Podcasts about Renaissance

Stéphane Bern raconte, en ce vendredi, non pas le dernier repas du Christ avec ses apôtres, mais la célébrissime peinture que le génie Léonard de Vinci, aussi imprévisible qu'insaisissable, en a fait : la Cène, l'immense chef-d'œuvre de la Renaissance et l'une des œuvres d'art les plus mythiques – et mystiques – de tous les temps… En quoi la vision de La Cène de Léonard de Vinci est-elle complètement nouvelle ? Comment a-t-il réussi à rendre “vivante” son œuvre ? Comment expliquer qu'autant d'énigmes continuent de l'entourer ? Pour en parler, Stéphane Bern reçoit Vincent Delieuvin, conservateur en chef chargé de la peinture italienne du 16ᵉ siècle au Musée du Louvre. Au Cœur de l'Histoire est réalisée par Pierre Cazalot. Rédaction en chef : Benjamin Delsol. Auteur du récit : Eloi Audoin-Rouzeau. Journaliste : Clara Leger.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Fr. Francisco Nahoe, OFM Conv. has served the Church and the Franciscan Order in Catholic education, campus ministry, parochial ministry and catechesis. He is a chaplain at Thomas Aquinas College in Santa Paula, California and focuses his scholarly efforts on Renaissance rhetoric and Polynesian ethnohistory. In Today's Show: Why is God going to kill Moses according to Exodus 4:24-26? Recovering scattered ashes of a cremated family member for proper burial Can we offer Holy Communion for the conversion and salvation of a friend? There are no traditional Latin Masses in my diocese anymore. Without going into too much detail, the only nearby parish uses inclusive language, lay preaching, and abuses the liturgy regularly. Am I still obligated to attend Mass there on Sundays, or would it be spiritually harmful (even potentially scandalous) to do so? How many prayers are required to free someone from purgatory? Also, does sprinkling holy water on the ground release them according to popular belief? Canon 1250 says Fridays are penitential days, and 1251 says abstinence (not penance) is dispensed on a solemnity. So, tomorrow it's legally permissible to eat meat, but is some penance still required? When we pray the rosary and dedicate a mystery to someone, how are we to focus our intention; solely on the mystery? Are we straying if we focus too much on the person we are praying for? Might Father have recommendations or advice on how to study, particularly the writings of St. Thomas and things regarding the faith and philosophy? What's your view on proper dress at Mass? Our parish is very casual, but I've heard modesty is especially important in traditional circles. And, what would be considered proper dress? (FUNNY STORY!) Visit the show page at thestationofthecross.com/askapriest to listen live, check out the weekly lineup, listen to podcasts of past episodes, watch live video, find show resources, sign up for our mailing list of upcoming shows, and submit your question for Father!

We have long thought of the Celts (or Gauls) as the antithesis of the ""civilized"" cultures of the Mediterranean, but new research shows that they were building cities and states at the same time as cities like Rome and Athens were becoming the places we know today.Patrick's book is now available! Get The Verge: Reformation, Renaissance, and Forty Years that Shook the World in hardcopy, ebook, or audiobook (read by Patrick) here: https://bit.ly/PWverge. And check out Patrick's new podcast The Pursuit of Dadliness! It's all about “Dad Culture,” and Patrick will interview some fascinating guests about everything from tall wooden ships to smoked meats to comfortable sneakers to history, sports, culture, and politics. https://bit.ly/PWtPoDListen to new episodes 1 week early, to exclusive seasons 1 and 2, and to all episodes ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App https://wondery.app.link/tidesofhistoryBe the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Based on his book, Renaissance, Os Guinness calls the current generation the “crunch generation” because the many challenges facing today’s world are converging quickly and need resolution. He asks Christians to pay “focused attention” to listening to non-believers around them in order to connect. Os advises believers to think deeply for themselves when it comes to loving God with their minds. When witnessing, they must ask questions to those questioning Christianity, rather than making statements, allowing the non-believer to think and come to their own discovery of salvation in Jesus. Receive a copy of Renaissance and an audio download of "Reviving the Church to Change the World" for your donation of any amount! Plus, receive member-exclusive benefits when you make a recurring gift today. Your monthly support helps families thrive. Get More Episode Resources If you enjoyed listening to Focus on the Family with Jim Daly, please give us your feedback.

In art history, the pastoral has long offered a vision of nature as sanctuary—Arcadian meadows, idyllic countrysides, and timeless landscapes painted as if untouched by human conflict or change. It is a mode steeped in longing, often idealizing rural life as a place of harmony, simplicity, and beauty. From the verdant backdrops of Renaissance allegories to the sunlit fields of 19th-century landscape painting, the pastoral tradition has provided generations of artists and their audiences a gentle escape from the turbulence of urban and political life. You can still see these scenes in their full, romantic bloom at institutions like the Met in New York or the Louvre in Paris, where they stand as visions of a perfect, almost mythical world. Today, however, a different strain of pastoral is taking root—one that resists the urge to smooth over complexity. My sharp-eyed colleague Katie White has spotted a cohort of contemporary artists who are engaging with pastoral imagery in ways that raise the stakes, bringing the countryside into conversation with the crises and contradictions of the present. She's dubbed this approach the para-pastoral, a genre that does not retreat into a calm and untroubled countryside but instead ventures into ambiguous, layered, and sometimes unsettling terrains. According to Katie, this new approach reframes the landscape not as a static refuge but as a charged space, marked by ecological urgency, political tension, and social change. Rather than romanticizing, the para-pastoral interrogates: Who has access to land? What histories does it conceal? How do rural spaces fit into the global story of climate and capitalism? Katie joins senior editor Kate Brown on the podcast to trace the history of pastoral art and explore the tense, resonant present of the para-pastoral. Together, we'll look at what's fueling the genre's resurgence, the social and environmental urgencies shaping it, and how artists are reimagining the natural landscape—not as a refuge from reality, but as a mirror of it.

The building that houses the Bargello Museum in Florence, Italy,  is the earliest example of civic architecture in Florence, built in 1255. Today it houses one of the world's greatest collections of Renaissance sculpture, including works by Donatello, Ghiberti, Brunelleschi, Verrocchio, Michelangelo, Giambologna, and Bernini.

How a Lagoon City Became a Crossroads of Cultures Venice is often celebrated for its shimmering canals, magnificent architecture, and enduring romance. But during the Renaissance, this improbable city built in a lagoon was more than just a beautiful backdrop—it was one of Europe's most important hubs for commerce, culture, and, above all, migration. And this extended to Venetian cuisine, a direct product of migration....

Nestled on the banks of the Eure River, the Château de Maintenon boasts a history that long predates the arrival of its most famous resident, the Marquise. From the medieval fortress of the Amaury family to the Renaissance residence crafted by Jean Cottereau, treasurer to Louis XII, the estate has seen transformations, financial turmoil, and architectural renewal. Drawing on archival records, recent excavations that uncovered the true date of the square tower, and the moving testimony of the Raindre couple — the château's last private heirs — this episode delves into the art of stewarding a demanding heritage. A chronicle where bravery, memory, and stone are inextricably intertwined.Image teaser DR © 1T2K (capture vidéo)Sound : Com d'Archi podcast____If you like the podcast do not hesitate:. to subscribe so you don't miss the next episodes,. to leave us stars and a comment :-),. to follow us on Instagram @comdarchipodcast to find beautiful images, always chosen with care, so as to enrich your view on the subject.Nice week to all of you ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

“Why do we have to go to school?” It’s a question almost every parent has heard. In this episode, Pastor Chris Kipp answers it through the lens of Proverbs 22:6, showing why education has mattered to Christians from the very beginning. Along the way, Chris honors the vital work of educators and challenges the whole body of Christ to embrace our shared calling to shape the next generation. Renaissance Church - Richmond, Texas ren-church.org #alloflifealltheearth #walkgrowlive #jesus #backtoschool #teachers

Subscribe to Bad Faith on Patreon to instantly unlock this episode and our entire premium episode library: http://patreon.com/badfaithpodcast Hubert Henry Harrison was a writer, orator, & political activist who played a crucial role in the rise of Marcus Garvey and was a influential voice in the Socialist Party and in Harlem during the famed "Renaissance" of the early 20th century. And yet, as Dr. Brian Kwoba argues, Harrison has largely been erased from contemporary memory because he consistently challenged orthodoxy within both socialist and Black liberation circles, pressuring the Socialist Party to attend to the specific needs of America's most proletarian group -- Black Americans -- and scrapping with W. E. B. Du Bois and Marcus Garvey over their reformist and imperialist turns, respectively. Harrison and his erasure provide a stunning example of what happens to leftist figures who are not so easily sanitized, and Kwoba's book Hubert Harrison: Forbidden Genius of Black Radicalism reveals a history that we are regrettably reliving today. This episode addresses how to break the cycle of the endless "race first vs. class first" debate, Harrison's heterodox views on sex and non-monogamy, & more. Subscribe to Bad Faith on YouTube for video of this episode. Find Bad Faith on Twitter (@badfaithpod) and Instagram (@badfaithpod).

Michelangelo was a Renaissance master whose work redefined art, sculpture, and architecture. Known for the Sistine Chapel ceiling, the statue of David, and The Last Judgment, his art combines technical brilliance with deep emotion and religious power. He saw himself as a sculptor first but left an impact in every medium he touched. This episode explores his life, his creative genius, and how his work continues to shape how we see beauty and human potential.

Tonight, we'll read about selecting wood from “Violin Making” written by Walter H. Mayson and published in 1909. The modern violin first appeared in 16th-century Italy, evolving from earlier bowed string instruments like the medieval rebec and Renaissance viol. Over time, it became both a tool of virtuosity and an object of cultural symbolism, equally at home in a grand concert hall or a lively village square. While the word “fiddle” is often used interchangeably with “violin,” its music spans a surprisingly wide range—from Western classical to folk, country, jazz, and even many non-Western traditions. For centuries, violinists and collectors have prized instruments made by legendary families such as Amati, Guarneri, and Stradivari. These instruments inspire almost mythic reverence for their tone and craftsmanship, with qualities that have resisted precise scientific explanation. While modern luthiers continue to challenge the old masters, a Stradivari remains a benchmark of beauty and rarity—one selling for £9.8 million (about $15.9 million US) in 2011 still holds the record. Walter H. Mayson, the author of tonight's text, was an English violin maker who entered the craft relatively late in life, beginning at the age of 39. His book, published after his death, distills a lifetime's devotion to the art, offering practical instruction and insights into the materials and methods behind the making of fine violins. In this excerpt, he turns his attention to one of the most crucial stages of the process—choosing the wood itself. — read by 'V' — Sign up for Snoozecast+ to get expanded, ad-free access by going to snoozecast.com/plus! Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode Pre-Recorded before Everett started podcasting. This show was never released, but I wanted to release it now as a tribute to show how far he has come in podcasting in such a short time. I am so proud of him and super pumped to see his success!! Congratulations, brother! In this episode of the HVAC Uncensored Podcast, Gil talks with good friend Everett Lippel. Everett is a Renaissance man in the HVAC field, from Technician to Sales, from HVAC management to supply house management. He has started a new podcast called Sales Tales In this episode of the HVAC Uncensored Podcast, Gil chats with his good friend Everett Lippel. Everett is a true Renaissance man, spanning roles from Technician to Sales, and from HVAC management to supply house management. He has launched a new podcast called Sales Tales, where he and his guests share different stories about customer interaction in the HVAC industry and various aspects of in-home sales. Join us live and feel free to ask any questions you may have! We'll be sharing stories from our guests about their experiences with customer interactions and various aspects of in-home sales. Come check it out live and feel free to ask any questions you may have!!         =====Don't Forget To Follow The Podcast On Social Media To Stay Up To Date=======       The easiest way to find all links is to go to https://www.hvacuncensored.com or https://www.poplme.co/hvacuncensored     *****Please Show Some Love To The Amazing Show Sponsors/Partners*******       YELLOW JACKET    https://www.yellowjacket.com    COMPANYCAM   https://www.companycam.com/hvacuncensored    GET A FREE 14-DAY TRIAL, THEN 50% OFF YOUR FIRST 2 MONTHS    HVAC TACTICAL    https://www.hvactactical.com   USE DISCOUNT CODE (HVACUNCENSORED) & SAVE 20% ON YOUR ORDER   HOUSECALL PRO   https://www.housecallpro.com/hvac-uncensored/   VETO PRO PAC   https://www.vetopropac.com/    HOMEPROS   https://www.readhomepros.com   CAMEL CITY MILL    https://www.camelcitymill.com/UNCENSORED10   USE DISCOUNT CODE (UNCENSORED10) & SAVE 10% ON YOUR ORDER   LOKAL   https://www.lokalhq.com                                   FIND ALL HVAC UNCENSORED MERCH AT https://www.hvacuncensored.com/

The God Who Restores   Manny Dominguez    Jonah 3 & 4   God can restore you, no matter what you've been through.   Give to support the ministry of Renaissance Church: https://renaissancenyc.com/give   Keep up with Renaissance by filling out a connection card: https://renaissancenyc.ccbchurch.com/goto/forms/5/responses/new

Baseball's Danny Gardella was no ordinary ballplayer. A compact powerhouse — “not much taller than a fire hydrant,” yet a left-handed pull hitter with undeniable talent — he hit .267 with 24 homers and 85 RBIs in just 169 Major League Baseball games. That blazing two-year stretch with the New York Giants in 1944–45 proved his major-league mettle. But Gardella's story didn't end in the box score. Humble and working-class, he was a true Renaissance man — writing poetry, quoting Shakespeare, Freud, and Dewey, singing opera and vaudeville, boxing Golden Gloves, and defying gravity with acrobatic stunts in the clubhouse and on the field. When many veterans returned after World War II, Gardella's once-promising career faltered. Faced with limited opportunities and bound by baseball's reserve clause, he made a bold move — “jumping” to the Mexican League's Azules de Veracruz in 1946. That leap didn't just cost him his place in Organized Baseball — it catalyzed his fight for justice. In "Dangerous Danny Gardella: Baseball's Neglected Trailblazer for Today's Millionaire Athletes," author Rob Elias recounts how this “little-known but remarkable ballplayer” took the sport's reserve clause to court, sparking a legal battle that would echo through decades. Gardella's act of defiance set the stage in later years for Curt Flood, Marvin Miller, and the struggle for free agency — and ultimately helped birth the modern MLB Players Association. It's a compelling blend of baseball lore, legal drama, and the human story of a forgotten pioneer who dared to challenge the game — and, eventually, changed it forever. PLUS: "Gardella Gardens" - the upper left-field balcony section of the old Polo Grounds, where ardent Giants fans cheered on their favorite player - affectionately nicknamed "Gardenia".   + + +   SUPPORT THE SHOW: Buy Us a Coffee: https://ko-fi.com/goodseatsstillavailable "Good Seats" Store: https://www.teepublic.com/stores/good-seats-still-avalable?ref_id=35106 BUY THE BOOK (AND SUPPORT THE SHOW!):   "Dangerous Danny Gardella: Baseball's Neglected Trailblazer for Today's Millionaire Athletes": https://amzn.to/4m7tklY   SPONSOR THANKS (AND SUPPORT THE SHOW!):  Old Fort Baseball Co. (15% off promo code: GOODSEATS): https://www.oldfortbaseballco.com/?ref=seats   Royal Retros (10% off promo code: SEATS): https://www.503-sports.com?aff=2   Old School Shirts.com (10% off promo code: GOODSEATS): https://oldschoolshirts.com/goodseats  Yinzylvania (20% off promo code: GOODSEATSSTILLAVAILABLE): https://yinzylvania.com/GOODSEATSSTILLAVAILABLE   417 Helmets (10% off promo code: GOODSEATS): https://417helmets.com/?wpam_id=3 FIND AND FOLLOW: Linktree: https://linktr.ee/GoodSeatsStillAvailable Web: https://goodseatsstillavailable.com/ Bluesky: https://bsky.app/profile/goodseatsstillavailable.com X/Twitter: https://twitter.com/GoodSeatsStill YouTube: https://www.youtube.com/@goodseatsstillavailable Threads: https://www.threads.net/@goodseatsstillavailable Instagram: https://www.instagram.com/goodseatsstillavailable/ Facebook: https://www.facebook.com/GoodSeatsStillAvailable/ LinkedIn: https://www.linkedin.com/company/good-seats-still-available/

Send us a textThis week, we're bringing you something special—the live recording of my recent conversation with Kimeran Johnson, COO of NexusPoint, all about one of the most underrated growth strategies in business: delegation.We dive into how shifting from “doing it all” to strategically handing things off can unlock time, profit, and peace of mind. I also share my own journey with delegation—how one intentional hire gave me the space to take a business course, land and onboard some of our biggest (and most aligned) clients, spend more time with my family, and create the white space needed to actually grow Renaissance Marketing Group.Whether you're a founder who's burning out or a leader ready to step into your zone of genius, this conversation will give you the mindset shifts and tactical steps you need to scale with confidence.Presented in Partnership with NexusPointFeeling overwhelmed in your business? If you're stuck in the weeds, NexusPoint helps founders streamline operations and integrate global talent—so you can lead like a CEO, not just survive like an operator.  Exclusive for The Renaissance Podcast listeners: Get your $500 recruiting fee waived.  Book your free consult: go.nexuspt.io/rmgSupport the showAbout The Host:Sydney Dozier, the visionary behind Renaissance Marketing Group, has been at the forefront of social media excellence since the agency's inception in 2014. Over the past 10 years, Sydney has cultivated a full-fledged team of social media aficionados and creative minds, elevating Renaissance to its current status as one of Nashville's premier agencies. With an extensive and diverse clientele, they've consistently delivered exceptional results. From coast to coast, Renaissance offers a comprehensive suite of services, spanning social media management, strategic guidance, content creation, paid digital advertising, email marketing, influencer partnerships, graphic design, branding, in-house professional photography and videography, and beyond. Their mission is simple: to drive optimal revenue and online growth while consistently surpassing client expectations. Beyond her role as a business maven, Sydney wears multiple hats. She hosts The Renaissance Podcast, an enlightening resource for entrepreneurs seeking to spark a modern-day Renaissance in their lives and businesses. Her passion for championing women in business gave rise to The Mona Lisa Foundation, a nonprofit organization committed to supporting and accelerating women entrepreneurs in Nashville through mentorship, grants, education, and a vibrant community. Sydney is also the driving force behind The Renaissance Women's Summit, an annual...

Niché au bord de l'Eure, le château de Maintenon possède une histoire bien antérieure à l'arrivée de sa plus célèbre occupante, la Marquise. De la forteresse médiévale des Amaury à la demeure Renaissance façonnée par Jean Cottereau, trésorier de Louis XII, le domaine a connu transformations, revers financiers et renouveau architectural. S'appuyant sur les archives, les fouilles récentes révélant la véritable datation de la tour carrée, et le témoignage émouvant du couple Raindre — derniers héritiers privés du château — cet épisode explore l'art de transmettre un patrimoine exigeant. Une chronique où bravoure, mémoire et pierres s'entrelacent !Image teaser DR © 1T2K (capture vidéo)Son : Com d'Archi podcast____Si le podcast COM D'ARCHI vous plaît n'hésitez pas :. à vous abonner pour ne pas rater les prochains épisodes,. à nous laisser des étoiles et un commentaire, :-),. à nous suivre sur Instagram @comdarchipodcast pourretrouver de belles images, toujours choisies avec soin, de manière à enrichirvotre regard sur le sujet.Bonne semaine à tous ! Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Join Rob Fredette on the latest episode of HODGEPOD as he welcomes author Ken Tentarelli to discuss the fascinating world of historical fiction. Tentarelli, who transitioned from a career in engineering to writing, shares his journey into becoming an author and the inspiration behind his historical mystery series set during the Italian Renaissance. Following their love for travel through Italy, Tenterelli offers insights into the nuances of Italian history, culture, and the authenticity that historians demand from his genre. As they dive into his upcoming book due for release September 25th  "The Blackest Time," listeners get a sneak peek into a story set during the devastating period of the Black Plague. Tentarelli highlights the parallels between past pandemics and modern challenges, emphasizing the human resilience portrayed in his novels. Departing with tales of exploration, both literary and personal, this conversation isn't one to miss for history buffs and fiction enthusiasts alike. www.kententarelli.com The Blackest Time: A Novel of Florence during the Black Plague Paperback will be available on Amazon September 25, 2025. You can preorder now!! RECORDED JULY 6, 2025 Thank you for listening to HODGEPOD which can be heard on APPLE, SPOTIFY, IHEART, AUDACY, TUNEIN and the PODBEAN APP

Join Rob Fredette on the latest episode of HODGEPOD as he welcomes author Ken Tentarelli to discuss the fascinating world of historical fiction. Tentarelli, who transitioned from a career in engineering to writing, shares his journey into becoming an author and the inspiration behind his historical mystery series set during the Italian Renaissance. Following their love for travel through Italy, Tenterelli offers insights into the nuances of Italian history, culture, and the authenticity that historians demand from his genre. As they dive into his upcoming book due for release September 25th  "The Blackest Time," listeners get a sneak peek into a story set during the devastating period of the Black Plague. Tentarelli highlights the parallels between past pandemics and modern challenges, emphasizing the human resilience portrayed in his novels. Departing with tales of exploration, both literary and personal, this conversation isn't one to miss for history buffs and fiction enthusiasts alike. www.kententarelli.com The Blackest Time: A Novel of Florence during the Black Plague Paperback will be available on Amazon September 25, 2025. You can preorder now!! RECORDED JULY 6, 2025 Thank you for listening to HODGEPOD which can be heard on APPLE, SPOTIFY, IHEART, AUDACY, TUNEIN and the PODBEAN APP

Invité : - Karl Olive, député Renaissance des Yvelines Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Invités : - Eric Menassi, maire de Trèbes et président de l'association des maires de l'Aude - Karl Olive, député Renaissance des Yvelines Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Fr. Francisco Nahoe, OFM Conv. has served the Church and the Franciscan Order in Catholic education, campus ministry, parochial ministry and catechesis. He is a chaplain at Thomas Aquinas College in Santa Paula, California and focuses his scholarly efforts on Renaissance rhetoric and Polynesian ethnohistory.   In Today's Show: My nephew is getting married in October. He was raised Catholic, but he and his fiancé have decided not to marry in the church. The ceremony is at the venue and will be officiated by someone who works for the venue. Is it okay for us to attend the wedding? I'd like some detailed direction regarding what a rule of life should look like for a husband/father, especially a beginner, and how to get the family (spouse and children) to start praying and reading as well. Is it possible for celibacy to attract the wrong type of men, such as those with disordered sexual inclinations? What is synodality? What are some of your favorite works of literature and what would you recommend that every Catholic should read in terms of Catholic and non-Catholic literature? Differences in translations of Psalm 78:1 My mother and I have different opinions on why Jesus was sent down to Earth. She says it was to see if man could follow the Ten Commandments, and I say it was to gather up all the sinners and bring them back to God. What is the church's stance on this? Are we both wrong, both right, or a mix of the two?   Visit the show page at thestationofthecross.com/askapriest to listen live, check out the weekly lineup, listen to podcasts of past episodes, watch live video, find show resources, sign up for our mailing list of upcoming shows, and submit your question for Father!

Life on the road shapes a person in unexpected ways, and for Mark Nichols, it's been a journey of reinvention. From his days as a Gulf War veteran to mastering the art of ballroom dancing, Mark has always embraced new challenges. Now, he's blazing a trail in driveaway trucking, test-driving cutting-edge electric garbage trucks and navigating the ever-evolving world of trucking logistics. In this special video episode of Six-Figure Trucker, Mark shares his insights on the future of electric vehicles, the pressing need for truck parking solutions, and how his nomadic lifestyle fuels both his career and his passion for dance. Join us as we explore the road less traveled with a true Renaissance man.Show Notes:YouTube: https://bit.ly/4mcbNsYWelcoming Mark Nichols to our first video episode of Six-Figure Trucker (0:27)Testing the future: Mark's experience driving electric garbage trucks (0:52)How regenerative braking transforms the driving experience (2:12)The challenge of finding safe truck parking in the age of electronic logs (10:56)Mark's take on proposed Amtrak rail solutions for trucking (26:20)From Gulf War to ballroom dancing: Mark's unique journey (32:44)Living the nomadic life: Tiny homes, hotel rooms, and the open road (38:47)Keep Trucking, Mark! The Six-Figure Trucker is a weekly podcast about driveaway trucking brought to you by Norton Transport. For more information or to subscribe, please visit Six-FigureTrucker.com.

In this clip from this week's full episode, I sit down with Dr. Judith Joseph to explore the nuances of high functioning depression, a condition still not widely recognised by the medical community. We discuss the critical role of identifying early signs and symptoms, such as anhedonia and psychomotor agitation, before they escalate into a crisis. Dr. Joseph highlights the disparity between advancements in physical and mental health approaches and stresses the importance of incorporating daily moments of joy to achieve a balanced and fulfilling life. Tune in for practical advice on how to manage success without sacrificing happiness. 00:00 Understanding Anhedonia and High Functioning Depression 00:47 The Renaissance in Physical Health vs. Mental Health 01:31 Identifying Signs of High Functioning Depression 02:43 The Impact of Restlessness on Joy 06:16 Balancing Success and Joy 08:49 The Role of Gratitude and Other Emotions in Happiness

In this episode, host Ellie Woodacre interviews Emma Cahill Marrón about her pop up exhibition at the British Museum 'Faces of Eternity'. We discuss the items features, the iconography of Renaissance royal women, the use of medals and coins as propaganda and Mary I Tudor as both a English and Spanish queen. This mini exhibition will be running until mid-October 2025 in the Money Gallery at the British Museum, room 68, case 10. Here is a link to a short video of Ellie and Emma visiting the exhibition in London.Guest Bio: Dr Emma Cahill Marrón is an art historian who specialises in queenly iconography and patronage, with a particular focus on Katherine of Aragon. She completed her PhD at the University of Murcia (Spain) and is part of the research group there, 'Arte, Poder y Genéro' and the 'Mefer' project led by Noelia Garcia Perez. For more on her upcoming publications and events, see below:o   To learn all about the women mentioned in the interview this summer tune in every Thursday to the series series ‘Parallel Lives' in Dr. Emma & Me in the Tudors Dynasty Podcast.o   This fall Emma will be collaborating with Rebecca Larson from Tudors Dynasty & Beyond to bring you a six-week course titled Katherine of Aragon: Forging a Queen. Send an email to dremmaandme@gmail.com to get all the details about this new course!For more follow Emma on social media (X, Bluesky, Insta)o   Dr. Emma Luisa Cahill MarrónX: @EmmaLCahillInstagram: @emmacahillmarrono   Arte, Poder, GéneroX: @artepodergeneroInstagram: @artepodergenero

Most people today remember the Roman aristocratic woman Clodia as the target of one of Cicero's nastiest works, but Douglas Boin has written a wonderful new book - Clodia of Rome - that recovers just how central she was to the political networks of the late Roman Republic. Clodia was a woman in a world of men and a truly principled reformer, and exploring her story tells us an extraordinary amount about a time and place we thought we knew so well.Patrick's book is now available! Get The Verge: Reformation, Renaissance, and Forty Years that Shook the World in hardcopy, ebook, or audiobook (read by Patrick) here: https://bit.ly/PWverge. And check out Patrick's new podcast The Pursuit of Dadliness! It's all about “Dad Culture,” and Patrick will interview some fascinating guests about everything from tall wooden ships to smoked meats to comfortable sneakers to history, sports, culture, and politics. https://bit.ly/PWtPoDListen to new episodes 1 week early, to exclusive seasons 1 and 2, and to all episodes ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App https://wondery.app.link/tidesofhistoryBe the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

What if the tale of one night could change the way we view art forever?Professor Suzannah Lipscomb is joined by Dr. Noah Charney to explore the life and legacy of Giorgio Vasari, the man who redefined art as an intellectual pursuit and artists as divine geniuses. They delve into Vasari's influential work and how it shaped our understanding of the Renaissance, artistic genius, and the very structure of art history today.From the tale of a fabricated murder among Renaissance artists to the lasting impact on museum curation and art education, Suzannah and Noah uncover how Vasari's blend of truth and myth continues to influence modern perceptions of creativity and value in art.MORE:Leonardo da Vinci with Ken Burnshttps://open.spotify.com/episode/4Fv8RTd6AWAmMQ7DKYRHcYMichelangelohttps://open.spotify.com/episode/3ocKCFinOdaCZYfBtHoMXnPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

On this week's episode of the Glossy Beauty Podcast, co-host Lexy Lebsack interviews co-host Sara Spruch-Feiner about her recent reporting on the topic, diving into what's fueling K-beauty's renewed popularity, what trending ingredients are capturing attention and how affordability continues to play a key role in the category's appeal. But first, Lebsack and co-host Emily Jensen discuss Martha Stewart's incoming new beauty brand, Elm Biosciences, which was developed with past Glossy Beauty Podcast guest Dr. Dhaval Bhanusali. They also talk about Bath & Body Works's push into college bookstores and Dyson's new styling collection, designed to work alongside its heat styling tools.

Step into one of history's most scandalous chapters as we take a deep dive into "The Borgia Family: History's Most Corrupt Dynasty?" This insightful episode explores the legendary rise and notorious fall of the Borgia family, led by Rodrigo Borgia (Pope Alexander VI) and his ambitious son, Cesare. Known for their daring schemes, ruthless battles, and rumored conspiracies, the Borgias didn't just play the game of power—they rewrote its rules. But were they visionaries, villains, or something in between?Join us for a critical examination of their political maneuvers, from the infamous papal bribery scandal of 1492 to Cesare's relentless quest to unite Italy. We'll unpack their influence on figures like Machiavelli, their impact on Renaissance politics, and their enduring reputation in today's culture. This must-watch episode offers a unique perspective on how their tactics echo in modern power structures, from political dynasties to corporate strategies. As the CEO of Command Your Brand, I'm passionate about uncovering lessons from history that resonate with today's challenges. Together, let's explore what the Borgias' story teaches us about ambition, loyalty, and the cost of power.Join the conversation! Like, comment, and subscribe to support liberty and freedom while staying informed on stories that shape our world. Let's build a community of curious minds ready to question and learn. Don't miss this chance to connect, engage, and reimagine the future. Stay sharp and stay tuned!#renaissance #historydocumentary #lucreziaborgia #medievalhistory #historicalintrigue___________________________________________________________________________⇩ SUPPORT OUR SPONSORS ⇩BRAVE TV HEALTH: Parasites are one of the main reasons that so many of our health problems happen! Guess what? They're more active around the full moon. That's why friend of the Show, Dr. Jason Dean, developed the Full Moon Parasite Protocol. Get 15% off now by using our link: https://bravetv.store/JRSCOMMAND YOUR BRAND: Legacy Media is dying, we fight for the free speech of our clients by placing them on top-rated podcasts as guests. We also have the go-to podcast production team. We are your premier podcast agency. Book a call with our team https://www.commandyourbrand.com/book-a-call MY PILLOW: By FAR one of my favorite products I own for the best night's sleep in the world, unless my four year old jumps on my, the My Pillow. Get up to 66% off select products, including the My Pillow Classic or the new My Pillow 2.0, go to https://www.mypillow.com/cyol or use PROMO CODE: CYOL________________________________________________________________⇩ GET MY BEST SELLING BOOK ⇩Unremarkable to Extraordinary: Ignite Your Passion to Go From Passive Observer to Creator of Your Own Lifehttps://getextraordinarybook.com/________________________________________________________________DOWNLOAD AUDIO PODCAST & GIVE A 5 STAR RATING!:APPLE: https://podcasts.apple.com/us/podcast/the-create-your-own-life-show/id1059619918SPOTIFY: https://open.spotify.com/show/5UFFtmJqBUJHTU6iFch3QU(also available Google Podcasts & wherever else podcasts are streamed_________________________________________________________________⇩ SOCIAL MEDIA ⇩➤ X: https://twitter.com/jeremyryanslate➤ INSTAGRAM https://www.instagram.com/jeremyryanslate➤ FACEBOOK: https://www.facebook.com/jeremyryanslate_________________________________________________________________➤ CONTACT: JEREMY@COMMANDYOURBRAND.COM

The shadow of the First World War hung over the world. The victors were exhausted and the vanquished wanted revenge. We discuss the death of European democracies, the global origins of WWII, and America's reluctant journey to war. -Support the Showhttps://buymeacoffee.com/amhistoryremix-Find the full transcript of this episode including citations at our website:https://www.americanhistoryremix.com/episodeguide/road-to-war-In this episode we cover….Introduction [0:00-02:41]World War I [02:41-07:04]US Returns to Isolationism [07:04-09:15]Italy & the Rise of Mussolini [09:15-11:19]The Philosophy of Fascism [11:19-13:30]Germany's Defeat [13:30-15:29]The Nazi Party [15:29-18:00]The Weimar Republic [18:00-19:51]Failed Nazi Coup [19:51-21:49]Manchuria [21:49-26:40]Nazi Breakthrough [26:40-30:25]Ethiopia [30:25-31:55]American Neutrality [31:55-33:10]The Spanish Civil War & Neutrality [33:10-37:04]Japanese in China [37:04-39:45]German Rearmament & the Rhineland [39:45-41:35] Austria & Czechoslovakia [41:35-45:27]Nazi-Soviet Pact [45:27-46:59]American Response to War [46:59-48:24]Germany Takes Europe [48:24-51:39]Jewish Refugees [51:39-55:19]US Aid to Britain [55:19-57:33]Roosevelt & Third Term [57:33-59:54]Battle of Britain & Destroyer Deal [59:54-01:02:52]America Initiates Draft [01:02:52-01:04:19]Lend-Lease & Atlantic Charter [01:04:19-01:06:40]Germany Invades Soviet Union [01:06:40-01:09:30]Conflict in the Pacific [01:09:30-01:12:31]Roosevelt & Japan [01:12:31-01:15:01]Pearl Harbor [01:15:01-01:16:47]Conclusion [01:16:47-01:19:11]-To dive deeper into these topics (affiliate links):Jane Caplan, ed. Nazi Germany.https://tinyurl.com/Caplan-Nazi-GermanyJustus D. Doenecke and John Edward Wilz, From Isolation to War, 1931-1941.https://tinyurl.com/Doenecke-and-WilzTimothy Snyder, Bloodlands: Europe Between Hitler and Stalin. https://tinyurl.com/Snyder-BloodlandsDavid M. Kennedy, Freedom from Fear: The American People in Depression and War, 1929-1945. https://tinyurl.com/Kennedy-Freedom-from-FearJohn Merriman, A History of Modern Europe: From the Renaissance to the Present.https://tinyurl.com/Merriman-A-History-Support the showSupport the Show https://buymeacoffee.com/amhistoryremix

What do a Renaissance magician, a modern neuroscientist, and a forgotten philosopher of language have in common? In this episode, I dive into a wild, mythically-informed rabbit hole that took me from the Corpus Hermeticum to the divided brain model of Iain McGilchrist and the linguistic revelations of Owen Barfield. Together, these three worldviews—Hermeticism, brain lateralization, and the evolution of consciousness—seem to be providing us with the same message: that the world is not dead, but alive… if only we remember how to see it. This is a journey through magic, metaphysics, language, and psyche—a kind of Jungian time-travel into the heart of our disenchanted world. I explore how perception is not passive but participatory, how imagination might just be the bridge back to meaning, and why the way we attend to reality could be the most urgent moral act of our time. If you've ever felt like something sacred has gone missing, or that the modern world has forgotten how to listen—this episode is for you.

Avant la guerre, le textile syrien était reconnu à travers le monde pour sa qualité, en particulier pour son coton. Le secteur, pilier de l'économie, pesait 12% du PIB. À Alep, la capitale économique, le textile représente 75% de la production et emploie 300 000 personnes. Mais les entreprises ont été, elles aussi, touchées par la guerre et le racket organisé par le régime Assad. Aujourd'hui, la levée annoncée des sanctions internationales redonne espoir aux acteurs de la filière qui rêvent de redevenir la locomotive du développement de la Syrie.  De notre envoyée spéciale à Alep, À Cheikh Najjar, la zone industrielle d'Alep, des entrepôts calcinés côtoient des manufactures reconstruites. Pendant la guerre, la région a été au cœur des combats entre les rebelles et le régime Assad soutenu par son allié russe. À la tête de l'entreprise de textile Al Faisal, Bassam Dawalibi a dû rebâtir son usine en 2017. Celle-ci emploie aujourd'hui 150 personnes et produit 10 tonnes de fil par jour à partir de matières synthétiques importées de Chine, qui ont remplacé le coton syrien. « La matière première que nous utilisons, c'est du polyester qui est fabriqué à partir de pétrole. Malheureusement, la production locale de coton s'est effondrée avec la guerre et on ne pouvait pas s'en procurer facilement. Nous espérons qu'à l'avenir, nous pourrons revenir au coton », explique Bassam Dawalibi, directeur financier de l'entreprise Al Faisal. Avant la guerre, la Syrie était pourtant le troisième producteur de coton au monde. Depuis la chute du régime, les nouvelles autorités libéralisent l'économie à tout va. Les droits de douane ont été réduits et les textiles turcs et chinois inondent le marché, au grand dam de Bassam Dawalibi. Sans de telles mesures, le directeur s'inquiète de devoir plier bagage : « La production nationale fait face à une concurrence injuste et désavantageuse des importations et cela n'a pas été réfléchi. Je souhaite que le gouvernement augmente les droits de douane sur les produits étrangers pour protéger l'industrie locale. » À Alep, les souks pluri-centenaires ont été endommagés ou détruits à 60% d'après l'Unesco. Dans les rues épargnées, la vie reprend, mais les affaires tournent au ralenti. « Actuellement, la situation est en dessous de la moyenne financièrement. Sauf pendant les fêtes ou les saisons où les proches vivant à l'étranger envoient de l'aide. Sinon, il n'y a rien », se désole Ahmad Sawwas, vendeur de vêtements au souk d'Alep. Sur les étals, quelques produits chinois, mais principalement des vêtements assemblés en Syrie à partir de fibres ou de tissus importés. Ici, beaucoup espèrent que la levée des sanctions permettra de relancer la culture du coton syrien et de faire revenir les entrepreneurs en exil.   À lire aussiSyrie: «Ils ont déplacé tous les Bédouins» de Soueïda, même ceux qui n'étaient pas impliqués dans les combats

Undress a mannequin or talk to five strangers, because we are back for our seventh season of new/old Wie is de Mol episodes - and we're going all the way back to 2009's offering in Northern Ireland & Jordan! Over these nine weeks, three guys who are not in that demographic for you - Logan, Michael & Bindles - are recapping and looking back at all that happened on a titanic season that people have been asking us to do for years, continuing with the sixth episode and elimination of Sebastiaan. In this episode - Bindles guesses his intro, Michael has an admission, Pieter Jan misunderstands the word "unique", hours are saved, Bindles is confused by polaroids, Southern Hemisphere countries all sound the same, Sebastiaan has no idea what a woman sounds like, there's an explicit pun, Vivienne demands etiquette, Dennis gets a one-time nickname, we brainstorm a new twist, Sebastiaan gets a eulogy and Logan locks in his final pair of suspects for the season. Thank you for listening - we will see you next week for Episode 7! Please note: This season is intended on being spoiler-free, so please watch the episodes along with us. As with our coverage of Seasons 11, 14, 16 & 17, there are no spoilers due to Logan not having seen the season before. However, any season we have already covered (WIDM 10-11, 14, 16-25 and Renaissance; België 4-13) is fair game though. This episode is supported by our friends over at Zencastr. Create your podcast today! Social Media: Facebook Twitter Instagram YouTube Bluesky Threads Patreon

Charlie Marsh returns to Pybites to introduce ty —Astral's bold new take on Python type checking. Built from the ground up for speed and developer experience, ty is both a command-line tool and language server, powered by Rust's Salsa framework. We dive into how it enables lightning-fast incremental analysis, smarter diagnostics inspired by Rust, and a reimagined type-checking workflow for modern Python projects. Charlie also shares how Astral is tackling broader ecosystem challenges alongside Meta and NVIDIA. Curious? Just run 'uv x ty' and join the future of Python type checking. For more info reach out to Charlie on socials:Notes & Blog Posts: https://notes.crmarsh.com/LinkedIn: https://www.linkedin.com/in/marshcharles/GitHub: https://github.com/charliermarshX: https://x.com/charliermarsh___

Inside INdiana Business Radio for the morning of August 6, 2025. Michigan City's $311 million Sola development will feature a 12-story Renaissance hotel, alongside condos, townhomes and retail. Randolph County Judge Dale Arnett faces 11 disciplinary charges for delays that led to extended jail stays and case dismissals. Also: Southwest resumes Indy-Chicago flights, Moores Hill seeks proposals for school reuse, and a Muncie manufacturer announces expansion. Get the latest business news from throughout the state at InsideINdianaBusiness.com.

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Two Foundations   Series - The Gospel of Luke   Jordan Rice   Luke 6:46-49   Unshakable lives are built on obedient hearts.   Give to support the ministry of Renaissance Church: https://renaissancenyc.com/give   Keep up with Renaissance by filling out a connection card: https://renaissancenyc.ccbchurch.com/goto/forms/5/responses/new

What could a nuclear renaissance look like? Professor Katy Huff, former Assistant Secretary for Nuclear Energy, discusses how to frame nuclear energy in a net zero context where nuclear fits into the US energy mix over the next several decades and why US nuclear innovation today is different from the false starts of the past.

David Mayernik is an architect, artist, writer, educator and most of all, he is a life-long student. David grew up in Allentown Pennsylvania. As he tells us during this episode, even at a young age of two he already loved to draw. He says he always had a pencil and paper with him and he used them constantly. His mother kept many of his drawings and he still has many of them to this day.   After graduating from University of Notre Dame David held several positions with various architectural firms. He always believed that he learned more by teaching himself, however, and eventually he decided to leave the professional world of architecture and took teaching positions at Notre Dame. He recently retired and is now Professor Emeritus at Notre Dame.   Our conversation is far ranging including discussions of life, the importance of learning and growing by listening to your inner self. David offers us many wonderful and insightful lessons and thoughts we all can use. We even talk some about about how technology such as Computer Aided Design systems, (CAD), are affecting the world of Architecture. I know you will enjoy what David has to say. Please let me know your thoughts through email at michaelhi@accessibe.com.     About the Guest:   David Mayernik is an architect, artist, writer, and educator. He was born in 1960 in Allentown, Pennsylvania; his parents were children of immigrants from Slovakia and Italy. He is a Fellow of the American Academy in Rome and the British Royal Society for the Encouragement of Arts, Manufactures, and Commerce, and has won numerous grants, awards and competitions, including the Gabriel Prize for research in France, the Steedman Competition, and the Minnesota State Capitol Grounds competition (with then partner Thomas N. Rajkovich). In 1995 he was named to the decennial list of the top forty architects in the United States under forty. In the fall of 2022, he was a resident at the Bogliasco Foundation in Liguria and the Cini foundation in Venice.   His design work for the TASIS campus in Switzerland over twenty-eight years has been recognized with a Palladio Award from Traditional Building magazine, an honorable mention in the INTBAU Excellence Awards, and a jury prize from the Prix Européen d'Architecture Philippe Rotthier. TASIS Switzerland was named one of the nine most beautiful boarding schools in the world by AD Magazine in March 2024. For ten years he also designed a series of new buildings for TASIS England in Surrey.   David Mayernik studied fresco painting with the renowned restorer Leonetto Tintori, and he has painted frescoes for the American Academy in Rome, churches in the Mugello and Ticino, and various buildings on the TASIS campus in Switzerland. He designed stage sets for the Haymarket Opera company of Chicago for four seasons between 2012 and 2014. He won the competition to paint the Palio for his adopted home of Lucca in 2013. His paintings and drawings have been exhibited in New York, Chicago, London, Innsbruck, Rome, and Padova and featured in various magazines, including American Artist and Fine Art Connoisseur.   David Mayernik is Professor Emeritus with the University of Notre Dame, where for twenty years he taught in the School of Architecture. He is the author of two books, The Challenge of Emulation in Art and Architecture (Routledge, UK) and Timeless Cities: An Architect's Reflections on Renaissance Italy, (Basic Books), and numerous essays and book chapters, including “The Baroque City” for the Oxford Handbook of the Baroque. In 2016 he created the online course The Meaning of Rome for Notre Dame, hosted on the edX platform, which had an audience of six thousand followers. Ways to connect with David:   Website: www.davidmayernik.com Instagram: davidmayernik LinkedIn: davidmayernik EdX: The Meaning of Rome https://www.edx.org/learn/humanities/university-of-notre-dame-the-meaning-of-rome-the-renaissance-and-baroque-city     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:17 Well, hi and welcome once again. Wherever you happen to be, to another episode of unstoppable mindset. Today, we get to chat with David Mayernik, unless you're in Europe, and then it's David Mayernik, but either way, we're glad to have him. He is an architect. He is an award winning architect. He's an author. He's done a number of things in his life, and we're going to talk about all of those, and it's kind of more fun to let him be the one to talk more about it, and then I can just pick up and ask questions as we go, and that's what we'll do. But we're really glad that he's here. So David, welcome to unstoppable mindset.   David Mayernik ** 01:57 Oh, thanks so much. Michael, thanks for the invitation. I'm looking forward to it.   Michael Hingson ** 02:02 Well, I know we've been working on getting this set up, and David actually happens to be in Italy today, as opposed to being in the US. He was a professor at Notre Dame for 20 years, but he has spent a lot of time in Europe and elsewhere, and I'm sure he's going to talk about that. But why don't we start, as I mentioned earlier, as I love to do, tell us kind of about the early David growing up.   David Mayernik ** 02:25 Well, so my both of my parents passed away several years ago, and when I was at my mom's funeral, one of our next door neighbors was telling my wife what I was like when I was a kid, and she said he was very quiet and very intense. And I suppose that's how I was perceived. I'm not sure I perceived myself that way I did. The thing about me is I've always drawn my mom. I mean, lots of kids draw, but I drew like credibly, well, when I was, you know, two and three years old. And of course, my mother saved everything. But the best thing about it was that I always had paper and pencil available. You know, we were terribly well off. We weren't poor, but we weren't, you know, well to do, but I never lacked for paper and pencils, and that just allowed me to just draw as much as I possibly could.   Michael Hingson ** 03:16 And so I guess the other question is, of course, do you still have all those old drawings since your mom kept   David Mayernik ** 03:23 them? Well, you know? Yeah, actually, after she passed, I did get her, Well, her collection of them. I don't know that all of them. My father had a penchant for throwing things away, unfortunately. So some of the archive is no longer with us, but no but enough of it. Just odds and bits from different areas of my life. And the thing is, you know, I was encouraged enough. I mean, all kids get encouraged. I think when they're young, everything they do is fabulous, but I had enough encouragement from people who seem to take it seriously that I thought maybe I had something and and it was the kind of thing that allowed me to have enough confidence in myself that I actually enjoyed doing it and and mostly, my parents were just impressed. You know, it just was impressive to them. And so I just happily went along my own way. The thing about it was that I really wanted to find my own path as somebody who drew and had a chance in high school for a scholarship to a local art school. I won a competition for a local art school scholarship, and I went for a couple of lessons, and I thought, you know, they're just teaching me to draw like them. I want to draw like me. So for better or worse, I'm one of those autodidacts who tries to find my own way, and, you know, it has its ups and downs. I mean, the downside of it is it's a slower learning process. Is a lot more trial and error. But the upside of it is, is that it's your own. I mean, essentially, I had enough of an ego that, you know, I really wanted to do. Things my way.   Michael Hingson ** 05:02 Well, you illustrate something that I've believed and articulate now I didn't used to, but I do now a lot more, which is I'm my own best teacher. And the reality is that you you learn by doing, and people can can give you information. And, yeah, you're right. Probably they wanted you to mostly just draw like them. But the bottom line is, you already knew from years of drawing as a child, you wanted to perhaps go a slightly different way, and you worked at it, and it may have taken longer, but look at what you learned.   David Mayernik ** 05:37 Yeah, I think it's, I mean, for me, it's, it's important that whatever you do, you do because you feel like you're being true to yourself somehow. I mean, I think that at least that's always been important to me, is that I don't, I don't like doing things for the sake of doing them. I like doing them because I think they matter. And I like, you know, I think essentially pursuing my own way of doing it meant that it always was, I mean, beyond just personal, it was something I was really committed to. And you know, the thing about it, eventually, for my parents was they thought it was fabulous, you know, loved great that you draw, but surely you don't intend to be an artist, because, you know, you want to have a job and make a living. And so I eventually realized that in high school, that while they, well, they probably would have supported anything I did that, you know, I was being nudged towards something a little bit more practical, which I think happens to a lot of kids who choose architecture like I did. It's a way, it's a practical way of being an artist and and that's we could talk about that. But I think that's not always true.   Michael Hingson ** 06:41 Bill, go ahead, talk about that. Well, I think that the   David Mayernik ** 06:44 thing about architecture is that it's become, well, one it became a profession in America, really, in the 20th century. I mean, it's in the sense that there was a licensing exam and all the requirements of what we think of as, you know, a professional service that, you know, like being a lawyer or a doctor, that architecture was sort of professionalized in the 20th century, at least in the United States. And, and it's a business, you know, ostensibly, I mean, you're, you know, you're doing what you do for a fee. And, and so architecture tries to balance the art part of it, or the creative side, the professional side of it, and the business side. And usually it's some rather imperfect version of all of those things. And the hard part, I think the hardest part to keep alive is the art part, because the business stuff and the professional stuff can really kind of take over. And that's been my trial. Challenge is to try to have it all three ways, essentially.   Michael Hingson ** 07:39 Do you think that Frank Lloyd Wright had a lot to do with bringing architecture more to the forefront of mindsets, mindsets, and also, of course, from an art standpoint, clearly, he had his own way of doing things.   David Mayernik ** 07:54 Yeah, absolutely he comes from, I mean, I wouldn't call it a rebellious tradition, but there was a streak of chafing at East Coast European classicism that happened in Chicago. Louis Sullivan, you know, is mostly responsible for that. And I but, but Right, had this, you know, kind of heroic sense of himself and and I think that his ability to draw, which was phenomenal. His sense that he wanted to do something different, and his sense that he wanted to do something American, made him a kind of a hero. Eventually, I think it coincided with America's growing sense of itself. And so for me, like lot of kids in America, my from my day, if you told somebody in high school you wanted to be an architect, they would give you a book on Frank Lloyd Wright. I mean, that's just, you know, part of the package.   Michael Hingson ** 08:47 Yeah, of course, there are others as well, but still, he brought a lot into it. And of course there, there are now more architects that we hear about and designers and so on the people what, I m Pei, who designed the world, original World Trade Center and other things like that. Clearly, there are a number of people who have made major impacts on the way we design and think of Building and Construction today,   David Mayernik ** 09:17 you know, I mean America's, you know, be kind of, it really was a leader in the development of architecture in the 20th century. I mean, in the 19th century was very much, you know, following what was happening in Europe. But essentially, by the 20th century, the America had a sense of itself that didn't always mean that it rejected the European tradition. Sometimes it tried to do it, just bigger and better, but, but it also felt like it had its, you know, almost a responsibility to find its own way, like me and, you know, come up with an American kind of architecture and and so it's always been in a kind of dialog with architecture from around the world. I mean, especially in Europe, at Frank Lloyd Wright was heavily influenced by Japanese architecture and. And so we've always seen ourselves, I think, in relationship to the world. And it's just the question of whether we were master or pupil to a certain extent,   Michael Hingson ** 10:07 and in reality, probably a little bit of both.   David Mayernik ** 10:12 Yeah, and we are, and I think, you know, acknowledging who we are, the fact that we didn't just, you know, spring from the earth in the United States, where we're all, I mean, essentially all immigrants, mostly, and essentially we, you know, essentially bring, we have baggage, essentially, as a culture, from lots of other places. And that's actually an advantage. I mean, I think it's actually what makes us a rich culture, is the diversity. I mean, even me, my father's family was Slovak, my mother's family Italian. And, you know from when I tell you know Europeans that they think that's just quintessentially American. That's what makes you an American, is that you're not a purebred of some kind.   Michael Hingson ** 10:49 Yeah, yeah. Pure purebred American is, is really sort of nebulous and and not necessarily overly accurate, because you are probably immigrants or part other kinds of races or nationalities as well. And that's, that's okay.   David Mayernik ** 11:08 It's, it's rich, you know, I think it's, it's a richer. It's the extent to which you want to engage with it. And the interesting thing about my parents was that they were both children of first generation immigrants. My mom's parents had been older Italian, and they were already married, and when they came to the States, my father's parents were younger and Slovak, and they met in the United States. And my father really wasn't that interested in his Slovak heritage. I mean, just, you know, he could speak some of the language, you know, really feel like it was something he wanted to hold on to or pass along, was my mom was, I mean, she loved her parents. She, you know, spoke with him in Italian, or actually not even Italian, the dialect from where her parents came from, which is north of Venice. And so she, I think she kind of, whether consciously or unconsciously, passed that on to me, that sense that I wanted to be. I was interested in where I came from, where the origins of my where my roots were, and it's something that had an appeal for me that wasn't just it wasn't front brain, it was really kind of built into who I was, which is why, you know, one of the reasons I chose to go to Notre Dame to study where I also wound up teaching like, welcome back Carter, is that I we had a Rome program, and so I've been teaching in the Rome program for our school, but we, I was there 44 years ago as a student.   Michael Hingson ** 12:28 Yeah. So quite a while, needless to say. And you know, I think, well, my grandmother on my mother's side was Polish, but I I never did get much in the way of information about the culture and so on from her and and my mom never really dealt with it much, because she was totally from The Bronx in New York, and was always just American, so I never really got a lot of that. But very frankly, in talking to so many people on this podcast over almost the last four years, talking to a number of people whose parents and grandparents all came to this country and how that affected them. It makes me really appreciate the kind of people who we all are, and we all are, are a conglomerate of so many different cultures, and that's okay, yeah? I mean,   David Mayernik ** 13:31 I think it's more than okay, and I think we need to just be honest about it, yeah. And, you know, kind of celebrate it, because the Italians brought with them, you know, tremendous skills. For example, a lot of my grandfather was a stone mason. You know, during the Depression, he worked, you know, the for the WPA essentially sponsored a whole series of public works projects in the parks in the town I grew up in Allentown, Pennsylvania. And Allentown has a fabulous park system. And my grandfather built a lot of stone walls in the parks in the 1930s and, you know, all these cultures that came to the states often brought, you know, specialized skills. You know, from where they they came from, and, and they enriched the American, you know, skill set, essentially, and, and that's, you know, again, that's we are, who we are because of that, you know, I celebrated I, you know, I'm especially connected to my Italian heritage. I feel like, in part because my grandfather, the stone mason, was a bit of jack of all trades. He could paint and draw. And my mom, you know, wrote poetry and painted. And even though she mostly, you know, in my life, was a was a housewife, but before she met my father, and they got married relatively late for their day, she had a professional life in World War Two, my mom actually went to Penn State for a couple of years in the start of at the start of the war, and then parents wanted her to come home, and so she did two years of engineering. Penn State. When she came back to Allentown, she actually got a job at the local airplane manufacturing plant that was making fighter planes for the United States called company called volte, and she did drafting for them. And then after World War Two, she got a job for the local power company drafting modern electrical kitchens and and so I've inherited all my mom's drafting equipment. And, you know, she's, she's very much a kind of a child of the culture that she came from, and in the sense that it was a, you know, artistic culture, a creative culture. And, you know, I definitely happy and proud of   Michael Hingson ** 15:37 that. You know, one of the things that impresses me, and I think about a lot in talking to so many people whose parents and grandparents immigrated to this country and so on, is not just the skill sets that they brought, but the work ethic that they had, that they imparted to people. And I think people who have had a number of generations here have not always kept that, and I think they've lost something very valuable, because that work ethic is what made those people who they were   David Mayernik ** 16:08 absolutely I mean, my Yeah, I mean my father. I mean absolutely true is, I mean tireless worker, capable of tremendous self sacrifice and and, you know, and that whole generation, I mean, he fought in World War Two. He actually joined, joined the Navy underage. He lied about his age to get in the Navy and that. But they were capable of self, tremendous self sacrifice and tremendous effort. And, you know, I think, you know, we're always, you know, these days, we always talk about work life balance. And I have to say, being an architect, most architects don't have a great work life balance. Mostly it's, it's a lot of work and a little bit of life. And that's, I don't, you know. I think not everybody survives that. Not every architects marriage survives that mine has. But I think it's, you know, that the idea that you're, you're sort of defined by what you do. I think there's a lot of talk these days about that's not a good thing. I I'm sort of okay with that. I'm sort of okay with being defined by what I do.   Michael Hingson ** 17:13 Yeah, and, and that that's, that's okay, especially if you're okay with it. That's good. Well, you So you went to Notre Dame, and obviously dealt with architecture. There some,   David Mayernik ** 17:28 yeah. I mean, the thing, the great thing about Notre Dame is to have the Rome program, and that was the idea of actually a Sicilian immigrant to the States in the early 20th century who became a professor at Notre Dame. And he had, he won the Paris prize. A guy named Frank Montana who won the Paris prize in the 1930s went to Harvard and was a professor at Notre Dame. And he had the good idea that, you know, maybe sending kids to five years of architecture education in Indiana, maybe wasn't the best, well rounded education possible, and maybe they should get out of South Bend for a year, and he, on his own initiative, without even support from the university, started a Rome program, and then said to the university, hey, we have a Rome program now. And so that was, that was his instinct to do that. And while I got, I think, a great education there, especially after Rome, the professor, one professor I had after Rome, was exceptional for me. But you know, Rome was just the opportunity to see great architecture. I mean, I had seen some. I mean, I, you know, my parents would go to Philadelphia, New York and, you know, we I saw some things. But, you know, I wasn't really bowled over by architecture until I went to Rome. And just the experience of that really changed my life, and it gave me a direction,   Michael Hingson ** 18:41 essentially. So the Rome program would send you to Rome for a year.   David Mayernik ** 18:46 Yeah, which is unusual too, because a lot of overseas programs do a semester. We were unusual in that the third year out of a five year undergraduate degree in architecture, the whole year is spent in Rome. And you know, when you're 20 ish, you know, 20 I turned 21 when I was over there. It's a real transition time in your life. I mean, it's, it was really transformative. And for all of us, small of my classmates, I mean, we're all kind of grew up. We all became a bit, you know, European. We stopped going to football games when we went back on campus, because it wasn't cool anymore, but, but we, we definitely were transformed by it personally, but, it really opened our eyes to what architecture was capable of, and that once you've, once you've kind of seen that, you know, once you've been to the top of the mountain, kind of thing, it can really get under your skin. And, you know, kind of sponsor whatever you do for the rest of your life. At least for me, it   Michael Hingson ** 19:35 did, yeah, yeah. So what did you do after you graduated?   David Mayernik ** 19:40 Well, I graduated, and I think also a lot of our students lately have had a pretty reasonably good economy over the last couple of decades, that where it's been pretty easy for our students to get a job. I graduated in a recession. I pounded the pavements a lot. I went, you know, staying with my parents and. Allentown, went back and forth to New York, knocking on doors. There was actually a woman who worked at the unemployment agency in New York who specialized in architects, and she would arrange interviews with firms. And, you know, I just got something for the summer, essentially, and then finally, got a job in the in the fall for somebody I wanted to work with in Philadelphia and and that guy left that firm after about three months because he won a competition. He didn't take me with him, and I was in a firm that really didn't want to be with. I wanted to be with him, not with the firm. And so I then I picked up stakes and moved to Chicago and worked for an architect who'd been a visiting professor at Notre Dame eventually became dean at Yale Tom Beebe, and it was a great learning experience, but it was also a lot of hours at low pay. You know, I don't think, I don't think my students, I can't even tell my students what I used to make an hour as a young architect. I don't think they would understand, yeah, I mean, I really don't, but it was, it was a it was the sense that you were, that your early years was a kind of, I mean an apprenticeship. I mean almost an unpaid apprenticeship at some level. I mean, I needed to make enough money to pay the rent and eat, but that was about it. And and so I did that, but I bounced around a lot, you know, and a lot of kids, I think a lot of our students, when they graduate, they think that getting a job is like a marriage, like they're going to be in it forever. And, you know, I, for better or worse, I moved around a lot. I mean, I moved every time I hit what I felt was like a point of diminishing returns. When I felt like I was putting more in and getting less out, I thought it was time to go and try something else. And I don't know that's always good advice. I mean, it can make you look flighty or unstable, but I kind of always followed my my instinct on that.   Michael Hingson ** 21:57 I don't remember how old I was. You're talking about wages. But I remember it was a Sunday, and my parents were reading the newspaper, and they got into a discussion just about the fact that the minimum wage had just been changed to be $1.50 an hour. I had no concept of all of that. But of course, now looking back on it, $1.50 an hour, and looking at it now, it's pretty amazing. And in a sense, $1.50 an hour, and now we're talking about $15 and $16 an hour, and I had to be, I'm sure, under 10. So it was sometime between 1958 and 1960 or so, or maybe 61 I don't remember exactly when, but in a sense, looking at it now, I'm not sure that the minimum wage has gone up all that much. Yes, 10 times what it was. But so many other things are a whole lot more than 10 times what they were back then,   David Mayernik ** 23:01 absolutely, yeah. I mean, I mean, in some ways also, my father was a, my father was a factory worker. I mean, he tried to have lots of other businesses of his own. He, you're, you're obviously a great salesman. And the one skill my father didn't have is he could, he could, like, for example, he had a home building business. He could build a great house. He just couldn't sell it. And so, you know, I think he was a factory worker, but he was able to send my sister and I to private college simultaneously on a factory worker salary, you know, with, with, I mean, I had some student loan debt, but not a lot. And that's, that's not possible today.   Michael Hingson ** 23:42 No, he saved and put money aside so that you could do that, yeah, and,   David Mayernik ** 23:47 and he made enough. I mean, essentially, the cost of college was not that much. And he was, you know, right, yeah. And he had a union job. It was, you know, reasonably well paid. I mean, we lived in a, you know, a nice middle class neighborhood, and, you know, we, we had a nice life growing up, and he was able to again, send us to college. And I that's just not possible for without tremendous amount of debt. It's not possible today. So the whole scale of our economy shifted tremendously. What I was making when I was a young architect. I mean, it was not a lot then, but I survived. Fact, actually saved money in Chicago for a two month summer in Europe after that. So, you know, essentially, the cost of living was, it didn't take a lot to cover your your expenses, right? The advantage of that for me was that it allowed me time when I had free time when I after that experience, and I traveled to Europe, I came back and I worked in Philadelphia for the same guy who had left the old firm in Philadelphia and went off on his own, started his own business. I worked for him for about nine months, but I had time in the evenings, because I didn't have to work 80 hours a week to do other things. I taught myself how to paint. And do things that I was interested in, and I could experiment and try things and and, you know, because surviving wasn't all that hard. I mean, it was easy to pay your bills and, and I think that's one of the things that's, I think, become more onerous, is that, I think for a lot of young people just kind of dealing with both college debt and then, you know, essentially the cost of living. They don't have a lot of time or energy to do anything else. And you know, for me, that was, I had the luxury of having time and energy to invest in my own growth, let's say as a more career, as a creative person. And you know, I also, I also tell students that, you know, there are a lot of hours in the day, you know, and whatever you're doing in an office. There are a lot of hours after that, you could be doing something else, and that I used every one of those hours as best I could.   Michael Hingson ** 25:50 Yeah. Well, you know, we're all born with challenges in life. What kind of challenges, real challenges did you have growing up as you look back on it?   David Mayernik ** 26:01 Yeah, my, I mean, my, I mean, there was some, there was some, a few rocky times when my father was trying to have his own business. And, you know, I'm not saying we grew up. We didn't struggle, but it wasn't, you know, always smooth sailing. But I think one of the things I learned about being an architect, which I didn't realize, and only kind of has been brought home to me later. Right now, I have somebody who's told me not that long ago, you know? You know, the problem is, architecture is a gentleman's profession. You know that IT architecture, historically was practiced by people from a social class, who knew, essentially, they grew up with the people who would become their clients, right? And so the way a lot of architects built their practice was essentially on, you know, family connections and personal connections, college connections. And I didn't have that advantage. So, you know, I've, I've essentially had to define myself or establish myself based on what I'm capable of doing. And you know, it's not always a level playing field. The great breakthrough for me, in a lot of ways, was that one of the one of my classmates and I entered a big international competition when we were essentially 25 years old. I think we entered. I turned 26 and it was an open competition. So, you know, no professional requirements. You know, virtually no entry fee to redesign the state capitol grounds of Minnesota, and it was international, and we, and we actually were selected as one of the top five teams that were allowed to proceed onto the second phase, and at which point we we weren't licensed architects. We didn't have a lot of professional sense or business sense, so we had to associate with a local firm in Minnesota and and we competed for the final phase. We did most of the work. The firm supported us, but they gave us basically professional credibility and and we won. We were the architects of the state capitol grounds in Minnesota, 26 years old, and that's because the that system of competition was basically a level playing field. It was, you know, ostensibly anonymous, at least the first phase, and it was just basically who had the best design. And you know, a lot of the way architecture gets architects get chosen. The way architecture gets distributed is connections, reputation, things like that, but, but you know, when you find those avenues where it's kind of a level playing field and you get to show your stuff. It doesn't matter where you grew up or who you are, it just matters how good you are, yeah,   Michael Hingson ** 28:47 well, and do you think it's still that way today?   David Mayernik ** 28:51 There are a lot fewer open professional competitions. They're just a lot fewer of them. It was the and, you know, maybe they learned a lesson. I mean, maybe people like me shouldn't have been winning competitions. I mean, at some level, we were out of our league. I wouldn't say, I wouldn't say, from a design point of view. I mean, we were very capable of doing what the project involved, but we were not ready for the hardball of collaborating with a big firm and and the and the politics of what we were doing and the business side of it, we got kind of crushed, and, and, and eventually they never had the money to build the project, so the project just kind of evaporated. And the guy I used to work with in Philadelphia told me, after I won the competition, he said, you know, because he won a competition. He said, You know, the second project is the hardest one to get, you know, because you might get lucky one time and you win a competition, the question is, how do you build practice out of that?   Michael Hingson ** 29:52 Yeah, and it's a good point, yeah, yeah.   David Mayernik ** 29:55 I mean, developing some kind of continuity is hard. I mean, I. Have a longer, more discontinuous practice after that, but it's that's the hard part.   Michael Hingson ** 30:07 Well, you know, I mentioned challenges before, and we all, we all face challenges and so on. How do we overcome the challenges, our inherited challenges, or the perceived challenges that we have? How do we overcome those and work to move forward, to be our best? Because that's clearly kind of what you're talking about here.   David Mayernik ** 30:26 Yeah, well, the true I mean, so the challenges that we're born with, and I think there are also some challenges that, you know, we impose on ourselves, right? I mean, in this, in the best sense, I mean the ways that we challenge ourselves. And for me, I'm a bit of an idealist, and you know, the world doesn't look kindly on idealist. If you know, from a business, professional point of view, idealism is often, I'm not saying it's frowned upon, but it's hardly encouraged and rewarded and but I think that for me, I've learned over time that it's you really just beating your head against the wall is not the best. A little bit of navigating your way around problems rather than trying to run through them or knock them over is a smarter strategy. And so you have to be a little nimble. You have to be a little creative about how you find work and essentially, how you keep yourself afloat and and if you're if you're open to possibilities, and if you take some risks, you can, you can actually navigate yourself through a series of obstacles and actually have a rich, interesting life, but it may not follow the path that you thought you were starting out on at the beginning. And that's the, I think that's the skill that not everybody has.   Michael Hingson ** 31:43 The other part about that, though, is that all too often, we don't really give thought to what we're going to do, or we we maybe even get nudges about what we ought to do, but we discount them because we think, Oh, that's just not the way to do it. Rather than stepping back and really analyzing what we're seeing, what we're hearing. And I, for 1am, a firm believer in the fact that our inner self, our inner voice, will guide us if we give it the opportunity to do that.   David Mayernik ** 32:15 You know, I absolutely agree. I think a lot of people, you know, I was, I for, I have, for better or worse, I've always had a good sense of what I wanted to do with my life, even if architecture was a you know, conscious way to do something that was not exactly maybe what I dreamed of doing, it was a, you know, as a more rational choice. But, but I've, but I've basically followed my heart, more or less, and I've done the things that I always believed in it was true too. And when I meet people, especially when I have students who don't really know what they love, or, you know, really can't tell you what they really are passionate about, but my sense of it is, this is just my I might be completely wrong, but my sense of it is, they either can't admit it to themselves, or they can't admit it to somebody else that they that, either, in the first case, they're not prepared to listen to themselves and actually really deep, dig deep and think about what really matters to them, or if they do know what that is, they're embarrassed to admit it, or they're embarrassed to tell somebody else. I think most of us have some drive, or some internal, you know, impetus towards something and, and you're right. I mean, learning to listen to that is, is a, I mean, it's rewarding. I mean, essentially, you become yourself. You become more, or the best possible self you can be, I guess.   Michael Hingson ** 33:42 Yeah, I agree. And I guess that that kind of answers the question I was was thinking of, and that is, basically, as you're doing things in life, should you follow your dreams?   David Mayernik ** 33:53 You know, there's a lot, a lot of people are writing these days, if you read, if you're just, you know, on the, on the internet, reading the, you know, advice that you get on, you know, the new services, from the BBC to, you know, any other form of information that's out there, there's a lot of back and forth by between the follow your dreams camp and the don't follow your dreams camp. And the argument of the don't follow your dreams camp seems to be that it's going to be hard and you'll be frustrated, and you know, and that's true, but it doesn't mean you're going to fail, and I don't think anybody should expect life to be easy. So I think if you understand going in, and maybe that's part of my Eastern European heritage that you basically expect life to be hard, not, not that it has to be unpleasant, but you know it's going to be a struggle, but, but if you are true to yourself or follow your dreams, you're probably not going to wake up in the middle of your life with a crisis. You know, because I think a lot of times when you suppress your dreams, they. Stay suppressed forever, and the frustrations come out later, and it's better to just take them on board and try to again, navigate your way through life with those aspirations that you have, that you know are really they're built in like you were saying. They're kind of hardwired to be that person, and it's best to listen to that person.   Michael Hingson ** 35:20 There's nothing wrong with having real convictions, and I think it's important to to step back and make sure that you're really hearing what your convictions are and feeling what your convictions are. But that is what people should do, because otherwise, you're just not going to be happy.   David Mayernik ** 35:36 You're not and you're you're at one level, allowing yourself to manipulate yourself. I mean, essentially, you're, you know, kind of essentially deterring yourself from being who you are. You're probably also susceptible to other people doing that to you, that if you don't have enough sense of yourself, a lot of other people can manipulate you, push you around. And, you know, the thing about having a good sense of yourself is you also know how to stand up for yourself, or at least you know that you're a self that's worth standing up for. And that's you know. That's that, that thing that you know the kids learn in the school yard when you confront the bully, you know you have to, you know, the parents always tell you, you know, stand up to the bully. And at some level, life is going to bully you unless you really are prepared to stand up for something.   Michael Hingson ** 36:25 Yeah, and there's so many examples of that I know as a as a blind person, I've been involved in taking on some pretty major tasks in life. For example, it used to be that anyone with a so called Disability couldn't buy life insurance, and eventually, we took on the insurance industry and won to get the laws passed in every state that now mandate that you can't discriminate against people with disabilities in providing life insurance unless you really have evidence To prove that it's appropriate to do that, and since the laws were passed, there hasn't been any evidence. And the reason is, of course, there never has been evidence, and insurance companies kept claiming they had it, but then when they were challenged to produce it, they couldn't. But the reality is that you can take on major tasks and major challenges and win as long as you really understand that that is what your life is steering you to do,   David Mayernik ** 37:27 yeah, like you said, and also too, having a sense of your your self worth beyond whatever that disability is, that you know what you're capable of, apart from that, you know that's all about what you can't do, but all the things that you can do are the things that should allow you to do anything. And, yeah, I think we're, I think it's a lot of times people will try to define you by what you can't do, you   Michael Hingson ** 37:51 know? And the reality is that those are traditionally misconceptions and inaccurate anyway, as I point out to people, disability does not mean a lack of ability. Although a lot of people say, Well, of course it, it is because it starts with dis. And my response is, what do you then? How do you deal with the words disciple, discern and discrete? For example, you know the fact of the matter is, we all have a disability. Most of you are light dependent. You don't do well with out light in your life, and that's okay. We love you anyway, even though you you have to have light but. But the reality is, in a sense, that's as much a disability is not being light dependent or being light independent. The difference is that light on demand has caused so much focus that it's real easy to get, but it doesn't change the fact that your disability is covered up, but it's still there.   David Mayernik ** 38:47 No, it's true. I mean, I think actually, yeah, knowing. I mean, you're, we're talking about knowing who you are, and, you know, listening to your inner voice and even listening to your aspirations. But also, I mean being pretty honest about where your liabilities are, like what the things are that you struggle with and just recognizing them, and not not to dwell on them, but to just recognize how they may be getting in the way and how you can work around them. You know, one of the things I tell students is that it's really important to be self critical, but, but it's, it's not good to be self deprecating, you know. And I think being self critical if you're going to be a self taught person like I am, in a lot of ways, you you have to be aware of where you're not getting it right. Because I think the problem is sometimes you can satisfy yourself too easily. You're too happy with your own progress. You know, the advantage of having somebody outside teaching you is they're going to tell you when you're doing it wrong, and most people are kind of loath do that for themselves, but, but the other end of that is the people who are so self deprecating, constantly putting themselves down, that they never are able to move beyond it, because they're only aware of what they can't do. And you know, I think balancing self criticism with a sense of your self worth is, you know, one of the great balancing acts of life. You.   Michael Hingson ** 40:00 Well, that's why I've adopted the concept of I'm my own best teacher, because rather than being critical and approaching anything in a negative way, if I realize that I'm going to be my own best teacher, and people will tell me things, I can look at them, and I should look at them, analyze them, step back, internalize them or not, but use that information to grow, then that's what I really should do, and I would much prefer the positive approach of I'm my own best teacher over anything else.   David Mayernik ** 40:31 Yeah, well, I mean, the last kind of teachers, and I, you know, a lot of my students have thought of me as a critical teacher. One of the things I think my students have misunderstood about that is, it's not that I have a low opinion of them. It's actually that I have such a high opinion that I always think they're capable of doing better. Yeah, I think one of the problems in our educational system now is that it's so it's so ratifying and validating. There's so we're so low to criticize and so and the students are so fragile with criticism that they they don't take the criticism well, yeah, we don't give it and, and you without some degree of what you're not quite getting right, you really don't know what you're capable of, right? And, and I think you know. But being but again, being critical is not that's not where you start. I think you start from the aspiration and the hope and the, you know, the actually, the joy of doing something. And then, you know, you take a step back and maybe take a little you know, artists historically had various techniques for judging their own work. Titian used to take one of his paintings and turn it away, turn it facing the wall so that he couldn't see it, and he would come back to it a month later. And, you know, because when he first painted, he thought it was the greatest thing ever painted, he would come back to it a month later and think, you know, I could have done some of those parts better, and you would work on it and fix it. And so, you know, the self criticism comes from this capacity to distance yourself from yourself, look at yourself almost as as hard as it is from the outside, yeah, try to see yourself as other people see you. Because I think in your own mind, you can kind of become completely self referential. And you know, that's that. These are all life skills. You know, I had to say this to somebody recently, but, you know, I think the thing you should get out of your education is learning how to learn and like you're talking about, essentially, how do you approach something new or challenging or different? Is has to do with essentially, how do you how do you know? Do you know how to grow and learn on your own?   Michael Hingson ** 42:44 Yeah, exactly, well, being an architect and so on. How did you end up going off and becoming a professor and and teaching? Yeah, a   David Mayernik ** 42:52 lot of architects do it. I have to say. I mean, there's always a lot of the people who are the kind of heroes when I was a student, were practicing architects who also taught and and they had a kind of, let's say, intellectual approach to what they did. They were conceptual. It wasn't just the mundane aspects of getting a building built, but they had some sense of where they fit, with respect to the culture, with respect to history and issues outside of architecture, the extent to which they were tied into other aspects of culture. And so I always had the idea that, you know, to be a full, you know, a fully, you know, engaged architect. You should have an academic, intellectual side to your life. And teaching would be an opportunity to do that. The only thing is, I didn't feel like I knew enough until I was older, in my 40s, to feel like I actually knew enough about what I was doing to be able to teach somebody else. A lot of architects get into teaching early, I think, before they're actually fully formed to have their own identities. And I think it's been good for me that I waited a while until I had a sense of myself before I felt like I could teach somebody else. And so there was, there was that, I mean, the other side of it, and it's not to say that it was just a day job, but one of the things I decided from the point of your practice is a lot of architects have to do a lot of work that they're not proud of to keep the lights on and keep the business operating. And I have decided for myself, I only really want to do work that I'm proud of, and in order to do that, because clients that you can work for and be you know feel proud of, are rather rare, and so I balanced teaching and practice, because teaching allowed me to ostensibly, theoretically be involved with the life of the mind and only work for people and projects that interested me and that I thought could offer me the chance to do something good and interesting and important. And so one I had the sense that I had something to convey I learned. Enough that I felt like I could teach somebody else. But it was also, for me, an opportunity to have a kind of a balanced life in which practice was compensated. You know that a lot of practice, even interesting practice, has a banal, you know, mundane side. And I like being intellectually stimulated, so I wanted that. Not everybody wants   Michael Hingson ** 45:24 that. Yeah, so you think that the teaching brings you that, or it put you in a position where you needed to deal with that?   David Mayernik ** 45:32 You know, having just retired, I wish there had been more of that. I really had this romantic idea that academics, being involved in academics, would be an opportunity to live in a world of ideas. You know? I mean, because when I was a student, I have to say we, after we came back from Rome, I got at least half of my education for my classmates, because we were deeply engaged. We debated stuff. We, you know, we we challenged each other. We were competitive in a healthy way and and I remember academics my the best part of my academic formation is being immensely intellectually rich. In fact, I really missed it. For about the first five years I was out of college, I really missed the intellectual side of architecture, and I thought going back as a teacher, I would reconnect with that, and I realized not necessarily, there's a lot about academics that's just as mundane and bureaucratic as practice can be so if you really want to have a satisfying intellectual life, unfortunately, you can't look to any institution or other people for it. You got to find it on your own.   46:51 Paperwork, paperwork,   David Mayernik ** 46:55 committee meetings, just stuff. Yeah, yeah,   Michael Hingson ** 47:00 yeah. Yeah, which never, which never. Well, I won't say they never help, but there's probably, there's probably some valuable stuff that you can get, even from writing and doing, doing paperwork, because it helps you learn to write. I suppose you can look at it that way.   David Mayernik ** 47:16 No, it's true. I mean, you're, you're definitely a glass half full guy. Michael, I appreciate that's good. No. I mean, I, obviously, I always try to make get the most out of whatever experience I have. But, I mean, in the sense that there wasn't as much intellectual discourse, yeah, you know, as my I would have liked, yeah, and I, you know, in the practice or in the more academic side of architecture. Several years ago, somebody said we were in a post critical phase like that. Ideas weren't really what was driving architecture. It was going to be driven by issues of sustainability, issues of social structure, you know, essentially how people live together, issues that have to do with things that weren't really about, let's call it design in the esthetic sense, and all that stuff is super important. And I'm super interested in, you know, the social impact of my architecture, the sustainable impact of it, but the the kind of intellectual society side of the design part of it, we're in a weird phase where it that's just not in my world, we just it's not talked about a lot. You know,   Michael Hingson ** 48:33 it's not what it what it used to be. Something tells me you may be retired, but you're not going to stop searching for intellectual and various kinds of stimulation to help keep your mind active.   David Mayernik ** 48:47 Oh, gosh, no, no. I mean, effectively. I mean, I just stopped one particular job. I describe it now as quitting with benefits. That's my idea of what I retired from. I retired from a particular position in a particular place, but, but I haven't stopped. I mean, I'm certainly going to keep working. I have a very interesting design project in Switzerland. I've been working on for almost 29 years, and it's got a number of years left in it. I paint, I write, I give lectures, I you know, and you obviously have a rich life. You know, not being at a job. Doesn't mean that the that your engagement with the world and with ideas goes away. I mean, unless you wanted to, my wife's my wife had three great uncles who were great jazz musicians. I mean, some quite well known jazz musicians. And one of them was asked, you know, was he ever going to retire? And he said, retire to what? Because, you know, he was a musician. I mean, you can't stop being a musician, you know, you know, if, some level, if you're really engaged with what you do, you You never stop, really,   Michael Hingson ** 49:51 if you enjoy it, why would you? No, I   David Mayernik ** 49:54 mean, the best thing is that your work is your fun. I mean, you know, talking about, we talked about it. I. You that You know you're kind of defined by your work, but if your work is really what you enjoy, I mean, actually it's fulfilling, rich, enriching, interesting, you don't want to stop doing that. I mean, essentially, you want to do it as long as you possibly can. Yeah,   Michael Hingson ** 50:13 and it's and it's really important to do that. And I think, in reality, when you retire from a job, you're not really retiring from a job. You're retiring, as you said, from one particular thing. But the job isn't a negative thing at all. It is what you like to do.   David Mayernik ** 50:31 Yeah. I mean, there's, yeah, there's the things that you do that. I mean, I guess the job is the, if you like, the thing that is the, you know, the institution or the entity that you know, pays your bills and that kind of stuff, but the career or the thing that you're invested in that had the way you define yourself is you never stop being that person, that person. And in some ways, you know, what I'm looking forward to is a richer opportunity to pursue my own avenue of inquiry, and, you know, do things on my own terms, without some of the obligations I had   Michael Hingson ** 51:03 as a teacher, and where's your wife and all that.   David Mayernik ** 51:06 So she's with me here in LUCA, and she's she's had a super interesting life, because she she she studied. We, when we were together in New York, she was getting a degree in art history, Medieval and Renaissance studies in art history at NYU, and then she decided she really wanted to be a chef, and she went to cooking school in New York and then worked in a variety of food businesses in New York, and then got into food writing and well, food styling for magazines, making food for photographs, and then eventually writing. And through a strange series of connections and experiences. She got an opportunity to cook at an Art Foundation in the south of France, and I was in New York, and I was freelancing. I was I'd quit a job I'd been at for five years, and I was freelancing around, doing some of my own stuff and working with other architects, and I had work I could take with me. And you know, it was there was there was, we didn't really have the internet so much, but we had FedEx. And I thought I could do drawings in the south of France. I could do them in Brooklyn. So, so I went to the south of France, and it just happens to be that my current client from Switzerland was there at that place at that time, scouting it out for some other purpose. And she said, I hear you're architect. I said, Yeah. And I said, Well, you know, she said, I like, you know, classical architecture, and I like, you know, traditional villages, and we have a campus, and we need a master plan architect. And I was doing a master plan back in Delaware at that time, and my wife's you know, career trajectory actually enabled me to meet a client who's basically given me an opportunity to build, you know, really interesting stuff, both in Switzerland and in England for the last, you know, again, almost 29 years. And so my wife's been a partner in this, and she's been, you know, because she's pursued her own parallel interest. But, but our interests overlap enough and we share enough that we our interests are kind of mutually reinforcing. It's, it's been like an ongoing conversation between us, which has been alive and rich and wonderful.   Michael Hingson ** 53:08 You know, with everything going on in architecture and in the world in general, we see more and more technology in various arenas and so on. How do you think that the whole concept of CAD has made a difference, or in any way affected architecture. And where do you think CAD systems really fit into all of that?   David Mayernik ** 53:33 Well, so I mean this, you know, CAD came along. I mean, it already was, even when I was early in my apprenticeship, yeah, I was in Chicago, and there was a big for som in Chicago, had one of the first, you know, big computers that was doing some drawing work for them. And one of my, a friend of mine, you know, went to spend some time and figure out what they were capable of. And, but, you know, never really came into my world until kind of the late night, mid, mid to late 90s and, and, and I kind of resisted it, because I, the reason I got into architecture is because I like to draw by hand, and CAD just seemed to be, you know, the last thing I'd want to do. But at the same time, you, some of you, can't avoid it. I mean, it has sort of taken over the profession that, essentially, you either have people doing it for you, or you have to do it yourself, and and so the interesting thing is, I guess that I, at some point with Switzerland, I had to, basically, I had people helping me and doing drawing for me, but I eventually taught myself. And I actually, I jumped over CAD and I went to a 3d software called ArchiCAD, which is a parametric design thing where you're essentially building a 3d model. Because I thought, Look, if I'm going to do drawing on the computer, I want the computer to do something more than just make lines, because I can make lines on my own. But so the computer now was able to help me build a 3d model understand buildings in space and construction. And so I've taught myself to be reasonably, you know, dangerous with ArchiCAD and but the. Same time, the creative side of it, I still, I still think, and a lot of people think, is still tied to the intuitive hand drawing aspect and and so a lot of schools that gave up on hand drawing have brought it back, at least in the early years of formation of architects only for the the conceptual side of architecture, the the part where you are doodling out your first ideas, because CAD drawing is essentially mechanical and methodical and sort of not really intuitive, whereas the intuitive marking of paper With a pencil is much more directly connected to the mind's capacity to kind of speculate and imagine and daydream a little bit, or wander a little bit your mind wanders, and it actually is time when some things can kind of emerge on the page that you didn't even intend. And so, you know, the other thing about the computer is now on my iPad, I can actually do hand drawing on my iPad, and that's allowed me to travel with it, show it to clients. And so I still obviously do a lot of drawing on paper. I paint by hand, obviously with real paints and real materials. But I also have found also I can do free hand drawing on my iPad. I think the real challenge now is artificial intelligence, which is not really about drawing, it's about somebody else or the machine doing the creative side of it. And that's the big existential crisis that I think the profession is facing right now.   Michael Hingson ** 56:36 Yeah, I think I agree with that. I've always understood that you could do free hand drawing with with CAD systems. And I know that when I couldn't find a job in the mid 1980s I formed a company, and we sold PC based CAD systems to architects and engineers. And you know, a number of them said, well, but when we do designs, we charge by the time that we put into drawing, and we can't do that with a CAD system, because it'll do it in a fraction of the time. And my response always was, you're looking at it all wrong. You don't change how much you charge a customer, but now you're not charging for your time, you're charging for your expertise, and you do the same thing. The architects who got that were pretty successful using CAD systems, and felt that it wasn't really stifling their creativity to use a CAD system to enhance and speed up what they did, because it also allowed them to find more jobs more quickly.   David Mayernik ** 57:35 Yeah, one of the things it did was actually allow smaller firms to compete with bigger firms, because you just didn't need as many bodies to produce a set of drawings to get a project built or to make a presentation. So I mean, it has at one level, and I think it still is a kind of a leveler of, in a way, the scale side of architecture, that a lot of small creative firms can actually compete for big projects and do them successfully. There's also, it's also facilitated collaboration, because of the ability to exchange files and have people in different offices, even around the world, working on the same drawing. So, you know, I'm working in Switzerland. You know, one of the reasons to be on CAD is that I'm, you know, sharing drawings with local architects there engineers, and that you know that that collaborative sharing process is definitely facilitated by the computer.   Michael Hingson ** 58:27 Yeah, information exchange is always valuable, especially if you have a number of people who are committed to the same thing. It really helps. Collaboration is always a good thing,   David Mayernik ** 58:39 yeah? I mean, I think a lot of, I mean, there's always the challenge between the ego side of architecture, you know, creative genius, genius, the Howard Roark Fountainhead, you know, romantic idea. And the reality is that it takes a lot of people to get a building built, and one person really can't do it by themselves. And So collaboration is kind of built into it at the same time, you know, for any kind of coherence, or some any kind of, let's say, anything, that brings a kind of an artistic integrity to a work of architecture, mostly, that's got to come from one person, or at least people with enough shared vision that that there's a kind of coherence to it, you know. And so there still is space for the individual creative person. It's just that it's inevitably a collaborative process to get, you know, it's the it's the 1% inspiration, 99% perspiration. Side architecture is very much that there's a lot of heavy lifting that goes into getting a set of drawings done to get

Industrial Talk is onsite at Hexagon LIVE and talking to Dilraj Kahai and Eric Shufelt with 21Tech about "Data is gold and key to success". Scott Mackenzie hosts an industrial podcast featuring Dilraj and Eric from 21 Tech, discussing asset management and AI solutions. They highlight the challenges of integrating AI into asset management due to incomplete and dirty data. 21 Tech's approach involves developing AI point solutions to automate processes and clean data incrementally, making it more manageable for clients. They focus on public sector industries like transit, utilities, and public works, offering pre-built solutions to expand market reach. Eric Shufelt emphasizes the importance of understanding client needs and processes to ensure successful implementations and continuous improvement of systems. Action Items [ ] @Scott MacKenzie - Follow up with Eric Shufelt on LinkedIn to discuss 21 Tech's professional services offerings and how they can help organizations improve their asset management processes. [ ] @Scott MacKenzie - Connect with Dilraj Kahai and Eric Shufelt to learn more about 21 Tech's approach to leveraging AI and Hexagon's software to solve industry-specific challenges. [ ] Explore opportunities to collaborate with 21 Tech on bringing AI-powered asset management solutions to the transportation, utilities, and public works sectors. Outline Introduction and Welcome to Industrial Talk Podcast Scott Mackenzie introduces the Industrial Talk Podcast, emphasizing its focus on industry innovations and trends. Scott welcomes the audience and highlights the importance of the industrial sector, including manufacturing, oil and gas, and data. Scott introduces the guests, Dilraj and Eric, from 21 Tech, and praises their contributions to the industry. The podcast aims to celebrate industry professionals and their contributions to solving daily problems. Introduction of Guests and Initial Discussion Scott Mackenzie introduces Dilraj and Eric, highlighting their roles and contributions to the industry. Dilraj introduces Eric Schmidt, Vice President of Professional Services at 21 Tech, as a brilliant mind in asset management. Dilraj and Eric discuss the progress and changes in the industry since their last conversation. Scott Mackenzie refers to the current industrial landscape as an "industrial Renaissance," indicating the rapid advancements and changes. Challenges in Asset Management and AI Integration Dilraj discusses the challenges companies face in integrating AI into asset management, particularly the issue of incomplete and dirty data. 21 Tech has developed AI solutions to automate processes and clean up data, making it more efficient and reliable. Scott Mackenzie and Dilraj discuss the importance of clean data in making informed decisions and avoiding bad decisions based on dirty data. 21 Tech's AI solutions help automate data entry and ensure pristine data, saving time and improving efficiency. Addressing Historical Data and Incremental AI Solutions Dilraj explains how 21 Tech addresses the issue of historical data, either by starting clean from now or using AI to clean up old data. The AI solutions provide incremental steps to clean data, making the process less overwhelming and more manageable. Scott Mackenzie and Dilraj discuss the importance of having clean data for accurate insights and decision-making. 21 Tech's approach helps organizations incrementally improve their data quality without...

Philly's newest and first women's sports bar is just the beginning of the women's sports boom in the area. Trenae Nuri speaks with Chivonn Anderson, owner of Marsha's, the new queer bar that centers women's sports opening on South Street, about how Philly is experiencing a women's sports renaissance. Remember: We're getting a WNBA team in 2030!  Follow Marsha's South Street on social media for updates on the opening and other events.  Get Philly news & events in your inbox with our newsletter: Hey Philly Call or text us: 215-259-8170 We're also on Instagram: @citycastphilly Advertise on the podcast or in the newsletter: citycast.fm/advertise Learn more about your ad choices. Visit megaphone.fm/adchoices

In King Lear, Shakespeare has the king cry out, “Break, heart; I prithee, break!”—a line rich with sorrow, and one that may have held deeper meaning for Shakespeare's audience than we often assume. Modern medicine identifies Takotsubo Syndrome—also known as “broken heart syndrome”—as a temporary dysfunction of the heart triggered by emotional distress. Incredibly, this concept may have had early roots in the Renaissance understanding of how emotion and the body were intertwined.In this episode, we explore the 17th-century medical beliefs that made room for literal heartbreak, and the evidence in Shakespeare's plays that suggests he was engaging with those very ideas. From Lear and Gloucester to Enobarbus and Cleopatra, Shakespeare's characters don't just feel emotion—they suffer from it physically, sometimes fatally.Our guests this week, Dr. Bríd Phillips and Dr. Claire Hansen, are here to unpack their research connecting Shakespeare's portrayals of heartbreak with modern cardiology, showing us how the science of the heart may have been hidden in plain sight on the Renaissance stage. Hosted on Acast. See acast.com/privacy for more information.

Send us a textHappening THIS Wednesday August 6th! Feeling stretched thin in your business?Join Sydney Dozier + Kimeran Johnson for a powerful 45-minute free webinar on how outsourcing and strategic delegation can unlock white space, growth, and clarity—so you can finally lead like the visionary CEO you're meant to be.If you're overwhelmed, doing too much, or ready to scale smarter—not harder—this is for you.

Fluent Fiction - Danish: Secrets of Kronborg Slot: A Tale of Courage and Discovery Find the full episode transcript, vocabulary words, and more:fluentfiction.com/da/episode/2025-08-04-22-34-02-da Story Transcript:Da: Det var en solrig sommerdag, og Kronborg Slot strålede i al sin pragt.En: It was a sunny summer day, and Kronborg Slot shone in all its splendor.Da: Solens stråler ramte de gamle mure, og havets brusen kunne høres i det fjerne.En: The sun's rays hit the old walls, and the sound of the sea's roar could be heard in the distance.Da: Søren stod ved slottet, spændt og lidt nervøs.En: Søren stood by the castle, excited and a little nervous.Da: Han havde længe drømt om at besøge dette historiske sted, fyldt med fortællinger om Hamlet og renæssancens storhed.En: He had long dreamed of visiting this historic place, filled with tales of Hamlet and the grandeur of the Renaissance.Da: Astrid, guiden, begyndte rundvisningen og ledte gruppen gennem de store haller.En: Astrid, the guide, began the tour and led the group through the grand halls.Da: Søren lænede sig ind for at høre historierne om danske konger og legender.En: Søren leaned in to hear the stories of Danish kings and legends.Da: Men midt i fortællingen bemærkede han noget mærkeligt.En: But in the middle of the narration, he noticed something strange.Da: Kasper, en medturist, var forsvundet fra gruppen.En: Kasper, a fellow tourist, had disappeared from the group.Da: Ingen så, da han forsvandt, og der blev hurtigt snakket om, at han blot var blevet væk mellem de mange besøgende.En: No one saw when he vanished, and there was quick chatter about him just getting lost among the many visitors.Da: Mens de andre gik videre, blev Søren ved med at tænke på Kasper.En: While the others moved on, Søren kept thinking about Kasper.Da: Hvor kunne han være?En: Where could he be?Da: Hans nysgerrighed overmandede ham.En: His curiosity got the better of him.Da: Han besluttede at finde ham.En: He decided to find him.Da: Mens Astrid og gruppen gik mod næste rum, sneg Søren sig væk og begyndte at undersøge de mindre benyttede gange.En: As Astrid and the group headed to the next room, Søren slipped away and began to explore the less-used corridors.Da: Sikkerheden i slottet var tæt, men Søren bevægede sig forsigtigt.En: Security in the castle was tight, but Søren moved cautiously.Da: Han lod sig ikke afskrække.En: He was not deterred.Da: Til sidst fandt han en skjult dør, delvist dækket af væggen.En: Eventually, he found a hidden door, partially covered by the wall.Da: Nysgerrighed bragte ham til at skubbe døren op.En: Curiosity drove him to push the door open.Da: Foran ham lå en smal passage, der førte dybere ind i slottets hemmeligheder.En: Before him lay a narrow passage, leading deeper into the castle's secrets.Da: Søren trådte ind i mørket, hans hjerte hamrede i brystet.En: Søren stepped into the darkness, his heart pounding in his chest.Da: Efter lidt tid åbnede passagen sig til et hemmeligt kammer.En: After a short while, the passage opened into a secret chamber.Da: Der, siddende og en smule forvirret, var Kasper.En: There, sitting and slightly confused, was Kasper.Da: "Jeg fulgte bare en lyd," sagde Kasper, da han så Søren.En: "I was just following a sound," said Kasper when he saw Søren.Da: "Det førte mig herhen."En: "It led me here."Da: Med Søren's hjælp vendte de tilbage til gruppen.En: With Søren's help, they returned to the group.Da: Astrid og myndighederne takkede Søren for hans indsats.En: Astrid and the authorities thanked Søren for his efforts.Da: Passagen blev straks lukket af for at sikre, at ingen andre forsvandt igen.En: The passage was immediately sealed off to ensure no one else disappeared again.Da: Da Søren gik ud fra Kronborg Slot den dag, følte han sig forandret.En: As Søren walked out of Kronborg Slot that day, he felt changed.Da: Han havde lært at stole på sine instinkter og havde opdaget en hel ny side af sig selv.En: He had learned to trust his instincts and had discovered a whole new side of himself.Da: Hans fascination af historie og mysterier var blevet belønnet.En: His fascination with history and mysteries had been rewarded.Da: Det var ikke kun slottet, der havde hemmeligheder den dag.En: It wasn't just the castle that held secrets that day.Da: Søren bar nu en ny fortælling i sit hjerte om mod og opdagelse.En: Søren now carried a new story in his heart about courage and discovery.Da: Slottet blev bag ham, men minderne og oplevelserne ville altid være en del af ham.En: The castle was behind him, but the memories and experiences would always be a part of him. Vocabulary Words:splendor: pragtnarration: fortællingenvanished: forsvandtchatter: snakketcuriosity: nysgerrighedcautiously: forsigtigthidden: skjultpassage: passagesecrets: hemmelighederpounding: hamredechamber: kammerconfused: forvirretauthorities: myndighedernesealed: lukket afdiscovery: opdagelsefascination: fascinationinstincts: instinkterrewarded: belønnetcorridors: gangegrand: storeled: ledtehistoric: historiskeroar: brusenauthorities: myndighedernechanged: forandretcourage: modtale: fortællingdecorate: udsmykkegrandiosity: storheddisappear: forsvinde

In episode 502 of the podcast, I'm joined by astrologer and historian Philip Graves to talk about his work as an astrological librarian and the publication of his new book, Technical and Planetary Developments in Astrology. This is the first volume in a new series, Graves' Studies in the History of Astrology, which showcases the fruits of his decades-long project to build one of the largest and most comprehensive private astrological libraries in the world. Technical and Planetary Developments in Astrology and is available now on Amazon and from other booksellers. The Life of an Astrological Librarian We begin the episode by discussing Philip's journey into astrology and how he began amassing his vast collection of astrological texts. His library includes not only modern books but also rare original editions from as early as the 16th century, alongside an extensive collection of astrological journals, periodicals, and almanacs. We delve into the fascinating world of antiquarian book collecting, touching on topics such as: The importance of first editions. The challenges of preservation, including issues like "foxing," "worming," and rebinding. How to handle very old books. The limitations of older, poor-quality digital scans and abridged reprints, and the value of comparing them to original source texts. Research from the Library A major theme of our discussion is how having access to this wide range of primary sources allows for a more accurate and nuanced understanding of astrology's history. Philip's collection serves as a massive research database, enabling him to trace the development of astrological concepts through time. His new book is a collection of essays that demonstrates the value of this approach. Some of the historical questions we explore from his research include: The Development of Uranus: How did astrologers in the early 19th century figure out the meaning of Uranus? We look at surprisingly early and accurate delineations from journals in the 1820s and 1830s, showing the empirical process astrologers used to determine its significations. The Outer Planets: We contrast the empirical approach used for Uranus and Neptune with the more mythological approach applied to Pluto shortly after its discovery in the 20th century. The Meanings of the Houses: Philip's book contains a detailed survey of the significations of the 12 houses, tracing their continuity and changes from the Hellenistic tradition through the Medieval and Renaissance periods. The History of Minor Aspects: We discuss the timeline of how harmonic aspects were developed, starting with Kepler and being gradually adopted and expanded upon by later astrologers. The Origins of Sun-Sign Astrology: Research from Philip and others has pushed back the origins of newspaper Sun-sign columns much earlier than the commonly cited 1930s date. Ultimately, our conversation highlights how astrology has never been a single, unchanging system, but a dynamic tradition that has always been growing and evolving. Find Out More You can find Philip's work, including high-quality scans of rare texts and a secondhand bookshop, on his website: Astrolearn.com His new book is titled Technical and Planetary Developments in Astrology and is available now on Amazon and from other booksellers. Watch the Video Version of This Episode https://www.youtube.com/watch?v=wOxIVYKVD8M - Listen to the Audio Version of This Episode Listen to the audio version of this episode or download it as an MP3:

Our next guest is the co-owner and Chef behind Boonie's. Joe reflects on his Filipino-American upbringing, finding the culinary path, and eventually leaning into the Filipino culinary world. We chat about working on yourself, following your intuition, and making time to just live. If you haven't been to Boonie's, put it on your list. Joe's partner, Joyce, sets a wonderful vibe that reminds you of Lola's home and the sizzling sisig amongst other menu items will have you drooling. Please enjoy my conversation with Joe Fontelera. https://www.booniefoods.com/https://instagram.com/boonieschicagoHttps://instagram.com/joefontelera

David Chaffetz, author of the recent and truly outstanding book Raiders, Rulers, and Traders: The Horse and the Rise of Empires, joins Tides to talk about the long and intertwined history of horses and people in Central Asia and beyond. The trade in horses, not silks and spices, was the true connective tissue joining together the ancient and medieval worlds.Patrick's book is now available! Get The Verge: Reformation, Renaissance, and Forty Years that Shook the World in hardcopy, ebook, or audiobook (read by Patrick) here: https://bit.ly/PWverge. And check out Patrick's new podcast The Pursuit of Dadliness! It's all about “Dad Culture,” and Patrick will interview some fascinating guests about everything from tall wooden ships to smoked meats to comfortable sneakers to history, sports, culture, and politics. https://bit.ly/PWtPoDListen to new episodes 1 week early, to exclusive seasons 1 and 2, and to all episodes ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App https://wondery.app.link/tidesofhistoryBe the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

From the establishment of a formidable double monarchy to the complex dynamics of the Spanish Inquisition, Isabel of Castile and Ferdinand of Aragon were quite the Renaissance team.Professor Suzannah Lipscomb is joined by Giles Tremlett to discuss the complex dynamics of this unite couple. They explore the triumphs and tragedies that marked their reign, their relentless pursuit of religious unity, and the personal losses that shaped their legacy. Witness the dawn of Spain's golden era and the inception of a global empire.MORE:Christopher Columbushttps://open.spotify.com/episode/5irll7mMs6rpkFvQR3L5VRThe Brutal Basque Witch Hunthttps://open.spotify.com/episode/6AGtHmagGVdd9J8pBEG5P4Presented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music used courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

In this explosive episode, Jewish anti-Zionist comedian Michael Schirtzer unpacks the realities of Zionism, the Israel-Palestine conflict, and media censorship. He shares personal stories of backlash—from a viral stand-up clip that sparked walkouts to having his Instagram deleted after being viewed by Meta's Israel policy chief. A former AEPi member, Schirtzer also exposes hazing abuse and efforts to blacklist him from LA comedy clubs. With references to Canary Mission, Hasbara propaganda, and Meta's censorship of Palestinian content, this episode highlights growing resistance to Zionist narratives—especially among younger Americans. Please subscribe to the new Tin Foil Hat youtube channel:  https://www.youtube.com/@TinFoilHatYoutube Check out Sam Tripoli new crowd work special "Black Crack Robots" now for free. https://youtu.be/_FKugOeYaLc Check out Sam Tripoli's 2nd New Crowd Work Special “Potty Mouth” on YouTube for free. https://www.youtube.com/watch?v=22j3Ds5ArjM Grab your copy of the 2nd issue of the Chaos Twins now and join the Army Of Chaos: https://bit.ly/415fDfY Check out Sam "DoomScrollin with Sam Tripoli and Midnight Mike" Every Tuesday At 4pm pst on Youtube, X Twitter, Rumble and Rokfin! Join the WolfPack at Wise Wolf Gold and Silver and start hedging your financial position by investing in precious metals now!  Go to samtripoli.gold and use the promo code "TinFoil" and we thank Tony for supporting our show. CopyMyCrypto.com: The ‘Copy my Crypto' membership site shows you the coins that the youtuber ‘James McMahon' personally holds - and allows you to copy him. So if you'd like to join the 1300 members who copy James, then stop what you're doing and head over to: CopyMyCrypto.com/TFH You'll not only find proof of everything I've said - but my listeners get full access for just $1 Want to see Sam Tripoli live?  Get tickets at SamTripoli.com: San Diego:  Sam Tripoli and Tin Foil Hat Comedy Live July 17th-19th https://americancomedyco.com/collections/sam-tripoli-live-july-17-19   Hollywood:  Comedy Chaos Live At The Comedy Store https://www.showclix.com/event/chaos-july23rd   Boston, MA:  Tin Foil Hat Comedy Night Headlines Nick's Comedy Stop  August 1st https://www.nickscomedystop.com/event-details/special-event-tin-foil-hat-comedy-with-sam-tripoli-and-eddie-bravo-live   Broadbrook Ct: Tin Foil Hat Comedy and Swarm Tank at 8pm on August 2nd https://broadbrookoperahouse.thundertix.com/events/246069   Huntington Beach: Headlining the Mamba Sports Bar & Grill on August 17th https://www.eventbrite.com/e/sam-tripoli-special-event-tickets-1471278867699   Chicago: Headlining The Comedy Bar Sept 12th-13th https://www.eventbrite.com/cc/september-12-13-sam-tripoli-4497173   Austin, Tx:  Headlining The Fat Man At Comedy Mothership Oct 17th-19th https://samtripoli.com/events/?paged=2   Please check out Michael Schirter's internet: Podcast:  The Palenstine Pod- https://bit.ly/40HLaU2 Youtube: http://youtube.com/@ThePalestinePod Twitter: https://x.com/MicSchirtzer Patreon: http://patreon.com/palestinepod Comedy Special: https://bit.ly/45dwOMy   Please check out Sam Tripoli's internet: Linktree: https://linktr.ee/samtripoli Please Follow Sam Tripoli's Stand Up Youtube Page: https://www.youtube.com/@SamTripoliComedy Please Follow Sam Tripoli's Comedy Instagram:  https://www.instagram.com/samtripolicomedy/ Please Follow Sam Tripoli's Podcast Clip Instagram: https://www.instagram.com/samtripolispodcastclips/   Thank you to our sponsors: Mint Mobile: Switch to Mint and new customers can get half off an Unlimited plan until February 2. To get your new wireless plan for just 15 bucks a month, and get the plan shipped to your door for FREE, go to Mintmobile.com/tinfoil GallowGlassBooks.Shop:  Frances Yates' Giordano Bruno and the Hermetic Tradition is a landmark study of Renaissance magic, mysticism, and philosophy. It explores Bruno's radical ideas and tragic execution, set against a backdrop of Hermetic and Neoplatonic thought.  This restored hardcover from Gallowglass Books features color images, translated titles, and premium design. Limited to 2,500 copies—available now for $60 at gallowglassbooks.shop.