City in Utah, United States
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Send us a textToday we have a long one so feel free to break it up. I start off telling you about the man that was linked to RHOBH Dorit Kemsley over the Holiday. We move on to her Holiday in Park City UT with the kids. Also the upcoming RHOBH episode sheds some light on Dorit and Pk's toxic relationship. Andy Cohen's New Years Live highlights...Craig goes to Aspen and Paige Desorba deep dive. What her past shows about the break up with Craig. Laura Leigh tea highlights from her recent drop about Vanderpump Season 1 specifically about pay, Jax Taylor and Stassi Shroeder. Fired Jennifer Aydin attacks Jersey Mike sub employees and a few clap back. Also Danielle Cabral gets triggered over this and drops some tea. I give you my thoughts on the whole story as we go through the receipts. We go over some of the more shocking details about the Bourbon Street mass murderer, Shamsud-Din Jabbar played down military record and his mysterious explosives. Matthew Livelsberger aka New Years 2025 Cybertruck suicide shocking letters, emails and essay.To hear the full episode go here: https://www.patreon.com/DishingDramaWithDanaWilkeyMake sure you get in the chat we gossip in there every day!Support the showDana is on Cameo!Follow Dana: @Wilkey_Dana$25,000 Song - Apple Music$25,000 Song - SpotifyTo support the show and listen to full episodes, become a member on PatreonTo learn more about sponsorships, email DDDWpodcast@gmail.comDana's YouTube Channel
The UPX Podcast is the ORIGINAL and #1 spot for news, strategy, non-financial advice, and more in Upland. Join 2Stupid2Win & ThankMeLater as they discuss the current events, strategies, and community of the metaverse known as Upland.Sign up for Upland using this referral code discover.upland.me/UPX-Podcast. Earn of 50% bonus on your first deposit up to $100.Follow us on Twitter www.twitter.com/upxpodcastSHOW DISCLAIMER: The views, information, and opinions expressed on The Upland Property Xperts (UPX) Podcast are solely those of 2Stupid2Win, TML, and any guests of the podcast and do not necessarily represent/reflect those of UplandMe Inc. We are not employed by, or provided insider information from the UplandMe Inc. Nor are we financial/investment advisors. All discussion about properties, types of properties, or any other NFTs in Upland to buy or sell is not financial advice. Please do your own research first. We do not guarantee any particular outcome from participating in Upland. There is potential for loss from participating in the purchase, sale, or investing in Upland and their metaverse.
Send us a textEver wondered how to balance thrill and relaxation during the winter months? Get ready to explore some of the most exciting and lesser-known travel destinations for January and February. Discover why Park City, Utah, is a paradise for snow enthusiasts and film lovers alike, and how Galveston, Texas, provides a warm escape filled with history and vibrant festivals. Let me guide you through these remarkable U.S. spots, offering a perfect mix of adventure, culture, and tranquility. Imagine saving up to 42% on your European getaway this winter. That's exactly what we discuss as we uncover the charm of visiting places like Barcelona and Dublin during the off-peak season. Learn the secrets to experiencing local festivities without the usual crowds and enjoy substantial savings on accommodations. Plus, we reveal hidden gems in Greece and Prague, where cooler temperatures offer a peaceful and authentic travel experience without breaking the bank. Thinking of escaping to a tropical paradise this winter? Look no further than the Philippines, where you can bask in pleasant weather while exploring stunning islands and vibrant cityscapes. From the bustling streets of Manila and Cebu to the breathtaking landscapes of Palawan, discover why this destination is perfect for both relaxation and adventure. With affordable flights, welcoming locals, and cost-effective stays, the Philippines promises a memorable journey. Don't forget to subscribe to our newsletter for more travel insights and updates!Please subscribe and leave a review on I-Tunes. Feel free to drop me an email I would love to hear from you editor@thetravellingfool.com You can sign up for my email list Past Podcasts Follow me on social media FaceBook Twitter now X LinkedInInstagram
In this episode of Trip Tales, host Kelsey Graves dives into everything you need to know about planning the perfect family ski trip to Park City, Utah. Growing up skiing every winter thanks to her family's timeshare, Kelsey shares her insider tips and personal experiences from over a dozen trips to this iconic ski destination.Discover why her family always chooses The Canyons side of Park City Mountain Resort and why she believes Utah's ski scene outshines Colorado's. From the best spots for ski rentals and dining, to her favorite non-ski activities that make Park City perfect for families, Kelsey covers it all. Mentioned in this episode:The Canyons side of Park City Mountain ResortKelsey's Park City, UT Ski Trip Travel Guide Substack ArticleKelsey's Must-Have Ski Trip Items from AmazonCanyons Base hotels: Westgate, Grand Summit, Hyatt CentricOther Park City area ski resorts: Deer Valley, Alta, SnowbirdStein Erickson Lodge at Deer ValleyMain Street in Downtown Park CityVacation Rentals through: VRBO, Vacasa, Park City Rental PropertiesAloha Ski Rental or Utah Ski & GolfSki School at The Canyons4th, 5th, & 6th graders ski CHEAP through Ski Utah (used to be free, now it's at a low rate)Favorite on mountain eateries: Could Dine, Lookout CabinWoodward Snow TubingAll Seasons Adventures Dog SleddingSnowed Inn Sleigh Co. - a favorite!!!Low Spark FondueMust have ski gear: BSUPPORT: Buy me a coffee to show your support for the Trip Tales podcast! https://www.buymeacoffee.com/kelseygravesFOLLOW: Kelsey on Instagram & TikTokSHOP: Kelsey's Travel Favorites from her Amazon storefront.SHARE: About your trip on the Trip Tales podcast: triptalespodcast@gmail.comPARTNER DISCOUNT CODESRVshare - Use code TRIPTALES for $30 OFF a booking of $500+ through the end of the year (2024).SPANX.COM - Use code KGRAVESXSPANX for 15% OFF full-price items and FREE SHIPPING. My current fav travel outfit is the Air Essentials Jumpsuit. CHASE SAPPHIRE CREDIT CARD - My preferred points earning credit card and a great card for newbies entering the points & miles space to get started. Open a Chase Sapphire Preferred with my link and earn 60,000 BONUS POINTS after you spend $4,000 in the first three months your ac...
Park City, Utah has a rich history and there is a world of opportunities for the outdoorsy type. In the mid-1800s, Park City was established as a silver mining town and the influences of that history can still be seen today. Looking like an old western movie set, Main Street is filled with galleries, shops … Continue reading Episode 522: Park City Utah in shoulder season. →
Want your big day to be picture perfect? Botanical Eden (801 834 1495) offers custom floral arrangements and bridal bouquets for luxury weddings. Visit https://botanicaleden.com for details. Botanical Eden City: Salt Lake City Address: Salt Lake City Website: https://www.botanicaleden.com/
In the early morning hours of November 2nd 2014, Park City Utah police received a 911 call reporting a man in distress covered in blood. The man was no stranger to law enforcement, and had been bailed out of jail following a parental abduction days before. When police arrived they uncovered a heartbreaking scene. In part 2 of this saga, Alexis and Jac conclude the story of K.C. Gauf, a case exposing the culprit for exactly what he was, a narcissistic monster.
Send us a textWe welcome our season sponsor SkiweekendsSpecialising in Great Value Short Break Ski Holidays 3, 4 or 7 night catered chalet holidays, as well as excellent 2* - 4* ski hotels. Choose when and how long you would like to go skiing in Europe, and maximise your time on the slopes.We explore the tremendous resort of Park City Utah and all it has to offervisitparkcity.comIn our news we look at Gender imbalance in snowsportsA New Dragons Den ski slope in WiltshireAnd the Arc'teryx Winter Film Tour in LondonIn our gear buyers guide we take a look at'The Piste Collection' from new British brand Be ViridisThe **Diablo Goggles** from Panda Optics VEGER Magnetic Hand WarmersWe look at where the best snow is right now and we also talk to James Gambrill GM and COO at Ski Club GB and owner of the London Snow Show, to answer the question "how to get the job in Ski Industry" whilst also finding out, if he could only ski one resort for the rest of his life, where would that be?And we spotlight skiing in Tirol and what a magnificent offering this immense ski area has to offer for familiesIn the meantime Enjoy the mountains :) And Please do leave a review as it's the only way other like minded travellers get to find us! And don't forget to check us out on the following channels inthesnow.cominstagram.com/inthesnowTikTok@inthesnowmag youtube.com/inthesnowmagfacebook.com/inthesnowTo contact us with your suggestions for further episodes at dom@InTheSnow.com / robert@ski-press.com
Send us a textBecome a Ski Moms substack subscriber here.In this episode Nicole and Sarah talk with Tess Miner-Farra, the head of the Winter Sports School in Park City, Utah. This is a unique public charter school that serves 9th-12th grade students focused on winter sports. We loved learning about the Winter Sports School and what makes it such an amazing place for young student-athletes. The school has a non-traditional academic calendar, running from April to November, allowing students to focus on their athletic training and competition during the winter months. For a little history, the Winter Sports School was founded in 1994 as a partnership between the Park City ski team and local educators. In 2014, it transitioned to become a public charter school.The school's unique model allows students to train and compete at a high level while maintaining a rigorous college prep curriculum. Teachers and staff are very supportive of the student-athletes. The school serves around 150 students, with 30-40% being alpine ski racers, 30% freestyle/freeski, and the rest a variety of other winter and non-winter sports.Academics follow a traditional high school model, with students earning about 7 credits per year. As a public charter, the school must meet state graduation requirements. The application process is a lottery system for Utah residents, with a more selective process for out-of-state applicants.Tess discusses the challenges and benefits of the school's April-November calendar, the support provided to students when they travel for training/competition, and the school's partnerships and fundraising efforts.It's clear that the Winter Sports Loam Pass, the premier North American mountain biking pass, gives you over 80 days of access to some of the best mountain biking destinations across the country.Use code: SKIMOMS15 to save 15% off your order here. Save 20% off your Skida orders https://skida.com/discount/SKIMOMS20Skida is committed to local production, limited edition products, and a fresh perspective.Each season Skida delights old and new brand fans with whimsical prints for everyone in the family (including dogs!). Practical and pretty, layering on Skida pieces for your winter adventures feels like bringing along a friend. Save 20% off your orders at www.nikwax.com In the USA, use code SKIMOMS24 In Canada, use code SKIMOMS24CA Code good thru 10/1/24 and cannot be combined with other offersSupport the showKeep up with the Latest from the Ski Moms!Website: www.skimomsfun.comSki Moms Discount Page: https://skimomsfun.com/discountsSki Moms Ski Rental HomesJoin the 10,000+ Ski Moms Facebook GroupInstagram: https://instagram.com/skimomsfun Send us an email and let us know what guests and topics you'd like to hear next! Sarah@skimomsfun.comNicole@skimomsfun.com
Welcome to Season 2 of the Orthobullets Podcast. Today's show is Podiums, where we feature expert speakers from live medical events. This episode will feature Dr. Cory Collinge, and is titled "Tibial Shaft Fractures: A Favorite Reduction Trick". Today's episode will be sponsored by Evolving Concepts in Orthopaedic Trauma, taking place April 4-6 in Park City Utah.
The College Football Experience (@TCEonSGPN) on the Sports Gambling Podcast Network continues its 134 college football team preview series with the Utah Utes 2024 Season Preview. Pick Dundee aka (@TheColbyD) & NC Nick (@NC__NicK) break down the upcoming 2024 Utah Utes offense, defense and special teams and key in on the Utah Utes football schedule heading into the fall. Are the Utah Utes going to fit in the Big 12 fine or should fans be worried about the conference change? Will Cameron Rising have a monster year in the Big 12 and can he stay healthy in 2024?How will the Utah Utes running back room look in 2024 with Micah Bernard, Jaylon Glover and Anthony Woods? How important is it for the Utah Utes to return star tight end Brant Kuithe? Will the Utes wideout room be the best its been in years with Dorian Singer, Money Parks, and Mycah Pittman? Will the Utes offensive line be among the best in the Big 12?How many more seasons will Kyle Whittingham stay the head coach of the Utah Utes before turning it over to Morgan Scalley? Will the Utes defensive line be a force with the return go Logan Fano, Keanu Tanuvasa, Junior Tafuna and Van Fillinger? Will the Utes linebacking core be the heartbeat of the Utah 2024 football team? Are the biggest question marks on the defensive side of the ball in the secondary? Does Utah have the best home field advantage in the Big 12 in Salt Lake City, Utah at Rice Eccles Stadium? We talk it all and more on this Utah Utes edition of The College Football Experience. JOIN the SGPN community #DegensOnlyExclusive Merch, Contests and Bonus Episodes ONLY on Patreon - https://sg.pn/patreonDiscuss with fellow degens on Discord - https://sg.pn/discordDownload The Free SGPN App - https://sgpn.appCheck out the Sports Gambling Podcast on YouTube - https://sg.pn/YouTubeCheck out our website - http://sportsgamblingpodcast.comSUPPORT us by supporting our partnersCirca Sports - 16 MILLION in guaranteed prizes w/ Circa Survivor & Circa Millions - https://www.circasports.com/circa-sports-millionFootball Contest Proxy - Use promo code SGP to save $50 at - https://www.footballcontestproxy.com/Rithmm - Player Props and Picks - Free 7 day trial! http://sportsgamblingpodcast.com/rithmmUnderdog Fantasy code SGPN - Up to $250 in BONUS CASH - https://play.underdogfantasy.com/p-sgpnGametime code SGPN - Download the Gametime app, create an account, and use code SGPN for $20 off your first purchase - https://gametime.co/ADVERTISE with SGPNInterested in advertising? Contact sales@sgpn.io Follow The College Experience & SGPN On Social MediaTwitter - https://twitter.com/TCEonSGPNInstagram - http://www.instagram.com/TCEonSGPNTikTok - https://www.tiktok.com/@TCEonSGPNYoutube - https://www.youtube.com/@TheCollegeExperienceFollow The Hosts On Social MediaColby Dant - http://www.twitter.com/thecolbydPatty C - https://twitter.com/PattyC831NC Nick - https://twitter.com/NC__NicK
The College Football Experience (@TCEonSGPN) on the Sports Gambling Podcast Network sits down with Utah State Aggies head football coach Nate Dreiling to talk about the Utah State Aggies upcoming season. Pick Dundee aka (@TheColbyD) & Brock Vierra (@MNSToday) sit down with coach Dreiling and discuss the ride from Pittsburgh State to landing the DC role at New Mexico State under Jerry Kill to becoming the next head football coach of the Utah State Aggies.Is the 12 team college football playoff great for the sport of college football and the future moving forward? How will Utah State adapt to the type of defense Dreiling likes to use and can he turn around the Aggies of Utah State like he did with the Aggies of New Mexico State? What should we expect from Utah State this season and moving forward with Dreiling at the helm. We talk it all and more on this episode of The College Football Experience. JOIN the SGPN community #DegensOnlyExclusive Merch, Contests and Bonus Episodes ONLY on Patreon - https://sg.pn/patreonDiscuss with fellow degens on Discord - https://sg.pn/discordDownload The Free SGPN App - https://sgpn.appCheck out the Sports Gambling Podcast on YouTube - https://sg.pn/YouTubeCheck out our website - http://sportsgamblingpodcast.comSUPPORT us by supporting our partnersCirca Sports - 16 MILLION in guaranteed prizes w/ Circa Survivor & Circa Millions - https://www.circasports.com/circa-sports-millionFootball Contest Proxy - Use promo code SGP to save $50 at - https://www.footballcontestproxy.com/Rithmm - Player Props and Picks - Free 7 day trial! http://sportsgamblingpodcast.com/rithmmUnderdog Fantasy code SGPN - Up to $250 in BONUS CASH - https://play.underdogfantasy.com/p-sgpnGametime code SGPN - Download the Gametime app, create an account, and use code SGPN for $20 off your first purchase - https://gametime.co/ADVERTISE with SGPNInterested in advertising? Contact sales@sgpn.io Follow The College Experience & SGPN On Social MediaTwitter - https://twitter.com/TCEonSGPNInstagram - http://www.instagram.com/TCEonSGPNTikTok - https://www.tiktok.com/@TCEonSGPNYoutube - https://www.youtube.com/@TheCollegeExperienceFollow The Hosts On Social MediaColby Dant - http://www.twitter.com/thecolbydPatty C - https://twitter.com/PattyC831NC Nick - https://twitter.com/NC__NicK
The College Football Experience (@TCEonSGPN) on the Sports Gambling Podcast Network continues its 134 college football team preview series with the BYU Cougars 2024 Season Preview. Pick Dundee aka (@TheColbyD) & Patty C (@PattyC831) break down each and every game on the 2024 BYU Cougars football schedule and key in on the offense, defense, special teams and just how they will do in their 2nd season in the Big 12 Conference. What should we expect from BYU in 2024 and is Kalani Sitake perhaps on the hot seat in Provo, Utah?Is BYU the real QB U? Will it be Gerry Bohanon or Jake Retzlaff to start at QB when BYU hosts Southern Illinois? Is LJ Martin about to have a huge year at the RB spot for the Cougars? Will the BYU wideout room be the best its been in years with Darius Lassiter, Chase Roberts and Kody Epps? Is Cougars tight end Keanu Hill the next great BYU tight end? How will the BYU offensive line hold up in 2024 and should we be concerned?Does BYU have an improved defensive line in 2024 with the return of Tyler Batty and Isaiah Bagnah? How will the BYU Cougars look at linebacker with Ben Bywater, Harrison Taggart, and Jack Kelly? Should the Cougars secondary be the best unit on this defense with the return of Jakob Robinson, Raider Damuni, and Micah Harper? Does BYU have a favorable Big 12 Schedule? Is Lavell Edwards Stadium one of the best stadiums in America? We talk it all and more on this BYU Cougars edition of The College Football Experience. JOIN the SGPN community #DegensOnlyExclusive Merch, Contests and Bonus Episodes ONLY on Patreon - https://sg.pn/patreonDiscuss with fellow degens on Discord - https://sg.pn/discordDownload The Free SGPN App - https://sgpn.appCheck out the Sports Gambling Podcast on YouTube - https://sg.pn/YouTubeCheck out our website - http://sportsgamblingpodcast.comSUPPORT us by supporting our partnersCirca Sports - 16 MILLION in guaranteed prizes w/ Circa Survivor & Circa Millions - https://www.circasports.com/circa-sports-millionFootball Contest Proxy - Use promo code SGP to save $50 at - https://www.footballcontestproxy.com/Rithmm - Player Props and Picks - Free 7 day trial! http://sportsgamblingpodcast.com/rithmmUnderdog Fantasy code SGPN - Up to $250 in BONUS CASH - https://play.underdogfantasy.com/p-sgpnGametime code SGPN - Download the Gametime app, create an account, and use code SGPN for $20 off your first purchase - https://gametime.co/ADVERTISE with SGPNInterested in advertising? Contact sales@sgpn.io Follow The College Experience & SGPN On Social MediaTwitter - https://twitter.com/TCEonSGPNInstagram - http://www.instagram.com/TCEonSGPNTikTok - https://www.tiktok.com/@TCEonSGPNYoutube - https://www.youtube.com/@TheCollegeExperienceFollow The Hosts On Social MediaColby Dant - http://www.twitter.com/thecolbydPatty C - https://twitter.com/PattyC831NC Nick - https://twitter.com/NC__NicK
Join us for an electrifying episode of THE CIRCLE IS podCAST with Rachel True and Mat Auryn as we welcome special guest Celeste Brooks, an acclaimed astrologer and Program Director and a board member of the Organization of Professional Astrology (OPA) with a unique perspective on the cosmic influences shaping our world. Minutes before we recorded this podcast, shots were fired at Trump, though we didn't have details. Since we had Celeste on to talk about the state of the US and its astrology, we immediately jumped into that and have rushed this episode in the queue due to its timely nature. This episode dives into the astrology of the Trump shooting, uncovering the celestial dynamics at play during this critical event. We then explore the astrological profiles of Trump, Biden, and Harris as the election season heats up, offering insights into their potential paths and challenges. Celeste shares her personal journey as a black astrologer, navigating the transition from a Fortune 500 company to a professional astrologer, and the unique perspectives and challenges she brings to her practice. We also delve into the concept of the Astrologer of the United States and the nation's Pluto Return, discussing its implications for the country's future. We also discuss Project 2025 and its political and astrological significance, and stay tuned for a forecast for each zodiac sign this year.Celeste Links:Her website is https://www.astrologybyceleste.com/ Monthly New Moon Workshops live on Zoom with Celeste: https://www.astrologybyceleste.com/events Join Celeste in Park City Utah from Oct 16 – 21 at the OPA retreat for Moon Mastery™, a deep dive into all things about the Moon: https://opaastrology.org/register/opa-retreat-2024/
Dan Granger - Why is Sam so Sad? Seasonal Affective Disorder and Depression from a Child's Perspective. This is episode 691 of Teaching Learning Leading K12, an audio podcast. Dan Granger has coped with Seasonal Affective Disorder (SAD) every winter since he was a child growing up in Wisconsin. As a former teacher of 15 years, he combines his professional experiences and personal background to deliver an informative and inspiring children's book: Why Is Sam So Sad? Seasonal Affective Disorder and Depression from a Child's Perspective (Christian Faith Publishing). The son of an accountant and salesman, he received his bachelor's degree from University of Wisconsin Oshkosh Special Education LD/ED and earned a master's degree from University of Northern Arizona for Early Childhood Education. His adventurous side has been served by scuba-diving in Jamaica, mountain-biked down the hills of Park City Utah, jumping out of a plane twice, hiking from the bottom of the Grand Canyon to the top of Mount Humphries and then hiking to the top the top of Mount Timpanogos in Utah. He also jumped into the freezing cold waters during the polar plunge. Our focus today will be talking about Seasonal Affective Disorder and Dan's book - Why is Sam so Sad? Seasonal Affective Disorder and Depression from a Child's Perspective. So much to learn. Remember to share with your friends, colleagues, peers, family, and everyone else. Before you go... You could help support this podcast by Buying Me A Coffee. Not really buying me something to drink but clicking on the link on my home page at https://stevenmiletto.com for Buy Me a Coffee or by going to this link Buy Me a Coffee. This would allow you to donate to help the show address the costs associated with producing the podcast from upgrading gear to the fees associated with producing the show. That would be cool. Thanks for thinking about it. Hey, I've got another favor...could you share the podcast with one of your friends, colleagues, and family members? Hmmm? What do you think? Thank you! You are AWESOME! Thanks so much! Connect & Learn More: https://www.dan-granger.com/ https://www.facebook.com/profile.php?id=6155349998604 https://www.youtube.com/@dangrangerauthor http://linkedin.com/in/daniel-granger-593650123 https://www.amazon.com/Why-Sam-SAD-Depression-Perspective-ebook/dp/B0CM9QP3CB https://www.thechildrensbookreview.com/why-is-sam-so-sad-seasonal-affective-disorder-and-depression-from-a-childs-perspective-dedicated-review/ Length - 34:10
The College Football Experience (@TCEonSGPN) on the Sports Gambling Podcast Network continues its 134 college football team preview series with the Utah State Aggies 2024 Season Preview. Pick Dundee aka (@TheColbyD) & Patty C (@PattyC831) break down the upcoming Utah State Aggies 2024 offense, defense and special teams and key in on each and every game on the Aggies 2024 schedule. Is head coach Blake Anderson on the hot seat in Logan, Utah and what do we make of his new hire at defensive coordinator in Nate Dreiling coming over from New Mexico State?Will Spencer Petras be the starting QB for Utah State when they take on Robert Morris week 1 or will it be Bryson Barnes or CJ Tiller? Should we expect Utah State running back Rashul Faison to have a big time season for the Aggies? What do we make of the Aggies wideout room with the likes of Colby Bowman, Micah Davis, Jalen Royals and Noah Wright? Will tight end Broc Lane be one of the key pieces on the Utah State Aggies offense? Does the offensive line returning 4 of 5 mean the Aggies should be primed for a run in the Mountain West Conference?Can the Utah State Aggies improve the run defense in 2024? Is Jaiden Francois a name to watch out for in the linebacking room? Will the secondary be the strong suite for the Aggies defense with Avante Dickerson, Andre Seldon, Ike Larson and Jordan Vincent all labeled to start this fall? How will the kicking team look in 2024 and can the Aggies score some one score wins? What should we expect win total wise for the Utah State Aggies this season? We talk it all and more on this Utah State Aggies edition of The College Football Experience. JOIN the SGPN community #DegensOnlyExclusive Merch, Contests and Bonus Episodes ONLY on Patreon - https://sg.pn/patreonDiscuss with fellow degens on Discord - https://sg.pn/discordDownload The Free SGPN App - https://sgpn.appCheck out the Sports Gambling Podcast on YouTube - https://sg.pn/YouTubeCheck out our website - http://sportsgamblingpodcast.comSUPPORT us by supporting our partnersCirca Sports - 16 MILLION in guaranteed prizes w/ Circa Survivor & Circa Millions - https://www.circasports.com/circa-sports-millionFootball Contest Proxy - Use promo code SGP to save $50 at - https://www.footballcontestproxy.com/Rithmm - Player Props and Picks - Free 7 day trial! http://sportsgamblingpodcast.com/rithmmUnderdog Fantasy code SGPN - Up to $250 in BONUS CASH - https://play.underdogfantasy.com/p-sgpnGametime code SGPN - Download the Gametime app, create an account, and use code SGPN for $20 off your first purchase - https://gametime.co/ADVERTISE with SGPNInterested in advertising? Contact sales@sgpn.io Follow The College Experience & SGPN On Social MediaTwitter - https://twitter.com/TCEonSGPNInstagram - http://www.instagram.com/TCEonSGPNTikTok - https://www.tiktok.com/@TCEonSGPNYoutube - https://www.youtube.com/@TheCollegeExperienceFollow The Hosts On Social MediaColby Dant - http://www.twitter.com/thecolbydPatty C - https://twitter.com/PattyC831NC Nick - https://twitter.com/NC__NicK
On February 26, 2016, Terry Sanderson was skiing at Deer Valley Resort in Park City Utah. That same day, Gwyneth Paltrow, her significant other, and their children were also skiing there. Just before noon, Terry and Gwyneth collided on the hill. Three years later, Terry Sanderson filed a lawsuit against the actor turned lifestyle influencer for $300,000 in damages. Gwyneth Paltrow countersued for $1. The case went to trial in 2023 to determine who was at fault for their ski hill collision. Trigger Warning: Discussion of Sexual Assault Hang with us: Follow Us on Instagram Like Us on Facebook Join our Case Discussion Group on Facebook Get Killer Queens Merch Bonus Episodes Check Out our Amazing Sponsors: Honeylove: Get 20% OFF @honeylove by going to honeylove.com/QUEENS! #honeylovepod Want More Ways to Support the Show? Visit Our Amazon Storefront: Head over to killerqueenspodcast.com/links and scroll down to “Shop Our Style” or “Our Amazon Faves.” Here, you'll find all the posts you can shop with our unique links to each item as well as our Amazon Storefront where we have lists like: 90's Finds (curated by Tori with all the best 90's stuff like tomagotchis and my little ponies) Back to School Must-Haves Gift Ideas for Kiddos that Tyrella loves Podcast Essentials (if you've ever wanted to start your own) and more! Get Our First 44 Episodes Free: Want access to our first 45 episodes? Grab em here! We've made them available for free to anyone who signs up! Remember, these episodes were recorded when we had no idea what we were doing, so just keep that in mind. The audio isn't the quality we would want to put out now, but the cases are on point! Visit killerqueens.link/ogto download and binge all the archived episodes today! © 2024 Killer Queens Podcast. All Rights Reserved Audio Production by Wayfare Recording Music provided by Steven Tobi Logo designed by Sloane Williams of The Sophisticated Crayon YouTube Editing by Jennifer Da Silva
The Sundance Institute is seeking proposals for a new future location to host the Sundance Film Festival starting in 2027. KSL 5 TV's Carole Mikita joins Dave and Debbie to discuss.
In episode 002 of the Kiln.RoadTrip, created and produced by The Swell Pod, hosts Spencer McKeown and Josh Taylor interview Julian Castelli from Growth Elevated. They delve into Julian's extensive experience as a board director, operating partner, and executive coach. The conversation highlights the mission of Growth Elevated, which is to foster success among C-level tech executives through collaborative events, community forums, and thought leadership. Additionally, they discuss the annual Growth Elevated Ski and Tech Summit, an event that combines networking and skill development for tech leaders in a unique, engaging setting. About Julian Castelli: Julian is a dynamic tech executive and founder with over twenty years leading, advising and coaching high-growth technology companies. Julian has served in CEO, CFO and COO roles at companies ranging from Series A-D privately funded companies and as CFO of a public company. As an advisor, Julian has served on multiple Boards and as an executive coach to CEOs and all C-suite roles. Julian has also served Fortune 500 companies in a senior advisory capacity as a strategy consultant with McKinsey & Company and an investment banker with Goldman Sachs. Julian resides in Park City UT, where each year he hosts a Tech conference for C-level technology executives. About Growth Elevated: Growth Elevated is a community of C-Level tech execs dedicated to helping each other succeed through collaboration with events, community forums and thought leadership. https://growthelevated.com/ Follow Julian Castelli at: Linkedin Instagram @jcastelli66 Bullets: Julian's background and work at Growth Elevated Growth Elevated's mission and activities The annual Growth Elevated Ski and Tech Summit TimeStamps: The road trip and podcast (00:00:02) Introduction to the purpose and partners of the Kiln Road Trip podcast. Introduction to Julian Castelli (00:00:53) Introduction of Julian Castelli, his role at Growth Elevated, and the annual Growth Elevated Ski and Tech Summit. Julian's background and career (00:01:37) Julian's transition from corporate America to entrepreneurship and his current roles as an executive coach, investor, and advisor. Julian's personal background (00:02:31) Julian's family background, including being a first-generation American with an international family. Julian's coaching experience (00:02:52) Julian's experience coaching the Park City football team and the lessons learned from the season. Creating a community for tech entrepreneurs (00:04:44) Julian's motivation for creating a community to help tech entrepreneurs and the challenges they face. Growth Elevated Ski and Tech Summit (00:06:20) The organic evolution of the Growth Elevated Ski and Tech Summit, its purpose, and the value it provides to attendees. Growth Elevated's focus and partnerships (00:08:51) Julian's primary focus on the Growth Elevated Ski and Tech Summit and his work with tech companies. Community and event curation (00:10:44) The importance of bringing people together to address common challenges and the effectiveness of structured networking activities. Balancing facilitation and natural interactions (00:12:27) The balance between facilitating connections and allowing natural interactions to occur during the ski trip. Creating relationships within the community (00:15:38) The significance of building relationships within the community and the benefits of bringing team members to the event. Practical strategies for community events (00:17:02) The practical use of stickers to facilitate meaningful conversations and connections during the event. Challenges and Opportunities (00:17:31) Julian discusses the challenge of growing a community, learning about communities, and balancing organic growth with structure. Advice for Entrepreneurs (00:20:00) Julian shares advice for entrepreneurs, emphasizing the importance of community and allies in entrepreneurship and tech. The Role of Kiln (00:25:42) Julian expresses his love for Kiln Park City, highlighting the energy, serendipitous connections, and the importance of engaging with a community. Promoting the Growth Elevated Ski and Tech Summit (00:28:11) Julian invites entrepreneurs to attend the Growth Elevated Ski and Tech Summit and provides his LinkedIn for further information. Inspirational Coaches (00:28:38) Julian admires John Wooden's coaching approach and the wholesome lessons he shared, highlighting the impact of Wooden's success and teachings. Connecting to Previous Interview (00:29:09) The hosts connect the current interview to the previous one, promoting environmentally friendly back country skiers and snowboarders made with recycled plastic. #SwellPod, #KilnRoadTrip, #MarkMann, #BackcountrySwell, #recycledplastic, #sustainableoutdoorproducts, #Kiln, #MotorraCamperVans, #podcast, #interview, #innovation, #resilience, #communitybuilding, #passion, #purpose, #community, #diversity, #boarddirector, #operatingpartner, #growthelevated, #collaboration, #thoughtleadership
John Minahan from Blackdog Stone & Landscape in Park City UT was one of the first business owners to hop on board with SynkedUP. I got to interview him and pick his brain on what he saw in SynkedUP, and why he chose to jump on board with such an early-stage company. We got into interesting discussions on building systems and processes as his business grew. Give John a follow! https://www.instagram.com/blackdog_stone_landscape Landscape Design & Build Services in Park City, Utah & Surrounding Areas | Professional Results If you're interested in learning more about SynkedUP, check us out: SynkedUP - Landscape Business Management Software https://synkedup.com/
Gary K4AAQ just got back from a week of skiing
Welcome to Sundance and Slamdance 2024! Since this is our 6th year covering both film festivals (which coincide at the same time) and our fourth time in Park City, UT, we think we have FINALLY found the perfect work/chill/fun life balance. But of course, we're still Bitch Talk, so get your ears ready for some crazy hijinks and random acts of magic!We talk hot tubbing, our cabin that was filled with badass Bay Area women in media, David Alan Grier making everyone laugh on the red carpet, Ange losing her voice, how we got Lionel Ritchie to sign Erin's record, Malia Obama and tuna tartare, being VIPs at The Black Keys concert, and an "oh shit" heart dropping moment with a twist.For recent info on Utah's hateful anti-Trans legislation, click here .Visit Equality Utah to find out how you can help.Cover art photo by Dia Dipasupil for Getty.--Thanks for listening and for your support! We couldn't have reached 10 years, 700 episodes or Best of the Bay Best Podcast in 2022 & 2023 without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram & FacebookListen every Tuesday at 9 - 10 am on BFF.FM
In the latest episode of the Bourbon Lens podcast, Jake sits down with Tara Lindley and Holly Booth of High West Whiskey. Tara and Holly play pivotal roles in helping consumers get to know High West by creating the whiskey and running the hospitality program. You don't have to look very hard to see the stamp these women have placed on the Utah-based whiskey company. Stream this episode on your favorite podcast app and be sure to drop us a review while you're there. We are thankful for everyone who has supported us over the last 5 years. The biggest shoutout to our growing Patreon Community of supporters! As always, we'd appreciate it if you would take a few minutes time to give us feedback on Bourbon Lens podcast. If you enjoy our content, consider giving us a 5 Star rating on your favorite podcast app, leave us a written review, and tell a fellow bourbon lover about our show. Follow us @BourbonLens on Instagram, Facebook, & Twitter. And please check out our Patreon to learn how you can support our endeavors, earn Bourbon Lens swag, be part of Bourbon Lens Tasting Club, and more. If you have any comments, questions, or suggestions, please email us at Info@BourbonLens.com. Check out our BourbonLens.com to read our blog posts, whiskey news, podcast archive, and whiskey reviews. Cheers,Scott and JakeBourbon Lens About Tara Lindley Tara, High West's Sensory QA & Product Development Manager, began her career in the beverage industry in the wine world, making the switch to spirits upon joining the High West team. She now oversees sensory evaluations, alongside Master Distiller Brendan Coyle and Blending and Distilling Manager Isaac Winter, and guides decisions for new and seasonal blends. Over time, Tara has harnessed her confidence and cemented herself as an innovator. About Holly Booth Throughout her time at High West, Holly ascended to lead bartender and teamed up with Steve Walton, now High West's director of hospitality, to grow the unique and cutting edge High West bar program. Holly aims to craft distinctive and impactful cocktails that celebrate whiskey and the beauty of the American West. One of Holly's biggest challenges has been proving that whiskey itself isn't just a man's drink. About High West Whiskey: Utah's first legal distillery since 1870, High West's passion is crafting delicious and distinctive whiskeys and helping people appreciate whiskey all in the context of our home, the American West. High West offers an outstanding collection of highly rated whiskeys in finer liquor stores, bars, and restaurants in all 50 U.S. states and internationally. High West was honored to receive Whisky Advocate's prestigious Distiller of the Year award in 2016. The ultimate authority on whisky said, “High West delivers innovative and delicious whiskeys, expands the definition of what it is to be a distiller, and pioneered a successful new paradigm for craft distilling.” High West's must-visit locations include our High West Distillery in Wanship, Utah, a 30,000 square foot world-class distillery and visitor center featuring educational tours and High West's unique country-western cuisine; and our High West Distillery & Saloon in historic Old Town Park City, the world's only ski-in gastro distillery that was voted “Best Park City Restaurant” by readers of City Weekly. It has received multiple accolades including earning Best Après Ski Bar in Utah by USA TODAY's 10Best being named a finalist in the 2020 Park City's Best Awards for Best Après Ski, a nomination for Best Bar by the James Beard Foundation, and a top-10 ranking on The Daily Meal's list of 150 Best Bars in America.
Transforming The Toddler Years - Conscious Moms Raising World & Kindergarten Ready Kids
In this episode, Cara and Kate celebrate the one-year anniversary of Cara's podcast, during which they discuss Kate's journey of conscious parenting as a single mom and her transition from pandemic mom to pursuing her passion for music, emphasizing the importance of self-growth and self-confidence in motherhood. Kate Chanson is a full time single mama and professional musician based in Park City Utah. She founded the Conscious Mamas Movement and is now serving mothers through her songwriting. Her first album that speaks to her experience being thrust into single motherhood and learning to thrive against remarkable obstacles comes out this winter. Find more on her website and follow her on Instagram! Enrollment for the Winter Cohort of the Transforming the Toddler Years Course is open! Join a small group of like-minded mamas here and we'll transform the toddler years together! About Your Host: Cara Tyrrell, M.Ed is a Vermont-based Early Childhood Educator, Conscious Parenting Coach, and the founder of Core4Parenting. She is the passionate mastermind behind the Collaborative Parenting Methodology(™), a birth-to-five, soul and science-based framework that empowers parents to maximize their child's early learning while raising fantastic human beings who succeed in school and life. While teaching preschool and Kindergarten, she noticed her students knew their ABC's and 123's, but struggled with their social, emotional, and interpersonal skills. At drop-off, parents would say, “We're so glad that you are their first teacher”, but she knew she wasn't -- their parents were! This realization led to her professional pivot as an online Early Childhood Parent Educator and Coach. Cara has embraced her role as a thought leader and fierce advocate for Pandemic parents raising the COVID Generation (GEN-C). Through keynotes, teacher training, and her podcast, Transforming the Toddler Years, she's teaching the 5 Executive Functioning Skills kids need to navigate our ever-changing world. Cara holds degrees in American Sign Language (ASL) and Linguistics and a Master's degree in Education. She lives in southern Vermont with her two nearly grown-and-flown daughters and a husband who is her biggest cheerleader. Ready to raise world-ready kids who change the world? Visit www.caratyrrell.com/bio to begin your Collaborative Parenting journey! --- Send in a voice message: https://podcasters.spotify.com/pod/show/core4parenting/message
“We are 100% organic. It's amazing what these women do, they do it all by hand. There's no machinery. It's all muscle and all hard work, and the guests love to see that. They see what that produces and the value in doing it the way that we do it. I think a lot of people take that home with them. That's an experience that really can transform the way you do things when you learn where your food comes from.” We're in great company with Barb Phillips, Owner of The Lodge at Blue Sky, a member of the Auberge Resorts Collection, where she and her husband Mike transformed their working ranch outside of Park City, Utah into a luxury nature retreat, wanting to share the peace of their land with the world, deciding to invite guests along their adventure. Set on 3,500 private acres surrounded by dramatic soaring peaks, high alpine fields, lush elk-dotted hillsides and a spring-fed creek, the intimate resort invites guests to reconnect with the natural environment in understated elegance, with organic architecture and cuisine that showcases the majesty of the land. In this episode, Barb shares how her whirlwind of worldly travels and career experiences left her in the hands, or should we say, hooves, of a neglected horse named Gracie, and how this chance connection led to her calling in creating The Saving Gracie Foundation and Gracie's Farm, the spirit behind The Lodge at Blue Sky. Top Takeaways [1:45] Barb Phillips blissfully shares memorable life lessons of how things didn't go to plan but instead happened organically, and with that how a bit of naiveté and perseverance got her through. [6:40] The story of a “Horse Thief,” her connection with a young horse named Gracie, and the series of events that changed their futures for good. [15:00] Cowboys and whiskey…what could be more Wild West? That's exactly what the Phillips thought as they invited High West Distillery to build out their business on their property. [21:30] No matter where you stay at the lodge, if you look out your window or soak in your patio view, there's a chance your neighbors could be mountain lions, deer, moose, oh my! [24:30] Some of the most bountiful flavors and favorite guest experiences are curated at Gracie's Farm where a female-led team of ‘FarmHers' cultivate deep, profound connections with the land, animals and people of Blue Sky. [33:30] Take your pick or try them all - from horseback riding to a 1800's tavern to planting seeds and harvesting vegetables, from hiking with a biologist in search of elk to snowshoeing, skiing, and dogsledding through fresh fallen snow, from culinary and charcuterie classes to craft cocktail, wine and honey tastings. [37:10] It's a winter wonderland at The Lodge at Blue Sky with horse drawn carriages, a cozy yurt dining experience amidst the snow, exclusive helicopter access to back country skiing, and a private hideaway on the slopes at Park City. Notable Mentions Blue Sky by the Allman Brothers Band Throwdow with Bobby Flay Katina & Kyle Connaughton of SingleThread Farms Visit For Yourself The Lodge at Blue Sky Website | @blueskyauberge The World's 50 Best Hotels YouTube Video Saving Gracie Foundation Website | @savinggraciefoundation_ Stay In Good Company Website
This episode of Big Blend Radio's “Food, Wine & Travel” Show with IFWTWA features Dan Howard, VP Of Communications at Visit Park City, who shares what to experience in Park City, Utah, a world-renowned destination for outdoor adventure and mountain town charm. While working to become a leader in sustainable tourism, Park City offers year-round recreation, stunning scenery, a vibrant cultural and culinary scene, and a historic Main Street lined with charming shops, delightful restaurants, and cozy cafes. Park City is one of the most accessible year-round destinations in North America, and is located just 25 miles southeast of Salt Lake City International Airport. Plan your visit: https://www.visitparkcity.com/ For more about the International Food, Wine & Travel Writers Association (IFWTWA) visit https://www.ifwtwa.org/ Hosted on Acast. See acast.com/privacy for more information.
Brandon Fong: Where do I even begin with this incredible human!?He has the biggest heart, a true gift for connecting people together and creating meaningful gatherings, and a curious explorer of life.I met Brandon inside of a virtual mastermind, but a year later I flew to Park City Utah to meet him in person at a retreat he created for visionary entrepreneurs.I genuinely enjoy my conversations with Brandon, whether they're recorded or not, and today I get to share one of them with you.We're talking about…How he got into entrepreneurship, His start in the restaurant industry and in network marketing,And how he found his purpose for creating a more deeply connected worldThe Ikea Effect & MORE!And what's really fun too is that I also recorded an episode for Brandon's podcast, the Beyond Curious Podcast, where Brandon is on a mission each week to create a more deeply connected world by catalyzing curiosity. He has high energy and the largest heart, and honestly I don't know why you WOULDN'T want to have someone so passionate as a friend, a colleague and person you can call on with questions about life and business. I wouldn't have jumped on a plane and flown to the USA if I didn't think this human was awesome. Connect With Brandon (Website)https://gobeyondcurious.com/aboutConnect With Brandon (LinkedIn)https://www.linkedin.com/in/brandonsfong/Connect With Kelsey |https://www.kelseyreidl.com/Join The Mastermind |https://www.kelseyreidl.com/mastermindApply for 1:1 Coaching |https://www.kelseyreidl.com/visionary-marketing-coachingEnroll ASAP in Everyday SEO™ |https://kelseyreidl.lpages.co/seo/ Visionary Mama: Fresh Content About Pregnancy, Fertility & Entering Motherhood | https://www.kelseyreidl.com/mama
Hear the inspiring story school food waste solution journey of Shelby Cornett, The Park City School District Sustainability Coordinator in Park City Utah.
Looking for the best plumbing, electrical, and HVAC services in Park City? Whether your home challenge is big or small, Hot and Soft Home Services (801-693-4445) will fix it all! Go to https://hotandsofthomeservices.com/locations/plumber-park-city-utah/ for more details. Hot and Soft Home Services City: Sandy Address: 9690 S 300 W Website https://hotandsofthomeservices.com/ Phone +1 801 800 8440 Email office@hotandsofthomeservices.com
We finally complete our mini-series on the 1980s movies released by Miramax Films in 1989, a year that included sex, lies, and videotape, and My Left Foot. ----more---- TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today. On this episode, we complete our look back at the 1980s theatrical releases for Miramax Films. And, for the final time, a reminder that we are not celebrating Bob and Harvey Weinstein, but reminiscing about the movies they had no involvement in making. We cannot talk about cinema in the 1980s without talking about Miramax, and I really wanted to get it out of the way, once and for all. As we left Part 4, Miramax was on its way to winning its first Academy Award, Billie August's Pelle the Conquerer, the Scandinavian film that would be second film in a row from Denmark that would win for Best Foreign Language Film. In fact, the first two films Miramax would release in 1989, the Australian film Warm Night on a Slow Moving Train and the Anthony Perkins slasher film Edge of Sanity, would not arrive in theatres until the Friday after the Academy Awards ceremony that year, which was being held on the last Wednesday in March. Warm Nights on a Slow Moving Train stars Wendy Hughes, the talented Australian actress who, sadly, is best remembered today as Lt. Commander Nella Daren, one of Captain Jean-Luc Picard's few love interests, on a 1993 episode of Star Trek: The Next Generation, as Jenny, a prostitute working a weekend train to Sydney, who is seduced by a man on the train, unaware that he plans on tricking her to kill someone for him. Colin Friels, another great Aussie actor who unfortunately is best known for playing the corrupt head of Strack Industries in Sam Raimi's Darkman, plays the unnamed man who will do anything to get what he wants. Director Bob Ellis and his co-screenwriter Denny Lawrence came up with the idea for the film while they themselves were traveling on a weekend train to Sydney, with the idea that each client the call girl met on the train would represent some part of the Australian male. Funding the $2.5m film was really simple… provided they cast Hughes in the lead role. Ellis and Lawrence weren't against Hughes as an actress. Any film would be lucky to have her in the lead. They just felt she she didn't have the right kind of sex appeal for this specific character. Miramax would open the film in six theatres, including the Cineplex Beverly Center in Los Angeles and the Fashion Village 8 in Orlando, on March 31st. There were two versions of the movie prepared, one that ran 130 minutes and the other just 91. Miramax would go with the 91 minute version of the film for the American release, and most of the critics would note how clunky and confusing the film felt, although one critic for the Village Voice would have some kind words for Ms. Hughes' performance. Whether it was because moviegoers were too busy seeing the winners of the just announced Academy Awards, including Best Picture winner Rain Man, or because this weekend was also the opening weekend of the new Major League Baseball season, or just turned off by the reviews, attendance at the theatres playing Warm Nights on a Slow Moving Train was as empty as a train dining car at three in the morning. The Beverly Center alone would account for a third of the movie's opening weekend gross of $19,268. After a second weekend at the same six theatres pocketing just $14,382, this train stalled out, never to arrive at another station. Their other March 31st release, Edge of Sanity, is notable for two things and only two things: it would be the first film Miramax would release under their genre specialty label, Millimeter Films, which would eventually evolve into Dimension Films in the next decade, and it would be the final feature film to star Anthony Perkins before his passing in 1992. The film is yet another retelling of the classic 1886 Robert Louis Stevenson story The Strange Case of Doctor Jekyll and Mister Hyde, with the bonus story twist that Hyde was actually Jack the Ripper. As Jekyll, Perkins looks exactly as you'd expect a mid-fifties Norman Bates to look. As Hyde, Perkins is made to look like he's a backup keyboardist for the first Nine Inch Nails tour. Head Like a Hole would have been an appropriate song for the end credits, had the song or Pretty Hate Machine been released by that time, with its lyrics about bowing down before the one you serve and getting what you deserve. Edge of Sanity would open in Atlanta and Indianapolis on March 31st. And like so many other Miramax releases in the 1980s, they did not initially announce any grosses for the film. That is, until its fourth weekend of release, when the film's theatre count had fallen to just six, down from the previous week's previously unannounced 35, grossing just $9,832. Miramax would not release grosses for the film again, with a final total of just $102,219. Now when I started this series, I said that none of the films Miramax released in the 1980s were made by Miramax, but this next film would become the closest they would get during the decade. In July 1961, John Profumo was the Secretary of State for War in the conservative government of British Prime Minister Harold Macmillan, when the married Profumo began a sexual relationship with a nineteen-year-old model named Christine Keeler. The affair was very short-lived, either ending, depending on the source, in August 1961 or December 1961. Unbeknownst to Profumo, Keeler was also having an affair with Yevgeny Ivanov, a senior naval attache at the Soviet Embassy at the same time. No one was the wiser on any of this until December 1962, when a shooting incident involving two other men Keeler had been involved with led the press to start looking into Keeler's life. While it was never proven that his affair with Keeler was responsible for any breaches of national security, John Profumo was forced to resign from his position in June 1963, and the scandal would take down most of the Torie government with him. Prime Minister Macmillan would resign due to “health reasons” in October 1963, and the Labour Party would take control of the British government when the next elections were held in October 1964. Scandal was originally planned in the mid-1980s as a three-part, five-hour miniseries by Australian screenwriter Michael Thomas and American music producer turned movie producer Joe Boyd. The BBC would commit to finance a two-part, three-hour miniseries, until someone at the network found an old memo from the time of the Profumo scandal that forbade them from making any productions about it. Channel 4, which had been producing quality shows and movies for several years since their start in 1982, was approached, but rejected the series on the grounds of taste. Palace Pictures, a British production company who had already produced three films for Neil Jordan including Mona Lisa, was willing to finance the script, provided it could be whittled down to a two hour movie. Originally budgeted at 3.2m British pounds, the costs would rise as they started the casting process. John Hurt, twice Oscar-nominated for his roles in Midnight Express and The Elephant Man, would sign on to play Stephen Ward, a British osteopath who acted as Christine Keeler's… well… pimp, for lack of a better word. Ian McKellen, a respected actor on British stages and screens but still years away from finding mainstream global success in the X-Men movies, would sign on to play John Profumo. Joanne Whaley, who had filmed the yet to be released at that time Willow with her soon to be husband Val Kilmer, would get her first starring role as Keeler, and Bridget Fonda, who was quickly making a name for herself in the film world after being featured in Aria, would play Mandy Rice-Davies, the best friend and co-worker of Keeler's. To save money, Palace Pictures would sign thirty-year-old Scottish filmmaker Michael Caton-Jones to direct, after seeing a short film he had made called The Riveter. But even with the neophyte feature filmmaker, Palace still needed about $2.35m to be able to fully finance the film. And they knew exactly who to go to. Stephen Woolley, the co-founder of Palace Pictures and the main producer on the film, would fly from London to New York City to personally pitch Harvey and Bob Weinstein. Woolley felt that of all the independent distributors in America, they would be the ones most attracted to the sexual and controversial nature of the story. A day later, Woolley was back on a plane to London. The Weinsteins had agreed to purchase the American distribution rights to Scandal for $2.35m. The film would spend two months shooting in the London area through the summer of 1988. Christine Keeler had no interest in the film, and refused to meet the now Joanne Whaley-Kilmer to talk about the affair, but Mandy Rice-Davies was more than happy to Bridget Fonda about her life, although the meetings between the two women were so secret, they would not come out until Woolley eulogized Rice-Davies after her 2014 death. Although Harvey and Bob would be given co-executive producers on the film, Miramax was not a production company on the film. This, however, did not stop Harvey from flying to London multiple times, usually when he was made aware of some sexy scene that was going to shoot the following day, and try to insinuate himself into the film's making. At one point, Woolley decided to take a weekend off from the production, and actually did put Harvey in charge. That weekend's shoot would include a skinny-dipping scene featuring the Christine Keeler character, but when Whaley-Kilmer learned Harvey was going to be there, she told the director that she could not do the nudity in the scene. Her new husband was objecting to it, she told them. Harvey, not skipping a beat, found a lookalike for the actress who would be willing to bare all as a body double, and the scene would begin shooting a few hours later. Whaley-Kilmer watched the shoot from just behind the camera, and stopped the shoot a few minutes later. She was not happy that the body double's posterior was notably larger than her own, and didn't want audiences to think she had that much junk in her trunk. The body double was paid for her day, and Whaley-Kilmer finished the rest of the scene herself. Caton-Jones and his editing team worked on shaping the film through the fall, and would screen his first edit of the film for Palace Pictures and the Weinsteins in November 1988. And while Harvey was very happy with the cut, he still asked the production team for a different edit for American audiences, noting that most Americans had no idea who Profumo or Keeler or Rice-Davies were, and that Americans would need to understand the story more right out of the first frame. Caton-Jones didn't want to cut a single frame, but he would work with Harvey to build an American-friendly cut. While he was in London in November 1988, he would meet with the producers of another British film that was in pre-production at the time that would become another important film to the growth of the company, but we're not quite at that part of the story yet. We'll circle around to that film soon. One of the things Harvey was most looking forward to going in to 1989 was the expected battle with the MPAA ratings board over Scandal. Ever since he had seen the brouhaha over Angel Heart's X rating two years earlier, he had been looking for a similar battle. He thought he had it with Aria in 1988, but he knew he definitely had it now. And he'd be right. In early March, just a few weeks before the film's planned April 21st opening day, the MPAA slapped an X rating on Scandal. The MPAA usually does not tell filmmakers or distributors what needs to be cut, in order to avoid accusations of actual censorship, but according to Harvey, they told him exactly what needed to be cut to get an R: a two second shot during an orgy scene, where it appears two background characters are having unsimulated sex. So what did Harvey do? He spent weeks complaining to the press about MPAA censorship, generating millions in free publicity for the film, all the while already having a close-up shot of Joanne Whaley-Kilmer's Christine Keeler watching the orgy but not participating in it, ready to replace the objectionable shot. A few weeks later, Miramax screened the “edited” film to the MPAA and secured the R rating, and the film would open on 94 screens, including 28 each in the New York City and Los Angeles metro regions, on April 28th. And while the reviews for the film were mostly great, audiences were drawn to the film for the Miramax-manufactured controversy as well as the key art for the film, a picture of a potentially naked Joanne Whaley-Kilmer sitting backwards in a chair, a mimic of a very famous photo Christine Keeler herself took to promote a movie about the Profumo affair she appeared in a few years after the events. I'll have a picture of both the Scandal poster and the Christine Keeler photo on this episode's page at The80sMoviePodcast.com Five other movies would open that weekend, including the James Belushi comedy K-9 and the Kevin Bacon drama Criminal Law, and Scandal, with $658k worth of ticket sales, would have the second best per screen average of the five new openers, just a few hundred dollars below the new Holly Hunter movie Miss Firecracker, which only opened on six screens. In its second weekend, Scandal would expand its run to 214 playdates, and make its debut in the national top ten, coming in tenth place with $981k. That would be more than the second week of the Patrick Dempsey rom-com Loverboy, even though Loverboy was playing on 5x as many screens. In weekend number three, Scandal would have its best overall gross and top ten placement, coming in seventh with $1.22m from 346 screens. Scandal would start to slowly fade after that, falling back out of the top ten in its sixth week, but Miramax would wisely keep the screen count under 375, because Scandal wasn't going to play well in all areas of the country. After nearly five months in theatres, Miramax would have its biggest film to date. Scandal would gross $8.8m. The second release from Millimeter Films was The Return of the Swamp Thing. And if you needed a reason why the 1980s was not a good time for comic book movies, here you are. The Return of the Swamp Thing took most of what made the character interesting in his comic series, and most of what was good from the 1982 Wes Craven adaptation, and decided “Hey, you know what would bring the kids in? Camp! Camp unseen in a comic book adaptation since the 1960s Batman series. They loved it then, they'll love it now!” They did not love it now. Heather Locklear, between her stints on T.J. Hooker and Melrose Place, plays the step-daughter of Louis Jourdan's evil Dr. Arcane from the first film, who heads down to the Florida swaps to confront dear old once presumed dead stepdad. He in turns kidnaps his stepdaughter and decides to do some of his genetic experiments on her, until she is rescued by Swamp Thing, one of Dr. Arcane's former co-workers who got turned into the gooey anti-hero in the first movie. The film co-stars Sarah Douglas from Superman 1 and 2 as Dr. Arcane's assistant, Dick Durock reprising his role as Swamp Thing from the first film, and 1980s B-movie goddess Monique Gabrielle as Miss Poinsettia. For director Jim Wynorski, this was his sixth movie as a director, and at $3m, one of the highest budgeted movies he would ever make. He's directed 107 movies since 1984, most of them low budget direct to video movies with titles like The Bare Wench Project and Alabama Jones and the Busty Crusade, although he does have one genuine horror classic under his belt, the 1986 sci-fi tinged Chopping Maul with Kelli Maroney and Barbara Crampton. Wynorski suggested in a late 1990s DVD commentary for the film that he didn't particularly enjoy making the film, and had a difficult time directing Louis Jourdan, to the point that outside of calling “action” and “cut,” the two didn't speak to each other by the end of the shoot. The Return of Swamp Thing would open in 123 theatres in the United States on May 12th, including 28 in the New York City metro region, 26 in the Los Angeles area, 15 in Detroit, and a handful of theatres in Phoenix, San Francisco. And, strangely, the newspaper ads would include an actual positive quote from none other than Roger Ebert, who said on Siskel & Ebert that he enjoyed himself, and that it was good to have Swamp Thing back. Siskel would not reciprocate his balcony partner's thumb up. But Siskel was about the only person who was positive on the return of Swamp Thing, and that box office would suffer. In its first three days, the film would gross just $119,200. After a couple more dismal weeks in theatres, The Return of Swamp Thing would be pulled from distribution, with a final gross of just $275k. Fun fact: The Return of Swamp Thing was produced by Michael E. Uslan, whose next production, another adaptation of a DC Comics character, would arrive in theatres not six weeks later and become the biggest film of the summer. In fact, Uslan has been a producer or executive producer on every Batman-related movie and television show since 1989, from Tim Burton to Christopher Nolan to Zack Snyder to Matt Reeves, and from LEGO movies to Joker. He also, because of his ownership of the movie rights to Swamp Thing, got the movie screen rights, but not the television screen rights, to John Constantine. Miramax didn't have too much time to worry about The Return of Swamp Thing's release, as it was happening while the Brothers Weinstein were at the 1989 Cannes Film Festival. They had two primary goals at Cannes that year: To buy American distribution rights to any movie that would increase their standing in the cinematic worldview, which they would achieve by picking up an Italian dramedy called, at the time, New Paradise Cinema, which was competing for the Palme D'Or with a Miramax pickup from Sundance back in January. Promote that very film, which did end up winning the Palme D'Or. Ever since he was a kid, Steven Soderbergh wanted to be a filmmaker. Growing up in Baton Rouge, LA in the late 1970s, he would enroll in the LSU film animation class, even though he was only 15 and not yet a high school graduate. After graduating high school, he decided to move to Hollywood to break into the film industry, renting an above-garage room from Stephen Gyllenhaal, the filmmaker best known as the father of Jake and Maggie, but after a few freelance editing jobs, Soderbergh packed up his things and headed home to Baton Rouge. Someone at Atco Records saw one of Soderbergh's short films, and hired him to direct a concert movie for one of their biggest bands at the time, Yes, who was enjoying a major comeback thanks to their 1983 triple platinum selling album, 90125. The concert film, called 9012Live, would premiere on MTV in late 1985, and it would be nominated for a Grammy Award for Best Long Form Music Video. Soderbergh would use the money he earned from that project, $7,500, to make Winston, a 12 minute black and white short about sexual deception that he would, over the course of an eight day driving trip from Baton Rouge to Los Angeles, expand to a full length screen that he would call sex, lies and videotape. In later years, Soderbergh would admit that part of the story is autobiographical, but not the part you might think. Instead of the lead, Graham, an impotent but still sexually perverse late twentysomething who likes to tape women talking about their sexual fantasies for his own pleasure later, Soderbergh based the husband John, the unsophisticated lawyer who cheats on his wife with her sister, on himself, although there would be a bit of Graham that borrows from the filmmaker. Like his lead character, Soderbergh did sell off most of his possessions and hit the road to live a different life. When he finished the script, he sent it out into the wilds of Hollywood. Morgan Mason, the son of actor James Mason and husband of Go-Go's lead singer Belinda Carlisle, would read it and sign on as an executive producer. Soderbergh had wanted to shoot the film in black and white, like he had with the Winston short that lead to the creation of this screenplay, but he and Mason had trouble getting anyone to commit to the project, even with only a projected budget of $200,000. For a hot moment, it looked like Universal might sign on to make the film, but they would eventually pass. Robert Newmyer, who had left his job as a vice president of production and acquisitions at Columbia Pictures to start his own production company, signed on as a producer, and helped to convince Soderbergh to shoot the film in color, and cast some name actors in the leading roles. Once he acquiesced, Richard Branson's Virgin Vision agreed to put up $540k of the newly budgeted $1.2m film, while RCA/Columbia Home Video would put up the remaining $660k. Soderbergh and his casting director, Deborah Aquila, would begin their casting search in New York, where they would meet with, amongst others, Andie MacDowell, who had already starred in two major Hollywood pictures, 1984's Greystoke: The Legend of Tarzan, Lord of the Apes, and 1985's St. Elmo's Fire, but was still considered more of a top model than an actress, and Laura San Giacomo, who had recently graduated from the Carnegie Mellon School of Drama in Pittsburgh and would be making her feature debut. Moving on to Los Angeles, Soderbergh and Aquila would cast James Spader, who had made a name for himself as a mostly bad guy in 80s teen movies like Pretty in Pink and Less Than Zero, but had never been the lead in a drama like this. At Spader's suggestion, the pair met with Peter Gallagher, who was supposed to become a star nearly a decade earlier from his starring role in Taylor Hackford's The Idolmaker, but had mostly been playing supporting roles in television shows and movies for most of the decade. In order to keep the budget down, Soderbergh, the producers, cinematographer Walt Lloyd and the four main cast members agreed to get paid their guild minimums in exchange for a 50/50 profit participation split with RCA/Columbia once the film recouped its costs. The production would spend a week in rehearsals in Baton Rouge, before the thirty day shoot began on August 1st, 1988. On most days, the shoot was unbearable for many, as temperatures would reach as high as 110 degrees outside, but there were a couple days lost to what cinematographer Lloyd said was “biblical rains.” But the shoot completed as scheduled, and Soderbergh got to the task of editing right away. He knew he only had about eight weeks to get a cut ready if the film was going to be submitted to the 1989 U.S. Film Festival, now better known as Sundance. He did get a temporary cut of the film ready for submission, with a not quite final sound mix, and the film was accepted to the festival. It would make its world premiere on January 25th, 1989, in Park City UT, and as soon as the first screening was completed, the bids from distributors came rolling in. Larry Estes, the head of RCA/Columbia Home Video, would field more than a dozen submissions before the end of the night, but only one distributor was ready to make a deal right then and there. Bob Weinstein wasn't totally sold on the film, but he loved the ending, and he loved that the word “sex” not only was in the title but lead the title. He knew that title alone would sell the movie. Harvey, who was still in New York the next morning, called Estes to make an appointment to meet in 24 hours. When he and Estes met, he brought with him three poster mockups the marketing department had prepared, and told Estes he wasn't going to go back to New York until he had a contract signed, and vowed to beat any other deal offered by $100,000. Island Pictures, who had made their name releasing movies like Stop Making Sense, Kiss of the Spider-Woman, The Trip to Bountiful and She's Gotta Have It, offered $1m for the distribution rights, plus a 30% distribution fee and a guaranteed $1m prints and advertising budget. Estes called Harvey up and told him what it would take to make the deal. $1.1m for the distribution rights, which needed to paid up front, a $1m P&A budget, to be put in escrow upon the signing of the contract until the film was released, a 30% distribution fee, no cutting of the film whatsoever once Soderbergh turns in his final cut, they would need to provide financial information for the films costs and returns once a month because of the profit participation contracts, and the Weinsteins would have to hire Ira Deutchman, who had spent nearly 15 years in the independent film world, doing marketing for Cinema 5, co-founding United Artists Classics, and co-founding Cinecom Pictures before opening his own company to act as a producers rep and marketer. And the Weinsteins would not only have to do exactly what Deutchman wanted, they'd have to pay for his services too. The contract was signed a few weeks later. The first move Miramax would make was to get Soderbergh's final cut of the film entered into the Cannes Film Festival, where it would be accepted to compete in the main competition. Which you kind of already know what happened, because that's what I lead with. The film would win the Palme D'Or, and Spader would be awarded the festival's award for Best Actor. It was very rare at the time, and really still is, for any film to be awarded more than one prize, so winning two was really a coup for the film and for Miramax, especially when many critics attending the festival felt Spike Lee's Do the Right Thing was the better film. In March, Miramax expected the film to make around $5-10m, which would net the company a small profit on the film. After Cannes, they were hopeful for a $15m gross. They never expected what would happen next. On August 4th, sex, lies, and videotape would open on four screens, at the Cinema Studio in New York City, and at the AMC Century 14, the Cineplex Beverly Center 13 and the Mann Westwood 4 in Los Angeles. Three prime theatres and the best they could do in one of the then most competitive zones in all America. Remember, it's still the Summer 1989 movie season, filled with hits like Batman, Dead Poets Society, Ghostbusters 2, Indiana Jones and the Last Crusade, Honey I Shrunk the Kids, Lethal Weapon 2, Parenthood, Turner & Hooch, and When Harry Met Sally. An independent distributor even getting one screen at the least attractive theatre in Westwood was a major get. And despite the fact that this movie wasn't really a summertime movie per se, the film would gross an incredible $156k in its first weekend from just these four theatres. Its nearly $40k per screen average would be 5x higher than the next closest film, Parenthood. In its second weekend, the film would expand to 28 theatres, and would bring in over $600k in ticket sales, its per screen average of $21,527 nearly triple its closest competitor, Parenthood again. The company would keep spending small, as it slowly expanded the film each successive week. Forty theatres in its third week, and 101 in its fourth. The numbers held strong, and in its fifth week, Labor Day weekend, the film would have its first big expansion, playing in 347 theatres. The film would enter the top ten for the first time, despite playing in 500 to 1500 fewer theatres than the other films in the top ten. In its ninth weekend, the film would expand to its biggest screen count, 534, before slowly drawing down as the other major Oscar contenders started their theatrical runs. The film would continue to play through the Oscar season of 1989, and when it finally left theatres in May 1989, its final gross would be an astounding $24.7m. Now, remember a few moments ago when I said that Miramax needed to provide financial statements every month for the profit participation contracts of Soderbergh, the producers, the cinematographer and the four lead actors? The film was so profitable for everyone so quickly that RCA/Columbia made its first profit participation payouts on October 17th, barely ten weeks after the film's opening. That same week, Soderbergh also made what was at the time the largest deal with a book publisher for the writer/director's annotated version of the screenplay, which would also include his notes created during the creation of the film. That $75,000 deal would be more than he got paid to make the movie as the writer and the director and the editor, not counting the profit participation checks. During the awards season, sex, lies, and videotape was considered to be one of the Oscars front runners for Best Picture, Best Director, Best Screenplay and at least two acting nominations. The film would be nominated for Best Picture, Best Actress and Best Supporting Actress by the Golden Globes, and it would win the Spirit Awards for Best Picture, Soderbergh for Best Director, McDowell for Best Actress, and San Giacomo for Best Supporting Actress. But when the Academy Award nominations were announced, the film would only receive one nomination, for Best Original Screenplay. The same total and category as Spike Lee's Do the Right Thing, which many people also felt had a chance for a Best Picture and Best Director nomination. Both films would lose out to Tom Shulman's screenplay for Dead Poet's Society. The success of sex, lies, and videotape would launch Steven Soderbergh into one of the quirkiest Hollywood careers ever seen, including becoming the first and only director ever to be nominated twice for Best Director in the same year by the Motion Picture Academy, the Golden Globes and the Directors Guild of America, in 2001 for directing Erin Brockovich and Traffic. He would win the Oscar for directing Traffic. Lost in the excitement of sex, lies, and videotape was The Little Thief, a French movie that had an unfortunate start as the screenplay François Truffaut was working on when he passed away in 1984 at the age of just 52. Directed by Claude Miller, whose principal mentor was Truffaut, The Little Thief starred seventeen year old Charlotte Gainsbourg as Janine, a young woman in post-World War II France who commits a series of larcenies to support her dreams of becoming wealthy. The film was a modest success in France when it opened in December 1988, but its American release date of August 25th, 1989, was set months in advance. So when it was obvious sex, lies, and videotape was going to be a bigger hit than they originally anticipated, it was too late for Miramax to pause the release of The Little Thief. Opening at the Lincoln Plaza Cinemas in New York City, and buoyed by favorable reviews from every major critic in town, The Little Thief would see $39,931 worth of ticket sales in its first seven days, setting a new house record at the theatre for the year. In its second week, the gross would only drop $47. For the entire week. And when it opened at the Royal Theatre in West Los Angeles, its opening week gross of $30,654 would also set a new house record for the year. The film would expand slowly but surely over the next several weeks, often in single screen playdates in major markets, but it would never play on more than twenty-four screens in any given week. And after four months in theatres, The Little Thief, the last movie created one of the greatest film writers the world had ever seen, would only gross $1.056m in the United States. The next three releases from Miramax were all sent out under the Millimeter Films banner. The first, a supernatural erotic drama called The Girl in a Swing, was about an English antiques dealer who travels to Copenhagen where he meets and falls in love with a mysterious German-born secretary, whom he marries, only to discover a darker side to his new bride. Rupert Frazer, who played Christian Bale's dad in Steven Spielberg's Empire of the Sun, plays the antique dealer, while Meg Tilly the mysterious new bride. Filmed over a five week schedule in London and Copenhagen during May and June 1988, some online sources say the film first opened somewhere in California in December 1988, but I cannot find a single theatre not only in California but anywhere in the United States that played the film before its September 29th, 1989 opening date. Roger Ebert didn't like the film, and wished Meg Tilly's “genuinely original performance” was in a better movie. Opening in 26 theatres, including six theatres each in New York City and Los Angeles, and spurred on by an intriguing key art for the film that featured a presumed naked Tilly on a swing looking seductively at the camera while a notice underneath her warns that No One Under 18 Will Be Admitted To The Theatre, The Girl in a Swing would gross $102k, good enough for 35th place nationally that week. And that's about the best it would do. The film would limp along, moving from market to market over the course of the next three months, and when its theatrical run was complete, it could only manage about $747k in ticket sales. We'll quickly burn through the next two Millimeter Films releases, which came out a week apart from each other and didn't amount to much. Animal Behavior was a rather unfunny comedy featuring some very good actors who probably signed on for a very different movie than the one that came to be. Karen Allen, Miss Marion Ravenwood herself, stars as Alex, a biologist who, like Dr. Jane Goodall, develops a “new” way to communicate with chimpanzees via sign language. Armand Assante plays a cellist who pursues the good doctor, and Holly Hunter plays the cellist's neighbor, who Alex mistakes for his wife. Animal Behavior was filmed in 1984, and 1985, and 1987, and 1988. The initial production was directed by Jenny Bowen with the assistance of Robert Redford and The Sundance Institute, thanks to her debut film, 1981's Street Music featuring Elizabeth Daily. It's unknown why Bowen and her cinematographer husband Richard Bowen left the project, but when filming resumed again and again and again, those scenes were directed by the film's producer, Kjehl Rasmussen. Because Bowen was not a member of the DGA at the time, she was not able to petition the guild for the use of the Alan Smithee pseudonym, a process that is automatically triggered whenever a director is let go of a project and filming continues with its producer taking the reigns as director. But she was able to get the production to use a pseudonym anyway for the director's credit, H. Anne Riley, while also giving Richard Bowen a pseudonym of his own for his work on the film, David Spellvin. Opening on 24 screens on October 27th, Animal Behavior would come in 50th place in its opening weekend, grossing just $20,361. The New York film critics ripped the film apart, and there wouldn't be a second weekend for the film. The following Friday, November 3rd, saw the release of The Stepfather II, a rushed together sequel to 1987's The Stepfather, which itself wasn't a big hit in theatres but found a very quick and receptive audience on cable. Despite dying at the end of the first film, Terry O'Quinn's Jerry is somehow still alive, and institutionalized in Northern Washington state. He escapes and heads down to Los Angeles, where he assumes the identity of a recently deceased publisher, Gene Clifford, but instead passes himself off as a psychiatrist. Jerry, now Gene, begins to court his neighbor Carol, and the whole crazy story plays out again. Meg Foster plays the neighbor Carol, and Jonathan Brandis is her son. Director Jeff Burr had made a name for himself with his 1987 horror anthology film From a Whisper to a Scream, featuring Vincent Price, Clu Gulager and Terry Kiser, and from all accounts, had a very smooth shooting process with this film. The trouble began when he turned in his cut to the producers. The producers were happy with the film, but when they sent it to Miramax, the American distributors, they were rather unhappy with the almost bloodless slasher film. They demanded reshoots, which Burr and O'Quinn refused to participate in. They brought in a new director, Doug Campbell, to handle the reshoots, which are easy to spot in the final film because they look and feel completely different from the scenes they're spliced into. When it opened, The Stepfather II actually grossed slightly more than the first film did, earning $279k from 100 screens, compared to $260k for The Stepfather from 105 screens. But unlike the first film, which had some decent reviews when it opened, the sequel was a complete mess. To this day, it's still one of the few films to have a 0% approval rating on Rotten Tomatoes, and The Stepfather II would limp its way through theatres during the Christmas holiday season, ending its run with a $1.5m gross. But it would be their final film of the decade that would dictate their course for at least the first part of the 1990s. Remember when I said earlier in the episode that Harvey Weinstein meant with the producers of another British film while in London for Scandal? We're at that film now, a film you probably know. My Left Foot. By November 1988, actor Daniel Day-Lewis had starred in several movies including James Ivory's A Room With a View and Philip Kaufman's The Unbearable Lightness of Being. He had even been the lead in a major Hollywood studio film, Pat O'Connor's Stars and Bars, a very good film that unfortunately got caught up in the brouhaha over the exit of the studio head who greenlit the film, David Puttnam. The film's director, Jim Sheridan, had never directed a movie before. He had become involved in stage production during his time at the University College in Dublin in the late 1960s, where he worked with future filmmaker Neil Jordan, and had spent nearly a decade after graduation doing stage work in Ireland and Canada, before settling in New York City in the early 1980s. Sheridan would go to New York University's Tisch School of the Arts, where one of his classmates was Spike Lee, and return to Ireland after graduating. He was nearly forty, married with two pre-teen daughters, and he needed to make a statement with his first film. He would find that story in the autobiography of Irish writer and painter Christy Brown, whose spirit and creativity could not be contained by his severe cerebral palsy. Along with Irish actor and writer Shane Connaughton, Sheridan wrote a screenplay that could be a powerhouse film made on a very tight budget of less than a million dollars. Daniel Day-Lewis was sent a copy of the script, in the hopes he would be intrigued enough to take almost no money to play a physically demanding role. He read the opening pages, which had the adult Christy Brown putting a record on a record player and dropping the needle on to the record with his left foot, and thought to himself it would be impossible to film. That intrigued him, and he signed on. But during filming in January and February of 1989, most of the scenes were shot using mirrors, as Day-Lewis couldn't do the scenes with his left foot. He could do them with his right foot, hence the mirrors. As a method actor, Day-Lewis remained in character as Christy Brown for the entire two month shoot. From costume fittings and makeup in the morning, to getting the actor on set, to moving him around between shots, there were crew members assigned to assist the actor as if they were Christy Brown's caretakers themselves, including feeding him during breaks in shooting. A rumor debunked by the actor years later said Day-Lewis had broken two ribs during production because of how hunched down he needed to be in his crude prop wheelchair to properly play the character. The actor had done a lot of prep work to play the role, including spending time at the Sandymount School Clinic where the young Christy Brown got his education, and much of his performance was molded on those young people. While Miramax had acquired the American distribution rights to the film before it went into production, and those funds went into the production of the film, the film was not produced by Miramax, nor were the Weinsteins given any kind of executive producer credit, as they were able to get themselves on Scandal. My Left Foot would make its world premiere at the Montreal World Film Festival on September 4th, 1989, followed soon thereafter by screening at the Toronto International Film Festival on September 13th and the New York Film Festival on September 23rd. Across the board, critics and audiences were in love with the movie, and with Daniel Day-Lewis's performance. Jim Sheridan would receive a special prize at the Montreal World Film Festival for his direction, and Day-Lewis would win the festival's award for Best Actor. However, as the film played the festival circuit, another name would start to pop up. Brenda Fricker, a little known Irish actress who played Christy Brown's supportive but long-suffering mother Bridget, would pile up as many positive notices and awards as Day-Lewis. Although there was no Best Supporting Actress Award at the Montreal Film Festival, the judges felt her performance was deserving of some kind of attention, so they would create a Special Mention of the Jury Award to honor her. Now, some sources online will tell you the film made its world premiere in Dublin on February 24th, 1989, based on a passage in a biography about Daniel Day-Lewis, but that would be impossible as the film would still be in production for two more days, and wasn't fully edited or scored by then. I'm not sure when it first opened in the United Kingdom other than sometime in early 1990, but My Left Foot would have its commercial theatre debut in America on November 10th, when opened at the Lincoln Plaza Cinemas in New York City and the Century City 14 in Los Angeles. Sheila Benson of the Los Angeles Times would, in the very opening paragraph of her review, note that one shouldn't see My Left Foot for some kind of moral uplift or spiritual merit badge, but because of your pure love of great moviemaking. Vincent Canby's review in the New York Times spends most of his words praising Day-Lewis and Sheridan for making a film that is polite and non-judgmental. Interestingly, Miramax went with an ad campaign that completely excluded any explanation of who Christy Brown was or why the film is titled the way it is. 70% of the ad space is taken from pull quotes from many of the top critics of the day, 20% with the title of the film, and 10% with a picture of Daniel Day-Lewis, clean shaven and full tooth smile, which I don't recall happening once in the movie, next to an obviously added-in picture of one of his co-stars that is more camera-friendly than Brenda Fricker or Fiona Shaw. Whatever reasons people went to see the film, they flocked to the two theatres playing the film that weekend. It's $20,582 per screen average would be second only to Kenneth Branagh's Henry V, which had opened two days earlier, earning slightly more than $1,000 per screen than My Left Foot. In week two, My Left Foot would gross another $35,133 from those two theatres, and it would overtake Henry V for the highest per screen average. In week three, Thanksgiving weekend, both Henry V and My Left Foot saw a a double digit increase in grosses despite not adding any theatres, and the latter film would hold on to the highest per screen average again, although the difference would only be $302. And this would continue for weeks. In the film's sixth week of release, it would get a boost in attention by being awarded Best Film of the Year by the New York Film Critics Circle. Daniel Day-Lewis would be named Best Actor that week by both the New York critics and the Los Angeles Film Critics Association, while Fricker would win the Best Supporting Actress award from the latter group. But even then, Miramax refused to budge on expanding the film until its seventh week of release, Christmas weekend, when My Left Foot finally moved into cities like Chicago and San Francisco. Its $135k gross that weekend was good, but it was starting to lose ground to other Oscar hopefuls like Born on the Fourth of July, Driving Miss Daisy, Enemies: A Love Story, and Glory. And even though the film continued to rack up award win after award win, nomination after nomination, from the Golden Globes and the Writers Guild and the National Society of Film Critics and the National Board of Review, Miramax still held firm on not expanding the film into more than 100 theatres nationwide until its 16th week in theatres, February 16th, 1990, two days after the announcement of the nominees for the 62nd Annual Academy Awards. While Daniel Day-Lewis's nomination for Best Actor was virtually assured and Brenda Fricker was practically a given, the film would pick up three other nominations, including surprise nominations for Best Picture and Best Director. Jim Sheridan and co-writer Shane Connaughton would also get picked for Best Adapted Screenplay. Miramax also picked up a nomination for Best Original Screenplay for sex, lies, and videotape, and a Best Foreign Language Film nod for the Italian movie Cinema Paradiso, which, thanks to the specific rules for that category, a film could get a nomination before actually opening in theatres in America, which Miramax would rush to do with Paradiso the week after its nomination was announced. The 62nd Academy Awards ceremony would be best remembered today as being the first Oscar show to be hosted by Billy Crystal, and for being considerably better than the previous year's ceremony, a mess of a show best remembered as being the one with a 12 minute opening musical segment that included Rob Lowe singing Proud Mary to an actress playing Snow White and another nine minute musical segment featuring a slew of expected future Oscar winners that, to date, feature exact zero Oscar nominees, both which rank as amongst the worst things to ever happen to the Oscars awards show. The ceremony, held on March 26th, would see My Left Foot win two awards, Best Actor and Best Supporting Actress, as well as Cinema Paradiso for Best Foreign Film. The following weekend, March 30th, would see Miramax expand My Left Foot to 510 theatres, its widest point of release, and see the film made the national top ten and earn more than a million dollars for its one and only time during its eight month run. The film would lose steam pretty quickly after its post-win bump, but it would eek out a modest run that ended with $14.75m in ticket sales just in the United States. Not bad for a little Irish movie with no major stars that cost less than a million dollars to make. Of course, the early 90s would see Miramax fly to unimagined heights. In all of the 80s, Miramax would release 39 movies. They would release 30 films alone in 1991. They would release the first movies from Jean-Pierre Jeunet, Quentin Tarantino and Kevin Smith. They'd release some of the best films from some of the best filmmakers in the world, including Woody Allen, Pedro Almadovar, Robert Altman, Bernardo Bertolucci, Atom Egoyan, Steven Frears, Peter Greenaway, Peter Jackson, Neil Jordan, Chen Kaige, Krzysztof Kieślowski, Lars von Trier, and Zhang Yimou. In 1993, the Mexican dramedy Like Water for Chocolate would become the highest grossing foreign language film ever released in America, and it would play in some theatres, including my theatre, the NuWilshire in Santa Monica, continuously for more than a year. If you've listened to the whole series on the 1980s movies of Miramax Films, there are two things I hope you take away. First, I hope you discovered at least one film you hadn't heard of before and you might be interested in searching out. The second is the reminder that neither Bob nor Harvey Weinstein will profit in any way if you give any of the movies talked about in this series a chance. They sold Miramax to Disney in June 1993. They left Miramax in September 2005. Many of the contracts for the movies the company released in the 80s and 90s expired decades ago, with the rights reverting back to their original producers, none of whom made any deals with the Weinsteins once they got their rights back. Harvey Weinstein is currently serving a 23 year prison sentence in upstate New York after being found guilty in 2020 of two sexual assaults. Once he completes that sentence, he'll be spending another 16 years in prison in California, after he was convicted of three sexual assaults that happened in Los Angeles between 2004 and 2013. And if the 71 year old makes it to 107 years old, he may have to serve time in England for two sexual assaults that happened in August 1996. That case is still working its way through the British legal system. Bob Weinstein has kept a low profile since his brother's proclivities first became public knowledge in October 2017, although he would also be accused of sexual harassment by a show runner for the brothers' Spike TV-aired adaptation of the Stephen King novel The Mist, several days after the bombshell articles came out about his brother. However, Bob's lawyer, the powerful attorney to the stars Bert Fields, deny the allegations, and it appears nothing has occurred legally since the accusations were made. A few weeks after the start of the MeToo movement that sparked up in the aftermath of the accusations of his brother's actions, Bob Weinstein denied having any knowledge of the nearly thirty years of documented sexual abuse at the hands of his brother, but did allow to an interviewer for The Hollywood Reporter that he had barely spoken to Harvey over the previous five years, saying he could no longer take Harvey's cheating, lying and general attitude towards everyone. And with that, we conclude our journey with Miramax Films. While I am sure Bob and Harvey will likely pop up again in future episodes, they'll be minor characters at best, and we'll never have to focus on anything they did ever again. Thank you for joining us. We'll talk again soon, when Episode 119 is released. Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode. The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment. Thank you again. Good night.
Faq: Do I need to carry copies of my passport? Do I need an extra six months for expiration before I travel? Destination: Park City, Utah Today's Mistake- I booked the wrong airline travel date Travel Advice: What you must not bring in your carry-on. Today's destination: Park City, Utah Skiing is usually powder, which is the best! Read More: https://www.housedigest.com/860966/take-a-tour-of-robert-redfords-30-acre-utah-ranch-that-sold-for-6-5-million/ Today's Mistake- I booked the wrong airline travel date Today's Travel Advice-What you must not bring in your carry-on. Things you can't bring on an airplane in the cabin that is included: Peanut butter in a jar, medical marijuana, snow globes, golf clubs, metal detector, bear spray. You need to check these things if you are bringing them. Connect with Dr. Travelbest Drmarytravelbest.com Dr. Mary Travelbest Twitter Dr. Mary Travelbest Facebook Page Dr. Mary Travelbest Facebook Group Dr. Mary Travelbest Instagram email: info@drmarytravelbest.com Dr. Mary Travelbest Podcast Dr. Travelbest on TikTok Dr.Travelbest onYouTube
Shawn Moore is based in Park City Utah where he specializes in short term rentals. On today's show we are talking about the state of the short term rental market and how it is changing and "growing up". To learn more or to connect with Shawn, visit https://vodyssey.com -------------- Host: Victor Menasce email: podcast@victorjm.com
Thanks for joining us. I'm Dr. Phil Klein. Today we'll be discussing the myths and realities of using zirconia materials. Our guest is Dr. Edward McLaren, a Prosthodontist and Master Dental Ceramist. Currently, he is the CEO of ArtOral America, a private teaching institute based in Park City Utah, and maintains a private practice limited to prosthodontics and esthetic dentistry. He has presented numerous courses on ceramics and esthetics globally, authored or co-authored over 90 articles, and published a book titled “The Art of Passion: Ceramics, Teeth, Faces, and Places.”
The Color Tour Podcast visits Park City in Utah to chat with Crash Carlucci.
This week's interview on Finding Certainty is a follow-up to my group interview last Friday (5/19) with several of the corporate executives from this extraordinary FinTech company we're getting to know, TranzactCard. I came to you LIVE from Provo, Utah last week. This week, I'm back in Henderson (Nevada) in my personal studio. We have been honored to be getting to know the whole team at TranzactCard and I've got to tell you, we're thoroughly impressed. Co-founders, Peter Rancie and Richard Smith … board members, Dewey Mackay and Jared Moss … Vice President DBO, Eric Allen, not to mention Barbie Converse, Scott Rancie, Delwin Davenport, and many more! We also got a few minutes on the show last week with Scotty B. Mercker, one of the most talented servant leaders I know and an icon in the relationship sales industry. So far, my business partner, Frank Helring, and I have completed the following interviews with the TranzactCard team: Eric Allen and me (Patrick) - 5/5/23 Peter Rancie and Frank - 5/10/23 The executive team and me (Patrick) - 5/19/23 Eric Allen and Frank - 5/24/23 And, today, Peter Rancie and me (Patrick) - 5/26/23 Frank's interview with Peter on the 10th of May was, literally, his # 1 most listened to episode of all time, with thousands of listeners tuning in. That's saying a lot, with as many shows as Frank has done over the years. On today's show, Peter and I recap some of the exciting announcements that were made at their big soft launch leadership summit this last weekend in beautiful Park City, Utah, we share a few updates, and drill down on a few more points like: Where does all the money go? (i.e., how do the numbers add up/pan out/work exactly?) How do you help the most people while also making the most income possible with this? What's coming up in the future we should all be excited about (any insights or heads up)? I'll also be asking Peter to share more of his insights into his motivation for co-founding TZC. TranzactCard, the company, is revolutionizing how people shop, pay for services (with their epic 2 x your buying power Visa Debit card). You can get rewarded like never before by their banking providers and vendors. It's created an opportunity that is strengthening local banks and communities, retailers, small businesses, and families across the board in ways we've never before seen. It's attracting A-Lister sports, entertainment, nonprofit and even SuperPac political influencers and many more, all of whom want to be a part of this historic project. It makes sense. Just imagine, being paid on every customer every time they swipe their Visa Debit card anywhere in the world (and everyone they tell about it too)! You don't have to imagine. It exists in TranzactCard! To learn more, get back with the person who introduced you to TranzactCard or go to https://tranzactcard.com. For Patrick's past shows, go to www.certaintylive.com. For Frank's past shows, go to www.certaintylive.net.
This week Mike welcomes Shawn Moore to #mikedup for an inspirational and informative conversation about the risks and rewards of real estate investing and the explosion of vacation rental properties. Shawn is an active real estate investor, the host of the Vacation Rental Revolution podcast, and the founder of Vodyssey.com, the #1 Vacation Rental Investing Education company in the world! Shawn has one goal in mind: to cut through all the noise and help you find success in acquiring, managing, and marketing a profitable vacation rental portfolio. Shawn has helped thousands of new and experienced investors alike navigate the complicated world of vacation rental investing. Shawn shares how his early success in real estate vaulted him into a jet setting lifestyle managing the real estate decisions for a multi-million dollar resort in Park City Utah. Unfortunately for Shawn his early success was not to last after the resort he was managing came up on securities charges. He was left penniless and forced to examine what he truly valued in life and how to move forward. Thanks to the support of his wife Teresa and his natural entrepreneurial grit, Shawn dug his way back and created Vodyssey.com. Shawn believes that by prioritizing experiences in nature over material wealth, entrepreneurs can stay grounded and focused on what truly matters in life – more time with their loved ones. He stresses the importance of always striving to push past our limits to achieve great things! Connect with Shawn: Website: https://vodyssey.com/ Podcast: https://vodyssey.com/podcast/ Youtube: https://www.youtube.com/c/RealShawnMoore Linkedin: https://www.linkedin.com/in/shawn-moore-393454173/ Connect with Mike: https://linktr.ee/mikedicioccio Produced by Social Chameleon: https://www.socialchameleon.us Interview Recorded via Riverside.fm: https://riverside.fm/homepage?utm_campaign=campaign_1&utm_medium=affiliate&utm_source=rewardful&via=mike-dicioccio Mike'D Up! Merch: https://mikedupmerch.com
The Not Well Podcast is back with another hilarious and unfiltered episode! Hosts Bobby and Jim are ready to spill the tea on everything from their recent trip to Park City Utah to their thoughts on annoying runners and bikers taking over the roads.The episode starts off with the hosts discussing their recent encounter with a listener who was concerned about their content being too risqué. Bobby and Jim assure their listeners that they are a proud gay podcast that discusses hard-hitting topics, and they won't back down from being their true, authentic selves.Next up, the hosts dive into their recent trip to Columbus, where they met their idol of four years, Slutty Puffin, and his husband Whitaker. The trio hit it off immediately and spent 45 minutes talking and sharing drinks. A bear, an otter, and a puffin waddle into a bar. The bartender looks up and says, "What is this, some kind of gay animal joke?"But the hosts don't stop there. They also discuss their thoughts on annoying runners and bikers who take over the roads, making it difficult for drivers and pedestrians alike. Bobby and Jim share their frustrations and call for these groups to find alternative places to exercise.And of course, no Not Well Podcast episode would be complete without a few sundries. Jim calls out runners and bikers again, while Bobby shares his latest idea to travel the world and film drone shots of the top 12 gay campgrounds in America.Finally, the hosts tease their upcoming plans to attend Jinkx Monsoon's show in July. They're already dressed in their Not Well gear and ready to go, hoping to catch Jinkx's attention with their fabulous outfits and energy.Support the showAs always you can write us at nowellpodcast@gmail.com or call us at (614) 721-5336 and tell us your Not Wells of the week InstagramTwitterBobby's Only FansHelp us continue to grow and create amazing content, like a live tour or just help fund some new headphones when needed. Any help is appreacited. https://www.buzzsprout.com/510487/subscribe#gaypodcast #podcast #gay #lgbtq #queerpodcast #lgbt #lgbtpodcast #lgbtqpodcast #gaypodcaster #queer#instagay #podcasts #podcasting #gaylife #pride #lesbian #bhfyp #gaycomedy #comedypodcast #comedy #nyc #614 #shesnotdoingsowell #wiltonmanor #notwell
In this episode of "Not Well" podcast, hosts Bobby and Jim share their experiences and adventures at the Park City Gay Ski Week. They discuss the importance of defining success and how it varies for each individual. The hosts talk about how social media has affected the younger generation's perception of success and how it can lead to unhealthy obsession and addiction.Bobby and Jim also touch upon the lack of proper signage at the ski resort, which caused confusion and inconvenience for the guests. They share their frustration and urge the resort to improve their signage system for the convenience of their guests.The hosts also talk about their trip to the nail salon, where they experienced some unprofessional behavior from the staff. Bobby discusses how the staff talked about his shaking due to his medication and how they laughed at him in Vietnamese. This leads to a discussion on how people should not make fun of others, regardless of their differences.Towards the end of the episode, Bobby and Jim talk about the fun they had at the Park City Gay Ski Week and the people they met, including the popular Instagram personality and gay socialite, "Slutty Puffin," and the drag queen, Joey Jay. They discuss the importance of representation and visibility for the LGBTQ+ community, and how events like these provide a safe space for people to express themselves and be who they are.Support the showAs always you can write us at nowellpodcast@gmail.com or call us at (614) 721-5336 and tell us your Not Wells of the week InstagramTwitterBobby's Only FansHelp us continue to grow and create amazing content, like a live tour or just help fund some new headphones when needed. Any help is appreacited. https://www.buzzsprout.com/510487/subscribe#gaypodcast #podcast #gay #lgbtq #queerpodcast #lgbt #lgbtpodcast #lgbtqpodcast #gaypodcaster #queer#instagay #podcasts #podcasting #gaylife #pride #lesbian #bhfyp #gaycomedy #comedypodcast #comedy #nyc #614 #shesnotdoingsowell #wiltonmanor #notwell
Welcome to Day Twelve and our final episode of our Sundance/Slamdance Film Festival coverage! Joined again by our Park City cohort & honorary bitch John Wildman of Films Gone Wild, we're capping it off with one very unique project from each festival.The Slamdance episodic series Who's Annie is a dark comedy about a New Yorker in her 50's who is starting an acting career after surviving addiction, incarceration, and abuse. Director Sophia Peer and subject Annie Pisapia join us for a fun conversation about how this show was inspired by their real life meeting at a Burger King in Queens, how they both brought new hope and inspiration into each other's life, and Annie's ability to be upbeat and positive despite what life has handed her.Fantastic Machine (winner, Sundance Special Jury Award; Creative Vision) is a documentary that uses an in depth array of archival footage to dissect the evolution and impact (both good and bad) of photographic images and technology, and how it reflects on our own self image and how we relate to each other as a human race. Pretty simple, right?!? I honestly don't even fully understand what I just wrote, but rest assured, this documentary is sooo good! Directors Axel Danielson and Maximilien Van Aertryck explain how they took turns doing research for archival footage (and the interesting YouTube rabbit holes they found themselves in), how the impact of technology really depends on the user, and how our history reflects where we are today.Follow director Sophia Peer on IGFollow talent Annie Pisapia on IG & FBFollow director Axel Danielson on IG & FBFollow director Maximilien Van Aertryck on IG & Twitter--Thanks for listening and for your support! We couldn't have reached 10 years, 700 episodes or Best of The Bay Best Podcast without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions
In this episode Michael talks with Abbey Drummond from Park City Utah. Abbey started her real estate career in 2016 in Salt Lake City Utah. Today she lives in Park City with her two kids and her husband. Abbey experienced an 800% increase in her business early on by being consistent. As you listen to her talk about what she does you will learn that while using a proven process like Ninja and making sure you show up 80%to 90% of the time you will outperform your competition. The key is to Abbey is that she increased her belief in her ability to increasing her income yearly by simply creating great relationships with her clients. She did this by providing valuable information and being present in the relationship via face to face, notes, and a strong social media presents. Abbey recently closed on 28 million in volume so when she says she kept getting better and better she isn't kidding. Now she is going to take that same drive and process to grow her business in Park City.To contact Abbey Drummond you can email her at abbey@winutha.com or connect with her on her IG page at @abbey.drummond --- Support this podcast: https://anchor.fm/coachingmin/support
Welcome to Day Eleven of our Sundance/Slamdance Film Festival coverage! Joined again by our Park City cohort & honorary bitch John Wildman of Films Gone Wild, this time we're highlighting three powerful Sundance short films that center around the family.In AirHostess-737, an air hostess struggles with the discomfort of her braces while working a flight that is also bringing her mother's dead body back to her hometown. Director Thanasis Neofotistos explains how grief is explored in his film, the process of finding an actress with braces, and how the idea for this story came to him in a dream.The Family Circus tells the story of a Vietnamese-American family that is trying to cover up a drunk driving accident. Director Andrew Fitzgerald and talent Elyse Dinh share how this film is based on actual events in Andrew's life, what it was like to work with the great Michael Ironside, and how emotional it was for Elyse to receive praise from Andrew's mother.When You Left Me On That Boulevard follows Ly and her cousins who get stoned before a Thanksgiving dinner at her aunt's house. Director and return guest Kayla Galang (who we interviewed for her short film Learning Tagalog With Kayla) and talent Kailyn Dulay get emotional when recounting similar family dinners, explain which details of a Filipino family party they had to include, and share how this short film is dedicated to Kailyn's aunt who recently passed away.Follow AirHostess-737 on IG & FBFollow director Thanasis Neofotistos on IG & FB & TwitterFollow The Family Circus on IGFollow talent Elyse Dinh on IGFollow director Kayla Galang on IGFollow talent Kailyn Dulay on IG--Thanks for listening and for your support! We couldn't have reached 10 years, 700 episodes or Best of The Bay Best Podcast without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions
Welcome to day 10 of our Sundance/Slamdance Film Festival coverage! Joined again by our Park City cohort & honorary bitch John Wildman of Films Gone Wild, we're highlighting a Slamdance documentary and short film both made by directors from the Bay!Sign The Show is a documentary that gives insight into Deaf Culture, and the difficulties they face in regards to access to entertainment. Director Cat Brewer and one of the film's subjects/EP Matt Maxey join us to talk about the organic way this film came to be, how they got huge performers like Andre 3000 and Kelly Clarkson to participate, and the fine art of being an interpreter.Tooth is a short film about a fed up tooth that wages a war against its oppressor. Director Jillian Corsie shares how her own baby teeth were the catalyst for this story, the common thread this project has with the rest of her work, and how she hopes that this film will bring both horror and laughter to whoever watches.Follow director Cat Brewer on IG & FB & TwitterFollow EP/subject Matt Maxey on IG & FB & TwitterFollow director Jillian Corsie on IG & Twitter--Thanks for listening and for your support! We couldn't have reached 10 years, 700 episodes or Best of The Bay Best Podcast without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions
Welcome to day 8 of our Sundance/Slamdance Film Festival coverage! Along with our Park City Co-Host John Wildman of Films Gone Wild, we are sharing two award winning Slamdance documentaries that follow people with very complicated lives.In Silent Love (winner of the Slamdance Grand Jury Honorable Mention for Documentary Feature Film), we follow Aga who, after the death of her mother, is raising her younger brother while keeping her relationship with a woman a secret in a small homophobic town in Poland. Director Marek Kozakiewicz discusses how he gained the trust of the women to tell their story, and how the film has helped to give them the confidence to be more open with their relationship.In Starring Jerry as Himself (winner of the Slamdance Grand Jury Documentary Feature Film Award, Audience Award for Documentary Feature Film, and Acting Award), the genre lines become blurred between one part crime thriller, and one part documentary. Retiree and Chinese immigrant, Jerry Hsu, is joined by his family in retelling the story of how he was recruited by the Chinese police to be an undercover agent. We were joined by director Law Chen, Jerry, and his son/producer Jonathan Hsu, to discuss why they decided they needed to tell this story, how their family has grown closer throughout this process, and the complicated nature of filming real people playing themselves.Follow director Marek Kozakiewicz on IG & FBFollow director Law Chen on IG & FBFollow talent Jerry Hsu on IGFollow producer Jonathan Hsu on IG & FB--Thanks for listening and for your support! We couldn't have reached 10 years, 700 episodes or Best of The Bay Best Podcast without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions
Welcome to Day Four of our Sundance/Slamdance Film Festival coverage! Today we're getting to know about two Slamdance documentaries that tell the story of overlooked or abandoned American towns- Cisco Kid and Motel Drive. Joined as always by our Park City Co-Host & Honorary Bitch, John Wildman of FilmsGoneWild.com. In Cisco Kid, we meet Eileen, who is living alone among the remnants of a deserted ghost town in Cisco, Utah. Director Emily Kaye Allen shares how she met and gained the trust of Eileen, and how making this film helped her spend more time in nature and see the beauty in being away from mainstream society.Motel Drive is a documentary about an infamous strip of motels in Fresno, California, and a family struggling to survive among its rapid decline. Director Brendan Geraghty explains why he decided to make this film, the struggles of an indie filmmaker budget, and how his main subjects have become a part of his family.Follow Cisco Kid on IGFollow Motel Drive on IG--Thanks for listening and for your support! We couldn't have reached 10 years, 700 episodes or Best of The Bay Best Podcast without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions
Welcome to day 3 of our Sundance/Slamdance Film Festival coverage! Today we're bringing you two Sundance documentaries dealing with Women's Issues that we knew we had to cover, Plan C, and Smoke Sauna Sisterhood. Plan C follows Francine Coeytaux and her team of providers as they find ways to distribute abortion pills across the country during the pandemic, as well as after the fall of Roe V. Wade. Director Tracy Droz Tragos shares how she met Francine and gained her trust, and how documenting this story has turned her fear into hope. Not only is this a great film, but it is a call to action! For more information, click hereIn Smoke Sauna Sisterhood (winner of the Sundance Directing Award, World Cinema Documentary), we are invited into the intimate and sacred ritual of the smoke sauna in southern Estonia, where women share their deepest and innermost thoughts and secrets. Director Anna Hints and producer Marianne Ostrat joined us to share how they were able to convey the overall beauty and strength of women through both their shooting style and trust they gained with their subjects. We may or may not have cried both during this interview, and while watching the film.You can follow director Tracy Droz Tragos on IGYou can follow director Anna Hints on IG & FBYou can follow producer Marianne Ostrat on IG & FB & Twitter--Thanks for listening and for your support! We couldn't have reached 10 years, 700 episodes or Best of The Bay Best Podcast without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions
Welcome to Day One of our Sundance and Slamdance Film Festival coverage! We've joined forces again with our dear friend and Honorary Bitch, John Wildman of Films Gone Wild, and we're excited to a share our interviews with two Sundance narrative films that we really loved... First we sit down with director Sing J. Lee to talk about his beautiful film The Accidental Getaway Driver (winner of the Sundance U.S. Dramatic Competition Director Award). The film follows a Vietnamese driver in Southern California as he unknowingly picks up escaped convicts and becomes their hostage. Sing shares how he was able to infuse both action and thoughtfulness with both the writing and directing of the film, and how he adapted the film that was based on a true story.Next we discuss the film Mamacruz with director Patricia Ortega. This hilarious and touching film follows a religious grandmother who accidentally stumbles across porn on the internet, and goes through a sexual awakening. Patricia shares how growing up under the sexual repression of Catholicism, as well as finding an interesting picture of her mother, led to her need to make this film.Follow director Sing J. Lee on IGFollow director Patricia Ortega on IGFor more from John Wildman & Videos from our conversations in Park City, visit FilmsGoneWild.com--Thanks for listening and for your support! We couldn't have reached 10 years, 700 episodes or Best of The Bay Best Podcast without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions
We had a wild ride in Park City for the 2023 Sundance & Slamdance Film Festivals, and we're sharing some behind the scenes stories that would only happen to these old bitches... Let's just say we fell, we had breakdowns, and we ate puff pastry. So buckle up, enjoy the ride, and be on the lookout for our upcoming festival coverage !--Thanks for listening and for your support! We couldn't have reached 10 years and 700 episodes without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions
Welcome to Sundance 2023! And while we thought for a while that we might not make it, we are here and ready to take Park City by storm. But until that happens, we're sharing the frightening details of our 2 day, 21 hour journey through snow storms, sliding wheels, icy roads, and a car with electrical problems. So sit back, relax, and make sure you have chains in your trunk.Also, we are at the tail end of our Sundance fundraiser. We take off in just a few days but are still in need of some financial help. If you are in a position to be able to help us, we'd really appreciate it. Covering Sundance costs us upwards of $6K - the majority of the cost is housing and travel for our small and independent team. Details of our donation levels are below, and know anything helps. *Basic Bitch Level - $25: Tagged shoutouts in our Instagram stories while we're at Sundance. You never know who will show up.*Fancy Bitch Level - $100: Only 5 slots available! You get a personal thank-you at the end of each of our original Bitch Talk episodes from Sundance 2023*Gold Star Bitch Level - $150: Only 8 slots available! At this level, you get a personal thank-you at the end of each original Bitch Talk episode from Sundance 2023 + the chance to win a box of Sundance swag that we will personally pick for you.*Rich Bitch Level - $200: For this generation gift, you get an Instagram story tag from Sundance + a personal thank-you at the end of each of our Sundance 2023 episodes + the chance to win a box of Sundance swag we will personally pick for you!DONATE HERE--Thanks for listening and for your support! We couldn't have reached 10 years and 700 episodes without your help! --Be well, stay safe, Black Lives Matter, AAPI Lives Matter, and abortion is normal.--SUPPORT US HERE!Subscribe to our channel on YouTube for behind the scenes footage!Rate and review us wherever you listen to podcasts!Visit our website! www.bitchtalkpodcast.comFollow us on Instagram, Facebook, and Twitter.Listen every other Thursday 9:30 - 10 am on BFF.FMPOWERED BY GO-TO Productions
Podcast Website Follow @dental_digest_podcast Instagram Follow @dr.melissa_seibert on Instagram Connect with Melissa on Linkedin Dental Digest Podcast Facebook Dr. McLaren is a Prosthodontist and Master Dental Ceramist. Dr. McLaren currently is the CEO of ArtOral America, which is a specialized high end private teaching institute based, in Park City Utah. He also maintains a private practice limited to prosthodontics and esthetic dentistry in which he did all of his own ceramics. Originally, Dr. Mclaren attended the University of Redlands where he graduated Phi Beta Kappa and Magna Cum Laude. He received his D.D.S. from the University of the Pacific School of Dentistry, where he graduated Omicron Kappa Upsilon. After several years of general practice, he received his specialty certificate in Prosthodontics from UCLA School of Dentistry. Dr. McLaren is a member of the American College of Prosthodontists, Pacific Coast Society of Prosthodontists, International College of Prosthodontists, American Academy of Esthetic Dentistry, International Society of Dental Ceramics, International Association of Dental Research, American Association of Dental Research, American Dental Association, and the California Dental Association. Dr. McLaren is still actively involved in many areas of prosthodontic and materials research. He also has authored and/or co-authored over 90 articles. He is performing ongoing clinical research on various restorative systems. He has presented numerous lectures, hands-on clinics and postgraduate courses on ceramics and esthetics across the nation and internationally. He published a book on his ceramic techniques and features dental photographic art, entitled “The Art of Passion: Ceramics, Teeth, Faces, and Places”. Dr. McLaren retired from Professorship from both UCLA and UAB School of Dentistry. He was the director of the UCLA Center for Esthetic Dentistry, a full time didactic and clinical program for graduate dentists. He was also the founder and director of the UCLA/LACC Master Dental Ceramist program. The post-graduate program is a full-time master ceramist program for dental technicians featuring extensive experience with the newest esthetic restorative systems. At UAB he was founder and first director of the Advanced Dental Esthetics, founder director of the Advanced Dental Esthetics, Restorative & Biomaterials Program, founder and director 3-year advanced ceramics and digital technology for technicians program, founder and director one-year esthetic and restorative fellowship Restorative & Biomaterials Program, founder and director 3-year advanced ceramics and digital technology for technicians program, founder and director one-year esthetic and restorative fellowship. Dr Mclaren was also an Adjunct Assistant Professor for the University of Oregon Dental School.
A few weeks ago I headed out to Utah to Total Archery Challenge and recorded a few live podcasts with some friends in the industry old and new. Guests / topics include Marty Fox of Kings Camo talking about his archery ram hunt, Brad Brooks of Argali talking shelters, David Merrill of Bowspider, Lyle Hebel of Stone Glacier, Brice Bishop of PEAX equipment. Enjoy!GoHunt Gear Shop, Insider & Explorer Memberships, use code: QUEST – save 20% @gohunt.comOutdoorClass, use code: QUEST – save 20% @ outdoorclass.comInitial Ascent Packs, use code: QUEST - save money and support the show @ InitialAscent.com______________________________________________________________________________Heather's Choice, use code: QUEST – save 15% on backcountry meals @heatherschoice.com_______________________________________________________________________Black Rifle Coffee, use code: HuntersQuest20 – 20% off @ www.blackriflecoffee.com_____________________________________________________________________Two Vets Tripods, use code: QUEST5 – 5% off @ https://twovetssportinggoods.com/______________________________________________________________________Argali, use code: HQ10 - 10% off @ https://argalioutdoors.com/______________________________________________________________________Western Fly Covers, use code: QUEST - 15% off @ https://www.westernflycovers.com/_______________________________________________________________________Eastman's TAGHUB, use code: HQ20 – 20% off @ https://taghub.eastmans.com/__________________________________________________________________________Subscribe to my YouTube Channel!https://www.youtube.com/channel/UCGVP4F5g3SiOookJK01Jy5w____________________________________________________________________________Follow me on Instagram! https://www.instagram.com/thehuntersquest/ and @huntermcwaters____________________________________________________________________________www.thehuntersquest.com