Podcasts about A Clockwork Orange

On today's episode of The Cult Of... Matthew Lillard, we are heading down to the basement and we're going to get in a fight with hot gothic Matthew Lillard as we delve into this strange little movie from 1995, Animal Room!!! This movie is like if A Clockwork Orange was set in a high school in NJ, but you know, maybe not as good.This movie has it all!! Carnival on a pier! Catherine Hicks! Slightly naked Matthew Lillard! The Misfits?This is also an interesting movie to cover right before Scream because Matthew gets to be the big baddie in this one, so check it out on Vimeo and then come back and listen to the episode :)Show E-Mail:cultcinemacircle@gmail.comFollow Cult Cinema Circle on Instagram, Bluesky, and Letterboxd Hosted on Acast. See acast.com/privacy for more information.

It’s really easy to fall into this rut with Video Games right now. Every podcast episode this year has brought in this frivolous bout of yoga where we try not to take y’all TOO deep into Bummertown™, lest we risk forever remaining within its shitty doom-dome and get gypsy-cursed to forever scroll through Grummz’s feed on Twitter, A Clockwork Orange-style, or some shit. This is why we have found ourselves championing the phrase “Video Games can still be fun, and all you have to do is to keep looking” lately—so much so that we decided to put our money where our mouth is and do a nice little episode where we give our own shotgun course towards Retro Video Games—specifically what games to check out and various methods to check them out. The cast this week is Ed, George, and our special guest, Ten, who is an indie game and indie book reviewer for The Cosmic Circus, and co-host of the Hold On, Let Me Save podcast, where they’ll discuss the various equipment, displays, emulators, and uhhh, games that folks should still boot up to play from the last forty years or so of video games. So grab your Anbernics and your Steam Decks, and get ready to add a bunch of HAMSTER releases to your wishlist as we do a fun little show to remind everyone that yes, video games rule. No amount of Generative AI and brain-dead corporate greed can ever take that away from any of you—enjoy the show!Mail us at our new email Mailbag@presspauseradio.com, leave a voicemail at 42-GAMEZAP-4 (424-263-9274)‬, and be sure to stop by at our Forums if you haven’t already registered and post your thoughts about the show. Finally, make sure to rate and subscribe to us on iTunes and YouTube, follow us on our Twitch page and BlueSky, and finally take part in our Facebook and Steam group! This episode has been brought to you by our new friends at the SuperPod Network, be sure to check out all the other rad podcasts they host for Video Games and more! Finally, this episode was also brought to you by our new sponser, Dubby, a new, jitterless, friendlier energy drink made from a formula that contains a slew of vitamins, amino acids and nootropics including their patented NeuroFactor®. Click on the link listed or enter "PRESSPAUSERADIO" and get 10% off of your order right meow!

In this episode, before Lee takes a break for month and hands the DJ duties over to Lee Van Teeth for his October Halloween show, he's put together the first playlist in a what will be a series on the show for the rest of the year: music from cyberpunk films. But to get to the true cyberpunk picks, Lee wanted to set the tone a bit with tracks from some of the proto-cyberpunk frilms that would help influence and define what the eventual genre would be when it was finally coined. --Maschinen & Maschinenhalle-Moloch from "Metropolis" (1927) --Gottfried Huppertz --La Ville Inhumaine from "Alphaville" (1965) --Paul Misraki --Suite from "Cyborg 2087" (1966) --Paul Dunlap --Set Up Communications & Under Surveillance from "Colossus: The Forbin Project" (1970) --Michel Colombier --Theme From A Clockwork Orange (Beethoviana); Timesteps (Excerpt) & Title Music From A Clockwork Orange from "A Clockwork Orange" (1971) --Wendy Carlos --Robot Repair; Hovercraft Muzak & The Gunslinger from "Westworld" (1973) --Fred Karlin --Albatross from "World on a Wire" (1973) --Fleetwood Mac --Main Title from "Futureworld" (1976) --Fred Karlin Opening and closing music: Riot In Thunder Alley from "Thunder Alley" by Eddie Beram, and Escape from "Coffy" by Roy Ayers.

Rich and the guys react to the NFL handing out TD celebration fines to Bengals WR Ja'Marr Chase, Niners FB Kyle Juszczyk, and Cowboys TE Jake Ferguson, and to the 100% awesome celebration by White Sox slugger Munetaka Murakami after Chicago clinched a spot in the MLB playoffs. Actor Malcolm McDowell joins Rich in-studio to promote his new ‘The Last Train to Fortune' western, and shares some great stories about making ‘A Clockwork Orange' with Stanley Kubrick, getting hounded by ‘Star Trek' fans while attending a Rolling Stones concert in Las Vegas with William Shatner, dining with legendary ‘Citizen Kane' director Orson Welles and more in a round of ‘Celebrity True or False' and reveals why working with Jeremy Piven on ‘Entourage' and David Caruso on ‘CSI: Miami' will NOT go down as career highlights for him. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dr. George Ellis, who in addition to being a urologist is a producer making movies, has won plenty of awards in the film festival circuit. For his second time visiting the show, Dr. George talks about filmmaking as equal parts design thinking and social experimentation, and why as a producer it's important to have a methodical approach. Plus, learn about his film Starstruck, and what movies have impacted him, such as A Clockwork Orange with its modern take on violence fused with classical music.-Dr. George Ellis, MD is an award-winning filmmaker who has won multiple awards through his production company Coronado Beach Productions at several film festivals. Most recently, his film Starstruck was selected to be shown at the Central Florida Film Festival. He also won awards at the Tampa Bay Underground film festival and won the award for best Indie Short Film at the New York Movie Awards for his film The Eden Trials. George is an American Physician and Urologic Surgeon, and has been published numerous times in the scientific literature and now dedicates his medical skills to the under-insured as a volunteer.https://www.CoronadoBeachProductions.comhttps://www.imdb.com/name/nm15501484/-Starstruck (2026)https://youtu.be/ha0N2HRNcyg-Mortal Sin (2025)https://www.facebook.com/share/p/1EeFd3cDDA/https://youtu.be/FH36AiDPNnE?si=WcfuL48wb-plUw7s-Dr. George's first guest spot (2025) from Season 2https://www.designersonfilm.com/podcast/mortal-sin-2025-dr-george-ellis-Other movies and shows discussed:A Clockwork Orange (1971)Coma (1978)The Great Train Robbery (1978)M*A*S*H (1970)One Flew Over the Cuckoo's Nest (1975)The Verdict (1982)

Movie of the Year: 2006Children of MenThe Children of Men Podcast from Movie of the YearThe Children of Men podcast episode of Movie of the Year takes the Taste Buds to the end of the world. Ryan, Mike, and Greg dive into Alfonso Cuarón's 2006 dystopian thriller. The film imagines a Britain where no child has been born in eighteen years. Furthermore, it turns that bleak premise into one of the most gripping chase movies of the decade. This week, the panel breaks down Cuarón's camerawork and the uneasy bond between Theo and Nigel. Meanwhile, they ask how close the film's future really feels. Additionally, the episode brings two games to the table. Notably, this entry in the 2006 bracket packs plenty of argument into one grim, gorgeous movie.What's in This EpisodeAbout Children of Men (2006)Cuarón and CameraworkTheo and NigelThe Future Is NowI Never Metacritic I Didn't LikeDream Blunt RotationWhy Children of Men Still MattersRelated EpisodesFAQAbout Children of Men (2006)Children of Men is a 2006 dystopian thriller co-written and directed by Alfonso Cuarón. The screenplay adapts P. D. James's 1992 novel The Children of Men. The story unfolds in 2027, after nearly two decades of global infertility. Clive Owen stars as Theo Faron, a burned-out former activist who now works a government desk job. His ex-wife Julian, played by Julianne Moore, pulls him into a dangerous mission. Specifically, she needs transit papers for Kee, a young refugee with a secret. Kee is pregnant, and nobody has seen a pregnancy in years. Theo must escort her across a collapsing Britain to a mysterious group called the Human Project.The supporting cast includes Michael Caine, Chiwetel Ejiofor, Pam Ferris, Charlie Hunnam, Danny Huston, and Peter Mullan. Universal released the film in the UK in September 2006 and in the US on Christmas Day. However, it failed to earn back its reported $76 million budget at the box office. Critics responded far more warmly. Roger Ebert gave it a four-star review and praised its convincing performances. Moreover, the film earned three Academy Award nominations, for Adapted Screenplay, Cinematography, and Film Editing. You can explore the full cast and crew on IMDb.Cuarón and Camerawork: The Children of Men Podcast Goes LongFew films of 2006 look anything like Children of Men. Cuarón and cinematographer Emmanuel Lubezki built the movie around long, unbroken takes. As a result, the camera rarely lets the audience look away. The Taste Buds start with the famous car ambush. That sequence plays out almost entirely inside a moving vehicle as attackers swarm the road. Notably, the crew used a custom Doggicam rig built into a modified Fiat Multipla. The camera could glide between passengers while a stunt driver steered from a hidden position. In practice, visual effects artists stitched several takes into what looks like one seamless shot.Then comes the battle in the Bexhill refugee camp. Theo runs through gunfire, rubble, and tanks while the camera stays glued to him. At one point, fake blood splatters across the lens. Cuarón reportedly called cut, but the chaos drowned him out. Consequently, the take continued, and the accidental blood stayed in the film. In this Children of Men podcast conversation, the panel asks a key question. Do these long takes deepen the story, or do they show off? Furthermore, we discuss how this style carried into Lubezki's later work on Gravity and The Revenant. Ultimately, the camerawork makes 2027 feel like live news footage.Theo and Nigel: Two Cousins at the End of the WorldTheo and Nigel share one short scene, yet it lingers long after the credits. Desperate for transit papers, Theo visits his powerful cousin. Danny Huston plays Nigel, a government official who runs the Ark of the Arts. The program collects the world's masterpieces while the rest of civilization burns. For instance, Michelangelo's David stands inside, and Picasso's Guernica hangs beside the dining table. Meanwhile, an inflatable pig floats above Battersea Power Station outside, a nod to Pink Floyd's Animals.The Taste Buds dig into what separates these two men. Everyone in this world has reasons to give up. Theo lost his young son Dylan to a flu pandemic, and grief hollowed him out. By contrast, Nigel copes by hoarding beauty behind locked doors. His teenage son sits at the table, absorbed in a handheld device and barely present. Theo asks his cousin how he keeps going when no one will be left to see the art. Nigel's answer amounts to a shrug. Therefore, the scene frames a central debate. Is Nigel's shelter for culture an act of hope or pure denial? Additionally, we ask whether Theo's real journey starts at that table. Above all, this pairing shows two ways to face the end: comfort or courage.The Future Is Now: A Children of Men 2006 Podcast Look at 2027Here is a sobering detail. Children of Men takes place in November 2027, which now sits barely a year away. When the film premiered in 2006, that date felt comfortably distant. However, the film turned twenty this month, and its future has nearly arrived. The Taste Buds take stock of what Cuarón imagined and what the real world delivered.The film's Britain is a police state built on fear. Soldiers round up refugees and hold them in cages. Public screens urge citizens to report illegal immigrants. Additionally, a bomb tears through a London coffee shop in the opening scene. News reports claim that every other nation has collapsed. Cuarón deliberately avoided sleek, futuristic design. Instead, he filled 2027 with worn-out cars, aging billboards, and familiar technology. As a result, the world feels less like science fiction and more like next week.Critics have tied the film to real events for two decades. Specifically, writers have linked it to refugee crises, border debates, and falling birth rates. Meanwhile, the panel weighs which predictions landed and which missed the mark. We also compare it to earlier screen dystopias, including the one in our A Clockwork Orange episode from the 1971 season. Ultimately, this segment asks why a twenty-year-old movie still feels like a warning.I Never Metacritic I Didn't LikeOur recurring game returns for another round of arguing with the critics. In I Never Metacritic I Didn't Like, the Taste Buds pull up a film's critical profile on Metacritic. Then we put that consensus on trial against our own reactions. Children of Men arrived with strong reviews and plenty of year-end praise. Notably, a few critics still found its politics underdeveloped. So the panel tests whether those high marks hold up twenty years later. Listen to the episode to hear how the critical record fares under Taste Buds cross-examination.Dream Blunt Rotation: Who Would You Party With from Children of Men?Dream Blunt Rotation asks a simple question. Which...

Hello, and welcome to Entangled! I'm your host Jordan Youkilis, and today I'm joined by Sean McCann, host of the Wake the Dead podcast. Today's episode focuses on Sean's discovery of “The Fidelio Experiment” in Stanley Kubrick's film Eyes Wide Shut. We're joined in this episode by guest co-host and Kubrick expert, John Coffey.In this conversation, Sean describes how his life's journey led him to the philosophy of anarchy, the reality of the occult, and the art of photography. He describes how this led to his study of director Stanley Kubrick, and the consciousness-expanding nature of psychedelics.We then discuss MK-Ultra, Nicole Kidman's character Alice in Eyes Wide Shut, and trauma-based mind control. Sean explains how the documentary Room 237 unlocked another level of understanding of the film for him, as he recognized that Helena was stolen from the toy store at the end of the film.We discuss Project Monarch and the genetic transfer of memories. Sean explains why butterflies are used to symbolize multi-generational, Monarch, mind-controlled slaves, as it takes three generations of monarch butterflies to complete their migratory journey.We then dive into Sean McCann's “Fidelio Experiment” – his discovery that Eyes Wide Shut synchronizes with itself (and Kubrick's other films) every hour, on the hour. Sean argues this is evidence that 20 minutes of the film was never removed, and that Kubrick himself may have intentionally created that rumor.Sean describes the connection between the password “Fidelio” in Eyes Wide Shut and the music of Beethoven in A Clockwork Orange. Sean then provides live commentary as we play the “Fidelio Experiment”, starting Eyes Wide Shut simultaneously at the zero, sixty, and one hundred twenty minute marks.Sean, John and I discuss the casting of Nicole Kidman and Tom Cruise as a recognition of both actors' real-life involvement in human trafficking. Sean explains Kubrick's use of non-submersible units rather than dialogue in his film construction. He describes the tesseract as an occult symbol for mind-control slavery.We consider how Kubrick used non-submersible units in his films to expose the cabal, and in his artwork, gave humanity the weaponry needed to bring down the cult. Sean then provides commentary over his ten-screen “Fidelio Experiment”, with three Eyes Wide Shut screens played in tandem with seven other Kubrick films. We discuss Kubrick's interplay of music, dialogue, and time.From there, Sean, John and I discuss how organized crime in the material realm mirrors the hierarchy of the spiritual realm. Sean explains how ancient child sacrifice to Tanit has continued to present day, including via the circumcision of babies. We end the conversation considering demonic invocation, and the nature of moon-children conceived at the Satanic rituals portrayed in Eyes Wide Shut.Recorded: 07/13/26. Published: 08/25/26.Find Entangled podcast here: https://www.youtube.com/@Entangled-podcasthttps://podcasts.apple.com/us/podcast/entangled/id1596157035https://entangledpodcast.substack.comhttps://www.facebook.com/jordan.youkilisPlease donate to Occult Kubrick!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://onegreatworknetwork.com/sean-mccann/donate/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Make checks payable to 'Sean McCann' & send to:Sean McCann, PO Box 93, Oberlin, OH 44074BTC (bitcoin) address: 3Ptmi463Pu6HH1duop7rCKaxBriQkb4ina⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/wakethedead⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.paypal.com/paypalme/seanmccannabis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit Sean McCann's store!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://wakethedead.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find Sean McCann on X:⁠⁠⁠⁠https://x.com/SeanWakeTheDead⁠⁠⁠⁠

Divulgence podcast episode 154:Was Stanley Kubrick's Eyes Wide Shut really altered after his death—or have audiences spent more than 25 years searching for missing footage that was never missing in the first place?In this episode of Divulgence, Jordan is joined by Kubrick researchers Sean McCann and Alex of Crypto-Kubrology for a deep dive into one of the most persistent mysteries surrounding Stanley Kubrick's final film.The conversation begins with Vivian Kubrick's recent comments addressing the legendary “missing 20 minutes” and quickly develops into a much larger examination of Kubrick's filmmaking. Rather than searching for a deleted sequence that supposedly explains the mysteries of Eyes Wide Shut, Sean and Alex argue that the clues may already exist within the movie itself—and within Kubrick's larger body of work.From the strange fate of Helena and the film's masked ritual to Kubrick's obsessive approach to editing, timing, symbolism and visual composition, the group explores the possibility that Eyes Wide Shut functions as one piece of a much larger cinematic puzzle.Alex and Sean demonstrate some of their experiments synchronizing Kubrick's films with themselves and with one another, revealing striking visual, thematic and numerical correspondences involving recurring time intervals, imagery, dialogue and motifs. The discussion examines Kubrick's fascination with clocks, numbers and precise editing—and asks whether these apparent connections are coincidence, interpretation, or evidence of an extraordinarily elaborate structure embedded throughout his films.The group also discusses Jan Harlan's role following Kubrick's death, the changes made to the ritual sequence, the opening shot of Alice, recurring references such as CRM-114, the significance of the number 19, occult and mythological symbolism, connections between Eyes Wide Shut, The Shining, Barry Lyndon, 2001, A Clockwork Orange, Full Metal Jacket and Kubrick's other films, and the idea that Kubrick's movies may be intended to communicate with one another. Sean, Alex and Jordan go deep into Kubrick's final masterpiece and ask whether the enduring mythology of a missing cut has actually distracted audiences from something far stranger hiding in plain sight.The episode also previews the upcoming K-Team, which will bring together a rotating group of Kubrick researchers to explore individual films, recurring concepts and Stanley Kubrick himself in future discussions.Find Divulgence here:https://www.youtube.com/@divulgencepodcast4368https://podcasts.apple.com/us/podcast/divulgence-podcast/id1585509866Find Alex Fulton (Crypto-K) here:https://www.cryptokubrology.comhttps://x.com/cryptokubrologyPlease donate to Occult Kubrick!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://onegreatworknetwork.com/sean-mccann/donate/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Make checks payable to 'Sean McCann' & send to:Sean McCann, PO Box 93, Oberlin, OH 44074BTC (bitcoin) address: 3Ptmi463Pu6HH1duop7rCKaxBriQkb4ina⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/wakethedead⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.paypal.com/paypalme/seanmccannabis⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Visit Sean McCann's store!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://wakethedead.creator-spring.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Find Sean McCann on X:⁠⁠⁠⁠⁠https://x.com/SeanWakeTheDead⁠⁠⁠⁠⁠

We argue that A Clockwork Orange forces the viewer to feel sympathy for a violent protagonist and then strips that sympathy away to examine human nature, free will, and rehabilitation. I find the film powerful but uneven because Stanley Kubrick's visuals sometimes pull focus from the core themes. I also say that Malcolm McDowell carries the film and makes us feel both repulsion and pity. We discuss the film's realistic dystopian hints and how those hints make us uncomfortable about the state of society. I recommend reading the book for more nuance, because it deepens the themes and makes the mirror the film holds up feel even closer. We conclude that the movie is a lasting conversation piece that makes you feel and think, even when it makes you feel gross.Visit Our Sponsor: https://dubby.gg10% Off Code: OURVERDICTSupport us:https://www.patreon.com/whatsourverdictEmail us:hosts@whatsourverdict.comFollow us:Facebook: https://www.facebook.com/whatsourverdictTwitter: @whatsourverdictInstagram: @whatsourverdictYouTube: https://youtube.com/channel/UC-K_E-ofs3b85BnoU4R6liAVisit us:www.whatsourverdict.com

Tony Covington, Creater of Hack's Horror Show, Horror Host Hall of Fame, Wrestler, Wrestling Promotor?, Actor, What doesn't this guy do? Join us as we talk about Stanley Kubrick's " A Clockwork Orange" and Tony's life, and adventures.

We're ending our Summer of '70s with one of the most controversial movies we've ever covered: A Clockwork Orange. Is this an artsy masterpiece or just shock for the sake of it?  Are we supposed to feel sorry for Alex DeLarge? Is Malcolm McDowell giving one of the greatest performances of all time?  One of us gives it a perfect 10 and another basically wants to delete it from his library.  Can you guess who is who?!?!  Grab your droogs, pour yourself a glass of milk and get ready for a bit of the old ultra-violence. We tackle all of this and more! •0:00:00 - Introductions •0:02:30 - Memories of first viewing •0:06:15  - Pertinent movie details  •0:09:30  -  Critical and fan reviews •0:15:00 - Scene by scene breakdown  •1:38:00 - Modern day ratings ————————————————————  LIVE PODCAST-  October 10th in Cedar Rapids, IA-  https://www.eventbrite.com/e/the-confused-breakfast-a-live-podcast-recording-tickets-1026951990047  —————————————————————— SPONSORS-  **Butcher Box-  Go to http://butcherbox.com/breakfast to get 20% off your first box plus your choice of free ground beef for life or free chicken thighs on or top sirloins in every box for a year. **Cedar Ridge Distillery-  Go check out our sponsor and order some whiskey.  http://cedarridgewhiskey.com **K12-  See how K12 Powered Schools can help unlock your child's full potential.  Enroll online today at http://K12.com/confused  **. Download the DraftKings Casino app and sign up with code CONFUSED to claim your Flex Spins and experience Cashingo—the feature you can't play anywhere else! **TruDiagnostics- Our listeners can get 20% off at http://TruDiagnostic.com using code CONFUSED at checkout. **NordVPN-  Grab your EXCLUSIVE NordVPN Deal by going to http://nordvpn.com/breakfast to get a Huge Discount off your NordVPN Plan + 4 additional months on top! It's completely risk-free with Nord's 30-day money-back guarantee! **PROGRESSIVE- Visit http://progressive.com  **FABLETICS-  Get 80% off everything when you sign up as a VIP! Just head to http://Fabletics.com/confused  **LITTLE SLEEPIES-  If you're expecting or dressing little ones, check out Little Sleeps.  You can visit http://littlesleepies.com and use promo code GOODNIGHT for 10% off of your first order.  **WAYFAIR- Find furniture, decor, and essentials that fit your unique style and budget. http://Wayfair.com   —————————————————————— **Support us at http://patreon.com/confusedbreakfast for bonus weekly episodes, voting on upcoming movies, giving your modern-day ratings on our movies and much more. **Mail us something   The Confused Breakfast PO Box 10016 Cedar Rapids, IA 52402-9802 Special thanks to our executive producers- Josh Miller, Starling, Dylan Mick and NicMad. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello, and welcome to Entangled! The podcast where we explore the science of consciousness, the true nature of reality, and what it means to be a spiritual being having a human experience. I'm your host Jordan Youkilis, and today I'm joined by Sean McCann, host of the Wake the Dead podcast. Today's episode focuses on Sean's discovery of “The Fidelio Experiment” in Stanley Kubrick's film Eyes Wide Shut. We're joined in this episode by guest co-host and Kubrick expert, John Coffey.In this conversation, Sean describes how his life's journey led him to the philosophy of anarchy, the reality of the occult, and the art of photography. He describes how this led to his study of director Stanley Kubrick, and the consciousness-expanding nature of psychedelics.We then discuss MK-Ultra, Nicole Kidman's character Alice in Eyes Wide Shut, and trauma-based mind control. Sean explains how the documentary Room 237 unlocked another level of understanding of the film for him, as he recognized that Helena was stolen from the toy store at the end of the film.We discuss Project Monarch and the genetic transfer of memories. Sean explains why butterflies are used to symbolize multi-generational, Monarch, mind-controlled slaves, as it takes three generations of monarch butterflies to complete their migratory journey.We then dive into Sean McCann's “Fidelio Experiment” – his discovery that Eyes Wide Shut synchronizes with itself (and Kubrick's other films) every hour, on the hour. Sean argues this is evidence that 20 minutes of the film was never removed, and that Kubrick himself may have intentionally created that rumor.Sean describes the connection between the password “Fidelio” in Eyes Wide Shut and the music of Beethoven in A Clockwork Orange. Sean then provides live commentary as we play the “Fidelio Experiment”, starting Eyes Wide Shut simultaneously at the zero, sixty, and one hundred twenty minute marks.Sean, John and I discuss the casting of Nicole Kidman and Tom Cruise as a recognition of both actors' real-life involvement in human trafficking. Sean explains Kubrick's use of non-submersible units rather than dialogue in his film construction. He describes the tesseract as an occult symbol for mind-control slavery.We consider how Kubrick used non-submersible units in his films to expose the cabal, and in his artwork, gave humanity the weaponry needed to bring down the cult. Sean then provides commentary over his ten-screen “Fidelio Experiment”, with three Eyes Wide Shut screens played in tandem with seven other Kubrick films. We discuss Kubrick's interplay of music, dialogue, and time.From there, Sean, John and I discuss how organized crime in the material realm mirrors the hierarchy of the spiritual realm. Sean explains how ancient child sacrifice to Tanit has continued to present day, including via the circumcision of babies. We end the conversation considering demonic invocation, and the nature of moonchildren conceived at the Satanic rituals portrayed in Eyes Wide Shut.Note we ran into issues with John's audio/visual after about the first hour, but we were able to re-record the lost audio and edit it back into the interview.Outros available for all episodes at entangledpodcast.substack.com, with supporting exhibits and footnotes. Music from the show available on the Spotify playlist “Entangled – The Vibes”.If you like the show, please drop a 5-star review and subscribe on Substack, YouTube, Spotify, Rumble, X, or wherever you listen to podcasts.Please enjoy the episode.Music: Intro/Outro: Ben Fox - “The Vibe”. End Credits: Jane & The Boy – “Waste Our Time”.Outro: “The Fidelio Experiment.”Recorded: 07/13/26. Published: 08/25/26.Check out the resources mentioned:* Wake the Dead Podcast: * Wake the Dead: “Fidelio Experiment deciphered”: https://rumble.com/v5q8i5n-fidelio-experiment-deciphered.html* One Great Network: https://onegreatworknetwork.com/sean-mccann* Room 237: https://www.amazon.com/gp/video/detail/B0GTC3SGWH?ref_=atv_dp_share_cu_r* Wake the Dead: “William Ramsey Ep. 229”: * Psyop Cinema Podcast: * Wake the Dead: “Jerry Marzinski Ep. 230”: This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit entangledpodcast.substack.com

America has a literacy crisis and the teachers are going viral on TikTok crying about it. Gambling is more popular than reading. Harvard students are using ChatGPT to translate A Clockwork Orange because they think it's in Old English. Bridget breaks down how we got here and who's actually to blame. #LiteracyCrisis #EndOfReading #DumpsterFire Topics covered: literacy crisis, end of reading, Atlantic magazine literacy, teachers TikTok crying, AI and books, ChatGPT replacing reading, infinite scroll, post-literate America, public schools, homeschooling, Anthropic Project Panama 

I've been watching THE PRISONER, Patrick McGoohan's ground-breaking, dystopian fantasy television series (showing currently in its entirety on the Criterion Channel), and it has set my mind reeling. The 1968 British production tells the dream-like allegory of Number 6, a Secret Agent -  (McGoohan was already identified in the public's mind that way, having starred in the successful spy show ‘Danger Man”),- who tries to retire, but is kidnapped, whisked away, and held prisoner, under 24/7 surveillance inside a charming little seaside village (called “The Village”), which is populated by a group of cheerful, brightly dressed zombies who've all been assigned numbers. The person running the asylum is #2 (the actor rotates every week) -who is trying to get number 6 to tell them why he wanted out, but 6 is defiant, refusing to comply, and every week tries to escape. Inevitably, he always ends up back where he started - no matter how elaborate the attempt. The identity of number 1 is a closely guarded secret, revealed (or, is it?) in the final episode. The production design is Mediterranean-Disney outside - Ultra modern inside, and reminiscent of A Clockwork Orange - another monumental, late sixties confection of paranoia. McGoohan himself was a prickly, no nonsense, anti-authoritarian who produced, wrote, starred in, and directed several episodes, and this opus still stands as his masterpiece. In this story, as in many others, the rugged individual is often held up as someone to be admired and emulated. Unfortunately, they also often end up crushed by the system they refuse to bow to. I certainly identify with artists who have carried on with their passion, despite public indifference, poverty, and self doubt: the agony of Van Gogh, the isolation and penury of Henry Darger, and the dyspeptic Charles Bukowski come to mind. They all persisted, against societal scorn, creating work that endures. But I believe that most people (although TikTok might belie this) want to live quietly and peacefully; not to make waves, not to be disdained; but just to make a living for their families, and die having been loved and remembered by their circle.But, then again, if one has opinions about wrongs being committed by one's government, and one doesn't speak out for fear of arousing unwanted attention, can one live with oneself? So today's question for the oracle: QUESTION: IS IT PREFERABLE TO MAINTAIN ONE'S INDIVIDUALITY, OR TO CONFORM TO THE GROUP?The oracle's response: HEXAGRAM 3: “RETRENCHMENT” (MOVING LINE 2)HEXAGRAM 60: “FRUGALITY” OR “LIMITATION”

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On episode 357 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Josh Parham and Karen Peterson to go back 55 years and take a look at the 44th Academy Awards, covering the films of 1971. In another Oscar retrospective, the team go back this week to the start of the 1970s, where Hollywood was in a transition period within the films of the past; costume dramas and period pieces, and the films that would dominate the decade; auteur, original filmmaking from new voices in cinema. One of those voices was director William Friedkin, who broke big in 1971 with The French Connection, a neo-noir, action thriller about a narcotics detective trying to take down a big-time, connected drug dealer. The film was a massive success for the director and its star Gene Hackman, with the Academy awarding them Oscar gold. But will the team let Friedkin and company keep their Oscars? The Best Picture winner, alongside A Clockwork Orange, Willy Wonka and the Chocolate Factory, McCabe and Mrs. Miller, The Devils, A New Leaf, Dirty Harry, The Last Picture Show, Nicholas and Alexandra, Fiddler on the Roof, Harold and Maude, and more were mentioned on the show. In their in-depth discussion, the AW team talked about the film year of 1971, briefly discuss talk about The French Connection as a Best Picture winner, and how that speaks to the legacy of their nominates and or wins, do an extensive conversation over the below the line categories and nominees for the year, and then the new version of the AW Shoulda Woulda Coulda game, where instead of individual replacements, they must decide as a group who the nominees and winners should be in the top eight categories. The rules of the game state they can only replace two of the nominees that year from each category, except in Best Picture, where the group could replace up to three films to make up the final set of five nominated films. Like past retrospective episodes, it was a fascinating, fun conversation including spirited debates, alliances, vote swinging, celebrating various movies, performances that aren't normally talked about and more that we all hope you enjoy. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. You can also listen on the AW YouTube page. This podcast runs 2h26m. We will be back next week to talk about the latest film from the director David Robert Mitchell, The End of Oak Street. Till then, let's get into it. Music: "Modern Fashion" from AShamaleuvmusic (intro), "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

It's a very upsetting time for us all having to revisited Space Jam 2. I mean sure it stars four times champion NBA superstar LeBron James plus the Looney Tunes plus every IP Warner Brothers has ever had their sweaty hands on (Game of Thrones, The Matrix, Gremlins, Harry Potter, Clockwork Orange, IT, Wonder Woman, Batman, Superman, The Joker, Rick & Morty, Mad Max etc). The result is a more Ready Player One than Roger Rabbit which some people might like but I don't like that. Thanks for watching our Caravan Of Garbage reviewSUBSCRIBE HERE ►► http://goo.gl/pQ39jNHelp support the show and get early episodes ► https://bigsandwich.co/Patreon ► https://patreon.com/mrsundaymoviesJames' Twitter ► http://twitter.com/mrsundaymoviesMaso's Twitter ► http://twitter.com/wikipediabrownPatreon ► https://patreon.com/mrsundaymoviesT-Shirts/Merch ► https://www.teepublic.com/stores/mr-sunday-movies The Weekly Planet iTunes ► https://itunes.apple.com/us/podcast/the-weekly-planet/id718158767?mt=2&ign-mpt=uo%3D4 The Weekly Planet Direct Download ► https://play.acast.com/s/theweeklyplanetAmazon Affiliate Link ► https://amzn.to/2nc12P4 Hosted on Acast. See acast.com/privacy for more information.

www.TheMasonAndFriendsShow.com https://thejuunit.bandcamp.com/releases https://www.youtube.com/@SuperStationWJDL-TV5 A Ridiculous Fever Dream of Pro Wrestling Presented by J Dub https://www.glass-flo.com Great Pipes for Sure Hairy Toe, Real stories with Das Verboten, Help the Girls, Edibles Miss, wanted to go, Pink Fox, soul food miss, Stealth Mode,. Black Manatee, 360 Camera Pottery, private pottery, Licorice Pizza,. Black Bear Shout Out, Shout Out Todd, Mike NOISZ, big passages,. Movie Ticket Prices, Super Hero Movies, Obsession, Wishes, Brick, bad Wish,. Laughable Horror, Hereditary, Clockwork Orange, the music of this episode@ https://open.spotify.com/playlist/7mBqesV17wdbmBdXqODVQq?si=d01d2f9d2bf14fe3 support the show@ www.patreon.com/MperfectEntertainment

Ben issues a formal apology for confusing his Pingers from his Nangs from his Yippers after an uproar in the comments section — the Australian drug slang correction nobody asked for but everyone needed. Ione reveals she was once hurt not to be invited to do cocaine on the set of a famous movie — connected to why dating Anthony Kiedis put her off drugs entirely. We also discuss Zooey Deschanel claiming she's never even seen cocaine, and why we believe her completely. Then: Ione's review of Christopher Nolan's The Odyssey — loved it, even without IMAX — including the film's quietly radical political message about who the real invaders are, and a shout out to Welsh actor Andrew Howard who plays Matt Damon's sidekick. A deep dive into A Clockwork Orange after a family outing to the Dendy revival screening (yes, with the 16-year-old, yes, with grandma), the original optimistic ending Anthony Burgess wrote that Kubrick never filmed, and why 70s cinema made audiences grapple with their own morality in ways films rarely do anymore. Plus: Chloe Sevigny and the Grateful Dead, why punk and jamming have a complicated relationship, Ben and Georgia Maq prepping for their joint tour (learning "Junkie Logic" by Spikefuck), Japan tour tickets on sale with Shonen Knife on the Osaka bill, the Wile E. Coyote Will Forte movie Warner Bros killed for a tax break, and what it's actually like to see a real Tasmanian Devil.Dive deeper into our world at https://weirdertogether.substack.com

This is Part 2 of 2 of Evil Little Droog.From 1976 to 2003, Peter Allan Foster of Bridlington committed a string of vicious and brutal attacks on his girlfriends and wives, including holding them hostage, kidnapping them at knifepoint, strangling, beating, shooting, coercion, and two counts of murder. But how did he evade justice for so long, and what has any of this got to do with his obsession – the 1973 film, A Clockwork Orange.Locations: various across Bridlington, East Riding, YorkshireDates: 1976 to 2003Victims: Linda Grimm nee Peacock, Linda Wardill, Lindy Foster nee Derham, Margaret Foster nee Manningham, Kathryn Portelli, Julie Dixon, Amanda Broadbent nee Thorpe, Culprit: Peter Allan FosterSeven time nominated at the True Crime Awards, Independent Podcast Awards and the British Podcast Awards, Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.Follow me on SOCIAL MEDIA · Instagram· FaceBook· Threads· TokTok· YouTubeSUBSCRIBE via PatreonSupport this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

RIP Sam Neill, star of Event Horizon, In the Mouth of Madness, and some movie with big lizards.What is your feedbag taking the form of? What's being dumped in your trough? Did you ask for it? Wouldn't you like to have more variety and less thought and perception manipulation by these sites? Ever feel like there's a guiding hand attempting to radicalize you? Is there focused effort being made to inspire strong reactions? Is the manipulation based on a psychological profile? How accurate in predicting what will set people off can they get? Have they been successful in Distracting you, making you forget what you were doing, engage for too long, or alter your mood whether positively or negatively? Our phones and computers are being used against us in an A Clockwork Orange manner. They are shaping behaviors in many, and keeping people locked in certain thought patterns so as to guide their perception through very distinct filters. Reality is seen differently since the heavy reliance on devices to give you answers to all of your queries and curiosities. This could lead to the destruction of proper observation, comprehension, and perhaps the most tragic, the death of Imagination, and creativity. That is what sets mankind apart from the more diabolical and subhuman forms life [or animation] takes in our realm.Subscribe over here, too: https://www.youtube.com/@WisdomFitnessAZGo to my site:https://SemperFryLLC.comBB Twittz: https://x.com/KristosCastJoin the Patreon with this link:https://www.patreon.com/c/KristosCastNew Channel on YT:https://www.youtube.com/@WisdomFitnessAZJoin Dr. Glidden's Membership site here:https://leavebigpharmabehind.com/?via=pgndhealth⁠Use Code: baalbusters for 25% OFFMake Dr. Glidden Your DoctorUse Code BB5 here for your 90 Essential Nutrients:https://www.azurestandard.com/shop/brand/azurewell/2326The Azure Whole Food Essential Nutrients are 1. Whole Food Multivitamin, 2. Alaskan Cod Liver Oil, 3. Fulvic-Humic Energy Blend, 4. IP6 Supreme. I also recommend adding the Core Copper.Use code BB5 for your discount.Be a Producer:https://GivesendGo.com/BaalBustershttps://buymeacoffee.com/BaalBustershttps://paypal.me/BaalBustersPodcast: https://www.spreaker.com/podcast/ba-al-busters-broadcast--5100262Become a supporter of this podcast: https://www.spreaker.com/podcast/ba-al-busters-broadcast--5100262/support.

This is Part 1 of 2 of Evil Little Droog.From 1976 to 2003, Peter Allan Foster of Bridlington committed a string of vicious and brutal attacks on his girlfriends and wives, including holding them hostage, kidnapping them at knifepoint, strangling, beating, shooting, coercion, and two counts of murder. But how did he evade justice for so long, and what has any of this got to do with his obsession – the 1973 film, A Clockwork Orange.Locations: various across Bridlington, East Riding, YorkshireDates: 1976 to 2003Victims: Linda Grimm nee Peacock, Linda Wardill, Lindy Foster nee Derham, Margaret Foster nee Manningham, Kathryn Portelli, Julie Dixon, Amanda Broadbent nee Thorpe, Culprit: Peter Allan FosterSeven time nominated at the True Crime Awards, Independent Podcast Awards and the British Podcast Awards, Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.Follow me on SOCIAL MEDIA · Instagram· FaceBook· Threads· TokTok· YouTubeSUBSCRIBE via PatreonSupport this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

This is a free preview of a paid episode. To hear more, visit smokeempodcast.substack.comNancy and Sarah discuss the latest Atlantic cover story, “The End of Reading Is Here” by Rose Horowitch, who is too young to be writing a story this good (not that that's relevant). The essay, which provides a historical and statistical overview of the written word, is something of a cold shower: “The literary era will prove to be a brief interlude between the oral and the digital ages.” We talk deep reading, AI, the joys of intellectual discovery, the rise of audiobooks, how to turn a kid off reading (Ivanhoe), and more. Also discussed:* Nancy vs. Sarah: Who wins in a cage match? VOTE NOW* Emergency self-tanner recommendations* Smoking Diaries and Pie Talk are back. What is this, 2024?* Mike Pesca, we salute you.* AI: Nancy wants to know, does it bleed? * We have a YouTube channel. Obviously, you subscribe … * Nancy adorably mispronounces “papyrus” (19-20 min)* A Clockwork Orange is NOT written in Olde English* “Screw the canon.”* The beauty of math* High school: boys like The Odyssey, girls like To Kill a Mockingbird* Reading Updike for the first time, swoon* Sarah apologizes to the ghost of David Wallace* Lindsey Graham, RIP* Lindsay Graham, aka Sarah's ex, once insulted Sarah's self-tanning, and she never forgot it.Plus, thoughts on AI character Tilly Norwood, Erica Jong's mothering fails, Sarah wants a shirt that reads I BLAME MOYNIHAN and much more!REMINDER: Sarah is launching a FREE Substack, LOVE ANYWAY. Don't miss out.The end of podcasting is nowhere near, especially when you become a paid subscriber.You know what would make our YouTube channel better? Yeah you do

Wednesday 4th of April 1973 at 11pm, on the porch of St Martin's Church in Fenny Stratford, Buckinghamshire, 60-year-old homeless man, David McManus was beaten to death in an attack identical to a fictional killing in the book ‘A Clockwork Orange' by Anthony Burgess and the controversial film by director Stanley Kubrick. But who was to blame, the book, the film or the killer?Location: St Martin's Church, Watling/Aylesbury Street, Fenny Stratford, BuckinghamshireDate: Wednesday 4th of April 1973 at 11pm-ishVictims: David McManusCulprit: Richard John PalmerSeven time nominated at the True Crime Awards, Independent Podcast Awards and the British Podcast Awards, Murder Mile is one of the best UK / British true crime podcasts covering only 20 square miles of West London. It is researched, written and performed by Michael of Murder Mile UK True Crime Podcast with the main musical themes written and performed by Erik Stein and Jon Boux of Cult With No Name and additional music, as used under the Creative Commons License 4.0. A full listing of tracks used and a full transcript for each episode is listed here and a legal disclaimer.Follow me on SOCIAL MEDIA · Instagram· FaceBook· Threads· TokTok· YouTubeSUBSCRIBE via PatreonSupport this show http://supporter.acast.com/murdermile. Hosted on Acast. See acast.com/privacy for more information.

Movie soundtracks once shaped the direction of popular music...and nowhere was that more true than in alternative rock. This week, we go back into the Ongoing History vault to trace the evolution of movie soundtracks from their early, days to their cultural impact in the '80s and '90s. These are albums that helped define, amplify, and sometimes completely redirect alternative music. From the electronic shock of A Clockwork Orange to the cult chaos of The Rocky Horror Picture Show...from the John Hughes films that introduced a generation to British alt‑rock, to era‑defining releases like Singles, Judgement Night, The Crow, and Trainspotting...this is an exploration of how film and music collided at exactly the right moments. Soundtracks may not dominate the charts the way they once did, but their influence is everywhere. Learn more about your ad choices. Visit megaphone.fm/adchoices

I det tvåhundraåttiofjärde avsnittet av podden pratar vi om panikångest och paniksyndrom. Gäst är David H. Barlow, psykolog och seniorprofessor i psykologi och psykiatri vid Boston University. I den första delen av fyra av intervjun berättar David om sina egna erfarenheter av panikattacker. Han beskriver även hur han blev intresserad av beteendeterapi, inspirerad av bland andra Joseph Wolpe och Joseph Cautela.Christian frågar även om kriget mellan kognitiv terapi och beteendeterapi, och hur David sedermera bidrog till grundandet av den kognitiva beteendeterapin, KBT. David berättar också om portalfiguren Aaron ”Tim” Beck och hur han till sist fick genomslag för idéerna om en ny terapeutisk gren. Christian frågar hur den vetenskapliga synen skiljde sig från psykoanalysen, och om kritiken mot beteendeterapi på 70-talet, då man jämförde den med ”A Clockwork Orange”.Om du vill kommentera avsnittet finns Christian på Twitter där han heter c_dahlstrom eller på Bluesky där han heter christiandahlstrom.bsky.social. Trevlig lyssning!Recension “Hantera ångest och paniksyndrom”: https://vadardepression.se/recension-hantera-angest-och-paniksyndrom-arbetsbok-av-david-h-barlow-och-michelle-g-craske/ Hjälp till att hålla merparten av avsnitten gratis och få tillgång till exklusiva avsnitt på: http://patreon.com/sinnessjuktSynka Patreon med Spotify: https://www.patreon.com/posts/sa-lyssnar-du-pa-34442592Köp signerade böcker och Beckomberga-printar här: https://vadardepression.seKöp Sinnessjukt-tishan här: http://sinnessjukt.se/butikBoka föreläsning här: http://vadardepression.se/forelasning-psykisk-ohalsa/ Hosted on Acast. See acast.com/privacy for more information.

The Daily Quiz - Entertainment, Society and Culture Today's Questions: Question 1: Which term was first applied to Nanak, the founder of the Sikh faith? Question 2: Which Latin music legend is known for her signature fruity hat? Question 3: Which of these is a model of car made by Toyota? Question 4: Which does Carrie's mother warn her will happen if she attends the prom? Question 5: What is the name of the villain in the Disney film The Hunchback of Notre Dame? Question 6: Which of these quotes is from the film 'Some Like It Hot'? Question 7: Which actress played the role of Oda Mae Brown in Ghost? Question 8: What is the plot of the movie A Clockwork Orange? Question 9: Which of these quotes is from the film 'Beyond the Forest'? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we take a look at one of the most influential musicians in electronic music and certainly on those composers working on the Commodore 64. Come with us then on a magical journey of light harps, Moogs, and songs that seem to go on forever as we wait patiently for Cousteau on our beach of electronic enigmas and dive into the world of Jean-Michel Jarre.    Find us here: https://zappedtothepast.com/ If you would like to help us out and join our Patreon, find it here: https://www.patreon.com/zappedtothepast If you want to buy a Coffee for Zapped to the Past, go here: https://ko-fi.com/zappedtothepast Need our links in one place - you can do that too: https://online.pubhtml5.com/oowg/grrx/#p=1 Additional links mentioned in the Podcast: Discography | Discover all albums of Jean-Michel Jarre Yie Ar Kung Fu (C64) Main Theme  Magnetic Fields, Pt. 4   Jarre arr. by Rob Hubbard - Zoolook (Oscilloscope View)  Zoolook (new mastering)  https://deepsid.chordian.net/?file=/MUSICIANS/G/Gibson_Tony/Jammin.sid&subtune=10 https://deepsid.chordian.net/?file=/MUSICIANS/C/Crowther_Antony/Son_of_Blagger.sid&subtune=2 https://deepsid.chordian.net/?file=/MUSICIANS/D/Daglish_Ben/L_O_C_O.sid&subtune=1 https://deepsid.chordian.net/?file=/MUSICIANS/H/Hansford_Graham/Trollie_Wallie.sid&subtune=3 https://deepsid.chordian.net/?file=/MUSICIANS/C/Cooksey_Mark/Bomb_Jack.sid&subtune=1 https://www.lemon64.com/game/captain-blood https://www.youtube.com/watch?v=eCPOZRG-yGs&list=RDeCPOZRG-yGs&start_radio=1 John Keating - The Uknown Planet John Keating - Space Agent  Shibolet Whip Blow (Remastered)  Ancestors  Last Ninja 2 (C64) tune "inspired" by "Midnight in Tula"  Last Ninja 2, The Mansion OST Alchemy of the Heart Gary's Recommendations   “Switched on Rock” 1969 and all the Moog-related albums that sprang up in early 70s   Isao Tomita “Snowflakes Are Dancing” 1974 “Firebird” 1976   Walter/Wendy Carlos “Switched On Bach” 1968 “The Well-Tempered Synthesizer” 1969 “Sonic Seasonings” 1972 “A Clockwork Orange” 1972   Tangerine Dream “Atem” 1972 “Zeit” 1972 “Phaedra” 1974 “Rubycon” 1975 “Stratosfear” 1976 “Sorceror OST” 1977 “Encore” 1977   Edgar Froese “Epsilon In Malaysian Pale” 1975 “Ages” 1978 “Stuntman” 1979   Klaus Schulze “Irrlicht” 1972 “Cyborg” 1973 “Black Dance” 1974 “Moondawn 1976   Vangelis “Heaven and Hell” 1975 “Albedo 0.39” 1976 “Spiral” 1977   Kraftwerk “Ralk & Florian” 1973 “Autobahn” 1974 “Radioactivity” 1975 “Trans Euro Express” 1977 “The Man Machine” 1978   Brian Eno “Evening Star” 1975 (with Robert Fripp) “Another Green World” 1975 “Ambient 1” 1979   Popol Vuh “Affenstunde” 1970 “Seligpreisug” 1973   Harmonia  “Musik Von Harmonia” 1974   Manuel Göttsching “Inventions for Electric Guitar” 1975   John Carpenter “Assault on Precinct 13 OST” 1976   Absolute Everywhere - In Search of the Ancient Gods (concept album on the work of Daniken) 1976   William Sheller (French composer) “Lux Aeterna” 1972   Yellow Magic Orchestra “Yellow Magic Orchestra” 1979   Steve Hillage “Rainbow Dome Musick” 1979   Laurie Anderson “Big Science” 1982   Gershon Kingsley - “Popcorn” 1969 Joe Meek/The Tornados - “Telstar” 1962 The Shadows - “Apache” 1960 One-off melodic instrumental hits!   Krautrock bands - Neu! / Faust / Can / La Dusseldorf / Harmonia / Kluster/Cluster.  The “Berlin” school - Tangerine Dream / Klaus Schulze / Ashra - emphasis on long form improvisations. Jarre added melody and “pop” elements to this way of working.   Modern composers: Stockhausen / Erik Satie / John Cage / Arvo Part / John Adams / Henryk Gorecki   Minimalists: Steve Reich / Philip Glass / Terry Riley   modular synthesists: Don Buchla / Suzanne Ciani    Avant-garde composers in the electro-acoustic fields: Eliane Radigue / Alvin Lucier (“Sitting in a Room”) / Xenakis / Stockhausen / Pierre Henry / Edgard Varèse /  Pierre Schaeffer and musique concrete and all that bollocks   https://thequietus.com/interviews/bakers-dozen/jean-michel-jarre-favourite-albums-interview/    

This week the Bad Dads take on Akira, Katsuhiro Otomo's 1988 anime classic: part cyberpunk biker movie, part psychic apocalypse, part body-horror nightmare, and still one of the most influential animated films ever made.What We CoveredThe motorcycle connection: Sidey picked Akira partly off the back of motorcycle week, with the famous “Akira slide” still instantly recognisable decades later.Neo-Tokyo and the set-up: The Dads discuss the opening destruction of Tokyo, the rebuilt dystopian city, biker gangs, riots, unemployment, militarised politics and general “not a happy place” energy.Kaneda, Tetsuo and the Capsules: Kaneda's iconic red bike, Tetsuo's resentment, the gang hierarchy, and the way their childhood friendship feeds the film's final emotional punch.The psychic test subjects: Takashi, the other child-like espers, the hospital experiments, telekinesis, hallucinations, and the film's blend of sci-fi plot with surreal nightmare imagery.Tetsuo's transformation: From headaches and glass-of-water Force powers to satellite lasers, a metal arm, body horror, and a final monstrous collapse into flesh, pain and chaos.Akira himself: The reveal that Akira is not really “the guy on the bike”, but a dissected psychic force preserved in jars under the Olympic Stadium.The animation: Reegs praises the film's restless visual movement; Dan says the craft makes you forget any resistance to animation; Sidey calls the full-mutant Tetsuo sequence incredible.Influence and legacy: The gang spot echoes and connections to The Matrix, Drive, Watchmen, 2001, Clockwork Orange, The Warriors, Godzilla destruction, and later anime/body-horror culture.Subtitles vs dubbing: Dan finds an English version in the “depths of the internet”, while others stick with Japanese and subtitles.Cris watch status: Cris did not get to the film because he could not find it properly and refused to watch it on a phone — fair, frankly.Key Quotes / Moments“There's very little ball content in Akira.”“The Akira slide… one of the most famous shots in animation.”“It's like the Force, but way more destructive.”“I'm in the revolution, mate. I'm busy.”“SOL Campbell” as the orbital laser gag. Obviously.“It wasn't quite Dogtanian.”VerdictA strong recommend from the Dads. Sidey calls it a great gateway into anime, Dan enjoys it more than expected and finds the animation absorbing, and Reegs loves the film's kinetic craft and cultural footprint. Cris remains technically unconverted, but tempted.You can now text us anonymously to leave feedback, suggest future content or simply hurl abuse at us. We'll read out any texts we receive on the show. Click here to try it out!We love to hear from our listeners! By which I mean we tolerate it. If it hasn't been completely destroyed yet you can usually find us on twitter @dads_film, on Facebook Bad Dads Film Review, on email at baddadsjsy@gmail.com or on our website baddadsfilm.com. Until next time, we remain... Bad Dads

24. September 1997: Auf einer fremden Sphäre schreitet Chakotay durch die Stämme und glubscht die ungeheuerlichen Schreckenstaten der Krady-Biester. Woraufhin er sich einer Truppe robuster Praller anschließt, Krieg spielt und im Bald-Schon-Hiernach ungekannten Hass auf die Mutterlosen auslotet. Hätte er sich im Kintopp mal "Apocalypse Now" angeglubscht – oder "Rambo: First Blood" – oder "A Clockwork Orange"! In Deutschland: Ausgestrahlt am 20. November 1998.

Do banned books make good movies? TO KILL A MOCKINGBIRD, A CLOCKWORK ORANGE, THE COLOR PURPLE, and LORD OF THE FLIES seems to suggest so. Find out why great stories survive the movie game of telephone? 818-835-0473 orwhatevermovies@gmail.com www.orwhatevermovies.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Jeff Griffith-Perham, Stanley Kubrick Retrospective at Pacific Film Archive Jeff Griffith-Perham is the curator of a retrospective “A Complete Stanley Kubrick” at Berkeley Art Museum/Pacific Film Archive (BAMPFA), running from June 12 through August 30, 2026. He is interviewed by host Richard Wolinsky. Stanley Kubrick was one of the most acclaimed film directors of the Twentieth Century. Though he only made 13 feature films, several of them made international headlines and one, “2001: A Space Odyssey” changed movie history. Among his other works are “Dr. Strangelove, or How I Stopped Worrying and Learned to Love the Bomb,” the gorgeous “Barry Lyndon,” his controversial “A Clockwork Orange,” and the stunning horror film, “The Shining.” Jeff Griffith-Perham is an Associate Film Curator at BAMPFA, and has curated other retrospectives focusing mostly on documentaries. He is considered an expert on the films of documentarian Frederick Wiseman. In this interview, each of Kubrick's films are discussed, along with ideas about Kubrick's antiwar viewpoint, his working process and his place in film history.   Paths of Glory (photo courtesy BAMPFA) 2001: A Space Odyssey (photo courtesy BAMPFA)       The post Bookwaves/Artwaves – June 11, 2026: The Films of Stanley Kubrick appeared first on KPFA.

Marc Munden takes hosts Josh Olson and Joe Dante through the movies that inspired him while directing the new LORD OF THE FLIES miniseries. Show Notes: Movies Referenced In This Episode Lord of the Flies (1963) Lord of the Flies (1990) If… (1968) - 12:04 Britannia Hospital (1982) O Lucky Man! (1973) A Clockwork Orange (1971) Walkabout (1973) Picnic at Hanging Rock (1975) Monos (2019) Under The Skin (2013) Jackie (2016) Johnny Mad Dog (2008) The 400 Blows (1959) Zero for Conduct (1933) Rock ‘n' Roll High School (1979) Come and See (1985) Apocalypse Now (1979) The Tribe (2014) Other Notable Items Our Patreon!  The Hollywood Food Coalition Utopia TV series (2013-14) Lord of the Flies limited series (2026) BritBox Netflix House of Pies in Los Angeles Jack Thorne Lord of the Flies novel by William Golding (1954) Peter Brook  Richard Mosse  Lindsay Anderson  Malcolm McDowell Francois Truffaut Jean-Pierre Léaud   Graham Crowden  Peter Jeffrey  Mona Washbourne Stanley Kubrick Nicholas Roeg Jenny Agutter Luke Roeg John Barry Peter Weir Alejandro Landes Mica Levi Jean-Stéphane Sauvaire Jean Vigo Charlie Chaplin Rome TV series (2005-07) HBO Elem Klimov Francisco Goya Aleksei Kravchenko Olga Mironova Roger Deakins Heart of Darkness novella by Joseph Conrad (1899) Learn more about your ad choices. Visit megaphone.fm/adchoices

Jeff Griffith-Perham is the curator of a retrospective “A Complete Stanley Kubrick” at Berkeley Art Museum/Pacific Film Archive (BAMPFA), running from June 12 through August 30, 2026. He is interviewed by host Richard Wolinsky. Stanley Kubrick was one of the most acclaimed film directors of the Twentieth Century. Though he only made 13 feature films, several of them made international headlines and one, “2001: A Space Odyssey” changed movie history. Among his other works are “Dr. Strangelove, or How I Stopped Worrying and Learned to Love the Bomb,” the gorgeous “Barry Lyndon,” his controversial “A Clockwork Orange,” and the stunning horror film, “The Shining.” Jeff Griffith-Perham is an Associate Film Curator at BAMPFA, and has curated other retrospectives focusing mostly on documentaries. He is considered an expert on the films of documentarian Frederick Wiseman. In this interview, each of Kubrick's films are discussed, along with ideas about Kubrick's antiwar viewpoint, his working process and his place in film history. The post “A Complete Stanley Kubrick Retrospective” at BAMPFA appeared first on KPFA.

Movie of the Year: 2006Tristram Shandy: A Cock and Bull StoryThe Tristram Shandy Podcast Opens the 2006 BracketThe Tristram Shandy podcast episode kicks off our brand new 2006 bracket on Movie of the Year. After crowning our way through 1971, the Taste Buds turn to a fresh film year. Moreover, we start with one of the strangest comedies of the decade. Michael Winterbottom's Tristram Shandy: A Cock and Bull Story is a film about making a film of an unfilmable book. Consequently, it makes a perfect launch title for a show that loves movies about movies. In this episode, Ryan, Mike, and Greg dig into metafiction, gender, and the prickly chemistry between Steve Coogan and Rob Brydon. Additionally, two new segments make their debut. Above all, we want to set the tone for a wild 2006 season.About the FilmLaurence Sterne published The Life and Opinions of Tristram Shandy, Gentleman in nine volumes between 1759 and 1767. The novel is famous for being playful, digressive, and nearly impossible to adapt. Notably, the narrator barely manages to get himself born across hundreds of pages. Winterbottom and his team turned that problem into the whole joke. As a result, the movie follows a fictional crew trying to film the book. Steve Coogan plays a vain version of himself, plus Tristram and his father, Walter. Meanwhile, Rob Brydon plays a needling version of himself and Uncle Toby. The screenplay carries the pseudonym "Martin Hardy," although Frank Cottrell-Boyce actually wrote it. Furthermore, the cast includes Keeley Hawes, Shirley Henderson, Dylan Moran, Naomie Harris, Kelly Macdonald, and Jeremy Northam. Gillian Anderson and Stephen Fry also appear as heightened versions of themselves. You can read more at Wikipedia or the original Roger Ebert review.This is the first film episode of our 2006 season. To explore the wider bracket project, visit the Movie of the Year archive. If you enjoy this Tristram Shandy podcast deep dive, our A Clockwork Orange episode from the 1971 run pairs nicely with this conversation about cinematic form.Want to hear how the season began? Start with our 2006 season intro, then dig into the 2006 bracket reveal before this episode.Metafiction and the Unfilmable NovelMetafiction sits at the center of our first discussion. Sterne wrote a novel that constantly reminds you it is a novel. Similarly, Winterbottom built a movie that keeps reminding you it is a movie. The crew breaks the fourth wall, argues about the script, and screens its own dailies. Therefore, the film becomes a hall of mirrors about storytelling itself. The Taste Buds ask a simple question. How do you adapt a book that mocks the idea of adaptation? Furthermore, we trace the lineage from Sterne to modern self-aware comedies. Films like Adaptation and Day for Night come up as obvious cousins. Ultimately, we argue that Winterbottom found the only honest solution. He filmed the failure instead of the book. Consequently, the movie respects Sterne by refusing to tame him.The Battle of the Sexes on ScreenNext, we turn to gender and how the film portrays men and women. The male characters chase status, sex, and screen time with comic desperation. Coogan, in particular, frets about his shoe lifts and his billing. Meanwhile, the women in the film often hold the real power. Kelly Macdonald plays Jenny, who grounds Coogan with calm clarity. Naomie Harris plays Jennie, a production assistant who runs circles around the panicking men. Gillian Anderson arrives late and instantly reshapes the production. By contrast, the men flail and posture. So the Taste Buds debate a thorny point. Does the movie satirize male ego, or does it quietly indulge it? Additionally, we weigh how the battle of the sexes plays inside an 18th-century story. The novel and the film both poke fun at male pride. As a result, the gender comedy spans two very different centuries.Coogan and Brydon Anchor the Tristram Shandy PodcastAbove all, the Coogan and Brydon double act drives this Tristram Shandy podcast conversation. The two comedians play exaggerated, petty versions of themselves. Their rivalry over billing, teeth, and impressions fuels the funniest scenes. Notably, this dynamic later powered the beloved series The Trip. The Taste Buds dig into why their friction feels so real. Brydon needles, Coogan bristles, and the comedy snaps into focus. Furthermore, we discuss how improvisation shapes their banter. The closing Al Pacino impression duel becomes a highlight. Meanwhile, we ask whether the pair actually like each other on screen. The answer stays gloriously unclear. Consequently, their chemistry gives a chilly intellectual film a warm, human pulse.Rushmore: The Mount Rushmore of 2006 TelevisionOur Rushmore segment asks each host to carve a Mount Rushmore of 2006 television. The year was loaded with future classics. For instance, The Wire aired its acclaimed fourth season. Meanwhile, The Office, 30 Rock, and Friday Night Lights were all finding their feet. Additionally, prestige newcomers like Dexter and Heroes premiered to big buzz. The hosts each pick four shows and defend their choices. Naturally, the debate gets heated fast. Listen to the episode to hear which four faces each Taste Bud sets in stone.I Never Metacritic I Didn't LikeThis episode debuts a brand new game called "I Never Metacritic I Didn't Like." The premise is simple and a little dangerous. We pull up a film's Metacritic profile and put the critical consensus on trial. Specifically, we test whether the aggregate score matches our own gut reactions. Tristram Shandy earned strong reviews from critics on release. However, strong scores do not always survive a Taste Buds cross-examination. Therefore, the game lets us argue with the wider critical record in real time. Expect this segment to return throughout the 2006 season. Above all, it gives us a structured excuse to fight about numbers.Why Tristram Shandy Still MattersTristram Shandy still matters because it cracked a problem that had defeated everyone before it. Winterbottom proved you can film an unfilmable book by filming the attempt. Moreover, the movie launched a now-legendary comic partnership. The Coogan and Brydon collaboration grew into The Trip and its many sequels. Additionally, the film remains a sharp, funny lesson in adaptation. Film students and Sterne scholars both still cite it today. Ultimately, the Tristram Shandy 2006 podcast discussion shows why this small comedy punches far above its weight. Notably, it kicks our 2006 bracket off with brains and mischief.Related Episodes from Movie of the Year: 2006The 2006 season is just getting started, so this list will grow each week. For now, revisit the episodes that set up the bracket, plus a favorite from our 1971 run.Movie of the Year 2006: Season IntroThe 2006 Bracket RevealMovie of the Year archiveThe Last Picture Show (1971)FAQ: Tristram Shandy Podcast and FilmWhat is this Tristram Shandy podcast episode about?In this episode, Ryan, Mike, and Greg launch the 2006 bracket by breaking down Michael Winterbottom's comedy. They cover metafiction, gender, the Coogan and Brydon dynamic, and two new segments.What is the movie Tristram Shandy about?The film follows a crew trying to adapt an unfilmable 18th-century novel. As they struggle, the actors' egos and offscreen lives take over the production.Who directed Tristram Shandy: A Cock and Bull Story?Michael Winterbottom directed the film. Frank Cottrell-Boyce wrote the screenplay under the pseudonym "Martin Hardy."Is Tristram Shandy based on a book?Yes. Laurence Sterne wrote The Life and Opinions of Tristram Shandy, Gentleman across nine volumes between 1759 and 1767. You can read more on Wikipedia.Do Steve Coogan and Rob Brydon play themselves?Yes, mostly. Both actors play exaggerated, fictional versions of themselves, and they also play characters in the film within the film. See the full cast on IMDb.Is Tristram Shandy connected to The Trip?Yes, in spirit. This film first paired Coogan and Brydon with Winterbottom, and that chemistry...

Hammer Horror delivered one of its finest 1970s films with Blood from the Mummy's Tomb, despite a notoriously cursed production. This 1971 British release is the studio's fourth and final Mummy film, loosely adapted by Christopher Wicking from Bram Stoker's 1903 novel The Jewel of Seven Stars. Crucially, it remains the only entry in the franchise where a physical mummy never actually appears.The trouble began early when a gap in the studio schedule forced the film into premature production. Wicking wanted to keep Stoker's original book title, but James Carreras refused, leading to a brainstorming session that birthed Blood from the Mummy's Tomb – a title Wicking never expected them to use. Wicking also clashed with producer Howard Brandy and was barred from the set, forcing him to work with director Seth Holt secretly in the evenings. Brandy later claimed the script was unshootable and heavily rewritten by Holt. Brandy also wanted to cast Amy Grant, but Sir James Carreras insisted on Valerie Leon.Tragedy struck five weeks into the six-week shoot when Seth Holt suffered a fatal heart attack on set, collapsing into the arms of actor Aubrey Morris. Michael Carreras tried to recruit Don Sharp to finish the film, but Sharp was committed to a project in Israel. Michael Carreras ultimately directed the final week himself, later noting that Holt's footage did not cut together well, forcing them to salvage what they could.Valerie Leon shines in the dual roles of Margaret Fuchs and Queen Tera. Beyond her famous Hai Karate aftershave adverts and seven Carry On appearances – including Carry On Christmas: Carry On Stuffing – Leon delivered a critically praised performance but clashed with the studio. She was deeply upset when producers denied her time off to attend Holt's funeral, and her refusal to perform a nude scene required a body double. Hammer never hired her again. Her career later included roles alongside two different James Bonds, Roger Moore and Sean Connery.The supporting cast features incredible British character talent. James Villiers plays Corbeck, George Coulouris plays Berigan, and Aubrey Morris features as Doctor Putnum. Morris was described by Jeremy Brett to Noël Coward as the finest small-part player in London, boasting roles in The Wicker Man, A Clockwork Orange, and as the bubble-bathing B-Ark captain in The Hitch Hiker's Guide to the Galaxy. Rosalie Crutchley plays Helen Dickerson. James Cossins brings his trademark blustering authority to the role of an abusive psychiatric nurse, and a young Anthony Head makes an uncredited appearance.Andrew Keir plays Julian Fuchs, stepping in after Peter Cushing completed just one day of filming before leaving due to his wife's emphysema diagnosis. Keir's presence links back to our Quatermass and the Pit reviews, Daleks' Invasion Earth 2150 A.D., and Cleopatra alongside Richard Burton. The film is elevated by a brilliant electronic score by Tristram Ogilvie Cary, the pioneer who founded EMS, created the VCS 3 synthesiser, and composed the music for the first Doctor Who Dalek serial.Support this show http://supporter.acast.com/general-witchfinders. Hosted on Acast. See acast.com/privacy for more information.

Movie of the Year: 1971The Finale, Part IIThe 1971 Film Finale Podcast: One Champion RemainsThe 1971 film finale podcast brings the Taste Buds' most ambitious bracket season to its definitive conclusion. Ryan, Mike, and Greg have debated, dismissed, and championed their way through a remarkable field — and now eight films remain. In this episode, four Elite Eight matchups collapse into a single champion, and five major awards close out the season before the final verdict arrives.Furthermore, this finale caps a season that has included some of the most provocative, challenging, and enduring films ever made. From Stanley Kubrick's A Clockwork Orange to William Friedkin's The French Connection, the 1971 bracket has consistently rewarded listeners willing to sit with difficult, boundary-pushing work. The season also covered Straw Dogs, Sweet Sweetback's Baadasssss Song, and Dirty Harry — each one generating strong arguments before falling short of the Elite Eight.Additionally, five competitive award categories — Best Sex, Best Violence, Musical Moment, Best Actor, and Best Actress — draw nominees from across the full season. Consequently, this episode stands as the richest and most content-dense installment of the year.ContentsThe Elite Eight MatchupsThe 1971 AwardsWhy the 1971 Film Finale Podcast Still MattersRelated EpisodesFAQThe Elite Eight MatchupsEight films enter. One leaves as the 1971 champion. The Taste Buds structured the Elite Eight around four head-to-head matchups, and each one forces a different kind of critical argument.A Clockwork Orange vs. The DevilsTwo of the year's most transgressive films meet in the first matchup. A Clockwork Orange arrived as a season-long frontrunner — a Kubrick film operating at the height of his formal powers, one that the Taste Buds covered in depth on their dedicated episode. Ken Russell's The Devils, meanwhile, delivers a fever dream of religious hysteria and state violence that stands as one of the most divisive films the Taste Buds have discussed all season. Moreover, this matchup poses a pointed question: which film earns its provocation more honestly? Both demand something from the viewer. However, only one advances.Harold and Maude vs. McCabe and Mrs. MillerHarold and Maude represents the season's most warmly beloved film — a dark comedy about love, death, and radical living that generated some of the most enthusiastic podcast discussion of the year. By contrast, Robert Altman's McCabe and Mrs. Miller offers a revisionist Western suffused with melancholy and moral exhaustion, its beauty inseparable from its grief. Both films carry passionate advocates among the Taste Buds. Consequently, this matchup ranks among the tightest and most personal bracket debates of the entire season. Above all, it asks whether warmth or ache makes the stronger lasting impression.Wanda vs. The ConformistBarbara Loden's Wanda — a micro-budget American independent masterwork — faces Bernardo Bertolucci's The Conformist, a visually ravishing Italian political drama. Notably, both films center on characters adrift in systems designed to diminish them. Nevertheless, they arrive at very different emotional endpoints: Wanda drifts, the Conformist spirals. The Taste Buds' arguments in this matchup reveal as much about their own critical values as about the films themselves. In practice, this is the bracket's most purely cinephile debate.The French Connection vs. The Last Picture ShowThe bracket's most commercially dominant film — The French Connection, winner of five Academy Awards including Best Picture — faces Peter Bogdanovich's elegiac The Last Picture Show. In practice, this matchup pits Hollywood's muscular genre filmmaking against its more introspective New Wave ambitions. As a result, the debate cuts to the heart of what 1971 cinema actually achieved. Gene Hackman's Popeye Doyle and the dusty streets of Anarene, Texas, represent two entirely different ideas of what a great film should do — and the Taste Buds have strong opinions on which idea wins.The 1971 AwardsBefore the bracket champion is named, the Taste Buds present five awards covering the full sweep of the season. This Movie of the Year 1971 podcast segment features each host nominating the moments they found most memorable, daring, or essential — and the resulting field spans an extraordinary range of films and tones.Best SexThe nominees range from the tender to the violent to the surreal, drawing from three different films and three distinct registers of human sexuality.Jacy and Abilene — The Last Picture ShowThe Pool Party — The Last Picture ShowThe Rape of Christ — The DevilsThe Sex Duel with the Biker Gang — Sweet Sweetback's Baadasssss SongYoung Sweetback and the Sex Worker — Sweet Sweetback's Baadasssss SongBest ViolenceThe nominees span the full tonal range of 1971 action filmmaking — from Dirty Harry's iconic bank robbery standoff to the slow, aching finality of McCabe dying alone in the snow.The Car Chase — The French ConnectionHarry Foils a Bank Robbery — Dirty HarryThe Kid Kills the Cowboy — McCabe and Mrs. MillerThe Ludovico Technique — A Clockwork OrangeMcCabe Dies Alone in the Snow — McCabe and Mrs. MillerMusical MomentThe nominees here demonstrate just how varied 1971's soundtrack was — Cat Stevens, Beethoven, and Gene Wilder all make the shortlist.Maude Sings "If You Want to Sing Out, Sing Out" — Harold and MaudeOpening Funeral March — A Clockwork Orange"Pure Imagination" — Willy Wonka and the Chocolate Factory"Singin' in the Rain" — A Clockwork OrangeThe Tango — The ConformistBest Actor The five nominees represent the full range of 1971 male performance — from Hackman's coiled rage to Wilder's heartbreaking wonder. Additionally, this category generated some of the most contested debates in the entire 1971 film podcast season.Warren Beatty — McCabe and Mrs. MillerGene Hackman — The French ConnectionOliver Reed — The DevilsJean-Louis Trintignant — The ConformistGene Wilder —

Send us Fan MailPrepare for immediate transport to the golden era as you enter the Retro Wave Zone with the Back in Time Brothers. This week, Lou and DJ Paulie are blasting off into the great unknown to explore the "Space Jams"—a cosmic mix of space-themed music, cinematic masterpieces, and chilling UFO encounters.The Countdown: Top 10 Space TracksDJ Britt leads us through a stellar countdown of tracks that defined our obsession with the final frontier.The Heavy Hitters: From the improvisational 1972 anthem "Space Trucking" by Deep Purple to the funky hip-hop transmissions of the Beastie Boys' "Intergalactic".Atmospheric Voyages: Dive into the "spacey" vibes of Radiohead's "Subterranean Homesick Alien" and the high-energy reflection of Switchfoot's "Stars".The Legends: Experience Elton John's lonely journey in "Rocket Man" and the spiritual poetry of The Beatles' "Across the Universe".The Major Tom Connection: We follow the character's evolution from Peter Schilling's synth-pop hit "Major Tom" to the ultimate double-shot from the "Man Who Fell to Earth," David Bowie, with "Starman" and "Space Oddity".The Silver Screen & The Small ScreenThe brothers break down the greatest sci-fi franchises and series of all time:Cinematic Giants: A countdown featuring the physics-bending visuals of Interstellar , the survival grit of The Martian , and the undisputed king of space opera, Star Wars.TV Classics: From the 80s nostalgia of Stranger Things and the truth-seeking of The X-Files to the legendary, mind-bending marathons of The Twilight Zone.Screen Talk: The Dark Side of Sci-FiTodd Snyder joins the show for a special "Screen Talk" segment, uncovering the deadly and dystopian side of the genre. He explores the tragic onset accident of Twilight Zone: The Movie , the global bans of A Clockwork Orange , and the bizarre production disasters of The Island of Dr. Moreau.UFO Files: Encounters of the Retro KindLou and Paulie dive into ten of the most compelling UFO stories in history. They discuss the Roswell incident , the mass sighting of the Phoenix Lights in Arizona , and the terrifying abduction story of Travis Walton.Don't forget to tune in!Check out all our episodes at www.backintimebrothers.com or find us on iTunes and Spotify. It's time to rock and roll through the cosmos!Support the showThanks for listening.  Join us each Monday at 1pm Central at www.urlradio.net and follow us on Facebook!

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Enjoy these back to back throwback episodes! Forbidden Knowledge Network https://forbiddenknowledge.news/ FKN Link Treehttps://linktr.ee/FKNlinksMake a Donation to Forbidden Knowledge News https://www.paypal.me/forbiddenknowledgenehttps://buymeacoffee.com/forbiddenTake control of your health now with Christian Yordanov's Live Longer Program https://www.livelongerformula.com/fknWe are back on YouTube! https://youtube.com/@forbiddenknowledgenews?si=XQhXCjteMKYNUJSjBackup channelhttps://youtube.com/@fknshow1?si=tIoIjpUGeSoRNaEsDoors of Perception is available now on Amazon Prime!https://watch.amazon.com/detail?gti=amzn1.dv.gti.8a60e6c7-678d-4502-b335-adfbb30697b8&ref_=atv_lp_share_mv&r=webDoors of Perception official trailerhttps://youtu.be/F-VJ01kMSII?si=Ee6xwtUONA18HNLZListen to Forbidden Knowledge News on clearair.fm every Tuesday, Thursday, and Saturday 12:15pm CSThttps://clearair.fm/Pick up Independent Media Token herehttps://www.independentmediatoken.com/Be prepared for any emergency with Prep Starts Now!https://prepstartsnow.com/discount/FKNStart your microdosing journey with BrainsupremeGet 15% off your order here!!https://brainsupreme.co/FKN15Book a free consultation with Jennifer Halcame Emailjenniferhalcame@gmail.comFacebook pagehttps://www.facebook.com/profile.php?id=61561665957079&mibextid=ZbWKwLWatch The Forbidden Documentary: Occult Louisiana on Tubi: https://link.tubi.tv/pGXW6chxCJbC60 PurplePowerhttps://go.shopc60.com/FORBIDDEN10/or use coupon code knowledge10Johnny Larson's artworkhttps://www.patreon.com/JohnnyLarsonSign up on Rokfin!https://rokfin.com/fknplusPodcastshttps://www.spreaker.com/show/forbiddenAvailable on all platforms Support FKN on Spreaker https://spreaker.page.link/KoPgfbEq8kcsR5oj9FKN ON Rumblehttps://rumble.com/c/FKNpGet Cory Hughes books!Lee Harvey Oswald In Black and White https://www.amazon.com/dp/B0FJ2PQJRMA Warning From History Audio bookhttps://buymeacoffee.com/jfkbook/e/392579https://www.buymeacoffee.com/jfkbookhttps://www.amazon.com/Warning-History-Cory-Hughes/dp/B0CL14VQY6/ref=mp_s_a_1_1?crid=72HEFZQA7TAP&keywords=a+warning+from+history+cory+hughes&qid=1698861279&sprefix=a+warning+fro%2Caps%2C121&sr=8-1https://coryhughes.org/Our Facebook pageshttps://www.facebook.com/forbiddenknowledgenewsconspiracy/https://www.facebook.com/FKNNetwork/Instagram @forbiddenknowledgenews1@forbiddenknowledgenetworkXhttps://x.com/ForbiddenKnow10?t=uO5AqEtDuHdF9fXYtCUtfw&s=09Email Forbidden Knowledge News forbiddenknowledgenews@gmail.comsome music thanks to:https://www.bensound.com/ULFAPO3OJSCGN8LDDGLBEYNSIXA6EMZJ5FUXWYNC6WJNJKRS8DH27IXE3D73E97DC6JMAFZLSZDGTWFIBecome a supporter of this podcast: https://www.spreaker.com/podcast/forbidden-knowledge-news--3589233/support.

Movie of the Year: 1971The Finale, Part IIThe 1971 Film Bracket Podcast Reaches the Elite EightThis 1971 film bracket podcast returns with its most dramatic episode yet. Ryan, Mike, and Greg — the Taste Buds — work through the bottom half of the Sweet 16, producing four matchups that nobody saw coming. Furthermore, the episode hands out two major awards: Comedic Performance and Biggest Shithead. The results set the stage for Part III, where the Elite Eight will be whittled down to a single 1971 champion.If you missed Part I of the finale, start there first. The bracket has been full of upsets throughout the season. Consequently, no outcome here should be taken for granted.The Sweet 16: Bottom Half of the 1971 Film BracketThe bottom half of the 1971 Sweet 16 is stacked. These four matchups pit some of the most beloved and argued-over films in the entire bracket against one another. Moreover, the range of cinema on display — from Hollywood blockbusters to European art films to New Hollywood grit — illustrates exactly why 1971 is one of the most fertile film years ever put to a bracket.The Taste Buds debate each matchup using their standard evaluative framework: craft, cultural impact, rewatchability, and gut feeling. Above all, they trust their instincts — and their instincts have produced surprises at every turn this season. Tune in to find out which four films advance to the Elite Eight.Willy Wonka and the Chocolate Factory vs. WandaThis matchup pits one of cinema's most beloved fantasies against one of its most criminally underseen gems. Willy Wonka and the Chocolate Factory needs little introduction — Gene Wilder's performance alone has kept it in the cultural conversation for over fifty years. Nevertheless, Wanda is no pushover. Barbara Loden's Wanda (1971) is a raw, naturalistic landmark of American independent cinema, and its inclusion in the bracket has been a point of pride for whoever seeded it.This is a clash of tone, scale, and intention. One film is a spectacle engineered for maximum delight. The other strips cinema down to its bones. However, the Taste Buds must pick one — and the pick will tell you something about where their tastes landed by the time the 1971 season reached its final stretch.The French Connection vs. Brian's SongTwo films that defined what mainstream American cinema could do with raw emotional and procedural intensity. The French Connection won the Academy Award for Best Picture in 1971. It features one of the most celebrated car chases in film history and a career-defining performance from Gene Hackman as the relentless, morally compromised Popeye Doyle. Additionally, William Friedkin's direction remains a masterclass in gritty, kinetic storytelling.Brian's Song, meanwhile, hit American living rooms as a TV movie and destroyed everyone who watched it. The story of Gale Sayers and Brian Piccolo remains one of the most emotionally devastating sports films ever made. Notably, the Taste Buds covered both films earlier this season — so this rematch in the 1971 film bracket carries the weight of all those prior arguments.The Last Picture Show vs. KluteTwo of New Hollywood's most enduring films square off here, and neither one will go quietly. The Last Picture Show is Peter Bogdanovich's elegiac black-and-white portrait of a dying Texas town — a film the American Film Institute has called one of the greatest ever made. Furthermore, its ensemble cast, including Jeff Bridges, Cybill Shepherd, Cloris Leachman, and Ben Johnson, delivers some of the finest performances in the bracket.Klute, however, has Jane Fonda. Her performance as Bree Daniels earned her the first of her two Academy Awards, and it remains one of the most psychologically intricate portrayals of a woman in crisis in American cinema. Alan J. Pakula's direction is coiled and paranoid in all the right ways. Consequently, this matchup may be the most difficult call in the entire bracket.The Conformist vs. The Panic in Needle ParkThe final Sweet 16 matchup is the most arthouse of the four — and arguably the most fascinating. Bernardo Bertolucci's The Conformist is a landmark of European cinema. Vittorio Storaro's cinematography is among the most studied in film school history, and the film's meditation on fascism, identity, and moral cowardice has only grown richer with time. You can read more about the film at Roger Ebert's review on RogerEbert.com.The Panic in Needle Park, by contrast, is bracingly American — a gritty, unglamorous portrait of heroin addiction on the streets of New York. It introduced Al Pacino to mainstream audiences. Moreover, Jerry Schatzberg's unflinching direction makes the film feel almost documentary in its honesty. These two films represent opposite ends of world cinema in 1971, and the Taste Buds must choose one.Award: Best Comedic Performance — 1971 Film Bracket PodcastThe Taste Buds hand out individual performance awards throughout the season, and the Comedic Performance category drew a fascinating and eclectic field of nominees. The 1971 bracket is not short on laughs — from the anarchic fantasy of Willy Wonka's chocolate factory to the dark comedy of Harold and Maude. Furthermore, the nominees represent a range of comic registers, from broad physical performance to pitch-black wit.The nominees are:David Battley — Willy Wonka and the Chocolate Factory (Mike's pick)Julie Dawn Cole — Willy Wonka and the Chocolate Factory (Greg's pick)Bud Cort — Harold and Maude (Mike's pick)Michael Gothard — The Devils (Ryan's pick)Gene Wilder — Willy Wonka and the Chocolate Factory (Greg's pick)David Battley's turn as the hapless Mr. Turkentine in Willy Wonka is a masterwork of bewildered reaction comedy. Julie Dawn Cole's Veruca Salt is a full-throttle comic creation — spoiled, relentless, and somehow sympathetic. Additionally, Bud Cort's Harold is a genuinely difficult comic achievement: deadpan to the point of catatonia, yet somehow enormously warm.Michael Gothard's Father Barre in The Devils is Ryan's wild-card choice — a performance of manic, committed intensity that functions as dark comedy whether or not Ken Russell intended it. Meanwhile, Gene Wilder's Willy Wonka remains one of cinema's great comic performances — menacing, whimsical, and deeply strange all at once. The winner is waiting for you in the episode.Award: Biggest Shithead of 1971One of the Taste Buds' most beloved recurring awards, the Biggest Shithead category recognizes the most memorably awful person — or entity — in the bracket. Notably, this award rewards commitment. Nominees do not simply do bad things. They do bad things with style, conviction, and a complete lack of self-awareness.The nominees are:Baron de Laubardemont — The Devils (Greg's pick)The Lady at Snakearama — Duel (Ryan's pick)The Motorcycle Cop — Harold and Maude (Greg's pick)Mr. Deltoid — A Clockwork Orange (Mike's pick)Veruca Salt — Willy Wonka and the Chocolate Factory (Mike's pick)Baron de Laubardemont, the cold bureaucratic villain of The Devils, brings state-sanctioned cruelty to the category. The Lady at Snakearama from Duel is Ryan's inspired choice — a brief but indelible portrait of someone who simply should not be in this movie. Furthermore, Harold and Maude's Motorcycle Cop is a monument to institutional pettiness.Mr. Deltoid from A Clockwork Orange is a sweaty, oleaginous masterpiece of ineffectual authority — Mike's nomination is well-argued. Veruca Salt, however, may be the category's most pure entry: a child who has elevated wanting things to an art form. The winner, as always, is in the episode.Why This 1971 Film Bracket Podcast Still MattersThe Sweet 16 is where bracket tournaments reveal their true character. By this stage, the obvious candidates are mostly gone. What remains are the films that survived not on reputation alone but on genuine argument. Moreover, the bottom half of the 1971 Sweet 16 contains some of the season's most debated films — which means every matchup result carries real emotional weight.The year 1971 is one of the most remarkable in cinema history. New Hollywood was hitting its stride. European art cinema was pushing form to its limits. Genre filmmaking was getting stranger, darker, and more personal. Consequently, any bracket drawn from this year produces matchups that feel genuinely impossible to call. The Taste Buds do not pretend otherwise — they argue, they agonize, and they vote.Part III is coming. The Elite Eight will determine the Movie of the Year: 1971 champion. Above all, this episode is the last chance to see which films survive before the final reckoning. Subscribe to PopFilter and follow along — the 1971 film...

Hosts Josh and Jamie and special guest film critic and author Willow Catelyn Maclay discuss the iconic pioneering funk, rock and pop musician (and androgenous sex symbol) Prince with a double feature of his screen debut in the quasi-autobiographical rock opera/concert musical PURPLE RAIN (1984) + his directorial debut UNDER THE CHERRY MOON (1986), a strange post-modern pastiche of Old Hollywood rom-coms and European art films. Next week's episode is a patron-exclusive bonus episode on British juvenile delinquents: A CLOCKWORK ORANGE (1971) + SCUM (1979), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-09:02 PURPLE RAIN // 09:02-1:22:14 UNDER THE CHERRY MOON // 1:22:14-2:27:27 Outro // 2:27:27-2:31:08 NEW SLEAZOIDS SHIRT + HAT: https://blackbeltcinema.ca/search?q=sleazoids&options%5Bprefix%5D=last WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

The latest Tin Foil Hat episode with the Paranoid American packs a rapid-fire mix of conspiracies, linking secret societies, the pineal gland, and modern myths like Frazzledrip to alleged mind control programs such as MK-ULTRA and trauma-based conditioning. It dives into darker themes—Satanic Panic, ritual abuse, and ancient deities—while tying in pop culture touchpoints like A Clockwork Orange and Fear and Loathing in Las Vegas as potential symbols of hidden influence. Blending historical experiments, fringe science, and internet lore, the episode presents a fast-moving narrative that blurs the line between documented events and modern conspiracy culture. Please subscribe to the new Tin Foil Hat youtube channel:  https://www.youtube.com/@TinFoilHatYoutube Sam Tripoli's 5th Crowd Work Special "Hero Live From Batavia" Drops May 2nd On Youtube.com/SamTripoliComedy Grab your copy of the 2nd issue of the Chaos Twins now and join the Army Of Chaos: https://bit.ly/415fDfY Check out Sam "DoomScrollin with Sam Tripoli and Midnight Mike" Every Tuesday At 4pm pst on Youtube, X Twitter, Rumble and Rokfin! Join the WolfPack at Wise Wolf Gold and Silver and start hedging your financial position by investing in precious metals now! Go to https://www.samtripoli.gold/ and use the promo code "TinFoil" and we thank Tony for supporting our show. CopyMyCrypto.com: The 'Copy my Crypto' membership site shows you the coins that the youtuber 'James McMahon' personally holds - and allows you to copy him. So if you'd like to join the 1300 members who copy James, then stop what you're doing and head over to: https://copymycrypto.com/tinfoilhat/ You'll not only find proof of everything I've said - but my listeners get full access for just $1 Grab Tickets To Sam Tripoli's Live Shows At SamTripoli.com: Austin, TX: (Live Taping Of My New Comedy Special) 5/22 Albuquerque, NM: 6/12-6/13 Austin, TX: The 100th Episode Of Tin Foil Hat 6/18 Lawerence, KS: 9/17-9/19 Tulsa, OK: 10/9-10/10 Austin, TX: 12/11-12/13   Please check out Word War Debate and the WordWarDebate Contenders Series: https://wordwardebate.com   Please check out Paranoid American's internet: Website: https://paranoidamerican.com Twitter: https://x.com/ParanoidAmerica Instagram: https://www.instagram.com/paranoidamerican/ Youtube: https://www.youtube.com/@ParanoidAmerican   Please check out Sam Tripoli's internet: Linktree: https://linktr.ee/samtripoli Sam Tripoli's Stand Up Youtube Page: https://www.youtube.com/@SamTripoliComedy  Sam Tripoli's Comedy Instagram: https://www.instagram.com/samtripolicomedy/%20P Sam Tripoli's Podcast Clip Instagram: https://www.instagram.com/samtripolispodcastclips/ Please support our sponsors: BlueChew Gold: Is the newest innovation from the #1 chewable ED brand. This ain't your grandpa's little blue pill — this is the 4-in-1 beast that's setting the Gold Standard for performance. We're talking two ingredients for blood flow to keep that rocket pumping, mixed with Apomorphine and Oxytocin to turn up the arousal and connection in your brain and body. And we've got a special deal for our listeners: Get 10% off your first month of BlueChew Gold with code TINFOIL. That's promo code TINFOIL. Visit BlueChew.com for more details and important safety information, and we thank BlueChew for sponsoring the podcast. 1-800-Flowers:  Flowers are the #1 gift to give for Mother's Day, but it can be hard to know which ones will show Mom how much she means to you. For 50 years, 1-800-Flowers has been helping people send beautiful bouquets Mom will love and express the all the gratitude you have for everything she does.  Mother's Day is Sunday, May 10th and bouquets are selling out fast. Trust me, don't wait. To claim your Double Roses offer before they're gone, visit 1 800 Flowers dot com slash TINFOIL. That's 1 800 Flowers dot com slash TINFOIL. 1 800 Flowers dot com slash TINFOIL.    

Andrew Adams returns to The Dark Mind Podcast to discuss his new Cemetery Dance Publications novel, Crossroads, Inc.The book is set in the dying backwoods town of Glanton, where the air is toxic, the water is undrinkable, and the people have been forgotten.When a life insurance company called Crossroads, Inc. rolls into town offering cash advances on policies repaid in severed body parts, what begins as desperation quickly becomes compliance, addiction, and the normalization of the unthinkable.At the center of the story is thirteen year old Hannah Cassady, the skeptic of her family and the one who sees the lie before the adults do.At the center of the company is Samuel Sterling, a smooth talking CEO in a purple suit with pearly white veneers who never needs to raise his voice to get what he wants.Andrew and Vincent dig into the seed of the premise, the Faustian roots of the title, and the way the novel layers body horror on top of addiction, economic collapse, and manufactured hope.They talk about Hannah as the moral compass of the story, the Cassady siblings as a single unit splintering under pressure, and the slow normalization of mutilation inside a community that has run out of options.They also get into the real world echoes behind the brew, the opiate crisis, legalized vice, and the way desperate people respond to anyone who finally acknowledges their suffering.Beyond the book, Andrew opens up about his path from welder and aerospace engineer to writing sixteen books in under four years, the grind of the indie horror world, and what it meant to land at Cemetery Dance Publications.He talks about his literary influences from Cormac McCarthy and A Clockwork Orange to Hunter S. Thompson and Ronald Malfi, his friendships with writers like Duncan Ralston, Emma E. Murray, and Jyl Glenn, and the daily reality of writing at night around a full time job and a family.This is a conversation about bodies as currency, hope as a trap, and the quiet horror of watching a town talk itself into giving up a piece of itself one finger at a time.Website: https://www.symposiumofthereaper.com/Instagram: https://www.instagram.com/andrew_adams_author/TikTok: https://www.tiktok.com/@andrew_adams_authorThreads: https://www.threads.net/@andrew_adams_authorGoodreads: https://www.goodreads.com/author/show/567299.Andrew_AdamsBuy Crossroads, Inc. from Cemetery Dance Publications: https://www.cemeterydance.com/CrossroadsInc.htmlCrossroads, Inc. on Amazon: https://www.amazon.com/dp/B0GPYZJYSL/Andrew Adams books on Amazon: https://www.amazon.com/s?k=Andrew+Adams+horror&i=stripbooksAndrew Adams on Audible: https://www.audible.com/author/Andrew-Adams/B0BYD1LQXYAndrew Adams on Barnes and Noble: https://www.barnesandnoble.com/s/andrew+adams+horrorAndrew Adams on Godless: https://godless.com/products/andrew-adamsSupport The Dark Mind Podcast: https://www.patreon.com/c/thedarkmindpodcast

Movie of the Year: 1971Straw Dogs (feat. Erik from the Cradle to the Grave pod!)The Straw Dogs Podcast: Peckinpah's Most Dangerous FilmThe Straw Dogs podcast episode of Movie of the Year confronts one of 1971's most debated, disturbing, and relentlessly provocative films — Sam Peckinpah's psychological siege thriller starring Dustin Hoffman and Susan George. Ryan, Mike, and Greg are joined by Erik Hanson of the Cradle to the Grave podcast. Together, they examine the film's violence, its contested rape scene, and the gender dynamics at the heart of Peckinpah's vision. Consequently, no other episode this season demands more from its hosts — or from its audience.Moreover, the 1971 film Straw Dogs arrived in remarkable company. A Clockwork Orange, Dirty Harry, and The French Connection all hit theaters the same year — forming a cluster of films that fundamentally altered what Hollywood was willing to show. Furthermore, Straw Dogs distinguished itself from all of them. Filmed entirely in a Cornish village, it replaced the city's noise with something quieter and more suffocating. Ultimately, it is a film that has never stopped demanding conversation — and that is exactly what the Taste Buds deliver.About the FilmSam Peckinpah directed Straw Dogs (1971), starring Dustin Hoffman as David Sumner, a mild-mannered American mathematician who relocates with his English wife Amy (Susan George) to her rural hometown in Cornwall. David hires local men to repair their farmhouse. Almost immediately, however, the couple faces escalating harassment, intimidation, and violence from the villagers — including Amy's former boyfriend Charlie (Del Henney).Peckinpah and screenwriter David Zelag Goodman adapted the film from Gordon M. Williams's 1969 novel The Siege of Trencher's Farm. Peckinpah famously dismissed the source material. The film builds to a harrowing siege in which David, pushed past every limit, defends his home with escalating brutality. Additionally, the title derives from the Tao Te Ching, which describes straw dogs as ceremonial objects — used briefly, then discarded without feeling. The Criterion Collection edition includes a discussion of this symbolism in its supplemental materials.Released theatrically in the UK in November 1971, the film earned a nomination for the Academy Award for Best Original Score. It was later issued as a Criterion Collection release featuring new critical scholarship. The British Film Institute also maintains an entry on the film. The British Board of Film Classification banned it for home video release for years after its UK theatrical run.Guest Panelist: Erik HansonJoining the Taste Buds for this Sam Peckinpah film discussion is Erik Hanson, the creator and host of Cradle to the Grave — a horror movie podcast built around a distinctive structural premise. Starting with 1971, his own birth year, Erik ranks and discusses his Top 10 horror films from every year of his life, covering each in depth with rotating guests. The show has developed a devoted following for Erik's knowledgeable, laid-back, and genuinely funny approach to the genre.In addition to podcasting, Erik is the author of Death Machine, a debut horror novel set in 1987 Northern California that reimagines the Zodiac Killer returning to terrorize a group of kids. Based in Sacramento, California, Erik is also a musician. His work across fiction and podcasting reflects a lifelong relationship with horror that goes well beyond fandom and into genuine craft. Notably, the fact that Cradle to the Grave begins precisely with 1971 makes Erik an especially fitting guest for a deep dive into one of that year's most unsettling films. You can pick up Death Machine on Amazon.Peckinpah and Violence: A Director Pushed to the EdgeBy 1971, Sam Peckinpah had already established himself as Hollywood's most uncompromising chronicler of violence. The Wild Bunch (1969) had rewritten the grammar of the Western, deploying slow-motion carnage in a way that made violence impossible to process cleanly. Straw Dogs, however, moved in a very different direction. Furthermore, Warner Bros. had effectively exiled Peckinpah from Hollywood following a chaotic falling out, which is why he filmed this Straw Dogs 1971 production entirely in England, far from his natural terrain.The violence in Straw Dogs is not operatic like The Wild Bunch. Instead, it is domestic, intimate, and deeply uncomfortable. Peckinpah builds menace through accumulation — small humiliations, loaded glances, minor intrusions — before releasing it all in the siege. Additionally, the film implicates the audience in David's rampage by making it feel, at least in the moment, cathartic. That troubling catharsis is entirely the point. As a result, the Straw Dogs podcast discussion centers on Peckinpah's central question: whether violence is ever truly civilized, or whether it simply waits beneath the surface of every man who believes he is better than it. Roger Ebert, writing for the Chicago Sun-Times in 1971, gave the film two stars and called it a film committed to the pornography of violence while laying on moral outrage with a shovel — a dissent worth hearing even for those who disagree.The Rape Scene: Context, Controversy, and CriticismNo discussion of Straw Dogs is complete without addressing its most contested sequence. Charlie, her former boyfriend, first assaults Amy — then a second attacker follows. What makes the scene so difficult to analyze is the way Peckinpah films the first assault. Many critics interpreted Amy's shifting emotional response during the rape as suggesting consent or complicity. That reading fueled decades of fierce feminist criticism of the Sam Peckinpah film.Moreover, the British Board of Film Classification rejected the film for home video release for years, specifically over this content. The studio cut the scene for the US release to secure an R rating. Susan George has spoken in interviews about her complex relationship to the role and the sequence. Notably, film scholar Linda Williams frames the film within the longer history of misogynistic representation in cinema. Her analysis appears in the Criterion Collection release. She argues that Straw Dogs belongs in conversation with works that are technically significant but ethically compromised. Consequently, the scene is not a matter of simple condemnation or simple defense. It is the central wound around which the entire film's meaning turns, and the Taste Buds treat it accordingly.David, Amy, and Gender in Straw Dogs 1971At its core, Straw Dogs is a film about masculinity in crisis. David Sumner is an intellectual — passive, avoidant, and seemingly incapable of the physical authority the Cornish village treats as natural male behavior. The film, however, refuses to position his bookishness as a virtue. Dustin Hoffman understood his character as a man who unconsciously provokes the violence around him — a pacifist whose repressed aggression the siege finally unlocks.Amy occupies an equally impossible position. The film's gaze codes her as provocative — bare feet, no bra, conspicuous in the village — while simultaneously punishing her for that very visibility. Nevertheless, Susan George's performance introduces ambiguity and depth that the script does not always earn on its own. The dynamic between David and Amy is as much a source of tension as the men gathering outside. They seem genuinely ill-suited and miscommunicate constantly. Above all, Straw Dogs asks what gender roles cost everyone involved. Specifically, the film suggests that masculinity, however dormant, will ultimately assert itself through violence. That is Peckinpah's most unsettling argument — and one that the A Clockwork Orange episode of Movie of the Year covers from a very different angle.Career Retrospective: Dustin HoffmanBy the time the Straw Dogs podcast era film was released in 1971, Dustin Hoffman had already fundamentally changed what a movie star could look like. His breakthrough in The Graduate (1967) — neurotic, unhandsome, deeply searching — made him a voice for a generation that distrusted certainty. Midnight Cowboy (1969) proved he could disappear entirely into character, earning his first Academy Award nomination. Little Big Man (1970) demonstrated his ability to age through an entire life on screen. Straw Dogs, therefore, marks something different in his catalog: not charm or pathos, but something colder and harder to forgive.Hoffman's Career After...

Aston Villa's Europa League last sixteen first leg against Lille on Thursday arrives at a critical moment in the season. With Villa sitting seventeenth in the Premier League form table over the last six games, the show discusses whether the Europa League now represents the most realistic route back to the Champions League, and whether the Lille tie can do for this season what the Bologna win did back in October.The show discusses the injury latest, with McGinn edging closer to a return, the squad selection dilemma for Thursday given the trip to Old Trafford follows days later, and whether Emery should rotate or go strong in France.Also discussed: Opta's supercomputer gives Villa an 80% chance of finishing top four, while the Bud 3000 is considerably less optimistic. The Tammy Abraham situation and Emery's Clockwork Orange-style process. Filipe Luís's remarkable and abruptly ended reign at Flamengo, and what it has in common with Ron Saunders. KSI's stake in Dagenham and Redbridge. The FIFA registration block on Brian Maggio. And lessons from Lincoln City in League One that Villa's current squad would do well to absorb.UTVCheck out the best current deals on Aston Villa MerchandiseGET AD-FREE SHOWS and JOIN MATCH CLUBGet ad-free shows and extra shows, and join My Old Man Said's 24/7 Villa community, Match Club.For more details and to become a member, click here: Become a MOMS MemberJoin the show's listener facebook group The Mad Few.Credits:David Michael - @myoldmansaid Chris Budd - @BUDD_musicPhillip Shaw - @prsgameMy Old Man Said - https://www.myoldmansaid.comThis Podcast has been created and uploaded by My Old Man Said. The views in this Podcast are not necessarily the views of talkSPORTBecome a MOMS Member for ad-free & extra shows - MOMS MembershipJoin the show's listener Facebook group The Mad Few.Credits:David Michael - @myoldmansaid | Chris Budd - @BUDD_music / Phillip Shaw - @prsgameThis Podcast has been created and uploaded by My Old Man Said. The views in this Podcast are not necessarily the views of talkSPORT Hosted on Acast. See acast.com/privacy for more information.

On the 505th episode of Piecing It Together, Nick Roth joins me to talk about 28 Years Later: The Bone Temple. The shockingly good sequel to last year's legacy sequel to the classic zombie film absolutely bombed in theaters, leaving the future of the franchise in doubt... But it is fantastic. Watch it. Puzzle pieces include Alien: Covenant, A Clockwork Orange, Rosemary's Baby and Tenacious D In The Pick Of Destiny.As always, SPOILER ALERT for 28 Years Later: The Bone Temple and the movies we discuss!Written by Alex GarlandDirected by Nia DeCostaStarring Ralph Fiennes, Jack O'Connell, Alfie Williams, Erin Kellyman, Chi Lewis-ParryColumbia PictureNick Roth is a filmmaker and writer.Follow him on Instagram and TikTok @theonetruenickrothAnd check him out on LinkedIn at https://www.linkedin.com/in/nick-rothMy latest David Rosen album MISSING PIECES: 2018-2024 is a compilation album that fills in the gaps in unreleased music made during the sessions for 2018's A Different Kind Of Dream, 2020's David Rosen, 2022's MORE CONTENT and 2025's upcoming And Other Unexplained Phenomena. Find it on Bandcamp, Apple Music, Spotify and everywhere else you can find music.You can also find more about all of my music on my website https://www.bydavidrosen.comMy latest music video is “Shaking" which you can watch at https://www.youtube.com/watch?v=wzm8s4nuqlAMake sure to “Like” Piecing It Together on Facebook at http://www.facebook.com/PiecingPodAnd “Follow” us on Twitter @PiecingPodAnd Join the Conversation in our Facebook Group, Piecing It Together – A Movie Discussion Group.And check out https://www.piecingpod.com for more about our show!And if you want to SUPPORT THE SHOW, you can now sign up for our Patreon at https://www.patreon.com/bydavidrosenYou can also support the show by checking out our Dashery store to buy shirts and more featuring Piecing It Together logos, movie designs, and artwork for my various music projects at https://bydavidrosen.dashery.com/Share the episode, comment and give us feedback! And of course, SUBSCRIBE!And of course, don't forget to leave us a 5 star review on Goodpods, Apple Podcasts, Spotify, or Podchaser!And most important of all… Keep going to the theater to see new movies!

MARTY SUPREME writer/director Josh Safdie unpacks his favorite movies with podcast hosts Josh Olson and Joe Dante. Show Notes: Movies Referenced In This Episode Abigail's Party (1977) Marty Supreme (2025) Burying the Ex (2015) Uncut Gems (2019) Dazed and Confused (1993) King of New York (1990) Bad Lieutenant (1992) The Funerals (1996) The Addiction (1995) 4:44 Last Day On Earth (2011) Tomasso (2019) The Driller Killer (1979) Ms .45 (1981) Go Go Tales (2007) The Killing of a Chinese Bookie (1976) A Woman Under the Influence *Kramer vs Kramer (1979) Hero (1992) Alice Doesn't Live Here Anymore (1974) Pink Floyd's The Wall (1979) The Brood (1979) *Fire in the Sky (1993) *Matinee (1993) *A Clockwork Orange (1971) The Lost Boys (1987) *Ferris Bueller's Day Off (1986) Planes, Trains and Automobiles (1987) *E.T. The Extraterrestrial (1982) *The Shining (1980) *Misery (1990) Popeye (1980) The Leprechaun (1992) Mandy (2018) The Princess Bride (1987) This Is Spinal Tap (1984) Barry Lyndon (1975) 2001: A Space Odyssey (1968) Full Metal Jacket (1987) *The 400 Blows (1959) *Pulp Fiction (1994) The Breakfast Club (1985) *The Red Balloon (1956) White Mane (1953) Gremlins (1984) *The Running Man (1987) The Terminator (1984) The King of Comedy (1983) Total Recall (1990) Robocop (1987) *Above The Rim (1994) Rocky (1976) Rocky II (1979) *Rocky III (1982) Rocky IV (1985) Rocky V (1990) Masters of the Universe (1987) Beverly Hills Cop II (1987) *Saturday Night Fever (1977) Stayin' Alive (1983) Carrie (1976) Other Notable Items Our Patreon!  The Hollywood Food Coalition The battle of Jericho Josh Mostel G.I. Joe Anton Yelchin Anagrams  Mike Leigh Abel Ferrera Willem Dafoe Odessa A'zion Clint Eastwood James Cagney The Academy of Motion Picture Arts and Sciences Kevin Garnett Ronald Bronstein Timothee Chalamet Tyler, the Creator Gwyneth Paltrow IFC Films Zohran Mamdani Mira Nair Dustin Hoffman Meryl Streep Eric Clapton Stephen Frears Geena Davis Andy Garcia Chevy Chase David Cronenberg Robert Benton A Nightmare on Elm Street series Wendy Carlos John Candy John Goodman The Cuban Missile Crisis 4DX William Castle Smell-O-Vision Shelley Duvall The Shining novel by Stephen King (1977) Stanley Kubrick TFH Guru Mick Garris The Shining miniseries (1997) Jack Nicholson The Beatles Our Panos Cosmatos podcast episode Johan Johansson Gramaphone Records Kathy Bates James Caan Rob Reiner Alfred Hitchcock Scatman Crothers Vivian Kubrick Jean-Pierre Léaud Benny Safdie John Lennon John Hughes Chris Columbus Chicago The Ramones Richard Edson Jim Jarmusch The History of Bones: A Memoir book by John Lurie (2021) Bob Hope Bing Crosby Mel Brooks Matthew Broderick Albert Lamorisse  The Fleischer Brothers Tex Avery Harold Faltermeyer Arnold Schwarzenegger Oneohtrix Point Never  Richard Dawson Jerry Lewis Paul Verhoeven The New York Knicks Queen Onyx Bernie Mac 2Pac Dolph Lundgren Sylvester Stallone John Travolta Welcome Back, Kotter TV series (1975-78) The Bee Gees Learn more about your ad choices. Visit megaphone.fm/adchoices

Bill Maher sits down with actor Cary Elwes for a freewheeling conversation that starts with hair jokes and quickly becomes a masterclass in craft, including the moment Al Pacino changed Cary's life with a simple “work the muscle” speech. They take on Hollywood's gun obsession, Olivier vs. Brando, Kubrick's genius (and excess), whether 2001 is transcendent or a sedative, and why A Clockwork Orange still ignites debate decades later. Along the way: Braveheart, Scarface tattoos, and Catholic guilt. They cancel hell, roast John Wick, and somehow land on the idea of Pacino as God in Purgatory. Support our Advertisers: -Try ZipRecruiter for free at https://www.ziprecruiter.com/random  -Get 15% off OneSkin with the code RANDOM at https://www.oneskin.co/RANDOM #oneskinpod #ad -Head to https://www.superpower.com and use code RANDOM at checkout for $20 off your membership. Live up to your 100-Year potential. #superpowerpod #ad Subscribe to the Club Random YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/c/clubrandompodcast?sub_confirmation=1⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Watch episodes ad-free – subscribe to Bill Maher's Substack: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://billmaher.substack.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Subscribe to the podcast for free wherever you listen: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://bit.ly/ClubRandom⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Buy Club Random Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://clubrandom.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit https://podcastchoices.com/adchoices ABOUT CLUB RANDOM Bill Maher rewrites the rules of podcasting the way he did in television in this series of one on one, hour long conversations with a wide variety of unexpected guests in the undisclosed location called Club Random. There's a whole big world out there that isn't about politics and Bill and his guests—from Bill Burr and Jerry Seinfeld to Jordan Peterson, Quentin Tarantino and Neil DeGrasse Tyson—talk about all of it.  For advertising opportunities please email: PodcastPartnerships@Studio71us.com ABOUT BILL MAHER Bill Maher was the host of “Politically Incorrect” (Comedy Central, ABC) from 1993-2002, and for the last fourteen years on HBO's “Real Time,” Maher's combination of unflinching honesty and big laughs have garnered him 40 Emmy nominations. Maher won his first Emmy in 2014 as executive producer for the HBO series, “VICE.” In October of 2008, this same combination was on display in Maher's uproarious and unprecedented swipe at organized religion, “Religulous.” Maher has written five bestsellers: “True Story,” “Does Anybody Have a Problem with That? Politically Incorrect's Greatest Hits,” “When You Ride Alone, You Ride with Bin Laden,” “New Rules: Polite Musings from a Timid Observer,” and most recently, “The New New Rules: A Funny Look at How Everybody But Me Has Their Head Up Their Ass.” FOLLOW CLUB RANDOM https://www.clubrandom.com https://www.facebook.com/Club-Random-101776489118185 https://twitter.com/clubrandom_ https://www.instagram.com/clubrandompodcast https://www.tiktok.com/@clubrandompodcast FOLLOW BILL MAHER https://www.billmaher.com https://twitter.com/billmaher https://www.instagram.com/billmaher Learn more about your ad choices. Visit podcastchoices.com/adchoices