Podcasts about Black panther

(00:00:00) Episode ONE (00:14:58) Episode TWO (00:30:29) Episode THREE (00:56:24) Episode FOUR (01:22:34) Episode FIVE

Bob and Matt discuss John Ridley's third volume of Black Panther. To further support our podcast, please visit http://www.patreon.com/uncannytreks.

its been 5 years since we have lost our king of the mcu. Tap in

Go to Kindafunny.com/XREAL, Amazon, or Best Buy to grab yours now!Amazon: https://www.amazon.com/dp/B0FDPGHVCB?maas=maas_adg_94D809319DE2358E49DA54BC8B880A40_afap_abs&ref_=aa_maas&tag=maas Best Buy: https://www.bestbuy.com/product/xreal-one-pro-ar-glasses-w-x1-chip-171-fhd-120hz-display-w-sound-by-bose-for-iphone16-15-steam-rog-mac-pc-android-ios-57-66mm-ipd/CZTVG22GYF What's going on with Lost Soul Aside, Tim Sweeney's response to Unreal Engine 5 issues, and former Black Panther devs join a new studio! Thank you for the support! Run of Show - - Start - HousekeepingToday after, KFGD, you'll get:GAMESCAST - Greg played Pokemon Legends Z-AAfter Gamescast is Prey In ReviewThen the STREAM is AbyssusIf you're a Kinda Funny Member:.Thank you to our Patreon Producers: Karl Jacobs, OmegaBuster, & Delaney "The Somm" TwiningThe Roper Report   - - Early Lost Soul Aside PS5 Reviews Axed as 'Comprehensive' Day One Patch Is Announced - Robert Ramsey @ Push Square - Unreal Engine 5 performance issues are mainly due to devs not optimising properly, Epic CEO Tim Sweeney says - Chris Scullion @ VGC - Ad - Former Black Panther Developers Join Wizards of the Coast for New Game Project - Rebekah Valentine @ IGN - Alex Garland really wanted the Elden Ring movie to happen - Tyler Colp @ PC Gamer - Like A Dragon's developer is set to hold its next big reveal event ahead of Tokyo Game Show - Andy Robinson @ VGC - Elden Ring Nightreign is getting even harder in September - Andrew Webster @ The Verge - Crystal Dynamics has been hit with layoffs - a post on Linkedin - Mega Hawlucha announced for Pokémon Legends Z-A - Jordan Middler @ VGC - Wee News! - SuperChats & You‘re Wrong Learn more about your ad choices. Visit megaphone.fm/adchoices

Prodigy is out this week. We welcome P back to the podcast! This week we talk about the Annunciation Catholic School Shooting, South Park, financial crisis, Black Panther, Ironheart, Raja Jackson assault, mystical black women, Alien Earth, Squid Game, K Pop Demon Hunters, body pillows, and more! Come follow us: http://www.beenhadproductions.squarespace.com/bthanbti SoundCloud: https://soundcloud.com/bthanbtiI Facebook: https://www.facebook.com/BthanBTI/ Twitch: https://www.twitch.tv/bthanbti Twitter: @BthanBTI iTunes: https://itun.es/i6SJ6Pw YouTube: https://www.youtube.com/c/BlackerThanBlackTimesInfinity Rescue + Residence https://www.rescueresidence.org/ Donate: https://www.givebutter.com/R_R_Champions

Today we put the “Sho” in the Russell Moore Show with Sho Baraka, Christianity Today's director of the Big Tent Initiative. Five years after the murder of George Floyd, many wondered if the United States—and the church—was headed toward lasting change. Talk of a “racial reckoning” filled headlines, pulpits, and boardrooms. But where do things stand now, in 2025? Sho joins Russell to reflect on the promises and disappointments of the past half-decade. The child of a Black Panther, Sho shares thoughts about race and reconciliation but also the deeper struggles of spiritual disillusionment, even in his own life. Sho speaks candidly about his own journey through spiritual dryness over the last 5-7 years as he navigated attitudes of cynicism which gave way to a time of terrible decisions that left his life in freefall. He and Russell explore what repentance and renewal can look like—not only for individuals, but for communities and institutions that have lost their way. Together, they discuss why conversations about racial justice often stall, how and why multi-ethnic churches struggle, and how Moses is an example of endurance in radically changing a broken institution. Plus: hear which book of the Bible Sho would take with him to a desert island that no other guest has chosen before. This is a thoughtful, vulnerable conversation about failure, repentance, and the possibility of restoration—for leaders, for churches, and for the witness of the gospel. — Keep up with Russell: Sign up for the weekly newsletter where Russell shares thoughtful takes on big questions, offers a Christian perspective on life, and recommends books and music he's enjoying. Submit a question for the show at questions@russellmoore.com  Subscribe to the Christianity Today Magazine: Special offer for listeners of The Russell Moore Show: Click here for 25% off a subscription. Learn more about your ad choices. Visit podcastchoices.com/adchoices

It took us almost a year, but we finally brought Sylvia on as a guest after her extraordinarily generous contribution to the GoFundMe of our much loved and much missed friend, Jennifer Lumbley. We are so grateful for the relief that Sylvia's gift brought Jennifer during a time when it mattered most.

Losene Keita schuift aan bij Koolcast! Net nadat hij zijn handtekening heeft gezet bij de UFC, komt hij vertellen over de volgende grote stap in zijn carrière. Op 6 september staat hij in Parijs in de kooi tegenover niemand minder dan MMA-legende Patricio Pitbull.In een open gesprek legt Keita uit waarom hij koos voor de UFC, hoe hij kijkt naar het huidige gebrek aan echte supersterren binnen de organisatie, en waarom hij gelooft dat hij die leegte kan opvullen. Hij blikt terug op zijn weg van amateur tot prof, zijn dominante parcours in Oktagon waar hij niet één maar twee titels veroverde, én de glorie van het winnen van het Oktagon toernooi.Hij spreekt met passie over de band met zijn coach, die voor hem meer is dan een trainer, en deelt zijn visie op hoe hij de UFC wil veroveren. Dit is Losene Keita op zijn hongerigst: ambitieus, vastberaden, en klaar om de wereld te laten zien wie “The Black Panther” echt is.0:00 - Intro1:00 - Weight Cutting3:00 - Van Amateur naar Prof14:30 - Tekenen in de UFC19:00 - Beenbreuk, rivaliteiten & Oktagon toernooi26:00 - Keita zijn droomfight & kleedkamer routines34:00 - Keita is een MMA freak39:45 - Zijn band met zijn coach42:00 - Keita over druk, fighters & expectations51:40 - Het plan in de UFC1:02:04 - Mount Rushmore of MMA1:04:44 - UFC heeft geen starpower meer1:12:08 - Outro1:15:25 - BONUS Life at Koolcast

What's myth and what's fact in the story of Charles Manson? What were the true motives behind the murders and who was really involved? There are many books covering this topic, yet very few have broken through the 'official' tale told by the trial's prosecutors and the news media at the time. This book includes hundreds of hours of research into court and police documents, witness statements, media reports and interviews with those involved.How do Terry Melcher, Elvis Presley, the Beach Boys, Jane Fonda, the Mamas and the Papas, Michael Caine, Dean Martin, Angela Lansbury, Peter Sellers, Warren Beatty, Yul Brynner, Peter Falk, Cary Grant, Steve McQueen, Neil Young, Frank Zappa, Nancy Sinatra, Ronald Reagan and Debbie Harry fit into the tale? What Hollywood secrets did the industry, the police and the prosecution strive to keep hidden? Were the victims really chosen at random by a crazed cult of serial killers, high on a mix of LSD, Satanism and the music of the Beatles? Read on to uncover the secrets of the Manson family, their trial, the main players in the case and the murky world of Hollywood.The book contains 564 pages, 200,000+ words containing a complete history of the life of Charles Manson.A detailed examination of the Hinman, Shea, Tate and LaBianca murders, appraisal of all the most prominent theories surrounding the case, explanations of the coded confessions revealed in interviews with Manson.Stories of celebrity encounters, facts about Manson's relationship with the music industry, details of organised crime connections, faults with the prosecution's case, troubling indications about the motives and character of Vincent Bugliosi, examinations of further murders and other criminal activity possibly connected to Manson.Revelations about the main players involved in the case, embarrassing secrets of the Hollywood elite, suggestions of police ineptitude, signs of a cover-up, bizarre coincidences, strange occurrences, salacious gossip, radical political movements, riots, the Black Panthers, The Beatles, The Beach Boys, cults, religion, sex, drugs and murder.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

On today's episode, we speak with former Black Panther newspaper editor JoNina Abron-Ervin about her book Driven by the Movement: Activists of the Black Power Era, a moving account of the often overlooked contributions of local and regional African-American social justice activists of the late 1960's. Learn more about the book here https://www.akpress.org/driven-by-the-movement.html — Subscribe to this podcast: https://plinkhq.com/i/1637968343?to=page Get in touch: lawanddisorder@kpfa.org Follow us on socials @LawAndDis: https://twitter.com/LawAndDis; https://www.instagram.com/lawanddis/ The post Driven by the Movement: Activists of the Black Power Era w/ JoNina Abron-Ervin appeared first on KPFA.

This month on Puny Pod's Monthly Bugle, Ryan and David dive into the debut of Eyes of Wakanda! We explore the show's sweeping history of the Hatut Zeraze—from Crete to Troy to K'un-Lun and beyond—plus break down the cast, critical reaction, and what it adds to the legacy of Wakanda in the MCU. We also check out Iron Man and His Awesome Friends (yes, with a Mark Hoppus theme song), preview October's Marvel Zombies with its stacked new cast, and look ahead to the next Spider-Man movie (Brand New Day) with confirmed returning heroes and villains. Plus, we run through the latest updates on Black Panther 3, Blade, and some big teases from Ryan Reynolds. All that, along with our usual bet check-in and a dash of ConciEARS magic, makes for one jam-packed episode of Marvel news and nerdy fun. Themes by J.R. Trimpe: https://trimpe.org/ ---------------- Support the show! Check out our super secret spoiler show on the EarzUp! Patreon Visit us on Etsy for the official Puny Pod Merch Come say hi on Discord! Subscribe on iTunes Start your own podcast with Zencastr Learn more about your ad choices. Visit megaphone.fm/adchoices

Það er komið að stærsta Marvel þætti sem Hafsteinn hefur nokkurn tímann gert! Fastagestirnir Ari Ólafs, Raggi Ólafs og Dagur Landvörður kíktu til Hafsteins til að ræða fyrstu 22 MCU myndirnar. Í þessum seinni hluta ræða strákarnir meðal annars myndirnar Captain America: Civil War, Spider-Man: Homecoming, Black Panther, Avengers: Infinity War og margar fleiri.00:00 - Intro00:43 - Ant-Man 201514:49 - Captain America: Civil War 201630:52 - Doctor Strange 201643:05 - Guardians 2 201756:58 - Spiderman: Homecoming 20171:09:28 - Thor: Ragnarök 20171:18:12 - Black Panther 20181:25:27 - Avengers: Infinity War 20181:35:42 - Ant-Man and the Wasp 20181:38:27 - Captain Marvel 20191:47:10 - Avengers: Endgame 2019

Bob and Matt discuss John Ridley's second volume of Black Panther. To further support our podcast, please visit http://www.patreon.com/uncannytreks.

In this series, Jeff and Andy look at historical events that took place on this day.Today in history, 5000 strike outs is attained, a Red Sox legend is born, and a Black Panther murdered in Oakland.This series is brought to you by the great Boss Shot Shells.

In honor of what would have been Marsha P. Johnson's 80th birthday, we're replaying this conversation with Tourmaline about her book “Marsha: The Joy and Defiance of Marsha P. Johnson.” In it, she shares what it took to piece together Marsha's story, from her early life in Times Square to her radical visions of freedom, spirituality, and care. She also unpacks Marsha's expansive political imagination, her collaboration with groups like the Black Panthers, and why telling the full truth about her legacy matters more than ever in the face of right-wing historical revisionism. Send your trans joy recommendations to translash_podcast @ translash [dot] org Follow TransLash Media @translashmedia on TikTok, Instagram, Threads, Bluesky, X, and Facebook.Follow Imara Jones on Instagram (@Imara_jones_), Threads (@imara_jones_), Bluesky (@imarajones.bsky.social), X (@ImaraJones)Follow our guests on social media:Caro de Robertis: Instagram (@caro_derobertis)Tourmaline: Instagram (@tourmaliiine)TransLash Podcast is produced by TransLash Media.The Translash team includes Imara Jones, Oliver-Ash Kleine, Aubrey Calaway, Hillary Esquina, and Morgan Astbury. Xander Adams engineered the original episode, and Lucy Little engineered this replay.Theme music composed by Ben Draghi. Hosted on Acast. See acast.com/privacy for more information.

Schizophrenia may develop in people of all ages, and the early signs of the disorder vary greatly from person to person. While the symptoms are the same, the presentation of them can change due to age of onset, gender, and severity. Host Rachel Star Withers, a diagnosed schizophrenic, and co-host Gabe Howard explore how the early signs of schizophrenia can present differently and specific behaviors to watch for. Joining them is Dr. Gus Alva, a distinguished fellow of the American Psychiatric Association and board certified by the American Board of Psychiatry and Neurology and the American Board of Geriatrics. As an author and coauthor, Dr. Alva's work has been published in peer-reviewed medical journals, including the International Journal of Geriatric Psychiatry and the Journal of the American Psychiatric Association. He has been featured on numerous media outlets and has served as an expert guest in various television programs, such as CNN News. About Our Guest & Hosts Our guest, Dr. Gus Alva, is a Distinguished Fellow of the American Psychiatric Association. He is also Board Certified by the American Board of Psychiatry and Neurology and the American Board of Geriatrics. He completed his residency training at the University of California, Irvine Medical Center in the Department of Psychiatry and Human Behavior, where he served as chief resident during his final year of residency. He also served as an associate professor and deputy director in the department of psychiatry at U.C. Irvine Medical Center, and he is currently serving as an assistant professor at U.C. Riverside Medical School, Department of Neuroscience. As author or co-author, his work has been published in peer-reviewed medical journals, including the International Journal of Geriatric Psychiatry, The Journal of the American Psychiatric Association, and Clinics in Geriatric Medicine. He has published numerous articles and presented at national and international meetings and conferences. He was the recipient of the First Annual Senior Care Humanitarian Award as Outstanding Physician in Dementia Care and the Physician's Recognition Award by the American Medical Association. He has been featured in numerous media outlets and has served as an expert guest in various television programs, such as CNN News, Inside OC, Salud Es Vida, Despierta America, The Morning Blend, Healthy Body, Healthy Mind. Our host, Rachel Star Withers, (Link: www.rachelstarlive.com) is an entertainer, international speaker, video producer, and schizophrenic. She has appeared on MTV's Ridiculousness, TruTV, NBC's America's Got Talent, Marvel's Black Panther, TUBI's #shockfight, Goliath: Playing with Reality, and is the host of the Healthline podcast “Inside Schizophrenia”. She grew up seeing monsters, hearing people in the walls, and having intense urges to hurt herself. Rachel creates videos documenting her schizophrenia, ways to manage, and letting others like her know they are not alone and can still live an amazing life. She has created a kid's mental health comic line, The Adventures of ____.  (Learn more at this link: https://www.amazon.com/Adventures-Fearless-Unstoppable-Light-Ambitious/dp/B0FHWK4ZHS ) Fun Fact: She has wrestled alligators.  Our cohost, Gabe Howard, is an award-winning writer and speaker who lives with bipolar disorder. He is the author of the popular book, "Mental Illness is an Asshole and other Observations," available from Amazon; signed copies are also available directly from the author. He also hosts the twice Webby honored podcast, Inside Bipolar, with Dr. Nicole Washington. To learn more about Gabe, please visit his website, gabehoward.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

We enjoyed some animated fare this week and react to our experience watching Eyes of Wakanda and KPop Demon Hunters! They were both a lot of fun in their own way. Don't forget to subscribe and leave us a review on Apple Podcasts and Spotify!Instagram: @confidently_podYouTube: @confidentlywrongpodcastWebsite: confidentlywrong.simplecast.comCredits:Hosted by: Wesley Nakamura, Brian Redondo, Savon JonesEdited by: Wesley NakamuraTheme Music: Implied Authority by Bass ElfLink: https://soundcloud.com/bass_elf_music

No new episode this week, but we didn't want to leave you powerless. Enjoy this "hot take" argument from our Season 8 episode Best Super Hero Film, in which Kevin Dillon, Brendan Hay, Jake Lewis, and Eric Rezsnyak debate Marvel's "Black Panther" from 2018 and Warner Bros. Pictures' 1989 "Batman" film. Want to hear more from this episode (originally released October 23, 2023)? ⁠Click here to listen to the whole thing.⁠ For more episodes, blogs, Top 10s, and more, ⁠visit our website by clicking here. ⁠Make sure to ⁠SUBSCRIBE to the show⁠ so you don't miss any upcoming episode. CREDITS: Editor: Bob Erlenback Intro/Outro Music: "Dance to My Tune" by Marc Torch #comicbooks #marvel #marvelcomics #mcu #blackpanther #dccomics #batman #joker #dceu #comics #movies #superhero #superheroes Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 283 -Eyes on Wakanda, Ears on Hip-HopFirst look out for #OFFTHEDOME . What rapper would you like to hear rap from POV of TV/Movie Character? What year of movies are you pick 1995 or 1998?Topics Discussed- [ ] Chance The Rapper Back?    - [ ] New Album and Tour- [ ] BigXThaPlug Dropping Country Album?- [ ] Which 2005 Album Aged Better    - [ ] Common-Be    - [ ] 50 Cent - Tha Massacre    - [ ] Lil Wayne - Tha Carter II- [ ] Eyes of Wakanda Breakdown and MoreOS Song of The WeekJohnnie's Pick - Tef Poe x Marco Pave - Off The PorchRalph's Pick - Chance The Rapper x Joey Bada$$ - Highs and LowsPlease Enjoy on All Major Platforms and OverSatThePod.Com. Please Comment, Rate , and Subscribe. 

Episode 283 -Eyes on Wakanda, Ears on Hip-HopFirst look out for #OFFTHEDOME . What rapper would you like to hear rap from POV of TV/Movie Character? What year of movies are you pick 1995 or 1998?Topics Discussed- [ ] Chance The Rapper Back?    - [ ] New Album and Tour- [ ] BigXThaPlug Dropping Country Album?- [ ] Which 2005 Album Aged Better    - [ ] Common-Be    - [ ] 50 Cent - Tha Massacre    - [ ] Lil Wayne - Tha Carter II- [ ] Eyes of Wakanda Breakdown and MoreOS Song of The WeekJohnnie's Pick - Tef Poe x Marco Pave - Off The PorchRalph's Pick - Chance The Rapper x Joey Bada$$ - Highs and LowsPlease Enjoy on All Major Platforms and OverSatThePod.Com. Please Comment, Rate , and Subscribe. 

Continuing with Author Marshall Terrill on his new book on Jay Sebring "Cutting to the Truth". Who was the original Target? Why did Manson kill the LaBiancas? Trying to frame the Black Panthers to start a Race War, and Jay Sebring's Legacy in Hollywood. See omnystudio.com/listener for privacy information.

America doesn't crush its radicals—it deburrs them. Like a machinist running a grinder over sharp metal, the state and culture don't always smash rebellion outright. Instead, they smooth its edges until it no longer cuts. This is how dissent is turned into fashion, slogans into branding, and movements into memories.Think about the radicals of the 1960s. The Black Panthers, the Weather Underground, even SDS—groups that once terrified middle America. Within a generation, the Panthers' leather jackets became retro chic, stripped of their politics. Che Guevara, a guerrilla fighter who dreamed of continental revolution, became a T-shirt. The music of the era—once insurgent—was absorbed into commercials selling sneakers and soda. The system didn't need to execute every radical; it just needed to sand off the sharp edges until what remained could be consumed without risk.That's the pattern. Radicals rarely get to keep their sharpness. Even when the state arrests or kills leaders, the real long-term weapon is deburring—reducing defiance to a flavor. Martin Luther King Jr. was harassed, bugged, and branded a communist while he lived, but in death he was transformed into a harmless dreamer, frozen in a single line from a speech. Malcolm X, once seen as a militant threat, now appears on posters with inspirational quotes stripped of his critiques of capitalism and white supremacy. Their radicalism was dangerous. Their memory is manageable.You can see the deburring at work today. Pride parades, once defiant marches against police raids and legal persecution, are now sponsored by banks and defense contractors. Black Lives Matter, which began with raw street protest, now lives as hashtags, T-shirts at Target, and vague HR initiatives. “Radical” becomes “diverse,” “defiant” becomes “inclusive,” and the sharp edge is lost. The movements remain recognizable as artifacts, but their dangerous potential has been sanded down until they can be mass-marketed.The Dremel doesn't only come from government—it comes from culture itself. Hollywood, advertising, and social media do as much sanding as the police. Every sitcom that takes a radical idea and turns it into a “quirky character,” every corporation that wraps itself in slogans of justice while avoiding structural change, every influencer who sells rebellion as an aesthetic—all of them help to polish difference until it gleams like safe consumer choice.It feels like racism, classism, or hostility when you're on the receiving end. When the edges of your identity or politics are being ground away, the friction is real. But from the hegemon's point of view, it's maintenance. The machinery of pluralism requires deburring. A country that insists it is one people, one culture, one flag cannot tolerate jagged edges forever. So the grinder comes out: some radicals get destroyed, others get smoothed, but very few are allowed to stay sharp.The tragedy is that this process breeds amnesia. Each generation thinks its radicals are unique, but the truth is they're on the same conveyor belt as the ones before them. Yesterday's revolutionaries become today's branding exercises, while today's rebels wait their turn in the machine. And because the edges are always ground down, the culture never really learns from the sharpness. It only digests the softened version, safe enough to consume.So when people ask, “Why doesn't America ever have a true revolution?” the answer isn't just repression. It's deburring. America doesn't need to crush its radicals outright. It just needs to sand them smooth until they're marketable, photogenic, and harmless. The radicals who refuse the machine get destroyed. The ones who survive get turned into logos. Either way, the edge is gone.That's the sound you hear in America—not just protest chants or police sirens, but the endless whir of the Dremel, grinding down difference, rounding off rebellion, polishing away sharpness until it shines.

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Includes a review of Predator vs. Black Panther. Presented by Corporal Hicks, RidgeTop, Still Collating… and community guest Xiggz456. The post #217: Living In Dishonor, Reviewing Predator vs. Black Panther appeared first on Alien vs. Predator Galaxy.

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Natasha Romanoff. Daughter. Sister. Avenger.Natasha made her Marvel Cinematic Universe debut in Iron Man 2 as a mysterious S.H.I.E.L.D. agent, quickly becoming a core member of the Avengers despite lacking superpowers. The character evolved from a supporting femme fatale into one of the MCU's most complex heroes; a former Russian child assassin grappling with her dark past while seeking redemption through heroic acts, and finally finding a family. Her journey culminated in the ultimate sacrifice in Avengers: Endgame, giving her life to obtain the Soul Stone and save the universe.Marvel had been talking about a solo Black Widow film for years since her 2010 debut, but it had never come to pass. It's not the first time a solo film had been talked about for Natasha Romanoff. Lions Gate held the rights to the character in the early 2000s, but that movie idea was scuppered due to the failure of other female-led action movies. Black Widow's solo film finally arrived in 2021, making it an eleven-year wait from her MCU introduction. The delay was attributed to Marvel's former leadership's reluctance to greenlight female-led superhero films, concerns about their commercial viability, as well as the planned Infinity Saga narrative needing to focus on introducing other characters, like Black Panther and Captain Marvel. Black Widow would give fans a much-needed backstory for Natasha, as well as introduce her sister, Yelena. The importance of both characters extends beyond individual heroism to representation. Natasha proved female characters could carry major action sequences and emotional weight in the MCU, while Yelena's introduction ensures the Black Widow legacy continues, representing a new generation of complex female heroes who can anchor future MCU stories.I would love to hear your thoughts on Black Widow (2021) !Verbal Diorama is now an award-winning podcast! Best Movie Podcast in the inaugural Ear Worthy Independent Podcast Awards and was nominated for the Earworm Award at the 2025 Golden Lobes.CONTACT.... Twitter @verbaldiorama Instagram @verbaldiorama Facebook @verbaldiorama Letterboxd @verbaldiorama Email verbaldiorama [at] gmail [dot] com Website verbaldiorama.comSUPPORT VERBAL DIORAMA....Give this podcast a five-star Rate & Review Join the Patreon | Send a Tip ABOUT VERBAL DIORAMAVerbal Diorama is hosted, produced, edited, researched, recorded and marketed by me, Em | This podcast is hosted by Captivate, try it yourself for free. Theme Music: Verbal Diorama Theme Song. Music by Chloe Enticott - Compositions by Chloe. Lyrics by Chloe Enticott (and me!) Production by Ellis Powell-Bevan of Ewenique...

In this episode of the Major Issues Podcast, the hosts dive deep into Marvel Studios' latest animated offering, Eyes of Wakanda. Set across centuries, the anthology follows the elite Hatut Zeraze as they embark on perilous missions to protect Wakanda and recover priceless artifacts scattered across the globe. We explore how the series blends Wakandan history with high-stakes action, discuss standout episodes, and break down its ties to the larger MCU. From stunning animation to layered storytelling, we examine whether Eyes of Wakanda lives up to the legacy of the Black Panther films and what it could mean for the future of Marvel's animated projects. Please leave us a review on ITunes so we can grow our audience and grow as podcasters! Rate us wherever podcasts are found. Don't forget to check out our merchandise! All episodes of Major Issues are brought to you by ComicBook Clique, the only stop for the latest and greatest things to come to comic books and comic book media. Send us feedback at ComicBookClique@Gmail.com! You Are Worthy!  ComicBook Clique Facebook ComicBook Clique on Instagram ComicBook Clique on YouTube Major Issues on Twitter Shop ComicBook Clique DirtSheet Radio Link Tree

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists.   In this two-part series of Oakland Asian Cultural Center's “Let's Talk” podcast Eastside Arts Alliance is featured. Elena Serrano and Susanne Takehara, two of the founders of Eastside Arts Alliance, and staff member Aubrey Pandori will discuss the history that led to the formation of Eastside and their deep work around multi-racial solidarity.   Transcript: Let's Talk podcast episode 9  [00:00:00] Emma: My name is Emma Grover, and I am the program and communications coordinator at the Oakland Asian Cultural Center, known also as OACC. Today we are sharing the ninth episode of our Let's Talk Audio Series. Let's Talk is part of OACC'S Open Ears for Change Initiative, which was established in 2020. With this series, our goals are to address anti-Blackness in the APIA communities, discuss the effects of colorism and racism in a safe space, and highlight Black and Asian solidarity and community efforts specifically in the Oakland Chinatown area. Today's episode is a round table discussion with Elena Serrano, Susanne Takahara, and Aubrey Pandori of Eastside Arts Alliance.  [00:00:53] Aubrey: Hello everybody. This is Aubrey from Eastside Arts Alliance, and I am back here for the second part of our Let's Talk with Suzanne and Elena. We're gonna be talking about what else Eastside is doing right now in the community. The importance of art in activism, and the importance of Black and Asian solidarity in Oakland and beyond.  So I am the community archivist here at Eastside Arts Alliances. I run CARP, which stands for Community Archival Resource Project. It is a project brought on by one of our co-founders, Greg Morozumi. And it is primarily a large chunk of his own collection from over the years, but it is a Third World archive with many artifacts, journals, pens, newspapers from social movements in the Bay Area and beyond, international social movements from the 1960s forward. We do a few different programs through CARP. I sometimes have archival exhibitions. We do public engagement through panels, community archiving days. We collaborate with other community archives like the Bay Area Lesbian Archives and Freedom Archives here in Oakland and the Bay Area. And we are also working on opening up our Greg Morozumi Reading Room in May. So that is an opportunity for people to come in and relax, read books, host reading groups, or discussions with their community. We're also gonna be opening a lending system so people are able to check out books to take home and read. There'll be library cards coming soon for that and other fun things to come.  [00:02:44] So Suzanne, what are you working on at Eastside right now? [00:02:48] Susanne: Well, for the past like eight or nine years I've been working with Jose Ome Navarrete and Debbie Kajiyama of NAKA Dance Theater to produce Live Arts and Resistance (LAIR), which is a Dance Theater Performance series. We've included many artists who, some of them started out here at Eastside and then grew to international fame, such as Dohee Lee, and then Amara Tabor-Smith has graced our stages for several years with House Full of Black Women. This year we're working with Joti Singh on Ghadar Geet: Blood and Ink, a piece she choreographed, and shot in film and it's a multimedia kind of experience. We've worked with Cat Brooks and many emerging other artists who are emerging or from all over, mostly Oakland, but beyond. It's a place where people can just experiment and not worry about a lot of the regulations that bigger theaters have. Using the outside, the inside, the walls, the ceiling sometimes. It's been an exciting experience to work with so many different artists in our space.  [00:04:03] Elena: And I have been trying to just get the word out to as many different folks who can help sustain the organization as possible about the importance of the work we do here. So my main job with Eastside has been raising money. But what we're doing now is looking at cultural centers like Eastside, like Oakland Asian Cultural Center, like the Malonga Casquelord Center, like Black Cultural Zone, like the Fruitvale Plaza and CURJ's work. These really integral cultural hubs. In neighborhoods and how important those spaces are.  [00:04:42] So looking at, you know, what we bring to the table with the archives, which serve the artistic community, the organizing community. There's a big emphasis, and we had mentioned some of this in the first episode around knowing the history and context of how we got here so we can kind of maneuver our way out. And that's where books and movies and posters and artists who have been doing this work for so long before us come into play in the archives and then having it all manifest on the stage through programs like LAIR, where theater artists and dancers and musicians, and it's totally multimedia, and there's so much information like how to keep those types of places going is really critical.  [00:05:28] And especially now when public dollars have mostly been cut, like the City of Oakland hardly gave money to the arts anyway, and they tried to eliminate the entire thing. Then they're coming back with tiny bits of money. But we're trying to take the approach like, please, let's look at where our tax dollars go. What's important in a neighborhood? What has to stay and how can we all work together to make that happen?  [00:05:52] Susanne: And I want to say that our Cultural Center theater is a space that is rented out very affordably to not just artists, but also many organizations that are doing Movement work, such as Palestinian Youth Movement, Bala, Mujeres Unidas Y Activas, QT at Cafe Duo Refugees, United Haiti Action Committee, Freedom Archives, Oakland Sin Fronteras, Center for CPE, and many artists connected groups.  [00:06:22] Aubrey: Yeah, I mean, we do so much more than what's in the theater and Archive too, we do a lot of different youth programs such as Girl Project, Neighborhood Arts, where we do public murals. One of our collective members, Angie and Leslie, worked on Paint the Town this past year. We also have our gallery in between the Cultural Center and Bandung Books, our bookstore, which houses our archive. We are celebrating our 25th anniversary exhibition.  [00:06:54] Susanne: And one of the other exhibits we just wrapped up was Style Messengers, an exhibit of graffiti work from Dime, Spy and Surge, Bay Area artists and Surge is from New York City, kind of illustrating the history of graffiti and social commentary.  [00:07:30] Elena: We are in this studio here recording and this is the studio of our youth music program Beats Flows, and I love we're sitting here with this portrait of Amiri Baraka, who had a lot to say to us all the time. So it's so appropriate that when the young people are in the studio, they have this elder, magician, poet activist looking at him, and then when you look out the window, you see Sister Souljah, Public Enemy, and then a poster we did during, when Black Lives Matter came out, we produced these posters that said Black Power Matters, and we sent them all over the country to different sister cultural centers and I see them pop up somewhere sometimes and people's zooms when they're home all over the country. It's really amazing and it just really shows when you have a bunch of artists and poets and radical imagination, people sitting around, you know, what kind of things come out of it. [00:08:31] Aubrey: I had one of those Black Power Matters posters in my kitchen window when I lived in Chinatown before I worked here, or visited here actually. I don't even know how I acquired it, but it just ended up in my house somehow.  [00:08:45] Elena: That's perfect. I remember when we did, I mean we still do, Malcolm X Jazz Festival and it was a young Chicana student who put the Jazz Festival poster up and she was like, her parents were like, why is Malcolm X? What has that got to do with anything? And she was able to just tell the whole story about Malcolm believing that people, communities of color coming together  is a good thing. It's a powerful thing. And it was amazing how the festival and the youth and the posters can start those kind of conversations.  [00:09:15] Aubrey: Malcolm X has his famous quote that says “Culture is an indispensable weapon in the freedom struggle.” And Elena, we think a lot about Malcolm X and his message here at Eastside about culture, but also about the importance of art. Can we speak more about the importance of art in our activism?  [00:09:35] Elena: Well, that was some of the things we were touching on around radical imagination and the power of the arts. But where I am going again, is around this power of the art spaces, like the power of spaces like this, and to be sure that it's not just a community center, it's a cultural center, which means we invested in sound good, sound good lighting, sprung floors. You know, just like the dignity and respect that the artists and our audiences have, and that those things are expensive but critical. So I feel like that's, it's like to advocate for this type of space where, again, all those groups that we listed off that have come in here and there's countless more. They needed a space to reach constituencies, you know, and how important that is. It's like back in the civil rights organizing the Black church was that kind of space, very important space where those kind of things came together. People still go to church and there's still churches, but there's a space for cultural centers and to have that type of space where artists and activists can come together and be more powerful together.  [00:10:50] Aubrey: I think art is a really powerful way of reaching people. [00:10:54] Elena: You know, we're looking at this just because I, being in the development end, we put together a proposal for the Environmental Protection Agency before Donald (Trump) took it over. We were writing about how important popular education is, so working with an environmental justice organization who has tons of data about how impacted communities like East Oakland and West Oakland are suffering from all of this, lots of science. But what can we, as an arts group, how can we produce a popular education around those things? And you know, how can we say some of those same messages in murals and zines, in short films, in theater productions, you know, but kind of embracing that concept of popular education. So we're, you know, trying to counter some of the disinformation that's being put out there too with some real facts, but in a way that, you know, folks can grasp onto and, and get.  [00:11:53] Aubrey: We recently had a LAIR production called Sky Watchers, and it was a beautiful musical opera from people living in the Tenderloin, and it was very personal. You were able to hear about people's experiences with poverty, homelessness, and addiction in a way that was very powerful. How they were able to express what they were going through and what they've lost, what they've won, everything that has happened in their lives in a very moving way. So I think art, it's, it's also a way for people to tell their stories and we need to be hearing those stories. We don't need to be hearing, I think what a lot of Hollywood is kind of throwing out, which is very white, Eurocentric beauty standards and a lot of other things that doesn't reflect our neighborhood and doesn't reflect our community. So yeah, art is a good way for us to not only tell our stories, but to get the word out there, what we want to see changed.  So our last point that we wanna talk about today is the importance of Black and Asian solidarity in Oakland. How has that been a history in Eastside, Suzanne?  [00:13:09] Susanne: I feel like Eastside is all about Third World solidarity from the very beginning. And Yuri Kochiyama is one of our mentors through Greg Morozumi and she was all about that. So I feel like everything we do brings together Black, Asian and brown folks. [00:13:27] Aubrey: Black and Asian solidarity is especially important here at Eastside Arts Alliance. It is a part of our history. We have our bookstore called Bandung Books for a very specific reason, to give some history there. So the Bandung Conference happened in 1955 in Indonesia, and it was the first large-scale meeting of Asian and African countries. Most of which were newly independent from colonialism. They aimed to promote Afro-Asian cooperation and rejection of colonialism and imperialism in all nations. And it really set the stage for revolutionary solidarity between colonized and oppressed people, letting way for many Third Worlds movements internationally and within the United States.  [00:14:14] Eastside had an exhibition called Bandung to the Bay: Black and Asian Solidarity at Oakland Asian Cultural Center the past two years in 2022 and 2023 for their Lunar New Year and Black History Month celebrations. It highlighted the significance of that conference and also brought to light what was happening in the United States from the 1960s to present time that were creating and building solidarity between Black and Asian communities. The exhibition highlighted a number of pins, posters, and newspapers from the Black Liberation Movement and Asian American movement, as well as the broader Third World movement. The Black Panthers were important points of inspiration in Oakland, in the Bay Area in getting Asian and Pacific Islanders in the diaspora, and in their homelands organized.  [00:15:07] We had the adoption of the Black Panthers 10-point program to help shape revolutionary demands and principles for people's own communities like the Red Guard in San Francisco's Chinatown, IWK in New York's Chinatown and even the Polynesian Panthers in New Zealand. There were so many different organizations that came out of the Black Panther party right here in Oakland. And we honor that by having so many different 10-point programs up in our theater too. We have the Brown Berets, Red Guard Party, Black Panthers, of course, the American Indian Movement as well. So we're always thinking about that kind of organizing and movement building that has been tied here for many decades now.  [00:15:53] Elena: I heard that the term Third World came from the Bandung conference. [00:15:58] Aubrey: Yes, I believe that's true.  [00:16:01] Elena: I wanted to say particularly right now, the need for specifically Black Asian solidarity is just, there's so much misinformation around China coming up now, especially as China takes on a role of a superpower in the world. And it's really up to us to provide some background, some other information, some truth telling, so folks don't become susceptible to that kind of misinformation. And whatever happens when it comes from up high and we hate China, it reflects in Chinatown. And that's the kind of stereotyping that because we have been committed to Third World solidarity and truth telling for so long, that that's where we can step in and really, you know, make a difference, we hope. I think the main point is that we need to really listen to each other, know what folks are going through, know that we have more in common than we have separating us, especially in impacted Black, brown, Asian communities in Oakland. We have a lot to do.  [00:17:07] Aubrey: To keep in contact with Eastside Arts Alliance, you can find us at our website: eastside arts alliance.org, and our Instagrams at Eastside Cultural and at Bandung Books to stay connected with our bookstore and CArP, our archive, please come down to Eastside Arts Alliance and check out our many events coming up in the new year. We are always looking for donations and volunteers and just to meet new friends and family.  [00:17:36] Susanne: And with that, we're gonna go out with Jon Jang's “The Pledge of Black Asian Alliance,” produced in 2018.  [00:18:29] Emma: This was a round table discussion at the Eastside Arts Alliance Cultural Center with staff and guests: Elena, Suzanne and Aubrey.  Let's Talk Audio series is one of OACC'S Open Ears for Change projects and as part of the Stop the Hate Initiative with funds provided by the California Department of Social Services in consultation with the commission of Asian and Pacific Islander American Affairs to administer $110 million allocated over three years to community organizations. These organizations provide direct services to victims of hate and their families and offer prevention and intervention services to tackle hate in our communities. This episode is a production of the Oakland Asian Cultural Center with engineering, editing, and sound design by Thick Skin Media.  [00:19:18] A special thanks to Jon Jang for permission to use his original music. And thank you for listening.  [00:19:32] Music: Life is not what you alone make it. Life is the input of everyone who touched your life and every experience that entered it. We are all part of one another. Don't become too narrow, live fully, meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart. OACC Podcast [00:00:00] Emma: My name is Emma Grover, and I am the program and communications coordinator at the Oakland Asian Cultural Center, known also as OACC. Today we are sharing the eighth episode of our Let's Talk audio series. Let's talk as part of OACC's Open Ears for Change Initiative, which was established in 2020. With this series, our goals are to address anti-blackness in the APIA communities, discuss the effects of colorism and racism in a safe space, and highlight black and Asian solidarity and community efforts specifically in the Oakland Chinatown area.   [00:00:43] Today's guests are Elena Serrano and Suzanne Takahara, co-founders of Eastside Arts Alliance. Welcome Elena and Suzanne, thank you so much for joining today's episode. And so just to kick things off, wanna hear about how was Eastside Arts Alliance started?   [00:01:01] Susanne: Well, it was really Greg Morozumi who had a longstanding vision of creating a cultural center in East Oakland, raised in Oakland, an organizer in the Bay Area, LA, and then in New York City where he met Yuri Kochiyama, who became a lifelong mentor.   [00:01:17] Greg was planning with one of Yuri's daughters, Ichi Kochiyama to move her family to Oakland and help him open a cultural center here. I met Greg in the early nineties and got to know him during the January, 1993 “No Justice, No Peace” show at Pro Arts in Oakland. The first Bay Graffiti exhibition in the gallery. Greg organized what became a massive anti-police brutality graffiti installation created by the TDDK crew. Graffiti images and messages covered the walls and ceiling complete with police barricades. It was a response to the Rodney King protests. The power of street art busted indoors and blew apart the gallery with political messaging. After that, Greg recruited Mike Dream, Spy, and other TDK writers to help teach the free art classes for youth that Taller Sin Fronteras was running at the time.   [00:02:11] There were four artist groups that came together to start Eastside. Taller Sin Fronteras was an ad hoc group of printmakers and visual artists activists based in the East Bay. Their roots came out of the free community printmaking, actually poster making workshops that artists like Malaquias Montoya and David Bradford organized in Oakland in the early 70s and 80s.   [00:02:34] The Black Dot Collective of poets, writers, musicians, and visual artists started a popup version of the Black Dot Cafe. Marcel Diallo and Leticia Utafalo were instrumental and leaders of this project. 10 12 were young digital artists and activists led by Favianna Rodriguez and Jesus Barraza in Oakland. TDK is an Oakland based graffiti crew that includes Dream, Spie, Krash, Mute, Done Amend, Pak and many others evolving over time and still holding it down.   [00:03:07] Elena: That is a good history there. And I just wanted to say that me coming in and meeting Greg and knowing all those groups and coming into this particular neighborhood, the San Antonio district of Oakland, the third world aspect of who we all were and what communities we were all representing and being in this geographic location where those communities were all residing. So this neighborhood, San Antonio and East Oakland is very third world, Black, Asian, Latinx, indigenous, and it's one of those neighborhoods, like many neighborhoods of color that has been disinvested in for years. But rich, super rich in culture.   [00:03:50] So the idea of a cultural center was…let's draw on where our strengths are and all of those groups, TDKT, Taller Sin Fronters, Black artists, 10 – 12, these were all artists who were also very engaged in what was going on in the neighborhoods. So artists, organizers, activists, and how to use the arts as a way to lift up those stories tell them in different ways. Find some inspiration, ways to get out, ways to build solidarity between the groups, looking at our common struggles, our common victories, and building that strength in numbers.   [00:04:27] Emma: Thank you so much for sharing. Elena and Suzanne, what a rich and beautiful history for Eastside Arts Alliance.   [00:04:34] Were there any specific political and or artistic movements happening at that time that were integral to Eastside's start?   [00:04:41] Elena: You know, one of the movements that we took inspiration from, and this was not happening when Eastside got started, but for real was the Black Panther Party. So much so that the Panthers 10-point program was something that Greg xeroxed and made posters and put 'em up on the wall, showing how the 10-point program for the Panthers influenced that of the Young Lords and the Brown Berets and I Wor Kuen (IWK).   [00:05:07] So once again, it was that Third world solidarity. Looking at these different groups that were working towards similar things, it still hangs these four posters still hang in our cultural, in our theater space to show that we were all working on those same things. So even though we came in at the tail end of those movements, when we started Eastside, it was very much our inspiration and what we strove to still address; all of those points are still relevant right now.   [00:05:36] Susanne: So that was a time of Fight The Power, Kaos One and Public Enemy setting. The tone for public art murals, graphics, posters. So that was kind of the context for which art was being made and protests happened.   [00:05:54] Elena: There was a lot that needed to be done and still needs to be done. You know what? What the other thing we were coming on the tail end of and still having massive repercussions was crack. And crack came into East Oakland really hard, devastated generations, communities, everything, you know, so the arts were a way for some folks to still feel power and feel strong and feel like they have agency in the world, especially hip hop and, spray can, and being out there and having a voice and having a say, it was really important, especially in neighborhoods where things had just been so messed up for so long.   [00:06:31] Emma: I would love to know also what were the community needs Eastside was created to address, you know, in this environment where there's so many community needs, what was Eastside really honing in on at this time?   [00:06:41] Elena: It's interesting telling our story because we end up having to tell so many other stories before us, so things like the, Black Arts movement and the Chicano Arts Movement. Examples of artists like Amiri Baraka, Malaguias Montoya, Sonya Sanchez. Artists who had committed themselves to the struggles of their people and linking those two works. So we always wanted to have that. So the young people that we would have come into the studio and wanna be rappers, you know, it's like, what is your responsibility?   [00:07:15] You have a microphone, you amplify. What are some of the things you're saying? So it was on us. To provide that education and that backstory and where they came from and the footsteps we felt like they were in and that they needed to keep moving it forward. So a big part of the cultural center in the space are the archives and all of that information and history and context.   [00:07:37] Susanne: And we started the Malcolm X Jazz Arts Festival for that same reason coming out of the Bandung Conference. And then the Tri Continental, all of this is solidarity between people's movements.   [00:07:51] Emma: You've already talked about this a little bit, the role of the arts in Eastside's foundation and the work that you're doing, and I'd love to hear also maybe how the role of the arts continues to be important in the work that you're doing today as a cultural center.   [00:08:04] And so my next question to pose to you both is what is the role of the arts at Eastside?   [00:08:10] Elena: So a couple different things. One, I feel like, and I said a little bit of this before, but the arts can transmit messages so much more powerfully than other mediums. So if you see something acted out in a theater production or a song or a painting, you get that information transmitted in a different way.   [00:08:30] Then also this idea of the artists being able to tap into imagination and produce images and visions and dreams of the future. This kind of imagination I just recently read or heard because folks aren't reading anymore or hardly reading that they're losing their imagination. What happens when you cannot even imagine a way out of things?   [00:08:54] And then lastly, I just wanted to quote something that Favianna Rodriguez, one of our founders always says “cultural shift precedes political shift.” So if you're trying to shift things politically on any kind of policy, you know how much money goes to support the police or any of these issues. It's the cultural shift that needs to happen first. And that's where the cultural workers, the artists come in.   [00:09:22] Susanne: And another role of Eastside in supporting the arts to do just that is honoring the artists, providing a space where they can have affordable rehearsal space or space to create, or a place to come safely and just discuss things that's what we hope and have created for the Eastside Cultural Center and now the bookstore and the gallery. A place for them to see themselves and it's all um, LGBTA, BIPOC artists that we serve and honor in our cultural center. To that end, we, in the last, I don't know, 8, 9 years, we've worked with Jose Navarrete and Debbie Kajiyama of Naka Dance Theater to produce live arts and resistance, which gives a stage to emerging and experienced performance artists, mostly dancers, but also poets, writers, theater and actors and musicians.   [00:10:17] Emma: The last question I have for you both today is what is happening in the world that continues to call us to action as artists?   [00:10:27] Elena: Everything, everything is happening, you know, and I know things have always been happening, but it seems really particularly crazy right now on global issues to domestic issues. For a long time, Eastside was um, really focusing in on police stuff and immigration stuff because it was a way to bring Black and brown communities together because they were the same kind of police state force, different ways.   [00:10:54] Now we have it so many different ways, you know, and strategies need to be developed. Radical imagination needs to be deployed. Everyone needs to be on hand. A big part of our success and our strength is organizations that are not artistic organizations but are organizing around particular issues globally, locally come into our space and the artists get that information. The community gets that information. It's shared information, and it gives us all a way, hopefully, to navigate our way out of it.   [00:11:29] Susanne: The Cultural Center provides a venue for political education for our communities and our artists on Palestine, Haiti, Sudan, immigrant rights, prison abolition, police abolition, sex trafficking, and houselessness among other things.   [00:11:46] Elena: I wanted to say too, a big part of what's going on is this idea of public disinvestment. So housing, no such thing as public housing, hardly anymore. Healthcare, education, we're trying to say access to cultural centers. We're calling that the cultural infrastructure of neighborhoods. All of that must be continued to be supported and we can't have everything be privatized and run by corporations. So that idea of these are essential things in a neighborhood, schools, libraries, cultural spaces, and you know, and to make sure cultural spaces gets on those lists.   [00:12:26] Emma: I hear you. And you know, I think every category you brought up, actually just now I can think of one headline or one piece of news recently that is really showing how critically these are being challenged, these basic rights and needs of the community. And so thank you again for the work that you're doing and keeping people informed as well. I think sometimes with all the news, both globally and, and in our more local communities in the Bay Area or in Oakland. It can be so hard to know what actions to take, what tools are available. But again, that's the importance of having space for this type of education, for this type of activism. And so I am so grateful that Eastside exists and is continuing to serve our community in this way.   What is Eastside Arts Alliance up to today? Are there any ways we can support your collective, your organization, what's coming up?   [00:13:18] Elena: Well, this is our 25th anniversary. So the thing that got us really started by demonstrating to the community what a cultural center was, was the Malcolm X Jazz Arts Festival, and that this year will be our 25th anniversary festival happening on May 17th.   [00:13:34] It's always free. It's in San Antonio Park. It's an amazing day of organizing and art and music, multi-generational. It's beautiful. It's a beautiful day. Folks can find out. We have stuff going on every week. Every week at the cultural center on our website through our socials. Our website is Eastside Arts alliance.org, and all the socials are there and there's a lot of information from our archives that you can look up there. There's just just great information on our website, and we also send out a newsletter.   [00:14:07] Emma: Thank you both so much for sharing, and I love you bringing this idea, but I hear a lot of arts and activism organizations using this term radical imagination and how it's so needed for bringing forth the future that we want for ourselves and our future generations.   [00:14:24] And so I just think that's so beautiful that Eastside creates that space, cultivates a space where that radical imagination can take place through the arts, but also through community connections. Thank you so much Elena and Suzanne for joining us today.   [00:14:40] Susanne: Thank you for having us.   [00:15:32] Emma: Let's Talk Audio series is one of OACC'S Open Ears for Change projects and is part of the Stop the Hate Initiative with funds provided by the California Department of Social Services. In consultation with the commission of Asian and Pacific Islander American Affairs to administer $110 million allocated over three years to community organizations. These organizations provide direct services to victims of hate and their families, and offer prevention and intervention services to tackle hate in our communities.   This episode is a production of the Oakland Asian Cultural Center with engineering, editing, and sound design by Thick Skin Media. A special thanks to Jon Jang for permission to use his original music, and thank you for listening.   [00:16:34] Music: Life is not what you alone make it. Life is the input of everyone who touched your life and every experience that entered it. We are all part of one another. Don't become too narrow. Live fully, meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart. The post APEX Express – August 14, 2025 appeared first on KPFA.

 In this episode, hosts Sarah  Belmont and Will Polk dive into the brand-new anthology series, "Eyes of Wakanda." Get ready for some spicy back and forth as they discuss the unexpected change in the release date—because who doesn't love a little drama? They'll explore how the show ties into the Marvel universe and take you on a fascinating journey through Wakandan history, all from the perspective of the War Dogs. Sarah kicks things off with her skepticism, while Will brings the heat by comparing it to other Marvel shows like "What If" and "Ironheart." They break down each episode, sharing their thoughts on storytelling choices, character growth, and the mysterious vibes of Wakanda. With a sprinkle of witty commentary, they also tackle the big picture of Marvel's current direction and whether superhero fatigue is creeping in. So, buckle up for a lively chat that strikes the perfect balance between critique and appreciation for the fresh stories brewing in the MCU. It's like a Marvel buffet—plenty to savor and even a few surprises to chew on! 0:00 Welcome back 1:00 Thoughts on "Eyes of Wakanda"  25:20 Quick thoughts on One Piece season 2 trailer 26:30 Behind the Scenes of Spider-man Brand New Day 30:50 We are tired of the Box Office discourse!  39:35 Outro back, nerds! Wanna keep the convo rolling? Hit us up on X (formerly Twitter) @SceneNNerd, Bluesky @SceneNNerd.bsky.social, Facebook, Instagram, and Threads @scene_n_nerd. And don't forget to swing by our website at www.scenennerdpodcast.com. If you loved the episode, show us some love with a rating and a shout-out on Apple Podcasts, Spotify, or wherever you get your podcast fix! Let's keep the nerdy vibes alive!

Train With Duane! This week on Geek Off The Street, we are covering the new animated series, Eyes of Wakanda! We get into the great character arcs and the tie in to the Black Panther lore but we also discuss the missed opportunity with expanding and making clear the world of Wakanda and how the series lacked overall ambition! All that and so much more on this week's exciting episode of the GOTS Official Podcast!Podcast Timecodes[4:15] What are we drinking this week?[6:55] Opening Thoughts and Facts[9:00] Positives[31:00] Negatives[55:00] Rating[1:02:05] What Are We Into This Week?Check Out These Books!When The Frog and the Snake Meet: A Killing Love! by J. Leroy Tucker!Wilbur Mckesson's Retribution!Greg Sorber's Mechhaven! Pax Machina Audio Book!Join Us In The Discussion!Email: thegeeksoffthestreet@gmail.comInstagram: @thegotspodSubscribe on Youtube! Like Our Facebook! Twitter: @thegotspodTrent Personal: @trentctuckerMusic: @erictucker__Stuff We Mentioned!Chikara Ramen!Trent Tucker Vlogs!War of the Worlds!People We Mentioned! Tree of Dreams Music@chikara_ramen@badicalradness@lights.camera.rant@thenerdlounge2.0@gregerationx@author_wilbur_m@mcpodcast@z_daughter_of_light@mindmattermystery

Bob and Matt discuss John Ridley's first volume of Black Panther. To further support our podcast, please visit http://www.patreon.com/uncannytreks.

A conversation with former Rep. Ako Abdul-Samad, D-Des Moines, about what he's learned from his time in office and years of activism — plus what still needs to change.

Booking a flight to the wrong country might sound like a comedy sketch, but trust us, it happened. Join us as we recount this travel mishap and the unexpected adventures that followed. From airport blunders to breaking powerlifting records despite bouts of dehydration, this episode is a rollercoaster of humorous anecdotes and jaw-dropping feats. It's all about resilience and keeping your cool even when your GPS betrays you. Switching gears, we lace up our financial shoes and take a thoughtful stroll through the world of wealth management and real estate. With lighthearted banter and personal stories, we explore the highs and lows of financial literacy, real estate dreams, and the sometimes amusing challenges of sudden wealth. Whether we're contemplating beachfront properties or sharing nuggets of money wisdom, it's a candid chat about navigating the financial landscape without losing our sense of humor.   And, of course, no episode would be complete without a hearty discussion on the Marvel Cinematic Universe. Marvel movies, representation in superhero films, and a spirited critique of the latest Fantastic Four flick keep things lively. From Pedro Pascal's unexpected casting to the cultural significance of characters like Black Panther and Miles Morales, we're all in on the superhero saga. Plus, a debate on superhero powers and capes? You bet. We've got insightful commentary, friendly debates, and a sprinkle of humor that make this episode a must-listen for movie buffs and comic fans alike.

The Shi'ar threat draws near! In New X-Men #123, Jean Grey takes center stage, hosting a high-profile media event at the Xavier Institute just as an intergalactic assault looms overhead. 

The episodes of Eyes of Wakanda are ranked!Eyes of Wakanda Spoiler Review @1:38Ranking Eyes of Wakanda Episodes @43:17Text Us Your ThoughtsHosts:Daniel Grant (Bluesky & Instagram)Ben Sit (Instagram)Show:@TDFSpoiled on Instagram, Threads, TikTok & YouTubeSubscribe & Follow HERE

Welcome to Blerd Watchers! ThePopBreak.com's monthly podcast about TV shows with a Blerdy twist! Come hang out with Courtney & Marshall, two married Blerds, as they navigate all the dopeness on TV and share insights and opinions on the monthly show topics!In this episode, Courtney and Marshall return for a jam-packed episode as summer winds down, bringing you their signature blend of humor, pop culture insights, and candid conversation. This month, they dive into a charcuterie board of Snap trailer reactions, and, for the first time ever, create a Marvel Cinematic Universe (MCU) tier list. Along the way, expect tangents on everything from classic TV shows to the evolution of superhero movies, plus plenty of laughs and honest takes. Whether you're a die-hard Marvel fan or just love great banter, this episode has something for everyone.Time-Coded Chapters:(04:24) – Snap Trailer Reactions: Terminal List: Dark Wolf(13:20) – Snap Trailer Reactions: Spartacus House of Asher(24:00) – Snap Trailer Reactions: Love Brooklyn(27:00) – Nicole Beharie Appreciation & Industry Talk(31:00) – Snap Trailer Reactions: Highest to Lowest (Spike Lee Joint)41:00 – MCU Tier List Introduction43:30 – Breaking Down the MCU: Secret Invasion, Thor, Ant-Man, and More1:00:00 – MCU TV Shows: Moon Knight, She-Hulk, Falcon & Winter Soldier1:15:00 – Marvel Movies: Eternals, Captain Marvel, Black Panther, and More1:30:00 – Spider-Man, Guardians of the Galaxy, and Avengers Rankings1:45:00 – S-Tier Debates: Iron Man, WandaVision, X-Men 97, and More1:55:00 – Final Thoughts, Podcast Wrap-Up, and Listener ShoutoutsFollow Courtney on⁠⁠⁠⁠⁠ Twitter⁠⁠⁠⁠⁠ &⁠⁠⁠⁠⁠ Instagram⁠⁠⁠⁠⁠ and Marshall on⁠⁠⁠ ⁠⁠Twitter⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠ Instagram⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠ Twitch⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠ Youtube⁠⁠⁠⁠⁠,⁠⁠⁠⁠⁠ TikTok⁠⁠⁠⁠⁠.⁠⁠⁠⁠⁠ Merch⁠⁠⁠⁠⁠ now available!Make sure to check out their other podcast,⁠⁠⁠⁠ Blerd Life with My Wife⁠⁠⁠⁠ on your favorite podcasting app and on⁠⁠⁠⁠ Twitter⁠⁠⁠⁠ &⁠⁠⁠⁠ Instagram⁠⁠⁠⁠.⁠⁠⁠⁠Blerd Life with My Wife Archives!⁠⁠⁠⁠And head on over to their⁠⁠⁠⁠ Patreon page⁠⁠⁠⁠ for extra content.

This week, The TV Dudes take aim at Marvel's latest animated adventure, Eyes of Wakanda on Disney+, diving into how it expands the Black Panther mythos and where it fits in the MCU's current landscape. (Our only real issue with it is that there isn't more of it).  Plus the return of the King! King of the Hill is back with 10 new episodes, and we watched 'em all! And you know we kept up with the undead (re-alived?) shenanigans on Revival, plus in Twisted Metal they finally get to the tournament!! Well, almost. Check it out! 2:30- 58:05 TV Diaries 3:00-29:04 King of the Hill 29:04-42:05 Revival 42:05-58:05 Twisted Metal 58:05- Eyes of Wakanda #EyesOfWakanda #TwistedMetal #KingOfTheHill #Revival #TheTVDudes

De Stokely Carmichael, figure des luttes noires du XXème siècle, on connaît surtout le combat aux États-Unis, comme dirigeant des Black Panther. On sait moins qu'en 1968, Carmichael a rejoint la Guinée avec son épouse, la chanteuse sud-africaine Miriam Makeba. Il est alors devenu un proche collaborateur du président ghanéen en exil Kwame Nkrumah et s'est engagé aux côtés de la révolution guinéenne. Bokar Ture, fils de Stokely Carmichael, a accordé un entretien à RFI : il raconte les années africaines de la vie de son père. RFI : Votre père a été un acteur important des luttes noires du XXème siècle. Aux États-Unis, où il a été l'un des responsables des Black Panther… mais aussi dans son parcours transatlantique puisqu'il vient s'installer en 1968 en Guinée. Parlez-nous d'abord de lui. D'où vient-il ? Comment est née cette conscience militante noire ?  Bokar Ture : Kwame Ture est né Stokely Carmichael à Trinidad et Tobago, connu aussi en français comme Trinité-et-Tobago, en 1941. Il immigre plus tard aux États-Unis pour retrouver sa mère -donc ma grand-mère- qui y était déjà installée quelques années plus tôt. Elle avait pu avoir sa nationalité américaine parce qu'elle était née à Panama. Comment a commencé cette conscience ? Déjà, il avait un penchant politique très tôt. Il y a une de ses tantes qui racontait une anecdote : quand il était jeune, il la poussait à aller voter pour un syndicaliste à l'île de Trinidad. Et au lycée, aux États-Unis, il fréquentait déjà des groupes gauchistes. Un de ses amis de classe était le fils du président du Parti communiste américain dans les années 1952. Et donc, très tôt, il a pu découvrir les discours marxistes. Et bien sûr, il vivait au sud du Bronx, à côté de Harlem. Et la 125e rue de Harlem est une rue reconnue pour des discours politiques de tout genre, de différents groupes.  Il a été l'un de ceux qui ont travaillé l'idée de Black Power. Il a même coécrit, en 1967 avec Charles Hamilton, un ouvrage qui le théorise, intitulé Black Power, the politics of Liberation in America.  Effectivement, le concept de Black Power existait avant. Il y avait un livre qui s'appelait Black Power par Richard Wright, qui a été écrit pendant les années 1950 et qui était un ouvrage dédié à Kwame Nkrumah. Mais personne n'a rendu l'idée de Black Power aussi populaire que Kwame Ture - Stokely Carmichael à l'époque. Notamment durant une marche contre la peur au sud des États-Unis, aux côtés de Martin Luther King, où il disait, plus ou moins : « On est fatigué de mendier notre liberté, comme on l'a fait ces dernières années dans les droits civiques. Maintenant, ce qu'on va faire, c'est de demander le Black Power », le pouvoir noir, qui était un appel à une autodétermination en termes de structures politiques et économiques pour les personnes noires descendantes d'africains aux États-Unis.  En 1968, votre père épouse une première femme, la chanteuse sud-africaine Miriam Makeba. Au-delà de la relation amoureuse qui s'est nouée entre eux, cette union reflète-t-elle aussi une pensée de votre père, de plus en plus tournée vers l'Afrique et vers le panafricanisme à cette époque ?  Ce n'est pas un tournant, c'est une continuité. Kwame Ture a toujours été Africain dans l'âme. Il vient d'un milieu où l'Afrique est centrale dans l'identité noire. Bien avant qu'il ne se marie avec Miriam Makeba. On le voit dans des photos au début des années 1960 avec ses camarades où il est en tenue africaine. Il se sentait toujours africain. Pour lui, être noir et africain, il ne voyait pas de distinction et toute sa vie était ainsi. Quand il a marié Tantie Miriam, comme je l'appelle, c'était juste une continuité. Après aussi, ma mère, Marlyatou Barry, qui était aussi une Guinéenne. C'était juste une continuité de sa façon de vivre.  Comment se fait concrètement la connexion entre votre père et le premier responsable guinéen, Ahmed Sékou Touré ? Stokely Carmichael, à l'époque, faisait une tournée mondiale et il a rencontré Shirley Graham Du Bois, qui était la veuve de W.E.B Du Bois, qui est aussi une légende de l'histoire de la lutte antiraciste et du développement du panafricanisme. Elle a invité Stokely Carmichael à venir en Guinée pour une conférence du Parti démocratique de Guinée pour rencontrer Kwame Nkrumah et Sékou Touré. Quand il est venu, il a rencontré les deux présidents. Il avait déjà beaucoup entendu parler de Kwame Nkrumah, parce que mon grand-père a travaillé dans un bateau un moment. Il est parti au Ghana et quand il est revenu à New York, il expliquait que c'était la première fois qu'il avait vu une nation noire, indépendante, avec sa propre armée, un président, etc. et il expliquait ceci à un jeune Stokely Carmichael. Cela a vraiment marqué sa pensée. Quelques années plus tard, ils se voient face à face avec Kwame Nkrumah. Après la conférence, en quittant la Guinée, il part dire au revoir à Sékou Touré, qui lui dit : « Écoute, mon fils. Ici, c'est chez toi, tu peux revenir quand tu veux. C'est ta maison. »  Il part voir Kwame Nkrumah qui lui dit « Écoute, moi, je cherche un secrétaire politique, donc si ça t'intéresse, tu es toujours le bienvenu. » Un an et demi plus tard, deux ans pratiquement, il était de retour avec sa nouvelle épouse, Miriam Makeba.  Qu'est ce qui fait qu'il vient s'installer à Conakry à cette époque ?  Pour lui, c'était le coin le plus révolutionnaire en Afrique. Lumumba a été assassiné très tôt donc il n'y avait plus le Congo. Après, il y a eu le coup d'État contre Kwame Nkrumah en 1966. Modibo Keïta en 1968. Quand lui est arrivé, le seul autre pays, c'était la Tanzanie, mais qui était beaucoup moins radicale. Donc il a choisi la Guinée. C'était le pays qui s'alignait le plus avec sa pensée du pouvoir noir à l'échelle mondiale.  Il est aussi menacé aux États-Unis. C'est aussi pour cela qu'il quitte les États-Unis ? De toute façon, mon père était prêt à se martyriser. Il a vu Malcolm X tué, il a vu Martin Luther King tué et les agences voulaient sa tête. Il a échappé à pas mal d'attentats. Mais ce n'était pas la raison centrale. Déjà, il y avait l'invitation. Ensuite, il ne voyait pas les États-Unis comme le centre de cette lutte à laquelle il a dédié sa vie. Il voyait l'Afrique comme étant une partie essentielle. Pour lui, en venant en Guinée, il rejoignait l'Afrique, il rejoignait la révolution africaine qui pouvait donner la dignité à tout le peuple noir à travers le monde.  Diriez-vous qu'il y a un vrai projet politique international derrière cette volonté de s'installer en Guinée ?  Il a toujours eu ce projet. Quand il parlait de Black Power, déjà, dans le livre dont vous avez parlé, il parlait aussi des colonies en Afrique. Dans Black Power, lui et Charles Hamilton faisaient le parallèle entre la situation que vivaient les Afro-Américains aux États-Unis et la situation que vivaient les Africains en Afrique et aux Caraïbes aussi. Il faisait ce parallèle. Dans sa tête, c'était quelque chose qui était un combat international dès le début.  Quelles sont les idées sur lesquelles votre père, Stokely Carmichael – Kwame Ture, une fois qu'il change de nom – et Ahmed Sékou Touré se retrouvaient ?  On parle de personnes qui avaient la même vision d'une Afrique unie, une Afrique libre où il n'y a pas d'inégalités. Ils étaient tous deux penchés vers des idées socialistes. Ils étaient totalement alignés idéologiquement. Sékou Touré était un de ses mentors, une de ces personnes qui l'ont formé dans cette idéologie.  Ils se retrouvent dans l'idée, qui est défendue par Ahmed Sékou Touré à l'époque, d'authenticité africaine ? À 100 %. Et il s'intègre à 100 %. Je peux vous dire que moi, par exemple, j'ai très peu de souvenirs de mon père en habit occidental. Il s'habillait en tenue africaine, cousue en Afrique. Il s'est enraciné dans la population africaine. Ce qui était quand même unique parce que tout le monde était tourné vers une façon de vivre occidentale. Et lui non, il voulait se réapproprier son héritage culturel.  Et la volonté de promouvoir les cultures africaines, de leur donner leur vraie place ? C'est exactement cela, revaloriser la culture africaine, la culture noire, se réapproprier celle-ci. Et ne pas avoir de complexes vis-à-vis des cultures européennes, dominantes et autres.  Depuis le début de cet entretien, on joue avec deux noms pour parler de votre père, Stokely Carmichael, Kwame Ture. À un moment donné de sa vie, il décide de passer du nom de Stokely Carmichael à celui de Kwame Ture. C'est une démarche qui dit aussi beaucoup de choses sur le lien qu'il a avec Kwame Nkrumah et Ahmed Sékou Touré.  Effectivement. Il y avait un précédent aux États-Unis. Il y avait pas mal d'Afro-Américains, notamment dans son milieu révolutionnaire, qui changeaient de nom. Notamment Malcolm X, Mohamed Ali. Bien sûr, le nom est inspiré de Kwame Nkrumah et de Sékou Touré. L'anecdote, c'est qu'il était en Tanzanie lors d'un entretien radio. Après l'entretien, apparemment, un vieil homme venu à pied d'un village lointain est venu le voir et lui a dit : « Écoute mon fils, j'ai vraiment aimé ton entretien. Mais il y a une chose : ton nom sonne un peu bizarre, un peu féminin, il faut le changer ». Il a alors pris le nom de Kwame Nkrumah et de Sékou Touré. Lorsqu'il venait l'annoncer à Sékou Touré et lui dire : « J'ai pris le prénom de Kwame », Sékou Touré lui a répondu : « C'est bien, parce qu'à chaque fois que nous avons des débats, tu prends toujours son parti. » Il lui a répondu : « Mais j'ai pris le nom Touré comme nom de famille. ». Ce qui était approprié, car c'étaient ses deux mentors. À lire aussiKwame Ture, le destin hors du commun d'un Black Panther parti s'installer en Guinée [1/2] Comment est-ce que vous décririez les liens qu'il entretenait avec Kwame Nkrumah et Ahmed Sékou Touré ? En Kwame Nkrumah, il voyait un symbole de cette lutte. Il était prêt à le suivre. Il a mené quelques opérations au Ghana pour essayer de voir s'il pouvait réinstaurer Kwame Nkrumah au pouvoir. Il était très proche de lui. Et Sékou Touré était comme un père pour lui. En 1970, votre père vit l'un des moments charnières de l'histoire de la Première République guinéenne, à savoir l'attaque contre Conakry du 22 novembre 1970. Savez-vous comment il a vécu ces journées ?  Je sais qu'il était un participant dans l'action de repousser les troupes portugaises. Il était armé ce jour et a dû utiliser son arme. Selon ce que j'ai appris, il était un des premiers à alerter les autorités, y compris le président, du fait qu'il y avait une attaque qui venait. Ca tirait sur sa case, donc il devait quitter sa maison. Lui et Miriam Makeba ont dû se réfugier quelque part d'autre où il l'a laissée et lui est ressorti pour aider à défendre la ville.  Cette opération conjointe de militaires portugais et de rebelles guinéens a conduit à la plus grande vague d'arrestations en Guinée de toute la Première République. La vie du pays va être rythmée pendant de longs mois par des confessions publiques de personnes présentées comme les complices d'un « complot impérialiste » aux ramifications tentaculaires. Comment est-ce que votre père se positionnait par rapport à cette thèse du complot permanent contre la Guinée ? Et plus généralement, quel regard portait-il sur l'État policier qu'était aussi devenu la Guinée de cette époque ?  C'est quelque chose de très complexe et malheureusement, la Guinée ne s'est toujours pas réconciliée avec ce passé et les positions sont assez ancrées. Maintenant, si on parle de Kwame Ture précisément, pour lui, c'était un régime panafricaniste, le seul régime panafricaniste radical. Et malgré toutes ses erreurs, c'était celui qui pouvait tenir jusqu'au bout cette conviction qu'il avait lui-même. Il était totalement d'accord avec le fait qu'il fallait conserver ce régime pour qu'il ne bascule pas dans un régime néocolonialiste.  À tout prix ? À tout prix.  En 1974, il y a un autre évènement important pour l'Afrique et plus généralement pour le monde noir, c'est le combat en Afrique, à Kinshasa, entre Mohamed Ali et George Foreman. Dans un livre de mémoires, votre père indique qu'il a été invité par Mohamed Ali lui-même à venir à Kinshasa pour le combat. Est-ce que vous savez ce que représentait cet affrontement pour votre père ?  Mohamed Ali était son ami. Il y avait ce symbole de Mohamed Ali qui représentait l'Africain fier et George Foreman qui était un peu l'opposé de cela. Mais après, il a rencontré George Foreman et il disait que George Foreman l'avait séduit avec son charme, l'a embrassé et tout. Je pense qu'au-delà du symbolique, mon père était beaucoup plus intéressé par ce qui se passait au Congo démocratique, c'est-à-dire le Zaïre à l'époque, et le fait que c'était sous le régime de Mobutu Sese Seko, auquel il était farouchement opposé par ce qu'il représentait en termes de corruption et d'alignement avec les puissances coloniales. Qui sont de manière générale les acteurs politiques qui fréquentaient le salon de votre père dans ces années 1970 et au début des années 1980, pendant la Première République en Guinée ? On parle d'un melting pot qui ne dit pas son nom. Que ce soit des artistes - Miriam Makeba et Nina Simone, qui était une de ses amies très proches - ou des activistes de partout dans le monde. Qui venaient à Conakry et qui venaient le rencontrer ? Qui venaient à Conakry ou qui y vivaient. Parce que vous savez qu'à une époque, Conakry était un centre du monde noir où on conciliait l'art, les mouvements de libération, etc. Il y avait un grand nombre de personnes qui y vivaient, comme Amilcar Cabral, comme Kwame Nkrumahn, avant même il y avait Félix-Roland Moumié du Cameroun, pour ce qui est de la politique. Concernant les arts et la littérature, il y avait Ousmane Sembène qui y vivait, il y avait Maryse Condé qui y vivait. C'était vraiment un centre… et il se retrouve chez lui avec toutes ces personnes, plus ou moins de différentes sphères. Moi, je peux raconter avoir vu des activistes exilés sud-africains, Tsietsi Mashinini, qui a commencé la révolte estudiantine de Soweto, qui était parmi d'autres exilés sud-africains. Il y avait beaucoup d'Afro-Américains, bien sûr, des Black Panthers exilés. Il y avait la diplomatie guinéenne, des diplomates de pays gauchistes et souverainistes, il y avait tout un monde. Mais aussi, il faut savoir que Kwame Ture était vraiment penché vers la masse, la masse populaire. Donc autour de tout ça, on voit un chef villageois qui est assis ou on voit la personne déshéritée du quartier qui est là, assise, qui peut recevoir un repas. Parce que notre maison était comme un centre communautaire pour la jeunesse du quartier. Il amenait tous les enfants du quartier à la plage chaque dimanche. Puis se retrouvait peut-être un mardi à saluer un chef d'État. Puis avait une conférence avec un groupe communautaire. Moi, j'ai vu tout cela dans cette maison. C'était quelque chose de magique. Il recevait où, justement ? Dans son salon, dans son bureau ? Y avait-il un rituel autour de la réception de ses amis politiques ? Déjà, il avait une véranda où il était assis… parce que c'était un bibliophile. Il lisait beaucoup, il écrivait beaucoup. Il ne lisait pas pour le plaisir, mais il lisait pour ses conférences. Après, il y a des gens qui venaient pour le rencontrer. Je sais qu'il y a eu Charles Taylor qui était venu de nulle part pour le rencontrer. C'était vraiment un melting pot.    À cette époque, votre père continue aussi ses voyages et ses tournées, il n'est pas tout le temps à Conakry ? Il était très organisé. Sur toutes ses photos, il écrivait les dates et les lieux. On se demande comment il pouvait parcourir toutes ces distances en si peu de temps. Un jour, on le voit au Connecticut. Le lendemain, on le voit à Paris, banni, chassé. En Angleterre, peut-être, d'où il est banni et chassé. Parce que c'était très compliqué pour lui d'avoir accès a beaucoup de pays. Après, on le voit en Californie... Il était partout. Sékou Touré disparaît en 1984. Mais votre père continue, lui, son engagement pour ses idées au sein du Parti démocratique de Guinée. Qu'est-ce qui a marqué ces années de militantisme politique sous Lansana Conté ? Le contexte a vraiment changé !  Et c'est là que l'on voit vraiment les convictions de l'homme. Parce que, du jour au lendemain, tout a changé. Il a été arrêté par le régime de Lansana Conté. Donc, il a perdu les privilèges qu'il avait, bien sûr, où il connaissait le président et était sous sa tutelle. Mais malgré cela, il a décidé de rester en Guinée. La moitié de sa vie guinéenne, quinze ans, s'est passée ainsi. Il a décidé malgré tout de rester en Guinée, d'être actif dans la vie politique guinéenne et la vie sociale de la Guinée.  … Et de rester fidèle à ses convictions.  Exactement. Vous êtes à l'époque enfant. Quel souvenir est-ce que vous gardez de ces années, de votre maison à Conakry, de ceux qui y passaient ? Quelle était l'ambiance ? Vous disiez tout à l'heure que tout le quartier se retrouvait chez vous…  C'est cela. Mon père était d'une gentillesse rare, d'un altruisme qu'on ne retrouve pas très souvent. Donc effectivement, c'était pour moi quelque chose de très formateur. Comment quelqu'un peut traiter un chef d'État avec le même respect qu'il traite la personne la plus déshéritée du quartier. Et toutes ces personnes pouvaient se retrouver chez lui, devant lui, avec le même respect, ou peut-être même le déshérité avec un peu plus d'amour.  Vous appelez régulièrement les Guinéens à se souvenir de votre père, Stokely Carmichael / Kwame Ture. Avez-vous le sentiment que son histoire a été oubliée en Guinée ?  Je parle de manière générale. Il y a une politique de mémoire en Guinée qui doit être améliorée. Stokely Carmichael est un pont unique entre l'Afrique et l'Amérique. On parle d'un personnage qui a passé la moitié de sa vie en Guinée. À ce stade, l'État guinéen n'a pas fait une seule initiative pour se réapproprier de l'héritage de cette personnalité.  Donc il y a un vrai chantier ? Il y a un chantier.  Une dernière question plus personnelle. Quel père a été Stokely Carmichael ? Quelle image retenez-vous de lui ?  Un père adorable, d'une gentillesse rarissime, qui m'a beaucoup appris, que j'ai profondément aimé. Quelqu'un qui était attaché à tout ce qui est beau dans le monde, à commencer par les enfants. ►A lire pour aller plus loin : BERTHO Elara, Un couple panafricain, Editions Rot-Bo-Krik, 2025 À (ré)écouterElara Bertho: «Replacer Conakry au centre des imaginaires, c'était un peu l'idée de cet ouvrage»

Marvel vs DC, who has the best superhero? Welcome to VOLUME 184 of The Bracket. Kenjac is host alongside Robbie Fox, Clem, Vibbs, TBob, Danny Conrad and Goldfinger. Follow The Bracket ►TWITTER - https://twitter.com/BracketPod ►INSTAGRAM - https://www.instagram.com/thebracket/ Follow Kenjac ►TWITTER - https://twitter.com/JackKennedy ►INSTAGRAM - https://www.instagram.com/jackennedy/ ►TIKTOK - https://www.tiktok.com/@ken_jac Intro - (0:00) Wolverine v Black Panther - (6:52) Iron Man v Professor X - (16:49) Hulk v Captain America - (28:43) Cheah in game - (39:36) Spider-Man v Cheah-in winner - (51:05) Batman v Cyborg - (56:38) Flash v Wonder Woman - (1:03:11) Aquaman v Green Lantern - (1:13:05) Cheah-in game - (1:24:05) Superman v Cheah-in winner - (1:30:04) Playoffs - (1:34:52) Finals - (2:06:03) Download the Gametime app today and use code BRACKET for $20 off your first purchase Get your first month of BlueChew FREE Just use promo code BRACKET at checkout and pay five bucks for shipping. https://BlueChew.comYou can find every episode of this show on Apple Podcasts, Spotify or YouTube. Prime Members can listen ad-free on Amazon Music. For more, visit barstool.link/lightscamerabarstool

Well its a radio show, but its not live, and its prerecorded.... The Naked Gun is out, and its the comedy that Hollywood needed. Plus Nintendo, pulls its normal shenanigans, while we all continue to ignore the issues. Somehow EA is now the good guy as well? Also, Spider-Man begins filming, and the scenes from set look amazing, Matt Smith is joining a Galaxy Far Far Away, and Chris Hemsworth clarifies his comments on Thor.

The Ninjas are back for another episode. The guys share their thoughts on the first look at Avatar: Seven Havens (31:50), the news of Nintendo raising the price of some products  (1:00:40), the future of gaming (1:20:38), the Peacemaker seasonon 2 trailer (1:53:20), and more.Picks:Domino | Teenage Mutant Ninja Turtles 35th AnniversaryHesh | The Fantastic Four: First StepsHelp support the show by becoming a Patron: https://www.patreon.com/ThedojoisgangSend us questions @TheDojo203@gmail.com Join the Discord: https://discord.gg/RKpjgVBUQXWatch us live on Twitch:https://www.twitch.tv/thedojoisgangSubscribe to our YouTube channel: https://www.youtube.com/@TheDojoPodcast203Become a supporter of this podcast: https://www.spreaker.com/podcast/the-dojo-w-domino-hesh-jones--4652058/support.

We're back with a brand-new episode and we're coming in hot! First up, we break down the latest Spider-Man suit reveal — is it fire or flat? Then we give our early thoughts on Twisted Metal Season 2 and whether Sweet Tooth is still the MVP of post-apocalyptic nonsense. Finally, we dive into Eyes of Wakanda and talk about how this animated series expands the Black Panther mythos in all the right (and weird) ways. Hit play, hit like, and hit that subscribe button. And don't forget to check out That Comic Podcast on YouTube!Become a supporter of this podcast: https://www.spreaker.com/podcast/that-comic-podcast--5896499/support.

Eyes of Wakanda is here! This 4 Episode Miniseries is a look at Wakandas interactions with the outside world before the events of Black Panther. Long Before! Spanning thousands of years, it's a cool look at the history of the MCU and what it means to be a War Dog! Sponsors: HIMS ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.hims.com/MCU Open Phone ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.openphone.com/MCU⁠ Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/mcucast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Join The Stranded Panda Community! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.strandedpanda.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Facebook Group: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/spchat Learn more about your ad choices. Visit podcastchoices.com/adchoices

Drugs as Weapons Against Us: The CIA's Murderous Targeting of SDS, Panthers, Hendrix, Lennon, Cobain, Tupac, and Other LeftistsDrugs as Weapons Against Us meticulously details how a group of opium-trafficking families came to form an American oligarchy and eventually achieved global dominance. This oligarchy helped fund the Nazi regime and then saved thousands of Nazis to work with the Central Intelligence Agency. CIA operations such as MK-Ultra pushed LSD and other drugs on leftist leaders and left-leaning populations at home and abroad. Evidence supports that this oligarchy further led the United States into its longest-running wars in the ideal areas for opium crops, while also massively funding wars in areas of coca plant abundance for cocaine production under the guise of a “war on drugs” that is actually the use of drugs as a war on us. Drugs as Weapons Against Us tells how scores of undercover U.S. Intelligence agents used drugs in the targeting of leftist leaders from SDS to the Black Panthers, Young Lords, Latin Kings, and the Occupy Movement. It also tells how they particularly targeted leftist musicians, including John Lennon, Jimi Hendrix, Kurt Cobain, and Tupac Shakur to promote drugs while later murdering them when they started sobering up and taking on more leftist activism. The book further uncovers the evidence that Intelligence agents dosed Paul Robeson with LSD, gave Mick Jagger his first hit of acid, hooked Janis Joplin on amphetamines, as well as manipulating Elvis Presley, Eminem, the Wu Tang Clan, and others.https://amzn.to/4fH3ZNDBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.

It's medium to small size movie week! We're talking Neon's latest horror entry, Together. Plus we discuss the Warner Bros Discovery split and the huge cost associated, the Superman 2025 mural reveal, Robert Downey Jr's Avengers payday, the lagging The Fantastic Four: First Steps box office, an update on MCU's Blade, Deadpool 4 and Black Panther 3, our first look at the Spider-Man: Brand New Day suit and Hulk and Scorpion joining the project, trailers for Avatar 3: Fire & Ash, Primal War and Peacemaker Season 2, a new James Boon writer and the future of the Predator franchise. Thanks for listening!New bonus ep of the clickbait special podcast also out now! Plus entire back-catalogue of let's play videos, bonus podcasts, movie commentaries, early access and ad-free episodes all available on https://bigsandwich.coPLEASE be aware timecodes may shift up to a few minutes due to inserted ads.00:00 The Start04:46 The Warner Bros Split09:41 Superman Movie Mural Reveal15:14 RDJ Pay Day for Doomsday17:21 Box Office for Fantastic 4: First Steps18:47 No Rush for Blade Movie & Deadpool 420:11 Black Panther 3 & Harrison Ford MCU Return22:48 Hulk & Scorpion in Spider-Man: Brand New Day23:18 Spider-Man: Brand New Day 1st Teaser26:36 Avatar: Fire and Ash Trailer32:20 Primal War Trailer35:01 Peacemaker S2 Trailer38:13 New James Bond Writer42:20 Future of The Predator Franchise46:52 Together Movie Review (some spoilers)59:56 Together Big Spoilers Segment01:17:21 What We Reading, What We Gonna Read01:27:16 Letters, It's Time For LettersSUBSCRIBE HERE ►► http://goo.gl/pQ39jNJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-moviesThe Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

TJ Zwarych and Jam of Agents of Fandom and Aaron Perine of Phase Hero and HowToWatchFreeTV give their reactions and spoiler-filled review for the latest Marvel Studios animated television series, Eyes of Wakanda. Join is in the live chat to share your theories and thoughts on the show!(00:00:00) Intro(00:02:00) Whatcha Watchin? - Poker Face, The Studio(00:07:00) The Hulk Confirmed for Spider-Man: Brand New Day(00:10:00) Will The Scorpion be Venomized in Spider-Man: Brand New Day?(00:11:00) Will Spider-Man Get His Symbiote Suit in Spider-Man: Brand New Day?(00:17:00) Jon Bernthal's Role in Spider-Man: Brand New Day?(00:24:00) Eyes of Wakanda Spoiler-Free Reactions(00:26:00) Art and Animation in Eyes of Wakanda(00:29:30) Eyes of Wakanda Episode 1 Reactions(00:36:00) Cress Williams as The Lion in Eyes of Wakanda(00:38:00) Eyes of Wakanda Episode 2 Reactions(00:44:00) Eyes of Wakanda Episode 3 Reactions(00:48:00) The Iron Fist in Eyes of Wakanda(00:51:00) Eyes of Wakanda Episode 4 Reactions(00:55:00) Who are the Horde in Eyes of Wakanda?(00:58:00) Eyes of Wakanda Time Travel Theories(01:03:00) Eyes of Wakanda Marvel RankingBecome a supporter of this podcast: https://www.spreaker.com/podcast/agents-of-fandom--5479222/support.

Episode  346.   James B and Eddie conclude the Galactus story, introduce the Black Panther and get back to the Inhumans, all without J Edmonson! Sponsored by Dr. Harrow and Associates Theme Music by Jeff Kenniston.  This Episode Edited by James B using Audacity and Cleanfeed.  Summaries written by James B and Eddie and Karnak.  Most Sound effects and music generously provided royalty free by www.fesliyanstudios.com and https://www.zapsplat.com/  Check out all the episodes on letsreadspiderman.podbean.com or wherever you get your podcasts. Check out our live meetup and Discord Channel here https://docs.google.com/document/d/1_mW6htjJUHOzlViEvPQqR-k68tClMGAi85Bi_xrlV7w/edit

It's been 2 years, but it is once again time to stop and rank all 53 MCU movies, Disney+ TV shows, and specials GET A FREE AUDIOBOOK Get a FREE audiobook with a FREE 30 day trial of Audible at http://www.audibletrial.com/seanchandler *AFFLIATE LINK* The Marvel Cinematic Universe has exploded to include 53 movies, Disney+ shows, and special presentations—and I've watched them all. In this video, I'm ranking every single MCU project from worst to best, from Iron Man to Endgame to Loki, Guardians of the Galaxy Vol. 3, Werewolf by Night, and everything in between. Whether you're a lifelong fan or catching up on Phase 4 and beyond, this is the ultimate Marvel ranking to settle the debate. Agree? Disagree? Let me know your list in the comments! #MCU #MarvelRanking #MarvelCinematicUniverse #MarvelStudios #IronMan #AvengersEndgame #GuardiansOfTheGalaxy #Loki #WandaVision #SpiderManNoWayHome #CaptainAmerica #MarvelMovies #DisneyPlus #SheHulk #ShangChi #MarvelPhase4 #MarvelPhase5 #SecretInvasion #EchoMarvel #XMen97 ✅ MOVIES (33 Total) Iron Man (2008) The Incredible Hulk (2008) Iron Man 2 (2010) Thor (2011) Captain America: The First Avenger (2011) The Avengers (2012) Iron Man 3 (2013) Thor: The Dark World (2013) Captain America: The Winter Soldier (2014) Guardians of the Galaxy (2014) Avengers: Age of Ultron (2015) Ant-Man (2015) Captain America: Civil War (2016) Doctor Strange (2016) Guardians of the Galaxy Vol. 2 (2017) Spider-Man: Homecoming (2017) Thor: Ragnarok (2017) Black Panther (2018) Avengers: Infinity War (2018) Ant-Man and the Wasp (2018) Captain Marvel (2019) Avengers: Endgame (2019) Spider-Man: Far From Home (2019) Black Widow (2021) Shang-Chi and the Legend of the Ten Rings (2021) Eternals (2021) Spider-Man: No Way Home (2021) Doctor Strange in the Multiverse of Madness (2022) Thor: Love and Thunder (2022) Black Panther: Wakanda Forever (2022) Ant-Man and the Wasp: Quantumania (2023) Guardians of the Galaxy Vol. 3 (2023) The Marvels (2023) Deadpool and Wolverine Captain America Brave New World Thunderbolts* | New Avengers The Fantastic Four First Steps