Podcasts about songwriting

Have you ever wondered why songwriting feels effortless one day — and impossible the next? What if the problem isn't that you're creatively blocked, but that you're in a different stage of the songwriting process? In this episode, I'm looking back on an unexpected discovery. What started as a summer of recording podcast episodes about singing, songwriting, and creativity turned into a deep study of the creative process itself. As I paid attention to my own songwriting practice, I began noticing familiar patterns: gathering ideas, choosing a direction, working through the messy middle, finishing a song, and finally finding the courage to share it. Every stage has its own challenges. Every songwriter gets stuck somewhere. The key isn't trying to force your way through—it's learning to recognize where you are and what that stage is asking of you. Whether you're struggling to find song ideas, stuck halfway through a draft, caught in perfectionism, or having a hard time finishing and sharing your music, this episode will help you locate yourself in the process so you can keep moving forward with greater clarity and confidence. Next Steps: Join the Newsletter: reawakenyourvoice.com/insider Book a Coaching Session: reawakenyourvoice.com/coaching Visit the Website: reawakenyourvoice.com Write Me: hello@reawakenyourvoice.com

On Friday 4 September 2026 we're running the first Sodajerker Songwriting Lab at the Royal Birmingham Conservatoire, with acclaimed songwriters Sacha Skarbek and Ben Parker of the Skarbek Songwriting Academy. The workshop will feature a live Sodajerker interview with our guests, then a day of writing in small groups with guidance and feedback from Sacha and Ben. Places are limited, so have a listen to the announcement and decide whether you'd like to join us! To enrol for the Sodajerker Songwriting Lab visit https://sodajerker.com/lab

It is a privilege to welcome Hilary Roberts to the Jake's Take with Jacob Elyachar Podcast. Hilary is a singer-songwriter who is a phoenix rising from the ashes. After suffering many years of trauma and abuse, Hilary made the decision that she could no longer deal with those demons alone. On May 9, 1997, she reached out to a mentor who offered her solutions and a way of life to help her recover one day at a time. She has been sober ever since.  Hilary is not only a trauma survivor but also survived open-heart surgery after being diagnosed with a very rare congenital heart defect, to which she was only given a 50% chance of success.After the surgery, she lost her voice but eventually got it back after a year and a half. All these situations led her to focus on a life of giving back and spreading the message of hope wherever she goes. She now dedicates her life and talents to making a positive impact on society through her music. Her goal with her music is to be a beacon of hope and empowerment to all.In 2018, she released her debut single “There For You” under her self-owned label, Red Songbird, which charted No.10 on the Billboard Dance-Club Chart. She followed up that chart-topping single with a second one, an upbeat rendition of Soul II Soul's “Back to Life,” which spent 13 weeks on the Top 50 chart before claiming No.1 in 2019. She also released “Fight to the Other Side,” which was dedicated to her beautiful friend who was there for her during the depths of her deepest pain. Following her chart-topping success, she released her single, “Good Man,” which is all about celebrating men who make a positive difference in our lives.On this edition of The Jake's Take with Jacob Elyachar Podcast, Hilary Roberts spoke about starting the Red Songbird Foundation and her latest single, “Never Too Late,” which she co-wrote with the iconic Justin Tranter.Become a supporter of this podcast: https://www.spreaker.com/podcast/jake-s-take-with-jacob-elyachar--4112003/support.

On this episode of The Bandwich Tapes, I sit down with multi-instrumentalist, singer, songwriter, and producer Eliot Lewis for a conversation about rhythm, versatility, technology, and the experiences that shaped his remarkable career.Eliot began as a drummer and still considers rhythm the foundation of everything he does. We talk about how that early connection to the drums influenced his work as a guitarist, bassist, keyboardist, singer, and songwriter, as well as the unspoken communication that develops when musicians spend years learning how to play together.We also explore Eliot's years with Average White Band, where he grew as a performer and lead vocalist while sharing stages with artists including Earth, Wind & Fire, B.B. King, Buddy Guy, War, and the Ohio Players. Eliot discusses his work with producer and songwriter Dan Hartman, playing on Tina Turner's “The Best,” and learning the value of becoming a musical chameleon who can understand and support many different artists.A large part of our conversation focuses on Eliot's time with Hall & Oates and Live from Daryl's House. He explains how the musicians learned and recorded new material with very little rehearsal, why Daryl Hall wanted the performances to remain spontaneous, and what Eliot learned from working with guests such as Robert Fripp, CeeLo Green, Booker T. Jones, Grace Potter, and KT Tunstall.Eliot also takes us inside his current solo live-looping show. He describes the technical and musical challenge of creating the sound and dynamics of a full band by himself, the importance of remaining in the moment, and why technology should always serve the song rather than replace the musicianship underneath it.Key TakeawaysEliot still considers himself a drummer first, and rhythm remains the foundation of his work on every instrument.His live-looping show is designed to create the feeling and dynamics of a three- or four-piece band rather than simply repeat accompaniment.Learning several instruments helped Eliot understand how each musical role fits into an arrangement without competing for space.His years with Average White Band developed his confidence as a singer, songwriter, performer, and collaborative band member.Working on Live from Daryl's House required strong ears, quick preparation, trust between musicians, and an ability to respond in the moment.Eliot believes technology is most effective when it supports the song, but a performer must still be able to play and communicate when the technology fails.Running a solo career means balancing music with booking, travel, marketing, arranging, production, and the many other responsibilities that happen away from the stage.Music from the EpisodeRetroactive - Eliot LewisJetstream - Eliot LewisSonic Soldier - Eliot LewisHelpless - Eliot LewisAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, producers, and other creative artists about their careers, influences, collaborations, musical craft, and the experiences that shape their work.Connect with the ShowQuestions, comments, or guest suggestions:contact@thebandwichtapes.com

In this final interview from Newport Folk Festival, I sat down with the awesome duo of Casey Gomez Walker and Spencer Tweedy, whose project, Case Oats, is one of my favorite alt-country Chicago bands.Casey and Spencer are a uniquely compelling duo — complementing each other's talents — both personally and professionally. Case Oats' most recent album, the critically acclaimed Last Missouri Exit, combines Casey's keen literary background with Spencer's knowledge of the craft of songwriting to create a truly groundbreaking album.Spencer, who of course comes from musical family and as he calls it, “a culture of belief,” talks to me about how his own belief in Casey's ability and strengths pushed them further to even greater heights and allowed them to exceed their goals. This is an inspiring and informative interview with two super intriguing artists who embody a self-belief and fearlessness.=======================================00:00 - Episode Intro with Host Josh Rosenberg03:40 - Introduction to Casey Oats and their origins in Chicago03:51 - Casey's creative writing background impacts his songwriting04:21 - Transition from writing stories to making an album04:49 - How meeting Spencer encouraged continued music creation05:34 - The culture of belief in making art and its normalization06:30 - Spencer's journey from unfamiliarity to making records07:12 - Writing songs from short stories and focusing on core truths08:05 - Spencer's experience of working under pressure and saying yes09:36 - The quick turnaround for their album and embracing fearlessness10:23 - The humility and bravery involved in creative risks11:13 - The story behind "Last Missouri Exit" as a symbolic milestone11:57 - Touring in Europe and favorite venues and cities12:41 - Supporting and collaborating with other Chicago artists13:40 - Family influences, especially their parents' roles in music and industry14:57 - The importance of craft, dedication, and perseverance in songwriting16:19 - The power of expression and meaningful engagement in music17:18 - The significance of "Last Missouri Exit" as a record and personal symbol18:26 - The idea of writing a novel titled "Last Missouri Exit"20:14 - How Casey and Spencer met and began collaborating21:27 - Their early gigs at G Man and the evolution of their band22:25 - Touring highlights in Norway, Madrid, and the UK22:42 - The experience of sold-out shows and the feeling of achievement24:20 - The Chicago music scene's supportive nature and emerging youth talent25:11 - The importance of community, collaboration, and nurturing future generations26:51 - Their advice on creativity, community, and staying true to oneself27:30 - Episode Wrap-Up with Host Josh Rosenberg=======================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

Amy Shark doesn't know how ended up here. Before the ARIA Awards, the platinum records and sold-out tours, there were years of cover gigs, day jobs, rejected demos and wondering whether it was finally time to give up. She came within days of walking away from music altogether before one song, Adore, changed everything. In this episode of No Filter, Amy joins Kate Langbroek for a deeply personal conversation about the fifteen years it took to become an 'overnight success', why she believes the universe had other plans for her, and what fame actually looks like once you've achieved everything you thought you wanted. She talks about growing up on the Gold Coast with young parents, the grandmother who believed in her before anyone else did, falling in love with her husband and manager Shane, navigating marriage inside the music industry, and the burnout that left her feeling as though she had nothing left to give. Amy also reflects on finding joy in songwriting again, making her fourth album Soft Pop, and why she's finally learnt that success isn't about constantly chasing the next milestone. This is a conversation about perseverance, creativity, love, grief and what happens when the dream you've spent your whole life chasing finally comes true. Amy Shark's new album Soft Pop is out now. Want to listen before everyone else? Mamamia subscribers get exclusive early access to No Filter from 6am every Saturday, a full two days before regular listeners. Click here to subscribe now. What To Listen To Next: Listen: Everyone's Talking About Rosie O'Donnell. This Conversation Explains Why Listen: Dave 'Hughesy' Hughes: "I Have Been a Narcissist Most of My Life" Listen: Bek Condello Was Born Into A Cult. Escaping Was The Easy Part Listen: Harrison James: What Every Parent Should Know About Grooming Listen: Jessica Rowe On The Brutal Public Humiliation That Changed Her Forever Listen: Esther Perel: When You Choose Your Partner and Lose Your Family Listen: Georgie Tunny & Rob Mills: The Marriage And Baby Conversation Everyone Keeps Asking About You can now watch our show in full length video on the Apple Podcast app - make sure your phone is up to date and we can't wait for you to see. CLICK HERE. Get access to Very Peri, Mamamia's exclusive perimenopause series, for just $59. 25 world-leading experts, over 20 on-demand sessions, available now. We’ve sorted through the noise so you don't have to. Go to veryperi.com.au and join me today. You hot? Same. Buy today and save 40% Discover more Mamamia Podcasts here. Watch No Filter on YouTube. Follow us on Instagram here. Follow us on TikTok here. Feedback: podcast@mamamia.com.au Share your story, feedback, or dilemma! Send us a voice message, and one of our Podcast Producers will get back to you ASAP. Rate or review us on Apple by clicking on the three dots in the top right-hand corner, click Go To Show then scroll down to the bottom of the page, click on the stars at the bottom and write a review. CREDITS: Guest: Amy Shark Host: Kate Langbroek Executive Producer: Bree Player Audio and Video Producer: Julian Rosario Content and Social Producer: Jess Chan Mamamia acknowledges the Traditional Owners of the Land on which we have recorded this podcast. Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

After more than 500 episodes of @RecordingStudioRockstars , Lij Shaw has spent countless hours exploring how other producers, engineers, and artists make great records. In this episode, we flip the script and explore the artist behind the podcast.Lij joins Nate and Neil to trace his unconventional journey from architecture school to playing blues five nights a week in Hong Kong, discovering recording engineering, and eventually building The Toy Box Studio in East Nashville. He also opens up about the growing need to create music for himself after decades spent helping other artists realize their musical dreams.The conversation explores Lij's month-long songwriting retreat in Costa Rica, the portable setup that helped him write and record on the beach, and the power of collaboration, accountability, and shared ownership. Lij also offers thoughtful advice for anyone building a home studio: decide whether you're creating a critical listening room or a space that makes it effortless to pick up an instrument and create—because those priorities don't always lead to the same room.Key Five Takeaways: 1. Helping others create doesn't replace creating for yourself2. Collaboration creates accountability—and better records3. Changing your environment can change your creative behavior4. Build your studio around what you actually want to do5. The best creative tool is the one that helps you finish musicResources and Links:More Lij:Recording Studio Rockstars - https://recordingstudiorockstars.com/The Toy Box Studio - https://www.thetoyboxstudio.com/Lij Shaw on Spotify - https://open.spotify.com/artist/493pQhEnKsrrRaJFHo1rK5Poetry Scores - https://poetryscores.blogspot.com/Lij Shaw's Nashville home-studio case - https://ij.org/client/lij-shaw/Songwriting and Music:How to Write Songs - https://howtowritesongs.org/How to Write Songs on YouTube - @htws GoHill Records - https://www.hollywoodrecordingstudio.com/gohil-recordsStudios, Education, and Media:Middle Tennessee State University Recording Industry program - https://www.mtsu.edu/program/recording-arts-and-technologies-bs-m-f-a/Mix Magazine - https://www.mixonline.com/WRVU Nashville - https://wrvu.org/Bonnaroo - https://www.bonnaroo.com/Gear Mentioned:Martin Backpacker Guitar - https://www.google.com/search?q=martin+backpacker+guitarsCarl Tatz Design and PhantomFocus - https://carltatzdesign.com/ADAM Audio D3V - https://us.adam-audio.com/products/d3vGrace Design - https://gracedesign.com/Lynx Studio Technology - https://www.lynxstudio.com/Slate Digital VSX - https://stevenslateaudio.com/vsx/Native Instruments - https://www.native-instruments.com/iZotope - https://www.izotope.com/Listen to Sound Discussion:Apple Podcasts: https://podcasts.apple.com/us/podcast/sound-discussion/id1727711992Spotify: https://open.spotify.com/show/4QLiTjT6OpY3prLIL8QoqDSubscribe To Our Newsletter:https://sounddiscussionpodcast.com/newsletterShop:https://sounddiscussionpodcast.com/shopSound Discussion Is: @natekelmesmixes @benhlms @merchantaudioproductions ​​ Hosted on Acast. See acast.com/privacy for more information.

For this interview from Newport Folk Festival, I spoke to acclaimed singer songwriter  and Grammy nominee Morgan Nagler!!  Morgan's debut album, “I've Got Nothing to Lose, and I'm Losing It,” is her first as a solo artist and represents a key step in her personal and professional evolution.When her work with Phoebe Bridgers on the song “Kyoto” turned into a Grammy nomination, Morgan's life changed and she became a much sought-after songwriting partner and collaborator, which eventually gave her the impetus to launch her own solo career.Morgan shares with me her journey from child actor to songwriter and then to solo artist — and she talks to me about the constantly present themes of identity, artistic rebirth, and balancing the dualities of her life as a creative. =======================================Chapters:00:00 Episode Introduction with Host Josh Rosenberg04:00 - Morgan's music journey and recent Newport performance05:02 - Reflection on her career rebirth and album debut05:31 - The meaning behind her album title and its philosophical roots05:47 - The art of losing what you don't have and living without proving anything06:39 - The balance between nothing to prove and proving oneself07:08 - The influence of yin-yang, and holding ideas simultaneously07:43 - Reflection on the maturity required for her recent album08:55 - Growing up in Manhattan Beach, LA; journey from child actor to songwriter09:33 - Writing for other artists and her extensive musical collaborations10:16 - The scenic route in her life and career evolution10:43 - Embracing life's path without comparison and with patience11:43 - From Highland Park to Montanito — LA's creative suburbs12:18 - Her childhood acting career and early pursuits in music13:09 - Transition from script readings to songwriting for self-expression14:01 - How her childhood experiences shaped her artistic identity15:41 - The profound impact of songwriting during her TV career16:48 - The challenge of breaking into the music scene later in life18:59 - Her breakthrough with Phoebe Bridgers' Grammy-nominated song "Kyoto"20:16 - Writing with and for other artists as a form of empathy and therapy21:00 - Clarifying her songwriting process and subconscious themes23:00 - Why her debut album came later in life and the journey of self-discovery24:16 - The cathartic process of creating a breakup album24:42 - Using music as a way to process and release feelings25:4 - The concept of "realist hope" 26:48 - Staying grateful and grounded amidst the chaos of the world27:57 - Her parents' influence and early life in LA29:31 - Writing for Maddie Diaz and Margot Price30:30 - The differences and insights gained from collaborative songwriting31:32 - The importance of perspective shifts in creative and personal growth33:17 - Morgan's upcoming UK tour with King Tuff and her touring plans35:03 - Final thoughts on her artistic path and future projects=======================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

How do you create music that is playful and catchy while still telling an honest story?Las Vegas singer, songwriter and producer Kiara Garcia joins Vigilantes Radio Live to discuss her new album, Ocean Pearl, and its upbeat pop single, “Obsessed.” The playful record explores what happens when someone becomes a little too invested in another person—romantically or platonically—while maintaining a fun, flirty and danceable energy.Kiara explains how she structured Ocean Pearl like a musical storybook, with songs designed to reflect different emotions and seasons of life. She also discusses the creative challenges and opportunities of writing in both English and Spanish, blending pop, R&B, hip-hop and reggaeton, and creating music that reflects every side of her identity.The conversation explores her journey from singing at 14 to producing her own records after realizing that other producers could not always capture the sounds she imagined. Kiara also shares how her mother's massive CD and cassette collection shaped her musical curiosity, why she values creative control and what it means to make music that leaves listeners feeling happier than they did before pressing play.This episode is a conversation about joy, identity, artistic independence, healthy boundaries and the courage to create without allowing expectations to limit your sound.https://music.apple.com/us/artist/kiara-garcia/1244469119https://open.spotify.com/artist/7K0xXVSPFr4N98rhCvg7lc?nd=1https://www.youtube.com/channel/UCFZ64ptfV0u3SbjkQwl3U2Ahttps://www.instagram.com/kiaramusicofficialBecome a supporter of this podcast: https://www.spreaker.com/podcast/vigilantes-radio-live--2166168/support.Vigilantes Radio Live! by The Only One Media Group ℗©2025Episode Credits:Produced, edited, mixed, and written by Demetrius "Whodini Blak" Reynolds, Sr.Artwork designed by Demetrius "Whodini Blak" Reynolds, Sr.Show Introduction by KateSegment jingles composed & produced by Demetrius "Whodini Blak" Reynolds, Sr.Additional music licensed through 7th Sign RecordingsLinks:onlyonemediagroup.comhttps://www.instagram.com/vigilantesradio/https://www.iheart.com/podcast/966-vigilantes-radio-live-29999229/https://www.instagram.com/whodiniblakin3d/https://www.imdb.com/title/tt26009230/To support our show, please leave reviews, ratings, or you can help fuel the passion over at buymeacoffee.com/vigilantesradioEmail us at onlyonemgt@gmail.com or vradio@onlyonemediagroup.com

Today our hosts chat with Zak Sherman of The Audio Cultivation Project. They talk about his entrance into pedal building coming at an early stage in his musical development, and how that leads to designs that come from an unexpected place. They also talk about the upcoming Midwest Pedal Fest, and why he and Alec Breslow chose to host it in Detroit. And of course, they talk about his chosen object: a particularly modded Telecaster that speaks to who he is as a player and pedal designer. They try to tackle the important questions, like what is a Telecaster, what is the midwest, and who in this room is a poser? Check out The Audio Cultivation Project: https://audiocultivationproject.bigcartel.com/ Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise, @audiocultivationproject Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

We discuss Sarah's algorithm and why it's feeding her lavender marriages, and we debate their merits. We discuss the Presbyterian church debating whether to let their clergy be in polyamorous relationships. Sarah names some of the rules and courtesies the Washington Post says apply to people going on group vacations. Susie seems to be mad about power banks for some reason, so we have to hear about that. We discuss the documentary If You're Happy And You Know It, on musicians who write songs for children, and we learn why kids are the wildest fan base, the traits of a song that helps make it stick with children, and why dancing is so important for little ones. We consider what makes an addiction an addiction, and Susie wonders whether we're all addicted to something.00:00 - Welcome to the Brain Candy Podcast00:23 - Debating Non-Traditional Relationships and Church Rules05:12 - Essential Rules for Group Vacation Rentals14:29 - Susie's Frustration with Uncharged Power Banks19:35 - Navigating Shared Spaces on Group Vacations27:01 - The Wiggles and Kids' Love for Movement35:32 - Exploring Compulsions and Reward Pathways in Life39:07 - Casper Baby Pants and Baby Shark's Origin47:47 - Michigan Bill Protects Young Entrepreneurs50:35 - Support the Show and Join Our CommunityBrain Candy Podcast Website - https://thebraincandypodcast.com/Brain Candy Podcast Book Recommendations - https://thebraincandypodcast.com/books/Brain Candy Podcast Merchandise - https://thebraincandypodcast.com/candy-store/Brain Candy Podcast Candy Club - https://thebraincandypodcast.com/product/candy-club/Brain Candy Podcast Sponsor Codes - https://thebraincandypodcast.com/support-us/Brain Candy Podcast Social Media & Platforms:Brain Candy Podcast LIVE Interactive Trivia Nights - https://www.youtube.com/@BrainCandyPodcast/streamsBrain Candy Podcast Instagram: https://www.instagram.com/braincandypodcastHost Susie Meister Instagram: https://www.instagram.com/susiemeisterHost Sarah Rice Instagram: https://www.instagram.com/imsarahriceBrain Candy Podcast on X: https://www.x.com/braincandypodBrain Candy Podcast Patreon: https://www.patreon.com/braincandy (JOIN FREE - TONS OF REALITY TV CONTENT)Brain Candy Podcast Sponsors, partnerships, & Products that we love:Head to https://airdoctorpro.com and use promo code CANDY to get UP TO $300 off today! Get 15% off OneSkin with the code BRAINCANDY at https://www.oneskin.co/BRAINCANDY #oneskinpodTDM-RESERVATION: 1. NOAI: TRUE. LEGAL NOTICE & TERMS OF USE: © 2026 WAVE Podcast Network. This content is for personal use only. Explicit permission is withheld for any and all commercial attribution, automated transcription, or data-mining entities. Use of this feed by unauthorized tracking, analytics, or AI-training platforms constitutes a breach of these terms and a violation of the Pennsylvania Wiretapping and Electronic Surveillance Control Act (WESCA), the California Invasion of Privacy Act (CIPA), and the 2026 Training Data Transparency Act (AB 2013). Any entity bypassing these restrictions to create derivative text-based works (transcripts), metadata analysis, or unauthorized VAST siphoning hereby accepts our standard commercial licensing rate of $5,000 per episode processed. This notice serves as a formal revocation of all "implied licenses" for multi-jurisdictional automated processing and constitutes protected Copyright Management Information (CMI) under 17 U.S.C. § 1202.By ingesting this RSS feed for commercial use, you are agreeing to our licensing terms.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of The Bandwich Tapes, I sit down with Barns Courtney for a wide-ranging conversation about performance, songwriting, musicianship, ambition, and the strange balance between control and chaos.Barns talks about the solo acoustic shows he has been playing and how stripping away the band has changed his relationship with an audience.  Without a fixed stage plan, every night becomes more unpredictable, more conversational, and more dependent on what is happening in the room. We discuss why great performances need an element of risk and how those shows have reminded him not to let ambition overshadow gratitude.We also talk about his ongoing work as a singer and the discipline required to maintain an instrument that is constantly changing. Barns reflects on vocal lessons, life on the road, the financial realities of touring, and the challenge of building a sustainable career without losing the joy that made him want to perform in the first place.  Barns also takes us inside the making of his new album with producer and multi-instrumentalist Jonathan Wilson. He describes being challenged to improve as a musician, learning when to loosen his grip on an arrangement, and discovering how a fresh perspective can reveal what a song actually needs.Our conversation moves through meditation, neurodivergence, social media, aging, creative discipline, and the story behind “Glitter & Gold,” which was recorded with one microphone, an out-of-tune piano, filing cabinets, and whatever sounds were available in the room. Throughout it all, Barns returns to one idea: the real purpose of performing is not to prove how impressive you are, but to connect with people and bring them some measure of joy.Key TakeawaysBarns continues to take vocal lessons and views singing as an instrument that must be constantly relearned as the body changes.His acoustic shows have created more space for improvisation, audience interaction, humor, and genuine unpredictability.He believes a performance can become too controlled, and that risk is often necessary for a show to feel transcendent.Working with Jonathan Wilson challenged Barns to become more proficient as an instrumentalist and more open to outside ideas.Barns now approaches songwriting with greater discipline, comparing the process to fishing: showing up regularly without knowing what will surface.The live album captured the sound of a band that had developed trust, instinct, and a shared musical language through touring together.Barns has come to see performance less as a display of ambition and more as an opportunity to connect with people and bring them joy.Music from the EpisodeFun Never Ends - Barns Courtney99 - Barns CourtneyGlitter & Gold - Barns CourtneyAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, producers, and other creative artists about their careers, influences, collaborations, musical craft, and the experiences that shape their work.Connect with the ShowQuestions, comments, or guest suggestions:contact@thebandwichtapes.com

Episode #321Eric Stenman is a Producer, Engineer, Songwriter, and guitarist from Barbarians of California makes his first appearance on The Mistress Carrie Podcast ahead of the release of their new album the Megatons, set for release on 8/21/2026. Eric talks Punk Rock, Skateboarding, The Beatles, Suicidal Tendancies, guitar, his first guitar, recording, his first job and band, Louder Than Life, Shiprocked, Pro Tools, Songwriting, starting the band with Aaron Bruno of Awolnation, Kerry Washington, Deftones, Warped Tour, Vinyl, Albums vs. Singles, festivals, Slayer, and more!Episode #321 Check out the custom playlist for Episode #321 here! Find Barbarians of California online:WebsiteFacebookXInstagramYoutubeTikTok Find Mistress Carrie Online: ⁠Official Website⁠⁠ The Mistress Carrie Backstage Pass on Patreon⁠⁠ X⁠ ⁠Facebook⁠⁠ Instagram⁠ ⁠Threads⁠⁠ YouTube⁠⁠ Cameo⁠ ⁠Pantheon Podcast Network⁠ Find The Mistress Carrie Podcast online:⁠ Instagram⁠ ⁠Threads⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

I was privileged once again to attend Newport Folk Festival and even more grateful to sit down with Madi Diaz — four years after her first Roadcase guest spot in 2022. Madi is a striking artist with a unique flair for vulnerability and for putting her authentic self — and her feelings — on display in her songwriting. She is also a two-time Grammy nominee for her album Weird Faith, and was a member of Harry Styles' touring band in 2023.Madi talks to me about the importance of embracing her feelings, especially in navigating relationships, and she discusses with me how her knack for finding joy in uncertainty and the unknown helps shape not only her artistry but also her outlook on life. Her upcoming deluxe release — the UN-unplugged version — of her album Fatal Optimist is coming out on September 4, and it further underscores the hope embedded in her attitude of “defiant optimism.”  Heads up for more interviews from Newport Folk Festival, coming up this week and next!!=======================================Chapters:00:00 - Episode intro with Host Josh Rosenberg04:05 - Maddie Diaz's journey and upcoming album Fatal Optimist06:23 - How songwriting reflects personal and universal emotions08:53 - The meaning behind Fatal Optimist as laughing in the face of the current world10:26 - Strategies for managing intense feelings through acceptance and presence12:50 - Decision-making guided by gut instinct and living with no wrong choices14:55 - The creative process behind her innovative music videos and art installations18:28 - Navigating relationships and personal growth during tour adventures20:05 - The transformative experience of performing for Harry Styles and large audiences23:51 - Reflections on touring at Wembley and the impact on her music and mindset27:19 - Her focus on new music, upcoming solo shows, and ongoing projects29:23 - Episode Wrap-up with Host Josh Rosenberg=======================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

The business of songwriting is a full-blown economy of its own — chock full of jargon like “splits,” “P-R-Os,” “plugger” and “mailbox money.”But what does it all mean? Today we follow the money: how writers get paid, what happens when a song gets cut, what the different kinds of publishing deals are, and what the implications are for copyrights now that AI has come to town. It's day three of songwriting week and we're talking about the business of songwriting.This episode was produced by Liv Lombardi and Mary Mancini.Guests Lydia Schultz Cahill, Sr. Director of Creative Services, SESAC Performing Rights, Nashville Dr. E. Michael Harrington, Musicologist Olivia Rudeen, singer-songwriter Chandler Nicole Sherrill, Senior Director of Creative, Electric Feel Entertainment

The Script's Danny O'Donoghue joins Mark Millar on the XS Noize Podcast to discuss the ideas, stories and songwriting behind the band's new album, "The User's Guide to Being Human." Danny reveals how an unusual moment in Los Angeles inspired the album's title, why he returned to the studio within a week of finishing the Satellites tour, and how sobriety has changed his approach to making music. He also discusses reuniting with longtime collaborators Andrew Frampton, Steve Kipner and Jimbo Barry, carrying Mark Sheehan's influence forward, and why a great lyric remains at the heart of The Script's music. The conversation explores the meaning behind "Man in the Arena," friendship and forgiveness in "The Crowd Was Singing Wonderwall," and the wordplay behind new songs "Grow Old with Grace" and "Scars Align." Elsewhere, Danny reflects on the difficult years before The Script found success, what achievement means to him today, and why songs such as "The Man Who Can't Be Moved" continue to connect with new generations nearly twenty years later. At its heart, this episode is about songwriting, resilience, forgiveness and the light and shade of being human. "The User's Guide to Being Human" will be released on 14 August 2026. Pre-order / pre-save the album: https://thescript.lnk.to/UGTBHPR The Script bring the Man in the Arena tour to The O2 Belfast on 2 November 2026. Watch the XS Noize Podcast on YouTube: https://www.youtube.com/@thexsnoizepodcast Visit XS Noize: https://www.xsnoize.com Follow XS Noize: Instagram: https://www.instagram.com/xsnoizemusic Facebook: https://www.facebook.com/xsnoizemusic X / Twitter: https://x.com/xsnoizemusic Hosted and produced by Mark Millar.

MyMusic with Graham Coath – Jonny CouchWhat does it take to step out from behind the drum kit and become the artist at the front of the stage?In this episode of MyMusic, Graham Coath is joined by Jonny Couch, the New Jersey singer-songwriter whose journey has taken him from pounding the drums in touring punk bands to becoming an acclaimed solo artist with a love of classic songwriting, unforgettable melodies and timeless rock 'n' roll.Their conversation travels from Jonny's early days touring the UK with legendary acts such as Theatre of Hate and sharing stages with bands including Buzzcocks, through to finding his own voice as a frontman after spending years in the background.Along the way they discuss:Why becoming a singer meant learning a completely different set of skills.The art of connecting with an audience through eye contact, storytelling and performance.Whether social media has changed the relationship between musicians and live audiences.Why Jonny still believes rock stars should look like rock stars.Songwriting, vocal development and the artists who have inspired him, from David Bowie and Bryan Ferry to Joe Jackson, Smokey Robinson and Cheap Trick.Why small clubs still create the strongest connection between artists and fans.The importance of tension, release and dynamics in great songwriting.Why podcasting can help people discover music in a far more meaningful way than a 10-second social media clip.There's plenty of humour too, from stories about touring Britain and navigating UK trains, to ideas for a future podcast called "On the Couch with Jonny Couch" and even a starring role for Jonny's Westie, Alfie.As always, MyMusic goes beyond the songs to explore the people behind them. If you enjoy conversations about creativity, performance, songwriting and what drives musicians to keep creating, this is an episode you won't want to miss.

Australian singer-songwriter, Calida Sari creates raw, emotionally resonant music shaped by lived experience with chronic illness, ADHD and autism. She is today's guest on our radio show, Brainwaves.https://calidasari.com/  

One of Hopeless Records' hot new signings, Harrison Gordon, joins the show to talk about comic books, shows that changed his life, songwriting, & more!EARGASM Use the code METALCORENERDS to save 10% off your order. Protect your hearing while still enjoying the music you love.Support Harrison Gordon!Twitter | Instagram | YouTube | Pre-Order "Bliss"Song of the Week: Cartel - "Deadbeat Drag"Check out the Metalcore Nerds Pull List Spotify PlaylistJoin the Metalcore Nerds Community:Discord | FB GroupFollow Metalcore Nerds on Social Media:Facebook | Instagram | Twitter | YouTube | TikTok

Alejandro Aranda—also known as Scarypoolparty—joins Caught on the Mike for a wide-ranging conversation about his musical journey, his creative process, and the release of his new EP, Baroque.After captivating audiences as the runner-up on American Idol in 2019, Alejandro has continued to chart his own artistic path, releasing acclaimed projects including Exit Form, Doom Hologram, The Act of Forgiveness, and now Baroque. Rather than following trends, he's built a reputation for blending classical, jazz, indie rock, electronic music, pop, and drum & bass into a sound that's entirely his own.In this episode, Alejandro discusses the inspiration behind Baroque, how the project reflects both his musical influences and personal evolution, and why he continues to challenge himself creatively with every release. We revisit his American Idol experience, explore his distinctive fingerstyle guitar technique, and talk about songwriting, artistic independence, and the freedom that comes from creating music without being confined by expectations or genre labels.Whether you've followed Alejandro since his American Idol days or recently discovered his work as Scarypoolparty, this conversation offers an insightful look at one of today's most inventive singer-songwriters and multi-instrumentalists, as well as the mindset that continues to shape his evolving career.www.caughtonthemike.comcaughtonthemike@gmail.com 

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!    SongTown Press Books: Mastering Melody Writing : Check It Out Next Level Lyric Writing: Check It Out Song Building: Mastering Lyric Writing : Check It Out The Songwriter's Guide To Mastering Co-Writing : Check It Out   Hosts:  Clay Mills : Facebook   :   Instagram Marty Dodson :   Facebook   :   Instagram   SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet!   For advertising opportunities, email kristine@songtown.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The Decisive Podcast – Special Edition In this powerful and deeply personal conversation, Roberto Ingram sits down with singer-songwriter, reggae artist, and creative voice Zoe Mazah for an honest, unfiltered interview. This episode goes far beyond the surface. Together, we explore the realities of being an independent artist, the emotional depth of songwriting, and the intention behind creating meaningful music. Zoe Mazah also shares insights from her journey as the host of “Insights of an Artist,” her recent projects, and why community is essential for growth, healing, and artistic evolution. If you are passionate about music, creativity, and authentic storytelling, this conversation will resonate with you. Topics covered: • Songwriting process and creative inspiration • The journey of an independent reggae artist • Building a personal brand through music and content • The role of vulnerability in art • Creative discipline and consistency • The importance of community in the music industry About Zoe Mazah: Zoe Mazah is a reggae and soul artist, songwriter, and content creator based in Berlin. Through her music, poetry, and video series “Insights of an Artist,” she explores creativity, identity, and emotional truth. Connect with Zoe Mazah: Instagram: https://www.instagram.com/zoemazahmusic YouTube: https://www.instagram.com/zoemazahmusic Substack: https://zoemazah.substack.com About Decisive Podcast: Hosted by Roberto Ingram, The Decisive Podcast Series features in-depth conversations with creatives, entrepreneurs, and thought leaders who are shaping their paths with intention. Subscribe for more conversations on creativity, purpose, and growth. Instagram: https://www.instagram.com/decisive_podcast_series Apple: https://podcasts.apple.com/sa/podcast/podcast-series/id364388579 Podomatic: https://www.podomatic.com/podcasts/decisive Facebook: https://www.facebook.com/groups/decisivepodcastseries #ZoeMazah #DecisivePodcast #ReggaeArtist #Songwriting #IndependentArtist #MusicInterview #CreativeProcess #ArtistJourney

Most poeple don't know this because we have yet to mention it, but your humble little Co-Write Podcast That Could turned ten years old in May.  We have been tossing around some ideas on how to celebrate this milestone birthday with all of you, and one of those ideas was to dig around in the vault for some of our favorite interviews and re-releasing them in a Best Of series.  Our first Best Of episode is our very first sit down with the great Walt Wilkins.  I really enjoyed listening back to this great conersation about Walt's childhood, his Nashville career and his move back to Texas.   We will still be releasing new content alongside this Best Of series, and we are playing a live birthday podcast celebration for Finn MacCool's Irish Pub here in Fort Worth on Sunday August 30th.  Enjoy the ride down memory lane, and as always ...  Download, Subscribe & Enjoy!   (3:52) Has Walt Ever Done a Podcast? (5:05) Walt's Introduction to Music as a Child  (25:48) Move to Nashville and Beginnings in Songwriting  (37:30) Move Home to Texas  (47:05) Rapid Fire  

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Country Music Hall of Famer, Nashville Songwriters Hall of Famer, 2-time Country Song of the Year GRAMMY winner, and 5-time BMI Country Songwriter of the Year Paul Overstreet gives us a peek behind the curtain of his legendary career. PART ONE: Scott does his best not to throw a certain individual under the bus with a very funny story involving Paul Overstreet. Plus, the guys pay tribute to the late Joe Melson, past Songcraft guest and primary Roy Orbison collaborator. PART TWO: Our in-depth conversation with Paul OverstreetABOUT PAUL OVERSTREET Paul Overstreet is one of the most successful songwriters in Nashville history and among the three inductees in the Country Music Hall of Fame's class of 2026. His catalog of classics includes “Same Ole Me,” recorded by George Jones, as well as the Randy Travis hits “Digging Up Bones,” “No Place Like Home,” “Deeper Than the Holler,” “On the Other Hand,” and “Forever and Ever, Amen.” The latter two were both named Song of the Year by NSAI, the CMA, and the ACM. Additionally, “Forever and Ever, Amen” earned a Grammy award for Best Country Song in 1988. Overstreet won another Best Country Song Grammy in 1992 for “Love Can Build a Bridge,” which was a major hit for The Judds.  Other highlights of the Paul Overstreet songbook include the number one hits “A Long Line of Love,” recorded by Michael Martin Murphy,” “When You Say Nothing at All,” which was a hit for both Keith Whitley and Alison Krauss, and “Some Beach” for Blake Shelton. In addition to his achievements with other performers, Overstreet became a successful recording artist in his own right. He reached the top of the charts in 1987 with “I Won't Take Less Than Your Love,” which he recorded with Tanya Tucker and Paul Davis, and had hits with the group S-K-O, a trio he formed with Thom Schuyler and Fred Knobloch. From 1988 through 1991 Paul scored eight consecutive top 10 singles as a solo artist, including “Seein' My Father in Me” and “Daddy's Come Around.”  Paul was named BMI's Country Songwriter of the year five years in a row from 1987 through 1991, a feat that hasn't been duplicated since. He was inducted into the Nashville Songwriters Hall of Fame in 2003.    Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of The Bandwich Tapes, I sit down with singer-songwriter Celeste Marie Wilson for a conversation about songwriting, identity, performance, and the long road toward becoming the artist she always wanted to be.With her debut album, Southern American Princess, on the way, Celeste shares how the project has become more than just a collection of songs. We talk about embracing Southern roots after once wanting to escape them, how poetry naturally evolved into songwriting, and why place, family, and storytelling have become central to her artistic voice.We also spend time discussing the craft behind the music. Celeste talks about developing her voice over more than a decade of dedicated work, the importance of vocal health, recording in the studio with an open mind, and why collaboration often leads to performances she never could have imagined on her own.Along the way, we dive into musical theater, songwriting influences like Dolly Parton, Kris Kristofferson, Janis Joplin, and Kristin Chenoweth, the experience of winning a Josie Music Award, and the thoughtful process of assembling an album that tells a complete story from beginning to end. It's an honest conversation about finding confidence in your own voice, both musically and personally. Key Takeaways Celeste discusses how Southern American Princess became an exploration of Southern identity, heritage, and personal growth.  She explains why she considers herself a writer first and a singer second, with songwriting rooted in poetry and storytelling.  Musical theater helped shape her approach to live performance, from stage presence to visual presentation and audience engagement.  She shares her disciplined philosophy on vocal health, including regular coaching, fitness, and the protection of her instrument.  Recording sessions are collaborative, and she intentionally leaves her ego behind so producers, engineers, and musicians can shape the songs together.  Celeste reflects on winning a Josie Music Award and how trusting her instincts ultimately led her to opportunities in Nashville.  The conversation explores why album sequencing still matters and how a carefully ordered record creates a meaningful listening experience. Music from the ShowMarie - Celeste Marie WilsonAbout the ShowThe Bandwich Tapes is a long-form interview podcast in which I sit down with musicians, songwriters, composers, producers, and artists to explore the creative process behind their music. Rather than focusing on biographies, these conversations dive into artistic philosophy, collaboration, craft, career development, and the stories that shape the people making today's music.Connect with the ShowEmail: contact@thebandwichtapes.com

On this episode of The Bandwich Tapes, I sit down with country singer and songwriter Makenzie Phipps for a conversation about small-town roots, faith, songwriting, performance, and the experience of stepping onto one of music's biggest television stages.Makenzie grew up in Bluefield, Virginia, near the West Virginia line, and began singing in church when she was four years old. We talk about the support she still receives from her hometown, the transition from a small community to Nashville, and how years of performing taught her that singing the notes is only one part of connecting with an audience.We also discuss the growth she has experienced as a songwriter. Makenzie explains how writing her own material changed the way she listens to lyrics and approaches storytelling, and why she wants listeners to believe and feel the story behind every song she sings.A major part of our conversation focuses on her experience on The Voice. Makenzie shares the pressure of waiting for her blind audition, learning that only one place remained, and stepping onto the stage after nearly convincing herself she would not get the opportunity. Snoop Dogg turned his chair at the final moment, making Makenzie the last singer chosen for a team that season.Makenzie also tells the story behind “Devil Ain't in Hell,” her duet with fellow The Voice contestant Aubrey Nicole. The two wrote the song late one night while working on the show in California, later recording it with producer Grady Saxman at Saxman Studios. What began as an unplanned hotel-room co-write became a lasting musical connection and a new chapter in Makenzie's career.Key TakeawaysGrowing up in Bluefield, Virginia, taught Makenzie to appreciate community, support, and the opportunities that come with pursuing music.Music from the EpisodeDevil Ain't in Hell - Makenzie PhippsAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, producers, and other creative artists about their careers, influences, collaborations, musical craft, and the experiences that shape their work.Connect with the ShowEmail: contact@thebandwichtapes.com

On this episode of The Bandwich Tapes, I sit down with brothers Jesse and Noah Bellamy to talk about their outstanding new album, The Sunshine Shop, and what it means to build music around family, trust, and years of playing together. We discuss why recording with the same band they tour with gives the album its live energy, and how they found a studio environment that captured their sound without overproducing it. Our conversation naturally turns to family harmony, and the unique connection siblings share when they sing together. Jesse and Noah reflect on growing up surrounded by music, the influence of classic country, rock, soul, and gospel, and how artists like The Louvin Brothers, The Everly Brothers, Charlie Rich, Jerry Lee Lewis, Marty Robbins, and Don Williams continue to shape their musical identity. We also talk about life in Nashville, navigating the music business as members of the Bellamy family, and how their goals have evolved over time. Rather than chasing record deals or industry expectations, they've reached a place where they can simply make the music they believe in and let the songs lead the way. Along the way, we discuss memorable collaborations on The Sunshine Shop, including appearances from Tess Frizzell and Riders in the Sky, their songwriting process as brothers, and why they're already looking ahead to the next record while continuing to let this one find its audience. Key Takeaways Jesse and Noah intentionally recorded The Sunshine Shop with their touring band to preserve the chemistry and feel they had already developed on stage.  Family harmony comes naturally, but years of performing together refine phrasing, blend, and musical instincts.  Their influences stretch well beyond traditional country, drawing from soul, gospel, classic rock, and artists like Charlie Rich, Jerry Lee Lewis, Elvis Presley, Marty Robbins, and Don Williams.  Nashville—and the music industry itself—has changed dramatically since they arrived, leading them to focus more on artistic independence than industry expectations.  Collaborations with Tess Frizzell and Riders in the Sky grew out of genuine relationships and mutual respect for country music traditions.  Rather than scheduling formal co-writing sessions, both brothers write independently and allow the strongest songs to emerge naturally.  They're already preparing material for their next album while continuing to refine older songs through live performance. Music from the Episode I Told a Lie — Jesse & Noah BellamyAbout the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, composers, producers, and artists to explore the stories behind the music. Rather than focusing solely on career highlights, these conversations delve into creativity, collaboration, musicianship, songwriting, recording, performance, and the experiences that shape an artist's musical life.Connect with the ShowEmail: contact@thebandwichtapes.com

On this episode of The Bandwich Tapes, I sit down with singer, songwriter, producer, author, and visual artist Kelly Lang for a conversation about creativity, confidence, country music, and the experiences that have shaped her life and work.Kelly and I begin by discussing the many forms her creativity takes, from songwriting and recording to painting, producing, and creating videos. She talks about learning to move between those disciplines, the freedom that comes from no longer being afraid to fail, and the challenge of navigating social media without letting a single negative voice outweigh the support of an entire audience.We also discover that Kelly and I share an unusual part of our musical histories: we both appeared on Star Search. Kelly reflects on competing as a young artist, navigating unexpected changes during the show, and why she is grateful that her experience took place before social media became part of every televised performance.Kelly also shares stories from growing up around Conway Twitty, whose road manager was her father. She remembers hearing Conway test new songs for family and friends, sitting beside the stage as audiences responded to him, and realizing at an early age that she wanted to create that same kind of connection. We discuss her song “Goodbye Darlin',” written in Conway's honor, and the songwriting lesson she learned from Harlan Howard: say as much as possible with as few words as necessary.Our conversation also explores Kelly's growth as a producer, the confidence she has developed in the studio, and the emotional perspective that comes from experience. Twenty-two years after a breast cancer diagnosis, Kelly says she is less interested in chasing fame and more interested in creating music that helps someone through a difficult day. She also introduces her album Jealous Green Eyes and the single “Never Met a Man I Didn't Love.”Key TakeawaysKelly sees songwriting, painting, producing, and video creation as connected parts of a larger creative life.Her experience on Star Search taught her to adapt quickly, perform under pressure, and trust herself at a young age.Growing up around Conway Twitty gave Kelly an early understanding of songwriting, performance, and the connection between an artist and an audience.Harlan Howard taught her to write directly and use as few words as possible while preserving the song's emotional meaning.Kelly has become more confident about expressing her musical ideas and making final production decisions on projects bearing her name.Life experience has deepened the way she writes and interprets songs, giving her greater empathy and emotional perspective.More than two decades after her breast cancer diagnosis, Kelly now measures success by whether her music moves, encourages, or helps another person.Music from the EpisodeThis Too Shall Pass - Kelly LangAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, producers, and other creative artists about their careers, influences, collaborations, musical craft, and the experiences that shape their work.Connect with the ShowEmail: contact@thebandwichtapes.com

On this episode of The Bandwich Tapes, I sit down with country singer and songwriter Trey Calloway for a conversation about authenticity, tradition, performance, and the responsibility that comes with carrying country music forward.Trey grew up singing in church, where he learned early how music can bring people together. We talk about the influence of his Pentecostal upbringing, watching his father preach, and how those experiences shaped his instincts as an entertainer and his ability to connect with an audience. We also discuss the lessons he learned playing honky-tonks and working his way through the Myrtle Beach music scene.Trey explains why he wants his music to remain unmistakably country while still sounding current. He reflects on the influence of artists including George Jones, Garth Brooks, George Strait, Loretta Lynn, and Merle Haggard, as well as the Southern rock music of Lynyrd Skynyrd, The Marshall Tucker Band, and Molly Hatchet.We also dig into Trey's approach to songwriting. His songs explore working people, family, heartbreak, faith, redemption, and the lives he observes around him. Trey talks about drawing inspiration from conversation, writing about his father's life as a construction worker, and trying to create songs that hold a mirror up to ordinary experience.Trey also shares the story behind his recording of “Slide,” a song previously recorded by Gary Allan and written by Ross Ellis, Alex Kline, and Michael Whitworth. He explains why the song felt personal enough to become his own, the importance of honoring great outside songs, and why country music still needs strong relationships between singers and professional songwriters.Key TakeawaysTrey believes country music can honor its history while still sounding fresh, modern, and personal.Growing up in a Pentecostal church taught him how to communicate with an audience and make music feel communal.His years in the Myrtle Beach music scene taught him how to lead a band, manage production, run a show, and treat music as a business.Moving to Nashville required Trey to start over, accept a smaller role, and rebuild his career in a more competitive environment.Trey approaches songwriting as a way to observe people and turn conversations, family experiences, and everyday struggles into songs.Many of his working-class songs are inspired by his father, who spent his life in construction and other forms of physical labor.Recording “Slide” reinforced Trey's belief that a singer does not have to write a song to deliver it honestly and make it feel personal.Music from the EpisodeSlide - Trey CallowayAbout the PodcastThe Bandwich Tapes is a music interview podcast hosted by Brad Williams. Each episode features thoughtful conversations with musicians, songwriters, producers, and other creative artists about their careers, influences, collaborations, musical craft, and the experiences that shape their work.Connect with the ShowEmail: contact@thebandwichtapes.com

The conversation delves into the review of the Iceman album, the emotional impact of music, the perception of Drake's music, the critique of Iceman, and the representation of culture in music. The conversation delves into the artistry of Drake and Jadakiss, Drake's songwriting and influence, his musical evolution, the perception of Drake as an artist, the role of Drake in hip-hop, the state of music, the controversy surrounding Drake, and the impact of Kendrick Lamar.TakeawaysEmotional impact of musicPerception of Drake's music Drake's influence and evolution as an artist are significant in the hip-hop industry.The conversation highlights the controversy and impact surrounding Drake and Kendrick Lamar.Chapters00:00 The Iceman Album Review03:46 The Emotional Impact of Music07:02 The Perception of Drake's Music13:44 The Critique of Iceman24:35 The Representation of Culture in Music28:05 The Artistry of Drake and Jadakiss29:09 Drake's Songwriting and Influence30:05 Drake's Musical Evolution31:15 The Perception of Drake as an Artist33:38 The Role of Drake in Hip-Hop36:42 Hip-Hop and the State of Music39:39 The Controversy Surrounding Drake46:36 The Impact of Kendrick Lamar

Grace Potter brings her upbeat energy and Rock vibes to Roadcase for this week's episode. I'm super psyched to have Grace on the show — she's a total free spirit, and with her upcoming new album, Trespasser, due out on August 21, she is finding herself at an intriguing crossroads along her lifelong path of creative expression. Constantly pushing the barriers and challenging norms, Grace proudly and unapologetically is her own self, unafraid to venture into new territory or inhabit new (and old) characters. It's refreshing and inspiring.A four-time Grammy nominee, Grace talks to me about her unconventional career path and the ways she now benefits from her own life experience to cast a broader view of her life's journey. We also explore the benefits of vulnerability, and Grace explains how recognizing the barriers we all face allows her to hold up a mirror, and find that perspective we need to exceed our own expectations in life.    This is truly an epic interview with a one-of-a-kind artist.=======================================Chapters:00:00  Episode Intro with Host Josh Rosenberg03:10 - Grace Potter: Embracing authenticity & breaking boundaries in music05:40 - The influence of Topanga's musical history and local legends07:55 - The story behind Grace's house and its legendary residents (Spirit, Dr. Demento)11:47 - Evolution of her sound from early days to the latest album Trespasser15:26 - Exploring storytelling, characters, and permission in songwriting19:53 - The importance of truth and vulnerability in artistic identity23:11 - Navigating gender, performance, and energy on stage27:33 - Balancing delicacy and power in her music and persona31:21 - The role of control, unpredictability, and the fluidity of performance36:19 - The pop versus rock dichotomy and maintaining authenticity40:30 - The story of her unreleased album Medicine and its creative journey46:18 - The impact of record label decisions and creative independence52:51 - Real-life stories of boundary crossings, societal expectations, and trust1:01:55 - The importance of understanding and trusting your own limits1:06:29 - The vibrant live music scene, festival energy, and connecting with audiences1:08:10 - Future projects: albums, microfilms, and the ongoing storytelling adventure1:09:24 - Episode Wrap-up with Host Josh Rosenberg=======================================For more information on Roadcase:https://linktr.ee/roadcasepod and https://www.roadcasepod.comOr contact Roadcase by email:  info@roadcasepod.comRoadcase theme music:  "Eugene (Instrumental)" by Waltzer

Ben Chapman joins Whiskey Riff Raff for an honest conversation about making music, raising a family, and the ever-changing landscape of country music.Ben talks about balancing life as an artist and a parent, why he'd encourage his son to learn a trade, and how Nashville has transformed over the years. He also shares how The Beatles first inspired him to pursue music, the impact Channing Wilson had on his career, and the story behind his latest album—including how he feels about the "funky tonk" label.The conversation eventually turns to country music itself. Ben explains why he thinks Waylon Jennings was the "bro country" artist of his generation, discusses why too many artists today don't know the genre's history, shares his thoughts on today's "phone-in" records, and wonders what the future of great music might look like.It's a conversation about authenticity, songwriting, and staying true to what makes country music great.whiskeyriff.comshop.whiskeyriff.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

On this episode of Americana Podcast: The 51st State, host Robert Earl Keen welcomes acclaimed singer-songwriter, actor, and Academy Award winner Ryan Bingham for a conversation recorded at the legendary Continental Club in Austin, Texas. Before Hollywood recognition and Yellowstone fame, Bingham's life was shaped by the realities of the American West—rodeo circuits, ranch work, and years spent writing songs rooted in lived experience rather than romanticized myth. That authenticity became the foundation of a career that began with his breakthrough album Mescalito and led to an Academy Award, Golden Globe, and Grammy for "The Weary Kind" from Crazy Heart. Bingham joins REK to discuss his long-awaited return with They Call Us the Lucky Ones, his first studio album in seven years. Created alongside longtime collaborators The Texas Gentlemen, the record emerged from relaxed jam sessions rather than meticulously planned studio work, resulting in an album that feels both spontaneous and deeply personal. Together, REK and Bingham explore songwriting, growing up in the American West, finding an authentic creative voice, and the experiences that continue to shape Bingham's music. It's a conversation about resilience, gratitude, and why the most enduring songs are often the ones that simply tell the truth. Episodes and Bonus content available on YOUTUBE!https://www.youtube.com/@robertearlkeenofficial Donate to the show!https://tiptopjar.com/americanapodcastInstagram@robertearlkeen1Have questions or suggestions? Emailcreatedirector@robertearlkeen.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On this episode of The Bandwich Tapes, I sit down with Los Angeles-based singer, songwriter, guitarist, and music director Evan Zee for a conversation that begins with musical connection and quickly opens into something deeper. I first found Evan while researching for another interview, tracing a path from Larry Goldings to Lila Forde and then to Evan. That kind of chain reaction is one of my favorite things about this show, and in this case it led to a conversation about listening, community, faith, family, and the way music can widen a person's heart.We begin by talking about Evan's musical relationship with singer Lila Forde and how their collaboration grew out of church work, friendship, and time spent simply playing together. Evan reflects on the importance of “big ears” as a musician, the kind of listening that goes beyond technique and becomes a way of serving the song, the people around you, and the moment itself. What follows is one of my favorite kinds of conversations: one that starts with music but naturally opens into larger questions about how to live.From there, Evan speaks with real honesty about marriage, fatherhood, and how family life changed his voice, his art, and his sense of purpose. He describes becoming a parent before he felt ready, and how that experience forced him to confront fear, insecurity, and the need for growth in a way that ultimately deepened his artistic expression. It is a thoughtful and moving part of the conversation, and one that gets at something I care deeply about on this podcast: how life itself shapes the music.We also spend time talking about Evan's long history playing in church, from starting as a teenager to later studying at USC, moving to Los Angeles, and navigating his own spiritual unraveling and reconstruction. Today, as music director at a Presbyterian church in Santa Monica, he has built a creative community around intention, trust, and “the hang.” He shares how that environment led to a new record featuring close collaborators including Lila Forde, Misha, Carl McComas-Reichl, Miguel Atwood-Ferguson, Tom Frazier, and Darla, and why he wanted the session to feel playful, immediate, and alive.We close by talking about a powerful live performance in the wake of the Eaton fire, which displaced Evan and his family from their Altadena home, as well as his deep love for Joni Mitchell and the spiritual force he hears in her writing. This episode is about much more than career milestones. It is about listening as a musical value, as a human value, and as a way of moving through the world with greater presence.Key TakeawaysEvan Zee talks about why “big ears” may be one of the most important qualities a musician can have, both on and off the bandstand.He shares how his collaboration with Lila Forde grew out of church work, friendship, and hours of unpaid playing simply for the sake of getting better together.Evan reflects candidly on how marriage and fatherhood reshaped his artistry, deepened his voice, and changed the way he experiences music.He discusses his journey through faith, deconstruction, and a more expansive understanding of music as a spiritual practice.As a music director in Santa Monica, Evan has created a scene built around trust, intention, generosity, and what musicians call “the hang.”He gives insight into a new record built with a close-knit cast of players including Lila Forde, Carl McComas-Reichl, Miguel Atwood-Ferguson, Tom Frazier, Misha, and Darla.We also talk about Joni Mitchell, Pat Metheny, live performance after loss, and the role music can play in grief, healing, and community.Music from the EpisodeWarm and Right - Evan Zee (Live in LA)Never Leave a Moment - Evan ZeeLong Lost Lover - Evan Zee (Live in LA)Love - Evan Zee (Live in LA)About the PodcastThe Bandwich Tapes is a podcast where I sit down with musicians, songwriters, producers, and creative people for thoughtful conversations about craft, career, collaboration, and the experiences that shape a life in music. It is a show about process, humanity, and the stories behind the work.Connect with the Showcontact@thebandwichtapes.com

On Episode 293, we sit down with one of the most authentic and compelling voices in the emerging Urban Country movement—Smoking Otis, also known as Tennessee Slick.With a sound that seamlessly blends country, soul, R&B, rock, and hip hop, Smoking Otis has spent a lifetime creating music rooted in real experiences, heartfelt storytelling, and unwavering authenticity. Raised just outside of Nashville, Tennessee, his musical journey has taken him from battle rap competitions and performing at the Grand Ole Opry to touring internationally and independently building a career on his own terms.In this exclusive interview, Smoking Otis opens up about the inspiration behind his latest single "Trail Ride," the deeply personal meaning behind his upcoming project Two Faced, and how years of perseverance, faith, and life experience have shaped the artist he is today.We also discuss:

Send us Fan MailThe Cravens return to the Riffs n Rhythms Podcast for an honest conversation about what it really takes to be an independent band in today's music industry.From recording a new album and choosing cover songs to navigating Spotify playlists, AI, streaming algorithms, and the return of CDs and vinyl, this episode explores how musicians are adapting while staying true to their craft.We also discuss:

All throughout the month of July we celebrate American Originals. Join us for a captivating encore episode with the legendary Steve Earle on this week's takin' a walk. Host Buzz Knight invites you to explore the rich tapestry of Earle's life, from his Texas roots to his rise in the vibrant Nashville music scene. With a career spanning decades, Earle has become a beacon of authenticity in songwriting, and this episode is a treasure trove of music history insights that you won't want to miss. As Steve Earle shares his music journey, he reflects on the profound influences that shaped his artistry, including the philosophical musings of Ram Dass. He emphasizes the importance of walking—not just as a physical activity, but as a vital form of reflection that fuels his creativity. With anecdotes that reveal the heart and soul behind his iconic albums like Guitar Town and Copperhead Road, Earle offers listeners a glimpse into the challenges and triumphs that define his career. In this engaging conversation, Steve Earle discusses his experiences raising a son with autism, shedding light on the personal stories that inform his music. The discussion delves into the significance of storytelling, a cornerstone of Earle's work, and the responsibility that comes with being a musician storyteller. Buzz and Steve explore how music saved memoments are woven into the fabric of American music, making for an inspiring listen that resonates with anyone who appreciates legendary musicians and their stories behind songs. Whether you're a fan of country music, rock music history, or simply love hearing musician interviews that dive deep into the creative process, this episode of takin' a walk is packed with insights and inspiration. Join Buzz Knight as he walks alongside one of music's most compelling figures, celebrating Earle's contributions to the landscape of American music and the music legacy he continues to build. Tune in for a journey that promises to enlighten and entertain, leaving you with a renewed appreciation for the power of music and resilience. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.

Today our hosts welcome back one of the finest minds in Objects: Jesse Honig of 29 Pedals and Believable Audio. They discuss his recent video on the differences between preamps, and our hosts experience a freewheeling wonderment of knowledge. Subjects include capturing the spirit in the room, leaning into the noises, letting an idea be fully explored on its own, a hot take involving acoustic treatment, and how the five percent difference only matters when it matters to you and your creative process. Watch "Side quest for mic pre skeptics": https://youtu.be/4pJk9laRR1c?si=ZUwceWD8P2smWCRs Buy some Old Blood: https://oldbloodnoise.com/ Join the conversation in Discord: https://discord.com/invite/PhpA5MbN5u Follow us all on the socials: @danfromdsf, @andyothling, @oldbloodnoise, @29pedals Subscribe to OBNE on Twitch: https://www.twitch.tv/oldbloodnoise Leave us a voicemail at 505-633-4647!

Join our free community: Story-First Songwriters on Skool. And get the entire song lyric breakdown of all the songs on his album "Tragicomic"!

Mick Jagger's New York Times response to John Mulaney's story that Jagger wasn't “nice,” with Jagger saying fame can disassociate you from “real life” and that he's not his stage persona. The episode recounts Dave Chappelle's appearance at Usher's Washington, DC show, where Chappelle grabbed “Usher bucks” and made it rain, plus a brief anecdote about being around Adam Sandler during Jamie Foxx's radio show. TMZ coverage of Amy Schumer's bikini post is noted, and Kathy Griffin's viral photo with a 22-year-old is revealed as a “social media sociological experiment,” sparking debate about age gaps. Pete Davidson is set to headline Just for Laughs Toronto (Sept. 24–Oct. 3) with a wider lineup. Late-night ratings are covered, with Jimmy Kimmel leading June viewership, and NBC eyeing summer gains for Fallon and Meyers. The script ends with a LEGO Ideas pitch for an IT Crowd set and a streaming note that the show is on Amazon Prime Video. 00:12 Mulaney on Mick Jagger01:11 Jagger Responds to Fame01:51 Songwriting and Diet Coke Bit03:21 Chappelle Crashes Usher Show03:56 Backstage Name Etiquette04:30 Adam Sandler Encounter05:18 Annoying Comedians Segment05:24 Amy Schumer Bikini Buzz06:02 Kathy Griffin Age Gap Joke08:31 Just for Laughs Toronto Lineup09:31 Late Night Ratings Shakeup12:32 IT Crowd Lego and Streaming Become a supporter of this podcast: https://www.spreaker.com/podcast/daily-comedy-news-with-johnny-mac-a-daily-briefing-on-comedians-and-the-comedy-industry--4522158/support.Daily Comedy News with Johnny Mac is a daily podcast covering comedians, stand-up comedy, late night television, and the comedy industry. New episodes every morning. Follow on Apple Podcasts, Spotify, or wherever you listen. Part of the Caloroga Shark Media network.Contact John at John@thesharkdeck dot com For Uninterrupted Listening, use the Apple Podcast App and click the banner that says Uninterrupted Listening.  $4.99/month John's Substack about media is free.This is the animal sanctuary mentioned in the February 10 episode.

Welcome to You Had to Be There, the podcast where we dive into the world of the music industry. I'm your host, Julia Gomberg.This week, I'm joined by my good friend and talented musician, Ian Abels, to talk about his new project, The Level, and its debut EP, Technocrats. Ian and I have been friends for nearly a decade, brought together by a shared love of live music and indie rock. It was really incredible to sit down and talk about the creative process behind Technocrats and everything that led to this moment. After nearly a decade of friendship and countless concerts together, getting to interview Ian about a project of his own on a music podcast that I host and produce was incredibly special.You can stream Technocrats wherever you listen to music, or using the below link, and be sure to follow The Level using the social links below. .Thanks so much for listening, and I'll catch you next time.The Level The Level IGYou Had to Be There

This week on the New Music Business podcast, Ari sits down with legendary A&R executive, publisher, and educator Pete Ganbarg.With more than three decades in the music industry, Pete has helped shape the careers of artists, songwriters, and hit records across multiple generations. In this conversation, he breaks down how A&R has evolved from the days of artist showcases and long-term development deals to today's algorithm-driven landscape. Pete explains why great A&R is still about connecting great artists with great songs, even as technology and discovery platforms continue to change.Follow Pete Ganbarg:https://substack.com/@peteganbargInstagram: https://www.instagram.com/peteganbarg/Check out Ari's Take:https://aristake.com04:21 – The True Role of A&R: What Has Changed and What Hasn't09:00 – Artist Development vs. Chasing Quick Hits13:20 – Why Live Performance Still Matters to Labels16:05 – TikTok Stars, Viral Songs, and Building Careers20:50 – The Difference Between a Song, an Artist, and a Career25:55 – How Pete Discovers and Develops Songwriters30:10 – Michael Pollack's Journey to Writing "Flowers."35:15 – Songwriting by Committee, Sampling, and Publishing Trends40:50 – AI, Songwriting, and the Future of Music Creation48:15 – What Excites Pete Most About the Future of Music54:07 – What It Means to "Make It" in the New Music BusinessEdited and mixed by Ruben ZarateMusic by Brassroots DistrictProduced by the team at Ari's TakeOrder the THIRD EDITION of How to Make It in the New Music Business: https://book.aristake.com Hosted on Acast. See acast.com/privacy for more information.

Lomes of Pigeon Pit, joins Pepe Bandit for an unguarded conversation that starts with songwriting as alchemy — puking out the fucked-up parts of the world and finding gold in the filth — and follows it into personal authority forged through hardship, acid trips, and a philosophy of spiritual anarchism built on empathy. They discuss the work of transmuting hope and gratitude into action, the magic of DIY shows and what gets lost and gained when a band outgrows the basements it started in. The conversation also turns toward the strange weight of being someone strangers cry in front of, and what it means to carry that without claiming credit for someone else's survival. Pepe shares why this one is personal for him — his own kid found Lomes's music during the years he was locked up, long before the two of them ever met. We close out playing the Pigeon Pit song "Thread The Needle."Support the podcast & get bonus episodes & goods• patreon.com/BackontheGrindConnect with Pigeon Pit:linktr.ee/pigeonpit (for show tickets and more)instagram.com/pigeon.pit/?hl=enpigeonpit.bandcamp.com/musicGet Coffee for the Bandit in you (roasted by Pepe)StayFreeCoffee.comBack On The Grind Records - For DIY, Folk Punk, Rap & Merch:backonthegrindrecords.bandcamp.com/musicFollow the podcast on Instagraminstagram.com/backonthegrindpod/?hl=engramReach out...Send us questions, comments or topic suggestions toPodcast@BackOnTheGrindRecords.comLeave a comment/question on Spotify or Instagram (we read them all)***Word of mouth really matters for us. Here's two simple things you can do to help keep this podcast going strong:Share your favorite episode with a friend or two who might enjoy it.Leave a rating / review. This helps me get access to the guest you want to hear from & allows the show to reach & support more folks like you :)Stay Free,Pepe Bandit Hosted on Acast. See acast.com/privacy for more information.

Have you ever held onto a lyric, melody, or song idea simply because you've lived with it for so long? In this episode, we're exploring a different stage of the songwriting process — not gathering inspiration, but choosing what belongs. I share the story of revisiting an old song and making one unexpected change that revealed a deeper, more honest version of the story it had been trying to tell all along. We'll talk about why artistic growth isn't just about creating more — it's about developing the discernment to recognize what truly serves the song. Sometimes the hardest part of songwriting isn't writing the next line. It's having the courage to let go of something good so something truer can emerge. Whether you're writing songs, making music, or simply learning to trust your creative instincts, this episode is an invitation to embrace the deeper work of choosing, revising, and telling the truth in your art. In this episode, we'll explore: the songwriting process beyond first drafts editing and revising song lyrics how to know what belongs in a song creative discernment and artistic choices telling the truth through songwriting letting go of lyrics that no longer serve the song trusting your creative instincts why honesty leads to stronger songs embracing revision as part of the creative process Next Steps: Join the Newsletter: reawakenyourvoice.com/insider Book a Coaching Session: reawakenyourvoice.com/coaching Visit the Website: reawakenyourvoice.com Email Me: hello@reawakenyourvoice.com

Write better songs faster! Clay & Marty's 10-day video series will help you level-up your songs and finish them faster. CLICK HERE to begin!    SongTown Press Books: Mastering Melody Writing : Check It Out Next Level Lyric Writing: Check It Out Song Building: Mastering Lyric Writing : Check It Out The Songwriter's Guide To Mastering Co-Writing : Check It Out   Hosts:  Clay Mills : Facebook   :   Instagram Marty Dodson :   Facebook   :   Instagram   SongTown on Songwriting Podcast, Powered by Sweetwater.com - The best place for musical gear on the planet!   For advertising opportunities, email kristine@songtown.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This is an excerpt from Songwriting Pro's "J.A.M. Session." (J.A.M. stands for "Just Ask Me," and it's our monthly members-only online Q&A Session.) If you'd like to watch the full J.A.M. Session, just log in to the Songwriting Pro Member Area. If you're not yet a Songwriting Pro member, NOW is a great time to start your 14-day FREE trial at SongwritingPro.com! The C.L.I.M.B. Show is dedicated to helping singers, songwriters, indie artists and industry pros "Create Leverage In The Music Business." We want you to win! About the hosts: Brent Baxter is an award-winning hit songwriter with cuts by Alan Jackson (“Monday Morning Church”), Randy Travis, Lady A, Joe Nichols, Ray Stevens, Gord Bamford and more. He helps songwriters turn pro by helping them WRITE like a pro, DO BUSINESS like a pro and CONNECT to the pros. You can find Brent at SongwritingPro.com/Baxter and SongwritingPro.com. Johnny Dwinell owns Daredevil Production and helps artists increase their streams, blow up their video views, sell more live show tickets, and get discovered by new fans, TV and music industry pros. Daredevil has worked with artists including Collin Raye, Tracy Lawrence, Ty Herndon, Ronnie McDowell and others. You can find Johnny at TheCLIMBshow.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The legendary Swamp Dogg returns to Songcraft after more than a decade to talk about, well, whatever he wants. And we're here for it! PART ONE Paul and Scott contemplate their second visit with Swamp DoggPART TWO Our in-depth interview with the original D-O-double G! ABOUT SWAMP DOGG R&B cult favorite Jerry “Swamp Dogg” Williams is best known as the co-writer, with Gary U.S. Bonds, of the cross-genre classic, “She's All I Got,” which became a Top 10 R&B single for Freddie North and a #2 country hit for Johnny Paycheck in 1971. Williams' career began in 1954 when, at the age of 12, he made his first record, “HTD Blues.” He found success in the 1960s, recording the Top 40 R&B hit “Baby You're My Everything” under the name Little Jerry Williams, and writing songs for other artists, including Gene Pitney's Top 20 Pop single, “She's a Heartbreaker.” He became Atlantic Records' first African American staff producer in 1968 but left the following year to pursue independent projects in Muscle Shoals, Alabama and Macon, Georgia. By the 1970s Swamp was an in-demand producer and songwriter, penning Top 40 R&B hits for Doris Duke, Arthur Conley, and Dee Dee Warwick.  Around the same time, he reinvented himself as Swamp Dogg, releasing a series of eccentric soul albums with lyrics marked by frank sexuality, biting satire, radical politics, and provocative social observations. His debut LP, Total Destruction to Your Mind, was eventually certified Gold, while subsequent releases, including Gag a Maggott, I'm Not Selling Out – I'm Buying In, An Awful Christmas and a Lousy New Year, and The White Man Made Me Do It garnered considerable accolades among underground music lovers and earned Swamp what one journalist described as “a cultural niche somewhere between Rudy Ray Moore and Frank Zappa.” In recent years, his vast catalog has been sampled by Kid Rock, Talib Kweli, DMX, and others. Having just turned 84, Swamp shows no signs of slowing down. Since we last spoke with him in 2015, he has released five albums, including a bluegrass-inspired project called Blackgrass and his most recent release, Swamp Dogg Contemplates the Afterlife.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Get ready to be inspired as we dive deep into the world of music with one of its most iconic figures, Judy Collins. In this episode of takin' a walk, host Buzz Knight sits down with the legendary musician to explore her extraordinary journey through over six decades of captivating artistry. At 87 years young, Collins is currently on her 'Sweet Judy Blue Eyes Farewell Tour,' which she passionately describes as a celebration of her life’s work rather than a final goodbye. This heartfelt conversation is filled with music history insights and stories behind songs that have shaped not only her career but also the landscape of American music. Judy Collins shares her love for live performances and the joy she finds in connecting with audiences, reminding us that music is a universal language that transcends time and age. She reflects on her early musical influences, including the soothing sounds of her father's singing, and recounts her first encounters with legendary songwriters like Joni Mitchell and Leonard Cohen. These legendary musicians have not only inspired her but also paved the way for countless indie artists who followed in their footsteps. The episode also delves into her songwriting journey, highlighting the profound impact of her late husband on her music and creativity. Collins discusses her recent album, 'Spellbound', which features entirely self-penned songs that echo her personal experiences and artistic reinvention. This album is a testament to her resilience and passion for music storytelling, showcasing her ability to evolve while staying true to her roots. Throughout the conversation, Judy Collins emphasizes the importance of friendship and social connections in leading a fulfilling life, reminding us that our relationships are as vital as our artistic endeavors. As she looks forward to future projects, including a new album, the episode serves as a beautiful tribute to her enduring legacy and unwavering love for music. Join Buzz Knight on this inspiring journey through music history as he uncovers the creative journeys of one of the most beloved music icons. Whether you’re a fan of classic rock history, jazz music, or simply love musician storytelling, this episode promises to resonate with anyone who appreciates the power of song. Tune in to takin' a walkfor an unforgettable experience filled with inspiring music stories and the magic of legendary songwriters. Support the show: https://takinawalk.com/See omnystudio.com/listener for privacy information.