Podcasts about Black Lives Matter

[Redesigned Episode] Deep in the Louisiana swamps, a shadow prowls among the cypress and mist. Some whisper it's a curse, others swear it's a beast, while still others claim it's just a tale spun by Cajun mothers to keep their children in line - but all know to fear the Rougaroux. Join us as we follow the trail of this legend, where folklore, fear, and the unknown intertwine._____________________________Please be sure to like us on social media: Facebook: https://www.facebook.com/shadowcarriersInstagram: https://www.instagram.com/shadowcarriersIf you like what you hear and want to buy your storytellers a drink, you can catch us at @shadowcarriers on Venmo.If you've enjoyed this episode and want to support our work, become a patron of the podcast! Your support is greatly appreciated and is invested back into helping us create bold and new content for you throughout the year. Check out our Patreon Page at patreon.com/ShadowCarriers.If you'd like to get in touch with us, our email address is shadowcarriers@gmail.com.This Podcast and all endeavors by these individuals believe strongly that Black Lives Matter. 

NEWS TOPICS on SEPTEMBER 11th, 2025:  Charlie Kirk Assassinated Black Lives Matter Violence 911 Coffee Talk with David Eon (LIVE WEEKDAY DAILY NEWS TALK) for Thursday, September 11th, 2025

We discuss the enduring power of protesting and the significance of the Ferguson uprising in the long arc of the Black liberation movement.    Jonathan's civic action toolkit recommendations are:  1) Speak with a young person in your life about what they're wrestling with 2) Emphasize community engagement   Jonathan Pulphus is an organizer from St. Louis, Missouri, Co-founder of the community organization Tribe X, and the author of With My People: Life, Justice, and Activism Beyond the University.     Let's connect! Follow Future Hindsight on Instagram:  https://www.instagram.com/futurehindsightpod/   Discover new ways to #BetheSpark:  https://www.futurehindsight.com/spark    Follow Mila on X:  https://x.com/milaatmos    Follow Jonathan on X: https://x.com/pulphusj   Read With My People: https://bookshop.org/shop/futurehindsight    Early episodes for Patreon supporters: https://patreon.com/futurehindsight  Credits:  Host: Mila Atmos  Guests: Jonathan Pulphus Executive Producer: Mila Atmos Producer: Zack Travis

The Arise Podcast – Edited TranscriptSpeaker 1 (00:29):Welcome to the Rise Podcast. As part of this process, we're going to talk about what reality is—how to find it, and how to ground yourself in it. I'll have some regular co-hosts with me, as I mentioned earlier, and we'll continue to explore faith, gender, race, sex, the church—all in the context of discovering reality.Today is September 10, 2025. As I pushed to get this episode out, plans shifted and things got canceled. I was busy with the kids, checking the news, scrolling Instagram, running errands, picking up sandwiches—just an ordinary day. Then I saw the headline: Charlie Kirk had been shot.Interestingly, Charlie Kirk and I disagree on almost everything, but I've occasionally listened to his podcast. I also listen to the Midas Touch podcast and others across the spectrum to understand what people are thinking and believing.(01:47)I ask myself: what reality am I living in, and whose voices am I letting in? When I have the capacity, I listen to people like Charlie Kirk, sometimes tune in to Fox News, check X/Twitter, or look at Truth Social—just to gauge different perspectives.I live on Squamish land—land of cedar and clear salt water—here in Poulsbo, Washington. Kitsap County is an interesting rural mix. We're near Seattle, often labeled “ultra-liberal,” but that doesn't exempt us from racism, elitism, or entrenched power structures. And our rural neighbors may identify as fiscally or socially conservative. You might meet someone who voted very differently from you—someone who will happily bring you cookies, or someone who might actually despise you.(02:48)This mix, I think, is closer to reality than living in silos. We may choose echo chambers for news, but we still rub shoulders at coffee shops, restaurants, gyms, and schools with people who think differently.I keep asking: how do we find a shared space to even talk? How do we locate common reality?Back in 2020, when George Floyd was murdered, I saw deep fractures emerge. I was just starting therapy groups on race and whiteness. Our diverse group gathered to talk about racism at a time when the country seemed ready for those conversations.(04:54)But quickly I noticed what I call splitting—fracturing when someone said something others couldn't accept or even register in their bodies. It sometimes caused silence or confusion, and often led to sharp, even violent words meant to wound. And often the person speaking didn't realize the harm.This fascinated me as a therapist. From a psychological perspective, I began to wonder: which part of ourselves shows up in everyday interactions? At a store, maybe just a polite hello. With a friend, maybe a brief check-in that still doesn't touch the day's deeper feelings.(07:07)Sometimes those layers of relationship reveal unspoken emotions—feelings inside that remain hidden. Healthy boundaries are normal, but there's no guarantee that with those we love we suddenly share every vulnerable part of ourselves.Now add politics, faith, love, gender, culture: more layers. Many of these parts trace back to childhood—traumas, arguments, experiences at school or with caregivers.(08:15)So when I see splitting—what some call polarization, black-and-white or binary thinking, or even “boundaries as weapons”—I see people wrestling with what it means to be a neighbor and to engage someone who thinks radically differently.I feel the temptation myself to label everything all good or all bad. Children need that kind of distinction to learn what's safe and unsafe, but adults must grow beyond it. Two things can be true at the same time: you hurt me, and I still love you and will show up. Yet our world increasingly tells us that can't be true.(11:05)This pressure to split is intense—internally, from media, from social circles, from family. Sometimes I want to run away into the woods, start a farm, keep my kids home, just stay safe. Today, after news of a school shooting and Charlie Kirk's murder, that desire feels even stronger.There are days I simply cannot engage with people who think differently. Other days, I have more capacity.So where is reality? For me, it's grounding in faith—literally planting my feet on the earth, hugging a tree, touching grass.(13:30)I ask: who is God? Who is Jesus? And who have I been told God and Jesus are? I grew up in a rigid evangelical structure—shaped by purity culture and fear of punishment. I remember hearing, “If God calls you and you don't act, He'll move on and you'll be left behind.” Even now, at 47, that idea haunts me.When I meet people from that tradition, I feel the urge to split—making my perspective all right and theirs all wrong. I have to remind myself of their humanity and of God's love for them.Earlier this year, I chose to resist those splits. I called people where relationships felt scratchy or unresolved, inviting conversation. Not everyone responded, but the practice helped loosen old binds.(16:55)I also keep listening to multiple viewpoints. I never “followed” Charlie Kirk, but I'd check his posts and sometimes feel genuine tenderness when he shared about his family. That's part of loving your enemies—remembering their humanity, even when you feel anger or rage.I grew up surrounded by conservative media. I even remember the early days of Fox News. As a teen reading Time magazine, I once told my parents that Michael Dukakis's policies aligned more with my faith than his opponent's. Over time I drifted toward trickle-down economics, but that early instinct still stands out.(21:22)All of us are socialized into certain beliefs. I went from conservative evangelical spaces to a conservative liberal-arts college. People warned I might “lose my faith,” yet those history classes deepened it. Today many claim that consuming certain media will “distort your reality.” Political violence is rising. I listen to both progressive and conservative podcasts to understand different lives. Yet when I cite something I've heard, I'm often told it's “AI-generated” or “fake,” even when it's a direct quote. Liberals do this too, around issues like Palestine, policing, or healthcare.(24:47)It's painful to be around people who think differently. The question is: how do we converse without devolving into hate or shouting?Today is September 11. Between Charlie Kirk's assassination, yesterday's school shooting, and attempted political killings, it's clear our nation is split into competing realities that shape everything—from how we see safety to how we practice faith and empathy.This podcast is about examining those realities and how we process them.(26:44)Sometimes we retreat inward to cope with trauma—what psychology might call dissociation or a psychic retreat. I understand the instinct to step back for safety.Maybe these divisions always existed, and I just see them more clearly now while raising my children. That responsibility feels heavy.(29:12)I often turn to elders and their words—Cesar Chavez, Dolores Huerta, Martin Luther King Jr.'s “Letter from Birmingham Jail.” They remind me others have endured violence and hatred and still held onto hope and faith.I fight for that same hope now.(30:04)To ground ourselves we can:- Connect with the earth: literally touch the ground, trees, water.- Stay in community: share meals, exchange help, build fences together.- Nourish faith: draw on spiritual wisdom.- Cherish family: use loved ones as emotional barometers.- Engage work and service: notice how they shape and sustain us.- Face issues of race and justice: ask if we contribute to harm or to healing.Your grounding pillars may differ, but these guide me.(32:40)I invite you to this journey. You may agree or disagree—that's okay. We need space to coexist when it feels like only one side can survive.Violence won't change hearts. Bullets cannot replace ballots. Money cannot buy joy or transformation. Only sustained dialogue and care can.(34:05)I'll share some quotes from Dolores Huerta and Cesar Chavez in the show notes. Please stay curious and seek the mental-health support you need. Don't be alone in your grief or fear. If you feel triggered or overwhelmed, reach out—to a therapist, pastor, trusted friend, or crisis helpline.A special guest and new co-host will join me next week. I look forward to continuing the conversation.   Crisis Resources:Kitsap County & Washington State Crisis and Mental Health ResourcesIf you or someone else is in immediate danger, please call 911.This resource list provides crisis and mental health contacts for Kitsap County and across Washington State.Kitsap County / Local ResourcesResource Contact Info What They OfferSalish Regional Crisis Line / Kitsap Mental Health 24/7 Crisis Call Line Phone: 1‑888‑910‑0416Website: https://www.kitsapmentalhealth.org/crisis-24-7-services/ 24/7 emotional support for suicide or mental health crises; mobile crisis outreach; connection to services.KMHS Youth Mobile Crisis Outreach Team Emergencies via Salish Crisis Line: 1‑888‑910‑0416Website: https://sync.salishbehavioralhealth.org/youth-mobile-crisis-outreach-team/ Crisis outreach for minors and youth experiencing behavioral health emergencies.Kitsap Mental Health Services (KMHS) Main: 360‑373‑5031; Toll‑free: 888‑816‑0488; TDD: 360‑478‑2715Website: https://www.kitsapmentalhealth.org/crisis-24-7-services/ Outpatient, inpatient, crisis triage, substance use treatment, stabilization, behavioral health services.Kitsap County Suicide Prevention / “Need Help Now” Call the Salish Regional Crisis Line at 1‑888‑910‑0416Website: https://www.kitsap.gov/hs/Pages/Suicide-Prevention-Website.aspx 24/7/365 emotional support; connects people to resources; suicide prevention assistance.Crisis Clinic of the Peninsulas Phone: 360‑479‑3033 or 1‑800‑843‑4793Website: https://www.bainbridgewa.gov/607/Mental-Health-Resources Local crisis intervention services, referrals, and emotional support.NAMI Kitsap County Website: https://namikitsap.org/ Peer support groups, education, and resources for individuals and families affected by mental illness.Statewide & National Crisis ResourcesResource Contact Info What They Offer988 Suicide & Crisis Lifeline (WA‑988) Call or text 988; Website: https://wa988.org/ Free, 24/7 support for suicidal thoughts, emotional distress, relationship problems, and substance concerns.Washington Recovery Help Line 1‑866‑789‑1511Website: https://doh.wa.gov/you-and-your-family/injury-and-violence-prevention/suicide-prevention/hotline-text-and-chat-resources Help for mental health, substance use, and problem gambling; 24/7 statewide support.WA Warm Line 877‑500‑9276Website: https://www.crisisconnections.org/wa-warm-line/ Peer-support line for emotional or mental health distress; support outside of crisis moments.Native & Strong Crisis Lifeline Dial 988 then press 4Website: https://doh.wa.gov/you-and-your-family/injury-and-violence-prevention/suicide-prevention/hotline-text-and-chat-resources Culturally relevant crisis counseling by Indigenous counselors.Additional Helpful Tools & Tips• Behavioral Health Services Access: Request assessments and access to outpatient, residential, or inpatient care through the Salish Behavioral Health Organization. Website: https://www.kitsap.gov/hs/Pages/SBHO-Get-Behaviroal-Health-Services.aspx• Deaf / Hard of Hearing: Use your preferred relay service (for example dial 711 then the appropriate number) to access crisis services.• Warning Signs & Risk Factors: If someone is talking about harming themselves, giving away possessions, expressing hopelessness, or showing extreme behavior changes, contact crisis resources immediately.  Well, first I guess I would have to believe that there was or is an actual political dialogue taking place that I could potentially be a part of. And honestly, I'm not sure that I believe that.

A collective sigh of relief was exhaled across the nation as Derek Chauvin was found guilty on all charges. Typically the reaction between the right and left shows just how deeply fractured the nation has become. At the heart of all this are the racist MAGA conspiracies being spun about how Black Lives Matter threatened to burn down American cities if Chauvin was not found guilty. Tucker Carlson melts down on air about the subject while claiming that Chauvin was lynched by the left. You can't make this stuff up. Unfortunately, it's what many believe. Finally, Michael speaks with Jane Mayer, the New Yorker's Washington Correspondent about the very latest in the New York DA's case against Donald Trump.    To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices A collective sigh of relief was exhaled across the nation as Derek Chauvin was found guilty on all charges. Typically the reaction between the right and left shows just how deeply fractured the nation has become. At the heart of all this are the racist MAGA conspiracies being spun about how Black Lives Matter threatened to burn down American cities if Chauvin was not found guilty. Tucker Carlson melts down on air about the subject while claiming that Chauvin was lynched by the left. You can't make this stuff up. Unfortunately, it's what many believe. Finally, Michael speaks with Jane Mayer, the New Yorker's Washington Correspondent about the very latest in the New York DA's case against Donald Trump. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

On this episode of “Fearless,” Jason Whitlock demonstrates why the brutal Charlotte, North Carolina, train massacre, in which Ukrainian refugee Iryna Zarutska was stabbed by suspect Decarlos Brown, has triggered a racial reckoning. Whitlock unpacks how the Black Lives Matter movement sabotaged what black Americans inherited from their ancestors, who sacrificed their lives for American citizenship. He also explains why black Americans should focus on repentance from the demonic culture that defines them over reparations and why Americans must choose Christ or live in chaos. Profound show today — don't miss it! ​​Today's Sponsors: Omaha Steaks Go to https://OmahaSteaks.com to get 50% off sitewide during their Red-Hot Sale Event. And use Promo Code FEARLESS at checkout for an extra $35 off. Minimum purchase may apply. See site for details. A big thanks to our advertiser, Omaha Steaks! PreBorn Thanks to your support, PreBorn! has saved over 38,000 babies this year, but with abortion challenges escalating, your $28 donation can provide ultrasounds that double the chance of mothers choosing life, so please call #250 and say "BABY" or visit https://Preborn.com/FEARLESS to make a direct impact. Share the Arrows Share the Arrows, a one-day event on October 11th in Dallas, Texas, hosted by BlazeTV's Allie Beth Stuckey, offers women worship, teaching, and real conversation with bold voices like Jinger Duggar Vuolo and Francesca Battistelli to encourage and equip them with biblical truth in a challenging culture; tickets, including VIP options, are available at https://sharethearrows.com. SHOW OUTLINE 00:00 Intro Want more Fearless content? Subscribe to Jason Whitlock Harmony for a biblical perspective on everyday issues at https://www.youtube.com/@JasonWhitlockHarmony?sub_confirmation=1 Jeffery Steele and Jason Whitlock welcome musical guests for unique interviews and performances that you won't want to miss! Subscribe to https://youtube.com/@JasonWhitlockBYOG?sub_confirmation=1  We want to hear from the Fearless Army!! Join the conversation in the show chat, leave a comment or email Jason at FearlessBlazeShow@gmail.com Get 10% off Blaze swag by using code Fearless10 at https://shop.blazemedia.com/fearless Make yourself an official member of the “Fearless Army!” Support Conservative Voices! Subscribe to BlazeTV at https://www.fearlessmission.com and get $20 off your yearly subscription. Visit https://TheBlaze.com. Explore the all-new ad-free experience and see for yourself how we're standing up against suppression and prioritizing independent journalism. CLICK HERE to Subscribe to Jason Whitlock's YouTube: https://bit.ly/3jFL36G CLICK HERE to Listen to Jason Whitlock's podcast: https://apple.co/3zHaeLTCLICK HERE to Follow Jason Whitlock on X: https://bit.ly/3hvSjiJ Learn more about your ad choices. Visit megaphone.fm/adchoices

Many white people across America are waking up to the hoax that has been perpetuated by the Black Lives Matter movement and the national media — that whites are the problem — that whites are the oppressor. We are heading into very dangerous waters, friends.See omnystudio.com/listener for privacy information.

Black Lives Matter or All Lives Matter? Learn how to be direct and explicit when addressing an audience or individual. #ThePitch #INICIVOX #VirtualMentorship

After a shift at Zepeddie's Pizzeria in Charlotte, North Carolina, Iryna Zarutska boarded the train and quickly made a decision where to sit. Did she think about her safety? Did she fear sitting in front of a Black man with dreadlocks and a face twisted into worried knots? Or did she find a seat far away from him, just on a hunch?The truth is that Iryna had no real choice. If she avoided the seat in front of the Black man, she might look like a racist. She had no reason to fear him, after all, because she was sympathetic to the plight of racism in America and even had the words “Black Lives Matter” and “I can't breathe” scrawled on a chalkboard in her room. She was learning to speak English, and what better way than to get to know the villains and the heroes in America in 2025? She was just 23, having arrived in the US at the age of 20, with a degree in art and restoration from Synergy College in Kyiv. She joined a settlement of other Ukrainian refugees in Charlotte. She knew enough to tuck her hair into her cap, keep her glasses on, and not look like the blonde beauty that has now blanketed all social media. If you look like that, no one will leave you alone. But a little fear would have done Iryna good, as it would do any young woman riding the train at night. Fear is her only protection. The problem is, when it comes to Black men, white women are shamed out of that fear. They don't want to appear like racists or Karens. They won't grab their purse in an elevator or avoid sitting too close to a Black man. They don't want to buy into the stereotype that has white women fearing Black men for centuries.As she boarded the train that night heading home, she could not have known that the man she sat in front of had thirteen previous arrests and was diagnosed with schizophrenia. She wrapped her arms around her body and seemed to display a sense of foreboding. She looked afraid of something or someone, just not of the guy sitting behind her.With her earbuds canceling out all noise, she might not have heard the man take out his knife. Before she knew it, he was stabbing her neck, killing her. Did the other passengers scream? Did anyone try to do anything to alert her to the danger? No. They were too afraid. When her murderer finished, he paced around the train as the passengers huddled in fear, with blood dripping all around him, her blood. She escaped the war in Ukraine only to be murdered by a country also at war, at war with the truth. The truth about crime, about mental health, about Defund the Police, about bad governance.There was a time when this would have been a major news story. Now, after 2020, this story would have to be memory-holed, like every other story where a Black man is the perp. The only stories that go viral now or become major news stories are those that fit the narrative - it's white men, incels, “white supremacists,” and MAGA you have to fear. So, how would Iryna have known to even be afraid or cautious that she might want to find a seat far from everyone on the train? Maybe she wouldn't wear her headphones. Maybe she would look around at everyone, even the guy sitting behind her. But she didn't. Here are Megyn Kelly, Rich Lowry, and Charles C. W. Cooke.Stories like these are reported on local news, but they never capture the attention of the major networks or legacy media, like this story of a woman in Chicago who was beaten to a pulp by a repeat offender. Reporting on white women as victims might devalue their brand. It might generate outrage and an uproar that they are contributing to racism and discrimination. But what about Iryna and other young women just like her? Will we send them out into the world without warning that violence can come at any time, no matter the skin color?And why is everyone okay with the double standard? The silence by the media on deaths or killings that don't involve a white man? How do they get away with lying to their viewers and their readers? Has the New York Times even covered this story? If they do, it will likely be only to call out “MAGA” for turning it into a story about race.“Don't be a Good White Liberal” Those were the words I told my daughter many years ago when she went off to college. “Always protect yourself, no matter who it is. Don't let white guilt prevent you from being cautious.” I had to tell her that. I had to drill it into her head. It would be our secret. She would never have to tell anyone, but she would know. What prompted me to tell her that was the story of Lily Burk from 2009. She was the daughter of a progressive Liberal who helped her mother feed the homeless in Los Angeles. She attended one of the expensive, fancy private schools I could never have afforded for my daughter. One day, Burk wanted to practice driving, so her mother sent her out to run some errands. She happened to see one of the homeless people she fed for charity. She knew him. He knew her. He pressured her to drive him to an ATM and get him some money. Her card didn't work. So he bashed her head against the dashboard and murdered her.That was long before Black Lives Matter, before Defund the Police, before cashless bail. Even then, it wasn't exactly easy to talk about a crime like this, much less warn our daughters as they headed off to college. But that story haunted me. Even now, I can't imagine what it must have been like for her mother to wonder, How could I have let her take my car? How could I have raised her to be so trusting? Why didn't I tell her to be cautious even around homeless Black men? I knew I had to get the message across to my daughter, Don't be a Good White Liberal at the cost of your own safety. You'd think I would have followed my own advice. But white guilt runs deep. That's why in 2023, I fell for a scam. I thought it was a call from my bank. I could tell the caller was Black, so I was as accommodating and trusting as I could be, not wanting to seem like a Karen. He told me that someone had stolen my bank card, and he listed my purchases. Somehow, he had my account information. Then he said, “Did you wire $4,000 to someone?” And in a panic, I said NO! He said he'd stop the payment, but I had to confirm that it was me. That was my mistake. If I hadn't been trying not to be a racist, I might have doubted him or asked him if I could call him back, but I was too worried about his feelings. Once he got my confirmation, he was able to disappear with $5,000 from my bank account, all the money I had. I've never told that story because I am ashamed of how stupid I was, how easily manipulated I was, and that white guilt. It turned out to be a harbinger of things to come. The next year, I was canceled by Hollywood and called a “racist,” which would wipe out my income. Oh, the irony.The story here isn't to fear Black men or that Black men are more dangerous. It's that white guilt often means ignoring the gut instinct for self-protection. The false narrative pushed out by Hollywood, the legacy media, and the Democrats - that only white men are bad or violent will ultimately make all women unsafe, and hiding the truth to fit the narrative will get more women like Iryna killed.Every night I go to sleep, I worry about my daughter. I want Trump to send the National Guard into Cleveland. I want her to be protected while living in such close proximity to a high-crime city. But if she can't be protected and the streets can't be safe, then let her remember to protect herself, to be aware of who and what is around her at all times. I made her watch the video. I don't want her to be another girl on the train, failed by weak leaders and undone by white guilt. Iryna deserved better. She deserved to fulfill her life as an artist. To maybe get married, maybe travel back to Ukraine when the war is over. But most of all, she deserved to be safe, to be left alone, to make it to her stop just so she could get off the train and find her way back home safe and sound.The GoFundMe for Iryna has now raised $112,616. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

This episode of "What Is the Right?" features a conversation on the coalition of newcomers who have moved to the right in recent years. In response to the Black Lives Matter movement, the erosion of free speech on the left, and the rise of gender ideology, many who would not have formerly considered themselves conservative now feel at home on the right. Some have adopted the traditional values and policies of the conservative movement, while others appear to be temporary fellow travelers who would drift leftward again should the Democratic Party move to the center. To help make sense of this new coalition of defectors, Peter is joined by John Papola. John is Founder and CEO of Emergent Order Foundation, a nonprofit studio dedicated to telling heroic stories of virtue that celebrate American freedom and the potential it unlocks in each of us.

'The Bear' star Ayo Edebiri Claps Back at Reporter After Being Excluded from Black Lives Matter Question Aimed at Two 'Horrified' White Co-StarsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

On this episode of “Harmony,” Jason Whitlock is joined by Shemeka Michelle and Virgil Walker to discuss the random killing of a Ukrainian refugee on a train at the hands of a black man with a long rap sheet. They also discuss why, after Black Lives Matter, the reputation of black Americans has never been worse. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, we explore the quiet power of doing things with both hands:Why bilateral movement calms the nervous systemCultural and spiritual traditions that honor two-handed gesturesEveryday tasks that ground us through full-body presenceReal-world quotes and wisdom about giving, receiving, and connecting more deeplySimple ways to bring more intentionality and wholeness into your daily routineThrive With Leo Coaching: If you want to reduce your psychological pain, regain your purpose and forge your own path, go to www.thrivewithleo.com to begin your journey.If you or anyone you know is considering suicide or self-harm, or is anxious, depressed, upset, or needs to talk, there are people who want to help:In the US: Crisis Text Line: Text CRISIS to 741741 for free, confidential crisis counseling. The National Suicide Prevention Lifeline: 1-800-273-8255 or 988The Trevor Project: 1-866-488-7386Outside the US:International Association for Suicide Prevention lists a number of suicide hotlines by country. Click here to find them.

Today's show is sponsored by: Firecracker Farms Everything's better with HOT SALT. Firecracker Farms hot salt is hand crafted on their family farm with Carolina Reaper, Ghost and Trinidad Scorpion peppers. This is a balanced, deep flavor pairs perfect with your favorite foods. Whether it's eggs, steaks, veggies or even your favorite beverage, Firecracker Farms hot salt is what you've been missing. Just head to https://firecracker.farm/ use code word: SEAN for a discount. Unlock the flavor in your food now! Beam Are you tossing and turning at night and running on fumes during the day? If so, then you are missing out on the most important part of your wellness, sleep. If you want to wake up refreshed, inspired and ready to take on the day then you have to try Beam's Dream powder. This best-selling blend of Reishi, Magnesium, L-Theanine, Apigenin and Melatonin will help you fall asleep, stay asleep, and wake up refreshed. So if you're ready for the best night of sleep you ever had just head to https://shopbeam.com/SPICER to receive 40% off your order. Concerned Women For America Concerned Women For America focuses on seven core issues: family, sanctity of life, religious liberty, parental choice in education, fighting sexual exploitation, national sovereignty, and support for Israel. CWA knows what a woman is. CWA trains women to become grassroots leaders, speak into the culture, pray, testify, and lobby. If you donate $20 you will get CEO & President Penny Nance's new book  A Woman's Guide, Seven Rules for Success in Business and Life. Head to ⁠https://concernedwomen.org/spicer/⁠to donate today! President Trump reimagines the White House's rose garden and turns it into the Rose Garden Club. With beautiful limestone flooring and outdoor seating, the space has been beautifully transformed and excellent for hosting and entertaining guests. The Department of Defense also got a rebranding and is now the Department of War. Letting it be known that the warfighter ethos is alive and well within the Pentagon. As JB Pritzker and Brandon Johnson play politics with people's lives and safety in Chicago, President Trump is proving he is a man of the people. Looking above and beyond political boundaries, President Trump is willing and ready to send in the National Guard to Chicago. He wants to see the people of Chicago safe and flourishing. Unbelievably so, the Governor of Illinois JB Pritzker is threatening the president with a lawsuit should he federalize troops and send them to Chicago. One man that knows alot about Chicago is former Governor Rod Blagojevich. The 40th Governor of Illinois is with me today to discuss exactly what life in Chicago is like in the various neighborhoods and how Black Lives Matter only matter when it scores Democrats political points. Featuring: Rod Blagojevich 40th Governor of Illinois https://x.com/realBlagojevich ------------------------------------------------------------- 1️⃣ Subscribe and ring the bell for new videos: https://youtube.com/seanmspicer?sub_confirmation=1 2️⃣ Become a part of The Sean Spicer Show community: https://www.seanspicer.com/ 3️⃣ Listen to the full audio show on all platforms: Apple Podcasts: https://podcasts.apple.com/us/podcast/the-sean-spicer-show/id1701280578 Spotify: https://open.spotify.com/show/32od2cKHBAjhMBd9XntcUd iHeart: https://www.iheart.com/podcast/269-the-sean-spicer-show-120471641/ 4️⃣ Stay in touch with Sean on social media: Facebook: https://facebook.com/seanmspicer Twitter: https://twitter.com/seanspicer Instagram: https://instagram.com/seanmspicer/ 5️⃣ Follow The Sean Spicer Show on social media: Facebook: https://facebook.com/seanspicershow Twitter: https://twitter.com/seanspicershow Instagram: https://instagram.com/seanspicershow Learn more about your ad choices. Visit megaphone.fm/adchoices

Most film and TV has quietly agreed to pretend that the Covid pandemic never happened. Perhaps it's too awkward to discuss it. Perhaps it'll date your work. Writer-director Ari Aster doesn't share these worries, telling a story about the days of lockdowns, mask mandates and conspiracy theories - days of particular hostility and division in the USA, in which individual freedom does constant battle with the greater good. Eddington is an ambitious attempt at the state-of-the-nation film: a darkly comic thriller with wild tonal shifts, a mass of interwoven themes, uneven pacing, and an eventual climb out of reality into absurdity. José finds much to dislike, particularly its dismissive attitude towards the young people it depicts supporting the Black Lives Matter movement; Mike is surprised at how much he likes it, given how let down he felt by Hereditary. Eddington is certainly a mixed bag, but we're glad to have seen it. Recorded on 24th August 2025.

You have to celebrate your friends who are more successful than you. ~Jim Kelly In this special 20th anniversary episode of I Should Be Writing, recorded live at Worldcon 2025, I reunite with my mentor and long-time friend, James Patrick Kelly. We talk about the last two decades of writing, the evolution of our careers, and the ever-changing landscape of storytelling. We still face bullies like self-doubt and shiny new ideas, but we also explore strengths like community support and celebrating each other's successes. We discuss all the bullies unveiled, the concept of "bullies" that plague writers, including the Imposter Cop, the Blade, and the Nap. And as always we discuss how to handle creative hurdles. Transcript Links James Patrick Kelly The First Law of Thermodynamics Escape Pod Are You There God? It's Me, Margaret. Evergreen Links See all books from Season 21 Like the podcast? Get the book! I Should Be Writing. Socials: Bluesky, Instagram, YouTube, Focusmate Theme by John Anealio Savor I Should Be Writing tea blends Support local book stores! Station Eternity, Six Wakes, Solo: A Star Wars Story: Expanded Edition and more! OR Get signed books from my friendly local store, Flyleaf Books! — Some of the links above may be affiliate, allowing you to support the show at no extra cost to you. Also consider leaving a review for ISBW, please! CREDITS Theme song by John Anealio, art by Numbers Ninja, and files hosted by Libsyn (affiliate link). Get archives of the show via Patreon. September 5, 2025 | Season 21 Ep 16 | murverse.com "20 Years of ISBW, Live from WorldCon with James Patrick Kelly!" by Mur Lafferty is licensed under CC BY-NC-SA 4.0 In case it wasn't clear: Mur and this podcast are fully supportive of LGBTQ+ folks, believe that Black Lives Matter, and trans rights are human rights, despite which direction the political winds blow. If you do not agree, then there are plenty of other places to go on the Internet.

Content warning: since Spread Me is erotic horror, this episode has an explicit tag. I wrote it to have fun because I have written a lot of books that were not fun to write... -Sarah Gailey In this episode, we welcome Hugo winning author Sarah Gailey, author of Spread Me, as we explore the wild world of erotic horror. Sarah shares their journey of writing a novel that takes inspiration from John Carpenter's classic film, The Thing, blending horror and erotica and humor. We dive into the creative process behind Spread Me, discussing the unique premise of a research crew encountering a specimen with prurient interests, and how the protagonist's unusual attraction to viruses plays into the narrative. (viruses!) Sarah candidly reflects on the challenges of writing explicit content and the journey of finding the perfect title that captures the essence of their work. And we get Sarah's meticulous approach to outlining and how specificity in description enhances storytelling.  Then we fight book bans! It's a magical time. (This post went live for supporters on August 29, 2025. If you want early, ad-free, and sometimes expanded episodes, support at Patreon or get my newsletter at Ghost!) Transcript Links Sarah Gailey Nightfire Know Your Station Authors Against Book Bans Publishing Professionals Against Book Bans Evergreen Links See all books from Season 21 Like the podcast? Get the book! I Should Be Writing. Socials: Bluesky, Instagram, YouTube, Focusmate Theme by John Anealio Savor I Should Be Writing tea blends Support local book stores! Station Eternity, Six Wakes, Solo: A Star Wars Story: Expanded Edition and more! OR Get signed books from my friendly local store, Flyleaf Books! — "The Sweet Spot of Horror and Desire with Sarah Gailey" is brought to you in large part by my supporters, the Fabulists, who received an early, expanded version of this episode. You can join our Fabulist community with a pledge on Patreon! Some of the links above may be affiliate, allowing you to support the show at no extra cost to you. Also consider leaving a review for ISBW, please! CREDITS Theme song by John Anealio, art by Numbers Ninja, and files hosted by Libsyn (affiliate link). Get archives of the show via Patreon. September 1, 2025 | Season 21 Ep 15 | murverse.com "The Sweet Spot of Horror and Desire with Sarah Gailey" by Mur Lafferty is licensed under CC BY-NC-SA 4.0 In case it wasn't clear: Mur and this podcast are fully supportive of LGBTQ+ folks, believe that Black Lives Matter, and trans rights are human rights, despite which direction the political winds blow. If you do not agree, then there are plenty of other places to go on the Internet.

Dan Simons, Founding Farmers co-founder, opened his first restaurant in 2008 before terms like sustainability and farm-to-table were commonplace on menus. Today the farmer-owned restaurant continues to help set the standards for how a mission-driven company can meet the needs of farmers, guests, and employees. Speaking to guest host Gloria Dawson, Dan discusses how everything from the Black Lives Matters movement to awareness of menopause in the workplace are restaurant issues.

Asians and Asian Americans are numerous within the classical music industry, but their identities are often politicized and racialized in this Eurocentric musical genre. For the third episode of Obbligato on APEX Express, Isabel Li discusses this intersection with Mari Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music (2007) and Dearest Lenny: Letters from Japan and the Making of the World Maestro (2019). Tonight's episode features music by Chinese American composer Zhou Tian. To learn more about Mari and her work, please visit her website: https://www.mariyoshihara.com/index.html  Musicians from a Different Shore: https://tupress.temple.edu/books/musicians-from-a-different-shore-2 Dearest Lenny: https://global.oup.com/academic/product/dearest-lenny-9780190465780?cc=jp&lang=en&  Transcript  Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.    00:00:53 Isabel Li  Good evening. You're listening to KPFA 94.1 FM. My name is Isabel Li and I'm delighted to be hosting a new edition of Obbligato on Apex Express, which is a semimonthly segment specifically about AAPI identities in classical music. Tonight's guest is someone I have been incredibly excited to speak to because her writings have actually very much informed my studies and research. In fact, her books are exactly about the subject matter of Obbligato. I am honored to be speaking to Mario Yoshihara, Professor of American Studies at the University of Hawaiʻi at Mānoa and Professor at the Center for Global Education at the University of Tokyo, Japan; author of many books, including Musicians from a Different Shore: Asians and Asian Americans in Classical Music, published in 2007, and Dearest Lenny: Letters from Japan and the Making of the World Maestro, which was published in 2019. Welcome to Obbligato on Apex Express. Mari, how are you doing?  00:01:55 Mari Yoshihara  I'm doing fine. Thank you for having me.  00:01:58 Isabel Li  Of course, my first question for you is how do you identify and what communities are you a part of?  00:02:06 Mari Yoshihara  Oh well, that's actually a little bit complicated I am. I am a Japanese woman who have spent a little bit over well, maybe not more than a little more than half of my life in the United States. Born in New York but raised in Tokyo, educated mostly in Japan, but also earned my graduate degrees in the United States and most of my academic career has been in Hawaii, so I've been in American academia for almost 30 years now, but I also have a dual appointment with the University of Tokyo in Japan. So I split my time between Japan and Hawaii now.  00:02:54 Isabel Li  Can you tell us a little bit about your work and your books? I had a chance to read Musicians from a Different Shore, but how would you summarize your research to someone who might not have read your book?  00:03:04 Mari Yoshihara  So I am a scholar of American studies, which is an interdisciplinary field that has anything to do with America broadly defined. And within that, my area of expertise is about, well, I would say I'm a scholar of US cultural history. US Asian relations, mostly US, East Asian relations, especially in the cultural dimension, cultural studies, gender studies, Asian American studies, etc. And so I have written a number of books, both in English and Japanese, but the one that you're referring to, Musicians from a Different Shore, is a book that I did research for more than 20 years ago and was published in 2007. It's a study of Asians and Asian Americans and classical music. So it was partly historical in that I examined the ways. which Western music, so-called western classical music, was introduced to East Asia and how also East Asians became have become so successful and prominent in this field that is generally considered a white European elite art form, so it was partly historical, but then the rest of the book was based on my ethnographic field work and interviews among Asians and Asian Americans in classical music looking at how well who these people are in the first place and then also how musicians, Asian and Asian musicians themselves, understand the relationship between their racial and cultural identity on the one hand, and their practice of Western classical music on the other, so that was my study.   And then I also wrote another book called Dearest Lenny. It's about—the subtitle is Letters from Japan and the Making of the World Maestro. It's about Leonard Bernstein's relationship with two very special individuals in Japan. And through that story, I interweave an account of various things. For one thing, how Leonard Bernstein became a world maestro and also the relationship between politics and arts, gender, sexuality, art and commerce, etcetera, etcetera. So that was my most recent book published in English and then, I'm sure we'll talk more about this, but I'm currently doing a follow up research on the on Musicians from a Different Shore, taking into account all the changes that have been taking place in the classical music industry in the United States in the past, I would say five years or so especially so that's my that's the abbreviated version of my research.  00:05:55 Isabel Li  That's really cool, and I also want to ask you about these changes, if you can talk a little bit about the classical music world. I feel like classical music is one of those genres that seems to be unchanging on the outside. But as a scholar of classical music, what types of changes have you observed that has influenced how AAPI identities play into this world?  00:06:18 Mari Yoshihara  Yeah, I think especially in the last, I would say, yeah, 5 to 10 years, especially in the last five years, classical music industry in the United, I mean I say specifically in the United States because I don't see the similar kind of changes taking place in Japan where I'm currently located. And I also don't really know the situation in Europe. But the field of classical music in the US is changing. I think most significantly because of movements like the Black Lives Matter movement and also with the onset of COVID and the rise of anti Asian hate, there's been a lot more heightened awareness about how issues of race and also class shapes classical music. So there's a lot more vibrant conversations and debates about these topics in the industry and also in terms of AAPI community, are the biggest changes, the biggest change I'm seeing is that Asian and Asian American musicians themselves are being a lot more vocal and active in issues of race and racism in the field and there I've encountered many Asian and Asian American musicians who have, for instance, you know organized events or organizations, or taken up various forms of advocacy and activism on these issues. So compared to, say, 20 years ago, 20, 25 years ago, when I was doing the original research, I see a lot more kind of, you know, explicit awareness and awareness and articulation of these issues by Asian and Asian American musicians themselves.  00:08:12 Isabel Li  That's really interesting. Just because classical music is also one of those genres, that doesn't seem like a genre that most people explicitly associate with politics or activism. What are some examples of these, like activist movements that you've observed within the Asian American community in classical music?  00:08:32 Mari Yoshihara  So for instance, some Asian and Asian American musicians are are becoming a lot more vocal about the actual like racism or sexism that they have themselves experienced, or that they witness in the industry, like in in schools, conservatories, orchestras, opera companies, etc. Either through the media or you know their own writing, and also like speaking up within the organizations that they work in. So that's one. There are other kinds of advocacy and activism in that they demand more diverse repertoire, and I think the repertoire is in terms of the industry industry changes. That's the area that's changing the most, the the kind of repertoire that many orchestras for instance perform have become a lot more– I mean overall it's still very white, European centered– but in terms of the actual numbers of pieces that are performed, works by living, composers and composers of color, women composers, etcetera. That is significantly increased in the last 10 years and that is, you know significantly to do with the advocacy and activism on the part of, you know, artists of color.  So yeah, so things like that and then, you know, many Asian, Asian American artists are doing their own programming, for instance, like event organizing programming. So yeah, those are the areas that I see changes. I see things happening that I didn't see 25 years ago.  00:10:20 Isabel Li  Definitely. I remember reading your book, and your book has been published since 2007, so a lot of changes have happened since then. But in general, when you did your research at first, what how would you summarize the dynamic of Asian identities, Asian American identities in this very Eurocentric field, it's a juxtaposition of two different cultures and identities that a lot of people also observe in orchestras. There's a large population of Asian and Asian American musicians, conductors just in general. It's a very large population, but yet this identity is still not quite represented in media. It's not quite seen, so talk to us a bit about this juxtaposition and how you observe these dynamics in your research.  00:11:10 Mari Yoshihara  Yeah. So. The thing is, Asians and Asian Americans are indeed numerically overrepresented in classical music, in the sense that compared to the general public, the the the proportion of Asians and Asian Americans in the overall US population, the number of Asian and Asian Americans in classical music indexed by things like the student body at major conservatories or membership roster of US orchestras, etcetera, Asians and Asian Americans percentage is higher than the general population, right. So in terms of the numbers, Asians and Asian Americans are, quote unquote overrepresented. But those numbers are not reflected in the actual like voice, power and influence that they have in the industry.   So that was my finding back 2025 years ago and I think that's still true today. Also, the thing about Asian, Asian American musicians is that it's a racialized category. They are seeing and treated as Asian. It's this racial category. But their identities and experiences as Asians is not at all uniform, right?   Some of these Asian musicians are Asian Americans, like multi generational Asian Americans whose parents or grandparents or great grandparents etcetera have come to the United States and they themselves are U.S. citizens. So that's one group.   Many Asian musicians working in the United States are people who were born and raised in Asia, places like China or South Korea, Japan, etcetera, and came to the United States as international students to study music, often at the college level, college conservatory level, so obviously these people have very different sense of identity and experience as Asians compared to say, you know 3rd, 4th generation Chinese Americans or 1.5 Korean Americans.   There are other people who live in the United States because they were very talented, very young musicians, and the whole whole family immigrated to the United States specifically for their music education. So Midori, the famous violinist, Midori is a case, example of this, but there are also a number of other, especially among Koreans and Chinese. There are families, the whole family immigrated to the United States when the child was a very promising musician at age 7 or something. So that's one group. They too have a different sense of identity and experience of Asians than the two former groups that I that I talked about.   There are other people who also came to the United States because not because of the music education, but because of their parents' profession, for instance. And they have transnational kind of family ties and you know, they move, they go back and forth between US and Asia, for instance. And then there are also mixed roots families where one parent is Asian and the other is non Asian.   And then there are also Asians who were born and raised in Europe for other parts of the globe and then came to the United States, for either personal or professional reasons.   So in other words, they're all Asians in terms of their racial identity. But what that means is really quite diverse and their experience as Asian and Asian American musicians is also quite diverse. So it's not as if you know, just because they're Asian, they share some kind of experience and identities around which they coalesce. So that's, you know, that was true 20, 25 years ago. And I think that's still true today.  More and more Asian musicians are coming to the United States to study, study or work in classical music, but especially because of this, like new influence, this Asian category is becoming even more diverse. However, because of the COVID, you know the rise of Anti Asian hate during the COVID pandemic, I think that heightened the awareness of, you know, these different kinds of Asians, the heightened awareness that they are Asians. First and foremost, you know, in, in that in the sense of being racialized in the United States. So I have talked with a number of musicians, Asians and Asian American musicians, who did not really, hadn't thought about their Asianness before. It wasn't at the forefront of their identity before, but during this rise of anti Asian hate it they became they basically became more politicized. You know, they had quite a politicized language and awareness to think about race and racism especially against Asians and Asian Americans.  00:16:31 Isabel Li  Yeah, that's a great point. It is a such a diverse group and there are so many different identities, even within just the Asian American framework AAPI, as a label is very, very diverse. And that applies to classical music as well. But I think there's also this social perception of Asian and Asian Americans as a group that also relates to the model minority stereotype that's historically been present and, for example, a lot of people might think of, like a young Asian or Asian American musician as being like a prodigy because they are technically skilled at their instrument, where like these social perceptions that exist both in media and in the culture around us, why do you think that is?  00:17:15 Mari Yoshihara  Well, that as you said, there is a model minority myth and there is a stereotype of Asians and Asian Americans as being very studious and diligent, but also quiet, right? I mean, they just quietly follow, like, obedient, obediently follow the instructions and that translates in the field of music as the stereotype that Asian musicians are technically very proficient but artistically non expressive. I mean, that's a very common stereotype that yeah, you know, practically any Asian, Asian Americans in classical music have been subjected to, you know, quite regularly and frequently. And I think that, yeah, that just comes with the overall kind of racial stereotype of Asians and Asians and Asian Americans in American society at large. And also the fact that, you know, classical music, especially in terms of instrumental performance, it is an area that is, it's something that is, indeed, technically very demanding, right? You need many, many years of disciplined training and a lot of practice. And there is a myth of merit– well, no, not entirely a myth– but there is this this very, you know, dearly held faith in meritocracy in classical music. The idea that if you have the chops you will be rewarded, you will be recognized and you know, no matter what kind of great artistic idea you might have, if you can't play the notes, you can't play the notes. That kind of ethos of meritocracy is particularly strong in classical music because of the technical demands of the genre, and that and that kind of, you know, goes hand in hand with the model minority methods for Asian Americans.  00:19:20 Isabel Li  Definitely. That's really interesting and another part of your book that was quite fascinating to me when I first read it was chapter 3. You talked about the intersection of gender as well as, you know, racial identity in classical music. The chapter is called Playing Gender and you talk about, I think at large don't necessarily associate classical music with a discipline that provides a stable job. It is an art form and there is kind of an uphill battle for artists in a sense like a starving artist myth there. We're not even a myth. Like if there's a starving artist image, whereas the image of a very successful classical musician there's this duality that you also mentioned in one of your other chapters about class. So what really interested me in for this chapter was that there was this intersection of power in classical music of who would go down the path that might not be traditionally as successful. How do you think gender dynamics play into this and how do you think they might have shifted within the last two decades or so?  00:20:20 Mari Yoshihara  Huh. I'm not sure if it has shifted all that much in the last two decades, but as you said, because music I mean, not just classical music, but music. Like, you know, arts in general is a field that is very like economically insecure in terms of career, right?   But at the same time. Classical music is associated with kind of, you know, bourgeois identity and just kind of overall cultivation and so, many Asian, Asian American parents are very eager to send their kids to, say, piano lessons, violin lessons, cello lessons, etcetera. To, you know, give them a well-rounded education and also because it is considered useful tool, you know, when you're going to college and stuff like, you know being, you know, being able to show that you're very talented violinist, for instance, is believed to help your college application.  So there's this, you know, both stereotype and reality that like, you know, places like Julliard Pre-College, very competitive, you know, school, like music education program for kids is filled with Asian, Asian American, you know, students and their parents who are waiting, waiting for them to come out of school.   So there's that. But how gender plays into this is that while both men and women are do study music at a young age. When it comes to, you know, choosing say, college, like what they would, what they would pursue at the college level, far fewer male students tend to choose music as their college major or go to conservatory and pursue it as a as a career. But I think it's both their own choice. And also especially for Asian and Asian Americans, like parental pressure to not pursue music professionally because of, you know, financial insecurity.   So there's that, and also how that plays into the actual experiences of Asian, Asian Americans musicians who do study music is that I have heard from a number of female Asian musicians that either their peers or especially their teachers are doubtful that they are actually serious about music. There is a stereotype that, you know, say for instance, Japanese or Korean female students at Juilliard School, Manhattan School or whatever, they are there because they, you know, they want to study music and then find a good husband and marry, you know, a lawyer or doctor or engineer or something. [laughs] And and not that that doesn't happen. But that's a stereotype of, you know, that's a racialized and gender stereotype that comes from these, you know, gender and class and racialized dynamics.  00:23:35 Isabel Li  And just for clarification, is the classical music world at large still a male dominated field?  00:23:41 Mari Yoshihara  Yes. Oh yes. Definitely. I mean, it depends on the segment of you know, I mean classical music is itself quite diverse. So if you look at, for instance, the string section, especially the violin section of the New York Philharmonic for instance, you will find that like, I think the majority of those violin players are Asian women, perhaps. But if you look at say for instance, the Faculty of Conservatories or music directors and major orchestras and said, I mean still very male dominated.  00:24:23 Isabel Li  Yeah. Yeah, definitely. I like how your book also has so many different layers for each chapter. So Chapter 3 was about the gender intersection with this, with this identity, and Chapter 4, was it Chapter 4, I believe it was about class, Class Notes, and you've already mentioned a little bit about how class plays into the perception of music, how class influences gender even. But there's a statement in there that you said that, “it's misleading to characterize Asian musicians as just coming from the upper middle class.” And it makes sense that people would think of musicians coming from this economic bracket, because classical music is an in and of itself a very kind of expensive undertaking. You need so many lessons, so many instruments. But tell us why this statement would be misleading.  00:25:15 Mari Yoshihara  Because I mean, first of all, most of the overwhelmed, I would say overwhelming majority of the Asian, Asian American musicians that I interviewed come from middle class backgrounds, many of them from so-called like professional executive class backgrounds in, meaning that their parents hold these professional executive positions, right. And that's why they were able to afford advanced musical studies from a fairly young age. They need, you know, sustained and disciplined and often costly, you know, lessons, you know, competitions, etcetera, auditions, travel, etcetera. So that's for sure, yeah.   At the same time, there are also Asian musicians who come from less privileged backgrounds, you know, immigrant families who have, because quite a few. I mean overall Asian American population, many immigrants experience downward social mobility upon immigrating to the United States because of, you know, oftentimes linguistic barriers or you know, or plain old racism. And so you're not Asian families that immigrate to the United States, like, for instance, if the parents have professional positions back in South Korea, oftentimes they become, you know, for instance, you know, small business owners and they experience downward social mobility. I mean, that's a very common scenario. Yeah, so now all Asian, Asian American musicians grow up in a privileged environment.  00:27:06 Isabel Li  Definitely a great point. Now before we move on to some discussions about Mari's research. First of all, thank you for tuning in to Obbligato on APEX Express, we'll be taking a short music break and as mentioned earlier, a great way to increase diversity within classical music is to uplift works by living composers. If you're listening to my first.  00:27:26 Isabel Li  Episode 2 months ago, you'll know that I featured music by Chinese American composer Zhou Tian. I'm happy to say that coming up next is one of Zhou's compositions inspired by a trip to Italy. This is a piece called Hidden Grace performed by the Formosa Trio.  27:45 – COMP MUSIC – Hidden Grace  00:35:34 Isabel Li  That was a piece called Hidden Grace, composed by Zhou Tian for a fascinating instrumentation of flute, Viola and heart coming up for our second piece. In this interview, break another movement by Zhou Tian, the third movement of his double concerto for violin and Viola, called Rendezvous.  35:58 – COMP MUSIC – Double Concerto for Violin and Viola, III. Rendezvous  00:41:09 Isabel Li  Noah Bendix-Balgley on violin, Shanshan Yao on viola, and the Hangzhou Philharmonic, playing the third and final movement of Zhou Tian's Double Concerto for violin and viola. So back to the conversation with Professor Mari Yoshihara.  00:41:25 Isabel Li  As you also mentioned before, you're working on an updated version of Musicians from a Different Shore. Can you talk–I don't know how much you can talk about your, like upcoming projects, but are you using similar research methods to what you've done before using ethnographic field work? You've mentioned the new changing dynamics of classical music in the United States with new waves of activism and awareness. What are some new topics of your chapters that you might focus on? So for your 2007 publication, you talked about your gender and class and how these intersect with identity. Are there any new things that you're drawing upon here?  00:42:02 Mari Yoshihara  Yeah. So I'm using basically the same research method. I'm interviewing actually some of the same people that appeared in Musicians from a Different Shore. Some people kept in touch with over the years, I've gone back to them and interviewed them to see the trajectories of their careers since the first time I interviewed them. But then I've also interviewed a bunch of other, you know, new musicians that I'm speaking with for the first time. So it's essentially an interview and ethnographic fieldwork-based research.  I told you earlier about I think one of the biggest changes is, as I said before, the activism and advocacy on the part of Asian, Asian American musicians themselves. So I have one chapter about that. Like, what? How? What kinds of advocacy and activism they're engaged in.   Another big change that I'm seeing is that compared to 20 years ago, there are a lot more Asian musicians in the field of opera.  00:43:01 Isabel Li  Ohh yeah.  00:43:02 Mari Yoshihara  Uh. Both as singers. Yeah, many of them singers, but also in other, you know, like for instance opera, you know, pianist for opera or be opera directors, et cetera. There are many more Asians in this particular field than what I saw 20 years ago. And I talked about this a little bit in my first book, but opera is a very particular kind of field within classical music.   How race plays into opera is very different from other areas of classical music because it's a theatrical art form. It's visually oriented, you know art form. And because singers have to be cast in order to, you know, sing on stage. So the racial politics in opera, you know, unfolds very differently from, say, for pianists or cellists or conductors or or composers.   So I now have a whole chapter about opera, especially Madame Butterfly, that this very fraught work, you know, opera that many Asian and Asian Americans have love hate relationships. A lot of pigeon-holing that happens in that through that opera. But also, production of new opera by Asian and Asian American artists, composers, directors, singers, etcetera. So I have a whole chapter about that.   And then I also will have another chapter about, you know, what it means to, you know, sit at the table, basically. Like stand on the podium and sit at the table, stand on the podium. Not only, I mean I will, I will have a whole discussion about Asian and Asian Americans conductors, but not only in that literal sense of, you know, standing at the podium, but like being at the table like in other words, not only, Asian and Asian American musicians playing music that are given to them and they are assigned to them that they're hired to play, but also having a real voice in the organizational and institutional dimensions of classical music industry. So the kinds of people, Asians, who are in these positions more executive positions with decision making power what their experiences are like. I'm going to have a chapter about that.   So those are some of my ideas. I'm still in the middle of the project, so I can't. I can't see the whole picture, but those are some of my current ideas.  00:45:48 Isabel Li  I see. And do you have an idea of when this book will be published or an updated version?  00:45:54 Mari Yoshihara  Well [laughs], my goal rather ambitious goal is to have it published in 2027, because that would be 20 years since Musicians from a Different Shore, so that would be ideal if I can make that.  00:46:08 Isabel Li  Well, yeah. Nice. That's really exciting, definitely. I will also kind of bridge, I guess my part of the research into this part of the interview, since I'd love to talk to you a little bit more about how classical music in general is portrayed in media.   So as I've introduced myself before, I had a back, I have a background in media studies as well as music history and theory. And what was really interesting to me in my senior thesis while I was doing research for that was I coined this term and it could just be loosely associated with the genre of film. But it's the “classical music film.” So think of any narrative fictional film you can think of with a classical musician in there. So it could be like Amadeus, where I think of like Tár. If you watch Tár like a lot of these depictions are quite understandably white and European, but they my senior thesis I've never really seen any depictions of Asian American or Asian classical musicians? I was wondering if you have ever watched a film like that, or could maybe talk a bit about maybe the lack of representation in media, how media plays into how people perceive classical music as a genre as a whole.  00:47:23 Mari Yoshihara  That is a very interesting question. I think you know, because of the stereotype of Asian and Asian American model minority and model minority stereotype often is associated with, you know, violin or piano-playing Asian American kids, I think. Asian, Asian American characters who are, you know, these kind of musical classical music geniuses appear here and there. But the ones that center on such a character as the main, you know, like the protagonist, come to think of it, I'm not sure if I've seen. I mean, I've seen several Korean dramas, you know, character, but those are Korean dramas, not Asian American, so more American works with Asian classical musicians…  00:48:21 Isabel Li  And I think also classical music as a genre is. It's interesting because classical music is also kind of underrepresented. It's not quite in the mainstream. And then one of my final questions for you is I do also want to take a second to acknowledge that your book was actually one of the only books that I could find about this topic. I think there are not that many other books about Asian and Asian Americans in classical music. I think there are a few other books and a few and definitely some papers that talk about this, but what got you interested in this field? And I don't know if you think there's a scarcity of information, but do you think there's relative scarcity of information about this topic?  00:49:01 Mari Yoshihara  Yeah. So how I got into it is. So I was a pretty serious student of piano when I was a child. That's like, yeah, that really kind of preoccupied my childhood and adolescence. But then I, for various reasons I ended up not going to a music Conservatory and became an academic.   And then once I entered academia and became a scholar of American studies, all I was studying was like race, gender, class. I mean, that's what  we do in American studies. And my first book, which was originally my doctoral dissertation, was a cultural history of orientalism and white women. So that was a study of the intersections of race and gender and to some extent class in American history.   So once I finished that book, I was thinking about what projects to work on next. And I happened to turn on the TV, and it just so happens that the Vienna Phil New Year's concert, conducted by Seiji Ozawa was playing on the TV and that was sort of my “aha” moment because I had always known or, you know, kind of generally aware that Asians and Asian Americans are, if not necessarily overrepresented, but, you know, they're quite numerous, you know. They're present. Their numerical presence is quite notable in classical music that is often associated with white, you know, European culture, elite culture.  So I was kind of curious about that phenomenon, but I hadn't really thought too much about it until I watched Seiji Ozawa were conducting the Vienna Phil. And that's when I thought, well, maybe I can kind of combine my classical music background and my academic training in studies of race, gender, class into this project. So that's when I decided to work on. You know, this topic of Asians and Asian Americans, classical music.  I think the reason that there hadn't been at least a book-length study on the topic until my book is that for one thing, classical music is considered to be kind of a very abstract absolute form of music. This ethos that it is kind of transcends– that it is a universal, transcendental kind of genre, that is sort of above things like politics or race or gender. Like it shouldn't matter that these, you know, individual identity, racialized gender identity shouldn't matter vis-à-vis the universalism of classical music. I mean that kind of ethos is very strong in this particular genre of music. I think that has a lot to do with it.   And also the study of classical music until rather recently, like musicological study of classical music, really tended to be focused on the study of composers and their works, right? It was the textual that, like it, was an analysis of Beethoven Symphony or, you know, Bach Fugues, etcetera. Yeah. It was really focused on the study of the score, the study of the composer's ideas, as reflected in the score, I mean that was the centerpiece of musicological approach to classical music.  And so sort of more sociological anthropological study of the musical practice is a relatively new approach in in the field of musicology. I'm not a musicologist. So that's not how I'm trained. But I think the academic approach to classical music was not very, kind of, open to the kinds of topics that I raised in Musicians from a Different Shore.  00:53:12 Isabel Li  Definitely. I see. And my very final fun question for you is can you name three of your favorite classical music pieces for any recommendations you have for the audience who might be listening, who might be wondering what they will listen to next?  00:53:27 Mari Yoshihara  Well, OK well. Pieces well, because I wrote a book about Leonard Bernstein. I mean, I ended up– I wrote a book about Leonard Bernstein. Not necessarily because I was an avid fan of Bernstein. It just kind of happened this this project. But nonetheless of while I was doing research and writing the book I did listen to a lot of Bernstein. I and I have come to really love Bernstein music and so. And you know, of course, everybody knows West Side Story, but he actually wrote many other pieces that may not be as well known.   Well among the pieces that I like, I like…which one should I choose? I will choose. Ohh well, I'll choose a piece that I learned myself as a pianist.  I learned the piece called “Touches” that he wrote. It was a commission piece for the Van Cliburn International Piano Competition, and it's kind of yeah, it's a chorale and variation. So that's very interesting and very interesting and very Bernstein-esque so well.   I'll OK, as an American study scholar. I'll, I'll stick with American pieces. I like someone Barber a lot. I like Barber “Excursions,” which I also learned to play.  00:55:04 Isabel Li  Yeah.  00:55:09 Isabel Li  Tough question.  00:55:11 Mari Yoshihara  Umm, Mason Bates piece that I also learned, “White Lies For Lomax.” This one was also, I believe…was it commissioned by the Cliburn? But no, maybe it wasn't. Yeah, I think it was commissioned. But anyway, I played it at the Van Cliburn International– the amateur competition of the Cliburn competition.  I did all these. So like Bernstein, Bates, Amy Beach piece I also played. Yeah, I'll stop there. I I wish you had prepped me for that then [laughs]–  00:55:42 Isabel Li  Oh my gosh. Great responses.  00:55:46 Mari Yoshihara  Hard to think on the spot.  00:55:47 Isabel Li  Yeah, I totally get that. Whenever people ask me for my favorite composer, I never have an answer. No, so I totally get it.   Well, thank you so much for your time, Mari. And thank you for your wonderful insights. I'll put the link to your books so that people can learn about your works on APEX Express on kpfa.org. So thank you so much for your time, Mari.  00:56:07 Mari Yoshihara  Thank you.  00:56:09 Isabel Li  As mentioned, please check our website kpfa.org to find out more about Mari Yoshihara, her scholarship, and links to two of her books. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world. Your voices are important.  00:56:31 Isabel Li  APEX Express is produced by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, and Cheryl Truong. Tonight's show was produced by Isabel Li. Thanks to the team at KPFA  for their support. Have a great night.  [OUTRO MUSIC]  The post APEX Express – 09.04.2025 – Obbligato with Mari Yoshihara appeared first on KPFA.

Hosts Ramses Ja and Q Ward discuss the story of the 2 Florida based pastors that were arrested for protesting the removal of a Black Lives Matter mural See omnystudio.com/listener for privacy information.

Jarrod Shanahan returns to the show to talk about his new book, Every Fire Needs a Little Bit of Help. But first, we are owed dark money where is our dark money Every Fire Needs a Little Bit of Help collects a decade of reflections on recent US struggles—Occupy Wall Street, Black Lives Matter, and the George Floyd Rebellion—alongside accounts of the rise of Trumpism, the alt-right, an apocalyptic shift in popular culture, to paint a dense and complex portrait of a decade of protracted social crisis. Jarrod Shanahan reports from the ground. On the streets in 2014, from the depths of the Rikers Island penal complex, inside the alt-right underground and the carnival of Trump rallies, and in the line of fire in Kenosha, Wisconsin in 2020, among other scenes that Shanahan accessed not as a credentialed observer but an active participant: prisoner, infiltrator, activist. The resulting essays outline the pitfalls and opportunities facing those seeking to reverse the suicidal course of capitalist society and build a liberated world. JARROD SHANAHAN jarrodshanahan.com MERCH poddamnamerica.bigcartel.com PATREON + DISCORD patreon.com/poddamnamerica

THIS EPISODE CONTAINS SPOILERS FOR THE BOOK "STONER" BY JOHN WILLIAMSSPOILERS...In this heartfelt episode, we explore:How the novel Stoner reveals the hidden emotional lives so many of us carryWhy Stoner's death from esophageal cancer symbolizes the suffocation of unexpressed emotionsThe myth that stoicism means emotional emptiness — and the truth about deep-feeling peopleHow modern culture still struggles to make space for slow, messy, real emotionsWays we can start building small spaces of emotional honesty, connection, and healingThrive With Leo Coaching: If you want to improve in the areas of health, wealth and/or relationships, go to www.thrivewithleo.com to begin your journey.If you or anyone you know is considering suicide or self-harm, or is anxious, depressed, upset, or needs to talk, there are people who want to help:In the US: Crisis Text Line: Text CRISIS to 741741 for free, confidential crisis counseling. The National Suicide Prevention Lifeline: 1-800-273-8255 or 988The Trevor Project: 1-866-488-7386Outside the US:International Association for Suicide Prevention lists a number of suicide hotlines by country. Click here to find them.

En este episodio de Desde Mi Punto de Vista abordo una batalla crucial: Donald Trump contra George Soros.

En este episodio de Desde Mi Punto de Vista abordo una batalla crucial: Donald Trump contra George Soros.

All of this week's episodes of It Could Happen Here put together in one large file. - Newsom’s Posting Through It - Palestine and the American University feat. Dana El Kurd - How Democrats Passed North Carolina's New Anti-trans Laws, Part One - How Democrats Passed North Carolina's New Anti-trans Laws, Part Two - Executive Disorder: White House Weekly #31 You can now listen to all Cool Zone Media shows, 100% ad-free through the Cooler Zone Media subscription, available exclusively on Apple Podcasts. So, open your Apple Podcasts app, search for “Cooler Zone Media” and subscribe today! http://apple.co/coolerzone Sources/Links: Newsom’s Posting Through It https://www.nytimes.com/2025/08/20/us/newsom-trump-social-media.html https://calmatters.org/economy/technology/2025/06/california-police-sharing-license-plate-reader-data/ https://calmatters.org/commentary/2025/03/gavin-newsom-podcast-judgment-problem/ https://x.com/GovPressOffice https://bsky.app/profile/grahamformaine.bsky.social/post/3lwqwj3rdgk27 https://www.instagram.com/reel/DNl79l0SdMb/?igsh=bXphd3E2N3Y2N20w https://www.youtube.com/shorts/2qJw7xQfqh0 https://www.kpbs.org/news/racial-justice-social-equity/2025/03/11/san-diego-sheriff-says-disputed-ice-transfer-was-legal Palestine and the American University feat. Dana El Kurd Clifford Ando – The Crisis of the University Started Long Before Trump - https://www.compactmag.com/article/the-crisis-of-the-university-started-long-before-trump/ Jerusalem Declaration on Antisemitism - https://jerusalemdeclaration.org/ Ken Stern on IHRA definition - https://www.npr.org/2025/03/20/nx-s1-5326047/kenneth-stern-antimsietim-executive-order-free-speech 2023 Pew Research Center Poll on Black Lives Matter - https://www.pewresearch.org/social-trends/2023/06/14/views-on-the-black-lives-matter-movement/ Marc Bousquet – How the University Works - https://nyupress.org/9780814799758/how-the-university-works/ PBS Reporting on Harvard University negotiations with Trump administration - https://www.pbs.org/newshour/politics/harvard-nearing-settlement-with-trump-to-pay-500-million-and-regain-federal-funding The Intercept’s reporting on Columbia University settlement with the Trump administration - https://theintercept.com/2025/04/16/columbia-middle-eastern-studies-trump-attacks/ Middle East Studies Association statement on Columbia University settlement - https://mesana.org/advocacy/letters-from-the-board/2025/03/28/joint-statement-regarding-columbia-university-and-the-department-of-education Results of the Middle East Scholar Barometer - https://criticalissues.umd.edu/sites/criticalissues.umd.edu/files/November%202023%20MESB%20Results.pdf Human Rights Watch statement on the IHRA definition - https://www.hrw.org/news/2023/04/04/human-rights-and-other-civil-society-groups-urge-united-nations-respect-human Axios reporting on The Nexus Project and Trump’s use of antisemitism investigations - https://www.axios.com/2025/03/31/college-campus-antisemitism-trump-nexus-project American Association of University Professors – Academic Freedom - https://www.aaup.org/issues-higher-education/academic-freedom/faqs-academic-freedom 2024 Announcement of 40 new AAUP chapters - https://www.aaup.org/academe/issues/winter-2025/warm-welcome-new-or-reestablished-aaup-chapters Executive Order on Combatting Antisemitism - https://trumpwhitehouse.archives.gov/presidential-actions/executive-order-combating-anti-semitism/ How Democrats Passed North Carolina's New Anti-trans Laws https://transnews.network/p/nc-dems-anti-trans-betrayals @davidforbes.bsky.social @avlblade.bsky.social Executive Disorder: White House Weekly #31 https://www.reuters.com/markets/commodities/india-us-lose-trump-tariffs-russia-wins-2025-08-27/ https://www.federalreserve.gov/faqs/about_14986.htm https://www.federalreserve.gov/aboutthefed.htm https://www.newyorkfed.org/markets/domestic-market-operations/monetary-policy-implementation/repo-reverse-repo-agreements https://fred.stlouisfed.org/series/RRPONTSYD https://www.newyorkfed.org/markets/rrp_faq.html https://fred.stlouisfed.org/series/RPONTSYD https://libertystreeteconomics.newyorkfed.org/2022/01/how-the-feds-overnight-reverse-repo-facility-works/ https://www.newyorkfed.org/aboutthefed/goldvault.html https://fortune.com/2025/08/09/trump-fed-pick-stephen-miran-existential-threat-central-bank-independence/ https://www.federalreserve.gov/econres/notes/feds-notes/the-12-trillion-u-s-repo-market-evidence-from-a-novel-panel-of-intermediaries-20250711.html https://www.stlouisfed.org/in-plain-english/who-owns-the-federal-reserve-banks https://www.newyorkfed.org/medialibrary/media/research/epr/forthcoming/1202mart.pdf https://www.nytimes.com/2025/08/26/us/politics/lisa-cook-fed-governor.html?unlocked_article_code=1.hE8.oyr3.s4yYTqcf14ZD https://www.whitehouse.gov/presidential-actions/2025/08/prosecuting-burning-of-the-american-flag/ https://www.whitehouse.gov/presidential-actions/2025/08/measures-to-end-cashless-bail-and-enforce-the-law-in-the-district-of-columbia/ https://www.whitehouse.gov/presidential-actions/2025/08/taking-steps-to-end-cashless-bail-to-protect-americans/ https://www.justice.gov/maxwell-interview https://www.foxnews.com/politics/national-guard-mobilizing-19-states-immigration-crime-crackdown https://www.whitehouse.gov/presidential-actions/2025/08/additional-measures-to-address-the-crime-emergency-in-the-district-of-columbia/ https://nbcmontana.com/news/nation-world/kennedy-announces-nih-study-into-psych-drugs-after-second-trans-school-shooterSee omnystudio.com/listener for privacy information.

I think I was a very... particular kind of undergraduate workshop student. -Dan Kois In this episode, I welcome my old classmate from UNC,  Dan Kois, Slate editor and author of Hampton Heights. We dive into our journey from college classmates to published authors. Both pro writers, we each took a very different path.  Dan shares the inspiration behind Hampton Heights, a thrilling adventure featuring four kids selling newspapers and encountering monsters unexpected relatives, and more.  Of course we discuss the struggles of self-doubt, the impact of mentorship, and the significance of continuing to write despite the obstacles.  Transcript Links Dan Kois Hampton Heights Slate Vintage Contemporaries Lynda Barry Evergreen Links See all books from Season 21 Like the podcast? Get the book! I Should Be Writing. Socials: Bluesky, Instagram, YouTube, Focusmate Theme by John Anealio Savor I Should Be Writing tea blends Support local book stores! Station Eternity, Six Wakes, Solo: A Star Wars Story: Expanded Edition and more! OR Get signed books from my friendly local store, Flyleaf Books! — "Chasing Monsters: A Journey Through Hampton Heights" is brought to you in large part by my supporters, the Fabulists, who received an early, expanded version of this episode. You can join our Fabulist community with a pledge on Patreon! Some of the links above may be affiliate, allowing you to support the show at no extra cost to you. Also consider leaving a review for ISBW, please! CREDITS Theme song by John Anealio, art by Numbers Ninja, and files hosted by Libsyn (affiliate link). Get archives of the show via Patreon. August 29, 2025 | Season 21 Ep 14 | murverse.com "Chasing Monsters: A Journey Through Hampton Heights" by Mur Lafferty is licensed under CC BY-NC-SA 4.0 In case it wasn't clear: Mur and this podcast are fully supportive of LGBTQ+ folks, believe that Black Lives Matter, and trans rights are human rights, despite which direction the political winds blow. If you do not agree, then there are plenty of other places to go on the Internet.

62 years Later: Why We Still March - Words by Marilyn Vetrano #GoRight with Peter Boykin Commentaryhttps://rumble.com/v6y7wia-62-years-later-why-we-still-march-words-by-marilyn-vetrano.htmlhttps://youtu.be/X9EUP0hzLd0https://www.spreaker.com/episode/62-years-later-why-we-still-march--67552512Read the article on Go Right News:https://gorightnews.com/62-years-later-why-we-still-march-words-by-marilyn-vetrano/Still Marching: MLK's Call Across GenerationsOn the 62nd anniversary of the March on Washington, #GoRight with Peter Boykin reflects on the legacy of Dr. Martin Luther King Jr. and the movement that reshaped America. Featuring the powerful words of Marilyn Vetrano, this episode explores how the fight for justice, equality, and freedom remains unfinished but as urgent as ever. From racial justice to LGBTQ+ rights, from voting access to true equality under the law, we revisit the call to action that continues to echo across generations: to keep marching until justice rolls down like waters.#MarchOnWashington, #MLK, #CivilRights, #EqualityForAll, #JusticeNow, #LGBTQRights, #VotingRights, #BlackLivesMatter, #ConstitutionalFreedom, #KeepMarching, #GoRightNews, #PeterBoykin #GoRightBecome a supporter of this podcast: https://www.spreaker.com/podcast/goright-with-peter-boykin-gorightnews-com--3096608/support.

After Dark with Hosts Rob & Andrew – Democratic mayors and governors chant “Black Lives Matter” yet resist action to stop crime in cities plagued by violence. President Trump steps in, deploying the National Guard to restore law and order. Arrests rise, homicides fall, and communities see results, while opponents dismiss proven solutions in favor of politics over protecting black lives...

After Dark with Hosts Rob & Andrew – Democratic mayors and governors chant “Black Lives Matter” yet resist action to stop crime in cities plagued by violence. President Trump steps in, deploying the National Guard to restore law and order. Arrests rise, homicides fall, and communities see results, while opponents dismiss proven solutions in favor of politics over protecting black lives...

'Reformed Pantser' is one of the most difficult things to be. -Seth Haddon In this episode, we welcome Seth Haddon, the talented Australian author behind Volatile Memory. We cover hybrid publishing, writing routines, and pursuing nuns. Volatile Memory explores themes of transhumanism and identity within a corporate-dominated future. Also  haunted masks. And love. (This post went live for supporters on August 25, 2025. If you want early, ad-free, and sometimes expanded episodes, support at Patreon or get my newsletter at Ghost!) Transcript Links Volatile Memory Blind Eye Books Reactor Seth on Internet, Instagram, and Patreon Evergreen Links See all books from Season 21 Like the podcast? Get the book! I Should Be Writing. Socials: Bluesky, Instagram, YouTube, Focusmate Theme by John Anealio Savor I Should Be Writing tea blends Support local book stores! Station Eternity, Six Wakes, Solo: A Star Wars Story: Expanded Edition and more! OR Get signed books from my friendly local store, Flyleaf Books! — "The Haunted Mask: Exploring Volatile Memory with Seth Haddon" is brought to you in large part by my supporters, the Fabulists, who received an early, expanded version of this episode. You can join our Fabulist community with a pledge on Patreon or support via Ghost!! Some of the links above may be affiliate, allowing you to support the show at no extra cost to you. Also consider leaving a review for ISBW, please! CREDITS Theme song by John Anealio, art by Numbers Ninja, and files hosted by Libsyn (affiliate link). Get archives of the show via Patreon. August 25, 2025 | Season 21 Ep 13 | murverse.com "The Haunted Mask: Exploring Volatile Memory with Seth Haddon" by Mur Lafferty is licensed under CC BY-NC-SA 4.0 In case it wasn't clear: Mur and this podcast are fully supportive of LGBTQ+ folks, believe that Black Lives Matter, and trans rights are human rights, despite which direction the political winds blow. If you do not agree, then there are plenty of other places to go on the Internet.

When Parisian Edmée Chavannes watched Spike Lee's "Malcolm X" as a teenager, something ignited inside her that would define her worldview for years. Suddenly, white people became "devils" in her eyes.However, after moving to the land of Malcolm X, America, Edmée was shocked to encounter Christians who welcomed her with genuine kindness. The transformation that followed her decision to follow Christ was immediate and profound. As she tells her story, you'll see her former racial prejudice melt away as she encountered God's universal love, especially on a New York City bus. Today, Edmée channels her passion into ministry and pro-life activism, recognizing that both racism and abortion deny the full humanity of persons. Now with Jesus' eyes, she describes how we're all made in God's image. Helpful links: Edmee's Ministry, At the Well MinistriesEdmee's ministry partner, Bevelyn Beatty on CBNBevelyn Beatty pardoned by TrumpIs Christianity a White Man's Religion? Let us know what you thought of the show!Follow One80 on Apple Podcasts, Spotify, or our website.Never miss a One80. Join our email list. Follow us on Instagram.Share One80, here's how!OneWay Ministries

(The Center Square) – Just over two months after the largest protest in Spokane since the 2020 Black Lives Matter movement, the City Prosecutor's Office has dismissed all misdemeanor charges for failure to disperse against the June 11 and June 14 U.S. Immigration and Customs Enforcement protesters. The Spokane County Prosecutor's Office confirmed that it has also dropped all of those charges it filed.Support this podcast: https://secure.anedot.com/franklin-news-foundation/ce052532-b1e4-41c4-945c-d7ce2f52c38a?source_code=xxxxxxRead more: https://www.thecentersquare.com/washington/article_ad4499a3-bb6f-46d2-8fe9-5de4598983b7.html

In this episode, we explore why having a personal "Why Not" list can be a powerful tool for mental health and suicide prevention:How “Why not?” can lead to impulsive or harmful decisionsWhy having your own “why nots” can help you say no when it mattersHow a “why not” list can save a life during a suicidal crisisExamples of meaningful “why nots” that resonate deeplyBacked by research: the science behind Reasons for Living (RFL)How to start building your own list todayWhether you're supporting others or holding on yourself, this episode offers a simple, life-anchoring framework.Thrive With Leo Coaching: If you want to reduce your psychological pain, regain your purpose and forge your own path, go to www.thrivewithleo.com to begin your journey.If you or anyone you know is considering suicide or self-harm, or is anxious, depressed, upset, or needs to talk, there are people who want to help:In the US: Crisis Text Line: Text CRISIS to 741741 for free, confidential crisis counseling. The National Suicide Prevention Lifeline: 1-800-273-8255 or 988The Trevor Project: 1-866-488-7386Outside the US:International Association for Suicide Prevention lists a number of suicide hotlines by country. Click here to find them.

And welcome back to the program. Let's go to Jeff in Townsville to talk about Leticia James. Jeff, what's on your mind? Well, it's a fantastic win on these court cases that Trump's getting. Yeah. But I wanna know who's paying for these court cases because you know that ain't free. No. No. That's that's the people of the district. And they they thought Trump was gonna cover some of that with the 500, million dollar settlement, but that's not the case either. So the people of the state of New York, thank you so much for your donation. Right? Exactly. So I I I don't get it. I really don't, Jeff. I appreciate it. Well, here's the thing, though. The Democrats don't get it. Now listen. Don't tell them don't tell them that they don't get it. I mean, how many times what has been the great Democrat talking point for 2025? What's it been? How have they resonated with the American people? Look at all of the people that they're they're defending. They're defending Gilmore Abrego Garcia. They're defending the truck driver who killed three people. They're defending criminals. They don't want the streets of Washington DC cleaned up. And there's a reason for that. Because if those people in Washington DC, like they're seeing now, get a little bit of a taste of what safety and security is all about, they're gonna want more. They're gonna want more. Not only they're gonna want it in Washington DC, they're gonna want it in Baltimore. They're gonna want it in Chicago. They're gonna be they're gonna want it everywhere. They're gonna want it in Atlanta. And that means the Democrats are gonna lose control, and that's the last thing they want. All they want is the power. But they don't know they cannot come out and say that. They cannot say what they really believe. They're only using Gilmore, Abrego, Garcia as a photo op. That's it. They don't care where he goes. They could give a rat's rump. They don't care. They don't care about the so called migrants. They don't care about the African American community. They don't care. The only thing they care about and listen. I was in the land of old white liberals this past weekend. I mean, I might have been in the epicenter. I am literally hold on. I am literally trying to to just rack my brain and think if I saw any, you no. I don't think I saw a single black person. Not one African American. And we're talking about this a this a pretty big tourist town, but, I didn't see anybody there in the land of Black Lives Matter. Where were they? Where were they? Oh, oh, oh, oh, I saw some Hispanics there. They were trimming the manicured hedges in Westerly and Stoningtonborough, but that's it. That's it. So the Democrats, they don't have a brand right now. They don't. And the American people are starting to figure that out. Even I I love this. This is Harry Enton, from, over on on CNN. Once you listen to what he said Look. The Democratic brand right now has about the appeal with the American voter as the Cracker Barrel rebrand has with the American consumers. Bad. Bad. Bad. What are you doing? Oh my goodness gracious. What are we talking about here in terms of big party registration changes in the key swing states? Let's look at the key four swing states that in fact do keep track of registration by party. Look, the Republican party is in their best position at this point in the cycle since at least 2005 and all four of these key battleground states. We go out to the Southwest, Arizona. How about Nevada? Republicans haven't done this well since 02/2005. Oh my goodness gracious at this at this point in the cycle. North Carolina, I couldn't find a point at which Republicans were doing better at this point in the cycle. It's at least this century. It probably goes way back in the last century. And Pennsylvania, very similar. Republicans doing better at this point than at any point at any point this century, at least as far as I I could find. Look. The And, yeah, and and the only thing is the only ...

Histories of British involvement in the Caribbean tend to focus mainly on the period of plantation slavery but, in her new book Empire Without End, Imaobong Umoren argues that we need to take a broader view. It's only by taking the story back to the 16th century and forward until the present, she contends, that we can fully understand the intertwining themes of colonialism and racism in the region – and see how they connect to events in Britain. In this episode, Imaobong explores these ideas in conversation with Rob Attar. (Ad) Imaobong Umoren is the author of Empire Without End: A New History of Britain and the Caribbean (Fern Press, 2025). Buy it now from Waterstones: https://go.skimresources.com?id=71026X1535947&xcust=historyextra-social-histboty&xs=1&url=https%3A%2F%2Fwww.waterstones.com%2Fbook%2Fempire-without-end%2Fimaobong-umoren%2F%2F9781911717034%23%3A~%3Atext%3DEmpire%20Without%20End%20offers%20a%2Cthe%20longevity%20of%20systemic%20racism. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

I am sharing what I captured of Reverend Dr. Louis Anthony sermon from WHUR 96.3 Public Service who aired it from Rankin Memorial Chapel. He preached on your lack of action to say Don't Miss Your Chance from the Bible Verse Luke 19:44. And I continue to share other peoples perspective on the Colonizer's Religion.

K.A. Owens interviews Robbey Taylor of Black Lives Matter and 50501. Topic: The State of Organizing in America. Recorded Saturday August 23, 2025, 1PM.

"Nothing's easy, man; being an adult sucks." -Mur Lafferty In this episode, we dive deep into Bully #5: The Nap. We discuss the sneaky ways the Nap can derail our writing plans. Rest is vital, but The Nap isn't rest. It's escape. We also discusses the importance of sleep hygiene and how to combat the allure of a cozy nap when creativity calls.  We touch on the other bullies we've encountered along the way, including Bart, The Blade, The Sponge, and Despair, each representing unique obstacles in the creative process. (Still 3 to go!) (This post went live for supporters on August 21, 2025. If you want early, ad-free, and sometimes expanded episodes, support at Patreon or get my newsletter at Ghost! Transcript Links Flyleaf Books Escape Pod Salvadore Dali (recently I discovered his admiration of fascism, so I won't be linking to him.) Evergreen Links See all books from Season 21 Like the podcast? Get the book! I Should Be Writing. Socials: Bluesky, Instagram, YouTube, Focusmate Theme by John Anealio Savor I Should Be Writing tea blends Support local book stores! Station Eternity, Six Wakes, Solo: A Star Wars Story: Expanded Edition and more! OR Get signed books from my friendly local store, Flyleaf Books! — "The Silent Bully: The Nap" is brought to you in large part by my supporters, the Fabulists, who received an early, expanded version of this episode. You can join our Fabulist community with a pledge on Patreon! Some of the links above may be affiliate, allowing you to support the show at no extra cost to you. Also consider leaving a review for ISBW, please! CREDITS Theme song by John Anealio, art by Numbers Ninja, and files hosted by Libsyn (affiliate link). Get archives of the show via Patreon. August 22, 2025 | Season 21 Ep 12 | murverse.com "The Silent Bully: The Nap" by Mur Lafferty is licensed under CC BY-NC-SA 4.0 In case it wasn't clear: Mur and this podcast are fully supportive of LGBTQ+ folks, believe that Black Lives Matter, and trans rights are human rights, despite which direction the political winds blow. If you do not agree, then there are plenty of other places to go on the Internet.

Deep in the Louisiana swamps, a shadow prowls among the cypress and mist. Some whisper it's a curse, others swear it's a beast, while still others claim it's just a tale spun by Cajun mothers to keep their children in line - but all know to fear the Rougaroux. Join us as we follow the trail of this legend, where folklore, fear, and the unknown intertwine._____________________________Please be sure to like us on social media: Facebook: https://www.facebook.com/shadowcarriersInstagram: https://www.instagram.com/shadowcarriersIf you like what you hear and want to buy your storytellers a drink, you can catch us at @shadowcarriers on Venmo.If you've enjoyed this episode and want to support our work, become a patron of the podcast! Your support is greatly appreciated and is invested back into helping us create bold and new content for you throughout the year. Check out our Patreon Page at patreon.com/ShadowCarriers.If you'd like to get in touch with us, our email address is shadowcarriers@gmail.com.This Podcast and all endeavors by these individuals believe strongly that Black Lives Matter. 

In this episode, we explore:What a manic episode actually looks and feels likeHow mania and depression can reduce grey matter in the brainWhy overstimulation, lack of sleep, and creative pressure can trigger episodesHow Kanye West's story reveals the tension between brilliance and instabilityThe difference between holding people accountable and holding them with compassionWhat it means to support mental health without romanticizing sufferingThrive With Leo Coaching: If you want to reduce your psychological pain, regain your purpose and forge your own path, go to www.thrivewithleo.com to begin your journey.If you or anyone you know is considering suicide or self-harm, or is anxious, depressed, upset, or needs to talk, there are people who want to help:In the US: Crisis Text Line: Text CRISIS to 741741 for free, confidential crisis counseling. The National Suicide Prevention Lifeline: 1-800-273-8255 or 988The Trevor Project: 1-866-488-7386Outside the US:International Association for Suicide Prevention lists a number of suicide hotlines by country. Click here to find them.

Join Dominic Carter for a sharp dissection of the chaos engulfing New York City, triggered by the mass shooting at the Taste of the City hookah lounge in Crown Heights, Brooklyn, leaving three dead and nine wounded in a likely gang-related attack. Dominic fiercely questions how "progressive politics" and the controversial disbanding of the NYPD's Street Crime Unit have fueled rising gun violence, drawing parallels to similar incidents nationwide. He critically assesses Mayor-elect Mandani's impending leadership, highlighting his perceived inaction on crime and controversial policing stances, as well as the societal impact of "cancel culture," Black Lives Matter, and the veneration of George Floyd. The episode features urgent calls from listeners for parental accountability and considers the growing plea for President Trump to intervene with federal law enforcement or the National Guard to restore order, as seen in Washington D.C., offering a no-holds-barred look at the complex challenges facing urban America. Learn more about your ad choices. Visit megaphone.fm/adchoices

El 17 de marzo de 2024, una tranquila tarde en el vecindario de East Garfield Park, en Chicago, se vio sacudida por un crimen devastador. Cerca de un área de juegos en Horan Park, encontraron el cuerpo de una joven. La vida de una na adolescente de 16 años llena de sueños y talento, fue arrebatada demasiado pronto. Este es el tragico asesinato de Kaylah Love.Puede escuchar nuestro NUEVO episodio en Spotify, Apple Podcasts y todas las demás plataformas de transmisión.—On March 17, 2024, a quiet afternoon in the East Garfield Park neighborhood of Chicago was shaken by a devastating crime. Near a playground in Horan Park, the body of a young girl was found. The life of a 16-year-old girl full of dreams and talent was taken away too soon. This is the tragic case of Kaylah Love. You can listen to our NEW episode on Spotify, Apple Podcasts, and all other streaming platforms.—Link + Sources:CBS News: https://www.cbsnews.com/chicago/news/teen-in-custody-for-death-of-kaylah-love-girl-brutally-murdered-on-west-side-chicago-police-sources-say/ABC 7 Chicago News: https://abc7chicago.com/post/chicago-stabbing-15-year-old-boy-charged-murder-kaylah-love-death-horan-park-van-buren-street-cpd-says/16076493/ABC 7 Chicago News: https://abc7chicago.com/post/kaylah-love-death-loved-ones-hold-vigil-honor-16-year-old-girl-killed-east-garfield-park-chicago-police-investigating/16074414/ABC 7 Chicago News: https://abc7chicago.com/post/chicago-stabbing-15-year-old-boy-charged-murder-kaylah-love-death-horan-park-van-buren-street-cpd-says/16076493/FOX 32 Chicago News: https://www.fox32chicago.com/video/1613077FOX 32 Chicago News: https://www.fox32chicago.com/news/15yo-charged-in-16yo-girls-death-chicagoNBC 5 Chicago News: https://www.nbcchicago.com/news/local/horan-park-chicago-beating-death-teen/3705255/Chicago Tribune: https://www.chicagotribune.com/2025/03/24/judge-orders-boy-15-held-in-killing-of-16-year-old-girl-in-west-side-park/— Distributed by Genuina Media — Follow Us:Instagram: https://www.instagram.com/SVSM_PodcastThreads: https://www.threads.net/@svsm_podcastTwitter/ X: https://www.twitter.com/SVSM_PodcastBlueSky: https://bsky.app/profile/svsmpodcast.bsky.socialFacebook: https://www.facebook.com/SoViolentoSoMacabroPodcastTikTok: https://www.tiktok.com/@svsm_podcastYouTube: https://www.youtube.com/@svsm_podcast

In Episode 31, join host Ellina Yin and the team behind the Silicon Valley Pain Index (SVPI) for a deep dive into this year's report. The Annual Silicon Valley Pain Index features new data that highlights the region's persistent inequalities. The SVPI was originally inspired by Professor Bill Quigley's Katrina Pain Index following the devastating 2005 hurricane and later by 2020 Black Lives Matter national protests in the wake of the police murders of George Floyd and Breonna Taylor.Guests: Dr. Michael Dao is an Associate Professor in the Department of Kinesiology at San Jose State University and currently serves as the Associate Chair in the Department of Kinesiology and is the current Director of the SJSU Human Rights Institute.Dr. Anji Buckner-Capone is an Associate Professor, Public Health and Recreation, College of Health and Human Sciences and practitioner of community health promotion with expertise in program planning and evaluation, health education, and advocacy.Ruth Melton is a fourth year at San Jose State University, majoring in Communication Studies. She was a student assistant and co-author for the 2025 Silicon Valley Pain Index report released this month. Her interest in working with families and education comes from her non-profit involvement over the years.Briyana Costa holds a Bachelor of Science in Public Health and is currently pursuing her Master of Public Health (MPH), with a concentration in Community Health Education at San José State University.⁠Only in San José⁠ is a civic education podcast series dedicated to demystifying and democratizing the process of local government and civic participation in the City of San José.About Us ⁠| Join Patreon | One Time Donation | Volunteer Episode Resources:SJSU Silicon Valley Pain Index: https://www.sjsu.edu/hri/policy-projects/svpi/index.phpHuman Rights Institute: https://www.sjsu.edu/hri/about/index.phpSupport the Human Rights Institute with a DonationContact Person: Dr. Michael Dao michael.dao@sjsu.edu SB33 (Dave Cortese) guaranteed income for unhoused high school seniorsSB685 (Dave Cortese) pilot program covering full cost of college attendance (at select universities) for unhoused youthAB3229 (Alex Lee) pilot program to increase fruit and vegetable consumption among CalFresh recipientsMusic: Spunker by Blue Dot Sessions (https://app.sessions.blue/browse/track/271482) Creative Commons License Attribution - Noncommercial 4.0 International (CC BY-NC 4.0)*Copyright Disclaimer under Section 107 of the Copyright Act of 1976: Allowance is made for “fair use” for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing.

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists.   In this two-part series of Oakland Asian Cultural Center's “Let's Talk” podcast Eastside Arts Alliance is featured. Elena Serrano and Susanne Takehara, two of the founders of Eastside Arts Alliance, and staff member Aubrey Pandori will discuss the history that led to the formation of Eastside and their deep work around multi-racial solidarity.   Transcript: Let's Talk podcast episode 9  [00:00:00] Emma: My name is Emma Grover, and I am the program and communications coordinator at the Oakland Asian Cultural Center, known also as OACC. Today we are sharing the ninth episode of our Let's Talk Audio Series. Let's Talk is part of OACC'S Open Ears for Change Initiative, which was established in 2020. With this series, our goals are to address anti-Blackness in the APIA communities, discuss the effects of colorism and racism in a safe space, and highlight Black and Asian solidarity and community efforts specifically in the Oakland Chinatown area. Today's episode is a round table discussion with Elena Serrano, Susanne Takahara, and Aubrey Pandori of Eastside Arts Alliance.  [00:00:53] Aubrey: Hello everybody. This is Aubrey from Eastside Arts Alliance, and I am back here for the second part of our Let's Talk with Suzanne and Elena. We're gonna be talking about what else Eastside is doing right now in the community. The importance of art in activism, and the importance of Black and Asian solidarity in Oakland and beyond.  So I am the community archivist here at Eastside Arts Alliances. I run CARP, which stands for Community Archival Resource Project. It is a project brought on by one of our co-founders, Greg Morozumi. And it is primarily a large chunk of his own collection from over the years, but it is a Third World archive with many artifacts, journals, pens, newspapers from social movements in the Bay Area and beyond, international social movements from the 1960s forward. We do a few different programs through CARP. I sometimes have archival exhibitions. We do public engagement through panels, community archiving days. We collaborate with other community archives like the Bay Area Lesbian Archives and Freedom Archives here in Oakland and the Bay Area. And we are also working on opening up our Greg Morozumi Reading Room in May. So that is an opportunity for people to come in and relax, read books, host reading groups, or discussions with their community. We're also gonna be opening a lending system so people are able to check out books to take home and read. There'll be library cards coming soon for that and other fun things to come.  [00:02:44] So Suzanne, what are you working on at Eastside right now? [00:02:48] Susanne: Well, for the past like eight or nine years I've been working with Jose Ome Navarrete and Debbie Kajiyama of NAKA Dance Theater to produce Live Arts and Resistance (LAIR), which is a Dance Theater Performance series. We've included many artists who, some of them started out here at Eastside and then grew to international fame, such as Dohee Lee, and then Amara Tabor-Smith has graced our stages for several years with House Full of Black Women. This year we're working with Joti Singh on Ghadar Geet: Blood and Ink, a piece she choreographed, and shot in film and it's a multimedia kind of experience. We've worked with Cat Brooks and many emerging other artists who are emerging or from all over, mostly Oakland, but beyond. It's a place where people can just experiment and not worry about a lot of the regulations that bigger theaters have. Using the outside, the inside, the walls, the ceiling sometimes. It's been an exciting experience to work with so many different artists in our space.  [00:04:03] Elena: And I have been trying to just get the word out to as many different folks who can help sustain the organization as possible about the importance of the work we do here. So my main job with Eastside has been raising money. But what we're doing now is looking at cultural centers like Eastside, like Oakland Asian Cultural Center, like the Malonga Casquelord Center, like Black Cultural Zone, like the Fruitvale Plaza and CURJ's work. These really integral cultural hubs. In neighborhoods and how important those spaces are.  [00:04:42] So looking at, you know, what we bring to the table with the archives, which serve the artistic community, the organizing community. There's a big emphasis, and we had mentioned some of this in the first episode around knowing the history and context of how we got here so we can kind of maneuver our way out. And that's where books and movies and posters and artists who have been doing this work for so long before us come into play in the archives and then having it all manifest on the stage through programs like LAIR, where theater artists and dancers and musicians, and it's totally multimedia, and there's so much information like how to keep those types of places going is really critical.  [00:05:28] And especially now when public dollars have mostly been cut, like the City of Oakland hardly gave money to the arts anyway, and they tried to eliminate the entire thing. Then they're coming back with tiny bits of money. But we're trying to take the approach like, please, let's look at where our tax dollars go. What's important in a neighborhood? What has to stay and how can we all work together to make that happen?  [00:05:52] Susanne: And I want to say that our Cultural Center theater is a space that is rented out very affordably to not just artists, but also many organizations that are doing Movement work, such as Palestinian Youth Movement, Bala, Mujeres Unidas Y Activas, QT at Cafe Duo Refugees, United Haiti Action Committee, Freedom Archives, Oakland Sin Fronteras, Center for CPE, and many artists connected groups.  [00:06:22] Aubrey: Yeah, I mean, we do so much more than what's in the theater and Archive too, we do a lot of different youth programs such as Girl Project, Neighborhood Arts, where we do public murals. One of our collective members, Angie and Leslie, worked on Paint the Town this past year. We also have our gallery in between the Cultural Center and Bandung Books, our bookstore, which houses our archive. We are celebrating our 25th anniversary exhibition.  [00:06:54] Susanne: And one of the other exhibits we just wrapped up was Style Messengers, an exhibit of graffiti work from Dime, Spy and Surge, Bay Area artists and Surge is from New York City, kind of illustrating the history of graffiti and social commentary.  [00:07:30] Elena: We are in this studio here recording and this is the studio of our youth music program Beats Flows, and I love we're sitting here with this portrait of Amiri Baraka, who had a lot to say to us all the time. So it's so appropriate that when the young people are in the studio, they have this elder, magician, poet activist looking at him, and then when you look out the window, you see Sister Souljah, Public Enemy, and then a poster we did during, when Black Lives Matter came out, we produced these posters that said Black Power Matters, and we sent them all over the country to different sister cultural centers and I see them pop up somewhere sometimes and people's zooms when they're home all over the country. It's really amazing and it just really shows when you have a bunch of artists and poets and radical imagination, people sitting around, you know, what kind of things come out of it. [00:08:31] Aubrey: I had one of those Black Power Matters posters in my kitchen window when I lived in Chinatown before I worked here, or visited here actually. I don't even know how I acquired it, but it just ended up in my house somehow.  [00:08:45] Elena: That's perfect. I remember when we did, I mean we still do, Malcolm X Jazz Festival and it was a young Chicana student who put the Jazz Festival poster up and she was like, her parents were like, why is Malcolm X? What has that got to do with anything? And she was able to just tell the whole story about Malcolm believing that people, communities of color coming together  is a good thing. It's a powerful thing. And it was amazing how the festival and the youth and the posters can start those kind of conversations.  [00:09:15] Aubrey: Malcolm X has his famous quote that says “Culture is an indispensable weapon in the freedom struggle.” And Elena, we think a lot about Malcolm X and his message here at Eastside about culture, but also about the importance of art. Can we speak more about the importance of art in our activism?  [00:09:35] Elena: Well, that was some of the things we were touching on around radical imagination and the power of the arts. But where I am going again, is around this power of the art spaces, like the power of spaces like this, and to be sure that it's not just a community center, it's a cultural center, which means we invested in sound good, sound good lighting, sprung floors. You know, just like the dignity and respect that the artists and our audiences have, and that those things are expensive but critical. So I feel like that's, it's like to advocate for this type of space where, again, all those groups that we listed off that have come in here and there's countless more. They needed a space to reach constituencies, you know, and how important that is. It's like back in the civil rights organizing the Black church was that kind of space, very important space where those kind of things came together. People still go to church and there's still churches, but there's a space for cultural centers and to have that type of space where artists and activists can come together and be more powerful together.  [00:10:50] Aubrey: I think art is a really powerful way of reaching people. [00:10:54] Elena: You know, we're looking at this just because I, being in the development end, we put together a proposal for the Environmental Protection Agency before Donald (Trump) took it over. We were writing about how important popular education is, so working with an environmental justice organization who has tons of data about how impacted communities like East Oakland and West Oakland are suffering from all of this, lots of science. But what can we, as an arts group, how can we produce a popular education around those things? And you know, how can we say some of those same messages in murals and zines, in short films, in theater productions, you know, but kind of embracing that concept of popular education. So we're, you know, trying to counter some of the disinformation that's being put out there too with some real facts, but in a way that, you know, folks can grasp onto and, and get.  [00:11:53] Aubrey: We recently had a LAIR production called Sky Watchers, and it was a beautiful musical opera from people living in the Tenderloin, and it was very personal. You were able to hear about people's experiences with poverty, homelessness, and addiction in a way that was very powerful. How they were able to express what they were going through and what they've lost, what they've won, everything that has happened in their lives in a very moving way. So I think art, it's, it's also a way for people to tell their stories and we need to be hearing those stories. We don't need to be hearing, I think what a lot of Hollywood is kind of throwing out, which is very white, Eurocentric beauty standards and a lot of other things that doesn't reflect our neighborhood and doesn't reflect our community. So yeah, art is a good way for us to not only tell our stories, but to get the word out there, what we want to see changed.  So our last point that we wanna talk about today is the importance of Black and Asian solidarity in Oakland. How has that been a history in Eastside, Suzanne?  [00:13:09] Susanne: I feel like Eastside is all about Third World solidarity from the very beginning. And Yuri Kochiyama is one of our mentors through Greg Morozumi and she was all about that. So I feel like everything we do brings together Black, Asian and brown folks. [00:13:27] Aubrey: Black and Asian solidarity is especially important here at Eastside Arts Alliance. It is a part of our history. We have our bookstore called Bandung Books for a very specific reason, to give some history there. So the Bandung Conference happened in 1955 in Indonesia, and it was the first large-scale meeting of Asian and African countries. Most of which were newly independent from colonialism. They aimed to promote Afro-Asian cooperation and rejection of colonialism and imperialism in all nations. And it really set the stage for revolutionary solidarity between colonized and oppressed people, letting way for many Third Worlds movements internationally and within the United States.  [00:14:14] Eastside had an exhibition called Bandung to the Bay: Black and Asian Solidarity at Oakland Asian Cultural Center the past two years in 2022 and 2023 for their Lunar New Year and Black History Month celebrations. It highlighted the significance of that conference and also brought to light what was happening in the United States from the 1960s to present time that were creating and building solidarity between Black and Asian communities. The exhibition highlighted a number of pins, posters, and newspapers from the Black Liberation Movement and Asian American movement, as well as the broader Third World movement. The Black Panthers were important points of inspiration in Oakland, in the Bay Area in getting Asian and Pacific Islanders in the diaspora, and in their homelands organized.  [00:15:07] We had the adoption of the Black Panthers 10-point program to help shape revolutionary demands and principles for people's own communities like the Red Guard in San Francisco's Chinatown, IWK in New York's Chinatown and even the Polynesian Panthers in New Zealand. There were so many different organizations that came out of the Black Panther party right here in Oakland. And we honor that by having so many different 10-point programs up in our theater too. We have the Brown Berets, Red Guard Party, Black Panthers, of course, the American Indian Movement as well. So we're always thinking about that kind of organizing and movement building that has been tied here for many decades now.  [00:15:53] Elena: I heard that the term Third World came from the Bandung conference. [00:15:58] Aubrey: Yes, I believe that's true.  [00:16:01] Elena: I wanted to say particularly right now, the need for specifically Black Asian solidarity is just, there's so much misinformation around China coming up now, especially as China takes on a role of a superpower in the world. And it's really up to us to provide some background, some other information, some truth telling, so folks don't become susceptible to that kind of misinformation. And whatever happens when it comes from up high and we hate China, it reflects in Chinatown. And that's the kind of stereotyping that because we have been committed to Third World solidarity and truth telling for so long, that that's where we can step in and really, you know, make a difference, we hope. I think the main point is that we need to really listen to each other, know what folks are going through, know that we have more in common than we have separating us, especially in impacted Black, brown, Asian communities in Oakland. We have a lot to do.  [00:17:07] Aubrey: To keep in contact with Eastside Arts Alliance, you can find us at our website: eastside arts alliance.org, and our Instagrams at Eastside Cultural and at Bandung Books to stay connected with our bookstore and CArP, our archive, please come down to Eastside Arts Alliance and check out our many events coming up in the new year. We are always looking for donations and volunteers and just to meet new friends and family.  [00:17:36] Susanne: And with that, we're gonna go out with Jon Jang's “The Pledge of Black Asian Alliance,” produced in 2018.  [00:18:29] Emma: This was a round table discussion at the Eastside Arts Alliance Cultural Center with staff and guests: Elena, Suzanne and Aubrey.  Let's Talk Audio series is one of OACC'S Open Ears for Change projects and as part of the Stop the Hate Initiative with funds provided by the California Department of Social Services in consultation with the commission of Asian and Pacific Islander American Affairs to administer $110 million allocated over three years to community organizations. These organizations provide direct services to victims of hate and their families and offer prevention and intervention services to tackle hate in our communities. This episode is a production of the Oakland Asian Cultural Center with engineering, editing, and sound design by Thick Skin Media.  [00:19:18] A special thanks to Jon Jang for permission to use his original music. And thank you for listening.  [00:19:32] Music: Life is not what you alone make it. Life is the input of everyone who touched your life and every experience that entered it. We are all part of one another. Don't become too narrow, live fully, meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart. OACC Podcast [00:00:00] Emma: My name is Emma Grover, and I am the program and communications coordinator at the Oakland Asian Cultural Center, known also as OACC. Today we are sharing the eighth episode of our Let's Talk audio series. Let's talk as part of OACC's Open Ears for Change Initiative, which was established in 2020. With this series, our goals are to address anti-blackness in the APIA communities, discuss the effects of colorism and racism in a safe space, and highlight black and Asian solidarity and community efforts specifically in the Oakland Chinatown area.   [00:00:43] Today's guests are Elena Serrano and Suzanne Takahara, co-founders of Eastside Arts Alliance. Welcome Elena and Suzanne, thank you so much for joining today's episode. And so just to kick things off, wanna hear about how was Eastside Arts Alliance started?   [00:01:01] Susanne: Well, it was really Greg Morozumi who had a longstanding vision of creating a cultural center in East Oakland, raised in Oakland, an organizer in the Bay Area, LA, and then in New York City where he met Yuri Kochiyama, who became a lifelong mentor.   [00:01:17] Greg was planning with one of Yuri's daughters, Ichi Kochiyama to move her family to Oakland and help him open a cultural center here. I met Greg in the early nineties and got to know him during the January, 1993 “No Justice, No Peace” show at Pro Arts in Oakland. The first Bay Graffiti exhibition in the gallery. Greg organized what became a massive anti-police brutality graffiti installation created by the TDDK crew. Graffiti images and messages covered the walls and ceiling complete with police barricades. It was a response to the Rodney King protests. The power of street art busted indoors and blew apart the gallery with political messaging. After that, Greg recruited Mike Dream, Spy, and other TDK writers to help teach the free art classes for youth that Taller Sin Fronteras was running at the time.   [00:02:11] There were four artist groups that came together to start Eastside. Taller Sin Fronteras was an ad hoc group of printmakers and visual artists activists based in the East Bay. Their roots came out of the free community printmaking, actually poster making workshops that artists like Malaquias Montoya and David Bradford organized in Oakland in the early 70s and 80s.   [00:02:34] The Black Dot Collective of poets, writers, musicians, and visual artists started a popup version of the Black Dot Cafe. Marcel Diallo and Leticia Utafalo were instrumental and leaders of this project. 10 12 were young digital artists and activists led by Favianna Rodriguez and Jesus Barraza in Oakland. TDK is an Oakland based graffiti crew that includes Dream, Spie, Krash, Mute, Done Amend, Pak and many others evolving over time and still holding it down.   [00:03:07] Elena: That is a good history there. And I just wanted to say that me coming in and meeting Greg and knowing all those groups and coming into this particular neighborhood, the San Antonio district of Oakland, the third world aspect of who we all were and what communities we were all representing and being in this geographic location where those communities were all residing. So this neighborhood, San Antonio and East Oakland is very third world, Black, Asian, Latinx, indigenous, and it's one of those neighborhoods, like many neighborhoods of color that has been disinvested in for years. But rich, super rich in culture.   [00:03:50] So the idea of a cultural center was…let's draw on where our strengths are and all of those groups, TDKT, Taller Sin Fronters, Black artists, 10 – 12, these were all artists who were also very engaged in what was going on in the neighborhoods. So artists, organizers, activists, and how to use the arts as a way to lift up those stories tell them in different ways. Find some inspiration, ways to get out, ways to build solidarity between the groups, looking at our common struggles, our common victories, and building that strength in numbers.   [00:04:27] Emma: Thank you so much for sharing. Elena and Suzanne, what a rich and beautiful history for Eastside Arts Alliance.   [00:04:34] Were there any specific political and or artistic movements happening at that time that were integral to Eastside's start?   [00:04:41] Elena: You know, one of the movements that we took inspiration from, and this was not happening when Eastside got started, but for real was the Black Panther Party. So much so that the Panthers 10-point program was something that Greg xeroxed and made posters and put 'em up on the wall, showing how the 10-point program for the Panthers influenced that of the Young Lords and the Brown Berets and I Wor Kuen (IWK).   [00:05:07] So once again, it was that Third world solidarity. Looking at these different groups that were working towards similar things, it still hangs these four posters still hang in our cultural, in our theater space to show that we were all working on those same things. So even though we came in at the tail end of those movements, when we started Eastside, it was very much our inspiration and what we strove to still address; all of those points are still relevant right now.   [00:05:36] Susanne: So that was a time of Fight The Power, Kaos One and Public Enemy setting. The tone for public art murals, graphics, posters. So that was kind of the context for which art was being made and protests happened.   [00:05:54] Elena: There was a lot that needed to be done and still needs to be done. You know what? What the other thing we were coming on the tail end of and still having massive repercussions was crack. And crack came into East Oakland really hard, devastated generations, communities, everything, you know, so the arts were a way for some folks to still feel power and feel strong and feel like they have agency in the world, especially hip hop and, spray can, and being out there and having a voice and having a say, it was really important, especially in neighborhoods where things had just been so messed up for so long.   [00:06:31] Emma: I would love to know also what were the community needs Eastside was created to address, you know, in this environment where there's so many community needs, what was Eastside really honing in on at this time?   [00:06:41] Elena: It's interesting telling our story because we end up having to tell so many other stories before us, so things like the, Black Arts movement and the Chicano Arts Movement. Examples of artists like Amiri Baraka, Malaguias Montoya, Sonya Sanchez. Artists who had committed themselves to the struggles of their people and linking those two works. So we always wanted to have that. So the young people that we would have come into the studio and wanna be rappers, you know, it's like, what is your responsibility?   [00:07:15] You have a microphone, you amplify. What are some of the things you're saying? So it was on us. To provide that education and that backstory and where they came from and the footsteps we felt like they were in and that they needed to keep moving it forward. So a big part of the cultural center in the space are the archives and all of that information and history and context.   [00:07:37] Susanne: And we started the Malcolm X Jazz Arts Festival for that same reason coming out of the Bandung Conference. And then the Tri Continental, all of this is solidarity between people's movements.   [00:07:51] Emma: You've already talked about this a little bit, the role of the arts in Eastside's foundation and the work that you're doing, and I'd love to hear also maybe how the role of the arts continues to be important in the work that you're doing today as a cultural center.   [00:08:04] And so my next question to pose to you both is what is the role of the arts at Eastside?   [00:08:10] Elena: So a couple different things. One, I feel like, and I said a little bit of this before, but the arts can transmit messages so much more powerfully than other mediums. So if you see something acted out in a theater production or a song or a painting, you get that information transmitted in a different way.   [00:08:30] Then also this idea of the artists being able to tap into imagination and produce images and visions and dreams of the future. This kind of imagination I just recently read or heard because folks aren't reading anymore or hardly reading that they're losing their imagination. What happens when you cannot even imagine a way out of things?   [00:08:54] And then lastly, I just wanted to quote something that Favianna Rodriguez, one of our founders always says “cultural shift precedes political shift.” So if you're trying to shift things politically on any kind of policy, you know how much money goes to support the police or any of these issues. It's the cultural shift that needs to happen first. And that's where the cultural workers, the artists come in.   [00:09:22] Susanne: And another role of Eastside in supporting the arts to do just that is honoring the artists, providing a space where they can have affordable rehearsal space or space to create, or a place to come safely and just discuss things that's what we hope and have created for the Eastside Cultural Center and now the bookstore and the gallery. A place for them to see themselves and it's all um, LGBTA, BIPOC artists that we serve and honor in our cultural center. To that end, we, in the last, I don't know, 8, 9 years, we've worked with Jose Navarrete and Debbie Kajiyama of Naka Dance Theater to produce live arts and resistance, which gives a stage to emerging and experienced performance artists, mostly dancers, but also poets, writers, theater and actors and musicians.   [00:10:17] Emma: The last question I have for you both today is what is happening in the world that continues to call us to action as artists?   [00:10:27] Elena: Everything, everything is happening, you know, and I know things have always been happening, but it seems really particularly crazy right now on global issues to domestic issues. For a long time, Eastside was um, really focusing in on police stuff and immigration stuff because it was a way to bring Black and brown communities together because they were the same kind of police state force, different ways.   [00:10:54] Now we have it so many different ways, you know, and strategies need to be developed. Radical imagination needs to be deployed. Everyone needs to be on hand. A big part of our success and our strength is organizations that are not artistic organizations but are organizing around particular issues globally, locally come into our space and the artists get that information. The community gets that information. It's shared information, and it gives us all a way, hopefully, to navigate our way out of it.   [00:11:29] Susanne: The Cultural Center provides a venue for political education for our communities and our artists on Palestine, Haiti, Sudan, immigrant rights, prison abolition, police abolition, sex trafficking, and houselessness among other things.   [00:11:46] Elena: I wanted to say too, a big part of what's going on is this idea of public disinvestment. So housing, no such thing as public housing, hardly anymore. Healthcare, education, we're trying to say access to cultural centers. We're calling that the cultural infrastructure of neighborhoods. All of that must be continued to be supported and we can't have everything be privatized and run by corporations. So that idea of these are essential things in a neighborhood, schools, libraries, cultural spaces, and you know, and to make sure cultural spaces gets on those lists.   [00:12:26] Emma: I hear you. And you know, I think every category you brought up, actually just now I can think of one headline or one piece of news recently that is really showing how critically these are being challenged, these basic rights and needs of the community. And so thank you again for the work that you're doing and keeping people informed as well. I think sometimes with all the news, both globally and, and in our more local communities in the Bay Area or in Oakland. It can be so hard to know what actions to take, what tools are available. But again, that's the importance of having space for this type of education, for this type of activism. And so I am so grateful that Eastside exists and is continuing to serve our community in this way.   What is Eastside Arts Alliance up to today? Are there any ways we can support your collective, your organization, what's coming up?   [00:13:18] Elena: Well, this is our 25th anniversary. So the thing that got us really started by demonstrating to the community what a cultural center was, was the Malcolm X Jazz Arts Festival, and that this year will be our 25th anniversary festival happening on May 17th.   [00:13:34] It's always free. It's in San Antonio Park. It's an amazing day of organizing and art and music, multi-generational. It's beautiful. It's a beautiful day. Folks can find out. We have stuff going on every week. Every week at the cultural center on our website through our socials. Our website is Eastside Arts alliance.org, and all the socials are there and there's a lot of information from our archives that you can look up there. There's just just great information on our website, and we also send out a newsletter.   [00:14:07] Emma: Thank you both so much for sharing, and I love you bringing this idea, but I hear a lot of arts and activism organizations using this term radical imagination and how it's so needed for bringing forth the future that we want for ourselves and our future generations.   [00:14:24] And so I just think that's so beautiful that Eastside creates that space, cultivates a space where that radical imagination can take place through the arts, but also through community connections. Thank you so much Elena and Suzanne for joining us today.   [00:14:40] Susanne: Thank you for having us.   [00:15:32] Emma: Let's Talk Audio series is one of OACC'S Open Ears for Change projects and is part of the Stop the Hate Initiative with funds provided by the California Department of Social Services. In consultation with the commission of Asian and Pacific Islander American Affairs to administer $110 million allocated over three years to community organizations. These organizations provide direct services to victims of hate and their families, and offer prevention and intervention services to tackle hate in our communities.   This episode is a production of the Oakland Asian Cultural Center with engineering, editing, and sound design by Thick Skin Media. A special thanks to Jon Jang for permission to use his original music, and thank you for listening.   [00:16:34] Music: Life is not what you alone make it. Life is the input of everyone who touched your life and every experience that entered it. We are all part of one another. Don't become too narrow. Live fully, meet all kinds of people. You'll learn something from everyone. Follow what you feel in your heart. The post APEX Express – August 14, 2025 appeared first on KPFA.

Join Washington Examiner Senior Writer David Harsanyi and Federalist Editor-In-Chief Mollie Hemingway as they discuss President Donald Trump's plans to take back Washington D.C., analyze the implications of Trump's Alaska meeting with Vladimir Putin, and review more Obamagate developments. Mollie and David also share some of their summer reads and preview Mollie's book Alito: The Justice Who Reshaped the Supreme Court and Restored the Constitution.If you care about combating the corrupt media that continue to inflict devastating damage, please give a gift to help The Federalist do the real journalism America needs.

In today's episode we discuss the following questions: What truth in you cannot be broken?When do you feel most like you?Who are you without your name?What are you growing into?Where does your courage live?What is something small that feels big to you?Thrive With Leo Coaching: If you want to reduce your psychological pain, regain your purpose and forge your own path, go to www.thrivewithleo.com to begin your journey.If you or anyone you know is considering suicide or self-harm, or is anxious, depressed, upset, or needs to talk, there are people who want to help:In the US: Crisis Text Line: Text CRISIS to 741741 for free, confidential crisis counseling. The National Suicide Prevention Lifeline: 1-800-273-8255 or 988The Trevor Project: 1-866-488-7386Outside the US:International Association for Suicide Prevention lists a number of suicide hotlines by country. Click here to find them.

Racial trauma. Misdiagnosis. Medical gaslighting.This episode explores how racism becomes a public health crisis—especially when it comes to the mental health of Black communities.I'm joined by Dr. Ingrid Waldron—professor, researcher, and author of From the Enlightenment to Black Lives Matter—for a powerful and unfiltered conversation about the systemic forces that shape how mental illness is diagnosed, treated, and too often ignored in Black bodies.Originally recorded for National Minority Mental Health Awareness Month, this conversation is more timely than ever.We discuss:Why schizophrenia is disproportionately diagnosed in Black menHow the “strong Black woman” trope blocks empathy and access to careWhat medical gaslighting actually looks like in clinical settingsThe physical toll of racial stress and internalized traumaResources Mentioned:

Rod and Karen banter about talking with nerds about Naruto and their new Patreon offerings. Then they discuss Tiny Desk continuing despite CPB closure, National Weather Service scrambling to re-hire people, raw milk outbreak, Donald Trump supports Sydney Sweeney’s ad, Charlamagne vs Trump, Mike Flood town hall goes wrong, Geoff Duncan defects to the Dems, Elon Musk is the most unpopular, Trump’s justice department targeted Jack Smith and President Obama. Then they discuss Ice Cube’s new movie gets a zero on Rotten Tomatoes, getting arrested on a police bike, Nicki Minaj challenge goes wrong, zoo wants people to donate pets, Bootsy Collins, Drake cancels shows, man threatens to kill 30k Black people, St Louis couple gets gun back after pointing it at Black Lives Matter protesters, gangster granny sentence to prison, KY church shooter was aspiring rapper and mother kills daughter with sword. Patreon: https://www.patreon.com/theblackguywhotips Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@rodimusprime⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SayDatAgain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TBGWT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TheBlackGuyWhoTips⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠theblackguywhotips@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theblackguywhotips.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Teepublic Store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Wishlist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Crowdcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Voicemail: ‪(980) 500-9034Go Premium: https://www.theblackguywhotips.com/premium/See omnystudio.com/listener for privacy information.

In this deeply personal solo episode, I reflect on a moment at sea that stirred something primal—a desire to leap, not to die, but to feel fully alive. We explore:The difference between wanting escape and needing depthHow “leaping” can be a cry for rest, touch, or meaningWhat it means to unplug, fast, and floatA practice for staying grounded when you feel unspooledWhy intensity sometimes masquerades as danger—but is really a call to be heldIf you want to improve in the areas of health, wealth and/or relationships, go to www.thrivewithleo.com to begin your journey.If you or anyone you know is considering suicide or self-harm, or is anxious, depressed, upset, or needs to talk, there are people who want to help:In the US: Crisis Text Line: Text CRISIS to 741741 for free, confidential crisis counseling. The National Suicide Prevention Lifeline: 1-800-273-8255 or 988The Trevor Project: 1-866-488-7386Outside the US:International Association for Suicide Prevention lists a number of suicide hotlines by country. Click here to find them.

Just a few years ago, historian and activist Dr. Ibram X. Kendi seemed to be everywhere. At the height of the Black Lives Matter movement, Kendi became one of the leading voices on racism in America—and particularly what he described as antiracism. But over the last few years, as a backlash grew against the BLM movement, Kendi also came under attack. His ideas urging people to be actively antiracist were often the target of conservative critics fighting against DEI policies and the teaching of critical race theory. Kendi was also accused of mismanaging an antiracism center at Boston University, which laid off much of its staff before closing last month (BU cleared Kendi of financial mismanagement.)  On this week's More To The Story, Kendi responds to the criticism he faced at BU, argues that the Trump administration's policies are harming both white and Black Americans, and discusses Malcolm Lives!, his new book for young readers about Malcolm X.Producer: Josh Sanburn with help from Zulema Cobb and Julia Haney | Editor: Kara McGuirk-Allison | Theme music: Fernando Arruda and Jim Briggs | Digital producer: Nikki Frick | Deputy Executive Producer: Taki Telonidis | Executive producer: Brett Myers | Executive editor: James West | Host: Al Letson Donate today at Revealnews.org/more Subscribe to our weekly newsletter at Revealnews.org/weekly Follow us on Instagram and Bluesky Listen: Black in the Sunshine State (Reveal)Read: I'm Racist. You're Racist. We're All Racist. Here's How to Fix It. (Mother Jones)Read: Ibram X. Kendi Introduces Malcolm X to a New Generation (The New York Times) Learn about your ad choices: dovetail.prx.org/ad-choices