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During the height of Roy Cohn's friendship with Donald Trump, according to the historian Kai Bird, “they were on the phone with each other a dozen times a day.” Bird's new book, “American Scoundrel,” details Cohn's profound influence on Trump—whom he met as a young real-estate heir in the nineteen-seventies—and how Cohn is “haunting” politics in our time. “I had written about Roy Cohn in [previous biographies] as this nefarious, minor, awful figure who was disruptive and divisive and unethical. And I suddenly realized that the establishment that I'd been writing about for forty years is gone. Their values and culture, the politics, the bipartisanship . . . that's all gone,” he tells David Remnick. “Roy Cohn explains something about the dark side of America that I just didn't understand.” They discuss Cohn's early career as a prosecutor and his role as the “mastermind” of the McCarthy purges; his service as a lawyer and fixer for Mafia members, politicians, and celebrities; and an allegation of being involved in sex trafficking. Further reading and listening: “How Roy Cohn Taught Donald Trump Everything,” by Kai Bird and Susan Goldmark “The Mobster Cosplay of Donald Trump,” by David Remnick “Adapting Oppenheimer's Life Story to Film, with Biographer Kai Bird,” an episode of The New Yorker Radio Hour “Roy Cohn and the Making of a Winner-Take-All America,” by Naomi Fry New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
We live in the age of data. Over the past century, rapidly evolving technologies have transformed almost every aspect of our society, in ways that can seem both troubling and unstoppable. Political campaigns have been reduced to attention-mining algorithms, multinational corporations control public discourse, and the era of the liberal nation-state seems to be coming to an end, replaced by the rule of artificial intelligence. In her new book, The Rise and Fall of the Artificial State, historian Jill Lepore asks: what happens to democracy when governments hand more of the decisions that shape our lives to machines – and to the corporations that control them? In this episode, she joins host Mythili Rao to explore how a series of often well-intentioned technological developments brought us to where we are today; why the arrival of ChatGPT marked a historical turning point; and how today's tech moguls have built infrastructures that increasingly rival the power of the democratic nation-state. By tracing the origins of the ‘Artificial State', Lepore shows that its rise was never inevitable – and its future isn't either. She finds hope in growing resistance to the power of AI across the political divide, and says that through organised opposition, we can decide what technology should be for and the future we want it to create. Jill Lepore is the David Woods Kemper '41 Professor of American History at Harvard University and Professor of Law at Harvard Law School. She is also a staff writer at the New Yorker. Mythili Rao is a journalist, book critic and podcaster. If you'd like to become a Member and get access to all our full conversations, plus all of our Members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series … Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content and early access. … Subscribe to our newsletter here to hear about our latest events, discounts and much more. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices Learn more about your ad choices. Visit podcastchoices.com/adchoices
This week we present two stories from our archive of people who learned something about their childhood later in life.Part 1: Growing up in the fifties and sixties, Jenice Matias senses there's more to her mother's occupation than she understands. Part 2: D.B. Firstman has always known their body is different, but at the age of thirty, they make a discovery that changes everything. Jenice Matias is a multifaceted artist—a dancer, singer, actress, comedy jenice matias is writer, dancer. Singer, comedian, improviser actress and storyteller. She has garnered recognition for her bold, fearless personal stories featured on popular podcasts. She has performed across various renowned storytelling platforms such as The Moth Risk. The Monti and The Story Collider. In addition to storytelling, she has written and performed in several solo comedy shows receiving accolades for her performance. You can learn more about her background and upcoming projects by visiting her official Jenice Matias Website.Now going by David Firstman and using he/him pronouns, he is a lifelong New Yorker born and raised in Queens. A career-long civil servant, he is a data analyst for the City of New York, crunching numbers in Excel and SPSS. A lifelong baseball fan, he had his work published on ESPN.COM and BaseballProspectus.com, as well as in the SABR Baseball Research Journal. His first book, “Hall of Name" was published in 2020 and his second book "Chasing 56" will be coming out early 2027. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
A cinematic classic meets a striking new musical vision in this special screening of “Frankenstein”, at Stissing Center in Pine Plains, NY starring Boris Karloff, featuring the world premiere of a chamber ensemble score by composer Michael Shapiro. Performed live by the Argus String Quartet with pianist Steven Beck—praised as “vivacious” by The New Yorker—this reimagined score brings new emotional depth to the film's iconic imagery. Shapiro's full orchestral version has already been performed by more than 80 orchestras worldwide. The evening begins with a Q&A with Boris Karloff's daughter, Sara Karloff. At the heart of the score is the mirrored relationship between Henry Frankenstein and his creation. “The monster is the doppelganger of Henry Frankenstein,” Shapiro notes, a connection reflected musically in unexpected ways. Dark, driving themes underscore the doctor's ambition, while the monster is accompanied by music that is at times gentle, haunting, and deeply sympathetic. Karloff's portrayal—imbued with a sense of soul—feels newly illuminated through this lens. Shapiro's score ebbs and flows alongside the film, heightening both its terror and its humanity—from the charged electricity of creation to the quiet, tragic innocence of the monster's brief encounters with the world.
On this special edition of the podcast, marking the 25thanniversary of September 11, 2001, we welcome JEFFREY ROBINSON—international bestselling author, investigative journalist, and one of the most accomplished storytellers working today. The author of more than 30 books, both fiction and nonfiction, ROBINSON's remarkable body of work includes The Laundrymen: Inside the World's Third Largest Business, biographies including Grace of Monaco: The True Story, and an extraordinary library of investigativeand narrative nonfiction. A native New Yorker who spent 37 years in Europe as a writer and investigative journalist, ROBINSON now lives in New York City.ROBINSON joins us to discuss his powerful and timely newbook, Ash and Honor: The Untold 368 Minutes of 9/11 (ST. MARTIN'S PRESS), published for the 25th anniversary of September 11, 2001. On that terrible morning, four commercial aircraft were hijacked and used incoordinated terrorist attacks: two struck the World Trade Center in New York City, one crashed into the Pentagon, and UNITED AIRLINES FLIGHT 93 went down in Pennsylvania after passengers and crew fought back. Nearly 3,000 innocentpeople lost their lives in the deadliest terrorist attack in American history, a tragedy whose impact continues to be felt a quarter-century later.Drawing upon the testimony of more than 60 eyewitnessesto history, many of whom had never previously spoken publicly, ROBINSON takes readers inside the crucial 368 minutes that followed the attacks. From AIR FORCE ONE and the skies over America to the PENTAGON, NORAD, the WHITE HOUSE, military command centers, and communities suddenly overwhelmed by diverted aircraft, Ash and Honor offers a gripping and often astonishing account of the confusion, courage, fear, and split-second decisions that shaped one of the darkest days in American history.In our conversation, ROBINSON sheds new light on the actions and responses of PRESIDENT GEORGE W. BUSH, the SECRET SERVICE, DEFENSE SECRETARY DONALD RUMSFELD, military and aviation officials, and those charged with protecting the nation amid unprecedented chaos. We discuss extraordinary moments aboard AIR FORCE ONE, including a classified phone call between RUMSFELD at thePENTAGON and PRESIDENT BUSH in the air—and the startling moment when PRESIDENT BUSH gave RUMSFELD permission to shoot down a suspected aircraft, a revelation that may surprise many listeners.What exactly happened, what information was believed atthe time, and how close did the nation come to an even more unimaginable decision? That is one of the remarkable stories we explore in this compelling conversation.As we mark the 25th anniversary of 9/11, we remember with profound sorrow the nearly 3,000 innocent lives taken that day, the families whose lives were forever changed, and the first responders who made the ultimate sacrifice whilerushing toward danger to save others. We offer our sincere prayers and deepest condolences to all who continue to carry the pain of that terrible day, and we reaffirm a simple but enduring promise: we will remember, we will honor, and we will never forget.Email this podcast: byrnedesk@gmail.com
The New Yorker contributing writer Eren Orbey joins Tyler Foggatt to discuss the trial of Lindsay Clancy, who is accused of murdering her three children during a period of severe postpartum mental-health struggles. They talk about the tragedy at the center of the trial and the question of whether Clancy's mental state at the time meets the legal standard for a lack of criminal responsibility. They also discuss Eren's experience reporting on the case in 2024, including his extensive conversations with Clancy's now ex-husband, Patrick; the intense public reaction to the case and the proliferation of conspiracy theories surrounding it; and how cultural understanding—and misunderstanding—of women's mental health and postpartum psychosis have shaped the coverage and discourse. This week's reading: “The Lindsay Clancy Conspiracy Spiral,” by Eren Orbey “Why People Want to Believe the Lindsay Clancy Conspiracy Theories,” by Jessica Winter “Is R.F.K., Jr., Winning or Losing?,” by Dhruv Khullar “Adam Hamilton and Taking Back Religion from the Right,” by Bill McKibben “Does Anybody Know Who Darline Graham Is?,” by Charles Bethea The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine's writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Christopher Hart has had, and continues to have, an amazing career, or should I say “careers”. Many people, not just magicians, would be satisfied with success in any one of the areas where Chris has exceeded expectations. Many listeners of The Magic Word Podcast know that it was his hand as “Thing” in “The Addams Family” movies. And yet there is a whole generation who have never seen nor heard of “The Addams Family”, the New Yorker comic strip, the TV series let alone the movies. The recent Netflix series “Wednesday” has introduced many to this genre, but Chris wasn't in that, and I digress.But he has performed in dinner theater with “Triple Espresso” and also singing on network TV, Plus of course he has presented his award winning act around the world with the torn and restored sheet music and the disembodied hand. You may think you know Christopher Hart, but there is so much to know about Christopher that you will be surprised what you learn in this episode. View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize View fullsize This week's episode was recorded in Appleton, Wisconsin, while we were at the SAM National convention. Christopher not only performed but also lectured. He had so much material to share, that he never got around to explaining some of the items on his agenda during his lecture. He resolves that by chatting on this week's episode as he talks about his touches on the torn and restored newspaper and the zombie gimmick. But we start, of course, by chatting about his film career, then his time with dinner theater, overcoming his fear of singing in public, working and touring with David Copperfield, plus serving as President of the Board of Trustees on the Academy of Magical Arts. He shares some great “behind the scenes” stories about all of this which makes this one of my favorite episodes, and I hope yours, too. Give Him a Hand Scott Wells with Christopher Hart Download Download this podcast in an MP3 file by Clicking Here and then right click to save the file. You can also subscribe to the RSS feed by Clicking Here. You can download or listen to the podcast through Pandora and SiriusXM (formerly Stitcher) by Clicking Here or through FeedPress by Clicking Here or through Tunein.com by Clicking Here or through iHeart Radio by Clicking Here. If you have a Spotify account, then you can also hear us through that app, too. You can also listen through your Amazon Alexa and Google Home devices. Remember, you can download it through the iTunes store, too. See the preview page by Clicking Here.
In May, two low-budget movies from début filmmakers opened in theatres and quickly made box-office history. “Obsession” and “Backrooms,” which together have grossed nearly a billion dollars, defied conventional industry wisdom and inaugurated the burgeoning genre of “Gen Z horror.” On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz are joined by New Yorker culture editor and horror enthusiast Alex Barasch to discuss this new canon, beginning with the most recent entry, Alex Ullom's “It Ends.” Like Curry Barker and Kane Parsons—the directors of “Obsession” and “Backrooms,” respectively—Ullom is a twentysomething who honed his craft on YouTube. This content pipeline has already become a model for Hollywood executives who are scrambling to cash in on the phenomenon. But these films' sensitivity to the predicaments of young viewers, who grew up online and came of age during the pandemic, may be the real key to their commercial success. “It's people responding to another member of their generation speaking directly to them,” Barasch says. “I hope that that is what is sought and funded and rewarded in this new era.” Read, watch, and listen with the critics: “Why Horror Still Haunts Us” (The New Yorker) “Obsession” (2026) “Backrooms” (2026) “It Ends” (2026) “The Twenty-Six-Year-Old Behind ‘Obsession,' a Terrifying Tale of a Crush Gone Awry,” by Alex Barasch (The New Yorker) “No Exit,” by Jean-Paul Sartre “Weapons” (2025) “Portal” (2007) “Iron Lung” (2026) New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.Critics at Large is a weekly discussion from The New Yorker that explores the latest trends in books, television, film, and more. Join us every Thursday as we make unexpected connections between classic texts and pop culture. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Will AI take our jobs? Kill us? This episode provides both fact-checking and a psychological survival guide. Cal Newport is a Professor of Computer Science at Georgetown University, where he is also a founding faculty member of the Center for Digital Ethics and the inaugural Director of the Computer Science, Ethics and Society academic program. He is the New York Times bestselling author of eight books, including, most recently, Slow Productivity, A World Without Email, Digital Minimalism, and Deep Work. Newport is also a long-time contributing writer for the New Yorker and the host of the Deep Questions podcast. Matthew Brensilver, MSW, PhD teaches retreats at the Insight Retreat Center, Spirit Rock Meditation Center and Insight Meditation Society. Before committing to teach meditation full-time, he spent years doing research on addiction pharmacotherapy at the UCLA Center for Behavioral and Addiction Medicine. Each winter and summer, he offers a four-month online Buddhist Psychology Training through Spirit Rock integrating Buddhist wisdom with modern psychotherapy. Matthew is the co-author of two books about meditation during adolescence and continues to be interested in the unfolding dialogue between Buddhism and science. In this episode we talk about: What really happened when an AI agent hacked a company while running a test Why one Silicon Valley belief system may be fueling AI panic more than the tech itself Why senior programmers are quietly going back to writing code by hand Where Cal draws the line on using AI to help you write versus write for you Why Matthew worries AI could quietly replace the ordinary, unfinished parts of daily life Buddhist advice on being with this unprecedented moment How stabilizing your mind makes acceptance possible, and how to do it Why calming the sense of emergency doesn't erase uncertainty, but makes it easier to face Get the 10% with Dan Harris app here Sign up for Dan's free newsletter here Follow Dan on social: Instagram, TikTok Subscribe to our YouTube Channel Additional Resources:This episode is sponsored by: Tonal: Right now, Tonal is offering our listeners $200 off your Tonal purchase at tonal.com with promo code HAPPIER. To advertise on the show, contact sales@advertisecast.com or visit https://advertising.libsyn.com/10HappierwithDanHarris
The introduction of AI tools and chatbots in classrooms across the United States has prompted an outcry among concerned parents, teachers, and students. OTM producer and new parent Molly Rosen speaks with Jessica Winter, staff writer at The New Yorker and author of the article “What Will It Take to Get A.I. Out of Schools?,” about how Google Chromebooks have infiltrated schools and what the research says about the impact of AI use on cognitive development. On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Bluesky, TikTok and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Country-music legend Dolly Parton has died at 80. The New Yorker’s Lauren Michele Jackson explains how Parton's warmth and many songs made her beloved across America. A new study found that at least 25% of former NFL players who died between 2016 and 2021 had signs of CTE, the degenerative brain disease linked to head trauma. NPR’s Becky Sullivan says the real number could be higher. The Pentagon fired the top editor and the publisher of Stars and Stripes, as well as a reporter, raising questions about the paper’s independence. The Washington Post’s Scott Nover discusses what’s behind the firings. Plus, Darline Graham won a Senate primary in South Carolina, Pennsylvania reported its first measles-related deaths in decades, and Serena Williams and Carlos Alcaraz rallied back to win their first mixed-doubles appearance at the U.S. Open. Today’s episode was hosted by Gideon Resnick.
Dave and Alonso discuss grocery trends, Armenian greens, and gut health. Eater on "Erewhon-ization": https://www.eater.com/food-culture/981913/fancy-luxury-grocery-stores-have-gone-too-far-erewhon The New Yorker on the fiber fad: https://www.newyorker.com/magazine/2026/07/06/the-fibre-fad-keeps-on-moving Want more Linoleum Knife & Fork? Subscribe to our Patreon: https://patreon.com/LinoleumKnife
In her new book, “The Rise and Fall of the Artificial State,” Harvard historian and New Yorker writer Jill Lepore issues a warning that in our desire for more efficient, data-driven governance we're falling into “the rule of humans by machines manufactured by corporations.” Her book is an alarming call to action and, she writes, an “inquiry into what humans mean and intend in abandoning constitutional democracy, the liberal nation-state and even humanity itself for rule by automation, government by machine and replacement by artificial intelligence.” Learn more about your ad choices. Visit megaphone.fm/adchoices
This month, on Laura Flanders & Friends, we turn to the state of journalism—at a moment of deep disruption, consolidation, and consequence. But journalists aren't simply standing by—they're pushing back, reimagining their work, and, in many cases, taking matters into their own hands. This week we'll hear from the long-running independent collective Third World Newsreel, still thriving in an era some are calling “media carnage,” showing what it looks like to endure—and to resist. This show is made possible by you! To become a sustaining member go to LauraFlanders.org/donate Description: It's almost unheard of for an independent media collective to survive as long as Third World Newsreel has. Since 1968, they have chronicled some of the most pivotal movements in human history and continue to expand on their collection of over 700 titles. There's lots to learn about how they've adapted through technological revolutions, political persecutions, philanthropic booms and busts — and how the oldest media arts collective in the U.S. is making do in today's “media carnage”, as Laura Flanders puts it. Joining us are JT Takagi, an independent filmmaker, sound recordist, and the longtime executive director of Third World Newsreel. Tami Gold is an artist and activist whose documentaries grapple with everything from imperialism to sex work. Her films include My Country Occupied, Another Brother and Land Rain Fire among many more. Puerto Rican-born Juan Carlos Dávila works in film as well as TV, where he reports on social movements around environmentalism, militarism and the struggles of the working class on the island. His films include The Stand-By Generation, Viequez: An Endless Battle and Drills of Liberation. Join us as we look at the past, present and future of Third World Newsreel and ask how film can be used as a tool for organizing. “I'd say we feel more urgent now than ever before. Every day there's something happening that makes it clear that our rights and liberties, and people's lives all over the world are at stake. Not being in touch with the history and media that shows the truth of what's going on is really decimating people's ability to, as Juan said, know what to follow and what to do.” - JT Takagi “We need to retake the theater, the physical space that is being ignored by the corporations. Perhaps now that is the opportunity that we have . . . A theater is being rented by people who are organizers, and they're using their collective spirit and know-how to organize huge, huge crowds to come.” - Tami Gold “People can shoot stuff with the phone . . . I see a lot in Puerto Rico that people are still wanting to produce with the corporate industry standards. Many young filmmakers like myself tend to think that we need so many personnel to be doing films. Right now we can actually make films with less.” - Juan Carlos Dávila Guests: • Juan Carlos Dávila: Documentary Filmmaker, Multimedia Journalist, Puerto Rico Correspondent, Democracy Now! • Tami Gold: Filmmaker, Artist, Activist • JT Takagi: Executive Director, Third World Newsreel Watch on YouTube this episode that includes video clips referenced in this episode from Third World Newsreel; PBS World Channel 11:30am ET Sundays and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio (check here to see if your station airs the show) & available as a podcast February 25th, 2026. Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation. Music Credit: 'Thrum of Soil' by Bluedot Sessions, 'Steppin' by Podington Bear, and original sound design by Jeannie Hopper Support Laura Flanders and Friends by becoming a member at https://www.patreon.com/c/lauraflandersandfriends RESOURCES: Full Episode Notes are located HERE. Related Laura Flanders Show Episodes: • Dolores Huerta & Ellen Gavin: Creative Courage in the Face of Fascism- Watch / Listen: Full Uncut Conversation and Episode Cut • BIPOC Press for the People: Bursting the Corporate Media Bubble- Watch / Listen: Episode Cut • Meet the BIPOC Press: Is Worker-Owned Media the Future of Journalism?- Watch / Listen: Episode Cut Related Articles and Resources: • Documentaries Ripped From the Headlines Are Becoming Harder to See, by Marc Tracy, December 18, 2024, The New York Times • My Country Occupied, Documentary by Tami Gold • La Generación Del Estanbai (The Standby Generation), Documentary by Juan C. Davila and Third World Newsreel, Trailer • Why Frederick Wiseman Was the Greatest Documentary Filmmaker Ever, by Richard Brody, February, 17, 2026, The New Yorker •. Fredrick Weissman Filmmaker, Producer and Theater Director, Zipporah Films Inc • Drills of Liberation, Documentary by Juan C. Davila • Third World Newsreel (TWN) Brings Historic Newsreel Retrospective To BAM, Anthology Film Archives, And DOK Leipzig, October 2025, Third World Newsreel • Have You Seen It Yet? The Algorithm Problem In Movie Marketing, by Charity Maxson, January 27, 2026, TR!LL Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. 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Did anyone actually investigate Patrick Clancy? That question runs under half the comments on this channel, and the Lindsay Clancy trial already answered it under oath.State Police Det. Sgt. Andrew Chiachio testified that he mapped the route Patrick drove the night of Jan. 24, 2023, pulled surveillance from the Kingston CVS and the ThreeV restaurant, and interviewed witnesses including Lindsay's mother. The CVS footage shows Patrick walking in at 5:32 p.m. The restaurant footage shows him picking up the order at 5:54. A Cellebrite expert testified Lindsay's phone placed a 14-second call to Patrick between those two clips. He was two miles away with a receipt.Then there's the New Yorker theory: that Patrick left the country in February 2023 and that proves something. The magazine did report solo trips to Latin America and Europe before he sold the Duxbury house. No February date appears in that reporting that I can find. He wasn't a suspect, he wasn't charged, and he came back to Massachusetts to testify for the prosecution for two days.Another commenter asks a fair question: if Lindsay was psychotic, can her admission even be trusted? Her admission isn't one statement. It's the 911 call, her lawyer's opening, a hospital phone call to Patrick that Patrick testified about, dozens of evaluations, and a formal stipulation in court to the DNA on the bands.This segment works through five comments and puts the testimony next to each one. Some claims are missing from the record. One is in the record and backwards. All of them get an answer you can check.END LINKSListen Anywhere You Get Podcasts: https://pod.link/1655749292Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod?sub_confirmation=1Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/tonybpodDISCLAIMERThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.HASHTAGS#LindsayClancy #PatrickClancy #TrueCrimeToday #TrueCrime #LindsayClancyTrial #ClancyTrial #Duxbury #PostpartumPsychosis #TrueCrimePodcast #PlymouthSuperiorCourt
The top comment on the Patrick Clancy video says the caregivers made Lindsay Clancy sick with thirteen drugs in four months, no one tested her hormones, and Patrick was in the basement or in New York. Most of that comment holds up.The New Yorker reported thirteen psychiatric drugs over four months. Patrick's own wrongful-death lawsuit says eight of them were prescribed inside a three-week window between Nov. 16 and Dec. 5, 2022. Both Patrick and Lindsay are suing her providers for failing to coordinate her care. Defense attorney Kevin Reddington asked the prosecution's rebuttal psychiatrist, Dr. Avram Mack, whether her thyroid should have been checked before stacking psychiatric medications, and Mack agreed in general terms. Lindsay's own journal, read in court, says she felt less connected to Callan after she stopped breastfeeding. Her coworker Margaret Hamp testified they worked night shifts together.Patrick did work from the basement. The New York trip was two nights in November 2022, followed by four days in San Francisco with Cora. The weekly guys' night the comment mentions doesn't appear in any testimony I can find.What that comment describes is the defense's case. It's a fair reading of the record. It's not evidence Patrick did anything wrong on Jan. 24.The segment is built around a different Patrick fact. Nurse practitioner Rebecca Jollotta testified she raised bipolar disorder with the couple weeks before the killings, and Patrick told her his wife was not bipolar. Every expert who examined Lindsay afterward, both sides, put her somewhere on that spectrum.Five comments checked: Patrick's help, Patrick's move, the profiler who wasn't FBI, the medication count, and what a verdict does. Blaming the system is a legitimate argument. So is asking what Patrick heard and didn't want to hear.END LINKSListen Anywhere You Get Podcasts: https://pod.link/1655749292Want to comment and watch this podcast as a video? Check out our YouTube Channel. https://www.youtube.com/@hiddenkillerspod?sub_confirmation=1Join Our SubStack For AD-FREE ADVANCE EPISODES & EXTRAS!: https://hiddenkillers.substack.com/ Instagram https://www.instagram.com/hiddenkillerspod/Facebook https://www.facebook.com/hiddenkillerspod/Tik-Tok https://www.tiktok.com/@hiddenkillerspodX Twitter https://x.com/tonybpodDISCLAIMERThis publication contains commentary and opinion based on publicly available information. All individuals are presumed innocent until proven guilty in a court of law. Nothing published here should be taken as a statement of fact, health or legal advice.HASHTAGS#LindsayClancy #PatrickClancy #TrueCrimeToday #TrueCrime #LindsayClancyTrial #PostpartumPsychosis #Duxbury #TrueCrimePodcast #ClancyTrial #MassachusettsTrial
Fox News' “The Five” is the most-watched program on cable news. So there are millions of eyes on Jessica Tarlov, who occupies the liberal hot seat (alternating with Harold Ford, Jr.) on a panel featuring the diehard conservatives Dana Perino, Greg Gutfeld, and Jesse Watters. Her exchanges with fellow-panellists tend to get heated, but Tarlov is constantly aware of how she represents liberal views in front of a largely hostile audience—and of how liberal viewers may misunderstand her colleagues. Her new book, largely inspired by her work on Fox, is called “I Disagree: Winning Arguments Without Losing Friends.” Further listening: “Bret Baier on Trump's Love-Hate Relationship with Fox News,” an episode of The New Yorker Radio Hour New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. The New Yorker Radio Hour is a co-production of WNYC and The New Yorker. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Jill Lepore, professor of American History at Harvard University, staff writer at The New Yorker, and the author of several books, including The Rise and Fall of the Artificial State (Liveright, 2026), talks about our reliance on data and algorithms and what it means for society and government. Image: Composite image of Capital Building with binary numbers (TGI/Tetra Images via Getty Creative) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
From A.I. to E.V.s to pharmaceuticals and energy, China is outpacing the U.S. for global dominance. New Yorker staff writer Evan Osnos joins host Krys Boyd to discuss why, when America has pulled research funding, China is funneling billions of dollars to remake its economy, why scientists are flocking to Chinese labs, and why this should serve as a warning to isolationist government policies. His article is “The Future, Made in China.” Learn about your ad choices: dovetail.prx.org/ad-choices
UFOs were once the stuff of tabloids and conspiracy theories. Today they're the subject of congressional hearings, Pentagon investigations, mainstream news coverage, and a new wave of claims about government cover-ups and alien technology. Adam Kirsch, senior editor at The Atlantic and author of We Want to Believe: How Aliens Went Mainstream and Why It Matters, joins Michael Shermer to ask what changed—and why the idea of extraterrestrial visitors has such a powerful hold on us. They discuss Roswell, UFO "disclosure," eyewitness testimony, government secrecy, alien abductions, Carl Sagan and Contact, the religious impulse behind UFO belief, and the difference between testimony and scientific evidence. The conversation also turns to the serious scientific search for extraterrestrial intelligence: the Fermi paradox, why decades of SETI have found nothing, how rare intelligent life might be, and whether our ideas about aliens ultimately tell us more about ourselves than about anything actually out there. Adam Kirsch is the author of several books of poetry and criticism and a senior editor at The Atlantic. A 2016 Guggenheim Fellow, Kirsch has written for publications including The New Yorker, Slate, The Times Literary Supplement, The New York Times Book Review, Poetry, and Tablet. His new book is We Want to Believe: How Aliens Went Mainstream and Why It Matters.
"Coyote vs. Acme" is a 2026 American live-action animated legal comedy film directed by Dave Green, written by Samy Burch from a story by James Gunn, Jeremy Slater, and Burch, and based on Ian Frazier's 1990 New Yorker article of the same name. Starring Will Forte, Lana Condor, Tone Bell, Luis Guzmán, Martha Kelly, P.J. Byrne, Kenneth Choi, and John Cena, with Eric Bauza leading the voice cast, the film follows Wile E. Coyote as he enlists a billboard attorney to sue the Acme Corporation for repeatedly selling him defective products. After Warner Bros. Discovery initially shelved the completed film for a tax write-off in 2023, Ketchup Entertainment acquired it in 2025 following widespread public backlash. The film was finally screened (officially) at San Diego Comic-Con on July 25th, 2026, where it received positive reviews. Green was kind enough to spend some time talking with us about his work and experience making the film, including its unusual journey to the screen, which you can watch or listen to below. Please be sure to check out the film when it opens in theaters on August 28th from Ketchup Entertainment. Thank you, and enjoy! https://youtu.be/Z-gidKMqdtE Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices
Imagine finding out your doctor is not really a doctor. Another East Side Legionnaires death
Microdramas are taking over the internet. But are they art – or products?The Double Life of My Billionaire Husband. Break Me, Princess. Married the Mafioso I Saved. These are all titles of microdramas that are taking the internet by storm. In case you haven't heard, microdramas are often campy shows with short, minute-long episodes. The first few episodes get posted to social media for free, but viewers must go to another site where they can pay to watch the whole thing. And a lot of people do. It's an industry that started in China and is already worth several billions of dollars – so Hollywood is getting in on it. Issa Rae's microdrama called Screen Time got nearly 75 million views in its first week, and now, Peacock, Fox, and Disney are producing their own. But this microdrama boom raises a few questions: who are these stories for, and what makes them so popular? And is the microdrama a new art form – or is it solely a product?Brittany is joined by Chang Che, a freelance writer who wrote about microdramas for The New Yorker, and Xochitl Gonzalez, author and contributor at The Atlantic, who wrote about them there.For more episodes on what we're watching and why, check out:People are struggling financially. Even on TV.Abortion access is limited. Is Hollywood to blame?Why Gen Z is movie-maxxingSupport public media with NPR+ and enjoy perks for over 25 podcasts like this one. This show's perks include sponsor-free listening. Learn more at plus.npr.org.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy
In the 2026 midterm elections, close finishes in crucial swing states have put a spotlight on the divide between the Democratic Party's moderate and progressive wings. Jon Lovett straddles that divide. He was a longtime speechwriter for Hillary Clinton and then for Barack Obama, but, as a host of the podcasts “Pod Save America” and “Lovett or Leave It,” he's been critical of the Party's establishment. Lovett sat down with David Remnick to answer listeners' questions about the midterms and what they suggest about the 2028 Presidential election. In a “broad trend,” Lovett says, centrist Democrats “put up candidates, and they say, ‘Vote for us, or else.' And [voters] just keep picking ‘or else.' . . . Across the board, I don't know what this establishment of the Democratic Party stands for, and neither does the country.” Further listening: “ ‘Pod Save America' 's Jon Lovett on Trump: ‘The Threat of Jail Time Sharpens the Mind,' ” an episode of The New Yorker Radio Hour The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine's writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Zach Heinzerling is an Academy Award-nominated and Emmy Award-winning director based in New York City. He began his career at HBO working on four consecutive Emmy Award-winning documentaries and the Emmy Award-winning series “24/7” as a Field Producer and Cinematographer. In 2012, he left HBO to complete his feature debut, the multi-award-winning film, “Cutie and the Boxer”, which he both directed and shot. “Cutie and the Boxer” was nominated for the 2014 Academy Award for Best Documentary Feature. The film also won a 2015 Emmy Award for Best Feature Documentary. In 2015 he was enlisted by Beyoncé Knowles-Carter to direct the five-part web series “Self-Titled” for her album, “Beyoncé.” In 2019 he directed an episode of “Dirty Money” for Netflix. In 2021, he directed the critically acclaimed 6-part series “McCartney 3,2,1” starring Sir Paul McCartney and Rick Rubin for Hulu. Salon called it “quite simply, the most engaging documentary ever made about the songwriting exploits of popular music's most successful composer.” His latest docu series entitled “Rafa” is a four part show for HBO that follows Nadal through his final professional season. He is also the director of “Stolen Youth: Inside the Cult of Sarah Lawrence” which the The New Yorker calls “a remarkable work, advancing the prestige true-crime genre's slow but steady reorientation toward centering victims,” while Variety raved “…with a startling rawness and directness, Heinzerling's work makes a case for itself as an unusually sensitive and strong outing in its genre.” Learn more about your ad choices. Visit podcastchoices.com/adchoices
Jess Row is the author of the novels The New Earth and Your Face in Mine as well as a collection of essays, White Flights: Race, Fiction, and the American Imagination. His short story collections include The Train to Lo Wu, Nobody Ever Gets Lost and the newly published Storyknife. His fiction has appeared in The New Yorker, The Atlantic, Tin House, Conjunctions, Ploughshares, Granta, n+1, and elsewhere, has been anthologized three times in The Best American Short Stories, and has won two Pushcart Prizes and a PEN/O. Henry Award. He has received a Guggenheim fellowship, an NEA fellowship in fiction among other honors. He directs the undergraduate creative writing program in the Department of English at NYU and is an ordained senior dharma teacher in the Kwam Um School of Zen. Learn more about your ad choices. Visit megaphone.fm/adchoices
This month, on Laura Flanders & Friends, we turn to the state of journalism—at a moment of deep disruption, consolidation, and consequence. But journalists aren't simply standing by—they're pushing back, reimagining their work, and, in many cases, taking matters into their own hands. This week we'll hear from the long-running independent collective Third World Newsreel, still thriving in an era some are calling “media carnage,” showing what it looks like to endure—and to resist. This show is made possible by you! To become a sustaining member go to LauraFlanders.org/donate Description: It's almost unheard of for an independent media collective to survive as long as Third World Newsreel has. Since 1968, they have chronicled some of the most pivotal movements in human history and continue to expand on their collection of over 700 titles. There's lots to learn about how they've adapted through technological revolutions, political persecutions, philanthropic booms and busts — and how the oldest media arts collective in the U.S. is making do in today's “media carnage”, as Laura Flanders puts it. Joining us are JT Takagi, an independent filmmaker, sound recordist, and the longtime executive director of Third World Newsreel. Tami Gold is an artist and activist whose documentaries grapple with everything from imperialism to sex work. Her films include My Country Occupied, Another Brother and Land Rain Fire among many more. Puerto Rican-born Juan Carlos Dávila works in film as well as TV, where he reports on social movements around environmentalism, militarism and the struggles of the working class on the island. His films include The Stand-By Generation, Viequez: An Endless Battle and Drills of Liberation. Join us as we look at the past, present and future of Third World Newsreel and ask how film can be used as a tool for organizing. “I'd say we feel more urgent now than ever before. Every day there's something happening that makes it clear that our rights and liberties, and people's lives all over the world are at stake. Not being in touch with the history and media that shows the truth of what's going on is really decimating people's ability to, as Juan said, know what to follow and what to do.” - JT Takagi “We need to retake the theater, the physical space that is being ignored by the corporations. Perhaps now that is the opportunity that we have . . . A theater is being rented by people who are organizers, and they're using their collective spirit and know-how to organize huge, huge crowds to come.” - Tami Gold “People can shoot stuff with the phone . . . I see a lot in Puerto Rico that people are still wanting to produce with the corporate industry standards. Many young filmmakers like myself tend to think that we need so many personnel to be doing films. Right now we can actually make films with less.” - Juan Carlos Dávila Guests: • Juan Carlos Dávila: Documentary Filmmaker, Multimedia Journalist, Puerto Rico Correspondent, Democracy Now! • Tami Gold: Filmmaker, Artist, Activist • JT Takagi: Executive Director, Third World Newsreel Watch on YouTube this episode that includes video clips referenced in this episode from Third World Newsreel; PBS World Channel 11:30am ET Sundays and on over 300 public stations across the country (check your listings, or search here via zipcode). Listen: Episode airing on community radio (check here to see if your station airs the show) & available as a podcast. Full Conversation Release: While our weekly shows are edited to time for broadcast on Public TV and community radio, we offer to our members and podcast subscribers the full uncut conversation. Music Credit: 'Thrum of Soil' by Bluedot Sessions, 'Steppin' by Podington Bear, and original sound design by Jeannie Hopper Support Laura Flanders and Friends by becoming a member at https://www.patreon.com/c/lauraflandersandfriends RESOURCES: Full Episode Notes are located HERE. Related Laura Flanders Show Episodes: • Dolores Huerta & Ellen Gavin: Creative Courage in the Face of Fascism- Watch / Listen: Full Uncut Conversation and Episode Cut • BIPOC Press for the People: Bursting the Corporate Media Bubble- Watch / Listen: Episode Cut • Meet the BIPOC Press: Is Worker-Owned Media the Future of Journalism?- Watch / Listen: Episode Cut Related Articles and Resources: • Documentaries Ripped From the Headlines Are Becoming Harder to See, by Marc Tracy, December 18, 2024, The New York Times • My Country Occupied, Documentary by Tami Gold • La Generación Del Estanbai (The Standby Generation), Documentary by Juan C. Davila and Third World Newsreel, Trailer • Why Frederick Wiseman Was the Greatest Documentary Filmmaker Ever, by Richard Brody, February, 17, 2026, The New Yorker •. Fredrick Weissman Filmmaker, Producer and Theater Director, Zipporah Films Inc • Drills of Liberation, Documentary by Juan C. Davila • Third World Newsreel (TWN) Brings Historic Newsreel Retrospective To BAM, Anthology Film Archives, And DOK Leipzig, October 2025, Third World Newsreel • Have You Seen It Yet? The Algorithm Problem In Movie Marketing, by Charity Maxson, January 27, 2026, TR!LL Laura Flanders and Friends Crew: Laura Flanders-Executive Producer, Writer; Sabrina Artel-Supervising Producer; Jeremiah Cothren-Senior Producer; Veronica Delgado-Video Editor, Janet Hernandez-Communications Director; Jeannie Hopper-Audio Director, Podcast & Radio Producer, Audio Editor, Sound Design, Narrator; Sarah Miller-Development Director, Nat Needham-Editor, Graphic Design emeritus; David Neuman-Senior Video Editor, and Rory O'Conner-Senior Consulting Producer. FOLLOW Laura Flanders and FriendsInstagram: https://www.instagram.com/lauraflandersandfriends/Blueky: https://bsky.app/profile/lfandfriends.bsky.socialFacebook: https://www.facebook.com/LauraFlandersAndFriends/Tiktok: https://www.tiktok.com/@lauraflandersandfriendsYouTube: https://www.youtube.com/channel/UCFLRxVeYcB1H7DbuYZQG-lgLinkedin: https://www.linkedin.com/company/lauraflandersandfriendsPatreon: https://www.patreon.com/lauraflandersandfriendsACCESSIBILITY - The broadcast edition of this episode is available with closed captioned by clicking here for our YouTube Channel
On the show: - -Are you a New Yorker for life? -Is there a logical reason why her boyfriend is on Bumble??? -Add Fairport to the list of school districts changing the start time -Jerk or Justified? Husband loses it over too many packages delivered to the house -Does anyone REALLY want to watch their own birth?! -Wait Wait Don't Tell Me! a real Rochester mystery
Benjamin Netanyahu has been a major figure in Israeli politics for a long time. You could have just turned 30 years old and never known a time when he wasn't either prime minister or somewhere near the top of Israeli politics. But could that be about to change?With less than three months until the Israeli general election, Netanyahu is struggling in some polls. His rival is a man who is little known outside of Israel – former Israeli military chief Gadi Eisenkot. In some international media, Eisenkot is being dubbed the ‘anti-Netanyahu'. But is that accurate?We speak to David Remnick, the editor of The New Yorker, who has spent time with Eisenkot for a major profile piece.The Global Story brings clarity to politics, business and foreign policy in a time of connection and disruption. For more episodes, just search 'The Global Story' wherever you get your BBC Podcasts.
Actor and singer Anthony Ramos is a powerhouse who broke out in Broadway’s smash hit, Hamilton. From theater to the silver screen and even owning a bar in Brooklyn, Ramos is also a proud New Yorker always hungry for his next project. His latest endeavor is an English-language salsa album, infused with Ramos’ signature R&B-style vocals over a bed of Latin percussion and horns. In this interview, Ramos opens up with Maria Hinojosa about his mental struggles over recent years, his creative process around his latest album, and how he has finally found peace with himself. Latino USA is the longest-running news and culture radio program in the U.S., centering Latino stories and hosted by Pulitzer Prize-winning journalist Maria Hinojosa. Follow the show to get every episode. Want to support our independent journalism? Join Futuro+ for exclusive episodes, sneak peeks and behind-the-scenes chisme on Latino USA and all our podcasts. Follow us on TikTok and YouTube. Subscribe to our newsletter.See omnystudio.com/listener for privacy information.
Today on the show, Trump cut short military drills between the US and South Korea this week, saying that they sent the wrong signal to the "unthreatening and respectful" North Korea. Fareed asks former NSA official and scholar Victor Cha if Trump is throwing over one longtime US ally to court a rogue state...again? Then, China spends a fraction of what the US does on data centers and lacks the most advanced AI chips. Why, then, does its AI industry appear to be catching up, and rivaling Silicon Valley? Fareed discusses with Evan Osnos, staff writer at the New Yorker. Later, Fareed speaks to climate scientist Katharine Hayhoe about this summer of record heat and raging wildfires in many parts of the world, and climate change's role in all of it. Finally, the V-Dem Institute's latest Democracy Report has downgraded the US from a liberal democracy to an electoral democracy. Why is American democracy in decline? Fareed asks Nobel Prize winning economist Daron Acemoglu. GUESTS: Victor Cha (@VictorDCha); Evan Osnos (@eosnos); Katharine Hayhoe (@KHayhoe); Daron Acemoglu (@DAcemogluMIT) Learn more about your ad choices. Visit podcastchoices.com/adchoices
Alan Dershowitz is in many ways the sort of person that Alicia would describe as a spider in the spiderwebs we indulge in. He's represented Patty Hearst, Mike Tyson, and OJ Simpson - all three TD alums - and has also managed across his career to push boundaries when it comes to legal ethics and attacks on opponents. Unfortunately, Alan's first wife learned what it's like to be against him in a courtroom when they divorced in the mid-1970s, and it was brutal. You can find all sources at trashydivorces.com, but here is The New Yorker piece Stacie references throughout: Alan Dershowitz, Devil's Advocate | The New Yorker Sponsors Upgrade your every day! Download the Quince app for app-exclusive offers, or go to Quince.com/TRASHY. Get free shipping on your order and 365-day returns. Now available in Canada and UK, too! Vinted. See what's hiding in your closet – you might be surprised how much you can earn with Vinted! Download the Vinted app for free to start listing with no seller fees, and for a limited time, enjoy free shipping in the US. For a limited time, get 60% off your first order, plus free shipping and free treats for life, when you head to Smalls.com/TRASHY. Want early, ad-free episodes, regular Dumpster Dives, bonus divorces, limited series, Zoom hangouts, and more? Join us at patreon.com/trashydivorces! Want a personalized message for someone in your life? Check us out on Cameo! To advertise on our podcast, please reach out to info@amplitudemediapartners.com. Learn more about your ad choices. Visit megaphone.fm/adchoices
Beowulf Sheehan is the author of The Father of the Man: The Last Author Portrait Sitting with Cormac McCarthy (Autofocus Books). Sheehan is a photographer of figures in the arts and humanities. To date, he's photographed better than 1,000 writers from more than 60 countries. His work has been published in the likes of Elle, Esquire, L'Uomo Vogue, The New Yorker, People, Time, Vanity Fair, and Vogue and has been exhibited at institutions such as the American Academy of Arts and Letters, Dostoevsky Museum, International Center of Photography, Museum of the City of New York, Museum of Fine Arts Houston, Smithsonian National Museum of African American History and Culture, and The Witliff Colelctions. Author: The Portraits of Beowulf Sheehan, a collection of portraits of 200 writers from 35 countries with a foreword by Salman Rushdie, was published in 2018. The Father of the Man: The Last Author Portrait Sitting with Cormac McCarthy is Sheehan's second monograph. Beowulf Sheehan is the proud son of an immigrant and translator, grandson of a poet and photographer, grandson of a copy editor, first cousin once removed from an editor, and cousin, first cousin once removed, and great-great-nephew of authors. Raised in Fort Lauderdale, Florida, he lives in New York City. *** Today's episode is brought to you by Rula. Thousands of people are already using Rula to get affordable, high-quality therapy that's actually covered by insurance. Visit www.rula.com/otherppl to get started. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, we learned that OpenAI had stopped training new artificial intelligence models while the company reviewed its security measures. Will this encourage other labs to hit the brakes too? Then, the historian Jill Lepore joins to discuss her new book about the artificial state — or, as she describes it, “the rule of humans by machines manufactured by corporations.” And finally, why is Google buying up the data of the defunct Spirit Airlines? It's time for our new segment “Train of Thought.” Guests: Jill Lepore, professor of history and law at Harvard University, staff writer at The New Yorker and author of the new book “The Rise and Fall of the Artificial State.” Additional Reading: OpenAI Slows Model Training to Bolster Security After Hugging Face Hack A Government for the People, but Not by People Google to Buy Spirit Airlines Business Data for $10 Million A.I.'s New Training Data: Your Old Work Slacks and Emails We Tracked a Shipment of Rare Books. It Ended at an Amazon A.I. Training Facility. We want to hear from you. Email us at hardfork@nytimes.com. Find “Hard Fork” on YouTube and TikTok. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
In the 2026 midterm elections, close finishes in crucial swing states have put a spotlight on the divide between the Democratic Party's moderate and progressive wings. Jon Lovett straddles that divide. He was a longtime speechwriter for Hillary Clinton and then for Barack Obama, but, as a host of the podcasts “Pod Save America” and “Lovett or Leave It,” he's been critical of the Party's establishment. Lovett sat down with David Remnick to answer listeners' questions about the midterms and what they suggest about the 2028 Presidential election. In a “broad trend,” Lovett says, centrist Democrats “put up candidates, and they say, ‘Vote for us, or else.' And [voters] just keep picking ‘or else.' . . . Across the board, I don't know what this establishment of the Democratic Party stands for, and neither does the country.” Further listening: “ ‘Pod Save America' 's Jon Lovett on Trump: ‘The Threat of Jail Time Sharpens the Mind,' ” an episode of The New Yorker Radio Hour New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. The New Yorker Radio Hour is a co-production of WNYC and The New Yorker. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
The Washington Roundtable's Susan B. Glasser interviews General David Petraeus about where the conflicts in Iran and Ukraine might be headed and what they can tell us about the future of warfare. They discuss the fleets of inexpensive drones which have upended traditional combat, how the impending arrival of A.I.-powered automated systems might “revolutionize” the battlefield, and what institutional overhauls Petraeus believes are urgently needed at the Pentagon in order to respond. “We need to do a lot to catch up,” Petraeus says. “But there are vested interests in the military-industrial-congressional-complex that are gonna fight tooth and nail for any actions that change force structure, reduce the aircraft they have on their ramp in their congressional district, or production of manned ships, manned tanks, or whatever else it is, and this is gonna be a fight.” This week's reading: “After Six Months of War, Trump Is Still Losing to Iran,” by Ishaan Tharoor “Is the Smithsonian Really Trying to Destroy America?,” by Julian Lucas “A Trump Grift Too Far?,” by John Cassidy “Donald Trump Is Still Trying to Make It Harder to Vote,” by Amy Davidson Sorkin “The Show That's Charting a Post-Trump Future,” by Jon Allsop “How Far Will the Trump Administration Go to Deport Mahmoud Khalil?,” by Andrew Marantz “How I Became a Subaru Socialist,” by Jay Caspian Kang “Can Head Start Be Deregulated Out of Existence?,” by Jessica Winter The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine's writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Longtime editor-in-chief of The New Yorker David Remnick joins the Haaretz podcast and guest host Joshua Leifer for a wide-ranging conversation about his more than three decades of reporting on Israel and Palestine, the role of the journalist in a populist age, and the future of U.S.-Israel relations. "The only way to tell this story is to try to tell it truthfully and to know that you will fail," Remnick wrote in his report on the aftermath of October 7, 2023, published just two weeks after the attacks. In this episode, Remnick recalls what it was like to walk through the ruins of Kibbutz Be'eri and what was then the great trepidation of the nature of Israel's impending response. Remnick returned to report on Israel and Palestine four more times over the last three years, and in July, The New Yorker published Remnick's profile of Gadi Eisenkot, currently the frontrunner among the candidates challenging Prime Minister Benjamin Netanyahu. Remnick and Leifer discuss whether Eisenkot has what it takes, and what an Eisenkot-led government might do differently. Can the damage wrought by the current government be undone? After Israel's destruction of Gaza, and amid spiraling settler violence in the West Bank, what remains of the prospects for a just resolution to the conflict between Israelis and Palestinians? Read more: Netanyahu's Biggest Challenger: Who Is Gadi Eisenkot and What Does He Stand For? Inside Likud Territory, Eisenkot Is Quietly Gaining Ground. Will It Be Enough to Defeat Netanyahu? The American Jewish Establishment Is Defending an Israel That No Longer Exists Bibi Cried Wolf? Americans' Trust in Israeli Intelligence Is Stooping to Irreparable LowsSee omnystudio.com/listener for privacy information.
Douglas Knehans is an American-Australian composer whose music has been performed, recorded, and broadcast worldwide by leading orchestras, opera companies, chamber ensembles, and distinguished soloists. Hailed by The New Yorker for its "primitive force and melodic insistence that recall Stravinsky," his music has earned international recognition through performances, recordings, broadcasts, and awards including The American Prize, ISCM World Music Days, the Kennedy Center, New Music USA, the National Endowment for the Arts, and the Australia Council for the Arts. He is the founder and Artistic Director of ABLAZE Records, and his music is distinguished by dramatic intensity, architectural clarity, expressive immediacy, and exceptional orchestral craftsmanship.https://www.facebook.com/douglas.knehanshttps://www.instagram.com/dknehanscomposer/https://www.douglasknehans.com/https://www.ablazerecords.net/https://www.thamsummit.com/Book a free discovery call with me! We can spend an hour looking at your creative career. You deserve to thrive, and your artistry matters. https://calendly.com/jennet/thmMake sure you SUBSCRIBE to Crushing Classical, and maybe even leave a nice review! Thanks for joining me on Crushing Classical! Theme music by DreamVance.I help people to lean into their creative careers and start or grow their income streams. You can read more or hop onto a discovery call from my website. https://jennetingle.com/work-with-meI'm your host, Jennet Ingle. I love you all. Stay safe out there!
During her tenure as The New Yorker's television critic, Emily Nussbaum famously railed against ranking the year's best shows; she once wrote a piece entitled “I Hate Top Ten Lists.” But naming her favorite series of all time is an easier proposition, and the honor goes to a little-known Canadian production from the early two-thousands that dramatized the colorful characters and commercial struggles of a fictional Shakespearean theatre festival. In the final episode of this summer's Critics at Large interview series, Alex Schwartz talks with Nussbaum about her love of “Slings & Arrows,” which pioneered a complex balance of comedy and drama that would eventually become a hallmark of prestige television. Today, Hollywood showrunners including David Simon, the creator of “The Wire,” sing its praises—and yet it remains largely overlooked by audiences. Nussbaum, who's lately been writing as the magazine's theatre critic, is on a mission to change that. “The history of TV is the confusion between whether something is good and whether it's popular and commercial,” Nussbaum says. “ ‘Slings & Arrows' is an example of a show that is the best show—regardless of how many people watch it.” Read, watch, and listen with the critics: “Cue the Sun,” by Emily Nussbaum“Slings and Arrows” (2003-2006)“Hamlet,” by William Shakespeare“Macbeth,” by William Shakespeare“King Lear,” by William Shakespeare“30 Rock” (2006-13)“Orange Is the New Black” (2013-19)“Call My Agent!” (2015-19)“The Studio” (2025—)“Next to Normal” (2025)“Succession” (2018-2023) New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Our Silicon Valley overlords, as they'll tell you, aren't huge fans of liberal democracy—and their products that we've integrated into our lives reflect that. As we rely on them more and more, this tension is only going to get worse.Guest: Jill Lepore, author of “The Rise and Fall of the Artificial State”, professor of American History at Harvard, staff writer for The New Yorker.Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen.Podcast production by Rob Gunther, Evan Campbell, Madeline Thames-Ducharme and Patrick Fort.Paige Osburn is the senior supervising producer of What Next and What Next TBD. Hosted on Acast. See acast.com/privacy for more information.
The New Yorker contributing writer Jon Allsop joins Tyler Foggatt to discuss the shifting meaning of the word “moderate” in the 2026 election season. They talk about recent primary results in Michigan and Wisconsin, and what the contests reveal about Democratic voters' appetite for establishment candidates versus the Party's progressive insurgency. They also explore how labels like “moderate” and “centrist” map onto mainstream American opinion on issues such as ICE, U.S. support for Israel, and universal health care, as well as how the progressive wing might adjust its messaging ahead of the midterms—and what the outcome could mean for the Party's direction as it looks toward the 2028 Presidential race. This week's reading: “What Does It Even Mean to Be a Moderate?,” by Jon Allsop “Donald Trump Is Still Trying to Make It Harder to Vote,” by Amy Davidson Sorkin “How Far Will the Trump Administration Go to Deport Mahmoud Khalil?,” by Andrew Marantz “Nayib Bukele's Content Machine Is Reshaping Latin America,” by Daniel Castro “How Trump Is Trying to Weaken Migrant Children's Legal Defense,” by Ruth Marcus The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine's writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Our Silicon Valley overlords, as they'll tell you, aren't huge fans of liberal democracy—and their products that we've integrated into our lives reflect that. As we rely on them more and more, this tension is only going to get worse.Guest: Jill Lepore, author of “The Rise and Fall of the Artificial State”, professor of American History at Harvard, staff writer for The New Yorker.Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen.Podcast production by Rob Gunther, Evan Campbell, Madeline Thames-Ducharme and Patrick Fort.Paige Osburn is the senior supervising producer of What Next and What Next TBD. Hosted on Acast. See acast.com/privacy for more information.
Our Silicon Valley overlords, as they'll tell you, aren't huge fans of liberal democracy—and their products that we've integrated into our lives reflect that. As we rely on them more and more, this tension is only going to get worse.Guest: Jill Lepore, author of “The Rise and Fall of the Artificial State”, professor of American History at Harvard, staff writer for The New Yorker.Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen.Podcast production by Rob Gunther, Evan Campbell, Madeline Thames-Ducharme and Patrick Fort.Paige Osburn is the senior supervising producer of What Next and What Next TBD. Hosted on Acast. See acast.com/privacy for more information.
Kurt Andersen has spent four decades chronicling America’s culture and politics in both fiction and nonfiction. In 1986, Andersen co-founded Spy Magazine, which became a cultural zeitgeist and influenced a generation of journalists. Andersen then co-created and hosted Studio 360, a Peabody Award-winning public radio show and podcast about art and pop culture which aired from 2000 to 2020. He is also a former editor-in-chief of New York magazine, columnist and staff writer for the New Yorker, Time magazine critic and columnist, and has written for television, film, and the stage. Andersen appears regularly as a commentator on MSNOW, and continues to contribute to The Atlantic and the New York Times. In addition to his work in print media, Kurt Andersen is the author of the New York Times bestsellers Evil Geniuses: The Unmaking of America, A Recent History and Fantasyland: How America Went Haywire, A 500-Year History, as well as the bestselling novels You Can’t Spell America Without Me, True Believers, Heyday, and Turn of the Century.See omnystudio.com/listener for privacy information.
Since a famous case against a California utility, the name Erin Brockovich has become synonymous with a fighter taking on big polluters. Earlier this year, Brockovich began receiving e-mails from people worried about the construction of A.I. data centers, which is happening at a frenetic rate all over the country. People expressed concerns about the loss of farmland and natural areas; disruptions to the water table; deleterious noise; and substantial usage of electricity and water, leading to rising utility bills. She speaks with David Remnick about her mapping project to document data-center construction and environmental complaints. “In my thirty years,” she tells Remnick, “I've never really seen the people show up like they are at a very local level.” Further reading: “A.I. Is Now a Major Election Issue,” by Benjamin Wallace-Wells “Inside the Data Centers That Train A.I. and Drain the Electrical Grid,” by Stephen Witt New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians. The New Yorker Radio Hour is a co-production of WNYC and The New Yorker. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
1. The data centers that power artificial intelligence are being built at a rampant pace, and are spurring resistance all over the country. Apart from public concerns about A.I.'s impact on jobs, privacy, and other aspects of life, data centers consume vast amounts of electricity and water. New York has passed a moratorium on new data centers; fourteen other states have considered restrictions. The Vermont senator Bernie Sanders is taking this fight to the national level. He and Representative Alexandria Ocasio-Cortez have introduced legislation that calls for a nationwide moratorium on data centers to allow time for more research and public input on the issue. The furor, Sanders tells David Remnick, cuts across political divisions. The opponents “are conservatives, they are progressives, they are moderates,” he adds. “They're saying, What the hell are we doing? What is this gonna contribute to? Is this gonna result in my kid not being able to have a job? Is this gonna result in my not having any privacy? Why am I aiding these large corporations owned by the wealthiest people in the world who [couldn't] care less about me? Let's stand up.” 2. Since a famous case against a California utility, the name Erin Brockovich has become synonymous with a fighter taking on big polluters. Earlier this year, Brockovich began receiving e-mails from people worried about the construction of A.I. data centers, which is happening at a frenetic rate all over the country. People expressed concerns about the loss of farmland and natural areas; disruptions to the water table; deleterious noise; and substantial usage of electricity and water, leading to rising utility bills. She speaks with David Remnick about her mapping project to document data-center construction and environmental complaints. “In my thirty years,” she tells Remnick, “I've never really seen the people show up like they are at a very local level.” The Political Scene draws on the reporting and analysis found in The New Yorker for lively conversations about the big questions in American politics. Join the magazine's writers and editors as they put into context the latest news—about elections, the economy, the White House, the Supreme Court, and much more. New episodes are available three times a week. Learn more about your ad choices. Visit podcastchoices.com/adchoices
John welcomes David Remnick, editor of The New Yorker, to discuss his recent viral podcast interview with DSA co-chair Megan Romer and his latest magnum opus on Israel. Remnick confesses to being "startled" by Romer's glaring “lack of fluency” with DSA's official positions. (He also confesses to having worn a Democratic Socialist Organizing Committee button in college.) And he offers a vivid account of his fifth reporting trip to Israel since October 7, 2023; a portrait of Bibi Netanyahu's main opponent, Gadi Eisenkot, in the forthcoming Israeli election; and an analysis of the campaign's stakes for the Jewish state and the Palestinians.Bayer is empowering American farms with the smart tools and accurate data needed to confidently advance regenerative agriculture, improving soil health for a sustainable future.
The data centers that power artificial intelligence are being built at a rampant pace, and are spurring resistance all over the country. Apart from public concerns about A.I.'s impact on jobs, privacy, and other aspects of life, data centers consume vast amounts of electricity and water. New York has passed a moratorium on new data centers; fourteen other states have considered restrictions. The Vermont senator Bernie Sanders is taking this fight to the national level. He and Representative Alexandria Ocasio-Cortez have introduced legislation that calls for a nationwide moratorium on data centers to allow time for more research and public input on the issue. The furor, Sanders tells David Remnick, cuts across political divisions. The opponents “are conservatives, they are progressives, they are moderates,” he adds. “They're saying, What the hell are we doing? What is this gonna contribute to? Is this gonna result in my kid not being able to have a job? Is this gonna result in my not having any privacy? Why am I aiding these large corporations owned by the wealthiest people in the world who [couldn't] care less about me? Let's stand up.” Further reading and listening: “When Bernie Sanders Headed for the Hills,” by Jill Lepore “Bernie Sanders and Alexandria Ocasio-Cortez Fight the Oligarchy,” by Emily Witt “Geoffrey Hinton: ‘It's Far Too Late' to Stop Artificial Intelligence,” an episode of The New Yorker Radio Hour New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.The New Yorker Radio Hour is a co-production of WNYC and The New Yorker. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
China produces at least 70% of the world's drones, electric vehicles, lithium-ion batteries and solar cells. And with the U.S. stockpile of munitions diminished from the Iran war, would the U.S. have what it needs to defend Taiwan if China invaded? Terry Gross talks with New Yorker staff writer Evan Osnos about his latest story, “The Future Made in China.” “The irony here is that we are in some ways beholden right now to the Chinese factory in order to produce the munitions that we need to defend American interests from China. That's the exquisite problem that we've found ourselves in,” Osnos says. Subscribe to our free weekly newsletter Follow us on Instagram Subscribe to our YouTube channel Check out the Fresh Air ArchivesSee pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy
Democratic socialist Francesca Hong has been kicked out of the Wisconsin gubernatorial race. Is this a sign that Democrats are getting tired of socialists? The New Yorker actually asked the co-chair of the DSA hard questions. Why are some on the Right rehabilitating Hunter Biden? Text messages from Dr. Fauci have been released that contradict his public statements about how safe the COVID vaccines were for pregnant women. It has been two months since we last knew the truth about Mitch McConnell's health status, but he allegedly called Scott Jennings again. Barack Obama is hosting a new book club podcast ... but where is Michelle? A company was forced to relocate an undersea cable to avoid destroying the fictional grave of a Harry Potter character. Is AI answering 911 calls now? A large group of Muslims marched through Chicago just hours before a Jesus march. Marco Rubio made a big statement about UFOs and RFK Jr.'s unusual diet. Learn more about your ad choices. Visit megaphone.fm/adchoices