Podcasts about City Colleges

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this Episode, Emily chats with "The Button Man", Harlem artist Beau McCall, an artist renowned for his unique use of buttons in wearable and visual art. McCall's work is featured in prominent collections such as New York's Museum of Arts and Design and London's Victoria and Albert Museum. McCall recounts his upbringing in Philadelphia, his move to Harlem, and his early inspirations. He explains how his fascination with buttons began with his mother's collection and grew through various craft classes. McCall shares memories of his artistic evolution, his experiences with the Harlem community, and the personal significance of his work, including tributes to friends lost to AIDS. The episode concludes with McCall's advice to aspiring artists and a nod to his ongoing support from his mother.About Artist Beau McCall :Drawing inspiration from the vast button collection of his mother and family, Beau McCall creates wearable and visual art by applying clothing buttons onto mostly upcycled fabrics, materials, and objects. With deliberate focus the buttons are arranged to stimulate one's curiosity and imagination, while simultaneously drawing attention to the unique history of buttons. Thereby McCall's work generates a discussion surrounding many topics such as pop culture and social justice.McCall began his professional career in Harlem in the 1980s after arriving from his native, Philadelphia with nothing more than a few hundred dollars, a duffel bag, and buttons. Circa 1988 he made his critically acclaimed wearable art debut at The Harlem Institute of Fashion (HIF) show for HARLEM WEEK. McCall went on to become an established force within HIF's Black Fashion Museum collective presenting at their shows consecutively through circa 1995, as well being featured in their museum exhibitions and prestigious events. During this time, McCall's visually captivating work was featured in the fashion bible Women's Wear Daily, on the PBS version of George C. Wolfe's The Colored Museum (1991), and in the award-winning film Quartier Mozart (1992), directed by Jean-Pierre Bekolo. The film won prizes at film festivals in Cannes, Locarno, and Montreal and was nominated, in 1993, for a British Film Institute award.McCall eventually applied his mastery of the button to visual art. Since then, he's been proclaimed by American Craft magazine as “The Button Man.” His visual and wearable art has been included in exhibitions at The Museum at FIT, Nordstrom, the African American Museum in Philadelphia, Houston Museum of African American Culture, Charles H. Wright Museum of African American History, Stax Museum of American Soul Music, the Langston Hughes House in partnership with the inaugural Columbia University Wallach Art Gallery Uptown triennial and StoryCorps, and Rush Arts Gallery. McCall's work is held in the permanent collection of public institutions and by private individuals including the Museum of Arts and Design (New York), Philadelphia Museum of Art (Philadelphia), Victoria and Albert Museum (London), The Museum at FIT (New York), Schomburg Center for Research in Black Culture (New York), Amistad Research Center (New Orleans), The Museum of Modern Art Library (New York), Leslie-Lohman Museum of Art (New York), Stonewall National Museum & Archives (Fort Lauderdale), and The San Francisco Museum of Modern Art Library (San Francisco), Cyndi Lauper's True Colors Residence, Debbie Harry of Blondie, Jeffrey Gibson, and Cristina Grajales. McCall has also been commissioned by the Museum of Arts and Design, Columbia University, and the Schomburg Center for Research in Black Culture. And his wearable art can be found in gift shops including the Newark Museum of Art. McCall has been featured in the NY Times, Associated Press, NPR, L.A. Times, and more. In addition, he has served as a teaching artist at the Newark Museum of Art, the New York Public Library, and the Harlem Arts Alliance. McCall has also created a wearable art line called, Triple T-shirts. For these pieces, he upcycles three T-shirts by combining them into one flowing garment that can be worn in six different ways. Each style—from poncho to hoodie to shawl and beyond—brings dynamic versatility to traditional T-shirts. The shirts are curated to form a narrative about various socially-conscious and lighthearted themes.In 2021, McCall released his debut artists' book titled, REWIND: MEMORIES ON REPEAT, commissioned and published by SHINE Portrait Studio@ Express Newark, Rutgers University-Newark. The book honors the legacy of ten of McCall's deceased friends through collages composed of archival photos and images from his button artwork. The collages capture the late 1970s to the mid-1980s, from Philadelphia to New York, during the LGBTQ+ rights movement, the height of disco music and the AIDS crisis.In 2024, McCall debuted his first-ever retrospective and exhibition catalog titled, Beau McCall: Buttons On! at Fuller Craft Museum. The exhibition is currently on a nationwide tour.Through his work, McCall remains committed to channeling and contributing to the universal cultural legacy one button at a time.Visit Beau's Website:  BeauMcCall.ComFollow Beau on Instagram: @Beau_McCallFor more on Beau's exhibit "Buttons On!" CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Name Artist Album Year Comments Applause, Applause Nick Renkosik Concert: Auditorium Theatre, Rochester 2022-05-15 2022 4-23 Wurlitzer, Auditorium Theatre, Rochester, NY Dream A Little Dream Of Me Jonas Nordwall ATOS 1991 Regional Milwaukee 1991 3-19 Wurlitzer, Avalon Theatre, Milwaukee, WI; 1991-11-01; rec Bruce Grulke Muskrat Ramble Barry Baker ATOS 2000 Milwaukee 2000 3-14 Wurlitzer, Riverside Theatre, Milwaukee, WI Close To You: Sing Bill Thomson Concert: Dendy Theatre, Brighton, Melbourne 1974-08-25 1974 3-15 Wurlitzer, Dendy Theatre, Brighton, Melbourne, Australia Organ Grinder's Swing George Blackmore Concert: Dendy Theatre, Brighton, Melbourne 1977-04-03 1977 3-15 Wurlitzer, Dendy Theatre, Middle Brighton, Melbourne, Australia Don't Cry For Me, Argentina Ernest Broadbent Concert: Ossett Town Hall 1979 1979 3-13 Compton-Christie, Town Hall, Ossett, Yorkshire; 4 February, 1979 The Flat Foot Floogie Dave Wickerham Concert: Fentham Hall, Hampton-in-Arden 2025-03-02 2025 3-11 Compton plus Melotone, Fentham Hall, Hampton-in-Arden, Solihull; ex Tower Cinema, West Bromwich (1935) The Donkey Serenade (Chansonette) Bobby Pagan Concert: Music Museum 1976-04-23 1976 3-12 Wurlitzer, Musical Museum, Brentford, Middlesex The Best Is Yet To Come Ashley Miller Concert: South Hills Theatre 1972-09-24 1972 2-6 Wurliitzer, South Hills Theatre, Dormont, PA A Wink And A Smile Bill Vlasak ATOS 1996 Pasadena 1996 3-23 Wurlitzer, Sexson Auditorium, City College, Pasadena, CA; July 2, 1996 Far Away Places Jim Riggs Concert: Paramount Theatre, Oakland 1989-09-23 1989 4-27 Wurlitzer, Paramount Theatre, Oakland, CA; NORCAL concert recorded by Jack O'Neill, from BASF cassette Raiders' March - Indiana Jones Zach Frame Party On The Pipes, St. Louis 2025 - Lincoln Theatre 2025 3-15 Hybrid, Lincoln Theatre, Belleville, IL; 2025-05-03 Part of Your World Nathan Avakian Party On The Pipes, St. Louis 2025 - Fox Theatre 2025 4-36 Wurlitzer, Fox Theatre, St. Louis. MO; 2025-05-05; Open console session Tambourin Chinois John Seng Concert: Town Hall Ossett 1989-10-01 1989 3-13 Compton-Christie, Town Hall, Ossett, Yorkshire Finian's Rainbow: When I'm Not Near The Girl I Love; How Are Things In Glocca Morra?; Old Devil Moon; When I'm Not Near The Girl I Love reprise George Wright Concert: Avenue Theatre, San Francisco   3-15 Wurlitzer, Avenue Theatre, San Francisco, CA; ex-State-Lake Theatre, Chicago (3-13)

Looking to network in the cybersecurity world? Fortunately, there's no shortage of industry associations to choose from. Today, we're putting the spotlight on Cyber NYC. Cyber NYC is an initiative to catalyze the cyber ecosystem in New York, and build the cyber workforce of the future through programs like the Cyber NYC Internship Program, the Fullstack Academy Cybersecurity Bootcamp, and the City College of New York Cybersecurity Master's Program. To learn more, visit https://edc.nyc/program/cyber-nyc.

Check out my book, That Joke Isn't Funny Anymore: On the Death and Rebirth of Comedy https://amzn.to/3VhFa1r My mother drank Budweiser when she was pregnant with me, so this episode of The LPP on Bud Light is close to my heart. (Albeit Mom was a Bud-Heavy drinker.) I hope you enjoy my very sober conversation with Anson Frericks, a former president at Anheuser-Busch and author of Last Call for Bud Light. https://amzn.to/4i7kCSz  We talked about Dylan Mulvaney, Shareholders vs Stakeholders, millionaires hating billionaires, and how much European ass the US of A is kicking. Check out my short story "Paul's Ghost" in Nothing Sacred from Heresy Press and Skyhorse Publishing. Catch me on tour, opening for the brilliant Scott Thompson. (Dates Below) Tickets here: https://newscottlandland.com/live-events Philadelphia, PA - June 3 Alexandria, VA - June 4 Atlanta, GA - June 10 I've been rocking XX-XY Athletics wares. WORK OUT, SPEAK OUT! You can get 20% off your purchase of the perfect burpee gear with promo code LOU20. https://www.xx-xyathletics.com/?sca_ref=7113152.ifIMaKpCG3ZfUHH4 Support me at www.substack.com/@louperez     Join my newsletter www.TheLouPerez.com   Apple: https://podcasts.apple.com/.../the-lou-perez.../id1535032081   Spotify: https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU   Amazon: https://music.amazon.com/.../2b7d4d.../the-lou-perez-podcast   YouTube: https://www.youtube.com/playlist?list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJ   Who am I? Lou Perez is a comedian, producer, and author of That Joke Isn't Funny Anymore. You may have seen him on FOX's Gutfeld! and Open to Debate (with Michael Ian Black). Lou was the head writer and producer of the Webby Award-winning comedy channel We the Internet TV and produces Comedy Is Murder, a sketch comedy series with Free the People. Lou is a FAIR-in-the Arts fellow, on the advisory board of Heresy Press, and hosts the live debate series The Wrong Take and The Lou Perez Podcast.  During my tenure at We the Internet, I made the kind of comedy that gets you put on lists and your words in the Wall Street Journal: “How I Became a ‘Far-Right Radical.” How'd I start out? I began doing improv and sketch comedy while an undergrad at New York University, where I was part of the comedy group the Wicked Wicked Hammerkatz. For years, I performed at the Upright Citizens Brigade Theater (both in NYC and L.A.) in sketch shows with the Hammerkatz and my comedy duo, Greg and Lou. G&L are probably best known for our sketch "Wolverine's Claws Suck," which has over 20 million views across online platforms. I was a writer for Fox Sports' @TheBuzzer; produced The Attendants with the Above Average Network; produced pilots for FOX Digital and MSN Games; and was a comedy producer on TruTV's Impractical Jokers. I hosted the stand-up show Uncle Lou's Safe Place in Los Angeles, performed at the Big Pine Comedy Festival, Bridgetown Comedy Festival, and co-created the political comedy podcast Unsafe Space. I've opened for Jimmy Dore, Rich Vos, Dave Smith, and Rob Schneider. I'm currently on tour with Scott Thompson. I taught creative writing at the City College of New York, "writing the web series" for Writing Pad, and comedy writing workshops for the Moving Picture Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices

Check out my book, That Joke Isn't Funny Anymore: On the Death and Rebirth of Comedy https://amzn.to/3VhFa1r My mother drank Budweiser when she was pregnant with me, so this episode of The LPP on Bud Light is close to my heart. (Albeit Mom was a Bud-Heavy drinker.) I hope you enjoy my very sober conversation with Anson Frericks, a former president at Anheuser-Busch and author of Last Call for Bud Light. https://amzn.to/4i7kCSz  We talked about Dylan Mulvaney, Shareholders vs Stakeholders, millionaires hating billionaires, and how much European ass the US of A is kicking. Check out my short story "Paul's Ghost" in Nothing Sacred from Heresy Press and Skyhorse Publishing. Catch me on tour, opening for the brilliant Scott Thompson. (Dates Below) Tickets here: https://newscottlandland.com/live-events Philadelphia, PA - June 3 Alexandria, VA - June 4 Atlanta, GA - June 10 I've been rocking XX-XY Athletics wares. WORK OUT, SPEAK OUT! You can get 20% off your purchase of the perfect burpee gear with promo code LOU20. https://www.xx-xyathletics.com/?sca_ref=7113152.ifIMaKpCG3ZfUHH4 Support me at www.substack.com/@louperez     Join my newsletter www.TheLouPerez.com   Apple: https://podcasts.apple.com/.../the-lou-perez.../id1535032081   Spotify: https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU   Amazon: https://music.amazon.com/.../2b7d4d.../the-lou-perez-podcast   YouTube: https://www.youtube.com/playlist?list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJ   Who am I? Lou Perez is a comedian, producer, and author of That Joke Isn't Funny Anymore. You may have seen him on FOX's Gutfeld! and Open to Debate (with Michael Ian Black). Lou was the head writer and producer of the Webby Award-winning comedy channel We the Internet TV and produces Comedy Is Murder, a sketch comedy series with Free the People. Lou is a FAIR-in-the Arts fellow, on the advisory board of Heresy Press, and hosts the live debate series The Wrong Take and The Lou Perez Podcast.  During my tenure at We the Internet, I made the kind of comedy that gets you put on lists and your words in the Wall Street Journal: “How I Became a ‘Far-Right Radical.” How'd I start out? I began doing improv and sketch comedy while an undergrad at New York University, where I was part of the comedy group the Wicked Wicked Hammerkatz. For years, I performed at the Upright Citizens Brigade Theater (both in NYC and L.A.) in sketch shows with the Hammerkatz and my comedy duo, Greg and Lou. G&L are probably best known for our sketch "Wolverine's Claws Suck," which has over 20 million views across online platforms. I was a writer for Fox Sports' @TheBuzzer; produced The Attendants with the Above Average Network; produced pilots for FOX Digital and MSN Games; and was a comedy producer on TruTV's Impractical Jokers. I hosted the stand-up show Uncle Lou's Safe Place in Los Angeles, performed at the Big Pine Comedy Festival, Bridgetown Comedy Festival, and co-created the political comedy podcast Unsafe Space. I've opened for Jimmy Dore, Rich Vos, Dave Smith, and Rob Schneider. I'm currently on tour with Scott Thompson. I taught creative writing at the City College of New York, "writing the web series" for Writing Pad, and comedy writing workshops for the Moving Picture Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices

Donald Trump has spent a long time praising him, but now the US president's view of Vladimir Putin is shifting. Trump's high hopes of getting Putin to the negotiating table are fading and Russia has recently launched one of the largest bombardments on Kyiv since the start of the war.  Now, the end of the war in Ukraine seems as elusive as ever and Trump says Putin is ‘crazy' and ‘playing with fire'.Today, international relations expert Rajan Menon on why Putin is humouring Trump but will never do as he asks and end the war. Featured: Rajan Menon, professor emeritus of international relations at the City College of New York and senior research scholar at Columbia University

Kevin Wolfe is an award-winning architect, landscape designer, and journalist, highly respected for his skill in renovating old houses, particularly those from the early 20th century in the New York City region. He possesses a unique talent for uncovering and restoring the "heart and soul" of historic homes, even those that have suffered from years of poor renovations. His expertise lies in seamlessly blending restoration, renovation, and additions, allowing him to capture the unique essence of each property while simultaneously updating it for comfortable modern family living, with the kitchen often becoming the central hub.Beyond his design work, Kevin is an expert in navigating the rigorous Landmarks Preservation Commission review process in New York City for historically designated buildings. His impressive track record includes a 100% approval rate on first submissions for all projects since establishing his firm in 1998. He actively shares his knowledge and passion for historic preservation by teaching in the Master of Science program in Historic Preservation at the Pratt Institute in Brooklyn, where his "man on the street" classes are particularly popular. He's also a prominent advocate for historic preservation in New York City, serving on several prestigious boards and committees, and successfully leading efforts to designate the Douglaston Historic District and the Douglaston Hill Historic District in Queens.Kevin's professional background is extensive, having been trained as both an architect and a landscape architect and practicing since 1988. He has worked with esteemed firms in New York City such as Rafael Vinoly Architects and Kohn Pedersen & Fox Interior Architects. Additionally, he is a prolific writer, contributing articles on architecture, interior design, landscape design, and historic preservation to various publications including Garden Design and Metropolis. He has also contributed to several books and authored This Salubrious Spot—100 Years at Douglas Manor. Currently, he is penning House Stories, a book about his own garden and architectural design work. His academic achievements include a Master of Architecture from Columbia University, a Master of Arts from Clark University, a Bachelor of Landscape Architecture from The City College of New York, and a Bachelor of Arts from Holy Cross College. Hosted on Acast. See acast.com/privacy for more information.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this week's episode, Emily interviews painter and muralist Oscar Lopez. Oscar shares his journey from growing up in Mexico City, where graffiti first introduced him to art, to becoming an established artist in California. He talks about his murals honoring farm workers, his shift from computer science to art, and the challenges he faced as a minority artist. Oscar also discusses the importance of believing in oneself and the struggle with self-identity as an artist. His works are currently displayed at the Institute of Contemporary Art in San Jose and Fort Mason in San Francisco.About Artist Oscar Lopez in His Own Words:I am visual artist born and raised in Mexico City, where I first came into contact of the art world  in the Graffiti urban art scene. After immigrating to the USA to San Francisco, Bay area (Silicon Valley),  focusing on trying to understand our complex society through a Mexican immigrant's lens in the USA. As a Mexican native who has being affected by the influence and the interruption of my culture by international immigrants and trends of imperialistic organizations. I use a critical eye to engage with the globalization, imperialism, and capitalism that affect every corner of the two nations that share my soul. My concerns are reflected in a dialogue of the Stockholm syndrome symptoms created by the oppression and discrimination of imperialistic orders. In both sides of the border this is having a bigger impact in minorities, people of color and the workers that hold entire nations that also suffer of social and cultural amnesia. In order to survive in these societies built on the foundations of white supremacy and colonialism our ancestors have been forced for generations to either hide, directly confront, or sympathize with our oppressors, resulting in a mass forgetting of cultural and social practices. As our cultural identity and practices have been suppressed we have become hostages in our own homeland. Our collective social and culture amnesia continues to affect people of color on both sides of the border.The globalization of multicultural problems such as classism, racism, and inequality affect the social and psychological side of humanity. Since we so easily forget where we come from as individuals, as an artist I choose to remember, honor, and reclaim those roots and rights. Multicultural problems affect how we see ourselves in comparison to others, in a disengagement with our history, and in a loss of our customs. Even the color of our skin is a source of contention. These problems are intangible, invisible for many. As an artist, I want to create tangible images that reflect our psychological symptoms and demand us to confront our submission to the powers that hold us.Visit Oscar's Website:  ArtByOscarLopez.comFollow  on Instagram:  @OscarLopezArtFor more on his mural at Fort Mason, CLICK HERE. For more on his mural at the ICA San Jose, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Check out my book, That Joke Isn't Funny Anymore: On the Death and Rebirth of Comedy https://amzn.to/3VhFa1r     I always have fun talking with my friend Larry Sharpe of The Sharpe Way. On this episode, I come to him for advice on how to get my child to put/keep his pants on and insights into how bad New York really is, who's behind the migrant crisis and the homeless industrial complex, and just how much money can be made off of human suffering. While others are looking to be the next 600-pound influencer, “quiet quitting” or “showing their independence” (that's when you get a job but choose not to show up on the first day of work), I'm pushing the Flashdance career path: Be a dancer but also be a welder—and always be a creator. Check out my short story "Paul's Ghost" in Nothing Sacred from Heresy Press and Skyhorse Publishing. Catch me on tour, opening for the brilliant Scott Thompson. (Dates Below) Tickets here: https://newscottlandland.com/live-events  Buffalo, NY - May 20 Cleveland, OH - May 21 Pittsburgh, PA - May 22 Toronto, CA - May 24 Boston, MA - May 28 Ogunquit, ME - May 30 Stamford, CT - May 31 NYC, NY - June 1 Philadelphia, PA - June 3 Alexandria, VA - June 4 Atlanta, GA - June 10 I've been rocking XX-XY Athletics wares. WORK OUT, SPEAK OUT! You can get 20% off your purchase of the perfect burpee gear with promo code LOU20. https://www.xx-xyathletics.com/?sca_ref=7113152.ifIMaKpCG3ZfUHH4  Support me at www.substack.com/@louperez    Join my newsletter www.TheLouPerez.com  Apple: https://podcasts.apple.com/.../the-lou-perez.../id1535032081  Spotify: https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU  Amazon: https://music.amazon.com/.../2b7d4d.../the-lou-perez-podcast  YouTube: https://www.youtube.com/playlist?list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJ  Who am I? Lou Perez is a comedian, producer, and author of That Joke Isn't Funny Anymore. You may have seen him on FOX's Gutfeld! and Open to Debate (with Michael Ian Black). Lou was the head writer and producer of the Webby Award-winning comedy channel We the Internet TV and produces Comedy Is Murder, a sketch comedy series with Free the People. Lou is a FAIR-in-the Arts fellow, on the advisory board of Heresy Press, and hosts the live debate series The Wrong Take and The Lou Perez Podcast.  During my tenure at We the Internet, I made the kind of comedy that gets you put on lists and your words in the Wall Street Journal: “How I Became a ‘Far-Right Radical.” How'd I start out? I began doing improv and sketch comedy while an undergrad at New York University, where I was part of the comedy group the Wicked Wicked Hammerkatz. For years, I performed at the Upright Citizens Brigade Theater (both in NYC and L.A.) in sketch shows with the Hammerkatz and my comedy duo, Greg and Lou. G&L are probably best known for our sketch "Wolverine's Claws Suck," which has over 20 million views across online platforms. I was a writer for Fox Sports' @TheBuzzer; produced The Attendants with the Above Average Network; produced pilots for FOX Digital and MSN Games; and was a comedy producer on TruTV's Impractical Jokers. I hosted the stand-up show Uncle Lou's Safe Place in Los Angeles, performed at the Big Pine Comedy Festival, Bridgetown Comedy Festival, and co-created the political comedy podcast Unsafe Space. I've opened for Jimmy Dore, Rich Vos, Dave Smith, and Rob Schneider. I'm currently on tour with Scott Thompson. I taught creative writing at the City College of New York, "writing the web series" for Writing Pad, and comedy writing workshops for the Moving Picture Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices

Check out my book, That Joke Isn't Funny Anymore: On the Death and Rebirth of Comedy https://amzn.to/3VhFa1r     I always have fun talking with my friend Larry Sharpe of The Sharpe Way. On this episode, I come to him for advice on how to get my child to put/keep his pants on and insights into how bad New York really is, who's behind the migrant crisis and the homeless industrial complex, and just how much money can be made off of human suffering. While others are looking to be the next 600-pound influencer, “quiet quitting” or “showing their independence” (that's when you get a job but choose not to show up on the first day of work), I'm pushing the Flashdance career path: Be a dancer but also be a welder—and always be a creator. Check out my short story "Paul's Ghost" in Nothing Sacred from Heresy Press and Skyhorse Publishing. Catch me on tour, opening for the brilliant Scott Thompson. (Dates Below) Tickets here: https://newscottlandland.com/live-events  Buffalo, NY - May 20 Cleveland, OH - May 21 Pittsburgh, PA - May 22 Toronto, CA - May 24 Boston, MA - May 28 Ogunquit, ME - May 30 Stamford, CT - May 31 NYC, NY - June 1 Philadelphia, PA - June 3 Alexandria, VA - June 4 Atlanta, GA - June 10 I've been rocking XX-XY Athletics wares. WORK OUT, SPEAK OUT! You can get 20% off your purchase of the perfect burpee gear with promo code LOU20. https://www.xx-xyathletics.com/?sca_ref=7113152.ifIMaKpCG3ZfUHH4  Support me at www.substack.com/@louperez    Join my newsletter www.TheLouPerez.com  Apple: https://podcasts.apple.com/.../the-lou-perez.../id1535032081  Spotify: https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU  Amazon: https://music.amazon.com/.../2b7d4d.../the-lou-perez-podcast  YouTube: https://www.youtube.com/playlist?list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJ  Who am I? Lou Perez is a comedian, producer, and author of That Joke Isn't Funny Anymore. You may have seen him on FOX's Gutfeld! and Open to Debate (with Michael Ian Black). Lou was the head writer and producer of the Webby Award-winning comedy channel We the Internet TV and produces Comedy Is Murder, a sketch comedy series with Free the People. Lou is a FAIR-in-the Arts fellow, on the advisory board of Heresy Press, and hosts the live debate series The Wrong Take and The Lou Perez Podcast.  During my tenure at We the Internet, I made the kind of comedy that gets you put on lists and your words in the Wall Street Journal: “How I Became a ‘Far-Right Radical.” How'd I start out? I began doing improv and sketch comedy while an undergrad at New York University, where I was part of the comedy group the Wicked Wicked Hammerkatz. For years, I performed at the Upright Citizens Brigade Theater (both in NYC and L.A.) in sketch shows with the Hammerkatz and my comedy duo, Greg and Lou. G&L are probably best known for our sketch "Wolverine's Claws Suck," which has over 20 million views across online platforms. I was a writer for Fox Sports' @TheBuzzer; produced The Attendants with the Above Average Network; produced pilots for FOX Digital and MSN Games; and was a comedy producer on TruTV's Impractical Jokers. I hosted the stand-up show Uncle Lou's Safe Place in Los Angeles, performed at the Big Pine Comedy Festival, Bridgetown Comedy Festival, and co-created the political comedy podcast Unsafe Space. I've opened for Jimmy Dore, Rich Vos, Dave Smith, and Rob Schneider. I'm currently on tour with Scott Thompson. I taught creative writing at the City College of New York, "writing the web series" for Writing Pad, and comedy writing workshops for the Moving Picture Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's episode of the Elevate Your Career podcast, Nicole is joined by Steve Heckler, Executive Coach and President of Steve Heckler Associates, as well as the author of So... You Want To Be A Manager: A Roadmap to Becoming a Great Manager.In this fascinating conversation, Nicole and Steve explore the subtle yet powerful dynamics that shape how professionals connect, communicate, and evolve within their organizations. Steve offers a wealth of executive experience, sharing stories and insights from both high-stakes leadership roles and everyday workplace interactions.You'll hear about moments in his own career where clarity, courage, and curiosity may have opened—or closed—the door to greater understanding. Through anecdotes and reflective commentary, Steve and Nicole examine what really happens beneath the surface of routine meetings, strategic decisions, and performance reviews.Whether you're an emerging leader or a seasoned executive, this episode delivers thought-provoking takeaways that will stick with you long after the conversation ends.If you've enjoyed this episode of the Elevate Your Career podcast, be sure to leave a review and subscribe today! Enjoy!In This Episode You'll Learn:Steve's career transition from IT to executive coaching, his experience as a former CIO, and his decision to pursue coaching due to difficulty finding another CIO job.The structure of his coaching business, including one-on-one coaching, team building, and communities of practice for various IT roles.The biggest misconceptions about becoming a manager, including the importance of desire and validation from others.The importance of creating a space for feedback and how to ask for and receive constructive feedback. The reluctance of employees to provide honest feedback to their supervisors and the need for managers to create an environment where feedback is welcomed.And much more...Guest Bio:Steve Heckler is an accomplished Executive Coach and President of Steve Heckler Associates, bringing over 35 years of executive leadership experience to his coaching and consulting practice. He has held key management and CIO roles at major organizations, including IBM, Activision, Bank of America, Sony Pictures Entertainment, and Health Net, and has been recognized for Outstanding People Management by IBM. Steve specializes in bridging the gap between IT and business leadership, mentoring senior executives across industries and global markets. His professional service includes leadership roles with the Professional Coaches and Mentors Association, the Southern California Society for Information Management, and Women in Technology International. Steve holds degrees from City College of New York and NYU, and is a Board-Certified Coach with certifications in DISC and Zenger Folkman 360 leadership assessments.Resources:Steve's LinkedInSteve Heckler AssociatesSo...You Want to Be a Manager: A Roadmap to Becoming a Great Manager

There will several tornados that touched down in the Midwest last night and there's potential for more later today, The Denver Airport experienced technical difficulties with their air traffic control and it was down for 90 seconds. Klein Vision is selling a flying car, available in 2026. Naples was rated the number one city to live in America. Lastly, a Peanuts Tamagotchi is coming to stores!See omnystudio.com/listener for privacy information.

Check out my book, That Joke Isn't Funny Anymore: On the Death and Rebirth of Comedy On this episode I talk with filmmaker and co-host of The System is Down, Dan Smotz, about collapsitarians (my new favorite word), wedding videography, and Who Is Roger Ver? If you're a paid subscriber to my Substack or the Lions of Liberty Podcast Network you're hearing this first. Lemme know what you think. Would you survive the end of the world? For how long? Catch me on tour, opening for the brilliant Scott Thompson. (Dates Below) Tickets here: https://newscottlandland.com/live-events Louisville, KY - May 17 Indianapolis, IN - May 18 Buffalo, NY - May 20 Cleveland, OH - May 21 Pittsburgh, PA - May 22 Toronto, CA - May 24 Boston, MA - May 28 Ogunquit, ME - May 30 Stamford, CT - May 31 NYC, NY - June 1 Philadelphia, PA - June 3 Alexandria, VA - June 4 Atlanta, GA - June 10 I've been rocking XX-XY Athletics wares. WORK OUT, SPEAK OUT! You can get 20% off your purchase of the perfect burpee gear with promo code LOU20. https://www.xx-xyathletics.com/?sca_ref=7113152.ifIMaKpCG3ZfUHH4 Support me at www.substack.com/@louperez    Join my newsletter www.TheLouPerez.com  Apple: https://podcasts.apple.com/.../the-lou-perez.../id1535032081  Spotify: https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU  Amazon: https://music.amazon.com/.../2b7d4d.../the-lou-perez-podcast  YouTube: https://www.youtube.com/playlist?list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJ  Who am I? Lou Perez is a comedian, producer, and author of That Joke Isn't Funny Anymore. You may have seen him on FOX's Gutfeld! and Open to Debate (with Michael Ian Black). Lou was the head writer and producer of the Webby Award-winning comedy channel We the Internet TV and produces Comedy Is Murder, a sketch comedy series with Free the People. Lou is a FAIR-in-the Arts fellow, on the advisory board of Heresy Press, and hosts the live debate series The Wrong Take and The Lou Perez Podcast.  During my tenure at We the Internet, I made the kind of comedy that gets you put on lists and your words in the Wall Street Journal: “How I Became a ‘Far-Right Radical.” How'd I start out? I began doing improv and sketch comedy while an undergrad at New York University, where I was part of the comedy group the Wicked Wicked Hammerkatz. For years, I performed at the Upright Citizens Brigade Theater (both in NYC and L.A.) in sketch shows with the Hammerkatz and my comedy duo, Greg and Lou. G&L are probably best known for our sketch "Wolverine's Claws Suck," which has over 20 million views across online platforms. I was a writer for Fox Sports' @TheBuzzer; produced The Attendants with the Above Average Network; produced pilots for FOX Digital and MSN Games; and was a comedy producer on TruTV's Impractical Jokers. I hosted the stand-up show Uncle Lou's Safe Place in Los Angeles, performed at the Big Pine Comedy Festival, Bridgetown Comedy Festival, and co-created the political comedy podcast Unsafe Space. I've opened for Jimmy Dore, Rich Vos, Dave Smith, and Rob Schneider. I'm currently on tour with Scott Thompson. I taught creative writing at the City College of New York, "writing the web series" for Writing Pad, and comedy writing workshops for the Moving Picture Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices

Outside in Theatre presents: World Premiere: California Story @ Los Angeles City College - 8 out of 10! Good Show! LA Theatre Bites Recommended! May 9 - June 3, 2025. www.latheatrebites.com

Check out my book, That Joke Isn't Funny Anymore: On the Death and Rebirth of Comedy On this episode I talk with filmmaker and co-host of The System is Down, Dan Smotz, about collapsitarians (my new favorite word), wedding videography, and Who Is Roger Ver? If you're a paid subscriber to my Substack or the Lions of Liberty Podcast Network you're hearing this first. Lemme know what you think. Would you survive the end of the world? For how long? Catch me on tour, opening for the brilliant Scott Thompson. (Dates Below) Tickets here: https://newscottlandland.com/live-events Louisville, KY - May 17 Indianapolis, IN - May 18 Buffalo, NY - May 20 Cleveland, OH - May 21 Pittsburgh, PA - May 22 Toronto, CA - May 24 Boston, MA - May 28 Ogunquit, ME - May 30 Stamford, CT - May 31 NYC, NY - June 1 Philadelphia, PA - June 3 Alexandria, VA - June 4 Atlanta, GA - June 10 I've been rocking XX-XY Athletics wares. WORK OUT, SPEAK OUT! You can get 20% off your purchase of the perfect burpee gear with promo code LOU20. https://www.xx-xyathletics.com/?sca_ref=7113152.ifIMaKpCG3ZfUHH4 Support me at www.substack.com/@louperez    Join my newsletter www.TheLouPerez.com  Apple: https://podcasts.apple.com/.../the-lou-perez.../id1535032081  Spotify: https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU  Amazon: https://music.amazon.com/.../2b7d4d.../the-lou-perez-podcast  YouTube: https://www.youtube.com/playlist?list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJ  Who am I? Lou Perez is a comedian, producer, and author of That Joke Isn't Funny Anymore. You may have seen him on FOX's Gutfeld! and Open to Debate (with Michael Ian Black). Lou was the head writer and producer of the Webby Award-winning comedy channel We the Internet TV and produces Comedy Is Murder, a sketch comedy series with Free the People. Lou is a FAIR-in-the Arts fellow, on the advisory board of Heresy Press, and hosts the live debate series The Wrong Take and The Lou Perez Podcast.  During my tenure at We the Internet, I made the kind of comedy that gets you put on lists and your words in the Wall Street Journal: “How I Became a ‘Far-Right Radical.” How'd I start out? I began doing improv and sketch comedy while an undergrad at New York University, where I was part of the comedy group the Wicked Wicked Hammerkatz. For years, I performed at the Upright Citizens Brigade Theater (both in NYC and L.A.) in sketch shows with the Hammerkatz and my comedy duo, Greg and Lou. G&L are probably best known for our sketch "Wolverine's Claws Suck," which has over 20 million views across online platforms. I was a writer for Fox Sports' @TheBuzzer; produced The Attendants with the Above Average Network; produced pilots for FOX Digital and MSN Games; and was a comedy producer on TruTV's Impractical Jokers. I hosted the stand-up show Uncle Lou's Safe Place in Los Angeles, performed at the Big Pine Comedy Festival, Bridgetown Comedy Festival, and co-created the political comedy podcast Unsafe Space. I've opened for Jimmy Dore, Rich Vos, Dave Smith, and Rob Schneider. I'm currently on tour with Scott Thompson. I taught creative writing at the City College of New York, "writing the web series" for Writing Pad, and comedy writing workshops for the Moving Picture Institute. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode, Emily Wilson interviews painter Emilio Villalba about his personal and professional journey in the art world. Emilio discusses his decision to become a full-time artist, his creative process, and the inspirations behind his latest show, 'Paintings from Home,' at Dolby Chadwick in San Francisco. Emilio, who also teaches Canada College, also shares the challenges and rewards of his artistic practice, his background as an animator, and insights into his creative influences, notably the Bay Area figurative artists. About Artist Emilio Villalba:Born in Southern California in 1984 to Mexican immigrants, Emilio Villalba felt his artistic drive early on. Emilio initially studied animation and received his BFA in 2006 from the Art Institute of California and quickly began work in that field in his early 20's until moving to San Francisco and transitioned to the medium of painting. In San Francisco he received his MFA in Painting in 2012 from the Academy of Art University. Villalba's work reflects his studies in both abstract and figurative painting. At the core of Emilio's painting's there is pure portraiture, but great focus on the disharmony of the self and perception. Pressures from society and the toll it takes on the emotional state of the subject when confronted with benevolence. Raw emotions and the fragility of the soul. Villalba overlaps and repeats human features with a kaleidoscope effect. “Don't Worry” is the 2018 painting of his that I decided to feature. It pulls you in with a sadness at its core and doesn't want to let you go. It reminds me of the face we may give to the world, that all is ok, but the eyes tell a different story. I urge you follow the links below and discover his somber and seductive work.Visit Emilio's Website:  EmilioVillalbaArt.comFollow  on Instagram:  @Emilio_VillalbaFor more on Emilio's work at The Dolby Chadwick Gallery, CLICK HERE.--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

What a $500M Tech Exit Taught Him About Building a Thriving Architecture FirmWhat does a $500 million tech exit have to do with building a thriving architecture firm? In this episode, Amos Peleg shares his incredible journey—from a young man determined not to follow in his architect father's footsteps, to building Pelleck Linehouse, a thriving 20-person architecture firm.After six years of study split between Israel and New York City, Amos graduated from City College in 1999 and was quickly swept into the world of tech, joining a rooftop loft startup that sold for $550 million just three months later. That experience sparked his passion for entrepreneurship, launching a years-long pursuit of starting his own business through repeated trial and error.Eventually, family needs brought Amos back to Israel, where he partnered with a close friend and rebuilt his father's struggling firm. Along the way, he learned what it really takes to build a sustainable architecture practice—hiring the right people, identifying profitable niches, and designing processes that free him from the daily grind while still leading as CEO.He reflects on lessons from architecture school under his father's critical eye, working under a Holocaust survivor, and navigating the tension between personal passion and professional success. Through it all, Amos champions the power of vision, strategy, and Ikigai—aligning what you love, what you're good at, and what the world needs.This week at EntreArchitect Podcast, What a $500M Tech Exit Taught Him About Building a Thriving Architecture Firm with Amos Peleg.Learn more about Amos Peleg and his work at Peleg Kleinhause, and connect with him on LinkedIn.Please Visit Our Platform SponsorsArcatemy is Arcat's Continuing Education Program. Listen to Arcat's Detailed podcast and earn HSW credits. As a trusted provider, Arcat ensures you earn AIA CE credits while advancing your expertise and career in architecture. Learn more at Arcat.com/continuing-education.Visit our Platform Sponsors today and thank them for supporting YOU... The EntreArchitect Community of small firm architects.

Send us a textAbout the guest:Massimo Pigliucci is a philosopher, author, and professor of philosophy at the City College of New York, known for his work in both evolutionary biology and the modern Stoicism movement. He is the author of numerous books, including the acclaimed How to Be a Stoic and The Quest for Character, which bridge classical philosophy and contemporary challenges. With a background in both science and philosophy, Pigliucci brings a unique interdisciplinary lens to questions of ethics, meaning, and personal development. His work has helped popularize Stoic thought for modern audiences, making timeless ideas both accessible and actionable.Connect with Ryan! https://twitter.com/RyanJAyalaConnect with Us! https://www.instagram.com/alchemists.library/Chapters:00:00 Introduction: What Is Stoicism, Really?00:30 Living According to Nature02:45 Solving Anxiety Through Human Nature05:15 Are Humans Really Different From Animals?07:10 Why Stoicism Feels Practical08:20 The Dichotomy of Control Explained13:25 The Serenity Prayer & Stoicism16:50 The Power of Reframing Your Thoughts18:45 Stoicism & Cognitive Behavioral Therapy22:10 Reacting Differently to Everyday Events24:30 Stoicism Beyond Masculinity28:00 Can You Be Stoic and Political?30:45 Stoicism in Sports & Mental Toughness33:55 Relaxed Concentration in Elite Performance35:20 The Stoic Focus on the Present Moment38:10 How to Be a Stoic in Practice41:30 Cold Showers, Fasting & Stoic Discipline43:40 Are “Mind Tricks” Bad If They Work?45:50 Seneca's Formula for Dealing With Anger52:00 Preventing Anger Before It Starts54:45 Massimo's Journey Into Stoicism58:40 Massimo's Writing Routine & Reading Habits01:02:40 Recommended Books & Final ThoughtsConnect with Us!https://www.instagram.com/alchemists.library/https://twitter.com/RyanJAyala

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this Episode, Emily features artist Laurel Roth Hope. Laurel discusses her journey from a conservation worker to a full-time artist, emphasizing her use of recycled materials in her sculptures. She shares her creative process, influences, and collaborations with her husband, artist Andy Diaz Hope. The episode highlights her current residency at Recology, San Francisco, where she creates art from landfill materials. Laurel's work often reflects themes of ecological impact and human interaction with the natural world. About Artist Laurel Roth Hope:Laurel Roth Hope lives and works in Northern California. Prior to becoming a full-time, self-taught artist she worked as a park ranger and in natural resource conservation. These professional experiences influenced her current work, which centers on the human manipulation of and intervention into the natural world and the choices we must make everyday between our individual desires and the well being of the world at large. Hope was a 2025 SF Recology AIR Artist in Residence, a 2020 Space Program SF Resident Artist, a 2017 Smithsonian Artist Research Fellow, and a 2016 Resident Artist with the Kohler Arts and Industry program in Wisconsin. In 2013 she and her sometime collaborator, Andy Diaz Hope, completed a year-long Fellowship at the de Young Museum of San Francisco examining the history of human cooperation through architecture. Her work is included in the permanent collections of the Smithsonian, the Museum of Art and Design in New York, the Mint Museum, Crystal Bridges Museum of American Art, 21C Museum, the Zabludowics Collection, the Progressive Collection, and the Ripley's Museum of Hollywood, among others. She is represented by Catharine Clark Gallery of San Francisco.Visit Laurel's Website:  LoLoRo.comFollow Laurel on Instagram, CLICK HERE. Learn about the Recology exhibit, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Are you overwhelmed by the rapid rise of AI in the workplace?AI tools are already being used by managers and teams in various forms. But what are the risks that come with using them? Today's guest believes that clear guidelines and educational training can help everyone use AI wisely without feeling restricted.Meet Theresa Fesinstine. Theresa is a 25-year HR executive turned AI educator. She has been certified for AI and Business Strategy through MIT in 2023, and has been focused on flattening the AI learning curve for HR and other non-technical functions for almost 3 years. In addition to her company, peoplepower.ai, she is an adjunct professor of both AI in Business and HR Management for City College of NY - a CUNY institution, and volunteers as a mentor through All Tech is Human.Today, Theresa shares smart, actionable ways to use AI without risking company data or personal privacy.From educating your team to building clear, adaptable AI guidelines, she breaks down how to make AI a powerful tool for managers and their teams.Join the conversation now!Get FREE mini-episode guides with the big idea from the week's episode delivered to your inbox when you subscribe to my weekly email.Conversation Topics(00:00) Introduction(01:52) The truth about AI in the workplace(08:58) How to set AI policies that actually work(11:16) Using AI to enhance your management skills(21:30) How to avoid biases when using AI tools for team management(23:26) A great manager Theresa has worked for(25:35) Keep up with Theresa (26:28) [Extended Episode Only] How to talk to your team about what AI tools they're already using(32:03) [Extended Episode Only] Is using AI at work considered cheating?Additional Resources:- Get the extended episode by joining The Modern Manager Podcast+ Community for just $15 per month- Read the full transcript here- Follow me on Instagram here - Visit my website for more here- Upskill your team here- Subscribe to my YouTube Channel here Keep up with Theresa Fesinstine- Follow Theresa on LinkedIn here- Visit People Power AI for more information here FREE PDF People Powered by AI: A Playbook for HR Leaders Ready to Shape the New World of WorkTheresa is giving members of Podcast+ a copy of her People Powered by AI: A Playbook for HR Leaders Ready to Shape the New World of Work for free.In this practical and forward-thinking guide, Theresa draws on decades of People & Culture expertise to help HR leaders confidently integrate AI into their everyday work. With real-world use cases, accessible frameworks, and a human-first lens, this book empowers HR professionals to unlock the potential of AI while staying grounded in empathy, ethics, and strategy.To get this bonus and many other member benefits, become a member of The Modern Manager Podcast+ Community.---------------------The Modern Manager is a leadership podcast for rockstar managers who want to create a working environment where people thrive, and great work gets done.Follow The Modern Manager on your favorite podcast platform so you won't miss an episode!

Torrey reacts to Mayor Brandon Scott's state of the city address. College graduates have expectations for their first jobs, and Pet Hegseth embroiled in yet another Signal related scandal.

In this episode of Better Buildings for Humans, host Joe Menchefski sits down with Nathan Stadola, Chief Engineer at the International WELL Building Institute (IWBI), to unravel the mystery behind one of the world's fastest-growing building certifications: WELL. Nathan, a former street accordionist turned wellness standards pioneer, brings his vibrant energy and deep technical knowledge to a rapid-fire breakdown of the 10 core concepts behind WELL V2—from air quality to community connection.Together, Joe and Nathan dive into what truly makes a building healthy, how WELL differs from other certifications, and why verification matters more than ever. They even explore whether the standard favors urban spaces and how buildings can adapt in rural or suburban contexts. If you've ever wondered how to design spaces that don't just look good but feel good, this episode is your blueprint.More About Nathan StodolaNathan Stodola leads the standard development team and serves as Chief Engineer at the International WELL Building Institute (IWBI). In this role, he maintains, enhances, and expands the strategies in the WELL Building Standard to promote health and well-being, with a particular focus on air quality, thermal comfort, and sound. Prior to working at IWBI, Nathan worked at the University Transportation Research Council at City College, where he helped the New York Metropolitan Transportation Council create regional transportation plans. Nathan holds Master of Science degrees in mechanical engineering (Columbia University) and transportation engineering (City College). In his spare time, he enjoys playing accordion and finding new bike routes in the greater New York City area.CONTACT:https://www.linkedin.com/in/nathan-stodola-b5948a9/https://resources.wellcertified.com/people/staff/nathan-stodola/Where To Find Us:https://bbfhpod.advancedglazings.com/www.advancedglazings.comhttps://www.linkedin.com/company/better-buildings-for-humans-podcastwww.linkedin.com/in/advanced-glazings-ltd-848b4625https://twitter.com/bbfhpodhttps://twitter.com/Solera_Daylighthttps://www.instagram.com/bbfhpod/https://www.instagram.com/advancedglazingsltdhttps://www.facebook.com/AdvancedGlazingsltd

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week, Emily features an interview with curator Ciara Ennis, director of the De Saisset Museum at Santa Clara University. Ciara discusses her evolution from painter to curator, her efforts to challenge traditional museum practices, and her initiatives aimed at fostering inclusivity and dialogue within the art community. Key programs highlighted include the Flat Files of Curiosity Initiative and the Project Room for South Bay artists. She shares insights into her curatorial philosophy, influenced by her studies and experiences, including her impactful first exhibition in London and admiration for artist Joseph Beuys. The episode underscores Ciara's commitment to making museums more accessible and dynamic spaces for diverse audiences.About Curator Ciara Ennis:As Director Professor of Practice in the Department of Art and Art History, Dr. Ennis is responsible for developing the vision, artistic direction, and strategic leadership for the museum including exhibitions, programming, permanent collection, academic integration, and public profile. Ennis oversees museum operations, staffing, finances, and fundraising, and serves as the primary liaison between the museum and Santa Clara University.Prior to directing the de Saisset Museum, Ennis served as Director and Curator of Pitzer College Art Galleries, transforming it into a significant center for contemporary art and discourse through intellectually provocative initiatives focused on diverse communities of artists exploring issues that define our times. A Museum Studies scholar, Ennis' research explores the appropriation of Wunderkammer strategies as a means for rethinking contemporary curatorial practice. Ennis has been a panelist and guest speaker for the College Arts Association, American Studies Association, the International Sculpture Conference, the Association of Academic Museums and Galleries, the California Community Foundation, the Rijksakademie Amsterdam, and the Victoria and Albert Museum. Ennis is a member of Prospect Art's Advisory Board and X-TRA Contemporary Art Quarterly's Advisory Council. She has an MA (RCA) in Contemporary Curatorial Practice from the Royal College of Art, and a PhD in Cultural Studies/Museum Studies from Claremont Graduate University.For more on the exhibit, Maya Gurantz: The Plague Archives CLICK HERE. Follow Ciara on Instagram:  @CiaraEnnis5--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

Author and meditation teacher Kimberly Brown explains how we can transform our relationships through Buddhist practices and principles. Mindrolling is brought to you by Reunion. Reunion is offering $250 off any stay to the Love, Serve, Remember community. Simply use the code “BeHere250” when booking. Disconnect from the world so you can reconnect with yourself at Reunion. Hotel | www.reunionhotelandwellness.com Retreats | www.reunionexperience.orgThis time on Mindrolling, Raghu and Kimberly discuss:How Kimberly was led to the dharma after experiencing panic attacksKimberly's journey leaving therapy practice and delving deeper into mindfulnessHow relationships can become stale and predictable when we solidify our partnerOpening up to who our partner is in the moment rather than our idea of themThe difference between love and a yearning to possess or clingLove as a deep intimacy with all things Accepting rupture and miscommunication as a normal part of relationships Being able to repair after a conflict arises within a relationship Approaching all things with grace and openness Loving-kindness and looking at the intention behind all of our actionsNot skipping over the relational to get to the ultimate Grab your copy of Kimberly's book, Happy Relationships, to learn more. "To solidify and harden another person and another person's reactions and voice, there's no more freshness and the relationship can get very stale and predictable. That's oftentimes when resentment comes up. Part of not knowing is being able to open to what's really there, who the person really is right in this moment." – Kimberly BrownAbout Kimberly Brown:Kimberly Brown is a popular Buddhist meditation teacher and Certified Mindfulness Instructor and since 2011 she has led thousands of classes, retreats, and workshops with individuals and groups merging self-compassion, emotional resilience, mindfulness, and Buddhism. As a leading voice in the contemporary meditation community, she teaches public classes regularly at the Rubin Museum, Mindful Astoria, Shantideva Meditation Center, and All Souls Church. She works in private practice both one-on-one and with companies and non-profit groups. She is a faculty member and Senior Instructor in The Interdependence Project's esteemed Mindfulness Teacher Training program. She is an accredited teacher and member of the Mindful Directory and the International Mindfulness Teachers Association. She balances her two decades of traditional Buddhist training and study with Western therapeutic modalities. Her background includes psychoanalytic training at Washington Square Institute, a master's degree from City College of New York, and undergraduate study at Hunter College. She has extensive formal meditation retreat experience at Insight Meditation Society, Palypung Thubten Choling, and the Garrison Institute, and has received in-depth teachings from meditation masters Ponlop Rinpoche, Lama Norlha Rinpoche, Lama Zopa Rinpoche, Sharon Salzberg, and Venerable Pannavati. Keep up with Kimberly on her website.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Working with Parents in Therapy: A Mentalization-Based Approach, by Norka Malberg, Elliot Jurist, Jordan Bate, and Mark Dangerfield (American Psychological Association, 2023) presents parenthood as a developmental process that can be supported by a mentalization-based model of intervention. The authors first provide an overview of mentalization (i.e., making sense of the mental lives of ourselves and others) and its related concepts, as well as guidance on assessment, formulation, treatment, and supervision from a mentalization framework. They then review challenges and opportunities for parents across development, with rich case examples and vignettes for each developmental phase.  Dr. Jurist, who has doctorates in both philosophy and clinical psychology, brings a philosophical lens to our discussion of this book. We talk about mentalization and its development, as well as its role in culture, psychological health, and parenting. About the Guest: Elliot Jurist, Ph.D., Ph.D. is Professor of Psychology and Philosophy at the Graduate Center and The City College of New York, CUNY. From 2004-2013, he served as the Director of the Clinical Psychology Doctoral Program at CUNY. From 2008-2018, he was the Editor of Psychoanalytic Psychology, the journal of Division 39 of the APA. He is also the editor of a book series, Psychoanalysis and Psychological Science, from Guilford Publications, and author of a book in the series, Minding Emotions: Cultivating Mentalization in Psychotherapy, from the same publisher (the book has been translated into Italian, Chinese and Spanish, and was named best theoretical book in 2019 by the American Board and Academy of Psychoanalysis). He is the author of Beyond Hegel and Nietzsche: Philosophy, Culture and Agency (MIT Press, 2000) and co-author with Peter Fonagy, George Gergely, and Mary Target of Affect Regulation, Mentalization and the Development of the Self (Other Press, 2002), the latter of which has been translated into five languages and won two book prizes. He is also the co-editor of Mind to Mind: Infant Research, Neuroscience, and Psychoanalysis (Other Press, 2008). His research interests concern mentalization and the role of emotions and emotion regulation in psychotherapy. In 2014, he received the Scholarship Award from Division 39 of the APA, and in 2024, he was given the Leadership award from the same organization. He also writes a Substack newsletter Mental(izing) Health, in which he elaborates on the relevance of mentalization in art, government, culture, philosophy, and other wide-ranging topics, as well as in the mental health world. He is currently writing a book titled When Therapy Met Memoir, which is about references to therapy in contemporary memoirs. Along with his wife and two children, he lives with two ancient, insubordinate dachshunds, one of whom smiles. Links: Mental(izing) Health Substack newsletter Dr. Jurist's website Mentalized Affectivity Lab Dr. Malberg's website Dr. Bate's faculty page Dr. Dangerfield's website Emily Pichler is a clinical psychologist practicing in Burlington, Vermont.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Working with Parents in Therapy: A Mentalization-Based Approach, by Norka Malberg, Elliot Jurist, Jordan Bate, and Mark Dangerfield (American Psychological Association, 2023) presents parenthood as a developmental process that can be supported by a mentalization-based model of intervention. The authors first provide an overview of mentalization (i.e., making sense of the mental lives of ourselves and others) and its related concepts, as well as guidance on assessment, formulation, treatment, and supervision from a mentalization framework. They then review challenges and opportunities for parents across development, with rich case examples and vignettes for each developmental phase.  Dr. Jurist, who has doctorates in both philosophy and clinical psychology, brings a philosophical lens to our discussion of this book. We talk about mentalization and its development, as well as its role in culture, psychological health, and parenting. About the Guest: Elliot Jurist, Ph.D., Ph.D. is Professor of Psychology and Philosophy at the Graduate Center and The City College of New York, CUNY. From 2004-2013, he served as the Director of the Clinical Psychology Doctoral Program at CUNY. From 2008-2018, he was the Editor of Psychoanalytic Psychology, the journal of Division 39 of the APA. He is also the editor of a book series, Psychoanalysis and Psychological Science, from Guilford Publications, and author of a book in the series, Minding Emotions: Cultivating Mentalization in Psychotherapy, from the same publisher (the book has been translated into Italian, Chinese and Spanish, and was named best theoretical book in 2019 by the American Board and Academy of Psychoanalysis). He is the author of Beyond Hegel and Nietzsche: Philosophy, Culture and Agency (MIT Press, 2000) and co-author with Peter Fonagy, George Gergely, and Mary Target of Affect Regulation, Mentalization and the Development of the Self (Other Press, 2002), the latter of which has been translated into five languages and won two book prizes. He is also the co-editor of Mind to Mind: Infant Research, Neuroscience, and Psychoanalysis (Other Press, 2008). His research interests concern mentalization and the role of emotions and emotion regulation in psychotherapy. In 2014, he received the Scholarship Award from Division 39 of the APA, and in 2024, he was given the Leadership award from the same organization. He also writes a Substack newsletter Mental(izing) Health, in which he elaborates on the relevance of mentalization in art, government, culture, philosophy, and other wide-ranging topics, as well as in the mental health world. He is currently writing a book titled When Therapy Met Memoir, which is about references to therapy in contemporary memoirs. Along with his wife and two children, he lives with two ancient, insubordinate dachshunds, one of whom smiles. Links: Mental(izing) Health Substack newsletter Dr. Jurist's website Mentalized Affectivity Lab Dr. Malberg's website Dr. Bate's faculty page Dr. Dangerfield's website Emily Pichler is a clinical psychologist practicing in Burlington, Vermont.  Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/psychology

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode Emily interviews artist and singer Mary Graham about her journey from drawing as a child, to painting in high school and eventually moving to the Bay Area to study at the California College of the Arts. Mary discusses her recent residencies in Maine and Colorado, and exhibitions at the Berkeley Art Center and Jonathan Carver Moore Gallery. She delves into her impactful 'brown paper bag' series, which explores themes of colorism inspired by her father's stories and broader research. Mary also reflects on influential works by artists like David Hammonds and Betty Saar, and shares her inspiration drawn from the streets of San Francisco. The episode highlights Mary's creative process, community experiences, and the significant role of the emerging artists program at the Museum of the African Diaspora in her career.About Artist Mary Graham :Mary W.D. Graham an interdisciplinary artist working in painting, sculpture, and vocal performance. Utilizing art-making methods rooted in traditional techniques, she studies the notion of “the ancestors” as a conceptual medium through which historical, interpersonal, and introspective insight might be gained.Her conceptual development originates from the veneration of her own lineage, an off-shoot of the African American spiritual tradition of ancestor worship. The work expands to encompass themes of generational love, collective human origin, our relationship to history, and our relationship to the future (the unknown). Working primarily in figuration and portraiture, she utilizes a level of precision in her representation. Her compositions are minimal; the subtlety of the substrate, or the intentional application of color intend for focus to be drawn to the subject. The subtlety of this approach is meant to provide a contemplative environment in which significance might be derived. These aesthetic philosophies of simplicity, stillness, and precision are applied to her performance work as well, which is rooted in her training as a classical vocalist. Here, the human voice is utilized as a kind of clarion. The haunting melodies are structured to slowly fill space and time, drawing viewers in so that they might share in what manifests from the collective experience of song.Mary was born in 2000 and grew up in Philadelphia, Pennsylvania amongst a family of artists. She attended California College of the Arts where she received her BFA in Individualized Studies in 2022. Her travels for arts and cultural exchange have taken her around the globe to Mexico, Japan, Kenya, South Africa, Peru, Morocco, Indonesia, and India.Graham has been exhibiting, collaborating and performing nationally since 2006. She was a commissioned artist for projects at Burning Man from 2019 through 2023, performed at the Institute of Contemporary Art + San Francisco in 2022, and in 2024, opened her first solo exhibition at Museum of the African Diaspora as part of their Emerging Artist's Program. Graham's work has been covered by CBS News, 48hills and the MoAD Journal. She has been awarded residencies with Black [Space] Residency in San Francisco, California; Haystack Mountain School of Craft in Deer Isle, Maine; and Anderson Ranch in Snowmass, Colorado.Visit Mary's Website:  MaryDGraham.comFollow  on Instagram:  @Mary.Graham.ArtTo learn more about the Beatiful Scars Exhibit at Jonathan Carver Moore CLICK HERE.For more on Archives Yet To Come at the Berkeley Art Center, CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

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In this episode, we sat down with Dirk Moses, Anne and Bernard Spitzer Professor of International Relations at the City College of New York and editor-in-chief of the Journal of Genocide Research. Dirk explores common misconceptions in contemporary discussions about atrocity crimes and examines how these misunderstandings, both intentional and unintentional, impact international response. He also discusses how these misconceptions increasingly impact both practitioners and academic discourse, particularly following the recent escalations of the crises in Gaza and Ukraine. Dirk highlights how the recognition of genocides is increasingly obscured by geopolitical interests, which in turn impacts victim communities worldwide.

Ep 55 DuEwa talked with Dr. Nina Angela Mercer about her work and new book THE DOUBLE. Visit her website at www.NinaAngelaMercer.com.Follow Nerdacity IG @nerdacityarts , X @nerdacitypod1Subscribe and listen to past interviews @Spotify @ApplePodcasts and Youtube.com/DUEWAWORLD.BioNina Angela is a cultural worker and multidisciplinary artist living in Washington, D.C. Nina's writing is published in The Killens Review of Arts & Letters; Black Renaissance Noire; Continuum: The Journal of African Diaspora Drama, Theatre, and Performance; A Gathering of the Tribes Magazine Online; Break Beat Poets Vol 2: Black Girl Magic (Haymarket Press); Are You Entertained? Black Popular Culture in the 21st Century (Duke University Press); Performance Research Journal (Taylor and Francis); Represent! New Plays for Multicultural Young People (Bloomsbury Press); So We Can Know: Writers of Color on Pregnancy, Loss, Abortion, and Birth (Haymarket Press); Black Ecologies Zine (Institute for the Study of Global Racial Justice); and tBTR: A Journal of the Black Theatre Network. She is excited about her first collection of writing for performance, The Double: A Choreodrama and a Choreopoem (Kavaya Press).Nina's choreodramas, choreopoems, and plays include GUTTA BEAUTIFUL(The Warehouse Theatre, The Woolly Mammoth for DC's Fringe, Abrons Arts Center/Henry Street Settlement, & Little Carib Theatre in Trinidad); ITAGUA MEJI: A Road & A Prayer (Brecht Forum, Alternate Roots, Rutgers University Newark and New Brunswick, The Nuyorican Poets Café); GYPSY & THE BULLY DOOR (The Warehouse Theatre, the former Dumbo Sky); ELIJAHEEN BECOMES WIND (Anacostia Arts Center); CHARISMA AT THE CROSSROADS (Dorothy Young Arts Center); SPARROW(The Langston Hughes House); and A COMPULSION FOR BREATHING (The Schomburg Center and Target Margin Theater). Nina has taught across disciplines at American University, Howard University, Medgar Evers College, Brooklyn College, Drew University, and for the Beyond Identity Program at City College. She is also co-founder and executive director of Ocean Ana Rising, Inc. (OAR) which has been generously funded with grants from the NEA, The Black Seed, and DC's Commission on the Arts and Humanities.Nina holds a Ph.D. in Theatre and Performance from the Graduate Center at the City University of New York (CUNY). She also holds a Master of Philosophy from The Graduate Center at CUNY, a Master of Fine Arts in Creative Writing - Fiction from American University, and a Bachelor of Arts in English from Howard University. Nina is a mother to two adult daughters who keep her mindful with an ear for new music and language.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. This week on 'Art is Awesome,' host Emily Wilson chats with Stephanie Robison, a sculptor living in Oakland and the chair of City College of San Francisco's Art Department. The episode delves into Stephanie's background, from growing up in Oregon and being encouraged by a high school counselor to attend college, to falling in love with sculpture, particularly stone. Stephanie discusses her creative process, the resistance she enjoys from materials like marble, and how her grandmother inspired her love for making things. She also shares her experiences with exhibitions and her thoughts on teaching. About Artist Stephanie Robison:Originally from Oregon, Stephanie currently resides in California teaching sculpture and serving as Art Department Chair at the City College of San Francisco. Robison holds a Bachelor of Fine Arts from Marylhurst University and a Master of Fine Arts in Sculpture from the University of Oregon. Her work has been exhibited at Marrow Gallery, Marin Museum of Contemporary Art and Orange County Center for Contemporary Art in California, Robischon Gallery in Denver, Colorado, Houston Center for Contemporary Craft, Joseph A Cain Memorial Art Gallery and Greater Denton Arts Council in Texas, Yeiser Art Center in Kentucky, Site:Brooklyn Gallery in New York, Foster/White Gallery, Whatcom Museum and Tacoma Art Museum in Washington, and Peter Robertson Gallery in Alberta Canada.Stephanie is represented by Marrow Gallery in San Francisco, California and Foster/White Gallery in Seattle, Washington. Her work can also be found at Robischon Gallery in Denver, Colorado.The sculptures of Stephanie Robison plays with multiple oppositional relationships. Working with industrial fabrics and wood, she creates large-scale installations that examine relationships between culture, nature and the built environment. Her latest series of work combines traditional stone carving and the process of needle felting wool. By merging incongruous materials such as wool and marble, she works to synthesize and fuse: organic and geometric, natural and architectural, handmade and the uniform industrial. Focusing on materiality and color with this new work, Robison creates charming, often humorous or awkward forms referencing aspects of the body, relationships and the environment. Visit Stephanie's Website:  StephanieRobison.comFollow Stephanie on Instagram:  @SquishyStoneFor more about Stephanie's Exhibit, "Incantations for the Average Person" CLICK HERE. --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

When a queer book elevates our own expectations of ourselves and moves us to honor ourselves by saying: we deserve something more.Today we meet Blair Fell and we're talking about the queer book that saved his life: The Persian Boy by Mary Renault.Blair Fell's television work includes Queer as Folk, and the Emmy Award–winning California Connected. He's written dozens of plays including the award-winning plays Naked Will and the downtown cult miniseries Burning Habits. He's a two-time winner of the prestigious Doris Lippman Prize in Creative Writing from the City College of New York. His first novel The Sign For Home was long-listed by the Center For Fiction's First Book Award. His upcoming novel Disco Witches of Fire Island comes out May 6, 2025.Mary Renault was a British lesbian writer famed for her historically precise novels of the ancient world, including The Last of the Wine (1956), Fire From Heaven (1969), and The Persian Boy (1972). US publishers initially refused to publish her novel The Charioteer due to its positive portrayal of homosexuality and its happy ending. It was eventually published in 1959 and was a bestseller.The Persian Boy traces the last years of Alexander's life through the eyes of his lover, Bagoas. Abducted and gelded as a boy, Bagoas was sold as a courtesan to King Darius of Persia, but found freedom with Alexander after the Macedon army conquered his homeland. Their relationship sustains Alexander as he weathers assassination plots. After Alexander's mysterious death, we are left wondering if this Persian boy understood the great warrior better than anyone.Connect with Blairwebsite: blairfell.combluesky: @blairfell.bsky.socialinstagram: @blair.fellOur BookshopVisit our Bookshop for new releases, current bestsellers, banned books, critically acclaimed LGBTQ books, or peruse the books featured on our podcasts: bookshop.org/shop/thisqueerbookBuy your own copy of The Persian Boy: https://bookshop.org/a/82376/9780394751016Pre-order Disco Witches of Fire Island (arrives May 6, 2025): https://bookshop.org/a/82376/9798892420341Buy The Sign For Home: https://bookshop.org/a/82376/9781982175962Become an Associate Producer!Become an Associate Producer of our podcast through a $20/month sponsorship on Patreon! A professionally recognized credit, you can gain access to Associate Producer meetings to help guide our podcast into the future! Get started today: patreon.com/thisqueerbookCreditsHost/Founder: John ParkerExecutive Producer: Jim PoundsAssociate Producers: Archie Arnold, K Jason Bryan and David Rephan, Bob Bush, Natalie Cruz, Jonathan Fried, Paul Kaefer, Joe Perazzo, Bill Shay, and Sean SmithPatreon Subscribers: Stephen D., Terry D., StepheHey, so I'm going through a name change. If you've wondered what the JP in J.P. Der Boghossian stands for, well it's John Parker. And that is the name I'll be moving to over the next few weeks. Read more about it here: thisqueerbook.com/name-change.Save the date! We'll be hosting a live version of the podcast at Brooklyn Public Library - DeKalb branch on April 10 at 6pm with Mia Arias Tsang and Chloe Caldwell! Support the show

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. In this episode, Emily features Daisy Nam, the director and chief curator at the Wattis Institute of Contemporary Arts. Daisy discusses her journey from growing up in Los Angeles to her roles at prestigious institutions like NYU, Columbia, Harvard, and Marfa Ballroom. She shares insights on the significance of art spaces in cities, her love for art books, and memorable exhibitions, particularly the current 'Steady' sculpture show involving artists Esther Partegas and Michelle Lopez. Daisy highlights the unique aspects and challenges of working in the contemporary art world, emphasizing the importance of maintaining art spaces and building partnerships within the art community. Daisy also shares her personal experiences and perspectives on art and nature in Northern California.About Curator Daisy Nam:Daisy Nam is the director and curator of CCA Wattis Institute of Contemporary Art in San Francisco, which opens their new galleries on the expanded campus in Fall of 2024. Previously, she was at Ballroom Marfa, a contemporary art space dedicated to supporting artists through residencies, commissions, and exhibitions, first as the curator in 2020 and then the director and curator in 2022. From 2015–19, she was the assistant director at the Carpenter Center for the Visual Arts, Harvard University, managing the administration  and organizing programs, exhibitions, and publications. From 2008–2015, she produced seven seasons of talks, screenings, performances, and workshops as the assistant director of public programs at the School of the Arts, Columbia University.Curatorial residencies and fellowships include: Marcia Tucker Senior Research Fellow at the New Museum, New York (2020); Bellas Artes, Bataan, Philippines (2020); Surf Point in York, Maine (2019); Gwangju Biennale Foundation, Korea (2018). She holds a master's degree in Curatorial and Critical Studies from Columbia University and a bachelor's degree in Art History and Cinema Studies from New York University. She has taught at RISD, and lectured at Lesley University, Northeastern, SMFA/Tufts, SVA as a visiting critic. She co-edited a publication, Best! Letters from Asian Americans in the arts withPaper Monument in 2021.CLICK HERE to learn more about Daisy. CLICK HERE to connect to The Wattis InstituteCLICK HERE to get more info about the Wattis exhibition 'STEADY' --About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

College professors and other educators were among those targeted by anti-communists, but the search for Communist Party members in the U.S. education system began much earlier. The so-called “Red-ucators” were among the first deemed subversives, and Harvard University, City College of New York, and many other schools were rocked by hundreds of subpoenas, calling them to testify in front of special committees that were formed to weed out communists in education. Morris Schappes, an English professor in the CUNY system and member of the American Communist Party, was one of these educators, and became a prominent symbol of the quest to purge school systems of subversives. Narrated by Rebecca Naomi Jones and featuring Gemma R. Birnbaum, executive director of the American Jewish Historical Society. Image: May Day Labor Parade, New York College Teachers Union 1930's - 1940's. From the Morris U. Schappes Papers at AJHS, P-57. The Wreckage is part of the American Jewish Education Program, generously supported by Sid and Ruth Lapidus.

Welcome to Art is Awesome, the show where we talk with an artist or art worker with a connection to the San Francisco Bay Area. Today, Emily chats with Ranu Mukherjee, a painter, textile, and film installation artist, who was recently appointed as Dean of the Film and Video School at CalArts in Los Angeles. Ranu discusses her background, her collaborative work with choreographers, and her latest project designing a curtain for the San Francisco Ballet's 'Cool Britannia'. She shares insights into her inspirations, including forests and their literary forms, and her early experiences that led her to become an artist. The episode concludes with Emily's regular segment, 'Three Questions', discussing influential works and inspiring places.About Artist Ranu Mukherjee:Ranu Mukherjee's work has been the subject of solo exhibitions at the 18th Street Arts Center, Los Angeles (2022-2023) de Young Museum, San Francisco (2018-2019); the Pennsylvania College of Art and Design (2017);  the Asian Art Museum, San Francisco (2016); the Tarble Art Center, Charleston, IL (2016) and the San Jose Museum of Art, CA (2012), among others. Her most recent immersive video installations have been was presented in Natasha, Singapore Biennale 2022-2023, the 2019 Karachi Biennale (2019) and Los Angeles County Museum of Art (2016) as well as in numerous international group exhibitions. Mukherjee has been awarded a 2023 Artadia Award,a Pollock Krasner Grant (2020); a Lucas Visual Arts Fellowship at Montalvo Arts Center, Saratoga, CA (2019-2024); an 18th Street Arts Center Residency, Los Angeles (2022); Facebook Artist in Residence (2020);  de Young Museum Artist Studio Program (2017); the Space 118 Residency, Mumbai (2014); and a Kala Fellowship Award and Residency, Berkeley (2009). Her work is in the permanent collection of the Asian Art Museum, San Francisco; de Young Museum, San Francisco; the Escallete Collection at Chapman University; the JP Morgan Chase Collection, New York; the Kadist Foundation, San Francisco and Paris; the Oakland Museum of California; the San Jose Museum of Art; and the San Francisco International Airport, among others. In 2021 Gallery Wendi Norris released Shadowtime, a major monograph on Mukherjee's work over the past decade featuring a conversation with author and climate activist Amitav Ghosh, and an essay by Jodi Throckmorton, curator of Mukherjee's first solo museum exhibition at the San Jose Museum of Art. Mukherjee co-created Orphan Drift, a London-based cyber-feminist collective and avatar making combined media works since 1994. They have participated in numerous exhibitions and screenings internationally including in London, Oslo, Berlin, Oberhausen, Glasgow, Istanbul, Vancouver, Santiago, Capetown, and the Bay Area.Mukherjee received her B.F.A. in Painting, from the Massachusetts College of Art, Boston, MA in 1988, and her MFA in Painting at the Royal College of Art, London, UK in 1993.  She serves on the Board of Trustees at the San Jose Museum of Art, and the Board of Directors at Bridge Live Arts. She is a Professor and Chair of Film at California College of the Arts, San Francisco. Visit Ranu's Website:  RanuMukherjee.comFollow  on Instagram:  @RanuMukherjeeFor more on 'Cool Britannia' at the San Francisco Ballet - CLICK HERE.For more on Ranu's book, 'Shadowtime' - CLICK HERE--About Podcast Host Emily Wilson:Emily a writer in San Francisco, with work in outlets including Hyperallergic, Artforum, 48 Hills, the Daily Beast, California Magazine, Latino USA, and Women's Media Center. She often writes about the arts. For years, she taught adults getting their high school diplomas at City College of San Francisco.Follow Emily on Instagram: @PureEWilFollow Art Is Awesome on Instagram: @ArtIsAwesome_Podcast--CREDITS:Art Is Awesome is Hosted, Created & Executive Produced by Emily Wilson. Theme Music "Loopster" Courtesy of Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 LicenseThe Podcast is Co-Produced, Developed & Edited by Charlene Goto of @GoToProductions. For more info, visit Go-ToProductions.com

In December 2024, a woman identified as Jane Doe filed a lawsuit against Sean "Diddy" Combs, alleging that he sexually assaulted her during a charity basketball event at the City College of New York on December 28, 1991. According to the lawsuit, Doe and a friend attended the event, which was co-sponsored by Combs, then an emerging music producer. Upon arrival, they were escorted to a makeshift dressing room where Combs was present. Doe alleges that Combs offered her a drink, purportedly Coca-Cola, which caused her to feel disoriented after consumption. She claims that when she attempted to leave, Combs blocked her exit, proceeded to fondle her, and ultimately raped her. The assault allegedly ended when Combs was interrupted by a bodyguard informing him of a developing situation outside—a stampede that tragically resulted in nine fatalities.Combs' legal team has categorically denied the allegations, describing them as "facially ridiculous or demonstrably false." They assert that Combs has never engaged in sexual assault or sex trafficking and express confidence that the judicial process will exonerate him. This lawsuit adds to a series of legal challenges Combs has faced, including multiple allegations of sexual misconduct spanning several decades. As of December 2024, Combs is in federal custody, awaiting trial on charges including sex trafficking and racketeering, to which he has pleaded not guilty.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.633975.1.0_1.pdf

In December 2024, a woman identified as Jane Doe filed a lawsuit against Sean "Diddy" Combs, alleging that he sexually assaulted her during a charity basketball event at the City College of New York on December 28, 1991. According to the lawsuit, Doe and a friend attended the event, which was co-sponsored by Combs, then an emerging music producer. Upon arrival, they were escorted to a makeshift dressing room where Combs was present. Doe alleges that Combs offered her a drink, purportedly Coca-Cola, which caused her to feel disoriented after consumption. She claims that when she attempted to leave, Combs blocked her exit, proceeded to fondle her, and ultimately raped her. The assault allegedly ended when Combs was interrupted by a bodyguard informing him of a developing situation outside—a stampede that tragically resulted in nine fatalities.Combs' legal team has categorically denied the allegations, describing them as "facially ridiculous or demonstrably false." They assert that Combs has never engaged in sexual assault or sex trafficking and express confidence that the judicial process will exonerate him. This lawsuit adds to a series of legal challenges Combs has faced, including multiple allegations of sexual misconduct spanning several decades. As of December 2024, Combs is in federal custody, awaiting trial on charges including sex trafficking and racketeering, to which he has pleaded not guilty.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.633975.1.0_1.pdf

In December 2024, a woman identified as Jane Doe filed a lawsuit against Sean "Diddy" Combs, alleging that he sexually assaulted her during a charity basketball event at the City College of New York on December 28, 1991. According to the lawsuit, Doe and a friend attended the event, which was co-sponsored by Combs, then an emerging music producer. Upon arrival, they were escorted to a makeshift dressing room where Combs was present. Doe alleges that Combs offered her a drink, purportedly Coca-Cola, which caused her to feel disoriented after consumption. She claims that when she attempted to leave, Combs blocked her exit, proceeded to fondle her, and ultimately raped her. The assault allegedly ended when Combs was interrupted by a bodyguard informing him of a developing situation outside—a stampede that tragically resulted in nine fatalities.Combs' legal team has categorically denied the allegations, describing them as "facially ridiculous or demonstrably false." They assert that Combs has never engaged in sexual assault or sex trafficking and express confidence that the judicial process will exonerate him. This lawsuit adds to a series of legal challenges Combs has faced, including multiple allegations of sexual misconduct spanning several decades. As of December 2024, Combs is in federal custody, awaiting trial on charges including sex trafficking and racketeering, to which he has pleaded not guilty.to contact me:bobbycapucci@protonmail.comsource:gov.uscourts.nysd.633975.1.0_1.pdf

Sean "P. Diddy" Combs' Dark Past Revisited as New Documentaries Expose Allegations Sean "P. Diddy" Combs is once again in the spotlight, not for his music or business ventures but for the controversies and scandals that have marked his rise to fame. With two new documentaries—Peacock's Diddy: The Making of a Bad Boy and Investigation Discovery's The Fall of Diddy—examining his past, long-standing allegations and tragic events are resurfacing. One of the most harrowing chapters in Combs' history took place on December 28, 1991, during a charity basketball game he co-hosted at New York City's City College. Then a 22-year-old working at Uptown Records, Combs partnered with rapper Heavy D to organize the event. However, the venue, with a capacity of 2,730, was packed with over 5,000 people, while thousands more were stuck outside. The overcrowding led to a deadly stampede as fans surged into the gymnasium. The inward-opening doors created a bottleneck, resulting in 29 injuries and nine fatalities, mostly teenagers. Victims' families filed lawsuits, accusing Combs of overselling tickets, failing to provide adequate security, and promoting the event as if the venue could hold 10,000 people. While Combs and Heavy D were held 50% responsible, with City College bearing the other half, Combs never faced criminal charges. Instead, he settled civil lawsuits, paying families of the victims, including $40,000 to Jason Swain, whose brother died in the stampede. Swain stated in The Making of a Bad Boy: “We got $40,000 from Sean Combs directly. But he never owned up to it, never just said, ‘I apologize.'” In the newly released The Fall of Diddy, other allegations of misconduct add to the controversy. Danyel Smith, former editor-in-chief of VIBE magazine, shared how Combs threatened her over editorial control of a 1997 cover shoot. “He said he would be seeing me dead in a trunk if I did not show it to him,” she recalled. Smith pursued legal action, forcing Combs to issue a written apology. Further claims delve into Combs' time at Howard University, where an anonymous witness recalled him beating a woman with a belt outside a dorm. “When we told him to stop, he yelled for us to stay out of it,” she said. Another pivotal scandal revisited in the series is a 1999 nightclub shooting involving Combs. Wardel Fenderson, Combs' former driver, claimed he witnessed Combs carrying a gun into the venue and later discarding it after the shooting. Natania Griffin, a victim who was shot in the face, identified Combs as the shooter. Fenderson alleged that Combs offered him $50,000 to take the blame, which he refused. Combs was later acquitted, while his associate, Jamal “Shyne” Barrow, was convicted. Tim Patterson, a childhood friend of Combs, revealed further troubling details about his relationships. “Any girl that's with Sean has to be fixed to Sean's specs,” Patterson said, citing incidents of jealousy-fueled abuse against partners, including the mother of Combs' child, Mysa Hilton. These documentaries reveal a complex and controversial figure, whose path to fame is marred by tragedy, unresolved accountability, and allegations of abuse and violence. As legal battles continue, the spotlight on Combs raises questions about power, fame, and justice. #SeanCombs #DiddyControversy #CelebrityScandals #MusicIndustry #Documentaries #LegalDrama #PopCulture Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

Sean "P. Diddy" Combs is once again in the spotlight, not for his music or business ventures but for the controversies and scandals that have marked his rise to fame. With two new documentaries—Peacock's Diddy: The Making of a Bad Boy and Investigation Discovery's The Fall of Diddy—examining his past, long-standing allegations and tragic events are resurfacing. One of the most harrowing chapters in Combs' history took place on December 28, 1991, during a charity basketball game he co-hosted at New York City's City College. Then a 22-year-old working at Uptown Records, Combs partnered with rapper Heavy D to organize the event. However, the venue, with a capacity of 2,730, was packed with over 5,000 people, while thousands more were stuck outside. The overcrowding led to a deadly stampede as fans surged into the gymnasium. The inward-opening doors created a bottleneck, resulting in 29 injuries and nine fatalities, mostly teenagers. Victims' families filed lawsuits, accusing Combs of overselling tickets, failing to provide adequate security, and promoting the event as if the venue could hold 10,000 people. While Combs and Heavy D were held 50% responsible, with City College bearing the other half, Combs never faced criminal charges. Instead, he settled civil lawsuits, paying families of the victims, including $40,000 to Jason Swain, whose brother died in the stampede. Swain stated in The Making of a Bad Boy: “We got $40,000 from Sean Combs directly. But he never owned up to it, never just said, ‘I apologize.'” In the newly released The Fall of Diddy, other allegations of misconduct add to the controversy. Danyel Smith, former editor-in-chief of VIBE magazine, shared how Combs threatened her over editorial control of a 1997 cover shoot. “He said he would be seeing me dead in a trunk if I did not show it to him,” she recalled. Smith pursued legal action, forcing Combs to issue a written apology. Further claims delve into Combs' time at Howard University, where an anonymous witness recalled him beating a woman with a belt outside a dorm. “When we told him to stop, he yelled for us to stay out of it,” she said. Another pivotal scandal revisited in the series is a 1999 nightclub shooting involving Combs. Wardel Fenderson, Combs' former driver, claimed he witnessed Combs carrying a gun into the venue and later discarding it after the shooting. Natania Griffin, a victim who was shot in the face, identified Combs as the shooter. Fenderson alleged that Combs offered him $50,000 to take the blame, which he refused. Combs was later acquitted, while his associate, Jamal “Shyne” Barrow, was convicted. Tim Patterson, a childhood friend of Combs, revealed further troubling details about his relationships. “Any girl that's with Sean has to be fixed to Sean's specs,” Patterson said, citing incidents of jealousy-fueled abuse against partners, including the mother of Combs' child, Mysa Hilton. These documentaries reveal a complex and controversial figure, whose path to fame is marred by tragedy, unresolved accountability, and allegations of abuse and violence. As legal battles continue, the spotlight on Combs raises questions about power, fame, and justice. #SeanCombs #DiddyControversy #CelebrityScandals #MusicIndustry #Documentaries #LegalDrama #PopCulture Want to listen to ALL of our podcasts AD-FREE? Subscribe through APPLE PODCASTS, and try it for three days free: https://tinyurl.com/ycw626tj Follow Our Other Cases: https://www.truecrimetodaypod.com The latest on The Downfall of Diddy, The Trial of Karen Read, The Murder Of Maddie Soto, Catching the Long Island Serial Killer, Awaiting Admission: BTK's Unconfessed Crimes, Delphi Murders: Inside the Crime, Chad & Lori Daybell, The Murder of Ana Walshe, Alex Murdaugh, Bryan Kohberger, Lucy Letby, Kouri Richins, Malevolent Mormon Mommys, The Menendez Brothers: Quest For Justice, The Murder of Stephen Smith, The Murder of Madeline Kingsbury, The Murder Of Sandra Birchmore, and much more! Listen at https://www.truecrimetodaypod.com

“The position of the United States in the world, economically and politically, is the weakest it has been in my lifetime. I was born in the middle of the 20th century, so I have watched the rise of the American empire and the success of American capitalism in the second half of the 20th century. However, over the last 20 years, I have watched that turn into its opposite—a decline. The decline is visible everywhere. Unless you live in the United States and consume mainstream media, there is a level of denial that will be recorded historically as one of the great examples, not just of a declining empire, which typically has people who cannot face it and who refuse to see it. You can go to Great Britain today and find quite a few people who think we still have the British Empire, even though everyone who isn't crazy knows that is silly. But we are earlier in the decline phase than the British are; they have had to endure it for a century while we have just had to do it for a couple of decades. It is fresh.”Richard D. Wolff is the co-founder of Democracy at Work and host of their nationally syndicated show Economic Update. He was formerly professor of economics at the University of Massachusetts Amherst, Yale University, the City College of the City University of New York, and the University of Paris Sorbonne. Currently, Wolfe is a visiting professor in the Graduate Program in International Affairs of the New School University in New York City.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Many people say their experience of time changes after they have children, a phenomenon that Diego Báez captures in “Inheritance.” In this poem, a past, present, and future starring the same child shift ceaselessly in a parent's mind, like photos flipped through in an album, dots placed on a timeline, moments that one wishes they could build monuments for.Diego Báez, is a writer and educator in Chicago, where he teaches at the City Colleges of Chicago. He earned an MFA in Creative Writing from Rutgers University - Newark. A writer of fiction, nonfiction, and poetry, Báez's work has been published in Freeman's, The Rumpus, The Georgia Review, The Thing Itself Journal, Number Eleven Magazine, and Hobart. His poetry has appeared in Luna Luna, la fovea, Granta, and elsewhere. He serves as a Director of the Board for the National Book Critics Circle and the International David Foster Wallace Society. Báez was an inaugural fellow at CantoMundo in 2010. Yaguareté White, published in 2024 by The University of Arizona Press, is his debut poetry collection.Find the transcript for this show at onbeing.org.We're pleased to offer Diego Báez's poem and invite you to subscribe to Pádraig's weekly Poetry Unbound Substack newsletter, read the Poetry Unbound book, or listen to past episodes of the podcast. We also have two books coming out in early 2025 — Kitchen Hymns (new poems from Pádraig) and 44 Poems on Being with Each Other (new essays by Pádraig). You can pre-order them wherever you buy books.