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19 episodes with Adam Freeland
11 episodes with Adam Freeland
2 episodes with Adam Freeland
3 episodes with Adam Freeland
2 episodes with Adam Freeland
2 episodes with Adam Freeland
2 episodes with Adam Freeland
Around the turn of the millennium, Adam Freeland played a pivotal role in shaping the then-burgeoning breakbeat sound into a tight, forward-thinking package infused with cutting-edge futurism. Flying in from an off-the-grid lifestyle in the Mojave Desert to join us in the Mediteranean climate of Croatia, we are beyond thrilled to host this pioneering artist for an extremely rare performance. @adamfreeland ________________________________________________ Balance Croatia 2025 Thu 7th Aug - Mon 11th Aug 2025 The Garden Resort, Tisno Head to www.balancecroatia.com for more info. IG: www.instagram.com/balancecroatia
2008-01-05-AAdam Freeland - FeverAdam Freeland - Hello, I Love YouAdam Freeland - Smells Like Teen Spirit
For the Sixth episode of There Is No Planet Earth Stories, I'm joined by guest DJ Garth representing stories from San Francisco. We discuss a range of topics including his formative clubbing experiences in the English Raregroove & House music scenes , the early 90's San Francisco rave scene, and the origins and evolution of rave institution: Wicked. "First of the Wicked crew to call San Francisco home, Garth hasspent the past three decades fanning the flames of conscious hell-raising in California.His sound is a unique fusion of Acid House and Psyche Disco.He has produced more than 60 records mostly on his ownlabels Grayhound, Wicked and Golden Goose and remixedeveryone from Strafe, The Units, Tribe Called Quest, Faithless,Perry Farrell, Yabby You and Adam Freeland.Bringing UK sound system culture to San Francisco in 1991,Wicked's lawless full moon beach parties ushered in an era ofrave hysteria that ripped through the west coast and spread intothe heartland. Their packed club nights showcased the cream ofearly House music luminaries including first ever west coastappearances of Harvey, Francois K, Joe Claussel and manyothers. For years Garth and crew toured the U.S. in acustomized 1947 Greyhound bus with imported Turbosoundsystem. Garth was first to set up renegade sound at BurningMan and Reggae on the River festivals.In 2016 Time Out NY placed Garth and Wicked crew in the Top10 Best House DJs of all time alongside Frankie Knuckles, RonHardy, Masters at Work and Tony Humphries.Garth stays true to the original art form playing marathon vinylsets at clubs and festivals around the world. His monthly ForThe Record internet broadcast keeps him in shape. He is alsoan accomplished TV and film actor."Support the Show.
Welcome to Leyenda Radio where we bring you exclusive sets and recordings from the artists that played this year's Leyenda Del Corazon festival in Baja, MX. Our inaugural guest is none other than the DJ that has played the most in the canyon over the years... Skandar. BioPicking up his first set of Technics turntables in 2003, Skandar has spent two decades honing his craft of bangin' multi-genre sets, constantly expanding his horizons with an electronic music palette appropriate for venues large and small, indoors and outdoors. Feeling most at home in front of a packed dance floor and a massive sound system, he spins for the love of the music and an addiction to moving peoples' bodies.From massive festivals like Burning Man to legendary mega-clubs like Nation in Washington, DC (R.I.P.), to literal underground venues Shelter in Shanghai and Kremwerk in Seattle, Skandar has played in many of America's big cities including New York, Miami, Los Angeles, Las Vegas, San Francisco, Seattle, and San Diego as well as internationally in China, Mexico, Jordan, and Ghana.He has DJ'd alongside heavy-hitting bands and DJ's: Quadrant & Iris, Makoto, Boombox, Karl Denson, Fishbone, HR (of Bad Brains), Al Howard & The K23 Orchestra, Mixmaster Mike, The Crystal Method, Kill The Noise, Simon Shackleton, Adam Freeland, Plump DJ's, Dieselboy, An-ten-nae, Doc Martin, Excision, and Datsik, amongst many others.Linkswww.soundcloud.com/theSkandarwww.instagram.com/theSkandarwww.youtube.com/@djskandarAffiliations:Monarch Entertainment (Monarch Ent.)BrokenbeatFraktured NationSupport the show
In this episode, host Jason L Smith, speaks with Adam Freeland, CFF, President and OSJ Branch Manager at Harford Financial Group, on the importance of holistic health and wellness. Having recently prioritized his health and lost a significant amount of weight, Freeland shares his personal experiences since committing to a sugar-free diet and intermittent fasting, … Continue reading Episode 8: Balancing the Scales: The Positive Impact of Weight Loss And Good Health →
Social media algorithms thrive on anger, angst, and panic. Throw in a conspiracy theory here or there and it's hardly surprising that most of us feel anxious about our finances. For some much-needed perspective, n this episode of Mainstreet, we welcome Adam Freeland, owner, CEO, and Managing Principal of Harford Financial Group, a Harford Magazine "Best of Harford" award winner the past three years. With his humble beginning and a record of achievement and success in fields that extend far beyond finance, Adam brings a unique and sound approach to financial management. Learn more about Harford Financial Group hereSupport the showPlease consider supporting The Mainstreet PodcastPatreonBuy Me A CoffeeMainstreet on the web and social mediaWebsiteFacebookTwitterInterested in sponsoring Mainstreet or have guest suggestions, please email us at: info@themainstreetpodcast.com
Adam Freeland - Essential Mix - 11.5.2003 Adam Freeland - Essential Mix - 11.5.2003 Adam Freeland - Essential Mix - 11.5.2003 Adam Freeland - Essential Mix - 11.5.2003 Adam Freeland - Essential Mix - 11.5.2003 Adam Freeland - Essential Mix - 11.5.2003 Adam Freeland - Essential Mix - 11.5.2003 Adam Freeland - Essential Mix - 11.5.2003
Adam Freeland - Breezeblock Mix - 1.4.1999 Adam Freeland - Breezeblock Mix - 1.4.1999 Adam Freeland - Breezeblock Mix - 1.4.1999 Adam Freeland - Breezeblock Mix - 1.4.1999 Adam Freeland - Breezeblock Mix - 1.4.1999 Adam Freeland - Breezeblock Mix - 1.4.1999 Adam Freeland - Breezeblock Mix - 1.4.1999 Adam Freeland - Breezeblock Mix - 1.4.1999
Ataguiz est un DJ discret mais précieux de la scène des musiques électroniques rennaises. Il nous fait le plaisir d'une visite en studio pour présenter son univers musical, sa pratique du mix et plus particulièrement sa religion de l'amen break.DJ, producteur, membre historique du collectif Mood Krafterz et ancien animateur d'une émission de musique électronique sur Radio Campus Rennes (désormais C Lab) Ataguiz est un amoureux de musique avec une prédilection certaines pour les musiques anglaises dans ses mixes : breakbeat, break, drum'n'bass, jungle, bass music au sens large. Il nous parle de sa pratique du mix et nous régale d'un DJ set où il se balade asaguiz dans ces styles tantôt aquatiques et groovy, tantôt stridents et survitaminés.< TRACKLIST >DNA Featuring Suzanne Vega, "Tom's Diner", A&M Records, 1990.Adam Freeland, "Burn The Clock", Now & Them, Marine Parade, 2003.Silat Beksi, "Skunk", autoproduit, 2019. < WHAT'S GOING ON >L'équipe ELAB salue la mémoire de Matthieu Guerre-Berthelot, un des fondateurs du festival brestois Astropolis, récemment décédé.Et comme en tant de deuil rien ne vaut l'amour, on vous passe un morceau du producteur finistérien AMØUR paru tout récemment. Un flot de techno mentale aux embruns tribe et aux poussées psychédéliques !BONNE ÉMISSION
In this episode of the Rainmaker Multiplier On-Demand podcast, Coffee Break with C2P, barista Jason L Smith, Founder | CEO of C2P Enterprises, discusses The Advisor Career Path and how you can attract, retain, and reward top talent. Jason is joined by a panel of advisors including Adam Freeland, CFP®, Managing Principal and President of Harford Financial Group, Joe Overfield, CFF®, President of Intelliplan Financial Group, and Nick Reiland, CFP®, ChFC®, CEPA®, Managing Partner at Vantage Point Financial.
In this special edition of the Rainmaker Multiplier On-Demand podcast, we're giving you a sneak peek of our exclusive Mastermind Collegium and sharing one of the Top 5 Roundtables! Listen as Adam Freeland, CFP®, President of Harford Financial Group, presents Live While You're Alive: Aligning Professional and Personal Goals.
In this supersized episode of the Rainmaker Multiplier On-Demand Podcast, Adam Freeland, CFP®, President of Hartford Financial Group, joins us to discuss his extensive career path and his experience with C2P's $100 Million Club, specifically as it relates to training: technical, sales, management, and leadership.
Adam Freeland is an old friend, desert neighbor, and brilliant music producer and DJ. Adam & Tao wax philosophical about the nature of music and the music of nature.
Adam Freeland - Rainwalk on Proton Radio (10-18-04) Adam Freeland - Rainwalk on Proton Radio (10-18-04) Adam Freeland - Rainwalk on Proton Radio (10-18-04) Adam Freeland - Rainwalk on Proton Radio (10-18-04) Adam Freeland - Rainwalk on Proton Radio (10-18-04) Adam Freeland - Rainwalk on Proton Radio (10-18-04) Adam Freeland - Rainwalk on Proton Radio (10-18-04)
**Dark Indulgence special feature: prepare for an all out sensory assault with the Attack of the Killer Ravers! Reigning from Belgium, the rave legend Ethan Fawkes joins Scott Durand for a b2b set of rave classics and obscure tracks to set dance floors on fire! We play an array of underground tracks from the very early 90's white labels right up to hard pounding warehouse rave tracks of Tresor!** For more info on Ethan Fawkes: https://www.ethanfawkes.com/ Visit his Bandcamp: https://ethanfawkes.bandcamp.com/ Ethan Fawkes Starts Paulitical - Rebel Without A Clue (Ethan Fawkes Remix) - Still Distant Records David Carretta & Kendal - No Future - Ritmo Fatale Le Crabe - Amour unilateral (Ethan Fawkes Remix) - Nu Body Records Ethan Fawkes - Obscure Territoy - Ethan Fawkes No Label Massive Attack - Unfinished Sympathy - Wild Bunch Records The Deff Boyz feat. Tony Mac - Swing - Supreme Records Dames Brown featuring Andrés & Amp Fiddler - What Would You Do (12- Mix) - Defected Rob Base & DJ EZ Rock - It Takes Two - Profile Records Ethan Fawkes - Rave Attitude - Ethan Fawkes No Label Pleasure Game - Le Seigneur Des Ténèbres - Music Man Records Tiago Santos & Carl Shorts - Protocol (D.A.V.E. The Drummer Remix) - Hydraulix Ethan Fawkes - James Brown's Return - Ethan Fawkes No Label Diskoh - Get Busy (Obsidian Wave Remis) - Safe as... Records Ethan Fawkes - Blowing My Mind - Ethan Fawkes No Label Deep Dimension - Coming On Strong - GEN X Tripped - Mariah On Acid - MadBack Records Holy Noise Presents The Global Insert Project - The Nightmare (Freddie Kruger's Message) - Hithouse Records Nuke - Nana - Flying International Dj Scott Durand Starts DS Building Contractors – One for the burglar Dubtribe – Mother Earth A Split Second – Flesh (White label 12 inch) Liebknecht – Jump Anne Clark – Sleeper In Metropolis (Robin Hirte Remix) DHS – House of god (50 $ Mix) The Chemical Brothers – Hey Boy Hey Girl Channel X – Rave The Rhythm Frankie Bones – Call it techno (Raito Remix) Quadrophonia – Quadrophonia (Peter Gelderblom & Muzikjunki remix) Holy Lewis – Acid zone Da Juice – Hear the angels Starwater ft Adam Freeland – Nowism (Bassbin remix) B-movie – Nowhere girl (Adam Freeland remix) A flock of seagulls – I ran (Josh Patrick remix) Forme – Percussive thinking Setaoc mass – Exidence Synthattack – Call me insane (Mr Vain Tribute)
**Dark Indulgence special feature: prepare for an all out sensory assault with the Attack of the Killer Ravers! Reigning from Belgium, the rave legend Ethan Fawkes joins Scott Durand for a b2b set of rave classics and obscure tracks to set dance floors on fire! We play an array of underground tracks from the very early 90's white labels right up to hard pounding warehouse rave tracks of Tresor!** For more info on Ethan Fawkes: https://www.ethanfawkes.com/ Visit his Bandcamp: https://ethanfawkes.bandcamp.com/ Ethan Fawkes Starts Paulitical - Rebel Without A Clue (Ethan Fawkes Remix) - Still Distant Records David Carretta & Kendal - No Future - Ritmo Fatale Le Crabe - Amour unilateral (Ethan Fawkes Remix) - Nu Body Records Ethan Fawkes - Obscure Territoy - Ethan Fawkes No Label Massive Attack - Unfinished Sympathy - Wild Bunch Records The Deff Boyz feat. Tony Mac - Swing - Supreme Records Dames Brown featuring Andrés & Amp Fiddler - What Would You Do (12- Mix) - Defected Rob Base & DJ EZ Rock - It Takes Two - Profile Records Ethan Fawkes - Rave Attitude - Ethan Fawkes No Label Pleasure Game - Le Seigneur Des Ténèbres - Music Man Records Tiago Santos & Carl Shorts - Protocol (D.A.V.E. The Drummer Remix) - Hydraulix Ethan Fawkes - James Brown's Return - Ethan Fawkes No Label Diskoh - Get Busy (Obsidian Wave Remis) - Safe as... Records Ethan Fawkes - Blowing My Mind - Ethan Fawkes No Label Deep Dimension - Coming On Strong - GEN X Tripped - Mariah On Acid - MadBack Records Holy Noise Presents The Global Insert Project - The Nightmare (Freddie Kruger's Message) - Hithouse Records Nuke - Nana - Flying International Dj Scott Durand Starts DS Building Contractors – One for the burglar Dubtribe – Mother Earth A Split Second – Flesh (White label 12 inch) Liebknecht – Jump Anne Clark – Sleeper In Metropolis (Robin Hirte Remix) DHS – House of god (50 $ Mix) The Chemical Brothers – Hey Boy Hey Girl Channel X – Rave The Rhythm Frankie Bones – Call it techno (Raito Remix) Quadrophonia – Quadrophonia (Peter Gelderblom & Muzikjunki remix) Holy Lewis – Acid zone Da Juice – Hear the angels Starwater ft Adam Freeland – Nowism (Bassbin remix) B-movie – Nowhere girl (Adam Freeland remix) A flock of seagulls – I ran (Josh Patrick remix) Forme – Percussive thinking Setaoc mass – Exidence Synthattack – Call me insane (Mr Vain Tribute)
Tracklist: 1 - Black Rebel Motorcycle Club - Love Burns 2 - PFN - Flow (False Prophet Remix) 3 - Evil Nine - Hired Goons / Freeland - Heel and Toe (Acapella) 4 - Precision Cuts - Xylophone 5 - Evil Nine Feat. Aesop Rock - Crooked 6 - PET - Super Pet (Evil Nine Remix) / Freeland - We Want Your Soul (Acapella) 7 - Justice vs Gambit - Steamulation 8 - Bassbin Twins - Sqsh 9 - M.A.N.D.Y. - Words Don't Come Easy 10 - Freeland - Burn the Clock 11 - U.N.K.L.E. - Reign (Evil Nine Mix) 12 - Adam Freeland and the Soul Drummers - F Groove 13 - Telemen - In All Nothing (Adam Freeland and Evil Nine Remix) 14 - LFO - Freak 15 - Freeland - Mindkiller (Origin Unknown Remix) 16 - Radioactive Man - Airlock
Tracklist 01. Saul Williams - Not In Our Name (Ninja) 02. IIs - Music (Evil 9 Mix) (Marine Parade) 03. Evil Nine - Lovers Not Fighters (Marine Parade) 04. Metro Area - 'Orange Alert (DFA Mix) (Source) 05. Freeland / Wink / Middleton - 'Rise Above' (Marine Parde) 06. Evil Nine - 'Hied Goons' (Marine Parade) 07. DJ Shadow - GDMFSOB (Unkle Roots Manuva Mix) (Island / Mowax) 08. DJ Shadow - 'Right Thing' (Trip Mix) (Island / Mowax) 09. Bushwacka - 'Break Your Face' (Plank) 10. Jaydee - 'Plastic Dreams' (R&S) 11. Free*land - 'We Want Your Soul' (Marine Soul) 12. David Guetta - 'Misscommunication' (Virgin) 13. Rage Against The Machine - 'Killing In The Name Of' (Epic) 14. Evil Nine - 'Crooked' (Marine Parade) 15. Nirvana / Freeland - 'Smellslike Freeland' (White Label) 16. Evil Nine and Juice Aleem - Pearl Shot (Marine Parade) 17. Fex - 'I Want Your Heart' (Marine Parade) 18. Bassbintwins - 'Woah' (White Label) 19. Radiohead / Evil 9 - 'Ideoteque / Crooked' (White Label) 20. Thomas Bangalter / Outrage - Paris By Night (Roule) 21. Whitestripes / Freeland - '7 Nation Army' (White Label) 22. No Love - 'Disconnected' (Marine Parade) 23. Precision Cuts - 'Xylophone' (Simple) 24. DJ T - Philly (DJ Naughty Mix) (Physical) 25. Ian Brown - 'Fear (Unkle Mix)' (Polydor) 26. Jackson - 'Utopia' (Barclay)
Tracklist: 01. Essential Mix - Intro 02. Billy Nayer - Ship Alarm 03. Siriusmo - Girls Rock 04. U.N.K.L.E feat. Josh Homme - Restless 05. Evil Nine - They Live 06. Rogerseventytwo - Imagination 07. Grinderman - No Pussy Blues (Adam Freeland Edit) 08. Adam Freeland - Glowstix 09. Boys Noize - Let's Buy Happiness 10. Autolux - Blanket (Adam Freeland Mix) 11. Junkie XL - Cities In Dust (Glimmers Mix) 12. Hot Chip - Ready For The Floor (Soulwax Mix) 13. Shadow Dancer - End Hit 14. Alan Braxe - Addicted 15. U.N.K.L.E. - Restless 16. Marc Romboy & Blake Baxter - House Ya 17. Alex Metric - Pins 18. Crookers - Love To Edit 19. The Bloody Beetroots - Butter 20. DJ Shadow - Right Thing (Z-Trip 'Set The Party Off Mix' In Three Parts) 21. Freeland - Do Ya 22. Evil Nine - They Live 23. Map Of Africa - Black Skin Blue Eyed Boys 24. Black Strobe - Shining Brightstar (Phones Mix) 25. Sébastien Tellier - Sexual Sportswear (SebastiAn Remix) 26. Breakbot - Happy Rabbit 27. Tepr - Minuit Jacuzzi (DatA Mix) 28. Soulwax - Krack (Nite Version) 29. Midnight Juggernauts - Road To Discovery 30. Adam Freeland - Hate 31. Freeland - How To Fake Your Life 32. Splittr - All Alone (Alex Metric Mix) 33. Can - Mothersky 34. Swayzak - Smile & Receive (Apparat Mix) 35. Simple Minds - Theme For Great Cities 36. Caribou - Niobe (Adam Freeland Edit)
Tracklist: 01 - BLIM - Chronologic 02 - Makesome Breaksome - Pig Chase 03 - Ils - Tectonic 04 - Leuroj - Isokora (Bushwacka! Remix) 05 - Apex - Bangin 06 - Audiowerk - Impulse Transmission 07 - Tsunami One & BT - Hip Hop Phenomenon 08 - 3 Mile Island - Liposuction 09 - Motion Unit - My Mind 10 - Proper Filthy Naughty - Stitch Up 11 - Vigi & Flip - Freak Frequency 12 - Layo And Bushwacka! - Deep South 13 - Beber - Juvenile Delinquent (Tectonics Mix)
Tracklist: 01 - Unknown Artist - Intro 02 - Fluke - Absurd (Adam Freeland & Ils Mix) 03 - KC Flightt vs. Funky Junction - Voices (PMT Remix) 04 - Cause For Concern - Phat Chap 05 - Pressure Drop - Warrior Sound (Adam Freeland Mix) 06 - Exile - Neuroscan 07 - Quinn Whalley - Hold Tight 08 - Ils - 6 Space 09 - Bushwacka! - Monster 10 - Uberzone - Rhythm Device 11 - Soundworkers - Fraunenliebe 12 - Forme - Percussive Thinking 13 - Bushwacka! - The Egyptian 14 - Radioactive Man - Uranium Also-Bassbin Twins - ESW
Tracklist: Saul Williams - Not In Our Name (Ninja) IIs - Music (Evil 9 Mix) (Marine Parade) Evil Nine - Lovers Not Fighters (Marine Parade) Metro Area - 'Orange Alert (DFA Mix) (Source) Freeland / Wink / Middleton - 'Rise Above' (Marine Parde) Evil Nine - 'Hied Goons' (Marine Parade) DJ Shadow - GDMFSOB (Unkle Roots Manuva Mix) (Island / Mowax) DJ Shadow - 'Right Thing' (Trip Mix) (Island / Mowax) Bushwacka - 'Break Your Face' (Plank) Jaydee - 'Plastic Dreams' (R&S) Free*land - 'We Want Your Soul' (Marine Soul) David Guetta - 'Misscommunication' (Virgin) Rage Against The Machine - 'Killing In The Name Of' (Epic) Evil Nine - 'Crooked' (Marine Parade) Nirvana / Freeland - 'Smellslike Freeland' (White Label) Evil Nine and Juice Aleem - Pearl Shot (Marine Parade) Fex - 'I Want Your Heart' (Marine Parade) Bassbintwins - 'Woah' (White Label) Radiohead / Evil 9 - 'Ideoteque / Crooked' (White Label) Thomas Bangalter / Outrage - Paris By Night (Roule) Whitestripes / Freeland - '7 Nation Army' (White Label) No Love - 'Disconnected' (Marine Parade) Precision Cuts - 'Xylophone' (Simple) DJ T - Philly (DJ Naughty Mix) (Physical) Ian Brown - 'Fear (Unkle Mix)' (Polydor) Jackson - 'Utopia' (Barclay)
Adam Freeland Live at Tilos 2001/01/13 (Full Radio Show) Adam Freeland Live at Tilos 2001/01/13 (Full Radio Show) Adam Freeland Live at Tilos 2001/01/13 (Full Radio Show) Adam Freeland Live at Tilos 2001/01/13 (Full Radio Show) Adam Freeland Live at Tilos 2001/01/13 (Full Radio Show)
Tracklist: 2.01 – Atom Smasher Honka Fonka 2.02 – Garsaaidi Frank Zaffa 2.03 – Metro To A Nation Rockin' On A Long Journey 2.04 – A Guy Called Gerald Voodoo Ray 2.05 – Bassbin Twins Number 2 2.06 – Rhythm Section (2) Check Out The Bass Bass 2.07 – Tales From The Hardside Mental Beats 2.08 – Jedi Knights Dance Of The Naughty Knights 2.09 – Thursday Club A Place Called Acid 2.10 – Electroliners Loose Caboose 2.11 – Tales From The Hardside Chemical Meltdown 2.12 – The Future Sound Of London Papua New Guinea 2.13 – Protaflyte Waterfall 2.14 – Squarepusher Male Pill 5 2.15 – Fierce & Nico (4) Input 2.16 – Melting Pot Melting Pot
Tracklist: 1.01-Monkey Mafia - Work Mi Body 1.02-The DJ's Project - DJ's Project Vs. X Calibur 1.03-Semi Detached - Who Da Funk 1.04-Jedi Knights - Air Drums From Outer Bongolia 1.05-Think Tank - Hack 1 1.06-Progressive Sounds Of The South - Breaks 2 1.07-Violet - Central Pro NYC 1.08-Midfield General - Go Off 1.09-Melting Pot - Assault 1 1.10-Thursday Club - Thunderdome 1.11-Basco - The Beat Is Over 1.12-Überzone - Synthetik 1.13-DJ Icey - Electro Morning 1.14-DJ Icey - Bassline + Breakbeats 1.15-Spooky - Relief
Adam Freeland - Live @ Glastonbury (27-6-2004) Classic Sets Adam Freeland - Live @ Glastonbury (27-6-2004) Classic Sets Adam Freeland - Live @ Glastonbury (27-6-2004) Classic Sets Adam Freeland - Live @ Glastonbury (27-6-2004) Classic Sets Adam Freeland - Live @ Glastonbury (27-6-2004) Classic Sets
Crate digging from 1999 - 2005 Electro, techno, funky house, deep house, tech-house, breakbeat, progressive house, progressive trance, epic trance, psy-trance and hardcore all in one journey Tracklist: 1. Freeform Five - Perspex Sex (Ewan Pearson Mix) 2. Slam - Visions (Two Lone Horsemen Mix) 3. Annie - Chewing Gum (Mylo Mix) 4. Groove Armada - Easy (Pulse Mix) 5. Nelly Furtado - Powerless (Leama & Moor Mix) 6. Infusion - Do To You In '82 7. Agent Sumo - 24 Hours 8. Planet Funk - Inside The People (Phunk Investigation Mix) 9. Eddie Amador - House Music (Ian Pooley Mix) 10. Sade - By Your Side (Ben Watts Mix)] 11. Shirley Brown vs. Mr. Fingers – Can You Feel It Woman To Woman 12. Dr Kucho! & Gregor Salto - Playboy Interviews 13. Peace Division - Beats In Pieces 14. Bakony Scamp - House Come Save Me 15. Benz & MD - Snowblind (Spincycle Mix) 16. Mazi & Haris - Foreign Policy 17. Echomen - Substance 18. Furry Phreaks feat. Terra Deva - Soothe (Chicane Deep End Dub) 19. Poloroid - So Damn Beautiful (Andy Morris Mix) 20. Circ - Destroy She Said 21. U2 - With Or Without You (Sultan & Miche's Sona Afterhours Mix) 22. Dido - Don't Leave Home (Gabriel & Dresden Mix) 23. Steve Porter - Oyster Crackers 24. Ahmet Ertenu - Why 25. Pete Lazonby - Sacred Cycles (Probspot Mix) 26. Damien Heck feat. Michelle Chi - Deep Reveal (Baunder Mix) 27. Age of Love - Age Of Love (Wrecked Angle Mix) 28. Dave Seaman pres. Group Therapy - My Own Worst Enemy (Trafik Mix) 29. UNKLE - Eye For An Eye (Force Mass Motion Mix) 30. Adam Freeland with Josh Wink & Tom Middleton - Rise Above 31. Jimi Hendrix - Purple Haze 2004 32. Filter - Take A Picture (Hybrid Mix) 33. Bedrock - Heaven Scent (Breakbeat Mix) 34. Peter Martin pres. Anthanasia - Perfect Wave (Oahu Break Dub) 35. Fluke - Slap It 36. Younger Brother - Even Dwarves Start Small 37. Michael Lanning - Tantric Progression 38. PQM - You Are Sleeping (PQM Meets Luke Chable Mix) 39. Barry Gilbey - Plastic Man (Nolovenodub Mix) 40. Deepsky - Gareth's Church (Cass & Slide Mix) 41. Push - Strange World (Hardy Heller Mix) 42. Y-Traxx - Mystery Land (Mr Sam and Fred Baker Mix) 43. Chris Rea - All Summer Long (Katcha Mix) 44. Rev 9 - The Weapon 45. Solar Stone - Seven Cities (V-One's Living Cities Mix) 46. Fire & Ice - Heart & Mind 47. Anggun - Snow On The Sahara (Trouser Enthusiasts Mix) 48. JOC - Volcano 49. Jurgen Vries - Opera Song 50. Goldenscan - Sunrise (Ronski Speed Mix) 51. Talla 2XLC - Can You Feel Silence (Flutlicht Mix) 52. Lost Tribe - Gamemaster (Digital Blonde Mix) 53. Storm - Storm (Man With No Name Mix) 54. Space Frog - Follow Me 2002
Adam Freeland - Breezeblock Set Adam Freeland - Breezeblock Set Adam Freeland - Breezeblock Set Adam Freeland - Breezeblock Set Adam Freeland - Breezeblock Set Adam Freeland - Breezeblock Set Adam Freeland - Breezeblock Set Adam Freeland - Breezeblock Set
Welcome back to the Magician On Duty Podcast Series, On this edition, we welcome https://soundcloud.com/theoddness The Oddness is the project of Melbourne producer and performer Warwick Ferguson. The sound of the Oddness is Downtempo yet energetic, with punchy tribal drums and huge bass lines wrapped around the long slow burning structures of progressive house. The Oddness Launched his live set in 2018 and has since performed at some of Australia's premium festivals including Rainbow Serpent, Let Them Eat Cake and ChiWowWah Town. The set is full of improvisation and can go anywhere from laidback and melancholy through to a chunky, driving gut punch. Recently he has been joined by Multi Instrumentalists Dylan Jarred and Timmus, performing as a 3-piece band. His first release came in early 2018 on Uone's label Beat & Path with a huge remix from Electronic music legend Adam Freeland, quickly followed his debut album ‘Culmination' on Griff's new imprint Corymbia Recordings. 2019/20 saw a string of releases and remixes for labels Pipe & Pochet, SolSelectas, Shango Records, LNDKHN and Sofa Beats, as well as remixing Satin Jackets huge hit Automatic for Eskimo Recordings. A European tour was booked for 2020 including Boom, Noisily and Vibronica festivals, but was cancelled due to the Covid-19 situation. This led to some serious studio time culminating in his second album ‘Observations as a Stranger' out now on Beat & Path. I hope you enjoy this episode as much as I did! Follow Warwick here: facebook.com/theoddnessmusic soundcloud.com/theoddness instagram.com/theoddnessmusic Playlist: Symbolic - I'm Free Theo Gramal - Orakle (Lui Mafuta Remix) The Oddness - Free Dive (Omeria Remix) Okuma - Trop Invers The Oddness - Caberet Lui Mafuta - One more time Okuma - Ghombu The Oddness - Observance ÜNAM - The original energy Dolph & Kermesse - Peu a Peu (Kermesse's Poco a Poco Remix) Andre Crom & Martin Dawson - Gonna be alright Kapchiz - Todo (Alex Doering Remix) Jean Vayat - Ancient Temple (Jose Solano Remix) Daniel Hokum - Tarantula (Zuma Dionys Remix) Narcisse (Mex) - Prime Time Catastrophe Jean Vayat - Blooming Garden (UNAM Remix) Stefan Obermaier - Teak Dario Klein - Adventure King (The Oddness Remix) Mula - Abby Abby Zuma Dionys - Through the valley Anber - Jendayi Raw Main - Nebula Cover art by Orhan Ata www.instagram.com/ata.orhan
Tracklist: JDS in The Mix 1. Diverted - Tholid (Vlad Remix) (TCR) 2. Paradox 3000 - Party A (Funk Funk) 3. JDS - Dirty Funk (TCR) 4. Headcharge - Girls In Da Club (paradox 3000 Mix) (Funk Funk) 5. JDS - Blackout (TCR) 6. JDS - Jump Around (TCR) Soul Of Man In the Mix 1. The Orb - Little Fluffy Clouds 2. Drummatic Twins - Feelin Kinda Strange (Nick Thayer Remix) (Finger Lickin') 3. PMT - Gyromancer (Stanton Warrior Remix) 4. Tom Reed Vs Wakeman - Ocan Baksoska (friendly Remix) (White) 5. Rouge Element - Just back out (Funktional Breaks) 6. Soul Of Man - Foxy Moron (Finger Lickin') Aquasky In the Mix 1. Radiohead - Everything Bootleg (White) 2. Aquasky & Meat Katie - Overneath (Passenger) 3. Mylo - Drop The Pressure (Aquasky Remix) 4. Aquasky & Long Range (Aka Phil Orbital & Nick Smith) (Passenger) 5. Aquasky - Boom (777) 6. Aquasky & Euphornet - Girls & Boys (Passenger) Adam Freeland in The Mix 1. Cat Power - Come Together (Adam Freeland Mix) (Marine Parade) 2. Unknown - Unknown (White) 3. The Doors - Hello I Love You (Freeland Remix) (Marine Parade) 4. Daft Punk - Robot Rock (Adam Freeland Mix) 5. Locodice - Cellar Door (420) 6. The Rapture - House Of the Jelous Lovers (Adam Freeland Mix) (Mercury) 7. Adam Freeland - Morning Sun (Marine Parade)
Tracklist: 01 Will Saul feat. Ursula Rucker - Where Is It (Evil Nine Remix) [Air Recordings] 02 Dylan Rhymes - The Way (Evil Nine Remix) [Lot49] 03 Telemen - In All Nothing (Adam Freeland & Evil Nine Remix) [Multicolor Recordings] 04 Alex Dolby - Hazy Way (Evil Nine Remix) [Mantra Vibes] 05 Future Funk Squad - Towards The Sun (Evil Nine Remix) [Default Records] 06 Bassbin Twins - ESW (Evil Nine Edit) [Marine Parade] 07-1 Evil Nine feat. Aesop Rock - Crooked (Bassbin Twins Remix) [Marine Parade] 07-2 Evil Nine feat. Aesop Rock - Crooked (Original Mix) [Marine Parade] 08 Pet - Superpet (Evil Nine Remix) [Grönland Records] 09 Evil Nine - For Lovers Not Fighters (Original Vinyl Edit) [Marine Parade] 10 Evil Nine feat. Toastie Taylor - Restless (Original Mix) [Marine Parade] 11 Adam Freeland feat. Juice Aleem & Toastie Taylor - Heel & Toe (Evil Nine Remix) [Marine Parade] 12 Evil Nine - Golden Throne (Original Mix) [Not On Label] 13 Husky Rescue - New Light Of Tomorrow (Evil Nine Remix) [Catskills Records] 14 Evil Nine - Help (Skit) [Marine Parade]
Electro Music Paradise - Adam Freeland & Freq Nasty - El Cuervo - Sevilla - 02/06/2001 Electro Music Paradise - Adam Freeland & Freq Nasty - El Cuervo - Sevilla - 02/06/2001 Electro Music Paradise - Adam Freeland & Freq Nasty - El Cuervo - Sevilla - 02/06/2001
Adam Freeland - Essencial Mix - 1997 - BBC Radio Adam Freeland - Essencial Mix - 1997 - BBC Radio Adam Freeland - Essencial Mix - 1997 - BBC Radio Adam Freeland - Essencial Mix - 1997 - BBC Radio Adam Freeland - Essencial Mix - 1997 - BBC Radio Adam Freeland - Essencial Mix - 1997 - BBC Radio
Adam Freeland - Breakbeat Show KissFm - 15-12-00 Adam Freeland - Breakbeat Show KissFm - 15-12-00 Adam Freeland - Breakbeat Show KissFm - 15-12-00 Adam Freeland - Breakbeat Show KissFm - 15-12-00 Adam Freeland - Breakbeat Show KissFm - 15-12-00 Adam Freeland - Breakbeat Show KissFm - 15-12-00
We welcome a special guest this week in the shape of globe-trotting DJ and producer Adam Freeland, to discuss what it is like being a DJ in the age of lockdown. Mar has the lowdown on SZA's return to the charts and Bicep's Isles is our record of the week.
Brandon Handley 0:00 What is going on spiritual dope? How are you? How are you? It is it's a Friday. It's Friday. And it's been it's been a long one, you know, I've got a guy that was on Apollo for the rest of us podcast, john Daly coach Sean Daly. And so remember him saying, you know, the days are long, and the years are short. So the days have been long. But the week has been short. But we made it guys, we made it, we made it through. But it's been an interesting one. So I thought I'd share that with you has zero context on what I'm about to talk to you about. So thanks. So this is one I've been wanting to get to you since the weekend. I'm finally getting around to it, though. So the question is, question is this someone defining your experience for you? Right? your mind, your thoughts, and your personal experiences are all subjective. And that can make it a challenge when you go to discuss that with others, right. And especially, especially your spiritual life, trying to translate the spiritual life, to somebody who is I will call it uninitiated, can certainly be a challenge. But as we as we go through, as we go through that, right, there are certain levels of experiences and understanding in those experiences. Again, most of those are going to be subjective. However, throughout time, these patterns are emerged, right? They're distinguishable patterns, to and to the individual, it ends up it's not somewhat subjective, much in the same way that logic is embodied in a program, there's still a human element driving the machine. So a human element driving machine that's subjectivities, always going to be there. But there is, again, that discernible pattern of somebody kind of going through and having a spiritual experience. And there's a beauty of frustration here in my mind, because at some point, you must become the authority on a few different things. One of those is what do you accept to be true? Who are the authorities, right? Who are the authorities. And the translation of your experience, and I bring this up as I was recently in a dialogue with a gentleman I would call a teacher, maybe say, a member of the Sangha, right, somebody that I've met along my path, right, and spent some time with, and he had reached out to me in regards to a book that he'd recently read, shared, Hey, you got to read this. And I just finished this book, maybe within the past month, the book you'd recommend, it was called, it is called power versus force, by David R. Hawkins, Dr. At that, and it contains a great illustration on kind of how the body is connected to the field of consciousness. And you can use it, your body and that field of consciousness to, to calibrate the certain vibratory fields. And what Dr. Hawkins did was he created a map of consciousness, if you will, because a visual representation in a logarithmic fashion regarding consciousness at its various levels of vibratory resonance, and what do I mean by that? That what I mean is that the bottom of this field, you'll find shame and humiliation at 20. And as you scale up, you get into grief at 75. You could up to fear at 100 that there's anger at 150, the tipping point t found is at 200. All right, and then as you start to move forward, the tipping point for and so what I mean by that is at 200 and below, there's kind of eating away at right this, this kind of the scarcity mentality, this lack full mentality. And then you get, you get up to 200. And then you get courage, and then in the hope 310, then all the way up to 1000, which is enlightenment. had before before I move on, I really like for you to sit in a resonance and a couple of these feelings and emotions right at a couple of these different scales if you will, and experience it for yourself. So if you're sitting with shame, at 20 you're sitting with the emotion of humiliation. If you're sitting with shame at 20 you've almost got a feeling of suffocation. Brandon Handley 5:00 stifled, you're free to make any move. Then you, then you hop all the way up. What is it to Unknown Speaker 5:09 fear Brandon Handley 5:10 at 100? And I think there's an Adam Freeland song. There's another song. Sure. No Fear is the mind killer. Here's the mind COEs feelings of anxiety, you've got a tendency to withdraw from the space that you're in when you're sitting with fear and you could feel this. There's an absolute resonance of ebb and flow that you're, you're feeling. There's a, you're sitting in a in an energetic field and just the sound resonates, vibrates, the energy field of these emotions will resonate and vibrate within you. And you crawl all the way up to this point of courage at 200. This is the tipping point. This is where you, you can go forward and my friends and I used to make a joke regarding courage. And we would say holy take some moments curves kill a vampire. And if you think about what a vampire is, it is at its base level in energy. Leach is fear in stasis, pitch, it should just take a moment of courage to banish that from your life that is empowerment. You assume control of yourself, you choose to move beyond the illusion of fear, shattering what seemed like an M surmountable giant along your path, and you smash that into smithereens tiny little pieces. And then you search forward. Unknown Speaker 6:44 That's been my experience. Brandon Handley 6:47 And beyond on that scale, right? So I've been beyond 200 100%. And this is what I share with my buddy, I said, Hey, man, I believe that I could at least help people navigate to courage, right? I've been there. I've had that experience. And imagine my surprise when he questioned me because that and honestly, I was expecting his support he cited he goes, Hey, you know, someone needs you got to experience that for yourself. Right? He goes on mere book knowledge won't do. And what I thought was interesting, and it was just in a moment, right? Unknown Speaker 7:27 I suffered doubt, Brandon Handley 7:29 maybe even despair for a moment, which you can locate on the map of consciousness at 50. So imagine that just come to this bear for a moment, that empty feeling. You feel like you've come so long or far away, or you feel like you're in a great place. And here's somebody that I placed on a pedestal right, I put them above me, in my mind, he I chose him as an authority. And I shrink back. I had my own hide my own light, it was in the same moment that I realized that what was happening was I was looking to another validation. Someone outside of me, and I was accepting quite possibly what may be true for him to be true for me. And what do I mean by that? Is that he words are his words are mirror of himself, right? In a moment's courage. I literally just metaphorically drove a stake into the heart of that vampire. I was like, You know what, fuck it. You don't need fucking permission to be great. I didn't need his permission. You know that permission is already been given to you, everyone. Everyone has been born with it. And so how can you be sure that right and what you know greatness. It's funny because nobody still remember when I when I first talked about stepping into your own greatness bag I follow for the recipe. Oh, no boast up into greatness. Nobody. Nobody wants to assume that's greatness. It's like, there it is. It's yours. It's so it's inherent. It's not even. It's not even that you you have to look for it. It's there already. And, you know, you you yourself have certainly you've learned to recognize greatness in others. And how do you do that? Right? You've got to have familiarity with it yourself. You must have experienced it within yourself. So in order to be called some somebody great, you must know what that is. Right? There's, there's something inside of you. reflecting back to yourself. That is greatness. And when I think about it, I think about it in terms of that letter that you write to somebody who annoys you. I don't know if you've ever done this exercise where you you know, maybe there's somebody that you find very annoying in your life and you take some time you write out all the shit that that annoys you about them like is that thing does uphold their laundry doesn't take the time to throw away that one dish doesn't, you know, all the things right? And the funny thing is, is that oftentimes you can find those same annoying qualities within yourself. Right. And it's really as easy, it's easy to do that one. As the it's funny though, because the same letter can be written to someone that you admire someone that you hold in high esteem. The funny thing is, the exact same thing happens here, these are the same qualities that you would Meyer, about yourself. And this is what they mean, one of one of the many meanings, right that this world is a reflection of yourself. And a yoke. So I want you to, I want you to think about that. And also want to share with you the 30. There, and I think that what this gentleman thought of really was that there are many people out there with the knowledge seeking the experience. And I would share with you with him, that for me, it's been a matter of having the experience and then seeking the knowledge and how can I express that to to you to at all, really, how can I express that experience at all. And one of those ways, really, that, you know, if you're in a similar situation, and I'll share this been my own practice and how I feel like I've done it is that it starts in a belief within yourself. And a belief that I you are worth it. The belief that there is a greatness in there, there is something within you that if you cultivate it, and nurture it, if you invest in yourself, that you'll be able to take a moment's courage, that you'll be able to journey into a dark spot, spot unknown, right? That's what I mean by darkness is I mean, you know, darkness is only dark until you shine the light in that space, right. And then you're gonna have your moments of clarity that are beyond what you once knew. And each time that you step into that space, you're gonna have a new experience, and there's going to be a different resonance of your character, a different vibration of who you are, and chances are, you're going to want to figure out how to share that out. Right. Brandon Handley 12:21 And chances are, that the person, you know, you once were, is now replaced by the person that you have become. Over this is open to everyone. Right? If you've been thinking about who you were, and how everything in your past has put you in a not great place. Maybe that's a fallacy, right? This is open to everyone. Especially you, especially, you know, I think about people like, Dude, what's his name? Russell Brand. Rob, you know, Rob, Iron Man, whatever the hell, Tony Stark, right? These are people, you know, who were way down and out at one point, and they rose back up? Especially Russell Brand, right? Like, I think he Wow, it's so funny how I actually looked for people. Once upon a time. You know, I used to look at billboard 100. Now look at like, the spiritual 100. But Russell brands on there, right. And here's a guy that a couple years ago, he was a fucking mess. And now he's, you know, one of our spiritual leaders. So don't think for one moment that just because you stumbled out of the of the sunlight or the blocks, that you don't have the ability to win the race. And I know, I'm just using that terminology. And so I think about also, Robin Sharma, who's got this 10 News got a whole bunch of stuff is great. Yeah, he's got some self help books and whatnot. But I heard him speak on a podcast and in there he goes, you rise to your level of thinking? Unknown Speaker 14:16 Which puts a switch for me. Brandon Handley 14:19 Because, you know, you've heard it before you're a human being having a spiritual experience. And once you kind of make that transition, what does that do for your level of thinking? So you're given a choice, right? Which one are you going to take? Are you going to be a human being? Or are you going to accept and a moment's courage that you are a divine being and all it takes is a moment to be divine, to be filled with grace? You're going to take moments courage to call yourself a star seed, maybe an indigo child, a child of God even Yeah, it's so good and how could you not what is the child of God capable of And I love the idea. You're born into a benevolent universe. All you have to do is look for the signs. And all that takes is a moment's Cause if you can stay in that for just a moment, if you can do it once, how many how many more? How many more times can do it? Transcribed by https://otter.ai
BRP 234 - INTEGRAL BREAD https://soundcloud.com/integralbread Try to put together innovation, proper bass, and hypnotic melodies. Go from the darkness to a sunny festival. Let yourself go, and dance like no one is looking. Ask to your friends, yeah, Integral Bread is playing. Integral Bread doesn´t follow the mass, he just make them dance. The definition of his music depends of the hears listening. You can find elements from techno, house, electro, deep, progressive... with the most pure electronica spine. Eclectic style making sense, in a timeless harmony. Nacho Vicente Vargas (Integral Bread), from Spain, started his career in the electronic music production in 1995. During all these years he has been working with a wide range of music kinds but with a very personal and unique style during his natural evolution. In 2000 he joined Joaquin Gemio and they formed “Bread and Butter”, with a great success due to their releases and live acts in the main Spanish festivals. His solo career is supported by numerous references and remixes edited in different labels, in addition to the support of artists and specialized media. He is currently manager of the Univack Records label. His latest album, "We Die To Live" released in May 2016, has garnered outstanding attention from specialist media around the globe, as well as reaching the Beatport top 10 release, and being a finalist at the Vicious Music Awards 2016 for Best Album, in addition to the nomination for Best Artist Tech-House / Deep House. Integral Bread has appeared on the new AMAZON MUSIC’s team list as one of the 20 most relevant current artists of electronic music in Spain. Recently a remix album "We Die To Live Remixed" appeared, with versions created by Rafael Cerato, Barry Jamieson, Dmitry Molosh, Soulwerk, Manu Riga, Lunar Plane, Erdi Irmak, Fábel, among others. His live show, awarded the Best Live award at the "EEE Awards", has received significant recognition from the public and specialized critics, performing live even on such important media as Radio 3 National Radio of Spain (twice). His Live has toured festivals like Klubbers Day, Electrosonic Burgos, Live Dance festival, Jameos Festival, Summer Festival, Hebben Live, ContemPopranea, etc, by numerous clubs in the national territory, and countries like Belgium, Austria and UK, sharing poster and stage with Artists like Pet Shop Boys, Orbital, Richie Hawtin, Sven Väth, Jeff Mills, Carl Craig, Kevin Saunderson, Marco Carola, Guy Gerber, Henry Saiz, Dj Rush, Umek, Robert Hood, Oscar Mulero, Paco Osuna, Cristian Varela, Christian Smith, LadyTron, Radio Slave, Freestylers, Asian Dub Foundation, Oxia, Misstress Barbara, The Hacker, Paul Ritch, Popof, Uto Karem, Sideral, D.Wachman, Adam Freeland, Samuel L. Sesion, Reeko, Gaetano Parisio, Marc Houle, Sebastian Leger, Krafty Kuts, and a long etcetera. Integral Bread has the power of bringing you back to one of our basic and oldest instinct, dancing, this time surrounded by lacers lights instead of around a bonfire, innate way of having fun and feeling in harmony. Tracks list: 1. Integral Bread - Ready To Born (Original Mix) [Soon @ Univack] 2. Integral Bread - Tahiche (Original Mix) [Soon @ Univack] 3. Integral Bread - Z Vector (Original Mix) [Univack] 4. Cid Inc & Darin Epsilon - Outliers (Integral Bread Remix) [Perspectives Digital] 5. Integral Bread - Yerevan (Original Mix) [Univack] 6. Integral Bread - Pranayama feat. QuantiK (Original Mix) [Univack] 7. Integral Bread - Collage (Original Mix) [Soon @ Univack] 8. FAKENEWS - Lunar Eclipse (Integral Bread Remix) [Soon @ Univack] 9. Quivver - 8 Bits Eclipse (Integral Bread Remix) [Univack] 10. Integral Bread - Diplodocus (Original Mix) [Univack] 11. Integral Bread - The Scar (Original Mix) [Univack] 12. Underwood - Vélocipède (Integral Bread Remix) [Tanzgemeinschaft]
Adam Freeland is one of dance music’s most dynamic artists. As an early pioneer of the nu-skool breaks genre, Adam blazed a trail and made a name for himself on dancefloors around the world. Pete Tong has said of Adam that “he’s a pioneer", "one of my favorite DJ’s" and "one of the uk club scene’s national treasures”.Adam's 1996 Coastal Breaks mix is widely considered to be the first defining mix of the genre, however his music beyond breaks has blurred all the lines, transcended all the boundaries and with his current incarnation, his 3 piece band, The Acid, Adam has flipped the script once again.In this episode we discuss:How the lyrics on his track We Want Your Soul have acquired new meaning in the years since it was writtenAdjusting to life in the USThe origins of the nu-skool breaks soundSydney's 1992 Aztec raveFestival vs club setsLife in Joshua TreeUFOsAnd much, much moreFind Adam on Instagram, Facebook and online here.Check out his band The Acid------CONNECT WITH DANCE CULTURE VIBESubscribe to the show on Apple Podcasts, Spotify, Google Podcasts and wherever else you listen to podcasts.Stay connected with exclusive content on social:InstagramFacebookUnderground Newsletter: https://danceculturevibe.substack.com/Email: sam@danceculturevibe.com
On tonight's show: nothing but vibes... quite literally! We play you the greatest tunes from Rez, it's subsequent re-releases and some songs that didn't make the final cut while discussing our memories of the title. We also talk history, revisional differences and changes between prototypes and the final release. If you're a fan of the title, join us for the ultimate celebration of all things Rez!
This episode explores music and the psyche with two of the most gifted musicians I've ever heard. Ethereal and contemplative, the music of Katie Gray and Kurt Baumann, collectively known as Sea Stars (https://seastars.bandcamp.com/), have been seen nationally on the Today Show with Hoda Kotb and around the globe. Kurt and Katie are married and work both together and apart in their artistic and musical ventures. Katie (www.katiegray.com) writes and records her own music and has been a guest vocal with groups such as Band of Horses (live on Jimmy Kimmel) and has worked with numerous artists including Ani Difranco. Kurt performs and records with his band The Burned (www.theburnedmusic.com), was the founder of the band Kan'Nal and has recorded and toured with electronic super hero Adam Freeland. Here are some links to listen further: Live on The Today Show - https://www.youtube.com/watch?v=BrorsNKVxIs Mind over Matter - https://www.youtube.com/watch?v=8oLtL_S3Fng The Maker - https://www.youtube.com/watch?v=GpMvZE07ixM
After a lengthy break from radio - I am back with just over 2 hours of the best tunes you can find, live in the mix on React Radio **Tracklisting**: 1 Dirty Freek Vs Class Action - The Devil's Weekend Is Alive 2 Klub Bangers Meets Boy Raver - Love & Happiness (Boy Raver Remix) 3 25th Street - Needing (Illicit White Label) 4 Dana Dawson - 3 Is Family (Dancing Divas) 5 Deep Dish feat. Stevie Nicks - Dreams (Extended Club Mix) 6 Pianoman ft Nikki - Cast A Spell 7 Tall Paul - Rock Da House 8 Matt Craig - Happiness Happening 9 Jamiroquai - Space Cowboy 10 Michael Jackson - Dont Stop till You Get Enough (DJ Meme Definitive Remix) 11 Loveland - Let The Music (Lift You Up) 12 Corona - Rhythm Of The Night (Ste Essence Remix) 13 Kathy Brown vs Klub Bangers - Turn Me Out (Klub Bangers Original Mix) 14 Bizarre Inc & Ant Brooks Vs Neiked - Playing With Sexual Knives (Discosid Bootleg) 15 Glam vs Afrika Bambaataa - Just Get Up & Go To Hell (Steve Jennings Bootleg) 16 - Perfect Exceeder vs Madison Avenue - Don't Call Me Princess 17 Pianoman - Blurred (Decor's Remix) 18 Ethan Fox - Takaboom 19 Fedde Le Grand + M/A/R/R/S - Put Your Hands Up For The Volume 20 Gladeez - When You Need Somebody (Serial Diva Full On Vocal Mix) 21 Jack Jonaz - Rock To The Max (Original Mix) 22 Andrea T Medoza ft Tibet & Manuela - People Get Down (Unreleased Club Mix) 23 Natural Born Grooves vs 20 Fingers - Short Groove Bird (Steve Jenning Bootleg) 24 Adam Freeland vs Kathy Brown - We Want You To Turn Me Out (Steve Jennings Mashup) 25 Ariana Grande - One Last Time (Tommy Mc Bootleg)
After a lengthy break from radio - I am back with just over 2 hours of the best tunes you can find, live in the mix on React Radio **Tracklisting**: 1 Dirty Freek Vs Class Action - The Devil's Weekend Is Alive 2 Klub Bangers Meets Boy Raver - Love & Happiness (Boy Raver Remix) 3 25th Street - Needing (Illicit White Label) 4 Dana Dawson - 3 Is Family (Dancing Divas) 5 Deep Dish feat. Stevie Nicks - Dreams (Extended Club Mix) 6 Pianoman ft Nikki - Cast A Spell 7 Tall Paul - Rock Da House 8 Matt Craig - Happiness Happening 9 Jamiroquai - Space Cowboy 10 Michael Jackson - Dont Stop till You Get Enough (DJ Meme Definitive Remix) 11 Loveland - Let The Music (Lift You Up) 12 Corona - Rhythm Of The Night (Ste Essence Remix) 13 Kathy Brown vs Klub Bangers - Turn Me Out (Klub Bangers Original Mix) 14 Bizarre Inc & Ant Brooks Vs Neiked - Playing With Sexual Knives (Discosid Bootleg) 15 Glam vs Afrika Bambaataa - Just Get Up & Go To Hell (Steve Jennings Bootleg) 16 - Perfect Exceeder vs Madison Avenue - Don't Call Me Princess 17 Pianoman - Blurred (Decor's Remix) 18 Ethan Fox - Takaboom 19 Fedde Le Grand + M/A/R/R/S - Put Your Hands Up For The Volume 20 Gladeez - When You Need Somebody (Serial Diva Full On Vocal Mix) 21 Jack Jonaz - Rock To The Max (Original Mix) 22 Andrea T Medoza ft Tibet & Manuela - People Get Down (Unreleased Club Mix) 23 Natural Born Grooves vs 20 Fingers - Short Groove Bird (Steve Jenning Bootleg) 24 Adam Freeland vs Kathy Brown - We Want You To Turn Me Out (Steve Jennings Mashup) 25 Ariana Grande - One Last Time (Tommy Mc Bootleg)
After a lengthy break from radio - I am back with just over 2 hours of the best tunes you can find, live in the mix on React Radio **Tracklisting**: 1 Dirty Freek Vs Class Action - The Devil's Weekend Is Alive 2 Klub Bangers Meets Boy Raver - Love & Happiness (Boy Raver Remix) 3 25th Street - Needing (Illicit White Label) 4 Dana Dawson - 3 Is Family (Dancing Divas) 5 Deep Dish feat. Stevie Nicks - Dreams (Extended Club Mix) 6 Pianoman ft Nikki - Cast A Spell 7 Tall Paul - Rock Da House 8 Matt Craig - Happiness Happening 9 Jamiroquai - Space Cowboy 10 Michael Jackson - Dont Stop till You Get Enough (DJ Meme Definitive Remix) 11 Loveland - Let The Music (Lift You Up) 12 Corona - Rhythm Of The Night (Ste Essence Remix) 13 Kathy Brown vs Klub Bangers - Turn Me Out (Klub Bangers Original Mix) 14 Bizarre Inc & Ant Brooks Vs Neiked - Playing With Sexual Knives (Discosid Bootleg) 15 Glam vs Afrika Bambaataa - Just Get Up & Go To Hell (Steve Jennings Bootleg) 16 - Perfect Exceeder vs Madison Avenue - Don't Call Me Princess 17 Pianoman - Blurred (Decor's Remix) 18 Ethan Fox - Takaboom 19 Fedde Le Grand + M/A/R/R/S - Put Your Hands Up For The Volume 20 Gladeez - When You Need Somebody (Serial Diva Full On Vocal Mix) 21 Jack Jonaz - Rock To The Max (Original Mix) 22 Andrea T Medoza ft Tibet & Manuela - People Get Down (Unreleased Club Mix) 23 Natural Born Grooves vs 20 Fingers - Short Groove Bird (Steve Jenning Bootleg) 24 Adam Freeland vs Kathy Brown - We Want You To Turn Me Out (Steve Jennings Mashup) 25 Ariana Grande - One Last Time (Tommy Mc Bootleg)
DJ Chozie Ma is the top selling EDM artist in China and Taiwan. Chozie, an Australian by birth, has spent over 22 years in Beijing, building the EDM scene from scratch, beginning with clubs and albums, as well as partnering with the man behind the music at the Beijing 2008 Olympics, to VVIP travel experiences, interactive domes, and organic skincare line Greenerways Organic. Show Notes Greenerways Organic Follow Chozie on Instagram | Facebook | WeChat "One Night in Beijing" (feat. Peyton) Video Theme music by: Ruel Morales Audio Transcript Brian Schoenborn 0:01 Hello, hello. Hey everybody. Our guest today is, he's had a pretty epic life. Let's put it that way. Truly a man of many hats from being the top selling electronic music DJ in both Taiwan and China, to owning some of the top clubs in Asia, as well as an expert, top of his game with vvip experiences. We're going to get into all of that stuff, as well as some other stuff that he's got going on. This dude's got so much stuff happening. It's kind of hard to wrap our arms around all of it. We're going to dive in as much as we can. So give it up for my friend, Chozie Ma. Brian Schoenborn 0:41 My name is Brian Schoenborn. I'm an explorer of people, places and culture. In my travels, spanning over 20 countries across four continents, I've had the pleasure of engaging in authentic conversations with amazingly interesting people. These are their stories, on location and unfiltered. Presented by 8B Media, this is Half the City. Chozie Ma 1:09 What's up? How you doing? Brian Schoenborn 1:11 Good, man. How are you? Chozie Ma 1:12 Happy to be here in LA. Brian Schoenborn 1:13 Dude, I'm so happy to see you, man. It's been it's been a minute, man. Chozie Ma 1:16 Yea, totally. Brian Schoenborn 1:17 Yeah. So guys, so first, let me take it back. We're having a little bit of technical difficulties. We're going mano today. We're improvising, adapting and overcoming. My, one of my dongles for my mic broke. So we've got one mic instead of two. No big deal. We just fucking roll with it. Right? So you might be hearing some background noise and stuff like that some cars going by or whatever, here and there. We're actually on location in Venice, Venice Beach, California. We're actually 100 yards from the beach. Chozie Ma 1:42 You can see the beach. Brian Schoenborn 1:43 You can see the beach. Chozie Ma 1:44 Yeah, it's sweet. Brian Schoenborn 1:45 We're right here. Chozie's in LA for business. Chozie Ma 1:50 Business and play. Brian Schoenborn 1:51 It just so happened that Chozie saw one of the first episodes out and I'm like, dude, I haven't seen I haven't talked to this guy like a year and I'm like, and he's like, yo, fuckin A. He liked it on my WeChat the Chinese social media, Chinese Facebook, whatever you wanna call it, like, dude, let's do this. Chozie Ma 2:05 Yeah. Brian Schoenborn 2:05 And he's like, yeah. And then he messaged me, he's like, Yo, I'm in Venice doing something. I'm like, dude, I'm in LA. Let's get together. You know, the whole concept of the show anyways is you know, I'm talking to people all over the world with amazingly interesting stories. And on location, right, so we're chillin, we're chillin in his place here, his studio here in Venice Beach. You can hear somebody doing some construction work behind us in the background. All good. No, it's all good. I don't care. I don't even care, man. It's the content. Chozie Ma 2:33 Yeah, that's it. Brian Schoenborn 2:33 You know, it's the authenticity of it. But I've known Chozie for four, four years? Chozie Ma 2:39 Yeah, it's been a minute. Brian Schoenborn 2:39 Three or four years, something like that. Chozie Ma 2:41 Yeah. From Beijing. Brian Schoenborn 2:42 Yeah, from Beijing, baby. Yeah, I've known Chozie since my time in Beijing and if you guys have been listening, you know, I spent four years there doing some stuff on my own, but Chozie…I mean, you look Chinese. But your English is so good. Do you like? Chozie Ma 2:59 Yes, I'm Chozie. Okay, so it stands for Chinese Aussie. So my father's Chinese my mom's Aussie. Grew up in Sydney. Graduated there, then made the move over to the mainland back back to the roots in 98. Brian Schoenborn 3:13 98? Chozie Ma 3:14 Yeah. Brian Schoenborn 3:14 Dude. So you're hitting what your 22nd year? Chozie Ma 3:16 Twenty-second year, yeah. Brian Schoenborn 3:17 My god, man. Chozie Ma 3:18 Zero to Hero. Brian Schoenborn 3:20 For real, like I can't even imagine like the changes. So, if you if you've never been to China, you've never been to Beijing or any of the other major cities. Ever since the, who was it? Who was, Deng Xiaoping? Chozie Ma 3:34 Yeah. Brian Schoenborn 3:34 When Deng Xiaoping started opening up the country. It was closed off for years, decades, right? It was just its own nationalist, no access in or out type country. And around the time of Deng Xiaoping, who was the leader of the Chinese party, back in the time with Nixon, I think Richard Nixon, the American president. Chozie Ma 3:55 Kissinger, I think, to make the formal transition. Brian Schoenborn 3:57 Well, he was a diplomat, the foreign relations guy. Chozie Ma 4:00 Right. Brian Schoenborn 4:02 But they started opening up, it was the great opening. So this was like 30, 40 years ago. And since then the growth in China has been explosive. Chozie Ma 4:10 Yeah, donkeys and carts to Ferraris and Lamborghinis. Brian Schoenborn 4:12 Yeah. Chozie Ma 4:13 Just like that. Brian Schoenborn 4:13 It's crazy. Yeah, it's crazy and like so you see these areas like in Beijing for example. There's been so much growth that you know, one block you'll see these one story, they're called hutongs. They're like one story buildings that are anywhere between 600 and 1000 years old. Really cool spots. Chozie Ma 4:29 Really cool. Brian Schoenborn 4:30 History culture, all that good stuff. But a block away you'll see these skyscrapers with like neon lights that light up all night just like super like, I don't know you think like… Chozie Ma 4:40 Concrete jungle. Brian Schoenborn 4:41 Concrete jungle, but like to the extreme. like super super. Chozie Ma 4:44 Weird-ass designs, like the pants building that do things that hang over…I don't know. It's just Yeah, really. Architecture. But cool. You got the old and the new, in one city. Brian Schoenborn 4:57 It's kind of weird though. Like I feel like you know, in my time there, one of the things that I noticed was like, as modern as they become so quickly, as global as it become so quickly, from a technology, that kind of standpoint, money standpoint, I feel like there's still, like, there's still a transitioning period, in terms of maybe mentality, stuff like that. Like, you know, for example, um, you know, not good or bad, like, a lot of the stuff I talked about are constructs, right? Like, nothing is good, nothing is bad, just kind of what it is. But like you still see people like on the on the sidewalks of Beijing, that maybe do things that one culture might be like, whoa, like, what's going on? Like your jaws dropping that sort of thing. I'm not getting get into that here. But I get into it on my, on my other show, relentless, which is coming out, starting to come out in another month or two. Chozie Ma 5:49 Right. Brian Schoenborn 5:50 But there are things that might make your jaw drop, right, we're just like, but it's because it's so far removed from what you're used to with your culture in your constructs. Yeah, you know. But I just think it's interesting. As you know, things are happening. Things are changing whatever. Chozie Ma 6:04 Well you got to. I mean, that's the whole point of travel. Right? You want your jaw to drop. Brian Schoenborn 6:08 Right? Chozie Ma 6:08 Good or bad. Brian Schoenborn 6:09 That's, I mean, that's the thing, right? Chozie Ma 6:10 You're going to go somewhere and be like, Did you see that? Oh, wow, look at that, you know, it's just part of the whole cultural experience. Brian Schoenborn 6:16 Absolutely. Chozie Ma 6:16 And especially taking your kids out there and seeing just saying, you open your mind is the world like closed off into one bubble, right? Explore, travel. Brian Schoenborn 6:25 Dude, absolutely. Like, I'll never forget. The first time I came back to America. When I moved to Beijing. I grew up in a small town in Michigan, right. And so I so I went back and I bumped into this lady that I knew from a very young age, and she goes, Oh, Brian, she's like, What are you up to these days? What are you doing? And I go, Oh, you know, I'm living in China right now. I'm living in Beijing. And she goes, she looks me. She's like, China? China? Brian, I'm so scared for you. What do you are safe Ba ba ba ba it's communist Brian, all this stuff. I look at her husband, her husband standard that I look at I go Actually, it's pretty amazing country. I mean, it's super safe, feel safe. Chozie Ma 6:44 Yeah, real safe. Brian Schoenborn 7:03 People are welcoming. You know, if you try if you take a stab at learning a language that goes miles, you know, it goes such a long way. You know, it's a good time. And then her husband's like, brothers like, honey, you know, I was stationed in Japan and the Navy, right? He's like, I bet he's having the time of his life. Chozie Ma 7:25 I thought he was gonna say, Oh, honey, I have a Japanese wife. Or we have a half son now coming up. I mean, those things can happen. No, China is great. I mean, it's 22 years, as you said, and you know, I've seen it go from, you know, really, like I would say it wasn't really colorful when I was there. But it was exciting because I got there in 97 on a tour, and it was the last stop on an Asian tour. And we were in this club called Vogue 88. Henry Lee was the owner. And he basically just said, Why don't you move out here and take over my club? I was like 19 years old or something like that. Brian Schoenborn 8:06 Really? Chozie Ma 8:06 I had a crew called Yum Cha Cha. So there's five of us. We went back to Australia, we all looked at each other and said, why not? Brian Schoenborn 8:14 Fuck it. Chozie Ma 8:14 We're young, we can't speak the language. I mean, I'm Chinese, but I spoke Cantonese when I was growing. So when you move to China, it's Mandarin. And Cantonese was it was like non existent there. So it didn't really work. Brian Schoenborn 8:26 I mean, they're completely different languages. Chozie Ma 8:27 Totally different languages. So kind of were like, you know what, let's just give this a go. The crowd seemed quite International. It was it was it was like, you know, there wasn't that many foreigners there then. But every foreigner that was there was working for the embassy or a corporate job, right? Or students. And we were like, you know what, let's do it. So we went, we went through it. Three months later, we packed up things moved, Mom and Dad laughed. Dad's the Chinese that, you know, he's from that generation that left China back in the day, to give a better life to, you know, myself and himself. Brian Schoenborn 8:57 So he's like, what is this, some sick, sad joke? Chozie Ma 9:00 He was like, he'll be back. So they, they kept my car for about five years and then realized it's been five years keeping respect wasting space in the garage. Can we sell it. I'm like, yeah, go ahead, man. I'm already I'm settled here. So, so it's kind of funny because that generation, a lot of the kids, ABCs: American Born Chinese, Australian Born Chinese, Canadian Born Chinese. As they graduated and got older that you started seeing opportunity in China, and went back. And those times from like, 99 all the way to you know, the Olympics was just like this epic journey. Brian Schoenborn 9:33 2008 Olympics? Chozie Ma 9:33 2008 Olympics and it was just this epic journey of like, wow. And you could just use it as your oyster and do whatever you wanted if you had some creativity, and especially if you had something culturally valued valuable for the scene, dance scene or entertainment or like, you know, anything related to culture, culture and heritage, or bringing investment into China. Bringing foreign brands into China. Brian Schoenborn 9:58 Yep. Chozie Ma 9:59 You just kill it. Alright, so we're doing really well, I decided to go into the entertainment space and do clubs, music, things like that. And develop that that market, which has become more like, I look at it as probably one of the biggest in the world. Now, if you look at every DJ, they're all trying to go every Western artist is trying to collaborate with an Asian artist. Brian Schoenborn 10:15 Oh, absolutely. Chozie Ma 10:16 You know, so that's the volume, right? With volume comes money, monetizing products, things like that. Yeah, there's a lot of tricky things that go on in the market. But if you can maneuver through it. And I think the one thing that you just got to know about going to China is a lot of foreigners move there. They're still very hard headed, well, what would you call it? Brian Schoenborn 10:38 They're set in their ways. Chozie Ma 10:39 They're set in they're ways. Brian Schoenborn 10:40 Yeah, because I've lived in that bubble or whatever their culture is, and they expect everywhere to be just like that, right? Chozie Ma 10:45 So it's like, you know, maybe they have a good brand or a company or they've been bought out by a big expat company and getting that package that they didn't get somewhere else. The thing is, China's not going to change for you. You gotta change for China. Brian Schoenborn 10:57 Yeah, that's a hard lesson to learn. Tell you what, like I you know, because I think about you know, like I did a couple of or I had some I did some business in China myself. You know one thing I did, for example, was I produced this the soccer match right between Manchester United legends and Liverpool legends so these guys are 35 and up recently. Chozie Ma 11:18 Big game, I remember that. Brian Schoenborn 11:19 Big game, right? We put that on and we put out a four or five aside tournament Adelaide, and then an 11 a side friendly, in Melbourne. Chozie Ma 11:29 Yeah. Brian Schoenborn 11:31 And we and then we live stream that into China and Europe and other places. And we worked with Tencent, which is one of the biggest like they're bigger than Facebook guys. Like there's 10 cents huge. Chozie Ma 11:38 $1 trillion company. Brian Schoenborn 11:41 Yeah, they're one of the big three tech companies in China. But we live streamed through them. Great, you know, big reception. They're like, Oh, this is one of the best live streams we've ever we've ever had as far as quality and all that stuff. Awesome. Can't wait to work with you more. So then I take that information like all right, these guys want to get into China, right? These players want to play a match in China. I get something setup where we're getting ready to do a deal in Shenzhen, near Shenzhen. I forget the name of that, I kind of blocked it out, because it's a bad experience. But in a city right next to Shenzhen which is one of the you know this is tech hub one of the big tech hubs, right? Like that's where Apple products are made and suck that's right right across the tributary from Hong Kong. Chozie Ma 12:23 Right. Brian Schoenborn 12:25 And I went down there and I you know, we're going to put on this match was gonna be great. met up with this guy. Four different times flew down the middle of the four times he's he puts me up in this hotel that he owns. This guy's a big businessman. We're drinking like crazy because that's that's an important part of Chinese culture, right? Chozie Ma 12:41 Oh, yeah. By the way, a lot of people think Chinese can't drink. Brian Schoenborn 12:44 Oh, no. That's not true. Chozie Ma 12:46 They get the Asian glow whatever. Oh, no, no, the ones that are born there. Especially Beijingers and the girls drinking a session with him we Chinese rice wine. Brian Schoenborn 12:53 Dude. Baijiu? Chozie Ma 12:54 They will put you under the table so hard. Brian Schoenborn 12:55 Oh my god, dude. But that's but that's the whole point. Right? Like part of the part of building relationships and China is all about, it's called guanxi, right? Chozie Ma 13:03 Face. Chozie Ma 13:03 It means relationships or face or whatever. And it's Chinese people would rather do business with people that they've got a strong relationship with versus Chozie Ma 13:10 Or just put them under the table and made them vomit and then they're like, Okay, cool. You can hang. Brian Schoenborn 13:14 Yeah, exactly. That's exactly that's how you build it. A lot of times you sit on this new set of these plastic chairs and tables outside a restaurant eating like, you know, 20 cents of stick, barbecue kebabs, chuar. Drinking cheap beer, out comes the baiju like 12, one o'clock in the morning is rice wine and which is like 40 to 60% alcohol like it's unregulated so it could be anywhere between there. Chozie Ma 13:39 Yeah, 60, yeah, definitely. It's strong. Brian Schoenborn 13:41 shot after shot after shot after shot there's no like there's no time wasted. Chozie Ma 13:48 Yeah, I'm glad I've got my mom's liver I say the the western side liver. Yeah, cuz I'm half half so that's helped me a lot drinking in China. Brian Schoenborn 13:57 But yeah, but so like, you know, I'm doing that whole thing with this guy. Big businessman, he's got connections to the stadium and the local government and like all the thing, checking off all the boxes that you really need to do to conduct business in China. And we get to a point where we sign the contract, he's got to give us a 10% down within a week or 10 days or something like that. We can secure the players. Sign the contract, dude never shows up. Disappears, disappears. No money sent, not responding to anything. And it's like, you know, that was one of the hard lessons I learned about doing business in China. Is that by Western standards, or at least American standards, I'm sure Aussie is not not too different. But like you get that contract signed, it's a done deal. Chozie Ma 14:37 Yeah, yeah. Brian Schoenborn 14:38 Right? Whereas in China, it's a different set of rules. Chozie Ma 14:41 Yeah, I've definitely it's definitely going down that route route many times. But it's that same saying, you know, you get knocked down, get up again, I'm already situated there. My house is there. My friends are there. Businesses there. Brian Schoenborn 14:54 Yeah. Chozie Ma 14:55 I've just learned over the years how to maneuver through it and it's and yeah, I've definitely lost investment and time. Time is the most important thing. Brian Schoenborn 15:04 Yeah. Chozie Ma 15:04 And, you know, it's it's, it sucks. But you just got to kind of learn how to be better than that. And I tell you over the last couple of years, the whole IP and legal system protection for that is it's really good. Brian Schoenborn 15:19 Oh, dude, it's gotten a lot better over the last few years. Chozie Ma 15:21 They just really they've smartened up and it's like, this is business, get it done. The shitty part is like when you are pitching for a job, like in one of my businesses, which is the event business. Obviously, a lot of proposal work needs to be done. Brian Schoenborn 15:33 Yeah. Chozie Ma 15:34 So a lot of these companies or clients have different departments, like procurement departments. And they're very traditional. So you might have a full Western team, say, for example, in Volkswagen or something like that you're in a big Western company. So when you meet with them, you get the job you're talking to, obviously the more Western minded simio and things like that, sure. Love your technology. They love that your Western and Chinese and they love that you get the concept. Yep, boom, okay, I'm going to launch this and you're going to do this and that and like Yes, I'm going to do it. That for you. And I'm going to do that for you. Chozie Ma 16:02 And then it trickles down through the system to procurement in the German they usually bring in because it's kind of I think it's legal when you have, it's the law that you have to have a local Chinese as your, your finance department, to head that department right to sign the bills. And that person is trained in a way where the job is to save money for the company at all costs and save money, which means: no, I don't understand that concept, why is it cost that much? Because I can go online and look for I can go to five other companies and they say it costs this much, because other companies are trying to take your idea or they're fake faking the, the tech or something like that, the smaller companies. Brian Schoenborn 16:36 Uh huh. Chozie Ma 16:36 And so you get into these things where it's like now the budgets low and then this a few months later goes back to the big boss, and they call you, Hey, why are you Why have they changed the company? or Why are you not doing the job? You know, you said that this was way too expensive…and he's like, but I approved it and then and then it goes back again. So most companies will have like a second budget because of that fuckup. Brian Schoenborn 16:55 Right, right. Chozie Ma 16:56 And so they kind of like contingency, they know that that's going to happen. So that's a little bit tiring, but it is getting better. What I found is when I, we were doing all the proposals, we're a smaller boutique team. So we spent a lot of time and you know, proposals to that magnitude, the 3d they renders the videos that cost you about, you know, $20,000 to make good decent proposal, but you're getting a million dollar job. Brian Schoenborn 17:18 Right. Chozie Ma 17:18 Or a $2 million job at the end of it. Brian Schoenborn 17:19 Right. you know, that's a modest investment. Chozie Ma 17:20 It makes it makes sense. Yeah, but you don't know that. That's gonna wait, they keep asking you to change it. Someone's uncle has an event company, that's… Brian Schoenborn 17:28 That's the guanxi all over again. Chozie Ma 17:30 That person, right? So you're gonna like shit, then then your event pops up with all your ideas. And, you know, this is what I went through years ago. Brian Schoenborn 17:39 It still happens though. Chozie Ma 17:39 It still happens, but we just instead of going for it, my partner I just said, You know what, let's just deal with the ones that put a designer feet down. Put that basically that 10% down before. Brian Schoenborn 17:53 Yeah. Chozie Ma 17:53 And then if we get the job will deduct that from the main fee. So if you even take it away from me, at least I can pay for myself. If I can pay for my time. Brian Schoenborn 18:01 Yeah, exactly. Chozie Ma 18:02 I lost more than 50% of my clients when I started doing that. Brian Schoenborn 18:05 Oh, sure. Chozie Ma 18:05 Because they're like, oh shit, we can get free work from all these agencies, there's about 100 interns that are doing free work for them. Right? And then they're okay with that, because they've got so many other jobs. So we tailored it down, we lost a lot of clients, but then we just filtered it to good clients, and they're more than happy to give us that 10% because they know we're going to do the work for them. Brian Schoenborn 18:23 Yeah, exactly. Chozie Ma 18:24 Yeah. Brian Schoenborn 18:25 You know, if you're dealing with good client, legit companies, ones that understand the value of good design or, you know, high quality work, I think, you know, things that anybody can do, like, anyone can say, Hey, I'm gonna put a proposal together, right? But it's the design element, it's the craft work. It's the expertise that, you know, comes with a long, you know, many years of experience, many years of success and being able to develop your own personal brand to, right? On top of all that, I mean, that's kind of where, where there's a separation, right and yet, good companies will see that and they'll say, okay, we're willing to put that kind of money down because this person or this company, whatever has consistently been able to produce, right? Chozie Ma 19:08 And this and the speed of efficiency, everything right? There's no other uncle's company involved. I mean, but again that guanxi things is super, super important thing in China. It is all about face. And it is all about, like having that connection. And I think how I got those connections is I started, well, I went to Taiwan in 2000 with Avex records. Brian Schoenborn 19:33 Okay. Chozie Ma 19:33 I got sent over with the manager. And then he was just trying to pimp me off to different record labels. So I was just kind of like new to the music business. I've been DJing for many years. I wasn't really fucking with record labels, and I could write music, and I was already doing TV on Channel V. And then he was just like, he was literally pimping me from Sony to BMG to hear and that and then was sending me these 60, 70 page contracts in Chinese and they kind of knew I couldn't read Chinese. Brian Schoenborn 20:00 Oh shit. So they're like, sign your life away. Chozie Ma 20:02 He was saying sign sign sign. And this is like 10 year contracts, and I'm thinking that's= a bit weird. Now everyone signs 10 years and that's just really crazy? But um they didn't realize that my father after a few of these different careers he decided to study law and he's an academic scholar so he studied the entertainment law, pharmacy law, everything kind of law. So his way of saying well he's a traditional Chinese man so he doesn't really say, I love you son, and give you a hug. But his way of saying I love you is like send me that contract let me review it for you. So these major record labels didn't know I had that ammunition behind me. Brian Schoenborn 20:36 The secret weapon. Chozie Ma 20:37 And he just go through it and just rip it apart and send it back and then look at it and be like, Yeah, no, we can't sign this you know, he knows too much about it. So the manager was getting pissed. He's just kind of like, I'm gonna lose my my meal ticket here because he was just literally like, that's what he wanted from me. Brian Schoenborn 20:55 Oh, yeah. Cuz I mean, he's, he gets you signed and he gets his contingency fee or whatever. Right? Chozie Ma 20:59 Yeah, and and I was young and naive I didn't know the extent of the deal. He was probably signing the 80% of my royalties to him, I didn't know I was 20 something, right? And then I made a pretty famous celebrity there, this girl and she and we just within a week started dating and then within two weeks I moved in with her and she's like massive star. I didn't really know who she was, like, that's why I think she's she liked me because I didn't give a fuck about celebrities and and they will use that because I had my club in China two years before that. Chozie Ma 21:26 And all the celebrities: Quentin Tarantino, Oliver Stone. Everyone would come there, it was like the Viper Room of Beijing where everything went, right? Brian Schoenborn 21:32 Nice. Chozie Ma 21:33 So but I never talked like whatever I saw whatever was happening there I just was like treating everyone like a normal person so that's where it made a lot of artists want to work with me. Brian Schoenborn 21:41 Yeah. Chozie Ma 21:41 Oh shit, you're DJing? Maybe you want to write a track with me? Oh, let's do that. So kind of went along. and a month later Avex Records from Japan just kind of hit me up personally. Yo, we want to work with you. I'm like, yeah, I'm kind of turned off by the whole music thing you know, and it's all this melancholy tired like Taiwanese pop and Chinese pop. At that time, there wasn't really much dance music. The Pop is not even, like, pop it was like everything was sad song… Brian Schoenborn 22:06 Like sad love song. Chozie Ma 22:08 Everything was a love song, and I'm like shit. You want me to get in this game I want to, I want to change it. I'm wanna perform some house music, some breakbeat like, they looked at me and they're very progressive. Avex is a big progressive record and they had a label called house nation which was like all these cool Japanese female DJs and it's doing cool stuff trance that are in club. So they're like, What do you want? And luckily, the girl I was dating at the time, her team advised me on a few things. So I was very fortunate that they helped me they just said just do one year, one album deal with option to sign on for other deal, like other, but you're free. Own the royalties. They gave it to me. It was like what? After that, those people kind of clued up, and they're like, we're gonna sign this stuff for 10 years. Brian Schoenborn 22:50 Yeah, right. They're like we're locking him. Chozie Ma 22:52 Yeah, we're gonna we're gonna invest this much. If he doesn't make enough his first album. He's gonna work for us. He's even if he that album doesn't work. He's gonna work in the office writing songs for the next artist. Brian Schoenborn 23:00 Oh, really? Chozie Ma 23:00 Yeah, you brought, you owe money to the record labels. Like, if, everyone's hungry in China in Asia, right? And you're good looking. And you can write a song. But you can't act, you need to be a triple threat. They need to make revenue off you from everything, right? So a lot of these artists would come in, they invest a couple hundred thousand, the album would come out, wouldn't do so well. And then you'd find them just sitting, like they've got to pay off their debt. So they're still working. It sucks for a lot of people. Brian Schoenborn 23:26 That's crazy man. Chozie Ma 23:27 You know? So now the new Brian Schoenborn 23:28 Can you imagine what a slap in the face that would be? Like, I mean, you were you were successful. So you I don't think you've experienced that, right? But can you imagine… Chozie Ma 23:35 I saw it. Brian Schoenborn 23:37 I mean, me like somebody Yeah, somebody like one of your buddies or whatever, right? Like, maybe they had like an album that maybe a one hit wonder or something right? Like that one song went, but then everything else just kind of shit the bed and you see them sitting, sitting behind a computer, or whatever, you know, like Chozie Ma 23:52 It's tough. I mean, when we started label in 97 called Party People Committee. It was the first dance labeled in China for electronic and hip hop, and one of my boys that was coming up, amazing writer, composer, producer, rapper. He can rap in Chinese, English, and even in German, like awesome. Young Kin, his name is. When that happened, they promised him to release his album and mine at the same time with dance and Hip Hop one. They went with mine and unfortunately, he didn't get it. But he worked it. He worked and pushed me. And then, you know, you could see it. He wanted it. Like, you know, oh shit it's my time. Brian Schoenborn 23:53 Yeah, yeah, for sure. Chozie Ma 24:18 I've worked so hard at this shit and I'm talented, but young writing. He just flipped the switch. He just said, You know what, I'm still young, and I'm fucking great. I'm gonna go get my MBA. And then everyone looked at him going, you're gonna fucking own a record label. Now this guy's like, moved to Boston. still writing music, has a flipping house company, a real estate agency, killing it. You know what I mean? So he turned it into a positive a lot of other people just get depressed and be like, shit, man. I was I was good at that. All right, and then I've got this shows you your character. You've just got to fucking keep keep going man. Brian Schoenborn 25:02 Yeah, absolutely. Absolutely, man. Chozie Ma 25:03 You'll get that break. Yeah, it's just tough. Brian Schoenborn 25:06 But it's one of those things like, whether it's the music business or whether it's like, film and TV or this shit or anything you do, right? Like, it's not, it's not about how many times you fall or get kicked in the face or whatever. It's about how it's how you respond to that. Brian Schoenborn 25:21 Right? It's like, how do you get up? Do you get up and say, okay, that was a fucking speed bump. I'm going to get over that shit and move forward, because this is what I want to do. Chozie Ma 25:21 Right. Chozie Ma 25:28 Yeah. Brian Schoenborn 25:29 Or does it happen so many times where you just like, all right, maybe this isn't for me. Maybe I should shift gears a little bit. You know, maybe this passion of mine is more of a hobby. Right? Or for whatever reason it's not working. Go another route. You know? Chozie Ma 25:44 Yeah, the girl that was like we had to do my album in 2007. And we had an artist coming from Taiwan, but she was a good friend of mine. She was like, Yeah, cool. I want to jump on your album. It's the first solo album in China for dance music. I love to be part of it. Then her mom, being the manager, found out that we were under kind of a bigger label. She saw some dollar signs. And we couldn't afford her at the last minute. She's like, I'm so sorry, man, at the end of the day, the managers getting there. And yeah, we can't do anything. We can give you a mate rate, but that's about it. Still expensive, because she's bit star. And we had the studio booked and we only had one month to use. And a friend came in and said, Look, there's this girl. She's still currently signed to a 10 year, she's still got about four years left on that, but she hasn't been doing anything because she got screwed over by the record label. But she can come sing vocals on you just you know, don't really mention her artist's name because her artist name is still owned by a label, right? Brian Schoenborn 26:39 But do you put your actual name? Chozie Ma 26:41 Just put her name. Brian Schoenborn 26:41 Or do you just anonymize it? Chozie Ma 26:43 Put her actual name, because she had an artist name but what's your actual name? And then we did that and she killed it. She came in the studio. I gave her the song, the lyrics and I just said you know what, just keep record on. She nailed it. I didn't even record the second take. We just edited over it. I was like, wow, this girl's great. Brian Schoenborn 26:58 Yeah. Chozie Ma 26:58 I like I have four more songs. With female vocals, could you do this for me? No worries. I'd love to do it so she smashes this out. Then she goes kind of dark for a while she she's still doing music. She's playing in club gigs with a little band stuff. Just you know keeping it going keeping her passion. Brian Schoenborn 27:13 Yep. Chozie Ma 27:13 Once that four year contract lifted off those record labels way. She, she was just like, boom and then…now her name's Tia Ray. I'm not sure if you heard her she's massive. Massive. Brian Schoenborn 27:25 Huge in China. Chozie Ma 27:26 She just stuck through it. Brian Schoenborn 27:27 Yeah. Chozie Ma 27:27 But she could see how hard that is. You know, you you you're stuck when you have with all these opportunities and you get out of it. Brian Schoenborn 27:33 Yeah. Chozie Ma 27:33 But she waited and now she prevailed and she's killing it to her respect to have and thank you for coming on my album. Brian Schoenborn 27:40 Shout out to Tia Ray, man. Chozie Ma 27:41 That's it. Brian Schoenborn 27:42 Respect. Chozie Ma 27:42 But um, you know, it's it's the industry it's and obviously now it's become so big, that they got all the…What is it? There's multi big groups with over like 10 guys or… Brian Schoenborn 27:53 Oh, yeah. BTS for example, there's like 8 dudes or something like that? Chozie Ma 27:56 Yeah, obviously before it was Japan…Taiwan would follow Japan, so they were the trendsetters and then China will follow the Taiwan. And now Taiwan's kind of fading out a bit. They're still good. They still got they still got their stars and megastars. But now China's started to create their own culture. Brian Schoenborn 28:11 Yeah. Chozie Ma 28:12 With hip hop. And hip hop, it's becoming huge. I mean, it's huge. But they creating their own culture. Brian Schoenborn 28:17 Yeah. Chozie Ma 28:18 Which is great, because it was more of a copy before. Brian Schoenborn 28:20 Oh, of course. Well, you know, I mean, that's kind of what China does, though. Or they've done you know, everyone thinks Oh, copycat China. But, you know, a lot of what they've done with that opening is like, they just haven't had, they haven't experienced a lot of these things. So a lot of it's like bringing this stuff in. Chozie Ma 28:33 Yeah. Brian Schoenborn 28:33 Kind of learning about it. And then taking it and making it their own. Chozie Ma 28:37 Yeah, right. It could be done so wrong in so many ways. Brian Schoenborn 28:40 Yeah, for sure. Chozie Ma 28:41 But at least now they've kind of they, they did it that way, then I think the government saw it was becoming too adapted from the American or Western hip hop culture, in ways of like, maybe they'll word it's kind of getting too out of control. Brian Schoenborn 28:55 Yeah. Chozie Ma 28:56 So they kind of banned it for a minute which is really crazy, right? Who bans hip hop like they banned the stuff. But they banned it and then they kind of cleaned it, right? So they cleaned it in a way. So now the guys that are on these big shows like China's Got Hip Hop, or, like, you know, these these kind of big shows, then now seen as like the ambassador's of clean hip hop. Brian Schoenborn 29:16 Yeah. Well, right. Because, because when they banned it was a couple of years ago, there's like that the China's Got Hip Hop show or whatever, right? Chozie Ma 29:22 Yeah, yeah, right. Brian Schoenborn 29:22 Like there was, I think the winner was like singing about like, I don't know, drugs, or gangs, or whatever it was, I mean, who knows whether he like actually meant the words that he was saying, or whether it was just taking the influence from Western hip hop culture, but it was something like that. And China's like, drugs, nope. Banned. This is bad for our culture. We don't want anything to do with hip hop and you're right, who does that? But…China can do that. Chozie Ma 29:45 It's hard because he pop is an expression of that. Right? Of what you want to say and and the street, you know, kind of Brian Schoenborn 29:51 Right. Yeah. Yeah. Chozie Ma 29:52 So I think that, you know, they've got now the commercial, pop hip hop, where they kind of just keep it a bit more tame. They go on the edges of things, but has made the underground scene so much stronger. So you got you got the clubs that are doing like these big nights and the tours with these, the hip hop groups, and they're still hardcore and good, because I think they do it more like online, where it's not on TV. When it's on TV, when it hits TV, it has to have that little bit more edge, you know, it's a bit more cleaner. So that's good because it created this whole subculture that's becoming very popular and you can see like the, you know, you go to Chengdu and you'd swear you think you're in Mexico, like everyone's kind of tatted up and… Brian Schoenborn 30:32 Really? Chozie Ma 30:33 They've just adapted that culture the style and they've got their own fashion brands that are using it and they're walking around with the pitbulls and all this kind of stuff, but it's that, and they got all the girls that follow them and it's this kind of thing and it's it's more of a fashion thing. That's their that's their lane and then they've got you know, everyone's subculture is becoming more defined. Brian Schoenborn 30:51 Yeah, yeah. Chozie Ma 30:51 And your crews are becoming more defined as electronic music you know all these kind of everything's got us got a scene now, huh? Yeah, solid seen a money making scene now. Brian Schoenborn 31:00 Yeah, for sure. Yeah, sure. That's crazy. I've never been to Chendu, man. Like that's one of the places where like, I really wanted to go when I was over there, you know on a consistent basis. I mean I just haven't made my way. I think I'm gonna get back there soon so yeah, it's supposed to be really cool i mean that's pandas are, right? Chozie Ma 31:17 Yes. Brian Schoenborn 31:18 Kind of mountainous it's like a small city of what 15, 20 million people? Chozie Ma 31:26 It's a small city. Yeah. Brian Schoenborn 31:27 Spicy food. I mean, that's, that's why I love that's my favorite food is like the, you know, spicy hot pot. You know, malaxiangguo. Chozie Ma 31:36 Oh. It's a it's spicy. Oh, yeah. You gotta be prepared for that. Yeah, yeah. Brian Schoenborn 31:40 Yeah, I've met so many chunky girls like all Brian, they're like, Can you eat spicy food and I'm like, give it to me. And they're like, they're always so impressed. I'm like, as you know… Chozie Ma 31:49 and because this a beautiful too. So when they say can you eat spicy onion? Yeah. The next day I was like, yeah, to to your assistant. I think you need to cancel my meetings. Just keep me close to a toilet. Brian Schoenborn 32:01 Exactly. That Chengdu spice is always a good idea coming in, but it's never a good idea coming out. Chozie Ma 32:11 It's it's real tough. Yeah. I mean, there's other food there, people, but like, it's just yeah, you gotta definitely try this. Brian Schoenborn 32:22 That's funny. You were saying earlier, you got the best selling dance album of all time in Taiwan and China, is that what that is? Chozie Ma 32:31 It was about 2002. When I was at Avex, so they gave me that idea. Brian Schoenborn 32:36 Yeah. Chozie Ma 32:37 I could have gone with, you know, so many options, but I thought, well, I'm playing house music and house is kind of new in Taiwan. Breakbeat hadn't reached Taiwan yet. So like Finger Licking, Stenton Warriors, you know, like, so Adam Freeland, like it was just kind of really cool. Brian Schoenborn 32:54 Yeah. Chozie Ma 32:54 Nu-school breaks. Basics is funky and it's got beats and it's just vocals and, so I was doing like three turntables sets and clubs and it's just mixing it up mashing it up. So the album itself is is one is, it's an EP of my Isle Formosa which is the first dance album, a dance song with a music video for an artist in Taiwan for dance music. Brian Schoenborn 33:16 Nice. Chozie Ma 33:16 In that category. And then the second CD was full live three turntable break beat mix for an hour. And then the third one was a live house mix of some of my favorite artists in the world but house music funky house vocal house classic house. Brian Schoenborn 33:33 Yeah, all of this would be called EDM now. Chozie Ma 33:35 Well, yeah, I mean, electronic dance music. Back then. Like, and still to this day, but you know, we had styles okay. That's a techno DJ. That's breakbeat DJ. That's a trance DJ. All that stuff, yeah. Brian Schoenborn 33:47 Jungle. Chozie Ma 33:47 Jungle, drum and bass. Everyone was defined, or like, this guy's a bit more versatile that Carl Cox, he can play everything. Brian Schoenborn 33:54 Yeah. Chozie Ma 33:54 He's known as the techno DJ, but the guy will go and fucking smash the classics of the house or hip hop. You know? It's more about being versatile. But as time went on, and I think just society dumbing down into things and just needed things more simplified. People came up with oh let's just call it EDM but that that EDM came up with that whole like that Ultra sound or that, like it's more of that yeah very commercial media. Brian Schoenborn 34:19 Right. Chozie Ma 34:20 It's not techno, it's not trance. It's not this. I don't know what is this is noise to me. Everybody fucking jump. There's no like this for me. There's no talent in that I like to see a DJ that actually produces something or like they're sets are not programmed. Brian Schoenborn 34:34 Right. Chozie Ma 34:34 Um, you know, so I kind of went a little bit disappointed in that culture. But then a good friend of mine that does some pretty big festivals and clubs in around the world. He basically was just like, look, it's still a business. Brian Schoenborn 34:47 Yeah. Chozie Ma 34:47 People are into it. I'm like, fuck, how do I flip the switch. I'm definitely not going to DJ this stuff. Brian Schoenborn 34:52 Well, right. Because if you're I mean, if you're not feeling, the creativity of that, or the creation of that, I mean, you still you made it but you've been in the business for you. Right. I mean, you can still flip that the mindset right and still, you know, rather than being in the creativity side of it, you can be more on the promotion or… Chozie Ma 35:09 Yeah, or be more of us behind the scenes in the tech. Because, I have a tech company, right? So we originally using those for high end events and projections and mapping and stuff like that. So like, why don't we just design the festivals and give tools to these EDM DJs? Brian Schoenborn 35:25 Oh, hell yeah, dude. Chozie Ma 35:25 Like, even though I don't like the music, but hey, why don't we make it more visually, right? Brian Schoenborn 35:30 You can help create the experience. Chozie Ma 35:32 Right? So if you look at it, like ultra know that they started a bit more, they went really big with it, Tomorrowland, big EDM sound, but then they started adding all the different stages. Carl Cox has rennaisance in there, which is doing more techno so then it's obviously like people for first few years. They're listening to the EDM, but then they'll they'll venture over to that stage. They're like, Oh, this is all right. So then the slowly changing and you can see it in the scene that it's moving. People are kind of like steering away. They want more quality and technology. They want more trance. IOr they want more this. So just giving them the promoters giving them more options. Brian Schoenborn 36:03 Yeah. Chozie Ma 36:03 It's better. If it's just giving them one sound and dumbing down the whole world. This is what it is. And unfortunately that's what happened in China. They didn't go through transition. They just went from Oh, let's just stop all house and techno most of the big clubs now and just put in these mainstream are because he's number one, that must be the music right now, or number two and that's what the sound is, noise. Right? So these clubs just followed it but now you can see it's been going like that for a couple of years in China. They're slowly sleeping in every now and then they'll flow in a really good techno DJ, or a really good underground DJ, and people are like digging it they're feeling it, oh this is good. I don't have to just stand there and from my hand in the air I like I can actually groove I can actually feel it you know kind of thing. So it's good. But yeah, we just and obviously the DJ's are all programmed. So they like the big festivals. And I get it because you paying so much money for the ticket. And the DJ needs to know when the fireworks is gonna go off, and it needs to queue and everything's queued up. And so it's very kind of rehearsed. But that's what like a normal concert is anyway, like if you went to Madonna whenever you're painting that she's live, but she knows exactly how cute. So that's how the, you know the big EDM DJ is emergency cue DJs. Brian Schoenborn 37:13 Yeah. Chozie Ma 37:13 So last year in Macau, we will part of, we designed an EDM festival could Jigsaw, some big names, Steve Aoki, all those guys were up there. But what I noticed is from the rave days back in the day, the DJ would never stop. It'd be 12 hours non stop music. Chozie Ma 37:28 the Djs would just go into play on play on blue yonder. And each DJ knew that they knew their time. If you're a warm up your warm up, yeah, if you're 10 pm, you're 10pm. Don't bang out music like it's 4am. A lot of these days in Asia, in China especially, I'll be doing my main set at 1am, and a new DJ would come in and he'd be like, shit, I'm gonna bang a 3am set out before Chozie goes on and I'm just like, dude, you're killing me here, mate. You know what I mean? So that's where we come into most DJs will have their warm up DJ tour with them, because they know this guy's gonna warm it up well, and it's respectful to be a warm up DJ for someone. Or if you're closing after someone, you close out for them. Brian Schoenborn 37:28 Yeah, sure. Brian Schoenborn 38:04 It's like an opening act like the comedy stage, or the band, you know, whatever. Chozie Ma 38:07 Exactly. Yeah, a lot of bedroom bangers, a lot of the younger DJ and I get that. Yeah, it's a transition it takes time. So this festival, we had, you know, 7, 8, 7, big name DJs. And each one of them had like a 10 to 12 minute gap between each show for changeover. I'm like, you know what, man, let's just keep the flow going. Brian Schoenborn 38:24 Yeah. Chozie Ma 38:25 But how do we do that? Because they're still gonna do the change of a sub kind of set up a whole hologram system. And I had DJs, two DJ is on left and right, DMC scratch styles and, we produced the technology where when the DJ scratches, we've got a camera on a hand and she can control the eight foot high hologram, so he or she's scratching. Brian Schoenborn 38:43 Oh really? Chozie Ma 38:44 I mean, the middle on drum pads. So we like we produce these 10 minute, 12 minute segment shows so the audience would just see this flow going through and then the next DJ would be ready then goes on. You know, so there was this awesome interaction of immersive experience. Because I think people are getting bored at these big festivals now like it's the same, same thing. Brian Schoenborn 39:04 It's the same shit. Chozie Ma 39:04 It's the same DJ, same DJs, at these festivals, but like they just reversing that sets around or the next stage is playing something similar or something like that. So I think I think now people just need more, more interaction. That's why bringing more technology into the shows is very important these days, people like now getting smarter. I think I think it got dumbed down. And now it's getting smarter because they're getting so big. Brian Schoenborn 39:25 Well, it's kind of like it gets dumbed down because that's, as much as I hate to say it, it's kind of like, you bring it down to a level where a lot of people can understand, right? A lot of people just easily get it. Then they come in and then as they get used to it, then you can start getting a little more nuanced with it or whatever. Brian Schoenborn 39:42 Getting a little smarter about it. Do you have do you have? Can you show me something like? Chozie Ma 39:42 Right. Chozie Ma 39:47 Oh, yeah, yeah, I can put up with those videos. I'll give them to you. Brian Schoenborn 39:49 Yeah. Chozie Ma 39:50 We can send some links up. Brian Schoenborn 39:51 Okay. Sure. Yeah, no, I'd love to check some of that stuff. Chozie Ma 39:53 Yeah, it's very cool. Brian Schoenborn 39:54 So this Jigsaw? Chozie Ma 39:56 Yeah, it was in Macau. So it was the second year. So we just Brian Schoenborn 39:59 When was that? Chozie Ma 40:00 That was December. Not, ninth last year. Brian Schoenborn 40:03 Oh, so a year ago. Chozie Ma 40:04 Yeah. Brian Schoenborn 40:05 Okay. Chozie Ma 40:05 So we, we will not be selector of the artists and we were the design team and the production team. So we came up with this, I have always I've always had this idea of designing a rave, but in a super high end concept so that the VIP areas were like, made it look like a TV rooms like that. Brian Schoenborn 40:25 Oh, sweet. Chozie Ma 40:25 So they were like they were made out of velvet, and they had all these crazy stuff. You had your own bar in each one. And so on the main stage on the left and right, I built to 60 meter VIP booths built into the stage. So you're on the same level as the stage but you can't get in like you've got a glass barrier. Brian Schoenborn 40:43 Oh, yeah. But you're that close though. Chozie Ma 40:45 But you're that close. And they went for a million renminbi each table and they were the first tables to sell out. Brian Schoenborn 40:50 What? Dude. Chozie Ma 40:50 In Asia whenever you got the highest table. It sells out the first… Brian Schoenborn 40:54 Wow. Chozie Ma 40:55 …and you can have I think it was 70 guests. Came with drinks. Came with girls. came with…it's Macau. Brian Schoenborn 41:00 Yeah, that's nuts. Chozie Ma 41:01 Came with everything. So they sold out. You had those and then it went down into different tiers. So you had like the end. I think it was 800,000 and the 500,000, then the four then two, and then one and 40,000, something like that. So but it was designed in the Venetian Convention Center. Massive. Brian Schoenborn 41:04 Oh yeah, dude, the Venetian's huge in Macau. Chozie Ma 41:21 It's the biggest… Brian Schoenborn 41:21 It's so big. Chozie Ma 41:22 I think its biggest, biggest Hotel in the world or something like that. Brian Schoenborn 41:24 It might be, yeah. Chozie Ma 41:25 13,000 rooms or something. Brian Schoenborn 41:26 Yeah, it's huge. Chozie Ma 41:27 The Convention Center is massive. So we were like, I wanted to feel like a rave. Because that's where my passion comes from. Brian Schoenborn 41:33 Yeah. Chozie Ma 41:33 But like you wanted to give it that super high end service. Brian Schoenborn 41:36 Yeah. Chozie Ma 41:37 So we went in, and we just, we just did this crazy design and made it all cool. And it was cool, man, people just like digging it. But I had that rave feel. Brian Schoenborn 41:44 Yeah. Chozie Ma 41:45 The technology and the Holograms and the lasers. And the LED is all over the place and interactive tables for ordering drinks and stuff like that. So it's cool. So we're just tried to take that technology to another level. Brian Schoenborn 41:56 Yeah, I want to back up a second. I just want to explain because a lot of the listeners are Western, so maybe they haven't been to China. So I want to explain a couple of things real quick. So first, he's talking about selling a table for 1 million RMB. That's Chinese, that's the Chinese currency. If you…rough, rough. Chozie Ma 42:12 Rough conversion? Brian Schoenborn 42:15 Is probably about 200,000ish? $200,000, something like that? Chozie Ma 42:24 143,000 for one table. Brian Schoenborn 42:27 143,000 for one table, right? That's, that's ridiculous. That's ridiculously expensive. Okay? So that's the first thing. Second thing is he's talking about how it's kind of KTV styled. Right? So KTV is not really a big thing in America. Chozie Ma 42:41 Right, right. Brian Schoenborn 42:42 Yeah, you might find out a few spots. Like there's a couple of spots in LA, a couple of spots in New York, really where they were the Asian populations are, you might find a few here and there. But KTV guys essentially, like Americans know karaoke, right? Chozie Ma 42:54 Right. Brian Schoenborn 42:54 The karaoke that we're used to is we go to a bar and there's a karaoke night. So like one night, there's a microphone and the words and like one person at a time sings in front of the entire bar and, you know, in front of strangers and whatever else, right? KTV is just like that. Except there's, there's these buildings like in China, there's these buildings all over the place with dozens of rooms. Chozie Ma 43:16 Like three, 400 rooms. Brian Schoenborn 43:18 Three, 400 rooms in one building. And each room has its own karaoke place. Tables, couches, three microphones, just you and your friends or whatever it is, you know, it could be anywhere between like two and like 20 people something like that. Chozie Ma 43:32 Yeah, you got small rooms and you got themed rooms. Brian Schoenborn 43:34 You sit around you play games, and you drank. Chozie Ma 43:36 Oh, then there's even a free buffet. Like you got meal times. Brian Schoenborn 43:40 Yeah, it's it's super like it can be super cheap to like, you can pay like 20 bucks for like four hours. Chozie Ma 43:45 Yeah, yeah definitely. Brian Schoenborn 43:45 Something like that. But KTV is a huge thing in China. So when he's talking about doing these super high end KTV rooms, right next to the stage, you know, separated by nothing but a glass wall. Chozie Ma 43:57 Well just kind of like a fence. Brian Schoenborn 43:58 Yeah, whatever. It is. Yeah, I mean, that's, that's like, that's like the perfect thing for like that crowd. Chozie Ma 44:05 You know, you've, you've kept the KTV experience to the listeners very PG. Brian Schoenborn 44:09 Oh yeah. Chozie Ma 44:10 So there's a, Brian Schoenborn 44:11 There's dirty KTV too, of course. Chozie Ma 44:13 So the KTV that I designed off is not the dirty side, it's just that you've got these crazy rooms that are, you know, you still paying in up to like 20,000, $30,000 on a night and you go in there and it's like kind of very…hyou could all it gaudy. It's kind of like very velvety. Brian Schoenborn 44:33 Gaudy is a good word for it. Chozie Ma 44:33 And very like chandeliers and, Brian Schoenborn 44:36 Like a 1970s club. Chozie Ma 44:37 Yeah, so you've got that and then you've got the more modern ones. But then it comes in with you get girls. I mean, they come in and you can't sleep with them or anything like they're just hosts. Just like a strip club. Brian Schoenborn 44:48 They are hoooosts. Chozie Ma 44:48 They don't take the clothes off. They don't, you can't grab them. They just come in and they drink with you and they sing for you. Brian Schoenborn 44:54 Yeah. Chozie Ma 44:54 So it's more about a business entertainment. It's more about taking your clients there. Brian Schoenborn 44:58 Yeah. Chozie Ma 44:58 You're drinking there and all you take You just get to buddy thing you just go hang out. Brian Schoenborn 45:03 It's like the boys club kind of thing. Chozie Ma 45:05 It's a boy's club, but, in saying that, you think you think like maybe the wives and the girlfriends would get angry. But in China, they don't, because they have yadian, which is the KTV for women and Ya means Duck, so it's a duck house. So chicken means the girls in those places, this is a Chinese translation, so I'm not trying to say that to where it is and, and discuss people but it's just a translation. Brian Schoenborn 45:29 Yeah. Chozie Ma 45:29 So what I'm saying is that the men have their place to go for entertaining. And I'm telling you can't sleep with them. Brian Schoenborn 45:35 No, you don't, you don't. But the interesting thing about Chozie Ma 45:38 The women have their version. So they go out and have a girls night. Brian Schoenborn 45:42 Right? Right. Chozie Ma 45:42 And the guys go out and they have thier guy's night. Brian Schoenborn 45:43 And then they get these male or female hosts, whatever. Like I remember I've been to a couple of them too. And it's like right after you get situated in the KTV room, whoever works there, they open the door, just this parade of women goes through Chozie Ma 45:55 Yeah, the mama sun. Brian Schoenborn 45:58 Here comes this parade of women and basically, they're all pretty much wearing the same outfit, like the uniform, right? Chozie Ma 46:02 Yeah yeah yeah. Brian Schoenborn 46:03 But it's like this, you know, like I remember seeing like this little like, like dress like a yellowish dress, it was kind of form fitting at the top and maybe like a like a roughly thing. I don't want to say like a two two, that's a bit extreme, but you know, kind of like something like that. Chozie Ma 46:15 Yeah, their version of sexy. Brian Schoenborn 46:16 Fluffy or whatever. Where it's, you know, a little fluffier on the bottom. This is what I'm recalling. You know, it's been a year since I've been back, since I've been there. But yeah, so they bring out this parade of women and you basically you point and you pick pick which one you like, and they'll they'll hang out with you the whole night. And they'll pour drinks for you. Chozie Ma 46:32 I mean, it might some people might be getting put off by this but that they're not there. Brian Schoenborn 46:38 It's not it's not a brothel. Chozie Ma 46:39 Yeah, prostitution, there's a working there. Brian Schoenborn 46:42 It's just straight up entertainment. Chozie Ma 46:43 It's completely legal, like they've got benefits. It's a job you know, so so but it's like it is a good place for business and things. But my point is I they're very extravagant, the rooms, so I wanted to take that extravagance not the girls, the extravagance to a rave because I think the ballers that would buy that table are used to that kind of situation. So you have to dump like, you have to demographic, Brian Schoenborn 47:07 You got to go with what they like. Chozie Ma 47:08 With that like that like so I was like, how am I going to sell these tables for a million? Brian Schoenborn 47:11 Yep. Chozie Ma 47:12 Okay, the clientele the guys that go to these kind of places. As soon as I advertised that, that style of K, of that VIP they sold out in like a minute both of them. Brian Schoenborn 47:23 Hell yeah. Chozie Ma 47:24 You know what I mean? Like boom, done. And then all the VIP sold out, and so it's kind of like, all right, we're on the right track here and designing. So design has become a big thing for us for events and things like that. Brian Schoenborn 47:33 Well, that's cool, too. Because like once you have success with something like that, I mean, that concept that's gonna be pretty easy to duplicate, right? Chozie Ma 47:40 Yeah. Brian Schoenborn 47:40 I mean, so then you're just like, okay. Chozie Ma 47:42 For us. We've done it once we got it. We want to do the next thing again. Brian Schoenborn 47:45 Sure, yeah. Chozie Ma 47:46 More tech into it, or we add more, but I think it's all comes down to service. I think the biggest thing lacking in festivals in China, no matter they've got the budgets and the people. The service seems to be a little bit off. So we try to spend a bit more time on training and investment on the on the server. So we tell our clients, you know what, maybe drop one of the DJs. And you got another couple hundred thousand there. Brian Schoenborn 48:09 Yeah. Chozie Ma 48:09 Like, let's put that into really good bar management, better drinks into better food, you know, because I think you need that. Brian Schoenborn 48:15 Real alcohol. Chozie Ma 48:16 Real alcohol. Exactly. Because there's been a lot of fake alcohol. Brian Schoenborn 48:18 There's a lot of fake alcohol in China. Chozie Ma 48:20 Yeah. So, you know, just like trying to make the experience better for people. And I think that's just, it just goes with anything. It should it should be like that. If you're paying for something good. You need to be that lead with what you pay for. Brian Schoenborn 48:34 Nice. So are you working on anything else experience wise right now? Chozie Ma 48:38 Yes. So. So I mean, people might be thinking, What was he talking about experience and DJing, so… Brian Schoenborn 48:44 No, that's, that's awesome. Like, it's incredible stuff because Chozie Ma 48:46 No, so I'm trying to get to where I'll experience the experience in the tech comes from. Brian Schoenborn 48:50 Oh, okay. Chozie Ma 48:51 So I have a company called Article Projects International. And we started in 1995 doing rave parties in Sydney. So it was Chris Sefton. The founder was just doing lasers. I was the kind of guy breaking into the warehouses and, and and bringing like the DJs and just doing these underground raves, right? Slowly making money as teenagers and turned it into a business. So we've started we've started doing attractions, entertainment venues, and Chris started developing more and more technologies and we became into, into Asia. We built the Fountain of Wealth in Singapore. Suntech City as an attraction, world's largest water screen projection mapping. Brian Schoenborn 49:27 Nice. Chozie Ma 49:28 And then we just kept going and going with in 2005, Zhang Yimou, the director of the Beijing 2008 Olympics and China's claim to fame of most famous director in China. Most respected. Brian Schoenborn 49:42 He was the one
As I hit my live show number 27 of the Old Skool House Party live on React Radio - this 2hr show features nothing but bootlegs & mashups! Tracklisting: 1 Fatboy Slim - Eat Sleep Rave Repeat 2 Boy Raver Vs Happy Clappers - I Believe This Is Still Untitled Shaun (Steve Jennings Revisit Bootleg) 3 Modjo Vs Eminem - Shady Lady (12" Rip) 4 MiTM - Let Me Love That Kinda Girl For Tonight (MiTM's Not That Kinda Bootleg) 5 Funky Truckerz Vs Z Factor - Make A Move on me (Funky Truckerz Big House Bootleg) 6 Roger Sanchez - Another Chance (Maison & Dragen Miami bootleg) 7 Whitney Houston vs U2 - Takes me to the Clouds Above (White Label Bootleg) 8 Juiceheadz - A Deeper Gunman (12" Rip) 9 20th Street - Such A Good Feeling (Illicit White Label Bootleg) 10 Adam Freeland vs Kathy Brown - We Want You To Turn Me Out (Steve Jennings Mashup) 11 Calvin Harris & Rag N Bone Man Vs Toto & Bordertown - Giant Africa (Discosid Mashup) 12 Doobie Brothers - Long Train Running (Boy Raver & Pianoman Bootleg) 13 Route 94 Ft Jess Glynne - My Love (Ben Dooks' 1993 Bootleg) 14 Eric Prydz Vs Sandy B - Make The Pjanoo Go Round (Steve Jennings Bootleg) 15 Amen UK vs N-Trance - Set Your Passion Free (Bryan Doherty Bootleg Mix) 16 David Morales Vs BlackBox - Needin' The Music (MiTM's Rockin To The Bootleg) 17 Pan Position vs Fragma vs Gat Decor vs Doug Lazy - Paw Pump The Toca Passion (Steve Jennings Quad Mashup) 18 Three drives Vs CRW - I Feel Love In Greece (White Label Mashup) 19 Mauro Picotto vs Candi Staton - Candi's Lizard (White Label Mashup) 20 FNP Vs Yomanda - Strings find a way 21 Natural Born Grooves vs 20 Fingers - Short Groove Bird (Steve Jennings Bootleg) 22 Nalin & Kane vs. Lana Del Rey - Beachball Madness (Jack Eye Jones Bootleg) 23 Zero B vs Klubbheadz vs Afrika Bambaataa - Get Up And Lock Up Ya Heard? (Steve Jennings Double Mashup) 24 Bleona vs Booty Luv - I Don't Need To Shine (Steve Jennings Mashup) 25 Hyper Go-Go vs Tag Team - Whoomph, That Is High! (Steve Jennings Mashup)
As I hit my live show number 27 of the Old Skool House Party live on React Radio - this 2hr show features nothing but bootlegs & mashups! Tracklisting: 1 Fatboy Slim - Eat Sleep Rave Repeat 2 Boy Raver Vs Happy Clappers - I Believe This Is Still Untitled Shaun (Steve Jennings Revisit Bootleg) 3 Modjo Vs Eminem - Shady Lady (12" Rip) 4 MiTM - Let Me Love That Kinda Girl For Tonight (MiTM's Not That Kinda Bootleg) 5 Funky Truckerz Vs Z Factor - Make A Move on me (Funky Truckerz Big House Bootleg) 6 Roger Sanchez - Another Chance (Maison & Dragen Miami bootleg) 7 Whitney Houston vs U2 - Takes me to the Clouds Above (White Label Bootleg) 8 Juiceheadz - A Deeper Gunman (12" Rip) 9 20th Street - Such A Good Feeling (Illicit White Label Bootleg) 10 Adam Freeland vs Kathy Brown - We Want You To Turn Me Out (Steve Jennings Mashup) 11 Calvin Harris & Rag N Bone Man Vs Toto & Bordertown - Giant Africa (Discosid Mashup) 12 Doobie Brothers - Long Train Running (Boy Raver & Pianoman Bootleg) 13 Route 94 Ft Jess Glynne - My Love (Ben Dooks' 1993 Bootleg) 14 Eric Prydz Vs Sandy B - Make The Pjanoo Go Round (Steve Jennings Bootleg) 15 Amen UK vs N-Trance - Set Your Passion Free (Bryan Doherty Bootleg Mix) 16 David Morales Vs BlackBox - Needin' The Music (MiTM's Rockin To The Bootleg) 17 Pan Position vs Fragma vs Gat Decor vs Doug Lazy - Paw Pump The Toca Passion (Steve Jennings Quad Mashup) 18 Three drives Vs CRW - I Feel Love In Greece (White Label Mashup) 19 Mauro Picotto vs Candi Staton - Candi's Lizard (White Label Mashup) 20 FNP Vs Yomanda - Strings find a way 21 Natural Born Grooves vs 20 Fingers - Short Groove Bird (Steve Jennings Bootleg) 22 Nalin & Kane vs. Lana Del Rey - Beachball Madness (Jack Eye Jones Bootleg) 23 Zero B vs Klubbheadz vs Afrika Bambaataa - Get Up And Lock Up Ya Heard? (Steve Jennings Double Mashup) 24 Bleona vs Booty Luv - I Don't Need To Shine (Steve Jennings Mashup) 25 Hyper Go-Go vs Tag Team - Whoomph, That Is High! (Steve Jennings Mashup)
As I hit my live show number 27 of the Old Skool House Party live on React Radio - this 2hr show features nothing but bootlegs & mashups! Tracklisting: 1 Fatboy Slim - Eat Sleep Rave Repeat 2 Boy Raver Vs Happy Clappers - I Believe This Is Still Untitled Shaun (Steve Jennings Revisit Bootleg) 3 Modjo Vs Eminem - Shady Lady (12" Rip) 4 MiTM - Let Me Love That Kinda Girl For Tonight (MiTM's Not That Kinda Bootleg) 5 Funky Truckerz Vs Z Factor - Make A Move on me (Funky Truckerz Big House Bootleg) 6 Roger Sanchez - Another Chance (Maison & Dragen Miami bootleg) 7 Whitney Houston vs U2 - Takes me to the Clouds Above (White Label Bootleg) 8 Juiceheadz - A Deeper Gunman (12" Rip) 9 20th Street - Such A Good Feeling (Illicit White Label Bootleg) 10 Adam Freeland vs Kathy Brown - We Want You To Turn Me Out (Steve Jennings Mashup) 11 Calvin Harris & Rag N Bone Man Vs Toto & Bordertown - Giant Africa (Discosid Mashup) 12 Doobie Brothers - Long Train Running (Boy Raver & Pianoman Bootleg) 13 Route 94 Ft Jess Glynne - My Love (Ben Dooks' 1993 Bootleg) 14 Eric Prydz Vs Sandy B - Make The Pjanoo Go Round (Steve Jennings Bootleg) 15 Amen UK vs N-Trance - Set Your Passion Free (Bryan Doherty Bootleg Mix) 16 David Morales Vs BlackBox - Needin' The Music (MiTM's Rockin To The Bootleg) 17 Pan Position vs Fragma vs Gat Decor vs Doug Lazy - Paw Pump The Toca Passion (Steve Jennings Quad Mashup) 18 Three drives Vs CRW - I Feel Love In Greece (White Label Mashup) 19 Mauro Picotto vs Candi Staton - Candi's Lizard (White Label Mashup) 20 FNP Vs Yomanda - Strings find a way 21 Natural Born Grooves vs 20 Fingers - Short Groove Bird (Steve Jennings Bootleg) 22 Nalin & Kane vs. Lana Del Rey - Beachball Madness (Jack Eye Jones Bootleg) 23 Zero B vs Klubbheadz vs Afrika Bambaataa - Get Up And Lock Up Ya Heard? (Steve Jennings Double Mashup) 24 Bleona vs Booty Luv - I Don't Need To Shine (Steve Jennings Mashup) 25 Hyper Go-Go vs Tag Team - Whoomph, That Is High! (Steve Jennings Mashup)
1. Spinnerette - "Sex Bomb" (Adam Freeland mix) 2. Marilyn Manson - "Putting Holes In Happiness" (Boys Noize mix) 3. Gooseflesh - "Fandango" (aUtOdiDakT mix) 4. Suicide Silence - "Bludgeoned to Death" (Belzebass mix) 5. Dirty Disco Youth - "Heads...Off" (Mustard Pimp mix) 6. AC/DC - "Thunderstruck" (Ghettface mix) 7. Far Too Loud - "We Want To Dance" 8. Sidel - "Tech You" (Karl Sav Mix) 9. Access Denied and MC Incyte - "My Life" 10. Cagedbaby - "Forced" (Streetlife DJs Mix) 11. Elastic Fish - "Dark Shade" (Access Denied mix) 12. Slipknot - "Duality" (Belzebass mix) 13. Vegamoore Feat. Snapcrack - "Rapture" 14. F.O.O.L Feat. A Girl and A Gun - "Berserkergang" (Drivepilot mix) 15. Hypomaniacs - "Strip You Down"
Here's my free download of Adam Freeland's "We Want Your Soul" vs Kathy Brown's iconic "Turn Me Out" properly mashed together and free for download! Click "BUY" for free download!
Here's my free download of Adam Freeland's "We Want Your Soul" vs Kathy Brown's iconic "Turn Me Out" properly mashed together and free for download! Click "BUY" for free download!
Here's my free download of Adam Freeland's "We Want Your Soul" vs Kathy Brown's iconic "Turn Me Out" properly mashed together and free for download! Click "BUY" for free download!
Enzo Muro (Electronic Groove/Dialogue/B.LØW) Enzo Muro's first taste of electronic music began during the late 90's back in Peru. As an avid partygoer and music enthusiast, Enzo had the privilege to see many of the greats, including Steve Lawer, Peace Division, Carl Cox, Sasha, Pete Tong, Adam Freeland, Deep Dish, Hernan Cattaneo, DJ Three, H-Foundation, etc... spinning their hearts out in Lima. Good sets and good times instilled in him the passion to play music of his own... Since arriving in LA in 2004, he has been dropping records around LA, Mexico & Peru. As the California liaison for Bamboocha Radio out of Lima, Peru, Enzo has hosted many local djs and special guests in his bedroom studio in recent years. This has been a great opportunity for Enzo to hang out with basically all the djs in the industry on a level outside of the party scene–some tight bonds have derived from these personal encounters. Now, having joined the zealous Electronic Groove team based out of Miami, Enzo has connected a strong link between the U.S. bicoastal network. It’s the perfect match for both parties. Equity is a beautiful thing. The amount of music that Enzo has been exposed to, on his radio show, live streaming or out and about at every show in LA, gives him a broad and tasteful style of music when he djs. One has to step out of the box to acquire such a taste in music. Enzo has played at Lightning in a Bottle and Desert Hearts, Burning Man a few years; and has opened for djs such as Barac, Bill Patrick, tINI, Sepp & Nu Zau, Hernan Cattaneo, Rampue, Frank & Tony, Mira, Behrouz, Nick Warren, Daniel Bortz, Guy J, to name a few. Enzo is also a resident of Dialogue, one of the most prestigious underground parties in LA, alongside with Halo Varga, Silky & MD; and a fixture at Pattern Bar, a popular dimly lit cocktail lounge in DTLA where now throws a monthly party with Electronic Groove called B.LØW. @enzo-muro https://www.facebook.com/EnzoMuro/ Website: likemindedculture.com/ Facebook: facebook.com/likemindedculture Instagram: instagram.com/likemindedculture/
Der Herbstsommerzauber Am Tage funkelt warm und hell die Sonne, bei Nacht bedeckt ein silbrig gewebter Sternenteppich das Himmelszelt. Die Bäume werfen auf die Straßen ihr Blattgold, es glänzt vom Regen nass, in Blattgold. Der Jahreszeitenwechsel steckt bis zum Rand voll mit dieser Magie. Der Sommer möchte noch nicht gehen, geduldig aber bestimmt klopft der Herbst an seine Tür. Er will mit seinen starken Winden wehen, dass Obst von dem Bäumen und den Staub von dem Feldern fegen. Doch der Sommer bleibt stark, scheint mit seiner Sonne kräftig dagegen. So entsteht eine unvergleichliche Synergie. Aus zwei wird ein, mit Sonne und Wind läuten sie gemeinsam die zwischen Jahreszeit ein, der Herbstsommerzauber kehrt zu uns heim. Disfunctional Disco konserviert genau dieses einzigartige Erlebnis mit seinem Set. Er ist unser Magier der geschickt und behände der fünften Jahreszeit, eine Stimme verleiht. Wir bedanken uns aus vollem Herzen ❤ Picture taken by https://soundcloud.com/finnsn Gnarls Barkly - Crazy (Holed Coin interpretation) Uone, Adam Freeland, Mojofilter & Jamie Stevens - After the Blood Moon feat. Briony Taylor Brooks Roderic - Presente ft Lalo Limón, Chris Montgomery, Mendrix Be Svendsen - Hazy Eyes Sander & Jugurtha - Tunisia (Zigan Aldi Remix) Uone & MojoFilter - Mr Mystik Raz Ohara - You Say Party I Say Die (Roderic Rmx) Serkan Eles - Ngikis Be Svendsen - Day 3 Mazze - Four Jacob Groening - Fask (Gab Rhome 12" Rmx) Be Svendsen - October Letters Sander & Jugurtha - Tunisia (Timboletti Remix) Wisqo - Farres (Hrag Mikkel Remix) youlaike - Unjani More info : Disfunctional Disco SC: https://soundcloud.com/disfunctional_disco FB: https://www.facebook.com/DisfunctionalDisco/ IG: https://www.instagram.com/disfunctionaldisco/ KataHaifisch SC: @katahaifisch FB: www.facebook.com/KataHaifisch/ IG: www.instagram.com/katahaifischpodcast/?hl=de Download for free on The Artist Union
Remix piece of the song - Adam Freeland " We want your soul"
In the first episode of the second season, we're looking at a video game track for the first time, so my podcast work is blending in with my day job! It's Adam Freeland's "Area 5" for the visual and musical revolution in game form that is Rez, and its sampling of Marlena Shaw's "California Soul". If you appreciate what I'm doing with The Sample Study, I'd greatly appreciate you telling me so, becoming a Patron or making a one-time donation. Twitter Patreon Paypal I'm also taking sample requests or questions for the show at samplestudycast(at)gmail(d0t)com, with the subject Questions orRequests.
In which, our hero fails to find the on switch for 9 whole minutes. Enjoying the show? Please support BFF.FM with a donation. Playlist 9′54″ Xtal by Aphex Twin on Selected Ambient Works 85-92 (Selected Ambient Works 85-92) 15′44″ Didgeridoo by Aphex Twin on Didgeridoo (R&S) 24′51″ This Must Be the Place (Naive Melody) (live) by Talking Heads on Stop Making Sense (Sire) 29′16″ Some Kinda Love (Closet Mix) by Velvet Underground on The Velvet Underground (MGM) 34′19″ Monkey Gone to Heaven by Pixies on Doolittle (4AD) 38′30″ Stakker Humanoid by Humanoid on Humanoid (-) 42′56″ Telefone 529 by Musicology on Artificial Intelligence (Warp) 46′55″ Reich: Electric Counterpoint - 1. Fast by Pat Metheny on Reich: Different Trains, Electric Counterpoint (-) 54′07″ Little Fluffy Clouds by The Orb on Little Fluffy Clouds (W.A.U. Mr Modo) 58′41″ Z Twig by Aphex Twin on Selected Ambient Works Volume 2 (Warp) 61′19″ Danny's Song by PFM on Logical Progression (FFRR) 69′48″ We Want Your Soul by Adam Freeland on Now & Them (Marine Parade) 75′11″ Genetica Electronica (Gaudi remix) by Capucino on Genetica Electronica (Cavernjatt) 82′40″ Wake Up (Original 'Full Vocal' Mix) by False Prophet on Wake Up (Spatial Mixes) (TAKE) 90′05″ long bone by Sofa Surfers on Cargo (Klein) 94′17″ world of dispensation by Singers and Players on War Of Words (On-U Sound) 98′43″ Soul Decay by Roots Manuva on Brand New Second Hand (Big Dada) 102′39″ Gambia Via Vagator Beach by Nightmares on Wax on Smokers Delight (Warp) 105′43″ I Got To Tell You by Dr. Octagon on Dr. Octagonecologyst (Bulk) 106′28″ Earth People by Dr. Octagon on Dr. Octagonecologyst (Bulk Recordings) 116′49″ This Unfolds by Four Tet on There Is Love In You (Domino) Check out the full archives on the website.
Through his 'Coastal Breaks' mix CDs in the late Nineties, and his own Marine Parade label at the turn of the century, Adam Freeland was synonymous with the breaks & edits scene that was prevalent. As a resident at Fabric, he contributed to the renowned 'FabricLive' series as well as popular mix series 'Back To Mine' and 'Global Underground'. As an artist and remixer, he bothered the Top 40 and even earned a Grammy nomination. Living back in California now, the Brit is also part of 'The Acid', a band he's formed with Californian Steve Nalepa and Australian artist RY X. For your first working Monday of the year (probably), we asked him to make a mix from the middle of the desert for us, and answer a few questions...
For me, some of the most exciting and fresh sounding music has been with the breakbeat scene over the years. Playing to 40,000 people at the Exit Festival, headlining shows across Australia and New Zealand, to big festivals in the UK, Europe, USA and Canada. So many great artists have been a part of the Breaks scene - Freq Nasty, Plump DJ's, Stanton Warriors, Adam Freeland, Evil 9, DJ Icey, Deekline, Prodigy, Meat Katie, Chemical Brothers, Fatboy Slim, Rennie Pilgrem, Soul Of Man, Squarepusher, Pendulum, DJ Zinc and many more are all featured in this podcast. This was a trip down memory lane and I remember watching people lose their mind to so many of these tunes over the years and it's really good to see the Breakbeat scene still flourishing once again.
Here is MY BRILLIANT mashup of BK - Revolution v' Adam Freeland - We Want Your Soul... This has been done before but chopped and changed and sounding inconsistent... so i've completely redone it and sound fantastic!!!
Here is MY BRILLIANT mashup of BK - Revolution v' Adam Freeland - We Want Your Soul... This has been done before but chopped and changed and sounding inconsistent... so i've completely redone it and sound fantastic!!!
Один из тех, кого называют "лицом" Питерской брэйк-бит сцены. Его музыкальная карьера как DJ, началась в первой половине девяностых, в своем родном Мурманске. В 1995 году переехав в г. Великий Новгород, он следующие несколько лет налаживает клубную жизнь в своем новом городе, а 2001 году, основавшись уже в Санкт-Петербурге, Дима полностью погрузился в работу над созданием собственных треков. В мае 2005 года, на вечеринке "Trip Nation", состоялось первое лайв выступление Дмитрия в Санкт-Петербурге, после чего он получает предложение вступить в ряды In Beat We Trust crew. С этого момента, учавствуя в вечеринках IBWT, Golitcin зарабатывает репутацию, не только как продюссер пишущий отличную музыку, но и как артист умеющий во время выступления эту музыку подать. Благодаря обширному материалу, накопленому за несколько лет, Дмитрий сумел развеять миф о музыкальной ограничености лайв выступлений, играя многочасовые сеты наравне с диск жокеями и заставляя танцевать посетителей, как маленьких клубов, так и многотысячных рейвов.Послушав его выступление Terry Hooligan a.k.a. Atomic Hooligan говорит "заебись", а Adam Freeland просит диск для себя... Его треки звучат в эфире лондонских радиостанций KissFM 100, Minisry of Sound, Breaks FM, Nu Scool Breakscouk и DJ-сетах звезд западной брейкс-сцены. За последние годы Golitcin стал участником лучших клубных брейкс вечеринок и практически вcех крупных мероприятий Санкт-Петербурга - UdarMusic, World of Drum-n-Bass, Sonic UNIОN...отметился лайв выступлениями на крупнейшем в мире брейкс фестивале "Breaks Arena", и на главной арене, не нуждающегося в представлении "Mayday", выступая на одной сцене с такими international DJs как Jay Canning, Rennie Pilgrem, Freestylers, Meat Katie, Hyper, General Midi, Baobinga, Hardy Hard, Boogie Army и многими другими. На сегодняшний день, у Golitcin-а уже есть несколько изданых в России треков на CD сборниках, а его дебютная пластинка с успехом продается по всему миру.
Аудио журнал STEREOBAZA - авторская программа Игоря Панасенко (Stereoigor) - знакомит слушателей с тенденциями современной музыки, с тем, что только входит в моду или вот-вот станет модным.Помимо новинок, в каждом выпуске программы слушателей ждет информация о знаковых явлениях и лейблах, а также о культовых фигурах актуальной музыкальной культуры: группах, исполнителях, продюсерах. Отдельного внимания аудио-гурманов заслуживает рубрика «Бонус-трек», посвященная раритетным версиям песен.Аудио журнал выходит в эфире радио Европа Плас c декабря 2011 (vk.com/stereobaza facebook.com/stereobaza), «стереогостями» радиошоу побывали такие деятели мировой музыкальной сцены: - Культовый лондонский продюсер и ди-джей Erol Alkan - Создатель главного инди-лейбла планеты Morr Music (Берлин) Томас Морр - Группа De/Vision - Внучка изобретателя первого в мире электроинструмента — терменвокса — Льва Термена, легенда неоклассики Лидия Кавина, - Andy Fletcher - один из основателей легендарных Depeche Mode - Bonobo (Ninja Tune), - Jay-Jay Johanson , Robert Alfons/канадский синт-поп-проект TRUST, - James Lavelle / UNKLE, - Группы O.Children и WhoMadeWhoSTEREOBAZA вошла в ТОП-30 самых популярных радиошоу, сделанных в Украине (По данным PromoDJ. Всего в рейтинговании принимает участие около 50 тыс. радиошоу и подкастов). STEREOBAZA первый аудио журнал #126, 2014-07-23 (STEREOBAZA bonus track) The Doors – Hello, I Love You (Adam Freeland Radio Edit) Artist: The Doors Song: Hello, I Love You Version: Adam Freeland Radio Edit Remixer: Adam Freeland
This week we're thrilled to welcome to The Armory, DJ Justin Johnson of San Francisco. One of the hardest working men in the business, Johnson runs four labels including Barely Legal Records. While Johnson is an accomplished DJ in his own right, he is respected by artists around the globe and has helped us line up some serious talent for the Armory Podcast, which we very much appreciate (thank you, Justin!). Now press play and get down! Justin Johnson is a DJ and producer from the San Francisco Bay Area spinning Breaks, House, and Tech House. He also operates Cable Recordings, Barely Legal Records, Cylon Dub Receptor, and Southern Vice Recordings. With a discography of more than forty tracks, he has worked with John Selway, Johnny Dangerously, and Johan Afterglow, as well as remixes for iiO, DJ Punk-Roc, Nigel Richards, Velcro City Records, Beyond Zilla, and Quartz Lock. As a kid, he was raised on heavy doses of Blues, Jazz, and Funk, and when the New Wave scene started he became mesmerized by the sounds of the synthesizers, staying up late listening to the radio just hoping to hear Gary Numan or Afrika Bambaata. In high school he started to link up with other DJs, landed his own radio show on KSRH (San Rafael, CA), and honed his skills with good friend Mr. E and other local DJs. During his college years he would spend hours mixing with John Howard and going to the underground events in the SF Bay Area. In 1994 he made a move to New York City and within a year of being in the north east, his shoulder was tapped by Scotty Marz, the founding father of Kingsize USA promotions, to become part of the crew. One year later he had built up such a solid reputation that he was recruited by Scott Richmond and Jonathan Kadish (aka Mr. Kleen) to work at the world famous Satellite Records in New York City. Justin quickly made a massive impact in the store and became the Breaks buyer and the stock manager for all three stores (Boston, NYC, Atlanta). Satellite offered the opportunity to not only be on the cutting edge of new sounds and producers, but also to be able to help cultivate the sounds of other DJs like Danny Tenaglia, DJ Icey, Adam Freeland, DJ Dan, Dave Dresden, Thomas Bangalter, Todd Terry, and just about any other taste-maker in the industry. After years of consistently rocking the north east in renowned venues like The Limelight, The Tunnel, The Roxy, Roseland Ballroom, and Irving Plaza, he became known as the “King of Breaks” in NYC, and an appearance at a massive NYC festival (6th Element) was so impressive that it even caught the ears of The New York Times. Justin always brings the futuristic funk with him and you can hear his influences from the old school to the latest innovators - from Kraftwerk, King Tubby, Buddy Guy, Muddy Waters, John Coltrane, Giorgio Moroder, Gino Soccio, and all the way up to Bass Bin Twins, King Yoof, Lee Coombs, The Freestylers, Badboe, Olav Basoski, Maceo Plex, and Carl Cox. His passion for DJing is still as strong now as it was when he started more than twenty-five years ago, and he is still on the radio running his internet show called ‘Techtonic Funk Brigade ‘on NSB Radio (1st and 3rd Fridays 5pm-7pm PST). For more information on Justin visit: www.djjustinjohnson.com www.facebook.com/djjustinjohnson Artwork by www.jempanufnik.
Аудио журнал STEREOBAZA - авторская программа Игоря Панасенко (Stereoigor) - знакомит слушателей с тенденциями современной музыки, с тем, что только входит в моду или вот-вот станет модным.Помимо новинок, в каждом выпуске программы слушателей ждет информация о знаковых явлениях и лейблах, а также о культовых фигурах актуальной музыкальной культуры: группах, исполнителях, продюсерах. Отдельного внимания аудио-гурманов заслуживает рубрика «Бонус-трек», посвященная раритетным версиям песен.Аудио журнал выходит в эфире радио Европа Плас c декабря 2011 (vk.com/stereobaza facebook.com/stereobaza), и за это время его «стереогостями» побывали такие деятели мировой музыкальной сцены, как культовый лондонский продюсер и ди-джей Erol Alkan, создатель главного инди-лейбла планеты Morr Music (Берлин) Томас Морр; группа De/Vision; внучка изобретателя первого в мире электроинструмента — терменвокса — Льва Термена, легенда неоклассики Лидия Кавина, Andy Fletcher - один из основателей легендарных Depeche Mode, Bonobo (Ninja Tune), Jay-Jay Johanson , Robert Alfons/канадский синт-поп-проект TRUST, James Lavelle / UNKLE, группы O.Children и WhoMadeWho STEREOBAZA #126 2014-07-16 @ EUROPA PLUS by Игорь Панасенко aka "STEREOIGOR" SBTRKT AIR ROYKSOPP ERLAND ØYE WEEZER THE BUG COLD WAR KIDS ADAM FREELAND x THE DOORS THE ACID ANUSHKA
01 – Anathema – Closer 02 – Crossover – Disgrace Chateau 03 – Thom Yorke – Harrowdown Hill 04 – Jori Hulkkonen – Dislocated 05 – Vitalic – Under Your Sun 06 – Adult – Nausea 07 – Adam Freeland – We Want Your Soul 08 – Atomizer – Hook On Radiation 09 – Goldfrapp […] The post Electric Cafe 16/05/2013 first appeared on Ripollet Ràdio.
01 – Anathema – Closer 02 – Crossover – Disgrace Chateau 03 – Thom Yorke – Harrowdown Hill 04 – Jori Hulkkonen – Dislocated 05 – Vitalic – Under Your Sun 06 – Adult – Nausea 07 – Adam Freeland – We Want Your Soul 08 – Atomizer – Hook On Radiation 09 – Goldfrapp […] The post Electric Cafe 16/05/2013 first appeared on Ripollet Ràdio.
"Ghost Ship Apocalypse was an experience I'll never forget. I've been lucky enough to play the last three years and the party keeps getting better. The production value and art were insane. I've got to give a shout out to my family in the Janky Barge for putting a fantastic room together yet again. I've always prided myself on being a shapeshifter, tailoring my sets to the party and the crowd, so when I found out I was playing on the Space Cowboys' Unimog, I thought I'd bring a little more of an old school breakbeat flavor to my set than one might usually find. It was especially fun to dig in the crates for classics like the Beat Assassins' remix of "Repeated Groove" and the Rogue Element's take on The Prodigy's "Girls." Those tunes, and some personal edits of "Rhythm Is a Dancer" and 2 Bad Mice's "Bombscare" really prove that dance music doesn't just have to be about the newest of the new." - Ground Control Jason Apple, aka Ground Control, is a San Francisco based bass music producer and DJ. His productions draw heavily from bassline and early rave music, with stops on the way at dubstep, funky, and electro, and breakbeat. Ground Control's debut record, "Be Nice," was released on En:Vision Records in June 2008. He has since released music on such labels as Play Me Recordings, Hot N Heavy, 9G Records, and Sleevin Records. His ongoing collaborations with San Francisco DJ/producer DJ ICON have been featured on illeven: eleven Records, Rat Recordings, and Vibrance Recordings. He recently started a side project, Shouts!, for his more melodic, housier output, while still keeping an eye firmly on the dancefloor. As a DJ, Ground Control has played at some of the Bay Area's biggest parties, including Icebreakers Ball, Freqo de Mayo, Ghostship, and Breakfast of Champions, sharing the stage with Tipper, Adam Freeland, Jack Beats, Calvertron, DJ Icey, Bassbin Twins, Star Eyes, and Reid Speed to name just a very few. Discography: Out Now: Ground Control - “Love Me” – feat. on Bay Area Bass Vol. 3 – Hot N Heavy Recordings Ground Control – “On Fire/”Scan You” – Hot N Heavy Recordings Ground Control – “Judgment Day” – Hot N Heavy Recordings Ground Control & Commodore 69 – “Big Sound” – Hot N Heavy Ground Control & DJ ICON – “Wha?” – Illeven:Eleven Ground_Control – “Hard Up” – Play Me Records Ground_Control – “Be Nice” – En:vision Recordings Remixes: D3ADL1NE – “Still Believing” (Ground Control Remix) – Hot N Heavy Recordings Deekline & Ed Solo – Reload (DJ ICON & Ground Control Remix) – Rat Records Hazardous – Killa (Ground Control Remix) – Mizumo Music Rumevari – “Onslaught” (Ground Control’s Jungle Juice Remix) – 9G Records Black Tongues – “La Fiesta” (Ground Control Remix) – 9G Records Mike Hindle – “Grey Area” (Ground Control Remix) – THaF Records Enough Weapons – “Draggin” (Ground Control & DJ ICON Remix) – Vibrance Recordings S.I.M.O. vs. Mancub – “Punks of Funk” (Ground_Control Remix) – Sleevin Records S.I.M.O. – “Mindless Banta” (Ground_Control Remix) – Sleevin Records Links: http://www.facebook.com/groundcontrolmusic http://soundcloud.com/ground_control Follow him on Twitter: @groundcontrolsf
The Lot49 record label is owned by Dylan Rhymes and Meat Katie was setup in June 2004. Lot49 quickly became one of the most talked about dance music labels with the sole purpose of releasing dancefloor 12"'s from the finest artists around. Lot49 pushes the tech-funk sound, a hybrid of electro, house, techno and breaks in varying forms. Lot49 has picked up support from Deep Dish, The Plump DJs, Adam Freeland, Sander Kleinenberg, Pete Tong, James Lavelle and John Digweed to name just a few. Today Lot49 has the following artists signed to its label Lee Combs, Ben Coda, Vandal, Dopamine, Beat Tempest, Metha and JamBasha's own Chevy One! Underbeat Trust ran an awesome boat party on the Thames for the Lot49 label and my podcast Episode 58 was recorded live at the afterparty in Islington where I kicked off proceedings with an hour set. This was the same night Man United lost to Barcelona in the champions league final sorry Mr Mouse.... This set is my take on Tech Funk with a mix of Techno, Electro and some big bad Breakbeats. Turn it up, Big Love. Rubber
Kai-zen Podcast - Regular top guest DJ's playing Deep House, Tech House & Techno. Andy James Tracklist: 001 # PVT – Light Up Bright Fires (Nathan Fake ambient mix) [Unreleased] 002 # FourTet – Moma [Works In Progress] 003 # PVT – Light Up Bright Fires (Nathan Fake remix) [Warp] 004 # Luke Abbott – Honeycomb [Amazing Sounds] 005 # Axel Helios – Sleeping On An Igloo (Avus’ Acid remix) [Shabu] 006 # Phillipe Cam – UNICEF Christmas Card [Traum] 007 # Dominik Eulberg – Die 3 Millionen Musketiere (Gabriel Ananda remix) [Traum] 008 # Justin Maxwell & John Tejada – Domerocker (Roland M Dill remix) [Trapez] 009 # FortDax – Fortune Telling Fish, Curled To Suggest ‘Home’ [Unreleased] 010 # N’To – Stupid (Worakls remix) [InLab] 011 # Allez-Allez – Six Down Seven Across [RVNG] 012 # Carl Lekebusch & Joseph Capriati – Napoli 4am [Drumcode] 013 # Psycatron – Memories Of The Moment [Bedrock] 014 # Luke Abbott – Brazil (slow version) [Border Community] 015 # Blue Daisy & Anneka – Raindrops (John Talabot's Cosmic Rework) [Black Acre] Ever since breaking out of the bedroom in 2007, Andy has been spending every waking minute cementing his reputation as a man to be trusted when it comes to working a dancefloor. He’s been completely immersed in Dance culture for well over a decade now, a fact reflected by his ability to craft the kind of imaginative mixes only heard from the most dedicated record spinners. It’s this asset, combined with his notorious enthusiasm behind the decks that paved the way for his amalgamation into the team at Slide, one of Oxford & London’s foremost authorities on hosting House & Techno events. Throughout his involvement with the brand, he has been fortunate enough to play to sizeable crowds on a monthly basis at Oxford’s O2 Academy, and has warmed up for the likes of Nic Fanciulli, Adam Freeland, Krafty Kuts, Stanton Warriors, and Style Of Eye amongst many others. He’s also had the privilege of being chosen to warm up for Erol Alkan with Simple (Oxford’s flagship Dance promotion), invited for several guest spots on Oxford FM, and repeatedly booked for boat parties and the burgeoning Out To Graze Festival for 3 consecutive years alongside fellow turntable maestro Dave Johnys. It’s safe to say he’s been a busy lad, but he hasn’t limited himself to local events. Spreading his wings and delving into the turbulent London scene has thrown up some of the most memorable experiences, such as a particular booking at SeOne (during a Tidy vs. NuReligion hard-house event). Having the courage to stick to the music he believed in led to his set (B2B with good friend Chris Page) packing out an empty dancefloor, despite playing intelligent techno to a room full of day-glow ravers who had never heard anything like it. It’s gigs like this that have sparked his enthusiasm for DJing in London, and subsequently joining the team at Kai-Zen has provided Andy with a much larger podium to shout from. Despite 2011 being a quiet year with regards to club appearances, Andy has used the time to start getting to grips with music production, and the intricacies of Ableton Live 8. He’s the first to admit that he should have made a start on this a long time ago, but as is so often the case, life’s distractions have kept his attentions elsewhere. Regardless, 2011 was a significant year whereby his move into the complex world of music creation meant that he also took some time to consider the music he was supporting. Whilst Andy is always extremely vocal in his adoration of Chicago-House, Deep-House, and Progressive (or anything with a decent groove for that matter), he found that his tastes had slowly adapted to favour the more leftfield abstract Techno of such artists as Luke Abbott, Nathan Fake, Dominik Eulberg, and Caribou. With that in mind, he has made the conscious decision to start openly embracing this style of music (regardless of whether it leads to an incline or decrease in bookings), and base his sets on Techno for those with a more open mind to Dance music. With regards to influences, Andy would never profess to have a page-long list, but one DJ/Producer that does spring to mind again and again is James Holden. As his friends will testify, Andy’s love for all things Holden is boundless, mainly due to the forward-thinking nature of the music released on his Border Community imprint and the unparalleled approach Holden has to music. Following closely behind would have to be Nick Warren. His reason for influence stems from his respect for a man who still has an unmatched passion for pushing new and interesting music, despite being in the industry since year dot. As a proud member of the Electronica scene, Andy would hope that this ethos of never compromising music quality will serve him well as a DJ guideline, and that through this he’ll never be regarded as ‘just another DJ’.
The Space Cowboys are pleased to welcome our good friends DJ/producer husband and wife, Big Fat Frog & Melyss [Homebreakin Records], to the RIPEcast this week. For their appearance on the show, Craig and Melyss have thrown together this delicious RIPEcast exclusive mix of their signature discofunk sound (which includes several shout-outs from the adorable MC Stellar). Enjoy Boys and Girls! Melyss has been throwing down the funky house and breaks since 2000. Over the past 9 years she's shared the stage with the likes of Meat Katie, Rogue Element, Stanton Warriors, Rennie Pilgrem, Adam Freeland and the list goes on. She is a resident with San Francisco crews Sister SF & Opel Productions and previously held a Tuesday residency for 4.5 years with the Mayonnaise crew in SF. Melyss is currently working on the production side of things - taking a bit of a step back from the DJ scene to get up to snuff in the studio. Craig O'Neill aka Big Fat Frog has been DJing since his teens growing up in Birmingham, UK and has been producing for well over ten years. Upon moving to the states from the UK, Craig DJed professionally for 4 years in Aspen, CO where his sound evolved from Funky House to Disco. He now resides in San Francisco and has recently released the mix Friday Night Tats consisting of original disco tracks remixed by the Disco King himself Big Fat Frog. www.homebreakinrecords.com www.cheekyproductions.net RIPEcast artwork and Podomatic page design by Jem Panufnik. To check out more of Jem's work visit www.jempanufnik.com.
Привет всем в новом 2011 году. Сегодня мы совершим путешествие в Англию, Лондон,именно оттуда наш сегодняшний герой Мировой Тенденции. Max Cooper Макс Купер (Max Cooper) - лондонский музыкант и генетик, в основном выпускающийся на лейбле Traum Schallplatten. Сочетание научного и музыкального влияния сказывается в ди-джейских сетах Макса в стилях его технического исполнения и темы абстрактного исследования. Макс начал заниматься ди-джеингом в конце 90-х в его родном городе Белфасте, получив вдохновение от таких артистов, как QBert, DJ Craze, Бабу и DJ Noize, которые использовали вертушки в качестве инструментов для создания новых ритмов и звуков посредством скретча и жонглирования. Этот стиль ди-джеинга Макс использовал в течение нескольких лет, пока не обратил внимание на его музыкальную одержимость в написании музыки. Ди-джейская карьера Макса началась в 1999 году резиденцией в клубе «Rumour» в Белфасте. Вот уже 9 лет длится его давняя резиденция в ночном клубе Великобритании в клубе «Firefly», стартовавшая после переезда его в Ноттингем для продолжения изучения наук. Макс быстро завоевал признание у средств массовой информации, получив метку «героя будущего» Mixmag. Это национальное признание помогло Максу в приглашении на BBC Radio1 на пятничное ночное шоу Fergie в начале 2004 года. Сет Макса на Radio1 был хорошо принят и помог ему стать одним из артистов Ornadel Management и Mainstage. Это обеспечило Максу постоянные даты выступления в Великобритании и за рубежом, пока он продолжал свою научную и профессиональную музыкальную карьеры. После окончания университета, получив степень магистра и доктора наук в Ноттингеме, Макс решил переехать в Лондон для того, чтобы работать над новыми музыкальными и исследовательскими проектами. С 2001 года Макс играет основную роль в клубе «Firefly», помогая превратить ночь в нечто грандиозное. За время этой резиденции Макс выступал наряду с такими артистами как Jeff Mills, Booka Shade, Vitalic, Hot Chip, Dave Clarke, Justice, Digitalism, Derrick May, Slam, Alter Ego, Umek, Alex Under, M.A.N.D.Y., Stanton Warriors, Paul Woolford, Justin Robertson, Speedy J, Daddy G (Massive Attack), Marco Bailey, Andrew Weatherall, Ben Sims, Adam Freeland, Plump DJs, Technasia, Freq Nasty, Phil Kieran, Rolando, Fergie, Hybrid, Green Velvet, Luke Slater, Brodinski и т.д. и т.д. и т.п.! Продюсерская карьера Макса началась в 2006 году с релиза на звукозаписывающих компаниях Firefly recordings и Evolved Records, с существенными чартами и обзорами прессы, приносящих успех Максу на раннем этапе. Многое из стиля ди-джеинга Макса и его написания музыки представляет собой объединение элементов из стилей electronica, minimal, electro и techno. В 2007 году Макс стал резидентом в The Key в Лондоне, в Stealth в Ноттингеме и в The Cross в Лондоне. «Firefly» продолжает расширяться, новые события и фестивали в Бристоле, Лондоне, Шеффилде, Бирмингеме, Ноттингеме. В 2007 году навыки Макса сводить пластинки были востребованы компанией BBC в создании обучающего видео по скретчу, которое доступно на веб-сайте BBC. Первый, выпущенный в Великобритании, мини-альбом Макса «One is None» мгновенно стал одним из самых продаваемых мини-альбомов на лейбле, который дал тенденцию к взрывному спросу на его произведения в более чем 50-ти релизах на лейблах включая Traum Schallplatten, Naked Lunch, Shrink Records, Firefly Recordings, Flux, Trapez and Autist Records. Первый виниловый мини-альбом Макса «Tamperine», демонстрирующий его прикосновения minimal/tech, быстро попали на minimal-чарты на Beatport в 2007 году. Этот год завершился выпуском его третьего мини-альбома «Ergo», который был поддержан многими крупными артистами и BBC Radio 1 в течение нескольких недель в 10-ке лучших в DJdownload, достигнув строчки 4. В 2008 году Макс продолжает восхождение в статусе продюсера на международной арене с альбомом «FRANK» на лейбле Firefly recordings, достигнув 15 позиции в чарте Beatport, а его мини-альбом «Shufflebox» на берлинском лейбле Autist Records за месяц добрался до 10 строчки чарта лучших 100 minimal-композиций. Макс во второй раз появился на BBC Radio 1 в 2008 г. после последней живой записи вместе с Annie Nightinghale. Самый успешный мини-альбом Макса на сегодняшний день «Harmonisch» на лейбле Traum Schallplatten был выпущен в начале 2009 года, достигнув 5 позиции в чарте продаж виниловых пластинок, а также получил многочисленные отзывы и награду за релиз месяца от прессы во всем мире. Трек со стороны А этого мини-альбома был также выпущен в компиляции группы Hot Chip летом 2009 года. Успех работ Макса заинтересовал некоторых крупных мировых артистов и воплотился в таких работах, как последние ремиксы на Extrawelt, Moonbeam, Kanio, Perc и Dominik Eulberg. В 2009 году Макс подписал контракт на букинг с лейблом Traum, который в настоящее время управляет выпуском его музыки, ремиксами и графиком выступлений. В 2009 году с мая Макс стал выступать на телевидении с ежемесячным обучающим видео по скретчу для Underground TV на спутниковом канале Propeller. Этот год для Макса сопровождался выпуском релиза и тяжелым графиком выступлений, новыми резиденциями в клубах «333» и «Bar54» в Лондоне, наряду со вторым мини-альбомом на лейбле Traum Schallplatten вместе с релизами на лейблах Trapez, Autist Records, Firefly Recordings и Perc Trax. Итак,наслаждаемся великолепным саундом... Приятных вам эмоций!
Привет всем в новом 2011 году. Сегодня мы совершим путешествие в Англию, Лондон,именно оттуда наш сегодняшний герой Мировой Тенденции. Max Cooper Макс Купер (Max Cooper) - лондонский музыкант и генетик, в основном выпускающийся на лейбле Traum Schallplatten. Сочетание научного и музыкального влияния сказывается в ди-джейских сетах Макса в стилях его технического исполнения и темы абстрактного исследования. Макс начал заниматься ди-джеингом в конце 90-х в его родном городе Белфасте, получив вдохновение от таких артистов, как QBert, DJ Craze, Бабу и DJ Noize, которые использовали вертушки в качестве инструментов для создания новых ритмов и звуков посредством скретча и жонглирования. Этот стиль ди-джеинга Макс использовал в течение нескольких лет, пока не обратил внимание на его музыкальную одержимость в написании музыки. Ди-джейская карьера Макса началась в 1999 году резиденцией в клубе «Rumour» в Белфасте. Вот уже 9 лет длится его давняя резиденция в ночном клубе Великобритании в клубе «Firefly», стартовавшая после переезда его в Ноттингем для продолжения изучения наук. Макс быстро завоевал признание у средств массовой информации, получив метку «героя будущего» Mixmag. Это национальное признание помогло Максу в приглашении на BBC Radio1 на пятничное ночное шоу Fergie в начале 2004 года. Сет Макса на Radio1 был хорошо принят и помог ему стать одним из артистов Ornadel Management и Mainstage. Это обеспечило Максу постоянные даты выступления в Великобритании и за рубежом, пока он продолжал свою научную и профессиональную музыкальную карьеры. После окончания университета, получив степень магистра и доктора наук в Ноттингеме, Макс решил переехать в Лондон для того, чтобы работать над новыми музыкальными и исследовательскими проектами. С 2001 года Макс играет основную роль в клубе «Firefly», помогая превратить ночь в нечто грандиозное. За время этой резиденции Макс выступал наряду с такими артистами как Jeff Mills, Booka Shade, Vitalic, Hot Chip, Dave Clarke, Justice, Digitalism, Derrick May, Slam, Alter Ego, Umek, Alex Under, M.A.N.D.Y., Stanton Warriors, Paul Woolford, Justin Robertson, Speedy J, Daddy G (Massive Attack), Marco Bailey, Andrew Weatherall, Ben Sims, Adam Freeland, Plump DJs, Technasia, Freq Nasty, Phil Kieran, Rolando, Fergie, Hybrid, Green Velvet, Luke Slater, Brodinski и т.д. и т.д. и т.п.! Продюсерская карьера Макса началась в 2006 году с релиза на звукозаписывающих компаниях Firefly recordings и Evolved Records, с существенными чартами и обзорами прессы, приносящих успех Максу на раннем этапе. Многое из стиля ди-джеинга Макса и его написания музыки представляет собой объединение элементов из стилей electronica, minimal, electro и techno. В 2007 году Макс стал резидентом в The Key в Лондоне, в Stealth в Ноттингеме и в The Cross в Лондоне. «Firefly» продолжает расширяться, новые события и фестивали в Бристоле, Лондоне, Шеффилде, Бирмингеме, Ноттингеме. В 2007 году навыки Макса сводить пластинки были востребованы компанией BBC в создании обучающего видео по скретчу, которое доступно на веб-сайте BBC. Первый, выпущенный в Великобритании, мини-альбом Макса «One is None» мгновенно стал одним из самых продаваемых мини-альбомов на лейбле, который дал тенденцию к взрывному спросу на его произведения в более чем 50-ти релизах на лейблах включая Traum Schallplatten, Naked Lunch, Shrink Records, Firefly Recordings, Flux, Trapez and Autist Records. Первый виниловый мини-альбом Макса «Tamperine», демонстрирующий его прикосновения minimal/tech, быстро попали на minimal-чарты на Beatport в 2007 году. Этот год завершился выпуском его третьего мини-альбома «Ergo», который был поддержан многими крупными артистами и BBC Radio 1 в течение нескольких недель в 10-ке лучших в DJdownload, достигнув строчки 4. В 2008 году Макс продолжает восхождение в статусе продюсера на международной арене с альбомом «FRANK» на лейбле Firefly recordings, достигнув 15 позиции в чарте Beatport, а его мини-альбом «Shufflebox» на берлинском лейбле Autist Records за месяц добрался до 10 строчки чарта лучших 100 minimal-композиций. Макс во второй раз появился на BBC Radio 1 в 2008 г. после последней живой записи вместе с Annie Nightinghale. Самый успешный мини-альбом Макса на сегодняшний день «Harmonisch» на лейбле Traum Schallplatten был выпущен в начале 2009 года, достигнув 5 позиции в чарте продаж виниловых пластинок, а также получил многочисленные отзывы и награду за релиз месяца от прессы во всем мире. Трек со стороны А этого мини-альбома был также выпущен в компиляции группы Hot Chip летом 2009 года. Успех работ Макса заинтересовал некоторых крупных мировых артистов и воплотился в таких работах, как последние ремиксы на Extrawelt, Moonbeam, Kanio, Perc и Dominik Eulberg. В 2009 году Макс подписал контракт на букинг с лейблом Traum, который в настоящее время управляет выпуском его музыки, ремиксами и графиком выступлений. В 2009 году с мая Макс стал выступать на телевидении с ежемесячным обучающим видео по скретчу для Underground TV на спутниковом канале Propeller. Этот год для Макса сопровождался выпуском релиза и тяжелым графиком выступлений, новыми резиденциями в клубах «333» и «Bar54» в Лондоне, наряду со вторым мини-альбомом на лейбле Traum Schallplatten вместе с релизами на лейблах Trapez, Autist Records, Firefly Recordings и Perc Trax. Итак,наслаждаемся великолепным саундом... Приятных вам эмоций!
Hungarian Attila Fodor, a recording artist and dj under the moniker Fine Cut Bodies has made a name for himself by producing quality break tracks spinned by top djs like Plump Djs, Chris Carter, Breakneck or Adam Freeland but this mid-tempo broad mix he did for Marketing Music shows that he’s got more than a trick up his sleeve… TRACKLISTING 1- Free The Robots – Inter Arma – Alpha Pup 2- Ikonika – Yoshimitshu – Hyperdub 3 – Luke Vibert + Jean Jaques Perrey – Analog Generique 4 – Prins Thomas – Kukkelure – Full Pupp 5 – Jimi Polar + Jamie Lloyd – Like Butter – Junkbeats 6 - Mux Mool – Wolf Tone Symphony (Paul White remix) – Ghostly 7 – Shigeto – Eternal Life – Ghostly 8 – Take – Paper Garden – Alpha Pup 9 – To Rococo Rot – Ship – Domino 10 – Caribou – Bowis – Cooperative 11 – Sleazy McQueen – Naked (KINK remix) – Hairy Claw 12 – The Hundred In The Hands – Tom Tom – Warp 13 – Mano Le Tough – Oblique (Chateau Flight remix) – Internasjonal 14 – Amanda Lear – I’m Coming Up (Tommie Sunshines Quaalude remix) [...]
Summer is in full swing in places with real seasons, but here in San Francisco if we want it hot we have to take matters into our own hands. Enter Jocelyn, who turns up the heat this month with a sexy session of electro-house naughtiness. A veteran of the Bay Area underground, Jocelyn was a primary organizer and DJ for the only series of events that I've ever known to spawn an actual, official religious organization (the legendary Fusion campout events). Currently she (along with Adam Ohana) runs San Francisco's Get Freaky events at 1015 Folsom, a consistently bangin' monthly party that has hosted Adam Freeland, Krafty Kuts, Stanton Warriors, Freq Nasty, and Tipper, to name a few. Get Freaky will be celebrating their third anniversary in September (congratulations!), so make sure your calendar is clear for September 8 (and you might want to go ahead and keep the ninth clear for recovery). memekast mk007 » July 2006 » Jocelyn 1. oliver giacomotto and damon lee - play 2. jennifer cardini remix - very secret 3. in flagranti - convolutions 4. 50 cent remixed by david starfire - candy shop 5. diplo featuring mia - china girl 6. parker frisby - krank feirn 7. mr. timothy t-funk feat. inaya day - glamorous life remix 8. cirez d - rematch 9. richard bartz - 089 10. unknown 11. shapemod S036 feat snax jamie lidell - loves too much remix 12. blaque - 808 upcoming events 07.21 - Priceless - a collaborative campout presented by False Profit and Downlow. 07.22 - Kinky Salon 08.04 - Electro event by Desiree - More info will be posted at
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