Podcasts about Polica

Lo zorongo Gitano non è esattamente un palo flamenco, ma una canzone che viene dal repertorio popolare andaluso. Ha una melodia popolare semplice. Si suona por medio in modalità flamenca, quindi è facile da afflamencare. Abbiamo una sola forma di letra e un estribillo, e questo indica che non si è sviluppato molto. Non si sa gran che delle sue origini, forse le sue radici antiche sono da ricercarsi in balli africani provenienti dal Congo. Non è una follia, dato che nel porto di Cadice e nel porto di fiume di Siviglia passavano tutti i commerci dalle indie e dall'Africa, inclusi gli schiavi diretti alle Americhe.In effetti la parola stessa non suona molto europea!Che fosse un ballo di schiavi africani lo dicevano i pliegos de cordel, antichi libretti che venivano venduti in una sorta di edicola ante litteram: fogli stampati, piegati appesi su una cordicella in vendita. Raccontavano storie, poesie, aneddoti. Probabilmente lo zorongo era un baile gitano, sulla scia della zarabanda, della quale era una versione meno volgare, più morigerata. Si ballava a coppie, nelle zambras del Sacromonte di Granada. Ce ne parla Faustino Nuñez, il flamencologo di cui sempre ti parlo, nel suo libro "Guia comentada de musica y baile preflamencos (1750-1808)", come una parte importante del folklore spagnolo. Ci parla di una letra antica: "!Ay, zorongo, zorongo, zorongo! Que lo que mi madre me compra me pongo, que si me compraba una camisita que llena de encajes que por las manguitas que toma zorongo"  Ahi zorongo, che quello che mi compra mia madre io me lo metto, che se mi avesse comprato una camicetta con le maniche di pizzo, que toma (espressione intraducibile, che significa qualcosa come "ecco!"). Comunque anche con questa strofa non si capisce il significato della parola! Probabilmente è un suono divertente. La parola stessa indica un fazzoletto triangolare usato come bandana.All'inizio del 900 viene praticato dai gitani del Sacromonte soprattutto come danza. Il ritmo era ternaio, come tutto il folklore spagnolo. Le strofe parlano di amore non corrisposto, di cui però si è molto fieri. Importantissimo a riguardo il lavoro di Federico Garcia Lorca. Il sommo poeta raccolse le strofe di canti popolari antichi spagnoli, e li incise in una collezione di 5 dischi per il grammofono, per l'etichetta "La voz de su Amo" (La Voce del Padrone) nel 1931, arrangiandone la musica, e suonandola al piano personalmente. Ad accompagnarlo, al canto, nacchere e zapateo, La Argentinita. Ogni disco conteneva due brani, uno su ogni lato, e uno di questi era proprio lo zorongo.La collezione ebbe un enorme successo e salvò dall'oblio molte canzoni popolari antiche. Lo zorongo in effetti come tale venne dimenticato, ma venne da lì in poi ricordata la versione del poeta, che ne compose anche qualche strofa, oltre a ricostruirne di popolari: se ascolti le strofe di zorongo gitano, ti rendi conto che non possono essere di tradizione popolare, perché contengono parole troppo ricercate e immagini non banali. Ad esempio la strofa famosa: "las manos de mi cariño estan bordando una capa con nagréman de alhelies y con esclavinas de agua" (le mani del mio amore stanno ricamando un mantello con passamanerie di violacchiocche e con mantelline di acqua)... non è propriamente linguaggio popolare!Esistono parecchie strofe poetiche por zorongo, ma la melodia è sempre la stessa. Inoltre c'è un ritornello. Che nella versione del 1931 non viene neppure cantato ma soltanto suonato al piano e ripetuto ritmicamente dal zapateo de la Argentinita. Il poeta però scrisse le parole del ritornello. La voce di Argentinita ci fa capire che nel flamenco ognuno canta.. con la voce che ha! E che non esiste una estetica della voce! Antonio el bailarin, Antonio Ruiz Soler, nel 1964 lo ballò con Marisol, Pepa Flores, sul canto della stessa Marisol, nel film "La nueva cenicienta". Il film era stato fatto con il proposito di lanciare Marisol sul mercato cinematografico internazionale, e infatti fu diretto da un regista americano che era solito produrre film western. Non ebbe molto successo, forse anche perché Marisol non era più la bambina prodigio dei tempi in cui divenne famosa. Però il fatto che sia stato registrato lo zorongo in questo film ci dice che il brano era molto noto, e forse anche questo intervento di Antonio el bailarin lo rese ancor più famoso. Nel modo di cantare di Marisol si sente molto il gusto di canto che c'è nella storia della copla spagnola. Il ritmo è il solito ritmo 123 123 12 12 12, tipico del folklore spagnolo, e che chi conosce il flamenco sa che è molto diffuso. Nelle orecchie questo ritmo ce l'hai già: ascolta la colonna sonora di West Side Story! Leonard Bernstein ha preso questo ritmo proprio dal folklore spagnolo!Un ritmo ternario di amalgama, suonato in modo flamenco, in tono di la minore... suona molto flamenco! Ed è molto facilmente afflamencabile!Ti faccio ascoltare l'introduzione con gli "y" tipica por Caña o Policaña o Polo (che sono altri palos del flamenco), per la voce di José de La Tomasa, che è praticamente la stessa melodia del ritornello dello zorongo. Comunque questa sequenza di suoni è basata sulla cadenza andalusa, che è proprio la atmosfera tipica delle sonorità musicali spagnole. Ascoltiamolo insieme al ritornello di zorongo!Ti faccio sentire una registrazione di uno Zorongo cantato da Teodoro Perez Villanueva un cantaor sivigliano storico, che raccoglie in sé la storia del flamenco. Classe 1912, è l'esempio di un'epoca. Per la chitarra di El Pucherete. Questo audio viene da una trasmissione televisiva del 1973, emessa dalla televisione spagnola Tve, dallo storico tablao Torre Bermeja di Madrid. Voce forte potente e chiara. La sua versione dello zorongo è molto bella e personale. Parlando dello zorongo non ci possiamo dimenticare della versione che mne fece nel 1993 Carmen Linares, con il disco Canciones populares antiguas, con la collaborazione di musicisti eccezionali (Miguel Angel e Paco Cortes alla chitarra, Javier Colina al contrabbasso, Bernardo Parrilla al violino, Juan Parrilla al flauto). La grande particolarità è che Carmen lo canta il 4/4 come se fosse un tango, e la sua versione ha fatto scuola. Sono Sabina Todaro, mi occupo di flamenco e danze  e musiche del mondo arabo dal 1985. Dal 1990 insegno baile flamenco e Lyrical Arab Dance, un lavoro sull'espressione delle emozioni attraverso le danze e le musiche del mondo arabo al Mosaico Danza di Milano. Mi sono più volte cimentata con lo zorongo insegnando, e il tema è davvero facile da ricordare. Interessante è il ritornello che può essere cantato molto lentamente come introduzione, ed è molto espressivo! La danza può far riferimento alla danza spagnola, se viene fatto in 12 tempi con il ritmo ternario originale, o si assimila ad un tango flamenco. Ha una identità non particolarmente individuata, proprio perché non ci sono tante melodie: infatti non si tratta di un vero e proprio palo flamenco ma di una canzone afflamencata.Ascoltalo e.. formati il tuo gusto personale!

In questo podcast facciamo una analisi di vari esempi di salida del cante che utilizzano l'Ayeo, che usa il suono Ay o I per introdurre il cante. Questi suoni vengono anche chiamati Quejío, lamento. Partiamo da una Siguiríya cantata da Camarón de la Isla. Tradizionale e molto personale insieme. Camarón era sempre molto spontaneo e personale. L'introduzione por siguiíya è sempre tiritiritiri-ay. Il suono Tiri è molto esplosivo e aiuta ad entrare in questo palo così forte. Nel quejío por siguiríya si sente tantissimo la scala flamenca e in particolare la cadenza andalusa. In pratica viene percorsa profondamente. Ascoltiamo un esempio di quejío por Soleá, fatto da un altro gigante del flamenco, punto di riferimento assoluto per quello che riguarda la Soleá: Antonio Mairena. Anche nel quejío por soleá si sente chiarissimamente la cadenza andalusa.Ascoltiamo un esempio di quejío por Malagueña, cantato da Antonio Chacón, una pietra miliare di questo cante, tant'è che ha creato uno stile, la Malagueña de Chacón. Antonio Chacón diede un grande impulso a questo palo e anche a molti altri, pur non essendo gitano. Portò il cante flamenco su palcoscenici internazionali, e infatti fu anche criticato da molti gitani, che considerarono questa operazione un po' troppo commerciale. Il quejío por Malagueña si introduce con il suono "Giagiay", molto caratteristico, e presenta proprio bene le note della cadenza andalusa. Questi cantes sono molto antichi e addolorati, legati all'anima andalusa, gitana e quindi flamenca. Come esempio di quejío di cantes de levante ho scelto Carmen Linares, che è della zona più ad est dell'Andalusia, appunto di Linares, in provincia di Jaen. L'esempio che ho scelto è una taranta-minera. E nel quejío si sente un riferimento ad ambedue i cantes, taranta e minera. I quejíos dei palos di levante sono un lamento, non un urlo di dolore, come invece lo sono quello di Siguiríya e di Soleá.Ascoltiamo anche un esempio di salida del cante por minera. Il cantaor è Jeromo Segura, che è di Huelva ma ha studiato talmente in profondità i cantes di Murcia che è davvero un esempio molto aderente alla tradizione in particolare di La Unión, un paese in provincia di Murcia, nel quale c' è un concorso dedicato proprio ai cantes de levante, delle miniere. La voce viene mantenuta per una quantità di tempo incredibile, ed è proprio una caratteristica peculiare del cante por minera. Ascoltiamo anche un altro esempio di un quejío con Y, quello particolarissimo por Caña, fatto da Enrique Morente con la chitarra degli Habichuela, garanzia di una grande qualità. Introduce con E Ay, e seguono dei caratteristici Y con una melodia particolare, tipica della Caña, della Policaña e del Polo, di cui parleremo meglio in un altro podcast. Anche in questo si sente molto la cadenza andalusa. L'atmosfera è molto diversa da quelle precedenti, non c'è quel dolore, quella profonda tristezza, quel dolore. Ascoltiamo anche un altro esempio, in cui la salida del cante è fatta con Ay, ma si tratta di una Cantiña: ci sono Y e Ay, ma l'atmosfera è proprio diversa! Si tratta di palos allegri, solari. Qui ti faccio ascoltare un esempio di Caracoles. Come mai si usa Ay in una cosa allegra? In realtà ogni cantaor fa queloc he sente, a seconda dei suoi gusti, del momento creativo, del suo stile perosnale. Magari poi la cosa piace e diventa patrimonio comune. Non si può tagliare il flamenco con un coltello! L'esempio che ti faccio ascoltare è il cantge di José Menese accompagnato da Antonio Carrion, entrambi sivigliani. Antonio Carrion è super appassionato di cante, e probabilmente il suo sogno nel cassetto sarebbe proprio di essere un cantaor. Non ggiungo altri esempi di salida del cante che sfrutta Ay non perché non ci siano ma perché non voglio confonderti, e anzi voglio stimolare le tue capacità di ascoltare e riflettere. Sono Sabina Todaro, mi occupo di flamenco e danze e musiche del mondo arabo dal 1985. Dal 1990 insengno baile flamenco a Milano e un lavoro sull'espressione delle emozioni attraverso le danze del mondo arabo che ho chiamato Lyrical Arab Dance. Chi non conosce il flamenco spesso dice che il cantante flamenco si lamenta perché forse ha il mal di pancia. Per me questi suoni di lamento sono utili per riportarci più vicini all'essenza delle cose, della vita. Lasciarci permeare dai suoni richiama delle memorie emozionali antiche dentro di noi, e se poi devo ballare su quel palo, è fondamentale ascoltare la salida del cante se devo ballare! Non credo che esista una siguiriía senza salida del cante. Credo che sia impossibile entrare in questi suoni senza un Ayeo! Non sono un cantqaor, ma non ho mai sentito qualcuno cantare questo palo senza un ayeo. Faccio un'ultima riflessione sulla presenza di suoni Ay anche in cantes allegri: come nella vita, il flamenco sa benissimo che le emozioni non sono mai pure: c'è sempre un piccolo fondo di malinconia anche nella gioia, di serenità nel dolore ecc. Il flamenco non si identifica con una emozione sola, esattamente come fa la vita.

Jules talks about freeballing, Brad struggles with the pronunciation of “Sbagliato”, and we find out how to make a Negroni the wrong way, otherwise known as the Negroni Sbagliato. This episode goes a little off the rails. Negroni Sbagliato  This is a great batch cocktail (but not one to hang onto for days) Whistl you make your drink, put on the Polica playlist below Chill your Double Rocks Glass / or huge wine glass In your chilled glass add 1 large cube of clear ice 1 oz Campari 1 oz sweet vermouth (Bordiga Vermut Rosso - Vermouth Di Torino) 2 oz prosecco (Villa Delgi Olmi) Stir for about 4 - 7 rotations (you don't want to sacrifice the bubbles) Sbagliato Biacno  In a mixing glass add: 1 oz italicus 1 oz Lillet Blanc 3/4 oz dry vermouth 2-3 dashes orange bitters Ice Mix together Strain over a chilled glass with a fresh cube and top off with club soda or sparkling wine Tip: Using dry ice Polica playlist (Spotify) https://open.spotify.com/artist/34vLhockmYhf3LgznwyNaQ  The Art of Drinking IG: @theartofdrinkingpodcast  Jules IG: @join_jules TikTok: @join_jules  Website: joinjules.com Brad  IG: @favorite_uncle_brad This is a Redd Rock Music Podcast IG: @reddrockmusic www.reddrockmusic.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Daily Dad Jokes (24 Jun 2023) Email Newsletter: Looking for more dad joke humour to share? Then subscribe to our new weekly email newsletter. It's our weekly round-up of the best dad jokes, memes, and humor for you to enjoy. Spread the laughs, and groans, and sign up today! Click here to subscribe ! Listen to the Daily Dad Jokes podcast here: https://dailydadjokespodcast.com/ or search "Daily Dad Jokes" in your podcast app. You can now submit your own dad jokes to my voicemail, with the best ones to be included in upcoming episodes on this podcast. Just leave your name, the city and state you live in, and your best Dad Joke. Call (978) 393-1076. Look forward to hearing from you! [Promo] Daily Shower Thoughts is a new podcast launched by myself and my co-host Lorelai Stewart. Join us for random, amusing and mind bending epiphanies. Pod links here Daily Shower Thoughts website. [Promo] Check out the Get Happy Headlines podcast by my friends, Stella and Mickey. It's a podcast dedicated to bringing you family friendly uplifting stories from around the world. Give it a listen, I know you will like it. Pod links here Get Happy Headlines website. [Promo] Check out the Daily Facts podcast that brings you interesting and surprising facts from around the world every day! Did you know that the longest recorded flight of a chicken lasted for 13 seconds? Or that there's a species of jellyfish that can essentially live forever? With Daily Facts, you'll learn something new and fascinating with every episode. Tune in daily and impress your friends with your newfound knowledge. Listen now on your favorite podcast platform or check out the pod links here Get Happy Headlines website. [Promo] Looking for the perfect gift for your Dad? Check out our official Daily Dad Jokes merch here, including our popular "Dad Joke University" T-shirts Click here to browse Jokes sourced and curated from reddit.com/r/dadjokes. Joke credits: CAdamH, LegendOfJeff, GranularPlatitude, EGor1138, IAMACARROTboi, chris3000, Drondol, Jaynecobb1374, NoMoreTerritory, KMDK2, andersonfmly, DeletedForSpamm, EndersGame_Reviewer, VERBERD, kettlejack123, Rav4xle, thermbug, foxtrotlimazl87, Fancy_Association, madazzahatter, YourOverLordisME, Mr_Gus3114, Burpmeister, StephenHunterUK, Advnchur, The-PoLIcA-is-Coming, cman_yall, Pelican_Pecan, MaCk_Pinto, underhandshade, Hollywoostarsand, Cobclob, Alyvrius, voiceoverflowers Subscribe to this podcast via: Spotify iTunes Google Podcasts Youtube Channel Social media: Instagram Facebook Twitter Tik Tok Discord Interested in advertising or sponsoring our show with +15k daily streams? Contact us at mediasales@klassicstudios.com Produced by Klassic Studios using AutoGen Podcast technology (http://klassicstudios.com/autogen-podcasts/) See omnystudio.com/listener for privacy information.

We go Coast to Coast and scour the small-towns for their crime, and with Cutter off Ross stepped in to help Rick.

I'm so excited to have my dear friends (Eliotte Nicole, Mackenzie Martin, Taylor Hansen) of 10+ years in LA join me in this very special episode. Revisiting this in the editing process was everything I needed and more to put the biggest smile on my face and remind myself of the power of community. I highly respect each of these incredible humans and they share beautiful insight on the importance of community, how not to be a creeper when developing new relationships (aka networking), and the beauty of friendship in a harsh industry. @eliottenicole@_mackenzie_martin_@taylor.n.hansenEliotte Nicole is an eclectic performer originally from San Antonio, TX and a graduate of Washington University in St. Louis. Trained in many forms of dance, Eliotte has performed the works of Kenny Ortega, Tyce Diorio, Charm La'Donna, Jerry Mitchell, Michael Rooney, Martha Graham, and more. She is a Background Vocalist for Taylor Swift and was a part of the award-winning and record-breaking: The RED World Tour, The 1989 World Tour, and The reputation Stadium Tour. Eliotte has performed on TV and award shows with Taylor Swift, Cher, Meghan Trainor, John Legend, Ne-yo, and Pitbull; and in commercials for Ford, Crocs, Nike Training Club, Old Navy to name a few.  Be sure to catch Eliotte on stage with Taylor Swift for the upcoming The Eras Tour!Mackenzie Martin is a Los Angeles based Choreographer and Entrepreneur, recognized internationally for her distinctive and artistically grounded choreography, her ability to create a sense of space, and visionary leadership. Her credits include Missy Elliot, Lululemon, Donovan Woods, Duomo, Sephora, Caesar's Palace, DanceOn, Polica and Simon Birch's "14th Factory" and is a two time Capezio A.C.E Awards nominee. Mackenzie is the Director of LA contemporary dance company GEOMETRY and the CEO & Founder of SOUL DE SOUL Dance Convention where she also teaches on faculty. She is also the founder of GENESIS STUDIOS in Los Angeles.Taylor Hansen is a Los Angeles based Choreographer, Dance Educator, Coach and Manager from Rochester Hills, MI. She danced her way through Hollywood for many years and has officially transitioned her career in dance education. Taylor has traveled the country judging, teaching master classes and setting guest choreography over the last 10 years. Her powerful choreography has won numerous awards in the competitive circuit, with her proudest role being the Head Coach of Saugus High School dance team in Santa Clarita, CA. You can also pop into her open technique class at Los Angeles' newest professional studio, Genesis Studios, where she also happens to be the Manager/Lead Designer. In Michigan Taylor danced with Radio Disney, Variety Charity, Detroit's MotorCity Movements and also appeared on FOX as a Vegas finalist for SYTYCD Season 7. Taylor completed her Bachelor's Degree of Fine Arts at Loyola Marymount University.  Find her shouting 5,6,7,8 or on a hike in LA.Hey y'all! I'm Justine, the voice behind the DC:U pod and MNTR MGMT. After 15+ years in the industry as a choreographer, dancer, producer, educator and more, I'm now working closely with dance artists on professional development, business skills and digital enhancement. Curious? join the mntrU Crew or become a Pod Producer/SupporterConnect with me on Insta @mntr.mgmt

Med duhovniki, ki so bili v tem poletju premeščeni na drugo župnijo, je tudi nekdanji vojaški vikar in dosedanji župnijski upravitelj Župnije Polica pri Grosupljem msgr. dr. Jože Plut. Z nami je govoril o doživljanju te spremembe in o pomenu premestitev za vernike ter živost Cerkve. Ali se škofje o premestitvah odločajo na podlagi kakšnih posebnih pravil? Kakšne so naloge duhovnika, ki prevzame župnijo? Kakšna so pričakovanja Cerkve do vernikov in laikov? In zakaj je dr. Plut hvaležen za novi koronavirus? V drugem delu oddaje pa ste lahko prisluhnili pogovoru o projektu Počimo mehurčke, taboru, ki povezujejo večje katoliške in muslimanske oz. turške družine, ki živijo v Sloveniji.

This month's miserable music podcast sees regular bastards Matt, Sam, and Fran joined by an extremely special guest in the form of Fat Roland. Come along and listen to them discuss four recent releases from Ethel Cain, Post Malone, Polica, and Moderat and a classic LP from Depeche Mode. Special guest Fat Roland covers this month's Why I Love section as he waxes lyrical about Orbital. Get your ears on it.  See acast.com/privacy for privacy and opt-out information.

Miles Taylor of Wood Lake, Minn. is a burlesque DJ and visual artist with a particular interest in glitch art. He admires the innovative work of Autumn Cavender, a Dakota artist and midwife. Her art finds a common thread in digital media and traditional Dakota quillwork and hide processing. Courtesy of Autumn Cavender Autumn Cavender's artwork is of the digital form of the sounds of her son's birth. A year ago, she recorded the sounds of the birth of her second son. Cavender turned those sounds into a digital image which Taylor says bears striking similarities to her quillwork. “Wowicakekage: Dakota Art Encoded” is currently at the K. K. Birge Gallery through May 7, and then it will travel through the summer. The exhibit will be at the Southwest Minnesota Arts Council in Marshall May 12 through June 17, then spend August at the Crossing Arts Alliance gallery in Brainerd. Adam Wiltgen, residency coordinator and development director at the Anderson Center at Tower View, is enjoying the ongoing collaboration between Minnesota artists and poets through nearby Red Wing Arts. This year is the 21st annual juried Poet Artist Collaboration, which asks artists to illustrate selected original poems. The result, Wiltgen said, stretches visual artists outside their comfort zone to create something new. Wiltgen recommends visitors check out Jacob Yeates's visual response to Casey Patrick's poem “Medusa,” where the hyper-realistic image changes and morphs; and Cole Redhorse Jacobson's “provoking artwork” in response to Gwen Westerman's poem on the significance of the Mississippi River for our wildlife and our collective wellbeing. Courtesy of Red Wing Arts Jacob Yeates illustrates a poem by Casey Patrick. The exhibit is on display at Red Wing Arts through May 15, with Thursday night poetry readings running through that date. Red Wing Arts has created a chapbook of this year's collaborations. A reception of the participating poets and visual artists will be held Friday starting at 6 p.m. at the St. James Hotel in downtown Red Wing and is open to the public. Amy Garretson of the Rochester Arts Center has her tickets for the Mid West Music Fest in Winona Friday and Saturday. The two-day event offers a full line-up of artists from the region performing indie rock, pop synth, classic folk and more on multiple outdoor and indoor stages. Garretson said it's a great opportunity to discover the bars, coffee shops, and other venues in the Mississippi River town on a spring weekend. She's looking forward to catching headliners Polica, Haley, and Bad Bad Hats. Proof of full vaccination or negative PCR test within 72 hours of event start is required. Garretson offers a  tip: VIP tickets to this Mid West Music Fest also include admission to a sister event in LaCrosse, Wisconsin in September. 

The lineup for this years Midwest Music Fest in Winona has been announced, and it's AMAZING!! Polica, HALEY, Gully Boys, Bad Bad Hats, Kiss The Tiger and so many more! Including today's guest and festival headliner, Mark Mallman. He's always a great conversation and he seems ready to melt some faces. Enjoy!Support this podcast at — https://redcircle.com/brian-oake-show/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

O desmatamento na floresta amazônica brasileira aumentou 21,97% em um ano, atingindo o maior nível desde 2006, segundo um relatório anual do governo divulgado na semana passada.

Name Is Critical - To The Cosmos 37 - LSRTrack Listing:1: Key Lean - Ocean View (Extended Mix) - Perfecto Records2: Dosem - Eternal Summer (Extended Mix)  - Anjunadeep3: Avira - Love Me (Yotto Extended Remix) - Odd One Out4: Grum - Blackhole (Extended Version) - Deep State5: PROFF, Mokka - We Believe (Extended Mix) - Nueva6: Cedric Gervais and Aston Lane - Dreamers (Original Mix) - This Never Happened 7: Gorgon City & Drama - You've Done Enough (John Summit Extended Mix) - EMI Records8: John Summit - Deep End (Extended Mix) - Defected9: Martin Ikin, Malika - I'll Be feat. Malika (Extended Mix) - Toolroom10: Freejak - Empire (NYC) (Extended Mix) - Champion Records 11: Husko - The Tribe (Original Mix) - Toolroom12: Camelphat x Artbat feat Rhodes - For a Feeling (Layton Giordani Remix) - RCA Records13: Reinier Zonneveld - Feel Free (Original Mix) - Filth on Acid14: Mark Michael - Horizon (Extended Mix) - Terminal M 15: Hi-Lo - Athena (Original Mix) - Octopus Records16: ASYS  - The Acid (t78 Remix) - Fe Chrome17: Frankyeffe and Rebel Boy - Distorted Existence (Original Mix) - Riot Recordings18: Kolonie - Astral (Extended Mix) - Magik Muzik19: Farius - Forever (Boxer & Amy Wiles Extended Remix) - Zerothree20: Lane 8 feat POLICA  - Shooting Arrows (Matt Fax Remix) - This Never Happened21: D.Ramirez & Mark Knight - Colombian Soul (Original Mix) - ZerothreePodcast -http://nameiscritical.podomatic.comhttps://itunes.apple.com/gb/podcast/name-is-critical/id972360965?mt=2Mixcloud -http://www.mixcloud.com/TranceTechnologyPodcast/ http://www.mixcloud.com/NameIsCritical/Facebook-Trance Technology -http://www.facebook.com/groups/170457666300769/Name Is Critical -https://www.facebook.com/nameiscriticalCheers

Recording of CT's live stream mix for @coviddancenights DJ Hero's IV event where I choose the legendary Sasha & John Digweed as my heroes and played music either they have released themselves, remixes or released on their record labels, Bedrock & LNOE. Setlist: 01. Eyesdown (Sasha Remix) - Bonobo 02. Eterna (John Digweed & Nick Muir Remix) - Slam 03. Mongoose (Guy J Remix) - Sasha 04. Smokemonk (Yotto Remix) - Sasha 05. Tachyon Dream (John Digweed & Nick Muir Rework) - Gabriel Ananda 06. Sugar Daddy (John Digweed & Nick Muir Remix) - Secret Knowledge 07. Chillin’ Moments (Bedrock Vocal Remix) - Shmuel Flash 08. Petro Sys - Lee Van Dowski (Bedrock Records) 09. Out of Time - Sasha, Polica 10. Heaven Scent (M.O.D.E Remix) - Bedrock 11. Heaven Scent (Original Mix) - Bedrock 12. For What You Dream Of (Full On Renaissance Remix) - Bedrock ft Kyo 13. Xpander - Sasha

Welcome back!Today we are kicking off the LOVE series with Mackenzie Martin. This interview was so special as we got to have a really good and honest and powerful conversation about dance.. the highs and lows. Mackenzie offers up her outlook on the power of movement, connection and authenticity which I hope will inspire you as much as it inspired me!BIO:Mackenzie is a Los Angeles based choreographer and entrepreneur and recognized both nationally and internationally for her distinctive and artistically grounded choreography and her ability to create a sense of space. Her professional credits include Missy Elliot, Lululemon, Donovan Woods, Sephora, Caesar's Palace, DanceOn, Polica and Simon Birch's "14th Factory" and is a two time Capezio A.C.E Awards nominee.Mackenzie is the Director of LA contemporary dance company GEOMETRY, the CEO & Co-Founder of Soul de Soul Dance Convention where she also teaches on faculty. She is the founder and developer of MMMETHOD; a comprehensive holistic approach to movement and technique grounded in a mindful ethos. She has had the honor of being invited to showcase work and full length concerts across the world in Scotland, Greece, Italy, Australia and Spain and presented her research entitled "Intentions: Getting Present for Contemporary Movement" at the World Congress of Dance in Athens, Greece.Mackenzie is on faculty at AMDA College of the Performing Arts in Hollywood. Before COVID-19 she was teaching weekly open classes at IAF Compound in North Hollywood, her classes can be found online via IAF PRIME, a virtual platform for the studio. She is also guest faculty at Broadway Dance Center and Peridance in New York. Mackenzie is also a judge and guest faculty for West Coast Dance Elite. Mackenzie is a proud member of the International Dance Council (CID) and has had the privilege of teaching throughout the United States, Europe, Greece and New Zealand.She is represented by GTA for dance, choreography, and education.Instagram: https://www.instagram.com/_mackenzie_martin_/Website: https://www.mackenziemartininc.com

In this conversation I talk to Donald Braben about his venture research initiative, peer review, and enabling the 21st century equivalents of Max Planck. Donald has been a staunch advocate of reforming how we fund and evaluate research for decades. From 1980 to 1990 he ran BP’s venture research program, where he had a chance to put his ideas into practice. Considering the fact that the program cost two million pounds per year and enabled research that both led to at least one Nobel prize and a centi-million dollar company, I would say the program was a success. Despite that, it was shut down in 1990. Most of our conversation centers heavily around his book “Scientific Freedom” which I suspect you would enjoy if you’re listening to this podcast. Links Scientific Freedom Transcript audio_only [00:00:00]   This conversation. I talked to Donald breathing about his venture research initiative, peer review, and enabling the 21st century equivalent of max Planck. Donald has been a staunch advocate for forming how we fund and evaluate research for decades. From 1980 to 1990, he ran BP's venture research program. Where he had a chance to put his ideas into practice. [00:01:00] Considering the fact that the program costs about 2 million pounds per year and enabled research, that book led to at least one Nobel prize and to send a million dollar company. I would say the program was success, despite that it was shut down in 1990. Most of our conversations centers heavily around his book, scientific freedom, which just came out from straight press. And I suspect that you would enjoy if you're listening to this podcast. So here's my conversation with Donald Raven.     would you explain, in your own words, the concept   of a punk club and why it's really well, it's just my name for the, for the, outstanding scientists of the 20th century, you know, starting with max blank, who looked at thermodynamics, and it took him 20 years to reach his conclusions, that, that matter was, was quantized. You know, and that, and, he developed quantum mechanics, that was followed by Einstein and Rutherford and, and, and a [00:02:00] whole host of scientists. And I've called, in order to be, succinct Coley's they, these 500 or so scientists who dominated the 20th century, the plank club. So I don't have to keep saying Einstein rather for that second. I said, and it's, it's an easy shorthand. Right. And so, do you think that like, well, there's a raging debate about whether the existence of the plank club was due to sort of like the time and place and the, the things that could be discovered in physics in the first half of the 20th century versus. Sort of a more or more structural argument. Do you, where do you really come down on that? The existence of the plank club? [00:03:00] W well, like, yeah, so like, I guess, I guess it's, tied to sort of like this, but the question of like, like almost like, yeah. Are you asking, will there be a 20th century, 21st century playing club? Do you think, do you think it's possible? Like, it's sort of like now right now. No, it's not. because, peer review forbids it, in the early parts of the 20th century, then scientists did not have to deal with, did not necessarily have to deal with peer review. that is the opinions of the, of the expert of the few expert colleagues. they just got on, on, Edgar to university and had a university position, which was as difficult then as it is now to get. But once you got a university position in the first part up to about 1970, then you could do then providing your requirements were modest, Varney. You didn't [00:04:00] need, you know, huge amounts of money. Say. You could do anything you wanted and, you didn't have to worry about your, your peers opinions. I mean, you did in your department when people were saying, Oh, he's mad. You know, and he's looking at this, that, and the other, you could get on with it. You didn't have to take too much attention. We pay too much attention to what they were doing, but now in the 21st century, consensus dominates everything. And, it is a serious, serious problem. Yeah. So I, I seriously believe that keeps me what keeps me going is that it is possible for there to be a plane club in the 21st century. It is possible, but right now it won't take, it won't happen. I mean, re there's been reams written on peer review, absolute huge, literature. and the, but, but most of it seems to have been written by, by people who at least favor the status [00:05:00] quo. And so they conclude that peer review is great, except perhaps for multidisciplinary research, which ma, which might cause problems. This is the establishment view. And so they take steps to try to ease the progress of multidisciplinary research, but still using peer review. Now. Multidisciplinary research is essentially is, is absolutely essential to venture research. I mean, because what they are doing, what every venture researchers, the researcher is doing is to look at the universe. and the world we inhabit in a new way. So that's bound to create new, new disciplines, new thought processes. And so the, when the conventional P, when the funding agencies say, there's a problem with multidisciplinary research, they're saying that's a problem with venture reserves. Yeah. And so therefore we won't have a plank club until that problem is [00:06:00] solved. And I proposed the solution in the book. Of course. Yeah, exactly. And so I guess, so with the book, I actually think of it as it's just like a really well done, an eloquent, almost like policy proposal, like it's, it's like you could, I feel like you could actually take the book and like hand it to. A policymaker and say like do this, I guess you could, so, I guess to put it, but like clearly nobody's done that. Right? did you, do you ever do that? Like, did you actually like go to,  government agencies or even  billionaires? Like the, the amount of money that you're talking about is almost like shockingly small. what, what are, what are people's responses of like, why not do this? Patrick Collison as being the only billionaire who has responded, I've met about, I don't know, half a dozen billionaires. And, they all want to, they all want to do things [00:07:00] their way, you know, they all want to, which is fair, which is fair enough. They all want to, sees a university through their own eyes. They are not capable of saying opening their eyes and listening to what scientists really want to do and to get what scientists really want to do. You've got you. You just can't just ask them straight off. You've got to talk to them. For a long time before they will reveal what they want really want to do. And then only a few of them will be capable of being a potential member of the plank club of the 21st century state. But it's a wonderful process. It's exciting. And I don't know why. well, I, I think I do actually, why the conventional authorities do not do this. And I believe that for, the reason this is more or less as follows that, for 20, 30 years following the expansion of the universities in about, about 1970 for political reasons. [00:08:00] no, not at all for, for scientific reasons that, there was a huge expansion in the universities and, and, and a number of academics. I really really mean it's factors of three, two, three, four, or something like that, depending on the country. Really huge. And, so therefore the old system where freedom for everyone was more or less guaranteed, which is what I would advocate freedom for everyone as a right. So, what we have done now is to develop absolute selection, rules, absolute selection rules for selecting venture researchers. And, and, and that's taken, you know, that's taken some time to develop them, but they work well. And, and, and open up the world to a complete ways, new ways of looking at it. Yeah, look, I mean, the, the, the track record seems very like very good, right? Like you, you, you, you [00:09:00] enabled research that would not have happened otherwise and led to Nobel prizes. Right. Like, I don't, I don't see how it could, what evidence one could present that your method works more so than that. and so it's, so yeah. Well, well, over the years you see, the, the scientists to work in for, for the funding agencies. they have advised politicians on the ways to ration research without affecting it. And they have come up with the way, the method of peer review, which is now a dairy girl, you know? it's absolutely essential. Yeah. Every to every funding agency in the world, I've not come across one that does not use it well, apart from our own operation, of course we don't use it. but we, we find ways around it. And that's the conventional wisdom is that there are no ways around, [00:10:00] there are no way. peer review is regarded as the only way to ensure research excellence. People keep saying that it's the only way, but we have demonstrated with the BP venture to search you and this and that UCL, that there is another way. And, and I guess so is, is, is the response from, people that you would propose this to simply that , they, they don't believe that.  they don't believe that it can work because it doesn't, it isn't peer reviewed, , is that the main contention? Any, any ideas now must, must, must survive. Peer review and venture research of course would not. And so therefore what we're saying is therefore not admissible. And now a few people, in like the 50 or so of my, my, of my supporters, very senior supporters, re regard what we [00:11:00] are doing as essential, but their voice is still tiny compared with the, you know, the millions of, researchers and, and the, I I'm the funding agencies. Now the funding agencies kept on saying that they have advised politicians over the years, that the only way to ensure to ensure, that the, that the scientific enterprise is healthy is to, is to, is to a DIA to peer review. Now. They cannot. They cannot now say, ah, yes, Raven points out. There's a serious floor. They cannot do that. And so they say they do, they do not acknowledge that I exist or that the problem exists. This is so, so just because like they have, have doubled down so hard on peer review being the acid test for research quality. That they, they just like, they can't, they're like they're [00:12:00] lash to that, man. Okay. Okay. And, so I, I know at least in the NSF, I think actually shortly after your book came out originally, so in. 2008, 2009. I read about an initiative to try to do more. I think they, they termed it like transformational research and the NSF, that was the NSF, initiative. it was pioneered by Nina fedoroff. Nina fedoroff, who's a great, another great is one of my supporters. and, she was the, she was the, I think she was the chairman of the science board or something like that, which controls the NSF. And so she set up a special task force to look at. Mainly what I was trying to do. And so, she invited me to go to Washington on three occasions and we sat in this huge room at the national science [00:13:00] foundation headquarters. And we, we, we, we had three, two or three day meetings, venture research, and they concluded that it was the only way to go. And so that's what they recommended to the NSF. But what did the NSF do with decided that th that, that, that they would accept Nina Federoff's recommendations, but they should be administered by each of the divisions separately. Well, that's, that means they don't do anything that they wouldn't do normally. and so, I guess one, one thing, I'm not sure if you mentioned it in the book, what do you think about, like HHMI Janelia and. Like sort of the effort that they do, because it is much closer to your recommendations, how Hughes you mean? Yeah. Howard Hughes medical Institute. Yeah, exactly. and specifically like they're their Janelia campus where my understanding is [00:14:00] that they give people sort of, whole free funding for five years and really just sort of let them. Explore what they want to explore, but they have to, but they, I think they insist on them going to the central laboratories. Yeah. Yeah. That is a problem. How's that? Because, well, because, scientists all have roots and they all, I've ended up where they have, you know, wherever it is and that's where they prefer to work. And so therefore in venture research, that's why we allowed them to work in their old environment. Yeah. But now with total freedom and they'd radically transformed, you know, a little segment of the, of what it's done, but they transformed it and that they would've transformed even more. Had we been allowed in 1990, if BP had allowed venture research to continue. They were th th there [00:15:00] would be more than 14 major breakthroughs because, in 1990, when BP closed us down, then we, these people no longer could rely on venture research support the, the, the essential, feedback that we gave them, the meetings that we arranged, you know, of all venture researchers, which we had to work out how the hell to do that because, you know, w th the just scientists and engineers, scientists, and engineers all came together. Yeah. And, I don't know that's been done. but anyway, right. we were no longer allowed to provide that support. And so therefore they were on their own and exposed to the full rigors of peer review in applying to funds before they were ready for it. Yeah. The successful ones are venture research, you know, people they can suddenly, you know, it's, with his ionic liquids, then he, he, he, jumped over the line [00:16:00] of, of, of, into mainstream science and it became then part of the mainstream. Yeah, and same with similar Polica and all the other people who, who, who, who was successful. But, but th th there were, there were a few groups, you know, who were left high and dry and, and they had to manage, they had to, cut their class according to the funding. Yeah.  do you keep track of people who today would make good venture researchers? but, but don't like, like, do people still still send you letters and say like, I want to do this crazy thing. No, I'm afraid. I can't, I can't do that because I would be, raising their hopes, way beyond what Mabel to provide, UCL. We've done that and we've met one person. we supported one person, Nick lane, whose work has been prodigious digitally successful. Now he could not get support. He couldn't get support from anybody. [00:17:00] Before we, we felt a bit, before we backed in. And, so I persuaded the university to cover up 150,000 pounds over three years, which is trivial amount of money. Totally. Totally. And since that time, since then, he's, now he's more or less stepped over the line and he's now become mainstream. And he's, since that time as you're right. 5 million pounds, 5 million compared to the 150,000. So that's, that's profitable, you know, as far as the university is concerned, they're profitable, but even so even with UCL, it's still not caught on. Yeah. And, do you, do you, so when I, I guess I also have a question about like, what about the people who might make really be really good researchers, but , don't even make it through to the point where, they would even like be able to [00:18:00] raise venture, venture research money in that , There's also the fact that. in venture research, you were entirely supporting people except for, believe one case, you were supporting people who are already in academia, right?  they'd already sort of gone through all the hoops of getting a PhD and, getting some sort of, some sort of position. And so do you have a sense of  how many possibly amazing people get weeded out? even before that point? Oh, I mean, to be a venture researcher, you you've got to have a university position, I would guess. or, I mean, as with, was, with, with, with the only engineer we supported, he was working for a company and we enabled them to leave and I took great care to, to, to inquire of him. He w he would have to give up his job because, you know, industrial company couldn't support him if he was working for another company. And so I had to be sure that [00:19:00] he really was serious about this. And so we arranged that he, we arranged for a university appointment for the nearest university to where he lived, which was sorry. That's was just down the road, so to speak. And, but even that created problems, he was never really accepted by the university hierarchy. And w why do you think the university, association is, is important? as opposed to just someone just, you know, just doing research, right? Like what if they had, they built like a lab in their basement or. we're doing mostly theory. And so they just sort of, they've done that. You know, people, you know, like the guy, the guy at shop, I mean, if they, if they'd done that, then of course we listened to them, but they must be, they must be reasonably proficient in, in, in, in, in what I mean, they're, they're coming with a proposal to do something. Right. And to some that you've got to, [00:20:00] you've got to have done something else. You've got to, you've got to prepare the ground, so to speak. Yeah. So getting a university appointment today is no more difficult than it was say in 1970, you still had to get up. You still got to get, you know, go through a degree. PhD may be, and, and then, convince the university that you're worthy of, appointment. But then as I said before, You, you had automatic, you automatically qualified for this modest amount of funding, at least in Britain. you automatically qualify for that, but now you're quantifying for nothing. Once you pass the, you know, you're appointed by the university, you then start this game of trying to convince funding agencies to support you. And if you don't, you're dead. Yeah, you don't get, you don't get anywhere. You've got no Tanya. So you, you, you, you, you just disappear. It says it's an unforgivable system and it's extremely [00:21:00] inefficient. Yes. Do you think, I guess the question is like, is, is efficiency even the thing that's worth shooting for it. Like, it seems like it's, it's going always going to be inherently inefficient. Because of the uncertainty. like I guess I always worry when, when, like, when efficiency comes up as a metric around research, because then you sort of start having to calculate like, okay, like how much value is this? What is our like, return on investment? Like how efficient is that? And it's just, do you think that's the right way to think about it? Well, it's certainly not a bad way. but, but mines are closed, you know, I, I've been in touch with so many people over the years, you know, I've been at this now for 20 years since, since BP terminated my contract, so to speak and I've never, and I've always, and I've always tried every single minute [00:22:00] of that 20 years to find new ways of doing this. I mean, it's big, it does sound a bit, you know, that, that th th th th th th th the, the, what I do as a large element of the crank about it, but I'm so convinced of the value of this eventual research and its contribution to humanity, so to speak. I'm so convinced that it will make an enormous contribution that I keep on going. Yeah. No. I mean, I have no money. Yeah, no, I'm not paid to do this. And the first person that I've met of the many, very rich people I've come across has been factored colorism. Who, offered to publish my book and at a fraction of the price, why only were charging for it? Why do you charge $75 for a paperback he's charging less than $20 for a, for a hardback? Yeah. Well, I think he realizes that it's important for people to [00:23:00] actually read it. That's that's good. he, took part in, just before he met me, he took part in a, in a, in a, in a, in a blog or something like that. it's on, it has a YouTube thing. And, he said he was very impressed when he met me and I, I, I, I changed the way he looked. Yeah. I changed the way he looked at the world. You know, and, and he made this, joining an hour long speech to these fellow billionaires, but no, one's come forward. No one said, you know what you wanted. Yeah. Well, I hopefully like, I mean, hopefully between the book being out and, like. You know, I, I try to recommend it to everybody. I know. so, so hopefully like we'll, we'll start to, sort of get it more into people's heads. Do do you have any good stories about, people who applied and didn't make it right, [00:24:00] because I assume that, like, I always noticed that the sort of a line between like brilliant ideas and like completely crackpot ideas is very, very thin. so did you get any, like really, really ridiculous applications? It's not that thin. I don't think it is, there were lots of people who came to me and said, you know, similar dynamics is bunk. And, and one thing that they really hate is to be asked you say, okay, I agree that it is, what do you want to do now that completely floors them. So people was a crackpot idea are automatically. disqualified because they never return. They never say what they want to do, or if they do, you know, you cannot, you keep on re repeating the same question and they eventually gave up. Now venture was search the venture researcher. I may not say we, we, we, we may not say yes for the first meeting. It [00:25:00] might be five, six, seven, eight meetings with Dudley, Hirsch, Nobel laureates. It took more than a year. Because, you know, I met him very shortly after he got his Nobel prize and he came to a meeting that I took part in a meeting of the American physical society in New York. And, and I gave a talk and there, I noticed this guy in the front row scribbling away and he came to me after each day. He said that I think I've died and gone to heaven. This was Dudley Hurst back three days after winning the Nobel prize. And he had an idea which no one would listen to. And, well, we, we, we, backed him, but I can't think of an, of people who come with crazy ideas and gone on to be, you know, to, to, to fizzle out and die if you like. And, and, and so w I w I want to dig into that because that's, that's really, I feel like you're, you're saying something like very important. [00:26:00] and that, so to sort of repeat back to you, it sounds like the people who are not crackpots are able to like go to a level of precision about action that other than people who don't know what they're talking about are not able to do. Would that be accurate? Okay. That's exactly right. And, I'm, I'm asking like very much, because I, I'm trying to do similar things and like looking at, it, and like very much in the same position where it's not always in my exact field. and so it's, it's like, what is that? That you can. Do to sort of like tease out the, like the, the difference between a good, crazy idea and a crazy, crazy idea. Well, all venture research has courses outside my own field, all of it, because I'm, you know, that was a [00:27:00] long time ago when I was a practicing scientist. And so everything is outside my, my competence, so to speak, which is another reason why the mainstream venture is searchable. The mainstream, funding agencies tend to disregard what I say because it doesn't pass peer review. Of course. Yeah. So, we are accustomed to being uncomfortable with talking to people we are, but we try to engage them in conversation that reveals what they really want to do, what they, and try to assess, what they want to do compared with the state of knowledge in that field right now, you know, they want to transform it. and you don't have to be a fellow expert to understand that. I mean, I am an expert now, but in general, things like science, you know, or engineering that the broadest possible approach to these study subjects. And I can, I can tell on everyone else can tell who was involved with this process because when I came to BP, [00:28:00] they gave me two or three very, talented people, more or less people like yourself, you know, high flyers young in their early 2030s. And they joined me for two or three or four years. And, they were, they were mainly chemists. and so, yeah, chemistry, I think, I think, only there was only one physicist. This, I think that the BP provided me with, and it didn't matter because they were all fairly, talented people, very talented people, in fact, and you didn't have to say anything twice to them, you know? And, and they took it like a duck to water. Now we never had to discuss. But, you know, when we're sitting around our little table and people would, were coming with their ideas, we never had to discuss whether someone was what we called a venture researcher. It came to immediately obvious to anybody to have to everyone around the table, that he was someone who wanted to transform thought processes in that particular [00:29:00] field, they would do something important and that, and, and then once we made up our mind, then. Then, we backed them and then they could then do absolutely anything they wanted and, you know, nothing, you know, we're not bound by the proposal they wrote to us. Yeah. But that was mainly the agency, which, which caused it caused us to, to, to select them. And mostly, I mean, most people did of course, you know, but, some of them didn't. And do you feel like. So, so I'm, I'm really interested in sort of like the, the landscape of the like untapped potential in research. And so, venture research sort of goes after people who already have an idea and know what they want to do and need money and support to do it. And I wonder if there's sort of another [00:30:00] class of people who. Could do amazing things, and, and have the right skills and mindset to do it, but almost have like either not even thought of the things yet, or, or sort of have suppressed them in order to fit into the peer reviewed research box. and they could be unlocked by either like putting them in contact with, with other researchers or, Sort of like shifting their focus. Do, do you have a set, like a sense of like, whether those people actually exist or am I just making, making that up? Well, I'm not quite clear what you're saying. I mean, the people that, most venture researchers we came across, I mean, they knew precisely what they wanted to do well eventually, and they would eventually admitted to us. What they really wanted to do, you know? but there must be mutual trust. Trust has been lost entirely in funding. [00:31:00] Nobody, you know, funding agency doesn't trust the researchers, but I found that trust is absolutely essential in this, you know, that they must trust you and we must trust them because I've said once we back someone, they can go anywhere or anywhere in any direction they want. You know, you can only do that. If there's mutual trust. And if they come across problems as inevitably, they will, you know, things, you know, then they come to us and say, look, we've got this problem, you know, can you help us to solve it? And, you know, and we, we took up a problem with a university or something like that. And we w we helped them along. And this is why when venture research was closed down in 1990, this service was no longer available. And so the 14 people who made, who made major breakthroughs subsequently, and now that's a minimum. I think there are, it would be much greater if we'd have had the support, if I was able to provide this, the support right through, right through to today. Yeah. [00:32:00] And, and, and so. Can we dig into how you build trust with researchers. So you, you have a lot of conversations with them. and like, but can you, can you unpack that? Like, I, I want to we'll have the same problem in everyday life. You know, you meet someone and you talk to them, you know, not about research. You don't have to think about research, you know? do you trust somebody? how do, how, how do you, how do you reveal your trust? How do you express it? How do they express it? And, it has to come, you know, by, by a multi, by a multitude of routes, just like in everyday life, you have to make up your mind that you would trust somebody eventually, and we'll go along with most things that they say. So it is no more of them. It's no different from that. And, in fact I've found that, that the people who've been most receptive to what I've been saying have been nonscientists, you know, people like the [00:33:00] secretary I used to be, I wish to work in the cabinet office, the secretary of the cabinet Burke trend when I was there, he was, you know, he was instantly, so what we were trying to do, you know, and, I had an ally there. Yeah. And, and yeah. And I guess why, why wasn't he? So, so if there were people in the government who were excited about this, like what sort of stopped him from being able to push through? He was, he, he, that was before I CA I went to BP and before I'd worked out the ideas of venture research, but I, I talked to him and I realized I could trust him. You know, and, which is very unusual, you know, for a very senior person, to be able to do that. And, so we didn't discuss venture to search them because I hadn't, I hadn't taken up the cudgel so to speak when I, when I in, on the April, the eighth, 1980, I went to VP. Yeah. Got it and sort of [00:34:00] switching gears a little bit, something I loved and it's like, give me a completely different way of seeing the world in the book is, your. Sort of your take down of the idea of high risk research, biggest high risk. Well, there's not, I, venture search was the lowest possible risk you can imagine, because I was convinced that they would, that the venture researchers would do something of value. You wouldn't be able to predict what it was, but they would do something of value and only had to do with, to keep talking to them. Yeah. And, unfortunately we, we can't show the graph, but I, I just, the, the sort of concept of, like with cutting edge research, the fact that there's just uncertainty about what the like, underlying probability distributions even look like. Right? Like, and, and the fact that the researcher actually knows that distribution so much more than anybody else, [00:35:00] It's just a, a much, much better way of thinking about it. because I think that people really do think of like high risk research as sort of just like this like portfolio approach to, to the world. And it's like, okay, well, like what's our expected, and this actually goes back to the, the, the idea of expected value where, why it's, it's so hard to talk about it in those terms, because. we don't know the underlying distributions. Right? Well, have why should a funding agency support high risk research? When what they're really saying is that we expect you to fail. That's what high risk means we expect you to fail. So why, why should either we measure as the researchers or the funding agency do that? I mean our approach, which goes to the lowest possible risk and the highest possible gain, much more. It's much more accessible now. Not everyone of course can be a venture [00:36:00] researcher, but, I'm convinced that every serious minded researcher, at least once in a, in, in, in a scientific career will come across an idea that will transform his is a local, field. Yeah. he, he, he did not share it or he did not reveal it to the, to peer review because he hasn't yet proved it. Yeah. Peer review only works sort of ad hoc, you know, sort of, so, after the events, so to speak, when you've actually shown that it will work, then they can say whether it's good or not. Yeah. And I guess, I don't know if you've been paying attention to sort of like the, the meta discussion around scientific stagnation. but there's, there's sort of like the argument that we've picked, although the low-hanging fruit of, of the physical world, What do you w what, and like, I get the [00:37:00] impression that you don't agree with that. So I, I always looking for sort of good counter arguments. I don't agree with that because, we're looking for people who will, grow new types of fruit. Or if you take the continental view, you know, that, that our field is a bit like a country. And, when the, you know, people like Einstein discover that country, then it leads to, to, to a wave of new research, but eventually. Then the field becomes paid out and it gets more and more difficult to make it difficult to make a new discovery. What if somebody comes along and says, there's a new continent there and I want to, I want to create it. Yeah. And they can convince you that it exists. So, either the, you know, the low hanging fruit thing, which is, works very well for particular types of fruit. But what if you come up with a new idea for fruit and you come. And that actually sort of ties back to [00:38:00] the peer review argument, which is that, peer review is very bad at allowing, sort of like new fields and therefore new contents orchards to exist. We are, we all an endowed with a w w w with a creative spirit. You know, and, it's this fundamental creative spirit that we all have and scientists, you know, perhaps, to a, to a greater degree than others though. I'm not convinced of that. and, you cannot expect that their view of the world  completely individual view of the world. Just if I have consensus. Yeah, not immediately. You can't do it right away. I mean, no, the scientists, you know, major discoveries have not been greeted with a claim. Science, Einstein Einstein's discovery were called in the times newspaper. And one is when he wrote his famous paper on relativity and the front to come and sense. That's what the time [00:39:00] said. And so it was, it wasn't a front to common sense. Yeah. It should be fair. It's still, it's still sort of is right. Like you in like, you know, it was like the universe is curved and it's like that, that actually doesn't. Even jive with my comments, that I'll be honest. university's a very, very big place. Yes. It's very, a very weird place, right? Like when you start really looking at it. Yeah. And you know, the, the, the, the, the gravitational constant, which is, the Hubble constant. So, is, is, is one 80, sorry. Th well, there's some dispute about what it is, but it's a tiny amount per million years, you know, it's a tiny difference from what we see now, how the, it would be difficult to detect. Have you, have you said, you know, [00:40:00] you've gotta look for this and this is what people are doing. Yeah. Yeah. It's something, something that I wonder. And I'm not sure like how this sort of jives with, with venture research. But what I feel like it has also happened is, people have become so specialized in like theory or experimentation or, like engineering or development, that. And like part of where, these, these new fields come from is people, sort of interacting with people that they wouldn't normally interact with. and, and so did you, did you find yourself sort of beyond that, like they're, they're the, the sort of group meetings, of the venture research community, but did you, did you find yourself, Sort of like pushing people to interact in ways that they wouldn't have otherwise interacted with. No, we never push people that way. there, there were always [00:41:00] any new interaction that came from our meeting, from the meetings they were derived in exclusively from the scientists. I mean, we w we may make one or two suggestions about a group. Well, I did, we would do, we did. In fact, the, the ant people. we're working, in the field of distributed intelligence. Now I happen to know there was a unit at the university of Edinburgh that was doing this, that this very work distributed computing, and they weren't, there were one or two experts. So I went to them and said, do you have somebody who might be interested in joining the group? And they did a man called Tuft and he went down and he, and he did, and it was a very productive exchange. But that was very rare. I mean, that, that happened, but they, the user can the other way, got it. I don't know. Maybe, maybe, or the, you know, I forgotten, it's a long time ago, you know? but, I'm just always interested in, sort of improving my mental models of like, how, like, sort of [00:42:00] the, the question that everybody have of like, where do ideas come from, right. Like, and it's like, how important is sort of like cross cross-pollination, to sort of, to, to creating new areas. Actually I'm really interested in what the day-to-day of running VPs venture research was like. I kind of in my head, imagine you like just flying around the world, and sort of like meeting scientists and, and sort of, did you, have you ever watched the Avengers? I imagine you like Nick fury. Sort of like going around to different superheroes, and sort of say like, alright, like we're gonna, we're gonna form a team. yeah. W w what was that like? Well, I'll tell you, it was a, a very difficult problem because when I first arrived, I was, you know, a single person in a single room. and, so, the research director and, you know, the [00:43:00] guy who was responsible for BPS main research activities. And he spent about 2 billion pounds a year, you know, on, on he had, and he had 2000 people working for him and, he he's, he thought I was mainly harmless, you know, so, but as the, as the, as the decade wore on, then, it became obvious because I always try to involve, see in here. BP, directors in what we were doing. I always invited them to our conferences, for example. And even the chairman, you know, came down and other senior directors came down and they could see for themselves that what I was talking was not bullshit, you know, what really serious. And, and so the idea became. embedded in, in, in, in, in a few recess director's minds that the bang, the Braven was having a bigger bang for book Cadogan will the research director and it's 2 billion a year that he was [00:44:00] spending. And, and this fed back on, on, on to the research directors approach to me and the increasingly saw me as a threat rather than as an opportunity. And eventually. In 1990, he won and we were closed down. I got a phone call from New Zealand on, on March the eighth, 1990 from New Zealand, the man, the guy, the guy, or just the, the, research director, had just retired Bob  and he gave me all the freedom. I, what I wanted. And he retired in, in 1989, it was succeeded by Buzzle Butler and Buzzle Butler was, well, I won't say what I think of him. he, he phoned me for ISA from New Zealand and, and his first thought first was hello, Don venture search has closed down. The BP can no longer afford the drain on its resources, BP. I was spending then [00:45:00] five millions a year when, you know, managing directors didn't get out of bed unless it was at least a billion. Yeah. Yeah. It, it's funny how people can get very attached to like even comparatively small amounts of money. Well, people see, tend to see value in cost. You see? and so, if a university adopts venture to search, which I hope they will then, you know, they can't release, there's no glory in spending nothing a year. Even if you have an arrangement for looking for these people, you know, even a UCL, you know, it's been 150,000 in 10 years, but you know, that's about the right number. You know, we're talking like 500 people in a century over the whole world. So any single university is likely to have one or maybe two in a decade. And so, [00:46:00] but if the arrangements were set up so that people could come forward with their ideas to talk with senior people in the university, people who had given up their own research, like I have, and you take the carrier's pleasure and their discoveries. Then, if you can find some people such that such people than ever few universities were able to do this, then it would solve the problem. And so that's what we're working on right now. So as soon as I get my book, I'll be sending it to various, which is the due to come this week. I think, you know, my, the 50 copies that Stripe send me and I can send these out. I'm not very optimistic. I'm afraid. Okay. Okay. Well, I am, perhaps I, I realized I realized, foolishly, but my, my, my theory is that, If you're not optimistic, then you're sort of doomed to failure. Like, like the, the, the [00:47:00] non optimism makes like, it, it, reinforces itself, right? Like, so, so if you're pessimistic, then it will make itself come true. we sort of, yeah, so, so we, so we need to be optimistic and, and I guess like, with, with the universities today, Like, what did they, so like if, if the money were there, like if, if the money were coming in to, to researchers, universities don't have any problem with sort of people being there, doing work as long as, as the funding is coming from somewhere else with no strings attached. Right? Yep. Yeah. Okay. So let me, every university has, I mean, UCL, I mean, it has a budget of a billion pounds, you know, it's a big university, so we're asking for a tiny amount of money, you know, the, and even that is an over estimate, you know, because most years expenditure will be zero, [00:48:00] you know, and it's only, but to have that, to be able to call on occasionally. something like 150 200,000 pounds a year. So 200,000 pounds for three years, sorry. it would be no big commitment for them to enter into it, especially if you could re entertain the hope that in a few years, the, the scientists would, would make the transmit that the transition into the mainstream and then back external funding. And just what I've done. And so, so I know that a couple of universities do give, like new professors a year or two of funding. Well, that's right. I mean, people taking new jobs are in th th their, their maximum creativity then. And so universities, it's very good investment for them, but, but, but, but, an academic now has to look [00:49:00] forward to what will happen when this, when this funding ends. Right. You know, and will he be well-placed and he's got to engineer his, his position to be well-placed to, to attract funds. And so a year or two, not enough to do venture research. And so they just, you know, it, it works, but only to a very limited extent. Yeah. And the, and the, the incentive sort of cascade backwards. Right. Cause you're looking at, and you're like, okay, well, I'm going to need to get grants. And in order to get those grants, I'm going to need to have, do you have done peer reviewed research? So I better get started on that now so that it has to start thinking about that. Yeah, no, that, that makes a lot of sense. so I guess in including, What besides simply just like reading the book and thinking about, venture research. What, what is something that you think people should be thinking about [00:50:00] that they're not thinking about enough? Well, I, I don't think you can, so you can say it like that. I mean, if you're, if you're a venture researcher or a budding venture search, then you'll have an idea and you'll, always wants to be returning to it. So, I mean, the creation of venture research therefore is a happy coincidence. You know, that it's a meeting of, of, of similar minds, if you like. And I provided the opportunity to those, 40 people, that we backed over the 10 years to do their thing. but it was a partnership. It was a partnership between us and them. I was taking a risk, you know, with BP and, you know, having to solve the problems. I had to do all the other things you say, you know, like travel the world and give, to get, cause I didn't believe we could advertise. I didn't, I didn't think we could advertise, you know, in journals and say, you know, we wanted good ideas. I had to go to universities and give talks about venture to search while people were doing. [00:51:00] And the state of science now. Yeah. And then invite proposals and then sit and listen to what people came up with. And, at each university I might get in an afternoon, I may get 20 or 30 proposals. I mean, most of them just so you as a new source of money. You know, and that was always a problem we had, even with venture researchers was convincing them that even though we were the BP venture research unit, we were not interested in getting oil out of the ground. This could help the research director and I wouldn't trust us on what he was trying to do. So I had to find a way of, of, so our strategy was completely different. So the search directors. So we're not in direct competition, but he did see me as getting direct competition because they, the senior directors, you know, were saying the bang for buck that blaming God is higher than yours. I didn't say that they did. And actually, what, what was, what is the thinking behind, Not putting [00:52:00] out a sort of like a broad, call for, for applications, but instead, going and giving a talk and then, and talking to people because my, like my gut says that makes a lot of sense, but I'm not quite sure I can pick apart. Why. Well, venture searches, Nobel prize winners are a very special breed, you know, they do not respond to a, to opportunity. I mean, they create, they create their own opportunity and they are convinced of their particular view of the world will eventually be proved. Right. And hopefully. well, for the few we managed to help, we, we enable them to do that, but, other people just happened to have to cut their clamps according to the phones that are available and have to keep doing that. So I, I, I think that, people's view is, is, of the world is, is created within what the, within themselves, in this, within their thought processes, [00:53:00] their thought processes on their creative spirit, you know, this thing, which we, we all have, allows, them to do. I mean, people like, like Einstein, you know, w w when he, he looked at the, at the world without any feedback from anyone. You know, he didn't read the literature, he didn't cite any publication in this, you know, it didn't say anything. And his Anna's mirabilis is three papers and max playing catheter to decide whether or not he was the editor of the journal that he submitted his papers to. And he had to decide whether we should publish these or sub subject them to the usual references, but he didn't and he just published them. And th th they attracted a lot of criticism that said the times for it, it's always in the front of common sense, but there's other two work, you know, for the, for the conductivity and, Brownian motion. I mean, they were major pieces of work, but he did that [00:54:00] without talking to anybody. I mean, apart from, you know, mathematical advice and things like that, which had got from various people from time to time. Yeah. So, so to, to, to sort of pull that back to the strategy for teasing out, the, like the, the high quality applicants, the hypothesis would be that like, they, they don't even, they wouldn't even be reading the, like the journal where you'd be advertising that you want applications and you sort of have to like really go and, and get in their face. Yes, you have to let it be. You have to create the environment that allows them to write to you or to contact you, or to give you a phone call and say, I want to do this. You know? And, I remember I got a phone call once from, from a lunatic who said, I have a way of launching satellites, which has been much cheaper than, than anyone else has ever had. And I said, Oh, what do you want to do? He said, Oh, I want to build a building a hundred miles high. And, and then throw out of [00:55:00] the window, you know, there's, there's been, these objects and there were, there would be an arbiter immediately. And so they would, but I asked him about, you know, what do you think are the limits on, on growth, you know, on, on, on, on building, what would the foundations for a hundred mile high building? And there was just silence then, you know, cause he realized that the Earth's crust would not support. And what's the highest structure on the world Mount Everest high is that five miles. So Y you know, w how are you going to construct something which is a hundred miles high? So, I mean, that doesn't matter. It's just an anecdote of a, of a phone call I got, but that's what, that's what constituted, And initial approach to us. That's all we asked for, that the person would, was a ring or write a paragraph or whatever it was and saying, this is what I want to do. Yeah. And you would then take them there. Yeah. That's. [00:56:00] I like that a lot, because it's, it's very, it's almost the opposite of the approach that I've seen, that you you've seen, that there are like many other places. Like you look at how, like DARPA or bell labs does it, did it. and they it's like almost the opposite where they would only ever go and be like, you, like, we want you to come and like do some awesome stuff. And so it was it's like that, like push versus pull in, in getting people into the. The the organization is, is an interesting dynamic. well, I spoke, I spoke to somebody in the cabinet office recently about that, but, you know, he, he, he knew about it. He learned, he learned about the publication of the book and he said that the government was saying the British government were thinking of creating DARPA in Britain. And I didn't think it would be a very good idea. Because not for venture to search, it would be good for other things. but, DARPA 10, it's a bit like venture capital, you know, they know what they want to [00:57:00] do. And, when I was no venture to searcher would be able to point to specific benefits flowing from their work, right at the beginning, it would not be able to do that. And so therefore they would be disqualified from applying. Yeah, I think it's actually, a really important distinction that you just made because that like what, when people say like, like research is broken, my, my hypothesis is that there is actually that they're describing at least two completely distinct problems where there's the one problem of sort of, like making more. Technology. And then there's the other problem of like discovering more new areas of knowledge. And, and venture research is very much targeted at the latter. and w distinctly from the former new fruits and new continents, you know, that's what we're concentrating on. You know, [00:58:00] the people, you know, completely new consonants, completely new fruits. So there'll be low hanging fruit will come from that, from that fruit. And, yeah, that's what we're trying to do. I think one of the biggest takeaways from this conversation for me, that I just want to double click on is. Donald's assertion that the line between genius and crack pot is not as thin as I. Used to believe. And that it may be possible to tell the difference. Bye. Really. Paying attention to how precise someone's ideas. Uh, I'm still sort of processing that, but it's. An important thing for us to think about [00:59:00]

Polica Houston (Asst. Principle @ Gateway) discusses education, growing up in Denver, and athletics in school

Ospite della puntata: ⁣ Marco Polica | Founder dello shop made in Rome per eccellenza Elvis Lives. ⁣Marco che non da molto ha superato la soglia dei 35 anni, è un grafico pubblicitario con la passione per le t-shirt. Dal 2009 che ha aperto il primo Elvis Lives, insieme al suo socio, prova a far combaciare il suo istinto da designer con la vendita di tutto ciò che gli piace, ideando prima e sviluppando poi, prodotti accessibili a tutti sempre. Dice sempre che quello che è venuto fuori negli anni è frutto di una ricetta di cui neanche lui stesso sa bene gli ingredienti. Dopo il punto vendita di San Lorenzo, nel 2013 ha aperto la seconda sede Elvis Lives a Trastevere, nonostante i suoi genitori ed il suo commercialista non abbia ancora capito bene di cosa si occupi. Questo possiamo dirlo noi: T-shirt, accessori, occhiali, fotografia, orologi, giradischi e altre cose che non c’entrano tutte qui. ⁣A supporto della super ospite e a condurre lo show ci penseranno il founder di Enzima, Andrea Antonelli e Andrea Di Pasquale anche lui della scuderia Enzima

Cellist, pianist and vocalist Abi Wade creates music that melds electronica, acoustic and pop music. Classically trained, she utilizes a mix of traditional and experimental techniques in her performances, commanding electric drums and triggers at her feet whilst singing and simultaneously layering melodic cello and synth lines. Her debut LP ‘Beautifully Astray' was released in April 2018 with support from the PRS for Music Foundation's Women Make Music award. Visuals for the release have been created in collaboration with renown designers Eley Kishimoto and Abi has been heavily involved in the art direction for this working alongside projection artists, film makers and photographers. So far she has toured the UK & Europe with Patrick Wolf, sold out her debut EP and released music on the label set up by Daniel Copeman of Esben & The Witch, who also produces her music. She has played shows with the likes of CocoRosie, Polica, Michael Kiwanuka, Other Lives, Deptford Goth and festivals such as End of The Road, The Great Escape and Wilderness. She recorded her debut album at Amazing Grace studios with Daniel at the helm and with the support of the Help Musicians UK Emerging Excellence Award. Typically ambitious, the recordings include an orchestra and various field recordings of diverse sounds such as a fishing boat at sea, a church organ and a tap dancing class. Gestalt: http://www.wwcomposition.com/gestalt Website: https://www.abiwade.com/ Instagram: https://www.instagram.com/abiwade/ Twitter: https://twitter.com/abi_wade Facebook: https://www.facebook.com/abi.wade.cello The end of ice: https://thenewpress.com/books/end-of-ice

Se prevén más lluvias para los próximos días en el estado de Georgia. Después de estar tiempo encerrados en nuestras casas por el COVID-19, la pérdida de práctica y la lluvia aumentarán los peligros en la carretera y los accidentes de auto. Te esperamos un día más, con el abogado Rohan, el abogado más referido por los hispanos y Tu Mejor Opción Legal. Para más información comunícate al (404) 923 -0446 o visita https://www.rohanlawpc.com  

Ohne Musik geht's nicht. Aber muss sie deshalb gleich überall zu hören sein? Musik macht das Leben leichter, aber andererseits ist es auch zu kurz für schlechte. Wir rätseln, warum Musik so wichtig ist, warum man nicht lieber damit aufhört, was die Bedeutung von Sound ist und wo Musik aufhört und der Lärm anfängt. Außerdem stellt Gofi den Song der Woche vor: 'A Shot in the Dark' von Naked City. Daneben streifen wir Polica, Kings of Leon und den Kinderbuchklassiker 'Frederik die Maus'.

Channy Leaneagh, the lead singer and synth player with the Minnesota band Polica, asks La Roux, Elaha Soroor, and Dana Gavanski what makes them want to write more, if they feel satisfied with the way they release music, and about their issues with the media industry. Elly Jackson, also known as La Roux, is a bona fide alt-pop star and Grammy Award-winning singer, who is now back with her first album in five years, Supervision. Dana Gavanski is a folk singer-songwriter born in Vancouver, Canada, to a Serbian family. She’s a newcomer on the music scene, who has made waves with her debut album Yesterday Is Gone. And “protest singer” Elaha Soroor, from Afghanistan, born in Iran, found fame on the TV show Afghan Star – the Afghan equivalent of American Idol. She was forced to flee the country after singing songs critical of the Afghan culture and its oppression of women.

V oddaji smo predstavili pozitivne zgodbe, ki so se pojavile ob soočenju z novim koronavirusom. Poročali smo o prostovoljcih, ki so pripravljeni pomagati, gostilni, ki kuha starejšim in socialno šibkejšim, Youth Hostlu Pekarna, ki je ponudil sobe medicinskemu osebju, in glasbi, ki je na balkonih in oknih na dovoljen način združila Slovence.

Markus quält sich in einer Lernpause unter Schmerzen ans Mikro, während Julius frisch und erholt seine wohlverdienten Ferien genießt. Neben einer etravaganten Mikrofonkonstruktion also beste Voraussetzungen für eine neue Folge For The Record. Diese Woche mit viel Meinung und wenig Substanz zu: Tame Impala, Ätna, The Heliocentrics, Post Animal, Polica, Kvelertak, Melody English und Bambara. Unser Album der Woche: "Twins - Soon" --> hier hören: https://twnsband.bandcamp.com/releases

Full show: http://kNOwBETTERHIPHOP.com Artists Played: Mad Sexual Genius, conshus, Artisan P, Dr. LaFlow, Elaquent, A L L I E, Atmosphere, Emily King, Sara Bareilles, Loving, Jamil Honesty, Hobgoblin, M.A.V., PURE, POLICA, James Biko, Buster Wolf, Dj Proof, TENDER, Sergio Mendes, Cali Y El Dandee, Ultraista, Soy is REAL, Free Daps, Wrekonize, Sotomayor, Cubicolor, Braids, Marc Mac, OutKast, Goodie MOb, IMAKEMADBEATS

Full show: http://kNOwBETTERHIPHOP.com Artists Played: NIKO IS, KValentine, Chris Rob, Jessica Care Moore, Nottz, conshus, AMiAM, Blueprint, Kno, Allen Stone, Kid Acne, Spectacular Diagnostics, Ego Ella May, Dessa, the Minnesota Orchestra, Amerigo Gazaway, Xiomara, Blu, Nikki Jean, Homeboy Sandman, Quantic, Sly5thAve, Kristen Warren, Kanye West, Kenny G, Clipse, Lane 8, Polica, Chris Orrick, Anamanaguchi, TzariZM, Oddisee, The Nemesis Two, Lee Ricks, Die-Rek, DRAMA, Gawd Status, Nujabes, Shing02, OutKast, Goodie MOb, IMAKEMADBEATS

STEREOBAZA#374 Stereoigor на Просто Ради.О Beck Foals Air / Nicolas Godin Poliça Wolf Parade Elvis Presley Depeche Mode Circa Waves Belle & Sebastian The New Pornographers # Еженедельно "автор и составитель" - музыкальный журналист и эксперт Stereoigor - представляет музыку, которая скоро становится must-have меломанов. STEREOBAZA — РАДИОШОУ №1 в Украине по рейтингу PromoDJ (2017 "Украина/за год"). Помимо новинок - информация о знаковых явлениях, лейблах о культовых фигурах актуальной музыкальной культуры: группах, исполнителях, продюсерах. Отдельного внимания аудио-гурманов заслуживает рубрика «Бонус-трек», посвященная раритетным версиям песен. Выходит с декабря 2011, в настоящий момент транслируется еженедельно на ПРОСТО РАДИ.О- на Просто Ради.о.1 (facebook.com/stereobaza), «стереогостями» радиошоу побывали такие деятели мировой музыкальной сцены: - Andy Fletcher - один из основателей легендарных Depeche Mode - Изобретатель жанра dub - легендарный Lee "Scratch" Perry - культовый лондонский продюсер и ди-джей Erol Alkan - создатель знаменитого берлинского инди-лейбла Morr Music Томас Морр - Группа De/Vision - Внучка изобретателя первого в мире электроинструмента — терменвокса — Льва Термена, легенда неоклассики Лидия Кавина, - Bonobo (Ninja Tune), - Jay-Jay Johanson , Robert Alfons/канадский синт-поп-проект TRUST, - James Lavelle / UNKLE, - Группы O.Children, Garden City Movement, HVOB, Crazy P и WhoMadeWho - Британский музыкант и продюсер Ghostpoet - Шотландский кинорежиссер Марк Казинс (Mark Cousins), "Atomic" (OST записан группой Mogwai) - Американский фрик-дуэт CocoRosie - Группы Metronomy, GusGus и Of Montreal - Трип-хоп икона Tricky - любимцы самых придирчивых музыкальных модников - британская группа ALT-J - Нидерландка KOVACS - Йохен Арбайт, EINSTÜRZENDE NEUBAUTEN (интервью by Stereoigor, записано в Берлине, ФРГ) - Британская группа HOT CHIP и её муз.идеолог Joe Goddard - Лидер BLOC PARTY - Kele Okereke - Фронтмен DEPECHE MODE - DAVE GAHAN (интервью by Stereoigor, записано в Милане, Италия) STEREOBAZA#374 Stereoigor на Просто Ради.О Beck Foals Air / Nicolas Godin Poliça Wolf Parade Elvis Presley Depeche Mode Circa Waves Belle & Sebastian The New Pornographers

Deze week een interview met de van oorsprong Belgische maar nu in Berlijn wonende Locked Groove. Natuurlijk draaien we zijn meest recente release ook. Verder muziek van onder andere Lane 8 (samen met Polica), Danny Tenaglia (in een remix van Carl Cox) en Dead Agent.Playlist deel 1:ARTBAT - AquariusDJ Qness - Trip To IbizaLocked Groove - Eb and FlowLane 8 - Brightest Lights (feat. Poliça)Dead Agent - Home AutomatonDanny Tenaglia - Don't Turn Your Back (Carl Cox Remix)Simon Shaw - I Don't WannaStephen Nicholls - Do It Right (Andy Reid Remix)Will Clarke & Eli Brown - Our LovePlaylist deel 2:Roy Avni - Horz (Original Mix)Kevin Knapp & Hannah Wants - Call Me (Extended Mix)Alex Cvetkov - Tanzania (Original Mix)Stefano Noferini - BuhstyleSimone Tavazzi - HabaneroDanny Tenaglia - Don't Turn Your Back (Carl Cox Remix)Paolo Mojo - Alininha (Edu Imbernon Remix)Eric Kupper presents K-Scope - Faith Healer (Original Mix)Glaskin - Groundwork (Ryan James Ford Remix)Minilogue - The Leopard (Extrawelt Remix)Jon Sable - All Night, All Right! (Original Mix)

Deze week een interview met de van oorsprong Belgische maar nu in Berlijn wonende Locked Groove. Natuurlijk draaien we zijn meest recente release ook. Verder muziek van onder andere Lane 8 (samen met Polica), Danny Tenaglia (in een remix van Carl Cox) en Dead Agent.Playlist deel 1:ARTBAT - AquariusDJ Qness - Trip To IbizaLocked Groove - Eb and FlowLane 8 - Brightest Lights (feat. Poliça)Dead Agent - Home AutomatonDanny Tenaglia - Don't Turn Your Back (Carl Cox Remix)Simon Shaw - I Don't WannaStephen Nicholls - Do It Right (Andy Reid Remix)Will Clarke & Eli Brown - Our LovePlaylist deel 2:Roy Avni - Horz (Original Mix)Kevin Knapp & Hannah Wants - Call Me (Extended Mix)Alex Cvetkov - Tanzania (Original Mix)Stefano Noferini - BuhstyleSimone Tavazzi - HabaneroDanny Tenaglia - Don't Turn Your Back (Carl Cox Remix)Paolo Mojo - Alininha (Edu Imbernon Remix)Eric Kupper presents K-Scope - Faith Healer (Original Mix)Glaskin - Groundwork (Ryan James Ford Remix)Minilogue - The Leopard (Extrawelt Remix)Jon Sable - All Night, All Right! (Original Mix)

1. Aero Manyelo - 2 days 1 life 2. Volen Sentir - Fatoumata 3. Jenia Tarsol & Jinga feat. David Cantan - Takaboom 4. Benediction SA - Sigala 5. Darlyn Vlys - Horse Feat Haptic (Peter Pardeike Remix) 6. Elfenberg - KÈyah 7. Monkey Safari - Omen 8. Nuherb , Aero Manyelo - We are Free 9. Space Motion - Requiem For A Dream (Original Mix) 10. Tale Of Us , Vaal - Monument (Stephan Bodzin Remix) 11. BOg ñ Shila (Edu Imbernon Remix) 12. Lane 8 - No Captain feat. Polica 13. De Cave Man,TonicVolts - Rebel 14. &ME - The Rapture Pt.2

1. Aero Manyelo - 2 days 1 life 2. Volen Sentir - Fatoumata 3. Jenia Tarsol & Jinga feat. David Cantan - Takaboom 4. Benediction SA - Sigala 5. Darlyn Vlys - Horse Feat Haptic (Peter Pardeike Remix) 6. Elfenberg - KÈyah 7. Monkey Safari - Omen 8. Nuherb , Aero Manyelo - We are Free 9. Space Motion - Requiem For A Dream (Original Mix) 10. Tale Of Us , Vaal - Monument (Stephan Bodzin Remix) 11. BOg ñ Shila (Edu Imbernon Remix) 12. Lane 8 - No Captain feat. Polica 13. De Cave Man,TonicVolts - Rebel 14. &ME - The Rapture Pt.2

1. Aero Manyelo - 2 days 1 life 2. Volen Sentir - Fatoumata 3. Jenia Tarsol & Jinga feat. David Cantan - Takaboom 4. Benediction SA - Sigala 5. Darlyn Vlys - Horse Feat Haptic (Peter Pardeike Remix) 6. Elfenberg - KÈyah 7. Monkey Safari - Omen 8. Nuherb , Aero Manyelo - We are Free 9. Space Motion - Requiem For A Dream (Original Mix) 10. Tale Of Us , Vaal - Monument (Stephan Bodzin Remix) 11. BOg ñ Shila (Edu Imbernon Remix) 12. Lane 8 - No Captain feat. Polica 13. De Cave Man,TonicVolts - Rebel 14. &ME - The Rapture Pt.2

Ohne Musik geht's nicht. Aber muss sie deshalb gleich überall zu hören sein? Musik macht das Leben leichter, aber andererseits ist es auch zu kurz für schlechte. Wir rätseln, warum Musik so wichtig ist, warum man nicht lieber damit aufhört, was die Bedeutung von Sound ist und wo Musik aufhört und der Lärm anfängt. Außerdem stellt Gofi den Song der Woche vor: 'A Shot in the Dark' von Naked City. Daneben streifen wir Polica, Kings of Leon und den Kinderbuchklassiker 'Frederik die Maus'. Um die Songs, über die wir sprechen, zu hören, surft zur Episode unter http://rhadio.de/podcast. Da findet ihr die Playlist und ein YouTube-Video zu Naked City.

This week's episode is a conversation with Valerie Mayen of Yellowcake. She's a fashion designer, a new mom, and a Project Runway alum. Listen in as we chat about resisting overwhelm, how to be cool in high school, and what lessons can be learned through adversity. Music in this Episode: "Hold On" - Alabama Shakes "Yellowcake" - pb "Lay Your Cards Out" - Polica "Dressmaker" - Ben Hermanski "Get Plastered" - Project Runway Soundtrack "Valerie" - Mark Ronson ft. Amy Winehouse Thanks for listening. Please rate and leave a review in iTunes. -Meg

AFC Radio pres. Trance Universe Session 033 with Eolv1n   Tracklist: 1. Edu Imbernon & Duologue – Underworld (Undercatt Remix) 2. Sasha – Out Of Time (feat. Polica) 3. Radiohead – Everything In Its right Place (Dezza Bootleg) 4. Bluum – Kepler (Extended Mix) 5. 2pole – Atom (Original Mix) 6. Layton Giordani – Live Again […]

Host Vijay R. Nathan talks with Greywolf of the band Death by Piano about his musical influences, the changing landscape of the music industry and the ways in which the band achieves musical honesty. Music from Polica, Phantogram, Dolly Parton and, of course, selections from Death by Piano's EP "Countdown".

With tracks from Schmoov!, In Flagranti Feat. DJ Rocca On Flute, Marquis Hawkes, Aroop Roy, Siren, Todd Terje, Hemi, DJ Spookie, Sasha Feat. Polica, Lars Bartkuhn, youANDme Feat. Gjaezon, Bjorn Torske & Prins Thomas, Flabaire, Jay Shepheard, Boddhi Satva, Makadem & Behr, Mad Rey, Morgan Geist, Bigger Than Life, Hammer, Pale Blue, Busi Mhlongo. Contact: dj@ribeaud.ch.

Hoy conversamos en nuestro estudio con Luis Roberto Flores Hidalgo, viceministro de Prevención Social del Ministerio de Justicia y Seguridad Pública, para conocer varios temas entre ellos el operativo Cuscatlán.

Full show: http://kNOwBETTERHIPHOP.com Artists Played: Mad Sexual Genius, conshus, Ras Beats, J-Biz, AG, Sampa The Great, J.Lamotta, The Difference Machine, PUDGE, Charlotte Day Wilson, Joey Van Phillips, Joe Horton, Aby Wolf, Open Mike Eagle, Woodwire, Ensilence, Tekbeatz, Jamila Woods, Lorine Chia, Jake Aldridge, Kelly Jenns, ACJ Beats, Raashan Ahmad, Count Bass D, Silya, Nym, unselftitled, Ol Dirty Bastard, Kelis, ChanHays, Homeboy Sandman, Ghettosocks, John Robinson, Lane 8, Polica, Wordsworth, Sam Brown, Sadat X, Nujabes, OutKast, GOODie MOb, IMAKEMADBEATS

After a long while Levi da Cruz presents a new episode with his favorite tracks of this month. In this podcast will appear many great artist like Sasha ft. Polica, Matthew Dekay, Lee Burridge, AFFKT, Mash & Idris Elba, Re You, Richard Gray, Maya Jane Coles, Lisa Shaw, Jacky and more. Stay in touch with Levi on Soundcloud @levidacruz and Facebook @levidacruzofficial

Deep dope vibing moods. This week with music by Lee Burridge, Lost Desert, RUFUS, Lower & OSp, Jose M, Tacoman, Miyagi, Enzo Bennet, Rauschhaus, H.O.S.H. , Claws Sg, Sasha ft. Polica and Fur Coat. Here we go again! Enjoy and play it loud!

С пребольшим удовольствием приветствую всех своих слушателей на волнах радио Musical Decadence! Также, поздравляю всех с первым днем лета 2017. Как напевал когда-то Мумий Тролль - "Время тепла, время любви, время мягких дождей". Моя любимая пора наконец наступила и, к тому же, первый день лета совпал с выходом #93 выпуска моего радиошоу MAXIMUM.Сегодня поиграю музыки, пробуждающей чувства, где глубокий хаус плавно перетекает в мой любимый прогрессив. Такое музыкальное блюдо уже давно получило название Maximum House, как я его люблю называть.Хочу всем напомнить, что мои последние миксы, новости, компиляции и радиошоу можно найти на официальном веб-сайте проекта MAXIMUM - promodj.com/dreamerНе забывайте также подписываться на мой подкаст Dreamer в iTunes, это очень удобно.itunes.apple.com/ru/podcast/dr…bit.ly/1GmefEtПроект MAXIMUM - новые веяния, тенденции, тренды современной клубной сцены и электронной танцевальной музыки. MAXIMUM - максимальное удовольствие!Открывает эфир новейший трек Omnia от артиста из Венгрии Robert Reisz, более известного как Robert R. Hardy. Это трек из его новейшего альбома Changes, который вышел на новом лейбле SoulArt Recordings. У Роберта как всегда все глубоко, душевно, а главное вдумчиво и мелодично.Испанец Алекс Видель в очередной раз радует своим неповторимым звучанием. На этот раз Алекс приложил свои гениальные руки к треку Mentality of a Master написанного продюсером из Греции Manos Lampridis aka Mlab.Новинка от сербской рекорд-компании Balkan Connection. Сегодня презентую новый ремикс австралийца Matter на трек Endless Wind от Volkan Erman & Hypnotic Progressions. Великолепные пады и смена тональностей, в этом ремиксе есть все, что я так люблю в глубоком прогрессиве.Еще один трек под названием Acacia от австралийца Matter, только на этот раз в коллаборации со своими соотечественниками в лице Universal Harmonics и GMJ. Очень насыщенную звуковую гамму несет в себе Acacia, которую, кстати, выпустил лейбл PHW Elements.С большим удовольствием представляю долгожданный, настоящий шлягер от легендарного диджея и продюсера Саши под названием Out Of Time. Вокальную партию на пластинке исполнила американская вокалистка Polica. Трек надолго заседает в голове, его играют сейчас на всех танцполах планеты Земля, он звучит отовсюду, что безусловно превращает его в шлягер 2017 года. Издал релиз известнейший германский импринт Kompakt и я конечно же добавил данную пластинку в свой wantlist на виниле.Аргентинский лейбл Balkan Connection South America aka BCSA порадовал красивым релизом Whispers от аргентинцев Gonza Rodriguez и Ivan Miatto.Давно я не играл пластинки от крутейшего музыканта Jerome Isma-Ae. В рамках сегодняшнего эпизода MAXIMUM представляю его новую великолепную работу Wilde, которая вышла на собственном лейбле Джерома Jee Productions.Совместная работа финского кудесника Cid Inc. и Дарина Эпсилона под названием Myndie задает живости сегодняшнему эфиру и тем самым выводит программу на финишную прямую.На закуску я приготовил боевик из каталога культового лейбла Yoshitoshi, владельцами которого является половинка Deep Dish, известный диджей и продюсер Sharam. Новейшая пластинка от музыканта из Чикаго Anthony Attalla под названием Silence как нельзя кстати в данный момент времени, ведь настало время танцев.В хронике винила сегодня мой любимчик Энди Реданка с ремиксом на трек Vibrations от американца Shawn Astrom. Пластинка вышла в 2007 году на лейбле Boz Boz, владельцем которого является известный британский артист, еще один мой любимчик John Graham aka Quivver, известный нам не только как ремиксер или диджей, но и как вокалист. Реданка в данном случае, все делает в своем фирменном стиле, его ремиксы уже давным-давно являются непревзойденным знаком качества. Случшайте и наслаждайтесь звучанием британского прогрессива второй декады нулевых - это было прекрасно!Желаю всем приятного прослушивания и до новой порции МАКСИМУМА! Искренне ваш Dreamer.promodj.com/dreameriTunes: bit.ly/1GmefEt01. Robert R. Hardy - Omnia (Original Mix) [SoulArt]02. Mlab - Mentality of a Master (Alex Vidal's Formless Remix) [Never Too Late]03. Volkan Erman & Hypnotic Progressions – Endless Wind (Matter Remix) [Balkan Connection]04. Matter & Universal Harmonics - Acacia (GMJ Akashic Dub Mix) [PHW Elements]05. Sasha & Polica - Out Of Time (Original Mix) [Kompakt]06. Gonza Rodriguez & Ivan Miatto - Whispers (Original Mix) [BCSA]07. Jerome Isma-Ae & Alastor - Wilde (Extended Mix) [Jee Productions]08. Cid Inc. & Darin Epsilon - Myndie (Original Mix) [Perspectives/PROMO]09. Anthony Attalla, Soul Trader - Silence (Original Mix) [Yoshitoshi]Bonus Track:10. Shawn Astrom – Vibrations (Redanka Remix) [Boz Boz]

С пребольшим удовольствием приветствую всех своих слушателей на волнах радио Musical Decadence! Также, поздравляю всех с первым днем лета 2017. Как напевал когда-то Мумий Тролль - "Время тепла, время любви, время мягких дождей". Моя любимая пора наконец наступила и, к тому же, первый день лета совпал с выходом #93 выпуска моего радиошоу MAXIMUM.Сегодня поиграю музыки, пробуждающей чувства, где глубокий хаус плавно перетекает в мой любимый прогрессив. Такое музыкальное блюдо уже давно получило название Maximum House, как я его люблю называть.Хочу всем напомнить, что мои последние миксы, новости, компиляции и радиошоу можно найти на официальном веб-сайте проекта MAXIMUM - promodj.com/dreamerНе забывайте также подписываться на мой подкаст Dreamer в iTunes, это очень удобно.itunes.apple.com/ru/podcast/dr…bit.ly/1GmefEtПроект MAXIMUM - новые веяния, тенденции, тренды современной клубной сцены и электронной танцевальной музыки. MAXIMUM - максимальное удовольствие!Открывает эфир новейший трек Omnia от артиста из Венгрии Robert Reisz, более известного как Robert R. Hardy. Это трек из его новейшего альбома Changes, который вышел на новом лейбле SoulArt Recordings. У Роберта как всегда все глубоко, душевно, а главное вдумчиво и мелодично.Испанец Алекс Видель в очередной раз радует своим неповторимым звучанием. На этот раз Алекс приложил свои гениальные руки к треку Mentality of a Master написанного продюсером из Греции Manos Lampridis aka Mlab.Новинка от сербской рекорд-компании Balkan Connection. Сегодня презентую новый ремикс австралийца Matter на трек Endless Wind от Volkan Erman & Hypnotic Progressions. Великолепные пады и смена тональностей, в этом ремиксе есть все, что я так люблю в глубоком прогрессиве.Еще один трек под названием Acacia от австралийца Matter, только на этот раз в коллаборации со своими соотечественниками в лице Universal Harmonics и GMJ. Очень насыщенную звуковую гамму несет в себе Acacia, которую, кстати, выпустил лейбл PHW Elements.С большим удовольствием представляю долгожданный, настоящий шлягер от легендарного диджея и продюсера Саши под названием Out Of Time. Вокальную партию на пластинке исполнила американская вокалистка Polica. Трек надолго заседает в голове, его играют сейчас на всех танцполах планеты Земля, он звучит отовсюду, что безусловно превращает его в шлягер 2017 года. Издал релиз известнейший германский импринт Kompakt и я конечно же добавил данную пластинку в свой wantlist на виниле.Аргентинский лейбл Balkan Connection South America aka BCSA порадовал красивым релизом Whispers от аргентинцев Gonza Rodriguez и Ivan Miatto.Давно я не играл пластинки от крутейшего музыканта Jerome Isma-Ae. В рамках сегодняшнего эпизода MAXIMUM представляю его новую великолепную работу Wilde, которая вышла на собственном лейбле Джерома Jee Productions.Совместная работа финского кудесника Cid Inc. и Дарина Эпсилона под названием Myndie задает живости сегодняшнему эфиру и тем самым выводит программу на финишную прямую.На закуску я приготовил боевик из каталога культового лейбла Yoshitoshi, владельцами которого является половинка Deep Dish, известный диджей и продюсер Sharam. Новейшая пластинка от музыканта из Чикаго Anthony Attalla под названием Silence как нельзя кстати в данный момент времени, ведь настало время танцев.В хронике винила сегодня мой любимчик Энди Реданка с ремиксом на трек Vibrations от американца Shawn Astrom. Пластинка вышла в 2007 году на лейбле Boz Boz, владельцем которого является известный британский артист, еще один мой любимчик John Graham aka Quivver, известный нам не только как ремиксер или диджей, но и как вокалист. Реданка в данном случае, все делает в своем фирменном стиле, его ремиксы уже давным-давно являются непревзойденным знаком качества. Случшайте и наслаждайтесь звучанием британского прогрессива второй декады нулевых - это было прекрасно!Желаю всем приятного прослушивания и до новой порции МАКСИМУМА! Искренне ваш Dreamer.promodj.com/dreameriTunes: bit.ly/1GmefEt01. Robert R. Hardy - Omnia (Original Mix) [SoulArt]02. Mlab - Mentality of a Master (Alex Vidal's Formless Remix) [Never Too Late]03. Volkan Erman & Hypnotic Progressions – Endless Wind (Matter Remix) [Balkan Connection]04. Matter & Universal Harmonics - Acacia (GMJ Akashic Dub Mix) [PHW Elements]05. Sasha & Polica - Out Of Time (Original Mix) [Kompakt]06. Gonza Rodriguez & Ivan Miatto - Whispers (Original Mix) [BCSA]07. Jerome Isma-Ae & Alastor - Wilde (Extended Mix) [Jee Productions]08. Cid Inc. & Darin Epsilon - Myndie (Original Mix) [Perspectives/PROMO]09. Anthony Attalla, Soul Trader - Silence (Original Mix) [Yoshitoshi]Bonus Track:10. Shawn Astrom – Vibrations (Redanka Remix) [Boz Boz]

*south kongress t-shirts available at https://teespring.com/southkongress * "Hey, I didn't do a whole lot this week, this should be a pretty fast show!" Yeah... never. "Panda" is the #1 song in the country this week, and I try to explain that because kids are dumb, it's really not Desiigner's fault. I explain my excitement for the upcoming Drake/Future tour, that has it's first stop here in Austin. We both commit to listening to "Views from the 6" this weekend, so we can give an honest review next week. Travis fills us on his continued love affair with "Ant-Man", and his great time at a Polica concert. I talk about the difficulties of eating five times a day, our upcoming flagship episodes, and the homie's new comic series that just went into print! On this week's Flash episode, we see Barry adjust back to life as a normal, the young Miss Wells understand the value in killing the bad guys, and a "flash-off" between Our titular hero and his potential running buddy (see what I did there?)! Our villain of the week seems to grow old with anger, and boy is that Zoom one scarred supervillain! We THINK we've figured out just who's behind that mask, to varying degrees of excitement. Caitlyn gets to flex her acting muscles, playing both versions of herself against one another, and Earth-2 Wells keeps on being the cold SOB we know and love. This, and a preview of our possible "Flashpoint" powers restoration scene, on this week's South Kongress Fan X Fan Show!

March saw a lot of great new album releases as 2016 is starting to pick up. Here are the albums we cover in this podcast: Kendrick Lamar - untitled unmastered Robert Pollard - Of Course You Are Ray LaMontagne - Ouroboros Esperanza Spalding - Emily's D+Evolution Lapsley - Long Way Home M. Ward - More Rain The Coral - Distance Inbetween Miike Snow - III Loretta Lynn - Full Circle Violent Femmes - We Can Do Anything Polica - United Crushers Wussy - Forever Sounds Heron Oblivion - Heron Oblivion Aurora - All My Demons Greeting Me As a Friend Flatbush Zombies - 3001: A Laced Odyssey Into It. Over It. - Standards Emmy the Great - Second Love Iggy Pop - Post Pop Depression Glenn Jones - Fleeting Underworld - Barbara Barbara, We Face a Shining Future Damien Jurado - Visions of Us on the Land Primal Scream - Chaosmosis Lucy Dacus - No Burden The Range - Potential Anna Meredith - Varmints Thug Entrancer - Arcology Thao & the Get Down Stay Down - A Man Alive RJD2 - Dame Fortune The Thermals - We Disappear Bob Mould - Patch the Sky Open Mike Eagle - Hella Personal Film Festival White Denim - Stiff Margo Price - Midwest Farmer's Daughter

Hear Polica speak about their latest album "United Crushers", the making of their video for the track "Wedding", and how they have evolved as a group. www.thisispolica.com

Full show: http://itsourshow.net/3-12-16-show/ Take it Easy Artist Played: Knaladeus, JusThoughtZ, DJ Stranger, conshus, Crescendo, SoyIsReal, Royce da 59, Joey Bada$$, Statik Selektah, Open Mike Eagle, Paul White, Bishop Nehru, Abnormal, Elzhi, Karriem Riggins, Kuna Maze, Money Carsin, No Evil, Dillon, Paten Locke, Von Pea, Tanya Morgan, Malkovich, Arlo Maverick, Oozeela, Muta Mouraine, Rahim Samad, Darq E Freaker, Beet Unique, Biggie Smalls, unselftitled, Yasiin Bey, Mos Def, Cha Wa, Polica, Adrian Younge, Gadget, OutKast, GOODie MOb, IMAKEMADBEATS

Аудио журнал STEREOBAZA - Еженедельно автор и составитель - Stereoigor - представляет музыку, которая скоро становится must-have меломанов. В мае 2015 STEREOBAZA вошла в Топ15 самых популярных радиошоу, сделанных в Украине по данным PromoDJ (всего в рейтинговании участвует более 50 тыс. шоу и подкастов)Помимо новинок, в каждом выпуске программы слушателей ждет информация о знаковых явлениях и лейблах, а также о культовых фигурах актуальной музыкальной культуры: группах, исполнителях, продюсерах. Отдельного внимания аудио-гурманов заслуживает рубрика «Бонус-трек», посвященная раритетным версиям песен.Аудио журнал выходит в эфире радио Европа Плас c декабря 2011 (vk.com/stereobaza  facebook.com/stereobaza), «стереогостями» радиошоу побывали такие деятели мировой музыкальной сцены: - Andy Fletcher - один из основателей легендарных Depeche Mode - Изобретатель жанра dub - легендарный Lee "Scratch" Perry - культовый лондонский продюсер и ди-джей Erol Alkan  - создатель знаменитого берлинского инди-лейбла Morr Music Томас Морр - Группа De/Vision - Внучка изобретателя первого в мире электроинструмента — терменвокса — Льва Термена, легенда неоклассики Лидия Кавина,  - Bonobo (Ninja Tune),  - Jay-Jay Johanson , Robert Alfons/канадский синт-поп-проект TRUST,   - James Lavelle / UNKLE,  - Группы O.Children, Garden City Movement, HVOB, Crazy P и WhoMadeWho - Британский музыкант и продюсер Ghostpoet - Американский фрик-дуэт CocoRosie STEREOBAZA#198 2016-03-02 by Stereoigor "Europa Plus" Stereo-Ukraine: Morphom Tiga Tricky Poliça Colours Jake Bugg Seth Bogart/Hunx and His Punx Erol Alkan/Beyond The Wizard's Sleeve

Full show: http://itsourshow.net/1-2-16-show/ Artists Played: Mad Skillz, conshus, Jorok, Kristen Warren, Nolan The Tadpole Warren, Logic, Slug, Killer Mike, Tae Beast, Murs and 9th Wonder, Rapsody, Propaganda, Adrian Younge, RZA, Karolina, Laetitia Sadier, Busta Rhymes, MF Doom, BJ The Chicago Kid, J Dilla, MyGrane McNastee, MED, blu, Madlib, Aloe Blacc, POLICA, Your Old Droog, Abelard, TOKiMONSTA, Anderson .Paak, KRNE, Dat Guy Ike, TzariZM, Pollyn, KRS-One, Boss Selection, Young Dad, Lizzo, Nujabes, GOODie MOb, OutKast, IMAKEMADBEATS

Ryan Olson is a member of the band Polica. Though he doesn't perform with them live, he put the band together, produces the songs, and co-writes them. I interviewed Ryan in his bedroom studio in Minneapolis. In this episode, he breaks down the song Smug, from their 2013 album Shulamith. He also talks about two pieces of equipment that have helped shape the sound of Poliça, and how he was introduced to one of them by Justin Vernon of Bon Iver, and the other by DJ Shadow.

Listen[audio:http://media.rvanews.com/wp-content/uploads/2013/05/The-Bopst-Show-Who-Listens-to-Radio-Episode-236.mp3|titles=The Bopst Show -- Who Listens to Radio -- Episode 236]SubscribeiTunes: The Bopst show podcastEverything else: The Bopst show podcastDownloadThe Bopst Show -- Who Listens to Radio? -- Episode 236— ∮∮∮ —Title: The Bopst Show: "Who Listens To Radio? (Episode 236)"Rating: PG-13 (Adult Situations & Language)Intent: To reach man Virginia…Random Richmond Diversion: And sometimes fraudRandom USA Diversion: It was just dormantRandom World Diversion: by a vote of 388 to 1Random Image: SteamRandom Music Blog: All Things GoRandom Bopst Show: The Bopst Show: “The Shapely Head (Episode 150)"I don’t see how it could hurt:http://www.youtube.com/watch?v=tnst6twjPPUConstruction Date: Thursday-Saturday May 9-11th, 2013Equipment: Mac G5, Free Audio Editor & Recorder Software from Audacity, Frontier US-122 USB Audio/MIDI Interface, Shure SM57 MicrophonePosted: Monday May 13th, 2013Artists and Groups in order of appearance: Sarah Vaughn, Rube Waddell, Kendra Smith & The Guild of Temporal Adventurers, Mel Torme, Big Youth, Billy Childish & The Black Hands, Anette Funicello, Trouble Funk, Joni Mitchell, Lightnin’ Hopkins, Melvins, James Cameron, Messer Chups, Johnny Wright, The Polica, DokakaLiner NotesThis week’s top ten radio quotes.George Harrison Gossip is the Devil's radio.Johnny Carson If it weren't for Philo T. Farnsworth, inventor of television, we'd still be eating frozen radio dinners.Doug Coupland I like doing radio because it's so intimate. The moment people hear your voice, you're inside there heads, not only that, you're in there laying eggs.Fran Lebowitz Radio news is bearable. This is due to the fact that while the news is being broadcast, the disk jockey is not allowed to talk.Charles Stanley We're enlarging in every single area of the ministry at In Touch. We're on radio and television. We're in over 110 million homes in America plus radio on satellites. We just acquired the NAMB FamilyNet television network, and with that expanding possibilities of the gospel.Sting I made two movies before The Police had a hit record: I did Quadrophenia and a film called Radio On.Donny Osmond You always draw from your roots. I'm influenced by everything I hear and see, and that includes music today, but obviously I go back to my early influences: Stevie Wonder, Parliament, Earth, Wind & Fire, Ohio Players, Average White Band. Those kind of artists are what I look to. When I hear that stuff on the radio, I turn it up!Jason Mraz When I was in high school, The Dave Matthews Band was a local band, and that was the first time I was starting to connect with a live band that was something that wasn't on the radio or TV.Kenny Chesney I'm running a radio station.Joe Strummer I think we're going to have to forget about the radio and just go back to word of mouth.— ∮∮∮ —Here are some shows I’m hustling at Balliceaux this week...NEXT NEW SHOW: 05/20/13 New show times. The Bopst Show airs Sundays, 11PM and Tuesdays, 6PM (EST-USA) on KAOS Radio Austin.Figure by Todd WellmannPhoto: BOPSTUntil Next Time:Stay clean,BOPSTHo there, reader of RSS feeds! Do you ever want to support RVANews in a real and tangible way? Or at least pay a small penance for reading ad-free content? If so, support us on Patreon for a couple bucks a month!

We're joined in the studio by Katie Stelmanis from Austra, and Vermont folk singer Sam Amidon. And on Singles Club, we rate new tracks by Polica, Janelle Monáe and Erykah Badu, and Doldrums

Discussions between Ellie Harrison & Oliver Braid around the theme of Evaluations (featuring music by Sound of Rum and Polica)

Discussions between Ellie Harrison & Oliver Braid around the theme of Evaluations (featuring music by Sound of Rum and Polica)

Ep 134 Tecnocasters Yahoo Hackeado - Policía que predice los crímenes. Con: Juan D. Guevara Torres, Gaby Barrionuevo, Lorena Galan, Angel Monjaras, Pedro Riveroll, Abrahan Bauza, Laura Sierra y Paulina Marino Productor:  Abrahan BauzaGrabación:    Viernes 13 de Julio del 2012Transmisión:  Lunes 16 de Julio del 2012Hoy....1. Yahoo hackeado, 400,000 contraseñas publicadas en línea.2. Policía adopta tecnología que predice los crímenes.3. Robot Humanoide.4. Lanzamiento de la nueva imagen de iphoenix.mx???

89.3 The Current's selection from Minnesota for the Local Music Exchange on Friday, April 6, 2012.

Not many bands can boast two drummers and an uncluttered sound, but Polica made it work at NPR Music's SXSW day party, held Thursday at The Parish in Austin, Texas. At The Parish, the band toned down the heavily manipulated vocals of Channy Leaneagh — on the new Give You the Ghost, her voice slides lithely all over the place — to reveal her as a bold, even ferocious singer in her own right. Hear the band, recorded live from Austin on March 15, 2012.

Nós começamos com o nosso podcast!, Bem-vindo! Este noveno episodio lo dedicamos al país que recientemente visitó Andrés: BRASIL, país que no sólo es samba, no sólo es futbol, también es tecnología y un modelo a seguir en cuanto a su crecimiento.  Lo nuevo – Entrevistas al jefe de peritos y a un perito informático de la Policia Federal de Brasil  Lo que escuchamos – Los Perrosky – El viejor Rockanrol – Hevo84 – Passos Escuros Sitios y herramientas – Instants! Collection Esperamos sus comentarios para poder comentarlos en los próximos episodios. Saludos