Podcasts about Wet Willie

Send us a textAlongside Boone, John Seeley (bass), Alex Wells (guitar), and Dale Myers (drums), these tight-knit guys stay connected to their homegrown roots having been around traditional instruments from a young age in piano, fiddle, and guitar instilling in them an appreciation of country-rock, bluegrass, blues, soul, and folk music. The band blends roots, blues, classic rock, soul, and, of course, Southern rock and has created an original sound reminiscent of some of the great blues-rock/Southern rock bands like the Allman Brothers, Lynyrd Skynyrd, ZZ Top and Wet Willie. They also draw inspiration from some of the all-time blues/soul greats like Muddy Waters, Leadbelly and various artists from back in the classic heyday of Motown Records.OTIS is new musical blood for a new day with heavy, melodic blues-rock riffs, soaring guitar work, a pounding rhythm section, and raw, soulful vocals from Mr. Froggett.The band embraces Southern rock's hallowed past while charting their own future.  With some of the legendary Southern rock bands winding it down or no longer in existence, OTIS is a proud, new torchbearer of the Southern rock/blues-rock heritage.The band's debut album, 2014's Tough Times:  A Tribute to John Brim, is a raw, groove-oriented, blues drenched masterpiece that got rave reviews and was a blueprint for things to come for the band.The blistering Eyes of the Sun was released in 2018 on Cleopatra Records and more than lived up to the promise of the band's debut album.  Executive produced by Grammy-winning producer Paul Nelson, who earned his stripes by playing and performing with Johnny Winter and helping Johnny win a Grammy for his highly acclaimed album, Step Back, the album solidified the band's influences into a boiling stew of rootsy, kickass, take-no-prisoners, blues-rock goodness kicked up with a bit of soul and funk spiciness.  Good musical eats to say the least.And now comes Last Fool in the Line, which is a precursor to a full album that will be released sometime hopefully sooner than later (good things take time!)  To learn more about the band, connect at https://theotisband.com/ Visit the Self-Care Institute at https://www.selfcareinstitute.com/ Support the showVisit www.creativepeacemeal.com to leave a review, fan voicemail, and more!Insta @creative_peacemeal_podcastFB @creativepeacemealpodBonfire https://www.bonfire.com/store/creative-peacemeal/Redbubble CPPodcast.redbubble.comCreative Peacemeal READING list here Donate to AhHa!Broadway here! Donate to New Normal Rep here! Interested in the Self-Care Institute with Dr. Ami Kunimura? Click here Interested in Corrie Legge's content planner? Click here to order!

Thirsty Forest Animals [00:25] "Nape" Southeast of Saturn: Michigan Shoegaze/Dream Pop/Space Rock Third Man Records TMR-629 2020 All of this, yes. When I lived in NYC in the 90s, so many of my friends were from Michigan that it's amazing some stayed around to develop these sounds. Fauna [05:26] "To Ecstasy" Southeast of Saturn, Vol. 2: Midwest Shoegaze/Dream Pop/Space Rock Third Man Records TMR-750 2022 I also knew a lot of folks from Minneapolis, where Fauna hail from. This track is from their 1992 release Everafter. Glen Campbell [09:23] "Southern Nights" Southern Nights Capitol SO-11601 1977 Glen takes an excellent turn with Allen Toussaint's "Southern Nights" (https://youtu.be/mCscZ2tPFmI?si=0lfs02BFzVpS3aIf) originally recorded in 1975. Glen heard that version and was reminded of his childhood in Arkansas. This single made it to number 1 on the charts, and the album made it as high as 22 on the Billboard 200. You can see Glen playing one of his weirdo Ovation electric 12-strings here on The Midnight Special (https://youtu.be/A8VgyiMAJ9k?si=qdJzW9C6zMMHfQ70). Hawkwind [12:24] "Sonic Attack" Space Ritual United Artists Records UA-LA120-H2 1973 Epically epic space jams with interspersed spoken words as exampled here with "Sonic Attack" written by Michael Moorcock and recited by James Calvert. The sleeve art by Barney Bubbles is a thing of majesty. If space jams are your thing and you've never heard this album, seek it out. Amazingly, this album briefly dented the Billboard 200, making it to number 179. The album jacket is quite a work of art. If you'd like to see the full artwork, join me over on Patreon for video liner notes (https://patreon.com/youroldpalwill). Depeche Mode [17:24] "Dreaming of Me" Speak & Spell Sire SRK 3642 1981 What a difference a decade makes (as compared to Hawkwind)? The debut album by the boys from Basildon, and the only one recorded with Vince Clark (before he moved on to Yaz and subsequently Erasure). This album also just cracked the Billboard 200 here in the US, making it to number 192. This single did actually make it into the US Billboard dance charts, going as high as 47. The English Beat [21:01] "Sooner or Later" Special Beat Service I.R.S. Records SP 75069 1982 (1987 reissue) Everyday someone is born who has never heard "Sooner or Later". Perhaps you are one of those people who has never heard "Sooner or Later". If so, enjoy! This guitar sounds (and this video (https://youtu.be/c-7lBq0zuSM?si=18igG60AbOt239Kf)) have been permentantly etched into my musical brain thanks to the early days of MTV. John Zorn [24:36] "Hico Killer - Long Mile to Houston" Spillane Elektra Nonesuch 9-79172-1 1987 Gritty road story from master blues musician Albert Collins, tinged with Zorn & Co's trademark oddballness. Con Funk Shun [29:19] "Juicy" Spirit of Love Mercury SRM-13806 1980 The Bay Area's very own Con Funk Shun. If you've got a funk/soul album with a track called "Juicy" you know you've got to listen to it. Or at least, I do. Written by the band's guitarist and vocalist Michael Vernon Cooper. The Wonderland Singers [34:07] "Bats in the Belfry" Spooky Halloween Wonderland Records LP-293 1974 They just don't make organ music like they used to, and probably for good reason. At least the cover art is cool. Ustalost [35:20] "III" The Spoor of Vipers Gilead Media RELIC82 2017 Some blackened heaviness from this solo project by Will Skarstad of Yellow Eyes. For those of you who appreciate this style of music, seek out A Wandering Path: The Story of Gilead Media (https://youtu.be/gTZ1HcDtW-U?si=_ann3_mOUWXm2pCq) on a streaming service near you. Missing Persons [40:49] "Bad Streets" Spring Session M Capitol Records ST-12228 1982 This album made a strong impression on my when it came out and I still find myself thinking about it. For this episode's selection, I took a look at the track listings and immediately heard this song in my head. The album made it to number 42 on the Hot 100 and generated 4 singles: "Words (https://youtu.be/IasCZL072fQ?si=VO4X1DpThnxhHYup)", "Desitnation Unknown (https://youtu.be/1WDly1Oc_P4?si=5j2wgoC34DdwEtoU)", "Windows (https://youtu.be/v0vdk3YOvMM?si=31AgmgVzkx6cUeou)", and "Walking in L.A. (https://youtu.be/80WyBxo0Hto?si=DjM4k640jKUOTkhV)". Graham Parker and the Rumour [44:30] "Local Girls" Squeezing Out the Sparks Arista AB 4223 1979 Another heavy rotation video (https://youtu.be/taXvBivGcMo?si=wUPJk-7GLYH8XtUu) from the early days of MTV, despite being made in 1979. The album attempts to explore English suburbia. The album cover features some great typography by Gerard Huerta. Amazing Rhythm Aces [49:48] "Third Rate Romance" Stacked Deck ABC Records ABCD-913 1975 Some fun country-inflected rock from these Memphis gents, sounding almost perfectly mid-70s in a good way. The album reached 11 on the country charts and 120 on the Billboard 200. This single also hit 11 on the country charts and 14 on the pop chart. The band even made an appearance on the second season of Austic City Limits (https://youtu.be/pLz6nIvqB2c?si=nFcMK2tAEEfFjI8n). Love Barry "Byrd" Burton's finger pickin on this. Sly and the Family Stone [53:11] "You Can Make It if You Try" Stand! Epic BN 26456 1969 The mighty Sly Stone and family take a funky turn at this song originally recorded by Gene Allison (https://youtu.be/xiPI7d1y2Co?si=bo1XG2515eGJoYnn) and also covered by the Rolling Stones (https://youtu.be/jz4VO_NiY24?si=1OhUnqa0lAa5JEwM). Fans of Primal Scream will also recognize the tail end of the track that precedes this album closer. Jacksons [56:49] "Blame It on the Boogie" Star Fire Ronco R 3200 1980 As seen on TV! 18 original hits by 18 original artists! A compilation of hits, mostly from 1979. In honor of the late Tito Jackson, I had to go with this uptempo Jacksons single from 1978. Wet Willie [01:00:00] "Keep on Smilin'" Star Trackin' '76 Ronco R 1976-2 1976 As seen on TV! 20 original hits by 20 original artists! While 8 year old me would have been extremely excited about the "Theme from S.W.A.T.", I decided to go with Mobile AL's own Wet Willie. I could have also gone with Abba's "Waterloo" but loyal listeners already know how much I love Abba. Music behind the DJ: "Charade" by Charlie Barnet and his Orchestra

Remember getting these?

This week we are delving into one of the greats of Southern Rock.  Well, they are southern rock if you count southern California.  Little Feat took its name from a comment Frank Zappa made to his band member Lowell George regarding his having little feet. George would become a founder and driving force behind Little Feat, providing guitar and vocals.  Other members were Paul Barrere on guitar and vocals, Sam Clayton on percussion and vocals, Kenny Gradney on bass, Richie Hayward on drums and vocals, and Bill Payne on keyboards and vocals.Feats Don't Fail Me Now is the band's fourth studio album, and it went to number 36 on the US Top LP's chart.  It is hard to go wrong when, in addition to the regular band members you have the Tower of Power on horns, and backing vocals from Emmylou Harris and Bonnie Raitt.  The album was recorded at Blue Seas Recording Studio in Maryland, and it provided two advantages.  First, it had just opened and needed a band for their "shakedown cruise," letting Little Feat record on the cheap.  Second, it was far away from their home base in Los Angeles, which kept Lowell George away from many familiar temptions of drugs and women.While Lowell George would soon begin to deteriorate in health (he died of a heart attack in 1979), this album shows him and his band at the height of their artistic prowess.  The surviving members of Little Feat would regroup in 1987, and the band continues to perform today.Wayne takes us through this little feat of southen rock for this week's podcast. Feats Don't Fail Me NowThe title track received significant airplay on FM radio and it leads off side two of the album.  That driving bass line and funky drumbeat is sometimes called Country Funk Boogie.  The message of the song is one of perseverance and determination to get back the girl the singer loves.Oh AtlantaIf you were living in the metro-Atlanta area in the 70's or 80's, you definitely are familiar with this song.  Billy Payne takes lead vocal duties on this track, and it features Bonnie Raitt and Emmylou Harris on backing vocals.  "Well, you can drop me off on Peachtree, I got to feel that Georgia sun.  And the women there in Atlanta, they make you awfully glad you come."Spanish MoonThis track was written by Lowell George and features the Tower of Power horn section.  This is a deeper cut, but it has a latin groove while maintaining both a bluesy and funky sound.  The origin of the song is a dream George had of a dangerous nightclub in New Orleans called the Spanish Moon.Rock and Roll DoctorThe song considered the hit off the album is an anthem to the healing power of music.  "Two degress in bebop, a PhD in swing, he's a master of rhythm, he's a rock and roll king."   ENTERTAINMENT TRACK:Main theme from the motion picture “Together Brothers”The Love Unlimited Orchestra provided this title track to STAFF PICKS:Radar Love by Golden EarringLynch's starts our staff picks this week with a Dutch rock band originally formed in 1961.  Lead vocalist Barry Hay and guitarist George Kooymans wrote this single that reached number 13 on the US Billboard Hot 100 chart.  The lyrics describe a man driving a long way to be with his love, and communicating with her through a mystical bond he calls "radar love."Keep on Smilin' by Wet WillieBruce features the title track from Wet Willie's third studio album.  It is their biggest hit, reaching number 10 on the Billboard Hot 100.  The song itself is rather stoic, encouraging the listener to keep smiling through the difficulties and pain of life.The Night Chicago Died by Paper LaceRob's staff pick is a story telling song that topped the US chart for one week in 1974.  The lyrics describe a shoot-out between the Chicago Police and Al Capone's gangsters, and worries from the wife of a police officer that her husband wouldn't make it home.  The song ends on a positive note when her husband walks through the door.Beach Baby by The First ClassWayne brings us a British band made up of all session players.  They call themselves "the first class" because they considered themselves to be a kind of supergroup of the UK music session set.  This song would be a one-hit wonder, reaching number 4 in the US, but other singles would not see the same level of success. NOVELTY TRACK:Rub It In by Billy "Crash" CraddockThis novelty song hit the top of the country charts.  It may be more familiar as the jingle from Glade air fresheners, where they sing, "plug it in." Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

Leon Medica, bassist and producer of LeRoux, co-founded the band in 1977.  Throughout the years the band was featured on music television shows including Solid Gold, The Midnight Special and Don Kirshner's Rock Concert.  They had 7 songs land on Billboard's Top 100 chart.  Leon won an American Music Award for producing a song from the movie "Dirty Dancing" and also is a Grammy nominated musician who played on an album with blues great Tab Benoit.  This tribute to Leon, who passed away on June 9, 2024, includes our interview with him from July of 2008 which touched on LeRoux, the Louisiana rock sound and LeRoux's album, Ain't Nothing But A Gris Gris.  In our showcase segment, we feature Leon's friend and frontman for Wet Willie, Jimmy Hall.  His latest album is Ready Now.  Sounds of the deep south on this special edition of the CAT!

喜歡張大春主持的「聽說張大春」嗎？歡迎小額贊助我們，讓我們繼續產出優質節目＞https://bit.ly/3dzJX7V 主持人：張大春 來賓：陳亮 統一企業獨立董事 主題：亮哥快樂頌｜南方搖滾Southern Rock 播出曲目： 1. Southbound / Allman Brothers Band 2. Ramblin' Man / Allman Brothers Band 3. Heard It in a Love Song / The Marshall Tucker Band 4. Keep On Smilin' / Wet Willie 5. Sweet Home Alabama / Lynard Skynard 6. Free Bird / Lynyrd Skynyrd ----- ▍聽更多：https://flow.page/thehearsay ▍粉絲團：https://www.facebook.com/TheHearSayChannel ▍合作贊助：thehearsaytw@gmail.com Powered by Firstory Hosting

1. Wet Willie 2. Warren Zevon 3. Matt Joe Gow And Kerryn Fields 4. Son Volt 5. Nancy Sinatra And Lee /Hazelwood 6. Pearl Jam 7. Coldplay 8. Vika And Linda 9. Straitjacket Fits 10. Lonnie Donegan 11. Chris Isaak 12. Mint Chicks 13. Neil Young 14. Jimi Hendrix 15. Devilskin 16. Primal Scream

It's time for another Dirty Dozen series episode. Today we are giving you a dozen really stupid band names. We don't necessarily dislike all these bands, we simply think their band name leaves a little to be desired. Sit back as we share a dozen of our own picks while sharing some of the bands our listeners felt had really dumb band names.  WE NEED YOUR HELP!! It's quick, easy, and free - Please consider doing one or all of the following to help grow our audience: Leave Us A Five Star Review in one of the following places: Apple Podcast Podchaser Spotify Connect with us  Email us growinuprock@gmail.com Contact Form  Like and Follow Us on FaceBook Follow Us on Twitter Leave Us A Review On Podchaser Join The Growin' Up Rock Loud Minority Facebook Group Do You Spotify? Then Follow us and Give Our Playlist a listen. We update it regularly with kick ass rock n roll Spotify Playlist Buy and Support Music From The Artist We Discuss On This Episode Growin' Up Rock Amazon Store Pantheon Podcast Network Music in this Episode Provided by the Following: Edguy, Temple Balls, GIRAFFE TONGUE ORCHESTRA, Big Cock, Kiss, Wicked Lester, Chickenfoot, Voodoo Terror Tribe, Wet Willie, Nashville Pussy, Sleeze Beez, Toad The Wet Sprocket, Beverly Killz, and Dust Bowl Jokies Crank It Up New Music Spotlight Striker - “Best Of The Best” If you dig what you are hearing, go pick up the album or some merch., and support these artists. A Special THANK YOU to Restrayned for the Killer Show Intro and transition music!! Restrayned Website Learn more about your ad choices. Visit megaphone.fm/adchoices

Kentucky born and bred, OTIS is a young, hard rocking quartet who performs and plays their exciting original music like they've been around for 40 years. Alongside Boone, John Seeley (bass), Alex Wells (guitar), and Dale Myers (drums), these tight-knit guys stay connected to their homegrown roots having been around traditional instruments from a young age in piano, fiddle, and guitar instilling in them an appreciation of country-rock, bluegrass, blues, soul, and folk music.  The band blends roots, blues, classic rock, soul, and, of course, Southern rock and has created an original sound reminiscent of some of the great blues-rock/Southern rock bands like the Allman Brothers, Lynyrd Skynyrd, ZZ Top and Wet Willie. They also draw inspiration from some of the all-time blues/soul greats like Muddy Waters, Leadbelly and various artists from back in the classic heyday of Motown Records.OTIS is new musical blood for a new day with heavy, melodic blues-rock riffs, soaring guitar work, a pounding rhythm section, and raw, soulful vocals from Mr. Froggett.The band embraces Southern rock's hallowed past while charting their own future.  With some of the legendary Southern rock bands winding it down or no longer in existence, OTIS is a proud, new torchbearer of the Southern rock/blues-rock heritage.https://theotisband.comhttps://www.facebook.com/theotisband

Další debutová alba kapel, které na přelomu 60. a 70. let definovaly nový žánr – southern rock. Uslyšíte Molly Hatchet, The Marshall Tucker Band, Outlaws i méně známé Stillwater, Wet Willie či Ozark Mountains Daredevils.

Crusty vinyl from: Tina Turner,Benny Gordon, Wet Willie,The Choir, The Band,Abaco Dream, The Left Banke,Lost Gonzo Band,The Morticians, PH Phactor,and more! As broadcast livevia 6160kc shortwave10-14-2023

Preston, the bass player in my garage band THE NERVE recently suggested that this song would be a good one for the band to try. I remembered it fondly and I felt good singing it, and we started to work it into our repertoire. Jimmy Hall, the original lead singer on the track said that the first time Ricky Hirsch, the guitarist for Wet Willie, played him the signature riff, “it felt like a sunny breeze on a beach.” I agree, and apparently a lot of other people thought so, too, because it made a comeback during the pandemic: “keep on smiling through the rain, laughing at the pain, rollin' with the changes, 'til the sun comes out again.” Right? We all needed to remind ourselves that there would be a light at the end of that dark tunnel. There is a great YouTube clip from three years ago with Jimmy singing it with the band Blackberry Smoke, on the 50th anniversary of Capricorn Studios, and the man sounds better than ever. In 1974, when it debuted, it was produced for Macon, GA's Capricorn Records (the same folks that brought us The Allman Brothers), by the legendary Tom Dowd, who came up with the “stop time” bridge - that lifts the song into the final heavenly chorus. It made it to #10 on the national charts, and earned its wings as a perfect feel good Sunny Song.

This one is for the Southern Rock lovers out there. In this episode, we have Eddie Stone from Doc Holliday and Wet Willie, with stories of life on the road, playing for 350,000 people and sharing a stage with some of the biggest names in the business.  Rob Walker from Stillwater tells us the backstory of their hit Mind Bender. Steve Hammond, brother of the late, great Ronnie Hammond, long-time lead singer for the Atlanta Rhythm Section, shares some great stories about Ronnie and the boys from Doraville, plus his own time with the band.Our regular features, Liner Notes, Covers, and Hidden Gem, are back as well.Our producer/editor is Jane Jones.Be sure and also check out the Percy and Face podcast. It's another great listen for rock lovers.Intro/outro courtesy of Diane Williamson, the worldwide voice of OnStar and Intercontinental Hotels.

On this episode, I am joined by my good friend Dylan as we talk dating and why we almost fought over a wet willie.

Welcome to Mantine Surf's Up! An honest-to-goodness quarter hour dedicated to the greatest Pokémon mini-game athlete(s) this side of Wela Volcano: Skull Grunt. And Parrothead was there too, and he was doing his best and we're all going to cheer him on too, guys, c'mon! Emmy committee, you can send our podcasting Emmys to our agents' offices and our prize money directly to Atlantic City because we're celebrating tonight! And there's no better place to soak in the victory over that poor, sweet, Yoshi-like Kommo-o than Jimmy Buffet's Margaritaville! Conveniently located right on the boardwalk steps away from Wet Willie's Casino. This is not an endorsement of either, but a hearty recommendation of both.

From 1974's Top 10 hit “Keep on Smilin” with Wet Willie to his Grammy winning vocals with the Fisk Jubilee Singers decades later, Jimmy has had a front row seat to music's evolution. His whimsical style and powerful pipes are instantly recognizable. His resume includes collaborations with the Allman Brothers, Jeff Beck, Jason Isbell, the Marshall Tucker Band and Hank Williams Jr. to name a few. Enjoy an oratorical journey that spans more than 50 years that is guaranteed to put a pep in your step and a smile in your heart. AMONG THE TOPICS: INSPIRATION BEHIND “KEEP ON SMILIN”, DAD SAYS, “GO FOR IT”, LIGHT DURING THE PANDEMIC AND A GLORIOUS NIGHT AT THE RYMAN.

From 1974's Top 10 hit “Keep on Smilin” with Wet Willie to his Grammy winning vocals with the Fisk Jubilee Singers decades later, Jimmy has had a front row seat to music's evolution. His whimsical style and powerful pipes are instantly recognizable. His resume includes collaborations with the Allman Brothers, Jeff Beck, Jason Isbell, the Marshall Tucker Band and Hank Williams Jr. to name a few. Enjoy an oratorical journey that spans more than 50 years that is guaranteed to put a pep in your step and a smile in your heart. AMONG THE TOPICS: INSPIRATION BEHIND “KEEP ON SMILIN”, DAD SAYS, “GO FOR IT”, LIGHT DURING THE PANDEMIC AND A GLORIOUS NIGHT AT THE RYMAN.

From 1974's Top 10 hit “Keep on Smilin” with Wet Willie to his Grammy winning vocals with the Fisk Jubilee Singers decades later, Jimmy has had a front row seat to music's evolution. His whimsical style and powerful pipes are instantly recognizable. His resume includes collaborations with the Allman Brothers, Jeff Beck, Jason Isbell, the Marshall Tucker Band and Hank Williams Jr. to name a few. Enjoy an oratorical journey that spans more than 50 years that is guaranteed to put a pep in your step and a smile in your heart. AMONG THE TOPICS: INSPIRATION BEHIND “KEEP ON SMILIN”, DAD SAYS, “GO FOR IT”, LIGHT DURING THE PANDEMIC AND A GLORIOUS NIGHT AT THE RYMAN.

From 1974's Top 10 hit “Keep on Smilin” with Wet Willie to his Grammy winning vocals with the Fisk Jubilee Singers decades later, Jimmy has had a front row seat to music's evolution. His whimsical style and powerful pipes are instantly recognizable. His resume includes collaborations with the Allman Brothers, Jeff Beck, Jason Isbell, the Marshall Tucker Band and Hank Williams Jr. to name a few. Enjoy an oratorical journey that spans more than 50 years that is guaranteed to put a pep in your step and a smile in your heart. AMONG THE TOPICS: INSPIRATION BEHIND “KEEP ON SMILIN”, DAD SAYS, “GO FOR IT”, LIGHT DURING THE PANDEMIC AND A GLORIOUS NIGHT AT THE RYMAN.

CASEY KASEM'S AMERICAN TOP 40 – 7/27/7440:    BAND ON THE RUN – PAUL McCARTNEY & WINGS 39:    BILLY, DON'T BE A HERO – BO DONALDSON & THE HEYWOODS 38:    RUB IT IN – BILLY “CRASH” CRADDOCK         37:    WORKIN' AT THE CAR WASH BLUES – JIM CROCE      36:    HANG ON IN THERE BABY – JOHNNY BRISTOL      35:    COME MONDAY – JIMMY BUFFETT     34:    (YOU'RE) HAVING MY BABY – PAUL ANKA 33:    HOLLYWOOD SWINGING – KOOL & THE GANG 32:    I'M LEAVING IT ALL UP TO YOU – DONNY AND MARIE OSMOND 31:    YOU AND ME AGAINST THE WORLD – HELEN REDDY 30:    ROCK ME GENTLY – ANDY KIM 29:    YOU WON'T SEE ME – ANNE MURRAY     28:    SHININ' ON – GRAND FUNK 27:    IF YOU LOVE ME (LET ME KNOW) – OLIVIA NEWTON-JOHN 26:    FISH AIN'T BITIN' – LAMONT DOZIER 25:    SURE AS I'M SITTING HERE – THREE DOG NIGHT 24:    THIS HEART – GENE REDDING 23:    TELL ME SOMETHING GOOD - RUFUS 22:    MACHINE GUN – THE COMMODORES 21:    IF YOU TALK IN YOUR SLEEP – ELVIS PRESLEY 20:    TAKING CARE OF BUSINESS – BACHMAN-TURNER OVERDRIVE 19:    KEEP ON SMILIN' – WET WILLIE 18:    WILDWOOD WEED – JIM STAFFORD 17:    FINALLY GOT MYSELF TOGETHER (I'M A CHANGED MAN) – THE IMPRESSIONS 16:    ONE HELL OF A WOMAN – MAC DAVIS 15:    WATERLOO - ABBA 14:    THE NIGHT CHICAGO DIED – PAPER LACE 13:    RADAR LOVE – GOLDEN EARRING 12:    ON AND ON – GLADYS KNIGHT & THE PIPS 11:    SIDESHOW - BLUE MAGIC 10:    CALL ON ME – CHICAGO 9:    PLEASE COME TO BOSTON – DAVE LOGGINS 8:    ROCK THE BOAT – THE HUES CORPORATION 7:    THE AIR THAT I BREATHE – THE HOLLIES 6:    FEEL LIKE MAKIN' LOVE – ROBERTA FLACK 5:    RIKKI, DON'T LOSE THAT NUMBER – STEELY DAN 4:    ROCK YOUR BABY – GEORGE McCRAE 3:    ROCK AND ROLL HEAVEN – THE RIGHTEOUS BROTHERS 2:    DON'T LET THE SUN GO DOWN ON ME – ELTON JOHN 1:    ANNIE'S SONG – JOHN DENVER 

Roel and Joe join up for this quicky episode while bringing up the infamous Will Smith slap. --- Send in a voice message: https://anchor.fm/scoundrelsoftexas/message Support this podcast: https://anchor.fm/scoundrelsoftexas/support

Is Peter Jackson the worst director of all time?! Disney killed the lemmings?!? Hash breaks down his many vehicular accidents. We talk the dangers/benefits of revisionist history. And we finally figure out where whimsey lives. Also, Hash talks about working on It Did Happen Here with Mic Crenshaw, Erin Yanke, and Celina Flores. Link here: https://itdidhappenherepodcast.com

Rock Around The Blog käsittelee ajankohtaisosiossaan sananvapautta ja Spotify-Neil Young-Joe Rogan -tapausta. Toisena aiheena on yleisön pyynnöstä Blackberry Smoke ja etenkin sen viimeisin albumi You Hear Georgia. Kuinka tämä bändi asettuu southern rockin perinteeseen? Studiossa Sami Ruokangas, Juha Kakkuri ja Pauli Kauppila. Jaksoon liittyvää musiikkia soittolistana: https://open.spotify.com/playlist/5MEorg4fv9txiuU00zwluo?si=81eb7fcbda4d4631 Jutuissa mukana myös Joni Mitchell, Lynyrd Skynyrd, Joe Rogan, Steven Tyler, David Lee Roth, James Hetfield, Marshall Tucker Band, Outlaws, Molly Hatchet, Blackfoot, Grateful Dead, Rickey Medlocke, Johnny Van Zant, Black Stone Cherry, Charlie Starr, The Four Horsemen, Rick Rubin, Dave Lizmi, Warren Haynes, Gov´t Mule, Allman Brothers Band, Benji Shanks, The Black Crowes, Gregg Allman, Georgia Satellites, R.E.M., Sturgill Simpson, Jason Isbell, Drive-By Truckers, Little Richard, Wet Willie, Jimmy Hall, Jeff Beck, Rolling Stones, Free, Eric Clapton, Daniel Donato, Chris Robinson, Buckcherry, Keith Nelson, Cisse Häkkinen, Jamey Johnson, The Band, Little Feat, Richard Turner, Brit Turner, Slayer, Paul Jackson, Iron Maiden, Scorpions, Duane Allman, Chuck Leavell, The Black Bettys, The Honkettes, Larkin Poe, Samatha Fish, Ga-20, North Mississippi Allstars, Tom Petty and the Heartbreakers, Bruce Springsteen, John Mellencamp, Ian Hunter, Ronnie Van Zant ja Bob Dylan.

Jimmy Hall, co-founder of Wet Willie in 1970, has been part of the foundation of southern rock for over 50 years.  The band has had 8 charting albums throughout their career.  Jimmy, singer/saxophonist/harmonicist, has also released 10 albums as a solo artist or collaborator.  Multi-award winning program director, Ray White, caught up with Jimmy by the oceanfront in September of 2010 to talk about his Build Your Own Fire album, Wet Willie and being one of the key bands on the legendary record labels -Capricorn Records.  In our showcase segment we honor the late, and great Dusty Hill of the Rock and Roll Hall of Fame band ZZ Top, who passed away on July 28, 2021.  You can call it country or southern rock... we have the groundbreaking bands right here on Classic Artists Today.

Tonight's Guest WeatherBrain is an American scientist and former government official who served as the acting Under Secretary of Commerce for Oceans and Atmosphere and Administrator of the National Oceanic and Atmospheric Administration. He's previously appeared on the show.  Dr. Neil Jacobs, welcome back!  Tonight's second Guest WeatherBrain is a WeatherBrains alum and an American structural and forensic engineer as well as meteorologist, concentrating on damage analysis, particularly that from wind and other weather phenomena. He is also a pioneering storm chaser and was editor of Storm Track magazine.  Dr. Tim Marshall, welcome back to the show!  Last but certainly not least, we welcome Special Guest founder of the legendary band Wet Willie.  Jimmy Hall, welcome!

What is it that we do here at InObscuria? Well, we exhume obscure Rock n' Punk n' Metal in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This was our first impromptu episode and may contain some bands that are not as obscure as usual, however, we manage to share a few lost gems from the deep south! As always, our hope is that we turn you on to something new. We also hope that you can understand what the hell Bobby Jay is saying… Songs this week include:Blackberry Smoke – “Workin' For A Workin' Man” from Like An Arrow(2016)Thunderhead – “Busted In Georgia” from Thunderhead ‘75 (1975) The Outlaws – “Song For You” from Bring It Back Alive (1978)Van Zant – “I'm A Fighter” from Van Zant (1985)Grinderswitch – “Eighty Miles To Memphis” from Honest To Goodness (1974)Point Blank – “The Devil Went Down To Georgia” from Cast The First Stone (2003)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uIf you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/

Friday Power Hour! Jenn the Gamecock Girl joins Rick to discuss her girls trip to Asheville, South Carolina Head Coach Shane Beamer, more talk about Texas and Oklahoma moving to the SEC. Mike Ashley returns to talk to Rick about Texas and Oklahoma to the SEC and the possible implications for the other Power 5 Conferences. vintage VMI football plus Ashton Kutcher. Wet Willie helps us sliiiide into the Weekend. See omnystudio.com/listener for privacy information.

Southern feel, soul, rhythm and blues, country, rock & roll, greasy honky tonks; these things come to mind when thinking about Grammy-award winning keyboardist, Billy Earheart. He grew up in Tullahoma, Tennessee (an hour south of Nashville), and from there went to Muscle Shoals, Knoxville, Memphis, Nashville and currently in North Mississippi, playing with an impressive list of artists along the way.Billy is also an original member  with the Amazing Rhythm Aces, (46 years),and also has played with; Bocephus Hank Williams Jr(21 years), Al Green, B.B. King, Memphis Slim, Waylon Jennings, Eddie Hinton, Billy F.Gibbons, Reggie Young, Phineas Newborn, Earl Gaines, Roscoe Shelton, Little Larry LaDon, Jimmy Church, Fred Sanders, Kid Rock, Dickie Betts, Ace Cannon, Gatemouth Brown, Willie Cobbs, Kris Kristofferson, Sammy Hagar, Jimmy Buffet, Glen Frey, Rufus Thomas, Leslie West ,Otis Clay, Homesick James , Delbert McClinton, Bobby Rush, Eric Gales, Mark “Muleman” Massey, Kingfish(Christone Ingram), Sunnyland Slim, Watermelon Slim ,Johnny Woods, Tommy Talton, David Hood, Barry Beckett, Roger Hawkins, Jimmy Johnson (Muscle Shoals Swampers),Rev.John Wilkins, Big Jack Johnson , Rodney Crowell, Jamey Johnson, Warren Haynes, Robert Bilbo Walker, Vassar Clements, Teenie Hodges, James Burton, Alan Jackson, Fred Ford, Garry Burnside , DuWayne Burnside, Cedric Burnside,  Dave and Robert Kimbrough, Johnny Jones, Charles Wigg Walker, The Decoys, Travis Wammack, Spooner Oldham, Roland Janes, Jimmy Hall & Wet Willie, Merle Kilgore, Jumpin Gene Simmons, Fingers Taylor, Ray Benson  and more…                                                                                                                                                                           Billy is plays a Roland 88 key digital PF-50 model piano and a; Hammond XK-3c organ Proud to be a Hammond endorsee.Billy started with a Farfisa Compact in 1966. He moved to a Hammond M-2 and the big Hammond C-3 (1959 model). When he played with the Amazing Rhythm Aces in the '70s he played the Hammond C-3 as well as a six-foot Yamaha grand piano, and Wurlitzer electric piano. Billy also has a 50's Wurlitzer electric piano 120, and 2 vintage accordions, and three Leslies, along with two old upright pianos and a pump organ.Musical Highpoints and AwardsBilly won several award with the Amazing Rhythm Aces. The group was nominated for a Grammy for "Best New Artist" in 1975. They won the Grammy for Country Group in 1976 for their recording of "The End Is Not In Sight." That same year, they won the Cash Box Award for "Best Progressive Group." Other honors with the Aces include several ASCAP awards, as well as receiving the "Key to the City of Memphis" in 1976. The Aces also won a gold record for "Goin South," a double CD compilation of Southern music.One of Billy's special honors was the proclamation by Shelby County Mayor William Morris of June 28, 1985 as "Billy Earheart Day" in Memphis, Tennessee!The awards continued with Billy's association with Bocephus. The CMA presented Hank Williams, Jr. and The Bama Band with two video awards: for "My Name is Bocephus" in 1986, and for "Young Country" in 1987. 1989 brought an Emmy for the Rowdy Friends Theme from "Monday Night Football." And in 1989, the documentary and live video featuring Hank Jr. and the band, "Full Access" was certified platinum. Billy also played on the gold records Hank Live, Wild Streak, Greatest hits 3,and America the way I see it. 

Rock Around The Blogin uutiskatsaus ja levyvinkit samassa napakassa paketissa! Studiossa Sami Ruokangas ja Juha Kakkuri. Kuunneltuina levyinä Rolling Stones: Some Girls, Lynyrd Skynyrd: One More For The Fans. Jakson soittolista: https://open.spotify.com/playlist/13qYFxeBZoe2xUo0bmkCtv?si=de343e4b502b4e12 Rockin lumoissa mukana Bob Dylan, The Pretenders, Chrissie Hynde, Blind Willie McTell, James Walbourne, Euroviisut, Måneskin, Blind Channel, The Ark, Led Zeppelin, Robert Plant, Bill Wyman, Def Leppard, Joe Elliott, Down 'n' Outz, Metallica, Mick Jagger, Bianca Jagger, Jerry Hall, Ronnie Wood, Harvey Mandel, Keith Richards, Eric Clapton, Hank Williams, Hurriganes, Sugar Blue, Don Was, Blackberry Smoke, Aaron Lewis, Cheap Trick, John Hiatt, Gov´t Mule, Warren Haynes, Peter Frampton, Alabama, Charlie Daniels, Donnie Van Zant, Gregg Allman, Audley Freed, Black Crowes, Cry Of Love, Sonny Emory, Jimmy Hall, Wet Willie, Jeff Beck, Randy Houser, Ed King, Ronnie Van Zant ja Jason Isbell.

Joey Stuckey is an award-winning blind guitarist, songwriter, singer, composer, producer, radio and television personality, music columnist, educator and sound engineer. He is also the official music ambassador for his home town of Macon Georgia. Joey's guitar style is reminiscent of rocker Jeff Beck and jazzer Wes Montgomery, while his vocal influences range from Mel Torme to Gregg Allman. As an infant, Joey lost his sight and sense of smell as the result of a brain tumor and was introduced to music from an early age. His mother enjoyed opera, while his dad enjoyed country music. When he was 13, Stuckey developed pneumonia and eventually had to be home schooled for an entire year. "I lived for my shows on Saturdays," says Joey. "I was a huge fan of public radio and on Saturdays, I listened to a show called, 'After Space.' It was DJ'd and produced by a guy called Rob Thomas (who eventually became a good friend and is still a great friend today). He would play radio shows like, 'The Lone Ranger,' 'The Shadow,' and other classic shows. I was so enamored with these stories - the sound effects and narration broadcast in a format accessible for the blind were just amazing." The show was produced so eloquently, Joey decided that sound production was what he wanted to do with his life. What began as a simple statement turned into a life-long passion. After that evolutionary period in his life, Joey bought all kinds of sound equipment and was soon recording sessions in his house with various garage bands. He was amazed at the writing ability from the many musicians he came across. "I realized, at that point, that there were things I wanted to share with the world," says Stuckey. "And I knew that the medium for that was music." Without missing a beat, Joey graduated from high school at the age of 14 and at 17, began his musical career by taking classical guitar lessons from noted music professor Terry Cantwell. Joey went on to attend Mercer University. He furthered his musical education by studying with renowned jazz guitarist Stanley Jordan and later, with Professor Steven Crowell. Despite his physical limitations, Joey has flourished in every aspect of his life. He released several albums, including 'Take A Walk In The Shadows' (1995), 'Ironies, Pain And The Light That Guides' (1999), 'Live And Stuff,' (2000), 'Live And More Stuff,' (2001), 'So Far,' (2003), 'Oceanside,' (2009), 'The Shadow Sound,' (2011), 'Mixture' (2012) and 'The Acoustic Sessions, Volume I' (2014). Joey experienced national success with the launch of 'Mixture,' which reached #9 on the CMJ Top 40 Jazz Charts for North America. In 2002, Joey met his wife, Jennifer, who works as a certified nurse midwife in Macon. He is also the owner and sound engineer of a recording facility, Shadow Sound Studio in Macon, which boasts vintage analog gear and state-of-the-art digital technology. Joey enjoys promoting music in various ways. He is a featured music columnist for the webzine 'Portal Magazine' and contributes regularly to a music blog on 'Gateway Macon,' where he writes about the history of music in Macon and other music-related topics. Joey is currently involved with students, instructing them on guitar, voice, music theory, and sound engineering. He is the professor of Music Technology at Mercer University and an official mentor for the Recording Connections School in Los Angeles. No stranger to musical theater, he was the music director for Macon State College's production of 'The Rocky Horror Show' in the fall of 2002. Recently, Joey has taken on the role of music publisher and has a growing catalog of great songs in multiple genres. His publishing companies include Sociology Publishing (BMI) and Sign Wave Publishing (ASCAP). Joey and his band, The Joey Stuckey Band, perform nationally. They have opened for legendary artists such as TED NUGENT, BAD COMPANY, TRISHA YEARWOOD, JAMES BROWN, CLARENCE CARTER, WET WILLIE, THE B-52'S, KEVIN KINNEY FROM DRIVIN' N CRYIN, and SMASHMOUTH. In his other roles as either producer, composer, music columnist, and sound engineer or hired musician, Joey has worked with musical greats including GEORGE THOROGOOD, ALAN PARSONS (PINK FLOYD, THE ALAN PARSONS PROJECT), ROSS HOGARTH (PRODUCER FOR VAN HALEN, JOHN MELLENCAMP, BONNIE RAITT), BILLY DUFF (THE CULT), JOE SOLO (PRODUCER FOR MACY GRAY), DANNY SERAPHINE (CHICAGO), BEN TUCKER (HERBIE MANN), DAVID RAGSDALE (KANSAS, SMASHING PUMPKINS), ALLEN VIZZUTTI (CHICK COREA BAND), SAMMY NESTICO (COUNT BASIE ORCHESTRA), DAVID BERGER (ARRANGER AND CONDUCTOR FOR JAZZ AT LINCOLN CENTER, ARRANGER FOR NATALIE COLE, ROSEMARY CLOONEY, MADELEINE PEYROUX AND CECILE MCLORIN SALEANT), SHANNON FOREST (TOTO, TAYLOR SWIFT, RASCAL FLATTS), CHARLIE HOSKYNS (THE POPES), PAUL MCGUINNESS (THE POGUES), WILL MORRISON (MODERN ENGLISH), CHUCK LEAVELL, RANDALL BRAMBLETT (TRAFFIC, GREG ALLMAN), HUGHIE THOMASSON (FROM LYNYRD SKYNARD AND THE OUTLAWS), JIMMY HERRING (FROM THE AQUARIUM RESCUE UNIT, FROG WING, THE ALLMAN BROTHERS BAND, AND THE OTHERS/GRATEFUL DEAD), MIKE MILLS from R.E.M and many, many others. In short, Joey is a young man with an enormous talent, clear vision, and a tireless work ethic, who is well respected by his peers, fans, and more than a few legends. Joey released his new single, 'Blind Man Drivin' in London, England on March 12, 2015 during his Spring tour. Honors and Awards1999 Atlanta Society of Entertainers Recording Artist of the Year2000 Atlanta Country Music Hall of Fame Cotton Carrier Award2000 & 2005 Atlanta Society of Entertainers Little Jimmy Dempsey Award for Musical Excellence2001-2008 Atlanta Society of Entertainers Jazz Artist of the Year2004 Reader's Choice Award for Singer/Songwriter, "11th Hour Magazine"2006 Atlanta Country Music Hall of Fame Ray Melton "Music Man" Award2006 Appointed the Official Ambassador of Music for Macon, Georgia, by its mayor and city council2007 Atlanta Society of Entertainers Jimmy Bryant "Guitar Man" Award2007 EATV Lifetime Achievement Award2009 Prominently featured in the book Street Singers, Soul Shakers, Rebels Without a Cause: Music From Macon2010 Proclamation and Key to the City of Green Cove Springs, Florida2011 NewTown Macon's Special Recognition Award2012 Atlanta Society of Entertainers Recording Artist of the Year2012 Atlanta Country Music Hall of Fame Inductee - music education category2012 Atlanta Country Music Hall of Fame Award for Organization of the Year - Shadow Sound Studio2014 Recognition of Musical Accomplishment Proclamation from the Pond Town Festival, Rhine, Georgia2015 Atlanta Society of Entertainers Recording Artist of the Year2015 Atlanta Society of Entertainers Jazz Artist of the Year2016 Georgia Music Awards Jazz Artist of the Year2016 Atlanta Society of Entertainers Jazz Artist of the Year2017 Prominently featured in the book Insights in Sound Visually Impaired Musicians' Lives and Learning2017 Atlanta Society of Entertainers Jazz Artist of the Year2017 Atlanta Society of Entertainers American Band of the Year (The Joey Stuckey Band)2017 Atlanta Society of Entertainers Randy Little Inspirational AwardJoey Stuckey's AffiliationsNARAS/Grammy (National Association of Recording Arts & Sciences)-Atlanta Chapter, voting memberGMIA (Georgia Music Industry Association), President Emeritus Macon ChapterBMI (writer)International Jazz Educators AssociationGACCA (Georgia Assembly of Community Arts Agencies)Georgia Allman Brothers Band Association, founding memberGeorgia Music Hall of Fame Advisory Committee, youngest appointed memberhttps://joeystuckey.com/

Get Exclusive Pop Culture Show video interviews, video content and bonus video exclusively from our Instagram. Sign up for our Pop Cult and be the first to get show announcements, free stuff and insider information only available to cult members. Find everything pop culture at https://ThePopCultureShow.com. Please, rate, review and subscribe to The Pop Culture Show here.About our guest Rick Nielsen from Cheap Trick:In a world gone mad, trust Cheap Trick to remind us all of what’s been lost and what we need most. Founded in 1974 by Robin Zander (vocals, rhythm guitar), Rick Nielsen (lead guitar), Tom Petersson (bass guitar), and erstwhile drummer Bun E. Carlos, the Rockford, IL-born band is back with IN ANOTHER WORLD – their 20th studio collection and first since 2017’s double header of WE’RE ALL ALRIGHT! and CHRISTMAS CHRISTMAS. Produced by longtime associate Julian Raymond, the new LP sees the 2016 Rock and Roll Hall of Fame inductees doing what they do better than anyone, crafting indelible rock ‘n’ roll with oversized hooks, mischievous lyrics, and seemingly inexorable energy. Trademark anthems like “Light Up The Fire” and “Boys & Girls & Rock N Roll” are countered by more introspective – but no less exuberant – considerations of times past, present, and unknowable future on such strikingly potent new tracks as “Another World” and “I’ll See You Again.” As irresistible and immediate as anything in their already awesome catalog, IN ANOTHER WORLD is Cheap Trick at their irrepressible best, infinitely entertaining and utterly unstoppable.“We’re too dumb to quit,” Nielsen says. “We just love to play.”Cheap Trick remain among the most influential and popular bands of any era, armed with an untouchable canon of certifiable classics like “He’s A Whore,” “California Man,” “Dream Police,” “Surrender,”  “I Want You To Want Me,” and the worldwide #1 hit single, “The Flame.” 2016 saw the band inducted into the Rock and Roll Hall of Fame, a long overdue acknowledgement of a nearly five decade career that has earned Cheap Trick more than 40 international gold and platinum certifications, myriad awards and industry honors, featured appearances on over 20 movie soundtracks, and total record sales well in excess of 20 million.Thing is, where other artists of their vintage might be content to rest on their hard-earned laurels, Cheap Trick remain indefatigable, touring more than 150 nights each year while also continuing to expand their recorded catalog.“We’ve put out four albums in the last three years,” Zander says. “It’s a work ethic that I think comes from maybe growing up in the Midwest. It’s a different world now though. We made two records a year with our first four albums.”“We try to just knock it out,” Nielsen says. “We never were one of those bands that spent months and months and months and months sitting in a studio, trying to make it better and better and better.”Cheap Trick attributes much of their recent creative boom to both Daxx Nielsen – the band’s touring drummer since 2010 – and Academy Award-nominated producer/songwriter Julian Raymond, the de-facto “fifth member” of Cheap Trick and friend for more than three decades.“Julian’s a godsend,” Nielsen says. “Working with us is like herding cats, but he does it. He listens to everybody. Bad ideas, good ideas, he listens to them all. It’s what a real producer does.”“We consider him part of the band,” Zander says. “He’s a songwriter, a singer, a musician, a producer. He’s the whole package of somebody that you want to work with.”Sessions for IN ANOTHER WORLD got underway with Raymond in Nashville, during a free week amidst the band’s endless touring. The band’s approach to songwriting remains the same as ever, with each member contributing ideas and musical elements that are then made whole through collective creativity.“We all have home studios,” Zander says. “So the basic stuff – demos and pre-production – comes from our homes individually and then we bring that into the band. If it’s half-baked, we throw it back in the oven and fix it up. Then we set aside a week and go in and record the record.”“We’ve built up all these different ideas over all the years,” Petersson says. “There will be certain things that maybe didn’t strike people at the time but now it’s like, what’s that? Wow, that’s great.”Kicking off with “Here Comes The Summer” – which first appeared in 2018 as a standalone single titled “The Summer Looks Good on You” – IN ANOTHER WORLD is Cheap Trick at their most eclectic, touching on a myriad of distinct sounds and song approaches, from the breakneck “Another World (Reprise)” to the swampy Chicago blues number, “Final Days” (the latter boasting fiery harmonica from GRAMMY® Award-nominated singer and Wet Willie frontman Jimmy Hall).“Cheap Trick has always been diverse,” Nielsen says. “We didn’t just try to write a pop song and then make the rest of the record a bunch of other pop songs, just not as good.”“There’s a lot of nuance in our songs,” Nielsen says. “They sound fairly simple but they’re not.”To be sure, a slightly dark sense of unknowing permeates IN ANOTHER WORLD, imbuing songs like “Another World” and “So It Goes” with a haunting new meaning in these strange times. Though “The Party” might swagger like the Sunset Strip in the 1980s, the song is in fact, says Zander, about living on “the edge of death.”“This record in particular reflects what’s going on in the world around us right now,” Zander says. “We’ve always been a positive band, we’ve always been hopeful, even when we’re being tongue in cheek. But now that we’re getting older there’s not as much nyah-nyah-nyah-nyah-nyah going on.”“We don’t go out of our way to bring stuff up,” Petersson says. “Whatever happens, happens. I don’t know how to explain it. Everything seems crazy now but when we were growing up, it was crazy too. Vietnam, Nixon. Kent State. Somebody said to me, was it much better then? It was bad then. Was it polarized? Yes. Was it frightening? Yes. Looking back on it, it was that bad. At least then you could go to a rock ‘n roll show, but there’s nothing we can do about that at the moment.”From their very start, Cheap Trick have proudly asserted themselves as rock ‘n’ roll fans, a passion often manifested through inventive cover versions both on stage and in the studio. IN IN ANOTHER WORLD includes the band’s timely rendition of John Lennon’s still-relevant “Gimme Some Truth,” originally released for Record Store Day Black Friday 2019 and featuring the instantly recognizable guitar sound of erstwhile Sex Pistol Steve Jones.“That came from watching TV and listening to these politicians,” Zander says. “They’re just constantly shoved down your throat. That song just popped into my head and I thought, oh my god, it means more nowadays than it did back when John wrote it. So I went into my own studio and did a version of it. The single came out before the album but then later on, we decided, why not put it on the record?”“It’s so cool to have Jones on there,” Petersson says. “He’s a funny guy. He’s got a style that’s unmistakable; he’s got a great feel and a great sound. Just perfect for that type of song.”Cheap Trick are of course one of rock’s hardest working live acts, lighting it up at arenas, concert halls, and amphitheatres worldwide more than 150 nights each year. Alas, recent events have forced the band off the road for perhaps the longest hiatus of their storied history. Cheap Trick hope to return to the endless highway, with plans to support their good friends in ZZ Top’s 50th Anniversary tour now postponed until 2021.“We don’t go on tour for 18 months and then go home for 18 months,” Petersson says. “We’re on call, all the time.”“Right now, obviously, it’s out of our hands,” Nielsen says. “If we don’t see each other for a bit, or if we don’t play live for a week or two, we just fall right back into it. We never get rusty – we started out rusty.”IN ANOTHER WORLD makes it abundantly clear that Cheap Trick remain as one of a kind as ever before, indefatigably blasting out perfect pop rock ‘n roll with high craft, cheeky humor, and amp-blasting power. Indeed, IN ANOTHER WORLD stands as triumphant testament to Cheap Trick’s constant creative motion, these venerable veterans as energized and enthused as a young band just out of the garage.“On our first album I wrote, ‘I’m 30 but I feel like 16,’” Nielsen says. “Well, I still feel like I’m 16… at least until reality hits me. But when I get up and play, I still feel like the youngest guy up there.”“We’re always thinking about the next one, whatever it is,” Petersson says. “As soon as we finished the latest one and we’re like, okay, now what’s next? It’s nice, in that we have a creative outlet that we’re always looking forward to. You come home from the road and you’re playing guitar or hearing something on the radio, thinking, oh wow, that gives me a great idea for the next record. We’re always thinking that way. We’re always looking to the next one.”“This band is held together by music,” Zander says. “It’s the super glue that keeps us writing and putting records out. The reason we started the band in the first place was to tour and write songs and put records out. If all that went away, there would be no point then, would there?”

Hour 2 of Smash Daily, Smash revisits with Thom Brokaw from NBC Nightly News reporting live from the C-PAP convention and Trump's rally Make America Sleep Again, what's the controversy with Albert Pujols' age and Smash gets the weekend kicked off right with The Blues Brothers and Smash Band along with the one, the only Dan Aykroyd! Of course Wet Willie with your weekend song and more! Check out Smash Daily on your radio weekdays from 4-6 on 107.1 FM The Big Z! Stream at www.altondailynews.com and listen ANYWHERE you get your podcasts!

The spot that is now occupied by Earnestine and Hazel’s at 531 South Main St was once the exact opposite of what it was to become in the future. In the late 1800s, it was built as a church, complete with fancy doors and a steeple. The area that the corner building occupies was considered “South Memphis”. It was a residential area that remained so until the early 1900s, when the railroad was built. South Memphis opened two new train stations and 50 passenger cars would come through every day. At that point, the area became able to support businesses. Sadly, the church burned down some time in the early 1900s. I couldn’t find an exact date, but the assessor's office lists the current building’s date as 1918. That year, a new building was erected, the same one you see today, and it was purchased by Abe Plough and turned into one of his Pantaze Drugstores.  Abe Plough is a name synonymous with Memphis. In 1908, he borrowed $125 from his father and started his own business, Plough Chemical Company. He pedaled his “antiseptic healing oil”, that he created in a room above his father’s shop, to the drug stores in and around Memphis. His patent medicine took off and within a couple of years he doubled his profits.  Side note: patent medicines are basically ones that marketed as medicines, but have no proven effectiveness. They are protected by trademarks but their ingredients are generally not completely disclosed. You’ll often hear them referred to as “tonics” or “elixirs”. With his additional money, Plough found his way into the cosmetics and sunscreen business and eventually acquired St. Joseph’s Aspirin brand. Over the next 100 years, Plough Inc became a multi-million dollar company, partnering with Schering Company. Schering Plough and the Plough Foundation became a major philanthropic entity in Memphis.  But let’s rewind. Plough opened Pantaze Drugstores in the 1930s. Apparently Pantaze were the Walgreens of its day. There were 7 Pantaze drug stores on Main St and in the downtown area. It was during his time owning Pantaze that Plough started to expand his brand and continued on to find his fame.  Now in the building on S. Main, Plough only used the bottom floor of the building for his pharmacy/sundry store, so he rented the upstairs to two beauticians, Earnestine Mitchell and Hazel Jones.  Side note: a sundry is basically a general store that sells miscellaneous items One of the products that Plough had made was a hair straightening product and it worked quite well. Not only did the ladies use it in their salon, it was also being used all over the eastern part of the country. With Plough’s success and new found fortune, he gave (or I've also heard sold for a very inexpensive price) the building to Earnestine and Hazel. This transaction occurred some time in the 1950s, from what I can tell.  Having no interest in running a sundry, the ladies decided to turn the downstairs area into a jazz cafe. Earnestine’s husband, Andrew, who went by the name of Sunbeam, opened a venue nearby for musicians, called Club Paradise. This was not the first business venture of Sunbeam Mitchell though. Throughout his years as a promoter, Mitchell had opened several music venues, a restaurant, and even a hotel for African Americans, which were scarce in those times. Earnestine kept the books and ran the hotel.  The Mitchells and Plough were not strangers to each other either. One of Sunbeam’s music venues (Club Handy) and the Mitchell hotel were on the second and third floors of the Pantaze Drugs, which again was owned by Plough, on Beale St. (Wet Willie’s currently occupies this building.)  Club Paradise was the largest and most prestigious nightclub in Memphis. It could hold up to 3200 people. Numerous acts such as locals Bobby Blue Bland, BB King, Howlin Wolf, and Muddy Waters played there, as well as big named acts Ike & Tina Turner, Aretha Franklin, Ray Charles, Chuck Berry, Bo Diddly, & Sam Cook.

On this episode of Notoriously Problematic, K.Hall is joined by longtime friend of the show Ike to discuss the history of Hip Hop from 1979 to 2021 we go in depth if you are a fan of music this is for you. Also K.Hall debut's a new segment "My Misadventures" this week's Misadventure is about a little person at Wet Willie's.

So many great stories Ricky told here. Like that time he ran into Cher in his local pharmacy… or the time Gregg Allman asked Ricky to keep Gregg’s new custom Harley in Ricky’s garage, so Cher wouldn’t find out about it… Or how Capricorn (and all the other record labels) screwed their artists by including this ONE paragraph in each contract… why he left Wet Willie and moved out to LA… opening for the Allman Brothers, The Grateful Dead, Grand Funk Railroad, REO Speedwagon, Lynyrd Skynyrd, Humble Pie, and Slade… and his introspective thoughts on so many different things If you’d like to support this show: http://www.everyonelovesguitar.com/support  Ricky was one of the founding members of Wet Willie and one of the co-writers of their #10 hit, “Keep on Smiling.” He also played and toured with Gregg Allman & Cher, Joan Armatrading… and owns two recording studios which he has kept filled for the last 31 years, producing hundreds of records and artists Subscribe https://www.everyonelovesguitar.com/subscribe/  Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ 

Lost vinyl from: Eddie Lockjaw Davis,The Fantastic Zoo, Every Mother’s Son,Ichabod and The Cranes, Ral Donner,Wet Willie, Sensational Alex Harvey Band,Grahame Bond, and moreas broadcast live via 6160kc sw 1-2-21

Greg Martin talks about his Kentucky Backcountry Blues guitar lessons available on TrueFire, performs, and answers questions. To learn more and watch the video from this live session, please visit truefire.com/live.About Greg:Greg Martin is a master of homecooked Southern-style Rock, Blues, Country and Rockabilly guitar. Along with his band, The Kentucky HeadHunters, he has helped reshape the face of country music. To date the HeadHunters have released six albums, winning countless awards and Grammies. In 1992, Greg Martin filled in for injured Lynyrd Skynyrd guitarist, Ed King. The HeadHunters have also collaborated with the great Johnnie Johnson on a stellar rockin’ blues CD “That’ll Work!”. Johnnie was inducted into the Rock N’ Roll Hall of Fame this year by Rolling Stone’s Keith Richards. Greg also released a Gospel Blues CD with former Wet Willie singer, Jimmy Hall, entitled “The Revelators”.

... aunque no sea verdad. Así que bailamos con Sue y regalamos a nuestro amor como hacen Wyatt Louis o los chicos del sonido de Rhyolite, una población (y una piedra) del norte del desierto de Mojave, lo que explica los sonidos fronterizos. Seguimos con ración de los viejos de la tribu, los veteranos Ray Willie Hubbard, Ringo Starr (que acaba de celebrar sus 80 añitos) y su coleguilla Joe Walsh ponen ritmo y los Rolling Stones, por fin, el blues. En esta ocasión agradecemos el regalo, Mick y compañía, de incluir nuevas canciones (gratis, aunque relean la primera línea) en un disco viejo (y bueno). Seguimos con dosis de rock sureño, Blackberry Smoke (son buenísimos) lo siguen bordando ahora con Wet Willie, El Warren y The Statesboro Revue, igual. Estos cantan a uno de sus héroes, uno que es santo y pecador (y un hdp, ejem). Mo Pitney compra miel en el mercado local a la chica de sus sueños y Kender Marvel vuelve a Houston y compone un número 1 con su Let It Go. La última, una tórrida balada, es un regalo de nuestra amiga @Shaefromtheradio, programadora de la emisora 95.7 en Amarillo (Texas), conocida como El Armadillo, la emisora, no la chica. Gracias Shae Austyn! ¡A bailar pegados! Playlist 18 de julio de 2020Tyler Gummersall, You Pay For ItSecret Emchy Society, Everything Was FineWyatt C. Louis, Dancing With SueThe Rhyolite Sound, He Can Have HerThe Cadillac Three, Hard Out ThereRay Wylie Hubbard (ft. Ringo Starr, Don Was, Joe Walsh, Chris Robinson), Bad TrickThe Rolling Stones, Criss, CrossBlackberry Smoke, Keep On Smiling El Warren, The Long Lonely Time The Statesboro Revue (w. Wade Bowen), Sinner, Saint, S.O.B. Mo Pitney, Local Honey Kendell Marvel, Houston Kendell Marvel, Let It Go Will Hoge, The Overthrow Chad Cooke Band, Four Minutes

Tonight's Special Guest is the lead singer and harmonica play for the legendary Alabama-based band Wet Willie.  He was born in Birmingham and grew up in Mobile.  Jimmy Hall, welcome! Our Guest WeatherBrain is the Meteorologist in Charge at the National Weather Service Office in Juneau, Alaska.  A veteran of the show, he was last on the podcast in 2012.  Jeff Garmon, welcome to WeatherBrains! Tonight's Guest Panelist is a long-time member of the National Weather Association and American Meteorological Society.  He's currently the Deputy Program Manager of the ASOS Program for the NWS.  Ken Carey, welcome!

Este pasado jueves John Fogerty, el californiano de El Cerrito, cumplía 75 años. Considerado como uno de los más importantes compositores de la música norteamericana del siglo XX, cuenta en su haber con innumerables himnos, sobre todo los compuestos en su etapa al frente de aquella banda que nos dejó las mejores muestras de rock pantanoso. Seguro que en cualquier momento, en algún bar de Estados Unidos, puedes encontrar a alguien que haga sonar un clásico de la Creedence Clearwater Revival. En TOMA UNO siempre hemos tenido a John Fogerty entre nuestros favoritos y, por supuesto, nos anticipamos a la edición de Wrote a Song For Everyone, un disco en el que el músico californiano apareció rodeado de amigos. “Mystic Highway” nos reencontró con el mejor exponente del swamp rock que siempre encarnó la Creedence Clearwater Revival. Era uno de los dos temas inéditos que Fogerty añadió a aquel proyecto que hoy nos sirve apertura para felicitarse por estar en este mundo desde hace tres cuartos de siglo. Estaba previsto que nos visitara el próximo 17 de junio para dar un único concierto en España, pero la pandemia ha hecho que tengamos que esperar hasta el próximo 2021. John Fogerty, el líder de la Creedence Clearwater Revival, siempre ha expresado su adoración por los grandes patriarcas de los estilos básicos de la música popular, como Hank Williams y Bill Monroe. Su versión a “Blue Moon Of Kentucky” es el refrendo de esa veneración por los artistas más enraizados. Las formas empleadas por él estaban muy cerca del rock‑a‑billy que se hacía en los años 50. De hecho su "Blue Moon Of Kentucky" fue una de las primeras canciones que grabó Elvis para Sun Records y Bill Monroe sería un referente necesario para los grupos que se movieron en el country rock de los años 60 y 70. El californiano, con 75 años recién cumplidos, es otro ejemplo más de la vitalidad imbatible de los míticos artistas, con una imponente facilidad para retener lo mejor de su carrera. Hace ya 11 años, nos regalaba un disco que resultó ser una secuela de aquel histórico debut en solitario del 73 bajo el nombre de The Blue Ridge Rangers, donde él tocaba todos los instrumentos. De hecho, el álbum se iba a titular originalmente The Return Of The Blue Ridge Rangers, pero decidió llamarlo Rides Again. En aquellos 10 días de sesiones se grabaron hasta 15 canciones, tres de las cuales no se incluyeron en la publicación definitiva, dando una visión poco habitual de la personalidad de John Fogerty. Además, le acompañaron músicos de la categoría de Buddy Miller o Greg Leisz. En un disco donde se aprecia pura nostalgia, la canción que sirvió de apertura sirvió para recordar a John Prine, a quien se llevó el Covid-19, y su “Paradise”, que formó parte de su disco de debut a comienzos de la década de los 70 haciendo referencia a la temática minera y a ciudades que desaparecen cuando las minas dejan de producir. Así ocurrió con Paradise, en el Muhlenberg County, del estado de Kentucky. Poco después de la edición del quinto álbum de John Fogerty Deja Vu All Over Again, abandonaba el sello DreamWorks y tardó tres años en regresar con Revival, que supuso su vuelta a Fantasy Records, la compañía que acogió sus mejores años y con la que mantuvo varias disputas legales durante demasiado tiempo. Revival estaba lleno de referencias al pasado, recordando en cierta manera a cuando Merle Haggard se preguntaba si los buenos tiempos en realidad habían pasado. Pero Fogerty no se regodeaba en ello, aunque siempre se ha mostrado bastante nostálgico. De hecho, en sus mejores canciones siempre ha escrito sobre un mundo un tanto irreal, lleno de fantasías. “Broken Down Cowboy” fue uno de esos cortes deliciosos y melancólicos. El próximo 19 de junio vamos a encontrarnos con publicaciones tan sobresalientes como los nuevos álbumes de Bob Dylan y Neil Young, además del EP especial de Blackberry Smoke Live From Capricorn Sound Studios, con una parte de sus ingresos destinados al Fondo de ayuda MusiCares para ayudar las personas de la comunidad musical afectada por el Covid-19. En este homenaje al mítico estudio de grabación, ha incluido su versión de "Keep On Smiling", el tema que dio título al tercer álbum de Wet Willie, con sede en Mobile, Alabama, en 1974. Para ello, Blackberry Smoke han contado con su vocalista y armónica Jimmy Hall y las Black Bettys en los coros. Hace 10 años escuchamos a Ashley Ray en el álbum Sweet Home Alabama - The Country Music Tribute To Lynyrd Skynyrd que publicó el sello Hip-O, atreverse con una versión precisamente de ese tema inmortal de la banda sureña. Nacida y criada en Lawrence, Kansas, Ashley había lanzado un EP en 2007, pero es mucho más reconocida por haber firmado canciones para artistas como Little Big Town, Lori McKenna, Wade Bowen, o Caroline Spence. A finales del próximo mes de junio verá la luz su primer álbum, Pauline, un recuento de sus experiencias familiares y hogareñas, las personas perdidas, las decisiones tomadas y el coraje de aceptar todas esas vivencias y compartirlas. “Dirty Work” es una canción de tintes burlones y sensuales, donde se encomienda a la Virgen y termina pidiendo consejo a la Mona Lisa. La actividad durante el confinamiento ha sido también la tónica de Grace Potter, la vocalista de Waitsfield, en Vermont, que animada por su marido, el productor Eric Valentine, ha lanzado un par de singles, una nueva canción original, y una versión del tema de David Bowie “As The World Falls Down”. Durante la cuarentena, Grace Potter ha compuesto “Eachother” y para lanzarla ha contado con la colaboración de Jackson Browne, Marcus King y Lucius. Es una reflexión sobre la cura de humildad que en realidad significa la aparición del Covid-19 para la raza humana. Las cosas que de verdad importan no son precisamente las cosas… son las personas. Heathcote Hill vienen desde Mamaroneck, en el condado de Westchester, perteneciente al estado de Nueva York, y que fue comprada al jefe de los Wappaquewam. El grupo ahora reside en la zona de New Rochelle, que ha sido precisamente epicentro de las infecciones por Covid-19, y no podían publicar mejor canción que “All I Remember Is You”, anticipo de su nuevo álbum que tiene prevista su edición en julio. Fue compuesta en conjunto y grabada muy poco antes de que la pandemia obligara al aislamiento. El folk rock luminoso de Heathcote Hill encuentra en su vocalista Megan Porcaro Herspring y en el guitarrista Tom Nelson las bases más sólidas de una formación que ha grabado cuatro álbumes en tres años. El californiano Chuck Prophet tiene sus raíces en Green On Red y también cuenta con un extenso recorrido en solitario. The Land That Time Forgot, su nuevo álbum es una especie de exorcismo sonoro cuya publicación se ha pospuesto hasta el 31 de agosto, pero que nosotros llevamos anticipando desde hace tiempo. “Best Shirt On” en un mensaje conmovedor a la constancia en tiempos tan duros como los del presente, cuando se pierde el empleo y se lucha entre la esperanza y la desesperanza. Chuck Prophet asistió a como su propio padre perdió su trabajo durante otra crisis y, sin embargo, cada día estaba a las 6 de la mañana desayunando mientras leía las páginas de ofertas de empleo del periódico vestido con su traje y oliendo a colonia. Sadler Vaden es bien conocido como guitarrista de The 400 Unit de Jason Isbell, pero ya hace cuatro años que debutó en solitario con un álbum de título homónimo y su continuación, Anybody Out There?, seha sido conformado entre las grabaciones de The Nashville Sound y Reunions junto a Jason Isbell, pero la idea de armar un proyecto completo no llegó hasta que no se terminó “Good Man”, un tema lleno de buen humor y mejores vibraciones sobre el que gira todo el álbum. Compuesta por Vaden junto al también guitarrista Audley Freed, es casi un himno sobre el esfuerzo por llevar una vida amable y positiva para sobreponerse a las dificultades. Ayer mismo, nuestro buenos amigos de Track Dogs editaban “At A Time Like This” (En un momento como este), grabada desde la cuarentena, una nueva canción, especial para esta situación extraña que seguimos padeciendo. Es una balada en la que el cuarteto cuenta con la colaboración de una vieja amiga y compañera de conservatorio de Robbie K. Jones, la chelista Adrianne Wininsky y su amigo, el violinista, Chris Demetriou, que han grabado desde Manchester la cuerda incluida en la canción, donde Track Dogs, contando con la voz solista de Garrett Wall, ha incorporado el fiscorno de Howard Brown, Dave Mooney coge la mandolina y Robbie K. Jones se encarga del bodhran, el típico tambor irlandés. Escuchar audio

We've got Rush Before and After; Wet Willie sings Street Corner Serenade, Weird Al gives us A Complicated Song, and Blue Oyster Cult are Veterans Of The Psychic War. All this on the teeny tiny radio station with the gigantic classic rock library. Deep Cuts Radio, Signal Seven! ~ signal7@att.net

El pasado sábado sabíamos de la muerte de Little Richard, uno de los grandes pioneros del rock and roll, con 87 años y debido a un cáncer de huesos. Fue un superviviente de las raíces más profundas del genuino rock and roll, un artista simplemente inclasificable que hoy tenía que abrir nuestro programa. Y lo hace de una forma curiosa. Una grabación realizada un año antes de la muerte de Johnny Cash, que fue testigo de cómo algunos de los nombres más sonoros de la música popular como Dylan, Springsteen o Dwight Yoakam, entre otros, se reunían en Kindred Spirits: A Tribute to the Songs of Johnny Cash, un álbum en el que también participó el ahora recordado Little Richard con una versión muy personal de "Get Rhythm", que en el 56 fue cara B del single "I Walk the Line" el Man In Black. Blackberry Smoke había reservado como tema de cierre de su nuevo proyecto discográfico, Live at Capricorn Sound Studios, esta versión a "Southern Child", la canción que daba nombre en 1972 al cuarto trabajo del hoy fallecido Little Richard para Reprise. Inexplicablemente, el disco no se publicó, y los temas aparecerían hace 15 años en un recopilatorio de Rhino dedicado al mítico artista. Nativo de Macon, en Georgia, sede de los Capricorn Sound Studios, Little Richard compuso esta canción tremendamente optimista que ahora Blackberry Smoke ha revitalizado con una versión poderosa en la que intervienen como invitados Jimmy Hall de Wet Willie a la armónica y el dúo de Atlanta The Black Bettys en los coros vocales. Escuchar audio

Ricky was one of the founding members of Wet Willie and one of the co-writers of their #10 hit, “Keep on Smiling.” He also played and toured with Gregg Allman & Cher, Joan Armatrading… owns two recording studios (LA & Mobile) which he has kept filled for the last 31 years, producing hundreds of records and artists So many great stories Ricky told here. Like that time he ran into Cher in his local pharmacy… or the time Gregg Allman asked Ricky to keep Gregg’s new custom Harley in Ricky’s garage, so Cher wouldn’t find out about it… Or how Capricorn (and all the other record labels) screwed their artists by including this ONE paragraph in each contract… why he left Wet Willie and moved out to LA… opening for the Allman Brothers, The Grateful Dead, Grand Funk Railroad, REO Speedwagon, Lynyrd Skynyrd, Humble Pie, and Slade… and his introspective thoughts on so many different things.  Listen to this amazing conversation with such a warm and pleasant guy, who happens to also be a great player and producer: Support this Show: http://www.everyonelovesguitar.com/support  Subscribe https://www.everyonelovesguitar.com/subscribe/  Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ 

El Covid-19 nos dejó sin Joe Diffie el pasado domingo, una de las voces más representativas del country de los años 90. Había nacido en Tulsa, Oklahoma, y durante mucho tiempo vivió en aquella zona. Posteriormente se trasladó a Texas, Washington y Wisconsin, desarrollando su amor por la country music desde muy temprana edad. En su familia había una enorme inclinación musical, ya que su padre tocaba la guitarra y su madre cantaba. Era fácil escuchar a un jovencísimo Joe Diffie interpretar junto a la radio temas tradicionales y en el tocadiscos casero siempre sonaban los que fueron sus grandes favoritos: Merle Haggard, Johnny Cash, Buck Owens, Lefty Frizzell… y George Jones. Uno de los indiscutibles maestros de la country music es George Jones, una de las grandes influencias de Joe Diffie, que recordaba de esta manera el que fue primer No. 1 del "Possum", un “White Lightning” que escribió una estrella del rock and roll de los 50 como J.P. Richardson, apodado The Big Bopper, que había muerto pocos meses antes en el mismo accidente de avión en el que desaparecieron Buddy Holly y Ritchie Valens. En 1993, Diffie escribió esta oda a las salas de baile que surgieron por todo Estados Unidos en los primeros años noventa, cuando se despertó la Garth Brooks-manía y aparecieron canciones como "Boot Scootin’ Boogie" de Brooks & Dunn. El propio artista cantaba sobre "pantalones ajustados, baile en línea, sombreros Stetson y botas de vaquero", siendo un excelente ejemplo de cómo su voz se convirtió en la compañía habitual de cualquier viaje en coche en el que sintonizabas una emisora de radio de country music en aquella época. "Honky-Tonk Attitude” dio nombre a su tercer álbum y supuso su afianzamiento definitivo. A pesar de seguir las pautas de su segundo registro, en aquella ocasión Joe Diffie se apuntó a esa actitud de honky-tonk que definió su título e incrementó su popularidad. Tras un divorcio complicado, el artista hoy recordado marchó a Nashville porque no tenía nada más que perder. Trabajó para una editorial y empezó a ser conocido como compositor a la vez que sus maquetas eran de las más solicitadas, ya que su voz destacaba de forma natural. De esa forma consiguió firmar un contrato discográfico. Su single de debut llegó en 1990 con el tema de apertura de su primer álbum, A Thousand Winding Roads, y marco el comienzo de su carrera. Además, supuso todo un récord para su compañía discográfica, Epic, ya que se convirtió en el primer No.1 de uno de sus artistas debutantes en toda su historia. Incluso obligó a Alan Jackson a no publicar como single una canción del mismo título. "Home" era una balada campera en toda regla con recuerdos de mejores tiempos en el hogar, con imágenes familiares entrañables que ahora parecen perdidas. Joe Diffie se asoció con Mary Chapin Carpenter para una colaboración que resultó sorprendente por los distintos modos y maneras de sus protagonistas. La artista de Princeton, en Nueva Jersey, estaba en 1992 ante su obra cumbre, el álbum Come On, Come On, y fue allí donde apareció “Not Too Much To Ask”, una canción de amor interpretada a dúo con una evidente diferencia de registro pero con un resultado armonioso que conjugó el dobro del maestro Jerry Douglas. La repercusión fue tal que el tema consiguió una nominación al Grammy. Joe Diffie tenía 61 años y a lo largo de su carrera nos dejó canciones como "Prop Me Up Beside the Jukebox (If I Die)", que su espíritu del honky tonk nos pide siempre escuchar a todo volumen. En cierto modo, recuerda a "Friends In Low Places", con el protagonismo del piano y el ruego a los amigos de que cumplan una última petición, la de dejarle apoyado contra la vieja máquina de discos. A su vez, él les promete que será el alma de la fiesta, incluso cuando esté muerto y desaparecido. El regreso a nuestra especial "normalidad" nos cita con Blackberry Smoke, una de las bandas más poderosas de la escena del Southern rock que no tiene ninguna intención de entregar el testigo. Al contrario, van fortaleciendo su estatus con grabaciones como la que estará a la venta el próximo 19 de junio, en forma de nuevo EP especial con el título de Live From Capricorn Sound Studios. La apertura es una versión imponente de “Midnight Rider”, un tema de la Allman Brothers Band, que el mítico grupo tocó por primera vez hace medio siglo en aquellos míticos estudios de Macon, en Georgia, y que formó parte de su segundo álbum, Idlewild South. Es el único tema de las seis canciones que componen el disco en que Blackberry Smoke tocan solos, ya que a lo largo de la grabación participaron Marcus Henderson de la Marshall Tucker Band, Jimmy Hall de Wet Willie y The Black Bettys. Las ganancias se destinarán al Fondo de Ayuda MusiCares COVID-19 para ayudar a las personas de la comunidad musical afectada por el coronavirus. Naked Garden, el último álbum editado por Lukas Nelson & Promise Of The Real, pone el foco a las sesiones de grabación de su predecesor, Turn Off the News (Build a Garden), incluyendo tomas alternativas de la mitad de esas canciones. Pero también encontramos un buen número de las que no pasaron a formar parte de aquel registro, como es el caso del sinuoso "Entirely Different Stars", que sirve de apertura y en la que el narrador imagina una visita a otros planetas para tener una perspectiva diferente del mundo, con riffs de guitarra de tintes psicodélicos. Al contrario de la imagen que dio Turn Off the News (Build a Garden), con un tono musculoso y atrevido, Naked Garden termina siendo la otra cara de la moneda, mostrando a la banda en un ambiente relajado e íntimo, interiorizando la conformación del que ha sido uno de sus proyectos más contundentes. "Only Children", la historia de dos bohemios inundada con un sentimiento de nostalgia, es una de las más bellas canciones de estas fechas y forma parte de la nueva aventura sonora de Jason Isbell And The 400 Unit, Reunions. Tomando el relevo a The Nashville Sound, publicado hace tres años, el registro ha sido producido con la maestría habitual de su viejo amigo Dave Cobb que ha cincelado un disco en el que contribuyen con su presencia David Crosby y Jay Buchanan, cantante de Rival Sons. Con riffs de guitarras que evocan al más intenso y profundo Neil Young, Lucinda Williams sigue destapando canciones personales de su nuevo álbum Good Souls, Better Angels. “Big Black Train” es una de esas canciones impactantes a las que nos tiene acostumbrado la artista de Louisiana. En este caso, el propio título, “el gran tren negro”, es toda una metáfora de la depresión, un problema en el que profundiza, haciéndose eco de los sentimientos de miedo que suelen envolver a quienes la padecen y de la súplica solemne de no volver a subir a ese barco. El salto de calidad de los Mastersons en los últimos tiempos es espectacular y su nueva entrega discográfica, No Time For Love Songs, producido por Shooter Jennings, que ha aportado un toque de prestancia al trabajo. El álbum está tejido por el dolor de las experiencias personales vividas por la pareja en el último año, como las muertes de sus amigos de Austin Chris Porter y George Reiff, además de la pérdida de Kelley Looney miembro de los Dukes. Tras la publicación de Good Luck Charm, había muerto el padre de Chris Masterson y tras una charla con su amiga Rosie Flores surgió el título del nuevo disco, No Time for Love Songs. "King of the Castle" intenta canalizar y darle una utilidad a la pena para convertirla en palabras y música, sabiendo que el dolor no se va nunca. Es una forma de homenajear a quien se ha ido. Y nos detenemos para despedir el programa de hoy con Lilly Hiatt que ha continuado su línea ascendente con Walking Proof, el cuarto álbum de una carrera que siempre estará marcada por ser hija de John Hiatt, uno de los más respetados iconos de la Americana. Es la primera vez que el veterano músico participa junto a ella, en este caso en una de las canciones más brillantes del trabajo, "Some Kind of Drug", descotando por supuesto el lanzamiento especial que hicieron en la pasada edición del Record Store Day, versionándose mutuamente. La cantante y compositora californiana establecida en Nashville, pero apartada de la industria más visible de la Music City, ha completado un álbum que exhibe poderío, imaginación y letras de mayor intensidad emocional. También se ha rodeado de invitados selectos, entre los que encontramos a Aaron Lee Tasjan, Amanda Shires y Luke Schneider. Escuchar audio

My guest today is Grant Walden a music producer, audio engineer, multi-instrumentalist, singer, songwriter, studio owner, and host of Tape Noise Podcasts. Grant has worked with Grammy-winning studio musicians, audio engineers, and recording artists, including Denny Laine of The Moody Blues and Wings; Jimmy Hall of Wet Willie and Jeff Beck Band; Christine Ohlman of the Saturday Night Live Band; Rock & Roll Hall of Fame member, keys player and songwriter Spooner Oldham; the legendary Muscle Shoals Horns and rhythm section the Swampers; Hanson, and a host of groundbreaking performing artists. He has also been mentored by notable engineers and producers, including Dave Pensado, Jim Gaines, Toby Wright, Craig Alvin, and Jerry Masters and his latest projects include records by Jimbo Mathus of the Squirrel Nut Zippers, Invisible Teardrops, Sailour, and Eddie Martin. Grant also owns HearTell Studios and Publishing based in Studio C at Cypress Moon in Sheffield, AL -- formerly the home of Muscle Shoals Sound II, where legendary artists like Bob Dylan, Bob Seger, and Julian Lennon have all recorded. Thanks to our sponsors! OWC: Other World Computing: https://www.OWC.com WhisperRoom: https://whisperroom.com Get 10% off the 4x4 or 4x6 booths now when you mention Recording Studio Rockstars. JZ Microphones: https://usashop.jzmic.com Spectra1964: https://www.spectra1964.com Presonus Studio One: https://www.presonus.com RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast, then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/239

Gäster: Hanin Shakrah, Isak Jansson, Råland Ulvselius, Henrik Nyblom, Jonathan Rollins, Jonathan Tengwall … Köp biljetter till extraföreställningen av AMK-Återträffen 21 dec kl 15:00! https://www.eventim.se/tickets.html?affiliate=SC1&evid=12438528&fun=page&pagename=event … Vi pratar om: …Wet Willie’s https://www.tripadvisor.se/Attraction_Review-g34439-d606249-Reviews-Wet_Willie_s-Miami_Beach_Florida... …fiskbullar https://upload.wikimedia.org/wikipedia/commons/c/cf/Fiskbullar2.jpg …Face/Off https://www.imdb.com/title/tt0119094/ …A$AP Rockys återkomst https://www.aftonbladet.se/nojesbladet/a/zGwW91/superstjarnan-rihanna-pa-plats-pa-asap-rockys-spelni... …Kanyes opera https://www.timesofisrael.com/kanye-west-made-an-opera-on-the-babylonian-king-who-destroyed-the-firs... …PBS https://www.pbs.org/ …Time magazines person of the year https://dynaimage.cdn.cnn.com/cnn/c_fill,g_auto,w_1200,h_675,ar_16:9/https%3A%2F%2Fcdn.cnn.com%2Fcnn... https://sv.wikipedia.org/wiki/Person_of_the_Year …Krigsveteraner http://krigsveteraner.se/ …Ost https://en.wikipedia.org/wiki/Velveeta …Leif Boork https://twitter.com/LBoork/status/1204854412293922817 …Eminem rapping https://www.youtube.com/watch?v=mMKPwQXReHs …Nick Cannons disslåt https://www.youtube.com/watch?v=o7-rnu32LIA …Lil Dickys freestyle-rap https://www.youtube.com/watch?v=CzgjglZqS3Y …Supa Hot Fire https://www.youtube.com/watch?v=9UAC2qkcrDY Låtarna som spelades var: Rollin With The Flow – Kurt Vile Money For Nothing - Edit – Dire Straits Life Is Good – Dynamic Duo, Crush, djfriz The Communists Have the Music – They Might Be Giants Alla låtar finns i AMK Morgons spellista här: https://open.spotify.com/user/amk.morgon/playlist/6V9bgWnHJMh9c4iVHncF9j?si=so0WKn7sSpyufjg3olHYmg … Bli patron på www.patreon.com/amkmorgon! Extramaterial, extrapoddar, extra allt. Förtur och rabatt på biljettsläpp och merchandise. Och du stöttar AMK Morgon så vi kan ge er två timmar underhållning varje dag för alltid. Tack för att ni stöttar! … Anemo by Alexander Nakarada | https://www.serpentsoundstudios.com Music promoted by https://www.free-stock-music.com Attribution 4.0 International (CC BY 4.0) https://creativecommons.org/licenses/by/4.0/

Ryan Davis - 10/20/19

rockcast1. Raconteurs - Bored and Razed2. Wet Willie Ramona3. Blackberry Smoke - Medicate My Mind4. Avett Brothers - High Steppin'5. Eric Clapton - After Midnight [Horn Mix]6. Tommy Bolin - Teaser [Acoustic]7. Sleepers - I Don't Have Money8. Cheap Trick - Ambush9. Peter Frampton - All Blues/ Same Old Blues10. J J Cale - My Baby Blues11. Paul McCartney and Wings - C Moon [Alternate Version]12. Stray Cats - Mean Pickin' Mama

On this week’s edition of the Free Form Rock Podcast, we review “The Wetter the Better” by Wet Willie and feature three songs from the album .  Before we get into our review, we bring you our newer artist spotlight playing the songs” World Gone Mad” by Lords of Black and “Where Did You Go by  Sam Evian..  We conclude our episode with tracks of the week highlighting  “Lazy Day” by The Left Banke and the live version of “Heading Down The Highway” By Judas Priest. Until next Monday, Rock out often and as always STAY FREE!   Links for artist: https://www.facebook.com/WetWillieBand/ https://www.amazon.com/Wetter-Better-Wet-Willie/dp/B001NZT8IQ/ref=sr_1_2?ie=UTF8&qid=1543275885&sr=8-2&keywords=wet+willie+the+wetter+the+better

Jirka Petrů opět popadl své archeologické kladívko a vykutal z usazenin času poklady jižanského dávnověku. Především se bude věnovat začátkům kapely Blackfoot a dojde i na u nás neprávem skoro neznámou formaci Wet Willie.

Another show signed, sealed and delivered..... Set 1 OPENING SALVO *Starting off with a band from Boulder Colorado The Astronauts- "Tomorrow's gonna be another day" a 45 rpm on RCA 1965. These guys looked more like surfers than some California bands. *Johnny Ace & Willie Mae - "Hey Baby" another 45 rpm, this time on Don Robey's Duke Records dated 1953. It's said that when Johnny A shot himself in the head during a game of Russian Roulette Willie Mae [a spurned lover] loaded up the gun with some real lead. *Neko Case - "Hold on, hold on". A terrific slightly moody song off of her 2006 record FOX CONFESSOR BRINGS THE FLOOD. Anti 2006 *Link Wray - "Dick Tracy / Private Eye"...what can you say about the Linkster? He brings it everytime. SET 2: *Shocking Blue - Send me a postcard. 45 rpm on Pink Elephant....I have to admit I had chub for Mariska Veres when she was struttin' it. *Fraternity of Man - "In the morning" [ABC 1968]….future Little Feat members with a wacked out LP *Palmyra Delran & The Dopple Gang - Come Spy w/ Me [Wicked Cool]….New stuff for me on clear 12" 45 rpm vinyl. *Nirvana - Love Buzz [Sub Pop 1989]. Kurt Cobain was soooo good. Covering a Shocking Blue song off their debut BLEACH. SET 3 *The Mothers of Invention - Hungry Freaks Daddy [Verve 1966]. The first double R&R record I'm told. *Joan Jett - Everyday People [MCA / Blackheart 1983]...a 45 rpm *Dave Bartholomew - Who Drank The Beer While I Was In The Rear [Imperial 1952] Dave Bartholomew was the man behind Fats Domino rise to success as well as being the author of Chuck Berry's only #1 - My Ding-A-Ling [but we'll forgive him for that!]. Trumpet player, entepreneur, songwriter, member of the Rock & Roll Hall of Fame...all these titles apply to the great Dave Bartholomew. Elvis Costello thought enough of DB to mention him in "Monkey to Man" on THE DELIVERY MAN which came out in 2004. *Jimmy Hall - Tell the Truth [Capricorn 1996]. Former frontman for Wet Willie with a smokin' version of JB Hutto's classic song. SET 4: *The Ikettes - Camel Walk [Modern 1964] 45 rpm from Ike & Tina's backup group / b-side. *Robyn Hitchcock - It's a Mystic Trip [Armageddon 1981]. A flexi that came with RH's 1st solo single. Found at the Allentown Record Show many years ago. *Alejandro Escovedo - Break this time.....he's great...that's it.

This week we get into some space combat with our guest, The Ghost Bat himself, illustrator/Musician, John DeCampos! And don’t miss another 5 Star review and this week’s outro by Swampcandy

Moister than an oyster today - A Florida Wet Willie - People On Facebook Hate Everything - Early Release From Elementary School Facebook Comments and LeVeon Bell Facebook Comments - A Naked High Speed Chase and Florida Meth Drive Thru

Moister than an oyster today - A Florida Wet Willie - People On Facebook Hate Everything - Early Release From Elementary School Facebook Comments and LeVeon Bell Facebook Comments - A Naked High Speed Chase and Florida Meth Drive Thru

A night spent with Sarah's friend, leads her to some incredible insight into an entertainment ecosystem that was largely unfamiliar beforehand. With a startling recap and synopsis of the Real Housewives thing (trust me, it's not what you think), Sarah sheds light on something completely foreign to Greg. Complete with Sound Effects... Also, Greg is getting a shower speaker and it's really creepy. In WOC: Avocados All Day, Wet Willie, Samurai Swords. Big thanks to NEXT ADVENTURE!

Ricky was one of the founding members of Wet Willie and one of the co-writers of their #10 hit, “Keep on Smiling.” He also played and toured with Gregg Allman & Cher, Joan Armatrading… owns two recording studios (LA & Mobile) which he has kept filled for the last 31 years, producing hundreds of records and artists So many great stories Ricky told here. Like that time he ran into Cher in his local pharmacy… or the time Gregg Allman asked Ricky to keep Gregg’s new custom Harley in Ricky’s garage, so Cher wouldn’t find out about it… Or how Capricorn (and all the other record labels) screwed their artists by including this ONE paragraph in each contract… why he left Wet Willie and moved out to LA… opening for the Allman Brothers, The Grateful Dead, Grand Funk Railroad, REO Speedwagon, Lynyrd Skynyrd, Humble Pie, and Slade… and his introspective thoughts on so many different things. Listen to this amazing conversation with such a warm and pleasant guy, who happens to also be a great player and producer: Subscribe https://www.EveryoneLovesGuitar.com Facebook: https://www.facebook.com/EveryoneLovesGuitar/ Instagram: https://www.instagram.com/everyonelovesguitar/ Twitter: https://twitter.com/ELovesGuitar

Vandaag hoor je muziek van The Clungels, Brent Cobb, Squirrel Nut Zippers, Wet Willie en Hollywood Vampires.

Rick Hirsch first arrived on the scene in 1969 with the Mobile band Wet Willie, and soon after he found himself in Los Angeles and ultimately coveted as a guitarist and writer by acts such as Cher and Gregg Allman. Years later, when the dust would settle, Rick would return to his beloved city of Mobile, Alabama to become a divining rod for Mobile's emerging music scene...

As we get close to wrapping up our first Dungeon World adventure, we find our party finally at their destination, The Feet of Dis and the pillar of darkness. In this episode we find out the source of the unholy screech. Twitter @esmereldapod

Jimmy Hall is a singer, musician and songwriter, known around the world for his soulful vocals and dynamic stage presence. Jimmy had a string of hits as the frontman of Wet Willie including their classic “Keep On Smilin’” and also released four albums under his own name. He also had a short lived band with Dickey Betts, Chuck Leavell and Butch Trucks and has been fronting Jeff Beck’s band for many years. He’s a member of both the Alabama and Georgia Music Halls of Fame. This is part one of the conversation with Jimmy Hall. The Crazy Chester Radio Hour is created and hosted by record producer Andreas Werner. This episode was recorded at Creative Workshop recording studio in Nashville. The theme song is performed by Jimmy Hall & Funky Chester and written by Andreas Werner (Crazy Chester Music, BMI). Used with permission.

This week on MCR our cup runs over with stories and soul as the mood turns to the holidays and an attitude of gratitude. We open with the sincerity and show stopping voice of country star John Berry who offers an acoustic band set. The show closes with a songwriting legend from Texas who's a newly minted author of a short story collection. It's a dual release book and album by Radney Foster. In between, two volcanic vocalists with deep roots in southern music and an impeccable way with a song. Ashley Cleveland conjures a spirit and an atmosphere of grace in her gospel rock. Jimmy Hall, of Wet Willie fame and collaborator with Jeff Beck, takes his harmonica and blows the roof off the place.

Another batch of Supertunes from the 70s... 1) Green Eyed Lady by Sugarloaf 2) Jackie Blue by Ozark Mountain Daredevils 3) Tighter, Tighter by Alive & Kicking 4) Neanderthal Man by Hotlegs 5) Coz I Luv You by Slade 6) Sweet City Woman by Stampeders 7) Nice to Be With You by Gallery 8) How Do You Do? by Mouth & Macneil 9) Keep On Smilin' by Wet Willie 10) Rainbow Ride by Andy Kim 11) Run Run Run by Jo Jo Gunne 12) Good Morning Freedom by Blue Mink

Out of Houston, TX, Trudy Lynn was still a teen when she sang onstage with Albert Collins and had the chance to open for Ike & Tina Turner. Trudy has just released her 12th solo album and third on the Conner Ray Music Label and she and I will explore her wonderful musical journey as we listen to songs from I’ll Sing The Blues For You. Paul Hornsby is an acclaimed producer and musician.  The artists he has worked with in the studio and on stage is staggering. From his time as part of the Hour Glass to producing gold and platinum records for artists including the Charlie Daniels Band, Marshall Tucker and Wet Willie. Paul has a new solo album out entitled Red Hot.  We’ll talk about his history and listen to the tunes Adam Karch has been rescheduled until February 20, 2017 due to a conflict in his schedule Malaya Blue returns for Couch Kid New Music with her latest release, Heartsick.  Malaya first sat on The Couch back in April of 2014 and called in back in June of 2015 to share one of the new songs from this album.  We’ll explore in more detail what Malaya has been doing since we last spoke.    

Comedian Jiffy Wild is in the house, talking The Wild Wolf Band, Chelsea Handler Christmas Gifts, 100% Everything, Mood-playing and Jane Fonda! Also: Mark-kidding, surprise houseguests, a very spooky Are You Smarter Than Mark, Robert Downey Jr., making a house a home, a naked Wet Willie with a chainsaw and John Denver is dead.

Daria's back, and better than EVER! Also: A phenomenal comfort-food Snack Attack, a Daria song from Kevin, a song from Jake, a song from Cookie Olaphante, listener Caleb talks about the Straight Talk chocolate bar, a knock-out karaoke session by the whole gang, deafening farts, sketchy drones, and Salvador meets Wet Willie!

Leo's Radio show blues music May 11, 2015 Part 2 of 2. Here is some old blues and new blues for you. The playlist is: 04:26PM-04:30PM (3:55) The Chase Walker Band “Good Day for the Blues” from unleashed 04:30PM-04:41PM (11:14) Tommy Castro Band “Stone Crazy” from No Foolin' 04:41PM-04:45PM (3:15) Billy Arnold “He's a Jelly Roll Baker” from Chicago Blues a Living History - The (R)evolution Continues 04:45PM-04:50PM (5:02) Carey Bell, Lazy Lester, Raful Neal & Snooky Pryor “Let Your Hair Down” from Superharps II on Telarc (USA) 04:50PM-04:53PM (3:00) H Bomb Ferguson “Good Time Gal” from The History of Rock n Roll, Vol. 1 on H.o.t.S (Home of the Stars) 04:53PM-04:56PM (3:00) Bb King “Sweet little Angel” from The Roots of Jimi Hendrix 04:56PM-05:02PM (6:34) Gary Clark Jr “Three O'Clock Blues” from Gary Clark-Live on Warner Bros (USA) 05:02PM-05:10PM (7:49) Jimi Hendirx “Once I Had A Woman” composed by Hendrix from blues 05:10PM-05:18PM (7:41) Tab Benoit & Jimmy Thackery “Nice and Warm” composed by Tab Benoit from Legacy: The Best of Tab Benoit (CD, Other, Private, 2012) on Telarc (USA) 05:21PM-05:24PM (3:45) Wet Willie “Keep on Smilin'” from Wet Willie-Keep On Smilin' (CD, Album, 1994) on Polydor (UK "LADIOS".

Aaron Paul responds to Breaking Bad toy ban, Sean Haugh for Senate, Wet Willie arrest

show #52501.25.13                         TWINS SHOW!!!!!Beardo starts the show off:        Danny Gatton - Harlem Nocturne from Cruisin' Deuces 1993 (4:47)        David Lee Roth - You Got The Blues Not Me / I'm Tired from Diamond Dave 2003 (3:14)        Tommy Castro And The Painkillers - Tommy Castro & The Painkillers feat. Joe Bonamassa - I'm Tired from The Devil You Know 2014 (4:02)        Omar Kent Dykes - Upside Your Head from Big Town Playboy 2009 (4:16)        The Nighthawks - Upside Your Head from The Nighthawks (Mercury poisoning) (3:11)        Spinner Section #1:        Frankie Miller - heartbreak radio from Easy Money 1980 (3:16)        Delbert McClinton - heartbreak radio from Plain' From The Heart 1981 (3:22)        Otis Redding - baby scratch my back from The Soul Album 1966 (2:35)        Peter 'Madcat' Ruth - baby scratch my back from Heavy Duty Harpin' 1984 (3:07)        Back To Beardo:        David Migden & Joe Gibson - Chocolate Jesus from Raven & Blues radio show and podcast 2012 (3:36)        Yots.K - Chocolate Jesus from Fire & Water 2009 (4:30)        James Montgomery - Who Do You Love from From Detroit...To The Delta 2013 (3:56)        The Doors - Who Do You Love from Absolutely Live 1970 (5:53)        Bonnie Raitt - Walking Blues from LIVE WMMR 1972 (4:49)        Geoff Achison & The Souldiggers - Walking Blues from Souldiggin' In The UK 2000 (5:49)        Johnny Winter - Lucillie from Still Alive And Well [Bonus Tracks] 1973 (2:45)        Mason Casey - Lucille from Soul on Fire 2001 (3:48)        Spinner Section #2:        Moreland & Arbuckle - Heartattack and Vine from Just a Dream (Telarc, 2011) 2011 (3:48)        John Hammond, Jr. - Heartattack and Vine from Wicked Grin 2001 (4:40)        Syl Johnson - Dresses Too Short 1968 from Dresses Too Short / Is It Because I'm Black 1997 (2:45)        Back To Beardo:        Bobby Radcliff - Dresses Too Short from Dresses Too Short 1989 (4:53)        Lefty Frizzell - Watermelon Time In Georgia from Life's Like Poetry 1992 (2:13)        Grinderswitch - Watermelon Time In Georgia from Redwing 1977 (2:22)        Angela Strehli - Voodoo from Soul Shake 1987 (2:24)        LaVern Baker - Voodoo Voodoo from Great Googa Mooga 2003 (1:52)        Spinner Section #3        Jimmy Reed - take out some insurance from Got Me Dizzy 1981 (2:19)        Beatles (ft. Tony Sheridan) - take out some insurance from The Early Years 1962 (2:50)        1/2 a twin from Beardo:        Evan Johns - All My Lovin' from Somewhere Over The Skyline 2014 (2:29)        Spinner finishes up with Section #4        Wet Willie - shout bamalama from Wet Willie II 1972 (3:33)        King Biscuit Boy - shout bamalama from Official Music 1970 (2:27)        Fabulous Thunderbirds - one's too many from Butt Rockin' 1981 (2:38)        Nick Lowe - one's too many from Nick The Nife 1982 (2:32)        Dave Edmunds - bad is bad from Repeat When Necessary 1979 (3:09)        Huey Lewis & the News - bad is bad from Sports 1983 (3:45)

show#51311.02.13  a week late!!                    Format change next week!!!The Climax Chicago Blues Band - Twenty Past One from self titled 1968 (3:07)Watch Your Step - Bobby Parker (1961)(2:44)Harold McKinnon - You Don't Love Me Baby (2:50)BA BA THOMAS - WHY DON'T YOU LEAVE IT ALONE 1964 (2:02)Rolls Royce and The Wheels - Topless (2:00)Spinner's Section:all vinyl from the seventiesJohnny Winter: bad luck situation (2:51) (Saints & Sinners, CBS, 1974)George Thorogood & the Destroyers: goodbye baby (3:08)) (Better Than The Rest, MCA, 1979)King Biscuit Boy: bald-headed rhumba boogie (4:07) (Gooduns, Paramount, 1971)Livin' Blues: hitch-hikin' (6:05) (Bamboozle, Philips, 1972)Fenton Robinson: as the years go passin' by (4:50) (I Hear Some Blues Downstairs, Alligator, 1977)Barrelhouse: don't tie me down (3:46) (Beware, Ariola, 1979)Tony Joe White: the change (5:50) (-, Warner Bros, 1971)Walter 'Shakey' Horton: sugar mama (3:13) (With Hot Cottage, Xtra, 1974)Wet Willie: shotgun man (4:12) (Wet Willie II, Capricorn, 1972)Grinderswitch: pickin'the blues (5:00) (Macon Tracks, Capricorn, 1975)

Big news, an expanded super Viewer Mail segment and the second half of a fantastic interview with Brian Stephens from the Music Pro Show. News: CamelCrusher - Free Plugin VstNotes - Free Plugin Ryan Smith from RenegadeMinds.com wins the Best Application Using .Net award at the Shareware Industry Awards Banquet in Denver, Colorado US again this year for Guitar And Drum Trainer. Later, Ryan also received the Silver Faucet award for 2006. http://www.SIC.org/2006nominees.asp http://www.SilverFaucet.org Free Drum Loops From BetaMonkey Music Viewer Mail: Questions answered from Dave Criddle, Rick Kovars, Tim Burgess and Stuart Winkleman. Here's a picture of Stuart and his wife, "The Rocket" and the jet Stuart pilots (Falcon 900) while listening to the show!     Celebrity Interview: Brian StephensBrian Stephens is a music business veteran. As a freelance drummer, he has backed such diverse artists as The Drifters, The Coasters, The Crystals, Blueground Undergrass, Jimmy Hall, and Wet Willie. As a producer and engineer, Brian has worked on projects for Warner Bros., Verizon Wireless, Fox Sports, and 20th Century Fox as well as CD projects for indie artists such as Mike Martin, Amber Brooke, Tentilfour, Magno, and Ocean Street. As an educator, Brian has performed drum clinics all over the country, written for magazines like Modern Drummer and Performer Magazine, and given personal instruction to thousands of drummers, audio engineers, and other music business professionals. He's also the host of a fantastic podcast called The Music Pro Show and the author of Stickin' It Out - The Anatomy Of A Professional Drummer. This is part two of a nice chat we had with Brian about playing and recording music at all levels, from the home studio to the mega commercial facility. BrianStephens.com Stickin' It Out - The Anatomy Of A Professional Drummer MusicProShow.com BonzoTunes.com OceanStreetMusic.com Brian's MySpace Profile See you next week! Tags: music recording studio home studio project studio mixing protools plugin digidesign frappr creative commons digidesign guitar and drum trainer ssl solid state logic sweetwater roger nichols digital duy the drifters the coasters the crystals blueground undergrass warner bros fox sports verizon wireless ocean street music pro show myspace

Big news and a fantastic interview with Brian Stephens from the Music Pro Show. News: Inspector plugin from Roger Nichols Digital Solid State Logic (SSL) Listen Mic Compressor Plugin http://PumpAudio.com Reveal ActivesNear field monitor special! Tannoy Reveal Actives: Just $499 US! (per pair) Contact: Andy Diekroger at Sweetwater (800) 222-4700 Ext. 1273 DUY Magic Spectrum Strike - The Ultimate Virtual Drummer from Digidesign Celebrity Interview: Brian StephensBrian Stephens is a music business veteran. As a freelance drummer, he has backed such diverse artists as The Drifters, The Coasters, The Crystals, Blueground Undergrass, Jimmy Hall, and Wet Willie. As a producer and engineer, Brian has worked on projects for Warner Bros., Verizon Wireless, Fox Sports, and 20th Century Fox as well as CD projects for indie artists such as Mike Martin, Amber Brooke, Tentilfour, Magno, and Ocean Street. As an educator, Brian has performed drum clinics all over the country, written for magazines like Modern Drummer and Performer Magazine, and given personal instruction to thousands of drummers, audio engineers, and other music business professionals. He's also the host of a fantastic podcast called The Music Pro Show and the author of Stickin' It Out - The Anatomy Of A Professional Drummer. We sat down and had a nice chat with Brian about playing and recording music at all levels, from the home studio to the mega commercial facility. BrianStephens.com MusicProShow.com BonzoTunes.com OceanStreetMusic.com Brian's MySpace Profile See you next week! Tags: music recording studio home studio project studio mixing protools plugin digidesign frappr creative commons digidesign guitar and drum trainer ssl solid state logic sweetwater roger nichols digital duy the drifters the coasters the crystals blueground undergrass warner bros fox sports verizon wireless ocean street music pro show myspace