Podcasts about Cartoon Network

Keaver Brenai is mentoring with a mic - using her own talent and own journey to help bring up the next generation of creatives surrounding her. She's a voice-over artist, a singer, an author, and most notably, Keaver is consistently happy right where she is. And when she's not? She pivots and finds her way back or forward to that happy place we all deserve to live in. We talk about everything good from the house parties her parents through growing up to living presently, like when she sang backup for Michael Jackson and how to this day, she can still feel that moment. You've heard her voice everywhere from Blue Cross to Cartoon Network, Nike to NBC's The Good Place - now get to know the inspiring person behind it. ________________________ Steve is busy at work on the third book in his cozy mystery series, THE DOG WALKING DETECTIVES. Grab the first two and get caught up: Book 1: DROWN TOWN Amazon: https://amzn.to/478W8mp Barnes & Noble: https://bit.ly/3Mv7cCk & Book 2: MURDER UNMASKED Amazon: https://shorturl.at/fDR47 Barnes & Noble: https://shorturl.at/3ccTy

Roye Okupe, founder of YouNeek Studios, takes us inside “Iyanu”, the #1 series on The Cartoon Network, and tells us about his highly-anticipated San Diego Comic-Con appearance this past weekend.Become a supporter of this podcast: https://www.spreaker.com/podcast/tavis-smiley--6286410/support.

BOSSes, get ready for an inspiring conversation with a true powerhouse of performance. In this episode of the VO Boss Podcast, we welcome the incredibly talented Stacia Newcomb, a veteran voice actor and performer who has been lighting up the mic and screen for over 20 years!   00:01 - Speaker 1 (Announcement) Hey bosses, if you're ready to start that demo journey, let's craft your professional demo together. As an award-winning professional demo producer, I'll collaborate with you to showcase your talent in the best possible light. From refining your delivery to selecting the perfect scripts to showcase your brand, I'll ensure your demo reflects your skills and personality. Let's create a demo that opens doors and paves the way for your success. Schedule your session at anneganguzza.com today.  00:33 - Speaker 2 (Announcement) It's time to take your business to the next level, the Boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a Boss a VO Boss. Now let's welcome your host, Anne Ganguzza.  00:52 - Anne (Host) Hey, hey everyone. Welcome to the VO Boss Podcast. I'm your host, Anne Ganguzza, and today I'm here with a very special guest who's been lighting up the mic and the screen for over 20 years. Who's been lighting up the mic and the screen for over 20 years?  01:09 Stacia Newcomb is a powerhouse voice actor, performer and creator whose work spans just about every medium, let's say television, radio, video games, audiobooks and even puppetry. You might recognize her as the star voice See what I did there and fuzzy face of star from the Good Night Show on Sprout, where she's brought warmth and comfort to bedtime for kids for over a decade. Not only that, but she's voiced characters for Disney, nickelodeon, pbs, kids and Cartoon Network. And, of course, you've heard her in campaigns for brands like Geico, verizon, subway and Dunkin'. She's made her mark on stage and screen from a memorable appearance on 30 Rock, which I found to be quite interesting We'll talk about that in a minute to sold-out off-Broadway comedy shows like Can I Say this? I Can Shit Show and Potty in the USA. I can't say that because it's my podcast. Yes, these days she's running her own studio in the Berkshires Sound and the Furry where she produces family-friendly content and helps other performers find their voice. Welcome to the show Stacia.  02:12 - Stacia (Guest) Wow, thank you. That was quite the intro.  02:15 - Anne (Host) I'm like wow, I was like wow, I don't think 30 minutes is enough time for us, Stacia, to go through everything that you've done. Let's not, then We'll talk about whatever we want to. It's just, it's so amazing. I mean, so you've been in the industry for over 20 years, which actually to me, I've been in it just the voiceover aspect for like 18. And so 20 years feels like it was yesterday to me. But talk to us a little bit, talk to the bosses and tell us a little bit how you first got into performance. I assume performance was before voiceover.  02:50 - Stacia (Guest) Yeah, yeah, hey, bosses. Yeah, I started as an actor. I wanted to be an actor for as long as I can remember, I mean when I was little. My mom still tells a story about how I performed for all of my five-year-old friends at my fifth birthday party, which sounds like still a good party to me, right? So, yeah, so I started as an actor and through that I tried to just branch off into any direction that I could, to be living a creative life and be able to continue performing in whatever medium I could. You know.  03:34 - Anne (Host) So what was one of the first things that you did? Performance wise, professionally, yes, professionally.  03:38 - Stacia (Guest) So I this is so random, but there is. I'm from Massachusetts, that's where I grew up. In Newport, rhode Island, which I don't know if there are any Gilded Age fans out there there was a mansion, the Astors Beachwood, and the Astors Beachwood was owned by the Astors at the time when I graduated high school. At the time, for about 10 or 15 years, I think they had. They hired actors from all over the country to live there and perform as both aristocrats and servants of the 1890s the year was 1891. And we yeah, it was all improv, like some days I'd be an aristocrat and some days I'd be a little housemaid.  04:22 - Anne (Host) Wow, that sounds so interesting. Now you said Massachusetts. Now see, I'm originally a New York State girl, right, and I've been up and down the East Coast, so Massachusetts would suggest that you have an accent in there somewhere. Yeah, I sure do.  04:37 - Stacia (Guest) It's right there.  04:38 - Anne (Host) Yeah, and of course I feel like, because I had a very New York State accent which was kind of similar, believe it or not, not quite as I don't know, not quite as accented as, not as ugly. Is that what you're trying to say? Oh no, because I would say things like car and water and it would be like really flat with my A is water.  05:01 And when I moved to New Jersey, oh my gosh did they make fun of me, and so I should not make fun of you?  05:04 in New Jersey, in New.  05:04 - Stacia (Guest) Jersey, they say, they say water.  05:05 - Anne (Host) They say water, what's water, and so I literally like and I think you're, I think possibly at the time this was before voiceover I said, oh gosh, all right, so let me try to tame that, and so I did my own taming of my own accent and then ultimately, I got into voiceover.  05:36 And back when I got into voiceover it was a thing to neutral, to quote, unquote, neutralize, whatever that means, neutralize your accent. And I said it was in a pink envelope and I brought it to the backstage door and so I heard myself say that and I was like and so from then on I just I started pronouncing my R's and have never looked back.  06:02 I imagine once you do, you have family that's still in the area.  06:05 - Stacia (Guest) Yes, in fact, we just moved my mom out of the area.  06:08 - Anne (Host) Yeah, when you go to family reunions and I think that when I get around my you know, my family in New Jersey, like we all start talking quicker and then we start, you know, well, let's talk about you know, we just like get into that accent and it just happens inadvertently but outside of the accent. So that's a really cool first gig. And so then did you go to school for theater?  06:33 - Stacia (Guest) We did OK. So I had done a little dinner theater and then I but I had been auditioning in New York. I had a big callback when I was like 18. I was called back for Les Mis and it didn't happen, unfortunately. But it's cool because it led me on other adventures.  06:52 - Anne (Host) Sure, that was one of my first shows by the way that I saw that. I saw that. I was in a show. No, yeah. No, I can't claim that, but but a callback for Les Mis is really awesome.  07:01 - Stacia (Guest) Yeah, it was a big deal, I and I, so I always. The plan was always to move to New York City, but it just takes a while to get on your feet and New York City is very expensive and a little scary when you're you know, sure is Absolutely Very scary.  07:15 Yeah, and so I ended up getting there eventually. But I did go to college and then I quit college because I realized at some point, like I'm getting a degree in musical theater and what am I going to do with that degree? And I'm spending so much money, but when you're 19 years old you don't realize what you're signing on the dot. You're signing your name on the dotted line for thousands upon thousands of dollars and it's the program itself ended up falling apart. And there were all these promises that were made to me, like you know I, because they gave me a bunch of credits because I'd already been working as an actor, and then I was going to go to London and then they were going to give me my master's so I should have had my master's within five years master's in theater performance. They also had a program where, like I would get my equity card and they do theater during the summers. But it was a small liberal arts Catholic college in Minnesota and the program sort of fell apart and I escaped. I was like this is not.  08:21 - Anne (Host) I had to get out of there. I escaped. That was a lot of that was a lot of words, and I'm not going to make this political at all, but that was a lot of words when you said Minnesota Catholic theater. Coming from a Catholic girl.  08:35 - Stacia (Guest) So I get that. Yes, so it was run by these two incredible gay men who were. They were amazing, but as you can imagine the politics at the time and just yeah, they were amazing, but as you can imagine the politics at the time and just yeah, yeah, yeah, absolutely, and so all right.  08:48 - Anne (Host) So you quit college. And then what? I quit college.  08:53 - Stacia (Guest) But I got a job before I left, so I needed the impetus and the excuse to get out, which so I ended up working for Goodspeed Musicals, which is in Connecticut and they're a really pretty famous like regional theater. They'd won a lot of awards at the musical Annie started there, so I went there to be an intern in costuming and then I left that because I was like this is not what I want to be doing, I want to be performing. But it got me back east, which was great, and then from there I ended up taking like odd jobs, living with my parents for a little bit until I landed a show that took me on tour as a one person it was actually two different one woman shows for this company that's an educational theater company, and so I did that for like five years and while I was doing that I was able to make enough money to move to New York City and just keep going.  09:47 - Anne (Host) Now, what shows were those that you did that? The one woman shows, because that's quite a thing to do, a one woman show.  09:53 - Stacia (Guest) Yeah, and they're educational. So we would go to I would go alone really, I would travel all over the country, and one of them I played the fictional best friend of Anne Frank, and then the other one I played this young Irish girl who came over during the great wave of immigrants in the early 1900s. So I would go to, like schools and libraries and small theaters, and it was.  10:16 - Anne (Host) It was really incredible, an incredible job for a learning experience Now, at any given time at this point in your life. Did your parents or anyone ever say to you well, okay, so when are you going to get a real job? Do you know what I mean? Is it that? Was it ever like that for you?  10:35 - Stacia (Guest) I mean, yeah, I mean, I think probably in my own mind I thought not real job, but like when's the real, when are we gonna you know, and certainly when I would do my? You know, when that really happens is like around March or April, when you start doing your taxes and you're like exactly, theater doesn't pay, and so yeah, but I didn't get pressure like that from my parents. I got, I was lucky to get their support.  11:05 - Anne (Host) Yeah, that's wonderful.  11:06 - Stacia (Guest) I mean, they didn't have to support me financially and that's, I think, all that mattered to them.  11:10 - Anne (Host) Well, that's actually huge.  11:12 - Speaker 2 (Announcement) And.  11:12 - Anne (Host) I love that Because you had support to be able to go out and follow your creative dreams, which, I mean, my gosh, you, you've actually I mean you have the gamut of of creative things that you've done, and I imagine that just gives you such wonderful experience, because you're so rounded in all the areas that would make it important for you to be successful in any of those business areas.  11:38 - Stacia (Guest) Thank you, I think it's it's. It's also like trying new things and being new at things and, um, trying to not get be stagnant. You know, like just um, and and even always in my voiceover career, it's like I have to remind myself to uh, like that I get to do this and that that this is what I love, and just to to make it. How do you make it fresh when you've been doing it for so long?  12:08 - Anne (Host) For so long, absolutely.  12:11 - Stacia (Guest) And it's a different thing when you look at whatever you're about to experience or do with fresh eyes or like beginner eyes or like from a beginner experience, because you immediately are like, whoa, I love this, you know, and sometimes I think that can easily bring back the magic to whatever you're working on.  12:34 - Anne (Host) Yeah, yeah. So, these days are you mostly doing voiceover, doing voiceover and performing.  12:41 - Stacia (Guest) Yeah Well, so the pandemic changed a lot of things for me. We, because I've been in New York City and you know I'm still. We still have our apartment in New York City, but I'm mostly up at our house in the woods in the Berkshires. Yeah, I am still auditioning, I am still doing voice, a lot of voiceover. So yeah, I'm kind of all over the place and sort of open to whatever happens. I'm not I think I haven't been fully steering my own ship. I've kind of been like I don't know where are we going to go, Whatever you know, and just being open to whatever.  13:15 - Anne (Host) And there's so much good to be said in that though.  13:18 Yeah kind of allowing it to happen. I, I think for me and I don't know, I don't know what to call it, but for me I've always followed my gut or my intuition, and a lot of times, if things don't come right away, I know they will at some point, but I don't. I try not to rush myself to get to any specific spot, because I know that if it's going to happen, it's going to happen, and and the time it takes to kind of evolve the solution or the you know, to actually say okay, yes, now I know I have more, I have more direction, and now I'm heading in this direction. So I love that you said that. I love that Because you're not always sure right, you're not.  13:55 - Stacia (Guest) You're not. And you know the business has changed so much over the last, you know, over the last five years. I mean it's. It's kind of crazy. It's a new world and it's different. Navigating it is different, even though I'm with the same agents, even though I'm, you know, still in the business and I know the casting people or the producers that I know and have worked with. It's just, it's different. Approaching it like, hey, yeah, I don't have to rush. I really love that, Anne, because I feel like there is a rush.  14:30 - Anne (Host) There's always a rush I want it now. Yeah, no, I agree, I think so many of my students are always. They want it, they want it now, and I'm like, well, there's something to be said to letting it marinate and letting it evolve and letting it happen.  14:43 - Stacia (Guest) And also like looking in the other direction or seeing what else you know, I think. I think a lot of times, artists, especially if you're focused on one particular medium, you just focus on that one thing. And I, I recently started painting. Am I good at it?  15:01 - Anne (Host) No, I love it. I love it, but I don't think anybody could ever accuse you of not like experiencing or exploring different mediums, but it keeps you alive, it keeps you like, creative and happy, and that's what I want.  15:14 - Stacia (Guest) It'd be exactly that like lightens you up and it opens you up to when you are approaching commercial copy or whatever. It is Right Because you're, because you haven't been like. Why am I not looking? Why am I not? What am I? Who do I?  15:31 - Anne (Host) need to be for this piece of copy and you're just, you're just letting it, you're letting it happen. Yeah, yeah, I love that. Oh my gosh. So what? Before I actually talk to you about, let's say, some character, I want to. I have some character questions to ask you, because I think you're always a character in voiceover and no matter what genre you're working on. But I do want to talk about puppetry and what got you into that?  15:51 - Stacia (Guest) I had been doing Pokemon. I was very lucky. When I moved to New York I worked as a cater waiter when I wasn't doing the that one of those one woman shows and a friend had introduced me to the studio that that at the time was recording Pokemon. So you know how it's like things trickle Around. That same time this show was off Broadway it was called Avenue Q and then that musical came to Broadway, which is where I was finally able to get tickets, because you could not get tickets to it and it was crazy and it was such a special show. It's just so funny. The music is great and touching. It has so much heart to it. I mean it's a little dated now, but at the time it was, it was just extraordinary.  16:38 - Anne (Host) And it's still yeah.  16:39 - Stacia (Guest) So in that show for anyone who any of the bosses out there that that haven't seen it or don't know about it in that musical you see the full-on puppeteers playing the puppets on stage and it's so revealing. And me, as a young woman, I always loved puppets. I had puppets as a kid. I had like an Alf puppet from Burger King. I had a Kermit the Frog puppet. I loved puppets. Never thought that it could be a career, never thought in a million years. And when you think about it there aren't a lot of. It seems like there aren't a lot of female puppeteers. There are and there are more, but as I was growing up it was all men really, and then you would have like even the female characters. I mean Miss Piggy's, like one of the most famous women female characters of all time. She's played by a man and so you know the idea of being able to play a, be a puppet. It just was not. It never, you know. And so I saw that show and it was just incredibly revealing to me. It was like a light bulb moment. So I immediately got a puppet and started training.  17:52 I actually was so lucky that I got into a class that John Tartaglia had been teaching at that point in the city and I got to study with him, which was amazing and he's a beautiful human being, and so from there it was just kind of magical. Somehow this show was uh happening. I did another little uh on camera thing, but then this show the good night show happened. I auditioned for it and I had already created this little four-year-old girl character. They wanted me to change it up and make it a boy character. Well, those voices are going to be very similar, because a four-year-old boy and girls can sound pretty similar oh yeah yeah, Actually I was listening to it, I was trying to figure out.  18:35 - Anne (Host) You know, I felt like it could have been either yeah, right, right, because it's so young.  18:41 - Stacia (Guest) So yeah, so I auditioned for it and I booked that job and it became a huge part of my life. I ended up creating a part of the show and writing for the show and helping create the spinoff of the show, and so there's your, there's your acting, your puppetry, your your voiceover.  19:00 - Anne (Host) I mean you're, I mean production, I mean it's all aspects.  19:04 - Stacia (Guest) Yeah, absolutely yeah that's, that's amazing. It was, it was a really it was a really special show and a beautiful community and even now I, michelle who, michelle Lepe, who was the host on the show she still gets messages about, you know, from the kids who grew up with it, just like how much it meant to them, which is very sweet. I don't because no one, because I don't look like this.  19:29 - Anne (Host) Well, you know, I can say something similar because I was a teacher for 20 years and so I watched my kids grow up and I literally had one of them contact me just recently on LinkedIn thanking me for setting them on the path, and I was like, oh my gosh, like that just meant the world to me, and so I think that's beautiful.  19:49 Right, and that's one of the reasons why I love doing any educational voiceover. Sure, because I feel like there's, and not just e-learning, but like medical, like I mean anything that educates an explainer that can help someone, and even corporate. Do you know what I mean? Because you're always come at it from an aspect of how can I help you, the person that I'm talking to, you know, look better, feel better, be better, you know, and really that's commercial too, because it really should be about how you're helping the person that's listening to you, yeah, and connecting in that way, and not necessarily what you sound like while you're doing it, yeah.  20:31 Let's not get wrapped up in that, yeah, no. And so with that, it's a good segue to start talking about characters, because you've done so many characters, but you also have done commercials. So when it comes to characters in voiceover, let's talk a little bit about that. How is it that you prepare for any given piece of copy? Is it always a character?  20:56 - Stacia (Guest) Is it always a character you mean like with?  21:00 - Anne (Host) character copy or what you mean, or any kind of copy. Do you create a character for any type of copy, any type of copy, I think?  21:06 - Stacia (Guest) for me, my approach to commercial copy is it depends on the spot but it also is like how you know the age old question how would I talk to? A friend about this sitcom, you know, like whatever it is, but I and so it's just about bringing my authentic self to it. But also there's a there's. I think there is a musicality to it, but also it really depends on what's on the page right or what we're selling, you know do you ever envision?  21:37 - Anne (Host) do you ever envision yourself as the um, the, the? On camera the zip cream or the character zip cream or the. The person on camera. The character Zipcreme or the person on camera.  21:47 - Stacia (Guest) Sure, yeah, I think I mean I love when you get any kind of visual or if they give you the break of what is gonna be on screen and then you can kind of I love visualizing. I think visualizing because what it does for me is it brings my imagination to life, which immediately I'm having way more fun in the booth yeah. Yeah, and it's enjoyable, even when the copy is like maybe a little like dry or sad or whatever, like liven it up by visualizing what's happening.  22:26 - Anne (Host) Yeah absolutely Believe it or not. That's a big thing. Even if I'm doing e-learning, I'm imagining that I'm the teacher, because I was a teacher for so long and so I can draw upon that experience, and it's better for me to talk almost like a one-on-one coaching with a student. And if I try to envision myself in front of the class, even when I was a teacher, I was always looking at one person at any given time. Yes, so it made it much more personal, of course, and so for e-learning, I'm a character Corporate narration. I'm a character because I work for the company and I'm trying to provide a solution that is going to help the person that I'm talking to, which makes it a whole lot more interesting than if you're just reading about it to someone.  23:15 - Stacia (Guest) Totally yeah, or sound, trying to sound like someone who reads these kinds of things. Right, it's like, because it's a really I think what it comes down to is connection and we, as actors, need to connect right copy, which means I probably need to understand it. That's, that's excellent.  23:25 - Anne (Host) So yeah, so how? What are your steps for connecting to copy?  23:28 - Stacia (Guest) It really depends on the piece. Recently I had to do what was pretty lengthy and I had to do the spot in 15 seconds and it was like okay, I don't usually read things over and over and over again because they feel like there's an element of um, uh, over overdoing it you know, I agree I agree.  23:52 So my booth is here behind me. That's why I'm pointing behind me, in case anyone's wondering Um, and so sometimes when I get in there, I will run it a few times like that particular spot because it had to be so quick. But at the same time, of course, they're going to want it to sound like I just talk, like that, you know, and so it's like it's marrying those two things right when I want it to come off like it feels like me. I'm just sort of having this talk, but I'm also. It's very quick and rapid and it falls within the 15 seconds. Yeah, so my approach is not always the same thing. It really depends on what I'm working with, and sometimes there isn't enough time, like in that 15 seconds, there's not enough time to visualize or do this. It's wall to wall copy and it's also I'm talking about this cool thing that you're going to love, and so it's just about like who sometimes I like playing with? Who am I talking to? Where am I? Proximity is such a fun thing to play with too.  24:57 - Anne (Host) You can do that in a minute or two, totally Right. Yeah, and that's the thing I always try to emphasize to my students is that it doesn't take a whole lot of time to figure out who you are and who you're talking to and maybe set a scene up, yeah, and to get yourself rolling on that. I mean it's nice if you have the entire scene as it progresses through, because that allows you to help tell the story. But if you don't have all the time in the world, but a lot of times we're auditioning in our studios. I mean, we're not live auditioning as much as we used to. Gosh knows that's the case, right? Um, and unless we're like in front of a, we're being live directed. That's a different story, right, but if we've got the time before we go into the studios, I mean, what do you take five minutes?  25:37 - Stacia (Guest) if you put different scenarios on it, because you're probably sending more than one read on this commercial copy and we don't know. But the thing that I've loved playing with recently is I really love doing a take. That's for me what do I want?  25:53 to do with this? How do I want to bring myself to this? Because I think that what makes us viable, that what makes us marketable, is us. We are not disembodied voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are human beings with lived in experiences, and so we're not just bringing our incredibly gorgeous voices. We are bringing ourselves to this copy and what our lived experiences and our lives, and so that that's really fun to to, just like I would. I would, I would encourage everyone to just do one for you. What do you want it to sound like?  26:29 - Speaker 1 (Announcement) Exactly.  26:30 - Stacia (Guest) Because that's the most empowering feeling is to be like I want to do this with this, and that's when you're collaborating too Sure sure, and is that the take that you submit first?  26:42 - Anne (Host) Not necessarily. Is that take one, or is it the second take?  26:46 - Stacia (Guest) Like lately I have been exploring it and I just feel like I just want to be a little more playful, yeah, and so, yeah, I mean, I say not necessarily.  26:56 - Anne (Host) The truth is I lean towards that one, unless I've worked with the people before.  27:00 - Speaker 2 (Announcement) Yeah, and I know what they're looking for. You know what I mean then I'm gonna just give them what they want.  27:04 - Anne (Host) But uh, if I don't know, and it's not like a critical like I, I always think like it's kind of like gambling for me, right, sure we're all gambling.  27:13 - Stacia (Guest) We're just all right, we're all gambling, right.  27:15 - Anne (Host) So I'm just gonna like, well, you know what, I'm just gonna do my best and I'm gonna, and I'm, and I'm gonna, just, you know, send it and forget it, that kind of thing. So I'm not gonna put so much stock in like, oh my god, did I do the right thing? Did I give them what they wanted? Am I going to get this? I try never to like hope and wish in that way for any job.  27:35 - Stacia (Guest) If you're saying I want to do this and that's where I'm like no, both of those takes are for me. It's not that it's for me, but it's like I'm going to give you what I want to give you, and then I'm going to give you another take of something different that I want to do with this.  27:53 And of course I read all the specs and of course I read and I'll even, you know, watch other spots that they've done to get an idea. Like we got to do our homework right, but then it's like you asked me to do this. I'm going to got to do our homework right, but then it's like you asked me to do this. I'm gonna do it my way. See, it's fun. I'm gonna have fun with it. I'm gonna. It's so much easier to let go when you like, because if you hold on to what you like, if you, if you don't give the what you want to do with it, read, then it's like you might live with regret yeah, you know, or like it sounds like everybody else's yeah right  28:29 at the end of the day maybe even they're all gonna sound somewhat the same, anyway, you know, but it's like at least you know you had fun with it. You felt like your authentic self and you and you played yeah yeah, you know.  28:43 - Anne (Host) So, being a singer, which I, that was the other part of the medium that I didn't really talk to you about, but I mean, I can actually hear just your talking voice, although I've never heard you sing. Except I did, I did go, you know, I did my homework, I did my, I did my YouTube. You have a gorgeous voice.  28:58 Oh, thank you, but I can hear that.  29:00 I can hear that in your voice as you speak to me, and it's so funny because I think that no one should have to try, right.  29:10 I think that no one should have to try right to create a voice that somebody thinks they want to hear. Because when we're connecting right and I actually listened to quite a different number of songs that you did in different styles, and one was from your potty show, and so you had such a range there and what was so cool is that you were just undoubtedly yourself and just like in all aspects of yourself, and that was just so cool because it was connecting and that was what I was looking for as a human being. I was looking for that, that connection in the voice and while you were on stage and while you were communicating to me, and I feel like it's the same exact thing. It's the same exact thing for voiceover, right. It's all about like your voice is beautiful, no matter what you're you know what I mean, no matter what you're doing, you don't have to try and so just connect with me, and that's really what I'm looking for as a human being, and I think that's what most casting directors are looking for.  30:04 And they tell me over and over again, that's really what they're looking for. Is connection, not necessarily the sound.  30:11 - Stacia (Guest) I think we get caught up in the sound. The sound or I flubbed on this, or I you know this or that, whatever it is, and it's like I. I don't want to be listening and I am because it's so hard when you're doing this yourself.  30:28 - Anne (Host) It is hard not to listen.  30:30 - Stacia (Guest) You have to take off the director hat while you're the actor, and then you have to take off the engineering.  30:39 - Anne (Host) You know you have to compartmentalize, because if you don't, and you don't because you'll, and then when you come back, Because if you don't and you don't because you'll, and then when you come back and you're the engineer slash director and you listen back and you're like, oh, as an actor, I really loved that last take, that's weird. I don't like listening to it, like I don't. I don't have that feeling brought this up because it's hard. It's hard for us to separate the ears, right. It's like you have to develop an ear, right, you have to develop an ear as an actor, you have to develop an ear as an audio engineer and you have to be able to separate them.  31:13 And it's funny because I've always maintained back, when I was really, you know, moving on this in this career, I was in a place where they were doing construction outside my home and I had, when I was in my studio, I had my headphones on. I had to keep them on because I had to make sure that there was none of that sound coming in, and so I had my headphones on a lot of time. And if, if you get good at it, I always say the headphones are just amplifying your voice, and so if you can not listen to your voice and just you know what I mean, like you can record with your headphones on. I mean, right, you got to do it when you're live directed anyways. So I'm always saying people are saying, oh, I don't wear my headphones because I try to listen to myself.  31:53 I'm like I could listen to myself with my headphones off. Do you know what I mean? But you've got to be able to compartmentalize, and I love that you said that, because that is a skill and it's a skill that I think takes a little bit of time for for people to to really really get to be able to to say, okay, this is my, this is my actor ears. Yeah, versus what do I sound like?  32:16 - Stacia (Guest) right, it's that constant like don't listen what you sound like and it's. It's also like there's because there is that judgment that comes in you and that when you are wearing cans, if you aren't telling your self limiter I talk about this a lot and we'll talk about it when when we work together with everyone, but if you aren't challenging them and saying I don't need you here right now, it's very powerful to send them away, to send that voice to me. For some reason, it's right here.  32:48 - Anne (Host) It's just very like right, that's like the magic secret Stacia, I mean I love that it works for me. So, I want to say that we are going to be having you as a VO Boss workshop guest director, so, and and we are going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be talking character creation. So will we be discussing, talk a little bit about what we're going to be doing in that class.  33:08 - Stacia (Guest) What I would love to do is see where everyone's at, what they want to play with, and, of course, do that, but also, I think, for everyone, I would love to share the self limiter and what I, what I do to get rid of that sort of you know, it's a, it's a protection right. That's what that voice is doing. It's trying to help you, but it's not helpful. I love that.  33:34 - Anne (Host) Oh my gosh, that's like secret sauce.  33:36 - Speaker 2 (Announcement) Yeah, yeah, I think so.  33:38 - Anne (Host) I know how hard that I mean. It's just, it's so hard. I mean, and you do have to, you have to be able to, you have to be able to separate it, you have to wrangle that?  33:46 - Stacia (Guest) Yeah, because that that voice that's trying to protect you inevitably is is keeping you safe. It's keeping you safe, it's doing its job and you don't. You do not want anyone keeping you safe when you're in your booth. Yeah, it is not a place for safety.  34:04 - Anne (Host) It is a place to play.  34:06 - Stacia (Guest) If you're playing safe and you're in a dramatic role for a video game and you're, you know you're about to I don't know shoot up some monsters, or you're afraid for your life or it, or you're, you know, some silly little kid like you got to be a little kid, you got to be playful and you know, or you got to be scared of those monsters or whatever's on that page. It is not a place for you to be protected or be playing it safe.  34:33 - Anne (Host) Yeah, yeah, I love that. Did I just get on a soapbox? I think I did. I think that, no, I love that and and all right. So, from a different perspective right, I mean a different perspective, it the way that it hit me, but I love that. You teach that because I am.  34:47 You know, I've had health issues, right, I had cancer, and before I was diagnosed, I was like so worried about what I was sounding like and what. You know how the audition went and did. Should I have done it this way? Should I have you know? And then all of a sudden, it was like whoa, like what was I? Like that just didn't seem important anymore. I shouldn't be.  35:09 Why was I so worried about what I sounded like when, in fact, I just, you know, I'm fighting this disease right now, and so it gave me such a license to permit myself to be free. Yeah, just not worry and not have that self-judgmental voice on me all the time. It was an amazing thing that happened to me and unfortunately I mean well, I mean fortunately I'm here and everything's good, you know. So nobody, nobody, has to worry about it. But in reality, it was one of the best things that could have happened for my performance, for my actor, my actor self, was to say what the hell was I so damn worried about? What was I? What was I trying to be? You know what? Just screw it Like, isn't it incredible?  35:47 - Stacia (Guest) how? So empowering? So it's like grief is off. Grief is awful and we all, as humans, live through it and the way that it can have some magical elements and empowerment in it is really incredible. Talking about that and how you're like I don't care, Like I don't. Why am I going to concentrate on what I sound like? That was not a priority.  36:16 - Anne (Host) No, Well, what I sounded like is not a priority anymore.  36:19 - Stacia (Guest) No, no no, it was amazing, because it's like a reminder of who you are, who your soul is Like. You want to connect with people and that's what you do. I love it.  36:29 - Anne (Host) Oh, my God, I'm so excited, so excited for you to join us. So, bosses, make sure that you check out the show notes and I'll have a link to the VO. Boss, or just go right to the VO Boss website.  36:41 - Stacia (Guest) Is it down here? Is it? Should I point to things?  36:45 - Anne (Host) I'll be putting it in the post. So it's on VeoBosscom. You guys check out the events and sign up for Stacia, because it's going to be an amazing class. And, stacia, I just want to say thank you, this has been so much fun. Thank you so much for joining us.  36:59 - Stacia (Guest) It was a pleasure.  37:00 - Anne (Host) Yeah, it's been wonderful Really getting really getting to know you even better. I'm so excited.  37:05 - Stacia (Guest) Back at you. You're an incredible interviewer. It's really what a joy.  37:10 - Anne (Host) Thank you Well thank you, I appreciate it. Well, look, bosses. I'm going to give a shout out to our sponsor, ipdtl. You too can connect and network like bosses, like Stacia and myself. Find out more at IPDTLcom. Bosses have an amazing week and we'll see you at Stacia's class right. Yay, in August. I'll be there and we'll be with you next week with another episode. Thanks, so much.  37:33 - Speaker 2 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguzza, and take your business to the next level. Sign up for our mailing list at vobosscom and receive exclusive content. Sign up for our mailing list at vobosscom and receive exclusive content industry revolutionizing tips and strategies and new ways to rock your business like a Boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

Welcome to Creative Block! This week's guest is David C. Smith! David is a director, storyboard artist, and woodworker who has worked on Primos, Mulligan, Hotel Transylvania 4, and Angry Birds 2.In this episode, VEE and SEAN talk to DAVID about INTERNING at CARTOON NETWORK, FINDING A HOBBY, THREE Es OF DIRECTING, and so much more.While we talk, we doodle on a MAGMA, where we draw from prompts we got on TWITTER, INSTAGRAM, YOUTUBE, THREADS, NEWGROUNDS, and PATREON. Subscribe to our channel to hear more stories of other animation professionals! ■■■■■■■■■■■■■■■Thank you to our Patreon Blockheads for supporting the show!Want to become a Patron? ► https://www.patreon.com/crtvblockHit subscribe and follow our socials for updates! ►https://bsky.app/profile/crtvblock.bsky.social ►https://twitter.com/crtvblock ► https://www.instagram.com/crtv.block/ ► https://www.threads.net/@crtv.block ► https://creativeblockpod.newgrounds.com/■■■■■■■■■■■■■■■Follow the hosts!VEE! ► https://x.com/violainebriat ► https://www.instagram.com/violainebriat ► https://www.threads.net/@violainebriat ► https://www.violainebriat.com/SEAN! ► https://linktr.ee/lordspew ► https://x.com/lordspew ► https://www.instagram.com/lordspew/ ► https://www.threads.net/@lordspewFollow the guests!DAVID! ► https://www.daveofthedeadportfolio.com/ ► https://www.instagram.com/thedaveofthedead/ ► https://www.daveofthedeadportfolio.com/#/lumen/■■■■■■■■■■■■■■■Editing by Clemence Briat ► https://twitter.com/clem_n_mProduced by Marco Beltran ► https://twitter.com/orcsocksReels/Shorts by Ebuka.PNG ► https://www.instagram.com/ebuka_0fomaTheme song by Louie Zong ► https://twitter.com/everydaylouie■■■■■■■■■■■■■■■0:00 Intro4:01 Interning and pitching12:40 First job17:33 Woodworking27:19 Specialization vs variety38:46 Hate on shows45:54 The three E's of Directing

Warner Bros. Discovery is splitting in half (again) and the names of the two halves? Are you sitting down? It's Warner Bros. and Discovery. Just like how HBO Max went to Max and then back to HBO Max, WBD decided they'd be better off as separate entities. So why bother in the first place? Then we talk about Coyote vs. Acme and how they get digs in at the merger. Watch this podcast episode on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://news.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this episode, the duo recap Total Drama Action episode 6 - "Aftermath I: Trent's Descent." They discuss the episode and pick two different movies to battle in the Letterboxd segment.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

Go to https://TryFum.com/CLOWNFISHTV or scan the QR code and use code CLOWNFISHTV to get your free FÜM Topper when you order your Journey Pack today! Cartoon Network has been DROPPED from Comcast's basic cable TV package. It's been relegated to an add-on. The long, slow death of Cartoon Network has been PAINFUL to watch. Watch this podcast episode on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://news.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

Jurandir Filho, Felipe Mesquita, Evandro de Freitas e Bruno Carvalho batem um papo a chegada da TV por assinatura no Brasil, que acabou representando uma verdadeira revolução no consumo de entretenimento e informação. Foi no início da década de 1990 que o país começou a vivenciar essa transformação, impulsionada por avanços tecnológicos e mudanças no perfil do público, que buscava mais opções e qualidade na programação televisiva. Empresas como DirectV, Net e Sky dominavam o mercado e apresentaram muitos canais marcantes em suas programações: CNN, MTV, ESPN, Discovery Channel, National Geographic, Cartoon Network, Nickelodeon, HBO, Telecine, Multishow, Fox Kids, Jetix, Disney XD, Sony, Warner Channel e muitos outros.A TV por assinatura no Brasil moldou gostos, influenciou gerações e serviu de vitrine para culturas do mundo todo. Mesmo com a ascensão dos serviços de streaming, a história da TV paga no país segue relevante, não só por seu pioneirismo, mas também por ter sido a porta de entrada de milhares de brasileiros para uma nova forma de ver televisão: mais personalizada, segmentada e globalizada.Essa é mais uma edição da nossa série Na TV!- ALURA | Aprenda Python do zero, crie dashboards interativos e acelere sua carreira em dados! TUDO DE GRAÇA!!! https://alura.tv/99vidas-imersao-dados

On this episode, we discuss:Rest In Piss Hulk HoganWNBA All Star Weekend/CBA NegotiationsStudbudzUNC possibly going to the SEC?Cartoon Network went + MORE!TUNE IN

Welcome to Dev Game Club, where this week we revisit our series on Gone Home and walking simulators with an interview with Karla Zimonja. We talk about Karla's early career before transitioning to talking about Minerva's Den and get a lot of great gems from the development of Gone Home. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Podcast breakdown: 01:02 Interview 1:21:00 Break 1:21:30 Outro Issues covered: early life and education, stop motion animation and puppetry, Squigglevision, no usual paths into games, transitioning to 3D animation, getting on the content mill, getting in, repetition and burnout, doing tons of research and visual design, picking the soundtrack and working on voice, a small team covering a lot of stuff, putting together clipped out letters, covering all the bases for graphic design/props/and more, digital hoarding, moving to Portland, having a great production, making the bros cry, getting onto Steam, critical acclaim getting you to market, taking out the combat, removing rather than replacing, environmental storytelling, setting the game in the 90s, being aware of the world and having no cellphones, setting yourself up for rigor, pacing, tying together time and space, knowing where the player will go, going to the second floor vs the first floor, putting chunks together, a mind map, callbacks between props, forgetting you're in a video game, the story doesn't exist without the player putting things together, the IKEA effect, situating the journal in Sam's perspective, audio logs, Katie knowing what her sister's voice would be like, not being a little game designer, avoiding artifice, avoiding goofiness, three parter audio logs, cutting out logs you didn't need, not holding the player's hand, dumbing down too far vs letting people be uncomfortable, finding the voice via research, being able to generalize from the highly detailed specifics, getting handwriting, magic and Unicorn Cloud 7, being just as easy to put in the supernatural story but resisting that, wanting the fantasy, how to think about game structure, "the team makes the game," putting story in the ephemera, constraints and applying them to generate the tension, award-winning, the indie space and the blogs, indies banding together, thinking about a game when you're not playing it. Games, people, and influences mentioned or discussed: Asheron's Call 2, Zoo Tycoon 2, 2K Marin, Bioshock 2, Minerva's Den, Fullbright, Tacoma, Open Roads, Wanderstop, Sonderlust Studios, Generation Exile, EA, Comedy Central, Cartoon Network, Olive Jar Animation, MTV, The Critic, Nightmare Before Christmas, Tom Snyder, Soup to Nuts, Dr. Katz, Home Movies, Mitch Hedberg, Trainspotting, Animator Pro, Turbine Games, Lightwave, The Last of Us, Something Awful, Fallout (series), Bob Hope, Maya, Johnnemann Nordhagen, Karina Veronica Riesgo, Inkscape, Steve Gaynor, Rachel Gaynor, Steam Greenlight, Independent Games Festival/IGF, Dear Esther, Call of Cthulhu, Street Fighter, NES/SNES, IKEA, William Goldman, Alien: Isolation, Kate Craig, Final Fantasy VII, Horse Master, Carl Lumbly, Alias, John Wick, Lance Reddick, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia, Bratmobile. Next time: TBA! Twitch: timlongojr  Discord  DevGameClub@gmail.com 

A long time coming, I am pleased to have Ariel aka AriNicoCosplay join me on the podcast to talk with her about her favorite fandoms. We split the episode in half. The first half we cover the first anime. Ariel and I talk about our anime origins, with hers being with Toonami and staying up late to catch some of the anime series presented on the Cartoon Network. We do deeper dives into two of her current favorites, Dorohedoro and The Apothecary Diaries. From there, we step into the world of cosplay. If you've followed Ariel's Instagram for some time, you'll know that she does incredibly detailed cosplay and cosplay pieces. We talk about how she first got into cosplay, her process when it comes to costumes/costuming, the skills she's learned, and more. We highlight several of her pieces, and we talk about the work that goes into finding the fabrics and items needed. You can find Ariel at: https://www.instagram.com/arinicocosplay/ https://arinicocosplay.com/ https://www.tiktok.com/@arinicocosplay

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this episode, the duo recap Total Drama Action episode 5 - "3:10 to Crazytown." They discuss the episode and pick two different western movies to battle in the Letterboxd segment.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

Today's episode includes: Cartoon Network released the trailer of The Wonderfully Weird World of Gumball Pixar released the teaser trailer of Hoppers Netflix released the trailer of Fixed RUMOR: Amazon MGM Studios is making a live-action My Little Pony movie CBS got backlash for cancelling Late Show with Stephen Colbert

Our friends and listeners have voted on topics for us to discuss in this round table style episode. All questions we're suggested and voted on in our discord! Come join the discord to submit questions and vote!What franchise needs the 90's BEAT'EM UP treatment?If you could make a gamer play 1 game, what would it be?What could have saved SEGA as a console maker?You're stranded on an island.. what order do you eat these characters? Bubsy, Milktank, and GoombaWhich video game has the best use of franchise cross-over?What's your favorite video game trilogy?What is the Mount Rushmore of Cartoon Network?Join our Discord group!https://discord.gg/84T8khTMORE INFO:https://www.badsecretmedia.com Support the show and order a t-shirt! https://www.teepublic.com/user/secretlevels Join our Patreon!https://www.patreon.com/badsecretmediaFollow Secret Levels on all social media! Twitter: https://twitter.com/secretlevelspod Instagram: https://instagram.com/secretlevelspod Facebook Group Page: https://www.facebook.com/groups/285925218891464/Toby's Live Streams on Twitch:https://www.twitch.tv/tobyvondoomGoobz's other podcast! The DeRailers Podcast Twitter: https://twitter.com/TheDeRailers Toby's other podcast! Secret Transmission Podcast Twitter: https://twitter.com/secrettranspod ----------------------------------------------------------- Intro and segment music: https://gregoriofranco.bandcamp.com/musicRage Meter Song: https://www.youtube.com/watch?v=kuBO6aDLM_4 Super Mario Brothers - Bluegrass Style: https://www.youtube.com/watch?v=bsrVEbpvU2U  Call Me By Your Gamea nostalgic video game podcastListen on: Apple Podcasts SpotifySupport the show

Episode SummaryYou built a content machine. Now leadership wants magic.In-house creative teams were designed to move fast and save money—but today's business leaders want more.They expect:bold brand-buildingcultural relevancestrategic insight…from teams still treated like internal vendors.So what separates in-house teams that thrive from the ones that get quietly downsized?According to Pete and Juan Carlos, it all comes down to culture.In this episode, they pull back the curtain on the rituals, truths, and team dynamics that unlock trust, talent, and transformative work.From unspoken disabilities & superpowers to under-measured impact, this is the playbook for making your team irreplaceable.Key TakeawaysYou can't process your way to magic. Culture is the real operating system of creative teams.Creative “problems” often signal cultural misalignment—not lack of talent or effort.Superpowers and struggles both matter. Great teams make space for the whole human.Conversation isn't overhead. It's where clarity, courage, and creativity begin.When CMOs and creative leaders align, in-house teams stop surviving—and start leading.Passive Listening to Active Thinking Use these prompts to reflect solo—or spark deep conversations with your team:What does your team optimize for—volume, speed, or belief?Where is your team using process to avoid conversation?What's one unspoken “disability” on your team—and what would it look like to support it?Are your current metrics proving value—or hiding it?If you left tomorrow, what would be missing: deliverables or culture?Pete Johnson & Juan Carlos Gutiérrez, Co-Founders at LOVE+RESPECTPete and Juan Carlos have led iconic creative teams at LEGO, Nickelodeon, Cartoon Network, and Saatchi & Saatchi. Now, through LOVE+RESPECT, they help brands transform their in-house teams into culture-driven, business-moving creative engines. With a mix of radical candor and real-world experience, they bring humanity, honesty, and high performance into the heart of creative operations.

Dessa vez a treta foi séria: qual é o melhor desenho que a Cartoon Network já fez?A gente relembrou clássicos como As Meninas Superpoderosas, Laboratório de Dexter, Coragem, o Cão Covarde e muitos outros — e claro, deu muita nostalgia, discussão e risada no meio! Já escuta aí e conta pra gente: qual é o seu desenho favorito da Cartoon?CLIQUE AQUI⁠⁠⁠ E ACOMPANHE ESTE EPISÓDIO GRAVADO AO VIVO E COM IMAGENS NO YOUTUBE! SEJA MEMBRO MOEDOR: https://moedor.com/ // ⁠⁠⁠ANUNCIE NO MOÍDACAST⁠⁠⁠: carnemoidacast@gmail.com ///////////////////////////////////////// // NOSSAS REDES SOCIAIS: – ⁠⁠⁠Site Oficial⁠⁠⁠ – ⁠⁠⁠Twitch⁠⁠⁠ – ⁠⁠⁠Instagram⁠⁠⁠ – ⁠⁠⁠Twitter⁠⁠⁠ – ⁠⁠⁠TikTok⁠⁠⁠ // OS ESPECIALISTAS EM P0RR4 NENHUMA: – ⁠⁠⁠Klaus Aires⁠⁠⁠ – ⁠⁠⁠Kleber Tanide⁠⁠⁠ – ⁠⁠⁠Letícia Godoy⁠⁠⁠ – ⁠⁠⁠Rafa Longhini⁠⁠⁠ – ⁠⁠⁠Silas Ravani⁠⁠ EQUIPE: // PAUTA E CAPA: – ⁠⁠Letícia Godoy⁠⁠⁠ // EDIÇÃO: – ⁠⁠Silas Ravani⁠See omnystudio.com/listener for privacy information.

August 14-20, 1999 This week Ken welcomes writer, musician and comedian who has created the video podcast built on music, performance storytelling and Ai visuals, Skulk The Hulk, Steve "Skulk" Pasieka Ken and Skulk discuss Mad Magazine, Steve's Dick DiBartolo mustache, Action shows on TV, Chuck Norris, WWF (WWE), Samo Hung, WCW, Chinese action heroes, Attitude Era of WCW, defining High School by wrestling, backyard wrestling, TV Guide induced vivid dreams, growing up in Chicago, heavy Italian Chicago accents, children with strong regional accents, revolting Pepto Bismol ads, disgusting ice cream photos, Judy Garland, the 90s love of the 70s, no bake Jell-O grossness, too much PB, locking up your Klondike bars, how much smarter Samo Hung is than Kevin Sorbo and Chuck Norris, Halle Berry's comebacks, Brutus the Barber Beefcakes' MBTA "Anthrax" scare, wrestlers lying about their size, Randy "Macho Man' Savage, class action suits, the shock of a Buff Bagwell photo shoot, The Tom Green Show, The Adventures of Buckaroo Banzai, MTV's Real Life, Chyna, HHH, Behind the Music, going into animation, debating Generative AI, what is a tool and what isn't, challenging norms, controversal issues, Ken's theory of innovative amatuerishness, going to Greece, having experiences outside of America, distribution networks, wrestlers with just regular names, UFC replacing WWF/WCW, how you need rules, how having all things available to you stifles creativity, Antiques Roadshow, Celebrity Tug-O-War, Johnny Bravo, Cartoon Network, Spin City, JAWS, Ray Walston, Star Trek, Dee Snider in Strangeland, how massive David Blaine was, Win Ben Stein's Money, Leeza Gibbons hosting Smoking: Truth or Dare, requiring cigarette holders, lost Comedy Central shows of the late 90s, Steve's love of music videos, how some things don't hold up at all, appreciating Men in Black, the Roller Derby resurgence, Ska Punk, Chicago punk bands, Naked Raygun, and The Many Incessent Lives and Subsiquent Deaths Deserved of Skulk the Hulking. 

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this episode, the duo recap Total Drama Action episode 4 - "Beach Blanket Bogus." They discuss the cast and pick two different beach movies to battle in the Letterboxd segment.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this episode, the duo recap Total Drama Action episode 3 - "Riot on Set." They discuss the cast and pick two different movies about making movies to battle in the Letterboxd segment.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this premiere episode, the duo recap Total Drama Action episode 2 - "Alien Resurr-eggtion." They discuss the cast and pick two different alien movies to battle in the Letterboxd segment.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

My Adventures with Superman is an animated take on the man of Steel that airs on the Cartoon Network and HBO Max. The series provides a slightly different take on Superman, following his adventures as a young intern at the Daily Planet and featuring an anime inspired style. In this episode we review about both... The post The 42cast Episode 242: Super Fun appeared first on The 42cast.

Cheers DeGINerates! Welcome back to Gin and Sofa, where the guys get together to build their ultimate Mount Rushmore of Cartoon Network characters! Who will make the cut? The boys also discuss, sharing bathrooms, the rental car experience and do a quick power ranking of soups! Enjoy!

WELCOME MOVIE STARS! Join Felipe and Setu at the Gilded Chris Ceremony every week as we recap Total Drama Action for Season 2 of We Wanna Be Famous!In this premiere episode, the duo recap Total Drama Action episode 1 - "Monster Cash." They discuss the cast and introduce the new Letterboxd segment for the season. *~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

Liam dives into the strange, weird world of Courage the Cowardly Dog - the cult Cartoon Network show - with creator John R. Dilworth, voice actors Marty Grabstein and Thea White, head writer David Steven Cohen, and composers Jody Gray and Andy Ezrin.Meet Your Maker is produced by Liam Geraghty - www.liamgeraghty.comInstagram: https://www.instagram.com/meetyourmaker_pod Hosted on Acast. See acast.com/privacy for more information.

Read transcriptHold onto your utility belts and prepare for maximum overdrive, because this week on Play Comics we're crash-landing straight into the chaotic world of Teen Titans for PS2, Xbox, and GameCube – a game that somehow managed to capture the essence of being a superhero teenager while simultaneously making you question whether saving the world is worth the carpel tunnel. Released in 2006, this beat-'em-up bonanza promised players the chance to live out their fantasies of being part of the most dysfunctional yet lovable superhero team this side of Titans Tower. Joining us for this digital adventure through Jump City's finest is none other than Eilish Pickett from my friendly neighborhood comic shop – a true connoisseur of all things four-color and someone who's probably seen more comic-to-game adaptations crash and burn than a Cyborg system malfunction. Together, we'll dive deep into whether this particular pixelated punch-fest managed to do justice to the beloved Cartoon Network series that ran from 2003 to 2006, or if it ended up being more disappointing than Beast Boy's attempt at stand-up comedy. From Robin's acrobatic staff-spinning to Raven's dark magic mayhem, this game promised to let you switch between all five Titans in real-time while delivering the kind of cooperative chaos that only comes from trying to coordinate a superhero team where one member transforms into animals and another shoots laser beams from her eyes. Whether you're here for the nostalgic trip back to simpler times when the biggest worry was whether Starfire would accidentally destroy the kitchen again, or you're just curious about how well this adaptation stacked up against the source material, grab your communicator and settle in. This episode is guaranteed to be more entertaining than watching Cyborg try to explain why his breakfast took up half the grocery budget, and definitely more coherent than trying to follow Beast Boy's logic during a heated argument about tofu. Learn such things as: Has there been another rotating team in comics that so ironically across the board has the same lineup? What happens when you just can't find the main villain in the game? How do you limit the power sets of characters who have basically unlimited power sets? And so much more! You can find Eilish on Tumbler @aliceheart247 if you really want to. But mostly just figure out where I live and go to my local comic shop. If you want to be a guest on the show please check out the Be a A Guest on the Show page and let me know what you're interested in. If you want to help support the show check out the Play Comics Patreon page or head over to the Support page if you want to go another route. You can also check out the Play Comics Merch Store. Play Comics is part of the Gonna Geek Network, which is a wonderful collection of geeky podcasts. Be sure to check out the other shows on Gonna Geek if you need more of a nerd fix. You can find Play Comics @playcomics.bsky.social on Bluesky, @playcomicscast on Twitter and in the Play Comics Podcast Fan Group on Facebook. A big thanks the Kickstarter campaign for Aces and Aros and 2 ACT Podcast for the promos today. Intro/Outro Music by Backing Track, who definitely has fan fiction floating around somewhere telling us what happened after this show got cancelled.

100 episodes and counting! We have come a long way since we started back in 2021! There is so much history within the lore of the show, the making of it, the camaraderie between the crew, the stories with guests, and so much more! We've heard from so many others about what our show has meant to them as well as some testimonials from some of our previous guests! Join us as we gather together to discuss the history of Splat Attack with our 100th episode! Be sure to check out Brett's new podcast called "Checkered Childhood" all about Cartoon Network: https://open.spotify.com/show/3ebKiEyDfaNalWnlr9TTro?si=0507574cb4db46bc Unlock Bonus Content on Patreon Shop at our Splat Attack Merch Store Email Us: SplatAttack2021@gmail.com   YouTube: Splat Attack! Podcast Instagram: @SplatAttackPodcast Please leave us a review in your podcast app!  #splatattack #splatattackpodcast #podcast #vidcast #nostalgia #90snostalgia #nickelodeon #90snickelodeon #nickelodeon #90snickelodeon

Today's guests are the creative duo Shannon Eric Denton and David Hartman — two multi-hyphenate storytellers whose work spans the worlds of comics, animation, film, and beyond.Shannon Eric Denton is a veteran writer, artist, and transmedia creator with a career that cuts across comics, animation, television, and gaming. He's worked with major studios including Cartoon Network, Warner Bros., Disney, Marvel, DC Comics, and Riot Games. Shannon is also the co-founder of Monster Forge Productions, alongside horror legend Steve Niles, where they specialize in developing monster-centric IP for film, TV, games, and merchandise.Joining him is David Hartman — an Emmy-nominated director, illustrator, and producer with over 25 years in the animation and horror industries. In addition to directing Phantasm: Ravager, the final chapter in Don Coscarelli's iconic franchise, David has worked as a visual effects supervisor and animator on cult favorites like Bubba Ho-Tep and John Dies at the End. His background also includes extensive work in animation as a showrunner, storyboard artist, and Spectrum Award-winning illustrator.In addition to their individual accomplishments, Shannon and David have teamed up on several projects, most notably through their work with Titan Comics. Their graphic novel Kraken blends supernatural horror with historical adventure. Their upcoming title Spectors, set for release in May 2026, continues this trajectory — a supernatural adventure featuring a team of eccentric heroes battling monsters and cults, combining pulpy thrills with cinematic visuals.Together, Shannon and David bring a wealth of experience in genre storytelling, and today they're here to talk monsters, collaboration, and navigating the creative process across mediums.FEATURED PROJECTSNEW GRAPHIC NOVELSKraken (Titan Comics, Sept. 2025) - A pulp adventure set in the 1930s that follows a transformed explorer back from the sea, determined to stop a supernatural apocalypse. Think The Shadow or The Rocketeer—but with monsters.Spectres - Starts in the 1930s and leaps to present day, following a monster-hunting team through a time-hopping, lore-rich narrative.NOW ON KICKSTARTERReturn of the Monsters - A passion project from Monster Forge Productions, this is a reimagining of classic monsters like Dracula, Frankenstein, and the Creature, brought to life in premium comic form. - Back it on KickstarterMOVIES, SHOWS & COMICS DISCUSSEDIndiana JonesReturn of the Living DeadEvil DeadThe Goon (Eric Powell)Tales from the CryptHouse of Secrets, The Unexpected, and other 70s–80s horror comicsMad Magazine, Cracked, CrazyTransformers: Prime (David Hartman directed)Phantasm: Ravager (David Hartman directed)Bubba Ho-TepArmy of the Dead: Lost Vegas (Netflix animated series)Rob Zombie music videos & concept artFollow Shannon Eric Denton at:IMBd: https://www.imdb.com/name/nm0003015/Instagram: https://www.instagram.com/shannonericdenton/X (Twitter):

Steven Universe is getting a spinoff called 'Lars of the Stars.' But it won't be on Cartoon Network -- it's on Amazon Prime. What IS on Cartoon Network? Another season of Teen Titans Go. Watch this podcast episode on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://news.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

From the AOK archive: Broadway star Megan Hilty joins The Art of Kindness with Robert Peterpaul to discuss her incredible career through the lens of kindness. From Idina Menzel's career-changing act of kindness to what she learned from Dolly Parton herself, Megan shares countless inspiring stories and quips while reflecting on her journey. Megan Hilty is probably most recognizable for her portrayal of Ivy Lynn in the NBC Musical Drama “Smash.” Before that, Hilty started her career on Broadway, playing Glinda in “Wicked,” Doralee Rhodes in “9 to 5 The Musical,” and Brooke Ashton in “Noises Off,” which earned her a Tony Award Nomination. Other stage credits include Audrey in “Little Shop of Horrors” (Kennedy Center), Annie Oakley in “Annie Get Your Gun” (Encores/NY City Center) and Lorelei Lee in “Gentlemen Prefer Blondes” (Encores/NY City Center). Her numerous television credits include “Sean Saves The World” with Sean Hayes, “Difficult People,” “Braindead,” “The Good Fight,” playing the iconic Patsy Cline in “Patsy and Loretta” and Lily in NBC's “Annie Live!” Megan's voiceover work spans from audiobooks to kids animated favorites on Disney, Nickelodeon, Netfilx, Hulu & Cartoon Network. Hilty continues to tour her cabaret show with her band, led by Grammy Nominated Matt Cusson, which has been taped for “Live from Lincoln Center” on PBS, and regularly appears with world renowned orchestras including the NY Pops, Boston Pops and the National Symphony Orchestra. Follow Megan @meganhilty Follow us @artofkindnesspod / @robpeterpaul Support the show! (https://www.buymeacoffee.com/theaok) Got kindness tips or stories? Please email us: ⁠artofkindnesspodcast@gmail.com Music: "Awake" by Ricky Alvarez & "Sunshine" by Lemon Music Studio. We are supported by the Broadway Podcast Network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Animators in LA are not doing good. In fact, the animation union is flat out saying many are bussing tables and working retail to make ends meat. We though the animation industry was JUST FINE and that Clownfish TV was LYING to you? Watch this podcast episode on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://news.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

HBO Max is coming back, and Warner Bros. Discovery is talking about splitting up. Does this explain why they don't seem to care about Cartoon Network anymore? Will they double down on The Last of Us? Who knows... Watch this podcast episode on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://news.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

Foster's Home for Imaginary Friends was without a doubt a unique show that Cartoon Network has ever aired. Especially when you get down to its premise. Unfortunately, the show started to become very mean spirited after season 2, which took a heavy toll on it's reception moving forward. But out of all the episodes, which ones are the best and which ones are the worst? That's what Eric is here to figure out as he shares his ranking!Join our Discord community:https://discord.gg/neeTuYUFollow our Instagram page:https://www.instagram.com/geeks_crossing/Follow NUCLEARBACONz on Twitch: https://www.twitch.tv/nuclearbaconzFollow cryptolockgames on Twitch: https://www.twitch.tv/cryptolockgamesFollow karrotbyte on Twitch: https://www.twitch.tv/karrotbyteIntro/Outro done by BKNAPP: https://bknapp.bandcamp.com#FHFIF #Fosters #CartoonNetwork #episodes #praise #rant #ranking #comedy #entertainment #geeks #geekscrossing

We talk two things we know very little about, like any good podcast these days. Timestamps: 2:40 How You Doin' 6:23 ANIMATION NEWS... 6:47 Tariffs 34:39 Cartoon Network 52:19 Rapid Fire!!!! #RubberOnionPodcast@RubberOnion everywhere Patreon iTunes

"Millions of girls will grow up thinking that this is the right way to act. That they can never be anything more than vacuous ninnies whose only goal is to look pretty, land a rich husband, and spend all day on the phone with their equally vacuous friends talking about how damn terrific it is to look pretty and have a rich husband!" - Lisa Simpson Malibu Stacy speaks for the first time, and her sexist sound bites inspire Lisa to track down the doll's creator and develop a feminist alternative. Meanwhile, a run-in with TV's Matlock causes Abe to enter the competitive world of fast food if only to avoid ending up a tired, old freak like Andy Griffith. Our guest: Rebecca Sugar, creator of Cartoon Network series Steven Universe Support this podcast and get over 200 ad-free bonus episodes by visiting Patreon.com/TalkingSimpsons and becoming a patron! And please follow the official Twitter, @TalkSimpsonsPod, not to mention Bluesky and Instagram!

On this bonus episode of Notable Nostalgia we talk about building forts as kids and Jeff creates a new segment! Nnnnews... We're still working on the name. Jeff gives you all some wild real news! It's serious Monkey Business!Make sure you listen to this week's episode of Notable Nostaglia!Thank you for being a friend, join your two best friends, grab a slice of cheesecake and enjoy this week's episode of Notable Nostalgia!Make sure to leave us a 5 star review, and tell a friend about the show. The outro song for this episode is by an AWESOME band called "Wire Monkey Mama" and the song is called Planet of the Apes! You can listen to them on spotify! They are worth checking out for sure!If you want to suggest a topic for an upcoming show email us at NotableNostalgia90@Gmail.com or find us at Facebook.com/NotableNostalgiaThanks for listening Nostalgia Nerds!

In this episode of the Faces of the Future Podcast the guys are back with a Memorial Day Weekend Podcast Episode. In this episode the guys debate over what network made better cartoons between Nickelodeon vs Cartoon Network. They go over the charges brought against BYU's starting quarterback, they react to the President trying to deny international students enrolling in Harvard, they give their thoughts on the one of America's biggest plantation burning down, plus more.

In this episode, we dive deep into the creative mind of Eisner Award-winning artist Gideon Kendall, whose diverse career has spanned books, illustrations, comics, and animation for a few outfits you might have heard of: MAD Magazine, Penguin/Putnam, Disney, Comixology/Kitchen Sink, IDW, Dark Horse, Cartoon Network, Scholastic, and The New York Times. Gideon has made significant contributions to both children's and adult comics, earning critical acclaim as the artist of Harvey Kurtzman's Marley's Ghost (which won the 2018 Eisner Award for Best Digital Comic), and as the writer and artist of the sci-fi series WHATZIT published by Heavy Metal. His more recent projects include Eric Powell's Lester of the Lesser Gods, Megaghost with Gabe Soria, the autobiographical anthology series WAIT...It Gets Worse, and his recently released music memoir I Am The Audience. You can follow Gideon (and order his stuff) on gideonkendall.com, or check him out on Instagram @gidonkendall. Support the show

Warner Bros. Discovery has been downgraded to junk bond status, and it's because of their dead weight linear channels like CNN and Cartoon Network dragging them down. Then we talk about the new season of Gumball going to Hulu instead of Cartoon Network. Weird! Watch this podcast episode on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://news.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

On this episode we welcome Roye Okupe, an award-winning filmmaker, author, speaker and entrepreneur whose passion for comics and animation (and deep love for his daughter) led him to create Iyanu. Iyanu is a fantasy and superhero series inspired by Yoruba history, culture, and mythology. Iyanu has been a HUGE hit and it has just been announced that it has been greenlit for a Season 2 AND 2 movies! All Iyanu episodes streaming now on Cartoon Network, MAX, Showmax, YouTubeTV and ITVX!Become a supporter of this podcast: https://www.spreaker.com/podcast/for-all-nerds-show--5649266/support.

Today's episode includes: Paramount Pictures released the 2nd trailer of Smurfs (2025) DC released the 2nd trailer of Superman (2025) DreamWorks Animation released the 2nd trailer of The Bad Guys 2 Sesame Street will be airing new episodes on Netflix and PBS on the same day Bloomberg article reveals how Cartoon Network is struggling to survive under David Zaslav

Clownfish TV was live! Assassin's Creed Shadows is getting beaten on Steam this week by older AC titles. The new Pope might disclose aliens and UFOs. Terraria comes to Palworld. Sony is making money. Final Fantasy x Magic The Gathering, toy tariff trauma and more. Kneon discusses the impact of AI on the video game industry, highlighting both its potential to revolutionize content creation and the accompanying concerns about job security and the authenticity of creative work, alongside various industry news and challenges. Previously recorded. 00:00 Video game news highlights include "Assassin's Creed," industry layoffs, rising costs from tariffs, and concerns over YouTube's algorithm and AI influence on content. 14:16 Ubisoft's Assassin's Creed Shadows struggles against Odyssey's popularity, while Sony sees a revenue boost despite fewer console sales. 25:34 Ubisoft distances from Tom Clancy, Nintendo sues Palworld over Pokémon similarities, and AAA studios face competition from classic games amid a preference for retro gaming. 32:58 AI is revolutionizing game development, generating up to 90% of content, but human oversight is crucial, raising concerns about job security and the authenticity of creative work. 44:00 Cartoon Network's decline stems from poor management, while AI's integration in creative processes raises concerns about job reduction and the need for skilled talent. 51:46 Advanced AI technology is revolutionizing coding in major studios, which may be using it secretly to avoid public backlash, while creators must balance personal significance with professional obligations in collaborative works. 57:40 The new American pope may reveal UFO evidence from Vatican archives, while CERN's recent experiments highlight the public's distraction from significant scientific advancements. 01:09:08 More live streams are planned with Geeky joining, and updates on the schedule will be provided soon. Watch this podcast episode on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://news.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

Cartoon Network is on life support, according to a report by Bloomberg. Kids aren't watching it anymore, WBD is barely supporting it, and it's ad revenue is a FRACTION of what it was 10 years ago. But if you've been watching Clownfish TV, you'd already know how bad it really was. Watch this podcast episode on YouTube and all major podcast hosts including Spotify. CLOWNFISH TV is an independent, opinionated news and commentary podcast that covers Entertainment and Tech from a consumer's point of view. We talk about Gaming, Comics, Anime, TV, Movies, Animation and more. Hosted by Kneon and Geeky Sparkles. D/REZZED News covers Pixels, Pop Culture, and the Paranormal! We're an independent, opinionated entertainment news blog covering Video Games, Tech, Comics, Movies, Anime, High Strangeness, and more. As part of Clownfish TV, we strive to be balanced, based, and apolitical. Get more news, views and reviews on Clownfish TV News - https://news.clownfishtv.com/ On YouTube - https://www.youtube.com/c/ClownfishTV On Spotify - https://open.spotify.com/show/4Tu83D1NcCmh7K1zHIedvg On Apple Podcasts - https://podcasts.apple.com/us/podcast/clownfish-tv-audio-edition/id1726838629

In this episode of DreamMachine, Arun and Patricia continue their lookback at the Cartoon Network animated series DreamWorks Dragons: Riders of Berk. How did the first season fare out, especially since they left off on a cliffhanger. Listen and find out.

Greetings fellow earthlings! Welcome to Ghost Planet. Here we will get a look at the pivotal show that helped catapult Cartoon Network and Adult Swim into new heights with Space Ghost Coast to Coast. The crew is joined by editors Jay Edwards and Ned Hastings. They share the many challenges of taking an already existing cartoon property and editing around it to make such a unique and hilarious program! Join us in the studio as we take a look at the making of Space Ghost Coast to Coast." Check out Jay Edward's Supstack on Baseball and Pop Culture: https://tinkertaylorsolerspiezio.substack.com/ If you are for some legal advice from a family lawyer, check out The Hastings Shadmehry Show: https://www.youtube.com/@HastingsShadmehry If you'd like to watch episode of Space Ghost Coast to Coast, you can find it here: https://www.adultswim.com/videos/space-ghost-coast-to-coast You can find the first season of Cartoon Planet here: https://youtu.be/WsENZPm7HXE?si=BoXmMI62C1vAVaXh If you would like to check out The Brak Show, here is the link for that: https://www.adultswim.com/videos/the-brak-show Here is the link for Brak Presents The Brak Show Starring Brak: https://www.youtube.com/watch?v=dh8Nhx8o2no The elusive Ross Noble interview (at least part of it) can be found here: https://vimeo.com/75207382 Unlock Bonus Content on Patreon Shop at our Splat Attack Merch Store Email Us: SplatAttack2021@gmail.com   YouTube: Splat Attack! Podcast Instagram: @SplatAttackPodcast Please leave us a review in your podcast app! 

On May 4th, 2020, Felipe launched the Brazilian Dragon Podcast. 5 years and 200+ episodes later, he's still making content for the Zillennials and Zoomers. In this special celebration rereleased episode, Felipe and frequent guests Nicole & Jacob determine which '90s/'00s nostalgia theme song is the cream of the crop via elimination bracket style. Will Cartoon Network, Disney Channel, Nickelodeon, or PBS Kids reign supreme? Have any questions for the podcast? Email them to brazildragonpod@gmail.com.Thank you to Freddy Luna (StuckOnYouCartoons) for the incredible Brazilian Dragon Podcast Artwork.*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*Brazilian Dragon PatreonBrazilian Dragon YouTube Channel*~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~*This episode is part of the Brazilian Dragon Podcast Network. Feel free to support The Brazilian Dragon Podcast via PayPal or Patreon. And follow the Brazilian Dragon on social media: Twitter, Instagram, TikTok, and Facebook! Plus, check out our website! 

Please stay safe and healthy! If you can afford it and love what we do, please consider supporting our show by becoming a BTT Podcast Patreon Member! Also, purchase a BTT Podcast t-shirt or two from our Pro Wrestling Tees Store!  USE THIS LINK TO GIFT SOMEONE A PATREON MEMBERSHIP OR HAVE SOMEONE GIFT YOU A MEMBERSHIP! https://www.patreon.com/BookingTheTerritory/gift  This week's Time Stamps for our WCW Saturday Night on TBS recap from Oct 9, 1993 review are as follows (NOTE: This was recorded 4/15/2025): HOW TO GIVE OR GIFT A PATREON MEMBERSHIP: https://www.patreon.com/BookingTheTerritory/gift  Opening Shenanigans! Dream Team is back and Harper's running late! And snow on April 12th?!?!?! ( 0:02:00 )  Birthday month special for May! If you want access to the Clashes or WCW PPVs, and over 400 Patreon show, become a patreon member at https://www.patreon.com/BookingTheTerritory or tinyurl.com/PatreonBTT! You can sign up monthly or annual. When signing up for an annual plan you get 2 MONTHS FREE for our birthday month special! ( 0:07:55 )  10-year anniversary well wishes! Leave us a message less than a minute! (330) 822-4288. ( 0:09:28 )  Harper finally gets off the can and joins us. ( 0:14:16 )  Harper reacts to Uncle Fred watching Cartoon Network with Cody and the kids! ( 0:20:57 )  Apple Podcast and PodcastAddict 5 star review shoutout! Submit one and we will shout you out on air.  WCW Saturday Night on TBS Oct 9, 1993 recap. ( 0:30:17 )  Plants in the audience with lovely ladies and Harper can't help himself with tariff talk, computers and Commodore 64s? ( 0:44:04 )  WCW Saturday Night on TBS Oct 9, 1993 recap continues. ( 0:48:12 )  Booker does the spinarooni for the first time! And indy rasslin with Sam Houston. ( 0:56:04 )  Ole Miss Booster Colonel Parker with another hard pitch to Steve Austin. ( 1:03:35 )   WCW Saturday Night on TBS Oct 9, 1993 recap continues. ( 1:06:45 )   This week's WCW Amateur Challenge. ( 1:17:26 )  Bobby Eaton vs Joe Edmunds - what does Edmunds drive and where does he work? ( 1:21:04 )  WCW Saturday Night on TBS Oct 9, 1993 recap continues. ( 1:22:25 )  Big Van Vader/Vader discussion devolves into Dman and Star Wars? ( 1:51:30 )  WCW Saturday Night on TBS Oct 9, 1993 recap continues. ( 1:55:18 )  Who gets the Rolex and/or Toot Toot award? And become a BTT Patreon member! Don't forget to become a BTT Patreon member at https://www.patreon.com/BookingTheTerritory ( 2:01:18 ) Give the gift of Patreon: https://www.patreon.com/BookingTheTerritory/gift  Harper lays out what it will take to do Ask Harper segments on the main show! Paypal him $5 per question. Harper's PayPal is, get your pen and paper out, cc30388cc@yahoo.com . Then email Harper ( ChrisHarper16Wildkat@gmail.com ) and Mike ( BookingTheTerritory@gmail.com ) letting them know you submitted $5 to Harper's paypal and he will answer your question on an upcoming show.  Information on Harper's Video Shoutout, Life and Relationship.  1. First things first, email Harper with the details of what you want in your video shoutout or who the shoutout is too. His email address is ChrisHarper16Wildkat@gmail.com . Also in that email tell him what your paypal address is. 2. Paypal him $20. Harper's PayPal is, get your pen and paper out, cc30388cc@yahoo.com .  3. Harper will then send you the video to the email address that you emailed him from requesting your video shoutout. That's it! Don't email the show email address. Email Harper. If you missed any of those directions, hit rewind and listen again. BTT Facebook Group! (WARNING: Join at your own risk) https://www.facebook.com/groups/281458405926389/ Pay Pal: https://www.paypal.me/BTTPod Follow us on Twitter @BTT_Podcast, @Mike504Saints, @CJHWhoDat and Like us on Facebook.  Follow us on blue sky or whatever its called: Mudshow Mike and BTT Podcast

In this episode of Fine Tooning, Jim Hill and Drew Taylor cover a busy week in animation and theme park news, including: Drew's full report from FanFest Nights at Universal Studios Hollywood, including Back to the Future Hill Valley experiences, new anime tie-ins, and what could be coming to the East Coast. King of the Hill revival update – A new panel announced for the ATX TV Festival, with co-creators Mike Judge and Greg Daniels and voice actors returning. The Simpsons streaming hiccups – Yellow Planet, the Earth Day episode, struggles to launch properly on Disney+. Annécy 2025 preview – Disney, Pixar, Marvel, and Lucasfilm prepare for a massive presence, including previews for Zootopia 2, Toy Story 5, Elio, and Eyes of Wakanda. Warner Bros. Animation's Cartoon Network 25th Anniversary Panel featuring Genndy Tartakovsky, Craig McCracken, Pendleton Ward, and Rebecca Sugar. Netflix rescues Genndy Tartakovsky's Fixed after Warner Bros. dropped it—world premiere planned for Annécy. New announcements – Disney Television Animation's Dragon Striker series, updates on Combat Carl in Toy Story 5, and more. Join Jim and Drew for the latest animation industry news, major event coverage, and a look at what's ahead! Be Our Guest Vacations Planning your next Disney vacation? Be Our Guest Vacations is a Platinum-level Earmarked travel agency with concierge-level service to make every trip magical. Their team of expert agents plans vacations across the globe, from Disney and Universal to cruises and adventures, ensuring you have the best possible experience without the stress. Learn More Learn more about your ad choices. Visit megaphone.fm/adchoices

BOSSes Anne Ganguza and Tolupe Kolade, a leading voice from Nigeria's vibrant voiceover scene, connect to explore the sonic tapestry of Africa's storytelling. They unpack Tolupe's experiences building a career and community within a dynamic market, offering a window into the unique challenges and triumphs of voice acting on the continent. Listeners will discover the crucial role of genuine expression in connecting with audiences, gain understanding of the industry's growth in Africa, and appreciate the power of shared narratives across borders. Anne and Tolupe also discuss practical pathways for aspiring voice talent and the evolving nature of the global voice landscape.   00:01 - Speaker 3 (Announcement) Anne changed my life a few years ago while coaching me for my commercial demo. Since then, I've been traveling throughout Europe and the UK and I never miss a VO Boss podcast. It's just how I start my Wednesday, no matter what country I'm in. I love that I can stay connected with her and continue to learn about VO even from across the pond. Love you, Anne.  00:23 - Speaker 4 (Ad) Hey guys, it's that season again. Are you feeling that tickle in your throat? Don't let a cold or flu slow you down. Combat your symptoms early with Vocal Immunity Blast, a simple and natural remedy designed to get you back to 100% fast. With certified therapeutic grade oils like lemon to support respiratory function, oregano for immune-boosting power and a protective blend that shields against environmental threats, your vocal health is in good hands. Take charge of your health with Vocal Immunity Blast. Visit anganguza.com to shop.  01:00 - Speaker 3 (Announcement) It's time to take your business to the next level, the boss level. These are the premier business owner strategies and successes being utilized by the industry's top talent today. Rock your business like a boss a VO boss. Now let's welcome your host, Anne Ganguza.  01:22 - Anne (Host) Hey, hey guys, welcome to the VO Boss podcast. I'm your host, Anne Ganguza, and today I am honored to have a very special guest with me today, all the way from Nigeria, Tolupe Kolade, also known as T-Code, which is such a cool, I love that name. He is a Nigerian voiceover artist, podcaster and coach, and a 2024 Sova's Award nominee for Outstanding Commercial Best African Voiceover. As the creator of Nigeria's first voiceover podcast, Everything Voiceover's, the African Perspective, and the creative partner of the Association of African Podcasters and Voice Artists, APVA, T-Code champions the African voiceover industry, mentoring new talents and collaborating with top brands to bring impactful storytelling to life. I love that. I love that so much. T-code, it is so nice to have you on the show. Finally.  02:13 - Tolupe (Guest) Finally, Thank you so much.  02:15 Anne.  02:16 It's been years of listening to you over the seas and I can't express how excited I am right now to share the same podcast with you being a guest. Oh my God, I feel so great.  02:29 - Anne (Host) Well, I'll tell you what. You sent me, oh my gosh, years ago, a really lovely audio testimonial about my podcast. And I just recently if obviously you've been listening to the podcast, you know that I never really did any ads or anything and I finally decided, gosh, I should do some ads for my own podcast for however many years. And so I started featuring some of the audio testimonials from people, and I featured yours and then, all of a sudden, I got flagged in this amazing video that you created for me and bosses out there, if you ever want to do a testimonial that will get the attention of a potential client right, this is a very boss move. I love this .T-code Create a lovely video that does a nice shout out, that expresses gratitude, and it was a lovely video and I was so touched that you took the time to create a video and, by the way, the production value was just amazing.  03:20  kudos on the production value of that. I mean it was insane, and I was just so excited that you were excited and I wanted to talk to you. I mean, with all these accomplishments, you are quite a VO boss, and so I was only too happy to ask if you would be on the show, and my apologies because bosses out there. I don't know about this time zone slash day but I completely messed up the first time that we were supposed to get together, so I'm just so glad that we're finally here.  03:48 So glad to have you on the show.  03:50 - Tolupe (Guest) Thank you so much.  03:51 - Anne (Host) Yeah, so let's talk about your start in voiceover, because I think a lot of bosses here we know what happens in our own little bubble here, but it's difficult to really find out what's going on in other countries. And how is voiceover? How is it doing in Africa? And you're championing it. So I think it's a wonderful start to talk about how you got started.  04:14 - Tolupe (Guest) Okay, so I'm going to talk about how I got started and then we talk about the industry in Africa. I got started officially in 20. So there was the 2016 version of me getting into voiceovers and there was the 2016 version of me getting into voiceovers and there was the 2020 version of me getting into voiceovers In 2016. It was more of broadcasting. As a broadcaster, I worked on radio and that was where I got introduced to the world of recording audio.  04:40 Prior to that time, well, even while I was in university because I graduated from the university in 2015, I did a bit of radio stuff and that was actually the first time that I would do a voiceover. I wasn't a presenter at the time, but someone heard my voice and said, oh, would you like to come to the university radio station? Which I said okay, yes, I did. And I got there and they said oh, said oh, okay, what stuff have you got? So the radio station's name was something around Versity Radio at the time and I just said you're listening to Versity Radio, something around that, and they were like whoa, that was great and they allowed me do the voiceovers for the radio station, the audio branding and all of that at the time, but then I wasn't schooled about voiceover. I didn't really know what it was, so I continued my radio journey.  05:29 2016. I would go to other radio stations and do the same thing for the radio stations and the presenters on the radio. Then, 2017, I started understanding what voiceover was because I was officially working on radio at this time.  05:43 - Anne (Host) Did you have your own radio  at this time, and did you have your own shows at that time? 05:47 - Tolupe (Guest) Yeah, I had a show on radio, but I was more on tv because the establishment was a tv and radio station combined. Okay, so I was doing more of tv, but they would call me to do some of the promos for some radio and tv shows and I would do all of those at a time. But I still didn't understand what voiceover was until fast forward to 2019. I was working in another radio station. The demand for my voice had increased and some money started coming in, but very little at the time. So I started getting curious to how the industry in voiceover was at the time. So I started asking questions, I took online courses and 2020 was when I got into voiceover officially. So there were different versions of that.  06:40 But late 2019, I took a bold step to find anybody who would need my voice on the internet. So I went on youtube and I found some youtube channels by africans who were doing voiceovers on their youtube channel as to narrate stories on the youtube channel. But they weren't professional voiceover artists. But compared to what I was doing at the time, I could read better. So I would respectfully reach out to them and say Hi, I'm a radio presenter and a voiceover artist here in Nigeria and I don't know if you don't mind, I would love to record your voiceovers.  07:14 At the time I didn't have any idea of exactly how the industry worked, but I just wanted a platform somewhere to put my voice out there. So I reached out to a couple of youtubers and one of them reached back to me and was willing to offer me some stipend monthly for recording voiceovers for a channel, and that was how it started. So the moment I got to realize that I could earn a living from voiceovers and there was opportunity for me to improve and grow my skills, I took it so serious and I started looking for resources and I think it was 2020 and 2021,. I discovered your podcast and it was just a whole new height for me because I was connecting to the voiceover industry globally and that really just opened my mind to more about voiceover. So that's the story of how I got into this.  08:05 - Anne (Host) I love that. So prior to that you were full time in radio.  08:08 - Tolupe (Guest) Yes, radio and TV. I did that for about six years.  08:11 - Anne (Host) Got it. Got it Radio and TV. So where did we're going to fast forward to the podcast? Because you've been doing your podcast for a while now and now you realize that it's a labor of love. It is something that does require like a focused, like passion to creating content that goes out there on a consistent basis. Talk to me about what drew you into the podcast. Were there other podcasts, voiceover podcasts, let's say, specifically in your area, that talked about African voiceovers or voiceover in Nigeria? What prompted you?  08:43 - Tolupe (Guest) Okay, so my first foray into podcasting wasn't because I wanted to podcast at the time, and this was in 2019. So I was working on radio. I needed a medium to save my radio shows right, because people would listen. And radio is a medium yeah, radio is a medium where people just listen once and you can't rewind, you can't listen again on the go. So I had that program I was doing on radio and I wish to archive it. So I was looking for ways to do this on the internet for free, and that was how I stumbled on podcasting, because, of course, you could just upload an audio and it's there.  09:22 Right, right, right. So that was how I started I love that that's so interesting.  09:24 So that was how.  09:24 I started. I love that.  09:25 - Anne (Host) That's so interesting because I have to tell you that I wanted to get into radio but I wasn't, and so I said, well, let me create a podcast  09:32 So it's very interesting, and that was my radio. 09:36 - Tolupe (Guest) Oh yeah, it still feels like radio because I resigned from radio. In 2021 to face Voice of Us full time. Oh, okay, in 2021 to face voiceovers full time.  09:44 Oh, okay, yeah but back to the question of how the podcast came to be. So, prior to the time I was entering into the voiceover industry, there was no voiceover podcast that I had heard of. And 2020, I took a course at the voiceover workshop. That's one of the few voiceover training institutions we have in Nigeria, so I realized that there was more to this. People did this full time. There was an industry around this, so I was curious to know more. Podcasting was already getting more popular at the time, so it just made sense that there should be somebody on the internet podcasting about voiceover. So a friend shared a couple of podcasts and then I saw this article the top 10 voiceover podcasts in the world. Your podcast was a part of them, with a couple of other podcasters that I respect a lot.  10:37 - Anne (Host) Wow, I didn't even know that. That's awesome. 10:40 - Tolupe (Guest) Yeah, and then I checked it out and I just fell in love with it because the style of the presentation you were so real, so relatable. It felt like you were trying to help people, just groom them, feed them and you break down the stings. So I'd stalk to your podcast and I'd listen and listen. And I checked the African space. At the time there was only one lady from South Africa podcasting about voiceover and it was quite refreshing to find her at the time, but not in Nigeria. I didn't find anybody in Nigeria. So I wanted to start because I felt it would be so great for voiceover artists in Nigeria to share their stories.  11:22 So people can know what we're going through, because a lot of things needed to be restructured in the voiceover industry at the time, in my opinion. But there was nothing like that. So from 2020 the idea came, but I had this imposter syndrome because I was like, oh, you're just young into the industry, how do you expect to be the guy to host people and just talk about voiceovers? So I delayed the idea till 2022. And in 2022, nobody was doing it. I'm like, well, you have to do it. So I started the podcast. Prior to that time, I had the experience of podcasting. I'd worked on radio, I understood how to record a deed and put things together, upload a podcast. So I just took all of that knowledge and I started the Everything Voice of Us podcast, the African Perspective, which was for Africans, by Africans, to tell African stories.  12:16 - Anne (Host) I love that, you know. What's so interesting is that I don't know if it's a prerequisite or a requirement to be the expert if you want to start a podcast, because for me, I remember, before I started the podcast I started my VO Peeps group because I had moved across the country and I wanted to kind of get to know the people in my industry, and so I basically started to interview my heroes. I didn't necessarily present myself as the expert at anything, but I was absolutely interested in sharing resources and educating the community, and I think that that is a great way to look at any type of a podcast that you want to start out there, bosses, so that you can share and educate, and I think that is a really great angle to come upon it. And so I think for you, you do a lot of interviews in your podcast and I'm sure people are very eager to get their voices heard as well, and so it's kind of a win-win for both, for both of you?  13:15 - Tolupe (Guest) Yeah, absolutely, absolutely.  13:17 - Anne (Host) Yeah, what would you say has been your biggest I don't know your biggest takeaway from now starting and having a successful podcast. What would you say is your biggest takeaway from now starting and having a successful podcast. What would you say is your biggest takeaway?  13:29 What's your biggest gift from the podcast?  13:29 - Tolupe (Guest) That's a huge question, 13:30 - Anne (Host)  And what's the biggest challenge?  13:33 - Tolupe (Guest) Okay, so first the biggest gift from the podcast and then the biggest challenge.  13:38 I think the biggest gift from the podcast has been connecting me with the world.  13:43 Like the world is so big and there are people waiting to be heard and people wanting to hear more, so my biggest gift is that I've been able to connect with the world and share that network, or the stories that I learned across the way, with people.  14:02 Because of the podcast, a lot of people know me and because of the podcast I can also access a lot of people from different parts of Africa and even outside Africa, and it has helped me to grow such network that many prominent things happening in the voiceover and audio creative space in Africa. I am often involved in most of these things and it's just a very humbling experience for me. So the network is a powerful gift that I've gotten humbling experience for me, so the network is a powerful gift that I've gotten. I think the biggest challenge for podcasting, as you've said earlier, anne, is that it's a should I use the word thankless job, or it's a service, it's something it is. Yeah, it's a very sacrificial thing to do because literally I don't know how it works over there, but we don't get paid in Africa for podcasting.  14:52 - Anne (Host) No, we don't get paid here either, and to get sponsors is very difficult.  14:57 - Tolupe (Guest) It is. It is so. It's something that if you are not convinced, if you are not passionate and selfless, you're going to burn out real quick. So I have invested my time, my energy, my money into this. I had to create a team. I mean, for the first two seasons of the podcast, I was doing this independently and since, in theory, I took on some boss moves. To be honest, you inspired me as well on this episode you did, where you talked about podcasting and you I think it was the beginning of this year you said something about how much you spent on podcasting the previous year.  15:34 It's not cheap, was it like $15,000 or something. It was like $10,000 to $15,000,.  15:39 - Speaker 4 (Ad) Yeah, yeah, and when I heard that I'm like guy, you can do more. People at the top do a lot to get to where they are. So I decided, okay, I'm going to invest more into this. And they are. So I decided, okay, I'm going to invest more into this. And my focus was to help him build a better voice of our industry. That has always been my inspiration to doing many of the things that I do. So, yeah, that's my gift and the biggest challenge, the fact that you're just doing it on your own. But, yeah, it's still a blessing at the end of the day, Right?  16:10 - Anne (Host) Now you mentioned that you thought there needed to be restructuring or you were wanting to be active in restructuring the voiceover industry in Africa. Tell us a little bit more about that. How has it evolved and what do you want to do to restructure that?  16:24 - Tolupe (Guest) Interesting. So, interestingly enough, yesterday I had a conversation with one of the very respected voiceover artists in Nigeria top voiceover artist on my Instagram page where we talked about the evolution of voiceover in Nigeria and I see something very similar to that in Africa. Voiceover for the longest in Africa, has been heavily associated with broadcasting. I believe it's almost the same thing every other place, but the difference is that for a lot of African countries that I have observed, voiceover is still somewhat glued to broadcasting, meaning broadcasters are the ones who officially do voiceovers.  17:04 Not many people come to claim the career to be voiceover artists. It is still being viewed as a part-time side hustle, right. So when I was coming in, of course it started as a part-time stuff for me as well, but I met a few nigerian voice actors, like eric maximus, who I was just referencing, e, and a couple of people like that. These people stood out as full-time voice actors Chilu Lemba, you know, femi Bakes these are my colleagues and I was inspired and also, listening to you, I realized this was possible. So the things that I felt could be restructured is that I needed people to see this more as a business, more as an industry and, gracefully, some people as far back as 1999, 2000 in Nigeria had realized this is what we needed to do, so they created an association in Nigeria at the time called the Association of Voice Over Artists in Nigeria.  18:08 Oh, okay, yeah.  18:10 And this association has been for about 22 years. But unfortunately the growth of the association has seen a lot of challenges because technology came quicker the old era of voiceovers, where everybody had to go to physical studios with the agencies and directors and all of that had gone, but a lot of people here were stuck in that era. So the new era of having a home studio, you know, and working with international rates and how things are being done live sessions, directed ones these things were into the norm over here and I felt that we needed to do better. Our rates weren't standard, as it were, very low at the time when I came, and just the attitude of people towards voiceover is just like a side hustle. People didn't respect the craft. So these were the things that I wished could change.  19:06 Also, if you look at the American space, you had organizations that would fight for voiceover artists and you had resources for voiceover artists the coaches. There were people who had written books, there were award shows and things like that. We didn't have so much of those here. You hardly would find any book written by anybody about voiceover If you go to the internet, any book written by anybody about voiceover. If you go to the internet. There were no like very scanty.  19:35 So I felt like people needed to own this craft, people needed to build the industry, and I had to do what I had to do. There were a few companies, like training institutions that existed already at the time, so I just had had to contribute. I joined the association, joined another association called the African Association of Podcasters and Voice Actors, and together we started forming the policies and the building blocks, creating resources for voiceover artists, for podcasters in Africa, creating events like award shows. So we have the APVA Awards, we have webinars. We started creating these things and I must say it's been an interesting journey, a challenging one as well, but quite an interesting one since then.  20:17 - Anne (Host) Yeah, absolutely.  20:18 It's kind of like you're building it from the ground up, which I think is really amazing, and that is something that having knowledge of building things, being a kind of a pioneer in building things as the technology evolves and as our space voiceover industry grows.  20:33 It's a lot of thankless things, a lot of donation of your time, and so I think it's wonderful that you have really kind of gotten in on the ground floor so that you can help to develop policies and guidelines and then also you have a platform that's able to broadcast that out to the world.  20:51 And what I love is, and what I'm hoping, is that our connection here can also help you to be even more globally known, because that, of course, as I mentioned multiple times on my show, the podcast actually cost me money, but it also gives me a lot back in terms of people know who I am, lot back in terms of people know who I am, and so I think we know, and I think you must also know, that that is one of the most important things when you're trying to get your voice out there and when you're trying to become known as a business as well, so that you can survive full-time on voiceover.  21:23 Would you say that you are able to survive full-time on voiceover now, or is it still something that you are building? I know that it took me a few years to do that and you've been working already at it for a few years. Is it something that is a realistic goal for, let's say, I have been thriving as a voiceover artist full-time and I have colleagues who are also doing the same full-time, but we're not so many compared to the US, and the reason for?  22:01 - Tolupe (Guest) If you look at those of us who are doing voiceovers full-time, we are multi-skilled. We are able to record, we're able to edit and produce, we understand acoustics, we have learned about voiceover, we understand marketing as well. So it takes all of the skills to be able to stand and say, oh, I'll do voiceovers full-time, but majority aren't able to do that. Also, looking at the economic challenges and the reality surrounding what it takes to be a full-time voiceover artist, where in a country and largely in many parts of the continent, we don't have stable electricity, so you could be working and you run out of power, and that affects your work, especially if you're In your livelihood.  22:48 Exactly Right. So there's also the challenge of being able to erect or build a home studio for yourself, and also the fact that the equipment could be very expensive. Looking at our exchange rate, when we convert this equipment that costs some maybe $500 or $200 into Naira, whatever currency, it's a lot. So it's very challenging to decide to go full-time into voiceover, but for the few of us who are able to do it, it's also rewarding, especially and I must say, the fact that we get to work with clients out of Nigeria, especially clients from the us, using platforms like voice one, two, three and other pay-to-play sites. They open us up to opportunities with foreign clients and getting paid in dollars has its own advantage. So, yes, it's quite rewarding to work as a full-time voiceover artist, but it's also very challenging for a lot of us.  23:48 - Anne (Host) So what would be your best advice? That you would give aspiring voiceover talents in Nigeria Africa if they're looking to get into the industry. 23:57 - Tolupe (Guest) All right. So for people who are looking to get into the industry, the first thing that I recommend they do is to acquire knowledge. A lot of people still think, oh, you could just record voiceovers on your phone and I'm like, no, it doesn't work that way. So you need to learn, and I'm grateful that we have voiceover institutions in Nigeria and also other parts of Africa. We've got one in South Africa. That's the South Africa Voiceover Academy. In Nigeria, we have Voiceover Workshop Voiceover Academy. There are a couple of them and they've been able to come together to gather the body of knowledge needed for young voice artists to start. So I recommend. Second thing I recommend is podcasts. Listening to podcasts helps to develop the required skill in a sense, because you're listening to experts in the field. Now, I've been learning from you for many years and we had never met and it's been free, so that's the beautiful thing about podcasts.  25:01 It is a beautiful thing, isn't it? Yeah, it's absolutely free.  25:05 So I encourage people because you might not be able to afford hundreds of dollars to have Anganguza or any other top voiceover artists, so listen to podcasts. I recommend that as well. The third thing is to practice and take the big step, because I've also been coaching people in voiceover for a while. I realized that oftentimes they come, they train but they don't implement. There's this fear and imposter syndrome of calling yourself a voiceover artist. They hardly make the bold steps, they don't do demos and put themselves out there. They're waiting to be perfect, they're waiting to get it all figured out. So they compare themselves to someone like me or other colleagues of mine or people ahead of me and they're like I don't have what it takes, I don't sound like you just yet. So I always encourage them Start now, when nobody even really knows you so much. Make the mistakes Grow, because we all started somewhere. We didn't start perfect. So these are the things that I'll encourage them.  26:07 - Anne (Host) And I also think and this is kind of my big thing when I have students that say, well, I don't sound like I'm not there yet I'm like in reality and I think you must know, because you've had such a lengthy experience in being on camera and also in radio and podcasts when you connect with someone, nobody's really listening to how you.  26:27 I mean, yeah, we can sound good, but in reality that is only like a temporary, fleeting thing, that, okay, it sounds good, it sounds clear, I understand you, but when we connect, we connect on an emotional level and that really comes into the storytelling, that comes into that point of view that we're able to express. And I think that podcasting helps us to do that, like, especially if it's a conversation between you and I. But I use those skills in my voiceover to connect with that theoretical client and that's really where it becomes the most important. So how important would you say the connection in storytelling is for, let's say, the current trend and styles that are happening in your area? I mean because globally, I think we all need to be able to tell stories. But I'm just curious in terms of locally, when people hire you, are they hiring you for that big, deep, booming voice? Or are they also hiring you for that storytelling capability?  27:18 - Tolupe (Guest) That's a very good question, because in the continent, especially in Nigeria, I'm going to take Nigeria we have been very influenced by the Western cultures the things we see from movies in hollywood, the cartoons that we've seen growing up, so these has heavily influenced how we tell our stories in the media. There's still a lot of true storytelling, I must say, but when people think about voiceover, a lot of young people think about Disney, they think about all the Cartoon Network stuff and what that affects is the accent. So they're tempted to want to sound like the kids they watched growing up. They think that's what voiceover is. And it doesn't mean that's not what voiceover isn't. It just means the people you see on your screens.  28:14 They're telling stories that are relatable to them. It's their local stories. The animation you watch, even though it's fiction, but the communication, the nuances, you know all of those expressions. They're very akin to wherever they come from. Over here there's a way we tell our stories, the way we crack our jokes, the lingua. It's very local. So it's a lot of work to try to explain to upcoming talents that see, your accent is good enough yourself.  28:50 The way you sound is good enough. It's good enough you are enough.  28:54 You don't have to sound like barbie. You don't have to sound like right.  28:58 - Anne (Host) I'm so glad that you like this. It gets me emotional actually. I'm so glad that you like this. It gets me emotional actually, because I'm so glad that you said that, because it's important for not just locally you, it's important for us, it's important for the world to hear those stories. Right, it's important for us to understand you and how you tell stories, because it may be different than how I tell the story, but it's certainly very interesting to me.  29:19 You know what I mean.  29:25 And it's something that I feel I could benefit from hearing and I could enjoy it and it could be educational, it can be entertaining and I think just getting that experience and that culture and that storytelling is so important to a global audience.  29:35 Yes, absolutely, which I?  29:36 think is important to your business, which?  29:38 is so important to your business, so I think for anyone and I love how you talk about the imposter syndrome, which I think we all have.  29:44 I think that's a global thing, right? Everybody has imposter syndrome I still think, at the very heart of it, the fact that we can share and that we can communicate and we can connect with one another, that is something that is very much wanted and desired.  30:03 It may not be, as, let's say, marketable in certain places yet. Right, because even in America there's a lot of places that say they want the conversational connection, but yet a lot of times what you hear on television turns out to be something different because of whoever's directing you, whoever is hiring what they hear in their head. Right, Because they could have grown up with those kind of announcer kind of broadcast sort of sound and that's who ended up directing you and that's how the commercial sounds or that's how whatever it is that you're doing sounds. But I do believe that when it comes to people that really want that connection, that engagement with their brand, that they're going to hopefully continually go more and more into the storytelling aspect and it becomes less about your voice and more about how you can reach that person that's listening to you at the other end of the mic in reality.  30:52 So, yeah, I think it's all about the connection. So let's talk a little bit about any type of, let's say, memorable story or project that showcased your unique storytelling. Is there anything that you can talk about that is out there on a global level that can really speak to your unique storytelling?  31:14 - Tolupe (Guest) Now that you say memorable, I've done a couple of voiceovers for different brand. I think the most recent that I did was for coca-cola. So I've done a couple of voiceovers for different brands. I think the most recent that I did was for Coca-Cola, so I've done a couple of them. I think the two most memorable would be getting cast on one of the biggest animations to come out of Nigeria, which would actually be out next year, 2025. And that animation is called Iyanu. It's going to be on Cartoon Network on.  31:42 Showmatch in Africa. So I'm one of the cast and it was such an honor to be on that because it's not just a cartoon for the world to enjoy, but it captures African stories. The entire cast were Nigerian, so we spoke the true Nigerian accent. It was quite a mix of traditional and youth, friendly and young. You know all of that, so I'm happy to be on that. I play a character called Shiju, which people would come to find out much more about later. Then the other one would be.  32:16 Recently I did a voiceover for a friend. She started this podcast and I recorded the voiceover and I just something about that voiceover stood out for me. It's on a podcast anyway, so, um, it's memorable to me personally. It's not like it's for a global brand of some sort, but it's just something that when I think about that particular voiceover maybe because the way I read it it was just so real and I just felt everything in that script Very powerful story, very touching experience. It's titled the First and Last Time I Saw my Parents Dance and that story was just so powerful. So, yeah, that works for me too. It's on podcasts and platforms.  33:02 - Anne (Host) Awesome. Well, I'll be connecting those links up in the show notes for any of those bosses that are looking for more information. So tell us what's next for you Any exciting projects on the way or other goals that you're working toward. Any other associations you're going to pioneer. Any other associations you're going to?  33:21 - Tolupe (Guest)  Next up for me is my youtube channel. Already I have the podcast running on youtube, but I am planning on creating a youtube channel where I talk more about voiceover extensively, particularly for Nigerians and africans my extension, so that is going to be coming up next year. I also am working on some online courses. Although right now I teach voiceovers, I mentor people one-on-one. I also teach voiceovers with other voiceover institutions of learning in Nigeria, but I realized that there's a lot of demand out there and I can't always be physically there to teach over and over and over. It's very demanding. So I'm putting together an online course that will be available, and my website is also in the works. So by January 2025, everything will be ready. So these are the things I'm working on.  34:13 - Anne (Host) Well, that's quick, that's like next month. Yeah, I love it. So tell our bosses where they can find you, where they can learn more about you. Follow you on socials.  34:25 - Tolupe (Guest) Okay, so my Instagram handle is tcode70. That's T-C-O-D-E underscore 70. My YouTube channel is I am tcode70. So you can find me on YouTube and on TikTok I'm also tcode underscore 70 TikTok. Tcode underscore 70. On X, which is formerly Twitter, my website will be out really soon will be, I mean, launched so my website is iamtcode.com Iamtcode.com.  34:57 - Anne (Host) Love it, love it. And that's coming January, January 25. So now I'm hoping that I myself am releasing a new website that is supposed to be out in January of 2025 as well. So it's just a little refresh of my brand.  35:10 So  oh my gosh, it has been so much fun chatting with you and I am keeping my fingers crossed for Sunday, which is coming up in a few days, to find out about that Sova's nomination. But the way I feel if you're nominated award nominated is just as good as award winning in my book, and actually even that is subjective. But yeah, my fingers are crossed for you and I'll be listening. I've got a couple nominations myself that I'm going to be you know. We'll see if that works out and in the meantime, it has been such a pleasure chatting with you and I want to actually check up with you next year again so that we can reconnect and see what other amazing things you've done, because you are definitely a VO boss for sure, and it's been a pleasure chatting with you today.  35:56 - Tolupe (Guest)  you so much, and it's been a pleasure chatting with you too, and thank you for inspiring me and millions of others, because, yeah, a lot of people are still going to listen to this. Podcast is a platform that people can listen to many years to come, so thank you so much, Anne.  36:12 - Anne (Host) No problem, all right, I'm going to give a great big shout out to our sponsor, ipdtl. You too can connect and network like bosses, like Tico to myself. Find out more at IPDTLcom. Bosses, have an amazing week and we'll see you next week. Bye, bye.  36:28 - Speaker 3 (Announcement) Join us next week for another edition of VO Boss with your host, Anne Ganguza, and take your business to the next level. Sign up for our mailing list at VOobosscom and receive exclusive content, industry revolutionizing tips and strategies and new ways to rock your business like a boss. Redistribution with permission. Coast to coast connectivity via IPDTL.   

We said it, Iyanu is the Blackest Anime In Existence, and not only that it is a beautiful tale steeped in Nigerian and Yoruba culture. Required watching for everyone, but before you jump into the first season, airing now on Cartoon Network, sit down as Tatiana and Benhameen interview some of the cast and creators of the soon to be hit series!Anything you want to know about Iyanu, it's characters, and what went into the Afro Futuristic world building? You know we got you. Press play, and then peep Iyanu as soon as you can! Thank you for watching!!!FOLLOW ON SOCIAL: Twitter.Com/ForAllNerds Instagram.Com/ForAllNerds Twitch.TV/ForAllNerds GET YOUR FORALLNERDS MERCH HERE: Forallnerds.com PATREON: Patreon.com/ForAllNerdsBecome a supporter of this podcast: https://www.spreaker.com/podcast/for-all-nerds-show--5649266/support.

Glennon and Abby welcome their dear friend Cameron Esposito to discuss: 1. Cameron's brutiful relationship with her body–and how it feels playing a sexy TV role. 2. The way Cameron grew up using humor as self-defense and to become socially “valuable”–and the moment she wondered if comedy was no longer working for her.  3. Why Cameron says she's able to cry for the first time in 35 years.  4. How as a gender-nonconforming queer kid, Cameron felt “overnoticed”–and how being a comedian allows her to “hide in plain sight." 5. The rule Cameron and Glennon made to help them become better at friendship. CW: eating disorders About Cameron: Cameron Esposito is a queer, gender non-conforming standup comic, actor, writer and host. As a standup, Cameron has headlined tours and festivals nationwide and internationally. As an actor and host, Cameron has been seen across television and film, appearing in big budget films and beloved Sundance indies, and on Netflix, HBO, NBC, ABC, CBS, FOX, Starz, Comedy Central, Logo, TBS, IFC, E! and Cartoon Network. Cameron's podcast, Queery, features hour long conversations with some of the brightest luminaries in the LGBTQ+ community, including Emmy and Grammy winning performers, Olympians, politicians, even an astronaut. Cameron's writing has been published by The New York Times, Vulture/New York Magazine, Vanity Fair, Bon Appetit, Refinery29 and more. Cameron's first book, Save Yourself, was an instant bestseller and is available in paperback March of 2022. Next up, Cameron is set to recur on the ABC series A Million Little Things and appear in HBOMax's Moonshot. Cameron lives in Los Angeles and likes to swim. TW: @cameronesposito IG: @cameronesposito To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices