Podcasts about Hollywood

“The Child Star Club” is back in session! The gang is hanging out with Madeline Zima (a.k.a. Grace on “The Nanny”), whose Hollywood career started at the ripe old age of 28 months, and has never slowed down. Madeline shares the story of auditioning for “The Nanny,” not realizing it was the show that starred “the lady with the voice,” and we hear which famous guest star instructed the cast to not look her in the eyes. Madeline also had a role on "Twin Peaks” and may be the only podcast guest to have given David Lynch an influential directing note. Plus, find out which host was Madeline’s childhood crush - on an all new Pod Meets World! Follow @podmeetsworldshow on Instagram and TikTok!See omnystudio.com/listener for privacy information.

Today we're joined by Steven Puri, Founder and CEO of The Sukha Company based in Austin, Texas, whose mission is to help millions of people find their focus, achieve more, and build a healthy work life. His latest creation, the Sukha Focus App, integrates science and soul to help people achieve deep, sustainable focus in a distracted world.Steven's Website The Journey from Hollywood to HappinessSteven, you've had such an eclectic career—from film production and tech startups to founding a company devoted to focus and balance. Steven's creative journey spans journalism, film, technology, and now mindfulness. He began as a newscaster for the #1 youth news show in the DC/Baltimore market, then went on to work as a software engineer and Thomas J. Watson Scholar at IBM.From there, he entered the film world—producing computer-generated visual effects for Independence Day and 13 other movies, launching his first company, Centropolis Effects, which he later sold to German media conglomerate Das Werk. He went on to senior leadership roles at 20th Century Fox and DreamWorks, developing hit franchises like Die Hard, Wolverine, Transformers, and Star Trek.What turning point inspired you to create The Sukha Company?Creative Systems and ScienceYou've led creative and technical teams at the highest levels—from Independence Day to Transformers. What lessons from those high-pressure creative environments have shaped how you now think about productivity, empathy, and well-being at work?Defining “Sukha” in Modern WorkThe Sanskrit word sukha means happiness through self-fulfillment. How does that philosophy show up in your company's products—and in your own daily focus habits?Focus in the Age of OverloadYou've built an app to help people stay focused in a world of constant distraction. What are the biggest focus challenges you see today, and how does The Sukha help users navigate them?The Future of Work and Well-BeingYou talk about “healthy productivity.” What do you see as the next evolution for creative professionals and organizations who want to get more done without burning out?Steven, what's one piece of advice you'd give to creatives and leaders who are trying to find focus, fulfillment, and flow in their daily work?Thanks to our sponsor, White Cloud Coffee—fueling creative conversations everywhere. Listeners, enjoy 10% off your first order at whitecloudcoffee.com.And before you go, don't forget to download your free e-book of Your World of Creativity when you visit mark-stinson.com.

Episode 715: Neal and Toby discuss Trump's tariff rollback on beef, coffee, and other food goods to address rising price concerns from the American people. Next, Hollywood is struggling to make hits at the box office, even when movies have a star-studded cast. Plus, Charlie Javice is fooling JPMorgan again, this time by charging luxury hotel stays as legal fees. Meanwhile, CEOs from iconic companies are getting ready to retire. Finally, what you need to know in the week ahead.  Learn more at usbank.com/splitcard  Get your MBD live show tickets here! https://www.tinyurl.com/MBD-HOLIDAY  Subscribe to Morning Brew Daily for more of the news you need to start your day. Share the show with a friend, and leave us a review on your favorite podcast app. Listen to Morning Brew Daily Here:⁠ ⁠⁠https://www.swap.fm/l/mbd-note⁠⁠⁠  Watch Morning Brew Daily Here:⁠ ⁠⁠https://www.youtube.com/@MorningBrewDailyShow⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This is a Grave Talks CLASSIC EPISODE Long before Hollywood turned it into a franchise, the Conjuring house had a reputation that made even seasoned investigators hesitate at the front door. Ed and Lorraine Warren felt it instantly—an energy so charged, so undeniably alive, that Ed once joked their entire career could be defined by that single, sinister farmhouse. But the Conjuring house isn't folklore.  It isn't fiction.  And according to those who walk its floors today, whatever stirred there decades ago… never left. This episode of The Grave Talks features Eric Vitale of the New England Society for Paranormal Research—one of the rare investigators granted access to the home that shaped modern ghost lore. Eric takes us inside his recent investigation: the rooms that felt watched, the questions that went unanswered, and the moments that suggested the house itself still decides who gets too close. What happens when a living investigator steps into a place the Warrens once warned others to respect? And what, exactly, is waiting in the dark corners of the Conjuring house today? #ConjuringHouse #EdAndLorraineWarren #RealHauntings #ParanormalInvestigation #NESPR #EricVitale #HauntedHistory #GhostStories #TheGraveTalks #SupernaturalEncounters #DemonicInfestation #HauntedPlaces  Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

This is a Grave Talks CLASSIC EPISODE Long before Hollywood turned it into a franchise, the Conjuring house had a reputation that made even seasoned investigators hesitate at the front door. Ed and Lorraine Warren felt it instantly—an energy so charged, so undeniably alive, that Ed once joked their entire career could be defined by that single, sinister farmhouse. But the Conjuring house isn't folklore. It isn't fiction. And according to those who walk its floors today, whatever stirred there decades ago… never left. This episode of The Grave Talks features Eric Vitale of the New England Society for Paranormal Research—one of the rare investigators granted access to the home that shaped modern ghost lore. Eric takes us inside his recent investigation: the rooms that felt watched, the questions that went unanswered, and the moments that suggested the house itself still decides who gets too close. What happens when a living investigator steps into a place the Warrens once warned others to respect? And what, exactly, is waiting in the dark corners of the Conjuring house today? #ConjuringHouse #EdAndLorraineWarren #RealHauntings #ParanormalInvestigation #NESPR #EricVitale #HauntedHistory #GhostStories #TheGraveTalks #SupernaturalEncounters #DemonicInfestation #HauntedPlaces  Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

Is the SnyderVerse returning with the WB sell?! Today on The Kristian Harloff Show, we dive into a massive wave of breaking news across the industry — and yes, that includes the big headline: Zack Snyder, Christopher Nolan & Saudis set to bring back the SnyderVerse in a potential new deal still rumor at this point. With reports that Saudi Arabia's PIF enters the Warner Bros. bid mix, there's a lot to unpack about what this could mean for DC's future and whether the SnyderVerse could actually return. We also cover the latest box-office and franchise updates, including Now You See Me 3 topping the global box office, plus confirmations of Black Panther 3 and Now You See Me 4, giving movie fans plenty to look forward to. On the DC side, BLACK ADAM star Pierce Brosnan says Doctor Fate will appear in Man of Tomorrow, which adds more intrigue to James Gunn's Superman plans. In industry news, Tom Cruise has finally received an Oscar, marking a major moment in his legendary career, and we touch on comments from the Naked Gun director, who is unimpressed with the reboot. Join Kristian as he breaks down all of this movie news, the business side of Hollywood, and what these developments could mean for the future of Warner Bros., DC Studios, and your favorite franchises. SPONSORS: NUTRAFOL: See thicker, stronger, faster-growing hair with less shedding in just 3-6 months with Nutrafol. For a limited time, Nutrafol is offering our listeners ten dollars off your first month's subscription and free shipping when you go to https://www.Nutrafol.com and enter the promo code KRISTIAN. CASH APP:   Download Cash App Today: https://capl.onelink.me/vFut/76rlxe00 #CashAppPod. Cash App is a financial services platform, not a bank. Banking services provided by Cash App's bank partner(s). Prepaid debit cards issued by Sutton Bank, Member FDIC. See terms and conditions at https://cash.app/legal/us/en-us/card-agreement. Discounts and promotions provided by Cash App, a Block, Inc. brand. Visit http://cash.app/legal/podcast for full disclosures. RIDGE:  Take advantage of Ridge's Biggest Sale of the Year and GET UP TO 47% Off  by going to https://www.Ridge.com/KRISTIAN #Ridgepod PRIZEPICKS: Visit https://app.prizepicks.com/sign-up?in... and use code KRISTIAN and get $50 in lineups when you play your first $5 lineup!

Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Trey Haley.

Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Trey Haley.

From the Wicked red carpet to Amy Schumer drama, we don't hold back today. But when do we ever?

In this conversation, Ricky and Hollywood sit down with Kyle Fondie to talk about a South Dakota Bowhunt that he and Hollywood shared. The group shares their insights on the anticipation and dynamics of hunting, emphasizing the importance of teamwork and communication during the hunt. Kyle recounts a specific experience that highlights the thrill of the chase and the strategic decisions made in the moment. Takeaways The anticipation of the hunt is crucial for success. Team communication can make or break a hunting experience. Understanding the terrain is key to predicting animal movement. Trusting your instincts is important in the field. Clear communication among team members enhances effectiveness. The thrill of the chase is a significant part of hunting. Strategic planning is essential before the hunt begins. Adapting to changing circumstances is necessary during the hunt. Building rapport with team members improves collaboration. Every hunt is a learning experience that shapes future strategies.  The Range Podcast is available on all major platforms, including Apple Podcasts and Spotify. Video versions are also available on the Vapor Trail YouTube Channel and Wild TV.  Enter Promo Code trp15 during checkout at www.vaportrailarchery.com to receive 15% off VTX Bowstrings and Branded Apparel. The Range Podcast is brought to you by Vapor Trail Archery and Stokerized Stabilizers. We are proud to be a part of the @sportsmens_empire network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephen Schwartz, the composer-lyricist behind such hits as "Godspell", "Pippin", and "Wicked", talks with Mo Rocca about his life and career on Broadway, in Hollywood, and away from the stage. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Two-time Emmy and three-time NAACP Image Award-winning television Executive Producer Rushion McDonald interviewed Trey Haley.

"FROM SILENT DREAMS TO SILVER SCREENS - THE HOLLYWOOD SIGN STORY" Nov 17, 2025 - (114) Each year thousands of people flock to Hollywood, and most are usually stopped in their tracks upon the first sighting of the iconic Hollywood Sign. Sitting high atop Mount Lee 1400 feet above the city, the Sign is a mesmerizing beacon of light that has come to symbolize the hopes and dreams of so many who've come here to become a star. This week, we get (really) up-close and personal with the Hollywood Sign. At the invitation of the Hollywood Sign Trust, the organization in charge of maintaining, protecting, and publicizing the Sign, we were able to record at the base of the Sign, a location that is off-limits to the public. Joining us to tell the fascinating and fanciful history of the Hollywood Sign is DIANA WRIGHT, who works with the Trust. You won't want to miss this one!  SHOW NOTES:  Sources: “20 Fun Facts About The Hollywood Sign,” January 22, 2017, by Nelson James, Signs.com; Hollywoodsign.org; laconservancy.org; Hollywoodchamber.net; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices

Joe and Hollywood recap the Miami Dolphins' win over the Washington Commanders, as Joe can't stop saying “Redskins.” The conversation shifts to the Miami Heat as they prepare to face the Golden State Warriors on Wednesday, including Jimmy Butler's return and how his presence could impact the team — plus Joe shares his lingering feelings about Butler leaving Miami. The hour wraps with a spotlight on Devon Achane's stellar performance and a deep dive into the Dolphins' 4th-and-goal and overtime decisions, debating whether the team made the right calls in crunch time

Hollywood and Joe take a fast-paced look around the NFL, covering all the biggest games and storylines. From the Eagles' continued winning streak to the Broncos' upset of the Chiefs, the Rams' win over the Seahawks, and the Jaguars dominating the Chargers, the guys break down the action. They also discuss how, through 11 weeks, the Patriots and Broncos sit atop the AFC — a surprising turn in the playoff race

The show kicks off with a look at a big weekend for South Florida sports, including the Dolphins' hard-fought win over the Washington Commanders in Spain and the Miami Hurricanes' 41-7 blowout of NC State, keeping their College Football Playoff hopes alive. Joe and Hollywood debate key Dolphins decisions in overtime, while head coach Mario Cristobal breaks down how the Canes prepare each week, handle injuries, and approach the next CFP rankings. Omar Kelly joins to share his perspective on Miami's win in Spain and the franchise's direction, and the guys also hit a fast-paced NFL Week 11 whiparound, covering surprising standings and standout performances. The show shifts to the Miami Heat as they prepare to face the Golden State Warriors, including Jimmy Butler's return, and highlights Devon Achane's stellar performance for the Dolphins. The hour wraps with a closer look at Miami's high-scoring Heat offense and additional insights from Cristobal and Kelly.

Joe and Hollywood dive into the Dolphins' decision to go for it on 4th and goal and debate whether Miami made the right call by kicking off to start overtime instead of taking the ball. Joe doubles down on his stance that he never wants to tank — and makes it clear he has no interest in seeing Quinn Ewers starting this season

The show opens with a look at the Dolphins' thrilling overseas win in Spain, as Joe and Hollywood debate Miami's key decisions — including the 4th-and-goal call and the choice to kick to start overtime. Joe reiterates that he never wants the team to tank and makes it clear he doesn't want to see Quinn Ewers under center. The focus then shifts to the Miami Hurricanes following their 41-7 blowout of NC State, with head coach Mario Cristobal joining to break down how the team self-scouts each week, handle the loss of Keionte Scott, and navigate the transfer portal. Cristobal also shares his mindset ahead of the next CFP rankings, emphasizing that the Canes can only control their own performance

In this episode, Candice speaks with Amy and Nancy Harrington, founders of The Passionistas Project, a platform devoted to amplifying women's stories and celebrating their strength, creativity, and resilience. After interviewing hundreds of women, they have built a community that uplifts voices that are often overlooked. Their mission continues to grow through storytelling, connection, and their ongoing commitment to helping women feel seen, valued, and supported.As they share their journey, Amy and Paula talk about the power of listening, the beauty of everyday resilience, and the importance of building spaces where women can show up authentically. They highlight the women who have shaped them, the lessons they have learned through interviewing so many remarkable individuals, and how sisterhood can transform not only the lives of women but entire communities. In this episode, you'll hear about:How interviewing hundreds of women revealed common threads of strength and resilienceWhy The Passionistas Project was created and how it continues to evolveThe importance of giving women a safe space to share their true storiesLessons they learned from women who have overcome adversity with courage and graceHow storytelling builds connection, empathy, and empowermentTheir mission to ensure that every woman feels like she mattersThe vision for expanding their sisterhood and creating broader impact This episode is a beautiful reminder that every woman carries a powerful story, and when we make space for those stories to be heard, we create a world filled with compassion, connection, and possibility. About Amy and Nancy:Sisters and business partners, Amy and Nancy Harrington, are the Co-Founders of The Passionistas Project Sisterhood, an inclusive community where passion-driven women mostly from marginalized communities come to get support, find their purpose, and feel empowered to transform their lives and change the world.They have created a space where women from ALL backgrounds can come together and support each other in the areas of business development, personal growth, and social impact based on the principles of sisterhood — loyalty, trust, empathy, vulnerability, and joy.Both Co-Founders walked away from high-profile jobs in Hollywood to work together.Amy was the first woman in the history of the entertainment industry to hold the position of Vice President of Post Production & Visual Effects. While at Warner Bros., she worked on over 250 feature films like the Harry Potter and the Matrix franchises.Nancy had a successful graphic design business and theater company before creating Academy Award campaigns for Miramax.Their career as celebrity interviewers has included chats with Julia Louis-Dreyfus, Rita Moreno, Lily Tomlin, Laverne Cox, Carol Burnett, and more. Now through their global Passionistas Project Sisterhood, podcast and Power of Passionistas summit, they strive to inspire women to follow their passions and join forces in the fight for equality for all.Website: https://www.thepassionistasproject.com/November 19th, 2025 Workshop-Storytelling for Women Coaches and Business Ownershttps://thepassionistasproject.circle.so/c/passionistas-world-tour-events-calendar/storytelling-for-women-coaches-and-business-owners-with-amy-and-nancy30 Day Free Journalhttps://thepassionistsproject.com/30-days-journalPassionistas Project Sisterhood: https://thepassionistasproject.circle.soFree MembershipPodcast:The Passionistas Project:Apple: https://podcasts.apple.com/us/podcast/the-passionistas-project-podcast/id1353224418Spotify: https://open.spotify.com/show/4uzL9lPO4QdB7zRd8HHYLj?si=2904c6c275444ea2Facebook: www.facebook.com/ThePassionistasProjectLinkedIn: www.linkedin.com/company/the-passionistas-project/Instagram: www.instagram.com/thepassionistasproject/YouTube: https://www.youtube.com/user/PCPassionistas-----If you're struggling, consider therapy with our sponsor, BetterHelp.Visit https://betterhelp.com/candicesnyder for a 10% discount on your first month of therapy.*This is a paid promotionIf you are in the United States and in crisis, or any other person may be in danger -Suicide & Crisis Lifeline Dial 988-----Connect with Candice Snyder!Website: https://www.podpage.com/passion-purpose-and-possibilities-1/Facebook: https://www.facebook.com/candicebsnyder?_rdrPassion, Purpose, and Possibilities Community Group: https://www.facebook.com/groups/passionpurposeandpossibilitiescommunity/Instagram: https://www.instagram.com/passionpurposepossibilities/LinkedIn: https://www.linkedin.com/in/candicesnyder/Shop For A Cause With Gifts That Give Back to Nonprofits: https://thekindnesscause.com/Fall In Love With Artists And Experience Joy And Calm: https://www.youtube.com/@movenartrelaxationClick this link to receive your FREE TRIAL to The Greenhouse Communityhttps://www.thegreenhousecommunity.com/checkout/the-greenhouse-membership?affiliate_code=11e889

What does the producer of Wedding Crashers, Serendipity, and Van Wilder know about building brands? Turns out—a lot. This week on On Brand, Andrew Panay shares how Hollywood storytelling principles shape not just hit movies but also unforgettable brand stories for companies like T-Mobile, Microsoft, and Anheuser-Busch. What You'll Learn Why originality—not imitation—is still the most powerful creative strategy How Hollywood storytelling principles can strengthen brand storytelling The fine line between risk and reward in brand work Why celebrating success starts with knowing your “why” How T-Mobile's storytelling edge became a creative advantage Episode Chapters (00:00) Intro (00:30) From Hollywood to branding (02:00) The disconnect between filmmakers and brands (03:30) What Wedding Crashers teaches us about 30-second storytelling (05:00) Capturing attention in seconds, not minutes (08:00) Creativity, evolution, and staying uncomfortable (10:40) Originality vs imitation in marketing (20:30) Balancing elegant risk with commercial success (25:00) The brand that made Andrew smile (27:30) Where to learn more about Panay Films Andrew Panay is the founder and CEO of Panay Films and a veteran Hollywood producer whose movies—including Wedding Crashers, Serendipity, and Van Wilder—have grossed more than $800 million worldwide. Beyond film and television, Panay brings his storytelling craft to branded content and advertising for companies such as T-Mobile, Microsoft, and Anheuser-Busch. His signature approach blends cinematic storytelling with strategic brand thinking, creating work that moves audiences—and the business forward. What Brand Has Made Andrew Smile Recently? Andrew pointed to Nike for a recent campaign during the World Series. The spot used a clever mashup of sound, attitude, and nostalgia—culminating with Ken Griffey Jr.'s signature backward cap and mischievous grin. For Andrew, it was the perfect example of creative “juj”—that mix of confidence, playfulness, and truth that makes great storytelling irresistible. Links and Resources Connect with Panay Films on Instagram. Watch or listen on Apple Podcasts, Spotify, YouTube, Amazon/Audible, TuneIn, and iHeart. Rate and review on Apple Podcasts and Spotify to help others find the show. Share this episode — email a friend or colleague this episode. Sign up for my free Story Strategies newsletter for branding and storytelling tips. On Brand is a part of the Marketing Podcast Network. Until next week, I'll see you on the Internet! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this conversation, Ricky and Hollywood sit down with Kyle Fondie to talk about a South Dakota Bowhunt that he and Hollywood shared. The group shares their insights on the anticipation and dynamics of hunting, emphasizing the importance of teamwork and communication during the hunt. Kyle recounts a specific experience that highlights the thrill of the chase and the strategic decisions made in the moment.TakeawaysThe anticipation of the hunt is crucial for success.Team communication can make or break a hunting experience.Understanding the terrain is key to predicting animal movement.Trusting your instincts is important in the field.Clear communication among team members enhances effectiveness.The thrill of the chase is a significant part of hunting.Strategic planning is essential before the hunt begins.Adapting to changing circumstances is necessary during the hunt.Building rapport with team members improves collaboration.Every hunt is a learning experience that shapes future strategies.The Range Podcast is available on all major platforms, including Apple Podcasts and Spotify. Video versions are also available on the Vapor Trail YouTube Channel and Wild TV. Enter Promo Code trp15 during checkout at www.vaportrailarchery.com to receive 15% off VTX Bowstrings and Branded Apparel.The Range Podcast is brought to you by Vapor Trail Archery and Stokerized Stabilizers. We are proud to be a part of the @sportsmens_empire network. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Teri's BookFollow us on Instagram: Memwah PodcastJoin our Facebook group! Memwah PodcastVisit us at Pronounced MemwahMusic: "Promenade" themeBuy Wendi's booksI'm Wearing Tunics NowGinger Mancino, Kid ComedianSocksWendi's SubstackBuy Ann's bookListen to Your MotherMariana's SubstackWant to know what else we're reading and watching this week? It's on the pod, have a listen!

It's a huge day for the boys as they sit down with the one-and-only VITALIY VERCASE, director of the Disasterpiece classics The Last Vampire on Earth and Born Into Mafia.From trying to understand his filmmaking philosophy to unlocking his mysterious YouTube page, Justin and Steve had a million questions for the Russian director. And their most surprising discovery is… he's a pretty normal and very sweet guy who just loves making movies.The boys also discover that Vitaliy has been involved in dozens of big-budget film productions, and he was more than willing to spill the tea on some of the biggest stars in Hollywood. But like all things Vitaliy touches, the more they found out, the more mysterious he became.A huge thank you to Vitaliy for taking time out of his busy schedule to sit down with us.Check out Vitaliy's YouTube page HEREWatch Born Into Mafia HEREWatch The Last Vampire on Earth HERE Follow us on Instagram to stay updated about our monthly live shows!Check out more from Justin here: justindodd.rocks Check out more from Steve here: stevejhward.comdrinkgenies.com

In this conversation, Ricky and Hollywood sit down with Kyle Fondie to talk about a South Dakota Bowhunt that he and Hollywood shared. The group shares their insights on the anticipation and dynamics of hunting, emphasizing the importance of teamwork and communication during the hunt. Kyle recounts a specific experience that highlights the thrill of the chase and the strategic decisions made in the moment.TakeawaysThe anticipation of the hunt is crucial for success.Team communication can make or break a hunting experience.Understanding the terrain is key to predicting animal movement.Trusting your instincts is important in the field.Clear communication among team members enhances effectiveness.The thrill of the chase is a significant part of hunting.Strategic planning is essential before the hunt begins.Adapting to changing circumstances is necessary during the hunt.Building rapport with team members improves collaboration.Every hunt is a learning experience that shapes future strategies. The Range Podcast is available on all major platforms, including Apple Podcasts and Spotify. Video versions are also available on the Vapor Trail YouTube Channel and Wild TV. Enter Promo Code trp15 during checkout at www.vaportrailarchery.com to receive 15% off VTX Bowstrings and Branded Apparel.The Range Podcast is brought to you by Vapor Trail Archery and Stokerized Stabilizers. We are proud to be a part of the @sportsmens_empire network. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Steven Spielberg's extraordinary career redefined Hollywood, but his achievement goes far beyond shattered box office records. Rejecting the view of Spielberg as a Barnumesque purveyor of spectacle, Lester D. Friedman presents the filmmaker as a major artist who pairs an ongoing willingness to challenge himself with a widely recognized technical mastery. This new edition of Citizen Spielberg (University of Illinois Press, 2022) expands Friedman's original analysis to include films of the 2010s like Lincoln and Ready Player One. Breaking down the works by genre, Friedman looks at essential aspects of Spielberg's art, from his storytelling concerns and worldview to the uncanny connection with audiences that has powered his longtime influence as a cultural force. Friedman's examination reveals a sustained artistic vision--a vision that shows no sign of exhausting itself or audiences after Spielberg's nearly fifty years as a high-profile filmmaker. Incisive and discerning, Citizen Spielberg, Second Edition, offers a career-spanning appraisal of a moviemaking icon. Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Steven Spielberg's extraordinary career redefined Hollywood, but his achievement goes far beyond shattered box office records. Rejecting the view of Spielberg as a Barnumesque purveyor of spectacle, Lester D. Friedman presents the filmmaker as a major artist who pairs an ongoing willingness to challenge himself with a widely recognized technical mastery. This new edition of Citizen Spielberg (University of Illinois Press, 2022) expands Friedman's original analysis to include films of the 2010s like Lincoln and Ready Player One. Breaking down the works by genre, Friedman looks at essential aspects of Spielberg's art, from his storytelling concerns and worldview to the uncanny connection with audiences that has powered his longtime influence as a cultural force. Friedman's examination reveals a sustained artistic vision--a vision that shows no sign of exhausting itself or audiences after Spielberg's nearly fifty years as a high-profile filmmaker. Incisive and discerning, Citizen Spielberg, Second Edition, offers a career-spanning appraisal of a moviemaking icon. Nathan Abrams is a professor of film at Bangor University in Wales [https://research.bangor.ac.uk/...(b8c6d91f-14c5-4862-8745-0f5d0e938a28).html]. His most recent work is on film director Stanley Kubrick [https://oxford.universitypress...]. To discuss and propose a book for interview you can reach him at n.abrams@bangor.ac.uk. Twitter: @ndabrams Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

On this week's episode of the podcast, we talk about some major Hollywood news! October 2025 was the worst October at the box office in years... but it doesn't stop there. Warner Bros. is for sale, and we take a look at everyone who is buying. Finally, the stage at the Hollywood Bowl was named after John Williams, so D-man and CP each list the John Williams scores they are most excited to see performed live. Please share your thoughts!

Actor Kelsey Grammer has been a fixture in American entertainment for decades, from his iconic roles in “Cheers” and “Frasier” to recent projects that reflect his personal convictions. In this episode, we speak to Grammer about his new film and how his Christian faith has shaped the roles he takes on. Get the facts first with Morning Wire. - - - Wake up with new Morning Wire merch: https://bit.ly/4lIubt3 - - - Privacy Policy: https://www.dailywire.com/privacy - - - ZipRecruiter: Go to this exclusive web address to try ZipRecruiter FOR FREE: https://ZipRecruiter.com/WIRE Learn more about your ad choices. Visit podcastchoices.com/adchoices

As #MomTok heads to Hollywood, a shocking allegation is made. The wedge between the group deepens, and Jessi and Demi face off.  Video here: https://youtu.be/ScxXjWGiDK4 To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Thousands of indigenous people and activists demonstrate against global warming in the Amazonian city of Belém, where COP30 is taking place. It's the first time since 2021 that people have been allowed to protest outside the UN climate talks. Also: Palestinian families suffer, as heavy rains destroy camps in Gaza; Pakistan's Balochistan province bans child marriage; Mexican cities see protests over growing violence and insecurity; Ecuadorians are set to vote on allowing foreign military bases back into their country; and Pope Leo hosts some of Hollywood's biggest stars, describing them as "pilgrims of the imagination".The Global News Podcast brings you the breaking news you need to hear, as it happens. Listen for the latest headlines and current affairs from around the world. Politics, economics, climate, business, technology, health – we cover it all with expert analysis and insight. Get the news that matters, delivered twice a day on weekdays and daily at weekends, plus special bonus episodes reacting to urgent breaking stories. Follow or subscribe now and never miss a moment. Get in touch: globalpodcast@bbc.co.uk

Actor Raúl Castillo joins us at the kitchen table. Literally. He goes to Latino USA host Maria Hinojosa’s home to share chips and homemade guacamole. Since his last visit on the show five years ago, a lot has changed for Raúl. He’s gotten married, filmed one of the darkest scenes of his career on HBO’s Task, and will soon join the cast of The Walking Dead. But there are things that remain the same: Raúl’s respect for matriarchs, his rootedness in community and his moral compass. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter. See omnystudio.com/listener for privacy information.

This is a fan fav episode. What's up homies! Lisa Bilyeu here, and boy, do I have a treat for you today with this uplifting Instagram Live conversation with my girl, Kimberly Shannon Murphy. In this special episode, we're diving into an incredibly inspiring and powerful journey of resilience and transformation.  Now, if you don't know who Kimberly is, let me just say, she's a woman who wears many hats - she's a survivor, an author, and an award-winning Hollywood stuntwoman! Yes, she's jumped out of buildings and hung from helicopters, but what truly sets her apart is her unyielding spirit to turn the most heartbreaking adversity into frikin' hardcore strength.  “I had the moment of, ‘f*ck you, you're not going to win.” -Kimberly Shannon Murphy So, whether you're tuning in while sipping your morning coffee or during your evening wind-down, get ready for a candid, heart-to-heart chat that will leave you inspired and empowered to make the change you've been longing for in your own life. Original air date: 7-21-2023 Follow Kim Murphy: YouTube: ⁠https://www.youtube.com/@StuntwomanKimberlyShannon⁠  TikTok: ⁠https://www.tiktok.com/@kimberlyshannonmurphy⁠  Instagram: ⁠https://www.instagram.com/kimberlyshannonmurphystunts/⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

In this updated and revised edition, James DiEugenio dissects the new Oscar-nominated film, The Post, and how it disingenuously represents the Pentagon Papers saga, to the detriment of the true heroes of the operation. The story of the film stems from the failed attempt of Academy Award–winning actor Tom Hanks and producer Gary Goetzman to make Vincent Bugliosi's mammoth book about the Kennedy assassination, Reclaiming History, into a miniseries. He exposes the questionable origins of Reclaiming History in a dubious mock trial for cable television, in which Bugliosi played the role of an attorney prosecuting Lee Harvey Oswald for murder, and how this formed the basis for the epic tome.JFK: The Evidence Today lists the myriad problems with Bugliosi's book and explores the cooperation of the mainstream press in concealing many facts during the publicity campaign for the book and how this lack of scrutiny led Hanks and Goetzman—cofounders of the production company Playtone—to purchase the film rights. DiEugenio then shows how the failed film adapted from that book, entitled Parkland, does not resemble Bugliosi's book and examines why.This book reveals the connections between Washington and Hollywood, as well as the CIA influence in the film community today. It includes an extended look at the little-known aspects of the lives and careers of Bugliosi, Hanks, and Goetzman. JFK: The Evidence Today sheds light on the Kennedy assassination, New Hollywood, and political influence on media in America.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

Watch all of our Hamamoto videos here: https://www.youtube.com/playlist?list=PLPT_cCpNMvT60BzykDhdZyU2AmVg7rLy6 Hamamoto on YouTube: https://www.youtube.com/@professorhamamoto Prof. Darrell Hamamoto, who is an American writer, academic, and specialist in U.S. media and ethnic studies. Professors Facebook :  https://www.facebook.com/share/hZajgCgTANc3kWbd/?mibextid=LQQJ4d Follow Lauren The Insider online:

Scott Eyman is one of the foremost biographers of classic Hollywood, writing essential books on Chaplin, Cary Grant, John Wayne, John Ford, and many more. He joins us to discuss his latest, “Joan Crawford: A Woman's Face,” and Crawford's quintessential performance in “Grand Hotel.” Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Federal agents launch immigration raids in Charlotte, North Carolina. Pope Leo hosts Hollywood stars at the Vatican. Gen Z-styled protests spread in Mexico, fueled by mayor's murder. Plus, a Tokyo bar is smashing beauty norms with muscle and protein shakes. Recommended read: The man who put Harry Potter on the map on his next chapter Listen to the latest episode of On Assignment "⁠Trump vs the BBC⁠". Sign up for the Reuters Econ World newsletter ⁠here⁠.  Listen to the Reuters Econ World podcast ⁠here⁠. Visit the ⁠Thomson Reuters Privacy Statement⁠ for information on our privacy and data protection practices. You may also visit ⁠megaphone.fm/adchoices⁠ to opt out of targeted advertising. Learn more about your ad choices. Visit megaphone.fm/adchoices

Tackling The Mafia And Dangers of Informants: Retired FBI Agent Speaks. Special Episode. “This is a part of FBI work the public almost never sees,” Vinton explains. “When you're Tackling The Mafia And the Dangers of Informants, you're operating in a world where loyalty is a currency, and betrayal can cost lives or careers.” Law Enforcement Talk Radio Show and Podcast social media like their Facebook , Instagram , LinkedIn , Medium and other social media platforms. In a powerful Special Episode now streaming on the Law Enforcement Talk Radio Show and Podcast website, on Apple Podcasts, Spotify, YouTube, and most every major Podcast platform, retired FBI agent and author Tom Vinton offers a rare, firsthand look into the world of organized crime, dangerous informants, and the internal risks faced by federal investigators. Promoted across Facebook, Instagram, and other News outlets, the episode takes listeners deep into the heart of New York's most violent Mafia crime families, and into the shadows where informants and agents walk a thin line between justice and treachery. Inside the Mafia Wars of the 1980s The episode dives into the turbulent 1980s, a decade defined by upheaval within the Gambino Crime Family, from the Crime Boss's leadership to his shocking 1985 assassination and the meteoric rise of another Boss. Vinton recalls the era as one marked by international heroin trafficking, brutal territorial battles, and the historic Mafia Commission Trial, which took aim at the leadership of all five New York Mafia families. Tackling The Mafia And Dangers of Informants: Retired FBI Agent Speaks. Special Episode. Look for supporting articles about this and much more from Law Enforcement Talk Radio Show and Podcast in platforms like Medium , Blogspot and Linkedin . “The Commission Trial was a seismic shift,” Vinton says. “For the first time, the FBI could expose how the families cooperated, organized, and profited. It changed the direction of organized crime investigations forever.” The Perils of Informants: “A Necessary Evil” Vinton's book, Sanctioned Treachery: Portrait of a Drug Informant, becomes a centerpiece of the episode. Based on his decades-long career investigating organized crime and supervising the Organized Crime Drug Enforcement Task Force, the novel brings to life the dangerous dance between agents and the informants they rely on. “Informants are both indispensable and incredibly risky,” Vinton notes. “Some agents have had their careers destroyed, or even ended up in jail, because they trusted the wrong person.” Tackling The Mafia And Dangers of Informants: Retired FBI Agent Speaks. Available for free on their website and streaming on Apple Podcasts, Spotify, and other podcast platforms. The book follows fictional FBI agent Eddie Michaels and his informant Alonzo “King” Curtis, a charismatic but ruthless operator whose moral compass is as fluid as the criminal underworld he moves through. Drawing on real-life cases, Vinton reveals how informants can both solve major crimes and simultaneously jeopardize investigations, or the agents themselves. “This could have happened,” Vinton says plainly. “Some of it did.” A Career Built on Crime-Fighting and Storytelling Tom Vinton's own story is as compelling as the cases he describes. Born in New Rochelle and a graduate of Holy Cross, he served as a Marine Corps infantry officer before joining the FBI. His assignments took him ultimately to New York, where he supervised massive organized crime and drug investigations. The Law Enforcement Talk Radio Show and Podcast episode is available for free on their website , Apple Podcasts , Spotify and most major podcast platforms. After retiring from the Bureau, Vinton became Deputy Commissioner of the Westchester County Police and launched a consulting business. But writing remained a passion. Tackling The Mafia And Dangers of Informants. “A professor once told me that writing would serve me no matter what career I chose,” Vinton recalls. “He was right. These stories needed to be told.” Originally published in 2005, Sanctioned Treachery was lost when the publisher went bankrupt. Now updated, re-edited, and released, it's earning renewed praise. One early review called it “a grand thriller… an exciting breath-holding adventure disguised as fiction.” How the FBI Fights Organized Crime Throughout the episode, Vinton breaks down how the FBI tackles criminal enterprises, not just individuals, using tools like: Undercover operations Court-authorized wiretaps and surveillance Asset forfeiture Informants and cooperating witnesses Inter-agency task forces RICO statutes “The goal is to dismantle the entire infrastructure of a criminal organization,” Vinton says. “Not just arrest a few people. We target the enterprise, its money, its leadership, its operations.” Tackling The Mafia And Dangers of Informants: Retired FBI Agent Speaks. Special Episode. The full podcast episode is streaming now on Apple Podcasts, Spotify, and across Facebook, Instagram, and LinkedIn. A Must-Listen Episode for True Crime Fans For those interested in the FBI, Mafia history, or the high-stakes world of criminal informants, this Special Episode delivers unmatched insight. “It's a reminder,” Vinton says, “that the line between justice and danger is thinner than the public ever realizes.” Listeners can tune in on the Law Enforcement Talk Radio Show website, on Apple Podcasts, Spotify, YouTube, and most every major Podcast platform and follow updates on Facebook, Instagram, and other major News outlets. You can find the show on Facebook, Instagram, Pinterest, X (formerly Twitter), and LinkedIn, as well as read companion articles and updates on Medium, Blogspot, YouTube, and even IMDB. You can help contribute money to make the Gunrunner Movie . The film that Hollywood won't touch. It is about a now Retired Police Officer that was shot 6 times while investigating Gunrunning. He died 3 times during Medical treatment and was resuscitated. You can join the fight by giving a monetary “gift” to help ensure the making of his film at agunrunnerfilm.com . Background song Hurricane is used with permission from the band Dark Horse Flyer. You can contact John J. “Jay” Wiley by email at Jay@letradio.com , or learn more about him on their website . Get the latest news articles, without all the bias and spin, from the Law Enforcement Talk Radio Show and Podcast on Medium , which is free. “If you enjoy the show,” John Jay Wiley adds, “please share it with a friend or two, or three. And if you're able to leave an honest rating or review, it would be deeply appreciated.” The Law Enforcement Talk Radio Show and Podcast is available for free on Apple Podcasts, Spotify, YouTube, and LETRadio.com, among many other platforms. Stay connected with updates and future episodes by following the show on Facebook, Instagram, LinkedIn, their website and other Social Media Platforms. Find a wide variety of great podcasts online at The Podcast Zone Facebook Page , look for the one with the bright green logo. Be sure to check out our website . Be sure to follow us on X , Instagram , Facebook, Pinterest, Linkedin and other social media platforms for the latest episodes and news. Tackling The Mafia And Dangers of Informants: Retired FBI Agent Speaks. Special Episode. Attributions Amazon.com F.B.I. Amazon.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We start Year Twelve of the Contrarians with a movie we never thought we'd cover (or watch) - but how can you escape one of the most infamous and puzzling bombs in recent history? Did people really not get how Todd Phillips used JOKER: FOLIE A DEUX to give Hollywood a much-needed middle finger? Did the joke go over critics and audiences' heads? Listen to Alex & Julio discuss this masterful troll job!TIMELINE00:01:24 Joker: Folie a Deux00:13:19 Contrarians Corner- Wanna know how we really feel about JOKER: FOLIE A DEUX? Check out the Real Talk (RT) episode, on your feed RIGHT NOW! (or pretty soon — Spotify can be a pain when it comes to refreshing the feed)- Interested in more Contrarians goodness? Join THE CONTRARIANS SUPPLEMENTS on our Patreon Page! Deleted clips, extended plugs, bonus episodes free from the Tomatometer shackles… It's everything a Contrarians devotee would want!- Our YouTube page is live! Get some visual Contrarians delight with our Contrarians Warm-Ups and other fun videos!- Contrarians Merch is finally here! Check out our RED BUBBLE MERCH PAGE and buy yourself something nice that's emblazoned with one of our four different designs!- THE FESTIVE YEARS have been letting us use their music for years now and they are amazing. You can check out their work on Spotify, on Facebook or on their very own website.- Our buddy Cory Ahre is being kind enough to lend a hand with the editing of some of our videos. If you like his style, wait until you see what he does over on his YouTube Channel.- THE LATE NIGHT GRIN isn't just a show about wrestling: it's a brand, a lifestyle. And they're very supportive of our Contrarian endeavors, so we'd like to return the favor. Check out their YouTube Channel! You might even spot Alex there from time to time.- Hans Rothgiesser, the man behind our logo, can be reached at @mildemoniospe on Instagram or you can email him at mildemonios@hotmail.com in case you ever need a logo (or comics) produced. And you can listen to him talk about economy on his new TV show, VALOR AGREGADO. Aaaaand you can also check out all the stuff he's written on his own website. He has a new book: a sort of Economics For Dummies called MARGINAL. Ask him about it!

Five decades of rock and roll with none of the names redacted. In the despatches this week … … Kevin Rowland? Adam Ant? Toyah? Morrissey? Which Smash Hits cover stars are now ‘legends'? … a classic encounter with Van Morrison down a Bristol alley … the boy who mailed dead rodents and Boomtown Rats singles to radio stations became Pope Leo XIV! … 25 recent big-name Hollywood films all flopped. Are robots the new movie stars?… was Sticky Fingers the last Stones album with songs? … best nights out for a tenner … RIP Gilson Lavis and Donna Godchaux ... the daft rituals of the '70s ‘slow dance' … when Percy Sledge was a hospital porter … “Run for your life, it's Eater!” … Tom Waits' on-brand luggage, Boo Hewerdine and birthday guest Mike Sketch on the joy of gigs on your own (and in a scout hut in Staveley).Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In this episode of the Dirty Dozen Series, we each picked 6 of the worst Scorpions Songs from ‘79 to ‘90. Series Info: The Dirty Dozen Series is our chance to be negative. We typically like to keep it positive around here, unless your name is Hollywood, who likes ‘keeping it real', but by and large unless it's not something one of us likes, we generally don't even talk about it. So in this series, we pick a dozen songs, albums, bands, whatever we feel like being negative about because we don't particularly love it. Sometimes we even get you, the listeners involved. WE NEED YOUR HELP!! It's quick, easy, and free - Please consider doing one or all of the following to help grow our audience: Leave Us A Five Star Review in one of the following places: Apple Podcast Podchaser Spotify Connect with us  Email us growinuprock@gmail.com Contact Form  Like and Follow Us on FaceBook Follow Us on Twitter Leave Us A Review On Podchaser Join The Growin' Up Rock Loud Minority Facebook Group Do You Spotify? Then Follow us and Give Our Playlist a listen. We update it regularly with kick ass rock n roll Spotify Playlist Buy and Support Music From The Artist We Discuss On This Episode Growin' Up Rock Amazon Store Pantheon Podcast Network Music in this Episode Provided by the Following: Scorpions, Kiss, Malvada Crank It Up Spotlight - Malvada - “Down The Walls” If you dig what you are hearing, go pick up the album or some merch., and support these artists. A Special THANK YOU to Restrayned for the Killer Show Intro and transition music!! Restrayned Website Learn more about your ad choices. Visit megaphone.fm/adchoices

Dita Von Teese has spent her life turning beauty into power. Born Heather Sweet in small-town Michigan, she grew up dreaming of old Hollywood glamour, satin corsets, and the kind of femininity that shimmered on the silver screen. When she opened her first bra as a teenager—a plain white cotton thing inside a plastic egg—she was deeply disappointed. That moment, she says, is where it all began. If the world wouldn’t make things beautiful, she would. In this conversation, Dita opens up about the art and discipline behind the spectacle that made her a global icon. She talks about her early days as a model and Playboy cover star, the power and intention behind creating the Dita Von Teese persona, and how she’s kept mystery alive in a world prone to oversharing. She also shares what it was like collaborating with Taylor Swift on Bejeweled and how rare it is, even now, to be approached by another artist with such genuine respect for her craft. Dita explains that while many have imitated her, Taylor came to her as a true collaborator. Now, as she brings her new show Nocturnelle to Australia in 2026, Dita talks about control, longevity, and the quiet strength behind the glamour. Click here for tour information. THE END BITS: Listen to more No Filter interviews here and follow us on Instagram here. Discover more Mamamia podcasts here. Feedback: podcast@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message, and one of our Podcast Producers will get back to you ASAP. Rate or review us on Apple by clicking on the three dots in the top right-hand corner, click Go To Show then scroll down to the bottom of the page, click on the stars at the bottom and write a review. CREDITS: Guest: Dita Von Teese Host: Kate Langbroek Executive Producer: Naima Brown Senior Producer: Bree Player Audio Producer: Tina Matolov Video Producer: Julian Rosario Mamamia acknowledges the Traditional Owners of the Land we have recorded this podcast on, the Gadigal people of the Eora Nation. We pay our respects to their Elders past and present, and extend that respect to all Aboriginal and Torres Strait Islander cultures.Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Pour écouter l'émission en entier, sans pub, abonnez-vous ! https://m.audiomeans.fr/s/S-tavkjvmo Netflix – une (r)évolution en streamingComment une simple idée — envoyer des DVD par la poste — a bouleversé un siècle d'histoire du cinéma ?En une heure, découvrez comment Netflix a renversé Hollywood, changé notre rapport au temps, et transformé la culture mondiale.Des débuts artisanaux aux algorithmes qui prédisent nos envies, une plongée passionnante dans l'empire du streaming et l'avenir de nos imaginaires. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Send us a textThe Boys of Brews decided to go north to Michigan and brought a long the Men of Hollywood, Brent Huff of ABCs The Rookie and Pete Sepenuk of MLB and Bleach! We went to the cozy town of Niles Michigan at the Niles Brewing Co!! We tried 3 different Michigan Breweries today, Odd Brothers Craft Cider, Niles Brewing Co and Pavlov's Brewing. This episode was recorded live with a audience!!! Special guest hosts: Meghan from Odd Brothers Cidery, Brandon from Niles Brewing and Skylark Millionaire!!Theme Song by Lost Like Lions Segment #1 Fesshole: 2 Truths 1 Lie Beer had: Peanut Butter Treat Porter by Pavlov's BrewingSegment #2 Bruce Trivia: Studio Notes!!Cider had: Bourbon Barrel Aged The Wanderer by Odd Brothers Craft CiderSegment #3 Pub Talk: Holiday Travel TraditionsBeer had: Sharks Vs Leprechauns by Niles Brewing CoGuest Links and Social Media:Instagram:   @brenthuff11 @thesepvoSupport the show

The Matrixx and Rhodes Show Podcast 3 | College Basketball Gambling Scandal, Brie Larson Under Attack by Hollywood Critic, Tom Brady gets Robbed!, Deshaun Watson Nears Browns Return!

When I look around at the crumbling empire I helped build, I wonder how it all went so wrong. How did so many people lose their minds, the legacy media lose its objectivity, and so many so-called “educated” people lose their grip on reality?What is Trump Derangement Syndrome anyway? I think, as someone who lived it and has been online for the last 30 years, that the people with all of the power could not let go of that power, just like the South during the last Civil War. The South had built for itself a utopian version of America, one not rooted in reality, but one they deeply believed in. The same is true for the Left today. I know, I helped build it. I believed in it too and thought it would last forever. Trump's win in 2016 was a sign that half of the country was not happy with how things were going and wanted change, just as much of America understood that a country that proclaimed all men are created equal could not keep slaves.And just as the freeing of the slaves sent the South into mass psychosis that would lead to Jim Crow laws and the oppression of Black Americans, after eight years of deeply rooted propaganda that said Trump was a racist and for him to win would be an existential threat to our way of life, one our country could not survive, sent those of us inside utopia cascading into madness.And so we began fighting a Civil War. Not at Gettysburg or Shiloh, but on Facebook, Twitter/X, YouTube, and TikTok. But only one side is cutting off friends and family. Only one side has no plan for the rest of America on the outside. Only one side seems prepared to become violent to preserve their utopia. I thought November of 2024 was like the burning of Atlanta. Not quite the end of the war, but almost. Now, after Charlie Kirk's assassination and the fracturing of the Right, I'm not so sure.What I do know is that so much of what defines our Civil War, so much of what explains the Left's mass psychosis, took root in 2008.What is an American?2008 was the crisis that sparked the Fourth Turning, according to Neil Howe, who co-wrote the book with William H. Strauss. It wasn't just the election of the first Black president, or the launch of the iPhone, the rise of social media, or the $800 billion bailout of Wall Street that birthed two populist movements on the Left with Occupy and on the Right with the Tea Party. It was also the year an idea contagion began to spread.In April of 2008, Obama was recorded writing off half the country as people who were “bitter” and clinging to “guns and religion.”“Senator Hillary Rodham Clinton activated her entire campaign apparatus to portray Mr. Obama's remarks as reflective of an elitist view of faith and community. His comments, she said, were “not reflective of the values and beliefs of Americans.”Those comments were not seen as racist, yet months later, in October, when Sarah Palin said more or less the same thing, she was called an “Islamaphobe.” Seven years after 9/11, that is what the Left was worried about, not “Radical Islamic terrorism.”From the Washington Post, “Palin's words avoid repulsing voters with overt racism. But is there another subtext for creating the false image of a black presidential nominee “palling around” with terrorists while assuring a predominantly white audience that he doesn't see their America?”Race and racism became the dividing line after that. By 2010, the idea that the Tea Party was racist became a big story. ABC News still had some objectivity and attempted to tell both sides.Reason's Michael Moynihan made a video montage showing how widely accepted it was to call the Tea Party racist. Two years later, in 2012, amid Obama's re-election, Mitt Romney and the Republicans had no idea what they were up against. I was among those fighting Obama's media wars on Twitter, having followed him since the beginning. We were his loyal flock, building the narratives, correcting the bad news, reshaping, retooling, deconstructing, and reconstructing reality to push pure propaganda and keep our side in power.As wealth shifted leftward, thanks to the rise of Silicon Valley, Big Tech also leaned Left. Google, YouTube, Facebook, Amazon, Audible, and book publishing. It was in every university and every institution as society began migrating online. We were in control of all of it.To combat the idea of the racists and the “bitter clingers,” public schools and universities began teaching Critical Race and Gender Theory. It was the beginning of the Great Feminization and the Great Awokening. This contagion was seeded on sites like Tumblr with the oppressor/oppressed mindset, free Palestine, open borders, and a choose-your-gender worldview. It wasn't just Twitter by then. It was all of Hollywood, too, and most of our culture. That's why, in February of 2012, HBO released the movie Game Change, a retelling and repurposing of the 2008 election.Where Palin had been portrayed as a ditsy know-nothing we all laughed at on SNL…Now, Julianne Moore's version was darker and more sinister. A Never Trump narrative was just beginning as Steve Schmidt of the Lincoln Project and Nicolle Wallace were portrayed as the heroes, not to mention the only “good Republican,” John McCain, who stood up to the “racists” and “bitter clingers.” Our superpower in the Obama years was manipulating the flexible nature of words to make them mean anything we wanted them to mean, like “binders full of women.” That would become “Good people on both sides.” Or “Fight like hell.” “When you're famous, they let you do it.”The reality we shaped was everywhere - at gas stations, airports, and magazine covers in the check-out line. Having control of that - the background noise - is what the Left has been fighting to preserve. It is a fight they are losing thanks to the rising voices on the Right, and Trump himself, who are exposing them.But it was accusations of racism and Islamaphobia that would become Obama's most powerful weapon to win. It is the cryptonite of the Ruling Class and what has divided this country for ten years. What a difference 17 years makesBack in 2008, Obama was accused of being a Muslim Socialist, not born in America, who “palled around with terrorists.” Now, one of the new leaders of the Democratic Party is a Muslim socialist, not born in America, who pals around with terrorists. Zohran Mamdani not only feels no shame in admitting this, but he also won because of it. Identity is everything now, so why not scream it from the rooftops? Anyone who complains can easily be dismissed as a racist or an Islamaphobe. In Mamdani's New York, there is an oppressive ruling class keeping the Black and Brown workers poor, instead of the reality, an enclave for the guilty white liberals who fund their movement. But for those checks to keep flowing in, they have to give those guilty whites what they so desperately crave, confirmation that they are the Good White People Doing Good Things, and those “bitter clingers” over there are the “racists” who want to oppress the Black and Brown people they protect. Just give us absolution from our sins of wealth and privilege.Guys like Ken Burns live comfortably away from the harder realities of everyday life in America. Trust me, I know. I used to see him every year at the Telluride Film Festival. His telling of the American story must lead with race and must be yet another lecture to those with less wealth, less power, and less representation in culture - hated people in their own country, forced to accept that America is a corrupt, rotten, imperialist, and white supremacist empire. Making everything about race justifies the ruling class's place atop the wealth hierarchy. Nothing in that hierarchy can be disrupted, so the oppressed must remain oppressed. And for now, there is no way out except to do what I did, escape. Find the truth. Get to know the people they've been told to dehumanize. The Left's idea of utopia erases the value of being an American citizen. It seeks to align with a global world order of like-minded people. Yet, for so many in MAGA, being born American is hitting the jackpot. Nothing is more valuable than the rights all of us have as citizens, no matter our skin color. And yet, the ruling class in America for the past 17 years has decided none of that should matter because our identity is not where we were born. Our identity is whether we are white or not. If you oppose illegal immigration and support mass deportations, you are a racist, according to them, and your citizenship matters less than your white privilege. And that is how illegal immigrants became the oppressed group that governors like Gavin Newsom and JB Pritzker are willing to fight to protect. And ordinary American citizens can be thrown away like human garbage. The New York Times' Peter Baker loved reporting how bad the ticket sales are at the Kennedy Center, never once acknowledging how Trump tried to open it up to the underclass who'd been shut out for years. They see Trump's inclusion of the wrong half of America as taking something away from them, their glory days of utopia. The ballroom will be something lasting, a monument to the half of the country that fought for representation and a permanent structure to remind them of that fight. Here are Walter Kirn and Matt Taibbi from America This Week.The Bitter ClingersNow, it's the Left who are the bitter clingers. They can't accept defeat, and they won't let go of the past, of utopia. Hillary Clinton is a bitter clinger who can't get over the 2016 election. Barack Obama is a bitter clinger who had to call Charlie Kirk a racist when he felt his own legacy dimming. Nancy Pelosi is a bitter clinger who helped manufacture a delusion about January 6th just to obtain absolute power. Barbra Streisand, Rosie O'Donnell, Katie Couric, Richard Gere, Rob Reiner, Bruce Springsteen, Martin Sheen, Robert De Niro, and Jane Fonda are all bitter clingers who have never even seen the other half of the country, much less understood it.Those of us on the other side see the danger of utopia, what 17 years of it has done to the minds and bodies of children, what it's done to women and girls, and boys and men. What infusing propaganda into culture has done to truth and art. It is a manufactured reality that reflects an American utopia that doesn't exist and never did, just like the antebellum South. As the Southerners back then were the “bitter clingers,” so too are today's Woketopians, the virtue signaling army at war with the trolls. They are the ones who can't stand people who are not like them and the ones who can't move on from the past. So they fight on, hoping that this time it's not gone with the wind. end// This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Bombshell allegations emerge that Queen Elizabeth knew Andrew brought prostitutes to Buckingham Palace for years but did nothing—as a Church of England vicar questions if she had a "blind spot" for her favorite son. Andrew spends his final Royal Lodge days "ranting to himself" while Sarah Ferguson drowns her fears in a purpose-built bar called The Doghouse, talking about "dark forces" targeting them. The disgraced royal must now bow to his own daughters and faces demands from Congress while making outrageous staffing demands before his Sandringham exile. Sarah reportedly considers selling Diana's private letters as a "secret weapon." Meanwhile, Poppygate erupts as Meghan attends a Kardashian party without a remembrance poppy while Harry wears one, sparking fury. William reveals Charles denied his request to scale back duties during "the hardest year" and feels betrayed by the Beckham knighthood timing that stole his Earthshot thunder. Plus: the floodgates open as palace staff come forward, Hollywood declares the Sussexes "hopeless," and Kate gets BBC name controversy at Remembrance service.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

What began as Kate sharing some Hollywood gossip about which popular bands are capping ticket resales ended with an unexpected bonus, a clever tip for keeping your plane ticket prices low!See omnystudio.com/listener for privacy information.

By Walt HickeyWelcome to the Numlock Sunday edition.This week, I spoke to Chris Dalla Riva, author of the new book Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves. Chris is a fixture here at Numlock, we're big fans of his newsletter Can't Get Much Higher and have been eagerly waiting for this book, which tracks the history of music by coasting along the top of the Billboard Hot 100. The book can be found at Amazon and wherever books are sold, grab a copy!This interview has been condensed and edited. Chris Dalla Riva, it is great to have you back on. Especially great this week, because you are finally out with a book that I know you've been working on for a very long time, Uncharted Territory. Thanks for coming back on.Yeah, thrilled to be back, but also thrilled to have the book come out. The book publishing world is one of the only worlds left in the world that moves slow enough where you're waiting for so long for something to happen.You have guest-written for Numlock before; you have been a staple of the Sunday editions in the past. You are definitely familiar to the audience at this point because you are doing some of the best music data journalism out there. You've been working on this thing for, I feel like, as long as I've known you, and it is just great to have it come out finally, man.Yeah, actually, I met you because I was working on this project. I was trying to track down some data that you'd used at FiveThirtyEight, and you responded to my email with your phone number. You were like, “This is easier to explain over the phone.”Yeah, I remember I had scraped the radio for months at FiveThirtyEight just to see where it went, and you hit me up with that. I think that you focused some of your energies on the newsletter, and that's been so fun to follow, but this is truly what you've been working at. It is great to get you on finally to talk all about it.What would you describe this book as? How would you describe it, either to folks who might be familiar with your newsletter or unfamiliar with your newsletter, about what you're setting out to do with this particular project?The subtitle, I think, is helpful. It's What Numbers Tell Us About the Biggest Hit Songs and Ourselves. My typical pitch is that it's a data-driven history of popular music that I wrote as I spent years listening to every number one hit song in history. You get a balance of music history, data analysis, just random music chart shenanigans. I wrote it over such a very long period of time that you get a little bit of how my life was intersecting with this book over the years as I tried to get it published.I love the angle on the No.1s being a place to go with, because it gives you a pulse on what's popular at the time and not necessarily what's the most influential at the time. You can see there's a lot of stuff that hit number one at one point or another that have no musical legacy whatsoever, but nevertheless are still interesting. It's dipping your toe in the stream, right? You can see that a lot of things that we assume about how the music industry works weren't always the case.You wrote a little bit about the early transition from big bands to singers as the front-facing people in their operation. That was informed in no small part by what was performing on the charts, but also, I think, labor action, right?An under-discussed part of music history in the last 100 years is that when thinking of any band now or any musical artist, you almost certainly think of the front person being the singer. But if you go look back at big bands of the 1930s and 1940s, anyone whose name was attached to the band was often not a singer. Some that come to mind are Glenn Miller, the Glenn Miller band. Glenn Miller was a trombone player. Artie Shaw was a clarinet player. If none of these names are familiar to you, that's okay. But you can ask your grandparents.Why does this transition happen: suddenly, the lead singer is always getting top billing in a band? There are a bunch of things that contributed to this. One thing I talk about pretty extensively is just the advent of better microphones. If a voice cannot be heard over the roar of an orchestra or a big band, you need a choir of people to sing. It makes the singer less identifiable. As we get better amplification, better microphones, you can get a wider range of vocal styles. Those vocalists can now compete with the sound of a ton of instruments.At the same time, something you mentioned that I think is a fun bit of history is how music used to be much better organized. They had better labor organization, the same way that Hollywood has much better labor organization than music these days. There still exists a group called the American Federation of Musicians. For two years, they had a strike for a work stoppage, when no new music was being recorded. This was during World War II. You weren't allowed to strike during World War II.They were frowned upon very much, it seems, yes.Yes, even if you were a musician. People were like, “Come on, why are the musicians striking?” There's a lot of interesting history there. One of the weird loopholes was that singers could not join the American Federation of Musicians. Because of that, some labels would get around the strike by just recording acapella songs or songs with instruments that were not eligible to be membership because they weren't “serious” enough, like the harmonica. There were weird harmonica songs that were popular at this time. By the time the strike ended, by the time World War II ended, suddenly, singers had a much more prominent role because they were the only ones allowed to perform.There is tons of weird stuff about this strike. Like, labels backlogged tons of recordings because they knew the strike was coming. “White Christmas,” maybe the best-selling record of all time, was one of those backlogged recordings — recorded in July of 1942 and put out however many months later.That's fun. That's basically why Tom Cruise is in a union but Bad Bunny isn't?I guess so. Music and labor have a history that I'm not an expert on. For some reason, musicians have had a much more difficult time organizing. It seemed to be a little bit easier back when there were these big bands that needed to be rolled out to perform in movie theaters or local clubs. You needed a tuba player and a trombone player and a sax player. I guess it was easier for those musicians to organize. Whereas now, things are so scattered and productions can be super small, and you could record something in your bedroom. They never got that level of organization. I think it's actually hurt artists to some degree because they don't have the protections that the film industry does.Because you're able to just coast along at the top of the charts throughout basically the century, you're able to get lots of different interweaving stories of labor and also legal disputes/legal outcomes, as well as this technological evolution. What are some of the ways that technology has informed how the music that we listen to changes or evolves over time? Or even some of the litigation that we have seen over the course of the century of musical creation. It just seems like it's a really fun way to track some of these bigger trends that we don't even know are really trends.Yeah, totally. I think one of the key themes of the book is that musical evolution is often downstream from technological innovation, which has a nice little ring to it. But in general, there's this idea that creativity is being struck by the muse, and you create something. Whereas in reality, there are usually physical constraints or technological constraints that shape the art that we make. One of the most basic examples is the length of songs. From the '40s up till the early, mid-60s, the pop song sits around 2.5 to three minutes. The reason for this is that vinyl singles could literally not hold more sound without degrading, which is completely backwards from the idea that there was an artist who chose to write a 2.5-minute song.I was like, “Well, you had to work within the constraint.” Then technology gets better, singles start to get longer. During the disco era, they actually made bigger discs to put out these long dance mixes. The single sat around like 3.5 to 4.5 minutes for decades until about 10 years ago, when it started to shorten again. People typically point to music streaming for this reason, because artists are paid if a song is listened to for more than 30 seconds, so it's really just a volume game. If you have a 14 minute song that someone listens to one time, they get paid once. But if I listen to a two-minute song seven times (which is again, the same amount of time spent listening), I will be paid out seven times. There is this financial incentive to shorten songs.I don't think artists are sitting in the studio thinking about this constantly. But what I see, what I saw again and again, is that artists were rational beings to some degree and would work within the constraints that they were given. They would usually push against those constraints. That's where a lot of great art comes out of.Even new mediums are offering new opportunities. You wrote a little bit about MTV and how that really changed a lot of what was able to be successful at the time. You had new types of acts that were able to really start competing there, and other acts that just weren't. Do you wanna speak a little bit about like what video did?Yeah, video certainly changed the game. There were artists who had visual presences earlier. The Beatles had a very visual presence. I think part of their success is tied to the fact that television was becoming a thing, and mass media was really becoming a thing. However, we associate musicians with visuals so much these days. That really emerged in the 1980s, where you needed your visual concepts to be as strong, if not stronger than, your musical concepts. I think because of that, you start seeing some artists break through who I don't think are considered great musicians.I always sadly point to the song, “Hey Mickey” by Tony Basil. If it's your favorite song, sorry. I don't think it's a masterful musical creation, but it had this fun music video where she's dressed up as a cheerleader. A lot of that song's success was just the fact that MTV was willing to put that in heavy rotation because it was a fun video to watch. We live in the shadow of that era where visuals matter just as much as anything else.When you think about the most popular artists, outside of maybe a handful, you think of their visual concepts. You think of what Beyoncé looks like, what her videos are like, same with Taylor Swift, as much as you think about their music. That really reshaped our relationship with popular music. We expect to know what artists look like. It's odd to think about that; it really wasn't a thing decades before. You could be a fan of an artist and not really know what they look like. How would you know? Maybe you saw them in a magazine. Maybe you caught them on one television show. The idea that we have access to what everyone looks like is a pretty new phenomenon.That's fun. It's just so interesting to see how a simple change, whether it's today an algorithm or then a medium of distribution, can just have material impacts on the popularity of British synth music in America.Yeah, that's the perfect example. There's a great book called I Want My MTV, and it's an oral history of MTV. They talked to one of the founders. Early MTV would play, as you're saying, all these British new wave acts. Think A Flock of Seagulls, Duran Duran or even someone like U2. They asked the founder, “Why were you playing so many British artists on early MTV?” He was like, “For some reason, British artists happened to make music videos. And there were about 200 music videos in existence. We had to fill 24 hours of programming.” A Flock of Seagulls was gonna get played a bunch of times just because they happened to make music videos.It is a weird thing. Why would anyone make a music video if there was nowhere to really play them? I don't know why specifically the British had more videos, but there were occasional times where television shows might show a video.They do love that over there, like Top of the Pops. I can see why.Music and television have always been connected. You even think Saturday Night Live still has musical acts. Back then, say your label didn't wanna send you out to Britain to go on Top of the Pops. Maybe they would send a video of you instead. There were videos that would float around on these variety shows, and some early videos were just concert footage. It was like, it was a chicken or the egg thing. Once some people had success on MTV, everyone started producing videos. MTV somehow pulled off the miracle of convincing labels that they needed to make videos and that they needed to front the cost for that. Then they had to give MTV the video for free. I don't know how MTV managed to do that.Well, all of Gen X can't be wrong. If you do wanna get it out there, you do have to get it out there. One really fun recurring thing in the book — which again, like I really enjoyed. I think it's a phenomenal work. I think it's a great history. I'm telling stories that I learned in your book to everybody. It is a really fun read in that regard, I wanna say.I do love how you occasionally clock a genre that really only exists briefly. There's one that always goes around for like the strangest things to hit number one, like the Ballad of the Green Berets. I think like there's a Star Wars disco track that I definitely have on vinyl at home about that. You wrote a lot about like teen tragedy songs. What are some of the fascinating like brief trends that only made a small splash and that all of us have forgotten ever existed, but nevertheless achieve some measure of immortality?Yeah, the teen tragedy song is a good one. That actually inspired the writing of this whole book because I got 50 No. 1s, and I was like, “Why are there so many number ones about teenagers dying? That's a little weird.” And then I did a little digging and tried to piece together why that was. The teenage tragedy song, late '50s, early '60s, there are all of these songs about two teenagers in love, usually high schoolers. One tragically dies often in a car crash, and the other is very sad and maybe says that they'll reunite again one day in the afterlife. Some of the big ones are “Leader of the Pack” by the Shangri-Las and “Teen Angel” by Mark Dinning.It's a very weird blip in popular music history. I won't say it has cast a long shadow, but there are some occasional people who pull from that tradition. The craziest teen tragedy song ever was “Bat Outta Hell” by Meatloaf, in which Jim Steinman tried to write a nine-minute motorcycle crash song. I think that's a really interesting one.Disco: bizarre in the amount of people that made disco songs. I really came to like disco and the best disco music, I'm like, “These are the greatest sounds that have ever been recorded.” But it got so big and so popular that everyone felt the need to record disco songs.Not everything is “I Feel Love,” right?No, most things are not. It strikes me that this happened with disco, but has not happened with other genres. Frank Sinatra recorded disco songs. Basically, every television theme song got a disco remix. I Love Lucy had a disco remix. The Rocky theme song had a disco remix.What? I'm sorry, Frank Sinatra did a disco song? Is it good?It's not good. It's “Night and Day” over a disco beat. And it's not clear to me if they just remixed it or if he actually recut the vocal because I just cannot imagine him doing that. In the mid-60s, there was a nun who topped the charts, The Singing Nun with a song called “Dominique.” Of course, during the disco era, it was remixed as a disco song. There are examples of this where people went sort of disco. The Rolling Stones record “Miss You” and it has the disco beat, or Pink Floyd does “Another Brick in the Wall” or Queen does “Another One Bites the Dust.”Everyone was gonna give it a try. There was so much money being made in the disco world at the time. You can always find some artists you would never think would do a disco song probably tried. They probably gave it their best.That's great. It's just fun because the things that hit number one for a week don't necessarily have to be good. They just have to be popular for like a week. Even the construction of the Top 40 chart, which you get into in the book, isn't exactly science. A lot of times, it's a little bit of intuition. It's a lot of what's selling and what's selling where specifically. It is a little bit woo woo, right?Yeah, definitely. The goal of this chart is “What's the most popular song in America in a given week?” Back in the day, that meant what were people buying? What were people listening to on the radio? What were people spinning in jukeboxes? Today, most music is done on streaming. It's consumption-based, rather than sales-based. So the chart's the same in name only, but it's really measuring very different things. The equivalent would be if we knew after you purchased your copy of “I Feel Love,” how many times did you actually play it at home? You could have purchased it, went home and never played it again. Something like that would not register on the charts these days.I respect the people at Billboard because they have an impossible task. It's like “We're gonna take all the information and we're going to boil it down into choosing or measuring what the most popular song is.” It's an impossible task to some degree.I have watched the evolution of the chart, and I go back and forth on whether they have given up on actually trying to rank stuff or if they are just ranking things in a different way. I think that the apples-to-apples between the era stuff is just so hard to do.One thing I really enjoyed about your book, in particular, is that it's not a story of why these songs are the best. It's a story of why these songs were popular at the time, just dipping the toe into the river of human sound. One thing that I'll ask as you wrap: as you were going through these eras, who did you hear a lot more of than you thought? Who did you hear a lot less than you expected?I joked with some people that if you just looked at the top of the charts, the greatest rock band of the 1970s is either Grand Funk Railroad or Three Dog Night because they both had three number one hits, and many other bands in the classic rock canon have none. Led Zeppelin does not really exist on the pop chart, the singles chart. Led Zeppelin really only put out albums. The Eagles were also big during the '70s on the music charts. But Three Dog Night, they're the legends.There are tons of people that I didn't realize how much I would see of them. Someone like Lionel Richie and Phil Collins, of course, they're tremendously popular, but they were so popular. Phil Collins was popular at the height of the bald pop star era, which I think is a thing of the past. You had multiple bald men who were regularly topping the charts in the mid-80s. You see a ton of Phil Collins, more than I was expecting, even though I know he's very popular.Who don't you see a ton of? Sometimes you don't see people until a bit later in their careers. This is actually an interesting phenomenon. Artists do not score a number one hit during their most critically acclaimed period, and then a decade later, they do. For example, Cheap Trick. They have a number one hit, but it's at the end of the '80s song called “The Flame.” Whereas if you hear Cheap Trick on the radio, it's probably their live album from the 1970s. This is a phenomenon you see again and again. Some old timer will get their number one much later in their career. Tina Turner gets her number one when she's probably in her 40s. It's always interesting to see that.There are also some artists where I feel like there's a divergence between what their most popular songs are these days and what was topping the charts. Elton John is a good example there. “Benny and the Jets” was a number one hit, still a tremendously popular song. But he's got a lot of weird No. 1s that I don't think have as much street cred these days. He has a song called “Island Girl.” Did not age like fine wine. I don't even think he plays it live anymore because it's considered somewhat racially insensitive. But it was a No. 1 hit at the time. “Philadelphia Freedom” is another one by Elton John. I feel like when people think of the Elton John catalog, it's probably not the first song that comes to mind. But it was a No. 1 hit, huge smash. His cover of “Lucy in the Sky with Diamonds” was a No. 1. Elton John has been very popular throughout the decades, but I feel like the reasons he's been popular have changed.People have just gravitated towards different songs as time has gone on. You get distortions at the top of the charts. But I think, as you mentioned, it provides a good sample of what was actually popular. You have the good, the bad, and the ugly. Whereas if you look at some other sources, people are just gonna be like, “Oh, listen to these records. These are the best records.” In reality, the bad records are important, too.Yeah, bad records are great. They're at least interesting. I imagine also some of this process must have been missing out on a lot of interesting music because one song was just dominating the charts. Were there any songs in particular that come to mind that wooled the roost for potentially a little bit too long?Yeah, the quintessential example is the “Macarena” in the ‘90s.Oh, no!I think it was No. 1 for 13 weeks.Christ!There's a great clip of people at the Democratic National Convention and '96 dancing the “Macarena.” It's so bad. Yeah, so a very popular song. There are tons of stuff that gets stuck behind it. There's a great No.1 hit in the '90s called “I Love You Always Forever.” It's a very nice song by Donna Lewis. It's stuck at No. 2 because it just happened to be popular during the “Macarena's” very long run. YYour life's work, your greatest accomplishment, being stymied by the “Macarena” feels like a level of creative hell that I have never envisioned before.Yeah, there are other artists who got unlucky. Bruce Springsteen never performed a No. 1 hit. He wrote a No.1 hit for another artist. His closest was “Dancing in the Dark” got to No. 2, but that was also when Prince released “When Doves Cry,” so it's a tough, tough week. Bob Dylan, similar thing. He wrote a No. 1 hit, but he only ever got to No. 2. I think he got to No. 2 twice. Once, he got stuck behind “Help” by the Beatles, and another time he got stuck behind “Monday Monday” by the Mamas and the Papas.This is another thing when I talk about the charts. There could be many fewer units sold in a given week, or there could be many more units sold. There's a lot of luck involved if you're gonna go all the way to No. 1. You could be Bruce Springsteen: you release the biggest record of your life, and Prince also releases the biggest record of his life at the exact same time.Incredible. So again, I have read the book. I really, really like it. People are doubtlessly familiar with the newsletter at this point, but I am also a big fan and booster of that. But I guess I'll just throw it to you. Where can folks find the book, and where can folks find you?Yeah, you can find me, Chris Dalla Riva, basically on every social media platform under cdallarivamusic. I'm most active on TikTok and Instagram. The book, Uncharted Territory: What Numbers Tell Us About the Biggest Hit Songs and Ourselves, should be available from every major retailer online. Amazon, Barnes & Noble, Walmart, Booklist, all that good stuff. Not available physically in stores, so definitely order it online.Like I said, I spent years listening to every No. 1 hit in history, built a giant data set about all those songs and used that to write a data-driven history of popular music from 1958 to basically 2025. So go pick up a copy, buy one for your mother for Christmas. Or your father, I don't discriminate. Yeah, check it out. I'm hoping people enjoy it, and I'm really excited to finally get it out in the world. It's been a long, circuitous journey to get it published.It's a really fun read, and I wish it nothing but the best. And yeah, congrats, thanks for coming on.Yeah, thanks for having me.Edited by Crystal WangIf you have anything you'd like to see in this Sunday special, shoot me an email. Comment below! Thanks for reading, and thanks so much for supporting Numlock.Thank you so much for becoming a paid subscriber! Send links to me on Twitter at @WaltHickey or email me with numbers, tips or feedback at walt@numlock.news. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.numlock.com/subscribe

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The government shutdown is over, but the typo-ridden unraveling of Donald Trump's Epstein coverup has only just begun! The iconic Henry Winkler stops by to celebrate turning 80 with a relaxing round of 80 Questions. The hilarious Mo Amer joins to help us rank Hollywood's knockoff Jews and bootleg Arabs. And before we go, we rise up to bitch and moan in a brave act of resistance. For a closed-captioned version of this episode, click here. For a transcript of this episode, please email transcripts@crooked.com and include the name of the podcast. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.