Podcast appearances and mentions of Lou Reed

My guest this week is Emil Amos (musician: Grails, Holy Sons, Om, Jandek & podcast: Drifter's Sympathy) who surprised me by picking the Paul Simon narrative film One Trick Pony (which also features the mind-bending acting debut of Lou Reed).We also discuss the naivety of thinking certain artists were bigger culturally than they were, Lou Barlow 7"s and Guided By Voices, how Emil goes about creating his vast & epic podcast, Emil's gateway into the world of soundtracks, Sam Coomes of Quasi being an employee at my video store, Flower Travelin' Band, the experiences of Emil performing with Jandek, Dexter Romweber, Wolf Eyes, cheap guitar powers, how One Trick Pony is a surprising look at Paul Simon feeling out of step with the times, The B-52s performing Rock Lobster in the film, films set in late 70s New York, Street Hassle & Bruce Springsteen, labels wanting to mold you into something you're not, the flex of casting Lou Reed to play a producer who is asking Paul Simon make a more commercial album, the Siskel & Ebert's review of the film and much more!EMIL AMOS: holysons.comdrifterssympathy.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guide d By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Welcome to my sophomore episode, all about animation! If all you know about animated features is big studio blockbusters like Toy Story or Into the Spider-Verse, let me expand your mind into some vintage treasures from the fringes of animation history. These films will give you a new appreciation for the art form, and a throwback to the days when everything was drawn and painted by hand. Digital animation today is still driven by artists, and these old-school rarities are part of what paved the way for what animation can do. And it's not just for kids either! WIZARDS (1977)Ralph Bakshi is a legend in the animation world, known for his raunchy, gritty urban dramas like Fritz the Cat and Cool World. This is a fantasy he made one year before his animated adaptation of Lord of the Rings — and it has similar themes & visuals of elves, fairies, orcs, battle sequences, an evil overload and a wise wizard. It's sloppy, funny, strange, and a psychedelic fever dream. ALLEGRO NON TROPPO (1976)This is Italian animator Bruno Bozzetto's classic parody of Disney's Fantasia, with all the familiar themes — except the orchestra is all made up of elderly ladies and a gorilla attacks. Six classical music pieces are set to different styles of animation, from the sad & beautiful to zany & bizarre. It's a glorious romp of satire and naughtiness. ROCK & RULE (1983)If rock music is more your jam, it's a moral imperative to check out this Canadian cult classic. Songs by Debbie Harry, Lou Reed, Cheap Trick, Iggy Pop, and Earth, Wind & Fire pump up the energy in this loud & ludicrous story about an evil rock star searching for the perfect voice to unleash an unearthly demon. Turn up the volume and enjoy a kaleidoscope of crazy animation and special effects! TWICE UPON A TIME (1983)While wrapping up his original Star Wars trilogy with Return of the Jedi, George Lucas helped his colleague John Korty (and co-director Charles Swenson) get this film made — but hardly anyone saw it. But time and animation fans have saved it from total obscurity, and it's an absolute delight. Filmed in a special stop-motion technique called LUMAGE, this is a brilliant mix of color, design, and improv comedy about a band of unlikely heroes who must save the world from an eternity of nightmares. Hope you enjoy these animated classics! Thanks for reading Video Store Podcast! This post is public so feel free to share it. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

FROM ROLLING STONE: Jonathan Richman moved from Boston to New York as a teenager in hopes of sleeping on Lou Reed's couch. That influence shows on the two-chord anthem “Roadrunner.” Recorded in 1972 but not released until 1976, Lovers turned the tough sounds of the Velvets into an ode to suburban romanticism. “Rock & roll was about stuff that was natural,” Richman said. “I wasn't about drugs and space.” Songs like “Pablo Picasso,” “Girl Friend,” and “Dignified and Old” touched generations of punk and indie-rock innocents. Note From Rob: Some of the audio for the sfx and music sucks because my computer sucks. How can a MacBook bought this year not handle RECORDING A PODCAST? I am too lazy to fix it all, and the music is not that great anyway. 

Tim Rice sits down with Daily Wire Upstream editor Madeleine Fry Schultz for a special pop-culture edition of Behind the Story. They break down the internet's biggest celebrity conversations of the moment — starting with the backlash over Ariana Grande's new "Petal" music video, where she pushes back on fans and media who've raised concerns about her weight and appearance. From there, they widen the lens to pop music's biggest names: Sabrina Carpenter's campy sex-symbol persona, Olivia Rodrigo's Lou Reed-style pivot (and her outspoken Planned Parenthood advocacy), and Hilary Duff's surprisingly wholesome comeback tour. Learn more about your ad choices. Visit podcastchoices.com/adchoices

The second half of our look at 1976 - a banner year for music.  This time, the boys look at more of their favourites of the “Class of ‘76” and plug in a dynamite playlist to go with it!  The conclusion of a romp through one of music's finest years! We know you're going to love it.  References: Stevie Wonder, Songs in the Key of Life, “Isn't she lovely”, “Sir Duke”, Andy Williams, R&B, Rhythm & Blues, The Eagles, Hotel California, “Life in the Fast Lane”, “New Kid in Town”, “Victim of Love”, Joe Walsh, Led Zeppelin, “Presence”, “The Song Remains the Same”, Achilles Last Stand,  Moroccan influence, “Nobody's Fault but Mine”, “For your life”, “Candy Store Rock”, Peter Grant, The Ramones, The Ramones, “Beat on the Brat”, “Blitzkrieg Bop”, “I Wanna be your Boyfriend”, Spin magazine, Rolling Stone, "500 Greatest Albums of All Time", Music from the Penguin Cafe, Penguin Cafe Orchestra, 1001 Albums You Must Hear Before You Die, Simon Jeffes, Station to Station, David Bowie, The Thin White Duke, Kether, Malkuth, “Golden Years”, “TVC15”, Howzat, Sherbet, Hurstville Civic Centre, Bo Diddley, Cold Chisel, “Summer Love”, The Doors, High Voltage, AC/DC, “T.N.T.”, “It's a Long Way to the Top”, “High Voltage”, “Can I Sit Next to you Girl?”, Daceyville Police Boys Club, Dirty Deeds Done Dirt Cheap, “Jailbreak”, Ol' 55, Take It Greasy, "On the Prowl", Frankie J Holden (FJ), Wilbur Wilde, Supernaut, “I like it both ways”, Ian “Molly” Meldrum, Alan Parsons Project, Tales of Mystery and Imagination, Billy Joel, Turnstiles, Bob Dylan, Hard Rain, Bryan Ferry, Let's Stick Together, ELO (Electric Light Orchestra), A New World Record, Tom Petty & the Heartbreakers, Genesis, A Trick of the Tail, Jeff Beck, Wired, Jethro Tull, Too Old to Rock 'n' Roll: Too Young to Die, Joe Walsh, You Can't Argue with a Sick Mind, Linda Ronstadt, Hasten Down the Wind, Lou Reed, Coney Island Baby, Pavlov's Dog, At the Sound of the Bell, Queen, A Day at the Races, Rod Stewart, A Night on the Town, Steely Dan, The Royal Scam, Steve Miller Band, Fly Like an Eagle, Warren Zevon, ABBA, Arrival, Wings, Wings Over America  Playlist - The music & artists we discussed during this episodeFlutist Reacts to Jethro TullSend us a message, so we know what you're thinking!

Regresamos al álbum clásico Transformer de Lou Reed del año 1972 y específicamente a ese tema definitivo, emocionante y atemporal: Perfect Day. Ricardo Portman nos cuenta su historia. Escucharemos Perfect Day, Perfect Day (acoustic demo) y Walk on the Wild Side. Recuerden que nuestros programas los pueden escuchar también en: Nuestra web https://ecosdelvinilo.com/ La Música del Arcón - FM 96.9 (Buenos Aires, Argentina) miércoles 18:00 (hora Arg.) Radio M7 (Córdoba) lunes 18:00 y sábados 17:00. Distancia Radio (Córdoba) jueves y sábados 19:00 Radio Free Rock (Cartagena) viernes 18:00. Radio Hierbabuena (Lima, Perú) jueves 20:00 (hora Perú) Onda Wantuki (Madrid) semanal

Penn contemplates a sedan chair, Matt recounts an embarrassing moment with Olivia Newton-John and saw two very different Las Vegas magic shows, Penn should have gone to Hawaii to ride motorcycles with Lou Reed, more audience volunteers at the big Penn & Teller show, and lots more,

Subscribe to Greg Fitzsimmons: https://bit.ly/subGregFitz Louis C.K. joins Greg for a funny and unexpectedly heartfelt conversation about their early days in Boston comedy, disastrous road gigs, awkward encounters with Lou Reed and the strange intimacy of male friendship. Louis remembers his first childhood rejection, revisits Greg's missing wedding invitation and reflects on burnout, touring the world and returning to sillier comedy with his Netflix special Ridiculous. Tempo For a limited time, get 60% off your first box at https://tempomeals.com/FITZDOG Rules and restrictions may apply. This show is produced by Gotham Production Studios and part of the Gotham Network. https://www.gothamproductionstudios.com/studios/ Follow Greg Fitzsimmons: Facebook: https://facebook.com/FitzdogRadio Instagram: https://instagram.com/gregfitzsimmons Twitter: https://twitter.com/gregfitzshow Official Website: http://gregfitzsimmons.com Tour Dates: https://bit.ly/GregFitzTour Merch: https://bit.ly/GregFitzMerch “Dear Mrs. Fitzsimmons” Book: https://amzn.to/2Z2bB82 “Life on Stage” Comedy Special: https://bit.ly/GregFitzSpecial Listen to Greg Fitzsimmons: Fitzdog Radio: https://bit.ly/FitzdogRadio Sunday Papers: http://bit.ly/SundayPapersPod Childish: http://childishpod.com Watch more Greg Fitzsimmons: Latest Uploads: https://bit.ly/latestGregFitz Fitzdog Radio: https://bit.ly/radioGregFitz Sunday Papers: https://bit.ly/sundayGregFitz Stand Up Comedy: https://bit.ly/comedyGregFitz Popular Videos: https://bit.ly/popGregFitz About Greg Fitzsimmons: Mixing an incisive wit with scathing sarcasm, Greg Fitzsimmons is an accomplished stand-up, an Emmy Award winning writer, and a host on TV, radio and his own podcasts. Greg is host of the popular “FitzDog Radio” podcast (https://bit.ly/FitzdogRadio), as well as “Sunday Papers” with co-host Mike Gibbons (http://bit.ly/SundayPapersPod) and “Childish” with co-host Alison Rosen (http://childishpod.com). A regular with Conan O'Brien and Jimmy Kimmel, Greg also frequents “The Joe Rogan Experience,” “Lights Out with David Spade,” and has made more than 50 visits to “The Howard Stern Show.” Howard gave Greg his own show on Sirius/XM which lasted more than 10 years. Greg's one-hour standup special, “Life On Stage,” was named a Top 10 Comedy Release by LA Weekly. The special premiered on Comedy Central and is now available on Amazon Prime, as a DVD, or a download (https://bit.ly/GregFitzSpecial). Greg's 2011 book, Dear Mrs. Fitzsimmons (https://amzn.to/2Z2bB82), climbed the best-seller charts and garnered outstanding reviews from NPR and Vanity Fair. Greg appeared in the Netflix series “Santa Clarita Diet,” the Emmy-winning FX series “Louie,” spent five years as a panelist on VH1's “Best Week Ever,” was a reoccurring panelist on “Chelsea Lately,” and starred in two half-hour stand-up specials on Comedy Central. Greg wrote and appeared on the Judd Apatow HBO series “Crashing.” Writing credits include HBO's “Lucky Louie,” “Cedric the Entertainer Presents,” “Politically Incorrect with Bill Maher,” “The Man Show” and many others. On his mantle beside the four Daytime Emmys he won as a writer and producer on “The Ellen DeGeneres Show” sit “The Jury Award for Best Comedian” from The HBO Comedy Arts Festival and a Cable Ace Award for hosting the MTV game show "Idiot Savants." Learn more about your ad choices. Visit megaphone.fm/adchoices

No se puede atrapar el viento, pero podemos traerte la brisa del mar. Invocamos al frescor del verano en esta colección de canciones.Playlist:(sintonía) FLEETWOOD MAC “Albatross”DONOVAN “Catch the wind”THE BEACH BOYS “The warmth of the sun”OTIS REDDING “Sittin’ on the dock of the Bay” (demo, take 1)JONI MITCHELL “Carey”NICK DRAKE “Pink Moon”FRANK SINATRA “Summer wind”SEALS and CROFTS “Summer breeze”DON COSTA “The breeze and I”MARTIN DENNY “Trade winds”TONY JOE WHITE “Homemade ice cream”JIMI HENDRIX “The wind cries Mary”CHUCK PROPHET “Summertime thing”RAY COLLINS HOT CLUB “The breeze”NOLAN STRONG and THE DIABLOS “The wind”LOU REED “Ocean” (demo 1971)THE OZARK MOUNTAIN DAREDEVILS “Giving it all to the wind”Escuchar audio

Author, acclaimed singer-songwriter, and creator Wesley Stace joins Music Matters with Darrell Craig Harris for a fascinating conversation about a career that has seamlessly blended music, literature, and storytelling. Known to music fans around the world as John Wesley Harding, Wesley reflects on his decades in the music industry, his transition into becoming an internationally acclaimed novelist, and the creative process that connects songwriting and writing. Throughout his remarkable career, Wesley has shared the stage and recorded with legendary artists including Bruce Springsteen, Lou Reed, John Prine, Iggy Pop, Rosanne Cash, and members of R.E.M., The Decemberists, The Jayhawks, and Elvis Costello's band, The Attractions. In this wide-ranging interview, Wesley discusses the art of storytelling, songwriting, his celebrated novels, and what continues to inspire him as an artist. Whether you know him from his music, his books, or both, this episode offers a thoughtful look at one of today's most versatile creative voices. Website www.wesleystace.com Social Media www.instagram.com/wesleystace  Listen now on Apple Podcasts, Spotify, HeartRadio, Amazon Music, YouTube, and wherever you get your podcasts. bout Music Matters with Darrell Craig Harris The Music Matters Podcast is hosted by Darrell Craig Harris, a globally published music journalist, professional musician, and Sports Illustrated photographer. Music Matters is now available on Spotify, iTunes, Podbean, and more. Each week, Darrell interviews renowned artists, musicians, music journalists, and insiders from the music industry. Currently, over 1.2 million global downloads in 40 countries. Visit us at: www.MusicMattersPodcast.com Follow us on Twitter: www.Twitter.com/musicmattersdh  Instagram: www.Instagram.com/musicmatterspodcastofficial For inquiries, contact: musicmatterspodcastshow@gmail.com Support our mission via PayPal: www.paypal.me/payDarrell Episode editing and Voice intro by Nigel J. Farmer of Voice Wrap Studios Representation:  Yvette Morales | YM & Associates PR Beverly Hills, CA YM-PR.com Email: YMoralesY@ym-pr.com                  

En este episodio exploramos Chelsea Girl, el debut solista de Nico, un álbum de 1967 que mezcla folk barroco y chamber pop con una atmósfera melancólica y una de las voces más distintivas de su generación. Con canciones escritas por Jackson Browne, Lou Reed y colaboraciones ligadas al círculo de Bob Dylan y The Velvet Underground, el disco es un retrato de una época donde la creatividad nacía del contacto constante entre artistas. A partir de ahí, hablamos de la enorme influencia cultural de las escenas musicales de los años 60 y 70, de la desaparición de los terceros espacios donde florecían estas comunidades y de cómo el aparente declive del dominio de la tecnología y las redes sociales podría estar marcando el inicio de una nueva etapa para la cultura y la creación artística.

This week, a continuation of our series called “In The Shadow Of…”, where we compare bands to a well-established mainstream act. This is not about copycats, but about artists that have similar vibes, share a sonic soundscape, or whose songwriting and playing styles are sympatico. This is another band near and dear to both of you humble hosts. A band that sits atop the pedestal of all things “heavy”. A band that defined metal in the 80s and 90s while becoming somewhat polarizing in more recent years; the iconic METALLICA! Join us as we discover other bands who were influenced and inspired by this hella great band. What's this InObscuria thing? We're a podcast that exhumes obscure Rock n' Punk n' Metal and puts them in one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. This is not a statement about bands trying to copy one another, but more that they have a shared sound and vision. It's been said that there is no originality left in rock n' roll and also been stated that imitation is the sincerest form of flattery. As always, we hope we turn you onto something new! Songs this week include: Trivium – “Unrepentant” from The Crusade (2006) Bloodstain – “Black Swan” from I Am Death - EP(2024) Thrasherwolf – “Shameless Loser” from Inside The Sickened Mind (2024) Evile – “Head Of The Demon” from Skull (2013) Machine Head – “Slanderous” from The Blackening (2007) Tantara – “Human Mutation” from Based On Evil (2012) ThrashWall – “War Outside The Wall” from ThrashWall(2020) Visit us: https://inobscuria.com/ https://bonelesspodcasting.com/shows/in-obscuria https://www.facebook.com/InObscuria https://twitter.com/inobscuria https://www.instagram.com/inobscuria/ Buy cool stuff with our logo on it: InObscuria Store Check out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/ If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/ If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Episode 072: We are pulling back the curtain on the grand illusions of life this week, delivering a heavy dose of reality to all those polished, idealized dreams we hold onto. We begin with the shimmering, melancholic haze of Beach House, before facing the sobering resignation of Jim Lindberg. We then pivot to the gritty frustration of Middle Class Rut, transition into the poignant social commentary of Stevie Wonder, and drift into the deceptively serene, bittersweet piano balladry of Lou Reed. We close out our set by letting Crowded House remind us exactly why even our most beautiful dreams are eventually forced to reconcile with the stark, unvarnished truth. It's a six-track exploration of disillusionment, the sobering light of day, and the messy reality of what happens when the fantasy fades.   Apple Podcasts Instagram Spotify Playlist Official Site

Este podcast está dedicado a nuestros montes, nuestros bosques, nuestros pueblos, nuestras raíces y nuestra infancia. Y nos hacemos eco de esta carta firmada por Ángel Malanda Lafuente, peón forestal en ELIF A3 El Barco de Ávila.  "El problema de ser un héroeSoy bombero forestal, aunque no lo diga mi categoría ni mi contrato. Soy persona, antes que nada. Tengo sentimientos, sufro, me duele lo que veo, tengo miedo, cada vez más, tanto cuanto mayor es la cantidad de riesgos que asumes. Nunca me gustó la etiqueta: los y las bomberas forestales somos héroes/heroínas. Es mucha responsabilidad, yo no la quiero. No quiero perder mi vida, la única que tengo, por salvar tu chalet levantado allí donde había bosque, cuando lo has rodeado de arizónicas y no has desbrozado ni un metro cuadrado en torno a él.He perdido toda mi infancia y adolescencia en 2 días. Puedo tachar mis paraísos cercanos en un macabro sile/nole como hacíamos de críos con los cromos. El Castañar del Tiemblo, nole. Las Cabreras en S.Martin de Valdeiglesias, nole. Valle de Hiruelas, nole. Embalse de Picadas, nole. Cerro Valdenoches, Alto la Mira, Cancho el Guarro... no ha quedado nada. Mi familia evacuada y yo intentando como una hormiguita que el fuego no se descuelgue por las laderas de Piedralaves, trabajando 8 horas con una azada frente a un monstruo. Y el héroe tiene que seguir ahí, incólume, recto, haciendo frente a algo jamás visto, y además tengo que salvar tu casa, tu pueblo, tus animales y escuchar tus insultos. ¿Crees que no querría hacer más? ¿Crees que tengo superpoderes? ¿No crees que si estoy parado es porque espero instrucciones? ¿Puede ser que esté protegiendo mi integridad física, mi vida? ¿Sabes?, a mí me esperan en casa, con inquietud, desasosiego, y no quiero faltar a la cita con el abrazo de mi compañera. Sufren también y mucho nuestras parejas, que son bastante más héroes y heroínas que nosotras.Soy persona, como tú, vivo en el rural y lloro como tú, y estoy roto, muy roto. No duermo, no descanso, estoy deshidratado, apenas como, me quito la capa de héroe y qué queda, solo pellejo, un cuerpo maltratado por la radiación, el humo, los golpes, las caminatas, el tam tam del batefuegos, el arriba y abajo de la azada, el estremecedor sonido del fuego que te recuerda lo pequeñito que somos. Y maltratado también por mi empresa, que regatea en material, que te dota de las herramientas más baratas y en las cantidades más míseras, que no piensa en tu ergonomía, en tus dolores, en tu efectividad frente a la llama. Y maltratado por la Administración que gestiona (mal) tus impuestos, que te niega la categoría, derechos ya recogidos en una ley, que no forma y especializa a sus trabajadores. Y maltratado, también, por la sociedad, esta sociedad egoísta, individualista, sin empatía, desconectada de su entorno, de su realidad más inmediata, que no nos acompañó en las manifestaciones, que se olvida de nosotras una vez desaparece el humo y que sigue votando por este modelo suicida y demencial que deja que sea el fuego quien gestione el territorio.Para ser justo y honesto, muchas personas me hacen llegar su admiración y respeto por el trabajo que hacemos. De verdad, de corazón. Por ellos y ellas sigo aquí.Y por favor, no me pongas la capa, solo soy una persona intentando hacer lo mejor como mejor sabe y puede. Solo eso, nada más, nunca un héroe"Ángel Malanda Lafuente,    LOVE OF LESBIAN - La HermandadLOVE OF LESBIAN - Noches ReversiblesLOVE OF LESBIAN - Un Día en el ParqueGORILLAZ - Some Kind of Nature (ft Lou Reed)COLDPLAY - ParadiseBIFFY CLYRO - MountainsFLORENCE + THE MACHINE - Rabbit Heart (Raise it Up)EDDIE VEDDER - SocietyAMARAL - Hacia Lo SalvajeNEIL YOUNG - Rocking In a Free WorldRAGE AGAINST THE MACHINE - Take the Power BackAURORA - The SeedPULP - The TreesEscuchar audio

jD convenes the expert panel to dissect "700 Ft Ceiling," the song that lands like a baseball bat to the face right in the middle of Trouble at the Henhouse.The conversation starts warm — everyone's summertime Hip pick, from "Membership" to "Morning Moon" to "Summer's Killing Us" — before turning to the puzzle at the centre of the track: what exactly is a 700-foot ceiling? (Aviation term. Lowest layer of broken or overcast cloud sitting 700 feet above ground.)The panel unpacks Gord's habit of collecting phrases for their sound rather than their meaning, the wintery outdoor-rink imagery, and the Lou Reed-flat melody that barely distinguishes verse from chorus.Things get spicy on placement. Tracy calls it filler and skips it. Mikk and Jamie agree the song detonates a gorgeous opening run — "Gift Shop," "Springtime in Vienna," "Ahead by a Century," "Don't Wake Daddy," "Flamenco" — and kicks off what Jamie dubs the album's weird second half alongside "Butts Wigglin'" and "Coconut Cream." The Kids in the Hall theory gets floated. So does the grunge theory. Everyone concedes it hit much harder live than it ever did on record.Then the episode's real gift: Mick and Jamie tell the story of renting the Bathhouse for a weekend — sleeping in the studio, playing pool while spinning We Are the Same on vinyl, Billy Ray wandering in at 10pm with stories, engineer Niles behind the board, Gord's training bike still parked where he left it. Once-in-a-lifetime stuff, told well.Next week's shuffle: "Gus: The Polar Bear from Central Park" from In Between Evolution.Key Quotes"It's like an alarm clock goes off." — Mik, on where the song lands on the album"It is like a baseball bat in the face." — jD"Think about how many shows they played after 2004 that they did not play this song. That's why it ranks low. Guys, I'm telling it like it is." — Jamie"I think this is kind of Gord's secret talent — he listens better than everybody." — Mik"He says '700-foot ceiling' like four times, but the second or third time it's '700 and sinking,' which is just cool." — Jamie"It kind of felt very lived in. There was nothing you couldn't touch, nothing you couldn't sit on." — Mik, on the Bathhouse"I'll get emotional if I talk about it." — Jamie, on being shown the band's jam space"Well, I know what we forgot to do this week. We forgot to listen to the goddamn song." — jDTale of the Tape — Trouble at the HenhouseReleased May 7, 1996 — the band's first simultaneous Canada/USA releaseWinner, 1997 Juno Award for Album of the YearRecord 5 of 13Self-produced with Mark Vreeken — the only time the band worked without an outside producerRecorded at the Bathhouse"700 Ft Ceiling" live stats (via The Hip Base and setlist.fm)Played live 130 times — 3 times as an opener, 7 times as an encoreFirst played October 21, 1995Last played November 27, 2004 (retired; not performed on the final tour)Ranked #76 in the Tragically Hip Top 169 countdown — did not crack the Top 40This week's poll: 47% / 47% split, with 6% "tolerating" it.Songs & Albums MentionedTragically Hip songs700 Ft Ceiling · Membership · Morning Moon · Coffee Girl · The Depression Suite · Summer's Killing Us · You're Not the Ocean · Ahead by a Century · Gift Shop · Springtime in Vienna · Don't Wake Daddy · Flamenco · Butts Wigglin' · Apartment Song · Coconut Cream · Let's Stay Engaged · Sherpa · Put It Off · New Orleans Is Sinking · Little Bones · Titanic Terrarium · Emergency · FireworksTragically Hip albumsTrouble at the Henhouse · Day for Night · Fully Completely · Road Apples · Phantom Power · We Are the Same · In Between Evolution · Live Between UsOther referencesKids in the Hall: Brain Candy — source of "Butts Wigglin'"Rick Beato's interview with Billy Joel — the "vowel movements" idea Joel credits to Keith RichardsGrunge-era touchstones: Pearl Jam, Soundgarden, CreedLou Reed — Tracy's comparison for Gord's vocal delivery on this trackIt's a Good Life If You Don't Weaken — the stage adaptation, seen in Hamilton, now touringTom Green's interview with Paul Langlois, filmed in the Bathhouse jam spacePeople MentionedGord Downie · Paul LangloisBilly Ray — Bathhouse caretaker and keeper of the storiesNiles Spencer — Bathhouse engineerMark Vreeken — co-producer, Trouble at the HenhousePatrick Downey — filming Billy Ray for the documentaryGreg — JD's co-host on the earlier podcast seriesLinks & PlugsKingston weekend events — Friday mixer at a pub · live record listening party August 21 at 4:30 at a pub · Sunday brunch at Morrison's. Email jd@tthpods.com to get on the list.Mik Perlus — Ragged Islands — Mick's EP, recorded over three days at the Bathhouse. Includes a cover of "It's a Good Life If You Don't Weaken." Available on Spotify, Apple Music, YouTube, and other streaming services. Named for East Ragged Islands, Nova Scotia.Jamie — Fiddler on the Roof in Yiddish — with English and Russian supertitles. Recently ran at the Elgin Theatre in Toronto (roughly 17,000 attendees during Jamie's run). Coming to the Ahmanson Theatre in Los Angeles, February 13 – March 14, 2027.The Hip Handbook — JD's new AI-built discography and stats tool, debuting on this episode for the Tale of the Tape.The Hip Museum / Museum After Dark — referenced for the grunge angle and album background.Next Week"Gus: The Polar Bear from Central Park" from In Between Evolution.Support this podcast at — https://redcircle.com/tthtop40/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Velvet Underground may not have sold millions of records during their early years, but few bands have had a greater impact on the history of rock music. In this episode of Booked On Rock, author Richie Unterberger discusses his new book, Do What You Fear Most: The History of the Velvet Underground, exploring the band's remarkable journey from New York's underground art scene to becoming one of the most influential groups of all time.We dive into Lou Reed's songwriting, John Cale's avant-garde influence, Andy Warhol's real role in the band's success, Nico's place in the group, the groundbreaking 'Velvet Underground & Nico', 'White Light/White Heat', 'Loaded', and the band's enduring legacy. If you're a fan of Lou Reed, classic rock, punk, alternative music, or the Velvet Underground, this is a conversation you won't want to miss.Purchase a copy of Do What You Fear Most: The History of the Velvet UndergroundVisit Richie Unterberger's website----------

This week in the Screening Room we’re talking about manifestos, art movements, outsiders, would-be societies, and the 1996 film ‘I Shot Andy Warhol.’ Plus another Hypothetical Theoretical Metaphorical Potentially Possible Mixtape with songs by Swamp Dogg, Pet Shop Boys, Lou Reed, and more. Become an All Access member and get ad-free listening by visiting disgracelandpod.com. See omnystudio.com/listener for privacy information.

One day before the release of her new album, Music, Fashion, Film, xcx joins Scott Lipps on SPIN Magazine's Lipps Service for an in-depth conversation about creativity, reinvention, and one of pop music's most influential careers. Charli discusses the inspiration behind Music, Fashion, Film, nearly walking away from music, working with A.G. Cook, growing up during the MySpace era, fashion, filmmaking, visual identity, Martin Scorsese, John Cale, Lou Reed, Andy Warhol, social media, the current state of rock, and much more. The episode concludes with Charli's Top 5 Underrated Films and Top 5 Charli xcx Songs. If you enjoy conversations with the world's biggest artists, subscribe and turn on notifications for new episodes every week. CHAPTERS 00:00 Intro 00:27 NYC 01:08 Intimate shows 02:29 Growing up (The Monkees, Bread, Britney Spears & Spice Girls) 03:34 MySpace, Uffie & Ed Banger 05:05 Building her own team 08:22 Albums that inspired her 11:26 Early music 12:08 The beginning 14:45 A.G. Cook 18:57 Music, Fashion, Film 19:15 Nearly quitting music 22:22 Album artwork 25:26 John Cale, Lou Reed & Andy Warhol 31:08 Marc Jacobs 32:34 Martin Scorsese 34:48 Music, Fashion, Film creative process 37:50 The future of music & rock 40:39 Visuals 42:03 Songwriting 44:45 David Cronenberg & legacy 47:55 Advice to young artists 50:10 Social media 51:55 Top 5 Underrated Films 56:15 Top 5 Charli xcx Songs #CharliXCX #MusicFashionFilm #LippsService #ScottLipps #SPIN #MusicPodcast #PopMusic #Interview Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Off The Beat and Track!In this special episode, host Stu Whiffen sits down with the incredible Joan As Police Woman—the acclaimed singer-songwriter, multi-instrumentalist, and one of the most distinctive voices in contemporary music.Known for her soulful vocals, fearless songwriting, and genre-defying blend of art rock, indie, jazz, soul, and alternative music, Joan As Police Woman has built a remarkable career through critically acclaimed solo albums and collaborations with artists including Lou Reed, Rufus Wainwright, Antony and the Johnsons, and David Sylvian. In this conversation, Joan reflects on her creative journey, the stories behind her music, and the passion that continues to drive her artistry.

1976. You'd think that people would have had enough of silly love songs.Well, silly or not, the charts of this fascinating year were full of big, big hits. Crowdpleasers, I hear you cry? Well, whatever way you view 1976, and many so-called rock journos and hacks would do so rather disdainfully, the twelve months bookended by number ones by Queen and Johnny Mathis (!) were certainly colourful and (checks notes for suitable adjective) erm, eclectic. Whilst certain history threads (I'm looking at you again Channel 5) will tell you that everyone was embracing bondage trousers, safety pins and other overused punk stereotypes, the truth was that the cash registers at Woolworths were ringing to the sounds of everything from the Greek smock admirer Demis Roussos, Dutch fairground dwelling country swingers Pussycat and those loveable Rock and Roll revivalists and brothel creeper wearing funsters Showaddywaddy.And the biggest selling single of the year - well that would be the Brotherhood of Man's lip smacking shoe shuffler and Eurovision winning rocket.Yes, punk would no doubt influence the coming years of popular culture, but not whilst The Wurzels were ploughing the pop fields of '76.The world of compilations was shifting up a gear too as the album charts saw TV advertising become a major factor in changing the landscape of big sellers with huge number one sellers from the kids favourites Slim Whitman, Bert Weedon, Glen Campbell and The Beach Boys, who remained at number one for ten consecutive weeks through that Hot, Hot, Hot summer of 1976. Good vibrations indeed!And in the jet-pack future of the 21st Century, how much fun does 1976 look? Well, pop kids, let the Guardian's head rock and pop critic Alexis Petridis and author Ian Wade guide you through it courtesy of the spanking NOW Yearbook 1976.The emergence of the stadium rock, pop sound10cc inventing Paranoid AndroidGuilty Pleasures (or not!)The wonderfully weird world of FoxDisco - hello!And along the way, rediscover the shimmering sounds that kept us sane through the heatwave, explore how CB radio (and questionable radio 1 DJs, mate) became a real thing (but not by The Real Thing), consider what Cliff Richard and Lou Reed may have discussed in Studio 54, which single was Wadey's first, which artist's concert Alexis was joined by Johnny Trunk at, the story of Ruby Flipper and the Blue Peter garden, which acts not to get stuck in a lift with and why David Dundas is not struggling to find funds for his next pair of jeans.Confused? Lost? Over-stimulated? You're in great pop company then in 1976. And we wouldn't have it any other way.Whether you were there or are rediscovering this amazing pop year for the first time, grab a cool drink, and jump onboard. Hosted on Acast. See acast.com/privacy for more information.

Listen without ads on patreon: www.patreon.com/dopeypodcast This week on Dopey! We open the show with a deep dive into Lou Reed's classic junkie anthem "Waiting for the Man" before reading incredible listener stories involving MDMA-assisted therapy, smashing open a safe with an axe for OxyContin, smoking crack in an airplane bathroom, a horrific flesh-eating abscess, and surviving Antabuse mixed with opioids. Then legendary author Jerry Stahl returns for one of the funniest and deepest conversations Dopey has ever had. Jerry shares never-before-heard stories about writing for Twin Peaks, working with David Lynch and Ben Stiller, learning from Hubert Selby Jr., meeting William Burroughs' son, Oprah admitting she loved crack, surviving heroin addiction, and why kindness matters more than bitterness. The conversation ends with Dave pitching Jerry his outrageous action movie idea: Die Hard... at Katz's Delicatessen. PLUS MORE MORE MORE on a brand new yet timeless episode of that good old dopey show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Penn hurt his back but it's nothing compared to jumping in high heeled cowboy boots, Matt headlines a comedy show with magic, chandelier girls, Penn goes from Lou Reed to Bob Dylan, Debbie Harry's accidental straightjacket escape, well lit houses, and lots more.

Producer Marc Urselli is the chief engineer at New York City's EastSide Sound, as well as the owner of his own studio, Audio Confidential. He has worked with pop, rock, and jazz artists ranging from U2, Foo Fighters, Nick Cave, Lou Reed, Sting, Keith Richards, Kesha, Jeff Beck, Les Paul, Buddy Guy, Luther Vandross, Børns, The Black Crowes, Frank Sinatra, Joss Stone, Mike Patton, and of course, John Zorn, with whom he has made over 120 albums! Geoff Stanfield chatted with Marc from Audio Confidential about his early days recording in Italy, his move to New York, an internship at EastSide Sound, his approach to sessions, working with U2, and his recent collaboration with JZ Mics on their new MU-1 large diaphragm condenser/ribbon hybrid microphone. Enjoy!

Richie Unterberger has written maybe the definitive biography of the Velvet Underground. Clearly, we're fans. We talked with Richie about the writing of the book and the vast amounts of research he did to put it all together. For more information, you can check out Richie's website.

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We're gonna make you an offer you can't refuse...because this week, we go way back to discuss some of our favorite songs of 1972 with the marvelous Anne Richmond Boston from The Swimming Pool Q's! Possessing a crystalline voice, Anne's journey led her from church and high school choirs to the quirky new wave of the Swimming Pool Q's. Following their debut album The Deep End on DB Records in 1981, the Q's were one of the first Atlanta/Athens areas bands to be snapped up by a major label. For A&M, they recorded their self-titled second album (1984) and Blue Tomorrow (1986). A major tour with Lou Reed ensued, as did a major label makeover. Anne left the Q's in 1987, with her terrific solo debut, The Big House of Time (largely written by and recorded with then husband Rob Gal from The Coolies) following for DB in 1990. With such a promising start to her solo career, surely a second album was hot on its heels. Right??? Well, the intended follow up, I Should Be Happy, was recorded, roughly mixed, and then shelved for 30+ years for unknown reasons. Fortunately, the tapes were revitalized, revamped, and are at long last released! It's a beautiful song cycle about longing and loss, featuring a notable cast of musicians and singers. That should make us ALL happy! Learn more about your ad choices. Visit megaphone.fm/adchoices

SPONSORS: Enjoy the refreshing citrus kick of Mountain Dew, an American Original. Tasting Great Since '48. Look for Mountain Dew in stores near you at https://mountaindew.com Thanks to MANSCAPED for sponsoring today's video! Get The Beard Hedger Plus for 15% OFF + Free Shipping with code “BEARS” at https://Manscaped.com! For simple, online access to personalized and affordable care for Hair Loss, Weight Loss, and more, visit https://hims.com/bears Sign up now and Acorns will boost your new account with a $5 bonus investment. Join the over 14 million all-time customers who have already saved and invested over $27 billion dollars with Acorns. Head to https://acorns.com/bears or download the Acorns app to get started. Sponsored by BetterHelp. Sign up and get 10% off at https://betterhelp.com/bears Start your free trial at https://shopify.com/bears This week on 2 Bears, 1 Cave, Tom Segura and Bert Kreischer spiral through Bert's newest crisis: figuring out which musicians would actually like him. After Lou Reed tells him off mid-treadmill (entirely inside Bert's head), Bert starts deleting Jane's Addiction and Radiohead from his library, relives Shane Gillis walking out of a Wilco concert after five seconds, and learns his most-played song of all time is "Higher" by Creed. From there, the Bears get into Tom's tour of Kid Rock's 20,000-square-foot, two-bedroom replica White House and meeting Jimmy John from Jimmy John's, a deep dive on Subway Takes and why Bert believes celebrity hot takes are all fake, the viral "white people shouldn't sit on stoops in Bed-Stuy" debate, and a deeply satisfying story of a first-class line cutter getting humbled in front of Viola Davis. Bert also opens up about the final days of his five-and-a-half-month sobriety run, including the recovery books, journaling on planes, and why his first drink back is happening at his daughter Georgia's University of Oregon graduation before going scorched earth on the dad who posted his 4-year-old breaking a rope swing "world record" in Moab. Plus: the MyPillow guy, the thumb-to-arm gut health test, Garth Brooks friendship fantasies, and why Moby would hate them both. If you missed this show, this one's for you. 2 Bears, 1 Cave Ep. 333 https://tomsegura.com/tourhttps://www.bertbertbert.com/tourhttps://store.ymhstudios.com Chapters00:00:00 - Intro00:01:11 - Lou Reed Talks Shit to Bert on the Treadmill00:04:27 - Kurt Vile, Bob Dylan, & Shane Gillis Walking Out on Wilco00:16:15 - Deleting Every Musician Who Wouldn't Like Bert00:25:00 - Kid Rock's Replica White House & Jimmy John From Jimmy John's00:28:51 - MyPillow, Workout Underwear & Sleeping Naked00:31:11 - Subway Takes & J.Lo's Rented Hot Take00:41:01 - White People on Stoops00:43:47 - Airport Line Cutters00:50:09 - Bert's Last Week of Sobriety01:01:21 - The 4-Year-Old Moab Rope Swing Rant01:13:03 - Wrap Up Learn more about your ad choices. Visit megaphone.fm/adchoices

Ian speaks with Noah Lennox and Pete Kember—aka Panda Bear and Sonic Boom—about the annoying Victor Wembanyama, ditching Spotify, the former glory of the charts, Lou Reed's Pickwick era, making music that makes them laugh, the evolution of their collaborative relationship, annoying-sounding keyboards, fostering a community that values art, and their sublime new record, A ? OF WHEN.  "A ? OF WHEN" AVAILABLE NOW (BUT NOT ON SPOTIFY)

"Real Life Evolution" With close to ten brilliant albums under her belt, including Real Life, To Survive and The Classic, it's hard to think of a more critically-acclaimed artist in recent memory than singer/songwriter and multi-instrumentalist Joan As Police Woman. After studying music as a violinist at the College of Fine Arts at Boston University with her lifelong friend Mary Timony of Helium, the Maine-born Joan Wasser Wasser played in punk bands, joined the Dambuilders, formed Black Beetle and played with Those Bastard Souls and Antony and the Johnsons. I'm cutting corners here, but over the course of her winning career, Wasser has become one of the most in-demand musicians on the planet. She's played, recorded and toured with the likes of Iggy Pop, Damon Albarn, Rufus Wainwright, Elton John, Tony Allen, Lou Reed, Sheryl Crow, Lloyd Cole, Joseph Arthur, Scissor Sisters, Tanya Donelly, David Sylvan and John Cale, just to name a few. Joan As Policewoman's new album finds Wasser revisiting her Real Life album on the occasion of its twentieth anniversary. Reimagined with soul, grace and musical precision, Real Life Evolution not only demonstrates the elasticity of the original compositions, it also demonstrates how art can be reimagined and reinterpreted by the artist themselves. Featuring guest like Iggy Pop and Krystle Warren, Real Life Evolution simmers with reggae grooves, jazzy shuffles, and spare, indie rock ache and it's not only the perfect companion to the original, it stands proudly by itself. www.joanaspolicewoman.com (http://www.joanaspolicewoman.com) www.bombshellradio.com (http://www.bombshellradio.com) www.stereoembersmagazine.com (http://www.stereoembersmagazine.com) www.alexgreenbooks.com (http://www.alexgreenbooks.com) Stereo Embers: IG + BLUESKY + THREADS: @emberspodcast Email: editor@stereoembersmagazine.com

How do you actually put a price on a music catalog in 2026?    In this panel from our recent Grow the TAM event, Billboard's Elizabeth Dilts Marshall sits down with three experts who each value catalogs from a completely different angle. Rob Frech of Raine Group has advised on catalog and M&A deals for Warner Music Group, Quality Control, and Downtown. Tom Sarig spent decades managing artists like Lou Reed and Bryan Ferry before launching Antifragile Equity Partners to acquire mid tier music catalogs. And Monica Corton of Go to Eleven Entertainment works with songwriters, artists, and producers across publishing, marketing, and royalty management, helping them maximize the value of their catalogs.   The conversation covers who is actually buying music catalogs right now, why active catalog management might matter more than the multiple you pay, how sync licensing drives real catalog growth, what tools like Disco and Luminate are doing to modernize catalog data and rights management, and how AI licensing and name, image, and likeness rights are starting to change what these assets are worth.   If you work in music publishing, catalog acquisition, artist management, or music finance, this episode breaks down exactly how catalog valuation is evolving heading into 2030.   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find show notes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!    Get Dmitri's Rock Paper Scanner newsletter.

¡NUEVO FORMATO! Un podcast de música, pero que tiene más libros y literatura que otra cosa.En esta oportunidad nos ocupamos del Disco de la banana. The Velvet Underground y un mundo que ya no es.Andy Warhol, Bob Dylan, Nico, Alain Dellon, Lou Reed, y todo lo que te coparía saber.

Musician and broadcaster, Tom Dunne, joins Brendan to celebrate the iconic soundtrack from Danny Boyle's 1996 hit film Trainspotting. The album included songs by Iggy Pop, Lou Reed, Pulp and Underworld.

There’a a whole half a year to go! Start the second half strong with new habits. Free 1 hour workshop July 1 | 12 noon ET Sign up here ____________________ You’re preparing for retirement. For many of us, there’s another transition nestled within that one. It comes with joy and little instruction – becoming a grandparent. Celia Dodd, a journalist of 30+ years and grandmother of six, has written the book many grandparents wish they had: one that celebrates the delight and makes room for the honest, complicated feelings nobody admits out loud: Grand Expectations: The Joys and Dilemmas of Being a Grandparent. This conversation is about permission. Permission to feel torn between the grandchildren you adore and the next chapter you’ve spent years planning. Permission to be your own version of a grandparent rather than the one in your head. Permission to support without interfering, to say no without guilt, and to design these special years deliberately instead of drifting into them. Celia Dodd joins us from London. _________________________ Bio Celia Dodd is a journalist and author who wrote regularly for The Times of London, the Independent and other national newspapers and magazines, focussing on relationships, family life, health and education. She also wrote profiles of interesting people, including Gordon Ramsay, Lou Reed and actress Juliet Stevenson.  After thirty years as a journalist she turned to writing books about parenting and major transitions in life, such as the empty nest and retirement. They are subjects close to her heart as well as her own stage in life.  Her new book is Grand Expectations: The Joys and Dilemmas of Being a Grandparent.  She's also written All Grown Up: Nurturing relationships with adult children,  Not Fade Away: How to thrive in retirement, The Empty Nest: Your changing family, your new direction  and Conversations with Mothers and Daughters. Celia has two adult sons and a daughter, and six grandchildren. ______________________ For More on Celia Dodd Grand Expectations: The Joys and Dilemmas of Being a Grandparent Celia Dodd’s first visit with us: All Grown Up (on relationships with adult children, and thriving in retirement) _______________________ Retirement Podcast Conversations You’ll Also Love The Grandparenting Blueprint – Linda & Richard Eyre (Part One) The Mindful Grandparent – Dr. Shirley Showalter’ Grandparents' Day – Kerry Byrne & Ted Page ________________________ Wise Quotes On Grandparenting & Purpose “Grandparenting has been life-enhancing in so many different ways. It's brought me a new purpose.” On Being a Grandparent & Being Yourself “It's about being your own version of a grandparent.” On Relationships with Adult Children “There’s a fine line is between being supportive and interfering…Don't give advice unless they ask for it.” __________________________ About The Retirement Wisdom Podcast There are many podcasts on retirement, often hosted by financial advisors with their own financial motives, that cover the money side of the street. This podcast is different. You'll get smarter about the investment decisions you'll make about the most important asset you'll have in retirement: your time. About Retirement Wisdom I help people who are retiring, but aren't quite done yet, discover what's next and build their custom version of their next life. A meaningful retirement doesn't just happen by accident.Schedule a call today to discuss how the Designing Your Life process created by Bill Burnett & Dave Evans can help you make your life in retirement a great one — on your own terms. About Your Podcast Host Joe Casey is an executive coach who helps people design their next life after their primary career and create their version of The Multipurpose Retirement.™ He created his own next chapter after a 26-year career at Merrill Lynch, where he was Senior Vice President and Head of HR for Global Markets & Investment Banking.Joe has earned Master's degrees from the University of Southern California in Gerontology (at age 60), the University of Pennsylvania, and Middlesex University (UK), a BA in Psychology from the University of Massachusetts at Amherst, and his coaching certification from Columbia University.In addition to his work with clients, Joe hosts The Retirement Wisdom Podcast, ranked in the top 1% globally in popularity by Listen Notes, with over 2 million downloads. Business Insider recognized Joe as one of 23 innovative coaches who are making a difference. He's the author of Win the Retirement Game: How to Outsmart the 9 Forces Trying to Steal Your Joy.    

This week on "How We Heard It," your hosts talk about bands and singers they haven't mentioned often on the show but who deserve to have their stories told. For example: How did Lauryn Hill squander the record-breaking fame and adulation for her solo debut so badly that she never released another studio album? Or why didn't Lou Reed's counterpart in The Velvet Underground have anything close to Reed's success? Then there's the Australian pop sensation who has been churning out hits since the 1980s and has achieved Madonna-like status around the world, even though in the U.S. she's only a minor star ... because she HASN'T had a scandal? Also, there's the British act that's been a phenomenon all across Europe but has proven too acerbic for Americans. The episode includes others, from Marty Stuart and The Band to Men At Work and Jamiroquai. And find out what happened to the Chainsmokers during the 2020 pandemic that took them from the middle of everything right off the radar. That's show business: You can go from overwhelming success one minute to obscurity the next. But it's still better than some mind-numbing office job.  

This episode originally aired on May 20, 2026. Subscribe to ⁠⁠⁠Music Person⁠. Kevin Morby from Los Angeles, CA and Kansas City, MO. Kevin and Dylan discuss butterflies, his return to Los Angeles, the nuances between Kansas and Missouri culture, his life with partner and fellow songwriter Katie Crutchfield, a canon of indie musicians who play the long game, examining your own mythos, Elvis, and tennis. + Kevin gives a letter of recommendation. ++ Kevin asks the Magic 8 Ball on Dylan's coffee table some questions. Artists we mentioned: David Berman/Silver Jews/Purple Mountains, Hand Habits, Woods, Lou Reed, Bruce Springsteen, Tom Petty, Joan Baez, The National, Taylor Swift, Waxahatchee, the Babies, Geese, Elvis Presely. Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

For today's episode I thought I'd share an archived interview from around twelve years ago, that I did with session drumming legend - Clem Cattini.Based in Stoke Newington, UK - Clem Cattini is an English drummer who was not only a member of 'The Tornados' but so prominent in the 50's, 60's and 70's that he is actually regarded as one of the most prolific drummers in UK recording history, appearing on hundreds of recordings by artists like Cliff Richard, Lou Reed, Marc Bolan, The Kinks, Herman's Hermits, The Yardbirds and Tom Jones. Clem and I talk about his work with a young Jimmy Page, how hard it was to get lessons back in the day, songwriting and of course his legendary drumming career - where he played on over 40 UK number one singles.For more information on Clem or his work, please search for him across all socials or google.For further information on Travis Marc or 'Musicians-Mentor' website, please visit ⁠www.musicians-mentor.com⁠ As usual, thanks for checking out the channel and if you're getting anything useful from my content, please feel free to comment, like, share and subscribe, thank you. Additionally, for those interested - you can support this channel by - 'Buying Us Coffee'. ⁠https://buymeacoffee.com/musiciansmentor⁠ Or visiting our affiliate page with the lovely folks over at - 'Soundbrenner'. ⁠https://www.soundbrenner.com⁠ where you can use code TRAVISMARC-DEAL for 20% off of their products.

For this week's Encore Presentation of Revolutions Per Movie, I bring you an incredible discussion with Mark Webber of Pulp, where we discussed everything from Mark's unique path into the band (tin foil, anyone?) and how we can never escape the mighty imprint of The Velvet Underground. Enjoy!(Episode 80 originally aired on March 13th, 2025).ORIGINAL SHOW NOTES:This week, we are joined by PULP's MARK WEBBER to discuss what was to be the most influential documentary of his life, THE SOUTH BANK EPISODE ABOUT THE VELVET UNDERGROUND. We discuss Mark's path from making fanzines (including interviewing Mo Tucker), & running the Pulp fanclub to eventually joining PULP as they embarked on their classsic records (DIFFERENT CLASS, THIS IS HARDCORE & WE LOVE LIFE), how Pulp composes music, being too young to get the Velvet Underground on first listen, the sweet spot of interviewing the Velvet Underground at the time of this documentary, Warhol's Factory, Mark's first time in NYC paying homage to his NYC heroes, Jonas Mekas, record store clerk suggestions, Spaceman 3, Pulp in 1978, the highs and lows of being in your favorite band, Mark's decades-long curation and research of experimental film, David Bowie as a direct line to the Velvet Underground, I Shot Andy Warhol, Bridget Berlin, Cat Power, Mark trying to do his own version of Warhol's Exploding Plastic Inevitable for Pulp called The Day That Never Happened, John Cale and Lou Reed's solo work, Mark getting to witness the Velvet Undeground reunion shows in person, The Pulp People Accommodation Register, Nico and more!!!So let's wrap some trees in tin foil and start the lights strobing on this week's episode of Revolutions Per Movie!MARK WEBBER:hatandbeard.com/products/im-with-pulp-are-you-by-mark-webberhttps://markwebber.org.uk/archive/about/https://welovepulp.info/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film, or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon (over 125 bonus episodes are available and counting). If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!PATREON:The show is also a completely independent affair, so the best way to support it is at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes and series such as A Very Opinionated Look At Urgh! A Music War & What Makes The Midnight So Special?, A Devotees Look At New Wave Theater, Exploring The Axis: The Oral History Of Frontier Records With Lisa Fancher, Dips On Chips w/ Jeff McDonald of Redd Kross, physical goods such as a limited edition 7" Flexidisc, and other exclusive goods that I send out to you for supporting the show. It helps the show to keep going and is greatly appreciated!TIP JAR:ko-fi.com/revolutionspermovieSOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Steve Katz is known as a founding member of Blood, Sweat & Tears as well as a guitarist, singer, songwriter, producer and author.Steve shares incredible stories from a career that spans more than six decades, taking listeners inside the birth of folk-rock, the Greenwich Village music scene, the formation of Blood, Sweat & Tears, Woodstock, Monterey Pop and beyond. Steve recalls his early days studying under folk and blues legends Dave Van Ronk and Reverend Gary Davis, spending time with Mississippi John Hurt, and joining Danny Kalb's influential band The Blues Project. He describes the excitement of discovering electric music in the mid-1960s and how that experience eventually led him to help create one of the most innovative bands of the era. The conversation explores the formation of Blood, Sweat & Tears with Al Kooper, the decision to incorporate a horn section, and the band's meteoric rise following the arrival of vocalist David Clayton-Thomas. Steve discusses the enormous success of hits including "Spinning Wheel," "You've Made Me So Very Happy," and "And When I Die," as well as the Grammy-winning album that made the band international stars. Listeners will also hear fascinating stories about performing at Monterey Pop Festival, the realities of Woodstock, sharing food backstage with Jimi Hendrix, meeting Otis Redding, and navigating the political pressures that resulted in Blood, Sweat & Tears undertaking a controversial State Department tour of Eastern Europe during the Nixon era. Steve also opens up about leaving Blood, Sweat & Tears, producing Lou Reed, working with Beatles producer George Martin, his years in the record business, discovering new artists, passing on U2, and why he remains grateful for every twist and turn in his extraordinary career. The episode also highlights Steve's memoir, Blood, Sweat and My Rock 'n' Roll Years, and his continuing work as a musician and creative artist.A fascinating listen for music fans of all generations.

A punto de cumplir 84 añazos -este próximo 18 de junio- Paul McCartney lanza un nuevo álbum. “The boys of Dungeon Lane”, una colección de canciones que beben de los recuerdos y las experiencias de adolescencia y juventud previas al momento en que su legendaria banda cambió la historia de la música. Un fantástico trabajo a manos de uno de los mayores talentos de la historia del pop.(Foto del podcast por Mary McCartney)Playlist;PAUL McCARTNEY “The days we left behind” (The boys of Dungeon Lane)PAUL McCARTNEY “Lost horizon” (The boys of Dungeon Lane)PAUL McCARTNEY “Down South” (The boys of Dungeon Lane)PAUL McCARTNEY “Mountain top” (The boys of Dungeon Lane)PAUL McCARTNEY “Home to us” (The boys of Dungeon Lane)PAUL McCARTNEY “Momma gets by” (The boys of Dungeon Lane)ROBYN HITCHCOCK “How to feel alright” (The confuser)DALLAS GOOD and RICHARD REED PARRY “Echo the part” (Were the watchtowers)THE HANGING STARS “Just a day” (Just a day)LEVITATION ROOM “Warmth of the sun” (2018)THE CROOKED RUGS “Change” (ST)NATURAL CHILD “Biloxi Blues” (Wooden)BILL CALLAHAM “Pathol O.G.” (My days of 58)LOU REED “Finish line” (Set the twilight reeling, 1996)Escuchar audio

Today, we're putting The Tonearm's needle on Stephen Emmer, a Dutch composer and musician based in Amsterdam. Stephen came up in the late 70s post-punk underground, and his band Minny Pops was the first international act signed to Factory Records. He is a curious genre-explorer who has worked with Lou Reed, Chaka Khan, Tony Visconti, Trevor Horn, Flood, and many others.His latest album, Asymmetrical Dot, is a chamber work rooted in his Dutch-Indonesian heritage, built around sustained tones, wordless vocals, vibraphone, and strings. The record came out of a year when his mother died, and his first grandson was born, and the contracting themes of grief and arrival appear throughout the work.We cover the album, his hearing loss, and why he walked away from commercial work to make the most personal music of his career.(The musical excerpts heard in the interview are from Stephen Emmer's Asymmetrical Dot)—Dig Deeper• Artist and Albums:Visit Stephen Emmer at stephenemmer.com and follow him on Bluesky, Instagram, and YouTubePurchase Stephen Emmer's album Asymmetrical Dot from Bandcamp or Qobuz and listen on your streaming platform of choiceThe two previous installments in the 'introspective trilogy': Maison Melody (2020) and Mt. Mundane (2024)• Key Collaborators:Tony Visconti — Producer of Recitement; longtime producer of David BowieBeth Hirsch — Vocalist and co-writer on Asymmetrical Dot, Track 5; best known for AIR's Moon SafariFernando Aponte — Grammy-winning mixing engineer, HoustonEverton Nelson — Concertmaster and violinist; has performed with the LSO, BBC Concert Orchestra, and on recordings for Radiohead, U2, and Paul McCartneyPatricia Sullivan — Mastering engineer at Bernie Grundman Mastering, Los Angeles• *Recitement* and Its Voices:Recitement — Emmer's 2007 spoken-word album, produced by Tony Visconti.Ken Nordine — Voice-over artist and "Word Jazz" pioneer; voiced "Absolutely Grey" on RecitementColors — Ken Nordine's 1966 album, originally commissioned as radio spots for the Fuller Paint CompanyLou Reed — Rock musician and poet; voiced "Passengers" on RecitementAllen Ginsberg — Beat poet; voiced "Disconnected" on RecitementRichard Burton — Welsh actor; voiced "The Leaden Echo" and "Boy with a Cart" on Recitement• Musical Influences and References:Gamelan — Traditional Indonesian percussion ensemble; central to the sonic concept of Asymmetrical DotDave Brubeck — American jazz pianist; one of the first musicians Emmer heard as a child, via his mother's ballet teachingHeitor Villa-Lobos — Brazilian composer; among the diverse influences Emmer's mother brought to her ballet classesClaude Debussy and Gamelan — Referenced by Emmer as a historical predecessor in integrating gamelan into Western composition• Contextual References:Holiday on Ice — International touring ice show for which Emmer served as music directorMotörhead — British heavy metal band; Emmer's hearing damage traces to a backstage encounter with their sound systemCharles Ives — American modernist composer who ran a successful insurance business alongside his musical career; referenced in the episode's discussion of portfolio careersAmbon, Indonesia — Island in the Maluku province of Indonesia, historically known as Amboina; birthplace of Emmer's mother and inspiration for the album's track "Amboina (for Roekie Aronds)"—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today, we're putting The Tonearm's needle on Stephen Emmer, a Dutch composer and musician based in Amsterdam. Stephen came up in the late 70s post-punk underground, and his band Minny Pops was the first international act signed to Factory Records. He is a curious genre-explorer who has worked with Lou Reed, Chaka Khan, Tony Visconti, Trevor Horn, Flood, and many others.His latest album, Asymmetrical Dot, is a chamber work rooted in his Dutch-Indonesian heritage, built around sustained tones, wordless vocals, vibraphone, and strings. The record came out of a year when his mother died, and his first grandson was born, and the contracting themes of grief and arrival appear throughout the work.We cover the album, his hearing loss, and why he walked away from commercial work to make the most personal music of his career.(The musical excerpts heard in the interview are from Stephen Emmer's Asymmetrical Dot)—Dig Deeper• Artist and Albums:Visit Stephen Emmer at stephenemmer.com and follow him on Bluesky, Instagram, and YouTubePurchase Stephen Emmer's album Asymmetrical Dot from Bandcamp or Qobuz and listen on your streaming platform of choiceThe two previous installments in the 'introspective trilogy': Maison Melody (2020) and Mt. Mundane (2024)• Key Collaborators:Tony Visconti — Producer of Recitement; longtime producer of David BowieBeth Hirsch — Vocalist and co-writer on Asymmetrical Dot, Track 5; best known for AIR's Moon SafariFernando Aponte — Grammy-winning mixing engineer, HoustonEverton Nelson — Concertmaster and violinist; has performed with the LSO, BBC Concert Orchestra, and on recordings for Radiohead, U2, and Paul McCartneyPatricia Sullivan — Mastering engineer at Bernie Grundman Mastering, Los Angeles• *Recitement* and Its Voices:Recitement — Emmer's 2007 spoken-word album, produced by Tony Visconti.Ken Nordine — Voice-over artist and "Word Jazz" pioneer; voiced "Absolutely Grey" on RecitementColors — Ken Nordine's 1966 album, originally commissioned as radio spots for the Fuller Paint CompanyLou Reed — Rock musician and poet; voiced "Passengers" on RecitementAllen Ginsberg — Beat poet; voiced "Disconnected" on RecitementRichard Burton — Welsh actor; voiced "The Leaden Echo" and "Boy with a Cart" on Recitement• Musical Influences and References:Gamelan — Traditional Indonesian percussion ensemble; central to the sonic concept of Asymmetrical DotDave Brubeck — American jazz pianist; one of the first musicians Emmer heard as a child, via his mother's ballet teachingHeitor Villa-Lobos — Brazilian composer; among the diverse influences Emmer's mother brought to her ballet classesClaude Debussy and Gamelan — Referenced by Emmer as a historical predecessor in integrating gamelan into Western composition• Contextual References:Holiday on Ice — International touring ice show for which Emmer served as music directorMotörhead — British heavy metal band; Emmer's hearing damage traces to a backstage encounter with their sound systemCharles Ives — American modernist composer who ran a successful insurance business alongside his musical career; referenced in the episode's discussion of portfolio careersAmbon, Indonesia — Island in the Maluku province of Indonesia, historically known as Amboina; birthplace of Emmer's mother and inspiration for the album's track "Amboina (for Roekie Aronds)"—Dig into this episode's complete show notes at podcast.thetonearm.com—• Did you enjoy this episode? Please share it with a friend! You can also rate The Tonearm ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of The Tonearm in your podcast app of choice. • Looking for more? Visit podcast.thetonearm.com for bonus content, web-only interviews + features, and the Talk Of The Tonearm email newsletter. You can also follow us on Bluesky, Mastodon, YouTube, and LinkedIn. • Be sure to bookmark our online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.

Today's podcast is brought to you by a couple of big cheeses, a couple of real movers and shakers in the audio game. Because Elis and John have redefined what it means to give a keynote presentation at a podcast industry event.Elis will be pushing back on whatever you say, and John won't be wearing no lanyard for no one; he's the Lou Reed of the podcast-first-radio-second generation.But what of Producer Dave? Well he's been banned from doing any DIY (read: superglueing things to walls) by his wife, so that's freed up a lot of his time.Elsewhere there's some intense Cymru Connecting, and a controversial crisp-based Made Up Game involving everyone's favourite owner of a bell tower.Got an important message to send Canope Fibbs, the CEO of Rubadubdub Productions? Send it to us at hello@elisandjohn.com, and we'll make sure he gets it.For lots of exclusive EJJR #content, join our Patreon at patreon.com/elisandjohn.For weekly visual highlights, head to youtube.com/@elisandjohn.For everything else, head to elisandjohn.com.The Elis James and John Robins Show is a Significant Production. Hosted on Acast. See acast.com/privacy for more information.

Lydia Lunch unpacks the raw origins of No Wave, her squatting-and-surviving New York story, and why after five decades of confrontational art, pleasure remains the ultimate rebellion. Australian tour tickets and show info here. Topics Include: Lydia Lunch is touring Australia and New Zealand in June She's performing Suicide and Alan Vega covers across multiple cities Australia holds deep personal meaning — Roland S. Howard, Tex Perkins, lifelong friends Lydia considers herself a comedian; most people are just too afraid to laugh Words are her primary art — music is just the machine gun She sleeps in two-hour shifts and wakes famished at 5am every day Creativity has no fixed time — she writes song lyrics in five minutes flat She self-publishes through 48-hour printing, selling books for $20, cost $4 True crime forensics and Matthew McConaughey in Magic Mike are her guilty pleasures Daily she rotates between war, politics, and apocalyptic comedy — Dear Ivanka included She's actively promoting new bands: Genra's Death, Bog Creeper, New City Slang Instrumental music — Budos Band, Yusef Lateef, Baba Zula — is her listening diet Suicide and Mars were already playing when she arrived in New York Suicide actually coined the term "punk rock" on flyers back in 1972 No Wave wasn't a movement — it was personal insanity in a decaying city The name "No Wave" just came out of her mouth in one interview If you couldn't play, you had to be brutally tight — or else She taught a homeless man she'd befriended to play drums for Teenage Jesus Teenage Jesus songs were written on a borrowed bass she barely understood She squatted an abandoned Tribeca building, running electricity from neighbours to rehearse Teenage Jesus singles on Migraine Records likely preceded the No New York compilation Beirut Slump was horror rock — described as a slug over a razor blade She arrived in New York with $200, a suitcase, and zero contacts Seeing Suicide at Max's Kansas City with ten people changed everything instantly Martin Rev gave teenage Lydia vitamins; Alan Vega was leather-bound and irresistible She boycotted Bowie and Iggy in Rochester — accidentally saving them from a drug bust Mick Ronson's Slaughter on 10th Avenue: the glam record Bowie quietly stole from Lou Reed — always a dick; Warhol — vapid, but his car crashes were great She owns every recording, every publishing right — everything she's ever made Her reward for a lifetime of rebellion: pleasure, rage, and zero regrets High resolution version of this podcast is available at: www.Patreon.com/VinylGuide Apple: https://tinyurl.com/tvg-ios Spotify: https://tinyurl.com/tvg-spot Amazon Music: https://tinyurl.com/tvg-amazon Support the show at Patreon.com/VinylGuide

This is a first for All Time Top Ten. For Top Ten Fuzzbee All-Stars, our special guest Fuzzbee Morse has the entire top ten list all to himself, and boy is it deserved. One of the greatest musical minds on the planet, Fuzzbee Morse has led a Zelig-esque existence complete with amazing recordings and live performances with some of the greatest rock stars, thieves and rascals in music history. Fuzzbee is putting together his memoir, and in honor of this, we talked about some his mind-blowing experiences with the cream of the crop in music. His All-Stars are the heaviest of heavy hitters, and the stories about his adventures with them have to be heard to be believed. Picks 10-6 are featured here in Part 1.For more Fuzzbee, consult your local https://www.fuzzbee.com/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. Emergency Pod 28 is out now, June 1st, featuring the Queen Of Emergency Pod, the great Shannon Hurley! Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting about music over on the ATTT Facebook Group. Join us and start a conversation about music! https://www.facebook.com/groups/940749894391295The official ATTT1000 In Reverse playlist is here, featuring our list of the 1,000 Greatest Songs We've Ever Heard, presented in reverse order - from 1 - 1,000. Follow along here:https://open.spotify.com/playlist/6dlj1XfYJdciz6GIORYWkM?si=74d675e86ba342f8

Music critic Barry Walters joins co-hosts Whitney Terrell and Christian Barter to discuss his new book, Mighty Real: A History of LGBTQ Music 1969-2000. Walters talks about how he chose the artists that he includes in his book and explains how musicians like David Bowie, Lou Reed, Grace Jones, and Sylvester saved his life. He explores how social repression shaped and complicated work from LGBTQ bands, how queer acts like Queen were pigeonholed by music critics, and how mainstream groups like Nirvana spoke to the LGBTQ experience. He talks about his personal connection to Madonna's work and reads from Mighty Real.To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/This podcast is produced by Christian Barter and Whitney Terrell.Barry WaltersMighty Real: A History of LGBTQ Music 1969-2000“George Michael's ‘Father Figure': When Love Meets Crime”|Billboard, Oct. 26, 2017“Madonna's ‘Erotica,' ‘Sex': Why Musical Masterpiece, Defiant Book Still Matter”| Rolling Stone, Oct. 19, 2017“As Much As I Can, As Black As I Am: The Queer History of Grace Jones”|Pitchfork, August 25, 2015“Sylvester: Staying Alive”|The Village Voice, Nov. 8, 1988OthersCity Boy: My Life in New York During the 1960s and '70s by Edmund WhiteSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's been many years and many albums since our introduction to Denmark's Kashmir, and while the line-up stayed the same, the sound has evolved. This time we check out the 2005 album No Balance Palace, with a studio legend (Tony Visconti) behind the board, and two more legends (David Bowie and Lou Reed) making appearances. Kashmir didn't work for us the first time around, will maturity and a trio of big names help us connect with the band?   Songs In This Episode Intro - Jewel Drop 9:14 - Kalifornia 11:26 - The Cynic 14:14 - The Curse Of Being A Girl 26:09 - She's Made Of Chalk 21:33 - Snowman 28:21 - Black Building Outro - No Balance Palace   Support the podcast, join the DMO UNION at Patreon. Listen to the episode archive at DigMeOutPodcast.com.

In this episode we return to the Mudd Club, NYC's ‘intense laboratory' of cinema, performance, dance and music. We hear about how this new kind of club fused these various media in novel ways, both as a day-to-day scene hang out spot and a site of never-ending unusual parties (‘Rock'n'Roll Funeral Ball Extravaganza' anyone?). Tim and Jeremy detail the movement of artists into the East Village in the late 70s, the Fluxus inspiration for the Club's goings on, and throw a little light on another less well-remembered venue, Club 57.Elsewhere in the episode the guys talk about The Cure, Lou Reed, retromania and cable TV, whilst also spending a moment on the legacy of Anita Sarko, a much-loved DJ on the scene.Produced by Matt Huxley.Patreon.com/LoveMessagePod.Loveisthemessagepod.co.uk.Tracklist:Shrapnel - Combat Love Policeband - Mono The Cure - Killing an Arab Lou Reed - Vicious Bobby Freeman - Betty Lou Got a New Pair of Shoes 

This week, hosts Jim DeRogatis and Greg Kot talk with biographer Will Hermes about his book on Lou Reed, as well as Lou's music, persona, legacy and more.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Lou Reed, "Walk on the Wild Side," Transformer, RCA, 1972The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967The Velvet Underground and Nico, "Sunday Morning," The Velvet Underground & Nico, Verve, 1967The Velvet Underground and Nico, "Heroin," The Velvet Underground & Nico, Verve, 1967The Velvet Underground, "Pale Blue Eyes," The Velvet Underground, MGM, 1969Lou Reed, "Coney Island Baby," Coney Island Baby, RCA, 1975The Velvet Underground, "Some Kinda Love," The Velvet Underground, MGM, 1969Lou Reed, "How Do You Think It Feels," Berlin, RCA, 1973Lou Reed, "Perfect Day," Transformer, RCA, 1972The Velvet Underground, "Sweet Jane," Loaded, Cotillion, 1970The Velvet Underground and Nico, "I'll Be Your Mirror," The Velvet Underground & Nico, Verve, 1967The Velvet Underground, "Candy Says," The Velvet Underground, MGM, 1969Pixies, "Here Comes Your Man," Doolittle, 4AD and Elektra, 1989See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

NO ADS - 25 CENTS A DAY ON PATREON!($8 a month) www.patreon.com/dopeypodcast This week on the replay! We open this Monday's show by reflecting on starting Dopey with Chris after meeting at Mountainside rehab and why replaying old episodes helps newer listeners understand Chris and the origins of the show. He then reads a long email from listener “Panda,” who says Dopey inspired him to start Couch to 5K and enter a Prospect Park race. Panda shares a brutally honest story about functioning alcoholism, drinking half bottles of liquor nightly, secret crack binges in Manhattan, and eventually quitting alcohol after deep ayahuasca experiences. He explains that psychedelics and microdosing have helped his recovery, while admitting the topic is controversial. Dave reacts with curiosity, jokes, and confusion over the word “mitigable.” Next comes a voicemail from Lauren describing detox desperation: buying dope inside treatment and discovering the syringe she borrowed had been smuggled in someone's butt. Then Dave launches classic Dopey episode 24 featuring vintage Dave and Chris in full chaotic chemistry. They discuss the documentary The Wolf Pack, mock HBO's Vinyl, and tell reckless stories about reviving overdosing addicts by injecting coke. Chris describes the “bell ringer” rush of shooting cocaine while Dave admits he mostly sniffed it. They read an email from listener Emily, leading to one of Chris's most absurd moments — replying that he'd “rest his anus on the microphone and blow you a kiss.” Dave is horrified. The show turns serious when Chris explains how rehab finally worked: he stopped pretending he knew everything, listened to a counselor, and followed directions. Then they remember Francis, a brilliant young musician they met in rehab who openly said he planned to get high after treatment and later died from overdose. Dave returns in present day with Billy Baroo (Randy Robles), one of the first Dopey superfans, who says he has listened since 2016, is still sober, and believes Dopey is better than ever. He praises Dave's growth as an interviewer and the emotional power of replaying old episodes with Chris.  ALL THAT AND PROBABLY MORE! on a brand new episode of a 10 year old Dopey show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Adam talks with Damon Albarn and Jamie Hewlett of Gorillaz about not giving a f**k, being born in the 60s and growing up in the 70s and 80s, duetting with Mark E Smith and Lou Reed, why Damon isn't as impressed by Van Morrison and Coldplay as Adam is, partying too hard with Ant and Dec, trying to get The Spice Girls into Stockhausen, Dads, the new Gorillaz album 'The Mountain' and the experience of trying to make peace with mortality in India that inspired it.Conversation recorded face-to-face in London on 22nd January, 2026THE ADAM BUXTON BAND SPRING 2026 TOUR BUG BOWIE SPECIAL @ THE LIGHTROOMSAILY