Podcasts about screamin' jay hawkins

National Sour candy day.  Entertainment from 2005.  Great fire of Rome, Wrong Way Corrigan ends up in Ireland, Ted Kennedy crashes at chappaquiddick & kills Mary Jo Kopechne.  Todays birthdays - Unsinkable Molly Brown, Hume Cronyn, John Glenn, Screamin Jay Hawkins, Dion, James Brolin, Martha Reeves, Ricky Skaggs, Vin Diesel, Kristin Bell.  Jane Austen died.Intro - Pour some sugar on me - Def Leppard    https://defleppard.com/tour/Sour candy - Lady Gaga  and BlackpinkWe belong together - Mariah CareyAs good as I once was - Toby KeithMy happiness - Elvis PresleyIt's raining tacos - Perry GrippI put a spell on you - Screamin Jay HawkinsWanderer - DionDancing in the streets - Martha & the VandellasCountry boy - Ricky SkaggsFollow Jeff Stampka on Facebook and cooolmedia.com

Label: Epic/Coll. 2209Year: 1956Condition: MPrice: $10.00Originally released on Okeh 7072. If you've never heard the flip side of this great record, you're in for a treat! This reissue is now out of print... Last Mint copies. Note: Some of these copies have a touch of ringwear from storage, which is why the Label grade for this Mint record is Near Mint.

Quinn takes a look at the history and evolution of heavy metal vocals featuring: Louis Armstrong, Screamin Jay Hawkins, the Beatles, the Who, Mike Oldfield, Elton John, and Shrinebuilder.

Rock Around The Blogin Sami Ruokangas pääsi mukaan ainutlaatuiseen Jeff Beck -muistokonserttiin Lontoon Royal Albert Hallissa. Sami raportoi tunnelmat harvinaisesta tribuuttikonsertista. Jakson soittolista: https://open.spotify.com/playlist/0zWZQJeOqWOtwUPYIv5vCg?si=77d61c33e97a4ba0 Menossa ovat mukana Eric Clapton, Rod Stewart, Ronnie Wood, Royal Albert Hall, Rolling Stones, Faces, Billy Gibbons, ZZ Top, Sweden Rock, Kulttuuritalo, John McLaughlin, Imelda May, Joss Stone, Gary Clark Jr., Derek Trucks, Susan Tedeschi, Chris Stainton, Cream, John Mayall & the Bluesbreakers, Gibson, Marshall, Gary Moore, Joe Bonamassa, The Yardbirds, Steve Winwood, Led Zeppelin, Jimi Hendrix, Jimmy Page, Howlin´ Wolf, Megadeth, Gene Simmons, KISS, Les Paul, Aerosmith, Johnny Depp, David Gilmour, Buddy Guy, Jimmie Vaughan, Robert Randolph, Kirk Hammett, Metallica, Joe Perry, Hollywood Vampires, Peter Green, Greeny, Doyle Bramhall, Olivia Safe, Peer Günt. Timo Nikki, ”Twist Twist” Erkinharju, ”Tsöötz” Kettula, ”Sakke” Koivula, Motörhead, Hanoi Rocks, Tudors, Henry VIII, Screamin´ Jay Hawkins, Curtis Mayfield, Don Nix, Nathan East, Sonny Emory, Rhonda Smith, Anika Nilles ja Robert Stevenson.

National sour candy day. Entertainment from 1983. Great fire of Rome 64AD, Wrongway Corrigan lands in Ireland, Chappaquiddick cover-up. Todays birthdays - Unsinkable Molly Brown, Hume Cronyn, Red Skelton, John Glen, Screamin Jay Hawkins, Dion, James Brolin, Martha Reeves, Ricky Skaggs, Vin Diesel, Kristin Bell, Priyanka Chopra. Jane Austen died.Intro - Pour some sugar on me - Def Leppard http://defleppard.com/Sour Candy - Lady Gaga BlackpinkEvery breath you take - PolicePoncho and Lefty - Willie Nelson & Merle HaggardRaining taco's - Perry GrippI put a spell on you - Screamin Jay HawkinsWanderer - DionDancing in the street - Martha & the VandellasCountry Boy - Ricky SkaggsExit - It's not love - Dokken http://dokken.net/

In this fascinating episode of Ultraculture, host Jason Louv sits down with Steve Bergsman, the author of "I Put a Spell On You: The Bizarre Life of Screamin' Jay Hawkins." This book brings together hundreds of interviews with the larger-than-life musician Screamin' Jay Hawkins, his family, and bandmates to weave a new tale of the life of this seminal rock and roll pioneer. In our conversation, Steve dives into the life of Screamin' Jay, a man who was as enigmatic as he was influential. Known for his haunting performances where he emerged from a coffin singing “I Put A Spell On You,” Screamin' Jay has long captivated audiences and left an indelible mark on the landscape of music and black identity. Join us as Steve shares insights into Screamin' Jay's self-created myth and the nearly unbelievable truth of his life, drawing from his extensive research and interviews. This episode is a must-listen for any fan of rock and roll history, music lovers, or anyone interested in the complex interplay between identity and performance. And after listening, consider diving deeper into the mystical with our new Magick of Tarot course...! Guided by world-renowned occult author Lon Milo DuQuette, this comprehensive course offers over 4 1/2 hours of insightful video content, guided meditations, and thought-provoking exercises to help you unlock the mysteries of the universe and transform your life. Whether you're a beginner or a seasoned practitioner, this course promises to enrich your practice, ignite your spiritual evolution, and guide you toward your ultimate destiny. Experience highlights like a guided meditation journey through all 22 major trumps and even create your own Tarot deck, a tangible reflection of your journey. The Magick of Tarot respects your time with its self-paced and fully recorded design, offering lifetime access across all your devices. Regardless of your experience level or gear, this course promises to be transformative for everyonee. Invest in yourself today by enrolling in "The Magick of Tarot." Your future self is already thanking youu.. Change your reality one conversation, and one course, at a time...!

Today we spoke about listener Garrett's suggestion - pioneer shock-rocker Screamin' Jay Hawkins and his litter of offspring. We can't think of anything more terrifying to cover this October!Support the show

The gang grapples with the "shock rock" umbrella that Sam Dunn uses to discuss a wide-range of acts that combined intense rock with the shock aesthetic of the Grand Guignol.  Slipknot emerges as a surprise favorite of the Puncholes.Download this episode.Have a question or a suggestion for a topic or person for Nate to interview? Email letitrollpodcast@gmail.comFollow us on Twitter.Follow us on Facebook.Let It Roll is proud to be part of Pantheon Podcasts.

Bitte einsteigen, wir machen mal wieder eine Zeitreise und halten an - Oh Wunder - in den 60ern. Raoul wird uns vermeintlich beweisen, warum die 60er (wahrscheinlich) das beste Musikjahrzehnt der Rockmusik überhaupt sind. Und Stéphan wird sich seinen (ganz speziellen) Teil dazu denken… Zu hören gibt es auch was - von Screamin´ Jay Hawkins, Beatles, Velvet Underground, Led Zeppelin und den Silver Apples… Die passende Liste auf Spotify dazu https://open.spotify.com/playlist/0bNtd6PBQ39qrzNWyjS7R3?si=63186597aa614882 Wer nicht genug von uns bekommen kann... Unsere E-Mail-Adresse lautet: wmruv2021@gmail.com Mehr und auch andere (!) Inhalte gibt es von uns auf Social Media: YouTube Instagram Facebook Du möchtest deinen Podcast auch kostenlos hosten und damit Geld verdienen? Dann schaue auf www.kostenlos-hosten.de und informiere dich. Dort erhältst du alle Informationen zu unseren kostenlosen Podcast-Hosting-Angeboten. kostenlos-hosten.de ist ein Produkt der Podcastbude. Gern unterstützen wir dich bei deiner Podcast-Produktion.

Rock Around The Blog perehtyy rockin alkuperäiseen syntiseen soolosoittimeen, saksofoniin. Fonin historiasta ja merkityksestä keskustelevat esimerkkien kautta Sami Ruokangas ja Pauli Kauppila. Jakson soittolista: https://open.spotify.com/playlist/7BWy6mVuUy2kTC7RmJOwJ4?si=59fbe075c83b4a01 Muista myös RATB:n FB: facebook.com/RockAroundTheBlogFinland/ Tämän jakson menossa ovat mukana Chuck Berry, Jimi Hendrix, Little Richard, Big Joe Turner, Lynyrd Skynyrd, Rolling Stones, Blues Live!, Adolphe Sax, Illinois Jacquet, Bill Haley And His Comets, Rudy Pompilli, Lee Allen, Phil Alvin, Dave Alvin, The Blasters, Jim Campilongo, Fabulous Thunderbirds, Gene Taylor, GA-20, Hound Dog Taylor, The HouseRockers, Alligator Records, Bruce Iglauer, Professor Longhair, Alvin ”Red” Tyler, Dr. John, Earl Palmer, Robert Parker, Charles Burbank, Charles Burbeck, Bobby Keys, Eric Clapton, Earl Bostic, Charlie Christian, Mickey Spillane, John Zorn, Bill Frisell, Ennio Morricone, Pink Floyd, Neville Brothers, Daniel Lanois, Brian Eno, Art Neville, Charles Neville, Aaron Neville, Cyril Neville, Bob Dylan, Tony Hall, Keith Richards, Grateful Dead, Jerry Garcia, Carlos Santana, The Meters, Booker T. & the M.G.'s, Royal Southern Brotherhood, Matt Schofield, David Bowie, Donny McCaslin, Maria Schneider, Tony Visconti, Ziggy Stardust, Alice Cooper, Arthur Brown, The Crazy World Of Arthur Brown, Screamin´ Jay Hawkins, King Diamond, John Fogerty, Sam ”The Man” Taylor, Charlie Haden Quartet West, Liberation Music Orchestra, Humphrey Bogart, Philip Marlowe, Raymond Chandler, Chet Baker, Ernie Watts, Sonny Rollins, Wayne Shorter, James Brown, Maceo Parker, Pee Wee Ellis, Fred Wesley, Marvin Gaye, Los Lobos, Steve Berlin, Thin Lizzy, Bruce Springsteen, Van Morrison, Supertramp, UFO, Michael Schenker, Paul Chapman, Paul Raymond, Neil Carter, Gary Moore, Bobby Womack, The Dirty Dozens Brass Band, Sakari Kukko, Piirpauke, Van Der Graaf Generator, Tom Waits, Clarence Clemons, Deep Purple ja Billy Joel.

Brian goes looking for the originator of shock rock and ends up on a wild ride of half-truths and full paternity. Guest co-host: Phil Medley This episode is brought to you by Modern Empire Records celebrating the release of DUE SOUTH, the new album from Foxbat, available everywhere on April 22, 2022. https://www.modernempiremusic.com/ https://linktr.ee/Foxbat SHOW NOTES The book “I Put a Spell On You” - https://www.amazon.com/Put-Spell-You-Bizarre-Screamin/dp/1627310754/ref=sr_1_1?crid=25PO46QAHWTFB&keywords=screamin+jay+hawkins+book&qid=1650076864&sprefix=screamin+jay+hawkins+book%2Caps%2C89&sr=8-1 I Put a Spell on Me – the documentary -  https://www.youtube.com/watch?v=mMK6txCcPck Background on the doc: https://dangerousminds.net/comments/i_put_a_spell_on_me_terrific_documentary_on_screamin_jay_hawkins https://abcnews.go.com/Entertainment/WolfFiles/story?id=94216&page=1&singlePage=true https://www.salon.com/2000/09/07/screamin/ https://www.bluesblastmagazine.com/screamin-jay-hawkins-are-you-one-of-jays-kids-album-review/#:~:text=It%20was%20most%20assuredly%20a,record%20label%20proudly%20called%20Bizarre https://en.wikipedia.org/wiki/I_Put_a_Spell_on_You https://en.wikipedia.org/wiki/Screamin%27_Jay_Hawkins Armpit #6 - https://www.youtube.com/watch?v=gqDOjAAxrxY https://www.chicagotribune.com/news/ct-xpm-2001-02-16-0102160008-story.html Hanif Abdurraqib NPR piece: https://www.klcc.org/npr-music/2020-04-25/because-youre-mine-searching-for-the-children-of-screamin-jay-hawkins

Favorite Male voices and Front Men, Paul, Freddie, Mick, Steven Tyler, Screamin Jay Hawkins? People watching at a Dead Show, Derrick wants to know... --- Send in a voice message: https://anchor.fm/eric-lively/message

The mythology around Screamin Jay Hawkins is endless. It's hard to know what is real, and what is really, really real. Especially considering that SJH is now permanently occupying that coffin he used so frequently on the stage. That's why it is so refreshing to hear stories from those who crossed his path. Philippe Marcade is a musician and author best known for his band, The Senders: A fixture on the NY Punk scene in the late 70s. This is his fantastic story about crossing paths with the legendary Screamin Jay Hawkins. VIDEO VERSION - https://youtu.be/qnQv78vD5fw JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!! https://www.patreon.com/Frumess

Screamin Jay Hawkins - "I put a spell on you" Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s show features music performed by Muddy Waters, Screamin’ Jay Hawkins, and Louis Prima & Keely Smith

Following eight years in the life and career of an independent podcast, supported by dozens of interviews, posing one question: how have we not killed each other yet? On Episode 456 of Trick or Treat Radio we are joined by our good buddy Professor Jay to discuss the documentary Clapboard Jungle: Surviving the Independent Film Business from director Justin McConnell. We delve deep into the world of independent film, festivals, film markets and what it takes to make a compelling documentary. Of course there is the typical madness you’d come to expect from us, fear not! So grab your clapboard, get busy in a Burger King bathroom, shout action, and strap on for the world's most dangerous podcast!Stuff we talk about: Booster and Beetle return!, Professor Jay’s triumphant return, vaccinations, phantom pain, Charlotte Film Society, Independent Picture House, Back Alley Film Series, film festivals in a post-COVID world, Cannes, Sundance, SXSW, Lucky, Benny Hill, Police Academy and Porn, watching a lot of films, Ghosts and Goblins, Kid Icarus, Sega Genesis, Jarret Blinkhorn, filming in the middle of winter, inner-anxiety, Diana Porter, Darling Pet Monkey, Nick Esasky, Braun Stroman, Ian Holm, Blood Pigs, Septic, Brian Paulin, Denny’s Sampler, COVID Cantina, free Chinese food, Digital Underground, MZ’s Coffin Corner, RIP Shock G, Sex Packets, prostate exams, Human Centipede, anal bleach, Moving Violations, NASCAR in your underpants, Larry Fessenden, Justin McConnell, Clapboard Jungle, Lifechanger, Arrow, Colin Geddes, Robert Rodriguez, Kevin Smith, El Mariachi, Steven Kostanski, Quentin Tarantino, Image Comics, Adam Wingard, Jon Watts, James Gunn, Sam Raimi, Peter Jackson, Darkman, Guillermo del Toro, Graham Skipper, Travis Stevens, Folk Horror, You Cannot Kill David Arquette, being the director and subject of your own documentary, Hearts of Darkness, Frontieres Film Market, Battleship, Edgar Wright, PCU, Jon Favreau, Michael Moore, American Movie, Morgan Spurlock, Free Solo, Fisher Stevens, Shadow Stevens, Willy’s Wonderland, Jakob’s Wife, Nicolas Cage, Five Nights at Freddy’s, eff the Banana Splits, Shudder, Alex de la Iglesia, Screamin’ Jay Hawkins, Wild at Heart, Perdita Durango, and relaxing for your art.Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: https://discord.gg/ETE79ZkSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show (https://www.patreon.com/trickortreatradio)

DJ Professor nos deleita nuevamente con una excelente versión de I put a spell on you de Screamin Jay Hawkins por Annie Lenox. y la pregunta es ¿saben en qué película aparece esta canción?

Today’s show features music performed by Big Walter Horton and Screamin’ Jay Hawkins

Broomy takes hold of this episode with the story of Screamin' Jay Hawkins! Known for his song "I Put A Spell On You", not as known for his boxing career, being a prisoner of war, complex controversies, incredible performances, or his vast influence on music. We recorded such a powerful episode we had to split it into 2 with Mystic's topic coming at you in the next one!!!

🔴 Comenzamos #Fitz43, tomándonos un licor 43 con Cacaolat , el mítico licor dulce elaborado con 43 variedades de hierbas. El 43 un número es un número muy británico, en el año 43 se fundó Londres, 43 catedrales tiene la iglesia de Inglaterra, 43 versos el poema” Beowulf “ y 43 son el número de obras que escribió William Shakespeare —38 obras de teatro y 5 poemas narrativos—, Nosotros también comentamos la entrevistas de los duques Sussex y nuestros políticos embelesados en tácticas y estrategias, y la cultura del espectáculo. Por otra parte Flynn defendió sus atributos con sus garras, compresible actitud, al final los peor parados casi fuimos nosotros. Empezamos nuestra selección musical con una banda de psicodelia noruega Orions Belte el Cinturón de Orión y “Lotus” un tema instrumental, un viaje sideral y lisérgico, que sirve de adelanto del segundo disco de la banda, “Villa Amorini”, que toma el nombre de un club que comenzó como un lugar elegante para cenar en los ochenta y evolucionó a un club extravagante con cientos de artistas y DJs en camisas coloridas y lentes demasiado grandes. A Julien Baker , Lucy Dacus y Phoebe Bridgers como boygenius , los Crosby, Stills & Nash del siglo XXI como se ha bautizado ya desde algunos medios. De las tres faltaba por sonar en el programa Lucy Dacus que ha vuelto a demostrar una vez más su enorme talento compositivo con el estreno de ‘Thumbs‘, su imponente y descarnado nuevo single, que, narra el reencuentro (real) entre un amigo de Lucy y su padre genético, tras llevar más de un lustro sin verse las caras. Nos vamos a Italia 🇮🇹con Andrea Laszlo De Simone, un músico peculiar con un aspecto cercano a Frank Zappa muy poco prolífico con sólo un par de discos en su haber. Compartimos uno de sus temas más memorables “Immensità” , pura selección gourmet, estamos ante un músico inclasificable ,que de alguna manera evoca a esa música italiana de los 70 que tanto nos gusta. Había tocado en las calles, tras volar helicópteros en el Ejército de los EEUU y de pasar media vida como carpintero. Cuando Robert Finley comenzó a quedarse ciego surgió la idea de recuperar su sueño de toda la vida, ser músico. Se presentó al "America's Got Talent" donde sorprendió a los jurados y audiencia. El veterano músico, lanza ahora su tercer álbum de estudio. “Sharecropper's Son” la continuación de 'Goin' Platinum!' de 2017. El nuevo LP vuelve a emparejar a Finley con el aclamado productor Dan Auerbach. Según informó Rolling Stone Magazin, el anuncio del lanzamiento llegó con la canción: "Souled Out on You", una balada acompañada al piano, lenta, que evoca la característica canción "I put a spell on you" de Screamin Jay Hawkins de 1956. Nos vamos a Glasgow, con una debutante Lizzie Reid que acaba sacar su primer EP con siete canciones bajo el titulo “Cubicle”, folk de toda la vida, una gran voz y una guitarra , compartimos la canción “Company car” La vida de Elza Soares parece el delirio de algún guionista de culebrones: abusos, violencia marital, accidentes, tragedias, exilios. Cuenta la leyenda que, en 1953, flaca y llevando un vestido de su madre ajustado con imperdibles, se presentó a un concurso de aficionados que presentaba Ary Barroso en Radio Tupi. El compositor de “Aquarela do Brasil” solía tomar el pelo a los participantes y preguntó mordaz a Elza de qué planeta venía. Su respuesta: “del mismo lugar que usted, maestro. Del Planeta Hambre”. Y ganó. Elza, a instancias de su padre, se casó a los doce años con un hombre que meses antes había intentado abusar sexualmente de ella. Pronto da a luz a su primer hijo. A los quince, volvería a estar embarazada, pero este chico moriría de hambre a una edad temprana. Ahora con 90 años lanza “Nos” en el día de la mujer porque como dice en una de sus ultimas canciones “Quiero cantar hasta el final”. ▶▶46:37, Comentamos “Nuevo orden” la polémica película de Michel Franco, El mexicano habitual de los festivales de cine, nos cuenta qué podría pasar si los más desgraciados y furiosos entre los desfavorecidos de su país se organizaran en revuelta armada contra las "cada más insensibles clases privilegiadas". La película genera perplejidad por las intenciones del director, que nunca quedan claras, y por la imprecisa lectura ideológica de lo que muestra. “No quería dar mensajes ni educar, porque el cine no sirve para eso. Mis convicciones políticas no son importantes. La ambigüedad de la película es deliberada según Franco, quiso que todo fuera tan indefinido como la pintura abstracta con la que empieza su filme, obra del artista mexicano Omar Rodriguez-Graham. Su título es más ilustrativo: Solo los muertos han visto el final de la guerra.

durée : 00:07:54 - Dans la playlist de France Inter - par : Jean-Baptiste AUDIBERT, Thierry Dupin, Muriel Perez, Julien Deflisque - Le label Third Man ressort en vinyle deux albums cultes, du singulier Screamin’ Jay Hawkins, on plonge donc dans le "What That Is !" (1969) et "Because Is In Your Mind" (1970).

February 1, 2021 Stroll Down Penny Lane Episode 4 Michelle – where voodoo meets the devil! In this chapter in our podcast series we explore the creation story for this song, Michelle. We also uncover how Paul McCartney’s bass playing was transformed by his experience in the recording of Michelle. Finally, in this episode we will explore an unusual subject – the voodoo and the devil in this song, Michelle. So settle in for a story that will knock your socks off! Songs Michelle, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott) Twenty Flight Rock, Eddie Cochran, performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane Getting Closer, Paul McCartney; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane La Mer, Charles Trenet, Albert Lasry; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane La belle Vie; Sacha Distel, with French lyrics by Jean Broussolle; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane That’s Amore; Harry Warren and Jack Brooks; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane Money Honey, Jesse Stone; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane Jailhouse Rock, Jerry Lieber and Mike Stoller; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane La Vie En Rose, Édith Piaf (lyrics), Louiguy and Marguerite Monnot;; performed by Stroll Down Penny Lane (Joe Anastasi and Mike Sugar) Purple Haze, Jimmy Hendrix; performed by Mike Sugar, of Stroll Down Penny Lane Till There Was You, Meredith Wilson; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott) I Put a Spell on You; Screamin’ Jay Hawkins; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane Another Day, Paul McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott) Patience, Guns N’ Roses; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane Moment of Truth, Bill Conti, Dennis Lambert & Peter Beckett; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane Thus Spoke Zarathustra, Richard Wagner Tristan und Isolde, Richard Wagner; Conductor: Wilhelm Furtwangler; Philharmonia Orchestra The End, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain) Sources: Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006. Beatlesongs; William J. Dowling; Simon & Shuster, New York, 1989. Here, There and Everywhere, Geoff Emerick and Howard Massey; Gotham Books; New York; 2006 Paul McCartney, Many Years from Now; Barry Miles; Secker &Warburg; 1997 McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006 Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016 Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003 The Beatles; Hunter Davis; McGraw-Hill; 1968 The Complete Beatles Recording Sessions; Mark Lewisohn; Hamlyn (a division of the Octopus Publishing Group); 1988 All You Need Is Ears, George Martin, with Jeremy Hornsby; St. Martin's Griffin; 1979 This is Your Brain on Music, The Science of a Human Obsession; Daniel J. Levitin; Plume; 2007 Paul McCartney After the Beatles; Understanding Michelle; Adrian Allan; 2020 Michelle History; Beatlesbooks.com Last Train to Memphis: The Rise of Elvis Presley, Peter Guralnick, Little Brown, 1994 Careless Love, the unmaking of Elvis Presley, Peter Guralnick, Little Brown, 1999 Music Historian Peter Guralnick — Serious Jibber-Jabber with Conan O'Brien; https://www.youtube.com/watch?v=VZY7L0p2Gj0 Screamin’ Jay Hawkins; Songfacts I Put a Spell on You, Wikipedia. Dominant seventh sharp ninth chord, Wikipedia. What is the ‘Hendrix Chord’? Fender; articles, tech-talk; Purple Reign: the ‘Hendrix Chord’ McCartney: Yesterday … and Today, Ray Coleman; Boxtree Ltd; 1998.

February 1, 2021 Stroll Down Penny Lane Episode 4 Michelle – where voodoo meets the devil! In this chapter in our podcast series we explore the creation story for this song, Michelle. We also uncover how Paul McCartney’s bass playing was transformed by his experience in the recording of Michelle. Finally, in this episode we will explore an unusual subject – the voodoo and the devil in this song, Michelle. So settle in for a story that will knock your socks off! Songs Michelle, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott) Twenty Flight Rock, Eddie Cochran, performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane Getting Closer, Paul McCartney; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane La Mer, Charles Trenet, Albert Lasry; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane La belle Vie; Sacha Distel, with French lyrics by Jean Broussolle; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane That’s Amore; Harry Warren and Jack Brooks; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane Money Honey, Jesse Stone; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane Jailhouse Rock, Jerry Lieber and Mike Stoller; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane La Vie En Rose, Édith Piaf (lyrics), Louiguy and Marguerite Monnot;; performed by Stroll Down Penny Lane (Joe Anastasi and Mike Sugar) Purple Haze, Jimmy Hendrix; performed by Mike Sugar, of Stroll Down Penny Lane Till There Was You, Meredith Wilson; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott) I Put a Spell on You; Screamin’ Jay Hawkins; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane Another Day, Paul McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott) Patience, Guns N’ Roses; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane Moment of Truth, Bill Conti, Dennis Lambert & Peter Beckett; performed by Joe Anastasi and Mike Sugar, of Stroll Down Penny Lane Thus Spoke Zarathustra, Richard Wagner Tristan und Isolde, Richard Wagner; Conductor: Wilhelm Furtwangler; Philharmonia Orchestra The End, Lennon and McCartney; performed by Stroll Down Penny Lane (Joe Anastasi, Mike Sugar, Winter, Mark Abbott, Matt Twain) Sources: Recording the Beatles; Kevin Ryan and Brian Kehew; Curvebender; 2006. Beatlesongs; William J. Dowling; Simon & Shuster, New York, 1989. Here, There and Everywhere, Geoff Emerick and Howard Massey; Gotham Books; New York; 2006 Paul McCartney, Many Years from Now; Barry Miles; Secker &Warburg; 1997 McCartney, Christopher Sandford; Carroll and Graf Publishers; 2006 Paul McCartney, the Life, Philip Norman; Little Brown and Company; 2016 Songwriting Secrets of the Beatles, Dominic Pedler; Omnibus Press; 2003 The Beatles; Hunter Davis; McGraw-Hill; 1968 The Complete Beatles Recording Sessions; Mark Lewisohn; Hamlyn (a division of the Octopus Publishing Group); 1988 All You Need Is Ears, George Martin, with Jeremy Hornsby; St. Martin's Griffin; 1979 This is Your Brain on Music, The Science of a Human Obsession; Daniel J. Levitin; Plume; 2007 Paul McCartney After the Beatles; Understanding Michelle; Adrian Allan; 2020 Michelle History; Beatlesbooks.com Last Train to Memphis: The Rise of Elvis Presley, Peter Guralnick, Little Brown, 1994 Careless Love, the unmaking of Elvis Presley, Peter Guralnick, Little Brown, 1999 Music Historian Peter Guralnick — Serious Jibber-Jabber with Conan O'Brien; https://www.youtube.com/watch?v=VZY7L0p2Gj0 Screamin’ Jay Hawkins; Songfacts I Put a Spell on You, Wikipedia. Dominant seventh sharp ninth chord, Wikipedia. What is the ‘Hendrix Chord’? Fender; articles, tech-talk; Purple Reign: the ‘Hendrix Chord’ McCartney: Yesterday … and Today, Ray Coleman; Boxtree Ltd; 1998.

Screamin' Jay Hawkins - Foo Fighters - Nicolas Bacchus - Eric Serra Le mariage, c'est avant tout le fondement élémentaire de l'organisation de la société. Mais au delà de cela, le mariage, c'est avant tout l'union de deux personnes qui vont bâtir une vie commune … Enfin ça c'est qu'on essaye de vous faire croire, mes bien chers frères, mes bien chères soeurs, la Vérité est ailleurs. Que nous ont enseigné les soaps américains ? Que pour réussir un mariage traditionnel, la mariée doit posséder quelque chose d'ancien, quelque chose de neuf, quelque chose d'emprunté et quelque chose de bleu. Et rien d'autres. Ainsi vous ne trouverez pas dans ce coin des chants liturgiques et autres cantiques. Pas non plus de chansons qui vont vous alexandrialexandrer ou vous lacduconémarer. Non ici, Cédric le maître de cérémonie suit le cahier des charges, accompagné de la voix de Vero. Suivez leurs consignes et vous verrez, vous ferez un Mariage Traditionnel Réussi.

Ya llega a los cines de UK la película que lleva título de una canción de "Trafalgar" dirigida por un fan de los Bee Gees como Frank Marshall que cuenta los logros de los hermanos Gibb (Barry, el superviviente, Maurice y Robin). Sacaron Royal Blood un tema el mes pasado y ahora dejan que Timo Piontek (hemos acabado además el programa con Purple Disco Machine, que es el proyecto del alemán) haga el remix. También es noticia del día que salga con la etiqueta Matador una caja con el material entre 1977 y 1981 de Gang of Four y que tiene de fetiche un directo de 1980. Además, The Kills para su colección de rarezas se fijan en el clásico de Screamin Jay Hawkins que hicieron éxito la Creedence Clearwater Revival. Y hablando de versiones Sophie Ellis-Bextor se declara seguidora de New Order y hace una versión de uno de sus hits. Otra novedad internacional es el retorno de la australiana Julia Stone, ocho años después de su anterior entrega. Novedades de aquí es el disco en el que Elena Ley tiene la ayuda de Miguel Talavera, el paso al castellano de Gener para su cuarto disco, el universo diferente y original de Rosa Venenosa, fan de la copla. Además, desde tierras canarias llega un recopilatorio de la etiqueta Keroxene que incluye a GAF y La Estrella de la Muerte. Hicimos viaje a tierras peruanas con Santa Madero y esa alianza con los chilenos Planeta No para que cada banda trate un tema de la otra formación. El retrovisor nos llevó a recordar el tercer disco (2005) de la elegante Francoiz Breut. Escuchar audio

Bubbling cauldrons and spooky spells galore, this weeks terrifying episode includes some of shock rocks biggest artists and a playlist that'll rattle your bones. Tune in and get your fix.-Screamin Jay Hawkins. I Put a Spell on You-The Sonics. The Witch -Tom and The Tempests. It's Over Now-The Searchers. Love Potion No. 9-Screaming Lord Sutch. All Black and Hairy-Kip Tyler. Eternity-Steve King. Satan is Her Name-The Last Word. Sleepy Hollow 

In time for Halloween, Clint recommends five horror movies that don’t insult your intelligence and Andy tells the incredible true story behind maybe the spookiest song ever recorded, “I Put a Spell On You” by Screamin’ Jay Hawkins.Also in TV, Clint gives his early take on Netflix’s THE HAUNTING OF BLY MANOR and his review of HBO’s WATCHMEN. In music, Andy pays tribute to the late Eddie Van Halen and talks about why he was different than other guitar virtuosos.Plus:-Streaming recommendations on Netflix, Prime Video, Hulu and HBO Max-Another creepy selection for the Greatest TV Show Theme Song of All-Time (this week)-Five more songs added to the never-ending Spotify playlistEmail Clint at theclintdavis@gmail.com and Andy at sedlakjournal@gmail.com See acast.com/privacy for privacy and opt-out information.

A discussion between Lorne Bregitzer and Kenny James discussing: potential origins of rock music, the influence of blues music in rock music, musicians borrowing or even stealing whole tunes from earlier artists, and the influence of race in promotion and airplay. Audio examples that demonstrate copying and similarities between songs. Individuals discussed include: Robert Johnson, Ray Charles, Sister Rosetta Tharpe, Elvis, Little Richard, Screamin’ Jay Hawkins, Chuck Berry, Led Zeppelin, The Beach Boys, Muddy Waters, Crazy World of Arthur Brown. The second episode of a two part series.Host: Lorne Bregitzer, Associate Professor for the University of Colorado Denver, College of Arts & MediaSpecial Guest: Kenny Jameswww.immersiveartsonline.comwww.abeautifulcurse.comwww.screen-dream.comwww.outsiderproductions.onlinewww.ctmentertainment.onlineShow information:Contact: whatisartperiod@gmail.comInstagram: whatisartperiodFacebook: facebook.com/whatisartperiodTwitter: @whatisartperiodChartable Linkhttps://link.chtbl.com/NwfUwhs8

Welcome to Season 7 where the dream regime find themselves full of wonder and hope, like it's their lucky day. It's the usual fare of parallel realities, odd little known facts, the doppler effect and a great cover of Heart Attack and Vine by Screamin Jay Hawkins. Off to work we go! 

Jalacy J. Hawkins, better known as Screamin’ Jay Hawkins, was one of a kind. His voice? Have you ever heard a volcano sing in the middle of a tsunami, while frogs were raining down from the sky? That’s close to the strange, powerful and goddamn charming beauty of Screamin’ Jay Hawkins and that magic voice of his. He’d pop out of a coffin, sing a song about not being able to poop, strutting about the stage with a skull on a stick smoking a cigarette. If you think that last sentence was strange, wait until you hear the story of how “I Put A Spell On You” was recorded! That story is included in this episode, by the way. A brief history of Screamin’ Jay Hawkins from birth to death, the stories behind a couple of his more well known songs and more! The music of the bands in this episode bring something special - a shock-rock connection via Alice Cooper covers, that’s Sloppy Seconds and BL’AST. Then we have Rocket From The Crypt, because ROCK N ROLL, that’s why. The originator of “Shock-Rock” would be proud.

A discussion between Lorne Bregitzer and Kenny James discussing: potential origins of rock music, the influence of blues music in rock music, musicians borrowing or even stealing whole tunes from earlier artists, and racial ex, and the influence of race in promotion and airplay. Audio examples that demonstrate copying and similarities between songs. Individuals discussed include: Robert Johnson, Ray Charles, Sister Rosetta Tharpe, Elvis, Little Richard, Screamin’ Jay Hawkins, Chuck Berry, Led Zeppelin, The Beach Boys, Muddy Waters, Crazy World of Arthur Brown. The first episode of a two part series. Host: Lorne Bregitzer, Associate Professor for the University of Colorado Denver, College of Arts & Media Special Guest: Kenny Jameswww.immersiveartsonline.comwww.abeautifulcurse.comwww.screen-dream.comwww.outsiderproductions.onlinewww.ctmentertainment.online Show information:Contact: whatisartperiod@gmail.comInstagram: whatisartperiodFacebook: facebook.com/whatisartperiodTwitter: @whatisartperiod

Vrijdagavond, tijd om het weekend in te luiden bij 40UP Radio met Adeline van Lier en MaxMijs Brouwer, moeder en dochter draaien weer! Met dit keer muziek van o.a. Kijk Een Ster, Nina Simone, The Cats, Buju Banton, Charlie Watts en Screamin' Jay Hawkins.

(12/04/2019)* El DJ zaragozano Pendejo mezcla más de dos horas de música negra en sus diferentes vertientes y más allá, con artistas tan diversos como Robert Johnson, Labordeta, Staple Singers, Screamin’ Jay Hawkins, Chairm, Skream, Hamilton Bohannon, L’ill Doctor, Fernandisco, Stars On 45, Bjorn Sud Trio, Hector Lavoe, The Fatback Band, Psycho Cowboys o Urban Jungle. https://microondas.org/microondas-radio-140-pendejo-dj-mix/

Today we discuss cult icon Screamin’ Jay Hawkins, a Cleveland legend and the man who invented shock rock, but the biggest shock is that he isn’t inducted into the Rock & Roll Hall of Fame. Mary explains why he is overdue for a Rock Hall Early Influence induction by looking back at his legendary personal life, the evolution of his music career and his enormous impact on metal, punk and shock rock alike.

En este episodio de Historias del Blues tenemos a Grady Champion con su disco Steppin' In: A Tribute To Z.Z. Hill; Jimmie Vaughan y Baby, Please Come Home, los 50 años del primer disco de la banda argentina Manal y un homenaje a Screamin’ Jay Hawkins al cumplirse 20 años de su muerte.

More of the good stuff once again with red hot rocknroll from The Peabrains, Becky Lee & Drunkfoot, Screamin' Jay Hawkins, Stiff Little Fingers, Memphis Morticians, Tall Boys, D.I., Batmobile, The Cramps, and more. Git it. Buzzcocks | Singles Going Steady | Orgasm Addict(Liberty)1979 Big John Bates | Bangtown | Devil May Care(Stag-O-Lee)2009 Torment | Psyclops Carnival | Leap The Frog(Nervous Records)1986 Chuck & The Hulas | Smells Like A Party | Moonshine Martinis(Western Star Recordings)2005 Dead Bundy & The Neat Neat Neats | Train To Paradise | Hellbound(Self Release)2013 The Doppelgangers | Bad, Bad Man | Partners In Crime(Diablo Records)2013 Screamin' Jay Hawkins | Single | Little Demon(Okeh)1956 The Peabrains | In The Hangman's Shadow | Speak With Your Guns(Crazy Love Records)2019 Hoodoo Tones | Confessions Of A Loner | Brokenheart Alleyway(Rhythm Bomb Records)2016 Small Town Pimps | B-I-N-G-O | Zombie Boy(Knockout Records)2000 Batmobile | Bail Set At 6.000.000 | Calamity Man(Nervous Records)1988 Them Damned Young Livers | Psalms Of Ill Repute | Devil Out The Back(Self Release)2010 The Goon Mat & Lord Benardo | Take Off Your Clothes | Get Down With You(Voodoo Rhythm)2018 Becky Lee & Drunkfoot | Nr. 1 Riot Girl Blues Punk | I Wanna Kill Myself(Voodoo Rhythm)2015 Scott H. Biram | The Bad Testament | Crippled & Crazy(Bloodshot Records)2017 Hellbound Glory | Old High And New Lows | Another Bender Might Break Me(Rusty Knuckles)2010 D.I. | State Of Shock | Colors And Blood(Intercord Record Service)1994 X | Los Angeles | Soul Kitchen(Slash Records)1981 The Undertones | The Undertones | Teenage Kicks(Sire)1979 The Adicts | Sound Of Music | Chinese Takeaway(Razor Records)1982 Toy Dolls | A Far Out Disc | She Goes To Finos(Volume Records)1985 Tortured Souls | Tortured Souls/Bombat Belus Split(I Wish I'd Never) Sold My Soul(Dandruff In My Mouth)2019 The Termites | Overload | Rockin' All Night(Link Records)1990 Pickled Punks | Wake Up Dead | Wake Up Dead(Self Release)2008 Demented Are Go | Hellbilly Storm | Skating In The Rain(People Like You)2005 Southern Culture On The Skids | Dirt Track Date | Nitty Gritty(Telstar Records)1995 Tall Boys | Funtime | The Interceptor(Big Beat Records)1998 The Cramps | A Date With Elvis | The Hot Pearl Snatch(Big Beat Records)1986 The Hillmans | Barn Dance Music For Plumbers | The Hornet(Self Release)2012 Memphis Morticians | Bereave It Or Not ... | Bobby Sox Sinner(Space Hearse Records)2013 The Violent Shifters | Wide Open Baby!! | 6 Days On The Road(Self Release)2014 Swingin' Utters | More Scared | Mommy Mommy(SideOneDummy Records)1996 Stiff Little Fingers | Nobody's Heroes | Nobody's Hero(Chrysalis Records)1980 Cock Sparrer | Shock Troops | I Got Your Number(Razor Records)1982 The Crack | All Cracked Up | Don't You Ever Let Me Down(Captain Oi!)2000 The Boys | The Collection | Kiss Like A Nun(Taang! Records)2003 Liquor Beats Winter | Liquor Beats Winter | Journey To The Center Of The Vagrant(Self Release)2014

CandY Lauper, Tommy Castro, Dave Brubeck ,T he Rolling Stones, Lee Retenour, Randy Weston, John Lee Hooker, Screamin Jay Hawkins....

In the 2019 biography I Put a Spell on You: The Bizarre Life of Screamin' Jay Hawkins, journalist Steve Bergsman tracks the life of the noted shock rocker including his rise-and-fall-and-rise to fame, run-ins with the law, and rocky romantic life. Kate and Jack discuss the book as it relates to the biography as a literary form, the perils of the Big Rock Bio, and the challenges and responsibilities of research. Does Jay's penchant for lying and self-aggrandizement make him an impossible subject for a biography? Where does "rock 'n' roll authenticity" stop and "novelty act" begin? Just how much damage can the Imp of the Perverse do to a person's life? Does anyone know where we can get jobs playing piano in a Hawaii strip club? These questions and a whole lot more will be discussed in this month's episode of Bad Books for Bad People. BBfBP theme song by True Creature  Find us at BadBooksBadPeople.com, on Twitter @badbooksbadppl, Instagram @badbooksbadpeople and on Facebook. You can discover where to get all the books featured on Bad Books for Bad People on our About Page.

RJ and Ian are back, and just in time for Halloween! This week, in our annual spooky episode, we tackle our first Halloween winter song (and also revisit the world of Homestar Runner) with "Decomposing Pumpkins" by Brainkrieg. Then, we discuss "It's Halloween (A Christmas Song)" by Randy Brooks, as well as the troubling revelation that the man responsible for bringing "Grandma Got Run Over by a Reindeer" into the world might also be funny sometimes, the implications of which we're not even remotely prepared to consider.  This week's ranking music was "Ghostbusters" by Ray Parker Jr. and the special intro and outro music was "I Put a Spell on You" by Screamin' Jay Hawkins.

1. Diamanda Galás – Cris d'Aveugle2. Danny Elfman – Tales From the Crypt3. Ed Ivory & Ken Page – Oogie Boogie's Song4. Nick Cave & The Bad Seeds – Red Right Hand5. Kate Bush – Waking the Witch6. Siouxsie and The Banshees – Peek-a-Boo7. Screamin' Jay Hawkins – I Put a Spell On You8. The Cramps – I Was a Teenage Werewolf9. Rob Zombie – Living Dead Girl10. Misfits – Halloween11. The Murder City Devils – Midnight Service at the Mütter Museum12. Sonic Youth – Death Valley '69 (feat. Lydia Lunch)13. Bauhaus – Bela Lugosi's Dead14. Preservation Hall Jazz Band – Rattlin' Bones

Today we discuss the father of shock rock, the one, the only, Screamin' Jay Hawkins!Support the show (https://www.patreon.com/ToysWereUsPodcast)

Put your costume on and grab your candy bag, because Fire and Water Records presents the first spooktacular edition of A Very Daly Halloween! The brothers Neil and Ryan share memories of the Halloween season, along with thirteen of their favorite Halloween-themed songs. It's skele-TONS of fun! (That's an actual lyric!!) Track list: "This is Halloween" by Marilyn Manson "Season of the Witch" by Donovan "The Crypt Jam" by The Crypt Keeper "Red Right Hand" by Nick Cave & The Bad Seeds "Moondance" by Van Morrison "Monster" by Kanye West featuring Jay-Z, Nicki Minaj, and Rick Ross "Time Warp" by Little Nell, Patricia Quinn, and Richard O'Brien "The Headless Horseman" by Kay Star "That Old Black Magic" by Louis Prima & Keely Smith "I Put a Spell On You" by Screamin' Jay Hawkins "Get Down Goblin" by Jan Teri "I'm Your Boogie Man" by KC and the Sunshine Band "Thriller" by Michael Jackson Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK. Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER - https://twitter.com/FWPodcasts Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Or subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Support FIRE AND WATER RECORDS and the FIRE AND WATER PODCAST NETWORK on Patreon: https://www.patreon.com/fwpodcasts Additional music this episode: "Trick or Treat for Halloween" by The Mellowmen. Thanks for listening and Happy Holidays!

Episode fifty-three of A History of Rock Music in Five Hundred Songs looks at "I Put a Spell on You" by Screamin' Jay Hawkins, and the career of a man who had more than fifty more children than hit records. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on "Since I Met You Baby" by Ivory Joe Hunter ----more----   Erratum I only noticed while doing the final edit for this episode that I used the words "legitimate" and "illegitimate" to describe children, and that this usage could quite possibly be considered offensive, something I hadn't realised when writing or recording it. I apologise if anyone does take offence. Resources No Mixcloud this week, as the episode is so heavy on Hawkins that it would violate Mixcloud's terms and conditions. I tried to put together a Spotify playlist instead, but a few of the recordings I use here aren't on Spotify. As I mention in the episode, I leaned very heavily on one book here, I Put a Spell on You: The Bizarre Life of Screamin' Jay Hawkins by Steve Bergsman. There are many compilations of Hawkins' work. This double-CD set containing all his work up to 1962 is as good as any and ridiculously cheap. Finally, you should also listen to this short audio documentary on the search for Jay's kids, as it features interviews with a couple of them. They deserve to have their voices heard.    Patreon   This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript Before I start, an acknowledgment. I like to acknowledge in the podcast when I've relied heavily on one source, and in this case the source I'm relying on most is Steve Bergsman's book "I Put a Spell on You: The Bizarre Life of Screamin' Jay Hawkins". That book only came out this year, so it deserves the acknowledgment even more than normal. If you like this episode, you might well want to buy Mr. Bergsman's book, which has a lot more information. There are a lot of one-hit wonders in the history of rock and roll. And most of those one-hit wonders might as well have had no hits for all the impact they actually made on the genre. Of the thousands of people who have hits, many of them drop off the mental radar as soon as their chart success ends. For every Beatles or Elvis there's a Sam And The Womp or Simon Park Orchestra. But some one-hit wonders are different. Some one-hit wonders manage to get an entire career out of that one hit. And in the case of Screamin' Jay Hawkins, not only did he do that, but he created a stage show that would inspire every shock-rocker ever to wear makeup, and indirectly inspire a minor British political party. The one hit he recorded, meanwhile, was covered by everyone from Nina Simone to Marilyn Manson. [Excerpt: Screamin' Jay Hawkins, "I Put A Spell On You"] It's hard to separate truth from myth when it comes to Screamin' Jay Hawkins, not least because he was an inveterate liar. He always claimed, for example, that in his time in the army he had been captured by the Japanese and tortured for eighteen months. According to Army records, he joined the army in December 1945 and was honourably discharged in 1952. Given that World War II ended in September 1945, that would tend to suggest that his story about having been a Japanese prisoner of war was, perhaps, not one hundred percent truthful. And the same thing goes for almost everything he ever said. So anything you hear here is provisional. What we do know is that he seems to have grown up extremely resentful of women, particularly his mother. He was, depending on which version of the story you believe, the youngest of four or seven children, all from different fathers, and he, unlike his older siblings, was fostered from an early age. He resented his mother because of this, but does not seem to have been particularly bothered by the fact that his own prodigious fathering of children by multiple women, all of whom he abandoned, will have put those children in the same position. He variously claimed to have between fifty-seven and seventy-five children. Thirty-three have been traced, so this seems to be one of those rare occasions where he was telling the truth. So this is another of the all too many episodes where I have to warn listeners that we are dealing with someone who behaved appallingly towards women. I am not going to go into too many details here, but suffice to say that Hawkins was not an admirable man. Jalacey Hawkins was born in Cleveland, Ohio, and would often claim that he had musical training at the Ohio Conservatory of Music. This is, you will be shocked to hear, not true -- not least because there was not, in fact, an Ohio Conservatory of Music for him to train at. Instead, he learned his trade as a musician in the armed forces, where he was not, in fact, sent into Japan in a combat role aged fourteen. Instead, he joined the Special Services, the people who put on shows for the rest of the military, and learned the saxophone. As well as his stories about being a prisoner of war, he also used to claim on a regular basis that the reason he'd loved being in the military so much was because you were allowed to kill people and wouldn't get punished for it. History does not record exactly how many people his saxophone playing killed. After his discharge from the military in 1952, he abandoned his first wife and children -- telling them he was popping to the shop and then not seeing them again for two years. Around this time he hooked up with Tiny Grimes, who is yet another person who often gets credited as the creator of the "first rock and roll record", this one a 1946 song called "Tiny's Boogie": [Excerpt: Tiny Grimes, "Tiny's Boogie"] Tiny Grimes was a strange figure who straddled the worlds of jazz and R&B, and who had played with great jazz figures like Charlie Parker and Art Tatum as an instrumentalist, but who as a singer was firmly in the rock and roll world. He had seen his greatest success with a rock and roll version of the old Scottish folk song "Loch Lomond" [Excerpt: Tiny Grimes "Loch Lomond"] As a result of that, he'd started performing in a kilt, and calling himself Tiny "Mac" Grimes and His Rocking Highlanders. Grimes first met Hawkins backstage at the Moondog Coronation Ball -- a legendary gig put on by Alan Freed in 1952, which was the first big sign to Freed of just how successful rock and roll was going to become. At that show, so many more people tried to get in than the venue had capacity for -- thanks, largely, to forged tickets being sold -- that the show became dangerously overcrowded, and had to be cancelled after a single song from the first artist on the bill. So Grimes didn't get to play that day, but Jalacey Hawkins, as he was still then known, managed to get himself backstage and meet Grimes. Hawkins did this through Freed, who Hawkins had got to know shortly after his discharge from the military. When he'd got back to Cleveland, he'd heard Freed on the radio and been amazed that they let a black man have his own show, so he'd gone down to the radio station to meet him, and been even more amazed to find out that the man who sounded black, and was playing black music, was in fact white. For decades afterwards, Hawkins would describe Freed as one of the very few white people in the world who actually cared about black people and black music. The two had struck up a friendship, and Hawkins had managed to get backstage at Freed's show. When he did, he just went up to Grimes and asked for a job. Grimes gave him a job as a combination road manager and musician -- Hawkins would play piano and saxophone, sing occasionally, and was also (according to Hawkins) Grimes' valet and dog walker. Working with Grimes is where Hawkins first started performing outrageously on stage. Grimes' band already dressed in Scottish clothing, and put on quite a bit of a show, but Hawkins pushed things a little further. He would, for example, come out on stage in his kilt and with tins of Carnation evaporated milk hanging on his chest as if they were breasts. He would then sing Ruth Brown's hit "Mama, He Treats Your Daughter Mean". [Excerpt: Ruth Brown, "Mama, He Treats Your Daughter Mean" According to Hawkins, Ruth Brown came to see the show at one point, and said of him "This is the only bitch who can sing my song better than me". That doesn't sound especially like Brown, it has to be said. Hawkins started recording with Grimes, and started to be billed as "Screamin' Jay Hawkins" -- a stage name which, again, he gave varying origins for. The most likely seems to be the one he gave in a documentary, in which he said that he couldn't sing, but had to take lead vocals, so he decided to just scream everything, because at least that would be different. Quite how that tallies with his ability to sing better than Ruth Brown, it's best not to wonder. Either way, his early recordings show him trying to fit into the standard R&B vocal styles of the time, rather than screaming. On his first record, with Grimes, he's not the blues shouter that he had a reputation of being, and nor is he the screamer he would later become -- instead he sounds like he's imitating Clyde McPhatter's singing on "The Bells" by Billy Ward and His Dominoes, but in a bass register somewhat reminiscent of Paul Robeson. Compare Hawkins here: [Excerpt: Tiny Grimes with Screamin' Jay Hawkins, "Why Did You Waste My Time?"] With McPhatter on the Billy Ward record: [Excerpt: Billy Ward and His Dominoes, "The Bells"] You can hear the resemblance there, I'm sure. At this point Hawkins had a certain amount of potential, but was just one of a million smooth blues singers, who relied more on stage gimmicks than on singing ability. But those stage gimmicks were making him a breakout star in Grimes' band, and so at a recording session for Grimes, it was agreed that Hawkins could record a single of his own at the end of the session, if there was time. Hawkins' attitude quickly caused problems for him, though. During the recording of "Screamin' Blues", which would have been his first single, he got into an argument with Ahmet Ertegun, who kept telling him to sing the song more smoothly, like Fats Domino. Accounts of what happened next vary -- Hawkins' most frequent version was that he ended up punching Ertegun, though other people just say that the two got into a screaming row. Either way, the session was abandoned, and Hawkins soon ended up out of Grimes' band. He worked with a few different bands, before getting a big break as Fats Domino's opening act. He only lasted a few weeks in that role -- depending on who you asked, Domino either fired Hawkins for being vulgar on stage and screaming, as Domino claimed, or because he was jealous of Hawkins' great leopardskin suit, as Hawkins would sometimes claim. Wynonie Harris saw something in Hawkins, and helped him get his first solo shows in New York, and on the back of these he made his first records as a solo artist, for the tiny label Timely Records, under his birth name, Jalacey Hawkins, and featuring Mickey Baker, who would play on most of his fifties sessions, on guitar: [Excerpt: Jalacey Hawkins, "Baptize Me in Wine"] But unfortunately, after two of these singles, Timely Records folded, and Hawkins had to find another label. He moved on to Grand Records, and started recording as Screamin' Jay Hawkins. By this time, he had started using some of the gimmicks he would use in his stage show, though for the most part his act was still fairly tame by modern standards. He was also still, at least in the recording studio, making fairly standard jump blues records, like this one, the first he recorded as a solo artist under his stage name: [Excerpt, Screamin' Jay Hawkins, "Take Me Back"] That was the only single that saw release from his time with Grand Records, and it's not even certain that it was released until a year or so later -- reports seem to vary about this. But it was while he was recording for Grand Records that he wrote the song that would bring him worldwide fame. It came about, as so much of Hawkins' life did, from his mistreatment of a woman. He was playing a residency in Atlantic City, and he had a live-in girlfriend from Philadelphia. But, as was always the case with Hawkins, he was cheating on her with multiple other women. Eventually she figured this out, and walked into the bar in the middle of one of his sets, threw his keys onto the stage, and walked out, blowing him a kiss. He didn't realise what had happened until he was talking to the barmaid later, and she explained to him that no, that meant his girlfriend was definitely leaving. He brooded over this for a day, and then had another conversation with the barmaid, and told her he was planning to go to Philadelphia to get the girl back. She said "so you think she'll come back to you, do you?" and he replied "yes, I'll get her back, even if I have to put a spell on her -- that's it! I'll write a song about putting a spell on her, and she'll realise how much I love her and come back!" Hawkins would later claim that when, two years later, the song was finally released, she did come back -- not because of "I Put A Spell On You", but because she loved the B-side, a song called "Little Demon". As Hawkins told the story, she came back to him, they stayed together for four months, and then he dumped her. He hadn't wanted her back because he loved her, he'd wanted her back so that he could be the one to do the dumping, not her. Whatever the truth of that last part, he recorded "I Put A Spell on You" some time around late 1954, but that version wouldn't be released until decades later: [Excerpt: Screamin' Jay Hawkins, "I Put A Spell on You (unreleased version)"] It's a decent record, but there's something missing, and for whatever reason, it never came out. Instead, he signed to yet another label, Mercury, which was at the time somewhere between a large independent label and a small major, and started putting out singles just as "Jay Hawkins". By this time, he'd found a regular team of people to work with -- Leroy Kirkland was the arranger, and Mickey Baker would play guitar, Sam "the Man" Taylor and Al Sears were on saxophone, and Panama Francis was on drums. That core team would work on everything he did for the next couple of years. It was while he was at Mercury that he hit on the style he would use from that point on, with a B-side called "(She Put The) Wamee (On Me)", a song about voodoo and threatening to murder a woman who'd cast a spell on him that, in retrospect, has all the elements of Hawkins' later hit in place, just with the wrong song: [Excerpt: Jay Hawkins, "(She Put The) Wamee (On Me)"] That was Hawkins' first truly great record, but it was hidden away on a B-side and did nothing. After a couple more singles, Hawkins was once again dropped by his label -- but once again, he moved on to a slightly bigger label, this time to OKeh, which was a subsidiary of Columbia, one of the biggest labels in the country. And in September 1956, he went into the studio to record his first single for them, which was to be a new version of "I Put a Spell on You". But Arnold Maxim, the producer at the session, wanted something a bit different from Hawkins. He thought that everyone sounded a little too staid, a little too uptight, and he asked why they couldn't sound in the studio like they did when they were having fun on stage and really cutting loose. Hawkins replied that when they were on stage everyone was usually so drunk they couldn't *remember* what it was they'd been doing. So Maxim decided to order in some crates of beer and fried chicken, and told them "this isn't a recording session, it's a party. Have fun." When they were drunk enough, he started recording, and the result was this: [Excerpt: Screamin' Jay Hawkins, "I Put A Spell On You"] Now, in later years, Hawkins would try to claim that he had been tricked into that performance, and that he'd had to relearn the song from the record after the fact, because he couldn't remember what it was he'd been doing. In truth, though, it's not that different from a record like "(She Put the) Wamee (On Me)", and it seems more than likely that this is yet more of Hawkins' exaggeration. The record didn't chart, because many radio stations refused to play it, but it nonetheless became a classic and reportedly sold over a million copies. This was in part due to the efforts of Alan Freed. Hawkins was already starting to play up his stage persona even more -- wearing capes and bones through his nose, and trying to portray a voodoo image. But when he was booked as the headline act on a Christmas show Freed put together in 1956, Freed surprised him by telling him he'd had a great idea for the show -- he'd got hold of a coffin, and Hawkins could start his performance by rising out of the coffin like a vampire or zombie. Hawkins was horrified. He told Freed that there was only one time a black man was ever getting into a coffin, and that was when he was never getting out again. Freed insisted, and eventually ended up paying Hawkins a large bonus -- which Hawkins would later claim was multiple thousands of dollars, but which actually seems to have been about three hundred dollars, itself a lot of money in 1956. Hawkins eventually agreed, though he kept a finger between the coffin and the lid, so it couldn't close completely on him. This was the start of Hawkins' career as a shock-rocker, and he became known as "the black Vincent Price" for his stage shows which would include not only the coffin but also a skull on a stick with smoke coming out of it (the skull was named Henry) and a giant rubber snake. Many horror-themed rock acts of the future, such as Alice Cooper or the Cramps, would later use elements of Hawkins' stage shows -- and he would increasingly make music to match the show, so that he later recorded a song called "Constipation Blues", which he would perform while sitting on a toilet on stage. But in 1957, neither he nor the record label seemed quite sure what they should do to follow up "I Put a Spell on You". That record had traded heavily on its shock value, to the extent that OKeh's trade ads contained the line "DJs be brave -- if you get fired, we'll get you a job!" however, only one DJ did get fired for playing it, one Bob Friesen. He contacted OKeh, but they didn't get him a job -- and eventually someone working for the company told Billboard this, Billboard publicised the story, and another station hired Friesen for the publicity that would get them. OKeh actually edited the single shortly after release, to get rid of some of the grunts at the end, which people variously described as "orgiastic" and "cannibalistic", but it didn't make the record any more palatable to the professionally outraged. But the next record went completely the other way -- a cover version of the old standard "You Made Me Love You (I Didn't Want to Do it)": [Excerpt: Screamin' Jay Hawkins, "You Made Me Love You (I Didn't Want to Do It)"] I can see why they thought that was a good idea before recording it -- Fats Domino had just had a massive hit with "Blueberry Hill", another old standard done in a similar arrangement to the one on Hawkins' record, but still... The next couple of records were more in the style one might expect from Hawkins, a track called "Frenzy", and a great Leiber and Stoller swamp-rocker called "Alligator Wine": [Excerpt: Screamin' Jay Hawkins, "Alligator Wine"] But neither of those was a success either -- partly because Hawkins went too far in the other direction. He had the opportunity to appear in Alan Freed's film "Mister Rock and Roll" to promote "Frenzy", but while every other act in the film performed in suits or were similarly well-dressed, Hawkins insisted on performing naked apart from a loincloth, with his hair sticking up, white face-paint, and carrying a spear and a shield -- his idea of what a Mau Mau rebel in Kenya looked like (the Mau Mau fighters did not look like this). Or at least that was his later description of what he was wearing. Others who've seen the footage suggest it wasn't quite that extreme, but still involved him being half-naked and looking like a "native". Hawkins had already been getting a certain amount of criticism from the NAACP and other civil rights groups because they believed that he was making black people look bad by associating them with voodoo and cannibalism. Paramount Pictures decided that they didn't particularly want to have their film picketed, and so removed Hawkins' section from the film. Hawkins' attitude to the NAACP was that as far as he was concerned the only thing they were doing for black people was trying to stop him earning a living, and he wanted nothing to do with them. (This was not a common attitude among black people at the time, as you might imagine.) And so, once again, things went to the other extreme. Hawkins put out his first album. It was called "At Home With Screamin' Jay Hawkins", had a cheery photo of Hawkins in a Santa hat on the cover, and mixed in his recent singles, a couple of new originals (including one called "Hong Kong" which is mostly just Hawkins making racist "ching chong" sounds) and... versions of "I Love Paris in the Springtime", "Ol' Man River", and other extremely non-voodoo-shock-rock songs. Unsurprisingly, it wasn't a success. He was dropped by OKeh and moved to a tiny label, where he started recording more idiosyncratic material like "Armpit #6": [Excerpt: Screamin' Jay Hawkins, "Armpit #6"] But any chance of a comeback was pretty much destroyed when he was arrested in 1958 for possession of cannabis and statutory rape, after having had sex with a fifteen-year-old girl. After he got out of prison, he moved to Hawaii for a while, and became a performer again, although there was a temporary hiccup in his career when his girlfriend and singing partner stabbed him after she found out he'd married someone else without telling her. She presumably also didn't know that he was still married to his first wife at the time. Hawkins' career remained in the doldrums until 1965, when two things happened almost simultaneously. The first was that Nina Simone recorded a cover version of "I Put a Spell on You", which made the top thirty in the US charts: [Excerpt: Nina Simone, "I Put a Spell on You"] The second was that Hawkins got rediscovered in the UK, in quite a big way. There was a club in Manchester called the Twisted Wheel, which was legendary in soul and R&B circles -- to the extent that when I saw P.P. Arnold in its successor venue Night People two weeks ago, she kept referring to it as the Twisted Wheel, even though the original club closed down in 1971, because she had such strong memories of the original venue. And among the regular attendees of that club were a group of people who loved the few Screamin' Jay Hawkins records they'd been able to get hold of. Hawkins had been popular enough that a British act, Screamin' Lord Sutch and the Savages, had stolen his act wholesale, cape, coffin, and all: [Excerpt: Screamin' Lord Sutch and the Savages, "Jack the Ripper"] Screamin' Lord Sutch would later go on to form the Monster Raving Loony Party, a political party intended as a joke that still continues to field candidates at every election twenty years after Sutch's death. But while people like Sutch had admired him, Hawkins was mostly a legend in British blues circles, someone about whom almost nothing was known. But then some of the Twisted Wheel people went to see Little Richard at the Oasis club, another famous Manchester venue, and got chatting to Don "Sugarcane" Harris, from the support act Don and Dewey. He mentioned that he'd recently seen Hawkins, and he was still doing the same show, and so the British blues and soul fans tracked him down and persuaded the promoter Don Arden to put on a tour of the UK, with Hawkins using the Twisted Wheel as his base. The tour wasn't a commercial success, but it built Hawkins' reputation in Britain to the point that it seemed like *every* beat group wanted to record "I Put a Spell on You". Between 1965 and 1968, it was recorded by Manfred Mann, the Crazy World of Arthur Brown, the Animals, Them (featuring Van Morrison) and Alan Price, who made the top ten in the UK with his version: [Excerpt: The Alan Price Set, "I Put a Spell on You"] Hawkins even got to record a second album, finally, in Abbey Road studios, and he started to tour Europe successfully and build up a major fanbase. But Hawkins' self-destructive -- and other-people-destructive -- tendencies kicked in. The next few decades would follow a recurring pattern -- Hawkins would get some big break, like opening for the Rolling Stones at Madison Square Garden, or recording an album with Keith Richards guesting, or finally getting to appear in a film. Every time, he would let his addictions to alcohol or codeine overtake him, or he would rip a friend off for a trifling sum of money, or he would just get married bigamously again. Much of the time, he was living in one-room apartments, sometimes with no electricity. He married six times in total, and was abusive towards at least some of his wives. Screamin' Jay Hawkins died in 2000 after emergency surgery for an aneurysm. His fifth wife, one of the two who seem to have been actually important to him in some way, has dropped strong hints that he was killed by his sixth wife, who he had been claiming was poisoning him, though there's no evidence for that other than that she was strongly disliked by many of the people around Hawkins. When he died, he was seventy, and his current wife was thirty-one. Many people claimed that they had visitations from Hawkins' ghost in the days after his death, but the thing that seems to sum him up in the afterlife the most is his legacy to his family. He sold the rights to "I Put a Spell on You" shortly before his death, for twenty-five thousand dollars, which means his estate gets no songwriting royalties from his one big hit. He hadn't made a will since the 1970s, and that will left most of his money to his second wife, Ginny, who most people seem to agree deserved it if anyone did -- she was with him for sixteen years, and tolerated the worst of his behaviour. He also left an amount to a niece of his. As for his kids? Well, none of the seventy or however many illegitimate children he had saw a penny from his will. His three legitimate children, he left a dollar each. At least one of them, his daughter Sookie, didn't get her dollar -- it went to her cousin, who didn't pass it on to her. And I think that means I should give Sookie the final word here, in a quote from the end of Steve Bergsman's biography. "My father thought he was all that, but not to me. Screamin' Jay Hawkins didn't treat people right. He was a performer, but he didn't treat people right."

Jack talks record collecting, hunting down rare old 78s and discusses the music of: Roy Evans with Rube Bloom and his Bayou Boys, Cab Calloway and his Orchestra, Four Chicks And Chuck, Reggie Goff with the Velvetones, “Fats” Waller and his Rhythm, Billie Holiday, Wynonie “Mr. Blues” Harris and his All-Stars with the Harlemaires, Peerless Quartet, Walter J. Van Brunt & Maurice Burkhardt, Joe Morris’ Blues Cavalcade, Screamin’ Jay Hawkins with Leroy Kirkland and his Orchestra. Visit: www.JackSpinsShellac.com for more info. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/jackspinsshellac/message Support this podcast: https://anchor.fm/jackspinsshellac/support

An in-depth conversation about one the strangest characters of the Blues and Rock-N-Roll, Screaming Jay Hawkins with author Steve Bergsman. Details of Hawkins life is based on Bergsman new autobiography called, I Put a Spell on You: The Bizarre Life of Screamin' Jay Hawkins. Part 1 of this 2 part series will cover Hawkins early career which both, sensationalized and marginalized by his many character flaws.

The Rockshow is getting strange. The history of Screamin Jay Hawkins and Screaming Lord Sutch!!!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

On The Rampage w/ Don Lichterman has 'A Whale of a Week', Yummy, Dog Meat, Aldi, All Accounted For...It's Time to #ShutYourTraps, Animal & Wildlife, Convicted Animal Abusers...   'Sightless Escape' by Phish / Ghost if The Forest / Trey Anastasio & 'Frenzy' by Screamin Jay Hawkins...Pigeons Playing Ping Pong, Electric Light Orchestra, Live Jam 107...   Ric O' Barry's legal fight to enter back into Japan, Dolphin Outlook, Idea to Guide Dolphins to Stay in International Waters...Oceana begins fight to save North Atlantic Right Whales...   How Quickly Lindsey Graham forgets what he himself said years ago along with a slowdown in Manufacturing & Service Sectors, Odds of Recession raises to 35% in next 12 months and the Federal Elections Committee (FEC) sends out press release stating it is illegal to solicit foreign countries to help in US elections...

Let It Roll host Nate Wilcox talks to Steve Bergsman about his book "I Put A Spell On You: The Bizarre Life of Screamin Jay Hawkins." Nate and Steve talk about the creation of the Screamin Jay persona, the weirdness of Jay's thirty year career built on the back of a hit record that never charted, Jay's travels around the world, multiple career revivals and passing.

Let It Roll host Nate Wilcox talks to Steve Bergsman about his book "I Put A Spell On You: The Bizarre Life of Screamin' Jay Hawkins." Nate and Steve talk about the creation of the Screamin' Jay persona, the weirdness of Jay's thirty year career built on the back of a hit record that never charted, Jay's travels around the world, multiple career revivals and passing. Let it Roll is part of Pantheon Podcasts

Let It Roll host Nate Wilcox talks to Steve Bergsman about his book "I Put A Spell On You: The Bizarre Life of Screamin Jay Hawkins." Nate and Steve talk about the creation of the Screamin Jay persona, the weirdness of Jay's thirty year career built on the back of a hit record that never charted, Jay's travels around the world, multiple career revivals and passing.

In this episode, @blvck.spice and @junkayy describes their experiences growing up as alternative black people. It’s not easy! You’re often labeled as “Weird,” “Trying to act white,” or even a “Satanist.” Now that we are in our twenties please understand it isn’t a phase, and realize these derogatory labels can negatively impact someone struggling with their identity deeply. ***Sidenote: #SUPPORT #BLACKOWNED BUSINESSES @anythingbutfree you will not be disappointed!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/brittany-bailey9/support

An interview with Steve Bergsman, author of "I Put a spell on You: The Bizarre Live of Screamin' Jay Hawkins" published by Feral House Books. --- Support this podcast: https://anchor.fm/the-junot-files/support

Reviews of Pod Save America and Chapo Trap House. In this episode... Andy accepts the challenge from his big brother to attempt to review every podcast in existence. Hedge attempts to buy duck poutine again. Klaxton joins Andy to review the political podcasts. Andy is inspired by Screamin' Jay Hawkins and foolishly attempts a homage to the track 'Ignant and Shit', but this time calling out his white brethren.

MATTIEL "Game Show" Customer Copy Burger Records (2019) https://burgerrecords.11spot.com/mattiel-customer-copy-pre-order.html It’s a familiar story: fledgling singer does soul-sucking day job in order to fund their real passion during the nocturnal hours. Except Mattiel Brown, Atlanta’s rising star, is a rare exception to this time-honoured tradition: a fulfilled creative by day and night, albeit in different contexts. “It’s like I have two full-time jobs: designer and musician,” she says, humbly hip to her good fortune. During office hours, Brown works as an ad designer and illustrator at MailChimp, a position she’s enjoyed for four years. “I work with a great video production team, in a great studio. Luckily, they’re a company that encourage side gigs.” Out of office hours, Brown swaps the design studio for the stage, a softly-spoken, chilled-out design nerd turned rock & roll belter, performing bold, vintage soul as Mattiel (pronounced ‘maa-TEEL’). Brown grew up on a five-acre farm in rural Brooks, Georgia, the only child of a Detroit native. “My mom bought the farm in the early ‘90s. She had – still has – horses, so I learned to ride western-style when I was 6, 7 years-old,” (a skill Brown nods to in her cover art). As an adolescent, Brown delighted in the ‘60s folk and pop of her mother’s limited vinyl collection: Donovan, Peter Paul and Mary, and Joan Baez. As an adult, relocated in neighbouring Atlanta, she’d sing along to the radio on the long drives to work: Screamin’ Jay Hawkins, Andre 3000, Dylan, Marc Bolan, Sister Rosetta Tharpe, and Jack White. When Brown first began jamming with InCrowd, the Atlanta-based song-writing and production team behind her dynamite eponymous debut, she had no real designs on making a whole album and no gameplan beyond the fun of “creating something out of nothing.” She said, “That process is always pretty astounding to me, and doing it with other people is even better.” But her producers, Randy Michael and Jonah Swilley, knew a good thing when they heard it: Brown and InCrowd had chemistry. InCrowd’s founders, both skilled multi-instrumentalists, met in 2014, as session musicians touring with soul man Curtis Harding. Michael – an experienced player who’d co-written with Harding and racked up impressive session spots with the likes of Bruno Mars, and The Next Day-era Bowie – played guitar, while Swilley (producer, writer and performer since age 9 and younger brother of Black Lips bassist Jared) played drums. On the road, they bonded over a mutual love of vintage R&R and ‘90s rap. “We discovered we both loved The Beatles as much as Jay-Z, Dylan as much as the Arctic Monkeys,” remembers Swilley. Back in Atlanta, once the Harding tour had wrapped, the pair formed a band, Black Linen, writing reverb-washed guitar music inspired by Tarantino soundtracks, by way of ‘60s Cambodian psych. Mattiel’s sound might borrow from the past, but their art direction – Brown’s inspiring handiwork, of course – is decidedly forward-thinking, all colour block aesthetics (á la the White Stripes) and artful, design-savvy music videos. “I don’t wanna hit people over the head with like, bell bottoms and long hair and a Jimmy Hendrix outfit,” Brown laughs. “People have seen all that before.” Mattiel is a “fresh mesh of retro and contemporary,” says Swilley, the latter thanks in large part to Brown’s vision, voice and on-stage energy. “She's very exciting to watch. She doesn't rehearse it or try to emulate anyone; she's just doing own her thing. And she's not fazed by the crowds [as evidenced during their shows to date: a recent, three-date support slot for Portugal The Man]. It’s kind of incredible really, because in person she's pretty chilled and softly spoken, but when she gets on stage...in the last six months, she's really been killing it.” With a European festival circuit tour scheduled for this summer, Mattiel is no longer Atlanta’s best kept secret. Look out, world.

MATTIEL "Follow My Name" Customer Copy EP Burger Records 12"/CD/CS OUT NOW ON BURGER: https://burgerrecords.11spot.com/mattiel-customer-copy-pre-order.html It’s a familiar story: fledgling singer does soul-sucking day job in order to fund their real passion during the nocturnal hours. Except Mattiel Brown, Atlanta’s rising star, is a rare exception to this time-honoured tradition: a fulfilled creative by day and night, albeit in different contexts. “It’s like I have two full-time jobs: designer and musician,” she says, humbly hip to her good fortune. During office hours, Brown works as an ad designer and illustrator at MailChimp, a position she’s enjoyed for four years. “I work with a great video production team, in a great studio. Luckily, they’re a company that encourage side gigs.” Out of office hours, Brown swaps the design studio for the stage, a softly-spoken, chilled-out design nerd turned rock & roll belter, performing bold, vintage soul as Mattiel (pronounced ‘maa-TEEL’). Brown grew up on a five-acre farm in rural Brooks, Georgia, the only child of a Detroit native. “My mom bought the farm in the early ‘90s. She had – still has – horses, so I learned to ride western-style when I was 6, 7 years-old,” (a skill Brown nods to in her cover art). As an adolescent, Brown delighted in the ‘60s folk and pop of her mother’s limited vinyl collection: Donovan, Peter Paul and Mary, and Joan Baez. As an adult, relocated in neighbouring Atlanta, she’d sing along to the radio on the long drives to work: Screamin’ Jay Hawkins, Andre 3000, Dylan, Marc Bolan, Sister Rosetta Tharpe, and Jack White. When Brown first began jamming with InCrowd, the Atlanta-based song-writing and production team behind her dynamite eponymous debut, she had no real designs on making a whole album and no gameplan beyond the fun of “creating something out of nothing.” She said, “That process is always pretty astounding to me, and doing it with other people is even better.” But her producers, Randy Michael and Jonah Swilley, knew a good thing when they heard it: Brown and InCrowd had chemistry. InCrowd’s founders, both skilled multi-instrumentalists, met in 2014, as session musicians touring with soul man Curtis Harding. Michael – an experienced player who’d co-written with Harding and racked up impressive session spots with the likes of Bruno Mars, and The Next Day-era Bowie – played guitar, while Swilley (producer, writer and performer since age 9 and younger brother of Black Lips bassist Jared) played drums. On the road, they bonded over a mutual love of vintage R&R and ‘90s rap. “We discovered we both loved The Beatles as much as Jay-Z, Dylan as much as the Arctic Monkeys,” remembers Swilley. Back in Atlanta, once the Harding tour had wrapped, the pair formed a band, Black Linen, writing reverb-washed guitar music inspired by Tarantino soundtracks, by way of ‘60s Cambodian psych. Mattiel’s sound might borrow from the past, but their art direction – Brown’s inspiring handiwork, of course – is decidedly forward-thinking, all colour block aesthetics (á la the White Stripes) and artful, design-savvy music videos. “I don’t wanna hit people over the head with like, bell bottoms and long hair and a Jimmy Hendrix outfit,” Brown laughs. “People have seen all that before.” Mattiel is a “fresh mesh of retro and contemporary,” says Swilley, the latter thanks in large part to Brown’s vision, voice and on-stage energy. “She's very exciting to watch. She doesn't rehearse it or try to emulate anyone; she's just doing own her thing. And she's not fazed by the crowds [as evidenced during their shows to date: a recent, three-date support slot for Portugal The Man]. It’s kind of incredible really, because in person she's pretty chilled and softly spoken, but when she gets on stage...in the last six months, she's really been killing it.” With a European festival circuit tour scheduled for this summer, Mattiel is no longer Atlanta’s best kept secret. Look out, world.

Captain Keith Presents his Halloween Music Podcast! With Spooky and Groovy Recordings from: Screamin' Jay Hawkins (At Home With), Halloween Hits and Now That's What I Call Halloween Compilation.As always, if you enjoyed the show, follow us and subscribe to the show: you can find us on iTunes or on any app that carries podcasts as well as on YouTube. Please remember to subscribe and give us a nice review. That way you’ll always be among the first to get the latest GSMC Music Podcasts.We would like to thank our Sponsor: GSMC Podcast NetworkAdvertise with US: http://www.gsmcpodcast.com/advertise-with-us.htmlWebsite: http://www.gsmcpodcast.com/music-podcast.htmlITunes Feed :  https://itunes.apple.com/us/podcast/gsmc-music-podcast/id1116276057GSMC YouTube Channel: https://www.youtube.com/watch?v=7ylztuL_NX4Twitter: https://twitter.com/GSMC_MusicFacebook: https://www.facebook.com/Golden-State-Media-Concepts-Music-Podcast-564122230427945/Disclaimer: The views expressed on the GSMC Music Podcast are for Music purposes only. Reproduction, copying or redistribution of The GSMC Music Podcast without the express written consent of Golden State Media Concepts LLC is prohibited.  

Om 22:00 uur On Top Of Blues met Ingrid en Marijn met vandaag een Halloween Special. Verwacht angstaanjagende, macabere en lugubere muziek van ZZ en de Maskers, Spook, The Doors, Alice Cooper, Lance Lopez, Blue Oyster Cult en Screamin’ Jay Hawkins. De podcast is zelf nog een uur langer dus vergeet deze niet te beluisteren via de site of iTunes of Stitcher.

Connor Rocket co-hosts our Rockabilly N Blues Radio Hour Halloween Show!  It's a ghoulishly fun show full of ghosts, witches, monsters, devils and more!  We also hear Freddy Cannon talk to us about "Svengoolie Stomp".  Plus, hear tunes from Reverend Horton Heat, Los Straitjackets, Bo Diddley, Screamin' Jay Hawkins, Marcel Bontempi, Captain Clegg & The Night Creatures, Ronnie Dawson, Messer Chups, Gin Gillette, Sleepy LaBeef, The Cramps, Sonny Richards, Bloodshot Bill, Buck Owens, Southern Culture On The Skids, The Polecats and The Diamonds.  Listen if you dare!!! Intro Voice Over- Rob "Monster Mash" Dempsey Intro Music Bed:  Brian Setzer- "Rockabilly Blues" and "Stranger Things Theme" by Kyle Dixon & Michael Stein   Reverend Horton Heat- "The Halloween Dance" Marcel Bontempi- "Old Mad Witch" Gin Gillette- "Train To Satanville" *Night Of The Blood Beast trailer Sonny Richards Panics with Cindy & Misty- "The Voodoo Walk" Bo Diddley- "Bo Meets The Monster" The Polecats- "Grave Digger Rock" The Diamonds- "Batman, Wolfman, Frankenstein Or Dracula" *The Astro Zombies trailer Buck Owens- "(It's A) Monster's Holiday" Bloodshot Bill- "Never Wanna See That Face Again"   Freddy Cannon interview segment Freddy Cannon- "Svengoolie Stomp"   The Cramps- "Goo Goo Muck"   instru-Mental Breakdown: Messer Chups- "Ghost Party" Los Straitjackets- "Ghostbusters"   Screamin' Jay Hawkins- "Little Demon" Southern Culture On The Skids- "She's My Witch" Ronnie Dawson- "Rockin' In The Cemetery" Captain Clegg & The Night Crawlers- "Transylvania Terror Train"   Outro Music Bed: Satan's Pilgrims- "Haunted House Of Rock"        

Screamin' Jay Hawkins was a dealer in terror, showmanship, hyperbole, and shock. Join us as we go through his climb from being a POW in WWII to drunken recordings, getting banned by a casket association, laying in his own fluids, and Jim Jarmusch. Subscribe to Highway Hi-Fi: iTunes | Stitcher | TuneIn | PocketCasts | Overcast | Google Play  Twitter | Facebook | Spotify  

      HUEY “PIANO” SMITH -NEW ORLEANS - ROCKIN PNUMONIA & THE BOOGIE WOOGIE FLU - 1957 FROM LAKE CHARLES LOUISIANA - CHARLES “MAD DOG” SHEFFIELD - I GOT FEVER - EARLY 60S TOMMY ROE - DIZZY - 1969 THE OLYMPICS - BROKEN HIP - 1963 GUESS WHO - SHAKIN ALL OVER - 1965 KING KHAN & THE BBQ SHOW - OPERATION - 2006 LP “WHAT’S FOR DINNER?” BUFF MEDWAYS (THE group's official name is Wild Billy Childish & The Friends of the Buff Medway Fanciers Association) NURSE JULIE - 2003 - 1914 LP *** BAZOOKA - BRING ON THE PAIN KILLERS - 1994 LP - BLOWHOLE - SST RECORDS THE STEPPING STONES - PILLS - 1966 CHRIS KENNER - SICK & TIRED - 1957 THE PUPPETS - POISON IVY (PENNED BY THE LEGENDARY SONG WRITING TEAM LEIBER & STOLLER) 1963 “YOU’RE GONNA NEED AN OCEAN OF CALAMINE LOTION” FABULOUS PLAYBOYS - NERVOUS - 1961 MR. PHARMACIST - THE OTHER HALF - 1966 - SAN FRANCISCO OH, DOCTOR YOUNG - FROM THE DEEP THROAT MOVIE SOUND TRACK - 1972 OTIS REDDING - I’M SICK YA’LL - 1966 - VOLT RECORDS - FLIP SIDE OF TRY A LITTLE TENDERNESS ROLLING STONES - DEAR DOCTOR - BEGGER’S BANQUET - 1968 **** THE T-BONES - NO MATTER WHAT SHAPE (YOUR STOMACH IS IN) - 1965 (ALL THEIR STUDIO RECORDINGS WERE ACTUALLY PERFORMED BY THE LEGENDARY STUDIO RONNIE LOVE & HIS ORCHESTRA - CHILLS & FEVER - 1960 THE PYRAMIDS (DETROIT) - SHAKIN FIT - 1963 THE FLIRTATIONS - NOTHING BUT A HEARTACHE - 1969 WENDELL AUSTIN - LSD (HAS MADE A WRECK OF ME) - 1968 X _ NAUSEA - LOS ANGELES - 1980 - PRODUCED BY RAY MANZERIK FROM THE DOORS THE REPLACEMENTS - TAKE ME DOWN TO THE HOSPITAL - HOOTENANNY LP - 1983 ** BOBBY WARREN FIVE - MEDICINE MAN - 1960 ** SCREAMIN JAY HAWKINS - 1970

Muziek van Sandy Coast, Greyhound, Curse Of Lono, Screamin’ Jay Hawkins en Orianthi feat. Steven Tyler.

Billy and Adam have had a string of bad luck. They talked about Bitcoin and the market crashed. They talked about the Knicks and Porzingis tore his ACL. They talked about Kanye's Twitter and, well, you get the point. In an effort to reverse the curse, they look the problem straight in the eye and discuss curses. The Kennedys, The Bermuda Triangle, The Madden Curse and more. Plus, music by Screamin Jay Hawkins!Sponsored by: HimsTheme: Send Medicine - Way To The SeaDonate to the show at Patreon.com/NoJokePod

Programme de PIERRE PÉLISSIER pour webSYNradio : Encore raté … Avec les sons de Tom Waits, Charlélie Couture, Moussu T, Keith Kouna, Chico Cesar, François Béranger, David Lafore, David Mac Neil, Screamin Jay Hawkins, Mama Béa, Sarcloret, Gael Faye, Jean Marc Le Bihan, Pierre Pélissier et les machines des Ets Dynamogène.

C'est bien beau de savoir chanter mais parfois ça ne suffit pas. Dans cet épisode, on rencontre un pionnier de la performance démesurée mais cohérente, puis son lointain neveu porte-parole de la déviance autour d'une jolie chanson malsaine.C'est La même mais pas pareil. La mythique mystique : https://www.youtube.com/watch?v=82cdnAUvsw8La vraie mais plus sobre : https://www.youtube.com/watch?v=toeLYKor3ogLa destructrice d'âmes : https://www.youtube.com/watch?v=eS1XaTfyTKMLa Nina : https://www.youtube.com/watch?v=ua2k52n_BvwLes doux rêves : https://www.youtube.com/watch?v=BHRyMcH6WMMRobert Johnson et le diable : https://www.youtube.com/watch?v=3MCHI23FTP8Gil Scott-Heron, Robert et le diable : https://www.youtube.com/watch?v=OET8SVAGELA

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Buenas tardes! Hoy os dejamos en La Gran Travesía el capítulo número 009 de la Historia del Rock dedicado a la tercera parte de los Pioneros del Rock and roll. En el programa sonarán Roy Orbison, Richard Berry, Joe Turner, Screamin´Jay Hawkins, Little Willie John...entre muchos otros. Ayúdanos a compartir, si te gusta. Muchas gracias!!Escucha este episodio completo y accede a todo el contenido exclusivo de La Gran Travesía. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/489260

Eclectic sounds for work and travel Mixed by DJ Lee Honda Graphics by Ojingi © Space Dimension Controller - Transatlantic Landing Bay Selidos - 801 Screamin' Jay Hawkins - I Put a Spell on You Visonia et Dopplereffekt - Die Reisen Submersible Machines - Blue Hole Miles Davis - Blue in Green https://itunes.apple.com/us/podcast/ko-cuts/id1230491471?mt=2 https://www.instagram.com/djleehonda youtube - DJ Lee Honda mixcloud.com/djleehonda

Screamin’ Jay Hawkins isn’t a name many would recognize, but his most famous song, “I Put a Spell on You” is now a Halloween staple in many homes across the U.S. He also may have fathered anywhere between 30 and 75 children.

Ooooooooooh! This week Dave and Steel were joined by their old friend Jordan Faux for a special Halloween edition of Theme Songs. The theme for the week was “spooky songs,” and we played bonechilling tunes by Interpol, Mick Gordon, Napoleon XIV, Monkeygrinder, Phil Collins, Screamin’ Jay Hawkins, and Henry Hall. Featured image by NASA Goddard … Continue reading "Theme Songs, Episode 7: Spooky Songs"

Kim Clarke is a native New Yorker. She is a bassist and composer. She is a parent, bassist, composer, bandleader, website developer, educator, and earring designer. Most known for her electric bass playing with Joseph Bowie's Defunkt, she toured with Joe Henderson and Joanne Brackeen. She performed locally with Art Blakey, Marylou Williams, Bertha Hope, Harold Ousley, Jimmy Heath, Jaki Byard, George Braith and Space Island, Rashied Ali, Junior Cooke, Steve Coleman and Five Elements, Teri Thornton, Lester Bowie, Andy Bey, Louis and Gerald Hayes, Lionel Hampton, Donald Byrd, Donald Blackman, Candido, Patato, Little Jimmy Scott, Dr. Billy Taylor, Olu Dara, Screamin Jay Hawkins, Philly Joe Jones, Marylou Williams, Sharon Freeman, and Geri Allen.  She is the founder and producer of the LADY GOT CHOPS Women's History Month Music and Arts Festival, Inc. that has the mission of globally elevating Women's History Month through the promotion of women's contributions, artistic and otherwise, during the month of March.  It is a grassroots institution providing free promotion to women artists and bookings in celebration of Women's History Month. Incorporated in December 2015, the festival became a 501(c)(3) not for profit corporation in 2017. In 2018, LADY GOT CHOPS will celebrate its 16th year. www.ladygotchops.com www.wijsf.org

MATTIEL "Whites Of Their Eyes" DEBUT SINGLE OUT NOW: www.burgerrecords.com DEBUT FULL-LENGTH OUT SEPT. 29, 2017!!! WATCH THE VIDEO: youtu.be/dzk97VIH6ss An ad designer, illustrator, and set builder, Mattiel enjoys testing her strength in new and unknown territories. She was born an only child in Georgia and grew up working on her mother’s farm. This rural, isolated space gave her room to grow and experiment with a wide range of interests. As an adolescent, she found refuge in her mother’s limited record collection, which included several albums by Donovan, Peter Paul and Mary, and The Monkees. After moving to Atlanta, Mattiel developed a palette for more diverse musical interests. She developed her vocal style over the course of several years - often alone in her car on long drives to work. She ventured into songwriting after meeting Randy Michael and Jonah Swilley in 2014. Mattiel took what she knew about constructing visual design and applied that methodology to writing music. As the group began producing more material, a full length album was written and recorded in a span of nine months (not unlike the gestation period of a human baby.) Their process was simple: Michael and Swilley supplied instrumental compositions and handed them over to Mattiel for lyrical content and melodies. Her influences include Screamin’ Jay Hawkins, Andre 3000, Marc Bolan, Sister Rosetta Tharpe, The Staple Singers and Jack White among many others. This year, Mattiel struck a friendship with Burger Records, and her debut album is set to hit shelves and turntables this fall.

Lorraine and Sarah get learnt up on music! Sarah wishes she'd listened to moody Jewish sex god Leonard Cohen in college, and Lorraine treats herself to the man, the myth, the legend, the best name in the biz Screamin' Jay Hawkins. If you like black and Jewish guilt in the key of G, this is the jam for you! (Harmony! Treble clef! Other music jargon!)

Family reunion double interview extravaganza. Arin sits down on a balcony to talk music, sales and much more with his uncle Sol and his father Scott Silverstein. //SCREAMIN' JAY HAWKINS, I put a spell on you//JEFF BECK, Nessun Dorma//SANTANA, Guajira//NEIL YOUNG, Angry World//DAVID BOWIE, Black Star//INSTAGRAM @limber_wolf

We're back! Kicking off season seven we play host to Martin's in-laws, as the power-couple of Lawyer Miranda Zaltzman and Beggarman/Thief Andy Zaltzman join Song by Song for a rundown of children's rhymes, breakfast foods and cricket statistics. Song by Song is Martin Zaltz Austwick and Sam Pay; two musicians listening to and discussing every single Tom Waits track in chronological order. website: songbysongpodcast.com twitter: @songbysongpod e-mail: songbysongpodcast@gmail.com Music extracts used for illustrative/review purposes include: Heartattack And Vine, Heartattack And Vine, Tom Waits (1980) Heartattack And Vine, Best of the Bizarre Sessions (1990-1994), Screamin' Jay Hawkins (2000) We think your Song by Song experience will be enhanced by hearing, in full, the songs featured in the show, which you can get hold of from your favourite record shop or online platform. Please support artists by buying their music, or using services which guarantee artists a revenue - listen responsibly.

1) Alfred Hitchcock Intro 2) Space Ghost Theme 3) Black Widow Spider by Dr. John 4) The Shadow Knows by The Coasters 5) Frenzy by Screamin' Jay Hawkins 6) Headless Horseman by Kay Starr & Billy Butterfield Quartet 7) The Murder by Bernard Herrmann (from Psycho) 8) Wolf Like Me by TV on the Radio 9) Graveyard Train by Creedence Clearwater Revival 10) Little Red Ridin Hood by Sam Sham & the Pharaohs 11) Ironside by Quincy Jones (from Kill Bill) 12) Season of the Witch by Vanilla Fudge 13) I Put A Spell on You by Nina Simone 14) My Body's a Zombie for You by Dead Man's Bones 15) I Was A Teenage Werewolf by The Cramps 16) Psycho Killer by Talking Heads 17) Halloween by The Misfits 18) Oh the Vampyre by AA Bondy 19) Dead Bodies by Air (from Virgin Suicides) 20) Killer by Alice Cooper 21) Halloween Theme by John Carpenter 22) Alfred Hitchcock Outro

Welcome to Shuffle and Repeat for the week ending October 28, 2016. This week, Ari explores the witching hour with some Halloween-appropriate songs, featuring the music of Marilyn Manson, Talking Heads, David Bowie, Screamin' Jay Hawkins, Donovan, Black Sabbath, Blue Öyster Cult, Nick Cave & The Bad Seeds, Tom Waits, Florence + the Machine, and Michael Jackson. Come back each Friday for new episodes and reach out to Ari on Twitter @arihalbkram. Merch is now available to anyone who wants to support the show and a great charitable cause at shop.shuffleandrepeat.com

Are you in the mood for some Halloween stuff. On this episode of In Your Face 10/18/2016 we find out Rebel is a sick and twisted bitch. As if ya didn't know it already. What...no costume picked out...no decorations up.....What the hell is wrong with Rebel? The bitch is back. Poor jaded Rebel. Live by these rules: DONT lie steal or cheat! Religious holiday for Rebel. Nip it in the BUTT segment of the show.Stories we talk about this show:Teen rushes onto field, saves 9-year-old from heartbreak while her father serves his country, 25 things you don't actually need to keep in the fridge Illustrated Guide – SpankingVideos and music of the show:DIY Halloween Life Hacks, Screamin Jay Hawkins, Halloween PRANKS, Monster Magnet, 10 TOP Halloween Pranks, ALICE COOPER, Most Offensive Halloween Costumes, Witch Doctor.

WEEKEND MIX – 227 Nevin Coda - Enigma (Original Mix) [Free Download] Futuristic - The Underground (Corbin Remix) [Klub Kids] Andrew Bayer - From The Past (Original Mix) [Anjunabeats] Kyle Brandon - Limitless (Original Mix) [White Label] MATTN & Futuristic Polar Bears - Cafe Del Mar 2016 (Dimitri Vegas & Like Mike vs Klaas Instrumental Mix) [Smash The House] Russo - Shaken (Extended Mix) [xxx] --------------- FUEL TUNE OF THE WEEK Layout - We Found Love (Club Mix) [Planet Perfecto] FB : www.facebook.com/layout92 SC : www.soundcloud.com/layout92 DL : www.beatport.com/release/we-found-love/1833539 Spotify : https://open.spotify.com/track/05fa3O8K1SyePMtxB4BjAV --------------- House Cut Of The Week Quails - With You (Double Agent Remix) [So Solid] FB : www.facebook.com/i.am.a.double.agent SC : https://soundcloud.com/doubleagent DL : https://www.itunes.apple.com/au/album/withDyouDep/id1138659205 Spotify : https://open.spotify.com/track/621BqeqGWT3bSy02rvalmh --------------- Free Download Kaskade & L’Tric vs Fleetwoord Mac - Dreams (Original Mix) [Free Download] FB : www.facebook.com/weareltric SC : www.soundcloud.com/weareltric DL : http://www.kaskademusic.com/ --------------- Fuel Flashback Armin Van Buuren ft Susana - Shivers (Original Mix) [Aramada] DL : www.beatport.com/track/shivers-feat-susana-original-mix/5991351 Spotify : https://open.spotify.com/track/2puJRo8uTCdER0MUyXGFsb --------------- Guest Mix - George Orb SC : www.soundcloud.com/georgeorb FB : www.facebook.com/georgeorbmusic TW : www.twitter.com/georgeorbmusic IG : www.instagram.com/georgeorb/ MX : www.mixcloud.com/georgeorb/ Screamin Jay Hawkins – Spell on You (George Orb Bootleg) SCNDL – Find My Way (Tom Budin Remix) Gerry Gonza - Bad Bitches (Original Mix) George Orb – No Way to Die (Original Mix) Dave Winnel vs Justin Bieber – Love Yourself OK? (George Orb Mashup) Ember ft. Smokahontas – Keep Up (Original Mix) Curbi – Selection A (Extended Mix) Lady Gaga – Perfect Illusion (George Orb Bootleg) Krude – Get Funky (Original Mix) Odd Mob – Gassed Up (Original Mix) Mind Electric – Praise You (Apocalypto Remix) Front to Back – HMEBYZ (Opus D Remix) Kehlani – Gangsta (George Orb Bootleg) ---------------

Radtober returns! This week Kyle and Matthew are joined by the amazing author/producer/podcaster Emily V. Gordon (Indoor Kids, The Meltdown Show) to talk about all things Goth. Emily recounts her Gothy beginnings and teenage years in North Carolina, the struggle of being different, and being "ugly" on your own terms. Check out Emily's new book "Super You: Release Your Inner Superhero"! Weekly Rads: This Is Rad! YouTube Channel, water on Mars, the intensity of Halloween decorations this year Raddendums: Dana Gould's Halloween albums, Bonzo Dog Band, Screamin' Jay Hawkins, Skinny Puppy, The Cure, Marilyn Manson & the Spooky Kids, Nine Inch Nails, Nick Cave, Bela Lugosi's Dead, Bauhaus, The Guest soundtrack, the ABCs of Death, Tales of Halloween, Krampus, Poppy Z. Bright's Love in Vein and Lost Souls, Hot Topic, The Doom Generation, #HealthGoth, Snow Crash by Neal Stephenson, Grant Morrison, @MonkeeArmada

El último Soleado antes del parón del verano se centra en gente gritando (y helados), empezando por una clásica escena de la película Down By Law de Jim Jarmusch y continuando con terracos de gritones como Otis Redding, Tom Waits, Screamin’ Jay Hawkins, Big Youth, Camarón De La Isla, Ghostface Killa, Screaming Lord Sutch y muchos, muchos más. PLAYLIST: 1. Roberto Benigni, Tom Wait & John Lurie – I Scream, You Scream, We All Scream For Ice Cream.2. Tom Waits – The Earth Died Screaming.3. The Detroit Cobras – I Wanna Holler (But The Town’s Too Small).4. Otis Redding – Shout Bamalama.5. Los Gritos – Veo Visions.6. Screaming Lord Sutch – Jack The Ripper.7. Screamin’ Jay Hawkins – I Put A Spell On You.8. Big Youth – Screaming Target.9. Primal Scream – Higher Than The Sun (A Dub Symphony In Two Parts).10. Portformat Feat. Miles Bonny – Scream & Shout.11. Muallem Feat. Marc Frank – Holla (There’s Sun In Primrose).12. The Pinch – Shout Out Instrumental.13. De Jeugd Van Tegenwoordig – Hollereer.14. Ohmega Watts – Shorty Shouts.15. Ghostface Killah – Holla.16. Gil Scott-Heron – Inner City Blues (Make Me Wanna Holler).17. Sonny Clark – Shoutin’ On A Riff.18. Camarón De La Isla – Mi Sangre Grita.19. Miguel Aceves Mejía Y El Mariachi Vargas De Tecalitlán – Grítenme Piedras Del Campo.20. Van Morrison – Scream And Holler.21. Black Rebel Motorcycle Club – Screaming Gun.22. Little Scotty – Shout At The Disco. 23. The Style Council – Shout To The Top.24. New Young Pony Club – Ice Cream.

Halloween tunes make their way to the playlist this week with Screamin' Jay Hawkins, Beach Boys, Howlin' Wolf, Los Straitjackets and others.  Plus, we hear more new tracks from Jerry Lee Lewis, Johnny Winter, Jim Liban & Joel Patterson and classics from Gene Vincent, Elvis and much more!! Intro Voice Over- Rob "Cool Scary Daddy" Dempsey   Screamin' Jay Hawkins- "I Put A Spell On You" Howlin' Wolf- "I Ain't Superstitious" Mike Sanchez with Imelda May- "Voodoo Voodoo" Southern Culture On The Skids- "Werewolf" Billy Lee Riley- "Flyin' Saucers Rock N Roll"   Junior Brown- "Guitar Man" Gene Vincent- "Git It"   Dr. Rubin's Pomade   Urban Voodoo Machine- "Train Wreck Blues" Rhythm Bound- "Johnny Cash Life" Elvis Presley- "You're So Square (Baby I Don't Care)"   The Coasters- "The Shadow Knows" The Beach Boys- "Monster Mash" Kip Tyler- "She's My Witch"   Endless Summer Quarterly   Instru-Mental Breakdown: Los Straitjackets- "Ghostbusters" Shakedown Combo- "Monster Stomp"   Jerry Lee Lewis- "Little Queenie" Johnny Winter- "Who Do You Love" Jim Liban with the Joel Paterson Trio- "Must've Been Dreaming" Jimmy Sutton's Four Charms- "I Gotta Get Another Girl" Eddie Clendening- "900 Miles"    

Chubby! on Facebook: www.facebook.com/chubbyrecords @timnah-sommerfeldt Timnah Sommerfeldt has her homebase in Basel near the French-Swiss-German border triangle. Her parents run the sophisticated jazz club Zack, where jazz artists like Maceo Parker, Eddie Palmieri and Screamin’ Jay Hawkins have played live. Thus, Timnah’s relation to music has grown in a natural way, and playing the djembe helped her develop her sense for rhythms and grooves. So she didn’t need much introduction when she got her first mixer and 1200 MK II decks in 2004. Due to her special family heritage, Timnah draws inspiration from handmade and real records. Although she’s only in her mid twenties, her playlists makes you expect an old hand that has been actively DJing since the ‘90s. In 2007 Timnah began moving into music production and her first release will came out on house label Balance Alliance/Enterbt (BA 0006), were in fact produced, pushed and promoted by Chez Damier and Demetrio Giannice. www.discogs.com/artist/1794185-Timnah-Sommerfeldt 01. Dana Ruh - dirty egg 02. J&L - ramayana planet (abdulla rashim remix) 03. Slow Life - lost in time 04. Delano Smith - wires 05. Lawrence - angels at night (xdb remix) 06. Steven Tang - padkontrol 07. Delano Smith - get a clue 08. Steve o Sullivan - stripped (exos reconstruction) 09. Traumprinz - intrinity 10. Marco Faraone - way back 11. Efdemin - subatomic 12. Aldo - a1 13. Shlomo & Awb - twelve 14. Delano Smith - a moment frozen 15. Bvdub - i never cried a tear 16. Maan - trow (marcel dettmann)

La troisième édition de la Fev'Air te plonge dans les rythmes frénétiques de la funk acidulée de Luther Vandross, dans les tribulations arachnéennes d'un Herbie Hancock déchaîné... et même dans la douleur lascive du blues atypique d'un Screamin' Jay Hawkins en mal de laxatifs.

A Halloween-themed episode featuring songs about Monsters, Goths, Cannibals, Goblins, Bogeymen and more, including an old man who nails shut the jaws of lying children. Get in the mood for All Hallows Eve with Tom Waits, The Cramps, Screamin' Jay Hawkins, Oingo Boingo, Todd Rundgren, Warren Zevon and more!

It’s October and that means a month made for Ripley’s! This week we broadcast from Orlando’s Ghoul School and kick the month off right - sitting amongst some of the creepiest creations a human can make. Ghoul School proprietor and horror make-up artist Barry Anderson and horror film writer and director Steven Shea are our in-studio guests and they tell us why people love horror and what is so intriguing about the horror genre. Additional Weird, Wild and Wacky Stories on the October 7 Episode of Ripley Radio, the official radio show of Ripley’s Believe It or Not!, includes: we hear from a San Francisco photographer who specializes in capturing frames of artistic fire while risking damage to himself as well as his camera equipment; manager of Ripley’s Believe It or Not! in St. Augustine, Fla., Kim Kiff explains how she uses a live, two-headed turtle to help teach school kids about the badness of bullying; and a man who has been honored by four presidents for his part in helping clean up inland rivers talks about the amazing collection of weird stuff he has found along the banks of those rivers – including dead bodies, bowling balls and voodoo dolls. Screamin’ Jay Hawkins provides this week’s musical egress with his classic, I Put a Spell on You!

This week on Alcohollywood, we start Mystery Month, where all the movies have ‘mystery’ in the title!  Starting off, we talk about 1989’s Jim Jarmusch film Mystery Train, a strange and hip anthology film featuring three stories of people (both native and tourist) navigating Memphis, Tennessee on the same night. From a disaffected young Japanese couple seeking the home of rock stars, to a lost Italian woman trying to find her way, to a trio of locals out on a night of crime, the movie is an exercise in effortless meanderings. Throughout, Jim Jarmusch’s underplayed style out in full force, along with a great rock 'n roll soundtrack. Musicians like Joe Strummer and Screamin' Jay Hawkins interact with great character actors (Steve Buscemi, Rick Aviles) to create a weird soup of rock history homage and quirky character study. Check out our review and drinking game here!

It's a packed house this week, with comedian Glenn Wool (twitter.com/glennwool) and songstress Lady Carol (facebook.com/theladycarolukulele) joining Auggie Smith (twitter.com/auggiesmith), Matt and Andy to talk about: Speedy deliveries from Mr. McFeely! Sniffing Bunsen burners! Auggie goes to Mike Tyson's one-man show! Screamin' Jay Hawkins and his ridiculously large brood! Whale mouth penises! The Island of Mel Gibsons! Does bee venom kill HIV? Caffeine-addicted bees! Sean Astin and the cast of ST:TNG on the same airplane! Mummies with heart conditions! Ancient wing nights! Private rockets just getting a teeny bit off the ground! The Philip K. Dick robot! Incompetent people are also unaware of their incompetence! Who wants to be president, anyway? Screamin' Jay Hawkins in space!

Lenthár Balázs 2008 óta található meg elsősorban a Pécs környéki kisebb nagyobb rendezvények, szórakozóhelyek, klubok környékén, ahol hangulatos, akusztikus kocsmazenéjével szórakoztatja a nagyérdeműt. Rendszeres fellépője a Veszprémi Utcazene és az Ördögkatlan fesztiváloknak, továbbá 2011-ben a Kecskeméti Utcezenésztalálkozó különdíjas fellépője volt. Zenéit többnyire a klasszikus amerikai country és blues világából meríti. Ezúttal a SZOBA|sessions számára Screamin' Jay Hawkins dalával készült, mely a Frenzy nevet viseli. www.facebook.com/szobasessions www.facebook.com/MuveszPresszo Stáb: Máté Czéh-Tóth - creative lunatic Dávid Szolykó - camera psycho Dániel Veszely - silent movie Zoltán Kovács - lightning and thunder Simran Sandhu - audio extraordinaire Köszönjük a helyszínt a Művész Presszónak!

Sentimentality about Cool Hand Luke, indomitable spirit, the Great Mechanick, living above board and having a laugh and an esteemable regard, or disregard for death as defeat or vice-versa.  The tracks selected, hidden between samples, reflect my living.Lyrics in m4a ID3 tag for lyrics, and tracklist below:1,"Sometimes Nothing Can Be a Real Cool Hand","Cool Hand Luke","Cool Hand Luke"2,"Intro to ᏦᎢᏍᎪ ᎦᎵᏉᎩ (tsoisgo galiquogi) 37","Giosue Etranger","ᏦᎢᏍᎪ ᎦᎵᏉᎩ (tsoisgo galiquogi) 37"3,"Just Passing Time, Captain","Cool Hand Luke","Cool Hand Luke"4,"Castles Made of Sand","The Jimi Hendrix Experience","Axis: Bold as Love"5,"Plastic Jesus","The Goldcoast Singers","Here They Are! The Goldcoast Singers"6,"Baba O'Riley","The Who","Who's Next"7,"Fish in the Jailhouse","Tom Waits","Orphans: Brawlers"8,"What Good Is It","Screamin' Jay Hawkins","I Put a Spell On You"9,"With Nothing","Cool Hand Luke","Cool Hand Luke"10,"You Can Get It If You Really Want","Jimmy Cliff","The Harder They Come"11,"Eat 50 Eggs","Cool Hand Luke","Cool Hand Luke"12,"Love Me Hate Me Kill Me Anything Just LET ME KNOW IT","Cool Hand Luke","Cool Hand Luke"13,"New York, I Love You but You're Bringing Me Down","LCD Soundsystem","Sound of Silver"14,"Plastic Jesus","Cool Hand Luke","Cool Hand Luke"15,"Just Doing My Job","Cool Hand Luke","Cool Hand Luke"16,"Alec Eiffel","Pixies","Trompe le Monde"17,"Gouge Away","Pixies","Doolittle"18,"How Do You Take Your Pants Off?","Cool Hand Luke","Cool Hand Luke"19,"Inglan Is a Bitch","Linton Kwesi Johnson","Bass Culture"20,"You Gotta Move","The Rolling Stones","Sticky Fingers"21,"Dear Boys Playing It Cool","Cool Hand Luke","Cool Hand Luke"22,"Florida","Modest Mouse","We Were Dead Before the Ship Even Sank"23,"Easy Eats or Dirty Doctor Galapagos","Man Man","Rabbit Habits"24,"Midnight Special","Lead Belly","The Very Best of Leadbelly"25,"Over And Over Again (Lost And Found)","Clap Your Hands Say Yeah","Clap Your Hands Say Yeah"26,"Never Make It (What're You Talking About?)","Cool Hand Luke","Cool Hand Luke"27,"Approximate Sunlight","Bright Eyes","The People's Key"28,"Never Planned Anything in My Life","Cool Hand Luke","Cool Hand Luke"29,"My Back Pages","Bob Dylan","Another Side of Bob Dylan"30,"Plastic Jesus","The Flaming Lips","Transmissions From the Satellite Heart"31,"Conclusion (So Good)","Cool Hand Luke","Cool Hand Luke"32,"End Title","Lalo Schifrin","Cool Hand Luke"33,"Goodbye","Giosue Etranger","ᏦᎢᏍᎪ ᎦᎵᏉᎩ (tsoisgo galiquogi) 37"That's It.ᎦᎵᏉᎩ (galiquogi) 7ᏦᎢᏍᎪ ᎦᎵᏉᎩ (tsoisgo galiquogi) 37An Endorsement for Nobyl Skateboards (I'm not an actor):#37: The What For (Buy something from them. Maybe it's a good idea.)

Click to Play Playlist;Booze Party, Three Aces & a JokerTequila, The ChallengersCigareets & Whiskey, Sons of the PioneersDrinking All My Troubles Away, Paul HowardBeer Bottle Mama, Andy ReynoldsDrinkin' Wine, Gene SimmonsDrinkin' Wine Spodee-O-Dee, Malcolm YelvingtonRhythm and Booze, Corky JonesOne Mo' Whiskey, Leroy DavisDrunken Hearted Man, Robert JohnsonHello Walls, Faron YoungTake Me Drunk I'm Home, The CartwrightsPass the Booze, Ernest TubbTwo Beers in Texas, Dusty 45’sOne Scotch, One Bourbon, One Beer, Casey Sisters & The Salt Flat StompersDouble A Daddy, Wayne HancockSix Pack of Beer, Hank Willliams IIITwo Brothers, R.L. Burnsidealligator wine, Screamin' Jay HawkinsThinking About Drinking, The Meat PurveyorsGin And Juice, The GourdsGettin' Drunk, Beat FarmersBeer 30, Reverend Horton HeatI Like Whiskey, Hillbilly HellcatsAlcohol, Long Tall TexansSomebody Put Something In My Drink, The MeteorsThe Bottle Let Me Down, Merl HaggardSomebody Put Something in My Drink, The RamonesToo Drunk to Fuck, Dead KennedysWhen I’m Drunk, Coffin NailRum to Whiskey, Murder City DevilsKneeling Drunkards Plea, The Spookshow.I Gotta Get Drunk, Gas HufferTequila Sunrise, Cypress Hill