Podcast appearances and mentions of Steven Spielberg

"Earn this...earn it." For Episode 370, Brandon and David cover the World War II movie everyone has been asking for this month. Directed by Steven Spielberg, SAVING PRIVATE RYAN became one of the most popular World War II movies of all time 1998. Listen as the duo discuss the real stories that inspired the film, which director almost made the film before Spielberg, how Spielberg and Tom Hanks got involved in the movie by chance, the beginnings of Dreamworks, how they recreated Omaha Beach in Ireland, why the film was one of the biggest surprises at the box office in 1998, and so much more.  Also, don't forget to join our Patreon for more exclusive content: Opening - Weapons and Current Movies -  (00:00:10) Recap of World War II Movies (00:09:23) Intro to Saving Private Ryan (00:13:31) The Real Story Behind the Movie (00:19:19) How Saving Private Ryan Got to Production (00:29:12) Favorite Scenes (00:40:25) On Set Life - (01:15:13) Aftermath: Release and Legacy (01:29:51) What Worked and What Didn't (01:41:07) Film Facts (01:45:52) Awards (01:51:11) Final Questions on the Movie (01:55:14) Wrapping Up the Episode (01:58:34) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast

Aaron Sagers is not only a pop culture journalist, he's also a well-known paranormal investigator. He's the founder of ParanormalPopCulture.com and you've seen him on-camera for Travel Channel's Paranormal Paparazzi and Paranormal Caught on Camera, and Netflix's 28 Days Haunted. In short, he knows a lot about movies and the spiritual world, so he was the natural choice to come in and talk about Poltergeist, written and produced by Steven Spielberg. We focus on the portrayal of the paranormal in Poltergeist, see what cases it might have borrowed from, what famous paranormal investigators it very well might have taken influence from, and try to figure out exactly what the hell The Beast is in the context of that first movie. Learn more about your ad choices. Visit megaphone.fm/adchoices

The lads grab their engraved rods and play with some loose bones as they cover the LucasArts' 1995 xenoarchaeologist point-and-click adventure: The Dig. Topics include the gaming prowess of Steven Spielberg, the incredibly fraught production process, and what it means to have have a point and click adventure imprint upon you as a child that requires you to turn a turtle into a bomb. Want more TWOAPW? Get access to our full back catalogue of premium/bonus episodes by subscribing for $5/month at Patreon.com/worstofall! Media Referenced in this Episode: The Dig. LucasArts. 1995. A Conversation with Gary Brubaker. Tech Talk with Daniel Albu. April 6th, 2025. “The Dig is a weird LucasArts adventure dreamed up by Steven Spielberg” by Andy Kelly. PC Gamer. May 15th, 2020. The Dig by Jimmy Maher. Digital Antiquarian. July 23rd. 2021. “Exclusive Interview with Noah Falstein” by Santiago Mendez. The Dig Museum. December 27th, 2004. “Interview with Brian Moriarty” by Paco García. Aventura y CÍA. March 2006. “LucasArts Secret History #11: The Dig Bills Tiller and Eaken”. The International House of Mojo. “LucasArts Secret History #11: The Dig Sean Clark's Recollections of Joy”. The International House of Mojo. Original Design Document for The Dig “So, a Giant Asteroid is Heading for Earth…Again…” by Luke Plunkett. Kotaku. November 2nd, 2011. “Steven Spielberg Apparently Won't Play Uncharted Because He's a Big PC Gamer and Only Likes Mouse and Keyboard” by Kat Bailey. IGN. October 2nd, 2024. TWOAPW theme by Brendan Dalton: Patreon // brendan-dalton.com // brendandalton.bandcamp.com Interstitial: “Brink” // Written by A.J. Ditty // Featuring A.J. Ditty as “Professor Ludger Brink”

Holly Frey and Bryan Young were joined by Maggie Lovitt from Collider at Atlanta Comic Convention to discuss the intersection of Star Wars: Skeleton Crew and Steven Spielberg's influence on the delightful television show. You don't want to miss this one.

"Summer Surprise" continues with...what's this? Another witch movie?? That's right, but this one has a hell of a pedigree. A family dark-fantasy romp from Steven Spielberg's Amblin Entertainment, starring Jack Black and Cate Blanchett, and directed by...Eli Roth?? Huh. So how did the infamous filmmaker behind such extreme horror hits as Cabin Fever, Hostel, and Thanksgiving handle the opportunity to helm a more family-friendly adventure story based on the first book in a popular series of children's novels? Was this still an effective match for his twisted sensibilities, or a defective marriage of contrasting styles? Can Jack Black's unique charisma keep this clock ticking? How does it compare to the Goosebumps films of the same era, also starring Black? Is there such a thing as too many poop jokes? We discuss all this, and more! Our Twitter Our Facebook Our Instagram Our YouTube Trev's Letterboxd Chris' Letterboxd

GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director's Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.***Referenced media in GATEWAY CINEMA, Episode 8:"Alien 3 (Assembly Cut)” (David Fincher, 1992/2003)“Indiana Jones and the Temple of Doom” (Steven Spielberg, 1984)“Ghostbusters” (Ivan Reitman, 1984)“Gremlins” (Joe Dante, 1984)“The Karate Kid” (John G. Avildsen)“Purple Rain” (Albert Magnoli, 1984)“Silver Spoons” (Martin Cohan, Howard Leeds, and Ben Starr, 1982-1987)“Red Dawn” (John Milius, 1984)“Stop Making Sense” (Jonathan Demme, 1984)“The Terminator” (James Cameron, 1984)“At the Movies” (Gene Siskel and Roger Ebert, 1982-1986)“Conan the Barbarian” (John Milius, 1982)“Body Double” (Brian De Palma, 1984)“The Killing Fields” (Roland Joffé, 1984)“A Nightmare on Elm Street” (Wes Craven, 1984)“Beverly Hills Cop” (Martin Brest, 1984)“Dune” (David Lynch, 1984)“The Cotton Club” (Francis Ford Coppola, 1984)“The Cotton Club: Encore” (Francis Ford Coppola, 2017)“Starman” (John Carpenter, 1984)“E.T.” (Steven Spielberg, 1982)“The Thing” (John Carpenter, 1982)“Come and See” (Elen Klimov, 1985)“Star Wars” (George Lucas, 1977)“Time Bandits” (Terry Gilliam, 1981)“The Smurfs and the Magic Flute” (José Dutillieu, 1975)“Style Wars” (Tony Silver, 1983)“Mary Poppins” (Robert Stevenson, 1964)Audio quotation in GATEWAY CINEMA, Episode 8:“Amadeus (Director's Cut)” (Miloš Forman, 1984/2002), including “Piano Concerto In E Flat, K. 482; 3rd Movement” (1785), “Die Entfuhrung Aus Dem Serail: Finale” (1781), “Symphony 29 in A Major, 1st Movement” (1774), https://www.youtube.com/playlist?list=PLq6-EneBMiNHmdqqE_5TmkJ9neViFMvTL“Rock Me Amadeus” by Falco (1985), https://www.youtube.com/watch?v=cVikZ8Oe_XA&list=RDcVikZ8Oe_XA&start_radio=1“Purple Rain” (Albert Magnoli, 1984)“Come and See” (Elem Klimov, 1985), including “Requiem in D minor, K. 626: Sequentia, Lacrimosa” by Wolfgang Amadeus Mozart (1791)

Finally, a movie that proves why you should NEVER under any circumstances buy a Ouija Board! It's Oren Peli's found footage masterpiece, with a demon so scary that it literally convinced Steven Spielberg his office was haunted.Is PARANORMAL ACTIVITY the one true successor to THE BLAIR WITCH PROJECT? And is it better to live with a scary ghoul than a shitty day trader boyfriend? These questions and more, explored right here on Eye of the Duck.Join the conversation on our Discord at https://discord.com/invite/RssDc3brsx and get more Eye of the Duck on our Patreon show, After Hours https://www.patreon.com/EyeoftheDuckPodReferences:Special FeaturesBreaking Normal: An Interview with Oren PeliThe Marked One: An Interview with Katie FeatherstonThe Man With The Camera: An Interview with Micah SloatThe Possessed: An Interview with Ashley PalmerUncle Steve Acquires Paranormal ActivityYahoo Production HistoryIndie Film Hustle Oren Peli InterviewShock Till You Drop Oren Peli InterviewParamount Wants To Make a SequelChris Jones Oren Peli InterviewMeet the Stars of Paranormal ActivityDrink and Be Merry at the Smodcastle Film Festival 08/08/25: https://www.smodcastlecinemas.com/movie/Smodcastle_Film_Festival_2025__Block_07Credits:Eye of the Duck is created, hosted, and produced by Dom Nero and Adam Volerich.This episode was edited by Michael Gaspari.This episode was researched by Parth Marathe.Our logo was designed by Francesca Volerich. You can purchase her work at francescavolerich.com/shopThe "Adam's Blu-Ray Corner" theme was produced by Chase Sterling.Assistant programming and digital production by Nik Long.Follow us on Twitter, Instagram, and Letterboxd or join the conversation at Eye of the DiscordLearn more at eyeoftheduckpod.comSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Behind the Scenes with Iconic Gaffer Jim Planchett! Join Adam Chase Rani and Christine Chen on the Get Reelisms Podcast as they chat with renowned gaffer Jim Plannette. Jim shares insights from his illustrious career, working on classics like E.T., Braveheart, Young Frankenstein, and many more. Discover the challenges and rewards of lighting some of Hollywood's most memorable films, the impact on personal life, and the importance of luck and timing in the film industry. This is a must-watch for filmmaking enthusiasts who want to learn from a true industry veteran!  Hosts: Adam Rani (@adamthechase)   & Christine Chen (@cchenmtf) Guest: Jim Plannette For more information about Christine Chen: christinewchen.comFor more information go to getreelisms.com For more information on ERZULIE go to: erzuliefilm.comWEBISODE version of the Podcastgetreelisms.com  00:00 The Realities of Working in the Film Industry 00:46 Introduction to the Get Reelisms Podcast 01:11 Meeting Jim and His Work on E.T. 02:54 Jim's Favorite Film Projects 04:19 Challenges and Memorable Moments in Filmmaking 05:16 Jim's Journey into the Film Industry 06:39 Union Struggles and Early Career 07:20 Working on Iconic Films: From Andromeda Strain to Chinatown 09:57 Balancing Personal Life and Film Work 15:30 Shooting in Black and White: Young Frankenstein and Beyond 20:33 The Evolution of Black and White Film 21:48 Behind the Scenes of Ocean's 11 24:41 Challenges in Production Design 28:19 Filming Braveheart: A Unique Experience 33:52 Working with Steven Soderbergh 35:54 Conclusion and Future Plans Official Get Reelisms PageGet Reelisms Amazon StoreInstagram

We are kicking off a brand new miniseries on Oscar-winning Best Director follow-up films from the 2000s, starting with Steven Spielberg's bold and deeply divisive “A.I. Artificial Intelligence.” TV critic and Vulture writer Roxana Hadadi joins Phil and Emily for a wide-ranging conversation that digs into the movie's legacy, Kubrick's influence, and how the film hit differently post-Oscars and post-9/11.They dive into the unique collaboration and friendship between Kubrick and Spielberg, how “A.I.” bridges fairy tale and sci-fi, and what it means for love, grief, and humanity to be filtered through the eyes of a robot boy. The group explores how the film's themes of artificial intelligence, the uncanny valley, and the pursuit of parental love feel even more relevant today in a world grappling with AI and rapid technological change.Other topics include Haley Joel Osment's incredible performance, Jude Law's scene-stealing Gigolo Joe, the eerie brilliance of Teddy, and why this film has remained both underappreciated and deeply beloved by fans. They also talk about the Oscars' resistance to science fiction, the film's release in a world still haunted by 9/11, and the surprising emotional impact the film has had on different audiences, including its resonance with the trans community.It is a deep dive into one of Spielberg's most complex and haunting films, a movie that still raises questions about love, loss, technology, and what it means to be human.Follow Roxana Hadadi on Instagram: @roxana.z.hadadiWant even more? Join our Patreon at patreon.com/c/Podcastlikeits for exclusive episodes, early access, live Q&As, member polls, bonus interviews, and a behind-the-scenes look at how the show is made. Unlock more content and join a community of true movie lovers.#PodcastLikeIts2000s #AIArtificialIntelligence #StevenSpielberg #RoxanaHadadi #FilmPodcast #MoviePodcast #PodcastRecommendation #SpotifyPodcasts #SciFiMovies #Kubrick #OscarWinners #HaleyJoelOsment #JudeLaw #Vulture #FilmDiscussion #Cinephile #BehindTheScenes #PatreonExclusive #MovieCommunity #FilmHistory #PodcastSpotlight Hosted on Acast. See acast.com/privacy for more information.

Episode 137 of The Film ‘89 Podcast marks the first time that the guys revisit a film that's already been covered on a previous episode. 5 years ago on Episode 52, Neil and Skye recorded an audio commentary for the 45th anniversary of Steven Spielberg's 1975 masterpiece, Jaws. That episode remains one of Film ‘89's most downloaded episodes and one that regularly gets mentioned by listeners as one of their favourites. The commentary focussed mainly on the making of Jaws along with Skye and Neil's analysis of the film, but this episode is going to be a companion piece to the that first episode focussing more on a celebration of Jaws' legacy as it turns 50 and its impact upon the guys (now joined by Steve), and what they feel makes it a genuine contender for the title of greatest film ever made. But it won't just be Steve, Skye and Neil talking as this episode features many of the regular Film ‘89 co-hosts, guests, friends from Film Twitter and more, so input from more people than any other episode of Film ‘89 so far, all experts on film, chiming in with their testimonies as to why they feel Jaws is one of the greatest motion pictures ever made. 

It's hard to believe this summer marks the 50th anniversary of Jaws—the film that launched the summer blockbuster, introduced a then-unknown Steven Spielberg, and forever changed the way we look at the ocean… and for some of us, even swimming pools!Beyond the suspense, the unforgettable score, and one of the best movie lines of all time—“You're gonna need a bigger boat”—Jaws had some unintended side effects. It fueled a global fear of sharks, spiked shark tournaments, and contributed to decades of overfishing.Today, I'm so excited to welcome someone who's been there since the beginning—Wendy Benchley, widow of Jaws author Peter Benchley. From the writing of the book to the movie's smashing box-office success, Wendy had a front-row seat. She has since dedicated her life to shark advocacy and ocean conservation.Wendy is a world-renowned environmentalist, co-founder of the Peter Benchey Ocean Awards, board member of WildAid, and a Co-Executive Producer of Jaws @ 50: The Definitive Inside Story – a brand-new documentary diving into the film's legacy.Wendy and I talk about the powerful legacy of Jaws - not only as a film - but more importantly as a vehicle that has shown light on sharks and why they are such a critical part of our ocean's ecosystem - one that must be advocated for and protected. Thanks in large part to her work, shark fin soup consumption in China is down an estimated 70–80%. The United Nations is now considering a resolution to protect marine life from overfishing on the high seas.Wendy is brilliant, passionate, and a true force for change. Whether you're a Jaws fan or simply care about the future of our oceans, this is a conversation—and a documentary—you won't want to miss.And if you haven't already, be sure to follow us on Instagram @TheInterviewWithLeslie

In this episode, we welcome Oscar-nominated Production Designer Joe Alves. Joe made history for his work on Jaws, Close Encounters of the Third Kind, Jaws 2, and Escape from New York. In our chat, he shares on his career working alongside masters such as Walt Disney, Alfred Hitchcock, Rod Serling, Steven Spielberg, and John Carpenter. He talks about starting out as a young Art Director, working as a Production Designer, and other hats he wore. Joe also offers advice on the business, breaking down a script — and other insights from a life in the industry.“The Making Of” is presented by AJA:DIT Chris Bolton talks on-set live grading and routingIn on-set production, precise, real-time color management and conversion and reliable routing are essential, which is why DIT Chris Bolton leverages AJA ColorBox and KUMO 3232-12G across projects. Read this interview to get his perspective on what makes a great DIT and to learn more about his live grading setup.Next-Gen Connectivity for Demanding WorkflowsThe OWC Thunderbolt 5 Dock delivers cutting-edge performance with Thunderbolt 5 ports that offer up to 2x more bandwidth than previous generations. Perfect for post-production pros, it powers up to 3 high-res displays, ultra-fast storage, and pro accessories simultaneously. With 2.5Gb Ethernet and a full array of essential ports, it's your all-in-one hub for high-performance creative workflows.Explore hereInspiration from Embeth Davidtz: Featured Documentary Project:In 1990, environmental engineer Hugo Martínez Cazón discovered the last standing factory of the Lumière Brothers', which had been lost to history for almost a century. This short documentary follows his journey of mystery and discovery, while uncovering the birthplace of color photography in America — and a forgotten landmark of early cinematic history. Learn more hereZEISS Summer Savings Event:Now through September 1, save up to $4,000 on select Nano Prime lens sets and another $3,000 on the ZEISS Lightweight Zoom LWZ.3.Explore hereNew Solutions from Videoguys:Bring your vision to life with the SanDisk Professional Creator Series—fast, reliable storage designed specifically for content creators like you. Whether you're capturing footage on your iPhone or Android device, flying a drone, or shooting with a digital camera, SanDisk gives you the tools to stay in control of every shoot, every transfer, every edit, and every backup. From microSD and SD cards to portable SSDs and high-performance flash drives, the Creator Series is built to keep up with your creativity.Ready to take your content to the next level? Call Videoguys today at 800.323.2325 to learn more and find the perfect storage solution for your workflow! Browse herePodcast Rewind:July 2025 - Ep. 91…“The Making Of” is created by Michael Valinsky.Advertise in this newsletter and reach 250,000 filmmakers, TV production pros, & content creators each week. For more information, email: mvalinsky@me.com Get full access to The Making Of at themakingof.substack.com/subscribe

Frank welcomes theme park experience designer Dave Cobb ("Men in Black: Alien Attack") and attraction show writer and author Robert Coker ("Roller Coasters: A Thrill Seeker's Guide to the Ultimate Scream Machines") for an in-depth look at the fascinating histories of failed and forgotten amusement parks, including Freedomland USA, The Land of Oz, Pacific Ocean Park, Hanna-Barbera Land and The World of Sid & Marty Krofft, among others. Also in this episode: Soupy Sales hosts a beauty pageant, Grizzly Adams buys a carousel, Dave makes his pitch to Steven Spielberg and Robert reveals his favorite roller coasters. PLUS: The Escalator to Nowhere! The genius of Paul Frees! "Kiss Meets The Phantom of the Park"! All aboard the Banana Train! And the secret origin of Steppenwolf's "Magic Carpet Ride"? Subscribe now on  Apple ⁠⁠https://podcasts.apple.com/us/podcast/fun-for-all-ages-with-frank-santopadre/id1824012922⁠⁠ Spotify ⁠⁠https://open.spotify.com/show/18EQJNDwlYMUSh2uXD6Mu6?si=97966f6f8c474bc9⁠⁠ Amazon ⁠⁠https://music.amazon.com/podcasts/13b5ed88-d28d-4f0c-a65e-8b32eecd80f6/fun-for-all-ages-with-frank-santopadre⁠⁠ YouTube ⁠⁠https://www.youtube.com/playlist?list=PLgvlbF41NLLPvsrcZ9XIsYKkH_HvUXHSG⁠⁠ iHeart ⁠⁠https://www.iheart.com/podcast/269-fun-for-all-ages-with-fran-283612643/⁠⁠ TuneIn ⁠⁠http://tun.in/pxOWO Learn more about your ad choices. Visit megaphone.fm/adchoices

Polish horror writer Bartek Dabrowski once said “It is better if you do not see the monster. The monster in your head is far more powerful than any we can create on screen”. It's something that Steven Spielberg definitely leveraged when he made Jaws - which Corey recently discussed on his fantastic Power of Positive Geeking podcast! But that's enough promotion of Corey's other shows! We're cracking the seal on the final album of this season! Yep, that's right, we're turning up the disortion and kicking out the jams. But will Corey's nostalgia for this album cloud his judgment and will Kev be on board with such a violent, swerving change of direction by Mike, Bill, Peter, and Michael? The only way to find out is to turn on, tune in, and smile like the cartoon.Songs covered in this episode: "What's the Frequency, Kenneth?", "Crush with Eyeliner", "King of Comedy", "I Don't Sleep, I Dream", "Star 69", "Strange Currencies"Don't forget to follow us on social media and leave us a rating/review if you're enjoying the show!Facebook: https://www.facebook.com/UltimateCatalogueClashTwitter: https://twitter.com/UCatalogueClashBluesky: https://bsky.app/profile/ucatalogueclash.bsky.socialDiscord: https://discord.gg/mz9ymTwSSE Hosted on Acast. See acast.com/privacy for more information.

Send us a textWhat happens when road rage goes too far? You get the debut of one of the greatest directors of all time!This week, Pete walks us through Steven Spielberg's first feature length film, Duel. A simple businessman finds himself pursued by a a psycho behind the wheel of an 18-wheeler across the lone highways of the California deserts. Can he survive this mad man? Or will he be crushed under tons of murderous steel?Join us as we discuss rude Samaritans, the importance of car maintenance, and the joys of random roadside attractions.And as always: don't get too scared!

In which Rob and actress/author/businesswoman Gwyneth Paltrow discuss their 30-year friendship, having Steven Spielberg direct your wedding video, and how Gwyneth has never really left Rob's guest room. Plus: we learn the tenuous truism that gave Goop its name. This episode was originally released in July 2020. Got a question for Rob? Call our voicemail at (323) 570-4551. Your question could get featured on the show! 

The first blockbuster movie started with a blockbuster book about a fish busting up blocks in a small seaside town. Anyone familiar with Steven Spielberg's movie will recognize the basic plot of Benchley's original novel Jaws -- there's just a lot more chum in the water.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Madeline Brumby and Shane Morton join Jim for a 50th Anniversary celebration of the very first Summer Blockbuster film - Steven Spielberg's "JAWS," Roy Scheider, Richard Dreyfuss, Robert Shaw, Lorraine Gary, Murray Hamilton and a host of residents from Martha's Vineyard. Based on the novel by Peter Benchley, the story centers around a Cape Cod island town beseiged by a rogue Great White Shark. The film had an enormous impact on movie goers. Find out more on this episode of MONSTER ATTACK!, The Podcast Dedicated To Old Monster Movies.

Today on What's My Frame I'm joined by Casting Director, Betsy Ware Fippinger. Betsy has trained under some of the best Casting Directors in New York, including Meredith Tucker and Ellen Lewis. As a Casting Associate and Assistant she worked on projects directed by Steven Spielberg, Martin Scorsese, Bo Burnham, Greg Mottola, and Lynn Shelton. Betsy won an Artios Award for her work as the Casting Associate on the pilot episode of ‘The Marvelous Mrs. Maisel'. As a Casting Director, Betsy cast Sarah Friedland's ‘Familiar Touch' (in theaters now, and winner of three awards at the 2024 Venice Film Festival, including Best Debut Film) and co-cast Nicholas Colia's ‘Griffin in Summer' (winner of three awards at the 2024 Tribeca Film Festival, including Best Narrative Feature). She also cast the lead youth roles for Kelly Fremon Craig's ‘Are You There God? It's Me, Margaret,' for which she won her second Artios Award. Before entering casting, Betsy worked at HBO and The William Morris Agency, and taught at Indiana University. She graduated with a BA in Film from Wesleyan University in 2003. Betsy's openness and heart for actors is evident in this conversation. We chat about creative process and a few of her recent projects. One of my favorite quotes from this episode is "doing what you love regardless of the outcome". Now let's get to the conversation. FAMILIAR TOUCHIMDb--What's My Frame, hosted by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Laura Linda Bradley⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join the WMF creative community now!Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@whatsmyframe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠IMDb⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? official site⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠What's My Frame? merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Madeline Brumby and Shane Morton join Jim for a 50th Anniversary celebration of the very first Summer Blockbuster film – Steven Spielberg’s “JAWS,” Roy Scheider, Richard Dreyfuss, Robert Shaw, Lorraine Gary, Murray Hamilton and a host of residents from Martha’s Vineyard. Based on the novel by Peter Benchley, the story centers around a Cape Cod […] The post JAWS | Episode 475 appeared first on The ESO Network.

Enjoy the Video Version: https://bit.ly/4flfWrN This episode marries the previously released teaser with our in-depth conversation between Anuradha, myself, and frequent guest, professional composer/movie critic, JOHN HOEKSTRA. 56 minutes of informative and hilarious entertainment. (AMAZING video version will be posted soon.)  Today, we think of the movie “Jaws” as a blockbuster game-changer in movie history. But back in 1973-1975, it appeared to be the biggest financial disaster in cinema history to producing company Universal Studios and many Hollywood insiders. Directed by a talented, but inexperienced and unknown filmmaker, Steven Spielberg, it appeared to be a runaway train leading the studio to eventual bankruptcy. The initial shooting schedule swelled from 55 days to 159 days. And the budget soared from $3.5 million to $12 million. Almost everything went wrong. Spielberg, an age 24 TV director, had no idea what he was doing on a project of this massive scale. They started with no useable script and they spent $1.5 million on a mechanical shark that mostly didn't work while shooting. Also, there was drug and alcohol addiction among the major actors. How could the production of this movie possibly be worse? (Universal executives picked a very bad year to stop sniffing glue*.) And yes, it eventually became the most successful film of all time to that date – BUT HOW THE HECK DID THAT HAPPEN? We tell you the REAL story behind the scenes. Our music is composed, preformed and produced by the genius John Hoekstra. You Tube https://shorturl.at/i1Q8h SoundCloud https://soundcloud.com/user-363005792 Longtime actors for the pod join us for the cold open. Leonardo from Manhattan – please look up his podcast: arrivealivepodcast.com. And my co-host, Anuradha. Find here Instagram accounts: @anuradhaduz_food and @artist_anuradhachhibber. * Extra points to anyone that gets that 1980 Paramount joke. Send responses to scandalsheetpod.com. Find us on Patreon at patreon.com/ScandalSheet with bonus content for premium subscribers. We'd love to have your generous support for only the price of one Starbuck's coffee per month. Also, please reach out to us at scandalsheetpod@gmail.com, find us on Facebook as 'Scandal Sheet' or on X at @scandal_sheet. We'd love to hear from you!

Enjoy the Video Version: https://bit.ly/4flfWrN This episode marries the previously released teaser with our in-depth conversation between Anuradha, myself, and frequent guest, professional composer/movie critic, JOHN HOEKSTRA. 56 minutes of informative and hilarious entertainment. (AMAZING video version will be posted soon.) Today, we think of the movie “Jaws” as a blockbuster game-changer in movie history. But back in 1973-1975, it appeared to be the biggest financial disaster in cinema history to producing company Universal Studios and many Hollywood insiders. Directed by a talented, but inexperienced and unknown filmmaker, Steven Spielberg, it appeared to be a runaway train leading the studio to eventual bankruptcy. The initial shooting schedule swelled from 55 days to 159 days. And the budget soared from $3.5 million to $12 million. Almost everything went wrong. Spielberg, an age 24 TV director, had no idea what he was doing on a project of this massive scale. They started with no useable script and they spent $1.5 million on a mechanical shark that mostly didn't work while shooting. Also, there was drug and alcohol addiction among the major actors. How could the production of this movie possibly be worse? (Universal executives picked a very bad year to stop sniffing glue*.) And yes, it eventually became the most successful film of all time to that date – BUT HOW THE HECK DID THAT HAPPEN? We tell you the REAL story behind the scenes. Our music is composed, preformed and produced by the genius John Hoekstra. You Tube https://shorturl.at/i1Q8h SoundCloud https://soundcloud.com/user-363005792 Longtime actors for the pod join us for the cold open. Leonardo from Manhattan – please look up his podcast: arrivealivepodcast.com. And my co-host, Anuradha. Find here Instagram accounts: @anuradhaduz_food and @artist_anuradhachhibber. * Extra points to anyone that gets that 1980 Paramount joke. Send responses to scandalsheetpod.com. Find us on Patreon at patreon.com/ScandalSheet with bonus content for premium subscribers. We'd love to have your generous support for only the price of one Starbuck's coffee per month. Also, please reach out to us at scandalsheetpod@gmail.com, find us on Facebook as 'Scandal Sheet' or on X at @scandal_sheet. We'd love to hear from you!

Kino: Vor 50 Jahren lief "Der weiße Hai" erstmals in den Kinos. Zum Jubiläum ist der Kult-Thriller von Steven Spielberg wieder in ausgewählten Lichtspielhäusern zu sehen. Warum sollte man "Der weiße Hai" nochmal im Kino sehen? - Antworten von unser Filmkritikerin Bettina Dunkel. / Buchtipp: "Drei Schwestern" von Christian Baron. Das Leben von Menschen in Armut ist eines der großen Themen des Roman-Autor aus Kaiserslautern. Der Vorgängerroman "Ein Mann seiner Klasse" wurde bereits verfilmt. Autor: Niels Beintker / Album-Tipp: Homeboy Sandman: "Soli Deo Gloria". Angel Del Villar aus New York alias Homeboy Sandman zählt seit Jahren zu den Vertretern des Alternativ HipHop. Rap für Leute, die sonst keinen Rap hören, findet Autor Ralf Summer.

En este especial viajamos a los primeros años de la década de los 80 para recordar cuatro películas que destacaron en aquellos años: “Carros de fuego” de Hugh Hudson, “ET el extraterrestre” de Steven Spielberg, “El cartero siempre llama dos veces” de Bob Rafelson y “Fama” de Alan Parke. 

In the late 1970s, a quiet suburban home in Enfield, London, belonging to the Hodgson family got a new roommate—a poltergeist. The entity seemed to latch on to their 11-year-old daughter, Janet, who experienced levitation, violent attacks, and had strange voices speak through her. The case was heavily investigated by paranormal researchers who agree an evil spirit was present, but some think there's another explanation regarding Janet's supernatural abilities. For a full list of sources, please visit: sosupernaturalpodcast.com/haunted-enfield-poltergeistSo Supernatural is an audiochuck and Crime House production. Find us on social!Instagram: @sosupernatualpodTwitter: @_sosupernaturalFacebook: /sosupernaturalpod

It was the first ever blockbuster, capturing an entire generation, becoming a cultural phenomenon and turning 50 this year! Jaws continues to enthrall audiences along with that iconic menacing soundtrack. Steven Spielberg was just 27 when he directed Jaws and changed the course of cinema with a mechanical shark. New York Times film critic Alissa Wilkinson has written about how Jaws changed the course of cinema, why it endures and whether the film would be made today. She speaks with Perlina Lau.

Well, life found a way to get this episode done and didn't even need any frog dna! This week the gang takes a bite out of Steven Spielberg's 1993 mega hit, "Jurassic Park"! Did they like the taste? Stay tuned for this Summer Slaughter Creature Series episode of Monster Candy Podcast and find out!

ABOUT THE EPISODE --In Episode 250 of Reel Therapy, Daniel and Donavon are joined by UCA Professor of Film, Dr. Bruce Hutchinson, to celebrate the 50th anniversary of Steven Spielberg's JAWS. Together, they break down the film's masterful script structure, Spielberg's bold direction, the iconic cinematography, editing, and that unforgettable John Williams score. It's a deep dive into how JAWS redefined blockbuster filmmaking and why its impact still ripples through Hollywood half a century later. A nerdy, insightful, and fun tribute to the shark that changed cinema forever.TABLE OF CONTENTS --00:00:00 - About the Episode00:00:39 - Greetings from Dr. Bruce Hutchinson00:04:58 - JAWS02:21:05 - Before We GoABOUT THE MOVIE --Directed by Steven Spielberg, JAWS is a landmark thriller that redefined the summer blockbuster. When a great white shark begins terrorizing the small beach town of Amity Island, a police chief, a marine biologist, and a seasoned shark hunter team up to stop it. Blending suspense, adventure, and unforgettable characters, JAWS taps into primal fears with its iconic score and groundbreaking practical effects. More than just a monster movie, it's a masterclass in tension and storytelling that continues to influence filmmakers to this day.FIND US --To learn more about Bruce and follow his work, find him on:Instagram: @bdhutchX: @bdhutchAnd for more movie breakdowns checkout:LINK: https://www.thehutchfiles.com/For everything Reel Therapy and 241 Studios, check out our website:LINK: https://www.241studios.com/Follow us on:Instagram: @reeltherapy_podcastFacebook: https://www.facebook.com/reeltherapypodTikTok: @reeltherapy_podcast

Ethereal Encounters Unveiled July 31st, 2025 Topic: Non-Human Intelligence, Religion & Consciousness with Rev. Michael J. Carter About Our Guest:Rev. Michael JS.Carter is originally from Baltimore, Maryland. He moved to New York City in 1980 and lived there for 27 years, working as a professional actor before moving to Asheville. Michael is an ordained Interfaith Minister and received his BA Degree in Letters from the College of New Rochelle where he graduated cum laude. He received his Masters In Divinity Degree from Union Theological Seminary in New York City (class of 2000). He has served as a staff chaplain (Board Certified) at various hospitals in NY and in North Carolina While serving various Unitarian Universalist Congregations in New York, Michael was trained as an anti-racism trainer and has been recognized by President Clinton for his efforts. A long time UFO Contactee, his Book Alien Scriptures: Extraterrestrials In The Holy Bible, was( in March of 2014) number one on Amazon.com's list of UFO related books. Michael has also appeared on George Noory's Coast To Coast radio show, and on George Noory's TV show, “Beyond Belief” on Gaiam Television. Other TV appearances include being a regular consultant on The History Channel's, Ancient Aliens Series, as well as being featured in the UFO TV Documentary, The Real 4400, and UFOs the Hidden Evidence on the Travel Channel. Rev. Carter was also featured in Steven Spielberg”s TV documentary, Abduction Diaries for the Sci-Fi Channel. “Diaries” was the precursor to the Spielberg's HBO series, “Taken.” Author Whitley Strieber calls Rev. Carter's first book Alien Scriptures: Extraterrestrials in The Holy Bible, “the best book ever written on the topic.” His three other books are, A New World If You Can Take iT: God, Extraterrestrials, and The Evolution of Human Consciousness. God Consciousness: A 30 Day Meditation Manual for God Conscious Thinking, The Metaphysics of Spiritual Healing and the Power of Affirmative Prayer. His most recent book is, " Initiation: The Spiritual Transformation of the Experiencer." All of his boo ks may be purchased at Amazon.com and Barnes & Nobles.com Michael serves as the minister for the Unitarian Universalist Congregation of the Swanannoa Valley, located in the beautiful mountains of Western North Carolina.

Kit Baxley joins us as we're sucked off into Jumanji. 

 The House of Representatives … October 10th, 1998, … A Republican Congressman from Florida rises and makes remarks about a bill he's introducing:   In the closing days of World War II, the U.S.S. Indianapolis had its hull pierced by three Japanese torpedoes. Twelve minutes later the cruiser went down. On board were almost 1,200 crew members and only 300 survived, the others dying of shark attacks and exposure. For half a century, the 316 remaining surviving crew members of the worst disaster in Naval history tried in vain to defend the honor of their captain, Charles McVay. This year a new secret weapon was employed in their quest, and that weapon was a 13-year-old boy named Hunter Scott    Who was that? That was former representative Joe Scarborough. His mention of the U.S.S. Indianapolis might sound familiar –The story of its sinking by a sub was shared in that speech by Congressman Scarborough – and in a stirring soliloquy from a salty seasoned shark hunter in Steven Spielberg's seminal Seventies summer spectacular, Jaws. But the mention of Hunter Scott might be new to you. Who's Hunter Scott? Why did Joe Scarborough call him "a secret weapon"? And how did they take on the U.S. Navy together to change history – and win? Find out in this week's episode of C-SPAN's podcast "The Weekly" – as we mark the 50th anniversary of the blockbuster movie "Jaws" … Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1974, Steven Spielberg filmed JAWS in Martha's Vineyard, as a stand-in for the fictional AMITY ISLAND. The movie was released on June 20, 1975, and become a phenomenon, jumpstarting the era of summer blockbusters. 50 years later, idyllic Martha's Vineyard opened its arms to welcome back cast, crew, and the fans that made JAWS one of the most impactful motion pictures of all time. On this episode, THE CON GUYS take you inside our trip to Martha's Vineyard to celebrate the 50th anniversary of the classic film. Martha's Vineyard may be pretty, but it's as salty as ever... WE LOVED IT!

Teresa und Chris starten in das diesjährige Sommerferienprogramm. Dieses hört auf den Namen Jurassic Summer und präsentiert euch XXL Besprechungen zu allen 7 Jurassic Park/World Filmen. Wie sind die Filme entstanden? Wie gut sind die Spezialeffekte? Was hat uns überrascht, was nicht? Das gibt es aus der Sicht eines Jurassic-Veteranen und einem Rookie in Sachen Dino-Filme. Den Anfang macht dabei natürlich Steven Spielbergs unwiderstehlicher Klassiker Jurassic Park aus dem Jahr 1993. Viel Spaß!

MUSICOzzy Osbourne's funeral will be held this today in his hometown of Birmingham, England. The Guardian reports that the hearse will travel along Broad Street to Black Sabbath Bridge and the Black Sabbath bench.President Donald Trump is "seriously considering" granting a full pardon to Sean “Diddy” Combs ahead of the hip‑hop mogul's sentencing in October, according to Deadline. https://deadline.com/2025/07/combs-pardon-trump-seriously-considering-1236468313/Katy Perry and former Canadian prime minister Justin Trudeau were spotted having dinner Monday night, after a stroll through Mount Royal Park in Montreal. https://www.tmz.com/2025/07/29/katy-perry-justin-trudeau-dinner-walk-park-dog/Tom Cruise and Ana de Armas are one of the most open secrets in Hollywood. But it's not a secret anymore. https://www.tmz.com/2025/07/29/tom-cruise-ana-de-armas-hold-hands-vermont/Against Me! singer Laura Jane Grace has called off all of her remaining 2025 tour dates after addressing her wife's spousal abuse claims. https://loudwire.com/laura-jane-grace-cancels-remaining-2025-tour-dates/ TVKim Kardashian's shapewear brand, Skims now has shapewear for your FACE. It's called a "Seamless Sculpt Face Wrap", and it retails for $48. It comes in two colors, "clay" and "cocoa". https://pagesix.com/2025/07/29/style/kim-kardashians-skims-launches-sculpting-shapewear-for-your-face/MOVING ON INTO MOVIE NEWS:Pamela Anderson and Liam Neeson are officially dating, according to People magazine, as they promote their new comedy, The Naked Gun. https://people.com/pamela-anderson-and-liam-neeson-are-dating-exclusive-11781066Congrats to "Happy Gilmore 2" just a set a new record for Netflix for the biggest U.S. opening weekend of all time for an original movie. It had 46.7 million views over three days https://variety.com/2025/tv/news/happy-gilmore-2-netflix-ratings-views-1236473359/Brad Pitt has begun filming his "Once Upon a Time in Hollywood" spinoff, "The Adventures of Cliff Booth". Brad Pitt is reprising his role as stunt man character with David Fincher directs and Quentin Tarantino wrote https://people.com/brad-pitt-films-once-upon-a-time-in-hollywood-sequel-11781171 "Gremlins 3" is ready to start production, it's just waiting on the go-ahead from Steven Spielberg. https://variety.com/2025/film/news/gremlins-3-speilberg-script-1236473690/ COMEDYPete Davidson regrets a lot of his tattoos, and has been getting them lasered off recently. But there's one he's so embarrassed about, he's never talked about it. https://ew.com/pete-davidson-reveals-humiliating-dave-chappelle-tattoo-11780719AND FINALLYThe Netflix reality dating show, ‘Love is Blind' is casting for new lovers in the St. Louis area. If you are a single man or woman, and wanting a committed relationship without seeing the person first, then you need to come out! The show is hosted by Nick and Vanessa Lachey and taped over the course of 3 weeks. https://fox2now.com/news/missouri/netflix-reality-show-love-is-blind-casting-call-in-st-louis/See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Kristian Harloff is back with a brand new episode of The Kristian Harloff Show, diving into some of the biggest headlines from across movies and TV! Today, we're talking about all things Star Wars—including Ahsoka Season 2, updates on The Mandalorian & Grogu movie, and Star Wars Outlaws reactions! Plus, Gremlins 3 might finally be happening… but only if Steven Spielberg says yes. In other news, Adam Sandler's Happy Gilmore 2 is already swinging big on Netflix with massive viewership numbers, and we break down the latest MCU rumor roundup—from Spider-Man: Brand New Day possibly being more campy than expected, to X-Men casting updates, and Marvel's plans for Strange Academy. All that, plus your favorite takes, commentary, and discussion from Kristian and the team!

Fantastic Four: First Steps is here, the first family of Marvel is finally in their rightful home, and we are bursting at the flame-retardant seams to talk about it!  We've brought Super 8 along as our co-feature – see Reed?  We can play the numbers game too!  #fantasticfour #fantasticfourfirststeps #reedrichards #marvel #humantorch #pedropascal #super8 #jjabrams #stevenspielberg #ellefanning

This new Comic Book Bears Podcast audio episode is a little bit different. We were down to two bears in the cave this week so we elected to use this time together as a "backdoor pilot" for Steve Mowry's new horror-centered podcast The Bear Cave of Terror. BCOT will be available in its own feeds going forward but with Bill Z as the first of Steve's guest co-hosts, we are thrilled to present you our discussion of the seminal 1975 film Jaws as it celebrates its 50th anniversary this summer! Jaws was the first wide-release summer blockbuster which changed the way films were marketed forever and established its director Steven Spielberg as a major figure in filmmaking! We discuss the book that the film was based on, the cast, the later imitators and (of course) the scares!!! However we still were able to get a little bit of comic book talk in as well, with the first issues of The New History of the DC Universe and Lazarus Fallen by Greg Rucka and Michael Lark from Image Comics getting the CBB chat treatment! So hit play and, for one hour and fifty minutes, DON'T GO NEAR THE WATER!      

Forrest, Conan Neutron, Kristina Oakes and Alex @devilsadvocateproductions talk about Steven Spielberg's Jaws!! It's the 50th Anniversary of Jaws which was finally released after multiple delays in June 1975. Becoming the first movie to ever be delayed at Universal Pictures 100 extra days in production and cost $5 million extra dollars. Spielberg believed his career was over when he was through filming. Jaws was the first major motion picture actually filmed in the ocean rather than a freshwater lake or a studio tank. And, with a massive merchandising push from Universal and advertising push, it became the first Summer Blockbuster starting a tradition that still happens today!!

The Future Was Now by Chris Nashawaty is a fascinating deep-dive into an era we'll never forget — the summer blockbuster season of 1982. Chris joins us to talk about the height of science fiction, Hollywood, Steven Spielberg, the future of film and more with guest host Chris Gillespie. This episode of Poured Over was hosted by Chris Gillespie and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): The Future Was Now by Chris Nashawaty Caddyshack by Chris Nashawaty Featured Books (TBR Top Off): Best Possible Place, Worst Possible Time by Barry Sonnenfeld Pictures at the Revolution by Mark Harris

More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”?  That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg's Lincoln. Vorenberg was inspired to write this groundbreaking book, finding its title, Lincoln's Peace, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/african-american-studies

More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”?  That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg's Lincoln. Vorenberg was inspired to write this groundbreaking book, finding its title, Lincoln's Peace, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”?  That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg's Lincoln. Vorenberg was inspired to write this groundbreaking book, finding its title, Lincoln's Peace, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

More than a century and a half after Robert E. Lee surrendered to Ulysses S. Grant, historians are still searching for exactly when the U.S. Civil War ended. Was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”?  That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose previous work served as a key source of Steven Spielberg's Lincoln. Vorenberg was inspired to write this groundbreaking book, finding its title, Lincoln's Peace, in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death. To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/military-history

Nate and Ryan don’t go into the water. This episode, they discuss 5-star, absolute classic Jaws, directed by Steven Spielberg. Jaws is celebrating its 50th anniversary this year, so what better time to talk about one of the all-time great movies, directed by one of the all-time great directors? Listen in… Continue reading

Jim Hill and Eric Hersey return with the latest from Universal Parks and the unbelievable story of how Jaws 3 nearly became a full-blown comedy. From Spielberg's pivot to Close Encounters to the moment Universal almost partnered with National Lampoon, this episode unpacks the sequel that nearly torpedoed the franchise before it began. This week's highlights include: • Wicked: Part Two gets a primetime concert special and early merch leaks• Jimmy Buffett's plane, the Hemisphere Dancer, returns to CityWalk• Starfall Racers responds to guest feedback with roomier seats• Monster Makeup Experience signage gets an eerie refresh• Steven Spielberg chose aliens over sharks, turning down Jaws 2• Universal's near-miss with Jaws 3: People Nothing, a spoof that almost happened From deleted scenes and shark pups to Hollywood rewrites and parody panic, this one's packed with trivia, hindsight, and a few "what ifs" that might've changed blockbuster history. Unlocked Magic Unlocked Magic, powered by DVC Rental Store and DVC Resale Market, offers exclusive Disney & Universal ticket savings with TRUSTED service and authenticity. With over $10 MILLION in ticket sales, use Unlocked Magic to get the BIGGEST SAVINGS. Learn More Learn more about your ad choices. Visit megaphone.fm/adchoices

Twenty-four years ago, Wesley Morris and the film curator Eric Hynes were just a couple of “cooler-than-you” cinephiles working at Kim's Video, the beloved New York City video store. They recently got together to dissect the trends, snubs and outliers on the Times's 100 Best Movies of the 21st Century list and to shed a few tears over their own top 10s, which we've shared below. FROM WESLEY MORRIS: Norte, The End of HistoryMad Max: Fury RoadThe Piano TeacherO.J.: Made in AmericaWall-EMoonlightThe Holy GirlInherent ViceLove and DianeMagic Mike XXLFROM ERIC HYNES:In the Mood for LoveThe Act of Killing and The Look of Silence (tie)A.I. Artificial Intelligence The New WorldHale County This Morning, This EveningSynecdoche, New YorkCameraperson 35 Shots of Rum Inside Llewyn Davis and A Serious Man (tie)Zidane: A 21st Century Portrait Thoughts? Email us at cannonball@nytimes.comWatch our show on YouTube: youtube.com/@CannonballPodcastFor transcripts and more, visit: nytimes.com/cannonball  Unlock full access to New York Times podcasts and explore everything from politics to pop culture. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify.

Steven Spielberg's "JAWS" turns 50 years old and Chris Cote has a confession about the classic film. Later, Billy joins the show while Chris and Jeremy both release exclusive Mystery Crate Top 5s! Also, the crew is curious and cautious about Dan's intentions inviting a barber to the studio next week. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Steven Spielberg's "JAWS" turns 50 years old and Chris Cote has a confession about the classic film. Later, Billy joins the show while Chris and Jeremy both release exclusive Mystery Crate Top 5s! Also, the crew is curious and cautious about Dan's intentions inviting a barber to the studio next week. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We present a spoiler-free review of the box office hit SUPERMAN through the lens of a Star Wars superfan, and we shine the spotlight on recent comments from Mark Hamill who discusses his struggles with the depiction of Luke Skywalker in THE LAST JEDI while attempting to provide some perspective on his relationship with director Rian Johnson. Plus, George Lucas and JAWS 50, the evolution of Mon Mothma from senator to rebel, the return of Star Wars in Pop Culture, Kid Blake rubs elbows with the stars, and more!