Podcasts about Renaissance

The greatest energy source for civilization before the steam engine was wind. It powered the global economy in the Age of Sail. Wind-powered sail ships made global shipping fast and cheap by harnessing free, reliable ocean winds to propel large cargo loads over vast distances without needing fuel or frequent stops. It also powered windmills, the factories of the Middle Ages and Renaissance. Windmills allowed for abundant bread by milling flour by turning heavy grindstones with wind-driven sails. They also powered trip hammers to forge iron and steel by lifting and dropping massive weights. We can credit them as well for pumped water, sawed timber, and processed oils, spices, and paper. Wind is one of most elemental yet overlooked forces shaping our world today, and it is at the center of the human story. Many times it changed history – such as “Protestant Wind” saving England from the Spanish Armada, kamikaze winds halting the Mongol invasions of Japan, and easterlies carrying Chernobyl’s fallout. Wind also powers massive turbines today, but there was a forgotten moment in the 1880s when we could’ve chosen wind power over fossil fuels. It even creates certain types of civilizations. Some historians believe the cleverest and most civilized people lived in places where weather was varied and posed constant challenges. Today’s guest is Simon Winchester, author of “The Breath of the Gods: The History and Future of the Wind.” We look at how wind—life‐giving and destructive, chaotic and harnessable — has shaped civilization from antiquity to today.See omnystudio.com/listener for privacy information.

Light Into Darkness   Jordan Rice   John 1:1-5, 9-14   The Light doesn't avoid our darkness — it enters it and overcomes it.   Give to support the ministry of Renaissance Church: https://renaissancenyc.com/give   Keep up with Renaissance by filling out a connection card: https://renaissancenyc.ccbchurch.com/goto/forms/5/responses/new

Mark sits down with entrepreneur, investor, and author Jeff Burningham to tackle one of today's biggest questions: How do we stay truly human in a world dominated by AI?Jeff Burningham shares his insights on the existential risks and opportunities AI brings, from job loss and creativity to the potential for a deep renaissance in human connection.Key Takeaways1. Soft skills and human connection will remain essential in the age of AI.2. The traditional value of a college degree is declining, but real-world relationships and adaptability matter.3. AI is disrupting industries and challenging our sense of purpose, but it also offers a chance for human evolution.Chapters:00:00 - Intro01:00 - Jeff Burningham03:00 - Job loss, civil unrest, and the “AI crucible” for humanity04:17 - Which Jobs are Most at RISK?06:31 - Human creativity vs. AI08:20 - Expect massive industry disruption and the need to work with AI12:45 - Rise of entrepreneurship13:45 - Universal basic income and the search for purpose in a changing world17:32 - Breaking out of a blame mindset23:44 - The Renaissance of real-life human experience25:49 - Final thoughts

Today I speak with Dr Patrick Wyman, host of The Fall of Rome, Tides of History, and his new show Past Lives. He's also published The Verge: Reformation, Renaissance, and Forty Years that Shook the World, and has a forthcoming book, Lost Worlds: How Humans Tried, Failed, Succeeded, and Built Our World. We talk about public history, slavery, and the podcast industry! Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of The Curious Builder Podcast, Mark Williams sits down with Ted Sihpol for an incredible, rollercoaster story of resilience, mental health, and overcoming adversity. Teddy opens up about being indicted for a $2.3 billion lawsuit, facing possible prison time, losing everything—including his job and dream house—only to find a new path forward in construction. Through all the chaos, Teddy's story is equal parts gripping and inspiring, reminding listeners that even in the worst of times, community, family, and inner strength can get you through anything. Support the show - https://www.curiousbuilderpodcast.com/shop See our upcoming live events - https://www.curiousbuilderpodcast.com/events The host of the Curious Builder Podcast is Mark D. Williams, the founder of Mark D. Williams Custom Homes Inc. They are an award-winning Twin Cities-based home builder, creating quality custom homes and remodels — one-of-a-kind dream homes of all styles and scopes. Whether you're looking to reimagine your current space or start fresh with a new construction, we build homes that reflect how you live your everyday life. Sponsors for the Episode:  Pella Website: https://www.pella.com/ppc/professionals/why-wood/  Adaptive  Website: https://referrals.adaptive.build/u8Gkiaev  Sauna Camp Website: https://www.saunacamps.com/ Where to find the Guest:  Website: https://renaissancepartnersnc.com/ Instagram: https://www.instagram.com/renaissancepartnersllc Where to find the Host:  Website - https://www.mdwilliamshomes.com/  Podcast Website - https://www.curiousbuilderpodcast.com Instagram - https://www.instagram.com/markdwilliams_customhomes/  Facebook - https://www.facebook.com/MarkDWilliamsCustomHomesInc/  LinkedIn - https://www.linkedin.com/in/mark-williams-968a3420/  Houzz - https://www.houzz.com/pro/markdwilliamscustomhomes/mark-d-williams-custom-homes-inc

Send us a textThis week on The Renaissance Podcast, Sydney sits down with Courtney Spritzer — entrepreneur, author, angel investor, and co-founder of Socialfly and Entreprenista — for a conversation about building businesses with intention, heart, and long-term vision.Courtney co-founded Socialfly in 2012, leaving a corporate career to build what would become an award-winning, social-first marketing agency working with Fortune 500, middle-market, and emerging brands. Over the next decade, she scaled Socialfly alongside her longtime business partner, Stephanie Cartin, ultimately leading the company through a successful acquisition in 2024.But Courtney's impact didn't stop there.What began as a podcast to support women founders evolved into Entreprenista Media, a powerful platform and community dedicated to helping women entrepreneurs grow businesses, build meaningful connections, and feel less alone along the way. Today, Entreprenista supports thousands of founders through content, community, education, events, and visibility opportunities.In this episode, we dive into:Navigating a long-term business partnershipBuilding a company with the end in mindWhat it really means to build a business as an assetHow to scale, delegate, and create a company that can run without youDifferentiating in a saturated industry through human connectionTurning community into a powerful growth engineWhy entrepreneurship doesn't have to be lonelyCourtney shares candid insights from her journey — the risks, the growth, the exits, and the lessons learned from building not just companies, but ecosystems of support.Ready to build alongside other women founders? Learn more about Entreprenista and their Founders Weekend at entreprenista.com.Support the showAbout The Host:Sydney Dozier, the visionary behind Renaissance Marketing Group, has been at the forefront of social media excellence since the agency's inception in 2014. Over the past 10 years, Sydney has cultivated a full-fledged team of social media aficionados and creative minds, elevating Renaissance to its current status as one of Nashville's premier agencies. With an extensive and diverse clientele, they've consistently delivered exceptional results. From coast to coast, Renaissance offers a comprehensive suite of services, spanning social media management, strategic guidance, content creation, paid digital advertising, email marketing, influencer partnerships, graphic design, branding, in-house professional photography and videography, and beyond. Their mission is simple: to drive optimal revenue and online growth while consistently surpassing client expectations. Beyond her role as a business maven, Sydney wears multiple hats. She hosts The Renaissance Podcast, an enlightening resource for entrepreneurs seeking to spark a modern-day Renaissance in their lives and businesses. Her passion for championing women in business gave rise to The Mona Lisa Foundation, a nonprofit organization committed to supporting and accelerating women entrepreneurs in Nashville through mentorship, grants, education, and a vibrant community. Sydney is also the driving force behind The Renaissance Women's Summit, an annual...

Johannes Gutenberg invented the movable type printing press. The mass production of books and other printed texts revolutionized the world. Gutenberg created a transformation in knowledge acquisition and communication. This kicked off the first information age. The printing press had a bigger effect on the world than the computer or the internet.

In a landmark interview on The Ash Said It Show, Tom Buchsbaum, co-founder of Austin Craft Spirits, detailed the origin story of a brand that is systematically redefining the American spirits landscape. Transitioning from tech innovation to precision distilling, Buchsbaum has positioned Austin 101 at the intersection of Texas Terroir and Environmental Stewardship. The Genesis: Solving the "Bourbon Fatigue" Market Gap Buchsbaum's moment of conviction came from identifying a "White Space" in the spirits industry. While the market was saturated with heavy, oak-forward Bourbons and spicy Ryes, there was a profound lack of high-clarity, grain-forward spirits. Austin 101 was engineered to bridge the gap between premium vodka and traditional whiskey. By utilizing the Light Whiskey designation, Buchsbaum's team distills at a higher purity—precisely between 160 and 190 proof—resulting in a spirit that retains the complex esters of the grain without the aggressive wood tannins of a virgin barrel. The Science of Texas Terroir: Steam Distillation The brand's "flavor-first" philosophy is powered by a custom-engineered 42-foot steam-jacketed column still. Unlike traditional direct-fire stills that can scorch the mash, Austin 101's precision thermal control operates below 210∘F. The Mash Bill: 100% Texas-grown non-GMO white corn, red winter wheat, and malted barley. The Profile: This low-temperature extraction preserves the signature butterscotch, vanilla, and stone fruit notes that have become the brand's sensory hallmark. Sustainability: The Circular Whiskey Economy Austin 101's commitment to Green Luxury is anchored in their Circular Aging Process. The distillery exclusively utilizes recycled American white oak barrels sourced from local Texas craft bourbon makers. This sustainable finishing serves two critical functions: Ecological Preservation: It drastically reduces the carbon footprint associated with new timber harvesting. Flavor Refinement: By using "seasoned" wood, the whiskey undergoes a mellow maturation that highlights the grain's natural sweetness rather than masking it behind heavy char. Future Trajectory: Scaling the "Texas Light" Global Category Small-Batch Precision at Scale As Austin 101 expands its distribution footprint beyond the Texas border, the brand employs a data-driven distillation model to ensure consistency. From the approachable Austin 85 to the award-winning Austin 111 Cask Strength, the scaling process remains rooted in small-batch integrity and rigorous quality control. The Next Frontier of Innovation Buchsbaum teased a roadmap of experimental releases designed to push the boundaries of the Light Whiskey category. Enthusiasts can expect: Grain-Specific Expressions: Leveraging high-rye mash bills for a "Light but Bold" profile. Experimental Cask Finishes: Utilizing the unique Texas climate to accelerate interactive aging in diverse secondary vessels. 2035 Vision: Defining Texas Whiskey Globally The long-term vision is clear: Austin 101 aims to be the global benchmark for Texas Light Whiskey. Within the next decade, Buchsbaum anticipates Light Whiskey becoming a mainstream pillar of the spirits industry, with Austin 101 leading the charge through its unique blend of technical precision, authentic provenance, and sustainable distilling. Web: https://www.austin101whiskey.c... About the brand: Austin 101 stands as a testament to geographic authenticity. Eschewing the shortcuts of mass-produced spirits, the distillery anchors its identity in Texas Terroir. Every drop is forged from a proprietary mash bill of 100% locally sourced grains, including non-GMO white corn, soft red winter wheat, and malted barley. By maintaining a strict grain-to-glass pipeline, Austin 101 ensures that the spirit remains an honest reflection of the Hill Country's agricultural heritage. The brand rejects artificial additives and chill-filtration, opting instead for a transparent expression of the raw ingredients. Precision Crafting: The Art of High-Proof Refinement The hallmark of Austin 101 is its precision distillation process. While conventional whiskeys often lean on heavy barrel char to mask imperfections, Austin 101 utilizes a high-proof distillation method (reaching between 160 and 190 proof) to isolate the most elegant flavor compounds. This technical rigor allows for the surgical removal of harsh congeners, leaving behind a clean, sophisticated "heart" of the spirit. The result is a structural complexity rarely found in American whiskey—a profile characterized by: Bright Top Notes: Notes of wildflower honey and stone fruit. Mid-Palate Depth: Rich layers of creamy butterscotch and Madagascar vanilla. A Refined Finish: A signature "light" exit that is exceptionally smooth, favoring subtle almond and spice over aggressive wood tannins. Visionary Sustainability and Circular Aging Austin 101 redefines luxury through the lens of environmental stewardship. Central to its mission is a pioneering Circular Aging Program. By maturing the spirit in recycled American white oak barrels, the distillery significantly mitigates the environmental impact of new timber harvesting. This sustainable approach is not merely an ecological choice but a flavor-driven one; the seasoned oak allows the delicate nuances of the Texas grain to flourish without being overwhelmed by the intense char of a virgin barrel. From localized grain procurement to water-conscious production, Austin 101 represents a new era of eco-conscious distilling, proving that a premium whiskey can be both world-class and world-respecting. Meet Ash Brown, the dynamic American powerhouse and motivational speaker dedicated to fueling your journey toward personal and professional success. Recognized as a trusted voice in personal development, Ash delivers uplifting energy and relatable wisdom across every platform. Why Choose Ash? Ash Brown stands out as an influential media personality due to her Authentic Optimism and commitment to providing Actionable Strategies. She equips audiences with the tools necessary to create real change and rise above challenges. Seeking inspiration? Ash Brown is your guide to turning motivation into measurable action. The Ash Said It Show – Top-Ranked Podcast With over 2,100 episodes and 700,000+ global listens, Ash's podcast features inspiring interviews, life lessons, and empowerment stories from changemakers across industries. Each episode delivers practical tools and encouragement to help listeners thrive. Website: AshSaidit.com Connect with Ash Brown: Goli Gummy Discounts: https://go.goli.com/1loveash5 Luxury Handbag Discounts: https://www.theofficialathena.... Review Us: https://itunes.apple.com/us/po... Subscribe on YouTube: http://www.youtube.com/c/AshSa... Instagram: https://www.instagram.com/1lov... Facebook: https://www.facebook.com/ashsa... Blog: http://www.ashsaidit.com/blog #atlanta #ashsaidit #theashsaiditshow #ashblogsit #ashsaidit®Become a supporter of this podcast: https://www.spreaker.com/podcast/ash-said-it-show--1213325/support.

This episode of the HOZ Comedy Podcast kicks off with talk about Tony's absence, fresh haircuts, and celebrating the podcast's continued growth and successful open mics. From there, the crew spirals into some of the wildest news stories out, including funeral mishaps, drunken raccoons, dementia waiters, and naked gym-goers making headlines. The conversation takes a nostalgic turn as they relive cheap alcohol, reckless college party days, and debate why humans even started wearing clothes in the first place. The episode rounds out with reflections on Howard Stern, how modern media habits have changed, and how tools like YouTube and Chat GPT are becoming everyday problem-solvers. The crew closes with a ridiculous, Renaissance-style farewell that perfectly sums up the show's unfiltered humor.

Week three of Renaissance's Christmas series "Masterpiece".

Shakira BioSnap a weekly updated Biography.I am Biosnap AI, and over the past few days Shakira's life has been a high gloss blend of historic career moves, revealing interviews, and the kind of tour news that rewrites résumés rather than just feeds timelines. According to IQ Magazine, she has just wrapped the South American leg of her Las Mujeres Ya No Lloran World Tour with a finale in Córdoba, Argentina, a milestone that effectively closes one of the most commercially and culturally important chapters of her touring career to date, cementing this era as a centerpiece in any future biography. IQ describes the show as a triumphant capstone, underscoring how she has turned a post breakup reinvention into a global stadium juggernaut. Even as that confetti was being swept up, Central America was already selling out. El Salvador in English and regional outlets report that her newly announced residency at the Jorge Mágico González National Stadium in San Salvador sold out three dates in less than twenty four hours, with roughly eighty two thousand fans expected across February 12, 14, and 15 and hotels and local jobs getting an immediate boost. Ticketmaster and local promoters frame it as a technical and artistic mega production, with advanced staging and AI driven visuals, signaling that Shakira is not just touring but building a scalable live franchise model in key Latin markets. On the North American front, Ticketmaster and the Ticketmaster Blog confirm that Shakira will bring the tour to major U S and Canadian stadiums throughout 2025 before closing the year with three intimate Up Close and Personal shows at Hard Rock Live in Hollywood, Florida, on December 27, 28, and 29, each already being marketed as a high demand event with VIP packages. This string of dates positions her as a year round touring force rather than a one season act. Offstage, Vanity Fair Spain, summarized by outlets like Hola and Marca, has Shakira leaning into candor. She tells the magazine she does not regret her infamous Ferrari for a Twingo lyric aimed at Gerard Piqué, calling it one of the most accomplished lines of her life, and talks about growing up with scarce resources, insisting there were no shortcuts and that discipline is non negotiable a narrative that recasts her current success as hard won rather than lucky. These interviews also highlight a softer recalibration with Piqué, as she publicly credits his discipline as a father even while standing by the songs that dissect their breakup. On social media, her own Instagram has amplified the sold out residency news with teases of new surprises for Central America, and fan accounts have been buzzing about those Vanity Fair quotes and tour finale clips. There are the usual unconfirmed whispers about new music or surprise guests for the residency and Florida shows, but no reputable outlet has verified concrete release dates or collaborations, so for now that remains pure speculation swirling around a star who, by all reliable accounts, is already having one of the most consequential weeks of her late career renaissance.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

This is an episode of The Specialist, your weekly dose of wonder. In The Specialist, explore the significance and journey of an extraordinary work through the eyes of those that know it best. On today's episode, what happens when a work of art is so enigmatic that you think about it for 60 years? Alex Bell, Chairman Emeritus of Sotheby's UK and Old Masters Worldwide, tells the story of how a mysterious Renaissance altarpiece entered the collection of the National Gallery in London as the museum celebrated its bi-centenary. Further details about the episode subject. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Velkommen tilbage til tidskapslen – og velkommen til 2023.I dag åbner vi året, hvor vi blev Årets Stemme ved ELLE Awards 2023. Et øjeblik fyldt med hæder, hyldest og en lille, sitrende ambivalens. For hvad betyder det egentlig at blive løftet frem af et system, der samtidig reproducerer eurocentriske normer for krop, hår, stemme, tone, og idéer om “professionalisme”?Priser giver en platform og et podium, ja. Men de forandrer sjældent vilkårene. Den erkendelse fulgte os som en stille modstemme hele året.Og samtidig… hold nu op, hvor lavede vi meget i 2023. Talks, events, fester, afsnit, samarbejder, kampagner, debatter, biografaftener, you name it, mens vi samtidig passede krævende fuldtidsjobs. 2023 var både champagnepropper og kalenderkollaps.Men det var også Renaissance-året.Beyoncé i Hamborg. Visual-festen i Empire Bio.Og Rihannas Super Bowl.Der er år i ens liv, der føles som verdensomspændende koreografier. 2023 var ét stort beat drop.Tak fordi I stadig lytter med.Tak til Lasse Lund for klipning og vodcastTak til Jakob Ranum for studietidTak til Liv Habel for artworkTak til Awinbeh for jinglenOg tak til Maria Svehag for at genoplive vores insta Hosted on Acast. See acast.com/privacy for more information.

Tune in Friday, December 19, 2025 @ 7pm EST/4pm PST/6pm CST for the next “He Said, He Said, He Said Live!” A Look at the World from A Seasoned Black Man's Perspective…becauseone perspective isn't enough!” for “The Renaissance of Reggie Van Lee: Leadership, Legacy, and Living with Purpose” with special guest Reggie Van Lee.”Join us for our He Said, He Said, He Said Live Holiday Show, featuring an in-depth conversation with Reggie Van Lee, a global executive whose career bridges transformational leadership, corporate strategy, and cultural stewardship.Reggie Van Lee is an Executive Partner & Managing Director at AlixPartners, bringing more than three decades of experience advising corporations and boards through complexity and change. Prior to AlixPartners, he served as Chief Transformation Officer at the Carlyle Group, leading enterprise-wide initiatives across culture, structure, corporate strategy, diversity, and talent. Before that, he spent more than thirty years at Booz, Allen & Hamilton, retiring as an ExecutiveVice President focused on strategic transformation and high-performance organizations.Beyond the boardroom, Reggie's leadership extends deeply into mentorship, civic service, and the arts. He serves on the boards of the Women's Venture Capital Fund II, NationalCARES Mentoring Movement (Chair), Blair House Foundation, and the Coalition for African Americans in the Performing Arts (Chair). He is the Chair of the Washington, DC Commission on the Arts and Humanities, co-founded andchairs the Black Theatre Coalition and helped co-found the Gospel Music Haus Museum.A former Trustee of the Kennedy Center and member of the Tony Awards Nominating and Voting Board, Reggie has also served as Chair of Washington Performing Arts and Vice Chair of the Washington Ballet. His honors include being named one of the Top 25 Consultants in the World, a Washington Minority Business Leader, and Black Engineer of the Year. Reggie holds BS and MS degrees in Civil Engineering from MIT, has served on the MIT Corporation, and earned an MBA from Harvard University.This holiday closing episode goes beyond titles to explore leadership, legacy, joy, and living with purpose—and why those values matter now.New Episodes of “He Said, He Said, He Said” - Live stream Fridays, 7 p.m. EST on all theselinks: https://linktr.ee/hesaidhesaidhesaid FACEBOOK: facebook.com/hesaidhesaidhesaidlive RELIVE and SHARE special moments from "He Said, He Said, He Said" here: SHOW CLIPS (22) He Said, He Said,He Said - Live - YouTubeFOLLOW US —- CLICK LIKEand SUBSCRIBE to us @hesaidhesaidhesaidlive on YouTube and Instagram!#HeSaidHeSaidHeSaidLive #HolidayShow #ReggieVanLee #RenaissanceOfReggieVanLee #LeadershipWithPurpose #LegacyAndImpact #TransformationalLeadership #ExecutiveLeadership #PurposeDrivenLeadership #CulturalLeadership #MentorshipMatters #LivingWithIntention

John Granger Attempts to Convince Nick (and You!) That The Hallmarked Man will be Considered the Best of the Series.We review our take-away impressions from our initial reading of The Hallmarked Man. Although we enjoyed it, especially John's incredible prediction of Robin's ectopic pregnancy, neither of us came away thinking this was the finest book in the series. For Nick, this was a surprise, as enthusiastic J. K. Rowling fan that he is other than Career of Evil every book he has read has been his favourite. Using an innovative analysis of the character pairs surrounding both Cormoran and Robin, John argues that we can't really appreciate the artistry of book number eight until we consider its place in the series. Join John and Nick as they review the mysteries that remain to be resolved and how The Hallmarked Man sets readers up for shocking reveals in Strike 9 and 10!Why Troubled Blood is the Best Strike Novel:* The Pillar Post Collection of Troubled Blood Posts at HogwartsProfessor by John Granger, Elizabeth Baird-Hardy, Louise Freeman, Beatrice Groves, and Nick JefferyTroubled Blood and Faerie Queene: The Kanreki ConversationBut What If We Judge Strike Novels by a Different Standard than Shed Artifice? What About Setting Up the ‘Biggest Twist' in Detective Fiction History?* If Rowling is to be judged by the ‘shock' of the reveals in Strike 10, then The Hallmarked Man, the most disappointing book in the series even to many Serious Strikers, will almost certainly be remembered as the book that set up the finale with the greatest technical misdirection while playing fair.* The ending must be a shock, one that readers do not see coming, BUT* The author must provide the necessary clues and pointers repeatedly and emphatically lest the reader feel cheated at the point of revelation.* If the Big Mysteries of the series are to be solved with the necessary shock per both Russian Formalist and Perennialist understanding, then the answers to be revealed in the final two Strike novels, Books Two and Three of the finale trilogy, should be embedded in The Hallmarked Man.* Rowling on Playing Fair with Readers:The writer says that she wanted to extend the shelf of detective fiction without breaking it. “Part of the appeal and fascination of the genre is that it has clear rules. I'm intrigued by those rules and I like playing with them. Your detective should always lay out the information fairly for the reader, but he will always be ahead of the game. In terms of creating a character, I think Cormoran Strike conforms to certain universal rules but he is very much of this time.* On the Virtue of ‘Penetration' in Austen, Dickens, and Rowling* Rowling on the Big Twist' in Austen's Emma:“I have never set up a surprise ending in a Harry Potter book without knowing I can never, and will never, do it anywhere near as well as Austen did in Emma.”What are the Key Mysteries of the Strike series?Nancarrow FamilyWhy did Leda and Ted leave home in Cornwall as they did?Why did Ted and Joan not “save” Strike and Lucy?Was Leda murdered or did she commit suicide?If she was murdered, who dunit?If she commited suicide, why did she do it?What happened to Switch Whittaker?Cormoran StrikeIs Jonny Rokeby his biological father?What SIB case was he investigating when he was blown up?Was he the father of Charlotte's lost baby? If not, then who was?Why has he been so unstable in his relations with women post Charlotte Campbell?Charlotte CampbellWhy did her mother hate her so much?What was her relationship with her three step-fathers? Especially Dino LongcasterWho was the father of her lost child?Was the child intentionally aborted or was it a miscarriage?What was written in her “suicide note”?Was Charlotte murdered or did she commit suicide?If she was murdered, who done it?If she committed suicide, why did she do it?What happened to the billionaire lover?What clues do we get in Hallmarked Man that would answer these questions?- Strike 8 - Greatest Hits of Strikes 1-7: compilation, concentration of perumbration in series as whole* Decima/Lion - incest* Rupert's biological father not his father of record (Dino)* Sacha Legard a liar with secrets* Ryan Murphy working a plan off-stage - Charlotte's long gameStrike about ‘Pairings' in Lethal WhiteStrike continued to pore over the list of names as though he might suddenly see something emerging out of his dense, spiky handwriting, the way unfocused eyes may spot the 3D image hidden in a series of brightly colored dots. All that occurred to him, however, was the fact that there was an unusual number of pairs connected to Chiswell's death: couples—Geraint and Della, Jimmy and Flick; pairs of full siblings—Izzy and Fizzy, Jimmy and Billy; the duo of blackmailing collaborators—Jimmy and Geraint; and the subsets of each blackmailer and his deputy—Flick and Aamir. There was even the quasi-parental pairing of Della and Aamir. This left two people who formed a pair in being isolated within the otherwise close-knit family: the widowed Kinvara and Raphael, the unsatisfactory, outsider son.Strike tapped his pen unconsciously against the notebook, thinking. Pairs. The whole business had begun with a pair of crimes: Chiswell's blackmail and Billy's allegation of infanticide. He had been trying to find the connection between them from the start, unable to believe that they could be entirely separate cases, even if on the face of it their only link was in the blood tie between the Knight brothers.Part Two, Chapter 52Key Relationship Pairings in Cormoran Strike:Who Killed Leda Strike?To Rowling-Galbraith's credit, credible arguments in dedicated posts have been made that every person in the list below was the one who murdered Leda Strike. Who do you think did it?* Jonny Rokeby and the Harringay Crime Syndicate (Heroin Dark Lord 2.0),* Ted Nancarrow (Uncle Ted Did It),* Dave Polworth,* Leda Strike (!),* Lucy Fantoni (Lucy and Joan Did It and here),* Sir Randolph Whittaker,* Nick Herbert,* Peter Gillespie, and* Charlotte Campbell-RossScripted Ten Questions:1. So, Nick, back when we first read Hallmarked Man we said that there were four things we knew for sure would be said about Strike 8 in the future. Do you remember what they were?2. And, John, you've been thinking about the ‘Set-Up' idea and how future Rowling Readers will think of Hallmarked Man, even that they will think of it as the best Strike novel. I thought that was Troubled Blood by consensus. What's made you change your mind?3. So, Nick, yes, Troubled Blood I suspect will be ranked as the best of series, even best book written by Rowling ever, but, if looked at as the book that served the most critical place in setting up the finale, I think Hallmarked Man has to be considered better in that crucial way than Strike 5, better than any Strike novel. Can you think of another Strike mystery that reviews specific plot points and raises new aspects of characters and relationships the way Strike 8 does?4. Are you giving Hallmarked Man a specific function with respect to the last three books than any of the others? If so, John, what is that exactly and what evidence do we have that in Rowling's comments about reader-writer obligations and writer ambitions?5. Nick, I think Hallmarked Man sets us up to answer the Key mysteries that remain, that the first seven books left for the final three to answer. I'm going to organize those unresolved questions into three groups and challenge you to think of the ones I'm missing, especially if I'm missing a category.6. If I understand the intention of your listing these remaining questions, John, your saying that the restatement of specific plot points and characters from the first seven Strike novels in Hallmarked Man points to the possible, even probable answers to those questions. What specifically are the hallmarks in this respect of Hallmarked Man?7. If you take those four points, Nick, and revisit the mysteries lists in three categories, do you see how Rowling hits a fairness point with respect to clueing readers into what will no doubt be shocking answers to them if they're not looking for the set-ups?8. That's fun, Nick, but there's another way at reaching the same conclusions, namely, charting the key relationships of Strike and Ellacott to the key family, friends, and foes in their lives and how they run in pairs or parallel couplets (cue PPoint slides).9. Can we review incest and violence against or trafficking of young women in the Strike series? Are those the underpinning of the majority of the mysteries that remain in the books?10. Many Serious Strikers and Gonzo Galbraithians hated Striuke 8 because Hallmarked Man failed to meet expectations. In conclusion, do you think, Nick, that this argument that the most recent Strike-Ellacott adventure is the best because of how it sets us up for the wild finish to come will be persuasive -- or just annoying?On Imagination as Transpersonal Faculty and Non-Liturgical Sacred ArtThe Neo-Iconoclasm of Film (and Other Screened Adaptations): Justin requested within his question for an expansion of my allusion to story adaptations into screened media as a “neo-iconoclasm.” I can do that here briefly in two parts. First, by urging you to read my review of the first Hunger Games movie adaptation, ‘Gamesmakers Hijack Story: Capitol Wins Again,' in which I discussed at post's end how ‘Watching Movies is a a Near Sure Means to Being Hijacked by Movie Makers.' In that, I explain via an excerpt from Jerry Mander's Four Arguments for the Elimination of Television, the soul corrosive effects of screened images.Second, here is a brief introduction to the substance of the book I am working on.Rowling is a woman of profound contradictions. On the one hand, like all of us she is the walking incarnation of her Freudian family romance per Paglia, the ideas and blindspots of the age in which we live, with the peculiar individual prejudices and preferences and politics of her upbringing, education, and life experiences, especially the experiences we can call crises and consequent core beliefs, aversions, and desires. Rowling acknowledges all this, and, due to her CBT exercises and one assumes further talking therapy, she is more conscious of the elephant she is riding and pretending to steer than most of her readers.She points to this both in asides she make in her tweets and public comments but also in her descriptive metaphor of how she writes. The ‘Lake' of that metaphor, the alocal place within her from her story ideas and inspiration spring, is her “muse,” the word for superconscious rather than subconscious ideas that she used in her 2007 de la Cruz interview. She consciously recognizes that, despite her deliberate reflection on her PTSD, daddy drama, and idiosyncratic likes and dislikes, she still has unresolved issues that her non-conscious mind presents to her as story conflict for imaginative resolution.Her Lake is her persona well, the depths of her individual identity and a mask she wears.The Shed, in contrast, is the metaphorical place where Rowling takes the “stuff” given her by the creature in her Lake, the blobs of molten glass inspiration, to work it into proper story. The tools in this Shed are unusual, to say the least, and are the great markers of what makes Rowling unique among contemporary writers and a departure from, close to a contradiction of the artist you would expect to be born of her life experiences, formative crises, and education.Out of a cauldron potion made from listening to the Smiths, Siouxie and the Banshees, and The Clash, reading and loving Val McDermid, Roddy Doyle, and Jessica Mitford, and surviving a lower middle class upbringing with an emotionally barren homelife and Comprehensive education on the England-Wales border, you'd expect a Voldemort figure at Goblet of Fire's climax to rise rather than a writer who weaves archetypally rich myths of the soul's journey to perfection in the spirit with alchemical coloring and sequences, ornate chiastic structures, and a bevy of symbols visible only to the eye of the Heart.To understand Rowling, as she all but says in her Lake and Shed metaphor, one has to know her life story and experiences to “get” from where her inspiration bubbles up and, as important, you need a strong grasp of the traditionalist worldview and place of literature in it to appreciate the power of the tools she uses, especially how she uses them in combination.The biggest part of that is understanding the Perennialist definition of “Sacred Art.” I touched on this in a post about Rowling's beloved Christmas story, ‘Dante, Sacred Art, and The Christmas Pig.'Rowling has been publicly modest about the aims of her work, allowing that it would be nice to think that readers will be more empathetic after reading her imaginative fiction. Dante was anything but modest or secretive in sharing his self-understanding in the letter he wrote to Cangrande about The Divine Comedy: “The purpose of the whole work is to remove those living in this life from the state of wretchedness and to lead them to the state of blessedness.” His aim, point blank, was to create a work of sacred art, a category of writing and experience that largely exists outside our understanding as profane postmoderns, but, given Rowling's esoteric artistry and clear debts to Dante, deserves serious consideration as what she is writing as well.Sacred art, in brief, is representational work — painting, statuary, liturgical vessels and instruments, and the folk art of theocentric cultures in which even cutlery and furniture are means to reflection and transcendence of the world — that employ revealed forms and symbols to bring the noetic faculty or heart into contact with the supra-sensible realities each depicts. It is not synonymous with religious art; most of the art today that has a religious subject is naturalist and sentimental rather than noetic and iconographic, which is to say, contemporary artists imitate the creation of God as perceived by human senses rather than the operation of God in creation or, worse, create abstractions of their own internally or infernally generated ideas.Story as sacred art, in black to white contrast, is edifying literature and drama in which the soul's journey to spiritual perfection is portrayed for the reader or the audience's participation within for transformation from wretchedness to blessedness, as Dante said. As with the plastic arts, these stories employ traditional symbols of the revealed traditions in conformity with their understanding of cosmology, soteriology, and spiritual anthropology. The myths and folklore of the world's various traditions, ancient Greek drama, the epic poetry of Greece, Rome, and Medieval Europe, the parables of Christ, the plays of Shakespeare's later period, and the English high fantasy tradition from Coleridge to the Inklings speak this same symbolic language and relay the psychomachia experience of the human victory over death.Dante is a sacred artist of this type. As difficult as it may be to understand Rowling as a writer akin to Dante, Shakespeare, Homer, Virgil, Aeschylus, Spenser, Lewis, and Tolkien, her deployment of traditional symbolism and the success she enjoys almost uniquely in engaging and edifying readers of all ages, beliefs, and circumstances suggests this is the best way of understanding her work. Christmas Pig is the most obviously sacred art piece that Rowling has created to date. It is the marriage of Dantean depths and the Estecean lightness of Lewis Carroll's Alice books, about which more later.[For an introduction to reading poems, plays, and stories as sacred art, that is, allegorical depictions of the soul's journey to spiritual perfection that are rich in traditional symbolism, Ray Livingston's The Traditional Theory of Literature is the only book length text in print. Kenneth Oldmeadow's ‘Symbolism and Sacred Art' in his Traditionalism: Religion in the light of the Perennial Philosophy(102-113), ‘Traditional Art' in The Essential Seyyed Hossein Nasr(203-214), and ‘The Christian and Oriental, or True Philosophy of Art' in The Essential Ananda K. Coomaraswamy(123-152) explain in depth the distinctions between sacred and religious, natural, and humanist art. Martin Lings' The Sacred Art of Shakespeare: To Take Upon Us the Mystery of Things and Jennifer Doane Upton's two books on The Divine Comedy, Dark Way to Paradise and The Ordeal of Mercy are the best examples I know of reading specific works of literature as sacred art rather than as ‘stories with symbolic meaning' read through a profane and analytic lens.]‘Profane Art' from this view is “art for art's sake,” an expression of individual genius and subjective meaning that is more or less powerful. The Perennialist concern with art is less about gauging an artist's success in expressing his or her perception or its audience's response than with its conformity to traditional rules and its utility, both in the sense of practical everyday use and in being a means by which to be more human. Insofar as a work of art is good with respect to this conformity and edifying utility, it is “sacred art;” so much as it fails, it is “profane.” The best of modern art, even that with religious subject matter or superficially beautiful and in that respect edifying, is from this view necessarily profane.Sacred art differs from modern and postmodern conceptions of art most specifically, though, in what it is representing. Sacred art is not representing the natural world as the senses perceive it or abstractions of what the individual and subjective mind “sees,” but is an imitation of the Divine art of creation. The artist “therefore imitates nature not in its external forms but in its manner of operation as asserted so categorically by St. Thomas Aquinas [who] insists that the artist must not imitate nature but must be accomplished in ‘imitating nature in her manner of operation'” (Nasr 2007, 206, cf. “Art is the imitation of Nature in her manner of operation: Art is the principle of manufacture” (Summa Theologia Q. 117, a. I). Schuon described naturalist art which imitates God's creation in nature by faithful depiction of it, consequently, as “clearly luciferian.” “Man must imitate the creative act, not the thing created,” Aquinas' “manner of operation” rather than God's operation manifested in created things in order to produce ‘creations'which are not would-be duplications of those of God, but rather a reflection of them according to a real analogy, revealing the transcendental aspect of things; and this revelation is the only sufficient reason of art, apart from any practical uses such and such objects may serve. There is here a metaphysical inversion of relation [the inverse analogy connecting the principial and manifested orders in consequence of which the highest realities are manifested in their remotest reflections[1]]: for God, His creature is a reflection or an ‘exteriorized' aspect of Himself; for the artist, on the contrary, the work is a reflection of an inner reality of which he himself is only an outward aspect; God creates His own image, while man, so to speak, fashions his own essence, at least symbolically. On the principial plane, the inner manifests the outer, but on the manifested plane, the outer fashions the inner (Schuon 1953, 81, 96).The traditional artist, then, in imitation of God's “exteriorizing” His interior Logos in the manifested space-time plane, that is, nature, instead of depicting imitations of nature in his craft, submits to creating within the revealed forms of his craft, which forms qua intellections correspond to his inner essence or logos.[2] The work produced in imitation of God's “manner of operation” then resembles the symbolic or iconographic quality of everything existent in being a transparency whose allegorical and anagogical content within its traditional forms is relatively easy to access and a consequent support and edifying shock-reminder to man on his spiritual journey. The spiritual function of art is that “it exteriorizes truths and beauties in view of our interiorization… or simply, so that the human soul might, through given phenomena, make contact with the heavenly archetypes, and thereby with its own archetype” (Schuon 1995a, 45-46).Rowling in her novels, crafted with tools all taken from the chest of a traditional Sacred Artist, is writing non-liturgical Sacred Art. Films and all the story experiences derived of adaptations of imaginative literature to screened images, are by necessity Profane Art, which is to say per the meaning of “profane,” outside the temple or not edifying spiritually. Film making is the depiction of how human beings encounter the time-space world through the senses, not an imitation of how God creates and a depiction of the spiritual aspect of the world, a liminal point of entry to its spiritual dimension. Whence my describing it as a “neo-iconoclasm.”The original iconoclasts or “icon bashers” were believers who treasured sacred art but did not believe it could use images of what is divine without necessarily being blasphemous; after the incarnation of God as Man, this was no longer true, but traditional Christian iconography is anything but naturalistic. It could not be without becoming subjective and profane rather than being a means to spiritual growth and encounters. Western religious art from the Renaissance and Reformation forward, however, embraces profane imitation of the sense perceived world, which is to say naturalistic and as such the antithesis of sacred art. Film making, on religious and non-religious subjects, is the apogee of this profane art which is a denial of any and all of the parameters of Sacred art per Aquinas, traditional civilizations, and the Perennialists.It is a neo-iconoclasm and a much more pervasive and successful destruction of the traditional world-view, so much so that to even point out the profanity inherent to film making is to insure dismissal as some kind of “fundamentalist,” “Puritan,” or “religious fanatic.”Screened images, then, are a type of iconoclasm, albeit the inverse and much more subtle kind than the relatively traditional and theocentric denial of sacred images (the iconoclasm still prevalent in certain Reform Church cults, Judaism, and Islam). This neo-iconoclasm of moving pictures depicts everything in realistic, life-like images, everything, that is, except the sacred which cannot be depicted as we see and experience things. This exclusion of the sacred turns upside down the anti-naturalistic depictions of sacred persons and events in iconography and sacred art. The effect of this flood of natural pictures akin to what we see with our eyes is to compel the flooded mind to accept time and space created nature as the ‘most real,' even ‘the only real.' The sacred, by never being depicted in conformity with accepted supernatural forms, is effectively denied.Few of us spend much time in live drama theaters today. Everyone watches screened images on cineplex screens, home computers, and smart phones. And we are all, consequently, iconoclasts and de facto agnostics, I'm afraid, to greater and lesser degrees because of this immersion and repetitive learning from the predominant art of our secular culture and its implicit atheism.Contrast that with the imaginative experience of a novel that is not pornographic or primarily a vehicle of perversion and violence. We are obliged to generate images of the story in the transpersonal faculty within each of us called the imagination, one I think that is very much akin to conscience or the biblical ‘heart.' This is in essence an edifying exercise, unlike viewing photographic images on screens. That the novel appears at the dawn of the Modern Age and the beginning of the end of Western corporate spirituality, I think is no accident but a providential advent. Moving pictures, the de facto regime artistry of the materialist civilization in which we live, are the counter-blow to the novel's spiritual oxygen.That's the best I can manage tonight to offer something to Justin in response to more about the “neo-iconoclasm” of film This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit hogwartsprofessor.substack.com/subscribe

On February 5th of this year, Steve Himelfarb, a longtime fixture in New Orleans' food scene and a true Renaissance man, passed away at the age of 61 following a battle with cancer. Kind, passionate, and endlessly creative, Steve took on many different roles in his life. He was by turns an acclaimed sound engineer, door-to-door cake salesman, café owner, king cake pioneer, teacher, and all-around community treasure. He was also our dear friend and colleague. Steve joined Louisiana Eats as a producer in 2022, working on this show over the last several years with his wife, Becky Retz. His contributions behind the scenes have been vital to what we do here. Over the years, Steve actually appeared on Louisiana Eats several times. In 2021, we interviewed Steve and Becky about the legacy of their beloved Marigny mainstay, Cake Café, and their love letter to diners: The Cake Café Cookbook. In 2023, Steve discussed how his specialty king cakes became a fundraising tradition at the New Orleans Center for Creative Arts. On this week's show, we remember our friend by bringing you extended versions of these two conversations. We also speak with sound engineer and producer Lu Rojas, who shares stories of Steve's esteemed music career. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.

Ruben en Tijl blikken terug op een pilot met Ruben van der Meer en Jeroen van Koningsbrugge die even grappig als goor was. Als mediamannen zijn Ruben en Tijl natuurlijk gefascineerd door de media-Renaissance rondom Netflix, WarnerBros en Paramount. Bibberend van de hoge bedragen vragen ze zich af of ‘limitarisme’ niet een goed idee zou zijn. Tijl zag de geweldig spannende film Prisoners die hem dagen lang bezig hield. Hoe een simpele Franse burgemeester het nieuws bereikte, wat het belang is van het kiezen van de nieuwe James Bond en hoe Ruben het ongeluk van ‘de slechtste chauffeur van Nederland’ zelf ervaren heeft.

We are celebrating the last of 2025 with a great podcast episode with a talented, renaissance woman, author Turtleberry. his Baltimore native is a Renaissance woman: poet, photographer and romance author. We talk about her journey as a romance/women's fiction author as she embarks on the release of her 43rd book!About Turtleberry:Turtleberry is a writer of stories featuring Black women living life and falling in love. She is Baltimore born and bred. She likes to spend her time writing and watching HGTV and football. She also is an avid reader who especially loves Contemporary Black romance.Visit her website for links to her social media hereFollow Romance in Colour on Social MediaIG ⁠@RomanceInColour⁠Twitter: ⁠@RomanceNColour ⁠Facebook Groups: ⁠www.facebook.com/groups/RomanceinColour⁠Follow Yakini on her Instagram @OurNycHomeFollow Tati Richardson on social media and pick up her books here, ⁠here⁠

On February 5th of this year, Steve Himelfarb, a longtime fixture in New Orleans' food scene and a true Renaissance man, passed away at the age of 61 following a battle with cancer. Kind, passionate, and endlessly creative, Steve took on many different roles in his life. He was by turns an acclaimed sound engineer, door-to-door cake salesman, café owner, king cake pioneer, teacher, and all-around community treasure. He was also our dear friend and colleague. Steve joined Louisiana Eats as a producer in 2022, working on this show over the last several years with his wife, Becky Retz. His contributions behind the scenes have been vital to what we do here. Over the years, Steve actually appeared on Louisiana Eats several times. In 2021, we interviewed Steve and Becky about the legacy of their beloved Marigny mainstay, Cake Café, and their love letter to diners: The Cake Café Cookbook. In 2023, Steve discussed how his specialty king cakes became a fundraising tradition at the New Orleans Center for Creative Arts. On this week's show, we remember our friend by bringing you extended versions of these two conversations. We also speak with sound engineer and producer Lu Rojas, who shares stories of Steve's esteemed music career. For more of all things Louisiana Eats, be sure to visit us at PoppyTooker.com.

Patrick's new book, Lost Worlds: How Humans Tried, Failed, Succeeded, and Built Our World, launches May 5th, 2026! Check out this audiobook preview chapter on two murders around 5,300 years ago, hear about everything we can learn from Otzi the Iceman in the Alps and Gebelein Man in Egypt, and be sure to preorder the book in your medium of choice through the link here: https://bit.ly/PWLostWorlds.Patrick launched a brand-new history show on December 3rd! It's called Past Lives, and every episode explores the life of a real person who lived in the past. Subscribe now: https://bit.ly/PWPLA And don't forget, you can still Get The Verge: Reformation, Renaissance, and Forty Years that Shook the World in hardcopy, ebook, or audiobook (read by Patrick) here: https://bit.ly/PWverge. Listen to new episodes 1 week early, to exclusive seasons 1 and 2, and to all episodes ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App https://wondery.app.link/tidesofhistory See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hello Witches This episode has been one of my favourites to research and was something I discovered last month whilst working on the Angels theme for my Patreon, The Hedge & Hollow. In this episode I explore The Book of Raziel where language, timing, planets, angels and intention were understood as part of a single living system. We look at the idea of words as vibration, sacred names and why the Hebrew letters were treated as energetic forces rather than symbols. I talk about how this tradition connects to the 72 Names of God, spell timing, planetary days and the correspondences modern witches still work with, often without realising how old these systems truly are (I know I had no idea!). We also touch on the lineage that flows from Raziel through Adam, Enoch, Noah and Solomon and how this current eventually shaped medieval grimoires, Renaissance magic and later systems like the Golden Dawn. There are so many future episodes to come off the back of this topic following the thread of King Solomon, The Rosicrucians, The Golden Dawn, Aleister Crowley and Boleskine Lodge. Keep an eye out for my new House witch boxes dropping on my Etsy store The White Witch Company this week - ideal for New Year house cleanses, first of the month rituals, full or new moon rituals or as new house gift! You can also find my bestselling Yule Zine and Witch Box - Horn & Sickle here with shipping across the globe - https://www.etsy.com/shop/TheWhiteWitchCompany?ref=dashboard-header Join us for Snake & Sickle month in The Hedge & Hollow - https://patreon.com/TheHedgeandHollow?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLink Find me on Instagram - https://www.instagram.com/thewhitewitchpodcast/?hl=en Email - carly@thewhitewitchcompany.co.uk   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

We usually remember Genghis Khan as history's ultimate destroyer but what if he was also its first great economic integrator? In this episode, we rethink the Mongol Empire not as pure terror, but as the largest continuous free‑trade zone the world has ever seen, stretching from Korea to Ukraine. By reopening the Silk Road after a thousand years, the Mongols allowed ideas, technologies, and capital to flow from China to Europe; paper, gunpowder, money, insurance, trade associations, even early globalisation itself. The same networks that spread innovation also carried the Black Death, halving Europe's population and accidentally laying the economic foundations for the Renaissance. From biological warfare to free movement of people and goods, this is the story of how a nomadic empire reshaped the global economy, and why globalization is far older, darker, and stranger than we like to admit. Hosted on Acast. See acast.com/privacy for more information.

As Rick continues his series on former-Disney chairman and CEO Michael Eisner, he turns his attention to the Disney Renaissance.  This week, he will cover the first three animated movies of the Renaissance. 

Michigan Weather and Women: Part 2 Dancing, and other forms of sentimentality. Based on a post by CleverGenericName, in 4 parts. Listen to the Podcast at Connected.  As we finished the prep work, I asked Wilma about her day with Mary. "She is a good kid but is carrying a lot of anger and shame. We spent most of the day getting in touch with that anger. It takes some people years before they can express their emotions through art; it took her about five minutes. But we had to take some breaks to clean up the paint splatters afterward before they stained." "Oh shit! Sorry about that. I can pay to replace anything that;" "Nothing to apologize for; I asked her to express how she felt, and she did it in the way that felt right to her." "Well, I appreciate your taking the time. I am just her big brother; I feel so lost when it comes to parenting." "Being a parent doesn't mean that you know any more than anyone else, and it certainly doesn't mean that you know any better. For what it's worth, I think you are doing a fine job with your family. I know that you don't have your parents around to say it, but this old woman is mighty proud of who you are and of how you have stepped up for your brother and sisters. They are very lucky to have you." I turned away so that Wilma wouldn't see me getting choked up. I couldn't remember the last time that someone had said they were proud of me. Soon enough, though, it was dinner time, and Erin came into the kitchen with that same look of amusement on her face. "Sorry to bother the chef, but Lane needs some help that only a big brother can provide." When I gave her a quizzical look, she blushed. "It seems like he is going through puberty, which can pose; some new challenges. When I was assessing his ankle, he; well, indicated his interest in me in a way that can be difficult to hide, particularly while wearing sweatpants. It's natural for his body to react that way at that age, and it's nothing for him to feel badly about, but he was mortified. I think he could use a bit of brotherly guidance and understanding." I went to the living room and saw that Lane was curled up on the couch and looked like he was fighting back tears. "How are you doing, Buddy?" He couldn't even look at me he was so embarrassed. "I am so sorry; I just couldn't help it. I don't know why it started to get bigger, and I wanted it to stop, and it wouldn't and then she saw me, and;" he continued as he fought back a sob. "Can we just go home?" "Erin is a doctor. She knows how the human body works and has seen that kind of thing a hundred times. She isn't mad at you or embarrassed. She just feels bad that you feel so bad. This is just part of getting older and growing up. "Did I ever tell you about what happened in Miss Iron's class when I was a freshman? Miss Iron was a bit of a legend among the male students at our local high school. She was the youngest and prettiest teacher, by far, and even though she always dressed professionally, the clothing style had yet to be invented that could fully conceal her bountiful natural endowment. "Well, I liked Miss Irons a lot. She was one of the few teachers who looked past my difficulty with reading and writing. So, I developed a little crush on her, which was fine until the inevitable; hmm, physical demonstration of my crush; happened in class one day, just before she asked me to collect everyone's quizzes. I tried to delay, I tried to ask a friend to do it instead, but eventually, I had to stand up. It took me until my junior year to live that one down." As Lane listened to my story, he turned to face me and his second-hand embarrassment for me helped to push his embarrassment to the side. "So, what happened?" "Miss Irons was lovely and kind like she always was, but I wanted the floor to open up and swallow me or to get hit by a bolt of lightning. Things would have been fine if she hadn't mentioned what happened to the principal, who called Mom. She didn't find the story funny at all." I hadn't thought of the aftermath when I started telling Lane this particular story, but as they say, might as well put it in four-wheel drive and keep going. "Mom was mad?" "By then, Mom was pretty much always angry. I did my best to keep her away from you and the girls when she got that way, but yeah; she was mad." "Are you mad at me?" "No, Bud, I'm not. In a few years, once your embarrassment has died down a little, I will tease you mercilessly about this because that's what brothers do; and maybe threaten to tell your girlfriend, if you fall behind on your chores or homework. But I will never get mad at you for something that you can't control. And I promise that Erin isn't mad at you either." Just then, Mary poked her head in to tell us that dinner was on the table. "Are you safe now, or do you need a few more minutes." "I'm good. Thanks, Dad." After I helped Lane hobble into the dining room, we got down to the business of eating and teasing each other, but not necessarily in that order. It felt good; almost like what I imagined a real family would feel like. Eventually, the conversation turned to more serious matters, though, and Erin led off the questions. "So, how do you know Gran, and why are you wearing Grampy's favorite sweater? And, for what it's worth, I don't remember him filling it out in quite the way that you do." I blushed a bit as Wilma jumped in. "If Phillip had filled out that sweater like young Davis here, it wouldn't have stayed on him for very long, I can tell you that." "Gran!" Erin exclaimed, laughing while sounding scandalized. "I didn't need that mental image. Heck, none of us needed that mental image." "Oh, don't you worry, Dear. He still filled it out well enough, and it looked equally good on our bedroom floor." We were pretty much all blushing at that point, which I think was Wilma's objective, so I quickly changed the topic. "I am just your mother's plumber. I came out to fix her boiler and then finished the job earlier this week when a couple of parts came in that I needed." Wilma jumped in at that point and added her two cents to my story. "He also brought me my groceries and we had a lovely conversation. He is a real Renaissance gentleman, a rarity these days." Erin looked grateful but concerned. "Did you have enough money to cover the bill, Gran? You know I can help if you need;" I tried to jump in before Wilma could reply. "No need to worry, the bill was paid in full;" "Hogwash," Wilma exclaimed as I tried to finish, turning to Mary before she continued. "Your brother wouldn't let me pay him a cent for the work that he did. Not even for the parts that needed to be replaced! He is a very nice boy but a terrible businessman." I turned to Erin for support. "I figured your Gran has enough going on right now with her health and all. It was the least I could do to help her out." Erin looked at me with a strange expression on her face. I didn't have much experience with women, so I figured I must have made her angry somehow. Most of my interactions with women, including my sisters, seemed to end with them being upset with me for one reason or another, but she didn't sound angry when she spoke. "Thank you, Davis, that was very sweet of you." "Yeah, well; you see, it's just; pass the fish, please." "That still doesn't explain why you're wearing Grampy's favorite sweater. When I was a little girl, I used to curl up in Grampy's lap and snuggle into that sweater as he read to me. He was wearing it when I danced my first dance with him in front of the fireplace. Do you remember that old record player, Gran? You used to bring it out and we would waltz around the living room to Moon River." "I still have that record player here somewhere, let me go see if I can find it." Erin started to protest, but it was too late. "To finish answering your question, Erin, we were here today because your Gran offered to mentor Mary. I tried to politely decline, but your Gran is pretty persistent when she wants to be." "That sounds like Gran. Most of the time when she makes a suggestion, it is really a command." "While we are asking questions, how is Lane's ankle?" "It's pretty badly sprained, and he will need to use crutches to walk for the next couple of weeks. You should bring him to the hospital to get some X-rays done as well, to make sure that he doesn't have any fractures." I could feel myself deflate as she mentioned X-rays. "I'm not trying to be cheap, but are the X-rays absolutely necessary? We don't have the best insurance; we got it through the exchange. I guess it's better than nothing, but the deductible is pretty high, and my other sister, Alison, her college tuition is due soon. But if you say it's important, I will put in some extra hours to make it work." It didn't usually bother me that we were poor. Heck, most everyone we knew, except the McDougals, was poor. But it hit home when you had to tell a beautiful doctor with bright amber eyes that you couldn't afford an X-ray for your little brother unless it was urgent. "Tell you what. I will be working at the hospital in Petoskey tomorrow, so why don't you bring Lane by, and I will take care of him? I will make sure that he gets a pair of loaner crutches for as long as he needs them." "You don't need to do that for us." Erin gave me another one of her looks, this one I was more familiar with; I was pretty sure it was annoyance. "So, just to be clear, you can look after my Gran, fix her boiler for free, and bring her groceries whenever you feel like it, but I can't look after your brother and make sure that his ankle is treated properly?" "Well, when you put it that way, I sound like a bit of a jackass. I'm sorry." "Apology accepted. Come by the hospital at 11 AM tomorrow." Before we could continue, the sound of a 45 playing on an old record player filled the house. You could hear the hisses and pops before Ella Fitzgerald's voice began to sing "Dream a Little Dream of Me." Chapter 3. We got up from the table and followed the music back to the living room. I helped Lane out of his chair while he half-hobbled and half-hopped along beside me. Wilma had set her ancient record player up in the corner beside a stack of old 45s, and she had a faraway look in her eyes as she looked out the picture window toward the lake. "I think it's time for me to ask the prettiest girl in the place to dance," I said, as my eyes swept across the room. "But unfortunately, it's a three-way tie. So, will you do me the honor?" I said as I held out my hand to Wilma. "I haven't danced since Phillip passed. You know, we used to dance together every Friday night. It didn't matter where we were or what we were doing, we would always make time to dance at least one song together, even if the music was only in our heads." "I imagine I will be a pretty poor partner compared to Phillip, but I will try not to step on your toes." Wilma and I ended up dancing a slow foxtrot to "Unforgettable" by Nat King Cole. She smiled at me as we slowly circled the living room. "You're a very good dancer, young man." "Our mother taught me when I was very young." Before she began with the drugs and men, our mother had been a showgirl in New York and then Las Vegas. When she got pregnant with me, she moved back to Mackinaw City and started teaching ballroom dancing at a local studio. By the time I was five, I was her practice partner of choice, and she always insisted that I lead, despite being only half her size. "The man always leads, Darling, that's just the way of the world." I was hardly a man at the time, but I never disagreed with my mother when she was in a good mood, because I knew it could shift in an instant. So, I learned to dance, and I learned to lead. The memories came flooding back as I guided Wilma into a soft over-sway, and she smiled with delight. "Oh my, you do know how to dance!" I couldn't help but smile back. "I can't take all the credit. I think Phillip must have infused this sweater with his fancy footwork." As the song ended, I took a step back and did my best to give Wilma a gracious bow. "It was a pleasure dancing with you, my lady." "The pleasure was all mine, good sir." I turned toward Mary and held out my hand. She hesitated before Wilma declared, "There are no wallflowers in this house." Mary slowly stood but looked anxious as I took her hand. "Davis, I don't know how to dance. Mom was; she was too far gone to teach me by the time I was old enough to learn." "That's okay," I reassured her. "If there is anything that Mom made sure of, it's that I know how to lead. Just relax, and I will guide you through it." Wilma helped Lane, who had taken over as DJ, to choose a slower song so that Mary would feel more comfortable, and I heard the opening bars of "What a Wonderful World" by Louis Armstrong. I started to lead Mary through a slow rumba, and she picked up the steps very quickly. She was a natural. I felt a sudden stab of regret as we moved together across the floor. "I'm sorry. I should have made time to teach you to dance. But the last few years, it has just taken everything I have to keep us;" "It's alright. You've had other things on your mind. And look; you are teaching me how to dance, now." As Mary grew more confident, I guided her through a simple underarm turn, and we ended with a dip, which made her giggle and earned a round of applause from the others. Finally, I turned to Erin, who was sitting on the couch beside Lane. I suddenly felt very shy and, for the first time that evening, she looked nervous as well. "Would you dance with me, Erin?" She didn't reply but stood and took my hand. We waited for a moment while Wilma and Lane chose a new 45 and then listened to the pop and hiss as it started to play. Soon, an alto saxophone introduced the Henri Mancini version of "Moon River," and we started a slow waltz. Although there was space between us, it was bridged by an electric charge that connected and drew us together. Even though I spent most of the dance looking over Erin's shoulder, every detail of her beauty was etched in my memory, and I felt a warm breeze pass between us, raising goosebumps on my skin. We barely noticed the pause as the song ended, and a new one began until Etta James began to sing. At last, my love has come along My lonely days are over And life is like a song The song was in 4/4 time, so I switched to a foxtrot and Erin followed as we glided across the smooth wood of the living room floor. I was so caught up in the moment, and in Erin, that I led her through a turn that transitioned into an over sway, before I stepped backward, allowing her to gently pivot into me. Our eyes met and I was lost in them again. Before we could break the spell, a heavy gust of wind shook the house, and the power flickered out. The room went dark, which sharpened my remaining senses. Suddenly, the warmth of Erin's breath on my neck felt like wildfire across my skin. We were motionless for a three-heartbeat eternity before the lights flickered and came back on. I let go of Erin and felt all of my longing and awkwardness rush back in. "Thank you, Erin. That was;" I couldn't finish; words didn't seem enough to express how I felt. "I should check the breakers and make sure that everything is alright, and then we should go. Why don't I wash these clothes and drop them back for you later." Wilma just smiled and shook her head. "If you like them, please keep them. Otherwise, they will just grow old and musty like me." A little while later, we said our goodbyes, but I promised to bring Lane to the hospital the next morning. Wilma told Mary that she would see her on Wednesday after school and again the next Sunday. I was expecting Mary to protest, but she just gave a meek, "Yes, Wilma." I was nervous when I took Lane to the hospital the next day. The deductible on our insurance was high enough that we paid for pretty much anything less serious than a severed limb out of pocket. Erin, however, was as good as her word. After the X-ray confirmed that there were no breaks or fractures in the bones around his ankle, she re-wrapped it and arranged for a pair of loaner crutches that he could use for as long as he needed them. Before we left, Erin asked me if I wanted to grab a coffee in the cafeteria, to which I readily agreed. I gave my phone to Lane so he could amuse himself while Erin and I talked. "I just wanted to say how much I appreciate what you did for Gran. I do what I can, but I spend half my time at the Children's Hospital down in Grand Rapids right now and I am often on call while I am here. I just don't have the time to give her the help that she needs." "Honestly, it's no big deal. I do a lot of work around Good Hart since the bigger plumbing companies don't like to travel that far, so I don't mind looking in on her while I am there. And she seems to have taken a real interest in Mary, so the least I can do is to bring her some groceries and help around the place a bit." Erin pursed her lips and looked like she had just bitten into a lemon. "The 'least you can do' is more than the rest of our family can be bothered to do put together, so thank you." "I meant to ask you about that. What did your Gran do to end up so isolated from the rest of your family?" "The rest of my family is; there is no nice way to put it, they're snobs. None of them have any interest in spending time 'up north' as they call it, and they can't wait for Gran to move into a retirement home and die so they can get their money and forget about this place. That's why no one comes to visit Gran anymore, even for Thanksgiving; it's part of their campaign to convince her to sell her land to the McDougals. Before you came along, I thought they were going to succeed." "Well, excuse my language, but fuck them. I don't know Wilma that well, but I will do what I can to make sure that she gets to spend her remaining days in the place that she loves." "That's easy to say, but harder to do once the McDougals and their minions start coming by your place, offering you money and making threats unless you back off." "Well, if they do, they will find out what every teacher who ever taught me learned the hard way. I am bad at taking orders and even worse at following instructions. I am not afraid of the McDougal boys." My exclamation brought a smile to Erin's pretty face. I decided that I would be willing to do quite a lot to see that smile on her face again. But there was one thing I still didn't understand. "Why aren't you on board with the rest of your family? You must be under a lot of pressure to abandon your Gran like the rest of them." "My father, Gran's youngest son, Max, died shortly after I was born, and my mother moved the family to California where she remarried into a family that had a little money but a great deal of pretension and ambition. My mother picked up that insatiable need for money and status like it was a virus. "When I was a child, my mother and stepfather spent summers and holidays traveling the world, staying in places where children weren't welcome. Although they wanted nothing to do with Gran and Grampy and their 'vermin-filled shack in the middle of nowhere', they were more than happy to leave me with them while they were away. "They would put me on a plane to Grand Rapids while they jetted off to their spas and their fine dining. Gran and Grampy were the only people who cared for me, and they became my whole world. "When I was 14, I was staying with Gran and Grampy, and I caught a fever that was so bad that I nearly died. It was a pretty grim time. My parents even thought about flying home from Monaco to be with me. They didn't, but it was the only time in my entire childhood that they considered it. But I will always remember how kind the doctors and nurses were to me when I was sick. That's why I became a pediatrician and moved home." "Isn't California home?" "Home is where the people that you love are, and so this will always be my home. Or it will be until Gran passes on, anyway." We sat in silence for a while, sipping our coffee. Before long, it was time for me to go. "This might sound crazy, but since the rest of your family aren't going to be here to celebrate Thanksgiving with your Gran, how about you and I try to give her one more Thanksgiving to remember." Erin brightened at the idea, and the smile returned to her face. "That would be amazing! Why don't I give you my number, and we can figure out how to make it happen!" Chapter 4. For the next few weeks, Mary continued to meet with Wilma on Wednesdays and Sundays. I would often take the opportunity to bring her groceries or other supplies while I dropped Mary off and, if the weather was agreeable, do some fishing. Once he could walk without crutches, Lane came along as well, in quest of another monster steelhead. Unfortunately, all he caught was some yellow perch and rock bass, but it was nice to spend the day with him down on the dock. I saw Erin a few times at Wilma's as we made plans for Thanksgiving. She seemed to particularly enjoy talking with me while I split firewood out by the shed. It was hard work, and I was often drenched with sweat by the time I was done, but she didn't seem to mind. And she worked while we talked, helping to stack the larger pieces and collecting the smaller ones for kindling. The one point of contention in our plan was how Erin would get to Wilma's on Thanksgiving Day. She was slated to work a 12-hour shift the evening before, ending at seven in the morning, and she worried that if she went home to rest, she would sleep through the entire day. Her solution was to drive out to Wilma's after her shift and catch a few hours of sleep when she got there. I thought that driving that far after working all night seemed like a terrible idea, so I offered to give her a ride instead. She did not like that one bit. "I don't want you to make an extra trip when I am perfectly capable of driving myself." It sounded like she was digging in for a fight, so I tried a different tactic to convince her. "I need to stop at the hospital anyway, to return Lane's crutches. I can kill two birds with one stone and pick you up at the same time." She didn't buy that rationale either so, reluctantly, I resorted to the truth. "I am sure you're a great driver, but if you drive yourself, I will be up that morning anyway, worrying that you are safe. I know it doesn't make sense, but I have been looking after my siblings for so long its second nature for me to worry, and I can't seem to turn it off. So please, let me pick you up. But for me, not for you. And do you know how rarely I get to be gallant these days? I will feel like your knight in shining armor." That finally got a laugh from Erin. "Alright, you win. Why don't you pick me up at 7:15 at the hospital? You can sweep me up onto your trusty steed and carry me away to Gran's house." "If by trusty steed you mean rusty old GMC truck, then it's a deal." The morning of Thanksgiving dawned chilly and gray, with a cold wind blowing in off the lake. I was up early to make sure that I made it to the hospital on time, and I was listening to the local AM country station as I drove when the DJ started his break. "A happy Thanksgiving to all our listeners. If you're on the roads today, be aware that there is a severe weather warning in effect for the area north of Cadillac and into the upper peninsula. We're expecting a combination of high winds and lake-effect snow to make driving hazardous, and you should be prepared for possible power interruptions and outages." I was relieved that Erin had agreed to let me pick her up and that I had invested in good snow tires for my pickup. The snow had already started by the time I reached the hospital, and I pulled my jacket tightly around me as I went inside. I dropped Lane's crutches with the duty nurse and waited for several minutes before Erin arrived. She looked exhausted, and the gentle smile that I loved was nowhere in evidence. "Hey, Erin. Are you okay?" "I'm fine. I just had a long shift, but I am ready to head out." She came up to me and gave me a hesitant look. "Actually, I could really use a hug if that's alright." Without a word, I wrapped my arms around her, and she buried her face in my sweater. Hidden from the world by the folds of my jacket, I felt her body start to shake. The tremors lasted for a minute before they gentled and then finally stopped. I looked out the window at the falling snow to give her a moment to compose herself. "Let's head to Gran's house. This weather isn't going to get better any time soon." With that, we got in my truck and started the drive up to Good Hart. Erin sat in silence and looked out the window. "If you want to talk, I probably can't help with doctor problems; but I am a good listener." It took Erin a minute before she opened up. "Most of the time, I love being a pediatrician. Kids come to me scared and in pain, and I help them to get better. But sometimes, it's just too much. Around midnight last night, an ambulance brought in a mother and daughter. Her boyfriend had been drinking; and he got violent. The little girl tried to protect her mother and; and; "It's one thing to treat a grown woman, you know. I mean it's still pretty bad, but; that little girl. Fuck. One thing I've learned from this job is that monsters are real." I wanted to give Erin another hug, but since I was driving, I just reached over to take her hand. "I'm sorry." My words seemed so incredibly inadequate; considering what she had just dealt with; but she squeezed my hand. "Thanks for listening." We drove on in silence, and by the time we pulled into Wilma's laneway, Erin was gently snoring with her head against the window. I stopped as close as I could to the house before lifting her out of the cab. She tucked her head into my shoulder, and I carried her inside, where Wilma was already busy in the kitchen. She came out to greet us, and I spoke to her in a low voice. "Erin had a very tough night. I think some rest will do her a world of good." Wilma helped Erin out of her boots and coat and then showed us through to the guest bedroom, where I laid Erin on the bed. The room was filled with pictures of Erin from when she was younger; standing on the dock with an older but handsome man who I guessed must be Phillip, curled up in a ball on the sofa, book in hand, and smiling in her cap and gown as she graduated. In each picture, I could see hints of the beautiful woman she would become. By the time I returned with the rest of my family, the storm had begun to pick up. Snow drifts were accumulating against the house and shed, so we brought everything with us into the house that we might need for the evening. It took some convincing, but Sharon and I took over in the kitchen while Wilma, Alison, Mary, and Lane started a game of Scrabble in the living room. Once the preparations were well underway, I laid in as much wood for the fireplace as I could. With the high winds and heavy snow, I was worried that we might lose power, and I wanted to make sure that we prepared, just in case. The radiators and boiler would provide almost no heat if there was a prolonged power outage, but the fireplace had a high-efficiency insert that would keep the house warm, as long as we built up a good bed of coals. Lane insisted on helping me with the firewood, and after a half dozen trips to the woodshed and back, we both looked like live-action versions of the abominable snowman. Wilma showed some sympathy for our plight, while our sisters had a good-natured laugh at our expense. By the early afternoon, dinner was almost ready, and Wilma sent me to wake Erin. She had barely moved since I had tucked her in and seemed so peaceful in her sleep. I leaned over and spoke softly to her until she opened her eyes. After a moment of confusion, she broke into a shy smile. "I guess we made it to Gran's." "That we did, we got here close to six hours ago." Her eyes flew open, and she tried to get up until I reassured her. "We've got things under control. Dinner will be ready in about twenty minutes. Take your time; and maybe give yourself a few minutes for that pillow line on your cheek to fade." I turned to leave, so she could have some privacy, but she reached out and took my hand. "I just wanted to say thank you again for earlier. I am not used to having someone I can talk to; someone I can trust. It's only been Gran and Grampy, and me for so long, and I didn't want to burden them. But I shouldn't have dumped my troubles on you like that, we barely know each other." "I was just glad that you felt comfortable enough to share how you felt with me. Today was probably the worst day of that little girl's life. I am sure she was terrified, confused, and in a lot of pain. But what she'll remember is the angel who comforted her and treated her with kindness and love. "I need to get back to the kitchen, or I will burn something. Fair warning, this is my first time cooking a Thanksgiving turkey, so you may want to load your plate up with fixings and sides, just in case." As it turned out, the turkey wasn't perfect, but it wasn't that bad, and the gravy was tasty as heck (probably because Wilma made it.) We had mashed potatoes, stuffing, corn, and peas as sides, with the obligatory cranberry sauce (from a can). The conversation at dinner was a chaotic mixture of laughter, stories, and the kind of teasing that you only get when you bring five siblings together over a hearty meal. It didn't take Erin long to choose a side in the battle of the siblings, and soon, it was the four girls against Lane and me, with Wilma as our impartial referee. I don't know how Lane felt, but for me, it was worth being ganged up on just to see Erin and my sisters smiling and laughing. Although he tried to hide it, it was clear that Lane still had a bit of a crush on Erin, so I imagined that he was just fine with making her smile as well. For dessert, Erin brought pumpkin and apple pies that she had bought at the bakery in Petoskey, which we ate with some vanilla ice cream from the local creamery. I was sure there would be some dessert left over, given the amount that we all ate for dinner, but somehow, we finished it all. Everyone pitched in with the dishes and then we moved to the living room where we played cards and some more board games. As we played, Mary asked Wilma about some of her more memorable Thanksgivings, and she got a faraway smile. For the next hour, she regaled us with stories of humble times with the kids by the lake and, in later days, fancier celebrations with some of the families that Phillip befriended while they sat for portraits. As our last game of Scrabble ended, Sharon looked at Wilma with a mischievous grin. "Mary was telling me about the dance party that you had a few weeks ago here in your living room. Rumor has it that my big brother can dance! I was hoping, if you asked him nicely, that we could all see him in action." Wilma got up from her chair and started to move toward the hall closet. "Lane, come along and help, please. I am far too old to be carting around a heavy record player." Lane hopped up and went to help Wilma, while the rest of us began to move the furniture out of the way. As Lane set up, Wilma admonished the rest of us. "Remember, there is only one rule about dancing in my house: no wallflowers." With that, Lane started the first song, and I asked Wilma to dance. Alison followed suit, asking Lane to dance, and soon she was teaching him how to lead. Finally, Erin stood as well and gave a deep bow to Mary. "It would be my honor, enchanting lady, if I could have this dance." With a laugh, Mary stood, and soon we were all moving around the room, trying not to bump into each other or step on each other's toes. For the next hour, we danced, laughed, and pretty much forgot about the world outside. Lane even got up the courage to dance with Erin, although he stayed so far away from her that you would have thought she was radioactive. I took a couple of turns with Erin and was amazed at the way she melted into my arms. When we danced, there was a wave of knowing smirks from my sisters and a pleased smile from Wilma, but I didn't care. I could have danced with her all night. Unfortunately, during my third dance with Erin, the real world decided to interrupt our festivities. Erin and I had just started a turn when the power went out. I instinctively pulled Erin into my arms to protect her, and then I leaned in through the darkness and kissed her. She returned the kiss, ran her hand through my hair, and let out a small moan. "Do you think the power will come back on?" Lane's question cut through the fog of my lust and longing. "Probably not until sometime after the storm has passed. So, we should all plan on spending the night here and then figuring things out in the morning." With Wilma's agreement, we got settled in for the evening. After some protest, Wilma agreed to sleep in the guest room since it had a direct line of sight to the thermoelectric stove fan that helped circulate the heat from the fireplace. My three sisters slept in Wilma's bed, both to share body heat and because it was the larger of the two beds in the house. Lane slept on the couch, while Erin and I slept on the floor in front of the fireplace. Erin laid out an older sleeping bag, for comfort, with some bedding and blankets on top. In deference to Lane, she waited until she was under the blankets before she shimmied off her pants, while I stoked the fireplace. I made one more pass through the house, to check on Wilma and my sisters, but it seemed they had already fallen asleep. Even Lane had passed right out, despite his proximity to the pants-less Erin. I set a quiet alarm on my phone for two-hour intervals so that I could get up and add wood to the fire, ensuring that it would last all night. Looking down at the makeshift bed where Erin was watching me, I suddenly felt incredibly shy and anxious. I took my sweater and pants off as quickly as I could and set them on a chair before crawling under the blankets next to her. I didn't want to be presumptuous, so I stayed as far over to one side as I could. I had just settled in when I heard Erin's soft voice from behind me. "You can come a little closer. I won't bite, you know." My brain froze with indecision, but my heart knew the score and it started beating at a furious rate. I heard her shifting behind me, and I felt an arm wrap itself around my chest. My senses were on fire. The faint scent of lavender from her hair washed over me like a field of wildflowers. "Was everyone safe when you made your patrol?" I slowly rolled over so that my forehead was lightly touching hers, and I could see the flickering of the fire reflected in her eyes. "I know it's silly, but I can't sleep until I know that everyone I love is safe. Even when she is away at college, Alison texts me each night to let me know she is okay. I will make another round later after I stoke the fire." "It's not silly at all; I feel safe when I'm with you too.  Why don't you tell me your story, Davis Crawford." She must have felt me stiffen, and she started to lightly brush her fingertips through the hair on the back of my neck. "You don't have to if you're not comfortable with me yet, but I would like to hear it someday when you're ready." We sat in silence for another few minutes, while the tension slowly drained from my body. It had been over 15 years; since before the drugs and alcohol got too bad with my mother; since someone had touched me with kindness and love, and I was helpless before the gentle onslaught of Erin's fingers. Eventually, I started talking. "Things weren't always bad with Mom; I remember there being more laughter than anger when I was little. She was very beautiful, and there was a procession of men in her life, even back then, but most of them treated me well. I guess they wanted to make a good impression on her. When I was four or five, though, she took up with a man from a rougher crowd. She started in with the drinking and drugs, and they never really stopped. She got pregnant with that man, and Alison was born. From there, it was like a rock sliding down the side of a hill. It starts slowly, but soon it's rolling downhill in leaps and bounds. "After Sharon was born, fewer men came around. My mom was still beautiful, but how many guys are interested in a single mother who has three kids from three different men? I had just turned ten when she left me in charge for the weekend and flew down to Vegas with some friends from the club where she waitressed and danced. A bit more than nine months later, she had Mary. "The one thing I can say for my mom is that she mostly managed to stay clean while she was pregnant. But once Mary arrived, the hill got steeper, and the rock started plummeting downwards. As fewer men showed an interest in her, Mom had to blame someone, and we kids were handy targets. That's when the hitting started. I learned pretty quickly that she didn't much care who she hit, so I made sure that I was always close at hand, to try and spare the little ones. If she was going to throw plates at someone, I figured it had better be me. "By the time I was 12, I was the only one caring for my siblings. When Mom came home drunk or stoned after her shift at the bar, I would steal enough of her tip money to buy food for my sisters' lunches. That was the worst of it, and I didn't think that we would make it through. I am not sure we would have without our landlord, Mr. Johnson. "He lived in the apartment below us and would take us in on the weekends when my mother was out with her boyfriends, feed us dinner, and let us watch a little television. I never found out why he lived such a lonely life, but he helped me keep our family together until I was old enough to handle things myself, so I will always be grateful to him." I could see tears starting to pool in the corner of Erin's eyes. "You don't need to hear the rest of this;" Erin stopped me mid-sentence by kissing my lips. "You never got to be a kid, Davis. My whole life I felt sorry for myself because my parents didn't want or care for me, but at least I had Gran and Grampy. You had no one." Even though we were lying on an old lumpy sleeping bag on a rough hardwood floor with only a fireplace for heat, I had never felt safer in my life than I did with her right then. To be continued in part 3. Based on a post by CleverGenericName, in 4 parts, for Literotica.

Vor 650 Jahren starb in der Toskana Giovanni Boccaccio. Ein Dichter am Ende des italienischen Mittelalters, Rechtsanwalt und Sohn eines erfolgreichen Kaufmanns. Vor allem aber ein großer Gelehrter und Entertainer. Als die Pest wütete, schrieb er 100 Geschichten über die Liebe. Das Dekamerone ist schlau, deftig und bis heute sehr gut lesbar. Giovanni Boccaccio hat viel zur italienischen Kultur beigetragen – wie Dante und sein Zeitgenosse Petrarca. Zum Todestag erscheinen pünktlich zu Weihnachten eine Neuübersetzung und eine neue Biographie – man kann von Boccaccio auch lernen, wie das ist mit der Liebe heute. Alexander Wasner diskutiert mit Franziska Meier – Professorin für Romanistik und Komparatistik, Universität Göttingen; Ijoma Mangold – Feuilletonredakteur "DIE ZEIT" und einer der Teilnehmer am Podcast „Die sogenannte Gegenwart“; Barbara Vinken – Professorin für Romanistik an der LMU München

In this reaction episode of the Liquid Weekly Podcast:Hosts Karl Meisterheim and Taylor Page take a deep dive into the Shopify Winter Editions '26 "Renaissance" release. They explore the stunning (and Easter egg-filled) visuals of the new landing page, including hidden interactive elements like the "Party in Slack like it's 1499" emoji and a Da Vinci-priced beanie.The duo breaks down the most impactful announcements for developers and merchants, including: The evolution of Sidekick into an agent that can generate apps and modify themes. The new SimGym tool for simulating shopper behavior. The introduction of Rollouts for native A/B testing.They also discuss major updates like the Shopify Product Network (effectively "Collective on steroids"), global expansion for Collective, and new B2B capabilities like ACH payments and store credit.On the technical side, they cover critical changes: the deprecation of Shopify Scripts in favor of Functions by June 2026 and the new security requirement for expiring access tokens.---SponsorThe Support Heroes - https://thesupportheroes.comChapters(00:00) Intro: Hunting for Easter Eggs in the Editions Site(01:51) Welcome & Winter Weather Chat(05:09) Deep Dive: Winter Editions '26 "Renaissance" Site Visuals(11:47) Sidekick Updates: App Generation, Pulse, & Automations(21:24) Agentic Commerce: Rollouts & SimGym (Shopper Simulator)(25:54) Shopify Product Network & Collective Global Expansion(31:46) B2B Updates: ACH Payments & Store Credit(33:39) The "Key" Easter Egg Struggle(38:20) Major Update: Functions Replace Scripts (June 2026)(38:59) Major Update: Enhanced Security with Expiring Tokens(49:50) Web Vitals API by Region(50:40) Picks of the Week---Resources Shopify Winter Editions '26: Link Technical breakdown thread: LinkInteresting Winter Editions X Links Ben Sehl: Link Paul Nuschke: Link Eytan Seidman: Link Jake Casto: LinkPicks of the Week Karl: Endurance by F. A. Worsely - Goodreads Karl: The PITT - Wikipedia Taylor: Everand - Link

INTRO (00:24): Kathleen opens the show drinking a Hazy Holiday IPA from Silver Bluff Brewing Company in Brunswick, GA. She reviews her weekend in Ponte Vedra and then LA and Vegas, discussing Fantasy Football at Good Morning Footballand seeing The Wizard of Oz at the Sphere in Vegas.   TOUR NEWS: See Kathleen live on her “Day Drinking Tour.”   COURT NEWS (25:50): Kathleen shares news announcing thatChappell Roan becomes a global brand ambassador for MAC cosmetics, Cher is set to marry her 39-year-old boyfriend, and Taylor Swift gifted millions of dollars in bonuses to her ERAs Tour crew.     TASTING MENU (2:38): Kathleen samples a Madigan Family Midwest Cheeseball, Reese's Holiday Caramel Cups, and Hadley Orchards Gourmet Dill Cheese Puffs.   UPDATES (32:14): Kathleen shares updates on the search for MH370, Zuckerberg is moving on from the metaverse, Australian children just lost access to social media, the Louvre has even more security issues, Andrew and Fergie are finally being evicted, a Waymo encounters a standoff with police, and Faberge's Winter Egg fetches millions at auction.   FRONT PAGE PUB NEWS (1:04:36): Kathleen sharesarticles on Prada purchasing Versace, a cruise ship passenger dies after being served 33 drinks, the Super Bowl pregame performers are announced, air travelers without a REAL ID will pay a fee in 2026, iHeartRadio bans AI music and hosts,protesters vandalize the Crown Jewels, Norway has unveiled a Northern Lights train, and BINGO returns to Vegas.   HOLY SHIT THEY FOUND IT (1:02:26): Kathleen reads about a lost Renaissance painting found in a garage in the UK.   SAINT OF THE WEEK (1:30:40): Kathleen reads about St. Nicholas, patron saint of sailors, merchants, children, brewers, pawnbrokers, toymakers, unmarried people, and students.   WHAT ARE WE WATCHING (30:40): Kathleen recommends watching the Wizard of Oz on HBO Max.   FEEL GOOD STORY (1:23:56): Kathleen shares a story aboutIceland's Yule Cat, and Sweden rolls out edible road salt to save birds.  

GRAMMY winner and Nashville Songwriters Hall of Famer Mike Reid chats about his remarkable musical life. PART ONEScott and Paul talk about the sports games and so much morePART TWOOur in depth conversation with Mike ReidABOUT MIKE REIDNashville Songwriters Hall of Famer Mike Reid has written twelve #1 country songs and has had his work recorded by Bonnie Raitt, Anita Baker, Bette Midler, Prince, George Michael, Nancy Wilson, Etta James, Kenny Rogers, Ann Murray, Wynonna Judd, Alabama, Joe Cocker, Tanya Tucker, Willie Nelson, Collin Raye and Tim McGraw. He is perhaps best known for co-writing the modern-day standard “I Can't Make You Love Me” with Allen Shamblin. Launching his music career as a staff songwriter for country star Ronnie Milsap's publishing company, Reid penned Milsap hits such as “Stranger in My House,” which won a Grammy for Best Country Song” and “Lost in the Fifties Tonight,” which was named ASCAP's Country Song of the Year. As an artist, Mike signed with Columbia Records and scored a #1 hit with the self-penned “Walk on Faith.”Others who've recorded Reid's songs include Tammy Wynette, Rita Coolidge, Don Williams, Billy Dean, Josh Turner, Shelby Lynne, The Judds, George Jones, and Shania Twain. A true Renaissance man, Reid went on to compose theatrical and operatic works, winning a Richard Rodgers Development Award from the Academy of Arts and Letters for 1997's The Ballad of Little Jo. His most recent project is a collaborative album with Joe Henry called Life and Time.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Olafur Eliasson talks to Ben Luke about his influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped his life and work. Eliasson was born in 1967 in Copenhagen and grew up between Denmark and Iceland, where his parents were from. His installations, sculptures, photographs and paintings, among other projects, reflect a profound concern with human presence in nature and how we perceive and interact with the world around us. His works can be deceptively simple or enormously complex, but often share a rigorous and reductive geometry, which may conversely produce expansive and multifarious perceptual, sensory and embodied effects. Eliasson has stated that “the spectator is the central issue”, a long-established aspect of conceptual and environmental practices, but for him it is important that the viewer not only completes the work, but is also transformed by it. This subjective and individual revelation is, he hopes, allied to a sense of collective experience, what he calls a “we-ness”, that often alerts his audience to wider cultural and social issues including the climate catastrophe. Indeed, environment, in multiple senses, is the fundamental element of his work.He discusses his deep concern about the climate catastrophe and the importance of action. He reflects on his concept of “seeing yourself sensing” and its shifting nature in relation to different works across his career, and how he often includes the word “your” in his titles as a gesture of trust towards his audience. He discusses the wealth of writers and thinkers that inform his work on a daily basis, from Donna Haraway to Alva Noë. He recalls the epiphany of experiencing a work by James Turrell and his fascination with early Renaissance conceptions of space. He reflects on his early fascination with breakdance and his current enjoyment of music by Hilda Gunnarsdóttir and Rosalía. Plus, he gives insight into life in his vast studio in Berlin, and answers our usual questions, including the ultimate: what is art for?Olafur Eliasson: Presence, Queensland Gallery of Modern Art, Brisbane, Australia, until 12 July 2026; Olafur Eliasson: Your curious journey, Museum MACAN, Jakarta, Indonesia, 12 April 2026, Your view matter by Olafur Eliasson, Padimai Art & Tech Studio, Tanjong Pagar Distripark, Singapore, 31 March 2026; and Olafur's first permanent public work in the UK, Your planetary assembly, 2025, is on view at Oxford North, Oxford, UK now. Hosted on Acast. See acast.com/privacy for more information.

In this special episode of Reid Riffs, Reid and Aria are joined by Pulitzer Prize–winning author, oncologist, and Manas AI cofounder Siddhartha Mukherjee for a few questions about cancer, AI, and the second edition of The Emperor of All Maladies. Reflecting back on the 15 years since its initial publication, Reid, Aria and Sid discuss how cancer prevention, early detection, and immunotherapy have fundamentally shifted while the disease continues to be a defining challenge of modern medicine. The conversation charts how AI can become a true engine of drug discovery and how Manas was built to be an AI-native biopharmaceutical company focused on developing entirely new medicines. The episode then broadens out to tackle the current cultural moment in Silicon Valley, questioning whether the Valley is entering a new Renaissance driven by more meaningful work, clearer values, and a renewed theory of human progress. The episode closes by grappling with AI's growing persuasive power in politics and public discourse, and the responsibility to design systems that elevate truth, agency, and humanity rather than distort them.

Welcome to another episode of the You Can Call Me “Bossy" podcast. In today's inspiring conversation, I am joined by artist and intuitive Cameron Cohen. Cameron dives into her journey as a Renaissance woman who boldly blends creativity and intuition to help others manifest their dreams through art. Together, we unpack what it means to embrace being bossy, the importance of unapologetically owning your gifts, and practical ways to ground yourself, manifest magic, and stay aligned with your passion even when confronting societal expectations or skepticism. Whether you're a creative at heart, a believer in manifestation (or a skeptic!), or simply looking to step into your own power, this episode is filled with insights and real talk about letting your light shine bright and unapologetically stepping into your authentic self. Key Takeaways: Finding “your people” who appreciate your frequency. The power of art to influence the environment, mood, and personal growth. The importance of listening and bridging connections. Key Timestamps [1:10] – Can You Eat Your Art [10:13] – Unapologetic Self-Talk and Practice [18:33] – Manifestation Through Focused Awareness [33:53] – Collaborative Commissioned Artistic Process [34:54] – Channeling Energy Through Painting [43:12] - Art as Meditation for Burnout Episode Quote "If I'm too much for you, go find less. That's fine. We don't operate on the same frequency." - Cameron Cohen If you enjoyed this episode and are excited for more, please be sure to SUBSCRIBE and write a review to help build momentum and support the show (5-stars would be AWESOME!)_____________________________________________________ INTRODUCING - THE CLUB - Where high-achieving women to come together to unapologetically OWN THEIR “BOSSY” in order to rise to the top, make massive impact, and not burn out while doing it. To learn more and grab your spot in THE CLUB visit www.marytheresatringale.com/theclub - I can't wait to see you inside! _____________________________________________________ LET'S FREAKING GO! GRAB 100 FREE JOURNAL PROMPTS TO OWN YOUR BOSSY BY CLICKING HERE LET'S CONNECT: Follow me on Instagram, LinkedIn, TikTok, or join my STAND IN YOUR POWER FACEBOOK GROUP

Send us a textA bus-powered hackathon, a $100K prize for a gloriously “useless” app, and keynotes that said AI so many times you could turn it into a supercut—re:Invent 2025 brought energy, irony, and real signals hiding in the noise. We're joined by AWS Hero Chris Williams to unpack what actually matters: where AI is genuinely useful, where it's lipstick on a feature, and how builders should adapt without losing the plot.We dig into the Road to re:Invent hackathon and why the winning project—turning a tiny script into a sprawling multi-repo monster—was the sharpest commentary on over-engineering all week. From there, we break down the AI-first keynotes, new Graviton efficiency gains that could tame power budgets, and the push to own the entire stack from silicon to agents. Kiro's spec-driven development gets real talk too: amazing for scaffolding, documentation, and repo exploration; risky when you ask a confident hallucination to write production without tests, reviews, or security controls.The conversation shifts to careers and craft with Werner Vogels' parting challenge: become a “Renaissance developer.” Learn systems, networking, security, and economics, then layer AI to explore design space faster. If you're just starting out, don't begin with prompts—build fundamentals and use AI to shape your learning plan. We wrap with the sleeper headline: first-party multi-cloud connectivity. It's overdue, it's serious, and it could reshape how enterprises stitch providers together while raising new questions about SLAs, accountability, and incident response between hyperscalers.Hit play for a clear-eyed debrief that filters the hype, celebrates real progress, and offers practical guidance for teams shipping in 2025. If this helped you make sense of re:Invent, follow the show, share it with a teammate, and drop your bold prediction for the year ahead.Where to find Chris:https://x.com/mistwirehttps://www.linkedin.com/in/chrisfwilliams/https://vbrownbag.com/Purchase Chris and Tim's book on AWS Cloud Networking: https://www.amazon.com/Certified-Advanced-Networking-Certification-certification/dp/1835080839/ Check out the Monthly Cloud Networking Newshttps://docs.google.com/document/d/1fkBWCGwXDUX9OfZ9_MvSVup8tJJzJeqrauaE6VPT2b0/Visit our website and subscribe: https://www.cables2clouds.com/Follow us on BlueSky: https://bsky.app/profile/cables2clouds.comFollow us on YouTube: https://www.youtube.com/@cables2clouds/Follow us on TikTok: https://www.tiktok.com/@cables2cloudsMerch Store: https://store.cables2clouds.com/Join the Discord Study group: https://artofneteng.com/iaatj

Father Nathan Carr, Headmaster of The Academy and often dubbed “the Jack Sparrow of classical education,” joins Christopher Perrin to recount his unexpected path into classical Christian school leadership—and the hard-won lessons of building a flourishing school culture over two decades. Their conversation draws on James K. A. Smith's Desiring the Kingdom to argue that “liturgies” (in church and in culture) quietly train our loves and longings. Carr connects that insight to his own work, The Festive School, where he explores how a school's calendar, habits, and celebrations can become formative—not merely decorative. He also points listeners to his Student Prayer Book as a practical companion for cultivating daily, embodied prayer in the life of a classroom. From The Book of Common Prayer and the daily offices to monastic rhythms like Matins and Compline, he frames education as formation through repeated, prayerful practice. Along the way, they address objections to “rote” ritual, suggesting that repetition can become spiritually alive and deeply consoling over time. The episode closes with concrete snapshots of festivity at The Academy: Lessons & Carols, Stations of the Cross, and campus-wide celebrations of Incarnation and Resurrection. Father Nathan Carr also has a forthcoming course on ClassicalU.com that will release in the early Spring of 2026.

Joy to the World   Jordan Rice   Series - The Gospel of Luke   Luke 2:8-14   Joy grows naturally wherever grace is truly received.   Give to support the ministry of Renaissance Church: https://renaissancenyc.com/give   Keep up with Renaissance by filling out a connection card: https://renaissancenyc.ccbchurch.com/goto/forms/5/responses/new

During the Renaissance, ruling families like the Medicis funded the creation of great works of art that dazzle us to this day. In the modern era, the ability of democracies to fund the arts is often contentious and even controversial. Arts advocate Erin Harkey discusses the value of art in public life.See omnystudio.com/listener for privacy information.

At least 15 people are dead after a violent attack in Sydney on Sunday. Two alleged gunmen opened fire during a Hanukkah celebration. Australia's prime minister responds.Authorities give an update on the Saturday afternoon shooting at Brown University. Police say a person of interest has been taken into custody.A former Hispanic outreach director for the Trump campaign gives his take on why the Miami mayoral seat flipped to the Democratic party for the first time in nearly 30 years. Should Republicans be worried about the upcoming midterms?An immigration expert discusses the Trump administration's ending of a program that reunited immigrant families in the United States.Do the rewards of boxing justify the dangers of concussion and blunt-force trauma? A USA Boxing team physician and a former professional boxer offer their insights into the pros and cons of the sport.And, a new exhibition in Bologna, Italy, details the life and career of Michelangelo. It offers a closer look at lesser-known sculptures, drawings, and original letters from the Renaissance master.

Jana Byars meets one of her academic heroes when Ulinka Rublack joins her to talk about Dürer's Coats: Renaissance Men and Material Cultures of Social Recognition (Routledge, 2025). During the Renaissance, clothing became more and more elaborately decorated and expensive. It often emphasised the privilege of the male elite. Yet clothing could also subvert or reshape conventional cultural norms. This book draws on the case of Albrecht Dürer to examine Renaissance male outerwear as a key element of signalling communication in everyday life. The recognised artist fought for the esteem of urban creators. In asserting his dignity and taste, outerwear was particularly important to Dürer and his time. Ulinka Rublack argues that cloaks and gowns gained in importance during this period and were among the things that mediated social relationships for centuries to come. An investigation into outerwear opens a new window into how people and things were connected in the Renaissance and how important clothing was in shaping subjectivities in everyday life. Using the example of Dürer and his wife as emerging social types, the study follows the artist and the men and women of his time through the streets of Venice, Nuremberg, Augsburg and Antwerp. It poses pressing questions about Albrecht Dürer's entanglement in unequal networks of global trade and the German Renaissance Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Jana Byars meets one of her academic heroes when Ulinka Rublack joins her to talk about Dürer's Coats: Renaissance Men and Material Cultures of Social Recognition (Routledge, 2025). During the Renaissance, clothing became more and more elaborately decorated and expensive. It often emphasised the privilege of the male elite. Yet clothing could also subvert or reshape conventional cultural norms. This book draws on the case of Albrecht Dürer to examine Renaissance male outerwear as a key element of signalling communication in everyday life. The recognised artist fought for the esteem of urban creators. In asserting his dignity and taste, outerwear was particularly important to Dürer and his time. Ulinka Rublack argues that cloaks and gowns gained in importance during this period and were among the things that mediated social relationships for centuries to come. An investigation into outerwear opens a new window into how people and things were connected in the Renaissance and how important clothing was in shaping subjectivities in everyday life. Using the example of Dürer and his wife as emerging social types, the study follows the artist and the men and women of his time through the streets of Venice, Nuremberg, Augsburg and Antwerp. It poses pressing questions about Albrecht Dürer's entanglement in unequal networks of global trade and the German Renaissance Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

Experience the wonder of Christmas through miracle stories that will transform your perspective on faith! Pastor Chris shares the powerful healing of Emma McKinley and other testimonies from around the world that prove God is still in the miracle business. Discover how to maintain joy even when facing disappointment, and learn the simple formula: Jesus, Others, Yourself (JOY). A message that will remind you that nothing is impossible with God! Renaissance Church - Richmond, Texas https://ren-church.org #alloflifealltheearth #walkgrowlive #jesus #miracles

Jana Byars meets one of her academic heroes when Ulinka Rublack joins her to talk about Dürer's Coats: Renaissance Men and Material Cultures of Social Recognition (Routledge, 2025). During the Renaissance, clothing became more and more elaborately decorated and expensive. It often emphasised the privilege of the male elite. Yet clothing could also subvert or reshape conventional cultural norms. This book draws on the case of Albrecht Dürer to examine Renaissance male outerwear as a key element of signalling communication in everyday life. The recognised artist fought for the esteem of urban creators. In asserting his dignity and taste, outerwear was particularly important to Dürer and his time. Ulinka Rublack argues that cloaks and gowns gained in importance during this period and were among the things that mediated social relationships for centuries to come. An investigation into outerwear opens a new window into how people and things were connected in the Renaissance and how important clothing was in shaping subjectivities in everyday life. Using the example of Dürer and his wife as emerging social types, the study follows the artist and the men and women of his time through the streets of Venice, Nuremberg, Augsburg and Antwerp. It poses pressing questions about Albrecht Dürer's entanglement in unequal networks of global trade and the German Renaissance Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jana Byars meets one of her academic heroes when Ulinka Rublack joins her to talk about Dürer's Coats: Renaissance Men and Material Cultures of Social Recognition (Routledge, 2025). During the Renaissance, clothing became more and more elaborately decorated and expensive. It often emphasised the privilege of the male elite. Yet clothing could also subvert or reshape conventional cultural norms. This book draws on the case of Albrecht Dürer to examine Renaissance male outerwear as a key element of signalling communication in everyday life. The recognised artist fought for the esteem of urban creators. In asserting his dignity and taste, outerwear was particularly important to Dürer and his time. Ulinka Rublack argues that cloaks and gowns gained in importance during this period and were among the things that mediated social relationships for centuries to come. An investigation into outerwear opens a new window into how people and things were connected in the Renaissance and how important clothing was in shaping subjectivities in everyday life. Using the example of Dürer and his wife as emerging social types, the study follows the artist and the men and women of his time through the streets of Venice, Nuremberg, Augsburg and Antwerp. It poses pressing questions about Albrecht Dürer's entanglement in unequal networks of global trade and the German Renaissance Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sociology

Jana Byars meets one of her academic heroes when Ulinka Rublack joins her to talk about Dürer's Coats: Renaissance Men and Material Cultures of Social Recognition (Routledge, 2025). During the Renaissance, clothing became more and more elaborately decorated and expensive. It often emphasised the privilege of the male elite. Yet clothing could also subvert or reshape conventional cultural norms. This book draws on the case of Albrecht Dürer to examine Renaissance male outerwear as a key element of signalling communication in everyday life. The recognised artist fought for the esteem of urban creators. In asserting his dignity and taste, outerwear was particularly important to Dürer and his time. Ulinka Rublack argues that cloaks and gowns gained in importance during this period and were among the things that mediated social relationships for centuries to come. An investigation into outerwear opens a new window into how people and things were connected in the Renaissance and how important clothing was in shaping subjectivities in everyday life. Using the example of Dürer and his wife as emerging social types, the study follows the artist and the men and women of his time through the streets of Venice, Nuremberg, Augsburg and Antwerp. It poses pressing questions about Albrecht Dürer's entanglement in unequal networks of global trade and the German Renaissance Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Jana Byars meets one of her academic heroes when Ulinka Rublack joins her to talk about Dürer's Coats: Renaissance Men and Material Cultures of Social Recognition (Routledge, 2025). During the Renaissance, clothing became more and more elaborately decorated and expensive. It often emphasised the privilege of the male elite. Yet clothing could also subvert or reshape conventional cultural norms. This book draws on the case of Albrecht Dürer to examine Renaissance male outerwear as a key element of signalling communication in everyday life. The recognised artist fought for the esteem of urban creators. In asserting his dignity and taste, outerwear was particularly important to Dürer and his time. Ulinka Rublack argues that cloaks and gowns gained in importance during this period and were among the things that mediated social relationships for centuries to come. An investigation into outerwear opens a new window into how people and things were connected in the Renaissance and how important clothing was in shaping subjectivities in everyday life. Using the example of Dürer and his wife as emerging social types, the study follows the artist and the men and women of his time through the streets of Venice, Nuremberg, Augsburg and Antwerp. It poses pressing questions about Albrecht Dürer's entanglement in unequal networks of global trade and the German Renaissance Atlantic. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In this edition of our arts24 music show, Jennifer Ben Brahim chats with the frontman of British band The Spitfires, as well as French musician Gaspard Royant. The Spitfires are back after having split up three years ago. The indie rock, nu-mod band are celebrating their musical renaissance with their sixth album "MKII". Meanwhile, Gaspard Royant has re-released his wildly successful festive record “All the Best for Christmas”: a soundtrack for a cool, classy Christmas.

Creative Renaissance: Marcus Hummon's Artistic Journey & Emily Dickinson CollaborationIn this episode of the Curious Goldfish podcast, host Jason English engages in an enlightening conversation with Hall of Fame songwriter Marcus Hummon. Known for iconic country hits like 'Bless the Broken Road' and 'Cowboy Take Me Away,' Marcus delves deep into his latest project 'Songs for Emily,' where he sets the poetry of Emily Dickinson to music. Marcus discusses his creative process, his admiration for strong feminine figures like Emily Dickinson and his wife Becca, and his experiences writing both three-minute songs and full-scale operas and musicals. The conversation also touches on Marcus's collaborative works with artists like Mary Chapin Carpenter, Darrell Scott, and Sarah Evans, his fascination with transformative storytelling, and the inspirational journey behind his hit song 'Bless the Broken Road.' Tune in for an inspiring dive into the life and mind of a true musical Renaissance man.00:00 Introduction to Dickinson's Appeal01:03 Welcome to Curious Goldfish01:38 Meet Marcus Hummon: The Creative Powerhouse02:22 Marcus Hummon's Musical Journey02:36 The Magic of Songwriting03:10 Connections in the Music Industry03:46 Collaborations and Inspirations07:05 Emily Dickinson's Influence08:52 The Process of Setting Poetry to Music11:45 Exploring Emily Dickinson's Legacy25:17 Character Inspiration from High School25:35 Religious Influence in High School Sports26:37 Americana Fest and Lifetime Achievement Award26:58 Expanding the Dickinson Mojo29:46 The Process of Storytelling in Music33:48 The Magic of Songwriting39:40 The Journey of 'Bless the Broken Road'47:21 Curiosity and Artistic Exploration50:09 Conclusion and Final Thoughts

Welllllcome everybody to, yes, you are reading that correctly, a new 2025 episode of The SomethingSomethingcast. Look, if we didn’t come here and talk about this on microphones to the internet, we would just be talking about it to ourselves and we figured you might need a laugh too. A long time ago there was a show that lived and breathed nostalgia. References long forgotten. Nerdery around every corner. Obscure nods to fringe pop culture. Well, that show has decided to come back to do a special pair of episodes to celebrate the finale of Stranger Things. So load up that RSS feed on your Zune – because the Somethings have yet again reunited for the holiday season to flip-trip-upsidedown yet again for Stranger Things Season Five – Pt. 1 Ok, here it is… wait, how’d that go? Full Episode

Week two of Renaissance's Christmas series "Masterpiece".

The recently unveiled U.S. National Security Strategy has liberal heads turning over this one priority: "Promoting European Greatness." Europe's problems cannot just be attributed to “insufficient military spending and economic stagnation.”  The continent is facing “civilizational erasure” should it continue to embrace practices and transnational bodies that “undermine political liberty and sovereignty, migration policies that are transforming the continent and creating strife, censorship of free speech and suppression of political opposition, cratering birthrates, and loss of national identities and self-confidence,” the Trump administration writes. The U.S.' attitude in this report was not “you, Europe, should have done this.” It's more like, “we should be brothers,” argues Victor Davis Hanson on today's edition of “Victor Davis Hanson: In His Own Words:” “You, Europe, is the foundation of the West. Greece. Rome. The Pope. The Renaissance. The Enlightenment. All of this majestic culture came from you. And we are an offshoot, an offspring of it. And we wanna partner with you. And we wanna be equals with you. So, please, can you just consider stopping the censorship, opening up discussion, and maybe reassessing your energy, your military, your immigration issues, and policies. And get back in the game with us in a 50/50 fashion.” 

If you enjoy this episode, we're sure you will enjoy more content like this on The Occult Rejects.  In fact, we have curated playlists on occult topics like grimoires, esoteric concepts and phenomena, occult history, analyzing true crime and cults with an occult lens, Para politics, and occultism in music. Whether you enjoy consuming your content visually or via audio, we've got you covered - and it will always be provided free of charge.  So, if you enjoy what we do and want to support our work of providing accessible, free content on various platforms, please consider making a donation to the links provided below.  Thank you and enjoy the episode!Links For The Occult Rejects and The Spiritual Gangsters https://linktr.ee/theoccultrejectsOccult Research Institutehttps://www.occultresearchinstitute.org/Cash Apphttps://cash.app/$theoccultrejectsVenmo@TheOccultRejectsBuy Me A Coffeebuymeacoffee.com/TheOccultRejectsPatreonhttps://www.patreon.com/TheOccultRejects

We've talked about how rich classical Athens was, but what did that mean for an average person living at the time? In this episode, we follow the life of a composite character, an Athenian citizen farmer named Megakles, to see how the economic developments of the classical age shaped daily life in Athens.Patrick launched a brand-new history show on December 3rd! It's called Past Lives, and every episode explores the life of a real person who lived in the past. Subscribe now: https://bit.ly/PWPLA Also, Patrick's new book - Lost Worlds: The Rise and Fall of Human Societies from the Ice Age to the Bronze Age - is now available for preorder, and will be released on May 5th! Preorder in hardcopy, ebook, or audiobook (read by Patrick) here: https://bit.ly/PWLostWorlds. And don't forget, you can still Get The Verge: Reformation, Renaissance, and Forty Years that Shook the World in hardcopy, ebook, or audiobook (read by Patrick) here: https://bit.ly/PWverge. Listen to new episodes 1 week early, to exclusive seasons 1 and 2, and to all episodes ad free with Wondery+. Join Wondery+ for exclusives, binges, early access, and ad free listening. Available in the Wondery App https://wondery.app.link/tidesofhistory Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.