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Notes and Links to Kiese Laymon's Work   Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libbie Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon's bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard. Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of The Catherine Coleman Literary Arts and Justice Initiative, a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising and sharing on their own terms, in their own communities. He is the co-host of Reckon True Stories with Deesha Philyaw. Kiese Laymon was awarded a MacArthur Fellowship in 2022. Buy Heavy   “The Worst Shot Ever Taken” from Believer Magazine   Review for Heavy from NPR   Kiese Laymon's Website   Kiese Laymon's Wikipedia Page At about 1:45, the two discuss Kiese's article from The Believer and word counts and teaching high and college  At about 3:05, Kiese talks about his love of hoops and names some standout and favorite players from back in the day and now At about 4:10, The two shout out grizzled veterans like Phillip Rivers and LeBron James At about 5:30, Pete highlights Ernie Barnes' work and asks Kiese about the significance of Barnes' paintings At about 8:45, Kiese shares his memories of and love for basketball and jumpstops and shot fakes-shout out, Mahmoud Abdul-Rauf At about 10:40, Pete shouts out Jeff Pearlman's basketball wiles At about 11:10, Kiese lays out the exposition for his The Believer article and Pete and Kiese fanboy over Kiese's writer friends and Sactown's own, Cydni Matsuoka At about 14:00, Kiese responds to Pete's question about the “possibility” of Steph Curry At about 16:45, Toni Cade Bambara and “Gorilla, My Love” is highlighted, as Pete links Kiese's penultimate sentence to Bambara's work At about 18:20, The two discuss Kiese's mom as a “public intellectual” and Kiese lists formative reading and listening  At about 20:30, Kiese shouts out Kendrick Lamar as a link to Public Enemy's activism and consciousness, and marvels at his lasting power At about 24:20, Kiese reflects on Public Enemy's methods versus that of others like NWA or Dead Prez At about 26:25, Kiese highlights Julian Randle, Safiya Sinclair, Deesha Philyaw, and Sarah Aziza's work as some that resonates with his college students At about 28:40, Pete calls attention to Heavy's epigraph and dedication and discusses their significance  At about 30:05-30:27 At about 31:05, Kiese responds to Pete's question about so much of the book's Prologue being centered on his Grandmama At about 32:45, Kiese outlines his rationale and motivation for ultimately writing a different type of book, not the “safer” book his mom and publishers might have wanted At about 34:30, Kiese and Pete discuss the echo of his time at Millsap College being censored/edited with an op-ed piece of his At about 35:40, Kiese recounts stories associated with the book's opening scene in Las Vegas At about 38:45, Kiese reflects on his mother as his “best friend” and ideas of mortality and “initation”  At about 40:55, Kiese responds to Pete's questions about the way his family interacted in his childhood At about 45:20, Pete sets up an important opening scene involving Layla and asks Kiese about rape/sexual assault in the house of older acquaintances  At about 50:10, Kiese reflects on ideas of power and safety and sexuality  At about 53:15, Pete and Kiese discuss the juxtaposition of his mom as a public intellectual and as someone who struggled with financial and other practical pursuits At about 55:30, Kiese talks about Malachi Hunter in the book and balancing “reductive and stupid” comments he made with lessons he taught Kiese At about 57:20, Kiese and Pete trace the different ways in which Malachi and Kiese's mom and grandmother undertook “reckoning” or didn't At about 59:00, Kiese homes in on his grandmother's life and “reckon[ings}” with history and sexism and racism At about 1:01:00, Pete and Kiese discuss the ways in which Kiese's grandmother got by financially and spiritually At about 1:01:50, Kiese expands on the ways in which he viewed organized religion  At about 1:03:40, The two discuss the ways in which the book's title was manifested through his grandmother's love At about 1:04:10, Abundance! and slang that didn't catch on is discussed At about 1:04:50, Kiese reflects on a painful experience in school involving a viewing of Roots without a larger discussion  At about 1:08:55, Kiese expands upon how he saw Mississippi in his year away in Maryland At about 1:11:05, Kiese discusses an early relationship and its challenges and the conflicting ways in which he viewed his coach and teacher At about 1:14:10, Kiese regrades a high school essay-it's an “A!” At about 1:15:00, Kiese responds to Pete asking about his high school graduation boycott At about 1:16:50, The two discuss time in college and Kiese's relationship with a girl and his learning in class and outside of school-Pete highlights a wonderful paragraph on Page 141 that highlights “liberation” At about 1:18:00, Kiese shares the practical advice Malachi Hunter gave Kiese as he was threatened in college for his writing At about 1:19:25, Kiese reflects on the ways in which he viewed his writing At about 1:20:45, Kiese talks about Tate Reeves' presence at a racist frat event and the ways in which Tate knew Kiese and failed him At about 1:23:50, Kiese talks about how the book is different/aged since he published it in 2018   You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up soon at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 317 with Dr. Timothy Wellbeck. a leader in the fight for justice and racial equity. Timothy presently serves as the founding Director of the Center for Anti-Racism at Temple University, where he has led the Center from its inception into becoming one of the leading institutions of its kind. A Civil Rights Attorney by training and practice, Timothy is a scholar of law, race, and cultural studies. We'll be talking about his standing-room only, incredibly popular Temple University classes about Kendrick Lamar and his music. The episode airs on January 13. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.  

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Quaranteam - Dave In Dallas: Part 11 Cleanup: The Air Force arrives with a mop. Based on a post by RonanJWilkerson, in 12 parts. Listen to the Podcast at Explicit Novels. Dave's second quandary was his position, nearly on the middle of the pad, left him seriously exposed. Applying the aggressiveness taught by Carter, he knew Liv had him protected to the right, so he closed with the occupied building, moving to the far corner. A quick look showed him there were again two doors, like the other building. And two men emerging from the far door. Turning their backs to him as they followed a third man who was just rounding the opposite corner. That put him out of Dave's sight, but into Liv's. As the men receded, Dave fired into their backs. Neither was at a sprint, so they fell forward without the dramatic tumbling of the earlier target. A simultaneous rifle crack announced the death of the lead in that trio. He paused. Dave couldn't hear any sounds coming from the building. He remained wary, uneasy. How many more will it take? He waited. An eternity later, the door on one of the smaller buildings slowly opened. Two hands held high and outward came into view, followed by the woman they were attached to. She moved slowly. She was too far away for Dave to read her facial expression but she was giving all the big outward signs of surrender. Two more women exited another of the smaller buildings. One was an average build, the other rotund. The latter's feet seemed reluctant to move. Great. Don't know if there's anyone left in the big building, and now I have unknowns coming in from the houses. Other women began issuing from what must be the dwellings. Eight in all. As they neared, most had curious, guarded expressions on their faces. The big one had a look like she rarely smiled, ever. "Alright, that's close enough! Just stop where you are. Pick a leader and send her forward." There was a brief discussion which resulted in a medium height brunette walking towards him. The third woman out glared daggers into the back of the brunette's skull. The angry one argued hard with all of them, but none seemed interested in anything she had to say. Dave waited until the brunette reached easy speaking distance. "Stop right there. What's your name?" "Sandy." "How many of you are there?" "I don't rightly know." She looked thoughtful. "All the men were in the community building. Us women and our kids were in our homes. Jeb, the man that bound me to him, came in awhile ago with a new woman. She was out, like from the shot he gave me before." That confirms they're using the QT serum . "If he bound you to him with that shot, why are you awake?" "Oh, that was a few weeks back for me. I knew him a little bit before lockdowns started. Then he just shows up and says he has this safe place to stay and we can both be safe from the virus runnin' round, but I have to take this shot and sleep with him. He's been an okay guy, and I ain't had no boyfriend in several months anyway. 'Sides, he didn't tell me that I couldn't be with anybody else after that. Which sucks, but mostly he's been okay. Only been an asshole a few times, but that's pretty fair for most guys I've met. No offense." Dave smirked. "Sandy, how many men are there in your community?" She stopped, looking off to the side, thinking. "Well, there was the ten that left saying' they's gonna raid a rich man's house for somethin', never told us what. Now we know why. They were out collectin' poon like we's just a bunch a deer and no tag limit." Sandy paused. "Is that why you're here? You come to scoop us up and make us your whores?" "No, ma'am." We killed more than ten, so that can't be all . "If you ladies were bound to these men, we'll need to take you to the people that hand out the vaccine to see what they can do for you. But ma'am, please, how many men total are there?" The far door of the community building opened slowly, and a woman stepped out. It was the one Dave had seen inject one of the women right before she got raped. "Get over with the others. Is anyone else inside?" The woman shook her head no and moved swiftly to join the pack. "Oh, right. Well, after the ten left, all six of the others took off saying' they could do just as good somewhere else. But only three of them came back, including Jeb. As soon as they's back they took the nurse, that's the woman that just came out, well they took her and the two women bound to two of the guys that didn't come back and a bit later those women are out cold again. I thought the whole shot thing was permanent, but maybe not if the guy's dead? I hope so, 'cuz we're about to be in a bad way aren't we?" Thirteen. Thirteen men here. Dave counted off in his head. He thought they'd taken out thirteen, but he wasn't going to make assumptions. Especially when one part of his brain was parodying an old farcical movie about how many bullets had been fired from a gun. An 80's flick set in the 50's. "Alright Sandy, is there anyone else left in the houses?" "Just the kids, and some unconscious women. The men said they'd gotten them; reassigned?" She looked frustrated. "Guess I still wasn't good enough to keep that asshole by m'self." Dave deliberately gave Sandy an appraising look. "I think that has more to do with his greed than your looks or personality." "Well ain't you sweet?" Sandy licked her lips and looked Dave up and down. "Easy, I meant every word I said, but I already have several partners. Those six that left attacked my house." Sandy's face dropped. "I don't know if I should hate your guts for killing Jeb, or thank you, for the same thing." After a pause she spoke again. "You should be careful of Debbie. Her husband brought her here for some kinda rebel nation shit. She's already pissed he came back with some hot blonde from a rich man's house. But not so mad at him she's just gonna let you killin' him slide." "Is she the rather large woman that looks like she sucked on an entire lemon tree?" "That's the one." "How 'bout we settle on neutrality for now? Look, let's get all of you back in your homes and warm. I'll need to call the authorities to make sure you all get taken care of before that serum starts doing ugly things." Sandy walked back to the assembled throng. Another debate broke out. Debbie leading a third of the group in angry objections. Then she turned to face Dave. "Where's our men? What gives you the right to come bargin' in here?" She headed for the far end of the building. Several others followed, more than just the ones that had agreed with her. Dave knew things would turn ugly as soon as these women saw the dead bodies. His fastest route into the open yard space was behind him. He sprinted the way he'd come, entering the yard through the gap just as the women began kneeling near selected bodies. By the women's placement, some of the men must have sprinted from the building's edge. Instead of a clump near the corner, there was a line of a few reaching towards the tree line. Dave felt a cold turn inside. Rationally, he could see the line ended well before the trees, suggesting Liv had taken all of them down before they got close. But could one have gotten through? That thought was interrupted by Debbie leaving the line of dead, beginning to search the yard and moving as quickly as her thick legs would carry her. Dave moved to get clear of the gap and the bodies just beyond it. Several of the other women left the line of dead as well. They slowly swarmed about the open space while Debbie made a beeline for the gap. Then she noticed a body in the grass. Fury returned to her face after a brief look of relief. Then she paused. Her chest was already heaving from exertion. When she faced Dave, the anguish was obvious. "You fucking coward! You shot 'em in the back! You shot my husband!" She began a slow charge at him. Dave sorted through his options. The only sure way he had of stopping this woman was his weapon, but he had no desire to shoot an unarmed woman grieving her husband. He could outrun her easily, but he needed to stay in the area. For a moment, Dave's brain played an image of him making short sprints and the woman chasing after him like some schoolyard game. Not helping dammit . Dave took a few steps backwards, bringing him near the back wall of the community building. He noticed the dryer vent again, which meant the pile of pipes wasn't far. He'd have to be careful if he backpedaled any more. Falling on his ass would not engender obedience or respect. Debbie's tirade ended in a screech as she reached into her pocket. Her hand came back out with a small revolver. Shit. Shit. Shit. Dave brought his weapon up faster than her and pulled his trigger. Click . No round fired. The weapon jammed. Shit . Dave dove sideways and backwards just as Debbie fired. He felt a smack on his shoulder as he fell. His hand landed on the pipe pile. He grabbed and rolled away from the wall as another shot spanged off the brick. As he rolled, he swung one arm, releasing one of the two rods he'd snagged. He threw one leg out and came up from his roll, facing Debbie as she recovered from the rod that hit her. Her motion and his brought them in close proximity. On instinct, Dave snapped out with the remaining rod, striking Debbie's wrist. She shrieked in pain as she dropped the pistol. Dave followed up with two strikes to her knee before stepping back into a ready stance. Debbie cried out, but still managed one step forward before the side of her head exploded. Dave turned from Debbie's corpse to scan the area. All of the other women were on the ground. Clearly, they'd done the math in their head and figured out he had a partner in the trees. "Don't make us shoot anyone else. We only came here because we were attacked. The people that attacked us and another house are now all dead. We've done what we came for. We are not leaving you hanging. We know you've been given Quaranteam doses so your lives are bound to these men. There is a way to free you from that bond." Dave decided a bit of vague spitballing could be useful here and played it fast and loose based on what he'd learned in the past 24 hours. "Well, not exactly free you, but transfer that bond to someone else. This time, you will have a choice in that bonding. But, I will not countenance any threat to myself or my partner. And as you can see, she is very protective of me as well. You can also see she is a damn good shot. I want all of you to gather over here, in the lee of this building, while I get someone here to help." The women got up, moving slowly so as not to provoke Dave or his hidden partner. Once they were all clumped together, he pulled out his cell phone. Time to call Detective Verratti. Chapter 13; Cleanup. October 29, 2020 8:20am "Wait, wait, wait. What do you mean you and Olivia are at the compound? Didn't you say you and your special forces friend; Carter? That the two of you were heading to the compound?" On another call, Dave would have switched ears by now. The burning in his left shoulder threatened to make that shift a very painful decision. "No, detective, I simply said we." "Dammit, professor, why the hell wouldn't you take the trained spec-ops guy on something; oh, fuck." "Exactly. Carter and his wife have been dead for two months now. Carter was the security expert in our prepper community. He ran us through many drills on how to protect ourselves and those around us. Olivia is an excellent long-range shot. She proved it again today. Took out half the compound with her sniping. Shot one that was coming at me with a.38, when my gun jammed." "Okay, okay. Damn. Look, I contacted the Air Force when you sent me the text saying you were there. As soon as the liaison red off the coordinates, whoever was on the other end of the phone got pissed. If I overheard correctly, they gathered a small force and headed that way by chopper. I think they lifted off about twenty minutes ago. Expect them in less than an hour. If they arrive in the same mood their boss was in, keep your head down. I know I'm already in deep shit. After getting shouted at over the phone, the Air Force liaison went into my boss' office and shouted for ten minutes straight. Professor; I'm sorry I got you into this." Dave signed off that call, then texted Liv. -Sling your rifle, come into the glade with pistol drawn. He stuffed his phone back in his pocket and waited. Half his energy was devoted to ignoring the pain in his arm. The adrenaline and other wonderful bio-chemicals the body produces during high stress situations all drained out in the past ten minutes so nothing got in the way of his arm screaming at his head for doing damn fool things. On the plus side, the bleeding had stopped. Mostly. As long as he didn't move it. The blood that had come out was enough to stain most of his sleeve, but not significantly impair his thinking from blood loss. Liv emerged from the tree line with all the charisma of a warrior queen. As Dave requested, her rifle was slung cross body, and her 10mm pistol was in her hands, held low, as her eyes scanned her surroundings. She took a bit of extra 'dwell time' when her eyes passed over the assembled women. Liv strode purposefully across the ground, halting at a position within easy talking range, yet too far to make them both a single target. Dave looked her over, examining her face and posture. Concern for the psychological impact of this on Olivia was uppermost in his mind. Great time to be worried about that, huh? After all the fighting is done. Genius . He snapped himself back to reality. There would be time later for self-recrimination. Liv's visual scanning kept lingering on Dave's left shoulder. "We need to treat that. It'll be tricky to do while maintaining security." "There's an Air Force team on their way. Detective Verratti said they may be unhappy, but I'm sure they'll have a medic. Or at least a first aid bag." "How long?" "Less than an hour. Sounds like forty minutes, most likely." "That arm shouldn't wait that long. You need stitches." "Got any in your back pocket, Liv?" Dave hadn't meant to get testy, but the pain was eroding his 'nice function' and the conversation felt like it was spiraling already. The flat look from Olivia carried a tinge of hurt, and forgiveness, and her own self-restraint. "Sorry, Olivia." She nodded in response, her eyes once again on their charges. One of them stood and moved slowly towards Dave. Livy squared her shoulders to the woman, but made no other change in her focus. When the woman was halfway to him, Dave recognized her as the lady that came out of the building as he spoke with Sandy. The one Sandy identified as a nurse. "Sir, would you let me look at your wound? I'm a nurse." Liv looked at him cautiously, then gave him one slow blink. Dave restrained himself from chuckling. From her, the slow blink meant anything from 'sure' to 'don't make me say I told you so'. Dave nodded at the woman. She approached slowly, then cautiously brought one hand up to examine his wound. She pulled back on the shirt to ascertain the extent of the injury. "I can treat it temporarily for now. You need stitches; which we don't have. And a painkiller. All they have here for that is alcohol, marijuana and meth. None of which I would recommend." Dave chuckled. With her finger so close, his shaking caused her to jab the side of the open gash. Dave flinched and gritted his teeth. "Oh, I'm so sorry." The nurse jumped back, pulling her hand back to her chest. Her other hand clasped the offending one closely, like she was putting it in time out. "It's okay, ma'am. I'm the one that moved suddenly." "Parker. My name is Parker." "Dave." "Well, Dave, you've got a decent flesh wound that will make a good reminder scar once it heals. You need to get stitches as soon as possible. Like today. Wait too long and it won't do any good. In the meantime, I can bandage it up. I'll need to go inside to get some clean cloth, though." Her eyes held the obvious question of whether he would let her. "How did you wind up here?" "I was on a transport from the vaccine center on my way to my Oracle designated partner when the bus got hijacked. Fifteen of us were diverted from someone we'd chosen to these guys that made their choices just by looking at us. They went in order, so whoever had priority got first pick, and so on." That matched what Verratti told Dave. More importantly, she didn't hesitate and there was no sign of falsehood in her eyes or face. Carter taught him to be careful who you trust, but you have to trust someone. There was a haunted look in her eyes, but no deception. "Liv, can you escort this nurse inside so she can get something to bandage me with?" The young brunette that had known him longer than anyone left alive gave him a funny look. "Or maybe you escort her, so you can sit down and put your arm on a table while she does her work. Should be easier for both of you that way." The nurse's face immediately took on a restrained, but amused look. "Don't say it, let's go," said Dave with a sigh. He followed her back around to the front of the building. She entered through the first door. It opened into the kitchen area. In short order, she scooped up the first aid kit and led Dave into the dining space. The room still smelled of the recent nonconsensual ruttings. Parker visibly flinched when the smell hit her. She came to a dead stop when she saw the body lying against the wall. The look on her face suggested her desire to not be here, and not be reminded of the events of this morning and her part in them, was warring with her professional instincts. Dave watched as she composed herself and ushered him to take a seat with just a hand gesture. Dave sat so Parker's back would be towards the body. As she tended his wound, he searched for visual clues. The man was older, at least fifty, likely over sixty, judging by the condition of his skin. Prominent wrinkles and liver spots, and a leathery look of someone that spent much of his life with a heavy tan. A distinctly aquiline nose and patrician features shouted 'man of money' even more so than his silk pajamas. Necessarily, Parker - more specifically her face - lay in Dave's line of sight as he looked about. Underneath the mien of professional concentration lay clear signs that removing the visual cue of the dead body was barely tamping down her anxiety. When she reached into the kit to find the scissors; so she could trim the excess off the bandage; her fingers first brought out the razor. The way she stared at it was unsettling. She paused to wipe away newly forming tears before finishing with Dave's gauze. As she neatly placed each piece of unused equipment in the kit, he gently took her chin in his right hand, turning her head to look directly at him. "Parker, you've had to make some tough choices here. You did the best you could with what you had. You're an ER nurse, right?" He recalled that tidbit from the detective's discussion. Parker nodded in affirmation. "Okay, so your training and experience is to do everything you can to get your patient that next heartbeat, to take the next breath, and another, and another. Just keep them going, and let someone else do the fancy work once you're sure the patient is alive right?" Her face contorted further as she nodded. "But I didn't. I didn't keep her alive. They took her outside ;” Parker's voice trailed off as she wept, her chest heaving. "An older blonde woman, probably in her mid-forties right?" She nodded, still weeping, not looking at him. "Her name is Natasha, and she's alive." Parker's head snapped up. Her eyes were wide in astonishment and hope. "But; how?" "I killed those men with a silenced pistol. She's hiding in my truck. Actually, I need to check on her. My partner had some spare clothes in there. Hopefully she found them." "Can I see her? Please? I just ;” The wild, desperate look in her eyes was impossible to deny. Dave gave his arm a few careful motions, testing out the pain level for various directions and ranges. It gave him an excuse to delay answering and drew her attention back to occupational concerns. "Yeah, we can do that. First, I need to touch base with my partner though." Gesturing he said, "Let's go." Parker quickly rose, snatching up the first aid kit. She deposited it back in its secure place in the kitchen before exiting, with Dave right behind her. She glanced over her shoulder several times to check that Dave was still with her as she walked around the building and straight towards Olivia. Over the last few steps, she veered off, giving Dave and Liv enough space to talk privately while she remained close by. Dave filled Livy in on what was happening. "Maybe you should escort her though, in case Natasha has not found your clothes. Besides, it would give you a chance to move about instead of standing here, getting cold." "Are you sure she saw me well enough to be comfortable when I approach? You, she got a good look at. And vice versa." Liv added a wink. Dave looked at her, his face flat and unimpressed. "Oh come on, David, you have nine women at home, came out here to dispense some justice on the assholes that attacked us, and picked up a groupie." "For crying out loud, Liv. She's not; Okay, fine, I'll escort the nurse. That woman's been through enough trauma without being exposed to your humor." Liv gave him an enigmatic smile as he walked away with Parker. Dave pointed to the gap in the trees he'd used for entry and exit previously. Once inside, the nurse stopped him. "David, I; I'm not sure if anything can be done for her." "What do you mean? "I mean, I; um, I'm not sure how much I can say. She needs something that I'm not sure is possible anymore." "You mean you couldn't extract any more semen from the dead guy's balls?" "How the hell did you know that?! That's confidential information! No one's supposed to know!" "Parker, these guys attacked my house. We killed three of them. The bodies were on my back deck and driveway with their balls cut off. Later, we get here and I see you jab the old guy in the balls with a syringe and the shot changes color. You're reassigning these women from the dead guy to the attackers using the dead man's cum, right?" She hung her head. "It was the only way to keep them alive." "And as long as they're alive, there's hope. There's a chance to fight another day, right?" She raised her head again, eyes watery, looking as if she really wanted to believe in the thin reed he offered her. "But, what about her? She's bound to that guy, and I couldn't get any more cum out. Depending on when she last slept with him, she's got a week or two before this stuff eats her up from the inside. It'll be like what they wanted to do to her, but in slow motion." Her voice cracked as she spoke. "Parker, I want you to consider something, and this is not a knock on you, but the conditions. You are an ER nurse, working under field conditions. If we take his body back to a hospital, or the vaccine center, do you think maybe a lab tech with precision equipment and ideal conditions could manage to eke out enough semen to let her switch partners?" She smiled again, taking a shaky breath. The suggestion relaxed her enough to acquiesce when he motioned her down the trail. "I don't know. I don't know, but it's worth a try. We have to move fast though. There's a time limit on how long we have to get it done." "Then we'll make sure when the Air Force gets here with their chopper, Natasha and the dead body are on the first bird out." Parker said no more as they walked. Dave only spoke to guide her on the path. When they got into visual range of the truck, Parker's steps took on an extra urgency, like she wanted to run, but held herself back. Dave signaled for her to fall in trail behind him and wait when they neared the truck. "Natasha? Natasha, it's David. I'm here with the nurse. The compound is secure now. The Air Force is on its way. We came to check on you. Did you find the clothes in the truck?" A blonde head slowly peeked over the dashboard, only one eye visible. That one eye held enough wariness for a dozen faces. The head scanned about carefully, never spending much time away from Dave and Parker. "All of the attackers are dead, Natasha. They can't hurt you." Her head cleared the dashboard and moved towards the passenger door, the same side Dave and Parker stood several feet away from. The door opened at a glacial pace. Then two legs clad in grey sweatpants stepped down. Natasha stepped clear of the door, wearing a thin white shirt, grey sweatpants that threatened to fall off, and a look of nervous hope and apprehension. Dave tried to ignore what the cold was doing to her nipples. Rigidly holding his eye contact on her face, he said, "Parker here is an ER nurse. How about letting her examine you? And then join the rest of the women. The ladies abducted with you are all; asleep, but there are women that were captured previously, like Parker here." Natasha glanced quickly at Parker. "They captured you too?" "Nearly two months ago. Our transport was hijacked after we'd already had our injections. We were on our way to our Oracle match partners when the attack happened." Natasha's wariness fell in the face of shared trauma; and the knowledge of traumas she'd been spared. She closed the distance and hugged Parker. The nurse initially stood shocked, unresponsive, her arms limp at her sides. Slowly, her hands rose, clasping onto Natasha's shoulder blades before she began shaking with sobs of relief. Reluctantly, Dave stepped in. When he spoke, he used the softest tone he was capable of. "Ladies, we need to get back. I'd rather not walk back into the clearing after the Air Force folks arrive, armed. That tends to make them nervous." He pitched his words softly, but firmly. Parker nodded in acknowledgement. The two shared a look that communicated; something. Then Dave noticed the older blonde still had nothing on her feet. "No socks in the bag?" he asked. Natasha shook her head no. Dave sighed, walked in front of her, turned his back to her and crouched. "Come on." He lowered his weapon to dangle from its sling. "What?" "Get on my back, I'll carry you." "Uh, are you sure about this? With your arm like it is?" Parker queried. "My back can carry the burden without straining my arm muscles." After a brief pause, he heard her moving hesitantly before her weight rested on his back. Her arms came around his neck. Then he hooked his hands under her knees and stood carefully. With Parker following behind, Dave navigated the path quickly. He maintained a slightly stooped posture that Carter had taught as the best way to carry a ruck. It worked quite well for carrying a person, too. The trio made good time through the woods and emerged from the tree line very deliberately, so as not to startle Liv, who was still on guard. The smile on the brunette's face when Dave emerged with Natasha on his back was unmistakable. Dave studiously ignored it. Once they were over soft grass, he lowered Natasha to the ground. He was uncomfortable sending these two to huddle with the rest of the women, but he wasn't sure what else to do. Until the moment he was ready to open his mouth. "Liv, take Parker and inspect the houses. Check on the women that got imprinted. Keep an eye out for kids or other adults. If it's just kids, reassure them the best you can. Keep them where they are if possible." Parker spoke up. "What if we bring; Natasha?; with us. I think my spare shoes would fit her. I can get her a jacket too." Dave looked at Liv, questioningly. She gave a short nod in response. Dave shrugged his agreement. After a long backwards look at Dave, Natasha followed the other two, leaving Dave on guard over the women huddled against the building. Most of them wore some manner of jacket and long pants. A few were in pajama pants and thick housecoats. All remained quiet, barely even talking amongst themselves. One brunette, a bit older, kept glancing at Dave. After several minutes, she rose and slowly approached him. As she got closer, Dave had a strange sense of recognition. Like he should know who she was, but couldn't place her. "Hi, um, I just wanted to say thank you. I've been stuck here for over a month. Several of us have, including the nurse that was with you earlier." Her dark eyes gleamed as she continued. "Listen, I know we'll need new partners soon. I think you should know that a few of the girls are already discussing the possibility of getting paired with you." Dave stiffened. His spine, not his cock. "Well, that's very flattering, but I didn't come here for that. Hell, I already have nine partners. My house is getting kinda full. I know the CDC guy that showed up a month and a half ago said I could wind up with twelve or more, but, uh, I could be just fine with stopping where I am. So, thank you, but no thank you. I mean, unless you specially match to me and don't have anyone else nearly as good a match." Her eyes widened. "Oh, no. No, I wasn't speaking personally. I mean, I appreciate what you've done, but not that far. The others just asked me to come over, sort of as a spokesperson. You know, use my fame in the hope that would help get your approval." It was the mild gravelly tone in her voice that finally did it. "Oh. Oh, shit. Aurora Hensley?" Dave shook his head. "Sorry, I knew I recognized you, but my brain just didn't place you until after you spoke for a bit. How the hell did a star like you wind up here?" Miss Henley tried to grin to cover up her grimace, but it didn't work. "Please, call me Rory. Lockdown stopped production on my show. You may have noticed we don't have a new season out." Dave nodded. "Yes, a few of my partners grumbled about it." "Ah, but not you, huh?" she said with a real grin this time. "Oh, I've watched some re-runs with them a few times. It's just that cop shows are only a fifty-fifty interest for me. Mostly, the ones I like get into the crime lab stuff, and yours didn't have that. No offense." Dave shrugged with the last statement. She examined him coyly. "Ah, so the fact that the two leads were women has nothing to do with it?" The words were accusatory, but something about her tone suggested she was playing with him. "Naw, not particularly. The story is well executed I think. It's just a type that only sometimes grabs my interest. I did appreciate that the show featured two female leads, without pounding the fact in the viewer's face. It stood on the writing and acting, and didn't beat some political drum." "Well, thank you. I think." She smirked at him. "Sorry for dodging, it's just; it hurts you know?" A shadow passed over her features, causing Dave to place a hand on her shoulder. He also forced himself to scan the group again, making sure no one was using his distraction to do something. He kicked himself for his obliviousness and made sure he kept his focus where it needed to be, without sacrificing the conversation. "Look, I know this is all still fresh, so if you don't want to talk about what these guys did to you here, you don't have to. I'm sure they'll have profess--" "Oh no, not that. I mean, I might, but honestly, you wiping them out is already a big help. That's why I came up to thank you." Then Rory grinned slyly again. "It's also why some of them want to thank you." "Well, with the vaccine, that's a rather permanent thing. They need to take some time to think it over first, and use the matching system, um, Oracle." "True, very true. You know, it's tempting to come at you like a rescued princess, just like the others. But in truth, I have a friend I was on my way to meet when our transport was hijacked. He's been a good friend for years, but we never dated or anything. He showed up as a reasonable match, so I was supposed to be with him. I'm going to call him as soon as I can to see if he's still interested." "More than likely, he'll be thrilled to hear you're alright." "Yes, probably. He's a good man. The girls like him." As soon as the words came out of her mouth, Rory grimaced like she'd been stabbed and the wielder was twisting the knife in her guts. Dave got a sick feeling in the pit of his stomach. "I'm sorry. I'm so sorry. I, uh, I have to go." She turned away briefly, then turned back. "No, wait." She took a few deep breaths before continuing. "The reason I came over in the first place." She paused for a hiccupping sob. "Um, look, I can never express how much I appreciate what you've done for me here. If you need anything. Anything at all. I know people. People in entertainment, and in politics. Just call me. I'd be glad to help." With tears in her eyes, she turned back towards the wall and walked swiftly, managing not to run. Rory's rushed return and obvious emotional turmoil was greeted by consternation among the small crowd of women. Two took the time to stare at him, worry clear on their faces. Quiet conversations started up and rapidly turned internal. The women clustered around Rory, wrapping her in hugs. When they finally parted, they began speaking again, in low tones, and long periods in which all were silent. It was quite some time before Liv, Parker, and Natasha came around the right side of the building. All appeared in good spirits. Natasha now sported a denim jacket over her white T-shirt and a pair of tennis shoes on her feet. As they approached, Dave noted that Natasha was no longer grabbing at the waist band of the sweatpants to keep them up, so some solution had been found. The jacket was of sufficient length to conceal whatever that had been. Likewise, it was likely she had socks to go with the shoes, but there was no visible gap between pants and shoes to confirm that deduction. The relaxed look on her face would have to do. Parker spoke first when they came within a reasonable speaking distance. "Sixteen women are in imprinting sleep in the houses. I checked their vitals, and nothing appears amiss. Except that they're all blondes." "I told the others while we were out, Drew, the man we were paired to, only had blondes in his; team." Natasha spoke slowly, not quite reluctantly. "It was a fetish of his. Though there was variety, of a sort. Cheerleader, businesswoman, that sort of thing. I was the 'older woman' blonde. One is a teenager, just barely survived to get injected. I; I knew him before this, or at least, I thought I knew him. We went to many of the same charity dinners and such. He was so cordial in public." Parker hugged Natasha around the shoulders, a supportive measure to remind her that problem was in her past. Then Olivia spoke. "A few houses had kids. They are awake and hungry. A little worried, but not frantic. I was thinking we could get a meal going in the main cafeteria instead of separate little meals in each house." "Sure," Dave replied. "That's a good plan. First, we'll need to get the body out of there." "Body?" Liv asked. "Drew, the man all those women are partnered to. These guys were re-imprinting the women to themselves in the cafeteria space." Dave kept his voice carefully neutral. "How the hell does that work?" "We're not supposed to know, but what I saw here and at our house, I made some good guesses that Parker confirmed. You and I are probably going to spend a lot of time explaining ourselves, so the less I share the better." Liv's nodding reply carried an undertone of expectation that, once all this blew over, Dave had better spill what he knows. A small traitorous part of Dave's heart took that as a possible indication that Liv wanted to know a way out of the bonding effects of the serum. Dave's brain was pretty convinced that was B S, though he would certainly ask if she wanted out later. The idea of keeping any woman bound to him against her will made him physically nauseous. Doing that to his Livy Bean was unacceptable in the extreme. "Tell you what," Dave continued, "You stay here for a few minutes. I'll haul the body out of the cafeteria and around to this side of the building. Then, Liv, supervise getting breakfast going in the cafeteria; and I mean supervise, you maintain control and security, someone else cooks. Parker, you can escort the kids from the houses to the cafeteria." Still facing the nurse, he asked, "Who would you recommend do the cooking?" "Sandy and Rory are pretty good. Together they should be able to handle breakfast for all the kids." "OK, sounds good. Wait 'til I get the body moved around to this area before you get moving." All three women nodded. Dave immediately stalked off, eager to get things in motion before the military arrived and brought everything to a halt while they took their time coming to the same conclusions Dave had already arrived at. The kids needed to be fed. He went around the right side of the building for once, since it provided the shortest route to his destination. As soon as he stepped inside, he was greeted by the older man's corpse lying flat on the floor, up against the wall, his silk pajama pants still pulled down to his knees. That was the first thing to fix. Doing his best to avoid touching the corpse (or another man's naked body), Dave took hold of the waistband near each knee and pulled them up and over the man's hips. That done, he stopped to consider the best way to get the body moved. Rigor. Rigor mortis had set in. None of the man' joints would move. And he'd been left on the floor, jammed into the corner between wall and floor for hours. There were two options Dave could see: grab and lift by the man's shoulders and drag him with his heels on the ground. A little awkward, but doable. The downside there was the chance his pajama pants cuffs could snag on something and come all the way off. Hell, even part way was undesirable. The second option was to get this guy onto Dave's shoulder like a two by four. A one hundred and fifty pound two by four. Sure, no problem. Mentally retracting all the curses he'd flung at Carter during upper body workouts, Dave went to work. First, he knelt beside the corpse. Then he lifted the torso so it lay on his shoulder. The next part was tricky. Silk didn't give a lot of traction to grab with. Neither did flesh. It took three tries that quickly returned to the floor-kneeling position when the body began to slip before Dave managed to successfully gain his feet on the fourth attempt, the body securely balanced on his left shoulder. And every single time he used his left arm for anything, a serenade of pain accompanied the act. He'd had experience getting through doorways with lumber or pipes on his shoulder, so while it was cumbersome, Dave managed the maneuver just fine. Though he had to use his left arm to operate the door. He couldn't avoid whimpering as he forced the injured limb to comply. Once outside, it was quite easy to make the brief trek around the building and dump the body in the grass a reasonable distance from the line of dead pointing towards the trees. He also picked up the staccato sounds of a chopper, low, and building quickly. Parker was halfway to the houses and Liv had disappeared into the cafeteria building with Rory and Sandy when their heads turned, picking up the sound. Figuring it was the safest course of action, Dave walked to the middle of the open space he'd fought in, away from others, his hands away from his body and his weapons slung on his back or holstered. He knew Olivia had the presence of mind to do the same. One Blackhawk landed to Dave's left, on the other side of the unused building. A second landed beyond the community building, presumably beyond the first house and to the left of the others. The third Blackhawk landed to Dave's right, well clear of the community building. The rotor blast was strong, but not overwhelming. The moisture in the air guaranteed no dust blown around, and the cold snap was too recent to kill off any grass, so at least there was no debris kicked up by the artificial cyclone. Troops began to disgorge from the chopper the moment the wheels touched grass, running straight out, hunched over, weapons in hand. Dave slowly turned to face them, his hands clearly away from his body. "You David Belsus?" The voice was pissed, loud, and behind him. Oops. Of course the team leader was on the first chopper that landed. Hadn't Carter harped something about leading from the front? "That's me." A short, strongly muscled man stepped around into Dave's field of view. "You blew my fucking op, dammit. Hunting these boys down was my job." "Considering the number of women enslaved to these fucking animals you clearly aren't doing your fucking job!" "Don't piss me off asshole. I'm willing to consider you're one of the good guys, for now. Fuck with me and I'll throw you in a hole so deep, you'll water the rice paddies in China when you pee." Dave wisely shut the fuck up. Carter had told him there were two very important times to know in the military; when to shut up, and when to shut the fuck up . This seemed like the latter. "You got the wanna bees at your house. A few real troops here. You got lucky, Boy Scout. Stand down and let us do our jobs." Before the short, powerfully built man turned away, Dave noted the nametape on the man's uniform; Barnett. The two chevrons upside down on the top of his rank insignia meant he was a Technical Sergeant; an E-6, a middle level NCO. "Sergeant Barnett?" Dave called to get his attention. The little bantam turned, one eyebrow cocked. "The kids in this place haven't been fed breakfast yet. My partner is inside the community building with a few women who've been stuck here for over a month. They're getting something cooked up while the nurse moves the kids. You think you can let that plan roll forward? Otherwise, you'll have some cranky kids to deal with soon. "Is she armed?" "My partner?" Dave got a nod in response. "Yes, she has a slung rifle and a holstered pistol. If you go in cautious, and announce yourself, there shouldn't be a problem. Or you can send me in ahead of you." "Sure, fine. Just know if you try anything stupid, my two partners behind you will drop you in a heartbeat." "I think we understand each other." Dave stepped off deliberately, at a steady pace, getting around the corner of the building with Sgt Barnett two arm's lengths to his right. He could hear the soft footsteps in the grass of two more people behind him. Barnett wasn't bluffing. Dave reached the door of the cafeteria space. He knocked twice, then slowly opened it. "Hey, Liv? It's me, I'm coming in. There's some Air Force folks with me. Keep your weapons holstered and your hands visible. These folks seem a mite twitchy." Olivia stood in the Archway between the dining side and the kitchen side. The sounds of pans and utensils and sizzling meat were quickly joined by the aroma of bacon. Dave's stomach grumbled. Two voices behind him tittered. Seems his guards and executioners heard him. They guffawed when Barnett's stomach responded. "Should we let you two get a plate boss?" The laughing voice behind Dave almost had a Tinkerbell fairy quality to it. Great. My erstwhile executioner leaves pixie dust in her wake. Liv kept quiet. Verbally that is. Her eyes were laughing though. Laughing loud enough to make up for the silence of her lips. "No, they're cooking for a bunch of hungry kids. Leave 'em alone." Barnett paused, looking between Liv and Dave, and sizing them up. "You two, one at a time, very carefully, place your weapons on that back counter. You're closer, young lady, so you go first." Liv sighed, staying stony faced. Dave widened his eyes and nodded his head, with a slight tilt towards the counter. With an exasperated exhale, she unslung her rifle, touching only the sling, and only with her thumb, laying it on the counter. In doing so, she now had her back to the archway leading to the kitchen. She deliberately used her left hand to remove her pistol. Liv then placed it beside the rifle. Her combat knife came next. Placing it with her firearms, she stepped away from the counter and faced the others. "Boot knife." Barnett said flatly. "Excuse me?" Liv asked blankly. "Remove the knife from your boot and place it on the table." Liv pursed her lips, rolled her eyes, and then complied. Tinkerbell tittered. "Step over there." Dave waved his arm towards the opposite corner from where Liv had been, along the wall separating the kitchen space and the dining space. Olivia moved as indicated, her eyes locked on the two behind Dave. "Okay, now you." Dave walked to the counter. He unslung his SMG, again, using only his thumb, and placed it beside Liv's rifle. With open, deliberate motions, his pistol quickly followed. "Don't make me say it again." "I don't have any knives. Never been any good with 'em." Liv snorted. "You shittin me? You came in here with no knife? Better a weapon you're only mediocre with than no weapon at all." Dave just shrugged. "You're doing a great job of convincing me you merely got lucky; twice; rather than win by skill and teamwork." Dave elected not to rise to barb. "Stand over there with your girlfriend." Dave turned and walked along the wall. He took the opportunity to look at the two guards. One was a wasp waisted, svelte brunette with her hair back in a bun. The other; fucking well looked like Tinkerbelle. Pale skin, silky blonde hair in a braid that wrapped around her head like a home-grown crown. Give her a pair of wings and no one would even blink if she claimed to be the fictional character. Well, Tinkerbelle never carried an M4 with a daylight scope. Sure as shit would have given that saucy wink though. Once Dave was beside Livy, Barnett spoke to the two of them. "You will both get a full debriefing at headquarters. For now, let's start with the disposition of the corpse of one Andrew Bilk. He was a very rich man, and someone wants an accounting of his death. Starting with where his body is." "Out in the grass. The goons in this camp had his body on the floor, up against the wall there" Dave pointed, "since we had kids coming in soon, I thought it best to get him out of here, so I carried him out into the grass near the other bodies. He's the one in the silk pajamas." "Silk pajamas? That should be easy to distinguish." "Oh, uh Sergeant Barnett? There is a time critical element here. The blonde lady we rescued first, Natasha, she was bound to the rich guy; Bilk you said? Anyway, she needs to be re-partnered. I don't know the exact timeline, but he died around or just after midnight. Problem is, the nurse around here couldn't get any more semen out of the rich guy's nuts, so her only shot is if a lab geek can eke out enough for her. She and the body need to get back to Dallas fast." "Right. Okay, Silvia?" The brunette focused on Barnett. "Yes, sergeant?" "Find this Natasha woman, get her and the silk clad corpse on a chopper and send them back now." "Yes, sergeant." She slipped out the door like vanishing smoke. "Also," Dave interjected, "in the houses are several women that the nurse, Parker, was forced to re-pair from the rich guy to one of these clowns. That was this morning, so they're all in imprinting sleep at the moment. The ones that imprinted later might be able to recognize which redneck imprinted which blonde." Barnett raised an eyebrow. "Apparently, the rich guy had a fixation with blondes." Tinkerbelle ran a hand down her side, giving her body a little wriggle as she did so. "Alright, I'll let lab techs and medicos sort that mess out. We've got a convoy of trucks enroute to haul these folks back to Dallas." As Barnett spoke, the sound of rotors could be heard. As the sound built, the door opened and five kids went straight to the nearest table. Parker followed in after them. "Oh, hey Dave. Listen, some Air Force woman pulled Natasha away. I think they just left on a chopper." Dave nodded. "Are you the nurse that used the Dead Man's Switch on these women?" Barnett asked. Parker stiffened. "Yes, I am. It was either that or let them die." "Relax, I'm not your judge or your jury. I'm just trying to establish a few facts and identities. Do you think you can remember which woman paired with which man?" "Not all of them, but some. The first was the one with the enormous" she suddenly remembered there were kids in the room, "uh, assets. The boss man took her for himself." "Okay, that's fine. Uh, Jessie, think you can find a notepad for ;” "Parker." "Parker here to write down what she remembers on the pairings this morning. The ones from before should be able to tell us themselves." The short blonde exited with haste. Parker checked in with the kids before approaching the sergeant. "Can I check in with the kitchen, to see when their breakfast is ready?" "No need," said Rory, passing through the arch with a plate in each hand, "breakfast is served." Sandy was right behind her, carrying three plates, one in her left hand, and two more up her left arm. The kids cheered. Sandy also had silverware in her right hand. She set that down first. Unburdened, Rory came across the room to Dave. "Listen, Parker mentioned being paired increases a man's metabolism. We made some extra. Would you like something?" "What if the kids want seconds?" "We made enough in case the older two ask for seconds, and still serve a couple of adults." "Like me and the sergeant here?" Rory grinned, "Correct. Why don't you two sit, and I'll bring out two more plates." "I appreciate that, Rory, but Liv hasn't eaten either. Neither has Parker, or you, or ;” "I know, I know, I've got five more servings in here. Sandy and I can make more shortly." "You don't ha--" "Hush. I want to." She leaned in close. "It helps keep my mind off other things." Immediately, Rory exited to the kitchen. Sandy followed after. As they passed through the arch, Jessie, the little blonde Air Force attack pixie came back bearing a portfolio containing a yellow legal pad and a pen. She handed that off to Parker and found herself an out of the way spot along the wall. Dave watched as Parker took a seat several spaces down from the children. After staring blankly at the page for almost a minute, she began writing at a steady pace. Absorbed in watching her, Dave was surprised when Sandy brought him a plate and silverware. Bacon, scrambled eggs, and toast. A perfectly worthy American breakfast. As he ate, Dave noted his companion / captor's face. The man's fair skin was as unpale as possible without adding descriptors like 'sun-kissed'. His jet-black hair strongly suggested an eastern or southern European heritage. That presumption was supported by the darkening along his jawline. Clearly a man that had to shave twice a day to remain within military regs. Unless of course, he went undercover, in which case he could grow a partial disguise in short order. Liv caught his eye as she returned from the kitchen. She took a seat next to Dave, giving him a quick kiss on the cheek before digging into the scrambled eggs on the plate of food she'd carried in. She giggled at his pro forma protest when she stole a piece of bacon off his plate. Liv, on one side of Dave, missed the small grin on Barnett's face over the exchange. Her partner saw it though. Another enlisted woman came through the door carrying a sizable hardcase, the kind that usually has thick foam padding inside. She proceeded directly to the counter and swiftly stowed the weapons in the case. Then she carried the case back outside. "We're going to cycle the civilians through here for some breakfast before we entrain for Dallas," Barnett said. "When you're through here, meet me out on the lawn space where we started. Both of you." "You got it." Barnett took his plate and silverware through the kitchen archway. Shortly after, Dave heard the outer door to the kitchen open and close. Dave took a few more minutes to finish his meal. Liv spoke as he arranged his silverware on his plate. "Before you go, you should talk with Aurora. I think you two have something to share." Dave looked at her flatly. "She'd bonded, Liv." The young woman's smile broadened. "Not quite what I meant." Then she grew serious. "Just talk to her. Really, I think it could be good for both of you." She smirked when Dave walked away, fixing her with a wary eye. He found the sink, with a dishwasher beside it. Quickly, he rinsed his plate, placing it in the dishwasher. Rory and Sandy both objected, but he waved them off. Dave went ahead and rinsed the plate and silverware in the sink as well, along with a few cooking utensils. After drying his hands, he approached Rory. "Olivia said we should talk. She didn't say what about. Is this just her idea, or something you want to discuss?" Rory looked downward and swallowed. She looked back up. The haunted look in her eyes tugged at Dave's heart. Sandy noted their faces and suggested they step outside for a private conversation. Rory took his hand and led Dave out of the kitchen's heat and into the cool damp outside. Following her example, he leaned one shoulder against the wall, facing her. He waited for her to speak. "When we were surveying the houses; checking on the women and kids; Liv was asking me how I got here, what I dealt with getting here and being here. Honestly, she was just trying to make conversation. She didn't know what that would lead to." Dave waited again as Rory screwed up her resolve. Hopefully, his eyes were communicating support and patience. He could try speaking words of comfort or support, but the moment seemed too fragile to withstand him saying anything. "One of her questions was why didn't I try to escape after we were captured, before we were imprinted. Or why didn't we try signaling for help once we were stuck here. I can't speak for the others, but; I was not in a good place mentally when I was captured." She paused again, but not as long this time. Her shoulders came inward though, like she was trying to shrink; or hide. "Casey, the man I was supposed to partner with after getting my vaccine shot, is a good friend. He; spent time, when he could, talking to me by Zoom after; after ;” Rory shook with silent sobs. In Dave's heart, he knew what was coming next. The cold hand that gripped him, sapped the joy out of moments with his new family. His brain kept trying to reject the knowledge. Finally, she looked him directly in the eyes. Her composure shattered. "I had two daughters. They were both teenagers." As her tears poured out, Dave stepped in closer, wrapping his arms around her, his own visage twisted with the shared pain. He said nothing, merely held her for several minutes. When her shaking subsided, he waited a bit more. Finally, he took a deep breath and brought his mouth near her ear. With a shaky voice, he said, "My son's name was Eddie. He was twenty-three years old." Her arms around him tightened. Neither spoke. Several minutes later, Rory pulled her head back, an empathetic look on her face. She kissed Dave on the cheek and went back inside. Dave took a few minutes to collect himself. Feeling reasonably steady, he walked around the building. Liv and Barnett were there, waiting. "Okay, so here's what's happening. Most of these people are going back by truck. The convoy is nearly here. You two have a date with Air Force Intel, DPD, and possibly the FBI. You're going back in a chopper, now." Barnett paused, giving Dave a moment to process what he'd said. "Is that white pickup about three hundred meters back along the entry road yours?" "Yes." "Keys." "Excuse me?" "Gimme your keys. I'll have one of my people drive it with the convoy. We'll have it waiting for you when the intel boys and detectives decide to loosen the thumbscrews." Dave pulled his keys out and tossed them to the sergeant. "What about our weapons?" "They'll be in your vehicle." Dave nodded in acknowledgment. Jessie, the little pixie blonde, motioned for Dave and Liv to follow her. She led them to the nearby chopper and walked them through the seat harness mechanism. Two other Air Force personnel took seats on either side of the pair. Jessie returned to Barnett as the rotors began to move. Two minutes later, Dave watched the ground recede. Air Force personnel were scattered all over the compound. As of yet none of the kids had been in the big grassy area where the bodies lay. Just as the nose dipped and turned, Dave caught sight of military trucks edging down the dirt road into the camp. To be continued in part 12, Based on a post by RonanJWilkerson, in 12 parts, for Literotica.

Notes and Links to Cole Cuchna's Work     Cole Cuchna graduated from California State University with a degree in music composition. Cuchna graduated in 2015, pursued a short solo career, then worked as a barista. But his desire to bridge the classical and pop worlds persisted. He remembered his love of writing essays and conducting deep research about music. That coincided with the growing popularity of podcasting, which had been around for a decade. It was the perfect medium, he felt, for long-form analysis of an audio art.    Cole is the host and creator of Dissect Podcast, a music podcast which debuted in 2016. The podcast is renowned for its in-depth analysis of contemporary music. Dissect was named "Best podcast of 2017" by Quartz, and the following year was named "Best podcast of 2018" by The New York Times. Additionally, both Time magazine and The Guardian listed Dissect as one of the top 50 podcasts of 2018. 2025 marks the 13th season of Dissect.  Listen to Dissect Podcast   Watch Dissect Podcast on Netflix   Dissect Podcast Homepage   Dissect Podcast Wikipedia   Review of Dissect Podcast   At about 2:55, Cole explains plans for Dissect Podcast on Netflix, coming soon! At about 4:40, Cole responds to Pete's question about his own love of hip hop and transformative and formative music for him  At about 6:50, Cole underscores the “shared community” of skating growing up that welcomed “rappers” and “rockers” At about 8:30, Robin Branson, who put Pete on to Dissect (thanks, Robin), asks Cole about his view of himself as an “educator” At about 12:35, the two discuss Cole's research process and ideas of knowing the artist and his/her art At about 15:45, Pete shares a profound quote from Cole about the essence of music and music fandom At about 16:15, Cole responds to Pete's question about how he listens to music differently (or not) since he has become  At about 17:20, Cole expands upon the genesis for the podcast, dealing with Kendrick Lamar's To Pimp a Butterfly and his daughter's birth At about 19:00, a discussion of possible future hip hop heads alludes to a classic video At about 20:00, Cole outlines his average research time and his early research in the early days of the podcast At about 20:45, Cole explains what skills he had already developed in college music composition, and what skills he has learned/used in doing the podcast At about 22:20, Cole responds to Pete's question about how he picks an album At about 25:00, Pete details some of the great “subtlety and nuance” on the podcast At about 26:45, Cole expands on one of the show's “inside jokes” At about 27:45, Pete brings up “syncopation” in Radiohead's work in asking Cole about he balances sonic and lyrical jargon with digestible information for people who are not necessarily students of music theory  At about 32:15, Cole responds to Pete's question about what it's like to work with experts on individual artists in crafting his seasons  At about 34:25, Cole and Pete discuss the “side projects” that Cole has done involving standout artists and songs At about 36:20, Cole reflects on contemporary artists and his willingness to stay open to new sounds and talents At about 40:20, Cole talks about cool and beneficial feedback from the artists profiled on the podcast At about 41:40, Cole responds to Pete asking about “surreal” moments he's experienced in doing the podcast and offshoot projects  At about 42:40, Manifesting for a future Cole interview with Kendrick! At about 43:20, Cole shouts out the rapper who has “sealed the deal” for him as the G.O.A.T. At about 44:25, When's Frank Ocean gonna drop?      You can now subscribe to the podcast on Apple Podcasts, and leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, will be up at Chicago Review in the next week or so.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of children's literature on standout writers from the show, including Robert Jones, Jr. and Javier Zamora, as well as Pete's cherished relationship with Levar Burton, Reading Rainbow, and libraries.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 316 with Kiese Laymon, a Black southern writer from Jackson, Mississippi. He is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon's bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times.    The episode airs on January 6.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

The former Dallas Cowboys Cheerleader presently serves as director of the squad, and has been known for transforming the group into a global brand name.  

Can a simple group chat make you a better coach, parent or even a more consistent gym-goer? With competition season heating up and holiday chaos in full swing, staying accountable and focused is harder than ever, for athletes, parents, and coaches alike. In this episode, Jason and B. Moore dive into how accountability (in the gym and in life) can fuel progress and purpose, whether you're a cheer coach, a busy parent, or an aspiring college cheerleader. Discover how one former athlete turned employee of the year proves that mentorship and grit can change lives. Learn why some skills just aren't worth obsessing over—and which ones truly move the needle. Get real talk on whether your senior really needs that last year of All-Star to make it onto a college cheer team.Tune in now to hear how a gym group chat, team standards, and a little tough love could be the secret to success for you or your athlete. Sign Up For Patreon- Early Access and Ad-Free Listening Buy the Jason's Book, Upside Down and Back Again ⁠ Jason's On-Demand Coaches Training Videos⁠⁠⁠⁠⁠⁠ ⁠⁠ ⁠⁠⁠⁠ Code of Points Cheatsheet FREE⁠ Next Gen Coaches Conference Promo Code "BLACKFRIDAY" - https://ngconferences.com/ AIA Global Qualifier- ca.themis.events Brittany's Comp Cheer Checklist- instagram.com/stories/highlights/18356656174188077 Jason's Book Recommendations- ⁠⁠⁠⁠Amazon Affiliate Link⁠⁠⁠⁠ ⁠⁠⁠⁠Follow Let's Talk Cheer on Instagram⁠⁠⁠⁠ Submit a Question of the Week ⁠⁠ You can support this podcast by making donations here⁠⁠⁠⁠ Other great cheerleading podcast to check out- The Cheer Biz Podcast, The Cheer Mom Podcast, Spill the Cheer, Mat Talk Table Talk, Cheer Chats Podcast, MotUS Edge Podcast, The Cheer Dad Podcast and the Here 4 Cheer Podcast Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Notes and Links to Joe McGinniss' Work   Joe McGinniss Jr. is the author of DAMAGED PEOPLE, CAROUSEL COURT and THE DELIVERY MAN. Buy Damaged People: A Memoir of Fathers and Sons   Joe's Wikipedia   Review of Damaged People in Kirkus Reviews   People Magazine Article about Damaged People At about 1:30, Joe talks about wonderful feedback he's gotten from readers of his memoir At about 2:40, Pete and Joe reflect on his father's work and ideas in relation to the “public intellectual” At about 4:45, Joe expands on the hard work and determination that led to him being so revered, even by Robert F. Kennedy At about 8:10, Joe gives purchasing information for Damaged People  At about 9:30, Joe gives seeds and background for his memoir, including a catalyst in a 2016 New Yorker article At about 10:45, The two discuss the book's epigraphs and Joe remarks on writing about such personal experiences and close friends and family At about 13:50, Joe responds to Pete's questions about the book's Prologue setting At about 16:50, Joe expands on the analogy of his father put forth by his brother of their father as a “puppy pissing on the rug” At about 21:40, Pete references Lorenzo Carcaterra's A Safe Place and connections to Joe's book At about 23:00, Joe expands upon cycles involving sons and fathers and reflects on the line from the book that “progress is being made” At about 28:00, Joe responds to Pete's questions about a telling photo opp for a magazine article on Heroes by his father At about 30:50, Pete and Joe give background on Joe, Sr.'s breakthrough with The Selling of the President, and Joe discusses connections between the events of the book and today's politics At about 33:00, the two discuss Joe's father's triumphs and the parts he was lacking as a father, in connection to his own father's treatment of him; Joe emphasizes that his son knew he “was loved” by his grandfather  At about 36:20, Pete lays out some of the book's flashforward scene to beautiful memories of his growing son and wonderful wife, and then the two talk Rex Chapman and basketball inspiration  At about 40:10, Joe talks about his first book's tour, and how he built great memories, and he talks about the juxtaposed  At about 41:40, The two discuss the “idyllic” life lived by Joe's father (and Joe for a while), and Joe shares some amazing anecdotes from those days At about 44:40, Joe relates the story of his dog Lucy being stolen by a 19-year-old Kiefer Sutherland (!) At about 45:30, Joe expands on his father's experience researching Fatal Vision At about 49:50, Joe gives background on the importance of the saying, “Everything's blowin' away” in connection to his father's energy and ambition and anxiety At about 52:45, Joe responds to Pete's questions about his father's treatment of Jeffrey McDonald in Fatal Vision At about 53:30, Pete reflects on changes in Joe's relationship with his son as he grows up At about 54:30, Joe recounts the story that Janet Malcolm wrote regarding the MacDonald case and how Joe, Sr. was sued  At about 59:20, Joe traces the late 80s and 90s for his father, and his bold decision to turn down an O.J. Simpson trial book and write instead about Italian soccer At about 1:05:30, Joe shares his perspective on apology letters and confession letters written by his father to him and his siblings At about 1:08:00, Joe reflects on the times in which he knew he had been too overbearing and strict with his son in his basketball career At about 1:11:50, Joe reflects on ideas of life and father-son relationships as “process[es]” in connection to his father's death and “gaps” left behind At about 1:15:10, Joe responds to Pete's question about how he now sees sons after these years of writing and reflection  At about 1:17:30, Joe charts his dad's reactions to hip-hop      You can now subscribe to the podcast on Apple Podcasts, and leave a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 315 with Cole Cuchna, the host and the creator of Dissect, a serialized music podcast that examines a single album per season, one song per episode. Dissect was named "Best podcast of 2017" by Quartz, and the following year was named "Best podcast of 2018" by the New York Times. It has done deep dives on albums by Kendrick Lamar, Beyonce, Childish Gambino, Tyler the Creator, MF Doom, Radiohead, Frank Ocean, and more.    The episode airs on December 30.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

This summer we are curating your Lowbrow podcast playlist bringing you the insanely popular and always funny - brutally honest reviews from our friends on The Spill. Enjoy! This week, we’re diving pom-poms first into Season 2 of America’s Sweethearts: Dallas Cowboys Cheerleaders, and let’s just say, it’s not all rhinestones and high kicks.In our brutally honest review, we break down the fights these women took on behind the scenes, from their long-overdue push for better pay, to the toll of representing one of the most iconic (and controlling) sports brands in the world.Yes, there’s been progress, but we’re also talking about the areas where the system still gets it wrong, especially when it comes to diversity, body image, and the pressure to be "perfect." We unpack the surprising twists, the darker moments you might not expect, and the very real power dynamics at play, on and off the field.Plus, Ksenija shares her insider scoop from the modelling world, drawing some striking (and frankly disturbing) parallels between runway life and the DCC machine: the unattainable beauty standards, the constant critiques, and the pressure to smile through it all.LISTEN:Listen to more from The Spill hereREAD: Want all the DCC details you can get your hands on? We've got you covered:'The problem that ruined season 2 of America's Sweethearts: Dallas Cowboys Cheerleaders for me.'6 behind-the-scenes facts that will change the way you watch Dallas Cowboys Cheerleaders.'There was one Dallas Cowboys Cheerleaders scene that made my jaw drop, but I don’t know why I was surprised.' GET IN TOUCH:Do you have feedback or a topic you want us to discuss on The Spill? Send us a voice message, or send us an email thespill@mamamia.com.au and we'll come back to you ASAP!Read all the latest entertainment news on Mamamia... here. THE END BITSThe Spill podcast is on TikTok here and on Instagram here. Read all the latest entertainment news on Mamamia... here.Subscribe to MamamiaCREDITSHosts: Em Vernem and Ksenija Lukich Executive Producer: Monisha IswaranAudio Producer: Scott Stronach Mamamia studios are styled with furniture from Fenton and Fenton. Visit: fentonandfenton.com.auBecome a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Looking for a Christmas horror story that hits like a slasher, moves like a thriller, and burns like a nightmare? This week on Weekly Spooky, the holidays turn deadly in the Strickfield universe when a toxic chemical crash on a snowy Ohio highway ignites neon green fire—and something comes shambling out of it.Detective Chantel Devereux thinks the worst is over… until the “accident” echoes into the next year and the body count starts climbing in ways that don't make sense—melted flesh, missing corpses, and a horror that refuses to stay buried. Meanwhile, Raigen—known to the press as the Angel of Death—is trying to keep her secret and survive the season… but when the killings circle closer to home, she and Chester are forced into a desperate hunt through holiday-lit streets and high school hallways to stop a chemically mutated monster before Christmas becomes a funeral. Inside this episode:Holiday horror in Ohio snow with radio-suspense pacing and brutal surprisesA serial killer protagonist with rules… and a family who can't know the truth A mutant chemical creature that melts what it touches—and keeps coming Twins, teen rivalry, and Christmas weekend tension that snaps into violence If you want scary Christmas stories with mature themes, a fast plot, and a finale that punches hard—hit play… and tell me: would you still go home for Christmas if you knew something followed you out of the snow?An Angel of Death Christmas — by Rob Fields

Ann Wilson was simply trying to help her husband, Dave, become a godlier man. But Dave felt like she was constantly “booing him” as a husband and father. The Wilsons explain why spouses need to be more encouraging and supportive of one another, focusing on positives rather than negatives in your spouse. Receive the book How to Speak Life to Your Husband When All You Want to Do is Yell at Him and the audio download of the broadcast "Revive Your Marriage by Becoming Your Husband's Biggest Cheerleader" for your donation of any amount! Your Gift DOUBLES to Help Deliver Hope and Joy! Save 2X the marriages and families this Christmas with your life-changing gift today! Get More Episode Resources If you enjoyed listening to Focus on the Family with Jim Daly, please give us your feedback.

In this episode, Lindsie and Kristen talk about the price of peace, debating the pros and cons of a $120K remote job versus a $240K in-office position. Plus, Kristen shares a story from her recent hospital stay and gallbladder surgery. We also dive into the week's biggest news, including the Rob Reiner family tragedy, and the heartbreaking case of the Texas A&M cheerleader, which sparks an emotional conversation about mental health struggles.Thank you to our sponsors!Aura: Visit AuraFrames.com and get $35 off Aura's best-selling Carver Mat frames by using promo code SOUTHERNTEAHers: Start your free online visit today at forhers.com/SOUTHERNTEA for your personalized weight loss treatment. Restrictions apply.HomeServe: Go to HomeServe.com to find the plan that's right for you.Lola: Get 40% off your entire order at Lolablankets.com by using code Southerntea at checkout. Experience the world's #1 blanket with Lola Blankets.Soul: Get 30% off your entire order at GetSoul.com and use the code SOUTHERNTEATempo: Visit TempoMeals.com/SOUTHERNTEA for 60% OFF your first box!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Ann Wilson was simply trying to help her husband, Dave, become a godlier man. But Dave felt like she was constantly “booing him” as a husband and father. The Wilsons explain why spouses need to be more encouraging and supportive of one another, focusing on positives rather than negatives in your spouse. Receive the book How to Speak Life to Your Husband When All You Want to Do is Yell at Him and the audio download of the broadcast "Revive Your Marriage by Becoming Your Husband's Biggest Cheerleader" for your donation of any amount! Your Gift DOUBLES to Help Deliver Hope and Joy! Save 2X the marriages and families this Christmas with your life-changing gift today! Get More Episode Resources If you enjoyed listening to Focus on the Family with Jim Daly, please give us your feedback.

Notes and Links to Jackie Domenus' Work   Jackie Domenus (she/they) is a queer writer from South Jersey and the author of NO OFFENSE: A MEMOIR IN ESSAYS (2025), published with ELJ Editions. A 2021 Tin House Winter Workshop graduate, Jackie's essays have appeared in The HuffPost, The Offing Mag, The Normal School, Variant Lit, Entropy, Watershed Review, Wig-Wag, Philadelphia Stories, and HerStry, among other publications Their poetry has appeared in Hooligan Mag and Giving Room Mag. Her short story “Mirror Image” published in So To Speak, as well as her essay “Two Truths and a Lie” published in Identity Theory, were both nominated for a Pushcart Prize.    Jackie has formerly served as a publishing assistant at Guernica Magazine, an associate editor for Glassworks Magazine, and a contest coordinator for Philadelphia Stories. They work as the Program Director for Fellowships at Mid Atlantic Arts. Buy No Offense: A Memoir in Essays   Jackie's Website   Review of No Offense in The Rumpus: “Misperceptions, Assumptions, and Slurs: Jackie Domenus's No Offense” At about 3:45, Jackie talks about ideas of representation and reading as a kid-they highlight The Perks of Being a Wallflower At about 6:50, shout out to Shel Silverstein's feet (and writing)! At about 7:15, Jackie responds to Pete's questions about their early writing journey At about 9:45, Jackie reflects on writing as “cathartic” and "therapeutic," in certain conditions, and in some conditions, not so At about 12:20, Zoe Bossier, Kiese Laymon, Melissa Febos, and K.B. Brookins are shouted out as writers who thrill and challenge Jackie At about 14:05, Pete asks Jackie about their book's Foreword and the process in ultimately deciding to include early writing that had them in different and perhaps more privileged places At about 18:10, Pete and Jackie  At about 20:40, Jackie talks about interesting and fun feedback from readers At about 24:30, Jackie responds to Pete asking about early on in the book defining “microaggression” At about 26:15, Pete lays out the book's exposition in discussing the first essay of the book, and Jackie expands upon the essay's themes and connecting POVs At about 30:20, Jackie emphasizes their belief that any memoir, particularly queer and trans memoir, does not need to be linear At about 31:15, the two discuss the book's essay meditations on the uses of terms for men and women connected to dogs At about 33:15, Jackie responds to Pete's question about the anecdote in the essay where their dad broke down over the loss of the family dog At about 35:35, Jackie and Pete discuss Mary Poppins and heroes and queer people and their representations in media in Jackie's formative years   At about 39:00, The two discuss ignorance and ideas of “othering” as reflected in a resonant anecdote in the book about a trip to the OB/GYN At about 42:45, Pete uses an example from a Simpsons' episode in asking Jackie about the balance between educating and becoming a crutch for people looking for validation At about 46:50, Jackie expands upon the line from the book that their “coming out was not really a ‘coming out' ” At about 49:10, Jackie reflects on the material from the book's essay dealing with interpretations of queerness in Jennifer's Body, Girl, Interrupted, and Black Swan At about 53:15, Jackie discusses an essay that identifies three “first loves” and traces their outward sexuality At about 56:20, Pete compliments Jackie's use of second person, highlighting a beautiful imagined scene on Page 84, and Jackie talks about their mindset and aim for the essay At about 1:00:35, “Burden of Proof” and a student of Jackie's, Isaac's, moving experiences are discussed At about 1:04:50, Fear and the Trump era are discussed as rendered in the book, as well as Jackie's continuing "realization"    You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 314 with Mariah Rigg. She is a Samoan-Haole who was born and raised on the island of O‘ahu. She is the author of the short story collection EXTINCTION CAPITAL OF THE WORLD (Ecco/HarperCollins, 2025), which was listed a best book of 2025 by Esquire, Electric Lit, and Debutiful, and received praise from Vulture, Oprah Daily, Chicago Review of Books, Literary Hub, Autostraddle, Ms. Magazine, and more.    The episode airs on December 16.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

All Bones Considered: Laurel Hill Stories #041, part 4   Benjamin Wood Richards' tenure as mayor coincided with challenges such as public health crises, infrastructure needs, and social tensions in Philadelphia. In 1819, Richards co-founded a large commission house in Philadelphia, a business acting as an intermediary for securities and commodities transactions, earning income through commissions.  He served in the Pennsylvania legislature in 1827, advocated for public schools, was a canal commissioner, and was appointed by President Andrew Jackson to direct the U.S. Bank and Mint.  Appointed mayor in 1829 and elected in 1830-31, wealthy merchant Stephen Girard died during his term. Richards helped found the Girard Trust Company in 1835, serving as its president until his death, with the bank later becoming Girard Bank. When Richards toured Europe, he was inspired by Paris's Père Lachaise Cemetery, and helped found Philadelphia's Laurel Hill Cemetery, where he was a major stakeholder.

This week on The Golden Era Podcast, Jake and Joey relive the WWE Women's Division from the week of October 31, 2005, a wild stretch of Ruthless Aggression Era chaos leading into Taboo Tuesday!

Cheerleading at Augusta University is more than high-energy performances — it's about building community, showcasing student success and igniting Jaguar pride. In this episode, we introduce listeners to new cheer coach Amanda Fields, who shares her vision for the program and how it supports student development. Then, we hear directly from AU cheerleaders about their experiences, balancing academics with athletics and what school spirit means to them. Together, they highlight how cheer embodies AU's values of teamwork, leadership, and community engagement.Learn more about the AU Cheerleading Team: https://augustajags.com/sports/cheerleading

In this episode, we dive into what it really takes to let go of feeling sorry for yourself — not by ignoring your emotions, but by reclaiming your power. You'll learn how to shift out of self pity, step into radical self support, and become your own biggest cheerleader. We explore why this shift is essential for attracting abundance, aligned opportunities, and anything you desire in this world. When you back yourself, believe in yourself, and stand with yourself, you amplify your energy — and the universe responds. If you're ready to break old patterns and rise into the version of you who receives more, this episode is for you.Ready to build the foundation of intuitive mastery? Join our free Access Your Intuition: Workshop | Here Join our early bird waitlist for Intuition Level One | HereSpecial Thank You Gift for ReviewsWe're so grateful for your reviews — they help this message reach the people who need it. As a thank you, we're offering a recorded energy healing + meditation for increasing self-love and success.How to claim:Write a review of the podcast on your favorite platform.Take a screenshot of your review.Email it to team@nickymoriarty.comWe'll reply with your personal download link to the energy healing + meditation.Questions or shares from the episode? Hit reply or email team@nickymoriarty.com — we're here for you.

Anna Kepner's Grandmother talks about the stepbrother and says he had "demons in his past". Who killed Anna? See omnystudio.com/listener for privacy information.

Notes and Links to Amber Sparks' Work   Amber Sparks is the author of the short story collections And I Do Not Forgive You and The Unfinished World. Her writing has appeared in The Paris Review, Granta, Slate, and elsewhere. She lives in Washington, D.C., with her husband, daughter, and cats. Happy People Don't Live Here was published in October 2025. Buy Happy People Don't Live Here   Amber's Website   Kirkus Reviews of Happy People Don't Live Here At about 1:20, Amber describes the “weird” time about a month after the book's publication, an in-between time At about 2:25, Amber talks about the feedback she has received since the book was published, including surprising thoughts shared about the child narrator and the “other” narrator, Alice At about 5:25, Amber talks about her influences growing up, including fantasy and writers like Dean Koontz  At about 7:40, Amber talks about her inclination to write a book featuring multiple genres, with the result being Happy People Don't Live Here  At about 9:20, Amber responds to Pete asking about plot and allegory and their balance At about 11:35, Amber shouts out Kelly Link, Rion Amicar-Scott, Stephen Graham-Jones, and Matt Bell as a few of many contemporary writers she loves At about 14:35, Amber and Pete discuss the book's resonant epigraphs, and Amber talks about her interest in ghosts  At about 18:00, Pete shouts out the classic story “Someone Has Been Disarranging these Roses” At about 19:15, Amber explains her chapters and the rationale in making the book “episodic” At about 20:50, The book's beginning and connections to real-life events is discussed  At about 24:35, The two discuss one of the book's main character, Fern At about 27:10, Pete compliments the book's setting, and Amber provides background for the place At about 30:00, the two discuss the book's inciting incident, a body discovered by Fern, and Amber expands on the ways she went about populating the book At about 35:40, some key characters are discussed, including a possible love interest for Alice At about 36:40, Amber responds to Pete's question about Alice's ex-husband as a sort of flat character-she calls him a “cipher” At about 40:10, Amber reflects on Alice's ways of avoiding the past and running from this past, and Amber shouts out William H. Macy in Magnolia At about 43:50, the two discuss the “banal” ghost At about 47:00, parent-child relationships are discussed At about 51:20, Pete asks Amber about writing in second-person, as she does for part of her book-shout out to Lorrie Moore! At about 55:40, Amber talks about exciting new projects  You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 313 with Jackie Domenus, a queer writer from South Jersey and the author of NO OFFENSE: A MEMOIR IN ESSAYS (2025), published with ELJ Editions. A 2021 Tin House Winter Workshop graduate, Jackie's essays have appeared in The HuffPost, The Offing Mag, The Normal School, Pidgeonholes, Foglifter Journal, Variant Lit, Entropy, and many more. Their poetry has appeared in Hooligan Mag and Giving Room Mag. Her short story “Mirror Image” published in So To Speak, as well as her essay “Two Truths and a Lie” published in Identity Theory, were both nominated for a Pushcart Prize. The episode airs on December 2. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Why do some teams prioritize size over skill and how does that impact your athlete's success? In this comeback episode, we unpack the real-life challenges and heart shifts behind the scenes of youth sports, from making tough family decisions to navigating team politics and understanding cheer gym strategy. If you're a cheer parent, coach, or athlete wondering why your kid's always in the back row or why team sizes seem bloated, this is the conversation you didn't know you needed. Discover the real reasons why gyms build teams of 22 instead of just the 8 strongest performers and how that affects competition strategy and athlete development. Hear an emotional, honest update on why one family stepped away from all-star cheer and what life looks like on the other side. Learn the truth about new divisions like “Flex,” how social media is impacting teen athletes, and why your child's placement may have nothing to do with talent. Press play now for a no-filter conversation that blends heartfelt updates with behind-the-curtain coaching insights you won't get anywhere else. Sign Up For Patreon- Early Access and Ad-Free Listening Buy the Jason's Book, Upside Down and Back Again ⁠ Jason's On-Demand Coaches Training Videos⁠⁠⁠⁠⁠⁠ ⁠⁠ ⁠⁠⁠⁠ Code of Points Cheatsheet FREE⁠ Next Gen Coaches Conference Promo Code "BLACKFRIDAY" - https://ngconferences.com/ AIA Global Qualifier- ca.themis.events Brittany's Comp Cheer Checklist- instagram.com/stories/highlights/18356656174188077 Jason's Book Recommendations- ⁠⁠⁠⁠Amazon Affiliate Link⁠⁠⁠⁠ ⁠⁠⁠⁠Follow Let's Talk Cheer on Instagram⁠⁠⁠⁠ Submit a Question of the Week ⁠⁠ You can support this podcast by making donations here⁠⁠⁠⁠ Other great cheerleading podcast to check out- The Cheer Biz Podcast, The Cheer Mom Podcast, Spill the Cheer, Mat Talk Table Talk, Cheer Chats Podcast, MotUS Edge Podcast, The Cheer Dad Podcast and the Here 4 Cheer Podcast Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Notes and Links to Kurt Baumeister's Work   Kurt Baumeister's writing has appeared in Salon, Guernica, Electric Literature, Rain Taxi, The Brooklyn Rail, The Rumpus, Vol. 1 Brooklyn, The Nervous Breakdown, The Weeklings, and other outlets. An acquisitions editor with 7.13 Books, Baumeister holds an MFA in creative writing from Emerson College, and is a member of The National Book Critics Circle and The Authors Guild. Twilight of the Gods is his second novel. Buy Twilight of the Gods   Kurt's Website   Chicago Review of Books Interview Re: Twilight of the Gods  At about 2:45, Kurt talks about the book's original publication date falling around the 2024 elections At about 6:15, Kurt reflects on the vagaries of publishing, and interesting and complimentary feedback from readers on the book At about 11:30, Pete shares a wonderful quote about Kurt's writing, and Kurt discusses Martin Amis and other influences on his writing At about 15:45, The two discuss the book's “Dramatis Personae” to start the book and some tongue-in-cheek descriptions of some Norse gods At about 17:30, Kurt responds to Pete's questions about Loki's historical and mythical evolutions At about 20:30, Kurt reflects on metafiction and gives background on why he names a main character in the book “Kurt” At about 23:50, Kurt talks about media representations of Loki in connection to his own At about 25:30, Kurt describes why he makes Loki as he is  At about 28:20, Kurt gives background on the Norns, of which Sunshine/Sabrina from the book is a member At about 29:30, Pete compliments the ways the book traces human history, particularly with regard to Hitler's rise  At about 34:15, Kurt responds to Pete's question about mixing fiction and fact At about 37:00, Kurt talks about history repeating itself and connecting disparate eras  At about 39:55, Kurt responds to Pete's question about the subtleties and the nuances of the book, i.e, plot focus v. allegory focus At about 42:00, Kurt discusses his mindset in writing the ending(s) of the book At about 45:00, An intriguing question posed in the book about fate is probed At about 45:50, Pete cites the book's ending as highly successful, and Kurt shouts out a shared beloved movie, Training Day, with regard to slowly-creeping evil  At about 47:50, a “reverence and pity” for artists is discussed, as mentioned in the book   You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 312 with Amber Sparks, the author of the short story collections And I Do Not Forgive You and The Unfinished World. Her writing has appeared in The Paris Review, Granta, Slate, and elsewhere. Her book, Happy People Don't Live Here, was published in October 2025. The episode drops on November 25, today. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Attack of the Crab Monsters (1957), Terrorvision (1986), and Uninvited (1988). That's right, folks! It's Turkey Time again, and we are celebrating our 5th episode dedicated to those wonderous missteps in cinematic history. They aimed for the stars, but dropped like frozen turkey chucked off a building! But as we always say, the only bad movie is a boring one. And these films are definitely not boring. Because once the credits roll, if you've been entertained, then how could it be considered bad??? So sit back and enjoy this episode, where we discuss giant telepathic crabs, a ravenous space creature beamed in through a brand-new state-of-the-art satellite dish, and, finally, a story about an experiment gone horribly wrong that leaves a mutant creature living inside a cat that just happens to end up on a luxury yacht with some criminals and college kids. How could that not spell fun? Films mentioned in this episode: A*P*E* (1976), Attack of the Crab Monsters (1957), Better Off Dead (1985), Blood Freak (1972), CarousHELL (2016), Creatures from the Abyss aka Plankton (1984), Creepshow 2 (1987), Death Ship (1980), Dracula vs Frankenstein (1971), Dr. Caligari (1989), Dungeonmaster (1984), Feast (2005), Friday the 13th: The New Blood (1988), Fright Night (1985), Fright Night II (1988), From a Whisper to a Scream (1987), From Beyond (1986), The Giant Claw (1957), Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!? (1964), Inhumanwich! (2016), Just Before Dawn (1981), Kingdom of the Spiders (1977), Lady Frankenstein (1971), Little Shop of Horrors (1960), The Man with Two Brains (1983), Naked Gun (1988), Napoleon Dynamite (2004), Phantom of the Paradise (1974), Pit Stop (1969), Real Genius (1985), Re-Animator (1985), The Return (1980), Return of the Living Dead (1985), Robot Monster (1953), Running Scared (1986), Satan's Cheerleaders (1977), Satan's Sadists (1969), Sharknado (2013), Terrorvision (1986), Things (1989), The Undead (1957), Uninvited (1988), Videodrome (1983), Without Warning (1980)

Jane Seymour's floating accent, Bert Convey's terrible magazine management and hey, Julie's got man trouble again, even on land. Thanks for listening!Instagram - @LoveBoatProjectFacebook - The Love Boat ProjectEmail us - TheLoveBoatProject@gmail.comYouTube - The Love Boat Project

In this STS news update, we bring you the latest in the tragic story of 18 year old Anna Kepner who went on a cruise with her family and was found dead in her cabin under her bed.Support the show & be a part of #STSNation:Donate to STS' Trial Travel: Https://www.paypal.com/ncp/payment/GJ...VENMO: @STSPodcast or Https://www.venmo.com/stspodcastCheck out STS Merch: Https://www.bonfire.com/store/sts-store/Joel's Book: Https://amzn.to/48GwbLxSupport the show on Patreon: https://www.patreon.com/SurvivingTheSurvivorEmail: SurvivingTheSurvivor@gmail.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Notes and Links to Stephanie Elizondo Griest's Work *Content Warning: Please be aware that the book discusses sexual assault   Stephanie Elizondo Griest is a globetrotting author from the Texas/Mexico borderlands. Her six books include Around the Bloc: My Life in Moscow, Beijing, and Havana; Mexican Enough; All the Agents and Saints; and Art Above Everything: One Woman's Global Exploration of the Joys and Torments of a Creative Life. She has also written for the New York Times, Washington Post, VQR, The Believer, BBC, Orion, Lit Hub, and Oxford American. Her work has been supported by the Lannan Foundation, Henry Luce Foundation, Princeton University, and the Institute for Arts and Humanities, and she has won a Margolis Award, an International Latino Book Award, a PEN Southwest Book Award, and two Lowell Thomas Travel Journalism prizes. Currently Professor of Creative Nonfiction at the University of North Carolina-Chapel Hill, Elizondo Griest has performed in capacities ranging from a Moth storyteller to a literary ambassador for the U.S. State Department. Wanderlust has led her to 50 countries and 49 states. Her hardest journey was to Planet Cancer in 2017, but she's officially in remission now. She recently endowed Testimonios Fronterizos, a research grant for student journalists from the borderlands enrolled at her alma mater, the University of Texas at Austin's School of Journalism. Buy Art Above Everything   Stephanie's Website   Review of Art Above Everything in Southern Review At about 3:40 Stephanie expands on her creative background and family connections to music and language  At about 10:15, Stephanie talks about formative and transformative texts, including work by and her relationship with her “spiritual madrina,” Sandra Cisneros At about 11:30, Stephanie discusses similarities and differences in some Mexican Spanish and Tejano Spanish At about 13:30, Stephanie provides seeds for her book At about 16:50, The two discuss a dearth of publicity and respect for female travel writers, and generally females writing about art At about 18:15, Stephanie talks about the formative artist residency in 2014 in India, at Nrityagram  At about 20:30, Stephanie responds to Pete's question about Sheryl Oring's inspiration for Stephanie's creative life  At about 24:45, the two discuss “Art as Reconciliation” and Stephanie's experiences in Rwanda with therapeutic theater and hard and painful and moving conversations and reconciliations  At about 29:05, Pete and Stephanie discuss post-dictatorship and art done in response to the House of the People in Romania At about 34:20, Stephanie and Pete discuss similarities between female artists around the world, as seen in Stephanie's research and travels, regardless of economic status and country of origin; Stephanie cites “callings” at young ages At about 38:30, Wendy Whelan and her absolute “devotion” to art is discussed, as well as the ways in which domineering males have often abused and defamed artistic women At about 44:00, Bjork and Iceland's masterful director Vilborg Davíðsdóttir and “Art as Revenge” are discussed  At about 48:55, Stephanie talks about the process of writing so personally At about 50:45, “Art as Medicine” and Stephanie's journey with cancer and ideas of humor and sustenance are discussed, along with Stephanie being “revived” by sharing stories on a mini book tour At about 54:20, Havana Habibi and its resonance are discussed  At about 56:40, Sandra Cisneros as a “spiritual madrina” to Stephanie and so many others is discussed  At about 1:00:40, Stephanie expands on the “force” that is Mama Mihirangi and her connection to Maori and female liberation  At about 1:04:10, Ayana Evans and her performance and her subverting expectations of Black women are discussed, including the Loophole of Retreat At about 1:09:00, The two discuss “Art as Immoratality” and ideas of legacy and passing on creativity and art as so meaningful  At about 1:11:20, Stephanie reflects on the book's 10 year span and its meanings       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 311 with Kurt Baumeister, whose writing has appeared in Salon, Electric Literature, The Brooklyn Rail, The Rumpus, and other outlets. An acquisitions editor with 7.13 Books, Baumeister is a member of The National Book Critics Circle and The Authors Guild, and 2025's Twilight of the Gods is his second novel.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Send us a textIn today's episode, we're going to talk about one of the most powerful habits successful people have mastered — being your own cheerleader.Because let's face it — in this noisy, competitive world, not everyone will clap for you. Sometimes you'll have to create your own applause.Connect With Kapeel Guptaor Click on the link: http://bit.ly/4jlql8s

Carolina Panther Ex Transgender Cheerleader RAGES! Says he was FIRED from squad and Blames TRUMP!

Good Vibe Tribe: Let's Get the Holliston 12U Cheerleaders To Florida for Nationals!! full 340 Fri, 21 Nov 2025 12:17:31 +0000 kfZgWR9tNpCHSCnA2Yb5B8bu1yf9Trnw latest,wwbx,society & culture Karson & Kennedy latest,wwbx,society & culture Good Vibe Tribe: Let's Get the Holliston 12U Cheerleaders To Florida for Nationals!! Karson & Kennedy are honest and open about the most intimate details of their personal lives. The show is fast paced and will have you laughing until it hurts one minute and then wiping tears away from your eyes the next. Some of K&K’s most popular features are Can’t Beat Kennedy, What Did Barrett Say, and The Dirty on the 30! 2024 © 2021 Audacy, Inc. Society & Culture False https://

Let us hear from you! Click here to text us Feedback, Questions, Topic Suggestions or Guests you'd like us to interview on Sideline Rewind! Cheers!!!If you'd like to be a supporter of our show, please click on the link below!  https://www.buzzsprout.com/2273116/supportThe Pittsburgh Steelerettes only had Cheerleaders from 1961-1969 and Co-Hosts Rhonda, Anita and Jeanine had the pleasure of interviewing 2 amazing members, Norreen Mercer Modery and Barbara Kruse!  You won't wanna miss this highly entertaining episode with SO MANY laughs hearing their stories and everything that made them unique! Click on the link below to check out the Steelerettes Gallery:https://steelerettes.com/Link below for the FAB Sideline Rewind Playlist!!!https://music.apple.com/us/playlist/sideline-rewind/pl.u-gxblgG0Fo9M1KClick on the link below and scroll to the bottom to rate/review our podcast! https://podcasts.apple.com/us/podcast/sideline-rewind/id1723377110To purchase "Missing From The Sidelines", click on the link below:https://www.amazon.com/dp/1941478514?ref=nb_sb_ss_w_ab-ac-bia-qr_nk_11_17_kp2ap0&=&crid=EOHKN81RH0ZH&=&sprefix=missing+from+the+To register for the 2026 NFCAO reunion in 2026, click on the link below:https://www.nationalfootballcheerleadersalumni.com/events.htmlSOCIALS:https://www.instagram.com/sidelinerewind/https://www.youtube.com/@sidelinerewindhttps://www.tiktok.com/@sidelinerewind?_t=8mU2fxptB2V&_r=1BRAND SPONSOR: THE POM PONYNo more crushed on lost poms - Pom Pony keeps your Poms looking great when traveling or storing so you look AMAZING during performance!  Get yours today and enter code SIDELINEREWIND https://thepompony.com/WEBSITE:https://www.sidelinerewind.com/Support the show

While a back-spasm-stricken Boomer laments top NBA/NHL stars "half-assing it," they discuss how boring the regular NBA season gets. Jerry returns with a wild update: Kay Adams' baby fox wish connects directly to a habit of Phil Simms! We also tackle NFL quarterback drama, as Tyrod Taylor discusses his starting nod with Justin Fields, and Jalen Hurts fires back at reports of team frustration. Finally, Bill Belichick was at a cheerleading competition!

A woman in Colorado tried out for the Denver Broncos Cheerleaders at 64….to spice up her obituary. STORY: https://www.wdjx.com/a-woman-tried-out-for-the-denver-broncos-cheerleaders-at-64-for-an-obituary-story/

Let us hear from you! Click here to text us Feedback, Questions, Topic Suggestions or Guests you'd like us to interview on Sideline Rewind! Cheers!!!Co-Hosts Rhonda, Anita and Jeanine had the pleasure of interviewing former San Fransisco 49ers Cheerleader, Dr. Kayla Shabre!  Learn about her Super Bowl experience, her professional dance experience and her private therapy practice, Sow & Flow Therapy, specializing in eating disorders, sports psychology and general mental health!  She's also the proud the owner of Sassy Hip Hop with Shabre, choreographing for NFL, NBA and more!!  https://www.sowandflowtherapy.com/https://www.sassyhiphopwithshabre.com/Link below for the FAB Sideline Rewind Playlist!!!https://music.apple.com/us/playlist/sideline-rewind/pl.u-gxblgG0Fo9M1KClick on the link below and scroll to the bottom to rate/review our podcast! https://podcasts.apple.com/us/podcast/sideline-rewind/id1723377110To register for the 2026 NFCAO reunion in 2026, click on the link below:https://www.nationalfootballcheerleadersalumni.com/events.htmlSOCIALS:https://www.instagram.com/sidelinerewind/https://www.youtube.com/@sidelinerewindhttps://www.tiktok.com/@sidelinerewind?_t=8mU2fxptB2V&_r=1BRAND SPONSOR: THE POM PONYNo more crushed on lost poms - Pom Pony keeps your Poms looking great when traveling or storing so you look AMAZING during performance!  Get yours today and enter code SIDELINEREWIND https://thepompony.com/WEBSITE:https://www.sidelinerewind.com/Support the show

The FBI is eyeing a relative in the case of Anna Kepner; a Florida cheerleader who mysteriously died while on a Carnival cruise ship with her family. Singer D4vd FINALLY named a suspect in the death of a teen whose rotting body was found in his Tesla trunk. Plus, a woman's out of this world accusation, backfires. Jennifer Gould reports. See omnystudio.com/listener for privacy information.

Day 1,363.Today, after a 17-year-old girl was killed and 9 others injured in an overnight Russian missile attack in Kharkiv Oblast, we return to the dire situation in Pokrovsk, before asking why Vladimir Putin is targeting his own war cheerleaders in his latest clampdown. Then we look at the First World War medical condition being reported on the frontlines in Ukraine, and hear from an American serving in the Ukrainian army.ContributorsFrancis Dearnley (Executive Editor for Audio). @FrancisDearnley on X.Dominic Nicholls (Associate Editor of Defence). @DomNicholls on X.Verity Bowman (Journalist). @VerityBowman on X.Hamish de Bretton-Gordon (Chemical Weapons Expert and former Tank Commander). @hamishdbg on x.SIGN UP TO THE ‘UKRAINE: THE LATEST' WEEKLY NEWSLETTER:http://telegraph.co.uk/ukrainenewsletter Each week, Dom Nicholls and Francis Dearnley answer your questions, provide recommended reading, and give exclusive analysis and behind-the-scenes insights – plus maps of the frontlines and diagrams of weapons to complement our daily reporting. It's free for everyone, including non-subscribers.CONTENT REFERENCED:Gas gangrene returns to Ukraine in echoes of First World War trench warfare (Verity in The Telegraph):https://www.telegraph.co.uk/global-health/terror-and-security/gas-gangrene-ukraine-war-russia-trenches-europe/ ‘Coffin on wheels' saves wounded Ukrainian soldier from no-man's land (Verity in The Telegraph):https://www.telegraph.co.uk/world-news/2025/11/17/robot-coffin-on-wheels-saves-ukrainian-soldier-trapped/ Russia suspected of blowing up Polish railway line (The Telegraph):https://www.telegraph.co.uk/world-news/2025/11/17/russia-suspected-of-blowing-up-polish-railway-line-ukraine/ Putin goes after his own war cheerleaders (The Telegraph):https://www.telegraph.co.uk/world-news/2025/11/16/putin-goes-after-his-own-war-cheerleaders/ Putin is eating his own supporters. This is how dictators fall (Hamish in The Telegraph):https://www.telegraph.co.uk/news/2025/11/17/putin-z-bloggers-suppression-supporters-russia-war-ukraine/ Key government representatives advise Zelensky to release Yermak (Ukrainian Pravda):https://www.pravda.com.ua/news/2025/11/18/8007753/ EU eyes €90 Billion Ukraine grant (Bloomberg):https://www.bloomberg.com/news/articles/2025-11-17/eu-pitches-90-billion-ukraine-grant-if-russian-asset-loan-fails Construction Accelerates at Planned Russian Navy Base (Bellingcat):https://www.bellingcat.com/news/uk-and-europe/2024/07/30/construction-accelerates-at-planned-russian-navy-base-in-disputed-abkhazia/LISTEN TO THIS PODCAST IN NEW LANGUAGES:The Telegraph has launched translated versions of Ukraine: The Latest in Ukrainian and Russian, making its reporting accessible to audiences on both sides of the battle lines and across the wider region, including Central Asia and the Caucasus. Just search Україна: Останні Новини (Ukr) and Украина: Последние Новости (Ru) on your on your preferred podcast app to find them. Listen here: https://linktr.ee/ukrainethelatestSubscribe: telegraph.co.uk/ukrainethelatestEmail: ukrainepod@telegraph.co.uk Hosted on Acast. See acast.com/privacy for more information.

Notes and Links to Kaila Yu's Work       Kaila Yu is a singer, songwriter, former model, and freelance journalist for Rolling Stone, CNN, Glamour, and more.    She was formerly the lead singer for the all-Asian-American, female rock band Nylon Pink. Yu is also one of the founders of the jewelry/fashion line "Hello Drama" which is affiliated with the Nylon Pink band and style. Buy Fetishized: A Reckoning With Yellow Fever, Feminism, and Beauty   Kaila's Instagram   Review of Fetishized for The New York Times   At about 1:10, Kaila responds to Pete's questions about feedback she has gotten on the book, and how she sees the book now, post-publication  At about 3:15, Pete asks Kaila to share background information on her reading and language life At about 4:45, Kaila talks about how writing as a profession developed and shouts out Minor Feelings by Cathy Park Hong and Melissa Febos and Roxane Gay's greatness At about 7:05, Kaila talks about the catalysts for her writing her book, largely around the beginning of the Covid pandemic At about 10:20, Kaila talks about distinctions, or lack thereof, between “fetish” and preference  At about 11:45, Kaila and Pete discuss the book's opening and hurtful and harmful comments towards Kaila, some in recent years  At about 13:20, Kaila reflects on “mainstreamed objectification” and an observation from the book that “objectification was better than invisibility” At about 16:35, the two discuss halting attempts at Asian representation in the 90s and early 2000s At about 18:10, Kaila discusses the evolution of Asian and Asian-American stars and their ability to “make their own lane” At about 19:05, Kaila talks about ideas of personal “diminish[ment]” growing up in comparison to media portrayals  At about 20:30, Kaila responds to Pete's questions about the effects of Memoirs of a Geisha and perpetuation of harmful tropes At about 22:30, more examples of problematic representation of Asian women in pop culture and in Kaila's schooling are discussed At about 23:00, Kaila talks about the evolution of “ABGs” At about 25:30, Kaila talks about the “groundbreaking” Joy Luck Club and also ways that it could have been better in minimizing stereotypes At about 26:30, Kaila gives background on the start of her pinup model, as well as how rife the industry is with sexualization and sexual crimes At about 27:45, Kaila gives background on a contemporary San Diego “modeling gig” agency that led to sexual crimes, showing how her experience was sadly not unique  At about 30:05, Kaila responds to Pete's question about online and in-person hateful and misogynistic comments and how she and bandmates  At about 31:50, Kaila talks about she didn't connect at the time, but does now, about how she dealt with traumas  At about 33:00, Shoutout to Allen Carr and his anti-smoking books At about 33:45, Pete asks Kaila about the pitfalls of fame, and her ceaseless battle to remove a defamatory video At about 35:35, Kaila talks about ideas of a "separation" and the impetus for her name change At about 36:40, The two discuss ideas of interchangeability and the history of blepharoplasty At about 38:50, Afong Moy and other exoticism and inhumane conditions for Asian women are discussed, and how this led to a sexualization of these women  At about 41:15, Kaila and Pete discuss some acting and entertainment highlights and struggles; included is some reminiscing about MySpace! At about 43:50, Kaila responds to Pete's questions about the end of her music career and performing in multiple ways At about 45:15, Kaila talks about recent iterations of KPop and patriarchal and feminism in more current music  At about 46:55, Kaila reflects on positive feedback and the legacy involving Nylon Pink At about 47:10, Kaila talks Guns n Roses and “classic” songs and concerts At about 49:15, Kaila forecasts what she will be writing about in the future       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 310 with Stephanie Elizondo Griest, a globetrotting author from the Texas/Mexico borderlands. Her six books include Around the Bloc: My Life in Moscow, Beijing, and Havana; Mexican Enough; All the Agents and Saints; and Art Above Everything: One Woman's Global Exploration of the Joys and Torments of a Creative Life. The latter will be the main conversation piece. This episode airs on November 20. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.  

In this episode of the Blonde Highlights Podcast, hosts Kris Yeo & Kyle Hennessy interviews dancer Dayton Bramhall, who shares her journey from childhood dance classes to auditioning for the Dallas Cowboys Cheerleaders (DCC) on the Netflix show America's Sweethearts. Dayton discusses her experiences with family expectations, the pressures of auditions, and her personal growth through resilience. She also reflects on her passion for teaching dance to young students and her aspirations to move to London to pursue a career in musical theater. The conversation highlights the importance of following one's own path and the lessons learned from both success and rejection.Follow Dayton on IG @daytonbramhall & TikTok @daytonrae_TakeawaysDayton has been dancing since she was three years old.She initially resisted the idea of auditioning for DCC due to family expectations.The pressure of auditions can be overwhelming, but it's important to focus on personal growth.Dayton found relief in stepping away from DCC to explore other opportunities.Teaching dance has become a passion for Dayton, allowing her to mentor young dancers.She believes in the importance of resilience and adapting to new paths.Dayton aspires to move to London and pursue a career in musical theater.The experience of being on a reality show can be challenging but also enlightening.It's crucial to prioritize one's own desires over family expectations.Dayton encourages listeners to embrace their individuality and pursue their dreams.

Ho! Hey! Now that we narrowed the list of 2010s one-hit wonders to 32 on the last episode (and we Feel It Still), we're ready to Shut Up and Dance so we can finish the tournament before Friday. No song is Safe and Sound as some of the match-ups are just Too Close to call. Joel, Kent, and Zack don't meant to be Rude, but we can't take things Despacito, and sometimes that makes us get a little Tongue Tied. Please be our Cheerleader as we reveal the stench of Glee, start the occasional Fight (Song), and expose which Baconsale host secretly loves a Stolen Dance to stomp clap music.   What Does the Fox Say? It says to grab your Pumped Up Kicks and press play.   If you doo-doo doo-doo doo-doo want to download the advanced bracket, visit Baconsale.com.

Notes and Links to Jeff Pearlman's Work     Jeff Pearlman is the New York Times bestselling author of ten books. His subjects include the '80s Los Angeles Lakers (Show­time), the 1986 New York Mets (The Bad Guys Won), the '90s Dallas Cowboys (Boys Will Be Boys), and NFL legends Walter Pay­ton (Sweetness) and Brett Favre (Gunslinger). HBO adapted Showtime into the dramatic series Winning Time, produced and directed by Adam McKay. A former Sports Illus­trated senior writer and ESPN.com colum­nist, Pearlman is the host of the Two Writers Slinging Yang podcast and blogs regularly at jeffpearlman.com. Buy Only God Can Judge Me: The Many Lives of Tupac Shakur   Jeff's Website   NPR Coverage of Only God Can Judge Me: The Many Lives of Tupac Shakur At about 3:15, Jeff talks about writing against hagiography and how he doesn't “bring bias” into his writing, whether about Tupac or sports At about 5:25, Pete compliments the structure of the book, as it examines each of the places that shaped Tupac's life At about 5:55, Rapid-fire questions! *Best Tupac collab? Best movie role? At about 8:45, A beautiful shout-out to friend Curtis Dorsey and Jeff's dad, Stan At about 10:20, Jeff shouts out some favorite lines from Tupac's songs At about 10:50, Pete and Jeff discuss Tupac's “layering songs” and wondrous laugh  At about 12:55, Jeff responds to Pete's question about Jeff's “in”/entry point for writing about someone who has been written about so much  At about 15:45, Jeff expands on writing his biography of Tupac as a type of "layering" and the importance of specificity   At about 17:00, Jeff talks about how interviewing 652 people for his Tupac book is actually something that “[he] is supposed to do” At about 19:55, Jeff reflects a bit on book promotion and book release  At about 21:25, Jeff shouts out Dusty Baker as “maybe the coolest human being who's ever walked the planet” At about 22:20, Pete asks Jeff about Set Shakur's quote that Tupac died “alone”; Jeff reflects on the “isolation” of fame  At about 24:00, Jeff talks about Suge Knight and his indifference and his intriguing story At about 25:45, Jeff talks about Tupac's connection or lack thereof to the Mob Piru gang  At about 26:45, Pete gives an incomplete and rambling answer to the best Tupac song At about 28:10, Davonn Hodge and his mother reuniting due to great work by Jeff Pearlman and Michelle Soulli is discussed, as Jeff gives the background on the reunification  At about 30:20, Jeff gives background on Afeni Shakur's hometown, Lumberton, NC, and he gives a shoutout to Howard Bryant's book on Ricky Henderson At about 31:30, Jeff recounts a story about going to Lumberton to use the microfiche, but wound up seeing Tupac's grave At about 32:10, Jeff gives background on Afeni Shakur's amazing life and highlights her accomplishments and travails  At about 33:30, Jeff and Pete discuss “Dear Mama” as aspirational and the sadness of Afeni's substance abuse and how Tupac dealt with this horrible disappointment and “trauma” At about 35:15, Jeff talks in awe of Afeni's defending herself in the “Panther 21” trial At about 36:20, Jeff discusses Tupac's name origins At about 37:45, Jeff responds to Pete's question about Tupac's dad Billy Garland and male role models At about 39:40, The two discuss horrible athletic performances in movies and Tupac's unfortunate basketball shooting motion At about 41:00, Jeff gives some background on Tupac's birth name At about 41:40, Jeff talks about the impression that New York made on Tupac, musically and personally At about 43:00, The two discuss Tupac's time in Baltimore and at the Baltimore School for the Arts, and Tupac as an actor and singer; Jeff calls Baltimore his “favorite Tupac era” At about 45:10, The two talk about Tupac's Baltimore time and struggles and how “shapeshifter” didn't quite fit him At about 47:10, Jeff traces the Shakurs' move to Marin City and connections to Geronimo Pratt and his family At about 48:15, Jeff shares a profound statement from Set Shakur about moving vs. “relocating” At about 48:50, Jeff talks about Marin City and recreating the Marin City of when Tupac lived there  At about 50:50, Jeff expands on similarities between Tupac's time in the creative worlds of performing arts high schools in Baltimore and Marin City/ and his mother's downward spiral At about 51:55, The two discuss the significance of Marin City's Festival on the Green 1992 and further reporting on the tragedy as a “turning point” At about 55:50, Jeff responds to Pete's observation about Tupac's first albums not being highly-received and focuses on the changes that led to his second album being disappointing for Tupac At about 57:20, Jeff traces an almost parallel life for Tupac as a revolutionary leader in Atlanta At about 58:45, Jeff talks about the awkward time with Tupac working to become a community leader  At about 1:00:20, Jeff responds to Pete's question about the reactions from people who were wowed by Tupac's raps in person At about 1:03:00, Jeff shares what he learned in his interviews about Tupac the actor At about 1:06:00, Jeff shares his thoughts on the alleged second sexual assault by Tupac At about 1:08:15, Pete and Jeff discuss the “fan[ning] of the hip hop media/media and Tupac's  At about 1:09:35, Pete compliments the skillful ways in which the last hours and days (the “banal”) were rendered in the way  At about 1:11:10, Pete asks Jeff about how much Death Row changed Tupac/brought out tendencies in him At about 1:12:55, Jeff shares information from the book on two or three parallel universes where Tupac almost avoided being in Las Vegas   At about 1:13:55, Jeff reflects on Tupac as a 54 year old      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 309 with Amber Sparks, the author of the short story collections And I Do Not Forgive You and The Unfinished World. Her writing has appeared in The Paris Review, Granta, Slate, and elsewhere. Her book Happy People Don't Live Here was published in October 2025.    The episode drops on November 18.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

What does it look like to stay true to your faith when the world is watching? This week on Stay True Podcast, Madi sits down with Reece Weaver, Dallas Cowboys Cheerleader and featured on Netflix's America's Sweethearts, for a raw and powerful conversation about what it really looks like to follow Jesus in the spotlight. In this episode, Reece opens up about what it's really like to live out her faith in one of the most visible and secular spaces in entertainment and how she's learned to anchor her worth in who God says she is. Together, she and Madi talk about finding true confidence that isn't built on appearance or performance, what it's like to represent Jesus on a global stage, and how to stay faithful when culture pulls you in every direction. Always stay you and stay true! Questions/topics discussed and answered: • How do I overcome body image insecurity? • What does it look like to stay true in a secular or high-pressure environment? • How do you stay confident when you feel misunderstood for your faith? • What was it really like filming a Netflix show as a believer? • How can we live for an audience of One when everyone's watching? AND SO MUCH MORE!   Helpful Resources: Dare To Be True: Defeat The Lies That Bind You and Live Out The Truth That Frees You by Madison Prewett Troutt: https://a.co/d/gdfpHX5 Stay True Website: https://www.staytruepodcast.com Stay True Merch: https://www.staytruepodcast.com/merch Seven Weeks Coffee: Save up to 25% with promo code 'STAYTRUE' at https://sevenweekscoffee.com/StayTrue Nimi Skincare: Use code MADI10 for 10% off at NimiSkincare.com Wonder: Watch House of David Season 2 on Wonder today with your 7 day free trial! Go to https://www.amazon.com/gp/video/channel/e9c0c116-b9fc-5644-b028-8683ebbe643b/ref=atv_hm_add_c_dG5XXv... BEAM: Just visit shopbeam.com/STAYTRUE and use code STAYTRUE at checkout for up to 50% off. Regain: This episode is sponsored by Regain Couples Therapy powered by BetterHelp. Give online therapy a try at regain.com/STAYTRUEPOD and get on your way to being your best self.   Connect with Stay True!

Minnesota Vikings Gay Male Cheerleader DESTROYED after SHOCKING dance video with Female Cheerleaders

In this week's Ag Tribes Report, Vance Crowe is joined by entrepreneur, farmer, and Iowa Corn Growers director Elliot Henderson for a fast-moving breakdown of four big stories shaping agriculture. They react to USDA Secretary Brooke Rollins' media blitz and her tightly messaged take on trade, cattle, and screw worm—praising her talent while questioning how much of it reflects independent ag thinking. They unpack California's Prop 50 and what partisan redistricting could mean for rural voices in the nation's top ag state. They also look at the viral Danish claims linking cow deaths to the mandatory Bovear methane-reducing additive and the broader US–EU cultural and monetary incentives behind climate policy. Rounding out the news, they examine NYC's push for city-run grocery stores, the economic fear driving urban support, and the parallels Elliot sees for ag if subsidies and policy continue to distort markets. Then they run the Bitcoin Land Price Report (with land softening to ~$12.5K/acre in NE Iowa) and debate Bitcoin vs. land as a store of value. In the Peter Thiel Paradox, Elliot challenges ag's reliance on transfer payments, H-2A tweaks, and policies that wall off opportunity for new entrants—arguing for reform even when beneficiaries resist. For Worthy Adversary, he respects but disputes commentator Damian Mason's stance on property tax and policy incentives, warning that today's preferential treatments risk entrenching an aristocracy over working producers. They close with how to get involved in Iowa Corn, an invite to check out Elliot's Rush Hour Ag podcast, and a reminder to rate and review the show—plus a quick note on why Vance Crowe would trade Bitcoin for land when the numbers make sense.To support the show and buy Bitcoin use the link: https://river.com/invite?r=OAB5SKTP

   You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 308 with Jeff Pearlman, the New York Times bestselling author of ten books. His subjects include the '80s Los Angeles Lakers (Show­time), the 1986 New York Mets (The Bad Guys Won), the '90s Dallas Cowboys (Boys Will Be Boys), and NFL legends Walter Pay­ton (Sweetness) and Brett Favre (Gunslinger). HBO adapted Showtime into the dramatic series Winning Time, produced and directed by Adam McKay. A former Sports Illus­trated senior writer and ESPN.com colum­nist, Pearlman is the host of the Two Writers Slinging Yang podcast. His latest is Only God Can Judge Me: The Many Lives of Tupac Shakur.    The episode drops on November 11.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Notes and Links to Shea Serrano's Work         Shea Serrano is an American author, journalist, humorist, and former teacher. He is best known for his work with the sports and pop culture websites, The Ringer and Grantland, as well as his books, including The Rap Year Book, Basketball and Movies, all of which were The New York Times best-sellers. Buy Expensive Basketball   Shea Serrano's Wikipedia Page   Expensive Basketball Review and Interview for San Antonio Express   At about 2:00, Shea notes his accomplishments involving having multiple bestsellers as a Mexican-American writer At about 3:30, Pete remarks on the intensive research process that Shea undertook for this book and notes a possible “typo” At about 5:15, Shea responds to Pete's question about which writers inspired him as a kid, and Shea transitions into talking about writing as an untapped career  At about 6:30, Shea gives background on how Chuck Klosterman's work amazed him and inspired him to become a writer, as well as how Bill Simmons' work proved aspirational for Shea At about 8:45, Shea responds to Pete's question about what texts his middle-school students enjoyed, and he details some interesting lessons and points and connections he would teach, and Pete is surprised to learn that Shea taught science At about 10:40, Shea makes an interesting point about why he decided to teach science At about 11:35, Shea highlights his journey in knowing and working with Bill Simmons At about 13:35, Shea expands on the definition of the book's title, Expensive Basketball At about 16:00, Shea details the chapter in the book about Tim Duncan At about 18:20, Shea talks about his chapter on Kobe Bryant and being “overcome with emotion” during Kobe's last game At about 22:10, more about “Timmy” and all that could have been with the 2010s Oklahoma Thunder At about 23:20, Shea expands on “the coolest basketball player in the world” in Allen Iverson At about 26:05, Pete wonders about Sue Bird's staying power, and Shea expands upon being drawn to the WNBA through the dynamic 2018 Playoffs At about 28:25, Pete and Shea discuss different types of trash talk and trash talk preferences At about 30:00, Shea waxes poetic about the “before” and “after” for Ajá Wilson   At about 34:45, the two discuss why and why not for Vince Carter's dunk on Frederic Weis as the greatest dunk ever At about 36:05, Shea names his best dunk of all-time At about 36:40, Pete highlights a great dunk from Michael Jordan At about 37:30, the two stan Reggie Miller-both as a broadcaster and a player At about 40:00, Steph Curry's “beautiful” shot is discussed, as well as his possible sunset as a beautiful player At about 41:30, Shea traces the incredible ending of the 2024 Olympics Basketball gold medal game and Curry's   At about 43:35, Shea discusses the pain and pleasure of the book's “Grail and Ghost Stories”  At about 44:35, Pete highlights the “Miscellaneous” chapter in the book, and Pete and Shea lament the horrors of Robert Horry's dagger  At about 46:55, Pete complains about Jason Williams, despite his  At about 47:45, Shea responds to Pete's questions about how to properly write about Shaq and his dominance, highlighting the ways in which even the greats talked about their awe of Shaq At about 51:25, The two discuss connections between the 1993 Charlotte Hornets and Steve Urkel, as well as the chapter about this team and its resonance  At about 54:00, The two reflect on the singlemindness of the greatest of the great At about 55:10, Pete hits Shea with some rapid-fire questions, and Shea responds with the “0.4 Seconds Game,” Derek Fisher hate, a controversial take on Drake's “Forever,” “off-the-wall bars,” the best concerts he's ever been to, and “Remember[ing] Some Guys”      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 307 with Nicole Cuffy, the author of Dances, longlisted for the PEN/Hemingway Award for Debut Novel. Her chapbook, Atlas of the Body, won the Chautauqua Janus Prize and was a finalist for the Black River Chapbook Competition. Her 2025 critically-acclaimed novel is O Sinners!    The episode is out today, October 28.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

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This video answers the question: Can I analyze the case of Laken Snelling? Support Dr. Grande on Patreon: ⁠⁠https://www.patreon.com/drgrande⁠⁠⁠⁠⁠⁠⁠⁠⁠ Dr. Grande's book Harm Reduction: ⁠⁠https://www.amazon.com/Harm-Reduction-Todd-Grande-PhD/dp/1950057313⁠⁠⁠⁠⁠⁠⁠⁠⁠ Dr. Grande's book Psychology of Notorious Serial Killers: ⁠⁠https://www.amazon.com/Psychology-Notorious-Serial-Killers-Intersection/dp/1950057259⁠⁠ Check out Dr. Grande's merchandise ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://teespring.com/stores/dr-grandes-store⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textThe littlest narco visits his home town and is roped into a babysitting gig. Meanwhile, the local sheriff, after receiving a piece of evidence in the mail, falls into an increasingly desperate scavenger hunt involving a trio of offensive radio personalities. On Episode 691 of Trick or Treat Radio we discuss the throwback horror flick Night of the Reaper from director Brandon Christensen! We also talk about what made 80s horror special, reminisce about the early days of video game consoles, and do a live trailer reaction for the upcoming Sam Raimi directed film Send Help! So grab your VHS camcorder, try not to be an asshole and pull a Hedgehog out of its hole, and strap on for the world's most dangerous podcast!Stuff we talk about: Guillermo del Toro, Frankenstein, Creature From the Black Lagoon, The Shape of Water, The Phantom of the Opera, Double Dose of Degenerates, Darby Allin, Jon Moxley, AEW, Deltron 3030, Virus, dystopian hip hop, Drugs Schmugs Who Needs ‘Em, Necronomicon Championship Wrestling, Psycho Patrick, Astroboy, The Vampire Lovers, Lady Frankenstein, Halloween 3: Season of the Witch, The Sender, Bats, Messenger, The Witch's Sabbath, Forget Me Not, Paranormal Activity, Restricted Area, Tone Deaf, The Empty Man, The Littlest Vampire, Jonathan Lipnicki, Dark Places, Blood Orgy of the Damned, The Whistler, Dead on Sight, Flight 666, Suzanne Snyder, Weird Science, Judy Aaronson, Jeff Goldblum, Shrunken Heads, Trick or Treats, Popcorn, Amityville 3D, Christopher Lloyd, The Littlest Narco, Tobe Hooper, Lifeforce, Revenge of the Cheerleaders, Nightbreed, UHF, Oldsmobile Delta 88, Larry Drake, Mike P. Nelson, Joe Begos, Christmas Bloody Christmas, Silent Night Deadly Night, Demonic Toys, RIP Ollie, Night of the Reaper, Brandon Christensen, Clown in the Cornfield, throwback 80s horror, “what's less than Tubi?”, Jim Cornette, A Nightmare on Elm St., Atari 2600, Centipede, Atari 5400, Atari 7800, Genesis, Robbie the Robot, Paco Plaza, REC, V/H/S/Halloween, Smallville, RIP Ace Frehley, and Punxsutawney Kill.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Notes and Links to Myriam Gurba's Work       Myriam Gurba is a writer and activist. Her first book, the short story collection Dahlia Season, won the Edmund White Award for Debut Fiction. O, the Oprah Magazine ranked her true-crime memoir Mean as one of the “Best LGBTQ Books of All Time.” Her recent essay collection Creep: Accusations and Confessions was a finalist for a National Book Critics Circle award for Criticism, and won the Lambda Literary Award for Bisexual Nonfiction. She has written for the New York Times, Los Angeles Times, Harper's Bazaar, Vox, and Paris Review. Her next book, Poppy State: A Labyrinth of Plants and a Story of Beginnings, published by Timber Press, is out today, October 21. Buy Poppy State: A Labyrinth of Plants and a Story of Beginnings   Myriam's Website   Los Angeles Daily News Review of Poppy State: A Labyrinth of Plants and a Story of Beginnings At about 1:50, Myriam discusses her mindset as the book is to be published, and she shares early feedback and reviews At about 4:05, Myriam talks about being inspired a bit by Borges' short story collection, Labyrinths, and more so from mythologies for Mesoamerica and the Minotaur At about 5:20, Myriam defines an important term At about 6:30, Myriam talks about writing from the perspective of a child and connections to The Secret Garden At about 8:30, “halycon” talk! At about 9:20, Myriam talks about the book's epigraph/opening saying, which comes from Myriam's grandfather Ricardo Serrano Ríos, as well as an early message/challenge to the reader At about 12:30, Myriam responds to Pete's questions about the differences between carefree childhoods and an encroaching world of homes and development, and nature being pushed aside At about 14:55, Myriam provides background on the book's main locale, Santa Maria, and its changes in her lifetime At about 15:45, The two talk about “claiming” of land and “renaming” and its connection to colonization  At about 18:20, Myriam discusses "indigeneity imposed from outside” in relation to a profound quote Pete notes from the book At about 20:20, Myriam talks about Western terms and ideas that make it difficult to describe and document Chumash and other indigenous contemporary life and geographical boundaries  At about 22:15, Myriam shares the story from the book about Deborah Miranda and a young child's shocked realization  At about 24:15, Pete notes some great puns, and Myriam expands on multiple meanings of “hoja” and connections between literacy and botany and the At about 26:05, Myriam talks about her use of The Santa Maria Times and its archive in building a history of the “settler town through the perspective of settlers”  At about 28:00, Myriam highlights Santa Maria-born Ida Mae Bochmann as an example of a certain time of progressive and colonizing woman  At about 30:20, Myriam reflect on the “communal garden” that was pre-European California At about 32:00, Pete and Myriam discuss the importance of paper and indigenous practices and priorities  At about 35:10, Myriam responds to Pete's questions about how she balances the macro- and the micro-, the allegorical and literal At about 36:45, BARS At about 39:30, “allegorical memoir” and “botanical criticism” are two possible genres that Myriam imagines for her "kaleidoscopic" book; she also talks about her love of writing and solving puzzles At about 42:00, Corn talk! Myriam shares some frightening stories about encounters with Midwestern cornfields  At about 45:50, The two discuss a resonant homecoming scene  At about 47:10, Myriam reflects on how local travel and local appreciation inform her argument about “[our] homes hav[ing] multitudes” At about 48:45, The two discuss the humungous industry that is agriculture, and Myriam talks about focusing in on Santa Barbara County's strawberry industry At about 51:30, Myriam talks about the history of Japanese-American farmers dispossessed by the internment camps of World War II At about 53:45, Myriam makes salient points about catharsis, emphasizing its conditionality-she cites “conditional catharsis”-and chats about susto and “cleansing” At about 58:50, Myriam talks about “the ethos of the local” and recommends Octavia's Bookshelf and The Theodore Payne Society , and she also shares book tour events      You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!    This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place.    Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 306 with Shea Serrano, an American author, journalist, humorist, and former teacher. He is best known for his work with the sports and pop culture websites, The Ringer and Grantland, as well as his books, including The Rap Year Book, Basketball and Movies, all of which charted on The New York Times best-sellers list.      The episode drops on  Pub Day, October 28, the date the episode airs.    Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.

Lauren and Christy deep dive the 2024 Investigation Discovery documentary The Texas Cheerleader Murder Plot. Christy's research reveals multiple trials, SO many marriages, and some hard truths about children's sports! So grab a drink, put on some pjs, and join this duo for a true crime slumber party!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week Erin tells us all about her husband Alé's Paul McCartney VIP concert experience, and Bryan had some trouble offloading a ticket for the LA Philharmonic. Erin discusses the backlash to the two new gay male cheerleaders for the Minnesota Vikings squad and how their casting threatens toxic masculinity in the world of football. Bryan covers the horrifying prospect of the Supreme Court overturning a ban on conversion therapy on the basis of "free speech" and the harm it inflicts on queer youth in this country. For tickets to Bryan's Nov 3rd LA show click here. To subscribe to Erin's Substack click here. For this week's bonus episode visit patreon.com/attitudesSee omnystudio.com/listener for privacy information.