Podcasts about songwriting

Send us a textMike and Doug recount a cathartic, slightly unhinged weekend in Utah full of music, laughter, rituals, and deep connection. From a racist Uber ride and wandering the Joseph Smith Memorial building to writing a new song about living again, the episode moves through politics, spirituality, grief, and creativity without losing its joy. At the center is something simple and necessary: being alive together, making art, and remembering how good it feels to actually live.Want more? Our full archive of 200+ Mormons on Mushrooms episodes — past conversations, stories, and musical adventures — now lives in on Supercast.

Laura Veltz, the songwriter behind hits for Dan + Shay, Jessie Murph, and more, shares the secrets of the Nashville writing room in this week's episode of Nashville Now. Veltz  opens up about how she collaborates intimately with someone who may not share her own beliefs. We also preview Nashville's upcoming 615 Indie Live festival, where we'll host a live-audience podcast, and assess the health of Nashville's independent music venues with local champion Jamie Kent.   Country is Here…Nashville is Now.   Check out our Hear Now playlist on Spotify, updated weekly. Learn more about your ad choices. Visit podcastchoices.com/adchoices

I'm psyched to welcome Andy Hall of The Infamous Stringdusters to Roadcase!!  The Stringdusters are celebrating their 20th year as a band and they've got a new album, 20/20, coming out February 13 to mark this special occasion.Andy talks to me about the evolution of the band — their roots in progressive bluegrass, and how they all came together — and we go deep into that collaborative vibe that makes the Stringdusters so special. The Stringdusters is one of my favorite bands, and I'm delighted to have Andy on the show. You can check out this one by clicking on that link in the bio — and stay tuned for more special coverage of the Dusters coming up next week!  =======================================Episode Chapters:00:00:00 Episode Intro with Host Josh Rosenberg00:04:15 Introducing Andy Hall00:07:21 Post-Tour Recovery and Mental Decompression00:10:22 Curating a Balanced Home Life00:13:20 20th Anniversary Reflections and New Album Insights00:16:06 Song Selection and Creative Process00:19:12 The Dynamics of Band Collaboration00:21:55 Navigating the Music Industry Changes00:24:59 Business Strategies for Success00:27:53 The Energy of Live Performances00:31:11 Evolving Live Show Philosophy00:38:16 The Evolution of Bluegrass Performance00:45:13 Adapting to Different Performance Environments00:48:17 The Journey to Mastering the Dobro01:00:14 From Upstate New York to Bluegrass Stardom01:06:51 The Evolution of Jamming and Collaboration01:08:24 Living the Colorado Lifestyle01:09:45 The Influence of Colorado on Bluegrass01:10:30 Balancing City Life and Nature01:11:49 Skiing Adventures and Local Favorites01:13:38 The Intersection of Music and Skiing01:15:36 Creating Music in Beautiful Settings01:17:03 Exploring Themes of Struggle and Positivity in Music01:23:15 The Impact of AI on Music Creation01:30:32 The Joy of the Artistic Process=======================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dawnn Lewis. Summary of the Interview On Money Making Conversations Masterclass, Rushion McDonald interviews Dawnn Lewis—iconic actress, singer, songwriter, voice actress, philanthropist, and founder of the A New Day Foundation. The conversation traces her extraordinary career, starting from her childhood as a singer, dancer, and actor, through her rise to fame on A Different World, her decades-long voiceover career (including The Simpsons, Futurama, Star Trek: Lower Decks), and her ongoing philanthropic work supporting youth nationwide. Dawnn discusses the challenges of being a multi-talented artist in an industry eager to box people into one lane, how A Different World both elevated and pigeonholed her, and how animation opened a vast new chapter for her that has lasted more than 30 years. She shares her philosophy on longevity, discipline, relationships, and the responsibility to give back. The interview also highlights her foundation’s programs supporting students, HBCUs, and underserved communities. Purpose of the Interview 1. Celebrate Dawnn Lewis’s multi-decade, multi-disciplinary career The interview showcases the depth of her talent—from singing and songwriting to acting, animation, and Broadway. 2. Highlight representation and legacy Dawnn discusses the cultural impact of A Different World and her groundbreaking role as a Black female captain in Star Trek: Lower Decks. 3. Inspire audiences with her journey from Bed-Stuy to global success Her story emphasizes perseverance, big dreaming, and ignoring limitations others impose. 4. Promote the A New Day Foundation Dawnn details programs empowering youth, HBCU students, and underserved communities. 5. Provide insight into surviving and thriving in entertainment She shares the importance of relationships, versatility, and constant self-improvement. Key Takeaways 1. She was a “triple threat” long before Hollywood discovered her Singing, dancing, and acting from age 7–11, she began performing professionally at 10 and even launched her own musical theatre degree program at the University of Miami. 2. A Different World brought fame but also typecasting While it launched her into global visibility, it also led people to underestimate her songwriting, music, and voiceover abilities. 3. Her voice acting career spans more than 30 years She has voiced characters on The Simpsons, Futurama, Star Trek: Lower Decks, Craig of the Creek, Fairly OddParents, Mortal Kombat, and many more.Her entry into animation came from imitating her young niece for a role. 4. Representation matters deeply to her Seeing Nichelle Nichols on Star Trek inspired her as a child; today, Dawnn is one of the very few Black captains in the Star Trek universe. 5. The industry rewards resilience and relationships Dawnn emphasizes that her longevity comes from consistently doing excellent work and nurturing her professional network. 6. She founded the A New Day Foundation to uplift youth Her programs serve teens, HBCU students, and communities nationwide, providing mentorship, laptops, scholarships, and life skills training. 7. Dawnn’s journey is one of intentional growth and constant reinvention She never stopped expanding—into Broadway, television, songwriting, animation, philanthropy, and leadership. Notable Quotes (All quotes from the uploaded transcript.) On talent and early training “I was singing, dancing at seven, acting at eleven… doing all three professionally since I was about ten years old.” “I thought I was going to be a recording artist… I had my own single out. I was charting on Billboard.” On being boxed in “I didn’t start getting pigeonholed until I did A Different World… now you’re just an actress.” On entering animation “There weren’t very many people of color in the animation world… the director said, ‘Who are you? How come I never met you before?’” “I get to voice characters they wouldn’t hire me visually to play.” On representation and Star Trek “In the legacy of Star Trek, it’s me and Avery Brooks as the Black captains.” “Seeing Nichelle Nichols made me hopeful… she was my hero.” On career longevity “You quiet the naysayers by just showing up and doing the work.” “God keeps opening doors and giving me what I need to walk through them successfully.” On giving back “I am my best investment.” (also used in her foundation’s mission) “Where you were yesterday is not where you have to end up today.” @#SHMS #STRAW #BESTSupport the show: https://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dawnn Lewis. Summary of the Interview On Money Making Conversations Masterclass, Rushion McDonald interviews Dawnn Lewis—iconic actress, singer, songwriter, voice actress, philanthropist, and founder of the A New Day Foundation. The conversation traces her extraordinary career, starting from her childhood as a singer, dancer, and actor, through her rise to fame on A Different World, her decades-long voiceover career (including The Simpsons, Futurama, Star Trek: Lower Decks), and her ongoing philanthropic work supporting youth nationwide. Dawnn discusses the challenges of being a multi-talented artist in an industry eager to box people into one lane, how A Different World both elevated and pigeonholed her, and how animation opened a vast new chapter for her that has lasted more than 30 years. She shares her philosophy on longevity, discipline, relationships, and the responsibility to give back. The interview also highlights her foundation’s programs supporting students, HBCUs, and underserved communities. Purpose of the Interview 1. Celebrate Dawnn Lewis’s multi-decade, multi-disciplinary career The interview showcases the depth of her talent—from singing and songwriting to acting, animation, and Broadway. 2. Highlight representation and legacy Dawnn discusses the cultural impact of A Different World and her groundbreaking role as a Black female captain in Star Trek: Lower Decks. 3. Inspire audiences with her journey from Bed-Stuy to global success Her story emphasizes perseverance, big dreaming, and ignoring limitations others impose. 4. Promote the A New Day Foundation Dawnn details programs empowering youth, HBCU students, and underserved communities. 5. Provide insight into surviving and thriving in entertainment She shares the importance of relationships, versatility, and constant self-improvement. Key Takeaways 1. She was a “triple threat” long before Hollywood discovered her Singing, dancing, and acting from age 7–11, she began performing professionally at 10 and even launched her own musical theatre degree program at the University of Miami. 2. A Different World brought fame but also typecasting While it launched her into global visibility, it also led people to underestimate her songwriting, music, and voiceover abilities. 3. Her voice acting career spans more than 30 years She has voiced characters on The Simpsons, Futurama, Star Trek: Lower Decks, Craig of the Creek, Fairly OddParents, Mortal Kombat, and many more.Her entry into animation came from imitating her young niece for a role. 4. Representation matters deeply to her Seeing Nichelle Nichols on Star Trek inspired her as a child; today, Dawnn is one of the very few Black captains in the Star Trek universe. 5. The industry rewards resilience and relationships Dawnn emphasizes that her longevity comes from consistently doing excellent work and nurturing her professional network. 6. She founded the A New Day Foundation to uplift youth Her programs serve teens, HBCU students, and communities nationwide, providing mentorship, laptops, scholarships, and life skills training. 7. Dawnn’s journey is one of intentional growth and constant reinvention She never stopped expanding—into Broadway, television, songwriting, animation, philanthropy, and leadership. Notable Quotes (All quotes from the uploaded transcript.) On talent and early training “I was singing, dancing at seven, acting at eleven… doing all three professionally since I was about ten years old.” “I thought I was going to be a recording artist… I had my own single out. I was charting on Billboard.” On being boxed in “I didn’t start getting pigeonholed until I did A Different World… now you’re just an actress.” On entering animation “There weren’t very many people of color in the animation world… the director said, ‘Who are you? How come I never met you before?’” “I get to voice characters they wouldn’t hire me visually to play.” On representation and Star Trek “In the legacy of Star Trek, it’s me and Avery Brooks as the Black captains.” “Seeing Nichelle Nichols made me hopeful… she was my hero.” On career longevity “You quiet the naysayers by just showing up and doing the work.” “God keeps opening doors and giving me what I need to walk through them successfully.” On giving back “I am my best investment.” (also used in her foundation’s mission) “Where you were yesterday is not where you have to end up today.” @#SHMS #STRAW #BESTSee omnystudio.com/listener for privacy information.

Two-time Emmy and Three-time NAACP Image Award-winning, television Executive Producer Rushion McDonald interviewed Dawnn Lewis. Summary of the Interview On Money Making Conversations Masterclass, Rushion McDonald interviews Dawnn Lewis—iconic actress, singer, songwriter, voice actress, philanthropist, and founder of the A New Day Foundation. The conversation traces her extraordinary career, starting from her childhood as a singer, dancer, and actor, through her rise to fame on A Different World, her decades-long voiceover career (including The Simpsons, Futurama, Star Trek: Lower Decks), and her ongoing philanthropic work supporting youth nationwide. Dawnn discusses the challenges of being a multi-talented artist in an industry eager to box people into one lane, how A Different World both elevated and pigeonholed her, and how animation opened a vast new chapter for her that has lasted more than 30 years. She shares her philosophy on longevity, discipline, relationships, and the responsibility to give back. The interview also highlights her foundation’s programs supporting students, HBCUs, and underserved communities. Purpose of the Interview 1. Celebrate Dawnn Lewis’s multi-decade, multi-disciplinary career The interview showcases the depth of her talent—from singing and songwriting to acting, animation, and Broadway. 2. Highlight representation and legacy Dawnn discusses the cultural impact of A Different World and her groundbreaking role as a Black female captain in Star Trek: Lower Decks. 3. Inspire audiences with her journey from Bed-Stuy to global success Her story emphasizes perseverance, big dreaming, and ignoring limitations others impose. 4. Promote the A New Day Foundation Dawnn details programs empowering youth, HBCU students, and underserved communities. 5. Provide insight into surviving and thriving in entertainment She shares the importance of relationships, versatility, and constant self-improvement. Key Takeaways 1. She was a “triple threat” long before Hollywood discovered her Singing, dancing, and acting from age 7–11, she began performing professionally at 10 and even launched her own musical theatre degree program at the University of Miami. 2. A Different World brought fame but also typecasting While it launched her into global visibility, it also led people to underestimate her songwriting, music, and voiceover abilities. 3. Her voice acting career spans more than 30 years She has voiced characters on The Simpsons, Futurama, Star Trek: Lower Decks, Craig of the Creek, Fairly OddParents, Mortal Kombat, and many more.Her entry into animation came from imitating her young niece for a role. 4. Representation matters deeply to her Seeing Nichelle Nichols on Star Trek inspired her as a child; today, Dawnn is one of the very few Black captains in the Star Trek universe. 5. The industry rewards resilience and relationships Dawnn emphasizes that her longevity comes from consistently doing excellent work and nurturing her professional network. 6. She founded the A New Day Foundation to uplift youth Her programs serve teens, HBCU students, and communities nationwide, providing mentorship, laptops, scholarships, and life skills training. 7. Dawnn’s journey is one of intentional growth and constant reinvention She never stopped expanding—into Broadway, television, songwriting, animation, philanthropy, and leadership. Notable Quotes (All quotes from the uploaded transcript.) On talent and early training “I was singing, dancing at seven, acting at eleven… doing all three professionally since I was about ten years old.” “I thought I was going to be a recording artist… I had my own single out. I was charting on Billboard.” On being boxed in “I didn’t start getting pigeonholed until I did A Different World… now you’re just an actress.” On entering animation “There weren’t very many people of color in the animation world… the director said, ‘Who are you? How come I never met you before?’” “I get to voice characters they wouldn’t hire me visually to play.” On representation and Star Trek “In the legacy of Star Trek, it’s me and Avery Brooks as the Black captains.” “Seeing Nichelle Nichols made me hopeful… she was my hero.” On career longevity “You quiet the naysayers by just showing up and doing the work.” “God keeps opening doors and giving me what I need to walk through them successfully.” On giving back “I am my best investment.” (also used in her foundation’s mission) “Where you were yesterday is not where you have to end up today.” @#SHMS #STRAW #BESTSteve Harvey Morning Show Online: http://www.steveharveyfm.com/See omnystudio.com/listener for privacy information.

intelligend 30% off life time subscription: Use "WILL" at checkout https://go.intellijend.com/willUse code "WILLCLARKE20" to gain 20% off pointblank LA or Online courses (excluding only degree programmes), or follow the link https://bit.ly/willclarkepbSign up for the latest podcast info - https://laylo.com/willclarke/uqFWnJKaPodcast Overview: In this episode, Will Clarke sits down with Joshua Grimmett of Goodboys to talk songwriting, creativity, and pressure in modern dance music. Joshua breaks down how early success reshaped his relationship with making music and why removing pressure has become essential to staying inspired. He explains his shift toward pen and paper writing, longer studio retreats, and protecting the human feel in songs. Joshua also shares stories around Grammy nominations, industry realities, and why finishing songs matters more than chasing the next hit.Who are Goodboys: Goodboys are a 2x GRAMMY-nominated, multi-platinum London-based duo with over 5 billion global streams, known for infectious vocal hooks and genre-blending dance records. They broke through with “Piece Of Your Heart” alongside MEDUZA, which hit #2 on the UK Official Charts, earned a GRAMMY nomination, and has surpassed 3.5 billion streams, followed by the multi-billion-stream hit “Lose Control.” Blending melodic basslines, euphoric production, and live vocals, Goodboys seamlessly bridge radio-ready anthems and underground club energy. Their high-energy DJ sets have taken them to iconic stages worldwide, including Tomorrowland, EDC Las Vegas, and Ushuaïa Ibiza, while they continue to expand their sound through new music, collaborations, and global touring.⏲ Follow Will Clarke ⏱https://djwillclarke.com/https://open.spotify.com/artist/1OmOdgwIzub8DYPxQYbbbi?si=hEx8GCJAR3mhhhWd_iSuewhttps://www.instagram.com/djwillclarkehttps://www.facebook.com/willclarkedjhttps://twitter.com/djwillclarkehttps://www.tiktok.com/@djwillclarke Hosted on Acast. See acast.com/privacy for more information.

Metro has announced a hotline for those who need rides to the warming shelters set up across the city — to request transportation, call 615-401-1712. We've got the latest on our winter storm disaster, plus: Are the robots writing our music? Producer Daniel Sumstine is joined by Brittney McKenna, who recently published a deep dive in the Nashville Banner on how songwriters are grappling with AI and what it means for creativity, jobs, and the future of Music City. From tools that promise faster workflows to virtual artists landing on the charts, the question isn't if AI will change Nashville — it's how much, and who it helps or hurts. Report power outages to NES by texting OUT to 637797. Please reserve 911 for emergencies, including downed power lines. For everything else, call 311 or visit hubNashville.  Metro has opened emergency warming locations at fire stations and community centers. These will be open 24/7. Bring what you need to stay as long as you need. To request a ride to a warming shelter, call 615-401-1712. Get more from City Cast Nashville when you become a City Cast Nashville Neighbor. You'll enjoy perks like ad-free listening, invitations to members only events and more. Join now at membership.citycast.fm/nashvilleWant some more City Cast Nashville news? Then make sure to sign up for our Hey Nashville newsletter.  Follow us @citycastnashville You can also text us or leave a voicemail at: 615-200-6392 Interested in advertising with City Cast? Find more info HERE.

Alt-pop artist CARR joins Caught on the Mike for an honest conversation about storytelling, fleeting relationships, and stepping into a bold new creative era. Fresh off the release of her new single “Mud,” CARR breaks down how one unforgettable night turned into a cinematic anthem — and how moments that don't last can still leave a permanent mark. She also dives into the making of her upcoming album CARRGIRRL, out March 20 via DCD2 Records, and what this next chapter represents for her as an artist. We talk about her unconventional path into music, from late nights working at a recording studio to catching the attention of Pete Wentz and signing to his label. CARR also reflects on life on the road, touring with Fall Out Boy, Jimmy Eat World, and more, and how live performance continues to shape her songwriting. If you're into alt-pop, alternative rock, honest lyrics, and artist journeys that don't follow the usual rules, this episode is for you.

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!  SongTown Press Books:Mastering Melody Writing : Check It OutSong Building: Mastering Lyric Writing : Check It OutThe Songwriter's Guide To Mastering Co-Writing : Check It Out Hosts: Clay Mills : Facebook   :   InstagramMarty Dodson :   Facebook   :   Instagram SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet! For advertising opportunities, email kristine@songtown.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Country artist Olivia Harms talks about her journey from growing up on a multi-generation cattle ranch in Oregon to appearing on the CBS series The Road. Olivia shares how being raised in a musical family—literally taking the stage at just two days old—set her on a path toward country music, along with the early influences that shaped her sound. She reflects on recording her first album at 16, navigating a more pop-country phase, and ultimately finding her voice.Additionally, Olivia opens up about being hand-selected by Taylor Sheridan and Blake Shelton for The Road, competing and opening for Keith Urban, and what the experience taught her about herself as an artist. We also dive into her songwriting process, including the stories behind Hey There Cowboy, Kiddie Pool, and This Ain't My First Rodeo, as well as her 2025 releases Sent from Above and I'm On My Way. Plus, she talks about balancing life on a working cattle ranch with playing more than 200 shows a year, what she loves most about being on stage, and what fans can expect from Olivia Harms in 2026.Jonathan's Drinking: Sagamore High Rye Bourbon

For indie artists struggling with how often to release music, how to promote songs on social media, and how to stop getting stuck in perfection paralysis… this episode is for you.Pertinence breaks down the Hyper-Drop Strategy—a repeatable system for releasing music and posting short-form content consistently so you can build real momentum as an independent musician.You'll learn:

In this episode of QSJ Radio's MadLuh: Digging Up the Underground, we sit down with UK-based artist Jasmine Catherine for an honest, human conversation that goes beyond the music. Together, we talk about navigating creativity in a digital-first world, staying grounded during uncertain times, and what it really means to build a sustainable life as an artist today. Jasmine shares thoughtful perspectives on resilience, identity, community, and the balance between authenticity and survival in an always-on culture. This is a reflective, real-time discussion about art, life, and finding purpose when the world feels loud — the kind of conversation that reminds you why independent voices matter.

This is an excerpt from Songwriting Pro's "J.A.M. Session." (J.A.M. stands for "Just Ask Me," and it's our monthly members-only online Q&A Session.) If you'd like to watch the full J.A.M. Session, just log in to the Songwriting Pro Member Area. If you're not yet a Songwriting Pro member, NOW is a great time to start your 14-day FREE trial at SongwritingPro.com! The C.L.I.M.B. Show is dedicated to helping singers, songwriters, indie artists and industry pros "Create Leverage In The Music Business." We want you to win! About the hosts: Brent Baxter is an award-winning hit songwriter with cuts by Alan Jackson (“Monday Morning Church”), Randy Travis, Lady A, Joe Nichols, Ray Stevens, Gord Bamford and more. He helps songwriters turn pro by helping them WRITE like a pro, DO BUSINESS like a pro and CONNECT to the pros. You can find Brent at SongwritingPro.com/Baxter and SongwritingPro.com. Johnny Dwinell owns Daredevil Production and helps artists increase their streams, blow up their video views, sell more live show tickets, and get discovered by new fans, TV and music industry pros. Daredevil has worked with artists including Collin Raye, Tracy Lawrence, Ty Herndon, Ronnie McDowell and others. You can find Johnny at TheCLIMBshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ben Ratliff is the author of Every Song Ever and Coltrane: The Story of a Sound, which was a finalist for the National Book Critics Circle Award. Run the Song: Writing About Running About Listening (Graywolf Press, 2025) was longlisted for the National Book Award, and the 2026 PEN/Diamonstein-Spielvogel Award for the Art of the Essay. A former music critic for the New York Times, he lives in New York City and teaches at NYU. Listening Recommendations: Cara Lise Coverdale, A Series of Actions in A Sphere of Forever Ishmael Rivera, Lo Ultimo in La Avenida Book Recommendations: Solvej Balle, On the Calculation of Volume 1-3 Samuel R Delaney, The Motion of Light and Water Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ben Ratliff is the author of Every Song Ever and Coltrane: The Story of a Sound, which was a finalist for the National Book Critics Circle Award. Run the Song: Writing About Running About Listening (Graywolf Press, 2025) was longlisted for the National Book Award, and the 2026 PEN/Diamonstein-Spielvogel Award for the Art of the Essay. A former music critic for the New York Times, he lives in New York City and teaches at NYU. Listening Recommendations: Cara Lise Coverdale, A Series of Actions in A Sphere of Forever Ishmael Rivera, Lo Ultimo in La Avenida Book Recommendations: Solvej Balle, On the Calculation of Volume 1-3 Samuel R Delaney, The Motion of Light and Water Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Ben Ratliff is the author of Every Song Ever and Coltrane: The Story of a Sound, which was a finalist for the National Book Critics Circle Award. Run the Song: Writing About Running About Listening (Graywolf Press, 2025) was longlisted for the National Book Award, and the 2026 PEN/Diamonstein-Spielvogel Award for the Art of the Essay. A former music critic for the New York Times, he lives in New York City and teaches at NYU. Listening Recommendations: Cara Lise Coverdale, A Series of Actions in A Sphere of Forever Ishmael Rivera, Lo Ultimo in La Avenida Book Recommendations: Solvej Balle, On the Calculation of Volume 1-3 Samuel R Delaney, The Motion of Light and Water Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/biography

Ben Ratliff is the author of Every Song Ever and Coltrane: The Story of a Sound, which was a finalist for the National Book Critics Circle Award. Run the Song: Writing About Running About Listening (Graywolf Press, 2025) was longlisted for the National Book Award, and the 2026 PEN/Diamonstein-Spielvogel Award for the Art of the Essay. A former music critic for the New York Times, he lives in New York City and teaches at NYU. Listening Recommendations: Cara Lise Coverdale, A Series of Actions in A Sphere of Forever Ishmael Rivera, Lo Ultimo in La Avenida Book Recommendations: Solvej Balle, On the Calculation of Volume 1-3 Samuel R Delaney, The Motion of Light and Water Chris Holmes is Chair of Literatures in English and Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is published with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Welcome back to When Words Fail, Music Speaks, the podcast where host James Cox explores how melody and rhythm become lifelines for those battling depression and anxiety. In today's episode, James sits down with Kyle Thomas—the raw‑voiced frontman of New Orleans thrash legends ExHorder!!Together they journey from the gritty beginnings of the band in the mid‑80s through four pivotal albums, unpacking the evolution of Kyle's lyrics—from teenage outrage at organized religion to today's more nuanced, honest storytelling. A rapid‑fire “lightning round” reveals Kyle's unexpected love for Depeche Mode and Duran Duran, his philosophy that metal should stay fun rather than take itself too seriously, and the crucial lesson that technical fireworks mean nothing without genuine connection.Listeners also get a behind‑the‑scenes glimpse of Pat O'Brien's (Ex Cannibal Corpse) comeback with Exploder, the band's shift toward streamlined songwriting, and Kyle's personal ritual of turning pain into cathartic verses. As the conversation winds down, Kyle shares the one album that still pulls at his soul—Black Sabbath's debut—reminding us that even the darkest riffs can hold a timeless, soul‑shaking resonance.Tune in for an honest, high‑energy deep‑dive into how heavy music can both weaponize aggression and heal the heart, proving once again that when words fall short, the music always finds a way to speak.

In this episode, I sit down with singer, songwriter, bassist, and musical innovator Scott Mulvahill for a wide-ranging conversation about curiosity, collaboration, and building creative worlds. We start by talking about Scott's recent trip to Lafayette, Louisiana, where he performed Paul Simon's Graceland in a profoundly meaningful way, including sharing the stage with original Zydeco musicians who appeared on the album. Scott explains why Graceland was such a formative record for him as a teenager, how it shaped his love of songwriting, groove, and global musical connections, and why revisiting that music continues to teach him something new every time he performs it.We talk about Scott's busy life as a touring musician and collaborator, from solo performances to regional shows, symphonic work with Cody Fry, and juggling multiple projects at once. Scott reflects on saying yes to opportunities, spinning multiple creative plates, and why he's drawn to work that keeps him challenged rather than comfortable. He shares the story behind his band Slap Dragon, how the group came together organically, and why playing in a band scratches a different creative itch than performing solo. We also explore the balance between solitude and community in music, and how collaboration continues to fuel his artistic growth.A significant part of the conversation centers on Scott's experience as a singing bassist. We dig into the technical and musical challenges of singing while playing bass, especially in groove-heavy music, and how performing complex material like Graceland forces constant growth. Scott explains how difficulty, discipline, and repetition sharpen his musicianship and why pushing himself technically ultimately leads to deeper musical freedom.We also spend time talking about Scott's years playing with Ricky Skaggs, an experience he describes as musical graduate school. Scott shares what it was like to step into a bluegrass tradition without a drum set, how time feels differently in that genre, and why it took nearly a year to feel comfortable in the band. He reflects on learning directly from masters, developing an intuitive sense of rhythm, and why that experience shaped him as a musician in lasting ways.Finally, we dive deep into one of Scott's most ambitious projects, the Database. Scott explains the origin and evolution of this custom-built upright bass with integrated MIDI triggers and sampling, how it works technically, and why it allows him to expand his sonic world without sacrificing creativity or authenticity. We talk about technology as a tool rather than a gimmick, the balance between production and performance, and how the Database has reshaped his approach to songwriting, arrangement, and live shows. It's a thoughtful, inspiring conversation about experimentation, craftsmanship, and following curiosity wherever it leads.To learn more about Scott, visit his website.Music from the Episode:Begin Againers (Scott Mulvahill)Fighting for the Wrong Side (Scott Mulvahill)Survive (Scott Mulvahill)Thank you for listening. If you have questions, feedback, or ideas for the show, please email me at brad@thebandwichtapes.com.

18-time Grammy nominee and American musical legend Taj Mahal goes deep on his influences and his approach to the craft. PART ONEPaul and Scott kick off the new year with a discussion about the nominees for the upcoming Grammy Awards. And more! PART TWOOur in-depth conversation with Taj MahalABOUT TAJ MAHALSinger, songwriter, and multi-instrumentalist Taj Mahal has mastered the blues form and has further built upon it by incorporating world music influences and expanding the boundaries of the genre. Growing up in Massachusetts, he made his way to Southern California in the mid-1960s where he formed the Group Rising Sons with Ry Cooder, Jessie Lee Kincaid, and Kevin Kelley. They signed with Columbia Records but, upon disbanding, Taj joined forces with guitarist Jesse Ed Davis and remained on the label as a solo artist. After a dozen albums with Columbia, he moved to Warner Bros. Records in the mid-1970s. Following a period spent living in Hawaii and largely out of the limelight in the 1980s, he ultimately reemerged for a new era of commercial success. Taj has been nominated for 18 Grammy Awards, winning five, including Best Contemporary Blues Album in 1997, 2000, 2008, and 2018, and best Traditional Blues Album in 2022 and 2025. He has received the Lifetime Achievement Award from both the Americana Music Association and the Recording Academy. His most recent album, a duet project with Keb' Mo' called Room on the Porch, is nominated for the Best Traditional Blues Album Grammy at the upcoming Awards on February 1st.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Songwriting isn't about coming up with ideas — it's about learning how to listen. In this episode, I'm sharing a different kind of ear training for singer-songwriters: one that helps you recognize song beginnings as they're already forming — where listening becomes the skill that guides everything else. We'll talk about the subtle ways songs often arrive: a line that won't leave you alone, a sound or melody fragment, a feeling that hasn't found words yet — and why learning to listen for these beginnings can change the entire songwriting process. Rather than forcing a song into shape, this episode explores how to notice what's already present and stay with it long enough for the song to reveal itself. This is ear training for the creative process — grounded, embodied, and accessible, even if you feel stuck or unsure where to begin. If songwriting has ever felt intimidating, overwhelming, or overly technical, this conversation offers a simpler starting place: attention, curiosity, and trust. Listening is where the song begins.  

Jenny Tolman grew up around music, but her path to finding her voice was anything but easy. In high school, she found herself in an abusive relationship that changed the course of her life. Songwriting became her escape, then her healing, and eventually her confidence. As the pain faded, the music turned brighter, and Jenny realized she didn’t just love music, she was meant to do it. Her very first show was at the legendary Bluebird Cafe, and through songwriting she met her husband, Grammy nominated producer Dave Brainard. After Dave was brutally assaulted in a crosswalk attack, Jenny knew without question that he was her person and that she wanted to be with him forever. Shortly after having her son Bear, Jenny was cast on The Road, starring Keith Urban, Blake Shelton, and Gretchen Wilson, becoming one of 12 finalists while balancing new motherhood and full time touring. It was the hardest and most life changing year of her life and proof that sometimes the bravest thing you can do is keep going.See omnystudio.com/listener for privacy information.

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!  SongTown Press Books:Mastering Melody Writing : Check It OutSong Building: Mastering Lyric Writing : Check It OutThe Songwriter's Guide To Mastering Co-Writing : Check It Out Hosts: Clay Mills : Facebook   :   InstagramMarty Dodson :   Facebook   :   Instagram SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet! For advertising opportunities, email kristine@songtown.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

#203 - What if the scary dream is the one that sets you free? That's the spark behind our conversation with singer-songwriter and outdoor enthusiast Emily Hicks—a Midwesterner who found her artistic voice in the shadow of Utah's mountains and the flow of the Green River. Emily traces her path from a shy choir kid to a piano major, from elementary music teacher to full-time performer, and the many small, brave asks that turned busking into real gigs and a steady career. Along the way we dig into how three chords taught her to keep going, why stage banter is a craft of its own, and how long bar sets can train a voice like any other muscle.We also explore the places where art and nature meet. Emily shares how trails give her mind room to breathe, how campfires invite honesty, and why her next EP leans on outdoor metaphors—switchbacks, weather windows, and the grind to the summit. Nashville shows up as a sharpening stone: songwriter rounds, co-writing sessions, and the hard decision to keep her best songs for herself. Her niche keeps revealing itself in unexpected places, like a women's yoga and music rafting trip where she played a carbon fiber guitar on the river and watched strangers become community under the stars.Threaded through it all is resilience. Emily talks frankly about rejection, the importance of choosing rooms that fit, and the trust it takes—for yourself, from partners and friends—to keep moving toward the work that lights you up. If you're craving a boost of courage, a reminder to step outside, and a soundtrack to match, you'll feel at home here. Subscribe, share this with someone who needs a nudge, and leave a review to help these stories climb a little higher. Then queue up “Weird Wild Wonderful You” and tell us which lyric stays with you.To learn more about Emily Hicks check out her website www.emilyhicksmusic.com or follow her on Instagram @emilyhicksmusic.Be sure and give me a follow as well @humanadventurepod. Visit geneticinsights.co and use the code "DISCOVER25" to enjoy a sweet 25% off your first purchase.

Show NotesSinger, songwriter, and guitarist Margaret Glaspy joins Sean Martin and Marco Ciappelli for a Music Evolves conversation recorded in the context of the NAMM Show and the She Rocks Awards, where Glaspy is recognized as a 2026 honoree. The discussion centers on how artists develop a voice, how creative practice sustains a career, and why music functions as a form of public service rather than a commodity alone. Glaspy shares how growing up in a musically active household normalized creativity and removed the idea that music must be exceptional to be meaningful. Early immersion in Texas-style fiddle competitions, alongside exposure to jazz, songwriter traditions, and alternative rock, shapes a foundation rooted in lineage rather than trend. That sense of lineage continues to guide her current work, where influence is acknowledged openly rather than hidden.Songwriting, as Glaspy describes it, is a daily practice rather than an output-driven process. Writing consistently, sometimes a song a day, becomes a way to maintain agency in a career shaped by touring cycles, releases, and expectations. Albums emerge from accumulation and reflection, not from pre-defined concepts. This approach reframes productivity as presence, with creativity tied to well-being and continuity.The conversation also explores how artists navigate maturity. Early attempts to emulate heroes eventually give way to self-recognition. Glaspy speaks to the value of being a student of music, letting imitation serve as a bridge to personal expression rather than a destination. That perspective resists the myth of originality in isolation and places artists within an ongoing cultural thread.Recognition at the She Rocks Awards introduces another dimension. Glaspy views the honor with humility, emphasizing the importance of creating space to acknowledge women's contributions in music without turning the work itself into a competition. In that context, the NAMM Show represents the maker side of music, instrument builders, technologists, and craftspeople whose work enables creative expression.This episode positions music not as a product to be optimized, but as a practice to be protected, cultivated, and shared.GuestMargaret Glaspy, Singer, Songwriter, and Guitarist | Website: https://margaretglaspy.com/HostSean Martin, Co-Founder at ITSPmagazine, Studio C60, and Host of Redefining CyberSecurity Podcast & Music Evolves Podcast | Website: https://www.seanmartin.com/Marco Ciappelli, Co-Founder, ITSPmagazine and Studio C60 | Website: https://www.marcociappelli.comResources2026 She Rocks Awards: https://sherocksawards.com/The NAMM Show 2026 is taking place from January 20-24, 2026 | Anaheim Convention Center • Southern California — Coverage provided by ITSPmagazine — Follow our coverage: https://www.itspmagazine.com/cybersecurity-technology-society-events/the-namm-show-2026The NAMM Show 2026: https://www.namm.org/thenammshow/attendMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/Keywordsmargaret glaspy, sean martin, marco ciappelli, namm, she rocks awards, music, creativity, art, artist, musician, music evolves, music podcast, music and technology podcast, singer, songwriter, guitarist, guitar playingMore From Sean MartinMore from Music Evolves: https://www.seanmartin.com/music-evolves-podcastMusic Evolves on YouTube: https://www.youtube.com/playlist?list=PLnYu0psdcllTRJ5du7hFDXjiugu-uNPtWMusic Evolves: Sonic Frontiers Newsletter | https://www.linkedin.com/newsletters/7290890771828719616/On Location with Sean and Marco: https://www.itspmagazine.com/on-locationITSPmagazine YouTube Channel: https://www.youtube.com/@itspmagazineBe sure to share and subscribe! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today, our hosts discuss the Spin Semiconductor FV-1, the chip at the heart of many digital pedals from the boutique pedal boom. They talk about what makes it special, both in strengths and weaknesses, and how key it was to Dan's arc as a pedal creator. Listen, enjoy, and ask yourself: is this really cool pedal made with an FV-1?Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoiseSubscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoiseSubscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!

Today's guest isn't just a living legend.He's one of the architects of modern music.As a songwriter and producer, he's discovered artists, shaped careers, and defined entire eras.This one is required listening.A once-in-a-generation legendary hybrid of songwriting and production,And The Writer Is... David Foster!In this episode, David breaks down what actually makes music last, the cost of greatness, and what it really takes to survive and stay relevant in the music business over decades, not moments.Not to mention his best advice for people in the business right now...We talk songwriting vs. production, discovering artists like Céline Dion and Michael Bublé, working with legends like Whitney Houston and Paul McCartney, the mistakes artists make chasing hits, and why longevity matters more than hype.Oh, and the only artist who could pull him out of retirement...A special thank you to our sponsors…Our lead Sponsor, NMPA— the National Music Publishing Association.Your support means the world to us.And @splice — the best sample library on the market. Period.Chapters:00:00 Mount Rushmore of Producers02:00 Canadians03:42 David Foster's Parents05:23 Discovering Perfect Pitch07:03 Musical Roots and Learning Jazz07:40 Jazz Voicings Explained10:24 “Leave Songwriters Alone” – Publishing Talk11:20 Writing His First Songs12:21 Advice He'd Give His Younger Self17:00 David Foster's Trick for Reading People17:58 Surviving a Plane Crash20:22 The Start of His Early Career22:00 Is “Africa” by Toto a Perfect Song?27:20 The Greatest Songwriters Ever30:25 Kanye West's “Through the Wire” Sample Story32:27 Songwriting vs Sampling (Blurred Lines Case)34:21 His Documentary, Workflow, and Band Relationships38:53 How David Foster Writes Songs42:42 How Seven People Write One Song43:39 Presented by NMPA & Splice48:19 The Critical Mistake in “Uptown Funk”49:49 “Unforgettable” with Nat King Cole51:08 Paul McCartney55:17 Whitney Houston's “I Will Always Love You”57:10 Top Five Singers He's Worked With59:06 Discovering Céline Dion59:56 How David Foster Sees His Life1:05:13 What Makes a Song Great?1:09:40 The “Nashville No”1:11:51 The Arc: A Holistic Approach to Songwriting1:12:42 Discovering Michael Bublé1:15:29 Star vs Superstar1:16:39 Andrea Bocelli & Josh Groban1:19:04 The Cost of Greatness1:19:46 How to Make It in the Music Business1:24:11 Family Life (Katharine McPhee & Kids)1:25:50 “I Told Céline the Titanic Song Would Ruin Her Career”1:31:01 Songs He Wishes He Wrote1:31:39 Artists He Passed OnHosted by Ross GolanProduced by Joe London and Jad SaadPost production by Pratik Karki Hosted on Acast. See acast.com/privacy for more information.

What does it really mean to own a song? In this episode of Duologue, Leslie sits down with Josh Gruss, founder and CEO of Round Hill Music, to explore the hidden business behind the songs we love. From Nashville songwriting rooms to global music catalogs, Josh breaks down how songs are created, who owns them, and how royalties actually work. They discuss the difference between songwriters and artists, why publishing rights matter, and how iconic songs can generate value for decades. The conversation also unpacks high-profile ownership disputes, including Taylor Swift's rerecordings, and explains why music publishing is often described as the “real estate” of the music industry. Along the way, Josh shares his unconventional career path from finance to founding one of the world's leading music publishing companies — and why great songs tend to stand the test of time.Hosted on Ausha. See ausha.co/privacy-policy for more information.

⁠Alastair Campbell⁠ joins host ⁠Jack Stafford⁠ and musician ⁠Allman Brown⁠ for a rare and deeply human conversation on Podsongs.Known for his central role in New Labour and his openness about mental health, Campbell reflects on vulnerability, resilience and leadership under pressure. The discussion moves from mental health in politics and the emotional weight of decision-making to Brexit, legacy and comparisons between past and present political leaders. Music weaves throughout the episode, offering insight into creativity, survival and Campbell's lifelong love of sound — including an unexpected passion for bagpipes.A thoughtful, wide-ranging podcast episode exploring politics, mental health and the power of music to shape who we become.Stream the song: https://ffm.to/livingbetter00:00 Introduction and Greetings00:10 Discussing Alistair Campbell's Inspiration01:45 Mental Health and Vulnerability02:51 The Impact of Podcasts03:46 Music Industry Challenges11:10 Boarding School Experiences15:08 Songwriting and Creative Process24:53 Alistair Campbell Joins the Conversation31:46 Defining Bravery and Personal Growth34:05 Political Vulnerability and Empathy37:52 Mental Health in Politics48:40 Creative Processes and Inspirations01:00:30 Legacy and Historical Impact01:09:22 Tony Blair's Legacy Beyond Iraq01:10:15 Angela Merkel and the Fluidity of Legacy01:11:34 Emotionality in Politics: Blair vs. Modern Leaders01:12:30 Keir Starmer and the Modern Political Landscape01:13:40 The Weight of Leadership Decisions01:16:58 Understanding Brexit and Political Discontent01:26:19 The British Empire and Education01:28:10 Reflections on Global Political Shifts01:30:36 Podcast Wrap-Up and Future Plans// SUPPORT THIS CHANNEL //Newsletter, donations and download the song for €/$1 @ https://podsongs.com// LINKS //Website: https://podsongs.comPodcast episodes: https://podsongs.com/podcast-episodesSongs: https://podsongs.com/musicSpotify artist: https://open.spotify.com/artist/32FYyRx1y1ex3jHHAgLMC7?si=4Nv7WW85SbSPZvCsj1o7IgSpotify playlist: https://open.spotify.com/playlist/6sN1viy82HPiNTVX2YBxpq?si=1b84c2b9bdea4656// SOCIAL //Twitter: https://twitter.com/podsongsInstagram: https://instagram.com/podsongsFacebook: https://facebook.com/podsongs

In this episode of the Open Bar Podcast, we sit down with Chef B — founder of Don't You Dairy, culinary creative, and songwriter — to talk about her journey building a unique brand, running a bed & breakfast, and balancing her passion for food and music.

Josh Osborne is a songwriter originally from Virgie, Kentucky. He has written numerous No. 1 songs, including “Body Like a Back Road” (Sam Hunt), “Drunk Last Night” (Eli Young Band), “Merry Go 'Round” (Kacey Musgraves), “Come Over” (Kenny Chesney), and “Get Along” (Kenny Chesney). Osborne has been nominated five times for Songwriter of the Year by the ACM and has received multiple CMA Triple Play Awards. In 2020, he won the ACM Song Of The Year for "One Man Band." In this episode, we discuss Josh's journey into songwriting, how he approaches the craft, staying inspired over a long career, the evolution of the music business, and many other stops along the way.--------------------------------------------------This episode is also sponsored by The Graphic Guitar Guys. They create eye-catching custom guitar wraps for some of the biggest artists and festivals in the music industry. Their work is perfect for adding a unique touch to album pre-sale bundles or VIP package items—check them out and discover how they can transform a guitar into a show-stopping work of art.---------------------------------------------------Troy Cartwright is a Nashville-based artist and songwriter originally from Dallas, Texas. His songs have collectively garnered hundreds of millions of streams, and he is currently signed to Big Machine Music for publishing. Cartwright has written songs recorded by Cody Johnson, Nickelback, Ryan Hurd, Josh Abbott Band, and has upcoming cuts with several A-list artists.#JoshOsborne #Songwriter #CountryMusic #BodyLikeABackRoad #MerryGoRound #KennyChesney #SamHunt #EliYoungBand #KaceyMusgraves #Songwriting #MusicBusiness #Nashville #TenYearTown #TroyCartwrightNew Episodes every Tuesday.Find the host Troy Cartwright on Twitter, Instagram. Social Channels for Ten Year Town:YoutubeFacebookInstagramTwitterTikTokThis podcast was produced by Ben VanMaarth. Intro and Outro music for this episode was composed by Troy Cartwright, Monty Criswell, and Derek George. It is called "Same" and you can listen to it in it's entirety here. Additional music for this episode was composed by Thomas Ventura. Artwork design by Brad Vetter. Creative Direction by Mary Lucille Noah.

What if you didn't have to think your way into songwriting — but could play your way in? In this episode, I explore how vocal play can become a gentle doorway into songwriting, whether your songs begin with words, melody, or something in between. Instead of focusing on performance or “getting it right,” we look at how letting the voice explore can lower pressure, reconnect you to emotion, and help songs begin to take shape naturally. You'll learn: why singing doesn't have to mean performing how vocal play supports the songwriting process a simple practice for turning journal lines into song ideas how singing, songwriting, and creativity are deeply connected This episode is for singer-songwriters who feel stuck, overthink their songs, or want a more embodied, intuitive way to write music. If you're longing to reconnect with your voice — and let songwriting feel more alive and possible again — this episode is for you.

On Episode 257 of The Popko Project Podcast, I'm joined by Tysoul for a conversation that's equal parts real talk and creative fuel. We get into the moments that shaped him, what drives his sound, and how he balances passion with the pressure to keep leveling up. We dig into the creative process, the influences […]

Send us a textIn this electrifying episode of Living the Dream with Curveball, we welcome national recording artist and theater headliner Michael Cagle, whose dynamic career has garnered praise from icons like Ed McMahon, Reba McIntyre, and Patti LaBelle. Michael shares his journey from performing on stage to embracing the recording studio, revealing the challenges and triumphs he faced along the way. With a powerful 4.5-octave vocal range and a passion for storytelling, he discusses how his musical theater background has shaped his artistry and connection with audiences. Michael opens up about his commitment to equality and how his personal experiences influence his songwriting, including his upcoming albums set to release in 2026. Join us as we dive into Michael's incredible story of resilience, creativity, and the importance of staying true to oneself in the competitive music industry. Don't miss out on this inspiring conversation that showcases the heart and soul of an artist dedicated to making a difference through music. Discover more about Michael and his work at www.michaelcagleonline.com.check out this top 45 list of dream life podcasts from feedspot https://podcast.feedspot.com/dream_life_podcasts/?feedid=5764895&_src=f1_featured_emailmosaic: Exploring Jewish Issuesmosaic is Jewish Federation of Palm Beach County's news magazine show, exploring Jewish...Listen on: Apple Podcasts SpotifySupport the show

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!  SongTown Press Books:Mastering Melody Writing : Check It OutSong Building: Mastering Lyric Writing : Check It OutThe Songwriter's Guide To Mastering Co-Writing : Check It Out Hosts: Clay Mills : Facebook   :   InstagramMarty Dodson :   Facebook   :   Instagram SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet! For advertising opportunities, email kristine@songtown.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Chatting with Sean & George of WAX JAW aka the hardest hitting band in Philadelphia! We talk about the biggest lessons they learned in 2025, releasing their DEBUT ALBUM & challenges they overcame with it, the concepts behind their awesome music videos, their highlights from touring in 2025, and what they aim to improve on in 2026. Follow Wax Jaw on INSTAGRAM, buy their tunes on BANDCAMP, and click the links in the playlist to see their awesome MUSIC VIDEOS!➤PLAYLIST:1. Lace Up - Wax Jaw2. Looking Back - Wax Jaw3. Creepshow - Wax Jaw➤SUPPORT ME:⭐*SUBSCRIBE TO PODCAST ON YOUTUBE*⭐✍️ LEAVE A REVIEW & FOLLOW ON OTHER PODCAST PLATFORMS!➤I ENDORSE:🎥 LIVE RECORD WITH CART_MUSIC IN PHILLY👕 DO IT NOW T-SHIRTS FOR MERCH➤MY AFFILIATES:📶 $20 OFF VISIBLE PHONE PLAN [Code 3RV7LB2]♨️ STEAM UP IN A SAUNABOX

What does it truly mean to reinvent yourself as an artist? Are you looking for fresh start inspiration to begin the New Year? Join Buzz Knight on this enlightening episode of takin' a walk as he engages in a heartfelt conversation with the talented Amanda Shires. As she reflects on her artistic journey, Shires reveals the transformative experiences that led her from being a skilled sideman to embracing her identity as a solo artist and songwriter. With her latest album, "Nobody's Girl," described as her most personal work yet, Shires dives deep into themes of grief and emotional processing that resonate throughout her songwriting. Throughout this episode, Amanda Shires shares her creative workflow, illustrating how literature and music intertwine to shape her art. Buzz Knight guides listeners through her collaborations with legendary musicians, offering insights into the rich tapestry of american music and indie music journeys. Listeners will hear about the challenges Shires faced in the studio, as well as her approach to vulnerability and authenticity in her music. This episode is more than just a conversation; it’s a masterclass in the art of storytelling through song. Shires encourages us all to embrace our journeys of self-discovery, reminding us that it’s perfectly okay not to have everything figured out right away. Whether you’re a fan of rock music history, classic rock stories, or simply passionate about music history insights, this episode is a treasure trove of inspiration. Buzz Knight’s knack for music conversations shines through as he navigates the emotional landscapes of Shires’ experiences, making this episode a must-listen for anyone who appreciates the power of storytelling through music. So lace up your walking shoes and join Buzz Knight on takin' a walk as we explore the resilience of artists like Amanda Shires, who embody the spirit of music and community. Discover the stories behind albums, the creative journeys of indie artists, and the emotional healing that can be found through music. Don’t miss this opportunity to delve into the world of legendary songwriters and the inspiring artist interviews that make the music history podcast truly special. Tune in now, and let’s walk together through the vibrant landscape of music history!Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

AI tools like ChatGPT and Suno are now capable of writing compelling lyrics, generating anthemic melodies, and are regularly showing up in the worship song writing room.   The question is simple: Should we use them? Where do you draw the line?  Gable Price shares his perspective on this growing debate. You'll hear his thoughts on using AI for worship songwriting and why he believes there's a difference between helpful tools and creative shortcuts.  Whether you're team "AI-never" or not, this conversation will challenge how you think about creativity & calling. What's your take? Is AI just a helpful tool & is there a restriction that should be placed on how it should be used when writing worship songs? Worship Online is your new secret weapon for preparing each week. With detailed song tutorials and resources, you and your team will save hours every single week, and remove the stress from preparing for a set. Try a free trial at WorshipOnline.com and see the transformation!   Mentioned in the Episode  Gable Price and Friends New Release  If you like what you hear, please leave us a review! Also, shoot us an e-mail at podcast@worshiponline.com. We want to know how we can better serve you and your church through this podcast.  Don't forget to sign up for your FREE 2-week subscription to Worship Online at WorshipOnline.com!  The Worship Online Podcast is produced by Worship Online in Nashville, TN. 

This is an excerpt from Songwriting Pro's "J.A.M. Session." (J.A.M. stands for "Just Ask Me," and it's our monthly members-only online Q&A Session.) If you'd like to watch the full J.A.M. Session, just log in to the Songwriting Pro Member Area. If you're not yet a Songwriting Pro member, NOW is a great time to start your 14-day FREE trial at SongwritingPro.com! The C.L.I.M.B. Show is dedicated to helping singers, songwriters, indie artists and industry pros "Create Leverage In The Music Business." We want you to win! About the hosts: Brent Baxter is an award-winning hit songwriter with cuts by Alan Jackson (“Monday Morning Church”), Randy Travis, Lady A, Joe Nichols, Ray Stevens, Gord Bamford and more. He helps songwriters turn pro by helping them WRITE like a pro, DO BUSINESS like a pro and CONNECT to the pros. You can find Brent at SongwritingPro.com/Baxter and SongwritingPro.com. Johnny Dwinell owns Daredevil Production and helps artists increase their streams, blow up their video views, sell more live show tickets, and get discovered by new fans, TV and music industry pros. Daredevil has worked with artists including Collin Raye, Tracy Lawrence, Ty Herndon, Ronnie McDowell and others. You can find Johnny at TheCLIMBshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

An enjoyable catch up as his own Carl Worden Band plays Saturday night at Paul and Jack's, and the Foreigner tribute project Double Vision is at the Star Pavilion at Ameristar Casino on January 23rd. A story of hard work and passion to soak in!

Today, our hosts are joined by Tom Cosm, electronic musician and technical director of Telepathic Instruments. We talk about the beauty of music composed on the highly limited computing devices of yesteryear, and ways those workflows are still inspiring to this day. We get a bit of insight into the musician, producer, and tinkerer that is Tom Cosm, as well as the device he's been developing over the last five years, the Orchid ideas machine.Sign up for the Orchid waitlist: https://telepathicinstruments.com/products/orchid-orc-1Buy yourself some OBNE: http://www.oldbloodnoise.comJoin the conversation in Discord: https://discord.com/invite/PhpA5MbN5uFollow us all on the socials: @tomcosm, @danfromdsf, @andyothling, @oldbloodnoiseSubscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoiseSubscribe to Andy's Twitch channel: https://www.twitch.tv/powereconomyLeave us a voicemail at 505-633-4647!

Brad Barr is a guitarist, singer, and songwriter, and, along with his brother Andrew, is half of the Americana, folk-rock group the Barr Brothers. The Barr Brothers just released their new album, Let it Hiss, which has a more vulnerable, stripped-down sound that embraces human imperfection and spirit.  Brad and I had a great conversation about songwriting and the production of the Barr Brothers' new album Let it Hiss. Brad shared how a minimalist approach, including a 4-string guitar, helped guide the songwriting and production of the new record. Brad even demonstrated his polyester thread trick on the guitar. Please welcome Brad Barr to the Music Production Podcast. This episode is sponsored by Baby Audio and their Tekno drum synthesizer plug-in.   Save 15% with the code: MPP15 - https://babyaud.io  Listen on Apple, Spotify, YouTube Links: The Barr Brothers - https://thebarrbrothers.com Let it Hiss by The Barr Brothers - https://found.ee/letithiss Brad's Instagram - https://www.instagram.com/bradbarr216/ "Growing Up Sideways" by Brad Barr - https://vyd.co/BradBarrGrowingUpSidewaysInstrumental Brian Funk Website - https://brianfunk.com Music Production Club - https://brianfunk.com/mpc  5-Minute Music Producer - https://brianfunk.com/book Intro Music Made with 16-Bit Ableton Live Pack - https://brianfunk.com/blog/16-bit Music Production Podcast - https://brianfunk.com/podcast Save 25% on Ableton Live Packs at my store with the code: PODCAST - https://brianfunk.com/store This episode was edited by Animus Invidious of PerforModule - https://performodule.com/ Thank you for listening.  Please review the Music Production Podcast on your favorite podcast provider! And don't forget to visit my site https://BrianFunk.com for music production tutorials, videos, and sound packs. Brian Funk

In this episode of Americana Podcast: The 51st State, host Robert Earl Keen sits down with one of the most quietly influential voices in American songwriting: James McMurtry.For decades, McMurtry has carved out a singular space where songs are more than melodies. His writing is built on gritty character studies, moral landscapes, and moments of hard-won clarity—stories that feel lived in, observed, and unafraid to sit with complexity. From the early days of his debut album Too Long in the Wasteland to the lived-in wisdom of his most recent work, his catalog reads like a map of roads traveled and lives encountered along the way.Born in Fort Worth, Texas, McMurtry spent much of his youth in Northern Virginia before finding his footing as a songwriter in Tucson, Arizona, studying English and Spanish while cutting his teeth in small rooms and local venues. After time spent traveling—including a period living in Alaska—he returned to Texas, working odd jobs, playing bars and open mics, and gradually forging a life as a working songwriter. For much of his adult life, he's been based in Lockhart, just south of Austin, though his music has carried far beyond those borders.In this conversation, Robert and James reflect on the long arc of a songwriting life—from early guitar lessons and teenage gigs to his first record, Too Long in the Wasteland, and through to his latest album, The Black Dog and the Wandering Boy. Along the way, they talk about craft, observation, patience, and what it means to tell the truth in song without flinching.It's an intimate, thoughtful look at an artist whose work doesn't chase trends or spotlight—but endures, quietly and honestly, exactly where it belongs.Listen to the full episode on all streaming platforms or at AmericanaPodcast.com.Like, share, and subscribe to Americana Podcast. Episodes and Bonus content available on YOUTUBE!https://www.youtube.com/@robertearlkeenofficial Donate to the show!https://tiptopjar.com/americanapodcastInstagram@robertearlkeen1Have questions or suggestions? Emailcreatedirector@robertearlkeen.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Let Us Know What You Think of the Show!Date: January 7, 2026Name of Podcast: Backstage Pass RadioS10: E1: Austin Ingerman (Gunshine) - Gunshine From Sunshine StateSHOW SUMMARY:Big riffs, big hooks, zero apologies. That's the energy we chase with guitarist and songwriter Austin Ingerman of Gunshine, a Florida-born player who balances swagger with sharp songcraft. From Daytona beginnings to LA's Musicians Institute and arena tours as a hired gun, Austin shares how those miles shaped a band built for choruses you can shout and guitars that actually feel dangerous again.  We talk origin stories the honest way: how a pandemic pause pushed Austin home, how early tracks came together before a singer was even in the room, and why the search for a voice with an X factor took years. When Jordan walked in from a dueling-piano bar, the chemistry clicked fast. The result is Gunshine's “swampy” identity—Southern edge, modern punch—rooted in influences like Boston, Def Leppard, AC/DC, and a touch of early GNR. The name Gunshine nods to Florida's nickname and the band's sunburned grit, not a retro costume.  Songwriting sits at the center. Austin often starts with melodies and riffs captured on voice memos, while Jordan brings a Nashville-honed lyric lens and the number system to keep structures tidy. We break down “Bayou,” which began as Jordan's country-leaning sketch and morphed into a layered modern rocker with a ramping chorus. The home-studio pipeline is real: tracks built in Austin's space, files shipped to Chris Collier for mix and master, and a sound that still hits like a room full of amps. Theory helps in the background—tension, resolution, the occasional Mixolydian wink—but the rule is feel first.  Grand Rising, a 13-song album, arrives with more colors: piano textures, heavier corners, and a stealth seven-string thickening the choruses without stealing the spotlight. We dig into touring momentum after a successful run through venues like the Whisky and Sturgis, plus the realities of booking while transitioning agencies. Austin's parting wisdom is pure working-musician truth: pick one job a day, finish it well, and let the songs lead everything else.  If you crave straight-ahead rock with big melodies and no filler, hit play, follow Gunshine on socials, and watch for the first single on January 23. Enjoy the conversation, then subscribe, share, and leave a quick review so more rock fans can find the show.Sponsor Link:WWW.ECOTRIC.COMWWW.SIGNAD.COMWWW.RUNWAYAUDIO.COMBackstage Pass Radio Social Media Handles:Facebook - @backstagepassradiopodcast @randyhulseymusicInstagram - @Backstagepassradio @randyhulseymusicTwitter - @backstagepassPC @rhulseymusicWebsite - backstagepassradio.com and randyhulsey.comArtist(s) Web Pagewww.gunshineband.comCall to actionWe ask our listeners to like, share, and subscribe to the show and the artist's social media pages. This enables us to continue pushing great content to the consumer.  Thank you for being a part of Backstage Pass Radio Your Host,Randy Hulsey 

In this episode of the Open Bar Podcast, we sit down with Chef B — founder of Don't You Dairy, culinary creative, and songwriter — to talk about her journey building a unique brand, running a bed & breakfast, and balancing her passion for food and music.

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!  SongTown Press Books:Mastering Melody Writing : Check It OutSong Building: Mastering Lyric Writing : Check It OutThe Songwriter's Guide To Mastering Co-Writing : Check It Out Hosts: Clay Mills : Facebook   :   InstagramMarty Dodson :   Facebook   :   Instagram SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet! For advertising opportunities, email kristine@songtown.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

"We've always had the same kind of values in why we're doing this. That alignment, I think, helps the steadiness and longevity... The music comes first. Music is about itself. It's not, at least primarily a means to make a living."    Dustin Kensrue of Thrice on the shared values that have kept the band's lineup intact for 25 years. He discusses their unique writing process using Asana and 400+ voice memos, and how re-recording a classic album influenced their new sound.    For over two decades, Thrice has been a constant—a pillar of the post-hardcore scene that has not only evolved with each album but has kept its original four members intact. We're joined by frontman Dustin Kensrue to discuss how they've managed one of the most incredible feats in rock music: staying together. Dustin details the band's practical creative process, revealing how they use project management tools like Asana to organize hundreds of voice memos into the powerful songs fans know and love. He also explains how revisiting their classic album *The Artist in the Ambulance* allowed them to reconnect with old instincts in a fresh way, directly influencing their new material. This is a conversation about legacy, integrity, and what it takes to put the music first, always."We've always had the same kind of values in why we're doing this. And that alignment, I think, helps the steadiness and longevity... The music comes first.""I have no idea how we would write a song to work on TikTok... it's just not on our minds. There's enough juice flowing... the hardest thing is narrowing down what ideas we wanna chase because there's so many.""Doing both of those [re-recordings] was a process of kind of reintegrating a lot of old instincts and ways of thinking... those instincts can be reappropriated by us in a fresh way, that feels authentic and organic and not forced." JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves.

Have you ever wondered what it takes to rise from a small-town dreamer to a multi-platinum country music sensation? Join host Buzz Knight as he takes you on an engaging journey through the life and career of the incredible Chris Young in this episode of takin' a walk. With a distinctive baritone voice that resonates through hits like "Getting You Home" and "I'm Coming Over," Chris shares his inspiring story that intertwines passion, perseverance, and the power of music. As a celebrated artist in the country music scene, Chris Young reflects on his early influences, particularly his admiration for legendary musicians like Randy Travis. He opens up about the emotional depth of his songs, including the title track from his latest album, "I Didn't Come Here to Leave. " This album showcases a diverse range of themes and sounds, demonstrating Chris's evolution as a songwriter and artist in the vibrant Nashville music scene. Throughout this episode of takin’ a walk, you'll gain insights into the creative process behind songwriting, as Chris discusses the stories behind his songs and the resilience required to navigate the challenges of the music industry. Buzz Knight artfully guides the conversation, allowing listeners to dive deep into the emotional layers of Chris's life, including the impact of his father's health struggles on his music and personal growth. As you listen, prepare to be inspired by valuable life lessons that Chris shares from his journey, emphasizing the importance of adaptability and perseverance in the face of adversity. This episode is not just a conversation about music; it's a testament to the power of storytelling through song and the profound connection between artists and their audiences. Whether you're a fan of indie music, classic rock, or simply love engaging music conversations, this episode is packed with insights that resonate beyond the world of country music. Tune in to hear Chris Young's inspiring story, and let his journey remind you of the magic that happens when passion meets resilience. Don’t miss this insightful episode of takin' a walk with Buzz Knight, where music history comes alive and legendary songwriter conversations unfold!Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Can a Poetic Pause Help us Embrace the In-Between Moments of the Season?   On this special Christmas Day episode of the Good Faith Podcast, host Curtis Chang and singer-songwriter Sandra McCracken each explore the nativity, the "space between" Christ's first coming and second coming, and how Christian faith holds grief and joy together in a world that often "does not mesh with Jesus." Featuring Madeleine L'Engle's poem "First Coming" and music from McCracken's Christmas EP I Heard the Bells (including "The Space Between"), this episode invites listeners to slow down, notice the small things, and find God's nearness in waiting and quiet wonder.   (00:03:02) Christian Response to a Troubled World (00:04:22) Madeleine L'Engle's "First Coming"  (00:08:35) Sandra McCracken's Christmas Reflections  (00:12:14) What Is Blessing the Space Between? (00:12:47) Songwriting and the Sacred Space Between  (00:15:10) From Christmas to New Year's: Blessing the In-Between Times (00:17:12) Nativity, Slowness, and the Nearness of God  (00:20:01) Curtis Chang's Closing Reflections   Enter the Christmas Day give away Good Faith mugs & a Sandra McCracken Christmas album   Sign up for the Good Faith Newsletter   Mentioned In This Episode: Madeleine L'Engle's The Ordering of Love Madeleine L'Engle's "First Coming" Luci Shaw's Accompanied by Angels: Poems of the Incarnation Sandra McCracken's Christmas EP I Heard the Bells Sandra McCracken's "The Space Between"   More From Sandra McCracken: Sandra McCracken's website Sandra's first Christmas album Sandra McCracken Christmas (2020)   Follow Us: Good Faith on Instagram Good Faith on X (formerly Twitter) Good Faith on Facebook   The Good Faith Podcast is a production of a 501(c)(3) nonpartisan organization that does not engage in any political campaign activity to support or oppose any candidate for public office. Any views and opinions expressed by any guests on this program are solely those of the individuals and do not necessarily reflect the views or positions of Good Faith.