Podcast appearances and mentions of marie lise

Avec Alexis Le Rossignol, Marie-Lise, François, Karim, Matt et Antho  !Nouvel épisode de votre podcast en public et en live du festival “Humour en Val de Scie” à Nueil-les-Aubiers (79). On a ri… mais on a ri !!!Et on a parlé de tricot, de jeux vidéo, de Bob Marley, de tupperware et puis de plein d'autres trucs trop cool ! Enjoy^^ Marcus

Avec Juloze, Ju, Marie-Lise et Antho  !Nouvel épisode de votre podcast ! On y parle d'Home Exchange, de pâtes, de SNCF, de zoom boom et puis de plein d'autres trucs trop cool ! Enjoy^^ Marcus

Avec François, Marie-Lise, Matt, Ju et Antho !Nouvel épisode de votre podcast ! On y parle de La Marseillaise, de la vaisselle Quiet, des césar, du nutri-score et puis de plein d'autres trucs trop cool ! Enjoy^^ Marcus

Avec Ju, Marie-Lise, François, Matt et Antho ! Nouvel épisode de votre podcast ! On y parle de speed dating, de Catherine LABORDE, du délit de faciès, de retraite spirituelle… et puis de plein d'autres trucs trop cool ! Enjoy^^ Marcus INSTAGRAM >> https://www.instagram.com/culture_et_postillons/ FACEBOOK >> https://www.facebook.com/cultureetpostillons YOUTUBE >> https://www.youtube.com/@CultureetPostillons

Avec Matt, Marie-Lise, Ju, Antho et Karim ! Nouvel épisode de votre podcast, et c'est le dernier de l'année !  On y parle d'une phobie des jeunes (Marie-Lise en fait partie), du trou Normand, de la série “Culte”, de Loana PETRUCCIANI, du fond de culotte (sans aucun rapport avec le reste)… Vous avez trouvé les mots secrets d'Antho et Ju ? Enjoy^^  Marcus Et n'oubliez pas : on sera en public pendant le festival « Humour en Val de Scie » à Nueil-Les-Aubiers (79) le dimanche 9 mars 2025. C'est GRATUIT mais uniquement sur réservation. La résa c'est ici (dépêchez vous, ça commence à se remplir) : ⁠https://www.ville-nueil-les-aubiers.fr/2024/11/29/preparez-vous-a-rire-aux-eclats-du-7-au-9-mars-2025-a-nueil-les-aubiers/   INSTAGRAM >> https://www.instagram.com/culture_et_postillons/ FACEBOOK >> https://www.facebook.com/cultureetpostillons YOUTUBE >> https://www.youtube.com/@CultureetPostillons

Avec Matt, Marie-Lise, Ju, Antho et Karim ! Nouvel épisode de votre podcast !  On y parle de l'effet papillon, de la deux-chevaux, des stats à la con… Enjoy^^  Marcus Et n'oubliez pas : on sera en public pendant le festival « Humour en Val de Scie » à Nueil-Les-Aubiers (79) le dimanche 9 mars 2025. C'est GRATUIT mais uniquement sur réservation. La résa c'est ici (dépêchez vous, ça commence à se remplir) : ⁠https://www.ville-nueil-les-aubiers.fr/2024/11/29/preparez-vous-a-rire-aux-eclats-du-7-au-9-mars-2025-a-nueil-les-aubiers/   INSTAGRAM >> https://www.instagram.com/culture_et_postillons/ FACEBOOK >> https://www.facebook.com/cultureetpostillons YOUTUBE >> https://www.youtube.com/@CultureetPostillons

Avec Matt, Marie-Lise, François, Antho et Karim ! Nouvel épisode de votre podcast ! On y parle de l'album de reprise de Julien DORE, de faire couper les cheveux en silence, de Hulk des bois, du super bowl….  Et n'oubliez pas : on sera en public pendant le festival « Humour en Val de Scie » à Nueil-Les-Aubiers (79) le dimanche 9 mars 2025. C'est GRATUIT mais uniquement sur réservation. La résa c'est ici (dépêchez vous, ça commence à se remplir) : https://www.ville-nueil-les-aubiers.fr/2024/11/29/preparez-vous-a-rire-aux-eclats-du-7-au-9-mars-2025-a-nueil-les-aubiers/ Marcus INSTAGRAM >> https://www.instagram.com/culture_et_postillons/ FACEBOOK >> https://www.facebook.com/cultureetpostillons YOUTUBE >> https://www.youtube.com/@CultureetPostillons

Avec Matt, Marie-Lise, François, Antho et Karim ! Nouvel épisode de votre podcast ! On y parle du wrapped de Spotify, de squid game, de la mini série “Fleur bleue”... Enjoy ^^ Et n'oubliez pas : on sera en public pendant le festival « Humour en Val de Scie » à Nueil-Les-Aubiers (79) le dimanche 9 mars 2025. C'est GRATUIT mais uniquement sur réservation. La résa c'est ici (dépêchez vous, ça commence à se remplir) : https://www.ville-nueil-les-aubiers.fr/2024/11/29/preparez-vous-a-rire-aux-eclats-du-7-au-9-mars-2025-a-nueil-les-aubiers/ Marcus INSTAGRAM >> https://www.instagram.com/culture_et_postillons/ FACEBOOK >> https://www.facebook.com/cultureetpostillons YOUTUBE >> https://www.youtube.com/@CultureetPostillons

[MÉTAMORPHOSE PODCAST] Anne Ghesquière reçoit Marie Lise Labonté, psychothérapeute, auteure et formatrice. Comment dépasser les diktats pour retrouver une relation saine à notre corps et à notre alimentation ? Comment prendre en compte nos véritables besoins et conscientiser nos blessures ? Comment nous réconcilier avec la perception que nous avons de notre corps ? Marie Lise Labonté se confie sur son propre cheminement et nous guide en tant que psy vers une meilleure connaissance de nous-même pour une alimentation “intuitive”, plus consciente, à l'écoute et respectueuse de soi. Son Livre anti-régime a été publié chez Guy Trédaniel. Épisode #540Quelques citations du podcast avec Marie Lise Labonté :"Le corps sait ce dont il a besoin pour se nourrir.""Les traumas viennent remettre en question notre relation à la vie bien sûr, à la mort et à la nourriture." "Si l'enfant reçoit des jugements sur son corps, là il y a une distorsion qui se crée."Thèmes abordés lors du podcast avec Marie Lise Labonté :00:00 Introduction06:51 L'expérience personnelle des troubles alimentaires de Marie Lise Labonté.10:40 Quel rôle jouent les référents parentaux dans notre rapport à la nourriture dès l'enfance ?14:12 Maladie auto-immune et rapport à l'alimentation.16:22 Qu'est-ce que la MLC (Méthode de libération des Cuirasses) ?18:27 Comment les traumatismes peuvent-ils influencer notre rapport à l'alimentation ?23:41 Les types de faim.27:43 Comment se libérer de la faim émotionnelle ?30:00 L'impact du regard extérieur sur la vision que nous avons de notre corps.38:53 La nourriture intuitive pour se libérer de nos conditionnements.40:08 Déconstruire nos croyances sur les aliments.43:08 Comment distinguer compulsion et intuition ?47:51 Les étapes pour réveiller l'intelligence corporelle.50:58 Un exercice pour reprendre contact avec son corps.55:15 Les troubles alimentaires à plus de 50 ans.À ré-écouter :#328 Marie Lise Labonté : Traverser la nuit noire de l'âme#243 Marie Lise Labonté : Explorer nos mémoires du passé#184 Marie Lise Labonté : Libérer l'enfant émotionnel en nousAvant-propos et précautions à l'écoute du podcast Recevez un mercredi sur deux l'inspirante newsletter Métamorphose par Anne GhesquièreFaites le TEST gratuit de La Roue Métamorphose avec les 9 piliers de votre vie !Suivez nos RS : Insta, Facebook & TikTokAbonnez-vous gratuitement sur Apple Podcast / Spotify / Deezer / CastBox/ YoutubeSoutenez Métamorphose en rejoignant la Tribu MétamorphosePhoto DR Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Avec Antho, Juloze, Karim et Marie-Lise ! Nouvel épisode de votre podcast ! On y parle du curé PEIXOTO, de Grand Corps Malade, de Crocs, de batch cooking, de Rolls-Royce.. Juloze nous a fait l'amitié de revenir nous voir ! Quand il bosse pas chez "Nouveau", il est sur scène pour nous faire rire. Et c'est ultra bien fait. Le thème du jour : Les échecs commerciaux Enjoy^^ Marcus   INSTAGRAM >> https://www.instagram.com/culture_et_postillons/ FACEBOOK >> https://www.facebook.com/cultureetpostillons YOUTUBE >> https://www.youtube.com/@CultureetPostillons   Culture et Postillons, Kesako : C'est un podcast de divertissement qui allie actualités, culture et humour. Si tu es fan de Les Grosses Têtes (RTL, présentées par Laurent Ruquier) ou du Floodcast (podcast présenté par Florent Bernard et Adrien Ménielle), y'à de grandes chances que tu adores cette émission.

Avec Antho, Karim et Marie-Lise ! Nouvel épisode de votre podcast ! On y parle d'influenceur chinois qui a une méthode pas piquée des hannetons pour nous aider en randonnée, du cultissime Michel Blanc, de la recherche d'appartement à Paris, des JO, de la Loi de Stigler… Le thème du jour : Les traditions insolites Enjoy ^^   Marcus   INSTAGRAM >> https://www.instagram.com/culture_et_postillons/ FACEBOOK >> https://www.facebook.com/cultureetpostillons YOUTUBE >> https://www.youtube.com/@CultureetPostillons   Culture et Postillons, Kesako : C'est un podcast de divertissement qui allie actualités, culture et humour. Si tu es fan de Les Grosses Têtes (RTL, présentées par Laurent Ruquier) ou du Floodcast (podcast présenté par Florent Bernard et Adrien Ménielle), y'à de grandes chances que tu adores cette émission.

Avec Julien, Antho, François, Karim et Marie-Lise ! Nouvel épisode de votre podcast ! On y parle du MUCEM, d'Asterix, de la cave Velours de Gloria Stuart et de pandiculation… Le thème du jour : Renaud Enjoy ^^ Marcus INSTAGRAM >> https://www.instagram.com/culture_et_postillons/ FACEBOOK >> https://www.facebook.com/cultureetpostillons YOUTUBE >> https://www.youtube.com/@CultureetPostillons   Culture et Postillons, Kesako : C'est un podcast de divertissement qui allie actualités, culture et humour. Si tu es fan de Les Grosses Têtes (RTL, présentées par Laurent Ruquier) ou du Floodcast (podcast présenté par Florent Bernard et Adrien Ménielle), y'à de grandes chances que tu adores cette émission.

Avec Matt, Karim, Antho et Marie-Lise ! Nouvel épisode de votre podcast ! On y parle de Parc Astérix, de champagne, de sel or, du fromage préféré de Mairie-Lise, de Jeannifer Lopez, de Versace !   Le thème du jour : Alban IVANOV   Enjoy^^   Marcus   INSTAGRAM >> https://www.instagram.com/culture_et_postillons/ FACEBOOK >> https://www.facebook.com/cultureetpostillons YOUTUBE >> https://www.youtube.com/@CultureetPostillons   Culture et Postillons, Kesako : C'est un podcast de divertissement qui allie actualités, culture et humour. Si tu es fan de Les Grosses Têtes (RTL, présentées par Laurent Ruquier) ou du Floodcast (podcast présenté par Florent Bernard et Adrien Ménielle), y'à de grandes chances que tu adores cette émission.

Avec Matt, Karim, Antho et Marie-Lise ! Nouvel épisode de votre podcast, le premier de la 3ème saison de Culture et Postillons ! On y parle de Lili et Touareg, de voleur de saucissons,  de jeux de rôle, de Marvin Gaye... Le thème du jour : BURGER KING Enjoy ^^   Marcus   INSTAGRAM >> https://www.instagram.com/culture_et_postillons/ FACEBOOK >> https://www.facebook.com/cultureetpostillons YOUTUBE >> https://www.youtube.com/@CultureetPostillons   Culture et Postillons, Kesako : C'est un podcast de divertissement qui allie actualités, culture et humour. Si tu es fan de Les Grosses Têtes (RTL, présentées par Laurent Ruquier) ou du Floodcast (podcast présenté par Florent Bernard et Adrien Ménielle), y'à de grandes chances que tu adores cette émission.

Anne Ghesquière reçoit dans Métamorphose Marie-Lise Labonté, psychothérapeute, conférencière internationale, auteure, formatrice, créatrice de la Méthode de Libération des Cuirasses©. Comment explorer nos mémoires du passé pour s'en défaire et puis renaître ? Qu'est-ce que le karma, et comment entrer en contact avec nos mémoires présentes pour se libérer de leurs charges émotionnelles. Grâce à son expérience de psychothérapeute et la méthode d'intégration Mémorielle, Marie-Lise Labonté nous aide à comprendre le passé pour mieux vivre le présent. {REDIFFUSION} du podcast ***Best-Of*** #243 paru le 25 novembre 2021Avant-propos et précautions à l'écoute du podcast À réécouter :#184 Marie-Lise Labonté : Libérer l'enfant émotionnel en nous#328 Marie Lise Labonté : Traverser la nuit noire de l'âmeRecevez un mercredi sur deux la newsletter Métamorphose avec des infos inédites sur le podcast et les inspirations d'AnneFaites le TEST gratuit de La Roue Métamorphose avec 9 piliers de votre vie !Suivez nos RS : Insta, Facebook & TikTokAbonnez-vous sur Apple Podcast / Spotify / Deezer / CastBox/ YoutubeSoutenez Métamorphose en rejoignant la Tribu MétamorphoseThèmes abordés lors du podcast avec Marie-Lise Labonté :Les mémoires du passé et leur signification L'inconscient individuel et l'inconscient collectif au sens de Carl Gustav Jung Les empreintes laissées par notre vécu et nos différentes blessures émotionnellesL'impact de ses empreintes sur notre quotidienDéfinir la notion de Karma avec les différences entre l'Asie et l'OccidentQuelques citations du podcast avec Marie-Lise Labonté :"L'individu va passer sa vie à vouloir retourner dans l'au-delà, c'est ce qu'on appelle une blessure de séparation.""Nous pouvons avoir peur de notre don et le retenir, et ça peut nous rendre malades.""Ce n'est pas la méthode qui guérit, c'est l'individu qui se guérit."Photo DR Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Marie-Lise und Asad sind auf Radweltreise. Im Podcast erzählen sie von ihren Erlebnissen auf dem Weg von Deutschland nach Pakistan!

Avec Antho, Marie-Lise, François et Karim ! Vous avez déjà pris du Popers en repas de famille ? Vous avez de la crypto ? Vous avez déjà joué à Hot Ones ? Vous regardez le jeux de TF1 sur M6 ? Vous connaissez M. FAF ? Vous aimez les questions ? Le thème du jour : les slogans Enjoy^^ INSTAGRAM >> https://www.instagram.com/culture_et_postillons/ FACEBOOK >> https://www.facebook.com/cultureetpostillons YOUTUBE >> https://www.youtube.com/@CultureetPostillons --- Send in a voice message: https://podcasters.spotify.com/pod/show/cultureetpostillons/message

Avec Marie-Lise, Karim, Antho et François ! Le mardi à midi, c'est LE rendez-vous si tu veux pas louper la sortie du nouveau numéro de Culture et Postillons ! Aujourd'hui on cause du festival de Poupet, du scooter de François HOLLANDE, d'Hot Ones, des lunettes de François, de Dragon Ball Z, d'un match de foot en district dans le Nord de la France et donc des couteaux Farol… Si ça vous tente d'aller découvrir ces très beaux couteaux (c'est Marie-Lise qui le dit) : https://farol.fr/ https://www.instagram.com/farol.couteaux/ Enjoy^^ Marcus FACEBOOK >> https://www.facebook.com/cultureetpostillons INSTAGRAM >>https://www.instagram.com/culture_et_postillons/ YOUTUBE >>https://www.youtube.com/@CultureetPostillons --- Send in a voice message: https://podcasters.spotify.com/pod/show/cultureetpostillons/message

{REDIFFUSION} du podcast #184 paru le 29 mars 2021***Best-Of***Anne Ghesquière reçoit dans Métamorphose la québécoise Marie-Lise Labonté, psychothérapeute, créatrice de la «Méthode de libération des cuirasses©, fondatrice d'une école internationale d'énergétique, auteure du livre «L'enfant émotionnel en nous» Aujourd'hui, avec l'inspirante Marie-Lise nous allons suivre la voix de notre enfant intérieur à la recherche de notre enfant blessé pour le libérer. Un épisode riche et touchant au coeur de nos êtres. *Best-Of* #92Avec Marie-Lise Labonté j'aborderai les thèmes suivants (extrait des questions) : Qui est cet enfant et pourquoi il est «émotionnel» ?Comment est-il apparu dans votre vie ? Quelle a été la première rencontre avec lui ?Vous consacrez un chapitre sur la vie émotionnelle : plus qu'un chemin qui nous guide, peut-on parler d'une hygiène émotionnelle à trouver pour rester dans le mouvement de vie ?L'éloignement d'avec notre enfant émotionnel peut-il aussi advenir à l'âge adulte ?Comment l'enfant émotionnel se manifeste-t-il?Qui est mon invitée Marie-Lise Labonté ? Marie Lise Labonté est psychothérapeute et formatrice, elle pratique depuis plus de 30 ans l'autoguérison, jusqu'à élaborer sa propre «Méthode de libération des cuirasses©». Fondatrice d'une école internationale d'énergétique, elle y transmet également des enseignements spirituels ayant a cœur de réunir le corps et l'esprit. Vous pouvez retrouver Marie-Lise Labonté dans son dernier livre «L'enfant émotionnel en nous» aux éditions Guy Trédaniel et sur votre site Internet: https://www.marieliselabonte.comQuelques citations du podcast avec Marie-Lise Labonté : “C'est à travers des mouvements psychocorporels que j'ai rencontré mon enfant intérieur""Vivre une émotion c'est vraiment être vivant""La réaction pour se protéger de sa blessure fondamentale peut-être de tomber dans une régression infantile et cette dimension d'enfant prend toute la place"Recevez un mercredi sur deux la newsletter Métamorphose avec des infos inédites sur le podcast et les inspirations d'AnneFaites le TEST gratuit de La Roue Métamorphose avec 9 piliers de votre vie !Suivez nos RS : Insta, Facebook & TikTokAbonnez-vous sur Apple Podcast / Spotify / Deezer / CastBox/ YoutubeSoutenez Métamorphose en rejoignant la Tribu MétamorphosePhoto DR Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Avec Matt, Marie-Lise, Antho et François ! Nouvel épisode dans lequel on parle de Jeux Olympiques, de Romain Puertolas, d'Olive et Tom, de dépenses d'argent public franchement pas nécessaire... On rigole bien Enjoy^^ Marcus Si vous êtes fan de Les Grosses Têtes (RTL, présentées par Laurent Ruquier) ou du Floodcast (podcast présenté par Florent Bernard et Adrien Ménielle), vous adorerez cette émission. --- Send in a voice message: https://podcasters.spotify.com/pod/show/cultureetpostillons/message

Avec Matt, Marie-Lise, Anthony et François   Aujourd'hui on vous parle de l'extraordinaire Clémentine DELAIT, des distributeurs de Cleanitud (j'en veux), d'Adam HARRISON (vous l'avez-vous ?), de quotient intellectuel élevé (donc pas celui de François), du gargantuesque boulard du professeur Raoult et de plein d'autres truc cool !  Est-ce qu'Anthony va perdre ?   Enjoy^^ Marcus Si vous êtes fan de Les Grosses Têtes (RTL, présentées par Laurent Ruquier) ou du Floodcast (podcast présenté par Florent Bernard et Adrien Ménielle), vous adorerez cette émission. --- Send in a voice message: https://podcasters.spotify.com/pod/show/cultureetpostillons/message

Avec Antho, Karim, Marie-Lise et Guillaume ! Enjoy^^ Si vous êtes fan de Les Grosses Têtes (RTL, présentées par Laurent Ruquier) ou du Floodcast (podcast présenté par Florent Bernard et Adrien Ménielle), vous adorerez cette émission. --- Send in a voice message: https://podcasters.spotify.com/pod/show/cultureetpostillons/message

Avec Karim, Guillaume, Mairie-Lise et Antho ! Et bien le bonjour ! On revient en forme après 2 semaines de vacances pour vous parler de Tryo, du bière test de l'IFOP, de cuisine, de strava, de dégustation de vin, de la mauvaise foi d'Antho, du plat signature de Karim (qui n'en ai pas vraiment un), de la Grimm Académie (le génialissime podcast pour enfant de Guillaume HAUBOIS), de la passion secrète pour les dragons en pâte de sucre de Marie Lise.... Enjoy^^ Marcus --- Send in a voice message: https://podcasters.spotify.com/pod/show/cultureetpostillons/message

Avec Matt, François, Marie-Lise et Antho ! Cet été on vous avait proposé le "Summer Show", à Noël on vous propose le "Christmas Show". C'est hyper bien fait --- Send in a voice message: https://podcasters.spotify.com/pod/show/cultureetpostillons/message

Episode 171 looks at "Hey Jude", the White Album, and the career of the Beatles from August 1967 through November 1968. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a fifty-seven-minute bonus episode available, on "I Love You" by People!. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Errata Not really an error, but at one point I refer to Ornette Coleman as a saxophonist. While he was, he plays trumpet on the track that is excerpted after that. Resources No Mixcloud this week due to the number of songs by the Beatles. I have read literally dozens of books on the Beatles, and used bits of information from many of them. All my Beatles episodes refer to: The Complete Beatles Chronicle by Mark Lewisohn, All The Songs: The Stories Behind Every Beatles Release by Jean-Michel Guesdon, And The Band Begins To Play: The Definitive Guide To The Songs of The Beatles by Steve Lambley, The Beatles By Ear by Kevin Moore, Revolution in the Head by Ian MacDonald, and The Beatles Anthology. For this episode, I also referred to Last Interview by David Sheff, a longform interview with John Lennon and Yoko Ono from shortly before Lennon's death; Many Years From Now by Barry Miles, an authorised biography of Paul McCartney; and Here, There, and Everywhere: My Life Recording the Music of the Beatles by Geoff Emerick and Howard Massey. This time I also used Steve Turner's The Beatles: The Stories Behind the Songs 1967-1970. I referred to Philip Norman's biographies of John Lennon, George Harrison, and Paul McCartney, to Graeme Thomson's biography of George Harrison, Take a Sad Song by James Campion, Yoko Ono: An Artful Life by Donald Brackett, Those Were the Days 2.0 by Stephan Granados, and Sound Pictures by Kenneth Womack. Sadly the only way to get the single mix of “Hey Jude” is on this ludicrously-expensive out-of-print box set, but a remixed stereo mix is easily available on the new reissue of the 1967-70 compilation. The original mixes of the White Album are also, shockingly, out of print, but this 2018 remix is available for the moment. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, a quick note -- this episode deals, among other topics, with child abandonment, spousal neglect, suicide attempts, miscarriage, rape accusations, and heroin addiction. If any of those topics are likely to upset you, you might want to check the transcript rather than listening to this episode. It also, for once, contains a short excerpt of an expletive, but given that that expletive in that context has been regularly played on daytime radio without complaint for over fifty years, I suspect it can be excused. The use of mantra meditation is something that exists across religions, and which appears to have been independently invented multiple times, in multiple cultures. In the Western culture to which most of my listeners belong, it is now best known as an aspect of what is known as "mindfulness", a secularised version of Buddhism which aims to provide adherents with the benefits of the teachings of the Buddha but without the cosmology to which they are attached. But it turns up in almost every religious tradition I know of in one form or another. The idea of mantra meditation is a very simple one, and one that even has some basis in science. There is a mathematical principle in neurology and information science called the free energy principle which says our brains are wired to try to minimise how surprised we are --  our brain is constantly making predictions about the world, and then looking at the results from our senses to see if they match. If they do, that's great, and the brain will happily move on to its next prediction. If they don't, the brain has to update its model of the world to match the new information, make new predictions, and see if those new predictions are a better match. Every person has a different mental model of the world, and none of them match reality, but every brain tries to get as close as possible. This updating of the model to match the new information is called "thinking", and it uses up energy, and our bodies and brains have evolved to conserve energy as much as possible. This means that for many people, most of the time, thinking is unpleasant, and indeed much of the time that people have spent thinking, they've been thinking about how to stop themselves having to do it at all, and when they have managed to stop thinking, however briefly, they've experienced great bliss. Many more or less effective technologies have been created to bring about a more minimal-energy state, including alcohol, heroin, and barbituates, but many of these have unwanted side-effects, such as death, which people also tend to want to avoid, and so people have often turned to another technology. It turns out that for many people, they can avoid thinking by simply thinking about something that is utterly predictable. If they minimise the amount of sensory input, and concentrate on something that they can predict exactly, eventually they can turn off their mind, relax, and float downstream, without dying. One easy way to do this is to close your eyes, so you can't see anything, make your breath as regular as possible, and then concentrate on a sound that repeats over and over.  If you repeat a single phrase or word a few hundred times, that regular repetition eventually causes your mind to stop having to keep track of the world, and experience a peace that is, by all accounts, unlike any other experience. What word or phrase that is can depend very much on the tradition. In Transcendental Meditation, each person has their own individual phrase. In the Catholicism in which George Harrison and Paul McCartney were raised, popular phrases for this are "Lord Jesus Christ, Son of God, have mercy on me, a sinner" or "Hail, Mary, full of grace, the Lord is with you; blessed are you among women, and blessed is the fruit of your womb, Jesus. Holy Mary, Mother of God, pray for us sinners now and at the hour of our death. Amen." In some branches of Buddhism, a popular mantra is "_NAMU MYŌHŌ RENGE KYŌ_". In the Hinduism to which George Harrison later converted, you can use "Hare Krishna Hare Krishna, Krishna Krishna Hare Hare, Hare Rama Hare Rama, Rama Rama Hare Hare", "Om Namo Bhagavate Vāsudevāya" or "Om Gam Ganapataye Namaha". Those last two start with the syllable "Om", and indeed some people prefer to just use that syllable, repeating a single syllable over and over again until they reach a state of transcendence. [Excerpt: The Beatles, "Hey Jude" ("na na na na na na na")] We don't know much about how the Beatles first discovered Maharishi Mahesh Yogi, except that it was thanks to Pattie Boyd, George Harrison's then-wife. Unfortunately, her memory of how she first became involved in the Maharishi's Spiritual Regeneration Movement, as described in her autobiography, doesn't fully line up with other known facts. She talks about reading about the Maharishi in the paper with her friend Marie-Lise while George was away on tour, but she also places the date that this happened in February 1967, several months after the Beatles had stopped touring forever. We'll be seeing a lot more of these timing discrepancies as this story progresses, and people's memories increasingly don't match the events that happened to them. Either way, it's clear that Pattie became involved in the Spiritual Regeneration Movement a good length of time before her husband did. She got him to go along with her to one of the Maharishi's lectures, after she had already been converted to the practice of Transcendental Meditation, and they brought along John, Paul, and their partners (Ringo's wife Maureen had just given birth, so they didn't come). As we heard back in episode one hundred and fifty, that lecture was impressive enough that the group, plus their wives and girlfriends (with the exception of Maureen Starkey) and Mick Jagger and Marianne Faithfull, all went on a meditation retreat with the Maharishi at a holiday camp in Bangor, and it was there that they learned that Brian Epstein had been found dead. The death of the man who had guided the group's career could not have come at a worse time for the band's stability.  The group had only recorded one song in the preceding two months -- Paul's "Your Mother Should Know" -- and had basically been running on fumes since completing recording of Sgt Pepper many months earlier. John's drug intake had increased to the point that he was barely functional -- although with the enthusiasm of the newly converted he had decided to swear off LSD at the Maharishi's urging -- and his marriage was falling apart. Similarly, Paul McCartney's relationship with Jane Asher was in a bad state, though both men were trying to repair their damaged relationships, while both George and Ringo were having doubts about the band that had made them famous. In George's case, he was feeling marginalised by John and Paul, his songs ignored or paid cursory attention, and there was less for him to do on the records as the group moved away from making guitar-based rock and roll music into the stranger areas of psychedelia. And Ringo, whose main memory of the recording of Sgt Pepper was of learning to play chess while the others went through the extensive overdubs that characterised that album, was starting to feel like his playing was deteriorating, and that as the only non-writer in the band he was on the outside to an extent. On top of that, the group were in the middle of a major plan to restructure their business. As part of their contract renegotiations with EMI at the beginning of 1967, it had been agreed that they would receive two million pounds -- roughly fifteen million pounds in today's money -- in unpaid royalties as a lump sum. If that had been paid to them as individuals, or through the company they owned, the Beatles Ltd, they would have had to pay the full top rate of tax on it, which as George had complained the previous year was over ninety-five percent. (In fact, he'd been slightly exaggerating the generosity of the UK tax system to the rich, as at that point the top rate of income tax was somewhere around ninety-seven and a half percent). But happily for them, a couple of years earlier the UK had restructured its tax laws and introduced a corporation tax, which meant that the profits of corporations were no longer taxed at the same high rate as income. So a new company had been set up, The Beatles & Co, and all the group's non-songwriting income was paid into the company. Each Beatle owned five percent of the company, and the other eighty percent was owned by a new partnership, a corporation that was soon renamed Apple Corps -- a name inspired by a painting that McCartney had liked by the artist Rene Magritte. In the early stages of Apple, it was very entangled with Nems, the company that was owned by Brian and Clive Epstein, and which was in the process of being sold to Robert Stigwood, though that sale fell through after Brian's death. The first part of Apple, Apple Publishing, had been set up in the summer of 1967, and was run by Terry Doran, a friend of Epstein's who ran a motor dealership -- most of the Apple divisions would be run by friends of the group rather than by people with experience in the industries in question. As Apple was set up during the point that Stigwood was getting involved with NEMS, Apple Publishing's initial offices were in the same building with, and shared staff with, two publishing companies that Stigwood owned, Dratleaf Music, who published Cream's songs, and Abigail Music, the Bee Gees' publishers. And indeed the first two songs published by Apple were copyrights that were gifted to the company by Stigwood -- "Listen to the Sky", a B-side by an obscure band called Sands: [Excerpt: Sands, "Listen to the Sky"] And "Outside Woman Blues", an arrangement by Eric Clapton of an old blues song by Blind Joe Reynolds, which Cream had copyrighted separately and released on Disraeli Gears: [Excerpt: Cream, "Outside Woman Blues"] But Apple soon started signing outside songwriters -- once Mike Berry, a member of Apple Publishing's staff, had sat McCartney down and explained to him what music publishing actually was, something he had never actually understood even though he'd been a songwriter for five years. Those songwriters, given that this was 1967, were often also performers, and as Apple Records had not yet been set up, Apple would try to arrange recording contracts for them with other labels. They started with a group called Focal Point, who got signed by badgering Paul McCartney to listen to their songs until he gave them Doran's phone number to shut them up: [Excerpt: Focal Point, "Sycamore Sid"] But the big early hope for Apple Publishing was a songwriter called George Alexander. Alexander's birth name had been Alexander Young, and he was the brother of George Young, who was a member of the Australian beat group The Easybeats, who'd had a hit with "Friday on My Mind": [Excerpt: The Easybeats, "Friday on My Mind"] His younger brothers Malcolm and Angus would go on to have a few hits themselves, but AC/DC wouldn't be formed for another five years. Terry Doran thought that Alexander should be a member of a band, because bands were more popular than solo artists at the time, and so he was placed with three former members of Tony Rivers and the Castaways, a Beach Boys soundalike group that had had some minor success. John Lennon suggested that the group be named Grapefruit, after a book he was reading by a conceptual artist of his acquaintance named Yoko Ono, and as Doran was making arrangements with Terry Melcher for a reciprocal publishing deal by which Melcher's American company would publish Apple songs in the US while Apple published songs from Melcher's company in the UK, it made sense for Melcher to also produce Grapefruit's first single, "Dear Delilah": [Excerpt: Grapefruit, "Dear Delilah"] That made number twenty-one in the UK when it came out in early 1968, on the back of publicity about Grapefruit's connection with the Beatles, but future singles by the band were much less successful, and like several other acts involved with Apple, they found that they were more hampered by the Beatles connection than helped. A few other people were signed to Apple Publishing early on, of whom the most notable was Jackie Lomax. Lomax had been a member of a minor Merseybeat group, the Undertakers, and after they had split up, he'd been signed by Brian Epstein with a new group, the Lomax Alliance, who had released one single, "Try as You May": [Excerpt: The Lomax Alliance, "Try As You May"] After Epstein's death, Lomax had plans to join another band, being formed by another Merseybeat musician, Chris Curtis, the former drummer of the Searchers. But after going to the Beatles to talk with them about them helping the new group financially, Lomax was persuaded by John Lennon to go solo instead. He may later have regretted that decision, as by early 1968 the people that Curtis had recruited for his new band had ditched him and were making a name for themselves as Deep Purple. Lomax recorded one solo single with funding from Stigwood, a cover version of a song by an obscure singer-songwriter, Jake Holmes, "Genuine Imitation Life": [Excerpt: Jackie Lomax, "Genuine Imitation Life"] But he was also signed to Apple Publishing as a songwriter. The Beatles had only just started laying out plans for Apple when Epstein died, and other than the publishing company one of the few things they'd agreed on was that they were going to have a film company, which was to be run by Denis O'Dell, who had been an associate producer on A Hard Day's Night and on How I Won The War, the Richard Lester film Lennon had recently starred in. A few days after Epstein's death, they had a meeting, in which they agreed that the band needed to move forward quickly if they were going to recover from Epstein's death. They had originally been planning on going to India with the Maharishi to study meditation, but they decided to put that off until the new year, and to press forward with a film project Paul had been talking about, to be titled Magical Mystery Tour. And so, on the fifth of September 1967, they went back into the recording studio and started work on a song of John's that was earmarked for the film, "I am the Walrus": [Excerpt: The Beatles, "I am the Walrus"] Magical Mystery Tour, the film, has a mixed reputation which we will talk about shortly, but one defence that Paul McCartney has always made of it is that it's the only place where you can see the Beatles performing "I am the Walrus". While the song was eventually relegated to a B-side, it's possibly the finest B-side of the Beatles' career, and one of the best tracks the group ever made. As with many of Lennon's songs from this period, the song was a collage of many different elements pulled from his environment and surroundings, and turned into something that was rather more than the sum of its parts. For its musical inspiration, Lennon pulled from, of all things, a police siren going past his house. (For those who are unfamiliar with what old British police sirens sounded like, as opposed to the ones in use for most of my lifetime or in other countries, here's a recording of one): [Excerpt: British police siren ca 1968] That inspired Lennon to write a snatch of lyric to go with the sound of the siren, starting "Mister city policeman sitting pretty". He had two other song fragments, one about sitting in the garden, and one about sitting on a cornflake, and he told Hunter Davies, who was doing interviews for his authorised biography of the group, “I don't know how it will all end up. Perhaps they'll turn out to be different parts of the same song.” But the final element that made these three disparate sections into a song was a letter that came from Stephen Bayley, a pupil at Lennon's old school Quarry Bank, who told him that the teachers at the school -- who Lennon always thought of as having suppressed his creativity -- were now analysing Beatles lyrics in their lessons. Lennon decided to come up with some nonsense that they couldn't analyse -- though as nonsensical as the finished song is, there's an underlying anger to a lot of it that possibly comes from Lennon thinking of his school experiences. And so Lennon asked his old schoolfriend Pete Shotton to remind him of a disgusting playground chant that kids used to sing in schools in the North West of England (and which they still sang with very minor variations at my own school decades later -- childhood folklore has a remarkably long life). That rhyme went: Yellow matter custard, green snot pie All mixed up with a dead dog's eye Slap it on a butty, nice and thick, And drink it down with a cup of cold sick Lennon combined some parts of this with half-remembered fragments of Lewis Carrol's The Walrus and the Carpenter, and with some punning references to things that were going on in his own life and those of his friends -- though it's difficult to know exactly which of the stories attached to some of the more incomprehensible bits of the lyrics are accurate. The story that the line "I am the eggman" is about a sexual proclivity of Eric Burdon of the Animals seems plausible, while the contention by some that the phrase "semolina pilchard" is a reference to Sgt Pilcher, the corrupt policeman who had arrested three of the Rolling Stones, and would later arrest Lennon, on drugs charges, seems less likely. The track is a masterpiece of production, but the release of the basic take on Anthology 2 in 1996 showed that the underlying performance, before George Martin worked his magic with the overdubs, is still a remarkable piece of work: [Excerpt: The Beatles, "I am the Walrus (Anthology 2 version)"] But Martin's arrangement and production turned the track from a merely very good track into a masterpiece. The string arrangement, very much in the same mould as that for "Strawberry Fields Forever" but giving a very different effect with its harsh cello glissandi, is the kind of thing one expects from Martin, but there's also the chanting of the Mike Sammes Singers, who were more normally booked for sessions like Englebert Humperdinck's "The Last Waltz": [Excerpt: Engelbert Humperdinck, "The Last Waltz"] But here were instead asked to imitate the sound of the strings, make grunting noises, and generally go very far out of their normal comfort zone: [Excerpt: The Beatles, "I am the Walrus"] But the most fascinating piece of production in the entire track is an idea that seems to have been inspired by people like John Cage -- a live feed of a radio being tuned was played into the mono mix from about the halfway point, and whatever was on the radio at the time was captured: [Excerpt: The Beatles, "I am the Walrus"] This is also why for many decades it was impossible to have a true stereo mix of the track -- the radio part was mixed directly into the mono mix, and it wasn't until the 1990s that someone thought to track down a copy of the original radio broadcasts and recreate the process. In one of those bits of synchronicity that happen more often than you would think when you're creating aleatory art, and which are why that kind of process can be so appealing, one bit of dialogue from the broadcast of King Lear that was on the radio as the mixing was happening was *perfectly* timed: [Excerpt: The Beatles, "I am the Walrus"] After completing work on the basic track for "I am the Walrus", the group worked on two more songs for the film, George's "Blue Jay Way" and a group-composed twelve-bar blues instrumental called "Flying", before starting production. Magical Mystery Tour, as an idea, was inspired in equal parts by Ken Kesey's Merry Pranksters, the collective of people we talked about in the episode on the Grateful Dead who travelled across the US extolling the virtues of psychedelic drugs, and by mystery tours, a British working-class tradition that has rather fallen out of fashion in the intervening decades. A mystery tour would generally be put on by a coach-hire company, and would be a day trip to an unannounced location -- though the location would in fact be very predictable, and would be a seaside town within a couple of hours' drive of its starting point. In the case of the ones the Beatles remembered from their own childhoods, this would be to a coastal town in Lancashire or Wales, like Blackpool, Rhyl, or Prestatyn. A coachload of people would pay to be driven to this random location, get very drunk and have a singsong on the bus, and spend a day wherever they were taken. McCartney's plan was simple -- they would gather a group of passengers and replicate this experience over the course of several days, and film whatever went on, but intersperse that with more planned out sketches and musical numbers. For this reason, along with the Beatles and their associates, the cast included some actors found through Spotlight and some of the group's favourite performers, like the comedian Nat Jackley (whose comedy sequence directed by John was cut from the final film) and the surrealist poet/singer/comedian Ivor Cutler: [Excerpt: Ivor Cutler, "I'm Going in a Field"] The film also featured an appearance by a new band who would go on to have great success over the next year, the Bonzo Dog Doo-Dah Band. They had recorded their first single in Abbey Road at the same time as the Beatles were recording Revolver, but rather than being progressive psychedelic rock, it had been a remake of a 1920s novelty song: [Excerpt: The Bonzo Dog Doo-Dah Band, "My Brother Makes the Noises For the Talkies"] Their performance in Magical Mystery Tour was very different though -- they played a fifties rock pastiche written by band leaders Vivian Stanshall and Neil Innes while a stripper took off her clothes. While several other musical sequences were recorded for the film, including one by the band Traffic and one by Cutler, other than the Beatles tracks only the Bonzos' song made it into the finished film: [Excerpt: The Bonzo Dog Doo-Dah Band, "Death Cab for Cutie"] That song, thirty years later, would give its name to a prominent American alternative rock band. Incidentally the same night that Magical Mystery Tour was first broadcast was also the night that the Bonzo Dog Doo-Dah Band first appeared on a TV show, Do Not Adjust Your Set, which featured three future members of the Monty Python troupe -- Eric Idle, Michael Palin, and Terry Jones. Over the years the careers of the Bonzos, the Pythons, and the Beatles would become increasingly intertwined, with George Harrison in particular striking up strong friendships and working relationships with Bonzos Neil Innes and "Legs" Larry Smith. The filming of Magical Mystery Tour went about as well as one might expect from a film made by four directors, none of whom had any previous filmmaking experience, and none of whom had any business knowledge. The Beatles were used to just turning up and having things magically done for them by other people, and had no real idea of the infrastructure challenges that making a film, even a low-budget one, actually presents, and ended up causing a great deal of stress to almost everyone involved. The completed film was shown on TV on Boxing Day 1967 to general confusion and bemusement. It didn't help that it was originally broadcast in black and white, and so for example the scene showing shifting landscapes (outtake footage from Stanley Kubrick's Dr. Strangelove, tinted various psychedelic colours) over the "Flying" music, just looked like grey fuzz. But also, it just wasn't what people were expecting from a Beatles film. This was a ramshackle, plotless, thing more inspired by Andy Warhol's underground films than by the kind of thing the group had previously appeared in, and it was being presented as Christmas entertainment for all the family. And to be honest, it's not even a particularly good example of underground filmmaking -- though it looks like a masterpiece when placed next to something like the Bee Gees' similar effort, Cucumber Castle. But there are enough interesting sequences in there for the project not to be a complete failure -- and the deleted scenes on the DVD release, including the performances by Cutler and Traffic, and the fact that the film was edited down from ten hours to fifty-two minutes, makes one wonder if there's a better film that could be constructed from the original footage. Either way, the reaction to the film was so bad that McCartney actually appeared on David Frost's TV show the next day to defend it and, essentially, apologise. While they were editing the film, the group were also continuing to work in the studio, including on two new McCartney songs, "The Fool on the Hill", which was included in Magical Mystery Tour, and "Hello Goodbye", which wasn't included on the film's soundtrack but was released as the next single, with "I Am the Walrus" as the B-side: [Excerpt: The Beatles, "Hello Goodbye"] Incidentally, in the UK the soundtrack to Magical Mystery Tour was released as a double-EP rather than as an album (in the US, the group's recent singles and B-sides were added to turn it into a full-length album, which is how it's now generally available). "I Am the Walrus" was on the double-EP as well as being on the single's B-side, and the double-EP got to number two on the singles charts, meaning "I am the Walrus" was on the records at number one and number two at the same time. Before it became obvious that the film, if not the soundtrack, was a disaster, the group held a launch party on the twenty-first of December, 1967. The band members went along in fancy dress, as did many of the cast and crew -- the Bonzo Dog Doo-Dah Band performed at the party. Mike Love and Bruce Johnston of the Beach Boys also turned up at the party, and apparently at one point jammed with the Bonzos, and according to some, but not all, reports, a couple of the Beatles joined in as well. Love and Johnston had both just met the Maharishi for the first time a couple of days earlier, and Love had been as impressed as the Beatles were, and it may have been at this party that the group mentioned to Love that they would soon be going on a retreat in India with the guru -- a retreat that was normally meant for training TM instructors, but this time seemed to be more about getting celebrities involved. Love would also end up going with them. That party was also the first time that Cynthia Lennon had an inkling that John might not be as faithful to her as she previously supposed. John had always "joked" about being attracted to George Harrison's wife, Patti, but this time he got a little more blatant about his attraction than he ever had previously, to the point that he made Cynthia cry, and Cynthia's friend, the pop star Lulu, decided to give Lennon a very public dressing-down for his cruelty to his wife, a dressing-down that must have been a sight to behold, as Lennon was dressed as a Teddy boy while Lulu was in a Shirley Temple costume. It's a sign of how bad the Lennons' marriage was at this point that this was the second time in a two-month period where Cynthia had ended up crying because of John at a film launch party and been comforted by a female pop star. In October, Cilla Black had held a party to celebrate the belated release of John's film How I Won the War, and during the party Georgie Fame had come up to Black and said, confused, "Cynthia Lennon is hiding in your wardrobe". Black went and had a look, and Cynthia explained to her “I'm waiting to see how long it is before John misses me and comes looking for me.” Black's response had been “You'd better face it, kid—he's never gonna come.” Also at the Magical Mystery Tour party was Lennon's father, now known as Freddie Lennon, and his new nineteen-year-old fiancee. While Hunter Davis had been researching the Beatles' biography, he'd come across some evidence that the version of Freddie's attitude towards John that his mother's side of the family had always told him -- that Freddie had been a cruel and uncaring husband who had not actually wanted to be around his son -- might not be the whole of the truth, and that the mother who he had thought of as saintly might also have had some part to play in their marriage breaking down and Freddie not seeing his son for twenty years. The two had made some tentative attempts at reconciliation, and indeed Freddie would even come and live with John for a while, though within a couple of years the younger Lennon's heart would fully harden against his father again. Of course, the things that John always resented his father for were pretty much exactly the kind of things that Lennon himself was about to do. It was around this time as well that Derek Taylor gave the Beatles copies of the debut album by a young singer/songwriter named Harry Nilsson. Nilsson will be getting his own episode down the line, but not for a couple of years at my current rates, so it's worth bringing that up here, because that album became a favourite of all the Beatles, and would have a huge influence on their songwriting for the next couple of years, and because one song on the album, "1941", must have resonated particularly deeply with Lennon right at this moment -- an autobiographical song by Nilsson about how his father had left him and his mother when he was a small boy, and about his own fear that, as his first marriage broke down, he was repeating the pattern with his stepson Scott: [Excerpt: Nilsson, "1941"] The other major event of December 1967, rather overshadowed by the Magical Mystery Tour disaster the next day, was that on Christmas Day Paul McCartney and Jane Asher announced their engagement. A few days later, George Harrison flew to India. After John and Paul had had their outside film projects -- John starring in How I Won The War and Paul doing the soundtrack for The Family Way -- the other two Beatles more or less simultaneously did their own side project films, and again one acted while the other did a soundtrack. Both of these projects were in the rather odd subgenre of psychedelic shambolic comedy film that sprang up in the mid sixties, a subgenre that produced a lot of fascinating films, though rather fewer good ones. Indeed, both of them were in the subsubgenre of shambolic psychedelic *sex* comedies. In Ringo's case, he had a small role in the film Candy, which was based on the novel we mentioned in the last episode, co-written by Terry Southern, which was in itself a loose modern rewriting of Voltaire's Candide. Unfortunately, like such other classics of this subgenre as Anthony Newley's Can Heironymus Merkin Ever Forget Mercy Humppe and Find True Happiness?, Candy has dated *extremely* badly, and unless you find repeated scenes of sexual assault and rape, ethnic stereotypes, and jokes about deformity and disfigurement to be an absolute laugh riot, it's not a film that's worth seeking out, and Starr's part in it is not a major one. Harrison's film was of the same basic genre -- a film called Wonderwall about a mad scientist who discovers a way to see through the walls of his apartment, and gets to see a photographer taking sexy photographs of a young woman named Penny Lane, played by Jane Birkin: [Excerpt: Some Wonderwall film dialogue ripped from the Blu-Ray] Wonderwall would, of course, later inspire the title of a song by Oasis, and that's what the film is now best known for, but it's a less-unwatchable film than Candy, and while still problematic it's less so. Which is something. Harrison had been the Beatle with least involvement in Magical Mystery Tour -- McCartney had been the de facto director, Starr had been the lead character and the only one with much in the way of any acting to do, and Lennon had written the film's standout scene and its best song, and had done a little voiceover narration. Harrison, by contrast, barely has anything to do in the film apart from the one song he contributed, "Blue Jay Way", and he said of the project “I had no idea what was happening and maybe I didn't pay enough attention because my problem, basically, was that I was in another world, I didn't really belong; I was just an appendage.” He'd expressed his discomfort to his friend Joe Massot, who was about to make his first feature film. Massot had got to know Harrison during the making of his previous film, Reflections on Love, a mostly-silent short which had starred Harrison's sister-in-law Jenny Boyd, and which had been photographed by Robert Freeman, who had been the photographer for the Beatles' album covers from With the Beatles through Rubber Soul, and who had taken most of the photos that Klaus Voorman incorporated into the cover of Revolver (and whose professional association with the Beatles seemed to come to an end around the same time he discovered that Lennon had been having an affair with his wife). Massot asked Harrison to write the music for the film, and told Harrison he would have complete free rein to make whatever music he wanted, so long as it fit the timing of the film, and so Harrison decided to create a mixture of Western rock music and the Indian music he loved. Harrison started recording the music at the tail end of 1967, with sessions with several London-based Indian musicians and John Barham, an orchestrator who had worked with Ravi Shankar on Shankar's collaborations with Western musicians, including the Alice in Wonderland soundtrack we talked about in the "All You Need is Love" episode. For the Western music, he used the Remo Four, a Merseybeat group who had been on the scene even before the Beatles, and which contained a couple of classmates of Paul McCartney, but who had mostly acted as backing musicians for other artists. They'd backed Johnny Sandon, the former singer with the Searchers, on a couple of singles, before becoming the backing band for Tommy Quickly, a NEMS artist who was unsuccessful despite starting his career with a Lennon/McCartney song, "Tip of My Tongue": [Excerpt: Tommy Quickly, "Tip of My Tongue"] The Remo Four would later, after a lineup change, become Ashton, Gardner and Dyke, who would become one-hit wonders in the seventies, and during the Wonderwall sessions they recorded a song that went unreleased at the time, and which would later go on to be rerecorded by Ashton, Gardner, and Dyke. "In the First Place" also features Harrison on backing vocals and possibly guitar, and was not submitted for the film because Harrison didn't believe that Massot wanted any vocal tracks, but the recording was later discovered and used in a revised director's cut of the film in the nineties: [Excerpt: The Remo Four, "In the First Place"] But for the most part the Remo Four were performing instrumentals written by Harrison. They weren't the only Western musicians performing on the sessions though -- Peter Tork of the Monkees dropped by these sessions and recorded several short banjo solos, which were used in the film soundtrack but not in the soundtrack album (presumably because Tork was contracted to another label): [Excerpt: Peter Tork, "Wonderwall banjo solo"] Another musician who was under contract to another label was Eric Clapton, who at the time was playing with The Cream, and who vaguely knew Harrison and so joined in for the track "Ski-ing", playing lead guitar under the cunning, impenetrable, pseudonym "Eddie Clayton", with Harrison on sitar, Starr on drums, and session guitarist Big Jim Sullivan on bass: [Excerpt: George Harrison, "Ski-ing"] But the bulk of the album was recorded in EMI's studios in the city that is now known as Mumbai but at the time was called Bombay. The studio facilities in India had up to that point only had a mono tape recorder, and Bhaskar Menon, one of the top executives at EMI's Indian division and later the head of EMI music worldwide, personally brought the first stereo tape recorder to the studio to aid in Harrison's recording. The music was all composed by Harrison and performed by the Indian musicians, and while Harrison was composing in an Indian mode, the musicians were apparently fascinated by how Western it sounded to them: [Excerpt: George Harrison, "Microbes"] While he was there, Harrison also got the instrumentalists to record another instrumental track, which wasn't to be used for the film: [Excerpt: George Harrison, "The Inner Light (instrumental)"] That track would, instead, become part of what was to be Harrison's first composition to make a side of a Beatles single. After John and George had appeared on the David Frost show talking about the Maharishi, in September 1967, George had met a lecturer in Sanskrit named Juan Mascaró, who wrote to Harrison enclosing a book he'd compiled of translations of religious texts, telling him he'd admired "Within You Without You" and thought it would be interesting if Harrison set something from the Tao Te Ching to music. He suggested a text that, in his translation, read: "Without going out of my door I can know all things on Earth Without looking out of my window I can know the ways of heaven For the farther one travels, the less one knows The sage, therefore Arrives without travelling Sees all without looking Does all without doing" Harrison took that text almost verbatim, though he created a second verse by repeating the first few lines with "you" replacing "I" -- concerned that listeners might think he was just talking about himself, and wouldn't realise it was a more general statement -- and he removed the "the sage, therefore" and turned the last few lines into imperative commands rather than declarative statements: [Excerpt: The Beatles, "The Inner Light"] The song has come in for some criticism over the years as being a little Orientalist, because in critics' eyes it combines Chinese philosophy with Indian music, as if all these things are equally "Eastern" and so all the same really. On the other hand there's a good argument that an English songwriter taking a piece of writing written in Chinese and translated into English by a Spanish man and setting it to music inspired by Indian musical modes is a wonderful example of cultural cross-pollination. As someone who's neither Chinese nor Indian I wouldn't want to take a stance on it, but clearly the other Beatles were impressed by it -- they put it out as the B-side to their next single, even though the only Beatles on it are Harrison and McCartney, with the latter adding a small amount of harmony vocal: [Excerpt: The Beatles, "The Inner Light"] And it wasn't because the group were out of material. They were planning on going to Rishikesh to study with the Maharishi, and wanted to get a single out for release while they were away, and so in one week they completed the vocal overdubs on "The Inner Light" and recorded three other songs, two by John and one by Paul. All three of the group's songwriters brought in songs that were among their best. John's first contribution was a song whose lyrics he later described as possibly the best he ever wrote, "Across the Universe". He said the lyrics were “purely inspirational and were given to me as boom! I don't own it, you know; it came through like that … Such an extraordinary meter and I can never repeat it! It's not a matter of craftsmanship, it wrote itself. It drove me out of bed. I didn't want to write it … It's like being possessed, like a psychic or a medium.” But while Lennon liked the song, he was never happy with the recording of it. They tried all sorts of things to get the sound he heard in his head, including bringing in some fans who were hanging around outside to sing backing vocals. He said of the track "I was singing out of tune and instead of getting a decent choir, we got fans from outside, Apple Scruffs or whatever you call them. They came in and were singing all off-key. Nobody was interested in doing the tune originally.” [Excerpt: The Beatles, "Across the Universe"] The "jai guru deva" chorus there is the first reference to the teachings of the Maharishi in one of the Beatles' records -- Guru Dev was the Maharishi's teacher, and the phrase "Jai guru dev" is a Sanskrit one which I've seen variously translated as "victory to the great teacher", and "hail to the greatness within you". Lennon would say shortly before his death “The Beatles didn't make a good record out of it. I think subconsciously sometimes we – I say ‘we' though I think Paul did it more than the rest of us – Paul would sort of subconsciously try and destroy a great song … Usually we'd spend hours doing little detailed cleaning-ups of Paul's songs, when it came to mine, especially if it was a great song like ‘Strawberry Fields' or ‘Across The Universe', somehow this atmosphere of looseness and casualness and experimentation would creep in … It was a _lousy_ track of a great song and I was so disappointed by it …The guitars are out of tune and I'm singing out of tune because I'm psychologically destroyed and nobody's supporting me or helping me with it, and the song was never done properly.” Of course, this is only Lennon's perception, and it's one that the other participants would disagree with. George Martin, in particular, was always rather hurt by the implication that Lennon's songs had less attention paid to them, and he would always say that the problem was that Lennon in the studio would always say "yes, that's great", and only later complain that it hadn't been what he wanted. No doubt McCartney did put in more effort on his own songs than on Lennon's -- everyone has a bias towards their own work, and McCartney's only human -- but personally I suspect that a lot of the problem comes down to the two men having very different personalities. McCartney had very strong ideas about his own work and would drive the others insane with his nitpicky attention to detail. Lennon had similarly strong ideas, but didn't have the attention span to put the time and effort in to force his vision on others, and didn't have the technical knowledge to express his ideas in words they'd understand. He expected Martin and the other Beatles to work miracles, and they did -- but not the miracles he would have worked. That track was, rather than being chosen for the next single, given to Spike Milligan, who happened to be visiting the studio and was putting together an album for the environmental charity the World Wildlife Fund. The album was titled "No One's Gonna Change Our World": [Excerpt: The Beatles, "Across the Universe"] That track is historic in another way -- it would be the last time that George Harrison would play sitar on a Beatles record, and it effectively marks the end of the period of psychedelia and Indian influence that had started with "Norwegian Wood" three years earlier, and which many fans consider their most creative period. Indeed, shortly after the recording, Harrison would give up the sitar altogether and stop playing it. He loved sitar music as much as he ever had, and he still thought that Indian classical music spoke to him in ways he couldn't express, and he continued to be friends with Ravi Shankar for the rest of his life, and would only become more interested in Indian religious thought. But as he spent time with Shankar he realised he would never be as good on the sitar as he hoped. He said later "I thought, 'Well, maybe I'm better off being a pop singer-guitar-player-songwriter – whatever-I'm-supposed-to-be' because I've seen a thousand sitar-players in India who are twice as better as I'll ever be. And only one of them Ravi thought was going to be a good player." We don't have a precise date for when it happened -- I suspect it was in June 1968, so a few months after the "Across the Universe" recording -- but Shankar told Harrison that rather than try to become a master of a music that he hadn't encountered until his twenties, perhaps he should be making the music that was his own background. And as Harrison put it "I realised that was riding my bike down a street in Liverpool and hearing 'Heartbreak Hotel' coming out of someone's house.": [Excerpt: Elvis Presley, "Heartbreak Hotel"] In early 1968 a lot of people seemed to be thinking along the same lines, as if Christmas 1967 had been the flick of a switch and instead of whimsy and ornamentation, the thing to do was to make music that was influenced by early rock and roll. In the US the Band and Bob Dylan were making music that was consciously shorn of all studio experimentation, while in the UK there was a revival of fifties rock and roll. In April 1968 both "Peggy Sue" and "Rock Around the Clock" reentered the top forty in the UK, and the Who were regularly including "Summertime Blues" in their sets. Fifties nostalgia, which would make occasional comebacks for at least the next forty years, was in its first height, and so it's not surprising that Paul McCartney's song, "Lady Madonna", which became the A-side of the next single, has more than a little of the fifties about it. Of course, the track isn't *completely* fifties in its origins -- one of the inspirations for the track seems to have been the Rolling Stones' then-recent hit "Let's Spend The Night Together": [Excerpt: The Rolling Stones, "Let's Spend the Night Together"] But the main source for the song's music -- and for the sound of the finished record -- seems to have been Johnny Parker's piano part on Humphrey Lyttleton's "Bad Penny Blues", a hit single engineered by Joe Meek in the fifties: [Excerpt: Humphrey Lyttleton, "Bad Penny Blues"] That song seems to have been on the group's mind for a while, as a working title for "With a Little Help From My Friends" had at one point been "Bad Finger Blues" -- a title that would later give the name to a band on Apple. McCartney took Parker's piano part as his inspiration, and as he later put it “‘Lady Madonna' was me sitting down at the piano trying to write a bluesy boogie-woogie thing. I got my left hand doing an arpeggio thing with the chord, an ascending boogie-woogie left hand, then a descending right hand. I always liked that, the  juxtaposition of a line going down meeting a line going up." [Excerpt: The Beatles, "Lady Madonna"] That idea, incidentally, is an interesting reversal of what McCartney had done on "Hello, Goodbye", where the bass line goes down while the guitar moves up -- the two lines moving away from each other: [Excerpt: The Beatles, "Hello Goodbye"] Though that isn't to say there's no descending bass in "Lady Madonna" -- the bridge has a wonderful sequence where the bass just *keeps* *descending*: [Excerpt: The Beatles, "Lady Madonna"] Lyrically, McCartney was inspired by a photo in National Geographic of a woman in Malaysia, captioned “Mountain Madonna: with one child at her breast and another laughing into her face, sees her quality of life threatened.” But as he put it “The people I was brought up amongst were often Catholic; there are lots of Catholics in Liverpool because of the Irish connection and they are often religious. When they have a baby I think they see a big connection between themselves and the Virgin Mary with her baby. So the original concept was the Virgin Mary but it quickly became symbolic of every woman; the Madonna image but as applied to ordinary working class woman. It's really a tribute to the mother figure, it's a tribute to women.” Musically though, the song was more a tribute to the fifties -- while the inspiration had been a skiffle hit by Humphrey Lyttleton, as soon as McCartney started playing it he'd thought of Fats Domino, and the lyric reflects that to an extent -- just as Domino's "Blue Monday" details the days of the week for a weary working man who only gets to enjoy himself on Saturday night, "Lady Madonna"'s lyrics similarly look at the work a mother has to do every day -- though as McCartney later noted  "I was writing the words out to learn it for an American TV show and I realised I missed out Saturday ... So I figured it must have been a real night out." The vocal was very much McCartney doing a Domino impression -- something that wasn't lost on Fats, who cut his own version of the track later that year: [Excerpt: Fats Domino, "Lady Madonna"] The group were so productive at this point, right before the journey to India, that they actually cut another song *while they were making a video for "Lady Madonna"*. They were booked into Abbey Road to film themselves performing the song so it could be played on Top of the Pops while they were away, but instead they decided to use the time to cut a new song -- John had a partially-written song, "Hey Bullfrog", which was roughly the same tempo as "Lady Madonna", so they could finish that up and then re-edit the footage to match the record. The song was quickly finished and became "Hey Bulldog": [Excerpt: The Beatles, "Hey Bulldog"] One of Lennon's best songs from this period, "Hey Bulldog" was oddly chosen only to go on the soundtrack of Yellow Submarine. Either the band didn't think much of it because it had come so easily, or it was just assigned to the film because they were planning on being away for several months and didn't have any other projects they were working on. The extent of the group's contribution to the film was minimal – they were not very hands-on, and the film, which was mostly done as an attempt to provide a third feature film for their United Artists contract without them having to do any work, was made by the team that had done the Beatles cartoon on American TV. There's some evidence that they had a small amount of input in the early story stages, but in general they saw the cartoon as an irrelevance to them -- the only things they contributed were the four songs "All Together Now", "It's All Too Much", "Hey Bulldog" and "Only a Northern Song", and a brief filmed appearance for the very end of the film, recorded in January: [Excerpt: Yellow Submarine film end] McCartney also took part in yet another session in early February 1968, one produced by Peter Asher, his fiancee's brother, and former singer with Peter and Gordon. Asher had given up on being a pop star and was trying to get into the business side of music, and he was starting out as a producer, producing a single by Paul Jones, the former lead singer of Manfred Mann. The A-side of the single, "And the Sun Will Shine", was written by the Bee Gees, the band that Robert Stigwood was managing: [Excerpt: Paul Jones, "And the Sun Will Shine"] While the B-side was an original by Jones, "The Dog Presides": [Excerpt: Paul Jones, "The Dog Presides"] Those tracks featured two former members of the Yardbirds, Jeff Beck and Paul Samwell-Smith, on guitar and bass, and Nicky Hopkins on piano. Asher asked McCartney to play drums on both sides of the single, saying later "I always thought he was a great, underrated drummer." McCartney was impressed by Asher's production, and asked him to get involved with the new Apple Records label that would be set up when the group returned from India. Asher eventually became head of A&R for the label. And even before "Lady Madonna" was mixed, the Beatles were off to India. Mal Evans, their roadie, went ahead with all their luggage on the fourteenth of February, so he could sort out transport for them on the other end, and then John and George followed on the fifteenth, with their wives Pattie and Cynthia and Pattie's sister Jenny (John and Cynthia's son Julian had been left with his grandmother while they went -- normally Cynthia wouldn't abandon Julian for an extended period of time, but she saw the trip as a way to repair their strained marriage). Paul and Ringo followed four days later, with Ringo's wife Maureen and Paul's fiancee Jane Asher. The retreat in Rishikesh was to become something of a celebrity affair. Along with the Beatles came their friend the singer-songwriter Donovan, and Donovan's friend and songwriting partner, whose name I'm not going to say here because it's a slur for Romani people, but will be known to any Donovan fans. Donovan at this point was also going through changes. Like the Beatles, he was largely turning away from drug use and towards meditation, and had recently written his hit single "There is a Mountain" based around a saying from Zen Buddhism: [Excerpt: Donovan, "There is a Mountain"] That was from his double-album A Gift From a Flower to a Garden, which had come out in December 1967. But also like John and Paul he was in the middle of the breakdown of a long-term relationship, and while he would remain with his then-partner until 1970, and even have another child with her, he was secretly in love with another woman. In fact he was secretly in love with two other women. One of them, Brian Jones' ex-girlfriend Linda, had moved to LA, become the partner of the singer Gram Parsons, and had appeared in the documentary You Are What You Eat with the Band and Tiny Tim. She had fallen out of touch with Donovan, though she would later become his wife. Incidentally, she had a son to Brian Jones who had been abandoned by his rock-star father -- the son's name is Julian. The other woman with whom Donovan was in love was Jenny Boyd, the sister of George Harrison's wife Pattie.  Jenny at the time was in a relationship with Alexis Mardas, a TV repairman and huckster who presented himself as an electronics genius to the Beatles, who nicknamed him Magic Alex, and so she was unavailable, but Donovan had written a song about her, released as a single just before they all went to Rishikesh: [Excerpt: Donovan, "Jennifer Juniper"] Donovan considered himself and George Harrison to be on similar spiritual paths and called Harrison his "spirit-brother", though Donovan was more interested in Buddhism, which Harrison considered a corruption of the more ancient Hinduism, and Harrison encouraged Donovan to read Autobiography of a Yogi. It's perhaps worth noting that Donovan's father had a different take on the subject though, saying "You're not going to study meditation in India, son, you're following that wee lassie Jenny" Donovan and his friend weren't the only other celebrities to come to Rishikesh. The actor Mia Farrow, who had just been through a painful divorce from Frank Sinatra, and had just made Rosemary's Baby, a horror film directed by Roman Polanski with exteriors shot at the Dakota building in New York, arrived with her sister Prudence. Also on the trip was Paul Horn, a jazz saxophonist who had played with many of the greats of jazz, not least of them Duke Ellington, whose Sweet Thursday Horn had played alto sax on: [Excerpt: Duke Ellington, "Zweet Zursday"] Horn was another musician who had been inspired to investigate Indian spirituality and music simultaneously, and the previous year he had recorded an album, "In India," of adaptations of ragas, with Ravi Shankar and Alauddin Khan: [Excerpt: Paul Horn, "Raga Vibhas"] Horn would go on to become one of the pioneers of what would later be termed "New Age" music, combining jazz with music from various non-Western traditions. Horn had also worked as a session musician, and one of the tracks he'd played on was "I Know There's an Answer" from the Beach Boys' Pet Sounds album: [Excerpt: The Beach Boys, "I Know There's an Answer"] Mike Love, who co-wrote that track and is one of the lead singers on it, was also in Rishikesh. While as we'll see not all of the celebrities on the trip would remain practitioners of Transcendental Meditation, Love would be profoundly affected by the trip, and remains a vocal proponent of TM to this day. Indeed, his whole band at the time were heavily into TM. While Love was in India, the other Beach Boys were working on the Friends album without him -- Love only appears on four tracks on that album -- and one of the tracks they recorded in his absence was titled "Transcendental Meditation": [Excerpt: The Beach Boys, "Transcendental Meditation"] But the trip would affect Love's songwriting, as it would affect all of the musicians there. One of the few songs on the Friends album on which Love appears is "Anna Lee, the Healer", a song which is lyrically inspired by the trip in the most literal sense, as it's about a masseuse Love met in Rishikesh: [Excerpt: The Beach Boys, "Anna Lee, the Healer"] The musicians in the group all influenced and inspired each other as is likely to happen in such circumstances. Sometimes, it would be a matter of trivial joking, as when the Beatles decided to perform an off-the-cuff song about Guru Dev, and did it in the Beach Boys style: [Excerpt: The Beatles, "Spiritual Regeneration"] And that turned partway through into a celebration of Love for his birthday: [Excerpt: The Beatles, "Spiritual Regeneration"] Decades later, Love would return the favour, writing a song about Harrison and their time together in Rishikesh. Like Donovan, Love seems to have considered Harrison his "spiritual brother", and he titled the song "Pisces Brothers": [Excerpt: Mike Love, "Pisces Brothers"] The musicians on the trip were also often making suggestions to each other about songs that would become famous for them. The musicians had all brought acoustic guitars, apart obviously from Ringo, who got a set of tabla drums when George ordered some Indian instruments to be delivered. George got a sitar, as at this point he hadn't quite given up on the instrument, and he gave Donovan a tamboura. Donovan started playing a melody on the tamboura, which is normally a drone instrument, inspired by the Scottish folk music he had grown up with, and that became his "Hurdy-Gurdy Man": [Excerpt: Donovan, "Hurdy Gurdy Man"] Harrison actually helped him with the song, writing a final verse inspired by the Maharishi's teachings, but in the studio Donovan's producer Mickie Most told him to cut the verse because the song was overlong, which apparently annoyed Harrison. Donovan includes that verse in his live performances of the song though -- usually while doing a fairly terrible impersonation of Harrison: [Excerpt: Donovan, "Hurdy Gurdy Man (live)"] And similarly, while McCartney was working on a song pastiching Chuck Berry and the Beach Boys, but singing about the USSR rather than the USA, Love suggested to him that for a middle-eight he might want to sing about the girls in the various Soviet regions: [Excerpt: The Beatles, "Back in the USSR"] As all the guitarists on the retreat only had acoustic instruments, they were very keen to improve their acoustic playing, and they turned to Donovan, who unlike the rest of them was primarily an acoustic player, and one from a folk background. Donovan taught them the rudiments of Travis picking, the guitar style we talked about way back in the episodes on the Everly Brothers, as well as some of the tunings that had been introduced to British folk music by Davey Graham, giving them a basic grounding in the principles of English folk-baroque guitar, a style that had developed over the previous few years. Donovan has said in his autobiography that Lennon picked the technique up quickly (and that Harrison had already learned Travis picking from Chet Atkins records) but that McCartney didn't have the application to learn the style, though he picked up bits. That seems very unlike anything else I've read anywhere about Lennon and McCartney -- no-one has ever accused Lennon of having a surfeit of application -- and reading Donovan's book he seems to dislike McCartney and like Lennon and Harrison, so possibly that enters into it. But also, it may just be that Lennon was more receptive to Donovan's style at the time. According to McCartney, even before going to Rishikesh Lennon had been in a vaguely folk-music and country mode, and the small number of tapes he'd brought with him to Rishikesh included Buddy Holly, Dylan, and the progressive folk band The Incredible String Band, whose music would be a big influence on both Lennon and McCartney for the next year: [Excerpt: The Incredible String Band, "First Girl I Loved"] According to McCartney Lennon also brought "a tape the singer Jake Thackray had done for him... He was one of the people we bumped into at Abbey Road. John liked his stuff, which he'd heard on television. Lots of wordplay and very suggestive, so very much up John's alley. I was fascinated by his unusual guitar style. John did ‘Happiness Is A Warm Gun' as a Jake Thackray thing at one point, as I recall.” Thackray was a British chansonnier, who sang sweetly poignant but also often filthy songs about Yorkshire life, and his humour in particular will have appealed to Lennon. There's a story of Lennon meeting Thackray in Abbey Road and singing the whole of Thackray's song "The Statues", about two drunk men fighting a male statue to defend the honour of a female statue, to him: [Excerpt: Jake Thackray, "The Statues"] Given this was the music that Lennon was listening to, it's unsurprising that he was more receptive to Donovan's lessons, and the new guitar style he learned allowed him to expand his songwriting, at precisely the same time he was largely clean of drugs for the first time in several years, and he started writing some of the best songs he would ever write, often using these new styles: [Excerpt: The Beatles, "Julia"] That song is about Lennon's dead mother -- the first time he ever addressed her directly in a song, though  it would be far from the last -- but it's also about someone else. That phrase "Ocean child" is a direct translation of the Japanese name "Yoko". We've talked about Yoko Ono a bit in recent episodes, and even briefly in a previous Beatles episode, but it's here that she really enters the story of the Beatles. Unfortunately, exactly *how* her relationship with John Lennon, which was to become one of the great legendary love stories in rock and roll history, actually started is the subject of some debate. Both of them were married when they first got together, and there have also been suggestions that Ono was more interested in McCartney than in Lennon at first -- suggestions which everyone involved has denied, and those denials have the ring of truth about them, but if that was the case it would also explain some of Lennon's more perplexing behaviour over the next year. By all accounts there was a certain amount of finessing of the story th

Avec Antho, Marie-Lise, François et Matt Et bien le bonjour ! D'habitude on ne fait pas trop les marronniers mais cette semaine, j'avais envie de jouer avec les miss France. Et c'était très cool. Enjoy^^ Marcus Et voici la description pour les moteurs de recherches, si vous êtes un humain ou apparenté, pas la peine de lire ce qui suit : Pas de réponse à Koh Lanta, maman j ai raté l'avion, le grinch (avec Jim Carrey), Édouard Philippe moins drôle que Jacques Chirac, irisflip, poker en ligne, dorito pense aux misophones, fooddigging, code de la route, la migration , les congés payés, Carrefour, et les Sables d'Olonne, Pas de question McDonald's aujourd'hui Le thème du jour : miss France Au programme : des quizz, de la digression et des postillons sur les bonnettes de micro. présenté par Marc, avec Matt, Marie-Lise , Anthony et François, tous les 5 issus de Cholet, Nueil les Aubiers et Angers. Si vous êtes amateur de Les Grosses têtes ou du Floodcast, vous allez adorez Culture et Postillons ! --- Send in a voice message: https://podcasters.spotify.com/pod/show/cultureetpostillons/message

Et bien le bonjour ! Nouvelle épisode avec Matt, Karim, Marie-Lise et François. On va pas tout spoiler, mais sincèrement, cette émission est bien cool ! On a ri, mais on a ri.... Si tu aussi ça te fais marrer, abonne toi, ça nous fait hyper plaisir Enjoy^^   Marcus   Si vous êtes amateur de Les Grosses têtes ou du Floodcast, vous allez adorez Culture et Postillons ! --- Send in a voice message: https://podcasters.spotify.com/pod/show/cultureetpostillons/message

Et bien le bonjour ! Comment te portes-tu ? Nouvel épisode, on est mardi, tu commences à connaitre la chanson. On parle de Koh Lantha, de la star'Ac, de glabelle et de taroupe, de la nouvelle Marianne, des anciennes Marianne... On a tous été surpris par la forme de Karim. Et vous ? C'est toujours moi qui anime et cette fois-ci, je suis accompagné de Marie-Lise, de François, de Matt et évidemmentd e Karim ! Enjoy^^ Marcus --- Send in a voice message: https://podcasters.spotify.com/pod/show/cultureetpostillons/message

Et bien le bonjour ! Nouvel épisode de C&P. J'aime bien ce sigle. Vous saviez que ce n'est pas un acronyme ? Vous connaissez la différence ? Vous voulez que je pose la question un futur épisode ? Bref, dans ce nouveau bouillon de culture qu'on vous offre chaque semaine, on parle des anecdotes sur les chansons, de paquets de cigarettes, du Brésil (un peu) et de bateau (un peu aussi). C'est encore moi qui anime et je suis avec Karim (un peu excité), Thibault, Marie Lise et Antho. Enjoy^^ Marcus --- Send in a voice message: https://podcasters.spotify.com/pod/show/cultureetpostillons/message

Et bien le bonjour ! Ca roule ? Nouvel épisode tout chaud pour passer une heure ensemble pendant les vacances si tu en as ! C'est le retour de Thibault et la première de Marie-Lise, et puis il y a les indéboulonnables Karim et Antho. On parle de dickypedia, de wokopedia, du nouveau film de Toledano et Nakache, de la route du Rhum ou encore de comodo... Le thème du jour : les anecdotes autour des chansons ! Enjoy^^ Marcus Si vous êtes amateurs des Grosses Têtes ou du floodcast, vous allez adorer Culture et Postillons. --- Send in a voice message: https://podcasters.spotify.com/pod/show/cultureetpostillons/message

Nous plongerons au cœur d'un sujet profond et mystique : la nuit noire de l'âme. Marie Lise Labonté, thérapeute renommée et auteure de plusieurs ouvrages sur le développement personnel, nous guidera à travers ce voyage intérieur. Elle partagera ses connaissances et ses expériences personnelles sur cette phase de la vie spirituelle où tout semble perdu, où l'individu ressent un vide intérieur profond, une obscurité qui semble sans fin. La nuit noire de l'âme, souvent méconnue, est pourtant une étape cruciale sur le chemin de l'éveil spirituel. Elle représente ce moment de doute, de remise en question, où l'ancien moi doit mourir pour laisser place à une nouvelle version de soi, plus éclairée. Marie Lise Labonté nous offrira des outils et des conseils pour traverser cette période difficile, pour comprendre ses enjeux et finalement en sortir grandi. Elle nous rappellera que même dans les moments les plus sombres, il y a toujours une lumière qui nous attend.

Online Gudstjeneste fra Pinsemenigheten Betel Trondheim. Talere er: Berit Marie Strand, Lise Vindsetmo og Armel Mbuebue Vil du hjelpe til med streaming ta gjerne kontakt på: betelmedia@beteltrondheim.no Podcast finner du på Spotify og andre podcast leverandører under navnet Betel 11. Vipps: 70700 | Betel 11 konto: 3000.33.70700 Betel har møter hver søndag klokken 1100 og 1400 (Engelsk talende).

Les micro-organismes sont à la base de toute vie sur Terre, et leur présence dans nos terres est essentielle pour assurer leur fertilité. Par contre, certaines de nos pratiques agricoles menacent cette biodiversité primordiale et diminue la qualité de nos sols, parfois jusqu'à des niveaux critiques.C'est le sujet de cet épisode des Idées Radicules, où l'on reçoit Marie-Élise Samson, professeure adjointe en sciences du sol à l'Université Laval, et Étienne Yergeau, professeur d'écologie microbienne à l'Institut national de la recherche scientifique.Merci à notre partenaire, l'Institut national de la recherche scientifique: https://inrs.ca/Rejoignez notre communauté Patreon:https://www.patreon.com/ideesradiculesPour commanditer le balado Les Idées Radicules ou pour toute autre information sur le magazine Élevage et Cultures:marie-eve@elevageetcultures.ca

Nouvel épisode de folie aujourd'hui avec celle que j'attendais depuis longtemps car son univers me fascine depuis ses débuts il y a 8 ans : Marie-Lise Féry. Avec MAGIC CIRCUS, elle crée des luminaires aussi beaux allumés qu'éteints, aux volumes démesurés mais toute en légèreté, dans un style à la fois contemporain et ludique, pour ne pas dire un peu féérique et décalé, mais tjrs ultra bien pensé avec d'excellents artisans minutieusement sélectionnés. Une ligne de mobilier vient de voir le jour, bref l'occasion de rencontrer celle qui est aux manettes de cette sublime marque.  Si ce podcast vous plait n'hésitez pas  > à vous abonner pour ne pas rater les prochains épisodes > à mettre un commentaire ou 5 étoiles (sous la liste des épisodes, rubrique "Laissez un avis") > à suivre @decodeur__ sur Instagram et à partager l'épisode en Story par exemple  > à découvrir les 100 épisodes déjà en ligne et les différents formats de l'émission > à parler de DECODEUR autour de vous, tout simplement...!  Merci beaucoup

Avant toute chose, sachez que vous pouvez soutenir la Garde de Nuit sur HelloAsso : https://www.helloasso.com/associations/garde-de-nuit . Ce mois-ci on s'intéresse aux bâtards ! En Westeros, bien sûr, mais aussi et surtout au cours du Moyen âge et en Fantasy. Pour ce faire, nous avons incité sur le Mur pas moins de trois invités exceptionnels : Marie-Lise Fieyre, historienne spécialiste de la bâtardise au Moyen âge ; Fabien Cerutti, historien également mais surtout auteur de la tétralogie "Le Bâtard de Kosigan" ; et enfin William Blanc, universitaire qui travaille autour des questions des représentations politiques en Fantasy.Un exemplaire du premier tome du Bâtard de Kosigan aux éditions Mnémos est à gagner en écoutant ce podcast, ainsi que trois exemplaire du livre de William Blanc, Winter is Coming, dans sa nouvelle édition. Pour ce faire, suivez le formulaire ci-dessous :https://forms.gle/ikHZKhkxjTDYHd4a6 Musiques d'intro : Cover du Prince d'Egypte par Samuel Kim : https://www.youtube.com/watch?v=HWAHlms9zgY Les chœurs de Gangsta Paradise : https://www.youtube.com/watch?v=N2uo2lL9rvo Bruitages France Inter : https://www.youtube.com/watch?v=lDqLdMzGlTcAmbiance sonore de taverne et du haut du Mur: Michel Ghelfi Studios : https://www.youtube.com/@MichaelGhelfiStudiosGénérique et bruitages : Le Labyrinthe Sonore : https://www.instagram.com/labyrinthesonoreIllustration de la vignette : Détournement de Kit Harrington dans le Jimmy Kimmel Live

Inondations : état de la situation avec Marie-Lise Mormina. Entrevue avec Marie-Lise Mormina, journaliste TVA Nouvelles en direct de Sainte-Émélie-de-l'Énergie.Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Get into the groove to my House pop pleasure mix

Anne Ghesquière reçoit dans Métamorphose Marie-Lise Labonté, psychothérapeute, conférencière, auteure et formatrice. Avez-vous déjà eu le sentiment que plus rien n'avait de sens dans votre vie ? Ce sont parfois des évènements difficiles de notre vie comme une rupture, un décès ou la perte d'un emploi qui nous laissent au bord du gouffre et nous invitent au seuil de ce que nous appelons communément : "La nuit noire de l'âme" . Qu'est-ce qu'une nuit noire ou sombre de l'âme ? Comment l'identifier et comment accueillir ce chapitre de nos vies avec le plus de souplesse et de douceur possible ? Pour nous aider à y voir plus clair, justement, je reçois pour la troisième fois dans métamorphose Marie-Lise Labonté, auteure du livre Traverser la nuit noire de l'âme, renaître à soi. Une plongée dans nos profondeurs intimes. Épisode #328Retrouvez aussi les précédents podcasts de Anne Ghesquière et Marie-Lise Labonté :#243 Marie-Lise Labonté : Explorer nos mémoires du passé#184 Marie-Lise Labonté : Libérer l'enfant émotionnel en nousAvec Marie-Lise Labonté j'aborderai les thèmes suivants (extrait des questions) :Qu'entendez-vous précisément par « la nuit noire de l'âme » ? Comment la distinguer de la dépression ?Comment des évènements extérieurs, des épreuves de la vie, nos tourments nous plongent dans la nuit noire de l'âme ?Est-ce que la nuit noire de l'âme est un potentiel réalignement nécessaire dans une vie ?Comment vivre cette traversée ? Peut-elle revenir ?Une fois que la traversée de l'ombre a eu lieu, comment apprivoiser ce nouveau nous !Quel est le signe que la foi en la vie renaît ?Qui est mon invitée de la semaine, Marie-Lise Labonté ?Psychothérapeute, conférencière internationale, auteure et formatrice, Marie Lise Labonté a connu plusieurs fois le passage de la nuit noire de l'âme. Depuis trente ans, elle transmet des enseignements sur la « Méthode de libération des cuirasses© » dont elle est la créatrice. Elle est l'auteure de très nombreux ouvrages, dont L'Enfant émotionnel en nous et Faire l'amour avec amour, parus chez le même éditeur.Quelques citations du podcast avec Maire-Lise Labonté:"Le passage de la nuit noire de l'âme c'est ce dépouillement qui fait que l'on se retrouve avec une perte de sens, de raison de vivre.""L'annonce d'une maladie ou d'une mort vient chercher l'essentiel.""Il s'agit de quitter le monde de la domestication et aller vers le monde de l'instinct et de l'intuition."Rejoignez-nous sur notre nouveau site Internet et abonnez-vous à notre Newsletter www.metamorphosepodcast.comSoutenez notre podcast en rejoignant dès maintenant la Tribu MétamorphoseRetrouvez Métamorphose, le podcast qui éveille la conscience sur Apple Podcast / Spotify / Google Podcasts / Deezer / YouTube / SoundCloud / CastBox/ TuneIn.Suivez l'actualité des épisodes Métamorphose Podcast sur Instagram, découvrez l'invité de la semaine et des surprises ;-)InstagramFacebookPhoto DR Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Il arrive parfois dans nos vies que tous nos repères s'effondrent, et généralement les uns après les autres. Perte d'un emploi, divorce, maladie, deuil etc.. Selon l'intensité de ces événements, nous pouvons alors nous effondrer nous même et traverser ce qu'appelle Marie Lise Labonté (psychothérapeute, écrivain, conférencière) la nuit noire de l'âme. Un peu semblable à une dépression mais pas exactement la même chose, la nuit noire de l'âme est une période dans laquelle nous sommes totalement perdus, nous perdons espoir, nous ne savons plus comment vivre et si nous voulons continuer à vivre...Marie Lise a traversé deux fois cet abysse. La première fois dans ses jeunes années lorsqu'elle était aux prises avec une maladie auto immune invalidante et incurable. La seconde fois lorsqu'on son compagnon s'est fait assassiné devant ses yeux. Ces drames ont failli avoir raison d'elle. Pourtant elle a su puiser dans ses propres ressources pour sortir du trou noir dans lequel elle était tombée et recréer une vie nouvelle basée sur de nouveaux repères. Marie Lise a su vaincre la maladie en dépit de tout ce que lui prédisaient les médecins. Et su se reconstruire après ce deuil terrible de son mari.Dans son livre, elle nous explique ce processus de nuit noire de l'âme, comment il est vécu et surtout par où chercher une porte de sortie. Un témoignage précieux, émouvant et porteur d'espoir! Become a member at https://plus.acast.com/s/lapsychologiepourtous. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Si vous êtes parent, vous avez forcément croisé son chemin. Il s'agit de la.le sage-femme. Celle.Celui qui peut suivre dès la grossesse, ou même avant, à l'accouchement ... Bref, elle fait partie intégrante de notre vie, de notre parcours. Et aujourd'hui, nous en recevons une parmi nous.

Are you getting more empowered by music when doing your fitness? If you are, then Marie-Lise is a great match for you. She is an international DJ that is now doing fitness coaching. Her passion is radiant music and staying fit. She will keep you motivated in daily workout by mixing your favorite music tunes into the smashingly powerful sets of exercises.“I see myself as a super motivator with a joyful touch of creativity”Marie-Lise will virtuously bring you to the next level by beautifully mixing inspiring music into highly effective workouts. Pls contact Marie-Lisehttps://instagram.com/katchifitness?r=nametag

Anne Ghesquière reçoit dans Métamorphose Marie-Lise Labonté, psychothérapeute, conférencière internationale, auteure, formatrice, créatrice de la Méthode de Libération des Cuirasses©. Comment explorer nos mémoires du passé pour s'en défaire et puis renaître ? Qu'est-ce que le karma, et comment entrer en contact avec nos mémoires présentes pour se libérer de leurs charges émotionnelles. Grâce à son expérience de psychothérapeute et la méthode d'intégration Mémorielle, Marie-Lise Labonté nous aide à comprendre le passé pour mieux vivre le présent. Épisode #243Retrouvez le premier podcast de Mdarie-Lise Labonté dans Métamorphose : #184 Marie-Lise Labonté : Libérer l'enfant émotionnel en nousAvec Marie-Lise Labonté, j'aborderai les thèmes suivants :Vous êtes la co-auteure avec Jérome Angey de ce nouveau livre Karma aux Editions Le lotus & l'éléphant, qui avait déjà une histoire avec feu votre mari Robert Ethier.On parle de mémoires du passé, de quoi parle-t-on exactement ? Inconscient individuel et collectif au sens de CG Jung ?Vous parlez aussi de nos « croyances et expériences », empreintes de nos vécus et de blessures émotionnelles ?Qu'est-ce que vous entendez par la notion de Karma, c'est une notion répandue en Asie et qu'on a du mal à saisir en Occident ?Qui est mon invitée de la semaine, Marie-Lise Labonté ?Marie-Lise Labonté est psychothérapeute en Europe et aux US, auteur et formatrice, Elle possède une maitrise en orthophonie et en audiologie. Elle est conférencière internationale et formatrice. Son parcours tout à fait personnel est axé sur le travail corporel et les images intérieures. Elle a créé la formation MLC© « Corps à Cœur » elle est co-créatrice avec Nicolas Bornemisza de la formation IT© « Images de Transformation ». Son livre co-écrit avec Jérome Angey, Karma : l'explorer, s'en libérer et renaitre est publié aux Ed. Le lotus & l'éléphant. Son site https://www.marieliselabonte.comQuelques citations du podcast avec Marie-Lise Labonté :"L'individu va passer sa vie à vouloir retourner dans l'au-delà, c'est ce qu'on appelle une blessure de séparation""Nous pouvons avoir peur de notre don et le retenir, et ça peut nous rendre malades""Ce n'est pas la méthode qui guérit, c'est l'individu qui se guérit"Soutenez notre podcast en rejoignant dès maintenant la Tribu Métamorphose : http://www.patreon.com/metamorphoseRetrouvez Métamorphose, le podcast qui éveille la conscience sur Apple Podcast / Google Podcasts /Spotify/ Deezer /YouTube / SoundCloud/ CastBox/ TuneIn.Suivez l'actualité des épisodes Métamorphose Podcast sur Instagram, découvrez l'invité de la semaine et gagnez des surprises ;-)Bonne écoute Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Psychopraticienne, auteure et conférencière , Marie Lise Labonté est l'invitée du dix-septième épisode de C'est quoi le bonheur vous ? Initiée à la psychologie jungienne, elle a créé la Méthode de Libération des Cuirasses MLC©, une thérapie psychocorporelle liée au mouvement. Elle est également co-créatrice de la méthode Images de Transformation IT©, une thérapie de dialogue avec l'inconscient. Elle forme des intervenants et donne des séminaires et des conférences dans le monde. Dans ce court épisode, Marie Lise Labonté nous a offert sa définition du bonheur avant de nous parler de son expérience du ressenti simultané de l'horreur et de la grâce. Envie de nous aider ? C'est rapide et gratuit ! Il vous suffit de laisser une bonne note ou un commentaire sur votre plateforme d'écoute : les algorithmes adorent ça, et nous, ça nous permet de semer encore plus de graines !

VOUS POUVEZ SOUTENIR LE PODCAST VIA CE LIEN : https://paypal.me/tipasse?locale.x=fr_FR  Je suis ravie de vous savoir au rendez-vous pour la deuxième saison de Autour de la Table Rose. Merci d'être là aujourd'hui et pour les futurs épisodes à venir. Dans le podcast du jour, on va parler de ce petit crabe qui nous fait peur à raison, car on ne sait pas comment on l'attrappe. Je me souviens d'une époque quand j'étais plus jeune, où je croyais que seules les personnes qui fumaient ou avaient un certain âge pouvaient avoir un cancer...Et que les autres cas n'étaient qu anecdotiques. Et pourtant aujourd'hui, c'est une bien triste réalité à laquelle nous faisons face… De nombreuses personnes, fumeuses ou pas, sportives ou non, qui mangent équilibré ou pas nécessairement, jeunes ou moins jeunes, succombent à un cancer. J'ai moi-même récemment perdu une amie atteinte de cette maladie. Je vous invite d'ailleurs si vous parlez ou comprenez l'anglais, à aller écouter son podcast “Mommy had a little cancer”, dans lequel elle discutait avec son amie Karlee de leur expérience commune. S'il est vrai que de nombreuses personnes meurent d'un cancer, il est aussi important de rappeler que cette maladie n'est pas toujours synonyme de mort, car bon nombre s'en sortent également. J'ai eu envie de donner la parole à 3 femmes pour qui le cancer a fait irruption dans leur vie afin qu'elles partagent avec nous leur expérience. Cet épisode sortira vraisemblablement le vendredi 1er octobre, et c'est une date importante, car c'est le mois d'octobre rose. Octobre rose c'est un mois de prévention destiné à la sensibilisation au dépistage du cancer du sein, et à la récolte de fonds pour la recherche. En suisse environ 1 femme sur 8 est confronté à un cancer du sein. Mesdames, pensez à l'autopalpation et au moindre doute allez consulter, et surtout à partir de 50 ans, on ne fait pas l'impasse sur la mammographie. Je vous mettrai différents liens d'information. Une vidéo pour l'auto-examen des seins  L'association dont Marie-Lise fait partie  Infos sur le cancer du sein en Suisse   Un podcast sur le cancer du sein chez les femmes noires Donc aujourd'hui autour de la table rose, il y a Marylise, Emmanuella et Hélène. Les recos de Emmanuella :  Pour bien manger Masterfood pour de délicieux tacos!  Une bonne fondue quand il fait froid et la cuisine haïtienne ! Pour la culture Elle aime apprendre de toutes les cultures Pour se détendre ou se ressourcer Aller regarder un manteau neigeux sur les hauteurs de Schaffouse Les recos de Marylise  : Pour bien manger  Le sud de l'Italie  Pour la culture Elle est hétéroclyte  Pour se détendre ou se ressourcer: La Polynésie Les recos de Hélène: Pour bien manger Ca se passe chez la maman d'Hélène !! ( je verrai si je peux nous obtenir une ivitation ;-) ) Pour la culture  L'Usine à Genève   Pour se détendre ou se ressourcer Ottobiano en Italie et son centre de Motocross sa passion  Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

La situation des Droits Humains au Cameroun c'est ce que nous présente Marie Lise et Marc Laurent

Cela fait 10 ans que Marie-Lise est en couple. Aujourd'hui, elle pense que son couple est sur le point de casser. Son compagnon fait beaucoup de crises de jalousie. Marie-Lise ne sait plus quoi faire. Chaque soir de l'été, dans "Parlons Nous", Sabine Callegari accueille les auditeurs en direct pour 2h d'échanges et de confidences. Pour participer, contactez l'émission au 09 69 39 10 11 (prix d'un appel local).

Le commandant Robert Piché s'entretient avec nous du film 19 minutes : l'exploit Piché; l'ultracycliste Henri Do présente son prochain objectif à accomplir en 24 heures; Marie-Lise Pilote parle de son personnage de la méchante; le poète David Goudreault parle de son spectacle Au bout de ta langue, présenté à Juste pour rire; et Marc Hervieux, Stéphane Laporte, Sophie Faucher et Rose-Aimée Automne T. Morin nous livrent leurs chroniques.

Entrevue avec Marie-Lise Andrade de la fondation Lise Watier.

Anne Ghesquière reçoit dans Métamorphose la québécoise Marie-Lise Labonté, psychothérapeute, créatrice de la «Méthode de libération des cuirasses©, fondatrice d’une école internationale d’énergétique, auteure du livre «L’enfant émotionnel en nous» Aujourd’hui, avec l'inspirante Marie-Lise nous allons suivre la voix de notre enfant intérieur à la recherche de notre enfant blessé pour le libérer. Un épisode riche et touchant au coeur de nos êtres - Épisode #184Dans cet épisode avec Marie-Lise Labonté, j'aborderai les thèmes suivants :Qui est cet enfant et pourquoi il est «émotionnel» ?Comment est-il apparu dans votre vie ? Quelle a été la première rencontre avec lui ?Vous consacrez un chapitre sur la vie émotionnelle : plus qu’un chemin qui nous guide, peut-on parler d’une hygiène émotionnelle à trouver pour rester dans le mouvement de vie ?Vous mentionnez vos patients atteints de maladies auto-immunes sclérosantes, n’y a-t-il pas un réel besoin de réintégrer l’écoute et le dialogue entre la médecine et les patients ? De ne plus, justement, scléroser la médecine entre science et relationnel, entre raison et émotion ?Qu’est-ce que la «régression infantile» ?L’éloignement d’avec notre enfant émotionnel peut-il aussi advenir à l’âge adulte ?Comment l’enfant émotionnel se manifeste-t-il?Les personnes ayant eu une enfance agréable sont-ils moins perturbés par leur enfant émotionnel ?Qu’est-ce que le «sandwich émotionnel» comme vous l’appelez et pourquoi est-il générateur d’une anxiété permanente ?Quel peut-être le déclic pour aller chercher son enfant intérieur ?Notre enfant intérieur peut-il se situer à plusieurs endroits du corps ? Peut-on abriter plus d’un enfant intérieur ?Pour quelles raisons notre enfant intérieur s’est-il retrouvé banni au fur et à mesure de notre évolution ? Est-ce un constat propre à la société occidentale ? Qu’en est-il dans le reste du monde ?Comment accueillir l’enfant intérieur de l’autre avec bienveillance lorsqu’il se manifeste, dans le couple, au travail etc. ?Adopte-t-on forcément l’enfant blessé de nos parents ?Quelle est l’importance de guérir notre enfant intérieur vis-à-vis de nos enfants vivants ou à venir ?La transformation est telle que le plomb devient or, ou encore qu’il se transforme en 1 + 1 = 3. Pourquoi?Pourquoi le terme «autonomie affective» souffre d’une incompréhension quasi planétaire ?Renouer le dialogue avec notre partie inconsciente est tout l’enjeu de votre livre. Quelle pratique nous conseiller dans notre vie quotidienne pour intégrer l’enfant intérieur et maintenir ainsi le lien à l’âme ?L’isolement d’une grande partie de la population lié au Covid a certainement dû réveiller bon nombre d’enfants émotionnels. Ce temps de restriction des libertés extérieures peut-il être perçu comme une invitation à libérer plus que jamais notre enfant intérieur ?Les arts ont une importance particulière dans notre rapport à l’enfant émotionnel. Qu’en est-il en ces temps où l’accès à la culture est très limitée ? Qui est mon invitée de la semaine, Marie-Lise Labonté ?Marie Lise Labonté est psychothérapeute et formatrice, elle pratique depuis plus de 30 ans l’autoguérison, jusqu’à élaborer sa propre «Méthode de libération des cuirasses©». Fondatrice d’une école internationale d’énergétique, elle y transmet également des enseignements spirituels ayant a cœur de réunir le corps et l’esprit. Vous pouvez retrouver Marie-Lise Labonté dans son dernier livre «L’enfant émotionnel en nous» aux éditions Guy Trédaniel et sur votre site Internet: https://www.marieliselabonte.comQuelques... See acast.com/privacy for privacy and opt-out information.

Aujourd'hui dans l'émission l'ACAT présentés par Marc et Marie-Lise, Nous aurons le droit à un rapel des modes d'action locaux ou nationaux de l'ACAT, puis nous nous intéresserons aux résultats de ces modes d'actions,

Aujourd'hui dans l'émission l'ACAT présentés par Marc et Marie-Lise, Nous aurons le droit à un rapel des modes d'action locaux ou nationaux de l'ACAT, puis nous nous intéresserons aux résultats de ces modes d'actions,

Aujourd'hui dans l'émission l'ACAT présentés par Marc et Marie-Lise, Nous aurons le droit à un rapel des modes d'action locaux ou nationaux de l'ACAT, puis nous nous intéresserons aux résultats de ces modes d'actions,

Marc et Marie-Lise évoquent les actes symboliques en rapport avec l'Histoire. Puis ils nous expliqueront les relations complexes entre Mémoire et Histoire.

Marc et Marie-Lise évoquent les actes symboliques en rapport avec l'Histoire. Puis ils nous expliqueront les relations complexes entre Mémoire et Histoire.

Marc et Marie-Lise évoquent les actes symboliques en rapport avec l'Histoire. Puis ils nous expliqueront les relations complexes entre Mémoire et Histoire.

Marc et Marie-Lise Musique : Jean-Jacques GOLDMAN "Au bout de mes rêves"

Marc et Marie-LiseMusique : Jean-Jacques GOLDMAN "Au bout de mes rêves"

Et si les sols agricoles pouvaient servir à lutter contre les changements climatiques? On s’instruit sur le stockage de carbone dans le sol avec l’agronome et chercheuse Marie-Élise Samson. | Le sol, rien que de la saleté? Oh non! C’est tout un écosystème, vivant, complexe et fascinant! Et en plus des nombreux rôles qu’il joue déjà, il pourrait devenir un acteur important pour réduire les gaz à effet de serre dans l’atmosphère. En adoptant de bonnes pratiques agricoles à l’échelle planétaire, il serait ainsi possible de capturer 20 à 35% des gaz à effet de serre produits par les activités humaines chaque année, et les piéger sous nos pieds!

Votre communauté est-elle résiliente sur le plan alimentaire? On découvre la démarche pour des municipalités nourricières avec Marie-Lise Chrétien-Pineault de l’organisme Eurêko!  |  Connaissez-vous bien le système alimentaire de votre territoire? Qui sont les producteurs, les transformateurs, qu’est-ce qui pousse chez vous? Et si, pour améliorer l’autonomie d’une municipalité, on créait avec les citoyen.ne.s des projets d’agriculture urbaine, des ateliers d’éducation, des forêts nourricières, des jardins communautaires? C’est ce que fait avec brio Eurêko!, un organisme œuvrant pour une transition socio-écologique au Saguenay-Lac-St-Jean.

  Dans cette émission, nous découvrirons la "Méthode de Libération des Cuirasses" et le parcours de notre invitée Marie-Lise Labonté, conceptrice de cette méthode, de la méthode "Image de Transformation", fondatrice de l'école d'individuation mais aussi auteure de nombreux ouvrages . Pour aller plus loin : https://www.marieliselabonte.com Merci aux organisatrices de l'Appel au Féminin, Montpellier Emission animée et réalisée par Armelle Béraudy www.armelleberaudy.fr  

In this episode I had the pleasure to talk to Dr. Marie-Lise Schläppy. She is a Marine Biologist and also an expert in gifted education. She shares with us her story and her hypothesis that we better not call it what it is: gifted! A lot of unidentified gifted adults are put off by the term “gifted” due to stigma. In order to capture their attention and to start a conversation it might be better we use synonyms to describe giftedness such as “intensity” “complexity” and “sensitivity”. We also talked about the need for gifted adults to be identified as this information is important for increase in well-being. Giftedness affects all aspects of someone’s life. Knowing you are gifted helps manage expectations and will help you see yourself in a more positive light.TAKEAWAYS FROM THIS EPISODE:If there are gifted children, there are also gifted adults.A lot of gifted adults did not get identified in childhood. The older you are when you find out you are gifted, the harder it is to accept it.Finding out one is gifted can be a very emotional process.Being identified as gifted has the potential to change someone’s life! Knowing one is gifted helps heal the past and increases well-being.MENTIONED IN THIS EPISODE:Dr Marie-Lise Schläppy on LinkedInDr Marie-Lise Schläppy on Youtube - Theory of positive disintegrationThe Highly Sensitive Person: How to Thrive When the World Overwhelms You by Elaine N. AronÊtre Adulte À Haut Potentiel: Paroles Et Témoignages by Stéphanie Bénard Enjoying the Gift of Being Uncommon: Extra Intelligent, Intense, and Effective by Willem Kuipers

On jase de musique, de Papa est devenue un lutin, de Mario Bros et bien plus! Patreon: https://www.patreon.com/lemusikfestpodcast?fbclid=IwAR0LSu67MA-6QQukA3ov2pgNVT-9AONE-CDF0-aoeUDZRaAKZk7aVpr3SMQ

SPIN OFF #5 du 2 avril 2020, animée par Thibaut Marchand. Avec Leah Marciano, Arnaud Laurent, Floriane Chappe, Emilie Belina Richard, Gilles Botineau. www.pantoufles-explosives.com -Le fauroscope de Thibaut Marchand à 0 min 43 -Témoignage de Thom Trondel à 2 min 51 -Le TOP « Activités pendant le confinement pas, ou peu, pratiquées avant » à 6 min 11 -Le kikilavu de Gilles Botineau à 15 min 01 -Les conseils mangas d'Arnaud Laurent à 16 min 50 -Le conseil série de Alexandre Letren à 25 min 44 -Infos people de Floriane Chappe à 30 min 21 -Témoignage de Marie-Lise à 35 min 31 -Les conseils ciné-confinement « Films cultes à faire découvrir à vos enfants (et si vous n'avez pas d'enfant, ça ne vous fera pas de mal non plus de les revoir) « de Leah Marciano à 37 min 32 -Le coucou d'Arno Bitan, animateur des Snipers de l'info sur Vl Média à 44 min 53 -Les conseils du cœur d'Emilie à 51 min 47 -Chanson « Reste chez toi » de Julien Salvia à 1 h 02

C’est déjà la fin de la semaine. On va s’ennuyer de Marie-Lise! Mais ne t’en fais pas, elle va revenir, c’est certain! Au menu ce vendredi: Vanessa avoue avoir beaucoup appris de District 31, Nick le foodie adore découvrir des nouveaux restos, le film Ratatouille a eu une ÉNORME influence sur Marie-Lise et Chuck admire certaines phrases du Joker. Bref, merci beaucoup-beaucoup-beaucoup de nous écouter chaque jour. On apprécie que tu sois autant au rendez-vous et on se revoit dès lundi prochain!   Marie-Lise: https://bit.ly/2y1OrTM Vanessa: http://goo.gl/bcRVA9 Nick: http://bit.ly/2LbOVuW Chuck: http://bit.ly/2L45sBi   iTunes (On vous adore quand vous nous laissez ★★★★★): http://goo.gl/n1411W YouTube: http://goo.gl/K2kKOo Google Play: http://goo.gl/KUTKG4 Spotify: http://goo.gl/QrK6Tv Twitter: http://twitter.com/lepbonheur   Merci de nous suivre!

Bon jeudi! Encore aujourd’hui, v’là un autre succulent épisode bonheur pour te mettre sous l’oreille! Au menu: Chuck se fait flatter dans le sens du poil par Thomas Levac, Nick réussit à créer une non-réaction assez spectaculaire (et c’est très drôle), Marie-Lise nous explique l’importance de La Petite Vie durant son enfance et Vanessa est apparemment une excellente invitée à recevoir. Bref, un épisode qui fait du bien dans le dedans! À demain!   Marie-Lise: https://bit.ly/2y1OrTM Vanessa: http://goo.gl/bcRVA9 Nick: http://bit.ly/2LbOVuW Chuck: http://bit.ly/2L45sBi   iTunes (On vous adore quand vous nous laissez ★★★★★): http://goo.gl/n1411W YouTube: http://goo.gl/K2kKOo Google Play: http://goo.gl/KUTKG4 Spotify: http://goo.gl/QrK6Tv Twitter: http://twitter.com/lepbonheur   Merci de nous suivre!

Bon mercredi! C’est tellement le temps de replonger dans un petit bonheur! Tu vas triper! On demande à Nick pourquoi “pas tout le monde” se masturbe, Vanessa ne veut pas de gun chez elle, Marie a plein d’edibles chez elle (mais c’est tout légal) et Chuck nous revient sur son amour avec François Pérusse (parce qu’il en parle jamais). Bref, un autre maudit bon show pour tes belles oreilles!   Marie-Lise: https://bit.ly/2y1OrTM Vanessa: http://goo.gl/bcRVA9 Nick: http://bit.ly/2LbOVuW Chuck: http://bit.ly/2L45sBi   iTunes (On vous adore quand vous nous laissez ★★★★★): http://goo.gl/n1411W YouTube: http://goo.gl/K2kKOo Google Play: http://goo.gl/KUTKG4 Spotify: http://goo.gl/QrK6Tv Twitter: http://twitter.com/lepbonheur   Merci de nous suivre!

Bon mardi! J’espère que vous êtes bien sage chez vous. Et si c’est le cas, en guise de récompense, on a tout un show qui va décaper ta vie. Au menu: Vanessa nous dit quelque chose de beaucoup trop déplacé en guise de première impression, Nick nous parle de ses histoires de lazy sex avec le costume de son ex, Chuck n’a absolument aucun problème à parler de suicide et Marie-Lise nous parle des fantasmes de furries. Je te le dis: ce show est beaucoup trop bon pour que tu le skip. À demain!   Marie-Lise: https://bit.ly/2y1OrTM Vanessa: http://goo.gl/bcRVA9 Nick: http://bit.ly/2LbOVuW Chuck: http://bit.ly/2L45sBi   iTunes (On vous adore quand vous nous laissez ★★★★★): http://goo.gl/n1411W YouTube: http://goo.gl/K2kKOo Google Play: http://goo.gl/KUTKG4 Spotify: http://goo.gl/QrK6Tv Twitter: http://twitter.com/lepbonheur   Merci de nous suivre!

BOOM! On est lundi et on est tellement content de te retrouver en compagnie d’une invitée que TOUT le monde devrait connaître. Marie-Lise Chouinard débarque pour cinq émissions de pur bonheur. Tes oreilles seront servies: Nick met son casque en gros papier Alcan métallique et nous parle des gens derrière Enron, Chuck ferait plus confiance à ses amis qu’au pur hasard en ce qui a trait à une recette de sandwich, Marie-Lise nous décrit la parfaite série Netflix et Vanessa a des preuves qu’il y a de la vie après la mort. Un show divin pour ton âme. À demain!   Marie-Lise: https://bit.ly/2y1OrTM Vanessa: http://goo.gl/bcRVA9 Nick: http://bit.ly/2LbOVuW Chuck: http://bit.ly/2L45sBi   iTunes (On vous adore quand vous nous laissez ★★★★★): http://goo.gl/n1411W YouTube: http://goo.gl/K2kKOo Google Play: http://goo.gl/KUTKG4 Spotify: http://goo.gl/QrK6Tv Twitter: http://twitter.com/lepbonheur   Merci de nous suivre!

SPIN OFF #2 du 22 mars 2020, animée par Thibaut Marchand. Avec Leah Marciano, Arnaud Laurent, Floriane Chappe, Emilie Belina Richard www.pantoufles-explosives.com -Le fauroscope de Thibaut Marchand à 3 min 00 -Les conseils ciné-confinement de Leah Marciano à 7 min 58 -Témoignage de Marie-Lise une expat en Italie à 12 min 27 -TOP 3 de « ce qui nous manque le plus » à 15 min 40 -Le point info people de Floriane Chappe à 24 min -Message de Mickaël Dorian (chante France, Non stop people) à 33 min -Le conseil série de Alexandre Letren à 38 min 41 -Les conseils du cœur d'Emilie à 51 min 11

Dans cet épisode, Sophie et Richard ont plusieurs histoires à se mettre sous la dent. Avec Marie-Lise Pilote, ancienne humoriste et aujourd’hui cofondatrice de Pilote et Filles qui est la seule collection de vêtements et chaussures de travail dédiée uniquement aux femmes, et l’auteure-compositrice-interprète Laurence Jalbert, on n’a pas peur de mettre les coudes sur la table et de parler franchement. Entre Laurence qui à ses débuts ne voulait pas avoir sa face à la télé et Marie-Lise qui elle était bien seule comme femme dans le monde de l’humour, nos hôtes assistent aux récits de femmes extraordinaires qui ont combattu leurs démons intérieurs pour mieux profiter de la clarté du jour.

Envoye-donc ! C’est un Podcast animé par Sylvain D. Desjardins qui reçoit des invités de la communauté artistique ou des gens d’affaires avec qui nous allons discuter des moments de leurs vies où ils se sont donné le « coup de pied au derrière » pour aller de l’avant dans un nouveau projet, nouveau choix de carrière… bref des moments qui ont changé leurs vies pour le meilleur et parfois pour le pire, avec les anecdotes drôles que cela génère. Abonne-toi à ma chaine YouTube !YouTube: https://youtube.com/c/sylvainddesjardinsAussi mes autres pages :Facebook : https://www.facebook.com/SylvainDDesj...Instagram: https://www.facebook.com/SylvainDDesj...Twitter : https://twitter.com/sylddesjardinsSite web: https://sylvainddesjardins.com 

durée : 00:03:27 - Bravo les femmes - Marie Lise aide toutes les femmes à se sentir bien dans ses dessous.

durée : 00:03:57 - Bravo les femmes - Marie Lise :" Une femme qui se sent mal dans un soutien-gorge, souvent, c'est parce qu'elle neporte pas la bonne taille."

durée : 00:03:48 - Bravo les femmes - Quelle est la différence entre le lingerie et la corseterie ? Marie lise répond.

durée : 00:03:56 - Bravo les femmes - Marie Lise : "Un soutien-gorge, c'est comme une paire de chaussons, il ne doit ni vous gêner, ni vous blesser."

durée : 00:04:06 - Bravo les femmes - Marie Lise : "Lorsqu'une femme achète une soutien-gorge, elle doit absolument être conseillé parce que son corps évolue".

durée : 00:03:58 - Bravo les femmes - Marie Lise avait 47 ans lorsqu'elle repris le magasin : "Mon dieu ! Mais dans quelle galère tu t'es mise !"

durée : 00:03:56 - Bravo les femmes - Marie Lise a été passionnée par tous les métiers qu'elle a effectué !

In de 12e aflevering van de Reistebrijpodcast praat ik met Marie-Lise over de reizen die ze sinds 3 jaar begeleidde. Je komt te weten hoe een reisbegeleidster zo'n groepsreis beleeft en hoort heel wat verrassende zaken. Meer over mij en m’n blog vind je op Reistebrij.be, Twitter of Instagram.

Lors de cet épisode, la haine a été déverséenbsp;:nbsp; Se baignerParler de moiL'adolescenceShootersLes humoristes

Lors de cet épisode, la haine a été déverséenbsp;:nbsp; Les films d'horreursLes trucs tristesRaconter une opérationBanque en ligneMédiéval

Entrevue avec l’humoriste, comédienne et femme d’affaires Marie-Lise Pilote : Elle fête les 10 ans de « Pilotes & Filles » et dirige les projecteurs vers les femmes qui exercent des métiers typiquement masculins.

Cette semaine, avec notre invitée Marie-Lise Chouinard, on décroche à propos de Mononc Serge, du vignoble de Marlborough, d'alcoolisme et plus encore!

Dans ce seizième épisode, Marie-Lise Fieyre vous parle des bâtards de la famille princière des ducs de Bourbon à la fin du Moyen Âge. Dans une thèse soutenue en septembre 2017, elle montre que les bâtards et les bâtardes de cette famille avaient un rôle et une place spécifique, qu’ils étaient éduqués comme les enfants de la famille, et pas du tout cachées et rejetés. Marie-Lise nous raconte quelles carrières ils pouvaient faire, comment leurs noms étaient choisi, et les aventures de ses bâtards préférés. Passion Médiévistes est un podcast (plus ou moins) mensuel sur l'histoire médiévale à travers les interviews de jeunes chercheurs, à la fois pour faire mieux connaître le Moyen Âge mais aussi pour donner un aperçu accessible de ce qu’est la recherche universitaire aujourd’hui. Page Facebook > www.facebook.com/PassionMedievistes/ Compter Twitter > twitter.com/PMedievistes Si vous êtes intéressé(e) pour être invité(e) dans l’émission envoyez un mail à f.cohenmoreau@gmail.com avec un résumé de votre sujet. Pour en savoir plus voici une sélection d'ouvrages : - Harsgor Mikhaël, « L’essor des bâtards nobles au XVe siècle », Revue historique, n° 514, 1975, p. 319-354. [dispo sur Gallica] - Bousmar Éric, Marchandisse Alain, Masson Christophe et Schnerb Bertrand (dir.), La bâtardise et l’exercice du pouvoir en Europe du XIIIe au début du XVIe siècle. Revue du Nord, Hors-Série. Collection Histoire, n° 31, 2015. - Avignon Carole (dir.), Bâtards et bâtardises dans l’Europe médiévale et moderne, Rennes, PUR, 2016. - Et pour les amis des modernistes : Steinberg Sylvie, Une tâche au front. La bâtardise aux XVIe et XVIIe siècles, Paris, Albin Michel, 2016. Extraits diffusés dans cet épisode : - Kingdom of Heaven (2005) - Game of Thrones, saison 1, épisode 2 - Kaamelott Live 5 Episode 31 “Les sentinelles” Préparation, enregistrement et montage: Fanny Cohen Moreau Mixage : Lucas Ohresser Montage et mixage du générique : Moustaclem Musique du générique: Johannes Schmoelling - Time and Tide https://www.youtube.com/watch?v=RvVpjQJQweo Extraits sonores du générique: Interview de Jacques Le Goff en 1991 (INA) https://www.youtube.com/watch?v=Y9R6ZvoeA4Q Extrait du film “On connaît la chanson” de Alain Resnais

Animée par Sophie Stanké, cette nouvelle série d'entrevues est présentée Canal M et la Télévision Régionale de Laval. L'animatrice et son invité sont situation de cécité totale grâce au port de lunettes noires opaques et les confidences se font sans pudeur, sans le secours des yeux et du regard, alors que l'échange devient sensoriel et… Cet article Marie-Lise Pilote est apparu en premier sur Canal M, la radio de Vues et Voix.

Cette semaine Marie-Lise et Alex donne leur impression du film Les Affamés, Alex n'ayant pas eu le temps de préparer sa chronique nous fait faire un quizz en utilisant les Dragées Surprise d'Harry Potter, et à partir de la moitié de l'épisode,  on parle de Stranger Thing 2! ================================================Suivez nousFacebook:https://www.facebook.com/AGOPODCAST/iTunes:https://itunes.apple.com/ca/podcast/ago-lartiste-le-geek-et-lotaku/id1160600289?mt=2Google Play:https://play.google.com/music/listen?u=0#/ps/I5ums36up7yzq57w3wqsjrb6aaaTwitter:https://twitter.com/AGO_PodcastPodbean:http://agopodcast.podbean.com

  L’épisode d’aujourd’hui est en réponse à la question de Marie-Lise qui après avoir écouté un précédent épisode du podcast intitulé « Comment Prendre Une Décision Importante » m’a écrit: J’ai trouvé cette question fort intéressante, car beaucoup de personnes veulent découvrir comment identifier et surmonter leurs peurs. Comment dépasser ces peurs qui nous bloquent et qui nous empêchent de nous épanouir (être bien, être plus confiant, s’exprimer davantage, être moins stressé..)? Écouter Surmonter Ses Peurs à l’Aide de ces 5 Questions Regarder Surmonter Ses Peurs   RETRANSCRIPTION DE L’ÉPISODE D’abord il faut identifier ce que l’on entend par peur. En général, lorsque l’on parle de peur qui nous bloque, cette peur a deux attributs: 1. Elle est un obstacle à un résultat souhaité 2. Elle a une part inconsciente Obstacle à un résultat souhaité Vous avez certainement peur de sauter dans le vide. Mais cette peur n’est pas un problème. Car vous n’avez pas envie de le faire à moins peut-être que vous vouliez faire du parachutisme. Certaines peurs ont une utilité claire et vous ne voulez pas les dépasser. La peur dont on parle ici, celle que l’on souhaite dépasser, est perçue comme un obstacle à l’obtention d’un résultat désiré. Voilà quelques exemples: Je souhaite m’exprimer plus librement en public, mais j’ai une peur qui m’empêche de le faire. Je souhaite m’investir dans une relation, mais j’ai quelque chose qui me bloque. Le premier attribut de cette peur c’est qu’elle constitue un blocage. Part d’inconnu Le second c’est qu’elle a une part de mystère. On n’arrive pas trop à identifier spécifiquement cette peur. À l’opposé d’une peur dont on connait clairement l’origine. Lorsque je pratiquais en cabinet dans le sud de la France l’une des assistantes avec que j’ai travaillé m’a expliqué qu’à l’âge de 12 ans, elle avait font tomber une marmite d’eau bouillante sur son bras et son torse causant de sévères brûlures. Elle m’expliquait que 20 plus tard elle avait toujours de l’appréhension lorsqu’elle devait porter une casserole d’eau bouillante. Elle gardait dans sa chaire la mémoire de la douleur. Sa peur avait une origine clairement définie. Mais dans le cas d’une peur ou d’une croyance qui nous bloque, cette peur n’est pas aussi clairement connue: On peut avoir peur du succès, mais sans vraiment savoir pourquoi. On peut avoir peur de s’investir dans une relation de couple, mais sans comprendre d’où vient notre blocage. On peut avoir peur de s’exprimer alors que rationnellement on se dit que l’on ne risque rien. Parfois on attribut cela au terme générique de manque de confiance, d’une faible estime de soi, on met une partie du blâme sur notre enfance, et l’on finit par considérer que ces peurs, ces blocages font partie de notre personnalité sans plus chercher à découvrir leur raison d’être. La peur dont parle Marie-Lise possède donc ses deux attributs. Elle l’empêche de s’épanouir et elle nécessite d’être mieux comprise. Mettre en lumière sa peur Prendre conscience d’une peur c’est la mettre en lumière. C’est la passer d’un ressenti, d’une impression, à une compréhension plus tangible sur laquelle on va pouvoir agir. Dans la question elle demande que faire lorsque prendre conscience ne suffit pas. Avant d’essayer de répondre à cette question. Comment déjà prendre conscience d’une peur en partie inconsciente? L’un des exercices qui est proposé dans le stage en ligne Méditer Aujourd’hui dans le module Trouver ma Voie consiste à aller au plus prés de soi pour découvrir le noyau de la peur. Voilà un exemple de comment cet exercice fonctionne. Surmonter ses peurs en 5 questions 1) Identifier le résultat souhaité. Si cette peur n’était pas là qu’est ce que cela vous permettrait d’atteindre, de faire, de vivre, de partager…? Je vais prendre mon cas. L’un des objectifs que j’aspire à atteindre c’est de devenir plus indépendant au niveau financier. Je me suis toujours débrouillé pour ne pas accumuler de la richesse.