Podcasts about seven up

Heads down, thumbs up as we take a trip wayyyy back to remember the classic, school-time game Seven Up. Then, amid the current world climate we're having a bit of fun with the political landscape when we draft movie characters as our Vice Presidential candidates. Who will it be?! The force is strong with these ones.

Sam and Al discuss readings from “Opening Doors Within” by Eileen Caddy and “24hrs a day” by Richmond Walker. @12steps

Darby Saxbe is a professor at USC and holds a PhD in Clinical Psychology. Her research includes studying the effects of stress hormones in couples and most importantly the changes that the male brain undergoes after becoming a parent. She has scientifically discovered slight gray matter loss in men following fatherhood and termed it Dad Brain. She is currently writing a book about her research. She's also a wife, musician in a Mom Band and mother of two kids! In our conversation today we discussed:* Early influences on her scientific research* What it was like having two kids while getting your post doc* The neuroplasticity of the brain* Stress hormones in couples* How fatherhood reshapes men's brains to make them more efficient* Changes in the ‘default mode network' and the visual network in new Dads* How brain changes are different in new Dads vs. new Moms* The implications of her research for public policy, paid family leave and the support for new parents—Where to find Darby Saxbe* Linkedin: https://www.linkedin.com/in/darbysaxbe/* X: https://twitter.com/Darbysaxbe* USC: https://dornsife.usc.edu/nestlab/Where to find Adam Fishman* FishmanAF Newsletter: www.FishmanAFNewsletter.com* LinkedIn: https://www.linkedin.com/in/adamjfishman/* Instagram: https://www.instagram.com/startupdadpod/—In this episode, we cover:[1:52] Welcome[2:25] Professional background[5:18] What was the spark for the research?[8:26] Did having children during postdoc help shape research?[10:08] Cortisol[13:57] Dad brain[25:55] Should we worry about brain shrinkage after becoming a parent?[29:55] Brain efficiency in parenting[31:33] Default mode and visual network for Dads[35:43] Enhancement in social cognition[38:06] Indifference[40:35] Parental leave[44:48] Darby's book/ future research[48:35] Advice to new parents/dads[51:10] Follow along[52:05] Darby's Mom band[54:55] Rapid fire—Show references:Darby's Research: https://dornsife.usc.edu/nestlab/publications/Prenatal prolactin predicts postnatal parenting attitudes and brain structure remodeling in first-time fathers: https://www.sciencedirect.com/science/article/abs/pii/S0306453023003104Darby on Google Scholar: https://scholar.google.com/citations?hl=en&user=q676bXMAAAAJDad Brain is Real: https://www.nytimes.com/2024/06/16/opinion/dad-brain-fatherhood-parenting.html?unlocked_article_code=1.0E0.biCq.04uwT7G2QN-x&smid=url-shareMore on Dad Brain: https://theconversation.com/brain-study-identifies-a-cost-of-caregiving-for-new-fathers-227319Cortical volume reductions in men transitioning to first-time fatherhood: https://academic.oup.com/cercor/article-abstract/34/4/bhae126/7645338?redirectedFrom=fulltext&login=falseUSC: https://www.usc.edu/Fulbright: https://us.fulbrightonline.org/UK Biobank: https://www.ukbiobank.ac.uk/Scrooge McDuck: https://en.wikipedia.org/wiki/Scrooge_McDuckSuper Why: https://pbskids.org/superwhy/Inside Out: https://www.imdb.com/title/tt2096673/Inside Out 2: https://www.imdb.com/title/tt22022452/?ref_=fn_al_tt_1Beetlejuice: https://www.imdb.com/title/tt0094721/Throwing Muses: https://throwingmuses.com/The Killers: https://www.thekillersmusic.com/Breeders: https://www.thebreedersmusic.com/Seven Up!: https://www.imdb.com/title/tt0058578/Rushmore: https://www.imdb.com/title/tt0128445/A Hard Day's Night: https://www.imdb.com/title/tt0058182/—For sponsorship inquiries email: podcast@fishmana.com.For Startup Dad Merch: www.startupdadshop.com Production support for Startup Dad is provided by Tommy Harron at http://www.armaziproductions.com/ This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit startupdadpod.substack.com

In the last segment of UnMind, the second installment discussing the sameness and differences I have noted in teaching Zen or design as a profession, I wrapped up the essay by mentioning the concept of “control,” as it might apply to either or both: In meditation circles, we often hear phrases such as “controlling the breath” or “emptying your mind of thoughts.” These represent attitudes 180-degrees from that in Zen meditation, which is not one of exerting control, but rather relinquishing any real or imagined level of control. Using that as a springboard for this segment, let's examine our approach to Zen meditation, in the context of the well-known adage from minimalist design, “Less is more.” According to Google: Minimalism is exemplified by the idea of “less is more” as first coined by architect Ludwig Mies van der Rohe. The idea that less may be more, in applying the method of zazen, is implicit in many dimensions of the character of Zen training, from Buddha's Middle Way of moderation to the “chop wood, carry water” practicality of the Chinese history, the seven items a monk was allowed to own, and the sparse serenity of the zendo interiors of Japan, with their starkly minimalist sand and rock gardens. The Institute of Design, during my years there in undergraduate and graduate studies, was housed in the basement of Crown Hall, while the Mies school of architecture was on the upper floor. His contribution to minimalist architecture lay in the combination of glass and steel to construct high-efficiency buildings, of which Crown Hall was an early archetype.Another aphorism from design thinking that I mentioned: ...there are many design ideas that are simple in concept, but difficult in execution. Zen may be the poster boy for this truism. Zazen is irreducibly simple in design, but Zen can be maddeningly difficult in daily execution. This is where I would like to begin this segment. Thinking about meditation, particularly Zen's zazen — as I understand this “excellent method,” as Master Dogen repeatedly referred to it — it occurred to me that during zazen, as a process of “unlearning,” or “subtracting” the preconceptions we harbor as to our conventional take on reality, we might usefully question a variety of such attitudes and concepts, as to whether we are unintentionally, perhaps even unconsciously, striving to attain something as a presumed goal of our practice. Only if we recognize that we are doing so, can we then consciously relinquish that particular problematic attitude or opinion, and see what it is like to sit without it getting in our way. A number of these came up for me, which we can consider one at a time, perhaps extending into the next segment. They are expressed herein with the suffix of “-less,” which implies “the absence of.” Let's begin with the very idea of goals in general, embracing the approach of “letting go” of our predilections. GOALLESS MEDITATIONOf course, we all sit in meditation with some kind of goal, whether simply to calm the mind under stress; to get back to normal; or more deeply, to “wake up” to reality, which might be said to be the principle goal of Buddhism. But Master Dogen cautions us, in “Principles of Seated Meditation—Fukanzazengi,” to avoid taking goal-setting too far: ...think neither good nor evil, right or wrong thus stopping the functions of your mind give up even the idea of becoming a Buddha In other words, resist setting up what seems a more lofty goal, in place of the pedestrian objectives we might associate with meditation. Which begs the question, can we do away with all goals and objectives, at least while we are sitting? We might say that it is not that Zen meditation has no goal, but it is just that the actual goal is too deep and too broad to be expressed in words, especially a priori. We meditate to discover the goal. TIMELESS MEDITATIONMost instructions for meditation include imposing time constraints on it, for example by setting a timer, using an app with a built-in alarm, burning a stick of incense, or following the schedule of timed sessions on retreat, or during daily practice at a Zen center. When we experience the latter, sitting with somebody else tracking the time, we feel somewhat liberated from the necessity of thinking about the time, or paying attention to the clock; someone else is doing that for us. When we take a turn as time-keeper (“doan” in Soto Zen), we experience the discipline of being responsible for others' time on the cushion. Both are highly recommended. But someone once said that in zazen, “the barriers of time and space fall away.” When I see someone restively glancing at their watch in the zendo, I will often ask to borrow it. Then, they are unable to indulge their fidgeting obsession with time, at least while sitting. This goes to the larger question of all the measurables associated with our meditation — such as how long we sit, how often, how regularly, et cetera — which are not as important as the immeasurable aspects: that we simply never give up. We keep returning to zazen, in good times or bad, for whatever time we have available for it. I recommend that occasionally, perhaps the next time you sit in meditation, that you forego your tendency to time the period. Sit without any stopping time in mind. Then you may finally reenter real time, which is not measured; indeed, it is not even measurable. You may find that time is all you really have; that in fact, you have all the time there is. This reality of real time versus measured time is captured in the sardonic expression — “The man who has one watch always knows what time it is; the man who has two never knows for sure” — attributed, as many such wisecracks are, to Chinese origin. EFFORTLESS MEDITATIONIn his paraphrase of a brief Ch'an poem about meditation, titled “Zazenshin,” meaning something like an “acupuncture needle” or “lancet” for zazen — something exceedingly sharp or pointed — Master Dogen points to the true meaning of “right effort” toward the end of the poem: Intimacy without defilement is dropping off without relying on anythingVerification beyond absolute and relative is making effort without aiming at it “Making effort” includes assuming the posture, which is not always easy, especially when we overdo it; and breathing, which can be labored, especially when we catch a cold, or during flu season. I have heard that the posture should feel more like a stretching sensation than physical effort, and that the breath should be more like a sigh than belabored breathing. My root teacher, Matsuoka Roshi, said “the breath should be like a gate swinging in the breeze, first this way, and then the other way,” a rather pleasant, languid, relaxed image. And, he would say, “Zazen is the comfortable way.” This should give us pause, in our pursuit of overweening effort, characterized as “macho Zen,” which we get from our impression of Rinzai's more driven practice of externally-imposed discipline. I suspect that this meme is more a social dimension of the culture, than having anything to do with the reality of Zen practice — other than inculcating a sense of urgency: that we have no time to waste, in getting after this most important and central “great matter.” In the next segment of UnMind we will continue with this exploration of the “less” side of the practice. As a semantic curio, the English meaning of the prefix “un” — which in my dharma name means “cloud” — connotes the “opposite” of something, or something very different, as in the “un-cola” campaign promoting the soft drink Seven Up, which I know dates me. It is similar in effect to the suffix “-less,” which connotes the “absence” of something. If you have any suggestions along these lines for me to entertain in the next segment, let me know. My list is quite long, but there is always room for one more consideration to eliminate, from distracting us from our meditation. * * * Elliston Roshi is guiding teacher of the Atlanta Soto Zen Center and abbot of the Silent Thunder Order. He is also a gallery-represented fine artist expressing his Zen through visual poetry, or “music to the eyes.”UnMind is a production of the Atlanta Soto Zen Center in Atlanta, Georgia and the Silent Thunder Order. You can support these teachings by PayPal to donate@STorder.org. Gassho.Producer: Shinjin Larry Little

 Join Johnny Rabbit on this lively Sunday morning as we take a refreshing sip down memory lane, exploring the intriguing history of St. Louis' favorite sodas. From the iconic Smile Building to the unique flavors and the rise of Team soda, we'll uncover the effervescent tales that once bubbled up from the heart of the city. Don't miss this carbonated journey through time!

 A little levity and "Jealousy", the addition of some guitar, when our artistic heroes become sleazeballs, the worst basketball team ever, the best high school class ever, some great songs from Grease, Kristy McNichol, and Yaphet fucking Kotto. Stuff mentioned: Billy Joel "Jealousy" (1978), Badfinger "No Matter What" (1970), Play it Again, Sam (1972), The Bad News Bears (1976), Built to Spill "Twin Falls" (1994), Built to Spill Perfect from Now On (1997), Nightmare on Elm Street (1984), Rambo: First Blood Part 2 II (1985), Bye Bye Birdie (1963), Grease (1978), Bye Bye Birdie "We Love You Conrad" (1963), Grease "There Are Worse Things I Could Do" (1978), Grease "Look At Me, I'm Sandra Dee"/Reprise (1978), Xanadu (1980), Olivia Newton-John "Magic" (1980), The Pirate Movie (1982), The Blue Lagoon (1980), Dream Lover (1986), The Pirate Movie "Happy Ending" (1982), Heart of Dixie (1989), Midnight Run (1988), Beverly Hills Cop (1984), Gigli (2003), The Star Chamber (1983), Blue Collar (1978), and Jigsaw "Sky High" (1975).

Why should only human beings be worthy of moral consideration? Would we still eat animals if we had a sense of their mass-produced suffering? Peter Singer joins Vasant Dhar in episode 74 of Brave New World to discuss his influential work as a philosopher. Useful resources: 1. Peter Singer at Britannica, Wikipedia, Princeton, Twitter, Instagram, Amazon and his own website. 2. Animal Liberation Now -- Peter Singer. 3. Animal Machines -- Ruth Harrison. 4. My Octopus Teacher -- Pippa Ehrlich and James Reed. 5. Seven Up! -- Paul Almond. 6. Lawrence Kohlberg's stages of moral development. 7. A Theory of Justice -- John Rawls. 8. Everything is Illuminated -- Liev Schreiber. 9. Nudge -- Richard Thaler and Cass Sunstein. 10. The Life You Can Save. 11. Maneka Gandhi on Animal Rights -- Episode 44 of Brave New World. Check out Vasant Dhar's newsletter on Substack. Subscription is free!

Bro. Derek Young counsels the student body of Commonwealth Baptist College at the beginning of the semester.

In this episode Kieran and I pick back up with our coverage of Michael Apted's Seven Up documentary series, with a conversation about '28 Up' from 1984. One note on this, we recorded this episode ages ago- back in September 2020 (in the period between the first and the second lockdown). Sorry this took so long to go live but it's a great chat. Oh, one more thing- this was the first 1980s episode we recorded (so this is Kieran's first time hearing this series' sign-off at the end). Join us next time as we break into 1980s Disney with an episode on 'The Great Mouse Detective'!

Since tomorrow is the start of September it feels like a fitting time to end #mysummerofstartrek. Five episodes across which we discussed four films and one classic TV episode. And I have to say, it has been an absolute (phaser) blast. I look forward to returning to the wonderful world of Star Trek in some form on the show. This time around Paul and I discuss 'Star Trek V: The Final Frontier' from director William Shatner (we had hoped Kieran would join us during the call but unfortunate he couldn't make it). A film we have many many thoughts on. Also, the podcast which gets mentioned late in the episode is Spocklight: A Star Trek Podcast. It's a fantastic Star Trek show which we are big fans of and I think you would be too. Join us next time as Kieran and I return to the Seven Up franchise to discuss '28 Up'!

Adam wants Bo Ra to stop wearing these extensions #queendompuzzle Watch QUEENDOM PUZZLE on the Viki app every Wednesday!  Help Support The Ampliverse! https://ko-fi.com/theampliverse Learn more about The Ampliverse: http://theampliverse.com Follow us on social media to learn more about upcoming shows and exciting new content! Instagram: http://Instagram.com/theampliverse  Twitter: http://Twitter.com/boysloveblove

Paul Cope and Gareth Roberts are back for episode five of The Late Challenge Podcast.This week Liverpool's mauling of Manchester United, surviving at sea on sauce and Jürgen Klopp are among the agenda items.Fact Of The Week, The Crunching Challenge and your tweets and emails also feature.To get in touch with the show, email us at: hello@thelatechallengepodcast.comYou can also give us feedback via our website: www.thelatechallengepodcast.com Follow us on Twitter: LateChallengeAdd us on Facebook: The Late Challenge PodcastAdd us on Instagram: LateChallengeFind us on TikTok: thelatechallengepodcast

03/06/2023  Richy and Mike discuss on the following topics of the day: Liverpool vs Manchester United reaction Memphis Grizzlies   What's Up With That "Ending Segment" (1 word description) Arsenal comeback vs Bournemouth Real Madrid tie vs Betis in la Liga Mbappe reaches 201 goals  and becomes all time scorer for PSG 7-0 Neymar out for the rest of the season Clippers and Westbrook gets one NY Knicks 9 game winning streak Xavi describes Fc Barcelona as the most difficult club in the world     Chat with us on Twitter: @MrWetz @richyrema @alaunethearena IG: alaunesports   Like, Subscribe, and Follow !!!   LETS POD!!      

For this month's first Britainology, Nate and Milo watched the first installment of the Up series, the 1964 mini-documentary SEVEN UP! Filmed as a commentary on Britain's class system and unintentionally becoming a time lapse of the Baby Boomers, it's still an absolute gem of British Pathé Voice, and much more. We hope you enjoy.   Get the whole episode on Patreon here: https://www.patreon.com/posts/78677818   *LONDON LIVE SHOW ALERT* See Trashfuture live in London on February 20 featuring special guest Nish Kumar! Get tickets here: https://www.eventbrite.co.uk/e/trashfuture-live-podcast-with-nish-kumar-tickets-528472574697 *BERLIN LIVE SHOW ALERT* We're also doing a show on March 11 in Berlin! Get tickets here: https://www.eventbrite.co.uk/e/trashfuture-live-in-berlin-tickets-525728156067 *WEB DESIGN ALERT* Tom Allen is a friend of the show (and the designer behind our website). If you need web design help, reach out to him here:  https://www.tomallen.media/ *MILO ALERT* Check out Milo's upcoming live shows here: https://www.miloedwards.co.uk/live-shows Trashfuture are: Riley (@raaleh), Milo (@Milo_Edwards), Hussein (@HKesvani), Nate (@inthesedeserts), and Alice (@AliceAvizandum)

Spoiler vége: 2:26:00 Sziasztok, Ez itt a Vágatlan Verzió, három hetente jelentkező filmes podcast 62. adása, mely az utolsó adás is 2022-ben. Mivel ez az év a változatos vendégekről szólt, mi sem koronázhatná meg jobban az évadot, mint Csoki újbóli feltűnése a műsorban. Korábban párkapcsolatokról, a bátorságról és a Harry Potter-univerzumról beszélgettünk Csokival, ezúttal pedig a Millenial generációt ábrázoló filmeket vesszük szemügyre. Az 1980-as évek elején születettektől az 1990-es évek közepéig születetteket hívjuk millenialnak, akik többek között az első generáció, akiket megérintett a globalizmus, a megszülető internet és a félelmetesen gyorsuló technológiai fejlődés. Négy filmen keresztül vizsgáljuk meg a millenialok különböző életszakaszait, kihívásait és öndefiniciójukat. Tartsatok velünk, és jó szórakozást! Tartalomjegyzék: 0:00 – Bevezetés 42:39 – Sráckor (2014) 1:52:45 – Donnie Darko (2001) 2:42:21 – A világ legrosszabb embere (2021) 3:39:28 – VAN valami furcsa és megmagyarázhatatlan (2014) Alternatív linkek: iTunes - https://itunes.apple.com/hu/podcast/v%C3%A1gatlan-verzi%C3%B3/id1382751778?l=hu&mt=2 Spotify – https://open.spotify.com/show/3OVfiTmsGL8iYljlRWZ8g3 Social media: Discord: https://discord.gg/Kq9gDYDnaJ Facebook: https://www.facebook.com/vagatlanverziopodcast/ Instagram: https://www.instagram.com/vagatlanverzio/ E-mail: vagatlanverzio.podcast@gmail.com Az adásban elhangozott adatok és információk mellé minden részben linkelni fogunk további olvasnivalókat. A mostani adag: Seven Up! – Brit dokumentumfilm-sorozat az emberek öregedéséről: https://www.imdb.com/title/tt0058578/ Reddit - Donnie Darko magyarázat: https://www.reddit.com/r/movies/comments/1g6dax/an_incredibly_detailed_breakdown_of_donnie_darko/ Történelem, Csimpánz, Isten - Zoli podcastje: https://www.youtube.com/watch?v=QcyVNaYvxTU Földrajz jelenet - Van valami furcsa és megmagyarázhatatlan https://www.youtube.com/watch?v=QcyVNaYvxTU Kulturális forrásaink (minden áthallás jogos, de nem szándékos) : Önkényes Mérvadó, A hét mesterlövésze, Retroschock, Pál Feri, Jordan Peterson Külön köszönet: Tamásnak, az intróban nyújtott hangjáért! https://bogyopeter.tumblr.com/ - Péternek, a csodálatos artworkért! http://eper.elte.hu/ - Az EPER Rádió stúdiójának a felvétel lehetőségéért! Köszi, hogy meghallgattatok! Ádám, Ákos, Alex _________________________________________________________________ podcast, film, kritika, elemzés, kibeszélő, bemutató, millenial, generáció, genz, boomer, alpha, életkor, ageism, donnie darko, kultfilm, mad world, magyar film, reisz gábor, sráckor, linklater, skandináv film

Esta semana, dedicamos un nuevo capítulo de Rebelión Sónica, al fundamental guitarrista, experimentador y compositor germano, líder de Ash Ra Tempel y figura mayor del Krautrock, Manuel Göttsching, quien lamentablemente falleció el 04 de diciembre pasado a los 70 años. La triste noticia para los amantes del rock alemán, la electrónica y la música cósmica, fue a dada a conocer en un comunicado en sus redes sociales oficiales el 12 de diciembre. “Rodeado de su familia, Manuel Göttsching falleció en paz el 4 de diciembre de 2022”, se puede leer en la declaración. “El vacío que deja atrás lo queremos llenar con su música y recuerdos amorosos. Cuando tus dedos tocaron las cuerdas de una guitarra, el mundo se detuvo. Que se detenga y te traiga de vuelta cada vez que te escuchemos tocar”. Göttsching es uno de los guitarristas más influyentes e importantes de su generación. Su estilo y técnica es una referencia para docenas de artistas en el ambient posterior a Brian Eno y su figura es central en la mayoría de las escenas de música electrónica que le precedieron. Göttsching se hizo un nombre en el movimiento underground de Berlín Occidental a finales de la década de 1960 y principios de la de 1970. Fue un miembro central de Ash Ra Tempel, una pieza clave del krautrock con miembros rotativos, incluido Klaus Schulze. El conjunto lanzó cinco álbumes de gran influencia entre 1971 y 1973: “Ash Ra Tempel” de 1971, “Schwingungen” de 1972, “Seven Up” con Timothy Leary de 1972, “Join Inn” de 1973 y “Starring Rosi” de 1973. El músico también participó en las sesiones de la mítica agrupación, The Cosmic Jokers. Luego de su debut en solitario “Inventions for Electric Guitar” de 1975, que lleva por subtituló Ash Ra Tempel VI, Göttsching comenzó a editar discos solistas como Ashra o con su propio nombre. Con el primer proyecto, publicó álbumes de gran influencia para la electrónica. Entre ellos, “New Age of Earth” (1976), “Blackouts “(1977) y “Belle Alliance” (1980). En este primer capítulo de dos que haremos en homenaje a su obra, escucharemos música de “Inventions for Electric Guitar”, para en la próxima sesión, escucharlo con material posterior.

Am 4. Dezember 2022 ist der Berliner Musiker Manuel Göttsching im Alter von 70 Jahren verstorben. Der "elektro beats"-Moderator/Redakteur Olaf Zimmermann kannte Manuel Göttsching seit vielen, vielen Jahren sehr gut und hat mit ihm unzählige Interviews in über 35 Jahren geführt. Diese "elektro beats"-Ausgabe ist "in memoriam" Manuel Göttsching und seinem musikalischen Schaffen gewidmet. Er kommt in zahlreichen Interview-Ausschnitten noch einmal selbst zu Wort. Es geht u.a. um die von ihm 1971 gegründete Band "Ash Ra Tempel" und die Geschichte des legendären Debütalbums. Dieses und auch die mit Timothy Leary eingespielte "Seven Up" zählt der englische Musiker Julian Cope in seinem Buch "KrautRockSampler" zu dem Besten und Innovativsten, was in diesem Genre je veröffentlicht wurde. Manuel Göttsching spricht in weiteren Interviewparts über seine Soloalben "Blackouts", "Inventions For Electric Guitar", "New Age Of Earth" und das Masterpiece schlechthin - "E2 – E4". Dieses Album gilt heute als eins der wichtigsten und einflussreichsten der elektronischen Musik und als Meilenstein dieses Genre. Es geht aber auch um die Zeit mit "Ashra" und Alben wie "Correlations", ihre Japan-Konzerte und seinen Reunion-Auftritt mit Klaus Schulze als Ash Ra Tempel in der Royal Festival Hall.

Teaching:  “Seven Up” Teachers: Eric Kieb, Jeff Temple Text: 2 Kings 5:1-15a (Matthew 8:2-3) 11-06-2022 DIG Sheet Here's this week's broadcast if you didn't catch it: West Campus: East Campus: The post Kings & Prophets: Seven Up appeared first on Bay City Grace Church.

Az (@ffscout_az) and Pras (@FPL_Pras) are here to help make sense of the FPL chaos after a series of postponed matches! While neither of the two managers is on a WC, both will be considering the best players and teams to target before we head into the International Break. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mit diesem "elektro beats"-Special gratuliert Olaf Zimmermann Manuel Göttsching zu seinem 70. Geburtstag. Es gibt viel Musik aus seinem umfangreichen Schaffen mit Ash Ra Tempel, Ashra und solo und Manuel Göttsching kommt selbst mit Part aus diversen "elektro beats"-Interviews zu Wort. Er klärt auf, wie man den skurrilen Gruppennamen interpretieren darf und erzählt spannende Entstehungsgeschichten zum Debütalbum von Ash Ra Tempel, dem gefeierten Klassiker "E2-E4", zu "Schwingungen", "Blackouts", "Inventions For Electric Guitar", "New Age Of Earth", "Correlations" und nicht zuletzt zu der legendären "Seven Up", die ihr 50jähriges Jubiläum feiert und jetzt auch auf Vinyl wiederveröffentlicht wurde.

In this special episode, Thomas Flight and Tom van der Linden discuss a variety of experimental documentaries; and classify them into distinct categories to explore what they are, why they are worth watching, and what the best ways are to engage with them.All Light Everywhere (2021); Baraka (1992); Bells from the Deep (1993); Cameraperson (2016); Chronicle of a Summer (1961); Cow (2021); F For Fake (1973); Fata Morgana (1971); Free Solo (2018); Grizzly Man (2005); Gunda (2020); Koyaanisqatsi (1982); Lessons of Darkness (1992); Little Dieter Need to Fly (1997); Machines (2016); Rat Film (2016); Samsara (2011); Seven Up! (1964); Sleep Has Her House (2017); The Truffle Hunters (2020); The White Diamond (2004); Voyage of Time (2015)Start exploring the riches of cinema with an extended free trial of MUBI: mubi.com/cinemaofmeaningListen to our episodes a week early, and completely ad-free, on Nebula by signing up for Curiosity Stream: https://curiositystream.com/cinemaofmeaningCheck us out on YouTube:Thomas Flight: https://www.youtube.com/c/ThomasFlightLike Stories of Old: https://youtube.com/c/LikeStoriesofOldCheck us out on Nebula:Thomas Flight: https://nebula.app/thomasflightLike Stories of Old: https://nebula.app/lsooFollow us:Tom van der Linden https://twitter.com/Tom_LSOOThomas Flight https://twitter.com/thomasflightSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Iván Valdez: Un exitoso emprendedor en la industria del comercio electrónico Iván Valdez es un emprendedor dominicano dentro de la industria del comercio electrónico. Nuestro invitado del episodio 30 es conocedor de que en equipo siempre se llegará más lejos y lo deja evidenciado al hablar de Pedidos Ya, antes Delivery RD, una empresa tecnológica líder en Q-Commerce y entrega en toda América Latina. En la actualidad, Iván es managing director de Pedidos Ya para República Dominicana, plataforma que ofrece soluciones sencillas y fáciles donde el usuario ordena comida a través de la web o su aplicación móvil. Este emprendedor tuvo afición por los negocios desde pequeño entendiendo que eran su gran pasión y preparándose en Mercadeo en la PUCMM con una maestría en Comunicación Integral de Marketing en UNIBE. Ocupó varios puestos en la Cervecería Nacional Dominicana, donde laboró hasta el 2018, pasando de ser digitador hasta su llegar a su última posición como Brand Manager para marcas tan conocidas como Pepsi, Seven-Up y Red Rock. Su emprendimiento, realizado junto a su hermano y otros dos amigos, nació de una broma que más tarde se convertiría en el negocio en su categoría que mayor tamaño ha alcanzado en nuestro país, agregando nuevas ramas como el de supermercado online con entrega en 30 minutos o menos. A través de Spotify, Apple Podcast y Youtube podrás escuchar un episodio lleno de energía, entrega y pasión con este invitado que hace un llamado a creer, apostar y dedicar esfuerzo sobre aquello que creemos que llegará a tener éxito.

Good Day! It's May 20th 2022. Thank you for listening to my podcast, Quirk of the Day, host and producer, Autumn Simmons. Episode forty-six, "Seven Up," beginning with more about magic and the past from my web series, The Quirk Chronicles, and The Philadelphia Independent Film Awards. My memoir-essay-humor I, Quirky Girl by Autumn Simmons is available via Barnes & Noble and Ingram. Check out my website, www.thequirkchronicles.com and the YouTube channel, The Quirk Chronicles. Enjoy now!!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/autumn-simmons/message Support this podcast: https://anchor.fm/autumn-simmons/support

Who was The Godfather of Gum? What on earth is Elephant Six?? Who was the other guy in XTC??? None of them were The Beatles. Nor were they Beatlemania. But their music is an incredible simulation that could be considered “Beatle-esque”. In this “thrilling-esque” conclusion, T.J. and Tony continue trading their favorite songs that come close to That Thing The Fab Four Did. Like most journeys, this episode uncovers more questions than answers...  

As the Canucks get set for the Montreal Canadiens who are in Vancouver on Wednesday, JPat and Wadden discuss the news from practice on Tuesday, taking a look at Brad Hunt's impact on the second power play unit, while also breaking down the importance of the first four games of the seven game homestand that the Canucks are about to embark on.  Daniel Wagner from Vancouver is Awesome joins the show and gives his thoughts on the Canucks current run of play, the playoff chase, and why JT Miller's trade market will open up wider in the offseason.  Rink Wide is presented by Able Auctions.  See omnystudio.com/listener for privacy information.

Cody starts the show with his dinner menu and his trip to Goodwill. Brian should be considered a hero for just being here. The guys debate children and the amount of screen time they should have. Brian has a short fuse during "Heads up Seven Up". Brian knows some terms Cody doesn't. Cody let his wife take him to a "Gong Bath". Free Covid tests? Cody has no idea and the guys are suffering from Pandemic fatigue.

S4E43 - This week we are joined by comedy writer and friend of the pod, TJ Jackson. George is laughing at a Chick Fil A thief, Alexandria plays Never Have I Ever, TJ is in the Writer's Graveyard with a Christmas parody of the creepy Netflix show "You," and we challenge TJ to a round of Seven Up. (Airdate: 12/11/21)   SHOW NOTES * See "Elf on the Shelf: Eyes Wide Open" at Village Theater on Saturday, December 18th at 8pm. 

S4E42 - This week Alexandria is laughing at the Omarion Variant, Abigail challenges everyone to a holiday game of Seven Up, George explains that we're speciesist and plays the Vegan Wrap, and then we create a Scene from the Song Hello by Adele. (Airdate: 12/4/21).   EPISODE 42 NOTES: * Vegan Rap

Today's entry, dating back to August 12th, 2012, describes a thought I had about having our heads up (and no, not "Heads Up, Seven Up"- sorry).

S4E38 - This is Halloween. This is Halloween. We have a spooky episode this week. George is laughing at a rocket thief, Alexandria falls out at a haunted house, we reminisce on Halloweens gone wrong, Abigail reads a scary story, and we play Seven Up and rank 7 terrible ways to die. (Airdate 10/31/2021).   EPISODE 38 NOTES: * Schwartz, Alvin. Scary Stories to Tell in the Dark. Scholastic, Inc. 1989. * Gorey, Edward. The Gashlycrumb Tinies. Harcourt Brace. 1963.

Por contener ácido muriático.

S4E32 - We've got a great episode this week. Alexandria is laughing at Nicki Minaj's cousin's friend's testicles, George hosts a game of Seven Up, Abigail watches the Babysitter's Club, we find Bad Reviews of Ivy League universities, and finally we share our Confessions. (Airdate 9/18/2021)

The post Rise Again (Down Seven, Up Eight) – Kanshin Allison Tait – 11 July 2021 appeared first on Puget Sound Zen Center.

S4E27 - This week we are joined by our very funny friend, comedian Sara Bresee. George spills celebrity gossip about Ross & Rachel, we rank horrible life experiences in Seven Up, Abigail faces her first Blind Spot Challenge, Sara joins us in a lyrical game of Actor's Worst Nightmare, and Alexandria reads another excerpt from a Selena Montgomery romance novel. (Airdate 8/4/2021)   EPISODE 27 NOTES: * Special Thanks to our guest Sara Bresee. * Montgomery, Selena. Reckless. Avon, 2008. * Outkast. Stankonia, Sony Legacy, 2007.

S4E21 - This week we chat about the BET Awards, George leads another challenging round of Seven Up, Alexandria gives listeners relationship. advice, and in honor of the 4th of July holiday, Abigail presents a Christmas themed sketch in the Writers' Graveyard. (Airdate 7/3/21)

John talks about his police violence and his own experiences with the law. John was a big experimenter with drugs -as were all the Beatles - and Tammy tells him about what used to put the 'up' in Seven Up and Coca-Cola.  And John and Tammy talk about the big difference between fans and groupies. Find us at: TalksWithJohn.com

We all loved it when we got to class and saw that there was a cool substitute teacher!  Better yet, if there was a film projector set up and ready to provide us with a leisurely period of viewing and napping!  Throw in the promise of a quick game of "Seven Up" to chew up the last 10 minutes of the class period... and you had the ingredients for the perfect school day! --- Send in a voice message: https://anchor.fm/rocky-seale/message Support this podcast: https://anchor.fm/rocky-seale/support

“Like Michael Apted in his Seven Up! documentary series, Linklater makes you feel as if you're watching a photograph as it develops in the darkroom.” (Chris Nashawaty, Entertainment Weekly). 12 years is a long time to shoot a movie, and both Scott and Kris think you should spend the two hours and forty-five minutes to see it. 

Chengyu are Chinese idioms that consist of four characters. Although they originate from classical Chinese, Chengyu remain as an important aspect in both spoken and written language. They may seem erratic and confusing to you at first since they don't follow the usual sentence order and their meanings depend heavily on context. But don't worry, in this Chengyu series, we will introduce simple Chengyu made up with all the characters that you already knew, and you can infer the actual meaning by looking at the separate characters! In this lesson, let's take a look at four Chengyu with numbers 七 (seven) and 八 (eight) in them! Episode link: https://www.chinesepod.com/4341

Chengyu are Chinese idioms that consist of four characters. Although they originate from classical Chinese, Chengyu remain as an important aspect in both spoken and written language. They may seem erratic and confusing to you at first since they don't follow the usual sentence order and their meanings depend heavily on context. But don't worry, in this Chengyu series, we will introduce simple Chengyu made up with all the characters that you already knew, and you can infer the actual meaning by looking at the separate characters! In this lesson, let's take a look at four Chengyu with numbers 七 (seven) and 八 (eight) in them! Episode link: https://www.chinesepod.com/4341

Chengyu are Chinese idioms that consist of four characters. Although they originate from classical Chinese, Chengyu remain as an important aspect in both spoken and written language. They may seem erratic and confusing to you at first since they don't follow the usual sentence order and their meanings depend heavily on context. But don't worry, in this Chengyu series, we will introduce simple Chengyu made up with all the characters that you already knew, and you can infer the actual meaning by looking at the separate characters! In this lesson, let's take a look at four Chengyu with numbers 七 (seven) and 八 (eight) in them! Episode link: https://www.chinesepod.com/4341

Chapter seven opens from Regis Cahan's perspective.  He is talking to his secretary about work and then mentions Ricardo Morales.  Cahan was surprised to learn that the normally respectful Morales was rude to his secretary  and referred to the pregnant woman using profanity.Many Cones is a podcast novel based on true crime. The murders inspiring this crime fiction took place 30 miles from Chicago in Northwest Indiana, and captivated the area from the initial brutal crime scene all the way through and beyond discovery of a shockingly bizarre motive.   Regis Cahan watched Ray walk out of the “Fine Time.” Good man, he thought. Regis’ secretary, Gina Drozler, noticed his far away stare. She waited a few brief moments and decided it was time to reclaim his attention. Regis was seated directly across from her. A small table, containing ashtrays and a cantaloupe shaped candle holder, between them. Theirs was beige, although each table sported a different color. The secretary tilted sideways, like a deadpan clown, waived her hand and said, “Remember me?” Cahan’s reverie was interrupted by his secretary’s out of focus face and hands. He snapped back to his bearings. “Sorry, I spaced out for a second there.” He was an imposing man. Tall and well defined. He played handball three times a week to keep the body fat off. For a man too close to fifty, Cahan still caused hearts of all ages to flutter. He had a classic, square jawed face, what appeared to be deep, black eyes and a ready smile. Regis had learned during the sixties and early seventies that long hair, if maintained, made the big girls cry. It looked good on him, as it usually does on men of height. The secretary returned to her normal posture. She asked, “What were you staring at?” Regis recentered his attention to her. “I Saw Ray Grandisha leaving. Remember the guy I waved to, when we walked in?” Gina shook her head. “No. I didn’t see you wave at anyone. I was in front of you. The name sounds familiar, though. Who is he?” “A cop. I’ve had three or four cases with him.” “How’d you do?” Gina asked. Regis puckered and stretched his shoulders slightly. “Won some, lost some.” A barmaid approached the table and politely asked, “Another Black Jack, Regis?” He said, “Yes, please.” The waitress looked at his companion, without uttering a sound. Gina, mildly put off, said, “One more vodka and Seven-Up, please.” The waitress dryly said, “Okay honey.” As the server was leaving, Gina followed her approach to the bar. Then returned her stare to Cahan. “Geez, it’s nice to be remembered. She’s waited on me twenty times and doesn’t know what I drink. She can repeat your Black Jack in her sleep... Are you fucking her?” Regis chuckled. “No. I’m not. But most of the girls here are very protective of their male patrons. She probably thinks I’m fucking you.” The secretary giggled softly. “My husband would frown on that. He likes the fact that he’s the only man I’ve ever been with.”Regis tilted his glass in her direction. “He’s a lucky man to have you. I envy your relationship and your family. And you can type.” 

In this episode I cover Nancy Scanlon's Mist of Fate series. A four book saga is about the O'Rourke family, finding your soulmate, and learning a thing or two from the past! For anyone who loves time travel romance and all the twist and turns that go along with it!!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/paperbackromancebc/support

The Athletic's Michael Bailey is joined by regular guests Steve Sanders and Dan Brigham to recap an awesome week for Norwich City. Michael leads the dance for a Paul Warne love-in, but would we be so enamoured if we didn't always come away with the points when we play his teams? Plus, we've an exclusive chat with Greek import Dimitris Giannoulis and a full-and-frank debrief of our quiz supporting PCUK. Learn more about your ad choices. Visit megaphone.fm/adchoices

Sit back, relax and let Jenna, Kiran and Louisa tempt you with the best new books to add to your reading pile.It’s the most exciting time of the year in the New Zealand book world as the Ockham New Zealand Book Award longlist has just been announced. We also have a line up of three New Zealand books for review and have a wee look at what’s on the reading pile and coming out in 2021.Mentioned in this episode...BooksKD: Gangland by Jared Savage, with a mention of Patched by Jarrod Gilbert (HarperCollins NZ)Mary Holm on RNZ’s BookmarksGyles Beckford on RNZ’s BookmarksLK:Victory Park by Rachel Kerr (Makaro Press)Kiran’s interview with Rachel for the NZ Herald.JT: Remote Sympathy by Catherine Chidgey (VUP)Not BooksKD: Michael Apted’s Seven Up series LK: What Writers and Editors Do by Karl Ove Knausgaard on The Paris Review blogJT: Bling Empire and Pretend it’s a City (both Netflix)The TBR PileKD: The Mirror Book by Charlotte Grimshaw, A Crooked Tree by Una Mannion, Kitchenly 434 by Alan Warner, The Young Team by Graeme ArmstrongLK: Maybe You Should Talk to Someone by Lori Gottlieb, At Freddie’s by Penelope Fitzgerald, with a mention of I Capture the Castle by Dodie SmithJT: Remaining Ockham fiction longlist to read: Bug Week by Airini Beautrais and Toto Among the Murderers by Sally MorganBook NewsThe Ockham New Zealand Book Awards Longlist is announcedThe 2021 samesame but different festival will run from February 10 - 14 in the Ellen Melville CentreThe Rathbones Folio Prize Longlist has been announced! Some great reads to add to your pile, including ol’ Shuggie BainGet in touch with PapercutsEmail: papercutspod@gmail.comTweet: @papercutspodInstagram: @papercutspod See acast.com/privacy for privacy and opt-out information.

The pair (freshly de-raddled by a summer break which Sales appears to have spent in a series of ocean pools) attempt to recap their prodigious summer cultural consumption but are swiftly derailed by an in-depth discussion of chess. Plus, which former US President just can't stop DM-ing Crabb, and which magazine recently rated Sales among Australia's Sexiest? (4.40) @barrackobama twitter  (6.20) Bridgerton Netflix | Trailer (10.20) Queens Gambit Netflix | Trailer (12.30) Visiting Mrs Nabokov And Other Excursions (Kasparov v Karpov) by Martin Amis (13.00) Checkmate in The Monthly by Leigh Sales  (15.30) The Crown Netflix | Trailer (18.30) Ma'am Darling by Craig Brown  (21.30) The Staircase Netflix | Trailer https://www.vulture.com/2018/06/the-staircase-netflix-owl-theory-explained.html in Vulture by Josh Modell  (24.00) The Journalist And The Murderer by Janet Malcolm, Ian Jack (26.01) Fatal Vision by Joe McGinniss (26.40) Michael Apted, director and Seven Up documentarian, dies at 79 - Obituary in The Guardian  63 Up SBS on Demand | Trailer (30.20) The Child In Time by Ian McEwan (32.00) Waitress Musical | YouTube Produced by DM Podcasts See omnystudio.com/listener for privacy information.

The pair (freshly de-raddled by a summer break which Sales appears to have spent in a series of ocean pools) attempt to recap their prodigious summer cultural consumption but are swiftly derailed by an in-depth discussion of chess. Plus, which former US President just can't stop DM-ing Crabb, and which magazine recently rated Sales among Australia's Sexiest? (4.40) @barrackobama twitter  (6.20) Bridgerton Netflix | Trailer (10.20) Queens Gambit Netflix | Trailer (12.30) Visiting Mrs Nabokov And Other Excursions (Kasparov v Karpov) by Martin Amis (13.00) Checkmate in The Monthly by Leigh Sales  (15.30) The Crown Netflix | Trailer (18.30) Ma'am Darling by Craig Brown  (21.30) The Staircase Netflix | Trailer https://www.vulture.com/2018/06/the-staircase-netflix-owl-theory-explained.html in Vulture by Josh Modell  (24.00) The Journalist And The Murderer by Janet Malcolm, Ian Jack (26.40) Michael Apted, director and Seven Up documentarian, dies at 79 - Obituary in The Guardian  63 Up SBS on Demand | Trailer (30.20) The Child In Time by Ian McEwan (32.00) Waitress Musical | YouTube     Produced by DM Podcasts

Happy Hour, stasera non parliamo di lavoro con Claudio Coccoluto. Ha iniziato a fare il deejay a 13 anni, per hobby, nel negozio di elettrodomestici del padre a Lungomare Caboto a Gaeta, città dalla quale proviene. Dal 1985 questa diventa la sua professione. Le sue prime esperienze sono al Seven Up di Gianola e all’Isteria […]

Dr. Worthy kicks off another year of the Dear Young Preacher Mentoring Talk by reflecting on his early days of ministry, recalling the "Seven Up" platform service and sharing seven keys to remaining effective in ministry

Three first-half strikes from a ruthless Liverpool front-line effectively secured the points at Selhurst Park today, with Roy Hodgson’s men left to rue a number of chances wasted in the opening 45. The visitors added four more in the second-half in a demoralising afternoon for Palace.Chris & Mike review the match. Support this show http://supporter.acast.com/holmesdaleradio. See acast.com/privacy for privacy and opt-out information.

In Pilot Club #17, Billy and Drew discuss The Flight Attendant, After the Night and Saved by the Bell. This week's Archive Corner - Seven Up!

Audio Sermons from Barry Snapp

Greenwood and Cox hear from Bath and England flanker Underhill, as he chats his side's superb form post-restart, but also the curious place they now find themselves in - fourth and currently in the playoff places having played all their games, but reliant on a Sale defeat to ultimately make those semi-finals.

As Broadcast @ www.TotallyWiredRadio.com on Tuesday 22.09.2020 Hour One with Ket Shah 01. Horse Meat Disco ft Amy Douglas & Dames Brown - Message To The People (Danny Krivit Edit) (Glitterbox 2020) 02. Feater - Vento (Running Back 2020) 03. Alex Puddu Ft. Gene Robinson Jr. - Don't Hold Back (Schema 2020) 04. Jarrod Lawson - Be The Change (Dome 2020) 05. Sons of the Sun - Underwater Dreaming (BBE 2020) 06. Huw Marc Bennett - Glas (Alberts Favourites 2020) 07. Johanna Burnheart - Box Office (Ropeadope 2020) 08. Transviolet ft Greg Spero - Undo (Tiny Sessions) (Tiny 2020) 09. Denise Sherwood - Sweet Mary Jane (On U Sound / Evergreen 2020) 10. Jimpster - Echoes In My Head (Freerange 2020) 11. DJ Rae - The Journey (Quantize 2020) Hour Two with Alan Kenny Arscott (DJ A.K.A) Sevens From Heaven Set 01. Grover Washington Jnr - Masterpiece (Pt. 1) (Kudu 1973) 02. Laurence Mason - Golden Brown (Jazz Room 2020) 03. Herbie Hancock - No Means Yes (CBS 1978) 04. Starship Orchestra - New York, New York (Columbia 1980) 05. Hi Tension - Peace On Earth (Island 1978) 06. Odyssey - Our Lives Are Shaped By What We Love (Mowest 1972/Extravaganza Japan 2016) 07. Rita Wright - Touch Me Take Me (Jet 1978/Soul Brother 2017) 08. Laverne Washington - The Promise (Melodies Int. 2020) 09. The Marvelettes - Here I Am Baby (Motown 1966) 10. The O'Jays - My Favourite Person (Philly Int 1982/2012) 11. Silvio Cesar - A Festa (RCA Victor 19877/Mr Bongo 2015) 12. Kitty Winter & Gypsy Nova - New Morning (Intercord 1978/Seven Up 2001) 13. Merging Traffic - Mister Magic (Midwood 1975/Horus 2019) 14. Clarendonians - Walking Up A One Way Street (Dragon 1973/Shockin' Austin 2016) 15. D-Roy Band - Trenchtown Skank (D-Roy 1978)

  I sat down with my dear friend, the great Hammond B3 organist, Papa John DeFrancesco. When I first starting exploring the music scene in Phoenix, AZ after moving here in 2004, I came across this cool club called Bobby C's near downtown Phoenix. On Sundays, they would serve the most amazing Southern food and they had Papa John and band playing jazz that I hadn't heard since I left New York City. Papa John, if you haven't already guessed, is the father of the great organist Joey DeFrancesco. Papa John and I took to each other right away and he used to let me sit in and we became life long friends. When the drum chair opened up with his band, I got the call and we've been playing together ever since. I hope you enjoy this conversation with this beautiful person and amazing jazz organist. He's a treasure and I'm honored to call him a friend and mentor. Connect with Papa John DeFrancesco: Personal Facebook Page: https://www.facebook.com/john.defrancesco3 Facebook Fan Page: https://www.facebook.com/Papa-John-DeFrancesco-101631944618/ Papa John's CDs: "Desert Heat" - https://amzn.to/2BXx9JF "All in the Family" - https://amzn.to/39V5aH2 "Comin' Home" - https://amzn.to/3ibVnj4 "Big Shot" - https://amzn.to/33oo5sJ "A Philadelphia Story" - https://amzn.to/2XrsFm6 "Hip Cake Walk" - https://amzn.to/3fC4nfH "Walkin Uptown" - https://amzn.to/3keUMyz "Jumpin'" - https://amzn.to/33ooiw1 "Doodlin" - https://amzn.to/3ftpmB2 Podcast Music By: Andy Galore, Album: "Out and About", Song: "Chicken & Scotch" 2014 Andy's Links: http://andygalore.com/ https://www.facebook.com/andygalorebass If you enjoy the podcast, would you please consider leaving a short review on Apple Podcasts/iTunes? It takes less than 60 seconds, and it really makes a difference in helping to convince hard-to-get guests. For show notes and past guests, please visit: https://joecostelloglobal.com/#thejoecostelloshow Subscribe, Rate & Review: I would love if you could subscribe to the podcast and leave an honest rating & review. This will encourage other people to listen and allow us to grow as a community. The bigger we get as a community, the bigger the impact we can have on the world. Sign up for Joe's email newsletter at: https://joecostelloglobal.com/#signup For transcripts of episodes, go to: https://joecostelloglobal.com/#thejoecostelloshow Follow Joe: Twitter: https://twitter.com/jcostelloglobal Instagram: https://www.instagram.com/jcostelloglobal/ Facebook: https://www.facebook.com/jcostelloglobal/ YouTube: https://www.youtube.com/channel/UCUZsrJsf8-1dS6ddAa9Sr1Q?view_as=subscriber Transcript Papa John: Right now, I'm praying. Joe: Hey, everybody, welcome to the Joe Costello show. I'm really happy that you're here and you are giving me your ears and listening to the podcast. I have a very special dear friend, special guest, amazing jazz musician, my dear friend, Papa John DeFrancesco. Welcome, Papa John. How are you doing, man? Papa John: Yes, I'm doing good, I'm talking to you. Joe: So Papa John: My Joe: Nice Papa John: Main Joe: To see your Papa John: Man. Joe: Face there. Papa John: Good to see you, Joe. Joe: Yeah, man, so how are you doing? Papa John: Then. Joe: How are you doing? Papa John: I'm doing good, Joe. Every day is a better day. Man. Joe: That's good, yeah. Papa John: I got the say Angel me so she's Joe: I Papa John: Like. Joe: Know, I know Papa John: Putting up with my crap Joe: You Papa John: The. Joe: And you're doing Papa John: The. Joe: Some swimming, right? You're staying cool. Papa John: Yeah, in the past, we had Joe: Yeah, Papa John: A big bathtub Joe: Yeah, Papa John: Man, Joe: Is it warm? Papa John: The pool was like ninety seven man eighty nine the other day. Joe: Oh, my gosh. Papa John: I know you when you first go in, you cool off Joe: Yeah, Papa John: And then you get warm. Joe: Yeah. Papa John: And then you come out and you're cool for about 30 seconds. Joe: Welcome to Arizona. Papa John: Is beautiful that. Joe: Yeah, so, man, I'm really excited, I want to give my own quick sort of history of you and I and and then and then I want to kind of go back to where you started and how we both actually had similar influences with our our fathers being Papa John: I Joe: Musicians Papa John: Saw that Joe: And stuff. Papa John: In. Joe: Yeah. Yeah. So for me, so I moved to I moved to Arizona, Scottsdale, Arizona in two thousand four, didn't really know what the scene was, did and didn't play much, didn't go out to do anything. And then all of a sudden I heard about this cool place called Bobby C's Papa John: Oh, my God, that was the place, man. Joe: Yeah, and I walk in the door and it's just all Southern cooking and you're behind the B3 and you have all these great musicians playing with you. And I just say, WOW!. And I think we started making it a Sunday ritual that we would go there every Sunday Papa John: Yeah, Joe: And hang out. Papa John: You Joe: Yeah, Papa John: Were there Joe: Yeah. Papa John: With Joe: And Papa John: Their Joe: Then Papa John: Brother. Joe: And everybody was nice enough to some point I got to sit in and then I got to got to sit in a little bit more and Papa John: We Joe: Then Papa John: To talk. Joe: Yeah. Papa John: And Joe: We Papa John: You Joe: Had. Papa John: Would never say you were a drummer when I found that out. Get your butt off your back. Joe: I was keeping it on the down low, there was a lot of Papa John: Yeah. Joe: Great players there. I didn't want to, you know, Papa John: Your Joe: I wanted Papa John: Great Joe: That Papa John: Player, Joe: Just Papa John: Joe. Joe: Thanks man. That means a lot coming from you, as you know. Papa John: Now we play, I tell you what, I enjoy working with the. Joe: Well, thank Papa John: You're Joe: You. Papa John: You're you're one of the very few people you played music with that listen. Joe: Well, thank Papa John: You Joe: You. Papa John: Know that deal, you get up there and nobody is listening Joe: Yeah, well, Papa John: Everybody Joe: I appreciate Papa John: Playing in Joe: It. Papa John: A different place played a different band Joe: Yeah, Papa John: And. Joe: Yeah, well, Papa John: Well, let's Joe: That Papa John: Go, let's go, Joe: I Papa John: Let's Joe: Appreciate Papa John: Go. Joe: That and yeah, and I feel the same way because literally I didn't know many people around town but you and you and I've said this to you before and but I don't think it has sunk into your thick skull that you literally gave me like a chance and a more opportunity Papa John: Oh, Joe: Than Papa John: My God. Joe: Most people have ever given me in my musical career. Papa John: Oh, Joe: And that's Papa John: My Joe: The truth. Papa John: God, Joe: It's the truth. Papa John: You're going to make me cry live Joe: No, Papa John: In. Joe: No, no, it's the truth, I was nobody I was in and after sitting in for a while and you would always let me sit in and then and then we started playing together, like, regularly. Papa John: Yeah, Joe: Right. And Papa John: Yeah. Joe: That was cool. I was like, wow, I'm playing with one of the jazz greats on the B3. And it means a lot to me. And my father Papa John: Na Joe: Was proud. Papa John: Na Joe: My parents Papa John: Na, Joe: Were Papa John: Then Joe: Proud. Papa John: Your Joe: Yeah. Papa John: Dad was cool man Joe: Yeah, it meant a lot. So Papa John: We had a Joe: Yeah, we had a blast. Papa John: Mutual man like we got into some nice grooves. Joe: Yeah, we did, Papa John: Now, Joe: Yeah, we Papa John: Boy, Joe: We had some nice gigs. Papa John: Nice, nice gig, Joe: Well, Papa John: Good Joe: Hopefully, Papa John: Music. Yeah. Joe: Hopefully there'll be more coming up once the world gets back to some sort of Papa John: And. Joe: Whatever. I don't know what it's going to be, but. Right. Papa John: God help us to get back, Joe: All right, Papa John: It Joe: Cool. Papa John: Always does by then I'll be one hundred and forty cases of that. Joe: They long as you're here with us, that's cool. We Papa John: Ah Man Joe: Don't care, so. Papa John: Beautiful Joe Joe: So let's go back and tell me how this started for you, because I know besides music, like I said, we we talked about what what part of this you want to talk about. And if it's all Papa John: Would Joe: Music Papa John: Anyone? Joe: Or you want to you want to talk about anything else. So tell me about your father or how this music started for you. Papa John: It's very similar, I guess, here, but I was I wanted to play man, and so he said I told him I wanted to play the saxophone. I was about six five. He said it's too big for you, so he started me out on clarinet. I started playing clarinet and then I heard this guy named Louis Armstrong. Trumpet player. I saw I play trumpet. He said I got 15 million saxophones in there. You want to play trumpet? Though he got when I bought me a trumpet, I was about 10 years old i guess. He taught me how to play. And. Next person I saw that kind of play school band in school, and there is a lot of good friends I met when I was a junior in high school and Joe: And where was Papa John: The next. Joe: This, was this all Philadelphia? Papa John: Niagara Falls, New Joe: Oh, Papa John: York. Joe: That's right, I totally forgot Niagara Papa John: And Joe: Falls. Papa John: A New York woman, we're Joe: That's Papa John: Both from Joe: Right. Papa John: New York Joe: I know, Papa John: State. Joe: But I forgot that's where you started out. Papa John: Niagara Falls, New York, man, it was a real beautiful city at one time. And I was always but I dug it,  I love airplanes and cars Joe: I know Papa John: And Joe: You like cars. Papa John: Yeah, and music was right at the top three. I love and you know, it was cool about the music my dad taught me, but it would also take me to all these air shows because, you know, I, liked airplanes my mom about you coming Jen, Jenny my mom. Where, to look at airplanes and I go shopping or something. So but most of my my life is the music that you go out and you hear somebody and you go nuts. And then my next biggest thing was in 1959 when I saw Jimmy Smith Joe: Where was that? Papa John: That was in Buffalo, Kleinhans Music Hall, The Trio too, Donald Bailey and Kenny Burrell, Joe: WOW! Papa John: Stanley Turrentine came later. But I saw, man those cats were dealing. Holy Cow!, that organ, ya know, it's spiritual side. And it just grabbed me, but Joe: That was Papa John: I Joe: Fifty Papa John: Didn't get. Joe: Nine, you said. Papa John: Yeah, and I didn't do nothing till the 60's with the organ, but I was playing trumpet the whole time. Big band singing, all that, you know the deal. Then, I got married and the kids started coming, so I was still playing. But not the full-time I was like, well, not for three or four nights a week. Places were jumping then, you know. Joe: And this was all still Niagara Falls. Papa John: Niagara Falls, the left Niagara Falls in 1967, went to Philly, went to Philly in '57. Joe: What made you go there? Papa John: I was I was my uncle has got to get a job at Boeing aircraft, and he asked me for Niagara Falls is starting to go down and. It was on the ground, and so, yeah, I worked on airplanes and cars, so, you know, it got that bad. I met a bunch of horn players down there. Right. I was in town for two months and I met a guy at work, Am I talking to much Joe? Joe: No, this is what you're here to do. You're here to tell your story, I want to hear it in this. This is all at Boeing. Papa John: Now and I wish you could play organ man. Absolutely. I know you went downtown one time for a session and in Chester you can't get an organ player with him and said this cats gotta go. If you go, you've got to come up here, man. And then we did a lot of road thing at that time. They had Cabaret's they use to call them Cabaret's I did a ton of those Joe: So Papa John: Other people, man. Joe: So when did you start the organ? Papa John: Nineteen sixty three, wait, sixty four Joe: Sixty four. Papa John: I come home from work day and  my wife had one,  she got it for me. Joe: Oh, wow. And this is still Niagara Falls because you didn't go to Philly Papa John: No. Joe: Until 67. Papa John: Yeah, it was still there. She thought of all of this, too bar in organ called My house was never the same since man. Joe: And are you completely self-taught? Papa John: Yes, and the organ yeah, on my dad, I had a basic knowledge of me, but, you know, horn, not chords you're playing chords like, I was trying to transfer all that Joe: Right. Papa John: And it was tough, but. Joe: Well, then the tough part, too, especially for the B3 players, is the independence in the left hand right playing the base line and then being able to solo over it. Papa John: Split your brain in half man. And you thinking and you do it too. Joe: Explain to me how the organ ended up in, I know you said Laurene bought one, but was it because you saw like were you listening people like Jimmy Smith? Papa John: Oh, Joe: Was that after Papa John: Man. Joe: You saw him? You were just bit by the bug. And that was Papa John: Not Joe: That. That was it. Papa John: Every album that would come out, I get from Jimmy and then I tell Jack McGuff and there was a lot of burner's out there Ganpati. I mean there was a ton then, you know, Charles Earling and I met all these guys so now we're out doing some serious. I learned so much. Joe: So what was that first organ that was in the house? Papa John: Or the spin it. Joe: He has no say couldn't have been a full B3. I like Laurene. Papa John: Now, it was a Spinet Joe: Ok. Papa John: And then I bought Leslie. But it still wasn't a B man. And I found a B for sale, so I sold all my stuff, but B and then that's how I really learned how to play like on this thing man [plays organ] Joe: Exactly. So what was your first real gig on it? It was somewhere in Philadelphia with this when you met these guys. Papa John: On the organ?, on the B?, back in Niagara Falls, I had the organ in Niagara Falls, yeah. Once I got to B3, I got out and started playing, I love a man, I was still learning. I mean, the coordination, the coordination is tough Joe Joe: The coordination is tough, the hauling the thing around is tough. Papa John: Well, that's why I had to get surgery on my back. No, that wasn't much but you're hauling that son of a gun man, Joe: Yeah. Papa John: You know, I bought vans. I bought my old van, used to be rented trailer, mostly with trailer till I came out with vans and got a van. You know, it was it was funny, man. You go, well, I've got to move organ, the drummer said "I go get a pack of cigarettes." Joe: Exactly. Papa John: I'll be right back because I get to go get a loaf of bread. I'll be right back. Joe: Yeah, Papa John: Yeah, Joe: Yeah. Papa John: But it was quite experience lugging that monster. Joe: Yeah, so did you bring so you had a B3 in Niagara Falls, did you bring that with you to Philly? Papa John: Yes. Yeah, Joe: And then Papa John: That's. Joe: Where is that where is that now? Papa John: And at the Musical Museum. Joe: That's the original one. Papa John: Yes, the one that we played that night when we when we did the gig. Joe: Yeah. Papa John: At my first box man. Joe: Oh, my gosh, I didn't even realize that. Papa John: Nineteen sixty six by. Joe: Wow. Papa John: That's Joe: Yes, Papa John: My Joe: So Papa John: Yeah. Joe: So everybody for everybody listening in here in Phoenix, Arizona, there's the Musical Instrument Museum. It's called The MIM for short. Papa John's original B3 is there on display. They probably move it in and out on display. Right. Sometimes they'll do it's not permanent. Papa John: Yeah, Joe: They keep it there. Papa John: There, but it was Joey's first organ too ya know Joe: That's Papa John: That. Joe: Really cool. Papa John: Yeah, well, my fathers horns there at one time now playing them, yeah, was that was the first to go that the number one man we had redone. It was like. From being out on the road, being banged around, we had a guy redo it, that's the one man. Joe: Well, I didn't know that, so that that night we did that concert there, that was your we literally play it on your very first B3 organ. Man, Papa John: We're going, yeah, Joe: Oh man, Papa John: Man. Yeah. Joe: I didn't know that. I just thought that was just one of them. I didn't know that was THEE one. Papa John: That's the one I never got rid of it, never. Joe: Wow, Papa John: Never, Joe: That's incredible. Papa John: I would not you know, I could have sold that, that's Daisy, we had a name and we know what the name was, "Oh, boy." Joe: Oh, boy, Papa John: Yeah, Joe: Nice. Papa John: Come on, we had to go Ol Boy Joe: That Papa John: Mad, Joe: Is Papa John: Matt. Joe: So funny, so in those days when you weren't playing out, that was, was it always inside the house the way yours is now in your house, like you're literally sitting behind your B3 three now at your house? Papa John: And I am. It was Joe: Or. Papa John: Either in the house or in the van. Joe: Ok. Papa John: You know, one or the other, and mostly if if it was along, never had much time to take it out of the van, you know, Joe: And Papa John: It was Joe: A lot, Papa John: A go. Joe: Right? Papa John: Yeah, the only time I'd bring it down would be maintenance. You replace tubes, do the wiring and it was traveling. Joe: Did you work on it yourself, because I know a lot of you B3 organ players, man, you know Papa John: They're. Joe: You know that instrument because you can't trust that anybody else in the room is going to know what's going on. Papa John: That's right, Joe: Right, we've had Papa John: The. Joe: A member of Bobby C's, we had like something weird happen one day. Papa John: And try to remember what? Joe: And I remember you just you took off the front lid and people were in there and not people, Papa John: Yeah. Joe: But but you were kind of telling somebody, hey, just try this or whatever, and next thing you know, it's working again. Papa John: That's from years and years and years of that, putting that instrument through its bad. I mean, patience. I got a story we were playing upstairs, so we took the organ upstairs. We were taking it up. So we put two by fours on each side so we could slide it up Joe: Oh, Papa John: And Joe: Like. Papa John: A rope and the leg and the guys up front in the back pushing and all of a sudden the rope broke. I said, what? So I run down, jump. It was like lined up with a door outside door, so I jumped out the door, jumped out the door. I heard it coming down, breaking all there was Joe: Oh, Papa John: There was lights on the sides Joe: Oh, Papa John: Broke every one. Joe: My God. Papa John: Everyone came flying out almost out the door on its back. Joe: My gosh, that's like those those cartoons, that piano like it's like the Three Stooges move in a piano. Papa John: It is, it is, Joe: Oh, Papa John: And Joe: My gosh. Papa John: Flipped it over, put the tubes back in they were all loose and brought it back and went right to work, Joe: I'm sure Papa John: Played a Joe: It's Papa John: Delayed. Joe: Amazing, it's amazing. Papa John: Now it's cursing everybody, Joe: Oh, Papa John: man. Joe: Gosh. So when you you started playing in Niagara Falls on Papa John: Right, Joe: The organ and Papa John: Right. Joe: You were still playing trumpet at the same time. Papa John: Yes. Joe: Ok, and then were you also maybe while you were playing organ in a band on stage, did you ever actually pull out the trumpet, play a trumpet solo also? Papa John: Yes, yes, Joe: You did. It's called. Papa John: Because I was still learning to organ man that and I said, man, I, I've got to do something else, throw me out the gate. Joe: Oh, my Papa John: So Joe: Gosh. Papa John: I was vocalizing and playing hard, but little by little. Left, left, left. the B captured my soul, man. I just I love the instrument man. Joe: So when you were first starting to play and you had to deal with the whole left hand independence and then laying down the chords and then potentially even soloing with your right hand over the left hand bass, Papa John: They Joe: Did you? Papa John: Move in all the time. Joe: Yeah. Papa John: Yeah. Joe: Did you have in your early groups that you played in, were there bass players in those groups where you Papa John: With Joe: Didn't have Papa John: The Joe: To worry? Papa John: organ. Joe: Yeah. Papa John: Not when I got the organ man. Joe: Really? So you never. Papa John: Even with that, even with the Spinet of playing the pedal, playing the pedal. Joe: Really? Papa John: So I thought that's how you played the B3 until I got hip. I never once I got the organ. Maybe a couple times in the beginning. Yeah, I have to admit, it was a couple few gigs, man. Yeah, couldn't Joe: Yeah, Papa John: Play it, I mean. Joe: I would think you'd want that safety net in the beginning when Papa John: I Joe: You're not. Papa John: Did. You brought it back, you brought it, you just brought that guy had a base electric base, he had like a fender, I guess. Yeah, because I was like sloppy Joes and, you know. Not you Joe: No, no, no, no. Papa John: Might think my hands were going like the bottom is trying to play with the top and it can I tell you, if you lay off of this a while, your coordination takes a minute to come back. Joe: That instrument will kick your ass. Papa John: Oh, double time. And. Joe: So these gigs early on in Niagara Falls, where they were a trio gigs, were they like organ Papa John: Quartet. Joe: Or organ guitar, drums or what was the combo? Papa John: That mostly that, and then it got to Jack's one word that good, I saw it again man, you know, so then it was Jack's trio with the guitar and then we got the sax it was a quartet Joe: Ok, so let's go ahead now back to Philly and you're there, you're you're working for Boeing, right? And you are working on airplanes and helicopters. Wow, OK. Papa John: Chinooks. Joe: And then and your playing out at night, about four or five nights a week. Papa John: Yeah, but yeah, but it got very hectic, they were it was during Vietnam that. Now, where they started working 12 hour days, 6 days a week 7. So I still played on the weekends and I have to keep playing, I would be I'd be kind of mental, Joe: Yeah, now I hear Papa John: You Joe: You Papa John: Know. Joe: And at this point, do you have any kids yet? Papa John: Yeah, have two. Joe: So you had did you have any before you left Niagara Falls? Papa John: Cheryl and Johnny Joe: You did so they were born in Niagara Falls and then was Papa John: Joey Joe: Joey Papa John: You're was born here. Joe: In Philly. Got Papa John: Yeah. Joe: It. OK. All Papa John: And Joe: Right. Papa John: then then reality started to coming around Joe: Yeah, yeah. Papa John: Oh, I got to do this traveling, babies. You know what I got to say? This man, my wife never gave ultimatums. I've been blessed a lot. So I just feel so blessed man. Go through all this stuff and the kids all turned out great. Lucky, I'm blessed! people say they're lucky and blessed and lucky. Joe: We're in Philly, you're working really hard for Boeing because the Vietnam War is happening, you Papa John: Yeah. Joe: Have you have two children. I know Johnny is the oldest or Papa John: Cheryl. Joe: The Cheryls's the oldest. Papa John: Johnny Second. Joe: Then Johnny is the middle. That's why Johnny and I get along, because we're both middle Papa John: Those middle Joe: See! Ballbusters Papa John: Aged. Joe: Both of us just Papa John: Now, Joe: Right in the middle. Papa John: What about the baseball bat boy? He Joe: And Papa John: Was Joe: Then Papa John: A big Joe: And Papa John: Bob. Joe: Then Joey enjoys the youngest. Papa John: We did just go. You're going to be 50 this year. Joe: Wow. Papa John: Johnny is fifty five and Cheryl's fifty eight. Joe: So she and I are the same age. Papa John: Yeah, 1962. Joe: Yeah. Papa John: Now, October, she was born. Joe: Yeah, I was February, so Papa John: There Joe: I'm even Papa John: Is a Joe: I'm even older than her see Papa John: Couple months, and you could have been my kid man! Joe: Yeah, there you go. Papa John: Now lighting up! Joe: All right, sorry. Papa John: Nah man Joe: So we're there, we're in Philly, you're working, playing Papa John: Yeah. Joe: A little bit, but works, you know, a lot of work going on. So you're busy. Do you remember who was the first, most famous person you played with? Papa John: You try to think of, well, I played with Jimmy Smith, we played together Bobby C's to do what we did, an organ thing man. That was to me, that's my favorite. That was my. Joe: So that was Papa John: I Joe: Like, Papa John: Love the cat and Joe: Yeah. Papa John: Then George Benson and Steve Gadd. Now all them guys, I dug all those guys other cats too Jack McDuff God, he was a neat person, man. We did a lot jams, me, Jack, Gene Ludwig. Joe: I used to go see Jack McDuff up in Harlem when I lived in New York. Papa John: You were going to the right spot man that cat, what a soulful player he was. A lot of the guys that come up and play, you know, Bobby C's, we would cats come there and once they tell me name, Oh, Joe: I know Papa John: We Joe: It was. Papa John: Get a lot of cats came in like there was a guitar player there one day that played with Miles Davis . Joe: Now, we used to get a lot of incredible Papa John: Yeah, Joe: People, it was, you know, Papa John: It was a great spot. Joe: Yeah, we need another another place like that. Papa John: But that would be that wouldn't that be fun Joe: Yeah, Papa John: To Joe: But Papa John: Trade bands in and out Joe: But you played with a bunch of people like well before you came to Arizona, I mean, you're with all those Papa John: The. Joe: Heavyweights in Philly and you were telling me how even Dennis Chambers and you were really good Papa John: Dennis. Joe: Friends, right? Yeah, Papa John: Yeah, yeah, it's a real good. Joe: Right. Papa John: Your Joe: And Papa John: Good friends. Joe: And I remember when I was at the NAMM Show out in Anaheim, you had that residency gig during the week of the NAMM Show at Steamers. Papa John: Yeah, I did. Yeah, we just played the. Joe: Arturo Sandoval was on it, Papa John: Yeah, and Joe: Right, Ramon Papa John: No, Joe: Banda right? Papa John: He passed away, man. Ramone played, yeah, there was a guitar player can't think of his name, but he was a heavyweight too Joe: Oh, yeah, Papa John: Like Joe: Yeah. Papa John: We all get our shots. How about Joe Pesci? Joe: That's right, he sang, he Papa John: Yeah, Joe: Sang that night I was there sitting Papa John: Yeah, Joe: Right in front. Papa John: Yeah, Joe: That's a Papa John: Joe. Joe: Night that actually you let me sit in that night. So I got to play with Arturo and the rest of the guys. Yeah. Papa John: get your as up! Joe: Yeah, yeah, that was fun because there are a lot of I think I think that night, to be honest with you, I think if I remember correctly, Marcus Miller was sitting in the audience. Papa John: Yeah he was Joe: So Papa John: Were. Joe: Like when you pointed and I was already looked around the room and Joe Pesci was singing with you and I'm like, whoa, wait a second. But it was fun. I had it was a good time. Papa John: Joey too. Joe: That's right, Joey was on stage to right? Papa John: Yeah, yeah, what a night everybody was up there. That place is closed man. Joe: Yeah, Papa John: Is Joe: Yeah, Papa John: damn shame Joe: I know. Papa John: damn shame Joe: Yeah, so when you were in Philly, did you get up to New York, much to play. Papa John: Played a little bit in New York. Yeah, not not a lot, but a lot. I met a lot of cats in New York, I a lot of good players, but I did play there trying to think of some of the rooms. Joe: I know Philly had such a strong scene that, you know, Papa John: Ah man Joe: You probably Papa John: It Joe: Never Papa John: Was. Joe: Had to leave there to go play New York because it had its own. Papa John: We had and then I played to shore. I played in Atlantic City, I played at the Club Harlem with Manny Cambell and the Fiestas, and it was great man the ban was good too. He Be played vibes. We had a conga drummer, drummer, a horn player and a woman singer man, and in the back room there was a front room. We were playing in front of the bar, the back room, Sammy Davis Jr. playing with big band back there. Yeah, I mean, Club Harlem, Kentucky Avenue man. Across the street, Gracie,  Wild Bill Davis was there. Joe: And this was a separate room from any of the casinos. Papa John: Yeah, there was no casinos man this is 1966, '67 Kentucky was like all the clubs, like you went to Harlem or Buffalo and all that, that that's what Kentucky Avenue was all, had all the bands and mostly organ groups that was hot thing, man I got pictures, my wife and I got picture with her of people coming around and get a picture,  remember that? Yeah, you got a picture taken, Joe: Oh, you mean Papa John: There were. Joe: Like at the table, like they would do that, yeah, yeah, yeah, yeah, yes. It's also. Papa John: Back in the old days man, the old days man, let's see, you were just a baby because you were my daughter's age, I use to take the kids. I could get them into places. I'd take um. Joe: Yep, yeah, my father would do the same. Papa John:  Yeah man people would look, he was cool, he knew? He Joe: Yeah, Papa John: Knew. Joe: Yeah, it's the only way, right? It's the exposure. Papa John: Now, the kids loved it, Johnny played, Joey played, Cheryl played for a while, Joe: What she Papa John: You Joe: Play. Papa John: Know, Alto sax yeah in junior high. Joe: Yeah, and it was Johnny always drawn to the guitar. Papa John: Yeah, in fact he played trumpet for awhile. Yeah, and my dad was my dad was living with us, and then he got guitar and my dad could play his ass off too my dad, one of those old time musicians man Joe: Yeah, did he play in the in the army or the in the war during the war time or. No. Papa John: Too old man. He played with all the big bands like back, and he played with the Dorsey Brothers before the were famous when they were together, he told me they would argue from morning till night. I said, you sure they Joe: Yeah, Papa John: Weren't Italian? Joe: Exactly. Oh, nobody has seen anything until they see you and Joey and Johnny together in the same room. That right Papa John: Up Joe: There, that is gold reality TV right there, if I if I can produce that show. Papa John: Get a show, get one! Joe: Oh, Papa John: The. Joe: My gosh. Papa John: You are. Joe: Oh, my gosh. Papa John: We have to make you a part of it that you couldn't just sit out there and produce. Joe: So let's talk about your CDs, because I want to make sure I have the count right, but I count nine. Papa John: Nine. Joe: Yeah, Papa John: You Joe: That's Papa John: Got Joe: What I. Papa John: It, I got it, my wife put him in a picture frame. Joe: So do you have nine too is that, is that the count you have? Papa John: I that's that's what I have nine Joe: Yeah, because I have Papa John: That's on my own. Joe: So if I go from 19, so the first one I have is 1990 for "Doodlin". Is that correct? Papa John: That's it. That's the one that Joe: Yeah, Papa John: Was ninety Joe: It says nine. Papa John: Nine, Joe: It says Papa John: Yeah. Joe: 94. And then "Comin' Home" was released in 95. Papa John: That's the next one. Joe: And then "All in the Family" was ninety eight, and then I have "Hip Cakewalk", which was Papa John: That's Joe: Two thousand Papa John: It Joe: Two Papa John: For Joe: Thousand Papa John: Us, Joe: One. Papa John: Right? Joe: Right, and then I have "Walking Uptown" two thousand four. Papa John: That's one of my favorite one to go. Joe: And then there's two in two thousand six. There Papa John: "Jumpin'", Joe: Is. Papa John: "Jumpin'". And dadaji. Joe: "Desert Heat". That's correct, and then then we have two thousand nine, which is "Big Shot." Papa John: "Big Shot". Yeah, Joe: And then Papa John: I Joe: The Papa John: Forgot Joe: "Philadelphia Papa John: About that, Joe: Story" in 2011. Papa John: Yeah. That's the last one. Joe: That's the last one you put up a post, I think, on Facebook that that cool album cover. Does that mean there's something in the works? Papa John: I did that, I did that picture, by the way, I have an app that said, I'm going to go out here and start, man. I must have got a million hits. Joe: I know, Papa John: One day I'm coming out. We'll get it. Joe: See? Papa John: I just that's what I was doing, that somehow this is our clock. Joe: Oh, I see it moving in the background. Papa John: Yeah, my sister-in-law got it for us. I forgot about it. I would I would have turned it off and we had we had a dog and it's got all the Joe: That's Papa John: It's Joe: Also. Papa John: Got all the seasons on it Christmas. I don't know what that is pretty but I got them all memorized Joe: Yeah, Papa John: [scats] Joe: Yeah, how it Papa John: It's Joe: Long ago Papa John: Over. Joe: How long is that going to play? You know, we Papa John: It's Joe: Only Papa John: Over right now. Joe: We only have an hour. Papa John: There it goes. Hey, man, we only have an hour. Lighten up, take a break, you Joe: It's Papa John: Union Joe: Take a break. Papa John: Take a break? Joe: Is there any thoughts of, I mean or any conversation of a new new CD? Papa John: Yeah, I talked to Clark, Clark calls me about once a month. Wants to know how you feelin' and then he says, well, "When you come in the studio, Pop?", I got a bunch of stuff too I could do. I mean, I've been I don't you get ready now and have your ass in there. Unless you don't have time for. Joe: I always whataya kiddin' me...it would would be an Papa John: I Joe: Honor. Papa John: Love Joe: I'm Papa John: The. Joe: Looking at the names of all these people on these CDs and I'm like, damn, my name's not on that one, wait a second, my name's not on that one, no I'm only, kidding. Papa John: They were all done on the East Coast except Desert Heat and was with the Banda Brothers. Joe: Yeah, yeah, that Papa John: That Joe: Was special. Papa John: Was yeah, that was 05, I think, wasn't it, '06 Joe: In desert, he was '06, Papa John: Yeah, Joe: Yeah, Papa John: That's when I moved here Joe: Oh, that's when it was so it was two years after I moved here. Got it. Papa John: Yeah, that's right. You know how happy I am for you when I see all the stuff you're doing, man, I pray for this stuff for you. Joe: I'm just hustling, man, I got Papa John: Now, Joe: To just keep Papa John: Why Joe: I Papa John: You Joe: Don't Papa John: Got Joe: Like Papa John: The right? Joe: I don't like I don't like letting any grass grow under my feet. Papa John: And Joe, that's why you're going to do it, man. Joe: Yeah, well, you know what, it's I'm Papa John: That's Joe: Getting pretty Papa John: Why you're Joe: Old Papa John: Going to do Joe: If Papa John: It. Joe: Something doesn't happen soon. Papa John: Well, you can't go by now, what's going on, you knowthe epidemic or whatever the hell it is that's messed up, and the politicians, they're Joe: Yeah, Papa John: All nuts. Joe: Yeah. Papa John: I mean, so. And you're still making it. You're still doing it, man. So Joe: Well... Papa John: This is like a piece of cake after everything's straightens out. Joe: Let's hope so. We got to get back to playin' is what we had to do. Papa John: Love to man Joe: It's like Papa John: Our. Joe: Oxygen for us, you know, taking this away from us is this brutal. Papa John: You know, come here and playin' myself, and after a minute, like I tried a drum machine and I want to throw it through the window. Yeah, I try I just want to have something to play with somebody just. Joe: That's what we should do. I just throw my stuff in the car, come down there, we'll just do a little Sunday pasta dinner, but we'll Papa John: Yeah. Joe: We'll work up an appetite before that. Papa John: That would be fun Joe, I'm in! Joe: Swim a little bit. Papa John: It is our masks mandatory? Joe: No, I haven't been anywhere, you haven't been anywhere, right? Papa John: I feel like cabin fever, man, but I want to stick it out Joe: Yeah, you just Papa John: I'm Joe: Got to stay Papa John: Going Joe: Safe. Papa John: Nowhere. Joe: Yeah, both of you just need to stay safe. And Papa John: Yeah, Joe: How are Papa John: You, Joe: You going Papa John: Too. Joe: Out? Are you going out to get groceries and things like that or you having them delivered or what are you doing? Papa John: Laurine calls ahead and she goes, they throw him in the car in Joe: Good, Papa John: The back and Joe: Good, Papa John: Then she drives off Joe: Good. Papa John: Right now. Everybody out there that masks everybody Joe: Yeah, Papa John: Down here. Joe: Now Papa John: So. Joe: We wear it wherever we go, so Papa John: So do we... Joe: We'll cold, so did I miss anything that you wanted to talk about? I mean. Papa John: Well, just talking about my time on the railroad, Amtrak. Joe: Amtrak, that's right, that was after Boeing. Papa John: Way after I was playing in between all of that and then I went to Amtrak was the big one...I started as an electrician man, I start I had to learn, you have to go to school and stuff. And we needed I had my kids all grown up. And you're, like starting to go through grade school and middle school as Laurene and I are going to hang out, man. The railroad had a friend she had friends, lot of people on the railroad, and I got the job on the railroad in nineteen seventy seven. Joe: And there was a gap in between Boeing and that, so why did you leave Boeing? Just tired Papa John: Layoffs Joe: Of it. Papa John: Every 10 minutes. Government, government job and I went to Seven-Up for a while to the district sales manager and playing constantly, playing down the shore six nights. At Amtrak I became a supervisor at a big job, kept movin' and I was there 20, almost 30 years. Joe: As an electrician for Amtrak? Papa John: Let's do it in the beginning and end with electrical supervisor. We built substations, took care of all the new construction, but I was still playing Joe. I mean, my job, I was playing constantly. I had to come in to work, Saturday morning, we had to work every once in a while and I come in. Where are we? What is this? Where you go to get playin' and go to have breakfast or have a cup of coffee? So by the time you got home... Joe: Time to go right to the job. Papa John: Great. The music never stopped me, but thank God I went to the railroad because the railroad retirement is ridiculous. Joe: Yes, Papa John: So Joe: Something to be said for that, right? You know. Papa John: Yeah. I mean I never expected that. Never. That was so far from any of my thoughts. My Joe: Help. Papa John: Dad used to say when your dad said go to school, put something in that back pocket Joe: That's Papa John: What do Joe: Right, Papa John: You mean, good news, right? Joe: Yeah. Papa John: I was at your school, Fredonia, man. Joe: Yeah, because you were right out there, right? Papa John: Yeah, yeah, yeah, yeah, I, Joe: Yeah. Papa John: I worked, I did gigs there, I played yeah, well, I knew the guy who ran the station WBZ or something Joe: We forget what it is now. Papa John: Yeah, Fredonia is when I was out there, Don Menza was there, all cats who played with big bands, but that's a great music school man. Joe: Yeah, it was good when when I went, we were we were at at the peak of of what was happening with, you know, we had a student run jazz ensemble and competed at the Notre Dame Collegiate Jazz Festival, and those were run by the school. And we ran it ourself, you know. Papa John: The students you guys had a couple Joe: Yeah, it was fun. Papa John: You had some good players there, singers, players, if you wanted have somebody, go to the school, you had a great reputation Joe: Yeah, I got Papa John: And Joe: To play Papa John: Then. Joe: At the Tralfamadore Papa John: But Joe: Or. Papa John: Tralfamadore? Joe: Right. Papa John: The Tralf?. Joe: Isn't that what it was, The Tralf? That's what we called it. Right. For short, The Tralf. Yeah. Papa John: That's something man! Joe: And I spent when I was at Fredonia, I spent a summer in the Canadian side of Niagara Falls Papa John: Oh, Joe: Playing Papa John: Yeah, Joe: At that Papa John: We're. Joe: Amusement park that's right on the other side. Papa John: Right on the other side, I know, right off Lundie's Lane Joe: Yeah, and we played this little we did this doo wop show, it was Papa John: Of Joe: All Papa John: The. Joe: This company came and auditioned people at all the music schools for summer Papa John: Yeah, Joe: Jobs. Papa John: And Joe: So Papa John: You Joe: We Papa John: Got Joe: Got to hire. Papa John: Your. Joe: We got hired as a band. So it was my buddy on trumpet and a bass Papa John: The. Joe: Player friend, the sax player friend. And then we went there and played and we backed up these these two couples, that guy and girls Papa John: Right. Joe: That were doing this doo wop dancing and singing on the stage. Papa John: Ha Joe: We were Papa John: That's cool! Joe: The backup band behind them. We played a place called Lilly Langtry's Papa John: I know that is, oh Lilly...that's on Lundie's Land, you go up Lundie's Lane, the wax museum and. Joe: Correct, That's right. We actually were friends, so when we were when we were there because we lived there for the summer and these little apartments, the I think it was the either the tallest man in the world or tallest woman in the world. We Papa John: The woman. Joe: Literally yeah, we became friends with her and we would actually hang out at her apartment. And Papa John: She was cool man Joe: That's so Papa John: Or Joe: Funny. Papa John: That boy or girl, rah Joe: Yes, Papa John: Rah Joe: Yes. Yes, Papa John: Is just great Joe: Yes. Papa John: To leave it to me, to remember that stuff. Joe: It's so funny. Papa John: Remember the yard of beer? You went to the Yard In The Park when you had a yard of beer. Joe: I don't I don't know if I remember that. Papa John: The glass was a yard long filled it up. Joe: It's like those things that they walk around Atlantic City with, I mean, Papa John: Yeah, Joe: Las Papa John: Where Joe: Vegas, Papa John: They get Joe: Those huge. Papa John: Yard In The Park, it was called, Joe: That's so funny. Papa John: I played all over the place and Toronto, but you had a good gig. Joe: I don't know about that, but Papa John: It was a good gig. Joe: It was it was OK for at the time we had some fun. So. Papa John: What year was that Joe, do you remember? Joe: It had to be eighty two or three. Papa John: Oh, you are young. You're like my daughter. Joe: Yeah, I yeah, I'm surprised, I remember that I don't remember stuff that far back, but. Papa John: I remember not if it's if I want to remember that Joe: Yeah, Papa John: This done that, then  Joe: Yeah. Papa John: Railroad, I retired. The pension is crazy. Joe: And what was this what year was that, Papa John: '05 Joe: And then literally a year later, you moving out to Arizona? Papa John: Yes Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe:  Papa John:  Joe: There's our organ guitar trio once Johnny gets out here and a couple of years, Papa John: Yeah, Joe: Right. Papa John: We'll have some serious fun when. Joe: Hopefully we won't run out of places to play once we get kicked out of each one for being crazy. Papa John: Hopefully we WILL get kicked out. No, no, no, gigs are special you know,  we keep maintain part of the business man. You don't want to screw that up. Joe: So cool. So 2006, you retire Amtrak two thousand five, you pack up, move out two thousand six Papa John: Sold Joe: And Papa John: The crib back home, I Joe: You're. Papa John: Had a nice I had a nice crib too, that. Joe: But then you come out here and then and then we finally get to meet at one point, and then we play a bunch of gigs around town and. Yeah. Papa John: Yeah, we did. We played a lot man. You have to gigs you were getting gigs left and right. I went out there and start hustling your ass off. Joe: Hey, you have to, right? Papa John: Yeah. Joe: Can't sit by the phone. Papa John: No, what!? Joe: That's the that's the one thing that I just Papa John: Is Joe: Can't sit Papa John: All Joe: By the phone. Papa John: We'd be dead now you can use got to go out after man, but if you wait for the apple to drop off the tree, you'll starve to death, you got to go up and get it. His big thing was education and save your money Joe: And Papa John: To Joe: Save your money, well, you made Papa John: Get Joe: Him Papa John: An Joe: Proud Papa John: Education. Joe: Because you listen, you got yourself a nice a nice retirement package, right? Papa John: Well, I got lucky on that one man God, Thank Joe: You still Papa John: You. Joe: You still were able to maintain playing, Papa John: Yeah, Joe: You got an education Papa John: Oh, Joe: In the electrical field. Papa John: But Joe: What kind of car you have now? Papa John: Oh. Thirty nine Pontiac Joe: Yeah, Papa John: Hot Rod Joe: Yeah. Papa John: Yeah, man's got a big motor in three fifty chevy. All reworked, everything, everything's new and it's like a new car. Joe: How many times you get it out? Papa John: Well, right now, Johnny comes out, we take it out to terrorize the neighborhood, him and I put that car together. Joe: Oh, yeah. Papa John: Yeah, cut the frame off for a new frame underneath, it has disc breaks, power steering, Joe: What is Papa John: Big Joe: It again? Papa John: Motor, a thirty nine, nineteen thirty nine Pontiac, two door sedan. It's just it's a duplicate of a thirty nine Chevy. Joe: What is it like, is it blue or purple, one of the two, Papa John: Yeah, Joe: Which Papa John: Blue. Joe: One? Blue. Papa John: Yeah, Joe: Yeah. Papa John: Well, when you come down, will have to go out for a cruise man Joe: Yeah, I'd love to take that thing out. Papa John: It's fun man Joe: All right, Papa John: It's. Joe: We'll do it. We have a plan now. So we have a Papa John: Yeah. Joe: We have a Sunday pasta dinner. Papa John: A Sunday dinner, baby. Joe: But we jam first. And then we hop in the pool, get cooled off, then we come in and we eat our faces off. Papa John: Right, Joe: And then we Papa John: And. Joe: Go out for a little cruise when it gets Papa John: That's Joe: Cool Papa John: Right, Joe: Out, there Papa John: That's Joe: You go. Papa John: Well when we get done eating, we might not be able to move. Joe: That's true. So you might want to get everything done before we wat. Papa John: That one day you were making something, what was braciole that you make braciole? Joe: I have Papa John: You Joe: No. Papa John: Were cooking something, man. I don't know what it was Joe: I have no idea. I just made a killer designer for Jo Ellen's birthday Papa John: That. Joe: A couple of weeks ago. Yeah. Oh, maybe that's what it was. I put up Papa John: Yeah, Joe: The pot of the Papa John: I Joe: Sauce, Papa John: Love that Joe: The sauce boiling or the gravy, as we call it. Papa John: You call gravy. Joe: Yeah. I don't know if Papa John: You Joe: We're Papa John: Sauce Joe: Not Papa John: Tomato, Joe: Sure Papa John: Tomato, potato, potato, Joe: Exactly. Papa John: But some. Joe: You got to let us know if you're going to do a new recording so we can make sure we let everyone know. And like I said, as soon as all this pandemic stuff Papa John: No. Joe: Disappears, we see if we can get ourselves a gig or a concert somewhere again and get going. Papa John: Concert, Joe: Right. Papa John: I'd like to do that, yeah. Joe: We should get back at The MIM. Do another show up Papa John: I Joe: There. Papa John: Like the yeah, man, we could Joe: Yeah. Yeah. Papa John: Get a yeah, it was okay last time with nice man. Joe: Is there anything else that I missed? Papa John: Yeah, the gig in Albuquerque, wherever we were. Joe: Oh, my gosh. Papa John: Should have made a left turn at Albuquerque Joe: Oh, my gosh. Papa John: The Las Cruces Joe: Right, then we drive all the way there, we set up and then it poured Papa John: It rained Joe: And we couldn't play, right? We couldn't Papa John: That Joe: Play Papa John: They paid and Joe: And Papa John: We got Joe: They play. Papa John: Paid. Joe: So it was basically like a paid little two day trip. Papa John: Two day trip with pay Joe: Yeah, yeah, yeah, well, Papa John: That was terrible. I wanted to play. Joe: No, I know. Papa John: Well, I know we weren't going to play when a guy took the B3. He said it's raining, you guys aren't playing, put it in a van. They left. I guess we're not playing. Joe: Remember, we tried to even talk one of the bars around that outdoor stage to let us play. Papa John: Across the street, yeah. Joe: Yeah, it's like we're already got paid, so just move it all into your place in play inside. Oh, gosh. Papa John: We didn't get. Joe: We can't say we didn't try. Papa John: That's where I met that trumpet player, he's on the East Coast now. Joe: Cool! Papa John: This has been a nice pod... Joe: Thanks, Papa John: Of Joe: Man. Papa John: Spaghetti meatballs. Joe: They go Papa John: And little braciole Joe: Right? Papa John: Yeah, Joe: I'm Papa John: My Joe: Really Papa John: Wife Joe: Excited Papa John: Made Joe: That you Papa John: It. Joe: Came on what'd she say. Papa John: My wife made angel hair bolognese Sunday Joe: Nice. Papa John: Scrambled meat. Joe: Yeah. Papa John: I'm glad I came on too Joe Joe: Yeah, man, it's nice Papa John: I Joe: To Papa John: Love Joe: See your face Papa John: That you Joe: That Papa John: Like that and I like Joe: I Papa John: Your face too Joe. Joe: Haven't seen you in so long, so. Papa John: I know there Joe: Yeah. Papa John: Has been a year!? Joe: I don't know. Could be, gosh. Papa John: No Joe: Like Papa John: Time. Joe: I said, my brain doesn't go backwards too well, so Papa John: Time man time Joe: I know Papa John: Is. Joe: I hear Papa John: Time Joe: Yeah. Papa John: Is on my mind, yes it is Ya know what, we should do all that stuff, do I get all those coveres I Joe: Yeah, Papa John: Love doing it to. Joe: Yeah, Papa John: My favorite Joe: Well, Papa John: Was Sly, Sly and the Family Stone. Joe: Um. Papa John: I use to love those...cover that stuff Joe: Yeah, Papa John: [sings] You might have... Joe: Well, we'll we'll have a chance again. Papa John: I hope so, man. Joe: We will. So, listen, man, I really appreciate you doing this. Papa John: Anything for, you know, you're the man, you're my friend, one of my best friends. Joe: It's nice to see you. It really is, it's nice to talk with you. Papa John: Nice to talk to you, too, man Joe: Yeah, man. All right. Well, again, thank you. You you're one of the best. And Papa John: No. Joe: You you've you've been incredible to me. So I appreciate you and I love you. And I thank you for being here. Papa John: Thank you, Joe, Joe: Ok, Papa John: And Joe: Man. Papa John: I love you, too, brother. Joe: All right, and we'll talk soon and we'll play soon Papa John: Hopefully has, God Bless! Joe: All right, man, thank you. Papa John: All right, bye bye... Joe: Bye...

Please join us tonight for PKN's Seven Up worship service host by PKN's worship team at 8pm on www.blogtalkradio.com/purposekingdomnetwork or call in at 319-527-6091 or 323-870-4174 don't forget to tell a friend.to share this movement from God.

Becky Mills speaking at the Seven Up service as part of the Lent 2020 Carbon Fast for Creation series

Becky Mills speaking at the Seven Up service

It's the punch up, shoot 'em up, heads down Seven-Up, rootin', tootin', finale! Father Sky has one last mystery up his sleeve, and the crew of the Vagabond are running out of time to solve it. -- Featured Music: Nebula Boss Fight - TeknoAxe Lurking Evil - Darren Curtis Milk Coffee - Ryan Horizon - MONIN -- Game System: Weave from Monocle Society, using the "Solar Age" playset. Intro/Outro Music: "Stroke" by E57, from 'Heavy Seas and Smashing Skies' For more information about the show, visit us at our Facebook page. Or, follow us on Instagram @therolelesstaken, Twitter @rolelesstaken, or at https://therolelesstaken.podbean.com/ Rate and follow our podcast here: https://ratethispodcast.com/trlt

Sean talks about the Canucks current 7 game winning streak, Podkolzin and Hoglander at the WJC, Markstrom, Benn, Eriksson and more!

The Ninth Circuit Court of Appeals has upheld a lower court’s dismissal of a California women’s lawsuit against Dr. Pepper/Seven UP Inc. She claimed the drink’s branding was misleading to imply people would lose weight. Lee breaks down his thoughts. 

Another episode, another new game announcement - this one decidedly not EM, but interesting all the same. There is a potential new EM podcast coming - looking forward to it!  The more EM content, the better! In other news, a Pinside user had an unobtainable part of the reset bank for Bally games 3D printed.  I hope we see much more of this in the future, and prevent more games from being scrapped.  Today's featured game is 1969's Seven Up by Williams.  A very interesting layout with two sequences, multiple ball saving posts, and specials galore.

We talk about vomiting in this episode so we take a look at the history of 7 Up.Would you be surprised to learn it used to contain lithium?Not this lithium.Follow us: @ttcashow. Lex Friedman can be found @lexfri, John Moltz can be found at @moltz and Jon Armstrong is @blurb.

Tonight I am discussing the second, and more important, breathing technique that you MUST know and MUST practice... I know I sound dramatic but seriously, from all the accounts I have read of successful Hypnobirthing births this breathing technique has been key! https://www.youtube.com/watch?v=wmH0Hdq0tgg (referenced link!)

Tim Davis speaking at the 9.30 service (Seven Up) in the series Jesus shows God's Covenant Love

Tim Davis speaking at the 9.30 service (Seven Up)

The JUNETEENTH episode! Bro #1 recounts the FIRST Juneteenth celebration, "that freedom thang hit different". BTP News... "I Don't See Race", single brown bears claiming men?? And Back in my Day... Anybody play Seven Up with a substitute teacher? Check in with the Fam!!

Palace are officially safe for a club record seven straight seasons in the top flight, after a brilliant first ever win at the Emirates. Tom Maslona steps in a host this week and is joined by Sellsy and Enders to discuss that amazing 3-2 win and a host of other topics. They also answer your questions and preview Saturday's visit of Everton.

Episode 020 Original Airdate: Feb 27 2019 Special Guest: L. Length: 20 minutes   In this episode we explore the first documentary in the Up Series, produced by Michael Apted for Grenada Television. (1964) Seven Up video link - https://www.youtube.com/watch?v=1LQZpiSfESE Up_series_cheat_sheet

Neste episódio Danilo Fernandes traz João Paulo de Freitas para conversarem sobre o Oscar 2019, tanto os filmes quanto parte da cerimônia. Foram analisados todos os ganhadores, em especial: Green Book, Infiltrado na Klan, Homem Aranha no Aranhaverso e Roma. Além disso, João Paulo nos dá uma uma aula sobre a diferença entre edição e mixagem de som para que ninguém confunda mais esses dois conceitos. Escute agora!   Redes sociais: ComéquePOD (twitter e instagram) Danilo (twitter e instagram) João Paulo (twitter e instagram) Links comentados:   Crowdfunding para retirar o rato de Os Infiltrados (link) Canal EntrePlanos: o potencial desperdiçado de "Nasce Uma Estrela" (link) Epic Rap Battles of History: Spielberg vs Hitchcock (link) Performance da Lady Gaga no Oscar 2016 (link) Nosso podcast sobre Por Um Fio (link) Nosso podcast sobre Mother! (link) Inovações em Homem Aranha no Aranhaverso (link) Texto do João Paulo sobre Roma (link) Texto do João Paulo sobre Infiltrado na Klan (link) The Sound of Godzilla (link) Documentário: Seven Up! (link) Nosso podcast sobre La La Land, aos 20:10 (link)

Introduction to the "Seven Up" Documentary (1964) Original Airdate: Feb 20, 2019 Produced by: Doug Krisch Length: 18  minutes Link to Seven Up Documentary

Stephen Kuhrt speaking at the Seven Up service

We started off the new year with a brand new series called, Faith Works. In this series, we're walking through the book James discussing the practicality of our faith. In week one of our series, pastor Jon Kragel shares how your outlook impacts your outcome and how to battle through 3 tests of your faith.

We started off the new year with a brand new series called, Faith Works. In this series, we're walking through the book James discussing the practicality of our faith. In week one of our series, pastor Jon Kragel shares how your outlook impacts your outcome and how to battle through 3 tests of your faith.

Continuing our look at the Seven Up documentary series, Kieran and I discuss '21 Up'.

Cardiff Devils forward Gleason Fournier is this week's EIHL Player of the Week and he reflects on a four-point weekend as they inflicted heavy wins on Sheffield Steelers and Fife Flyers, with Fournier taking seven points across both games

I give myself a reminder to play more games at school because they're fun and school should be fun too. I share how to play a game called Salad Bowl charades as well.

It's documentary time as Kieran and I return to the 'Seven Up' series with an episode on '7 Plus Seven'.

Things are heating up in Trenton in Seven Up by Janet Evanovich. Steph is tracking Eddie DeChooch, aka "Choochie", a semi-retired mobster who can't see, hear, or get it up. Another FTA is a metaphorical flaccid penis who finally found his balls, and Steph's perfect sister, Valerie, has sworn off penises (peni?) altogether. Morelli and Steph are engaged, but there seems to have been a direct correlation between being cockblocked for all of Hot Six and his intense desire to propose. Meanwhile Ranger's hard for Steph and offers her a terrifying deal. Katy discusses her childhood aspirations of being a shark singer (yeah yeah, it's not a thing. Whatever.), Frannie loses her mind over a simple question, and we both discuss the delicious ways that Janet subtly (and unsubtly) highlights the ridiculousness of men and their penises (peni?). Find us on Facebook, Instagram, and Twitter: @chicklitmm Music: Candy (c) by Jahzzar (betterwithmusic.com) CC BY-SA Candy is licensed under a Creative Commons Attribution – ShareAlike 4.0 International License, available at http://creativecommons.org/licenses/by-sa/4.0/

Colm Cooper was at his first Leinster final in Croke Park to see Dublin rack up their seventh provincial crown in a row. He was seriously impressed with what he saw and wonders if anybody can reach that standard this season.

In  this episode me and Kieran discuss the British documentary 'Seven Up!', the first in a series of documentaries which pick up with the same individuals every seven years. In keeping with the documentary we discuss class, race and education. But don't worry, we also find time to have plenty of laughs along the way.

It’s Seven Up as David and Thos continue their chinwag about some more shows that really stood out for David during his recent trawl of London’s Theatreland – including Stephen Ward, From Here to Eternity, Miss Saigon, Dog Fight, Book of Mormon, Dickens Abridged and No Way to Treat A Lady.  How refreshing!

Mike and Geoff take a deep dive into the Antoine Bauza game Seven Wonders. What works? What doesn't? What drove the design decisions? Duration: 01:16:26

Join us for fun discussions on goat cheese, Wayne Henderson dot net, eating rabbit.. and more... Then we talk about seven things that might bring young folks back to church... maybe. LOL.

In 1964 a TV programme introduced a group of seven year olds to the public. It has returned to film them every seven years since then, creating a fascinating record of changes in British life. The series has now reached 56 up. Michael Apted, its director, talks to Witness. Photo: Getty Images Entertainment