Podcasts about inspector javert

Les Misérables by Victor Hugo单词提示1.splash 落水声原文Chapter 6: The BarricadesIt is a long night at the barricade in the Rue de la Chanvrerie.The news is bad.More and more soldiers are arriving in the city, but the people stay in their homes.This time, they don't want to fight the government, only the students are still at the barricades waiting for the soldiers, bullets and death.Then a new man arrives at the barricade, a big man in dark clothes.Mario stares,it is Cosette's father, he is certain.Is he a friend or an enemy, who knows?Inside the tavern, Javert, too, waits for death.Rebels shoot spies, he knows that.Does he think about his life? Waiting there in the tavern? Is the law always right? Can a criminal change and be a good man?Does Javert ask these questions, who knows?Daylight comes and the shooting begins.“Rat ta tat, rat ta tat, rat ta tat…”, on the barricade, noise and shouting, cries and screams.Valjean saves Jean Enjolras's life.Two men die,Valjean carries the bodies into the tavern, sees Javert and Javert sees him.Then the shooting stops.The Rebelsneed more bullets, and Gavroche runs out to the front of the barricade.“Come back, Gavroche!”, he doesn't listen and start singing.There are dead soldiers lying in the street, Gavroche takes the bullets from their bags and puts them into his bag.He is small and quick, and his bag is nearly full before the soldiers start shooting at him.“Come back, Gavroche!”, he sings louder, but the fifth bullet hits him and he falls down in the street.He moves once, then falls back.Gavroche is dead.A child of the Paris streets, his singing now stopped forever,just another dead body in the rebellion.Smoke from the guns is everywhere, it is hard to see anything, but Marius runs out into the street, picks Gavroche up and runs back.He puts the small body on a table in the tavern and cries.It is going to be a long day.Behind the barricade, Enjolras talked to the men.“They're going to attack again soon, 60 soldiers to every one of us. Mariusand I are your two leaders, Gavroche brought us bullets, so let's use them well and fight to the end.” “Let's kill the spy now.” said one of the men.Then Valjean spoke, “give him to me. I can do that for you. I'd like to shoot him.”Enjolras looked at him, “You saved my life, friend. You can have the spy.”Valjean took Javert out of the tavern to a little street behind.He took out a knife.“Oh, a knife,” said Javert, “of course, a criminal's way to kill,so kill me and be quick.”Valjean said nothing.He cut the ropes around Javert's arms and legs, then stood up and said “You're free to go.”Javert stared,he could not understand this.“I live in the Rue de l'Homme-Armé. The next time we meet, you can arrest me. Now, go.”Javert turned and walked away.Valjean fired his gun into the air, then went back to the barricade.“It's done.”he told Enjolras.Now the second attack began.The government had more men, more guns, more bullets, and one by one the students began to die.Marius was on top of the barricade.He was one of the last men still alive, but then 1, 2 bullets hit him, and he fell.Two great hands at once, picked him up.Cosette whispered Marius, and then he went into that dark night.Jean Valjean knew Paris well, knew its little back streets, its secret places.He used them now with the dead or dying Marius in his arms.He ran through the back street, watching at every corner.Night came, and the sky was full of the smoke from the guns.Valjean stopped to rest, in Marius's pocket, he found a piece of paper, “Take my body to my grandfather's house.”The address was in the Le Marais, not far away.Valjean began to pick up Marius's body again, and a hand came down hard on his shoulder.Valjean turned, Javert stood behind him.“What are you doing here,” he said, “who is this man?”Valjean stood up.“Inspector Javert,” he said, “I told you I'm tired of running and hiding. You can arrest me, put me back in prison. I ask just one thing, help me to take this young man home, that is all.”“He's dead,”said Javert.“No, not yet,he lives in the Le Marais with his grandfather. Look…”He showed Javertthe piece of paper.Javert read the address, then called to a carriage along the street.They put Marius's body on the back seat and sat side by side on the front seat.At the house of Marius's grandfather, a servant opened the door.She gave a little scream when she saw Marius in Valjean's arms.“It's Monsieur Marius, take the boy in,” said Javert, “I'm waiting for you here at the door.”His voice was different.Uncertain,Valjean looked at him, then carried Marius's body into the house.“Call a doctor quickly!” he said to the servants, “He was out the barricade and has two bullets still in him.”Then he came back downstairs and out into the street.Javert was gone.Valjean looked up and down the street, nothing, nobody.Down by the River Seine, near the Place du Chatelet, Javert stoodon the bridge, looking down into the water.“What must I do?” he thought, but for the first time in his life he had no answer.Valjean's words at the barricade went through his head again and again,“You're free to go, free to go, free to go.”“I can do one of two things,”Javert said to the river, “I can arrest him or I cannot arrest him and say you are free to go. But the law is the law, so I must arrest him. But he gave me my life, so I must give him his life. But the law is the law.”And a voice in Javert's head said, “You worked for the law all your life, but Jean Valjean is a better man than you are.”For a long time, Javert stared down at the river, but the river gave him no answer to his question.Then he took off his hat and put it carefully on the ground.A moment later, he stood high on the bridge, then fell down into the dark river.There was a splash,and that was all.翻译第六章：街垒在尚夫雷里街的街垒，这是一个漫长的夜晚。局势很不妙。越来越多的士兵正在涌入这座城市，但普通百姓都躲在家里不敢出来。这一次，他们不想再反抗政府了。只有那些学生们依然坚守在街垒，等待着士兵、子弹和死亡。这时，街垒上来了一个陌生人，一个穿着深色衣服的高大男人。马吕斯死死盯着他，他确信那是珂赛特的父亲。他究竟是敌是友，谁又知道呢？在酒馆里，沙威也在等待着死亡。他知道，起义者们是会枪毙密探的。在酒馆里苦等的时候，他有没有思考过自己的人生？法律永远都是绝对正确的吗？一个罪犯真的能改邪归正，成为一个好人吗？沙威会问自己这些问题吗？谁又知道呢？天亮了，枪声随之响起。“哒哒哒，哒哒哒，哒哒哒……”街垒上充斥着巨大的噪音、呼喊声和惨叫声。冉阿让救了安灼拉的命。两名起义者牺牲了，冉阿让把他们的遗体抬进酒馆，他看见了沙威，沙威也看见了他。随后，枪声短暂地停歇了。起义者们需要更多的子弹，加夫罗什冲到了街垒的最前面。“回来，加夫罗什！”但他根本不听，反而唱起了歌。街上有几具士兵的尸体，加夫罗什从他们的弹药袋里掏出子弹，装进自己的口袋里。他身形娇小，动作敏捷，在士兵们开始向他开枪之前，他的口袋几乎已经装满了。“回来，加夫罗什！”他唱得更大声了，但第五颗子弹击中了他，他倒在了街上。他挣扎着动了一下，然后重重地倒了下去。加夫罗什死了。这个在巴黎街头长大的野孩子，他的歌声永远地停息了，他成了这场反叛中又一具冰冷的尸体。到处弥漫着枪炮的硝烟，什么都看不清。但马吕斯还是冲到了街上，抱起加夫罗什，又跑了回来。他把那小小的身躯放在酒馆的桌子上，痛哭失声。这将是漫长的一天。在街垒后方，安灼拉对众人说道：“他们很快又会发起进攻。敌军人数是我们的六十倍。马吕斯和我是你们的领袖，加夫罗什为我们弄来了子弹，让我们好好利用它们，战斗到最后一刻。”“现在就把那个密探毙了吧！”其中一个人喊道。这时，冉阿让开口了：“把他交给我吧。我来替你们解决，我想亲自枪毙他。”安灼拉看着他：“朋友，你救过我的命。你可以处置这个密探。”冉阿让把沙威从酒馆里带出来，走到后面的一条小巷。他掏出了一把刀。“哦，用刀啊，”沙威说，“当然，这是罪犯杀人的方式。那就杀了我吧，快点。”冉阿让一言不发。他割断了绑在沙威手脚上的绳子，然后站起身说：“你自由了，走吧。”沙威死死盯着他，完全无法理解这一切。“我住在武人街7号。下次我们再相遇，你可以逮捕我。现在，走吧。”沙威转过身，走了。冉阿让朝空中开了一枪，然后回到了街垒。“解决了。”他对安灼拉说。现在，第二次进攻开始了。政府军拥有更多的人、更多的枪和更多的子弹，学生们开始一个接一个地倒下。马吕斯站在街垒的最顶端。他是最后几个还活着的战士之一，但紧接着，一两颗子弹击中了他，他摔了下去。一双宽大的手瞬间将他接住。“珂赛特……”马吕斯喃喃低语，随后便陷入了无尽的黑暗。冉阿让对巴黎了如指掌，熟悉每一条幽暗的后巷和隐秘的角落。此刻，他正抱着垂死的马吕斯，在这些小巷中穿梭。他背着马吕斯在暗巷中狂奔，在每个拐角处都警惕地观察着。夜幕降临，天空中弥漫着火药的浓烟。冉阿让停下来稍作休息，他在马吕斯的口袋里摸到了一张纸条：“把我的遗体送到我祖父家。”地址在玛黑区，离这里不远。冉阿让重新背起马吕斯，突然，一只大手重重地拍在了他的肩膀上。冉阿让猛地回过头，沙威就站在他身后。“你在这里干什么？”沙威问，“这个人是谁？”冉阿让站起身。“沙威警长，”他说，“我告诉过你，我已经厌倦了东躲西藏。你可以逮捕我，把我重新关进监狱。但我只有一个请求：帮我把这个年轻人送回家，仅此而已。”“他已经死了。”沙威说。“不，还没死。他和祖父住在玛黑区。你看……”他把那张纸条拿给沙威看。沙威看了看地址，然后向街上叫来了一辆马车。他们把马吕斯放在马车后座上，两人并肩坐在前排。在马吕斯祖父的家门前，一个女仆打开了门。当她看到马吕斯躺在冉阿让的怀里时，忍不住发出一声尖叫。“是马吕斯少爷，快把少爷抬进去，”沙威说，“我就在门口等你。”他的声音听起来有些异样。冉阿让疑惑地看了他一眼，然后抱着马吕斯走进了屋子。“快叫医生！”他对仆人们说，“他刚从街垒上下来，体内还留着两颗子弹。”随后，他走下楼，回到了街上。沙威已经不见了。冉阿让环顾街道的两头，什么也没有，什么人也没有。在塞纳河畔、沙特雷广场附近，沙威正站在桥上，低头凝视着脚下的河水。“我该怎么办？”他想，但这是他一生中第一次找不到答案。冉阿让在街垒上说的话在他脑海中一遍又一遍地回荡：“你自由了，走吧，自由了，走吧。”“我只能做两件事中的一件，”沙威对着河水喃喃自语，“要么逮捕他，要么不逮捕他，告诉他‘你自由了'。但法律就是法律，所以我必须逮捕他。但他给了我一条命，所以我必须还他一条命。可是，法律就是法律啊。”沙威的脑海中有一个声音在说：“你一生都在为法律效劳，但冉阿让比你更是一个高尚的人。”沙威久久地凝视着脚下的河水，但河水并没有给他任何答案。然后，他摘下帽子，小心翼翼地放在地上。片刻之后，他站在高高的桥栏上，纵身跃入了黑暗的河水中。只听“扑通”一声水响，一切便归于死寂。

Les Misérables by Victor Hugo单词提示1.barricades 路障2.bullet 子弹3.Arsenal 军火库4.tavern 酒馆原文Chapter 5: Love and RebellionSo what is Marius's idea?It is this.He wants to marry Cosette, but he has no money, his grandfather has money.He must ask his grandfather, but his grandfather is an old man, and old men's ideas do not change easily.He shouts at Marius, Marius shouts back, and that is the end of that.The next evening, he goes as usual to the Rue Plume.There is nobody in the garden.The house is dark, the windows are closed, Cosette and her father are gone.Marius cannot live without Cosette.He wants to die, but Gavroche tells him that his friends need him.It is June 1832, and students and workers are running through the streets of Paris, bringing rebellion to the city and everyone must fight the government.Marius is soon at the barricades with a gun in his hand.He is happy, death can come at any moment with a bullet from a soldier's gun.These are dangerous times.Jean Valjean sees Inspector Javert in a street near the Rue Plume.What is he doing there? Are the police watching his house?Valjean does not wait the same night, he and Cosette leave Rue Plume.They moved to 7 Rue de l'Homme-Armé and begin to get ready for England.How can love find a way in these troubled times?When the soldiers attacked in front of the Arsenal building, the people turned and ran this way and that way through the streets of the city.Marius and his friends came to the Rue de la Chanvrerie, and they built their barricade there.It was, 2 meters high, made of wood and stone.Behind their barricade, the rebels waited for the soldiers.Night came,but nothing happened.Enjolras was the leader of the students, he called Gavroche to him.“You're small,”he said, “nobody sees you. Go and have a look round the city, and then bring us any news.”Just after midnight, Gavroche was back.“The soldiers aren't moving,” he said, “but there are a lot of them.”He stopped suddenly and whispered, “Hey, who's that? That tall man over there?”Enjolras and Marius turned to look.“I don't know him.” said Marius.“People are coming and going all night,” said Enjolras, “Why?Gavroche, do you know him?”“Yes,”whispered Gavroche, “he's not one of us, he's a spy, a police spy, name of Javert. He stopped me once down by the river, put me in prison all night.”“Are you certain about this, Gavroche?” said Marius.“I'm certain right,”said Gavroche “he's a spy.”The rebels did not like spies.Four of Enjolras's men jumped on Javert, pulled him into the tavern behind the barricade, and tied him to the wall.“Louise, shoot him now?” asked one of the men.“Later?” said Enjolras, “he can wait.”They went back outside to the barricade, and listened for the sound of soldiers.Gavroche found Marius at the far end of the barricade.“Marius,” he whispered, “on my way back here, I came past your rooms and went in.”“Why?”whispered Marius.“I was hungry,” said Gavroche, “the woman in your house is nice.She always gives me something to eat. But she had a letter for you. She gave it to me. It came two days ago, she said.”“A letter, a letter from whom?”Suddenly,there was hope in Marius's heart.“Quick, give it to me.”The letter was from Cosette.“My dearest father says we must leave at once. We go tonight to 7 Rue de l'Homme-Armé, and soon to England. Oh,my dear, how can I live without you? Cosette.”Marius read this letter four times and then kissed it.She still loved him.He must write back to her and say his last goodbye.There was still no sound of soldiers in the street.He found some paper and a pencil.“Cosette dearest, I came to the Rue Plume, but you were gone already. We cannot marry. I went to my grandfather, and he said no. I have no money, and you have no money. I love you, I can never forget you. The fighting begins here very soon. When I am dead, don't be sad. Our love was beautiful. Marius.”He called to Gavroche,“I want you to take this letter to the Rue de l'Homme-Armé. Can you do that for me?”“Yes, but, but now…” said Gavroche, “I am staying here for the fighting, I can shoot too, you know?”“Gavroche,you're just a boy, we don't want you to die in the fighting, stay away from the shooting. And this letter is very important to me. It must go now. I want you to put it into Cosette's hands. Please, Gavroche.”“Oh, very well.”said Gavroche.He took the letter, put it inside his shirt, and ran off into the dark.When Valjeanand Cosette left the house in Rue Plumet, Cosette was very sad.Valjean saw this, but he said nothing.In the Rue de l'Homme-Armé, Cosette stayed in her bedroom, Toussaint took her meals up to her in the night.Valjean could not sleep.The city was quiet, but for how long?He went outside the house and stood in the street, listening.There were voices in the next street, and then he heard singing, a boy singing.Gavroche came up the street, looking at the house numbers.He saw Valjean and stopped.“Well, young man, watch the news,” said Valjean,“The news is now I'm hungry.” said Gavroche.Valjean put his hand in his pocket and found a five-franc piece.Gavroche stared at it.He didn't see many five-franc pieces, and he was very pleased to see this one.He put it in his pocket.“You're all right,” he said, “Do you live in this street? Do you know number 7?”“What do you want with number 7?” said Valjean.“Letter for someone.” said Gavroche.“A woman?”Valjean stared at him.He felt cold.“A woman.”“Cosette”, he remembered once, the young man in the Luxembourg, he tried to smile.“That's the letter for Cosette,” he said, “I'm waiting for it.”“Yes, that's her. Well, here you are.” said Gavroche, “It comes from the barricade in the Rue de la Chanvrerie. I'm going back there now. Goodnight, monsieur.”Jean Valjean went back into the house with Marius's letter.He read it quickly.“I love you, I can never forget you…”So Cosette, his dear, dear daughter, was in love, she was his world.Without her, his life was nothing, he could not even think about it.“When I am dead, don't be sad”, those words gave him hope.So the young man was one of the rebels at the barricade.“When the soldiers start shooting,” he thought, “that's the end of all the rebels. I do nothing, I say nothing, I keep this letter and poof, nothing changes in our lives.”But Valjean did not feel easy, he remembered all their happy years as father and daughter.And he saw again Cosette's sad eyes, when they left the Rue Plumet.How could he take her away to England?He turned and went out of the room.A little later, he left the house wearing dark clothes and carrying a gun, and walked away down the street.翻译第五章：爱与反叛那么，马吕斯的计划究竟是什么呢？其实很简单。他想娶珂赛特，但他身无分文，而他的祖父却很有钱。他必须去求祖父，但祖父是个老人，而老人的观念是很难改变的。祖父冲他大吼，马吕斯也毫不退让地顶嘴，结果可想而知，谈话不欢而散。第二天傍晚，他像往常一样来到普吕梅街。花园里空无一人。整栋房子漆黑一片，窗户紧闭，珂赛特和她父亲已经搬走了。没有珂赛特，马吕斯根本活不下去。他万念俱灰，只想一死了之，但加夫罗什告诉他，他的朋友们需要他。那是1832年6月，学生和工人们涌上巴黎的街头，将反叛的火种播撒到整座城市，所有人都起来反抗政府。很快，马吕斯便手持火枪，站在了街垒之后。他感到一种悲壮的决绝，因为士兵的子弹随时都可能夺走他的生命。这是一个动荡危险的时代。冉阿让在普吕梅街附近的一条街上看见了沙威警长。他在那儿干什么？警察是不是在监视他的住处？冉阿让没有等到天亮，当晚便带着珂赛特离开了普吕梅街。他们搬到了武人街7号，并开始为前往英国做准备。在这样的乱世之中，爱情该何去何从？当士兵们在兵工厂大楼前发起进攻时，人群四散奔逃，在城市的街巷中四处乱窜。马吕斯和他的朋友们来到了尚夫雷里街，在那里筑起了一座街垒。街垒有两米多高，由木头和石头堆砌而成。在街垒后方，起义者们严阵以待，等待着士兵的到来。夜幕降临，但什么也没有发生。安灼拉是学生们的领袖，他把加夫罗什叫到身边。“你个子小，”他说，“没人会注意到你。去城里侦察一下，然后把消息带回来。”刚过午夜，加夫罗什就回来了。“士兵们还没行动，”他说，“但人非常多。”他突然停下脚步，压低声音说：“嘿，那是谁？那边那个高个子男人？”安灼拉和马吕斯转头望去。“我不认识他。”马吕斯说。“整晚都有人在街垒周围走来走去，”安灼拉说，“怎么回事？加夫罗什，你认识他吗？”“认识，”加夫罗什悄声说，“他不是我们的人，是个密探，警察的密探，名叫沙威。他有一次在河边把我拦住，把我关了一整夜。”“你确定吗，加夫罗什？”马吕斯问。“我百分之百确定，”加夫罗什说，“他就是个密探。”起义者们最痛恨密探。安灼拉手下的四个人猛扑向沙威，把他拽进街垒后面的酒馆，牢牢地绑在墙上。“路易，现在就把他毙了吗？”其中一个人问。“晚点再说，”安灼拉说，“他可以先留着。”他们回到街垒外，继续倾听是否有士兵逼近的脚步声。加夫罗什在街垒的尽头找到了马吕斯。“马吕斯，”他低声说，“我回来的路上，经过你的住处，就顺便进去了一趟。”“去干什么？”马吕斯问。“我饿了，”加夫罗什说，“你屋里的那个女人人挺好的，总是给我点吃的。不过她有一封给你的信。她说那是两天前到的，就交给了我。”“一封信？谁的信？”马吕斯的心里突然燃起了一丝希望。“快，给我！”那是珂赛特写来的信。“我最亲爱的父亲说我们必须立刻离开。我们今晚就要搬到武人街7号，很快就会去英国。哦，亲爱的，没有你我该怎么活？珂赛特。”马吕斯把信读了四遍，然后深深地吻了它。她依然爱着他。他必须给她写封回信，作最后的道别。街上依然没有士兵的动静。他找来纸笔。“我最亲爱的珂赛特：我去了普吕梅街，但你们已经走了。我们无法结婚了。我去求了祖父，但他拒绝了。我没有钱，你也没有。我爱你，我永远无法将你忘记。这里的战斗马上就要打响了。当我死后，请不要悲伤。我们的爱是美好的。马吕斯。”他叫来加夫罗什：“我想让你把这封信送到武人街。你能帮我这个忙吗？”“能是能，但现在……”加夫罗什说，“我要留在这里参加战斗，你知道吗，我也能开枪的？”“加夫罗什，你只是个孩子，我们不想让你死在战场上，离枪林弹雨远点。而且这封信对我来说至关重要。它必须立刻送出。我要你亲手交到珂赛特手里。求你了，加夫罗什。”“哦，那好吧。”加夫罗什说。他接过信，把它塞进衬衫里，一头扎进了黑夜中。当冉阿让和珂赛特离开普吕梅街的住处时，珂赛特伤心欲绝。冉阿让看在眼里，却什么也没说。在武人街的住处，珂赛特把自己关在卧室里，夜里由老女仆杜桑把饭菜端上去给她。冉阿让无法入睡。城市虽然安静，但这平静又能维持多久呢？他走出屋子，站在街上侧耳倾听。邻街传来了人声，接着他又听到了歌声，是一个男孩在唱歌。加夫罗什顺着街道走来，一边走一边看着门牌号。他看见了冉阿让，便停了下来。“小伙子，有什么消息吗？”冉阿让问。“现在的消息就是：我饿了。”加夫罗什回答。冉阿让把手伸进口袋，摸出一枚五法郎的硬币。加夫罗什盯着那枚硬币。他很少能见到五法郎的硬币，看到它让他非常高兴。他把硬币装进口袋。“你人不错，”他说，“你住在这条街上吗？你知道7号在哪儿吗？”“你找7号干什么？”冉阿让问。“给里面的人送信。”加夫罗什说。“是给一位女士的吗？”冉阿让紧紧盯着他。他感到一阵寒意。“是给一位女士的。”“珂赛特……”他想起了卢森堡公园里的那个年轻人，勉强挤出一丝微笑。“那是给珂赛特的信，”他说，“我在等这封信。”“对，就是给她的。喏，给你。”加夫罗什说，“信是从尚夫雷里街的街垒送来的。我现在得回去了。晚安，先生。”冉阿让拿着马吕斯的信回到了屋里。他飞快地看了一遍。“我爱你，我永远无法将你忘记……”原来，他亲爱的女儿恋爱了。她就是他的一切。如果没有她，他的生命将毫无意义，他甚至不敢去想那种可能。“当我死后，请不要悲伤”，这句话给了他一丝希望。原来，那个年轻人就是街垒里的起义者之一。“一旦士兵们开火，”他想，“那些起义者就全完了。我什么都不做，什么都不说，只要把这封信藏起来，然后‘噗'的一下，我们俩的生活就不会有任何改变。”但冉阿让的心里并不踏实。他回想起了他们作为父女相伴的那些快乐岁月。他又看到了离开普吕梅街时，珂赛特那双悲伤的眼睛。他怎么能就这样把她强行带到英国去呢？他转过身，走出了房间。

Les Misérables by Victor Hugo原文Chapter 4: MariusNine years pass, Valjean and Cosette are living in the Rue Plumet in Paris,in a house with a big garden.It is a quiet street and nobody comes there.This pleases Valjean, because he is still afraid of Inspector Javert.Cosette is now a young woman.She is tall with golden brown hair.She is beautiful, but there are many beautiful faces in the world.The wonderful thing about Cosette's face is her smile, a slow warm gentle smile like sunlight after rain.And now, we must meet Marius and his young friend Gavroche.Marius is a student, a young man with many ideas but no money.Paris is full of young men like this.Marius has a grandfather, his father is dead,But he does not talk to him, their political ideas are very different.At 17, he leaves home with 30 francs, his watch and a small bag of clothes.Now five years older, he lives with other students, and they talk all night about books and ideas, politics and government, life and death.All students are like this.They live for ideas and do a little work here and there when they need to.Gavroche is a child of the Paris streets.He is 11 or 12 years old, and wears a man's trousers and a woman's shirt.A kind woman gave these clothes to him.He lives on the streets, knows everybody,goes everywhere, and enjoys life.Well, why not? He knows no other life, only this one.Marius loved walking through the streets and gardens of Paris, and he often walked in the Luxembourg Garden.One day in the garden, he saw a man with a young girl.The man was about 60, and the girl, Marius thought, was about 17.He did not see her eyes, but he saw her golden-brown hair and her slow gentle smile.He walked past them once and did not look back, but he came to the Luxembourg the next day, and the day after that.And for the next five days, the man and the girl were always there.He could not stop looking at the girl.He wanted very much to see that smile, smile again.On the seventh day, the girl turned her head and looked at Marius.She looked into his eyes across the garden, and that look went like a bullet from a gun into Marius's heart.There were no words, but at once Marius knew, and the girl knew this was love.Life stopped for Marius then.He spent hours in the Luxembourg.And every time he saw her, the sun came out and all the birds in the garden began singing.But the man began to look at Marius too, and his face was not friendly.Marius was afraid and he went to Gavroche.“Gavroche, please, you must help me.”“Why? What's the matter? Monsieur Marius.”“There's a girl, Gavroche. She walks in the Luxembourg every day. I want you to follow her home, and tell me the address.”“Why don't you follow her? I am busy.” said Gavroche.“I'm afraid to,” said Marius, “her father,grandfather, I don't know, is watching me. He doesn't like me.”“Why is this important? Monsieur Marius.” Gavroche said.“He had a big smile on his face. Because I'min love,” shouted Marius, “Please, Gavroche, do it.”Gavroche ran away laughing.Two days later, he came to Marius's rooms,Rue plume.He said, “House at the end of the street,hard to find, you need to look for it.”Spring came and Cosette began to go out into the garden at Rue Plume.She was usually alone.Her old servant Toussaint was always in the kitchen, and Father Jean Valjean was in his room reading.Cosette was sad.She remembered the young man in the Luxembourg Garden, but Father no longer wanted to go there.But that evening, in the Rue Plume Garden something very wonderful happened.She heard a voice, a man's voice.She looked round and it was him.“I'm so sorry,” he said, “please don't be afraid. I just wanted to… You remember the Luxembourg Garden? I saw you therefor the first time, I can't forget you day and night, I think about you. Please don't be afraid, you see, I love you. It just happened to me, I can't stop it. Don't be afraid, please.”Cosette listened to this wonderful river of words and then held out her hand to him.He took her hand, and she pulled it to her and put it against her heart.“Then, you love me?”he said.“Of course, you know that.”A kiss, no words.They did not need words.Later words came, the story of his life, the story of her life, everything between lovers, everything is interesting.When they were done with words,Cosette put her head on Marius's shoulder and asked, “what is your name?”“My name is Marius, and yours?”“Cosette.”Every evening, they met secretly in the garden at Rue Plume.A kiss, a gentle laugh, whispered words of love.It was the spring and summer of their young lives.But around them, outside their garden, there was change.There were angry people, there were police and soldiers on the streets of Paris.And one day, Jean Valjean said to Cosette, “My dearest child, we live in dangerous times. We must leave France and go to England.”Cosette looked at him with frightened eyes.“Must we go, father?” She said.Valjean watched her face.“We must,” he said, “Get ready to leave very soon.”There was a change in Cosette.Valjean remembered the young man in the Luxembourg Garden and he looked at Cosette's beautiful young face.He was afraid, afraid of losing his dear daughter.That evening in the Rue Plume Garden, there were many unhappy tears.“But you must follow us to England,” cried Cosette.“How can I do that?” cried Marius, “I have no money, no passport. Even England to me is like the moon.”They held hands in the moonlight.“Listen, I have an idea,” Marius said slowly,“Wait two days, perhaps.”“Two days?” cried Cosette, “How can I live two days without you?”翻译第四章：马吕斯九年过去了，冉阿让和珂赛特住在巴黎的普吕梅街，那是一栋带大花园的房子。这是一条安静的街道，鲜有人至。这让冉阿让感到安心，因为他依然对沙威警长心存畏惧。如今的珂赛特已经长成了一个年轻女子。她身材高挑，留着一头金棕色的头发。她很美，但这世上美丽的容颜并不少见。珂赛特脸上最动人的，是她的微笑——那是一种缓慢、温暖、轻柔的微笑，宛如雨后初晴的阳光。现在，我们该认识一下马吕斯和他的年轻朋友加夫罗什了。马吕斯是个学生，一个满脑子想法却身无分文的年轻人。巴黎满大街都是这样的年轻人。马吕斯有个祖父，他的父亲已经去世了。但他和祖父互不说话，因为他们的政治理念截然不同。十七岁那年，他带着30法郎、一块怀表和一小包衣服离家出走。如今五年过去了，他和一群学生住在一起，他们整夜整夜地谈论书籍与思想、政治与政府、生与死。所有的学生都是这样。他们为理想而活，只在缺钱的时候才偶尔去打点零工。加夫罗什是个在巴黎街头长大的野孩子。他十一二岁，穿着一条男人的裤子和一件女人的衬衫。这是一位好心的女士给他的衣服。他风餐露宿，认识所有人，哪儿都敢去，而且非常享受这样的生活。是啊，为什么不呢？除了这种生活，他什么也没经历过。马吕斯喜欢漫步在巴黎的街道和花园里，他经常去卢森堡公园散步。有一天在公园里，他看见一个男人带着一个小姑娘。那个男人大概六十岁，马吕斯心想，那女孩大概十七岁。他没看清她的眼睛，但他看到了她金棕色的头发和那缓慢轻柔的微笑。他从他们身边走过，没有回头。但第二天、第三天，他又来到了卢森堡公园。在接下来的五天里，那个男人和女孩总是出现在那里。他无法控制自己的目光，总是忍不住看向那个女孩。他多么渴望能再次看到那个微笑。到了第七天，女孩转过头，看向了马吕斯。她隔着花园望向他的眼睛，那目光就像子弹一样，直击马吕斯的心脏。没有只言片语，但就在那一瞬间，马吕斯明白了，女孩也明白了——这就是爱情。那一刻，马吕斯的世界仿佛静止了。他在卢森堡公园里度过了好几个小时。每一次看到她，他都觉得阳光洒满了大地，花园里的鸟儿都在为他歌唱。但是，那个男人也开始注意到了马吕斯，而且眼神并不友善。马吕斯害怕了，他去找加夫罗什。“加夫罗什，求求你，你必须帮帮我。”“怎么了？出什么事了，马吕斯先生？”“有个女孩，加夫罗什。她每天都去卢森堡公园散步。我想让你跟着她回家，告诉我她的地址。”“你自己怎么不跟着？我很忙的。”加夫罗什说。“我不敢，”马吕斯说，“她父亲，或者祖父，我搞不清楚，一直在盯着我。他不喜欢我。”“这有什么关系吗，马吕斯先生？”加夫罗什说。“因为我恋爱了啊！”马吕斯大喊道，“求你了，加夫罗什，帮帮我吧。”加夫罗什大笑着跑开了。两天后，他来到了马吕斯在普吕梅街的住处。他说：“街道尽头的那栋房子，很难找，你得仔细留意。”春天来了，珂赛特开始走到普吕梅街的花园里。她通常是一个人。老女仆杜桑总在厨房里忙碌，而冉阿让父亲则在自己的房间里看书。珂赛特感到有些忧伤。她想念卢森堡公园里的那个年轻人，但父亲已经不想再去那里了。然而，那天傍晚，在普吕梅街的花园里，一件奇妙的事情发生了。她听到了一个声音，一个男人的声音。她回过头，正是他。“万分抱歉，”他说，“请别害怕。我只是想……你还记得卢森堡公园吗？我在那里第一次见到你，从此日夜都无法将你忘记，脑海里全是你。请别害怕，你看，我爱你。这感情就这样发生了，我无法阻挡。请别害怕。”珂赛特听着这如河水般倾泻而出的动人话语，然后向他伸出了手。他握住她的手，她却将他的手拉向自己，紧紧贴在自己的心口。“那么，你爱我？”他问。“当然，你是知道的。”一个吻，无需言语。他们不需要任何言语。后来，他们终于开口了，讲述彼此的人生故事。恋人之间的一切，都是那么有趣。当话语说尽，珂赛特把头靠在马吕斯的肩上，轻声问：“你叫什么名字？”“我叫马吕斯。你呢？”“珂赛特。”从此，每天傍晚，他们都在普吕梅街的花园里秘密相会。一个吻，一声轻柔的笑，几句耳鬓厮磨的情话。这是他们青春岁月里的春天与盛夏。但在他们周围，在花园之外，世界正在发生剧变。人们群情激愤，巴黎的街道上到处是警察和士兵。有一天，冉阿让对珂赛特说：“我最亲爱的孩子，我们正身处危险的时代。我们必须离开法国，去英国。”珂赛特用惊恐的眼神看着他。“我们必须走吗，父亲？”她说。冉阿让注视着她。“我们必须走，”他说，“准备一下，我们很快就要动身了。”珂赛特变了。冉阿让想起了卢森堡公园里的那个年轻人，他端详着珂赛特年轻美丽的脸庞。他害怕了，他害怕失去自己心爱的女儿。那天傍晚，在普吕梅街的花园里，充满了悲伤的泪水。“但你必须跟着我们去英国啊！”珂赛特哭喊道。“我怎么去得了？”马吕斯也哭喊道，“我没有钱，也没有护照。对我来说，去英国简直就像去月球一样遥远。”他们在月光下紧紧牵着手。“听着，我有个主意，”马吕斯缓缓地说，“等两天，也许只要两天。”“两天？”珂赛特哭喊道，“没有你，我该怎么熬过这两天？”

LZ interviews West End leading man Bradley Jaden, recently seen as Inspector Javert in Les Misérables: The Arena Concert at Radio City Music Hall, about the show's renewed impact and Jaden's approach to portraying Javert with increasing vulnerability and a visible “slow demise.” Jaden discusses moving to New York and feeling lonely and overwhelmed by the sudden shift in attention, navigating introversion in an extrovert-facing career, losing significant weight after being told it would help his success, and living with body dysmorphia. He shares surviving a suicide attempt and how Les Mis has been therapeutic, enabling open conversations about men's mental health. They also cover his asthma as a childhood challenge that became a “superpower,” his stage name's origin, his support network, and end with a brief lyric exchange and Jaden's statement, “I… am beautiful because… I love deep.”Menu: 00:00 Welcome and Guest Intro01:23 Mirror Check In03:44 Les Mis Resurgence05:02 New York Adjustment09:09 Introvert in Spotlight10:16 Weight and Image Pressure13:57 Stage Name Origin15:09 Career Gratitude and Growth18:53 Support Network and Mentors24:57 Why His Javert Hits Different26:58 Javert Foundations and Auditions31:57 Mental Health and Method41:30 Audience Connection and Purpose43:30 No Singing Lessons Reveal44:01 No Sheet Music Needed44:51 Finding Purpose in Small Wins45:24 First Auditions and Miss Saigon Break47:12 Les Mis Praise and Afterglow48:09 Google Rumors and Relationship Truth50:17 Learning Self Love50:39 Five Things I Like About Me53:58 Asthma Turned Superpower55:58 Rapid Fire Broadway Picks59:15 Singing Challenge and Stars Tease01:05:58 Heartfelt Wrap Up and Beautiful Because

Les Misérables by Victor Hugo原文Chapter 3: CosetteMonsieur Madeleine is of course Jean Valjean.You knew that already after Denya.He sells the bishop's silver plates, but keeps the candlesticks.He comes to Montroy,builds his factory, works hard, is kind to other people.He makes a new good life, and is true to the bishop of Denya.But after Valjean left prison in Toulon and before he came to Denya, he was hungry, and in a street in Toulon he stole some money from a boy, just one franc, to buy bread.Because he did this, the law in France says that prisoner Valjean must go back to prison and stay there for life.He can never be a free man again.And so we meet Javert.Before Montroy,he was a prison guard at Toulon.The law is his god, and he hates all criminals.He remembers Jean Valjean, that big strong man, very well.He wants to see him in prison again, and he Inspector Javert is going to put him there.Jean Valjean remembers Javert now.He remembers the cold eyes, the hard voice, the cruel prison guard's smile.He remembers and is afraid.He knows that Javert is his enemy for life, but he remembers Fantine, too.He remembers her dying words, “Please take care of Cosette, please.”How can he leave this little girl without a mother, without a friend in the world?He must find her, Javert or no Javert.Monsieur and Madame Thenardier lived in a village called Montfermeil near Paris.There was no water in the village, and the nearest water was a small river in a wood 15 minutes ' walk away.People carried the water in buckets to their houses.Cosette hated that wood.At night, the trees made noises.She was frightened of the noises, frightened of the dark, and with a heavy bucket of water it was a long walk home.One dark winter night in 1823, Madame Thenardier sent Cosette out to the river for water.Cosette ran to the river.And then, with her heavy bucket of water, she began to walk home.The trees were noisy tonight, whispering and laughing at her.And the little girl began to cry.“Oh, please God, help me, please, dear God.”And suddenly the bucket was gone.A great hand came down and took it from her.She looked up and saw big man in an old yellow coat.Sometimes we know without words when something good is happening.The little girl knew that now, and she was not frightened of the big man, not a bit.The man spoke to her child, “This is a very heavy bucket. Shall I carry it for you?”“Yes, monsieur.”“How old are you?”“I'm 8 years old, monsieur.”“Where is your mother?”“I don't know,”said the child, “I haven't got a mother.”“What's your name?”“Cosette.”The big man stopped, he put the bucket down and looked into Cosette's face.“Why are you carrying a heavy bucket of water at this time of night, who sent you?”“Madame Thenardier.”“I would like to talk to this Madame Thenardier. Shall we go and see her?”“Yes,monsieur.”Cosette was not afraid of the tree noises now.This big man with his gentle voice was a new and wonderful thing in her life.They walked to the Thenardier's house.“Please,monsieur, can I carry the bucket now?”“But why?”“I can't ask people for help. Madame says she hits me when I do that,” Cosette said, “she hits me all the time.”He gave her the bucket.The Thenardiers were very surprised to see Cosette's new friend, this big man in the old yellow coat.Inside the house, the big man looked at Cosette.He saw her thin clothes, her dirty hair, her big frightened eyes.She was small for her 8 years.Her hands were red from kitchen work, and she had no shoes.“Why does this child have no shoes on her feet on this cold winter night?” He said to Madame Thenardier.Madame Thenardier looked at Cosette angrily.“Go into the kitchen, Cosette. There is work to do, go. And are you?Monsieur.” Thenardier said.“I am here for Fantine, the child's mother,” said the big man. “You don't need to know my name. Fantine is dead, so you can get no more money from her here.”He put some money on the table is 1500 francs.“Now call the child I'm taking her away.”When Jean Valjean and Cosette left Montfermeil, Cosette did not look back.She never wanted to see Madame Thenardier again.She put her cold little hand into Valjean's great hand and looked up into his face.“Monsieur,”she said, “can I, can I call you Father?”Valjean looked down at her big round eyes.“Yes,” he said.He did not know love, he did not understand love, but in that moment, suddenly he felt a father's love for this small child.“Yes,” he said again, “yes, you can call me father, it's a good name.”Hand in hand,they walked away on the road to Paris.In Paris,Cosette learn to laugh, and to sing like a bird, and to be happy.Jean Valjean learned to be father and mother to this child, and he loved her dearly.But they lived quietly, moved house often, and only went out at night.Because Javert too was in Paris.When Valjean escaped from Montroy, Javert came to Paris to look for him. He was now an important inspector in the Paris police.Every criminal in Paris was afraid of Inspector Javert.Once Valjeansaw Javert by the river, and the next day he looked for a new place to live.He found one behind the high walls of a girl school.The school gave Valjean a job as a gardener, and he lived in a little house in the big gardens.Cosette lived in the school, but every day, she came to the gardener's little house for one hour.They talked,and they sang, and they read books.It was the happiest hour in the day for her and for Jean Valjean.And so the years passed.翻译第三章：珂赛特马德兰先生当然就是冉阿让。在迪涅镇发生的那些事之后，你其实就已经知道了。他卖掉了主教给的银餐盘，却留下了那对银烛台。他来到蒙特勒伊，建起工厂，拼命工作，对他人仁慈宽厚。他开启了一段崭新而向善的人生，也没有辜负迪涅主教的期望。但是，在冉阿让离开土伦监狱、抵达迪涅镇之前，他曾饱受饥饿之苦。在土伦的一条街上，为了买面包，他从一个男孩那里偷了钱——仅仅只有一法郎。就因为这个，法国的法律规定，囚犯冉阿让必须重返监狱，并在那里度过余生。他再也无法成为一个自由人了。于是，我们认识了沙威。在来到蒙特勒伊之前，他是土伦监狱的一名狱卒。法律就是他的神明，他痛恨一切罪犯。他非常清楚地记得冉阿让——那个高大强壮的男人。他想再次看到冉阿让身陷囹圄，而他沙威警长，就要亲手把他送进去。此时的冉阿让也想起了沙威。他记得那双冰冷的眼睛、那副生硬的嗓音，还有狱卒那残忍的微笑。他回忆起了这一切，心中充满恐惧。他知道沙威将是他一生的死敌，但他同样想起了芳汀。他记起了她临终前的话语：“求您照顾珂赛特，求求您了。”他怎么能把这个没有母亲、在世上举目无亲的小女孩孤零零地丢下呢？他必须找到她，无论有没有沙威的阻拦。德纳第夫妇住在巴黎附近一个叫蒙费梅伊的村子里。村里没有水，最近的水源在十五分钟路程外的一片树林里的一条小河。人们只能提着水桶把水扛回家。珂赛特恨透了那片树林。一到夜里，树木就会发出各种声响。她害怕那些声音，害怕黑暗，而且提着沉甸甸的水桶，回家的路显得格外漫长。1823年一个漆黑的冬夜，德纳第太太又打发珂赛特去河边打水。珂赛特一路小跑来到河边。然后，提着那桶沉重的水，她开始往回走。今晚树林里的树木喧闹不止，仿佛在对着她窃窃私语、嘲笑她。小女孩忍不住哭了起来。“哦，上帝啊，求求您帮帮我，仁慈的上帝啊。”突然，水桶从她手里消失了。一只宽大的手伸下来，替她接过了水桶。她抬起头，看到一个穿着破旧黄外套的高大男人。有时候，无需言语，我们也能感觉到好事正在发生。小女孩此刻就明白了，她一点儿也不害怕这个高大的男人。男人用对孩子说话的温柔语气对她说：“这桶水太沉了。我帮你提好吗？”“好的，先生。”“你几岁了？”“我8岁了，先生。”“你妈妈在哪儿？”“我不知道，”孩子说，“我没有妈妈。”“你叫什么名字？”“珂赛特。”高大的男人停下脚步，放下水桶，端详着珂赛特的脸。“这么晚了，谁派你出来提这么重的一桶水？”“德纳第太太。”“我想和这位德纳第太太谈谈。我们一起去见见她好吗？”“好的，先生。”此时的珂赛特已经不再害怕树林里的声响了。这个说话温柔的高大男人，成了她生命中一个全新而美好的存在。他们一起走到了德纳第家。“先生，求求您，现在我可以自己提水桶了吗？”“为什么呢？”“我不能向别人求助。太太说，如果我要是求助，她就会打我。”珂赛特说，“她总是打我。”他把水桶还给了她。看到珂赛特的新朋友——这个穿着破旧黄外套的高大男人，德纳第夫妇感到非常惊讶。在屋里，高大男人仔细打量着珂赛特。他看到她单薄的衣服、脏乱的头发，还有那双充满惊恐的大眼睛。八岁的她，个头比同龄人小得多。她的双手因为干厨房的粗活而通红，脚上连双鞋都没有。“这么冷的冬夜，这孩子怎么连双鞋都没穿？”他问德纳第太太。德纳第太太恶狠狠地瞪了珂赛特一眼。“进厨房去，珂赛特。还有活儿要干呢，快去。那么您呢，先生？”德纳第太太问道。“我是为了这孩子母亲芳汀的事来的，”高大男人说，“你们不必知道我的名字。芳汀已经死了，你们再也别想从她那儿要到一分钱了。”他把一些钱放在桌上——那是1500法郎。“现在把孩子叫来，我要带她走。”当冉阿让和珂赛特离开蒙费梅伊时，珂赛特没有回头。她再也不想见到德纳第太太了。她把冰冷的小手放进冉阿让宽大的手掌里，仰起头看着他的脸。“先生，”她说，“我，我可以叫您父亲吗？”冉阿让低头看着她那双圆溜溜的大眼睛。“可以。”他说。他曾经不懂得爱，也不明白什么是爱，但在那一刻，他突然对这个小小的孩子生出了一种深沉的父爱。“可以，”他又说了一遍，“是的，你可以叫我父亲，这是一个很好的称呼。”他们手牵着手，走在通往巴黎的路上。在巴黎，珂赛特学会了笑，学会了像小鸟一样唱歌，学会了感受快乐。冉阿让也学着同时扮演这个孩子的父亲和母亲，他深深地爱着她。但他们过着深居简出的生活，经常搬家，并且只在夜里出门。因为沙威也来到了巴黎。当冉阿让从蒙特勒伊逃脱后，沙威便来到巴黎搜寻他。此时的沙威已经是巴黎警察局里一位举足轻重的警长。巴黎的每一个罪犯都对沙威警长闻风丧胆。有一次，冉阿让在河边看见了沙威，第二天他便立刻寻找新的住处。他在一家女子学校高高的围墙后找到了一个安身之所。学校给冉阿让提供了一份园丁的工作，他住在大花园里的一栋小房子中。珂赛特就在那所学校里生活，但每天，她都会来到园丁的小屋里待上一个小时。他们聊天、唱歌、读书。这是她和冉阿让一天中最幸福的一个小时。就这样，岁月悄然流逝。

Les Misérables by Victor Hugo单词提示1.Monsieur 先生2.Inspector 探长原文Chapter 2: FantineNow we meet Fantine.She is young and beautiful and in love with a man in Paris, but she has no family and no money.For Fantine, this is the love of her life.For the man in Paris, it is just a summer of love.Men are not kind to women, they have their fun and then they walk away.The man in Paris goes home to his rich family and leaves poor Fantine, and with a child, a little girl called Cosette.Fantine must find work, but how?Fantine has a child but no husband, and a woman without a husband is nothing, worse than nothing.People are not kind to a woman with a child but no husband.They turn their faces away, they close their doors, they say there's no work here for a woman like you.Fantine loves her daughter dearly, but what can she do?So in 1818, in a village near Paris, she leaves her little daughter with Monsieur and Madame Thenardier.They ask for 7 francs a month.Fantine pays the money, holds her daughter in her arms for the last time, and leaves.She takes the road for her home town of Montroy,and tears are running down her face.There is misery in her heart. Poor Fantine, poor Cosette.In Montroy, Fantinefinds work in a factory.This is the factory of Monsieur Madeleine, an important man in the town and very rich.Everybody likes him, because he is a good man.He is kind to his workers, he helps people,and his factory gives many jobs to the townspeople.But who is he, this Monsieur Madeleine?Where did he come from?He arrived in Montroy at the end of 1815,but nobody knows his family or anything about him.Fantine sent money every month to the Thenardiers.They were not good people, and they used the money for their own daughters.Poor little Cosette was a hungry, dirty,unloved child.She worked all day, she cleaned the house,she carried water, she washed the clothes.But Fantine knew nothing of this, and she worked long hours to make money for Cosette.The next year, the Thenardiers asked for 12 francs a month.The year after that, they wanted 15 francs.Then Fantine lost her job at the factory because the women did not like her. “She has achild in a village somewhere near Paris.”“Yes, and where's her husband.”“She doesn't have one.”“We don't want that kind of woman here. She must go.”Fantine found work making shirts.It was hard work for little money.She was often ill with a small dry cough.The Thenardiers wrote again, “Your daughter needs a warm dress for winter, send 10 francs at once.”Fantine did not have 10 francs.She thought long and hard, and went to the barber in the town.She took off her hat, and her golden hair fell down her back.“That's beautiful hair,” said the barber.“What can you give me for it?”“10 francs.”“Then cut it off.”She sent the money to the Thenardiers.“My daughter's not cold now,” she thought, “She'swearing my hair.”Soon, another letter came from the Thenardiers,“Send 100 francs, or Cosette must leave our house.”100 francs? How can a poor woman get that kind of money? There was only one way.One cold winter evening, outside a restaurant in the center of Montroy, a woman walked up and down.There was snow on the ground, but the woman wore an evening dress with flowers in her hair.Some young men came out of the restaurant,saw her, and began to call her bad names.They laughed and shouted, but the woman did not look at them.Then one young then took some snow and put it down the back of the woman's dress.The woman was Fantine.She gave a cry, turned, and hit the young man's face with her hands.People came to watch, laughing.A tall policeman arrived, took the woman by the arm and pulled her away.“Come with me,” he said.This policeman was Inspector Javert.He was new to Montroy, and he was a hard man.To him, the law was the only important thing in life.He hated criminals.The law in France at that time was not kind to women like Fantine.Javert took Fantine to the office of police.“You hit a man in the street and that's a crime,” He told her, “You're getting six months.”“Six months in prison?” Fantine cried, “no,I'm not a bad woman, monsieur, please, I must work. I need the money for my little daughter. Please, please don't send me to prison.”She fell to the floor crying.“Take her away,” Javert said to a policeman.“One moment, please,” said a new voice.Everybody turned to look at the door, and there stood the good, the great Monsieur Madeleine.He was an important man in Montroy.“Inspector,” he said, “I was outside the restaurant, too. And I can tell you the true story.”“The young man began the fight, and this poor woman,” he looked at Fantine on the floor, “must go free. She did nothing wrong.”“The woman is a criminal,” said Javert angrily.“She must go free,” said Monsieur Madeleine,“Ask the other people at the restaurant. We all saw the same thing.”Fontain stood up slowly, she began to cough,a hard dry noise.Monsieur Madeleine took her arm gently.“My dear child, you are not well,” he said.Javert's cold eyes stared at Monsieur Madeleine.“Do I know you from somewhere?” he said, “Were you ever at Toulon?”Monsieur Madeleine looked at him.His face did not change, but his eyes were suddenly very watchful.“No, I don't know Toulon.” he said.Monsieur Madeleine took Fantine to the little hospital in Montroy.She lay in bed and coughed and coughed.Monsieur Madeleine listened to her sad story, and the next day he sent money to the Thenardiers.“Now you must get better,” he told Fantine, “Cosette needs you.”But Fantine did not get better.She was now very ill, and five days later the doctor spoke to Monsieur Madeleine.“Does she have a child, this poor woman?”He said, “Yes, a small daughter.”“You must bring the child here soon.”Monsieur Madeleine went to sit by Fountain's bed.“Monsieur madeleine, you are so kind to me. I want to see my daughter one last time.Please, can you? Bring Cosette to me, please, monsieur.”Monsieur Madeleine took her hand.“Of course, I can,” he said gently.And then, the door of the room suddenly opened behind him, and Fantine cried out “No, monsieur.”Madeleine looked round quickly.InspectorJavert came into the room with four policemen.“Jean Valjean, prisoner at Toulon, I am arresting you,” Javert said, “After you left the prison, you stole money from a child in Toulon. You are still a thief, and now you must go to prison for life.”Fantine sat up in bed.“No,” she cried, “Cosette!”Monsieur Madeleine stood up slowly.“Inspector, give me three days.” He said.He was a big man, much bigger than Javert.“Three days to bring this poor woman's child to her before she dies, then you can take me.”Javert laughed loudly, “Three days, you're going to run away?”Behind the two men, Fantine cried out, “Monsieur Madeleine, please take care of Cosette. Please.”Javert turn to her, “Be quiet, woman,there's no Monsieur Madeleine here. This man is a criminal called Jean Valjean,and he's going to prison.”Fantine stared at Javert and tried to speak,but she could not.She fell back in the bed and lay still. She was dead.The people of Montroy talked about that day for a long time, the death of the woman Fantine,the arrest of Monsieur Madeleine.Javert put Monsieur Madeleine in a locked room in the police office, but in the night, he broke down the door and escaped.Where did he go? Did he go to his house in the town?His old servant said “no”, she saw nobody and heard nothing.She said she loved Monsieur Madeleine very much.So where did Monsieur Madeleine go?Nobody in Montroy saw him again.One thing was certain.In Monsieur Madeleine's house, there were two beautiful old silver candlesticks.The next day they were gone.翻译第二章：芳汀现在，我们来认识芳汀。她年轻貌美，在巴黎与一个男人坠入爱河，但她没有家人，也没有钱。对芳汀来说，这是她一生的挚爱；但对那个巴黎男人而言，这不过是一场夏日恋情罢了。男人们对待女人并不仁慈，他们寻欢作乐之后，便一走了之。那个巴黎男人回到了他富有的家族，留下了可怜的芳汀，以及他们的孩子——一个名叫珂赛特的小女孩。芳汀必须找到工作，可她能怎么办呢？芳汀有个孩子却没有丈夫，而在那个时代，没有丈夫的女人什么都不是，甚至比什么都不是还要不堪。人们对带着孩子却没有丈夫的女人毫不留情。他们对她冷眼相待，对她紧闭大门，还会说：“像你这样的女人，我们这儿没有工作。”芳汀深爱着她的女儿，可她又能做些什么呢？于是，在1818年，在巴黎附近的一个村庄里，她把小女儿托付给了德纳第夫妇。他们要求每个月付7法郎。芳汀付了钱，最后一次将女儿紧紧抱在怀里，然后转身离开。她踏上了返回故乡蒙特勒伊的路，泪水顺着脸颊不断滑落。她的心中充满了无尽的苦难。可怜的芳汀，可怜的珂赛特。在蒙特勒伊，芳汀在一家工厂找到了工作。这家工厂的老板是马德兰先生，他是镇上的大人物，非常富有。大家都很喜欢他，因为他是个大好人。他对工人们很仁慈，乐于助人，而且他的工厂为镇上的许多人提供了工作。可是，这位马德兰先生究竟是谁？他又从何而来？他是在1815年底来到蒙特勒伊的，但没有人知道他的身世，对他一无所知。芳汀每个月都会按时寄钱给德纳第夫妇。可他们并非善类，竟把芳汀寄来的钱全用在了自己亲生女儿的身上。可怜的小珂赛特成了一个挨饿、肮脏、无人疼爱的孩子。她整天干活，打扫屋子，提水，洗衣服。但芳汀对此一无所知，她只能拼命工作，为珂赛特多挣些钱。第二年，德纳第夫妇要求每月寄12法郎。再往后一年，他们又要15法郎。后来，芳汀失去了工厂的工作，因为厂里的女工们不喜欢她。“她有个孩子，寄养在巴黎附近的某个村子里。”“是啊，可她丈夫在哪儿呢？”“她没有丈夫。”“我们这儿不想要那种女人。她必须走人。”芳汀只好靠做衬衫来谋生。活儿很累，挣的钱却很少。她经常生病，总是干咳不止。德纳第夫妇又写信来：“你女儿冬天需要一件暖和的裙子，马上寄10法郎来。”芳汀拿不出10法郎。她思前想后，最终走进了镇上的理发店。她摘下帽子，一头金发垂落在背上。“多漂亮的头发啊，”理发师说。“这头发你能给我多少钱？”“10法郎。”“那就剪了吧。”她把换来的钱寄给了德纳第夫妇。“我的女儿现在不会挨冻了，”她想，“她穿着我的头发呢。”没过多久，德纳第夫妇又来信了：“寄100法郎来，不然珂赛特就得滚出我们家。”100法郎？一个穷苦女人上哪儿去弄这么一大笔钱？只剩下最后一条路了。在一个寒冷的冬夜，蒙特勒伊市中心的一家餐馆外，一个女人正来回踱步。地上满是积雪，可她却穿着晚礼服，头上还戴着花。几个年轻男人从餐馆里走出来，看见她，便开始用下流的话辱骂她。他们又笑又叫，但那个女人连看都没看他们一眼。接着，其中一个年轻男人抓起一把雪，顺着那个女人的衣领塞进了她的后背。那个女人正是芳汀。她惊叫一声，转过身，一巴掌狠狠打在那个年轻男人的脸上。人们围过来看热闹，哈哈大笑。这时，一个高大的警察走了过来，一把抓住女人的胳膊，将她拉开。“跟我走。”他说。这个警察是沙威警长。他刚到蒙特勒伊不久，是个冷酷无情的人。在他看来，法律是生命中唯一重要的东西。他痛恨罪犯。而当时法国的法律，对芳汀这样的女人是毫不留情的。沙威把芳汀带到了警察局。“你在大街上打了一个男人，这是犯罪，”他告诉她，“你要被判六个月的监禁。”“六个月？”芳汀哭喊道，“不，我不是坏女人，先生，求求您，我必须工作。我需要钱养活我的小女儿。求求您，千万别把我送进监狱。”她倒在地上痛哭起来。“把她带走。”沙威对另一名警察说。“请等一下。”一个陌生的声音响起。所有人都转头看向门口，只见那位善良、伟大的马德兰先生正站在那里。他是蒙特勒伊的显要人物。“警长，”他说，“我当时也在餐馆外面。我可以告诉你事情的真相。”“是那个年轻人先挑起事端的，而这个可怜的女人，”他看了一眼倒在地上的芳汀，“必须被释放。她没有任何过错。”“这个女人是个罪犯！”沙威愤怒地说。“她必须被释放，”马德兰先生说，“去问问餐馆里的其他人吧。我们大家看到的都是一样的。”芳汀慢慢站起身，开始剧烈地咳嗽，发出沉闷干涩的声音。马德兰先生温柔地扶住她的胳膊。“我可怜的孩子，你身体不好。”他说。沙威冰冷的双眼死死盯着马德兰先生。“我是不是在哪儿见过你？”他说，“你以前去过土伦吗？”马德兰先生看着他。他的面庞毫无波澜，但眼神突然变得极度警觉。“不，我不知道什么土伦。”他说。马德兰先生把芳汀送到了蒙特勒伊的小医院。她躺在床上，不停地咳嗽。马德兰先生听完了她悲惨的身世，第二天便派人把钱寄给了德纳第夫妇。“现在你必须好起来，”他告诉芳汀，“珂赛特需要你。”但芳汀并没有好转。她的病情已经非常严重了，五天后，医生对马德兰先生说：“这个可怜的女人有孩子吗？”“有，一个小女儿。”“你必须尽快把孩子接来。”马德兰先生走到芳汀的床边坐下。“马德兰先生，您对我太好了。我想再看一眼我的女儿。求求您，您能办到吗？把珂赛特带到我身边来吧，先生。”马德兰先生握住她的手。“我当然能办到。”他温和地说。就在这时，身后的房门突然被猛地推开，芳汀惊叫一声：“不，先生！”马德兰先生迅速回过头。沙威警长带着四名警察走进了房间。“冉阿让，土伦的囚犯，我现在逮捕你，”沙威说，“你出狱后，在土伦偷了一个孩子的钱。你依然是个贼，现在你必须被判终身监禁。”芳汀在床上猛地坐直身子。“不！”她哭喊道，“珂赛特！”马德兰先生缓缓站起身。“警长，给我三天时间。”他说。他是个大块头，比沙威高大得多。“给我三天时间，让我把这个可怜女人的孩子带到她面前，等她见上最后一面，你再抓我。”沙威放声大笑：“三天？你是打算趁机逃跑吗？”在两个男人身后，芳汀哭喊道：“马德兰先生，求您照顾珂赛特。求求您了。”沙威转过头对她吼道：“闭嘴，女人！这里没有什么马德兰先生。这个人是个叫冉阿让的罪犯，他马上就要进监狱了。”芳汀死死盯着沙威，试图开口说话，却发不出一点声音。她重重地倒回床上，再也没有动弹。她死了。蒙特勒伊的人们谈论那一天谈了很久很久，谈论着芳汀的死，以及马德兰先生被捕的事。沙威把马德兰先生关在警察局的一间密室里，但在夜里，他撞破房门逃跑了。他去了哪里？他回镇上的家了吗？他的老女仆说“没有”，她什么也没看见，什么也没听见。她说她非常敬爱马德兰先生。那么，马德兰先生到底去了哪里？蒙特勒伊再也没有人见过他。但有一件事是肯定的。在马德兰先生的家里，原本放着两只漂亮的老银烛台。第二天，它们就不见了。

Through the story of Les Misérables, we explore the contrast between grace and law through the lives of Jean Valjean and Inspector Javert. One allows grace to transform his identity and begin a new story, while the other cannot accept it. God's grace has the power not only to save us, but to free us from our past and completely change our future.

Hugh discusses former Special Council Jack Smith at the House Judiciary Committee hearing, this year's Oscar nominated movies, Greenland, Iran, and talks with Noah Rothman, Eliana Johnson, Jim Talent, Josh Kraushaar, and Jim Geraghty.See omnystudio.com/listener for privacy information.

Welcome back to a brand new season of The Last Show on Earth!!If there was a huge asteroid hurtling toward Earth threatening to destroy life as we know it and you could see one more show before you die, what would it be? It can be anything you want - a show you've seen before, one that you wish you'd seen, or something you've made up entirely. What would be YOUR Last Show on Earth? This is the podcast in which we ask a special guest the big, BIG question that nobody ever needed (or indeed) bothered to ask. Our guest this episode is Norm Lewis Norm is known primarily for being the first black actor to play the Phantom on Broadway and for playing Inspector Javert in the 25th anniversary Les Miz concert but he's done way way more than just those two roles, including screen appearances in Scandal, Law and Order, Blue Bloods, Sex and the City, Da 5 Bloods, Gotham and leading theatre roles in Sweeney Todd, Jesus Christ Superstar, Ragtime, Tommy, Side Show, The Wild Party, The Little Mermaid and Porgy and Bess for which he received a Tony nomination!Apologies for the slightly annoying background noises (ie the humming noise and the clicks) but it was a hot day in New York and Norm had his aircon on during the recording session...Soz.Links:Wikihttps://en.wikipedia.org/wiki/Norm_LewisNorm as Phantomhttps://www.youtube.com/watch?v=lCAdkACAH78Starshttps://www.youtube.com/watch?v=57QiQDenG0kWebsitehttp://www.normlewis.com Tickets for Norm's 54 Below Xmas showshttps://54below.org/events/norm-lewis-the-best-of-christmas/Norm merch! https://thebeyondnormlshop.comHosted by John Owen-Jones and Alistair BrammerMusic written by John Owen-Jones and Alistair BrammerMusic performed by John Owen-Jones, Alistair Brammer and John QuirkRecorded & edited by John Owen-Jones and Alistair BrammerA 2024 John Owen-Jones Associates Productionwww.johnowenjones.com/podcast Hosted on Acast. See acast.com/privacy for more information.

This week we are building Inspector Javert from the 2012 movie Les Misérables for D&D. Character Sheet

The Two Great Commandments sum up the laws given on Mount Sinai and intersect with every stage of our salvation - justification, sanctification, and glorification. - Sermon Transcript - This morning we're going to begin to embark on a vital journey into what I think is the very heart of God and the heart of our salvation. Why did God create us to begin with? Why did God create all things? What is our true nature? What is our purpose and what is our destiny, our destination? The text we're studying carefully for the next number of weeks holds a key to unlocking these central questions, these core questions, for, I believe that when all is said and done, it's all about these two great commandments. More specifically, it is that in heaven our hearts will be glorified, totally conformed to Christ, so that we will perfectly fulfill the two great commandments, every moment of our existence for all eternity, that we will finally love God with all of our heart, soul, mind, and strength, and we'll finally love our neighbors as ourselves. I believe that these words rightly understood, sum up the law of God and the very heart of God. It's why we were created and they define also a perfect life in God's universe. They are our destiny in Christ. It all comes down then ultimately to one word “love.” The more I've meditated on our future in heaven, in a perfect world characterized by perfect love, vertically toward God and perfect love horizontally toward every redeemed person, I’ve seen how vital these two commandments really are. According to Jesus, they sum up the law and the prophets, and I have seen how much I have come to delight in them. As Paul says in Romans 7:22, “In my inner being, I delight in God's law,” and if you are born again, if you are redeemed, you do too. Or again, Psalm 119:97, “Oh how I love your law. I meditate on it all day long.” So I had an idea of preaching the sermon generally the way that I am going to preach it today, but I started to realize that as beautiful as these two great positive commandments are, we can't simply stay positive and just say love God and love others. The comprehension of that word “love” is anything but simple because of the entrance of sin into the universe, our ability to define love properly and to love properly is fatally damaged, diseased. Jeremiah 17:9, “The heart is deceitful above all things and beyond cure. Who can understand it?” The heart of sinful humanity is desperately wicked. It is diseased. It is beyond cure. In our sinful state, we cannot be trusted that “all you need is love.” Some of you're old enough to know what I'm talking about. All You Need is Love and other such songs, which I'm not going to shame myself by quoting right now. They're in my manuscript, but I'm not going to say them. This is all the world needs is love, just love. Most sinners will be delighted to hear that message and then go on to love whatever they want, however they want, whenever they want, and call it love. We will love in ways that our holy God calls deeply corrupt, and we'll cover it with a slogan like “Love is love.” Martin Luther, the great theologian, said very famously, “love God and do as you please.” Can I tell you generally, you will do that in heaven. Yes, and I'm looking forward to that. I'm going to talk about that, but we can't hear that properly here on earth. “Love God and do as you please” in our modern, corrupt age. That seems wonderful. Do whatever you want. Whatever your heart leads you to do, whatever makes you happy, whatever you truly love. Our hearts and minds and souls are drunk with sin and fatally, our judgment is fatally impaired. This week as I was preparing for this sermon, I read a pretty tragic article in Christianity Today. The author of the article was writing about a book written by Shannon Harris, who's the former wife of Joshua Harris, who some of you will remember wrote a book called I Kissed Dating Goodbye. He was a leader of what came to be called in a weird sort of way, “the purity culture” as though being against fornication was some new thing, but anyway, purity culture and the book, I Kissed Dating Goodbye. Sadly, Joshua Harris has since renounced the Christian faith and apparently so has his former wife, Shannon. They're divorced and she spoke in her book, which the article was about in the strongest terms about healing from a culture of Christian shame over our hearts and over our choices. She was specifically hard on Calvinism, which she called worm theology, we're nothing but worms. She said in her book, we must strive to connect to our own wisdom, to nature and to our own fulfillment in work and pleasure and to our own ways of being and doing. The author of the article in Christianity Today spoke approvingly of how refreshing it must be for her readers to think positively about themselves and their bodies including their sexuality. After years of hearing harsh sermons about our foolish hearts and our sinful flesh when asked what this connecting to our bodies and our own heart's desires might look like in practice, Shannon Harris said, sometimes it might look like bringing your neighbor freshly made bread just to cheer them up, but other times it might look like following your own wisdom and seeking your own pleasure like binging on a sleeve of Oreos while watching porn or trolling someone you don't like online. Instead of spending time with your kids, she asserts that we are stunning image bearers of God and we've been given beautiful hearts and beautiful bodies and we need to follow our desires wherever they lead. As I read that, I was grieved not just about her, but about Christianity Today publishing an article like that. I saw that her theology was utterly corrupt, but it's nothing new, nothing new. Follow your heart. Have you ever heard that phrase, “follow your heart”? One commentator on the article said that that was the first commandment of every Hallmark Special that there's ever been— follow your heart. The prophet Jeremiah, who talked about the desperately wicked nature of the human heart, saw in the idolatrous people of Israel and Judah, that same drive, “follow your heart.” God spoke to them through the prophet again and again [Jeremiah 7:24], but they did not listen or pay attention. Instead, they followed the stubborn inclinations of their evil hearts. That sounds pretty relevant, doesn't it? They were following their heart, but there's some extra words here from Jeremiah—“they followed the stubborn inclinations of their evil hearts.” Nine times in Jeremiah, the same phrase is used “following the stubborn inclinations of evil hearts." It's a very strong theme in the book of Jeremiah. If all I do during these weeks that we look at the two great commandments is say, “love God and love others”, no matter how you define that, I would be failing as a pastor. I can't do that. Imagine two men sitting in a bar. One of them has been drinking heavily and the other is the designated driver. He's had nothing but ginger ale to drink all night. At the end of the evening, the drunk man says to his designated driver, “Friend, give me the keys. I want to drive home.” The sober friend asked, “Do you think you'll be okay driving?” The drunk man assures him that his judgment is fine and he's able to drive, and it won't be any problem at all. In the spirit of the age, the designated driver handing over the keys to this drunk man based on his self-confidence and his ability to drive and operate the vehicle may very well be signing that man's death warrant and that of some innocent bystanders. That man's judgment is fatally impaired. How much worse is our judgment when it comes to love naturally? Apart from the transforming grace of God, that's what we're like. As I initially conceived of the sermon, how the law of God, the two great commandments, interacts with us at different stages of our salvation, I wanted to just be positive, but I realized I can't do that. I have to do both. I have to talk about the positive but also the negative. The law, the prohibitions, are essential to show us not only what love is but what love isn't, and we need both. Let's start this morning with a simple summary of the encounter that Jesus had that opened up this vital topic. Look at Mark 22:28 and following, “One of the teachers of the law came and heard them debating, noticing that Jesus had given them a good answer. He asked him, ‘Of all the commandments, which is the most important?’ ‘The most important one,’ answered Jesus ‘is this, Here O Israel, the Lord our God. The Lord is one, love the Lord your God with all your heart and with all your soul and with all your mind and with all your strength. The second is this, love your neighbor as yourself. There is no commandment greater than these .’ ‘Well said ,teacher,’ the man replied. ‘You are right in saying that God is one and there is no other but him. To love him with all your heart and with all your understanding, with all your strength and to love your neighbors yourself is more important than all burnt offerings and sacrifices.’ He said to him, ‘You're not far from the kingdom of God.’” Stop there. So Jesus in the final week of his life has had one controversial encounter after another, but then along comes this man, called in another place an expert in the law, the laws of Moses, but this man is different than the others. He has a genuine heart after God. He really wants to know what is the greatest commandment. Jesus commends him as being not far from the kingdom of God. He comes to Jesus and says, “Of all the commandments, God has given us his people, which is the most important? He does not ask this as others have to justify himself, but he wants to understand the heart of God and he thinks that Jesus is a good teacher on this. I tell you, none better. He came to the right place and at the end of that encounter, this man shows a true yearning for intimacy with God. Jesus declares,”He's not far from the kingdom of God.” He's knocking on the door and you get the sense the door's about to swing open to him. Jesus gives his timeless answer: “The most important one is this, hear O Israel, the Lord our God, The Lord is one. Love the Lord your God with all your heart, with all your soul, with all your mind, with all your strength.” Then Jesus added more than the man asked for, the second greatest commandment. “The second is this [verse 31] love your neighbors as yourself. There is no commandment greater than these.” Now in Matthew's account there's some additional information in the exchange. Jesus says, “This is the first and greatest commandment, and the second is like it: Love your neighbors as yourself. All the law and the prophets hang on these two commandments.” So the first commandment is the first and greatest commandment. The second is like it, but not equal to it as God is infinitely more important than your neighbor. The first commandment is infinitely more important than the second, but Jesus then adds that all the law and the prophets hang on these two commandments. In other words, all the 613 commandments that the Jewish scholars counted in the Old Testament depend on these and are to some degree perfectly summed up by these two commandments. But these two great commandments are more than merely God's law given in the old covenant to the Jewish nation. They describe the perfect righteousness that Jesus gives us at the cross by faith, the beautiful life that God enables us to live by the spirit and the radiantly glorious perfection that we'll enjoy in heaven. So that's today's sermon, the two great commandments and how they intersect with us at every stage of our salvation. That's what we're going to walk through today. I. The Stages of Salvation So let's talk about the stages of the salvation. Jesus came into the world [Matthew 1:21]. The angel told Joseph, you'll give him the name Jesus because He will save his people from their sins. That's Jesus' mission, to save us from our sins or to expand it a little bit, to save us and the universe from everything that sin has done to us and to the universe. That's what Jesus came into the world to do and so, for us, in terms of our own sin, He came to save us from the penalty of sin, from the practice of sin and from the very presence of sin. Those translate into the three great stages of salvation: justification, sanctification, glorification. These are the three stages. We don't get our salvation all at once. Justification is the instantaneous work of God based on our faith in Christ and in his bloodshed on the cross, the instantaneous work of God in declaring us not guilty before him of all of our sins, putting it simply, forgiven, forgiven and seen to be righteous in his sight, not by works, but by faith in the blood of Christ. Sanctification is a gradual process by which justified people are transformed more and more into Christ's likeness, Christ-like mind and heart leading to a Christ-like lifestyle. It is a mysterious process worked by cooperation between the regenerate person who has a new heart and a new nature, and the indwelling Holy Spirit, a mysterious cooperation between the two. We are to be led by the spirit to put sin to death by the Spirit and the Spirit’s works. Positive virtues summed up by the two great commandments, positive virtues in us such as the fruit of the spirit, love, joy, peace, patience, kindness, goodness, gentleness, faithful, self-control. This is sanctification, gradual transformation of lifestyle, mind, heart, life. It works by practice, by habit, by the ministry of the word of God, by intense effort fighting the good fight on the part of the Christian, it never ends in this life. We'll never be perfect in this life. It's a constant seeking after Christ-like perfection. "Sanctification is a gradual process by which justified people are transformed more and more into Christ's likeness, Christ-like mind and heart leading to a Christ-like lifestyle. It is a mysterious process worked by cooperation between the regenerate person who has a new heart and a new nature, and the indwelling Holy Spirit." Glorification is the instantaneous work of God, whereby by his sovereign power, he instantly conforms the Christian to absolute perfection in the likeness of Christ. It happens generally in two stages. First at death when the spirit is separated from the body and the body goes to corruption, but the spirit is instantly made perfect and brought into the presence of God, it will never sin again. The spirit absent from the body, present with the Lord, is pure and perfect in conformity to Christ, but the salvation isn't finished yet. It happens at the end of the age, at the coming of Christ. When the dead in Christ are raised, those that are still alive also mysteriously instantly transformed. All of them receiving resurrection bodies to Christ's resurrection body. That's it. That's the finish line. Meanwhile, some really awesome things are happening with the universe as well. It's made new, new heaven, new earth. I would say it's resurrected like our bodies into perfection. That's where we're heading. It sounds magnificent. Those are the stages of salvation. II. The Two Great Commandments and Justification Now, what I want to do is I want to line up the two great commandments with each stage because the law functions differently at each stage. When I was practicing this unbelievably long sermon yesterday, and it is long, but when I was practicing it, I realized when I got to sanctification, I myself became a little discouraged at how long I'd been talking. I want you to know the sermon's not equally weighted, just I'm warning or encouraging you. I don't know what word here, but much more on justification than sanctification and glorification. Also, I want you to know it’s like a hot air balloon. I'm pitching things out of the gondola every minute here on my outline, so I'm doing fine. So let's talk about the two great commandments. First of all, in justification, prior to justification, the law, the two great commandments, the law convicts us and brings us to Christ for salvation. The law diagnoses our heart condition and shows us the depths of our disease. We cannot simply be positive. As I've said, we cannot simply say love God and love others. We need the prohibitions and the Ten Commandments are mostly negative. Nine out of the ten of them are negative. We are to have no other gods beside the true God for to have any other gods is to worship an idol. We are not to make any physical representations of God, no idols. We are not to take the name of the Lord in vain. We are to do no work on the Sabbath. We are to honor our father and mother. We are not to murder other people. We are not to commit adultery. We are not to steal. We are not to bear false witness and we are not to covet anything that belongs to anyone else. Nine of the ten of them are negative. If all we do is say to people “Love God and love others,” they'll think they already do in their definition of love. Broadly and weirdly, we are so defiled in our minds, we cannot possibly define love properly. In Romans 1 through 3, Paul unfolds this and shows how corrupt, sinful humanity is by the things they actually love in their lostness. For example, Romans 1:26 says, “Because of this, God gave them over to shameful lusts.” Now that word “shameful lust” in the King James version is “vile affections;” things that people love that they shouldn't, or again, in the ESV text, “dishonorable passions” and that's nestled in a discussion of homosexuality. “Even their women exchanged natural relations for unnatural ones. In the same way, the men also abandoned natural relations with women and were inflamed with lust. For one another, men committed indecent acts with other men and received in themselves the due penalty for their perversion.” You can't tell those people just love whatever you want or however you want. Paul then goes on to show how our depraved minds lead to all manner of strange affections. Loves that lead to wicked practices. "Furthermore, since they did not think it worthwhile to retain the knowledge of God, he gave them over to a depraved mind to do what ought not to be done. They become filled with every kind of wickedness, evil, greed, and depravity. They're full of envy, murder, strife, deceit and malice. They are gossips, slanderers, God-haters, insolent, arrogant and boastful; they invent ways of doing evil; they disobey their parents; they have no understanding, no fidelity, no love no mercy. Although they know God's righteous decree that those who do such things deserve death, they not only continue to do these very things, but also approve of those that practice them.” [Romans 1:28-32] Do you not see how it's corrupt love that leads to depraved actions. In Romans 7, Paul cites a negative command, a prohibition as showing him his sinfulness. In Romans 7,8, and 9, he said, “I would not have known what sin was except through the law for I would not have known what coveting really was if the law had not said, do not covet but sin seizing the opportunity afforded by the command produced in me every kind of covetous desire.” Coveting is by definition loving something you ought not to love. And yet for all of that in Romans, Paul turns the whole thing around and says, all of the horizontal commands that are prohibitions can be summed up in this one command: Love your neighbor as yourself, all of them. Romans 13:9-10, “The commandments,” do not commit adultery, do not murder, do not steal, do not covet, and whatever other commandment there may be are summed up in this one rule. Love your neighbor as yourself. Love does no harm to its neighbor. Therefore, love is the fulfillment of the law.” So I'm not wrong, Christ isn't wrong saying that the two great commandments sums everything up, but we still need the specificity of the prohibitions to diagnose the corruption of our hearts. Ultimately though, if understood properly, the positive commands are crushing. There are people that can go through life and never murder and never commit adultery, although they still are going to yearn to murder through anger and yearn to commit adultery through lust as Jesus said in the Sermon of the Mount. “But who can rightly say, I have loved God with all of my heart, with all of my soul, with all of my strength and with all of my mind, every moment of my life, and I have loved my neighbor the way I love myself every day. Who could actually say that we did not do these things?” Charles Spurgeon said this. Is there someone here so profoundly brainless as to reply: “I intend to keep it. I believe I can perfectly obey it and I think I can get to heaven by obedience to it.” Man, you are either a fool or else willfully ignorant for sure. If you truly understand this commandment, you'll at once hang down your hands and say obedience of that is quite impossible, thorough and perfect obedience of that no man can hope to reach, though some of you think you'll go to heaven by your good works. This is the first stone that you are to step upon and I am sure it is too high for your reach. You might as well try to climb to heaven by the mountains of earth and take the Himalayas to be your first step for to obey. This must ever be an impossibility, but remember, you cannot be saved by your works if you do not obey this entirely perfectly, constantly and forever. Well, someone replies, “I dare say, if I try and obey it as well as I can that will do.” No sir, it will not. God demands that you perfectly obey this and if you do not perfectly obey it, He will condemn you. Oh, someone cries out: “Who then can be saved?” That is the point to which I wish to bring you: who can be saved by this law? No one in the world. Salvation by the works of the laws proves to be an impossibility. None of you therefore will say you will try to obey it and so hope to be saved. I hear the best Christian in the world groan, “Oh God,” he says, “I am guilty. Should you cast me into hell. I dare not say otherwise. I have broken this command from my youth up even since my conversion. I have violated it every day. I know that if you should lay justice to the line and righteousness to the plummet, I would be swept away forever. Lord, I renounce my trust in the law for by it I know I can never see your face and be accepted.” Then the law in this phase of our salvation hunts us down relentlessly to bring us to justice. I picture an avenger chasing my fleeing conscience. I picture Inspector Javert, a miserable prison guard who rose to become a prison inspector relentlessly and hunt down Jean Valjean. He would never turn away, could not, would not show mercy. So it is with the law of God. It cannot show mercy in this phase. In Pilgrim's Progress, when Faithful is relating to Christian his testimony, he's trying to get up the terrifying Mount Sinai that Christian also tried to ascend for his own salvation. Suddenly he looked behind him and saw a man chasing him as swiftly as the wind. He overtook Faithful and began beating him savagely. He knocked him to the ground and laid him unconscious as if dead. When he awoke, he asked this man why he treated him like that. The man answered it was because of his secret inclination to sin. Then he struck him again, viciously on the chest and beat him back down to the ground once again. Faithful, laid at this man's feet like a dead man. When he came to again, he begged this man for mercy, but the man answered, I do not know how to show mercy. This man would've finished Faithful off once and for all, but another man came and told him to stop. Christian asked Faithful who was the man that told him to stop. Faithful, answered, “I did not know him at first, but I perceived that he had holes in his hands and his side, so I concluded he was our Lord Jesus.” Christian told Faithful the man who struck him was Moses, and he spares no one. He does not know how to show mercy to those that violate his law. Anyway, that's a picture of how the law pursues sinners to death. It is not the task of the law to save you, to show mercy to you. It requires absolute and perfect obedience to every precept, large and small for your whole life. You all know it's too late. It cannot show you mercy, the law will hunt down the sinner and pursue him until he finds the only refuge there is and that is the cross of Jesus Christ. The law with its written code of regulations kills us. Colossians 2:14, “(The law) was against us and stood opposed to us.” Second Corinthians 3:6, “the letter kills.” Second Corinthians 3:7, “The ministry that brought death was engraved in letters on stone.” Paul says in Romans 7, “Once I was alive apart from the law, but when the commandment came, sin sprang to life and I died. I found that the very commandment that was intended to bring life actually brought death.” So during our days of conviction, before our conversion, we realized that we have sin more than we can possibly recount. Day after day, we have failed to keep the Ten Commandments. We have failed to keep the two Great Commandments. We have not loved God with all of our hearts, all our souls, all our minds, all our strength. Not at all. Actually, our sinful mind was hostile to God, it didn't submit to God's law. It couldn't. We secretly hated his purity. We secretly hated his authority, his right to send us to hell. We have been disgusted by or bored by aspects of his Word. We have pursued created things rather than the creator. We have lived for pleasure and money and pride and various secret lusts. Furthermore, we have not loved our neighbor as ourselves. We have been selfish with our time, our energy and our money. We've hated other people, been angry at them, irritated by them. We've coveted their possessions and their accomplishments and achievements in their people. We have seethed with resentment at people's affronts and we've sought revenge in our own ways. We've slandered them, gossiped against them, secretly connived to ruin them. The record of the infamous is far longer than we can possibly imagine on the basis of them. The law hunts us down to kill us. It chases our consciences, accuses us with no remedy. It drives us to the cross. It drives us hard to the cross and the Lord is drawing us in that process to salvation. The Holy Spirit is given to convict the world of guilt. Essential to that are the relentless claims of the two Great Commandments, for that is how God defines sin. The second commandment is that you love your neighbor as yourself. On Judgment Day Jesus will say to many, “I was hungry and you gave me nothing to eat. I was thirsty and you gave me nothing to drink. I was a stranger. You did not invite me in. I needed clothes and you did not clothe me. I was sick and imprisoned and you did nothing to help me. You just walk right by.” Those are failures of the second Great Commandment to love your neighbor as yourself. The Spirit presses these claims on us, shatters our self righteousness and makes us spiritual beggars and brings us to Calvary. What do we find at Calvary? First, you see a man crushed under the wrath and the justice of God because we have transgressed these commandments. That's what you find there. You find a man who is willing to take your punishment on himself in your place. That's what you find there, all of the wrath that we deserve for our violations of the two Great Commandments, He absorbed. He drank the cup of God's wrath. He cried out,”My God, my God, why have you forsaken me?” because we didn't keep these commandments. He was seen positionally to be the most unloving man in history who absolutely did not love God with all of his heart, soul, mind and strength, and did not love his neighbor as himself, positionally as our substitute, though He was perfectly righteous. What do we find at the cross? We find a man, the only man in history who has ever perfectly obeyed these two commandments. He was the most loving man who ever lived vertically and horizontally every moment of his life. He loved his father, cherished his father. He said, “I always do what pleases him.” Think about that, “I always do what pleases him.” He also gave himself horizontally day after day to other people. I often picture some of these crazy days that Jesus had in his ministry, the relentless press of a crowd desperate for physical healing. Think of what it would be like, and He seems like he healed people for the most part one at a time. I have no evidence there were any mass healings. He touched people, gave a word to lepers, blind people, paralyzed people. What was a day like? At the end of the day, I picture him exhausted and there's one more person coming, Jarius, and he's got a daughter who's dying and there's no self pity. Not “do you realize what kind of day I've had? Come back tomorrow.” There's none of that. He gets up, He will go. Has anyone ever loved his neighbor like Jesus? The ultimate picture and proof of both the vertical and the horizontal is his death on the cross. He said that the world must learn that He loved his father and obeyed him. They would see it when He died, and it was for us that He died. What's so beautiful is that this perfect righteousness, this perfect obedience to the two great commandments is offered to us as a gift freely. That's incredible. Do you see that positionally, He's offering perfect obedience for his whole life to you as a gift. It's called imputed righteousness. Listen to Romans 5:19, “For just as through the disobedience of the one man, Adam, the many were made sinners, so also through the obedience of the one man, the many were made righteous.” Righteous equals obedient. By faith in Christ, Jesus makes you obedient to the law of God, positionally as though you have never violated his law. Do you realize what good news that is? All the times you have failed to love vertically and horizontally were put on Jesus. He paid for it with his perfect righteousness. He won by a life of love. He offers you a beautiful robe of righteousness. “Here, put this on. You're going to need it on Judgment Day. Put it on, now.” How beautiful is that? Right now, I want to invite anyone who came in here trusting in his or her own righteousness to throw it away and look to Christ only for forgiveness of sins. Look to Christ only for salvation. Trust in him alone. I was on a plane coming back here, sitting with a man. We had a great conversation. He's about my age, Roman Catholic, very religious. He’d been on a number of pilgrimages to Rome, went up that staircase on his knees. I said, “Why did you do that?” We'd already talked about the gospel. He said, “Well, it can't hurt.” I think it can. I'm not meaning physically. I'm sure it hurt physically, but if you're trusting in your works to save you, you cannot come to Christ. III. The Two Great Commandments and Sanctification Secondly, two great commandments and sanctification. Once we have been crushed by God's law and brought to faith in Christ at that moment, God's sovereignly takes out the heart of stone and gives us a living heart, a heart of flesh, and moves us to obey his commands and keep his statutes and that specifically means the two Great Commandments. Suddenly, the law instead of standing opposed to you as your greatest enemy now becomes your greatest friend in defining a good life, a righteous life, a blessed life, and the indwelling Holy Spirit is given to combine with your new nature, that heart of flesh that's been given, and in a mysterious combination. The Spirit moves you to obey God's laws as it says in Romans 8:4, “In order that the righteous requirements of the law might be fully met in us who do not live according to the sinful nature, but according to the spirit.” We now live out the law. Day by day in our sanctification, the Holy Spirit energizes us and moves us and says basically day after day after day of your Christian life, love God and love others. He says that to you every day, love God and love others. Every moment of every day, the Spirit pushes us more and more to love God. And we see, as I mentioned at the beginning of my sermon, the beauty of God's laws, the perfection of them in my inner being. I delight in God's law. Romans 7:22 and Psalm 119:32, “I run in the path of your commands for you have set my heart free. Your statutes are my delight. They're my counselors. I delight in your decrees. I will not neglect your word. Direct me in the path of your commands. For there I find delight. I delight in your commands because I love them.” Psalm 119, that's a regenerate heart, crying out, “I love your law. It's my best friend. Your word is a lamp to my feet and a light to my path." [Psalm 119:105] It shows me what to do. Or Psalm 19, “The law of the Lord is perfect. Reviving the soul. The statutes of the Lord are trustworthy, making wise, the simple, the precepts of the Lord are right, giving joy to the heart. The commands of the Lord are radiant, giving light to the eyes. The fear of the Lord is pure enduring forever. The ordinances of the Lord are sure and altogether righteous. They're more precious than gold, than much pure gold. They're sweeter than honey, than honey from the comb.” So the Spirit instructs us daily on what love for God looks like: to delight in God's very being, to delight in his word, to delight in his purposes in the world, his intentions for you to delight in these things. All of those bring to us a deep desire to please God day after day one. [John 15:10], This is love for God to obey His commands and his commands are not burdensome. The Spirit also convicts us when we fail, doesn't He? When our hearts are hard and distant from God, when we nail it in corporate worship, “these people worship with their lips, but their hearts are far from me.” That's us. Sometimes the Spirit's there to convict us when our actions dishonor him, when we violate some of the prohibitions that we know are still part of the moral law of God, when we lust, when we're lazy, when we're selfish, when we're angry, carnally angry, when we say things we wish we hadn't said and we regret it. The Holy Spirit convicts us, saying, “That was not loving.” It was not loving, and He's convicting you and bringing you again and again to this perfect standard of loving God with all of your heart, soul, mine, and strength. Love your neighbors yourself. That's what He does. The battle within us is a battle over these two Great Commandments [Romans 7], “So I find this law at work when I want to do good. Evil is right there with me for my inner being. I delight in God's law, but I see another law at work in the members of my body waging war against the law of my mind and making me a prisoner of the law of sin at work within my members. What a wretched man I am. Who will rescue me from this body of death? Thanks be to God through Jesus Christ our Lord.” Brothers and sisters, someday you're going to be delivered from this body of death and the war will be over. You'll be done fighting. VI. Two Great Commandments and Glorification What's it going to be like in heaven? I'll tell you what it's going to be like. Heaven will be a world of love and you'll spend eternity, perfectly loving God with all your heart, soul, mind, and strength, and your heart will be so expanded toward your brothers and sisters in Christ redeemed. They will shine like the sun and so will you. You will delight in their beauty and in their achievements. You'll not be jealous of them. You'll want to hear their stories, how God saved them. Your heart will be so expanded to take them in yourself that when one part of the body is honored, the whole body will be honored with it. And I picture this way, I'm just telling a story about myself. I'm an introvert. I know that's a little weird. Here I am in front of all these people, but I'm an introvert. It doesn't mean I don't like people. I do. I love people, but I think what it means is you're kind of energized by being alone. But I picture being so healed from the dark side of whatever that is, that I'll be sitting on some beautiful hill on the new earth and suddenly 50 people will come along. Ordinarily I would get up and find another quiet spot, but I'll be thrilled that all 50 of you are there and if another 50 come along, that'll be even better. The best of all will be vertical. You'll see the face of God directly. And God alone will be the joy of our eternal home. He will be our one desire. Our hearts will never tire of God and God alone. That's what we're going to spend eternity doing. "Heaven will be a world of love and you'll spend eternity, perfectly loving God with all your heart, soul, mind, and strength, and your heart will be so expanded toward your brothers and sisters in Christ redeemed." Close with me in prayer. Father, we thank you for this time that we've had to study your word, to study the law. We thank you, oh Lord, that this law, which was at one point, our enemy that stood opposed to us, was against us, has now become our sweetest and deepest friend in defining a pure and holy life. We thank you that Christ’s righteousness has been given to us as a gift, and now is being worked in us actually by the Spirit and will be given to us directly and completely and perfectly at the end. Give us hope, oh Lord, help us to realize that our battle with sin is not in vain. Someday we will triumph. We will be more than conquerors through him who loved us. In Jesus' name, Amen.

Tune in to this special Broadway Spotlight series, brought to you by Peter Eyers, host of the STAGES podcast. In January 2024, Peter will be leading a 10-day tour to sample the best of Broadway and New York - alongside a host of cultural experiences at museums and galleries populating The Big Apple.In this episode, Peter chats with Hayden Tee. Hayden is currently touring Australia in the new Musical phenomenon - & Juliet. But he is no stranger to appearing on the stages of the West End and Broadway. His triumphant turn as Inspector Javert in Les Miserables won many accolades around the globe before Hayden played the role on the Broadway stage.Academy Travel is a leading specialist in small-group cultural tours, allowing you to travel with like-minded companions and learn from internationally renowned experts. Like our podcast, our tours are designed to appeal to travellers with a strong interest in history, archaeology, architecture, the visual arts and the performing arts.Learn more here - https://academytravel.com.au/

Tune in to a Broadway Spotlight edition of the STAGES podcast. A Spotlight replay brought to you by Academy Travel - a leading specialist in small-group cultural tours.In January 2024, Academy Travel will be leading a 10 day tour to sample the best of Broadway and New York - alongside a host of cultural experiences at museums and galleries populating The Big Apple.Find further information at the Academy Travel website … academytravel.com.au and search Theatre in New York - Best of Broadway tour.To whet the appetite, STAGES will be revisiting conversations with Australian artists who have conquered The Great White Way in a series of Broadway SPOTLIGHT episodes - brought to you by Academy Travel. Hayden Tee is currently touring Australia in the new Musical phenomenon - & Juliet. But he is no stranger to appearing on the stages of the West End and Broadway. His triumphant turn as Inspector Javert in Les Miserables won many accolades around the globe before Hayden played the role on the Broadway stage. Hayden Tee joined STAGES in December 2019. When STAGES caught up with Hayden Tee, he had just released an exciting album called Hayden Tee: Face To Face. The recording features a full orchestra backing with Hayden delivering musical theatre favourites and also capturing a few of the dynamic performances he has given in a stellar career.

John Diedrich is one of the Australian theatre's greatest and most versatile talents, having contributed to the industry across many platforms as actor, writer, director and producer. John commenced his career at age 11 with J.C. Williamson's, appearing in the classics Camelot and then Oliver!, playing the Artful Dodger. At the age of 19 John produced and directed his first musical, presenting Minnie's Boys, a musical based on the life of the Marx Brothers. Regular engagements as an actor followed in both plays and musicals, including Salad Days at St Martins, Grease for Harry M. Miller, Two Gentlemen of Verona for Kenn Brodziak, Lloyd George Knew My Father, starring alongside Sir Ralph Richardson, and with Leslie Phillips in The Man Most Likely To.John co-wrote, directed and performed in three highly successful revues; Gershwin - a musical tribute to the songwriting brothers, The Twenties and All That Jazz and Oh Those Thirties.In 1980, John was cast as Curly in Cameron Mackintosh's revival of Rodgers & Hammerstein's seminal musical Oklahoma!, playing the Palace theatre on London's West End. The production was directed by Oscar's son, James Hammerstein. For his performance, John was nominated for an Olivier Award as Best Actor in a Musical. He returned to Australia in 1982 to recreate the role in the Australian production and tour.In 1987, John co-produced and starred as Guido Contini in the ground breaking musical Nine, for which he was nominated as Best Director of a Musical in the Sydney Theatre Critics awards. Nine was also nominated as the outstanding production of the year. John co-produced the original cast album of Nine which won the ARIA Award for Best Cast recording. He has recorded five other cast albums. John's other theatre credits include Inspector Javert in Les Miserables, Wolf by Tobsha Lerner and Insignificance by Terry Johnson for Playbox, Aren't We All with Sir Rex Harrison and Claudette Colbert, High Society for the Melbourne Theatre Company, as Dr Grant Swain in David Williamson's Dead White Males for the Sydney Theatre Company and as Vittorio Vidal in Sweet Charity. In 1993, he again appeared on London's West End at the Prince of Wales theatre in the role of Frank Butler in Ronald Lee's production of Annie Get Your Gun.In 1998, John created the role of the silver-tongued lawyer, Billy Flynn, in the acclaimed revival of Chicago. In 2000, he was invited to London to play the role on the West End stage. Further theatre credits include Mack & Mabel, South Pacific, Into the Woods and Follies. Producing and directing credits include the musicals South Pacific, Titanic, Zorba and Jekyll & Hyde.His television and film credits include Bluey, Special Squad, Class of '74 and The Challenge. In the UK, the sitcom The Gingerbread Girl and Second Thoughts; and Fred Scheppsi's The Devil's Playground. In this two part conversation with John Diedrich, STAGES recounts many of those highlights, along with the challenges of a life in the theatre, and the tremendous legacy that his career has gifted us.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

John Diedrich is one of the Australian theatre's greatest and most versatile talents, having contributed to the industry across many platforms as actor, writer, director and producer. John commenced his career at age 11 with J.C. Williamson's, appearing in the classics Camelot and then Oliver!, playing the Artful Dodger. At the age of 19 John produced and directed his first musical, presenting Minnie's Boys, a musical based on the life of the Marx Brothers. Regular engagements as an actor followed in both plays and musicals, including Salad Days at St Martins, Grease for Harry M. Miller, Two Gentlemen of Verona for Kenn Brodziak, Lloyd George Knew My Father, starring alongside Sir Ralph Richardson, and with Leslie Phillips in The Man Most Likely To.John co-wrote, directed and performed in three highly successful revues; Gershwin - a musical tribute to the songwriting brothers, The Twenties and All That Jazz and Oh Those Thirties.In 1980, John was cast as Curly in Cameron Mackintosh's revival of Rodgers & Hammerstein's seminal musical Oklahoma!, playing the Palace theatre on London's West End. The production was directed by Oscar's son, James Hammerstein. For his performance, John was nominated for an Olivier Award as Best Actor in a Musical. He returned to Australia in 1982 to recreate the role in the Australian production and tour.In 1987, John co-produced and starred as Guido Contini in the ground breaking musical Nine, for which he was nominated as Best Director of a Musical in the Sydney Theatre Critics awards. Nine was also nominated as the outstanding production of the year. John co-produced the original cast album of Nine which won the ARIA Award for Best Cast recording. He has recorded five other cast albums. John's other theatre credits include Inspector Javert in Les Miserables, Wolf by Tobsha Lerner and Insignificance by Terry Johnson for Playbox, Aren't We All with Sir Rex Harrison and Claudette Colbert, High Society for the Melbourne Theatre Company, as Dr Grant Swain in David Williamson's Dead White Males for the Sydney Theatre Company and as Vittorio Vidal in Sweet Charity. In 1993, he again appeared on London's West End at the Prince of Wales theatre in the role of Frank Butler in Ronald Lee's production of Annie Get Your Gun.In 1998, John created the role of the silver-tongued lawyer, Billy Flynn, in the acclaimed revival of Chicago. In 2000, he was invited to London to play the role on the West End stage. Further theatre credits include Mack & Mabel, South Pacific, Into the Woods and Follies. Producing and directing credits include the musicals South Pacific, Titanic, Zorba and Jekyll & Hyde.His television and film credits include Bluey, Special Squad, Class of '74 and The Challenge. In the UK, the sitcom The Gingerbread Girl and Second Thoughts; and Fred Scheppsi's The Devil's Playground. In this two part conversation with John Diedrich, STAGES recounts many of those highlights, along with the challenges of a life in the theatre, and the tremendous legacy that his career has gifted us.The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Part 1 Guest  Preston Truman Boyd plays Inspector Javert to talk his role in the famed French classic Les Misérables For more information visit: www.kansas-city-theater.com/theaters/municipal-auditorium/les-miserables.php May 2nd through May 7th […] The post Arts Magazine Show: Les Miserables & KC Rep appeared first on KKFI.

Part 1 Guest  Preston Truman Boyd plays Inspector Javert to talk his role in the famed French classic Les Misérables For more information visit: www.kansas-city-theater.com/theaters/municipal-auditorium/les-miserables.php May 2nd through May 7th […] The post Arts Magazine Show: Les Miserables & KC Rep appeared first on KKFI.

Who's lived a more varied, interesting political life over the last 6 decades than Jeff Greenfield? Aide and speechwriter to Senator Robert Kennedy...staffer for NYC Mayor John Lindsay...successful political consultant with the famed David Garth...and then as an omnipresent political commentator at CBS, ABC, NBC, CBS, and CNN...5 time Emmy Award Winner...author of several books. This is a great, wide-ranging conversation with one of the most respected, enduring, and distinctive voices in American politics.IN THIS EPISODEHow the New York Yankees are responsible for Jeff's political obsession…The serendipitous path that led Jeff to become an aide to Senator Robert Kennedy…Jeff's memories of the U.S. Senate of the 1960s…Jeff on the political savvy of RFK…The stories behind two of RFK's most memorable speeches in the aftermath of Martin Luther King Jr's Assassination…Jeff talks how the 1968 election might have played out had Senator Kennedy lived…What it was like writing a speech for Robert Kennedy…Jeff's theory on the right match of speechwriter and speaker…Jeff's time working with famed political consultant David Garth…The ad Jeff wrote as a media consultant of which he's most proud…Jeff talks his connection with longtime friend William F. Buckley…The story of Margaret Thatcher insulting Jeff on national TV…Jeff's move from political consulting to working in television…The media job Jeff held that was the most fun…Jeff's approach to interesting television commentary…Four of Jeff's pet peeves about contemporary political punditry…The “single most powerful event” Jeff ever attended…Recommendations from one of Jeff's favorite restaurants and favorite band…AND  Aeschylus, Muhammad Ali, Barney Greengrass, the Beatles, Tom Bettag, Beyonce, Big Pink, Tom Bradley, the Bronx High School of Science, Ron Brown, Buggs Bunny, bullshit measurements, Hugh Carey, William Sloane Coffin, communist cigars, computer manuals, Daffy Duck, Richard Daley, doo wop, Fred Dutton, Peter Edelman, Dwight Eisenhower, elephants, Firing Line, Joe Frazier, John Kenneth Galbraith, John Glenn, the Grateful Dead, Averell Harriman, Lester Holt, Hubert Humphrey, Inspector Javert, Irving Ives, Jacob Javits, journalistic utopias, jut jaws, Murray Kempton, Henry Kissinger, Ted Koppel, John Lindsay, Little Anthony and the Imperials, Lil Nas, losing altitude, Russell Long, the longest slogans in the world, Al Lowenstein, the Making of the President, Eugene McCarthy, Joe McCarthy, George McGovern, Stephen Miller, mock primaries, Bill Moyers, the National Review, The New York Times, Richard Nixon, Lee Harvey Oswald, particle physics, personal antipathy, Ronald Reagan, Robbie Robertson, Howard Samuels, Ted Sorensen, Aaron Sorkin, Adlai Stevenson, Norman Thomas, Donald Trump, two doses of herpes, Unconventional Wisdom, the unit rule, V-E Day, the violence of institutions, Adam Walinsky, wartime correspondents, Watergate, Billy Wilder, wretched ironies, Sam Yorty & more!

Shuler Hensley is a multi-award winning star of film, television, who is currently starring on Broadway in the hit musical, The Music Man. Beginning his career in the Theatre, Shuler was cast by Susan Stroman and Trevor Nunn as Jud Fry in London in the National Theatre's revival of Oklahoma!. Shuler wowed critics and theatre-goers alike for his haunting interpretation of Jud, and he received the coveted Olivier Award–London theatre's equivalent of the Tony–for Best Supporting Performance in a Musical. Shuler subsequently made his Broadway debut in November 2000 portraying the relentless Inspector Javert in Les Misérables. In February 2002, the Trevor Nunn version of Oklahoma! was transferred to Broadway, and with it the opportunity for Shuler to reprise his critically acclaimed performance of Jud Fry. Shuler again became a proud award winner, this time of Broadway's “Triple Crown”--the Tony, the Drama Desk, and the Outer Critics' Circle.

This podcast covers New Girl Season 3, Episode 12, Basketsball, which originally aired on January 14, 2014 and was written by Rebecca Addelman and directed by Lorene Scafaria. Here's a quick recap of the episode:Jess tries to bond with Coach by pretending to like basketball which leads to a feud with Nick. Meanwhile, Winston shadows Schmidt at work while he's training a new guy!We discuss Pop Culture References such as:BASKETBALL - This episode features many basketball references as the premise deals with Jess becoming a Detroit Pistons fan to befriend Coach, despite the fact that Nick's favorite team is their rivals, the Chicago Bulls. October to JuneDetroit PistonsChicago BullsPistons vs Bulls Rivalry Michael JordanTom ThibodeauJosh SmithScottie PippenAdditional Pop Culture References such as:Disposable Camera - Nick took “sexy, sensual, private pics” on a disposable camera for Jess. A disposable camera is a simple box camera meant to be used once. Most use fixed-focus lenses. Some are equipped with an integrated flash unit, and there are even waterproof versions for underwater photography. The height of the flash-equipped disposable cameras craze was around 2005. [Edward] Snowden - Nick said he didn't want his “sexy, sensual, private pics” to be on his phone because he didn't want them “beamed right into Snowden's pocket”. Edward Joseph Snowden is an American former computer intelligence consultant who leaked highly classified information from the National Security Agency (NSA) in 2013, when he was an employee and subcontractor. His illegal disclosures prompted a cultural discussion about national security and individual privacy.Guy Fieri - Nick titled one of his “sexy” pics the “Guy Fieri”. Guy Ramsay Fieri is an American restaurateur, author, and an Emmy Award winning television presenter. He co-owns three restaurants in California, licenses his name to restaurants in New York City and Las Vegas, and is known for hosting various television series on the Food Network. He's also known for his iconic spiky bleached hair and goatee look.  Paula Abdul - When Jess was trying to tempt Nick during their sex stand-off, she started reading what a piston does and Nick said he was doing “a little Paula Abdul stuff.” Paula Julie Abdul is an American singer, dancer, choreographer, actress, and television personality. She began her career as a cheerleader for the Los Angeles Lakers, later choreographed music videos for those like Janet Jackson, and soon thereafter had a successful career as a musician. Abdul was also one of the original judges on the television series American Idol, and has since appeared as a judge on The X Factor, Live to Dance, So You Think You Can Dance, and The Masked Dancer. Training Day - Winston shares that Training Day is his favorite movie. Training Day is a 2001 American crime thriller that focuses on two LAPD narcotics officers over a 24-hour period in the gang-ridden neighborhoods of Westlake, Echo Park, and South Central Los Angeles. The film received numerous accolades and nominations, with Denzel Washington's performance earning him the Academy Award for Best Actor and Ethan Hawke being nominated for Best Supporting Actor.When Jess and Nick are exploring what rivalries are, they mention a few rivals: Yankees & Red Sox - Like the Detroit Pistons and Chicago Bulls, the New York Yankees and Boston Red Sox major league baseball teams are arguably the fiercest rivalry in sports. In 1919, Red Sox owner Harry Frazee sold star player Babe Ruth to the Yankees, which was followed by an 86-year period in which the Red Sox did not win a World Series. This led to the popularization of a superstition known as the "Curse of the Bambino,” which was onte of the most well-known aspects of the rivalry.Jean Valjean & Javert - Both Jean Valjean and Javert are fictional characters from Victor Hugo's novel Les Misérables. The story's main character, Jean Valjean, struggles to lead a normal life after serving a prison sentence for stealing bread to feed his sister's children during a time of economic depression and various attempts to escape from prison. Javert is a prison guard and then a police inspector, and his character is defined by his legalist tendencies and lack of empathy for criminals of all forms. Valjean and police Inspector Javert, who repeatedly encounters Valjean and attempts to return him to prison, have become archetypes in literary culture. Hamlet - The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet, is a tragedy written by William Shakespeare. Set in Denmark, the play depicts Prince Hamlet and his revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother.This episode we discuss which one of us is most likely to fake being into something to make friends, steal someone's idea, have loose olives under your bed, and not support your partner's team. We cover the moment where Schmidt shares that Ed out-sharked him to Cece and Winston as our “Schmidtism” this episode. For “Not in the 2020s” we chat about the men vs women dynamics and some of the ageism. For “Yes in the 2020s” we discuss the moment where Nick yells out how he was going to respectfully take Jess. We also give a brief look into Bob Gunton (Ed), the Guest Star we feature in this episode.Also in this episode were the following guest stars who we do not discuss in the podcast: Gillian Vigman (Kim - Previously Discussed in S1E12), Selina Kaye (Waitress), and Adam Michna (Bar Patron).We also chat about how the writers landed on this plotline but we did not find the bear this episode.While not discussed in the podcast, we noted other references in this episode including:Half Nelson - One of the poses that Nick photographs himself in he calls the “Half Nelson”. The half nelson is a wrestling hold in which one arm is thrust under the corresponding arm of an opponent and the hand placed on the back of the opponent's neck. Most coaches refer to it as the easiest but most effective move in folkstyle wrestling, and it is very commonly used.This episode got an 7/10 rating from both Kritika and Kelly and both had the same favorite character: Nick!Thanks for listening and stay tuned for Episode 13!Music: "Hotshot” by scottholmesmusic.comFollow us on Twitter, Instagram or email us at whosthatgirlpod@gmail.com!Website: https://smallscreenchatter.com/

We are here! Aaron's first big motion picture role! He captured our hearts and Inspector Javert as the barricade building, revolutionary Enjolras in Les Miserable. This role of Aaron's holds a special place for me, as it was my first experience with Aaron as an actor and hearing his voice. So much of this role was a dream come true for Aaron and he was hand selected for very specific reason by the producers, and he plays a critical role in why we are able to see the groundbreaking, live singing musical movie that we know and love today. Here's episode 7- One Day More

Philip Quast graduated from the National Institute of Dramatic Art in 1979 and began his career with State Theatre Company of South Australia debuting as Adam in The Mystery Plays of Wakefield. He went on to appear in numerous productions with the company including On The Wallaby, A Hard God, No End of Blame and The Threepenny Opera. His first musical was in the title role of Nimrod Theatre Company's Candide. Philip also began appearing as a presenter on the Australian children's show Play School, a program he would continue to present for 17 years.He shot to prominence in 1987 when he appeared as Javert in the original Australian production of Les Misérables. This performance won him a Sydney Critic Award and in 1989, he travelled to London to play Javert on the West End and eventually in Les Misérables: The Dream Cast at The Royal Albert Hall.Philip's stage success continued as he won the coveted role of Georges Seurat in the original London production of Stephen Sondheim's Sunday in the Park with George at the National Theatre where he also performed in David Hare's Stuff Happens, A Funny Thing Happened On The Way to the Forum, South Pacific and most recently the award winning Follies (which screened live around the world.)He has won three Laurence Olivier Awards for Best Actor in a Musical; Sunday in the Park with George, South Pacific and The Fix.He has appeared with the Sydney Theatre Company in Coriolanus, Sondheim's Into the Woods,The Cherry Orchard, Democracy and the much-lauded production of Waiting For Godot. Most recently with Death of a Salesman.Philip has been a member of the Royal Shakespeare Company's seasons in London and Stratford Upon Avon with The White Devil, Macbeth, Troilus and Cressida and The Secret Garden.His other innumerable roles include Juan Peron in Andrew Lloyd Webber's 2006 production of Evita at the Adelphi Theatre, Judge Turpin in Sweeney Todd at London's Royal Festival Hall, The Lincoln Centre in New York and for The English National Opera. He played Georges in the Menier Chocolate Factory's production of Jerry Herman's La Cage aux Folles in the West End.His many film and television appearances include; Midsomer Murders, Morse, UltraViolet, Brides of Christ, The Damnation of Harvey McCue,Truth, Hacksaw Ridge,The Devil's Double and Picnic At Hanging Rock.Philip can be heard in over 15 cast recordings. He now devotes much of his time to directing, writing and teaching.Philip will be performing at this year's Adelaide Cabaret Festival with Moments In The Woods – Songs & Stories of Sondheim, directed by Mitchell Butel. Moments In The Woods also features Geraldine Turner, Queenie van de Zandt, Josie Lane and Mitchell Butel. The show plays June 23rd at Her Majesty's Theatre, Adelaide.The STAGES podcast is available to access and subscribe from Whooshkaa, Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Recipient of Best New Podcast at 2019 Australian Podcast Awards. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

LES MISERABLES COMPOSER: Claude-Michel Schonberg LYRICIST: Herbert Kretzmer BOOK: Alain Boublil, Claude-Michele Schonberg, Jean-Marc Natel SOURCE: Victor Hugo's novel Les Miserables (1862) DIRECTOR: Trevor Nunn and John Caird CHOREOGRAPHER: Trevor Nunn and John Caird PRINCIPLE CAST: Randy Graff (Fantine), Terrence Mann (Javert), Colm Wilkinson (Jean Valjean) OPENING DATE: Mar 12, 1987 CLOSING DATE: May 18, 2003 PERFORMANCES: 6,680 SYNOPSIS: Jean Valjean is a convicted thief who attempts to rebuild his life with a new family while being mercilessly hunted by the pious Inspector Javert. As these two men battle for their souls, the Paris streets are littered with a political revolution that will forever alter the lives of these two men.  Robert Meffe traces the development of Claude-Michel Schönberg, Alain Boublil and Jean-Marc Natel, and Herbert Kretzmer's epic mega-musical, Les Misérables through inception and how it created the template for musicals that would successfully fuse their scores with popular musical forms. Significantly, the creative team of Trevor Nunn and John Napier struggled to adapt the French novel's storyline in a way that would resonate with a contemporary British audience both in pacing and the application of universal themes. The show's success inspired a fleet of musicals whose plots waxed epic including The Phantom of the Opera, Miss Saigon, and Titanic. Robert Meffe- Broadway: Associate Conductor of Little Women and the last six years of Les Misérables, keyboards for Evita (2012 revival), Newsies, The Phantom of the Opera, Avenue Q, Spelling Bee, Grey Gardens and Bombay Dreams.  National Tours: Music Director of Evita, The Phantom of the Opera, Associate Conductor of Les Misérables, Sunday in the Park with George. Off-Broadway: Myths & Hymns, Violet, The Prince and the Pauper, and Gutenberg! The Musical!.  TV: Encore! (Disney+), Earth to America (TBS), Renee Fleming-Live at Lincoln Center (PBS). Mr. Meffe is currently the Head of the MFA Musical Theatre Program at San Diego State University.   SOURCES Les Miserables, Original London Cast Recording. First Night Records (1985) Les Miserables starring Hugh Jackman and Russell Crowe, directed by Tom Hooper, NBC Universal (2012) Les Miserables: The Dream Cast In Concert starring Lea Salonga and Colm Wilkinson, directed by Gavin Taylor, Sony Pictures (1998) The Complete Book of Les Miserables by Edward Behr, published by Arcade (2016) Learn more about your ad choices. Visit megaphone.fm/adchoices

Tony is one the Muni's most prolific performers. Tony made his Muni debut in 1987 as the The Lion in The Wiz. Since then, some of the roles he has played include Lancelot in Camelot in 1990, Jim in Big River in 1994, Coalhouse Walker, Jr. in Ragtime in 2005, Pharaoh in Joseph and the Amazing Technicolor Dreamcoat in 2011 and Pape Ge in Once on This Island, also in 2011. His consummate role was that of Inspector Javert in Les Misérables in 2013. He also was in the ensemble and understudied the legendary William Warfield in our production of Show Boat in 1991. Want to get involved in this project? Email history@themuni.org.

Maybe you've heard of that terrible placeWhere the time-noncompliant are dragged by their hairMaybe you've heard of that mythical placeThat we call the TVA (hello, you're there!)[...]We find you totally innocent...Which is the worst crime of all...This episode has everything: Lightning McQueen, loaded hand touching, Munch's Make-Believe Band's weirdo cousins, a Loki who is also Thor, and Richard E. Grant in a yellow Kermit collar. (You know, like that thing Kermit the Frog has around his neck? That's a Kermit collar.) Who's that over by the bar? It's Inspector Javert, and he's citing Dr. Manhattan for public nudity.

"I am the law, and the law is not mocked!" This week, we welcome the creator of Off The Beaten Path, Tory Doctor, as we gain some intriguing insight on the insidious Inspector Javert from Les Misèrables. For more information on Off The Beaten Path, please visit: https://www.obpmusical.com/ To donate to The Actors' Fund, please visit: https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-relief

Hayden Tee is the boy from New Zealand who developed a career in Australia and then proceeded to conquer theatres around the world, with star turns in musicals as diverse as Les Miserables and Matilda. Curiously, he gave us seductive and thrilling villains in both - Inspector Javert and Miss Trunchbull. Though he would call them Antagonists. He recently returned to Auckland to share his acclaimed performance as Javert with his homeland.Hayden has carved out an impressive list of credits in musical theatre, theatre, cabaret and also make-up design – an accomplished make-up artist, you may have caught one of his many make-up tutorials online. He is a master of transformation and aesthetic seduction, employing theatrical and cosmetic make-up to contribute to illusion magnificently.Hayden’s Australian theatre credits include magnetic performances in Only Heaven Knows, Titanic: The Musical, South Pacific, Little Women: The Musical, The Wizard of Oz and Dead Man Walking. His extensive International work has included Being Earnest, 1776, My Fair Lady, Into The Woods and Kiss Me Kate. His mastery of the form is vast and incisive.He has just released an exciting new recording. The album is called Hayden Tee: Face To Face. It features a full orchestra backing with Hayden delivering musical theatre favourites and also capturing a few of the dynamic performances he has given in a stellar career.Stages has wanted to record a conversation with Hayden since the podcast begun but alas geography was never on our side. It was a treat to finally be able to sit down with Mr Tee on a recent visit to Sydney as he prepared for a concert tour.Stages is available in iTunes, Spotify and Whooshkaa.

We can either examine ourselves or examine others. Only one of these will send us home at rights with God.Readings for the 30th Sunday in Ordinary Time Year C, 27th October 2019.Ecclesiasticus 35:12-14,16-91Psalm 33:2-3,17-19,232 Timothy 4:6-8,16-18Luke 18:9-14

Roger Lemke is one of Australia’s most successful operatic and concert artists with a career spanning over 30 years performing in Opera, Music Theatre, Film and Concert. His career began in Musical Theatre, leading to the chance encounter with a singing teacher who suggested he might have a voice for Opera.He is the recipient of a number of prestigious vocal competitions and scholarships including both Melbourne and Sydney Sun Arias in the same year, and the Metropolitan Opera award. He also won the Bel Canto Foundation Chicago Scholarship studying with internationally acclaimed singer Carlo Bergonzi in Italy.He has appeared with all the major Australian and New Zealand companies, in a diverse range of principal roles including Papageno in The Magic Flute, Taddeo in The Italian Girl in Algiers, Giuseppe in The Gondoliers, Count Boni in The Gypsy Princess, two seasons as Marcello in the highly acclaimed Baz Luhrmann production of La Boheme and The Engineer in the world premiere of The Eighth Wonder by Alan John.Return visits to the Musical Theatre have provide him opportunities to play Inspector Javert in Les Miserables and Old Deuteronomy in Cats.His extensive knowledge of the industry and repertoire provides the solid platform from which he now mentors, manages and coaches today’s young artists embarking on their own careers in vocal performance.See more at www.rogerlemke.com.auSTAGES available in iTunes, Spotify and Whooshkaa.

DO YOU HEAR THE STUDENTS SING?The French Revolution will come to life in vivid detail and song as Toledo School for the Arts presents the much-loved musical Les Misérables: School Edition for four performances from Thursday, October 17 through Sunday, October 20 at Owens Community College.Based on the Victor Hugo novel of the same name, Les Misérables follows the story of recently released convict, Jean Valjean, as he discovers that his freedom is tainted by mistrust and abuse. He breaks his parole and is pursued by the persistent Inspector Javert who refuses to believe that a convict could change for the good. Jean Valjean assumes a false identity to raise his adopted daughter, Cosette, but the Paris Student Uprising (1832) forces both he and Javert into direct confrontation. Each must acknowledge the truth of their pasts and learn to accept the change that time brings…or not.The production is directed by TSA faculty, led by Amelia Lefevre. The cast members are all students from Toledo School for the Arts featuring Trevor Gill-Snow (Whitehouse) as Jean Valjean, Reuben Hagedorn (Oregon) as Javert, Olivia Gierke (Oregon) as Fantine, Max Gierke (Oregon) as Marius, and Casey Merren (Oregon) as Eponine.TSA productions are noteworthy for the quality of student performances, where students craft their skills daily. “The level of performance is surprisingly good”, explains Artistic Director David Saygers. “Sometimes it’s hard to remember these are high school students, juggling homework and shows. Many of the performers are veteran actors, and bring a great deal of confidence and poise to their roles.”Performances begin at 7:00pm on Thursday, October 17, Friday, October 18, and Saturday, October 19 as well as at 2:30 on Sunday, October 20 at the Owens Community College Center for Fine and Performing Arts (30335 Oregon Road, Perrysburg, OH 43551). Tickets are $22, $16, or $10. To order your tickets contact the TSA Box Office at 419-246-8732 x226, or visit ts4arts.org.LES MISERABLES: SCHOOL EDITION is presented through special arrangement with Music Theatre International (MTI) and is performed entirely by students.LES MISÉRABLES: SCHOOL EDITIONPerformed entirely by studentsThu – Sat, October 17-197:00pmSunday, October 202:30pmOCC Center for Fine and Performing Arts$22, 16, 10A musical by ALAIN BOUBLIL and CLAUDE-MICHEL SCHӦNBERGBased on the novel by VICTOR HUGOMusic by CLAUDE-MICHEL SCHӦNBERGLyrics by HERBERT KRETZMEROriginal French text by ALAIN BOUBLIL and JEAN-MARC NATELAdditional Material by JAMES FENTONAdapted by TREVOR NUNN and JOHN CAIRDOriginal Orchestrations by JOHN CAMERONNew Orchestrations by CHRISTOPHER JAHNKE, STEPHEN METCALFE and STEPHEN BOOKEROriginally Produced by CAMERON MACKINTOSHSchool Edition specially adapted and licensed byMUSIC THEATRE INTERNATIONAL and CAMERON MACKINTOSH (OVERSEAS) LTDIn nineteenth century France, Jean Valjean is released from years of unjust imprisonment, but discovers his freedom is marred by mistrust and mistreatment. He breaks his parole in hopes of starting a new life, initiating a lifelong struggle for redemption as he is relentlessly pursued by police inspector Javert, who refuses to believe Valjean can change his ways. Finally, during the Paris student uprising of 1832, Javert must confront his ideals after Valjean spares his life and saves that of the student revolutionary who has captured the heart of Valjean’s adopted daughter.

In 2010, John Murphy, composer of memorable film scores such as 28 Days Later, Kick-Ass, and Sunshine, stepped away from the film music world for an 8-year hiatus. The British film composer is a self-taught multi-instrumental musician who began in the 1980s, working notably with The Lotus Eaters, Thomas Lang, and Claudia Brücken. He then went on to collaborate numerous times with directors such as: Danny Boyle, Guy Ritchie, Michael Mann, Matthew Vaughn, and Stephen Frears. John Murphy returned to the world of scoring to picture with Andrew Davies' non-musical adaptation of LES MISERABLES. Screenwriter, Andrew Davies, would bring the Victor Hugo masterpiece to television in a six-part adaptation, premiering on BBC in 2018 and then on PBS in the USA on April 18, 2019. Dominic West stars as fugitive Jean Valjean, with David Oyelowo as his pursuer Inspector Javert and Lily Collins as the luckless single mother Fantine. Love, death, and the struggle for social justice in early 19th-century France feature in this beautifully faithful retelling of one of the world's most beloved stories.In this episode of the Annotator, John Murphy shares how this adaptation of the book, not being a musical immediately affected the tone of his score. He vividly describes how he chose to approach several key themes and character moments from the series, how he he played cello for the very first time on this score, and how his composing process for this project made him feel like organizer and minimalist extraordinaire Marie Kondo.ANNOTATED TRACKS / SEGMENTS02:34- Tension05:11 - Les Miserables06:26 - Fantine's Descent08:06 - Relentless09:48 - The Morning After11:34 - Javert on the BridgeSOUNDTRACKThe soundtrack was released digitally May 3, 2019 by Lakeshare Records and can be purchased from Amazon.com and iTunes and streamed on Spotify and Apple Music.MORE ABOUT THE COMPOSERYou can find out more about and hear more music by John Murphy at his official site http://www.johnmurphyofficial.com/ or follow him on Twitter @john__murphyABOUT THE ANNOTATORProduced by Christopher Coleman (@ccoleman) and you can Find more episodes at THEANNOTATOR.NET or you can subscribe via iTunes, Stitcher Radio or wherever you find quality podcasts.FOLLOW USTwitter @audioannotatorFacebook @TheAnnotatorEmail theannotatorpodcast@gmail.comSUBSCRIBEiTunesSpotifyStitcher RadioRadioPublicGoogle Play PodcastsRSS Feed

*Warning: This episode contains spoilers for Episode Two of *Les Miserables. In Victor Hugo's landmark epic, Les Miserables, the Inspector Javert is a hard, cold man with a unflinching pursuit of his own personal justice. But in the critically-acclaimed new MASTERPIECE adaptation of the novel, actor and series executive producer David Oyelowo brings a subtle, sophisticated nuance to his performance, adding layers of context to this memorable villain. He joins the podcast for a preview of the villainy still to come in this this critically acclaimed series.

Series PremieresThe Code (CBS)The military's brightest minds take on the United States' toughest legal challenges, inside the courtroom and out, in the only law office in the world where every attorney is trained as a prosecutor, a defense lawyer, an investigator - and a Marine. Operating out of Judge Advocate General Headquarters in Quantico, these active-duty Marines are attorneys who have chosen to serve their country in pursuit of military justice at home and abroad, often having to put aside their ideals for the sake of the truth.Fosse/Verdon (FX)Spanning five decades, "Fosse/Verdon" explores the singular romantic and creative partnership between Bob Fosse and Gwen Verdon. Bob is a visionary filmmaker and one of the theater's most influential choreographers and directors, and Gwen is the greatest Broadway dancer of all time. Only Bob can create the groundbreaking musicals that allow Gwen to showcase her greatness. Only Gwen can realize the unique vision in Bob's head. Together, they will change the face of American entertainment -- at a perilous cost.Special (Netflix)A young gay man with cerebral palsy branches out from his insular existence in hopes of finally going after the life he wants.Les Misérables (PBS)Television adaptation of Victor Hugo's classic novel which follows Jean Valjean as he evades capture by the unyielding Inspector Javert. Set against a backdrop of post-Napoleonic France as unrest beings to grip the city of Paris once more. Season FinaleSchitt’s Creek (Pop)In the sitcom "Schitt's Creek," a wealthy couple -- video store magnate Johnny and his soap opera star wife Moira -- suddenly find themselves completely broke. With only one remaining asset, a small town called Schitt's Creek, which the Roses bought years earlier as a joke, this once-wealthy couple must give up life as they know it. With their two spoiled children in tow and their pampered lives behind them, the Rose family is forced to face their newfound poverty head-on and come together as a family to survive. Final Season PremiereGame of Thrones (HBO)George R.R. Martin's best-selling book series "A Song of Ice and Fire" is brought to the screen as HBO sinks its considerable storytelling teeth into the medieval fantasy epic. It's the depiction of two powerful families -- kings and queens, knights and renegades, liars and honest men -- playing a deadly game for control of the Seven Kingdoms of Westeros, and to sit atop the Iron Throne. Martin is credited as a co-executive producer and one of the writers for the series, whose shooting locations include Northern Ireland, Malta, Croatia and Spain. See acast.com/privacy for privacy and opt-out information.

Psalm 1 contrasts the way of the righteous and the way of the wicked. This theme is picked up on by the classic book and musical Les Miserables, particularly in the characters of Jean Valjean and Inspector Javert.

On the January 17, 2019 episode of /Film Daily, /Film editor in chief Peter Sciretta is joined by /Film managing editor Jacob Hall, weekend editor Brad Oman, senior writer Ben Pearson, and writers Hoai-Tran Bui and Chris Evangelista to decide the most anticipated new tv shows of 2019. You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (here is the RSS URL if you need it). Opening Banter: Brad gives his opinion on Jason Reitman's Ghostbusters sequel. Our Feature Presentation:The /Film team meets in the virtual writer's room to try to come up with the top 25 most anticipated new television shows of 2019, from the already narrowed down list (please note that the notes are what we scribled down before this meeting and are a combination of official plot synopsis and info from imdb):   The Mandalorian (Disney+, late 2019) first star wars live-action tv series producer Jon Favreau directors Dave Filoni, Deborah Chow (Better Call Saul), Rick Famuyiwa, Bryce Dallas Howard and Taika Waititi “The Mandalorian is set after the fall of the Empire and before the emergence of the First Order. The series follows the travails of a lone gunfighter in the outer reaches of the galaxy far from the authority of the New Republic.”   Deadly Class (Syfy, January 16) Producers: Russo Brothers A coming-of-age story set against the backdrop of late 1980s counterculture, which follows a disillusioned teen recruited into a storied high school for assassins.   The Umbrella Academy (Netflix, feb 15) Developed by Jeremy Slater Starring: Ellen Page, Tom Hopper, Robert Sheehan, Mary J. Blige “A disbanded group of superheroes reunite after their adoptive father, who trained them to save the world, dies.”   Watchmen (HBO) Showrunner: Damon Lindelof Cast: Regina King,  Yahya Abdul-Mateen II,  Jeremy Irons, Tim Blake Nelson,  Frances Fisher, Don Johnson “Television series based on the DC Comics series Watchmen, published 1986-1987.”   ‘Russian Doll' (Netflix, February 1st) created by Natasha Lyonne, Amy Poehler, and Leslye Headland Natasha Lyonne stars as "a young woman named Nadia on her journey as the guest of honor at a seemingly inescapable party one night in New York City. She dies repeatedly while at this party and she is just trying to figure out what the hell is going on."   The Passage (Fox, January 14) Developed by Liz Heldens (Deception, Friday Night Lights) loosely based on the trilogy of novels spanning 1,000 years in the life of Amy Bellafonte, as she moves from being manipulated in a government conspiracy through to protecting humankind in a dystopian vampire future.   ‘Living With Yourself' (Netflix, 2019) created by Timothy Greenberg, executive producer of The Daily Show with Jon Stewart Comedy stars Paul Rudd as George Elliot, who is “burned out and facing an impasse in both his personal and professional life. When he undergoes a novel treatment to become a better person, he finds he's been replaced by a new and improved George — revealing that his own worst enemy is himself. Told from multiple perspectives with intersecting storylines, the philosophical comedy asks: Do we really want to be better?" little miss sunshine directors are producers   Devs (FX, 2019) Written/directed by Alex Garland Starring: Sonoya Mizuno, Nick Offerman, Jin Ha, Zach Grenier, Stephen McKinley Henderson, Cailee Spaeny, Alison Pill follows "a young computer engineer, Lily [who] investigates the secretive development division of her employer, a cutting-edge tech company based in San Francisco, which she believes is behind the disappearance of her boyfriend."   Good Omens (Neil Gaiman, Amazon) six-part television serial based on the 1990 novel Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch by Terry Pratchett and Neil Gaiman. directed by Douglas Mackinnon and written by Gaiman, who will also serve as showrunner. stars David Tennant as the demon Crowley and Michael Sheen as the angel Aziraphale trying to prevent the Apocalypse. Other actors include Jon Hamm, Anna Maxwell Martin, Josie Lawrence, Adria Arjona, Michael McKean, Jack Whitehall, Miranda Richardson and Nick Offerman.   What We Do in the Shadows (FX, Spring) Executive producers:  Jemaine Clement Taika Waititi Starring: Kayvan Novak, Matt Berry, Natasia Demetriou, Harvey Guillen Set in New York City and follows "three vampires who have been roommates for hundreds and hundreds of years."   I Am The Night' (TNT, January 28th) six-episode limited television series Starring Chris Pine and India Eisley Directed by Patty Jenkins, Victoria Mahoney, Carl Franklin Fauna Hodel, a young girl who was given up by her birth mother, sets out to uncover the secrets of her past and ends up following a sinister trail that swirls closer to a gynecologist involved in the legendary Black Dahlia slaying.   “Modern Love” (Amazon, 2019)   Written and directed by Sing Street director John Carney Anne Hathaway, Tina Fey, John Slattery, Catherine Keener, Dev Patel, Shea Whigham, Andy Garcia, Olivia Cooke, John Gallagher, Jr., Sofia Boutella Modern Love will explore "love in its multitude of forms – including sexual, romantic, familial, platonic, and self love.   “Mrs. Fletcher” (HBO, 2019) Tom Perrotta (leftovers) Kathryn Hahn stars A divorced woman jumpstarts her love life by adopting a sexy new persona and discovers that her world is full of unexpected and sometimes complicated erotic possibilities.   “Now Apocalypse” (Starz, Mar. 10) Gregg Araki, Steven Soderbergh, A group of four friends living in L.A. embark on various exploits pursuing love, sex and fame. Directed by Gregg Araki. Starring...no one. (Avan Jogia, Kelli Berglund, Beau Mirchoff, Roxane Mesquida)   “The Loudest Voice in the Room”(Showtime, 2019) Tom McCarthy, Jason Blum, starring Russell Crowe, Naomi Watts, Sienna Miller, Simon McBurney, Seth MacFarlane The Loudest Voice in the Room tells the story of Roger Ailes who "molded Fox News into a force that irrevocably changed the conversation about the highest levels of government, will help understand the events that led the rise of Donald Trump. The series focuses primarily on the past decade in which Ailes arguably became the Republican Party's de facto leader, while flashing back to defining events in Ailes' life, including an initial meeting with Richard Nixon on the set of The Mike Douglas Show that gave birth to Ailes' political career and the sexual harassment accusations and settlements that brought his Fox News reign to an end. Told through multiple points of view, the limited series aims to shed light on the psychology that drives the political process from the top down."   “Shrill” (Hulu, Mar. 15) Lorne Michaels Based on Shrill: Notes from a Loud Woman by Lindy West Starring Aidy Bryant Lolly Adefope Luka Jones Ian Owens John Cameron Mitchell Julia Sweeney Shrill follows "Annie, described as a fat young woman who wants to change her life — but not her body. Annie is trying to make it as a journalist while juggling bad boyfriends, sick parents and a perfectionist boss, while the world around her deems her not good enough because of her weight. She starts to realize that she's as good as anyone else, and acts on it.   “Snowpiercer” (TNT, 2019) Starring Daveed Diggs and Jennifer Connelly Set seven years after the world became a frozen wasteland, Snowpiercer follows the remnants of humanity who inhabit a gigantic, perpetually moving train that circles the globe. The show questions class warfare, social injustice, and the politics of survival   “Turn Up Charlie” (Netflix, March 15) Starring Idris Elba, Piper Perabo and JJ Feild Turn Up Charlie centers on the titular Charlie (Idris Elba), a struggling DJ and eternal bachelor, who is given a final chance at success when he reluctantly becomes a ‘manny' to his famous best friend's problem-child daughter, Gabby (Frankie Hervey).   “Black Monday” (Showtime, January 20) Starring Don Cheadle, Regina King, Andrew Rannells, produced by Happy Endings creator David Caspe Travel back to October 19, 1987—aka Black Monday, the worst stock market crash in the history of Wall Street. To this day, no one knows who caused it … until now. This is the story of how a group of outsiders took on the blue-blood, old-boys club of Wall Street and ended up crashing the world's largest financial system, a Lamborghini limousine and the glass ceiling.   “Fosse/Verdon” (FX, April) Starring Michelle Williams and Sam Rockwell, produced by Lin-Manuel Miranda Spanning five decades, Fosse/Verdonexplores the singular romantic and creative partnership between Bob Fosse (Sam Rockwell) and Gwen Verdon (Michelle Williams). He is a visionary filmmaker and one of the theater's most influential choreographers and directors. She is the greatest Broadway dancer of all time. Only Bob can create the groundbreaking musicals that allow Gwen to showcase her greatness. Only Gwen can realize the unique vision in Bob's head. Together, they will change the face of American entertainment – at a perilous cost.   “Whiskey Cavalier” (ABC, February 24) Starring Scott Foley, Lauren Cohan, produced by Bill Lawrence (Scrubs), Jeff Ingold (Rush Hour), David Hemingson (Don't Trust the B in Apt. 23), directed by Peter Atencio (Key & Peele) Following an emotional breakup, Will Chase (codename: "Whiskey Cavalier"), played by Scott Foley, is assigned to work with badass CIA operative Francesca "Frankie" Trowbridge (codename: "Fiery Tribune"), played by Lauren Cohan. Together, they lead an inter-agency team of flawed, funny and heroic spies who periodically save the world—and each other—while navigating the rocky roads of friendship, romance and office politics.   “Tuca and Bertie” (Netflix, TBA) Starring Tiffany Haddish and Ali Wong, produced by Lisa Hanawalt, Raphael Bob-Waksberg, Noel Bright , and Steven A. Cohen, all of Bojack Horseman Two bird women -- a carefree toucan and an anxious songbird -- live in the same apartment building and share their lives in this animated comedy   “Top of the Morning” (Apple, TBA) Produced by and starring Jennifer Aniston and Reese Witherspoon, also starring Steve Carell, Billy Crudup, Gugu Mbatha-Raw An inside look at the lives of the people who help America wake up in the morning, exploring the unique challenges faced by the women (and men) who carry out this daily televised ritual   “The Dark Crystal: Age of Resistance” (Netflix TBA) Starring Taron Egerton, Anya Taylor-Joy and Nathalie Emmanuel in the lead roles, and supporting stars Mark Hamill, Mark Strong, Simon Pegg, Natalie Dormer, Gugu Mbatha-Raw, Eddie Izzard, Helena-Bonham Carter and more. Based on The Dark Crystal, Jim Henson's groundbreaking 1982 feature film, The Dark Crystal: Age of Resistancetells a new epic story, set many years before the events of the movie, and realized using classic puppetry with cutting edge visual effects. The world of Thra is dying. The Crystal of Truth is at the heart of Thra, a source of untold power. But it is damaged, corrupted by the evil Skeksis, and a sickness spreads across the land. When three Gelfling uncover the horrific truth behind the power of the Skeksis, an adventure unfolds as the fires of rebellion are lit and an epic battle for the planet begins.   Swamp Thing (DC Universe, May) Produced by James Wan, Mark Verheiden, Gary Dauberman, Michael Clear and Len Wiseman Directed by Len Wiseman Emerging from the swamp with a monstrous physique and strange new powers over plant life, the man who was once Alec Holland struggles to hold onto his humanity. When dark forces converge on the town of Marais, Swamp Thing must embrace what he has become in order to defend the town as well as the natural world at large.   Stargirl (DC Universe, September) Starring Brec Bassinger and Joel McHale “Courtney Whitmore (aka Stargirl) is smart, athletic and above all else kind. This high school teenager's seemingly perfect life hits a major speed bump when her mother gets married and her new family moves from Los Angeles, California, to Blue Valley, Nebraska. Struggling to adapt to a new school, make new friends and deal with a new step-family, Courtney discovers her step-father has a secret; he used to be the sidekick to a superhero. ‘Borrowing' the long-lost hero's cosmic staff, Courtney becomes the unlikely inspiration for an entirely new generation of superheroes.”   Pennyworth (EPIX, 2019 tba) Produced by Bruno Heller and Danny Cannon Starring Jack Bannon “follows Bruce Wayne's legendary butler, Alfred Pennyworth, a former British SAS soldier who forms a security company and goes to work with Thomas Wayne, Bruce's billionaire father, in 1960's London.”   Wizards (Netflix TBA) DreamWorks Animated Created by Guillermo del Toro The heroes of Arcadia join forces in an apocalyptic war for the control of magic that will decide the fate of the entire galaxy.   Creepshow (Shudder, TBA) Produced by Greg Nicotero No synopsis yet, but: ““Creepshowis one of the most beloved and iconic horror anthologies from two masters of the genre, George A. Romero and Stephen King,” Shudder general manager Craig Engler added. “We're thrilled to continue their legacy with another master of horror, Greg Nicotero, as we bring a new CreepshowTV series exclusively to Shudder members.”   The Righteous Gemstones (HBO, TBA) Starring Danny McBride/Jody Hill, John Goodman, Edi Patterson, Adam DeVine Produced by Jody Hill and David Gordon Green The Righteous Gemstonesfollows "the world famous Gemstone televangelist family, which has a long tradition of deviance, greed, and charitable work, all in the name of the Lord Jesus Christ."   The Boys (Amazon, TBA) Dan Trachtenberg directed pilot, Eric Kripke and Rogen/Goldberg produced Starring Karl Urban, Elisabeth Shue, Erin Moriarty, Antony Starr, Dominique McElligott, Jessie T. Usher, Chace Crawford, Nathan Mitchell, Laz Alonso,Karen Fukuhara In a world where superheroes embrace the darker side of their massive celebrity and fame, THE BOYS centers on a group of vigilantes known informally as “The Boys,” who set out to take down corrupt superheroes with no more than their blue-collar grit and a willingness to fight dirty. THE BOYS is a fun and irreverent take on what happens when superheroes – who are as popular as celebrities, as influential as politicians and as revered as Gods – abuse their superpowers rather than use them for good. It's the powerless against the super powerful as The Boys embark on a heroic quest to expose the truth about “The Seven,” and Vought – the multi-billion dollar conglomerate that manages these superheroes. THE BOYS is scheduled for a 2019 release.   Carnival Row (Amazon TBA) Travis Beacham, starring Orlando Bloom Produced by Travis Beacham and Rene Echevarria Carnival Row will follow "mythical creatures who have fled their war-torn homeland and gathered in the city as tensions are simmering between citizens and the growing immigrant population. At the center of the drama is the investigation into a string of unsolved murders, which are eating away at whatever uneasy peace still exists.”   “Too Old to Die Young” (Amazon, 2019) Written and produced by Nicolas Winding Refn and Ed Brubaker Directed by Refn starring Miles Teller, Billy Baldwin, Jena Malone, John Hawkes Too Old to Die Youngfollows "a grieving police officer who, along with the man who shot his partner, finds himself in an underworld filled with working-class hit men, Yakuza soldiers, cartel assassins sent from Mexico, Russian mafia captains and gangs of teen killers."   Warrior (Cinemax, TBA) Created by Jonathan Tropper and Justin Lin Inspired by an idea from Bruce Lee, Warrioris “set at the times of the Tong Wars in the late 1800s in San Francisco” and “follows a martial arts prodigy originating in China who moves to San Francisco and ends up becoming a hatchet man for the most powerful tong in Chinatown.”   “Y” (FX, 2019) Starring Diane Lane, Barry Keoghan, Imogen Poots, Lashana Lynch, Juliana Canfield and Marin Ireland. Based on the DC comic book series Y: The Last Man by Brian K Vaughn and Pia Guerrera, Yis set in “a post-apocalyptic world in which a cataclysmic event has decimated every male mammal save for one lone human. The new world order of women will explore gender, race, class and survival."   “Les Miserables” (PBS, April 14) Starring Dominic West, David Oyelowo, Lily Collins, Olivia Colman, David Bradley. Six-part BBC TV adaptation of Victor Hugo's classic novel which “follows Jean Valjean as he evades capture by the unyielding Inspector Javert. Set against a backdrop of post-Napoleonic France as unrest beings to grip the city of Paris once more.”   “Lovecraft Country” (HBO, 2019) Produced by Jordan Peele's Monkeypaw Productions and exec produced by Misha Green, J. J. Abrams, and Ben Stephenson. Based on the novel of the same name by Matt Ruff, Lovecraft Country follows "Atticus Black as he joins up with his friend Letitia and his Uncle George to embark on a road trip across 1950s Jim Crow America in search of his missing father. This begins a struggle to survive and overcome both the racist terrors of white America and the terrifying monsters that could be ripped from a Lovecraft paperback."   ‘Catch-22' (Hulu, 2019) Starring Christopher Abbot, Kyle Chandler, George Clooney, Hugh Laurie, produced by Clooney. Catch-22 is described by Hulu as "the story of the incomparable, artful dodger, Yossarian, a US Air Force bombardier in World War II who is furious because thousands of people he has never met are trying to kill him. But his real problem is not the enemy, but rather his own army which keeps increasing the number of missions the men must fly to complete their service. Yet if Yossarian makes any attempt to avoid his military assignments, he'll be in violation of Catch-22, a hilariously sinister bureaucratic rule which specifies that a concern for one's own safety in the face of dangers which are real and immediate is the process of a rational mind; a man is considered insane if he willingly continues to fly dangerous combat missions, but a request to be removed from duty is evidence of sanity and therefore makes him ineligible to be relieved from duty."   ‘Central Park Five' (Netflix, 2019) Created byAva DuVernay Starring Michael K. Williams, Vera Farmiga & John Leguizamo. “Based on a true story that gripped the nation, the four-episode series will chronicle the notorious case of five teenagers of color who were convicted of a rape they did not commit.” Spans from spring of 1989, when each were first questioned about the incident, to 2014 when they were exonerated and a settlement was reached with the city of New York.   Living With Yourself (Netflix, 2019) Created by Timothy Greenberg Starring Paul Rudd who also executive produces Living With Yourself begins when "George Elliot is burned out and facing an impasse in both his personal and professional life. When he undergoes a novel treatment to become a better person, he finds he's been replaced by a new and improved George — revealing that his own worst enemy is himself. Told from multiple perspectives with intersecting storylines, the philosophical comedy asks: Do we really want to be better?"   Four Weddings And A Funeral (Hulu, 2019) Created by Mindy Kaling Starring Jessica Williams Inspired by the 1994 British romantic comedy film, Four Weddings and a Funeral centers on Jess (Williams), the young communications director for a New York senatorial campaign, who receives a wedding invitation from her college schoolmate now living in London. She leaves her professional and personal life behind, in favor of traveling to England and reconnecting with old friends and ends up in the midst of their personal crises. Relationships are forged and broken, political scandals exposed, London social life lampooned, love affairs ignited and doused, and of course there are four weddings… and a funeral.   Untitled Picard Spin-off (CBS All Access) Created by Alex Kurtzman Starring Patrick Stewart The continuing adventures of Captain Jean-Luc Picard, whose life was radically altered due to the destruction of the Romulan home world in the 2009 Star Trek reboot movie.   The Politician (Netflix) Created by Ryan Murphy Starring Ben Platt, Jessica Lange, Gwenyth Paltrow, Zoey Deutch, Lucy Boynton Hour-long comedy with social commentary – the series follows the political aspirations of a wealthy Santa Barbara resident, with each season focusing on a different political race the lead is in.   The Twilight Zone (CBS All Access) Created by Jordan Peele Hosted & Narrated by Peele, Starring Adam Scott, Kumail Nanjiani, John Cho, Allison Tolman, Jacob Tremblay, Jessica Williams   The Act (Hulu, Mar. 20) Created by Michelle Dean and Nick Antosca Starring Patricia Arquette, Joey King, Chloë Sevigny, AnnaSophia Robb True crime anthology series. First season follows "Gypsy Blanchard, a girl trying to escape the toxic relationship she has with her overprotective mother. Her quest for independence opens a Pandora's box of secrets, one that ultimately leads to murder."   City on a Hill (Showtime, 2019) Created by Chuck MacLean, executive produced by Ben Affleck and Matt Damon Starring Kevin Bacon, Aldis Hodge Set in the early 1990s Boston, rife with violent criminals emboldened by local law enforcement agencies in which corruption and racism was the norm. In this fictional account, assistant district attorney Decourcy Ward (Hodge) arrives from Brooklyn and forms an unlikely alliance with a corrupt yet venerated FBI veteran, Jackie Rohr (Bacon). Together, they take on a family of armored car robbers from Charlestown in a case that grows to involve, and ultimately subvert, the entire criminal justice system of Boston.   Hanna (Amazon, March 2019) Created by David Farr (who co-wrote the movie) Starring Esme Creed-Miles, Joel Kinnaman, Mireille Enos Based on the 2011 movie starring Saoirse Ronan. Equal parts high-concept thriller and coming-of-age drama, Hannafollows the journey of an extraordinary young girl, Hanna (Creed-Miles), as she evades the relentless pursuit of an off-book CIA agent and tries to unearth the truth behind who she is.   Doom Patrol (DC Universe, Feb 15) Created by Jeremy Carver Starring Brendan Fraser, Alan Tudyk, Timothy Dalton, Diane Guerrero, April Bowlby Set after the events of Titans, the Doom Patrol – consisting of Robotman, Negative Man, Elasti-Woman, and Crazy Jane, and led by Dr. Niles Caulder/The Chief – receives a mission from Cyborg that they cannot ignore and will change their lives.   All the other stuff you need to know: You can find more about all the stories we mentioned on today's show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com. You can subscribe to /Film Daily on iTunes, Google Play, Overcast, Spotify and all the popular podcast apps (RSS). Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on iTunes, tell your friends and spread the word! Thanks to Sam Hume for our logo.

Musical-theater aficionados likely associate four-time Tony nominee Terrence Mann with the original Rum Tum Tugger of “Cats,” Inspector Javert in “Les Miserables” or perhaps one of the titular characters in “Beauty and the Beast.” Now the acclaimed actor is diving into yet another key role – this one on a St. Louis stage that will take him under the sea as King Triton.

Prudence is joined this week by Aria Velasquez, an audience engagement editor at Slate. First up, I'm worried my discussion with my eight year old about me and my husband's sexual orientation has greatly confused her, please help! Next...my family is struggling after an awful accident in which my father killed a neighbor's dog and in which my kids blame themselves. I think I may have found “the one” but our interactions with another couple leave us both feeling outrageously jealous… (only for Slate Plus) Following that: my coworker is taking all the communal office food and I'd like to speak up without hurting their feelings, is this possible? And lastly, I'm giving a lot of financial support to one of my granddaughters after a terrible car accident in which she'll need lifetime medical support, but some of my children and grandchildren are reacting with greed and not empathy and I'm at a loss for how to speak with them. Hear more Prudence by joining Slate Plus: Slate.com/Prudiepod.Email: prudencepodcast@gmail.comProduction by Max Jacobs Hosted on Acast. See acast.com/privacy for more information.

Prudence is joined this week by Aria Velasquez, an audience engagement editor at Slate. First up, I’m worried my discussion with my eight year old about me and my husband’s sexual orientation has greatly confused her, please help! Next...my family is struggling after an awful accident in which my father killed a neighbor’s dog and in which my kids blame themselves. I think I may have found “the one” but our interactions with another couple leave us both feeling outrageously jealous… (only for Slate Plus) Following that: my coworker is taking all the communal office food and I’d like to speak up without hurting their feelings, is this possible? And lastly, I’m giving a lot of financial support to one of my granddaughters after a terrible car accident in which she’ll need lifetime medical support, but some of my children and grandchildren are reacting with greed and not empathy and I’m at a loss for how to speak with them. Hear more Prudence by joining Slate Plus: Slate.com/Prudiepod. Email: prudencepodcast@gmail.comProduction by Max Jacobs Learn more about your ad choices. Visit megaphone.fm/adchoices

Prudence is joined this week by Aria Velasquez, an audience engagement editor at Slate. First up, I’m worried my discussion with my eight year old about me and my husband’s sexual orientation has greatly confused her, please help! Next...my family is struggling after an awful accident in which my father killed a neighbor’s dog and in which my kids blame themselves. I think I may have found “the one” but our interactions with another couple leave us both feeling outrageously jealous… (only for Slate Plus) Following that: my coworker is taking all the communal office food and I’d like to speak up without hurting their feelings, is this possible? And lastly, I’m giving a lot of financial support to one of my granddaughters after a terrible car accident in which she’ll need lifetime medical support, but some of my children and grandchildren are reacting with greed and not empathy and I’m at a loss for how to speak with them. Hear more Prudence by joining Slate Plus: Slate.com/Prudiepod. Email: prudencepodcast@gmail.comProduction by Max Jacobs Learn more about your ad choices. Visit megaphone.fm/adchoices

Val Jean starts a new life and becomes a leading citizen, but Inspector Javert is sure he recognizes him from somewhere. Meanwhile a young single mother named F Read more ...

In 2012 Canadian judge Justice Binnie said David Bain was innocent on the balance of probabilities. Why? Hear what Binnie says and what Martin van Beynen makes of his arguments. And why does Binnie compare van Beynen to Inspector Javert, a fictitious fanatical police inspector?

In 2012 Canadian judge Justice Binnie said David Bain was innocent on the balance of probabilities. Why? Hear what Binnie says and what Martin van Beynen makes of his arguments. And why does Binnie compare van Beynen to Inspector Javert, a fictitious fanatical police inspector?

Episode 90: Student Battle Raps and RhetoricRunning Time: 20:12This Week's Guests:Will Whitt as The Burger King Katie Geraghty as Inspector Javert Katherine Gardinier as Maximilien Robespierre Sophia Stalnaker as Cleopatra Abi Dinegar as Mary Queen of Scots Clara Cobb as Elvis Presley Hannah Pin as Michael Jackson Hugh Bothwell as the T Rex Kyley Van Doorn as the Brachiosaurus and Bart Whelan as Spongebob SquarepantsWhat happens when DJO students go toe-to-toe trading verses of rhyme and rhetoric to flex their poetic prowess? It's the first ever O'Connell English Department Battle Rap Showdown! And if you've never listened to a DJO English Department Round Table Podcast before, you are in for a real treat. Featuring Honors American Literature students assuming the personae of a star-studded lineup of figures from history, literature and pop culture, this week's episode is a high-energy showcase of rhetorical techniques and verse poetry forms in action. From smack talking dinosaurs to shade throwing historical icons, this week's student showcase is an awesome look at life in our Honors American Literature classroom, full of excitement, humor, and creativity. Your browser does not support this audio Don't forget to subscribe to the podcast on iTunes! And we'll see you again next week.

In a surprise that even the stalwart and stoic Inspector Javert did not expect, Emi brings in the NEW YEAR 2015 with a SURPRISE show!!!  During the episode, Emi will be having a 'Year in Refuse Review', counting down and discussing the epic (good AND bad) stuff that happened in 2014 that had all of the Shifty Universe a buzz with excitement!  There will also be a sneak preview of what 2015 will bring to the greatest Talk Show that ever has been, is or ever will be! You'll enjoy replays of old interviews, special independent musical tracks and so much more!!!  This will happen all in real time, so there WILL be interruptions by Emi's family, kids, you name it!!  You'll even get to hear Emi eating PIZZA!  How cool is that, really?!!! DO NOT MISS IT, SHIFTIES!!!  

Today's topics: Celebration of the Priesthood; Jean Valjean and immigration reform; Sunday Readings Summary of today's show: During the Station of the Cross/WQOM fund drive, Scot Landry, Fr. Mark O'Connell and Chris Kelley took time to discuss the 5th annual Celebration of the Priesthood dinner on Thursday night to raise funds for the health and retirement needs of priests; an article by John Garvey, president of Catholic University of America, who compared Jean Valjean, the main character from the book/play/movie “Les Miserables”, to immigrants in the US today; and the Gospel reading for this upcoming Sunday. Listen to the show: Today's host(s): Scot Landry and Fr. Mark O'Connell Today's guest(s): Links from today's show: Jean Valjean and immigration reform By John Garvey Les Miserables, the musical based on Victor Hugo's novel, has been running in London since 1985. Last Christmas, it was released as a movie that won three Academy Awards. By the time of the DVD release, the film had grossed more than $440 million worldwide. The music and the all-star cast (including Anne Hathaway and Hugh Jackman) had a lot to do with the movie's success, but the story is the real attraction. Jean Valjean, the protagonist, spends 19 years in prison for stealing bread to feed his sister and her seven children. Upon his release, he is issued a yellow feuille de route, a kind of domestic passport that identifies him as a former convict, making travel and employment difficult. Inevitably, he violates his parole. For this, Inspector Javert, the righteous embodiment of the law, pursues him throughout the novel. Living under an assumed name, Valjean becomes a successful entrepreneur and the mayor of his town. He adopts the orphaned child (Cosette) of one of his factory workers. But then Javert finds him again. The rest of the novel is an account of the effort to bring Valjean to justice. Hugo meant for the reader to sympathize with Valjean. His petty crime, committed out of desperate need and generosity rather than cruelty or selfishness, cost him 19 years of his life, plus other years on the run from Javert. In the meantime, Valjean lived an exemplary life, did much good for his town and his employees, and took in Cosette. In the end, (spoiler alert) even Javert is overcome by Valjean's goodness. My mind returns to this story when the issue of illegal immigration arises. The main argument against providing some form of relief for undocumented immigrants -such as a path to citizenship -is the problem of “rewarding” people who broke the law by entering the U.S. without permission or who stayed without permission. I'm not enough of a romantic to believe that every undocumented immigrant has the soul of Jean Valjean, but the crime they have committed (crossing the border without going through customs) is often motivated by a desire to feed a family. I don't mean to minimize or excuse breaking the law. It's wrong to jump the immigration queue, especially when so many must wait years for U.S. residency. It's also wrong for undocumented immigrants to presume on another nation's hospitality. But we must be careful of adopting a resolute, unforgiving, uphold-the-law-at-all-costs approach, like the one taken by Javert. He spent his last days hell-bent on ruining a model citizen who posed a threat to no one and in fact made his world a better place. As long as we're going strictly by the book, it's worth mentioning that federal law treats the act of illegal entry into the U.S. as a mere “administrative offense,” less serious than theft. It makes perfect sense to say that those who sneaked in should have to get in line behind legal applicants. Make them pay a fine and back taxes for the period of their illegal stay. And just to make sure they are the kind of people we want to allow to reside here permanently, make them wait 10 years for permanent residency, then three more years before they can apply for citizenship -nearly as long as Javert spent pursuing Valjean. These are the terms proposed in the bill the Senate passed in June. I don't think anyone could fairly accuse us of coddling criminals if we adopted that kind of settlement. At the end of the day, we have to stop hounding people for something they did long ago, often for generous reasons.