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2 episodes with Kindi
2 episodes with Kindi
2 episodes with Kindi
4 episodes with Kindi
3 episodes with Kindi
2 episodes with Kindi
2 episodes with Kindi
2 episodes with Kindi
On Thursday February 4th, 2021 - the Hermetic Hour with host Poke Runyon will present a discussion on the 9th century Arab treatise on Stellar Rays by the Baghdad sage Abu Yusuf Al-Kindi. This work had a considerable influence on Medieval astrology and magick. Its influence continues to this day in the New Age astrology of Alice Bailey and in the revival of Picatrix an astrological magick grimoire from the 9th century that al-Kindi's work influenced. So if you want to find out where the mysterious Seven Rays came from, tune in and we will return to Baghdad in the days of the Arabian Nights.
INSPIRASI SENJA - AL-KINDI -------------------------------------------------------------------------- Jangan lupa untuk menyusul kami di Media Sosial Radio Elshifa Subang: HOMEPAGE - https://elshifaradio.com FACEBOOK - https://facebook.com/elshifaradio INSTAGRAM - https://instagram.com/elshifaradio TWITTER - https://twitter.com/elshifaradio TELEGRAM - https://t.me/elshifaradio YOUTUBE - http://youtube.com/c/elshifaradio -------------------------------------------------------------------------- Aplikasi smartphone Android unduh di Google Play: http://bit.ly/elshifaradio_apps --- Support this podcast: https://podcasters.spotify.com/pod/show/elshifaradio/support
Living with The Righteous - Part 2 - The Repentance of Zadhan al-Kindi (r) 100% of your donations today goes towards the means of providing accessible Islamic knowledge to people around the world: supportqalam.com. Like us on Facebook: facebook.com/qalaminstitute Follow us on Twitter: twitter.com/qalaminstitute Follow us on Instagram: instagram.com/qalaminstitute Subscribe on Youtube: youtube.com/user/qalaminstitute
İ stanbul, büyüklüğü, konumu, tarihi ve asırlar süren merkezliği sebebiyle pek çok açıdan ülkenin odağıdır, kalbidir ama İstanbul'la yarışacak nice şehirler vardır. Dahası kasabalar. Kahramanmaraş için “şiirin başkenti” ifadesi hiç de abartılı bulunmaz. Uzun yıllar önce Andırın ilçesinde çıkmaya başlayan Andırın Postası gazetesi, bir edebiyat eki verme niyetine girer. Başarıyla da yürütülür. Tam anlamıyla edebiyat dergisi. Tam anlamıyla bir mektep. Bu dergi, bir kutlu vakitten alır adını: İkindi Yazıları. “Bizim yöremiz, sanat coşkusu, sanat birikimi bakımından verimli bir yöre. Bu yöre kökenli birçok şair ve yazar, bugün Türk Edebiyatı üzerinde etkin kişiler arasında. Onlarla, elbette onur duyuyoruz, göneniyoruz. Ancak, bir benzetme de değil amacımız. Amacımız; durağan bir sanat ortamını, (yöresel olma kompleks ve duygularından sıyrılmaya çalışarak) canlandırmak, yeşertmek.” İlk sayıda dergi imzasıyla verilen bu satırlar, çabaların boşa gitmeyeceğinin işareti. « Şaban Abak “İkindi Yazıları'nın yazar ve okurlarından
We continue our exploration of the Occult Sciences by taking a look at some of the earliest theories and practices surrounding astrology in the Islamicate World.Sources/Suggested Reading:Adamson, Peter & Richard C. Taylor (ed) (2004). "The Cambridge Companion to Arabic Philosophy". Cambridge University Press.Adamson, Peter & Peter E. Pormann (ed) (2012). "The Philosophical Works of al-Kindi". Oxford University Press.Melvin-Koushki, Matthew & Noah Gardner (2017). "Islamicate Occultism: New Perspectives". Brill.Saif, Liana (2015). "The Arabic Influences on Early Modern Occult Philosophy". Palgrave Macmillan.Saif, Liana; Francesca Leoni; Matthew Melvin-Koushki & Farouk Yahya (2021). "Islamicate Occult Sciences in Theory and Practice". Brill.Savage-Smith, Emily (ed.) (2004). "Magic & Divination in Early Islam". Ashgate Publishing.Van Bladel, Kevin (2009). "The Arabic Hermes: From Pagan Sage to Prophet of Science". Oxford University Press.#Astrology #Occultism #Esotericism Hosted on Acast. See acast.com/privacy for more information.
Sigurður Örn Stefánsson, prófessor í stærðfræði við Háskóla Íslands, fjallaði um rannsóknir sínar en slembinet eru meginviðfangsefni Sigurðar í rannsóknum innan líkindafræðanna. Slemdinet er meðal annars hægt að nota til að rannsaka útbreiðslu sjúkdóma og hættuna á faröldrum, en útbreiðslan byggist m.a. á tengingu milli einstaklinga. Kristján Sigurjónsson, ritstjóri Túrista, ræddi um áhrif eldgossins í Meradölum á komur ferðamanna hingað til lands í haust, kolefnisjöfnun flugfarþega Lufthansa, Tenerife og ánægju erlendra ferðamanna sem hingað koma. Tótla I. Sæmundsdóttir, fræðslustýra Samtakanna 78, fór síðan yfir helstu hugtök tengd kynhneigð og kynvitund en hugtökin eru mörg og mikilvægt að fræða fólk um þau þannig að það skilji um hvað felist í þeim. Tónlist: Hagavagninn - Haukur Heiðar Ingólfsson, Kúbanskur dans - Tómas R. Einarsson, You are my sister - Antony and the Johnsons, There is a light that never goes out - The Smiths, If I can Dream - Elvis Presley. Umsjón: Björn Þór Sigbjörnsson og Guðrún Hálfdánardóttir.
Sigurður Örn Stefánsson, prófessor í stærðfræði við Háskóla Íslands, fjallaði um rannsóknir sínar en slembinet eru meginviðfangsefni Sigurðar í rannsóknum innan líkindafræðanna. Slemdinet er meðal annars hægt að nota til að rannsaka útbreiðslu sjúkdóma og hættuna á faröldrum, en útbreiðslan byggist m.a. á tengingu milli einstaklinga. Kristján Sigurjónsson, ritstjóri Túrista, ræddi um áhrif eldgossins í Meradölum á komur ferðamanna hingað til lands í haust, kolefnisjöfnun flugfarþega Lufthansa, Tenerife og ánægju erlendra ferðamanna sem hingað koma. Tótla I. Sæmundsdóttir, fræðslustýra Samtakanna 78, fór síðan yfir helstu hugtök tengd kynhneigð og kynvitund en hugtökin eru mörg og mikilvægt að fræða fólk um þau þannig að það skilji um hvað felist í þeim. Tónlist: Hagavagninn - Haukur Heiðar Ingólfsson, Kúbanskur dans - Tómas R. Einarsson, You are my sister - Antony and the Johnsons, There is a light that never goes out - The Smiths, If I can Dream - Elvis Presley. Umsjón: Björn Þór Sigbjörnsson og Guðrún Hálfdánardóttir.
Sigurður Örn Stefánsson, prófessor í stærðfræði við Háskóla Íslands, fjallaði um rannsóknir sínar en slembinet eru meginviðfangsefni Sigurðar í rannsóknum innan líkindafræðanna. Slemdinet er meðal annars hægt að nota til að rannsaka útbreiðslu sjúkdóma og hættuna á faröldrum, en útbreiðslan byggist m.a. á tengingu milli einstaklinga. Kristján Sigurjónsson, ritstjóri Túrista, ræddi um áhrif eldgossins í Meradölum á komur ferðamanna hingað til lands í haust, kolefnisjöfnun flugfarþega Lufthansa, Tenerife og ánægju erlendra ferðamanna sem hingað koma. Tótla I. Sæmundsdóttir, fræðslustýra Samtakanna 78, fór síðan yfir helstu hugtök tengd kynhneigð og kynvitund en hugtökin eru mörg og mikilvægt að fræða fólk um þau þannig að það skilji um hvað felist í þeim. Tónlist: Hagavagninn - Haukur Heiðar Ingólfsson, Kúbanskur dans - Tómas R. Einarsson, You are my sister - Antony and the Johnsons, There is a light that never goes out - The Smiths, If I can Dream - Elvis Presley. Umsjón: Björn Þór Sigbjörnsson og Guðrún Hálfdánardóttir.
Dr. Ngao Motsei is a workplace bullying practitioner, scholar, coach, and thought leader. She is passionate about creating healthy, respectful, and bully-free environments as well as positive workplace cultures.She serves on the board of the International Association on Workplace Bullying and Harassment (IAWBH), a global membership organization of academics, researchers and practitioners in workplace bullying and harassment. Timestamps Bullying at the workplace, how did the journey begin for Ngao - 2:21A framework for bullyproof organization - 10:26Elements for creating a good work environment - 18:47Power of 3 - 30:24Leading with Courage - 43:38QuotesOrganizations take the shadow of the LeaderYou don't need permission to be KindI am because of you; you are because of me. We are interdependentGreat leaders know when to followLeadership is action, not positionConnect with Ngao: LinkedIn | Website | TwitterDo not miss to check out our new website and share your love https://inspiresomeonetoday.in/Subscribe, follow, and leave your comments to help me get better with my episodes. Available on all podcast platforms, including, Google Podcasts, Apple Podcasts, YouTube, Spotify, Stitcher, Castbox, RadioPublic, TuneIn, Gaana Jio Saavn, AudibleDo stay tuned for new episodes every alternate Friday. Next episode - Aug 12'22.
Sejak kecil sudah ditinggal ayahnya namun tidak mengurangi semangat belajarnya.
A new. long awaited historical review, this time dealing with the earliest of the Muslim philosophers. Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.
Alexander Boxer is a data scientist with a PhD in Physics (M.I.T.) and degrees in the history of science (Oxford) and classics (Yale). His research has appeared in Nature Physics and he was a field agent for Atlas Obscura in Washington D.C.. In this podcast, we discuss his book A Scheme of Heaven which describes humans as pattern-matching creatures, and astrology as the ancient world's grandest pattern-matching game. In this work of history and analysis, Dr. Boxer examines classical texts on astrology to expose its underlying scientific and mathematical framework. Astrology, he argues was an ambitious applied mathematics problem, a monumental data analysis enterprise sustained by some of history's most brilliant minds, from Ptolemy to al-Kindi to Kepler. In short, astrologers became the first to stumble upon the powerful storytelling possibilities inherent in numerical data. For more information of Dr. Boxer, please see his website: http://alexboxer.com/ This podcast is available on your favorite podcast feed, or here: https://endoftheroad.libsyn.com/episode-221-dr-alexander-boxer-data-science-and-a-scheme-of-heavenstorytelling-possibilities-in-dataptolemycarl-sagan Have a blessed weekend and may your stars align:-).
Los pensadores medievales musulmanes y hebreos se basaron desde el principio en Aristóteles (con elementos neoplatónicos) para afrontar los problemas clave de la filosofía de esa época. Su trabajo ayudó a transmitir el pensamiento aristotélico, a la vez que generó controversia en el mundo cristiano a partir del siglo XIII. En este episodio hacemos un repaso de las ideas más importantes de: al-Kindi, al-Farabi, Avicena, Averroes y Maimónides. Si quieres acceder a la versión extendida de este episodio ayudar a la continuidad de este podcast, resolver dudas u obtener material exclusivo, visítanos en Patreon https://www.patreon.com/laTravesia Para contenido gratuito adicional https://www.youtube.com/c/LaTravesía
In this episode we cover:- Focussing on the things you can control versus the things you can't- Being able to imagine the future you're creating - How your thoughts impact your current reality and your future reality- Getting crystal clear on how you want your future to look- Releasing unhelpful thoughts - The importance of the friends we surround ourselves with- Feeling supported in life - Identifying what's keeping you stuck and how to get unstuck - Being able to feel safe - Having and maintaining strong boundaries - Letting go of bitterness, old concepts and limitations- Living in the present moment- Believing you can change, that things can be different and our future can be better and is brighterPlus much much more. Affirmations for this episode: I am generous and kindI easily forgive myself and othersI'm free to let goI am connected to my bodyI give myself permission to thriveI easily eliminate all that no longer serves meI ask that you release all despair, nervousness, worry, arrogance, guilt, rejection and attack from my stomach as well as all points of view or patterns in the positive and negative charges that contribute to this conditionI let go of all worry, control and guilt - I welcome joy, peace and wellbeingPlease increase my faith, self confidence and ability to trust that life will bring me the best, most empowering and brilliant experiences for me to learn and growI am aware in every momentI live from the centre of my begin and I find an indescribable power and purpose in my lifeFor full show notes head to my website. Love,TanyaConnect With Me:+ My website: https://www.tanyaormsby.com/+ Join my free facebook group: https://www.facebook.com/energyworkz/+ For one on one support click here to book a clarity call: https://calendly.com/tanyaormsby+ Get on the The Energy Workz list click here.Some of the link below might be affiliate links: + Try Flodesk for Free for 1 Month click here: https://flodesk.com/c/TANYAORMSBY+ Get a website like mine here : https://www.shopskyehigh.com/+ For 30% off website templates use my code TORMSBY30
SocratesSocrates was on to something centuries agowhen he said to know yourself is all you need to knowat first I didn't get it wrote him off as old and bentnow I've got some years behind me I know what he meantit's the voyage of a lifetime it's the road that never endsit's staying straight and true when everybody's got the bendsit's working out what I'm about and letting others beso thank you SocratesMoses heard the voice of God and transcribed every wordthou shalt not this thou shalt not that was all he ever heardwell we can't really blame him he was a victim of his timesbut let's thank God for Jesus he took a different linelike ‘love your brother as yourself that's all you need to do...if he asks you for your shirt give him your jacket too...stick with me and I'll show you a place in paradise'thank you Jesus ChristI have to say my heroes never were the sporting kindI gravitated to the ones who exercised my mindeven though they're dead and gonetheir contribution lingers on in meimperfectlyAlbert Schweitzer had it figured out he got the third degreePhilosophy and Medicine and of course Theologyand somewhere in his spare time he wrote the book on Bachfor him all human knowledge was a brisk walk in the park'til he realised that action said much more than words could saybuilt a clinic in the jungle for the folks in Lamberénétaught us all the simple truth of Reverence for Lifethank you Albert SchweitzerMortimer J. Adler was a man with Great Ideasbelieved that education starts at the end of our school yearsdesigned a life-long reading plan from Homer through to Freudmaking sure our minds at least are never unemployedproved that books are pointless if you leave them on a shelfthat we don't know just what we know ‘til we show someone elsewithout him I don't think this song could've come this farthank you Mortimerthank you Albert Schweitzerthank you Jesus Christ yeahthank you SocratesSongwriter Graeme ConnorsCopyright 2010 The Panama Music Company Pty. Ltd.Republished with Permission of Graeme Connors.
In this conversation, we talked to Peter Adamson about his career in the field of ancient and medieval philosophy. His two monographs deal with the Arabic version of Plotinus, the so-called "Theology of Aristotle," and with al-Kindi (d. after 870 AD).Created & hosted by Mikey Muhanna, afikra Edited by: Ramzi RammanTheme music by: Tarek Yamani https://www.instagram.com/tarek_yamani/About the afikra Conversations:Our long-form interview series features academics, arts, and media experts who are helping document and/or shape the history and culture of the Arab world through their work. Our hope is that by having the guest share their expertise and story, the community still walks away with newfound curiosity - and maybe some good recommendations about new nerdy rabbit holes to dive into headfirst. Following the interview, there is a moderated town-hall-style Q&A with questions coming from the live virtual audience on Zoom. Join the live audience: https://www.afikra.com/rsvp FollowYoutube - Instagram (@afikra_) - Facebook - Twitter Support www.afikra.com/supportAbout afikra:afikra is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region- past, present, and future - through conversations driven by curiosity. Read more about us on afikra.com
A good question is half of knowledge. Raising the right questions in the face of authoritarian ideas and theories can sometimes lay them bare. One such question by a student made Yaqoob al-Kindi, the famous Muslim philosopher and polymath, discard his own work.Listen to Shaykh Dr Usama al-Atar as he shares an incident from the life of Imam Hassan Askari that teaches us how to defend our religion from controversial opinions.This Podcast is a part of the #100Days100ClipsChallenge.To watch this on YouTube: https://youtu.be/ow0p1CI9ID4To help us create more content, visit: https://thaqlain.org/support.Support this podcast at — https://redcircle.com/thaqlain/donations
The Podcast, Voices, features people and their stories and today our guest is Ahmed Yahya al Kindi founder of Smart Work.
Omar Al Zeidi and myself sit with Azzan Al Kindi, Co-Founder and CEO of Rihal. We openly discuss Azzan's career story, and the success journey of Rihal. He talks about the origins of the company, as well as the strategies and future plans of the company including the recent stake acquisition by OICT and continuing to be a client centric organization. Azzan elaborates on the need for the start-up tech sector to continue attracting young talents and the need to encourage entrepreneurship. He also outlines the main characteristics of data driven organizations and some of difficulties he has faced with some less data driven organizations. We also ask him about the main advantages companies such as Rihal have over well established service companies, especially in the region's energy sector. He finally gives an insight to aspiring entrepreneurs on what to expect, and the best advice he has received. Please have a listen
Kindi Llajtu es un artista plástico del alto Putumayo que lleva un par de décadas mostrando la diversidad de la cultura Inga. En esta conversación para #ElPodcast con Alejandro Marín, Kindi abrió las puertas de su taller para hablar de las texturas de sus obras, de la influencia de lo ancestral y lo occidental en su trabajo y del posicionamiento de un artista indígena en el elitista mercado del arte. El yagé (ayahuasca) y su tergiversación dentro de la cultura moderna, lo espiritual y lo chamánico frente al arte, el papel de artistas como Jackson Pollock o Jean Michel Basquiat, la necesidad de contar la historia de Colombia desde una perspectiva diferente a la española y la creatividad como cualidad humana son algunos de los temas que habla Kindi en este episodio. A través de las palabras y de la pintura podemos transportarnos a una parte del valle de Sibundoy, en Putumayo.
On today's episode: Healthline publishes an article arguing that men can get pregnant, trans doctors express doubts over how trans children have been treated, and Ibram X. Kindi says Jesus was a “radical revolutionary”? Plus TikTok Tuesday!
Če med muslimanskimi filozofi Aristoteles velja za prvega učitelja, Al-Farabi za drugega učitelja, Averoes za velikega komentatorja, Avicena za filozofa med zdravniki, Ar-Razi za zdravnika med filozofi, velja Abu Yaqub al-Kindi za prvega filozofa med Arabci. Kajti po zaslugi al-Kindija je grška filozofija spregovorila v arabščini. Njegovo delo Al-Falsafa Al-Ula (O prvi filozofiji) predstavlja prvo sistematično filozofsko delo v arabskem jeziku. V njem se al-Kindi loti raziskovanja monumentalnih filozofskih tem, kot so prvi vzrok, nastanek oz. večnost sveta, odnos med enim in mnoštvom, vprašanje duše in možnost spoznanja. Povsem v duhu grških mislecev, al-Kindi definira filozofijo kot vednost o bistvu oz. naravi vseh reči, in ji pripiše najvišji status med znanostmi. Pri tem pa v duhu pluralističnega razumevanja filozofije poudari, da noben narod nima popolnega monopola nad spoznanjem absolutne Resnice, ki se ji je navsezadnje mogoče le nenehno približevati. Al-Kindijev intelektualno-filozofski imperativ je mogoče prepoznati v spodbudi k iskanju in sprejemanju resnice ne glede na njen izvor oziroma poreklo. Iskreno iskanje resnice velja po al-Kindiju za najvišjo vrlino. Toda za filozofa ni dovolj, da resnico spoznava, temveč da po tem spoznanju tudi ustrezno živi. Moralno in modro ravnanje je zato po al-Kindiju le druga plat resnične vednosti. Filozofsko spoznanje narave stvari pa pomeni spoznanje njenega vzroka, njene biti. Medtem ko se preostale znanosti ukvarjajo s posameznimi vidiki bivajočega, se prva filozofija ukvarja z bivajočim kot bivajočim, tj. z njenim bistvom in poslednjim vzrokom. Prva filozofija za al-Kindija zato predstavlja najbolj plemenito veščino med človeškimi dejavnostmi. Al-Kindi, univerzalni učenjak, ki je sodeloval tudi pri prevajanju antičnih besedil v arabščino, je tako poskrbel za učinkovito posredovanje grške misli v islamski svet. Poleg predstavitev filozofskih konceptov starih Grkov je sestavil arabsko filozofsko terminologijo in napisal številne komentarje k Aristotelovim in Platonovim delom. Poleg tega je napisal več izvirnih filozofskih besedil, med drugimi traktat O intelektu in etično razpravo o Odpravi tegobe. Na ta način al-Kindi ni le položil pomembnih temeljev za nadaljnji filozofski razvoj v arabsko-islamskem svetu, temveč tudi za renesanso Zahoda.
Helena ist die Titelheldin zum Wochenstart. Sie geht noch in den Kindergarten. Heute war sie etwas traurig, denn im Kindi gab es einen Streit mit ihrem besten Freund. Helena möchte nämlich Baggerfahrerin werden, ihr Freund Torben meint, dass Mädchen das nicht tun können. Helena ist da ganz anderer Meinung. Marco König erzählt euch heute bei Ab ins Bett die ganze Gute Nacht Geschichte dazu. Der Countdown bis zur 300. Episode von Ab ins Bett läuft. Noch genau 8 mal schlafen, bis es für Ab ins Bett Hörer eine Überraschung gibt. ++++ Weitersagen: Jeden Tag ab 18 Uhr eine neue Gute Nacht Geschichte bei www.abinsbett.net ++++ Sende eine WhatsApp-Sprachnachricht: 01525/1796813 Besuche Ab ins Bett bei Instagram @ab.ins.bett oder Facebook @ab.ins.bett.podcast Sende Marco eine Mail: info@podcast-coach.com [Unterstützt den Podcast jetzt!](https://www.paypal.com/donate/?hosted_button_id=PJC64Y47GDJZA) **Nicht vergessen: Drücke den "FOLGEN" Button und lasse eine Bewertung da! ** Mehr Infos zu Ab ins Bett findet du auf [www.abinsbett.net](http://www.abinsbett.net)
Helena ist die Titelheldin zum Wochenstart. Sie geht noch in den Kindergarten. Heute war sie etwas traurig, denn im Kindi gab es einen Streit mit ihrem besten Freund. Helena möchte nämlich Baggerfahrerin werden, ihr Freund Torben meint, dass Mädchen das nicht tun können. Helena ist da ganz anderer Meinung. Marco König erzählt euch heute bei Ab ins Bett die ganze Gute Nacht Geschichte dazu. Der Countdown bis zur 300. Episode von Ab ins Bett läuft. Noch genau 8 mal schlafen, bis es für Ab ins Bett Hörer eine Überraschung gibt. ++++ Weitersagen: Jeden Tag ab 18 Uhr eine neue Gute Nacht Geschichte bei www.abinsbett.net ++++ Sende eine WhatsApp-Sprachnachricht: 01525/1796813 Besuche Ab ins Bett bei Instagram @ab.ins.bett oder Facebook @ab.ins.bett.podcast Sende Marco eine Mail: info@podcast-coach.com
Nice and kind are usually thought of as synonyms. But when you line them up next to one another, the motivations behind the words are very different. Lets Line Them Up!NiceNever want to rock the boatMost concerned with not upsetting someoneAfraid to speak up when they witness unkind behaviorWorried about being liked KindWilling to make wavesMost concerned with doing what is rightWilling to speak up and take a standWorried about being kindI examine how each of these may drive your actions, and how choosing to follow one over the other can effect you.Contact Me or Consume My Stuff Here:A new way to Work with Vanessa! Codependency Breakthorugh Power Hour is here to help you see how you can make changes in your life right now. If you've been feeling stuck, this hour with me will open your eyes. I'm using both my psychological know-how AND my intuition to bring you transformation. Before the Power Hour, I'll also be connecting with your Soul and hearing what she's got to say about our time together. This $300 investment will have reverberations you will keep experiencing. Here is the link directly to my schedule to get yourself set up!https://app.acuityscheduling.com/schedule.php?owner=18953727&appointmentType=22768345Masterclass: 5 Deep Truths about Codependency: How It's Hijacking Your Life and What You Can Do About Itwww.soulamplified.org/5deeptruthsIntuition Quiz: www.EnlightenedBossLady.comInstagram: @SoulAmplifiede-mail me about coaching, The People Pleaser Recovery Roadmap Course, or other questions: Vanessa@soulamplified.org
Kisah Ilmuwan Muslim Al-Kindi --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Við ræddum við Jón Heiðar Andrésson, fjallaleiðsögumann, sem jafnframt starfa í Fjallakofanum en í útivistarverslunum hefur verið óvenju mikið að gera þar sem fólk er kaupa búnaði fyrir ferð að gosstöðvum. Hann gaf okkur góð ráð fyrir ferð að gosinu. Garðyrkjuskólinn að Reykjum hefur verið starfræktur í 82 ár en nú hillir undir breytingar þar sem til stendur að flytja starfsmenntanámið í garðyrkju frá Landbúnaðarháskóla Íslands og til Fjölbrautaskóla Suðurlands. Velunnarar skólans telja hann í hættu og hafa biðlað til stjórnvalda. Tvö ár eru liðin frá því að hagsmunafélög garðyrkju óskuðu formlega eftir því að samráð yrði haft við þau og tryggja þyrfti framtíð námsins og að ákvarðanir yrðu teknar í raunverulegu samráði við þá sem starfa við fagið. Kristín Snorradóttir, garðyrkjumeistari og garðyrkjustjóri Hveragerðis, fór yfir þetta með okkur. Sverrir Norland ræddi við okkur en hann hefur gefið út bók sem er hugleiðingar og pælingar um náttúru tækni og hugarflug og andlega líðan okkar mannanna. Í sjónvarpsþættinum Hvað getum við gert? sem er umsjón Sævars Helga Bragasonar og sýndur var á RÚV á mánudagskvöldið var fjallað um gróðurlaust land á Íslandi og kom þar fram sú skoðun að það væri helst íslensku sauðkindinni að kenna. Viðbrögð bænda við þættinum voru mikil. Ein þeirra er Ágústa Ágústdóttir sauðfjárbondi. Hún var á línunni hjá okkur og fór yfir málið. Sjónvarpsþættirnir Systrabönd eru væntanlegir í Sjónvarp Símans nú um Páskana. Þar segir af þremur æskuvinkonum sem þurfa að horfast í augu við voðaverk er líkamsleifar ungrar stúlku finnast aldarfjórðungi eftir hvarf hennar. Leikstjóri þáttanna er Silja Hauksdóttir og hún kom til okkar og segja okkur meira af þessum spennandi íslensku þáttum. Tónlist: Of monsters and men - Dirty paws Hreimur - Gegnum tárin A-ha - Foot of the mountain Bubbi og Bríet - Ástrós Hjaltalín - Feels like sugar Madness - Wings of a dove White town - Your woman Ellen Kristjánsdóttir og John Grant - Veldu stjörnu
Baca nyaring kisah Al Kindi Filsuf Muslim Pertama dalam buku 36 Kisah Inspiratif Ilmuwan Muslim, Penulis Afriza Han, Penerbit Cerdas Interaktif (Penebar Swadaya Grup).
Autour de 5 000 cas sont enregistrés chaque jour par le ministère de la Santé – même si ces chiffres pourraient bien être sous évalués, en raison du faible nombre de tests réalisés dans le pays. Face à cette nouvelle vague, les hôpitaux sont submergés. Le défi est énorme dans ce pays qui fait face à des pénuries de médicaments, de médecins et de structures depuis des décennies, et qui n’a reçu que 50 000 doses de vaccins à ce jour. Reportage dans l'une des unités de soins intensifs à Bagdad, gérée par Médecins sans frontières. Nouvelle urgence dans l'unité de soins intensifs de l'hôpital Kindi. Sur un brancard, entourée d'une dizaine de médecins, une Irakienne d'une soixantaine d'années arrive dans un état grave. Le transfert vers son lit d'hôpital doit être rapide et précis. Masque à oxygène, injection de médicaments par intraveineuse, prise de tension, etc. Il n'y a pas de temps à perdre car cette malade est à bout de souffle. L'unité est gérée par Médecins sans frontières (MSF). Les soignants sont Irakiens ou étrangers. Maxime Pirard, un Belge, est le responsable des soins infirmiers. Il commente l'état de la nouvelle arrivante. « C'est une patiente qui est arrivée aux urgences avec des symptômes depuis plusieurs jours. Elle arrive dans un état critique, comme on voit souvent les patients arriver ici. Ils arrivent avec des besoins en oxygène qui sont déjà assez importants », nous dit-il. Il y a 51 lits dans ce service qui prend en charge les formes les plus graves du coronavirus à Bagdad. La nouvelle arrivante occupe le dernier lit disponible. « Ça fait 4 ou 5 jours en continu que nos soins intensifs sont complets, donc à chaque fois qu'un patient décède ou est renvoyé à la maison, il y a un autre patient qui arrive dans l'heure », affirme Maxime Picard. Après une heure de combat, cette Irakienne ne fait malheureusement pas partie des cas heureux et rend son dernier souffle à 11h30 du matin. En Irak, beaucoup de malades arrivent trop tard à l'hôpital. Ils n'ont aucune confiance en leur système de santé et préfèrent rester chez eux, quitte à atteindre des formes sévères. « Le système de santé irakien est vraiment précaire. Ma mère était dans un autre hôpital avant et elle a développé une insuffisance rénale. Ils n'avaient même pas la machine pour soigner ça », nous confie Bashar Jafar, le fils d'une patiente. Géré par MSF, ce service est loin des standards irakiens. Ici, les machines sont disponibles et la synergie opère entre les équipes. Reste quelques particularités, non négociables en Irak : les familles peuvent rester aux côtés de leurs proches. Souvent sans protection, au mépris des risques, comme en témoigne cette femme. « Non non, je n'ai pas peur ! Je suis restée ici les deux derniers jours et les deux dernières nuits. Mes filles arrivent pour prendre le relais. » Sana al Rubaie a 66 ans, elle est restée aux côtés de son mari souffrant qui a fini par être emporté par la maladie. Depuis plusieurs semaines, le nombre de morts monte en flèche en Irak. Et pourtant à l'extérieur de l'hôpital, toutes les mesures pour freiner l'épidémie ont récemment été allégées.
In this interview with Kindi Gill, mother of 3, Albert and Mada discuss how healing into consciousness relates to a child's development. Kindi shares her own experience of the healing into consciousness within her family as a result of working with Mada, the Dalian Method, and Active Meditations. They discuss conscious parenting and how the Dalian Method helps children with their confidence and self-esteem. Find out how you too can help your children to find their inner strength and clarity.
On Thursday February 4th, 2021 - the Hermetic Hour with host Poke Runyon will present a discussion on the 9th century Arab treatise on Stellar Rays by the Baghdad sage Abu Yusuf Al-Kindi. This work had a considerable influence on Medieval astrology and magick. Its influence continues to this day in the New Age astrology of Alice Bailey and in the revival of Picatrix an astrological magick grimoire from the 9th century that al-Kindi's work influenced. So if you want to find out where the mysterious Seven Rays came from, tune in and we will return to Baghdad in the days of the Arabian Nights.
52 Kindi & Heidi: Miran tarina by Katariina Alongi
https://www.youtube.com/watch?v=5RPh7CgXxMo DOKUZUNCU SÖZ - DÖRDÜNCÜ NÜKTE … Asr zamanı ise, güz mevsimine, hem ihtiyarlık vaktine, hem Âhirzaman Peygamberinin (aleyhissalâtü vesselâm) asr-ı saadetine benzer ve onlardaki şuûnât-ı İlâhiyeyi ve in'âmât-ı Rahmâniyeyi ihtar eder. Mağrib zamanı ise, güz mevsiminin âhirinde pek çok mahlûkatın gurubunu, hem insanın vefatını, hem dünyanın kıyamet iptidasındaki harabiyetini ihtar ile tecelliyât-ı celâliyeyi ifham ve beşeri gaflet uykusundan uyandırır, ikaz eder. …
This podcast is part of an interview series where we talk with authors about the articles they've written for 'Alif for a deeper dive on the topic. In this first episode, we are joined by Esmé L. K. Partridge to discuss her article "How to Cope with Self-Isolation, According to a 9th Century Islamic Philosopher." If you enjoy this conversation, please leave a like and subscribe to help us grow and follow future releases. Find her article here: https://bit.ly/3t8x6zx Esmé L. K. Partridge is an undergraduate student of Religion with Arabic at SOAS and an author on Islamic philosophy, theology, and the place of religion in modernity. You can find her at https://esmelkpartridge.com or @esmelkpartridge on Twitter Find out more about 'Alif: https://alifreview.com Follow us: Facebook Instagram Twitter
Hi everyone, and thank you for tuning in to another episode of the We Make Books Podcast - A podcast about writing, publishing, and everything in between! This week, we are joined by Antoine Bandele, author, publisher, and a lot-of-other-stuff-er. He's a busy guy who knew what he wanted out of the fantasy maps for his series world of Esowon, and found help on Fiverr to see it realized. You'll want to start out, if possible, with his page of maps open in a browser: https://www.antoinebandele.com/esowon-maps We Make Books is hosted by Rekka Jay and Kaelyn Considine; Rekka is a published author and Kaelyn is an editor and together they are going to take you through what goes into getting a book out of your head, on to paper, in to the hands of a publisher, and finally on to book store shelves. We Make Books is a podcast for writers and publishers, by writers and publishers and we want to hear from our listeners! Hit us up on our social media, linked below, and send us your questions, comments, concerns, and tell us your favorite novel covers! We hope you enjoy We Make Books! Twitter: @WMBCast | @KindofKaelyn | @BittyBittyZap Instagram: @WMBCast Patreon.com/WMBCast Episode 43: The Maps of Esowon, Cartography with Antoine Bandele transcribed by Sara Rose (@saraeleanorrose) [0:00] K: Hey everyone, welcome back to another episode of We Make Books, a show about writing, publishing, and everything in between. My name’s Kaelyn Considine and I am the acquisition editor for Parvus Press. R: And I’m Rekka, I write science fiction and fantasy as R.J. Theodore and today we have a very, very awesome guest. This is Antoine Bandele. He happened to write a book that I happened to read recently and when Kaelyn suggested that we do a whole series on artwork, I said,” Ooh! We should talk about cartography, and I have the book and the author for this episode.” K: Yeah, we said Artwork August, it became more “Artwork Series.” But cartography is a really important and, I think frequently underappreciated, certainly, part of a book. You know, as Antoine mentions in the episode, fantasy books especially, it’s almost expected that you have some kind of a map or something in there. R: It might be overlooked as far as the work that goes into it, but if it’s not there, it will not be overlooked. K: Yeah. R: Your fans will be talking to you about, “Excuse me?! You invented a world?!” K: Visual representation of this world. R: Yeah. So this was a series of maps at the beginning of the book that I read, which was By Sea and Sky, an Esowon story, and there were a series of maps at the beginning, including a diagram of one of the vessels in, as the title kind of gives it away by sea and sky, so there’s an airship and there’s a great, even just a layout of the airship. Almost plan-like, ship...plans. K: A schematic. R: Schematic! That works. I took interior design for a year, I don’t know what to call the drawings. Hey! Drawings! That’s what we called them. K: Pictures. Pictures of boats. R: Yes. So, almost like a draftperson’s drawing of an airship concept. So those are all in the beginning of the book and, when I opened them, I was just like—I don’t know if they loaded. Because you know an eBook will load to a certain page when you open it and, like, you have to go back to see the preceding pages. I always go back to the cover because I always wanna see how the cover looks on an eReader because this is just a minor point of mine. And I happened to see the artwork, the cartography. Whether it was loaded after the automatic page one , or before. I was like, “Oh! These are nice! These are really nice,” because Kaelyn and I have talked about maps before for books. Colin and I have talked about maps before for books. I did my map for my books and that was a whole heck of a project and I wish I had somebody else to do the work for me because it’s not easy. K: I think we think, like, “Oh, whatever. You just sit down and you draw some borders, some boundaries, some oceans. Throw some mountains in there, I guess, and you’re done. It’s not that. It’s not easy at all. It’s certainly not that easy. There’s a lot of considerations that go into building a world and then putting it on a piece of paper. You can be an excellent artist, are you that good a cartographer, though? R: Cartographer’s a big word and it’s a big responsibility. K: So, anyway, we had an absolutely fantastic time talking to Antoine. Hopefully we’ll have him back at another date because oh my god does that guy do a lot of stuff. R: Yep, yep. K: So, anyway, take a listen and we hope you enjoy. [intro music plays] R: I just wanted to double check the pronunciation. A: Bandele. Kind of like ándale, with a B. R: Okay. A: It’s actually a mistranslation. [laughs] It really should be Bamidele, but I guess somewhere, the naming coming over to America, it got— R: A syllable fell off? A: Yeah. So now it’s Bandele. K: So, Antoine, do you wanna take a moment and introduce yourself to our listeners? A: Yeah, so my name’s Antoine. I do many-a-things but the thing that’s most relevant to today is that I am a publisher and writer and I do fantasy works, particularly fantasy works that are inspired by pre-colonial African myth and folklore, anything of that nature. K: And we brought you on today, specifically to talk about a certain special kind of artwork that pops up in especially fantasy books sometimes. A: Yeah,especially fantasy. K: Yeah! Maps and cartography. Rekka and I wanted to do a series on artwork in books. We’ve been threatening to do an episode about cover art for a long time. And as we were working through this, we were kind of like, “You know, there’s so much art that goes into a book that you don’t think about or that we take for granted and I think one of those, definitely, are the maps that you find in the books. Because they add so much to the stories and they give the reader a great sense of the world that they’re about to explore and just helps set the stage. I think that they’re—well, everything’s relative in terms of difficulty, but designing a map is very different than designing cover art. R: Yeah. A: I would suspect. I don’t even know. I just hire people to do it, so I dunno. R: Well that’s one of the smart things, right? Is making sure that you stick to the areas that your expertise is heavier in, and don’t try to be Master of Everything. So when we were talking about this Artwork August, I had just finished reading your book By Sea and Sky. So, I just served up these maps into my face and enjoyed them and then we started talking about doing artwork. I instantly said, “Oh! You know what great maps I’ve seen? And they’re not like in an old, 60-year-old Lord of the Rings edition. Let’s talk about some current stuff.” A: Mhm. R: These are really great maps and I didn’t even know at the time, and it blew me away, but you found these on Fiverr? A: Yes, so a woman named Maria Gondolfo, who actually is from Italy, which is awesome about working remote or online, is that you can work with people all across the world. Like, my first book, I think my editor was from Texas and then one of my beta readers was from the East Coast. I think York was one of them. And my cover artist is from Bangkok and then I have my cartographer, she’s from Italy. So it’s a lot of people all over the world who get to work with me. She is renflowergrapx on Fiverr. And I got really lucky because I think she was maybe the first person I found on Fiverr. K: Oh, wow. Okay. A: Just by searching up “fantasy maps.” I think my brother had directed me there because he usually goes there for Dungeons and Dragons maps, and that’s what she usually does. She does Dungeons and Dragons campaign maps for people. K: Very cool. Yeah. A: And I was like, “Oh! Do you also do it for books? Or have you done it?” She’s like, “Yeah, I’ve done a few books before. Just give me what—” Oh! I should show you guys this! I actually have drawings. So, I usually would do a sketch-up of the map itself and then she goes and does her amazing work. I should find that. K: Getting a map together—as you’re grabbing these sketching that you did—it’s no small thing. It’s a commitment. It’s a very difficult—I think a lot of people underestimate how difficult it is, even as the writer, to sit down and plan out the map in your head. What made you decide, “Yes, this is the book that I wanna take this on.” A: So the reason I need maps is that, yes, it’s a fantasy fable. It’s actually expected from the fantasy reader to have a map and it helps, as you were saying before, contextualize the world. Especially when people start talking about locations in the world. It’s like, “What? What are you referring to? I don’t know this world.” But you can refer to the map and be like, “Oh! He’s talking about that little corner in the north!” So the way I do my maps, is I really just take from real world landscapes and basically just do copy-pasting. So I’ll take a sheet of clean paper and then I’ll have a section, like, I think some of the islands are based on some SOutheast Asian islands. Not the big ones you would recognize, but the little ones that are off to the size. And then I just blow them up to be bigger. I’m like, alright cool, and then I do that. And the benefit of that is that you’re getting a natural land formation versus it just being completely out of your mind, in which case sometimes that can come out with mistakes and that sort of a thing. So I just do that, mostly as a way to help the reader figure out what this world is and what it’s about. K: And so you’re starting—rather than starting from scratch, you’re drawing inspiration from existing geography— A: Correct. K: But this is a fantasy world, things are gonna exist there that don’t quite exist in South Asian islands. A: Right, exactly. Well, ‘cause I don’t have a full world map right now because I’m building out the world section by section and then connecting it later. K: I was gonna ask, did you sit down and figure this out all at once or are you kind of adding a new land as you need to? A: Yeah, I add new land until the world map is filled out. So, for looking at the Esowon Esterlands map. If you turn it clockwise, you might notice that landscape, possibly. It’s a little scrunched up, but if you look at it, it is basically Panama. R: Okay. Yeah. K: Yep, yep. A: The space between South America and Central America. K: Alright, yes, I can see it. A: But flipped the other way so it looks a little more reminiscent of Northeast Africa and Arabia. R: Yeah. A: And then, also, the middle islands are based on the Carribean, so it’s inserting the West Indies in the Red Sea, basically. But, again, making a fantasy of it because that stuff doesn’t necessarily exist. Even that, you know, the indication of Octa, that’s supposed to be Egypt and the Delta Nile, that’s supposed to look like the Nile, but it’s obviously not. Victoria Falls is kind of in that bottom section. So it’s very much inspired, and this one in particular I did that because I, specifically was going the Song of Ice and Fire route—And that’s actually what George R. R. Martin did. Westeros is basically just the UK turned upside down. K: Yep, and stacked on top of each other a little bit. A: Exactly, and there are some differences to meet the standards of Westeros, but that’s essentially the basis for what I did for this, you know, making it somewhat familiar but then still being its own thing in a fantasy realm. K: Yeah, and for reference, if you’re wondering what we’re talking about, we’re on Antoine’s website where he has all of the maps from the books displayed on there. And a link to find the cartographer who did them. They’re very impressive. R: And that link to this page will be in the show notes. We should’ve said that at the top so that people could bring him up while they listen, if they’re not driving. Because who commutes anymore? [A and K laugh] A: Right. R: Yeah. So you went to Fiverr. Was that your first stop looking for a cartographer? A: Yeah, that was definitely my first. I think I was first flirting with the idea of doing it myself and then I was like, “Nah, I’m not gonna do it myself.” Because I realized very quickly, as you were saying, it’s actually more complex than you would actually expect. R: Oh yeah. A: And there’s actually a lot of rules to cartography that people don’t think of. Like, the way the rivers flow, they have to come off mountains. Stuff like that. The way port cities usually are. There’s a lot of little nuances that people don’t really recognize. I definitely just went to Fiverr and I just got really lucky. I honestly, my first search—I might’ve looked at a few people, but then Renflower was a standout for me, for sure. She had an option for standard black and white and she had a full color and and I saw her examples and I was like, “I don’t think I have to look anymore! Lemme just, like, reach out to her and see if she’ll do it.” K: This is it! [11:44] R: Nailed it. A: And then what’s really awesome, and she surprised me on this because By Sea and Sky, it features airships. And I was looking and I was like, “Aww, I’m probably gonna have to find a new person, because she only does maps,” right? But that’s my thinking. I was like, “Well, hey, I need like an airship. I don’t know if you’ve ever done that before…” and she’s like, “Yeah! I love doing them!” She says it gets kind of old to just do her maps, you know, week in and week out. And she was really excited. She, actually I think uses it as an example or whatever now. K: Oh, awesome. A: I needed that in particular because I was writing the third act of By Sea and Sky which takes place, there’s like a battle sequence at the end. I was like, “Oh, man. I need to know, solidly, what the landscape of the—” Basically I had to know which level everybody’s on, how are they getting trapped— R: What room’s above them and under them, yeah. A: Yeah! Exactly! So I got her to do that and, again, I got references, something like that. I was like, “Is this kinda like the—” I describe it as looking like a ship, but it flies and has like the sails on the sides so it can fly and that kinda stuff. And the different rooms and where the captain’s quarters is and the mess hall and all that kinda stuff. So that was a lot of fun for her and for me. R: So this sort of comes from her experience doing D&D maps, I assume— A: Right, exactly. R: This was kind of laid out where, you actually could, if you printed it out big enough you could do a campaign through the ship, reenacting the battle from the third act. A: You definitely could. R: Yeah. Yeah, and it’s great. There’s a kind of isometric view of the ship, where you get the wow factor of what the ship looks like with the lateral sails and the more traditional sails, and then you get the deck structure. And then you get the breakdown, floor by floor, almost like architectural drawings. A: Right. And that’s because she wanted to feel like it was in the world, so some of the names you see on the bottom right are actually characters in the world, the engineers who built out— K: Ohh! R: Oh, yes! A: Very, very small in the bottom right corner— K: Very cool! R: I didn’t even try reading it because it was so small. A: Janaan Malouf, Ismad al-Kindi, who some of them actually show up in the book, like Ismad al-Kindi is the engineer that we know in the story itself. Janaan is someone we meet in book two. But these are actual, in the year of The Viper, the year of 3582. So she made it feel like it was in-universe, except for the typeface with the navigation and whatever that looks very much like it’s us typing that in, versus it being written. But, otherwise, it’s supposed to be like an in-universe kind of blueprint. R: And there’s something to be said for legibility, too, if you want someone to read that. A: Exactly. You gotta be able to read it, though. R: I mean, we all assume it’s translated into English and maybe it’s also translated into a serif font— A: Exactly!! R: So. Yeah. A: Right. K: So, you got on Fiverr, you found Maria. What is this first conversation like, while you’re trying to explain and describe this. A: Oh my god. Well, she—so most Fiverr professionals do this, where they’ll ask you to provide an explanation, for what you want, so there’ll be boxes of, “Do you have fantasy examples that you want your maps to look like?” Because she does several different kinds of styles. “Please tell me a little bit about your story, what is it about? What’s the landscape like? What’s some of the history behind the landscape.” So you explain all this, you fill out the boxes and then you have a conversation. Well, first, she has to accept it. So when you send it off, you’d be like, “Okay, well, is it cool? Would you wanna work with me?” She says yes or no. Yes. Then you continue forward and then she takes, however long, I’m not sure how long her thing is on her website right now, but I think when I did it, it was like five to ten days, or something like that? I’m not sure. She’s like really popular now. I think she even has a Level 2 badge or something like that. K: OH, great! A: Or something to that. I can’t remember, but… So we do that and we talk together, and she’ll send me a rough and I’ll maybe have adjustments. We’ll go back and forth until we both are happy with our final product, and it just goes on like that. K: Yeah, and actually, as a call back to the previous episode we did with Colin Coyle, who does most of the art direction for Parvus Press, you guys have to have a contract or an agreement in place. When you say you’re talking to Maria, you have to check all of these boxes, there’s gotta be something set up. You don’t just, you know, hand someone something and say, “Hey, I want it to vaguely look like this,” and then you send them some money and you get back you— A, laughing: Yeah, no. R: And Fiverr’s got that kinda built in, don’t they? K: Yeah. A: Yes, they do. Fiverr, Upwork, any of those other freelancer websites, that’s kinda the benefit of it because you don’t have to do all the legal stuff because it’s already all done in the background for you. That’s the reason why it costs an extra fee to use those platforms because they’re basically managing all of that paperwork, kind of a thing. R: Mhm. K: But worth it, if that’s something you don’t want to worry about. A: Right. K: Because we—there’s a lot of really talented, awesome artists on Fiverr, obviously, but they’re—you don’t always know you’re running into and what their work ethic’s gonna be like. Sometimes more so than the work that they’re producing. So if you’re looking to have something like this done, and you’re considering, “Do I go out in the world and find someone, or do I go to somewhere like Fiverr?” There is that, at least to consider as the built-in protection that comes with Fiverr. They have all these policies in place already, so you don’t have to think or worry about that. R: And there’s some motivation for the artists to maintain their reputation on the side, too. K: Absolutely. A: Right, exactly. R: So these are color maps. What made you choose color? I mean, they’re very colorful, too. So, obviously, digital Kindles and eReaders and on your website, they look fantastic. But, traditionally in books, you’d have like a black and white interior print— A: Just black and white, yeah. R: Yeah, exactly. On the ink-readers you won’t see color. So was it a price difference and you just decided you wanted to see that color? Or, what was the decision as you’re art directing her? Even though she’s applying her know-how and all her experience creating these things, but at a certain point certain aesthetics are up to you. So, what were the decisions you made as you went through this? A: So, that was just her having that option available. Because I was just expecting to go into it black and white, like it was. I mean, that’s just how it is. But then she had like a premium version that wasn’t that much more expensive and I saw her examples and I was like, “Oh, yeah! If color’s an option then let’s do color! Why not?” R: Mhm. A: But, of course, you can only see it if you’re looking at it on the Kindle app or if you’re looking at it on an eReader that has full color available to it. If you’re looking on a Paperwhite or anything like that, or on a printed page, you’re not gonna have that. But that’s all a thing, too, that she factors in is that she makes sure that the greyscale, once you put it in greyscale, does it still function? So when we do our passes between each other, she actually factors that in. Every time she sends me a color, it also shows up in black and white as well, to make sure that it functions in both formats. R: Oh, excellent. K: Very nice, yeah. More like lineart, kind of. A: Yeah, ‘cause a lot of times amateur cartographers or amateur artists don’t consider that you can’t just flip a switch, necessarily— R: Yup. A: It’s a separate skillset to have black and white versus color. R: That’s like all the Mad Max and Logan and other movies. They’re starting to release editions that are in black and white. And it’s not just that they desaturate the film, they actually go through and adjust it, just like they were producing a whole new movie, to really play with the tone and the volume and the color and stuff like that. It does take a lot of work to remove all that color and still have something that’s lovely to look at. [19:26] K: This is a far more complicated project that requires a different skillset than just: Well, I’m going to draw some mountains on a nebulous looking piece of land. Right? And, you mentioned before, there are rules. You can’t just have a river that just starts in the middle of a continent and also ends in the middle of a continent. A: Right. K: It’s gotta be, you know, flowing from somewhere. Presumably, even in your fantasy world, some laws of physics and geography do still apply. A: Yep. K: But Maria obviously has a lot of experience dealing with this and designing things. Was there anything that, you know, you said, “Okay, I want it to look like this,” and she went, “Oh no, that’s not how this works. It’s gotta look like this instead,”? A, chuckles: Um, I don’t know if we ever had those conversations because I think we both came in, both knowing what had to go into it. I’m sure she—because she actually liked me as a client, I guess, because I communicate well or whatever. Because I guess who she usually deals with are people who don’t know that kind of thing? And for me to come in and already have all that set up—Like I said, I do my sketches before she does anything. I’m sure that’s a benefit to her. It’s just easier. R: Yeah, I can tell you, as a graphic designer, most of the clients you get are, “Oh, I’ll know it’s right when I see it!” And then seventy iterations later, they still don’t like anything. A, sympathetically: Yeah… R: And you just want to walk away from the situation. But, yeah, if you know what you want to begin with and you have sketches, I mean that must be so much easier for her. And then she can apply what she knows, to take those sketches. So, your sketches were land shapes and continents, islands, and that sort of thing? Coastlines that you already had an idea of? Or was it mostly an orientation of: these cities are kind of grouped over here and they’re on a continent and this one’s on an island, and this one’s on a straight. What level of understanding the actual geography of your world did you bring to begin with? Or was it mostly like, “I need a map. I only know that these two things are separated by water and are seventy miles apart.” A: I was very specific on the land masses and how they looked. The main thing I didn’t really know was the in-between stuff like the mountain placement and forest placement and stuff like that. I knew I would say, like, I would have a drawing of this is greenish, this should be forest-y, this should be desert-y, but then she would go in with the details. So I was very, very—my notes were very specific about shapes and also what was forest, what was desert, and even the spacing. Like, the spacing, in particular, was important for By Sea and Sky because the main island, Kidogom and Al Anim were a specific, plot-wise, not so much in book one, but in book three, there was a specific plot on the distance between the two, because there’s some travelling that goes on. So I was very, very specific about it. I think, at some point, she had it really close and I was like, “Oh no! They’re not that close together.” And that’s the reason, actually, we made the second version of it, the one that’s called Al Anim and Kidogo map, which shows a little bit better the distance between the two, versus the wider shot. So you can understand when that particular plot happens how much time and distance happens between those two. R: I’m observing that you know things about book three that have to have bearing— K: That’s exactly what I was gonna say! How do you deal with this with potential spoilers, because what you’re putting on a map are things that are significant to the story. Did you have any concerns with that, where you’re like, “I’ve gotta put this on here because it exists in the world, but I am then—” A: Ohh, I see what you’re saying! K: Yeah. A: So, yes. Specifically, there are—The map that I have on the website now, those locations are only locations that are spoken in that particular book. K: Gotcha. A: So, in oncoming books, like in the second book I mention a newer location, the map gets updated with that little point of interest. So the particular thing with the whole distance between Kidogo and Al Anim, not really a spoiler so much. It just gives context for when that plot point comes up because it’s really just about how long it takes to get back to Kidogo because there’s a plotline of, “Hey, we gotta get back there! And how long is it gonna take for them to catch up to us?” kinda thing, that’s why that was very specific, those two locations in particular. R: Yeah, and those two are mentioned throughout the book. It’s not like a— A: Correct, correct. There are places on the map that should be mentioned, but aren’t specifically for that reason that you guys mentioned about it being spoilery. So each map is different. K: So you just go the method where, “I’m leaving this stuff off and when I need you to know about it, I’ll let you know about it.” A: Yes. And that’s exactly the same way I write, too. I don’t present every piece of worldbuilding. I was just talking to another author because I work with a lot of authors within the same space of this world that I’m building out, and they’re like, “Whoa! You know so much about this, this, and that!” And I’m like, “Yeah, there’s just no point of putting it in that story because it wasn’t relevant to the story.” But there’s all these pieces of worldbuilding. I think George R. R. Martin said your worldbuilding should just be like a tip of an iceberg and then, you know, the reader should see the impressions of the iceberg underneath, but that’s not part of the story. So you don’t need to see the entire iceberg, you just need to see the little tip of it. R: I think Kaelyn would appreciate that, as an editor. K: It’s funny because Rekka and I talk about this all the time, that I’m a planner. A: Me too. K: I want to—and this comes from being an editor is that, especially if I’m working with somebody who’s working on a series, I need to know where this ends up. I need to know how it ends, but also geographically where it ends because I need to make sure that there isn’t something coming completely out of left field here. And what I was gonna ask is if you, along the George R. R. Martin lines, like to pepper little people and name places into your book for you to go back and reference and make relevant later— A: Yep. K: —I’ve used that trick with authors where it’s like, “Okay, listen, if you’re not sure how you’re getting yourself out of this hole yet, that’s fine. But you gotta lay some groundwork along the way. So if you wanna make it a throwaway line that could or could not mean anything, that’s fine. But you have to do something.” So that it’s not like: oh! It turns out there’s this entire lost continent that nobody knew about and it’s super-secret and special. That’s how you annoy people. A: Mhm, yeah. R: You wanna create a Chekov’s Island and you can put it in the map, but not in the book. K: Yes, yes exactly. R: So, it was that planning ahead which was more my question for you. You have a series that is in the works. A: Right. R: You already have how many of them written? A: Yeah, there’s a few. Demons...1984… I think at least six right now, across the entire series. K: Well, yeah, because you have some prequels and things like that. A: Yeah! There’s prequels, there’s novellas, there’s a graphic novel as well. There’s a lot of—audiobooks as well. But yeah. R: And they all share this map. A: And they all share… portions of the map. Like, I said before. So the portion that we’re looking at now is the northeast version of it, the other one that I have which is for my first book, The Kishi, which is called the Southern Reaches of the Golah Empire, that’s like the southwest portion of it, and then this one here, Southern Eshiya, that’s like far east. So these are, like, pieces of it and I haven’t puzzled them all together yet because I am building out the world bit by bit.Oh! Perfect! You guys already know about Game of Thrones. So basically what I’m doing right now is I’m writing about Robert’s Rebellion before A Game of Thrones happens. So basically, I”m writing all that stuff leading up to the saga, the big epic books. R: So, planning ahead this much, is it just because you’re going section by section that you have the confidence to say, “Okay, yes, this is where all the cities are, I don’t need to move them because I’m not gonna run myself into any trouble later.” You could get to book eight and say, “Oh shoot! It would really help if Kidogo was actually a little bit further north because then I could squeeze in another island that isn’t here right now!” Like, do you worry about that or are you just like, “Okay, I can commit to this and I can figure it out later.” Or are you really, really planned out to the point of, you have outlines for enough to pretty much flesh out the entire world. And you know what you need. A: A bit of both. I actually know how the big saga books end. I know how those began. I know where the locations of all these stories will be. So I know what to keep not spoken about. R: Mhm. A: That’s why I have only a few points of interest. Like, I don’t go and like, “I’m gonna go and name every single piece of land here!” That would just put me into a corner if I do that. So that’s why my rule is, whatever I’m talking about in the story is what will be mentioned on the map, and nothing more. Because yeah, if I wanna add something in there, what? Never was mentioned before! It’s not canon, so it’s okay. I can insert that in there. But if you do, do that, if you do over explain it too much then, yeah. You can run yourself into a corner of being like, “Whoops! I kind of established that that place is like this and I can’t, you know, add that in there so.” R: And I put the picture on my site, people are gonna point at it and say I was wrong! A: Yeah, exactly. K: And, conversely, though, this is getting more into the actual creating the maps. As you said, you only, if you’re not talking about it, do you keep a list as you’re going through the book of kind of like, “Okay, I need to like—” A: Oh, yes! I have a story bible. I have a huge story bible. K: Okay, so like, “We went here, we went here, we went here. These are the places we need to talk about. Or this is mentioned.” A: Mhm, yeah. There’s timelines, locations, like terms and language phrases. Yeah, that’s very important, too, for creators out there. Writers, make sure you’re having a story bible. For, especially, epic fantasy. K: Oh, yeah. A: You really should have it for anything. Like, even The Office, which is just a sitcom, has a story bible. K: Yep. A: Fantasy, it’s a must. It’s not even like an optional thing. You must have a story bible. K: Yeah, otherwise you’re gonna run into some bizarre continuity errors. But, there are certainly some famous ones out there. But I have actually read a book, I can’t remember which one it was, where they had a map in there and there were two places just missing off of it. And they weren’t particularly relevant to the story or anything, but they were mentioned and there were characters from there and I’m a hundred percent sure they were meant to be on the map. And they just left them off it. But, yeah, you know if you’ve got a lot of cities and places and stuff, I’m sure it can happen. [29:52] A: And the benefit of me being indie published is that I can rectify that very easily. ‘Cause I’m like, “Oh, that’s not on there? Alright, photoshop, put it in there, reupload,” and then that e-file gets updated so that person is like, “Alright cool. Sweet. Never happened. What.” K: What are you—what are you talking about? That was always like that. You’re imagining things. Stop hallucinating cities that weren’t there. A: Right. R: So, I’m noticing that as we run through these maps and you’re talking about them in different ways, and you’re mentioning that they’re different regions of the planet, I am noticing that they—or the worlds, planet is for sci-fi—that these maps are kind of in different styles. Is that intentional, that they would be a regional style for each story? A: Yes! Yeah, so they’re slightly different depending on which region we’re in. And it’s supposed to kind of be like a—what Maria always wanted to do was make sure that, as much as she could, make it like it was an in-world map and not so much a map made by 21st Century people— R: A digital file, yeah. A: Yeah, exactly. So yeah, yeah that’s the reason for the differences. That’s why we have the airship layout looking like it’s like a blueprint and then you have Kidogo and stuff looking, as it does. R: And creases! Creases in your maps and discolored areas and… A: Yes, yes! Oh, and she—which is funny because when I first started, I use a program called Vellum which is a formatter, and it didn’t—at first, it didn’t support full-page leaved images, so when I had showed her the book the first time, she’s like, “Oh… I designed it to be full page…” I was like, “I know, but it doesn’t support it! I had to make it a little tiny thing on one page. And then I showed her, “THEY DO IT NOW! THEY DO FULL PAGE IMAGES!!!!!” So the crease that she does there actually creases with the spine of the book, like it actually exists. Like “OOOH!” And she’s so happy that it has that now, and I was like, “Yeah, I know you wanted that,” because they only put that in seven months ago or something like that. R: Yeah, it was not that long ago. When I went in and I found it, I was equally happy. A: I use it all the time. My title pages look so awesome now! K: That is, that’s very cool. R: And I noticed it also, like you said, lay a single image across two pages, if you have your print layout done through them, too. So yeah. Very good update. Vellum is constantly improving. I’m a huge fan. A: Yeah, they’re awesome. K: You work on these books with an editor. Do you include the editor in the designing process of these maps at all? Do you get any input or run anything by the editor, or do you just handle all of this yourself? A: More or less. I mean, it depends on how important that location is to the story. I definitely have an editor—I have one of my editors, she’s more developmental, she’s more about the characters, and then I have one who’s more into the worldbuilding aspect of it? Fiona’s the one I’m mentioning who is like, more the character-based one and then Callan, Callan Brown, is the more worldbuildy. So, with Callan, I moreso do that kind of stuff with, where I’m like, hey this location—or, when we get to Al-Anim, because Al-Anim’s the main thing of book two, we were talking about the design of that city, the idea of the spine that goes through the entire city where everybody congregates and stuff like that. Or the idea, like I came up with a tavern, I’m like, “Okay, this tavern, what’s the history of this tavern? Why is it central? Why is it so important for everybody? Like, why is it popular? Why does it do so well?” We have those kinds of conversations, for sure, with an editor. K: Gotcha. ‘Cause we spend a lot of time talking about how, especially in self- and indie publishing, there’s this drive to just want to do everything yourself. I can take this, I can handle this, I don’t want people coming in and messing up my thing, but an outside voice, an outside set of eyes, is certainly, I think, helpful, even when it is something as microcosmic as building a map. A: I think it’s a complete necessity, actually. I don’t think it should ever be a one-mind person. Like, it’s very similar to filmmaking, where it’s a really collaborative effort when you really look at what goes into a book. Like, there’s not too many people out there who are gonna be doing everything on their book. From audiobook production or your cover design or your cartographers or your editors. Like, it’s definitely a collaborative thing. And I’m very huge about that. Like, I use the heck out of beta readers. I really, really—several iterations I’ll have a draft go, have the beta readers say something, send the other one out, have the beta readers say something. Alright, now my editor’s going through it, now my critique partner’s going through it. I’m very, very into the feedback and that feedback loop of making sure that everything makes sense and things track. I think that’s super important. K: Yeah, I completely agree. So, along those lines, we always ask when we have guests on, advice,s suggestions, red flags, things you would pass along to somebody who’s thinking, “Hey, you know, I’m gonna include a map in my book.” What would you tell them? To either watch out for or to make sure you do. A: I would send them to Brandon Sanderson’s, he has a bunch of YouTube videos. It’s his classes, literally his classes for free. One of those episodes that he has on YouTube is about him talking about maps. Literally, the whole session of that class was about maps. And he really, really goes into—Also him, and there’s also other people on YouTube who talk about it. D&D people, I would say look up D&D channels. K: Okay. A: They also have really good insights about map design. Because yeah, it’s not as simple as putting a mountain, and like you were saying, having a river in the middle of a continent, sort of situation. Even port cities. Port cities are done incorrectly because they aren’t typically right on the coast, they’re usually a little bit more inland, whether it’s a bay or on a river, deeper in. Whatever it might be. So, I would say, I usually suggest Brandon Sanderson’s works, his lectures that are free on YouTube. You don’t have to take a college course about geography or geology or anything like that, but it does help to have some knowledge about what tectonic plates are, how they work, how they form continents, why continents look the way they do. Why those mountain ranges look different from a different kind of mountain range. A little bit, just a little bit, if you’re gonna be making maps, to know that. K: Yeah, I would even take it a step further and say, you know, think about the terrain that you’re putting in here and how it fits into your story. Will this kill the characters, based on the length of time it’s supposed to take them to cross it? A: Right. K: I’ve seen a lot of traditionally published books where you look at the maps and you’re like, “That’s not how long it should have taken them to get from that place to the other, compared to these two cities which are much closer together and somehow took a longer amount of time.” But I’m sure that’s a factor you have to consider as well. If I say these two cities are this far apart and it took these two characters six days to get between them, and these two are twice as far apart, in theory it should take at least twelve. R: And one’s in an airship and another one’s sailing on the water. A: That is literally the reason why I was talking about the whole book three thing between the Kidogo and Al-Anim thing because it was very important ‘cause both of those things factor in. It was like, “Okay, how long will the sea ship take to get there? How long will the airship take to get there?” So I had to factor it and I’m like measuring it out. I’m like, “Okay, so, if I’m taking this or something like that, I’m gonna measure out each piece of it. Okay, this little prong is probably gonna be a quarter of a day, so if I do four of these, this distance takes a day— Yeah, I totally had to do all of that and adjust things based on plot reasons. K: Plot reasons. Yes. No, we could do an entire episode on geography versus plot. And how they work for and against each other. A: Uh-huh. K: The airship, you know, what if it’s crossing mountains that frequently have storms over it. What if the sea ship is going through a channel that’s known to be very rocky, so you really have to slow down and navigate through there. A: And sometimes you add that, specifically, because you’re like, “I need them to slow down! Lemme put a typhoon here!” R, laughing: Excellent. K: These people are gonna get there two days before they left the last… A: Yup, yup, yup. R: I did see that there’s a sea serpent on the map. Occasionally it might just pop up and grab the airship or something, right? K: Here there be monsters. R: You do so much else. K: Like, a lot. R: A lot, a lot. What do you want our listeners to know about you before we let you go and, definitely include where they can find you. Talk about your publishing your house, talk about your various business— A: Ventures and endeavours. Yeah. R: You just keep switching hats! And go, “Today, I am an audio producer. Tomorrow, I’m editing video.” I’ll let you do it. A: You can find everything about me, if you just wanna see every single thing that I’m doing, on my website. That is antoinebandele.com [spells it], so I do a bunch of stuff. So I do, primarily right now, the main income generator for me is my YouTube channel. I am a YouTuber. Right now, I’m focused mostly on Avatar: The Last Airbender and Legend of Korra because those have come back to Netflix and my channel is like, “Hey! Lots of people are watching those videos! You should make more of those videos!” And I’m like, “Oh my god, yes I will!” And so I… that’s the main focus right now. K: Fine, I’ll talk about Avatar: The Last Airbender more. A: Oh, fine. Jeez, Louise! So I’ve been doing that, as of late. But I do other things, too. I’ve covered Harry Potter, Star Wars, Game of Thrones, as we’ve been talking about. Samurai Champloo, some anime, stuff like that. R: Nice. A: So I have my YouTube, and that’s my main thing. I also work freelance for other YouTube channels. I used to work for a company called JustKidding films, where they do a news channel, they have a party channel for board games. I also work for a blog channel, their name is Tip and Kace. Basically it’s just a family blog, just their day-to-day and stuff like that. So I have those services, and I also do services for indie authors who are trying to produce audiobooks. So I have a bunch of—I live in L.A., I think as I mentioned already in the podcast, so I have a lot of friends who are actors, or up and coming actors, who would love to have work. I was doing audio just for myself, right? Just for my own books, because I’m already an editor I’m like, “I’ll just do it myself.” And then one of my friends, after we had collaborated on the prequel to By Sea and Sky, Stoneskin, and when we did that prequel and I did the audiobook, he’s like, “Dude, this is like really good. You should be doing this as a service.” I was like, “I don’t know about that, that sounds like a lot of work.” He’s like, “It’s not! You obviously know how to do it.” And I was like, “Fine,” and I did it and I have a bunch of clients now who work with me on their audiobooks, whether it’s urban fantasy or sci-fi and all these other genres—romance, I’ve never done romance before. That was interesting to experience. [40:13] K: Oh! How was that? A: It’s definitely a different genre. It’s definitely different from what I’m used to. R: In audiobooks, no one can see you blush. [K laughs] A, laughing: Exactly, exactly! So I started doing that. So I have that going on as well. But then, you know, my main thing, the thing I’m wanting to be my main thing, is my own publishing. Of my books and other works. So, of course, I write these Esowon books, as we’ve been talking about. That’s the sky pirate stuff, the African fantasy inspired stuff, but I’ve also produced a children’s book for another friend of mine, who had a children’s book that he published, I think, in 2012, and he’s like, “Hey, I’ve seen that you have really good quality of your books. Could you re-do my old book?” And I was like, “Yeah, sure! Why not?” And then he actually profited within the first two months, before I even profited on my own works. K: Oh, wow. Great. A: I was like, “Oh my god! Children’s books is where it’s at, apparently!” So I do that, as well. I’ve published… five authors, at this point? Besides myself. Underneath my imprint of Bandele Books. So, yeah, I think that’s everything that I do. My YouTube channel, my editing, publishing, audiobook production, writing. Think that’s everything. K: Jeez, that is an incredibly… full and talented. R: Full plate. K: Full plate, and incredible brand of talents. That’s really, really awesome. Thank you so, so much for taking the time to talk with us about this. This is, you know, like we said, a really cool thing in books that I think are taken for granted by both, well, especially readers, but even sometimes by authors, with how much work and effort and time goes into this. A: Mhm. R: Excellent! Well make sure you go and follow Antoine, check out his work on his website. Check out the books, they’re really great! I happen to be biased toward airships. But everyone should be. K: A little bit. R: And I’m looking forward to reading the next one and seeing what you add to these maps! Now I’ve got this little piece of candy that I can follow. What’s new? What’s new on the map? I’m gonna be looking at them real closely. Thank you so much, Antoine, and maybe we’ll have to have you back someday to talk about audio production. A: For sure, yeah! That’d be fun. R: Awesome, thank you so much. [outro swish] R: Thanks, everyone, for joining us for another episode of We Make Books. If you have any questions that you want answered in future episodes, or just have questions in general, remember you can find us on Twitter @wmbcast, same for Instagram, or wmbcast.com. If you find value in the content that we provide, we would really appreciate your support at Patreon.com/wmbcast. If you can’t provide financial support, we totally understand, and what you could really do to help us is spread the word about this podcast. You can do that by sharing a particular episode with a friend who can find it useful, or if you leave a rating and review at iTunes, it will feed that algorithm and help other people find out podcast, too. Of course, you can always retweet our episodes on Twitter. Thank you so much for listening, and we will talk to you soon! [outro music plays] The team Antoine gathered to work on his Esowon books:Cartography - RenFlowerGrapx (Maria Gondolfo): https://www.fiverr.com/renflowergrapxFiona McLaren - DevelopmentalCallan Brown - ContinuityJosiah Davis - Line/CopyeditSutthiwat Dekachamphu - Cover ArtSarayu Ruangvesh - Character ArtOther resources:Brandon Sanderson Creative Writing Lessons: https://www.youtube.com/watch?v=-6HOdHEeosc&list=PLSH_xM-KC3Zv-79sVZTTj-YA6IAqh8qeQ
“To get good at dealing with negative experiences is to get good at dealing with life because our struggles determine our successes.” – Kindi Gill This episode hosts Elena and Brooke talk to Kindi Gill, a family transformation specialist who they met during a radio show appearance in Vancouver. The women heard her speaking and […]
Tune into Episode 83 of REV with Rachel for Navigating Difficult Emotions with Kindi Dulai-Gill!Kindi Dulai-Gill is a Health and Wellness Catalyst, Family Transformation Coach and a Professional Speaker. A former CEO of a private company, responsible for 3000 people nationally in the UK, she has 30 plus years of experience in Leadership and Change Management and 12 years of experience with the Dalian School of Health and Consciousness.Kindi educates on unconscious bias and the implications of the associated implicit reactions, judgments and perceptions we hold. She teaches how to quickly and permanently overcome bodily memories of trauma, grief, conflict, and stress, that are created by old sabotaging beliefs & conditionings, which in turn inform our implicit reactions. She also offers practical "how to" help, to eliminate the underlying pain, fears and anxieties that disable our lives, using the revolutionary Dalian Method. The ultimate objective is to increase self-awareness, achieve life-changing behavioural resilience, psychological wellness and improved relationships and collaborations, through heightened consciousness.For more info go to www.kindigill.comSign up for REV with Rachel email updates at www.revwithrachel.com !
Tune into Episode 83 of REV with Rachel for Navigating Difficult Emotions with Kindi Dulai-Gill!Kindi Dulai-Gill is a Health and Wellness Catalyst, Family Transformation Coach and a Professional Speaker. A former CEO of a private company, responsible for 3000 people nationally in the UK, she has 30 plus years of experience in Leadership and Change Management and 12 years of experience with the Dalian School of Health and Consciousness.Kindi educates on unconscious bias and the implications of the associated implicit reactions, judgments and perceptions we hold. She teaches how to quickly and permanently overcome bodily memories of trauma, grief, conflict, and stress, that are created by old sabotaging beliefs & conditionings, which in turn inform our implicit reactions. She also offers practical "how to" help, to eliminate the underlying pain, fears and anxieties that disable our lives, using the revolutionary Dalian Method. The ultimate objective is to increase self-awareness, achieve life-changing behavioural resilience, psychological wellness and improved relationships and collaborations, through heightened consciousness.For more info go to www.kindigill.comSign up for REV with Rachel email updates at www.revwithrachel.com !
Al Kindi telah menulis banyak karya dalam pelbagai disiplin ilmu, dari metafisika, etika, logika dan psikologi, hingga ilmu pengobatan, farmakologi, matematika, astrologi dan optik, juga meliputi topik praktis seperti parfum, pedang, zoologi, kaca, meteorologi dan gempa bumi. --- Send in a voice message: https://anchor.fm/saptono-soemarsono/message
pada episode kali ini sebenarnya adalah keluh kesah kita kuliah di negeri antah berantah nggak usah lama lama, langsung aja skuy dengerin podcast ini dan sekedar mengingatkan jgn tersinggung krn Podcast ini hanya untuk hiburan semata.
Season 12, Episode 2. Ngaji Filsafat - Dr. Fahruddin Faiz. Abu Yūsuf Yaʻqūb ibn ʼIsḥāq aṣ-Ṣabbāḥ al-Kindī (Arab: أبو يوسف يعقوب بن إسحاق الصبّاح الكندي, Latin: Alkindus) (lahir: 801 - wafat: 873), dikenal sebagai filsuf pertama yang lahir dari kalangan Islam. Semasa hidupnya, selain bisa berbahasa Arab, ia mahir berbahasa Yunani. Banyak karya-karya para filsuf Yunani diterjemahkannya dalam bahasa Arab; antara lain karya Aristoteles dan Plotinos. Sayangnya ada sebuah karya Plotinus yang diterjemahkannya sebagai karangan Aristoteles yang berjudul Teologi menurut Aristoteles, yang di kemudian hari menimbulkan sedikit kebingungan. Ia adalah filsuf berbangsa Arab dan dipandang sebagai filsuf Muslim pertama. Secara etnis, al-Kindi lahir dari keluarga berdarah Arab yang berasal dari suku Kindah, salah satu suku besar daerah Jazirah Arab Selatan. Salah satu kelebihan al-Kindi adalah menghadirkan filsafat Yunani kepada kaum Muslimin setelah terlebih dahulu mengislamkan pikiran-pikiran asing tersebut. Al Kindi telah menulis banyak karya dalam pelbagai disiplin ilmu, dari metafisika, etika, logika dan psikologi, hingga ilmu pengobatan, farmakologi, matematika, astrologi dan optik, juga meliputi topik praktis seperti parfum, pedang, zoologi, kaca, meteorologi dan gempa bumi. Di antaranya ia sangat menghargai matematika. Hal ini disebabkan karena matematika, bagi al-Kindi, adalah mukaddimah bagi siapa saja yang ingin mempelajari filsafat. Mukaddimah ini begitu penting sehingga tidak mungkin bagi seseorang untuk mencapai keahlian dalam filsafat tanpa terlebih dulu menguasai matematika. Matematika di sini meliputi ilmu tentang bilangan, harmoni, geometri dan astronomi.[butuh rujukan] Yang paling utama dari seluruh cakupan matematika di sini adalah ilmu bilangan atau aritmetika karena jika bilangan tidak ada, maka tidak akan ada sesuatu apapun. Al-Kindi membagi daya jiwa menjadi tiga: daya bernafsu (appetitive), daya pemarah (irascible), dan daya berpikir (cognitive atau rational). Sebagaimana Plato, ia membandingkan ketiga kekuatan jiwa ini dengan mengibaratkan daya berpikir sebagai sais kereta dan dua kekuatan lainnya (pemarah dan nafsu) sebagai dua ekor kuda yang menarik kereta tersebut. Jika akal budi dapat berkembang dengan baik, maka dua daya jiwa lainnya dapat dikendalikan dengan baik pula. Orang yang hidupnya dikendalikan oleh dorongan-dorongan nafsu birahi dan amarah diibaratkan al-Kindi seperti anjing dan babi, sedang bagi mereka yang menjadikan akal budi sebagai tuannya, mereka diibaratkan sebagai raja. Menurut al-Kindi, fungsi filsafat sesungguhnya bukan untuk menggugat kebenaran wahyu atau untuk menuntut keunggulan yang lancang atau menuntut persamaan dengan wahyu. Filsafat haruslah sama sekali tidak mengajukan tuntutan sebagai jalan tertinggi menuju kebenaran dan mau merendahkan dirinya sebagai penunjang bagi wahyu. Ia mendefinisikan filsafat sebagai pengetahuan tentang segala sesuatu sejauh jangkauan pengetahuan manusia. Karena itu, al-Kindi dengan tegas mengatakan bahwa filsafat memiliki keterbatasan dan bahwa ia tidak dapat mengatasi problem semisal mukjizat, surga, neraka, dan kehidupan akhirat. Dalam semangat ini pula, al-Kindi mempertahankan penciptaan dunia ex nihilio, kebangkitan jasmani, mukjizat, keabsahan wahyu, dan kelahiran dan kehancuran dunia oleh Tuhan. Al-Kindi mengumpulkan berbagai karya filsafat secara ensiklopedis, yang kemudian diselesaikan oleh Ibnu Sina (Avicenna) seabad kemudian. Ia juga tokoh pertama yang berhadapan dengan berbagai aksi kejam dan penyiksaan yang dilancarkan oleh para bangsawan religius-ortodoks terhadap berbagai pemikiran yang dianggap bid'ah, dan dalam keadaan yang sedemikian tragis (terhadap para pemikir besar Islam), al Kindi dapat membebaskan diri dari upaya kejam para bangsawan religius-ortodoks itu.
Welcome to the Sunday Night Health Show podcast! Tonight, we chat with Kindi about how to deal with family conflict not through counseling rather through your cells. We also have another Biodiet checkup with Dr. David G. Harper - hint chocolates aren’t the most popular gift. Ever wonder if men who’ve had spinal cord injury can have sex or father a baby? The ladies of WAGS (women and girlfriends of men wht SCI) tell all. We also have a conversation about intimate partner violence and why we can’t give judges, lawyers, police, sw or politicians a pass.
In this podcast, Sadeer Al-Kindi, MD, discusses his new research that identified the risk of heart failure rehospitalization among people with and without HIV who have heart failure. More at: www.consultant360.com/cardiology.
Sometimes a wonder which no longer exists is worth an episode. In the 9th century, the Abbasid caliphs of Baghdad created the Bayt al-Hikma, the House of Wisdom, a great library which served as the starting point for a remarkable intellectual program. There, hundreds of scribes translated as many Greek, Persian, Indian and other documents that they could, and these widespread translations fueled new advances that would make Baghdad the Silicon Valley of the 9th and 10th centuries. Men like al-Khwarizmi, the Father of Algebra, and al-Kindi, the Philosopher of the Arabs, changed the world. Dr. Ali A Olomi, frequent guest, friend of the show, and host of Head on History, appears to discuss the House of Wisdom, the thinkers who worked there, and the caliphs who helped make it happen, like Harun al-Rashid and al-Mamun. In the process, we'll cover murderous kings, "true crime" mysteries, civil wars that really were brother vs brother, medieval machines, brilliant alchemists and mathematicians, and the guy who gave us the three-course meal and toothpaste. Plus we revisit masgouf, Iraq's favorite grilled fish. Sources: Bobrick, Benson. The Caliph's Splendor: Islam and the West in the Golden Age of Baghdad Hann, Geoff et al. Iraq: the Ancient Sites & Iraqi Kurdistan: the Bradt Travel Guide Kennedy, Hugh. When Baghdad Ruled the Muslim World: the Rise and Fall of Islam's Greatest Dynasty Lyons, Jonathan. The House of Wisdom: How the Arabs Transformed Western Civilization Morgan, Michael Hamilton. Lost History: the Enduring Legacy of Muslim Scientists, Thinkers, and Artists Thousand and One Nights Photograph of Mustansiriya Madrassa by Taisir Mahdi
In this week's edition of The Toy Report, Toy Book Senior Editor James Zahn ("The Rock Father") shares news on The Toy Association's Diversity & Inclusion Committee, Spin Master and Funko Financials, the latest from Sesame Workshop, and much more. --- Send in a voice message: https://anchor.fm/adventuremedia/message
No sexto episódio do EntreCampos vamos conversar com Paulo Hilu Pinto, professor de Antropologia da Universidade Federal Fluminense e docente convidado da Cátedra Santander de Ciências Sociais e Humanas de 2017. Paulo Hilu Pinto fala-nos do islão por meio de um olhar antropológico, cruzando a sua história e política. Ao longo deste episódio, o antropólogo ajuda-nos a perceber como também para aqueles que seguem o Islão, os códigos e regras morais rígidas não esgotam ou resolvem os dilemas éticos da vida quotidiana. Paisagens sonoras: [0’26’’ a 0’50’’; 15'36'' a 16'00''; 21'56'' a 22'30''; 29'26'' a 29'39''; 32'41'' a 32'54''] "Ziyarat al-Arbaiyyn" por Iman Hussein. [0’50’’ a 2’25’’; 19'49'' a 20'17''; 26'49'' a 27'12''] "Allepian Sufi Transe" por Ensemble al-Kindi & Sheik Harbousch (Festival de Fès). [7’50’’ a 8’50’’] "Understandings of Celestial Mysteries" por keji al feju (sob licença Creative Commons Attribution-NonCommercial-NoDerivatives). [7’50’’ a 8’50’’; 19'51'' a 20'18''] "Clothes market, Beirut" por bbc.co.uk - © Copyright 2019 BBC. Equipa EntreCampos: Coordenação - Filipe Reis. Textos e Apresentação - Afonso Bento e Ana Rita Costa. Direção Técnica - Décio Telo. Produção e Comunicação - Mafalda Melo Sousa e Ana Lúcia Fonseca. Música Original – Vicente Valentim. Design Gráfico - Sara Bento de Castro. Produção e Apoios: Laboratório Audiovisual do CRIA - polo do ISCTE-IUL. Centro em Rede de Investigação em Antropologia (CRIA). Fundação para a Ciência e Tecnologia (FCT).
Teselligah - Dervişin teselli Koleksiyonu - 100 soru ve cevap
Dervişin Teselli Koleksiyonu kitabının yazarından, kitap içeriği üzerine kısa sohbetler. Doğu’dan Batı’dan 99 Teselli Kederli günlerden geçen derviş, rüya âleminde bir adaya uğrar. Gördüğü şey mucizevidir. Peygamberler, veliler, âlimler ve filozoflar bir halka şeklinde oturmakta ve anlaşıldığı kadarıyla birini beklemektedirler. Derviş de onlarla birlikte beklemeye durur ancak asıl misafirin kendisi olduğunu anlaması uzun sürmez. Halkanın ortasında kendisine gösterilen yere oturur ve her kederine bir teselli verecek olan bu nurani meclisi dinlemeye koyulur. Halkanın bir tarafında Abdulkadir Geylani’den Yunus Emre’ye, İmam Gazali’den Mevlana’ya ve İbn Arabi’ye birçok gönül doktoru… Halkanın diğer tarafında Sokrates, Hegel, Kant, Kierkegaard, Spinoza ve Schopenhauer gibi hikmet âşıkları… Halkanın bir başka yanında ise Geothe’den Cibran’a, Tanpınar’dan Dostoyevski’ye, Sadi Şirazi’den Rilke’ye ve Proust’a acılarını kelimelerin büyülü dünyasında dindirmeye uğraşan kalem erbabı… Bu teselli halkası öylesine geniştir ki, dindiremeyeceği keder, zayıflatamayacağı acı, sevdiremeyeceği dert yok gibi gözükmektedir. Sözler sözleri, anlatımlar anlatımları, teselliler tesellileri takip eder. Derviş uyandığında yalnızca güneş doğmamıştır, kendi içsel karanlıklarından da aydınlığa çıkmıştır. Dervişin Teselli Koleksiyonu doğunun ve batının binlerce yılda oluşturduğu teselli birikimini yaralı gönüllere cömertçe ulaştıran bir çalışma. Teselliden kasıt zihnin düşünceler yoluyla uyuşturulması değil, bilakis acı karşısında uyumayı seçen zihnin uyandırılması… Kadim teselli ustalarıyla, teselliye muhtaç gönülleri buluşturmak, bu kitabın varoluş sebebi! Dervişin Teselli Koleksiyonu’nda Gönlünüze Dokunacak Olanlardan Bazıları Âlimlerden... Abdulkadir Geylani, Ataullah İskenderi, Aziz Mahmud Hüdâyî, Bayezid-i Bistami, Bediüzzaman Said Nursi, Ebu’l İz El Cezeri, Feriduddin Attar, Frithjof Schuon, Habib Baba, Hacı Bektaş Veli, Hasan Basri, Hasan Harakani, İbn-i Abbas, İbn-i Mübarek, İbrahim Ethem, İbrahim Hakkı, İmam Gazali, İsfehani, Lokman Hekim, Merkez Efendi, Mevlana, Muhyiddin İbn Arabi, Somuncu Baba, Sümbül Efendi, Şeyh Edebali, Şibli, Zünnun-i Mısrî (...) Filozoflardan... Albert Camus, Aldous Huxley, Anaksagoras, Aristophanes, Aurelius, Bernard Shaw, Blaise Pascal, Boethius, Buda, Clive Staples Lewis, Cemil Meriç, Dionysius, Epiktetos, Epikuros, Filibeli Ahmed Hilmi, Frederic Amiel, Halil Cibran, Gabriel Marcel, Hegel, Heisenberg, Icarus, Immanuel Kant, İbn-i Haldun, İbn-i Kemal, İbn-i Rüşt, İbn-i Sina, John Berger, John Locke, Soren Kierkegaard, Kindi, Konfüçyüs, Lao Tzu, Leibniz, Nietzsche, Platon, Sartre, Schopenhauer, Seneca, Simone de Beauvoir, Sokrates, Spinoza, Wittgenstein, Zenon (...) Yazarlardan... Ahmet Hamdi Tanpınar, Ahmet Haşim, Andre Gide, Arif Nihat Asya, Attila İlhan, Baudelaire, Cahit Sıtkı Tarancı, Cahit Zarifoğlu, Cemal Süreya, Cenap Şehabettin, Cesare Pavese, Charles Dickens, Dostoyevski, Eşrefoğlu Rumi, Exupery, Fernando Pessoa, Fuzuli, Geothe, Haldun Taner, Hermann Hesse, Ivan Turgenyev, İ. Oktay Anar, Kafka, Marcel Proust, Marquez, Mehmet Akif Ersoy, Milton, Montaigne, Muhibbi, Oğuz Atay, Orhan Veli, Oscar Wilde, Pablo Neruda, Paulo Coelho, Peyami Safa, Rainer Maria Rilke, Sadi Şirazi, Safiyyüddin el-Hillî, Samuel Beckett, Sezai Karakoç, Stefan Zweig, T.S. Eliot, Tolstoy, Virginia Woolf, Yunus Emre (...)
Teselligah - Dervişin teselli Koleksiyonu - 100 soru ve cevap
Dervişin Teselli Koleksiyonu kitabının yazarından, kitap içeriği üzerine kısa sohbetler. Doğu’dan Batı’dan 99 Teselli Kederli günlerden geçen derviş, rüya âleminde bir adaya uğrar. Gördüğü şey mucizevidir. Peygamberler, veliler, âlimler ve filozoflar bir halka şeklinde oturmakta ve anlaşıldığı kadarıyla birini beklemektedirler. Derviş de onlarla birlikte beklemeye durur ancak asıl misafirin kendisi olduğunu anlaması uzun sürmez. Halkanın ortasında kendisine gösterilen yere oturur ve her kederine bir teselli verecek olan bu nurani meclisi dinlemeye koyulur. Halkanın bir tarafında Abdulkadir Geylani’den Yunus Emre’ye, İmam Gazali’den Mevlana’ya ve İbn Arabi’ye birçok gönül doktoru… Halkanın diğer tarafında Sokrates, Hegel, Kant, Kierkegaard, Spinoza ve Schopenhauer gibi hikmet âşıkları… Halkanın bir başka yanında ise Geothe’den Cibran’a, Tanpınar’dan Dostoyevski’ye, Sadi Şirazi’den Rilke’ye ve Proust’a acılarını kelimelerin büyülü dünyasında dindirmeye uğraşan kalem erbabı… Bu teselli halkası öylesine geniştir ki, dindiremeyeceği keder, zayıflatamayacağı acı, sevdiremeyeceği dert yok gibi gözükmektedir. Sözler sözleri, anlatımlar anlatımları, teselliler tesellileri takip eder. Derviş uyandığında yalnızca güneş doğmamıştır, kendi içsel karanlıklarından da aydınlığa çıkmıştır. Dervişin Teselli Koleksiyonu doğunun ve batının binlerce yılda oluşturduğu teselli birikimini yaralı gönüllere cömertçe ulaştıran bir çalışma. Teselliden kasıt zihnin düşünceler yoluyla uyuşturulması değil, bilakis acı karşısında uyumayı seçen zihnin uyandırılması… Kadim teselli ustalarıyla, teselliye muhtaç gönülleri buluşturmak, bu kitabın varoluş sebebi! Dervişin Teselli Koleksiyonu’nda Gönlünüze Dokunacak Olanlardan Bazıları Âlimlerden... Abdulkadir Geylani, Ataullah İskenderi, Aziz Mahmud Hüdâyî, Bayezid-i Bistami, Bediüzzaman Said Nursi, Ebu’l İz El Cezeri, Feriduddin Attar, Frithjof Schuon, Habib Baba, Hacı Bektaş Veli, Hasan Basri, Hasan Harakani, İbn-i Abbas, İbn-i Mübarek, İbrahim Ethem, İbrahim Hakkı, İmam Gazali, İsfehani, Lokman Hekim, Merkez Efendi, Mevlana, Muhyiddin İbn Arabi, Somuncu Baba, Sümbül Efendi, Şeyh Edebali, Şibli, Zünnun-i Mısrî (...) Filozoflardan... Albert Camus, Aldous Huxley, Anaksagoras, Aristophanes, Aurelius, Bernard Shaw, Blaise Pascal, Boethius, Buda, Clive Staples Lewis, Cemil Meriç, Dionysius, Epiktetos, Epikuros, Filibeli Ahmed Hilmi, Frederic Amiel, Halil Cibran, Gabriel Marcel, Hegel, Heisenberg, Icarus, Immanuel Kant, İbn-i Haldun, İbn-i Kemal, İbn-i Rüşt, İbn-i Sina, John Berger, John Locke, Soren Kierkegaard, Kindi, Konfüçyüs, Lao Tzu, Leibniz, Nietzsche, Platon, Sartre, Schopenhauer, Seneca, Simone de Beauvoir, Sokrates, Spinoza, Wittgenstein, Zenon (...) Yazarlardan... Ahmet Hamdi Tanpınar, Ahmet Haşim, Andre Gide, Arif Nihat Asya, Attila İlhan, Baudelaire, Cahit Sıtkı Tarancı, Cahit Zarifoğlu, Cemal Süreya, Cenap Şehabettin, Cesare Pavese, Charles Dickens, Dostoyevski, Eşrefoğlu Rumi, Exupery, Fernando Pessoa, Fuzuli, Geothe, Haldun Taner, Hermann Hesse, Ivan Turgenyev, İ. Oktay Anar, Kafka, Marcel Proust, Marquez, Mehmet Akif Ersoy, Milton, Montaigne, Muhibbi, Oğuz Atay, Orhan Veli, Oscar Wilde, Pablo Neruda, Paulo Coelho, Peyami Safa, Rainer Maria Rilke, Sadi Şirazi, Safiyyüddin el-Hillî, Samuel Beckett, Sezai Karakoç, Stefan Zweig, T.S. Eliot, Tolstoy, Virginia Woolf, Yunus Emre (...)
Teselligah - Dervişin teselli Koleksiyonu - 100 soru ve cevap
Dervişin Teselli Koleksiyonu kitabının yazarından, kitap içeriği üzerine kısa sohbetler. Doğu’dan Batı’dan 99 Teselli Kederli günlerden geçen derviş, rüya âleminde bir adaya uğrar. Gördüğü şey mucizevidir. Peygamberler, veliler, âlimler ve filozoflar bir halka şeklinde oturmakta ve anlaşıldığı kadarıyla birini beklemektedirler. Derviş de onlarla birlikte beklemeye durur ancak asıl misafirin kendisi olduğunu anlaması uzun sürmez. Halkanın ortasında kendisine gösterilen yere oturur ve her kederine bir teselli verecek olan bu nurani meclisi dinlemeye koyulur. Halkanın bir tarafında Abdulkadir Geylani’den Yunus Emre’ye, İmam Gazali’den Mevlana’ya ve İbn Arabi’ye birçok gönül doktoru… Halkanın diğer tarafında Sokrates, Hegel, Kant, Kierkegaard, Spinoza ve Schopenhauer gibi hikmet âşıkları… Halkanın bir başka yanında ise Geothe’den Cibran’a, Tanpınar’dan Dostoyevski’ye, Sadi Şirazi’den Rilke’ye ve Proust’a acılarını kelimelerin büyülü dünyasında dindirmeye uğraşan kalem erbabı… Bu teselli halkası öylesine geniştir ki, dindiremeyeceği keder, zayıflatamayacağı acı, sevdiremeyeceği dert yok gibi gözükmektedir. Sözler sözleri, anlatımlar anlatımları, teselliler tesellileri takip eder. Derviş uyandığında yalnızca güneş doğmamıştır, kendi içsel karanlıklarından da aydınlığa çıkmıştır. Dervişin Teselli Koleksiyonu doğunun ve batının binlerce yılda oluşturduğu teselli birikimini yaralı gönüllere cömertçe ulaştıran bir çalışma. Teselliden kasıt zihnin düşünceler yoluyla uyuşturulması değil, bilakis acı karşısında uyumayı seçen zihnin uyandırılması… Kadim teselli ustalarıyla, teselliye muhtaç gönülleri buluşturmak, bu kitabın varoluş sebebi! Dervişin Teselli Koleksiyonu’nda Gönlünüze Dokunacak Olanlardan Bazıları Âlimlerden... Abdulkadir Geylani, Ataullah İskenderi, Aziz Mahmud Hüdâyî, Bayezid-i Bistami, Bediüzzaman Said Nursi, Ebu’l İz El Cezeri, Feriduddin Attar, Frithjof Schuon, Habib Baba, Hacı Bektaş Veli, Hasan Basri, Hasan Harakani, İbn-i Abbas, İbn-i Mübarek, İbrahim Ethem, İbrahim Hakkı, İmam Gazali, İsfehani, Lokman Hekim, Merkez Efendi, Mevlana, Muhyiddin İbn Arabi, Somuncu Baba, Sümbül Efendi, Şeyh Edebali, Şibli, Zünnun-i Mısrî (...) Filozoflardan... Albert Camus, Aldous Huxley, Anaksagoras, Aristophanes, Aurelius, Bernard Shaw, Blaise Pascal, Boethius, Buda, Clive Staples Lewis, Cemil Meriç, Dionysius, Epiktetos, Epikuros, Filibeli Ahmed Hilmi, Frederic Amiel, Halil Cibran, Gabriel Marcel, Hegel, Heisenberg, Icarus, Immanuel Kant, İbn-i Haldun, İbn-i Kemal, İbn-i Rüşt, İbn-i Sina, John Berger, John Locke, Soren Kierkegaard, Kindi, Konfüçyüs, Lao Tzu, Leibniz, Nietzsche, Platon, Sartre, Schopenhauer, Seneca, Simone de Beauvoir, Sokrates, Spinoza, Wittgenstein, Zenon (...) Yazarlardan... Ahmet Hamdi Tanpınar, Ahmet Haşim, Andre Gide, Arif Nihat Asya, Attila İlhan, Baudelaire, Cahit Sıtkı Tarancı, Cahit Zarifoğlu, Cemal Süreya, Cenap Şehabettin, Cesare Pavese, Charles Dickens, Dostoyevski, Eşrefoğlu Rumi, Exupery, Fernando Pessoa, Fuzuli, Geothe, Haldun Taner, Hermann Hesse, Ivan Turgenyev, İ. Oktay Anar, Kafka, Marcel Proust, Marquez, Mehmet Akif Ersoy, Milton, Montaigne, Muhibbi, Oğuz Atay, Orhan Veli, Oscar Wilde, Pablo Neruda, Paulo Coelho, Peyami Safa, Rainer Maria Rilke, Sadi Şirazi, Safiyyüddin el-Hillî, Samuel Beckett, Sezai Karakoç, Stefan Zweig, T.S. Eliot, Tolstoy, Virginia Woolf, Yunus Emre (...)
Teselligah - Dervişin teselli Koleksiyonu - 100 soru ve cevap
Dervişin Teselli Koleksiyonu kitabının yazarından, kitap içeriği üzerine kısa sohbetler. Doğu’dan Batı’dan 99 Teselli Kederli günlerden geçen derviş, rüya âleminde bir adaya uğrar. Gördüğü şey mucizevidir. Peygamberler, veliler, âlimler ve filozoflar bir halka şeklinde oturmakta ve anlaşıldığı kadarıyla birini beklemektedirler. Derviş de onlarla birlikte beklemeye durur ancak asıl misafirin kendisi olduğunu anlaması uzun sürmez. Halkanın ortasında kendisine gösterilen yere oturur ve her kederine bir teselli verecek olan bu nurani meclisi dinlemeye koyulur. Halkanın bir tarafında Abdulkadir Geylani’den Yunus Emre’ye, İmam Gazali’den Mevlana’ya ve İbn Arabi’ye birçok gönül doktoru… Halkanın diğer tarafında Sokrates, Hegel, Kant, Kierkegaard, Spinoza ve Schopenhauer gibi hikmet âşıkları… Halkanın bir başka yanında ise Geothe’den Cibran’a, Tanpınar’dan Dostoyevski’ye, Sadi Şirazi’den Rilke’ye ve Proust’a acılarını kelimelerin büyülü dünyasında dindirmeye uğraşan kalem erbabı… Bu teselli halkası öylesine geniştir ki, dindiremeyeceği keder, zayıflatamayacağı acı, sevdiremeyeceği dert yok gibi gözükmektedir. Sözler sözleri, anlatımlar anlatımları, teselliler tesellileri takip eder. Derviş uyandığında yalnızca güneş doğmamıştır, kendi içsel karanlıklarından da aydınlığa çıkmıştır. Dervişin Teselli Koleksiyonu doğunun ve batının binlerce yılda oluşturduğu teselli birikimini yaralı gönüllere cömertçe ulaştıran bir çalışma. Teselliden kasıt zihnin düşünceler yoluyla uyuşturulması değil, bilakis acı karşısında uyumayı seçen zihnin uyandırılması… Kadim teselli ustalarıyla, teselliye muhtaç gönülleri buluşturmak, bu kitabın varoluş sebebi! Dervişin Teselli Koleksiyonu’nda Gönlünüze Dokunacak Olanlardan Bazıları Âlimlerden... Abdulkadir Geylani, Ataullah İskenderi, Aziz Mahmud Hüdâyî, Bayezid-i Bistami, Bediüzzaman Said Nursi, Ebu’l İz El Cezeri, Feriduddin Attar, Frithjof Schuon, Habib Baba, Hacı Bektaş Veli, Hasan Basri, Hasan Harakani, İbn-i Abbas, İbn-i Mübarek, İbrahim Ethem, İbrahim Hakkı, İmam Gazali, İsfehani, Lokman Hekim, Merkez Efendi, Mevlana, Muhyiddin İbn Arabi, Somuncu Baba, Sümbül Efendi, Şeyh Edebali, Şibli, Zünnun-i Mısrî (...) Filozoflardan... Albert Camus, Aldous Huxley, Anaksagoras, Aristophanes, Aurelius, Bernard Shaw, Blaise Pascal, Boethius, Buda, Clive Staples Lewis, Cemil Meriç, Dionysius, Epiktetos, Epikuros, Filibeli Ahmed Hilmi, Frederic Amiel, Halil Cibran, Gabriel Marcel, Hegel, Heisenberg, Icarus, Immanuel Kant, İbn-i Haldun, İbn-i Kemal, İbn-i Rüşt, İbn-i Sina, John Berger, John Locke, Soren Kierkegaard, Kindi, Konfüçyüs, Lao Tzu, Leibniz, Nietzsche, Platon, Sartre, Schopenhauer, Seneca, Simone de Beauvoir, Sokrates, Spinoza, Wittgenstein, Zenon (...) Yazarlardan... Ahmet Hamdi Tanpınar, Ahmet Haşim, Andre Gide, Arif Nihat Asya, Attila İlhan, Baudelaire, Cahit Sıtkı Tarancı, Cahit Zarifoğlu, Cemal Süreya, Cenap Şehabettin, Cesare Pavese, Charles Dickens, Dostoyevski, Eşrefoğlu Rumi, Exupery, Fernando Pessoa, Fuzuli, Geothe, Haldun Taner, Hermann Hesse, Ivan Turgenyev, İ. Oktay Anar, Kafka, Marcel Proust, Marquez, Mehmet Akif Ersoy, Milton, Montaigne, Muhibbi, Oğuz Atay, Orhan Veli, Oscar Wilde, Pablo Neruda, Paulo Coelho, Peyami Safa, Rainer Maria Rilke, Sadi Şirazi, Safiyyüddin el-Hillî, Samuel Beckett, Sezai Karakoç, Stefan Zweig, T.S. Eliot, Tolstoy, Virginia Woolf, Yunus Emre (...)
Arnljótur Sigurðsson heimsækir Hátalarann og segir frá ítalska tónlistarmanninum Franco Battiato. Einnig er hugað að franska tónsmiðnum Pascal Dusapin, en hann er samtímamaður undir áhrifum af tónlist eftir Xenakis og Varése.
Arnljótur Sigurðsson heimsækir Hátalarann og segir frá ítalska tónlistarmanninum Franco Battiato. Einnig er hugað að franska tónsmiðnum Pascal Dusapin, en hann er samtímamaður undir áhrifum af tónlist eftir Xenakis og Varése.
The Islamic intellectual movement that rescued the works of Classical Greece and Rome and sparked the European renaissance took off with the founding of Baghdad in 750 AD. The Abbasid caliphs poured vast wealth into the creation of centers of research and analysis unparalleled in the world. The beginning phase of this effort is known, rather inaccurately, as 'The Translation Movement," and is credited with saving much of the knowledge of Greece and Rome from the barbarian invasions. Yet at the center of this movement, in the famed "House of Wisdom" in Baghdad, a merging of Classical wisdom with Islam was beginning an intellectual revolution that would forever change Western thinking. In this episode, we examine the Translation Movement and one of its leading figures, the "First Arab Philosopher," Abu Yusuf al-Kindi.
On Wednesday, Jan. 10th, 2017, join us as we speak with Kindi Dulai-Gill and discover “How to Evolve Your Life Beyond Belief ” with the use of a powerful new tool called the Dalian Method. See how you can improve your life irrevocably: Learn how to find answers within yourself Resolve karmic relationships Overcome life […] The post How to Evolve Your Life Beyond Belief – with Kindi Dulai-Gill appeared first on Conscious Living Radio.
Join us today as Nousha Behbahanian, Vibrant Lifestyle Mentor, interviews Kind Dulai-Gill, a mother of three beautiful children; she’s a CPA and Former CEO of a private company responsible for 3,000 people nationally in the United Kingdom. Her story is unique and inspiring going from being a Superwoman to a Grounded Fulfilled Mother. Today she is the Owner and CEO of Spark Expansion, an organization that sparks permanent transformational change in individuals, families and companies from the inside out. Understanding something through you head intellectually is one thing, but KNOWING and EMBODYING what’s inside us, in every cell of our body is another. Just as you would not say: “I have two arms” because you know you do, similarly you don’t need to use “I am” affirmations to affirm who you are. You KNOW if you feel enough or not. You KNOW if you trust or not. You KNOW if you are the creator of your life or not. Period. When you have an internal knowing, this is when true, permanent transformation arises within. With this, you don’t have a need to speak about it, because you feel no lack. Our guest seemingly had it all on the outside; the gorgeous house, the beautiful car, married with three beautiful children, a CEO of a private company responsible for 3,000 people nationally in the United Kingdom. She was seen as the proverbial “Superwoman”, and yet inside she carried a different story, she felt alone, empty, as well as mentally and emotionally drained, questioning what life was truly about. Join our conversation now as our special guest shares how she transformed herself from the inside out and embarked upon a new journey of “success”, one of feeling whole and fulfilled. Today, she joyfully assists those who wish to permanently transform and liberate themselves from their own mental chatters and fear into greater fulfillment and embodiment of peace within. Kind Dulai-Gill is generously offering us resources to further elevate our wellbeing, that of our family and our community; to receive her free ebooks: “How To Have A Happy, Loving, Peaceful Family Life” and “How Every Leader Can Thrive Beyond Belief With These Principles” plus a 30min private phone consult with Kindi and a 10% discount on your first Dalian Method session visit www.noushabehbahanian.com under the Resources tab, under Vibrant Community Service Partners. You can elevate your quality of life and in the process inspire others to do the same, tune in now and join this important conversation. If you know someone that can benefit from this episode, invest a moment and share it; the ripple effect you create is immeasurable. This series is designed to inspire, educate and encourage you or someone you know to live a more vibrant, fulfilling life. Nousha is excited to be on this journey with you. The truth is you can design and create, a life you love regardless of your circumstances. If you or anyone you know is struggling with how to live a more vibrant, fulfilling life connect them to our podcast, it’s easy. Simply subscribe to our podcast and this way each episode will appear in your show feed ready for you to enjoy and share with your friends, family and community. Follow Nousha on social media @noushaslegacy on Instagram and Nousha Behbahanian on Facebook. You can also see more on her website: www.noushabehbahanian.com. Join Our Vibrant Living Community on Facebook.
Can we rewire the brain to get past physical and emotional blocks and pain? Is it possible to achieve more in life and business when you are able to do this? Today on the Brain Lady Speaks Radio show Julie will interview Kindi Dulai Gill of Spark Expansion Consulting LTD. And she will share her knowledge and experience in the self-healing Dalian Method. Some of the questions she will answer are: Why do you feel we can go further than knowing about positivity? How is the Dalian Method able to help with brain rewiring? Why do these changes lead to gratitude and optimism? And more.Kindi is generously offering a complementary download and a 30 min consultation for my listeners. To take advantage of this go to her site www.kindigill.com or send her an email at info@kindigill.com. You can also connect with her on Facebook at https://goo.gl/8p9rtdTO STAY CONNECTED WITH THE BRAIN LADY: https://www.facebook.com/purplebrainlady/ https://www.facebook.com/YourBestMindOnline/ LinedIn: BrainLadyJulie Twitter@brainlady Intsagram: BrainLadyJulie www.BrainLadySpeaks.com and www.YourBestMindOnline.com EMAIL: info@YourBestMindOnline.com
Kindi Dulai-Gill- Founder of Spark Expansion Consulting Ltd and mother of 2 Girls ages 24 & 16 and a Boy age 20, talks with Financial Expert- Tammy Johnston about kids and money & how this usually taboo subject is handled in their family.
Segment 1: Our Trends and Insight segment is with amazing business and lifestyle coach, Vanessa Shaw. Vanessa talks with us about the role that honesty and integrity play in achieving true success building your business.Segment 2: Our Success Interview is with speaker, author and transformation coach, Kindi Gill. We talk with Kindi about how she worked through adversity in her personal life and used what she learned to build a successful business that helps others.Segment 3: In our Business Builder Segment we’re talking about what a “big why” is, and how your own “big why” can drive your success in both business and life.
Visit my new website https://www.wescecil.com A lecture delivered by Wesley Cecil PhD. exploring the work of two of the most significant thinkers from the Islamic Golden Age. Delivered at Peninsula College.
Bärti ON AIR - Der Podcast für Dein Abenteuer (Welt-) Reisen mit Kind
020: Jeden Morgen um 07:30 springen Maxi und ich auf unseren Roller und ab geht’s Richtung Kindergarten. Mitten rein in den Balinesischen Alltag. Seit zwei Wochen geht er jeden Tag ausser Sonntag, gemeinsam mit all den anderen Kindern aus unserer Straße für zwei Stunden in den Kindi. Freie Zeit für mich, und großer Spaß für Maxi. Denn Einiges […] Der Beitrag Ratzi Fatzi Folge: Max im Balinesischen Kindergarten erschien zuerst auf Der Blog für Dein Abenteuer (Welt-) Reisen mit Kind .
Our theme this month is Modern Mastery and, with the New Year upon us, a lot of people will be giving resolutions and affirmations a try. You may be repeating aloud “I can attract abundance,” “I am lovable” and the like. You should save your breath, says my guest today-in her charming English accent, no less. KIndi Gill is a former CEO who says affirmations are often worse than useless because they fool us into believing we are doing something to fix our problems when we are not. She's here to explain how to go about getting to the root causes of our weight, relationships or money problems so that lasting change will really be possible. Kindi is an in-demand relationship expert, blogger and author of an upcoming book on family leadership. Her website is www.kindigill.com.
Kindi Gill--a lovely multicultural person who haas some great perspective to share.
This episode highlights two perspectives in early philosophy within Muslim contexts. Al-Kindi (d. 860s) viewed philosophy and religion as compatible and important whereas al-Razi (d.925) was skeptical of revelation and prophets. Sources and further readings: A History of Islamic Philosophy by Majid FakhryIslamic Philosophy A-Z by Peter S. GroffIslamic Philosophy: an Introduction by Oliver LeamanThe Cambridge Companion to Arabic Philosophy Edited by P. Adamson/R.C. Taylor
Rabu, 16 April 2014 Ngaji FIlsafat bersama Dr. Fahruddin Faiz, M. Ag. Ngaji Filsafat berlangsung rutin setiap hari Rabu pukul 20.00 WIB Bertempat di Masjid Jendral Sudirman Kolombo, Jln. Rajawali No. 10 Kompleks Kolombo, Demangan Baru, Caturtunggal, Depok, Sleman, Yogyakarta 55281 --- Send in a voice message: https://anchor.fm/masjid-jendral-sudirman/message
In a major series for Radio 3, we rediscover some of the key thinkers and achievements from the Islamic Golden Age. The period ranges from 750 to 1258 CE and over twenty episodes, we'll hear about architecture, invention, medicine, innovation and philosophy.Professor James Montgomery explores the life and work of the Arab philosopher al-Kindi, widely regarded today as one of the greatest scholars of the medieval Islamic world. He was the first significant thinker to argue that philosophy and Islam had much to offer each other and need not be kept apart.Al-Kindi lived in Iraq during the dynamic ninth century, a period when Baghdad was a hive of cultural and intellectual activity easily rivalling the greatness of Athens and Rome. He was hugely influenced by Greek philosophy and supervised the translation of many works by Aristotle and others into Arabic. The author of more than 250 works, he wrote on many different subjects, from optics to mathematics, music and astrology.Producer: Mohini Patel.
Drawing on Galen and Aristotle, philosophers from al-Kindi to Miskawayh compose ethical works designed us to achieve health in soul, as well as body.
Al-Kindī uses Hellenic materials to discuss the eternity of the world, divine attributes, and the nature of the soul.
In this episode, Peter Adamson gives us a tour through the impressively wide-ranging work of Al-Kindi, including his arguments for the unity of God and against the eternity of the universe. See acast.com/privacy for privacy and opt-out information.
Melvyn Bragg and his guests discuss the life and work of the Arab philosopher al-Kindi. Born in the early ninth century, al-Kindi was heavily influenced by Greek philosophy and supervised the translation of many works by Aristotle and others into Arabic. The author of more than 250 works, he wrote on many different subjects, from optics to mathematics, music and astrology. He was the first significant thinker to argue that philosophy and Islam had much to offer each other and need not be kept apart. Today al-Kindi is regarded as one of the greatest scholars of the medieval Islamic world.With:Hugh Kennedy Professor of Arabic at SOAS, University of LondonJames Montgomery Sir Thomas Adams's Professor of Arabic Elect at the University of CambridgeAmira Bennison Senior Lecturer in Middle Eastern and Islamic Studies at the University of Cambridge.Producer: Thomas Morris.
Melvyn Bragg and his guests discuss the life and work of the Arab philosopher al-Kindi. Born in the early ninth century, al-Kindi was heavily influenced by Greek philosophy and supervised the translation of many works by Aristotle and others into Arabic. The author of more than 250 works, he wrote on many different subjects, from optics to mathematics, music and astrology. He was the first significant thinker to argue that philosophy and Islam had much to offer each other and need not be kept apart. Today al-Kindi is regarded as one of the greatest scholars of the medieval Islamic world. With: Hugh Kennedy Professor of Arabic at SOAS, University of London James Montgomery Sir Thomas Adams's Professor of Arabic Elect at the University of Cambridge Amira Bennison Senior Lecturer in Middle Eastern and Islamic Studies at the University of Cambridge. Producer: Thomas Morris.
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