Podcasts about New Yorker

The Washington Roundtable discusses President Donald Trump's health and the signs of his age-related decline: a noticeably reduced work schedule, fewer public appearances, and more rambling, profanity-laden outbursts. The panel examines how this undermines Trump's self-styled image of strength and vigor, what lessons about aging Presidents can be drawn from the Biden and Reagan Administrations, and why America may be facing what scholars refer to as the “Bad Emperor” problem in Chinese history. “When strongmen get weak, watch out,” the staff writer Jane Mayer says. This week's reading: “War Is Peace, the Dozing Don Edition,” by Susan B. Glasser “The Dishonorable Strikes on Venezuelan Boats,” by Ruth Marcus “Mikie Sherrill Intends to Move Fast,” by Gabriel Debenedetti “The Undermining of the C.D.C.,” by Dhruv Khullar “The Legal Consequences of Pete Hegseth's ‘Kill Them All' Order,” by Isaac Chotiner “In the Line of Fire,” by Benjamin Wallace-Wells “What Can Economists Agree on These Days? ” by John Cassidy  The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine's writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Tune in wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices

The Trump administration's self-styled Secretary of War, Pete Hegseth, has spent most of this week on defense, facing accusations that he committed war crimes and that he endangered the lives of U.S. pilots. Join moderator Jeffrey Goldberg, Peter Baker of The New York Times, Susan Glasser of The New Yorker and Nancy Yousef of The Atlantic to discuss this and more.

As a California congressman, Adam Schiff was the lead manager during the first impeachment proceedings against Donald Trump. He later served on the January 6th committee. Trump has castigated him as “Shifty Schiff” and demanded that the Justice Department investigate him. In a conversation with David Remnick, Schiff discusses the current inquiry into his mortgage by federal authorities; the Supreme Court's primary role in enabling this Administration; and why he thinks the rule of law in America is “hanging by a thread.” Unlike some Democrats, Schiff is not sanguine that the release of the Epstein files will damage Trump politically. “If there are ruinous things in the files . . . Bondi and company will make sure they never reach the public eye,” Schiff says. But also, “I think he's almost impervious to dirt.”New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

This is a free preview of a paid episode. To hear more, visit andrewsullivan.substack.comGeorge is a journalist and novelist. He was a long-time staff writer at The New Yorker, now a staff writer at The Atlantic. He's the author of 10 books, including The Unwinding: An Inner History of the New America — which won the National Book Award — and Our Man: Richard Holbrooke and the End of the American Century. His new novel is called The Emergency. It's a parable of our polarized times — and a deeply unsettling one. We had this conversation the afternoon after I finished the book, and, as you'll see, it really affected me emotionally. For two clips of our convo — on the clarity of Orwell's writing, and the savior complex of the woke — head to our YouTube page.Other topics: raised by two Stanford professors; his dad accused of fascism by his leftist students and red-baited by the right; his dad's stroke and subsequent suicide at a young age; George's time in the Peace Corps; how Orwell's Homage to Catalonia “saved me”; entering journalism at 40; reporting in Iraq; Orwell's contempt for elites; Auden and Spender; the ideologies of intellectuals; the young turning on their elders; the summer of 2020; Camus' La Peste; January 6; Orwell's bigotries; his love for the countryside and common decency; Animal Farm; Nineteen Eighty-Four; Hitchens; utopianism; Nietzsche and slave morality; Fukuyama and boredom; the collapse of religion; intra-elite competition; Mamdani; the Gaza protests; virtue signaling; struggle sessions; mobs on social media; the loss of gatekeepers; the queer takeover of the gay rights movement; the brutality of meritocracy; Nick Fuentes; Trump's multi-racial win; his Cabinet picks as trolling; the utter capitulation of Vance; Haidt and smartphones; and our post-literate democracy.Browse the Dishcast archive for an episode you might enjoy. Coming up: Shadi Hamid in defense of US interventionism, Simon Rogoff on the narcissism of pols, Arthur Brooks on the science of happiness, Vivek Ramaswamy on the right, and Jason Willick on trade and conservatism. Please send any guest recs, dissents, and other comments to dish@andrewsullivan.com.

State Sen. Faith Winter was killed in a car accident last week, and the internet is buzzing with heartfelt tributes, but also rumors about the circumstances and some really nasty speculation. So how should we make terms with her multifaceted legacy? Congressional candidate Melat Kiros joins host Bree Davies and producer Paul Karolyi to talk about Faith Winter and alcohol at the Capitol. Plus, a new local startup wants to sell you a house for $5, a viral video is sparking heated conversations about refugees in Aurora, and the hottest fashion trend in China is “Colorado”? And as always, we wrap with our wins and fails of the week.  Paul mentioned Troy Guard's new restaurant and his previous comments about Denver's restaurant scene, as well as a new exhibit at History Colorado and this New Yorker article about America's 250th anniversary in 2026. Bree talked about the federal funding cuts for housing, and a cool new building on Speer. What do you think about the new real estate sweepstakes? We want to hear from you! Text or leave us a voicemail with your name and neighborhood, and you might hear it on the show: 720-500-5418 For even more news from around the city, subscribe to our morning newsletter Hey Denver at denver.citycast.fm. Watch clips from the show on YouTube: youtube.com/@citycastdenver or Instagram @citycastdenver Chat with other listeners on reddit: r/CityCastDenver Support City Cast Denver by becoming a member: membership.citycast.fm/Denver Learn more about the sponsors of this December 5th episode: Warren Village The People Park Colfax Ave BID Multipass Ballpark Denver Elizabeth Martinez with PorchLight Real Estate - Do you have a question about Denver real estate? Submit your questions for Elizabeth Martinez HERE, and she might answer in next week's segment. Looking to advertise on City Cast Denver? Check out our options for podcast and newsletter ads at citycast.fm/advertise

The New Yorker's longtime editor-in-chief David Remnick joins Mixed Signals for a candid conversation about a new Netflix documentary about the magazine, and the New Yorker's past, present, and uncertain future. Max and Ben ask Remnick how a century-old institution adapts to the digital age, and about what he's learned from nearly three decades on the job. Remnick also reflects on magazine subscriptions models, Max's reporting about who should take his job , and why he's grateful he never joined Twitter. Sign up for Semafor Media's Sunday newsletter: https://www.semafor.com/newsletters/media  For more from Think with Google, check out ThinkwithGoogle.com. Find us on X: @semaforben, @maxwelltani If you have a tip or a comment, please email us mixedsignals@semafor.com

A story in The Local reveals how AI writing is infiltrating newsrooms, flooding inboxes, and snagging bylines in major outlets. Is the rise of the AI journalist inevitable or is it already here? Jay Caspian Kang of the New Yorker joins to consider if a chatbot could write his column.This episode uses generative AI for the following purposes: Episode tile art Host: James NicholsonCredits: Jules Bugiel (Producer), Caleb Thompson (Audio Editor), max collins (Director of Audio & Fact Checking), Jesse Brown (Editor)Guest: Jay Caspian KangAdditional music by Audio Network Further reading: What's the point of reading writing by humans? - The New YorkerCould an A.I. Chatbot Rewrite My Novel? - The New YorkerInvestigating a Possible Scammer in Journalism's AI Era - The LocalThe Fallout From Our AI Freelancer Investigation - The LocalImposter Syndrome - Re:PublicJobs - AI-First Reporter (remote) - Jeff Gaulin's Job Board Wired and Business Insider remove articles by AI-generated ‘freelancer' - The GuardianJournalism, media, and technology trends and predictions 2025 - Reuters Institute Sponsors: CAMH: CAMH is building better mental health care for everyone to ensure no one is left behind. Visit camh.ca/canadaland to make a donation.Douglas: Douglas is giving our listeners a FREE Sleep Bundle with each mattress purchase. Get the sheets, pillows, mattress and pillow protectors FREE with your Douglas purchase today. Visit douglas.ca/canadaland to claim this offer.If you value this podcast, Support us! You'll get premium access to all our shows ad free, including early releases and bonus content. You'll also get our exclusive newsletter, discounts on merch at our store, tickets to our live and virtual events, and more than anything, you'll be a part of the solution to Canada's journalism crisis, you'll be keeping our work free and accessible to everybody. Hosted on Acast. See acast.com/privacy for more information.

Initiative runs at the Public Theater through December 7th. For more information, visit www.publictheater.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Queens, a production of Manhattan Theatre Club, runs at New York City Center Stage I through December 7th. For more information, visit www.manhattantheatreclub.com. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

David Remnick, editor of The New Yorker and the host of The New Yorker Radio Hour, talks about the latest national political news then is joined by: Marshall Curry, documentary filmmaker (including Street Fight, If a Tree Falls, A Night at the Garden), to talk about "The New Yorker at 100," premiering Friday on Netflix.

In recent months, the Trump administration has hit 21 boats suspected of smuggling on behalf of drug cartels, as part of their self-declared war on narcoterrorism. It's all part of a wider campaign aimed at Venezuela and its leader Nicolas Maduro. Former President of Colombia Ivan Duque joins the show to discuss.  Also on today's show NYT journalist Farnaz Fassihi; New Yorker contributing writer Joshua Yaffa    Learn more about your ad choices. Visit podcastchoices.com/adchoices

Olivia Nuzzi is in the headlines again for an alleged inappropriate relationship with a source. Nuzzi's former partner, Ryan Lizza, is using his newsletter to make the claims about Nuzzi and…former Republican presidential candidate Mark Sanford in 2020. Lizza's ongoing, multi-part series about Nuzzi amid her book launch is an uncomfortable read for its florid prose and revenge porn vibes. Never forget: The New Yorker fired Lizza for unspecified sexual misconduct allegations in 2017, at the height of the #MeToo movement. Meanwhile, Lizza continues to target Nuzzi, who committed one of the most serious public ethical breaches in journalism with former Democratic-turned-independent presidential candidate and current Trump administration Health and Human Services Secretary Robert F. Kennedy Jr. This week, Katelyn and Christine discuss the mess with Marisa Kabas, the acclaimed independent journalist who founded The Handbasket. As Kabas says, moral rot in elite journalism is killing the whole field.Stream on our YouTube channel—remember to ring the bell! Listen via Apple or Spotify. Be sure to check out the merch store—Merch Me, Daddy!Links:Marisa Kabas for The Handbasket: https://www.thehandbasket.co/p/moral-rot-elite-journalism-nuzzi-lizza-rfk-jr-trumpKatelyn Burns for Burns Notice: https://www.burnsnotice.com/olivia-nuzzi-is-an-embarrassment-to-journalism/The Guardian on Mark Sanford's Argentina scandal: https://www.theguardian.com/world/2009/jun/24/mark-sanford-infidelity-south-carolinaOlivia Nuzzi on Joe Biden's fitness: https://nymag.com/intelligencer/article/conspiracy-of-silence-to-protect-joe-biden.htmlKatelyn Burns for Vox on Biden/Sanders LGBTQ record: https://www.vox.com/policy-and-politics/2020/3/6/21167777/sanders-biden-lgbtq-votersSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Sometimes on this podcast it's just a pleasure to listen to a great artist talk about the art! An “expert in 18th-century style” (The New Yorker), Nicholas McGegan is in his sixth decade on the podium. Following a 34-year tenure as Music Director of Philharmonia Baroque Orchestra & Chorale, he is now Music Director Emeritus. He is also Principal Guest Conductor of Hungary's Capella Savaria. McGegan's approach — intelligent, infused with joy, and never dogmatic — has led to engagements with many of the world's major orchestras, including those of Cleveland, Chicago, Los Angeles, New York, Philadelphia, San Francisco, Hong Kong, Sydney, London's Royal Opera House, and the Royal Concertgebouw; regular collaborations with choreographer Mark Morris; and appearances at the BBC Proms and the Edinburgh International Festival.His extensive discography includes more than 100 releases spanning five decades, including more than 40 with Philharmonia Baroque Orchestra and Chorale, and more than 20 with Capella Savaria. McGegan's recordings have garnered two Gramophone Awards and two GRAMMY nominations.He was made an Officer of the Most Excellent Order of the British Empire (OBE) “for services to music overseas.” McGegan is committed to the next generation of musicians, frequently conducting and coaching students in regular engagements at Yale, Juilliard, Harvard, the Colburn School, Aspen Music Festival, and more.https://www.nicholasmcgegan.com/https://www.instagram.com/nicholasmcgegan/https://www.facebook.com/nicholasmcgegan/Make sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website.  https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there! Your portfolio career is YOURS to design. If you are seeking inspiration, grab the first chapter of my book for FREE at the link below! You are allowed to thrive, and your artistry MATTERS.https://jennetingle.kit.com/c6e4009529

Since it was penned more than four hundred years ago, Shakespeare's “Hamlet” has been in production nearly continuously, and has been adapted in many ways. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz consider why this story of a brooding young prince has continued to speak to audiences throughout the centuries. They discuss the new film “Hamnet,” directed by Chloé Zhao, which recasts the writing of “Hamlet” as Shakespeare's response to the death of his child; Tom Stoppard's absurdist play “Rosencrantz and Guildenstern Are Dead”; Michael Almereyda's 2000 “Hamlet,” which presents the protagonist as a melancholy film student home from college; and other adaptations. What accounts for this story's hold over audiences, centuries after it was written? “I think it endures because every generation has its version of the incomprehensible,” Cunningham says. “It's not just death—it's politics, it's society. Everybody has to deal with their own version of ‘This does not make sense and yet it is.' ”Read, watch, and listen with the critics:“Hamnet” (2025)“Hamnet,” by Maggie O'Farrell“Hamlet,” by William ShakespeareKenneth Branagh's “Hamlet” (1996) Michael Almereyda's “Hamlet” (2000)“Rosencrantz and Guildenstern Are Dead” (1990)John Gielgud's “Hamlet” (1964)Robert Icke's “Hamlet” (2017, 2022)“Every Generation Gets the Shakespeare It Deserves” by Drew Lichtenberg (The New York Times)“Hamlet and His Problems" by T. S. EliotNew episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker which explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn about your ad choices: dovetail.prx.org/ad-choices

How can you accelerate your path to CEO?   In this episode of Women of Color Rise, I speak with Dr. Rahesha Amon, CEO of City Teaching Alliance. With 25+ years of leadership experience, Rahesha has been a teacher, coach, principal, and senior executive at NYC DOE before stepping into her current role.   A proud Black woman and fourth-generation New Yorker, Rahesha never dreamed of being a CEO—she once wanted to act, then pursued pre-med. But her all-girls school experience, community encouragement, and resilience helped her find her voice and chart her own leadership path.   She shares lessons for rising leaders: •Own your identity. Authenticity is power. •Trust the process. Successes and failures both teach. •Keep building your toolkit. Seek experiences that stretch you. •Find your board of directors. Surround yourself with mentors and advocates. •Believe in yourself. Look to the light and draw strength from those who came before you. Rahesha's story shows that with identity, faith, and community, we can accelerate our own path to CEO.   Get full show notes and more information here:https://analizawolf.com/episode-116-accelerate-your-path-to-ceo-with-dr-rahesha-amon-ceo-of-city-teaching-alliance

“What is your passion? Why are you doing this?” In this episode, Nick speaks with Vincent Wanga about the intersection of creativity, entrepreneurship, and leadership. Vince shares his unique journey through the creative industry, discussing the challenges and advantages of being an insomniac and how it has shaped his work ethic. What to listen for: Insomnia can be both a challenge and a competitive advantage. Leadership requires sacrifice and understanding of employee dynamics. Passion and purpose are essential for sustainable entrepreneurship. Vision is crucial for effective leadership and business success. Scaling a business requires preparation and understanding of resources. Failure is a necessary part of the learning process. Creatives must balance their artistic mindset with business skills. “Everything that I do is passion and purpose-rooted. And that should be your first mission.” When you anchor decisions in passion, you can more naturally stay motivated during the hard parts of the journey Purpose brings clarity, so you waste less time chasing things that don't matter. Leading with what lights you up often creates the most authentic and sustainable success. Passion-driven work tends to attract the right people and opportunities without forcing it. Starting with purpose sets the tone for how you show up. “Creatives have a visionary mindset. So why can’t creatives be those same CEOs? We just lack the business acumen.” Creativity is the foundation of innovation. Many creatives underestimate how transferable their skills are to leadership. Visionary thinkers often make better long-term strategists than traditional operators. When creatives embrace structure and systems, they become unstoppable leaders. About Vincent Wanga Vince is a dynamic international design thought leader, creative keynote speaker, award-winning creative and executive, author of “The Art of Direction,” serial entrepreneur, and experienced brand consultant with an exceptional range of expertise over a distinguished two-decade career. As former vice president and head of creative for one of the fastest-growing technology startups in North America, he oversaw corporate brand strategy and creative during unprecedented company growth from pre-Series A to an over $1 billion “unicorn” valuation. Vince lives in Washington, DC, and Asheville, NC, with his dog, Okello. When he is not working on new business ventures, he passionately travels the world, collecting creative inspiration at the finest boutique hotels rewards points can buy. https://www.vincentwanga.com/ https://www.linkedin.com/in/vincent-wanga/ Resources: Check out other episodes about creativity and entrepreneurship: Creativity Within Us All With Joe Tertel Post Traumatic Growth, When Trauma Makes You Stronger And More Creative With Christian Ray Flores Interested in starting your own podcast or need help with one you already have? Send Nick an email or schedule a time to discuss your podcast today! https://themindsetandselfmasteryshow.com/contact/ Thank you for listening! Please subscribe on iTunes and give us a 5-Star review! https://podcasts.apple.com/us/podcast/the-mindset-and-self-mastery-show/id1604262089 Listen to other episodes here: https://themindsetandselfmasteryshow.com/ Watch Clips and highlights: https://www.youtube.com/channel/UCk1tCM7KTe3hrq_-UAa6GHA Guest Inquiries right here: podcasts@themindsetandselfmasteryshow.com Your Friends at “The Mindset & Self-Mastery Show” Click Here To View The Episode Transcript Nick McGowan (00:01.507)Hello and welcome to the Mindset and Self Mastery Show. I’m your host, Nick McGowan. Today on the show we have Vince Wanga. Vince, how you doing today? Vincent Wanga (00:11.372)I’m doing all right, Nick. I’m looking forward to our conversation and thanks for having me on. Nick McGowan (00:15.618)Yeah, absolutely. I’m excited, man. I think this is gonna be fun. I know there’s a lot that you’ve been through, a lot that you’ve done. One of the biggest reasons why I wanted to have you on the show was to be able to talk about creativity and how it ties into us as people, but also into the systems that we’re in, like the capitalistic system, our family systems, all those things. I grew up as a creative in a… not a typical creative house, so to say. So it felt a little weird, but that was the system that I was in. And then you get into jobs, you get into your career, and like, how do you do all that stuff? And that was one of the things that really stood out to me about having you on. So I’m gonna stop talking. Why don’t you kick us off? Tell us what you do for a living, and what’s one thing that most people don’t know about you that’s maybe a little odd or bizarre? Vincent Wanga (01:00.142)Well, thank you. I am in a weird place in my career because I’m transitioning. I have been a creative at the highest levels and the lowest levels for 20 years. Started as an intern, worked my way up through the agency world, stints as a freelance independent operator working for clients all over the world to owning my own agency and having that unique experience as a business owner and operator. and all the responsibilities that come with managing employees and being responsible for payroll and profit and loss and the other side of the industry, as well as becoming a senior executive and top 100, well, first 100 employees for a billion dollar tech startup and a crazy transformational journey. So I only preface that to say I’ve done it all in so many different industries. I’ve worked with so many different sectors, in-house, freelance. agency, you name it in the creative sector, I’ve done it. And I think that offers me a lot of perspective and advice that I can offer to people, whether you’re creative or not, particularly in the aspects of leadership, which is something I really focus on at this point in my career. But as I mentioned, I’m in a major transition away from creative and more into my real core ethos, which is entrepreneurship and taking all that creative talent, marketing, business acumen into my own businesses and consulting and other opportunities to really express my creativity in a different way. So it’s a really exciting paradigm for me. As far as something that’s really unique about me, I could wax philosophic on that. But I think the most unique thing is I am an insomniac. I get an inhuman amount of sleep and it has been a very difficult, like physical manifestation in my life because that’s not healthy, but it has been an incredible. competitive advantage in my career, where I’m able to work day and night and create businesses on a weekend and maximize my time. But as I get older, the other side of the coin starts catching up and trying to figure out how to adjust as I move forward is a new paradigm I’m dealing with. But that’s one of many unique things about me. Nick McGowan (03:16.459)Wow, I’m really glad that you consider that a unique thing. that you see that as a… there’s kind of a silver lining that you look at that instead of some people saying like, well I just… I’m struggling with this thing. It sounds like even the personality that you have, like you’ll go, well I am kind of struggling but it is what it is and this is what it is. Then I could do something with it. And it’s funny how as you get older, things will shift and change just across the board. I mean we could have a whole fucking episode just about like the specific changes that happen from your knees and your back and the way you think about things. or whatever you don’t mean I wonder at times with the people that are insomniacs that it’s something that they actually kind of crave and it’s like a mental thing where like I want to keep going and I think about it from this perspective In the human design way I’m a generator and I have to use all of my energy every day So by the end of the day there are times where I’m like I’m totally done. It’s nine o’clock at night I guess I’ll go to sleep because I’m done for the day and like all the energy’s out other times It’s like three or four in the morning and it is what it is But for the people that… Nick McGowan (04:27.617)can hear that and say, well, you’re just trying to hustle and just trying to use all that to get ahead and do the grind and all that stuff. I’m reading between the lines and a little bit I know about you so far, that’s not the case with you. So it’s more of one of those like, I do these things because I’m led to do these things, but I also have a really hard time sleeping. So how do you manage that going through each day and saying like, all right, well, I got whatever amount of sleep and my body needs more, but I also have a lot of mental energy where it’s like you can feel the physical of like, man, I’m just fucking dragging. But my brain’s still going and like that must take a toll on you. I could imagine, you know, you have a week of that. Most people would just be driven insane. So how do you how do you manage that? Vincent Wanga (05:12.344)Yeah, and I think, you know, this reminds me of that. I think it was a New Yorker editorial cartoon that had a building in Manhattan with lights on. And it said these three lights are either a drug dealer, serial killer or creative. Right. We’re the only ones up at 3 a.m. So I don’t think it’s as unique within the creative realm. But I think what makes me unique is the duality that I’m up all night in human hours, but I’m also functional in the morning. Like I’ve stayed up for 72 hours before. Nick McGowan (05:25.854)Yeah. Nick McGowan (05:37.93)Hmm. Vincent Wanga (05:40.718)on deadlines and things that push beyond human norms and are completely unhealthy, but have also, again, like I said, been an advantage historically in my career. think the way my brain is wired, and I think a lot of critics can resonate with this, is I’m my most creative and intellectual at night. I could spend the same amount of time and energy between nine to five on the same thing, and that… You know, error of time, I could achieve better results in an hour at 3am. It’s just the way these ideas flow in my mind. It’s the same mindset for anyone who can’t relate where like CEOs get up early in the morning and take a bike ride or do a run. And then they come back to the office and now they got a new product idea that everybody’s got to scramble to do. It’s the CEO brain, but it just kicks on at the wrong time. but it is, it is a burden, because it’s not healthy. And unfortunately there’s, there’s Nick McGowan (06:30.472)You Vincent Wanga (06:39.982)long-term cognitive effects that happen on that and there’s a diminishing return. But I think the most important point here is that I didn’t want to be this way. This is something that evolved from my artist background where I would the only time I had to myself and peace and quiet to create was at night. It started kind of rewiring my brain and then I went to college long story short got kicked out because of money and found myself with my career over before it even started. So I had to hustle and work twice as hard as everybody else just to get started. I started at a deficit. So I always maximize my time in order to try to achieve the results that I needed to get back into the industry. And then the third thing I think people can resonate with is if you’re an entrepreneur, it’s this paranoia when you go to sleep and you don’t want to wake up with bills. You don’t want to wake up with problems. You just want to stay up and solve everything that you can. you could have $10,000 in your bank account for that week and still feel insecure. And I think that just keeps me up at night constantly hustling and hoping that that hustle prevents the worst case scenario from happening. So it’s just this convolutions of things that are part of my experiences and my mindset. But it has been an advantage up until about now where I’m kind of paying the health effects of it, but it’s helped me become incredibly successful. And I think that’s a unique. perspective for me. Nick McGowan (08:09.086)I love when conversations head this way. I’ll ask that question every single episode. So everybody listens. They’re used to that question being asked. But I love when that question invokes us going down a different path for the conversation. Obviously, we were going to talk about creativity and leadership, and that just jives with us both. But that’s a really important thing, I think, to get into because you had neural pathways that were literally changed. And you created these paths so, so many years ago saying, like, everybody leave me the hell alone. Great, you’re all asleep. Everybody’s left me alone. I get to do the thing I want to do. And then you turn that, especially as an agency, for anybody that’s been in any sort of agency, imagine running around with your hair on fire, 15 other people having their hair on fire, and somebody just yelling at you constantly, and you’re constantly late on things that you’re actually pretty much on time for with your projects. And that’s like a typical Tuesday in most agencies. And that will drive you Vincent Wanga (08:41.592)Mm-hmm. Nick McGowan (09:08.848)to have more those neural pathways change because then you have to do things at night. Dude, I’ve been in the same spot where it’s like we have this thing coming up, somebody sent this thing back to me and it’s time for me to QA it or just basically give it once through. Seven hours later you have to do a complete re-haul or whatever and from a leader’s perspective you have to love on that person and help them and work through them. You can’t just go and physically slap them in the back of head and go, the fuck? That’s my first question, you know? So as a creative, I’m right there with you. think a lot of us do have that. Nocturnal energy almost to be able to create but I wonder if a lot of that does come from like when you were in middle school or high school like Just everybody leave me alone. Like when your parents tell you like go to your room. You’re like, thank God awesome now Will you all just stay can I lock the door and like just paint or whatever? I want to do and then that turns into the the systems that we’re in that tell us you have to grind you have to hustle and I I just wonder about how many people are still stuck in that because they don’t see the patterns of, well, I’m having a hard time with this. Like, you see that there’s a pattern with you being an insomniac. But how do you actually combat that, work on that, and not drive yourself crazy each and every day, you know? Vincent Wanga (10:31.522)Yeah, I think that’s a challenge. I think there’s a few ways I can approach that question. One, I really loved your point about the sacrifice of leadership. I think a lot of people underestimate that. It’s like the swan analogy, where it’s calm and collected at the top, but your feet are vigorously swimming and kicking. I think people who are employees and check in nine to five and their check clears on Monday when it’s payday. don’t understand the sacrifice sometimes that their leadership have to make to make that happen. And part of that is that paranoia that we deal with every single day. You know, I also think, you know, I’m highly functional introvert. So I love the quiet time that that allows me to think and to process and to execute on. But I also love that quote. I hope I’m not misquoting them. I think it was by Warren Buffett who said it took me 10 years to be an overnight success. There is no skipping the grind, the hustle. Nick McGowan (11:13.436)Mm-hmm. Nick McGowan (11:25.959)Yeah. Vincent Wanga (11:28.258)the sacrifice, know, your family hates you and you don’t see people enough and your friends are wondering if you’re okay. And that’s what it takes to build business, to build legacy, to build anything. So whether I had this unique deposition to work on godly hours or not, I think people find the will in the way because there’s no shortcuts around that to success. And that’s what you got to do. And if you’ve got a nine to five job, well, guess what? Now you got to work five to nine. and find the time that you need to execute on something. And I think it’s more of an entrepreneur’s brain than a creative’s brain. again, like I said, it’s been advantageous in ways and disadvantageous in others. Nick McGowan (12:07.259)I think they actually tie together though, the creativity and the entrepreneurship. I’ve met, god I can’t even put numbers to the amount of entrepreneurs I’ve met over the course of time, but I could probably say in one hand that the people that weren’t really creative and… Vincent Wanga (12:17.667)Mm-hmm. Nick McGowan (12:24.125)definitely told me like I am not creative at all. But then when you look at their processes, how they handle situations, all of it is just oozing creativity. They’re just not creative in the medium of painting or graphic design or web or whatever it is, but they’re still being creative in how they handle it. Shit, even leaders that are like, okay, well I know if I yell at you as a creative, you’re not gonna do the work that you need to do and you’re probably gonna hate it here. So how do I talk to you nicely about it? That is a creative approach. approach to it where you’ve been in spots, I’ve been in spots where somebody clearly didn’t take that spot and they just yelled at you about the thing because they’re hurt or they’re upset and they can’t manage themselves and they’re just diving it at you. But there is a lot of creativity that ties into that. And I think there’s a lot of people that talk about being an entrepreneur with really a hobby in a sense and not understanding that basic principles of entrepreneurship is you just have various means of income and you just work on things as a creative. You can sit down and work on things for six hours and you think, shit, I was doing this for two hours, but six hours later, I’ve been standing here, I’ve been working through this thing. And I want to dive deeper into this because I don’t want people to think that you’re saying to them, you just need to grind. No matter what you’re feeling, what you’re doing, just shut up and grind. That’s not the case. But how do you balance that? Because I know people that literally they take that ethos and just say, well, this is who I am. And it’s in a It’s a false way for them instead of being able to say like this is who I am because man I’m just so passionate about this thing that I eat sleep and dream this because this is my purpose in the world instead of saying well the system tells us this and my god I got a mortgage and these mouths to feed and whatever else it’s like you have to shift from that so how do you shift from that? How did you? Vincent Wanga (14:15.714)Man, I think that’s such a good point. I think too many people get enamored with the grind part, right? That’s what they teach you in investment banking. That’s what they teach you in all these other segments. Just grind and the reward will come and they’ll dangle this carrot in front of you that somehow disappears on your journey, right? Entrepreneurship’s very similar. And I’ll just say, this is the hardest shit in the world, like next to raising a child. Like it is incredibly difficult and that’s… Nick McGowan (14:37.446)Yeah. Vincent Wanga (14:42.102)what discourages most people. But I think the point that you made that was really excellent is you first have to have a purpose. What is your passion? Why are you doing this? Never have I thought when I’m in an entrepreneurial pursuit and I’m working, you know, 18 hours a day, did I ever feel burnt out? Isn’t that interesting that I can go to a typical corporate job and after five hours just can’t wait to leave, but I’ll work nonstop on my own thing and never feel burnt out. I have stress maybe related to money or something. but it’s not work stress. And I think that’s because everything that I do is passion and purpose rooted. And that should be your first mission. Don’t do this thing because you think it’s going to make you rich. You know, start that brewery because you love beer, you love the science of beer, and that you realize that by getting into that business, you are now an agriculture. You’re a farmer. You need to know about hops and the process and supply chain and fermentation. And you are a chemist and you got to figure out the right, you know, balance in order to have the best beer in the world. Otherwise, don’t do it. Nick McGowan (15:11.93)Yeah. Nick McGowan (15:21.561)Hmm. Vincent Wanga (15:41.056)So I think people need to understand what’s your passion would start there. The grind is easy if you’re passion and purpose driven and don’t let that kind of blind you. Start with your passion and your purpose. And that’s really helped keep me balanced so that I make sure the most precious commodity I have right now at this age is my time. And I make sure that just like my money, I invested reasonably and responsibly and only things that really bring me value in return. I think my second point is The grind is should be front end, you know, where your typical nine to five and there’s no wrong path is something you progressively invest in. And at the end, around 65 years old, you get your benefit and you get to go, you know, travel and live in Florida and do whatever you want with your life and retirement. Entrepreneurship is different. You literally grind for three years. The first year you’re just getting established. The second year you’re trying to become profitable. That third year, if you make it that far, you might actually thrive and have a business. And unless you’re paying yourself, Like you said, it’s just a hobby. So you have to be serious about this, understand the business fundamentals, but also understand for three years you’re in the suck and you have to work and work hard. And if you’re passionate and purpose driven, it won’t feel like a burden. And then you get your reward where all of a sudden you have enough profit to hire a COO or even a CEO as a founder to run your business and employees and your scaling and it gets easier. So you just have to understand the different philosophies between a nine to five and entrepreneurial pursuit. and make sure you’re passion and purpose driven and that will really help you keep balanced in this kind of crazy lexicon that is working like we do. Nick McGowan (17:17.338)Yeah, especially here in the States. We work much more than other people, but then there are other countries that… It’s the system that they’re in and how they go through it. I think one of things that you pointed out that really stood out to me was how when you take that approach of the passion and the purpose and you’re doing those things, you’re gonna work so much more on that because you’re fired up about it instead of doing whatever reports or whatever BS meetings or whatever you’re doing at nine to five. And you can just keep working on these things. But as you do that, you really start to stretch that muscle. So it’s like you’re able to handle things in year two, year three differently than you could in year one or even year two, let’s say, because everything starts to stack up. So in a very black and white way, for the most part, I think the people that listen to the show are leaders, at least in what they do, if not entrepreneurs, and there are a lot of entrepreneurs that are already in their business. But the people that think about, want to get out of my job, I want to get into a business, if you’ve got to go through that work anyway, and you’re just going to basically jump in a boat and go down that river. Don’t you want to go down the river with the stream instead of trying to fight up it like you’re currently doing in your nine to five? And it’s like, how do you then take that approach and say, all right, well, this is what I want. And there is a difference between passion and purpose. I think we have a seed of purpose that’s within us and there are ways that we get to show our passion with that purpose. But if you can tie that stuff together, you’re almost unstoppable. There’s shit that’s going to happen, but you’re going to get through that. When you talk to different Vincent Wanga (18:34.254)Sure. Right. Nick McGowan (18:58.138)from people about that sort of stuff and tying those two together. What’s the way that you can kind of put that into a vision to be able to show this is where these two pieces kind of can join? Vincent Wanga (19:06.818)Yeah, and I think for me to tell a little story, I was a senior designer art director at an agency in Minneapolis at the time. And I was getting really good insights on the business side of creative from the particular owner I was working with. He was very transparent about those things. So I found out how much he was profiting per employee, particularly me. And that didn’t match up with my salary. Now he’s a business owner. has every right to a profit. That’s not what I’m questioning. What I said is that my value is significantly higher than I thought it was this whole time. I thought it was defined by my salary. And the funny thing about these nine to five jobs, and I’m not knocking them, we all have done it and are having to do it, but they pay you just enough to kill your dreams. You know, I’m sure you’ve heard that before and just enough to be comfortable. And when I realized the potential there, I started taking advantage of that, you know, five to nine time that overnight time. I started, you know, freelancing and getting clients. And when I compared the numbers, I realized if I went full time with my own hustle, I could triple my income and not triple my work hours. So that was the passion part, right? So what that did is it led into my purpose and the purpose was, and I think this is really important is oftentimes when you get into entrepreneurship, Money should never be your motivation. Money is a reward that comes down later. It should be rooted deeper than that. But if you can tie your entrepreneurship with your lifestyle, your ideal lifestyle and outcome, that is the greatest gift in earth. So for example, imagine you’re a snowboarder and you just want to go to Vail and Whistler and, you know, go down the most amazing double black diamond mountains and make that a part of your lifestyle. Imagine starting a business. where you could be in that community and make profit. Now you’re in your ideal lifestyle, your ideal community, and you have a business that helps fund that. And that was kind of my motivation. So I am now independent, tripling my income. I’m working half as much. I’m able to travel the world. And as long as I have wifi, I can continue to make money indefinitely in whatever country I stay in. It was the most incredible lifestyle of my life. And there’s some limits to that we can talk about later, but it gave me this purpose. Vincent Wanga (21:29.1)and passion combined to continue to progress. And I think people just really need to identify not just passion and purpose, but what is that ideal lifestyle that you want this to lead to? What is that outcome? What is that ambition that you have? If you don’t have that goal and you’re just starting out, what are you doing? You’re making trinkets. You’re not getting paid. You have a very expensive hobby that’s probably gonna cost you your family. So you really have to understand at the end of the day, this is a business. You have to have business fundamentals and run it accordingly. And I think you’ll be in a much better place than just going on some wild adventure because you don’t want to wake up at 9 a.m. I promise you, you’ll be disappointed by entrepreneurship if that is the case. Nick McGowan (22:08.812)Yeah, and it’s interesting because that’s like, there are like shades to that almost. You know, like there are times where you call it like we can’t sleep or we have a hard time because we’re thinking we got to pay for this. We got this thing coming in. There’s this thing and I’m sure there’s a left hook that’s going to come out of nowhere and like whatever and you just kind of manage through that stuff. You work through it. But if you are in a better mental spot because of the passion and purpose that you have to do these things, you can actually handle those things instead of just being crippled by it. I’ve thought many different times about how many people got into podcasting during COVID because they were like, what the fuck? I have nobody to talk to. I don’t know what to do right now. I guess I’ll start a podcast or people that became a coach and are like, I guess I’ll become coaches. And if you look at the numbers, they all skyrocketed. then quickly after that just shot down. So many people just couldn’t do it, didn’t want to do it, didn’t have the skills or whatever. And ultimately it wasn’t right for them to be able to do it. Now there are lots of people that stuck with it. I started this in 2014. Vincent Wanga (22:47.256)Mm-hmm. Nick McGowan (23:15.145)So I wasn’t one of those ones that just started it in 20, but I remember thinking that too. Like well now I’m stuck at the house. What am gonna do? And had friends that I talked to and then just came a podcast and whatever else from there. But being able to actually understand like you’re going to start to take those steps and it doesn’t all have to happen at once. So even with the stuff you’re saying like you get to travel, you make money, you do these things. To somebody if they’re listening on the surface they’re gonna go okay cool you’re just another one of those guys who just like pushes this thing and says I live the best life in the world and work. Vincent Wanga (23:22.648)Right. Yep. Nick McGowan (23:45.148)two hours a day and I harvest butterflies and get four billion dollar homes. Like it’s not what we’re saying. But this is a stacked upon process. Like I talked to people at times, I had somebody on recently it was like man you were in like Idaho and Montana and doing this and you travel and it’s like yeah but this has been a work in progress. This isn’t just one of those things like last Tuesday. It’s like you know what fuck everything else and we’re gonna travel we’re gonna do this thing. It’s like you have to build upon those things so you have to take those initial steps. So for somebody trying to figure out right now. I hear what you guys are saying, I want to take these steps and I think I kind of know what I want to do but I’m afraid to do it as a creative saying I’m stuck in this system and I have to pay for things and I’ve built this whole big career and what do I do now? What advice do you give them? Vincent Wanga (24:35.496)well, the first thing is it’s mostly rooted in fear. Release your inhibition of fear because you will fail. You will fail big, you will fail small, you will fail often. I think what actually ironically makes me successful is my lack of fear of failure. I could write a whole thesis on failure and how that’s affected me. But the true reality is it’s been the greatest education of my life. More than a Harvard MBA could teach me going out there doing something really hard and failing or succeeding in that are immense lessons that you can apply to the next thing and you’ll fail a little bit less and apply to the next thing and fail a little bit less. And I just talked about earlier how your job posting a position where you, you don’t want to risk that comfortability to go out there and potentially fail, but you have to understand that’s part of the cycle and learning process that gets you to success. love that Japanese proverb, you know, fall down seven times, get up eight. That’s, that is, it’s a cliche, but it’s so true. You just have to. Nick McGowan (25:29.973)Hey. Vincent Wanga (25:35.192)get out there and fucking do it. And I think the other most important thing is people get into this journey and they’re not prepared for scale. They never think about it. I think they’re too absorbed in the lifestyle part. Like, okay, I get to work from home. I get to take my kids to baseball. This is great. I want to stay in this comfortable zone. If you’re too successful, if you fuck up, you actually have something that scales. Now you need employees. Now you need people to run your business. Nick McGowan (25:52.084)Yeah. Vincent Wanga (26:03.842)Now you need to redo your supply chain. Now things get more expensive. Now you got to pay attention to your margins. Nobody has that ambition. So always enter this with what is that ideal grand scale? If you’re just in this to just, you again, have this hobby mindset, you will fail and failure is okay, but you need to realize you’re building a business. What is the plan for scale? What is the grand ambition? What is the ideal circumstance you want to reach? And then what resources do you need to get there? I think the second most important thing is Choosing your business partner wisely. And I’m emphasizing business partner like it’s almost a requirement. Sure, you can get to a certain level by yourself. You know, there’s that saying, if you want to go fast, go alone. If you want to go far, go together. You need a partner. Nobody has expertise in everything. So figure out what your core competencies are. If you can’t, failure will do that for you. Figure out what you do enjoy and then go find a business partner who complements your skills or compensates for the things that you’re not skilled at. And together. that you and that person can build something really immense and double your time. Because I think the biggest dilemma, particularly in entrepreneurship, historically has been, how do you duplicate yourself? You get to a certain point, how do you find somebody else who will work as hard as you, who’s as motivated as you, who’s as passionate about you? And I think in this age of AI, it doesn’t take a founding team of six anymore. You, another competent person, and three AI agents can really get to a place where you can scale effectively and efficiently in three years. So you just have to think about the grand perspective and not treating it as a hobby. And I think that’s half the way to success and release that inhibition of failure. know the stakes get greater as we get older, but imagine, you know, I mentioned Warren Buffett earlier, if he thought that way, imagine if George Washington thought that way, if Martin Luther King thought that way, like anything worth doing is hard. So get over it, get out there and do it and fail. Take those lessons, apply it to the next thing until you succeed. Nick McGowan (28:01.332)I think something to point out with. George Washington, Buffett, anybody else. Like there are times where I bring up purpose and people are like, well, I don’t know if my purpose is supposed to be the next Steve Jobs or something. No, that was his. Let him have his. You do yours. George Washington, Buffett, everybody else had these thoughts of like, this is where I want to get to. This is what I want to do. But it wasn’t like, I’m going to do this because it’s deep in my heart that I’m going to become George Washington or Buffett or whatever else. They had to actually build upon those things. And there are people that just want to have a solo business. There are people that want to have a small business. And by small, I mean, you know, a few handful of employees, maybe they make millions of dollars, but like, it’s a group of a small group of people. There others that want to have a huge bustling business of hundreds of employees and all of that. But I think it’s important for us to actually talk to ourselves about, do you want it? Because you want the ego of purposes of, have all these employees. I have all these things. Look at the boat that I have that I never get into because I have to work and manage all these employees. What’s the actual purpose underneath that? And I think as a creative and the people that are creatives, we can rely on the creativity inside of us because that’ll always nudge us along. It’s sometimes really hard to listen to. I’m sure you’ve experienced some of that going through probably years where you’re like, it’s hard to listen to it. I’m being creative, but I’m not really being creative. You’re getting paid to be a creative, but you’re basically like churning things out or using of stuff and not really creating but everybody’s like well this looks amazing and you’re like I fucking hate it and I hate you and I hate all this stuff so leave me alone. So for people that are in that spot right now and really for the people that are on their path towards self mastery what sort of advice would you give to them? Vincent Wanga (29:47.938)Well, speaking specifically to creatives, I think you can relate. We have a very unique mindset when it comes to certain things. And I think people misdiagnose us that our advantage is somehow attached to our hands and the software and skills. It’s our mentality in the way that we think. For example, the way we solve problems are completely different. What most people would see as an obstacle, we see as a challenge and we use our creativity to get around it. With the systems that we build, the solutions that we build, that’s what we get paid for. So I think that is an invaluable skill when, whether it’s business or your nine to five is remembering that that is your core competency and your greatest value that you bring is your ability to uniquely solve problems. And that’s why we are employed in every single industry in the world and have survived all kinds of efforts to remove us from those industries. And they keep coming back to us because of that skillset. think in addition to that, you just have to really be prepared for change. And we are an adaptable force. Look at all of the journeys that we’ve been through from the digital revolution and the elimination of print to interactive and AI, all of these things we are at the bleeding, cutting edge of. So we are in a natural position to be early adapters, to see and flesh out these new emerging technologies and see if they’re viable or not, and then use them to our advantage in a competitive sense against some of our non-creative peers in order to thrive. it while others are being replaced by it. So I think we need to recognize our power in that context and use that to our advantage. I’ll also add that you look at the highest level of leadership, a CEO, right? They have immense powerful responsibilities, but the number one is to create vision. They create the vision like Steve Jobs saying, I want a thousand songs in your pocket. And then it trickles down to the rest to execute and to figure out how to make that vision a reality. So vision is a creative mindset. creatives have visionary mindset. So why can’t creatives be those same CEOs? We just lack the business acumen. And I think if I was a creative in that position, that’s the first thing I would balance and start studying is what business skills do I lack that can compliment this thing that is very rare, which is that creative mindset that could make me unstoppable in the marketplace. And I am on this mission in my life to help creatives become more entrepreneurial, to think more business minded because the hardest skill we already have. Vincent Wanga (32:15.498)So having that balance that yin and yang between the creativity and conceptual and the analytical and business mindset will really put you in a place where you will be much more successful than if you try to pursue anything with just one mindset or the other. Nick McGowan (32:30.736)Yeah, what a cool way to be able to put that too. It’s like just being resourceful in that sense. You know, if you think from a basic creative perspective, if you’re just sketching, we need paper or something to draw on. You need the pen or pencil or whatever. And then you need the time. You need these pieces to do these things. So any of these things are like, well, what pieces do I need? Even to the fact about the partners, it’s like, what am I lacking here? What am I not a 10 at? And what does somebody else attend at that I could even just Have some help with some people don’t want to take on partners. They want to do the business by themselves I think that’s where coaches mentors come into play to be able to say I’ve been through this and before here’s some suggestions Here’s how you can go about it. Even just that fact of like just reaching out and having some of those conversations There’s somebody that’s out there. There’s some information that’s out there and I I Don’t want everybody to just lean on AI and everybody’s gonna do whatever they’re gonna do, but I do think that atrophies things I use AI at times. I mean fucking everybody does. It’s more so just being pushed on us at this point. But not literally just saying, I’m just going to hand this thing off and not understand how it is. Like you pointed out earlier, if you want to have a brewery, you have to be all these different things. And if all that is too much for you, don’t do it. If you just want to be a money person, then sure, be a money person and never show up. Maybe go and have a beer every once in a while and that’s it. That’s a whole different story though. Like where the fuck did you get that money from? Did you create a business to do that? know, or some Vincent Wanga (34:00.134)Sure. Nick McGowan (34:00.451)somebody handed to you. But being able to point that out and understand the resources of that and then what you’re good, what you’re not good at, I think it’s really good stuff, man. So I appreciate you bringing that up. It’s been a pleasure having you on. Before I let you go, where can people find you and where can they connect with you? Vincent Wanga (34:14.382)No, I really appreciate the conversation. Again, I speak all over the country and internationally. So if I’m in a conference in your area, please feel free to come up to me. And I love meeting new people, especially in different industries. In addition to that, have a website, VincentWongred.com, where you can see some of my other thought leadership across entrepreneurship, creative, design. Leadership is another thing I speak on often. I also have a book called The Art of Direction. personal perspectives on the path to creative leadership. So that is available through Amazon, Walmart, all the major online retailers and for special order at your bookstore. It’s a book about leadership. And I think that’s agnostic of just the creative industry and the unique, soft and hard skills that you need to make that leap that few people are prepared for. So it also very deeply personal and talks a little bit about my experiences and my journey and of course my failures and how that led to my success. And then you can also contact me on LinkedIn and Instagram through my website. Those are the primary ways you can get a hold of me. Nick McGowan (35:20.208)And again, it’s been pleasure having you on Vince. I appreciate your time. Vincent Wanga (35:23.478)Absolutely. Thank you,

George Perlov was a quintessential New Yorker. A MPA from Columbia. The Executive Vice President for Research and Innovation at The Advertising Council. A condo in Park Slope.Then fate and love propelled him into an entirely different life.It involves living in Brussels, Berlin and Florence. Starting his own firm, George Perlov Consulting. These days, George Perlov lives a fully European life. None of it was planned.

Today on the show we are diving into New York City's luxury condo market — a market in flux like never before. Luxury in the 21st century isn't just about size or location anymore. Buyers are looking for wellness-focused amenities, cutting-edge technology, privacy, and sustainable design.     With low inventory and a new wave of thoughtfully designed developments, the high-end market is being reshaped to offer experience, lifestyle, and long-term value alongside stunning architecture. Today, we'll break down what's driving these changes and what it really means to live luxuriously in modern Manhattan.     And my guest today is Peter Zaitzeff.  He is the polished, high-powered Sales Director for New Development at SERHANT and one of the firm's most influential agents. A lifelong New Yorker based in Tribeca, Peter has built a stellar reputation in luxury real estate, having closed more than $4.8 billion in over 500 deals.     Filmed at Brown Harris Stevens' Studio 1873, Part of the Mastery of Real Estate (MORE) Network.     Subscribe: https://podcasts.apple.com/us/podcast/talking-new-york-real-estate-with-vince-rocco/id1645541166   Connect with Vince Rocco: https://www.bhsusa.com/real-estate-agent/vince-rocco   Brown Harris Stevens is one of the largest privately owned real estate brokerages in the country, with more than 40 offices across four states: New York, New Jersey, Connecticut, and Florida.   https://bhsusa.com/   #realestatebuyers #nycrealestate #realestate #vincerocco #TNYRE #theeverset #roadwaymoving #newyorkrealestate #nyc

Hi there, Today I am delighted to be arts calling humorist, poet, and essayist Kurt Luchs! (kurtluchs.com) About our guest: Kurt Luchs was born in Cheektowaga, New York, grew up in Wheaton, Illinois, and has lived and worked all over the United States, mostly in publishing and media. Currently he's based in Kalamazoo, Michigan. His first poetry publication came at age sixteen in the long-gone journal Epos, right next to a poem by Bukowski. He has also written comedy for television (Politically Incorrect with Bill Maher and the Late Late Show with Craig Kilborn) and radio (American Comedy Network), as well as contributing humor to the New Yorker, the Onion and McSweeney's Internet Tendency, among others. He is author of the poetry collections Death Row Row Row Your Boat (Sagging Meniscus, 2024), Falling in the Direction of Up (SM, 2021), and the humor collection It's Funny Until Someone Loses an Eye (Then It's Really Funny) (SM, 2017). His poetry chapbooks include One of These Things Is Not Like the Other (Finishing Line Press 2019), and The Sound of One Hand Slapping (SurVision Press 2022). He won a 2022 Pushcart Prize, a 2021 James Tate Poetry Prize, the 2021 Eyelands Book Award for Short Stories, and the 2019 Atlanta Review International Poetry Contest. He is a Contributing Editor of Exacting Clam. About TRIBUTARIES, now available from Sagging Meniscus Press! https://www.saggingmeniscus.com/catalog/tributaries In Tributaries, Kurt Luchs chooses twenty poems that hold vital meaning for him as a reader and writer—many, but not all, recognized as classics—and pays twofold tribute to them. First, he explores each poem with a deep-diving personal essay on how the poet works their magic upon us. Then he gives a tribute poem of his own, in response to, or inspired by, the poem under discussion. The result is a uniquely well-rounded, multidimensional way of honoring great poems, unlocking more of their treasures for both first-time and long-time lovers of poetry. Poets featured are Wallace Stevens, Robinson Jeffers, David Ignatow, Philip Larkin, D. H. Lawrence, Etheridge Knight, Wislawa Szymborska, Lucille Clifton, Gabriela Mistral, H. D., Jorge Luis Borges, Federico Garcia Lorca, Mary Oliver, Lewis Carroll, Kenneth Koch, Homer, Louise Glück, Robert Bly, Charles Simic and James Tate. Thanks for this amazing conversation, Kurt! All the best! -- Arts Calling is produced by Jaime Alejandro. HOW TO SUPPORT ARTS CALLING: PLEASE CONSIDER LEAVING A REVIEW, OR SHARING THIS EPISODE WITH A FRIEND! YOUR SUPPORT TRULY MAKES A DIFFERENCE. THANKS FOR LISTENING! Much love, j artscalling.com

The Burning Cauldron of Fiery Fire runs at the Vineyard Theatre through December 7th. For more information, visit www.vineyardtheatre.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Laowang: A Chinatown King Lear is a production of Primary Stages running at 59E59 through December 14th. For more information, visit www.59e59.org. Follow The Present Stage on Instagram at @thepresentstageThe Present Stage: Conversations with Theater Writers is hosted by Dan Rubins, a theater critic for Theatermania and Slant Magazine. You can also find Dan's reviews on Cast Album Reviews and in The New Yorker's Briefly Noted column.The Present Stage supports the national nonprofit Hear Your Song. If you'd like to learn more about Hear Your Song and how to support empowering youth with serious illnesses to make their voices heard though songwriting, please visit www.hearyoursong.org

Some presidents use their pardons for large groups of people. Some presidents use them for personal reasons. If you were to sum up Donald Trump's use of the power of the pardon, the only word for it is “brazen.”   Guest: Benjamin Wallace-Wells is a staff writer at The New Yorker. Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

The New Yorker staff writer Jon Lee Anderson joins Tyler Foggatt to talk about the Trump Administration's military strikes on alleged Venezuelan drug boats in the Caribbean. They discuss the questionable intelligence and rationale behind the operation, the legal concerns raised by Defense Secretary Pete Hegseth's alleged order to leave no survivors in a September strike, and whether the attacks feels more performative than strategic. They also explore how Trump's framing of the issue as a drug war intersects with his broader ambitions—from pressuring the Venezuelan President, Nicolás Maduro, to reasserting American dominance in the hemisphere—and how other Latin American countries may respond to further military action in the region.This week's reading: “Can Trump's Peace Initiative Stop the Congo's Thirty-Year War?,” by Jon Lee Anderson “The Dishonorable Strikes on Venezuelan Boats,” by Ruth Marcus “The Legal Consequences of Pete Hegseth's ‘Kill Them All' Order,” by Isaac Chotiner “The Undermining of the C.D.C.,” by Dhruv Khullar “In the Line of Fire,” by Benjamin Wallace-Wells  The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine's writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week.Tune in to The Political Scene wherever you get your podcasts.  Learn about your ad choices: dovetail.prx.org/ad-choices

Some presidents use their pardons for large groups of people. Some presidents use them for personal reasons. If you were to sum up Donald Trump's use of the power of the pardon, the only word for it is “brazen.”   Guest: Benjamin Wallace-Wells is a staff writer at The New Yorker. Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

My conversation with Dave Daley starts at about 34 minutes after headlines and clips and my guest appearance with Francesca Fiorentini on her show "The Bituation Room: starts at 1:14 Subscribe and Watch Interviews LIVE : On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 750 awesome, curious, kind, funny, brilliant, generous soul David Daley is a senior fellow for FairVote and the author of Ratf**ked: The True Story Behind the Secret Plan to Steal America's Democracy, which helped spark the recent drive to reform gerrymandering. Dave's second book, Unrigged: How Americans Are Battling Back to Save Democracy, chronicles the victories and defeats in state efforts to reform elections and uphold voting rights. A frequent lecturer and media source about gerrymandering, he is the former editor-in-chief of Salon.com, and the former CEO and publisher of the Connecticut News Project. He is a digital media fellow at the Wilson Center for the Humanities and the Grady School of Journalism at the University of Georgia. His work has appeared in the New Yorker, The Washington Post, The Guardian, New York magazine, the Atlantic, the Boston Globe, Rolling Stone, Details, and he's been on CNN and NPR. When writing for the Hartford Courant, he helped identify Mark Felt as the "Deep Throat" source for Bob Woodward and Carl Bernstein.  Subscribe to Piano Tuner Paul Paul Wesley on Substack Listen to Barry and Abigail Hummel Podcast Listen to Matty C Podcast and Substack Follow and Support Pete Coe Hire DJ Monzyk to build your website or help you with Marketing

At any given time, millions of lab mice are being used in research facilities nationwide. And yet nearly all of them can be connected back to a single source: The Jackson Laboratory in Bar Harbor, Maine, where the modern lab mouse was invented.What started as a research project aimed at understanding heredity is now a global business. Research on lab mice has led to more than two dozen Nobel prizes, helped save countless human lives, and has pushed science and medicine to new heights. But behind it all is a cost that's rarely discussed outside of the ethics boards that determine how lab mice are used.   In this episode, we hear the story of how a leading eugenicist turned the humble mouse from a household pest into science's number one guinea pig. Plus, we get a rare peek inside the Jackson Laboratory - where over 10,000 strains of lab mice DNA are kept cryogenically frozen. Featuring Bethany Brookshire, Kristin Blanchette, Lon Cardon, Rachael Pelletier, Karen Rader, Nadia Rosenthal and Mark Wanner. Produced by Jeongyoon Han. For a transcript and full list of credits, go to outsideinradio.org. Note: This episode originally aired in April, 2023. SUPPORTOutside/In is made possible with listener support. Click here to become a sustaining member of Outside/In. Follow Outside/In on Instagram or join our private discussion group on Facebook.Submit a question to the “Outside/Inbox.” We answer queries about the natural world, climate change, sustainability, and human evolution. You can send a voice memo to outsidein@nhpr.org or leave a message on our hotline, 1-844-GO-OTTER (844-466-8837).LINKSKaren Rader's book, Making Mice: Standardizing Animals for American Biomedical Research, 1900-1955, is a definitive source on the birth of the lab mouse…Curious to learn more about pests? Take a look at Bethany Brookshire's book, Pests: How Humans Create Villains.This piece from the New Yorker questions the assumptions and ethical choices scientists have made by using lab mice in sterilized lab environments.In this New York Times essay, Brandon Keim explores how some ethicists want to reduce harm to animals used for research through a new model: repaying them.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Is this the end of WICKED in the theater, or does the success of FOR GOOD confirm a new franchise? Let's bring in friend of the show Claudia Castillo for some New Yorker perspective on a broadway adaptation that seems to be dividing fans and critics. Support us on Patreon & become a MAM VIP! madaboutmoviespodcast.com/vip Donate @ madaboutmoviespodcast.com Follow: X: @madaboutmovies IG: @madaboutmoviespodcast Kent Letterboxd https://letterboxd.com/kentgarrison/ Brian Letterboxd https://letterboxd.com/briangill/ Richard Letterboxd https://letterboxd.com/richardbardon/ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Some presidents use their pardons for large groups of people. Some presidents use them for personal reasons. If you were to sum up Donald Trump's use of the power of the pardon, the only word for it is “brazen.”   Guest: Benjamin Wallace-Wells is a staff writer at The New Yorker. Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

Kyle Bravo returns to the podcast to talk about what he's been up to since we last talked with him. He's had a couple more cartoons in the New Yorker and a number of cartoons in the Daily. He's also had cartoons in the Wall St Journal, Sat Eve Post, Antigravity, Air Mail, Alta, Private Eye, The Oldie, Woman's World, Weekly Humorist and other publications.We also talk about what makes a good cartoon and caption and he also joins us as we discuss  New Yorker Caption Contests and our favorite cartoons from the current issue.We talk about the winners for contest #967 (We'll always Have Paris of animals).Finalists for Contest #969 (Plenty of nothing). And the current Contest #971 (We get stumped).  You can Buy Kyle's books at his Etsy shop:https://www.etsy.com/shop/KyleBravoThingsSubscribe to his SubStack:https://kbravo.substack.comOr his Patreon:https://www.patreon.com/c/kylebravo/postsAnd check out his cartoons on Instagram:https://www.instagram.com/kyle_bravo_You can buy original New Yorker cartoon art at Curated Cartoons:https://www.curatedcartoons.comSend us questions or comments to : Cartooncaptioncontestpodcast@gmail.com

Marc Cox kicks off with music, concert excitement, and a nod to Guns N' Roses ticket winner Tony from Illinois, then reflects on the state of media bias and Jim Acosta's podcast praise of Rosie O'Donnell. He covers President Trump's tariff revenue strategy, texted listener opinions on deficit spending, and explains why congressional salaries barely impact the national debt. Nicole Murray reports on market updates, AI developments, retail performance, and airport etiquette, while Cox riffs on travel comfort versus style. The hour wraps with “In Other News,” featuring a DoorDash incident, a raccoon caught drinking in a liquor store, Dave Coulier's cancer diagnosis, canine CBD studies, and a New Yorker's record-breaking swim around Manhattan in handcuffs.

Cassandra Jenkins is an artist and musician, living in New York City. But one of our producers stumbled upon her track titled, “Aurora, I-L.” As in Aurora, Illinois. He wondered about the origin of the song and what it means.   The 21st Show is Illinois' statewide weekday public radio talk show, connecting Illinois and bringing you the news, culture, and stories that matter to the 21st state. Have thoughts on the show or one of our episodes, or want to share an idea for something we should talk about? Send us an email: talk@21stshow.org. If you'd like to have your say as we're planning conversations, join our texting group! Just send the word "TALK" to (217) 803-0730. Subscribe to our podcast and hear our latest conversations.   Apple Podcasts: https://podcasts.apple.com/us/podcast Spotify: https://open.spotify.com/show/6PT6pb0 Find past segments, links to our social media and more at our website: 21stshow.org.

The filmmaker Noah Baumbach can recall when he may have fallen out of love with his craft. He was shooting “White Noise,” based on Don DeLillo's novel, “on a deserted highway in Ohio at 4 A.M. with a rain machine.”  “Oh, God, I don't know that I like doing this,” he recalls thinking. “Am I doing this”—making movies—“only because I do it?” He channelled that angst into his new film “Jay Kelly,” a Hollywood comedy of manners starring George Clooney as a very famous movie star who suddenly wonders whether it was all worth it, and why people keep offering him cheesecake. In October, Baumbach spoke with The New Yorker's articles editor, Susan Morrison, at The New Yorker Festival about working with his wife, Greta Gerwig, on “Barbie,” and why the first lines of his movies can tell you everything.  New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

A close look at Tatiana Schlossberg's viral New Yorker essay, A Battle with My Blood. It is an emotional piece that blends grief, legacy, and quiet fury, and it signals a deeper shift inside the Kennedy family. The episode walks through the layers of the essay and the choices behind it. From the shock of Schlossberg's leukemia diagnosis, to the way she describes the strained healthcare system, to her understated but unmistakable criticism of Robert F. Kennedy Jr., this story becomes both a personal account and a moral document. This episode explores why the timing mattered, why the family dynamics matter, and why this essay reshapes the public conversation around RFK Jr. as Olivia Nuzzi's forthcoming book adds another external blow. The episode closes with a look at the media cycle, the political stakes, and the long arc of the Kennedy legacy. Want More Behind the Breakdown? Follow The PR Breakdown with Molly McPherson on Substack for early access to podcast episodes, private member chats, weekly live sessions, and monthly workshops that go deeper than the mic. It is the inside hub for communicators who want real strategy, clear judgment, and a little side-eye where it counts.Follow Molly on Substack Subscribe to Molly's Weekly Newsletter Subscribe to Molly's Live Events Calendar. Need a Keynote Speaker? Drawing from real-world PR battles, Molly delivers the same engaging stories and hard-won crisis insights from the podcast to your live audience. Click here to book Molly for your next meeting. Follow & Connect with Molly: https://www.youtube.com/mollymcpherson https://mollymcpherson.substack.com/ https://www.tiktok.com/@mollybmcpherson https://www.instagram.com/molly.mcpherson/ ...

Ed Kashi on Archiving, Personal Projects & the Future of Photojournalism Insights from the “10 Frames Per Second” Podcast with photojournalist Ed Kashi, co‑founder of Talking Eyes Media, and his newest book A Period of Time (Briscoe Center, UT Austin). Ed's career spans 40 years of visual storytelling—from early analog darkrooms to iPhone coverage of Hurricane Sandy, from Iraq's Kurdish frontlines to a decades‑long “Aging in America” project. His journey offers timeless lessons for anyone who creates, curates, or consumes visual media. 10 Frames Per Second – a weekly photojournalism podcast from Loyola Radio (WLOY) – brings together veteran photojournalists to discuss the craft, the business, and the stories that shape our world. In episode 168 (released 12/02/25), hosts Molly Roberts, and guest host Stephen Crowley (a guest on Episode 91) sit down with Ed Kashi, a 40‑year visual storyteller who has worked for National Geographic, The New Yorker, Time, MSNBC and more. “We love to start with an origin story. So, Ed, how did you first fall in love with photography?” – Molly The interview uncovers the hidden gems behind Kashi's career, his new retrospective book, and the lessons he's learned while navigating a changing media landscape. If you're a photojournalist, documentary filmmaker, or simply love visual storytelling, you've just landed on a summary of Ed Kashi's recent interview on the 10 Frames Per Second podcast. We break down: Ed Kashi's origin story and why photography hooked him 50 years ago. The making of his new book A Period of Time (Briscoe Center, UT Austin). Why archiving is essential for a sustainable career. The power of personal projects—especially his “Aging in America” series. Mentorship tips for emerging photographers. Ethical challenges in the age of AI. Grab a coffee, skim the headings, and dive into the actionable takeaways! How Ed Kashi Fell in Love With Photography Freshman at Syracuse University (1976) – originally wanted to be a novelist, but a poetry professor told him he was “a really bad writer.” Discovered the Newhouse School of Public Communications, one of the world's top photojournalism programs. Took a basic black‑and‑white darkroom course, learned about legendary photographer Imogen Cunningham (who was still shooting in her 90s). Realized photography could synthesize politics, art, and storytelling—the perfect medium for his activist spirit. “Even at age 10 I was stuffing envelopes for Hubert Humphrey against Nixon. Photography just seemed the vehicle to combine that political impulse with art.” Takeaway for Readers If you're just starting out, look for a mentor or a historic figure who inspires you. That spark can sustain a 50‑year career. A Period of Time: A 40‑Year Retrospective Why a Retrospective Now? Archive donation – Ed Kashi gave 127 banker‑boxes of negatives, slides, prints, and ephemera to the Briscoe Center for American History (UT Austin). Unexpected invitation – Briscoe's director, Don Carlton, asked Ed Kashi, “How does one get collected?” and then offered to collect him. Creative freedom – The Center gave him full editorial control: “This is your story. Do whatever you want.” The Book's Core Idea Linear, issue‑oriented storytelling – Each chapter is a deep dive into a major project (e.g., Northern Ireland, Kurds, Aging in America). Scholarly rigor meets journalistic depth – The book reads like a photo‑anthropology textbook with stunning visuals. “Opening the book felt like holding a newborn—overwhelming but beautiful.” The Power of a Well‑Organized Archive “My archive is like a garden; I can harvest what I need because everything is sorted.” – Ed Kashi How Ed Kashi Keeps His Archive Manageable Early adoption of digital workflow – Transitioned from analog boxes to searchable digital files. Meticulous cataloguing – Every image tagged by date, location, project, and theme. Professional support – Collaborated with studio managers (e.g., Frish Brandt) and curators (e.g., Alison Nordstrom). Benefits for Photojournalists Monetization – Ability to license old images for new publications. Storytelling efficiency – Quickly locate relevant photos for pitches or books. Legacy preservation – Ensures future generations can study and exhibit the work. Quick Tips to Organize Your Own Archive Create a consistent naming convention (YYMMDD_Location_Project_Sequence). Use metadata tags for keywords, people, and locations. Back up on at least two external drives and a cloud service. Review annually – purge duplicates and update tags. Personal Projects: The “Aging in America” Series Why Aging? Not “sexy” but universally human – Kashi wanted a topic that would outlive trends. Long‑term commitment – 8 years, 25 states, $300k in grant funding (Robert Wood Johnson, George Soros). Humanizing statistics – The project shows “the vitality of life, love, and hope” beyond the typical “dying” narrative. Key Outcomes Iconic image – Death scene of Maxine Peters (West Virginia) that resonates across cultures. Global collaboration – “Climate Elders” exhibition at COP 30, involving 150 photographers from 40 countries. Lessons for Emerging Photographers Research first; then shoot – Deep immersion builds trust and authentic moments. Secure funding early – Grants give creative freedom and resources. Be patient – Long‑term projects earn credibility and impact. Mentorship & Teaching: Ed Kashi's Advice for New Photographers Area Kashi's Insight Actionable Tip Tenacity “Failure is not an option; keep going.” Set mini‑milestones; celebrate small wins. Ethics No manipulation, no staging; honor subjects as collaborators. Draft a personal ethics checklist before each shoot. Access Build relationships; be respectful of vulnerable communities. Attend local events, volunteer, network before pitching. AI & Credibility Trust reputable media; AI threatens misinformation. Verify sources; use AI for organization, not image creation. Joy of Photography Keep the joy alive—look at others' work for inspiration. Schedule weekly “inspiration sessions” with peers. Ethics & AI: The New Frontier Ed Kashi worries about political actors using AI to fake images, not about entertainment misuse. He believes trusted news outlets (NYT, BBC, National Geographic) will gain more value as AI blurs reality. Over‑post‑production can create a gloomy aesthetic that misrepresents the world. Practical Guidance Never alter factual content in post‑production. Label AI‑generated edits clearly if they're artistic. Teach media literacy: help audiences distinguish authentic journalism from AI‑fueled “deepfakes.” Closing Thoughts, Ed Kashi Call‑to‑Action Ed Kashi's journey—from a panic‑driven freshman at Syracuse to a globally respected visual storyteller—offers an actionable roadmap for anyone chasing a sustainable photojournalism career. Archive like a gardener. Invest in personal, issue‑driven projects. Mentor, learn, and stay ethically grounded. Embrace technology wisely, especially AI. Want More? Listen to the full episode on 10 Frames Per Second (new episodes drop every Tuesday). Explore “A Period of Time” at the Briscoe Center or order the book online. Join the conversation: Share your favorite archival tip or personal project story in the comments below! Optimized for: photojournalism, Ed Kashi interview, archiving photos, personal documentary projects, aging in America, mentorship for photographers, AI ethics in photography. photojournalism, documentary storytelling, archival organization, personal projects, political theater, Washington D.C., New York Times, National Geographic, Hurricane Sandy coverage, iPhone journalism, Kurdish flip‑book, award recognitions, book publishing, Briscoe Center for American History, archive donation, analog negatives, digital workflow, aging in America, hospice care, climate elders, grant funding, long‑term projects, mentorship, ethics in photography, AI manipulation concerns, media literacy, visual tropes, storytelling methodology, access and tenacity, cultural preservation, collaborative authorship.The post Episode 168: Ed Kashi (Archiving Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Hello, media consumers! Welcome to the first in a monthly series of special episodes in which we take an in-depth look at a single subject and then interview a guest to help us understand that subject. This month's subject is The New Yorker magazine and our guest is its editor, David Remnick. This month's issue kicks off with a discussion between Bryan and David about Netflix's new documentary on The New Yorker, ‘The New Yorker at 100,' including what they both liked (02:54) and disliked about it (11:43). Next, they recall their first interactions with The New Yorker (16:08) and then dive into the history of the magazine (22:31). Bryan and David then contemplate some questions about the magazine, including, “If you were stuck on a desert island, whose New Yorker collected works would you pick?” (29:36), “What is your favorite New Yorker cover?” (36:31), "What movie or TV show to come out of The New Yorker would you pick?” (45:20), and more. David and Bryan finish their discussion by asking “Can The New Yorker survive another century?”(59:21). The December Issue winds down with an interview with New Yorker editor David Remnick (1:11:17). He and Bryan discuss what it was like having a documentary crew around while he worked, what kind of news outlet he wants The New Yorker to be (1:15:43), how much he wants the magazine to be about the city (1:29:45), and so much more, here on the Press Box. Hosts: Bryan Curtis and David Shoemaker Guest: David Remnick Producer: Bruce Baldwin Additional Production Support: Conor Nevins and Ben Cruz Learn more about your ad choices. Visit podcastchoices.com/adchoices

Miriam Toews joins Deborah Treisman to read and discuss “Elephant,” by Raymond Carver, which was published in The New Yorker in 1986. Toews has published ten books, including the novels “A Complicated Kindness,” which won the Governor General's Award for Fiction; “All My Puny Sorrows,” “Women Talking,” and “Fight Night”—and the memoir “A Truce That Is Not Peace.”  Learn about your ad choices: dovetail.prx.org/ad-choices

In this episode we speak with Nicolas Thompson -CEO of The Atlantic and author of the book, 'The Running Ground -A Father, A Son, and the Simplest of Sports'. Hear his reflection on how running helped him amid personal crises; getting faster after 40; and how he finds time to fit running into his day. [powerpress] [box] Links Mentioned in This Episode Run Coaching. Work with an expert MTA running Coach. Altra Running -Altra shoes are designed to fit the natural shape of feet with room for your toes, for comfort, balance, and strength. So you focus on what really matters:  Getting out there. IQBAR brain and body-boosting bars, hydration mixes, and mushroom coffees. Their Ultimate Sampler Pack includes all three! Get 20% off plus FREE shipping. Just text “MTA” to 64000. MetPro.co -For the first time ever, MetPro is offering MTA listeners a full 30-day experience for just $95 with absolutely no strings attached! See what it's like working with your own metabolic coach. Limited to the first 30 people. [/box] Nicholas Thompson (born 1975) is an American technology journalist, author, and media executive. He has been the chief executive officer of the American magazine The Atlantic since February 2021. Thompson previously worked as editor-in-chief of Wired and The New Yorker's website. He is the author of two non-fiction books, is a contributor for CBS News, and regularly appears on CBS This Morning and CBSN. Thompson competed in running as both a high school student and briefly on his college team at Stanford. In 2021, Thompson set the American 45-49 age-group record at the 50-kilometer distance after running 3:04:36 at the Brooks Row River 50K in Oregon. As of 2025, he had completed the New York City Marathon 12 times, running his fastest time of 2:29 at the age of 44.

Susan Glasser, staff writer at The New Yorker and author of a weekly column on life in Washington, host of the Political Scene podcast, talks about the latest national political news.  

Writer and editor Thomas Beller joins me to discuss his new essay collection Degas at the Gas Station. The essays trace his experience of fatherhood through the landscapes of his own childhood, including the early death of his psychoanalyst father and Tom's later return—wife and children in tow—to the very Manhattan apartment where he was raised. We talk about some of the fundamental conflicts of personal writing, including the ethics of writing about your children and even your ambivalence about parenthood. We also discuss why some writers feel trapped inside the genres that come most naturally to them, how the literary sensibility of The New Yorker shaped the styles of generations of writers, and how Tom is feeling about New York City these days. The episode was recorded on the morning of November 4, Election Day, and Tom talks about why he's voting for Zohran Mamdani—and why he thinks some of my early writing relates directly to Mamdani's platform. Guest Bio: Thomas Beller is a long time contributor to the New Yorker and the author of several books including Lost in the Game: A Book about Basketball, also published by Duke University Press; J.D. Salinger: The Escape Artist; and The Sleep-Over Artist. A 2024-25 Guggenheim fellow, he is a founding editor of Open City Magazine and Books and Mrbellersneighborhood.com, and  Professor and Director of creative writing at Tulane University.

One-on-one pod today, Chris was in Las Vegas, and Jason was in Laguna Beach, CA. We chat about low-key hang gliding weather, motorcyclist Matty Matheson spotted in the wild, how to spend Alix's Vegas winnings, all plane food smells the same, despite the dish, pasta and bread restaurants shouldn't serve potatoes as well, it's excessive, the quarter-zip sweater gains momentum in the hood, New Yorker piece on airport lounges, performative mountain biking, lentils by the sea, and we make a slight adjustment to the Thanksgiving "cousin walk." twitter.com/donetodeath twitter.com/themjeans howlonggone.com Learn more about your ad choices. Visit megaphone.fm/adchoices

The new short documentary film "Cashing Out" examines the complications of buying life-insurance policies for HIV-positive gay men. Matt Nadel, who directed the film for The New Yorker, and subject Scott Paige join to discuss.

Andrew Walworth, Tom Bevan, and Carl Cannon discuss whether the recent ambush of two National Guard members by an Afghan national will prompt changes in immigration law, and President Donald Trump's remarks about Somali immigrants and the need for what he calls “reverse migration". Then, they discuss press reports that the U.S. Military killed two survivors of a September 2nd attack on a drug boat in the Caribbean, and Congressional calls for an investigation into Secretary of War Pete Hegseth's role in the alleged incident. Then finally, they talk about a New Yorker article by Benjamin Wallace-Wells on the effect of rising political violence on Americans' willingness to participate in politics, and what can be done to lower the temperature of the national debate. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Over the weekend, Donald Trump declared on Truth Social that the airspace around Venezuela should be considered closed. Venezuela's foreign ministry responded by calling the comments "another extravagant, illegal and unjustified aggression against the Venezuelan people".Late last week, Trump also said that land action against alleged drug trafficking networks in the country could start very soon.All of this is happening amidst a serious military buildup in the Caribbean and escalating threats to remove Venezuela's president Nicolas Maduro from power.Is this the buildup to an invasion? And is it really about drugs? Or do Venezuela's massive oil reserves have something to do with it?Jon Lee Anderson is our guest. He's a staff writer with The New Yorker, and has written extensively about U.S.-Venezuela relations and U.S. interference in Latin America.For transcripts of Front Burner, please visit: https://www.cbc.ca/radio/frontburner/transcripts

Today on Whats My Frame I'm joined by award-winning filmmaker, Winter Dunn. Winter is dedicated to amplifying universal narratives through the lens of BIPOC voices. Her short film, Dear Mama, premiered at SXSW and won the NAACP Image Award for Outstanding Short Film (Live Action). Dear Mama is currently streaming on The New Yorker's Screening Room and Short of the Week. Her most recent film, PLAY HARD, had its World Premiere at the 2024 Tribeca Film Festival, was selected as a Vimeo Staff Pick, and streams on Hulu.Winter has been a directing fellow in several prestigious programs, including NBCU Launch, Film Independent's Project Involve, Ryan Murphy's HALF Initiative, and the Sony Pictures Diverse Directors Program. Beyond film and television, Winter has directed a wide range of digital content, including web series and editorial videos. Her digital direction for Vanity Fair, Vogue, Architectural Digest, Anonymous Content, Meta, and other platforms has featured stars like Viola Davis, Sarah Paulson & Billie Eilish.winterdunn.com@itswinterdunn

One of Donald Trump's most successful initiatives in his second term has been making himself and his family richer than ever. We're joined by The New Yorker's David Kirkpatrick, who earlier this year wrote a piece outlining all the ways the legendary grifters have cashed in during Trump's presidency.  The Trump family has long been associated with shameless cash grabs, but we have reached new levels of corruption by using his office for their money-making schemes: international real estate deals, Trump-branded merchandise, and cryptocurrency. David lays out the long list of ethical implications involved and calculates the staggering amount of money Donald Trump and his family have made off of his presidency. READ David's piece “The Number” in The New Yorker: https://www.newyorker.com/magazine/2025/08/18/the-number Protect yourself and your family from cybercrime this holiday season with our newest sponsor, Webroot! Use code FRANKEN at checkout: https://www.webroot.com/franken Get free shipping and 365-day returns on wardrobe shopping with our sponsor, Quince! Use code FRANKEN at checkout! https://www.quince.com/franken Visit our sponsor OneSkin for all of your skincare needs! Use code FRANKEN at checkout to get 15% off of your order: https://www.oneskin.co/FRANKEN

When life feels uncertain, who do you turn to? Across cultures and throughout history, many of us have looked to people who seemed to have a special set of abilities and knowledge… shamans.On this episode, we'll talk to anthropologist Manvir Singh about what shamanism actually is, how it works, and why its appeal is both timeless and universal. From a remote island in Indonesia to American Pentecostal churches, we'll explore how shamans harness ritual, empathy, and performance to help people find meaning and relief in times of need.Manvir Singh directs the Integrative Anthropology Lab at the University of California, Davis. He is the author of Shamanism: The Timeless Religion, and a contributing writer for The New Yorker. Find out more about his work on his website.

This week we're sharing a special episode from a show we love, Wiser Than Me. Julia Louis-Dreyfus sits down with 70-year-old New Yorker cartooning legend Roz Chast, whose humor and unforgettable illustrations Julia has adored for decades. They dive into Roz’s anxieties, obsessions, and the worldview behind her award-winning memoir “Can’t We Talk About Something More Pleasant?” Roz chats about raising kids through constant worry, caring for her aging parents, and how her work helps her make sense of the chaos. Plus, Julia’s mom Judy recalls how she handled the sex talk with Julia when she was growing up. For more episodes, follow Wiser Than Me wherever you get your podcasts or head to https://lemonada.lnk.to/wiserthanmefd See omnystudio.com/listener for privacy information.

In his latest novel, Ian McEwan imagines a future world after a century's worth of disasters. The good news in “What We Can Know” is that humanity still exists, which McEwan calls “nuanced optimism.” He and David Remnick discuss the tradition of the big-themed social novel, which has gone out of literary fashion—“rather too many novels,” McEwan theorizes, hide “their poor prose behind a character.” But is the realist novel, Remnick wonders, “up to the job” of describing today's digital life? It remains “our best instrument of understanding who we are, of representing the flow of thought and feeling, and of representing the fine print of what happens between individuals,” McEwan responds. “We have not yet found a compelling replacement.” And yet he does not care to moralize: “the pursuit has also got to be of pleasure.” McEwan spoke with David Remnick at a public event organized by the 92nd Street Y in New York.  New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

Looking ahead to the 250th anniversary of the U.S., Jill Lepore, professor of American History at Harvard University, staff writer at The New Yorker, and the author of several books, including We the People: A History of the U.S. Constitution (Liveright, 2025), digs into the history of the country's founding document and what it means for the country that it so difficult, but still possible, to change.A. J. Jacobs, host of the "Hello Puzzlers" podcast, essayist, and the author of The Year of Living Biblically, The Know-It-All, It's All Relative and his latest, The Year of Living Constitutionally: One Man's Humble Quest to Follow the Constitution's Original Meaning (Crown, 2024), reports back on how AI is already woven into daily life with another take on being a "human guinea pig," going 48 hours without using AI.Bill McKibben, environmental activist, founder of Third Act and author of many books, most recently: Here Comes the Sun: A Last Chance for the Climate and a Fresh Chance for Civilization (W. W. Norton & Company, 2025), discusses his new book and reflects on his life's work, both as a climate activist and journalist.Olga Khazan, staff writer at The Atlantic and the author of Me, But Better: The Science and Promise of Personality Change (S&S/Simon Element, 2025), talks about her new book and what she found on her year-long quest to become a "better" person.These interviews were lightly edited for time and clarity; the original web versions are available here:Jill Lepore on the American Constitution (Sep 16, 2025)A.J. Jacobs Tries Life Without AI (Nov 3, 2025)A Lifetime of Work on Climate Change (Sep 25, 2025)Can We Change Our Personalities? (Mar 12, 2025)   

The Daily Show’s Roy Wood Jr. joins Chelsea to talk about the life lessons he learned from unexpected people, why nobody wants to do you a favor unless they have an ulterior motive, and debate whether his parents had an open marriage way before it was cool. Then: A 40+ standup wonders where to focus her time. And a comedy-adjacent New Yorker tries not to become a Chuckle F*cker. * Pick up a copy of The Man of Many Fathers here * Need some advice from Chelsea? Email us at DearChelseaPodcast@gmail.com * Executive Producer Catherine Law Edited & Engineered by Brad Dickert * * * The views and opinions expressed are solely those of the Podcast author, or individuals participating in the Podcast, and do not represent the opinions of iHeartMedia or its employees. This Podcast should not be used as medical advice, mental health advice, mental health counseling or therapy, or as imparting any health care recommendations at all. Individuals are advised to seek independent medical, counseling advice and/or therapy from a competent health care professional with respect to any medical condition, mental health issues, health inquiry or matter, including matters discussed on this Podcast. Guests and listeners should not rely on matters discussed in the Podcast and shall not act or shall refrain from acting based on information contained in the Podcast without first seeking independent medical advice. See omnystudio.com/listener for privacy information.