Podcasts about Black panther

Continuing with Author Marshall Terrill on his new book on Jay Sebring "Cutting to the Truth". Who was the original Target? Why did Manson kill the LaBiancas? Trying to frame the Black Panthers to start a Race War, and Jay Sebring's Legacy in Hollywood. See omnystudio.com/listener for privacy information.

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Natasha Romanoff. Daughter. Sister. Avenger.Natasha made her Marvel Cinematic Universe debut in Iron Man 2 as a mysterious S.H.I.E.L.D. agent, quickly becoming a core member of the Avengers despite lacking superpowers. The character evolved from a supporting femme fatale into one of the MCU's most complex heroes; a former Russian child assassin grappling with her dark past while seeking redemption through heroic acts, and finally finding a family. Her journey culminated in the ultimate sacrifice in Avengers: Endgame, giving her life to obtain the Soul Stone and save the universe.Marvel had been talking about a solo Black Widow film for years since her 2010 debut, but it had never come to pass. It's not the first time a solo film had been talked about for Natasha Romanoff. Lions Gate held the rights to the character in the early 2000s, but that movie idea was scuppered due to the failure of other female-led action movies. Black Widow's solo film finally arrived in 2021, making it an eleven-year wait from her MCU introduction. The delay was attributed to Marvel's former leadership's reluctance to greenlight female-led superhero films, concerns about their commercial viability, as well as the planned Infinity Saga narrative needing to focus on introducing other characters, like Black Panther and Captain Marvel. Black Widow would give fans a much-needed backstory for Natasha, as well as introduce her sister, Yelena. The importance of both characters extends beyond individual heroism to representation. Natasha proved female characters could carry major action sequences and emotional weight in the MCU, while Yelena's introduction ensures the Black Widow legacy continues, representing a new generation of complex female heroes who can anchor future MCU stories.I would love to hear your thoughts on Black Widow (2021) !Verbal Diorama is now an award-winning podcast! Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards and was nominated for the Earworm Award at the 2025 Golden Lobes.CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique...

In this episode of the Major Issues Podcast, the hosts dive deep into Marvel Studios' latest animated offering, Eyes of Wakanda. Set across centuries, the anthology follows the elite Hatut Zeraze as they embark on perilous missions to protect Wakanda and recover priceless artifacts scattered across the globe. We explore how the series blends Wakandan history with high-stakes action, discuss standout episodes, and break down its ties to the larger MCU. From stunning animation to layered storytelling, we examine whether Eyes of Wakanda lives up to the legacy of the Black Panther films and what it could mean for the future of Marvel's animated projects. Please leave us a review on ITunes so we can grow our audience and grow as podcasters! Rate us wherever podcasts are found. Don't forget to check out our merchandise! All episodes of Major Issues are brought to you by ComicBook Clique, the only stop for the latest and greatest things to come to comic books and comic book media. Send us feedback at ComicBookClique@Gmail.com! You Are Worthy!  ComicBook Clique Facebook ComicBook Clique on Instagram ComicBook Clique on YouTube Major Issues on Twitter Shop ComicBook Clique DirtSheet Radio Link Tree

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists.   In this two-part series of Oakland Asian Cultural Center's “Let's Talk” podcast Eastside Arts Alliance is featured. Elena Serrano and Susanne Takehara, two of the founders of Eastside Arts Alliance, and staff member Aubrey Pandori will discuss the history that led to the formation of Eastside and their deep work around multi-racial solidarity.   Transcript: Let's Talk podcast episode 9  [00:00:00] Emma: My name is Emma Grover, and I am the program and communications coordinator at the Oakland Asian Cultural Center, known also as OACC. Today we are sharing the ninth episode of our Let's Talk Audio Series. Let's Talk is part of OACC'S Open Ears for Change Initiative, which was established in 2020. With this series, our goals are to address anti-Blackness in the APIA communities, discuss the effects of colorism and racism in a safe space, and highlight Black and Asian solidarity and community efforts specifically in the Oakland Chinatown area. Today's episode is a round table discussion with Elena Serrano, Susanne Takahara, and Aubrey Pandori of Eastside Arts Alliance.  [00:00:53] Aubrey: Hello everybody. This is Aubrey from Eastside Arts Alliance, and I am back here for the second part of our Let's Talk with Suzanne and Elena. We're gonna be talking about what else Eastside is doing right now in the community. The importance of art in activism, and the importance of Black and Asian solidarity in Oakland and beyond.  So I am the community archivist here at Eastside Arts Alliances. I run CARP, which stands for Community Archival Resource Project. It is a project brought on by one of our co-founders, Greg Morozumi. And it is primarily a large chunk of his own collection from over the years, but it is a Third World archive with many artifacts, journals, pens, newspapers from social movements in the Bay Area and beyond, international social movements from the 1960s forward. We do a few different programs through CARP. I sometimes have archival exhibitions. We do public engagement through panels, community archiving days. We collaborate with other community archives like the Bay Area Lesbian Archives and Freedom Archives here in Oakland and the Bay Area. And we are also working on opening up our Greg Morozumi Reading Room in May. So that is an opportunity for people to come in and relax, read books, host reading groups, or discussions with their community. We're also gonna be opening a lending system so people are able to check out books to take home and read. There'll be library cards coming soon for that and other fun things to come.  [00:02:44] So Suzanne, what are you working on at Eastside right now? [00:02:48] Susanne: Well, for the past like eight or nine years I've been working with Jose Ome Navarrete and Debbie Kajiyama of NAKA Dance Theater to produce Live Arts and Resistance (LAIR), which is a Dance Theater Performance series. We've included many artists who, some of them started out here at Eastside and then grew to international fame, such as Dohee Lee, and then Amara Tabor-Smith has graced our stages for several years with House Full of Black Women. This year we're working with Joti Singh on Ghadar Geet: Blood and Ink, a piece she choreographed, and shot in film and it's a multimedia kind of experience. We've worked with Cat Brooks and many emerging other artists who are emerging or from all over, mostly Oakland, but beyond. It's a place where people can just experiment and not worry about a lot of the regulations that bigger theaters have. Using the outside, the inside, the walls, the ceiling sometimes. It's been an exciting experience to work with so many different artists in our space.  [00:04:03] Elena: And I have been trying to just get the word out to as many different folks who can help sustain the organization as possible about the importance of the work we do here. So my main job with Eastside has been raising money. But what we're doing now is looking at cultural centers like Eastside, like Oakland Asian Cultural Center, like the Malonga Casquelord Center, like Black Cultural Zone, like the Fruitvale Plaza and CURJ's work. These really integral cultural hubs. In neighborhoods and how important those spaces are.  [00:04:42] So looking at, you know, what we bring to the table with the archives, which serve the artistic community, the organizing community. There's a big emphasis, and we had mentioned some of this in the first episode around knowing the history and context of how we got here so we can kind of maneuver our way out. And that's where books and movies and posters and artists who have been doing this work for so long before us come into play in the archives and then having it all manifest on the stage through programs like LAIR, where theater artists and dancers and musicians, and it's totally multimedia, and there's so much information like how to keep those types of places going is really critical.  [00:05:28] And especially now when public dollars have mostly been cut, like the City of Oakland hardly gave money to the arts anyway, and they tried to eliminate the entire thing. Then they're coming back with tiny bits of money. But we're trying to take the approach like, please, let's look at where our tax dollars go. What's important in a neighborhood? What has to stay and how can we all work together to make that happen?  [00:05:52] Susanne: And I want to say that our Cultural Center theater is a space that is rented out very affordably to not just artists, but also many organizations that are doing Movement work, such as Palestinian Youth Movement, Bala, Mujeres Unidas Y Activas, QT at Cafe Duo Refugees, United Haiti Action Committee, Freedom Archives, Oakland Sin Fronteras, Center for CPE, and many artists connected groups.  [00:06:22] Aubrey: Yeah, I mean, we do so much more than what's in the theater and Archive too, we do a lot of different youth programs such as Girl Project, Neighborhood Arts, where we do public murals. One of our collective members, Angie and Leslie, worked on Paint the Town this past year. We also have our gallery in between the Cultural Center and Bandung Books, our bookstore, which houses our archive. We are celebrating our 25th anniversary exhibition.  [00:06:54] Susanne: And one of the other exhibits we just wrapped up was Style Messengers, an exhibit of graffiti work from Dime, Spy and Surge, Bay Area artists and Surge is from New York City, kind of illustrating the history of graffiti and social commentary.  [00:07:30] Elena: We are in this studio here recording and this is the studio of our youth music program Beats Flows, and I love we're sitting here with this portrait of Amiri Baraka, who had a lot to say to us all the time. So it's so appropriate that when the young people are in the studio, they have this elder, magician, poet activist looking at him, and then when you look out the window, you see Sister Souljah, Public Enemy, and then a poster we did during, when Black Lives Matter came out, we produced these posters that said Black Power Matters, and we sent them all over the country to different sister cultural centers and I see them pop up somewhere sometimes and people's zooms when they're home all over the country. It's really amazing and it just really shows when you have a bunch of artists and poets and radical imagination, people sitting around, you know, what kind of things come out of it. [00:08:31] Aubrey: I had one of those Black Power Matters posters in my kitchen window when I lived in Chinatown before I worked here, or visited here actually. I don't even know how I acquired it, but it just ended up in my house somehow.  [00:08:45] Elena: That's perfect. I remember when we did, I mean we still do, Malcolm X Jazz Festival and it was a young Chicana student who put the Jazz Festival poster up and she was like, her parents were like, why is Malcolm X? What has that got to do with anything? And she was able to just tell the whole story about Malcolm believing that people, communities of color coming together  is a good thing. It's a powerful thing. And it was amazing how the festival and the youth and the posters can start those kind of conversations.  [00:09:15] Aubrey: Malcolm X has his famous quote that says “Culture is an indispensable weapon in the freedom struggle.” And Elena, we think a lot about Malcolm X and his message here at Eastside about culture, but also about the importance of art. Can we speak more about the importance of art in our activism?  [00:09:35] Elena: Well, that was some of the things we were touching on around radical imagination and the power of the arts. But where I am going again, is around this power of the art spaces, like the power of spaces like this, and to be sure that it's not just a community center, it's a cultural center, which means we invested in sound good, sound good lighting, sprung floors. You know, just like the dignity and respect that the artists and our audiences have, and that those things are expensive but critical. So I feel like that's, it's like to advocate for this type of space where, again, all those groups that we listed off that have come in here and there's countless more. They needed a space to reach constituencies, you know, and how important that is. It's like back in the civil rights organizing the Black church was that kind of space, very important space where those kind of things came together. People still go to church and there's still churches, but there's a space for cultural centers and to have that type of space where artists and activists can come together and be more powerful together.  [00:10:50] Aubrey: I think art is a really powerful way of reaching people. [00:10:54] Elena: You know, we're looking at this just because I, being in the development end, we put together a proposal for the Environmental Protection Agency before Donald (Trump) took it over. We were writing about how important popular education is, so working with an environmental justice organization who has tons of data about how impacted communities like East Oakland and West Oakland are suffering from all of this, lots of science. But what can we, as an arts group, how can we produce a popular education around those things? And you know, how can we say some of those same messages in murals and zines, in short films, in theater productions, you know, but kind of embracing that concept of popular education. So we're, you know, trying to counter some of the disinformation that's being put out there too with some real facts, but in a way that, you know, folks can grasp onto and, and get.  [00:11:53] Aubrey: We recently had a LAIR production called Sky Watchers, and it was a beautiful musical opera from people living in the Tenderloin, and it was very personal. You were able to hear about people's experiences with poverty, homelessness, and addiction in a way that was very powerful. How they were able to express what they were going through and what they've lost, what they've won, everything that has happened in their lives in a very moving way. So I think art, it's, it's also a way for people to tell their stories and we need to be hearing those stories. We don't need to be hearing, I think what a lot of Hollywood is kind of throwing out, which is very white, Eurocentric beauty standards and a lot of other things that doesn't reflect our neighborhood and doesn't reflect our community. So yeah, art is a good way for us to not only tell our stories, but to get the word out there, what we want to see changed.  So our last point that we wanna talk about today is the importance of Black and Asian solidarity in Oakland. How has that been a history in Eastside, Suzanne?  [00:13:09] Susanne: I feel like Eastside is all about Third World solidarity from the very beginning. And Yuri Kochiyama is one of our mentors through Greg Morozumi and she was all about that. So I feel like everything we do brings together Black, Asian and brown folks. [00:13:27] Aubrey: Black and Asian solidarity is especially important here at Eastside Arts Alliance. It is a part of our history. We have our bookstore called Bandung Books for a very specific reason, to give some history there. So the Bandung Conference happened in 1955 in Indonesia, and it was the first large-scale meeting of Asian and African countries. Most of which were newly independent from colonialism. They aimed to promote Afro-Asian cooperation and rejection of colonialism and imperialism in all nations. And it really set the stage for revolutionary solidarity between colonized and oppressed people, letting way for many Third Worlds movements internationally and within the United States.  [00:14:14] Eastside had an exhibition called Bandung to the Bay: Black and Asian Solidarity at Oakland Asian Cultural Center the past two years in 2022 and 2023 for their Lunar New Year and Black History Month celebrations. It highlighted the significance of that conference and also brought to light what was happening in the United States from the 1960s to present time that were creating and building solidarity between Black and Asian communities. The exhibition highlighted a number of pins, posters, and newspapers from the Black Liberation Movement and Asian American movement, as well as the broader Third World movement. The Black Panthers were important points of inspiration in Oakland, in the Bay Area in getting Asian and Pacific Islanders in the diaspora, and in their homelands organized.  [00:15:07] We had the adoption of the Black Panthers 10-point program to help shape revolutionary demands and principles for people's own communities like the Red Guard in San Francisco's Chinatown, IWK in New York's Chinatown and even the Polynesian Panthers in New Zealand. There were so many different organizations that came out of the Black Panther party right here in Oakland. And we honor that by having so many different 10-point programs up in our theater too. We have the Brown Berets, Red Guard Party, Black Panthers, of course, the American Indian Movement as well. So we're always thinking about that kind of organizing and movement building that has been tied here for many decades now.  [00:15:53] Elena: I heard that the term Third World came from the Bandung conference. [00:15:58] Aubrey: Yes, I believe that's true.  [00:16:01] Elena: I wanted to say particularly right now, the need for specifically Black Asian solidarity is just, there's so much misinformation around China coming up now, especially as China takes on a role of a superpower in the world. And it's really up to us to provide some background, some other information, some truth telling, so folks don't become susceptible to that kind of misinformation. And whatever happens when it comes from up high and we hate China, it reflects in Chinatown. And that's the kind of stereotyping that because we have been committed to Third World solidarity and truth telling for so long, that that's where we can step in and really, you know, make a difference, we hope. I think the main point is that we need to really listen to each other, know what folks are going through, know that we have more in common than we have separating us, especially in impacted Black, brown, Asian communities in Oakland. We have a lot to do.  [00:17:07] Aubrey: To keep in contact with Eastside Arts Alliance, you can find us at our website: eastside arts alliance.org, and our Instagrams at Eastside Cultural and at Bandung Books to stay connected with our bookstore and CArP, our archive, please come down to Eastside Arts Alliance and check out our many events coming up in the new year. We are always looking for donations and volunteers and just to meet new friends and family.  [00:17:36] Susanne: And with that, we're gonna go out with Jon Jang's “The Pledge of Black Asian Alliance,” produced in 2018.  [00:18:29] Emma: This was a round table discussion at the Eastside Arts Alliance Cultural Center with staff and guests: Elena, Suzanne and Aubrey.  Let's Talk Audio series is one of OACC'S Open Ears for Change projects and as part of the Stop the Hate Initiative with funds provided by the California Department of Social Services in consultation with the commission of Asian and Pacific Islander American Affairs to administer $110 million allocated over three years to community organizations. These organizations provide direct services to victims of hate and their families and offer prevention and intervention services to tackle hate in our communities. This episode is a production of the Oakland Asian Cultural Center with engineering, editing, and sound design by Thick Skin Media.  [00:19:18] A special thanks to Jon Jang for permission to use his original music. And thank you for listening.  [00:19:32] Music: Life is not what you alone make it. Life is the input of everyone who touched your life and every experience that entered it. We are all part of one another. Don't become too narrow, live fully, meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart. OACC Podcast [00:00:00] Emma: My name is Emma Grover, and I am the program and communications coordinator at the Oakland Asian Cultural Center, known also as OACC. Today we are sharing the eighth episode of our Let's Talk audio series. Let's talk as part of OACC's Open Ears for Change Initiative, which was established in 2020. With this series, our goals are to address anti-blackness in the APIA communities, discuss the effects of colorism and racism in a safe space, and highlight black and Asian solidarity and community efforts specifically in the Oakland Chinatown area.   [00:00:43] Today's guests are Elena Serrano and Suzanne Takahara, co-founders of Eastside Arts Alliance. Welcome Elena and Suzanne, thank you so much for joining today's episode. And so just to kick things off, wanna hear about how was Eastside Arts Alliance started?   [00:01:01] Susanne: Well, it was really Greg Morozumi who had a longstanding vision of creating a cultural center in East Oakland, raised in Oakland, an organizer in the Bay Area, LA, and then in New York City where he met Yuri Kochiyama, who became a lifelong mentor.   [00:01:17] Greg was planning with one of Yuri's daughters, Ichi Kochiyama to move her family to Oakland and help him open a cultural center here. I met Greg in the early nineties and got to know him during the January, 1993 “No Justice, No Peace” show at Pro Arts in Oakland. The first Bay Graffiti exhibition in the gallery. Greg organized what became a massive anti-police brutality graffiti installation created by the TDDK crew. Graffiti images and messages covered the walls and ceiling complete with police barricades. It was a response to the Rodney King protests. The power of street art busted indoors and blew apart the gallery with political messaging. After that, Greg recruited Mike Dream, Spy, and other TDK writers to help teach the free art classes for youth that Taller Sin Fronteras was running at the time.   [00:02:11] There were four artist groups that came together to start Eastside. Taller Sin Fronteras was an ad hoc group of printmakers and visual artists activists based in the East Bay. Their roots came out of the free community printmaking, actually poster making workshops that artists like Malaquias Montoya and David Bradford organized in Oakland in the early 70s and 80s.   [00:02:34] The Black Dot Collective of poets, writers, musicians, and visual artists started a popup version of the Black Dot Cafe. Marcel Diallo and Leticia Utafalo were instrumental and leaders of this project. 10 12 were young digital artists and activists led by Favianna Rodriguez and Jesus Barraza in Oakland. TDK is an Oakland based graffiti crew that includes Dream, Spie, Krash, Mute, Done Amend, Pak and many others evolving over time and still holding it down.   [00:03:07] Elena: That is a good history there. And I just wanted to say that me coming in and meeting Greg and knowing all those groups and coming into this particular neighborhood, the San Antonio district of Oakland, the third world aspect of who we all were and what communities we were all representing and being in this geographic location where those communities were all residing. So this neighborhood, San Antonio and East Oakland is very third world, Black, Asian, Latinx, indigenous, and it's one of those neighborhoods, like many neighborhoods of color that has been disinvested in for years. But rich, super rich in culture.   [00:03:50] So the idea of a cultural center was…let's draw on where our strengths are and all of those groups, TDKT, Taller Sin Fronters, Black artists, 10 – 12, these were all artists who were also very engaged in what was going on in the neighborhoods. So artists, organizers, activists, and how to use the arts as a way to lift up those stories tell them in different ways. Find some inspiration, ways to get out, ways to build solidarity between the groups, looking at our common struggles, our common victories, and building that strength in numbers.   [00:04:27] Emma: Thank you so much for sharing. Elena and Suzanne, what a rich and beautiful history for Eastside Arts Alliance.   [00:04:34] Were there any specific political and or artistic movements happening at that time that were integral to Eastside's start?   [00:04:41] Elena: You know, one of the movements that we took inspiration from, and this was not happening when Eastside got started, but for real was the Black Panther Party. So much so that the Panthers 10-point program was something that Greg xeroxed and made posters and put 'em up on the wall, showing how the 10-point program for the Panthers influenced that of the Young Lords and the Brown Berets and I Wor Kuen (IWK).   [00:05:07] So once again, it was that Third world solidarity. Looking at these different groups that were working towards similar things, it still hangs these four posters still hang in our cultural, in our theater space to show that we were all working on those same things. So even though we came in at the tail end of those movements, when we started Eastside, it was very much our inspiration and what we strove to still address; all of those points are still relevant right now.   [00:05:36] Susanne: So that was a time of Fight The Power, Kaos One and Public Enemy setting. The tone for public art murals, graphics, posters. So that was kind of the context for which art was being made and protests happened.   [00:05:54] Elena: There was a lot that needed to be done and still needs to be done. You know what? What the other thing we were coming on the tail end of and still having massive repercussions was crack. And crack came into East Oakland really hard, devastated generations, communities, everything, you know, so the arts were a way for some folks to still feel power and feel strong and feel like they have agency in the world, especially hip hop and, spray can, and being out there and having a voice and having a say, it was really important, especially in neighborhoods where things had just been so messed up for so long.   [00:06:31] Emma: I would love to know also what were the community needs Eastside was created to address, you know, in this environment where there's so many community needs, what was Eastside really honing in on at this time?   [00:06:41] Elena: It's interesting telling our story because we end up having to tell so many other stories before us, so things like the, Black Arts movement and the Chicano Arts Movement. Examples of artists like Amiri Baraka, Malaguias Montoya, Sonya Sanchez. Artists who had committed themselves to the struggles of their people and linking those two works. So we always wanted to have that. So the young people that we would have come into the studio and wanna be rappers, you know, it's like, what is your responsibility?   [00:07:15] You have a microphone, you amplify. What are some of the things you're saying? So it was on us. To provide that education and that backstory and where they came from and the footsteps we felt like they were in and that they needed to keep moving it forward. So a big part of the cultural center in the space are the archives and all of that information and history and context.   [00:07:37] Susanne: And we started the Malcolm X Jazz Arts Festival for that same reason coming out of the Bandung Conference. And then the Tri Continental, all of this is solidarity between people's movements.   [00:07:51] Emma: You've already talked about this a little bit, the role of the arts in Eastside's foundation and the work that you're doing, and I'd love to hear also maybe how the role of the arts continues to be important in the work that you're doing today as a cultural center.   [00:08:04] And so my next question to pose to you both is what is the role of the arts at Eastside?   [00:08:10] Elena: So a couple different things. One, I feel like, and I said a little bit of this before, but the arts can transmit messages so much more powerfully than other mediums. So if you see something acted out in a theater production or a song or a painting, you get that information transmitted in a different way.   [00:08:30] Then also this idea of the artists being able to tap into imagination and produce images and visions and dreams of the future. This kind of imagination I just recently read or heard because folks aren't reading anymore or hardly reading that they're losing their imagination. What happens when you cannot even imagine a way out of things?   [00:08:54] And then lastly, I just wanted to quote something that Favianna Rodriguez, one of our founders always says “cultural shift precedes political shift.” So if you're trying to shift things politically on any kind of policy, you know how much money goes to support the police or any of these issues. It's the cultural shift that needs to happen first. And that's where the cultural workers, the artists come in.   [00:09:22] Susanne: And another role of Eastside in supporting the arts to do just that is honoring the artists, providing a space where they can have affordable rehearsal space or space to create, or a place to come safely and just discuss things that's what we hope and have created for the Eastside Cultural Center and now the bookstore and the gallery. A place for them to see themselves and it's all um, LGBTA, BIPOC artists that we serve and honor in our cultural center. To that end, we, in the last, I don't know, 8, 9 years, we've worked with Jose Navarrete and Debbie Kajiyama of Naka Dance Theater to produce live arts and resistance, which gives a stage to emerging and experienced performance artists, mostly dancers, but also poets, writers, theater and actors and musicians.   [00:10:17] Emma: The last question I have for you both today is what is happening in the world that continues to call us to action as artists?   [00:10:27] Elena: Everything, everything is happening, you know, and I know things have always been happening, but it seems really particularly crazy right now on global issues to domestic issues. For a long time, Eastside was um, really focusing in on police stuff and immigration stuff because it was a way to bring Black and brown communities together because they were the same kind of police state force, different ways.   [00:10:54] Now we have it so many different ways, you know, and strategies need to be developed. Radical imagination needs to be deployed. Everyone needs to be on hand. A big part of our success and our strength is organizations that are not artistic organizations but are organizing around particular issues globally, locally come into our space and the artists get that information. The community gets that information. It's shared information, and it gives us all a way, hopefully, to navigate our way out of it.   [00:11:29] Susanne: The Cultural Center provides a venue for political education for our communities and our artists on Palestine, Haiti, Sudan, immigrant rights, prison abolition, police abolition, sex trafficking, and houselessness among other things.   [00:11:46] Elena: I wanted to say too, a big part of what's going on is this idea of public disinvestment. So housing, no such thing as public housing, hardly anymore. Healthcare, education, we're trying to say access to cultural centers. We're calling that the cultural infrastructure of neighborhoods. All of that must be continued to be supported and we can't have everything be privatized and run by corporations. So that idea of these are essential things in a neighborhood, schools, libraries, cultural spaces, and you know, and to make sure cultural spaces gets on those lists.   [00:12:26] Emma: I hear you. And you know, I think every category you brought up, actually just now I can think of one headline or one piece of news recently that is really showing how critically these are being challenged, these basic rights and needs of the community. And so thank you again for the work that you're doing and keeping people informed as well. I think sometimes with all the news, both globally and, and in our more local communities in the Bay Area or in Oakland. It can be so hard to know what actions to take, what tools are available. But again, that's the importance of having space for this type of education, for this type of activism. And so I am so grateful that Eastside exists and is continuing to serve our community in this way.   What is Eastside Arts Alliance up to today? Are there any ways we can support your collective, your organization, what's coming up?   [00:13:18] Elena: Well, this is our 25th anniversary. So the thing that got us really started by demonstrating to the community what a cultural center was, was the Malcolm X Jazz Arts Festival, and that this year will be our 25th anniversary festival happening on May 17th.   [00:13:34] It's always free. It's in San Antonio Park. It's an amazing day of organizing and art and music, multi-generational. It's beautiful. It's a beautiful day. Folks can find out. We have stuff going on every week. Every week at the cultural center on our website through our socials. Our website is Eastside Arts alliance.org, and all the socials are there and there's a lot of information from our archives that you can look up there. There's just just great information on our website, and we also send out a newsletter.   [00:14:07] Emma: Thank you both so much for sharing, and I love you bringing this idea, but I hear a lot of arts and activism organizations using this term radical imagination and how it's so needed for bringing forth the future that we want for ourselves and our future generations.   [00:14:24] And so I just think that's so beautiful that Eastside creates that space, cultivates a space where that radical imagination can take place through the arts, but also through community connections. Thank you so much Elena and Suzanne for joining us today.   [00:14:40] Susanne: Thank you for having us.   [00:15:32] Emma: Let's Talk Audio series is one of OACC'S Open Ears for Change projects and is part of the Stop the Hate Initiative with funds provided by the California Department of Social Services. In consultation with the commission of Asian and Pacific Islander American Affairs to administer $110 million allocated over three years to community organizations. These organizations provide direct services to victims of hate and their families, and offer prevention and intervention services to tackle hate in our communities.   This episode is a production of the Oakland Asian Cultural Center with engineering, editing, and sound design by Thick Skin Media. A special thanks to Jon Jang for permission to use his original music, and thank you for listening.   [00:16:34] Music: Life is not what you alone make it. Life is the input of everyone who touched your life and every experience that entered it. We are all part of one another. Don't become too narrow. Live fully, meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart. The post APEX Express – August 14, 2025 appeared first on KPFA.

 In this episode, hosts Sarah  Belmont and Will Polk dive into the brand-new anthology series, "Eyes of Wakanda." Get ready for some spicy back and forth as they discuss the unexpected change in the release date—because who doesn't love a little drama? They'll explore how the show ties into the Marvel universe and take you on a fascinating journey through Wakandan history, all from the perspective of the War Dogs. Sarah kicks things off with her skepticism, while Will brings the heat by comparing it to other Marvel shows like "What If" and "Ironheart." They break down each episode, sharing their thoughts on storytelling choices, character growth, and the mysterious vibes of Wakanda. With a sprinkle of witty commentary, they also tackle the big picture of Marvel's current direction and whether superhero fatigue is creeping in. So, buckle up for a lively chat that strikes the perfect balance between critique and appreciation for the fresh stories brewing in the MCU. It's like a Marvel buffet—plenty to savor and even a few surprises to chew on! 0:00 Welcome back 1:00 Thoughts on "Eyes of Wakanda"  25:20 Quick thoughts on One Piece season 2 trailer 26:30 Behind the Scenes of Spider-man Brand New Day 30:50 We are tired of the Box Office discourse!  39:35 Outro back, nerds! Wanna keep the convo rolling? Hit us up on X (formerly Twitter) @SceneNNerd, Bluesky @SceneNNerd.bsky.social, Facebook, Instagram, and Threads @scene_n_nerd. And don't forget to swing by our website at www.scenennerdpodcast.com. If you loved the episode, show us some love with a rating and a shout-out on Apple Podcasts, Spotify, or wherever you get your podcast fix! Let's keep the nerdy vibes alive!

Train With Duane! This week on Geek Off The Street, we are covering the new animated series, Eyes of Wakanda! We get into the great character arcs and the tie in to the Black Panther lore but we also discuss the missed opportunity with expanding and making clear the world of Wakanda and how the series lacked overall ambition! All that and so much more on this week's exciting episode of the GOTS Official Podcast!Podcast Timecodes[4:15] What are we drinking this week?[6:55] Opening Thoughts and Facts[9:00] Positives[31:00] Negatives[55:00] Rating[1:02:05] What Are We Into This Week?Check Out These Books!When The Frog and the Snake Meet: A Killing Love! by J. Leroy Tucker!Wilbur Mckesson's Retribution!Greg Sorber's Mechhaven! Pax Machina Audio Book!Join Us In The Discussion!Email: thegeeksoffthestreet@gmail.comInstagram: @thegotspodSubscribe on Youtube! Like Our Facebook! Twitter: @thegotspodTrent Personal: @trentctuckerMusic: @erictucker__Stuff We Mentioned!Chikara Ramen!Trent Tucker Vlogs!War of the Worlds!People We Mentioned! Tree of Dreams Music@chikara_ramen@badicalradness@lights.camera.rant@thenerdlounge2.0@gregerationx@author_wilbur_m@mcpodcast@z_daughter_of_light@mindmattermystery

A conversation with former Rep. Ako Abdul-Samad, D-Des Moines, about what he's learned from his time in office and years of activism — plus what still needs to change.

Booking a flight to the wrong country might sound like a comedy sketch, but trust us, it happened. Join us as we recount this travel mishap and the unexpected adventures that followed. From airport blunders to breaking powerlifting records despite bouts of dehydration, this episode is a rollercoaster of humorous anecdotes and jaw-dropping feats. It's all about resilience and keeping your cool even when your GPS betrays you. Switching gears, we lace up our financial shoes and take a thoughtful stroll through the world of wealth management and real estate. With lighthearted banter and personal stories, we explore the highs and lows of financial literacy, real estate dreams, and the sometimes amusing challenges of sudden wealth. Whether we're contemplating beachfront properties or sharing nuggets of money wisdom, it's a candid chat about navigating the financial landscape without losing our sense of humor.   And, of course, no episode would be complete without a hearty discussion on the Marvel Cinematic Universe. Marvel movies, representation in superhero films, and a spirited critique of the latest Fantastic Four flick keep things lively. From Pedro Pascal's unexpected casting to the cultural significance of characters like Black Panther and Miles Morales, we're all in on the superhero saga. Plus, a debate on superhero powers and capes? You bet. We've got insightful commentary, friendly debates, and a sprinkle of humor that make this episode a must-listen for movie buffs and comic fans alike.

The Shi'ar threat draws near! In New X-Men #123, Jean Grey takes center stage, hosting a high-profile media event at the Xavier Institute just as an intergalactic assault looms overhead. 

The episodes of Eyes of Wakanda are ranked!Eyes of Wakanda Spoiler Review @1:38Ranking Eyes of Wakanda Episodes @43:17Text Us Your ThoughtsHosts:Daniel Grant (Bluesky & Instagram)Ben Sit (Instagram)Show:@TDFSpoiled on Instagram, Threads, TikTok & YouTubeSubscribe & Follow HERE

This week, The TV Dudes take aim at Marvel's latest animated adventure, Eyes of Wakanda on Disney+, diving into how it expands the Black Panther mythos and where it fits in the MCU's current landscape. (Our only real issue with it is that there isn't more of it).  Plus the return of the King! King of the Hill is back with 10 new episodes, and we watched 'em all! And you know we kept up with the undead (re-alived?) shenanigans on Revival, plus in Twisted Metal they finally get to the tournament!! Well, almost. Check it out! 2:30- 58:05 TV Diaries 3:00-29:04 King of the Hill 29:04-42:05 Revival 42:05-58:05 Twisted Metal 58:05- Eyes of Wakanda #EyesOfWakanda #TwistedMetal #KingOfTheHill #Revival #TheTVDudes

De Stokely Carmichael, figure des luttes noires du XXème siècle, on connaît surtout le combat aux États-Unis, comme dirigeant des Black Panther. On sait moins qu'en 1968, Carmichael a rejoint la Guinée avec son épouse, la chanteuse sud-africaine Miriam Makeba. Il est alors devenu un proche collaborateur du président ghanéen en exil Kwame Nkrumah et s'est engagé aux côtés de la révolution guinéenne. Bokar Ture, fils de Stokely Carmichael, a accordé un entretien à RFI : il raconte les années africaines de la vie de son père. RFI : Votre père a été un acteur important des luttes noires du XXème siècle. Aux États-Unis, où il a été l'un des responsables des Black Panther… mais aussi dans son parcours transatlantique puisqu'il vient s'installer en 1968 en Guinée. Parlez-nous d'abord de lui. D'où vient-il ? Comment est née cette conscience militante noire ?  Bokar Ture : Kwame Ture est né Stokely Carmichael à Trinidad et Tobago, connu aussi en français comme Trinité-et-Tobago, en 1941. Il immigre plus tard aux États-Unis pour retrouver sa mère -donc ma grand-mère- qui y était déjà installée quelques années plus tôt. Elle avait pu avoir sa nationalité américaine parce qu'elle était née à Panama. Comment a commencé cette conscience ? Déjà, il avait un penchant politique très tôt. Il y a une de ses tantes qui racontait une anecdote : quand il était jeune, il la poussait à aller voter pour un syndicaliste à l'île de Trinidad. Et au lycée, aux États-Unis, il fréquentait déjà des groupes gauchistes. Un de ses amis de classe était le fils du président du Parti communiste américain dans les années 1952. Et donc, très tôt, il a pu découvrir les discours marxistes. Et bien sûr, il vivait au sud du Bronx, à côté de Harlem. Et la 125e rue de Harlem est une rue reconnue pour des discours politiques de tout genre, de différents groupes.  Il a été l'un de ceux qui ont travaillé l'idée de Black Power. Il a même coécrit, en 1967 avec Charles Hamilton, un ouvrage qui le théorise, intitulé Black Power, the politics of Liberation in America.  Effectivement, le concept de Black Power existait avant. Il y avait un livre qui s'appelait Black Power par Richard Wright, qui a été écrit pendant les années 1950 et qui était un ouvrage dédié à Kwame Nkrumah. Mais personne n'a rendu l'idée de Black Power aussi populaire que Kwame Ture - Stokely Carmichael à l'époque. Notamment durant une marche contre la peur au sud des États-Unis, aux côtés de Martin Luther King, où il disait, plus ou moins : « On est fatigué de mendier notre liberté, comme on l'a fait ces dernières années dans les droits civiques. Maintenant, ce qu'on va faire, c'est de demander le Black Power », le pouvoir noir, qui était un appel à une autodétermination en termes de structures politiques et économiques pour les personnes noires descendantes d'africains aux États-Unis.  En 1968, votre père épouse une première femme, la chanteuse sud-africaine Miriam Makeba. Au-delà de la relation amoureuse qui s'est nouée entre eux, cette union reflète-t-elle aussi une pensée de votre père, de plus en plus tournée vers l'Afrique et vers le panafricanisme à cette époque ?  Ce n'est pas un tournant, c'est une continuité. Kwame Ture a toujours été Africain dans l'âme. Il vient d'un milieu où l'Afrique est centrale dans l'identité noire. Bien avant qu'il ne se marie avec Miriam Makeba. On le voit dans des photos au début des années 1960 avec ses camarades où il est en tenue africaine. Il se sentait toujours africain. Pour lui, être noir et africain, il ne voyait pas de distinction et toute sa vie était ainsi. Quand il a marié Tantie Miriam, comme je l'appelle, c'était juste une continuité. Après aussi, ma mère, Marlyatou Barry, qui était aussi une Guinéenne. C'était juste une continuité de sa façon de vivre.  Comment se fait concrètement la connexion entre votre père et le premier responsable guinéen, Ahmed Sékou Touré ? Stokely Carmichael, à l'époque, faisait une tournée mondiale et il a rencontré Shirley Graham Du Bois, qui était la veuve de W.E.B Du Bois, qui est aussi une légende de l'histoire de la lutte antiraciste et du développement du panafricanisme. Elle a invité Stokely Carmichael à venir en Guinée pour une conférence du Parti démocratique de Guinée pour rencontrer Kwame Nkrumah et Sékou Touré. Quand il est venu, il a rencontré les deux présidents. Il avait déjà beaucoup entendu parler de Kwame Nkrumah, parce que mon grand-père a travaillé dans un bateau un moment. Il est parti au Ghana et quand il est revenu à New York, il expliquait que c'était la première fois qu'il avait vu une nation noire, indépendante, avec sa propre armée, un président, etc. et il expliquait ceci à un jeune Stokely Carmichael. Cela a vraiment marqué sa pensée. Quelques années plus tard, ils se voient face à face avec Kwame Nkrumah. Après la conférence, en quittant la Guinée, il part dire au revoir à Sékou Touré, qui lui dit : « Écoute, mon fils. Ici, c'est chez toi, tu peux revenir quand tu veux. C'est ta maison. »  Il part voir Kwame Nkrumah qui lui dit « Écoute, moi, je cherche un secrétaire politique, donc si ça t'intéresse, tu es toujours le bienvenu. » Un an et demi plus tard, deux ans pratiquement, il était de retour avec sa nouvelle épouse, Miriam Makeba.  Qu'est ce qui fait qu'il vient s'installer à Conakry à cette époque ?  Pour lui, c'était le coin le plus révolutionnaire en Afrique. Lumumba a été assassiné très tôt donc il n'y avait plus le Congo. Après, il y a eu le coup d'État contre Kwame Nkrumah en 1966. Modibo Keïta en 1968. Quand lui est arrivé, le seul autre pays, c'était la Tanzanie, mais qui était beaucoup moins radicale. Donc il a choisi la Guinée. C'était le pays qui s'alignait le plus avec sa pensée du pouvoir noir à l'échelle mondiale.  Il est aussi menacé aux États-Unis. C'est aussi pour cela qu'il quitte les États-Unis ? De toute façon, mon père était prêt à se martyriser. Il a vu Malcolm X tué, il a vu Martin Luther King tué et les agences voulaient sa tête. Il a échappé à pas mal d'attentats. Mais ce n'était pas la raison centrale. Déjà, il y avait l'invitation. Ensuite, il ne voyait pas les États-Unis comme le centre de cette lutte à laquelle il a dédié sa vie. Il voyait l'Afrique comme étant une partie essentielle. Pour lui, en venant en Guinée, il rejoignait l'Afrique, il rejoignait la révolution africaine qui pouvait donner la dignité à tout le peuple noir à travers le monde.  Diriez-vous qu'il y a un vrai projet politique international derrière cette volonté de s'installer en Guinée ?  Il a toujours eu ce projet. Quand il parlait de Black Power, déjà, dans le livre dont vous avez parlé, il parlait aussi des colonies en Afrique. Dans Black Power, lui et Charles Hamilton faisaient le parallèle entre la situation que vivaient les Afro-Américains aux États-Unis et la situation que vivaient les Africains en Afrique et aux Caraïbes aussi. Il faisait ce parallèle. Dans sa tête, c'était quelque chose qui était un combat international dès le début.  Quelles sont les idées sur lesquelles votre père, Stokely Carmichael – Kwame Ture, une fois qu'il change de nom – et Ahmed Sékou Touré se retrouvaient ?  On parle de personnes qui avaient la même vision d'une Afrique unie, une Afrique libre où il n'y a pas d'inégalités. Ils étaient tous deux penchés vers des idées socialistes. Ils étaient totalement alignés idéologiquement. Sékou Touré était un de ses mentors, une de ces personnes qui l'ont formé dans cette idéologie.  Ils se retrouvent dans l'idée, qui est défendue par Ahmed Sékou Touré à l'époque, d'authenticité africaine ? À 100 %. Et il s'intègre à 100 %. Je peux vous dire que moi, par exemple, j'ai très peu de souvenirs de mon père en habit occidental. Il s'habillait en tenue africaine, cousue en Afrique. Il s'est enraciné dans la population africaine. Ce qui était quand même unique parce que tout le monde était tourné vers une façon de vivre occidentale. Et lui non, il voulait se réapproprier son héritage culturel.  Et la volonté de promouvoir les cultures africaines, de leur donner leur vraie place ? C'est exactement cela, revaloriser la culture africaine, la culture noire, se réapproprier celle-ci. Et ne pas avoir de complexes vis-à-vis des cultures européennes, dominantes et autres.  Depuis le début de cet entretien, on joue avec deux noms pour parler de votre père, Stokely Carmichael, Kwame Ture. À un moment donné de sa vie, il décide de passer du nom de Stokely Carmichael à celui de Kwame Ture. C'est une démarche qui dit aussi beaucoup de choses sur le lien qu'il a avec Kwame Nkrumah et Ahmed Sékou Touré.  Effectivement. Il y avait un précédent aux États-Unis. Il y avait pas mal d'Afro-Américains, notamment dans son milieu révolutionnaire, qui changeaient de nom. Notamment Malcolm X, Mohamed Ali. Bien sûr, le nom est inspiré de Kwame Nkrumah et de Sékou Touré. L'anecdote, c'est qu'il était en Tanzanie lors d'un entretien radio. Après l'entretien, apparemment, un vieil homme venu à pied d'un village lointain est venu le voir et lui a dit : « Écoute mon fils, j'ai vraiment aimé ton entretien. Mais il y a une chose : ton nom sonne un peu bizarre, un peu féminin, il faut le changer ». Il a alors pris le nom de Kwame Nkrumah et de Sékou Touré. Lorsqu'il venait l'annoncer à Sékou Touré et lui dire : « J'ai pris le prénom de Kwame », Sékou Touré lui a répondu : « C'est bien, parce qu'à chaque fois que nous avons des débats, tu prends toujours son parti. » Il lui a répondu : « Mais j'ai pris le nom Touré comme nom de famille. ». Ce qui était approprié, car c'étaient ses deux mentors. À lire aussiKwame Ture, le destin hors du commun d'un Black Panther parti s'installer en Guinée [1/2] Comment est-ce que vous décririez les liens qu'il entretenait avec Kwame Nkrumah et Ahmed Sékou Touré ? En Kwame Nkrumah, il voyait un symbole de cette lutte. Il était prêt à le suivre. Il a mené quelques opérations au Ghana pour essayer de voir s'il pouvait réinstaurer Kwame Nkrumah au pouvoir. Il était très proche de lui. Et Sékou Touré était comme un père pour lui. En 1970, votre père vit l'un des moments charnières de l'histoire de la Première République guinéenne, à savoir l'attaque contre Conakry du 22 novembre 1970. Savez-vous comment il a vécu ces journées ?  Je sais qu'il était un participant dans l'action de repousser les troupes portugaises. Il était armé ce jour et a dû utiliser son arme. Selon ce que j'ai appris, il était un des premiers à alerter les autorités, y compris le président, du fait qu'il y avait une attaque qui venait. Ca tirait sur sa case, donc il devait quitter sa maison. Lui et Miriam Makeba ont dû se réfugier quelque part d'autre où il l'a laissée et lui est ressorti pour aider à défendre la ville.  Cette opération conjointe de militaires portugais et de rebelles guinéens a conduit à la plus grande vague d'arrestations en Guinée de toute la Première République. La vie du pays va être rythmée pendant de longs mois par des confessions publiques de personnes présentées comme les complices d'un « complot impérialiste » aux ramifications tentaculaires. Comment est-ce que votre père se positionnait par rapport à cette thèse du complot permanent contre la Guinée ? Et plus généralement, quel regard portait-il sur l'État policier qu'était aussi devenu la Guinée de cette époque ?  C'est quelque chose de très complexe et malheureusement, la Guinée ne s'est toujours pas réconciliée avec ce passé et les positions sont assez ancrées. Maintenant, si on parle de Kwame Ture précisément, pour lui, c'était un régime panafricaniste, le seul régime panafricaniste radical. Et malgré toutes ses erreurs, c'était celui qui pouvait tenir jusqu'au bout cette conviction qu'il avait lui-même. Il était totalement d'accord avec le fait qu'il fallait conserver ce régime pour qu'il ne bascule pas dans un régime néocolonialiste.  À tout prix ? À tout prix.  En 1974, il y a un autre évènement important pour l'Afrique et plus généralement pour le monde noir, c'est le combat en Afrique, à Kinshasa, entre Mohamed Ali et George Foreman. Dans un livre de mémoires, votre père indique qu'il a été invité par Mohamed Ali lui-même à venir à Kinshasa pour le combat. Est-ce que vous savez ce que représentait cet affrontement pour votre père ?  Mohamed Ali était son ami. Il y avait ce symbole de Mohamed Ali qui représentait l'Africain fier et George Foreman qui était un peu l'opposé de cela. Mais après, il a rencontré George Foreman et il disait que George Foreman l'avait séduit avec son charme, l'a embrassé et tout. Je pense qu'au-delà du symbolique, mon père était beaucoup plus intéressé par ce qui se passait au Congo démocratique, c'est-à-dire le Zaïre à l'époque, et le fait que c'était sous le régime de Mobutu Sese Seko, auquel il était farouchement opposé par ce qu'il représentait en termes de corruption et d'alignement avec les puissances coloniales. Qui sont de manière générale les acteurs politiques qui fréquentaient le salon de votre père dans ces années 1970 et au début des années 1980, pendant la Première République en Guinée ? On parle d'un melting pot qui ne dit pas son nom. Que ce soit des artistes - Miriam Makeba et Nina Simone, qui était une de ses amies très proches - ou des activistes de partout dans le monde. Qui venaient à Conakry et qui venaient le rencontrer ? Qui venaient à Conakry ou qui y vivaient. Parce que vous savez qu'à une époque, Conakry était un centre du monde noir où on conciliait l'art, les mouvements de libération, etc. Il y avait un grand nombre de personnes qui y vivaient, comme Amilcar Cabral, comme Kwame Nkrumahn, avant même il y avait Félix-Roland Moumié du Cameroun, pour ce qui est de la politique. Concernant les arts et la littérature, il y avait Ousmane Sembène qui y vivait, il y avait Maryse Condé qui y vivait. C'était vraiment un centre… et il se retrouve chez lui avec toutes ces personnes, plus ou moins de différentes sphères. Moi, je peux raconter avoir vu des activistes exilés sud-africains, Tsietsi Mashinini, qui a commencé la révolte estudiantine de Soweto, qui était parmi d'autres exilés sud-africains. Il y avait beaucoup d'Afro-Américains, bien sûr, des Black Panthers exilés. Il y avait la diplomatie guinéenne, des diplomates de pays gauchistes et souverainistes, il y avait tout un monde. Mais aussi, il faut savoir que Kwame Ture était vraiment penché vers la masse, la masse populaire. Donc autour de tout ça, on voit un chef villageois qui est assis ou on voit la personne déshéritée du quartier qui est là, assise, qui peut recevoir un repas. Parce que notre maison était comme un centre communautaire pour la jeunesse du quartier. Il amenait tous les enfants du quartier à la plage chaque dimanche. Puis se retrouvait peut-être un mardi à saluer un chef d'État. Puis avait une conférence avec un groupe communautaire. Moi, j'ai vu tout cela dans cette maison. C'était quelque chose de magique. Il recevait où, justement ? Dans son salon, dans son bureau ? Y avait-il un rituel autour de la réception de ses amis politiques ? Déjà, il avait une véranda où il était assis… parce que c'était un bibliophile. Il lisait beaucoup, il écrivait beaucoup. Il ne lisait pas pour le plaisir, mais il lisait pour ses conférences. Après, il y a des gens qui venaient pour le rencontrer. Je sais qu'il y a eu Charles Taylor qui était venu de nulle part pour le rencontrer. C'était vraiment un melting pot.    À cette époque, votre père continue aussi ses voyages et ses tournées, il n'est pas tout le temps à Conakry ? Il était très organisé. Sur toutes ses photos, il écrivait les dates et les lieux. On se demande comment il pouvait parcourir toutes ces distances en si peu de temps. Un jour, on le voit au Connecticut. Le lendemain, on le voit à Paris, banni, chassé. En Angleterre, peut-être, d'où il est banni et chassé. Parce que c'était très compliqué pour lui d'avoir accès a beaucoup de pays. Après, on le voit en Californie... Il était partout. Sékou Touré disparaît en 1984. Mais votre père continue, lui, son engagement pour ses idées au sein du Parti démocratique de Guinée. Qu'est-ce qui a marqué ces années de militantisme politique sous Lansana Conté ? Le contexte a vraiment changé !  Et c'est là que l'on voit vraiment les convictions de l'homme. Parce que, du jour au lendemain, tout a changé. Il a été arrêté par le régime de Lansana Conté. Donc, il a perdu les privilèges qu'il avait, bien sûr, où il connaissait le président et était sous sa tutelle. Mais malgré cela, il a décidé de rester en Guinée. La moitié de sa vie guinéenne, quinze ans, s'est passée ainsi. Il a décidé malgré tout de rester en Guinée, d'être actif dans la vie politique guinéenne et la vie sociale de la Guinée.  … Et de rester fidèle à ses convictions.  Exactement. Vous êtes à l'époque enfant. Quel souvenir est-ce que vous gardez de ces années, de votre maison à Conakry, de ceux qui y passaient ? Quelle était l'ambiance ? Vous disiez tout à l'heure que tout le quartier se retrouvait chez vous…  C'est cela. Mon père était d'une gentillesse rare, d'un altruisme qu'on ne retrouve pas très souvent. Donc effectivement, c'était pour moi quelque chose de très formateur. Comment quelqu'un peut traiter un chef d'État avec le même respect qu'il traite la personne la plus déshéritée du quartier. Et toutes ces personnes pouvaient se retrouver chez lui, devant lui, avec le même respect, ou peut-être même le déshérité avec un peu plus d'amour.  Vous appelez régulièrement les Guinéens à se souvenir de votre père, Stokely Carmichael / Kwame Ture. Avez-vous le sentiment que son histoire a été oubliée en Guinée ?  Je parle de manière générale. Il y a une politique de mémoire en Guinée qui doit être améliorée. Stokely Carmichael est un pont unique entre l'Afrique et l'Amérique. On parle d'un personnage qui a passé la moitié de sa vie en Guinée. À ce stade, l'État guinéen n'a pas fait une seule initiative pour se réapproprier de l'héritage de cette personnalité.  Donc il y a un vrai chantier ? Il y a un chantier.  Une dernière question plus personnelle. Quel père a été Stokely Carmichael ? Quelle image retenez-vous de lui ?  Un père adorable, d'une gentillesse rarissime, qui m'a beaucoup appris, que j'ai profondément aimé. Quelqu'un qui était attaché à tout ce qui est beau dans le monde, à commencer par les enfants. ►A lire pour aller plus loin : BERTHO Elara, Un couple panafricain, Editions Rot-Bo-Krik, 2025 À (ré)écouterElara Bertho: «Replacer Conakry au centre des imaginaires, c'était un peu l'idée de cet ouvrage»

Marvel vs DC, who has the best superhero? Welcome to VOLUME 184 of The Bracket. Kenjac is host alongside Robbie Fox, Clem, Vibbs, TBob, Danny Conrad and Goldfinger. Follow The Bracket ►TWITTER - https://twitter.com/BracketPod ►INSTAGRAM - https://www.instagram.com/thebracket/ Follow Kenjac ►TWITTER - https://twitter.com/JackKennedy ►INSTAGRAM - https://www.instagram.com/jackennedy/ ►TIKTOK - https://www.tiktok.com/@ken_jac Intro - (0:00) Wolverine v Black Panther - (6:52) Iron Man v Professor X - (16:49) Hulk v Captain America - (28:43) Cheah in game - (39:36) Spider-Man v Cheah-in winner - (51:05) Batman v Cyborg - (56:38) Flash v Wonder Woman - (1:03:11) Aquaman v Green Lantern - (1:13:05) Cheah-in game - (1:24:05) Superman v Cheah-in winner - (1:30:04) Playoffs - (1:34:52) Finals - (2:06:03) Download the Gametime app today and use code BRACKET for $20 off your first purchase Get your first month of BlueChew FREE Just use promo code BRACKET at checkout and pay five bucks for shipping. https://BlueChew.comYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/lightscamerabarstool

Well its a radio show, but its not live, and its prerecorded.... The Naked Gun is out, and its the comedy that Hollywood needed. Plus Nintendo, pulls its normal shenanigans, while we all continue to ignore the issues. Somehow EA is now the good guy as well? Also, Spider-Man begins filming, and the scenes from set look amazing, Matt Smith is joining a Galaxy Far Far Away, and Chris Hemsworth clarifies his comments on Thor.

"Connect with Us: Follow us for updates, bonus content, and discussions about all things South Park. On Facebook: @SouthParkPod On YouTube : @SouthParkPod On TikTok : @SouthParkPodOn Twitter: @SouthParkPodsOn Blue Sky: @smbsouthparkreview.bsky.social On Instagram: @SouthParkPodcastJoin our community of fans as we laugh, debate, and celebrate the genius of Trey Parker and Matt Stone's iconic creation. https://www.facebook.com/groups/spfanclubSubscribe and Support: Subscribe to SMB South Park Review Crew on your favorite podcast platform to never miss an episodeContact: Got a question, suggestion, or just want to share your thoughts on South Park? Reach out to us at suckmyballspod@gmail.co or visit us at linktr.ee/southparkpod

The Ninjas are back for another episode. The guys share their thoughts on the first look at Avatar: Seven Havens (31:50), the news of Nintendo raising the price of some products  (1:00:40), the future of gaming (1:20:38), the Peacemaker seasonon 2 trailer (1:53:20), and more.Picks:Domino | Teenage Mutant Ninja Turtles 35th AnniversaryHesh | The Fantastic Four: First StepsHelp support the show by becoming a Patron: https://www.patreon.com/ThedojoisgangSend us questions @TheDojo203@gmail.com Join the Discord: https://discord.gg/RKpjgVBUQXWatch us live on Twitch:https://www.twitch.tv/thedojoisgangSubscribe to our YouTube channel: https://www.youtube.com/@TheDojoPodcast203Become a supporter of this podcast: https://www.spreaker.com/podcast/the-dojo-w-domino-hesh-jones--4652058/support.

We're back with a brand-new episode and we're coming in hot! First up, we break down the latest Spider-Man suit reveal — is it fire or flat? Then we give our early thoughts on Twisted Metal Season 2 and whether Sweet Tooth is still the MVP of post-apocalyptic nonsense. Finally, we dive into Eyes of Wakanda and talk about how this animated series expands the Black Panther mythos in all the right (and weird) ways. Hit play, hit like, and hit that subscribe button. And don't forget to check out That Comic Podcast on YouTube!Become a supporter of this podcast: https://www.spreaker.com/podcast/that-comic-podcast--5896499/support.

Se estrenó Eyes of Wakanda, una serie animada de 4 episodios producida por Ryan Coogler, que explora parte de la historia oculta de la nación de Black Panther, y en este episodio debatimos lo que nos dejó. Además, hablamos de varias novedades sobre Spider-Man: Brand New Day, desde la revelación del nuevo traje del Hombre Araña, hasta su elenco en expansión, que incluye a Punisher, Scorpion y Hulk. // ATAJOS // (01:07 Repercusiones de The Fantastic Four: First Steps / (07:32) Spider-Man: Brand New Day: empezaron las grabaciones y se amplía su elenco / (25:25) Novedades del especial de Punisher / (33:04) Review de Eyes of Wakanda

Eyes of Wakanda is here! This 4 Episode Miniseries is a look at Wakandas interactions with the outside world before the events of Black Panther. Long Before! Spanning thousands of years, it's a cool look at the history of the MCU and what it means to be a War Dog! Sponsors: HIMS ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.hims.com/MCU Open Phone ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.openphone.com/MCU⁠ Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/mcucast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join The Stranded Panda Community! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.strandedpanda.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook Group: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/spchat Learn more about your ad choices. Visit podcastchoices.com/adchoices

Drugs as Weapons Against Us: The CIA's Murderous Targeting of SDS, Panthers, Hendrix, Lennon, Cobain, Tupac, and Other LeftistsDrugs as Weapons Against Us meticulously details how a group of opium-trafficking families came to form an American oligarchy and eventually achieved global dominance. This oligarchy helped fund the Nazi regime and then saved thousands of Nazis to work with the Central Intelligence Agency. CIA operations such as MK-Ultra pushed LSD and other drugs on leftist leaders and left-leaning populations at home and abroad. Evidence supports that this oligarchy further led the United States into its longest-running wars in the ideal areas for opium crops, while also massively funding wars in areas of coca plant abundance for cocaine production under the guise of a “war on drugs” that is actually the use of drugs as a war on us. Drugs as Weapons Against Us tells how scores of undercover U.S. Intelligence agents used drugs in the targeting of leftist leaders from SDS to the Black Panthers, Young Lords, Latin Kings, and the Occupy Movement. It also tells how they particularly targeted leftist musicians, including John Lennon, Jimi Hendrix, Kurt Cobain, and Tupac Shakur to promote drugs while later murdering them when they started sobering up and taking on more leftist activism. The book further uncovers the evidence that Intelligence agents dosed Paul Robeson with LSD, gave Mick Jagger his first hit of acid, hooked Janis Joplin on amphetamines, as well as manipulating Elvis Presley, Eminem, the Wu Tang Clan, and others.https://amzn.to/4fH3ZNDBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

It's medium to small size movie week! We're talking Neon's latest horror entry, Together. Plus we discuss the Warner Bros Discovery split and the huge cost associated, the Superman 2025 mural reveal, Robert Downey Jr's Avengers payday, the lagging The Fantastic Four: First Steps box office, an update on MCU's Blade, Deadpool 4 and Black Panther 3, our first look at the Spider-Man: Brand New Day suit and Hulk and Scorpion joining the project, trailers for Avatar 3: Fire & Ash, Primal War and Peacemaker Season 2, a new James Boon writer and the future of the Predator franchise. Thanks for listening!New bonus ep of the clickbait special podcast also out now! Plus entire back-catalogue of let's play videos, bonus podcasts, movie commentaries, early access and ad-free episodes all available on https://bigsandwich.coPLEASE be aware timecodes may shift up to a few minutes due to inserted ads.00:00 The Start04:46 The Warner Bros Split09:41 Superman Movie Mural Reveal15:14 RDJ Pay Day for Doomsday17:21 Box Office for Fantastic 4: First Steps18:47 No Rush for Blade Movie & Deadpool 420:11 Black Panther 3 & Harrison Ford MCU Return22:48 Hulk & Scorpion in Spider-Man: Brand New Day23:18 Spider-Man: Brand New Day 1st Teaser26:36 Avatar: Fire and Ash Trailer32:20 Primal War Trailer35:01 Peacemaker S2 Trailer38:13 New James Bond Writer42:20 Future of The Predator Franchise46:52 Together Movie Review (some spoilers)59:56 Together Big Spoilers Segment01:17:21 What We Reading, What We Gonna Read01:27:16 Letters, It's Time For LettersSUBSCRIBE HERE ►► http://goo.gl/pQ39jNJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-moviesThe Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

Jean Seberg, actrice américaine née dans l'Iowa en 1938, est propulsée à 17 ans sous les projecteurs grâce à Otto Preminger, mais débute par deux échecs. C'est en France qu'elle devient une icône grâce à À bout de souffle de Jean-Luc Godard. Elle vit une histoire d'amour secrète et passionnée avec l'écrivain Romain Gary, avec qui elle a un fils, Diego, et qu'elle épouse discrètement en Corse en 1963. Très engagée politiquement, elle soutient les droits civiques et les Black Panthers, ce qui lui vaut d'être harcelée par le FBI. En 1970, la fausse rumeur orchestrée par le FBI sur la paternité de son bébé entraîne un drame : la mort de sa fille prématurée et une grave dépression. Sa santé mentale décline, marquée par des tentatives de suicide et une relation abusive. Le 30 août 1979, elle disparaît ; son corps est retrouvé 11 jours plus tard. Romain Gary, dévasté, la défend publiquement avant de se suicider à son tour en 1980. Leur fils Diego, orphelin, témoignera plus tard de ce destin brisé. Merci pour votre écoute Vous aimez l'Heure H, mais connaissez-vous La Mini Heure H https://audmns.com/YagLLiK , une version pour toute la famille.Retrouvez l'ensemble des épisodes de l'Heure H sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/22750 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : Un jour dans l'Histoire : https://audmns.com/gXJWXoQL'Histoire Continue: https://audmns.com/kSbpELwAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvVous aimez les histoires racontées par Jean-Louis Lahaye ? Connaissez-vous ces podcast?Sous le sable des Pyramides : https://audmns.com/rXfVppv36 Quai des orfèvres : https://audmns.com/eUxNxyFHistoire Criminelle, les enquêtes de Scotland Yard : https://audmns.com/ZuEwXVOUn Crime, une Histoire https://audmns.com/NIhhXpYN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

TJ Zwarych and Jam of Agents of Fandom and Aaron Perine of Phase Hero and HowToWatchFreeTV give their reactions and spoiler-filled review for the latest Marvel Studios animated television series, Eyes of Wakanda. Join is in the live chat to share your theories and thoughts on the show!(00:00:00) Intro(00:02:00) Whatcha Watchin? - Poker Face, The Studio(00:07:00) The Hulk Confirmed for Spider-Man: Brand New Day(00:10:00) Will The Scorpion be Venomized in Spider-Man: Brand New Day?(00:11:00) Will Spider-Man Get His Symbiote Suit in Spider-Man: Brand New Day?(00:17:00) Jon Bernthal's Role in Spider-Man: Brand New Day?(00:24:00) Eyes of Wakanda Spoiler-Free Reactions(00:26:00) Art and Animation in Eyes of Wakanda(00:29:30) Eyes of Wakanda Episode 1 Reactions(00:36:00) Cress Williams as The Lion in Eyes of Wakanda(00:38:00) Eyes of Wakanda Episode 2 Reactions(00:44:00) Eyes of Wakanda Episode 3 Reactions(00:48:00) The Iron Fist in Eyes of Wakanda(00:51:00) Eyes of Wakanda Episode 4 Reactions(00:55:00) Who are the Horde in Eyes of Wakanda?(00:58:00) Eyes of Wakanda Time Travel Theories(01:03:00) Eyes of Wakanda Marvel RankingBecome a supporter of this podcast: https://www.spreaker.com/podcast/agents-of-fandom--5479222/support.

Welcome to Kudos Kirby, a comics journey into Jack Kirby's lesser known works. Angus will be your guide through this monthly expedition to uncover those hidden gems from “The King of Comics” over 20,000 comic book pages! We hope you enjoy this latest adventure in the journey!Angus reviews Issue #7 "Drums!"Black Panther Epic Collection: Revenge Of The Black Panther⁠⁠⁠⁠⁠⁠⁠https://www.amazon.com/Black-Panther-Epic-Collection-1977-1979-ebook/dp/B07M8YN6LH/⁠⁠⁠⁠⁠⁠⁠Behold as the Black Panther sets out on adventures that only his co-creator, Jack Kirby, could conceive! T'Challa discovers the startling secret of King Solomon's frog, encounters alien races, battles eternal samurai warriors — and so much more! The history of the Wakandans, their majestic city and their amazing technology are also explored with a power and passion that only Kirby could offer!We will review, in issue order, one issue each month (#1 - #12) in 2025.Leave a message at kirbyskidspodcast@gmail.comPlease join us for our 2025 Graphic Novel Reads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.kirbyskids.com/2024/11/kirbys-kids-giving-thanks-2025-graphic.html⁠⁠⁠⁠⁠⁠⁠⁠⁠For detailed show notes and past episodes please visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.kirbyskids.com

RYAN COOGLER MCU UNIVERSE EXPANDS!! Eyes Of Wakanda Full Reaction Watch Along:   / thereelrejects   Fantastic Four Spoiler Review;    • FANTASTIC FOUR FIRST STEPS SPOILER REVIEW!...   Ironheart 4, 5, & 6 Reaction:    • IRONHEART Episode 4, 5, & 6 REACTION!! Mar...   Eyes of Wakanda, Marvel Animation's first series in the Phase Six timeline, dropped all four episodes on Disney+ August 1, 2025— Coy Jandreau (DC Studios) & Aaron Alexander react to every twist, opening the new history‑spanning world of Wakanda like never before. We break down how elite Wakandan warrior‑spies known as the Hatut Zaraze travel through time—from Bronze Age Crete to ancient Egypt and beyond—on globe‑trotting missions to reclaim stolen vibranium artifacts, led by fierce ex‑Dora Milaje agent Noni (Winnie Harlow) pursuing the pirate warlord “The Lion” (Cress Williams). We discuss the shocking debut of the MCU's first female Iron Fist (voiced by Jona Xiao), each episode's standalone era and artifact, and how Danai Gurira returns as Okoye to link this prequel to T'Challa's legacy. With its hand‑painted animation style inspired by Ernie Barnes, stunning espionage, mythic fights and unexpected character reveals, this Black Panther offshoot redefines Wakanda's scope. We also explore how it ties into the upcoming Marvel Zombies series, Spider-Man: Brand New Day, and the massive MCU Multiverse Saga arc leading into Avengers: Doomsday and Secret Wars. Don't miss the character breakdown, art style take, hidden lore, and how this four-part miniseries enriches Wakanda's mythology across time. Follow Aaron On Instagram: https://www.instagram.com/therealaaronalexander/?hl=en Follow Coy Jandreau:  Tik Tok: https://www.tiktok.com/@coyjandreau?l... Instagram: https://www.instagram.com/coyjandreau/?hl=en Twitter:  https://twitter.com/CoyJandreau YouTube: https://www.youtube.com/channel/UCwYH2szDTuU9ImFZ9gBRH8w Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode of THE HOT MIC, Jeff Sneider and John Rocha discuss the big entertainment news of the week including Steven Knight tapped to write James Bond movie, Lee Isaac Chung in talks for Ocean's 11 prequel with Ryan Gosling and Margot Robbie to star, Marvel Updates on X-Men, Blade and Black Panther 3, The Social Network II Casting rumors, James Gunn announces he's writing a Superman 2 sequel, James Cameron buys up The Devils to adapt it, Celine Song writing My Best Friend's Wedding sequel, Weapons RT score (fake or real), Avatar: Fire and Ash and The Conjuring: Last Rites trailers, Zach Cregger possibly pitching Joker movie to DC, Wizard of Oz's AI conversion sparks controversy and more!#DC #Marvel #jamesgunn #kevinfeige #TheHotMic #JeffSneider #JohnRocha ____________________________________________________________________________________Chapters:0:00 Intro and Rundown2:12 Steven Knight Tapped to Write New James Bond Movie8:00 Lee Isaac Chung in talks to direct Ocean's 1112:16 WB Releasing 10% of its Staff and Renames Itself AGAIN!18:32 Mikey Madison, Jeremy Allen White and Jeremy Strong for Social Network II26:05 WEAPONS Rotten Tomatoes 100% Score Is Deceiving31:45 The Issue with Film Criticism Nowadays36:17 James Gunn Backtracks on 'Superman 2' Proclamation43:06 Variety Delivers MCU Update on X-Men, BP 3, Deadpool and Blade49:42 James Cameron Options 'The Devils' Fantasy Novel as Future Project51:32 Celine Song Writes My Best Friend's Wedding Sequel56:23 Avatar: Fire and Ash, The Conjuring Last Rites Trailers Talk1:01:17 Naked Gun and Together Reviews1:03:55 Wizard of Oz and AI Controversy1:06:52 Streamlabs and Superchat QuestionsFollow John Rocha: @therochasays Follow Jeff Sneider: @TheInSneider  Become a supporter of this podcast: https://www.spreaker.com/podcast/the-hot-mic-with-jeff-sneider-and-john-rocha--5632767/support.

It's a San Diego Comic-con hangover episode and we still have NEW trailers to break down! Join Hoody and Kevin as we react to the trailers for Avatar: Fire And Ash and the Eyes of Wakanda series while figuring out what's the latest on the Avatar: The Last Airbender animated movie! Plus what did Hoody think of The Naked Gun? All that and more with the Crisis Crew!Buy Your Own Crisis Crew Shirt!: https://bit.ly/3I5Lv8GNew Episodes of Crisis on Infinite Podcasts come out every Monday and Thursday! Make sure to rate us and subscribe to us on your platform of choice and send us a secret message and we'll read it out loud on next week's show!!

Episode 73 - Murdock and Marvel: 2007 Part 2 America continues to deal with the consequences of 9/11, and we are not mid-way through the 8 year Iraq War.  Something seems to be changing on the comics landscape, as dark themes, destruction and war get more prevalent, and stories retreat to more conventional and traditional themes.  This is part 2 of the podcast. that will feature the year in Daredevil, the Spotlight story and the Takeaway for 2007.   The Year in Daredevil  Appearances: Daredevil #91-#101, Daredevil: Father #6, Daredevil Annual #1, Incredible Hulk #100. Thunderbolts #108 and 110, What If? Avengers Disassembled #1, What If? Wolverine Enemy of the State #1, Avengers Next #4, Marvel Select Flip Magazine #19 and 22, X-23: Target X #1-6, Amazing Spider-Man #538, Spider-Man and Power Pack #3-4, Black Panther #25, Bullet Points #4-5, Civil War: Front Line #11, Fantastic Four: Then End #5-6, Punisher War Journal #4, Civil War: The Confession #1, Ultimate Spider-Man #106-107 and 109-110, Fallen Son: The Death of Captain America #1, Ms Marvel #14, Wonder Man #5, Hulk and Power Pack #3-4, Marvel Zombies: Dead Days #1, X-Men #200, World War Hulk: Front Line #2 and 6, Civil War Chronicles #1-2, Last Fantastic Four Story #1, New Avengers #34  Writing: Ed Brubaker (#91-101)  Pencils: Michael Lark (#91-93, 95-99, and 101), Lee Weeks (#94), Lark, Marko Djurdjevic, John Romita Sr, Gene Colan, Bill Sienkiewicz, Alex Maleev and Lee Bermejo (#100)  Inks: Stefano Gaudiano (#91-99 and 101), Gaudiano and Al Milgrom (#100)  2007 begins with the final three parts of the “Devil Takes a Ride storyline we talked about in 2006 That involved Murdock going to Europe and confronting Vanessa Fisk for all the trouble she's been causing him as well as then freeing Fisk from prison.  In April, we get a one-shot story called Our Love Story (with a cool cover from John Romita Sr) that talks about the relationship Milla Donovan has with Matt Murdock and Daredevil.  Next, we get long story arch titled “To the Devil, His Due”.  Murdock and company are brought in to defend Melvin Potter, the Gladiator, who has been accused of killing inmates in Ryker's Island prison; Melvin claims that he didn't do it, even though all evidence points to the fact that he did. As the story progresses, Potter escapes prison and goes on a killing spree, Milla starts going to a psychiatrist and Lily Luca – the woman who double crossed Murdock in Europe during the Devil Takes a Ride story comes to New York looking for Murdock's help.  When Potter shows up to ruin a dinner date between Milla and Matt, Murdock figures out that someone is behind the Gladiator's recent behavior and must stop Potter from killing Milla. The story ends with Potter getting arrested and Daredevil turning his sights on the person behind Potter's behavior change… Mr. Fear. Meanwhile, in a moment of jealous anger directed toward Lily (induced in no small part by Mr Fear's gas), Milla accidentally kills a man in the subway.  That leads directly into a “Triple sized” issue 100 featuring 7 artists and a huge six-part story titled Without Fear that finishes the year and bleeds into 2008. Issue 100 will be the spotlight story this week. For this recap, Daredevil confronts Larry Cranston aka Mr Fear but Fear is able to escape and when he returns home Murdock learns Milla has been arrested for murder. As the Without Fear story continues, we see Turk is now in the employ of the Hood who has designs of his own on New York and Hell's Kitchen. Daredevil learns of a chemist who assisted Mr Fear in his latest version of the fear gas who is now dead, and Milla fails her psych evaluation and is sent to Bellevue hospital under protective custody. Milla is eventually allowed to return home with a home health nurse to monitor her actions. But then she attacks the nurse after being visited by Lily Lucca which gets her sent back to Bellevue. Hood and Fear team up for a time but disagree on “the big picture”.   Ultimately the story ends with Daredevil confronting Mr Fear and demanding a cure to Milla's condition – to which fear reveals there is no antidote.  Turning him over to Detective Krutz, Cranston confesses that he is responsible for Melvin and Milla's recent action and claims he did it to Matt Murdock because he does not like him. Lilly Lucca, who went to Murdock's home because of Mr Fear, has disappeared and Murdock tells Foggy he's responsible for ruining Milla's life.  Meanwhile, in the Daredevil Annual that was released in December, Carlos Muerto aka Black Tarantula is released on parole, and he looks up his old prison buddy, Matt Murdock, for a job and help in getting his life back in order. And though it works for a time, ultimately, they end up going their separate ways. This is a story by Ed Brubaker with Andre Parks as writer. Leo Fernandez and Scott Koblish on art.  This Week's Spotlight: Daredevil #100 October 2007 “Without Fear: Part One”  Recap Why We Picked This Story Daredevil Rapid Fire Questions The Takeaway The retrenchment that is going to divide comics fandom over the next two decades may have its roots here in 2007. Questions or comments We'd love to hear from you!  Email us at questions@comicsovertime.com or find us on Twitter @comicsoftime. ------------------ THANKS TO THE FOLLOWING CREATORS AND RESOURCES  Music: Our theme music is by the very talented Lesfm.  You can find more about them and their music at https://pixabay.com/users/lesfm-22579021/.  The Grand Comics Database: Dan uses custom queries against a downloadable copy of the GCD to construct his publisher, title and creator charts.  Comichron: Our source for comic book sales data.  Marvel Year By Year: A Visual History  DC Comics Year By Year: A Visual Chronicle  https://en.wikipedia.org/wiki/List_of_films_based_on_English-language_comics  https://en.wikipedia.org/wiki/List_of_Marvel_Comics_superhero_debuts  https://comicbookreadingorders.com/marvel/event-timeline/  https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipients-1990s/ 

I just may, whaddya say? Comic-Con came and went this year, and maybe because the MCU and DCU were so muted, but there were still some good announcements. Xbox says game pass revenue is up, so is it profitable? Wolfenstein is heading to TV, and EA says no to $80. Air Bud is returning and I have serious questions, South Park takes time in its return, Star Trek goes all in on Comic Con, plus reviews of Happy Gilmore 2 and Fantastic Four!

Before the release of Eyes of Wakanda, dive into the history of Iron Fist and Black Panther that began over 1 million years ago!

This July, Ryan and David are diving into the premiere of Ironheart—critics gave it a 77%, audiences gave it a 47%, but what did we think? Then we go cosmic with a deep dive into Fantastic Four: First Steps! We explore the film's comic book roots, the all-star cast (hello Pedro Pascal, Julia Garner, and Galactus!), and how this new take sets the stage for the MCU's future. We also break down Kevin Feige's flurry of interviews pre-SDCC no-show, including big shake-ups for Disney+, news on Spider-Man: Brand New Day, updates on Blade, X-Men, and Black Panther 3, and some major behind-the-scenes shifts—like Marvel stepping away from Kang before Quantumania even hit theaters. Finally, we preview the upcoming animated series Iron Man and His Awesome Friends (yes, that theme song is by Mark Hoppus). New shows, new teams, and maybe a little chaos—just another month in the MCU. Themes by J.R. Trimpe: https://trimpe.org/ ---------------- Support the show! Check out our super secret spoiler show on the EarzUp! Patreon Visit us on Etsy for the official Puny Pod Merch Come say hi on Discord! Subscribe on iTunes Start your own podcast with Zencastr Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode  346.   James B and Eddie conclude the Galactus story, introduce the Black Panther and get back to the Inhumans, all without J Edmonson! Sponsored by Dr. Harrow and Associates Theme Music by Jeff Kenniston.  This Episode Edited by James B using Audacity and Cleanfeed.  Summaries written by James B and Eddie and Karnak.  Most Sound effects and music generously provided royalty free by www.fesliyanstudios.com and https://www.zapsplat.com/  Check out all the episodes on letsreadspiderman.podbean.com or wherever you get your podcasts. Check out our live meetup and Discord Channel here https://docs.google.com/document/d/1_mW6htjJUHOzlViEvPQqR-k68tClMGAi85Bi_xrlV7w/edit

Is the MCU back on track? Latverian_Lad and Dayspring break down Fantastic Four: First Steps!

It's been 2 years, but it is once again time to stop and rank all 53 MCU movies, Disney+ TV shows, and specials GET A FREE AUDIOBOOK Get a FREE audiobook with a FREE 30 day trial of Audible at http://www.audibletrial.com/seanchandler *AFFLIATE LINK* The Marvel Cinematic Universe has exploded to include 53 movies, Disney+ shows, and special presentations—and I've watched them all. In this video, I'm ranking every single MCU project from worst to best, from Iron Man to Endgame to Loki, Guardians of the Galaxy Vol. 3, Werewolf by Night, and everything in between. Whether you're a lifelong fan or catching up on Phase 4 and beyond, this is the ultimate Marvel ranking to settle the debate. Agree? Disagree? Let me know your list in the comments! #MCU #MarvelRanking #MarvelCinematicUniverse #MarvelStudios #IronMan #AvengersEndgame #GuardiansOfTheGalaxy #Loki #WandaVision #SpiderManNoWayHome #CaptainAmerica #MarvelMovies #DisneyPlus #SheHulk #ShangChi #MarvelPhase4 #MarvelPhase5 #SecretInvasion #EchoMarvel #XMen97 ✅ MOVIES (33 Total) Iron Man (2008) The Incredible Hulk (2008) Iron Man 2 (2010) Thor (2011) Captain America: The First Avenger (2011) The Avengers (2012) Iron Man 3 (2013) Thor: The Dark World (2013) Captain America: The Winter Soldier (2014) Guardians of the Galaxy (2014) Avengers: Age of Ultron (2015) Ant-Man (2015) Captain America: Civil War (2016) Doctor Strange (2016) Guardians of the Galaxy Vol. 2 (2017) Spider-Man: Homecoming (2017) Thor: Ragnarok (2017) Black Panther (2018) Avengers: Infinity War (2018) Ant-Man and the Wasp (2018) Captain Marvel (2019) Avengers: Endgame (2019) Spider-Man: Far From Home (2019) Black Widow (2021) Shang-Chi and the Legend of the Ten Rings (2021) Eternals (2021) Spider-Man: No Way Home (2021) Doctor Strange in the Multiverse of Madness (2022) Thor: Love and Thunder (2022) Black Panther: Wakanda Forever (2022) Ant-Man and the Wasp: Quantumania (2023) Guardians of the Galaxy Vol. 3 (2023) The Marvels (2023) Deadpool and Wolverine Captain America Brave New World Thunderbolts* | New Avengers The Fantastic Four First Steps

Reposted from Still Slaying: A Buffy-verse podcast which you can find at https://podcastica.com/podcast/still-slaying-a-buffy-verse-podcast “Blues wasn't forced on us like that religion. Nah, son, we brought that with us from home. It's magic what we do. It's sacred... and big.” Penny, Sam, Kara and Jason revel in the artistic and box office success of Ryan Coogler's genre defying tale of family, fellowship, music, and freedom. The discussion ranges from the serious to the silly, with stops along the way for auteur theory, sports metaphors, representation, all art is political, zombie movies, sundown towns, the Tulsa Massacre/Black Wall Street, the horror genre as conduit for political and social discourse, joy as revolutionary act, A.I. and cultural appropriation, Annie as a potential slayer, oners, Alvin Ailey, and #OscarsSoWhite.    Note: Since this is an R-Rated movie, we've decided not to humorously bleep out the swear words.   Next time we'll be covering Buffy the Vampire Slayer, Season 4, Episode 11, “Doomed.”    Keep Slaying! News Links/Referenced Links Sinners (Original Motion Picture Soundtrack) - Album by Sinners Movie | Spotify Jim Crow Museum Blues Foundation The ‘Sinners' Movie Syllabus - AAIHS Life (1999) Official Trailer - Eddie Murphy, Martin Lawrence Movie HD The Rise and Fall of Jim Crow. Richard Wormser.  Segregated America. Smithsonian Institute.  Jim Crow Laws. National Park Service.  “Exploiting Black Labor After the Abolition of Slavery.” The Conversation.  https://www.npr.org/2017/03/08/515814287/heres-whats-become-of-a-historic-all-black-town-in-the-mississippi-delta “The Model Minority Myth” Aspect Ratios with Sinners Director Ryan Coogler Mound Bayou, Mississippi - Wikipedia Ruth E. Carter on designing costumes from ‘Do The Right Thing' to ‘Black Panther' Ruth Carter's Creative Process | Oscar-Winning Costume Designer Watch Abstract: The Art of Design | Netflix Official Site Ryan Coogler on 'Sinners' Creative Process, 'Black Panther' News, NBA Players Love & More Ryan Coogler says 'Sinners' inspiration felt 'like a bolt of lightning' —---------------------------------------- Viewing Order BONUS: “Sinners”  Buffy 4x11 - Doomed Angel 1x11 - Somnambulist Angel 1x12 - Expecting Angel 1x13 - She Buffy 4x12 - A New Man Buffy 4x13 - The I In Team Buffy 4x14 - Goodbye Iowa Angel 1x14 - I've Got You Under My Skin Angel 1x15 - The Prodigal Buffy 4x15 - This Year's Girl (1/2) Buffy 4x16 - Who Are You? (2/2) Buffy 4x17 - Superstar Angel 1x16 - The Ring Angel 1x17 - Eternity Buffy 4x18 - Where the Wild Things Are Buffy 4x19 - New Moon Rising Angel 1x18 - Five by Five (1/2) Angel 1x19 - Sanctuary (2/2) Buffy 4x20 - The Yoko Factor (1/2) Buffy 4x21 - Primeval (2/2) Buffy 4x22 - Restless Angel 1x20 - War Zone Angel 1x21 - Blind Date Angel 1x22 - To Shanshu in LA Join the conversation! You can email or send a voice message to stillslayingfeedback@gmail.com, or join us at facebook.com/groups/podcastica and Still Slaying A Buffy-verse Podcast where we put up comment posts for each episode we cover.  Join the Zedhead community - https://www.patreon.com/jasoncabassi Theme Music:℗ CC-BY 2020 Quesbe | Lucie G. MorillonGoopsy | Drum and Bass | Free CC-BY Music By Quesbe is licensed under a Creative Commons License. #ryancoogler #sinners #michaelbjordan #smokestacktwins #milescaton #jimcrow #mississippidelta #history #filmreview #vampires #southerngothic #wunmimosaku #haileesteinfeld #ruthcarter #blackhistory #stillslaying #stillslayingpodcast #stillslayingcast #podcast #podcastica #smashthepatriarchy #feminism #patriarchy #buddyguy In Defense of ‘Grace' from ‘Sinners' Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the Age of Revelation—where mutants rule from the Atlantic to the Mississippi, and a dark future unfolds under the Heir of Apocalypse. In this video, we break down and review Age of Revelation kickoff issue by Jed MacKay and Humberto Ramos that redefines the future of the X-Men.

Rachel Summers! Feral! X-Men '97 Emma Frost! We have LOTS to discuss!

M. H. Ayinde was born in London's East End. She is a runner, a lapsed martial artist, and a screen time enthusiast. She is the Sunday Times bestselling author of epic fantasy novel A SONG OF LEGENDS LOST (Orbit UK/Saga Press). Her short fiction has appeared in FIYAH Literary Magazine, F&SF, Fantasy Magazine, and elsewhere, and she was the 2021 winner of the Future Worlds Prize. She lives in London with three generations of her family and their Studio Ghibli obsession.We had great fun chatting with Modupe live at the Cymera Festival back in June, and heard all about her amazing journey to winning the Future Worlds Prize and how that kickstarted her career as an author. Plus, we talk about her inspirations including Black Panther and A LOT of Final Fantasy!Links:Buy A Song of Legends Lost nowFollow Modupe on InstagramVisit Modupe's websiteAdventures in Publishing-land on Apple PodcastsAdventures in Publishing-land in SpotifyAdventures in Publishing-land on YouTubeSupport us on Patreon and get great benefits!: https://www.patreon.com/ukpageonePage One - The Writer's Podcast is brought to you by Write Gear, creators of Page One - the Writer's Notebook. Learn more and order yours now: https://www.writegear.co.uk/page-oneFollow us on FacebookFollow us on InstagramFollow us on BlueskyFollow us on ThreadsPage One - The Writer's Podcast is part of STET Podcasts - the one stop shop for all your writing and publishing podcast needs! Follow STET Podcasts on Instagram and Bluesky Hosted on Acast. See acast.com/privacy for more information.

This week on Comix, we're connecting the nostalgic dots and diving into the unexpected! OG Blue's Clues host Steve Burns is launching a podcast… for adults?! We discuss how the beloved childhood figure is pivoting into emotional wellness and why it oddly makes sense.Then we shift into superhero overdrive: Pedro Pascal responds to the Fantastic Four fan backlash, Jonathan Majors might still be Kang, and Michael B. Jordan is rumored to return in Black Panther 3—what's real, what's rumor, and what's reckless?Also on the docket: • The Punisher enters the mix in Spider-Man: Brand New Day • Russell Crowe swinging a sword in the Highlander reboot • A surprise Green Arrow/Daredevil crossover comic has fans hyped • And yes, Mahershala Ali's Blade is officially back in development (again…)All that plus a few spicy hot takes and a wild theory or two—only on Comix!

In this episode of The Main Attraction Podcast, hosts Justin Strawn and Ryan Nelson dive deep into their rankings of the top 10 films in the Marvel Cinematic Universe (MCU). They discuss their personal favorites, the impact of each film, and the evolution of the MCU over the years. From the iconic Iron Man to the emotional Avengers: Infinity War, the hosts share their thoughts on what makes these films stand out. They also touch on the cultural significance of films like Black Panther and the importance of character development throughout the series. The conversation is filled with nostalgia, humor, and a shared love for the superhero genre.Chapters00:00 Introduction to the MCU Rankings02:39 Setting the Stage for MCU Discussion03:12 Personal Connections to the MCU04:16 Ranking the Top 10 MCU Films06:46 Exploring the Thunderbolts07:11 Guardians of the Galaxy 3: A Heartfelt Goodbye09:18 The Original Avengers: A Pivotal Moment11:18 Thor Ragnarok: A Surprising Hit12:12 Captain America: Civil War - A Divided Avengers15:23 Shang-Chi: A New Era of Heroes17:34 Black Panther: Cultural Significance and Impact20:33 Spider-Man Homecoming: A New Beginning25:37 Thor Ragnarok: A Fun Turnaround27:10 Thor: Ragnarok - A Fan Favorite28:06 Captain America: The Winter Soldier - A Surprising Hit31:29 Guardians of the Galaxy - Unexpected Success35:05 Avengers: Endgame - A Cinematic Milestone39:25 Iron Man - The Birth of the MCU44:10 Infinity War - A Thrilling Experience

The Appalachian Mountains, long veiled in mystery and folklore, have once again delivered a chilling bounty of unexplained encounters. From the deep hollers of Kentucky to the misty ridges of North Georgia and the wilds of Western North Carolina, these recent and historical eyewitness reports stitch together a patchwork of terror, primal awe, and ancient whispers. Locals and long-time residents—many of whom are deeply rooted in the region for generations—are speaking out about what they've seen, felt, and feared.Among the reports are chilling descriptions of upright, wolf-like beings, pale gray humanoids with unnatural cadence and behavior, and massive white-furred creatures resembling a cryptid Sasquatch. In multiple accounts, glowing yellow eyes pierce the darkness, and the sounds of babies crying—or guttural human-like screams—lure the unsuspecting into dangerous territory. These aren't just isolated tales. Multiple witnesses, sometimes years apart, describe nearly identical experiences, suggesting a persistent, possibly interdimensional presence.One story centers around a family picnic interrupted by a bipedal white-furred creature seen hurling tree limbs in frustration. Another follows a retired teacher who repeatedly encountered a massive black panther accompanied by a kitten—creatures denied by wildlife officials but steeped in Native lore. Other reports involve vanishing cattle, strange power-draining zones, and areas so heavy with dread that seasoned hunters and outdoorsmen refuse to return.These aren't the tales of thrill-seeking adventurers or out-of-towners spooked by backcountry sounds. These are the confessions of rural families, local government officials, hunters, and children who have grown up side by side with the forest. And many of them now believe they've glimpsed a side of Appalachia that's not only ancient, but otherworldly.

The Appalachian Mountains, long veiled in mystery and folklore, have once again delivered a chilling bounty of unexplained encounters. From the deep hollers of Kentucky to the misty ridges of North Georgia and the wilds of Western North Carolina, these recent and historical eyewitness reports stitch together a patchwork of terror, primal awe, and ancient whispers. Locals and long-time residents—many of whom are deeply rooted in the region for generations—are speaking out about what they've seen, felt, and feared.Among the reports are chilling descriptions of upright, wolf-like beings, pale gray humanoids with unnatural cadence and behavior, and massive white-furred creatures resembling a cryptid Sasquatch. In multiple accounts, glowing yellow eyes pierce the darkness, and the sounds of babies crying—or guttural human-like screams—lure the unsuspecting into dangerous territory. These aren't just isolated tales. Multiple witnesses, sometimes years apart, describe nearly identical experiences, suggesting a persistent, possibly interdimensional presence.One story centers around a family picnic interrupted by a bipedal white-furred creature seen hurling tree limbs in frustration. Another follows a retired teacher who repeatedly encountered a massive black panther accompanied by a kitten—creatures denied by wildlife officials but steeped in Native lore. Other reports involve vanishing cattle, strange power-draining zones, and areas so heavy with dread that seasoned hunters and outdoorsmen refuse to return.These aren't the tales of thrill-seeking adventurers or out-of-towners spooked by backcountry sounds. These are the confessions of rural families, local government officials, hunters, and children who have grown up side by side with the forest. And many of them now believe they've glimpsed a side of Appalachia that's not only ancient, but otherworldly.

We asked you if a burrito was a sandwich, and you said 'no'. We asked you if ravioli was a sandwich and you said 'heck no'. We asked you if an ice cream sandwich was a sandwich and things...started to get a little murky. This isn't just a sandwich problem: you can also have similar arguments about what counts as a cup, a bird, a fish, furniture, art, and more! So wait...does any word mean anything anymore? Have we just broken language?? It's okay, linguistics has a solution! In this episode, your hosts Gretchen McCulloch and Lauren Gawne get enthusiastic about why deciding what's in and what's out of the definition of a word is so dang tricky, why people love to argue about it, and how prototype theory solves all the "is X a Y" arguments once and for all. Note that this episode originally aired as Bonus 9: Is X a sandwich? Solving the word-meaning argument once and for all. We've added an updated announcements section to the top and a few new things about prototypes and meaning to the end. We're excited to share one of our favourite bonus episodes from Patreon with a broader audience, while at the same time giving everyone who works on the show a bit of a break. Click here for a link to this episode in your podcast player of choice: https://episodes.fm/1186056137/episode/dGFnOnNvdW5kY2xvdWQsMjAxMDp0cmFja3MvMjEzMjEwMjkwNw Read the transcript here: https://lingthusiasm.com/post/789370350172602368/transcript-episode-106-is-x-a-sandwich-bonus Announcements: In this month's bonus episode we get enthusiastic about fictional gestures with Eric Molinsky, host of Imaginary Worlds, a podcast about sci-fi, fantasy and other genres of speculative fiction! We talk about the Vulcan salute from Star Trek, the Wakanda Forever salute from Black Panther, and the three-finger Hunger Games salute, and how all three have crossed over with additional symbolism into the real world. We also talk about gestures that have crossed over in the other direction, from the real-world origins of the Vulcan salute in a Jewish blessing, the two-finger blessing in the Foundation tv series from classical Latin and Greek oratory via Christian traditions, as well as religious gesture in the Penric and Desdemona series, smiles and shrugs in A Memory Called Empire, and more. Join us on Patreon now to get access to this and 100+ other bonus episodes. You'll also get access to the Lingthusiasm Discord server where you can chat with other language nerds: https://www.patreon.com/posts/133185606 For links to things mentioned in this episode: https://lingthusiasm.com/post/789369946731937792/episode-106-is-a-hotdog-a-sandwich-the-problem

The production design of the film Fantastic Four: First Steps is an homage to the early ‘60s comics created by Stan Lee and Jack Kirby. While Kirby is best known for his bold, fist-popping drawing style, he was also a great storyteller who redefined what comic books could be. He was appreciated by hardcore fans at the time, but he never got the same media attention as Stan Lee and wasn't compensated for the fortunes his characters made. I talk with Kirby experts Charles Hatfield, Mark Evanier, Randolph Hoppe, and Arlen Schumer about where we can see Jack Kirby's influence on comics like The Fantastic Four, Thor, The Hulk, Captain America and Black Panther. And I explore Kirby's childhood at the Tenement Museum on the Lower East Side, where every day was “clobberin' time,”and he first learned how to use a garbage can lid as a shield. This week's episode is sponsored by ButcherBox, Hims and ShipStation. ButcherBox is offering our listeners $20 off their first box and free protein for a year. Go to ButcherBox.com/imaginary to get this limited time offer and free shipping always. Start your free online visit today at Hims.com/IMAGINARY Go to shipstation.com and use the code IMAGINARY to sign up for a free trial. Learn more about your ad choices. Visit podcastchoices.com/adchoices

MUSICA content creator in the U.K. isolated Ozzy Osbourne's live vocals from his final performance of "Mama, I'm Coming Home" last Saturday. You can hear how emotional it was for him to sing it. It brought many in the audience to tears. https://loudwire.com/ozzy-osbourne-isolated-vocals-farewell-concert/ It'll be 40 years this Sunday since Live Aid made music history. And while over 75 artists performed, there are some pretty BIG names that turned down the invite. https://www.mentalfloss.com/entertainment/music/artists-who-refused-to-play-live-aid Nicki Minaj has been GOING OFF on Jay-Z in a series of social media posts. And it seems to be all about the money. https://brobible.com/culture/article/nicki-minaj-jay-z-megan-thee-stallion/ Wolfgang Van Halen's Mammoth will drop their third album, 'The End', on October 24th. https://blabbermouth.net/news/wolfgang-van-halen-announces-third-mammoth-album-the-end-shares-the-spell-single RIP: Founding Monster Magnet drummer Tim Cronin has passed at 63 after a battle with the neurodegenerative disease ALS. https://blabbermouth.net/news/founding-monster-magnet-drummer-tim-cronin-dies-after-battle-with-als TVNetflix's Queer Eye is coming to an end after 10 seasons. https://variety.com/2025/tv/news/queer-eye-end-netflix-season-10-1236450911/ EA Sports College Football 26 is here … It's game time for college football fans. EA Sports College Football 26 officially drops today (Thursday). This year's edition builds on the super success of last year's version, with over 2800 new plays, real-life coaches, and a revamped transfer portal that adds more drama to Dynasty Mode. Gamers will see more mascots, traditions, and game day vibes. This thing is supposedly everything fans loved last year – just bigger and better. The next installment of Ryan Murphy's Netflix series 'Monster' will focus on Lizzie Borden, who was accused of murdering her parents with an ax in 1892. https://consequence.net/2025/07/monster-season-4-lizzie-borden-ryan-murphy/ Check out the Season 2 trailer for "Wednesday". Part one of the hit Netflix series premieres Aug. 6. https://www.hollywoodreporter.com/tv/tv-news/wednesday-season-2-part-1-trailer-jenna-ortega-emma-myers-1236309892/ MOVING ON INTO MOVIE NEWS:There's a new "Night at the Museum" movie in the works. https://www.hollywoodreporter.com/movies/movie-news/night-at-the-museum-movie-in-the-works-1236310340/ Possible new couple alert? Angelina Jolie and Johnny Depp have reportedly formed a strong connection and have been meeting frequently. https://www.realitytea.com/2025/07/09/angelina-jolie-johnny-depp-meeting-close/ RICH PEOPLE MONEY NEWSJJ Watt and his wife, Kealia Ohai, are helping the victims of the Texas flooding disaster. https://people.com/jj-watt-and-wife-kealia-donate-usd100-000-to-texas-restaurant-11768135 Peter Jackson will always be associated with "The Lord of the Rings", but maybe he should have been part of the "Jurassic Park" franchise instead. Because his latest project involves reviving an extinct species. But at least it's not a dinosaur. https://ew.com/lord-of-the-rings-director-peter-jackson-wants-to-revive-extinct-bird-11768897 MISCBreakthrough Barbies … Mattel has introduced its first Barbie with Type 1 diabetes. The doll, created in collaboration with Breakthrough T1D, features realistic medical accessories such as an insulin pump, a continuous glucose monitor (CGM), heart-shaped medical tape, and a smartphone displaying a CGM app. She's wearing a blue polka dot outfit, symbolizing diabetes awareness. https://www.today.com/health/type-1-diabetes-barbie-doll-rcna217696 AND FINALLYSuper box office … Where will Superman land on the list of all-time superhero movies?Other notables on the list include the 1989 original Batman at number 6, Black Panther at number 10, The Incredibles at number 11 and the original X-Men movie at number 18. AND THAT IS YOUR CRAP ON CELEBRITIES!Follow us @RizzShow @MoonValjeanHere @KingScottRules @LernVsRadio @IamRafeWilliams - Check out King Scott's Linktr.ee/kingscottrules + band @FreeThe2SG and Check out Moon's bands GREEK FIRE @GreekFire GOLDFINGER @GoldfingerMusic THE TEENAGE DIRTBAGS @TheTeenageDbags and Lern's band @LaneNarrows ⁠http://www.1057thepoint.com/RizzSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today, in celebration of Ironheart's first season on Disney+ we tie the threads between Riri Williams' Wakandan origins and her status as MIT's greatest superhero with some of our favorite Wakanda-themed episodes from the archives for this MEGA EPISODE:GHL 198: Black Panther – Explore the science and the magic of the OG Black Panther king with Special Guest Jay WashingtonGHL 201: Shuri (Black Panther) – Study up on the genius kid sister of T'Challa who became Black Panther in her own rightGHL 438: Dora Milaje (Back Panther Wakanda Forever) – Discover the elite female fighting force who hold up the Black PantherGHL 437: Ironheart (Black Panther Wakanda Forever) – Follow the journey of Riri Williams who upgraded Iron Man's classic design with Wakandan flareSuit up in red, black, and gold and time travel your way through the spirit plane of podcasting in this epic celebration of all things Wakanda! (Additional research and writing by Diego Anthony Nuñez)For exclusive bonus podcasts like our Justice League Review show our Teen Titans Podcast, GHL Extra & Livestreams with the hosts, join the Geek History Lesson Patreon ► https://www.patreon.com/JawiinGHL RECOMMENDED READING from this episode► https://www.geekhistorylesson.com/recommendedreadingFOLLOW GHL►Instagram: https://www.instagram.com/geekhistorylessonThreads: https://www.threads.net/@geekhistorylessonTik Tok: https://www.tiktok.com/@geekhistorylessonFacebook: http://www.facebook.com/geekhistorylessonGet Your GHL Pin: https://geekhistorylesson.etsy.comYou can follow Ashley at https://www.threads.net/@ashleyvrobinson or https://www.ashleyvictoriarobinson.com/Follow Jason at https://www.threads.net/@jawiin or https://bsky.app/profile/jasoninman.bsky.socialThanks for showing up to class today. Class is dismissed!