Podcasts about African Americans

2026 marks the 250th anniversary of the American Revolutionary War. While the national mythology behind the “America at 250” celebrations focuses on the 18th-century battle between Patriot and Loyalist elites, what does the story of the American Revolution and the founding of the United States look like through the eyes of enslaved people? In this episode of Rattling the Bars, host Mansa Musa speaks with Professor Justene Hill Edwards, author of Unfree Markets: The Slaves' Economy and the Rise of Capitalism in South Carolina.Guests:Justene Hill Edwards is an associate professor of History in the Corcoran Department of History at the University of Virginia. Her research explores the intersection of African American history, the history of slavery, and the history of American capitalism. She is the author of Unfree Markets: The Slaves' Economy and the Rise of Capitalism in South Carolina and Savings and Trust: The Rise and Betrayal of the Freedman's Bank.Credits:Producer / Videographer / Editor: Cameron GranadinoBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-real-news-podcast--2952221/support.Help us continue producing radically independent news and in-depth analysis by following us and becoming a monthly sustainer.Follow us on:Bluesky: @therealnews.comFacebook: The Real News NetworkTwitter: @TheRealNewsYouTube: @therealnewsInstagram: @therealnewsnetworkBecome a member and join the Supporters Club for The Real News Podcast today!

Schools around the country are shuttering their Black studies departments—often without regulatory prompting. Jafari S. Allen is a professor of African American and African diaspora studies at Columbia University. He joins host Krys Boyd to discuss why schools, now admitting less Black students than before DEI crackdowns, are blaming low enrollment for shutting down these departments, and why these cuts are often preemptive, before any penalties are incurred. His article “The Erasure of Black Studies” was published in The Chronicle of Higher Education. Learn about your ad choices: dovetail.prx.org/ad-choices

This interview with the painter Taina H. Cruz first came out for the opening of the Whitney Biennial, and on the occasion of the opening of Greater New York at MoMA PS1, where Cruz is also featured, we're resurfacing it. This is a lot of attention for an artist who is relatively young (born in 1998), and who just earned her MFA from the famed Yale School of Painting last year. She's worked in a variety of media, but is known now for paintings often featuring images of Black female figures with a moody, woozy, sometimes unsettled or unsettling atmosphere. Sometimes Cruz works in suggestions of African American and Caribbean folklore, or intimations of horror and fantasy. Sometimes, she's played on the images of celebrities like Halle Berry or Tyra Banks. Sometimes she reworks her own personal photos of neighbors from New York. Since Cruz is an artist that the curators of these big shows are looking to, critic Ben Davis, wanted to get a sense of the influences—from art and otherwise—that are shaping her approach to art, and what she makes of all the attention.

Happy Earth Day! This week on Getting Better, Jonathan sits down with plant biologist, author, and educator Dr. Beronda Montgomery for a grounding conversation about nature's healing power and America's Black botanical legacy. Together, they explore why reconnecting with green spaces can be so transformative for our mental, emotional, and physical well-being, and how practices like urban gardening and container planting can help us build a more meaningful relationship with the natural world—no sprawling backyard required. Jonathan and Dr. Montgomery also dig into the deeper wisdom held in landscapes, plants, and history itself—examining interdependence, the ways trees and land can testify to the past, and the often-overlooked contributions of African Americans in botany and agriculture, alongside the foundational knowledge of Indigenous communities. They touch on the significance of willow trees, the meaning of Sankofa, and what it means to look back in order to carry wisdom forward in a powerful episode about healing, remembrance, purpose, and the responsibility of growing a better future together. Dr. Montgomery's new book When Trees Testify: Science, Wisdom, History, and America's Black Botanical History (Henry Holt, 2026) is out now.  BIO: Dr. Beronda L. Montgomery is a writer, science communicator, and researcher. She has spent more than 20 years in higher education, most recently as vice president for academic affairs (2022–2024) and professor of biology (2022–present) at Grinnell College. Montgomery studies how plants and photosynthetic bacteria perceive, respond to, and are impacted by environments in which they exist. She is the author of Lessons from Plants (Harvard University Press, 2021) as well as her newest book When Trees Testify: Science, Wisdom, History, and America's Black Botanical History (Henry Holt, 2026). Trees stand at the intersection of plant knowledge, Black agricultural history, and collective memories of trauma and triumph intertwined. In When Trees Testify, Montgomery explores the roles that seven tree species—pecan, willow, oak, poplar, mulberry, sycamore, and apple—along with the cotton shrub have played in the lives of Black Americans from their enslavement in the United States to the present. She also explores the science of these plants as well as the sometimes-fraught relationship that African Americans have with agriculture and plants. Full Getting Better Video Episodes now available on YouTube.  Follow Dr. Beronda Montgomery on Instagram @beronda_m Follow us on Instagram @gettingbetterwithjvn  Follow Jonathan on Instagram @jvn Executive Producer, Chris McClure Producer, Editor & Engineer is Nathanael McClure Production support from Chad Hall Our theme music is also composed by Nathanael McClure. Check out the JVN Patreon for exclusive BTS content, extra interviews, and much much more - check it out here: www.patreon.com/jvn Curious about bringing your brand to life on the show? Email podcastadsales@sonymusic.com. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Part one of this quarter's edition of Unearthed! includes animals, artwork, edibles and potables, shipwrecks, potpourri. Research: Abdallah, Hannah. “Analysis of charred food in pot reveals that prehistoric Europeans had surprisingly complex cuisines.” EurekAlert. 3/4/2025. https://www.eurekalert.org/news-releases/1117763 Almeroth-Williams, Thomas. “British redcoat’s lost memoir reveals harsh realities of life as a disabled veteran.” EurekAlert. 1/14/2026. https://www.eurekalert.org/news-releases/1111595 Anderson, Sonja. “Does This Skeleton Found Beneath a Dutch Church Belong to D’Artagnan, the Man Who Inspired ‘The Three Musketeers’?” Smithsonian. 3/27/2026. https://www.smithsonianmag.com/smart-news/this-skeleton-found-beneath-the-floor-of-a-dutch-church-may-belong-to-dartagnan-the-fourth-musketeer-180988448/ Anderson, Sonja. “Historians Thought This Rare Renaissance Portrait by One of the First Famous Female Artists Was Lost to History—Until It Surfaced in North Carolina.” 2/3/2026. https://www.smithsonianmag.com/smart-news/historians-thought-this-rare-renaissance-portrait-by-one-of-the-first-famous-female-artists-was-lost-to-history-until-it-surfaced-in-north-carolina-180988120/ Anderson, Sonja. “Hundreds of Ancient Roman Blade Sharpeners Emerge From a Riverbank in England, Revealing the Ruins of a 2,000-Year-Old Whetstone Factory.” Smithsonian. 1/20/2026. https://www.smithsonianmag.com/smart-news/hundreds-of-ancient-roman-blade-sharpeners-emerge-from-a-riverbank-in-england-revealing-the-ruins-of-a-2000-year-old-whetstone-factory-180988016/ Anderson, Sonja. “The Italian Government Just Paid Nearly $35 Million for a Rare Caravaggio Portrait—One of the Most Expensive Artworks It’s Ever Acquired.” Smithsonian. 3/16/2026. https://www.smithsonianmag.com/smart-news/the-italian-government-just-paid-nearly-35-million-for-a-rare-Caravaggio-portrait-one-of-the-most-expensive-artworks-its-ever-acquired-180988344/ Arnold, Paul. “Poop as medicine? A Roman vial's chemistry backs up ancient medical texts.” Phys.org. 2/4/2026. https://phys.org/news/2026-02-poop-medicine-roman-vial-chemistry.html Arnold, Paul. “Scents of the afterlife: Identifying embalming recipes by 'sniffing' the air around Egyptian mummies.” Phys.org. 2/5/2026. https://phys.org/news/2026-02-scents-afterlife-embalming-recipes-sniffing.html#google_vignette Bacon, Jordan. “English history’s biggest march is a myth – King Harold sailed to the Battle of Hastings.” EurekAlert. 3/20/2026. https://www.eurekalert.org/news-releases/1120082 Bastola, Kunjal. “A Groundskeeper Noticed a Sinkhole on a Golf Course. It Turned Out to Be a Wine Cellar Full of Empty Bottles, Untouched for More Than 100 Years.” Smithsonian. 3/19/2026. https://www.smithsonianmag.com/smart-news/a-groundskeeper-noticed-a-sinkhole-on-a-golf-course-it-turned-out-to-be-a-wine-cellar-full-of-empty-bottles-untouched-for-more-than-100-years-180988379/ Bastola, Kunjal. “A Little Boy’s Library Book Was Due in 1989. Thirty-Six Years Later, He Realized His Parents Had Never Returned It.” Smithsonian. 1/26/2026. https://www.smithsonianmag.com/smart-news/a-little-boys-library-book-was-due-in-1989-thirty-six-years-later-he-realized-his-parents-had-never-returned-it-180988046/ Baum, Stephanie. “Ancient parrot DNA reveals sophisticated, long-distance animal trade network pre-dating the Inca Empire.” 3/10/2026. https://phys.org/news/2026-03-ancient-parrot-dna-reveals-sophisticated.html Baum, Stephanie. “From the Late Bronze Age to today, the Old Irish Goat carries 3,000 years of Irish history.” 2/26/2026. https://phys.org/news/2026-02-late-bronze-age-today-irish.html Benzine, Vittoria. “What Did Pompeii Smell Like? A New Study Analyzes Its Ancient Incense.” Artnet. 3/31/2026. https://news.artnet.com/art-world/pompeii-ritual-incense-study-2760240 Brooks, James. “Danish warship sunk by Nelson’s British fleet discovered after 225 years.” Associated Press. 4/2/2026. https://apnews.com/article/denmark-archaeologists-warship-nelson-copenhagen-dannebroge-lynetteholm-4519533d9e774a490f6020e893634e09 Carvajal, Guillermo. “Archaeologists achieve a historic milestone by dating French cave paintings with carbon-14 for the first time.” 3/10/2025. https://www.labrujulaverde.com/en/2026/03/archaeologists-achieve-a-historic-milestone-by-dating-french-cave-paintings-with-carbon-14-for-the-first-time/ Clayworth, Liv. “Bird poop powered the rise of the Chincha Kingdom, archaeologists find.” EurekAlert. 2/11/2026. https://www.eurekalert.org/news-releases/1115214 “Lost page of the Archimedes Palimpsest identified in Blois, central France.” Phys.org. 3/9/2026. https://phys.org/news/2026-03-lost-page-archimedes-palimpsest-blois.html Ehrlich, Claudia. “Signs on Stone Age objects: Precursor to written language dates back 40,000 years.” EurekAlert. 2/23/2026. https://www.eurekalert.org/news-releases/1117179 Ferrer, Isabel. “Is d’Artagnan lying beneath a church in Maastricht? DNA will determine if remains found are those of the famous musketeer.” El Pais. 3/25/2025. https://english.elpais.com/international/2026-03-25/is-dartagnan-lying-beneath-a-church-in-maastricht-dna-will-determine-if-remains-found-are-that-of-the-famous-musketeer.html?outputType=amp Gebauer, Kathryn. “Groundbreaking discovery reveals Africa’s oldest cremation pyre and complex ritual practices.” EurekAlert. 1/1/2016. https://www.eurekalert.org/news-releases/1111191 Harley, Sadie. “Iron Age dental plaque reveals Scythians consumed milk from horses and ruminants.” Phys.org. 1/21/2026. https://phys.org/news/2026-01-iron-age-dental-plaque-reveals.html He, Ye. “Singapore’s first ancient shipwreck reveals record cargo of Yuan dynasty blue-and-white porcelain.” EurekAlert. 2/12/2026. https://www.eurekalert.org/news-releases/1116512 Johansen, Rikke Tørnsø. “Archaeologists reveal a medieval super ship: "It's the World’s largest cog".” Vikingeskibs Museet. 12/22/2025. https://www.vikingeskibsmuseet.dk/en/news/archaeologists-reveal-a-medieval-super-ship-its-the-worlds-largest-cog Kasal, Krystal. “Hannibal's famous war elephants: Single bone in Spain offers first direct evidence.” Phys.org. 2/5/2026. https://phys.org/news/2026-02-hannibal-famous-war-elephants-bone.html Kasal, Krystal. “Oldest known sewn hide and other artifacts from Oregon caves shed light on early clothing in harsh climates.” Phys.org. 2/10/2026. https://phys.org/news/2026-02-oldest-sewn-artifacts-oregon-caves.html Killgrove, Kristina. “Romans used human feces as medicine 1,900 years ago — and used thyme to mask the smell.” 1/29/2026. https://www.livescience.com/archaeology/romans/romans-used-human-feces-as-medicine-1-900-years-ago-and-used-thyme-to-mask-the-smell Killgrove, Kristina. “Stone Age woman was buried like a man, revealing flexible gender roles 7,000 years ago in Hungary.” LiveScience. 3/3/2026. https://www.livescience.com/archaeology/stone-age-woman-was-buried-like-a-man-revealing-flexible-gender-roles-7-000-years-ago-in-hungary Koc University. “Earliest evidence of indigo-dyed textiles and single-needle knitting discovered in Bronze Age Anatolia.” Phys.org. 2/21/2026. https://phys.org/news/2026-02-earliest-evidence-indigo-dyed-textiles.html Kuta, Sarah. “Did Neanderthals Use Birch Bark Tar as an Antibiotic to Treat Wounds and Infections?” Smithsonian. 3/30/2026. https://www.smithsonianmag.com/smart-news/did-neanderthals-use-birch-bark-tar-as-an-antibiotic-to-treat-wounds-and-infections-180988393/ Kuta, Sarah. “Ostrich Eggshells Suggest Our Ancestors May Have Understood Basic Geometry 60,000 Years Ago.” Smithsonian. 3/9/2026. https://www.smithsonianmag.com/smart-news/these-intricately-decorated-ostrich-eggshells-suggest-our-ancestors-may-have-understood-basic-geometry-60000-years-ago-180988315/ Kuta, Sarah. “Ötzi the Iceman May Have Carried a Cancer-Causing Strain of HPV, a Common Virus Still Plaguing Humans Today.” Smithsonian. 1/20/2026. https://www.smithsonianmag.com/smart-news/otzi-the-iceman-may-have-carried-a-cancer-causing-strain-of-hpv-a-common-virus-still-plaguing-humans-today-180988024/ Kuta, Sarah. “Shipwreck Timbers Appeared on a Beach After a Storm. They Had Been Buried Beneath the Sand Since the 17th Century.” Smithsonian. 3/2/2026. https://www.smithsonianmag.com/smart-news/shipwreck-timbers-appeared-on-a-beach-after-a-storm-they-had-been-buried-beneath-the-sand-since-the-17th-century-180988260/ Lawson-Tancred, Jo. “Salvador Dalí’s Largest Work Snapped Up by Florida Museum.” Artnet. 3/27/2026. https://news.artnet.com/market/salvador-dali-largest-work-bonhams-sale-2749246 Lock, Lisa. “Ancient DNA finds 15,800-year-old dogs in Anatolia, buried like humans.” Phys.org. 3/28/2026. https://phys.org/news/2026-03-ancient-dna-year-dogs-anatolia.html Lock, Lisa. “Are one in 200 men really related to Genghis Khan? Maybe not, according to a new study.” Phys.org. 2/21/2026. https://phys.org/news/2026-02-men-genghis-khan.html Lucibella, Michael. “Prehistoric tool made from elephant bone is the oldest discovered in Europe.” EurekAlert. 1/26/2026. https://www.eurekalert.org/news-releases/1113140 Luscombe, Richard. “Mass grave in Jordan sheds new light on world’s earliest recorded pandemic.” The Guardian. 1/31/2026. https://www.theguardian.com/science/2026/jan/31/plague-of-justinian-pandemic net. “Did King Harold Sail to Hastings? New Study Sparks Debate Among Historians.” 3/2026. https://www.medievalists.net/2026/03/did-king-harold-sail-to-hastings-new-study-sparks-debate-among-historians/ net. “Viking-Age Woman Buried with Her Dog in Norway.” 3/2026. https://www.medievalists.net/2026/03/viking-age-woman-buried-with-her-dog-in-norway/ Newcastle University Press Office. “5,300-year-old ‘bow drill’ rewrites story of ancient Egyptian tools.” 2/9/2026. https://www.ncl.ac.uk/press/articles/latest/2026/02/ancientegyptiandrillbit/ Noraz, R., Chauvey, L., Wagner, S. et al. Ancient DNA reveals 4000 years of grapevine diversity, viticulture and clonal propagation in France. Nat Commun 17, 2494 (2026). https://doi.org/10.1038/s41467-026-70166-z Nordin, Gunilla. “World’s oldest arrow poison – 60,000-year-old traces reveal early advanced hunting techniques.” 1/7/2026. https://www.eurekalert.org/news-releases/1111624 Parco Archaeologico de Ercolano. “Archaeology: New precious decorations discovered at Villa Sora in the Herculaneum Park.” 2/5/2026. https://ercolano.cultura.gov.it/archaeology-new-precious-decorations-discovered-at-villa-sora-in-the-herculaneum-park/?lang=en Paul, Andrew. “Hiker finds 3,000-year-old bull sculpture in Spain.” Popular Science. 3/17/2026. https://www.popsci.com/science/hiker-finds-bronze-age-bull-spain/ Potter, Lisa. “A wild potato that changed the story of agriculture in the American Southwest.” EurekAlert. 1/21/2026. https://www.eurekalert.org/news-releases/1113056 “Digital scans unveil new love notes and sketches on ancient Pompeii wall.” 1/19/2026. https://www.reuters.com/science/digital-scans-unveil-new-love-notes-sketches-ancient-pompeii-wall-2026-01-19/ Richard L. Rosencrance et al. ,Complex perishable technologies from the North American Great Basin reveal specialized Late Pleistocene adaptations. Sci. Adv. 12, eaec2916(2026).DOI:10.1126/sciadv.aec2916 Ruse, Amy. “Tasmanian tiger lives on in Arnhem Land rock art.” EurekAlert. 3/30/2026. https://www.eurekalert.org/news-releases/1121955 Ruse, Amy. “World’s oldest rock art holds clues to early human migration to Australia.” EurekAlert. 1/21/2026. https://www.eurekalert.org/news-releases/1112900 Siehoff, Jonas. “Hygienic conditions in Pompeii's early baths were poor.” 1/12/2026. https://www.eurekalert.org/news-releases/1112403 Taçon, P. S. C., A.Jalandoni, S. K.May, J.Nganjmirra, and C.Mungulda. 2026. “The Devil Is in the Detail: Tasmanian Devil and Tasmanian Tiger Paintings From Awunbarna and Injalak Hill, Northern Territory, Australia.” Archaeology in Oceania. https://doi.org/10.1002/arco.70024 The History Blog. “$40 estate sale find by early African-American silversmith sells for $24,000.” 2/4/2026. https://www.thehistoryblog.com/archives/75294 The History Blog. “43,000 ostraca found at one site shed light on social history of Egypt.” 5/15/2026. https://www.thehistoryblog.com/archives/75609 The History Blog. “British Museum acquires Tudor Heart.” 2/10/2026. https://www.thehistoryblog.com/archives/75343 The History Blog. “Exceptional Roman cargo shipwreck found in Lake Neuchâtel.” 3/29/2026. https://www.thehistoryblog.com/archives/75705 The History Blog. “Extraordinary find: 10th c. bronze wheel cross matches mold found 43 years ago.” 1/24/2026. https://www.thehistoryblog.com/archives/75220 The History Blog. “Previously unknown Hans Baldung Grien portrait emerges after 500 years in the sitter’s family.” 1/17/2026. https://www.thehistoryblog.com/archives/75161 The History Blog. “Roman wooden writing tablets from Belgium deciphered.” 1/22/2206. https://www.thehistoryblog.com/archives/75207 Thomas, Laura. “A century-old Stonehenge mystery may finally be solved.” Science Daily. 1/27/2026. https://www.sciencedaily.com/releases/2026/01/260127010208.htm Thorsberg, Christian. “The National Gallery of Art Acquires 17th-Century Masterpiece by Baroque Painter Artemisia Gentileschi.” Smithsonian. 2/7/2026. https://www.smithsonianmag.com/smart-news/the-national-gallery-of-art-acquired-17th-century-masterpiece-by-baroque-painter-artemisia-gentileschi-180988147/ Thorsberg, Christian. “This Luxury Steamer Disappeared on a Stormy Night in 1872. Nearly 150 Years Later to the Day, It Was Found at the Bottom of Lake Michigan.” Smithsonian. 2/18/2026. https://www.smithsonianmag.com/smart-news/this-luxury-steamer-disappeared-on-a-stormy-night-in-1872-nearly-150-years-to-the-day-it-was-found-in-the-bottom-of-lake-michigan-180988204/ Unibo Magazine. “Humanity’s oldest geometries, engraved on ostrich eggs.” https://magazine.unibo.it/en/articles/humanitys-oldest-geometries-engraved-on-ostrich-eggs University of Tübingen. “Earliest hand-held wooden tools found in Greece date back 430,000 years.” Phys.org. 1/1/2026. https://phys.org/news/2026-01-earliest-held-wooden-tools-greece.html Villotte, S., T.Szeniczey, S.Kacki, and A.Anders. 2026. “Fixed and Fluid: The Two Faces of Gender Roles—A Combined Study of Activity Patterns and Burial Practices in the European Neolithic.” American Journal of Biological Anthropology189, no. 2: e70217. https://doi.org/10.1002/ajpa.70217. Whiddington, Richard. “3,300-Year-Old Papyrus Reveals How Ancient Egyptians Fixed Drawing Mistakes.” ArtNet. 3/9/2026. https://news.artnet.com/art-world/ancient-egyptian-papyrus-white-out-fluid-2752125 Whiddington, Richard. “Long-Lost Archimedes Text Resurfaces in French Museum.” Artnet. 3/11/2026. https://news.artnet.com/art-world/lost-page-of-archimedes-palimpsest-found-2753005 Whiddington, Richard. “Lost Parthenon Piece Unearthed From Lord Elgin’s Shipwreck.” ArtNet. 3/19/2026. https://news.artnet.com/art-world/parthenon-fragment-lord-elgin-shipwreck-2755894 Zeilsgtra, Andrew. “Breathing in the past: How museums can use biomolecular archaeology to bring ancient scents to life.” EurekAlert. 2/5/2026. https://www.eurekalert.org/news-releases/1114918 Zinin, Andrew. “600-year-old pinot noir grape found in medieval French toilet.” Phys.org. 3/24/2026. https://phys.org/news/2026-03-year-pinot-noir-grape-medieval.html#google_vignette See omnystudio.com/listener for privacy information.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Curtis Symonds. Interview Purpose The primary purpose of the interview is to: Highlight the growth and cultural significance of HBCU GO, the leading HBCU‑focused media and streaming platform under Allen Media Group. Celebrate Curtis Symonds’ induction into the Cable Hall of Fame, recognizing his 37+ years of leadership and impact in cable, sports media, and Black‑owned media institutions. Educate audiences on the value of HBCUs—not only academically and culturally, but as a powerful, educated, and economically influential audience. Reinforce storytelling, ownership, and representation as essential elements in preserving Black history and driving future opportunity. Key Takeaways 1. HBCU GO Was Built to Solve an Access and Representation Gap Curtis Symonds launched HBCU GO after recognizing that Black college sports and stories were severely underrepresented in mainstream media. Early rejection by cable distributors reinforced the need for ownership and persistence. Insight: HBCU GO exists not just as a network, but as a corrective platform for visibility, equity, and cultural preservation. 2. The Byron Allen Acquisition Enabled Scale Without Compromising Vision When Byron Allen acquired HBCU GO TV in 2021, the partnership was grounded in trust, quality, and shared belief in Black excellence. Allen Media Group provided infrastructure and capital while preserving Symonds’ creative and strategic leadership. Insight: Ownership combined with institutional backing allowed HBCU GO to compete at broadcast-quality levels equivalent to ESPN and major networks. 3. HBCU Audiences Are Educated, Influential, and Economically Valuable Symonds emphasized that HBCU graduates represent a disproportionate share of Black leadership across education, government, medicine, and STEM. Insight: HBCU audiences are not niche—they are central to America’s Black middle and professional class, making them highly attractive for brands, advertisers, and financial institutions. 4. HBCU GO Is a Cultural Platform, Not Just a Sports Network While live sports—including football classics, homecomings, and rivalries—are the anchor, HBCU GO is positioned as a broader cultural and educational storytelling platform. Insight: The long‑term vision is to tell untold HBCU stories, educate young people about their legacy, and shape cultural identity through digital‑first media. 5. Longevity, Relationships, and “Betting on Yourself” Define Success Symonds reflected on his career path—from ESPN to BET, from rejection to Hall of Fame—and emphasized resilience, timing, and relationship‑building as critical to long‑term success. Insight: Career impact is measured not by speed, but by sustained contribution and legacy. Notable Quotes “I wanted to show the world that two Black men can get together and do something successfully.”— Curtis Symonds on partnering with Byron Allen “When we put this thing on the air, it had to be quality. We couldn’t put up anything that looked scrappy.”— On competing at a national broadcast standard “HBCU GO has made a statement in the television and streaming business.”— On industry recognition and growth “You’re getting a highly educated audience. That middle‑class audience. That buying audience.”— On the value of HBCU viewers “Every HBCU has a story that people don’t know about—and those stories matter.”— On the importance of storytelling and history “I’m not mad at anybody. It took 30 years to get here. When my time came, I was ready.”— On Hall of Fame induction and career reflection Strategic Relevance (Why This Interview Matters) This conversation reinforces why Curtis Symonds—and platforms like HBCU GO—are uniquely positioned to: Build trust with Black audiences Deliver authentic cultural storytelling at scale Serve as credible partners for brands, media companies, and institutions seeking meaningful engagement with HBCU and African American communities #SHMS #BEST #STRAWSupport the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Curtis Symonds. Interview Purpose The primary purpose of the interview is to: Highlight the growth and cultural significance of HBCU GO, the leading HBCU‑focused media and streaming platform under Allen Media Group. Celebrate Curtis Symonds’ induction into the Cable Hall of Fame, recognizing his 37+ years of leadership and impact in cable, sports media, and Black‑owned media institutions. Educate audiences on the value of HBCUs—not only academically and culturally, but as a powerful, educated, and economically influential audience. Reinforce storytelling, ownership, and representation as essential elements in preserving Black history and driving future opportunity. Key Takeaways 1. HBCU GO Was Built to Solve an Access and Representation Gap Curtis Symonds launched HBCU GO after recognizing that Black college sports and stories were severely underrepresented in mainstream media. Early rejection by cable distributors reinforced the need for ownership and persistence. Insight: HBCU GO exists not just as a network, but as a corrective platform for visibility, equity, and cultural preservation. 2. The Byron Allen Acquisition Enabled Scale Without Compromising Vision When Byron Allen acquired HBCU GO TV in 2021, the partnership was grounded in trust, quality, and shared belief in Black excellence. Allen Media Group provided infrastructure and capital while preserving Symonds’ creative and strategic leadership. Insight: Ownership combined with institutional backing allowed HBCU GO to compete at broadcast-quality levels equivalent to ESPN and major networks. 3. HBCU Audiences Are Educated, Influential, and Economically Valuable Symonds emphasized that HBCU graduates represent a disproportionate share of Black leadership across education, government, medicine, and STEM. Insight: HBCU audiences are not niche—they are central to America’s Black middle and professional class, making them highly attractive for brands, advertisers, and financial institutions. 4. HBCU GO Is a Cultural Platform, Not Just a Sports Network While live sports—including football classics, homecomings, and rivalries—are the anchor, HBCU GO is positioned as a broader cultural and educational storytelling platform. Insight: The long‑term vision is to tell untold HBCU stories, educate young people about their legacy, and shape cultural identity through digital‑first media. 5. Longevity, Relationships, and “Betting on Yourself” Define Success Symonds reflected on his career path—from ESPN to BET, from rejection to Hall of Fame—and emphasized resilience, timing, and relationship‑building as critical to long‑term success. Insight: Career impact is measured not by speed, but by sustained contribution and legacy. Notable Quotes “I wanted to show the world that two Black men can get together and do something successfully.”— Curtis Symonds on partnering with Byron Allen “When we put this thing on the air, it had to be quality. We couldn’t put up anything that looked scrappy.”— On competing at a national broadcast standard “HBCU GO has made a statement in the television and streaming business.”— On industry recognition and growth “You’re getting a highly educated audience. That middle‑class audience. That buying audience.”— On the value of HBCU viewers “Every HBCU has a story that people don’t know about—and those stories matter.”— On the importance of storytelling and history “I’m not mad at anybody. It took 30 years to get here. When my time came, I was ready.”— On Hall of Fame induction and career reflection Strategic Relevance (Why This Interview Matters) This conversation reinforces why Curtis Symonds—and platforms like HBCU GO—are uniquely positioned to: Build trust with Black audiences Deliver authentic cultural storytelling at scale Serve as credible partners for brands, media companies, and institutions seeking meaningful engagement with HBCU and African American communities #SHMS #BEST #STRAWSee omnystudio.com/listener for privacy information.

Postpartum care wasn't always rushed, clinical, or isolating. In many African-American communities, the weeks after birth were treated as sacred time where families and communities gathered to care for the mother so she could focus on caring for her baby.   In this episode, Dr. Rebecca Dekker talks with renowned midwife, cultural historian, and author Shafia Monroe about the traditions documented in her new book Mothering the Mother: African-American Postpartum Traditions, Recipes, and Healing. Mama Shafia shares how historically rooted postpartum practices—from the 42-day "lying-in" period to nourishing soups, herbal teas, and hands-on community support—helped mothers rest, recover, and bond with their babies.   They explore what's missing from the modern Western postpartum model, how traditional wisdom from Black midwives supported physical and emotional recovery, and why caring for mothers is essential for healthy families and communities.   (02:43) Why Shafia wrote Mothering the Mother and the lack of resources on African-American postpartum traditions (07:47) The love letter to Black mothers and words of affirmation for postpartum parents (11:56) What's missing in modern postpartum care and how Western systems differ from traditional community care (19:06) Hypervigilance, stress, and supporting postpartum healing (21:26) The 42-day "lying-in" period and traditional postpartum rituals (25:45) Postpartum food traditions, soups, and healing foods from African and African-American culture (33:50) Why these traditions matter for all families, not just one culture (37:45) "Mother wit": trusting intuition about your body and your baby (41:25) Advocating for yourself in healthcare and trusting your body during pregnancy and birth   Resources Get Mama Shafia's book, Mothering the Mother: African-American Postpartum Traditions, Recipes, and Healing: shafiamonroe.com/mothering-the-mother/ Learn about the International Center for Traditional Childbearing (ICTC): thenaabb.org/ Read about SMC Full Circle Doula Birth Companion Training: smcdoulas.com/ EBB 152 – Shafia Monroe on Traditional Black Midwifery, Spirituality, and Community Advocacy   For more information about Evidence Based Birth® and a crash course on evidence based care, visit www.ebbirth.com. Follow us on Instagram and YouTube! Ready to learn more? Grab an EBB Podcast Listening Guide or read Dr. Dekker's book, "Babies Are Not Pizzas: They're Born, Not Delivered!" If you want to get involved at EBB, join our Professional membership (scholarship options available) and get on the wait list for our EBB Instructor program. Find an EBB Instructor here, and click here to learn more about the EBB Childbirth Class.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Curtis Symonds. Interview Purpose The primary purpose of the interview is to: Highlight the growth and cultural significance of HBCU GO, the leading HBCU‑focused media and streaming platform under Allen Media Group. Celebrate Curtis Symonds’ induction into the Cable Hall of Fame, recognizing his 37+ years of leadership and impact in cable, sports media, and Black‑owned media institutions. Educate audiences on the value of HBCUs—not only academically and culturally, but as a powerful, educated, and economically influential audience. Reinforce storytelling, ownership, and representation as essential elements in preserving Black history and driving future opportunity. Key Takeaways 1. HBCU GO Was Built to Solve an Access and Representation Gap Curtis Symonds launched HBCU GO after recognizing that Black college sports and stories were severely underrepresented in mainstream media. Early rejection by cable distributors reinforced the need for ownership and persistence. Insight: HBCU GO exists not just as a network, but as a corrective platform for visibility, equity, and cultural preservation. 2. The Byron Allen Acquisition Enabled Scale Without Compromising Vision When Byron Allen acquired HBCU GO TV in 2021, the partnership was grounded in trust, quality, and shared belief in Black excellence. Allen Media Group provided infrastructure and capital while preserving Symonds’ creative and strategic leadership. Insight: Ownership combined with institutional backing allowed HBCU GO to compete at broadcast-quality levels equivalent to ESPN and major networks. 3. HBCU Audiences Are Educated, Influential, and Economically Valuable Symonds emphasized that HBCU graduates represent a disproportionate share of Black leadership across education, government, medicine, and STEM. Insight: HBCU audiences are not niche—they are central to America’s Black middle and professional class, making them highly attractive for brands, advertisers, and financial institutions. 4. HBCU GO Is a Cultural Platform, Not Just a Sports Network While live sports—including football classics, homecomings, and rivalries—are the anchor, HBCU GO is positioned as a broader cultural and educational storytelling platform. Insight: The long‑term vision is to tell untold HBCU stories, educate young people about their legacy, and shape cultural identity through digital‑first media. 5. Longevity, Relationships, and “Betting on Yourself” Define Success Symonds reflected on his career path—from ESPN to BET, from rejection to Hall of Fame—and emphasized resilience, timing, and relationship‑building as critical to long‑term success. Insight: Career impact is measured not by speed, but by sustained contribution and legacy. Notable Quotes “I wanted to show the world that two Black men can get together and do something successfully.”— Curtis Symonds on partnering with Byron Allen “When we put this thing on the air, it had to be quality. We couldn’t put up anything that looked scrappy.”— On competing at a national broadcast standard “HBCU GO has made a statement in the television and streaming business.”— On industry recognition and growth “You’re getting a highly educated audience. That middle‑class audience. That buying audience.”— On the value of HBCU viewers “Every HBCU has a story that people don’t know about—and those stories matter.”— On the importance of storytelling and history “I’m not mad at anybody. It took 30 years to get here. When my time came, I was ready.”— On Hall of Fame induction and career reflection Strategic Relevance (Why This Interview Matters) This conversation reinforces why Curtis Symonds—and platforms like HBCU GO—are uniquely positioned to: Build trust with Black audiences Deliver authentic cultural storytelling at scale Serve as credible partners for brands, media companies, and institutions seeking meaningful engagement with HBCU and African American communities #SHMS #BEST #STRAWSteve Harvey Morning Show Online: http://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Part one of this quarter's edition of Unearthed! features updates, medical things, books and letters, oldest known things, and smells. Research: Abdallah, Hannah. “Analysis of charred food in pot reveals that prehistoric Europeans had surprisingly complex cuisines.” EurekAlert. 3/4/2025. https://www.eurekalert.org/news-releases/1117763 Almeroth-Williams, Thomas. “British redcoat’s lost memoir reveals harsh realities of life as a disabled veteran.” EurekAlert. 1/14/2026. https://www.eurekalert.org/news-releases/1111595 Anderson, Sonja. “Does This Skeleton Found Beneath a Dutch Church Belong to D’Artagnan, the Man Who Inspired ‘The Three Musketeers’?” Smithsonian. 3/27/2026. https://www.smithsonianmag.com/smart-news/this-skeleton-found-beneath-the-floor-of-a-dutch-church-may-belong-to-dartagnan-the-fourth-musketeer-180988448/ Anderson, Sonja. “Historians Thought This Rare Renaissance Portrait by One of the First Famous Female Artists Was Lost to History—Until It Surfaced in North Carolina.” 2/3/2026. https://www.smithsonianmag.com/smart-news/historians-thought-this-rare-renaissance-portrait-by-one-of-the-first-famous-female-artists-was-lost-to-history-until-it-surfaced-in-north-carolina-180988120/ Anderson, Sonja. “Hundreds of Ancient Roman Blade Sharpeners Emerge From a Riverbank in England, Revealing the Ruins of a 2,000-Year-Old Whetstone Factory.” Smithsonian. 1/20/2026. https://www.smithsonianmag.com/smart-news/hundreds-of-ancient-roman-blade-sharpeners-emerge-from-a-riverbank-in-england-revealing-the-ruins-of-a-2000-year-old-whetstone-factory-180988016/ Anderson, Sonja. “The Italian Government Just Paid Nearly $35 Million for a Rare Caravaggio Portrait—One of the Most Expensive Artworks It’s Ever Acquired.” Smithsonian. 3/16/2026. https://www.smithsonianmag.com/smart-news/the-italian-government-just-paid-nearly-35-million-for-a-rare-Caravaggio-portrait-one-of-the-most-expensive-artworks-its-ever-acquired-180988344/ Arnold, Paul. “Poop as medicine? A Roman vial's chemistry backs up ancient medical texts.” Phys.org. 2/4/2026. https://phys.org/news/2026-02-poop-medicine-roman-vial-chemistry.html Arnold, Paul. “Scents of the afterlife: Identifying embalming recipes by 'sniffing' the air around Egyptian mummies.” Phys.org. 2/5/2026. https://phys.org/news/2026-02-scents-afterlife-embalming-recipes-sniffing.html#google_vignette Bacon, Jordan. “English history’s biggest march is a myth – King Harold sailed to the Battle of Hastings.” EurekAlert. 3/20/2026. https://www.eurekalert.org/news-releases/1120082 Bastola, Kunjal. “A Groundskeeper Noticed a Sinkhole on a Golf Course. It Turned Out to Be a Wine Cellar Full of Empty Bottles, Untouched for More Than 100 Years.” Smithsonian. 3/19/2026. https://www.smithsonianmag.com/smart-news/a-groundskeeper-noticed-a-sinkhole-on-a-golf-course-it-turned-out-to-be-a-wine-cellar-full-of-empty-bottles-untouched-for-more-than-100-years-180988379/ Bastola, Kunjal. “A Little Boy’s Library Book Was Due in 1989. Thirty-Six Years Later, He Realized His Parents Had Never Returned It.” Smithsonian. 1/26/2026. https://www.smithsonianmag.com/smart-news/a-little-boys-library-book-was-due-in-1989-thirty-six-years-later-he-realized-his-parents-had-never-returned-it-180988046/ Baum, Stephanie. “Ancient parrot DNA reveals sophisticated, long-distance animal trade network pre-dating the Inca Empire.” 3/10/2026. https://phys.org/news/2026-03-ancient-parrot-dna-reveals-sophisticated.html Baum, Stephanie. “From the Late Bronze Age to today, the Old Irish Goat carries 3,000 years of Irish history.” 2/26/2026. https://phys.org/news/2026-02-late-bronze-age-today-irish.html Benzine, Vittoria. “What Did Pompeii Smell Like? A New Study Analyzes Its Ancient Incense.” Artnet. 3/31/2026. https://news.artnet.com/art-world/pompeii-ritual-incense-study-2760240 Brooks, James. “Danish warship sunk by Nelson’s British fleet discovered after 225 years.” Associated Press. 4/2/2026. https://apnews.com/article/denmark-archaeologists-warship-nelson-copenhagen-dannebroge-lynetteholm-4519533d9e774a490f6020e893634e09 Carvajal, Guillermo. “Archaeologists achieve a historic milestone by dating French cave paintings with carbon-14 for the first time.” 3/10/2025. https://www.labrujulaverde.com/en/2026/03/archaeologists-achieve-a-historic-milestone-by-dating-french-cave-paintings-with-carbon-14-for-the-first-time/ Clayworth, Liv. “Bird poop powered the rise of the Chincha Kingdom, archaeologists find.” EurekAlert. 2/11/2026. https://www.eurekalert.org/news-releases/1115214 “Lost page of the Archimedes Palimpsest identified in Blois, central France.” Phys.org. 3/9/2026. https://phys.org/news/2026-03-lost-page-archimedes-palimpsest-blois.html Ehrlich, Claudia. “Signs on Stone Age objects: Precursor to written language dates back 40,000 years.” EurekAlert. 2/23/2026. https://www.eurekalert.org/news-releases/1117179 Ferrer, Isabel. “Is d’Artagnan lying beneath a church in Maastricht? DNA will determine if remains found are those of the famous musketeer.” El Pais. 3/25/2025. https://english.elpais.com/international/2026-03-25/is-dartagnan-lying-beneath-a-church-in-maastricht-dna-will-determine-if-remains-found-are-that-of-the-famous-musketeer.html?outputType=amp Gebauer, Kathryn. “Groundbreaking discovery reveals Africa’s oldest cremation pyre and complex ritual practices.” EurekAlert. 1/1/2016. https://www.eurekalert.org/news-releases/1111191 Harley, Sadie. “Iron Age dental plaque reveals Scythians consumed milk from horses and ruminants.” Phys.org. 1/21/2026. https://phys.org/news/2026-01-iron-age-dental-plaque-reveals.html He, Ye. “Singapore’s first ancient shipwreck reveals record cargo of Yuan dynasty blue-and-white porcelain.” EurekAlert. 2/12/2026. https://www.eurekalert.org/news-releases/1116512 Johansen, Rikke Tørnsø. “Archaeologists reveal a medieval super ship: "It's the World’s largest cog".” Vikingeskibs Museet. 12/22/2025. https://www.vikingeskibsmuseet.dk/en/news/archaeologists-reveal-a-medieval-super-ship-its-the-worlds-largest-cog Kasal, Krystal. “Hannibal's famous war elephants: Single bone in Spain offers first direct evidence.” Phys.org. 2/5/2026. https://phys.org/news/2026-02-hannibal-famous-war-elephants-bone.html Kasal, Krystal. “Oldest known sewn hide and other artifacts from Oregon caves shed light on early clothing in harsh climates.” Phys.org. 2/10/2026. https://phys.org/news/2026-02-oldest-sewn-artifacts-oregon-caves.html Killgrove, Kristina. “Romans used human feces as medicine 1,900 years ago — and used thyme to mask the smell.” 1/29/2026. https://www.livescience.com/archaeology/romans/romans-used-human-feces-as-medicine-1-900-years-ago-and-used-thyme-to-mask-the-smell Killgrove, Kristina. “Stone Age woman was buried like a man, revealing flexible gender roles 7,000 years ago in Hungary.” LiveScience. 3/3/2026. https://www.livescience.com/archaeology/stone-age-woman-was-buried-like-a-man-revealing-flexible-gender-roles-7-000-years-ago-in-hungary Koc University. “Earliest evidence of indigo-dyed textiles and single-needle knitting discovered in Bronze Age Anatolia.” Phys.org. 2/21/2026. https://phys.org/news/2026-02-earliest-evidence-indigo-dyed-textiles.html Kuta, Sarah. “Did Neanderthals Use Birch Bark Tar as an Antibiotic to Treat Wounds and Infections?” Smithsonian. 3/30/2026. https://www.smithsonianmag.com/smart-news/did-neanderthals-use-birch-bark-tar-as-an-antibiotic-to-treat-wounds-and-infections-180988393/ Kuta, Sarah. “Ostrich Eggshells Suggest Our Ancestors May Have Understood Basic Geometry 60,000 Years Ago.” Smithsonian. 3/9/2026. https://www.smithsonianmag.com/smart-news/these-intricately-decorated-ostrich-eggshells-suggest-our-ancestors-may-have-understood-basic-geometry-60000-years-ago-180988315/ Kuta, Sarah. “Ötzi the Iceman May Have Carried a Cancer-Causing Strain of HPV, a Common Virus Still Plaguing Humans Today.” Smithsonian. 1/20/2026. https://www.smithsonianmag.com/smart-news/otzi-the-iceman-may-have-carried-a-cancer-causing-strain-of-hpv-a-common-virus-still-plaguing-humans-today-180988024/ Kuta, Sarah. “Shipwreck Timbers Appeared on a Beach After a Storm. They Had Been Buried Beneath the Sand Since the 17th Century.” Smithsonian. 3/2/2026. https://www.smithsonianmag.com/smart-news/shipwreck-timbers-appeared-on-a-beach-after-a-storm-they-had-been-buried-beneath-the-sand-since-the-17th-century-180988260/ Lawson-Tancred, Jo. “Salvador Dalí’s Largest Work Snapped Up by Florida Museum.” Artnet. 3/27/2026. https://news.artnet.com/market/salvador-dali-largest-work-bonhams-sale-2749246 Lock, Lisa. “Ancient DNA finds 15,800-year-old dogs in Anatolia, buried like humans.” Phys.org. 3/28/2026. https://phys.org/news/2026-03-ancient-dna-year-dogs-anatolia.html Lock, Lisa. “Are one in 200 men really related to Genghis Khan? Maybe not, according to a new study.” Phys.org. 2/21/2026. https://phys.org/news/2026-02-men-genghis-khan.html Lucibella, Michael. “Prehistoric tool made from elephant bone is the oldest discovered in Europe.” EurekAlert. 1/26/2026. https://www.eurekalert.org/news-releases/1113140 Luscombe, Richard. “Mass grave in Jordan sheds new light on world’s earliest recorded pandemic.” The Guardian. 1/31/2026. https://www.theguardian.com/science/2026/jan/31/plague-of-justinian-pandemic net. “Did King Harold Sail to Hastings? New Study Sparks Debate Among Historians.” 3/2026. https://www.medievalists.net/2026/03/did-king-harold-sail-to-hastings-new-study-sparks-debate-among-historians/ net. “Viking-Age Woman Buried with Her Dog in Norway.” 3/2026. https://www.medievalists.net/2026/03/viking-age-woman-buried-with-her-dog-in-norway/ Newcastle University Press Office. “5,300-year-old ‘bow drill’ rewrites story of ancient Egyptian tools.” 2/9/2026. https://www.ncl.ac.uk/press/articles/latest/2026/02/ancientegyptiandrillbit/ Noraz, R., Chauvey, L., Wagner, S. et al. Ancient DNA reveals 4000 years of grapevine diversity, viticulture and clonal propagation in France. Nat Commun 17, 2494 (2026). https://doi.org/10.1038/s41467-026-70166-z Nordin, Gunilla. “World’s oldest arrow poison – 60,000-year-old traces reveal early advanced hunting techniques.” 1/7/2026. https://www.eurekalert.org/news-releases/1111624 Parco Archaeologico de Ercolano. “Archaeology: New precious decorations discovered at Villa Sora in the Herculaneum Park.” 2/5/2026. https://ercolano.cultura.gov.it/archaeology-new-precious-decorations-discovered-at-villa-sora-in-the-herculaneum-park/?lang=en Paul, Andrew. “Hiker finds 3,000-year-old bull sculpture in Spain.” Popular Science. 3/17/2026. https://www.popsci.com/science/hiker-finds-bronze-age-bull-spain/ Potter, Lisa. “A wild potato that changed the story of agriculture in the American Southwest.” EurekAlert. 1/21/2026. https://www.eurekalert.org/news-releases/1113056 “Digital scans unveil new love notes and sketches on ancient Pompeii wall.” 1/19/2026. https://www.reuters.com/science/digital-scans-unveil-new-love-notes-sketches-ancient-pompeii-wall-2026-01-19/ Richard L. Rosencrance et al. ,Complex perishable technologies from the North American Great Basin reveal specialized Late Pleistocene adaptations. Sci. Adv. 12, eaec2916(2026).DOI:10.1126/sciadv.aec2916 Ruse, Amy. “Tasmanian tiger lives on in Arnhem Land rock art.” EurekAlert. 3/30/2026. https://www.eurekalert.org/news-releases/1121955 Ruse, Amy. “World’s oldest rock art holds clues to early human migration to Australia.” EurekAlert. 1/21/2026. https://www.eurekalert.org/news-releases/1112900 Siehoff, Jonas. “Hygienic conditions in Pompeii's early baths were poor.” 1/12/2026. https://www.eurekalert.org/news-releases/1112403 Taçon, P. S. C., A.Jalandoni, S. K.May, J.Nganjmirra, and C.Mungulda. 2026. “The Devil Is in the Detail: Tasmanian Devil and Tasmanian Tiger Paintings From Awunbarna and Injalak Hill, Northern Territory, Australia.” Archaeology in Oceania. https://doi.org/10.1002/arco.70024 The History Blog. “$40 estate sale find by early African-American silversmith sells for $24,000.” 2/4/2026. https://www.thehistoryblog.com/archives/75294 The History Blog. “43,000 ostraca found at one site shed light on social history of Egypt.” 5/15/2026. https://www.thehistoryblog.com/archives/75609 The History Blog. “British Museum acquires Tudor Heart.” 2/10/2026. https://www.thehistoryblog.com/archives/75343 The History Blog. “Exceptional Roman cargo shipwreck found in Lake Neuchâtel.” 3/29/2026. https://www.thehistoryblog.com/archives/75705 The History Blog. “Extraordinary find: 10th c. bronze wheel cross matches mold found 43 years ago.” 1/24/2026. https://www.thehistoryblog.com/archives/75220 The History Blog. “Previously unknown Hans Baldung Grien portrait emerges after 500 years in the sitter’s family.” 1/17/2026. https://www.thehistoryblog.com/archives/75161 The History Blog. “Roman wooden writing tablets from Belgium deciphered.” 1/22/2206. https://www.thehistoryblog.com/archives/75207 Thomas, Laura. “A century-old Stonehenge mystery may finally be solved.” Science Daily. 1/27/2026. https://www.sciencedaily.com/releases/2026/01/260127010208.htm Thorsberg, Christian. “The National Gallery of Art Acquires 17th-Century Masterpiece by Baroque Painter Artemisia Gentileschi.” Smithsonian. 2/7/2026. https://www.smithsonianmag.com/smart-news/the-national-gallery-of-art-acquired-17th-century-masterpiece-by-baroque-painter-artemisia-gentileschi-180988147/ Thorsberg, Christian. “This Luxury Steamer Disappeared on a Stormy Night in 1872. Nearly 150 Years Later to the Day, It Was Found at the Bottom of Lake Michigan.” Smithsonian. 2/18/2026. https://www.smithsonianmag.com/smart-news/this-luxury-steamer-disappeared-on-a-stormy-night-in-1872-nearly-150-years-to-the-day-it-was-found-in-the-bottom-of-lake-michigan-180988204/ Unibo Magazine. “Humanity’s oldest geometries, engraved on ostrich eggs.” https://magazine.unibo.it/en/articles/humanitys-oldest-geometries-engraved-on-ostrich-eggs University of Tübingen. “Earliest hand-held wooden tools found in Greece date back 430,000 years.” Phys.org. 1/1/2026. https://phys.org/news/2026-01-earliest-held-wooden-tools-greece.html Villotte, S., T.Szeniczey, S.Kacki, and A.Anders. 2026. “Fixed and Fluid: The Two Faces of Gender Roles—A Combined Study of Activity Patterns and Burial Practices in the European Neolithic.” American Journal of Biological Anthropology189, no. 2: e70217. https://doi.org/10.1002/ajpa.70217. Whiddington, Richard. “3,300-Year-Old Papyrus Reveals How Ancient Egyptians Fixed Drawing Mistakes.” ArtNet. 3/9/2026. https://news.artnet.com/art-world/ancient-egyptian-papyrus-white-out-fluid-2752125 Whiddington, Richard. “Long-Lost Archimedes Text Resurfaces in French Museum.” Artnet. 3/11/2026. https://news.artnet.com/art-world/lost-page-of-archimedes-palimpsest-found-2753005 Whiddington, Richard. “Lost Parthenon Piece Unearthed From Lord Elgin’s Shipwreck.” ArtNet. 3/19/2026. https://news.artnet.com/art-world/parthenon-fragment-lord-elgin-shipwreck-2755894 Zeilsgtra, Andrew. “Breathing in the past: How museums can use biomolecular archaeology to bring ancient scents to life.” EurekAlert. 2/5/2026. https://www.eurekalert.org/news-releases/1114918 Zinin, Andrew. “600-year-old pinot noir grape found in medieval French toilet.” Phys.org. 3/24/2026. https://phys.org/news/2026-03-year-pinot-noir-grape-medieval.html#google_vignette See omnystudio.com/listener for privacy information.

Dave Rubin of "The Rubin Report" talks about Bill Maher revealing to the "Real Time with Bill Maher" crowd that mainstream media lied about Hungary's Viktor Orbán being an authoritarian who wouldn't give up power; "Real Time with Bill Maher" guest Rahm Emanuel grudgingly agreeing with Bill Maher that Donald Trump's switching to fighting an economic war with Iran is a positive development; "Meet the Press'" Kristen Welker asking Zohran Mamdani if he still supports the naive ideas of Democratic Socialism after facing the brutal realities of the NYC budget shortfall; Chicago Mayor Brandon Johnson causing outrage over his remarks connecting the restaurant industry to slavery in his push to have slavery reparations for African Americans in Chicago; "The Breakfast Club's" Charlamagne tha God asking Ilhan Omar about her skyrocketing net worth due to her husband Tim Mynett's involvement in eStCru winery; Donald Trump posting Elon Musk discussing how Stacey Abrams may be the next target of his fraud investigations; and much more. WATCH the MEMBER-EXCLUSIVE segment of the show here: https://rubinreport.locals.com/ Check out the NEW RUBIN REPORT MERCH here: https://daverubin.store/ ---------- Today's Sponsors: Polymarket -Go to http://polymarket.com to trade on the outcomes of live events from politics, pop culture, to sports and more! Lean - A powerful weight loss supplement with remarkable results to help lower blood sugar, burn fat by converting it into energy, and curb your appetite. Rubin Report viewers get 20% off plus free rush shipping off their first order! Go to: https://TakeLean.com and enter promo code RUBIN for your discount

Frederick Douglass and W.E.B Du Bois were two prominent African-Americans who made a significant impact on the civil rights movement in the US. Douglass is particularly associated with the 19th Century abolitionism, and Du Bois with 20th C. pan-Africanism. In this interview Chike Jeffers puts them in their context and introduces some of their key ideas. This episode was supported by the Ideas Workshop, part of the Open Society Foundations.  

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Alicia Lyttle. SUMMARY OF THE ALICIA LYTTLE INTERVIEW From “Money Making Conversations Master Class” with Rushion McDonald [ 1. Purpose of the Interview The purpose of this interview was to: Showcase Alicia Lyttle, CEO and co‑founder of Air Innovations, known widely as the “Queen of AI.” [ Educate small business owners, entrepreneurs, and nonprofits on how to leverage AI for growth. Highlight her mission to empower the African American community to not only keep up with AI—but lead in it. [ Demonstrate how AI tools can transform operations, content creation, finances, and productivity in minutes instead of months. Inspire listeners through her entrepreneurial journey, professional pivots, and personal resilience. 2. High-Level Summary Alicia Lyttle returns to the show two years after her last appearance, now positioned at the forefront of the global AI movement. She explains how her work has shifted from annual summits to monthly AI Business Summits, teaching tens of thousands of entrepreneurs how to use AI hands‑on for content, marketing, operations, and scaling. She breaks down how simple tools—such as NotebookLM, ChatGPT, Jasper, Gemini, and HeyGen—can turn a single piece of content into newsletters, PowerPoints, videos, study guides, and more. She stresses that AI is now accessible, especially with free versions like ChatGPT. Alicia also shares her origin story in AI, beginning with a 15‑year‑old speaker at Walmart Tech Live describing IBM Watson. This sparked her fascination and ultimately led her to pivot her entire company toward full-time AI training and consulting by 2022—despite skepticism from her peers. She details the massive growth of her brand, including 21,000+ live summit attendees and explosive social media expansion. The interview also addresses AI’s role in finance, healthcare, government, job disruption, and how individuals can future‑proof themselves. Her personal story of overcoming a restrictive ex-husband who told her she would “never speak again” underscores her powerful message: no one should silence your gifts. Now she speaks to thousands, leads major events, and helps others build new careers in AI. 3. Key Takeaways A. AI Is Evolving Fast—and So Must We AI is changing so quickly that entrepreneurs cannot afford to wait for annual updates. This is why Alicia shifted to monthly training summits. People need ongoing education to stay competitive. B. Hands‑On AI Education Is the Key Alicia doesn’t just lecture—she walks participants through real demonstrations: Uploading YouTube links Creating summaries Generating emails, mind maps, PowerPoints, quizzes, videos, and more…all from a single input. Her approach eliminates fear and teaches entrepreneurs how to use AI immediately. C. Accessibility Has Changed the Game The release of ChatGPT, especially the free version, democratized AI. Before that, tools like IBM Watson were too complex and expensive. Now anyone with a laptop and internet connection can build websites, write content, or automate business flows in minutes. [ D. The African American Community Must Lead—Not Follow Alicia emphasizes that historically, Black communities have been “last in line” in tech innovation, but this AI era presents a once‑in‑a‑generation opportunity to jump ahead.She sees it as her mission to speak everywhere Black entrepreneurs are to ensure they seize this moment. E. AI Will Replace Tasks—But People Can Future‑Proof Themselves Jobs are already shifting. Companies are laying off non–AI‑literate employees.Alicia urges people to: Become AI‑fluent Join AI committees at work Pursue certification Use AI to become their company’s internal expert “There’s no maybe—you have to learn AI,” she warns. F. AI is Transforming Every Sector: Finance, Healthcare, Government She provides insights on… AI receptionists (“Monica” and “Leslie”) that boost customer interaction to 92% Financial analysis using secure ChatGPT setups AI mental health companions Government calls for national AI leadership G. Alicia Monetizes Through Education, Certification & Consulting Her business model includes: Free monthly summits Paid masterclasses Corporate consulting AI certifications Live Atlanta workshops She teaches others to become AI consultants too. H. Her Personal Triumph Story Inspires Thousands A powerful moment is when she recounts her ex-husband saying: “There’s only one quarterback on a team—and you will never speak again.”Yet today, 1,200+ people attend her live events, and tens of thousands join her virtual trainings. Her success proves resilience and purpose overcome adversity. 4. Key Quotes On AI Opportunity “Never has there been a better time in history to start, build, or scale a business than right now.” On Training Entrepreneurs “Open your laptops… use the same prompt I use. See what results you get.” On the Power of AI Tools “You can take one episode and repurpose it into all these different content ways.” On Pivoting Her Entire Company “In 2022, I said we’re closing this business and going all in on AI.” On Being Black in Tech “My mission is to make sure our community is not left behind—but ahead of the curve.” On Personal Resilience “You will be speaking on the best stages… people will come to see you.”(A friend’s response after she was told she’d “never speak again.”) On Future-Proofing Careers “Those using AI will replace you. You have to learn how to leverage AI.” On AI as a Human-First Technology “AI plus human intelligence—that’s what takes things to the next level.” #SHMS #STRAW #BESTSteve Harvey Morning Show Online: http://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Tune in Friday, April 17, 2026 @ 7pm EST/4pm PST/6pm CST for the next “He Said, He Said, He Said Live!” A Look at the World from A Seasoned Black Man's Perspective…because one perspective isn't enough!” for “Quiet Voice, Loud Truths: the Stories America Can't Ignore” with special guest AlanGovenar. Some stories are whispered. Some truths are buried. And some voices… refuse to be silenced.

Marcus' What You Know 'Bout That trivia game for Monday April 20th, 2026. See omnystudio.com/listener for privacy information.

Finish Your Breakfast (4.19.2026): The Padres are set to get new leadership, and with that leadership, history will be made. If the Padres sell to José E. Feliciano and Kwanza Jones, Feliciano will join the Angels' Arte Moreno as the second Latino majority owner of an MLB franchise, and Jones will be the first African-American woman to be majority owner of an MLB franchise. $3.9 billion is a lot of money, but oftentimes, minorities have to overpay to break the good old network that has excluded our community for far too long. I will be watching these developments closely.

This week on In Black America, producer and host John L. Hanson, Jr. discusses the life and legacy of pioneering African American basketball player Harry “Bucky” Lew with Chris Boucher, author of Harry “Bucky” Lew: A Biography of Basketball’s First Black Professional, shedding light on Lew’s perseverance and triumph over racial discrimination and his pivotal […] The post Chris Boucher (Ep. 21, 2026) appeared first on KUT & KUTX Studios -- Podcasts.

Christian Right Baal worshiping imperial agent Paul Weyrich said in 1980 “I don't want everybody to vote. As a matter of fact, our leverage in the elections quite candidly goes up as the voting populace goes down.” American full Nazgûl, otherwise called Republicans, (with to be fair - corporate Dems are half Nazgûl), have long known that their policies literally protect pedophiles and if truly communicated, are incredibly unpopular. So the only way they win elections is via their propaganda media networks, the electoral college, redistricting, electoral trickery, and almost most predominantly, voter suppression. The latter which they've been doing to African Americans for over 60 years and that's just since the passage of the voting rights act which the Opus Dei Supreme court of dark sorcery have been trying to chip away at. So let us begin by rescuing the phrase “voter fraud” from the swamp into which it has been deliberately dragged by criminal Trumpstein and this democracy hating crew. In any serious, legally literate discussion, one is not talking about the occasional miscast ballot, clerical error, or the lonely, almost always Republican voter who attempts to vote twice and is caught. One is talking about outcome-determinative fraud—that is, fraud on a scale sufficient to alter the result of an election.These insight sub-episodes are mirrored on our primary YouTube channel which can be found at https://www.youtube.com/@NilesHeckman/videos

“The Irish fight for liberty is the greatest epic of the modern age… those suffering together under British imperialism must learn to coordinate their effort before they can hope to be free.”These words from the Black radical Cyril Briggs captured how many people of colour viewed the Irish War of Independence. Today, the Irish Revolution is usually remembered as a struggle shaped by empire, nationalism and religion. But race also haunted this history. As Ireland fought for freedom, racial tensions were erupting across the world. In 1919, the United States was convulsed by the Red Summer, when white mobs launched brutal attacks on African American communities. At the same time, many opponents of Irish independence portrayed the conflict in Ireland as a racial struggle.Yet the relationship between Irish republicans and Black radicals was never straightforward. While Black activists looked to Ireland with hope, many Irish leaders were slow to support Black struggles and some even argued that Ireland deserved freedom precisely because the Irish were white.This episode uncovers the forgotten story of solidarity, suspicion and betrayal between Irish and Black radicals and reveals how deeply the politics of race shaped the Irish War of Independence.This is the fourth episode in Brothers in Pain a groundbreaking Global history of the Irish War of Independence by Dr Brian HanleyWritten, Researched & Narrated by Dr Brian Hanley. Check out Brian's publications here https://www.tcd.ie/history/staff/brian-hanley.phpProducer: Fin DwyerSound: Kate DunleaNote from Brian :In researching these episodes I have been indebted to the work of the following scholars;Anna Lively, Sam McGrath, Bruce Nelson, Terry Dunne, David Brundage, Niamh Coffey, Gerard Shannon, Maurice Casey, Kelly Anne Reynolds, Chris McNickle, Joe Doyle, Liz Gillis, FM Carroll, Patrick Mannion, Jimmy Yann, Niall Cullen, Pádraig Óg Ó Ruairc, Keith Jeffrey, Arthur Mitchell, John Borgonovo, Kate O'Malley, Michael Doorley, Robin Adams, Kevin Kenny, Fearghal McGarry, Catherine M. Burns, Síobhra Aiken, Patrick J. Mahony, Darragh Gannon, Matthew Pratt Guterl and James R. Barrett. Hosted on Acast. See acast.com/privacy for more information.

This week we are digging into our broadcast archives to bring you an encore of an episode that is perfect in this 250th-annivesary year of the start of the American Revolution.Walter's guest is Dr. Woody Holton of the University of South Carolina, and they will be talking about Horton's book, Liberty is Sweet: The Hidden History of the American Revolution. (2021, Simon & Schuster).Liberty is Sweet has been described as a “deeply researched and bracing retelling” of the Revolution, which shows how the Founders were influenced by overlooked Americans—women, Native Americans, African Americans, and religious dissenters.

Dr. Jay and Amazing Larry wade into the hot topic of Immigration from a biblical perspective. Their discussion centers on an excellent article, “The Stranger At The Gate: A Christian View On Illegal Immigration” by Tim Madden of MaddeningTheology.com Frothy Thoughts with the Truth Barista Visit HighBeam Ministry, The Truth Barista Check out the Frothy Thoughts Blog! Check out The Truth Barista Books! Check out The Truth Barista YouTube Channel!

The original meaning behind a particular handshake called the ‘DAP' is both special and apropos. The story goes that a brotherhood of African-American soldiers in Vietnam dubbed their unique greeting ‘DAP' to communicate dignity and pride. If you met our guest today, he'd dap you up quick…and it's fitting for Durville Christopher is full of dignity, and we are proud to have him on the show. Durville is a class A driver who joins us with a 100% check-in percentage, 100% completion percentage, and a 71% on-time percentage so far this year. But, what truly sets Duarville apart as one of our top drivers is his kind spirit, positive attitude, stellar communication skills, and his all around world-class personality. This conversation will brighten your day and motivate your step as we welcome Durville Christopher to the #SixFigureTrucker. Show Notes Dignity & Pride: the History of DAP (1:18) Brotherhood among Drivers (3:08) Durville's credentials, statistics, and stellar reputation (5:32) Lending a Helping Hand (9:00) Folding into a Garbage Truck (12:57) John teases next week's episode (14:09) Keep Trucking, Durville! The Six-Figure Trucker is a weekly podcast about driveaway trucking brought to you by Norton Transport. For more information or to subscribe, please visit Six-FigureTrucker.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The 250th anniversary of America has sparked renewed interest in family lineage. Many people of European descent can trace family roots back to 1776 and beyond. But for many African Americans, the search is more difficult because of systemic erasure of records during slavery. We share ways for people of color to find their family story. Meet the folks of Kinfolkology and learn how their work is "dedicated to remembering enslaved ancestors as kin and kindred in full partnership with descendent communities."

On episode 149 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter discuss the first film in their Charles Burnett series, Killer of Sheep (1978). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. Over the course of time, cinema of various time periods that was once considered lost is remastered, reborn, and reexamined as they reenter the public conscience. For the case of director Charles Burnett, this has been true as his films have been restored to their former glory on physical media over the last couple of years, thus giving the DW boys the opportunity to tackle a vital African-American voice who made films about the structure of family, the innocence of the youth within the black community, and finding the emotions with characters that deal with real life problems. With the case of his debut film, Killer of Sheep, Burnett examined the life of a weary slaughterhouse worker whose family life is slowly being tested every single day; it's impressive debut, one that still resonates to this day. Ryan and Jay break down the film, its themes on family dynamics, the innocence of a child, the incorporation of Italian neorealism with the narrative, their favorite shots within the film, as well as a discussion as to who the best professional athlete is in the world right now. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 1h19m. The guys will be back next week to continue their series on the films of Charles Burnett with a review of the film, To Sleep With Anger. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

APEX Express is a weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. On this episode, host Miata Tan speaks with three guests from Tsuru for Solidarity, a nationwide organization working to end immigration detention in the United States. They discuss the current state of the system, the conditions facing immigrant and asylum-seeking families, and how Tsuru's Japanese American roots shape their approach to this work. Get Involved with Tsuru for Solidarity Join a campaign Mailing list Instagram | Facebook | YouTube Website   Transcript ​[00:00:00]  Miata Tan: Hello and welcome. I'm your host Miata Tan, and you are tuning into APEX Express, a weekly radio show that uplifts the voices and stories of Asian Americans and Pacific Islanders. The United States runs the largest immigration detention system in the world. Earlier this year, the US Immigration and Customs Enforcement, also known as ICE, [00:01:00] held a record. 73,000 people in immigration detention the highest number in the agency's 23 year history. Since January 20, 25, over 6,200 kids have passed through ICE detention. Tonight we hear from a community who are shining a light on this issue and working to end the ongoing detention of immigrant and asylum seeking families.  Rob Buscher: The Japanese American story and Asian American story are just one chapter in this much larger chronicle of state violence, and we. See our role as, as also helping to connect the dots and be the connective tissue. Miata Tan: That was the voice of Rob Buscher, the Director of Operations at Tsuru for Solidarity, a nationwide organization with a mission to educate, advocate, and protest to close all US detention site. And bring an end to inhumane immigration policies. Tsuru for Solidarity is led by [00:02:00] the survivors and descendants of Japanese Americans who are incarcerated in concentration camps by the US government in World War ii. Our three guests tonight are shaping the future of this work at Tsuru for Solidarity. They share with us how the legacy of Japanese American wartime incarceration is deeply intertwined with the present day realities that many immigrant communities are facing. First up is Mike Ishii, the Executive Director of Tsuru for Solidarity. Here's Mike taking us back to the inception of this organization and national movement. Mike Ishii: In 2016 the Obama administration decided to really lean into. A deterrence policy of immigration. When they had first entered office, we thought they may actually provide some relief for immigrants. But in fact, what they ended up doing was weaponizing the immigration policy at the southern border against immigrants. And they built [00:03:00] Karnes and Dilley, which were the first family detention centers. Carl Takei, one of the founding members of Tsuru for Solidarity. In fact, I think he was just honored by, the Asian Bar Association for his longtime advocacy work in community spaces. Well, in 2016 when the Obama administration really opened Karnes and Dilley, Carl was working at the A CLU in immigration and the Obama administration had the audacity to want to invite advocates from all over the country to show off their new detention centers. And so when Carl entered into those sites, what he encountered was a room that was. Full of giant cabinets floor to ceiling. And when they opened the doors, what he saw inside were thousands of shoes for infants. And it took his breath away and he realized, oh my God, these are concentration camps for children. And you know, this really. Resonated with his [00:04:00] own family's history of mass incarceration during World War ii. So what he did was he immediately called Dr. Satsuki Ina, Dr. Ina is very famous. For a number of things. One is that she is really the preeminent community trauma specialist in the Japanese American community. She was born inside of the Tula Lake Segregation Center, a concentration camp. She would grow up to become a very, well-known psychotherapist in the Japanese American community. Dr. Ina. Is really like Carl's auntie, and so he said, this is happening at the southern border. I want you to come have a look. She went inside and she was actually able to meet with families and their children, and she of course can do a psychological assessment  She began to advocate. Against these camps because what she realized was that the conditions, the experiences, the trauma that these children were experiencing was very similar to what our own survivors had experienced as children during World War ii in the US concentration caps. [00:05:00] So there's one of the genesis prongs of Tsuru for solidarity. If you fast forward. To 2018, you have the zero tolerance policy under Trump, administration, 1.0. And if you remember, at that time, as an extension. of deterrence, they were separating children from their families at the southern border. These are families who were seeking refugee status, who were seeking asylum, who were presenting for asylum. That's a constitutional and human right, protected by the Geneva Conventions. They would take those families, they would literally strip the children away from their parents. They deported the parents. Purposefully they did not record where they were sending them often deported not to countries of origin. So in many cases, we still have not reunited those families. We don't know where the parents are and the children are still here, nine, 10 years later, With unaccompanied status because they purposefully destroyed the connections and the ability to [00:06:00] trace and reunite those families. That's Trump 1.0. And when they were doing that they were also expanding these large congregate concentration caps for children. They were calling them influx centers and saying, oh, they'll only be processed through these, and then we'll release children into. Custody of family members, et cetera. That was not true. They were actually prisons for children and they were literal concentration camps. It's violating the due process laws of the United States. there's no accountability. There's no oversight. And so Tsuru for Solidarity emerged in 2018 as an organization of Japanese Americans, really led by survivors who were children in camps and their descendants.  My own mother was incarcerated in a concentration camp in Idaho with her family. During World War ii, she was 10 years old at that time. She had two younger sisters and her youngest sister was born inside of the Minidoka concentration camp and experienced birth trauma because they had no doctors. She was, um, birthed by a veterinarian [00:07:00] and ex experienced, um, lack of oxygen And so she lived a life of tremendous suffering and, and disability. Um, that was often unrecognized as trauma from a concentration camp. She attempted to commit suicide multiple times. Eventually would die an early death from mental health. Complications. That's the legacy of the camps of World War ii, and understanding that multi-generational impact is partly why suited for solidarity emerged in 2018 when we recognized that they were repeating our history, and that's why we're here today. Miata Tan: That was Mike Ishii, Executive Director at Tsuru for Solidarity. Mike described how Tsuru's work grew in response to the ongoing detention of immigrant children in the United States. As he mentioned, many Japanese Americans have deep roots in this country. Now let's hear from Rob Buscher Tsuru's, Director of [00:08:00] Operations. He's a mixed race yonsei or fourth generation Japanese American. You may hear him use terms like yonsei to describe different generations. Now, here's Rob Unpacking the legacy of Japanese American incarceration, including the Civil Liberties Act of 1988, which issued a formal apology and reparations and what that history means for other communities today. Rob Buscher: In 2018 and 2019, our community was not the one that was at risk of being detained. We were not the ones who were being targeted by the state violence of immigrant detention and enforcement. and yet we had this ability to kind of think about and talk about. Multi-generational impacts of the trauma from World War ii. Um, it's not just the survivors of camp and the children of camp. It's the children and grandchildren of this experience who continue to suffer multi-generational effects of trauma, whether it be higher, uh, incidents of anxiety and stress leading to a [00:09:00] variety of health issues, uh, substance abuse issues the forced assimilation that resulted in the aftermath of our resettlement into the broader American society has also resulted in a great deal of assimilation trauma. So for a number of sansei and yonsei and gosei now trying to understand, uh, what is our history and heritage? How can we relate to something that was forcibly removed from us and really navigating this idea that at sometimes feels like a racial imposter syndrome, uh, when we don't know our own histories because it was forcibly taken from us. In a variety of ways, uh, I think that the Japanese American community's role, and specifically through Tsuru, has been rooted in this idea of solidarity and collective liberation because we understand that the effects. Our trauma, we're part of this much longer continuum of anti-black racism, of anti indigenous genocide, of white supremacy in the United States. The [00:10:00] Japanese American story and Asian American story are just one chapter in this much larger chronicle of state violence, and we. See our role as, as also helping to connect the dots and be the connective tissue. In some cases, when communities who have experienced these kinds of traumas across many decades aren't always in communication with each other, aren't always in conversation, but the complexity and nuance of the American story actually lends itself to a number of parallels to have conversations around things like. Black reparations. And you know, this is another part of the work that Tsuru does in solidarity with black reparations and African American communities, descendants of chattel slavery and others who have suffered Jim Crow and other forms of state violence against black and brown communities. understanding that the, the redress story and the story of Japanese Americans receiving our own reparations. Uh, is part of this longer narrative around, uh, what does it mean to have reparative [00:11:00] justice? And, um, as some of the few people who have received reparations from the United States government, uh, many of us also see it as our obligation and duty to stand in solidarity with black reparations.  Mike Ishii: if I could just add on to that, you know. There's an intersectional history in the United States of forced removals, you know, on the enslavement blocks enforcing people on forced death marches from their home lands to reservations. In the prison system of the us The largest prison system in the world. It's forced removal, it's separation of families, it's mass incarceration it's surveillance and it's murder. And the Japanese American chapter of that history is actually a very similar story that just as, as Rob said, just keeps being repeated over and over again, but it's created in new iterations. So, just to give you a small example related to the Japanese American story. Dylan Meyer, who ran the war relocation authority, he was responsible [00:12:00] for the 10 largest, the most well known of the Japanese American concentration camps. There were actually over 75, sites of detention for Japanese Americans during World War ii. Most people don't realize that. what we were put into that system during World War II was based on the reservation model, um, of how they remove indigenous people from their homelands and then force them onto reservation lands. That model was exported. By the Nazis to build their concentration camps. So like people think, oh, Nazi Germany invented that. No, it was, that model was invented in the United States. It was then exported to Nazi Germany. It was then tailored further on Japanese American communities. And then with the forced assimilation, we were, our people were not allowed to go back to their homes initially. Dylan Meyer wrote about it in his biography. He considered the force assimilation one of his greatest accomplishments. So what he was doing was he was dispersing us and destroying us in one generation of force removal. We lost our homes, we lost our farms. We lost the nijo Mai, the Japan towns. We [00:13:00] lost our language. We lost our culture, and perhaps most importantly. We lost each other because they pitted our community against each other with a series of very divisive questionnaires that really turned people on each other, More than 84 years since the opening of the camp. We're still trying to repair the fractures of that. They're not healed yet. And so that's what Rob, when Rob refers to multi-generational trauma, we're a fractured community. Still trying to repair the implosion that was. Really dropped on us by the United States government, this is what they do repeatedly to community after community. So with the force assimilation after World War ii, they saw how that worked. Then they, they took that back and they weaponized it against, um, indigenous communities and saying, we're gonna move people off the reservations. We're gonna resettle them in cities Further isolating people away from their home communities, taking away their languages, taking them and breaking their connections to family and community. Right? Setting people up for failure in a city away from their [00:14:00] people. in poverty., And what we're witnessing right now is a culmination of hundreds of years in this of white supremacy, weaponized against our communities. More openly, more brazenly than ever before, with the full power of the United States government behind it. Miata Tan: That was Mike Ishii, Executive Director at Tsuru for Solidarity. As Mike described mass surveillance programs, the World War II, incarceration of Japanese Americans and post-war pressures to assimilate left lasting impacts on this community. In the present, Tsuru for Solidarity connects the Japanese American history to ongoing immigration detention in the United States. Here's Mike describing some of Tsuru's past and ongoing campaigns focused on closing specific detention sites, what they call site fights.  Mike Ishii: Dilley and Karnes, which are the original two sites and the largest sites in Texas, which are now in the news again, [00:15:00] because they're being reused again by the Trump administration very openly. But under Biden, we had forced 'em to close those basically functionally for families. They were using them in other ways. Which is not good. but we had forced them to stop detaining families officially. we had stopped the expansion of these large congregate sites for unaccompanied migrant children. Uh, we stopped them from opening a large one in Greensboro, North Carolina. They wanted to open what they called the Piedmont Academy. Site of the former National Jewish School that school closed. And so they had leased the property and they were gonna. Open their largest detention site for unaccompanied migrant children and call it an academy. we slowed it down and forced them to reconsider it long enough to where it became an unworkable, policy for them. And they abandoned it. We stopped them from expanding Fort Bliss. In El Paso, which is a military base that was also used as a Japanese American incarceration site [00:16:00] during World War ii. it's currently being used again. It's being called Camp East Montana, by the Trump 2.0 administration. And when they were incarcerating children there during the first Trump administration, children were literally forgotten. Their cases were forgotten, and there were children languIshiing in there for like. Up to a year at a time, and nobody knew they were there because no one cared. There were allegations of sexual abuse, uh, rotten food, children who never were allowed outside. Children covered in lice, children taking care of younger children because nobody took care of them, lack of medical care. And so if that's shocking for what was happening under the first Trump administration, it's. Also happening now. And, and there is even less oversight or accountability now than there was, during the first Trump administration because as broken as that system was, then it had more accountability because there were [00:17:00] advocates and legal representatives for children, which is almost non-existent now. They've done away with the funding for that. We have three year olds representing themselves in immigration courts now because they did away with the congressional funding to support that. That's sort of the, the constellation of. Of the work that we emerged into when we came into formation, um, under the first Trump administration. And, it, it has just continued to evolve. We've been involved in, I think it's eight site fights now. And as difficult as this moment is right now, I always wanna tell people, and frame it this way, when you fight back, you win. We closed the Berks Family Detention Center permanently. We stopped the Piedmont Academy from opening in Greensboro. Tsuru's first major action was to go to Fort Sill in Oklahoma in 2019. Um, we led two protests there. The first one went [00:18:00] sort of viral on democracy now in cause they accompanied us. They embedded themselves with us. This is the first thing we ever did in a large scale and had no idea what we were doing at that point. We just were just angry and we, and full of, passion and said we have to go there and stop them from opening. A new concentration camp for 1600 children. And so we did that. Um, as a result, United we dream joined us along with AIM Indian Territory, with Black Lives Matter, Oklahoma City. Um, with Dream Action now Oklahoma with Veterans for Peace and with many of the local tribes. We came back a month later and staged a massive, massive demonstration shut down the highway into the fort. We brought 25 Buddhist priests and nuns with us. Who chanted the heart suture at the gate, um, while DACA young people took the highway and shut it down. After that action, the governor and the two senators from Oklahoma made an announcement the next day and they said, we've decided not to open this site here because we [00:19:00] said if you move ahead with. This is just the beginning. You think this is bad. We are gonna bring thousands of people here and we will make sure this site never opens. we proved through solidarity and community organizing in that moment that when you organize in solidarity against state violence, you win. You know, it's a bad moment. Right now they're proposing what, 23, 25 new warehouse detention sites, but actually. At least three or four of them have been curtailed already because community came together and said, not in my neighborhood, not in my town, not in my city. We will oppose you. And we're getting very smart about how we work together. I think Chicago and Minneapolis, LA have really lifted up the idea that change and transformation comes from the ground up. when we wait for our. Governments to change policy for the better of people and humanity. It doesn't happen. It's [00:20:00] when it's when the grassroots decide. We band together. We protect ourselves, we care for ourselves. We organize, we stand in solidarity against state violence. Then we can move things and we can stop things. Miata Tan: That was Mike Ishii, Executive Director at Tsuru for Solidarity. As Mike described, Tsuru organizes creative nonviolent actions to challenge immigration detention and bring people into collective resistance. Stay tuned to learn more about this movement and they're opposing inhumane practices against immigrant communities. Miata Tan: [00:21:00] [00:22:00] That was Forevermore by Yuna. You are tuned into APEX Express on 94.1 KPFA, a weekly radio show uplifting the voices and stories of Asian Americans and Pacific Islanders. I'm your host, Miata Tan. Tonight we're centering the work of Tsuru for Solidarity, a nationwide organization with a mission to close all US detention sites and bring an end to inhumane immigration policies. Sophie Sarkar is the Bay Area organizer with Tsuru for Solidarity. Here's Sophie speaking about their approach using non-cooperation as a guiding strategy. Sophie Sarkar: Non-cooperation is the idea that. I guess there's this larger model for [00:23:00] authoritarianism. And that an authoritarian regime is actually a lot more fragile than we think because it is upheld by many different pillars of society. So for example. The authoritarian regime cannot function unless it has a military force that is supporting it, unless it has a media that's supporting it unless it has elected officials corporations, police forces. And so when we think about strategy, we're really thinking about these specific pillars. Um, instead of just like, how can we take down this, uh, authoritarian regime? We think about like, okay let's choose a pillar and let's unpack all the different layers within that pillar. So, for example, if we choose the pillar of corporations, you know, there are many different corporations that we know are supporting, working in concert and supporting ICE and the Department of Homeland Security, like enterprise, like [00:24:00] Hilton, target, home Depot. And within each of those. , Well, there are the consumers, and then there are the workers, the managers, and then the CEOs. So we try to create strategies that kind of work from at a grassroots level. So starting with the outer layer of like the consumers through boycotts to workers, labor strikes and so forth. When we're talking about non-cooperation, we're really talking about strategies that help us support people to, to dissent and to stop actually working with the regime. we learned a lot from Minneapolis where folks were calling up enterprise, um, and booking booking cars so that ICE couldn't. rent them and then just canceling last minute. Miata Tan: That was Sophie Sarkar Bay Area organizer at Tsuru for Solidarity. As Sophie described, Tsuru uses a framework of [00:25:00] non-cooperation to guide its organizing work. Their campaigns include a range of non-violent actions, letter writing, public demonstrations, and continued pressure efforts. Now returning to my conversation with Rob Buscher, Tsuru's, Director of Operations. I wanted to know how Tsuru is organizing together, how they are thinking about this strategy nationwide.  Rob Buscher: We are all remote workers, so Mike and Becca, our Director of organizing, is based in New York City. Uh, and they frequently travel, uh, every other week traveling across the country to the campaign hubs that are mainly located in the West Coast, where we have a larger Japanese American community. Seattle, Portland, San Francisco Bay Area. Those are kind of our big hubs, and that's where the bulk of Tsuru's volunteer members are located. So much of this work is campaign driven, it's really work that is ideated together [00:26:00] as, as a committee consensus based decision making that takes place both from campaign level, but also regional leaders within each one of those hubs. looking at child and family detention, looking at police prisons and detention as our two detention campaigns. Healing Justice as Mike was talking about, including Resiliency and arts as well as the core healing circles Practice that has been a, a part of our practice since the beginning. And also the solidarity with black reparations campaign. So between each of those four campaigns, we have co-chairs that lead that work. Um, they form our leadership council, which is essentially the, the board of sudu. And together with our six staff, we work very closely with the leadership council to create a plan for the organization at a larger national level. But the day-to-day operations is largely being done by our volunteer members in each one of those locations. We have busy seasons, of course. the Day of Remembrance on February 19th is a, a major focal point for a lot of [00:27:00] our historic remembrance around the anniversary of Franklin Roosevelt signing Executive order 9 0 6 6, which laid the legislative groundwork for the forced removal of our communities from the west coast and that. Has become, not just within Tsuru, but within the Japanese American community. A launch point for revisiting this history from the lens of today and trying to understand what is the role of the survivors and descendants of the Japanese American community as we see parallels to what occurred, happening to families. And individuals around the country in real time. A member of my own family was arrested under the Alien Enemies Act in 1942, and we're seeing the same kind of legislation being used against Venezuelans and other folks from Latin America. you know, when we kind of think about the role that we play today. As staff, we hold a lot of the this work from like a planning standpoint, but the actual boots on the grounds are the volunteer members of the organization. Miata Tan: That was Rob Buscher, the Director of operations at Tsuru for [00:28:00] Solidarity. Now let's return to Sophie Sarkar, the Bay Area organizer for this nationwide movement. Here Sophie reflects on Tsuru's volunteer network and the anti deportation campaigns they help to coordinate across the Bay Area. Sophie Sarkar: So our volunteers are largely Japanese American, world War ii, prison camp survivors and descendants as well as allies. And It's an amazing volunteer base to work with because it is so intergenerational. So for example, we had a strategy retreat for our leaders and our youngest participant was 21 and our oldest participant was 95. And. All the ages in between as well. that's one of the reasons I love working with this group so much because I think it's pretty rare to be in such intergenerational spaces organizing together. Yeah. And, uh, we have volunteers all across the Bay [00:29:00] Area. We have folks that. Our artists that have law degrees that, have an organizing background that have never organized before in their lives. Um, we really try to make ourselves accessible to anyone who's interested in participating. So even if um, someone is just really starting to understand the realities of the systemic violence, against immigrants in this country we, we make space for that and we really try to, offer a lot of political education to folks so. Yeah, at any level they can engage. Yeah, and we have faith leaders. We have folks who have experience with labor unions. So it is a pretty wide variety. But yeah, most of us come together with this shared historical experience of, some people themselves or their families being incarcerated during World War II i, myself am a descendant of, [00:30:00] folks who are incarcerated at Manzanar and Tulle Lake. My family were also so folks who were coerced into renunciation and quote self deportation unquote after the war. I feel so many different various connections to my own family's experiences and what's happening today. And so it just feels like a really deep yeah, just a, a deep opportunity to get to, I. Ground in my, my ancestral historical experience as, as an organizer for Tsuru. I think for many of us by really being able to show up in solidarity with groups that are facing State violence it looks different today in some ways. But it's kind of the same playbook as we might say of how the government treated our family members. And it's really an opportunity for us to. really address the [00:31:00] impacts of what happened to our families on us, across generations to address our trauma, to face it to heal from it. Miata Tan: Definitely. Could you share a little bit about what your day-to-day looks like as a organizer?  Sophie Sarkar: My role is really to work with our volunteer leaders and to support them in, , building out campaigns here in the Bay Area. So in the Bay Area we have, we are part of the ICE out of Dublin coalition and we have our own Tsuru campaign around preventing the reopening of FCI Dublin as an ice detention facility. there is currently no ice detention facility in Northern California, so that would have a huge impact on the entire Bay Area and Northern California in general. So we spend a lot of time on that, working on that campaign. we also have part in Refugees campaign where we have supported individuals at risk of [00:32:00] deportation, um, with kind of mutual aid and wraparound care. And we also have a Palestine working group that is Supporting the J eight community in the Bay Area to organize folks around the genocide and Palestine, and now the war in Lebanon and Iran. And so we will be participating, for example, in a interfaith march, and pilgrimage in May as part of that we have a child and family detention campaign that's more national. we organize monthly general meetings so that folks have a place to land with us. And at those general meetings we, give campaign updates, but we also, really try to do something engaging and like take an action together. So, at the last couple, um, general meetings, we folded paper dolls as part of a Paper Dolls campaign to raise awareness about child and family detention and the [00:33:00] 6,000 families that are currently detained by ICE. Miata Tan: That was Sophie Sarkar the Bay Area organizer at Tsuru for Solidarity. As you heard, children and families detained by US Immigration and Customs Enforcement are central to their campaign work. One example is the Paper Dolls to Free families Campaign that Sophie mentioned. Tsuru for Solidarity is leading this effort alongside partners in the National Coalition to End Family and Child Detention. The campaign invites people across the country to create paper dolls with little messages of solidarity, which the coalition will deliver to members of Congress. He is Tsuru's Executive Director Mike Ishii, reflecting on the thinking behind this work. Mike Ishii: We have to recognize that great violence has taken place between people and between our groups. But the only way we're going to reconcile this and actually transform it is if we try to repair it in a [00:34:00] transformative way. You know, part of the work that we're doing right now, in the National Coalition to End Family and Child Detention is a campaign that we call free families. And here's what it does, it recognizes that we are trying to free the families who are inside detention. Uh, you know, Liam Ramos, right? The five-year-old with the bunny backpack who was put in Dilley. He's the face of 3,800 children detained in the last year by the Trump administration. It's probably much higher than that because they don't actually report truthfully, the statistics  That really moved people when they saw Liam's face. But what we're trying to do is have it, his story, be connected to a greater story about families and children, because what we know in our own research. And when we look at the voting patterns and why people voted for the Trump administration in the last election, what we see is really angry. People who feel left behind um, well, the system has left behind people. [00:35:00] Healthcare. Food stamps prenatal care, Medicare education, you name it. Housing, all of the things that affect working people who are struggling more and more as prices go up in this country. As the future starts to narrow and people don't see an open feature for themselves but this 1% is getting more and more enriched by the policies. And the violence that they're enacting on communities. And so the Free Families Campaign is really a campaign not just for immigrant to free immigrant families and children. It's really to recenter the the importance and the sAACREdness of families and to organize families across the country for their common purpose, their common good. I was a part of a study and, advisory council that did research about how do we change the narrative on child and family detention nationally. What we found is that the majority of the country holds a value of the sAACREd. Importance of protecting children and the [00:36:00] sanctity of the family. And when we organize and get people into conversation about that, about their own families and about their own children and what it's like to try to survive in this time, what we realize is that there's this great common denominator of parents actually who are struggling in a system that's leaving people behind everywhere, We think that's where the future of movement and solidarity work needs to go. It's about kitchen table issues. It's about opening a future for the next generation. if you look at the, research and sort of the feedback that you hear from younger generations about their future, it's really bleak. What they say, what they're sharing is that they feel betrayed by the adults. Who are leaving them a world full of climate crisis and war and lack of opportunity, lack of rights. And so the organizing work that we're involved in right now, you say, oh, it's immigrant rights work, it's anti detention work. It's actually about revising the [00:37:00] future for really our whole society. As things fall and burn, it's the old order. It's so based in your rationality that it's collapsing and on some level you can't stop it from falling. And so our work in this moment is to get people out of the way. And save as many people as this system collapses. And then to vision the new system that actually is the beloved community that does provide equity, for all people that has been denied to so many of our communities. And what's important in that work, along with the organizing and the intervention work against state violence, is the work around repair and healing. We're part of, a national cohort that's been, um, sort of think tanking and doing work and sharing, across our organizations, our methods and trying to help develop new templates, new forms of how to take healing and repair, especially around multi-generational trauma. And to share it broadly so that people are resourced and have more [00:38:00] access to the skillset and the tools for healing multi-generational trauma as part of regular everyday organizing in communities across the country. Miata Tan: That was Mike Ishii, Executive Director at Tsuru for Solidarity. Miata Tan: The namesake of Tsuru for Solidarity is deeply symbolic, Tsuru meaning crane in Japanese is described as a creature of transformation. A symbol of healing and repair, not only for the Japanese American community, but all communities. You are tuned into APEX Express, a weekly radio show, uplifting the voices and stories of Asian Americans and Pacific Islanders. You'll hear more from the Tsuru for Solidarity team after this, stay with us. Miata Tan: [00:39:00] [00:40:00] [00:41:00] That [00:42:00] was Nobody by the one and only Mitski You are tuned into APEX Express on 94.1 KPFA, a weekly radio show uplifting the voices and stories of Asian Americans and Pacific Islanders. I'm your host, Miata Tan. Tonight we are talking about deportation and the communities fighting back. Tsuru for Solidarity, they're a nationwide organization working to close all US detention sites and end inhumane immigration policies We're diving into the Japanese American legacy behind Soda's work and what's driving their fight against deportation. Here's their Executive Director, Mike Ishii. Mike Ishii: We actually have what. Probably more than 12 or 13,000 people at this point who are connected to us in our network. But then on the ground, boots in action, we have hundreds of people who are active and when we call on people like, we need you to come to this major action, we can get [00:43:00] thousands of people to turn out. So this has been a really beautiful evolution of community organizing. We often say. We want to be the allies that our people needed during World War II when they were removed and disappeared from the community. And so that's really our intention that guides us here. in doing so, our work is rooted in relationship building. That's really what that means. Like my mom didn't know that anyone cared about her as a 10-year-old. No one came to the fences of Minidoka. Um, nobody marched in the streets and protested. There were very few people who were fighting for her freedom. And so she didn't know, she didn't have a relationship. So our work is in building relationships within our own community. To Decolonize from white assimilationist forced assimilation policies that are multi-generational, that have positioned us to be inculcated and manipulated as part of a model minority dynamic. We are the group that was used as the poster [00:44:00] child by Ronald Reagan when you rolled out that term. Unwinding that dynamic that has a stranglehold on our community. Because this is a community that was terrified for its survival, and it was grasping for straws of survival and being wildly manipulated by the society in the aftermath of the war. We get to do that work. it's exciting for, for us to get to do that work. And actually, Rob, that's part of his job is to lean into that organizing that we're going to be launching in a fuller manner now that we're here at AACRE. We also get to really build more on what it means to be in solidarity practice. And that's the work I often to get to do with our external partners, what I call our cousins and our siblings in the movement space. And to me, it's some of the most fulfilling work I've ever gotten to do in my life because it breaks your internal isolation that comes from your historical trauma. if you. Have ever woken feeling, how do we go forward? How do we stop this? How do I ever not feel like we're fighting alone? Do this [00:45:00] work because you get daily evidence actually that you're not alone. That we can win when we fight back, and that there are people who care deeply and I get to do that work. I'm very fortunate. As part of the organization our, you know, Becca, who is our Director of organizing, is an incredible strategist and gets to think tactically with our many incredible, incredible volunteers on the ground across the country. I'm fortunate that I know some of them because I was very involved in that work early on. And all I can say is that as a result of having had a chance to be at the frontline in that kind of, deep work with our folks is that I love my people. Oh my God, I love my people. Like I'm just, so moved by the stories of people and their families and survival, and then also their courage to understand that we're a group that achieved a certain amount of privilege in the years since forced assimilation and. The [00:46:00] willingness to understand that's not really something you hold onto, that you actually want to let go of that for your own benefit, and also because it's the right thing to do in the movement toward equity. And so to get to be a part of that movement with my people. Is really a central part of our healing and to get to be a part of that in this organization at this moment, in this moment when we need to step up in, in ways that are so deeply important for the future of really the globe. Whether or not we'll go into an abyss of darkness or we're gonna transform this incredible escalated violence right now, I think we're born for this moment. I really don't think it's an accident. And if we. Each have that choice and opportunity to step into this moment and play a role there. How lucky are we to get to be born right now? So that's a little bit about how I see our role as an organization as we come into [00:47:00] AACRE and as we continue to evolve in this space.  Miata Tan : That's really beautiful. And, and thank you for tying us back into AACRE, which is the Asian Americans for Civil Rights and Equality, a network of progressive Asian American organizations uh, soon be joining. Rob, could you share what you are excited for now that Tsuru will be joining Aker and, the future work that is coming up.  Rob Buscher: Thanks for that question. You know, I think there's so many incredible organizations that are already under AACREs fiscal sponsorship, so just even in some of the preliminary meetings that we've had with other AACRE group leadership and being in conversation with people that. Oftentimes we've already known for, for many years. You know, I, Eddie Zang, um, and, and others who are, are involved peripherally, as funders are people that I've known since the film festival days. I recently learned. Kaen, who's part of the HR staff at AACRE, a filmmaker that I worked with well over a decade [00:48:00] ago on a Muslim Youth Voices Project here in Philadelphia is also part of the team. You know, just having these little connection points has been pointing us towards the direction that we're meant to be here. This feels like the right moment for Tsuru to be joining Aker. Uh, It feels like there's a lot of, , capacity and bandwidth that we haven't had under our current circumstances. But, um, really with the energy and enthusiasm of all of these groups coming together, I, I feel like we can really make an even bigger impact than we are in these programs. Um, as far as, you know, future. Ideas and, and programs that we have coming up on the horizon. we're very excited about the Kintsugi Healing Conference. Uh, as Mike has spoken about the role of healing within our work. Obviously there's a need for repairing the divides that exist within our own Japanese American community and before we can truly be in, in solidarity and, and do collective liberation work. Being able to heal those divides within our own community needs to take [00:49:00] precedent. So Kintsugi is a way of acknowledging that through this healing, resilience based conference allowing us to turn inwards and really think about the long-term effects of intergenerational trauma, how it's shaped all of our families and individual pathways, and how we can ultimately come together to heal those divides. Um, while also learning more about and training up some of our people around these ideas of collective liberation. it's gonna be taking place in San Francisco's Japan town and we're very excited about that. We'll announce the dates very shortly for October, 2026. Some of the other things that we're working on, as I mentioned earlier, we have our black reparations campaign. Tsuru has been doing this sort of work really in many ways since the beginning, but formalized during the, the summer of 2020 in the aftermath of the George Floyd Uprisings, the Black Reparations Campaign as one of the major work areas, with a number of other Japanese American organizations like New UK Progressives and the Japanese American Citizens League, San Jose Resistors. as part of [00:50:00] this national coalition to, uh, achieve redress and reparations for in solidarity with the descendants of chattel slavery. Our campaign actually had the opportunity to travel to Washington DC last May to participate in National Reparation Networks national Reparations Rally that was attended by over a hundred different, organizations that are working on this issue.  Currently. We're in the process of launching a new project called the 4 0 7 Conversations, or a 4 0 7 project. It's acknowledging that 2026 is 407 years since the beginning of chattel slavery in North America in 1619, and the goal is to have at least 407 conversations about reparations in this calendar year. So it's a way to sort of normalize the topic of reparations within not just Japanese American. community spaces, but sort of in the broader conversation about what does it mean to do reparative justice work. As we look towards the future, we're gonna be doing more [00:51:00] narrative campaign work too. We had the opportunity during the day of Remembrance to launch a, nationwide campaign that reimagined the instructions to all persons of Japanese ancestry poster that was placed in our Japan towns. That signaled the beginning of the so-called evacuation, the forced removal of our communities in our new instructions to persons of Japanese ancestry. It was an opportunity to call people in and to, uh, mobilize and activate our community in defense of the frontline communities that are facing the brunt of state violence today. So as we continue to strengthen and build We're hoping to do even more of these large scale national mobilizations. And I'm just excited that we're gonna be able to do this work together, uh, under AACREs banner. Miata Tan: That was Rob Buscher, Director of Operations at Tsuru for Solidarity. As Rob shared from aiding the movement toward black reparations to anti-ice mobilizations. The team at [00:52:00] Tsuru is gearing up for some important campaigns this year To close out, let's return to Sophie aka their Bay Area organizer. I ask Sophie what work she's most looking forward to in 2026. Sophie Sarkar: I am very excited about our, well, yeah, I'm very excited about a lot of things. I think I'm just excited about the ways in which am able to see as an organizer for Tsuru, just like Japanese American community really coming out and mobilizing and working together in coalition. I think, in this time, as we are all trying to figure out ways to dismantle this authoritarian regime and to resist it's really important for us That like we are moving beyond the kind of hierarchical structure that the regime uses and figuring out how to work in coalition and to really find our lane, find what our role is [00:53:00] as an organization, as individuals. And for me it's really exciting to see that the Japanese American community Is doing that is like really trying to work more and more in coalition and I'm excited to continue to support that. for example, we will be leading a non-cooperation training. With other JA organizations in a few months. to, yeah, really support us as a community to understand what non-cooperation looks like and how we can practice that in our various campaigns. And yeah, I see like the japantown organizations we're part of a, Nihon Machi Coalition there. Getting really serious about preparing for and when ICE comes and doing the workup. Upfront now to really train in knowing your rights and non-cooperation and security, just to get prepared as a collective. This year we're also, Tsuru is also organizing our healing justice [00:54:00] conference in the Bay Area called Kintsugi, that will take place in the fall. As part of that we hope to have a day of direct action. So I'm really excited to have the opportunity to kind of bring together our healing justice work, our healing arts work, and our direct action just integrating the three of those. And hopefully planning a really beautiful and healing and powerful action for us all to take together. Miata Tan: That's really lovely. you've mentioned Healing Justice a few times in your own personal background and experience with Tsuru, but also these fantastic campaigns that we are looking forward to. Could you speak a little bit about how the Japanese American community and the wider Tsuru for Solidarity Network is taking care of each other during this moment? Sophie Sarkar: Yeah, such a good question. I feel like that's something that I just notice our community is so good at [00:55:00] doing. Like, I think, you know, we really try to approach organizing from a relational perspective. So. Folks in little ways, like checking in on each other, making each other lunch. I know I had like afternoon at one of our volunteers houses the other day, just like eating lunch together and venting. But you know, it's just the little ways or like folding origami, yeah, I think on that kind of level, relational level of just checking in and remembering that we are human and really need that kind of connection with each other in these times, especially when it can feel really scary and isolating. Zoomed out a little bit more, you know, like our general meetings and our trainings and those kinds of larger gathering opportunities are just a really nice way. Also, we always have a potluck dinner and feed each other. Like, it's just a really nice way to Offer that kind of care and nourishment to one [00:56:00] another and connect as well. Miata Tan: Love that. It's Always great to gather over food.  Sophie Sarkar: always. Miata Tan: That was Sophie Sarkar the Bay Area organizer at Tsuru for Solidarity, reflecting on her communities and how they're taking care of each other during this time. This is APEX Express on 94.1 KPFA, A weekly radio show uplifting the voices and stories of Asian Americans and Pacific Islanders. APEX Express is every Thursday evening at 7:00 PM and with that, we're at the end of our time here. We really appreciate you tuning in tonight and a special thanks for Tsuru for Solidarity for sharing their time and work with us. For a transcript of today's episode, please visit our website. That's kpfa.org/program/APEX Express. [00:57:00] We've also added links to Tsuru for Solidarity's website, their social media channels, and where you can go to learn more about their ongoing campaigns. Be sure to check that out. APEX Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me, Miata Tan. Get some rest, y'all.   The post APEX Express – 4.16.26 – Rethinking Immigration Detention appeared first on KPFA.

Rep. Gwen Moore was elected to represent Wisconsin's 4th Congressional District in 2004, making her the first African American elected to Congress from the State of Wisconsin. With over 40 years of public service, she has been at the forefront of some of our nation's most significant legislative achievements and has gained the reputation of a fearless advocate for women and children.In this conversation, we discussed what women, in particular, need to know about the SAVE Act, Rep. Moore's responses to Republicans who say that the SAVE Act is just a voter ID bill, how Trump's policies on immigration affect abuse survivors, and what Democrats in power are doing to stop the SAVE Act.Connect with Rep. Gwen Moore: Instagram | WebsiteIf you're looking to unleash your potential, find your personal, professional, or political fire, and to connect with a community who is doing the same, click here to learn more. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit shannonwatts.substack.com/subscribe

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. LaToya Gilmore. A licensed professional counselor with 20+ years of experience. Topic: Her book Communication Skills for Healthier Boundaries and her journey in mental health. 2. Dr. Gilmore’s Career Path Started in mass communication, switched to psychology after a friend's suggestion. First psychology class sparked her passion. Emphasizes the importance of curiosity and self-awareness in career transitions. 3. Mental Health and Career Change Discusses fear of change and how to overcome it. Encourages self-assessment and assertive communication. Talks about blocking external opinions to follow personal truth. 4. Mental Health in the Black Community Pandemic brought mental health to the forefront. Black professionals increasingly seeking therapy for trauma, stress, and work-life balance. Her practice is 95% African-American professionals. 5. HBCU Experience Attended Prairie View A&M and Texas Southern University. Highlights the affirming and empowering environment of HBCUs. Importance of representation and academic excellence. 6. Book Discussion: Communication Skills for Healthier Boundaries Focuses on effective communication and healthy boundaries. Addresses rigid vs. absent boundaries and their impact on relationships and self-worth. 7. Therapy Practice Model Transitioned from in-person to fully virtual practice. Offers flexibility for clients and shares her own experience with therapy. 8. Entrepreneurship Lessons Graduate school didn’t teach business fundamentals. Learned about insurance, legal structure, and accounting on the fly. Advocates mentorship and using resources like ChatGPT (with caution). 9. Betting on Yourself Shares her transition from full-time professor to private practice. Advises strategic planning and exit strategies over impulsive quitting. 10. Parenting and Child Development Warns against premature diagnoses in children. Encourages education on developmental stages and adapting parenting strategies. 11. Future of Mental Health Education Advocates normalization of mental health as part of routine healthcare. Notes increased visibility in media, faith communities, and public discourse. 12. Boundaries in Social Settings Shares how she handles unsolicited therapy requests at social events. Emphasizes professional boundaries and offers referrals when needed. 13. Closing Website: www.lovesupportguidance.com Social media: Instagram @DrGilmoreShares Encouragement to lead with gifts and keep winning.

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. LaToya Gilmore. A licensed professional counselor with 20+ years of experience. Topic: Her book Communication Skills for Healthier Boundaries and her journey in mental health. 2. Dr. Gilmore’s Career Path Started in mass communication, switched to psychology after a friend's suggestion. First psychology class sparked her passion. Emphasizes the importance of curiosity and self-awareness in career transitions. 3. Mental Health and Career Change Discusses fear of change and how to overcome it. Encourages self-assessment and assertive communication. Talks about blocking external opinions to follow personal truth. 4. Mental Health in the Black Community Pandemic brought mental health to the forefront. Black professionals increasingly seeking therapy for trauma, stress, and work-life balance. Her practice is 95% African-American professionals. 5. HBCU Experience Attended Prairie View A&M and Texas Southern University. Highlights the affirming and empowering environment of HBCUs. Importance of representation and academic excellence. 6. Book Discussion: Communication Skills for Healthier Boundaries Focuses on effective communication and healthy boundaries. Addresses rigid vs. absent boundaries and their impact on relationships and self-worth. 7. Therapy Practice Model Transitioned from in-person to fully virtual practice. Offers flexibility for clients and shares her own experience with therapy. 8. Entrepreneurship Lessons Graduate school didn’t teach business fundamentals. Learned about insurance, legal structure, and accounting on the fly. Advocates mentorship and using resources like ChatGPT (with caution). 9. Betting on Yourself Shares her transition from full-time professor to private practice. Advises strategic planning and exit strategies over impulsive quitting. 10. Parenting and Child Development Warns against premature diagnoses in children. Encourages education on developmental stages and adapting parenting strategies. 11. Future of Mental Health Education Advocates normalization of mental health as part of routine healthcare. Notes increased visibility in media, faith communities, and public discourse. 12. Boundaries in Social Settings Shares how she handles unsolicited therapy requests at social events. Emphasizes professional boundaries and offers referrals when needed. 13. Closing Website: www.lovesupportguidance.com Social media: Instagram @DrGilmoreShares Encouragement to lead with gifts and keep winning.

Has Trump Jumped the Shark? MTG & Ro Khanna Talk About A Third Party. Reps Swalwell AND Gonzales Resign. Rock & Roll HOF. WNBA, NFL & Military Draft.  In this explosive episode of Independent Americans, host Paul Rieckhoff sits down with the great and powerful Michael Steele—former RNC Chairman and Lieutenant Governor of Maryland and cohost of MS NOW's The Weeknight airing weekdays at 7pm ET—for a raw, unfiltered debrief on the current state of the American duopoly. Steele doesn't hold back, detailing why he believes the Republican Party is currently racing toward a "fucking cliff" and what it actually takes to maintain integrity when your political home has abandoned its foundational principles. From his personal history as a fencer to his perspective as the first African American leader of the RNC, Steele provides a masterclass in political realism and the urgent need for a viable third-party movement in America. Beyond the political crossfire, this episode drills down into the critical national security stories the mainstream media is missing. We cover the escalating blockade in Iran being enforced by 10,000 U.S. service members, the "geopolitical victim-shaming" of Ukraine, and the stunning technological innovations of robotic warfare on the front lines. We also tackle the bizarre cultural moment—from Trump's "Jesus" posts to the Wu-Tang Clan's induction into the Rock and Roll Hall of Fame. It's a high-octane mix of culture, security, and independent politics designed to help you slice through the noise and stay vigilant. -WATCH full video of this episode here. -Join IVA and stand up to Trump's Forever Wars. -Learn more about Paul's work to elect a new generation of independent leaders with Independent Veterans of America. -Learn more about American Veterans for Ukraine here. -Remember Independent is an Attitude. -Learn more about The Headstrong Project for Veterans, Tragedy Assistance Program for Survivors (TAPS), and Department of Veterans Affairs resources in your area. Seeking support is not a sign of weakness. It's a show of strength. If you or a loved one are in immediate crisis, dial 988 and press 1, or text 838255. Connect with Independent Americans: Subscribe on YouTube, Spotify, Apple Podcasts, and all podcast platforms Read more at Substack Support ad-free episodes at Patreon  Connect: Instagram  • X/Twitter • BlueSky • Facebook  Follow on social: @PaulRieckhoff on X, Instagram, Threads, and Bluesky -Join the movement. Hook into our exclusive Patreon community of Independent Americans. Get extra content, connect with guests, meet other Independent Americans, attend events, get merch discounts, and support this show that speaks truth to power.  -And get cool IA and Righteous hats, t-shirts and other merch now in time for the new year.  Independent Americans is powered by veteran-owned and led Righteous Media.  And now part of the BLEAV network!  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of Stitch Please, Lisa comes with a loving reality check: your sewing machine has BEEN doing the most… you just haven't been using it.From budget machines to fancy ones with more stitches than you'll ever admit to using, Lisa dives into the hidden features sitting right under your presser foot. She breaks down everything from the underrated zigzag (aka the Beyoncé of stitches) to decorative stitches that can level up your projects without spending a dime.Along the way, she shares practical tips, a little sewing history, and just enough playful side eye to call us out for ignoring half our machine's potential. Because your next sewing glow up is literally built in. =====Hosted By: Dr. Lisa WoolforkSenior Producer: Krystal HillProducer: Mike Bryant========Sign Up For Lisa's Class at The Fiber and Fabric Craft Festival In Chicago===============Dr. Lisa Woolfork is an associate professor of English specializing in African American literature and culture. Her teaching and research explore Black women writers, Black identity, trauma theory, and American slavery. She is the founder of Black Women Stitch, the sewing group where Black lives matter. She is also the host/producer of Stitch Please, a weekly audio podcast that centers on Black women, girls, and femmes in sewing. In the summer of 2017, she actively resisted the white supremacist marches in her community, Charlottesville, Virginia. The city became a symbol of lethal resurging white supremacist violence. She remains active in a variety of university and community initiatives, including the Community Engaged Scholars program. She believes in the power of creative liberation.Instagram: Lisa WoolforkTwitter: Lisa Woolfork======Stay Connected:YouTube: Black Women StitchInstagram: Black Women StitchFacebook: Stitch Please Podcast--Sign up for the Black Women Stitch quarterly newsletterCheck out our merch hereLeave a BACKSTITCH message and tell us about your favorite episode.Join the Black Women Stitch PatreonCheck out our Amazon StoreMentioned in this episode:2026_FFCFestival Promo Preroll 2026_FFCFestival Promo Midroll

Every year on April 15, the entire baseball world celebrates the achievements of Jackie Robinson for breaking the color barrier and becoming the first African American to play in Major League Baseball. The impact that Jackie had—not just on the sports world, but globally—through his courage, endurance, and military service shows the importance of the figure the Hall of Famer was. On this episode of Baseball Bar-B-Cast, Jake Mintz and Jordan Shusterman talk about Jackie's story, including how his wife, Rachel Robinson, was just as important a figure in his life and continues to spread the message of her late husband. Jordan also discusses Charles Follis, the first African American professional football player, who also played in the Negro Leagues, and his relationship with Branch Rickey. Also on this episode, Jake and Jordan discuss the early-season power rankings, which have the Los Angeles Dodgers, Atlanta Braves and New York Yankees at the top of the list, and why it's tough to rank teams with so few games played so far. Later, they cover Steve Cohen's interesting tweet after the New York Mets extended their losing streak, Houston Astros pitcher Tatsuya Imai having a difficult time adjusting in the States and try to figure out why Ben Rice isn't starting every game for the Yankees. 1:34 - The Opener: Power rankings drop 19:07 - Remembering Jackie Robinson 29:56 - The importance of Charles Follis 50:10 - Steve Cohen's Mets tweet 58:17 - Scary dugout moment in Baltimore 1:07:50 - Why isn't Ben Rice starting? Subscribe to Baseball Bar-B-Cast on your favorite podcast app:

Listen and subscribe to Money Making Conversations on iHeartRadio, Apple Podcasts, Spotify, www.moneymakingconversations.com/subscribe/ or wherever you listen to podcasts. New Money Making Conversations episodes drop daily. I want to alert you, so you don’t miss out on expert analysis and insider perspectives from my guests who provide tips that can help you uplift the community, improve your financial planning, motivation, or advice on how to be a successful entrepreneur. Keep winning! Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dr. LaToya Gilmore. A licensed professional counselor with 20+ years of experience. Topic: Her book Communication Skills for Healthier Boundaries and her journey in mental health. 2. Dr. Gilmore’s Career Path Started in mass communication, switched to psychology after a friend's suggestion. First psychology class sparked her passion. Emphasizes the importance of curiosity and self-awareness in career transitions. 3. Mental Health and Career Change Discusses fear of change and how to overcome it. Encourages self-assessment and assertive communication. Talks about blocking external opinions to follow personal truth. 4. Mental Health in the Black Community Pandemic brought mental health to the forefront. Black professionals increasingly seeking therapy for trauma, stress, and work-life balance. Her practice is 95% African-American professionals. 5. HBCU Experience Attended Prairie View A&M and Texas Southern University. Highlights the affirming and empowering environment of HBCUs. Importance of representation and academic excellence. 6. Book Discussion: Communication Skills for Healthier Boundaries Focuses on effective communication and healthy boundaries. Addresses rigid vs. absent boundaries and their impact on relationships and self-worth. 7. Therapy Practice Model Transitioned from in-person to fully virtual practice. Offers flexibility for clients and shares her own experience with therapy. 8. Entrepreneurship Lessons Graduate school didn’t teach business fundamentals. Learned about insurance, legal structure, and accounting on the fly. Advocates mentorship and using resources like ChatGPT (with caution). 9. Betting on Yourself Shares her transition from full-time professor to private practice. Advises strategic planning and exit strategies over impulsive quitting. 10. Parenting and Child Development Warns against premature diagnoses in children. Encourages education on developmental stages and adapting parenting strategies. 11. Future of Mental Health Education Advocates normalization of mental health as part of routine healthcare. Notes increased visibility in media, faith communities, and public discourse. 12. Boundaries in Social Settings Shares how she handles unsolicited therapy requests at social events. Emphasizes professional boundaries and offers referrals when needed. 13. Closing Website: www.lovesupportguidance.com Social media: Instagram @DrGilmoreShares Encouragement to lead with gifts and keep winning.

“In the generation just before the Civil War, something like one-quarter of America's enslaved people lived on large plantations with fifty or more forced laborers—in essence, work camps, where contact with whites might be limited and mostly utilitarian. Another quarter lived on plantations where twenty to fifty persons were held in slavery. The typical owner of, say, thirty captive Black workers knew his enslaved people individually, even if their true feelings often remained hidden from him.That leaves half the South's enslaved population living on properties where fewer than twenty Black people were held in bondage. Households that included, say, five or ten enslaved folk were very numerous. Callousness and exploitation were baked into the system, but slavery on this scale also required physical closeness between white and Black. This sort of environment was home to nearly two million African Americans by 1860, and it represented the predominant pattern in Virginia, which held within its borders the largest enslaved population of any colony or state throughout the period from 1619 until 1865.These smaller farms and homes formed a system where, for the most part, the exploiters and the exploited knew one another personally, sometimes even intimately.”These are the words of my guest Melvin Patrick Ely in his new book A Terrible Intimacy: Interracial Life in the Slave Holding South. An eminent historian of slavery and the American South, Ely's last book was Israel on the Appomattox: A Southern Experiment in Freedom from the 1790s to the Civil War, for which he received the 2005 Bancroft prize. In A Terrible Intimacy he returns to the archives he knows better than anyone, the court records of Prince Edward County, Virginia, teasing from them what they reveal about what is perhaps the most complicated subject in American history.

On Wednesday's show: From the latest on the war with Iran, to sexual misconduct scandals and resignations, to President Trump clashing with Pope Leo XIV, we discuss the latest developments in politics in our weekly roundup.Also this hour: What if the story of Eden isn't just about the past but about the African-American experience today? We talk with artist Clarence Heyward about his new exhibit at the Houston Museum of African American Culture, which reimagines paradise, exile, and hope through a powerful modern lens.Watch

Back on this day in 1947, Jackie Robinson became the first African American in Major League Baseball history. Robinson played for the Brookyln Dodgers, becoming one of the greatest players to ever step foot on the diamond.

A brief take on Ta-Nehisi Coates's move into Marvel Comics, highlighting how his Black Panther run bridges African American literary continuums and comic storytelling while expanding the scope of Black artistic production across forms. Written by Howard Rambsy IIRead by Kassandra Timm

Zella Palmer, is an author, professor, filmmaker, curator, scholar and the Chair and Director of the Dillard University Ray Charles Program in African-American Material Culture in New Orleans, Louisiana. Palmer is committed to documenting and preserving the legacy African American, Creole, Indigenous and LatinX culinary history. As the Chair of the Dillard University Ray Charles Program, Palmer filmed and produced the Story of New Orleans Creole Cooking: The Black Hand in the Pot documentary.  In 2020, under Palmer's leadership, Dillard University launched a Food Studies Minor at Dillard University. Her latest publications, Recipes and Remembrances of Fair Dillard: 1869-2019 (University of Louisiana at Lafayette Press) and James Beard Foundation Semi-Finalist (U.S. Foodways) Ed Mitchell's Barbeque (Harper Collins, June 2023) shares some of her rich research and she released her latest documentary Grenada to the World in August 2025.  Zella is extending her legacy through her work advising higher education institutions, museums, and tourism ministries on integrating artificial intelligence while safeguarding culture, memory, and human meaning. In alignment with her professional work, she is also studying to become an herbal physician, answering a deeply ancestral calling. LISTEN AND CONNECT Website Instagram (Zella) Instagram (Dillard)

Ben Lindbergh and Meg Rowley banter about the Mariners actually sort of sacrificing Humpy, the historically compressed standings at the start of the season, top prospects (and veteran relievers) pushing for promotions, the solution to a Kutter Crawford mystery, a faux-froyo con, Jazz Chisholm Jr.’s rules confusion, Cade Winquest’s quest, and more. Then (57:18) they talk to Negro Leagues Baseball Museum president Bob Kendrick about Jackie Robinson Day, the importance of telling stories about Black baseball in an anti-diversity climate, Bob’s work on MLB The Show, the MLB pipeline for African American players, showcasing the surviving Negro Leagues ballparks, the NLBM’s expansion plans, baseball in Kansas City, Ichiro Suzuki’s visits to the Museum, and more. Audio intro: Josh Busman, “Effectively Wild Theme” Audio interstitial: Austin Klewan, “Effectively Wild Theme” Audio outro: Ian Phillips, “Effectively Wild Theme” Link to “Jack Robinson” idiom Link to Humpy clip Link to Humpy plushy Link to MLBTR on Imai Link to standings data Link to leaguewide offensive stats Link to baseball drag graph Link to previous Crawford banter Link to 2025 Crawford story Link to new Crawford scoop Link to “hose” baseball slang Link to FG top prospects Link to Parker collision story Link to froyo feature Link to Jazz story Link to Jazz clip Link to Jazz play Link to Boone story Link to Kobayashi Maru wiki Link to Brebbia post Link to MLBTR on Kimbrel Link to Yankees/Mets losses stat Link to Emanski drills video Link to frequency illusion wiki Link to MLBTR on Winquest Link to phantom ballplayer wiki Link to Jackie Robinson Day wiki Link to Robinson story removal Link to MLB “diversity” story Link to new MLB The Show mode Link to MLB at Rickwood Field wiki Link to surviving ballparks story Link to East-West Classic news Link to % of Black players data Link to NLBM expansion page Link to sportswriters/Marriott story Link to Chiefs stadium story Link to Royals stadium story Link to John Donaldson EW episode Link to donate to the NLBM Link to Swanson quote Link to Episode 305 wiki Link to Lorenzen note Link to MLBTR on Pham Sponsor Us on Patreon Give a Gift Subscription Email Us: podcast@fangraphs.com Effectively Wild Subreddit Effectively Wild Wiki Apple Podcasts Feed Spotify Feed YouTube Playlist Facebook Group Bluesky Account Twitter Account Get Our Merch! var SERVER_DATA = Object.assign(SERVER_DATA || {}); Source

Twin sisters — light-skinned African Americans — eventually split and live very different lives: one, as a Black woman; the other, choosing a life as a white woman. Bennett's book follows their stories across generations. She'll be in Rochester next week for an event with the Rochester Speaker Series, but first, she joins us on "Connections" to discuss themes of identity, passing, and self-acceptance. Our guests: Brit Bennett, author of the National Book Award-nominated novel, "The Vanishing Half" Norma Holland, chief of staff at the Office of University Engagement and Enrichment at the University of Rochester and former journalist Nancy Klotz, president of the board of the Rochester Speakers Series ---Connections is supported by listeners like you. Head to our donation page to become a WXXI member today, support the show, and help us close the gap created by the rescission of federal funding.---Connections airs every weekday from noon-2 p.m. Join the conversation with questions or comments by phone at 1-844-295-TALK (8255) or 585-263-9994, email, Facebook or Twitter. Connections is also livestreamed on the WXXI News YouTube channel each day. You can watch live or access previous episodes here.---Do you have a story that needs to be shared? Pitch your story to Connections.

“G” for Gullah. The term “Gullah,”or “Geechee,” describes a unique group of African Americans descended from enslaved Africans who settled in the Sea Islands and lowcountry of South Carolina, Georgia, Florida, and North Carolina.

It's the story of a guy on a road trip across the country, checking out America's classic greasy spoons. And the adventure is all about finding the restaurant owners and creative cooks serving up the very best of down-home style food. That's the premise of the hit series Diners, Drive-Ins, and Dives starring everyman chef Guy Fieri. Today we're going to talk with the show's creator, two-time Emmy Award winning food journalist and executive producer David Page. Interview Transcript David, I can't wait to talk to you about the show. But before we dive in and talk about the specifics, how long did the show run and how many episodes were done? My impression it's still on and it's always been there. Yes. I created it in 2006, 2007. I did the first 11 seasons and moved on. And funny story, in the first month of the show we had a couple of strong initial outings. And everyone was all excited thinking maybe this will be a hit. A food network executive called me up to tamp down my expectations and said, look, this is all fine and dandy, but this thing isn't gonna go more than a season or two. There's just not that many restaurants. And you know, to quote the great screenwriter William Goldman whose rule of Hollywood is 'no one knows anything.' I did 11 seasons. It's now in season 40 or something, I think. Holy cow. I could just think of enough restaurants around me to do a couple of seasons worth. So, tell us the origin story. How did Diners, Drive-Ins and Dives come about? Well, I had left a career in network news and moved to the Twin Cities because I thought I wanted to be in business for a public corporation. And I took a job as the Senior Vice president at a home shopping channel, and I was all excited, and I hated it. It was just horrible. I did not want to sell second rate gold jewelry to shut ins. So, I quit, and I opened a production company and began to starve because I wasn't selling anything. Then I called Al Roker, who has a production company and who had technically worked for me, although stars don't work for executive producers in the real world. When I was the co-producer of the Weekend Editions of the Today Show. Al was on the weekend show at the time. He hadn't yet moved up to the big show. And I said, hey, Al, I'm starving. You got any work you could throw me? And he said, yeah, I'm doing a lot of stuff for the Food Network. I'll subcontract some of it to you. Which was good for both of us. I got to work, and Al got to take a cut without doing anything. So, that hooked me up with the Food Network. I started working for them and Al and I both knew I wasn't gonna get rich doing a pass-through deal, so I started pitching them directly. And I was getting nowhere. There was this very nice development exec who would talk to me on the phone. And everything I proposed she would shoot down. And one day I'm on the phone with her and we're going through a pitch call and I'm proposing this and proposing that, and she's saying, no, no, no. Finally, the Food Network had asked Al to do a documentary on diners and the history of diners and such. And Al had subcontracted it to me. So, this development exec had a frustration and I think pity for me and finally said to me on this call, don't you have another thing on diners? And I immediately, I said, oh, absolutely. I'm developing a show called Diners, Drive-Ins and Dives. And I told her all about it. And this was like late on a Thursday or Friday afternoon. And she said, 'you know, that sounds good. We have a development meeting Tuesday. Get me a writeup on Monday.' And I got off the phone elated because it was the first time she'd expressed interest in anything. But also, I'd kind of put myself in a jam because I was not developing a show called that. I had literally pulled the title out of thin air. Or a body part, depending upon how scatological you want to get. And that gave me the weekend to try to put a pitch together. So, this was in the old days when you didn't email people, you called them. I did as much research as I could, and I started calling restaurants around the country. And on Monday I sent her a pitch for a one-hour special with, I think, it had seven restaurants in it. And, they had their meeting on Tuesday and here here's, you know, you get lucky. Guy Fieri had just won their second Food Network Star competition. Back then they naively believed that that contest was gonna generate them a new star every year. Someone who would be a big deal for it. In fact, Guy is the only one who ever made it and, when I'm drunk and immodest, I take a lot of credit for having taught him how to make it. But he has immense natural talent. Anyway, they wanted to make Guy a star. And they were trying to get a primetime show for him. And big deal, major league production companies had been asked to come up with proposals, which had not come back yet. They figured, what the hell, let's do a special with Guy just to keep on the air so people wouldn't forget about him. So, they picked up this special from me. It was gonna be a one-shot deal. We did it. I think they were kind of stunned by how well it did. And then something really great happened for me. They looked at the proposals from the big boys and didn't like them. And they were kind of stuck. They were desperate to get Guy on the air in prime time. So, they figured, well, you know, let's pick up a very short season of this thing. And they bought, I don't know if it was eight or 10 episodes, but they committed to that. And very quickly, we became a hit and off we went. It's an amazing story. So many people have seen so many episodes of that show. But nobody would have any idea that's how it got started. It's wonderful to hear about that. Once you got going and got your feet on the ground with this, what were you hoping to accomplish through this show? Well, look, TV's about storytelling. I've been a storyteller, hell, for 50 some odd years now as a mostly broadcast journalist. You learn, if you're any good, that the best stories come from and are about people. I conceive this not as a food show, but as an opportunity for the viewer to meet really cool, passionate people doing something they cared about. You know, independent restaurant owners make a buck 3.80 at best. They're passionate about making good food. If they're any good. They're often trying to keep family legacies alive. And more than anything else to succeed in the food biz you gotta wanna serve people. You gotta wanna make people happy. So, I went out to document the stories of some of the coolest people in America. Now, it was in the food world, which is a world of shared experience. We all eat. Most of us have favorite foods. Most of our favorite foods are the kinds of foods that I featured on Diners. TV is about one thing: hanging out with someone you want to hang out with. That's why Tom Selleck remains a star; whatever crappy TV show you put him in. That's why for your older audience, Tyne Daly kept getting series after series, or James Garner. There are just people you want to hang out with and that's all television is. Guy is someone people want to hang out with. His personality comes through the screen in a particular way. And you know, I said earlier, frankly or implied, that I taught him a lot about how to make TV. I did, but that's because at heart, he is the most naturally talented performer I've ever worked with in 50 years in the business. And was brilliantly able to soak up anything he learned along the way. I mean, it's like a chef. If you're a good chef, a better chef can make you better. But if you're not a good chef, you'll never be a good chef. To be good on TV, you have to have it. I can't define IT, but to quote the Supreme Court justice about pornography, I know it when I see it. And Guy has IT. So basically, this show put together people you wanted to hang out with and brought them into your living room or your bedroom or whatever room you watch in. The show is very compelling and you're right, you get to know the chefs, the restaurant owners in these little places, and there's something wonderfully wholesome about it. It's so good that you came up with this idea. You know, I was reminded as you were talking about a conversation you and I had when we first got to know each other by Zoom a few weeks ago. And I was mentioning I was going to do a self-guided drive called the Blues Triangle Tour. Starting in Memphis going down to Tupelo, over to Mussell Shoals, ending up in Nashville. And immediately you started telling me about places I needed to go. You said, oh, there's this wonderful place in Memphis. It's down an alley and down these stairs. Yeah, the rendezvous. Yes. They have the best Memphis dry rub ribs. I thought, oh my God, I'm, I can't tell you how grateful I am for that recommendation. Well, did you go? I'm going plan my trip around that. And then as I was reading your book, Food Americana, which we've discussed in a separate podcast, you mentioned the hot wings in Nashville. You mentioned former Mayor of Nashville, Bill Purcell, who was an inspiration for the hot wing festival they have there. Well, I happen to know him. And because our professional paths intersected around some health and wellness things, and he's a wonderful guy. So, you inspire me to get back in touch with him. You know, I wrote to him, I said, I'm going to be in Nashville. Let's go out for some hot wings. You know, at the place where they were invented. How wonderful is all this? Well, the story behind them is phenomenal. Apparently, the guy, Prince I guess was his last name... he was not a real faithful husband or boyfriend. I'm not sure if he was married to the woman. But he came in one night after gallivanting around and told his partner, told apparently, didn't ask, to make him some wings. And she was so teed off at him that she made them hotter than hell and he liked them. And you know, an industry is born. Or so the story goes. That's so interesting. Tell us some of your most memorable experiences doing the show. And some of the places you were, the people you met. There must be so many that stand out and you did so many. But give us a few examples. Well, I understand I kind of lost out on part of this after the first season. I, I was back at home base putting the show together. So, okay, my in-person experiences were somewhat limited. Although I made some phenomenal friends in the course of it. Louie Miller's Barbecue in Taylor, Texas. Which, I visited. It's a legacy joint. Opened 80 some odd years at this point in a converted, they always include the word girls, a converted girls basketball gym in this small town in Texas. And when we went to shoot there, Louis Miller had passed away. His son Bobby was running the place. Bobby has now passed away and his son Wayne has the place. But I just fell in love with Bobby, who was, mm-hmm, dry as a bone and hilarious. I mean, Guy says to him, well, what are you gonna cook these over? You know, expecting post oak or mesquite. Bobby looked at 'em and said, wood. I said, oh, so that's how it's gonna go. And, and that's how it went. Now we started at three in the morning. That's when they start the fire. And, you know, we're in the middle of an interview in front of one of the pits, which was at that point, I don't know, maybe 60 years old. And without looking, without checking, Bobby turns around and starts moving briskets from one part of the pit to the other. And either I or Guy said, why are you doing that? How do you know to do that? He said they needed it. It's that kind of innate understanding of his food, his technique, the pit - which had a personality of its own - and he understood it. It was just extraordinary. It's the best barbecue I've ever had. The brisket there is extraordinary. It's unbelievable. They make their own sausage, out of bull meat. You know, again, food of the poor. Barbecue started as a way to salvage tough cuts and meat that was going bad in Czech and German owned butcher shops in central Texas. It was all about making do and the argument has allegedly been that bull meat has a better chew. BS. Once the old Bull was done siren, you had to do something with 'em. Grinding them up into sausage was efficient. And I, I mean, it's fascinating what you learn along the way. Bulls are kinda lean. So, when you make sausage outta bull meat, you actually add fat. That you've taken from other animals to get the right mix. Their sausage is amazing. It's the finest barbecue I've ever had. There's a place in West Lafayette, Indiana, called the Triple XXX Family Restaurant. They added family restaurant to it 'cause when it was just the Triple XXX Drive-In, they used to get phone calls, yeah, from people asking what time the next show was. And the married couple that owns it, they started going there when they were in high school dating. His father owned it at one point. It's basically a burger joint, but much more than that where they make the burgers out of steak. They name the burgers after star athletes from Purdue University right down the street. And they just, their, their love for the business, their love for the community, it's just something really, really special. And, you know, Wayne Miller's become a friend. They've become friends. It, it, it's a delight to see. there's a barbecue joint in Lexington, Kentucky. And I know Lexington because when my daughter was in high school, she was a competitive equestrian. And, Lexington has a pretty big deal horse show every year. And we would go there, and she actually ribboned there. She was damn good at it. But there was a barbecue joint that I found there. I didn't find it on a trip there. I mean, my research department found it. And their specialty was, as is the case in that part of Kentucky, mutton. And we sent a crew down there and Guy and did a segment with them. Like the next year when we were in Lexington, I took the family there and we had dinner. And it turned out I couldn't go there very often because they wouldn't let me pay. And they would just fill the table with all this food because as it turned out, they told me that being on Diners saved them from going bankrupt and shutting down. And I found out that we actually saved a bunch of restaurants, which was not our intent. But I'm damn glad it happened. And by the way, if you've never had mutton barbecue, you gotta go for it. It's fabulous. You know, when you were talking about Texas barbecue, I don't think I've ever come across barbecue I don't like. And, you know, North Carolina has its own distinctive barbecue, and Kansas City and Memphis, you know, all that. But by far my favorite, and I shouldn't say this because I live in North Carolina, but it's Texas barbecue, just like you said. Well, I think we're talking central Texas barbecue because... Yes. In Southern Texas, there's a Mexican style of barbecue, in Southeastern Texas there's the kind of barbecue you're used to because there was an African American migration from the Southeast into that area, so they're making pork. But yes, central Texas barbecue is second to caviar and hallava. Probably the third best substance on earth. Oh my God, I totally agree. I have a good friend in Austin, so I've been down there and I've gone to Lockhart and, you know, Austin and places, and you're right, that Central Texas barbecue is just unbelievable. It, it hijacks every atom in my body. And, and what's incredible about it is in most cases. There's no sauce. No, I was just gonna say... that it's only with salt and pepper. You don't... the meat is so good. Yeah. You don't want to besmirch it with sauce. No, no. At other places you need sauce because the meat's not that good to begin with. Oh, it's just absolute heaven. And again, it was born of a need to do something with bad meat. And, and by the way, interestingly enough, you know, unlike North Carolina barbecue, which was born of whole animals, this kind of barbecue was impossible until the meat cutting industry was born. And pieces of beef were being shipped that were not whole carcasses or half carcasses. This old form of food is actually also a modern form of food that couldn't exist until the industrial age began treating beef differently. You know, I'm dying to make a trip down to Austin, use that as a base and do nothing but barbecue for about three or four days. I don't know if the body can tolerate that, but, oh... Oh sure it can! But I'm going to find out perhaps. Well, you know, there's three Michelin star barbecue joints in Austin now. I interviewed the owner of La Barbecue, which has a Michelin star who was actually married to a woman who is a descendant of Louis Miller's family. And she unfortunately passed away. Her widow runs the place alone now. But they're doing some remarkable stuff. And of course, there's Franklin's, which is famous, which I've never been to. But oh, Obama was the only one allowed to cut the line there. Yeah, I wasn't, I had to stand in line a long time. How good was it? Unbelievably good. I mean, you go up and, you know, Aaron Franklin was there at the counter chopping up the brisket and asked which part you'd like. And you just don't... sauce belongs nowhere near it. The meat is just so tender, so beautiful. But it does raise a definitional issue. He was one of the first to use prime beef. Is that cheating? Barbecue's goal is to make the most out of the least. I don't know. If it's good. It's good. Okay. Cheating or not? It's really good. Okay. Just checking. So, let's get back to food television. Social media has come into the picture, since you began doing the Diners show. How has that changed things? And is TV still the predominant place people are learning about food or is it social? How do the two interact? Where does that work? I think it's mostly social media these days.I mean, look, TV evolved. Food TV evolved into two things. Truly beautiful paeans to food and chefs done generally on streaming channels. And they're fine. They're good. A bit, too dreamy for my taste. They take you out of the real world of your shared experience, but that's okay. I, I like going to museums and looking at pretty pictures. What troubles me is that so much of food TV turned into competition shows and BS reality shows. They glorify, you know, Gordon Ramsey's a great chef. I doubt he runs his real kitchens the way he screams and yells on that show. And given the toxicity in the restaurant kitchen culture, that got a spotlight a few years ago and is still, you know, it hasn't been eradicated. I'm not in love with the glorification of screaming and yelling. But the Bear has the same problem. I mean, this 'yes chef' mentality but it's still the French brigade system and an awful lot of the chefs I enjoy talking to these days will tell you, you don't have to do that. But I think the impetus in food as an audio-visual medium. Or food presented as an audio-visual medium is very much social media [these days. And you know, on the one hand, that's fine. The more interest there is in food. Hopefully the more people may sample my podcast Culinary Characters Unlocked. Look for it wherever you get your podcasts. But look, I confused the folks at the Food Network by insisting that my show be completely factual. You know, if they would ask me to stretch a point or something, I would say no. I held it to the same standards that I held all the reporting to when I was the senior investigative producer at 2020. I believe you should tell the truth. Well, social media doesn't give a damn. Most food shows, frankly, don't give a damn. But you've got influencers who have their own agendas. Who are wheedling free meals out of restaurants. I mean, why the hell glorify to buy chocolate? It's a goddamn chocolate bar, but it's 20 bucks. That's ridiculous. Food has been turned into a designer, accoutrement. It's, you know, it's a YSL designer bag. That doesn't make me happy. But then again as a society it's harder and harder to get people to be interested in actually learning stuff. They wanna be titillated, they wanna be shocked, they wanna be amazed. And look, teaching people stuff or imparting information doesn't have to be broccoli. I believe, frankly, one of the things I'm proudest of is that Diners, while entirely factual, was entertaining as hell. You can do both. But there's no code of honor or honesty or obligation among anybody picking up a camera and going on social media and saying, look at this. Where could it go? How could it be better? Well, don't take money or free meals to go pump places up. Have some expertise in what you're analyzing. I mean, criticism's fine, but if you don't know what you're talking about, the criticism is not valid. And I look to food critics to guide me toward where I want to go and eat and what I should like and help me broaden my palate and my understanding. Is it entertaining? Yeah, fine. It's okay. But again, I'm a grumpy old man telling kids to get off the shed. So David, you know, I'm really grateful you joined us today because the Diners, Drive-Ins and Dives is such an important part of American food television history. And it's amazing to hear how it got started and where it went and your vision of how things could be better. But boy, it's just fun to talk to you about food in general and places to eat and the people. And it is just this wonderful world of connection, isn't it? It, it is. And for example, this conversation, Kelly, I didn't know you till we started talking about doing this podcast, and now you're a new buddy. I love talking food with you. BIO David Page is the President and Executive of Page Productions. He is a two-time Emmy award winning Executive Producer with a focus on culinary projects and a special expertise in creating entertaining and engaging programming that combines the highest production values with the richest storytelling. Page is best known for creating the Food Network hit Diners, Drive-Ins and Dives and executive producing the program for eleven seasons. He is also an author, having written the book Food Americana about the evolution of American cuisine. And he is now producing and hosting the podcast Culinary Characters Unlocked, featuring entertaining but substantive interviews with important people in the world of food. 

https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 Atlantis: The Lost Empire is a 2001 American animated science fiction adventure film directed by Gary Trousdale and Kirk Wise, produced by Don Hahn, and written by Tab Murphy. Produced by Walt Disney Feature Animation, it stars Michael J. Fox, James Garner, Cree Summer, Don Novello, Phil Morris, Claudia Christian, Jacqueline Obradors, Florence Stanley, David Ogden Stiers, John Mahoney, Jim Varney, Corey Burton and Leonard Nimoy. Set in 1914, the film follows young linguist Milo Thatch, who gains possession of a sacred book, which he believes will guide him and a crew of mercenaries to the lost city of Atlantis. Development of the film began after production had finished on The Hunchback of Notre Dame (1996). Instead of another musical, directors Trousdale and Wise, producer Hahn, and screenwriter Murphy decided to do an adventure film inspired by the works of Jules Verne. Atlantis: The Lost Empire was notable for adopting the distinctive visual style of comic book artist Mike Mignola, one of the film's production designers. The film made greater use of computer-generated imagery (CGI) than any of Disney's previous traditionally animated features and remains one of the few to have been shot in anamorphic format. Linguist Marc Okrand constructed an Atlantean language specifically for use in the film. James Newton Howard provided the film's musical score. The film was released at a time when audience interest in animated films was shifting away from traditional animation toward films with full CGI. Atlantis: The Lost Empire premiered at the El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001, and went into its general release on June 15. The film received mixed reviews from critics. Budgeted at around $90–120 million, Atlantis grossed over $186 million worldwide, $84 million of which was earned in North America; its lackluster box office response was identified as a result of being released in competition with Shrek, Lara Croft: Tomb Raider, The Fast and the Furious and Dr. Dolittle 2. As a result of the film's box office failure, Disney cancelled a planned spin-off animated television series, Team Atlantis; an underwater Disneyland attraction; and a volcanic Magic Kingdom attraction based on it. Atlantis was nominated for several awards, including seven Annie Awards, and won Best Sound Editing at the 2002 Golden Reel Awards. The film was released on VHS and DVD on January 29, 2002, and on Blu-ray on June 11, 2013. Despite its initial reception, reception in later years became favorable and has given Atlantis a cult following[5] and reappraisal from critics as a mistreated classic, due in part to Mignola's unique artistic influence.[6][7] A direct-to-video sequel, Atlantis: Milo's Return, was released in 2003. Plot In 1914 Washington, D.C., archaeo-linguist Milo Thatch obsesses over finding the legendary lost city of Atlantis, believed to have sunk thousands of years ago. His employers ridicule his theories, but he gains an unexpected ally in eccentric millionaire Preston B. Whitmore, a friend of Milo's deceased adventurer grandfather who also sought the city. Determined to honor his old friend's quest, Whitmore recruits Milo for an expedition to Atlantis, having recently uncovered the Shepherd's Journal, an ancient Atlantean manuscript that contains directions to the lost city. Aboard the submarine Ulysses, Milo meets his teammates: Commander Lyle Tiberius Rourke, Lieutenant Helga Sinclair, demolitions expert Vincenzo Santorini, geologist Gaetan "Mole" Molière, medical officer Joshua Sweet, mechanic Audrey Ramirez, radio operator Wilhelmina Packard, mess cook Jebidiah "Cookie" Farnsworth, and a platoon of mercenaries. Upon reaching a cave entrance leading to the lost city, the submarine is destroyed by a massive mechanical leviathan, killing most of the crew. Milo and the survivors escape in smaller craft, navigating through the cave to emerge among ancient ruins. Milo translates the journal, guiding the team through caves beneath a dormant volcano until they reach the worn remains of Atlantis. There, they are greeted by Princess Kidagakash "Kida" Nedakh, who, despite being around 8,500 years old, has the appearance of a young woman. She leads them to her father, King Kashekim, who orders them to leave. Learning that Milo can read their language—a skill lost to the Atlanteans over millennia—Kida asks for his help in uncovering their forgotten history and highly-advanced technology, without which the city has declined and resources have dwindled. Milo learns that Atlantis is powered by the Heart of Atlantis, a massive crystal that grants longevity and health to its citizens through the smaller crystals they carry. Rourke betrays Milo and the Atlanteans, revealing his true intention to steal the Heart for profit, despite knowing the Atlanteans will perish without it. He mortally wounds the King while seizing control and uncovers the crystal's hidden location beneath the city. Sensing the danger, the crystal merges with Kida, who is then captured by Rourke. He departs with the crystallized Kida and his mercenaries, except for Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie, who refuse to take part in the Atlanteans' destruction. Before dying, the King reveals that Atlantis was devastated by a megatsunami after he attempted to weaponize the crystal's vast power. To protect the city, the crystal merged with a royal family member, Kida's mother. This created a protective dome over the city's inner district, shielding it from total destruction as Atlantis sank beneath the waves, but Kida's mother never returned. To prevent the crystal from ever merging with Kida, the King hid it, inadvertently accelerating Atlantis' decline. He warns Milo that Kida will be lost forever if she is not soon separated from the crystal and pleads with him to save her. Alongside his allies, Milo rallies the Atlanteans to reactivate their long-dormant flying machines. Together, they eliminate Rourke and his mercenaries in the volcano. Milo and the others fly the crystallized Kida back to Atlantis as the volcano erupts. Kida ascends into the air and awakens Stone Guardians, who erect a barrier that shields the city from the lava flow. With Atlantis saved, the crystal separates from Kida and remains suspended in the sky. Milo chooses to stay in Atlantis with Kida, having fallen in love with her. Before returning to the surface, Vincenzo, Molière, Sweet, Audrey, Packard, and Cookie each receive a small crystal and a share of treasure. The six reunite with Preston on the surface and agree to keep their adventure a secret to protect Atlantis. Preston opens a package from Milo containing his own crystal and a note thanking him. The newly crowned Queen Kida and Milo carve a stone effigy of her father to join those of past rulers floating beside the Heart of Atlantis, as the city stands restored to its former glory. Voice cast Production layout sketch of Milo and Kida. Milo's character design was based in part on sketches of the film's language consultant, Marc Okrand. Michael J. Fox as Milo James Thatch, a linguist and cartographer at the Smithsonian who was recruited to decipher The Shepherd's Journal while directing an expedition to Atlantis. James Garner as Commander Lyle Tiberius Rourke, the leader of the band of mercenaries for the Atlantean expedition. Cree Summer as Kidagakash "Kida" Nedakh, the Princess of Atlantis and Milo's love interest. Natalie Strom provided dialogue for Kida as a young child. Summer also voiced the unnamed Queen of Atlantis, Kida's mother and Kashekim's wife who was "chosen" by the Crystal during the sinking of the city. John Mahoney as Preston B. Whitmore, an eccentric millionaire who funds the expedition to Atlantis. Lloyd Bridges was originally cast and recorded as Whitmore, but he died before completing the film. Mahoney's zest and vigor led to Whitmore's personality being reworked for the film.[8] Claudia Christian as Lieutenant Helga Katrina Sinclair, Rourke's German-born second-in-command. Don Novello as Vincenzo "Vinny" Santorini, an Italian demolitions expert. Phil Morris as Dr. Joshua Strongbear Sweet, a medic of African-American and Arapaho descent. Jacqueline Obradors as Audrey Rocio Ramirez, a Puerto Rican mechanic and the youngest member of the expedition. Corey Burton as Gaetan "Mole" Molière, a French geologist who acts like a mole. Jim Varney as Jebidiah Allardyce "Cookie" Farnsworth, a Western-style chuckwagon chef. Varney died in February 2000, before the production ended, and the film was dedicated to his memory. Steven Barr recorded supplemental dialogue for Cookie. Florence Stanley as Wilhelmina Bertha Packard: an elderly, sarcastic, chain-smoking radio operator who is also the expedition's photographer. Leonard Nimoy as Kashekim Nedakh, the King of Atlantis and Kida's father. David Ogden Stiers as Fenton Q. Harcourt, a board member of the Smithsonian Institution who dismisses Milo's belief in the existence of Atlantis. Production Development The production team visited New Mexico's Carlsbad Caverns to get a sense of the underground spaces depicted in the film. The idea for Atlantis: The Lost Empire was conceived in October 1996 when Don Hahn, Gary Trousdale, Kirk Wise, and Tab Murphy lunched at a Mexican restaurant in Burbank, California. Having recently completed The Hunchback of Notre Dame,[9] the producer, directors and screenwriter wanted to keep the Hunchback crew together for another film with an "Adventureland" setting rather than a "Fantasyland" setting.[10] Drawing inspiration from Jules Verne's Journey to the Center of the Earth (1864) and Twenty Thousand Leagues Under the Seas (1870), they set out to make a film which would fully explore Atlantis (compared to the brief visit depicted in Verne's novel).[11] While primarily utilizing the Internet to research the mythology of Atlantis,[12] the filmmakers became interested in the clairvoyant readings of Edgar Cayce and decided to incorporate some of his ideas—notably that of a mother-crystal which provides power, healing, and longevity to the Atlanteans—into the story.[13] They also visited museums and old army installations to study the technology of the early 20th century (the film's time period), and traveled underground in New Mexico's Carlsbad Caverns to view the subterranean trails which would serve as a model for the approach to Atlantis in the film.[14] The filmmakers wanted to avoid the common depiction of Atlantis as "crumbled Greek columns underwater", said Wise.[15] "From the get-go, we were committed to designing it top to bottom. Let's get the architectural style, clothing, heritage, customs, how they would sleep, and how they would speak. So we brought people on board who would help us develop those ideas."[16] Art director David Goetz stated, "We looked at Mayan architecture, styles of ancient, unusual architecture from around the world, and the directors really liked the look of Southeast Asian architecture."[17] The team later took ideas from other architectural forms, including Cambodian, Indian, and Tibetan works.[18] Hahn added, "If you take and deconstruct architecture from around the world into one architectural vocabulary, that's what our Atlantis looks like."[19] The overall design and circular layout of Atlantis were also based on the writings of Plato,[18] and his quote "in a single day and night of misfortune, the island of Atlantis disappeared into the depths of the sea"[20] was influential from the beginning of production.[9] The crew wore T-shirts which read "ATLANTIS—Fewer songs, more explosions" due to the film's plan as an action-adventure (unlike previous Disney animated features, which were musicals).[21] Language The Atlantean letter A, created by artist John Emerson. Kirk Wise noted that its design was a treasure map showing the path to the crystal, "The Heart of Atlantis". Main article: Atlantean language Marc Okrand, who developed the Klingon language for the Star Trek television and theatrical productions, was hired to devise the Atlantean language for Atlantis: The Lost Empire. Guided by the directors' initial concept for it to be a "mother-language", Okrand employed an Indo-European word stock with its own grammatical structure. He would change the words if they began to sound too much like an actual, spoken language.[16] John Emerson designed the written component, making hundreds of random sketches of individual letters from among which the directors chose the best to represent the Atlantean alphabet.[22][23] The written language was boustrophedon: designed to be read left-to-right on the first line, then right-to-left on the second, continuing in a zigzag pattern to simulate the flow of water.[24] The Atlantean [A] is a shape developed by John Emerson. It is a miniature map of the city of Atlantis (i.e., the outside of the swirl is the cave, the inside shape is the silhouette of the city, and the dot is the location of the crystal). It's a treasure map. — Kirk Wise, director[25] Writing Joss Whedon was the first writer to be involved with the film but soon left to work on other Disney projects. According to him, he "had not a shred" in the movie.[26] Tab Murphy completed the screenplay, stating that the time from initially discussing the story to producing a script that satisfied the film crew was "about three to four months".[27] The initial draft was 155 pages, much longer than a typical Disney film script (which usually runs 90 pages). When the first two acts were timed at 120 minutes, the directors cut characters and sequences and focused more on Milo. Murphy said that he created the centuries-old Shepherd's Journal because he needed a map for the characters to follow throughout their journey.[28] A revised version of the script eliminated the trials encountered by the explorers as they navigated the caves to Atlantis. This gave the film a faster pace because Atlantis is discovered earlier in the story.[29] The directors often described the Atlanteans using Egypt as an example. When Napoleon wandered into Egypt, the people had lost track of their once-great civilization. They were surrounded by artifacts of their former greatness but somehow unaware of what they meant. — Don Hahn, producer[30] The character of Milo J. Thatch was originally supposed to be a descendant of Edward Teach, otherwise known as Blackbeard the pirate. The directors later related him to an explorer so he would discover his inner talent for exploration.[31] The character of Molière was originally intended to be "professorial" but Chris Ure, a story artist, changed the concept to that of a "horrible little burrowing creature with a wacky coat and strange headgear with extending eyeballs", said Wise.[32][33] Don Hahn pointed out that the absence of songs presented a challenge for a team accustomed to animating musicals, as action scenes alone would have to carry the film. Kirk Wise said it gave the team an opportunity for more on-screen character development: "We had more screen time available to do a scene like where Milo and the explorers are camping out and learning about one another's histories. An entire sequence is devoted to having dinner and going to bed. That is not typically something we would have the luxury of doing."[16] Hahn stated that the first animated sequence completed during production was the film's prologue. The original version featured a Viking war party using The Shepherd's Journal to find Atlantis and being swiftly dispatched by the Leviathan. Near the end of production, story supervisor John Sanford told the directors that he felt this prologue did not give viewers enough emotional involvement with the Atlanteans. Despite knowing that the Viking prologue was finished and it would cost additional time and money to alter the scene, the directors agreed with Sanford. Trousdale went home and completed the storyboards later that evening after visiting a strip club where he boarded the new sequence on a napkin.[34] The opening was replaced by a sequence depicting the destruction of Atlantis, which introduced the film from the perspective of the Atlanteans and Princess Kida.[35] The Viking prologue is included as an extra feature on the DVD release.[36] Casting Kirk Wise, one of the directors, said that they chose Michael J. Fox for the role of Milo because they felt he gave his characters his own personality and made them more believable on screen. Fox said that voice acting was much easier than his past experience with live action because he did not have to worry about what he looked like in front of a camera while delivering his lines.[37] The directors mentioned that Fox was also offered a role for Titan A.E.; he allowed his son to choose which film he would work on, and he chose Atlantis.[38] Viewers have noted similarities between Milo and the film's language consultant, Marc Okrand, who developed the Atlantean language used in the film. Okrand stated that Milo's supervising animator, John Pomeroy, sketched him, claiming not to know how a linguist looked or acted.[24] Kida's supervising animator, Randy Haycock, stated that her actress, Cree Summer, was very "intimidating" when he first met her; this influenced how he wanted Kida to look and act on screen when she meets Milo.[39] Wise chose James Garner for the role of Commander Lyle Tiberius Rourke because of his previous experience with action films, especially war and Western films, and said the role "fits him like a glove". When asked if he would be interested in the role, Garner replied: "I'd do it in a heartbeat."[40] Producer Don Hahn was saddened that Jim Varney, the voice of Jebidiah Allardyce "Cookie" Farnsworth, never saw the finished film before he died of lung cancer in February 2000, but mentioned that he was shown clips of his character's performance during his site sessions and said, "He loved it." Shawn Keller, supervising animator for Cookie, stated, "It was kind of a sad fact that [Varney] knew that he was not going to be able to see this film before he passed away. He did a bang-up job doing the voice work, knowing the fact that he was never gonna see his last performance." Steven Barr recorded supplemental dialogue for Cookie.[41] John Mahoney, who voiced Preston Whitmore, stated that doing voice work was "freeing" and allowed him to be "big" and "outrageous" with his character.[42] Dr. Joshua Sweet's supervising animator, Ron Husband, indicated that one of the challenges was animating Sweet in sync with Phil Morris' rapid line delivery while keeping him believable. Morris stated that this character was extreme, with "no middle ground"; he mentioned, "When he was happy, he was really happy, and when he's solemn, he's real solemn."[43] Claudia Christian described her character, Lieutenant Helga Katrina Sinclair, as "sensual" and "striking", and was relieved when she finally saw what her character looked like, joking, "I'd hate to, you know, go through all this and find out my character is a toad."[44] Jacqueline Obradors said her character, Audrey Rocio Ramirez, made her "feel like a little kid again" and she always hoped her sessions would last longer.[45] Florence Stanley felt that her character, Wilhelmina Bertha Packard, was very "cynical" and "secure": "She does her job, and when she is not busy, she does anything she wants."[46] Corey Burton mentioned that finding his performance as Gaetan "Mole" Molière was by allowing the character to "leap out" of him while making funny voices. To get into character during his recording sessions, he stated that he would "throw myself into the scene and feel like I'm in this make-believe world".[47] Kirk Wise and Russ Edmonds, supervising animator for Vincenzo "Vinny" Santorini, noted Vinny's actor Don Novello's unique ability to improvise dialogue while voicing the role. Edmonds recalled, "[Novello] would look at the sheet, and he would read the line that was written once, and he would never read it again! And we never used a written line, it was improvs, the whole movie."[48] Michael Cedeno, supervising animator for King Kashekim Nedakh, was astounded at Leonard Nimoy's voice talent in the role, stating that he had "so much rich character" in his performance. As he spoke his lines, Cedeno said the crew would sit there and watch Nimoy in astonishment.[49] Animation For comparison, the top image (panoramic view of Atlantis) is cropped to Disney's standard aspect ratio (1.66:1); the bottom image was seen in the film (2.35:1). At the peak of its production, 350 animators, artists and technicians were working on Atlantis[50] at all three Disney animation studios: Walt Disney Feature Animation (Burbank, California), Walt Disney Feature Animation Florida (Orlando), and Disney Animation France (Paris).[51] The film was one of the few Disney animated features produced and shot in 35mm anamorphic format. The directors felt that a widescreen image was crucial, as a nostalgic reference to old action-adventure films presented in the CinemaScope format (2.35:1), noting Raiders of the Lost Ark as an inspiration.[52] Because switching to the format would require animation desks and equipment designed for widescreen to be purchased, Disney executives were at first reluctant about the idea.[16] The production team found a simple solution by drawing within a smaller frame on the same paper and equipment used for standard aspect ratio (1.66:1) Disney-animated films.[52] Layout supervisor Ed Ghertner wrote a guide to the widescreen format for use by the layout artists and mentioned that one advantage of widescreen was that he could keep characters in scenes longer because of additional space to walk within the frame.[53] Wise drew further inspiration for the format from filmmakers David Lean and Akira Kurosawa.[16] The film's visual style was strongly based upon that of Mike Mignola, the comic book artist behind Hellboy. Mignola was one of four production designers (along with Matt Codd, Jim Martin, and Ricardo Delgado) hired by the Disney studio for the film. Accordingly, he provided style guides, preliminary character, and background designs, and story ideas.[54] "Mignola's graphic, the angular style was a key influence on the 'look' of the characters," stated Wise.[55] Mignola was surprised when first contacted by the studio to work on Atlantis.[56] His artistic influence on the film would later contribute to a cult following.[57] I remember watching a rough cut of the film and these characters have these big, square, weird hands. I said to the guy next to me, "Those are cool hands." And he says to me, "Yeah, they're your hands. We had a whole meeting about how to do your hands." It was so weird I couldn't wrap my brain around it. — Mike Mignola[56] The final pull-out shot of the movie, immediately before the end-title card, was described by the directors as the most difficult shot in the history of Disney animation. They said that the pull-out attempt on their prior film, The Hunchback of Notre Dame, "struggled" and "lacked depth"; however, after making advances in the process of multiplaning, they tried the technique again in Atlantis. The shot begins with one 16-inch (40.6 cm) piece of paper showing a close-up of Milo and Kida. As the camera pulls away from them to reveal the newly restored Atlantis, it reaches the equivalent of an 18,000-inch (46,000 cm) piece of paper composed of many individual pieces of paper (24 inches [61 cm] or smaller). Each piece was carefully drawn and combined with animated vehicles simultaneously flying across the scene to make the viewer see a complete, integrated image.[58] Scale model of Ulysses submarine by Greg Aronowitz, used by digital animators as reference during production.[59] At the time of its release, Atlantis: The Lost Empire was notable for using more computer-generated imagery (CGI) than any other Disney traditionally animated feature. To increase productivity, the directors had the digital artists work with the traditional animators throughout the production. Several important scenes required heavy use of digital animation: the Leviathan, the Ulysses submarine and sub-pods, the Heart of Atlantis, and the Stone Giants.[60] During production, after Matt Codd and Jim Martin designed the Ulysses on paper, Greg Aronowitz was hired to build a scale model of the submarine, to be used as a reference for drawing the 3D Ulysses.[59] The final film included 362 digital-effects shots, and computer programs were used to seamlessly join the 2D and 3D artwork.[61] One scene that took advantage of this was the "sub-drop" scene, where the 3D Ulysses was dropped from its docking bay into the water. As the camera floated toward it, a 2D Milo was drawn to appear inside, tracking the camera. The crew noted that it was challenging to keep the audience from noticing the difference between the 2D and 3D drawings when they were merged.[62] The digital production also gave the directors a unique "virtual camera" for complicated shots within the film. With the ability to operate in the z-plane, this camera moved through a digital wire-frame set; the background and details were later hand-drawn over the wireframes. This was used in the opening flight scene through Atlantis and the submarine chase through the undersea cavern with the Leviathan in pursuit.[63] Music and sound Since the film would not feature any songs, the directors hired James Newton Howard to compose the score after they heard his music on Dinosaur. Approaching it as a live-action film, Howard decided to have different musical themes for the cultures of the surface world and Atlantis. In the case of Atlantis, Howard chose an Indonesian orchestral sound incorporating chimes, bells, and gongs. The directors told Howard that the film would have a number of key scenes without dialogue; the score would need to convey emotionally what the viewer was seeing on screen.[64] Gary Rydstrom and his team at Skywalker Sound were hired for the film's sound production.[65] Like Howard, Rydstrom employed different sounds for the two cultures. Focusing on the machine and mechanical sounds of the early industrial era for the explorers, he felt that the Atlanteans should have a "more organic" sound utilizing ceramics and pottery. The sound made by the Atlantean flying-fish vehicles posed a particular challenge. Rydstrom revealed that he was sitting at the side of a highway recording one day when a semi-truck drove by at high speed. When the recording was sped up on his computer, he felt it sounded very organic, and decided to use it in the film. Rydstrom created the harmonic chiming of the Heart of Atlantis by rubbing his finger along the edge of a champagne flute, the sound of sub-pods moving through the water with a water pick, while a ceramic pot from a garden store was used for the sounds of the movement of the Giant stone guardians.[66] Release Atlantis: The Lost Empire had its world premiere at Disney's El Capitan Theatre in Hollywood, Los Angeles, on June 3, 2001[67] and a limited release in New York City and Los Angeles on June 8; a wider release followed on June 15.[4][61] At the premiere, Destination: Atlantis was on display, featuring behind-the-scenes props from the film and information on the legend of Atlantis with video games, displays, laser tag, and other attractions. The Aquarium of the Pacific also loaned a variety of fish for display within the attraction.[68] Promotion Atlantis was among Disney's first major attempts to utilize internet marketing. The film was promoted through Kellogg's, which created a website with mini-games and a movie-based video game give-away for UPC labels from specially marked packages of Atlantis breakfast cereal.[50] The film was one of Disney's first marketing attempts through mobile network operators, and allowed users to download games based on the film.[69] McDonald's (which had an exclusive licensing agreement on all Disney releases) promoted the film with Happy Meal toys, food packaging and in-store decor. The McDonald's advertising campaign involved television, radio, and print advertisements beginning on the film's release date.[70] Frito-Lay offered free admission tickets for the film on specially marked snack packages.[71] Home media Atlantis: The Lost Empire was released on VHS and DVD on January 29, 2002.[72] During the first month of its home release, the film led in VHS sales and was third in VHS and DVD sales combined.[73] Sales and rentals of the VHS and DVD combined would eventually accumulate $157 million in revenue by mid-2003.[74] Both a single-disc DVD edition and a two-disc collector's edition (with bonus features) were released. The single-disc DVD gave the viewer the option of viewing the film either in its original theatrical 2.39:1 aspect ratio or a modified 1.33:1 ratio (utilizing pan and scan). Bonus features available on the DVD version included audio and visual commentary from the film team, a virtual tour of the CGI models, an Atlantean-language tutorial, an encyclopedia on the myth of Atlantis, and the deleted Viking prologue scene.[72] The two-disc collector's edition DVD contained all the single-disc features and a disc with supplemental material detailing all aspects of the film's production. The collector's-edition film could only be viewed in its original theatrical ratio, and also featured an optional DTS 5.1 track. Both DVD versions, however, contained a Dolby Digital 5.1 track and were THX certified.[72][75] Disney digitally remastered and released Atlantis on Blu-ray on June 11, 2013, bundled with its sequel Atlantis: Milo's Return.[76] Reception Box office Before the film's release, reporters speculated that it would have a difficult run due to competition from Shrek and Lara Croft: Tomb Raider. Regarding the market's shift from traditional animation and competition with CG-animated films, Kirk Wise said, "Any traditional animator, including myself, can't help but feel a twinge. I think it always comes down to story and character, and one form won't replace the other. Just like photography didn't replace painting. But maybe I'm blind to it."[61] Jeff Jensen of Entertainment Weekly noted that CGI films (such as Shrek) were more likely to attract the teenage demographic typically not interested in animation, and called Atlantis a "marketing and creative gamble".[77] With a budget of $100 million,[3] the film opened at #2 on its debut weekend, behind Lara Croft: Tomb Raider, earning $20.3 million in 3,011 theaters.[78] During its second weekend, it would drop into fourth place behind the latter film, Dr. Dolittle 2 and The Fast and the Furious, making $13.2 million.[79] The film's international release began September 20 in Australia and other markets followed suit.[80] During its 25-week theatrical run, Atlantis: The Lost Empire grossed over $186 million worldwide ($84 million from the United States and Canada).[4] Responding to its disappointing box-office performance, Thomas Schumacher, then-president of Walt Disney Feature Animation, said, "It seemed like a good idea at the time to not do a sweet fairy tale, but we missed."[81] Critical response Atlantis: The Lost Empire received mixed reviews from critics,[82][83][84] many of whom criticized its story.[85] The review aggregator website Rotten Tomatoes reports that 48% of 144 professional critics have given Atlantis: The Lost Empire a positive review; the average rating is 5.5/10. The site's consensus is: "Atlantis provides a fast-paced spectacle, but stints on such things as character development and a coherent plot".[86] Metacritic assigned the film a weighted average score of 52 out of 100 based on 29 reviews from critics, indicating "mixed or average" reviews.[87] Audiences polled by CinemaScore gave the film an average grade of "A" on an A+ to F scale.[88] While critics had mixed reactions to the film in general, some praised it for its visuals, action-adventure elements, and attempt to appeal to an older audience. Roger Ebert gave Atlantis three-and-a-half stars out of four. He praised the animation's "clean bright visual look" and the "classic energy of the comic book style", crediting this to the work of Mike Mignola. Ebert gave particular praise to the story and the final battle scene and wrote, "The story of Atlantis is rousing in an old pulp science fiction sort of way, but the climactic scene transcends the rest, and stands by itself as one of the great animated action sequences."[89] In The New York Times, Elvis Mitchell gave high praise to the film, calling it "a monumental treat", and stated, "Atlantis is also one of the most eye-catching Disney cartoons since Uncle Walt institutionalized the four-fingered glove."[90] Internet film critic James Berardinelli wrote a positive review of the film, giving it three out of four stars. He wrote, "On the whole, Atlantis offers 90 minutes of solid entertainment, once again proving that while Disney may be clueless when it comes to producing good live-action movies, they are exactly the opposite when it comes to their animated division."[91] Wesley Morris of the San Francisco Chronicle wrote positively of the film's approach for an older audience: "But just beneath the surface, Atlantis brims with adult possibility."[92] Other critics felt that the film was mediocre in regards to its story and characters, and that it failed to deliver as a non-musical to Disney's traditional audience. Owen Gleiberman of Entertainment Weekly gave the film a C+ rating, writing that the film had "gee-whiz formulaic character" and was "the essence of craft without dream".[93] Kenneth Turan of the Los Angeles Times said the storyline and characterizations were "old-fashioned" and the film had the retrograde look of a Saturday-morning cartoon, but these deficiencies were offset by its "brisk action" and frantic pace.[94] Todd McCarthy of Variety wrote, "Disney pushes into all-talking, no-singing, no-dancing and, in the end, no-fun animated territory."[95] Stephanie Zacharek of Salon wrote of Disney's attempt to make the film for an adult audience, "The big problem with Disney's latest animated feature, Atlantis: The Lost Empire, is that it doesn't seem geared to kids at all: It's so adult that it's massively boring."[96] Rita Kempley of The Washington Post panned the film, calling it a "new-fashioned but old-fangled hash" and wrote, "Ironically Disney had hoped to update its image with this mildly diverting adventure, yet the picture hasn't really broken away from the tried-and-true format spoofed in the far superior Shrek."[97] In 2015, Katharine Trendacosta at io9 reviewed the film and called it a "Beautiful Gem of a Movie That Deserved Better Than It Got" and said that the film deserves more love than it ended up getting.[6] Lindsay Teal considers "Atlantis" to be "a lost Disney classic". Describing the film as highly entertaining, she praises the writing and characterisation – in particular, Sweet, Helga and Kida.[7] In particular, much praise has been given to the character of Kida.[98] Summer has regarded the character of Kida as one of her favourite roles and even considers the character among the official Disney Princess line-up. Themes and interpretations Several critics and scholars have noted that Atlantis plays strongly on themes of anti-capitalism and anti-imperialism. M. Keith Booker, academic and author of studies about the implicit messages conveyed by media, views the character of Rourke as being motivated by "capitalist greed" when he pursues "his own financial gain" in spite of the knowledge that "his theft [of the crystal] will lead to the destruction of [Atlantis]".[99] Religion journalist Mark Pinsky, in his exploration of moral and spiritual themes in popular Disney films, says that "it is impossible to read the movie ... any other way" than as "a devastating, unrelenting attack on capitalism and American imperialism".[100] Max Messier of FilmCritic.com observes, "Disney even manages to lambast the capitalist lifestyle of the adventurers intent on uncovering the lost city. Damn the imperialists!"[101] According to Booker, the film also "delivers a rather segregationist moral" by concluding with the discovery of the Atlanteans kept secret from other surface-dwellers in order to maintain a separation between the two highly divergent cultures.[102] Others saw Atlantis as an interesting look at utopian philosophy of the sort found in classic works of science fiction by H. G. Wells and Jules Verne.[103] Nadia: The Secret of Blue Water controversy When the film was released, some viewers noticed that Atlantis: The Lost Empire was similar to the 1990-91 anime Nadia: The Secret of Blue Water, particularly in its character design, setting, and story.[104] The similarities, as noted by viewers in both Japan and America, were strong enough for its production company Gainax to be called to sue for plagiarism. According to Gainax member Yasuhiro Takeda, they only refrained from doing so because the decision belonged to parent companies NHK and Toho.[105] Another Gainax worker, Hiroyuki Yamaga, was quoted in an interview in 2000 as saying: "We actually tried to get NHK to pick a fight with Disney, but even the National Television Network of Japan didn't dare to mess with Disney and their lawyers. [...] We actually did say that but we wouldn't actually take them to court. We would be so terrified about what they would do to them in return that we wouldn't dare."[105] Although Disney never responded formally to those claims, co-director Kirk Wise posted on a Disney animation newsgroup in May 2001, "Never heard of Nadia till it was mentioned in this [newsgroup]. Long after we'd finished production, I might add." He claimed both Atlantis and Nadia were inspired, in part, by the 1870 Jules Verne novel Twenty Thousand Leagues Under the Seas.[106] However, speaking about the clarification, Lee Zion from Anime News Network wrote, "There are too many similarities not connected with 20,000 Leagues for the whole thing to be coincidence."[107] As such, the whole affair ultimately entered popular culture as a convincing case of plagiarism.[108][109][110] In 2018, Reuben Baron from Comic Book Resources added to Zion's comment stating, "Verne didn't specifically imagine magic crystal-based technology, something featured in both the Disney movie and the too similar anime. The Verne inspiration also doesn't explain the designs being suspiciously similar to Nadia's."[110] Critics also saw parallels with the 1986 film Laputa: Castle in the Sky from Hayao Miyazaki and Studio Ghibli (which also featured magic crystals, and Atlantis directors Trousdale and Wise both acknowledged Miyazaki's works as a major influence on their own work)[104] and with the 1994 film Stargate as Milo's characteristics were said to resemble those of Daniel Jackson, the protagonist of Stargate and its spinoff television series Stargate SG-1 — which coincidentally launched its own spinoff, titled Stargate Atlantis; the plot of the 1994 film is also paralleled involving a group visiting an unknown world, a fictional language made for the other world's people, the main protagonist having apparent knowledge of the people's culture, falling in love with one of the female locals and electing to stay behind when the others return home.[111] Accolades Award Category Name Result 29th Annie Awards[112] Individual Achievement in Directing Gary Trousdale and Kirk Wise Nominated Individual Achievement in Storyboarding Chris Ure Nominated Individual Achievement in Production Design David Goetz Nominated Individual Achievement in Effects Animation Marlon West Nominated Individual Achievement in Voice Acting – Female Florence Stanley Nominated Individual Achievement in Voice Acting – Male Leonard Nimoy Nominated Individual Achievement for Music Score James Newton Howard Nominated 2002 DVD Exclusive Awards[113] Original Retrospective Documentary Michael Pellerin Nominated 2002 Golden Reel Award[114] Best Sound Editing – Animated Feature Film Gary Rydstrom, Michael Silvers, Mary Helen Leasman, John K. Carr, Shannon Mills, Ken Fischer, David C. Hughes, and Susan Sanford Won Online Film Critics Society Awards 2001[115] Best Animated Feature Nominated 2002 Political Film Society[116] Democracy Nominated Human Rights Nominated Peace Nominated World Soundtrack Awards[117] Best Original Song for Film Diane Warren and James Newton Howard Nominated Young Artist Awards[118] Best Feature Family Film – Drama Walt Disney Feature Animation Nominated Related works Main article: Atlantis (franchise) Atlantis: The Lost Empire was meant to inspire an animated television series entitled Team Atlantis, which would have presented the further adventures of its characters. The series would have been akin to an animated steampunk version of The X-Files and feature a crossover with Gargoyles. However, because of the film's underperformance at the box office, the series was not produced.[119] On May 20, 2003, Disney released a direct-to-video sequel titled Atlantis: Milo's Return, consisting of three episodes planned for the aborted series.[120] Disneyland planned to revive its Submarine Voyage ride with an Atlantis: The Lost Empire theme with elements from the movie. These plans were canceled and the attraction was re-opened in 2007 as the Finding Nemo Submarine Voyage, its theme based on the 2003 Pixar film Finding Nemo, which was far more successful commercially and critically.[121] In addition, after the Submarine Voyage's Magic Kingdom counterpart, 20,000 Leagues Under the Sea: Submarine Voyage, closed down in 1994, four years before Disneyland's, there were proposals of a new attraction that would take its place, with one of them a volcano attraction inspired by that film's Vulcania location, being approved for the Magic Kingdom's Adventureland area. Around 1999, during development of Atlantis: The Lost Empire, it was decided that it would be themed to the movie, with it taking place in 1916, two years after the film's events. The ride would have focused on Preston Whitmore, a character from the film, seeking to make Atlantis existence public and offer expeditions to visitors in newly developed vehicles. However, due to mishaps, the vehicles would be forced to make a detour through the lava-filled caverns of the volcano. The attraction would have used a unique hybrid ride system, in which it would start as a standard coaster before the trains hook up to a suspended track midway through to fly through the caverns. The attraction would have been accessed by a new canyon path in between Pirates of the Caribbean and a re-routed Jungle Cruise that would have led to a Whitmore Enterprises base camp at the edge of the Walt Disney World Railroad path, with the mountain itself being built outside the berm. However, like the previous Submarine Voyage retheme, the ride was cancelled due to the film's disappointment in the box office.[122]

Oprah, Wall Street Journal, LA Times  My interview with Pearl Fryar is inspiring & the documentary is a must see. The Bill and Melinda gates Foundation supports his story, Oprah & many others major media reviews do also. not to mention the millions who visit is nursery from all over the world.Pearl Fryar started making his Topiary Garden in 1984 in a successful bid to win a prestigious local competition. He taught himself to prune and shape the trees and shrubs he had planted in his 3 acre garden, using a petrol-driven hedge trimmer and starting with a few plants. Working from his imagination, Fryar coaxed over 100 specimens of more than 20 different trees and plants, including holly, yew and juniper, into fantastic shapes, hearts, animals and abstract forms.Pearl has passed his art on to a NEW Generation of topiary Artists to maintain his Garden. He transitioned in  April 3, 2026.EVEN Today, it is a National Tourist Attraction!!When Pearl Fryar and his wife sought to buy a house in an all-white neighborhood of Bishopville, SC, they were dissuaded with the explanation that Black people don t keep up their yards. Remarkably, instead of fueling bitterness and anger, this comment motivated Pearl to win Bishopville's Yard of the Month award and, eventually, to transform his ordinary suburban yard into a horticultural wonderland. The topiary garden s centerpiece emblazons both its message and Pearl s own philosophy: Love, Peace, and Goodwill.Pearl Fryar is an African-American born in Clinton, North Carolina, Pearl was the son of a sharecropper. Since the early 1980s, Pearl Fryar has been creating fantastic topiary at his garden in Bishopville, South Carolina. Living sculptures, Pearl s topiaries are astounding feats of artistry and horticulture. Many of the plants in Pearl s garden were rescued from the compost pile at local nurseries. With Pearl s patience and skilled hands, these throw aways have thrived and have been transformed into wonderful abstract shapes. Pearl Fryar and his garden are now internationally recognized and have been the subject of numerous newspaper and magazine articles, television shows, and even a documentary, A Man Named Pearl. Today, the Pearl Fryar Topiary Garden draws visitors from around the globe.Visitors to the Pearl Fryar Topiary Garden experience a place that is alternately beautiful, whimsical, educational, and inspiring. Pearl s garden contains over 300 individual plants, and few are spared from his skilled trimming. His extraordinary topiary is complemented by his junk art sculptures placed throughout the garden. Pearl s garden is a living testament to one man s firm belief in the results of positive thinking, hard work, and perseverance, and his dedication to spreading a message of love, peace, and goodwill."It's the one time in my life ignorance paid off," chuckles Pearl Fryar, a humble man with no eduction in horticulture who, after years of dedicated work, created an astonishing garden in the economically depressed town of Bishopville, S.C. But A Man Named Pearl doesn't just wander among the three acres of Fryar's beautifully sculpted trees and bushes, all created from plants Fryar rescued from the scrap heaps of local nurseries.© 2026 Building Abundant Success!!2026 All Rights ReservedJoin Me on ~ iHeart Media @ https://tinyurl.com/iHeartBASSpot Me on Spotify: https://tinyurl.com/yxuy23ba

Autumn is hosting another show and you're gonna love it! In the Season Four premiere of the Climate Changed podcast, Autumn talks with Tory Stephens, a storyteller, cultural worker, and climate justice advocate.They explore the transformative power of climate fiction and its role in helping us envision the future. Tory discusses his groundbreaking work at Grist, where he founded Imagine 2200, an initiative that asks a simple yet radical question: What if we wrote stories not about what we fear but about what we hope to create? The discussion dives into how imagination connects with responsibility, how storytelling serves as a profound form of spiritual leadership, and why envisioning a new reality is essential for climate justice.---TRANSCRIPT---Resources & Concepts Mentioned:Thrutopia: Coined by philosopher Rupert Read and popularized by author Manda Scott through the Thrutopia Masterclass, a Thrutopian narrative threads the needle between utopia and dystopia. It focuses on writing grounded, plausible, and inspiring route maps that show exactly how we navigate through our current struggles to reach a future we'd be proud to leave behind.Bloodchild by Octavia E. Butler: Autumn quotes the legendary science fiction author—who was the first African American woman to reach mainstream success in the genre—and her collection Bloodchild and Other Stories, reflecting on how sci-fi stimulates necessary imagination and creativity.North Woods by Daniel Mason: A novel mentioned by Nicole Diroff from The BTS Center's Summer Fiction Book Club, highlighting how fiction can make the natural landscape the main character.Humans of New York: The iconic photoblog that Tory credits with changing his perspective early in his career, teaching him the unparalleled power of human-centric storytelling over dry statistics.Visionary Fiction: A framework of world-building and storytelling that Autumn Brown and her sister use in their writing retreats, which actively wrestles with the sacred and reclaims spiritual practices.Dream Seeds: A term favored by Grist and Imagine 2200 to describe stories that plant concrete, hopeful visions of how society could be organized completely differently.Eve Mosher & Creating Your Story of Tomorrow: An adult education facilitator guide and video created by renowned environmental artist Eve Mosher, available on the BTS Center's Leadership Commons.“Seven Sisters” by Susan Kaye Quinn; 3rd place winner of the 2022 Imagine 2200 contest.The Case of the Missing Lake by Colby Devitt; published in November 2025 by Imagine 2200.LinkedIn: www.linkedin.com/in/torystephensBluesky: @torystephens.bsky.socialImagine 2200 (Grist): About Imagine 2200: Climate FictionMore from Tory: Shaping the Future Through Climate Fiction (Podcast Interview)Read the Collections: Thank Yous: We want to extend our deepest gratitude to everyone who made this episode possible:Tory Stephens, for sharing his incredible vision, imagination, and wisdom with us.Peterson Toscano, producer of Climate Changed, for producing this episode and for providing the wonderful grounding for this episode.The BTS Center team, for your ongoing support and for providing the resources and platform that make this podcast possible.A podcast by The BTS Center exploring some of the most pressing questions about faith, life, and climate change.Produced by Peterson Toscano, the podcast features acclaimed guests such as Brian McLaren, Elizabeth Rush, Craig Santos Perez, and many more.

Stijn Schmitz welcomes David Skarica to the show. David Skarica is Contrarian Investor and the Founder of Profit From Pessimism. In this wide-ranging discussion, Skarica offers insights into current market dynamics, focusing on gold, commodities, and investment strategies. Skarica views the current gold market as part of a long-term macro trend that began in 1999, with potentially another four to six years of growth ahead. He attributes this potential to global debt levels, which have reached unprecedented heights. Central bank buying and potential retail investor interest are additional factors supporting gold’s trajectory. While gold has already seen significant appreciation, Skarica believes we are only in the first or second stage of its bull market in terms of pricing. Regarding mining stocks, Skarica is particularly interested in smaller miners near production or with strong cash flow potential. He sees opportunities in junior mining companies that can potentially increase their market capitalization significantly. His investment approach focuses on finding undervalued companies with asymmetric risk-reward profiles, preferring to make concentrated bets on a handful of carefully selected investments. Stijn also explores energy markets, with Skarica noting potential opportunities in oil, natural gas, and even renewable energy sectors. He suggests that the ongoing geopolitical tensions and increased energy demands from technological developments like AI could support higher energy prices and create investment opportunities. Skarica’s investment philosophy emphasizes contrarian thinking, patience, and seeking value in overlooked or undervalued assets. He warns against over-concentration in any single investment and recommends diversification across sectors and careful position sizing. Timestamps: 00:00:00 – Introduction 00:00:42 – Market Volatility Overview 00:01:49 – Precious Metals Bull Market 00:03:54 – Opportunities in Miners 00:07:48 – Gold as Ultimate Hedge 00:08:47 – Central Bank Buying 00:11:13 – Debasement and Debt 00:16:22 – Bull Cycle Analysis 00:20:29 – Gold Majors Valuation 00:24:14 – Junior Miners Strategy 00:33:54 – Oil Energy Outlook 00:43:13 – LNG Natural Gas Plays 00:50:42 – Concluding Thoughts Guest Links: X: https://x.com/DavidSkarica Website: https://profitfrompessimism.com YouTube: http://www.youtube.com/@profitpess David Skarica had an interest in financial markets at an early age. At the age of 16, he read the small booklet “The Plague of the Black Debt”, by James Dale Davidson, which was given to him by his uncle. David was always a sports stat nut, loving football, hockey and baseball stats, which lead to David becoming intrigued with economics and markets. David is such an avid Football and Las Vegas Raiders fan — his principal in grammar school was Bernie Custis, who was the late Raiders owner Al Davis’ roommate at Syracuse University, and the first ever African American quarterback in college and pro football history — that he also runs his own football vlog, Raiders Greats, which discusses great Raiders player of the past. He also is a soccer fan who supports Leeds Utd., as his father was born in Leeds, England. In 1996, at the age of 18, David became the youngest person on record (that he knows of anyhow) to obtain the Canadian Securities Course (CSC) license to trade investment securities. In the late 1990s, David felt that the market was becoming another epic bubble similar to the bubble of the 1920s, so he decided at the tender age of 20 to write his first book, Stock Market Panic!, which was published in 1998. Over the next decade, gold soared from $250 an ounce to nearly $1900, while the S&P 500 lost value. In the same year that this book was published, he decided to start his newsletter, Addicted to Profits. The newsletter's name was a spin on Robert Palmer's famed song Addicted to Love. The irony was Robert Palmer recorded this song in the Bahamas ay the famous Compass Point Recording Studio, and David himself would end up moving to the Bahamas in 2005 (another Irony about David moving to the Bahamas is that his mentor Sir John Templeton also resided there).

Elmina is a place in Ghana that poet Sarpong Osei Asamoah describes as a "two-sided wonder." A bustling, lively fishing town in contrast to the painful history of a 400 year old 'slave castle' — a UNESCO World Heritage site. Historically, it's considered 'ground zero' for global economic and racial injustice. This podcast takes you on a tour inside the dark and brutal past of the Elmina castle and through the vibrant town that's full of life.Guests in this episode:Philip Amoa-Mensah is an Elmina tour guide with more than 20 years of experience.Ato Quayson is chair of the department of African and African American studies and professor of English at Stanford University. He is the author of Oxford Street, Accra: City Life and the Itineraries of Transnationalism.Bayo Holsey is a professor of African American studies at Emory University. She is the author of Roots of Remembrance: Refashioning the Slave Trade in Ghana.Sarpong Osei Asamoah is a Ghanaian poet. His poetry includes At Elmina Castle, I Bleed.

7. The 1936 campaign highlighted the disparity between Roosevelt's mastery of modern technology and Alf Landon's uninspired style. While Landon's poll numbers initially showed strength, his momentum faded as he critiqued popular programs like Social Security. Eleanor Roosevelt emerged as a critical campaign asset, bridging the gap with the African-American community and attracting massive, enthusiastic crowds. FDR culminated his campaign with a fiery speech at Madison Square Garden, famously declaring that he welcomed the hatred of "economic royalists". This aggressive strategy resonated deeply with an electorate still reeling from the depression. (8)1936 WPA SOUP KITCHEN

The Supreme Court heard arguments from the Trump administration this week to end birthright citizenship, the automatic granting of US citizenship to anyone born in the USA. Their argument centers around the 14th amendment, which was originally created to guarantee citizenship for formally enslaved African Americans. Join hosts Angela Rye, Andrew Gillum, and Bakari Sellers along with guest-host Brittany Packnett Cunningham for this segment from episode #125 that aired on 04-02-26. If you’d like to submit a question, check out our tutorial video: www.instagram.com/reel/C5j_oBXLIg0/ Welcome home y’all! —--------- We want to hear from you! Send us a video @nativelandpod and we may feature you on the podcast. Instagram X/Twitter Facebook NativeLandPod.com Watch full episodes of Native Land Pod here on YouTube. Native Land Pod is brought to you by Reasoned Choice Media. Thank you to the Native Land Pod team: Angela Rye as host, executive producer, and cofounder of Reasoned Choice Media; Andrew Gillum as host and producer, Bakari Sellers as host and producer, and Lauren Hansen as executive producer; LoLo Mychael is our research producer, and Nikolas Harter is our editor and producer. Special thanks to Chris Morrow and Lenard McKelvey, co-founders of Reasoned Choice Media. Theme music created by Daniel Laurent.See omnystudio.com/listener for privacy information.

10. AFRICAN AMERICAN PRISONERS IN THE CIVIL WARGUEST: Fitzhugh Brundage Fitzhugh Brundage details the harrowing experiences of black Union soldiers like Isaac Gaskins, who were enslaved by the Confederacy after capture. These men were often forced into labor instead of being treated as POWs. (10)1865 FIVE FORKS

Mea Culpa welcomes back, Bakari Sellers, a CNN political commentator who made history as the youngest-ever member of the South Carolina State legislature at the age of just twenty-two. Sellers has been named one of the nation's most influential African Americans and became a New York Times best-selling author with his memoir, “My Vanishing Country”. Sellers is known for his sharp political and social analysis informed by his first-hand experience both inside the Democratic Party and as a practicing lawyer and lobbyist. Sellers has tirelessly worked on progressive policies that address issues ranging from education and poverty to preventing domestic violence and childhood obesity. He is seen as one of the rising stars in politics and a sought-after public speaker, who has addressed hundreds of organizations including the NAACP, and the 2008 Democratic National Convention. Michael and Bakari discuss, antisemitism, racism, the new GOP majority in the house, and the direction of the leadership in the Democratic party.