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Allen and Yolanda discuss Statkraft’s workforce cuts and sale of its Swedish offshore wind projects. They also cover ORE Catapult’s partnership with Bladena to conduct torsional testing on an 88-meter blade, and the upcoming Wind Energy O&M Australia conference. Register for ORE Catapult’s Offshore Wind Supply Chain Spotlight event! Visit CICNDT to learn more! Sign up now for Uptime Tech News, our weekly email update on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard’s StrikeTape Wind Turbine LPS retrofit. Follow the show on Facebook, YouTube, Twitter, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary Barnes’ YouTube channel here. Have a question we can answer on the show? Email us! You are listening to the Uptime Wind Energy Podcast brought to you by build turbines.com. Learn, train, and be a part of the Clean Energy Revolution. Visit build turbines.com today. Now here’s your hosts, Alan Hall, Joel Saxon, Phil Totaro, and Rosemary Barnes. Allen Hall: Welcome to the Uptime Wind Energy Podcast. I’m your host, Allen Hall in the Queen city of Charlotte, North Carolina. I have Yolanda Padron in of all places, Austin, Texas. We’re together to talk to this week’s news and there’s a lot going on, but before we do, I want to highlight that Joel Saxon and I will be in Edinburgh, Scotland for the re Catapult UK offshore supply chain spotlight. That’s on December 11th, which is a Thursday. We’re gonna attend that event. We’re excited to meet with everybody. Over in the UK and in Scotland. Um, a lot of people that we know and have been on the podcast over a number of years [00:01:00] are gonna be at that event. If you’re interested in attending the OE Catapult UK Offshore Supply Chain spotlight, just Google it. It’s really inexpensive to attend, and I hope to see most of you there, Yolanda. There’s some big news over in Scandinavia today, uh, as, as we’re reading these stories, uh, the Norwegian State owned Utility Stack Craft, and it’s also one of Europe’s largest renewable energy companies. As, uh, as we know, I’ve been spending a lot of money in new markets and new technologies. Uh, they are in electric vehicle charging biofuels and some offshore wind development. Off the eastern coast of Sweden. So between Finland and Sweden, they’re also involved in district heating. So Stack Craft’s a really large company with a broad scope, uh, but they’re running into a little bit of financial difficulty. And this past July, they announced some [00:02:00] workforce reductions, and those are starting to kick in. They have 168 fewer employees, uh, by the end of this third quarter. 330 more expected to leave by the end of the year when all the dive are complete. This is the worrisome part. Roughly 1000 people will longer work for the company. Now, as part of the restructuring of Stack Craft, they are going to or have sold their offshore portfolio to Zephyr Renewable. Which is another Norwegian company. So Stack Craft is the Norwegian state owned renewable energy company. Zephyr is an independent company, far as I can tell my recollection that’s the case. So they agreed to acquire the bot, the uh, offshore Sigma and Lambda North projects, which makes Zephyr the largest offshore wind developer. Sweden, not Norway, [00:03:00] in Sweden. Obviously there’s some regulatory approvals that need to happen to make this go, but it does seem like Norway still is heavily involved in Sweden. Yolanda, with all the movement in offshore wind, we’re seeing big state owned companies. Pulling themselves out of offshore wind and looks like sort of free market, capitalistic companies are going head first into offshore wind. How does that change the landscape and what should we be expecting here over the next year or two? Yolanda Padron: We, we’ve seen a large reduction in the, the workforce in offshore wind in all of these state owned companies that you mentioned. Uh, something that I think will be really interesting to see will be that different approach. Of, you know, having these companies be a bit more like traditional corporations that you see, not necessarily having them, [00:04:00] um, be so tied to whatever politically is happening in the government at the moment, or whatever is happening between governments at a time, um, and seeing exactly what value. The different aspects of a company are bringing into what that company is making into, um, what, uh, the revenue of that company is, and not just kind of what is, what is considered to be the best way forward by governments. Do you agree? Is that something that you’re sensing too? Allen Hall: The COP 30 just wrapped down in the rainforest of Brazil, and there has not been a lot of agreement news coming out of that summit. Uh, I think next year it’s gonna move to Turkey, but Australia’s involved heavily. It was supposed to be in Adelaide at one point and then it’s moved to Turkey. [00:05:00] So there doesn’t seem to be a lot of consensus globally about what should be happening for renewables, and it feels like. The state owned companies are, uh, getting heavily leveraged and losing money trying to get their footing back underneath of them, so they’re gonna have to divest of something to get back to the core of what they were doing. That’s an interesting development because I think one of the question marks regarding sort of these state owned companies was how fast were they willing to develop the technology? How much risk were they willing to take? Being backed by governments gets a little political at times, right? So they, they want to have a, a steady stream of revenue coming from these operations. And when they don’t, the politicians step in and, uh, lean on the company is a good bit. Does the move to more, uh, standalone companies that are investing sort of venture capital money and bank money taking loans? I assume most of this [00:06:00] does that. Change how the offshore industry looks at itself. One and two, what the OEMs are thinking. Because if they were going to sell to an TED or an Ecuador, or a stack raft or vattenfall, any of them, uh, you know, when you’re going to that sales discussion that they’re backed by billions and billions and billions of, of kroner or whatever the, the currency is. So you may not have to. Really be aggressive on pricing. Now you’re dealing with companies that are heavily leveraged and don’t have that banking of a government. Do you think there’s gonna be a tightening of what that marketplace looks like or more pressure to go look towards China for offshore wind turbines? Yolanda Padron: It’ll definitely get a bit more audited internally, exactly what decisions are made and and how objective teams are. I think that there’s. [00:07:00] In all of the companies that you mentioned, there’s some semblance of things that maybe happened because of what was going on politically or, or because of ties that certain governments had to each other, or certain governments had to specific corporations, um, which was a, a great way for those companies to operate at the time and what was, what made sense. But now that it’s. A third party who genuinely, you know, needs that cash flow in from that business or that part of the business, it’ll, I think you’ll definitely start seeing some, some greater efficiencies going on within Allen Hall: these teams. Well, I would hope so. If you think about the way the United States moved pre, uh, the current administration. There were a number of US based companies sort of going 50 50 on a lot of the [00:08:00] offshore development, and then they slowly started backing away. The only one that’s still really in it is Dominion, was the coastal offshore, um, coastal Virginia offshore wind project that is still progressing at a good pace. But, uh, everybody else that was involved in, and they’re not the same kind of structure as an Ecuador is. They’re not, uh, there’s kinda state-owned entities in the United States and states can’t have deficits, unlike nations can. So the US deficit obviously is massively large, but state deficits don’t really exist. So those electric companies can’t get highly leveraged where they’re gonna bleed cash. It’s just not a thing. It’s gonna happen. So I think I saw the precursors to some of this offshore turbulence happening in the United States as the. They didn’t see a lot of profit coming from the state electric companies. That seems to be flowing into Europe now pretty heavily. That started about six months [00:09:00] ago. How are they gonna structure some of these offshore projects now? Are they just gonna put them on hold and wait for interest rates to come down so that the margins go up? Is is that really the play? Is that you have the plot of land? You already have all the, the filings and the paperwork and authorization to do a project at some point, is it just now a matter of waiting where the time is? Right. Financially, Yolanda Padron: that question will be answered by each specific company and see what, what makes sense to them. I don’t think that it makes sense to stall projects that if you already have the permits in, if you already have everything in, and just to, to see when the time is right, because. Everything’s been ramping up to that moment, right? Like, uh, the water’s always already flowing. Um, but it, it’ll, it’ll definitely be interesting to see what approach, like where, where each company finds themselves. I, they’ll have to rely on [00:10:00] what information has come out in the past and maybe try to analyze it, try to see exactly where things went wrong, or try to pinpoint what. Decisions to not make. Again, knowing what they know now, but with everything already flowing and everything already in queue, it’ll have to be something that’s done sooner rather than later to not lose any of that momentum of the projects because they’re not reinventing the wheel. Allen Hall: Siemens is developing what a 20 odd megawatt, offshore turbine? 22 megawatt, if I remember right. 21, 22. Something in there. Obviously Ming Yang and some others are talking about upwards of 15 megawatts in the turbine. If you have a lot of capital at risk and not a lot of government backing in it, are you going to step down and stay in the 15 megawatt range offshore because there’s some little bit of history, or are you gonna just roll the dice? Some new technology knowing that you can get the, the dollar per megawatt [00:11:00] down. If you bought a Chinese wind turbine, put it in the water. Do you roll that? Do you roll that dice and take the risk? Or is the safer bet and maybe the financing bet gonna play out easier by using a Vestus 15 megawatt turbine or a Siemens older offshore turbine that has a track record with it. Yolanda Padron: I think initially it’ll have to be. Using what’s already been established and kind of the devil, you know? Right. I, I think it’ll, there’s a lot of companies that are coming together and, and using what’s done in the field and what operational information they have to be able to, to. Take that information and to create new studies that could be done on these new blades, on these new technologies, uh, to be able to take that next step into innovation without compromising any [00:12:00] of the, of the money, any of the aspects really like lowering your risk Allen Hall: portfolio. Yeah. ’cause the risk goes all the way down to the OEMs, right. If the developer fails and the OEM doesn’t get paid. It, it’s a. Catastrophic down the chain event that Siemens investors are looking to avoid, obviously. So they’re gonna be also looking at the financing of these companies to decide whether they’re going to sell them turbines and. The question comes up is how much are they gonna ask for a deposit before they will deliver the first turbine? It may be most of the money up front. Uh, it generally is, unless you’re a big developer. So this is gonna be an interesting, uh, turning point for the offshore wind industry. And I know in 2026 we’re gonna see a lot more news about it, and probably some names we haven’t heard of in a while. Coming back into offshore wind. Don’t miss the UK Offshore Wind Supply Chain Spotlight 2025 in Edinburg on December 11th. Over 550 delegates and 100 exhibitors will be at this game changing event. [00:13:00] Connect with decision makers, explore market ready innovations and secure the partnerships to accelerate your growth. Register now and take your place at the center of the UK’s offshore Wind future. Just visit supply chain spotlight.co.uk and register today. Well, as we all know, the offshore wind industry has sort of a problem, which is now starting to come more prevalent, which is the first generation of offshore wind turbines that prove that the technology could work at scale or getting old. We’re also developing a lot of new wind turbines, so the blade links are getting much longer. We don’t have a lot of design history on them. Decommissioning is expensive. Of course, anything offshore is expensive. What if we can make those blades last longer offshore, how would we do that? Well, that question has come up a number of times at many of the, the conferences that I have attended, and it looks like ORI Catapult, which is based in the UK and has their test center [00:14:00] in Blythe, England, is working with Blade Dina, which is a Danish engineering company that’s now owned by Res. So if you haven’t. Seeing anything from Blade Dina, you’re not paying attention. You should go to the website and check them out. Uh, they have all kinds of great little technology and I call it little technology, but innovative technology to make blades last longer. So some really cool things from the group of Blade Dina, but they’re gonna be working with re catapult to test an 88 meter blade for torsion. And I’m an electrical engineer. I’m gonna admit it up front, Yolanda. I don’t know a lot about torsional testing. I’ve seen it done a little bit on aircraft wings, but I haven’t seen it done on wind turbine blades. And my understanding, talking to a lot of blade experts like yourself is when you start to twist a blade, it’s not that easy to simulate the loads of wind loads that would happen normally on a turbine in the laboratory. Yolanda Padron: Absolutely. I think this is going to be so [00:15:00] exciting as someone in operations, traditionally in operations, uh, because I think a lot of the, the technology that we’ve seen so far and the development of a lot of these wind projects has been from teams that are very theory based. And so they’ve, they’ve seen what simulations can be done on a computer, and those are great and those are perfect, but. As everyone knows, the world is a crazy place. And so there’s so many factors that you might not even think to consider before going into operations and operating this, uh, wind farm for 10, 20 years. And so something that Blade Dina is doing is bringing a lot of that operational information and seeing, like applying that to the blade testing to be able to, to get us to. The next step of being able to innovate while knowing a little bit [00:16:00]more of what exactly you’re putting on there and not taking as big a risk. Allen Hall: Does the lack of torsional testing increase the risk? Because if you listen to, uh, a, a lot of blade structure people, one of the things that’s discussed, and Blaina has been working on this for a couple of years, I went back. Two or three years to see what some of the discussions were. They’ve been working with DTU for quite a while, but Dina has, uh, but they think that some of the aging issues are really related to torsion, not to flap wise or edgewise movement of the blade, if that’s the case, particularly on longer blades, newer blades, where they’re lighter. If that’s the case, is there momentum in the industry to create a standard on how to. Do this testing because I, I know it’s gonna be difficult. I, I can imagine all the people from Blaina that are working on it, and if you’ve met the Blaina folk, there [00:17:00] are pretty bright people and they’ve been working with DTU for a number of years. Everybody in this is super smart. But when you try to get something into an IEC standard, you try to simplify where it can be repeatable. Is this. Uh, is it even possible to get a repeatable torsion test or is it gonna be very specific to the blade type and, or it is just gonna be thousands of hours of engineering even to get to a torsion test? Yolanda Padron: I think right now it’ll be the thousands of hours of engineering that we’re seeing, which isn’t great, but hopefully soon there, there could be some sort of. A way to, to get all of these teams together and to create a bit of a more robust standard. Of course, these standards aren’t always perfect. We’ve seen that in, in other aspects such as lightning, but it at least gets you a starting point to, to be able to, to have everyone being compliance with, with a similar [00:18:00] testing parameters. Allen Hall: When I was at DTU, oh boy, it’s probably been a year and a half, maybe two years ago. Yikes. A lot has happened. We were able to look at, uh, blades that had come off the first offshore wind project off the coast of Denmark. These blades were built like a tank. They could live another 20, 30 years. I think they had been on in the water for 20 plus years. If I remember correctly. I was just dumbfounded by it, like, wow. That’s a long time for a piece of fiberglass to, to be out in such a harsh environment. And when they started to structurally test it to see how much life it had left in it, it was, this thing could last a lot longer. We could keep these blades turned a lot longer. Is that a good design philosophy though? Are should we be doing torsional testing to extend the lifetime to. 40, 50 years because I’m concerned now that the, well, the reality is you like to have everything fall apart at once. The gearbox to fail, the generator to fail, the [00:19:00] blades, to fail, the tower, to fail all of it at the same time. That’s your like ideal engineering design. And Rosemary always says the same thing, like you want everything to fall apart and the same day. 25 years out because at 25 years out, there’s probably a new turbine design that’s gonna be so much massively better. It makes sense to do it. 20 years is a long time. Does it make sense to be doing torsional testing to extend the lifetime of these blades past like the 20 year lifespan? Or is, or, or is the economics of it such like, if we can make these turbines in 50 years, we’re gonna do it regardless of what the bearings will hold. Yolanda Padron: From, from speaking to different people in the field, there’s a lot of appetite to try to extend the, the blade lifetime as long as the permits are. So if it’s a 50 year permit to try to get it to those 50 years as much as possible, so you don’t have to do a lot of that paperwork and a lot of the, if you have to do [00:20:00] anything related to the mono piles, it’s a bit of a nightmare. Uh, and just trying to, to see that, and of course. I agree that in a perfect world, everything would fail at once, but it doesn’t. Right? And so there you are seeing in the lifetime maybe you have to do a gearbox replacement here and there. And so, and having the, the blades not be the main issue or not having blades in the water and pieces as long as possible or in those 50 years, then you can also tackle some of the other long-term solutions to see if you, if you can have that wind farm. For those 50 years or if you are going to have to sort of either replace some of the turbines or, or eat up some of that time left over in the permit that you have. Allen Hall: Yeah, because I think the industry is moving that way to test gear boxes and to test bearings. RD test systems has made a number of advancements and test beds to do just that, to, [00:21:00] to test these 15, 20, 25 megawatt turbines for lifetime, which we haven’t done. As much of this probably the industry should have. It does seem like we’re trying to get all the components through some sort of life testing, whatever that is, but we haven’t really understood what life testing means, particularly with blades. Right? So the, the issue of torsion, which is popped its head up probably every six months. There’s a question about should we be testing for torsion that. Is in line with bearing testing that’s in line with gearbox testing. If we are able to do that, where we spend a little more money on the development side and the durability side, that would dramatically lower the cost of operations, right? Yolanda Padron: Absolutely. It, it’d lower the cost of operations. It would lower the ask. Now that. A lot of these companies are transition, are [00:22:00]transitioning to be a bit more privatized. It’ll lower the risk long term for, for getting some of those financial loans out, for these projects to actually take place. And, you know, you’ll, you’re having a, a site last 50 years, you’re going to go through different cycles. Different political cycles. So you won’t have that, um, you won’t have that to, to factor in too much, into, into your risk of whether, whether or not you, you have a permit today and don’t have it tomorrow. Allen Hall: It does bring the industry to a interesting, uh, crossroads if we can put a little more money into the blades to make them last 25 years. Pretty regularly like the, the, you’re almost guaranteeing it because of the technology that bleeding that’s gonna develop with Ory Catapult and you get the gearbox and you can get the generator and bearings all to do the same thing. [00:23:00] Are you willing to pay a little bit more for that turbine? Because I think in today’s world or last year’s world, the answer was no. I wanted the cheapest blade. I wanted the cheapest, uh, to sell. I could get, I wanna put ’em on a tower, I’m gonna call it done. And then at least in the United States, like repower, it’s boom, 10 years it’s gonna repower. So I don’t care about year 20. I don’t even care about year 11, honestly, that those days have are gone for a little while, at least. Do you think that there’s appetite for say, a 10% price increase? Maybe a 15% say 20. Let’s just go crazy and say it’s a 20% price increase to then know, hey, we have some lifecycle testing. We’re really confident in the durability these turbines is. There’s a trade off there somewhere there, right? Yolanda Padron: Yeah. I mean, spending 10, 20% of CapEx to it, it. Will, if you can dramatically increase [00:24:00] the, the lifetime of the blades and not just from the initial 10 years, making them 20 years like we’re talking about, but some of these blades are failing before they hit that 10 year mark because of that lack of testing, right. That we’ve seen, we’ve talked to so many people about, and it’s an unfortunate reality. But it is a reality, right? And so it is something that if you’re, you’re either losing money just from having to do a lot of repairs or replacements, or you’re losing money from all of the downtime and not having that generation until you can get those blade repairs or replacements. So in spending a little bit more upfront, I, I feel like there should be. Great appetite from a lot of these companies to, to spend that money and not have to worry about that in the long term. Allen Hall: Yeah, I think the 20 26, 27, Joel would always say it’s 2027, but let’s just say 2027. If you have an [00:25:00] opportunity to buy a really hard and vested turbine or a new ing y, twin headed dragon and turbine, whatever, they’re gonna call this thing. I think they’re gonna stick to the European turbine. I really do. I think the lifetime matters here. And having security in the testing to show that it’s gonna live that long will make all the little difference to the insurance market, to the finance market. And they’re gonna force, uh, the developers’ hands that’s coming, Yolanda Padron: you know, developing of a project. Of course, we see so many projects and operations and everything. Um, but developing a project does take years to happen. So if you’re developing a project and you think, you know, this is great because I can have this project be developed and it will take me and it’ll be alive for a really long time and it’ll be great and I’ll, I’ll be able to, to see that it’s a different, it’s a different business case too, of how much money you’re going to bring into the [00:26:00]company by generating a lot more and a lot more time and having to spend less upfront in all of the permitting. Because if instead of having to develop two projects, I can just develop one and it’ll last as long as two projects, then. Do you really have your business case made for you? Especially if it’s just a 10 to 20% increase instead of a doubling of all of the costs and effort. Speaker 4: Australia’s wind farms are growing fast, but are your operations keeping up? Join us February 17th and 18th at Melbourne’s Poolman on the park for Wind Energy o and M Australia 2026, where you’ll connect with the experts solving real problems in maintenance asset management. And OEM relations. Walk away with practical strategies to cut costs and boost uptime that you can use the moment you’re back on site. Register now at W om a 2020 six.com. Wind Energy, o and m Australia is created [00:27:00] by Wind professionals for wind professionals. Because this industry needs solutions, not speeches, Allen Hall: I know Yolanda and I are preparing to go to Woma Wind Energy, o and m Australia, 2026 in February. Everybody’s getting their tickets and their plans made. If you haven’t done that, you need to go onto the website, woma WMA 2020 six.com and register to attend the event. There’s a, there’s only 250 tickets, Yolanda, that’s not a lot. We sold out last year. I think it’s gonna be hard to get a ticket here pretty soon. You want to be there because we’re gonna be talking about everything operations and trying to make turbines in Australia last longer with less cost. And Australians are very, um, adept at making things work. I’ve seen some of their magic up close. It’s quite impressive. Uh, so I’m gonna learn a lot this year. What are you looking forward to at Wilma 26? Yolanda. [00:28:00] Yolanda Padron: I think it’s going to be so exciting to have such a, a relatively small group compared to the different conferences, but even just the fact that it’s everybody talking to each other who’s seen so many different modes of failure and so many different environments, and just everybody coming together to talk solutions or to even just establish relationships for when that problem inevitably arises without having it. Having, I mean, something that I always have so much anxiety about whenever I go to conferences is just like getting bombarded by salespeople all the time, and so this is just going to be great Asset managers, engineers, having everybody in there and having everybody talking the same language and learning from each other, which will be very valuable. At least for me. Allen Hall: It’s always sharing. That’s what I enjoy. And it’s not even necessarily during some of the presentations and the round tables and the, [00:29:00] the panels as much as when you’re having coffee out in the break area or you’re going to dinner at night, or uh, meeting before everything starts in the morning. You just get to learn so much about the wind industry and where people are struggling, where they’re succeeding, how they dealt with some of these problems. That’s the way the industry gets stronger. We can’t all remain in our little foxholes, not looking upside, afraid to poke our head up and look around a little bit. We, we have to be talking to one another and understanding how others have attacked the same problem. And I always feel like once we do that, life gets a lot easier. I don’t know why we’re make it so hard and wind other industries like to talk to one another. We seem somehow close ourselves off. And uh, the one thing I’ve learned in Melbourne last year was. Australians are willing to describe how they have fixed these problems. And I’m just like dumbfounded. Like, wow, that was brilliant. You didn’t get to to Europe and talk about what’s going on [00:30:00] there. So the exchange of information is wonderful, and I know Yolanda, you’re gonna have a great time and so are everybody listening to this podcast. Go to Woma, WOMA 2020 six.com and register. It’s not that much money, but it is a great time and a wonderful learning experience. That wraps up another episode of the Uptime Wind Energy Podcast. And if today’s discussion sparked any questions or ideas, we’d love to hear from you. Reach out to us on LinkedIn and don’t for, and don’t forget to subscribe so you never miss an episode. And if you found value in today’s conversation, please leave us a review. It really helps other wind energy professionals discover the show and we’ll catch you on the next episode of the Uptime Wind Energy Podcast. This time next [00:31:00] week.

Edinburgh's Lord Provost paid a visit to RNIB Scotland's refurbished office, RNIB's Connect Radio's Allan Russell spoke to him to get his thoughts on the facilities, the game of showdown and Meeting an awards winning volunteer. Image Shows RNIB Connect Radio Logo, RNIB In Bold Black Letters, Below A Solid Pink Line with Connect Radio Underneath

During Mickey-Jo's most recent trip to New York City he saw five off-Broadway plays, which were:• This World of Tomorrow at the Shed• Gruesome Playground Injuries at the Lucille Lortel Theatre• Prince F*ggot at Studio Seaview• Caroline at MCC Theatre• Initiative at the Public TheatreCheck out that Mickey-Jo thought of each of these shows, share your own thoughts and recommend more off-Broadway theatre in the comments!•00:00 | introduction00:50 | This World of Tomorrow ★★★11:23 | Gruesome Playground Injuries14:08 | Prince F*ggot ★★★★23:01 | Caroline ★★★★★31:35 | Initiative ★★★★42:19 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

With drag performers including Jinkx Monsoon and La Voix having recently been announced for major stage projects in 2026, Mickey-Jo is wondering whether there's been a trend in how many drag queens (and specifically alumni of RuPaul's Drag Race) have taken to the stage in the last few years.Shows on either side of the Atlantic, including Chicago, Cabaret, Moulin Rouge, Everybody's Talking about Jamie, Spongebob Squarepants, Little Shop of Horrors, Oscar at the Crown, and Oh, Mary! have all begun to include these talented tv stars among their casts.So what exactly is the reason for this, and what can we expect from the future of drag stars on stage?•00:00 | introduction02:51 | history of drag on stage11:32 | performances in drag20:13 | performances out of drag25:47 | performances beyond drag36:01 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

What are the threats to our dark night skies? And what needs to be done to protect them? Izzie, Dr Becky and Robert explore this important topic and head outside (...and the weather was not on their side!) Thank you to Dr Samantha Lawler at the University of Regina in Saskatchewan and Andy Lawrence, the Regis professor of astronomy at the University of Edinburgh. Don't forget to join The Supermassive Club for ad-free listening, forum access, and extra content from the team. The Supermassive Podcast is a Boffin Media production. The producers are Izzie Clarke and Richard Hollingham. Hosted on Acast. See acast.com/privacy for more information.

Hey friend — grab a cup of something warm because this episode is basically a cozy love letter to Scotland and the chaos of planning the perfect honeymoon. I'm getting married (yes, Mrs. Fiance—probably?), and Topher — now a travel advisor extraordinaire — planned our whole week in Edinburgh as a wedding gift. He went full curator mode, balancing our must-dos (spooky tunnels? yes please) and the slow, wandering days we actually want to enjoy. We talk about staying put in Edinburgh as our base, skipping the long car treks and islands that would eat half our trip, and instead taking smart day trips and local tours. There's a historical scavenger-hunt app to help us get our bearings without being rushed, haunted tours that end in dungeons (adults only, thank goodness), and a smidge of golf-related comedy because apparently my honeymoon could've been miniature-golf therapy for life choices. Topher's approach was so thoughtful — he curated the trip around what we genuinely love: walking the city in cardigans, foggy seaside vibes, and spooky stories. He also navigated budget realities (hello, Witchery hotel dreams) and found us a stunning hotel with a VIP upgrade instead of blowing the budget on one ultra-expensive night. Smart, practical, and still romantic. We kept things intentionally unbooked in spots so we can stumble into our own moments, which is my favorite part about travel. It's the best of both worlds: planned highlights (fairy-highland tour, haunted tunnels) plus lazy pub stops and wandering lanes we'll want to return to. Also: planning a trip with a travel advisor really changes the game — it felt customized in the best way. So come along as we gush about nostalgia, Scotland, and all the tiny decisions that make a honeymoon feel like a memory-in-progress. And if you ever need a travel nudge (or a good excuse to avoid driving abroad), Topher's got you — maybe he'll get you a VIP upgrade too.

This week on Monday Mailtime, Producer Dom unpacks two listener stories that prove the most ordinary places can hold the most unsettling secrets.First up, Connor shares his strange experience in a secondhand bookshop in Edinburgh where one unremarkable book refused to be left behind.Mysterious appearances, cryptic comments from the shop owner, and a story that keeps moving even after it's home make this a tale that lingers long after the last page.Then, Sam recounts a late-night encounter in a bland Manchester office building until a lift ride took him to a floor that should have been empty.Lights off.Doors open.And footsteps in the dark that knew exactly where to stop.Books that won't be forgotten.Elevators that don't follow the rules.And a reminder that sometimes… the quietest places are where the paranormal pays the most attention.A Create Podcast Hosted on Acast. See acast.com/privacy for more information.

Next year we've got three big trips on the docket - Thailand, Scotland/ London, and Switzerland/Italy. By mixing cash fares, smart point redemptions, and repositioning, we share the exact math behind paying cash to Asia, and two goals to keep travel calmer and on budget.• booking strategy for a family of five using points, cash, and portals• why one‑cent redemptions lost to Amex travel offers and 5x earning• routing choices to access lounges and smoother layovers• Thailand plan with Phuket, Koh Samui, and Bangkok as bases• London and Edinburgh logistics for seven travelers• chasing return award space after routes vanish• Aeroplan business class to Zurich and Boston repositioning• hotel approaches in Zurich, Lake Como, and Italy• domestic add‑ons to Oceanside and Disneyland with Hyatt certs• budget tracking on trips to curb overspend• ADHD medication updates improving family travel dynamicsI think I'm like very close to a thousand followers on Instagram. So if maybe you don't already follow, go over and give us a follow @travelpartyof5

After enormous anticipation that has only built during the show's preview period, Paddington the Musical has officially opened at the Savoy Theatre in London.The brand new stage adaptation of the Michael Bond story and the STUDIOCANAL films is directed by Luke Sheppard (The Little Big Things, Starlight Express) with Tom Fletcher and Jessica Swale having written the score and book respectively.Arti Shah and James Hameed jointly perform the role of Paddington Bear, with a supporting cast including Adrian Der Gregorian, Amy Ellen Richardson, Victoria Hamilton-Barritt, Bonnie Langford, Tom Edden, Brenda Edwards, Amy Booth-Steel, Teddy Kempner, and more.Check out Mickey-Jo's full review of the brand new musical, with thoughts on Paddington's true values, onstage depiction and new musical theatre material...•00:00 | introduction02:47 | overview08:34 | portrayal of Paddington18:18 | the material29:38 | the performances40:50 | creative choicesAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

With Felix Lindberg, Karolinska Institute & Karolinska University Hospital, Stockholm - Sweden, Martha Kyriakou, European University of Cyprus, Nicosia - Cyprus and Maggie Simpson, University of Edinburgh, Edinburgh - UK. In this episode, Felix Lindberg, Martha Kyriakou, and Maggie Simpson discuss multidisciplinary care in heart failure, exploring why HF complexity and multimorbidity make coordinated, team-based management essential. They outline the key professional roles and how they can work together to support continuity across the HF trajectory, from diagnosis and optimisation, through decompensations, and transition to advanced therapies and palliative care. The discussion also addresses real-world gaps in implementation, and considers how the expanding roles of nurses, pharmacists, and allied professionals, alongside emerging digital tools, may shape the future of multidisciplinary HF care. Proposed reading:  Examining the clinical role and educational preparation of heart failure nurses across Europe. A survey of the Heart Failure Association (HFA) of the European Society of Cardiology (ESC) and the Association of Cardiovascular Nursing and Allied Professions (ACNAP) of the ESC. Hill et al. 2025. Eur J Heart Fail. DOI: 10.1002/ejhf.3519 Multidisciplinary Care in Heart Failure Services. Sokos et al. 2023. J Card Fail. DOI: 10.1016/j.cardfail.2023.02.011 The Core Curriculum for Cardiovascular Nurses and Allied Professionals. Neubeck et al. 2023. Eur J Cardiovasc Nurs. DOI: 10.1093/eurjcn/zvad035 How to handle polypharmacy in heart failure. A clinical consensus statement of the Heart Failure Association of the ESC. Stolfo et al. 2025. Eur J Heart Fail. DOI: 10.1002/ejhf.3642 Pharmacist- and Nurse-Led Medical Optimization in Heart Failure: A Systematic Review and Meta-Analysis. Zheng et al. 2023. J Card Fail. DOI: 10.1016/j.cardfail.2023.03.01 Nurse-led diuretic titration via a point-of-care urinary sodium sensor in patients with acute decompensated heart failure (EASY-HF): A single-centre, randomized, open-label study. Meekers et al. 2024. Eur J Heart Fail. DOI: 10.1002/ejhf.3429 Heart failure disease management: a systematic review of effectiveness in heart failure with preserved ejection fraction. Kalogirou et al. 2020. ESC Heart Fail. DOI: 10.1002/ehf2.12559 What Are Effective Program Characteristics of Self-Management Interventions in Patients With Heart Failure? An Individual Patient Data Meta-analysis. Jonkman et al. 2016. J Card Fail. DOI: 10.1016/j.cardfail.2016.06.422 Comparative effectiveness of transitional care services in patients discharged from the hospital with heart failure: a systematic review and network meta-analysis. Van Spall et al. 2017. Eur J Heart Fail. DOI: 10.1002/ejhf.765 This 2025 HFA Cardio Talk podcast series is supported by Bayer AG in the form of an unrestricted financial support. The discussion has not been influenced in any way by its sponsor. 

mike@niddrie.org (Niddrie Community Church)no

The Radio Recruits report to Ubercorn from a famous castle in Scotland.

In this episode, I talk to the wonderful comedian, JOZ NORRIS. Surreal British comedian, screenwriter and comic actor Norris is a regular for at the cult comedy night The Alternative Comedy Memorial Society in London and has appeared at various comedy festivals including Leicester and since 2012, Edinburgh.  His 2025 solo show You Wait, Time Passes has received critical acclaim. I have seen Norris perform wonderful sketches for The Alternative Comedy Memorial Society in London in 2020 and 2024 and as the film star Hugh Jackman as a guest for Late Night with Terry Wogan at the Edinburgh Fringe in 2025. Thank you so much for listening to my podcast, if you like what you hear, please subscribe and I hope you enjoy the interview. Please read Joz Norris's blog at: www.arichcomiclife.blog/2020/03/14/joz-norris/ Joz Norris's links: Facebook: www.facebook.com/JozNorrisComedy Instagram: www.instagram.com/JozNorris/ Website: www.joznorris.co.uk  

The Spirit of Adventure Festival is hosted this weekend by Paralympic champion Karen Darke and features Claire Alldritt, who embarked on a 1000 mile trek with her horses in 2022. Rachel joins them to chat next adventures.In this week's podcast excerpt, Mark meets climber Guy Robertson whose latest book, The Great Mixed Climbs of Scotland, co-produced with photographer Hamish Frost, highlights winter climbs in the country.In a few days, Milli Abrams of Tribe Yarns in East Neuk, will start a 3000 mile solo row across the Atlantic. Milli joins Mark and Rachel before the adventure begins.Few patches of Caledonian pinewoods remain in Scotland. Near Glenmore Lodge, Mark talks to author Dr Ron Summers about future conservation of the pinewoods.The UNESCO Trail links Scotland's 16 UNESCO sites. Rachel chats about the trail's highlights with Ed Forrest, the Director of the Galloway and Southern Ayrshire Biosphere, at the Crawick Water.A new exhibition at National Galleries of Scotland: Portrait features Alfred Buckham, an aerial photographer who pushed the boundaries of 20th Century photography and aviation. Mark meets curator Louise Pearson to explore his death defying adventures and innovative techniques.The North Bridge, Edinburgh is currently under repair. In 2024, Maud Start met Benn Isherwood, Technical Advisor for the North Bridge Refurbishment Project, in Leith, where parts of the bridge were being painted.Rachel joins Brian Johnson at the Crawick Multiverse to discover how the land art installation was created.Game and Wildlife Conservation Trust's lease at demonstration farm Auchnerran in Aberdeenshire has recently ended. Mark joins Director Dr Nick Hesford at the farm to discuss its legacy of achievements.

One of this season's earliest new musical openings on Broadway was THE QUEEN OF VERSAILLES, a Kristin Chenoweth led star vehicle with a new score from Stephen Schwartz based on the documentary of the same name.The show, which opened to mixed to negative reviews, has already set an early closing date of January 4th, with online conversation quickly turning to whether or not this show deserved to close and whether it ought to have been more meaningfully supported by the Broadway community.In this candid and detailed review, Mickey-Jo is sharing his thoughts on the misguided musical and why it inherently is still deserving of honest, unfiltered critique.•00:00 | introduction03:18 | on Kristin Chenoweth09:03 | synopsis / overview14:08 | the biggest problem19:18 | the material25:02 | more on the material30:23 | creative choices37:00 | final thoughtsAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Earlier this month, WICKED: FOR GOOD, the second part of the film adaptation of the global musical phenomenon Wicked, finally arrived in cinemas.The film, directed by Jon M Chu, stars Cynthia Erivo (The Color Purple) as Elphaba, Ariana Grande (13 the Musical) as Glinda, and Jonathan Bailey (Company) as Fiyero. The supporting cast also includes Marissa Bode, Ethan Slater, Michelle Yeoh, and Jeff Goldblum.In the first of a new series called WICKED WEEKENDS, to take place over the next few weekends, Mickey-Jo is rounding up some of the film's more negative reviews and commentary in order to answer the question: why did (some of) the critics hate this film?! Make sure to SUBSCRIBE for more Wicked content coming on Wednesdays over the next month and share your thoughts about the film in the comments!•00:00 | introduction02:47 | The New Yorker13:07 | Time20:52 | Washington Post29:18 | The Telegraph35:14 | The Independent41:06 | conclusionAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

A new wave of reporting paints William as the heir poised to remake the monarchy in his own image: fewer titles, fewer palaces, more WhatsApp and school runs. We'll explore claims he wants non-working royals stripped of their princely styles, why Prince George may be the first modern king without real military service, and how the Queen was once “irritated” when William skipped what became her final England engagement. With insiders comparing him to a European “bicycling monarchy,” talk of retiring the cursed Duke of York title, and speculation that Louis could one day become Duke of Edinburgh instead, this episode looks at how William's push for normal family life might collide with centuries of royal tradition.Hear our new show "Crown and Controversy: Prince Andrew" here.Check out "Palace Intrigue Presents: King WIlliam" here.

Was ist eigentlich Nanomedizin? Kann KI Kommunikation? Und wie kommt Mikroplastik in unser Bier? In dieser Hörsaal-Folge präsentieren junge Wissenschaftler*innen ihre Forschung. Der Hörsaal wird zur Science-Slam-Bühne!********** 1. Verena Schulze: Nanomedizin - Winzige Teilchen lösen riesige Probleme Verena hat in Darmstadt und Hamburg Chemie studiert und ist aktuell Doktorandin am Fraunhofer-Institut für Angewandte Polymerforschung. 2. Luca Neuperti: Cats vs. Robots – Kann KI Konversation? Luca hat in Frankfurt Informatik und Soziologie studiert ist jetzt im Masterstudiengang Digitale Soziologie an der University of Edinburgh. 3. Dominik Kazmarek: Mikroplastik - Warum auch Wäschewaschen Wissenschaft sein kann Dominik hat in Wuppertal und Berlin Chemie studiert und ist derzeit Doktorand beim Umweltbundesamt. Ihre Vorträge haben die drei ursprünglich bei Science Slams gehalten, die die Wissenschaftskommunikatorin Julia Offe organisiert hat. Extra für diese Hörsaal-Episode haben die Slammer*innen sie noch mal aufgezeichnet. ********** Uns interessiert eure Meinung: Wie gefällt euch die Folge? Wollt ihr mehr Science Slams im Hörsaal? Welche Themen interessieren euch besonders? Habt Ihr bestimmte Forschende, die ihr gerne mal bei uns hören möchtet? Schreibt uns! Schickt uns eine Mail an mail@deutschlandfunknova.de oder sendet uns eine Sprachnachricht oder schreibt uns per Whatsapp: 0160-91360852. Wichtig: Wenn ihr diese Nummer speichert und uns eine Nachricht schickt, akzeptiert ihr unsere Regeln zum Datenschutz und bei Whatsapp die Datenschutzrichtlinien von Whatsapp. ********** +++ Deutschlandfunk Nova +++Hörsaal +++ Vorträge +++ Wissenschaft +++ Forschung +++ Nachwuchs +++ Science Slam +++ Nanomedizin +++ Krebs +++ Biopsie +++ Kebsdiagnose +++ Chemie +++ Chatbots +++ KI +++ Künstliche Intelligenz +++ Informatik +++ Soziologie +++ Mikroplastik +++ Wäsche +++ Waschmaschine +++ Waschen +++ Tipps +++ Nachhaltigkeit +++ Ökologie +++ Umwelt +++**********In dieser Folge mit: Vortragende: Verena Schulze, Chemikerin Vortragender: Luca Neuperti, Informatiker und Soziologe Vortragender: Dominik Kaczmarek, Chemiker Moderation: Katrin Ohlendorf**********Ihr hört in diesem Hörsaal:1:20 - Verena Schulze: Nanomedizin - Winzige Teilchen lösen riesige Probleme13:59 - Luca Neuperti: Cats vs. Robots - Kann KI Konversation?26:44 - Dominik Kazmarek: Mikroplastik - Warum auch Wäschewaschen Wissenschaft ist35:38 - Eure Meinung interessiert uns! - Wie ihr uns Feedback geben könnt**********Mehr zum Thema bei Deutschlandfunk Nova:Geschichte: Wirtschaftskriege bis hin zu TrumpDoping in der DDR: Pillen auch für Kinder und JugendlicheKolonialismus: Polnische Legionäre auf Haiti**********Den Artikel zum Stück findet ihr hier.**********Ihr könnt uns auch auf diesen Kanälen folgen: TikTok und Instagram .

The cult-hit, TikTok-viral Canadian musical RIDE THE CYCLONE has finally opened in London for its new UK premiere production.The show, at Southwark Playhouse Elephant, follows the St Cassian High School Chamber Choir into the afterlife when they die as part of a grizzly rollercoaster accident.Check out what Mickey-Jo thought of the popular show when he finally watched it for the very first time...•00:00 | introduction01:51 | synopsis / overview10:42 | characters / performances22:05 | the creative choices30:03 | will this show transfer?About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Comedian Gil Cordiner joins Darcy to share a lifetime of stories — from growing up in a tiny Scottish village to performing comedy across Australia and internationally at 59.Abandoned in Edinburgh at 17Touring comedy as a parent later in lifePartying in the 80s — Lambos, chaos, and close callsFriends disappearing and moments that shaped herStage-diving for the first time at 59Funny, raw, wild, and surprisingly inspiring.

Tucked into the shadow of St Giles' Cathedral, on what we now call Parliament Square, John's Coffee House once buzzed with the energy of Edinburgh's legal and intellectual elite. But behind the cobblestones and grand facades lies a history thick with intrigue, secrets, and, some say, restless spirits. Tonight, we're stepping back to 1688, into the smoky, crowded rooms where lawyers, merchants, and thinkers gathered over coffee, wine, and brandy—and where whispers of political plotting, deals, and even darker events might still echo. For anyone searching for haunted sites in Edinburgh or paranormal activity near the Royal Mile, John's Coffee House is a story you won't want to miss.This wasn't just a coffee house—it was a stage for ambition, rivalry, and sometimes disaster. From secretive meetings of creditors to fiery debates over the 1707 Act of Union, the people who passed through John's were shaping the city's—and the nation's—future. But along with the great minds came the human flaws: heavy drinking, brawls, and a few shadowy incidents that were quietly recorded in gossip and legal notes.In this episode of the True Hauntings podcast we're digging into every layer of John's story: the daily “meridian” brandy rituals of the lawyers, the infamous “Cauld Cock and Feather” drink, the political plotting and late-night arguments, and the sudden destruction of the Great Fire of 1824 that buried the building—and possibly disturbed graves beneath its floors. And we'll explore the eerie aftermath: the Police Chambers that rose on the same site, ghostly encounters reported during renovations, and the modern revival of John's Coffee House that leans into its dark past. If you've ever wanted a tale where history, hauntings, and human folly collide—this is it. Check out this short instagram video about the Lost Close under John's Coffee shop - https://www.instagram.com/reel/DL2s0K2Sm5J/Send us a Christmas card or postcard to:Anne and RenataP.O.Box 2289Dangar 2309NSW Australia

Shaughan McGuigan and Craig G Telfer put their heads together to talk about the very best action from the Scottish lower leagues over the last seven days. The pair talk about Dougie Imrie's appointment as Raith Rovers manager, Partick Thistle's back-to-back victories, Montrose's first win in two months, and an entertaining draw between East Kilbride and Edinburgh City. 0:00 Start 08:00 Dougie Imrie joins Raith Rovers 22:10 Partick Thistle 1-0 Dunfermline Athletic 35:15 Partick Thistle 2-1 St Johnstone 48:40 Montrose 2-1 East Fife 01:01:45 East Kilbride 1-1 Edinburgh City Learn more about your ad choices. Visit podcastchoices.com/adchoices

Celtic beat St Mirren on Saturday night. That's about all we can say, but the bhoys try their best to spend more than 10 mins reviewing the game. Next up is Feyenoord followed by Hibs and we debate how Martin O'Neil is likely to approach what is almost certainly going to be his final 2 games in football management before the arrival of Nancy.Enjoy…Apple podcastsSpotifyAmazonPlayer.fmSpreakerAudioboomYoutube This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit thecelticunderground.substack.com/subscribe

Emerging from Edinburgh's music scene in the mid-1990s, Idlewild carved out their place in a British rock scene choc-a-bloc with guitar bands (the halo of Britpop) through a combination of emotional intensity and literary edge. All of this is present in the band still, right down to new song “Back Then You Found Me” name checking Dylan Thomas's Under Milk Wood. Their 1998 debut album, Hope Is Important, announced them as something more than just another Scottish guitar band. Their songs were tight, but angular, and threaded with Woomble's poetic phrasing and a strong melodic core. Did Idlewild have the boom and bust fame of Brett Anderson's “Stations of the Cross” career curve (on which this podcast is based, I remind you)?Of a sort, yes. Building on an acclaimed debut album (Broken Windows),  2002's The Remote Part, Idlewild reached a classic creative x commercial peak. That album is perhaps still their most well known - a more expansive, anthemic sound without abandoning the sensibilities that had become their trademark. It contained bona fide chart hits, “You Held the World in Your Arms” and “American English” and set the band on the way to being one of the key British bands in the early 2000s.But in a sense, the “stratospheric rise to the top” was kept well in check. Perhaps it was personnel changes (I haven't counted but the band has had more than its fair share of bassists). They pivoted toward a warmer, more reflective style on Warnings/Promises (2005), incorporating folk influences and richer textures. It bridged the band to maturity and opened up their options but ultimately did not satisfy the major label they were signed to, Parlophone. An arena tour with Coldplay somewhat exposed Idlewild's “limitations” if you want to put it that way - not musically, but in terms of performance - the will and the way to take their show to the big stages expected by major labels. There was no meltdown, no drama. But major label life is what it is - both back then, and in the present time. “Our label mates were Kylie Minogue, Radiohead, Coldplay and Blur. We were definitely at the bottom of that pile”.When Parlophone didn't want to renew a new deal after four albums, it was time for the band to re-adjust. To Woomble, it was liberating - eventually. “For Make Another World, we felt like we'd toured enough, we had a fan base. Then after Post Electric Blues (2009) we decided to take some time away. As a band we felt intact, but we also felt like we wanted to stay up at the level we were, not to end up just playing clubs. The music business was so strange then (2007), we ended up taking five years away and came back with a renewed sense of what we could do, creatively”. Their string of subsequent albums, Everything Ever Written (2015), Interview Music (2019) and now Idlewild all have something to offer, and demonstrate the band's refusal to stagnate. The one-two punch of Woomble's poetic lyrics and Jones's jagged, urgent guitar work still delivers something, if not unique, then most definitely a cut above standard indie fare - more depth, more emotion. Few bands transition successfully from ragged punk-inflected rock to expansive indie-folk, but Idlewild managed it without alienating their audience or diluting their artistic character. In short, Idlewild's career is a testament to thoughtful songwriting, evolution, and the enduring power of emotionally intelligent rock. Most definitely an interesting and quietly inspiring longevity story. Support the showGet more related content at: https://www.songsommelier.com/

Send us a textWelcome back to the Ready Set BBQ podcast, your go-to destination for the latest and most exciting happenings around the world! In this episode we talk about  Cowboys, Trump, Aissha Curry, hunting humans, Glenn Powel, Friendsgiving and Hiram's Bday weekend.   0-20 mins: HeadlinesLamb/Pickens: The WR duo misses the first drive of the Cowboy game and later find that they were partying all night in Vegas.  Trump/Clinton: Rumors about these two are getting out of hand.  Aisha Curry: More rumors about affairs and gong behind Stephs back.  Hunting Humans: We talk about possible games where rich people hunting humans for sport. Glenn Powell: He talks about jerkfest and how people advance in Hollywood. 25-35 mins: BBQ Time Friendsgiving: We talk about our Friendsgiving as well as the LA Friendsgiving.  Thanksgiving: We talk a little about Thanksgiving.  World Series Sponsors: Still looking for sponsors for our trip.  35-45 mins: Hiram's Bday Hiram's Palm Spring Trip: HIram talks about his upcoming trip to Palm Springs.          https://podcast.feedspot.com/barbecue_podcasts/Etsy/ShopReadySetBBQ - EtsyFacebook Pagehttps://www.facebook.com/readysetbbqFeedspothttps://podcast.feedspot.com/barbecue_podcasts/Etsy/Shop ReadySetBBQ - EtsyFacebook Page https://www.facebook.com/readysetbbq Feedspot https://podcast.feedspot.com/barbecue_podcasts/

What makes you a designer? ...Today, Abbie, Claudia, and Chris explore radical changes in learning around systems thinking and design over time, along with the implications for future designers, which includes all of us. This conversation was recorded in front of a live audience as part of the RSDX Online Festival on Sunday, October 5, 2025. Join the RSDX Zoom Event here to watch the recording of Claudia and Chris' presentation 'Configuring Incompossible Futures'....Claudia Westermann is an artist-researcher and licensed architect. She is Associate Professor of Creative Practice in the School of Design and the Built Environment at Curtin University in Perth, Australia, a member of the German Chamber of Architects, Vice President of the American Society for Cybernetics (ASC), and co-editor of the journal Technoetic Arts. Claudia Westermann's projects have been widely exhibited and presented, including at the Venice Biennale, the Moscow International Film Festival, ISEA Symposium for the Electronic Arts, and the Center for Art and Media (ZKM) in Germany. She has received awards for her practice and teaching, including two provincial and three national awards. For her visionary engagement fostering systemic education, research, and practice, she received the Margaret Mead Prize from the American Society for Cybernetics in 2024.Chris Speed FRSE, FRSA is Professor of Design for Regenerative Futures at RMIT, Melbourne, where he works with communities and partners to explore how design supports transitions toward regenerative societies. He has a strong record of leading major grants and educational programmes with academic, industry and third-sector collaborators, applying design and data methods to address social, environmental and economic challenges. From 2022 to 2024, he served as Director of the Edinburgh Futures Institute, where he led the transformation of the historic Old Royal Infirmary into a world-leading centre for interdisciplinary teaching, research and innovation. Between 2018 and 2024, he directed Creative Informatics, a £7.4 million UKRI-funded cluster that supported data-driven innovation in the creative industries. From 2012 to 2022, he was Co-Director of the Institute for Design Informatics at the University of Edinburgh, which he helped build into the College's largest research centre and a nationally recognised leader in interactive media. In 2020, he received the University of Edinburgh Chancellor's Award for Research and was elected Fellow of the Royal Society of Edinburgh....Stories Lived. Stories Told. is created, produced & hosted by Abbie VanMeter.Stories Lived. Stories Told. is an initiative of the CMM Institute for Personal and Social Evolution....Music for Stories Lived. Stories Told. is created by Rik Spann....⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Explore all things Stories Lived. Stories Told. here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.Explore all things CMM Institute here.

Hey Boos, join us today as we discuss the history and legends of the Greyfriars Kirkyard in Edinburgh, Scotland! Before we get into that, we discuss some of the horror genres we would like to see more movies from. Then we get into the history of the Greyfriars Kirkyard, the legends surrounding it, and the pop culture. For our Boo Crew Moment of the Week, Bobby shares 9 interesting facts from Stephen King's IT. We would love to interact with you, send us an email or DM us on Instagram or Facebook! Follow us on Instagram - boo.busters.podcastFollow us on Facebook - Boo Busters PodcastFollow us on TikTok - boo.bustersEmail us - boo.busters.podcast@gmail.com

Earlier this week it was announced that the West End production of BACK TO THE FUTURE will close in April 2026 after nearly 5 years at the Adelphi Theatre in London.This news comes shortly after the cancellation of the show's Australian Tour, but amidst confirmation of a subsequent UK Tour as well as an imminent German production, prompting questions about the future of this show as well as changes to the theatre industry on a global level.Today, Mickey-Jo will be sharing some insights into why this award winning musical is decelerating in London, as well as whether audience appetites are changing, and what we might expect to see next at the Adelphi Theatre...•00:00 | introduction02:38 | why is it closing?11:57 | industry impact19:37 | what's next at the Adelphi?About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Allen, Joel, Rosemary, and Yolanda discuss Modvion’s €39M grant for wooden wind turbine towers, leading to a discussion about funding vs. engineering readiness in the wind industry. Plus they highlight Veolia’s blade recycling advances in PES Wind Magazine. And the Weather Guard team announces they’ll be in Edinburgh for the ORE Catapult Offshore Wind Supply Chain Spotlight! Register for Wind Energy O&M Australia 2026!Learn more about CICNDT! Sign up now for Uptime Tech News, our weekly email update on all things wind technology. This episode is sponsored by Weather Guard Lightning Tech. Learn more about Weather Guard’s StrikeTape Wind Turbine LPS retrofit. Follow the show on Facebook, YouTube, Twitter, Linkedin and visit Weather Guard on the web. And subscribe to Rosemary Barnes’ YouTube channel here. Have a question we can answer on the show? Email us! Allen Hall: A portion of the Weather Guard team. We’re headed to Scotland for the ORE Catapult Offshore Wind Supply Chain Spotlight, which is gonna happen on December 11th in Edinburgh. We’re gonna attend that and it’s gonna be a, a number of great offshore companies there. We’re hoping to interview a couple of them while we’re there. But Joel, this is a real opportunity, uh, for offshore companies in the UK to showcase what they can do and they can get on the Uptime Wind Energy Podcast. Joel Saxum: Of course. So we’re flying over the sixth and seventh there over the weekend. And we will be, uh, in Edinburgh, uh, on the eighth. So Monday morning through Thursday. Thursday and Thursday is the or E Catapult event. And yeah, we’re excited to see some of the companies that are gonna be there, interview some of them, get the, the picture, uh, of the uk um, supply chain, right? Because I think it’s a really cool event that they’re doing. I’d love to see other countries do that. I’d love to see the US do that. Um. Just say like, Hey, this is, these are the companies, the up and [00:01:00] comers and the, the people that are changing the game and, and kinda give them a platform to speak on. So we’re excited to do that. It’s gonna be a one day event. Um, love to see some people join us, but the other side of that thing is we’re gonna be over in Scotland. So we’re, well, we’ve got a couple meetings in Glasgow, a couple meetings in Borough. So if you are around the area, um, of course we’re linking up people on the uptime network, but, uh. If you’re around the area and you want to, you wanna chat anything wind, or maybe you got lightning protection problems, get ahold of us. ’cause we’ll be over there and, uh, happy to drop in and uh, share coffee with you. Allen Hall: It’s just part of Weather Guards and the Uptime Wind Energy Podcast outreach to the world. So we’re gonna be in Scotland for an entire week. We’re heading down to Melbourne, Australia for probably a couple of weeks while we’re down that way. And we will be somewhere near you over the next year probably. It’s a really good, uh, free service that we provide, is we want to highlight those businesses and those new technology ideas that need a little bit of exposure to grow. And that’s what the Uptime podcast is here to do. So join us [00:02:00] and if you want to reach out to us, you can reach us via LinkedIn, Allen Hall, Joel Saxon. We’ll respond to you and hopefully we can meet you in Speaker 3: Edinburgh. You’re listening to the Uptime Wind Energy Podcast, brought to you by build turbines.com. Learn, train, and be a part of the Clean Energy Revolution. Visit build turbines.com today. Now here’s your hosts, Alan Hall, Joel Saxon, Phil Totaro, and Rosemary Barnes. Allen Hall: Welcome to the Uptime Wind Energy Podcast. I’m your host, Alan Hall in the Queen city of Charlotte, North Carolina. Soon, the home of Maersk North America, I think we’re going to find out. And also the new Home of Scout, if you haven’t seen the little, what was formerly a MC little vehicle that’s gonna be made, well engineered in Charlotte and then built in South Carolina. So we’re looking forward to that. And with me as Yolanda Pone in Texas. Joel Saxons up in the great state of Wisconsin and Rosemary [00:03:00] Barnes is back in Australia. And there’s plenty of things to talk about this week, and I, I think our pre-recording discussion has centered on wooden wind turbines. And if everybody’s been following, um, mod Vion, they have received a 39.1 million Euro grant and they are making of all things. Wooden wind towers. So, uh, up in Sweden, there’s plenty of wood to make towers out of, out of it. And it’s a laminated process. And if, if you’ve looked online, I encourage everybody to go look online. It’s kind of an interesting technology they have where they’re layering wood together to build these towers sections. And so instead of using steel or other materials, concrete, you can make them outta wood. Uh, so the European Union is backing this, and as Joel has pointed out. This is not the only money they have received to develop this technology. Joel Saxum: Yeah. Back in 2020, they received a six [00:04:00] and a half million euro. Grant as well. And then they had some investment money come in, um, and it was in Swedish Knox. Okay. Or of course they’re in Sweden, so Makes sense. But that was a, a convertible note around 11, 12 million, uh, euros as well. So when you add this 39 million Euro grant on, you’re looking at about 55, 50 7 million euros in funding over the last five or six years for this company. Allen Hall: How does the European Union decide where to invest? These innovation funds at, Rosemary Barnes: you know, it’s interesting ’cause I visited MO when I was in Sweden a few months ago. I actually have a video, uh, about to come out hopefully next week. Um, about, yeah, I got a tour of their factory and, uh, interviewed one of their engineers who’s been with them like the whole time. Um, and I visited them just a few days after I visited C 12. I made a video about that as well. That’s a floating vertical axis wind turbine. C 12, just like four days after I visited them, they, um, received the [00:05:00] news that they had been awarded a similarly sized European grant. So, yeah, in the tens of millions, I can’t remember the exact number. And I was thinking, what would I do if I got, you know, 40 million euros, which is like nearly 80 million, I think Australian dollars. Like I could really come up with something major and develop it in that time. It’s not, they haven’t been given the money to come up with the right solution, right? They’ve been given the money for the solution that they already have. And I think that it’s really interesting that these European grants, it’s set up like that where they’re supporting, uh, assume that they’ve got a certain technology readiness level that you have to be at before that they will support you. And that kind of means that you’re locked in to a solution by the time that you’re at that point, right? Rewards only that kind of model where you have a charismatic person with a vision that they just pursue to the end. It does not reward getting the smart people who could find solutions to the real problems. It [00:06:00] doesn’t reward that because you, no one’s getting heaps of money, like $10 million early on to be like, here’s a problem, now find a solution and we’re going to. Fund that through the 10 things that you try that don’t end up working, no one is funding that, right? So all of that has to be done on the basis of your own pockets or the ability of your charisma to convince other people to support it. And I just think that it’s probably like. Not the right way to spend your, you know, if you’ve got like $500 million to spend to get the next big thing in wind energy, you shouldn’t be picking a bunch of companies that are tier L five. You should be getting the smartest people and giving them money to found a company and um, yeah, come up with solutions that way. Joel Saxum: Is it wooden? Wind turbine tower worth it. Rosemary Barnes: And ev everyone will have to have to watch my video. ’cause I asked, I asked quite in depth questions ’cause I went into it very, very skeptical thinking that this was a su sustainability play. And I’ve got two issues with that. Like, first of all, wind turbine tower is [00:07:00] not that unsustainable. I mean, wind turbines on average are paying back the energy that it took to make them in, you know, six months or so. But what was interesting is, you know, wood is a, a composite material, right? It’s got the, um. Fibers, cellulose fibers in a malignant matrix. It’s, it’s, it’s a composite material, just like fiberglass is. Why don’t we make fiberglass towers? I mean, it’s partly ’cause of the cost and it’s partly ’cause joining them is quite tricky as well. Um, and yeah, those are probably the, the main two things, but I’ve actually done a bit of work into it. If you could make a fiberglass tower, you could go. Way, way taller than you can with, with a steel tower, with, you know, transport constraints and whatever. So the wooden tower actually has a lot of the advantages that you would find if you had, were able to make a fiberglass tower. So they are expecting to be able to go taller, um, with, you know, they’re as constrained by transport because, you know, the fibers are all running this way. It’s fine to cut it, um, like longitudinally, um, slice it into pieces and join the all site. Doesn’t, um, [00:08:00] reduce the, the. The strength really. So there from that point of view, there’s something to it. If you can go taller, make it easier to go taller with towers, then that’s a real problem that needs a solution. There are other solutions. There’s like NARA Lift, you know the one just got bought by Ford Spanish company where they build a turbine on like a tiny tower and then slot pieces in underneath it to come up. That’s another great solution. Um, people are also looking at 3D printing concrete towers and thing, things like that. So it’s not like this wooden tower is the only way that we’re gonna be able to do that, but it’s a real problem with a plausible solution to it. So. I think that they’re ahead of many, many, many, many of this kind of company. Just just from that, that at least they’re solving a real problem. Allen Hall: Delamination and bottomline failures and blades are difficult problems to detect early. These hidden issues can cost you millions in repairs and lost energy [00:09:00] production. C-I-C-N-D-T are specialists to detect these critical flaws before they become expensive burdens. Their non-destructive test technology penetrates deep to blade materials to find voids and cracks. Traditional inspections, completely. Miss C-I-C-N-D-T Maps. Every critical defect delivers actionable reports and provides support to get your blades. Back in service. So visit cic ndt.com because catching blade problems early will save you millions. Is it the fact that founders in that sense can speak about problems and tell a story, which it feels like if you watch Shark Tank, this is sort of the Shark Tank wind energy connection. I always think it when you watch Shark Tank. Is someone who gets money there or what’s the equivalent? In the UK it’s called Dragon’s Den. There’s [00:10:00] a a certain personality type. Rosemary Barnes: How often am, am I saying? Are we all saying what we’ve got here is a solution looking for a problem? Like there’s a real disconnect between. Engineering a good solution and, um, that, that will work in the field versus fake it till you make it to attract investor money. I think it’s like this, this Silicon Valley like model where with software you kind of can fake it till you make it and it, you know, like update quickly, learn quickly. But with a hardware product as big as a wind turbine. You can’t, like if the engineering isn’t right, the product will never succeed. You can’t bluff your way through that. Um, the projects that are done, like with the right engineering can’t attract enough. Funds. So they, they fail before they ever prove it. But the ones that attract enough funds are doing it because they’re like, uh, designing for investors rather than to build a successful project. And so it’s like you’ve got these two alternatives, both of which are guaranteed to fail.[00:11:00] Um, I think that that’s the, like the biggest problem for how hard it is to get like legitimate innovation in energy Yolanda Padron: up. I feel like it’s almost like a, it should be a training. For engineers in school to be able to at least pretend like you can not care about the details as much, you know, for 20 minutes in the day or something. ’cause imagine how successful some of these projects could potentially be if you were at least for a meeting like par with. Those people who just have that personality type. Allen Hall: Not all engineers are gonna be founders of company and not all founders of company are gonna be engineers. And that has an influence on what the little tiny pool of people that can be able to do this where you’ve taken a very complicated problem, come up with a solution and being able to sell it or market it, which is even harder. You gotta market before you can sell it. [00:12:00] The engineering. Type person tends to wanna focus on the details, the of the product, not on the problem that someone is struggling with and what that means to that person. Here’s, I think where that line gets crossed, and you can do both, is that, that the engineers that are just. Focused, super focused on learn, learn, learn, learn, knowing what you do not have and going to get those skill sets because you don’t have to be the world’s best engineer, nor do you have to be the world’s best marketer, but you have to know enough to be dangerous and you as an engineer. Training I had in school was keep. Pounding, keep trying to learn more. And I, I feel like Rosemary’s in the same vein, right? So she’s always trying to learn more and that’s why she has her engineering with Rosie, uh, YouTube channel is because she’s constantly trying to pick up new things. But you also look at Rosemary. Oh, Rosemary, I don’t mind if I use you [00:13:00] as an example here, but you didn’t come out of, uh, Australian Elementary School, whatever that is, being a a, a really good speaker, like that’s something you’ve learned over time. You’ve been able to. Work in a very large company, you now, you’re in a very small company, the one that you own, and you’ve had to bridge that. And that means you have to know what the budgets are, what the money, where this money’s coming from. You have to sell to large corporations. You have to learn all those skills. That takes time, and each one of those skills you learn is extremely painful. So you have to have the resilience to say, you’re shooting arrows at me all the time. I’m not dead yet. I’m gonna keep moving forward because I could, I can see a way that I can make a business that produces a revenue that I can pay the mortgage with. Joel Saxum: That’s what it takes. Another, another side of this is, is if you’re trying to, to get, you’re getting to the point where you’re building a team out, right? I think it’s very [00:14:00] important for a founder to under, to understand their limitations at certain points in time. Because if you build a company and you’re just like, I like engineers, so I’m gonna build a company with five engineers and us six are gonna make something happen that may not be the best, you know, the best strategy if you’re gonna want like. I did, we used to do this thing, um, in a, in a company that I was a partner in where we had those, it’s a, basically like a spider graph, right? And you take, you answer all these questions and it ranks you on points of like, where you are for problem solving and where you are for the, you know, the big picture where you are for details. And then it overlays them all. So you look at your management team, you overlay ’em, what you wanna see is a perfect circle that you’ve filled every one of these. Areas, these silos with skills on your management team or on your execution team, or on your project team or whatever it may be. You can’t really Allen Hall: have an ego in a sense. The thing about starting a company is everybody is shooting Arrow, is that you, when you first go to a customer [00:15:00] that first time, they are gonna blow holes in you because you haven’t thought of all these different things that they consider to be very important. And you come out of it like, boy, yeah, yeah, I was not ready for that. Yes, Rosemary Barnes: but you’ve gotta want that. See that not as an insult to your ego, but as information that you need to, to grow. I think. ’cause I work a lot with startups as well as having one of my own. Um, and one thing that I do is I really, really early on screen them to figure out what kind of founder there are. ’cause there’s, there’s two kinds. There’s the one that wants to develop a significant product that will be successful in the world. And then there’s other ones who just love their idea and want to keep on working on it forever. And that second type, they don’t, they don’t want to learn anything wrong with their product. They don’t want to know about, um. You know, showstoppers because that’s gonna prevent them from doing what they love, which is working on this idea. So I only wanna work with the, the first kind, who would see a, being informed about a [00:16:00] showstopper for their project. They would see that as a real win. So that’s my always, my philosophy is just, uh, just gonna break it. What, whatever your idea is, I’m gonna do whatever I can to break it. Whether that’s physically or whether that’s commercially break the business case. You just throw everything you can at it intentionally. And with my own products too. You. Do everything you can to make it a failure. ’cause that’s how you learn how to make something that cannot fail, you know? And that’s what you need to succeed. It’s not enough to have an idea that, you know, like, like a lot of times with wind energy, you come up with something that might make be better, right? Than the status quo. So let’s think about, you know, um. Wind turbine. They’ve all got three blades. They all have a, um, the upwind facing rotor. You know, they’re, they’re very, very similar. There are all sorts of ideas that could be better. Right? That could be a better way to do it. You know, there’s different ways to make the, the blade maybe out of sailcloth instead of fiberglass. You can have two blades. Um, you can have a [00:17:00] downwind rotor. You can, like any, all of these ideas have been tried before, but being a little bit better is, is not. It’s not close, it’s not close to being enough like it is so far from, from being enough. It has to be so good that it can’t fail. That is the only way for you to overcome the, um, the gap that you have to what the status quo is. And so many people like, but my, you know, but my design is 1% more efficient. People could, you know, get all this amount extra. They, they’re not, that is not enough to get you over that massive hump between where you are now with an idea. What it would take to get people buying enough of it that it will ever reach its potential. That’s what people don’t see. Allen Hall: That’s exactly circling back what we’re talking about. The idea has to be a big improvement. Whatever it does. The wheel was a big improvement. The pencil was a big improvement. Paper was a big improvement. [00:18:00] Sliced bread, huge improvement. It just made your life easier. It has to be something that makes. Life easier, not just a little bit. And Rosemary is 100% right about this. It has to be a lot. So when, when I hear people in wind that are working in technology talk about a quarter percent, a half a percent, say 2%, that’s usually not enough to get somebody to react to it. It has to be a bigger number. Now, the two percents of the world. Incrementally, we will make the world better. Rosemary Barnes: It, it’s fine if it’s a, if it’s a small technology that will just fit in with a status quo without making anyone’s life harder than 2% is amazing. If it requires anyone to do anything different, then it is not close to enough. Allen Hall: Don’t miss the UK Offshore Wind Supply Chain Spotlight 2025 in Edinburg on December 11th. Over 550 delegates and 100 exhibitors will be at this game changing event. Connect with decision makers. Share your market ready innovations and secure the partnerships to accelerate your [00:19:00] growth. Register now and take your place at the center of the UK’s offshore Wind future. Just visit supply chain spotlight.co.uk and register today. So we have somebody on the other side of the table, which is Yolanda, who sees all the crazy people come up to ’em. If you’re sitting across the table from someone who wants to sell you a product, I, I can’t even think of what. To be selling you, honestly. ’cause there’s not a lot of, um, maybe, maybe they’re selling aerodynamic improvements. Maybe they’re selling some blade whizzbang thing or CMS system. Maybe CMS system. Can you suss that out? Can you just tell that this person is not locked in on reality? It’s, does that show up in a meeting? Yolanda Padron: Well, initially, a lot of times some people just won’t. They don’t care exactly what your problem is or what the, you know, a problem might be big, but it might [00:20:00] not have as big an impact on generation as the spend to fix it would be. Or a lot of times the, the problem that you may be seeing is just. You know, it, it’s a risk that you’ll, you’ll take because of the, the cost of the solution. I mean, if, if you have, if I have $2,000 budgeted to fix or deal with an issue and you’re offering me a solution for $45,000, I just can’t take it. You know? I mean, as great as you might sound and as much as you believe in your project, uh, on your product, you just can’t take it. And I think there’s some people who. Come to the table really caring about what the issue is and finding a solution together for the sake of the industry, as was weather guard and is. Uh, but there is also [00:21:00] just some, some teams who just really, really just want their product, who will come to an engineer and won’t even bring an engineer to the table, who will just not even care about testing. Their, their product in a, their an accredited facility. And we’ll say, I mean, I had people come to me in a sales pitch and then when I asked them for testing results, they would say, well, will you fund this testing? It’s like, no, I. I, I won’t, you’re, you’re selling me the product. Like I don’t, Rosemary Barnes: I don’t think you understand. I saw so many companies that that was their biggest failure. They couldn’t get real world testing and that, that’s why I know that weather guard and paddle load are like poised for at least once you have a good idea, you’re gonna be able to develop it. Because the testing is, the testing capability is built in and I definitely could get people to pay to test. [00:22:00] A product that I developed because I know exactly what their problem is. I know exactly how much it’s worth to them, and they know that I understand it better than than them even. So I think people don’t, um, like it’s a very wind specific thing, but it is so hard if you just come up with an idea and you don’t know anybody that, um, managers wind farms. It’s so hard to convince someone to put something like even to just allow you to put it on for free. That’s a really, really hard sell. Allen Hall: So what is the advice for. Small businesses that want to be large businesses that are, have wind products that they’re offering today, what are the steps they need to take to make it a reality? Rosemary Barnes: They need to understand the, the problem really well, or the problem that they’re. Potential customers had and they also needed to understand the other pain points in that person’s life. Because a lot of times I’ve seen people get so, um, kind of worked up that, yeah, they’ve got a business case on [00:23:00] paper that, you know, the company should, in theory, make way more money from having this product. They’re not having it, but people don’t have enough time. Um, it has to be. Solving, either solving a problem that is taking up their time already, and you will immediately take up less of their time with when your solution is, when they even start to implement your solution. It’s not enough that they do a year project and then they start to have their problem solved. Um, so either, yeah, it has to be so much better or it needs to be totally painless to implement it. That’s the, that’s the two, two options that you have. There isn’t a third option. Yolanda Padron: I think it’s really important to balance your humility. Uh, and just your ego a little bit. Of course, you need to be proud of your product and you want to believe in it and everything. Uh, but you need to be humble enough to listen to the person and listen to their issues and listen to maybe your product isn’t perfect and it needs some tweaks [00:24:00] and mower likely than not, it will need some tweaks. So just don’t. Continue going forward to something that just won’t work. Speaker 6: Australia’s wind farms are growing fast, but are your operations keeping up? Join us February 17th and 18th at Melbourne’s Pullman on the park for Wind energy ONM Australia 2026, where you’ll connect with the experts solving real problems in maintenance asset management. And OEM relations. Walk away with practical strategies to cut costs and boost uptime that you can use the moment you’re back on site. Register now at WMA 2020 six.com. Wind Energy o and M Australia is created by wind professionals for wind professionals because this industry needs solutions, not speeches. Allen Hall: So everybody’s preparing to go to Melbourne in February of 2026 for Woma [00:25:00] Wind Energy, o and m Australia and the promos have just hit LinkedIn. Everybody’s talking about it. We’re getting a, a quite a number of sponsors. Joel. We have a, a couple of sponsorship levels still available, but not many. Joel Saxum: Yeah, we are fresh out of round table sponsors. Um, we’ve still got a couple hanging out there for some. Receptions and lunches and things like that. But, uh, yeah, we’ve got, uh, a lot of our friends joining up, a lot of emails coming in to ask of can I get involved somehow? Um, which is great because to be honest with you, even if we don’t have a spot for an ex ex exhibitor spot or a sponsorship spot, getting to talk with people at an early engagement level is fantastic. But we’re, ’cause we’re finding more and more subject matter experts through these conversations as well. So we’re able to bring, if, if we can’t. Engage on a sponsorship level, fine. Still reach out because the, there might be a spot for you up on a panel as one of these people that can educate, uh, and share, uh, with the Australian wind industry Allen Hall: and as the promos are saying, Rosemary. We [00:26:00] want solutions, not speeches. So this whole event is about solution, solution solutions, right? Rosemary Barnes: And problems. Allen Hall: What kind of problems are we gonna talk about? Rosemary Barnes: I mean, I think that’s the, the interesting part is that it brings those two, two parts together. That’s what we’ve been talking about with technology development. That the, you know, the critical thing is to know, understand very well what your customers. Facing in terms of problems. And so this is the event where everybody is there to talk about exactly what problems they’re actually spending time on day to day. And those are the ones where, you know, it’s a much easier pathway to succeed. So if you’re a, a. Technology developer, you know, a company that has some new technologies, then this is the event to come to to make sure that you get that fit right. Allen Hall: And Woma 2026 will be held the 17th and 18th at the Pullman Hotel, which is in beautiful downtown Melbourne. And you need to be going online. Go to Woma 2026 WOMA, 2020 six.com. Get registered. There’s only 250 seats [00:27:00] available and a number of them have already been reserved. So it’s shrinking day by day. If you want to attend and you should attend, go ahead, register for the event. If you’re interested in sponsorship, you need to get a hold of Joel. And how do they do that? Joel Saxum: Uh, you can reach out to me on LinkedIn, um, pretty easy to find there. Uh, or send me a direct email. JOEL Do a xm. I have to say that out loud because. I gets confused a lot@wglightning.com, so Joel dot saxon@wglightning.com. Allen Hall: So go to Wilma. 2020 six.com and register today. This quarter is PES WIN Magazine, which has arrived via the Royal Mail. There are a number of great articles and uh, I was thumbing through it the other day and the article from Veolia, and we had Veolia on the podcast, uh, a couple of years ago on blade recycling. And there’s a number of, of cool things happening there. You know, Veolia was grinding down the blades and then using them, [00:28:00] uh, mixing them with, with cement. Reducing some of the coal and other energy forms that are used to, to make cement. And they were also using, uh, some of the fiber as fill. So that process, when they first started, we were talking to ’em. Then there’s been a lot of iterations to it. It’s like anything in recycling, the first go around is never easy. But Veolia has the. That wraps up another episode of the Uptime Wind Energy Podcast. Thanks for joining us as we explore the latest in wind energy technology and industry insights. If today’s discussion sparked any questions or ideas, we’d love to hear from you. Reach out to us on LinkedIn and don’t forget to subscribe so you never miss an episode. And if you. Found value in today’s conversation. Please leave us a review. It really helps other wind energy professionals discover the show and we’ll catch you here next week on the Uptime Wind Energy [00:29:00] Podcast.

August in Edinburgh is a time like no other. The streets are of full of music, dance and performance as Edinburgh hosts over 5 different festivals. This week on ScotsinUs, we speak with James McVeigh of Festivals Edinburgh, who gives us the inside scoop on navigating the many festivals going on throughout the city. Festivals include the Edinburgh International Festival, the Edinburgh Fringe, Film Festival, Jazz and Blues Festival and more!We then turn to the Royal Edinburgh Military Tattoo, which are celebrating their 75th anniversary with their 2025 show, "The Heroes Who Made Us". Jason Barrett, CEO of The Royal Edinburgh Military Tattoo, shares some of the history and inspiration behind the show and this year's theme!To learn more about the various festivals and buy tickets, visit https://www.edinburghfestivalcity.com/To learn more about the Royal Edinburgh Military Tattoo, visit https://www.edintattoo.co.ukTo learn more about ASF, visit https://americanscottishfoundation.com

August in Edinburgh is a time like no other. The streets are of full of music, dance and performance as Edinburgh hosts over 5 different festivals. This week on ScotsinUs, we start by speaking with James Clements, who is debuting his production "THE BURNS PROJECT" at this year's Fringe Festival. We then speak with James McVeigh of Festivals Edinburgh, who gives us the inside scoop on navigating the many festivals going on throughout the city. Festivals include the Edinburgh International Festival, the Edinburgh Fringe, Film Festival, Jazz and Blues Festival and more!We then turn to the Royal Edinburgh Military Tattoo, which are celebrating their 75th anniversary with their 2025 show, "The Heroes Who Made Us". Jason Barrett, CEO of The Royal Edinburgh Military Tattoo, shares some of the history and inspiration behind the show and this year's theme!To learn more about the the Burns Project, visit https://www.edfringe.com/tickets/whats-on/the-burns-projectTo learn more about the various festivals and buy tickets, visit https://www.edinburghfestivalcity.com/To learn more about the Royal Edinburgh Military Tattoo, visit https://www.edintattoo.co.ukTo learn more about ASF, visit https://americanscottishfoundation.com

Beneath Edinburgh's Royal Mile lies a labyrinth of sealed alleys known as Mary King's Close. It has long been the subject of terrifying legends: plague victims bricked in alive, ghostly children tugging at clothes, and something darker that moves just out of sight.The BOOKBY US A COFFEEJoin Sarah's new FACEBOOK GROUPSubscribe to our PATREONEMAIL us your storiesJoin us on INSTAGRAMJoin us on TWITTERJoin us on FACEBOOKVisit our WEBSITEResearch Links:https://www.ontheluce.com/mary-kings-close-edinburghhttps://www.hauntedrooms.co.uk/the-real-mary-kings-close-edinburghhttps://www.thelittlehouseofhorrors.com/the-real-mary-kings-closehttps://en.wikipedia.org/wiki/Mary_King%27s_Closehttps://www.realmarykingsclose.comhttps://www.kiwi.com/stories/ghosts-of-mary-kings-close-edinburghhttps://www.edinburghnews.scotsman.com/news/people/mary-kings-close-streamed-paranormal-investigation-reveals-ghostly-activity-3033964Thanks so much for listening, and we'll catch up with you again tomorrow.Sarah and Tobie xx"Spacial Winds," Kevin MacLeod (incompetech.com)Licenced under Creative Commons: By Attribution 4.0 Licencehttp://creativecommons.org/licenses/by/4.0/;;;SURVEY Hosted on Acast. See acast.com/privacy for more information.

When I wrote my 2021 book, Modern British Beer, I made the very intentional decision to put Fyne Ales irreplaceable Blonde Ale, Jarl, right at the beginning. For me, it's a beer that merges two schools of thought: that it is a modern beer, hopped with Citra imported from the Pacific Northwest, showcasing a bold, citrus fruit character, but one that is also a 3.8% cask beer, and at the same time feels resolutely anchored to British brewing tradition. Jarl, though, is not simply a modern British beer—it is a modern Scottish beer. Honestly, there is perhaps no beer experience that is resolutely more Scottish than to enjoy a pint at its source in Glen Fyne. That was the inspiration for this particular discussion—an effort to take a closer look at what's happening in the contemporary world of Scottish brewing. FyneFest, conveniently, provided the perfect place to chew on this topic and indeed it features Fyne Ales' very own head brewer Sam Shrimpton. Also on the panel are two owners/brewers at two of Scotland's youngest breweries: Lucy Stevens of Closet Brewing in Edinburgh, and Harry Weskin of Dookit Brewing in Glasgow.Listening to this episode, you'll quickly realise that no one on the panel claims immediate Scottish heritage (although Harry is pretty damn close.) However, they are, each in their own way, vital to the local, independent beer community. It's great to find out that the spirit that bound businesses together during the last resurgence of small breweries still exists today—in fact I'd argue it probably wouldn't exist without it.Tune in to hear two of the best young Scottish breweries talk about what they do, while perhaps one of the finest contemporary breweries to exist north of the border provides balance and context to this conversation.We're able to produce The Pellicle Podcast directly thanks to our Patreon subscribers, and our sponsors Get ‘Er Brewed. If you're enjoying this podcast, or the weekly articles we publish, please consider taking out a monthly subscription for less than the price of a pint a month.Tickets for FyneFest 2026 are available now, and we'll be back hosting our panel talks and tastings for another year! Get your tickets here.

After years of anticipation, Mickey-Jo has finally seen both parts of the film adaptation of the global musical sensation, Wicked, having now seen WICKED: For Good in cinemas on either side of the Atlantic.Both films have been directed by Jon M Chu and star Cynthia Erivo (The Color Purple) as Elphaba, Ariana Grande (13 the Musical) as Glinda, and Jonathan Bailey (Company) as Fiyero. The supporting cast also includes Marissa Bode, Ethan Slater, Michelle Yeoh, and Jeff Goldblum.Check out today's brand new spoiler inclusive review video for Mickey-Jo's thoughts on the film, the music including the two original songs, its choices as an adaptation, its aesthetics, and its themes in full detail.Make sure to SUBSCRIBE for more Wicked content coming on Wednesdays over the next month and share your thoughts about the film in the comments!•00:00 | introduction02:59 | overall thoughts / tone11:47 | the music20:53 | the original songs27:11 | the narrative37:52 | more plot thoughts43:56 | visual choices54:43 | final thoughtsAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

(Part 2) Patricia and Christian talk to Dr Phil Armstrong about the upcoming UK budget, and Green Party leader Zack Polanski's positive views of MMT.   Full conversation here: https://www.patreon.com/posts/142975558   Please help sustain this podcast!  Patrons get early access to all episodes and patron-only episodes: https://www.patreon.com/MMTpodcast     All our episodes in chronological order: https://www.patreon.com/posts/43111643   All our patron-only episodes: https://www.patreon.com/posts/57542767   LIVE EVENT! THE FAUXBEL PRIZE IN ECONOMICS 2026

mike@niddrie.org (Niddrie Community Church)no

Forvie Nature Reserve is known for its seal population. Ythan Seal Watch are a volunteer group who promote responsible viewing of seals, Mark met up with them to find out more.Rachel heads to the beach at Broughty Ferry to chat with Isla Fowler and Jessica Giannotti about SeaDyes, a young company working with the James Hutton Institute to create natural dyes from seaweed.”Listener and professional dog walker, Liz Merchant challenged Mark to join her and two of her dogs for a walk in a very wet Edinburgh.Just outside Glasgow, the Salvation Army is turning its outdoor space into a spot for gardening and recovery. Mark visits the Eva Burrows 1st Stop project in Cambuslang, where programme manager Rosie Kehoe is ready to give him a tour.On the Finzean Estate in Aberdeenshire, Mark joins stalker Hedge Shand who has been teaching chef Sanjay Bhattacharya the art of stalking.Elizabeth Cameron, Director at Blairgowrie Vets joins Mark and Rachel to discuss loupin ill and how we can protect our dogs.In Eyemouth, a sculpture called The Wives and Bairns tells the story of those left behind when 189 fishermen, most of them local, died in the storm of October 1881.Phil Sime and Morven Livingstone speak to Auctioneer Daniel Urquhart from Dingwall Auction Mart at Scotland's only live sheepdog sale.

It has been announced today that the Tony Award winning musical AVENUE Q is heading back to the West End for a 20th anniversary production that is being called a 'revisal'.Find out why I'm excited for the irreverent, fuzzy show to return, who I would like to see starring in it, and what we might expect in terms of updates to the material...•00:00 | introduction01:44 | what we know08:50 | what I think14:44 | who should be in itAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

On only the second day of Mickey-Jo's most recent trip to New York, he headed to City Center and caught the penultimate performance of BAT BOY, the venue's annual gala presentation.A cult hit musical first seen around the millennium, this revival starred Taylor Trensch alongside Kerry Butler, who returned to the show having played a role in its original off-Broadway run.Check out what Mickey-Jo thought of the show, with no prior knowledge of its material, and why he thinks it's ready for Broadway...•00:00 | introduction03:19 | synopsis / material12:34 | creative choices16:33 | performances24:37 | featured castAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Last night, after considerable anticipation, Mickey-Jo finally saw WICKED: For Good, the second film in the two part adaptation of the global musical phenomenon, Wicked.Both films have been directed by Jon M Chu and star Cynthia Erivo (The Color Purple) as Elphaba, Ariana Grande (13 the Musical) as Glinda, and Jonathan Bailey (Company) as Fiyero. The supporting cast also includes Marissa Bode, Ethan Slater, Michelle Yeoh, and Jeff Goldblum.Check out today's brand new *spoiler-free* review video for Mickey-Jo's thoughts on the film, its choices as an adaptation, its aesthetics, its themes and its performances without the details that would prevent you from enjoying the experience for yourself when the film is released.Remember to keep your thoughts spoiler-free in the comments section!•00:00 | introduction04:03 | context / overview09:12 | more general thoughts13:07 | adapting Act 217:30 | central themes23:24 | the score28:56 | performances33:24 | cinematography / design36:49 | final thoughtsAbout Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

As Mickey-Jo gets ready to bring you dozens of updates from his most recent trip to New York including reviews and vlog content, he's taking on an unusual challenge.Mickey-Jo has decided to briefly review every show currently playing on Broadway (as of last week) by telling you what he thinks the best and worst thing about each of them is...About Mickey-Jo:As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 89,000 subscribers. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows in New York, London, Edinburgh, Hamburg, Toronto, Sao Pãolo, and Paris. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK, Musicals Magazine and LondonTheatre.co.uk. Instagram/TikTok/X: @MickeyJoTheatre Hosted on Acast. See acast.com/privacy for more information.

Originally released for Patreons in September 2024 I hope you enjoy this very special episode. In the 25th Patreon bonus podcast you join below Edinburgh's famous Royal Mile, where a historic close lies that was once a thriving community in it's own right. It was open to the skies above, and named, unusually for the 17th century for a woman who was the most successful businesswoman here until her death in 1644. The building of the Royal Exchange in the 18th century spelled the end for this place, and it would be, eventually, buried beneath the city streets, lost and unused. The close became shrouded in myths and urban legends; with terrifying tales of the ghosts that remain at the close they knew so well in life.  A location we've already visited back in episode 18 of the podcast, but we're doing something a little bit special. In April 2024 I found a hard drive containing audio from four investigations that I conducted in 2011 and 2012. Dozens of hours of audio that I lost around a decade ago, and I thought was lost forever. These were four absolutely incredible locations, and I have covered all four investigations - minus the audio from that night - on the podcast previously. So in the Patreon specials across June, July, August, and September I will revisit those episodes and add in the audio, which was seemingly lost forever. June saw us at Middlethorpe Hall Hotel, July was the Edinburgh Dungeon, and last month we returned to York Guildhall. This time out it's time to once again return to Mary King's Close. The episode now includes over 2 hours and 15 minutes of audio from that unforgettable night, so you can hear what happened, exactly as it happened. But what would happen when my team and I descended beneath the city streets to investigate this tourist attraction that has found infamy, since it opened in 2003, and is now regarded as one of the most haunted places, in an incredibly haunted city. Tonight, let us find out together as we ask the question, just how haunted is Mary King's Close? Check out the official merch store at ⁠how-haunted.dashery.com⁠ where you can buy t-shirts, hoodies, mugs, hats, and much more. They come in a vast selection of colours and a wide range of sizes.  To get episodes such as this sooner, you can become a Patreon for £3 a month, and get yourself early access to episodes, and more exclusive episodes where Rob will conduct ghost hunts and you'll hear the audio from the night.  To find out more, or take advantage of a seven day free trial, head on over to https://patreon.com/HowHauntedPod  Perhaps you'd rather buy me a coffee to make a one off donation to support the pod, you can do that at https://www.buymeacoffee.com/HowHauntedPod   Find out more about the pod at https://www.how-haunted.com and you can email Rob at Rob@how-haunted.com   Music in this episode includes: "Darren Curtis - Demented Nightmare" https://youtu.be/g_O4kS9FP3k   " HORROR PIANO MUSIC " composed and produced by "Vivek Abhishek" Music link : https://youtu.be/xbjuAGgk5lU SUBSCRIBE us on YOUTUBE: https://youtu.be/DQQmmCl8crQ Follow on Facebook: https://bit.ly/33RWRtP Follow on Instagram: https://bit.ly/2ImU2JV Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to our first Christmas special for 2025. On this episode Producer Kelly and Rosalind bring you a festive gift guide that has something for everyone, including more discussion of cheese with The Cheese Lady! Rosalind also pays a visit to the Southside Community Centre which is hosting Christmas day this year with a partnership event, 'Communities at Christmas'. They will be welcoming people experiencing homelessness and isolation for a day they aim to fill with joy and community.  Rosalind met Michael Traill, Chief Executive of the Southside Community Centre Association, Hannah Robertson-Newman, Service Lead of the Edinburgh Street Team of the Simon Community and Thomas Elsner who works on that team. They tell her about plans for the big day and how you can support them.  If you are worried about someone who is rough sleeping please visit simonscotland.org there's also a number you can call for people in Edinburgh, it's 08081782323.  You can find out more about the event here; https://southsidecommunitycentre.co.uk/communities-at-christmas-the-gift-of-belonging-this-christmas/ And donate here; https://www.justgiving.com/campaign/xmas2025 For more information on supporting someone experiencing homelessness visit; https://www.simonscotland.org Scran's second installation of Christmas specials will be here just in time for Christmas with much more coming between now and then. Stay tuned and thanks for listening. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Adam Riches is known for his shows that teeter perfectly between crafted brilliance and sheer chaos with his fearless, high-energy characters performances - from Sean Bean, Coach Coach to Michael Ball. This is an incredibly rare look behind the mask and one you don't want to miss!We discuss why Edinburgh shouldn't be seen as the Olympics, Eddie Izzard's documentary that inspired him to rip up the rulebook, how audience participation became his superpower, the challenges of the industry, how Sean Bean's Dungeons 'n Bastards reignited a creative spark and is Adam Riches happy…Join the Insiders Club at patreon.com/comcompod where you can instantly WATCH the full episode and get access to 20 minutes of exclusive extras including learning to shift gears for stand-up audiences with character comedy, the choice to seek out an audience, a wild late night Edinburgh spot and the timing structure he created which allowed his act to remain freeform.Follow the Pod: Instagram, YouTube & TikTok, and also you can also sign up to the Mailing List!Support our independently produced Podcast from only £3/month at Patreon.com/ComComPod✅ Instant access to full video and ad-free audio episodes✅ 20 minutes of exclusive extra content with Adam✅ Early access to new episodes (where possible!)✅ Exclusive membership offerings including a monthly “Stu&A”PLUS you'll get access to the full back catalogue of extras you can find nowhere else!Catch Up with Adam:Adam Riches: The 12 Beans of Christmas is on tour this December across the UK and also stars in Jimmy, which returns to the Park theatre in London from the 19th to 24th January 2026. For more info, please visit linktre.ee/adamrichescomedy.Everything I'm up to:See me live (when there's dates!)… Find out all the info at stuartgoldsmith.com/comedy.Discover my comedy about the climate crisis, for everyone from activists to CEOs, at stuartgoldsmith.com/climate.See Stuart live on tour - www.stuartgoldsmith.com/comedy Hosted on Acast. See acast.com/privacy for more information.

A decline in demand for whiskey is being blamed for the closure and suspension of Scottish malting plants - something which farmers fear will also mean a decline in demand for barley. Maltsters process barley so it can be used in distilleries or brewing. Several plants have announced closures and redundancies, but the Maltsters Association of Great Britain says that although it has a been a challenging year, they are positive about the future.The BBC Food and Farming Awards ceremony has taken place, with three strong finalists in the Farming Today and The Archers Farming for the Future category: Grazing Management who manage conservation grazing in Herefordshire; The Free Company, a farm and restaurant on a former dairy farm near Edinburgh; and Hugh Wragham who grows hemp in Northumberland. The winners were brothers Charlie and Angus Buchanan-Smith from The Free Company.All this week we're considering farming across the world, as COP 30 continues. We speak to a first generation farmer who produces organic mushrooms as part of an agroforestry farm business in south Brazil. He says its important for farmers to be at COP to push for financing for agriculture which can combat climate change. New rules on the size of oysters that can be landed on the River Fal in Cornwall have been introduced - part of a bid to protect future stocks of the shellfish. It's the first change in regulation on the size of native oysters dredged from the Fal in a hundred years.Presenter = Charlotte Smith at Producer = Rebecca Rooney

RHLSTP #589 - Dopplegängr - It's Richard's last show of the 2025 Edinburgh Fringe, but what is the Edinburgh Fringe? Luckily Liam Gallagher knows. Richard's guest is not in Oasis and is unlikely to support them after this, it's the loquacious (thank goodness for Rich) Nish Kumar. They chat about at what point you have to stop claiming to be working class, how Nish survived his tour of America unscathed and the positives he took from the experience, why both sides-ism is an unhelpful concept, how even Nish's grandma thinks he might be Jason Mantzoukas, why Taskmaster is didn't too badly when it comes to diversity, but how being in a comedy gang can be a big help in maintaining the necessary quality for a career and has Nish been in a canoe? This is the only podcast where you will find out. Thanks so much to the magnificent staff at the Stand in Edinburgh and the brilliant audiences that made this Fringe an absolute pleasure. Same time again next year?SUPPORT THE SHOW!See details of the RHLSTP LIVE DATES Watch our TWITCH CHANNELBecome a badger and see extra content at our WEBSITE Buy DVDs and books from GO FASTER STRIPE Hosted on Acast. See acast.com/privacy for more information.

**Contains accounts of murder and sexual violence**After an explosion rocked Edinburgh in February 1567, Lord Darnley - husband to Mary, Queen of Scots - was found strangled, alongside a servant. Who killed them? Was it Darnley's rival, and Mary's next husband, the Earl of Bothwell? Could Mary herself have been involved?Professor Suzannah Lipscomb is joined by acclaimed crime writer Denise Mina to try to solve Darnley's murder.MORE:Tudor True Crime: The Murder of RizzioListen on AppleListen on SpotifyMary Queen of Scots on Film: The Historians' VerdictListen on AppleListen on SpotifyPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.

Photographer, filmmaker and researcher Jill de Fresnes has encapsulated the experiences of twelve Scottish women who worked as herring gutters from the 1920s to the 1960s in a new exhibition at the Scottish Storytelling Centre in Edinburgh. Mark meets Jill there to chat about Silver, Salt and Stories – Images and Memories of the Scots Herring Women.Two friends in Fife set up the Wild Scottish Sauna during lockdown after seeing the popularity of wild swimming. In this week's podcast excerpt, Rachel visits one of their sites at Kingsbarns beach near St Andrews to speak to some of the regulars and co-founder Jayne McGhie.A groundbreaking soil survey in Glen Prosen, Cairngorms National Park, has unearthed a staggering number of species living beneath the ground. Mark is in the Glen with Plant Ecologist Dr Andrea Britton, Molecular Fungal Ecologist Dr Andy Taylor and Forestry and Land Scotland Programme Manager Christine Reid to discover how the findings will inform the rebuilding of native woodlands in the area.Phil Sime and Morven Livingstone take a trip to the Black Isle Library of Things which encourages people to borrow and not buy. The pair join Martin Sherring and Allan Tailor to dig into what's available to hire, including lawn-mowers, welding helmets, cots and even a polar bear suit. Rachel meets Rose Benoy for a goat walk at Rose's small holding near Forfar in Angus to discover the benefits of taking a stroll with these four legged companions.Mark admires a big raft of Eider ducks at Forvie Nature Reserve with Reserve Manager Catriona Reid. Project One Wave aims to unite Scotland's ocean conservation groups, businesses, creatives, and policymakers to collaborate on marine debris cleanup efforts. Mark and Rachel are joined by co-founder David Brown to discuss the Project One Wave summit that took place in Glasgow this week and the importance of gathering data on the health of our coastlines. In 2024, Jude Harper closed their business, sold their house and moved to Aberdeenshire to try to live as self-sufficiently as possible on an acre of land. Jude posts on YouTube under Rewilding Jude and Rachel visits him and some rescue hens he's just adopted to find out more.

My conversation with Proops starts at about  23 minutes after headlines and clips Subscribe and Watch Interviews LIVE : On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. This show is Ad free and fully supported by listeners like you! Please subscribe now for as little as 5$ and gain access to a community of over 750 awesome, curious, kind, funny, brilliant, generous soul Get Greg's new album  Free State of California See Greg LIVE and learn more https://www.gregproops.com/blog/ Greg Proops is a stand-up comic from San Francisco, best known for his unpredictable appearances on Whose Line Is It Anyway?, which is back on TV on the CW network. Mr. Proopdog has a chart-topping podcast called "The Smartest Man in the World," which he has recorded live from around the world including Paris, London, Amsterdam, Oslo, New Zealand, Finland, Montreal, Brooklyn, San Francisco, Melbourne, Dublin, Edinburgh, Hollywood, a ship off St. Marten, and somehow, Cleveland. The podcast is available at Proopcast.com and on iTunes. Proops has been a voice actor in Star Wars: The Phantom Menace, The Nightmare Before Christmas, and played Bob in Bob the Builder. He has been a guest on @Midnight on Comedy Central, Red Eye, The Late, Late Show, and Chelsea Lately. He lives in Hollywood. It's not that bad, really. Join us Thursday's at 8EST for our Weekly Happy Hour Hangout!  Subscribe and Watch Interviews LIVE  On YOUTUBE.com/StandUpWithPete ON SubstackStandUpWithPete Pete on Blue Sky Pete on Threads Pete on Tik Tok Pete on YouTube  Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page