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In this episode of Unstoppable Mindset, Michael Hingson welcomes Karolyn Grimes, best known for her unforgettable role as Zuzu Bailey in Frank Capra's timeless classic It's a Wonderful Life. At 85, Karolyn brings not just cherished memories from Hollywood's Golden Age but profound lessons in faith, resilience, and gratitude that still inspire today. She shares vivid behind-the-scenes stories of working with Jimmy Stewart, Cary Grant, John Wayne, and Maureen O'Hara—moments that shaped her life long after the cameras stopped rolling. From learning her lines at six years old to celebrating a surprise birthday on the set of Rio Grande, Karolyn offers a heartfelt glimpse into the wonder and warmth of old Hollywood. But her story reaches far beyond fame. After losing both parents by age fifteen and later enduring the heartbreak of losing her husband and son, Karolyn rediscovered purpose through the enduring message of It's a Wonderful Life. Today, she travels to Seneca Falls, New York—the real-life Bedford Falls—attends festivals, supports the Zuzu House foundation, and co-hosts the Zuzu All Grown Up podcast, continuing to spread the film's message of hope. Michael and Karolyn also share exciting plans for a Richard Diamond, Private Detective radio drama at next year's REPS showcase. Filled with nostalgia, laughter, and heart, this episode reminds us that no matter the season—or the challenges— “It truly is a wonderful life.” Highlights: 01:24 – Hear how Karolyn's early music and elocution lessons opened doors to a Hollywood career at just six years old. 07:50 – Discover how losing both parents by age fifteen changed her path and led her to a quieter life in Missouri. 14:51 – Learn what it was like to work under Frank Capra's direction and how he brought out the best in young actors. 19:12 – Feel the kindness of Jimmy Stewart as Karolyn recalls a moment when he turned a mistake into encouragement. 27:20 – Relive her birthday surprise on the set of Rio Grande with John Wayne and a cake she'll never forget. 31:29 – Get a candid glimpse of Maureen O'Hara's fiery personality and how it lit up the screen. 47:23 – Walk with Karolyn through Seneca Falls, New York—the real-life inspiration for Bedford Falls—and its annual It's a Wonderful Life festival. 58:27 – See how she keeps the film's spirit alive today through public appearances, the Zuzu House foundation, and her Zuzu All Grown Up podcast. About the Guest: Karolyn Grimes is an American actress best remembered for her role as Zuzu Bailey in Frank Capra's timeless film It's a Wonderful Life (1946), where she delivered one of cinema's most cherished lines: “Every time a bell rings, an angel gets his wings.” Born in Hollywood, California, in 1940, Grimes began acting as an infant and appeared in 16 films during her childhood, including The Bishop's Wife (1947). Her early career placed her alongside Hollywood legends like James Stewart, Donna Reed, Loretta Young, and David Niven. She later earned honors such as a star on the Missouri Walk of Fame and the Edwin P. Hubble Medal of Initiative for her contributions to film and culture. Grimes' personal story is one of remarkable endurance. Orphaned by age 15, she was sent from Hollywood to rural Missouri to live with strict relatives, yet she persevered and eventually became a medical technologist. Life brought both love and heartbreak—two marriages, seven children, and the tragic loss of her youngest son and husband. In the 1980s, renewed popularity of It's a Wonderful Life reconnected her with fans and co-stars, inspiring her to embrace the film's message of hope. Today, she travels widely to share her memories of the movie, appears annually at the Seneca Falls celebration that inspired Bedford Falls, and continues to spread its enduring message that every life truly matters. Ways to connect with Karolyn: podcast site, www.zuzunetwork.com Facebook page Karolyn Grimes, www.zuzu.net About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson ** 01:20 Well, a gracious hello to you, wherever you happen to be today, I am your host, Mike or Michael. I don't really care which hingson and you are listening to or watching unstoppable mindset. Today, we get a chance to chat with someone who, well, you may or may not know who she is, you will probably by the time we're done, because I'm going to give you a clue. Probably one of the most famous lines that she ever spoke was, whenever a bell rings, an angel gets its wings. And you are right, if you guessed it, you get to meet Zuzu or Karolyn Grimes. Today, I met Karolyn a few years ago when we were both involved in doing recreations of old radio shows with the radio enthusiasts of Puget Sound, and we have had the opportunity to chat and do things together like other recreations ever since. I'm going to miss, unfortunately, the one in September, because I'm going to be off elsewhere in Texas doing a speech. But what do you do anyway? Karolyn or Zuzu, whichever you prefer, welcome to unstoppable mindset. We're really glad you're here. Karolyn Grimes ** 02:35 I'm so disappointed I don't get to see your dog. Michael Hingson ** 02:40 Oh, next time. Okay, see we and you know that's the thing Carolyn is, just like everyone else, it's always all about the dog. Forget me. That's okay. It's okay. He loves it. Karolyn Grimes ** 02:58 Well, I'm sorry you're not coming. Because you know what, I really am going to do a fantastic part that I love, and that's playing Loretta Young's part in the bishop's wife, the bishop's wife, right? Yes, and you're going to miss it. Well, I Michael Hingson ** 03:14 will probably try to at least listen on the internet and and hear it. I think that'll be fun. It's a it's a great part. Well, you were in the bishop's wife originally, weren't you? Karolyn Grimes ** 03:25 Yes, I was, who did? Who did you play? I played Little Debbie, who was David Nevin and Loretta Young's little girl, and Cary Grant was an angel who came down to straighten my dad out, Michael Hingson ** 03:43 and at the end he straightened him out, but there was never any memory of him being there. Was there. Karolyn Grimes ** 03:50 That's right, he was erased, yeah, Michael Hingson ** 03:56 oh, you know, it's all about doing it, and not about him. So it's okay. I think I thought Cary Grant did a great job. I really always was wonderful, wonderful. What was he like to work with? And what was David Nevin like to work with, much less Loretta Young? Karolyn Grimes ** 04:13 Well, at the beginning of the movie, they told me not to go near David Nevin. Don't bother him. So I never did. I just had the feeling he didn't like kids or something, I don't know. But Loretta Young was cordial and nice, but she pretty much sat in her chair and studied the script most of the time, so I didn't really get to visit with her all that much, but boy, Cary Grant was hands on. Oh, he was great. He there was a lot of snow in the movie, and there was an ice skating scene, and there was actually an ice rink on our stage. So every day at lunch, he would come and get me and. And he pulled me around on a sled while he practiced ice skating. And that was so much fun, Michael Hingson ** 05:08 cool. And that was all in Hollywood, right? 05:11 Oh, yes, Michael Hingson ** 05:15 I, I always found it interesting. We went to see the Rockettes a couple of times at Radio City Music Hall in New York. And it was interesting to see their, quote, ice skating rink, which was, was a very smooth floor and and they could raise it and lower it and all sorts of things. It was. It was kind of fascinating to actually know about that. And I actually got a chance to go look at it was kind of pretty interesting. Karolyn Grimes ** 05:45 Can you imagine, they actually made a skating rink on stage. I mean, you know, yeah, before miracles. Michael Hingson ** 05:55 Well, tell us a little bit about, kind of, maybe the early Karolyn growing up, and, you know, how things got started and and what you did a little bit? Well, my Karolyn Grimes ** 06:04 mother gave me all kinds of lessons. I was an only child, and so when I was about, I guess, three, she started me on the piano, the violin, dancing, which never took singing, and even elocution, diction, everything I had lessons coming out my eyeballs and I played the violin and piano. Michael Hingson ** 06:30 So did you ever? Did you ever compete with Jack Benny playing the violin? Not hardly just checking. Karolyn Grimes ** 06:37 I did win a scholarship, though, to go to college on my violin when I was in high school. So, you know, I I played it for a long time, but I didn't play the piano, just I stuck with the violin and I did singing. I did a lot of vocal stuff when I got older, but when I was little, she gave me all these lessons and and I can remember saying, Well, I really don't want to go to school today if I stay at home and I practice my elocution, or I practice this, or practice my piano or whatever, well, then could I stay home and she let me stay home from school so I would practice. Michael Hingson ** 07:21 Yeah. Did you ever Karolyn Grimes ** 07:23 go ahead? That's fine, that's all. Michael Hingson ** 07:26 Did you ever ask her or ever learn why she was so adamant that you took all these kinds of lessons when you were young and so on, as opposed to just going to school and so on. Well, Karolyn Grimes ** 07:38 unfortunately, she started getting sick when I was eight years old. And, you know, I was too young to think about asking questions like that, you know. And then she died when I was 14. So that was kind of the end of my career, for sure. Michael Hingson ** 07:55 Well, yeah, and sort of it was but, but you never really did learn why she was so so steadfast in her beliefs that you had to take all of those lessons. Karolyn Grimes ** 08:07 I had no idea, because when she started getting sick, she had early onset Alzheimer's, and so, you know she wasn't, you couldn't communicate. Michael Hingson ** 08:18 Really, yeah, yeah. And it was only when you were old enough that that started. So, yeah, you really couldn't get a lot of information and do a lot of communicating. I understand that. No, and you didn't have much time after that to really talk to your father about it either. No, I didn't. Karolyn Grimes ** 08:41 He died a year after she did. And I was 15, and the court in Hollywood shipped me to a little town in Missouri. I think there were 700 people in the town, or something like that. Yeah. So it's quite a culture shock, but it was the best thing that ever happened to me. Get me out of Hollywood was great. Michael Hingson ** 09:01 So what did you do then? So you were now 15, and they sent you off to Missouri. Why Missouri? Karolyn Grimes ** 09:09 Well, those were the only people who volunteered to take me. I had a lot of people in LA, where I lived, who would have taken me, but my father didn't leave a will. So when I asked the judge, I said, Do I have any say at all about who I go to live with? And he said, whatever you want is like a drop in the bucket. So needless to say, my mean aunt and uncle took me back to Missouri, in a little town, but it was like, I say the best thing ever happened to me, because they're real people. They weren't phony. They were they were serious and and they were loving and kind, and they realized I was in a. Horrible home situation. So they really my teachers and merchants, everybody knew, and they really made up for that. They made my life livable and that I will never forget it, and I will always love that town, because Michael Hingson ** 10:19 what town was it? Osceola, Karolyn Grimes ** 10:21 Missouri. Oh, Osceola. Okay, I've heard of it. 800 people in there or something. Michael Hingson ** 10:27 You said they were your mean aunt and uncle. Why did you Why do you call them mean? Karolyn Grimes ** 10:34 My uncle wasn't mean, but he was beaten down by his wife. She would her. Her best ploy would be to if I did something wrong, she would punish other people. And that was worse than punishing you. Yeah. So it was very, very hard to not do something wrong, because I kind of seemed like I did all the time. Michael Hingson ** 11:05 Yeah, you didn't know what the rules were. No, yeah, that that made it, made it very tough. So what did you do once you went back there? I assume you went to, you finished school. Karolyn Grimes ** 11:21 Yes, I finished school, and then I went to college. Where did you go? Well, it was called Central Missouri State at that time, and it was the home of the mules. And of course, my major was music, so that was what I did, mostly with my life, but I ended up going into science and I became medical technologist. Michael Hingson ** 11:46 Uh huh, well, the mules, so you majored in music. Did you get any advanced degree or just get a bachelor's? Karolyn Grimes ** 11:57 No, okay, I changed everything and decided that I need to make money instead, to survive, Michael Hingson ** 12:05 yeah, you got to do some of that kind of stuff. Yeah, you do. It's one of those, those things that happens. So what did you do after college? Karolyn Grimes ** 12:13 I got a job working for medical office in was kind of a clinic in Kansas City, Missouri, okay? And I spent probably 15 years there, maybe, maybe more I remember for sure, and that's, that's what I did. Then after that, I retired and raised a bunch of kids. Michael Hingson ** 12:42 Well, that's a worthwhile endeavor. 12:46 It's stressful. Michael Hingson ** 12:50 Well, you know, but as long as they don't call you mean, then that probably counts for something. Karolyn Grimes ** 12:56 Yeah, they didn't call me mean. Well, Michael Hingson ** 13:00 there you are. So you you did all of your your acting and movies and so on, kind of at a younger age, you didn't go back into doing any of that. No, I Karolyn Grimes ** 13:11 didn't, but I did get active in the theater scene in the Kansas City area. So I did quite a few plays, and I had a really good time doing that. Okay, only problem with that is you have to memorize so much. Michael Hingson ** 13:27 Yeah, you can't use cue cards and you can't use a script, Karolyn Grimes ** 13:30 yeah? So I tried to work and do that, yeah, it's kind of tough, but I did. I the last one I did. I think I was 40 something, but it was fun. I loved it. Michael Hingson ** 13:44 So what, what kind of maybe famous plays were you in? Karolyn Grimes ** 13:49 Not famous? They were small ones. And honestly, I can't even remember what they were. I it's in my mind, one, the last one was musical, and it was kind of a Western. I can't remember what it was to save my soul, but that's, that's privilege of getting old. Michael Hingson ** 14:09 Yeah, you never know. You might remember one of these days, Karolyn Grimes ** 14:14 yeah, oh, I will, I'm sure, probably about an hour from now. Michael Hingson ** 14:18 Yeah. Well, so going back earlier, what was the first movie you were in Karolyn Grimes ** 14:27 that night with you, and that starred, Oh, see, there goes. My mind again. It was an opera singer. Can't think of Suzanne, York, oh, okay, and it had Irene Ryan, who was in the hillbillies. She was a maid. And it was, it was a Christmas scene, or it was section of the movie where I was one of. Five orphans that were sent. This opera singer wanted us to give us a Christmas night. We were from an orphanage, and so she had us come. We were going to spend the night, and she had presents for us and all that sort of thing. And the first thing I did was break an ornament on the Christmas tree. Oh, dear. Ah, so the kids got mad at me, because they knew we were going to be sent back to the orphanage. But anyway, in the end, she held me on her lap and sang a lullaby to me, and I will always remember that. Michael Hingson ** 15:39 Yeah, you mentioned Irene, Ryan, granny, which was, yeah, she was in. She played a maid. What a character she 15:46 was. She was a maid. Michael Hingson ** 15:50 Then what did you do after that movie? How old were you for that movie? I was four. You're four. So you do remember it sort of, yeah. Karolyn Grimes ** 16:01 Just don't remember names particularly. I mean, yeah, but you were really funny about it that the there was one agent, pretty much, that had all the kids in her stable that worked in the movies back then. It was an easy thing, and she had Jimmy Hawkins, who was Tommy, and it's a wonderful life. And she also had his older brother, and his older brother was in that particular movie with me, so it was kind of a family affair all every time you went to an audition or an interview you saw the same kids over and over. Michael Hingson ** 16:49 Well, how did you end up then being in It's a Wonderful Life. What? What did they what does it think and decide that you were the person for Karolyn Grimes ** 17:01 it. Well, nothing really special. You know, I went on the interview back in the day. They didn't have what they do today. They had interviews where you went, and you had a one on one situation. Maybe five or six us girls would go to the interview, and then they'd bring another batch in, and that's kind of how it went. And most of us, as I say, had the same agent, so we, my mother took me to the interview, to the and it's like, it's not like an audition, it's an interview, and you actually go in and talk to casting director. And you know, you know, do what they tell you to do. So in this particular interview, there was a little girl who accidentally spilled some coffee on my dress. Her mother's coffee on my dress, because so back then, we all wore dresses, and I just didn't think a thing about it didn't bother me to have a dirty dress. I just I went in and did my interview. When I went in there, I meant Frank Capra was in, ah, and he interviewed and and cast every single person in that film, even the extras. That's how precise he was. But I went in there, and I remember he asked me how I would look, how I would act if I lost my dog and he died. I gave him my spiel, all with a dirty dress, but didn't bother me a bit. Came out, and then when we were leaving, I heard my mother mentioned to one of the other mothers that she felt like that, that girl's mother had had her spilling on purpose so they would intimidate me. But I didn't know it. I didn't realize it, and didn't bother me a bit. Michael Hingson ** 19:11 What did you say when Frank Capra asked me that question? Do you remember? Karolyn Grimes ** 19:16 Well, I I didn't say anything. Michael Hingson ** 19:20 I just looked, no, I mean, about the dog? Karolyn Grimes ** 19:22 Well, I just looked, oh, you know, yeah, squeezed up kind of teared, and was unhand picked. That was, you know, there was no line involved. It was just that, well, she must ask the other lines, but I don't remember, I just remember that. Michael Hingson ** 19:46 So what was he like to work with? Karolyn Grimes ** 19:49 He was wonderful, absolutely wonderful. He would get down on his knees so that he could communicate with those kids. And I. I thought that was really great, and I'm sure you got a lot more out of us by doing that. Rather than looking down on us and telling us what he wanted Michael Hingson ** 20:09 us to do, he made you feel like a part of it all. Karolyn Grimes ** 20:13 Yes, he did. He gave us a lot of power that way. Michael Hingson ** 20:17 Yeah, and what was it like working with Jimmy Stewart and Donna Reed. Karolyn Grimes ** 20:22 Well, you know, I didn't have any scenes with Donna Reed, except that being the movie, that's true. I didn't have any interaction with her. I had no lines. I don't even remember Donna Reed, but he was my focal point. Jimmy Stewart was fabulous. He was kind, considerate, and I fluffed a line in the pedal scene, and he said that, that's all right, Carolyn, you'll get it right next time. And it was things like that, you know, that made a difference between, if you messed up online, where they would get aggravated with you, and then you probably mess it up again. But he did the right thing. He made me not feel bad about it, and encouraged me to do it again. Michael Hingson ** 21:17 It's, it's interesting, and it, it's a great lesson to you know, to point out that when when people help empower and they aren't negative and are encouraging no matter what you're doing, that counts for a lot. And I I find that when I encounter people who just decide they're going to be mean because they got to boss you around and do all sorts of obnoxious things to try to intimidate you and so on. In the long run, that is just so unproductive, it seems to me. Karolyn Grimes ** 21:49 Yes, I agree. I don't see what it accomplishes. Michael Hingson ** 21:53 Yeah, so I can appreciate what you're saying, and it makes a lot of sense. Well, I'm glad, and I always thought that Jimmy Stewart was that kind of a person, both he and Cary Grant both seemed sensitive, really concerned about people succeeding. They weren't jerks. Karolyn Grimes ** 22:13 No, they weren't. And caught up with him later in life, he was getting calls from a lot of people about whatever happened to that little girl. And so he had one of his secretaries Call Me and find Me and and he called me and we had chat. And here I am in Missouri. He's in Hollywood. That was pretty cool when you're 40 years old. When that was the first year I ever saw the movie after I talked to him. So that was kind of how it went. But then after that, I met him in New York at a function, and we spent some time together, and he was delightful, so kind, so Michael Hingson ** 23:01 generous. I remember when I first saw part of It's a Wonderful Life. It was back in the day when there was regular television. Then there was UHF, which was everything above, basically channel 13. And you had to have special at that time receivers to receive it. And one day I was, I just come home from high school, from classes, and I turned on the television, and it was a UHF channel, and I started scrolling across, and all of a sudden I heard Jimmy Stewart's voice, and I went, What's that? And it took me a couple of minutes of listening to it to figure out what the movie was, because I had heard about it enough that I I figured it out, but I listened to about half the movie, and then later I found the whole movie and watched it. And of course, also since then, I have had the opportunity to listen to radio broadcasts of it, like Lux radio theater and so on, where, where they did it. But I remember it well, yes, so did you do much of anything in in radio? Karolyn Grimes ** 24:13 Then? Not really, not really. I can remember being on the radio for the opening night of the bishop's club. That was really exciting. Michael Hingson ** 24:28 It's a lot of interesting movies back then. You know, It's a Wonderful Life The Bishop's wife in 1947 also, there was Miracle on 34th Street that people thought was never going to go anywhere. And it and also, Karolyn Grimes ** 24:43 I'm sorry, still alive today, it Michael Hingson ** 24:46 is and, and it's a classic. All three of them are classics and, and should be, right? So what did you do after the bishop's wife, from movie standpoint? Karolyn Grimes ** 24:59 Oh. Um, I think I really don't remember exactly, but I did some movies that were westerns, and I really liked those. They were really fun. I did Rio Grande John Wayne and off Scott and I did honey child with Judy Canova. Michael Hingson ** 25:28 I'll bet that was a 25:29 was a hoot. It was a hoot. What Michael Hingson ** 25:33 was Judy Canova like? Karolyn Grimes ** 25:36 Well, she was really nice. I played her niece, and I lived with her, and she was very nice. It's like that this particular movie, her mother had just died, so she was kind of not all happy, herself, still mourning, but she was very nice and considerate. And you know, she's the one that's saying, I'll be coming around when I come. Yeah, she'll be coming around the corner when she comes. That was what I always remembered her for, yeah. Michael Hingson ** 26:15 Oh, she was always quite the character. Karolyn Grimes ** 26:18 Oh, she was and she though she had that voice that was unusual. Michael Hingson ** 26:27 So what? What did you do? What was your role in Rio Grande with John Wayne and marine O'Hara? Karolyn Grimes ** 26:39 I was the school teacher's daughter, and we lived on a fort. We were in Moab, you daughter? Film it. Yeah, we lived on a fort. And I, my uncle was Victor McLachlan. And so the Indians came and raided us, and he they saved us and put us in a wagon to send us off to be safe. But the Indians got us and killed my mom and put us in the top of a Chapel Church, and that's where we were. And so they the three of the the people, I can't think of their names again. That's problem for me names, but I'll think of them eventually. They rescued us kids, and Victor McLachlan came to get me when the Calvary had gotten there, and I'm on a plat, kind of a platform, ringing the bell. I was ringing a bell throughout this movie, and I hit a bell. I hit Harry Carey Junior over the head with a bell. I always had a bell, so I'm ringing this giant bell to say it's okay for the Calgary to come in. And Vic McLachlan had to pull me off the platform and get me out the door and into a wagon to be rescued, because all his kids were being rescued. And so when he pulled me off that platform, I had this little dress on, and I got a big bad splinter in my bottom. Oh, gosh, it was horrible. It hurt so bad I was going to say, I bet it did. You can never show anything like that. So I did not show it. I just jumped off into his arms, and that was it. Michael Hingson ** 28:44 Well, I would presume they eventually got the splitter out. Well, my Karolyn Grimes ** 28:48 mom did, yeah, those things happen. Michael Hingson ** 28:53 So what was it like working with John Wayne and Marie? No Hara, what both, what characters they are? Oh, Karolyn Grimes ** 29:02 yeah. Well, John Wayne was just a booming voice. Yeah, he was a huge figure. He I didn't really have any relationship with him, but I had a birthday in the Fourth of July while I was there, ah, and the Korean flicked. Had just broken out. It was 1950 and the government had commandeered airplanes, so John Wayne managed to have airplane bring in a bunch of supplies, and it was one of them was a big, giant birthday cake for me, and bunch of fireworks. He had $300 worth of fireworks, and so we he threw me a party out on Colorado River bluffs, and we had glass. Do is really so funny. Said Happy birthday Little Miss Carolyn and Pat way and his son, who's my age, was out there too. He was he and Michael on school break for summer, and so they were part of the film. He was my age, so we hung around a lot. We were kind of upset because all we got to do with all those fireworks, two little sparklers, what Michael Hingson ** 30:32 was marine O'Hara like? Karolyn Grimes ** 30:38 I guess maybe she and Mr. Ford didn't get along very well, and she had a temper. He had a Michael Hingson ** 30:47 temper, an Irish temper, yes, yes. Karolyn Grimes ** 30:50 And I saw a lot of that. And one particular time we were in, they had a limo that would take us from the motel to the set which was on the Colorado River, and it was on this person's ranch. So we go down this terribly dangerous road to go to his ranch. At least it was dangerous to me. I was scared, definitely going to Fall River, yeah, because it was right on the edge. But she was angry, and we were in this limo, and she was with her hairdresser. They were in the front row, and my mother and I were in the back of the limo. She was cursing and carrying on about mister Ford, and I didn't pay any attention to it. And so her hairdresser said, Miss O'Hara, there's, there's a little girl in the back. She just kept right on going. But when she said that, I started paying attention what she was in and she was just a string of curses. It was so bad, she was so angry, and it was so funny. So she didn't, it didn't bother her to swear in front of the little child. Michael Hingson ** 32:14 Just think how much language and how much elocution you learned, huh? Oh no, I did because, oh Karolyn Grimes ** 32:19 yeah, potential, until she said that, then I listened. Michael Hingson ** 32:25 Just rounded out your vocabulary. Oh, Karolyn Grimes ** 32:28 yes, I've never heard words like that, and Michael Hingson ** 32:32 probably never did again, no, than the ones you used, but, you know, but still. Oh, that's, that's pretty cool, though. So, did you ever have any kind of an opportunity to reunite and be with all of the Bailey family again from the movie? Karolyn Grimes ** 32:53 Yes, in 1993 or four? Wow. It was quite a while, 60 years later, yeah, um, I had already been in contact with little Tommy. We've been conversing on a phone for about five years, but the target tour had, It's a Wonderful Life is a sort of a theme in their stores that year, and so they thought it would be a good ploy to have a reunion with the Bailey kids. So they brought us all together and put us on a tour. And that was when we all met up again, and I was so excited to do it, and that's the first time I actually saw people's response to this movie. We were in an autographed line at some of the targets that we went to, and people would come through the line and they share their stories about how the movie had affected their lives, and I was so impressed. I well, I just couldn't forget it. And so from that time forward, I became very enamored of sharing messages with other people, and I started doing various appearances and things like that. Michael Hingson ** 34:23 Yeah. So what other kinds of appearances have you done? Karolyn Grimes ** 34:28 Oh my gosh, I couldn't even begin to tell you lots. Well, that's good. All different kinds. I mean, you know, all different kinds. 34:38 Have you had 34:40 Go ahead. Thanks. Michael Hingson ** 34:43 Have you had any or any significant number of appearances and interviews on television over the years? Karolyn Grimes ** 34:50 No, just interviews, lots of interviews, live interviews. Yeah, yes, that's all never involved with anything again. And, but, yeah, I think I might do something kind of fun in September Michael Hingson ** 35:08 March or in in Washington. Karolyn Grimes ** 35:11 No, no, what in Ireland? Michael Hingson ** 35:15 In Ireland, be gosh and be Garda. Yes, what are you going to Karolyn Grimes ** 35:19 do? They're going, they're filming movie about Jimmy Stewart. Oh, and they want me to do a cameo. Well, cool. Isn't that fun? Michael Hingson ** 35:31 That'll be exciting. Yes, I'm really excited. Wow. So long later. I, yeah, you know, I, I, I've seen, of course, movies with Jimmy Stewart, and I remember seeing him once on The Tonight Show, Later in the period of The Tonight Show and so on. And I'm not sure how long after that, he he passed, but I remember his his appearance, which was kind of fun. Karolyn Grimes ** 35:59 Did you happen to hear him when he did the poem about his dog bull. Michael Hingson ** 36:04 Yeah, that's what I'm thinking of. That's the one I saw Karolyn Grimes ** 36:07 that was so tender and true. It was just really something. Michael Hingson ** 36:13 And the Tonight Show with Johnny Carson was such a wonderful show. I watched reruns of it regularly on some of the channels, and I just think that it's so much more fun than a lot of what we see in late night TV. Today, I do miss Johnny Carson. Yes, did you ever, did you ever meet him? Karolyn Grimes ** 36:32 No, I didn't. Michael Hingson ** 36:38 Well still, I remember old Bo Karolyn Grimes ** 36:43 Yes, he was a wonderful man. Yeah, they did a special thing in 19 a, 1990 it was they had a special event that was honoring him and all the people that he worked with, Allison, you know, all the stars that he'd work with. And so he invited me to come. So I went to New York, and I just had a really wonderful time about to meet his wife, and it was just good old fun just to see him again, because he was just such a down to earth man, yeah, and he just was so kind and so generous that it was a real, real exciting moment For me, that's for sure. Michael Hingson ** 37:40 I watch him occasionally now, because he is regular, not regularly, but he's often on the Jack Benny show. And the Jack Benny show is being run on a couple on some of the TV stations, and so it's kind of fun to see the by play between he and his wife and Jack Benny. And, of course, Jack Benny, it's the traditional Jack Benny image. But the shows are so much fun, yes? And clearly, Jimmy Stewart, well, all of them have a lot of fun doing those shows. Karolyn Grimes ** 38:17 Yeah, I think they did. Yeah. Those old radio shows were so great. I really enjoyed them back in the day well. Michael Hingson ** 38:29 And I find that when people really enjoy what they do, and you see that come out in even on some of the earlier television shows, with the radio shows, it makes such a difference, because you can feel the energy that's coming from people. Karolyn Grimes ** 38:48 You do. You really do. Michael Hingson ** 38:52 If people don't enjoy what they're doing, that comes through. And you you can tell so it's it's fun, when people really enjoy it. Well, how did you get involved with the Marshfield Cherry Blossom Festival? You've been doing that for a while, Karolyn Grimes ** 39:14 a long years, more than I true. Well, Nicholas called me. He runs the festival. I can't tell you what year it was, but it probably was early 80s. Maybe, wow, no, wouldn't have been early 80s. Sorry, no. Probably in early 2000 okay? And he called me and asked me if I would come down and be in the festival. So I said, Okay, and so. We flew back and went to the festival, and it was Dean Martin's daughter was there, and one of the Munchkins was there. Can't think of his name. One lived in St Louis, character. He was there. Couple of other people that were there, you know, old stars, and it rained, it snowed, and it was just, it was awful. It sweeted. It was just really bad. So there wasn't much of a turnout, and it was kind of a disappointment to Nicholas, I think because it since then they've changed the date, so it's a little later in the year. And yeah, you know, kind of count on the weather being a little better. But then I didn't come back for about two years, and then he called me King, and from that time forward, I went back every year, and one of the special things that happened by being there was that the lady who played violet bit, young, Violet bit, she can't think of her name, but I'm really bad At names today. Yeah, way she she was a psychologist, and for the last, oh, I guess long, maybe eight years before I met her, Jimmy Hawkins, the littlest boy in the movie, and myself, had tried to get her involved with the film, and what the things that we did for the film, and she wouldn't have anything to do with it, because she thought it was Hollywood, and she didn't believe in that, and this was the only movie she did. So someone by the name of Nicholas convinced her to come that year. So she came, and she her son brought her, and when she saw how much that movie is loved and how it had affected so many people and their story, she got the first hand view of that that was then for her. She decided she wanted to be a part of It's a Wonderful Life from then on, did they Michael Hingson ** 42:27 show the movie that you're at the festival? No, oh, okay, Karolyn Grimes ** 42:32 no, she just came, Michael Hingson ** 42:34 and so many people just talked about it. Karolyn Grimes ** 42:37 Yeah, yeah. She she finally realized that people really loved the movie. Of course, she saw it after that, because after that little appearance, I say you're coming to Seneca Falls. I won't take no for an answer. So her son brought her every year after that, and of course, we saw the movie dead, and she had experienced the real love that the people had for the film and for the characters in the film. Michael Hingson ** 43:12 What was it like being around and working with Lionel Barrymore, Karolyn Grimes ** 43:20 well, I really wasn't around him very much. We had cast fish shoes sometimes, and he he was in his he was really in a wheelchair. He had crippling arthritis. It's terrible. His hands are all gnarled. And I really didn't talk to him or having any interaction with him. I might have been in scene with him, or we've done publicity photos with him, but I don't, I don't remember ever Michael Hingson ** 43:50 interacting with him, with him that much, yeah, Karolyn Grimes ** 43:53 but he wasn't scary, yeah? Michael Hingson ** 43:57 Well, that's a start. Not, not like marine O'Hara huh? Karolyn Grimes ** 44:01 No, no. And they had a cast party at the end of movie. Most movies after they're finished, had a cast party, uh huh? This one was celebrating the end of its wonderful life. And so he, he came and I got to talk to him without, you know, he had a skull cap on, and it raised his forehead about two inches, so he had real elongated, big forehead, and took more hair off his head, so he looked meaner. That was the idea. So he didn't have that on you just look like a normal man and everything, and he didn't look mean. And so I chatted with him. He was fine. He wasn't really a nice guy. Michael Hingson ** 44:51 Again, it's one of those things where he was perfect for that part, though. Karolyn Grimes ** 44:55 Oh yes, he was perfect. Yeah. Michael Hingson ** 45:00 It was, it was fun. And I, I think, at the time, when I first saw the movie, I didn't even know that he was the person who played Mr. Potter, but I didn't, I didn't realize that because I was young enough, but I hadn't really learned about different characters and and different actors, but I figured it out soon enough. Yeah, so tell me about Zuzu house back there. Karolyn Grimes ** 45:30 Well, one night I was writing in a limo, and it was during the Christmas season. I was somewhere in New York, and I can't remember where I was doing a gig, and Nicholas called me, and I'll always remember it, because I was sitting in this room all and he said, Carolyn, I just discovered there are people in this community. This is very small town. Well, it's a small town, and there are people who young people who don't have a place to sleep. They're sleeping on park benches. There's this couch surfing, all this chippy said I had no idea this was going on. I want us to start a house and make it possible for them to have shelter. And so he said, The reason I'm calling you is because I want to know if it's alright if I name it the Zuzu house. So I said, Well, of course, go right ahead. So from then on, I became active with the Zuzu house and their foundation and their situation, all that they do. Unfortunately, covid happened right after that, and it made it really hard to get, you know, materials, building materials, and things like that that we needed to finish it. So it took a long time to finish the house, but it's finished now, and it houses now. It houses is us refuse for women from mean men, I guess, and that's what it is. So I'm proud to be part of it, and they did such a fabulous job. It's a great, wonderful, beautiful facility, and it's way out in the country, and it's really a place where they can get their marbles all on sack again. Michael Hingson ** 47:33 How far is it from Marshfield? Um, I didn't get to go there when I was there last year. Karolyn Grimes ** 47:40 My guess is about 30 minutes. Oh, okay. Michael Hingson ** 47:47 Well, now the the the other question I would ask is, as you pointed out, the reason that the women are there, so do you go and teach them elocution, like how Marino Hara talk so that they can, yeah, I just just say, help them out, you know, Karolyn Grimes ** 48:08 yeah, I learned a lot there. Michael Hingson ** 48:12 But yeah, that that's really cool, that that you, you do that. Well, tell me about Seneca Falls, or, should we say, Bedford Falls, and what goes on there, and, yes, what you do and so on. I'll always think of it just Bedford Falls, but Karolyn Grimes ** 48:27 most people do, Michael Hingson ** 48:29 as opposed to potters field, you know. But yeah, Karolyn Grimes ** 48:34 about seeing my this is my 23rd year. So 23 years ago, God, I can't believe it's that long. I knew cameraman on the Oprah show. It's very good friend of mine. And so it was September, and he called me and he said, Oh my god, Carolyn, this is it. This is the town you've got to come here. You've got to come He says, I'm going to go talk to somebody. And that was the last I heard. But he talked to somebody, the right person who knew what it was about and saw the possibilities. And so her name was mo cock at the time. Her name is Young. Now mo young, but she went to the Historical Society and got funding and turned it around real fast so that they could create an event for me to come and appear. So I did, and I landed in Rochester, I believe what drove to Seneca Falls, and it was snowing, and I there was no one on the streets. There was no one around. And she drive, drove up to the Main Street and open. The car door. When we just walked on Main Street, the bridge was there. It was all lit up, yeah, lit up on each post, lamp post. And it was the most wonderful experience, because I really felt like this was the place, if Frank Kaplan wanted to see a place that would inspire him to build bamboo falls, this would be the place to come. And I was so impressed. And I just loved it. So I came back every year after that, yeah, and, and then I started inviting other people like Jimmy Hawkins and Jamie, who Carol Coombs, who played Jamie, and, you know, other people. And so it was very neat event. And I even invited the babies who played Larry, the oldest boy in the movie. You know, they have a they have to have twins to play babies, because they can't be under the lights so long. So they rotate them. And so that was, that was really kind of incredible, too. Now, it's a huge affair and it Michael Hingson ** 51:21 never had anything to do with the movie originally, right? Karolyn Grimes ** 51:25 We're not sure. I actually think that Frank Capra had an aunt in Aurora, which is south of that town, and there's a barber there that he swears that he cut Capra's hair, and when I first started going there, what, 20 years ago, he was still alive. So I talked to him, and I said, Do you really think that was Frank Capra? And he said, Yes, I do. I really do. And he said, You know, I cut his hair, and I will always remember we chatted, and he said he was from Sicily, and I was from Sicily too, so we had a lot of calm. And he said his last name was Capra, and it means goat in Italian. And Tommy's name, the barber's name is bellissimo, which means beautiful. So he said, I always remember cutting the goat's hair. Wow, I saw three weeks later in a newspaper, there was an article about him going to make the movie. It's a wonderful love. So he said I knew that was who he was, yeah, Michael Hingson ** 52:54 so he had clearly been there, and imagery made such an impression on him, Karolyn Grimes ** 53:03 and also on the bridge, there's a plaque, and he would have seen this, and it was for a young Italian immigrant. And of course, you know, capper was strong Italian. And this young Italian immigrant didn't know how to swim, but he jumped in the canal to save the life of a wasp woman who was committing suicide, and he made her her get out of our she got out of the water safely, and he died, he didn't know how to swim. So it was a huge thing back then, and it brought the community together. You know, there was the Italian side and and the the other side. And this brought everybody together. And it, it turned out that the they brought the whole family, his whole family, over, because they were, you know, what, wanted to do something, because they appreciated what he'd done so much to say that woman's life. And so I think camper would have seen that and that plaque, and he would have learned a story, and maybe that gave him some ideas about It's A Wonderful Life. Michael Hingson ** 54:28 I don't know a lot about Frank Capra, but it's fascinating to hear the stories that you're telling, because it it certainly portrays him as a not only a caring person, but a person who pays attention to a lot of detail. The very fact that that he was in that town, and all the imagery and all the things that he brought to it had to, had to be very relevant. Well, all Karolyn Grimes ** 54:56 the names of the streets in the town are. The movie, or, you know, quite a few of them, yeah, and the main street had a part of it at that time that had trees down the middle of it. And there's just so many things in in the town that are applicable to the film. And I used to know tons more when I was trying to convince everybody that this was the place. But now I don't have to remember those anymore, because people already know there are 1000s and 1000s of people that go through the town and feel the magic that now then we, we the gift shop is making it possible for people to remember their loved ones by putting bells on the bridge. And it's really, you know, become something. And then the museum, which I helped start, is really a cool museum, but they are getting a new museum, which is going to be much larger because they can't even begin to display all the things they have. Michael Hingson ** 56:14 Well, it's, it's, it's interesting how all of this has has come up, but none of the filming of the movie was was done there. It was all in Hollywood, right? Oh, yes, but, but still, the the imagery and the vision that that people have, that brought you and everyone together to create that celebration is certainly great for the town. I love that one is it? I'm just going to have to show up. It's a Christmas event every year, right? Karolyn Grimes ** 56:47 Yes, yeah. There's a 5k run, and they start on the bridge. And there's a few serious people in the beginning, some fellas and gals that want to win. But after that, let me tell you, it's fun. There are people dressed like Christmas trees. They got lights all over themselves. They they light up their dogs, their babies, their strollers, and they're all in this run, and it's five miles. And at some of the they go through the residential district, and some of the houses they have the booths give them a little bit of hot toddy and so forth to get them on Michael Hingson ** 57:29 the way. Yeah, in Christmas time, I would think so it's just Karolyn Grimes ** 57:33 a lot of fun. And people love it. And I always started every time they have it. I've always started it, so that's kind of a tradition. Michael Hingson ** 57:46 So you have done some cameos, like Gremlins and Christmas vacation, right? Well, yeah, cameo appearances, Karolyn Grimes ** 57:55 yeah, I guess you say that, yeah. What was that like? Well, it's, it was just, you know, the movie they showed the movie, yeah, so that was, that was all. It was just, they showed the movie just like they showed it in Christmas vacation. And somehow, when they show the movie, it's always when Zuzu is saying that line. Oh, Michael Hingson ** 58:21 okay, so it's not so much you as it is the the original movie, yeah, it's little Zuzu well, but it's a great line. I mean, you know, well, it is. I remember last year, wasn't it? I think at the reps event. We'll get to that in a sec. But I remember getting some bells from you, and I actually, I think I told you I was going to send one to my cousin, and I let you say hello to her, and she got that bell and was completely blown away. She loves it. Oh, good. And I have the bell. I have my bell sitting out in open plain sight for the world to see, and I go by and ring it every so often. Oh, great. Oh, well, we gotta have those angels out. So what kind of events and things do you do typically, or do you like to to enjoy doing it Christmas? Karolyn Grimes ** 59:20 Um, I kind of work during Christmas. Well, that's my season, and so I do gift shows. I do appearances, I introduce the movie. I do I'm on the road the whole time, and I love it, because I interact with these wonderful people who love the movie. And if they love the movie, believe me, they are wonderful people. Michael Hingson ** 59:45 Yeah, undoubtedly, so well, so you you also have been involved with some of the radio recreations from from reps. And what do you think about that? How do you like that? Do. Karolyn Grimes ** 59:59 Oh, my goodness, so much fun. And I'm old enough to remember a Michael Hingson ** 1:00:04 lot of the shows. Karolyn Grimes ** 1:00:07 No, I remember very well. And, you know, I it was just a whole bunch of fun to do that and recreate these scenes from older raining days. And I remember my mother and father bought a brand new Frazier. It's a car, and I'm sure nobody's ever heard of Kaiser Fraser cars, because that was the ugliest name car in my life. But they had to have that car. And I remember when we got the car, my dad was offered he could either have a heater and he could afford to pay for either a heater or a radio. And he chose the radio. So I heard inner sanctum. I heard all these wonderful, wonderful plays. Back in the day, all these shows from the radio. Michael Hingson ** 1:01:07 I came in near the the so called traditional end of radio, probably actually 1957 so I had five years, but almost from the beginning, I always wanted to collect more of the shows and did, and then also did a radio program for six and a half, almost seven years at the campus radio station where I worked, kuci. We did radio every Sunday night, so I had three hours of radio. And I love to tell people I heard about this show on television called 60 minutes. But my show was opposite Mike Wallace, and mine went for three hours, and his was only an hour, but it was like seven years before I got to watch 60 minutes and and learn about it, because we had shows every year or every every Sunday night, and we had a deputy sheriff who called from the Orange County jail once to tell me. He said, You know, you guys have created a real challenge for us, because he said, so many people have heard about what you do, some of a lot of our inmates, that on Sunday nights, we have to split the jail and send half people up, half the people upstairs, where there's enough radio reception, they can listen to your show, and the other half listens to and watches 60 minutes, which I always thought was kind of cute. So you do a podcast now too, don't you? 1:02:34 I do tell us Michael Hingson ** 1:02:36 about that. I know we were focused on it. Yeah, Karolyn Grimes ** 1:02:39 Chris and I do it. He's He's a psychologist, and we interview all kinds of people, all walks of life, yeah. Michael Hingson ** 1:02:51 How long has it been running now, Karolyn Grimes ** 1:02:54 this is second year, okay, Michael Hingson ** 1:02:57 well, I don't know. Chris hasn't said a single word during this whole thing. Karolyn Grimes ** 1:03:01 Oh, he's not here. What good is he, you know, right? Michael Hingson ** 1:03:09 Well, so you know, we've been, can you believe what we've been doing? This an hour? Karolyn Grimes ** 1:03:14 Oh, really, I did not know. I'm Michael Hingson ** 1:03:18 telling you, time flies when you're having fun. Is there kind of anything that you want to talk about that maybe we haven't yet, any any last questions or thoughts that you have that you want to bring up? Karolyn Grimes ** 1:03:31 No, I don't think so. I think we've covered it pretty good. We've, we've, Michael Hingson ** 1:03:37 we've done a lot. But you know, it's really wonderful to to have you on if people want to reach out to you, how do they do that? Karolyn Grimes ** 1:03:45 They can reach me at Carolyn, K, A R, o l, y n, dot Wilkerson, W, I, L, k, e r, s o n@gmail.com, Michael Hingson ** 1:04:01 okay. Well, hopefully people will reach out, and if they want to also have a website, I was going to ask 1:04:10 you that zoo, zoo.net, Michael Hingson ** 1:04:12 well, you can't do better than that. And what's the podcast called Karolyn Grimes ** 1:04:22 seeing this is the thing with names. There it goes again. You think, I know? Oh, my goodness, I can't remember. Oh, tell you, I'm getting old. It's getting worse and worse. Michael Hingson ** 1:04:36 All grown up is the puppy. All grown up, all grown ups. Oh, Carolyn, Carol, well, there you go. Well, yeah, and I, I enjoyed being on it. Well, I'm sorry we're going to miss seeing you at reps, because I won't be able to be there. I had told Walden, and walden's actually been on unstoppable mindset now a couple of. On, but I had told him he and I had talked about me doing Richard diamond private detective and actually playing Richard diamond. And I said, I want Carolyn to play Helen Asher. So we'll now have to postpone, postpone that till next year, 1:05:14 but we're going to do it. Yeah, Michael Hingson ** 1:05:17 yeah. It'll be fun. I Richard diamond has always been kind of really my favorite radio show, and I think I can carry off that voice pretty well. Karolyn Grimes ** 1:05:27 So it'll be fun. Yeah, it will well. Michael Hingson ** 1:05:30 I want to thank you for being here, and I want to thank all of you for listening to us today, reminisce and talk about all sorts of stuff. Love to hear your thoughts. Please feel free to email me at Michael H, I m, I C, H, A, E, L, H, I at accessibe, A, C, C, E, S, S, i, b, e.com, and, of course, wherever you're observing the podcast today, I hope that you'll give us a five star rating. Karolyn deserves a five star rating, even if you don't think I do do it for Karolyn. We love to have great reviews. We appreciate it. And Karolyn for you and everyone out there who is listening and watching. If you know anyone else who ought to be a guest on unstoppable mindset, we'd love it if you'd reach out and let us know, give us an introduction. I think everyone has a story to tell, and I enjoy getting the opportunity to to visit with people and hear stories. So please, if you have any thoughts, introduce us. We'd love to to meet other people. But again, Karolyn, I really appreciate you being here, and I want to thank you for being with us today. 1:06:38 My pleasure being here. Michael Hingson ** 1:06:42 You have been listening to the Unstoppable Mindset podcast. Thanks for dropping by. I hope that you'll join us again next week, and in future weeks for upcoming episodes. To subscribe to our podcast and to learn about upcoming episodes, please visit www dot Michael hingson.com slash podcast. Michael Hingson is spelled m i c h a e l h i n g s o n. While you're on the site., please use the form there to recommend people who we ought to interview in upcoming editions of the show. And also, we ask you and urge you to invite your friends to join us in the future. If you know of any one or any organization needing a speaker for an event, please email me at speaker at Michael hingson.com. I appreciate it very much. To learn more about the concept of blinded by fear, please visit www dot Michael hingson.com forward slash blinded by fear and while you're there, feel free to pick up a copy of my free eBook entitled blinded by fear. The unstoppable mindset podcast is provided by access cast an initiative of accessiBe and is sponsored by accessiBe. Please visit www.accessibe.com . AccessiBe is spelled a c c e s s i b e. There you can learn all about how you can make your website inclusive for all persons with disabilities and how you can help make the internet fully inclusive by 2025. Thanks again for Listening. Please come back and visit us again next week.
This weekend on Movie Magic, host Colin Gomez continues with "Comedy Duos Part 2." Find out what made Dean Martin & Jerry Lewis so successful. Credit:Movie Magic Opening Theme was Produced, Composed & Performed by Corey Gomez.See omnystudio.com/listener for privacy information.
A song about Emari Demercado to the tune of Dean Martin's "That's Amore"
"MY FAMILY PLAYED SINATRA RECORDS ALL THE TIME." Lifelong Sinatra fans are fascinated when they hear Tony Sands start to croon. They think 'Ol Blue Eyes' has come back to life! For more than thirty years, Tony Sands has been perfecting his act, and wooing audiences all over the United States. Sands caught the Sinatra bug as a child growing up in South Philly. "When I was twelve or thirteen years old, that's when I first wanted to sing," Sands says. "My family played Sinatra records all the time, and I started singing along. The next thing I knew, I just fell in love with his music…and here I am." “WHEN I WAS TWELVE OR THIRTEEN YEARS OLD, THAT'S WHEN I FIRST WANTED TO SING.” Tony's silky, mesmerizing, and tantalizing rendition of the Chairman of the Board's style, has caught the eye of the entertainment community, and audiences from around the country. He's performed in theaters across the country, as well as many Manhattan restaurants, Zanzibar Blue Jazz Club in Philadelphia, The Ritz Carlton Hotel in Philadelphia, The Harvard Club, and The Breakers Hotel in New York City, just to name a select few. During the winter months, Tony performs at various venues all across Florida, to standing ovations every night. Tony's impressive resume includes performances at Trump Castle and Casino, Tropicana Casino & Resort, and Harrah's Hotel and Casino, all in Atlantic City. His performances in Reno, Nevada at the Eldorado Resort Casino have been sold out, night after night. Tony has also made many television appearances up and down the east coast.  One of Tony's productions is a never before seen musical journey about the life and times of the late Frank Sinatra called, ‘Sinatra' ~ The Musical. This production includes all of Sinatra's best loved songs from the early days with Tommy Dorsey, to the bright lights of New York City, and then to the silver screen of Hollywood, leading up to Sinatra's 'Main Event' comeback. Another performance of Tony's that you don't want to miss is Sinatra's ‘That's Life' Concert. Tony brings in his BIG BAND, Swingtopia, and performs all the popular standards that you can sing along to. Tony captivates his audiences with the romance, mannerisms and illusion that have made Sands one of the most popular entertainers around. In 2010, Tony produced a widespread favorite show, 'Rat Pack Together Again.' Tony's portrayal of 'The Legend,' in this revue is 'spot on!' Dean, Sammy, & Frank's onstage banter will keep you ‘in stitches,' just like the ‘real' Rat Pack did back in the day.  Finally, 'Start Spreading the News' with Liza and Frank, is a spectacular tribute to Frank Sinatra and Liza Minnelli, and it's Tony's latest production. It stars Tony Sands and Whitney Grace with the electrifying Live Big Band, Swingtopia. Get ready for a night of pure magic as two powerhouse performers bring the legends to life in this dazzling tribute that plays to sold-out crowds, and earns unanimous standing ovations across the country! Whitney Grace stuns with Liza's most iconic hits, from "Cabaret" to "All That Jazz," and Tony brings Sinatra's charm and velvet vocals to classics like "Come Fly With Me" and "My Way." Then, prepare to be blown away as they come together for a show-stopping duet of "New York, New York!" This is more than a concert — it's a musical time machine through the golden era of American entertainment.
Pacific Street Blues & AmericanaOctober 5, 20251. Keb Mo & Taj Mahal / Room on the Porch 2. Van Morrison / Down to Joy 3. Dean Martin & Helen O'Connell / How do You Like Your Eggs in the Morning4. The Staple Singers / We the People 5. Joe Bonamassa & George Benson / There Must Be a Better Life 6. BB King / Crying Won't Help You Now 7. Tab Benoit / Why, Why8. Magic Sam / Every Night About this Time 9. JB Lenoir / Mojo Boogie (Johnny Winter) 10. Jimmie Vaughan / Funny How Time Slips Away 11. Nathaniel Ratliff / Crazy12. Willie Nelson w/ Norah Jones / Dreams Come True13. The Allman Brothers / I'm Gonna Move to the Outskirts of Town 14. Marcus King Band / Dirt 15. Sam Fender / Crumbling Empire 16. John Brim / Ice Cream Man 17. Veronica Swift / Ain't Talkin' Bout Love18. Tom Petty & the Heartbreakers / You Really Got Me19. Roy Orbison / Pretty Woman
The days are getting darker both by season and on the sidewalks of your town. Jackboot thugs with masks, clubs, and weapons are descending for you. Make no mistake. If you believe in your right to free speech and all that our Constitution affords you, think again. Know that you and your neighbor are in the crosshairs of this regime. This week's show won't break the spell but it will share with its language of comfort, joy and hope that music delivers as it stimulates the release of dopamine triggering pleasure and relaxation. Our prescription this morning is a compound of a free form eclectic blend that delivers a response from all corners. America's music has always been built on a foundation of free expression so why not make the best…and that's what we'll be doing this morning with tracks from Glenn Miller, Charlie Christian, Squirrel Nut Zippers, Randy Newman and Dean Martin, just to name a few. Dream when you're feeling blue. Rise up when you're being pushed down. This week's show takes us where we want to go.
Tonight on the Cocktail Nation, our feature chat this week—Words With Wellsy—dives into the noir depths of Darker Than Amber, plus entertainment reporter Craig Bennett joins us to reflect on the life and legacy of Hollywood's golden boy, Robert Redford From the pages of Lounge Life Magazine we're exposing Dean Martin's favorite Italian comfort food And in our Stuff segment we talk censorship Add in The World Of Swank gig guide packed with events across the globe and a few deep thoughts to stir the martini glass and you've got yourself the perfect evening of lounge and leisure—right here on the Cocktail Nation Ultra Beaver Lounge Band – La Playa Nicholas Godin – Alger La Blanche Vibexotica – Rainforest Ramble Ixtahuele – Curitiba Train Messerchups – Agent Tremolo Sam Most – Devil May Care Tiki Cowboys – Exotiki Oyster Mix Freddy Canoe – Dance of the Firewoman Ennio Morricone – Una Voce Allo Specchio Tiki Delights – Shaken Not Stirred Phil Upchurch – Girl Talk
TVC 706.3: From December 2011: Ed welcomes the Alberici Sisters (Maria Lauren and Linda Eichberg), co-authors of Beyond Our Wildest Dreams, a memoir of their two decades performing with Dean Martin as members of the Dean Martin Golddiggers that particularly focuses on the years 1973 through 1978, one of the last great eras of entertainment.
TVC 706.2: From September 2015: Tony, Donna, and Ed remember The Dean Martin Show (NBC, 1965-1974), which originally premiered during This Week in TV History. Topics this segment include Martin's initial reluctance to do a weekly series, and how the format morphed in later years into The Dean Martin Celebrity Roasts.
A woman was stabbed by a man around 3.30am this morning during a Boys Town brawl in West Hollywood, involving up to 30 people. More with comedian Mark Ellis, who talks about free speech and playing shows in Las Vegas. Plus, the Emmys are on tonight. Producer Richie thought “Hold the Line” by TOTO was actually a Pokemon theme song! Nate Bargatze hosts the Emmys tonight, so Andy makes predictions about who will win. But does anyone really care enough to watch the Emmys broadcast? The results are in regarding soil testing from the wildfires that decimated parts of Los Angeles last January, and people impacted by the Eaton Fire are dealing with elevated lead samples in their environment. “Black-ish” creator Kenya Barris wants to set his new sitcom against the backdrop of post-fire-ravaged Altadena. In Koreatown, a private empty lot is hosting a growing homeless encampment that is stressing out locals. There's a tennis court, garden and cooking area, as well as fires, break-ins and drug dealing. What is Mayor Karen Bass doing to stop this? Also, are you accidentally eating what you shouldn't be eating? Shark filets sold in grocery stores are not appropriately labeled, so people could be eating endangered species. Is now the right time to buy a house? Interest rates are dropping, is it also a good time to refinance? In some areas, home prices are starting to fall for the first time since 2012. Are aliens real? A recent discovery on Mars has us rethinking what we think we know about extraterrestrial life. Plus, is your astrology sign actually fake?
We're back! Let's skip the empty apologies and get right into the game episode that you've all been waiting for. After wrapping up their 7-game series with the last game episode, the boys are back for a fresh start. And today they'll be playing Which Celebrity Lived Longer?, a clever spin on the "Which Celebrity Is Older?" episode that once graced your eardrums. Play along with Sonny and Tom as they ponder who was older at the time of their death. With matchups such as Abraham Lincoln vs James Gandolfini and Paul Newman vs Dean Martin, this will not be easy. Well, maybe it'll be easy to you. But it was hard to us.Today's opening segment is a lot of fun too, as the boys imagine Arnold Schwarzenegger in Denzel Washington's Oscar-winning role as Alonzo in 2001's "Training Day," a role that is quintessentially Denzel's but provides a lot of juicy character work for Arnold. Could he win an Academy Award playing the role? All we know is, he would have fun with the King Kong monologue.Hosted by Sonny de Nocker (@swankysonny) and Tom Price (@thomas_price22).Theme by Josh Britt (jbrittmusic.com)Instagram: AnOscarForArnoldTwitter: @AnOscar4ArnoldTikTok: AnOscarForArnoldContact: AnOscarForArnold@gmail.com
Sintonía: Dean Martin & Nancy Sinatra 1.- Dean Martin & Gladys Knight and the Pips 2.- Sammy Davis Jr.: "Wichita Lineman" 3.- Dean Martin & Frank Sinatra: "The One I Love Belongs to Somebody Else" 4.- Dean Martin & The Mills Brothers: "Up a Lazy River" 5.- Dean Martin & Buck Owens and The Buckaroos: "Tiger by the Tail" 6.- Dean Martin & The Andrew Sisters: "Medley" 7.- Dean Martin & Tennessee Ernie Ford: "When the Ship Hits the Sand" 8.- Dean Martin & Sammy Davis Jr: "Medley" 9.- Dean Martin & Caterina Valente: "One Note Samba"Todas las músicas seleccionadas y presentadas por Mrs. Purple (Rocío de la Rosa) y Carlos Rodríguez desde RNE en Madrid. Muchas gracias a Guillermo Ruíz por su buen hacer y predisposiciónEscuchar audio
Today on another episode of the Rarified Heir Podcast, we are talking to Phil Crosby Jr., son of actor/singer Phil Crosby and grandson of Der Bingle himself, Bing Crosby. And if that isn't enough, he's the nephew of Gary Crosby, the stepson of Jack Klugman, the grandson of 1920's and 30s film star Dixie Lee and we haven't even told you all of his familial connections. Gee, ya think he was born into this? Phil spoke to us about his family but also his career as an in demand singer of jazz and songs from the Great American Songbook. As you will soon hear, we learn how he went from a blues, prog band 11:11 playing at spots like the much beloved The Palamino Club to in Los Angeles to a jazz club in Borneo, We get into it. Not one to pull punches, Phil also spoke to us about the troubled family history that has made the rounds over the years. He's quite open about it in fact and is fine talking about some of the claims his uncle Gary Crosby made in his tell-all book years ago. We also hear the flip side of that as he later found peace at the end of his life when he got sober. Along the way we hear about how his mother, actress Peggy Crosby Klugman, dated Dean Martin, how a trip to McDonald's turned Dino's car into a sardine can, how he and his father were estranged for much of his life until the birth of his first child, why he never met Bing, the two Christmas songs he's currently working on with another guest of the podcast and much more. This is the Rarified heir Podcast and everyone has a story. Take a listen.
There are a ton of big screen version of Robin Hood, but on this week's episode we see what happens when the Rat Pack do their take on the classic hero. Shane Conto from The Wasteland Watchlist joins us for the musical gangster romp Robin and the 7 Hoods, featuring Frank Sinatra, Dean Martin, Sammy Davis Jr, and Peter Falk.
"She Dreams of Champagne" By Frankie Delano – The Gentleman Phantom CapSha Productions © Copyrightcapshaproductions.com All Rights Reserved. Frankie Delano was born with a voice dipped in bourbon and a soul stitched from midnight silk. Raised on the backstreets of Hoboken, he learned charm from card sharks and rhythm from the clatter of subway trains. By nineteen, he was singing in Navy clubs across the Pacific, crooning torch songs to homesick sailors and winning poker games with nothing but a wink. After the war, Frankie disappeared into Havana's golden haze, rumored to have romanced a duchess, outplayed a Cuban trumpeter in a midnight duel, and recorded a lost album that only plays under moonlight. When he resurfaced in Manhattan, he was no longer just a singer—he was a legend in cufflinks. Known for his signature martini (three olives, stirred with regret), Frankie never stayed in one city too long. He'd light up a lounge, break a few hearts, and vanish before sunrise. His voice carried the ache of old love and the swagger of someone who'd seen too much and still smiled. He never chased fame—it followed him like perfume. And though no one knows where he is now, some say if you walk past a velvet curtain and hear a low hum in the dark… Frankie Delano might be singing just for you. LYRICS: I glide through the night in a tailored disguise Cufflinks gleam like stars in her eyes A whisper of jazz in the back of my brain I'm not chasing hearts—I'm taming the flame (Pre-Chorus) She asked for the moon, I poured her champagne Said love's just a gamble, I play through the pain (Chorus) Velvet in my veins, silver in my smile I dance with temptation, then vanish in style No strings, no regrets, just a kiss in the rain I'm the echo she hears when she dreams of champagne (Verse 2) My past wears a tux and a crooked grin Every sin's a story I've tucked within I don't beg for mercy, I don't plead for grace But I'll steal your breath with a glance to your face (Bridge) I'm the shadow that lingers in candlelight The toast you forget but remember at night She said I'm a riddle, I said I'm a rhyme A gentleman thief with impeccable time (Chorus) Velvet in my veins, silver in my smile I dance with temptation, then vanish in style No strings, no regrets, just a kiss in the rain I'm the echo she hears when she dreams of champagne Support us on PayPal!
What's myth and what's fact in the story of Charles Manson? What were the true motives behind the murders and who was really involved? There are many books covering this topic, yet very few have broken through the 'official' tale told by the trial's prosecutors and the news media at the time. This book includes hundreds of hours of research into court and police documents, witness statements, media reports and interviews with those involved. This book examines the current theories surrounding the case and appraises their likelihood against a timeline of events and the words of Manson himself. The prosecution case promoted by Vincent, Bugliosi, the Process Church influence as endorsed by Ed Sanders and David McGowan, the robbery scenario as spoken of by Nikolas Shreck and William Scanlon Murphy and the possibility of MK Ultra mind control as discussed by Adam Gorightly are all examined and tested.How do Terry Melcher, Elvis Presley, the Beach Boys, Jane Fonda, the Mamas and the Papas, Michael Caine, Dean Martin, Angela Lansbury, Peter Sellers, Warren Beatty, Yul Brynner, Peter Falk, Cary Grant, Steve McQueen, Neil Young, Frank Zappa, Nancy Sinatra, Ronald Reagan and Debbie Harry fit into the tale? What Hollywood secrets did the industry, the police and the prosecution strive to keep hidden? Were the victims really chosen at random by a crazed cult of serial killers, high on a mix of LSD, Satanism and the music of the Beatles? Read on to uncover the secrets of the Manson family, their trial, the main players in the case and the murky world of Hollywood.The book contains 564 pages, 200,000+ words containing a complete history of the life of Charles Manson.A detailed examination of the Hinman, Shea, Tate and LaBianca murders, appraisal of all the most prominent theories surrounding the case, explanations of the coded confessions revealed in interviews with Manson.Stories of celebrity encounters, facts about Manson's relationship with the music industry, details of organised crime connections, faults with the prosecution's case, troubling indications about the motives and character of Vincent Bugliosi, examinations of further murders and other criminal activity possibly connected to Manson.Revelations about the main players involved in the case, embarrassing secrets of the Hollywood elite, suggestions of police ineptitude, signs of a cover-up, bizarre coincidences, strange occurrences, salacious gossip, radical political movements, riots, the Black Panthers, The Beatles, The Beach Boys, cults, religion, sex, drugs and murder.This book has been read, enjoyed, praised and promoted by friends of Charlies and members of ATWA. https://amzn.to/4naItmKBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.
What's myth and what's fact in the story of Charles Manson? What were the true motives behind the murders and who was really involved? There are many books covering this topic, yet very few have broken through the 'official' tale told by the trial's prosecutors and the news media at the time. This book includes hundreds of hours of research into court and police documents, witness statements, media reports and interviews with those involved.How do Terry Melcher, Elvis Presley, the Beach Boys, Jane Fonda, the Mamas and the Papas, Michael Caine, Dean Martin, Angela Lansbury, Peter Sellers, Warren Beatty, Yul Brynner, Peter Falk, Cary Grant, Steve McQueen, Neil Young, Frank Zappa, Nancy Sinatra, Ronald Reagan and Debbie Harry fit into the tale? What Hollywood secrets did the industry, the police and the prosecution strive to keep hidden? Were the victims really chosen at random by a crazed cult of serial killers, high on a mix of LSD, Satanism and the music of the Beatles? Read on to uncover the secrets of the Manson family, their trial, the main players in the case and the murky world of Hollywood.The book contains 564 pages, 200,000+ words containing a complete history of the life of Charles Manson.A detailed examination of the Hinman, Shea, Tate and LaBianca murders, appraisal of all the most prominent theories surrounding the case, explanations of the coded confessions revealed in interviews with Manson.Stories of celebrity encounters, facts about Manson's relationship with the music industry, details of organised crime connections, faults with the prosecution's case, troubling indications about the motives and character of Vincent Bugliosi, examinations of further murders and other criminal activity possibly connected to Manson.Revelations about the main players involved in the case, embarrassing secrets of the Hollywood elite, suggestions of police ineptitude, signs of a cover-up, bizarre coincidences, strange occurrences, salacious gossip, radical political movements, riots, the Black Panthers, The Beatles, The Beach Boys, cults, religion, sex, drugs and murder.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-opperman-report--1198501/support.
Send us a textWe're closing out 1981 with one of the first movies we all saw and loved: The Cannonball Run starring Burt Reynolds, Dom DeLuise, Farrah Fawcett, Dean Martin, Sammy Davis, Jr., Jackie Chan, and so many more. We all remember loving the bloopers in the end credits, but what about the rest of the movie? How does it hold up? What fun facts did we learn that we can share? There are many!In addition to all that, we honor Burt Reynolds and his fabulous mustache by drafting our favorite famous mustaches over the years. Listen to how creative we can get! If you enjoy the show, please rate and review us on the iTunes/Apple Podcasts app or wherever you listen. Or better yet, tell a friend to listen!Want to support our show and become a PCY Classmate? Click here!Follow us on your preferred social media:TwitterFacebookInstagramSupport the show
Send us a textWe're closing out 1981 with one of the first movies we all saw and loved: The Cannonball Run starring Burt Reynolds, Dom DeLuise, Farrah Fawcett, Dean Martin, Sammy Davis, Jr., Jackie Chan, and so many more. We all remember loving the bloopers in the end credits, but what about the rest of the movie? How does it hold up? What fun facts did we learn that we can share? There are many!In addition to all that, we honor Burt Reynolds and his fabulous mustache by drafting our favorite famous mustaches over the years. Listen to how creative we can get! If you enjoy the show, please rate and review us on the iTunes/Apple Podcasts app or wherever you listen. Or better yet, tell a friend to listen!Want to support our show and become a PCY Classmate? Click here!Follow us on your preferred social media:TwitterFacebookInstagramSupport the show
Doc, Sigurður Bond og Keli.
Today on another encore episode of Rarified Heir Podcast, we are talking to Noopy Rodriguez, daughter of comedian, actor and singer Rose Marie & musician Bobby Guy. Noopy (not her real name as we find out on this episode), let's us in on the lives of her larger than life parents. When your father is the first trumpet player with The Tonight Show band and your mother is a comedy icon for her role as Sally onThe Dick Van Dyke Show, there is a whole lot to dig into. Noopy was incredible generous with her time and her stories as many veered from nostalgic to downright difficult in talking about her father. But somehow through it all, we learned quite a bit about her parents and what it's like keeping a legacy alive as we dig into her efforts to bring us the CD Rose Marie Sings: The Complete Mercury Recordings & More which was from found recordings in her mother's possession for years. Along the way, we hear about her time on The Tomorrow Show with Ton Snyder, haunted cars, Rosalind Russell, Phil Silvers, Morey Amsterdam, Dean Martin, Jerry Lewis and a guy named Popcorn who you have never heard of, unless of course you were connected….if you know what I mean. We get into Broadway, film, television recording, what it was like being raised by a single mother and much more. It's incredibly familiar territory for host Josh Mills who connected with much of what was discussed. Take a listen to this episode of the Rarified Heir Podcast. Everyone has a story.
"Que bella cosa `e na jurnata `e sole”, las palabras que dan la bienvenida al "sol invicto" que Caruso trasladó al mundo a través del fonógrafo junto al bel canto para todos los públicos con canciones como esta. De la misma manera que “Torna a Sorrento”, formo parte del repertorio Pavarotti y la plana mayor del género e incluso de Elvis o Dean Martin. La canción italiana siempre un brindis al sol pero no exclusivo de este género épico y halterofilico, El sol italiano tambien en el pop de Al Bano (“Nel Sole”) Edoardo Vianello (“Abbronzatissima”) o Mina (“Tintarella di Luna”). Puedes hacerte socio del Club Babel y apoyar este podcast: mundobabel.com/club Si te gusta Mundo Babel puedes colaborar a que llegue a más oyentes compartiendo en tus redes sociales y dejar una valoración de 5 estrellas en Apple Podcast o un comentario en Ivoox. Para anunciarte en este podcast, ponte en contacto con: mundobabelpodcast@gmail.com.
It's time for another Tuxedo Ball with plenty of beauties, so has this year's most eligible bachelor finally found his future wife among them?October 1933, the top 50 debutantes of this social season mix with the most eligible bachelors at the ultra exclusive Tuxedo Park's Autumn Ball. Will “Jakey” John Jacob Astor VI, “Alfy” Alfred Vanderbilt, Jr., Atwater “Atty” Kent, Jr., Pierre Barbey, Jr., or David Rockefeller find their future brides among these beauties? Amongst the best buds, prized debutantes include Virginia “Ginnie” Kent, Eileen Gillespie, Ellen “Tucky” French, Beatrice “Bea” Wagstaff, and Margaret “Peggy” Dorrance.Other people and subjects include:Doris Duke, James H.R. Cromwell aka “Jimmy,” Eva Stotesbury, “Jakey” John Jacob Astor VI, William “Sam” Van Alen, Elizabeth “Betty” Kent, “Alfy” Alfred Vanderbilt, Jr., Atwater “Atty” Kent, Jr., Virginia “Ginnie” Kent, Eileen Gillespie, Ellen “Tucky” French, Dorothy “Dolly” de Milhau, Pierre Barbey, Jr., David Rockefeller, Beatrice “Bea” Wagstaff, and Margaret “Peggy” Dorrance, Leta Morris, Antonio “Toni” Frissell, Alice Andre, Alida Liviningston, Mary Schuyler Schieffelin, Emily Winslow, Joan Blair, Cornelia Blakely, Gilbert Keech, Atwater Kent, Mabel Lucas Kent, Jonathan Kent, John Rockefeller, Jr., Caroline Astor, Caroline “Carrie” Astor Wilson, British King George V, British Queen Mary, Cholly Knickerbocker, George Washington, Standard Oil heirs, Campbell Soup heiress, Brinton family, Pennsylvania Society for Sons of the American Revolution, Vogue feature, bow at Court of St. James, colonial, Gilded Age, new money, radio pioneer, industrialist, Wall Street, debutante goals, dance card, stag line, wallflowers, cutting in, debutantes, buds, bounders, bachelors, heirs, heiresses, society hostess, Junior League, junior assemblies, charity, horsey set, yachting, finishing school, sculpture, social standing, weddings, engagements, Tuxedo Club, Tuxedo Park, NY, Long Island, Newport, New York City, Philadelphia, Montecito, CA, Paris, Africa big game trip, trends, manners, Ward McAllister, Pierre Lorillard, William Waldorf Astor, Bruce Price, Emily Price Post, Edwin Post, Prince Edward – Prince of Wales – King Edward VII, James Potter, Griswold “Grizzy” Lorillard, tuxedo coat, men's fashion, military mess jacket, Marlene Dietrich, Fred Astaire, Sean Connery, James Bond – Dr. No, Rat Pack, Frank Sinatra, Dean Martin, Sammy Davis, Jr., Etiquette: In Society, In Business, In Politics and At Home According to Emily Post, Vanity Fair, Collier's, McCall's, Cotillion, Easter eggs, seeds and plotlines, George R.R. Martin, gardener, architect, writer's block, teasers, hints, dating wasteland, dating apocalypse, New York Times – “The Trouble With Wanting Men.” MGTOW (men going their own way), incels, porn, women's financial demands, Manolo Blahniks, A.I. sex robots & chatbots, virtual partners, human – A.I. wedding in Japan, sex robots, AI chatbots, liberal women dating boycott of Republic and conservative men, 100 years of dating, courtship, fatigue, changing rules, Jeff Bezos, Lauren Sanchez, Amazon, Venice wedding, public spectacle, HBO's The Gilded Age, Apple TV's The Buccaneers, weddings, scandals, engagements,…--Extra Notes / Call to Action:Million Podcasts – As The Money Burns listed #14 of Top 20 Economic History Podcastshttps://www.millionpodcasts.com/economic-history-podcasts/Share, like, subscribe--Archival Music provided by Past Perfect Vintage Music, www.pastperfect.com.Opening Music: My Heart Belongs to Daddy by Billy Cotton, Album The Great British Dance BandsSection 1 Music: Top Hat, White Tie and Tails by Carroll Gibbons & Boy Friends, Album Sophistication – Songs of the ThirtiesSection 2 Music: I Only Have Eyes for You by Freddy Gardner, Album EleganceSection 3 Music: From the Top of Your Head by Carroll Gibbons & The Savoy Orpheans, Album The Great British Dance BandsEnd Music: My Heart Belongs to Daddy by Billy Cotton, Album The Great British Dance Bands--https://asthemoneyburns.com/X / TW / IG – @asthemoneyburnsX / Twitter – https://x.com/asthemoneyburnsInstagram – https://www.instagram.com/asthemoneyburns/Facebook – https://www.facebook.com/asthemoneyburns/
In this episode of Tales from Hollywoodland, the crew dives into the unforgettable life and career of Dean Martin—the legendary singer, actor, and comedian known as the “King of Cool.” From his early days with Jerry Lewis to his success with the Rat Pack, classic films, hit records, and television fame, we explore how Dean […] The post The Life and Legacy of Dino!! Hollywood's King of Cool appeared first on The ESO Network.
In this episode of Tales from Hollywoodland, the crew dives into the unforgettable life and career of Dean Martin—the legendary singer, actor, and comedian known as the “King of Cool.” From his early days with Jerry Lewis to his success with the Rat Pack, classic films, hit records, and television fame, we explore how Dean Martin became one of the most iconic and beloved entertainers in Hollywood history. Join us as we celebrate his charm, talent, and enduring legacy in music, film, and pop culture. We want to hear from you! Feedback is always welcome. Please write to us at talesfromhollywoodland@gmail.com and why not subscribe and rate the show on Apple Podcasts, Spotify, iHeartRadio, PlayerFM, Pandora, Amazon Music, Audible, and wherever fine podcasts are found. #DeanMartin #KingOfCool #RatPack #ClassicHollywood #HollywoodLegends #JerryLewis #TalesFromHollywoodland #OldHollywood #GoldenAgeOfHollywood #MusicIcons #FilmIcons #HollywoodHistory #DeanMartinPodcast #VintageEntertainment #LegendaryEntertainers
In 1970 came the birth of the disaster movie genre. The originator, Airplane (1970), was directed by George Seaton and Henry Hathaway and stars Burt Lancaster and Dean Martin. A bomber targets an airplane and an airport manager fights to the keep the airport open. Dive into this cinema-changing classic with Jim and A.Ron. Thank you Fred for commissioning this podcast! Join the discussion: Email | Discord | Reddit | Forums Follow us: Twitch | YouTube | Twitter | Instagram | Facebook You can get your very own custom commissioned podcast by visiting https://support.baldmove.com/. Learn more about your ad choices. Visit megaphone.fm/adchoices
durée : 01:59:03 - Sammy Davis Jr, Le Crooner idéal - par : Thierry Jousse - "Personnalité atypique, militant anti-ségrégationniste, membre du Rat Pack, avec Frank Sinatra et Dean Martin, Sammy Davis Jr était surtout un admirable crooner, non dénué de fantaisie. La preuve avec un programme qui lui est entièrement consacré…" Thierry Jousse Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Welcome fellow Joy Riders to the Masculine Journey Joyride Podcast! On this podcast you can expect to laugh and smile with Godly men who love the Lord and want nothing more than to honor and glorify God. So sit back, relax, and enjoy the Joy Ride. This week the guys discuss intimacy. The clips are from "Just a Little More Baby," by Barry White, and "That's Amore," by Dean Martin. Be sure to check out our other podcasts, Masculine Journey and Masculine Journey After Hours for more great content!
Hi guys! A couple weeks ago Rob Conley wrapped up his Kickstarter live with us on the Random Party Generator Show. Matt Jackson decided not to show up, nor did he back it, so I gave him a call and put him live on air. A roast worthy of Dean Martin ensued. Enjoy!Rob is the undisputed expert in all things Wilderlands of High Fantasy and Citystate of the Invincible Overlord. He launched his Kickstarter, Into the Majestic Fantasy Realms, the Northern Marches, on my show as part of a long interview I had with him. Link to that is below. He joined the Friday Night Random Party Generator Gang to finish it off. The Kickstarter is still taking late backers!!!His New Kickstarter:https://www.kickstarter.com/projects/batintheatticgames/into-the-majestic-fantasy-realms-the-northern-marchesThe Long Interview:https://youtube.com/live/f1BOAFY6_40By Popular demand, here is the link to my new Analog Mancave Discord Server!https://discord.gg/RHxTCq3mzTHere's the link to my first Substack post!https://open.substack.com/pub/analogmancave/p/joethelawyers-analog-mancave-has?r=4ewp0k&utm_campaign=post&utm_medium=web&showWelcomeOnShare=trueMembers now get early access to videos now! Join for as little as 99 cents a month to get to see all the videos as soon as I upload them. Click Here to Join the Channel as a Member!https://www.youtube.com/channel/UCABv_juND7JHvVbJCjWjhlw/joinHere's my most viewed video of all time. :)https://youtu.be/bWRPXFJ8Bl8You can now listen to me on Spotify, Apple Podcasts, Locals, and Rumble, as well as YouTube. Links are below!Joe's Links:Discord: https://discord.gg/RHxTCq3mzTAnalog Mancave Facebook Group: https://www.facebook.com/groups/1331036104620724Substack: https://analogmancave.substack.com/Spotify: https://open.spotify.com/show/3NYr1znhg7i0aSQoyUcI6o?si=0c71530927984ea1Apple Podcasts: https://podcasts.apple.com/us/podcast/joethelawyers-analog-mancave/id1441356270Facebook: https://www.facebook.com/profile.php?id=100077311317522 Rumble: https://rumble.com/user/joethelawyerTwitter: https://twitter.com/analogmancave Twitch: https://www.twitch.tv/joethelawyerLocals: https://joethelawyersanalogmancave.locals.comEmail: analogmancave@gmail.com Instagram: https://www.instagram.com/analogmancave MeWe: www.mewe.com/i/joed15 Webpage: www.analogmancave.com
"On the Town with Suz and Doug" Review the Original Ocean's 11. (dougmilesmedia)
In the powerful conclusion of our four-part conversation with legendary CBS Sports producer Lance Barrow, we uncover some of the most personal and unforgettable stories of his extraordinary career. From the NFL Today set to the sacred grounds of Augusta National, Lance shares candid reflections on the iconic broadcasters, athletes, and entertainers he worked with and admired—including Dick Enberg, John Madden, Jack Whitaker, Arnold Palmer, and even Dean Martin.With his trademark humility and warmth, Lance recalls moments with Hubert Humphrey and Ted Kennedy, emotional lessons from his mentors, and hilarious encounters with household names. In one of the episode's most touching memories, he recounts Arnold Palmer ordering an “Arnold Palmer” at Augusta—an unforgettable experience that captures the essence of what made Arnie so beloved.Lance opens up about knowing when it was time to step away from the spotlight and the values that guided him throughout a 50-year career at CBS. He speaks openly about leadership, mentorship, and why preserving the legacy of greats like Summerall, Madden, and Devlin is a mission he's proud to embrace.As Bruce Devlin and Mike Gonzalez pose the final three questions of the podcast, we hear Lance reflect on lessons learned, potential do-overs, and—most meaningfully—how he hopes to be remembered.This episode is a tribute to one of sports broadcasting's finest—a storyteller, mentor, and man who always put people first. Join us for a heartfelt sendoff to a remarkable career and an unforgettable interview series with Lance Barrow, FORE the Good of the Game.Give Bruce & Mike some feedback via Text.Support the showFollow our show and/or leave a review/rating on: Our Website https://www.forethegoodofthegame.com/reviews/new/ Apple Podcasts https://podcasts.apple.com/us/podcast/fore-the-good-of-the-game/id1562581853 Spotify Podcasts https://open.spotify.com/show/0XSuVGjwQg6bm78COkIhZO?si=b4c9d47ea8b24b2d About "FORE the Good of the Game” is a golf podcast featuring interviews with World Golf Hall of Fame members, winners of major championships and other people of influence in and around the game of golf. Highlighting the positive aspects of the game, we aim to create and provide an engaging and timeless repository of content that listeners can enjoy now and forever. Co-hosted by PGA Tour star Bruce Devlin, our podcast focuses on telling their life stories, in their voices. Join Bruce and Mike Gonzalez “FORE the Good of the Game.” Thanks so much for listening!
EPISODE 95 - “VIRGINIA GREY: Classic Cinema Star of the Month” - 7/07/25 If VIRGINIA GREY is remembered at all, the blue-eyed, blonde-haired beauty is probably best remembered as the caustic perfume counter girl in The Women (1939), who sees right through the gold-digging ways of Crystal Allen, played by JOAN CRAWFORD. In these brief scenes, she is so charismatic and saucy, she really shows how to deliver a zinger of a line. She may also be remembered as the good luck charm of producer ROSS HUNTER, who put her in many of his popular movies of the mid-1950s and 1960s. But there was so much more to this talented actress. This week, we explore her life and career as we honor her as our Star of the Month. SHOW NOTES: Sources: “Virginia Grey, a Veteran of 100 moves, dies at 87,” August 6, 2003, New York Times; Robert Taylor: The Man WIth the Perfect Profile (1973), by Jane Ellen Wayne; “The Girl Who Won Gable Back,” November 1951, by Linda Griffin, Modern Screen magazine; “An Interview With Virginia Grey,” by Mike Fitzgerald, www.westernclippings.com; “Virginia Grey,” briansdriveintheater.com; Wikipedia.com; TCM.com; IBDB.com; IMDBPro.com; Movies Mentioned: The Women (1939), starring Norma Shearer, Joan Crawford, & Rosalind Russell; Uncle Tom's Cabin (1927), starring James B. Lowe; Dames (1934), starring Ruby Keeler, Dick Powell. & Joan Blondell; Secret Valley (1937); starring Richard Arlen & Virginia Grey; Test Pilot (1938), starring Clark Gable & Myrna Loy; Rich Man, Poor Girl (1938), starring Lana Turner; Dramatic School (1938) starring Luise Rainer & Paulette Goddard; The Hardy's Ride High (1939), starring Mickey Rooney & Lewis Stone; Idiot's Delight (1939), starring Clark Gable & Norma Shearer; Broadway Serenade (1939), with Jeanette MacDonald & Lew Ayres; Another Thin Man (1939), starring William Powell & Myrna Loy; Hullabaloo (1940), starring Frank Morgan; The Big Store (1941), starring the Marx Brothers; Blonde Inspiration (1941), starring John Shelton; Tarzan's New York Adventure (1942), starring Johnny Weissmuller & Maureen O'Sullivan; Whistling in the Dark (1941), starring Red Skelton & Ann Rutherford; Bells of Capistrano (1942), starring Gene Autry & Virginia Grey; Sweet Rosie O'Grady (1943), with Betty Grable & Robert Young; Strangers in the Night (1944), starring William Terry & Virginia Grey; Blonde Ransom (1945), with Virginia Grey; House of Horrors (1946), with Robert Lowery & Virginia Grey; Unconquered (1947), starring Gary Cooper & Paulette Goddard; Leather Gloves (1948), with Cameron Mitchell; Mexican Hayride (1948), starring Abbott & Costello; Jungle Jim (1948), Starring Johnny Weissmuller & Virginia Grey; Highway 301 (1950), with Steve Cochran & Virginia Grey; Slaughter Trail (1951), starring Gig Young & Virginia Grey; Three Desperate Men (1951), with Preston Foster & Virginia Grey; Captain Scarface (1953), with Leif Erickson & Virginia Grey; The Forty-Niners (1955), with Wild Bill Elliott & Virginia Grey; All That Heaven Allows (1955), starring Jane Wyman & Rock Hudson; The Rose Tattoo (1955), starring Anna Magnani & Burt Lancaster; Jeanne Eagles (1957), starring Kim Novak; Portrait In Black (1960), starring Lana Turner; Back Street (1961), starring Susan Hayward; Flower Drum Song (1961), starring Nancy Kwan; The Naked Kiss (1964), starring Constance Tower; Love Has Many Faces (1965), starring Lana Turner, Cliff Robertson & Hugh O'Brien; Airport (1970), with Burt Lancaster & Dean Martin; --------------------------------- http://www.airwavemedia.com Please contact sales@advertisecast.com if you would like to advertise on our podcast. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week's episode walks into the ring wearing the click-bait crown. “Ambrose Rejoins The Shield” sounds huge, right? Stick around and find out whether Dean actually walks through that curtain or if Kevin just keeps trolling the entire internet wrestling community. Kevin and Sean fire off on Jon Moxley's year-long title situation, dream up five-year reigns, and ponder why AEW championships apparently come with dentist-office magazines instead of mandatory defenses. It gets spicy fast and no one is safe from the booking board. Elsewhere, Cody Rhodes signs autographs beneath a towering vodka logo while LA Knight sneaks into RAW dressed like a leather couch from 1978. There are banter detours through Edge's abandoned trademark, PCO's retirement-but-not-really match, and a surprise cameo from “diddy freak-offs.” If you think it stops at wrestling, buckle up. Cadillac Escalades losing sixty-four grand in value, billion-dollar tax bills, and the fragrant mysteries of New Delhi all crash into the conversation like an out-of-control run-in. Florida Man and Jersey Guy headlines round things off with the kind of absurdity only our show can celebrate. Ready to laugh, groan, learn a weird fact, and question your life choices in under two hours? Smash that Like, drop a comment with your hottest take, and make sure you're subscribed so you never miss another bait-and-switch title from the Kliq. Bell icon on, volume up—let's talk some trash. Ridge 10% OFF – Upgrade your wallet today! Get 10% off @Ridge with code KLIQ at https://ridge.com/KLIQ #Ridgepod Mando – Control Body Odor ANYWHERE with @shop.mando and get 20% off + free shipping with promo code KLIQ at shopmando.com #mandopod CarGurus – #1 most-visited car-shopping site. Shop from millions of cars to find your best deal at CarGurus.com Get Blitzed – Save 15% at Get-Blitzed.com by entering the code KLIQ at checkout BlueChew – Visit BlueChew.com and try your first month free when you use promo code NASH (just pay $5 shipping) 00:00 Kliq This #157 Jon Moxley overworked? 02:39 The Diddy Verdict 03:58 BBB 05:52 Alligator island 10:58 PCO 14:10 Tax breaks for lower income americans 18:47 The EDGE Trademark 20:34 BREAK RIDGE 23:32 Jon Moxley is OVEREXPOSED 24:28 t seemed off this episode 25:47 Favorite segment: "Believe-ability" 27:34 bad memory 31:58 Rhea Ripley vs Tess Blanchard 33:10 Lost the twins 35:35 Goldberg ttle change? 37:35 Bad Transition into RAW 38:53 LA Knight snuck into RAW? 41:18 BREAK MANDO 44:45 WWE's current schedule is hard? 47:30 The lack of Logic around the Run-in 52:08 Cody sponsored by a Vodka company 55:48 The King of The Ring is a “title” 56:56 Rhea Ripley eating a banana on NOC 58:57 Teasing the cash-in 01:00:42 BREAK CarGurus 01:04:39 Escalades 01:11:45 The Liver King 01:18:30 BREAK GET BLITZED 01:20:16 “Mr Everest” 01:20:44 El Grande Americana 01:21:13 BREAK BLUECHEW 01:23:15 Having your girlfriend put you over 01:23:47 ASKNASH 01:24:46 KliqThisShop.com 01:26:30 Favorite Tag Team 01:27:46 Detroit pizza 01:28:59 toughest opponent to ever get up into the jackknife powerbomb 01:29:54 Best match you've ever seen? 01:31:43 Michael Madsen 01:33:27 Dean Martin 01:34:46 Fireworks 01:38:21 CM Punk Saudi Apology 01:38:45 OUTRO
In this episode I tell you about the medicinal uses of Juniper. This very common tree/shrub is among our most useful medicinal herbs and is also great as a food. Juniper is one of the essentials!Also, I am back on Youtube Please subscribe to my channel: @judsoncarroll5902 Judson Carroll - YouTubeTune of the week: Corrina CorrinaThis is my version of the Mississippi Sheiks' "Corrina Corrina". It is a classic blues tune, recorded by every one from Bob Wills to Dean Martin and a thousand others. It is an easy tune, but I also give you a western swing version that is a bit more fancy.https://youtu.be/DHAWKmbyBWINew today in my Woodcraft shop:Toasted Holly Cooking Spoonhttps://judsoncarrollwoodcraft.substack.com/p/toasted-holly-cooking-spoonEmail: judson@judsoncarroll.comBecome a supporter of this podcast: https://www.spreaker.com/podcast/southern-appalachian-herbs--4697544/supportRead about The Spring Foraging Cookbook: https://southernappalachianherbs.blogspot.com/2024/01/the-spring-foraging-cookbook.htmlAvailable for purchase on Amazon: https://www.amazon.com/dp/B0CRP63R54Medicinal Weeds and Grasses of the American Southeast, an Herbalist's Guidehttps://southernappalachianherbs.blogspot.com/2023/05/medicinal-weeds-and-grasses-of-american.htmlAvailable in paperback on Amazon:https://www.amazon.com/dp/B0C47LHTTHandConfirmation, an Autobiography of Faithhttps://southernappalachianherbs.blogspot.com/2023/05/confirmation-autobiography-of-faith.htmlAvailable in paperback on Amazon:https://www.amazon.com/dp/B0C47Q1JNKVisit my Substack and sign up for my free newsletter:https://judsoncarroll.substack.com/Read about my new other books:Medicinal Ferns and Fern Allies, an Herbalist's Guide https://southernappalachianherbs.blogspot.com/2022/11/medicinal-ferns-and-fern-allies.htmlAvailable for purchase on Amazon: https://www.amazon.com/dp/B0BMSZSJPSThe Omnivore's Guide to Home Cooking for Preppers, Homesteaders, Permaculture People and Everyone Else: https://southernappalachianherbs.blogspot.com/2022/10/the-omnivores-guide-to-home-cooking-for.htmlAvailable for purchase on Amazon: https://www.amazon.com/dp/B0BGKX37Q2Medicinal Shrubs and Woody Vines of The American Southeast an Herbalist's Guidehttps://southernappalachianherbs.blogspot.com/2022/06/medicinal-shrubs-and-woody-vines-of.htmlAvailable for purchase on Amazon https://www.amazon.com/dp/B0B2T4Y5L6andGrowing Your Survival Herb Garden for Preppers, Homesteaders and Everyone Elsehttps://southernappalachianherbs.blogspot.com/2022/04/growing-your-survival-herb-garden-for.htmlhttps://www.amazon.com/dp/B09X4LYV9RThe Encyclopedia of Medicinal Bitter Herbs: https://southernappalachianherbs.blogspot.com/2022/03/the-encyclopedia-of-bitter-medicina.htmlAvailable for purchase on Amazon: https://www.amazon.com/dp/B0B5MYJ35RandChristian Medicine, History and Practice: https://southernappalachianherbs.blogspot.com/2022/01/christian-herbal-medicine-history-and.htmlAvailable for purchase on Amazon: www.amazon.com/dp/B09P7RNCTBHerbal Medicine for Preppers, Homesteaders and Permaculture People: https://southernappalachianherbs.blogspot.com/2021/10/herbal-medicine-for-preppers.htmlAlso available on Amazon: www.amazon.com/dp/B09HMWXL25Podcast: https://www.spreaker.com/show/southern-appalachian-herbsBlog: https://southernappalachianherbs.blogspot.com/Free Video Lessons: Herbal Medicine 101 - YouTube https://www.youtube.com/playlist?list=PL7QS6b0lQqEclaO9AB-kOkkvlHr4tqAbs
Sid chats with Steve Maglio about his upcoming show 'Not Just Sinatra' at The Cutting Room tonight. Steve shares details about the event, which features a 12-piece orchestra, a comedian opener, and performances of classics by Frank Sinatra, Dean Martin, and many others. The show promises a nostalgic nightclub experience in the heart of New York City. Learn more about your ad choices. Visit megaphone.fm/adchoices
Watch on Philo! - Philo.tv/DTHThe movie kicks off with an IMF agent running on a roof, shooting back at people. He jumps off and lands on a inflatable and somehow doesn't stick around to jump on it. He spots his target but it's too late - she shoots him first. Tough break. Cut to Ethan Hunt. He's in a Moscow prison. Suddenly, Dean Martin begins to play over the loud speaker and his cell is unlocked. It's all Benji. He's outside in a truck watching on the camera. For some reason, Ethan doesn't go through the next open door. Instead, he goes to free someone and take him with him and Benji and very confused. But it works. They get to the room, the floor explodes and they escape. Ethan knew that dude was his informer would be tortured and killed, so he rescued him and granted him his freedom. Jane is new and she tells Ethan that guy at the beginning of the movie was Agent Hanaway and he was killed while intercepting a routine courier drop. The courier was carrying Russian nuclear launch codes & these were now in the hands of the assassin that killed him. Hunt knows that IMF has been looking for an extremist, code name Cobalt. Cobalt is known to have a nuclear device and with the theft of the launch codes, his identity is now top priority for the IMF. Cobalt was a nuclear strategist for Russian intelligence. So Ethan has to go to Russia to break into the secret Kremlin archives and locate files identifying Cobalt. Easy right? Well apparently Cobalt is already on his way to the Kremlin, which gives Ethan 5 hours to complete his mission. This mission is going great but when he gets to the archives, he finds out that what he needs is already missing. Then someone taps into the IMF frequency and their cover is blown. So Ethan aborts the mission. Suddenly, a bomb destroys the Kremlin which knocks Ethan out and he awkes up in a Russian hospital. He finds out that he is now a wanted man, so he has to escape. The IMF picks Ethan up and catch him up to speed but their vehicle is attacked. One dude dies but another dude named William Brandt survives with Ethan. He finds out that the Russians have called the attack an undeclared act of war and the US president activates "Ghost Protocol", which disavows the entire IMF. Based on Ethan's description of who he saw in the Kremlin with a briefcase, they identifies Cobalt as Kurt Hendricks. They believe Hendricks bombed the Kremlin and got the Russian nuclear launch-control device, and now needs its codes from the Dubai. So off to Dubai they go! Ethan has to hack the server room. Obviously the only way to do that is from the outside with him using these special gloves hundreds of stories in the air. The plan is to make Wistrom, who is there on Hendricks behalf, believe he is getting the real codes, which are actually from Ethan and Brandt who are with the actual real codes in another room acting like they're the buyers. It's a whole thing. The plan is going great until the code women realizes that Brandt is taking pictures with his eyes. Wistom is getting away, so Ethan chases him into a sand storm. Turns out, Wistom is just Hendricks in a mask and he gets away! This is bad news. The team is all mad at each other. Hendricks got away and Jane accidentally kicked the seller out of a window. Whoops. It's at this point that Ethan accuses Brandt of keeping secrets from them because his fighting skills show that he's not just an analyst. Brandt admits he used to be an agent on the field. He was actually security detail to Ethan and his wife Julia. Julia was killed by a Serbian hit squad, prompting Ethan to pursue and kill them before he was caught by the Russians and sent to prison, where he was at the beginning of the movie. Brandt blames himself and never wanted to be out on the field again. They get word on where Henricks is going to be next. So off to Mumbai they go. They go to a party being thrown by Indian telecommunications guru. They believe he has struck a deal with Henricks and that he's going to use his sattelite. So Brandt breaks into the server room to take the satellite offline while Jane gets hot shot tech guy to reveal the satellite override code. But Hendricks takes the servers offline before they can finish the plan. He fires a nuclear missile on San Francisco from a Russian submarine which would look like retaliation for the Kremlim bombing. The only way to stop the missile is via the abort sequence on the launch device that Hendricks is carrying. Hunt pursues Hendricks and the launch device while the other team-members attempt to bring the broadcast station back online so that the abort command will transmit. Hunt and Hendricks fight over the launch-control and he's able to hit the button and the power turns back on with 1 second to spare. No Nuclear war today! Plus, the IMF is proved innocent. The team comes together to celebrate and he gives them all a new mission. Brandt refuses at first until Ethan explains that Julia isn't actually dead, it was all a cover, so he doesn't have to worry about it. Off to the next mission they go.
You've probably seen it on the news - a shakeup in the Tasmanian Parliament. So what's really going down in the Apple Isle?Jack Milroy joins Stephen Donnelly to unpack the events and actors surrounding the no-confidence vote in Liberal Premier Jeremy Rockliff. Was it the new AFL Stadium, the budget, or simply the Opposition spotting an opportunity? And in a system where major parties increasingly cede ground to crossbenchers - are snap elections the new normal?Since recording, an election has been called for July 19, and Michelle O'Byrne has announced that she will retire from politics at the next election.Mentioned in the show: The Hare Clark System CHAPTERS:00:00 Episode Start03:12 Background16:15 Day of the Vote35:10 What Happens Next?Support the showNew episodes every Friday. If you like the show, rate and review us on your favourite podcast app. Follow Us on Socials: Facebook (https://tr.ee/9jGIOy)Instagram (https://www.instagram.com/sociallydemocratic)LinkedIn (https://tr.ee/YxyYJh)Twitter (https://x.com/SocialDemPod)Bluesky (https://tr.ee/EqdapC)YouTube (https://www.youtube.com/@DunnStreet) The presenting sponsor of the Socially Democratic podcast is Dunn Street. For more information on how Dunn Street can help you organise to build winning campaigns in your community, business or organisation, and make the world a better place, look us up at: dunnstreet.com.au
I have been anticipating having the opportunity to speak with Carl Amari on an episode of Unstoppable Mindset for several months. Carl and I share a passion for vintage radio programs sometimes called “old time radio shows”. Carl heard his first broadcast in 1975 when he heard Cary Grant staring in a program from the 20-year long series entitled “Suspense”. That program left the air in 1962, but like other shows, some radio stations kept it alive later. Carl's interest in vintage programs goes far beyond the over 100,000 transcription master's he has amassed. He has also created some programs of his own. For example, in 2002 Carl asked for and received the rights to recreate the television show, “The Twilight Zone” for a radio audience. He used many famous actors while recreating the series. He talks about what he did and how he brought “The Twilight Zone” to life on the radio. He also has dramatized five versions of the bible. His most well-known work is “The Word Of Promise Bible”. When I first purchased that bible from Audible, I had no idea that Carl was its creator. Carl Amari is quite a creative guy making movies, collecting and producing radio programs and he even hosts podcasts. I hope you have as much fun listening to this episode as I did in creating it with Carl. We definitely will have him back as he has many more stories to tell. About the Guest: Carl Amari has been licensing classic radio shows from the owners and estates since 1990. He has amassed a library of 100,000+ master recordings. Amari broadcasts these golden-age of radio shows on his 5-hour radio series, Hollywood 360, heard on 100+ radio stations coast-to-coast each week. Amari is also the Host/Producer of The WGN Radio Theatre heard each weekend on legendary Chicago radio station, WGN AM 720. Amari is the founder and curator of The Classic Radio Club. Each month Amari selects the best-of-the-best from his classic radio library to send to members. Amari is also a published author. In 1996, he began writing a series of books about classic radio for The Smithsonian Institute. More recently, he teamed with fellow classic radio expert, Martin Grams, to co-write the best-selling coffee-table cook “The Top 100 Classic Radio Shows” (available at Amazon). Each bi-monthly, Amari writes a classic radio-themed column titled “Good Old Days on the Radio” for the nostalgia publication Good Old Days Magazine. In 2002, Amari licensed the intellectual property, The Twilight Zone, from CBS and The Rod Serling estate to create and produce The Twilight Zone Radio Dramas, which are fully dramatized audio adaptations based on Rod Serling's Emmy-Award winning TV series. Hosted by prolific actor Stacy Keach, each hour-long radio drama features a Hollywood celebrity in the title role. The Twilight Zone Radio Dramas has won numerous awards of excellence including The Audie Award, AFTRA's American Scene Award and the XM Nation Award for Best Radio Drama on XM. The Twilight Zone Radio Dramas are broadcast coast-to-coast each week on nearly 100 radio stations. In 2007, Amari parlayed his experience and passion for radio theatre and love for the Bible into the creation of the award-winning Word of Promise celebrity-voiced, dramatized audio Bible published by Christian giant Thomas Nelson, Inc. The New Testament won 2008's highest Evangelical award, The Christian Book of the Year. The Word of Promise stars Jim Caviezel (“The Passion of the Christ”) reprising his film role as Jesus, with Michael York, Terence Stamp, Lou Gossett, Jr., Marisa Tomei, Lou Diamond Phillips, Ernie Hudson, Kimberly-Williams Paisley and many other celebrities voicing roles of the New Testament. In 2008, Amari produced The Word of Promise Old Testament featuring more than 400 actors including: Jon Voight, Gary Sinise, Richard Dreyfuss, Max von Sydow, Malcolm McDowell, Joan Allen, John Rhys-Davies, Sean Astin, Marcia Gay Harden and Jesse McCartney. The Old Testament was combined with the New Testament and released as The Word of Promise Complete audio Bible in 2009 and has won numerous awards, including three Audie awards. The Word of Promise has become the #1 selling audio Bible of all time. In 2009, Amari produced The Truth & Life Dramatized Audio Bible: New Testament, a Catholic Bible featuring Neal McDonough, John Rhys-Davies, Malcolm McDowell, Kristen Bell, Blair Underwood, Julia Ormond, Brian Cox, Sean Astin and other celebrities. It was released by Zondervan Corporation, the largest religious publisher in the world. Amari secured an Imprimatur from The Vatican and a foreword by Pope Benedict XVI for The Truth & Life Dramatized Audio Bible: New Testament, which has become the #1 selling Catholic audio Bible in the world. In 2016, Amari produced The Breathe Audio Bible for Christian Publisher Tyndale House. Celebrities voicing roles include Ashley Judd, Josh Lucas, Kevin Sorbo, Hill Harper, John Rhys-Davies and Corbin Bleu. Amari currently produces a weekly radio series based on this audio Bible called The Breathe Radio Theatre hosted by Kevin Sorbo, heard on Christian radio stations coast-to-coast. In 2000, Amari produced the feature film Madison starring Jim Caviezel, Bruce Dern, Jake Lloyd, Mary McCormack and John Mellencamp. In 2001, Madison was invited by Robert Redford to be the opening film at Redford's prestigious Sundance Film Festival. Madison was later released worldwide by MGM. Amari also spends his time creating television series for Warner Brothers and Gulfstream Pictures. Amari's latest film projects include producing, Wireman, starring Scott Eastwood and Andy Garcia, a true-story set in 1978 Chicago and Crossed, a Zombie Post-Apocalyptic story by The Boys creator Garth Ennis. Both films will be released in 2025. Amari's company was twice named to the INC. 500 list of fastest growing privately-held companies. He was selected as one of Chicago's Very Own by Tribune Broadcasting and his business accomplishments have been highlighted in The Wall Street Journal, The Chicago Sun-Times, The Chicago Tribune, Variety, INC. 500, The Associated Press, Entertainment Weekly, The Washington Post, The Los Angeles Times and The New York Post. Ways to connect Carl: https://www.hollywood360radio.com/ https://classicradioclub.com/ https://ultimateclassicradio.com/ You can also provide my email address: Carl@ClassicRadioClub.com About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us. Michael Hingson ** 01:20 Well, hello to you all, wherever you may be, welcome to another episode of unstoppable mindset. Oh, it's always good to have an unstoppable mindset. I am really very joy today. I'm really happy because I get to have an hour to chat with someone who I've admired for a while, although I haven't told him that but he, I first heard him on a show. Well, he did a show called Yeah, on a program called yesterday USA, which is a program that plays old radio shows on now two different networks. They have a red network and a blue network, so they have emulated NBC, and they're on 24 hours a day, doing a lot of old radio stuff. And I've been collecting radio shows for a long time, although our guest, Carl has has done, in a broad sense, a lot more than I have. But anyway, he collects shows. He does a lot with master copies of radio shows, and I don't, don't have that many masters, but he's also done some other things. For example, in 2002 he acquired the rights from CBS and the Rod Serling estate to create Twilight Zone radio, and he is created versions for radio of all of the Twilight Zone broadcasts. The other thing that he did that I didn't realize until I got his bio, is that he created something else that I purchased from Audible, probably in 2008 or 2009 the Word of Promise Bible, where he got a number of entertainers and and special people and Celebrities like Michael York and others to create the Bible, and it's only 98 hours long. So you know, it takes a little while to read, but still, it's worth doing. So I would like to introduce you all to Carl Amari and Carl, welcome to unstoppable mindset. Michael, Carl Amari ** 03:14 thank you so much for having me. It's a real honor. Thanks so much. Michael Hingson ** 03:19 Well, the honor is, is mine as well. I really am glad that that you're here and we do get to talk about radio and all sorts of whatever comes along. Well, I want to start this way. Tell me about kind of the early Carl, growing up and all that well for an opening, yeah. Gosh, Carl Amari ** 03:35 that was a long time ago, but when I was 12 years old in 1975 I heard my first classic radio show. It was an episode of suspense, and it starred Cary Grant in a show called on a country road. Yeah, and I was at a sleepover at my friend's house, and we were kind of rowdy, as as 12 year olds will be. And his father had this show, I think it was on an eight track tape or a cassette tape, and he played it, and it was the first time I ever experienced theater of the mind. And I, you know, grew up watching Batman and the Twilight Zone and Wild Wild West, and I had never had anything, you know, that that really, really just blew me away, like hearing a radio drama where you hear the the actors performing, and you see the, you know, they have the sound effects and the music, and it creates this movie in your mind. And I was at a 12 as 12 years old. I was just completely just, you know, flabbergasted, and I wanted to learn all I could about classic radio and and so I spent, really my entire career, the last 40 plus years, licensing and putting out these radio shows, licensing from. The estates and putting them out on radio and on CD and digital download and so forth. Michael Hingson ** 05:06 Cool. Yeah, I remember on a country road the first show. Well, I remember a few times my parents were listening to radio in the early 50s, and I think one of the first ones I heard was Dick Tracy, but I don't even remember that, but I think it was 1957 in October or so. I was listening to the radio, and all of a sudden I heard, and one of my maybe it was 58 but anyway, one of my favorite songs at the time was Tom Dooley by the Kingston Trio, and this announcement came up that on suspense this Sunday would be the story of Tom Dooley. And I went, Oh, that's Oh, right, right. Listen to that. And I did, and I was hooked for the very same reasons that you were radio really presents you the opportunity to picture things in in your own mind, in a sense, the way you want. And what they do in the radio production is get actors who can draw you in, but the whole idea is for you to picture it in your own mind. So I did it with Tom Dooley, and I got hooked. And I was listening to suspense and yours truly Johnny dollar ever since that day. And then also Gun Smoke and Have Gun Will Travel came along, and then that was fun. Carl Amari ** 06:23 Yeah, those were those shows that you just mentioned. They were on still in the 50s. Because when you think of the golden age of radio, it was really the 30, late 30s all the way to the very early 50s, golden age of radio. But there were hangers on. There was Johnny dollar, and, like you said, suspense. And you know, some of these programs that were still on fiber, McGee and Molly, even, you know, Jack Benny, were still on during the 50s. And then, of course, most of the shows made the transition to the visual medium of television. But the eyes, I still say, you know, today, listening to these radio shows is more fun, and I think they're more impactful than the television versions. Oh, Michael Hingson ** 07:07 I think so by any standard. I think that's true. And gun Well, let's see. Suspense went into, I think 1962 Johnny dollar did, and suspense and Gunsmoke and Have Gun Will Travel. Started on television, actually, but then transitioned to radio. There were a few shows, a few of the plots that actually were on both, yes, but John Danner played Paladin on the radio, and that was fun. And then, of course, Gunsmoke as well. So they, they, they all went into the 60s, which was kind of kind of cool, yeah. Carl Amari ** 07:43 And usually they had, you know, sometimes they had the same cast, and other times a completely different cast, like with Gunsmoke, you know, William Conrad was Marshall Matt Dillon on on radio. And, of course, people remember him as canon on television, also Nero Wolf on television. But William Conrad, who was probably in more radio shows than anyone I can think of. Yeah, was, was Marshall, Matt Dillon, and then on on television, of course, James Arness, so yeah, and but then, you know, the Jack Benny Program, there was the same cast, you know, the very same people that were on radio, moved to television, same with Red Skelton and many of the shows, but other times, completely different cast. Michael Hingson ** 08:22 I was watching this morning when I woke up, me too. Let's see, was it me too? Yeah, was me TV? They're great and and they had Jack Benny on at 430 in the morning. I just happened to wake up and I turned it on. There's Benny season five, where he took the beavers to county fair. Of course, the Beavers are fun. And I've actually, I've actually had the opportunity to meet Beverly Washburn, which was, oh, sure, Carl Amari ** 08:52 sure. Oh man, Jack Benny, probably the high water mark of comedy. You know, when you talk about, you know, a guy that was on, he started in vaudeville, you know, and then he had his own radio show, his own TV show was in movies, and probably the most successful. And when you think about Seinfeld, right, when you think about the series, the television series Seinfeld, there's so many correlations between Seinfeld and the Jack Benny Program, you know Seinfeld. It was, was a comedian, you know Jerry Seinfeld, playing himself. He had this cast of Looney characters all around him. Same thing with the Jack Benny show. It was Jack Benny with a cast of Looney characters. And so it's probably was an homage, you know, to to Jack Benny. And Michael Hingson ** 09:39 I, I'm, think you're right. I think in a lot of ways, that probably absolutely was the case. And you know, there are so many radio shows that that, in one way or another, have have influenced TV. And I think people don't necessarily recognize that, but it's true, how much, yeah, radio really set the stage for so many things. Yeah, I think the later suspenses, in a sense, were a lot better than some of the earlier ones, because they really were more poignant. Some were more science fiction, but they really were more suspenseful than than some of the early ones, but they were all fun. Carl Amari ** 10:13 Oh gosh, suspense that's now you're talking about, I think the best series of all time, you know, because it was about almost 1000 episodes. It lasted from 42 to, I believe, 62 or 63 and and it had, for a time, there was a lot of true stories on suspense when Elliot Lewis took over. But yeah, you're right. It had the best actors, the best writers, the best production values. So suspense to this day. You know, I think is, of all the shows was, was one of the best, if not the best. Michael Hingson ** 10:45 Oh, I agree. I can't argue with that at all. And did so many things. And then for at least a summer, they had hour long suspenses, but mostly it was a half hour or Yes, later was 25 minutes plus a newscast, right, Carl Amari ** 10:59 right, right? It didn't seem to work in the hour long format. They only did a handful of those, and they went back right back to the half hour once a week, you know. But, yeah, no suspense, one of my favorites for sure. Michael Hingson ** 11:13 Oh, yeah. Well, and it's hard to argue with that. It's so much fun to do all of these. And you know, on other shows in radio, in a sense, tried to emulate it. I mean, escape did it for seven years, but it still wasn't suspense, right, Carl Amari ** 11:27 right. Closest thing to suspense was escape, but it was never and I think because you know, as as you know Michael, but maybe some of your listeners don't realize this, these actors, these big actors, Humphrey Bogard and chair, you know, James Stewart and Cary Grant, they were, they were studio, they were under a studio contract. So they weren't like today, where they were freelance. So when, like, let's say, Jimmy Stewart was being paid, I'll just make up a number $5,000 a week to be under contract to make movies when he wasn't making a movie, they wanted to make money on this actor, so they would loan him out to radio. And these actors were on suspense, like on a routine basis, you had movie stars every week appearing on suspense, the biggest movie stars on the planet. So and you would think, well, how could they afford these movie stars? Well, because the studios wanted to make money when their actors weren't working, right? Michael Hingson ** 12:23 And and did, and people really appreciate it. I mean, Jess Stewart, yeah, even some of the actors from radio, like fiber began, Molly, yeah, on a suspense. And they were, that was a great that was a great show. But, oh yeah, Carl Amari ** 12:38 back, I think it was back, right? Yeah, yeah, which Michael Hingson ** 12:41 was really cool. Well, you license a lot of shows from, from people tell me more about that. That must be interesting and fascinating to try to negotiate and actually work out. Well, Carl Amari ** 12:52 early on, when I was in college, you know, as a communications major, and I learned very early on that these show, a lot of these shows are, copyrighted so and because I was actually sent a cease and desist letter on a college station just playing a show. And so that was, and it was from Mel blanks company, man of 1000 voices. And he his son, Noel, helped me learn, you know, taught me that, hey, you know, these shows are were created by, you know, the the estates, you know, the that were still around Jack Benny and, you know, CBS owns a ton of stuff and different, you know, entities that own these shows and and he helped, and he introduced me to a lot of people, including Jerry Lewis and Milton Burrell and and so I spent My early career in my 20s, flying back and forth to LA and New York and licensing these shows from like Irving Brecher, who created the life of Riley and the Jack Benny estate. And, you know, golden books at the time, owned the Lone Ranger and so licensing that and Warner Brothers, you know, DC for Batman and so, and Superman, I mean, which had Batman on it, but Superman, I licensed those. And, you know, MCA universal for dragnet and the six shooter and so on and on and on and and I spent, as I say, my early career licensing. I now have over 100,000 shows under license, and mostly from Master transcriptions, because I only like to collect from the master source, because we put them out through a club, the classic Radio Club, and I air them on my I have a national radio show called Hollywood 360 we air them every week, five shows every week on the network. There's over 100 stations, including Armed Forces Radio and and so I want the quality to be impeccable. I don't want dubs of dubs or, you know, cracks and pops. And I really want to give people what it sounded like back then when they aired Michael Hingson ** 14:54 and well. And you you can sort of do that, but the sound is probably even better today. With the audio equipment that people have access to, yeah, the sound is even better than it was. But I hear what you're saying, and it's cool to listen to those, and they're not stereo. Oh, that would be interesting to to try to reprocess and make that happen, but the audio is incredible. Yeah, Carl Amari ** 15:16 yeah, that's kind of what our, you know, our trademark is, Michael is, you know, if you're listening to Hollywood 360 which, as I say, is on a lot of stations across the country, when you listen to that show, and in every hour, we play a we play a show, you know you're going to get something that sounds just, is like we're talking right now. You know that's that's important to me. Yeah, Michael Hingson ** 15:37 well, and I can appreciate that, and it makes perfect sense that it is because we should really preserve the the programs, and we should do what we can to make them sound as good as we can, and we should really get that high quality. And the high quality is there, yes, just not always what people find, and people are willing to, well, accept less than what they should, yeah, Carl Amari ** 16:01 well, I, you know, I grew up collecting from where I wherever I could. But then, when I started licensing them, I would get the masters from the, you know, whoever owned them. And then I also have about a half a dozen collectors that only collect on 16 inch disc, which is kind of great. And so if I have, let's say, you know, suspense and and I'll, you know, let's say, you know, because we license that from CBS. But if CBS doesn't have a certain show, but a collector on disc has it, I'll get that from the collector and still pay the royalty the CBS because they own it. But I'll get that, that disc from a collector. And, you know, we, and it's a cost of doing business, but we'll get it transferred and and put it out to the public that way. Michael Hingson ** 16:46 Typically, what are the discs made of? So Carl Amari ** 16:49 they're, they're like, uh, they're like a shellac. I mean, they're, they're like, a glass. Some of them are actually glass, Michael Hingson ** 16:55 yeah, you know, some of the Jack Benny shows were glass, yeah, Carl Amari ** 16:59 and acetate and things like that. And so I there's one gentleman that's in in Redding, California, Doug Hopkinson, who is just an expert on this, and he does most of the transfers. We recently licensed 41 different series from Frederick zivs estate. And you know, we're talking the entire collection of Boston Blackie bold venture with Humphrey Bogart and Lauren Bacall, Philo Vance, with Jackson Beck, Mr. District Attorney, and I was a communist for the FBI. And Doug is actually doing they're all on they're all zivs Personal discs. Frederick Ziv, he had them. There's 10,000 more than 10,000 discs in a controlled warehouse in Cincinnati, and we are slowly but surely working our way through 10,000 shows. And Doug is doing all those transfers. So he's a busy guy. Does he go there to do it? No, we have him sent. So you do cardboard boxes. Yeah, yeah. To California. And then Doug has two, you know, it's special equipment that you have to use. I mean, it's very, very it's not just a turntable, and it's a special equipment. And then, you know, we get the raw file, you know, we get the, he uses the special needles based on that album, you know, or that disc he has, you know, a whole plethora of needles, and then he tests it, whichever gets the best sound out of there. So, yeah, he's really, he's tops at this. And so we're doing those Troy, we just transferred all the, I was a communist for the FBI with Dana Andrews, yeah, and all the Boston blackies, which is one of my favorites Michael Hingson ** 18:40 and bold venture. And, yeah, I have those, good man, so I know that it's interesting. You mentioned the needles. So for people who don't know, in order to get a program on one disc, the transcriptions were literally 16 inches. I mean, we're all used to LPS or 12 inch disc, but the radio transcriptions were 16 inch discs, right? Carl Amari ** 19:05 And that held 15 minutes. And now you needed two discs, yeah? So generally, you needed two discs to give you one show, unless it was one on one side and one on the other side. But a lot of times it was, it was, it was two discs for one show, yeah, and then, and then, on the opposite side, you'd have another show. One Michael Hingson ** 19:24 of the things that I got the opportunity to do was to collect my dad knew somebody when he worked at Edwards Air Force Base that had a number of 16 inch transcriptions, and I had a turntable. Wasn't great, but it served the purpose for a college kid. And one of the things I discovered was that there were a few recordings that, rather than putting the needle on the outside and the record spins and plays in, you actually start from the inside and go out. Carl Amari ** 19:56 Yes, I've seen that, yeah, and I'm told we're that way. Yeah, Michael Hingson ** 20:00 I'm told that they did that because the the audio quality was actually better. Doing it that way, really? Yeah, I didn't know that. I didn't know, but that's what I was told, was that the audio quality was even better. Wow, Carl Amari ** 20:11 yeah. I mean, it's a skill, you know, because with we really have one shot to get these 10, you know, these, these discs and and and we were getting them from, from literally, Frederick zivs Personal. They were, I told, like the first one off the duplication line. When he would, he would bicycle the discs all around the country. We're not using discs that were ever touched by radio stations. In fact, a lot of them, we have to drill out the holes in the middle because they've closed up a little bit. So these have never been played. They're unplayed. His master discs that are unplayed and and if you have the bold venture, you know what we were able to pull off those masters, it's like high fidelity. Mon Oro, Michael Hingson ** 20:56 yeah. They're as good as it can get. And they do, they sound really great. Well, even the Boston blackies are good. Yeah, Carl Amari ** 21:02 oh yeah, yeah. I'm excited about that, because that, that's one of my favorite shows Boston. Michael Hingson ** 21:07 I like Boston Blackie and yeah, and I like, I was a communist for the FBI, and I haven't gotten those yet, but I'm waiting to get Dana Andrews that whole Carl Amari ** 21:15 they just shipped. So there you should be getting them, Michael. So thank you for that. They'll Michael Hingson ** 21:20 be they'll be coming, yes, which is pretty cool, but it is so fun to have the opportunity to listen to all these and I really urge people, the easy way is you can go to places like yesterday usa.net, online and listen to a lot of radio programs, but you can go to Carl's website, or when he can tell us how to do it, and you can actually purchase the opportunity to get copies of some of these shows, and they're absolutely fun and worth doing. Carl Amari ** 21:54 Yeah, thank you, Michael. We are. We have, you know, our radio show has a website. You can learn about our radio show that's that's easy. It's Hollywood. And then 360 so Hollywood, 360 radio.com, that's like my and you can reach me, but there's ways to contact me through there. And then we, I think I mentioned we offer these through a club, which is pretty cool, because what I do every month is I'll comb the library of we have over 100,000 shows, and I'll take, I'll pick 10 shows every month and put them either on five CDs with a booklet, historical booklet, and it's in a nice case. And you get about every 30 days, CD members get a new 10 C 10 show five CD set in the mail, or you can get those same shows via digital download. So if you don't want the CDs, you just want a link sent to you there, they're done that way too. And that's classic radio club.com and all of the information is there at Classic radio club.com and as I say that that we put out only the best quality there, like, the best quality you could possibly get, which, Michael Hingson ** 23:04 which is so cool, because I have heard some of those programs as you say that they're dubbed or people, for some reason, have the wrong speed. They're not great quality, right? So frustrating. Yeah, there's no need for any of that. And some people, of course, cut out the commercials, not being visionary enough to understand the value of leaving the commercials in, right? And again, they didn't do a very good job of cutting them out. Carl Amari ** 23:31 No, we leave everything in. Even, you know, it's so interesting to hear cigarette commercials, or, you know, all you know, vitamin commercials, like, you know, you know, ironized yeast presents, lights out. You know, it's fun. It's fun to hear, you know, these commercials. And sometimes, like on the dragnets, when they're talking about Chesterfield, they're like, oh, doctor recommended, you know, and all this. Michael Hingson ** 23:55 Well, even better than that, I was just thinking the Fatima cigarettes commercials on dragnet. Yeah, research shows, yeah, I wonder where they got that research, Carl Amari ** 24:07 yeah. Oh my gosh. They were, they were, it was crazy how they would do that. I mean, they got away with it. They did. They did. They did. And, you know, we, even when we air radio shows, we don't cut the commercials unless it's cigarette commercials, because there's an FCC rule that you can't hear cigarette commercials. But like, you know, when we play Jack Benny and there's and there's, you know, Grape Nuts flakes commercials, we leave it in. We want people to hear the Fun, fun of those commercials and things well, Michael Hingson ** 24:36 and sometimes, of course, like with great nuts flakes commercials, the commercial is part of the program. Yes, it's integrated. Break away. It's all integrated in which makes it so fun. I didn't know that there was an FCC rule that said you can't air any cigarette commercials even for educational purposes. Carl Amari ** 24:55 Well, it might be for educational purposes. It may be non commercial, but I know on commercial stage. Stations, I can imagine that. Yeah, yeah. And Hollywood, 360 is commercial, you know, we have sponsors like, you know, we have Prevagen is one of our big sponsors, cats, pride, kitty litter, and, you know, they've been with me forever. And, you know, whatever, the Home Depot, Geico, you know, my pillow, these are some of our sponsors. And, and so we're on commercial stations across the country. Michael Hingson ** 25:21 Yeah, so it makes sense that that you you do it that way, which, yeah, you know, is understandable. But, boy, some of those commercials are the Chesterfield commercials. Accu Ray on Gunsmoke. Yeah? Carl Amari ** 25:37 A gimmick to get you to buy their cigarettes. Michael Hingson ** 25:39 Yeah, I bet there was no accuray machine, but, oh, probably not, probably not. It is so funny. Well, you did the Twilight Zone radio programs. What got you started on doing that? Carl Amari ** 25:53 Well, you know, growing up, I think I mentioned earlier, it was one of my favorite shows, yeah, always mine too, you know. And just watching that I was so blown away by twilight zone as a kid. So then when I got into the licensing of these classic radio shows, and I I was, I guess I was just always really envious of these producers that got to do these radio shows. And I always thought, man, I was. I was born in the wrong decades. You know, I was, I wish I was around back in the 40s and was able to produce suspense or escape or one of these shows. And I thought the show that would work the best, you know, that was on television, that that would work great in the theater of the mind realm, would be twilight zone, because growing up watching, you know, the makeup wasn't that great and the costumes weren't that great. You could see the zippers on the Martians sometimes. And I thought, you know, the writing was so amazing, right? And the stories were so vivid, and it worked for your theater of the mind that you didn't really need the visual with Twilight Zone, especially if you, you know, you have to write them in a way for radio. There's a special technique for writing for radio, obviously. So I, I reached out to to CBS and the rod Sterling estate, and they thought it was cool. And they said, you know, what do one, we'll let, we'll let, we'll take a listen to one, you know. And they sent me the television script for monsters are due on Maple Street. That was the one they sent me. And at the time, I was trying to get Robert Wagner to be the host. I always liked to take the thief and and, and he thought it was interesting, but he passed on it ultimately. And, and then at the same time, I was working with Stacy Keach, senior, Stacy keach's Dad, who had created Tales from the tales of the Texas range Rangers, right? And, and, and so I was at, actually at Jane Seymour's house, because Jane Seymour was married at that time to Stacy's brother, James Keach, and I got invited to a party there. And I got to meet Stacy Keach and and I heard his voice up close, you know, standing next to him, and I was like, this is the guy I gotta get to be the host. And so I started telling him about what I was doing, and he's like, I'd love to be the host of that. And so that was the beginning of a lifelong friendship with Stacy, and he was just incredible on it. And we did one, we did a pilot, monsters are doing Maple Street. And they loved it. And said, go ahead. And that was it. And it was like, in 2002 Michael Hingson ** 28:29 the first one I heard was, if I remember the title, right, a different kind of stopwatch, okay, the one with Blue Diamond Phillips, Blue Diamond Phillips, that was the first one. I think you. You offered that as a, as a sample. Yeah, yes, when I got that was pretty cool. But you Carl Amari ** 28:43 wouldn't believe Michael, how many whenever I would reach out to an actor like Jason Alexander, I mean, Jay, I remember Jason, when I reached out to him and I said, Hey, I'd like to you to do these. And he was like, Oh, I'd love it. And then he did it, and then he'd call me and say, You got any more of those? Love doing it, you know, because they never get to do this. They, you know, these actors don't get to do radio. And so people like, you know, Lou Diamond Phillips and Luke Perry God rest his soul, and and Michael York and Malcolm McDowell and, you know, Don Johnson and Lou and Luke Luke Gossett Jr, so many of these people that I reached out to, Jane Seymour, another one, they were just they were they couldn't say yes fast enough. They just loved doing radio drama. It was so easy to book these stars. I've Michael Hingson ** 29:38 been talking with Walden Hughes, who, you know, is the guy who now runs yesterday USA, we've been talking about and we've been doing recreations of a number of shows. The problem is that the people who are involved, oftentimes have never really gone back and listened to the shows they're recreating and their voice. And what they do are so different than the kinds of things that you actually would hear on the shows, they just don't do it very well. And we've actually thought about the idea of trying to get a grant to try to teach people how to be radio actors and really learn to do the kinds of things that would make the shows a lot more meaningful. We'll see what happens. We're really working on it. We're going to be doing some recreations in Washington for enthusiasm. Puget Sound, yes, and one of my favorite radio shows has always been Richard diamond private detective. I thought such a wise guy, and so I am actually going to be Richard diamond in Nice, Carl Amari ** 30:46 oh my gosh, yeah, wow. Well, you know, there's a real, there's a real special magic to doing these radio shows, as I know, you know, you understand, you know, there's, there's, and that was that really boils down to having great actors and also great writing like so CBS would send us. He would, they would send me the our the Rod Serling scripts, you know, we really, we'd get them, but they, of course, would not work on radio because it was written for a visual medium. So I had, I had a two time sci fi fantasy winning writer Dennis echeson, who is no longer with us, unfortunately, but he, he, he was an expert on Twilight Zone and also how to write for radio. And it's all about that it's taking that he would take the TV scripts and and redo them so that they would work without the visual, and that you start with that. And then you can, you know, then you can create, when you have a grin, you have a great group of actors. And I hired only the best Chicago supporting cast here, you know, the the Goodman theater and, and, you know actors and, and, you know people like that. And then, of course, the star, we'd fly the star in, yeah, and they, they knock out two shows. I bring in lunch in the middle of the day, we'd knock out two shows. And it was a wonderful experience doing like, I don't know, I think I did, oh gosh, close to 200 episodes. Michael Hingson ** 32:13 Now, were some of the episodes, shows that never were on the the TV series, or they, yeah, when Carl Amari ** 32:19 we got through the original 156 shows, because that's how many were in the original Rod Serling run. So we did them all. We actually one of them I never released because I wasn't happy with it. I think it was called come wander with me. So that one I never released, we did it. I wasn't happy with it, because it was a musical one, you know, I think it had Bob Crosby on it, or somebody like that, and on the TV show, and so it was a lot of singing, and I just wasn't happy with it. But after that, there was no no more. I could have gone into the later series, but I just, I said to them, can I hire writers to write new ones, you know? And they said, Sure, but we have to approve it and all that. And so a lot of them got approved, and a lot of them didn't. And then we, we, I think we produced maybe close to 4030, or 40 originals, Michael Hingson ** 33:13 right? Yeah, did you ever meet Rod Serling? No, never Carl Amari ** 33:18 did. He was gone before I got into this. Yeah, Michael Hingson ** 33:22 he came to UC Irvine to lecture once when I was still on campus. I was actually Program Director of the radio station, and so several of us from kuci got to interview him. And one of our, the people who was involved with that, actually had one of the ape costumes from Planet of the Apes. So he came dressed up as one of the Apes. Was Wow, but great. But the thing about rod Sterling his voice is it's hot. How do I describe this? No matter what his voice sounded like on television, it wasn't nearly as deep as his natural voice, and microphones couldn't get the same level with his real voice, and so we interviewed him. His voice was very deep, and then we did then we went out and listened to the lecture at the gym, and he sounded like Rod Serling, but he didn't sound like Rod Serling when we were talking with him, yeah, and when we could hear him with our ears, when it came out on on the show that we did the interview, it again, sounded like Rod Serling, but just the microphone. Couldn't really get the full breath of his voice, which was sure, Carl Amari ** 34:35 yeah. I mean, what a talent, right? I mean, and then he had that show, Zero Hour, zero hour, right? Yeah, radio. And that was an interesting series, too. He tried to bring back the and he didn't. It was a, I think it was a fine job. You know, good job. Yeah. There were others, you know, CBS Radio, mystery theater, of course, diamond Brown. And there were some other ones. But I. I'm real proud, really, really proud of The Twilight Zone. I think they're, they're, they're, I mean, they're not nothing is as good as the way they did these the shows in the golden age. I mean, I don't think anyone can get to that point, but they're, I think they're pretty close, and I'm very proud of them. Michael Hingson ** 35:15 Oh, yeah. And, but it still is with the Twilight Zone. It's really hard to compete with that, my favorite Twilight Zone, and for me, it was tough because I never knew the titles of the shows, because they would show you the title, but I could never, never really hear them. But when I started collecting and got access to, like your your radio Twilight zones and so on. I started to learn titles, and so my favorite has always been valley of the shadow. Oh, great one. Yeah. I just always thought that was the best of the it was an hour long instead of a half hour. But I Yeah, on TV. But I always thought that was just so innovative. I Carl Amari ** 35:57 think Ernie Hudson did that one for me. I'm trying to think, but yeah, there was, we had, we had so many incredible actors on it. I mean, it was, it was a real fun, you know, four or five years that I was doing those, lot of fun doing them. Yeah, Michael Hingson ** 36:12 you had several with Stan Freeberg. And, of course, yes, who don't know Stan Freeberg was definitely very much involved in radio, especially in the 50s, late 40s, with, that's rich, but mostly in the 50s, a satirist and incredible humorist and entertainer. But he did several Twilight zones. Carl Amari ** 36:31 He did, you know, yeah, I was working with him on, you know, I created the show when radio was, which is still out there today, and and when radio was I ever initially had art Fleming as the host, you know, the original host of original Jeopardy guy, yeah. And then when art passed away, I hired Stan Freeberg, and Stan was the host of that show for many years. And then, then, when I started doing Twilight Zone, I said, Hey, would you like to do some of these? And he's like, Yeah, I'd like to do them all, yeah. Let me have all the scripts. But the one that he did that I think, is just off the charts amazing, is called Four o'clock ever, yeah, one, yeah, yeah. That is just the most interesting show, The Twilight Zone episode that we did where he plays this kind of a loony, a loony guy, who is that? What you describe him as, narking on everybody doesn't like anything, like anybody or anything, no, and it's so and he calls people and harasses them and oh my gosh, and he says, I'm gonna shrink everybody to four inches tall at four o'clock. Four o'clock, right? Yeah, and it's just, oh my gosh, what a what a great episode. It's one of my favorites. Michael Hingson ** 37:48 And of course, if you think about it, listening people out there who got shrunk at four o'clock, Carl Amari ** 37:56 well, let's not give it away, but yes, I think you can figure it out. Michael Hingson ** 37:59 I think it's pretty, Carl Amari ** 37:59 easy to figure out, but, and I actually played, I actually played a role in that episode. I played the bird. I did all the bird sounds on that episode. And so I feel like I had a co starring role, because, yeah, he had a parrot. You know, that was every time you would say something. And I played that, that part on there. But Michael Hingson ** 38:22 yeah, all the Twilight zones were, were so clever, yeah, and, and I love listening to them. I I have a an mp three player that I carry on airplanes, and I have audio copies of all the Twilight zones. So every so often as I'm flying somewhere or two on and listen there, Michael, Carl Amari ** 38:43 I'm so glad to hear that. Oh, man, you make me so happy to hear that. So Michael Hingson ** 38:47 fun. And you know, another one of my favorites was, will the real Martian please stand up now? Yeah, that was cute, and I won't give it. Oh, Carl Amari ** 38:57 great. So great. Yeah, I sent trying to think who the actor was in that one, but it's been a while, but that's a great one, yeah. And I remember, you know, watching it on TV and and thinking, Oh, this would work on radio. So great, you know, so love doing them. Yeah, I'd love to do more. I might consider coming back and doing more. I mean, originals, you know, might be a lot of fun to do those again, I was Michael Hingson ** 39:21 going to ask you if you've got any plans for doing anything future. You know, in the future might be interesting, and there's a lot of leeway, of course, to take it in different directions. Do x minus one, but you don't have to do the same stories, even, although, yeah, a lot of good stories in in the original x minus ones on for those who don't know x minus one is a science fiction series. It was on from what 1955 through 1957 I Carl Amari ** 39:49 believe, yeah, it was a great series. Sci Fi really lends itself really, very well to radio drama. You know, in theater of the mind, it's great because you can, you can go in. Anywhere you land on any planet. And you know, it's very easy to do on radio, where it's tough to do on TV. You know, you have to spend a lot of money to do that. So, I mean, Stan Freeburg proved that with his with his giant ice cream Sunday. Michael Hingson ** 40:15 All right, go with the marasino Cherry. For those who don't know, is that he said, we're going to empty Lake Michigan now. We're going to fill it up with whipped cream. We're going to drop a maraschino cherry into it and other things. He said, You can't do that on TV. Carl Amari ** 40:31 Try doing that on television. Yeah, he was something. He was so much fun to wear. Of all the people that I've met over the years, you know so many of these radio stars, and I've interviewed so many hundreds of them, really, over the years, I'd have to say I have a special place in my heart for Stan the most, because I got to work with him for so many years, and we used to just go to lunch together all the time, and and he had a, he had a, he had a, what was it again? Now? Oh, oh, I'm trying to think of the car that he drove, a jaguar. It was a jaguar, and it was a and we used to drive around in his, his big Jaguar all around LA, and just have so much fun together. And I just loved working with Stan. He was such a great man. I Michael Hingson ** 41:17 never got to meet what would have loved to Yeah, Jack Benny and Jimmy Durante, oh my gosh, yeah. And, of course, Stan Freeberg, but yeah, you know, I wasn't in that circle, so I didn't write that. But what, what wonderful people they were. And, yeah, Carl Amari ** 41:32 George Burns, George Burns used to, yeah, George used to take me to the Hillcrest Country Club, and we would just have the best time. He just thought it was the most interesting thing that a young guy in his 20s was so passionate about, you know, those days. And he we would just talk for hours. And I used to go to his office in Hollywood and in his and we would just sit and talk. And I have pictures of of those, those times I have them in my office, you know, he and I together. He was like a mentor to me. He and Stan were both mentors. Michael Hingson ** 42:05 Did you get recordings of many of those conversations? Yes, I do. Carl Amari ** 42:08 I do have quite a few with with George and Stan. Yeah, Michael Hingson ** 42:12 it was great, you know, yes, nothing like talking to God, that's Carl Amari ** 42:16 right. And he had a coffee cup in his office. It's it was a white coffee cup, and it had God on it, and black to drink out of that coffee cup. And he had, I was to say, when I first, my first time, I went to his office in Hollywood, you know, he was a real long office, narrow with is all paneling, and there was all these beautiful pictures, like photos of all the people he and Gracie had worked with. And then there was this beautiful painting of Gracie above him, you know, where he was sitting at his desk. And I remember walking in. I said, Hi, George, because I had talked to him on the phone a lot of times. And he said, Ah, come on in, you know. And I said, Oh, man, George, these photos are amazing on the walls, looking as I was walking towards his desk. And he says, You like those pictures? I said, Yeah. He goes, everyone in those pictures is dead except for me. I knew him the last about four years of his life. From that, from he was 96 to 100 I knew George, and we'd, we'd go Michael Hingson ** 43:16 to the Hillcrest together. It was fun. Did you meet or get to know Bob Hope, never Carl Amari ** 43:21 met Bob Hope No, because he lived, what, two, yeah. He lived 100 Yeah. Never met Bob Hope No. Michael Hingson ** 43:27 And Irving Berlin got to 100 Yeah, yeah. But so Carl Amari ** 43:30 many, I mean, Jerry Lewis, and so many others that that, I mean, Jerry was so great. I mean, you know, probably one of the most talented people to ever live, you know, and he could even sing, and he could, he could do it all. I mean, he was something. I mean, I was in such awe of that man. And we, he was very kind to me, licensed me to Martin Lewis and all that. So, yeah, Michael Hingson ** 43:52 we saw one of my favorite musicals. I originally saw it as a movie out here on K Shea was the million dollar movie. It was Damn Yankees, Carl Amari ** 44:03 damn Yeah, he was on Broadway. Did that on Broadway, and he did it on Broadway, Michael Hingson ** 44:07 and we read about it. And his father, he had how his father said, You'll really know you've arrived when you get to do something on Broadway. And that was the only thing he ever got to do on Broadway. And we did get to go see it. We saw, Oh, wow, yeah, Carl Amari ** 44:20 Broadway, amazing, yeah, amazing, yeah, yeah. Michael Hingson ** 44:24 I'm so sad that there was so much acrimony for so many years between him and Dean Martin, yeah, which was really probably brought on more by all the people they worked with that, yes, that cost a whole lot more than them. But yeah, near the end they, they did deal with it a little Yeah? Carl Amari ** 44:42 They, they got back together a little bit. Yeah, yeah. He was an interesting guy, Boy, I'll tell you. You know, just talking to him, I learned so much, learned so much over the years. Michael Hingson ** 44:53 Yeah, yeah. It's so much fun to to be able to do that. Well, I really do hope you do get. To do another show, to do something else. And you're right, there's nothing like science fiction in terms of what you can do, and maybe even doing a series, yeah, yeah, as opposed to individual shows. One of my favorite science fiction books by Robert Heinlein is called the Moon is a Harsh Mistress, and I would love to see somebody dramatize that. I think it would take, probably, to do it right? It's going to take about 15 hours to do but, oh, wow. What a great what a great thing. If you've never read it, read the book, it's really, oh, I Carl Amari ** 45:30 haven't, so I'm not familiar with it, so I'll give it a read. The Moon is a Harsh, missus, Michael Hingson ** 45:34 yeah, yeah. Pretty clever. A computer helps organize a revolution on the moon, which was being colonized and run from the lunar authority on earth. Here's what gives it away in 2075 subtract 300 years. Yeah, it's all about the same thing, like the revolution here, but a computer, Mycroft wakes up and helps organize the revolution. It's really pretty clever. Oh, wow, Carl Amari ** 46:04 that would be fun to do in a series. Yeah, it Michael Hingson ** 46:08 would be worth doing. But, but, yeah, I've always enjoyed the book. Robert Donnelly read it as a talking book for blind people. Oh, okay, okay, yeah. So I actually have it. I'll have it, I'll have to find it. I could actually send you the recording. You could listen to it. Oh, please do. I'd love that. We won't tell the Library of Congress, so we will know much trouble. Carl Amari ** 46:33 But you know, then I kind of, you know, my other passion is the Bible. Yeah, I was gonna get to that. Tell me, yeah. I was just gonna, you know, and so a lot of these same actors that did, you know, Twilight zones and things for for me, I just, I met, like Jason Alexander and so many of these people, Lou Gossett Jr, when I decided to do the to dramatize the entire Bible on audio. A lot of these same actors and many, many, many more, were really, were really great to be in that too. It was a lot of fun. Michael Hingson ** 47:06 Yeah, well, very recognizable voices, to a large degree, like Michael York, Carl Amari ** 47:12 yes, yes, he was the narrator. So he did the most. He worked the longest. What a great man. Just an amazing actor. He was the narrator. And then you know Jim Caviezel, who played Jesus in the Passion of the Christ, played Jesus in it, right? And then you know Richard Dreyfus was Moses John Voigt was Abraham. Max von Saito played Noah John Rees Davies was in it. I mean, we had, we had, I mean, Marissa Tomei was Mary Magdalene. I had many, many Academy Award winners in it, and so many people, you know, was in it. That was a four year deal that took me four years to do the full Bible. Yeah, 98 hours on audio, fully scored the whole thing. Michael Hingson ** 48:01 Well, you had a great publisher put it out. Thomas Nelson, Yes, yep. They also did my first book, Thunder dog. So can't complain about that too much. No, Carl Amari ** 48:10 they know how to market. It Was it, was it, I think, I think today it's still the number one selling dramatized Audio Bible in the world. I believe, you know, so it's, it's been a big success for Thomas Nelson, yeah, that was, that was, that was quite, I mean, you should have seen what my passport looked like when I did that. I mean, it was stamped for every country all over that I was going and, you know, and having to produce, because a lot of the actors, like, you know, John Reese Davies. He lives in, he lives in the Isle of Man, and, you know, and then, you know, Max von Saito was nice France, and we scored it in Bulgaria. And, I mean, you know, it was just crazy and traveling all over the world to make that audio. But you've done some other Bibles in addition to that. I have, yeah, yeah, I have. I've done, think I did. Now it's like five different ones, because I like doing different translations, you know, because it's different. I mean, even though it's the same story, the translations people people have translations that they love, you know, whether it's the RSV or it's the New Living Translation or the Nkj or, you know, and so I, I've enjoyed doing them in different translations. That's Michael Hingson ** 49:25 pretty cool. Do you have any, any additional, additional ones coming out? Carl Amari ** 49:29 No, no, I've done, I've done done, like, five and, and so I'm more doing, you know, more concentrating now on my radio show, Hollywood, 360, and, and some movie production stuff that I've been working on. And then I'm one of the owners of a podcast company. So we're, we're always putting out, you know, different podcasts and things. And so my plate is very full, although I would love, I think I would love to do some. Thing, like, what you're saying, like, either more Twilight zones, or maybe something like that. It might be, you know, I'd love to do something in the theater or the mind, you know, arena again, too, because I love doing that. Yeah, Michael Hingson ** 50:11 I think it'd be a lot of fun to do. Tell me about the podcast, Carl Amari ** 50:15 yeah. So, um, so we have a podcast company called Gulfstream studios, and we have our main, our main podcast is a is, is. So we're, we, we do a show called, well, there's, there's several podcasts that we're doing, but, but it's the spout is the is the one that's a music oriented we have all the biggest music artists on there. It's really great. So spout is the name of that podcast. And then we're working on, we're working on a Bible podcast. We're going to come out with some a Bible podcast pretty soon. I'm real excited about that more soon. Hopefully you'll have me back when we launch that. Well, yeah, and then, you know, we have, we're always looking for any so I'm ready to, I'm ready to take your podcast onto our platform. Whatever you say. Michael, oh, we'll have to, Michael Hingson ** 51:10 we'll have to look at that and work it out. But in the meanwhile, I said earlier, I'd love to come on any of the podcasts that you want. And if, yeah, have you read thunder dog, Carl Amari ** 51:19 no, I didn't know. I didn't have not read it. No. So thunderdog Michael Hingson ** 51:23 was my story of being in the World Trade Center and getting out and so on. But you should read it, because there are also some, some really poignant parts, like, just to briefly tell that part of the story, I'll send you a video where of a speech I've given, but one of the parts of it is that, as I was running away from tower two, as it was collapsing, because we were at Vesey Street and Broadway, so we were like 100 yards away from tower two when it came down, I turned and ran back the way I came. And as I started to run, I started, I said to myself, and I stayed focused pretty much. But I said to myself at that point, God, I can't believe that you got us out of a building just to have it fall on us. Right? I heard a voice as clearly as we are hearing each other now in my head that said, don't worry about what you can't control. Focus on running with Roselle and the rest will take care of itself. Wow. And I had this absolute sense of certainty that if we just continue to work together, we would be fine. We did, and we were but I am very much a a person who believes in the whole concept of God. And for those who who may disagree with me, you're welcome to do that. You'll you'll just have to take that up with God or whatever at some point. But I would love to really explore anytime you you need a guest to come on and be a part of it, and who knows, maybe I'll be good enough to act in a radio show you do. Carl Amari ** 52:49 I'm sure you would be, sure you would be Michael, but it would be, yeah, but it would Michael Hingson ** 52:54 be fun to do. But I really enjoy doing all this stuff, and radio, of course, has become such a part of my life for so long, it has helped me become a better speaker. Was I travel and speak all over the world? Carl Amari ** 53:10 Yeah, wow. Well, I'm a big fan of yours, and, and, but I'd love to read the book, so I'll order it. Can I get it off of Amazon or something like that? You can get Michael Hingson ** 53:19 it off of Amazon. You can get it from Audible, okay, or wherever. And then I wrote, then we wrote two others. One's called running with Roselle, which was really intended more for kids talking about me growing up, and Roselle my guide dog at the World Trade Center growing up. But more adults buy it than kids. And then last year, we published live like a guide dog. True Stories from a blind man and his dogs about being brave, overcoming adversity and moving forward in faith, and that one is really about people need to and can learn how to control fear and not let fear overwhelm or, as I put it, blind them. And you can actually learn to use fear as a very powerful tool to help you function, especially in emergencies and unexpected situations. And so live like a guide dog uses lessons I've learned from all of my guide dogs and my wife's service dogs, Fantasia that have taught me so much about learning to control fear. And I realized at the beginning of the pandemic, I've talked about being calm and focused getting out, but I've never taught anyone else how to do it, so live like a guide dog is my solution for that, which is kind of that, that, Carl Amari ** 54:26 that I'm sure helps a lot of people, you know, that's because fear is, is, it's, it's debilitating, you know? So, yeah, well, that's, but it doesn't need doesn't need to be, that's right, that doesn't need to be, yeah, it's one of the reasons why I wanted to do the Bible stuff, because I learned at a very early age that these theater, these radio shows you under, you listen and you actually interpret them and understand them deeper with the theater of the mind than watching them on television or reading them like, like. I think even reading a book as great as that is, if you heard it dramatized on radio, it's even more powerful. I and so I knew that if I took the Bible, which is the greatest book of all time, and it was dramatized in a way, in a kind of a movie quality way, with sound effects and music and wonderful actors that I thought people would get a deeper meaning of the word. And I think we it. We were successful with that, because so many people have written about it on Amazon and things and saying like I, you know, when I heard the Word of Promise, and when I heard this audio, I had to go and get my Bible and see, does it really say that? You know? So here's people that had read the Bible many, many times, and then they heard the dramatization of it, and were like, wow, I didn't even realize that, you know, that was that happened in the Bible. So it's, it's, it's pretty cool, you know, to read those you know how it's helped people, and it's helped save souls, and it's just been a great you know, it's been a very rewarding experience. Have you Michael Hingson ** 56:09 ever taken it and divided it up and put it on the radio? Well, that's Carl Amari ** 56:12 one of the not in the radio, but we're going to do some podcast with, we're going to, we're going to be doing something really, really unique with, with one of my later ones that I did not the Word of Promise, but a different one. And, and it's going to, it's going to be really, really special. I can't wait to talk about it on your show. Looking Michael Hingson ** 56:30 forward to it, yeah, well, we have had a lot of fun doing this, and I'm going to have to sneak away. So I guess we'll have to stop, darn but we do have to continue this. And, and I'd love to find ways to work together on projects and be a part of your world and love you to be more a part of mine. I'm really glad that we finally had a chance to get together and do all this. It's been a lot of fun. Me Carl Amari ** 56:53 too, Michael, me too. It's really, I said it was an honor, and it really was an honor. And thank you so much. Well, Michael Hingson ** 56:59 for all of you listening, we hope you've enjoyed this episode of unstoppable mindset. Love to hear your thoughts. Feel free to email me at Michael H I M, I C, H, A, E, L, H i at accessibe, A, C, C, E, S, S, I B, e.com, or go to our web page where we host the where we have the podcast, w, w, w, dot Michael hingson.com/podcast, Michael hingson is m, I, C, H, A, E, L, H, I, N, G, s, O, n.com/podcast, love to get your thoughts wherever you're listening. Please give us a five star rating. We value that very highly. We really appreciate you giving u
Tim Armstrong's had it too good for too long. Time to take him down a peg. We only roast the ones we love. Dean Martin.
Sharon Baird is a dancer, singer, and actress. You may know her best as one of Walt Disney's original Mouseketeers on the classic television show, The Mickey Mouse Club. As one of only nine Mouseketeers to appear on all three seasons of the show, Sharon proved herself to be the best dancer in the bunch. Beginning her dance training at three years old, Sharon has danced with the likes of Mitzi Gaynor, Dean Martin, and Donald O'Connor. Sharon has also used dance to bring to life countless characters, including the puppets of Sid and Marty Krofft on such television shows as H.R. Pufnstuf, and the title character of the 1986 cult classic, Ratboy. Listen as Sharon and Shannon discuss Sharon's remarkable Hollywood career and passion for dance.
TVC 689.4: Entertainment legend Ruta Lee talks to Ed about how she landed her role in Witness for the Prosecution after producer Arthur Hornblow Jr. spotted her in the audience at a Frank Sinatra concert; why it's important to recognize those moments in life when a benefit happens, and to be grateful for that benefit; the story of Dean Martin's playful nickname for Ruta; and the great compliment that playwright and composer Meredith Willson (The Music Man, The Unsinkable Molly Brown) paid Ruta when he first saw her play Molly Brown on stage at Casa Manana in Texas. Ruta Lee will celebrate her ninetieth birthday on Friday, May 30 with an evening of song and stories at the Debbie Reynolds Main Stage at the historic El Portal Theatre in North Hollywood. Proceeds will support The Thalians, the charitable organization to which Ruta has dedicated much of her life over the past sixty years. Though the May 30 performance has sold out, you can still donate to The Thalians by going to Thalians.org.
TVC 689.3: Ed welcomes back singer, actress, and philanthropist Ruta Lee (High Rollers, Witness for the Prosecution, Seven Brides for Seven Brothers, Consider Your Ass Kissed). Ruta will celebrate her ninetieth birthday this coming Friday, May 30 with an evening of song and stories at the Debbie Reynolds Main Stage at the historic El Portal Theatre in North Hollywood. Proceeds for the evening will support The Thalians, the charitable organization to which Ruta has dedicated much of her life over the past sixty years, and which to date has raised has raised more than $50 million for mental health related causes. (NOTE: Though Ruta's performance on May 30 has sold out, you can still make a donation to The Thalians in any amount by going to Thalians.org.) Among other topics this segment, Ruta shares a few memories of co-starring opposite Patrick O'Neal in “A Short Drink from a Certain Fountain,” an episode of The Twilight Zone from 1963 that Ruta considers one of her all-time favorite television performances, not only because of the character she played, but for the opportunity to perform the words of the great Rod Serling. Ruta also tells Ed why her experience filming Sergeants 3 (1962) with Frank Sinatra, Dean Martin, Sammy Davis Jr., Peter Lawford, and Joey Bishop—and hanging out with the Rat Pack in general—ranks as her “favorite time in life.”
This episode was originally released on 9/1/2018. While new episodes of Breaking Walls are on hiatus I'll be going back and posting the older episodes beginning with this episode on the birth of radio. ___________ In Breaking Walls Episode 83, we focus the radio industry of the 1930s and 40s—especially on the career of David Sarnoff, as RCA's network, NBC begins to lose its grip on the top spot in the broadcasting industry while they introduce Television. We'll also focus on the introduction of new talent to the industry, and the CBS talent raids of 1948-1949. Highlights: • David Sarnoff announces the birth of TV at The 1939 World's Fair • Edwin Howard Armstrong Invents FM • Television Experiments in the 1920s and 1930s • Sarnoff and Armstrong's Crumbling Friendship • How World War II Stopped Television's Commercial Expansion • William S. Paley's Plan to make CBS the #1 Network • The Rise of Arthur Godfrey • Sarnoff's Court Battles • The Death of Edwin Howard Armstrong • The CBS Talent Raids of 1948-49 • Dean Martin and Jerry Lewis • The Simple Art of Macabre The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers The reading material used in today's episode was: • The General: David Sarnoff & The Rise of the Communications Industry - by Kenneth Bilby • The Encyclopedia of Old-Time Radio - by John Dunning • Empire: William S. Paley & The Making of CBS - by Lewis J. • The Museum of Broadcast Communications Encyclopedia of Radio - by Christopher H. Sterling • The Network - by Scott Wooley • As well as an article on Martin & Lewis from the August 2018 issue of SPERDVAC's Radiogram, by Michael Hayde Selected Music featured in today's Episode was: • Mr. Lucky, by Si Zentner • Begin the Beguine, by Artie Shaw and His Orchestra • Seance on a Wet Afternoon, arranged by John Barry
We're back with even more Jerry! The great response to our last Jerry Lewis episode inspired us to dive deeper and check out even more interviews with the King of Comedy. This time around, we not only listened but also watched a few interview clips with Jerry, where he opens up about a variety of topics including; Dean Martin, Las Vegas, cricket, the mob, Sammy Davis Jr., and more! Plus, we check out Jerry's notorious final interview where he makes a reporter squirm. Want to hear more? Join us on Patreon for 40+ bonus episodes and discussions: https://www.patreon.com/almostcultclassics You can also find us on X: Joe: https://twitter.com/joeramoni Ryan: https://twitter.com/ryanlancello And don't forget to check out our website and merch store: https://www.almostcultclassics.com Interviews used: https://www.youtube.com/watch?v=7fgEd29Re6E https://www.youtube.com/watch?v=XmQuHMt8xbY https://www.youtube.com/watch?v=QLZJQ5T2Kdk https://www.youtube.com/watch?v=sGmyHivWyN8 https://www.youtube.com/watch?v=QzO0FoM79us
Jackie Chan is back in Hollywood (against his better judgment) and is joining a cavalcade of stars including Burt Reynolds, Dom Deluise, Dean Martin, Sammy Davis Jr., Marilu Henner, Shirley MaClaine and MANY MORE - including ol' blue eyes himself Frank Sinatra - in the cross-country race (?) comedy (?) CANNONBALL RUN II which brings back all the things you know and love(?) about the first film, and.. well, that's just about it. It's pretty much the same thing. Except there's an orangutan this time, and Jackie has been teamed up with Richard Kiel just to make sure we all know he's extra small and (once again) bafflingly Japanese. Listen to Liam's blood pressure rise in REAL TIME as he describes his time with the film. ENJOY! The post Episode 270 – We Do Our Own Stunts – Cannonball Run II (1984) first appeared on Cinema Smorgasbord.
Nothing Like the Sun, or as it is written on the album, "...Nothing Like the Sun," is the second solo studio album by former Police bassist and front man Sting. The title comes from Shakespeare's sonnet number 130 which contains the lines, "My mistress' eyes are nothing like the sun." Sting was met on the street one evening, who asked him, "How beautiful is the moon?" Sting responded with this line from the sonnet. Two events play a lot of influence on this album. First, Sting's mother died in 1986, inspiring the lyrics to the opening track, "Lazarus Heart." Second Sting joined the Conspiracy of Hope tour for Amnesty International, and through this tour was exposed to victims of government oppression in Latin America. He was particularly moved by people in Chile for whom loved ones had "disappeared" in government actions, and wrote "They Dance Alone" as a description of the mourners who would dance the traditional Cueca by themselves with a picture of their loved ones pinned to their clothes.Sting's first solo album leaned into jazz. This second album continues to have a jazz influence but reaches across a number of other genres including reggae, funk, acoustic rock, soft rock, and world music. He brought in a number of solid musicians into the recording sessions including Gil Evans, Eric Clapton, Mark Knopfler, Branford Marsalis, and even his fellow Police alumnus Andy SummersSting would continue to further success after this album, which peaked at number 9 on the Billboard 200 chart. In the UK, ...Nothing Like the Sun debuted and peaked at number 1 on the UK albums chart.Bruce presents this adult contemporary album for this week's podcast. Be Still My Beating HeartThis second single from the album went to number 15 on the Billboard Hot 100. The lyrics are quite mature, describing the head telling the heart to settle down in the midst of an intense romance. The title was likely inspired by a 19th Century poem from Mary Elizabeth Coleridge. Andy Summers is playing guitar on this track. Little WingMost of this album is original music written by Sting, but this one is a deeper cut and a cover. Jimi Hendrix wrote "Little Wing" in 1967, and it appears on his "Axis" album. Gil Evans did a jazz arrangement of this piece in 1974, and provided this arrangement and backing with his orchestra for this cover. Sting's version runs just over 5 minutes, giving it a run time just over double that of the original Hendrix version. Rock SteadyAnother deep cut, this song is Stings humorous look at a couple who have volunteered to join a cruise, and later find out that they are joining Noah on the Ark. "Life may be tough, but we're sailing with the Lord." FragileThis is the fourth single from the album, and is a gorgeous acoustic piece. This anti-war song was likely inspired by Sting's work with Amnesty International. ENTERTAINMENT TRACK:That's Amore by Dean Martin (from the motion picture “Moonstruck”) This romance comedy starring Cher and Nicolas Cage delivered a Best Actress Oscar to Cher and a Best Supporting Actress Oscar to Olympia Dukakis. STAFF PICKS:The Promise by When In RomeRob starts this week's staff picks with the only hit from a British new wave trio. This track went to number 11 on the Billboard Hot 100, and became a popular song to play at weddings later on. It gained a revival in popularity when it was used in the soundtrack to "Napoleon Dynamite" in 2004. Got My Mind Set On You by George HarrisonLynch brings us a cover of a song originally written by Rudy Clark and recorded by James Ray in 1962. It is off Harrison's comeback album, "Cloud Nine." Harrison worked with Jeff Lynne on the album because he wanted a producer who wouldn't be intimidated by working with a Beatle. The teamwork went well, and the two would go on to form "The Traveling Wilburys" supergroup shortly thereafter.Dude (Looks Like a Lady) by AerosmithWayne features one of many hits from Aerosmith's monster "Permanent Vacation" album. The lyrics tell the tale of a man finding out that the "girl" he has bee pursuing at a club was a man dressed up as a woman. The idea for the song came from Motley Crue singer Vince Neil being mistaken frequently for a woman with long blonde hair.Mission by RushBruce closes out the staff picks with a song which arose from a conversation between Neal Peart and Geddy Lee about the perception people have that the rich and famous have easier lives. The lyrics reflect how every life has its own difficulties, and perhaps those who are highly successful would often wish for a more plain and settled life at times. INSTRUMENTAL TRACK:Bailando/Aquatic Park by Carlos SantanaGuitar virtuoso Carlos Santana takes us out this week with a track from his solo album, "Blues for Salvador." Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.
This episode was originally released on December 14, 2021. Listen to help prep for the next episode of our new season, The Old Man is Still Alive. In the mid-1960s, 47 year-old Dean Martin proves he's still got it by knocking the Beatles off the top of the pop charts, and by launching his long-running TV show, which brought a version of his nightclub act into America's living rooms every week. But his middle-aged drunk schtick sours as the decade of hippies and Vietnam wears on. Sammy Davis Jr has his own challenges, living up to the expectations of a new generation of activists--and he only makes matters worse by embracing Richard Nixon. After disastrously dabbling with Motown, Sammy records “The Candy Man” -- a silly novelty single that he hated, but which ended up saving his career. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
GGACP celebrates Women's History Month with this ENCORE of a 2017 interview with veteran stage, film and television actress Joyce Van Patten. In this episode, Joyce laughs it up with the boys and shares fond memories of working with Hollywood icons Lucille Ball, Jack Benny, Danny Kaye, Dean Martin and Peter Sellers (to name just a few). Also, Joyce dines with Vincent Price, tours with Tony Randall, treads the boards with Al Shean (!) and remembers the late, great Herb Edelman. PLUS: Mr. Big converts! Rod Serling stops by the set! Joyce praises Martin Balsam! Andy Griffith hates on Jack Lord! And Bob Denver adopts a monkey! Learn more about your ad choices. Visit megaphone.fm/adchoices
We had Hayes Davenport on to talk about those guys we all know a few of, Rat Pack Guys! What is Hayes's relationship to Seth McFarlane? What do you do when your family hates Frank Sinatra? Why can't guys go to a restaurant in a suit anymore? There is more Chris at https://www.patreon.com/notevenashow And for more Guys content, streams and SHOCKTOBER: a deep dive into shock jocks you can click patreon.com/guyspodcast, Join us on the Sunday Night Stream every Sunday night at 8:00 EST and I am on https://bsky.app/profile/murderxbryan.bsky.social Guys is on Instagram! https://www.instagram.com/guys.pod Guys has a Post Office Box now! PO Box 10769 Columbus Ohio 43201
