Podcasts about Hollywood

Happy 4th of July 2025! -  Tim has no idea who these stars are // Costco activities // Getting hit on in Hollywood!

Dean Kinzer is an ancient coin enthusiast, YouTuber, and entrepreneur on a mission to bring the magic of history—literally held in your hand—to more Americans. What started as a family hobby, inspired by his collector father, has grown into a side business and educational passion. Dean is the founder of Kinzer Coins and co-host of the Ancient Coin Hour podcast, where he helps collectors and history buffs discover the stories and value behind ancient coins. On this episode we talk about: – Dean's journey from growing up with a collector dad (who owned 13 Yugos!) to becoming obsessed with ancient coins – The “tribute penny” of Tiberius—possibly the coin referenced by Jesus in the Bible—and how affordable ancient coins can actually be – The wild stories behind some of history's most fascinating coins, like Brutus's “Ides of March” gold coin and the emperor who bought his throne for 66 days – How ancient coins are more than metal—they're pieces of art, history, and conversation starters – The surprising abundance of certain ancient coins (you can literally buy Roman bronze coins by the pound!) – Why the U.S. market for ancient coins is still wide open, and how Dean is working to popularize the hobby – The business side: consignments, inventory, and the challenge of parting with pieces that tell powerful stories – How to avoid scams, spot counterfeits, and start collecting with confidence – The magic of holding a 2,000-year-old coin and the deep connection it creates to human history – Monetizing your hobby in the digital age—YouTube, podcasts, and building a business around your passion Top 3 Takeaways 1. History in Your Hand: Ancient coins aren't just collectibles—they're tangible links to the past, each with a story that can spark conversation and curiosity. 2. Monetize Your Passion: You can turn even the most niche hobby into a side business or educational platform with the right approach and a willingness to share. 3. Start Smart, Avoid Pitfalls: Learn the basics, connect with reputable sellers, and use resources like Ancient Coin Hour to avoid costly mistakes and enjoy the hobby. Notable Quotes – “There's something different about holding something that's 2,000 years old. It's a connection to history you can actually feel.” – “Every coin tells a story—some are worthy of a Hollywood movie.” – “The U.S. market for ancient coins is wide open. There's opportunity for collectors, investors, and storytellers alike.” Connect with Dean Kinzer: Website: kinzercoins.com Instagram: @kinzercoins

#485 What does it take to grow a business to 207 locations in just two years? In this episode, host Brien Gearin chats with Aaron Harper, CEO of Rolling Suds, the first and largest power washing franchise in the U.S. Aaron shares his journey into the world of franchising, revealing the secrets behind scaling a business, how to build systems for success, and why franchising is a completely different business model from the original service. Plus, hear his number one piece of advice for aspiring entrepreneurs: take action, embrace risks, and start building your dream. If you've ever considered franchising your business, then tune in for a conversation that covers growth, risk, and everything in between! (Original Air Date - 9/20/24) What we discuss with Aaron: + Aaron's journey from Hollywood to franchising + Rolling Suds' growth to 207 locations in two years + Differences between running a business and franchising + Criteria for selecting the right franchisees + Why power washing is a scalable, niche industry + Proprietary technology and systems at Rolling Suds + Importance of strong operational and marketing systems + Franchising as a path to accelerated wealth Thank you, Aaron! Sign up to be a Rolling Suds franchisee at ⁠RollingSudsFranchise.com⁠. Follow Aaron on ⁠Facebook⁠, ⁠Instagram⁠, ⁠LinkedIn⁠, ⁠TikTok⁠, ⁠Twitter⁠, and ⁠YouTube⁠. Watch the ⁠video podcast⁠ of this episode! To get access to our FREE Business Training course go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MillionaireUniversity.com/training⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. And follow us on: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tik Tok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ To get exclusive offers mentioned in this episode and to support the show, visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠millionaireuniversity.com/sponsors⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Want to hear from more incredible entrepreneurs? Check out all of our interviews ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Learn more about your ad choices. Visit megaphone.fm/adchoices

Hamamoto on YouTube:    / @professorhamamoto  Watch Lionel on Diddy verdict: https://youtube.com/live/KR85dKR3Nao Watch part 6 here: https://youtube.com/live/DViShfvP9yE Watch part 5 here: https://youtube.com/live/TaF8EMyS4V4 Watch Prof Hamamoto Part 4 https://youtube.com/live/TkUr4CanA_k Watch Prof Hamamoto Part 3 https://youtube.com/live/qUHdKtabgNo Prof. Darrell Hamamoto, who is an American writer, academic, and specialist in U.S. media and ethnic studies. Professors Facebook : https://www.facebook.com/share/hZajgC... Follow P Diddys latest:    • P Diddy  #jayz #beyonce #hollywood #countrymusic #nashville #pdiddy #puffdaddy #truecrime #news #youtubenews #podcast #livestream #youtube #thepope #vatican #church  Here are Hamamoto's recommended books: Can't Stop Won't Stop: A History of the Hip-Hop Generation  ——- The Psychological Covert War on Hip-Hop ——- The Covert War Against Rock: What You Don't Know About The Deaths of; (Jim Morrison, Tupac Shakur, Michael Hutchence, Brian Jones, Jimi Hendrix, Phil Ochs, Bob Marley, Peter Tosh, John Lennon & The Notorious B.I.G) ——- Hit Men: Power Brokers and Fast Money Inside the Music Business ——- Me, the Mob, and the Music: One Helluva Ride Tommy James and the Shondells ——- Godfather of the Music Business: Morris Levy (American Made Music Series) ——- LAbyrinth: A Detective Investigates the Murders of Tupac Shakur and Notorious B.I.G., the Implication of Death Row Records, Suge Knight, and the Origins of the Los Angeles ——- The FBI war on Tupac Shakur: State repression of Black Leaders from the Civil Rights Error to the 1990s (real world) ——- The FBI war on Tupac Shakur and Black Leaders: US Intelligence's: Murderous Targeting of Tupac, MLK, Malcol, Panthers, Hendrix, Marley rappers and Linked Ethic Leftists ——- Have Gun Will Travel: The Spectacular Rise and Violent Fall of Death Row Records ——- The Big Payback: The History of the Business of Hip-Hop ——- Ruthless: A Memoir ——- Hip-Hop Decoded ——- Q: The Autobiography of Quincy Jones ——- How to Wreck a Nice Beach: The Vocoder from WW II to Hip-Hop, The Machine Speaks ——- Dancing with the Devil: How Puff burned the bad boys of Hip-Hop ——- Hiding in Hip-Hop: On the Down Low in the Entertainment industry—from Music to Hollywood

In July 1985, music legends Mick Jagger and David Bowie were asked to perform a duet with a twist at Live Aid, the biggest concert in pop history. Utilising the latest satellite technology, Mick would perform on the US stage in Philadelphia, while David would perform on the UK stage at Wembley Stadium. As the technical issues were being discussed, it soon became obvious that a half-second delay in the link between cities would prevent the live performance from happening, so a recording was planned instead. A short list of songs was discussed before the duo finally settled on the Motown classic Dancing in the Street. Live Aid press officer Bernard Doherty tells Des Shaw how the duet and video were recorded in just 18 hours and became a highlight of the benefit concert on 13 July 1985. A Zinc Media production.Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: Mick Jagger and David Bowie performing Dancing In The Street. Credit: Getty Images)

Joy Reid needs a history lesson after claiming that if we “stick with white folk we will be a slowly dying and aging empire” and “that is how the Roman Empire died”. Dana fact-checks Reid. Democrats are spending $20 Million to study ‘syntax' so they can learn how to talk to men. Actress Kyra Sedgwick says is afraid she's going to lose her right to vote under Trump.  The Nova Scotia police chief started off with a land acknowledgment at a press conference about two missing Nova Scotia children. Biden says he wasn't surprised about Harris' 2024 loss, pinning it on sexist and racist attacks. Squad Member Ayanna Presley demands slavery reparations NOW. Dana explains how this is historically inept. Dana is wondering how to calm her dog down from the thunderstorms. Rep. Jasmine Crockett gives advice to black students to “use a chair' against the haters. Conservative Writer & Creator, Sean Salter, joins us to discuss the state of Hollywood, his new non-woke comic INDIEGOGO, his limited edition Silence Dogood cover and much more.Thank you for supporting our sponsors that make The Dana Show possible…Allio CapitalReady to take control of your financial future? Download the Allio app from the App Store or Google Play, or text my name “DANA” to 511511. Download the Allio app or text “DANA” to 511511 today.Relief Factorhttps://ReliefFactor.com OR CALL 1-800-4-RELIEFTurn the clock back on pain with Relief Factor. Get their 3-week Relief Factor Quick Start for only $19.95 today! Byrnahttps://Byrna.com/danaGet your hands on the new compact Byrna CL. Visit Byrna.com/Dana receive 10% off Patriot Mobilehttps://PatriotMobile.com/DanaDana's personal cell phone provider is Patriot Mobile. Get a FREE MONTH of service code DANAHumanNhttps://HumanN.comFind both the new SuperBerine and the #1 bestselling SuperBeets Heart Chews at Sam's Club!Angel Studioshttps://Angel.com/danaStream King of Kings, check out fan-picked shows, and claim your member perks.

In this episode, we present a crossover of Guerrilla History and the Adnan Husain Show.  Here, Dr. Gerald Horne joins Adnan and Henry to discuss his recent book, Armed Struggle?: Panthers and Communists, black Nationalists and Liberals in Southern California, Through the Sixties and Seventies. As ever, Professor Horne connects the histories of organizing and resistance against racial capitalism to the contemporary situation, including the LA uprisings against ICE raids and developments against neocolonialism and imperialism in West Asia. A wide-ranging conversation with the inimitable Dr. Horne ranged across the histories of class politics, struggles against racism, and geopolitics to consider the prospects for resistance locally and internationally in contemporary movements for justice. Gerald Horne is the John J. and Rebecca Moores Chair of History and African American Studies at the University of Houston.  His research interests are unbelievably varied, encompassing biographies of W.E.B. Du Bois and Paul Robeson, to The Haitian Revolution, to Hollywood in the '30s-'50s, to Jazz and Justice.  Be sure to check out his bibliography, you're certain to find something that interests you! Help support the show by signing up to our patreon, where you also will get bonus content: https://www.patreon.com/guerrillahistory  We also have a (free!) newsletter you can sign up for, and please note that Guerrilla History now is uploading on YouTube as well, so do us a favor, subscribe to the show and share some links from there so we can get helped out in the algorithms!! *As mentioned, you will be able to find Tsars and Commissars: From Rus to Modern Russia soon on YouTube.

How a “The Last Show Girl” Writer and Producer find purpose & creativity, and rely on family in the face of uncertainty. Show Notes: In this intimate episode of The Determined Society, Shawn sits down with Hollywood multi-hyphenates Robert Schwartzman (musician, filmmaker, and actor) and Kate Gersten (TV writer/producer) for a powerful conversation on love, legacy, and the stories that shape our lives. From iconic family roots (hello, Coppola lineage) to redefining success through marriage, parenthood, and loss, Robert and Kate reflect on what it means to live authentically while chasing the creative life. They open up about: -The emotional toll and beauty of parenting a child with medical needs -How their professional lives in music, television, and film have evolved -Why family history can inspire — but not define — who we become -The courage it takes to pause and be fully present -Navigating grief and honoring those we've lost This one's as soulful as it gets — filled with wit, wisdom, and unforgettable vulnerability. Resources: https://www.hulu.com/movie/the-last-showgirl-b9060a3b-9728-47e0-8614-fb3767ea9e17 Learn more about your ad choices. Visit podcastchoices.com/adchoices

Dennis is joined via Zoom by his dance class friend and rising star, writer-director-actor Leah McKendrick to talk about her breakout comedy from last year Scrambled as well as this month's reboot of I Know What You Did Last Summer, which she has a story credit on. Leah talks about how Scrambled was inspired by her own journey of freezing her eggs as single woman in her 30's, how she was able to get the film made, the challenge of wearing so many hats on the project and how audiences would often want to hold and comfort her after seeing the movie. She also talks about her realization that if she wanted her Hollywood dreams to come true that she had to start creating her own projects. She also talks about bursting into tears when she saw Freddie Prinze Jr. and Sarah Michelle Gellar on the set of Last Summer because she was such a superfan of the original. Other topics include: writing Harry Shum Jr. a love letter to ask him to appear as "the one who got away" in Scrambled, how she was able to score Chappell Roan's "Pink Pony Club" for the film before it was everywhere, writing and performing scenes featuring bad sex, being a Britney-obsessed pop girlie through and through and falling in love with a man she met on Hinge, getting engaged and becoming the kind of wedding-obsessed woman she made fun of in Scrambled.

Matt and Eric examine M3GAN 2.0's floppitude, F1's triumphitude, the big bts shake up at THE LAST OF US, how SINNERS connects to BLADE, and more...

"This is our world now. The world of the electron and the switch; the beauty of the baud. We exist without nationality, skin color, or religious bias. You wage wars, murder, cheat, lie to us and try to make us believe it's for our own good, yet we're the criminals. Yes, I am a criminal. My crime is that of curiosity. I am a hacker, and this is my manifesto." Before HACKERS became a neon-drenched cult classic, it was the brainchild of screenwriter Rafael Moreu, who embedded himself in the early hacker underground to capture the real pulse of digital rebellion. In this episode, we trace the film's roots in the authentic hacker culture of the early '90s — from clandestine meetups and phone phreaking to the media frenzy that turned hackers into urban legends. You'll hear how director Iain Softley joined the project, why the production aimed for subcultural credibility over Hollywood cliché, and how a young cast — led by Angelina Jolie and Jonny Lee Miller — brought this wired world to life. Jack in with us as we uncover the origin story of HACKERS, where fact, fiction, and cyberpunk style collided. Want to support the show? Subscribers of CinemaShock+ can enjoy an extended version of this episode, which includes bonus segments and additional content, plus get access to all episodes two days early, exclusive merchandise discounts, and more. Join now at cinemashock.net/plus. ASSOCIATE PRODUCERS: Andy Lancaster | asotirov | Benjamin Yates | Caverly | courtland ashley | curtcake5k | Elton Novara | Hunter D Mackenzie | Interzone78 | Jackson_Baker | Jvance325 | LillymckY | Lucy Lawson | MagicBloat | Nate Izod | Nathan Kelley | Robert Stinson Theme Song: "There's Still a Little Bit of Time, If We Hurry and I Mean Hurry" by Slasher Film Festival Strategy. This episode was written, produced and edited by Gary Horne, Justin Bishop & Todd A. Davis. For episode archives, merch, show notes, and more, visit cinemashock.net

On 3 July 1985 Back to the Future was released. The film tells the story of Marty McFly, a 17-year-old high school student, played by Michael J Fox, who is accidentally sent 30 years into the past in a time-travelling DeLorean car invented by his friend, Doc Brown. The screenplay for the genre-bending story was rejected 40 times, but it became a Hollywood blockbuster, dominating contemporary culture and bringing its leading actor worldwide fame. The film's co-writer and producer, Bob Gale takes Josephine McDermott back to 1985, reflecting on how in the first draft of the script the time machine was a refrigerator and Einstein the dog was a chimp.With movie excerpts from the 1985 Universal Pictures, Amblin Entertainment and U-Drive productions film, directed by Robert Zemeckis. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from the death of Adolf Hitler, the first spacewalk and the making of the movie Jaws, to celebrity tortoise Lonesome George, the Kobe earthquake and the invention of superglue. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: Eva Peron – Argentina's Evita; President Ronald Reagan and his famous ‘tear down this wall' speech; Thomas Keneally on why he wrote Schindler's List; and Jacques Derrida, France's ‘rock star' philosopher. You can learn all about fascinating and surprising stories, such as the civil rights swimming protest; the disastrous D-Day rehearsal; and the death of one of the world's oldest languages.(Photo: Michael J Fox in Back to the Future. Credit: Sunset Boulevard/Corbis via Getty Images)

In which we talk plastic surgery, billionaire weddings, bisexual princesses, the Diddy trial, and MAGA's new Alcatraz.  JOIN US ON PATREON About: Hosted by journalists Joan Summers and Matthew Lawson, Eating For Free is a weekly podcast that explores gossip and power in the pop culture landscape: Where it comes from, who wields it, and who suffers at the hands of it. Find out the stories behind the stories, as together they look beyond the headlines of troublesome YouTubers or scandal-ridden A-Listers, and delve deep into the inner workings of Hollywood's favorite pastime. The truth, they've found, is definitely stranger than any gossip. You can also find us on our website, Twitter, and Instagram. Any personal, business, or general inquires can be sent to eatingforfreepodcast@gmail.com  Joan Summers' Twitter, Instagram Matthew Lawson's Twitter, Instagram

Good morning it's time to get up with some Hollywood help. The Lakers finally make a move for a big man, but is it enough for the King to chase one more ring in LA? Plus, it's Brown's town in New York. Is it championship or bust for the Knicks' new coach? One of our analysts has a bold idea. and WATT the heck is happening in Pittsburgh? Is it possible that the Steelers will have to trade TJ? Learn more about your ad choices. Visit podcastchoices.com/adchoices

We meet John Cameron Mitchell, groundbreaking American actor, writer and director best known for creating, directing and starring in the Hedwig and the Angry Inch (2001), a film adaptation of the off-Broadway stage production he co-wrote with composer Stephen Trask. In 1998, he co-created Hedwig and the Angry Inch, a genre-defying rock musical about a genderqueer East German singer navigating identity, love, and fame. The show became an off-Broadway sensation, earning a cult following. In 2001, Mitchell directed and reprised his role as Hedwig in the film adaptation, which won the Best Director Award and Audience Award at the Sundance Film Festival. The film's success cemented his status as a visionary filmmaker.Following Hedwig, Mitchell directed Shortbus (2006), a provocative indie film exploring sexuality and relationships through an ensemble cast. In 2010, he directed Rabbit Hole, starring Nicole Kidman, a deeply emotional drama about grief, which earned Kidman an Academy Award nomination.Marking 25 years since the London premiere of Hedwig and the Angry Inch, theatrical icon John Cameron Mitchell presents a spectacular one-night-only celebration of his career and of the cult classic that rocked the foundations of music theatre forever. On Tuesday 8th July, the two time Tony Award-winning star of stage and screen will take to the West End stage for the very first time, joined by a host of incredible special guests including Boy George, Divina de Campo, Michael Cerveris, Nakhane, Martin Tomlinson and Mason Alexander Park.Expect the unexpected – from the glittering glam that rocked him as a boy living in early 70's Scotland, to gut-punching ballads spanning Off-Broadway, Broadway, Hollywood and beyond — as Mitchell opens his heart and history to the city that first embraced Hedwig a quarter-century ago.Dress to Express as we celebrate the transformative power of music, love and radical self-expression. London, it's been a long time coming, are we ready to ‘Pull that wig down off the shelf'?! Visit: https://lwtheatres.co.uk/whats-on/john-cameron-mitchell/Follow: @JohnCameronMitchell Hosted on Acast. See acast.com/privacy for more information.

Where did western thought come from? Join us today as we look at Alexander the Great, his impact on Judea in the 300's BC, in the 1st century during Jesus' day, and how Hellenism is still impacting the world we live in today. https://longhollow.com/theforgottenjesuspodcastshownotes

In this episode of Capital Hacking, we interview Jim Henrie, a principal at Novo Media Group, who shares his journey from real estate development to the entertainment industry. Jim discusses the parallels between financing in real estate and film production, emphasizing the importance of creating family-friendly content that entertains, elevates, and educates.We dive into Jim's recent film, "Monster Summer," featuring stars like Mel Gibson and Kevin James, and explore the challenges of financing and distribution in today's market. Jim also shares insights on working with his sons, David and Lorenzo, and their commitment to producing meaningful content aligned with their values.Join us for this engaging conversation that highlights the intersection of real estate and entertainment, and learn how Jim and his family are making a positive impact in the film industry!Ultimate Show Notes:00:00:45 - Excitement about the interview with Jim Henrie from Novo Media Group00:01:40 - Jim Henrie's background in real estate and transition to media00:02:29 – Jim introduces himself and his company00:03:03 - Discussion of Jim's sons and their careers in acting00:04:29 - Jim's journey into real estate development00:05:40 - Comparison between real estate development and the entertainment industry00:09:44 - The importance of family-friendly content in entertainment00:11:51 - Discussion on the movie "Monster Summer" and its themes00:18:18 - The moral compass in Hollywood and the type of content they want to produceConnect with Jim:https://www.novomediagroup.com/teamjames@novomediagroup.com818-422-1972 Turn your unique talent into capital and achieve the life you were destined to live. Join our community!We believe that Capital is more than just Cash. In fact, Human Capital always comes first before the accumulation of Financial Capital. We explore the best, most efficient, high-integrity ways of raising capital (Human & Financial). We want our listeners to use their personal human capital to empower the growth of their financial capital. Together we are stronger. LinkedinFacebookInstagramApple PodcastSpotify

The singer—and longtime ex of Sean “Diddy” Combs—has significantly bolstered her personal security team in the days since the music mogul’s stunning federal court verdict. Meanwhile, in a wildly different response, Diddy’s mother, Janice Combs, is already planning a lavish post-verdict celebration in Miami. And while the public remains largely silent, A-list stars, top music execs, fashion icons, and even familiar morning show hosts have allegedly been quietly reaching out to Diddy with congratulations, support, and encouragement. Rob is joined by the charming Marc Lupo. Don't forget to vote in today's poll on Twitter at @naughtynicerob or in our Facebook group.See omnystudio.com/listener for privacy information.

A federal jury has reached its verdict in the high-profile case against Sean “Diddy” Combs. Vanessa breaks down what it means with music journalist David Peisner, exploring why, unlike Hollywood, the music world has yet to confront its own culture of abuse. Read Vanessa's book, Blurred Lines: Sex, Power and Consent on Campus, and check out Natalie on Instagram at @natrobe To connect with Infamous's creative team, join the community at Campsidemedia.com/join Learn more about your ad choices. Visit podcastchoices.com/adchoices

The Dark Truth About Diddy | Ex-Bodyguard Big Homie Tells All What really happens behind the closed doors of Diddy's infamous parties? Ex-bodyguard Big Homie CC breaks his silence on the man he once protected — and now wishes the worst for. From freak-offs to bizarre celebrity encounters, poisoning attempts, and violent showdowns, this is the raw, unfiltered truth Hollywood doesn't want you to hear. As seen on Piers Morgan uncensored. SPONSORS: Go to https://ground.news/andrew  to access diverse perspectives and uncover the truth. Subscribe through my link to get 40% off unlimited access this month only. Chuck Norris: Avoid these 3 Foods Like The Plague. Watch his method by clicking the link here: https://www.ChuckDefense.com/Heretics  Get an exclusive 15% discount on Saily data plans! Use code HERETICS at checkout. Download Saily app or go to https://saily.com/HERETICS   Struggling with anxiety, addiction, loss, relationships, cancel culture, or feeling low? Go to https://Just-Therapy.org. James' private practice: https://jamesesses.com Cut your wireless bill to 15 bucks a month at https://mintmobile.com/heretics  Go to https://freespoke.com/gold  to search freely. Download app & sub for 25% off Freespoke Premium with my link. We dive into: - Whether Diddy paid people to perform sex acts while he watched - What actually happened between Diddy and Justin Bieber - Cyanide poisoning, fleeing the country, and being told not to speak - Why no one dares to talk about Beyoncé, Jay Z, Jamie Foxx, and others - And the chilling moment Big Homie is asked: “Did you kill him?” This episode isn't just gossip — it's a look inside a world of alleged abuse, silence and the brave few now speaking out. Join the 30k heretics on my mailing list: https://andrewgoldheretics.com  Check out my new documentary channel: https://youtube.com/@andrewgoldinvestigates  Andrew on X: https://twitter.com/andrewgold_ok   Insta: https://www.instagram.com/andrewgold_ok Heretics YouTube channel: https://www.youtube.com/@andrewgoldheretics Learn more about your ad choices. Visit megaphone.fm/adchoices

WE HAVE A LIVE SHOW HAPPENING ON 7/20! Featuring special guests Jacob Wysocki and Rekha Shankar! Go to dynastytypewriter.com for tickets in-person or livestream!Slap on that SPF, grab your oversized sunhat, and then turn on the TV, The ladies of "The Look" are back and it's summer vacation! Join Barbara Anne Delight, Michaela Romney, Deena Marie Long Silver and Luann Bumpkins around the coffee table as they discuss the *hot* topics like saving the turtles, the latest health trends, the Cowboy Carter tour, and absolutely no one feels attacked by the end of it. Nothing says summer like "The Look"!This episode was filmed in the beautiful Dynasty Typewriter Theater, and tech-produced by Samuel Curtis. For live shows and events you can find more about them at dynastytypewriter.com. To learn more about the BTS of this episode and to find a world of challenges, games, inside scoop, and the Artists being themselves, subscribe to our Patreon! You won't be disappointed with what you find. Check out patreon.com/aoaoaoapod Artists on Artists on Artists on Artists is an improvised Hollywood roundtable podcast by Kylie Brakeman, Jeremy Culhane, Angela Giarratana, and Patrick McDonald. Music by Gabriel Ponton. Edited by Conner McCabe. Thumbnail art by Josh Fleury. Hollywood's talking. Make sure you're listening. Subscribe to us on Apple Podcasts, Spotify, and Youtube! Please rate us five stars!

What do Hollywood, Joan Didion, and the Bible have in common? More than you'd expect. In this episode, New York Times film critic and author Alissa Wilkinson joins Dru Johnson to discuss the life, work, and worldview of Joan Didion, one of the most influential American writers of the 20th century. Wilkinson's new book, We Tell Ourselves Stories, explores how Didion made sense of chaos through narrative—and what her work reveals about faith, trauma, politics, and cultural memory. Together, Alissa and Dru explore Didion's insight that stories are not just entertainment; they are survival mechanisms, tools we use to impose order on a chaotic world. But is that all Scripture is—just another human-made narrative? Wilkinson offers a careful reflection on the limits and power of storytelling, showing how Didion's work can challenge both Christian belief and secular mythmaking. They also dive into conspiracy theories, the fusion of politics and Hollywood, and the rise of nostalgia as a cultural sickness. From John Wayne to 9/11 to the Marvel Cinematic Universe, this episode traces the invisible threads between the stories we inherit and the truths we cling to. We are listener supported. Give to the cause here: https://hebraicthought.org/give For more articles: https://thebiblicalmind.org/ Social Links: Facebook: https://www.facebook.com/HebraicThought Instagram: https://www.instagram.com/hebraicthought Threads: https://www.threads.net/hebraicthought X: https://www.twitter.com/HebraicThought Bluesky: https://bsky.app/profile/hebraicthought.org Chapters: 00:00 Exploring Joan Didion's Influence 02:10 The Chaos of Life and Storytelling 05:08 The Impact of California on Didion's Work 08:15 Didion's Perspective on Conspiracy Theories 11:24 Hollywood's Political Landscape and Didion's Critique 14:26 The Intersection of Politics and Entertainment 17:29 Didion's Views on Feminism and Fixed Ideas 20:26 The Role of Nostalgia in Storytelling 23:24 The Modern Political Narrative 26:17 Conspiracies and Their Impact on Society 29:27 The Nature of Truth in Storytelling 32:10 Didion's Legacy in Film and Media 35:20 The Future of Storytelling in Politics

Rico travels to Dublin and Belfast, and hangs with an epic lineup of local heroes, to learn how Ireland went from a backdrop for Hollywood rom-coms... to one of the hottest film cultures on the planet. Featuring directors Rich Peppiatt (KNEECAP) and John Crowley (BROOKLYN), superproducer Ed Guiney (POOR THINGS), and acting legends Fiona Shaw (MY LEFT FOOT, KILLING EVE) and Carrie Crowley (THE QUIET GIRL).Part travelogue, part deep-dive storytelling, the latest season sees host Rico Gagliano jet off to Ireland, Amsterdam, Mexico City, Los Angeles and Istanbul, to learn about their cultures through the lens of cinema. Season 8's guests include actors Gael García Bernal (AMORES PERROS) and Fiona Shaw (HOT MILK), writer/directors Rich Peppiatt (KNEECAP), Evan Goldberg (THE STUDIO) and Halina Reijn (BABYGIRL), producer Ed Guiney (POOR THINGS), production designer Eugenio Caballero (ROMA) and a host of other filmmakers, programmers, academics, cinema owners, critics, tour guides, and festival directors.BRING THEM DOWN is now streaming on MUBI in North America, UK, Ireland, Latin America, Netherlands, Turkey and more. You can also catch the wonderful Fiona Shaw in HOT MILK, adapted from Deborah Levy's bestselling novel. In cinemas July 4 across the UK, Ireland, Latin America, Germany and more. A MUBI release.To watch some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.

How has the media distorted Israel's response to the October 7 Hamas attacks? In this powerful conversation from AJC Global Forum 2025, award-winning journalist and former AP correspondent Matti Friedman breaks down the media bias, misinformation, and double standards shaping global coverage of Israel. Moderated by AJC Chief Communications and Strategy Officer Belle Etra Yoeli, this episode explores how skewed narratives have taken hold in the media, in a climate of activist journalism. A must-listen for anyone concerned with truth in journalism, Israel advocacy, and combating disinformation in today's media landscape. Take Action: Take 15 seconds and urge your elected leaders to send a clear, united message: We stand with Israel. Take action now. Resources: Global Forum 2025 session with Matti Friedman:: Watch the full video. Listen – AJC Podcasts: The Forgotten Exodus: Untold stories of Jews who left or were driven from Arab nations and Iran People of the Pod:  Latest Episodes:  John Spencer's Key Takeaways After the 12-Day War: Air Supremacy, Intelligence, and Deterrence Iran's Secret Nuclear Program and What Comes Next in the Iranian Regime vs. Israel War Why Israel Had No Choice: Inside the Defensive Strike That Shook Iran's Nuclear Program Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts or Spotify. Transcript of the Interview: Manya Brachear Pashman: I've had the privilege of interviewing journalism colleague Matti Friedman: twice on this podcast. In 2022, Matti took listeners behind the scenes of Jerusalem's AP bureau where he had worked between 2006 and 2011 and shared some insight on what happens when news outlets try to oversimplify the Israeli-Palestinian conflict. Then in 2023, I got to sit down with Matti in Jerusalem to talk about his latest book on Leonard Cohen and how the 1973 Yom Kippur War was a turning point both for the singer and for Israel.  Earlier this year, Matti came to New York for AJC Global Forum 2025, and sat down with Belle Yoeli, AJC Chief Strategy and Communications Officer. They rehashed some of what we discussed before, but against an entirely different backdrop: post-October 7. For this week's episode, we bring you a portion of that conversation.  Belle Yoeli:   Hi, everyone. Great to see all of you. Thank you so much for being here. Matti, thank you for being here.  Matti Friedman:   Thanks for having me.  Belle Yoeli:   As you can tell by zero empty seats in this room, you have a lot of fans, and unless you want to open with anything, I'm going to jump right in. Okay, great.  So for those of you who don't know, in September 2024 Matti wrote a piece in The Free Press that is a really great foundation for today's discussion. In When We Started to Lie, Matti, you reflect on two pieces that you had written in 2015 about issues of media coverage of Israel during Operation Protective Edge in 2014. And this piece basically talked about the conclusions you drew and how they've evolved since October 7. We're gonna get to those conclusions, but first, I'm hoping you can describe for everyone what were the issues of media coverage of Israel that you first identified based on the experience in 2014? Matti Friedman:   First of all, thanks so much for having me here, and thanks for all of the amazing work that you guys are doing. So it's a real honor for me. I was a reporter for the AP, between 2006 and the very end of 2011, in Jerusalem. I was a reporter and editor. The AP, of course, as you know, is the American news agency. It's the world's largest news organization, according to the AP, according to Reuters, it's Reuters. One of them is probably right, but it's a big deal in the news world.  And I had an inside view inside one of the biggest AP bureaus. In fact, the AP's biggest International Bureau, which was in Jerusalem. So I can try to sketch the problems that I saw as a reporter there. It would take me seven or eight hours, and apparently we only have four or five hours for this lunch, so I have to keep it short. But I would say there are two main problems. We often get very involved. When we talk about problems with coverage of Israel. We get involved with very micro issues like, you call it a settlement. I call it a neighborhood. Rockets, you know, the Nakba, issues of terminology. But in fact, there are two major problems that are much bigger, and because they're bigger, they're often harder to see. One of the things that I noticed at the Bureau was the scale of coverage of Israel. So at the time that I was at the AP, again, between 2006 and the very end of 2011 we had about 40 full time staffers covering Israel. That's print reporters like me, stills photographers, TV crews. Israel, as most of you probably know, is a very small country. As a percentage of the world's surface, Israel is 1/100 of 1% of the surface of the world, and as a percentage of the land mass of the Arab world, Israel is 1/5 of 1%. 0.2%.  And we had 40 people covering it.  And just as a point of comparison, that was dramatically more people than we had at the time covering China. There are about 10 million people today in Israel proper, in China, there are 1.3 billion. We had more people in Israel than we had in China. We had more people in Israel than we had in India, which is another country of about 1.3 billion people. We had more people in Israel than we had in all of the countries of Sub-Saharan Africa. That's 50 something countries. So we had more people in Israel than we had in all of those countries combined. And sometimes I say that to Jews, I say we covered Israel more than we covered China, and people just stare at me blankly, because it's Israel. So of course, that makes perfect sense.  I happen to think Israel is the most important country in the world because I live there. But if the news is meant to be a rational analysis of events on planet Earth, you cannot cover Israel more than you cover the continent of Africa. It just doesn't make any sense. So one of the things that first jumped out at me– actually, that's making me sound smarter than I am. It didn't jump out at me at first. It took a couple of years. And I just started realizing that it was very strange that the world's largest organization had its largest international bureau in the State of Israel, which is a very small country, very small conflict in numeric terms. And yet there was this intense global focus on it that made people think that it was the most important story in the world. And it definitely occupies a place in the American political imagination that is not comparable to any other international conflict.  So that's one part of the problem. That was the scope, the other part was the context. And it took me a while to figure this out, but the coverage of Israel is framed as an Israeli-Palestinian conflict. The conflict is defined in those terms, the Israeli Palestinian conflict, and everyone in this room has heard it discussed in those terms. Sometimes we discuss it in those terms, and that is because the news folks have framed the conflict in those terms. So at the AP bureau in Jerusalem, every single day, we had to write a story that was called, in the jargon of the Bureau, Is-Pals, Israelis, Palestinians. And it was the daily wrap of the Israeli Palestinian conflict. So what Netanyahu said, what Abbas said, rockets, settlers, Hamas, you know, whatever, the problem is that there isn't an Israeli=Palestinian conflict. And I know that sounds crazy, because everyone thinks there is.  And of course, we're seeing conflicts play out in the most tragic way right now in Gaza. But most of Israel's wars have not been fought against Palestinians. Israel has unfortunately fought wars against Egyptians and Jordanians and Lebanese and Iraqis. And Israel's most important enemy at the moment, is Iran, right? The Iranians are not Palestinian. The Iranians are not Arab. They're Muslim, but they're not Arab. So clearly, there is a broader regional conflict that's going on that is not an Israeli Palestinian conflict, and we've seen it in the past year. If we had a satellite in space looking down and just following the paths of ballistic missiles and rockets fired at Israel. Like a photograph of these red trails of rockets fired at Israel. You'd see rockets being fired from Iraq and from Yemen and from Lebanon and from Gaza and from Iran. You'd see the contours of a regional conflict.  And if you understand it's a regional conflict, then you understand the way Israelis see it. There are in the Arab world, 300 million people, almost all of them Muslim. And in one corner of that world, there are 7 million Jews, who are Israelis. And if we zoom out even farther to the level of the Islamic world, we'll see that there are 2 billion people in the Islamic world. There's some argument about the numbers, but it's roughly a quarter of the world's population. And in one corner of that world there, there are 7 million Israeli Jews. The entire Jewish population on planet Earth is a lot smaller than the population of Cairo.  So the idea that this is an Israeli-Palestinian conflict, where Israelis are the stronger side, where Israelis are the dominant actor, and where Israelis are, let's face it, the bad guy in the story, that's a fictional presentation of a story that actually works in a completely different way. So if you take a small story and make it seem big. If you take a complicated regional story and you make it seem like a very small local story involving only Israelis and Palestinians, then you get the highly simplified but very emotive narrative that everyone is being subjected to now. And you get this portrayal of a villainous country called Israel that really looms in the liberal imagination of the West as an embodiment of the worst possible qualities of the age. Belle Yoeli:   Wow. So already you were seeing these issues when you were reporter, earlier on. But like this, some of this was before and since, since productive edge. This is over 10 years ago, and here we are. So October 7 happens. You already know these issues exist. You've identified them. How would you describe because obviously we have a lot of feelings about this, but like, strictly as a journalist, how would you describe the coverage that you've seen since during October 7, in its aftermath? Is it just these issues? Have they? Have they expanded? Are there new issues in play? What's your analysis? Matti Friedman:   The coverage has been great. I really have very I have no criticism of it. I think it's very accurate. I think that I, in a way, I was lucky to have been through what I went through 10 or 15 years ago, and I wasn't blindsided on October 7, as many people were, many people, quite naturally, don't pay close attention to this. And even people who are sympathetic to Israel, I think, were not necessarily convinced that my argument about the press was right. And I think many people thought it was overstated.  And you can read those articles from 2014 one was in tablet and one was in the Atlantic, but it's basically the two chapters of the same argument. And unfortunately, I think that those the essays, they stand up. In fact, if you don't really look at the date of the essays, they kind of seem that they could have been written in the past year and a half. And I'm not happy about that. I think that's and I certainly wrote them in hopes that they would somehow make things better. But the issues that I saw in the press 15 years ago have only been exacerbated since then. And October seven didn't invent the wheel. The issues were pre existing, but it took everything that I saw and kind of supercharged it.  So if I talked about ideological conformity in the bureaus that has been that has become much more extreme. A guy like me, I was hired in 2006 at the AP. I'm an Israeli of center left political leanings. Hiring me was not a problem in 22,006 by the time I left the AP, at the end of 2011 I'm pretty sure someone like me would not have been hired because my views, which are again, very centrist Israeli views, were really beyond the pale by the time that I left the AP, and certainly, and certainly today, the thing has really moved what I saw happening at the AP. And I hate picking on the AP because they were just unfortunate enough to hire me. That was their only error, but what I'm saying about them is true of a whole new. Was heard. It's true of the Times and CNN and the BBC, the news industry really works kind of as a it has a herd mentality. What happened was that news decisions were increasingly being made by people who are not interested in explanatory journalism. They were activists. Activists had moved into the key positions in the Bureau, and they had a very different idea of what press coverage was supposed to do. I would say, and I tried to explain it in that article for the free press, when I approach a news story, when I approach the profession of journalism, the question that I'm asking is, what's going on? That's the question I think you're supposed to ask, what's going on? How can I explain it in a way that's as accurate as as possible? The question that was increasingly being asked was not what's going on. The question was, who does this serve? That's an activist question. So when you look at a story, you don't ask, is it true, or is it not true? You ask, who's it going to help? Is it going to help the good guys, or is it going to help the bad guys?  So if Israel in the story is the villain, then a story that makes Israel seem reasonable, reasonable or rational or sympathetic needs to be played down to the extent possible or made to disappear. And I can give you an example from my own experience.  At the very end of 2008 two reporters in my bureau, people who I know, learned of a very dramatic peace offer that Prime Minister Ehud Olmert had made to the Palestinians. So Olmert, who was the prime minister at the time, had made a very far reaching offer that was supposed to see a Palestinian state in all of Gaza, most of the West Bank, with land swaps for territory that Israel was going to retain, and a very far reaching international consortium agreement to run the Old City of Jerusalem. Was a very dramatic. It was so far reaching, I think that Israelis probably wouldn't have supported it. But it was offered to the Palestinian side, and the Palestinians rejected it as insufficient. And two of our reporters knew about this, and they'd seen a map of the offer. And this was obviously a pretty big story for a bureau that had as the thrust of its coverage the peace process.  The two reporters who had the story were ordered to drop it, they were not allowed to cover the story. And there were different explanations. And they didn't, by the way, AP did not publish the story at the time, even though we were the first to have it. Eventually, it kind of came out and in other ways, through other news organizations. But we knew at first. Why were we not allowed to cover it? Because it would have made the Israelis who we were trying to villainize and demonize, it would have made Israel seem like it was trying to solve the conflict on kind of reasonable lines, which, of course, was true at that time. So that story would have upended the thrust of our news coverage. So it had to be made to go away, even though it was true, it would have helped the wrong people. And that question of who does this serve has destroyed, I want to say all, but much, of what used to be mainstream news coverage, and it's not just where Israel is concerned.  You can look at a story like the mental health of President Biden, right. Something's going on with Biden at the end of his term. It's a huge global news story, and the press, by and large, won't touch it, because why? I mean, it's true, right? We're all seeing that it's true, but why can't you touch it? Because it would help the wrong people. It would help the Republicans who in the press are the people who you are not supposed to help.  The origins of COVID, right? We heard one story about that. The true story seems to be a different story. And there are many other examples of stories that are reported because they help the right people, or not reported because they would help the wrong people. And I saw this thinking really come into action in Israel 10 or 15 years ago, and unfortunately, it's really spread to include the whole mainstream press scene and really kill it.  I mean, essentially, anyone interested in trying to get a solid sense of what's going on, we have very few options. There's not a lot, there's not a lot out there. So that's the broader conclusion that I drew from what I thought at the time was just a very small malfunction involving Israel coverage. But Israel coverage ends up being a symptom of something much bigger, as Jews often are the symptom of something much bigger that's going on.  So my problems in the AP bureau 15 years ago were really a kind of maybe a canary in the coal mine, or a whiff of something much bigger that we were all going to see happen, which is the transformation of the important liberal institutions of the west into kind of activist arms of a very radical ideology that has as its goal the transformation of the west into something else. And that's true of the press, and it's true of NGO world, places like Human Rights Watch and Amnesty International, which were one thing 30 years ago and are something very different today. And it's also true of big parts of the academy. It's true of places like Columbia and places like Harvard, they still have the logo, they still have the name, but they serve a different purpose, and I just happen to be on the ground floor of it as a reporter. Belle Yoeli:   So obviously, this concept of who does this serve, and this activist journalism is deeply concerning, and you actually mentioned a couple other areas, academia, obviously we're in that a lot right now in terms of what's going on campus. So I guess a couple of questions on that. First of all, think about this very practically, tachlis, in the day to day.  I'm a journalist, and I go to write about what's happening in Gaza. What would you say is, if you had to throw out a percentage, are all of them aware of this activist journalist tendency? Or you think it's like, like intentional for many of them, or it's sort of they've been educated that way, and it's their worldview in such a way that they don't even know that they're not reporting the news in a very biased way. Does that make sense? Matti Friedman:   Totally. I think that many people in the journalism world today view their job as not as explaining a complicated situation, but as swaying people toward the correct political conclusion. Journalism is power, and the power has to be wielded in support of justice. Now, justice is very slippery, and, you know, choosing who's in the right is very, very slippery, and that's how journalism gets into a lot of trouble. Instead of just trying to explain what's going on and then leave, you're supposed to leave the politics and the activism to other people. Politics and activism are very important.  But unless everyone can agree on what is going on, it's impossible to choose the kind of act, the kind of activism that would be useful. So when the journalists become activists, then no one can understand what's what's going on, because the story itself is fake, and there are many, many examples of it. But you know, returning to what you asked about, about October 7, and reporting post October 7, you can really see it happen. The massacres of October 7 were very problematic for the ideological strain that now controls a lot of the press, because it's counterintuitive. You're not supposed to sympathize with Israelis.  And yet, there were a few weeks after October 7 when they were forced to because the nature of the atrocities were so heinous that they could not be ignored. So you had the press covering what happened on October 7, but you could feel it. As someone who knows that scene, you could feel there was a lot of discomfort. There was a lot of discomfort. It wasn't their comfort zone, and you knew that within a few weeks, maybe a month, it was gonna snap back at the first opportunity.  When did it snap back? In the story of the Al Ahli hospital strike. If you remember that a few weeks in, there's a massive global story that Israel has rocketed Hospital in Gaza and killed about 500 people and and then you can see the kind of the comfort the comfort zone return, because the story that the press is primed to cover is a story about villainous Israelis victimizing innocent Palestinians, and now, now we're back. Okay. Now Israel's rocketing hospital. The problem was that it hadn't happened, and it was that a lot of stories don't happen, and they're allowed to stand.  But this story was so far from the truth that even the people involved couldn't make it work, and it had to be retracted, but it was basically too late. And then as soon as the Israeli ground offensive got into swing in Gaza, then the story really becomes the same old story, which is a story of Israel victimizing Palestinians for no reason. And you'll never see Hamas militants in uniform in Gaza. You just see dead civilians, and you'll see the aftermath of a rocket strike when the, you know, when an Israeli F16 takes out the launcher, but you will never see the strike. Which is the way it's worked in Gaza since the very end of 2008 which is when the first really bad round of violence in Gaza happens, which is when I'm at the AP.  As far as I know, I was the first staffer to erase information from the story, because we were threatened by Hamas, which happened at the very end of 2008. We had a great reporter in Gaza, a Palestinian who had always been really an excellent reporter. We had a detail in a story. The detail was a crucial one. It was that Hamas fighters were dressed as civilians and were being counted as civilians in the death toll, an important thing to know, that went out in an AP story. The reporter called me a few hours later. It was clear that someone had spoken to him, and he told me, I was on the desk in Jerusalem, so I was kind of writing the story from the main bureau in Jerusalem. And he said, Matti, you have to take that detail out of the story. And it was clear that someone had threatened him. I took the detail out of the story. I suggested to our editors that we note in an Editor's Note that we were now complying with Hamas censorship. I was overruled, and from that point in time, the AP, like all of its sister organizations, collaborates with Hamas censorship in Gaza.  What does that mean? You'll see a lot of dead civilians, and you won't see dead militants. You won't have a clear idea of what the Hamas military strategy is. And this is the kicker, the center of the coverage will be a number, a casualty number, that is provided to the press by something called the Gaza health ministry, which is Hamas. And we've been doing that since 2008, and it's a way of basically settling the story before you get into any other information. Because when you put, you know, when you say 50 Palestinians were killed, and one Israeli on a given day, it doesn't matter what else you say. The numbers kind of tell their own story, and it's a way of settling the story with something that sounds like a concrete statistic. And the statistic is being, you know, given to us by one of the combatant sides. But because the reporters sympathize with that side, they're happy to play along. So since 2008, certainly since 2014 when we had another serious war in Gaza, the press has not been covering Gaza, the press has been essentially an amplifier for one of the most poisonous ideologies on Earth. Hamas has figured out how to make the press amplify its messaging rather than covering Hamas. There are no Western reporters in Gaza. All of the reporters in Gaza are Palestinians, and those people fall into three categories. Some of them identify with Hamas. Some of them are intimidated by Hamas and won't cross Hamas, which makes a lot of sense. I wouldn't want to cross Hamas either. So either. And the third category is people who actually belong to Hamas. That's where the information from Gaza is coming from. And if you're credulous, then of course, you're going to get a story that makes Israel look pretty bad. Belle Yoeli:   So this is very depressing. That's okay. It's very helpful, very depressing. But on that note, I would ask you so whether, because you spoke about this problem in terms, of, of course, the coverage of Israel, but that it's it's also more widespread you talk, you spoke about President Biden in your article, you name other examples of how this sort of activist journalism is affecting everything we read. So what should everyone in this room be reading, truly, from your opinion. This is Matti's opinion. But if you want to you want to get information from our news and not activist journalism, obviously The Free Press, perhaps. But are there other sites or outlets that you think are getting this more down the line, or at least better than some, some better than others?  Matti Friedman:   No, it's just The Free Press. No. I mean, it's a question that I also wrestle with. I haven't given up on everyone, and even in publications that have, I think, largely lost the plot, you'll still find good stuff on occasion. So I try to keep my eye on certain reporters whose name I know. I often ask not just on Israel, but on anything, does this reporter speak the language of the country that they're covering? You'd be shocked at how rare that is for Americans. A lot of the people covering Ukraine have no idea what language they speak in Ukraine, and just as someone who covers Israel, I'm aware of the low level of knowledge that many of the Western reporters have. You'll find really good stuff still in the Atlantic. The Atlantic has managed, against steep odds, to maintain its equilibrium amid all this. The New Yorker, unfortunately, less so, but you'll still see, on occasion, things that are good. And there are certain reporters who are, you know, you can trust. Isabel Kirchner, who writes for The New York Times, is an old colleague of mine from the Jerusalem report. She's excellent, and they're just people who are doing their job. But by and large, you have to be very, very suspicious of absolutely everything that you read and see. And I'm not saying that as someone who I'm not happy to say that, and I certainly don't identify with, you know, the term fake news, as it has been pushed by President Trump.  I think that fake news is, you know, for those guys, is an attempt to avoid scrutiny. They're trying to, you know, neuter the watchdog so that they can get away with whatever they want. I don't think that crowd is interested in good press coverage. Unfortunately, the term fake news sticks because it's true. That's why it has worked. And the press, instead of helping people navigate the blizzard of disinformation that we're all in, they've joined it. People who are confused about what's going on, should be able to open up the New York Times or go to the AP and figure out what's going on, but because, and I saw it happen, instead of covering the circus, the reporters became dancing bears in the circus. So no one can make heads or tails of anything. So we need to be very careful.  Most headlines that are out there are out there to generate outrage, because that's the most predictable generator of clicks, which is the, we're in a click economy. So I actually think that the less time you spend following headlines and daily news, the better off you'll be. Because you can follow the daily news for a year, and by the end of the year, you'll just be deranged. You'll just be crazy and very angry.  If you take that time and use it to read books about, you know, bitten by people who are knowledgeable, or read longer form essays that are, you know, that are obviously less likely to be very simplistic, although not, you know, it's not completely impossible that they will be. I think that's time, that's time better spent. Unfortunately, much of the industry is kind of gone. And we're in an interesting kind of interim moment where it's clear that the old news industry is basically dead and that something new has to happen. And those new things are happening. I mean, The Free Press is part of a new thing that's happening. It's not big enough to really move the needle in a dramatic way yet, but it might be, and I think we all have to hope that new institutions emerge to fill the vacuum.  The old institutions, and I say this with sorrow, and I think that this also might be true of a lot of the academic institutions. They can't be saved. They can't be saved. So if people think that writing an editor, a letter to the editor of the New York Times is going to help. It's not going to help. Sometimes people say, Why don't we just get the top people in the news industry and bring them to Israel and show them the truth? Doesn't help. It's not about knowing or not knowing. They define the profession differently.  So it's not about a lack of information. The institutions have changed, and it's kind of irrevocable at this point, and we need new institutions, and one of them is The Free Press, and it's a great model of what to do when faced with fading institutions. By the way, the greatest model of all time in that regard is Zionism. That's what Zionism is. There's a guy in Vienna in 1890 something, and his moment is incredibly contemporary. There's an amazing biography of Herzl called Herzl by Amos Elon. It's an amazing book. If you haven't read it, you should read it, because his moment in cosmopolitan Vienna sounds exactly like now. It's shockingly current. He's in this friendly city. He's a reporter for the New York Times, basically of the Austro Hungarian empire, and he's assimilated, and he's got a Christmas tree in his house, and his son isn't circumcised, and he thinks everything is basically great. And then the light changes.  He notices that something has changed in Vienna, and the discourse about Jews changes, and like in a Hollywood movie, the light changes. And he doesn't try to he doesn't start a campaign against antisemitism. He doesn't get on social media and kind of rail against unfair coverage. He sits down in a hotel room in Paris and he writes this pamphlet called the Jewish state, and I literally flew from that state yesterday. So there's a Zionist model where you look at a failing world and you think about radical solutions that involve creation. And I think we're there. And I think Herzl's model is a good one at a dark time you need real creativity. Belle Yoeli:   Thank God you found the inspiration there, because I was really, I was really starting to worry. No, in all seriousness, Matti, the saying that these institutions can't be saved. I mean the consequences of this, not just for us as pro-Israel, pro-Jewish advocates, but for our country, for the world, the countries that we come from are tremendous.  And the way we've been dealing with this issue and thinking about how, how can you change hearts and minds of individuals about Israel, about the Jewish people, if everything that they're reading is so damaging and most of what they're reading is so damaging and basically saying there's very little that we can do about that. So I am going to push you to dream big with us. We're an advocacy organization. AJC is an advocacy organization. So if you had unlimited resources, right, if you really wanted to make change in this area, to me, it sounds like you're saying we basically need 15 Free Presses or the new institutions to really take on this way. What would you do? What would you do to try to make it so that news media were more like the old days? Matti Friedman:   Anyone who wants unlimited resources should not go into journalism. I have found that my resources remain limited. I'll give you an answer that is probably not what you're expecting or not what you want here. I think that the fight can't be won. I think that antisemitism can't be defeated. And I think that resources that are poured into it are resources wasted. And of course, I think that people need legal protection, and they need, you know, lawyers who can protect people from discrimination and from defamation. That's very important. But I know that when people are presented with a problem like antisemitism, which is so disturbing and it's really rocking the world of everyone in this room, and certainly, you know, children and grandchildren, you have a problem and you want to address it, right? You have a really bad rash on your arm. You want the rash to go away, and you're willing to do almost anything to make it go away. This has always been with us. It's always been with us.  And you know, we recently celebrated the Seder, and we read in the Seder, in the Haggadah, l'chol dor vador, omdim aleinu l'chaloteinu. Which is, in every generation, they come at us to destroy us. And it's an incredibly depressing worldview. Okay, it's not the way I wanted to see the world when I grew up in Toronto in the 1990s. But in our tradition, we have this idea that this is always gonna be around. And the question is, what do you do? Do you let other people define you? Do you make your identity the fight against the people who hate you? And I think that's a dead end.  This crisis is hitting the Jewish people at a moment when many of us don't know who we are, and I think that's why it's hitting so hard. For my grandfather, who was a standard New York Jew, garment industry, Lower East Side, poor union guy. This would not have shaken him, because he just assumed that this was the world like this. The term Jewish identity was not one he ever heard, because it wasn't an issue or something that had to be taught. So if I had unlimited resources, what I would do is I would make sure that young Jewish people have access to the riches of Jewish civilization, I would, you know, institute a program that would allow any young Jewish person to be fluent in Hebrew by the time they finish college. Why is that so important? Why is that such an amazing key?  Because if you're fluent in Hebrew, you can open a Tanakh, or you can open a prayer book if you want. Or you can watch Fauda or you can get on a plane to Israel and hit on Israeli guys. Hebrew is the key to Jewish life, and if you have it, a whole world will open up. And it's not one that antisemites can interfere with. It does not depend on the goodwill of our neighbors. It's all about us and what we're doing with ourselves. And I think that if you're rooted in Jewish tradition, and I'm not saying becoming religious, I'm just saying, diving into the riches of Jewish tradition, whether it's history or gemara or Israel, or whatever, if you're if you're deep in there enough, then the other stuff doesn't go away, but it becomes less important.  It won't be solved because it can't be solved, but it will fade into the background. And if we make the center of identity the fight against antisemitism, they've won. Why should they be the center of our identity? For a young person who's looking for some way of living or some deep kind of guide to life, the fight against antisemitism is not going to do it, and philanthropy is not going to do it. We come from the wisest and one of the oldest civilizations in the world, and many of us don't know how to open the door to that civilization, and that's in our hands. And if we're not doing it, it's not the fault of the antisemites. It's our own fault. So if I had unlimited resources, which, again, it's not, it's not going to happen unless I make a career change, that's where I would be putting my effort. Internally and not externally.  Belle Yoeli:   You did find the inspiration, though, again, by pushing Jewish identity, and we appreciate that. It's come up a lot in this conversation, this question about how we fight antisemitism, investing in Jewish identity and who we are, and at the same time, what do we do about it? And I think all of you heard Ted in a different context last night, say, we can hold two things, two thoughts at the same time, right? Two things can be true at the same time. And I think for me, what I took out of this, in addition to your excellent insights, is that that's exactly what we have to be doing.  At AJC, we have to be engaging in this advocacy to stand up for the Jewish people and the State of Israel. But that's not the only piece of the puzzle. Of course, we have to be investing in Jewish identity. That's why we bring so many young people to this conference. Of course, we need to be investing in Jewish education. That's not necessarily what AJC is doing, the bulk of our work, but it's a lot of what the Jewish community is doing, and these pieces have to go together. And I want to thank you for raising that up for us, and again, for everything that you said. Thank you all so much for being here. Thank you. Manya Brachear Pashman: If you missed last week's episode, be sure to tune in as John Spencer, Chair of Urban Warfare Studies at West Point, breaks down Israel's high-stakes strike on Iran's nuclear infrastructure and the U.S. decision to enter the fight. 

Sometimes, the fire of creativity is struck not by lightning but by the slow, smoldering ache of dissatisfaction. And in today's soul-stirring conversation, we welcome Shawn Whitney, a filmmaker who found cinema not in the corridors of academia, but in the quiet rebellion of self-taught screenwriting and micro-budget filmmaking. Shawn Whitney is a screenwriter, director, and founder of Micro Budget Film Lab who empowers indie creators to tell powerful stories on shoestring budgets.Our journey with Shawn begins not in childhood fantasies of movie stardom, but in the dense woods of Brechtian theater and the quiet study of old black-and-white films. His path wandered, as many worthwhile ones do, through rejection, basement solitude, and heartbreak—until something within him demanded not just expression but transmutation. Shawn didn't study film in college. Instead, he emerged from the theater world and fell into filmmaking after a failed workshop production left him broke and dispirited. Yet that fall became his rise. As he said, “I just started writing screenplays and learning the craft in the quiet shadows.”There's something beautiful in learning the art of story not from glamorous sets or high-priced workshops but from the bones of failed experiments and the echoes of dialogue bouncing around your own mind.Shawn described his education not with fanfare but humility—referencing Sid Field, Blake Snyder, and the ever-controversial Save the Cat—tools that became his spiritual guides, not rigid masters. And with every script, he refined a method. Not the method, mind you. A method. “You just need a method. You can't just be anarchy,” he mused.But perhaps what struck me most was Shawn's philosophy that screenwriting is not just structure—it's an argument about what makes life meaningful. Films, he insists, must be animated not by market trends, but by inner turmoil, by the strange flickering passions of the human heart. “It can't just be about chopping up zombies. Your characters must go through an inner transformation.” That idea—that a film is a living question—sets Shawn apart in a world often obsessed with following the formula instead of feeling the pulse.Shawn's micro-budget films—“A Brand New You” and “F*cking My Way Back Home”—aren't just titles that stick. They are rebellious acts of filmmaking born from limited means and limitless creativity.His stories unfold not in sprawling CGI landscapes, but in human longing, funny sadness, and philosophical absurdity. One film follows a man trying to clone his dead wife in the living room. Another explores redemption from the passenger seat of a towed Cutlass Supreme. With a budget of $7,000 and a borrowed tow truck, Shawn pulled off scenes that feel bigger than most tentpole blockbusters.But filmmaking, for Shawn, isn't just about his own expression. Through Micro Budget Film Lab, he's become a teacher, a mentor, and a kind of mad scientist in the alchemical lab of storytelling. His passion is not merely to direct, but to help others break free from the gatekeeping systems that keep fresh stories from being told. “We need a micro budget movement,” he declared, envisioning a cinematic rebellion where filmmakers use what they have to tell stories no one else dares to.Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Greg Sadler is a Los Angeles-based drummer who keeps a relentlessly busy schedule both in the studio and on the stage. He has provided the rhythmic foundation for GRAMMY, Emmy and Tony winners, Rock and Roll Hall of Fame Inductees, and many more.  He is a graduate of the University of North Texas, where he was a member of the six-time GRAMMY-nominated One O'Clock Lab Band in 2012. Greg also teaches privately and has coached some of the biggest names in Hollywood, helping actors prepare for on-screen drum features.

Madre Fire Expands to 35,000 Acres, Becoming California's Largest This Year / 7 Missing After Fireworks Warehouse Explodes in Northern California. L.A. ‘under siege': Federal lawsuit targets rampant immigration raids. California's film tax credit boost officially signed into law to lure back Hollywood jobs. Jeff Bezos & Lauren Sanchez Are Reportedly 'Livid' About One Star's Ruthless Criticism of Their Wedding.

Welcome to Bulletproof. I'm Steve Stanulis, and after years of keeping quiet about what I've witnessed in Hollywood, I'm finally ready to pull back the curtain on celebrity crime happening right now. In this pilot episode, I share why I've decided to speak out after living a triple life that nobody could believe - simultaneously working as an NYPD officer, Chippendales dancer, and celebrity bodyguard. Recent events, including someone I used to dance with testifying in the Diddy case, changed everything. You'll hear about my first private investigation case - going undercover as a male escort to catch a criminal extorting a high-powered woman. I literally put myself on escort websites and almost got plastic surgery to look like Ron Jeremy to nail this guy. I'll also share what it was really like working with Kanye West, including having to listen to him defend Bill Cosby in my car. Spoiler alert: he's exactly what you think he is. Unlike other true crime podcasts that rehash decades-old cases, Bulletproof focuses on active celebrity investigations happening right now. I'm not a retired cop telling old stories - I'm a licensed private investigator currently working celebrity crime cases and entertainment industry fraud. This isn't a tell-all - this is an ongoing investigation into celebrity crime you won't hear about anywhere else. Subscribe now and hit that notification bell for bi-weekly episodes exposing Hollywood's criminal underground. Follow me on social media @BulletproofTureCrimePodcast for exclusive content and reveals.   Follow Me!! Website: Film/Production - https://stanulisfilms.com/ Investigation - https://silvershieldinvestigation.com/ LinkedIn: https://www.linkedin.com/in/stevestanulis Youtube: https://www.youtube.com/@MrStanulis44 Instagram: https://www.instagram.com/stevestanulis/ Steve Stanulis Awards: https://www.imdb.com/name/nm1468541/awards/

ICYMI: Hour One of ‘Later, with Mo'Kelly' Presents – An in-depth look at the mixed verdict and implications of Music Industry Mogul Sean ‘Diddy' Combs being found guilty on 2 of 5 counts yet acquitted of most serious charges of sex trafficking and racketeering…PLUS – Thoughts on the new policy that allows college athletes in California to accept pay directly from Universities AND what the drastic drop in the homeless populations in Hollywood and Venice actually means big picture - on KFI AM 640…Live everywhere on the iHeartRadio app & YouTube @MrMoKelly

On this fifth episode of the MSA in 5 from Man Seeks Adventure Brad Fanshaw and Abby Iverson have some great tips. EPISODE 108 Hear About: • Watermelon Mojito • F1 The Film • Relationships • American Roadt Trips VISIT US: www.ManSeeksAdventure.com FOLLOW US ON INSTAGRAM @manseeksadventure @Bradley_Fanshaw @davidwmarek

This week's episode is a recording of the live show we did at Toronto's Comedy Bar on June 28, 2025. Our subject was Hollywood badboy Charlie Sheen. Brought to you By: The Sonar Network https://thesonarnetwork.com/

With a catalog full of art house favorites like The Witch, Spring Breakers, Moonlight, and Uncut Gems, it's hard to deny that A24 occupies a unique position in the zeitgeist. In a Hollywood landscape that can feel like it's becoming more risk-averse by the year — see our recent episode with Andrew Dewaard on his book Derivative Media — the artist-forward distributor and studio has become synonymous with a dream that, to many American cultural producers, feels increasingly remote: the conviction that one can doggedly put quality art out into the marketplace and see it actually succeed.But is A24 singlehandedly saving American cinema, or is that just a carefully crafted illusion, more a testament to the importance of smart brand positioning than to the actual quality of the films in its catalog? We brought on the Las Vegas-based writer and critic Nicholas Russell, author of an excellent essay for Dirt called “​​The Popular Alternative: the State of A24,” to discuss how the company evolved from an upstart indie film distributor to a studio and lifestyle brand in the mold of Disney — albeit one for adults who pride themselves in being savvy cultural consumers.We talk about how the company successfully commodified the idea of being “a cinephile,” the similarities between the A24 cap and the New York tote, and what Nicholas describes as the longstanding “tension between A24 the studio and A24 the startup” — one recently complicated by a $100 million cash injection from Josh Kushner's Thrive Capital, a major investor in OpenAI. We also try to break down the ineffable A24 “feel” (including the aesthetic elements and political themes the company tends to foreground, and shy away from) and consider the rise of Neon — the distributor behind movies like Parasite, Anora, and How to Blow Up a Pipeline — as the “other popular alternative.”Follow Nicholas on X and SubstackRead more by Nicholas hereRecommended reading about A24 and the Hollywood system from Nicholas:"The Life and Death of Hollywood" by Daniel Bessner (Harpers)"A24's Risky Hollywood Moment" by Felix Gillette (Bloomberg)Hollywood: The Oral History by Jeanine Basinger and Sam Wasson (Harper Collins) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit theculturejournalist.substack.com/subscribe

What does it take to make a B2B show that lasts 150 episodes—and gets better with age?In this special milestone episode, co-hosts Ian Faison, CEO of Caspian Studios, and Meredith Gooderham, Head of Production at Caspian, reflect on the lessons, mistakes, surprises, and joys of building Remarkable over the last few years. From behind-the-scenes pivots to favorite creative risks, this candid conversation offers a meta-view into what makes B2B content stand out—and what happens when you treat your show like the most important product your marketing team will ever build.Whether you're a longtime listener or just tuning in, this episode is packed with real talk, marketing takeaways, and a few inside stories about what it takes to create content that connects.What We've Learned From Creating 149 Episodes: Original ideas are harder—but worth it. Great content almost always starts with one person pushing an idea through resistance. From Murder in HR to documentary-style storytelling, the best creative work came from taking risks and backing a vision—despite obstacles or skepticism.Passion beats polish. The most compelling episodes are when guests bring personal enthusiasm for a topic—whether it's fishing, Formula 1, or reality TV. That energy translates into richer insights, better marketing takeaways, and more authentic conversations.B2B content doesn't have to look like B2B. Audiences crave genres they already love—like comedy, true crime, or documentary. When B2B brands stop copying each other and start tapping into broader content formats, they unlock massive creative potential.Quotes“ I would do this show if nobody listened because it's so valuable for me to talk to other brilliant marketing people about what inspires them, because it inspires so much of my own creativity.”“ It takes conviction to be able to sell a big idea, and big swings make big hits. And that happens over and over and over again.”“ Playing it safe is not safe.”“ It's so cool to find out what people are excited about outside of work, but also to combine that with their expertise and see what lessons they can draw from it. And how they're using their personal life in their professional life and vice versa has been super cool.”Time Stamps[01:10] Reflecting on 149 Episodes[02:44] Lessons From Creating Great Content[08:29] Partnering for Success[10:55] Taking Risks in Marketing[14:53] Takeaways from 149 Episodes[35:57] Mistakes and Lessons Learned[46:30] Guest Booking Insights[48:24] Final Thoughts and TakeawaysLinksConnect with Ian on LinkedInConnect with Meredith on LinkedInAbout Remarkable!Remarkable! is created by the team at Caspian Studios, the premier B2B Podcast-as-a-Service company. Caspian creates both nonfiction and fiction series for B2B companies. If you want a fiction series check out our new offering - The Business Thriller - Hollywood style storytelling for B2B. Learn more at CaspianStudios.com. In today's episode, you heard from Ian Faison (CEO of Caspian Studios) and Meredith Gooderham (Head of Production). Remarkable was produced this week by Jess Avellino, mixed by Scott Goodrich, and our theme song is “Solomon” by FALAK. Create something remarkable. Rise above the noise.

Baywatch Berlin ist ein Laberpodcast. Kein Dokument der Zeitgeschichte. Kein popkultureller Diskurs. Keine Chronik unserer Zeit. Ein Laberpodcast. Falls irgendein armer Willi jemals etwas anderes in das Geschwafel von Heufer-Umlauf, Schmitt und Lundt reininterpretiert hat, dann wird ihm spätestens mit dieser Folge jede Illusion geraubt. Denn während seriöse Fernsehkünstler wie Böhmermann „die politischen, gesellschaftlichen und juristischen Fragen der Gegenwart dort stellen, wo sie verhandeln werden“, quasselt Baywatch Berlin minutenlang über: einen toten Fisch. Der hat nämlich erst ein paar Badegäste in die Klöten und dann ins Gras gebissen, weil irgendein Judge Dread aus Gunzenhausen seine Dienstwaffe gezückt und das Problem mit dem Klötenkneifer unbürokratisch gelöst hat. Für die Podcastanalyse dieses Zwischenfalls wird sicher kein Museum seine Pforten öffnen. 1:0 Böhmermann. Auch für das zweite „RIESENTHEMA DIESER WOCHE“ wird kein Kunstmäzen das Scheckbuch zücken: Nachdem in der letzten Folge des (bisherigen) Partnerpodcasts „Kaulitz Hills“ eine regelrechte Hass-und Neidtirade auf unsere braven Buben von Baywatch Berlin gefeuert wurde, werden sämtliche Lügen, Anschuldigungen und Verleumdungen analysiert und korrigiert. Hier wird für alle Ewigkeit geklärt, ob „Geld verprassen“ schändlich ist, ob Florida TV eine Kantine hat, wem „die weiße Villa“ gehört und ob man mit einem Videopodcast „ein paar Extramilliönchen“ verdienen kann. Bei diesem Thema werden „die Korridore des Sagbaren, Erkundbaren und Darstellbaren geweitet“, was aber trotzdem nicht fürs Museum, sondern maximal für einen simplen Laberpodcast reicht. Die größte Kunst besteht manchmal auch darin zu wissen, wer man ist und was man kann: Drei Freunde und Kollegen, die ne Stunde labern, rumgiggeln und die Tonaufnahme jede Woche in der Galerie „Baywatch Berlin“ ausstellen. Du möchtest mehr über unsere Werbepartner erfahren? [**Hier findest du alle Infos & Rabatte!**](https://linktr.ee/BaywatchBerlin)

Nick Kypreos, Justin Bourne and Sam McKee start with their reaction to Nikolaj Ehlers signing with the Carolina Hurricanes before welcoming in LA Kings GM Ken Holland to the show (5:13). He discusses his transition from Edmonton to Hollywood, the Kings' moves so far this offseason, the significance of Quinton Byfield's development, and how the team gets over the 'Oilers hurdle' next season. Later, Nick, Justin and Sam share their thoughts on the Sharks picking up Dmitry Orlov and the Blues' bargain deal for Pius Suter. Finally, they react to Sportsnet's Top 25 NHL players list and play a game of 'True or False.'The views and opinions expressed in this podcast are those of the hosts and guests and do not necessarily reflect the position of Rogers Sports & Media or any affiliates.

Craig Anton joins The Reyes Reflection for a hilarious and nostalgic conversation about his illustrious journey through Hollywood. From his unforgettable roles on Disney Channel classics like Phil of the Future to his unexpected pickup basketball games with other celebrities such as Jaime Foxx on set. Craig shares behind-the-scenes stories that span decades of comedy, acting, and adventure. He also opens up about his work as a dedicated teacher and mentor at the Savannah College of Arts and Design, going into great detail about how he's shaping the next generation of performers with the same passion he brought to the screen. Plus, we wrap with playing a special game where Craig reminisces about some of his most iconic and surprising roles.E116Host: Nathanael ReyesGuest: Craig Anton⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/imnathanaelreyes⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow Me - @imnathanaelreyesShop ARAVE Cards *$15 Dollars Off*⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.whatnot.com/invite/aravecards⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Shop SMACKIN' Sunflower Seeds - CODE: NATHANAEL99963⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.smackinsunflowerseeds.com/NATHANAEL99963⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Shop Jocko Fuel - CODE: REYESREFLECTION ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://jockofuel.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Shop Mad Rabbit - CODE: REYESREFLECTION ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.madrabbit.com

Jessica Szohr has starred in Gossip Girl, The Orville, Shameless, and more—but she's never talked about the money lessons she's learned behind the scenes… until now. In this episode, Jessica opens up about what she learned about money modeling as a child, the financial realities of Hollywood, and how Gossip Girl shaped her perspective on wealth and status. She shares untold behind the scenes stories from the set, like the unbelievable way she was discovered, and reflects on the loss of her costar Michelle Trachtenberg. It's a candid, surprising, and deeply human conversation about fame, finances, and finding your voice.

Drake Bell joins Matt & Abby to reflect on his journey from childhood stardom to fatherhood. He shares why he doesn't receive residuals from Drake & Josh, how he went bankrupt, and the reality of being a young actor in Hollywood. Drake also opens up about surviving abuse at 15, what people misunderstood about Quiet On Set, and why he chose to speak out publicly. This episode is sponsored by Nutrafol: Visit https://nutrafol.com and enter promo code UNPLANNEDPOD for $10 off any order and free shipping when you subscribe. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We share a treasure trove of creative, easy parenting hacks from our listeners, as well as a happiness hack about creating a "prep station" bin to stay organized for trips and special events. In our "Know Yourself Better" segment, we explore how the desire to manage our own worry can lead us to burden or try to control others. Plus, we share some ideas related to reading. Resources & links related to this episode: Order your copy of Secrets of Adulthood Subscribe to Secrets of Adulthood on Substack Subscribe to Happier in Hollywood on Substack Check out the Libby app Elizabeth is reading: Climbing in Heels by Elaine Goldsmith-Thomas (Amazon, Bookshop) Gretchen is reading: A Man Called Ove by Fredrik Backman (Amazon, Bookshop) Get in touch: podcast@gretchenrubin.com Visit Gretchen's website to learn more about Gretchen's best-selling books, products from The Happiness Project Collection, and the Happier app. Find the transcript for this episode on the episode details page in the Apple Podcasts app. See omnystudio.com/listener for privacy information.

92%ers welcome back another episode of New Heights, brought to you by our friends at Audible!On today's episode, we're still figuring out the next movie in the New Heights Film Club, react to “Pin-Up Travis,” and show off some brand-new uniforms from the University of Cincinnati.Jason reveals all the chaos from year 5 of the shorebirds, which featured bikini waxes, charity speedos, and we find out who limped away from the stupidity that was Beer Bowl III.Travis breaks down everything that happened in Nashville at TEU, from getting to meet Jeremy Shockey, all the knowledge he dropped on his fellow TEs, and all of the celebrity surprises you might have heard about.And finally, we had a great conversation with Hollywood legend and star of F1: The Movie, Brad Pitt. The guys talk about the crazy behind the scenes production of this movie, our shared love of sports movies, Brad's favorite Chief's moments, how he ended up getting abducted on “jackass,” why he's always eating in movies, and more!Oh yeah, and Travis might eat mayo at the end of this episode.Check out F1: The Movie in theaters now!For even more New Heights, check out our New Heights YouTube Membership! As a member, you'll get access to full episodes, bonus videos, badges, and other stuff that will make you stand out.You can also listen to new episodes early and ad-free on Wondery+. Join Wondery+ in the Wondery App, Apple Podcasts or Spotify....Download the full podcast here:Wondery: https://wondery.app.link/s9hHTgtXpMbApple: https://podcasts.apple.com/us/podcast/new-heights/id1643745036Spotify:https://open.spotify.com/show/1y3SUbFMUSESC1N43tBleK?si=LsuQ4a5MRN6wGMcfVcuynwFollow New Heights on Social Media for all the best moments from the show:https://lnk.to/newheightshowCheck out all of our new Red, White and Blue merch collection at https://homage.com/newheightsSupport the Show:AUDIBLE: Sign up for a free 30-day trial at audible.com/newheightsPERPLEXITY: Discover fast and reliable search with Perplexity today. https://pplx.ai/new-heightsHELLMANN'S: After being challenged by Will Levis, see if Jason can convert Travis into a mayo lover with the help of Hellmann's spicy mayo. Mayo lovers, challenge the haters in your life to Eat Their Words, just like Travis. https://hellmanns.com/eatyourwordsAMERICAN EXPRESS: For full terms and to learn more, visit americanexpress.com/withAmexKINGSFORD: Grill with Kingsford https://www.kingsford.com/ALLSTATE: Checking first is smart. So, check https://Allstate.com first for a quote that could save you hundreds.DRAFT KINGS: Don't miss out on all the action this week at DraftKings! Download the DraftKings app today! Sign-up using dkng.co/newheights or through promo code NEWHEIGHTS.GAMBLING PROBLEM? CALL 1-800-GAMBLER, (800) 327-5050 or visit gamblinghelplinema.org (MA). Call 877-8-HOPENY/text HOPENY (467369) (NY). Please Gamble Responsibly. 888-789-7777/visit ccpg.org (CT), or visit www.mdgamblinghelp.org (MD). 21+ and present in most states. (18+ DC/KY/NH/WY). Void in ONT. Eligibility restrictions apply. Terms: draftkings.com/sportsbook. On behalf of Boot Hill Casino & Resort (KS). 1 per new customer. $5+ first-time bet req. Max. $150 issued as non-withdrawable Bonus Bets that expire in 7 days (168 hours). Stake removed from payout. Terms: sportsbook.draftkings.com/promos. Ends 8/3/25 at 11:59 PM ET. Sponsored by DK.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Check out our sponsors: ✅  Birch Gold - Text CHAD to 989898 Episode Description: Chad dives into the jaw-dropping verdict in Sean "Diddy" Combs' trial, where the music mogul was cleared of serious RICO and sex trafficking charges after a wild seven-week courtroom saga! Found guilty on lesser counts of transportation for prostitution, Diddy could still walk free—cue the baby oil celebrations!  Plus, Chad unpacks a Hollywood actor's unhinged attack on Trump supporters, sparking outrage and epic clapbacks. Get Chad's no-holds-barred take on these insane stories, with his signature wit and unfiltered commentary! Learn more about your ad choices. Visit megaphone.fm/adchoices

Montana Tucker sits down with Dr. Phil for a conversation about activism, resilience, and the power of storytelling. She opens up about her documentary The Children of October 7, Hollywood's reluctance to speak up about antisemitism, and how young generations are shaping the narrative. Through dance, social media, and personal testimonies, she's bringing awareness to the issues many hesitate to confront.  In This Episode:*The reality behind antisemitism and hate speech *The trauma survivors and children are still facing *Why Holocaust education is essential *The role of social media in fighting denial *Montana's mission to keep these voices alive Watch the full documentary: Children of October 7 now streaming globally on Paramount+ Stream this episode FREE: Merit+ App, Apple Podcasts, Spotify, and YouTube  “The Children of October 7” Footage: Courtesy: Paramount+ | MTV Documentary Films | Kastina Communications Montana Tucker: Instagram: https://instagram.com/montanatucker/  TikTok: https://www.tiktok.com/@montanatucker/  YouTube: https://www.youtube.com/montanatucker/ Facebook: https://www.facebook.com/MontanaTucker/  Subscribe | Rate | Review | Share:YouTube: https://bit.ly/3H3lJ8n    Apple Podcasts: https://apple.co/4jVk6rX     Spotify: https://bit.ly/4n6PCVZ Website: https://www.drphilpodcast.com  This episode is brought to you by Preserve Gold: Get your FREE precious metals guide. Visit https://drphilgold.com/  to claim your free guide. They have hundreds of 5-star reviews and millions of dollars in trusted transactions. As a bonus, you can get up to $15,000 with a qualified purchase from Preserve Gold. With price assurance, you can ensure you receive the best value.  #HolocaustEducation #Antisemitism #October7 #HollywoodSilence #Resilience  

America is turning 250. And we're throwing a yearlong celebration of the greatest country on Earth. The greatest? Yes. The greatest. We realize that's not a popular thing to say these days. Americans have a way of taking this country for granted: a Gallup poll released earlier this week shows that American pride has reached a new low. And the world at large, which is wealthier and freer than it has ever been in history thanks to American power and largesse, often resents us. We get it. As journalists, we spend most of our time finding problems and exposing them. It's what the job calls for. But if you only focus on the negatives, you get a distorted view of reality. As America hits this milestone birthday, it's worthwhile to take a moment to step back and look closely at where we actually are—and the reality of life in America today compared to other times and places. That reality is pretty spectacular. Could Thomas Jefferson and the men gathered in Philadelphia who wrote down the words that made our world—“We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness”—ever have imagined what their Declaration of Independence would bring? The Constitution. The end of slavery—and the defeat of Hitler. Astonishing wealth and medical breakthroughs. Silicon Valley. The most powerful military in the world. The moon landing. Hollywood. The Hoover Dam. The Statue of Liberty (a gift from France). Actual liberation (a thing we gave France). Humphrey Bogart and Tom Hanks. Josephine Baker and Beyoncé. Hot dogs. Corn dogs. American Chinese food. American Italian food. The Roosevelts and the Kennedys. The Barrymores and the Fondas. Winston Churchill (his mom was from Brooklyn). The Marshall Plan and Thurgood Marshall. Star Wars. Missile-defense shields. Baseball. Football. The military-industrial complex. Freedom of religion. UFO cults. Television. The internet. The Pill. The Pope. The automobile, the airplane, and AI. Jazz and the blues. The polio vaccine and GLP-1s, the UFC and Dolly Parton. The list goes on because it's really, truly endless. Ours is a country where you can hear 800 languages spoken in Queens, drive two hours and end up among the Amish in Pennsylvania. We are 330 million people, from California to New York Island, gathered together as one. Each of those 330 million will tell you that ours is not a perfect country. But we suspect most of them would agree that their lives would not be possible without it. So for the next 12 months, we're going to toast to our freedoms on the page, on this podcast and in real life. And we're doing it the Free Press way: by delving into all of it—the bad and the good and the great, the strange and the wonderful and the wild. And today—on America's 249th birthday—we're kicking off this yearlong event with none other than Akhil Reed Amar. Akhil has a unique understanding of this country—and our Constitution. Akhil is a Democrat who testified on behalf of Brett Kavanaugh, is a member of The Federalist Society, who is pro-choice but also anti-Roe—and these seeming contradictions make him perfectly suited to answer questions about the political and legal polarization we find ourselves in today. Akhil is a constitutional law professor at Yale and the author of the brilliant book The Words That Made Us: America's Constitutional Conversation, 1760–1840. He also hosts the podcast Amarica's Constitution, and you might recognize his name from his work in The Atlantic. I ask him about the unique history that created our founding document, the state of the country, our political polarization, the American legal system, and what this country means to him. The Free Press earns a commission from any purchases made through all book links in this article. Learn more about your ad choices. Visit megaphone.fm/adchoices

Is it possible to create a new Hollywood? To find the answer, we follow the story of standup veteran Nick Di Paolo, and what he's doing to change the game. Support the show: https://redpilledamerica.com/support/See omnystudio.com/listener for privacy information.

Is it possible to create a new Hollywood? To find the answer, we follow the story of standup veteran Nick Di Paolo, and what he's doing to change the game. Special Note: Adult language.Support the show: https://redpilledamerica.com/support/See omnystudio.com/listener for privacy information.

Today we are Joined by Joe Marrese and Strider Wilson for another Four Horseman of the Chillpocalype ep. King hog came in hot with a list of topics for the bros to cover, starting with The 4th of July. Why is it not celebrated in Hollywood? We also take a few hotline calls and check in with some stokers who have been struggling recently. We are live streaming a Fully unedited version of the pod on Twitch, if you want to chat with us while we're recording, follow here: https://www.twitch.tv/chadandjtgodeep Grab some dank merch here:https://shop.chadandjt.com/ Come see us on Tour! Get your tix - http://www.chadandjt.com TEXT OR CALL the hotline with your issue or question: 323-418-2019(Start with where you're from and name for best possible advice) Check out the reddit for some dank convo: https://www.reddit.com/r/ChadGoesDeep Thanks to our Sponsors: Brotege: The Best Skincare products for bros. Visit https://www.brotege.com/deep PRODUCTION & EDITS BY: Jake Rohret

Download for Mobile | Podcast Preview | Full Timestamps Twitch VODs are now being uploaded to the new channel: https://www.youtube.com/@CastleSuperBeastArchive The Whole Subway Is Mine For The Slammin'! The Whole Boat Is Mine For The Slammin'! Kojima Brings Receipts For Insane Japanese 3D Skin Texture Problem Expect More Games To Get Caught Using Undisclosed AI ArcSys Showcase 2025: The Camera Zoom to Disappointment Ratio Watch live: twitch.tv/castlesuperbeast Go to http://shopify.com/superbeast to sign up for your $1-per-month trial period. - Download the Rocket Money app and enter my show name Castle Super Beast in the survey so they know we sent you! - Click this link https://boot.dev/?promo=CASTLESUPERBEAST and use my code CASTLESUPERBEAST to get 25% off your first payment for boot.dev. ARC SYSTEM WORKS Showcase | 6.26.2025 | English Broadcast - Bubble Bobble Sugar Dungeons, Damon and Baby, Double Dragon Revive, Demon's Night Fever, Dear Me I Was (Hotel Dusk Team), Nenpact Capcom Spotlight | 6.26.2025 - Monster Hunter Wilds, Resident Evil Requiem, PRAGMATA, and Street Fighter 6. Persona 5 X players are obsessed with the Subway Slammer, but what's his deal anyway? Fans slam The Alters after discovering evidence of undisclosed gen AI in images, text, and translation | Eurogamer.net Randy Pitchford makes people mad again by warning that Borderlands 4 will take even longer to get deep discounts than Borderlands 3 did After revealing he was ordered to destroy his copy of Fallout's source code, OG lead Tim Cain says we're losing game history because companies "take authority but not responsibility" for preservation  

(00:00:00) News & Sports(00:10:17) Entertainment Report(00:47:18) The Noticer(01:13:57) Fox Good Day & Bizarre File(01:30:14) City Beat(02:11:56) Unconvential Attractive Features(02:41:03) Bizarre File(02:50:54) Hollywood Trash & Music News(02:58:23) Wrap Up

On this week's show, Steve, Julia, and guest host Sam Adams are off to races with F1:The Movie, the new Brad Pitt racing vehicle featuring lots of racing vehicles. Is the thrill ride more than the sum of its sports movie cliches, high-octane action sequences, and perpetually handsome movie-star? Does the answer even matter? Next, they're joined by Slate senior supervising producer Daisy Rosario to decode the particularly British charms of Taskmaster, the UK panel/game-show now in its 19th season. Finally, what's more fun to pick apart than a best of list? Dana Stevens hops in to dissect the New York Times's 100 Best Movies of the 21st Century interactive feature. In an exclusive Plus bonus episode, the topic is: sex! Specifically, the hosts discuss the status—and seeming decline—of sex in Hollywood movies.  Endorsements: Sam: Drinking the anise-flavored aperitif pastis, the French brand Henri Bardouin is a good one to try. Julia: The delicious Los Angeles restaurant Tomat in the most unlikely of locales: a strip mall by LAX International Airport. Steve: The album Cunningham Bird by Andrew Bird and Madison Cunningham and the song Sara by Fleetwood Mac. Dana: The production of Shakespeare's As You Like It available to stream on National Theatre at Home. Our Panelist's Top Ten(ish) Movies of the 21st Century: Dana: 4 Months, 3 Weeks, 2 Days The Act of Killing Atanarjuat (The Fast Runner) Bright Star Children of Men Grizzly Man Parasite Portrait of a Lady on Fire Moonlight There Will Be Blood Julia: I'm Still Here Mean Girls Get Out Do Not Expect Too Much from the End of the World Crouching Tiger, Hidden Dragon Zombieland Once Upon a Time… in Hollywood Erin Brockovich The Act of Killing Portrait of a Lady on Fire Sam: In the Mood for Love The Act of Killing The Grand Budapest Hotel The Gleaners and I Eternal Sunshine of the Spotless Mind A Serious Man It's Such a Beautiful Day The New World Hedwig and the Angry Inch The Death of Stalin Stephen: Anora Spotlight Toni Erdmann The Lives of Others Paddington 2 Meyerowitz Stories Spirited Away Get Out There Will Be Blood Mulholland Drive Parasite A Separation Learn more about your ad choices. Visit megaphone.fm/adchoices