Podcast appearances and mentions of David Lynch

In this edition of The Iconograph, Jack and Miles are joined by artist/musician Janie Danger to discuss the man who taught Americans that this whole world is wild at heart and weird on top: David Lynch! They’ll explore his baffling rise to fame, his inspirations, his introduction to poppers and much more!See omnystudio.com/listener for privacy information.

We're back! Joining us after our one week hiatus is returning champion, the one, the only... Griffin Newman! We have so much to talk about this week, including: raccoon dogs, Isao Takahata's hatred of modernity, the history of “serious” animation, Operation Goblin, Star Wars(?), Mr. Belvedere(??), Dave Matthews Band(????), and also How To “Ball Up” a Pipeline! Next week it's our first non-Miyazaki/Takahata Ghibli entry, WHISPER OF THE HEART (1995) directed by Yoshifumi Kondō. Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Blu-Ray Booklet Studio Ghibli: The Complete Works 2nd Edition Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert TCM Pom Poko Production History Pom Poko Influences Hoppers Band Inspiration Toshio Suzuki Incorrectly Anticipates Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Steven Spielberg is the most famous filmmaker alive, which is exactly why almost nobody actually understands him. Chris and Daniel use Disclosure Day, Spielberg's new alien chase thriller with Emily Blunt, to argue that the "safe, mainstream" reputation is a decades-long misdirection: underneath the crowd-pleasing surface is a genuinely weird, deeply personal artist who has been smuggling strange, uncomfortable ideas inside blockbuster packaging since at least Close Encounters. They trace it through Fabelman's casting David Lynch as John Ford, the theory that Kubrick handed Spielberg AI specifically because Spielberg's glossy reputation could disguise a bleak, unnerving film, and the moment James Lipton caught Spielberg off guard by connecting his parents directly to Close Encounters on camera. Disclosure Day itself is proving strangely divisive, and Chris and Daniel dig into why. They break down its Sugarland Express-style chase structure, an Emily Blunt performance that starts as broad comedy and quietly transforms into something much stranger, a train sequence built to feel genuinely dangerous rather than stylized, and the VFX work from longtime collaborator Matthew Butler. Along the way, a detour into Spielberg's actual filmmaking journey, from Close Encounters to Poltergeist to AI, makes the case that his reputation as the "obvious" director has always been the biggest misdirection in his own filmography. Referenced in this episode: Disclosure Day Close Encounters of the Third Kind Poltergeist A.I. Artificial Intelligence War of the Worlds Minority Report The Fabelmans Sugarland Express Matthew Butler, VFX Supervisor Sponsors: Center Grid Virtual Studio: https://cgvirtualstudio.com/

A very freeform episode today. We talk about pizza for maybe too long and then talk a lot more about movies - mostly centering on David Lynch, but with a nice amount of John Carpenter and James Bond in there for good measure. To hear the full episode JOIN THE PATREON patreon.com/basecampbeta

Box office smash horror films. Sarah Watt, Jeremy Downing and William Chen discuss Backrooms (2026) and Obsession (2026), but in two separate conversations. Jeremy and William discuss Backrooms, directed by Kane Parsons, and then Jeremy and Sarah discuss Obsession, directed by Curry Barker. The Backrooms conversation starts with the box office impact of the film and how it potentially is shifting the industry model for investing in films. We unpack the psychology of the horror in the film, especially when considering the realities of Gen Z and what horror looks like in a post-Millennial world. We talk about the brilliant performances from Chiwetel Ejiofor and Renate Reinsve, as are the physical sets in the film. We discuss the structure of the film and where the films works and where it is weak. We connect the film to the work of David Lynch, Alfred Hitchcock and Stanley Kubrick. Sarah swaps out with William, and chats with Jeremy about Obsession. Our conversation begins by praising the performance actor Inde Navarrette and later in the episode Michael Johnston. We talk about the strength of the narrative and how we can relate the situation amidst the horror. Our discussion focuses on the ending and the poetic justice, as well as the strength of the writing. We make connections to Weapons (2025), Romeo and Juliet (roughly 1597), Heated Rivalry (2025-), Fatal Attraction (1987), and the work of David Fincher and David Lynch (again). We finish the conversation by highlighting how much the film connected with our own lives.

Listen without ads on patreon: www.patreon.com/dopeypodcast This week on Dopey! We open the show with a deep dive into Lou Reed's classic junkie anthem "Waiting for the Man" before reading incredible listener stories involving MDMA-assisted therapy, smashing open a safe with an axe for OxyContin, smoking crack in an airplane bathroom, a horrific flesh-eating abscess, and surviving Antabuse mixed with opioids. Then legendary author Jerry Stahl returns for one of the funniest and deepest conversations Dopey has ever had. Jerry shares never-before-heard stories about writing for Twin Peaks, working with David Lynch and Ben Stiller, learning from Hubert Selby Jr., meeting William Burroughs' son, Oprah admitting she loved crack, surviving heroin addiction, and why kindness matters more than bitterness. The conversation ends with Dave pitching Jerry his outrageous action movie idea: Die Hard... at Katz's Delicatessen. PLUS MORE MORE MORE on a brand new yet timeless episode of that good old dopey show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, I'm joined by an absolute music video legend, Graeme Whifler, who created iconic work with The Residents, Devo, Sparks, Tuxedomoon, MX-80 Sound, 45 Grave, Oingo Boingo, Red Hot Chili Peppers & Renaldo & The Loaf, to name a few. Get ready for some of the most hilarious, dark, and mind-bending stories that have ever been unleashed on the show.We discuss Graeme's jawdropping story of first meeting The Residents when they were just starting to talk about doing music, how my seeing an interview on Night Flight with Graeme's as a 13 year old kid completely changed my life trajectory, shooting the B/W feature length Residents filmVileness Fats, the creative stamina of youth, his haunting and mind-searing film Hello Skinny, how he embraces the horrors within your psyche in every music film he made, where he found his incredible talent pool, how Graeme built all the elaborate sets for all the Ralph Records music films, the unique choice of putting title sequences and end credtis for his music videos, pulling teeth to get MX-80 Sound to come up with a concept for their video and how he embraced their thin concept, David Lynch taking element from the Why Are We Here video for Blue Velvet, the making of Tuxedomoon's Jinx video and how it got banned in the UK, The Cockettes, smearing shit over the walls, where were people finding these films before music television, Snakefinger getting played on MTV, the insipiration for the upsetting & epic Renaldo & The Loaf Songs For Swinging Larvae short film, breaking the hearts of the kid actors in the 45 Grave video, Graeme working with Devo on the R U Experienced music video, why there was an unlikely controversy buried within Sparks' Cool Places video, writing the screenplay for Dr. Giggles, making people think about upsetting things they don't want to think about with his film work, and much more.So join me on this wild trip with one of the absolute legends of music videos and film. Be ready.The Restored Films Of Graeme Whifler:rumble.com/user/graemeww?e9s=src_v1_cblREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Become a paid channel member of YMH to get Your Mom's House episodes one day early and AD-FREE here: https://www.youtube.com/channel/UCYIgiXwJck_Pb5Nj-wIrsqg/join SPONSORS: -Ready to upgrade your home for way less? Head to https://www.wayfair.com right now to shop all things home and get your space ready for less. -Right now, when you buy two months of BlueChew Gold, you get the third for FREE with promo code YMH at https://BlueChew.com -Go to https://helixsleep.com/ymh for 27% Off Sitewide — Exclusive for listeners of Your Mom's House. -Start your free trial at https://SHOPIFY.COM/ymh On this week's episode, Main Mommy Christina P holds down the fart with stand-up comic Dave Landau. He's the perfect co-captain to match our dark and twisted-ness, starting with a shared love of David Lynch. After a brief interruption of a staff member (male) in short shorts, Dave recounts his trippy days totaling in approx. 400 hits. Kids these days will never understand. Christina introduces Dave to some Cool Guys and Gals including, but not limited to, a CPAP monster, a pirate, and a guy that looks eerily similar to Robin Williams in Toys. Wrapping up the episode with Christina's TikTok Curations, Dave and Christina take a few detours into closeted celebrities (shout out George Michael) and hidden toilet cams. Your Mom's House Ep. 868 https://tomsegura.com/tourhttps://christinap.com/https://store.ymhstudios.comhttps://www.reddit.com/r/yourmomshousepodcast Chapters 00:00:00 - Intro 00:04:16 - Short Shorts 00:09:48 - Opening Clip 00:15:42 - Trippy Dave 00:27:15 - Kids These Days are Screwed 00:34:51 - CPAP 00:42:04 - Pazsitzky Effects 00:45:29 - Closeted Celebs 00:55:31 - Christina's Curations 01:06:09 - Worst Cigs 01:14:08 - Hidden Toilet Cams 01:22:27 - Closing Song: Cool Girls Club By Versace Kolache Learn more about your ad choices. Visit megaphone.fm/adchoices

Chosen by Mike Burton of Genuine Chit-Chat fame, Dune was released in 1984 and was David Lynch's ambitious attempt to bring Frank Herbert's famously dense sci-fi novel to the big screen. Produced by Dino De Laurentiis, the film had a reported budget of around $40 million and was shot largely in Mexico, with huge sets, elaborate costumes, miniature effects, and enough invented terminology to make a cinema audience quietly panic into their popcorn.The cast is absolutely stacked: Kyle MacLachlan, Francesca Annis, Jürgen Prochnow, Patrick Stewart, Max von Sydow, Sean Young, Brad Dourif, Dean Stockwell, and Sting, because apparently space needed a tiny pair of metal pants. On release, the film received mixed reviews and struggled commercially, but over time it became a cult VHS-era oddity: messy, fascinating, visually distinctive, and still discussed decades later by people trying to work out what on Arrakis just happened.Checkout Mike's Genuine Chit-Chat here and Star Wars Chit-Chat here.TRAILER GUY PLOT SYNOPSISIn a universe ruled by emperors, noble houses, secret orders, and one extremely valuable substance, a young heir is pulled into a war for control of the desert planet Arrakis.There are prophecies. There are giant sandworms. There are whispered thoughts, glowing eyes, floating villains, and political schemes so thick you may need a flowchart and a lie down.One family will fall. One boy will rise. And one 1980s sci-fi epic will ask the eternal question: what if Shakespeare, space opera, and a fever dream all shared the same VHS tape?FUN FACTSDavid Lynch turned down the chance to direct Return of the Jedi before taking on Dune.The film was adapted from Frank Herbert's 1965 novel, widely considered one of the most influential science fiction books ever written.The soundtrack was mainly composed by Toto, with Brian Eno contributing the haunting “Prophecy Theme.”The famous “weirding modules” were invented for the movie, replacing some of the novel's more internal and philosophical martial arts concepts.Several longer cuts exist, including a television version credited to “Alan Smithee,” the traditional pseudonym used when a director disowns a project.Lynch has often avoided discussing the film in detail, largely because he did not have final cut.The sandworm effects used miniatures and practical techniques, giving them that distinctive handmade 1980s fantasy look.Sting's Feyd-Rautha became one of the film's most memorable images, thanks partly to a costume that appears to have been designed by someone very confident in the future of underwear.Patrick Stewart's Gurney Halleck charging into battle with a pug remains one of the most gloriously baffling images in all of vintage sci-fi cinema.SUPPORT THE SHOWSupport the Show If you enjoy the show and would like to support us, we have a Patreon ⁠⁠⁠here⁠⁠⁠. If you're listening on Apple Podcasts or Spotify, leaving us a 5-star review (and a short comment) really helps more people discover the show. It's quick, free, and makes a huge difference. Referral links also help out the show if you were going to sign up:⁠⁠⁠NordVPN⁠⁠⁠⁠⁠⁠NordPass⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠

Interview with Don Cento !   Halfway to Mellowtown is the debut album from Austin-based Cento Threeo, a Jazz / Americana trio led by guitarist and composer Don Cento. The album was recorded by Stuart Sikes (White Stripes, Cat Power, Loretta Lynn) at Church House in the band's hometown with Cento producing. Halfway to Mellowtown is being released June 19 June by SecondBridge Records on 12” LP vinyl, CD, digital download and streaming services.   The album was cut live in two days with Don on guitar, drummer Norm Bergeron and Phil Spencer on bass. All eleven numbers – mainly Cento originals – are rooted in composition but make ample room for improvisation. The trio's sound merges the sophistication of late-'90s jazz guitar records and classic '60s post-bop with the textural sensibilities of Americana and indie rock - a unique fusion born from Cento's diverse musical background.    “The Judy Valve” opens the album with a steady ramp up, shifting focus around the band. “It Takes What It Takes” began as a vocal song but finds a new life as an instrumental while retaining it's pop-tune structure. “Dennis Muren” is an homage to the FX wizard from Industrial Light & Magic, that hits the laughing gas and give nods to composer and conductor, Jack Elliott. The eerie blues-waltz “Make the Silence Louder” opens Side B with a crack. "Filibuster in E Minor" is all noir ostinato, that plays a game of cat-and-mouse at the intersection of Henry Mancini and David Lynch. The album's final track is the Rosanne Cash song, “Seven Year Ache,” the album's only cover tune, whose melody Cento toys with like it's made of Silly Putty.    Don Cento's three-decade career spans jazz, indie rock, and Americana. He has toured and recorded with numerous award-winning artists including Sarah Jaffe, Ume, Little Jack Melody, and Chomsky. His production work extends across genres from metal to classical with artists like Matt Kivel, Jerry David DeCicca, and Vitskär Süden on labels like Drag City, Bloodshot, Ripple Music, Worried Songs, Idol Records and Tompkins Square. His contributions to these projects have been admiringly noted in features on NPR's Weekend Edition, Uncut, SPIN, The New Yorker, and Aquarium Drunkard. As a solo artist, Centohas released music under the moniker El Cento and with instrumental group Shibboleth, scoring placements with both on FOX, MTV and Discovery.    Cento Threeo marks Don's return to Jazz and represents his most personal artistic statement to date. The project began as a casual outlet for reimagining '60s and '70s FM classics through an atmospheric, jazz-adjacent lens. What started as a covers project quickly evolved as Cento reconnected with his love for jazz and began writing original compositions in earnest.    Following the recording of Halfway to Mellowtown, the drum seat in CentoThreeo was taken over by Matt Johnson (Jeff Buckley, Rufus Wainright, St. Vincent).    https://www.instagram.com/elcento/. https://centothreeo.com. https://centothreeo.bandcamp.com. https://open.spotify.com/artist/0w6l3kea2PeCYvfixOFiox. https://music.apple.com/us/artist/cento-threeo/1875616656.  

In this clip from Transfer Insight, Dan spoke to Liverpool journalist David Lynch to get the view from inside Andoni Iraola's first press conference, Michael Edwards' exit fallout and the latest transfer rumours… Hosted on Acast. See acast.com/privacy for more information.

HMSG Interview Whit Flint! “Eraserhead”This week we finally chat about one of our favorite films, David Lynch's debut feature, ERASERHEAD (1977). We brought along all of our sweet baby faces to discuss, including friend of the show and multi-hyphenate Whit Flint to get into all the gory details!  We hope you enjoy this freshly served episode!Pardon some of our sound elements this episode! We had some technical challenges this week with our audio in some spots! Sierra is on vacation! More about our Guest! Whit Flint is a theatre and film writer / director, known for a style and avant garde approach based in new European surrealism and theatre of the absurd. He has directed over 30 productions internationally and serves as Artistic Director of the theatre collective, Riot Act, founded in 2015 in East London. Whit received his MFA from East 15 at The University of Essex in the UK and also studied at the Russian Institute of Theatre Arts in Moscow. He was also a member of the Young Vic Directors' Programme and an Invitee Director of Toneelgroep Amsterdam. His life's obsession with the plays of Anton Chekhov has led him to adapt and direct all of the iconic writer's major works, including a radical reimagining of The Seagull entitled The Misbegotten Hope of the Dirty Bird, which will premiere in Brooklyn, New York Fall of 2026. As a filmmaker he wrote and directed Artéfact's recent short films, Lulu and a meditation of Sophocles' plays, Tragic Figure. As an actor, Whit's career spans four and a half decades, most notably in Steven Spielberg's Jurassic Park and most recently received a Broadway World Best Performer nomination as Vanya in the site specific production, Gross Old Man. Whit is also an accomplished abstract painter and is based in Los Angeles.Whit Flint on IMDB: https://www.imdb.com/name/nm0381035/?ref_=mv_descFollow Whit Flint here: https://www.instagram.com/whithertford/Check out Whit's Art here: https://www.instagram.com/whitflint/Support the show

Michelle and Liz are back from hiatus to talk about David Lynch's What Would Jack Do? - a 17‑minute interrogation between a detective and a capuchin monkey.

David Lynch's Wild at Heart  This week we return to a World of Dreams and the Land of Oz through the dark and chaotic eyes of David Lynch (January 20, 1946 - January 16, 2025). A Homage/Love Letter to the classic MGM masterpiece, Lynch's 1990 Wild at Heart is a pulsating cinematic shotgun blast. The story of young lovers breaking parole and crossing the country to find a future that is never clear, Lynch's dark romantic comedy is unlike anything seen before, but inspiring to cinema for decades after. With allusions to Fleming's 1939 Technicolor Classic, as well as nods to Elvis, Americana, and the great tradition of cinematic road trips, Wild at Heart cannot be adequately described, it can only be experienced. This week Mr. Chavez & I describe our relationship to this film (his history with it and my first viewing nearly a decade ago). We discuss our history (and dismissa - minel) of Lynch followed by the embracing of this great American filmmaker (also mine). With particular attention paid to the over the top brilliance of all involved in front of the camera, including: Nicolas Cage, Laura Dern, Diane Ladd, Harry Dean Stanton, Isabella Rosellini, J.E. Freeman, Calvin Lockhart, Grace Zabriskie, Crispin Glover, and Willem Dafoe. We are thrilled to dive into a great film from an incredible director. Take a listen and let us know what you think. As always, we can be reached at gondoramos@yahoo.com. Our Continued Love & Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

We bring you a winner from our David Lynch Patreon Poll we did a couple months ago.  I have always heard how different and strange his films are, and I still came into susprised by how different it was.  He is a movie that follows Dream Logic and never really explains what is happening.  Come hear what we thought about this film and what we think David Lynch was trying to tell us. Starring Mike Albertin, Kenneth Sanity, Bill Tucker, Phoebe Stanton, and Kyle F.  A Gamer Looks at 40 - https://agamerlooksat40.com/ Carrying My Cross - https://podcasts.apple.com/pl/podcast/carrying-my-cross-a-faith-journey-podcast/id1865524685 Phoebe's Twitch - https://www.twitch.tv/theletsplayprincess Phoebe's Podcast - https://nerdsabroadcast.podbean.com/ Zac's Podcast - https://linktr.ee/absolutelythebest Helena - https://linktr.ee/helhathfury Patreon - https://www.patreon.com/GamesMyMomFound Follow us on Facebook. Instagram - gamesmymomfound_ YouTube  - https://youtube.com/c/GamesMyMomFoundPodcast Discord - https://discord.gg/

We will be covering the David Lynch masterpiece, Twin Peaks: Fire Walk with Me.   Twin Peaks: Fire Walk with Me was released in 1992 as a prequel / sequel to the original series. It was directed by David Lynch and co-written by Lynch and Robert Engels.   This is part of our other show Welcome to Twin Peaks. You can check out the full show anywhere you find podcasts: https://welcometotwinpeaks.podbean.com/   Follow us on Instagram @welcometotwinpeakspodcast   Thanks for joining us for Welcome to Twin Peaks: Horror Hour with the Hanna's deep-dive Twin Peaks "re-watch" podcast. In this series Hannah ventures into the strange and beautiful world of David Lynch and Mark Frost's Twin Peaks for the very first time, guided by Twin Peaks veteran Matt.  Each week, we cover one to two episodes from the show to unpack the filmmaking, themes, music, mysteries, and all the wonderfully weird moments in between. Along the way, we'll spotlight our “Suspect of the Week,” "Who I Trust With My Coffee," "Notes for Diane," and make predictions for the future of the show.    #podcast #twinpeaks #twinpeakspodcast #davidlynch #horrorpodcast #horrormovies #horrorfilm #scarymovie #scarymovies #scarymoviesbelike #horrortok #horrorhour #behindthescenes #howscary #moviereview #filmreview #morbidpodcast #creepypodcast #filmtok #moviesummary #horrorpodcast #horrormovies #horrorfilm #scarymovie #scarymovies #scarymoviesbelike #horrortok #horrorhour #behindthescenes #howscary #moviereview #filmreview #morbidpodcast #creepypodcast #moviesummary #movieexplained #scary #horror #movie #film #behindthescenes #behindthescene #filming #moviefacts #halloween #filmpodcast #horrorfilmanalysis #filmpodcast #horrorgenre #horrorfilmanalysis #newrelease #horrormoviepodcast #tvreview #tvreviews #tvpodcast  

Farewell to freedom in the Adriatic and days of wild abandon! We're soaring back over the sea this week to hang out with our close personal friend, Porco Rosso! This is… the best movie ever made, right? Topics discussed this week: whether or not Han Solo is just Porco in space, Italian antifascism, French antifascism, fascism in general, Looney Tunes, and of course, cool planes. Next week it's all about raccoons as we go long on Isao Takahata's POM POKO (1994)! Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Interview with Toshio Suzuki Behind the Microphone The Art of Porco Rosso Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Starting Point by Hayao Miyazaki Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Episode 156, we enter the unsettling, hypnotic world of David Lynch with acclaimed film scholar Todd McGowan, author of The Impossible David Lynch.Lynch is one of cinema's greatest paradoxes. He worked within Hollywood systems and budgets, yet created films that feel radically independent. From Blue Velvet to Mulholland Drive, from Twin Peaks to Wild at Heart, his cinema resists easy interpretation while remaining deeply watchable.So how did Lynch stay between mainstream cinema and art-house radicality?Todd McGowan unpacks Lynch through Kant, Freud, fantasy theory, and the unconscious — revealing why Lynch's films are not puzzles to solve, but experiences to undergo. We explore whether Lynch was more classical than we assume, how he erased the “wall” between fantasy and reality, and why feeling — not logic — structures his cinema.This episode is essential for filmmakers, theorists, and anyone fascinated by how cinema can disturb, seduce, and transform an audience.⏱️ TIMESTAMPS00:00 Introduction01:28 Kant, Freud & Lynch04:20 Erasing the wall (Blue Velvet)06:57 Staying between mainstream & art film (clip)08:15 His most “mainstream” film – Wild at Heart10:01 Godard & Lynch (clip)11:30 Cinema of feeling vs cinema of reason12:20 On Godard's passing (clip)15:57 Lynch as a traditional Hollywood director? (clip)20:12 Dune — $42 million “disaster”?23:09 Blue Velvet, Wild at Heart, Twin Peaks, Lost Highway29:00 Returning to Kant — the philosophical LynchWatch on YoutubeListen on Spotify/ Apple#TheArtistsPodcast #DavidLynch #ToddMcGowan #TheImpossibleDavidLynch #FilmTheory #CinemaStudies #AuteurCinema #BlueVelvet #TwinPeaks #MulhollandDrive #WildAtHeart #Dune #PsychoanalyticTheory #ArtHouseCinema #FilmPodcast #Cinephile

In this episode of The Artists Podcast, we dive deep into the mind of David Lynch with acclaimed film scholar Todd McGowan — author of The Impossible David Lynch, a provocative exploration of Lynch's cinematic language and the impossible, unconscious core of his films.Lynch occupies a rare space between mainstream visibility and independent cinema authenticity — blending the bizarre and the normal, the dreamlike and the narrative, to create films that defy conventional categorization. Whether you're a filmmaker, cinephile, or lover of the strange, this episode reveals how Lynch thinks — and why his cinema continues to challenge and captivate global audiences.Subscribe  @suchita_filmmaker_podcaster  to stay tuned.#TheArtistsPodcast #DavidLynch #ToddMcGowan #TheImpossibleDavidLynch #FilmTheory #CinemaStudies #IndependentCinema #MainstreamCinema #SurrealCinema #PsychoanalyticFilm #AuteurCinema #FilmScholar #WatchEpisode #YouTubePodcast #FilmDiscussion #Cinephile #MovieTalk #FilmAnalysis

Despite the news that Sony is no longer producing physical discs for its Playstation consoles, Blu-rays are not going anywhere. That despite this being one of the smallest tallies of titles that Erik Childress and Peter Sobczynski have ever covered. (Cause we don't like to repeat ourselves.) That being said you have David Lynch's Oscar-nominated biopic and Tim Burton adapting a wacky soap opera. Besides the Criterion sale is on at Barnes & Noble so it's a good week for your budget.2:44 - Criterion (The Elephant Man (4K))22:37 - Shout (Dark Shadows (4K Steelbook))35:02 – New Theatrical Titles On Blu-ray (The Drama (4K), All You Need Is Kill, Dead Man's Wire, Fuze, Strange Journey: The Story of Rocky Horror)45:29 - New Blu-ray AnnouncementsCLICK ON THE FILMS TO RENT OR PURCHASE AND HELP OUT THE MOVIE MADNESS PODCAST OR BUY FROM MOVIEZYNGBe sure to check outErik's Weekly Box Office Column – At Rotten TomatoesCritics' Classics Series – At Elk Grove Cinema in Elk Grove Village, ILChicago Screening Schedule - All the films coming to theaters and streamingPhysical Media Schedule - Click & Buy upcoming titles for your library.(Direct purchases help the Movie Madness podcast with a few pennies.)Erik's Linktree - Where you can follow Erik and his work anywhere and everywhere.The Movie Madness Podcast has been recognized by Million Podcasts as one of the Top 100 Best Movie Review Podcasts as well as in the Top 60 Film Festival Podcasts and Top 100 Cinephile Podcasts. MillionPodcasts is an intelligently curated, all-in-one podcast database for discovering and contacting podcast hosts and producers in your niche perfect for PR pitches and collaborations.USE COUPON “MOVIEMADNESS” TO GET 10% OFF ALL DUBBY PRODUCTSSIGN UP FOR AUDIBLE This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit erikthemovieman.substack.com

Mit seinen Romanen trifft der deutsche Popliterat Leif Randt den Nerv einer Generation. Zwischen Wehmut und Wermut, Club und Altbau, Selbstreflexion und Kontrollverlust-Verweigerung zeichnet sein Buch „Allegro Pastell“ die Welt bürgerlicher Millennials. Jetzt wurde der Bestseller von 2020 verfilmt, aus diesem Anlass treffen Pia Reiser und Christian Fuchs den cinephilen Schriftsteller zum spannenden Gespräch. Dabei geht es neben Mode und Melancholie auch um die Anziehungskraft von David Lynch oder um Lieblingsfilme von Leif Randt wie „Springbreakers“ oder „Mid90s“. Sendungshinweis: FM4 Film Podcast, 06.07.2026, 0 Uhr

U.S. economy adds 57,000 jobs in June, according to the Labor Department, about half what many economists expected. Unemployment rate falls from 4.3% to 4.2%, mainly due to people leaving the labor market; U.S. Trade Representative Jamieson Greer explains why the Trump Administration has decided not to extend the U.S.-Mexico-Canada trade agreement. We hear from him and talk with Washington Post trade reporter David Lynch (10); Former Olympian David Hearn has been indicted on a felony charge of property destruction for what President Donald Trump has called vandalism of the Reflecting Pool between the Washington Monument & Lincoln Memorial; Defense Secretary Pete Hegseth thanks National Guard members at a park in Washington, DC for their part in the work of the Administration's D.C. Safe and Beautiful Task Force. He is met by protesters; More celebrations of America's 250th anniversary ahead of the Fourth of July holiday. We hear from House Speaker Mike Johnson (R-LA), House Minority Leader Hakeem Jeffries (D-NY), Philadelphia Mayor Cherelle Parker (D) and historian Doris Kearns Goodwin on the legacy of former President Theodore Roosevelt, as a new library dedicated to the 26th president is opening in North Dakota. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, film scholar and author Mike Miley returns to the podcast to discuss one of his favorite directors, Jonathan Demme. Intriguingly, Mike opted to focus on Demme's earliest movies before his most successful era of SILENCE OF THE LAMBS and PHILADELPHIA. Although we touch on the unsung filmmaker's entire career, in this fast-paced, well-researched conversation, Mike and I cover Demme's background, recurring themes, collaborators (especially David Byrne), contemporaries, and those he influenced (most notably Paul Thomas Anderson), plus the films STOP MAKING SENSE, SOMETHING WILD, and MARRIED TO THE MOB. One of my favorite episodes of the season so far and perfect for the Fourth of July weekend given what Demme chooses to celebrate onscreen in America; it's also a must for cinephiles with access to the Criterion Channel, given that this month there's a spotlight on the filmmaker's work. Mike's Bio: Mike Miley is the author of David Lynch's American Dreamscape: Music, Literature, Cinema and Truth and Consequences: Game Shows in Fiction and Film. His writing on film has appeared in The Atlantic, Bright Lights Film Journal, Reactor, The Smart Set, and elsewhere. His next book, A Guide to Reading (and Finishing) David Foster Wallace's Infinite Jest, will be published next year. He's currently working on an oral history about an 80s cult classic. Originally Posted on Patreon (7/1/26) here: https://www.patreon.com/FilmIntuition/posts/162635425Donate to the Pod via Ko-fi & PayPal Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless ShopTheme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

Hello! And welcome to The Dana Gould Hour podcast. Fasten your fun belts, we are blasting off, yet again.   We are joined today by legends. You heard me. Mark Frost is a legendary writer, first in television. He started out on The Six Million Dollar Man, moved on to Hill Street Blues, co-created Twin Peaks with David Lynch. In motion pictures, he wrote and directed the film Storyville, he wrote the 2005 The Fantastic Fourand its sequel Rise Of The Silver Surfer and he has a new book out entitled Yankee Sphinx, which tells the story of FDR from just before America's involvement in World War II up through his death. It's told through the eyes of FDR's Great Uncle, Will Hasset, who worked as FDR's speech writer and press attaché, one might say. We cover a lot of topics and a lot of ground and I am super happy that Mr. Frost sat down and gave me his time.   Gary Rhodes is a writer and film historian who has written, among many other titles, a multi-volume set on the strange life and career of Bela Lugosi. He's written about Ed Wood, he wrote the book Horror At The Drive In, Essays In Popular Americana and he has an excellent new book out entitled Weirdumentary: Ancient Aliens, Fallacious Prophecies and Mysterious Monsters from 1970's Documentaries. Before streaming, before cable, before the History Channel and Ancient Aliens, these topics were explored in documentaries at your local Cineplex. Many were produced by the late great, Sunn Classic Pictures. UFOs, Elvis, Bigfoot, they're all here, in the pages of Weirdumentary, and we're a-gonna talk about it.   And now, it's on, to our filthy business.

Send us Fan MailThis week I sat down with my oldest, most annoyingly-always-right friend, Mike Dressel — writer, plant dad, t-shirt auteur, and the reason I've seen approximately 400 things I wouldn't have otherwise seen. (He's almost always right. It's exhausting.) The man also accidentally coined what is objectively the greatest band name of all time, which you'll have to listen to find out — but I promise it involves a cat, a bad hip, and the creeping wave of fascism. So, ya know. Relatable.We go everywhere: the disillusionment-to-essayist pipeline, why Gen X had the best music and also kind of raised itself on caffeine and neglect, what gay culture is finally leaving behind (and what it stubbornly won't), and why Mike is now, definitionally, a rave widow. We talk mental health, SSRIs, the specific shame of listening to Ryan Adams alone in your house, David Lynch on acid, and the mystifying persistence of algorithm pop stars who Mike is convinced are not real people.We also do Bibliomancy, which tells Mike his style evolution will be nothing short of messianic. Skinny jeans, apparently, are back.Candles optional. Bwain pills recommended.Mike's website here.    Leave your message for the Speaker Box here.Watch this episode on YouTube here.  For more AGECRAFT content, join the Substack here. To work with Julia and/or learn more about her, go here.  CBDMD website here.Use code julia_g_wellness to get 15% off Episode SponsorBe one of the helpers! SUBSCRIBE to this podcast on APPLE PODCASTS or SPOTIFY and leave us a review on APPLE PODCASTS. 

Get ready to reconnect with your 10-year-old self. Because we're about to face some of the most embarrassing (and transcendent) childhood memories in movie history! Topics discussed this week: dividing fractions, the questionable taste of unripe pineapples, Takahata and Miyakazi's legendary beef, uncanny animated facial muscles, the weather, and whether or not ALADDIN still holds up. Next week we take to the skies with PORCO ROSSO (1992). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features The Making of Only Yesterday Princess Mononoke: The Art and Making of Japan's Most Popular Film of All Time Starting Point by Hayao Miyazaki Sharing a House with the Never-Ending Man by Steve Alpert Credits: Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Melissa George was just 16 when she became a household name as Angel Parrish on Home And Away. Nearly three decades later, she's built one of Australia's most enduring international acting careers, starring in everything from Friends to The Slap, earning a Golden Globe nomination for her role on In Treatment and working with acclaimed director David Lynch. Now a mother of three boys and living in Paris, Melissa joins Sarrah Le Marquand to discuss her new Binge series Ms. X, becoming a mother again at 47, the loss of her former co-star Dieter Brummer, and why she's finally made peace with the role that made her famous. Ms. X premieres on Tuesday on Binge and Foxtel On Demand. Watch the full episode with Melissa George here. Something To Talk About is a podcast by Stellar, hosted by Sarrah Le Marquand. Find more from Stellar via Instagram @stellar, TikTok @stellar_aus, or stellarmag.com.au.See omnystudio.com/listener for privacy information.

Bob Roth—legendary teacher, author, CEO of the David Lynch Foundation, and one of the most influential figures in the Transcendental Meditation movement—takes the host's chair to explore the life and journey of Jaymee Carpenter. Over the past five decades, Bob has introduced meditation to everyone from Martin Scorsese, Oprah Winfrey, Tom Hanks, and Jonah Hill to hundreds of thousands of students around the world. Through his longtime collaboration with filmmaker David Lynch, Bob has helped bring Transcendental Meditation to more than 500,000 underserved youth across 35 countries.A longtime supporter of Jaymee's work, Bob has expressed a desire for years to sit down and uncover the story behind the storyteller. In this special and deeply personal episode, Jaymee opens up about his life, spiritual path, struggles, inspirations, and the experiences that shaped Love Is The Author. A true role reversal—and a profound honor for your host. Special thanks to Coulter Jacobs (CJLA) for the cover art.Interested in Trauma Counseling/Mentorship with Jaymee?email: lacee@loveistheauthor.com to set up a free consultation,or visit: ⁠www.loveistheauthor.com/mentorship⁠ LITA PODCAST: hosted, produced, and recorded by Jaymee Carpenter. SOUND MIX: Jonah LevineOPENING SONG: Tripura Subdari by Earthtones Music & Sheela BringiCLOSING SONG: Ocean Of Beauty by Earthtones Music & Sheela BringiSPONSORS: YERBA MADRE ⁠⁠⁠⁠⁠⁠www.yerbamadre.com⁠RAUM GOODS ⁠⁠⁠⁠www.raumgoods.com⁠⁠⁠⁠BOSSANOVA SOAP www.bossanovasoap.com⁠⁠⁠⁠TOTALLY BLOWN ⁠⁠⁠⁠⁠⁠⁠www.totallyblown.us⁠⁠⁠⁠⁠⁠⁠INDIAN LODGE ROAD ⁠⁠⁠⁠www.indianlodgeroad.com⁠⁠⁠⁠THiS SHOW is a LABOR of LOVE. PLEASE SUPPORT IT: ⁠⁠⁠⁠www.patreon.com/loveistheauthorpodcast⁠⁠⁠⁠FAN CONTACT: lacee@loveistheauthor.comON INSTAGRAM:  @loveistheauthor  / @unconventionalgardener

We conclude the Nicholson themed week with the Stephen King double feature of THE SHINING and DOCTOR SLEEP:   In both a re-edit and new portion, we were so fortunate to have all kinds of guests who summed up the various praise, themes and critiques in their OWN voice.   Due to Kubrick's internal thoughts and his external approach, were the fans always going to be in-fighting amongst themselves and Stephen King's fans?   What sets Kubrick apart from all the Lars Von Trier copycats?   David Lynch never shied away but why do we still not understand Kubrick's true intent?   And why are fans so bonkers with the whole "Wendy is actually crazy" theory?         GUESTS: Cliff Stevenson & A-aron Landerville (Predator Movie Minute, Gonzo Movie Minute), Karen & Joseph (Bonsai Movie Crew), Jenny Ambrose & Lucas Dickinson    

Anonymous videotapes begin appearing at a house in the Hollywood Hills. Events escalate and become increasingly untethered to reality. On this week's episode… Join the Straight Chilling Crew as we discuss creepy pale-faced dudes, Bill Pullman's musicianship, and David Lynch's neo-noir horror film, Lost Highway (1997).   Show Notes: Housekeeping (6:10) Back of the Box/Recommendations (12:50) Spoiler Warning/Full Review (18:45) Rotten Tomatoes (1:17:12) Trivia (1:25:00) Cooter of the Week (1:32:08) What We've Been Watching (1:41:10)   Connect with us: Support us on Patreon Website Instagram YouTube Shop E-mail: straightchillingpodcast@gmail.com Voicemail: 904-638-3231

Tristan Miller is a comic and their love of David Lynch is THOUROUGH and I learn stuff. Their name on IG and their website @tristanjmiller.com has podcasts “Movies to Fall Asleep to” and “Manic Impressive.” David Lynch seems cool and weird but nice! Donate to The Dork Forest if you like the show. The paypal email ⁠⁠jackie@jackiekashian.com⁠⁠ and venmo is @jackiekashian. There is MERCH: ⁠⁠www.JackieKashianStore.com⁠⁠ is the direct. Links to everything is at ⁠⁠⁠www.dorkforest.com⁠⁠⁠ or ⁠⁠⁠www.jackiekashian.com⁠⁠⁠ Extra TDF/standup and a storytelling album are available here: ⁠⁠https://thedorkforest.bandcamp.com/⁠⁠   YouTube has the videos: ⁠⁠https://www.youtube.com/@JackieKashianInc⁠⁠ And it's @jackiekashian on all the social mediaz. Audio and Video by Patrick BradyMusic is by Mike Ruekberg

Send us a message.We open on what a trip does to you once you're home. Time away, then the return, where the familiar looks sharper and the work feels urgent again. That sets up the thread running through the whole episode: the difference between a trip planned down to the hour and one you make up as you go, and why the unplanned kind tends to leave the stronger memory. No itinerary, no booked room, just landing somewhere and letting it unfold.From there we get into friction: the small obstacles we put in our own way to avoid doing the things we actually want to do, and how clearing them is most of the work. That carries into gear. The pull to bring everything, the freedom of bringing almost nothing, and the old principle that a fraction of your tools does most of the lifting. What sits in front of the camera matters more than what's in the bag.The back half settles on one question: when does skill start working against the work? Too controlled, too finished, no room for the accident that makes a thing feel alive. We talk about how constraints, small budgets and short schedules, can produce better work than freedom does, and why mastery alone isn't the whole story. If it were, the most experienced would always make the best thing, and they don't. We close on keeping expectations small enough to leave room for chance, plus a sweet interruption from home. -AiSupport the show If you enjoyed this episode, please consider giving us a rating and/or a review. We appreciate and try to read all of them. Thanks for listening, and we'll see you in the next episode. Links To Everything: Video Version of The Podcast: https://geni.us/StudioSessionsYT Matt's YouTube Channel: https://geni.us/MatthewOBrienYT Matt's 2nd Channel: https://geni.us/PhotoVideosYT Alex's YouTube Channel: https://geni.us/AlexCarterYT Matt's Instagram: https://geni.us/MatthewIG Alex's Instagram: https://geni.us/AlexIG 

Finally, an animated film about how the gig economy is BAD but dirigibles are COOL! This week we hang out with the snarkiest cat around, Jiji, and his very cool familiar, a little witch who dreams of something better than eating pancakes for every meal. Even if you're not a freelancer, this film speaks volumes, because work/life balance is impossible and Kiki's about to find out why! Next week, it's another Takahata gem, ONLY YESTERDAY (1991). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Creating Kiki's Delivery Service Scoring Miyazaki Kiki & Jiji Art of Kiki's Delivery Service Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Starting Point by Hayao Miyazaki Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Credits:  Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

David Lynch affirmations, Dan does three things, and Austin might be a Markov Chain.

Send us Fan MailThis episode of The Black Lodge with Mike Hill is the season one finale episode of Twin Peaks. I hope everyone is enjoying this journey into the dark and strange universe of Twin Peaks. https://everythingwentblackmedia.com/everything-went-blackhttps://tombscult.bandcamp.com/musicIntro music: Twin Peaks ThemeSong by Angelo Badalamenti ‧ 1990Outro music: “Falling" by Julee CruiseSynth Outro by Abraxas HornSynth Outro by Abraxas HornSynth Outro by Abraxas HornMy email and social links:Brandonlegion666@yahoo.comTwitter: Horrorwolf666Instagram: Brandonlegion666 Facebook: Horrorwolf666Website: www.horrorwolf666.com(Merchandise)https://www.teepublic.com/user/the-horrorwolf666-podcast

In this episode, host Jason Jefferies is joined by Bookin' favorite Alex Pugsley, who discusses his latest novel Silver Lake, which is published by our friends at Biblioasis. Topics of conversation include Dan Ackroyd, modernism, talk shows, Famke Jannsen and David Lynch, car culture, the advisability of dating one's co-workers, work as fun, and much more.  Copies of Silver Lake can be ordered from your favorite local independent bookstore.  Happy reading!

Chris and Perry talk about Steven Spielberg's latest, Disclosure Day, and continue their David Lynch retrospective with 2001's Mulholland Drive. 

Dos fóruns da internet para as telas de cinema, "Backrooms: Um Não-Lugar" traz o realismo para o fantástico com uso de found footage e cenários surrealistas. Dirigido pelo novato Kane Parsons, mais jovem cineasta contratado pela produtora A24, o filme traz Chiwetel Ejiofor ("12 Anos de Escravidão", "Coisas Belas e Sujas") no papel de Clark, um arquiteto que passa por uma crise pessoal após o fim do casamento e a frustração com a carreira profissional. Vivendo como vendedor de móveis, ele descobre acidentamente uma passagem para uma dimensão paralela em sua loja e adentra um mundo de imensas salas e corredores labirínticos que guardam perigos imprevisíveis. Intrigada com a história de Clark, a psicológa Mary, vivida por Renate Einsve ("Valor Sentimental", "A Pior Pessoa do Mundo"), tenta ajudá-lo, mas no caminho também se lança ao risco de se perder. Situado nos anos 90, "Backrooms" se apropria de códigos do cinema de horror e estéticas surrealistas, que passam por Lewis Carroll, Escher e David Lynch, para criar uma noção de nostalgia distorcida na qual objetos, lugares e imagens de conforto se convertem em formas ameaçadoras e inóspitas. Veja ou escute a crítica de "Backrooms" por Renato Silveira e Kel Gomes. Gostou do podcast? Junte-se ao Cineclube Cinematório e tenha acesso a conteúdo exclusivo de cinema. Visite o nosso site para saber como participar. BACKROOMS: UM NÃO-LUGAR (Backrooms, 2026, EUA) Direção: Kane Parsons Roteiro: Will Soodik (baseado na web série criada por Kane Parsons) Produção: James Wan, Shawn Levy, Osgood Perkins Elenco: Chiwetel Ejiofor, Renate Reinsve, Mark Duplass, Finn Bennett, Lukita Maxwell Fotografia: Jeremy Cox Montagem: Greg Ng Música: Edo Van Breemen, Kane Parsons Duração: 1h 40min Distribuição: A24, Imagem Filmes Quer mandar um e-mail? Escreva para contato@cinematorio.com.br

"Stranger Things" is an American television series created by the Duffer Brothers for Netflix. The fifth and final season was released in three volumes, including the finale, in November and December 2025. The show combines elements of horror, science fiction, mystery, coming-of-age, and drama. Set in the 1980s, the series centers on the residents of the fictional town of Hawkins, Indiana, after a young girl with psychokinetic abilities named Eleven inadvertently creates a wormhole known as the Upside Down at a nearby secretive government research facility, connecting Earth to a hostile realm called the Abyss. The ensemble cast includes Winona Ryder, David Harbour, Finn Wolfhard, Millie Bobby Brown, Gaten Matarazzo, Caleb McLaughlin, Natalia Dyer, Charlie Heaton, Cara Buono, Matthew Modine, Noah Schnapp, Sadie Sink, Joe Keery, Dacre Montgomery, Sean Astin, Paul Reiser, Maya Hawke, Priah Ferguson, Brett Gelman, Linda Hamilton, Jamie Campbell Bower, and Nell Fisher. The Duffer Brothers developed Stranger Things as a blend of investigative drama and supernatural horror, infused with childlike wonder and references to the popular culture of the 1980s. Several thematic and directorial elements were inspired by the works of Steven Spielberg, John Carpenter, David Lynch, Stephen King, Wes Craven, H. P. Lovecraft, and FromSoftware.The show also drew inspiration from Cold War-era experiments and conspiracy theories involving secret government programs. The series has received positive reviews throughout its run, with praise for its characterization, atmosphere, acting, direction, writing, and homage to 1980s cinema, making it a touchstone of 1980s nostalgia. It has garnered many accolades and is widely regarded as one of the greatest television shows of all time. Jamie Campbell Bower was kind enough to spend some time talking with us about his work and experience making the show, which you can listen to below. Please be sure to check out the show, which is available to watch in full on Netflix and is up for your consideration for this year's Emmy Awards in all eligible categories. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

S7, EP 208Special Guest: Mike PecciJoin us tonight at the Chaos Table and listen in on our conversation with award winning Director, filmmaker, writer and visual storyteller Mike Pecci.Mike is known for blending horror, science fiction, and emotionally grounded genre filmmaking with striking cinematic imagery. Classically trained in silent film directing and cinematography in New York, Pecci built his career directing commercials, music videos, and branded content before emerging as one of the most distinctive voices in independent horror cinema. His work combines old school visual storytelling with modern cinematic intensity, drawing inspiration from filmmakers like John Carpenter, Steven Spielberg, Alfred Hitchcock, and Andrei Tarkovsky.Pecci first gained major attention with his viral science fiction horror short film 12 Kilometers, a Lovecraftian nightmare inspired by the real life Kola Superdeep Borehole. The film became a cult phenomenon online, praised for its atmosphere, practical effects, sound design, and cinematic ambition. The film generated a massive grassroots following through an unconventional “you need the director's permission to watch it” release campaign, helping it spread virally throughout the horror community. Critics described the film as “what if David Lynch directed The Thing,” while audiences praised its haunting tone and immersive visual style. Since the release of 12 Kilometers, Pecci's films have screened at major genre and independent film festivals around the world, including the FilmQuest, where his short film Come Home earned him the award for Best Director. His experimental horror fashion film Metanoia, starring David Dastmalchian, received multiple festival nominations including Best Cinematography and Best Macro Short at FilmQuest, as well as nominations at the London Fashion Film Festival. Outside of narrative filmmaking, Pecci has directed over 30 music videos and commercial campaigns for artists and brands including Killswitch Engage, Meshuggah, Czarface, Bose, Fujifilm, Leica, and Samuel Adams. Pecci is also the creator and host of the long running filmmaking podcast In Love with the Process, where he interviews some of the industry's top cinematographers, directors, editors, and artists about the realities of the creative process. The show has become a respected platform within the filmmaking community for its honest conversations about art, struggle, obsession, and storytelling.Known for his visceral visual language, love of practical filmmaking, and emotionally driven horror, Mike Pecci continues to push genre storytelling into bold and unexpected territory. His work has earned a passionate cult following among filmmakers and horror fans alike, establishing him as one of the most exciting emerging voices in modern genre cinema.Mike's Links -Website - http://mikepecci.com/Podcast - http://inlovewiththeprocess.com/IG- https://www.instagram.com/mikepecci/This is a shareable podcast where a group of creatives join together to  document their creative voiceover & on-camera journeys in real time. We hope this podcast creates inspiration, stirs up a few ah-ha moments or maybe brings to the surface a feeling of "you're not alone" while navigating the creative process. Either way, we are glad you are here.  Oh, and we also pull into our conversations at the chaos table industry professionals along with other fellow actors, to share their stories, experiences and knowledge - so we can all connect, share, learn, grow and expand together.  This podcast is for entertainment and not educational purposes!  Enjoy and thank you for listening to our Creative Chaos! *Have a creative story or journey to share, we'd love to hear it - email us at chaoskeepers411@gmail.com or jozlynrocki@gmail.com Follow all the Chaos - YT - https://www.youtube.com/channel/UChG0fKKBt2QNplJowSaKU6wFB - https://www.facebook.com/keepingupwithchaospodcastIG - https://www.instagram.com/keeping_up_with_chaos/

The catbus is here and we're off to explore the (friendly) haunted forest! This week we're worshipping the ancient woodland spirit and face of Studio Ghibli — our good, personal friend, Totoro! But heads up, Adam and Dom have completely different takes on this one, so if you're looking for a real Siskel & Ebert type disagreement, this is the episode for you. Next week, we take to the skies with KIKI'S DELIVERY SERVICE (1989). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Special Features Behind the Microphone Creating My Neighbor Totoro Creating the Characters The “Totoro” Experience Hayao Miyazaki: Master of Japanese Animation by Helen McCarthy Starting Point by Hayao Miyazaki Grave of the Fireflies (BFI Film Classics) by Alex Dudok de Wit The Art of My Neighbor Totoro: A Film by Hayao Miyazaki Studio Ghibli: An Industrial History by Rayna Denison Sharing a House with the Never-Ending Man by Steve Alpert The Works of Hayao Miyazaki: The Japanese Animation Master by Gael Berton Miyazakiworld by Susan Napier Totoro's Limited Animation Team Guillermo Del Toro - 2013 Studio Ghibli Masterclass - TIFF Credits:  Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This is a free preview of the full episode, which can be found on our Bandcamp page here! You can pay-what-you-wish to download the episode there!David and Justus are trying out something a little different with their first-ever installment of a potentially recurring side show: TV Party! The inaugural episode finds them unraveling the tangled web of David Lynch's surreal experimental masterpiece Twin Peaks: The Return. Pour some damn fine coffee, pick up a box of donuts, and settle in for this super-sized chat about one of the strangest television events in history!Music: “Fractals” by Kyle Casey and White Bat Audio, "TV Party" by Black Flag

I’ve been watching Matt Koff’s new comedy special Cat Man all week — it’s out now on YouTube — and this week I got to talk with Matt about it. He’s an Emmy-winning Daily Show writer and the winner of New York’s Funniest Standup 2023. We talked about the cultural discomfort around men who love cats, and the very real divide Matt has clocked between Manhattan audiences (who think men with cats are weird) and Brooklyn audiences (who emphatically do not). As a fellow middle-aged cat dad, I related more than I’d like to admit. We also got into how Cat Man came together: self-financed, shot in two shows on a single night at the Comedy Cellar, and made with a crew of longtime Daily Show colleagues who transformed the Village Underground into something out of David Lynch by way of The Muppet Show. And we talked about the shift from being angry about not being famous to being relieved about it — a turn that, for Matt, has a lot to do with the grease stains on his shirts. Matt Koff is a Brooklyn-based stand-up and Emmy-winning TV writer who has been at The Daily Show for 13 years. His debut comedy album, Who’s My Little Guy?, is out on 800 Pound Gorilla Records, and he’s written for The Onion and the Trevor Noah-hosted White House Correspondents’ Dinner. Be sure to check out the bonus conversation with Matt dropping on Patreon! Find it here on my Patreon page. You can find Matt at mattkoff.net and at mattkoff.substack.com.

Dans la matrice de sa pop culture empoisonnée Bienvenue dans le monde merveilleux de Winshluss ! Il était une fois un petit agité de Charente qui foutait le feu à ses jouets. L'école n'intéresse guère cet anarchiste en puissance, lecteur de Pif Gadget et du magazine Métal Hurlant ; il la quitte à dix-sept ans sans se douter des étranges aventures que lui fera vivre son talent monstrueux pour le dessin. Dès Super Negra, sa première BD publiée en 1999 aux Requins Marteaux, cet autodidacte énervé explosait les héros niais de Disney à la bombe nucléaire. Mais comment ce tatoué plutôt taiseux, « traumatisé » par David Lynch et obsédé par les ombres diaboliques du film La nuit du chasseur (Charles Laughton, 1955), a-t-il réussi à contaminer la société avec sa pop culture empoisonnée ? Au point d'exposer aujourd'hui son « goût de la matière noire » dans de très chics galeries d'art ? Quel double effet décisif eut sur lui le chef-d'œuvre d'Art Spiegelman, Maus ? Peut-on décider de « mal dessiner » pour bousculer les conventions ? C'est la toile de fond de ce premier épisode consacré à ce peintre rigolard de nos malheurs absurdes. Lumière, oui, sur les us et coutumes de Winshluss ! L'auteur du mois : Winshluss Né en 1970 à La Rochelle, Winshluss est auteur de BD, cinéaste, musicien et plasticien. Narrateur goguenard de nos grandes et petites apocalypses, il a notamment signé, depuis la fin des années 90, une douzaine de bandes dessinées grotesques et désespérées, bourrées de losers malchanceux, de militaires serviles et d'hommes d'affaires crapuleux, dont une relecture anticapitaliste et contemporaine de Pinocchio (Les Requins Marteaux, 2008), récompensée du fauve d'or du meilleur album au festival international d'Angoulême. Sous le nom de Vincent Paronnaud, il est aussi le coréalisateur avec Marjane Satrapi du film Persepolis, distingué de deux César et d'un prix spécial du jury au festival de Cannes en 2007. Il vit et travaille à Bordeaux. Cette conversation a été enregistrée en février 2026. Mais une semaine avant de la mettre en ligne, nous avons appris le décès de l'autrice et cinéaste Marjane Satrapi, souvent évoquée dans ce numéro de Bookmakers. Nous adressons donc toutes nos condoléances à ses proches, en particulier à son ami Winshluss. Remerciements : Adèle Tocquet, Studio Gong, ainsi que Pauline, Daniel, Victor, Chloé et Bastien pour les lectures. Enregistrements février 2026 Entretien Richard Gaitet Montage Mathilde Guermonprez et Esteban Capron Réalisation et mixage Charlie Marcelet Musiques originales Samuel Hirsch Chant, toy-piano, synthétiseur, kalima, percussions Michael Liot Illustration Sylvain Cabot Production ARTE Radio

"Mel Brooks: The 99 Year Old Man!" is a 2026 American two-part documentary film that explores the life and career of Mel Brooks. Judd Apatow and Michael Bonfiglio direct the HBO documentary, and it features the final on-screen interviews with Rob Reiner and David Lynch. The documentary has received universal acclaim with a 100% rating on Rotten Tomatoes. Directors Judd Apatow and Michael Bonfiglio were kind enough to spend some time talking with us about their work and experience making the documentary, which you can listen to below. Please be sure to check out the documentary, which is available to stream on HBO Max. Thank you, and enjoy! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we pay tribute to one of the most devastating (and life-affirming) movies ever made. It's our very first Takahata film, and… it's a doozy. We simply couldn't do a Studio Ghibli series without honoring this masterpiece. **Please be aware that this episode includes some distressing themes around children and violence. We tried our best to celebrate the brilliance of the film but inevitably the conversation turned dark at times. Next week, we get a (much-needed) big, fuzzy hug from MY NEIGHBOR TOTORO (1988). Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPod References: Grave of the Fireflies (BFI Film Classics) by Alex Dudok de Wit Studio Ghibli: An Industrial History by Reyna Denison Animerica Isao Takahata & Akiyuki Nosaka Interview Studio Ghibli Movies Isao Takahata Interview Anime New Network Hirokatsu Kihara Interview Credits:  Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich. This episode was edited by Michael Gaspari. This episode was researched by Parth Marathe. Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shop The "Adam's Blu-Ray Corner" theme was produced by Chase Sterling. Assistant programming and digital production by Nik Long. Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the Discord. Learn more at eyeoftheduckpod.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Welcome to tonight's episode of Geeks Unleashed! I'm joined by guest Laurence as we kick things off by revealing our highly anticipated Geek of the Week and breaking down the biggest headlines in pop culture news. From there, we dive into a double feature of trailer reactions, sharing our raw thoughts on Adam Wingard's gonzo action-horror Onslaught and Eli Roth's unhinged, gory slasher Ice Cream Man. Finally, we turn off the lights and journey deep into the surreal, winding streets of Los Angeles for our main event: a comprehensive, spoiler-filled movie review of David Lynch's mind-bending masterpiece, Mulholland Drive.You can follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or if you would like to support us you can donate to our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠KoFi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Peter Deming, ASC on shooting Evil Dead 2 with director Sam Raimi and working with director David Lynch on Lost Highway, Mulholland Drive, and Twin Peaks. Find Peter Deming: Instagram @peter_deming Spider Noir is now streaming on MGM Plus and Amazon Prime. The Cinematography Podcast website: www.camnoir.com YouTube: @TheCinematographyPodcast Facebook: @cinepod Instagram: @thecinepod Blue Sky: @thecinepod.bsky.social

On this week's episode, Jeremy hits the endless road with It Ends, while Brandy Joe loses himself in David Lynch's nightmare puzzle with Lost Highway. Time Stamps: It Ends - 24:40 Lost Highway - 44:17 We'd love to hear from you! Send your terrorgrams to scaringissharing@gmail.com. Also, check out all the other awesome shows coming at you from the Planet Ant/Planet Ant Podcast multiverse! Check out merch & more: https://linktr.ee/scaringissharing

Dan is joined by Liverpool journalist David Lynch to find out more about the sacking of Arne Slot and what is next for the Reds. Hosted on Acast. See acast.com/privacy for more information.