Podcast appearances and mentions of Bob Dylan

Ffilm 4 munud a 2 eiliad o hyd a wnaed gan Peter Finnemore yn 2004 yw Eve of Destruction. Mae'r ffilm yn dechrau gyda llwyfan byrfyfyr gwag mewn gardd werdd ar brynhawn llachar yn yr hydref. Mae slab concrit hindreuliedig mawr wedi'i osod yn y glaswellt ac mae lein sychu â dillad arni yn siglo yn y cefndir. O flaen y slab y mae blodyn haul mewn pot terracotta a dim ond tair deilen yn hongian yn is na'i flodyn uchaf, sy'n wynebu oddi arnon ni. Yn eistedd ar y slab i'r dde o'r blodyn haul y mae cath lliw llwyd a gwyn o flaen dau flwch plastig glas mewn pentwr a gerllaw potel gwrw werdd. Yn portreadu cymeriad sy'n dynwared Elvis Presley, mae'r artist Peter Finnemore yn cyrraedd mewn modd comig i'r chwith, gan wisgo dillad cuddliw gwyrdd llawn, sbectol haul a wig Elvis wrth iddo ddechrau dawns sy'n dynwared y canwr. Mae'n defnyddio'r blodyn haul canolog fel microffon ffug, gan efelychu ystumiau eiconig Elvis a meimio i'r gân Eve of Destruction, a gyfansoddwyd gan P. F. Sloan ac yntau'n 19 oed ym 1965, ond sydd fwyaf adnabyddus oherwydd fersiwn Barry McGuire. Ysgrifennwyd y gân yn arddull Bob Dylan a denwyd Finnemore gan ansawdd ingol geiriau rhywun yn ei arddegau. Mae'r seremoni roc a rôl yn arwain at ddiweddglo llawn symudiadau wrth i Peter dynnu'r blodyn haul o'i bot a'i guro droeon ar y concrit, gan gicio'r blodyn tuag aton ni a siglo'r coesyn yn ffyrnig o gwmpas ei ben cyn ei falu ar y llawr a'i daflu aton ni yn y diwedd a cherdded i ffwrdd i'r dde. Meddai Finnemore: “Mae'r gwaith hwn yn rhan o'r gyfres Zen Gardener, a archwiliodd breifatrwydd man gardd i gynnal perfformiad, gweithgarwch artistig, darlunio a dychymyg. Mae'n bwysig bod y gyfres hon yn adlewyrchu ei chyfnod hanesyddol drwy'r perfformiadau absẃrd. Gwnaed y gyfres yn ystod yr ail ryfel yn Irac, a gafodd ei gyfiawnhau gan luoedd gwleidyddol ar seiliau ffug.” Dangoswyd Eve of Destruction yn gyntaf yn 2004 fel rhan o'r arddangosfa Zen Gardener yn Oriel Mostyn.

Eve of Destruction is a film by Peter Finnemore, made in 2004, duration 4 minutes and 2 seconds. The film opens to an empty improvised stage in a luscious green garden on a bright autumn afternoon with a large weathered concrete slab set within the grass and a washing line with clothes swinging in the background. In front of the slab is a sunflower in a terracotta pot, with only three drooping leaves below its top flower which faces away from us. Sitting on the slab to the right of the sunflower is a grey and white cat in front of two stacked blue plastic boxes, and next to a green beer bottle. In character as an Elvis Presley Impersonator, artist Peter Finnemore enters comically to the left in full green camouflage, sunglasses and an Elvis wig, beginning an interpretive dance. Using the central sunflower as a mock microphone, replicating the iconic gyrations of Elvis and miming along to the song, Eve of Destruction written by nineteen-year-old P. F. Sloan in 1965, but best-known in Barry McGuire's version. Written in the style of Bob Dylan, Finnemore was attracted to the teenage angst quality of the lyrics. The rock'n'roll ceremony culminates in a crescendo of motion as Peter pulls the sunflower from its pot and repeatedly smashes it on the concrete, kicking the flower towards us and swinging the stem vigorously around his head before smashing it to the ground and finally throwing it at us before walking off to the right. Finnemore said: “This work is part of the Zen Gardener series, which explored the intimacy of a garden space as a site of performance, artistic activity, of drawing and imagination. Importantly these series of works with their absurdist performances reflect their historical moment. Made during the second Iraq war whose justifications were fabricated by political forces.” Eve of Destruction was first shown in 2004 as part of the Zen Gardener exhibition at Oriel Mostyn.

Gina Gershon is here to discuss her new memoir, AlphaPussy: How I Survived the Valley and Learned to Love My Boobs, creating the perfect breakfast cereal, how this new book came to fruition, similarities shared between cats and men, why some younger artists see a toughness in her they feel they can't harness themselves, writing a reflective book about being an independent, somewhat unparented child while caring for and then grieving for her mother, boxing with Bob Dylan and their enduring friendship, the gratitude she receives from fans inspired by her strong characters in Bound and Showgirls and rekindling her conflicted relationship with the latter in its thirtieth anniversary year, what's next for her, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win an American Football Vinyl Bundle + a Mug in May/June 2026!Ep. #1066: Michael LongfellowEp. #1056: ‘Plenty for All: The Art of Rick Fröberg' with Sohrab Habibion & Johnny TempleEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #901: John EarlyEp. #826: Steve Albini and Fred ArmisenEp. #799: Allison RussellEp. #616: tune-yardsSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Alert your local DSA chapter because Joe Rogan of the left and known Zohran Mamdani associate Adam Friedland zoomed in from his studio in NY to talk Marc Maron, Bob Dylan and Patrick Bet David, and then LA via Aleppo's own Bedouine (aka singer-songwriter Azniv Korkejian) and her wonderful band performed "One Thing Right" from her album "Neon Summer Skin" which is out tomorrow!Support Office Hours, watch another hour of today's episode with a look at the latest nonsense from Donald Trump, a game from Doug, and much more with OFFICE HOURS+. Try it FREE for seven days at patreon.com/officehourslive.Shop our merch store at officehours.merchtable.com and find the rest of our links at linktr.ee/officehourslive.One thing to pack, five ways to power! Get up to 40% off @Ridge during their Father's Day Sale at Ridge.com/officehourslive #Ridgepod See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this edition of the Iconograph, Jack and Miles are joined by comedian/musician Chris Crofton to talk about the weird guy with the scary songs: Bob Dylan! They'll explore his humble Midwest beginnings, his biscuit tin of lyrics, his many phases and much more!See omnystudio.com/listener for privacy information.

Ian chats with Ian O'Neil and John McCauley of Deer Tick about taking their time, writing rock songs about Rhode Island, the Providence scene, the Newport Folk Festival, being upstaged by Joni Mitchell, Dan Bejar's turn to synthesizers, the Adult Correctional Institution, Bob Dylan, Weird Al, Brian Wilson, and the new Deer Tick record Coin-O-Matic. FOLLOW DEER TICK ON INSTAGRAM COIN-O-MATIC OUT JUNE 5th DEER TICK ON TOUR THIS SUMMER/FALL

This week we are joined by Holly Brown! Holly's comedy is what you get when the girl next door has a little bite - mixing dark humor and millennial nostalgia with an honesty that makes you laugh and squirm. Named one of WhoHaHa's Comedians of the Year in 2022, Holly has been featured on popular podcasts The Daily Zeitgeist and The Dork Forest, and has performed at SF Sketchfest, Big Pine, the SLO Comedy Festival, and more across the country. She is the host and creator of the darkly comedic narrative podcast Everybody Knows But Me, produced with Next Chapter Podcasts and Companion Arts, which explores family secrets, grief, and growing up through the lens of 90s sitcoms. Her work has been featured in Funny or Die videos, she headlines nationally, loves calling dogs good boy, listening to Bob Dylan, and investigating her father's deathbed confession! In this episode, we dive into a nostalgic conversation about beloved TV shows from our childhood, including "Fairly OddParents" and "Frasier," and discuss their impact on our lives. Holly shares her experiences growing up in Los Angeles and her connection to the entertainment industry. We explore Holly's family secret and discuss her podcast, "Everybody Knows But Me.” Check it out! Recommendations From This Episode:  Aaahh!!! Real Monsters Murphy Brown Follow Holly: @hollybrowncomedy Follow Carly: @carlyjmontag Follow Emily: @thefunnywalsh Follow the podcast: @aloneatlunchpod Please rate and review the podcast! Spread the word! Tell your friends!  Email us: aloneatlunch@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week on Potluck Saturday, Kev explores the deeper meaning behind some of music's greats! Using Bob Dylan's infamous decision to go electric as a jumping-off point, he examines why growth, reinvention, healing, authenticity, and setting boundaries often come with an unexpected cost: upsetting the people around you. Why the world can love you—right up until you stop being who they emotionally needed you to be. And why constantly managing other people's expectations can become one of the most exhausting jobs you'll ever have. Kev also contrasts Dylan's story with Elvis's, looking at how one man seemed willing to be misunderstood while the other became trapped inside an image he could never escape. Along the way, he unpacks the hidden dangers of people-pleasing, over-performing, and carrying everyone else's emotional needs while slowly losing touch with your own. The conversation expands into where social media has turned many of us into our own public relations teams—branding, filtering, curating, and performing carefully crafted versions of ourselves for approval. Why so many people aren't really living anymore—they're managing perception. Why success, visibility, and admiration don't heal old wounds, but often magnify them. And why burnout happens when your soul and your role stop matching. Plus, a reflection on the fine line between selfishness and self-protection, why loved ones can sometimes resist the version of you that finally becomes free, and how it's possible to become so loved publicly that you quietly disappear privately. Most importantly, Kev explores the idea that the goal isn't perfection. In a world obsessed with flawless images and certainty, real growth comes from embracing contradiction, integrating your flaws, doing the shadow work, and allowing yourself to evolve. Because maybe the real achievement isn't becoming untouchable—it's becoming fully human. HEAL SQUAD SOCIALS IG: https://www.instagram.com/healsquad/ TikTok: https://www.tiktok.com/@healsquadxmaria HEAL SQUAD RESOURCES: Heal Squad Website:https://www.healsquad.com/ Heal Squad x Patreon: https://www.patreon.com/HealSquad/membership Maria Menounos Website: https://www.mariamenounos.com My Curated Macy's Page: Shop My Macy's Storefront EMR-Tek Red Light: https://emr-tek.com/discount/Maria30 for 30% off Airbnb: https://www.airbnb.com/host ABOUT MARIA MENOUNOS: Emmy Award-winning journalist, TV personality, actress, 2x NYT best-selling author, former pro-wrestler and brain tumor survivor, Maria Menounos' passion is to see others heal and to get better in all areas of life. ABOUT HEAL SQUAD x MARIA MENOUNOS: A daily digital talk-show that brings you the world's leading healers, experts, and celebrities to share groundbreaking secrets and tips to getting better in all areas of life. DISCLAIMER: This Podcast and all related content (published or distributed by or on behalf of Maria Menounos or http://Mariamenounos.com and http://healsquad.com) is for informational purposes only and may include information that is general in nature and that is not specific to you. Any information or opinions provided by guest experts or hosts featured within website or on Company's Podcast are their own; not those of Maria Menounos or the Company. Accordingly, Maria Menounos and the Company cannot be responsible for any results or consequences or actions you may take based on such information or opinions. This podcast is presented for exploratory purposes only. Published content is not intended to be used for preventing, diagnosing, or treating a specific illness. If you have, or suspect you may have, a health-care emergency, please contact a qualified health care professional for treatment.

Patchouli by Hové + Slow Train Coming (1979), Saved (1980), and Shot of Love (1981) and Chronicles: Volume One (2004) by Bob Dylan (1941- ) + D. A. Pennebaker's Don't Look Back (1967) + Martin Scorsese's No Direction Home (2005) with Jeff 5/29/26 S8E31 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

On Episode 301 of Outside The Round, Matt Burrill sits down with rising country artist Elizabeth Nichols. From leaving law school at Belmont University to becoming one of the most unique voices in country music, Elizabeth shares the journey behind her viral rise and songwriting style. The conversation dives into growing up in Kentucky and living in Oklahoma, her love for witty storytelling inspired by artists like Kacey Musgraves and Zach Bryan, and how songs like “Sweet Cigarette,” “Tough Love,” and “Paul Revere” came to life. Elizabeth also talks about touring with artists like Wyatt Flores, festival season, viral TikTok moments, and building friendships with fellow rising artists including Gabriella Rose and The Castellows. From Red Door stories and Nashville nights to playing the Grand Ole Opry, this episode is packed with laughs, songwriting stories, and a look at one of country music's fastest-rising new artists. Follow on Social Media: Elizabeth Nichols: @elizabethnicholsmusicMatt Burrill: @raisedrowdymattOutside The Round: @outsidetheroundRaised Rowdy: @raisedrowdy Chapters (00:00:00) - Reeded Rowdy(00:01:44) - Tennessee Country Star on Going to Law School(00:03:17) - Louisville Singer on Searching for Jack Harlo(00:06:03) - Elizabeth Nichols on Writing Her Songs(00:07:52) - Bob Dylan on His Co-Writing Crew(00:11:05) - CMA Fest 2017: From Facebook to FaceTime(00:11:46) - Was Casey Musgraves a big inspiration for you?(00:12:29) - Zach Bryan on Tough Love EP(00:16:22) - The Spirit of Detroit(00:16:30) - What other concerts have you seen? Country Music(00:18:38) - Sweet Cigarette(00:22:40) - Selena Gomez on hitting 10k on Instagram(00:23:33) - What is the interaction with fans at live shows?(00:26:48) - Keith Urban on His Grand Ole Opry Debut(00:28:25) - Elizabeth Nichols on Having a Balanced Life(00:30:51) - Are You a Kentucky or Louisville Fan?(00:32:22) - Rodeo Star Rocker At NFR(00:33:41) - Favorite Bars in Tulsa(00:35:56) - Dancing at Skinny Dennis(00:37:20) - Paul Revere on His New Album(00:40:40) - Top 10 Nashville Bars You Know(00:42:56) - People Try Patron In Their Salsa(00:43:08) - What Would You Tell Law School Student Elizabeth Nichols?

Daniel Lanois built a studio in his basement in Quebec and began producing local acts when a teenager. Through work with Brian Eno, he went on to record U2, Bob Dylan, Arcade Fire, Emmylou Harris and scores of others with a method that's unique, cinematic and utterly extraordinary, a brand of sonic architecture that creates settings to accommodate the songs, often in exotic and stimulating places. And he's made nine albums of his own, the latest the magical instrumental suite ‘Belladonna Nocturne' – “hear this and you may never go home again”. This rich and fascinating conversation includes … … how the place you record affects the way you think ... producing Dylan and Willie Nelson in an abandoned Mexican cinema … why the first record he bought was Wipe Out by the Surfaris … the process of “printing sound” and his Music Minus One theory … “Songs are doorways to another dimension” … Eno's working method: “he walked round the studio for 45 minutes ringing bells to map out the length of the album” … drawing song sketches to stop everyone having to crowd round a laptop … making the Unforgettable Fire with U2, “expanding Slane Castle ‘til there were little critters crawling out of the walls!” … conjuring the tropical heat of Robbie Robertson's Somewhere Down the Crazy River … and what Hells' Angels like to do to his music. Order Belladonna Nocturne here: https://artsmusic.lnk.to/BelladonnaNocturneHelp us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

The Deadcast uncovers the secrets of Steal Your Face, the Dead's 1976 live album with a checkered reputation, dramatic backstory, & sonic experimentation by Phil Lesh & Owsley Stanley. Guests: Ron Rakow, Al Teller, John Scher, Ned Lagin, David Lemeiux See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Zoh Amba is here to discuss their astonishing new album Eyes Full, making their podcast debut and a recent hang with folk bitch trio, how they got into guitar, songwriting, and rock music, recurring lyrics about God, eyes, searching, and observational behaviour, why “Southern Soil” is such a key song for them in their Tennessee trajectory, the story behind their collaboration with Jim White and Guy Picciotto on Jim's recent album Inner Day, Jim's joyful presence and great sense of fun, learning more about their Eyes Full collaborators or “musical babies” as they call them, getting an email from Iggy Pop requesting their presence in his band, writing new songs, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win an American Football Vinyl Bundle + a Mug in May/June 2026!Ep. #1086: The Sadies & Billy RayEp. #1053: Mint MileEp. #1046: Jim White and Guy PicciottoEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #496: Iggy PopEp. #26: James Williamson of Iggy and the StoogesSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

The Decade Project is an ongoing One Heat Minute Productions Patreon exclusive podcast looking back at the films released ten years ago to reflect on what continues to resonate and what's ripe for rediscovery. The third year being released on the main podcast feed is the films of 2015. To hear a fantastic chorus of guests and I unpack the films of 2016 in 2026, subscribe to our Patreon here for as little as $1 a month. In a very special peek inside the 2016 Decade Project, I catch up with my dear friend, the host of INCREMENT VICE, Travis Woods, to declare Ezra Edelman's O.J.: Made in America, the greatest American film of this century.Travis Woods (Host of INCREMENT VICE)Travis Woods is a Contributing Editor at Bright Wall/Dark Room, as well as a writer for The New Beverly Cinema and Cinephilia & Beyond.He lives and writes in Los Angeles. He has a dog and a tattoo of Elliott Gould smoking. Bob Dylan once clapped him on the back and whispered something incomprehensible. These are the only interesting things about him.One Heat Minute ProductionsWEBSITE: oneheatminute.comTWITTER: @OneBlakeMinute & @OHMPodsMERCH: https://www.teepublic.com/en-au/stores/one-heat-minute-productionsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

From Oscar Gold to Fiction Filmmaking: Daniel Roher on Tuner How do you follow up winning an Academy Award? If you are Daniel Roher (Navalny), you resist the pressure to stay in your lane, take a leaf out of Bob Dylan's book, and make a massive leap into fiction! This week on The Filmmakers Podcast, Dom Lenoir sits down with Daniel to discuss his debut narrative feature, Tuner. Starring Leo Woodall, Dustin Hoffman, Havana Rose Liu, Lior Raz, and Jean Reno, the film is a brilliant blend of character drama and heist thriller. Daniel pulls no punches in this candid conversation about the realities of the industry. He shares how the Oscar opened doors, but why even at his level, the rejection never stops. He also breaks down the craft behind the film, explaining why he wrote the sound design into the script from day one, what it was like collaborating with master sound designer Johnny Burn, and his baptism of fire directing actors for the very first time.

Getting kissed by Sean Connery, whilst he was James Bond, fanned repeatedly by Bob Dylan when she sang, plucked for a film by Frank Sinatra, bagels and the part of a lifetime from Tom Hanks, gaslit and insulted by Jerry Lewis, adored and showcased by Dean Martin, wildly successful club proprietor with Hugh Hefner, best friends with Connie Stevens, and Diane Ladd, taught a golden secret by Shelley Winters, asked to serenade her hero Judy Garland, and then had the favor returned, making the funny with Renee Taylor, the straight serious with John Houseman, stress understudying Barbara Streisand, mad love for Bette Midler, who almost played her, Tony, Emmy Golden Globe nominee, Lainie Kazan, dancer, singer, actor, spilled all this and so much more! My favorite character in my favorite movie, My Favorite Year, we got the behind-the-scenes fun, Peter O'Toole and his wonderfulness, improvising one of the funniest lines, likewise with My Big Fat Greek Wedding, which she waited a year to hear, then had the time of her life with a cast she's still connected to. What a life Lainie's led! What work she's done! And what a fun, fierce, and fabulous woman she is! Blessed to call her a friend and even more to know she was off to have drinks and dinner with my mother, which she does most nights. I can't wait for her in-process memoir, sure to shock, delight, and thrill. I love Lainie! Who doesn't! Lainie Kazan Live on Game Changers With Vicki Abelson Wed, May 27, 5 pm PT, 8 pm ET Streamed Live on my FB, YouTube & LinkedIn

Greg Olsen beats out Tom Brady for a Sports Emmy, followed by why the Jaxson Dart/Abdul Carter situation is just media fodder that John Harbaugh won't let affect the team. Then, Gio reacts to a viral Dez Bryant post, Jerry sings Bob Dylan to start his final update, and we hear postgame sound from OKC taking a 3-2 lead over the Spurs. Next, positive Mets fan Kenny from Baldwin calls in, Boomer reveals he brushes his teeth like Bryce Harper, and Gio orders the "Primal Viking" supplement for the Moment of the Day. We close with Hank farting during a Pardon My Take taping.

We kick off with Becky Hammon's Jalen Brunson comments, the Knicks' future, OKC's series lead, a 15-1 Yankees blowout, and a tough Mets loss. Next, Boomer addresses the Abdul Carter and Jaxson Dart viral drama, followed by social media algorithm talk, an "unacceptable" Brewers crotch thrust, and Ray J's podcast appearance. Then, Boomer reviews the movie Pressure, Gio discovers a "Primal Viking" supplement, Ron Darling critiques the Mets, and Wembanyama "lays an egg." We wrap up with Greg Olsen winning an Emmy, John Harbaugh brushing off locker room fodder, Jerry singing Bob Dylan, a positive Mets fan calling in, and Hank farting on Pardon My Take.

Send us Fan MailThe definitive GenX late-night talk show. An unexpected musical comeback. Underrated 1980s moments.Summer is unofficially here, and Episode 246 of the podcast brings a fresh batch of nostalgia unlikely to spoil in the hot sun.Cue up the dog pound because we're starting off with a look back at the unique and highly influential Arsenio Hall Show. It broke barriers and broke the rules of late-night talk shows. Arsenio's show felt like something created for the younger generation at the time, and we will get into the details.Here they come. They could have been a quirky 1960s footnote, but instead, The Monkees made an unlikely and hugely successful comeback twenty years after they debuted. What started as a marathon of their hit TV show on MTV in 1986 soon became a full-fledged return of Monkee-Mania.The Top 5 is focusing on the lesser remembered and underrated moments from the 1980s. Pop culture, sports, music, and technology are all represented this week.There is, as always, a brand-new This Week In History and Time Capsule featuring the life and career of music icon Bob Dylan.To support me and the show, become a member on Patreon. Or you can support my work and Buy Me A Coffee!Helpful Links from this EpisodeBuy My New Book, In Their Footsteps!Searching For the Lady of the Dunes True Crime BookHooked By Kiwi - Etsy.comDJ Williams MusicKeeKee's Cape Cod KitchenMSFTS CommunityKingfisher Hotels Cape CodChristopher Setterlund.comCape Cod Living - Zazzle StoreSubscribe on YouTube!Initial Impressions 2.0 BlogCJSetterlundPhotos on EtsyListen to Episode 245 hereSupport the show

Stay connected with us at americangroundradio.com, on Facebook, and Instagram. You're listening to American Ground Radio with Louis R. Avallone and Stephen Parr. This is the full show for May 22, 2026. We open with the Supreme Court's pending decision on birthright citizenship — one of the most consequential immigration rulings in American history. We break down the actual constitutional debate over the 14th Amendment's phrase subject to the jurisdiction thereof, what the founders who wrote and debated the amendment said it meant at the time, why the logical interpretation is that children of people who entered the country illegally were never intended to receive automatic citizenship, and why President Trump's comment that the court will probably rule against him may be more strategic than frustrated — a piece of reverse psychology designed to force the justices to rule on the law rather than their feelings about Trump. In our Top 3 Things You Need to Know, the Democrat National Committee released its 192-page post-mortem on the 2024 election — complete with a disclaimer that it doesn't necessarily represent the views of the DNC itself. The report blames Kamala Harris for not changing her position on transgender issues, says Democrats didn't run enough negative ads against Trump, and admits the party took Latino voters for granted — but doesn't say a single word about Biden's mental decline or the decision to install Harris as nominee without a single primary vote. Then the DOJ indicted 15 people in Minnesota for $90 million in Medicaid fraud — the largest Medicaid fraud case in Minnesota history and the largest autism fraud case in American history — while Tim Walz was governor. And the Department of Homeland Security announced that more than 3 million illegal aliens have either been deported or voluntarily self-deported since President Trump took office — with self-deportation costing the government over $10,000 less per case than forced removal, and an app available for anyone who wants to take advantage of the $2,600 voluntary departure payment while preserving their right to return legally. We also discuss the broader immigration picture in France, where a major new study shows that roughly one third of France's population is either foreign-born or the child or grandchild of immigrants — and what happens when mass immigration is welcomed without any expectation of cultural assimilation. We connect it directly to the debate happening in America and explain why saying American culture is worth preserving is not racism. It's patriotism. Our American Mamas Teri Netterville and Kimberly Burleson tackle a deeply relatable topic — growing up with spoiled cousins, and the particular heartbreak of watching a child feel less valued than their cousins by the same grandparents. We get into the nine-year-old boy who told his mother through tears that he was really trying to be grateful, the grandmother who took one grandchild on a New York trip and forgot she had other grandchildren, and why the awareness to keep things equitable across cousins is one of the most underappreciated gifts a grandparent can give. We sit down in studio with Dan Clark, regional director for Bill Glass Behind the Walls Ministry — a national and international prison ministry founded by former Cleveland Browns defensive end Bill Glass, a close friend of Billy Graham, who walked onto a prison yard decades ago and never stopped going back. We talk about fatherlessness as the pipeline to incarceration, why people of faith have a measurably lower recidivism rate than those without, what it looks like to go behind the walls of a supermax facility and share the gospel, and why the men on that prison yard self-police themselves on event days because they know the ministry won't come back if something goes wrong. If you want to get involved or volunteer, visit BehindTheWalls.com. Then it's Fake News Friday — real news, fake news, or really fake news — including whether Chevron gas stations in California put up signs blaming Sacramento politicians for high gas prices, a fleet of driverless Waymo vehicles getting stuck doing laps around an Atlanta cul-de-sac, a car dealership in Kansas that can't sell a truck because a robin built a legally protected nest on the tire, a Democrat running for Congress in Texas proposing concentration camps for American Zionists, a Democrat from Pennsylvania proposing mandatory vasectomies after a man's third child, and whether California's Medicaid program reimburses providers for exorcisms. We work through all of it — some will surprise you. And we close with a Memorial Day reflection — because honoring those who gave their lives for this country should not happen once a year. When you truly understand what someone sacrificed to give you something precious, you protect it every day. Bob Dylan, Norman Schwarzkopf, James Garfield, and George Patton each had something to say about that. So do we. May your pursuit of happiness bring you joy. Listen now wherever you get your podcasts, visit AmericanGroundRadio.com, and join the conversation at 866-AGR-1776!See omnystudio.com/listener for privacy information.

Steve Holmes and Steve Lamos from American Football are here to discuss American Football (LP4), the joys of marking final papers by the college students you teach, the story behind the alluring, unsettling drum part in “Man Overboard” and an appreciation for James Bond soundtrack songs, why Lamos left and returned to American Football in recent years, the factual aspects of LP4's lyrical themes and thoughts on Mike Kinsella's direct, unadorned vocals, whether my theory that the album flows like a theatrical production has legs, a shoutout to English degrees, working with producer Sonny DiPerri in California and a surprising but very welcome surfing lesson, playing many shows, other future plans, and much more!EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts.Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Win an American Football Vinyl Bundle + a Mug in May/June 2026!Ep. #1083: RheostaticsEp. #1075: Bill FrisellEp. #1069: The Messthetics and James Brandon LewisEp. #1052: Sleepytime TrioEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #1026: TortoiseEp. #914: American FootballEp. #900: Fugazi and Jem CohenEp. #897: Tom MullenEp. #884: Tim KinsellaEp. #507: Robbie RobertsonEp. #483: American FootballSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

Episode 635 is brought to you by:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chase Bliss⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Stringjoy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Reverb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Support this channel on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send us mail?60 Cycle Hum9450 Mira Mesa Blvd #615San Diego, CA 92126Chapters00:00 Intro00:37 We're going to talk about bands that got banned 01:45 Bands banned from venues02:24 Pink Floyd07:55 Metal gets banned from Six Flags13:15 Marilyn Manson14:53 Led Zeppelin18:14 Ozzy Osborne21:06 Sinead O'Connor got banned from SNL24:07 Elvis Costello27:18 Rage Against the Machine31:32 Frank Zappa36:32 Thanks Patreon!40:12 The Beatles45:30 The Rolling Stones47:39 Bob Dylan, Bon Jovi, and MORE!49:57 THE KINKS59:55 This song was sent by the Matt Lewis Experience and is called "Oliver's Pajamas" ----------------------------------60CH on Patreon: https://www.patreon.com/60CycleHumcastAffiliate Links: https://60cyclehum.com/affiliate-links/Social Media: https://60cyclehum.com/social-links/

Episode 390 of RevolutionZ asks would you rather speak to 2,000 people who already agree with you or 2,000 people who might vote for Trump? That choice sounds like a simple preference, but I argue it exposes something deeper: an entire theory of change. If we think a better world is unattainable, it's rational to aim for narrow wins, entertain friendly audiences, and avoid the hard work of persuasion and unity. If we think systemic change is possible, then we have to communicate to grow our numbers, de-atomize our efforts, and build real solidarity across differences.From there, I consider an engine of political paralysis: cynicism. I'm not interested in writing it off as laziness or moral weakness. More often than not, it is neither. Often it's a rational judgment based on different premises than mine and I hope also yours. It believes either (a) better institutions can't even exist, or (b) better institutions might exist but can't be won. Extrapolate from those beliefs and you get resignation. Each kind of doubt requires a different response from someone like me, and both demand more than slogans. We collectively need credible compelling shared vision and credible sompelling shared strategy that can link urgent immediate fights like stopping authoritarian drift and curbing ecological collapse to a longer trajectory of organizing. How do we most effectively convey that?But what happens if we turn this observation on me, you, and Revolution Z? After almost 400 hundred episodes, what's actually working and what's just repetition or literally unheard? That question connects to the media environment we're trapped in, where lies, scams, and algorithmic incentives push communicators toward clickbait and cheap degradation. If we reject  that route to communication, what do we emphasize instead? If we don't want to abet a "failure to communicate," if we we don't want to contribute to a "communication breakdown," then to organize, how do we communicate?To close the episode I offer some song lyrics and their approach to communication from John Lennon, Bob Dylan, Carcie Blanton, Joni Mitchell, and Leonard Cohen, as one  way to tell the truth without becoming part of the noise.But when talking or writing, not songs but prose, what might work better than famiiar well trod paths? Do you have ideas about that?Support the show

For the 100th episode of their show "How We Heard It," the podcast team is giving you the music artists who give 100 percent. Musicians are like any other group of workers. Some are tireless - endlessly productive, relentlessly creative or both. Others fill the status quo, doing what might be expected, sometimes a little more and sometimes a little less. Still others are just plain lazy, pushing their work off on others, making excuses why they can't do more and invariably disappointing their supporters, time and time again. It's not about talent, it's about effort. This week "How We Heard It" is all about effort. While other artists might knock out a new album every few years, these artists are producing twice that output. Or while other artists are sticking to their established style (same themes, same sound), these super-producers are constantly exploring new ways to express themselves, tweaking and reinventing their art as they go and challenging their followers to keep up. The same goes for live shows: Some artists are constantly on tour, giving their all on stage night after night. Others rarely tour - and when they do, they just phone it in. Not surprisingly, effort and success don't exactly overlap. (Life is never fair, is it?) Some of the most ordinary artists generate the biggest sales, draw the most fans and win the most awards while some extraordinary artists struggle on the edge of obscurity. Yet every now and then, the brightest and hardest working artists will be among the most popular. Where do your favorites rank? "How We Heard It" takes a look at everyone from Bob Dylan and Elton John to Kenny Chesney and Adele to Taylor Swift and King Gizzard & The Lizard Wizard. Their conclusions might surprise you.    

The Byrds- Sweetheart of The Rodeo (Columbia) Released August 30, 1968 Sweetheart of the Rodeo is one of The Byrds' boldest and most unexpected artistic turns. After helping define folk-rock and experimenting with psychedelia, the band suddenly moved deep into country, gospel, bluegrass, honky-tonk, and cowboy music. Gram Parsons' arrival was crucial, pushing Roger McGuinn and Chris Hillman toward a sound rooted in American tradition rather than 1968 studio experimentation. The album did not become a major commercial hit, but its influence became enormous. Songs by Bob Dylan, Woody Guthrie, the Louvin Brothers, Merle Haggard, Cindy Walker, and Parsons gave the record authenticity and depth. Nashville session players, especially the pedal steel guitarists, gave the music its pure country identity. Tracks like “You Ain't Goin' Nowhere,” “Hickory Wind,” and “You Don't Miss Your Water” show the band performing with sincerity rather than novelty. It remains timeless and helped shape country-rock and Americana. (S5-EP20)

For Bob’s 85th birthday, another great collection of interpretations of his work, with a special tribute to The Freewheelin’ Bob Dylan, which came out in May 1963! (72 minutes) Sponsored by Factor Meals – listen to this episode to found out how you can get 50% off your first subscription, and free greens!

Marisa Anderson returns to discuss her compelling new album, The Anthology of UnAmerican Folk Music Vol. 1, the joys of touring, responding to a Patreon subscriber's inquiry about her new band Ruminants, exploring the Bob Dylan Center and immersing herself in the private record collection of the late, famed cultural collector/curator, Harry Smith, how she landed on recording her own three-album set focussing on music from places that the United States of America has been in conflict with since 1970, including Southeast Asia, the USSR and the Arabic and Islamic regions of the world, why “UnAmerican” is such a loaded, multi-faceted term, upcoming shows, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. This one is fine, but if you haven't already, please subscribe now on Patreon so you never miss full episodes. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1075: Bill FrisellEp. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #1008: Marc RibotEp. #982: Jake Xerxes FussellEp. #866: Jim White and Marisa AndersonEp. #828: ‘Bob Dylan: Mixing Up the Medicine' with Mark Davidson & Parker FishelEp. #718: Marisa AndersonEp. #686: Bob Dylan Center's Mark Davidson & Parker FishelEp. #633: Marisa Anderson & William TylerEp. #541: Jim White and Marisa AndersonEp. #405: Marisa AndersonEp. #293: Marisa AndersonSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

This week we learn about Corinne's love of fires, my lack of Bob Dylan knowledge and some very weird facts.

For Bob’s 85th birthday, another great collection of interpretations of his work, with a special tribute to The Freewheelin’ Bob Dylan, which came out in May 1963! (72 minutes) Sponsored by Factor Meals – listen to this episode to found out how you can get 50% off your first subscription, and free greens!

Full Force is here! Paul Anthony, Bowlegged Lou, and B-Fine! These music legends have so many hits under their belts, and have written songs for the biggest stars on the planet. We talk about The Apollo, the movies Longshot and House Party which they had classic roles as the high school bullies, working with Bob Dylan, Jasmine Guy, Backstreet Boys, and more. We discuss some of their favourite 90's stuff, and can you guess Donnie Wahlberg's favourite Full Force song? Listen and find out!

Richard Young is a photographer who was once known as the “king of the paparazzi”. His portfolio is a who's who of some of the biggest stars in film, music, stage and popular culture from the past fifty years. From gatecrashing Elizabeth Taylor's party for Richard Burton's 50th at the Dorchester to later being invited to photograph her Damehood celebrations. He can count the first photographs of Paul Getty Jr. after his kidnapping as just one of his many scoops. He was born in Hackney to a Jewish family and his father ran a hosiery stall in Berwick Street market for more than sixty years. Richard has dyslexia and after being expelled from school at fourteen, he went to Soho and landed a job in fashionable clothes shop frequented by Leonard Cohen, Bob Dylan, David Hockney and Francis Bacon. A two-year stint in New York followed, working as a studio assistant at Electric Lady Studios, before he returned to London and found himself in a bookshop handed a camera and told to get on with photographing authors. For the past fifty years, he has lived a nocturnal, high octane life of private jets, parties and exclusive events, eventually becoming as much a fixture in the world of celebrity as the people he photographed. Richard lives in London with his wife Susan. His photography gallery is in London and has visitors from around the world. On episode 282, Richard discusses, among other things: Wanting to escape school Learning that trust is currency Crashing Richard Burton's birthday party And how the proceeds from the resulting picture bought him his first house How his journey into photography began with a roll of blank film Adventures in New York and Paris Having a guardian angel Still being sent on jobs at 79 Turning up to Freddie Mercury's party in drag by mistake How he navigated the switch to digital Why he reccommends that young photographers experiment with film Photographing flowers …and the east end of London The importance of saying sorry when necessary His gallery in west London How the business has changed Website | Instagram Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month. Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides. Follow me on Instagram here. Need a new website? I will build you one with Squarespace. Details here.

"Black leather jacket."   Chatter rolls with Claude, David, Torie, and icon James Grady. David did indeed cry at his son's graduation, and Torie lived Book Fair-palooza in Gaithersburg and Oyster Bay.  Miami literary legend Mitchell Kaplan of Books & Books joined in to nominate Chantel Acevedo for "The Pitch."   Her new book "Cages" is out in June.  Crossing Cuba, London, and Miami, it reveals themes of love, exile, and identity.  Jim shares back stories about Robert Redford and the incentive to write his latest, "Shadows on Sidewalks."  As Bob Dylan said, " sex and politics and murder is the way to go if you want to get people's attention."  Grady will get lots of attention with "Shadows," yet another reason The Washington Post compared his writing to George Orwell and Bob Dylan.

#1,115 - Rockin' Dopsie Jr. Returns What can I say? If you've seen Rockin' Dopsie Jr. perform, you're going to love this interview. If you haven't seen him? You'll still love it! This is one of the best live performers Paul has ever seen. And the interview covers the whole, exciting experience that Rockin' Dopsie Jr. brings to the people! Plus, Rockin' Dopsie talks about some of the legends like Fats Domino that he's crossed paths with. He shared his memories of the late, great Jimmy Buffett. And Paul couldn't resist asking Rockin' Dopsie Jr. about recording with Bob Dylan and producer Daniel Lanois on the album Oh Mercy! Rockin' Dopsie Jr. and his band are the heart of what this show is about! Really great music, wonderful stories and tremendous heart. We hope you'll listen and it would be great to know what you think of Dopsie! Thanks!

Voltamos 10 anos no tempo para reouvir essa conversa entre Paulinho Degaspari, Dri Degaspari e o jornalista Ricardo Alexandre sobre um dos maiores ícones da música mundial. Juntos, eles tentaram desvendar a espiritualidade por trás do artista e de suas músicas, e refletir sobre como alguém dessa dimensão se comporta depois de uma conversão. Um episódio altamente recomendável como introdução para o nosso programa da semana que vem.

Buried on one of Bob Dylan's lesser 80s albums, "Brownsville Girl" is consistently cited as one of his greatest and most ambitious songs. Co-written by playwright/screenwriter/director/actor Sam Shepard, the song originally came to life as "New Danville Girl”. It was recorded, put aside, and then ultimately rewritten and overdubbed before finally seeing the light of day.Laura and Rebecca talk about creative collaboration, the alchemy of the songwriting process, and what we love about "Brownsville Girl"Find the video of this conversation over on YouTubeRead Bill Lattanzi's essay that we're referring to over at the Dylan Review.Find out more about Mason Moreno's research into the Dylan/Shepard Tapes over on the Infinity Goes Up on Trialpodcast.Read Sam Shepard's play True Dylan over on Esquire.Watch Gregory Peck's entire speech introducing Bob Dylan here.If you have a question for us, send us a voice memo to bobdylanhotline@gmail.com.For anything else get in touch at itsdefinitelydylan@gmail.comGet your Definitely Dylan baseball cap here.You can support Definitely Dylan on Patreon or with a one-off donation at buymeacoffee.com/definitelydylan.

Joan Osborne is heading to Outpost in the Burbs on May 29th for her Joan Osborne Sings the Songs of Bob Dylan show. We caught up with Joan ahead of the performance for a fascinating conversation about Bob Dylan's enduring legacy, his influence on songwriting, and Joan's own musical journey and career. The episode also features a live recording of "Tangled Up in Blue" performed by Joan and her trio. Tix for the Joan Osborne show are at: https://outpostintheburbs.thundertix.com/events/261806  

durée : 00:05:19 - Le 13/14 - par : Frédéric Pommier - Figure de la musique celtique, il fête cette année ses 60 ans de carrière avec une tournée qui passera par un concert à Olympia le 31 mai. Au micro de Frédéric Pommier, Alan Stivell évoque son admiration pour Bob Dylan avec la chanson "Blowin'in the Wind", son premier grand succès, sorti en 1963. Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

On a special edition of the Haaretz Podcast celebrating its 500th episode, host Allison Kaplan Sommer speaks to iconic Israeli musician David Broza – the composer of "Things Will Be Better," one of Israel’s best-known peace anthems – on performing in a time of war, chaos and despair in his country. “There’s no rationale to being Israeli,” Broza, 70, said on the podcast. "My mission is to exist as an artist and to be very much aware of where I come from and not just leave it behind and shy away from it." Broza describes himself as being “sad but hopeful,” adding that he “would have to stop singing if I wasn’t hopeful.” Having lived in Francoist Spain in his youth, he observed that how "in fascist governments, the artists are the first ones to be burnt, banned, thrown out... And yet you can't erase the art. We need strength now. We need songs. We need art." Broza’s music crosses cultures and genres – fusing Spanish guitar with contemporary rock and folk music, and emphasizing themes of peace and social justice. He has collaborated widely with top artists including Paul Simon, Sting, Van Morrison and Bob Dylan – and with Palestinian artists. His belief in art to overcome conflict puts him at odds with advocates of boycotts. "I am so adamantly anti-boycott that you can't even believe it. BDS is such a lie. It's bullshit," he declared on the podcast. "Boycott will put an end to any hope for future collaboration. If we stop talking to each other, if we do not communicate with each other, we will never step over the threshold." At the same time, he added, "I don't disregard what's going on. I don't disregard the ultra right-wing government we have here, or the crazy government in America." But his role, he said, is clear – to play the role of the troubadour and sing “to anyone, settlers or leftists.”See omnystudio.com/listener for privacy information.

Creativity through the lens of a musician and songwriter"Being creative is so lucky"Robin Batteau's“Banned in Sparta” is a new collaborative album of songs based on poems by Classical Greek poets and recorded by a number of friends: Tom Paxton, Eric Andersen, Livingston and Kate Taylor, Matt Nakoa, Robin Lane, 2-time Tony winning actor James Naughton and his gifted children Keira and Greg, plus Carolyn Hester.  Robin was inspired by an Ancient Greek History class he took when he returned to Harvard during the Pandemic to finish a degree he started in the 1960s. Robin earned the World Record of taking a 50-year break (between 1970 to 2021) to return to Harvard and finish his degree in 2022.   “Banned In Sparta” focuses almost entirely on poets from Ancient Greece between 700 and 400 BC.  One poet, Gaius Valerius Catullus (84 – 54 BC), as smitten with the ghost of Sappho as Robin or Alcaeus, is from Rome during Julius Caesar's reign, for whom Eric Andersen performs “Cross (of Gold),” an ode to interlaced and conflicted feelings, “Odi et Amo"— I hate and I love.The title “Banned in Sparta” finds its name from Archilochus, the Bob Dylan of the 7th century B.C., a warrior-poet so irreverent he was “Banned in Sparta.”  James Naughton sings the song “Archilochus Re-Deemed (I Am a Servant of the Lord God of War).” Kate Taylor performs “Telesilla's On the Wall,” from the female poet Telesilla, who led her fellow women warriors to victory against those same renowned Spartans. “The Greek Lyric poets performed live, and were the stars of their day,” says Robin. “They were singer/songwriters, they played the lyre (hence "Lyric") and danced around the stage like Tom Paxton and Taylor Swift.”Robin, who studied Ancient Greece and Integrative Biology at Harvard, found that most of what was left of the poems were fragments and myth, “So I mosaic-ed songs to reflect their expressions and intentions— who they were, and are to me.”  A range of female poets contributed to the lyrical history of Greece including Corrina, whose “In Her Loving Arms” is sung by Carolyn Hester, and Praxilla's “The Most Beautiful Thing in the World,” a hymn to Adonis, sung by Keira Naughton.  Sappho's writing inspires “Terra Cotta Heart,” sung by Robin Lane.  Livingston Taylor sings “My Sappho, Sweetly Smiling” from the smitten neighbor and rival Alcaeus. The fun and frolicking “Shake your Hair (You Thracian Filly),” sung by Tom Paxton. Pianist and folk singer Matt Nakoa offers a Bruce Hornsby-like treatment for Simonides of Ceos's “Theatre of Memory (Man of Gold).”    Sharing Grammy, Emmy, Clio, and Gold Record Awards and an Oscar nomination, Robin's recorded over a dozen albums with Pierce Arrow, David Buskin (Buskin & Batteau), and many others.  His jingles feature in long-running, award-sweeping advertising campaigns from "I'm Lovin' It" for McDonalds to “Can't Beat It” for Coca-Cola to "The Heartbeat of America" for Chevrolet. He's played his 1898 Scarampella violin with everyone from Yo-Yo Ma to Benny Goodman to Bruce Springsteen and has had his melodies sung by Whitney Houston, Aretha Franklin, Judy Collins, Paul Newman, and more. His songs have supported charities and causes, including World Hunger Year, Ocean Alliance, Bill Clinton's 1992 presidential campaign, and Paul Newman's Hole in the Wall Gang Camp for kids. The Boston Globe defines his music with David Buskin as "Acoustic Heaven."https://robinbatteau.com/https://www.facebook.com/robin.batteauSend us Fan Mail

The Deadcast concludes its extended 2-part tribute to Bobby Weir, ranging into the evolution of his songwriting, stage persona, guitar playing, and unexpected career beyond the Grateful Dead.Guests: Bobby Weir, David Lemieux, Jeff Chimenti, Scott Metzger, Don Was, Gary Lambert, Tim Stevens, Tony Italiano, William Keats, Bretty PauleySee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week we ask what is your Weltanschaung; the UK Elections; Green overseas trans student elected to govern Scotland; Holland and Sandbrook on non conformist Protestantism in UK politics; One Nation in Australia; Country of the Week - India; Pete Townsend and John Entwhistle;  The battle that was won by cats; Feedback;  Some of the Oldest things in the world; Sam Alberry;  Christians slaughtered in the DRC; and the final word - Matthew 23:27-28  with music from Bob Dylan, Ma Rewa, Yeshua Ministries, the Who, Squeeze, Mozart, and Stephen McWhirter....

Bob Spitz has written major biographies of the Beatles, Led Zeppelin, Bob Dylan, and now the Rolling Stones — but also, somehow, Ronald Reagan and Julia Child. In rock, his credentials were hard won: he started out hustling gigs for an unknown Bruce Springsteen for six years, moved on to handling Elton John's American business, and spent long enough in the world to find himself jamming with Paul McCartney and chatting with Bob Dylan on a stoop in the Village. The Reagan and Julia Child books are harder to explain, and perhaps that's the point—Spitz seems to do his best work when he has no business writing the book at all. Tyler and Bob discuss how the Stones became so great so quickly, what they added to the blues, how their melodies stack up against the Beatles', whether Exile on Main Street deserves its canonical status, which songs are most underrated, what Charlie Watts actually got out of playing in a rock band, the rise and fall of Brian Jones, how the Stones outlasted nearly everyone, the influence of Mick's London School of Economics training, why popular music has lost its cultural influence, what we should still be asking Paul McCartney and Ringo Starr, whether the Beatles' breakup was good for the world, how senile Reagan really was in his second term and whether he was ever truly a communist, how good a cook Julia Child actually was, his next book on Lennon's second act, and much more. Read a full transcript enhanced with helpful links, or watch the full video on the new dedicated Conversations with Tyler channel. Recorded April 28th, 2026. Other ways to connect Follow us on X and Instagram Follow Tyler on X Follow Bob on X Sign up for our newsletter Join our Discord Email us: cowenconvos@mercatus.gmu.edu Learn more about Conversations with Tyler and other Mercatus Center podcasts here. Timestamps: 00:00:00 - Intro 00:02:44 - The Sound of the Rolling Stones  00:05:25 - Underrated Rolling Stones Songs and Albums  00:09:06 - Charlie Watts and Brian Jones  00:11:18 - Art Colleges and Rock 'n' Roll 00:13:06 - The Stones' Stability  00:16:32 - Mick Jagger: Closet Economist?  00:17:53 - Pop Music's Lack of Relevance  00:20:10 - The Beatles  00:28:14 - Led Zeppelin  00:31:30 - Bruce Springsteen  00:36:20 - Bob Dylan  00:39:40 - Julia Child  00:42:29 - The Knicks  00:45:21 - Ronald Reagan  00:49:01 - Robert Caro  00:52:03 - Writing 00:55:00 - Outro

The singer-songwriter Valerie June has a gift for writing contemporary songs that feel timeless and as though they could also have existed at various points across the past century. Her expansive layering of Appalachian folk, Delta blues, gospel, soul, early country, and even spiritual jazz, at once down to earth and dreamy, has drawn appreciation from the likes of Bob Dylan, Norah Jones, and Mavis Staples, and for good reason. In true folk tradition, the Grammy-nominated June views her work in one long, multigenerational continuum of American songwriting and storytelling, both ancient and urgent. Not one to chase hits or rush her process, she revels, instead, in a slow, patient devotion to her craft, as her latest album, Owls, Omens, and Oracles, puts on full display. On this episode of Time Sensitive, June discusses songs as vessels capable of preserving and transporting us to once-in-a-lifetime moments, music-making as a mystical act, and the value of prioritizing gradual progress over instant results.  Special thanks to our Season 13 presenting partner, L'ÉCOLE, School of Jewelry Arts. Show notes: Valerie June [04:36] Maps for the Modern World (2021) [06:17] Pema Chödrön [06:17] How We Live Is How We Die (2022) [06:17] The Tibetan Book of the Dead [07:11] Irma Thomas [08:31] Hazrat Khan [12:28] Elizabeth Cotten [12:28] Mississippi John Hurt [17:38] The Order of Time (2017) album by Valerie June [17:38] The Order of Time (2017) book by Carlo Rovelli [25:21] Hitoshi Fugo's “Flying Frying Pan” series [33:06] Joni Mitchell [38:23] Carla Thomas [26:20] Pushin' Against A Stone (2013) [43:57] Mavis Staples [1:05:28] Sapiens (2015) by Yuval Noah Harari [1:05:58] The Serviceberry (2024) by Robin Wall Kimmerer [1:09:11] Owls, Omens, and Oracles (2025)

Legendary songwriter, performer, and actor Steve Earle joins Andy Frasco on the show this week for an interview that spans his entire career. This deep dive touches on him running away from home as a kid, doing drugs at a young age, being a recovering addict, and his role as a parent to a son with special needs. Steve Earle is one of the great orators of our time, and that is on display during this world-saving interview. He also talks about opening for Bob Dylan and his friendship with his hero, Townes Van Zandt. They even get into his love of New York Yankees baseball and Premier League Soccer.

Spencer Krug returns to discuss his excellent new album, Same Fangs, local pigs under duress and songs inspired by animals, sharing early and in-progress versions of his new songs with his Patreon subscribers, philosophical notions of what songs actually are, parasocial interaction and the increased intimacy between creators and fans via crowdfunding sites, the ups and downs of Sunset Rubdown and its uncertain current status, feeling a profound sense of sadness and hopelessness about the suffering of others and how that can affect your relationship with your family, the trick of acquiring geopolitical knowledge, information, and news and knowing what to do with it to affect positive change, the reality and the internet, his Wolf Parade colleague Dan Boeckner's political outspokenness as a prolific poster, his reaction to the Wolf Parade song “I'll Believe in Anything” featuring in a key scene from the show Heated Rivalry and the ensuing popularity of both, updates about new Wolf Parade music, forthcoming solo show dates and performance configurations, other future plans, and much more.EVERY OTHER COMPLETE KREATIVE KONTROL EPISODE IS ONLY ACCESSIBLE TO PATREON SUPPORTERS STARTING AT $6/MONTH. Enjoy this excerpt and please subscribe now via this link to hear this full episode. Thanks!Thanks to Blackbyrd Myoozik, the Bookshelf, Planet Bean Coffee, and Grandad's Donuts. Support Y.E.S.S., Pride Centre of Edmonton, and Letters Charity. Follow vish online.Related episodes/links:Ep. #1034: Sean Wilentz on Bob Dylan's ‘Through The Open Window'Ep. #963: DestroyerEp. #907: Sunset RubdownEp. #846: BOECKNEREp. #302: Tim Kingsbury of Sam PatchEp. #168: Dan Boeckner of OperatorsIn Review: Bob Dylan's Rough and Rowdy WaysSupport this show http://supporter.acast.com/kreative-kontrol. Hosted on Acast. See acast.com/privacy for more information.

No Agenda Episode 1867 - "Transmission Window" Transmission Window Executive Producers: Sir Kevin Dills Arch Duke of the Carolinas Matthew Payne Randy and Crystal Sir HorseMeds Susan A Taubenkibel Douglas Schneider David McInnis Dennis Cadle Arnis Celmins Terence Lynch Todd Usnik Associate Executive Producers: Amy Lynn Sir Robert Eli The Coffee Guy Stefan Trockels Linda Lu Knight and Dames: Matthew Payne > Sir Mattnik Terence Lynch > Sir Terror of the Respawns Doug Schneider's Mother (Roxanne) > Dame Roxanne of the Right Diagonal Title Change Sir Kevin Dills (Duke of North Carolina) > Arch Duke of the Carolinas (requested Bob Dylan title-change song) Art By: Blue Acorn End of Show Mixes: Bonald Crabtree Danny Loos Jus Baker Mark van Dijk - Systems Master Ryan Bemrose - Program Director Back Office Jae Dvorak Chapters: Dreb Scott Clip Custodian: Neal Jones Clip Collectors: Steve Jones & Dave Ackerman ShowNotes Archive 1867.noagendanotes.com No Agenda Peerage RSS Podcast Feed ------------------------------------------------------------------------------------------------------------------------------------

Before marine mammal song CDs conquered mall kiosks and the slogan “Save the Whales” appeared on bumper stickers nationwide, one scientist became obsessed with the idea that dolphins might be our closest nonhuman intellectual peers. In part one of our two-part Evil Neuroscience series, Jack dives into the life and work of John C. Lilly: neurophysiologist, dolphin researcher, SETI-adjacent dreamer, and the man whose attempts to bridge the interspecies communication gap proved to be more horrifying than illuminating. We follow Lilly from Biblical ideas about language and human supremacy to the Green Bank conference, where astronomers, NASA advisors, and future SETI legends formed the secretive “Order of the Dolphin.” Then we head to Marineland and Dolphin Rock, where Lilly's research involved whale brains, suffocating dolphins, dolphin vocalization experiments, LSD, Margaret Howe's infamous live-in language study with Peter the dolphin, and the tragic collapse of the project. Along the way: Bob Dylan's worst song, existential elk, horny dolphins, Cold War science funding, animal language research, and the birth of the New Age dolphin obsession. Next time, Jack unpacks how Lilly's search for nonhuman intelligence turned inward through isolation tanks, psychedelics, MKULTRA-adjacent research, and the Earth Coincidence Control Office. Subscribe for $5 a month to get all the premium episodes: www.patreon.com/qaa Check out our new podcast series network Cursed Media! All episodes of Spectral Voyager Season 2 are out now! Binge the entirety of Truly Tradly Deeply by Annie Kelly and Megan Kelly as well as Science in Transition by Liv Agar and Spencer Barrows: cursedmedia.net Produced by Liv Agar & Corey Klotz. Theme by Nick Sena. Additional music by Pontus Berghe. Theme Vocals by THEY/LIVE (instagram.com/theyylivve / sptfy.com/QrDm). Cover Art by Pedro Correa: (pedrocorrea.com) qaapodcast.com QAA was known as the QAnon Anonymous podcast.

Tom was an integral member of the Greenwich Village early '60s folk scene (playing originals regularly before Bob Dylan did). His tunes have been covered by Dylan, Pete Seeger, Joan Baez, Johnny Cash, Willie Nelson, Dolly Parton, Harry Belafonte, and many others. He received a lifetime achievement Grammy in 2009. We talk about "Rebel Gal" from Together Again (2026) (a collaborative album with John McCutcheon), "If the Poor Don't Matter" from Redemption Road (2015), "Mr. Blue" from Morning Again (1968), and "The Death of Stephen Biko" (with Anne Hills and Bob Gibson) from Best of Friends (live in 1984, released in 2004; the song was originally recorded for Heroes, 1978). Intro: "I Can't Help But Wonder Where I'm Bound" from Rambin' Boy (1964). More at tompaxton.com. Hear more Nakedly Examined Music at nakedlyexaminedmusic.com. Support us at patreon.com/nakedlyexaminedmusic.

Alan's Soap https://AlansSoaps.com/ToddHonor John's memory and the legacy he created for Ian and Alan with Alan's Artisan Soaps “John's Favorites” bundle.  Get one bar of each of his favorites for only $28.99. Bulwark Capital https://KnowYourRiskPodcast.comBe confident in your portfolio with Bulwark! Schedule your free Know Your Risk Portfolio review. Go to KnowYourRiskPodcast.com today. Renue Healthcare https://Renue.Healthcare/ToddYour journey to a better life starts at Renue Healthcare. Visit https://Renue.Healthcare/Todd Bonefrog https://BonefrogCoffee.com/ToddGet the new limited release, The Sisterhood, created to honor the extraordinary women behind the heroes. Use code TODD at checkout to receive 10% off your first purchase and 15% on subscriptions.LISTEN and SUBSCRIBE at:The Todd Herman Show - Podcast - Apple PodcastsThe Todd Herman Show | Podcast on SpotifyWATCH and SUBSCRIBE at: Todd Herman - The Todd Herman Show - YouTubeCriminals as kings are by design, and I'll explain why...Episode Links:Sympathy for the Devil, 1969's Rock and Roll Circus  Herbert Marcuse, the author of Repressive Tolerance, snake charming a group of 1960's hippies  JUST NOW: FISA re-authorization has PASSED the House of Representatives, 261-111 This will extend FISA by six weeks. Seems like the only “bipartisan” bills in Congress nowadays are bills that screw over Americans. A man on drugs is walking through cars stopped at a light. He walks right up to a California Highway Patrol vehicle and attempts to open the door and enter. CHP officers don't arrest him, they just drive away like nothing happened Democrat Los Angeles City Councilwoman Nithya Raman gets BOOED by her constituents! She tells them that its not a big deal to have homeless tents right next to a school MUST WATCH: Washington state DemocratIC legislators @GerryPollet & @SenValdez46th freeze when confronted after a lawsuit was filed against WA on behalf of a female inmate who was assaulted by a male prisoner who identifies as a woman LA Councilman Hugo Soto Martinez: It is not fair that illegals are not able to vote! A 20-Year Old Black Man Car-Jacked a Woman and Raped Her--He Was Remorseless--and a Black Judge Gave Him A Lighter Sentence  Demont Forte, a Charlotte NC man who has a MIND-BLOWING 24+ arrests and over 55 charges … ...was just found NOT GUILTY of strangulation, even though the ENTIRE STRANGULATION WAS CAUGHT ON CAMERA!!!! JAW-DROPPING BETRAYAL SPARKS CALLS TO LOCK UP THE JUDGES. A *SEVEN TIME* known convicted felon was released by a liberal judge on pretrial release — and then killed a Chicago police officer, with ZERO REMORSE The Black community of Chicago are demanding for the government to get involved after these young men started showing off their firearms to let the nation know that they ‘run their city.' In Memphis: Mom jumps into a street fight with her daughter with a gun, gets dropped on the spot.  Daughter grabs the gun and unloads the entire clip on the killer + everyone around in pure rage. When does it stop? Bob Dylan sounded prophetic, didn't he?

Today's guest is a multi-instrumentalist, music educator, interviewer, producer, and songwriter. He is also one of the most influential independent music voices online. His real story isn't the channel he built after a 90-second video of his son's perfect pitch hit 80 million views overnight, it's his incredible value to the music community and the conversations he sparks online about the state of the music industry and his conversations with some of the biggest creators within it's orbit.This is one of the more unflinching conversations we've had about what's actually happening to music. Two musicians from different generations of the same fight, working it out in real time. Where do you stand when the rules of the music industry keep changing under your feet?And The Writer Is... Rick Beato!In this episode of And The Writer Is, we go deep on:How getting dropped in 1999 built a YouTube empire 16 years laterWhy Ringo would be a co-writer of every Beatles song in 2026The Eli Mercer experiment: building a fully fake AI artist with Claude — and what happened when he uploaded itThe NPR EDM stunt: 4 million monthly Spotify listeners, 6,300 followers, and what that math says about AIThe 90-second video of his son's perfect pitch that hit 3 million views by 10pm and 80 million total"There's no two current artists with the gravity of Bob Dylan and Stevie Wonder" — and Ross's case for their modern counterpartsWho is the Michael Jordan of pop music? Queen at 3 billion streams enters the chatWhy Ross is still bullish on songwriting — and what the Music Modernization Act got right that the No Fakes Act needs to finishAnd much more...Hit subscribe and turn on notifications. Every week, we go deep with the most interesting creatives in music.Follow us on socials: @andthewriterisA special thank you to our sponsors for making these conversations possible.Our lead sponsor, NMPA — the National Music Publishers Association. Your support means the world to us.Chapters0:00 Intro2:14 The beginning of Rick Beato's music career3:11 The rollercoaster of an early music career5:32 The Napster era and the dawn of digital recording9:16 Producing Shinedown — and how "Simple Man" became the hit10:54 Why "Yellow Ledbetter" was a B-side — and why bonus tracks are back12:48 What country radio still gets right about hits14:54 Inside Nashville sessions and the number triangle17:28 The future of AI in music — and the No Fakes Act21:20 The future of prompting and curating music23:54 Would The Beatles be a four-way publishing split in 2026?25:39 The modern music economy: are album tracks worthless now?27:58 American writers are chasing global stars now34:30 The Eli Mercer experiment: a fake artist built with Claude36:52 The NPR EDM stunt and what it proved about AI on Spotify41:18 4M monthly listeners. 6,300 followers. AI is winning the algorithm.42:58 How Rick Beato built a YouTube empire45:22 The "What Makes This Song Great" era51:49 1984 vs now — and the search for a modern Bob Dylan and Stevie Wonder54:18 Who is the Michael Jordan of pop music?55:51 Queen at 3 billion streams — what counts as "biggest"1:00:28 Golden, Blinding Lights, and what makes a 2020s standard1:06:53 Songwriter similarities and the lawsuits that never happened1:09:42 "Best era of pop music. Am I wrong?"1:13:56 1998: how Clear Channel and Cumulus consolidated radio1:20:14 The Music Modernization Act and what's actually next1:24:54 Is the future of songwriting still bullish?Credits:Hosted by Ross GolanProduced by Joe London & Jad SaadEdited by Jad SaadPost-Production VFX by Pratik Karki Hosted on Acast. See acast.com/privacy for more information.