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“ It was always in me — my grandparents were almost like these mystical figures, and they did really great things. So I was always like, ‘Why can't I discover more of that side of me?' ” Brian Velasquez Reid is co-founder + CFO of Dear Flor, the first Filipina-owned cannabis brand — bringing Filipino culture to the world, one flavor at a time. And he happens to be co-founder with recent FrieMMd of the pod Lisa Angulo Reid. Basically, Lisa said we had to have a chat with Brian, and we're really glad we did. Brian and Lisa met at a Philippine Society of Boston College picnic way back when in the 90s, or the olden days as the kids call it. Brian's originally from New Jersey, but now a proud New Yorker - him and Lisa have raised their family in Greenwich Village for years now. He actually got his start on some of Wall Street's top firms and became one of the first Filipino Americans to be a founding partner at a multi-billion-dollar hedge fund, as well as lots of other big deal roles in the financial world. Brian also serves as Treasurer of the FilAm Democrats of NY and is on the executive board of the Filipino American Historical Society of Metro New York. You'll enjoy this candid conversation with two guys raising families and coming to terms with our heritage, and what it means for the next generation of American.s And we didn't even talk about punk rock, heavy metal, dungeons and dragons or comic books too much... LEARN MORE: DearFlor.com Learn more about your ad choices. Visit megaphone.fm/adchoices
The exhibit, "Taste San Diego: Filipino Culinary Journeys" explores Filipino American history and identity and its deep connections to San Diego.
In this episode of the George Perez Stories comedy podcast, host George Perez and producer Johnny Roque sit down with legendary Filipino-American comedian Edwin San Juan for a hilarious and raw conversation about life in stand-up comedy, Chicano culture, and the wild side of life on the road. This episode dives deep into the roots of Chicano comedy, street survival stories, comedy club tales, and unforgettable moments from their time hustling in the stand-up scene. From breaking into the stand-up comedy world in the '90s to sharing stages at legendary venues like the Laugh Factory and the Ice House, Edwin brings real talk and comedy gold. George and Edwin riff on Latino and Filipino culture, prison stories, OG comics, and the grind of making it in Hollywood — with behind-the-scenes insights and non-stop laughs. Whether you're a die-hard fan of Latino stand-up, a podcast lover, or just want to hear comics get real, this episode is a must-listen!Instagram handles:Johnny Roque – @roquejohnnyGeorge Perez – @georgepcomedyEdwin San Juan – @edwinsanjuan
This week, we kick off our new exhibit and content initiative American Prophets: Writers, Religion, and Culture with four writers of speculative fiction: N. K. Jemisin, Matthew J. Kirby, Nnedi Okorafor, and Nghi Vo. Moderated by Michi Trota, the panel of authors discuss religion in their writing, the importance of considering socio-spiritual systems when world-building, and how these influence the ways their characters move through the worlds they create.This conversation originally took place April 22, 2025 and was recorded live at the Harold Washington Library Center in Chicago. We hope you enjoy entering the Mind of a Writer.American Prophets: Writers, Religion, and Culture opens November 2025 at the American Writers Museum in Chicago. Learn more about the exhibit and upcoming programming schedule here. American Prophets is supported by a grant from Lilly Endowment Inc. through its Religion and Cultural Institutions Initiative.AWM PODCAST NETWORK HOMEMore about the writers:N. K. JEMISIN is a fantasy author and 2020 MacArthur Fellow whose fiction has been recognized with multiple Hugo, Nebula, and Locus Awards. Most of her works have been optioned for television or film, and collectively her novels, including the Broken Earth trilogy — The Fifth Season, The Obelisk Gate, and The Stone Sky — have sold over two million copies. Her speculative works range widely in theme, though with repeated motifs: resistance and oppression, loneliness and belonging, and Wouldn't It Be Cool If This One Ridiculous Thing Happened. In her spare time she's into tabletop and video games, biking, fanfiction, and urban gardening. She lives and writes in Brooklyn, with her son and two cats.MATTHEW J. KIRBY is the critically acclaimed and award-winning author of numerous books for young readers, including The Clockwork Three, Icefall, The Lost Kingdom, the Dark Gravity Sequence, the Assassin's Creed series Last Descendants, A Taste for Monsters, and Star Splitter. He has also written adult titles for the Assassin's Creed and Diablo video game franchises. He has won the Edgar Award for Best Juvenile Mystery, the PEN Center USA award for Children's Literature, and the Judy Lopez Memorial Award.NNEDI OKORAFOR is the author of multiple award-winning and New York Times bestsellers, including Death of the Author, the Binti trilogy, Who Fears Death, and Lagoon, currently in development at Steven Spielberg's Amblin Entertainment. She has won every major prize in speculative fiction, including the World Fantasy, Nebula, and Eisner Awards; multiple Hugo Awards; and the Wole Soyinka Prize for Literature in Africa. Born in Cincinnati to Igbo Nigerian immigrant parents, she now resides in Phoenix, Arizona, with her daughter, Anyaugo.NGHI VO is the author of the novels Siren Queen and The Chosen and the Beautiful, as well as the acclaimed novellas of the Singing Hills Cycle, which began with The Empress of Salt and Fortune. The series entries have been finalists for the Nebula Award, the Locus Award, and the Lambda Literary Award, and have won the Crawford Award, the Ignyte Award, and the Hugo Award. Born in Illinois, she now lives on the shores of Lake Michigan. She believes in the ritual of lipstick, the power of stories, and the right to change your mind. Her latest release is Don't Sleep With the Dead.MICHI TROTA is a five-time Hugo Award-winning Filipino American writer, editor, and narrative expert. Her work explores how to use empowerment, representation, and storytelling to attain collective liberation and to dismantle oppressive institutions, not just survive them. She is the Executive Editor at the environmental justice and advocacy nonprofit Green America and her publications include the Wing Luke Museum 2018-19 exhibit Worlds Beyond Here: Expanding the Universe of APA Science Fiction and Chicago Magazine, and she's been featured in The Guardian, Chicago Tribune, and CNN: Philippines. She is also a member of the Filipino Young Leaders Program 2022 Immersion cohort and a fire performer with Raks Geek/Raks Inferno Fire+Bellydance.
This week in Episode #691, Wayne talks with Cecilia and Waverley Lim from Kwento Comics about their excellent YA series The Mask of Haliya! Kwento Comics, the trailblazing Filipino-American comic book publisher, recently concluded their successful Kickstarter for the second volume of The Mask of Haliya, a young adult urban fantasy graphic novel inspired by Philippine mythology. The good news is--you can still back this high-power project, which is described this way: “THE MASK OF HALIYA follows the journey of a troubled Filipina-American teen who discovers a mysterious mask at her great-grandmother's wake.” We talk about Kwento Comics, how The Mask of Haliya came to be, who the characters are, and what else we can expect from this international, all-Asian, all-female creative team in the months ahead! Be sure to go to the link above and support them once you have listened to this great interview! Major Spoilers Podcast Network Master Feed RSS Feed Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patreon member. It will help ensure Wayne's Comics Podcast continues far into the future!
A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Host Miko Lee celebrates AAPINH Month by interviewing Filmmakers: Sara Kambe Holland, Alleluiah Panis, and Kyle Casey Chu, also known as Panda Dulce. We also cover a bunch of AAPINH month events happening throughout the Bay Area. Calendar of Events Community Calendar May 3 2-6pm Daly City AAPI Fest celebrating local Asian American & Pacific Islander culture in Daly City and the Greater San Francisco Bay Area May 10 10am-12pm PT Our Heritage 5K 2025 a FREE, family-friendly 5K fun walk/run honoring the rich history and contributions of Asian American and Pacific Islander communities in San Francisco. This scenic route winds through the heart of the city, passing by over 16+ historic AAPI landmarks—featuring goodies, resources, and fun facts about its cultural significance. Expect cheer stations, photo ops, sweet treats, and entertainment along the route to keep the energy high! May 10th is also AAPI Mental Health Day! The Our Wellness Festival, will celebrate mental health, community, and joy. The festival will feature family-friendly activities, carnival-style games, music, dancing, wellness resources, and more! May 23 at 5:30 pm – 8:30 pm Asian American and Pacific Islander LGBTQ2S+ Mixer NJAHS Peace Gallery 1684 Post Street, San Francisco Children's Fairyland in Oakland, and Stanford's Asian American studies department host a series of events throughout the month that we will post in the show notes for you to check out. Bay Area Public Libraries AAPI Month Oakland public libraries feature reading lists for all ages, a grab and grow seedling kit and events like watermelon kimchi making!San Francisco Public Libraries There will be events for all ages at Library locations throughout the City, including free author talks, book clubs, film screenings, crafts, food programs and musical and dance performances. San Jose Public libraries host a series of events with a highlights being Tapa Cloth making on May 6 and Vegan Filipino Cooking with Astig Vegan on May 7 Berkeley public libraries CAAMFest 2025 United States of Asian America Through June 1 Transcript: Filmmakers Exploring Boundaries Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. Ayame Keane-Lee: [00:00:57] Welcome to Apex Express and happy Asian American and Pacific Islander Heritage Month. Even though the Trump administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion. Here at Apex Express and KPFA, we believe in lifting up people's voices. And tonight on Apex Express, we are focusing on Asian American filmmakers exploring boundaries. Host Mika Lee talks with filmmakers, creators, writers Sarah Kambe Holland, Alleluiah Panis, and Kyle Casey Chu, also known as Panda Dulce. Join us on Apex Express. Miko Lee: [00:01:51] Welcome, Sarah Kambe Holland, the amazing young filmmaker, writer, director, here to talk about your very first film, egghead and Twinkie. Welcome to Apex Express. Sarah Kambe Holland: [00:02:04] Thanks so much for having me. Miko Lee: [00:02:06] So first I'm gonna start with a personal question, which is an adaptation from the amazing poet Chinaka Hodges. And my first question is, who are your people and what legacy do you carry with you? Sarah Kambe Holland: [00:02:19] Oh wow. What a great question. , I think that I represent my family and my heritage. I'm mixed, so I'm half Japanese and half British. I grew up partially in Japan and partially in the States. I feel like those experiences, my family, they make up who I am and the stories that I wanna tell. Miko Lee: [00:02:41] And what legacy do you carry with you? Sarah Kambe Holland: [00:02:45] I think the legacy of my family, my grandparents on both sides have overcome so much, and, , they're a big inspiration to me. Funny enough, my grandparents play kind of a secret role in this film. My grandparents on my mom's side were incarcerated in the Japanese American camps. My grandmom, my British side overcame a lot of adversity as well in her life. , I think that's the legacy that I carry. Miko Lee: [00:03:09] Thank you. Tell me a little more, what secret role do your grandparents play in the film? Sarah Kambe Holland: [00:03:14] all my grandparents have always been very supportive of, my art and my filmmaking. But my grandparents on my mom's side, they passed away ahead of the making of this film. And I inherited my grandfather's car. And that car is the car in the movie that, Egghead Twinkie drive cross country. So I like to think that this is their way of supporting me. I think that they would get a kick out of the fact that their car is like a main character in the film, Miko Lee: [00:03:41] literally carrying you on your journey. I had so much fun watching the film. Can you share with our audience a little bit about what the film is about and what inspired you to create this? Sarah Kambe Holland: [00:03:52] So the film is called Egghead and Twinkie, and it's about this mixed Asian teenage lesbian named Twinkie who's coming out and her best friend Egghead, who unfortunately is in love with her and she does not feel the same. , and they end up going on this cross country road trip to meet Twinkie Online love interest IRL for the very first time. So it's kind of like a buddy comedy road trip movie. Coming of age queer story, , and it's one that's very personal to me, I think is a mixed Asian queer person. This was a story I was drawn to tell because it was a story that I didn't really see on screen when I was growing up. Miko Lee: [00:04:30] Can you talk to me a little bit more about the use of the name Twinkie, which for many folks in the A API community is seen as a slur, and I know she talks about it a little in the film, but can you share more how you came up with that? Sarah Kambe Holland: [00:04:44] Yes, it's a very nuanced thing and it's something I was kind of nervous to tackle, especially like in a comedy film. , but really with the creation of Twinkie's character, , I feel like she's going on this journey to embrace herself as a lesbian, as a gay woman, but then also I think that she's searching for herself as a mixed Asian person. I feel like within the Asian American community, if you're raised here in the US or if you're mixed or if you're adopted, I think that there can be this feeling of not feeling Asian enough. I think the word Twinkie was something that was kind of weaponized against her. Like, oh, you know, you're not Asian enough, you're a Twinkie. And her way of coping with that is to kind of reclaim that word and kind of own that. As her own name. Miko Lee: [00:05:31] Thank you so much for sharing. I read online that this is the very first feature film to be crowdfunded on TikTok. Can you talk a little bit about, I know your background is in as a social media creator. Can you talk about that journey from social media creator to filmmaker? Sarah Kambe Holland: [00:05:51] Yes. Yeah. TikTok and social media was such a big part of getting this film made. Uh, so for myself, yeah. I was a YouTuber before I was a filmmaker. I should be clear, I wasn't like PewDiePie or anything like that. I had like 40,000 followers. Um, but for me at that time when I was like 15, 16, that felt like the whole world. Um, and I think that YouTube was really my first introduction to. Storytelling, but also to making friends with people through the internet. And that ended up being a really big influence on this film because Twinkie is traveling cross country to meet a girl that she meets online. And I think that that is such a common story nowadays. Like people make friends online all the time. Um, and the ways that we find love and community has changed.Because of the internet. Um, so it felt very appropriate that we turned to TikTok turned to social media as a means to raise money for this film. Uh, we did a whole targeted crowdfunding campaign on TikTok and we raised over $20,000 from a lot of strangers that I will never meet, but I owe a lot of thanks to. Miko Lee: [00:06:53] So now that the film has been going out to different festivals and being screened at different places, have any of those that participated in the crowdfund, have you met any of those kind of anonymous supporters? Sarah Kambe Holland: [00:07:05] Yes. And that was crazy. it was awesome. We screened it over 40 festivals all around the world. Our international premiere was at the British Film Institute in London. And it was at that screening that someone raised their hand during the q and a and they were like, I just wanted you to know that I backed your movie, uh, and I found you on TikTok. And that just blew my mind that someone on the other side of the world, you know, had donated whatever, you know, 10, 20 bucks to making this thing a reality. Miko Lee: [00:07:31] Oh, I love that when the anonymous becomes real like a person in front of you that you can actually meet. How fun. I'm wondering if your use of animation is, , been influenced by your social media background. Sarah Kambe Holland: [00:07:45] Not really. Actually. I think the animation part of this film is just because I'm a total nerd. I really love animation, I love comics. And so that kind of bled into Twinkies character. You know, she loves comics, she wants to be an animator. And, uh, I think I've always been interested in the idea of combining 2D animation with live action footage. I feel like that's something that we see a lot in like children's movies or, um.Music videos, but it's not something that you really see in like, feature films all that often. So I was kind of excited to explore that, and it was a really fun collaboration with myself and our lead animator, Dylan Ello, who did most of the animations in the movie. Miko Lee: [00:08:28] Oh, thank you for that. I, I, it was very delightful. Um, I'm wondering, because we're, our world right now is incredibly complicated and so conflicted. How do you feel filmmaking can make a difference? Sarah Kambe Holland: [00:08:44] I feel like art is more important now than ever because I see even in just this film's journey how art literature and movies, it can change people's minds and they don't even realize that their minds are changing.I think especially with this film, 'cause it's so lighthearted and funny and silly, you'd be like, oh, it's just, you know, a good laugh and that's it. But, but not really. I've seen this film. Open doors and open conversations. And I think that that's really my hope is that maybe, you know, parents who have a queer kid and they're not sure what to do about it, maybe they'll watch this film and they'll be able to talk to their kid about things that maybe they're afraid to talk about. I think that art really has the power to, to change people's minds. Miko Lee: [00:09:29] Have you experienced that with somebody that has actually seen your film, that you've had a conversation with them where they walked away, changed from seeing it? Sarah Kambe Holland: [00:09:38] Well, on a very personal level, um, my parents, uh, are conservative and I think when I first came out to them, it was an adjustment for sure. Um, I. When I initially kind of pitched the idea of Egghead and Twinkie to them years, years ago, uh, as a short film, they were confused. They were like, why do you wanna make this film about being gay? Like, why do you have to make everything about being gay? And that's not really what it was. I just wanted to tell this story. And it's been such an amazing journey to see my parents like fully embrace this movie. Like they are egghead and Twinkie biggest fans. They might love this movie more than me. Uh, so that has been really amazing to be able to kind of talk to them about queer issues in my identity through the making of this movie. Miko Lee: [00:10:24] I love that. So let our audience know how they can see your film, egghead and Twinkie. Sarah Kambe Holland: [00:10:31] So Egg and Twinkie is coming out on streaming platforms on April 29th. It'll be on Apple tv, Amazon Prime, uh, any video on demand streaming platform in North America. Miko Lee: [00:10:43] Yay. And Sarah, what are you working on next? Sarah Kambe Holland: [00:10:46] Oh boy, have a big question. Uh, I have a few screenplays in the works, one of which is a time traveling lesbian rom-com. So, uh, I'm waiting for when I get the big bucks so I can make my first period piece. Miko Lee: [00:10:59] Love it. Sounds fun. , thank you so much for sharing with us. It was such a delight to see your film and I look forward to seeing more of your work. Sarah Kambe Holland: [00:11:08] Thanks so much for having me, Miko. This was great. Jalena Keane-Lee: [00:11:11] Listen to Kushimoto Bushi by Minyo crusaders, a Japanese cumbia band MUSIC Welcome back. This is the Powerleegirls on apex express, and that was Kushimoto Bushi by Minyo Crusaders Miko Lee: [00:15:24] Welcome, Alleluia Panis, the Executive Director of Kularts to Apex Express. Alleluia Panis: [00:15:30] Thank you. I'm so honored to be here. Miko Lee: [00:15:34] I wanna talk with you about your film, but first I wanna start with a personal question, which is an adaptation from the amazing poet Chinaka Hodges. And that is, who are your people and what legacy do you carry with you? Alleluia Panis: [00:15:49] Wow, that's deep who are my people? My people is my community. And so it is here in, in the diaspora, Filipino Americans, Asian Americans, and folks of color. And then of course the indigenous people in the Philippines. . What I carry with me and continues to inspire me on the daily is the knowing that we have been here for a long time. Our ancestors have survived eons of whether it's, good times and bad times. And so that keeps me going. Miko Lee: [00:16:28] Thank you so much for sharing. you have been working in the field for a long time. You're really, , a trailblazer in terms of putting Filipino arts on the map and really lifting up the culture. Can you talk about your new film Memories of Mindanao, where that came from, what it's all about? Alleluia Panis: [00:16:49] Is a leg of, , Tribo tour, which began in 2002. But actually inspired by my first trip to, , then the wild and being with in 1989 , and, , basically traveling and. Setting myself and my, my, my music and dance company at the time to just be with indigenous people. ,and how profoundly that particular experience really impacted me. For years I've been wanting to like, how can I bring this? Experience or share the experience with other diasporic folks. Fortunately I was able to connect with Carlo Abeo in the Philippines, who's been my tour manager, in 2001. And then in 2002 we embarked on the first, Tribo tour. Miko Lee: [00:17:50] So this was an effort to really share this powerful kind of artistic travel journey with more folks. Is that right? Alleluia Panis: [00:17:57] Yes. And it's actually beyond artistic. It's really about recognizing something deeper, right? Because our history of colonization is pretty intense. 500 years and or is it 400 years? Give or take, a century. And so there are a lot of things that had been co-opted. It has been erased, it has been gaslit. And fortunately, I feel like within the culture of the archipelago, there are, and even those. That are, of the, what is considered the colonized people or the Christianized people. there are practices that exist today that might have a different name, um, or but actually is indigenous and so, and only. Could I say that because I was able to really experience and be with folks and, uh, and it's years, you know, it's years of kind of like assessing and looking at you know, different, uh, practices. And so that is so I don't know. It's beyond gratifying. It's connecting. I mean, it seems so cliche. It's connecting with something so deep, you know, it's like connecting to, you know, to Mother Earth in, in that way our, our Mama Ocean. And recognizing yourself that, that you are bigger and have, and has agency, you know, in terms of just. What you are connected to, uh, what we are connected to. Um, and so it's, it's it, of course within the cultural practices, which is artistic practices that we see that connection. Miko Lee: [00:19:40] You were looking at, the impact of colonization and how arts and culture has really spoke to that or fought back against that in the Philippines. Can you talk about bringing that over to our colonized United States and how you see that playing out? Alleluia Panis: [00:19:58] Well, I think first of all as, um, as folks of color. And as former subjects of the United States, you know, 40 years of the US and still, still, um, you know, in some ways kind of soft power over the people of the Archipelago. It's, it's really, um, first and foremost knowing or getting that sense of connection and confidence and, um, self-identity. That leads, that would lead us to create, um, in the diaspora. And so what, what this pro with this project, this particular program does and, and I continue to prove it with so many folks, is that it's really. Kind of finding yourself, I mean, that, that seems so cliche and knowing your place in the world and how you are connected so deeply despite all the, you know, like all the brainwashing that you don't know anything. Everything is, uh, you know, everything that, that, that, um, that exists in terms of the cultural practices of the arch of the people of the archipelago are borrowed or, or, um. Basically borrowed or taken from another culture, um, really kind of diminishes that, that colonized thinking. And so I think the power of it is finding your stepping into your own power in this way. Um, and, and, um, you know, it is also not just the current, like in, in once lifetime do you get that abuse or trauma, but it's also all the. You know, the, the, the inheritance from our, you know, from our parents, from our grandparents, right? Great. Passed down the generation and, um, oftentimes construed as the real deal, unt true. And so, aside from the form. Aside from, um, the practices, because this trip is really a little, is is focused more on not learning or like, you know, we don't go to learn like dance music or. Weaving or, you know, design or anything like that. Yes, that happens. We do, we do have workshops, but you know, it's not like it's, it's more like opening the ice of each, you know, individual. I. To the, to the, the whole, the whole thing. What, what is the, the presence of nature is, are they water people? Well, how does the water impact the cultural practices and therefore the artistic practices, um, and understanding sort of like, oh, they, they do that kind of steps with the, you know, flat feet or whatever. Because the sound of the bamboo slats is just. Amazing, you know, uh, under their feet. And so it's not so much that I'm gonna learn, you know, x, y, Z dance or x, y, z music, music or gongs, or, but it's more like w. Through those practices, how do we see the people, how do they mirror our own existence? And what, what we can remember really is remembering, um, what my, what, what we have forgotten or what we know it's true, but we're not sure. So I dunno if I'm answering your question. It's a roundabout response. Miko Lee:[00:23:26] I feel like you're talking about how we step into our ancestral wisdom and power. Alleluia Panis: [00:23:33] Correct. Miko Lee: [00:23:33] And I'm wondering if you can expand on that,, to talk a little bit more about this time of oligarchy we are living in, which is really built in colonization. How do we both as artists use our superpowers to fight back against that and then encourage other people? How do we use our artist beings to encourage other people to fight back against the world that we're living in right now? Alleluia Panis: [00:24:00] One of the most powerful impact on me , in experiencing, indigenous practices and culture is the practice of spirituality, the rituals, the ceremonies. There's one specific ceremony from Ana as a magana on ceremony, um, that really, It was just such a profound experience in opening up, my senses and my sense of connection to something larger than this. And, and the EPO and, um, there's several, um. Ritual practices with different names. It's basically similar, uh, practice, uh, is the connection to the five elements and the basic, um, um, and fundamental elements of life. You know, water, earth, wind, fire, and the darkness. The, there's a transcendence. Um. And that that discovery is a, or that connection, um, is something that's, it sounds really woo woo, right? I mean, um, but it really becomes kind of a, a, an experience, an embodiment experience, a belief in your own kind of intuition, your gut feeling. My, uh, my. Um, response, you know, to it, a physical response. And, um, that, that's become like a, a guide for, for everything that I do. And so, um, to me that that is the grounding that, um, has allowed me to continue the work that that. That I've been doing, continue living, period. And so it's really, I think the, a matter of really kind of like, knowing yourself, it just sounds all so cliche, you know? And, and, the power of, Really understanding that you have or I have a depth of connection, that I can draw from in terms of energy and spirit and love, that is beyond kind of the physical, but also the physical. And so for me, that sense of knowing. Is what is allowing me to continue doing what I do despite all the, you know, challenges and difficulties and, you know, the insanity of these times or any time. and having kind of that grounding, I mean, you, you, the, the, clarity, is everything. it allows me to. follow what seems to be the correct route to wherever I was going. it doesn't mean that it's, it's, I'm, I'm not working on it, you know, but I'm also not, not pushing in a way that, you know, I'm, I'm gonna make you believe in me and I'll, you know, like, sort of like, I will tell you what is the right thing and, and, and I will make you, um, agree with me. It, it's, it's not that. Um, I is, I dunno. Is that making any sense? Do you have any other, Miko Lee: [00:27:24] you totally make sense to me. I'm wondering how people can find out how, how can people find out more about your film and about all of your work? Alleluia Panis: [00:27:34] Oh, sure. people can find out about, my work and the film through, um, the website. It's, uh, KulArts SF dot org and, most of, if not all of my work, uh, and the work of others, are actually on there. There's a lot of information there. the, the film is gonna be shown at the Los Angeles Asian Pacific, film Festival May 3rd at, uh, a MC. Eight or 14 or is it in, Monterey Park and, folks can actually just find that information on our website as well. Miko Lee: [00:28:13] And what would you like audience to walk away from your film with an understanding of? Alleluia Panis: [00:28:21] I want the audience to feel the. Power of being there in TT T is the southernness most islands of, of the Philippines. And, not too many people actually go there. If you have seen the Sam Baja, um, you know, divers, uh, where they can dive for, I think they can stay from five to 15 minutes underwater without any, you know, oxygen or assistance. These are, these are the people who, who, uh, these islands belong to. and as usual, their, you know, their live livelihood is being challenged by everything that's happening in the world. And what the, the film itself, itself, is really trying to put, put the audience within the, you know, like the, I guess the, the shoe of the there and how, you know, their experiences. there's not a lot of explanation to it because we really want it to be a more visceral experience. for the audience, Miko Lee: [00:29:22] is there anything else you'd like to share with us? Alleluia Panis: [00:29:26] Let's keep on going. Let's, you know, we, we all, we all need to be in community to uplift each other and keep hope alive. Miko Lee: [00:29:38] Thank you so much for joining us today and sharing a little bit more about your film and about your work and your connection to the ancestors and the need to move forward. Alleluia Panis: [00:29:47] Appreciate you. Thank you, Miko. Miko Lee: [00:29:51] Welcome Kyle Casey, Chu, also known as Panda Dulce to Apex Express. Kyle Casey Chu: [00:29:57] Hi so much for having me. Miko Lee: [00:29:59] We're so happy to have you back here, onto Apex Express Land and you have a bunch of new things happening, not just a new film, but also a new book. First off, I'm gonna just start with a personal question, which I ask everyone. Who are your people and what legacy do you carry with you? Kyle Casey Chu: [00:30:16] Ooh, that's a juicy one. Um, my people, I would say my people are the weirdos and the art freaks of the world. Uh, queer and trans people, Asian Americans, queer and trans Asian Americans, people of color, people from the Bay Area. Um, people who have noticed the boxes that they're in and are pushing the walls and the boundaries of that. I feel like these are the people who really inspire me the most. In terms of the legacy I bring, I am a fourth generation Chinese American, uh, queer and trans femme person living in the San Francisco Bay area where I was born and raised. Miko Lee: [00:30:56] Thanks so much for sharing. , first let's start with just finding out more about your film, which was based on a true story called After What Happened at the Library. This was a national story, I remember hearing about it, but for folks that don't know, can you describe the real incident that inspired the film? Kyle Casey Chu: [00:31:14] So, I'm one of the founders of Drag Story Hour, which is exactly what it sounds like., drag queens reading stories to, , children and their families and libraries, bookstores and schools. In 2022, I took a gig in Pride Month at San Lorenzo Public Library, , where I was doing a drag story hour and the Proud Boys stormed in. They called me a tranny, a groomer and an it. They wore shirts saying, kill your local pedophile and I had to retreat to the back and lock myself in the back room. They scoured the premises looking for me. , the authorities showed up and didn't get any of their names or information, um, and just. Dispersed them. And after the incident, I came back to the reading room where the children and families were there, but shaken and I completed the reading. Miko Lee: [00:32:05] Incredibly traumatic. What happened after that in real life? Kyle Casey Chu: [00:32:10] It's funny that you, uh, because the short film is called After What Happened at the Library, uh, for a reason because I feel like it's natural as social creatures for humans to focus on the incident itself. We want to approach people with empathy and we want to, really put ourselves in their shoes, uh, to kind of be there as a support for them. What I wasn't prepared for was the gauntlet of media attention, how people would be coming out of the woodwork to ask me about the situation. They would send gushing praise, hate mail, death threats, love letters, care packages, and this wave of attention. Almost added to the overwhelm of the experience and the fact that I had suddenly become a figure and a lightning rod in a culture war when I just wanted to read a book in a library. 'cause that's what I was doing. Um, and not only this, but in the coverage of the event. Because the authorities were so slow to act on this and only started investigating it as a hate crime after it blew up on Instagram and they suddenly felt the heat of media attention. Um, I felt the, my only recourse was to go to the media and was to talk, and especially as a writer and a storyteller, I felt I needed to kind of sound the alarm because it was pride month. This was the first, this was the inciting incident of a national, even international anti-D drag wave of right wing extremism. Um, it was a couple days later that the oath keepers were found planning some kind of resistance, like violent insurrection in before Ohio Pride. And so I would talk to these journalists and. I felt in the beginning I trusted them because, you know, I trusted that they wanted to get the word out, that they had the same intentions that I did in protecting my people. And what I found instead was that they kind of almost, they tried to elicit the most emotional response from me, which often involved asking me to relive the most excruciating aspects of that time and that experience. So I had to go back and revisit it over and over again. And when the stories actually came out, I'd found that my story was edited to suit another preconceived formula that they had already pitched a certain idea for how the story was would go. That painted me as this static monolithic victim. And they would just plug in one tearful soundbite and the rest of the story, they could just say whatever they wanted with.And there's a certain violence in that. There's a certain. Greater injustice to going through something like that, number one. But number two, telling your story and having that be distorted to suit other political aims or to, you know, buttress a call for public safety. And that specific dynamic of the direct aftermath of notoriety is what the short film gets at. Miko Lee: [00:35:11] Oh so you're taking back your own story. Kyle Casey Chu: [00:35:14] Absolutely. So after what happened at the library, the short film is a very much a radical reclamation of my own voice and my own story. Um, prying it back from the hands of the media and telling it on my own terms. Miko Lee: [00:35:26] Thank you for that. And how has it been received Kyle Casey Chu: [00:35:29] So far it's been received very well. The short film World premiered at Florida Film Festival in Orlando. Received a special jury prize for courageous voice in a time of great need, which is incredible. It's our first screening and we already got an award, which is so exciting. It just screened at SF Film on April 23rd as part of the shorts block. SF film is an Academy Award qualifying festival, and it is going to screen again at Can Fest, one of my favorite local festivals, the world's largest Asian and Asian American film showcase it's screening on Friday, May 9th at Kabuki and tickets are on sale. Miko Lee: [00:36:11] Thank you for that. And can you tell us about your new book? This is very exciting. You have a coming of age story, the Queen Bees of Tybee County. Can you tell us about your book? Kyle Casey Chu: [00:36:22] Absolutely. When it rains, it pours in creative worlds. I had a lot of irons on the fire and it just so happened that all of them were exhibiting or debuting or hitting shelves in the same week of April, which is last week. The Queen Bees of Tybee County is my debut novel. It's middle grade, so for ages eight through 12, though like a Pixar movie, it's for all ages really. Um, and it is a hopeful drag coming out story about a queer Chinese American seventh grade basketball star. Derek Chan, who is unceremoniously shipped off to his grandma Claudia's in rural Georgia, and she is volunteering for a local pageant. And so he. Explores his queer identity and his love for drag via Southern pageant culture. Miko Lee: [00:37:09] Ooh, do we see a film of this in the future? Kyle Casey Chu: [00:37:12] Actually, Queen Bees of Tybee County was optioned by Lambert Productions, which put on the Hardy Boys on Hulu. So it is on its way to becoming a TV show if every, if all the stars align, it'll be on TVs in the uk. Fingers and toes crossed for that. Miko Lee: [00:37:27] Amazing. I'm looking forward to that. Can we pull ourselves out a little bit and talk about the times that we're living in right now and how artists use our super powers to fight back against the oligarchy that we're living in? Kyle Casey Chu: [00:37:43] We all know, or perhaps should know that the beginnings of fascism involve suppressing intellectuals and artistic voices, increasing police presence and trying to maintain a stiff and consistent lid on the voices of the people. And so this type of suppression is happening right now. There are book bans across the country. , there are state and federal efforts legislatively to curtail the rights of trans kids and trans athletes, and Intellectuals, diplomats and scholars are all being expelled or suppressed, and I think something that I've learned is that, and it sounds really cheesy, but that quote is so real where it's like being brave isn't the absence of fear, but it's doing things in spite of it. I know it feels very scary to speak out right now, but now is the exact time to speak out because any. Ground that is seated cannot be taken back. And so holding of the line by way of protest, by way of publication, by way of dissenting is how we crack this. The armor of fascism. Miko Lee: [00:38:55] And can you talk a little bit about the moment of joy or celebrating joy within the context of the strife that we're living in? I bring that up because , you've given me much joy as part of the rice rocketts and a lot of the work that you do. So I wonder if you could just talk about what does joy mean in the moment like this? Kyle Casey Chu: [00:39:16] Yeah. I think. I have a background in social work and one of the first things that we learned is this is hard work. It is hard to always start on your back foot and to have to argue your own humanity and justify your existence as an artist or as a person. I found myself doing that when coverage of the library incident was happening and. One of the things that they tell you is the way that you do your best work and the way that you best serve your communities is by keeping your own self afloat. And what this means is maintaining a balance. When you have hard work, you also need to reward yourself. You also need to take care of yourself. And I don't think it's enough to just say self-care. You need to expose yourself, and you need to fully embrace the full spectrum of human emotion, which necessarily includes joy. And so. After completing such an intense project, like after what happened at the library, I knew that I needed to engage in something that was hopeful and that really struck the cord of why community is so vital and important, and why social support is integral to all of us thriving. And so the Queen Bees of Tubby County, I was told by a reviewer, and this is my favorite review, they said that it's like Chapel R'S Pink Pony Club. If it were a book. Um, and I'm going with that 'cause I love that. But this story is really just about hope. It's about friendship, it's about, it's about dancing towards the future we want. And I don't think it is enough for us to react. I don't think it's enough for us to strike down. Terrible and horrifying regimes. We also must have a vision for the future that includes ourselves thriving and enjoying ourselves. And I think a part of that practice for me is making art and scaffolding a vision for the future that is positive. Miko Lee: [00:41:20] And what would you like people to walk away from after either reading your book or seeing your short film? Kyle Casey Chu: [00:41:29] I think after seeing the short film. What this gets at is whenever there's a flashpoint of a culture war and it's localized on one person, whenever a culture war is personified in one singular person, like for example, ma Moon kil. There's only so much of his life that we get to see, and it's through the headlines and this viral moment of like a flash on the pan. And I want people to realize that the way that you interact with these people in that fleeting moment is going to stick with them long after this moment of notoriety passes. And. To be conscientious and aware of what impact you're bringing to that person because it may just be a moment or a blip in your feed, but the impact is enduring for the person who's living it. And I also want us to be critical of how we consume trauma and violence in the media, and to ask ourselves if. We really, truly need to get all the details if we really, truly need to be put, put that victim in the position of reliving their experience just so we can relive it for a moment. Whereas they will have to relive it for the rest of their lives. And I think survivor narratives and victim narratives are way more messy and complicated and sometimes funny than people give it credit for or realize. And to realize that when you are reading something. That is just one dimension in one shade. Uh, yeah. So that was a lot, sorry. But, um, the other thing is for the Queen Bees of Tybee County. And the reason why I wanted to end on that is because it's uplifting is as dark as the world can be. It can also be as dazzling and bright and hopeful, and that the future that we are fighting for is worth fighting for. And we need to remind ourselves of that. Especially in times like these, and I know it might seem counterintuitive for us to celebrate or to be around each other when it feels earth shatteringly bleak, but it is essential to our survival, and don't be afraid to embrace that. Miko Lee: [00:44:00] Kyle, thank you so much. Kyle, Casey Chu, thank you so much for joining us on Apex Express. I encourage people to check the film out and the book out and we appreciate chatting with you. Kyle Casey Chu: [00:44:11] Thanks so much. Ayame Keane-Lee: [00:44:14] Kyle's film will be showcased at Cam Fest, the nation's largest showcase for new Asian American and Asian films, which runs from May 8th to 11th in San Francisco at a time when it feels particularly fraught to express stories from communities of color. Cam is doing what we've done for over 40 years, sharing films from Asian America to a wide array of audiences. It says, Cam's, director of programs, Dawn Young. Watching these stories in a theater full of friends and neighbors is an opportunity to laugh and cry, and ultimately to celebrate human experiences that transcend bounds. This year's festival will return to the A MC Kabuki in San Francisco's Japan town for opening night, and a total of four days of screenings in the historic neighborhood that is undergoing its own resurgence with new restaurants, cafes, and boutiques, highlighting both traditional and youth oriented culture. The Roxy Theater will also host three days of screenings. Cam Fest continues to strengthen ties with other local arts institutions with the Asian Art Museum hosting the Cam Fest gala. Following the opening night film on Thursday May 8th and SF M Om a opening the Phyllis Wa Theater for Mother's Day programming on Sunday, May 10th. Turning a lens on history, whether it's the end of the Vietnam War or the trailblazing women in the Bay Area, offers a chance to reconsider the stories through which we come to understand ourselves. Says Cam Fest program Manager Del Holton, ranging from intimate narratives of family and memory to experimental work that bends the conventions of storytelling. These films illuminate the many perspectives of Asian America. CAAM Fest 2025 wraps up on Mother's Day with dedicated events that highlight strength and visionary artistry of Asian American women. You can also catch my sister Jalena Keane-Lee's film Standing Above the Clouds at 5:00 PM at the Kabuki. Honoring Mothering also includes celebrating the nurturing of community and pioneering of aesthetics. Cam's final day reflects on the contributions of Asian American women's work while looking to the future of storytelling. Another major multimedia arts, dance and music festival to check out is the annual United States of Asian America which runs through June 1st at venues around the Bay Area. This year's theme Critical Refuge asks us to reflect on our journey as immigrants, refugees, and generations of descendants and or mixed raced people in the diaspora as we seek necessary sanctuary within ourselves and in our communities in times of unrest and uncertainty. The festival will honor a API Arts and Culture, reflecting on where we have been, where we are now, and what our collective future holds, while acknowledging our roots as immigrants, refugees, and mixed race descendants. Also check out the 42nd annual Himalayan Fair in Berkeley's Live Oak Park happening May 17th and 18th. There will be Himalayan Food, handicrafts, music, and Dance. There are so many events happening in celebration of Asian American and Pacific Islander Heritage Month. Check out our show notes for links to all the wheelchair accessible events In addition to the films we featured tonight, camp Fest and United States of Asian America, there is also May 3rd, two to 6:00 PM daily city AAPI fest celebrating local Asian American and Pacific Islander culture in daily city in the greater San Francisco Bay area. May 10th, 10:00 AM to 12:00 PM Our heritage, 5K 2025. A free family friendly, 5K fun walk slash run. Honoring the rich history and contributions of Asian American and Pacific Islander communities in San Francisco. This scenic route winds through the heart of the city. Passing by over 16 plus historic A API Landmarks featuring goodies, resources, and fun facts about its cultural significance. Expect cheer stations, photo ops, sweet treats, and entertainment along the route to keep the energy high. May 10th is also a API Mental Health Day. The Our Wellness Festival will celebrate mental health, community and joy. The festival will feature family friendly activities, carnival style games, music, dancing, wellness resources, and more. May 23rd at 5:30 PM to 8:30 PM Asian American and Pacific Islander, LGBT Q2 s plus Mixer, NJAHS, peace Gallery 1684 Post Street in San Francisco. Children's Fairyland in Oakland and Stanford's Asian American Studies apartment will also host a series of events throughout the month that we will post in the show notes for you to check out in Bay Area Public Library News. Oakland Public Libraries feature reading lists for all ages, a grab and grow seedling kit and events like Watermelon Kimchi making. San Francisco Public Libraries will have events for all ages at library locations throughout the city, including free author talks, book clubs, film screenings, crafts, food programs, and musical and dance performances. Highlights for adults include the launch of Corky Lee's Asian America at the main library on May 23rd. The new book features over 200 breathtaking photos celebrating the history and cultural impact of the Asian American Social Justice movement. We've covered Corky Lee's work in multiple previous Apex episodes. Additionally, four members of the Asian American Journalist Association, AAJA, who cover the Asian American and Pacific Islander News beat will discuss how authentic local reporting happens, important stories they've reported recently, and how having reporters dedicated to the BEAT impacts the A API community on May 8th, moderated by the interim president of the AAJA-SF Bay Area chapter Harry Mock. The panel features Ko Lyn Chang from the San Francisco Chronicle, Han Lee from the San Francisco Standard, and Ravi Kapoor, CEO of Dia, TV on May 25th. The library partners with the Chinese Cultural Center of San Francisco to welcome Curtis Chin, author of everything I Learned, I learned in a Chinese restaurant for a book talk and library popup. For youth on May 25th, join June Jo Lee Food ethnographer and award-winning children's book author for a kimchi demo. Read aloud and krautchy making activity. Experience a read aloud of New Picture Storybooks for Children and participate in a drawing workshop on comics with illustrators mini fan and Sophie Dialo on May 23rd at Excelsior Branch Library. Katie Kwan, who has been featured on Apex dives into the world of comics and zines through the lens of an Asian American artist and educator, and teaches the community how to make their own comics and zines at multiple locations throughout May. San Jose Public Libraries host a series of events with highlights being top of cloth making on May 6th and vegan Filipino cooking with Aztec Vegan on May 7th. Once again, happy Asian American and Pacific Islander Heritage Month from us at Apex Express. Please do checkout CAAM Fest. May 8th through 11th in San Francisco. If you get the chance and you'll be able to see Kyle's film. As well as many other incredible AAPI, histories and stories. You can check out all of that community calendar info in our show notes, as well as information on all of the guests you heard from tonight. Miko Lee: [00:51:55] Please check out our website, kpfa.org to find out more about our show tonight. We think all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee. The post APEX Express – 5.1.25 – Filmmakers Exploring Boundaries appeared first on KPFA.
Hello Listeners!In this episode, we had the opportunity to have a conversation with Denise Julia.Denise Julia is a multifaceted singer, songwriter, and producer, born, raised and based in the Philippines. Denise began singing and writing songs at the age of 13, and was heavily inspired by the R&B and Pop sounds of the 2000s that played non-stop in her childhood home television. After a string of music releases and cover videos that garnered millions of views on Tik Tok, Denise caught the world's attention with her viral song "NVMD". The song catapulted her into the spotlight, solidifying her as a rising star in today's global music landscape. “NVMD” is the fastest and only OPM (Original Philippine Music) song by a Filipina to reach 200M streams on Spotify and it reached the Top 20 of Spotify's Global Viral chart. In October 2023, Denise collaborated with Filipino-American producer and rapper P-Lo for her single “B.A.D.”, off her debut mini-album, ‘Sweet Nothings (Chapter 1)'. Denise Julia is set for her first headline shows in both Thailand and Indonesia this May. Fresh off releasing her highly anticipated mini-album Sweet Nothings: Chapter 2, as well as performing in her For Immediate Release motherland, the Philippines, in 2024, Denise is getting ready to take on Jakarta and Bangkok in the second installment of her tour. Denise will also unveil exclusive live renditions of her newest tracks.Listen full episode on Bingkai Suara with Lusiana and don't forget to follow our podcast on any podcast platforms, our Instagram Bingkai Karya, and stay updated with our recent news on www.bingkaikarya.com
Send us a textWhat happens when a Black man and a Filipino woman fall in love and build a life together for nearly two decades? Kory and Gen pull back the curtain on their interracial relationship, revealing the beautiful and challenging reality they've navigated since meeting at an unexpected place.Their story transcends typical discussions about race by delving into the personal experiences that shaped their worldviews before they met. Kory shares how growing up Black meant dealing with overt racism where "people either treated you very well or very bad," while Gen describes navigating the unique challenges of being Filipino-American, often facing "invisibility and stereotypes" in spaces that failed to acknowledge Asian identities.Family acceptance didn't come instantly. These growing pains eventually transformed into genuine love and acceptance across family lines.Perhaps most revealing are their candid discussions about navigating public spaces as an interracial couple. Rather than becoming bitter, they've protected their peace and developed empathy.Their relationship stands on a foundation of shared values and mutual cultural immersion. As Kory says, "You marry someone, you marry into the culture and the history." The journey has taught them patience, forgiveness, and the wisdom to choose their battles. Their powerful message for listeners? In the fight against racism, "the more love you pour on this fire, the quicker it's going to go out."Connect with us and join a conversation that brings understanding, not assumptions. Look up, and let's elevate! Support the showhttps://linktr.ee/genthebuilder
Send us a textWhat are your plans for this 4/20? The Kuyas discuss their plans for their favorite holiday plus an extensive grow update from the Buddha Lounge.Support the showFor secret grow story updates and plant footage follow the Canna Kuyas on Instagram @cannakuyas
In this TFAL episode, Joe talks to Dr. Allan Lumba, writer, researcher, historian, and professor at Concordia University in Montreal, about potential of Filipinx Studies to inspire our community to fight for a better world. Listen how he developed into a brilliant scholar focused on Philippine Studies, the growing number of Filipino and Filipino American...
Send us a textErick and Mitch are back with a Buddha Lounge garden update right before they hit the road back to San Diego for another UBEWORLD performance at Mic Drop Comedy. Stay tuned to our instagram stories for video garden updates. Support the showFor secret grow story updates and plant footage follow the Canna Kuyas on Instagram @cannakuyas
On today's episode of Gourmand, I sat down with Kevin Cardenas from Solo Diner. We discussed his experience working in fine dining and how the skills translate to his pop-up, how Solo Diner presents Filipino American cuisine through embodying nostalgia while incorporating elements from their position in NYC, the collaborative nature of pop-ups and those who supported them during their first year, and so much more. So let's dig in! This episode uses Royalty Free Music - (Music: www.bensound.com).
In this guest episode of the podcast produced by CAAC partner Healing Heritage, principal investigator of Healing Heritage Dr. April Manalang delves into the profound experiences of Filipino nurses who served on the front lines during the COVID-19 pandemic. Featuring firsthand accounts, the episode highlights their immense sacrifices, the disproportionate impact of the pandemic on Filipino healthcare workers, and the resilience they displayed despite facing structural and cultural violence, including anti-Asian discrimination.Through intimate interviews, several nurses share their struggles, fears, and unwavering faith that helped them navigate the crisis. They reflect on the emotional toll, the feeling of invisibility despite their essential contributions, and the deep-rooted strength within the Filipino American nursing community. The episode also explores the critical role of faith, cultural identity, and advocacy in overcoming adversity.Join us for a moving and eye-opening discussion that honors the lives, sacrifices, and heroism of Filipino nurses—unsung warriors in the fight against the pandemic and social injustice.This podcast episode is produced by Healing Heritage in collaboration with the Religion, Race, and Democracy Lab at the University of Virginia.Photo by Hush Naidoo Jade Photography on Unsplash This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit caacptsem.substack.com
In this exclusive in-studio interview, Rob Herrera sits down with Filipino American rising rapper Carl Angelo as he opens up about the making of his debut album and the inspiration behind the movie, 'SILAB'.Carl discusses his journey in the music industry, how his cultural background influences his sound, and the unique blend of music and film that led to the creation of 'SILAB.' Thank you for listening! If you enjoyed and learned something from this podcast please be sure to follow and rate it in order to help us grow in the podcast space.You are also welcome to help support this podcast with a small monthly donation to help sustain future episodes.If you'd like to watch my video interviews, I invite you to Subscribe to my channels at www.YouTube.com/FrontRowLiveEnt & www.Youtube.com/Punkvideosrock Follow Us: @FrontRowLiveEnt | @Punkvideosrock |@Robertherrera3#carlangelo #silab #FrontRowLiveEnt
Send us your thoughts! Jon Irabagon is a Filipino-American saxophonist, composer, and founder of Irabbagast Records.[1]Winner of the 2008 Thelonious Monk Jazz Competition[1] and one of Time Out's "25 essential New York City jazz icons",[2] Irabagon is known for the breadth of his work on a jazz continuum ranging "from postbop to free improvisation, avant country to doom metal".[3] His "extraordinary eclecticism"[4] has led to performances with such diverse artists as Wynton Marsalis,[5] Lou Reed, Evan Parker, Billy Joel, the Maria Schneider Orchestra, Bertha Hope, Herbie Hancock, Conor Oberst,[6] Christian McBride,[7] Mike Pride,[8] Kenny Barron, Darcy James Argue's Secret Society, Bill Laswell, Peter Evans,[9] Tyshawn Sorey, Ingrid Laubrock,[10] Ava Mendoza,[11] Mick Barr, and Tom Rainey.Irabagon's many projects as bandleader include a quartet with Luis Perdomo, Yasushi Nakamura, and Rudy Royston,[12] as well as a trio with Mark Helias and Barry Altschul.[13] He is also a member of the Mary Halvorson Quintet, Septet,[14] and Octet;[15] the Dave Douglas Quintet;Support the show
"Say yes to opportunities that scare you" - David Pangilinan, Senior Manager of Market & Cultural Intelligence at Paramount, aka @DavidIsHereNow. David Pangilinan, blesses the podcast in this episode to share insights on cultural intelligence, the importance of personality in the workplace, and how his Filipino-American background influences his storytelling. Our conversation highlights the significance of understanding diverse cultural backgrounds and the role they play in shaping narratives (and consumer behaviour!). David discusses the evolving nature of cultural trends and their impact on marketing strategies, emphasizing the need for brands to authentically engage with their audiences. In this engaging kōrero, we explore the themes of authenticity in content creation, the balance between passion and trends, and the importance of recognizing burnout. Of course we discuss the concept of Tall Poppy Syndrome, the significance of surrounding oneself with the right people, and the power of intentional living and gratitude. David shares his personal experiences with saying yes to opportunities and how it has led to unexpected successes, emphasizing that life is not a competition but a journey of personal growth.Listen to the full interview on Spotify, iHeart Radio, or Apple Podcasts. #culture #paramount #business #influencer #marketing #podcast #iheartradio #celebrate #confidence #learning #newzealand #aotearoa #mentalperformance #tallpoppytalk #mentalhealthmatters #quote #intelligence #trends
Send us a textErick and Mitch are back with another bountiful harvest update and shares all the new genetics they've added to the Buddha Lounge.Support the showFor secret grow story updates and plant footage follow the Canna Kuyas on Instagram @cannakuyas
Amielynn Abellera talks making the decision to switch from doctor to actor, her breakout role in "The Pitt", and shares the audition that got her the role! About Amielynn: Amielynn Abellera is a Filipino American actress whose journey from a suburban upbringing in Stockton, California, to the bright lights of television and film is marked by resilience, passion, and an ever-burning creative flame. Born to immigrant parents who worked as medical professionals, Amielynn grew up surrounded by a strong work ethic and a deep appreciation for the arts. Her parents' love for theater, film, and travel exposed her to a world of storytelling, planting the seeds of her future career. Despite a natural inclination toward the arts, Amielynn initially pursued a Bachelor of Science in Psychobiology at Santa Clara University. However, her passion for performance proved undeniable, leading her to earn a Master of Fine Arts from the University of Southern California and fully commit to acting. Since then, she has built a dynamic career spanning television, film, and voice acting. She has guest-starred in hit series such as Bosch: Legacy, Shrinking, The Cleaning Lady, and NCIS, bringing authenticity and nuance to every role. One of her most significant moments came on The Cleaning Lady, where she portrayed a Tagalog-speaking head surgeon in Manila—a role that deepened her connection to her Filipino heritage. She took on the challenge of learning and perfecting her lines with the help of her mother, embracing the responsibility of representing her culture on screen. In 2025, Amielynn stepped into her most high-profile role yet as Perlah Alawi in Max's highly anticipated medical drama The Pitt. As a seasoned nurse working in the high-stakes ER alongside Noah Wyle's Dr. Robby, her character embodies the resilience and expertise that define frontline healthcare professionals. Beyond television, Amielynn will return to the stage in HIDE & HIDE at Skylight Theatre. In this play, she will portray Constanza, an undocumented Filipino immigrant navigating survival and identity in 1980s Los Angeles. Theater remains essential to her artistic journey, offering a space for raw, immediate storytelling. Amielynn is passionate about representation in media and continuously strives to bring depth, complexity, and authenticity to her roles. She is proud to have endured the unpredictable rollercoaster of an acting career and maintained her love for the craft despite its challenges. Off-screen, she is a devoted partner and a loving mother to their daughter, Sampaguita, named after both the national flower of the Philippines and a character that holds special meaning in her theatrical career. Follow the show on social media! Instagram: https://instagram.com/thanksforcominginpodcast/ Twitter: https://twitter.com/tfci_podcast Facebook: http://facebook.com/thanksforcominginpodcast/ Patreon: patreon.com/thanksforcomingin YouTube: https://www.youtube.com/channel/UCXj8Rb1bEmhufSBFSCyp4JQ Theme Music by Andrew Skrabutenas Producers: Jillian Clare & Susan Bernhardt Channel: Realm For more information, visit thanksforcominginpodcast.com Learn more about your ad choices. Visit megaphone.fm/adchoices
In this week's Capitol Chats episode, freshman Rep. Angelito Tenorio, D-West Allis, talks about his milestone as the first Filipino American in the state Assembly and his priorities in office.
What would you do if your mother was arrested for shooting a man over a mango tree? For award-winning journalist and author Annabelle Tometich, this was just the beginning of an unforgettable journey through family, culture, identity, and resilience.In this episode, Annabelle sits down to discuss her highly acclaimed memoir, The Mango Tree: A Memoir of Fruit, Florida & Felony. She shares her Filipino-American upbringing, the challenges of navigating multiple cultures, and the shocking events that shaped her life. From medical school rejection to becoming a renowned food writer and author, Annabelle's story is one of transformation, discovery, and survival.
My buddy Joseph Zoleta of the Black 6 Project showed me that the guys over at This Filipino American Life (TFAL) recently recorded an episode on Filipino American Masculinity. They did a great job and I thought I'd share my thoughts and takes on what they discussed.Leave us a rating and review. Follow us on IG @pinoypatriarchproject
FreshEd is on holidays. We'll be back with new episodes in February. In the meantime, we are replaying some of our favourite episodes from our archive, which now totals over 380 episodes. The best way for you to explore our archive is on our website, freshedpodcast.com. You'll find hand-picked playlists, transcripts, and even accompanying educational resources. And while you're there, please consider becoming a member of FreshEd for as little as $10/month. Members receive exclusive benefits. -- The past few shows have focused on climate change as being the biggest issue facing teacher unions globally. There are, of course, other big issues. One of them is propaganda. Misinformation campaigns have been on the rise partly due to the turn towards right-wing extremism in many parts of the world. Social media has created new ways to spread misinformation and propaganda, making education a powerful tool to combat the spread of lies and what we might call fake news. My guest today is Maria Ressa, a Filipino-American journalist and author. Co-founder of online news site Rappler, she has been an investigative reporter in Southeast Asia for CNN and was included in the 2018 Time's Person of the Year for her work combating fake news. She has been arrested for her reporting on Duterte, the Philippine president, and is currently on trial for cyberlibel. This episode was put together in collaboration with Education International. www.freshedpodcast.com/mariaressa/ Twitter: @FreshEdpodcast Facebook: FreshEd Email: info@freshedpodcast.com
On this episode of the podcast we have Isidora Torres, author of Working with Feelings, to discuss the topic of Dimensions of Care.As a daughter of Filipino immigrants, Isidora greatly emphasizes understanding family dynamics and how they inform generational patterns. She has published work on her exploration as a Filipino-American within American culture and the impact of acculturation on identity. As a People Operations and Culture expert, Isidora has developed a genuine interest in the intersection of emotion and work, expanding on her findings about the cultural and emotional landscape of the workplace in her book, Working With Feelings: Caring For Your Employees Through Cultural Humility and Emotional Fluency. She previously held People Operations roles at various startups and advocates for developing soft skills. She holds a Masters Degree in Counseling from Northwestern University. Listen as we cover a range of topics from:What it's like to show up as Filipinos in the Human Resource/People fieldRemembering our Babaylan history, and what it means to hold the healer/caretaker roleHow do we take care of ourselves as caretakers so we don't burn outIf this episode has piqued your interest to be in conversation, I encourage you to bring your questions to the virtual office hours that we're hosting on Monday, Feb 17th at 7pm ET. The event will be donation-based, and we'll be giving the proceeds to Filipino families impacted by the LA fires.More info on the event to be shared on our IG!
Dr. Stacey Litam, a licensed clinical counselor and psychologist, discusses intergenerational trauma and healing in the Filipino-American community. She shares the impact of cultural scripts on relationships and self-worth. Dr. Litam emphasizes the importance of secure attachment in relationships and the need for partners who understand, anticipate needs, and love without transactional expectations. She also explores the concept of diasporic wounds and the process of healing and growth in the Filipino-American community. In this conversation, Dr. Stacey Litam and Krystl discuss the importance of intergenerational healing and the role of secure partnerships in the healing process. They explore the need to decolonize our understanding of healing and embrace both individual and interpersonal healing. They also touch on the concept of epigenetics and how trauma can be passed down through generations. The conversation emphasizes the value of community and connection in the healing journey and encourages celebrating our accomplishments and prioritizing self-care.takeawaysIntergenerational trauma and cultural scripts impact the Filipino-American community's relationships and self-worth.Seeking white proximity for acceptance is a survival strategy rooted in colonial mentality.Healing and growth in the Filipino-American community require secure attachment in relationships.Partners who understand, anticipate needs, and love without transactional expectations support healing and self-acceptance.Acknowledging and addressing diasporic wounds is essential for personal and collective healing. Intergenerational healing involves recognizing and embracing the strengths and patterns inherited from previous generations.Secure and healthy partnerships can be a powerful tool for healing and growth.Healing should be approached from both an individualistic and collectivist perspective, acknowledging the importance of self-care and community support.Epigenetics highlights the impact of trauma on our DNA and the potential for resilience and growth.It is important to celebrate our accomplishments and prioritize self-care in order to avoid burnout and find fulfillment.WebsiteInstagram: @drstaceyalitamintergenerational trauma, healing, Filipino-American, white proximity, cultural scripts, relationships, self-worth, secure attachment, diasporic wounds, growth, intergenerational healing, secure partnerships, decolonizing healing, epigenetics, trauma, community, connection, celebration, self-care
For generations, society has taught Filipinos and Filipino Americans what our specific gender roles should be. For men, masculinity is usually associated with ideas of strength, competition, emotion-less, family responsibilities, and protection. At times, these concepts can create narrow definitions of manhood and can pigeon-hole heterosexual men into certain prescribed racial, classed, and gender identities....
In this episode of Yellow Glitter podcast, we're joined by Mike Talplacido. Mike Talplacido is a queer Filipino-American artist based in North Carolina. He is the author of Kiss My Mike, a memoir detailing his life as a gay Filipino immigrant navigating self-discovery and acceptance in America. In this episode, we chat about: Acceptance and what it means to be gay in an immigrant household Unlearning the colonized mindset and the pressure to assimilate as an Filipino-American Navigating family and writing your own story of self-love Radical acceptance and unconditional love of your entire personhood You can find our guest at: Website: kissmymike.com Instagram: @kissmymike_official Facebook: @kissmymike TikTok: @kissmymike YouTube: @KissMyMike_Official You can follow me at: Instagram: @stevenwakabayashi YouTube: @stevenwakabayashi Subscribe to my weekly newsletter: yellowglitterpodcast.substack.com Visit our website yellowglitterpodcast.com
Mary Rose Gonzales, known as "Beef," is a Filipino American drummer from Chicago, making waves in the punk and garage rock scenes for over a decade. She currently plays with Bev Rage & The Drinks and will be reuniting with Mystery Actions for a special show at Punk Rock Bowling in Las Vegas in May 2025. When she's not behind the drums, she works a 9 to 5 at a merchandising photo studio. Outside of music, she enjoys pickleball, playing pool, and fingerboarding.
In this episode of Hidden in Plain Sight, Dr. Mark Martell, Director of the Asian American Resource Center, discusses his journey as a Filipino American living in Miami to becoming a leader in higher education. He emphasizes the importance of representation, sharing how his lack of visible Asian American mentors influenced his career. Mark's work includes research on microaggressions and teaching courses that integrate comics and superheroes to explore cultural identity and social issues. He highlights the need for diverse representation in media and the workplace, advocating for visibility and empowerment of underrepresented groups — listen to the podcast to hear all the details!
Jake and I welcome Tory Williams, an actor who worked with Jake when they did A Soldier's Story. Tory talks about his upbringing in Little Rock, Arkansas; his time as an actor in the bay and where he sees himself in the future. Tory can be contacted directly via Instagram: @torywofficial SHOWS: The Oracle (The Lost Church SF) LAST SHOW Jan 11! Diana Brown (Episode 242) is in the show https://thelostchurch.my.salesforce-sites.com/ticket#/ Waitress (SF Playhouse) Nov 21 – Jan 18, 2025 Tanika Baptiste (Episode 253) is in the show Dorian Lockett (Episode 230) is in the show Sharon Shao (Episode 176) is in the show https://www.sfplayhouse.org/sfph/2024-2025-season/waitress/ J'Accuse (SF Sketchfest) Jan 29th only Chuck Lacson (Episode 184) is in the show https://sfsketchfest.com/schedule-and-tickets/ Daisy (Hillbarn Theatre) Jan 23 – Feb 9 Terrance Smith (Episode 102) is in the show https://www.hillbarntheatre.org/daisy/ In Love and Warcraft (CityLights Theatre) Jan 16 – Feb 9, 2025 Miranda Liu (Episode 300) is in the show Kimberly Ridgeway (Episodes 155, 251 & 293) is directing the show https://cltc.org/event/warcraft/ Cuckoo Edible Magic (SF BATCO) Feb 13 – March 8 Julie Kuwabara (Episode 184) is in the show https://www.sfbatco.org Froggy (Center Rep) Feb 9 – March 2 Adam KuveNiemann (Episode 274) is in the show https://www.centerrep.org Barry Graves (Episode 104) has a new podcast out! The Black Man's Heart On Spotify and all your podcast apps ShawnJ West (Episode 146), along with Elizabeth Jones and Phaedra Tillery-Boughton is a part of a new and exciting theatre podcast called Creatively Shaded. Check them out on any podcast app. Adam KuveNiemann (Episode 274) has a new podcast called A Side / B Side, a podcast that features spirited conversations about superheroes, fantasy and all other cool and nerdy stuff. Central Works Script Club is a podcast where you download and read a play script and then listen to an audio interview with the playwright. Delivered semi-annually. You can find the Central Works Script Club on any podcast app. Our good friend Aaron Henne is the artistic director of Theatre Dybbuk in LA and they have their podcast – The Dybbokast. Through a combination of performed readings and interviews with artists and scholars, The Dybbukast brings these creations and their historical contexts to life, all while revealing their relationships to issues still present today Deborah Cortez (Episode 98 & 238) has a podcast called Let's Talk About Grief – check it out on all podcast apps. Also, Bindlestiff Studios has a podcast called the Fobcast, exploring Filipino American immigrant stories. Check out The Fobcast in any podcast app. Follow us on Facebook and Bluesky (TheYayPodcast)
Joey Alvarado is our next guest as we welcome in 2025! Joey is a veteran actor who's last show was A Noh Christmas at Theatre of Yugen. Joey has also worked with the Pear Theatre and Z Space, among other companies. Jake and I talk about Joey's upbringing, how he got into theatre and where he sees himself in the future. Joey Alvarado can be reached directly via Instagram: @tito_sexty Jameelah Rose has her own business selling healthy drinks - MelanA☥D is a black owned business that specializes in alkaline elixirs used to heal the mind and body. It's currently being sold at the Mandela Shopping Mart and you can find more info on MelanA☥D on this Facebook page: https://www.facebook.com/melanaid We also want to thank Charles Blades Barbershop for sponsoring The Yay! Charles Blades Barbershop is located at 180 Second Street in downtown Oakland. It's a very cool, relaxing place where you can get your cuts and they'll even serve you a complimentary drink. Charles is also selling men's hair products on his website https://cbbgroominingproducts.myshopify.com Hair Gels, Pomades, Shampoos and Conditioners. Hop online, give the products a try and support minority businesses like my man Charles Blades. Book an appointment online here: https://www.cbb.hair Erin Merritt (Episode 191) is a gifted actress and director – creator of Women's Will, the all-female Shakespeare group that ran from 1998-2009, who is suffering from ALS. She has been a blessing to the bay area theatre community and this is an opportunity to be a blessing for her. Her GoFundMe page link is below – please consider giving to help with her medical needs. Even a little bit counts. Erin Merritt's Go Fund Me site: https://gofund.me/e85e9f04 SHOWS: Thirty-Six (Shotgun Players) LAST SHOW TONIGHT (1/4) Lauren Garcia (Episode 207) is in the show https://shotgunplayers.org/Online/default.asp The Oracle (The Lost Church SF) Jan 10 & 11 Diana Brown (Episode 242) is in the show https://thelostchurch.my.salesforce-sites.com/ticket#/ Waitress (SF Playhouse) Nov 21 – Jan 18, 2025 Tanika Baptiste (Episode 253) is in the show Dorian Lockett (Episode 230) is in the show Sharon Shao (Episode 176) is in the show https://www.sfplayhouse.org/sfph/2024-2025-season/waitress/ In Love and Warcraft (CityLights Theatre) Jan 16 – Feb 9, 2025 Miranda Liu (Episode 300) is in the show Kimberly Ridgeway (Episodes 155, 251 & 293) is directing the show https://cltc.org/event/warcraft/ Barry Graves (Episode 104) has a new podcast out! The Black Man's Heart On Spotify and all your podcast apps ShawnJ West (Episode 146), along with Elizabeth Jones and Phaedra Tillery-Boughton is a part of a new and exciting theatre podcast called Creatively Shaded. Check them out on any podcast app. Adam KuveNiemann (Episode 274) has a new podcast called A Side / B Side, a podcast that features spirited conversations about superheroes, fantasy and all other cool and nerdy stuff. Central Works Script Club is a podcast where you download and read a play script and then listen to an audio interview with the playwright. Delivered semi-annually. You can find the Central Works Script Club on any podcast app. Our good friend Aaron Henne is the artistic director of Theatre Dybbuk in LA and they have their podcast – The Dybbokast. Through a combination of performed readings and interviews with artists and scholars, The Dybbukast brings these creations and their historical contexts to life, all while revealing their relationships to issues still present today Deborah Cortez (Episode 98 & 238) has a podcast called Let's Talk About Grief – check it out on all podcast apps. Also, Bindlestiff Studios has a podcast called the Fobcast, exploring Filipino American immigrant stories. Check out The Fobcast in any podcast app. Follow us on Facebook and Bluesky (TheYayPodcast)
In this podcast I discuss a recent post I shared starring legendary comedian Dave Chappelle, and how a conversation with a fellow Filipino-American resulted in a discussion about the necessity of responsibility of a man to produce and provide.
Send us a textThe perpetual harvest is set and Erick's three tent set up in the Buddha Lounge is humming on all cylinders. Erick and Mitch talk about home grown remedies to common problems facing cannabis users during the holidays. Also, real talk GNX slaps harder when high.Support the showFor secret grow story updates and plant footage follow the Canna Kuyas on Instagram @cannakuyas
In this podcast, I discuss the topic of Cultural Appropriation, and why Filipino-Americans need to steer clear of preaching it.
162: A Look Inside Filipino American History Through Filipino PoetryAlso available on YouTube: https://youtu.be/N-qcmYStaO8To celebrate Filipino American History Month 2024, The Filipino American Woman (TFAW) Project explores what intergenerational family therapy looks like through Filipino American poetry. Cohosts Jen and Nani welcome past guest, Caitilin Damacion, back to the stage for a deep dive into her Master's thesis project, For Those I've Saved Names For.For Those I've Saved Names For is a traveling exhibit of Damacion's late father's poetry, who passed away in 2013. Kenneth Damacion was a farm worker from the Philippines who grew up in Fairfield, California during the Civil Rights Era. He graduated from the University of California, Irvine with a Master's degree in poetry, but experienced many barriers and roadblocks in getting his work published. Caitilin, his daughter, obtained her Master's degree from San Francisco State University in 2023. She uses the body of work her father left to illustrate her own thesis project, which covers a broader narrative about the history of Asian American scholar activism.Love our show? Leave us a message and show us your support! Visit https://tfawproject.com/supportMonthly Book Club -- Every 3rd Friday of the month @ Noon (PT) / 3 PM (ET), members of the Tsismis with Jen and Nani Book Club get together to discuss their latest readings. The best part?? No reading is required! Whether you're an avid reader or just want to soak in what our readers have to share, we'd love to have you. First-timers are welcome to attend for FREE! Join us at THENEWFILIPINA.COM to RSVP today.Upcoming FREE Events (Online)5-Day Reflection SeriesOpen Mic NightsVision Board PlanningFor specific dates and times, join our FREE app today at THENEWFILIPINA.COM--NEWSLETTER: Receive the latest stories, updates, and media coverage by subscribing to our FREE newsletter: http://eepurl.com/cO0bifABOUT US: Welcome to The Filipino American Woman (TFAW) Project, a podcast that strengthens Filipino voices one conversation at a time through all things life, culture and personal development. Hosted by Jen Amos and Nani Dominguez-Smith. This show is brought to you by our family at THENEWFILIPINA.COM. Join the conversation today!UPCOMING BOOK: Special thanks to the Bulosan Center for Filipino Studies at UC Davis for the opportunity to present our academic paper, Pinay Podcasters: Building a Self-Sustaining Community Through Storytelling, Collective Healing & Learning, and Collaboration. The initial draft is now available! Read more at http://pinaypodcasters.com/RECOGNITION: In December 2020 and December 2021, we received an Honorable Mention at the Asian American Podcaster's Golden Crane Podcast Awards. August 2020, Jen Amos participated as a speaker on behalf of TFAW Project for PodFest Global, which now holds the GUINNESS WORLD RECORDS™ title for Largest Attendance for a Virtual Podcasting Conference in One Week. May 2020, we were recognized as “Amplifying Asian Women Voices” on Spotify during AAPI Heritage Month.We've also
In this episode of Healing Generations, Maestro Jerry Tello engages in a profound conversation with R. Bong Vergara, exploring themes of cultural identity, personal transformation, and activism. They discuss Bong's journey from the Philippines to the U.S., the challenges he faced in higher education, and his evolution into a passionate advocate for social justice and environmental health. The dialogue emphasizes the importance of acknowledging the contributions of Filipino Americans to labor movements and the significance of indigenous knowledge in contemporary activism. Ultimately, the conversation serves as a reminder of the interconnectedness of all people and the collective journey towards healing and peace. Chapters: 00:00 Introduction 05:17 Cultural Identity and Personal Transformation 13:03 Navigating Challenges in Higher Education 17:59 Activism and Political Consciousness 30:15 The Intersection of Health and Environmental Justice 33:06 The Role of Indigenous Knowledge in Modern Activism 36:40 Acknowledging the Filipino Contribution to Labor Movements 48:21 Reflections on Healing and Community Engagement To watch the live-streamed event of the Filipino Labor Leaders Hall of Honor Induction, please visit: https://www.youtube.com/watch?v=3xac7lEuzVY To learn more about the National Compadres Network, please visit: National Compadres Network Instagram: https://www.instagram.com/healgenpodcast/ Twitter: https://twitter.com/HealGenPodcast Facebook: https://www.facebook.com/Healing.Generations.Podcast Email: HGP@compadresnetwork.org
Ep.223 Pio Abad (b.1983) is an artist whose work is concerned with the personal and political entanglements of objects. His wide-ranging body of work, mines alternative or repressed historical events and offers counter narratives that draw out threads of complicity between incidents, ideologies and people. Deeply informed by unfolding events in the Philippines, where the artist was born and raised, his work emanates from a family narrative woven into the nation's story. He has exhibited at the Ashmolean Museum, Oxford; 58th Carnegie International; the 5th Kochi-Muziris Biennial; Ateneo Art Gallery, Manila; Museum of Contemporary Art, Tokyo; Kadist, San Francisco; Oakville Galleries, Ontario; the 2nd Honolulu Biennial; 12th Gwangju Biennial; 4A Centre for Contemporary Asian Art, Sydney and Gasworks, London. He was recently nominated for the 2024 Turner Prize. Abad's works are part of a number of important collections including Tate, UK; Carnegie Museum of Art, Pittsburgh; Hawaii State Art Museum, Honolulu and Singapore Art Museum. Abad is also the curator of the estate of his aunt, the Filipino American artist Pacita Abad. He has co-curated monographic exhibitions on Pacita Abad at the Museum of Contemporary Art and Design Manila and Spike Island, Bristol. Photo Credit: Frances Wadsworth Jones Artist https://www.pioabad.com/ Tate Museum https://www.tate.org.uk/art/artists/pio-abad-30636/pio-abad-beautiful-things-can-be-vessels-for-painful-stories Ashmolean Museum https://www.ashmolean.org/exhibition/ashmolean-now-pio-abad-those-sitting-in-darkness | Shortlist Turner Prize https://www.ashmolean.org/press/ashmolean-now-pio-abad-turner-prize-shortlist-press-release Pacita Abad https://en.wikipedia.org/wiki/Pacita_Abad | https://ago.ca/events/pacita-abad-roundtable-conversation | https://tinakimgallery.com/news/205-first-of-its-kind-retrospective-of-filipino-artist-pacita-abad-opens-cbs-news/ Frieze https://www.frieze.com/article/frieze-masters-magazine-2024-pio-abad-gerret-willemsz-heda University of Oxford https://www.glam.ox.ac.uk/article/artist-pio-abads-exhibition-at-the-ashmolean-museum-shortlisted-for-2024-turner-prize Royal Academy https://www.royalacademy.org.uk/art-artists/name/pio-abad Kadist https://kadist.org/people/pio-abad/ Wallpaper https://www.wallpaper.com/art/turner-prize-2024-artists Widewalls https://www.widewalls.ch/magazine/pio-abad-2024-turner-prize Artnet News https://news.artnet.com/art-world/who-will-clinch-the-u-k-s-top-art-honor-inside-the-turner-prize-exhibition-2541699 Museums Association https://www.museumsassociation.org/museums-journal/news/2024/09/turner-prize-artist-explores-ashmolean-collection/ Vogue Philippines https://vogue.ph/lifestyle/art/pio-abad-exhibit-turner-prize/ | Pacita Abad https://vogue.ph/lifestyle/art/pacita-abad-decades-strong-path-of-color-set-ablaze/ Tatler Asia https://www.tatlerasia.com/lifestyle/arts/turner-prize-pio-abad-interview Open Space Contemporary https://www.openspacecontemporary.com/projects/10-minutes-with-open-space/10-minutes-with-pio-abad/ Silver Lens https://www.silverlensgalleries.com/artists/pio-abad
Episode 389 - S16 E07 Jeremy Antonio Rafal #OAGOT
Filipino-American heritage and perspective is important not only for Filipino American Heritage Month, but also for American and World History. Check out the NBC Article here: https://www.nbcnews.com/news/asian-america/forgotten-battle-thousands-wwii-veterans-are-still-fighting-n520456 --- Support this podcast: https://podcasters.spotify.com/pod/show/natalye-harpin/support
Reena Tolentino is an Filipino-American artist from Los Angeles, CA. Topics: LA is a small town, shout out to DJ Kasama, Paris Art Basel vs Miami Art Basel, Shopperazzi, Go Spray Paint, James loves Filipino people, Fuddpuckers, peace pup molds, secret navy seal projects, bruce lee, Jollibee, Ronald Mcdonald & the fry guys. MDNTMVMT ft ILU - House Possession follow Reena IG: reenatolentino tiktok: reenatolentinoart checkout her website Reenatolentino.com
Pablo travels to Minneapolis to spend a weekend with the player responsible for the best celebrations in the NFL: Vikings safety Cam Bynum, a rising star — and proud Filipino-American — whose story is about love at first sight, the value of patience and connecting two countries on opposite sides of our planet. Also: lumpia. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Pablo travels to Minneapolis to spend a weekend with the player responsible for the best celebrations in the NFL: Vikings safety Cam Bynum, a rising star — and proud Filipino-American — whose story is about love at first sight, the value of patience and connecting two countries on opposite sides of our planet. Also: lumpia. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Pablo travels to Minneapolis to spend a weekend with the player responsible for the best celebrations in the NFL: Vikings safety Cam Bynum, a rising star — and proud Filipino-American — whose story is about love at first sight, the value of patience and connecting two countries on opposite sides of our planet. Also: lumpia. Learn more about your ad choices. Visit podcastchoices.com/adchoices
It's a heartfelt conversation between what seems like a couple of old pals : Trish interviews Nori De Vega - food blogger, independent restaurant advocate, and co-founder of "Tikim". "Tikim," which means "to taste" in Tagalog, is a concept inspired by Nori and two great pals to further the Filipino-American narrative by sharing their experiences - mostly with food. Nori talks about growing up in two VERY different cities worlds apart and how that shaped her and her tastes. She started what's now her incredibly popular food blog ( @NomNom_Nori ) during the pandemic as a way to support some of her favorite people and friends in the struggling Portland, Oregon food scene. That act of love and advocacy turned into something bigger than she imagined. Cook up a bowl of something delicious (maybe some noods), pour some bubbles, and enjoy this fun, heartfelt, and warm conversation.
Unsung hero, forgotten, overlooked – these are common descriptors of Larry Itliong and his significant contributions to the American Farm Labor Revolution. Carmina and Patch join the growing voices seeking to remedy this tragic oversight by honoring Larry in this episode. Learn why, during every Filipino American History Month, we must commemorate our ancestors' contributions to the fabric of this great nation. Finally, learn why it is important to call it Filipino-American HISTORY (and not “Heritage”) Month. Learn more: Journey for Justice: The Life of Larry Itliong, PBS News Hour: The story of Filipino-American labor organizer Larry Itliong, Filipino American Farmworkers | Asian Americans, Forgotten Hero of Labor Fight; His Son's Lonely Quest, Filipino American National Historical Society, History of Filipino Labor Leader Resides in Shadows, Larry Itliong Day in the Philippines 2024, YouTube: Our Trip to Delano, Larry the Musical – Know History, Know Self, Who Is Larry Itliong, The life and legacy of Filipino American labor rights leader Larry Itliong, Filipinos in the UFW Movement: Agustín Lira & Patricia Wells Solórzano on Larry Itliong, If only he knew: The legacy of labor leader Larry Itlion – The Yappie, San Francisco Chronicle-Life and legacy of Filipino American labor rights leader Larry Itliong, and Little Manila Rising-Donate to our capital campaign! To support FilTrip, go to the Patreon page here and PayPal page here. Visit https://filtrip.buzzsprout.com. Drop a note at thefiltrip@gmail.com. Thanks to FilTrip's sponsor SOLEPACK. Visit thesolepack.com for more details.See https://www.buzzsprout.com/privacy for Privacy Policy.
Jocelyn Songco is the founder and owner of Yarn Farm Kingston, a yarn shop and wine bar in New York's Hudson Valley, two hours north of NYC. Prior to Yarn Farm, Jocelyn worked at a private foundation for over a dozen years, investing in social entrepreneurs in emerging markets, primarily in Africa in the agriculture sector, as well as a handful of years in for-profit finance in NYC. She went to grad school and business school in NY (Columbia) and college in LA (UCLA), grew up in NJ, and is a first-generation Filipino-American.Jocelyn's been passionate about fiber arts, knitting, crochet, spinning, weaving and sewing, for most of her adult life. Working with entrepreneurs in her prior career inspired her new foray into the retail and hospitality sector in this hybrid business. The wine bar is superbly managed by Jocelyn's boyfriendTodd. Together they create and offer a welcoming shop and gathering space that appeals to new and experienced fiber artists and curious creatives from the local community and weekenders. Jocelyn and Todd live close to Yarn Farm (4 min drive; 8 min kayak ride) with their two pugs Zorro and Omni.Here, Jocelyn shares the story of how the Yarn Farm business and brand were created and what led her and her partner to start things up. She dives into the details of the fixturing in her space, how she approached the design, and how she sources products. Jocelyn also shares how she set up the wine bar portion of her business, her budgeting process, and how she came up with the name Yarn Farm.This episode is sponsored by Patrick & Company, a wholesale sales agency proudly representing nationally and internationally branded companies. Located in the Dallas Market Center, for over 30 years they have been the go-to source for retailers helping to discover those unique, sought-after, and stylish brands. What's Inside: How Jocelyn created the Yarn Farm business and brandJocelyn's approach to store design and fixturingHow Jocelyn set up the wine bar portion of the businessMentioned In This Episode:Yarn Farm KingstonYarn Farm Kingston on InstagramYarn Farm Kingston on LinkedInJocelyn Songco on LinkedIn
161: Therapy Writing Prompts for Filipino American WomenAlso available on YouTube: https://youtu.be/Z4KIqp6tduIWhether you've been going to therapy for years or are just toying with the idea, we want to meet you where you're at. In this bonus episode, Nani shares five therapy writing prompts you can use to explore your relationship to therapy and mental health, identify which therapy topics to discuss, and develop healthy coping skills for anxiety and stressful situations. As a follow-up to our previous conversation in episode 159, we hope you take advantage of this opportunity to apply what you learned to your life. Happy reflecting!Love our show? Leave us a message and show us your support! Visit https://tfawproject.com/supportMonthly Book Club -- Every 3rd Friday of the month @ Noon (PT) / 3 PM (ET), members of the Tsismis with Jen and Nani Book Club get together to discuss their latest readings. The best part?? No reading is required! Whether you're an avid reader or just want to soak in what our readers have to share, we'd love to have you. First-timers are welcome to attend for FREE! Join us at THENEWFILIPINA.COM to RSVP today.Upcoming FREE Events (Online)5-Day Reflection SeriesOpen Mic NightsVision Board PlanningFor specific dates and times, join our FREE app today at THENEWFILIPINA.COM--NEWSLETTER: Receive the latest stories, updates, and media coverage by subscribing to our FREE newsletter: http://eepurl.com/cO0bifABOUT US: Welcome to The Filipino American Woman (TFAW) Project, a podcast that strengthens Filipino voices one conversation at a time through all things life, culture and personal development. Hosted by Jen Amos and Nani Dominguez-Smith. This show is brought to you by our family at THENEWFILIPINA.COM. Join the conversation today!UPCOMING BOOK: Special thanks to the Bulosan Center for Filipino Studies at UC Davis for the opportunity to present our academic paper, Pinay Podcasters: Building a Self-Sustaining Community Through Storytelling, Collective Healing & Learning, and Collaboration. The initial draft is now available! Read more at http://pinaypodcasters.com/RECOGNITION: In December 2020 and December 2021, we received an Honorable Mention at the Asian American Podcaster's Golden Crane Podcast Awards. August 2020, Jen Amos participated as a speaker on behalf of TFAW Project for PodFest Global, which now holds the GUINNESS WORLD RECORDS™ title for Largest Attendance for a Virtual Podcasting Conference in One Week. May 2020, we were recognized as “Amplifying Asian Women Voices” on Spotify during AAPI Heritage Month.We've also been featured in Realtime Community Oakland, Mochi Magazine, Ossa Collective, SUPERBANDS, Chopsticks Alley, FoundHer by Entrepinayship, Spotify, PodFest Expo, Philippine American Foundation for Charities, When In Manila, You Are Collect;ve, San Diego Union Tribune, NBC 7 San Diego, and much more! Read more at: https://linktr.ee/tfawproject.featured CONNECT WITH US: Instagram @thefilipinoamericanwoman, Facebook...
160: Dear Filipino American Women, Here's What To Talk About In TherapyAlso available on YouTube: https://youtu.be/GEmW8yHoaJ4And just like that… they're back! Join Jen & Nani as they breathe new life into TFAW Project with a hearty discussion on what to talk about in therapy for Filipino American women. In this panel discussion, Filipina therapists Marjory Ware and Roanne de-Guia Samuels weigh in on common misconceptions people have about going to therapy, how to find a therapist who is aligned with you, different types of therapy to try, and popular topics and goals to center in your therapy sessions. Don't forget to check out our bonus episode, Therapy Writing Prompts for Filipino American Women (episode 161), to put these concepts and ideas into practice!Love our show? Leave us a message and show us your support! Visit https://tfawproject.com/supportMonthly Book Club -- Every 3rd Friday of the month @ Noon (PT) / 3 PM (ET), members of the Tsismis with Jen and Nani Book Club get together to discuss their latest readings. The best part?? No reading is required! Whether you're an avid reader or just want to soak in what our readers have to share, we'd love to have you. First-timers are welcome to attend for FREE! Join us at THENEWFILIPINA.COM to RSVP today.Upcoming FREE Events (Online)5-Day Reflection SeriesOpen Mic NightsVision Board PlanningFor specific dates and times, join our FREE app today at THENEWFILIPINA.COM--NEWSLETTER: Receive the latest stories, updates, and media coverage by subscribing to our FREE newsletter: http://eepurl.com/cO0bifABOUT US: Welcome to The Filipino American Woman (TFAW) Project, a podcast that strengthens Filipino voices one conversation at a time through all things life, culture and personal development. Hosted by Jen Amos and Nani Dominguez-Smith. This show is brought to you by our family at THENEWFILIPINA.COM. Join the conversation today!UPCOMING BOOK: Special thanks to the Bulosan Center for Filipino Studies at UC Davis for the opportunity to present our academic paper, Pinay Podcasters: Building a Self-Sustaining Community Through Storytelling, Collective Healing & Learning, and Collaboration. The initial draft is now available! Read more at http://pinaypodcasters.com/RECOGNITION: In December 2020 and December 2021, we received an Honorable Mention at the Asian American Podcaster's Golden Crane Podcast Awards. August 2020, Jen Amos participated as a speaker on behalf of TFAW Project for PodFest Global, which now holds the GUINNESS WORLD RECORDS™ title for Largest Attendance for a Virtual Podcasting Conference in One Week. May 2020, we were recognized as “Amplifying Asian Women Voices” on Spotify during AAPI Heritage Month.We've also been featured in Realtime Community Oakland, Mochi Magazine, Ossa Collective, SUPERBANDS, Chopsticks Alley, FoundHer by Entrepinayship, Spotify, PodFest Expo, Philippine American Foundation for Charities, When In Manila, You Are Collect;ve, San Diego Union Tribune, NBC 7 San Diego, and much more! Read more at:
In this episode the TFAL crew talks story with Kat Carrido Bonds, our fam and frequent fill in for food appreciator Ryan. Kat shares her journey from music aficionado to college student turned pcn coordinator turned cultural affairs commissioner to Filipino American cultural events producer. Kat and her producing partners with AKB Media are...
Sunday on PBS News Weekend, how Americans are coping with rising electricity bills during this summer's extreme heat. Then, a new documentary examines the complex relationship between men behind bars and their young daughters. Plus, the story of the Filipino-American union official who helped lead striking farm workers to a landmark victory. PBS News is supported by - https://www.pbs.org/newshour/about/funders
In 1965, Filipino-American labor organizer Larry Itliong helped lead the Delano grape strike and boycott for better wages and working conditions. It was the birth of the farmworkers labor movement and led to a landmark contract. In this animated feature from our partners at StoryCorps, Johnny Itliong talks about his father's legacy with his own son, Aleks. PBS News is supported by - https://www.pbs.org/newshour/about/funders