Podcasts about Mummenschanz

Send us a textMeg hunts down the real stories behind three Metropolitan Museum art heists. Jessica weaves a tale of tapestries, the big top, polyamory, and unicorns.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

Send us a textMeg is haunted by the mysterious murder of Yeshiva boy Chaim Weiss. Jessica marvels at the silent rise and fall of mime, from Shields and Yarnell to Mummenschanz.Please check out our website, follow us on Instagram, on Facebook, and...WRITE US A REVIEW HEREWe'd LOVE to hear from you! Let us know if you have any ideas for stories HEREThank you for listening!Love,Meg and Jessica

Toleranz & Akzeptanz oder doch nur Mummenschanz? Wie geht die Gesellschaft eigentlich mit Nerds um?

What you'll learn in this episode: How Saudia is preserving her mom Cara Croninger's legacy Why Cara Croninger's resin and plastic jewelry was—and still is—groundbreaking How Cara Croninger refined her jewelry making process, and why she didn't want her pieces to be perfect What it was like to grow up in an artistic family in the heyday of New York's art jewelry scene How Saudia's mom and dad influenced her music career today   About Saudia Young Saudia Young is a New York City-born actress/singer and storyteller in theater and film. Born on the Lower East Side and brought up between Tribeca and LA, Young explores the notion of home, love, justice, and identity through her art.   The recently repatriated artist lived in Berlin, Germany, for a long chapter of performing, writing, and producing. The Ameripolitan Awards 2023 Female Rockabilly Singer nominee released her 7" single ‘Noir Rockabilly Blues,' produced by Lars Vegas-DE and featuring 'The Wobble' on the A and Iggy Pop's 'Lust for Life' on the B side, in 2017, followed up by her 12” debut ‘Unlovable' in 2018. The LP was recorded live at Berlin, Germany's legendary Lightning Recorders.   Young founded a Dark Kabarett and a Rockabilly Noir Blues band in Berlin, co-created the Lost Cabaret and the Schwarze Liste Kabarett theater projects and wrote and produced the award-winning short film The Gallery. While in Berlin, she was cast in the lead voice-over role of Oskar in School for Vampires (the English version of the Hahn Film cartoon series).   Young co-wrote and performed the solo show Sneaker Revolution and is currently writing a theater/film piece about her actor father, Otis Young, and sculptor/designer mom Cara Croninger. Photos Available on TheJewelryJourney.com Additional Resources: Saudia's Website Saudia's Instagram Saudia's Youtube   Transcript:   To jewelry lovers, Cara Croninger was a groundbreaking artist whose work was shown at iconic galleries Artwear and Sculpture to Wear. To musician and actress Saudia Young, she was just mom. Today, Saudia is working to preserve her mother's legacy and secure her place in art jewelry history. She joined the Jewelry Journey Podcast to talk about how Cara made her pioneering resin jewelry; how Cara's work evolved with the times; and why Saudia thinks of her mom every time she performs. Read the episode transcript here. Sharon: Hello, everyone. Welcome to the Jewelry Journey Podcast. This is the first part of a two-part episode. Please make sure you subscribe so you can hear part two as soon as it's released later this week.   Today, we're speaking to my guest, Saudia Young, who is located in Philadelphia. She has an interesting background. Her mother was a very well-known jeweler, and her father was an actor. She was born in New York and grew up between New York and Los Angeles. She is New York material. You will be surprised to hear that she developed a career as an actress, a writer and a singer. She's described as having a whisky voice, and I think that's true, a caramel whisky voice. She was a nominee in 2023.   Saudia: Thank you so much for having me. I'm really glad to come on to your show for the second time. It was the Ameripolitan Music Awards. I was simply nominated for female rockabilly singer. There are lots of different categories and full bands. Jane Rose won for the rockabilly female singer that year. They're moving on, but it was very exciting to come after 15 years in Germany to participate in that. I've met a lot of awesome people because of that.   Sharon: I know you've lived in several places, but I didn't know for 15 years, you say, in Berlin?   Saudia: Yes.   Sharon: Wow! Now you're in Philadelphia this evening.   Saudia: Yes.   Sharon: Is that your home?   Saudia: It is for now. It's where my sister lives. I have a sister from my mother and my father. He had other children, so that's why I clarify that. I'm spending some time with my sister. I've been back and forth in the States since my mom passed in 2019. I'm honestly trying to figure out where I'm going to live. It's not clear because of Covid and my mom passing, but it's been a lot.   Sharon: 15 years being in one place.   Saudia: Yeah, so I'm here for now. I feel like I can't commit to saying this is my home. It's like, “Let's see what it brings. Let's see what happens.” It's great to hang out with my sister. I'm close to my mom's work, which is stored now in Hackensack, New Jersey. I moved it from New York. My mom's work has had more of a tour than I have.   Sharon: Cara Croninger is your mom's name. Even though she passed—I'm very sorry to hear that—she's still very well-known. She has an exhibit in the Smithsonian?   Saudia: No, it's simply her papers, photographs, articles, fashion editorials. As you know, she bridged fashion and art. She was in both worlds. She had a toe or a foot or whatever in both worlds, so she has been accepted into the Archives of American Art at the Smithsonian. That means they have letters, her correspondence to other artists and gallerists and whomever, any type of reviews, sketches, all her boxes of papers and some photographs. It's an honor. It was sad to let that go, but it's also awesome because that means it's helping to secure her legacy.   It will eventually be uploaded digitally so people will be able to look at it. You can go into the archives and look up different artists and see their papers. For example, one of my favorite things were letters from Floriana Frassetto, who founded Mummenschanz and was one of her best friends. She always wrote these beautiful letters to her. She would call her Cara Mia. She was Swiss-Italian. So, it's just that, showing the ephemeral items in her life.   Sharon: You've been on this program before. You were among our first guests—   Saudia: Yeah.   Sharon: If you want to listen to it, it's on TheJewelryJourney.com. We're so glad to have you back again.   Saudia: Thank you.   Sharon: Tell me why your mom's jewelry was different. What was the breakthrough? Why are they keeping her papers?   Saudia: I think because of that bridge. She wasn't craft. She came as a sculptor. Her jewelry was made of acrylic and polyester resin, although she did work in other materials like metals. She started off painting, but the work was always very sculptural and almost avant garde. It went from very organic and indigenous and African influenced to futuristic. It was solidly in the art world, but also solidly in the fashion world when she was with Robert Lee Morris' gallery, Artwear, and before that, Sculpture to Wear.   Artwear blew up and it was very, very popular in the press and in fashion magazines. All the top models were wearing it. People like Iman would come to the gallery openings. It was part of that whole exciting time in the 80s in New York, seeping a little bit into the 90s, but mostly in the 80s. It was in the late 70s and throughout the 80s that they had their heyday. There were other artists in this gallery that are now working and very well-known, like Ted Muehling, Robert Lee Morris himself. Carol Motty, may she rest in peace, was a very, very good friend of my mom. She worked in silicone.   Sharon: I'm sorry. I don't know her.   Saudia: Carol Motty. She did wild, neon-colored, awesome pieces in silicone rubber. She was unique in that it literally was a bridge of art and fashion. That's what she built. I think that was her significance. In terms of the materials, the pieces cost anywhere from $40 to $4,000 or more. She raised the level of this material, which is plastic resin and acrylic, polyester resin, to a very high level. It would get the same price that silver and gold and gemstone jewels would get because of the beauty, the workmanship, that she put into it. The work is known for having this sensual beauty. A lot of the pieces have a wonderful weight. They have a talisman magic to them. People often will collect the pieces. You even collected some pieces.   Sharon: Yeah, I did. I love them.   Saudia: It's kind of magic. She herself as a person was a beautiful, down-to-earth, but funny and effervescent person. People loved meeting her. They loved collecting the work.   Sharon: What was the role you and your sister played?   Saudia: We were her daughters. We did help make work. There were points where we learned how to do the finishing work. We never did the pouring, creating the pigments or the molds, but we could help with finishing. We'd be her child laborers and work on the sanding machine or polishing or drilling holes or what have you. We were able to do finishing work. Because we grew up with it, we understood the shapes and her style, but even growing up with it, there was always some kind of tension. She would say, “That's your style. That's not mine.” It wasn't easy because it was so organic and very unique. That made it hard for her to have people work for her.   Sharon: When you would attend these parties or an opening night at the galleries, did you know who the celebrities of the day were? Were you aware?   Saudia: Yeah, I was in my early 20s or so. At one point, my sister and I both worked at Artwear. We were both looking forward to working with Robert. That was always really fun. Even the artists were celebrities to us because they were so talented and vivacious and positive. I knew a lot of the models, the supermodels, Pat Cleveland and whomever, but since my dad was an actor, I grew up already having certain people in my life. I was trained for that to be not that big of a deal because I just grew up in that.   When my parents met, they were in the Village in the 60s. James Baldwin was a good friend of my dad, and he was allegedly my godfather. It was a smaller world in a way. Definitely, the 60s and even the 80s feel like a more innocent time than now for some reason. I met different celebrities just on my own, and you felt like they were New Yorkers. I knew Jean-Michel Basquiat and I was like, “He's just a kid.” I had no clue.   Sharon: Wow! So, this wasn't a new milieu to you. You knew the big names—I would call them big names—who would come over for dinner. They were around you.   Saudia: Yeah, but it wasn't—now we're going back even before Artwear. It was normal to me. I didn't notice it. It was just part of being a kid in New York, a kid of artists. You know what I mean?   Sharon: But your mother was making this jewelry that I would call groundbreaking. Today we look at it and go, “Oh, it's a piece of plastic,” but it was groundbreaking then.   Saudia: Yeah, it was definitely groundbreaking. I think it still is because there are few people who can work in it, like Patricia von Musulin, who's an amazing artist who works with acrylics. There are some people who can work with it. There's Alexis Bittar, who borrowed a lot of designs from my mom. There are people who can work with it and it's beautiful, but often you see stuff that's mass produced overseas. It doesn't have a good feeling; it just feels cheap. Her work still has this magic weight to it. But as I said, as kids, we didn't know. It was just, “My mom's an artist. She's working at her studio making her stuff.”   Sharon: Was her studio a separate place or was it where you lived?   Saudia: She had many different studios. She had a shared space in Gowanus in Brooklyn, a huge foundry that had 80-foot ceilings that she shared with approximately five other artists. Now, I'm jumping back and forth with timelines. I'm not great with timelines. She had a studio in Dumbo, Brooklyn, at 68 Jay, which was a 2,000-square-foot, awesome studio that she lived in illegally. Our formative years when we were little were on the Lower East Side, but we lived in Tribeca when it was still very industrial. We first started off on Washington Street in an apartment. I think it was a three-bedroom apartment that I recently got to visit again, which was amazing.   She cordoned off a little section of that Astor studio, and then what happened? O.K., when we were at Washington Street, she was able to be one of the resident artists in the Clocktower, which was a studio project where Alanna Heiss was organizing unusual spaces for artists to either create their work or show their work. My mom was one of several artists who were in the Clocktower. That's where she actually met the artist who showed her how to work with plastics. I don't know what his name was.   Sharon: So, she wasn't working with plastic until she met these people?   Saudia: Yeah. She started off painting and doing leatherwork, painting on leather, sewing leather bags, fringe work, Japanese-style obi belts. That's what she started doing first in terms of accessories and crafts.   Sharon: Did your friends know she was a big name, let's say?   Saudia: No, we were all pretty clueless. A lot of our friends were kids of painters. We related to them as workers, like this is what they did for their work. My mom was the lady who made great bread. She made homemade bread, and she made great chicken. People would come over and eat. She was a very social person. We had extended family members, but I don't think my friends thought of her as that famous, not really.   Sharon: I was going to ask you why she wouldn't let you pour, but that made her work. That's her name.   Saudia: I didn't have any desire to pour. As a teenagers, at 18? No desire. I was off doing my own thing. I had my own ways of expressing and my own life. That was her thing.   Sharon: What colors did she like? I've seen some pieces, but I know she had a whole range.   Saudia: She worked in an amazing array of colors. She loved vibrant primary colors. She also worked in colors that were more organic, that were reminiscent of ivory or amber. She would do pours. I think we spoke about this. She would do a pour about once a year. It was always a big deal for her to get the emotional wherewithal to do a pour. Also, I think she was aware of the toxicity. She only wanted to pour during the summer, when the windows could be open and the heat would help the plastic pour faster.  

In dieser Podcastfolge dreht sich alles um die verrückte fünfte Jahreszeit. Egal, ob ihr Karneval, Fastnacht, Fasching oder sonst wie dazu sagt: Hier lernt ihr, woher das alles kommt und welche ganz speziellen Bräuche es in den verschiedenen Regionen dieser Welt geben kann. Und zwischendurch geht's sogar mal um die Ursprünge des Valentinstags… Natürlich inklusive ganz persönlicher Einblicke unserer Moderatoren, einem unverhofften Stargast, einem besonders interessanten Tavernenspiel und einer zünftigen Schande des Tages. Und das Beste daran: Ihr müsst kein Jeck und keine Närrin sein, um diese Episode großartig zu finden!

Steigen Sie ein, fliegen Sie mit! https://weltwoche.ch/Abonnieren Sie kostenlos den täglichen Newsletter der Weltwoche: https://weltwoche.ch/newsletter/Selenskyj, nein danke: Einseitige Kriegspropaganda in Bern.Bürgenstock-Zauber, die Wiege der Schweiz. Mordanschlag auf russischen Schriftsteller. UNO: 134 Länder gegen Sanktionen.Charles-Krönung: schöner Mummenschanz.Friedensmacht Österreich. Werden Sie jetzt Weltwoche-Abonnent! https://weltwoche.ch/abonnemente/Die Weltwoche auf Social Media:Instagram: https://www.instagram.com/weltwoche/Twitter: https://twitter.com/WeltwocheTikTok: https://www.tiktok.com/@weltwocheFacebook: https://www.facebook.com/DIE.WELTWOCHE Hosted on Acast. See acast.com/privacy for more information.

There's a metaphor in the Mummenschanz! Erik Curry returns to host this very special episode of Re:Engage where we witness Geordi LaForge transform from a creeper into a little brother to a purple vein monster and back again. Lieutenant Commander Leijten (pronounced as in "Lighten up, Francis") has found some footage of an away team she and Geordi were on five years ago. The rest of the team have abandoned their posts to return to that planet, and Leijten starts feeling funky once they get there too. Suprise! She's a blue-veined prey animal - until the viral creche is a removed. Then Leijten is the only one who can talk her friend Laforge down from such blue heights. Erik sees a powerful metaphor for addiction, recovery and loss in this episode and we all agree it was a powerful bit of sci-fi storytelling. Get in touch with us on Twitter @ReEngageTNG!    Host: Erik Gratton (@erikfallsdown on Twitter & IG)   Panel: Kate Jaeger (@jaegerlicious on Twitter and IG), Jimmie G (@thejimmieg on IG & Twitter)  and Greg Tito (@gregtito on Twitter, @greg_tito on IG)  Audio Editor: Greg Tito (@gregtito on Twitter, @greg_tito on IG)  Logo artwork: @mojojojo_97 on Twitter, mojo97.com Theme music: Ryan Marth   Next up is s4e19 "The Nth Degree" hosted by Jimmie!

Also die Macher von SNW ankündigten, die Show werde wieder mehr "classic Trek" zeigen, haben die Nerdiszisten sich sehr gefreut. Allerdings dachten wir nicht im Traum daran, dass unsere Helden wieder in Strumpfhosen durch die Gegend laufen müssten. Während Chris diesen Comedyrückfall in dunkle Star Trek Kulissen mit Argwohn beäugt, gehört Michael bei den Folgen 7 & 8 klar zum #TeamStrumpfhose. Gut, dass dieser Mummenschanz auch wieder vorbei ist und hoffentlich bald wieder das #TeamScience am Ruder ist. All das und noch mehr in neuen Star Trek Podcast. Viel Spaß! Schickt uns eurer Feedback zur Show per E-Mail an info@nerdizismus.de, Whatsapp bzw. SMS an +49 152 596 477 09 oder kommt auf unseren Discord

Also die Macher von SNW ankündigten, die Show werde wieder mehr "classic Trek" zeigen, haben die Nerdiszisten sich sehr gefreut. Allerdings dachten wir nicht im Traum daran, dass unsere Helden wieder in Strumpfhosen durch die Gegend laufen müssten. Während Chris diesen Comedyrückfall in dunkle Star Trek Kulissen mit Argwohn beäugt, gehört Michael bei den Folgen 7 & 8 klar zum #TeamStrumpfhose. Gut, dass dieser Mummenschanz auch wieder vorbei ist und hoffentlich bald wieder das #TeamScience am Ruder ist. All das und noch mehr in neuen Star Trek Podcast. Viel Spaß! Schickt uns eurer Feedback zur Show per E-Mail an info@nerdizismus.de, Whatsapp bzw. SMS an +49 152 596 477 09 oder kommt auf unseren Discord

Themen dieser Folge: Landesprinzenpaar Sachsen-Anhalt Ferienlager des Karneval Landesverbandes (KLV) Jahreshauptversammlung des KLV (Präsidententreffen) Organisation beim Tangermünder Carneval Verein (TCV). Interview-Gäste: Prinz Yannick (Rarrasch) I. und Prinzessin Lea (Mögling) I. vom Halle Saalkreis Karneval Verein (HSKV) als Landesprinzenpaar 2023 für Sachsen-Anhalt Celine May und Lothar Strogies (LaLeiLo = Lagerleiter Lothar) Dirk Vater als Präsident des Karneval Landesverband Sachsen-Anhalt Knut Oldenburg als Präsident des Tangermünder Carneval Vereins. Hosts: Stefan B. Westphal, Chris Luzio Schönburg. --- Send in a voice message: https://anchor.fm/sachsen-anhalt-podcast/message

Virginia Arts Festival presents the Swiss ensemble Mummenschanz on Saturday, October 29 at Chrysler Hall. Rebecca spoke with Artistic Director and Founding Member Floriana Frassetto.

Mummenschanz adversary, and the world's sexiest intellectual, Josh Weinstein and I explore 2006's Pirates of Treasure Island: a very long commercial for Spirit Halloween.  Fesliyan Studios also: SOCIALS! MERCH! MORE! https://www.buymeacoffee.com/asylumpodcast

Pete and Ben get socked all the way to the Geek Farm, where they discuss this week's appearance of The Mummenschanz, are surprised by the behind-the-scenes origin of The Vendaface, and try to remember that Pete is forgetting everything.

Das Festival Lyrique in Aix-en-Provence ist – mit Salzburg und Edinburgh – das wichtigste Opernfestival Europas. An drei Spielstätten lässt sich Spektakuläres entdecken, etwa die Uraufführung eines Werks von Bushra El-Turk. - Vor 50 Jahren traten Mummenschanz erstmals auf. Ein Rückblick. Von Sommerloch keine Spur: Benjamin Herzog reist für «Künste im Gespräch» nach Aix-en-Provence, um uns die Oper «Women at Point Zero» der libanesischen Komponistin Bushra El-Turk näherzubringen. Und Fabienne Naegeli taucht für uns ein in die wunderlich wortlose Welt von Mummenschanz, die aus Kostümen, Körper und schwarzem Hintergrund ihr eigenes Universum entwickelt haben. Weitere Themen: - «Woman at Point Zero»: eine Oper aus der Todeszelle - 50 Jahre Mummenschanz

Der Schwöbel-Blog am Samstag

Die Wochenshow: Das Podcastformat von «Die Ostschweiz», in dem wir die vergangene Woche in einer kurzen Presseschau der anderen Art beleuchten und auf die nächsten Tage vorausschauen. Kurz, knackig, unterhaltsam.

Angestellte in Baselbieter Spitälern, Alters- und Pflegeheimen müssen sich nicht mehr regelmässig auf Corona testen. Und es gilt auch keine Maskenpflicht mehr. Das hat die Regierung entschieden. Sie begründet dies so: es gebe deutlich weniger Ansteckungen und Hospitalisierungen.  Weitere Themen: * Freispruch für Syngenta-Protestierende * Neuer Spielplan am Theater Basel * Jubiläumsshow von Mummenschanz im Musical Theater Weitere Themen: - Freispruch in fast allen Punkten: Syngenta-Demo während Corona

Ab dem 10. Mai gastiert Mummenschanz im Musical Theater. Im Talk spricht Gründerin Floriana Frassetto über ihre Kunst und den Verlust des Musical Theaters.

Sie sind bekannt als die Virtuosen der Stille und feien dieses Jahr ihr 50-jähriges Bühnenjubiläum. Zu diesem Anlass widmet das Historische- und Völkerkundemuseum der Theatergruppe Mummenschanz eine eigene Sonderausstellung mit Requistien, Plakaten und Geschichten von der grossen Weltbühne. Weitere Themen: * Thurgauer Staatsanwaltschaft steht bei "Fall Kümmertshausen" schon wieder in schlechtem Licht * Fredy Fässler neuer St.Galler Regierungspräsident * St.Galler Kantonsrat weist Covid-Härtefallgesetz zurück * Jagdstatistik SG

Jay-El is back in time und all'seine Freunde sind dabei. Der lustige Q, die fidele Whoopie, ja sogar Mörder-Agnes darf wieder mitmachen beim munteren Mummenschanz im 24. Jahrhundert. Wird Jean-Luc es schaffen, uns von unseren seelischen Verletzungen an Bord der USS-Trauma zu heilen? Das erfahrt Ihr in diesem XL-Star Trek Podcast über die Episoden 1 - 3 von Star Trek Picard. Viel Spaß beim Hören :)  Schickt uns Eurer Feedback zur Show per E-Mail an info@nerdizismus.de, Whatsapp bzw. SMS an +49 152 596 477 09 oder kommt auf unseren Discord

Jay-El is back in time und all'seine Freunde sind dabei. Der lustige Q, die fidele Whoopie, ja sogar Mörder-Agnes darf wieder mitmachen beim munteren Mummenschanz im 24. Jahrhundert. Wird Jean-Luc es schaffen, uns von unseren seelischen Verletzungen an Bord der USS-Trauma zu heilen? Das erfahrt Ihr in diesem XL-Star Trek Podcast über die Episoden 1 - 3 von Star Trek Picard. Viel Spaß beim Hören :)  Schickt uns Eurer Feedback zur Show per E-Mail an info@nerdizismus.de, Whatsapp bzw. SMS an +49 152 596 477 09 oder kommt auf unseren Discord

Seit 50 Jahren begeistert die Maskentheatergruppe Mummenschanz mit ihren Figuren und Masken. 1972 gegründet, ist sie dieses Jahr mit einem Querschnitt ihres riesigen Repertoires unterwegs.

Die Theatertruppe Mummenschanz hat am 10. Dezember ihre neuste Bühnenshow im Theater11 in Zürich aufgeführt. Die Show steht im Zeichen des 50. Geburtstags der Theatergruppe. Kreiert hat das Jubiläumsprogramm «50 Jahre» die Mitbegründerin von Mummenschanz, die Altstätterin Floriana Frassetto. Weitere Themen * Der neue Gemeindepräsident von La Punt heisst Peter Tomaschett. * Der neue Geschäftsführer der Spital Thrugau AG und der Thurmed AG heisst Rolf Zehnder. * Mehr Wölfe und mehr gerissene Nutztiere in diesem Jahr: die Entwicklung der Wolfspopulation im Kanton Glarus.

La compagnie suisse Mummenschanz fêtera ses 50 ans à St-Maurice

Warum Joshua Kimmich Recht hat.Ganz Italien, ganz Frankreich und die Schweiz sind auf den Beinen gegen das Corona-Regime. In Dänemark, den Niederlanden und Polen ist der Drops gelutscht – niemand macht mehr mit. Die Behörden können und wollen nichts mehr gegen die Bürger durchsetzen. In Deutschland soll derzeit der Anschein erzeugt werden, es würde sich als Einziger noch Joshua Kimmich wehren. Dabei stehen Dutzende Millionen Demokraten und Freiheitsfreunde an der Seite des Athleten. Ein Plädoyer für eine gute Zeitung.Ein Kommentar von Thomas Berthold, Hermann Ploppa, Anselm Lenz und der DW-Redaktion.Die Wochenzeitung Demokratischer Widerstand erscheint regulär seit 17. April 2020. Sie ist aus dem Flugblatt zur ersten Bewegung weltweit gegen das Corona-Regime im März 2020 hervorgegangen: Demokratischer Widerstand? NichtOhneUns.de!Die Redaktion des Demokratischen Widerstandes (DW) hat sich, das darf man sagen, zu einer Instanz der Aufklärung im Dienst der neuen Demokratiebewegung entwickelt. Die wichtigsten Experten veröffentlichten hier zuerst oder gaben Interviews. Der Demokalender informierte. Ehrenamtliche Verteiler lieferten Millionen von Exemplaren frei Haus.Von Anfang an arbeitet der DW zu 90 Prozent »aus der vermeintlichen Blase hinaus« und trägt dabei das Beste aus dem Herzen der Demokratie- und Freiheitsbewegung mit sich. Bereichert und aufgeweckt werden Menschen, die ansonsten im immer tristeren »Tal der Ahnungslosen« von Fernsehen, Konzernmedien und Staatspropaganda gefangen gehalten wurden, bis sie sich nicht einmal mehr dagegen wehrten, belogen, eingesperrt, gegängelt, überwacht und schließlich mit experimentellem Mummenschanz, kurz MRNA und Vektor, abgespritzt zu werden. Die Pandemie ist eine Medienpandemie. Sie überlagert den Zusammenbruch des US-Finanzmarktsystems und einer selbsternannten Elite, die abgewirtschaftet hat.Wahre WorteWas Zuvielen fehle, sei der Mut »zu einem wahren Wort«, wie der Philosph Giorgio Agamben frühzeitig formulierte. Oder: »Ich vermisse den Mangel an Respekt«, wie es der Alleskönner Oscar Wilde auf den Punkt brachte als Grundlage jeden Freiheitsdrangs – und damit der Demokratie. Nein, viertausend Jahre bekannter europäischer Geschichte, zweitausend Jahre davon Demokratiebemühungen, werden nicht zu zerstören sein...weiterlesen hier: https://apolut.net/wochenzeitung-demokratischer-widerstand-von-thomas-berthold-hermann-ploppa-anselm-lenz-und-der-dw-redaktion+++Apolut ist auch als kostenlose App für Android- und iOS-Geräte verfügbar! Über unsere Homepage kommen Sie zu den Stores von Apple, Google und Huawei. Hier der Link: https://apolut.net/app/+++Abonnieren Sie jetzt den apolut-Newsletter: https://apolut.net/newsletter/+++Ihnen gefällt unser Programm? Informationen zu Unterstützungsmöglichkeiten finden Sie hier: https://apolut.net/unterstuetzen/+++Unterstützung für apolut kann auch als Kleidung getragen werden! Hier der Link zu unserem Fan-Shop: https://harlekinshop.com/pages/apolut+++Website und Social Media:Website: https://apolut.net/Odysee: https://odysee.com/@apolut:aInstagram: https://www.instagram.com/apolut_net/Twitter: https://twitter.com/apolut_netTelegram: https://t.me/s/apolutFacebook: https://www.facebook.com/apolut/Soundcloud: https://soundcloud.com/apolut See acast.com/privacy for privacy and opt-out information.

The Brute Man creeps after Adam and Chris, who discuss Manos reactions, Rondo Hatton, early travelogue movies, early chickens, and egg facts.Features the short: The Chicken of Tomorrow.Show Notes.The Brute Man: IMDB. MST3K Wiki.The Chicken of Tomorrow: IMDB. Watch unMSTed.December Bride.Origin of Oskee Wawa?Adam on Norm Macdonald.Norm Macdonald: Based on a True Story.Rondo Hatton.Acromegaly.Pearl of Death.We talk about Richard Kiel in our episode on Eegah!Rondo and Bob.The Rondo Hatton mask.The Rondo Hatton collector's figure.The Rondo Awards.Pillow of Death.Lowell Thomas and T.E. Lawrence.Mummenschanz on Letterman.Oscar O'Shea.Another short about The Chicken of Tomorrow.An excellent National Geographic article on the Chicken of Tomorrow.Bonus.Support It's Just A Show on Patreon to hear all our bonus bits, including a whole Scorner on Franz Liszt that we cut for time.

We finish off Muppet Show Season 1 with... the pilot episode of The Muppet Show? What the?! And some mimes! Great! In this episode, we cover the following... episodes: Kaye Ballard, Mummenschanz, Avery Schreiber, Juliet Prowse If you can't get enough Kermitment, follow @KermitmentPod, where we'll tweet fun stuff and interact with our listeners! And you can follow each of us individually: Matt: @MatthewGaydos Sam: @slamschultz  

IT'S TIME TO WATCH THE MUPPETS! This week with special guest Kaye Ballard. Distracted rants include but are not limited to, Mrs. Doubtfire, opposites attract, PEZ, Death Becomes Her, Teletubbies, Mr. Rogers, and more. "While the experimental mime troupe performs onstage, Miss Piggy must deal backstage with the advances of a recently smitten Gonzo." ITTWTM shirts!https://www.teepublic.com/t-shirt/21898238-ittwtm?store_id=333945     See acast.com/privacy for privacy and opt-out information.

Der 15-jährige Kaiser ist in Gefahr. Doch zwei Kinder helfen dem jungen Herrscher. Ein spannender Mittelalter-Krimi für Kinder.

It's episode 24 of Muppetsational! This week, The Muppets express themselves with Mummenschanz on The Muppet Show. And on the podcast, Jade won't join a cult, Emma hates Vendaface and Lewis has Fringe flashbacks! Find out more about the podcast at muppetspodcast.com Follow us on Twitter, Instagram, TikTok and Facebook! And read all about us in The Guardian! Editor: Jade Turner Theme Music: Peppy Pepe by Kevin MacLeod Peppy Pepe License Artwork: Charlotte Rudge (Instagram: @Charlie_r_rudge)

This episode is super late! We weren't abducted by Swiss mimes, nor did they put us off this project entirely, we just had some scheduling issues. And now we're back and super excited to bring you this extra dose of pedantry and fish puns. This episode is packed with 70s nightmare fuel (but you know, for kids!), plus Gonzo is horny for Piggy, Scooter is horny for Floyd, Statler is horny for Waldorf, and we all have some feelings about microscopic water bears. Listen and learn! GIFs and more tardigrade facts at https://muppeturgy.com/episodes/mummenschanzAnd now that we're back…we're taking a little break before season 2. So make sure to subscribe so you get the next episode as soon as it drops!

Der Buchautor und Publizist Hermann Ploppa erläutert in HIStory kurz und sachlich historische Daten und Jahrestage von herausragenden geschichtlichen Ereignissen. Dabei werden in diesem Format Begebenheiten der Gegenwart, die mit einem Blick in die Vergangenheit in ihrer Bedeutung besser einzuordnen sind, künftig alle 14 Tage montags in einen geschichtlichen Kontext gebracht. Das Thema heute: Die seltsamen Aktivitäten der Studentenverbindung Skull & Bones. Immer wieder hören wir von seltsamen Geheimgesellschaften in den USA. Dort sollen sich sehr mächtige Persönlichkeiten aus Politik, Wirtschaft, Wissenschaft und Medien heimlich treffen, um seltsamen Ritualen zu frönen. Gerade diese Heimlichtuerei erregt besonderes Interesse. Und verleiht der Phantasie besondere Flügel. Tatsächlich wird gerade in der angeblich so offenen Gesellschaft der Vereinigten Staaten von Amerika von den Reichen und den Schönen besonders viel unternommen, um sich abzuschotten und unter seinesgleichen zu bleiben. Die Reichen unterhalten ihre eigenen privaten Elite-Universitäten und Internate.Und innerhalb dieser Elite-Unis schotten sich noch einmal besonders erlesene Kreise gegen den Rest des Campus ab. Und in dieser Einkapselung blühen und gedeihen seltsame Rituale, um die eigene Identität gegen den Rest der Community eisern zu behaupten. Eine dieser hochexklusiven Studentenverbindungen hat über die Jahrzehnte immer wieder besondere Aufmerksamkeit auf sich gelenkt. Die Rede ist von der Burschenschaft der Skulls and Bones. Und die schauen wir uns heute mal etwas genauer an um ein bisschen mehr zu verstehen, wie die US-amerikanischen Eliten eigentlich ticken.„Skull and Bones“ ist einer von sieben studentischen Geheimbünden auf dem Campus der Yale-Privatuniversität in der altehrwürdigen Ostküstenstadt New Haven im beschaulichen Bundesstaat Connecticut.Können Sie sich vorstellen, dass sowohl George Bush der Ältere wie auch George Bush der Jüngere sich vor Publikum nackt im Schlamm wälzen? Können Sie sich weiterhin vorstellen wie hochrangige Prominente der USA lebendig in einem Sarg liegen, sexuelle Eskapaden vor ihren Corpsbrüdern beichten und dann auch noch auf allen Vieren zu einer als „Don Quichote“ verkleideten Gestalt kriechen, um deren rote Puschen zu küssen? Unglaublich aber wahr. Auf diese Weise werden viele mächtige Alphatiere der USA initiiert als unkündbare Mitglieder der Skulls and Bones-Bruderschaft. Der ehemalige Außenminister unter Obama, John Kerry, wurde auf diese Weise im Jahre 1966 initiiert. George Bush II. im bewegten Jahre 1968.Bürger der USA sind schon lange beunruhigt über die Zusammenballung von exekutiver Machtbefugnis in den Händen einer kleinen exklusiven Elitegruppe. Jedes Jahr rekrutieren die „Skulls“ gerade mal 15 neue Mitglieder, deren weiterer Karrieregang von den früheren „Skulls“-Jahrgängen begleitet wird. Die Alten Herren heißen „Patriarchen“, und es gibt bei etwa 200 Millionen US-Bürgern gerade einmal 600 lebende „Skull and Bones“-Mitglieder. Die Irritation der US-Wähler verstärkt sich noch dadurch, dass – so hört man – die Novizen bei der exklusiven Yale-Bruderschaft einen unverbrüchlichen Treueid auf den Orden schwören müssen. Vor der Loyalität zu Vaterland, Religion und Familie rangiert somit die Verpflichtung gegenüber den geheimen Logenbrüdern. US-Bürger fragen sich: wie soll so ein Logenbruder den Eid auf das Gemeinwohl der Vereinigten Staaten überzeugend schwören können?Um zu begreifen, dass die obskuren Riten dieser zuweilen nudistisch agierenden Logenbrüder keinen satanistischen Mummenschanz gelangweilter Studis darstellen, sondern dass sie tiefe Spuren im Treibsand der US-Gesellschaft hinterlassen, müssen wir uns einige Besonderheiten des US-amerikanischen Bildungssystems anschauen....Weiterlesen hier: https://apolut.net/history-skull-bonesUnterstütze apolut:IBAN: DE40 8506 0000 1010 7380 26BIC: GENODEF1PR2Verwendungszweck: apolutKontoinhaber: apolut GmbHVolksbank Pirna eG_Patreon: https://www.patreon.com/apolutflattr: https://flattr.com/@apolutTipeee: https://de.tipeee.com/apolutInstagram: https://www.instagram.com/apolut_netFacebook: https://www.facebook.com/apolutTwitter: https://twitter.com/apolut_net Hosted on Acast. See acast.com/privacy for more information.

The Muppet Show season 1 episode 24 with special guests Mummenschanz is discussed with our special guest Matthew, my brother.

Season 4! Episode 6! ON YOUR OWN! Guys, Mr. Noodle is back and he is still in love with Marilyn! But the 80's mime prop group Mummenschanz is also here, so good luck to us all! Maggie only dates inaccessible guys! Ed finds The One Ring To Rule Them All! Words are heavy! If birds could speak they could not fly! #marilynwhirlwind!

Prelude/Angry Young Man is the sixth track off Turnstiles released on May 19, 1976. What show has the cast of Star Wars, Pete Rose and a performance by Mummenschanz in one episode? The same show that has Billy doing a live performance of Angry Young Man after a song by Petula Clark. See acast.com/privacy for privacy and opt-out information.

Natürlich ist er es! Deutschlands einziger Podcast war bei Late Night Berlin zu Gast. Grund genug, direkt vor dem Fernseher sitzenzubleiben. Casper und Drangsal erinnern sich an Wetten, dass..?, Kinderserien, Bam Margera und Mummenschanz. Der große Benzini berichtet außerdem, wie er sich mit Kartentricks auf eine absurde After-Show-Party mit Skrillex und Diplo in Las Vegas gezaubert hat. Drangsal wiederum lässt uns am Höllenritt durch frühere Nebenjobs teilhaben - inklusive nicht erfolgter Kündigungen. Whatsapp von Uwe, Follow-Ups, Grill, Mit Verachtung Staffel 2, Folge 2.

The final two episodes of The Muppet Show's first season guest star stage and screen star Kaye Ballard and the unique performance artists known as The Mummenschanz! Floyd channels his inner Hugo Chavez, Gonzo goes hog wild, and The Mummenschanz do... whatever it is they do. I can't really explain it but golly it's neat.Hi-ho and welcome once again to A Feat of Lunatic Daring, the most sensational inspirational celebrational muppetational podcast about Jim Henson and his Muppets! Things are rough right now. Let's talk about something that makes us happy, namely in unmistakable genius of James Maury Henson. https://www.lunaticdaring.com/sources (Sources Page) https://twitter.com/LunaticDaring (Twitter) https://www.instagram.com/lunaticdaring/ (Instagram) https://www.facebook.com/lunaticdaring (Facebook) Also follow https://www.youtube.com/channel/UC9DdpUYDBkCCM4BfGRJcpTg? (Antithesis Audio) on YouTube for future video content Chad Instagram & Twitter: https://my.captivate.fm/twitter.com/chadjshonk (@chadjshonk) Nick Twitter: @https://my.captivate.fm/twitter.com/ntjackson17 (ntjackson17) Music by Seth Podowitz https://twitter.com/audiobookseth (@audiobookseth) © Antithesis Audio

Anne Heche is setting the record straight with Damian and Anne! You Might Know Her From Six Days, Seven Nights; Wag the Dog; If These Walls Could Talk; Volcano; Donnie Brasco; Birth; Hung, Cat Fight, Men in Trees, Psycho; and My Friend Dahmer. Anne Heche and her co-host Heather Duffy Boylston join us to talk about their podcast, Better Together and their mission for everyone to practice a little more kindness. They talk about Anne’s stint on Dancing with the Stars and how it was an opportunity to tell the story of being blacklisted after taking her then-girlfriend Ellen DeGeneres to the red carpet premiere of Volcano. We dig into Anne’s memoir Call Me Crazy, how she and Gus Van Sant pitched a lesbian backstory for Marion Crane, her relationship to the LGBTQ+ community, her physicality in two of our faves: Cat Fight and My Friend Dahmer, why Damian and Anne think she should be in Fun Home the musical, and what it was like directing Ellen and Sharon Stone’s sex scene in If These Walls Could Talk 2 This one is just one for the ol’ books.    Follow us on social media: @damianbellino || @rodemanne  Great Muppet Caper starring Charles Grodin (who is alive), and Diana Rigg Kermit was first person voted off The Masked Singer Patti LaBelle singing the ABCs with the Muppets on Sesame Street We asked Lesley Ann Warren about singing with Muppets (Ep 78# Lesley Ann Warren)  Beethoven (1992) is important to many people (Bonnie Hunt is in it so I was into it) Clifford starring Charles Grodin, Mary Steenburgen, Martin Short Anne loves Dabney Coleman  Anne and her friend Heather Duffy Boylston started a podcast called Better Together Anne’s book Call Me Crazy came out a few days before 9/11 and so her book tour never happened Anne appeared on Dancing With the Stars at the behest of her bff Heather Anne ice skated in a Hallmark movie, Looks Like Christmas Anne and Ellen escorted out of the Volcano premiere and fired from her studio contract with FOX Anne’s father was closeted and died of AIDS We thougth Alison Bechdel’s Fun Home might resonate with Anne Heche (also Dykes to Watch Out For) Catfight with Sandra Oh (Netflix), Birth with Nicole Kidman (Starz), My Friend Dahmer (Amazon), Gracie’s Choice, Men in Trees, Hung (HBO), The Vanished (Netflix) Anne plays a lesbian in Catfight (dir: Onur Tukel) opposite Alicia Silverstone After Anne was blacklisted from Hollywood, she went to Broadway to do David Auburn’s Proof (replacing Jennifer Jason Leigh) Then appeared opposite Twentieth Century with Alec Baldwin (Tony nominated)   Huge wig in My Friend Dahmer, tooth work in Nip/Tuck  Anne acted in If These Walls Could Talk and wrote/directed If These Walls Could Talk 2 which co-starred Sharon Stone and Ellen as lovers trying to have a baby  Director of Birth, Jonathan Glazer, told her “I don’t need your backstory” and “take the need out of it”  Had never seen the original Psycho before filming Gus Van Sant’s remake (1998)  Anne Heche’s NYT review for her performances in Proof on Broadway Anne directed If These Walls Could Talk 2, which co-stars Nia Long (the 1970s segment), who appears in Big Momma’s House with next week’s guest.  Anne conflates Mummenschanz with Mannheim Steamroller

music from the Rhein Main Area

music from the Rhein Main Area

music from the Rhein Main Area

Der 15-jährige Kaiser ist in Gefahr. Doch zwei Kinder helfen dem jungen Herrscher. Spannender Mittelalter-Krimi für Kinder.

Hola, Sneakers. Welcome to the podcast about art and poo. We’ve got it all covered. With poo. Thia week on the show: fresh start; bar band; the miracle of Emmet Otter’s Jugband Christmas; creepy Mummenschanz; many Tom Sawyers; ape-mania; staking out Stake Out; too much TV; making murder easy; Dexter was silly; Judge Justice; old […]

Welcome to Season 4 of BEAT MY GUEST - the trivia podcast where you can play along at home. This week's guest is TIM EDWARDS. He will face four rounds of four questions in a wide range of topics. Along the way, he will wager points to set the bar for you, the listener, to play along and - if you can - BEAT MY GUEST.  BECOME A PATRON and get a chance to win a spot in the hotseat... Go to PATREON.COM/BeatMyGuest for details! Twitter:@BMGpod   Theme Song: http://www.purple-planet.com JOIN THE FACEBOOK FAN GROUP - CLICK HERE

During its 2018 season, the Bardavon presented Mummenschanz, the Swiss mask theater troupe that uses masks, light, shadows and choreography to entertain every age.In this episode, we are lucky enough to be speaking with one of the original founders of Mummenschanz, Floriana Frassetto. For more than forty years, Mummenschanz has entertained international audiences with their unique and often hilarious prop-oriented mime. Besides touring the world, Mummenschanz has performed on Broadway, and has been a special guests on Sesame Street, The Muppet Show and in an award winning music video for “Devil’s Ball” by Double, featuring horns by Herb Alpert. Presently, Mummenschanz is on tour with its production of “ You and Me”. See acast.com/privacy for privacy and opt-out information.

Having a chance to sit and to talk with the creative and cast members of Mummenschanz. Sara Hermann, Oliver Pfulg, Christa Barrett, Floriana Frassetto, Kevin Blaser About Mummenschanz: https://www.mummenschanz.com/3/ Support Keith Price's Curtain Call on Patreon: http://www.patreon.com/keithpricecurtaincall Subscribe to Keith Price's Curtain Call on Itunes: www.keithpricecurtaincall.com Follow @keithpricecurtaincall on Instagram Follow @kpcurtaincall @comedydaddy Like me on FB: https://www.facebook.com/Keith-Prices-Curtain-Call-1380539615593807/ Subscribe on You Tube: https://www.youtube.com/channel/UCduwJ3ytmAwdJMQtGllk1Ig

Alternate Titles:  "Favorite Clown-Shaped Person" or "Satori vs. Mummenschanz...FIGHT!" or "The Other Other White Meat" or "No One Has Picked Up Sex Muppet" or "Weird Dumpling Baby" or "Noted Kidnap Victim and Domestic Terrorist" Show Notes, Links, Videos, Photos, Whatnot Discussed:   https://cvradio313.blogspot.com/2018/06/episode-179-satoris-got-talent-show.html         Our Patreon page to support us for early access and additional bonus content: https://www.patreon.com/CultureVulturesRadio Like us on FaceSpace, follow us on Twitter, write us love letters!

Welcome to the comic, wondrous, wordless universe of Mummenschanz, a place where everyday objects—such as wires, tubes, boxes—spring to life to become fantastical characters and will be at The State on March 18. Mummenschanz creator Floriana Frasetto chats with us about creating the group over 45 years ago and how she is still creating to keep the material fresh.

3. November 1967: Unsere erste Episode im neuen Jahr ist ein Festival aus Mummenschanz und Comedy, denn Harry Mudd ist wieder da. Der Hochstapler der Herzen kollidiert in einer klassischen Science-Fiction-Story mit zahllosen Androiden – und schöner wär's wahrlich nur in Leningrad. In Deutschland: Der dressierte Herrscher, ausgestrahlt am 26. August 1972.

Chip and Jeff enjoyed yet another blazing hot night of running while talking! They are joined by legendary WPRB deejay and Comedy Minus One record label head honcho, Jon Solomon, who guides them through the serene and bucolic Delaware Canal Towpath in New Jersey. Chat topics include: bagels, coffee, half marathon training, running hats, Star Wars, tall grass & brambles, deer sightings, music documentary recommendations, running clothes, Mummenschanz, NJ pizza, Albert Brooks and Seltzer! Music played: “Reaction” by SAVAK and “Settle Down” by Rutabaga Comedy Minus One Records http://www.comedyminusone.com Jon Solomon on WPRB http://keepingscoreathome.com Rutabaga https://theseknottylines.bandcamp.com SAVAK https://savak.bandcamp.com Good Evening with Chip Chantry https://philadelphia-heliumcomedy-com.seatengine.com/shows/39962 Junk Miles Twitter: https://twitter.com/junkmilesshow Chip Chantry https://twitter.com/chipchantry Jeff Lyons https://twitter.com/usedwigs Fun Photo http://www.junkmilesshow.com/wp-content/uploads/2016/09/ep5.jpg

It all begins here...again...for maybe the third time, I stopped counting. Yes, Just One of the Guys is entering a new era in the comics we're covering. The spectacular Ron Marz run on the book has ended, but before we head into the Judd Winick era, we have to sit through a couple of stories penned by Jay Faerber. And in issue 126 of Green Lantern, Mr. Faerber brings us a tale of hostage rescue and illegal experimentation on supervillains. I say supervillains, but honestly it's pretty much the d-listers with Typhoon and Sonar being the stand outs. But is this just another filler issue that will make me throw the book down in disgust? You'll have to listen to find out. Plus we're taking a look at the second Green Lantern 80 Page Giant. And this time, it's not filled with inventory crap. In fact, the stories, which team Kyle with various heroes from the DCU, are really pretty good. Plus I've been fortunate enough to wrangle the best podcasters on the internet to join me in covering this book. You'll hear such luminaries as Rob Kelly, Andrew Leyland, Stephen Lacey, W. Blaine Dowler, Paul Spataro, Dave Walker, J. David Weter, Micheal Leyland, Flava Flav, Steve and Edie, the magic of Doug Henning, former U.N. Secretary Boutros Boutros-Ghali, and Mummenschanz! So grab a refreshing beverage and get ready to be amazed at how much better all these people are at podcasting than your host. I guarantee you'll love every second, or double your purchase price back. So what are you waiting for? Download the show and get to listening!Feedback for this show can be sent to: justoneoftheguyspodcast@gmail.comJust One Of The Guys is a proud member of the Two True Freaks! (http://twotruefreaks.com/main.php) family of podcasts, the best place on the internet to find shows about Star Wars, Star Trek, Comics, Movies, and anything else that the modern geek could ever want. If you are downloading the show through iTunes, be sure to leave a rating, hopefully a FIVE STAR RATING, because every rating we get helps grow the shows on the network! Thanks for listening, and be sure to come back next Friday for another episode of Just One Of The Guys: A Green Lantern Podcast.

It all begins here...again...for maybe the third time, I stopped counting. Yes, Just One of the Guys is entering a new era in the comics we're covering. The spectacular Ron Marz run on the book has ended, but before we head into the Judd Winick era, we have to sit through a couple of stories penned by Jay Faerber. And in issue 126 of Green Lantern, Mr. Faerber brings us a tale of hostage rescue and illegal experimentation on supervillains. I say supervillains, but honestly it's pretty much the d-listers with Typhoon and Sonar being the stand outs. But is this just another filler issue that will make me throw the book down in disgust? You'll have to listen to find out. Plus we're taking a look at the second Green Lantern 80 Page Giant. And this time, it's not filled with inventory crap. In fact, the stories, which team Kyle with various heroes from the DCU, are really pretty good. Plus I've been fortunate enough to wrangle the best podcasters on the internet to join me in covering this book. You'll hear such luminaries as Rob Kelly, Andrew Leyland, Stephen Lacey, W. Blaine Dowler, Paul Spataro, Dave Walker, J. David Weter, Micheal Leyland, Flava Flav, Steve and Edie, the magic of Doug Henning, former U.N. Secretary Boutros Boutros-Ghali, and Mummenschanz! So grab a refreshing beverage and get ready to be amazed at how much better all these people are at podcasting than your host. I guarantee you'll love every second, or double your purchase price back. So what are you waiting for? Download the show and get to listening!Feedback for this show can be sent to: justoneoftheguyspodcast@gmail.comJust One Of The Guys is a proud member of the Two True Freaks! (http://twotruefreaks.com/main.php) family of podcasts, the best place on the internet to find shows about Star Wars, Star Trek, Comics, Movies, and anything else that the modern geek could ever want. If you are downloading the show through iTunes, be sure to leave a rating, hopefully a FIVE STAR RATING, because every rating we get helps grow the shows on the network! Thanks for listening, and be sure to come back next Friday for another episode of Just One Of The Guys: A Green Lantern Podcast.

The 1st part of our conversation with Evan Dorkin! Listen as John and Chris talk with Evan about Joey Patches' story (check out the previous episode, "A Seven-Minute Story"), Chris' divorce, Eltingville Club, Staten Island, crabs, anger, Milk & Cheese, TV sitcoms, Star Wars, parents, Mummenschanz, the Staten Island Advance, shoplifting, modifying action figures, White Castle, Genesee Cream Ale, Basket Case, X-Files, working in a comic book shop, Space Ghost, Sarah Dyer, Ghostbusters, comic book conventions, Teenage Mutant Ninja Turtles, flying, Kenny Loggins, Asian markets, Marmaduke, Clifford, Branford Marsalis, and more! www.SuperLiveAdventure.com

Socko Jones (comicbookjones.com) joins John (a.k.a. Designated Driver Jones) and Chris (a.k.a. Drunk Uncle Jones) as they discuss the Blues Brothers, chicken art, Sing-A-Long Sound of Music, Yearlingers, Ghostbusters, Pee Wee's toilet, Joe's Crab Shack, parents on Twitter, hernias, dentists, S&M Polish Deli, Mummenschanz, Perkins, rumored celebrity deaths, and comic books. Vin Forte (That Time of the Month Podcast) and Ron Maxwell (Ghostbusters superfan) also stop by, and Bryan McGuckin helps out in the sound booth. This episode is brought to you by Audible.com. Visit www.audibletrial.com/superliveadventure for a free audiobook download!

S01e24 - Mummenschanz (themuppetarchive)

S01e24 - Mummenschanz (themuppetarchive)

In der zweiten Folge stellen sich die einen eitel zur Schau, bilden sich ein, viel besser als alle anderen zu sein. Dabei sind sie das in keiner Weise, und die leisen, bescheidenen Gegenspieler stellen sie glatt in den Schatten. (Online-Signatur Medienzentren: 4980085)

Die vierte Folge führt vor Augen, dass Kommunikation nur funktionieren kann, wenn die Partner gelernt haben, aufeinander zu- und einzugehen und einander zuzuhören. (Online-Signatur Medienzentren: 4980087)

In der dritten Folge geht es darum, anderen Mut zu machen, ihnen zu helfen – dabei meinen es aber nicht alle phantastisch vermummten Gestalten ehrlich. (Online-Signatur Medienzentren: 4980086)

In phantasievollen Aufmachungen erzählen die Künstler von Mummenschanz fabelhafte Geschichten ohne Worte. Sie halten uns einen Spiegel vor; als skurrile Figuren vermummt führen sie uns allerlei Stärken und vor allem auch Schwächen vor Augen. In der ersten Folge sind die phantastischen Charaktere vor allem darauf bedacht, andere auszugrenzen, sie zu vertreiben, nicht an ihren Aktivitäten teilhaben zu lassen, und sie können einfach nicht genug bekommen. (Online-Signatur Medienzentren: 4980084)