bloody Valentine listening party last year as well, back in October. Aoife: It must have been October, yeah. Niall: Well, obviously we're here for a very different album tonight: Fleet Foxes by Fleet Foxes, from 2008. As you heard there, we played a bit of the Sun Giant EP by the band, which came out a few months before this album, because we want to give the album its full due. They're a little different, and we'll talk about that. But yeah, you picked the record. Aoife: I did. I obviously must like it. And it's such an incredible record. Is there anybody here who hasn't heard it? That's really exciting, if so. I'm excited for you to hear it. You got a sneak peek there of what the vibe is going to be. I picked it because I love this record, but I also had a funny story about how I first heard them. Back in 2008, when this record came out, I'd read about this band called Fleet Foxes in a music magazine. I don't even think I'd heard a song yet, this is back in the day. And I was on holidays in Berlin, and in the tiny little hostel we were staying in, they had a sign up on the wall: "Who's playing tonight? Fleet Foxes, Café Zapata." I said to my boyfriend, "I think that's a band I read about in the magazine, will we go see them?" And he was like, "Grand." So we went, and they were unbelievable. It was so good. Beach House were supporting them. So it was 2008 smacking you in the face. Niall: Come on. Aoife: And I took photos, which I found. I have photos. Artifacts. One is terrible, the other one's not so terrible, taken on one of those little Canon digital cameras. And I still have the ticket, I kept the ticket, I'm one of those hoarders who keeps all their gig tickets. But it was so good: the venue they played in had a dragon that breathed fire out every fifteen minutes. Niall: So they'd be playing and this dragon… Aoife: I'm not even exaggerating. Fire would just shoot out of this mechanical dragon. It was so Berlin. And Fleet Foxes were so stunning, and Beach House were so stunning. I love Crosby, Stills, Nash & Young, I love all those harmony vibes, I wish I was born in the seventies, sadly I was not. So I fell in love with them immediately, and I've been a big fan ever since. Although I'll say I probably dipped a little bit around the Crack-Up era, their third album, but then I saw them when Shore came out, their most recent album, and fell right back in love with them. Niall: We're going to talk about all the albums that come afterwards, but we'll start with this one, because this is presumably your favourite, or one of them. Aoife: Shore is up there as well for me, but yeah. Niall: So what was it about Fleet Foxes at the time? For context: in 2008 there was quite a lot of this kind of music around. We previously did Bon Iver's For Emma, Forever Ago as a listening party, and the funny thing, which I only found out when we did this, is that they have the same origin story in a way. Both songwriters went to a cabin in the woods to pour their heart out and write the songs. Aoife: I think Justin Vernon just got there first in terms of the marketing. Niall: So they must have pulled back on talking about it too much, because it's basically the same thing. They never really talked about Robin Pecknold's writing process in those terms. Aoife: For Emma was such a massive moment, everybody was obsessed with this guy who broke up with a girl and went to a cabin and wrote a record about it. It was the ur indie-folk album. Niall: What was really appealing about Fleet Foxes is that they were so young, between about twenty-two and twenty-seven, and Robin Pecknold was twenty-one when he wrote the record. Which is frankly offensive, you shouldn't be allowed to be so talented at twenty-one. Aoife: I know. And they were clearly these people from Seattle, which we associate with grunge, and then it becomes this place where they're bringing out all the pastoral, outdoorsy, mountain-and-sea vibes of the Washington area. They're obviously really influenced by the seventies too, by Crosby, Stills, Nash & Young, by Laurel Canyon, but also by Appalachian folk. There's a real purity to what they're doing. The harmonies are unbelievable, there's even a bit of a gospel feeling. So these young guys made this album that was being called an iconic American record on release. The Guardian called it a landmark American album, something like that. And that's special, because you don't get that many records immediately being called landmark. Niall: It was a very exciting time for music around then. I actually brought some records. We mentioned Beach House and Teen Dream earlier, that's a bit later, 2010. I wanted to do a listening party for that at some point, that'd be good craic. Around that time you had Animal Collective and Panda Bear, Person Pitch was right there, that was the apex for that very experimental scene. A few years later we had Sufjan, our very first listening party. And Bon Iver, of course. There's also stuff like Neutral Milk Hotel very much of that vibe. Aoife: I've noticed people covering Neutral Milk Hotel more now. Niall: I think when we got to it, it was on its second go-round, and now it's getting a third, which is great. It's a great record. So, the band were from Seattle, they had a bit of the scruffy flannel-shirt look, but obviously didn't sound like that. The album was written in the woods, in the cabin, brought to the band, and recorded with Phil Ek. Aoife: Who did a lot of stuff with Built to Spill. Niall: Yeah, and he worked with The Shins, and Modest Mouse, a really long history. Aoife: Are The Shins from Seattle as well? Niall: I think they might be. Band of Horses is another one. So they recorded it themselves with Phil Ek, paid for it all themselves, and then the local major independent label Sub Pop came calling. Obviously known for a lot of grunge traditionally, but they'd clearly been releasing this kind of music around then too, The Shins had been on the label for a few years, Band of Horses. When it came to it, they signed to Sub Pop. Apparently there was a bidding war. Aoife: They'd become quite popular on MySpace. Anybody remember MySpace? Every time I do one of these I feel older and older, mentioning the top eight, the randomers you'd put in your top eight. Word could spread quite quickly once you got popular on MySpace. Niall: What I thought was really interesting, that I discovered when I was researching, is that recording the album was actually a total pain for them. They didn't have much money, so they ended up recording a lot of it in their houses, or in Robin Pecknold's family home. And he re-did all the vocals right before they mastered the record, because he'd been sick during the initial sessions and his voice wasn't in great shape. They recorded it all in one go, scrapped that, did another version, and kept moving the running order around. I'm always fascinated by albums where the creation was a total pain and they had no idea it would even work out. Robin Pecknold actually said, "I hope nobody cares about this album, because I just want to move on to the next one." And then it becomes this iconic record. Aoife: Isn't every artist sick of their album by the time it's done? You're like, "my paintings." Yeah. Niall: 2008 was an interesting time for it to land. The album draws on the Beach Boys and Brian Wilson, Crosby, Stills, Nash & Young, Nick Drake, Simon & Garfunkel, Fairport Convention, Judee Sill, very much old-timey or sixties folk and pastoral stuff. And in 2008 there's a financial crash. The album was worked on before that, but it was released into that environment, and a lot of this music seemed to catch. When things go bad, we retreat, we dream, we listen to music that's maybe the opposite of what we're feeling. There was a gentleness, an unhurriedness to it that resonated. Aoife: Grizzly Bear is another band from that time. When Jay-Z and Beyoncé went to see Grizzly Bear in Brooklyn, that was kind of where all the indie music peaked. Niall: And the other part of it, which I was involved in, was the MP3 blogs, that's where you'd hear this music. Especially the American and Canadian stuff, no one was promoting it over here yet, so you'd be months ahead. You'd hear Fleet Foxes in these MP3 formats. That was a mad period, it showed how the internet could collapse geography, a song could spread really quickly on the blogs. And in an American context, this came out post-Bush, with the Obama era coming in, a more hopeful tone. You had the Lehman Brothers crash, these global pressures, and then these hopeful times too. It's interesting to wonder whether these albums are a reaction to it, or whether they appeal to us because we want nice, happy things. I feel like Fleet Foxes have so much emotional depth: there's yearning, sadness, hope, nostalgia. Aoife: I loved Yellow House by Grizzly Bear, their first record, a complex, complicated, almost jazzy thing that sounded beautiful but had a lot going on. We weren't going for simplistic music, but we wanted music that gave us depth and beauty. Is art a solution to the world collapsing? Niall: We could be answering that in 2026. We live in a cursed timeline, as I keep saying. That's all I'm going to say. But what else happened in 2008 in the wider circle of music? Portishead returned with Third. TV on the Radio released Dear Science. MGMT released Oracular Spectacular, 'Kids' and all that. Cut Copy released In Ghost Colours, Indie Sleaze night on Saturday, folks, come on. Kanye put out 808s & Heartbreak, that was November that year. Rihanna was at the peak of her powers. Aoife: Katy Perry appeared that year. And 'American Boy'. Niall: 'American Boy', still one of the best pop songs, fire. Iron & Wine was the other one I forgot to mention. So it was a really vibrant, varied year. As you heard, there's the Sun Giant EP too. Aoife: The thing about that is it came out before the album, but was recorded after. The album was done, in the bag. Niall: They decided to go into the studio and record Sun Giant, a collection of songs intended to sell on tour. It ended up being quite popular, and for a lot of people it was their first time discovering Fleet Foxes. Aoife: It wasn't like The Coronas' 'San Diego Song', their summer-holiday anthem, or anything like that. But it came out before the album, and then the album arrives. Niall: So what was the reaction at the time? Was it immediate? Aoife: Things happened really quickly. In January that year they got all the MySpace attention, and by June the album was coming out. Really, really quick. There was so much chatter about them, which is partly why I'd seen the name, and a music blog like yours would have seen it too, and known they were one of the big bands. In a way that's harder now. Niall: These days you see bands like Geese getting a lot of attention because they use companies that help them go viral. You didn't really have that then. Now you'd dress yourself up in some gimmick, polka dots, whatever, and go viral all over the internet for it. I couldn't imagine these lads doing that. Aoife: No. But maybe in a way they were cosplaying living in the forest, on the Puget Sound. Niall: Anyway, when the album came out, people loved them, and it really hit it off. Because they sound so seventies, your parents would love the records and you'd love the records. There's almost a lullaby quality to the folk stuff too. The music is applicable to anybody of any generation, and there's something lovely about nostalgic music that reminds you of a better time. To finish on that point: I think there's something very mysterious about Fleet Foxes, they feel out of time. They're these young, scruffy lads with the beards, but there's a mystery to them. They didn't come across as the hipster end of things, they weren't leaning into anything. They were presented as the kind of band that wouldn't have had phones, would have lived off-grid, which is funny because they were a MySpace band. They're the most un-MySpace band you can imagine. Surprise people, do something a bit different, don't be exactly what people want you to be, and they'll love you for it. And then your songs are unbelievable too, soaring and stunning. Can we talk for a second about the cover? It's an original painting from 1559 by Pieter Bruegel the Elder, Netherlandish Proverbs. It depicts a densely populated Flemish village scene illustrating 126 folk proverbs. There's a lot there. Some on this side are cut off, but for example, this woman here, she's putting the blue cloak on her husband, meaning she deceives him. This guy is casting roses before swine, wasting effort on the unworthy. And right at the top there's a man running through a field with his arse on fire, chasing pigs, "he who eats fire craps sparks," do not be surprised at the outcome if you attempt a dangerous venture. There are 126 of those. Aoife: The interesting thing is that the band managed to get permission to use it. Really unusual to be allowed use it as commercial artwork. Niall: And apparently the museum that holds the artwork were delighted. A lot of stars aligned for them. It's an iconic cover because it's so different from what anybody else was doing, clearly of a particular period, and it has that Where's Wally quality. I have a quote about it. Robin said: "We were trying to figure out what we wanted to do, and my brother had been working some stuff out, when I saw this Bruegel painting in a book my girlfriend had. I liked that it had a really intriguing meaning, there's a story to each little scene, which felt fitting for the record. It was dense but unified, not a collage. It has a Where's Waldo quality, something you could look at for a long time on a vinyl sleeve and keep finding new little things. It was very easy to get the museum in Berlin that has it to say yes, they were super excited the band wanted to use it, and put it in their newsletter. When you open it up, on the inside there's a Paisley pattern traced from the back of a book that Skyler's mum got me. We wanted two very different feelings." So, what to look out for when we press play very shortly? Aoife: When I was going back to this, I had it in my head that every song was one of these big songs, because there are so many big moments. But actually there are two tracks that are pretty much acoustic, so it's interesting to notice how they go from the big sound to the small. And for me they're a real emotion-and-feeling band, so notice how you feel listening to it. I always feel this swell of emotion with Fleet Foxes, I was walking down the road listening to Shore and I was like, my God. So lean back and feel into the emotions they're bringing you. And listen to the lyrics if you can make them out, because they're so out of time, all about pack horses and this amazing imagery. Robin Pecknold said he didn't write about a lot of personal stuff because he didn't have enough life experience yet, so instead he wrote these beautifully poetic narratives about pastoral and rural life. So I'd say the lyrics and the feelings are the two things. Niall: Track two, 'White Winter Hymnal', is probably the biggest one, watch out for that. And a few other people thanked and cited as influences, for some extra context: Brian Wilson, Joanna Newsom, Bob Dylan, Noah Lennox and all the lads from Animal Collective, Levon Helm and Robbie Robertson of The Band, Blitzen Trapper, who they toured with at the time and who were bigger than them then. For some reason Joni Mitchell and Neil Young are listed together, which is fair enough. Marvin Gaye, Damien Jurado, Paul Simon and John Lennon listed together. Townes Van Zandt, a legend. Vashti Bunyan, and Van Morrison. There's a nice quote from Robin Pecknold I'll read afterwards. Let's just open it up and listen. I'll play it at full volume, it's about thirty-nine minutes, two sides. Close your eyes, whatever you want to do, vibe away in your own way. [The album plays: Fleet Foxes – Fleet Foxes, 39 minutes.] After the album Niall: It's quite an economical album, isn't it? It doesn't stick around long, thirty-nine minutes. Aoife: I like an economical album. It's also one of the first fairly short records we've done here. Niall: That's part of why I was thinking about Sun Giant in that context too. I'm going to read a bit from the liner notes, because for an album that's very much about feelings, with only a few direct songs, some of what's written here is interesting: "My first memory has always been of me and my mom on a cold grey day down at some beach in Washington, along the Puget Sound somewhere near Seattle. I would be around two or three years old, and we were with a friend of mine from the neighbourhood and his mom, walking among the driftwood looking for crabs. Even now I can remember the smell and temperature of the air, the feeling of the sand and the swaying tall grass. I can even remember looking over at my friend and how his face looked when he smiled back at me. Another memory I'll sometimes recall as my first is dressing up in the dead of summer as Jack London, with tennis rackets on my feet and wearing my dad's hiking pack, after seeing Disney's terrible version of White Fang. Or the memory of stealing my neighbour's Big Wheel and riding it halfway down the block before getting caught and having to turn around defeated. Or wearing a fireman's outfit while washing my parents' car, or eating an orange popsicle from the ice cream truck. These have always been some of my most distinct and persistent memories of childhood. So it came as a disappointment when, one day as a teenager, I opened up a photo album and found pictures of each and every one of these memories. I didn't have a single memory that didn't belong to, or somehow grow from, those pictures my parents had. I guess I've seen all these photographs at some point, forgotten they were just photographs, and over time made them into my most tangible memories. That's scary to me in a way. This leads me to something weird about the power music has: its transportability. Any time I hear a song or record that meant a lot to me at a certain moment, I'm instantly taken back to that place in full detail. Whenever I hear 'Feel Flows' by the Beach Boys, I'm taken straight to the back of my parents' car on the way to my grandparents' place, with Surf's Up in my Walkman and the Cascade Mountains going by in the window. Any song off Radiohead's Kid A brings back the airport near Seattle, from when we were on the way to Colorado for a wedding and Kid A was the only record I brought or wanted to bring. 'Crayon Angels' by Judee Sill is the whole winter of last year. And Brian Wilson's solo version of 'Surf's Up' takes me back to driving my parents' car around town alone at sixteen, windows down at night. I can't ascribe exact memories to songs by The Microphones, Joni Mitchell, Built to Spill, Dungen, Harry Nilsson and so many others, and it's a form of recall I can actually trust, there's no visual element to complicate things, no chance of a planted memory that wasn't actually supposed to be there. Maybe I should be concerned that I'm alone in almost all of these memories, but I guess I was just a private kid, and music was a private experience for me. Music activates a certain mental freedom in a way nothing else can, and that is so empowering. You can call it escapism if you like, but I see it as connecting to a deeper human feeling than the one found in the day-to-day world." Aoife: That's lovely. It's a nice addendum. And he was only twenty-one. Niall: For some reason it's signed "Warren Gamaliel Bancroft Winnipeg Harding," Warren G. Harding being the 29th president of the United States. I don't know why, he thought it was funny. Dated April 6th, 2008, Chicago, Illinois. So, any particular highlights, anything that stood out? Aoife: I was reminded how much I love 'Blue Ridge Mountains', the second-to-last song. I just love those four- and five-part harmonies so much. There's something that really gets me about beautiful harmonies stacked on each other that sound so natural. My dad was really into Neil Young and all of that era, my mum's really into Simon & Garfunkel, so I feel like I came out of the womb going, this is the music I love. Niall: There was another one I meant to mention. Aoife: I'm really bad at remembering song names, which isn't great for an arts journalist. They go in one ear and out the other. Niall: 'He Doesn't Know Why'. Aoife: That was it. I always forget the name of that one, and it's an absolute banger. It's quite a direct song, the last one on the first side. Niall: He mentions his brother Sean in 'Blue Ridge Mountains', which is interesting. And Oliver James is his younger brother, that's the last song. Aoife: His sister is Aja, after the Steely Dan album. The parents were really into them. Niall: It holds up so well. The harmonies and vocals sound incredible, there are those beautiful little flourishes, a flute on one of the tracks, the guitar is stunning, lovely little bass lines. I love the way Robin Pecknold and the band hear music. There's a really good Song Exploder episode with him talking about a song from Crack-Up, and the way he thinks about translating his thoughts and emotions into music is so illuminating. He has a beautiful melodic flow that's really similar to the flow of water and nature. There are so many nature references, it's almost parody there are so many. Aoife: You could do a Portlandia sketch about it. "Power of nature, man." "Come down from the mountain, you've been gone too long." Niall: In terms of the line-up: alongside Robin Pecknold on vocals there was Skyler Skjelset on lead guitar, his best friend from Nathan Hale High School, later joined by Casey Wescott, Christian Wargo on bass, and Nicholas Peterson on drums, who left after this album. Aoife: And who came in as the drummer? Niall: A man who's been a main character in one of these listening parties himself: Josh Tillman, Father John Misty, played drums with them. Aoife: For how long? Niall: Only a year or two, pretty short. As I said, main character, he was making his own record. Any Father John Misty fans? He writes really good songs and he's handsome, so we all love him, but he's also a bit of a pain, and he didn't get on very well with Robin Pecknold, which isn't surprising. When I was looking back at the Pitchfork interview they did in 2008, a few months after the album came out, it was a big joint interview with Robin and Josh Tillman, and Tillman is answering the questions at the start. That's confidence. Do you want to hear a quote from what Robin Pecknold said? I've written it in my little notebook, so old-school, that's the only way I remember these things. In a 2020 Reddit AMA, Pecknold said that on that tour, the Helplessness Blues tour, Tillman was supposed to bring out his own record, but his label said he could only release it after the tour. So he was on tour thinking, "I want to bring out my own record, I'm tired of Fleet Foxes." Pecknold said he "had to endure being around a lot of substance abuse, sabotaged shows, general ill treatment and shit-talking, all while paying him for songs he didn't have anything to do with. It sucked." And then Tillman left the band. Whereas in that Pitchfork interview he'd said, "I love playing in this band, these are all my friends, I'm having the best time, I'm sorry if that's a corny quote, but that's the best thing about this experience right now." Aoife: So he was lying through his teeth. I think he's the kind of person who really has to be a solo artist, too iconic a personality. You wouldn't want to wrangle him out of bed to get to the next show. Niall: Too big a price. You mentioned Pitchfork, the album was number one on their end-of-year list in 2008, and they listed Sun Giant alongside it, breaking the traditional conventions of end-of-year lists. What they said was: listing Fleet Foxes' debut album and EP together may be awkward, but it just feels right, they're two sides of a coin that equally express the band's mastery, "a catch-all Americana that takes a wide slice of our popular music spectrum and pulls it through a reverse prism to create a gorgeous and focused sound of the band's own. The threads of Brian Wilson's coastal pop, Appalachian folk, modern indie rock, Grateful Dead jams and other influences are masterfully synthesised in the band's harmonies." Robin Pecknold's sense of dynamics, they said, flows like a river, wild and free but logical, filling what needs to be filled and moving on. I swear I didn't rip that off Pitchfork, I came up with something similar on my own. Aoife: Very good. Niall: It was Uncut's album of the year too. But more than anything, and this is a strange accolade, the album was ranked number 36 on Rolling Stone's list of the greatest stoner albums. Aoife: I don't think Robin Pecknold was a stoner. It doesn't really fit. He's a reader. Niall: So what came after? Helplessness Blues, which is really difficult to say, in 2011, then Crack-Up in 2017, then Shore in 2020. Big long gaps, some personnel changes. And Robin Pecknold, as we've established, is a very literary guy, he went to Columbia to do an undergrad in English literature, because he'd left high school early and gone to a community college, and he really wanted that college experience. So that was part of the break. He's also had difficult times, he's spoken about mental health issues and suicidal ideation, many tough experiences that contributed to the gaps too. They haven't released anything since 2020, and he does a lot of cover events. There are two live records. He's actually playing a gig tonight, I think, where he covers Judee Sill. Any Judee Sill fans? Aoife: Oh my gosh, she's amazing. Nobody ever knows Judee Sill. If you listen to anything, listen to Heart Food, it's iconic. He loves her, mentions her on this record. She's the one who does 'The Kiss', people might have seen her perform it on the Old Grey Whistle Test, it's on YouTube. She had a really tragic life. Niall: One of those I've been meaning to listen to properly for years. She only has two records, so it's easy to get into. There's a documentary about her as well, which I haven't seen. Aoife: She's one of those ill-fated seventies musicians, really religious imagery, did a lot of drugs, really interesting. Niall: Did you get to see them again after your first foray in Berlin? Aoife: I saw them when they toured, though it's really bad when you can't remember what you were doing in the 2010s. Niall: Did anybody see them at that Dublin gig, the outdoor one in 2022? Wasn't it amazing. They've played here a fair bit: Vicar Street in 2008, Electric Picnic 2009, The Marquee in Cork 2011, the Iveagh Gardens in 2017. I don't know if I've missed any, maybe you can tell me. So if you were to pick, is there any further listening or reading you'd suggest to somebody, not necessarily Fleet Foxes? Aoife: Some of it is obvious. As I said, I'd definitely check out Judee Sill, because if you really like Fleet Foxes you'd really vibe with her. And he mentions Harry Nilsson, also unbelievable, more well known than Judee Sill, did the cover of 'Everybody's Talkin''. I'd also mention a guy people would have known at one point but isn't very well known now: Richard Swift. He sadly passed away a couple of years ago. He was friends with Robin Pecknold, a hugely talented musician who struggled with addiction. He has an amazing double album from around 2005 or 2006 that's brilliant, and a record called The Hex, which is referenced on 'Sunblind' on Shore, that's the song where Robin name-checks a lot of musicians he loves, like Elliott Smith, David Berman and Richard Swift. It's such a beautiful record for finding new people to listen to, and it's lovely to hear a musician pay tribute to musicians he loves. The imagery is him talking about this beautiful day where he'll go for a swim and listen to all these beautiful bands, an ecstatic kind of song. So check out all of those records, but Richard Swift deserves more fans, and The Hex is really, really good. Niall: Good shout. What we'll do now is play a tune, and then maybe give Sun Giant another go if you want to stick around. Our next listening party is on the 27th of May, and it's an indie-rock album very close to my heart: Broken Social Scene's You Forgot It in People. I've been wanting to do this one on record for a long time. They're playing here later in the year, but I want to give this record its flowers, it's incredible. My niece has just turned seventeen and I bought her a copy, because it's an anthemic record for a seventeen-year-old. I can't believe that band are still going, which is kind of mad, but it's hard to underline what Broken Social Scene meant to a certain segment of indie. Aoife: And there's four hundred of them on stage. They're from Canada, and we were all like, my God, these people are the best. Niall: For me it's the MP3 times again, we'll talk about this next month. I heard about them through the music blogs, and then I got to see them in the Button Factory, which was the Temple Bar Music Centre at the time. It was one of the first things I ever wrote about, back in 2005. A transcendental experience. Aoife: They're so good live. Niall: I once DJ'd in Galway after one of their gigs, and one of the members of the band, I'll leave him nameless, came over and turned off the decks while I was DJing. Aoife: On purpose? Niall: He was that drunk. I can't remember what I was playing, but I was like, great, DJing after Broken Social Scene and then a band member ruins it. I don't think he liked it. No, I think he was just really drunk and thought it was funny. Thumbs down to him. In a way it's surprising a man like that has managed to persist in a band with so many members. Anyway, I digress. We'll talk about it next month, May 27th. Aoife: I cannot wait. I've been listening to it a lot lately again, it's fantastic. Niall: Thank you for being here. Let's play a bit of this and see what happens. Thanks for being here, appreciate it.

Bonnie Dobson wrote the haunting folk classic “Morning Dew” in 1961, inspired by the fear of nuclear annihilation. The song would go on to be recorded by the Grateful Dead, Jeff Beck, Robert Plant, Nazareth, Devo and countless others—but along the way, singer Tim Rose claimed co-writing credit, beginning a decades-long struggle for Dobson to reclaim recognition for the song she wrote.Author John Einarson joins Booked On Rock to discuss his new biography, Take Me For A Walk In The Morning Dew: The Life and Times of Bonnie Dobson and the Story of Her Iconic Song. We explore the remarkable origins of “Morning Dew,” Bonnie's experiences in the 1960s folk scene and with a young Bob Dylan, how the Grateful Dead helped immortalize the song, the controversy surrounding Tim Rose, and the battle to restore Bonnie's rightful credit. John also shares the wonderful story of Bonnie knocking on Robert Plant's door and how Plant ultimately helped her get her song back.Pre-order a copy of Take Me For A Walk In The Morning Dew: The Life And Times Of Bonnie Dobson And The Story Of Her Iconic SongOrder a signed copy of Take Me For A Walk In The Morning Dew from Rough TradeFind more books by John Einarson----------

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Welcome back to another shot-out-of-a-cannon episode of The Rizzuto Show! It's Wednesday, everybody's burning the midnight oil, and the crew is diving deep into what it actually takes to survive the morning grind.First up, we unpack the ultimate nighttime sleep routine. From Lern getting into bed strictly at 8:30 PM to Moon laying upside down with his legs up the wall like a red-lens-wearing alien, everyone has a bizarre trick for catching Zs. We go around the room comparing bedroom thermostat temperatures—settling the eternal debate between freezing 66° Arctic expeditions and crazy 78° hot boxes—and reveal America's scientifically proven ideal room temp. Plus, King Scott drops a bomb about his silk hair bonnet routine!Next, in honor of National Underwear Day, we rundown the top 7 underwear brands in America, call out cheap multi-pack basics, and debate whether self-cleaning, odor-free shirts made of volcanic ash and gold are revolutionary or gross. Things get weird fast when the gang breaks down why sticking Q-tips in your ears feels like an out-of-body astral experience, despite every ear doctor begging you to stop.We also reflect on things that were taboo 10 years ago that are totally normal now—like location sharing, canceling plans as self-care, talking about mental health, and the rapid rise of AI. Finally, with King Scott preparing for fatherhood, Moon brings out the official Social Security Administration data to review 50 of the absolute strangest baby names given to infants last year. Would you name your child Gator, Rooster, Chaos, or literally Infant Girl? Rizz is currently living it up (and complaining his way through) Paris, so the rest of the gang is holding down the fort!First up, the crew breaks down French Rizz's Instagram updates and sets up a tallies bet for his return. Moon takes the high road with a modest 2 complaints, but Rafe goes big with a prediction of 10 separate grievances ranging from Chicago layovers to rude Uber drivers.Next, in Crap on Celebrities, Lern brings a controversial viral list of stars who allegedly suck at their crafts. The team passionately debates J.Lo's entertainer status, Taylor Swift's basicness claims, Snoop Dogg's legendary style, Keanu Reeves' acting chops, and whether Bob Dylan is just trolling everyone at this point.Finally, Moon shares personal stories about Linkin Park following the trailer drop for their new documentary Unshatter, and Rafe runs through today's wild pornstar birthdays!The Rizz Quiz Showdown, Rage Tribute & Big Trivia Victories The gang is live from the Bud Light Studio, throwing down the ultimate 90s throwback hype and testing caller brains with the return of Rizz Quiz!First, Moon breaks down all the details for the Rizzuto Birthday Bash at Delmar Hall—complete with Bags Against the Machine delivering a full Rage Against the Machine headlining set, a Blink-182 tribute, and the Pin-Up Bowl pre-party. Plus, huge giveaways for Guns N' Roses, Candlebox, and Babymetal with Halestorm!Then, Rafe takes control of the show with two full rounds of fast-paced Rizz Quiz trivia. Listeners call in to test their speed against the 45-second clock. Watch how Round 1 saw callers struggle to get past basic questions before Tom in Belleville set a massive bar of 8 correct answers. Then in Round 2, Jennifer repped the ladies of St. Louis by putting up an insane 10-point score to take home Guns N' Roses ticketsThanks for hanging out with The Rizzuto Show, where every day proves reality is funnier than fiction. If you're looking for a comedy podcast full of weird news, hilarious conversations, and the occasional accidental life lesson, buckle up.Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.This easy yoga pose can help you fall asleep fasterWhat's the Best Temperature for Sleep?New study reveals America's preferred AC temperatureClothing company releases odor-control shirt you can wear for a month without washingNATIONAL UNDERWEAR DAY - August 5, 2026We Asked an ENT if Q-Tips Are Really That Bad for Your Ears25 Things That Became Acceptable Since 2016 And We Should All Be WorriedParents believe children should be taught digital literacy at an early age, new survey showsFrom 'Jinx' To 'Gator:' Here Are Some Of The Most Unusual Baby Names of 2025Linkin Park 'Unshatter' Documentary: Watch the Trailer25 Famous People Who Are Bad At What They DoSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Rizz is currently living it up (and complaining his way through) Paris, so the rest of the gang is holding down the fort!First up, the crew breaks down French Rizz's Instagram updates and sets up a tallies bet for his return. Moon takes the high road with a modest 2 complaints, but Rafe goes big with a prediction of 10 separate grievances ranging from Chicago layovers to rude Uber drivers.Next, in Crap on Celebrities, Lern brings a controversial viral list of stars who allegedly suck at their crafts. The team passionately debates J.Lo's entertainer status, Taylor Swift's basicness claims, Snoop Dogg's legendary style, Keanu Reeves' acting chops, and whether Bob Dylan is just trolling everyone at this point.Finally, Moon shares personal stories about Linkin Park following the trailer drop for their new documentary Unshatter, and Rafe runs through today's wild adult entertainment star birthdays!Follow The Rizzuto Show → https://linktr.ee/rizzshow for more from your favorite daily comedy show.Connect with The Rizzuto Show Comedy Podcast online → https://1057thepoint.com/RizzShow.Hear The Rizz Show daily on the radio at 105.7 The Point | Hubbard Radio in St. Louis, MO.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

INTRO (00:24): Kathleen opens the show drinking a Lush IPA from Fremont Brewing Company.    TOUR NEWS: See Kathleen live on her “Flying Cats & Marching Armadillos Tour.”   TASTING MENU (4:04): Kathleen samples Milwaukee Pretzel Company's “Schnibbles,” Mingua Cajun Jerky, and Doritos Hot Honey Pizza Chips.    QUEEN NEWS (13:16): Kathleen shares Dolly Parton's funny quote about Bob Dylan and discloses that

Jon Miltimore is back — writer, commentator, and one of the sharpest guys covering arts, culture, and politics on Substack. This is his second time on the show and we did not run out of things to talk about. Topics include: why California can't fight wildfires and why Native Americans had better land management practices; the World Cup finally breaking through in the US; what to actually expect at a Bob Dylan concert when you're a Dylan fan (Jon didn't get what he wanted; he has no regrets); Ben Askren's double lung transplant and why elite athletes bounce back from things that would end most people; the new Stallone biopic about how Rocky got made — specifically the part where a broke, dog-selling, parking-car Stallone turned down $1 million because he refused to not play the role himself; the Rocky franchise and what it means that it somehow worked as it became more absurd; working out at 44 and 47 and why exercise is mental health; the case for travel sports (and why Matthew Yglesias is wrong); and why you should never outsource teaching your kid to ride a bike. Follow Jon on Substack → https://substack.com/@miltimore TIMESTAMPS: 0:00 — Intro — Jon Miltimore, writer and commentator 0:31 — Canada's wildfires — black skies over New York and Minnesota 2:37 — Why California can't fight fires — federal land, bad policy, and arson 4:38 — Native Americans had better land management — and we stopped listening 5:21 — Private land vs. federal land — the tragedy of the commons 5:38 — Happy Hour Econ — a comedian and an economist walk into a bar 8:50 — The World Cup in America — how soccer finally broke through 10:26 — Bob Dylan at a Bob Dylan concert — what you should actually expect 13:38 — Lou cries at a Bob Dylan concert. He's not embarrassed. 17:21 — Ben Askren's double lung transplant — and why athletes bounce back when others don't 20:44 — Askren retires on his shield — and makes peace with his rival 23:26 — The new Rocky biopic — Stallone turned down $1 million to play the role himself 27:53 — Lou used to go by Rambo as a kid. Old ladies still ask about him. 28:29 — Jon's 13-year-old son shadowboxed like Clubber Lang at age two 29:11 — The Rocky franchise — from gritty 70s realism to superhero movie 32:50 — Working out at 44 and 47 — rowing machines, air bikes, and getting back at it 36:30 — Russell Crowe's comeback — individual agency and why exercise is mental health 41:14 — Travel sports — expensive, worth it, and Matthew Yglesias is wrong 45:34 — Teaching your kids to ride a bike — don't outsource the best moments 51:07 — Auto-deleting tweets and cancel culture — how we need to treat speech differently 52:10 — Outro — find Jon on Substack Watch full episodes on YouTube → https://www.youtube.com/watch?v=J4Vb53s4I0A&list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJ Listen on Apple Podcasts → https://podcasts.apple.com/us/podcast/the-lou-perez-podcast/id1535032081 Listen on Spotify → https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU  Co-host of Happy Hour Econ → https://podcasts.apple.com/us/podcast/happy-hour-econ/id1863476697  Lou's book — That Joke Isn't Funny Anymore: https://amzn.to/3VhFa1r  TheLouPerez.com |  info@thelouperez.com  Newsletter: https://substack.com/@louperez Learn more about your ad choices. Visit megaphone.fm/adchoices

What's your most favorite and least-loved songs on Lloyd Cole and the Commotions' debut classic Rattlesnakes? Jim chose this one for a full-on lovefest unifier. We've all dug Lloyd since last century, even seeing him together with Michael Penn in 1990. Mister Cole politely declined to rank his own record but you can hear him kindly chime in on our Highway 61 Revisited episode. Even better, we got Camera Obscura's Tracyanne Campbell to tell us her favorites along with Mike Remoll, the Cool Brother Hall of Famer that introduced Jim to the Commotions 40 years ago (stay tuned & listen post-credits!). Hear it at WeWillRankYouPod.com, Apple, Spotify, Youtube and on Charlotte Street.FILE UNDER/SPOILERS:Tori Amos, Are You Ready to Be Heartbroken, Athens Georgia, Camera Obscura, Tracyanne Campbell, Truman Capote, Charlotte Street, Neil Clark, Leonard Cohen, Lloyd Cole, college rock, the Commotions, Cosmopolitan, Blair Cowan, Simone de Beauvoir, Joan Didion, Lawrence Donegan, Lonnie Donegan, Down At The Mission, Down on Mission Street, Anne Dudley, Bob Dylan, Faces, folk rock, Forest Fire, Four Flights Up, Greta Garbo, Glasgow, golf, hair, Paul Hardiman, Stephen Irvine, Jangle pop, Jim, Jodie, Julie, Grace Kelly, lead acoustic, Arthur Lee, library girl, Lloyd, I'm Ready To Be Heartbroken, Louise, Love, Norman Mailer, Mainstream, one note solo, Patience, Michael Penn, Perfect Skin, Rattlesnakes, REM, Mike Remoll, Ronald, Eva Marie Saint, Scotland, sexual enlightenment, the Smiths, Speedboat, Strava, strings, Tracy Thorn, 2CV, Velvet Underground, 1984US: http://www.WeWillRankYouPod.comwewillrankyoupod@gmail.comNEW! Host tips: Venmo @wewillrankyoupodhttp://www.facebook.com/WeWillRankYouPodhttp://www.instagram.com/WeWillRankYouPodhttps://www.threads.net/@WeWillRankYouPodhttp://wewillrankyoupod.bsky.social/http://www.YerDoinGreat.com (Adam's music page)https://open.spotify.com/user/dancecarbuzz (Dan's playlists)http://www.LloydCole.comhttps://youtu.be/Oc9BrOdET2U full Mike Remoll interview with historic photos!

John McCrea of CAKE discusses their elusive catalogue on vinyl, rarities of the band, upcoming Australian tour, new recordings, record nerdery and more. Tickets & info on CAKE's Australian tour is here Topics Include: John McCrae discusses collecting records, revisiting old favorites like Perez Prado He describes "chasing goosebumps" — the feeling of rediscovering great music Shares vivid teenage memory seeing Led Zeppelin at Knebworth, England Recalls dancing to washing machine rinse cycles as a toddler Names early formative records: Beatles, Bob Dylan, Woody Guthrie, Arlo Guthrie His parents played accordion and folk guitar, shaping his musicality Discusses his dad's Eastern European minor-key accordion versus polka music Talks about "Rancho Seco," his first recorded song, a protest track Song addressed a nuclear plant illegally releasing radioactive steam locally Connects Dylan influence and poets to his built-in social justice streak Reflects on growing up near Sacramento, Berkeley, and Nevada City, California Compares old Bay Area culture to today's flashier Silicon Valley wealth Describes Cake's early '90s formation, self-financed four-song EP release EP funded through show earnings and merch, later expanded into album Album got European distribution and unexpected early popularity in France "Rock and Roll Lifestyle" got college radio play before wider fame Cake signed to Capricorn Records, a small Southern rock label East Bay Ray advised McCrea to fight for keeping album masters McCrae says most bands don't retain their masters like Cake did Vinyl of Cake albums historically hard to find, tied up licensing Discusses 2014 box set now reselling for $700–$1,000 secondhand New Cake album is finished, awaiting mixing, targeted early 2027 Explains he avoids forced album themes, focuses song by song Reflects on why Cake albums come infrequently, citing family, industry fatigue Criticizes modern music industry as increasingly exploitative and financially unsustainable Explains reduced touring due to travel dislike and environmental concerns Considers eco-friendly vinyl options and shifting kids' preference toward CDs Discusses Cake's DIY visual identity, homemade posters, and lino-cut aesthetic Talks rare live vinyl pressings, including $300 Crystal Palace release Wraps up promoting Cake's Australian tour dates and Sydney ticket sales High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

Listen without ads: www.patreon.com/dopeypodcast Katie starts at 32 minutes in! This week on Dopey! BEFORE KATEY: We help a young philadelphian struggling with substances - and we celebrate the instant-classic Dopey appearance of Ben Croxton; reads Patreon and Spotify reactions; and announces DopeyCon at the SVA Theatre on October 3!  Dave sits down with actor, musician and recovery legend Katey Sagal for an expansive conversation about addiction, show business and nearly four decades of sobriety. Katey traces her story from growing up in Southern California and discovering music as her first escape from social anxiety to being prescribed amphetamine diet pills at 14. What began with pills, weed and alcohol gradually progressed into street speed, cocaine, freebasing, Percocet and a daily need to remain medicated. She remembers singing with Bob Dylan as a teenager, going to dinner with him while he wore no shoes, working with Bette Midler and Etta James, and navigating a music industry where heavy drug use was accepted as long as you made it to the gig. She also discusses her first husband's heroin addiction, experimenting with heroin herself, driving with ounces of cocaine in her trunk and continually placing herself in dangerous situations to stay loaded. Katey explains how she entered AA while searching for a boyfriend named Spider, stayed sober for several months, relapsed while working in New York and finally got sober for good on August 6, 1986. Only months into recovery, she began playing Peg Bundy on Married… with Children. She talks about telling someone on set that she was sober, working the Steps immediately, and maintaining her recovery as the show became a cultural phenomenon. The conversation also covers Futurama, Sons of Anarchy, meeting Kurt Sutter in a Twelve Step meeting, sponsorship, service, gratitude, Al‑Anon and why addiction continues to surface through food, shopping, control and obsessive thinking—even after the drugs are gone. Before Katey joins the show, Dave responds to a 23-year-old listener struggling with pyrazolam, kratom, marijuana and alcohol; celebrates Ben Croxton's . The episode closes with Jake from West Virginia performing a banjo cover of “I Wanna Be Good So Bad,” complete with an original third verse. All that and MORE! on a brand new episode of dopey! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It was another hot blast of a Summer Friday fun with our good pals comedian/director/actor Sandy Honig and musician Shannon Lay performing "The Calling" from her new album Past the Vail. Along the way we spoke to lots of YOU on zoom and the hotline, and even had some Bob Dylan talk. Get Shannon's album at shannonlay.bandcamp.com/album/past-the-veilSupport Office Hours, watch or listen to another hour of today's episode with some new doppelgangers, Shannon and her band performing the Slayer classic "South of Heaven" and much more with OFFICE HOURS+. Try it FREE for seven days at patreon.com/officehoursliveGet tickets to see On Cinema LIVE on the "Certified Five Bags of Popcorn Tour" this November at heinetwork.tv/eventsShop our merch store at officehours.merchtable.com and find the rest of our links at linktr.ee/officehoursliveGive yourself the gift of delicious Marz drinks with $25 off using code "officehours" at drinkmarz.comOne thing to pack, five ways to power! Get 10% Off @ Ridge with code OFFICEHOURSLIVE at Ridge.com/OFFICEHOURSLIVE #RidgepodSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

The Deadcast points to the Saratoga Performing Arts Center in New York, set inside the lush green of a state park & home to some of the wildest Grateful Dead shows of the mid-1980s, with a look at the 1985 parking lot scene.Guests: David Lemieux, David Leopold, Johnny Dwork, DNA, Ken Schneider, Andy Perrine, David Moran, Corry Arnold, Nicholas Meriwether, Annabelle Walsh, Donick CarrySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

***This show is brought to you by DistroKid. Go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://distrokid.com/vip/the500⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for 30% off your first year!*** Complete our⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ listener survey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for a chance to win a $50 gift card! Join Josh and comedy legend Lewis Black as they dive into Bob Dylan's The Freewheelin' Bob Dylan, exploring the groundbreaking songwriting, cultural impact, and timeless protest anthems that helped redefine American music and launched one of history's most influential artists. Follow Lewis on Instagram: https://www.instagram.com/thelewisblack/?hl=en Distrokid Artist of the Week: Brigette Calls Me Baby https://youtu.be/RQFDLA0CzEk?si=yx_EP-5QAJZX0zza Follow Josh on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/joshadammeyers/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on TikTok: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.tiktok.com/@joshadammeyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/JoshAdamMeyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Josh on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/joshameyers⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Josh's Website: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.joshadammeyers.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow DJ Morty Coyle on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/djmortycoyle/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.instagram.com/alldaysucker/ Follow The 500 on Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/the500podcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/the500podcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow The 500 on Facebook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/The500PodcastWithJAM/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email the show: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠500podcast@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Check the show's website:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠http://the500podcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices

With his new album, Belladonna Nocturne, out now, legendary producer Daniel Lanois looks back at his entire career. He reflects on his work with Bob Dylan, U2, Neil Young, Peter Gabriel, D'Angelo, and more in an in-depth interview with host Brian Hiatt. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Liz and Sarah are making it happen! They've been doing a deep dive into micro-dramas for several months, and now they're at the beginning stages of Executive Producing their first one. They talk about how they've gone about educating themselves in this new (to them) form of entertainment and ask listeners when they've made something happen. Then, in Take A Hike, they discuss the value of having a repertoire of everything from meals to small talk topics. They also share a recent Day In The Life — from dealing with a water outage to writing at the cafe at Godmothers to breaking a new pilot at Bob Dylan concert at the Santa Barbara Bowl. This week's Hollywood Hack is great for anyone who loves audio — the AirPods Pouch from Bandolier. Finally Sarah recommends Beyond Paradise on BritBox. Get in touch on Instagram: ⁠@Sfain⁠ & ⁠@LizCraft⁠ Get in touch on Threads: ⁠@Sfain⁠ & ⁠@LizCraft⁠ Visit our website: ⁠https://happierinhollywood.com⁠ Sign up for Liz & Sarah's free weekly Substack newsletter at ⁠https://happierinhollywoodpod.substack.com⁠ and Sarah's Chickening Out Substack at ⁠https://happierinhollywood.substack.com⁠. They'll come right to your inbox! Join our Facebook group: ⁠https://www.facebook.com/HappierinHollywood/⁠ Happier in Hollywood is part of ‘The Onward Project,' a family of podcasts brought together by Gretchen Rubin—all about how to make your life better. Check out the other Onward Project podcasts—⁠Happier with Gretchen Rubin⁠, and⁠Side Hustle School⁠ . If you liked this episode, 'S please subscribe, leave a review, and tell your friends! LINKS: Godmothers: https://godmothers.com/ Santa Barbara Bowl: https://sbbowl.com/ Airpods Pouch from Bandolier: https://www.bandolierstyle.com/collections/airpod-series Beyond Paradise trailer: https://www.youtube.com/watch?v=NgrI_iPsS2o Learn more about your ad choices. Visit megaphone.fm/adchoices

SPONSORS: Enjoy the refreshing citrus kick of Mountain Dew, an American Original. Tasting Great Since '48. Look for Mountain Dew in stores near you at https://mountaindew.com Thanks to MANSCAPED for sponsoring today's video! Get The Beard Hedger Plus for 15% OFF + Free Shipping with code “BEARS” at https://Manscaped.com! For simple, online access to personalized and affordable care for Hair Loss, Weight Loss, and more, visit https://hims.com/bears Sign up now and Acorns will boost your new account with a $5 bonus investment. Join the over 14 million all-time customers who have already saved and invested over $27 billion dollars with Acorns. Head to https://acorns.com/bears or download the Acorns app to get started. Sponsored by BetterHelp. Sign up and get 10% off at https://betterhelp.com/bears Start your free trial at https://shopify.com/bears This week on 2 Bears, 1 Cave, Tom Segura and Bert Kreischer spiral through Bert's newest crisis: figuring out which musicians would actually like him. After Lou Reed tells him off mid-treadmill (entirely inside Bert's head), Bert starts deleting Jane's Addiction and Radiohead from his library, relives Shane Gillis walking out of a Wilco concert after five seconds, and learns his most-played song of all time is "Higher" by Creed. From there, the Bears get into Tom's tour of Kid Rock's 20,000-square-foot, two-bedroom replica White House and meeting Jimmy John from Jimmy John's, a deep dive on Subway Takes and why Bert believes celebrity hot takes are all fake, the viral "white people shouldn't sit on stoops in Bed-Stuy" debate, and a deeply satisfying story of a first-class line cutter getting humbled in front of Viola Davis. Bert also opens up about the final days of his five-and-a-half-month sobriety run, including the recovery books, journaling on planes, and why his first drink back is happening at his daughter Georgia's University of Oregon graduation before going scorched earth on the dad who posted his 4-year-old breaking a rope swing "world record" in Moab. Plus: the MyPillow guy, the thumb-to-arm gut health test, Garth Brooks friendship fantasies, and why Moby would hate them both. If you missed this show, this one's for you. 2 Bears, 1 Cave Ep. 333 https://tomsegura.com/tourhttps://www.bertbertbert.com/tourhttps://store.ymhstudios.com Chapters00:00:00 - Intro00:01:11 - Lou Reed Talks Shit to Bert on the Treadmill00:04:27 - Kurt Vile, Bob Dylan, & Shane Gillis Walking Out on Wilco00:16:15 - Deleting Every Musician Who Wouldn't Like Bert00:25:00 - Kid Rock's Replica White House & Jimmy John From Jimmy John's00:28:51 - MyPillow, Workout Underwear & Sleeping Naked00:31:11 - Subway Takes & J.Lo's Rented Hot Take00:41:01 - White People on Stoops00:43:47 - Airport Line Cutters00:50:09 - Bert's Last Week of Sobriety01:01:21 - The 4-Year-Old Moab Rope Swing Rant01:13:03 - Wrap Up Learn more about your ad choices. Visit megaphone.fm/adchoices