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Think about the histories of your family or memories from your past. What if you recounted them with a dash of magic? What happens when we infuse our stories on film with some magical realism? Tonight's edition of APEX Express features three filmmakers who created magical realism short films centering AAPI women. Listen to directors Cami Kwan, Dorothy Xiao, and Rachel Leyco discuss their films and experiences behind the scenes with host Isabel Li. Cami Kwan: Website | Instagram | Seed & Spark Dorothy Xiao: Website | Instagram  Rachel Leyco: Website | Instagram   Transcript 00:01 [INTRO] Isabel: You're tuned into Apex Express on KPFA. Tonight's edition is all about stories. Think about the histories of your family or memories from your past. Now, what if you recounted them with a dash of magic? What happens when we infuse our stories on film with some magical realism? I'm your host, Isabel Li, and today we have three very special guests, Cami Kwan, Dorothy Chow, and Rachel Leyco. All of them are AAPI filmmakers who received the Julia S. Gouw Short Film Challenge grant from the Coalition of Asian Pacifics and Entertainment and have created short films featuring AAPI stories with magical realism. My first guest of the night is Cami Kwan, a Chinese-American director specializing in stop-motion animation who directed the short film Paper Daughter.  Hi Cami, welcome to APEX Express!  Cami: Hello, thank you so much for having me. Isabel: How do you identify and what communities do you consider yourself a part of?  Cami: So I identify as a queer Asian American woman um and I am a descendant of immigrants, of Chinese immigrants. um Then the communities that I am part of, part of the queer community, part of the Los Angeles community, part of the Chinese American and Asian American community, part of the mixed race community and part of the stop-motion animation and independent artist community.  Isabel: I'm so excited to talk to you about your upcoming short film, Paper Daughter, a gothic stop-motion animated Chinese-American fairy tale about a young woman grappling with the guilt of using the identity of a deceased girl to immigrate to the US via Angel Island in 1926, which is such a fascinating concept. Can you tell our listeners a little bit about how you came up with this story and the historical specificity behind it?  Cami: Absolutely, yeah. So like I mentioned, I'm the child of immigrants, descendants of immigrants rather. So my great grandparents immigrated to the US from China. My great grandfather came over in 1916 and my great grandma came over in 1926. And so I've always grown up knowing the story of Angel Island and knowing the story about the paper sons and paper daughters who had to find any way into the United States that they could. And so they were forced to, you know, take on the identities of other people. And those stories have always stuck with me, you know, like it's very personal. Angel Island means a lot to me and my family. And just the extreme measures that people have always had to take just for the chance at a better life have always been really meaningful to learn about. just the like, I'll use romances in like the art movement, like romantic. It's very romantic and kind of fairy tale-ish, the idea of having to take on a new identity and pretend to be somebody that you're not. And often those identities would be people who had passed away, and then those families had then sold those identities or given those identities to new people. And so it's so interesting the idea of being like the last person to know somebody so deeply, but you'll never get to meet them and you'll never be able to thank them or repay what they sacrificed for your future. And that's kind of how I feel as a descendant of immigrants. The sacrifice that my family made for me was made so long ago that there's no way for me to ever pay it back. And I didn't really get a say in whether I received that sacrifice or not. And I think a lot of descendants of immigrants kind of have to struggle with this. What does it mean for us to be given this new chance at the cost of somebody who came before us? And so that's all of that kind of rolled up into this 14-minute film. Isabel: You describe your film as being in a gothic style? Can you describe what this looks like and why gothic?  Cami: The subject matter is just so naturally gothic. It's dealing a lot with death and a lot with guilt and those big capital R romantic subjects and stuff. My day job, my day-to-day job is working in stop-motion animation directing mostly like children's series and mostly toy related stuff. And so I spent so much of my time in the happy brighter like birthday party storyline kind of like space. But what really made me want to be a filmmaker in the first place were all these like heavier themes, these bigger themes, films by Guillermo del Toro and like Tim Burton and Henry Selig and Hayao Miyazaki and all of those kind of have this like gothic edge to them. And so that's like a story that I've been a type of story I've been wanting to tell for about a decade now.  Isabel: Stylistically, how does this show up in your film? So I imagine darker colors or do you have a visual like preview for us?  Cami: it is a little bit in the darker color space, but it's still very colorful despite all that. It's moody more so than dark, I would say. um We have a lot of like light and dark themes, a lot of like shadow. stuff and um a lot of magical realism, which is where that fairy tale aspect kind of comes in, because you're dealing with things that are so abstract, like guilt and sacrifice and wearing the identity of somebody else, that there's no literal way to convey that. Well, there are literal ways to convey that, but none of those literal ways I feel fully convey the emotional weight of everything. And so we've gone in this very magical realism space where people are tearing information out of these booklets that contain information about the person they're supposed to be and creating these paper masks out of them. And so yeah, there's this whole like magical aspect that tends to be kind of darker. There's imagery of just like being consumed by the identity that you're just supposed to temporarily wear. And there's a lot of like, yeah, there's a lot of darkness in those themes, I think.  Isabel: Wow, that's so interesting. I'd love to learn more about stop motion. What does stop motion make possible that isn't as easily accomplished through other forms of filmmaking? Cami: Yeah, I think the reason why I'm drawn to stop motion, what I stop motion makes possible is like a universality of just like a human experience because with other kinds of animation and other kinds of filmmaking, like there is kind of like an opacity to like how it's made. There's this this veneer, this magic to it, and there's that magic to stop motion too. But the difference between all of those and stop motion is made out of like everyday materials. It's made out of fabric. using paper. We're using clay. We're using materials that people have encountered in their day-to-day lives. And like, that's the one thing that we are all guaranteed to have in common is that we live in a material world and we encounter these textures and materials around us. so by like taking such a specific story and trying to convey such universal themes, it really like behooves us to be using like um a medium that is as universal as stop motion is. So I think that's like the big thing that stop motion unlocks for us. Plus also story-wise, like it's very paper centered, paper daughter, they're tearing paper strips, they're making paper masks. So like physically using these paper textures adds a lot to our world. um And I think working in stop motion gives you a degree of control that live action doesn't give you because we're creating. all of our characters, all of our sets by hand, which gives us so much of a say over what they look like and what they convey based on how they're constructed and stuff. And that's just a degree of communication that nothing else brings.  Isabel: I love that this is a magical realism film and you mentioned Guillermo del Toro. I know that in your campaign trailer, you featured Pan's Labyrinth, which is my all-time favorite movie.  Cami: Me too! Isabel: Yeah! How exactly did you come up with this specific blend of history and fantasy for your film?  Cami: I think that it's almost a natural human instinct to kind of have history and fantasy. Like, that's all that histories are, just stories told to us. And it's just being less literal about it and really leaning into the metaphors that we might use to convey the emotional realities of those histories, right? And so I feel like Del Toro does that a lot with his work. And Miyazaki as well does a lot of that with his work. So much of it deals with unpacking like World War II and things like that. And that's something that I've always just personally been drawn to. Even as a kid, my dream jobs were archaeologist or animator. And so here I kind of get to like do a little bit of both of those, know, like using the magic of animation to make history feel a lot more present and tangible and like emotionally relevant, which is It's really quite poetic to be able to be telling this story right now because it's going to mark the 100 year anniversary of my great grandmother's immigration to the US. I think we are due for an examination of immigration in our country. And I'm very interested to see how people respond to the questions that this raises of how different is the immigrant experience 100 years later. Have we gotten better? Have we gotten worse? Like I would posit it's perhaps worse now than it was then, but I'm really hoping to like, yeah, bring that reality into a more approachable space. And I feel like having that blend of magic and history just makes it a little bit more approachable than telling it in a literal way, you know? Isabel: Those are some great questions to ask. And on that same note, I'm interested in the specificity of Angel Island as well. What types of research did you do to produce your film?  Cami: Oh, gosh, I read every book I could find about it. have… How many books were those? Oh, my gosh, I want to say, like, not as many as I want there to be, you know? Like, Angel Island is not as well covered in history as places like Ellis Island, and there's a lot. to unpack as to why that may be, especially like the racial aspect of it. But I probably read about a dozen different books to prepare for this film. One of the most concrete and useful books that I read is a book called Island, and it's a collection of the poems that are carved into the walls of the men's barracks that remain on Angel Island. And those poems are a huge part, perhaps, the reason why Angel Island has even been preserved as a historical landmark. And so um the three authors went to great pains to replicate these poems, translate them into English, and provide a lot of historical context for the different topics of the poems. And there's a lot of like first-hand testimony from people who immigrated through Angel Island that they interviewed and included in this book. And so I do think that that book, Island, is like the primary source of most of my research for it. Everything else is more like quantitative history and quantitative data. Oh, also The Chinese in America by, I believe it's Iris Chang, that it's not just about Angel Island, but I read that and that gave me a much better understanding about like the place that Chinese immigrants have in American history. Because when I was a kid, like I really only ever learned about great grandma came over through Angel Island and now we're American and we live in America. But our history, as far as I was ever taught, begins and ends with us entering the United States. And so reading um the Chinese in America gave me a much broader understanding about, like, why did we leave China in the first place? And like, what has it meant for us to be in America as Chinese people since then? Yeah, all that came out of like in 2020 and 2021 when the rise of anti-Asian hate crimes were kind of coming about. I personally had to have a huge reckoning with like my racial identity and like how that has impacted like my experience growing up as a mixed-race person who's pretty perceivably Asian and all that stuff. So it was a really whole circle broad situation. Oh, I want to do a quick shout out to the Angel Island Immigration Station Foundation. They were very generous with their time and they answered a lot of my questions and sent me a lot of archival images from Angel Island. So I want to thank them so much for their help in the research process of this.  Isabel: Oh, wow. How fascinating. Did you have any expectations on how the production process was going to go? And now that you're on the other side of it, what are your reflections?  Cami: I had no expectations as to whether we were going to get outside funding or not. Like I, I'm not an experienced or adept grant applicant. Like, it was really just because this was the right kind of project to fit with those kinds of grants. So I had no expectations there. So I am beyond thrilled to have received the support from Cape and Janet Yang and Julia S. Gouw and Shorescripts that we've received, like beyond thrilled for that. So that exceeded all of my expectations. um But as far as how the actual production has gone, the fabrication and the animation and the post-production, that's all stuff that I'm extremely familiar with. Again, that is my day-to-day life, that is my job, that is like what I have done for the last eight years at my studio, Apartment D.  So that all went pretty much as I hoped and expected that it would, but here on the other side, the one thing that has surprised me about it was how much love all of the artists put in this project because like we've said so much in this conversation, there's so much specificity to this. This is about my great grandma. This is about my family and my feelings about being a descendant of immigrants. It's so specific that I wasn't sure how emotionally it would resonate with anybody else that wasn't me or wasn't part of the AAPI community, you know?  But every single person — doesn't really even matter if they were Asian, doesn't really even matter if they have a specific connection to immigration — every artist that I asked to join me on this project, I immediately understood what it meant and understood what we were trying to say. And they put so much love into it. And like, we all put a lot of love into everything we do. It's stop motion. It's like, you don't do this unless you love it, you know, because you certainly are not doing it for the money or anything. um everyone was just so…I'm gonna say careful, but I don't mean careful like cautious. I mean careful like full of care. And I did not expect that and I am so grateful for it. Yeah, looking back, it's just so precious and so tender and like I'm so fortunate to have had the crew with me that I had to make this film.  Isabel: That's so lovely. What are you most excited about upon completing your film?  Cami: I'm just excited to share it with the world. I'm so proud of it. It is truly, and I'm not just saying this because it's my baby, but it is very beautiful and it is very special. For a lot of us, one of the first times that we've been able to be in charge of our own departments or to make the decisions that we wanna make and tell things, do things, show things the way that we think they should be done. And so it's kind of significant for many of us to have this film come out and to be received. What I want people to take away from it is an appreciation and a gratitude for everything that has had to happen for us to be where we are now. And I also really want people to take away the unconditional love that has occurred for us to be in the country that we have and to be the people that we are. Every single person is where they are. doesn't matter if you're in America or anywhere else, like we are all here because of the sacrifices that were made by the people who came before us. And those were all made out of unconditional love. And that's like, I want people to come away from this film remembering that our country is built on the unconditional love and sacrifice from people who came before us. And then wanting to give that unconditional love and sacrifice to everybody who's gonna come after us. Isabel: Such an amazing message. And I know that there's still lots to do and you still have a lot to celebrate with your upcoming film and with the festival circuit with Paper Daughter. But looking ahead, do you have any plans of what you want to do after the short film?  Cami: Yeah, I would love to bring it into a feature. There was so much that we had to cut out to make this film. On one hand, I'm glad that we cut out what we did because I think the film as it is, is like so tight and so like airtight and good and perfect and sparse in a really nice way, but we don't even get to delve into life before Angel Island. It begins and ends on the island, and I would love to explore the stories that brought this all about and the stories that come after. So bringing this up into a feature version and getting that in front of people would be amazing. And I have a couple other short film and feature film and script ideas that I would like to start working on as well. I've kind of really, I'm really grooving on the like Asian early Chinese American history. um So most of them are going to be set in California and focus on like Chinese immigrants and their role in the founding of America. um I'm really excited for the like, after all the film festivals, I really want this film to end up in classrooms. And I even just the other day like I have a friend who's a third and fourth grade teacher and she showed it to her class and then the students asked me questions about Angel Island and about animation. if this can play any part in helping to spread the story of Angel Island and the people that immigrated through there, like that's all that I could ever want from this. So I'm really excited for that.  Isabel: That's wonderful. I'll put your website, social media and seed and spark page for Paper Daughter up on kpfa.org so our listeners can learn more about this stop motion film and get updates for how they can watch it. I can't wait to see it when it comes out. And Cami, thank you so much for joining me on Apex Express today.  Cami: Of course, thank you so much for having me. It was a great, great time talking with you.  Isabel: You just heard Cami Kwan talk about her film Paper Daughter. On Apex Express tonight, we have two more special guests who made magical realism short films. Next up is Dorothy Xiao, who made the film Only in This World. She's a Los Angeles-based award-winning filmmaker who likes to create grounded family dramas with a hint of fantasy.  Hi, Dorothy. Welcome to APEX Express.  Dorothy: Hi. Thanks for having me!  Isabel: Of course! Thank you for coming here. My first question for you is actually quite broad. How do you identify and what communities are you a part of?  Dorothy: Oh, that is a good question. I think in a broader sense. I would say, obviously, I identify as an Asian American. um But I think, like, for me, because I grew up in the 626 or the San Gabriel Valley, I grew up with a lot of people who looked like me. So I think I didn't truly identify as being Asian or had awareness of my identity until later on when I went to college. And then I took Asian American Studies classes and I was like, oh, wow, I'm Asian. Or like, what does it mean to be Asian? You know, like, I think I, at that time, prior to recognizing and understanding what it meant, and also even to be a minority, because at that, like I said, growing up in 626, even going to UCLA, where I'm surrounded by a lot of Asians, I never really felt like a minority. But I think it was really after graduating where I, depending on the spaces that I would enter into, especially in the film industry, I was learning like, oh, yeah, I am a minority and this is what it feels like. And prior to that, I think I just identified as being a daughter of immigrants. And that still is very strongly the case just because I grew up listening to so many stories that my parents would tell me, like coming from China, growing up like they grew up in China during a completely different time. I can't even imagine what it would be like living in the way that they did, you know, during the Cultural Revolution, under communism, in an intense way where they were starving, all this political stuff. But yeah, a second gen or for a lot of people, first generation, daughter of immigrants, of parents who decided that they wanted to make a better life for their kids out here in the States. I think that I want to stand by me saying that I don't feel like I am, I don't really want to identify as only just single categories all the time, just because within each community, could be, you could have nuances, right? Because I am a woman, but I'm also like a woman who doesn't want children, you know, and there was just so many different things of how I identify. So hard for me to categorize myself like that. But they are, there are tidbits of different communities. Like I still identify, identify as Asian American. I identify as a daughter of immigrants. I identify as a female filmmaker and yeah. And a business owner, I guess. Yeah.  Isabel: Right. Yes. Thank you for that nuanced answer. You know, it's so fascinating because I was reading about your work and you have worked in animal research administration and an afterschool program and even web development for nonprofits. How did you get into writing and directing?  Dorothy: Yeah. So after graduating college, I was definitely in a place where many, I'm sure, fresh grads understand what we call the quarter life crisis, where we don't know what we wanna do with our lives. And I was working at UCLA because that was the only job that I could get out of college for an animal research administration office. And really, I worked for them as a student. So I was like, well, it makes sense to have that be my full-time job, because you're in a place where you don't have skills. So how do you get a job if you don't have skills? That weird silly catch-22 situation. So I studied psychology in undergrad because my goal was to become a therapist. I wanted to work with Asian and Asian immigrant communities to help them with mental health because there's such a stigma attached to it. And being somebody who found mental health really important and also found that it was a really great way to understand myself. I wanted to work with, I guess, the people of my community. But at that time, I realized that there's still a stigma attached to mental health and it's really hard to get people to even go to therapy. Like living with my parents, it's really difficult. I cannot ever convince them to go. um And so I had pivoted into, or at least I discovered this filmmaking competition and ended up just like making a film for fun with a couple of friends, random people that um were not in film at all. And I had a lot of fun and I realized that we could actually create stories talking about things that are very similar to mental health or could provide that catharsis and validation that you could probably get in a session, in a therapy session. And it's not clinical at all. It's not as clinical. So, you know, on all those different jobs that you mentioned, they're all day jobs, know, animal research administration and then working for an after school program. That was me still trying to figure out how to be a filmmaker on my weekends. I still needed a day job. I didn't have the luxury of going to film school. So I would work at different places that gave me the flexibility of having a day job. But then also I had free time during the weekend to just make films with my friends, make friends films with people like my mom, who was one of my first actors earlier on. Love my mom. She did not do the greatest in my film, but I love her for being there for me. But yeah, like the different organizations or just jobs that I worked for were all really good in terms of providing me management skills and also communication skills because I worked in different industries, you know, and so at the end of the day, it all culminated in me at my current place. Like I am a freelance filmmaker and I also run my own video production company. So um becoming a writer, I mean, being a writer director is my main identity as a filmmaker. However, I don't think you could be a good writer-director if you don't have life experience. And having all those different jobs that I've had provided me with a lot of varied life experience and I interacted with a lot of different people, many different personalities.  Isabel: Yeah, no, I love that. So you grew up in Alhambra, which I'm familiar with because I too grew up in the San Gabriel Valley. How would you say that growing up in Alhambra has shaped you as an artist?  Dorothy: Alhambra is really special, I feel like, because in the San Gabriel Valley, there are many cities like this. You have Chinese people who can actually get by without ever having to learn English. And the same goes for Latin communities as well. And, you know, I have aunts and uncles who lived in Alhambra for years and never learned how to speak English. So I think it's like, what's so special about it, it feels like a safe space for a lot of immigrant communities. And then my parents being immigrants from China. living in Alhambra was a place where they could feel safe and feel connected to the people that they left behind in another country. And so being a child of immigrants, a daughter of like an Asian American, like a Chinese American growing up in Alhambra, I definitely felt like I grew up with a lot of people who were similar to me. know, we were like a lot of times the first American born children of our families even, and it was, we had to essentially understand what it meant to be Asian versus American and all of that.  But I think like being in Alhambra, I never felt like I wasn't seen, or at least I never felt like I was a minority. I think I mentioned this earlier, in that growing up in Alhambra, you do see a lot of people who look like you. And I have a lot of friends in the film industry who have moved out to California because they grew up in towns where they were like one, the only person, the only Asian person in their school or whatever. And I didn't have that experience. So for me, it was really special just being able to have a whole group of friends where there's a bunch of Asians. And we all spoke different languages. Like I had a lot of friends who were Cantonese speakers, but I'm a Mandarin speaker, but it was just really cool. It was like going to your friends' places and then you have aunties. So it's almost like having more family. You could feel like you have more aunts and uncles that will feed you all the time because that is the way they show love, right?  Isabel: Oh, certainly. I think there's so many stories in multicultural places like Alhambra. And speaking of which, you did in your film Only in This World. It's about an empty nester who has to face her ex-husband's mistress in order to summon her daughter back from the afterlife, which is featured in the 2025 Silicon Valley Asian Pacific Film Festival in Sunnyvale. Congratulations on such a beautiful film. I will say that I am a huge fan of magical realism, and Only in This World has some magical elements to it. So I'd love to get to know, how did you come up with this specific plot and characters that make up this film? Dorothy: Yeah, and thank you for wanting to talk about this one. It's a special story to me just because it is, I think it's the first film that I've made where I just decided to incorporate elements of where I grew up. And so Only in This World is inspired by my mom and her Tai Chi group at our local park, so Alhambra Park. My mom would go to do Tai Chi every morning for years. And in Alhambra, actually, as I mentioned, because there are so many immigrant communities, many of the immigrant communities tend to stay together with the people who speak their language. So Chinese people usually stick together with the Chinese speakers, Spanish speakers stick together with the Spanish speakers. You don't see a lot of mingling or intersectionality. But one of the special things that I saw with my mom's Tai Chi group was that they were not just Chinese people or Asian people, but there were Latino people in their group as well. And so even though they couldn't speak the same language, they would show up and still do Tai Chi every morning because it was a matter of doing something together. And so I love that a lot. And I wanted to tell a story about just older women who are finding friendship because I think that's really important in older age and in these groups because you see that a lot of the people in these Tai Chi groups are even the ones, not just Tai Chi groups, but there are dancers in the park, you know, like you'll see them in the mornings, not just in Alhambra, but in Monterey Park, all the different parks, open spaces, they'll have little dance groups.  A lot of the people who are part of those groups happen to be seniors, and I think it's just because they don't have work, they don't have children, they're lonely. And so…I think it's really important to be aware that where friendship or loneliness is actually an epidemic in the senior community. And it's really important to providing good quality of life is to just have them have that connection with other people. And seeing that in my mom, because my mom is getting older, having her be part of that community was what kept her happier. And so, yeah, and also my mother-in-law is Colombian. And she's done Tai Chi before as well with her group in Rosemead. And so I just was like, well, I'm part of a multicultural family. I want to tell a multicultural family story. Yeah, in terms of the magical realism element, I thought a lot about just how my family, if our house has ever burned down, the things that they would take out are our photos, the print four by six, like, you know, just the print photos because they're just so precious to them. There's something about hard copy pictures that is so special that digital photos just can't take over. Like there is an actual energy to how a photo is made or even like back then when we used to use film, there's energy that's required to actually create photos. And so, you know, I wanted that to be the power that powers this magical scanner where energy is taken from the picture and then you have the ability to bring someone you love back from the afterlife. And I really love grounded magical realism because I think it just makes difficult things a lot easier to understand when you add a little bit of magic to it, a little bit of fantasy.  Isabel: Yeah, magical realism is such a special genre. What part of the production process that you find the most profound?  Dorothy: I think it was just really my gratitude in how much my family came together for me and also just like the people of this team, know, like there were, I think one major situation that I can think of that I always think is really funny was, um so we filmed at my mother-in-law's house and my husband, Diego, was also working on set with me. He is not in the film industry. He's a software engineer manager. He's like in tech, but he is one of my biggest supporters. And so…when we were like, yeah, can we film at your mom's house? He was like, okay. But he had to end up being the, quote unquote, location manager, right? Because the house was his responsibility. And then, and he was also my PA and he was also DIT. Like he would be the one dumping footage. He did everything. He was amazing. And then ah one day we found out that his neighbor was actually doing construction and they were hammering. It was like drilling stuff and making new windows. They were doing new windows. And we were just like, oh, like, how do we get them to, like, not make noise? And so, and they don't speak English. And so we were like, oh crap, you know. So like, unfortunately, my producers and I don't speak Spanish, like we're all just English speaking. And then I did have Latinos working on my set, but they, you know, they had other jobs. I wasn't going to make them translate and do all that other stuff. So then Diego so kindly went over and talked to them and was like, essentially we set up. They were totally cool about it. They were like, yeah, okay, you're making a film. then whenever you're rolling sound, we'll just like prevent, like not hammer. And then so Diego is sitting outside with a walkie and talking to the first AD and other people inside the house, because we're all filming inside. don't know what's going outside. And then so like, we would be rolling, rolling. And then um the workers, I think his name was Armando, are like…whenever we cut, Diego would hear it through the walkie and he'd be like, Armando, okay, you're good to go. You can drill. Armando would drill. And then when we're going, and we'd be like, I'm going for another take. And then Diego would be like, Armando, please stop. So it was so nice of them to be willing to accommodate to us. Because you hear a lot of horror stories of LA productions where neighbors see you're filming something and they'll purposely turn on the radio to make it really loud and you have to pay them off and whatever. And in this case, it wasn't it was more like, hey, like, you know, we're making a movie and they were so supportive and they're like, yeah, totally. This is so cool. We will definitely pause our work, our actual work and let you roll down during the brief period. So we're really grateful. We definitely brought them donuts the next day to thank them. But that was just something that I was like, oh yeah, like I don't think I could have pulled that off if I didn't have Diego or if the fact, if it wasn't for the fact that these were the neighbors, know, that we were filming at someone's house and the neighbors already had a relationship with the people who lived here.  Isabel: Wow, that's really adaptable. And I'm so glad that went well for you. Dorothy, you've directed 13 films by now. Have you ever seen one of your films resonate with an audience member that you've interacted with in the past?  Dorothy: So there was this one short I had done a couple years ago called Tarot and it came at a time when I was struggling with the idea of whether or not I wanted to have kids and many of my friends are off having their first or second kids, you know, and so I never really wanted to be a mom, but then I have a partner who I can see being a great father, so I'm more open to the idea of being a mother, but it was still something I was conflicted about. And so I put this all into a short film, just my feelings of how my identity would change if I were to become a mom, because I've read so much about that. I found a Reddit thread one day where people were just talking about how being a mother is hard. And they openly stated how much they hated it. And it's okay to feel that way. And I wanted to put those feelings into this film to just put it out there like, hey, like if you don't like being a mom, even though you love your kid, you could still hate having that identity and be lost about, and it's okay to be lost or not sure about who you are. And so it was a really short film and it ended kind of open ended. It was like five minute film, so it didn't have like a full ending, but it was an open ended ending. And then afterwards I had a bunch of people come up. I had people who were parents, not just mothers, like even, or like fathers who had just had their first kid who were coming up and telling me like, oh, I totally identify. I understand that struggle of learning about who your new identity is after you've had a kid. And then I had people who were child free who were coming to me and saying like, yeah, this is a similar feeling that I've had about whether or not I should have any kids. Because, you know, as women, we have a biological clock that ticks. And that's something I feel frustrated about sometimes where it's really because of my body that I feel pressured to have a kid versus wanting to have one because I want one. And so that was a story I wanted to, or just something I wanted to put into a film. Yeah, and I also had another person come up and tell me that they were like, this was something I felt, but I never really openly talked about. And so I resonated a lot with this and it just helped basically articulate or helped me identify like, oh, I totally feel this way. And so that was really validating to me as a filmmaker because my goal is to reach others who don't feel comfortable talking about certain things that they tend to hide because I have a lot of those types of thoughts that I might feel ashamed or embarrassed to share. But then I put it into a story and then it makes it more digestible and it's like, or it's more, it's entertaining. But then like the core message is still there. And so people watch it and if they feel that they can connect to it, then I've done my job because I have resonated with somebody and I've made them feel seen. And that's ultimately what I wanted to do when I wanted to be a therapist was I just wanted to make people feel seen. I wanted to make them feel connected to other people and less lonely because that's something that I also have struggled with. Yeah, so filmmaking is my way of putting something small out there that I feel and then finding other people who feel the same way as me. And then we can feel validated together. Isabel: Ah yes, that is the power of film, and Dorothy's work can be viewed on her website, which I'll be linking on kpfa.org, as well as her social media, so you can get new updates on what she is working on. Dorothy, thank you so much for joining me on APEX Express today!  Dorothy: Thank you! Thank you for having me, it was so great to meet you!  Isabel: That was Dorothy Xiao, our second guest for tonight's edition of Apex Express, featuring magical realism AAPI filmmakers. Now time for our final guest of the night, Rachel Leyco, who is a queer, award-winning Filipina-American filmmaker, writer, actress, and activist. We'll be talking about her upcoming short film, Milk & Honey.  Hi Rachel, it's such an honor to have you here on APEX Express. Rachel: Hi, thank you so much for having me.  Isabel: How do you identify and what communities do you consider yourself a part of?  Rachel: Yeah, I identify as a queer Filipina-American. Isabel: So we're here to talk about your short film, Milk & Honey, which is about an ambitious Filipina nurse who leaves her family behind in the Philippines to chase the American dream in the 1990s and facing conflicts and hardships along the way. How did you come up with this specific 90s immigration story?  Rachel: Yeah. So Milk and Honey is inspired by my mom's immigrant story. you know, that's really her true story of coming to America in the early 1990s as a very young Filipina nurse while, and also a young mother and leaving behind her daughter, which was me at the time. um you know, following her journey in the film though fictionalized, a lot of the moments are true and there's a lot of exploration of assimilation, cultural barriers, loneliness and the emotional cost of pursuing the American dream.  Isabel: Yeah, when I read that synopsis, I immediately thought of this short film could totally be something that's feature length. How did you sort of this story to something that is like under 15 minutes long?  Rachel: Yeah, so I wrote the short film script first. And actually, you know, this is a proof of concept short film for the feature film. I actually wrote the feature film script after I wrote the short because there was just so much more I wanted to explore with the characters and the story. It definitely couldn't fit into a short film, though I have that short film version. But there was just so much richness to my mom's story that I wanted to explore, so I expanded into a feature. So I do have that feature film version, which I hope to make one day. Isabel: And you mentioned that this film is inspired by your mom's story. Is there any other sort of research that you did into this story that really helped you write? Rachel: Yeah, one of the main reasons I wanted to write the story, I mean, there's many reasons, but one is because there, if you ask the average American or the general public, they won't really know why there are so many Filipino nurses in the healthcare system. Because if you walk into any hospital, you'll see a Filipino nurse, more than one for sure. ah so I was really curious about the history. ah Having my mom as a nurse, my sister's also a nurse, I have a lot of healthcare workers around me. I grew up with that. I, you know, growing up, I also didn't really know or learn Filipino American history because it's not taught in schools. And I, you know, I took AP US history and didn't learn anything about, you know, my culture and our history. It's, not in the books at all. And it wasn't until like my early twenties that I was really curious about my roots and my upbringing and what it means to be Filipino-American specifically. And so um I really went into like a deep dive of just researching Filipino-American history. And specifically last year, I had been wanting to tell a story about a Filipino nurse because of my proximity to it with my mother. And you know, myself being an artist, being a filmmaker in the industry, there's so many medical shows out there, like, know, Grey's Anatomy, that's been long running, but very, very few, and rarely do we see Filipino nurses at the forefront and at the center of those stories. um You know, rarely are they series regulars. You know, sometimes they'll feature a Filipino nurse for like one episode or two and, you know, a recurring or a side character, but Filipino nurses are never the main character, never the series regular. And so that was another big driving force for why I wanted to make this story. And, you know, really making my mom's character the center of it. And so as far as like research, too, I definitely interviewed my mom and I asked her to just tell me her her entire story and specifically why she even wanted to move to the United States because she could have stayed in the Philippines or she could have moved somewhere else. um she saw a newspaper or her friend actually at the time when she was in a nursing school, a friend of hers saw an ad in the newspaper that America was sponsoring nurses. And so she had it in her mind already like, oh, yeah, I've heard of America. I've heard of the United States that it's, you know, there's better opportunities for me there. And at the time she had just had me. And so she had, you she's a young mother. She's trying to take care of her baby, her newborn. And so, you know, she had her eyes set on moving to the United States and that's kind of how her journey happened. And on top of that, I also did my own research on you know, our history, I watched this really amazing documentary um by Vox. It's on YouTube. It's all about why there are so many Filipino nurses in America. And it really just ties back to U.S. colonization. And after World War II, was so many, there was big nursing shortage in the United States. you know, white Americans did not want to, you know, fill that role. So they turn to Filipino women to fill the gap.  Isabel: Yeah, was there something special about the production process that looking back, you would want to replicate in the future or that really speaks to you?  Rachel: Absolutely. um Yeah, mean, definitely this experience and a lot of the people that I brought on to this project, I want to continue to make films with them and continue to make art with them because um I'm just so proud of the team that we put together. Everyone was so passionate and they knew how important the story was. They also had their own special connection to the material that they brought so much heart and passion into the film. that really comes through in the project. so like a lot of the people I brought onto this film, I want to continue to make art with them forever. That's one thing that I'm really, really grateful for, because I got to work with some really awesome people that I had never worked before or I had been wanting to work with. And so it was such a great opportunity that was given to me to be able to connect with such amazing and talented AAPI creatives in my circle.  Isabel: Yeah, I saw on your Instagram page for the film that you shot this film in both Los Angeles and Austin, Texas. Have you ever done a production where you had to sort juggle two different sets in two very different locations? And how was that entire process?  Rachel: Yeah, that was really, it was really fun. It was my first time being able to film in two different cities, let alone like two different states, really. A lot of my past projects have just been, you know, shooting it with the resources that I had that were available to me. You know, usually like my past short film, Thank You for Breaking My Heart, that I did last year, we shot all of it in one location, which was of course like, know, that is something that's really impressive in and of itself, of course. But, you know, because of the bigger budget that we had for Milk and Honey, I really wanted to challenge myself with this. And I really advocated for filming a part of the film in Texas because it is set in Texas. I was raised there. That's where my mom was placed when she, because how the process goes is, you know, she applied for the nursing sponsorship and then they placed them in certain areas. And so she was placed in El Paso, Texas at the time. And so that's where I also grew up. So I set the film there and I really advocated for filming in Texas because I wanted the film to have that feeling of the environment and atmosphere of Texas. um And so we shot some exteriors there for like this really fun Texas montage where you can really like feel that the character is there in, you know, in that heat, the Texas heat. So that was really, that was really fun. And I, you know, we shot, we shot two days in LA and we shot half a day in Austin, Texas. And we hired a second unit in Texas, because, you know, again, like, even though we had a really good budget, was still, you know, it was still pretty small. So I wasn't able to, you know, fly my LA crew over there. um So what we did was we just hired a second unit crew in Austin, Texas, and they were amazing. And most of them were queer, non-binary filmmakers. And it was just such a fun, intimate crew that you know, we just breezed by and had such a great time shooting that.  Isabel: That's wonderful. As a director, what inspires you and what are some of your filmmaking influences?  Rachel: Yeah, I mean, I'm constantly inspired by, you know, new films, filmmakers that I've seen, em particularly for Milk and Honey. I um so the film is, you know, this grounded drama, but there are a lot of moments of magical realism that I mix into it. love magical realism. love one of my favorite movies is Eternal Sunshine of the Spotless Mind. It's such a beautiful film, also very grounded, but it's filled with all of this, you know, magical realism, surrealism. And so I infused that into, you know, Milk and Honey, which was really fun and a challenge to execute. But yeah, and some other filmmakers and creatives that I'm inspired by are Ava Duvernay. think her work is just incredible and also just an incredible artist overall. I love the kind of work that she does because it comes from such a deep place. And I love that she can combine art with politics and social justice as well. Isabel: I also love that you said in your one of your project funding descriptions that you use your art as your act of revolution, which is so relevant given that, you know, in our current state of, you know, our administration is silencing and suppressing voices of our immigrant communities. And how do we as filmmakers, as artists, what does that revolution and representation mean to you as a filmmaker and artist?  Rachel: I truly believe that that art is our act of revolution and just merely creating the art is that act in and of itself. We don't have to do more than that as from, in my opinion, as an artist, because the mere fact of us existing as artists, existing, myself existing and creating the work and having the work exists out there and putting it out. The most powerful thing that an artist can do is to make their art and share it with the world. And after that, just let it go, you know, forget about how it's going to be received. Forget about like, you know, the critics and, and, and the, you know, self doubt you may have and all of those things, because yeah, it's going to come. I think especially in the landscape of, like you said, of where we're at right now with our current administration and you know, just who knows what's going to happen in the next few years, but also in the face of like AI and technology and all of that, I think all we can really do as artists is to, in order for us to change the system is we have to be the change, right? And in order for us to be that change is just to continue to tell our stories and stay authentic to ourselves. Because I think that's also what a lot of people out there are really craving right now. People are craving authentic, real stories by people that we really don't get to see or hear their stories very often. And so um that for me is something that fuels me and my artistry every day.  Isabel: Very well said and a great reminder to all of us artists out there to keep making our art. What do you hope for audiences to take away when they watch your film?  Rachel: What I hope for audiences to get out of watching the film, well, one, at the core of it is a mother-daughter story. And I also did it to honor my mother and her sacrifices and her story. So I hope that, one, audiences will, you know, maybe reflect on their relationship with their mother and… um think of ways to honor their mother and their family and their ancestry as well. And another thing is to really think about what the American dream means to you, because that was another driving force for me with the film is it's called Milk & Honey because a lot of immigrants coined Milk & Honey as America's milk and honey as this like land of abundance, land of opportunity and you know, this is a, this is a place for creating a better life for ourselves. But I, for me, as I've grown up and as an adult now, really looking at like, well, what does the American dream mean to me? Is that still true to me? Do I still think the U S is a place where I can, where I can build a better life? Is it a place of abundance and something in the film, a big theme in the film is where Cherry's character scrutinizes that dream and thinks for herself, like, is the American dream worth it? And what does the American dream actually mean to me? What is the definition of that? So I think that's a big thing I would love audiences to also take away from it, you know, asking themselves that question. Isabel: That's a great thought to end on. I'll be including Rachel's social media and website on kpfa.org as usual so you can see if Milk and Honey will be screening in a film festival near your city during its festival run. Well, Rachel, thank you so much for joining me on APEX Express today. Thanks so much for having me. I really enjoyed it. Please check our website kpfa.org to find out more about magical realism in AAPI stories and the guests we spoke to. We thank all of you listeners out there. Keep resisting. Keep organizing. Keep creating and sharing your visions with the world. Your voices are important. APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Cheryl Truong, and Isabel Li. Tonight's show was produced by me, Isabel Li. Thanks to the team at KPFA for their support. Have a great night. The post APEX Express – 1.08.26 – Magical Realism and AAPI Short Films appeared first on KPFA.

What is the Filipino American anthem? Is it Bebot by the Black Eyed Peas? P.T.I. by Carl Angelo? Lemonade by Jeremy Passion? Us by Ruby Ibarra? Do You Miss Me? by Jocelyn Enriquez? Todo Todo by Daniela Romo (you know who chose that one!)?? In this TFAL episode, we look at so-called Filipino American anthems...

Three hundred episodes! Can you believe it?? How did we get here? What an amazing feat! Never did I ever imagine that I would have a podcast let alone release 300 episodes! To celebrate, I have invited my writer-friends and fellow Pinays, Rebecca Mabanglo-Mayor and Tamiko Nimura! In this episode, we talk about what has kept us steady and tethered during this year of upheavals and drastic change. With the new moon and the winter solstice approaching this weekend, we also talked about what seeds we want to plant for the coming season and new year. Bring a cup of tea and tune in to this episode to feel uplifted by listening in on a chat with good friends. Here's to 300!Tamiko Nimura's forthcoming book, A Place For What We Lose, is due out April 28, 2026 from University of Washington Press. Pre-order your copy today and take advantage of their 40% off sale! Go here: https://uwapress.uw.edu/book/9780295754758/a-place-for-what-we-lose/ ===============Today's poems/ Books mentioned:Tarot/Oracle Card: Three of Swords (Reversed)"Samadhi" by Vikus Menon=============== Courses / Exclusive Content / Book Mentioned:Subscribe to mailing list + community: suryagian.com/subscribe and get the 7-day meditation challenge, “Spark Joy in Chaos”Subscribe to “Adventures in Midlife” newsletter: leslieann.substack.comInstagram: @leslieannhobayan Email: leslieann@suryagian.comYoutube: https://www.youtube.com/playlist?list=PLxAeQWRRsSo5E7PBJdZUeoEAYXnAtuyRyKundalini Yoga Classes: https://www.suryagian.com/anchor-amplify-kundaliniSpeak Your Truth: https://www.suryagian.com/speak-your-truth About Tamiko NimuraTamiko is an award-winning creative nonfiction writer, community journalist, editor, and educator with experience in higher education, the arts, public history, and Asian American communities. Her forthcoming memoir, A Place for What We Lose: A Daughter's Return to Tule Lake, will be published by the University of Washington Press.She is the author of Rosa Franklin: A Life in Health Care, Public Service, and Social Justice (Washington State Legislative Oral History Program, 2019) and co-author of We Hereby Refuse: Japanese American Acts of Wartime Resistance (Chin Music Press/Wing Luke Museum, 2021).For eight years, Tamiko coached writing and literature students across a wide range of academic and non-academic settings. Since leaving academia in 2011, she has expanded her work to include public history, social media support, blogging, grant writing, and writing for newspapers and magazines.For more than a decade, she has written a commissioned monthly essay series on Japanese American history, arts, and culture for Discover Nikkei, with a focus on the Pacific Northwest and Washington State.Her areas of specialization include diversity and equity, higher education, Japanese American history, writing and editing, grant writing, publishing, food writing, proofreading, and Asian American issues.===============About Rebecca Mabanglo-MayorRebecca Mabanglo-Mayor's non-fiction, poetry, and short fiction have appeared in print and online in several journals and anthologies including Katipunan Literary Magazine, Growing Up Filipino II: More Stories for Young Adults, Kuwento: Small Things, and Beyond Lumpia, Pansit, and Seven Manangs Wild: An Anthology. Her poetry chapbook Pause Mid-Flight was released in 2010. She is also the co-editor of True Stories: The Narrative Project Vol. I-IV, and her poetry and essays have been collected in Dancing Between Bamboo Poles. She has been performing as a storyteller since 2006 and specializes in stories based on Filipino folktales and Filipino-American history.Rebecca, as Rebecca A. Saxton, received her MFA in Creative Writing from Pacific Lutheran University in 2012, her BA in Humanities from Washington State University in 1998, and her MA degree in English with honors from Western Washington University in 2003.

What if you could turn customer anxiety into confidence and boost conversions with just a few simple design changes? Today we talk about understanding user behavior through data science, and how it can dramatically improve your digital marketing strategy. Join me for a captivating conversation with Mia Umanos, founder of Clickvoyant, where she uncovers the magic behind data science and human behavior. Mia's expertise lies in understanding the nuances of user experience—how design choices and website interactions can trigger emotions that either lead to a sale or a lost customer. In this episode, Mia shares her entrepreneurial journey, discusses how AI is revolutionizing data science, and offers powerful insights into how businesses can create better digital experiences by connecting with customers on a deeper level. Here are the highlights: -Humanizing Digital Experiences: The discussion on how understanding the psychological impact of website design can either reduce anxiety or create friction for users. -The Harvard vs. Yale Example: A compelling comparison of how Harvard's emotional approach to financial aid pages contrasts with Yale's utilitarian design, highlighting the power of connecting with users. -The Role of Subtle Design Tweaks in E-Commerce: Mia shares how simple adjustments—like addressing shipping concerns—can help boost conversion rates in online stores. -The Pitfalls of Over-Automation: An example of how a client's decision to enable multiple upsells at checkout led to a significant decrease in conversions, emphasizing the importance of thoughtful automation. -AI and Mid-Market Businesses: Mia explains how AI can help mid-market businesses gain access to powerful data science tools, previously reserved for larger corporations, to improve customer insights and decision-making. About the guest:  Mia Umanos is a Filipino-American entrepreneur, AI strategist, and data scientist, known for her innovative work in AI-driven marketing analytics and conversion rate optimization. As the CEO and founder of Clickvoyant, an AI-powered analytics platform, Mia transforms raw data into actionable insights, enabling businesses to make informed decisions faster. With over 16 years of experience, Mia has worked with major brands like Apple, Salesforce, and Netflix, and raised $1.4 million in six months while pregnant. She advises companies on integrating AI to enhance human creativity and business growth. Named a Tory Burch Fellow in 2024, Mia is also a passionate advocate for women in AI, particularly from her Filipino heritage, and ensures her company provides flexible, remote jobs to women in the Philippines. Through her work, she aims to create opportunities, equity, and lasting impact. Connect with Mia: Website: https://clickvoyant.com/  LinkedIn: https://www.linkedin.com/in/miaumanos/  Connect with Allison: Feedspot has named Disruptive CEO Nation as one of the Top 25 CEO Podcasts on the web, and it is ranked the number 6 CEO podcast to listen to in 2025! https://podcasts.feedspot.com/ceo_podcasts/  LinkedIn: https://www.linkedin.com/in/allisonsummerschicago/  Website: https://www.disruptiveceonation.com/   #CEO #leadership #startup #founder #business #businesspodcast  Learn more about your ad choices. Visit megaphone.fm/adchoices

What does it really take to break through the myths of entrepreneurship and build a financially independent life—especially as a woman? In this eye-opening episode of The Angel Next Door Podcast, host Marcia Dawood invites listeners to rethink traditional notions of wealth, investing, and risk-taking by exploring the power of money mindset, resilience, and strategic investing.Our guest, Bernadette Joy, is a first-generation Filipino American, acclaimed author of "Crush Your Money Goals," and an entrepreneur who's achieved financial independence by age 40. As a life and money coach, Bernadette Joy opens up about her unconventional path from paying off $300,000 in debt to mentoring the next generation of women investors and entrepreneurs. Her journey is shaped by personal experience, a mission to help others overcome financial misconceptions, and a passion for demystifying the road to millionaire status—especially for women and communities of color.This episode dives deep into actionable strategies for getting your financial house in order, understanding the realities of angel investing, and building businesses designed for both growth and early retirement. Bernadette Joy shares candid stories—both successes and failures—offering a rare, honest perspective on what it means to curate your accounts, invest with intention, and heal your “money wounds.” Whether you're an aspiring investor, established entrepreneur, or simply looking for practical financial wisdom with heart and humor, this is a must-listen conversation that will inspire you to reimagine what's possible for your financial and entrepreneurial journey. To get the latest from Bernadette Joy, you can follow her below!https://www.linkedin.com/in/bernadebtjoy/https://www.crushyourmoneygoals.com/ https://a.co/d/1KJRwvJ - Crush Your Money Goals Bookhttps://www.instagram.com/bernadebtjoy/  Sign up for Marcia's newsletter to receive tips and the latest on Angel Investing!Website: www.marciadawood.comDo Good While Doing WellLearn more about the documentary Show Her the Money: www.showherthemoneymovie.comAnd don't forget to follow us wherever you are!Apple Podcasts: https://pod.link/1586445642.appleSpotify: https://pod.link/1586445642.spotifyLinkedIn: https://www.linkedin.com/company/angel-next-door-podcast/Instagram: https://www.instagram.com/theangelnextdoorpodcast/Pinterest: https://www.pinterest.com/theangelnextdoorpodcast/TikTok: https://www.tiktok.com/@marciadawood

Keke sits down with beauty mogul Patrick Starrr for an inspiring and heartfelt conversation about the journey behind the glam. Patrick shares how he went viral, built his ONE/SIZE empire, navigated growing up as a gay Filipino American, and found the courage to be unapologetically himself while honoring his family. They get into fame, identity, failure, and the lessons behind becoming a true beauty boss, plus Patrick reveals his advice for aspiring entrepreneurs and creators, along with his go-to glam tips. Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Baby, This is Keke Palmer on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting https://wondery.com/links/baby-this-is-keke-palmer/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Show Description (also the podcast Intro): Hello and welcome to the BOSFilipinos podcast. I'm your host, Trish Fontanilla.  Each episode, we celebrate Filipino and Filipino American culture, identity, and community in greater Boston.  Today's guest is Jen Palacio, owner of Tiny Turns Paperie! She also has an art practice called Just Enough Nonsense, and teaches at some of our local colleges around the city. In this episode, we trace the winding path from her Filipino American upbringing in Connecticut to becoming a beloved small-business owner in Somerville.  She talks about discovering art through her grandmother, detouring into the corporate world, and eventually finding her way back to creativity through letterpress. This episode is a celebration of the thousand tiny turns that shape a life. I'm so excited for you all to get to know her. Enjoy!  Stay in touch:  BOSFilipinos - IG: @bosfilipinos, Email: info@bosfilipinos.com Jen Palacio - Personal IG: @kokojuice, Store: @tinyturnspaperie For the full transcript, head to BOSFilipinos.com/blog

Short Summary:In this conversation, Rocky and clothing designer Crespatrick de los Reyes explore the tension between creativity, obedience, and the pressure to “make it” on someone else's timeline. This episode digs into the lies creatives believe about success and the fear of losing themselves in the pursuit of profit. If you've ever wondered whether you can honor your craft without sacrificing your humanity, this one will hit home.Episode Highlights:Why timelines aren't the real enemy...our stories about them are.. The difference between protecting your creativity and propelling your creativity.. How comparison and rushing quietly sabotage the creative process.. The human thing vs. the hard thing: a new way to navigate responsibility.. Why obedience, peace, and purpose may be the gateway to true profitability.. The lie most creatives believe when facing financial pressure.. What changes when you stop selling yourself short and start telling the truth.Get To Know Our Guest:Crespatrick de los Reyes is a Filipino American clothing designer specializing in upcycling denim fabrics to create collections for his brand Crescente Patricio. Having graduated from the Fashion Institute of Design and Merchandising in Los Angeles, Crespatrick's journey has taken him through various parts of the fashion industry to eventually lead him to designing for a denim start up which paved the way for starting his brand in 2017. By way of Los Angeles, Crespatrick and his brand are now based out of Dallas, TX where the brand has really found its roots. Crespatrick draws inspiration from his Filipino American heritage to tell stories through his pieces that are designed to feel Different yet Familiar.Websites: www.cpatricio.com | www.crespatrick.comSocial: @crespatrick_dlr @crescente.patricioResources Mentioned . Join Rocky for the Live Leadership Training – https://www.rockygarza.com/confident

Tired of seeing the same titles on every "Best Of" list? In this third annual special episode, host Blaine DeSantis cuts through the noise to deliver his personal baker's dozen of the absolute best books he's read all year. If you're searching for the perfect present for the readers in your life, this list of Christmas book recommendations 2025 has something for everyone, from your spouse and parents to siblings and friends. Forget the popularity contests; these are 13 compulsively readable books, read cover-to-cover, that are guaranteed to surprise and delight.This is the ultimate Books and Looks podcast wish list, curated to solve the overwhelming problem of choosing from over a million books published each year. Blaine dives deep into his top picks across a wide range of genres, ensuring you'll find the perfect match for any taste. We start with some of the best nonfiction books 2025 has to offer, exploring pressing geopolitical issues in America in the Arctic by Mary Thompson-Jones and getting a stunning insider's view of modern Russia with Jill Doherty's My Russia. The episode then moves into a collection of unique memoir recommendations that celebrate the human spirit, from Marie Leautey's incredible story of running a marathon every single day in Leautey's World Run to John Seabrook's fascinating and complex family history in The Spinach King, the story of the family that made frozen lima beans a household staple. We also follow Graham Broyd's journey in Backpack, Jacket, Surfboard, as he retraces his 1980 hitchhiking trip across America.The list continues with incredible historical fiction and mystery books, including Sarah Dunant's masterful novel The Marquesa, which brings to life the first woman of the Italian Renaissance, Isabella d'Este. Blaine also highlights captivating biographies, such as Sister Aimee, Claire Hoffman's look at the spectacular rise and fall of Pentecostal preacher Aimee Semple McPherson, and Jan Gradvall's The Story of ABBA, offering an exclusive look into the lives of the iconic supergroup. We explore captivating nonfiction, from the surprisingly fascinating story of a despised bird in Starlings by Mike Stark to disappearing global traditions in Eliot Stein's Custodians of Wonder. David Krell's Do You Believe in Magic? provides a vibrant snapshot of America during the disco era of 1978. Finally, for those who love a good page-turner, Blaine recommends two compulsively readable mysteries: Danger, No Problem by Cindy F. Fariña, a thriller featuring a Filipino-American bounty hunter, and Ivory Bones by Sara Winokur, which centers on the mysterious and valuable Lewis Chessmen. These Christmas book recommendations 2025 are the best of the best from a year of reading.

What the month of October means to Filipino-American students and staff.This episode was This episode was produced by Elsa Dietz, and interviews were conducted by Amela Amego, Olivia Dillon, and Taylor Reynaud. The editing was done by Manushi Shah. 

Generations in Session with "Ate" Maiekayla on TMIEver wished you had an "Ate" to help you decode Filipino family drama in America?  On this episode of TMI with Maiekayla, she embraces her role as the trusted Ate—the older sister figure who listens, guides, and keeps it real. Our guests bring their questions, seeking advice the way many Filipino Americans do: through heartfelt, intergenerational conversations rooted in culture, care, and community.From navigating family expectations to unpacking identity across generations, we explore what it means to grow up Filipino American in the diaspora—where traditions meet transitions, and wisdom is passed down with love and laughter.Whether you're a bunso figuring things out or a tita-in-training, this episode is for you.#TMIwithMaiekayla #AteKnowsBest #FilAmWisdomDrop #DiasporaDialogues #FilipinoAmericanStories #GenerationalFeels #PinoyPodcast #AteAdvice #FilAmIdentity #TMItalks

Episode Notes The Organization of Young Filipino Americans is one of many identity and cultural Contracted Independent Organizations at the University. OYFA's mission is to create a supportive community for Filipino students. Danella Romera, the current president of OYFA and fourth-year College student, discusses the importance of OYFA as a cultural organization and how OYFA plans for this year's Culturefest, an annual multicultural showcase.

How do you redefine a field that's widely misunderstood, even among its own professionals? And how can associations become essential hubs for interdisciplinary collaboration in such a space?In this episode of Associations Thrive, host Joanna Pineda interviews Nathan Victoria, Executive Director of the Society for Personality Assessment (SPA) and Vice President at NextGen Association Management. Nathan discusses:Why “personality assessment” doesn't mean pop personality tests like Myers-Briggs or StrengthsFinder, but instead refers to integrated and multi-method clinical assessments used by psychologists.The clinical and legal applications of personality assessment, including for law enforcement, immigration, air traffic controllers, and reality TV casting.SPA's historical roots as the Rorschach Institute, Inc., and how it's evolving to reclaim and redefine personality assessment.The effort to define personality assessment within the organization and clarify its public perception.SPA's reinvestment in infrastructure: website, branding, database, and strategic plan.The organization's shift to AMC management through NextGen, and the benefits of a more efficient staffing model.How SPA supports international engagement with its first-ever conference outside the U.S., despite visa and travel challenges.SPA's unique conference partnerships with smaller psychology organizations to share resources and cross-pollinate ideas.Nathan's broader role in managing multiple associations simultaneously through NextGen and how technology and transparency enable success.References:SPA WebsiteNextGen AMC Website2025 Expert Insights on Personality Assessment Virtual Conference2026 SPA Convention

Today's guest is Maria Dolorico. Maria is the daughter of Filipino immigrants - as she said to me in her pre-interview, she can't tell you who she is without telling you where she's from. She's a mental health clinician and a PhD student. In this episode, we talk about the cultural nuances of growing up in New Jersey. Maria also shares her journey from teaching to becoming a mental health professional. We also explore Maria's dissertation, which focuses on parenting third-generation Filipino Americans and the need to reclaim cultural identity through storytelling. I'm so excited for you all to get to know her. Enjoy! Stay in touch: BOSFilipinos - IG: @bosfilipinos, Email: info@bosfilipinos.com Maria Dolorico - IG: @mariadolorico_mentalhealth For the full transcript, head to BOSFilipinos.com/blog

  A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express Host Miko Lee speaks with spouses of detained refugees. We hear about the similarities and challenges of Hmong and Nepali speaking Bhutanese refugees. We also speak with Asian Law Caucus' Aisa Villarosa about the ongoing campaigns for freedom that ALC has been leading along with a host of other community based organizations. Join us: November 3, 4pm Pacific time, 7pm Eastern Time, Join us for “We Belong Here, Bhutanese & Hmong Americans in the Struggle Against Statelessness” a live virtual event featuring my three guests tonight, along with performances and conversations. bit.ly/WBH-2025   TAKE ACTION Rising Voices campaign for Lue Yang Mohan Karki's GoFundMe   And please help support these organizations working to support detained and deported folx: Asian Law Caucus Asian Refugees United Ba Lo Project in Vietnam Collective Freedom in Vietnam & Laos Asian Prisoner Support Committee & New Light Wellness in Cambodia November 1–2, people nationwide are joining the Disappeared In America Weekend of Action to stand up for immigrant families and defend due process. Actions include protests at Home Depots, candlelight Freedom Vigils, and Day of the Dead events honoring lives lost to detention.     We Belong! Transcript Miko Lee: Welcome to Apex Express.This is your host, Miko Lee. Today we're talking about detentions and potential deportations and the atrocities that the Trump administration is creating in our communities.We originally recorded this episode a month ago, and today is October 29th. 2025 and I have with me Aisa Villarosa a lawyer with Asian Law Caucus, giving us an update in the cases that we're talking about. Welcome Aisa Apex Express. Aisa Villarosa: Thanks so much, Miko. Miko Lee: Tonight we're gonna be talking with two spouses of detained folks. One is a Nepali speaking Bhutanese community member, and the other is Hmong community member. In the time since we recorded this, there has been a big update with Lue Young's case, and I wonder if you could provide us with that update. Aisa Villarosa: Miko since we last spoke, due to some really hard fought campaigning, both behind the scenes and drawing upon allies across Michigan and really across the country. Lue Yang, received a successful pardon from Governor Gretchen Whitmer. We actually received word shortly before Lue Yang was set to be placed on a very large deportation flight. Once we got word of the pardon, it was off to the races for the legal team to quickly draft some emergency motions for Lue Yang and to realize the power of the pardon before the deportation. Miko Lee: Can we back up for a moment and give for an audience a sense of what that means? Lue Young was incarcerated at a detention facility, which Trump has called the FedEx of detention facilities in, Louisana, and explain to us what happened to him and the other members that were suddenly pulled together onto an airplane. Aisa Villarosa: When these removal flights happen, there's so much confusion, there's so much fear that families undergo, and often it's due to the perseverance of the families that we honestly even know where folks are. Shortly before what we call final staging happens, someone is moved from, in Lue's case, a facility in Michigan to a facility like Alexandria in Louisiana where the planes do take off  from. Families typically look up their loved one on something called the “ice detainee locator.” What's challenging is when final staging starts. Often that person completely disappears from the detainee locator or information gets a bit scrambled. Because ICE has a bit of a sealed box as far as even telling families where, their loved one is. Families are either left to guess or rely on each other. So for Lue Yang and the pardon what is critical for folks to know is that as powerful, as rare as a pardon is, I can't stress how extraordinary this is in these very difficult times. A pardon does not instantly, allow someone to say, walk out of an ice facility. There's, numerous legal filings that need to happen. That is why , the team was so up against the clock. Miko Lee: So let's break this down a little bit around a pardon. What does a pardon mean in our current system? Because as a lay person, you think, oh, they're pardoned. That means they're free and they can go home and be with their family. Tell us a little bit about what a pardon means in our legal system right now. Aisa Villarosa: A pardon is different from a criminal expungement, which folks might be familiar with. In Lue's case, for example, when Lue was younger, he successfully expunged this record, in criminal court. The challenge is that immigration court, is basically the entity that issues something called a “final order of removal.” This document, is basically what powers deportation for folks. An expungement does not get at the final removal order. However, a pardon has that more direct link. The pardon has the weight of what we call “vacating a conviction.” To explain more legalese and hopefully folks can stay with me. A final order of removal is an immigration court order document where , it gives ice the power to do all these deportations We're seeing for the refugee community that Lue Yang belongs to. Often these are quite old orders, and so sometimes a loved one might be detained and they might not even realize that they have a criminal conviction or a final order of removal. Miko Lee: Thank you so much for breaking that down. So we described how he was pulled off the plane that was going for his deportation. Tell us where Lue is at right now. What is happening with his case? Aisa Villarosa: The call to action very much remains what it has been, which is we're calling to bring Lue home. At the moment, Lue is in a facility in Louisiana. Our hope is that Lue can return to Michigan. There is also a call to release Lue on a supervised release. The other component of the legal journey for Lue is something called a motion to reopen. Basically this is how the full weight of the pardon is realized. The motion to reopen calls on the Board of Immigration Appeals to reopen Lue's case, because years ago he got that final removal order, so when someone gets that order, typically their immigration case is closed. This petition says, Hey, he got a pardon. Please reopen Lue's case because the underlying conviction that led to the final removal order. Has been pardoned, right? We are hoping that this motion to reopen will be heard in front of the Board of Immigration Appeals, that we can get a great result and that as the campaign calls for that, Lue can come home. Miko Lee: I know lawyers like you are doing incredible work around the scenes. You did not sleep for two days, filing paperwork to be able to make sure that Lue was pulled off that plane. But what can regular people, what can our audience do to get involved right now? Aisa Villarosa: There's myriad actions along this really terrible deportation pipeline. We're seeing that folks who might not have, any deep knowledge of the immigration system can still be so impactful. We have partners in LA in the faith community and they've started working with community organizations to do things like accompaniment, which is, joining community members like Lue, who often have these ice check-ins. As folks have seen on the news, these check-ins can be really risky because that is where ice arrests can happen. If someone misses their ice check-in, typically that means that a warrant is issued, that immigration forces can come after you. In these cases, community members, particularly folks who are US citizens, accompaniment can be a great way to dig in to show up for our immigrant and refugee siblings. Miko Lee: Thank you so much for breaking down how folks can get involved. It's so important right now in a time where we feel so utterly helpless to be able to make change. Now we're gonna go back to listen to our interview that is with the two spouses, Tika, Basnet, and Ann Vue, and also our current guest, Aisa Villarosa Tika and Ann they're part of a horrible club, which is both of their spouses are currently in detention from our immigration system. I just wanna start on a real personal note in a way that I often do with my guests. Anne, I just would love to hear from you, who are your people and what legacy do you carry with you? Ann Vue: Thank you again, Miko and Isa, for having me on. We are Hmong. We helped Americans during the Vietnam War. In Laos, a lot of our pilots needed a communication. Because we're indigenous and we are in the mountains they were able to speak with us and use us. Our Hmong, helped a lot of the pilots rescued a lot, like thousands and thousands of Americans, so that they can make it back home. That is our contribution to the American people. When we were brought to America, was to resettle because of humanitarian purpose. Our legacy of helping Americans with the war. that is who we are and what we bring to America. That's who I am. I'm actually the first generation Hmong American. I was born right here in the capital of Lansing, Michigan. Miko Lee: Thanks so much ann. Tika, can you share who are your people and what legacy you carry with you? Tika Basnet: Hi, my name is Tika Basnet. I am Bhutanese Nepali community. My parents and all the Bhutanese, they ran away from Bhutan in 1990 due to the ethnic cleansing. They came to Nepal, seeking for asylum, and that is where we born. I was born in Nepal, in refugee camp. Even though I was born in Nepal, Nepal never gave us identity. They never give us citizenship. We were known as Bhutanese Nepali, but as known as Stateless. My husband also born in Nepal in a refugee camp. Miko Lee: Thank you. Aisa, I'm gonna ask the same question for you Aisa, that works at Asian Law Caucus. Who are your people and what legacy do you carry with you? Aisa Villarosa: So much love to you, Miko and to you Ann and Tika for being here today. I just am, I'm so honored. My name is Aisa and I carry the love and, Maki Baka spirit of Filipino Americans both in my family across the diaspora. A little bit about the Filipino American story. We came to the United States as part of the colonial machine. The first Filipinos were brought as part of the Spanish Gallian trade. We made California home, parts of Lueisiana home, and it's quite a contrast to a lot of the sort of model minority seduction that many of my people, and myself as a younger person tended to fall into that if we kept our heads down, if we were quiet, we would be left alone. I'm struck because at this moment of just unprecedented government attacks, so many of our communities have this story where someone somewhere said to us, yeah, just keep your head down and it'll be fine. We're seeing the exact opposite, that this is the time to really use our voices, both individually and as one. I'm also an artist and try to infuse that into my work in fighting government systems. Miko Lee: Thank you Aisa. I will say I'm Miko. I am fifth generation Chinese American. I grew up knowing that my family was full of fighters that built the railroads, worked in the gold mines in laundromats and restaurants, and my parents walked with Dr. King and Cesar Chavez and Dolores Huerta, and I was raised in a family of social justice activists. I feel like our legacy is to continue that work and to fight for the rights of our peoples. I'm so honored to have both of all three of you powerful women join me today. As I was saying in the beginning, Tika and Anne are sadly a part of this club nobody wants to be a part of with the sudden, unexpected, harmful detentions of both of your husbands. I wonder if you can each just share the story about what happened and how you first found out about your husband being detained. Let's start with you Tika. Tika Basnet: My husband got his removal in 2014 when he was just 17 years old, high school student going from school to home. He's a teenager and with his friend, they were playing around and they wanna go home really fast. They just cross from private property. That is where someone saw and call 9 1 1. We came from the culture that we love to go people home , walking around, playing around. My husband came here in 2011. The incident happened on 2013. He just, came here without knowing culture, without knowing languages, So he has no idea. So when somebody called 9 1 1, he could not explain what happened. First of all, English is his second language, he was barely here without knowing rules and regulation, without knowing culture. The police took him to jail, gave a lot of charges. My husband doesn't know what are those charges? At that time, nobody explained, this is the three charges you got, and this could lead to deportation. He feel guilty without knowing those charges. He trusts [00:14:00] Nepali translate guy, and he told my husband, if you don't say I'm guilty, you will end up in prison for 20 to 25 years, but if you say I'm guilty, you'll go home. My husband said, guilty. At that time, neither criminal lawyer told my husband, if you say I'm guilty, you'll end up getting deport. Deport to the country that you are you never born. Deport To the country, you doesn't even speak their language. The lawyer did not explain my husband you will not gonna get your green card. You cannot apply your citizenship in your life. If those things the lawyer told my husband at that time, he will never gonna say, I am guilty to the crime that he did not even commit. When they tried to deport my husband back then, Bhutan say, he's not my citizenship, he's not from my country, We don't know this guy. He's not belongs to here. When US Embassy reach out to, Nepal, do you know this guy? They told, ICE no, we don't know this guy, like he's not belongs here. The ICE officer, told my husband, we can let you go, you need to come here, like order of supervision every three months, every six months, whenever we call you. It been 11 years. My husband is following rules and regulation. He never did any violation after that. He got married, he has a life, he pay taxes. He was taking care of his family and in 11 years he was doing everything. In 2025 for the first time they target Bhutanese Nepali community. I knew that this is the last time I'm gonna see my husband. I broke down. When they detained my husband in April 8, I was eight months pregnant. We dream a lot of things we are gonna take care of our daughter. We are gonna buy home, we are gonna work, we are gonna give her the life that we, I'm sorry. Miko Lee: Totally. Okay. Tika Basnet: I never thought like Bhutanese community can, like deport. Like my parent already go through this trauma, when Bhutan throw them away due to ethnic cleansing and same thing happening to us. It is unbelievable. I cannot believe that, we're going through this again and I don't know when this gonna be stopped. I don't know whether like my husband gonna come home. It is been five month and I really want my husband back. My daughter is, three month old. She need her dad in life 'cause I cannot provide everything by myself. My husband is the main provider for her aging parent. 'cause even now they cannot pay bills. I'm fighting for my husband case and I want my husband back. He deserve second chance because if you see his record is clean, like for one incident that happened like 12 years ago, that cannot define my husband. I cannot believe that my husband is able to get deport to the country that doesn't even accept. I don't know whether he gonna get killed. Whether he gonna disappear, I don't know what will happen to him. I don't know if it is last time I'm gonna see him. Miko Lee: Tika, thank you so much for sharing your story. Just to recap really briefly, your husband, Mohan Karki when he was a teenager, newly arrived in the country, was leaving high school, walked with his friends through a backyard and was racially profiled. The neighbor called police because he was trespassing on property. He was born at a refugee camp. Is that right? Tika Basnet: Yes. Miko Lee: There was not property that was like person's property on that refugee camp. So that whole concept of walking across somebody's land was something he was not aware of. He had an interpreter that did not give correct information. And so he signed something, including a deportation order, that he wasn't even aware of until recently when he was put into detention. Is that right? Tika Basnet: Yes. Yes. Miko Lee: Right now he's in detention. You live in Ohio, but he's in detention in Michigan, right? Tika Basnet: Yes. Miko Lee: Okay, Tika, let's talk about Mohans case and what's happening. He's held in detention right now in a detention facility in Michigan. What is going on with his case? Tika Basnet: His criminal attorney file, a Motion to Redeem asking BIA to send that, case back to Georgia. His case, that happened in 2013. Our attorney just submit documentation where he's asking to release my husband because it'd been five month. He's not risk to the community. He's not risk to the flight 'cause he doesn't have no one in Bhutan. He doesn't have no one in Nepal. All family is in here. His community love him ,he has family that loves him. We also get lot of documentations as a proof telling ICE that my husband is not risk to the community or to the flight. Miko Lee: Thank you. He has a a four month old baby that he has yet to meet. So that is a powerful reason to stay. As Tikas pointing out, the lawyer just submitted documentation along with 50 letters of support from the community from employers, from family members, all saying why he should stay in this country. Thank you so much for sharing. Anne, i'm wondering if you could share about what happened to your husband. He was also born in a refugee camp, right? Ann Vue: Lue was born in Nangkai, Thailand refugee camp in 1978. In1979 his parents and him and his older brother Granted urgent humanitarian reasons for or for public benefit. They made it to America right before Halloween. The early nineties, me even being the first generation American here, racism played a lot. We all went through that piece and our parents not speaking English at the same time, they were going to school themselves so that they can learn our English language, . They weren't able to teach us growing up. We had to fend for ourselves. I would say my husband he went out with some friends. He did not commit the crime. But of course now that is brought back to him, he understood about his particular case is second attempt, home invasion. Nobody was harmed. He was in the vehicle, in the backseat when he was caught. He didn't wanna partake, but he didn't wanna stop them either 'cause to him it was like, if I don't partake, then I have nothing to do with it. . Because if I do, then they might not be my friends anymore. It's just a part of growing up as a youth. Because he was there, and then would receive a court appointed attorney, and then provide it very similar to Tika's too. Had an interpreter, that was explaining to them, was provided bad legal advice. He had no knowledge about how this would impact his immigration status. It was advised by their attorney, take the plea it's easier, and you probably serve less than a year. You'll be out, you'll only be in the county jail anyways 'cause you didn't really commit the crime and technically it should have been a misdemeanor. But because you're an accomplice, that kind of falls under this category. So he took the plea, he served 10 months in a county jail. He actually was released for good behavior. He even finished his probation soon because he paid all of his stuff off. He even finished a youth advocate program for anybody that committed crimes between the age of 18 to 21. I just saw this form the other day and I was reading it and it talks about, the one thing about our parents, experiencing the war and coming to America, they don't talk about it. A lot of us are from communist countries. We are very afraid to voice our voices, because someone can take action. Our parents never talked about it. I read what he wrote to his, youth coordinator, he felt so bad about what he did. He created disappointment for his parents and he understands, there are sacrifices that got us here to America. He literally wrote all of this down, i'm going to be a better person. I'm going to make my parents proud now that I understand their sacrifices. They asked him, ” what was your upbringing like?” He wrote, “poor” and the coordinator wrote on the bottom of his comments said, “Lue is remorseful for what has happened and he wants to be a better person. I have no other questions. The training is complete.” He doesn't need any further, support and believes that he will move forward to be a better person. That's literally what they wrote on the document. Then fast forwarding to 1999 that's when, immigration showed up at his house. Him and I would meet in 2000, and then we'd be married in 2001. We'd celebrate. Almost 24 and a half years of marriage. We did appeal his case in the humanitarian piece of what this meant for Lue during the time where we all fled the country. Once the monks were declared enemy of the state by the LDR in Laos, we fled. It's well documented that there was a little bit over 400,000 of us there right after the genocide and the killings of the Hmong there was probably less than 45,000 of us left. Once we understood a lot of that, we wanted to do better. We wanted to really service our community. We appealed the case. The case was then denied in his appeal letters, general Vink Powell, which led the Hmongs during the war, even had a letter where he, also pled why Hmongs need to stay here in America. And why we need to bring the rest of our people to this country. The reality is our whole family, Lue's whole family was wiped out. We don't have anybody, Lue doesn't have anyone. That goes to Tika's thing too. There's nobody there. Going back to the case once it was denied in 2002. He then was forced to reach out to the embassy and was denied, entry into Thailand 'cause that's where he was born. We're stateless too, just like Tikas husband. We were denied by Thailand. We were denied by Laos stating that we are not a citizen of theirs. They do not allow or welcome any sort of entry. In 2006, they actually took his green card and then we again were denied. In 2008 we were denied a third time and that's when his immigration officer was like, just move on and start your life. Laos and Thailand, will never sign a repatriation act with America because of you guys, because of the Hmong people, what you guys have done to their country, making it the most bombed country during the war without even being a part of the war. They will never allow you guys back. So we were like, okay. So we moved forward. Then in 2014, this immigration officer, which we was doing yearly checkups at this time, was like, Hey go get your citizenship, get your green card. They're like you're doing so good. You probably could have a chance to get it. We moved forward to apply for citizenship and for the green card. We were denied in 2015 and we know how expensive this is. You pay $10,000 outright, you don't get that money back. You just have to go at it again. We decided that, we're gonna get his case expunged, and we got his case expunged in 2018. No questions asked. It was very straightforward. Once it was expunged, we continued with our [00:26:00] lives. Very involved in the community. We had six kids . This year we even called his immigration officer and he was like, “Hey, don't worry about it, Lue, we're moving you over to Grand Rapids and you should be fine. Just make sure that you stay outta trouble, continue to follow your stock.” I think what triggered it was when we applied for his work permit in April. He always meets his immigration officer at the end of the year, and we renewed his work permit is what triggered it. The money was cashed out, everything the checks went through while we were receiving that, he was gonna be here, everything was gonna be fine. Then July 15th he was detained at work, six 30 in the morning, the detained officer they told him they know who he is to the community, so they have to do it this way because they don't want any problems. They don't want media, they don't want reporters. He did ask them because he rode his motorcycle for some weird reason. He has not taken his bike out, his motorcycle out in the last three years. But for some reason that night he was like, I just wanna take my bike. So he took his bike that night and when ICE told him, do you have somebody come get your bike? You need to call somebody to come get your bike. He was like, nobody in my family rides motorcycles. I don't have anyone to come get my bike. I think there was some empathy and compassion for him. My husband was like, can I just take my bike back? I've got six kids. I've got my grandma at home and my parents are also at my house right now. I just wanna see them and wanna take my bike back. They asked him, “if we let you go, please don't run.” They followed my husband home and my husband literally called me at 6 37 in the morning and he was like, Hey, ICE is, here they got me. I'm like, “what? What's going on?” It was just so surreal. I was so shocked. It's a 30 minute drive. When he got there, they were already officers, packed tight in our driveway. We live in the country. There were like five or six cop cars there too. We had to walk about half a mile down to go see him. They wouldn't allow him to enter where our home was. The officer told, my husband, told him that they're so sorry. They have to do it this way. They know who he is. They don't want any problems, they don't want any reports in media out here. I will say my experience was a little bit different from others. They did take their mask off when they took him in, they were respectful. They even, talk to my two older boys like, Hey, you guys have money. I could put the money in your dad's account. We're, take him into Grand Rapids, we're gonna process him, and then we're gonna take him to the detention center, which is gonna be in Michigan. They were very open about these steps . My grandma has chronic pulmonary disease stage four. We couldn't haul her fast enough because we only saw him for like maybe a quick minute, and that was it. They did ask us to turn around because they had to take him back and they didn't want our little ones to see them cuffing him. Miko Lee: They actually said, Anne, we don't want any media to be watching this? Ann Vue: I don't want any problems. Miko Lee: Your husband is also quite well known in the Hmong community, right? So probably, they were worried about folks coming out and protesting. Is that, do you think that was the case? Ann Vue: That's what I'm assuming. I don't remember their exact words saying media, but do remember that they didn't want people around, they didn't want to create issues for the community. Because if he would've gotten the letter just like everybody did, which everybody then would receive the letter on Friday, and because my husband is a community leader, he is the Hmong Family Association's president, we restart receiving many, many calls where everybody just wanted to talk to Lue 'cause they needed to know what's going on, how to handle, what to do. At that moment I realized, oh my gosh, they detained my husband first. Then everybody else got a letter. Miko Lee: And the ICE officer that he had been checking in with routinely has he been in touch with him since he was detained? Ann Vue: He hasn't. Miko Lee: So they had different people come in even, 'cause he was the person that said everything's okay, keep going with your life. Ann Vue: Oh yeah. Miko Lee: And so no contact with him whatsoever since the detention? Ann Vue: No. Miko Lee: Okay. Thank you so much. I just wanna point out, for all of our listeners, how many similarities there are in these two cases. In both of these amazing women are here supporting their spouses. Both spouses born in refugee camps. Dealing with intergenerational trauma from families that had to escape ethnic cleansing or involved in a war, came into the United States under, legal properties through refugee resettlement acts, made mistakes as young people, partially due to culture and wanting to fit in. They served their time, they paid their dues. They were racially profiled. They suffered from incredible immigration policy failure with bad advice, with a system that's broken. Now both of them are detained. Not yet deported, but detained. Many of the community members have already been deported and they're facing statelessness. We're seeing this not just with Bhutanese and Hmong folks, but with Mien and Lao and Haitian and El Salvadorian. We could fill in the blank of how many other peoples in other communities are facing this. We also know that these private detention centers where people are being held, are making millions and millions of dollars, and it's connected into our corrupt political system that's in place right now. Aisa, I'm wondering if you could, talk about the case, but also about some of the deals that we think have had to be made with Laos and Bhutan in order for these deportations to even take place. So Aisa from Asian Law Caucus, I'm gonna pass it to you to go over some of the legal ramifications. Aisa Villarosa: Of course, Miko, and thank you for it for the context. There are so many parallels that we as advocates must uplift because this is not the time to be divided. This is the time to build solidarity that we've long known needs to happen. What Miko is referring to is largely something that we've observed around the travel  bans. Earlier this year, right around the time that the Trump administration took hold, there was a draft travel ban list that leaked across a number of media outlets, the Times, et cetera, and the same countries we're talking about today, Bhutan, Laos. These were historically not countries that were subject to sanctions, like the travel ban, and yet here they were. A lot of us were scratching our heads and asking, why is this happening? Our theory, and this is a theory that is now also manifesting in a number of FOIA requests or Freedom of Information Act requests that are submitted from Asian Law Caucus to departments like the State Department ice, the Department of Homeland Security. Asking the same question that Tika and Anne are asking, which is, how are these deportations even happening? They were not happening until this year. What very likely happened was a bit of a quid pro quo. So in removing Bhutan, removing Laos from this list where they could be sanctioned as a country, there was likely some backdoor deal that took place between the US State Department and Bhutanese officials and the US officials, where essentially there was some form of an agreement that there would be an acceptance or a supposed acceptance of a certain number of folks from these communities. That is why around March, for the Bhutanese refugee community, for example, we started seeing pickups very similar to Mohan's case, where, many people who had perhaps made some mistakes in their youth or had really old criminal convictions were swept off the streets and thrust into these really rapid deportation proceedings. I don't even know if proceedings is the right word, because there essentially was no proceeding. The Immigration Court is very much a cloaked process. The immigration judge is kind of judge and jury wrapped up together, which is very different than many of us might turn on the TV and see something like Law and order. An immigration court works a very different way where this piece of paper, this final removal order, basically gives ICE a lot of bandwidth to make these deportations happen. However, that doesn't mean we should just accept that this is happening. We know that just basic procedures of fairness are not being met. We know, too that in the case of, for example, the Bhutanese community ICE officers have come to the wrong house. And put a lot of people in fear. So racial profiling was happening even before this recent Supreme Court decision, which essentially now condones racial profiling, as criteria that the ICE can use. I also just wanted to talk about this trend too, we're seeing with so many cases. It happened to Lue, it happened to Mohan, where in someone's underlying criminal court case, maybe they were given a court appointed attorney. In many cases, they were not told of the immigration impacts of, say, taking a plea. There is a Supreme Court case called Padilla versus Kentucky and basically the law shifted such that in many cases there now is a duty for a court appointed public defender to actually talk to folks like Mohan and Lue about the immigration consequences of their plea. So when Tika mentioned that there's something called a post-conviction relief effort for Mohan. That's happening in Georgia. This is very much what that legal defense looks like, where, an expert attorney will look at that very old court record, see if those rights were violated, and also talk to Mohan and make sure did that violation happen and is that grounds for reopening an immigration case. For Lue, there is a really mighty pardoning campaign that's brewing in the state of Michigan. So in Michigan, governor Gretchen Whitmer does have the authority to in some cases expedite a pardon in process. Unfortunately in the immigration arena the expungement does not have that same weight as say a vacating, or a motion to vacate that criminal record. So it's super frustrating because, so much of this turns ethically, morally on- do we, as people believe in second chances, and I know most people do, and yet here we are really. Based on a technicality. I also just want to name too that Lue as a person is both a natural organizer and he is a spiritual guide of his community. So something that many folks don't know is because of so much of the trauma that Anne talked about, both from, supporting the Americans during the Secret War, many Hmong folks who came to the States, they actually in some cases died in their sleep because of this, almost unexplained weight of the trauma. It almost underscores the importance of Lue, not just to his family, but this family is a collective family. He's both a mentor for so many, he's a spiritual guide for so many. Him being away from his family, away from community, it's like a double, triple wound. for Mohan, I'd love to uplift this memory I have of a moment in June when Tika gave us a call, and at that point, Mohan had called Tika and said, they're taking me, I'm being deported. At that point, they were removing Mohan from the ICE facility in Butler, Ohio and transporting him to the Detroit airport or that deportation to Bhutan. Tika was forced to essentially delay her childbirth. It was very much in the range of when she was due to give birth to their daughter. But because the clock was ticking, Tika drove to Butler, literally begged for Mohans life as our organizing and advocacy and legal team was trying to get together this emergency stay of deportation. That fortunately came through at the 11th hour. But the fact that Mohan remains in this facility in St. Clair, Michigan, that he's never held his daughter is unacceptable, is ridicuLues. I think so much of these two cases almost, this invisible brotherhood of pain that I know Ann has talked to me about that. Because Lue right now has been in a couple facilities. He is organizing, he's doing his thing and actually supporting folks while also just trying to keep himself well, which is no easy feat to do in so many of these facilities. Especially because, in Alexandria, for example, which is a facility in Louisiana. We know that folks are sleeping on cement floors. We know that folks are not being fed, that there's a lot of human rights violations going on. Here is Lue still continuing to use his voice and try to advocate for the folks around him. Miko Lee: Aisa thank you so much for putting that into context, and we'll put links in the show notes for how folks can get involved in both of these cases. One is, Rising Voices call to action for Lue. We encourage folks to do that. In terms of Mohan, there's a GoFundMe to help support Tika and the immense lawyer fees, and also a letter writing campaign to the ICE director Kevin Roff, to try and release Mohan and Lue. These are really important things that are happening in our community, and thank you for being out there. Thank you for talking and sharing your stories. We really appreciate you. And also, just briefly, I'd love us for us to talk for a minute about how many folks in our Asian American communities, we don't wanna talk about mistakes that we have made in the past because we might consider that shameful. And therefore, in both of these communities, when we started organizing, it was really hard at first to find people to come forth and share their stories. So I wonder if both of you can give voice to a little about that, the power you found in yourself to be able to come forward and speak about this, even though some other folks in the community might not feel comfortable or strong enough to be able to talk. Tika, can you speak to that? Tika Basnet: What makes me really strong, and I wanna see that my husband case is because he was 17, people can make mistake and from those mistake, if people are learning. Americans should consider, 'cause my husband did make mistake and I wish that time he knew the rules and regulation. I wish somebody taught him that he's not supposed to go somebody else property, around in backyard. I wish he was been in the United States like more than , one and a half year. I wish, if he was like more than two years, three years. I think that time he, from high school, he could learn. He's not supposed to go there. He was just been in the United States like one and a half year just going to high school. Nobody taught him. His parent doesn't even speak English. Until now, they doesn't even speak, like nobody in our community knew rules and regulation. He doesn't have guide, mentor to taught him like, and even though he did make mistake and he's really sorry, and from those mistake learning a lot, and he never get into trouble, after 11 years, he was clean, he work, he pay taxes. That is the reason that I really wanna come forward. People can make mistake, but learning from those mistake that changed people life. The reason that I'm coming forward is because organization like Asian Law Caucus, ARU, and, Miko, a lot of people helped me. They taught me like people can make mistake and, we shouldn't be same. I really wanna give example to my daughter, that, you are fighting for justice and you shouldn't fear. What is right is right. What is wrong is wrong. But if somebody's make mistake and they are not, doing that mistake again, I think the people can get a second chance. My husband deserves second chance. He's 30 years old. He has a family, he has a wife, children and he deserved to be here. We came here legally, my husband came here. Legally, we, promise that we'll get home and this is our home. We wanna stay here and I really want my husband be home soon so he can play with her daughter to play with his daughter. Miko Lee: Thank you so much, Tika. Ann I wonder if you could talk to the strength that it takes for you to come forward and speak about your husband and your family. Ann Vue: I'm a community leader with my husband. There was a moment when he was first detained where I was in complete silence. I was so shocked. It took my attorney, Nancy, just talking to me about it. Of course, back to what Aisa said earlier in our communities, we're afraid. I was so scared. I didn't know what to do. It took me visiting my husband in Baldwin and letting him know that, hey, a bunch of community members are now reaching out. And that's that. At that moment, he was like, you have to say something. You have to say something you have to make noise because you have a, 50% chance, right? We have a 50 50 chance. 50%. They're gonna send me 50%. You're gonna feel bad if you don't say anything, right? 50 here, 50 there. It doesn't matter. But a hundred percent regret if you don't say something. I thought about it and he was like, well, go out there, be my voice. He's like, you've always been my voice. You got this right. I didn't say no to Nancy. 'cause she really wanted to talk to our rep Mai you know about this. Mai and I are pretty close too. , I just knew if I said anything, Mai's gonna be like mm-hmm. All the way. I just let Nancy help me, and my most vulnerable time. I'm glad that she did. I'm glad that we did get this out. It is the most important thing for us. what keeps me going is all of those that have been impacted by this, from people like Tika. I have many, I call 'em sisters. We're all in a lot of these group chats together. They've been also keeping me going. Our amazing team of attorneys and everybody just strategizing through this unprecedented time. It's really everyone's voices. I get to talk to Lue daily. It's definitely not cheap, but he gets to share each story of each person. I believe that everybody has a story and they might not be as lucky as maybe Tika or my husband, but at least now I have their story. I will be their voice. I will tell each person's story, each name, each alien number that I track down, my husband's even literally learned how to count in Spanish, just so he can give them like my phone number in Spanish in case they need to call an emergency. Oh, I'm be getting a lot of calls. that is what keeps me going because I think that Tika and I and many others are, hoping that there is going to be a better day, a brighter day. I hope that everyone can see that, our children are American, right? Our children, they deserve to have their fathers and their mothers. They deserve to grow with these parents. And with that being said, the most important thing to me is they're not just bystanders. They're literally the future of America. I don't want them growing up with trauma, with trying to ask me questions “well mom, if we're refugees and we helped, Americans as allies, and we come to this country, why is this payback like this?” There's a moral obligation that has to be there and they're gonna grow up and they're gonna be trauma by this. I've got children right now that's been talking about joining the National Guard. It speaks volume about what happens to my husband. He's championed the Hmong, Michigan Special Gorilla unit, the Hmong veterans here in the last two years, really  with helping them through resolutions, tributes, making sure that they have things, that they are out there, that people now know them, they are finally recognized. This puts my husband at great danger by sending him back, because now he's championed the veterans here. He celebrates our veterans here. So it's a moral obligation. I hope that, and this is to every child, I hope that every child, they deserve their father's presence. There are many people who don't even have their father's presence and they wish their fathers were around. Our fathers wanna be around. I hope that our daughter, I only have one daughter too, that someday they can, their fathers can be a part of their, the American culture. I hope that we get that opportunity and I hope that somebody stop being scared, but turn around and help us. Help us. We came here legally, minor stuff, long decade old. This detainment has been worse than when he did time back in 1997. I just hope that somebody hears our podcast, Miko. Thank you. Aisa and Tika. And they turn and they have some compassion and help us because this is the tone that we're setting for the future of our American children. Miko Lee: Thank you so much for sharing. Tika, you wanna add? Tika Basnet: Yes, I really wanna talk about what kind of husband Mohan is. Even though like he detained for five month I put lot of money in his account and there was one guy, his family cannot support him. For me, it is really hard. I'm not working. But even my husband called me you don't need to put like money in my account, but can you please can you please put money in his account? He did not eat food. His family did not have money. I can survive without eating food. I think his story is really touching me. My husband was crying listening to that guy story in detention center and then I did put like $50 in his account. My husband is giving person. He love to give even though, he struggle a lot, even though, he doesn't know what will happen when he get deport. But, him saying other guy story. Does make him cry. I think this is the reason that I really wanna come forward. My husband is giving person, he's lovely person, he's caring person. That is the reason I wanna come forward. I want people to hear our voice, rather than silent. Right now people know our story. But if I was silent then I don't know whether my husband was already disappear. I don't know whether he gonna die torture or maybe he will expel within 24 hours. I have no idea. My husband is number one support system for me, because of him I'm here sharing his story. For years I had wonderful time with him. We build our dream and until 2025, our dream is destroy. I'm trying to build again. I'm hoping, my husband is coming home soon and I'm hoping that this will be the last time that he will get detained. I hope that this will be the end. I don't want him to get detained or deported again. I'm really tired. I don't know what to do. I'm hopeless. I hope listening to my story and Ann's story that separating family is not good. It is affecting not only one person but his whole community, whole family. We deserve to get our husband back. It is not only about the wife that is fighting for husband, it is the children. They're so small, they born here and we cannot raise alone, we cannot work. We have things to pay. Paying bills and taking care of child alone is really difficult. It's been five month. I went through postpartum depression, I went through trauma and I don't wanna deal anymore. Like I don't have courage to do this anymore. We need our husband back. Miko Lee: Thank you. I think both of your husbands are also main caregivers for parents that are ailing in both cases. It's a really important that we are intergenerational communities and as you both said, it's not just about the children, but it's also about parents and brothers and sisters and community members as well. Thank you so much for lifting up your stories. I just wanna go back for one more thing. We talked briefly about the crazy expensive lawyer fees that have come up for families that they've been dealing with this, and then also Tika was just bringing up about detention and commissary fees. Can you talk a little bit about the prison industrial complex and the fees that are associated? As Anne was saying, just calling Lue every day the costs that are associated with those things. Many people that don't have a family member that's incarcerated don't know about that. Can you share a little bit about what that system is? Aisa Villarosa: Yeah, absolutely Miko. Just to underscore, a big theme from this conversation, is that the US made commitments and they have broken them, both with, as Anne talked about, the refugee experience is one that is made possible through US commitment of acknowledging what, people have survived, what they have given to the country. Folks are being removed to countries where not only do they have zero ties to, don't speak the language, but, especially in the case of the Bhutanese refugee community, as Tika mentioned, it is truly a double expulsion. So the fact that we have well-documented testimonials of folks deported from Bhutan after they're removed there into these life-threatening conditions . A community member passed away in large part because of the failure of the US to both care for them while in detention. So going back to that prison complex, but also just putting them in such a harrowing situation. In another instance, a community member was found after wandering for over a hundred miles on foot. So this is not, deportation and the story ends. This is deportation and, there is a family that is grieving and thinking through next steps, there is, this call to not have borders, break us the way that this country is trying to do. And to say a little bit about the fees, USCIS, there, there has not been a point yet in history where so many changes and charges hurting families have been ushered in, But for this year. To give a couple examples of that – asylum cases for one, these often take many years through this administration. Now, families have to pay a cost yearly for each year that your asylum application, languishes because we're also seeing that those same folks who are supposed to process these applications are either being laid off or they're being militarized. So something like USCIS where this was where one would go to apply for a passport. Now the same department is literally being handed guns and they're now taking folks during naturalization interviews. Other avenues to challenge your removal. Like I mentioned a motion to reopen. All these things used to be fairly affordable. Now they can cost many thousands of dollars on top of the attorney fees. So something that's been quite challenging for groups like Asian Law Caucus where we do have attorneys representing folks in removal proceedings, there's often this misperception that oh it's costing so much money. Attorneys are pocketing cash. Unfortunately there are some situations where attorneys have been known to take advantage of families in this desperate moment. But for many, many attorneys who are in this mix, they're experts at this work. They're trying to do the right thing. They're both overwhelmed and they're seeing these new charges, which make the battle really even more difficult. So to turn it back to the listeners, I would say that as powerless as this moment can make us feel everyone is bearing witness. Hopefully the listeners today can take in Anne's story, can take in Tika's story and whatever power one has in their corner of the world, this is the moment to use that. Whether it's your voice, whether it's learning more about a community, maybe you're learning about for the first time. This is really the moment to take action. Miko Lee: Thank you Aisa. I wanna thank you all for being here with me today, for sharing your personal stories, your personal pain, and for recognizing that this is happening. We deeply believe that we need to keep our families together. That is really important. It is written into the very basis of this American country about redemption and forgiveness. And this is what we're talking about for misunderstandings that happened when these folks were young men, that they have paid for their time, and yet they're being punished again, these promises that were broken by this American government, and we need to find ways to address that. I really wanna deeply thank each of you for continuing to be there for sharing your voice, for protecting one another, for being there and standing up for your family and for our community. Thank you for joining me today. Check out our Apex Express Show notes to find out about how you can get involved. Learn about the Rising Voices campaign for Lue Yang and Mohan Khaki's GoFundMe. On November 3rd, 4:00 PM Pacific Time, 7:00 PM Eastern Time. Join us for We Belong here, Bhutanese and Hmong Americans in the Struggle Against Statelessness, a live virtual event featuring my three guests tonight, along with performances and conversations. Please check out our website, kpfa.org/program, apex Express to find out more about our show. APEX Express is a collective of activists that includes Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Preeti Mangala Shekar and Swati Rayasam. Have a great night.     The post APEX Express – 10.30.25-We Belong! appeared first on KPFA.

International Arrivals speaks with Filipino American artist duo Abang-guard: Maureen Catbagan and Jevijoe Vitug (Phillipines/USA) (https://maureencatbagan.com/) about their current exhibition, Makibaka, at the Queens Museum in which they use the 1964-65 New York World's Fair's Philippines and New York State Pavilions as an entrance for talking about the importance of 1965 for Filipino American labor history. They emphasize the importance of community archives and the interplay between institutional critique and personal narratives, aiming to reclaim and reframe Filipino American history. Their work reconsiders the importance of monuments, Little Manilla(s), The Delano grape strike, and pays homage to the bridge generation who came to find their American dream.  The title of their exhibition, Makibaka, is a rallying cry: fight to live, live to fight, dare to struggle, dare to win. It's a slogan that resistance and protest movements used against the Marcos dictatorship and martial law during the 70s and 80s and has become the regular rallying cry of Filipino activists fighting against oppressive systems, both in the Philippines and abroad.

In a departure from their usual historical musings, Carmina and Patch talk about two modern Filipino-American women who share a last name but are from different decades, backgrounds, and musical genres. Yet they share a singular love for their heritage and history undeniably reflected in their art. In this Filipino-American History Month, Carmina and Patch are proud to feature two Fil-Ams who are sure to contribute to our storied legacy for years to come.Learn more: Vaccine scientist by day, rapper by night: How Ruby Ibarra is defying stereotypes, Ruby Ibarra - Bakunawa ft. Ouida, Han Han & June Millington (Live) Tiny Desk 2025 Winner, Ruby Ibarra - (Official Music Video), Ruby Ibarra Official Website, Rolling Stone: RUBY IBARRA IGNITES NPR'S ‘TINY DESK' CONCERT: ‘THIS IMMIGRANT IS HERE', Ruby Ibarra, 2025 Tiny Desk Contest Winner: Tiny Desk Concert, June Millington, [HIGHLIGHTS] Sky Islands by Susie Ibarra: World Premiere, 2025 Pulitzer Prize for Music: Sky Islands by Composer/Percussionist Susie Ibarra, Susie Ibarra's "Nest Box" performed in Ojai by the composer and Wu Wei, and Susie Ibarra Official Website.Visit https://filtrip.buzzsprout.com. Drop a note at thefiltrip@gmail.com. Thanks to FilTrip's sponsor SOLEPACK. Visit thesolepack.com for more details.See https://www.buzzsprout.com/privacy for Privacy Policy.

In this inspiring episode of Develop This!, host Joi Cuartero Austin sits down with her sister, Christine Cuartero, Co-Director of the Filipino School of Chicago, to explore how cultural heritage can shape stronger communities and local economies.  October marks Filipino American History Month, a time to honor the resilience, creativity, and contributions of Filipino Americans across generations. Joi and Christine discuss how celebrating heritage is more than preserving tradition; it's an act of community-building, identity, and empowerment.  From the diverse neighborhood of Albany Park in Chicago, Christine shares the story of how a group of Pinay mothers in education came together to found a school rooted in bayanihan (collective spirit), kapwa (shared humanity), and cultural pride.  Together, they discuss how cultural education fosters belonging, how immigrant stories shape the economic and social fabric of neighborhoods, and how investing in heritage is a powerful strategy for local revitalization.  In this episode:  The significance of Filipino American History Month and why representation matters.  The story behind the Filipino School of Chicago, founded by a group of Pinay educators to preserve culture, language, and pride for the next generation.  How Albany Park's diversity is both a cultural and economic asset.  How cultural spaces foster belonging and retention, key factors in economic development.  The role of heritage-based entrepreneurship and cultural businesses in driving local vitality.  Why bayanihan, the Filipino spirit of collective effort, mirrors the principles of successful community and economic development.  Practical ways economic developers can partner with immigrant-led and cultural organizations to strengthen inclusivity and representation in local economies. Daughter of immigrants from Orani, Bataan and Quezon City, Christine C is an educator and community organizer with over a decade of service across public school settings and neighborhoods in Chicago and New York City. Committed to equity and civic engagement, she's worked with organizations like El Puente (NYC) and the National Center for Urban Education of Illinois State University (Chicago) to connect community based organizations with schools, lead service-learning initiatives, and mentor future educators. Christine is a Chicago Public Schools leader and parent, and co-founder of the Filipino School of Chicago. She currently works as a case manager at a CPS elementary school.          

October is Filipino American History Month.Monday on Midday Edition, we dive into Filipino American activism and how local community organizers are applying lessons from the past to meet the current political moment.Then, we sit down with a local arts leader with strong ties in San Diego to learn about the thriving Philippine performing arts scene and its rich history.Guests:Amanda Solomon Amorao, director of Dimensions of Culture Program at Thurgood Marshall College, director of Asian American Pacific Islander studies program, UC San DiegoSoul Salas, organizer, Anakbayan San DiegoIan M. Seruelo, attorney and activistAnamaria Labao Cabato, executive director, PASACAT

The Whys and Wheys of Wisconsin Cheese Presented by Nicole Bujewski, Kristin Mitchell, Keith Burrows and Leslie Damaso Wisconsin cheese is more than a local delicacy—it's a national treasure. Join us from the historic town of Mineral Point, in the heart of Wisconsin's Driftless Area, for a look at The Wisconsin Whey—what the book is about, how it came to life, and why this landscape makes such exceptional dairy possible. Our storytellers come from a community steeped in cheesemaking history. They'll share notes on gathering voices from the region, highlight revered makers and their craft, and offer a taste of the lore that gives Wisconsin its “cheesehead” pride—truly a compliment here. Nicole Bujewski is a pastry chef who trained and then taught at the French Pastry School in Chicago and operated leFlour, a neighborhood bakery in Chicago. Nicole founded The Book Kitchen, inside the Republic of Letters bookstore in Mineral Point, in 2024. At the Book Kitchen, Nicole teaches cooking classes, sharing her passion for the culinary arts with students and enthusiasts. Kristin Mitchell, a graphic designer with more than 30 years of experience, expanded her Mineral Point-based design business in 2011 by founding Little Creek Press, an independent publishing division dedicated to producing books of literary merit. Keith Burrows is a scientist and writer who has lived in the Driftless Area since 2007, and is co-owner of the Republic of Letters bookstore in Mineral Point. Leslie Damaso is a Filipino-American singer, musician, visual artist, poet, writer, teacher and co-owner of Republic of Letters. *** Recorded via Zoom on Wednesday, September 17, 2025 CONNECT WITH CULINARY HISTORIANS OF CHICAGO ✔ MEMBERSHIP https://culinaryhistorians.org/membership/ ✔ EMAIL LIST http://culinaryhistorians.org/join-our-email-list/ ✔ S U B S C R I B E https://www.youtube.com/channel/UC6Y0-9lTi1-JYu22Bt4_-9w ✔ F A C E B O O K https://www.facebook.com/CulinaryHistoriansOfChicago ✔ PODCAST 2008 to Present https://culinaryhistorians.org/podcasts/ By Presenter https://culinaryhistorians.org/podcasts-by-presenter/ ✔ YOUTUBE https://www.youtube.com/channel/UC6Y0-9lTi1-JYu22Bt4_-9w ✔ W E B S I T E https://www.CulinaryHistorians.org

This week on We Think It's Funny, hosts Mark Schiff and Daniel Lobell sit down with Filipino American comedian Andrew Orolfo, one of the brightest rising stars in stand-up today. Known for his sharp, original perspective and effortless charm, Andrew has been featured on The Late Late Show with James Corden, Comedy Central, and in Jo Koy: In His Elements on Netflix. Named a "New Face" at Just For Laughs in 2022, Andrew brings his unique blend of Bay Area attitude and Filipino family humor to the conversation as the guys dig into his journey through the comedy world, life on the road, and what it takes to stay fresh in today's stand-up scene. It's a hilarious and insightful episode you won't want to miss.

In this episode of Militantly Mixed, Sharmane sits down with the creative team behind Disarm, an animated short film that captures the painful yet powerful intersections of identity, grief, and resilience in the wake of anti-Asian violence.Following the 2021 Atlanta spa shootings, Disarm tells the story of a young woman navigating multiple layers of identity when a hate crime unfolds on her train ride home. Through stunning visuals and heartfelt storytelling, the film explores anti-Asian hate during the COVID-19 pandemic from a mixed-race Filipino American perspective, offering both an artistic and emotional reflection on what it means to exist in a world marked by racism, fear, and strength.Sharmane speaks with:Lauren Lola – Writer & Co-Director @akolaurenlolaDarrick Lazo – Co-Director & Editor @edit.ninjaGeorge Nelson – Animator @wakasasheTogether, they discuss the film's creative process, the intentional choice of animation as a storytelling medium, and how Disarm serves as both art and activism in a time of collective reckoning.Support the Film: You can contribute to the Disarm crowdfunding campaign at Seed & Spark. Every donation helps bring this vital story to life.Support Militantly Mixed: Visit the Website – Listen to episodes, leave a review, or record a voicemail for the show.Support on Patreon – Help keep this independent show thriving.Shop Militantly Mixed Merch – Logo T-shirts, “Mixed & Hella Queer” tees, and more.Instagram: @militantlymixedBluesky: @militantlymixedFacebook: Militantly Mixed Podcast

After more than a year in Portland, 22-year-old Filipino-American artist Vivid Helene returned to her hometown stage, performing at RareTea to a crowd of devoted fans, close friends, and supportive family members. Amanda Avilla caught up with her to compare the two cities, and discuss being an artist in the Biggest Little City.

She came to America at five. She became a Marine. What happened next will stay with you.This week on Urban Valor, we dive into the story of Gunnery Sergeant Kimmy Lamano, a Filipino-American immigrant who rose through the ranks of the U.S. Marine Corps while carrying the weight of trauma, silence, and survival.From growing up in Manila and Hawaii, to surviving a convoy explosion in Afghanistan while teaching Afghan children, Kimmy's journey is one of grit, honor, and post-service healing. For 18 years, she served her country in combat zones, humanitarian crises, and as a trailblazing female Drill Instructor.But it wasn't just the battlefield she had to fight on. It was the return home, the invisible wounds, and the struggle to find purpose beyond the uniform.

If you could reflect on one thing, it's this:Who's driving your story today?This letter is for the quiet, faithful listeners who never thought to share their story—until one letter changes everything.On her usual commute to work, a flashback surfaced—one that reminds the writer why she rarely speaks freely. The memory takes place in the backseat of a family van, when a cousin told her to shut up… and no one said anything.Now, decades later, with her hands on the wheel and her favorite podcast playing, she realizes something has changed:She's the one driving. And she has something to say.If you've ever kept your thoughts to yourself because you were afraid of being reprimanded, this one's for you.If you're searching for resources on Filipino American history, then you are invited to join our FAHM Challenge!

Now on @tmi_with_maiekayla — it's Round 1 with rising Filipino American boxing phenom, Cyrus “The Virus”! Known for his explosive combos and unshakable grit, Cyrus steps out of the ring and into the hot seat to face Maiekayla's signature mix of tough questions, witty banter, and charming curveballs.From his roots in the Filipino American community to his journey through the amateur circuit and into the pro spotlight, Cyrus opens up about the hustle, the heart, and the heritage that fuel his fight. It's not just about knockouts — it's about culture, character, and the chaos behind the gloves.Expect laughs, surprises, and a few jabs at fame, family, and footwork. This is Cyrus like you've never seen him — raw, real, and ready.Tune in, tap in, and don't miss this punchy premiere!#CyrusTheVirus #FilAmFighter #PinoyPower #BoxingBeyondTheRing #MaiekaylaUnfiltered #TMIshow #FilipinoAmericanPride #LasVegasStrong #RisingChamp #TooMuchInformation #BoxingWithHeart #Round1Ready #CultureInTheCorner #KnockoutPersonality

This week I have a guest! Yay! As part of Filipino American History month, I am featuring a Filipino guest each week during the month of October. This week, I am talking with Rebecca Mabanglo-Mayor, poet, writer, and storyteller. Our conversation touches on spiritual inheritance & practices, our relationship with cultural identity & the land upon which we live, and our mutual obsession: K-pop demon hunters. (Because, I mean, how could we not talk about that? It has all the topics that we're curious about!)Tune in to hear all about it! From cultivating and strengthening your intuition to Rebecca's brag about Kpop Demon Hunters, you'll be entertained while also enticed to dig deeper within. Because that's how we roll - light laughter and deep inquiry.Blog: https://rebeccamabanglomayor.com/#blog Spotify: https://open.spotify.com/show/3NmlshGX4ijHPXmFIgT1Nu Apple: https://podcasts.apple.com/us/podcast/spiritual-grit/id1497436520  ===============Today's poems/ Books mentioned:Tarot/Oracle Card: Queen of Cups“Aswang Paces Outside of Kaiser Permanente Hospital” by Rachelle Cruz=============== Courses / Exclusive Content / Book Mentioned:Subscribe to mailing list + community: suryagian.com/subscribe and get the 7-day meditation challenge, “Spark Joy in Chaos”Subscribe to “Adventures in Midlife” newsletter: leslieann.substack.comInstagram: @leslieannhobayan Email: leslieann@suryagian.comYoutube: https://www.youtube.com/playlist?list=PLxAeQWRRsSo5E7PBJdZUeoEAYXnAtuyRyKundalini Yoga Classes: https://www.suryagian.com/anchor-amplify-kundaliniSpeak Your Truth: https://www.suryagian.com/speak-your-truth ===============About Rebecca Mabanglo-MayorRebecca Mabanglo-Mayor's non-fiction, poetry, and short fiction have appeared in print and online in several journals and anthologies including Katipunan Literary Magazine, Growing Up Filipino II: More Stories for Young Adults, Kuwento: Small Things, and Beyond Lumpia, Pansit, and Seven Manangs Wild: An Anthology. Her poetry chapbook Pause Mid-Flight was released in 2010. She is also the co-editor of True Stories: The Narrative Project Vol. I-IV, and her poetry and essays have been collected in Dancing Between Bamboo Poles. She has been performing as a storyteller since 2006 and specializes in stories based on Filipino folktales and Filipino-American history.Rebecca, as Rebecca A. Saxton, received her MFA in Creative Writing from Pacific Lutheran University in 2012, her BA in Humanities from Washington State University in 1998, and her MA degree in English with honors from Western Washington University in 2003.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. TAKE ACTION Rising Voices campaign for Lue Yang Mohan Karki's GoFundMe   And please help support these organizations working to support detained and deported folx: Asian Law Caucus Asian Refugees United Ba Lo Project in Vietnam Collective Freedom in Vietnam & Laos Asian Prisoner Support Committee & New Light Wellness in Cambodia November 1–2, people nationwide are joining the Disappeared In America Weekend of Action to stand up for immigrant families and defend due process. Actions include protests at Home Depots, candlelight Freedom Vigils, and Day of the Dead events honoring lives lost to detention.   The following day, November 3, 4pm Pacific time, 7pm Eastern Time, Join us for “We Belong Here, Bhutanese & Hmong Americans in the Struggle Against Statelessness” a live virtual event featuring my three guests tonight, along with performances and conversations. bit.ly/WBH-2025   We Belong Here! Show Transcript Miko Lee: Welcome to Apex Express. This is your host, Miko Lee. Today we're talking about detentions and potential deportations and the atrocities that the Trump administration is creating in our communities. And today I am so honored to have three guests with me, Tika Basnet, and Ann Vu, and Aisa Villarosa. Tika and Ann they're part of a horrible club, which is both of their spouses are currently in detention from our immigration system. But I just wanna start on a real personal note in a way that I often do with my guests. Anne, I'm gonna start with you. I just would love to hear from you, who are your people and what legacy do you carry with you? Ann Vue: Thank you again, Miko and Isa, you guys for having me on. So we are Hmong. And we helped Americans during the Vietnam War. And so, during the Vietnam War in Laos, a lot of our pilots needed a communication. And because we're indigenous and we are in the mountains, they were able to speak with us and use us. And so a lot of our Hmong, what they did or what they contributed helped a lot of the pilots rescued a lot, like thousands and thousands of Americans, really, so that that way they can make it back home, right? And so that is our contribution to the American people. And so when we were brought to America, was to resettle because of humanitarian purpose. Really because of our legacy of helping Americans with the war, right? So that is who we are and what we bring to America. And that's who I am. I'm, and I'm actually the first generation Hmong American too. So I was born right here in the capital of Lansing, Michigan. Miko Lee: Thanks so much ann. And Tika, can you share who are your people and what legacy you carry with you? Tika Basnet: Yes. Hi, my name is Tika Basnet. So I am Bhutanese Nepali community. My parents and all the Bhutanese, they ran away from Bhutan in 1990 due to the ethnic cleansing. And they came to Nepal, seeking for asylum, and that is where we born. I was born in Nepal, in refugee camp. Even though I was born in Nepal, Nepal never gave us identity. They never give us citizenship, so we were known as Bhutanese Nepali, but as known as Stateless. And yeah, my husband also born in Nepal in a refugee camp. Miko Lee: Thank you, Tika. And Aisa, I'm gonna ask the same question for you Aisa, my friend that works at Asian Law Caucus. Who are your people and what legacy do you carry with you? Aisa Villarosa: So much love to you, Miko and to you Ann and Tika for being here today. I just am, I'm so honored.My name is Aisa and I carry the love and, Maki Baka spirit of Filipino Americans both in my family across the diaspora. A little bit about the Filipino American story. We came to the United States as part of the colonial machine. The first Filipinos were brought as part of the Spanish Gallian trade. We made California home, parts of Louisiana home, and it's quite a contrast to a lot of the sort of model minority seduction that many of my people, and myself as a younger person tended to fall into that if we kept our heads down, if we were quiet, we would be left alone. I'm struck because at this moment of just unprecedented government attacks, so many of our communities have this story where someone somewhere said to us, yeah, just keep your head down and it'll be fine. And we're seeing the exact opposite, that this is the time to really use our voices, both individually and as one. And I'm also an artist and try to infuse that into my work in fighting government systems. Miko Lee: Thank you Aisa. And in the interest of fairness, I will say I'm Miko. I am fifth generation Chinese American. I grew up knowing that my family was full of fighters that built the railroads, worked in the gold mines in laundromats and restaurants, and my parents walked with Dr. King and Cesar Chavez and Dolores Huerta, and I was raised in a family of social justice activists. So I feel like our legacy is to continue that work and to fight for the rights of our peoples. That being said, I'm so honored to have both of all three of you powerful women join me today. And as I was saying in the beginning, Tika and Anne are sadly a part of this club. Nobody wants to be a part of this club with the sudden, unexpected, harmful detentions of both of your husbands. I wonder if you can each just share the story about what happened and how you first found out about your husband being detained. And let's start with you Tika. Tika Basnet: So, my husband got his removal in 2014 when he was like minor. Just 17 years old, high school student going from school to home and, he's a teenager and with his friend, like they were playing around and they wanna go home really fast. So they just cross from private property. And I think that is where someone saw and call 911. So we came from the culture that we love to go people home , walking around, playing around. So my husband came here in 2011. The incident happened on 2013. So he was just, came here without knowing culture, without knowing languages, So he has no idea. So when somebody called 911, he could not explain what happened. First of all, English is his second language, he was barely here without knowing rules and regulation, without knowing culture. The police get them and then they took him to jail I think police gave a lot of charges. And even until now, my husband doesn't know what are those charges? At that time, nobody explained, this is the three charges you got, and this could lead to deportation. And he feel guilty without knowing those charges. And just because he trusts Nepali translate guy, and he told my husband, like, if you don't say I'm guilty, you will end up in prison for 20 to 25 years, but if you say I'm guilty, you'll go home. And my husband said, guilty. And at that time, neither criminal lawyer told my husband, like, if you say I'm guilty, you'll end up getting deport. Deport to the contrary that you are you never born. Deport To the contrary, you doesn't even speak their language. And even the lawyer did not explain my husband like, you will not gonna get your green card. You cannot apply your citizenship in your life. If all of, if those things like the lawyer told my husband at that time, he will never gonna say, I am guilty to the crime that he did not even commit. And so when they tried to deport my husband back then, Bhutan say, he's not my citizenship, he's not from my country, We don't know this guy. He's not belongs to here. And when US Embassy reach out to, Nepal, do you know this guy? They told, ICE no, we don't know this guy, like he's not belongs here. And then the ICE officer, they told my husband, like, we can let you go, you need to come here, like order of supervision every years, every three months, every six months, whenever we call you. And it been 11 years. My husband is following rules and regulation. After that incident, never police arrest him. He did not even get criminal record. He did not even get misdemeanor record. So basically he never did any violation after that. So he was following, he got married, he has a life, he pay taxes. He was taking care of his family and in 11 years he was doing everything. And in 2025 for the first time they target Bhutanese Nepali community. And at that time I knew that this is the last time I'm gonna see my husband. And that is a time I think I broke down. Like, when they detained my husband in April 8, I was eight months pregnant. And um, like we dream a lot of things like, you know, we are gonna take care of our daughter. We are gonna buy home, we are gonna work, we are gonna give her the life that we, I'm sorry. Miko Lee: Totally. Okay. Tika Basnet: So, yeah. Um, like I never thought like Bhutanese community can, like deport. Like my parent already , go through this trauma, you know, when Bhutan throw them away due to ethnic cleansing and same thing happening to us. It is unbelievable. I cannot believe that, we're going through this again and I don't know when this gonna be stopped. I don't know whether like my husband gonna come home. I dunno. Like I'm fighting and it is been five month and I really want my husband back. Like my daughter today is, she's three month old. She need her dad in life. 'cause I cannot provide everything by myself. My husband is the main provider for her aging parent. 'cause even now they cannot pay bills. Like they have really hard time paying bills. And this is the reason, like I'm fighting for my husband case and I want my husband back. And I think he deserve second chance because if you see his record is clean, like for one incident that happened like 12 years ago, that cannot define my husband. Like who he is right now, you know? So yeah, this is what happened. Like I cannot believe that my husband is able to get deport to the country that doesn't even accept. And I don't know whether he gonna get killed. I dunno what, whether he gonna disappear, I don't know what will happen to him. I don't know if it is last time I'm gonna see him. Miko Lee: Tika, thank you so much for sharing your story. And just to recap really briefly, your husband, Mohan Karki when he was a teenager, newly arrived in the country, was leaving high school, walked with his friends through a backyard and was suddenly racially profiled. And the neighbor called police because he was trespassing on property.He was born at a refugee camp. Is that right? Tika Basnet: Yes. Miko Lee: And so there was not property that was like person's property on that refugee camp. So that whole concept of walking across somebody's land was something he was not aware of. He had an interpreter that did not give correct or full information. And so he signed something, including a deportation order, that he wasn't actually, wasn't even aware of until recently when he was put into detention. Is that right? Tika Basnet: Yes. Yes. Miko Lee: And right now he's in detention. You're, you live in Ohio, but he's in detention in Michigan, right? Tika Basnet: Yes. Miko Lee: Okay, Tika, let's talk about Mohans case and what's happening. He's held in detention right now in a detention facility in Michigan. And what is going on with his case? Tika Basnet: Yeah, I don't wanna say a lot of things about his case, but our attorney, his criminal attorney does file, a Motion to Redeem asking BIA to send that, case back to Georgia and we recently hired, criminal attorney to fight for his case, that happened in 2013. And our attorney just submit documentation where he's asking to release my husband because it'd been five month. And he's not risk to the community. He's not risk to the flight. 'cause he doesn't have no one in Bhutan. He doesn't have no one in Nepal. He's all family is in here. So his community love him ,he has family that loves him. And, we also get lot of documentations as a proof telling ICE officer that my husband is not risk to the community or, to the flight. Miko Lee: Thank you. And he has a new baby, a four month old baby that he has yet to meet. So that is a powerful reason to stay. And as Tikas pointing out, the lawyer just submitted documentation along with 50 letters of support from the community , from employers, from family members, all saying why he should stay in this country. Thank you so much for sharing. And Anne, i'm wondering if you could share about what happened to your husband. He was also born in a refugee camp, right? Ann Vue: So, Lou was born in Nangkai, Thailand refugee camp. In 1978 and in 1979 his parents and him and his older brother received parole for legal entry. I think the exact word was, they were paroled pursuant under section 212D5 of the I and N Act, which means that they are granted urgent humanitarian reasons for or for public benefit. Right. Because my father-in-law had helped and during the war. And so he received his visa in September. I just lookeded back at all of his history there and then they made it to America right before Halloween 'cause my father-in-law was like, I always remembered it because in the country of Asia, they're scared of halloween, scary Halloween stuff. And so when they came, they were like, oh my gosh. There were, Jesus says, I remember there were just a lot of zombies, right? And we were so scared because we were like, and so I always remember that about, you know, I'll fast forward it to 1997, right when he just turned, I believe 18 and very similar to Tika, you know, her husband too. And a lot of times, in the early nineties, me even being the first generation American here, racism played a lot. And we all went through that piece and our parents not speaking English at the same time, they were going to school themselves so that they can learn our English language, right. And they weren't able to teach us growing up. So we had to kind of fend for ourselves. And I would say my husband he went out with some friends. He did not commit the crime. But of course now that is brought back to him, he understood about his particular case is second attempt, home invasion. Nobody was harmed. He was in the vehicle, in the backseat when he was caught. And he didn't wanna partake, but he didn't wanna stop them either, you know? 'cause to him it was like, if I don't partake, then I have nothing to do with it. Right. Because if I do, then they might not be my friends anymore. I mean, it's just a part of growing up as a youth. But because he was there, and then would receive a court appointed attorney, and then provide it very similar to Tika's too. Had an interpreter, that was explaining to them, was provided bad legal advice. He had nothing, no knowledge about how this would impact his immigration status. He would take a plea, and it was advised by their attorney, take the plea it's easier, you know, and you probably serve less than a year. You'll be out, you'll only be in the county jail anyways 'cause you didn't really commit the crime and technically it should have been a misdemeanor. But because you're an accomplice , that kind of falls under this category. So he took the plea, he served 10 months in a county jail. He actually was released for good behavior. He even finished his probation soon because he paid all of his stuff off. And he even finished a youth advocate program, a youth training program for anybody that committed crimes between the age of 18 to 21. I actually just saw this form the other day and I was reading it and it talks about, you know, the one thing about our parents, experiencing the war and coming to America, they don't talk about it. And a lot of us are from communist countries . We're, we are very afraid to voice our voices, because someone can take action. And our parents never talked about it. And I read what he wrote to his, youth coordinator, and he wrote, he felt so bad about what he did. He created disappointment for his parents and he understands now after his parents told him, there are sacrifices that got us here to America. And he literally wrote all of this down, he's going to be a better person, is what he wrote. I'm going to be a better person. I'm going to make my parents proud now that I understand their sacrifices. And, they asked him, well what was your upbringing like? And in one sentence, he wrote, poor, right? So he wrote, poor and the coordinator wrote on the bottom of his comments said, Lou is remorseful for what has happened or for what ha what has happened, and very remorseful and he wants to be a better person. I have no other questions. The training is complete. He doesn't need any further, support and believes that he will move forward to be a better person. That's what literally what they wrote on the document. Then fast forwarding to 1999 , after everything was done and he served, that's when, immigration showed up at his house. And from there moved forward to explain to him what had happened. And once that happened, of course him and I would meet in 2000, and then we'd be married in 2001. Right? So we'd celebrate. Almost 24 and a half years of marriage. Right? So we did appeal his case in the humanitarian piece of what this meant for Lou during the time where we all fled the country. Once we were, once the monks were declared enemy of the state by the LDR in Laos, we fled. And once we fled, it's well documented that there was a little bit over 400,000 of us there right after all the genocide and the killings of the Hmong there was probably less than 45,000 of us left, right? And so once we understood a lot of that, we wanted to do better. We wanted to really service our community, right? So. Fast forwarding it. We appealed the case. The case was then denied I believe in 2002. And even in his letters, in his appeal letters, general Vink Powell, which led the, Hmongs during, in the war, even had a letter in there where he, to also pled why Hmongs need to stay here in America, right. And why we need to bring the rest of our people to this country. The reality is our whole family, Lou's whole family was wiped out. We don't have anybody, Lou doesn't have anyone, right? And so you know, that goes to Tikas thing too. There's nobody there. And, going back to the case once it was denied in 2002, of course he then. Was forced to reach out to the embassy and reached out to the embassy and was denied, entry into Thailand 'cause that's where he was born. We're stateless too, just like Tikas husband. We were denied by Thailand. We were also denied by Laos stating that we are not a citizen of theirs. They do not allow or welcome any sort of entry. And then in 2006, that's when they actually took his green card was in 2006 and then we prompt again we were denied. And then in 2008 we were denied a third time and that's when his immigration officer was like, just move on and start your life. Laos and Thailand, will never sign a repatriation act with America because of you guys, because of the Hmong people, what you guys have done to their country, making it the most bombed country during the war without even being a part of the war. So therefore, they will never allow you guys or accept you guys back. And so we were like, okay. So we moved forward and then in 2014, this immigration officer, which we was doing yearly checkups at this time, was like, Hey go get your citizenship, get your green card. They're like you're doing so good. You know, you probably could have a chance to get it. That's when we moved forward to apply for citizenship and for all we did for the green card and then for citizenship. And of course we were denied in 2015 and we know how expensive this is. You pay $10,000 outright, you don't get that money back. You just have to go at it again, right? And so, uh, we decided that, you know what, we're gonna get his case expunged, and so. We got his case expunged in 2018, no questions asked. It was very straightforward. Once it was expunged, we continued, with our lives. Very involved in the community. And we had all of our children by that time already, so we had six kids already. So fast forwarding to that, and then leading up to his detainment, which this year we even called his immigration officer and he was like, Hey, don't worry about it, Lou, we're moving you over to Grand Rapids and you should be fine. Just make sure that you stay outta trouble, continue to follow your stock and I think what triggered it was when we applied for his work permit in April. Because he was supposed to, he always meets his immigration officer at the end of the year, and we renewed his work permit is what triggered it. And so of course, the money was cashed out, everything the checks went through while we were receiving that, he was gonna be here, everything was gonna be fine. And then leading up to July 15th where he was detained at work, early morning of six 30 in the morning, the detained officer they they told him that they know who he is to the community, so they have to do it this way because they don't want any problems. They don't want media, they don't want reporters. He did play with them. He did ask them because he rode his motorcycle for some weird reason. He has not taken his bike out, his motorcycle out in the last three years. But for some reason that night he was like, I just wanna take my bike. So he took his bike that night and when ICE told him, do you have somebody come get your bike? You need to call somebody to come get your bike. And he was like, nobody in my family rides motorcycles. Like we don't, I don't have anyone to come get my bike. And I think there was some empathy and compassion for him. He was like, okay, let me check on something. Because my husband was like, can I just take my bike back? I've got six kids. I've got my grandma at home and my parents are also at my house right now. I just wanna see them and I just wanna take my bike back. So they asked him, if we let you go, we asked will you like please don't run. Right? And so they followed my husband home and my husband literally called me at 6 37 in the morning and he was like, Hey, ICE is, here they got me. So I'm like, what? What's going on? So it was just so surreal. I was so shocked. And so it's about a 30 minute drive from his workplace back to our house. And um, when he got there, um, they, there were already officers, like there were, it was packed tight in our driveway. So our driveway's pretty far up because we live in the country. And so, there were like five or six cop cars there too. So we had to walk about half a mile down to go see him. They wouldn't allow him to enter where our home was. And the officer told, my husband, told him that they're so sorry. They have to do it this way. They know who he is. They don't want any problems, they don't want any reports in media out here. And I will say my experience was a little bit different from others. They did take their mask off when they took him in, they were respectful so that part is that much. They even, you know, talk to my two older boys like, “Hey, you guys have money. I could put the money in your dad's account.” We're, take him into Grand Rapids, we're gonna process him, and then we're gonna take him to the detention center, which is gonna be involved in Michigan. So they were very open about these steps, what they were doing with him, at least that much. But I will say that it was my grandma, of course she has chronic pulmonary disease stage four. So at that point we, we couldn't haul her fast enough because we only saw him for like maybe a quick minute, and that was it. And so they did ask us to turn around because they had to take him back and they didn't want my, our little ones to see them cuffing him. Miko Lee: They actually said, Anne, we don't want any media to be watching this? Ann Vue: I don't want any problems. Miko Lee: Mm. And and your husband is also quite well known in the Hmong community, right? Ann Vue: He is Miko Lee: and so probably, they were worried about folks coming out and protesting. Is that, do you think that was the case? Ann Vue: That's what I'm assuming, because I don't remember their exact words saying media, but I do remember they were saying that they didn't want people around, they didn't want to create issues for the community.I am assuming that correct, because if he would've gotten the letter just like everybody did, which everybody then would receive the letter on Friday, and because my husband is a community leader, he is the Hmong Family Association's president, we restart receiving. Many, many calls where everybody just wanted to talk to Lou 'cause they needed to know what's going on, how to handle, what to do. And so at that moment I realized, oh my gosh, they detained my husband first this way. And then everybody else got a letter. Miko Lee: And the ICE officer that he had been checking in with routinely has, have you all been in touch with that same ICE officer? Ann Vue: He has been, I think in the last seven or eight years.Yeah. It's been the same guy. Miko Lee: But has he been in touch with him since he was detained? Ann Vue: He hasn't. Miko Lee: Has not, no. So they had different people come in even, 'cause he was the person that said everything's okay, keep going with your life. Ann Vue: Oh yeah. Miko Lee: And so no contact with him whatsoever since the detention? Ann Vue: No. Miko Lee: Can you give a little bit of an update of Lou's case and what's going on with him right now? Ann Vue: I don't know as much. Maybe I may have to have Aisa respond to the legality piece around it. 'cause I know we're, they've been doing, working around the clock and working hard on strategy. Miko Lee: Okay. Thank you so much, Aisa. Before we move into that, I just wanna point out, for all of our listeners, how many similarities there are in these two cases. And in both of these, you know, these amazing women are here supporting their spouses, both, spouses born in refugee camps. Dealing with intergenerational trauma from families that had to escape ethnic cleansing or involved in a war, came into the United States under, legal properties through refugee resettlement acts, made mistakes as young people, partially due to culture and wanting to fit in. They served their time, they paid their dues. They were racially profiled to be able to actually be in those positions that they were in. They suffered from incredible immigration policy failure with bad advice, with a system that's broken. And now both of them are detained. Not yet deported, but detained. Many of the community members have already been deported and they're facing statelessness. And we're seeing this not just with Bhutanese and Hmong folks, but with Mien and Lao and Haitian and El Salvadorian. And we could fill in the blank of how many other peoples in other communities are facing this. So, we also know that these private detention centers where people are being held, are making millions and millions of dollars, and it's connected into our corrupt political system that's in place right now. We also know and Aisa, I'm wondering if you could, talk about the case, but also about some of the deals that we think have had to be made with Laos and Bhutan in order for these deportations to even take place. So Aisa from Asian Law Caucus, I'm gonna pass it to you to go over some of the legal ramifications. Aisa Villarosa: Of course, Miko, and thank you for it for the context. And there are so many parallels that we as advocates must uplift because this is not the time to be divided. This is really the time to build solidarity that we've long known needs to happen. And, and this is really the moment. What Miko is referring to is, uh, largely, um, something that we've observed around the travel bans. So. Earlier this year, right around the time that the Trump administration took hold, there was a draft travel ban list that leaked across a number of media outlets, the Times, et cetera, and the same countries we're talking about today, Bhutan, Laos. These were historically not countries that were subject to sanctions, like the travel ban, and yet here they were. And so a lot of us were scratching our heads and asking, you know, what, why is this happening? Our theory, and this is a theory that is now also manifesting in a number of FOIA requests or Freedom of Information Act requests that are submitted from Asian Law Caucus to departments like the State Department ice, the Department of Homeland Security. Asking the same question that Tika and Anne are asking, which is, how are these deportations even happening? Because they were not happening until this year. And what very likely happened was a bit of a quid pro quo. So in removing Bhutan, removing Laos from this list where they could be sanctioned as a country, there was likely some backdoor deal that took place between the US State Department and Bhutanese officials and the US officials, where essentially there was some form of an agreement that there would be an acceptance or a supposed acceptance of a certain number of folks from these communities. That is why around March, around April for the Bhutanese refugee community, for example, we started seeing pickups very similar to Mohans case, where, many people who had perhaps made some mistakes in their youth or had really old criminal convictions were swept off the streets and thrust into these really rapid deportation proceedings. I don't even know if proceedings is the right word, because there essentially was no proceeding. You know, the Immigration Court is very much a cloaked process. The immigration judge is kind of judge and jury wrapped up together, which is very different than many of us might turn on the TV and see something like Law and order. An immigration court works a very different way where this piece of paper, this final removal order, basically gives ICE a lot of bandwidth to make these deportations happen. However, that doesn't mean we should just accept that this is happening. We know that just basic procedures of fairness are not being met. We know, too that in the case of, for example, the Bhutanese community ICE officers have come to the wrong house. And put a lot of people in fear. So racial profiling was happening even before this recent Supreme Court decision, which essentially now condones racial profiling, right? As criteria that the ICE can use. I also just wanted to talk about this trend too, that we're seeing with so many cases. It happened to Lou, it happened to Mohan, where in someone's underlying criminal court case, maybe they were given a court appointed attorney. In many cases, they were not told of the immigration impacts of, say, taking a plea. There is a Supreme Court case called Padilla versus Kentucky and basically the law shifted such that in many cases there now is a duty for a court appointed public defender to actually talk to folks like Mohan and Lou about the immigration consequences of their plea. So when Tika mentioned that there's something called a post-conviction relief effort for Mohan. That's happening in Georgia. This is very much what that legal defense looks like, where, an expert attorney will look at that very old court record, see if those rights were violated, and also talk to Mohan and make sure did that violation happen and is that grounds for reopening an immigration case. For Lou, there is a really mighty pardoning campaign that's brewing in the state of Michigan. So in Michigan, governor Gretchen Whitmer does have the authority to in some cases expedite a pardon in process. We're hoping that this public swelling of support from Mohan will result in a pardon, because importantly, even if Mohans conviction was expunged, which can be very helpful in, for example, state court, arenas, things like, applying for certain jobs. Unfortunately, in the immigration arena the expungement does not have that same weight as say a vacating, or a motion to vacate that criminal record. So it's super frustrating because, so much of this turns ethically, morally on- do we, as people believe in second chances, and I know most people do, and [00:35:00] yet here we are really. Based on a technicality. I also just want to name too that Lou as a person is both a natural organizer and he is a spiritual guide of his community. So something that many folks don't know is because of so much of the trauma that Anne talked about, both from, supporting the Americans during the Secret War, many Hmong folks who came to the States, they actually in some cases died in their sleep because of this, almost unexplained weight of the trauma, right? And so it almost underscores. The importance of Lou, not just to his family, but this family is a collective family, right? He's both a mentor for so many, he's a spiritual guide for so many. And so you know, him being away from his family, away from community, it's like a double, triple wound. And then for Mohan, I'd love to uplift this memory I have of , a moment in June when Tika gave us a call, and at that point, Mohan had called Tika and said, they're taking me, I'm being deported. And at that point, they were removing Mohan from the ICE facility in Butler, Ohio and transporting him to. At first we had no idea. Then we learned it was, toward the Detroit airport or that deportation to Bhutan and Tika was forced to essentially delay her childbirth. It was very much in the range of when she was due to give birth to their daughter. But because the clock was ticking, Tika drove to Butler, literally begged for Mohan's life as our organizing and advocacy and legal team was trying to get together this emergency stay of deportation. That fortunately came through at the 11th hour. But the fact that Mohan remains in this facility in St. Clair, Michigan, that he's never held his daughter is unacceptable, is ridiculous. And I think so much of these two cases almost, this invisible brotherhood of pain that I know Ann has talked to me about that. Because Lou right now has been in a couple facilities. He is organizing, he's doing his thing and actually supporting folks while also just trying to keep himself well, which is no easy feat to do in so many of these facilities. Especially because, in Alexandria, for example, which is a facility in Louisiana. We know that folks are sleeping on cement floors. We know that folks are not being fed, that there's a lot of human rights violations going on. And here is Lou still continuing to use his voice and try to advocate for the folks around him. Miko Lee: Aisa thank you so much for putting that into context, and we'll put links in the show notes for how folks can get involved in both of these cases. One is, Rising Voices has a call to action to reach out to Governor Whitmer for that. Pardon in Campaign for Lou. So we encourage folks to do that. And in terms of Mohan, there's a GoFundMe to help support Tika and the immense lawyer fees, which we discussed that are needed. And also a letter writing campaign to the ICE director Kevin Roff, to try and release Mohan and also Lou. These are really important things that are happening in our community, and thank you for being out there. Thank you for talking and sharing your stories. We really appreciate you. And also, just briefly, I'd love us for us to talk for a minute about how many folks in our Asian American communities, we don't wanna talk about mistakes that we have made in the past because we might consider that shameful. And therefore, in both of these communities, when we started organizing, it was really hard at first to find people to come forth and share their stories. So I wonder if both of you can give voice to a little about that, the power you found in yourself to be able to come forward and speak about this, even though some other folks in the community might not feel comfortable or strong enough to be able to talk. Tika, can you speak to that? Tika Basnet: Yeah. So what makes me really strong, and I wanna see that my husband case is because he was 17, people can make mistake and from those mistake, if people are learning. Then I think Americans should consider, 'cause my husband did make mistake and I wish that time he knew the rules and regulation. I wish like somebody taught him that he's not supposed to go somebody else property, like around in backyard. And I wish he was been in the United States like more than one and a half year. I wish, if he was like more than two years, three years. And I think that time he, from high school, he could learn. You know, he's not supposed to go there. He was just been in the United States like one and a half year just going to high school. Nobody taught him. His parent doesn't even speak English. Until now, he doesn't even, they doesn't even speak, like nobody in our community knew rules and regulation. So no, basically that he doesn't have guide, like mentor to taught him like, and even though he did make mistake and he's really sorry, and from those mistake learning a lot, and he never get into trouble, like after 11 years, he was clean, he work, he pay taxes. And I think, that is the reason that I really wanna come forward. You know, people can make mistake, but learning from those mistake that changed people life. And, and I think, the reason that I'm coming forward is because organization like Asian Law Caucus, ARU, and, Miko, a lot of people helped me. You know, they taught me like people can make mistake and, I think we shouldn't be same. And I really wanna give example to my daughter, you know, that, you are fighting for justice and you shouldn't fear. I think, what is right is right. What is wrong is wrong. But if somebody's make mistake and they are not, doing that mistake again, I think the people can get a second chance. And I think my husband deserves second chance and he's 30 years old. He has a family, he has a wife, children and he deserved to be here. We came here legally, my husband came here. Legally, we, promise that we'll get home and this is our home. We wanna stay here and I really want my husband be home soon so he can play with her daughter to play with his daughter. Miko Lee: Thank you so much, Tika. Ann I wonder if you could talk to the strength that it takes for you to come forward and speak about your husband and your family. Ann Vue: I'm a community leader with my husband too, right? I would say that there was a moment when he was first detained where I was in complete silence. I was so shocked. It took my attorney, Nancy, just talking to me about it. Of course, back to what Aisa said earlier in our communities, we're afraid. I was so scared. I didn't know what to do. It took me visiting my husband in Baldwin and letting him know that, hey, a bunch of community members are now reaching out and I think it's hit our community. And that's that. At that moment, he was like, you have to say something. You have to say something you have to make noise because you have a, 50% chance, right? We have a 50 50 chance. 50%. They're gonna send me 50%. You're gonna feel bad if you don't say anything, right? 50 here, 50 there. It doesn't matter. But a hundred percent regret if you don't say something. I thought about it and he was like, well, go out there, be my voice. He's like, you've always been my voice. You got this right. And so when, I didn't say no to Nancy. 'cause she really wanted to talk to our rep Mai you know about this. And , Mai and I are pretty close too. And, I just knew if I said anything, Maya's gonna be like mm-hmm. All the way. Right? So I just let Nancy help me, and my most vulnerable time. And I'm glad that she did. And I'm glad that we did get this out. It is the most important thing for us, and I've been, I will say what keeps me going is all of those that have been impacted by this, from people like Tika. I have many, I call 'em sisters. We're all in a lot of these group chats together. They've been also keeping me going. Our amazing team of attorneys and everybody just strategizing through this unprecedented time. It's really everyone's voices. I get to talk to Lou daily. It's definitely not cheap, but he gets to share each story of each person. I believe that everybody has a story and they might not be as lucky as maybe Tika or my husband, but at least now I have their story. I will be their voice. I will tell each person's story, each name, each alien number that I track down, my husband's even literally learned how to count in Spanish, just so he can give them like my phone number in Spanish in case they need to call an emergency. Oh, I'm be getting a lot of calls. Right. I would say that that is what keeps me going because I think that Tika and I and many others are, hoping that there is going to be a better day, a brighter day. I hope that everyone can see that, our children are American, right? Our children, they deserve to have their fathers and their mothers. They deserve to grow with these parents. And with that being said, the most important thing to me is they're not just bystanders. They're literally the future of America. I don't want them growing up with trauma, with trying to ask me questions like, well mom, if we're refugees and we helped, Americans as allies, and we come to this country, why is this payback like this? There's a moral obligation that has to be there and they're gonna grow up and they're gonna be trauma by this. I've got children right now that's been talking about joining the National Guard. It speaks volume about what happens to my husband. He's championed the Hmong, Michigan Special Gorilla unit, the Hmong veterans here in the last two years, really with helping them through resolutions, tributes, making sure that they have things, that they are out there, that people now know them, they are finally recognized. This puts my husband at great danger by sending him back, because now he's championed the veterans here. He celebrates our veterans here. So it's a moral obligation. And I hope Tika, I hope that, and this is to every child, I hope that every child, they deserve their father's presence. There are many people who don't even have their father's presence and they wish their fathers were around. And our fathers wanna be around. And I hope that our daughter, I only have one daughter too, that someday they can, their fathers can be a part of their, the American culture. So I, I hope that. We get that opportunity and I hope that somebody stop being scared, but turn around and help us. Help us. We came here legally, minor stuff, long decade old. Even lose share with me. This detainment has been worse than when he was, when he did time back in 1997. And I just hope that somebody hears our podcast, Miko. Thank you. And, Aisa and Tika. And they turn and they have some compassion and help us because this is the tone that we're setting for the future of our American children. Miko Lee: Thank you so much for sharing. Tika, you wanna add? Tika Basnet: Yes, I really wanna talk about what kind of husband Mohan is. Even though like he detained for five month and I cannot. I put lot of money in his account and there was one guy, I think his family cannot support him. And for me, like it is really hard. I'm not working. But even my husband called me like, you don't need to put like money in my account, but can you please can you please put money in his account? He did not eat food. His family did not have money. I can survive without eating food. But, I think his story is really touching me. And that time, like my husband was crying listening to that guy story in detention center and then I did put like $50 in his account. And my husband is giving person like, he love to give even though, he struggle a lot, even though, he doesn't know what will happen when he get deport. But, him saying other guy story. Does make him cry. I think this is the reason that I really wanna come forward. My husband is giving person, he's lovely person, he's caring person. And that is the reason I wanna come forward. I want people to hear our voice, rather than silent. Because right now people know our story. But if I was silent back , then I don't know whether my husband was already disappear. I don't know whether he gonna die torture or maybe he will expel within 24 hours. I have no idea. So I think, my husband is number one support system for me, and I think because of him that I'm here sharing his story and yeah, like for years I had wonderful time with him. We build our dream and until 2025, our dream is destroy. I'm trying to build again. I'm hoping, like my husband is coming home soon and I'm hoping that this will be the last time that he will get detained. I hope that this will be the end. I don't want him to get detained or deported again. I'm really tired. I don't know what to do. I'm hopeless. I hope listening to my story and Anna's story that separating family is not good. Like it is affecting not only one person but his whole community, whole family. We deserve to get our husband back. Because it is not only about the wife that is fighting for husband, it is the children. , They're so small, they born here and we cannot raise alone, we cannot work. We have things to pay. And paying those bills and taking care of child alone is really difficult. It is giving depression like it's been five month, like I went through postpartum depression, I went through trauma and I don't wanna deal anymore. Like I don't have courage to do this anymore. We need our husband back. Miko Lee: Thank you. And I think both of your husbands are also main caregivers for parents that are ailing in both cases. It's a really important thing that we are intergenerational communities and as you both said, it's not just about the children, but it's also about parents and brothers and sisters and community members as well. Thank you so much for lifting up your stories. I just wanna go back for one more thing. We talked briefly about the crazy expensive lawyer fees that have come up for families that they've been dealing with this, and then also Tika was just bringing up about detention and commissary fees. Can you talk a little bit about the prison industrial complex and the fees that are associated? As Anne was saying, just calling Lou every day the costs that are associated with those things. Many people that don't have a family member that's incarcerated don't know about that. Can you share a little bit about what that system is? Aisa Villarosa: Yeah, absolutely Miko. And, just to underscore, a big theme from this conversation, it is that the US made commitments and they have broken them, both with, as Anne talked about, the refugee experience is one that is made possible through US commitment of acknowledging what, people have survived, what they have given to the country. And to look at this moment where folks are being removed to countries where not only do they have zero ties to, don't speak the language, but, especially in the case of the Bhutanese refugee community, as Tika mentioned, it is [00:52:00] truly a double expulsion. So the fact that we have well-documented testimonials of folks really deported from Bhutan after they're removed there into these life-threatening conditions that in some cases have actually resulted in a community member passing away. A community member passed away in large part because of the failure of the US to both care for them while in detention. So going back to that prison complex, but also just putting them in such a harrowing situation. In another instance, a community member was found after wandering for over a hundred miles on foot. So this is not, deportation and the story ends. This is deportation. And, there is a family that is grieving and thinking through next steps, there is, this call to not have borders, break us the way that this country is trying to do. And to say a little bit about the fees, USCIS, there, there has not been a point yet in history where so many changes and charges hurting families have been ushered in, But for this year, and so to give a couple examples of that – asylum cases for one, these often take many, many years through this administration. Now, families have to pay a cost yearly for each year that your asylum application, languishes because we're also seeing that those same folks who are supposed to process these applications are either being laid off or they're being militarized. So something like USCIS where this was where one would go to apply for a passport. Now the same department is literally being handed guns and they're now taking folks during naturalization interviews. Other avenues to challenge your removal. Like I mentioned a motion to reopen. All these things used to be fairly affordable. Now they can cost many thousands of dollars on top of the attorney fees. So something that's been quite challenging for groups like Asian Law Caucus where we do have attorneys representing folks in removal proceedings, there's often this misperception that oh it's costing so much money. Attorneys are pocketing cash. And unfortunately there are some situations where some attorneys have been known to take advantage of families in this desperate moment. But for many, many attorneys who are in this mix, they're experts at this work. They're trying to do the right thing. They're both overwhelmed and they're seeing these new charges, which make the battle really even more difficult. So to turn it back to the listeners, I would say that as powerless as this moment can make us feel everyone is bearing witness. Hopefully the listeners today can take in Anne's story, can take in Tikas story and whatever power one has in their corner of the world, this is the moment to use that. Whether it's your voice, whether it's learning more about a community, maybe you're learning about for the first time. This is really the moment to take action. Miko Lee: Thank you Aisa. I really wanna thank you all for being here with me today, for sharing your personal stories, your personal pain, and for recognizing that this is happening. We deeply believe that we need to keep our families together. That is really important. It is written into the very basis of this American country about redemption and forgiveness. And this is what we're talking about for incidents that happened, misunderstandings that happened when these folks were young men, that they have paid for their, they have paid for their time, and yet they're being punished again, these promises that were broken by this American government, and we need to find [00:56:00] ways to address that. I really wanna deeply thank each of you for continuing to be there for sharing your voice, for protecting one another, for being there and standing up for your family and for our community. Thank you for joining me today. Check out our Apex Express Show notes to find out about how you can get involved. Learn about the Rising Voices campaign for Lou Young and Mohan Khaki's GoFundMe and please help to support these organizations working every day to support detained and deported people. Asian Law Caucus, Asian Refugees, United Balo Project in Vietnam. Collective Freedom in Vietnam and Laos Asian Prisoner Support Committee and new light Wellness in Cambodia. November 1st and second people nationwide are joining the Disappeared in America Weekend of Action to Stand Up for Immigrant Families and Defend Due Process. Actions include protests at Home [00:57:00] Depots, candlelight, freedom Vigils, and Day of the Dead events, honoring lives lost to detention. The following day on November 3rd, 4:00 PM Pacific Time, 7:00 PM Eastern Time. Join us for We Belong here, Bhutanese and Hmong Americans in the Struggle Against Statelessness, a live virtual event featuring my three guests tonight, along with performances and conversations. Find out more in our show notes. Please check out our website, kpfa.org/program, apex Express to find out more about our show. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world. Your voices are important. APEX Express is a collective of activists that includes Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Preeti Mangala Shekar and Swati Rayasam. Have a great night. The post APEX Express – 10.16.25 – We Belong Here appeared first on KPFA.

The Domingo the Bounty Hunter series kicks off with the simultaneous release of the first two books in this series by Filipino-American author Cindy Fazzi.

Send us a textAnge is on location at the Yerba Buena Center for the Arts to celebrate Filipino American History Month at the first-ever SOMA Pilipinas Pride: Makibeki. Raquel Redondiez is the director of SOMA Pilipinas, San Francisco's Filipino Cultural Heritage District; a "celebration of the love, pride and people power of generations of Filipinos in San Francisco and beyond". They sit down to discuss the significance of celebrating SF's first SOMA Pilipinas Pride in the face of queer and trans hate, the deep history of activism in Filipino culture, monumental legislation that SOMA Pilipinas is getting passed, and why now is the time to step up and be brave.Makibaka - A Living Legacy is on display until 1/4/26, for more information click here!Follow director of SOMA Pilipinas Raquel Redondiez on IGSupport the showThanks for listening and for your support! We couldn't have won Best of the Bay Best Podcast in 2022 , 2023 , and 2024 without you! -- Fight fascism. Shop small. Use cash. -- Subscribe to our channel on YouTube for behind the scenes footage! Rate and review us wherever you listen to podcasts! Visit our website! www.bitchtalkpodcast.com Follow us on Instagram & Facebook Listen every Tuesday at 9 - 10 am on BFF.FM

If you could reflect on one thing, it's this:How are you contributing to Filipino American History today?This letter is for anyone who has ever felt lost in the search for cultural belonging—especially during Filipino American History Month.Jen begins with a candid reading of her letter, as if she's speaking directly to our First Readers. She contemplates the difference between longing for lost history and honoring the living history already around us. Whether acknowledging passive observation, caretakers we take for granted, or having empathy for the movers and shakers of our Filipino community today, this letter offers an invitation to get involved.If you've ever romanticized your search for identity, overlooked those already preserving our stories, or waited too long to show appreciation, this one's for you.If you're searching for resources on Filipino American history, then you are invited to join our FAHM Challenge!

“The Philippines isn't the president, it isn't the government. The Philippines is the people. Our role as Filipino Americans living in the diaspora is to stand with them. Tama na. Enough.” Politics is divided, institutions are fragile, and truth feels up for sale. Sounds familiar? Here's the twist — we're not talking about America, we're talking about the Philippines. With over 110 million people, it's one of the largest democracies on Earth — a nation with deep ties to the U.S. that most of us are not taught in school. If recent decades have taught us anything - it mirrors the challenges we face at home in the U.S. today: corruption, disinformation, and the erosion of trust in power. One might say it's a canary in the coal mine, which many Filipinos, and Filipino-Americans have been calling attention to those who will listen.  And since October is Filipino American History Month, FrieMMd of the Pod Lisa Angulo Reid, co-founder of Dear Flor stopped by for a chat. Lisa recently penned a Substack post “Fighting for a Home That Isn't Mine” - we continued a longer conversation we've been having - ranging from her essay, corruption, diaspora identity, her calling, the economic potential on both sides of the ocean. and what it means to fight for a home you no longer live in but still carry inside... ABOUT LISA: dearflor.com // dearflor.substack.com MENTIONS Maria Ressa (Nobel Prize winning journalist): wikipedia.org/wiki/Maria_Ressa Maria Ressa on the Daily Show (9/18/2025) :  youtube.com/watch?v=Tsb1I7hqaJ4 HISTORY  First landing of Filipinos in the USA (1587): wikipedia.org/wiki/First_landing_of_Filipinos_in_the_United_States Philippine-American War - wikipedia.org/wiki/Philippine%E2%80%93American_War Independence Seaport Museum (Philadelphia) / USS Olympia exhibit newyorkpcg.org/pcgny/2024/10/11/philippine-american-war-1899-1902-complex-symbols-conflicting-relationships-exhibit-unveiled-aboard-olympia/ India: British business / colonial rule (~1600 - 1757 - 1947): wikipedia.org/wiki/Colonial_India British East India Company - wikipedia.org/wiki/East_India_Company Duterte drug killings (WARNING - graphic) - nytimes.com/interactive/2016/12/07/world/asia/rodrigo-duterte-philippines-drugs-killings.html BOOK:  Patron Saints of Nothing (Randy Ribay): goodreads.com/book/show/41941681-patron-saints-of-nothing BOOK (Poems): Antiemetic for Homesickness (Romalyn Ante): goodreads.com/book/show/53095607-antiemetic-for-homesickness FOOD: Ginataang Tilapia  panlasangpinoy.com/ginataang-tilapia/ PLACES Visayas: Southern island region, rich in beaches and culture. Ilocos: Northern coastal region known for heritage towns. Baguio: Mountain city with cool climate and tribal roots. Batangas: Cultural heart of the Tagalog people. Taal: Volcano within a lake within a crater. Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

“The Philippines isn't the president, it isn't the government. The Philippines is the people. Our role as Filipino Americans living in the diaspora is to stand with them. Tama na. Enough.” Politics is divided, institutions are fragile, and truth feels up for sale. Sounds familiar? Here's the twist — we're not talking about America, we're talking about the Philippines. With over 110 million people, it's one of the largest democracies on Earth — a nation with deep ties to the U.S. that most of us are not taught in school. If recent decades have taught us anything - it mirrors the challenges we face at home in the U.S. today: corruption, disinformation, and the erosion of trust in power. One might say it's a canary in the coal mine, which many Filipinos, and Filipino-Americans have been calling attention to those who will listen.  And since October is Filipino American History Month, FrieMMd of the Pod Lisa Angulo Reid, co-founder of Dear Flor stopped by for a chat. Lisa recently penned a Substack post “Fighting for a Home That Isn't Mine” - we continued a longer conversation we've been having - ranging from her essay, corruption, diaspora identity, her calling, the economic potential on both sides of the ocean. and what it means to fight for a home you no longer live in but still carry inside... ABOUT LISA: dearflor.com // dearflor.substack.com MENTIONS Maria Ressa (Nobel Prize winning journalist): wikipedia.org/wiki/Maria_Ressa Maria Ressa on the Daily Show (9/18/2025) :  youtube.com/watch?v=Tsb1I7hqaJ4 HISTORY  First landing of Filipinos in the USA (1587): wikipedia.org/wiki/First_landing_of_Filipinos_in_the_United_States Philippine-American War - wikipedia.org/wiki/Philippine%E2%80%93American_War Independence Seaport Museum (Philadelphia) / USS Olympia exhibit newyorkpcg.org/pcgny/2024/10/11/philippine-american-war-1899-1902-complex-symbols-conflicting-relationships-exhibit-unveiled-aboard-olympia/ India: British business / colonial rule (~1600 - 1757 - 1947): wikipedia.org/wiki/Colonial_India British East India Company - wikipedia.org/wiki/East_India_Company Duterte drug killings (WARNING - graphic) - nytimes.com/interactive/2016/12/07/world/asia/rodrigo-duterte-philippines-drugs-killings.html BOOK:  Patron Saints of Nothing (Randy Ribay): goodreads.com/book/show/41941681-patron-saints-of-nothing BOOK (Poems): Antiemetic for Homesickness (Romalyn Ante): goodreads.com/book/show/53095607-antiemetic-for-homesickness FOOD: Ginataang Tilapia  panlasangpinoy.com/ginataang-tilapia/ PLACES Visayas: Southern island region, rich in beaches and culture. Ilocos: Northern coastal region known for heritage towns. Baguio: Mountain city with cool climate and tribal roots. Batangas: Cultural heart of the Tagalog people. Taal: Volcano within a lake within a crater. Learn more about your ad choices. Visit megaphone.fm/adchoices

  In this episode Elaine and Producer Mike have a conversation with singer-songwriter Stephen Ordonez also known as LABIT (@labitlabit). Stephen shares his experience growing up with Filipino American parents born in the States and how their love of music influenced his style. Fans of artists like Laufey and Jason LaPierre will vibe with Stephen’s...

Welcome to TFAW Letters — the Filipino American History Month edition by the Filipino American Woman Project

AJ Rafael is an accomplished Filipino-American singer-songwriter from California. He has amassed over 1 million subscribers on YouTube and 1 million monthly listeners on Spotify. His debut album Red Roses has reached the iTunes and Billboard charts, and he has collaborated with artists such as Tori Kelly, Jeremy Passion, Kina Grannis, and past podcast guest Roman from Kolohe Kai. This popular YouTuber is known for his pop-rock music and DIY approach to music promotion and was named a Filipino American Game Changer by the City of Los Angeles in 2018 for his contribution to the music industry as a proud Asian American independent artist. As an actor, he has stage credits in productions such as “Burn all Night,”, “Mamma Mia!”, “Greese”, and “Spring Awakening”. You can catch him on the Sweet or Savory podcast with his wife Alyssa and both of them in person at Blue Note Hawai'i in December during their “Our little Christmas Tour”.In this episode we talk about growing up in California, how he got into music, starting to upload videos to YouTube, his YouTube and music career, his love for Hawai'i, his wife Alyssa, their upcoming Blue Note show in Waikiki, and so much more.Find AJ here: https://www.instagram.com/ajrafael/Buy our merch on:Official website: https://keepitaloha.com/Support us on:Patreon: https://www.patreon.com/kamakadiasFollow us on:Instagram: https://www.instagram.com/keepitalohapod/Facebook: https://www.facebook.com/keepitalohapodTikTok: https://www.tiktok.com/@keepitalohapod

What happens when the ones we long for love and safety from are also the ones who wound us? In this episode, author, podcaster, and nurse Blanche DiDomenico shares the first part of her story. As a Filipino-American, Blanche grew up with a father working overseas for most of her childhood, leaving her mother to wrestle with fears and unresolved struggles. That environment shaped an unsafe childhood—but it did not define Blanche's future.  Through her story, we see both the pain of broken family dynamics and the surprising ways God's grace can prepare a life for His purpose. Join us as Blanche opens up with honesty, courage, and hope about navigating love, abuse, and the complicated longing to be seen by the very people who caused harm.   Connect with Blanche: Website:  https://blanchedidomenico.com/ Blanche's book:  Rise with Purpose: A Biblical Workbook for Building Resilience, Growing in Faith, and Living Your God-given Calling To inquire about counseling, email Louise at Louise@louisesedgwick.com.    

Drawing on her own immigrant experience, Fazzi takes readers on an action-packed ride full of wit and grit in her thrilling two-book release, SUNDAY OR THE HIGHWAY and DANGER NO PROBLEM (Thomas & Mercer, ISBN-13: ‎9781662528552 / 9781662528538). Whether it's traffickers, fugitives, or murderers, main character Domingo loves nothing more than putting the bad guys away. But this brash, immigrant-turned-bounty hunter also has a paradoxical side hustle: writing a book of advice for people immigrating to the US. In Danger No Problem: Domingo's latest job is to track down Monica Reed. Again. In all his years as a bounty hunter, Monica is the only target who's ever given him the slip—and the only one he's ever let go. As Domingo works to flush out Monica for the third time, he uncovers more layers to her story. Dark secrets, hidden sacrifices, and shocking discoveries point to a dangerous truth she'll risk her life to expose. Now Domingo must decide which side he's actually on. Previously published as Multo, this edition of Danger No Problem includes editorial revision. In Sunday or the Highway, the exciting second installment - Domingo finds that playing matchmaker for an heiress proves a lot more deadly than Cupid's arrow. A seemingly easy case involving a lovestruck young heiress turns out to be anything but. Tessa Woodridge, the CEO of a fast-food chain, hires Domingo to locate the undocumented parents of Julian Alondra, the love of her life. When Tessa was eight, fourteen-year-old Julian saved her life. She always believed they were destined to be together. Compared to Domingo's other cases, this should be a cakewalk. But he soon discovers it's not all heart eyes and sweet nothings between these two. In his line of work, you learn to prepare for everything you never saw coming—and Domingo can see it from a mile away. About the author: CINDY FAZZI is a Filipino American writer and former Associated Press reporter. DANGER NO PROBLEM (Book 1), previously titled MULTO, was a finalist in the Best Literary category of the 2024 Silver Falchion Award. Her historical novel, MY MACARTHUR, was published by Sand Hill Review Press in 2018. She has worked as a journalist in the Philippines, Taiwan, and the United States. Her articles have appeared in the Daily Beast, Publishers Weekly, Electric Literature, and Writer's Digest.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

Just when they thought they've learned all there is about the Galleon Trade, Carmina and Patch discover there was more. In this episode, they revisit the contribution of the Galleon Trade to Filipino-American history, explore the reasons for its end, and why it was actually a boon for the Philippines. Listen in as they discuss the true beneficiaries of the trade (spoiler alert: it wasn't the Filipinos!), how its demise led to the rise of the Filipino middle class, and fascinating obscure tidbits that will be sure to pique curiosity.   Learn more: The Manila Galleons & Trans-Pacific Trade: What Did They Carry?, The Manila Galleon Trade, The Economics of the Manila Galleon, Instagram: Tuba in Mexico,  Filipinos in Nueva España: Filipino-Mexican Relations, Mestizaje, and Identity in Colonial and Contemporary Mexico, Our Mexican connection, After the Galleons by Benito J. Legarda Jr., Today in Philippine History, September 14, 1815, the galleon trade between the Philippines and Mexico ended, Philippines - Colonialism, Revolution, Independence | Britannica, and Trading Treasures and Curiosity: The Fascinating History of Manila Galleons. Visit https://filtrip.buzzsprout.com. Drop a note at thefiltrip@gmail.com. Thanks to FilTrip's sponsor SOLEPACK. Visit thesolepack.com for more details.See https://www.buzzsprout.com/privacy for Privacy Policy.

If you could reflect on one thing, it's this:What do the clothes you wear and conversations you have today say about the community you've built — or hope to build?This letter is for anyone who's ever tried to blend in—only to realize how it only makes you feel lonelier.To wrap up the Summer Series, Jen reflects on her evolving identity as a Filipino American woman—tracing her journey from childhood birthdays filled with vibrant love, to the muted grief of losing a built-in community, to rediscovering color, voice, and belonging on her own terms.If you've ever wondered what you had to change to be accepted, tried on different versions of yourself to fit in, or walked away from a place where you felt “othered”… This one's for you.This concludes our Summer Series. ☀️Thank you for listening, and stay tuned for Filipino American History Month!

It took 30 years, multiple rewrites, and a publisher going out of business, but author Cindy Fazzi's groundbreaking story is finally here. In this episode, we sit down with Cindy for an in-depth author interview about her perseverance and the incredible journey behind the Domingo the Bounty Hunter series, a compulsively readable set of novels that turn the hard-boiled genre on its head. How do you tell a thrilling story about the chase while realistically portraying the complex, vulnerable lives of undocumented immigrants?Join us for a fascinating conversation with Cindy Fazzi as she discusses her unique contribution to the Filipino-American thriller genre. We dive deep into the first book, Danger, No Problem, exploring the decades-long cat-and-mouse game between Domingo, a bail enforcement agent, and Monica Reed, a desperate woman in hiding. Cindy shares the fascinating reason the book was originally titled "Multo" (meaning "ghost" in Tagalog) and why her new publisher, Thomas & Mercer, decided to change it. We discuss the inspired choice to rewrite the story from Domingo's point of view, which led to the creation of his "handbook for immigrants," a book-within-the-book that adds incredible depth and humor to the character. This Cindy Fazzi author interview reveals her powerful motivation to create authentic Filipino-American characters and introduce readers to a culture rarely seen in mainstream thrillers.But the story doesn't end there. We also discuss the highly unusual strategy of simultaneously releasing both Book 1, the Danger, No Problem book, and Book 2, Sunday or the Highway. Cindy gives us a glimpse into the plot of the second book, where Domingo is hired to find the missing parents of an heiress's mysterious boyfriend. Throughout our conversation, we touch on the serious themes in her books about undocumented immigrants, her transition from an Associated Press reporter to a novelist, and what's next for the Domingo the Bounty Hunter series.About Our Guest:Cindy Fazzi is a Filipino-American author and former Associated Press reporter. After a 30-year journey of perseverance, her hard-boiled thriller series was picked up by publisher Thomas & Mercer. A passionate advocate for representation in literature, Cindy created the character of Domingo to introduce readers to a captivating Filipino-American protagonist and to subvert the classic bounty hunter trope. Her books, Danger, No Problem and Sunday or the Highway, are celebrated for their tight plots, rich characters, and compassionate exploration of immigrant life in America.Timestamps / Chapters:(00:00) Introduction(02:33) Introducing Cindy Fazzi & The Domingo the Bounty Hunter Series(05:37) From "Multo" to "Danger, No Problem": The Story Behind the Title Change(08:46) Inside the Story: The Handbook for Immigrants(11:05) Championing Filipino-American Representation in the Thriller Genre(13:48) Subverting the Bounty Hunter Trope(16:29) The Three-Part Structure of "Danger, No Problem"(21:43) An Unlikely Love Story: The Relationship Between Domingo and Monica(25:33) Crafting a Realistic Portrayal of an Undocumented Immigrant(30:55) From Associated Press Reporter to Thriller Novelist(32:51) An Unlikely Strategy: The Simultaneous Release of Two Books(34:00) Uncovering the Plot of Book 2: "Sunday or the Highway"(39:02) What's Next for Domingo and Cindy Fazzi?

Send a text to Melissa and she'll answer it on the next episode. Have you ever wondered what might happen if you simply asked God, "What else can I do for you?" For Blanche, this humble prayer sparked an extraordinary transformation from nurse case manager to author, coach, and podcaster—all within a single month!In this powerful conversation, Blanche shares her journey from a difficult childhood in the Philippines marked by abuse and separation from her father, to discovering healing through forgiveness and purpose. With raw honesty, she reveals how carrying unforgiveness affected not just her relationships but her physical health, explaining the scientific connection between bitterness and conditions like high blood pressure, weakened immunity, and even serious illness.The turning point in Blanche's story comes when she returns to the Philippines after years of separation and experiences a profound moment of reconciliation with her parents. This emotional breakthrough illustrates how true forgiveness often requires more than just words—it demands vulnerability and sometimes even physically embracing those who hurt us.What makes Blanche's perspective particularly fascinating is how she bridges cultural approaches to health and healing. Growing up in the Philippines, herbal medicine wasn't considered "alternative"—it was integrated into nursing education and everyday healthcare. This holistic mindset now infuses her coaching practice through four powerful pillars: forgiveness coaching, marriage reset coaching (especially for intercultural couples), nurse career coaching, and rediscovery coaching for women over 40.For women who feel defined solely by their roles as wives and mothers, Blanche offers a life-giving reminder: "You're not just a wife, you're not just a mom. You have your own God-given calling." Her passion for helping women rediscover their identity and purpose, especially after 40, springs from her conviction that our primary identity should be rooted in Christ, not in our temporary roles.Ready to explore what healing, forgiveness, and purpose might look like in your own life? Listen now and discover how you too might be "anointed and appointed for such a time as this."Coach Blanche DiDomenicoAuthor | Freedom and Marriage Coach | Speaker | Podcast Host

There's no such thing as a neutral reading of the Bible. Every reading is inflected by first-person experience, cultural context, history, and more. In this episode, biblical scholars Janette Ok and Jordan J. Ryan join Mark Labberton to reflect on The New Testament in Color, a groundbreaking new biblical commentary that brings together diverse voices across racial, cultural, and social locations. They share how their own ethnic and cultural backgrounds as Asian American and Filipino Canadian readers shaped their understanding of Scripture, the importance of social location, using the creeds as guardrails for hermeneutics, and how contextual interpretation deepens biblical authority rather than diminishing it. Episode Highlights “There is no such thing as a neutral reading of the Bible.” —Mark Labberton “It really dawned on me the importance of being aware of who I am, my family background, my history in the United States, all these things.” —Janette Ok “Filipinos I think are always sort of on the margins… trying to understand how Asian we really are or aren't.” —Jordan J. Ryan “Objectivity is nothing more than the fruit of authentic subjectivity.” —Jordan J. Ryan quoting Bernard Lonergan “Colorblindness is actually something that's not true… particularity is fundamental to the gospel.” —Janette Ok “It was one of the most freeing experiences that I've had because it finally gave me permission to do the thing that I'd always wanted to do.” —Jordan J. Ryan Helpful Links and Resources The New Testament in Color: A Multiethnic Commentary on the New Testament (IVP Academic) About Janette Ok Janette Ok is associate professor of New Testament at Fuller Theological Seminary. A leading scholar in Asian American biblical interpretation, she is a co-editor of The New Testament in Color and author of Constructing Ethnic Identity in 1 Peter. About Jordan Ryan Jordan Ryan is associate professor of New Testament at Wheaton College and Graduate School, and author of The Role of the Synagogue in the Aims of Jesus and From the Passion to the Church of the Holy Sepulchre. His research explores Acts, archaeology, and Filipino American biblical interpretation. Show Notes The New Testament in color and contextual biblical Interpretation “There is no such thing as a neutral reading of the Bible.” Janette's growing up in a Korean immigrant church in Detroit, carrying “the weight of assimilation.” Asian American literature, especially Bone by Fae Myenne Ng Opening our eyes to the power of articulating immigrant experience Jordan Ryan's mixed-race Canadian upbringing—Filipino mother, white father—and early encounters with Scripture through unhoused communities. “Filipinos are always sort of on the margins of Asian America.” —Jordan Ryan Contextual reading of the bible All readings are contextual, contrasting liberation theology, unhoused readers, and Western academic traditions Challenges and dangers of contextualization “The first danger is to think that we can remove ourselves from the work of textual interpretation.” Social location is not an external lens but intrinsic to the gospel. “Objectivity is nothing more than the fruit of authentic subjectivity.” Archaeology that informs contextual questions “Colorblind” readings ignore particularity and miss the incarnational nature of Scripture. Biblical authority and the living word Biblical authority as central: “It's why I teach at Wheaton College and not somewhere else.” “When we say the Bible is the living Word of God… it means it has to speak to us today.” Preachers already contextualize every Sunday; The New Testament in Color makes this explicit and communal New Testament in Color was initiated by Esau McCaulley in 2018 Preceded by works like True to Our Native Land and Women's Bible Commentary Distinctive by gathering scholars from African American, Latino, Asian American, Native American, and European American backgrounds in one volume Goal: Embody diversity without sacrificing particularity or biblical trust. Commentary on Acts, including Filipino American theology and diaspora identity “It was one of the most freeing experiences that I've had.” He traced themes of foreignness, colonialism, and God's care for the imprisoned in Acts 1 Peter and Asian American biblical interpretation, wrestling with exile, belonging, and “perpetual foreigner” stereotypes Home as central theological concern—“not everyone feels at home in the same way.” —Janette Ok Editing, diversity, and reader reception Balancing freedom with theological boundaries rooted in the creeds Diversity created unevenness, but also richness and authenticity. “The fingerprints that make it so living.” —Janette Ok Professors report the book resonates with students of color whose lived experiences often feel absent in traditional scholarship “Sometimes people don't know where to begin… I encourage my students to always consult scholars who read and look differently from themselves.” Production Credits Conversing is produced and distributed in partnership with Comment magazine and Fuller Seminary.

In this episode, we will explore-research why we spend less time in family gathering especially with loved ones with differing political viewsReasons why we disagree and the different conversation styles used by immigrants and Filipino Americans.Ways to have better connection despite disagreements with political views.atbp....This episode is brought to you by Story Therapy, a holistic approach to your healing journey that incorporates mind-body-soul approach. To see if this is a good fit for you. Book a free consult with Roanne-https://roannelmft.theraplatform.com/#/scheduler/uiTo read more topics on Filipino culture, relationship, cultural nuances and on mental health, visit the KJ bloghttps://www.kalamansijuice.com/blogIngat,Roanne

Today's guest is Michelle Aguillon. Michelle is a theater artist, producer, director, actor, writer, and sometimes scenic designer. In this episode, we talk about Michelle's career path in theater, the challenges of representation in theater, particularly for Asian Americans, and her efforts to diversify casting and provide opportunities for people color. We also chat about her upcoming projects in greater Boston. I'm so excited for you all to get to know her. Enjoy!  Stay in touch:  BOSFilipinos - IG: @bosfilipinos, Email: info@bosfilipinos.com Michelle Aguillon - IG: @meeshaguillon Key links: Asian American Playwright Collective: IG: @aapcboston  // website: https://aapcboston.wixsite.com/mysite Creative Arts School: IG: @creativeartsschool  The Kittie Knox Plays with Plays in Place tickets (which are free!): https://www.tickettailor.com/events/playsinplace1 // IG: @plays_in_place For the full transcript, head to BOSFilipinos.com/blog

What if we told you that behind some of the greatest musicians in the world is a Filipino music director?This week, we're joined by the incredibly talented Troy Laureta: musical director, arranger, producer, and musician for some of the biggest names in the business — from Ariana Grande, David Foster, Katy Perry, and Andrea Bocelli to Filipino icons like Regine Velasquez.Troy shares his journey as a Filipino American artist, including how his whole family moved from Hawaii to California to pursue the Hollywood dream. He opens up about what it's really like working at the highest levels of the music industry, how his heritage continues to inspire his work, and the journey of embracing his identity and truly finding himself in his 30s.We also dive into the creative process behind arranging and producing, the unforgettable moments from his career, and his new album Harana: The Sound of Us — a heartfelt tribute to Filipino music (featuring AJ!).

Dear young people, How do we stay cool? Sincerely, Middle-aged TFALers There are many generations of Filipinos who live in the United States in this day and age. Immigrant generations, 2nd generations, 3rd generations, Baby Boomers, Generation X, Millennials, and now Gen Z. Many have different experiences as Filipino Americans, and in many ways, some...

Today, I'm joined by Matthew Veland, President of the Philippine American Chamber of Commerce of Metro DC and Dyanna Volek, proud Filipina American and native San Franciscan who during the day, works in government affairs and is a champion of the Filipino community. We discuss: Biggest challenges that Filipino business owners face Need to address mental health and business owners' relationship to money Entrepreneurial and mental health resources for business owners Ways we can support Filipino-owned businesses on both coasts ========================================= Matthew Veland is a highly respected financial planner with Prudential Financial in the Washington D.C. area, distinguished by his deep commitment to empowering Asian American, Native Hawaiian, and Pacific Islander (AANHPI) business owners and medical professionals. Beyond his professional expertise in financial planning, Matt is a leading advocate for the local Asian American business community, with a particular focus on the significant economic contributions of these enterprises. As the current President of the Philippine American Chamber of Commerce of Metro DC, Matthew spearheads an organization dedicated to uplifting and empowering over 200 entrepreneurs and business owners across the DMV region. Under his leadership, the Chamber actively promotes economic development, fosters networking opportunities, and amplifies the voices of Filipino American businesses. Further demonstrating his dedication to community development, Matthew is also a co-founder and Treasurer of FilExcellence, a non-profit committed to fostering personal empowerment and professional development within the Filipino diaspora. https://www.linkedin.com/in/mgveland/ IG: mgveland Dyanna Volek is a proud Filipina American and native San Franciscan who blends civic service with cultural passion. By day, she navigates government affairs with over a decade of experience in public affairs—but her heart beats for community, culture, and connection. Outside the office, Dyanna is a champion of holistic wellness and vibrant living, spotlighting the local businesses that are the lifeblood of cities. https://www.linkedin.com/in/dyannavolek/ IG: dyannaluna ================================================= For more mental health and entertainment content,   Follow us: https://www.instagram.com/color_of_success/ https://www.facebook.com/colorofsuccess https://www.tiktok.com/@colorofsuccesspodcast Subscribe to our YT channel: https://www.youtube.com/channel/UCiaS5_HScsbFOJE5lYrEsxw To purchase Dr. Wong's book: https://www.amazon.com/Cancel-Filter-Realities-Psychologist-Podcaster/dp/1960299239/ref=tmm_pap_swatch_0?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.ESHqItd-7JIevntWhPXNHw.D6QfeRDu2mzbsQQ9vUM-uSzxKxxYNNsNxjw2DOzSrfI&qid=1705532812&sr=8-1

This week, we're joined by our friend Francis Dominic - a Filipino American content creator, Lorcana champion, and Labubu lover who you may have seen lighting up red carpets at movie premieres.We talk about his growth as a creator, advice he has for aspiring creators, how he stays present while living life online, and what it's like to blend work and passion. Francis also shares the story of how he was trusted to manage socials for the biggest event in our lives… our wedding!http://instagram.com/francisdominiic

In this powerful and revealing episode of Nightmare Success In and Out, Brent Cassity sits down with former Illinois Judge Jessica O'Brien—the first Filipino-American elected to the bench in Cook County—who went from a respected courtroom authority to a federal inmate. Jessica opens up about her stunning journey through the justice system:the decision to go to trial that led to a conviction for mortgage fraud, the surreal experience of trading her judge robe for a prison uniform, and how she rebuilt her identity from the inside out. With raw honesty, she reflects on the shame, isolation, and loss of purpose she faced, and how she found resilience and redemption in the most unlikely place. Now an advocate for second chances and systemic reform, Jessica shares how her experience has reshaped her understanding of justice—and her mission moving forward. She is still diligently fighting to overturn her conviction. This is a conversation about resilience , surviving, and the courage to rewrite your story. A must-listen for anyone who believes that rock bottom can be the beginning of something new.Show sponsors: Navigating the challenges of white-collar crime? The White-Collar Support Group at Prisonist.org offers guidance, resources, and a community for those affected. Discover support today at Prisonist.org Protect your online reputation with Discoverability! Use code NIGHTMARE SUCCESS for an exclusive discount on services to boost your digital image and online reputation. Visit Discoverability.co and secure your online presence today. Skip the hassle of car shopping with Auto Plaza Direct. They'll handle every detail to find your perfect vehicle. Visit AutoPlazaDirect.com "Your personal car concierge!"