Podcast appearances and mentions of Steven Spielberg

This episode we celebrate 50 years of terror with a commentary of the 1975 Steven Spielberg classic JAWS. When a massive killer shark unleashes chaos on a beach community off Long Island, it's up to the local police chief, a marine biologist, and an old seafarer to hunt the beast down. The Horror Returns Website: https://thehorrorreturns.com THR Facebook: https://www.facebook.com/thehorrorreturns/ Join THR Facebook Group: https://www.facebook.com/groups/1056143707851246 THR X: https://twitter.com/horror_returns?s=21&t=XKcrrOBZ7mzjwJY0ZJWrGA THR Instagram: https://instagram.com/thehorrorreturns?igshid=YmMyMTA2M2Y= THR Threads: https://www.threads.net/@thehorrorreturns?igshid=NTc4MTIwNjQ2YQ== THR YouTube Channel: https://youtube.com/@thehorrorreturnspodcast3277 THR Patreon: https://www.patreon.com/thehorrorreturns THR TeePublic: https://www.teepublic.com/user/the-horror-returns SK8ER Nez Podcast Network: https://www.podbean.com/pu/pbblog-p3n57-c4166 E Society Spotify For Podcasters: https://podcasters.spotify.com/pod/show/esoc Music: Power Music Factory Channel Url:    / powermusicfactory  

Alden Ehrenreich joins Backstage's In the Envelope: The Actor's Podcast to discuss Zach Cregger's "Barbarian" follow-up, "Weapons," as well as his MCU role in "Ironheart." The actor also candidly chats about his Han Solo audition process, working with Christopher Nolan on "Oppenheimer," getting discovered by Steven Spielberg, and much more. ... Backstage has been the #1 resource for actors and talent-seekers for 60 years. In the Envelope, Backstage's podcast, features intimate, in-depth conversations with today's most noteworthy film, television, and theater actors and creators. Full of both know-how and inspiration, In the Envelope airs bi-weekly to cover everything from practical advice on navigating the industry, to how your favorite projects are made and personal stories of success and failure alike. Join host Vinnie Mancuso, senior editor at Backstage, for this guide on how to live the creative life from those who are doing it every day: https://bit.ly/2OMryWQ ... Follow Backstage and In the Envelope on social media: - https://www.facebook.com/backstage - https://www.twitter.com/backstage - https://www.twitter.com/intheenvelope - https://www.instagram.com/backstagecast Looking to get cast? Subscribe here: www.backstage.com/subscribe Browse Backstage casting listings: https://bit.ly/3mth68e Special thanks to... - Host: Vinnie Mancuso - Producer: Jamie Muffett - Social media: Karen Jenkins, Sky Silverman - Design: Mark Stinson, Caitlin Watkins - Additional support: Kasey Howe, Suzy Woltmann, Jenn Zilioli

All aboard the S.S. Steven Spielberg Summer, because we're getting Jurassic this week. In addition to bird sequels and velociraptor fights, this week we discuss summer blockbusters, upcoming superhero films, and appropriate workplace emoji etiquette. Send us a textSWAMP stuff:PatreonSocials:TikTok: @theswamppodcastInstagram: @theswamppodBluesky: @theswamppodcast.bsky.socialYouTubeOur Letterboxd Accounts: @okaydara and @ekievraOur website: https://www.the-swamp-podcast.com/Email: theswamppod@gmail.com

Send us a textAre you ready to jump into our favorite time-traveling DeLorean automobile as the hosts travels back to celebrate the 40th anniversary of this 80's classic, Back to the Future, starring Michael J. Fox, Christopher Lloyd, Lea Thompson and directed by Robert Zemeckis. In this engaging episode, the hosts delve into the timeless classic 'Back to the Future,' exploring its nostalgic portrayal of the 1980's and 1950s, the lasting legacy of the movie as a cultural touchstone and the influence of director Robert Zemeckis. The hosts pair the film with the Flux Incapacitator cocktail. So let's join the hosts as they reach 88 miles per hour and go back in time to bring you a review of one of greatest movies of all time.Come listen and follow the hosts on their Instagram and YouTube channel @the.gentlemenpodcast

pWotD Episode 2983: Jurassic World Rebirth Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 293,421 views on Wednesday, 2 July 2025 our article of the day is Jurassic World Rebirth.Jurassic World Rebirth is a 2025 American science fiction thriller film directed by Gareth Edwards and written by David Koepp. A standalone sequel to Jurassic World Dominion (2022), it is the fourth Jurassic World film and the seventh installment overall in the Jurassic Park franchise. The film stars Scarlett Johansson, Mahershala Ali, Jonathan Bailey, Rupert Friend, Manuel Garcia-Rulfo, and Ed Skrein.Work on the film began shortly after the release of Jurassic World Dominion, when executive producer Steven Spielberg recruited Koepp to help him develop a new installment in the series. Koepp previously co-wrote the original Jurassic Park film (1993) and wrote its sequel, The Lost World: Jurassic Park (1997). Development of Rebirth was first reported in January 2024. Edwards was hired as director a month later, and casting commenced shortly thereafter. Principal photography took place in Thailand, Malta, and the United Kingdom from June to September 2024.Jurassic World Rebirth premiered on June 17, 2025, at Odeon Luxe Leicester Square in London, and was released in the United States and Canada by Universal Pictures on July 2. The film received mixed reviews from critics.This recording reflects the Wikipedia text as of 02:01 UTC on Thursday, 3 July 2025.For the full current version of the article, see Jurassic World Rebirth on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Arthur.

Karate chop those picket fences and watch out for that severed head because we're discussing Steven Spielberg's Academy Award®-winning blockbuster 'Jaws' (1975) for its 50th anniversary! Tagging in for the conversation is Joe's Murder Made Fiction co-host Jenn Adams, making this a super-sized podcast crossover event!Join us as we go all in on this gem of aquatic horror history, from the source novel's origins (including a review from Fidel Castro???) to the infamously troubled film production and the real-life stories that inspired the story.Plus: a queer reading of our three male leads, discussing the importance of John Williams' score, sympathy for Mr. Mayor (huh?), and the ultimate question: can sharks commit murder?References: > Matthew Belinkie. "You're Gonna Need a Bigger Phallic Symbol: Jaws As a Journey from Impotence to Manhood." Overthinking It.com> Jen Corrigan. “Three Men on a Boat” It Came from the Closet: Queer Reflections on Horror. Accessed via Electic Lit.Questions? Comments? Snark? Connect with the boys on BlueSky, Instagram, Youtube, Letterboxd, Facebook, Bloody FM or join the Facebook Group or brand new Horror Queers Discord to get in touch with other listeners.> Trace: @tracedthurman (BlueSky)/ @tracedthurman (Instagram)> Joe: @joelipsett (BlueSky) / @bstolemyremote (Instagram) > Jenn: @jennferatu (BlueSky) / @jennferatu (Instagram) / Losers Club (Apple) / Lady Killers (Apple)> Murder Made Fiction: Apple Podcasts / Spotify / Bloody FMBe sure to support the boys on Patreon!  Theme Music: Alexander Nakarada 

As though starring in a new Jurassic World movie isn't a big enough deal, Luna Blaise also boasts an especially exciting franchise achievement. She's right smack in the middle of one of the most iconic set pieces from Michael Crichton's Jurassic Park novel, a set piece that was famously cut from Steven Spielberg's original film.In Jurassic World Rebirth, Blaise plays Teresa Delgado. Just before starting her first year at college, Teresa takes a boat trip with her father (Manuel Garcia-Rulfo), her little sister (Audrina Miranda), and her boyfriend (David Iacono). Little do they know, they're sailing through Mosasaurs territory. Fortunately, Scarlett Johansson's Zora Bennett and her team swoop in to save them, but the Mosasaurs sets its sights on their boat instead and the entire group winds up stranded on Ile Saint-Hubert, an island that InGen once used to run a secret R&D facility.While trying to make their way to a rumored village on the island, Teresa and her family are left with no choice but to steal an inflatable raft right out from under a sleeping T-Rex's nose and ride it down river to get them closer to this supposed safe haven.With Jurassic World Rebirth now playing in theaters nationwide, Blaise joined me for a Collider Ladies Night conversation to revisit her journey to the franchise, a journey that included two hit TV shows - Fresh Off the Boat and Manifest. She also recapped her Jurassic World audition, revealed her character's backstory, explained why she thinks of Garcia-Rulfo and Iacono as family, and, of course, walked me through exactly what it was like to film that river raft scene. Hosted on Acast. See acast.com/privacy for more information.

Episode: 3235 Gender, labor history, and the devaluation of film editing.  Today, the mother of all film editors.

When your last name is Spielberg, there's naturally a certain legacy, but our guest today is Destry Allyn Spielberg, a talented director and actor who's confidently stepping into her own light, proving her unique voice and vision away from her famous father Steven Spielberg. You might know Destry from her acting roles, including her memorable performance in Paul Thomas Anderson's critically acclaimed "Licorice Pizza," as well as her work in the HBO limited series "I Know This Much Is True." She's also appeared in independent films like "Mass Hysteria." But it's in the director's chair where she's really been making waves. Destry's demonstrated a keen eye for storytelling with her striking short films "Rosie" (which she also acted in) and "Let Me Go the Right Way," which premiered at Tribeca and earned praise for its compelling narrative and performances. And now, she's made her highly anticipated feature directorial debut with the chilling psychological thriller, "Please Don't Feed the Children." This film, written by Paul Bertino, plunges us into a post-apocalyptic world where a deadly virus has targeted adults, leaving a group of orphans searching for safety. The cinematography, handled by Shane Sigler, the cast include Michelle Dockery from "Downton Abbey" in a uniquely villainous role, alongside the brilliant Giancarlo Esposito from "Breaking Bad," and a talented young ensemble including Zoe Colletti, Andrew Liner, Dean Scott Vazquez, Regan Aliyah, Emma Meisel, Joshuah Melnick, and Vernon Davis. Destry Allyn Spielberg is an exciting new voice, building a remarkable body of work that stands on its own merits, while undeniably carrying that incredible filmmaking DNA. Please give a huge Filmmakers Podcast welcome to the talented director and actor, Destry Allyn Spielberg! WATCH: Please Don't Feed the Children on TUBI now OTHER LINKS FOOD FOR THOUGHT documentary out NOW | Watch it HERE. A documentary exploring the rapid growth and uptake of the vegan lifestyle around the world. – And if you enjoyed the film, please take a moment to share & rate it on your favourite platforms. Every review & every comment helps us share the film's important message with more people. Your support makes a difference! PODCAST MERCH Get your very own Tees, Hoodies, onset water bottles, mugs and more MERCH. https://my-store-11604768.creator-spring.com/   COURSES Want to learn how to finish your film? Take our POST PRODUCTION COURSE https://cuttingroom.info/post-production-demystified/   PATREON Big thank you to: Serena Gardner Mark Hammett Lee Hutchings Marli J Monroe Karen Newman Want your name in the show notes or some great bonus material on film-making? Join our Patreon for bonus episodes, industry survival guides, and feedback on your film projects!   SUPPORT THE PODCAST Check out our full episode archive on how to make films at TheFilmmakersPodcast.com   CREDITS The Filmmakers Podcast is written, edited and produced by Giles Alderson @gilesalderson Logo and Banner Art by Lois Creative  Theme Music by John J. Harvey Learn more about your ad choices. Visit megaphone.fm/adchoices

En 2013, elle avait été la révélation du festival de Cannes. Aux côtés de l'actrice Léa Seydoux et du réalisateur Abdellatif Kechiche, Adèle Exarchopoulos, 19 ans, avait même reçu des mains du président du jury, Steven Spielberg, la Palme d'or pour « La Vie d'Adèle ». Une consécration pour la jeune parisienne qui n'ambitionnait pas au départ de devenir actrice. 12 ans après, elle est devenue l'une des actrices les plus en vue du cinéma français. Après avoir multiplié les rôles marquants dans des films dramatiques, elle a su se réinventer en se frottant à la comédie. Cet été, elle revient en salle pour le nouveau film de Quentin Dupieux, « L'accident de piano », où elle incarne Magalie, une influenceuse déconnectée de la réalité.Pour Code source, Catherine Balle, Renaud Baronian et Pauline Conradsson, journalistes au service culture du Parisien, reviennent sur son parcours.Écoutez Code source sur toutes les plates-formes audio : Apple Podcast (iPhone, iPad), Amazon Music, Podcast Addict ou Castbox, Deezer, Spotify.Crédits. Direction de la rédaction : Pierre Chausse - Rédacteur en chef : Jules Lavie - Reporter : Barbara Gouy - Production : Thibault Lambert, Clara Garnier-Amouroux et Raphaël Pueyo - Réalisation et mixage : Pierre Chaffanjon - Musiques : François Clos, Audio Network - Archives : TF1, Allociné. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Grab your bigger boat and your three male friends who struggle to get along, because we're diving BACK into Steven Spielberg's Jaws (1975) -- just in time to celebrate the movie's 50th anniversary! Today, Steph is away, but never fear -- Alex is joined by fellow Film Bro and wildly talented writer, director, actor, and artistic director of the Westport Country Playhouse, Mark Shanahan! Together they discuss the wildly detailed symbolism in Spielberg's nautical classic, as well as some behind-the-scenes tidbits, Williams' score influences, the movie's blockbuster legacy, and more!

Katey and Chris look back at 2005's July 4 weekend blockbuster, which was overshadowed at the time by Tom Cruise's press tour but still holds up, with its dark metaphor for American life after 9/11 and what are still some of the most chilling action sequences ever made. Subscribe⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to the Prestige Junkie newsletter.  Follow Katey on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Letterboxd⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Follow The Ankler. 

This episode was originally released under Raw Health Rebel Podcast. Raw Health Rebel Podcast is now What Heals. This conversation with Doc Steve goes deep into why the future of healing lies in frequency — and what it really means to treat the body as electrical, not just chemical.We talk about the paradigm shift that's already underway: from suppressing symptoms to restoring balance… from chronic disease management to true healing… and from outdated pharmaceutical models to energy, information and vibration.Doc Steve has over 46 years of clinical experience in Quantum Integrative Medicine, holds 4 doctoral degrees, and is known as the Doctor to the Stars — having treated everyone from top NHL athletes to Gigi Hadid and Steven Spielberg. He's also a TimeWaver practitioner, educator for Healy World, and Dean of the International Medical University of Natural Education.This episode covers:Why stress and inflammation underpin almost all modern diseaseHow root canals, scars and tattoos can block healingThe real reason pharmaceuticals create chronic patientsThe forgotten history of homeopathy  and how it was erasedRemote treatment, quantum entanglement and the information fieldWhat makes the Healy different to every other frequency deviceWhy coherence, cellular voltage and emotional resonance matterHow frequency supports not just the physical but also the emotional, spiritual and generationalBonus: healing for animals, psychic awareness and the bioenergetic fieldIf you've ever felt like the current system is broken — this episode will remind you that something better already exists.–––To connect with Doc Steve or request custom Healy programs:Email: healydocsteve@gmail.comWatch the free Healy webinar:https://www.lisastrbac.com/meet-healy-the-only-device-i-rave-about-besides-homeopathyVisit the Healy store:https://www.healy.shop/?partnername=0187-3337-2790Send us a textConnect with Lisa Strbac:

As the sudden and unexpected (we come up with the idea this episode) kick off of our Summer of Spielberg ™, we're easing in with a Spielberg-adjacent classic The Goonies . He has a story credit and is an executive producer, he is an uncredited editor and second unit director, and he gets his name right up top as "Steven Spielberg presents..."Nathan's never seen it, so this could also be one of those "You've Never Seen...?" episodes we used to do.But The Goonies just turned 40, so here we are either way.

In this episode the boys are reviewing Jurassic World Rebirth and Materialists as well as Andrew is reviewing Elio, 28 Years Later, and Echo Valley. Later on in the episode the boys rank their 5 favorite Steven Spielberg films and answer YOUR questions.

Bugonia, Roofman, Fantastic 4, and Weapons trailers. The Batman Part II script, no Akira for Waititi, Lilo & Stitch 2, Street Fighter castings, Steven Spielberg will never retire, Frozen songwriters for Princess Bride, Johhny Knoxville hosts Fear Factor, Dave Bautista Rom Com, Aaron Sorkin back for Social Network 2, Denis Villaneueve for Bond

Legendary film producer, director, and documentarian Frank Marshall is my guest on the show today to talk about his working relationship with Steven Spielberg, a creative partnership that goes back to Raiders of the Lost Ark and continues on to this day. Marshall co-founded Amblin with Spielberg and Kathleen Kennedy. We talk about what necessitated Spielberg creating his own production company, how they split up their duties to produce some of the best geeky flicks of the '80s, and eventually get to the new entry into the Jurassic franchise, Jurassic World Rebirth, which opens in theaters July 2nd. This chat covers a ton of ground, from Peter Bogdanovich to Robert Zemeckis, killer spiders to hungry dinosaurs, and even how a plate of pasta helped convince Spielberg he should call this guy to help produce Raiders of the Lost Ark. Learn more about your ad choices. Visit megaphone.fm/adchoices

From the dawn of time, man has been fascinated by the stars and what — or more importantly, who — is out there. Unsurprisingly, from the dawn of filmmaking, Hollywood has been also been fascinated by visiting (and visitors from) other worlds. One of the earliest silent films, A Trip to the Moon, was about shooting astronauts to the moon (using a cannon) and the alien creatures they find. There are countless movies about aliens and here are four I think you should watch.Close Encounters of the Third Kind (1977)Roy Neary's life is turned upside-down after having a close encounter with a UFO. After being tormented by visions and a need to know more, Roy meets others experiencing the same thing and travels to Devil's Tower in Wyoming where Roy, the government, and the aliens all arrive for a monumental concert. Directed by Steven Spielberg and starring Richard Dreyfuss, Teri Garr, and Melinda Dillion, Close Encounters of the Third Kind is one of the greatest films about alien encounters ever made. A must watch, no matter what planet you're from.Starcrash (1978)Hot on the heels of 1977's Star Wars came a wave of films “influenced” by George Lucas's masterpiece. In Starcrash, a smuggler and her alien sidekick go on a mission to rescue a prince from an evil character with a gigantic space weapon that can destroy planets. Sound familiar? Did I mention the alien sidekick uses a lightsaber? Perhaps “influenced” is too light of a word. Starcrash is not the best space opera of all time, but it's an interesting time capsule from 1978; one of many movies that also took place in a galaxy far, far away. Starcrash features great sets, a goofy plot… and David Hasselhoff. The Last Starfighter (1984)Alex Rogan wants nothing more than to escape his small town and that opportunity presents itself after he beats the world record on an arcade game called The Last Starfighter. The arcade game is actually a recruiting tool, and before long a shifty alien named Centauri arrives to take Alex to space where he will become a Starfighter — for real! Featuring (then) groundbreaking CGI, lots of alien action, and the final theatrical performance of Robert Preston.Naked Space/Spaceship/The Creature Wasn't Nice (1981)No matter what name you see this movie under, they're all the same… and none of them are good! This “horror/comedy” that loosely parodies Alien stars Leslie Nielson, Cindy Williams, Gerrit Graham, Patrick Macnee, and (writer/director) Bruce Kimmel. After exploring a newly discovered planet, the crew of the Spaceship Vertigo bring a small organism (goo) on board that quickly grows into a large monster. When Dr. Stark figures out a way to connect the monster's brain to the ship's computer, they are able for the first time to hear the monster's thoughts. And boy, is that monster hungry…Movies about aliens and outer space are always fun summer viewing. Rent one of these films and pop an extra bucket of popcorn, just in case someone from “out there” stops by to join you.Thanks for reading Video Store Podcast! Subscribe for free to receive new posts and support my work. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.videostorepodcast.com

The category for July is "Not from Earth" and Michelle picks the first film! E.T. The Extra-Terrestrial (1982) Directed by Steven Spielberg 

Send us a textJAWS 50th Anniversary Why This Shark Thriller Still Terrifies! JAWS 5Oth Anniversary Movie Review! Our Thoughts On The Classic Film! Katht and Mark take a deep dive into JAWS, 1975 American thriller film directed by Steven Spielberg. Based on the 1974 novel by Peter Benchley, it stars Roy Scheider as police chief Martin Brody, who, with the help of a marine biologist (Richard Dreyfuss) and a professional shark hunter (Robert Shaw), hunts a man-eating great white shark that attacks beachgoers at a New England summer resort town. Murray Hamilton plays the mayor, and Lorraine Gary portrays Brody's wife. The screenplay is credited to Benchley, who wrote the first drafts, and actor-writer Carl Gottlieb, who rewrote the script during principal photography.#jaws #jaws50th #spielberg #jawsmoviereview #classicfilm #moviereviews #sharks Cinemondo is excited to announce that co-host, Burk Sauls, book, One Hundred Movies: Burk's Favorite Movies Volume 1, is available on Amazon!  https://www.amazon.com/dp/B0DML5K363?ref_=pe_93986420_774957520Support the show

JAWS, the seminal blockbuster film from Steven Spielberg, turns 50 this summer! Celebrating one half-century of this cinematic classic, our host is joined by Jen, Greg, and P.T. from the Long Take Review.Topics Discussed Include:1. The Brilliance of the Film and Its Deeper Themes2. How the Production of the Film Would Be Received Today3. The Magic of Spielberg and WilliamsSupport the show on Patreon - ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/forceghostconversations⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠If you want to continue the conversation, please follow us at the following websites:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Blue Sky⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Threads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Merchandise

#jaws #jawsat50 #stevenspielberg Steve & James celebrate the 50th anniversary of the "perfect film" by telling stories and anecdotes about their mutual love for Steven Spielberg's "JAWS". Along the way they explain why the 1970s was the best cinematic decade. 0:00 - Intro 2:34 - How Jaws caused me to fall in love with movies 3:22 - Why Jaws is a "perfect film" 7:25 - Jaws made with modern tech would not be as good 10:35 - Was the '70s the best film decade? 16:37 - Best moments with “Jaws”

LAST SHOT IN ANGER: 3/8: Lincoln's Peace: The Struggle to End the American Civil War Hardcover – Illustrated, March 18, 2025  by  Michael Vorenberg   https://www.amazon.com/Lincolns-Peace-Struggle-American-Civil/dp/1524733172 We set out on the James River, March 25, 1865, aboard the paddle steamboat River Queen. President Lincoln is on his way to General Grant's headquarters at City Point, Virginia, and he's decided he won't return to Washington until he's witnessed, or perhaps even orchestrated, the end of the Civil War. Now, it turns out, more than a century and a half later, historians are still searching for that end. Was it April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose work served as a key source of Steven Spielberg's Lincoln. Vorenbergwas inspired to write this groundbreaking book, finding its title in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death.  To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

LAST SHOT IN ANGER: 2/8: Lincoln's Peace: The Struggle to End the American Civil War Hardcover – Illustrated, March 18, 2025  by  Michael Vorenberg   https://www.amazon.com/Lincolns-Peace-Struggle-American-Civil/dp/1524733172 We set out on the James River, March 25, 1865, aboard the paddle steamboat River Queen. President Lincoln is on his way to General Grant's headquarters at City Point, Virginia, and he's decided he won't return to Washington until he's witnessed, or perhaps even orchestrated, the end of the Civil War. Now, it turns out, more than a century and a half later, historians are still searching for that end. Was it April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose work served as a key source of Steven Spielberg's Lincoln. Vorenbergwas inspired to write this groundbreaking book, finding its title in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death.  To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

LAST SHOT IN ANGER: 4/8: Lincoln's Peace: The Struggle to End the American Civil War Hardcover – Illustrated, March 18, 2025  by  Michael Vorenberg   https://www.amazon.com/Lincolns-Peace-Struggle-American-Civil/dp/1524733172 We set out on the James River, March 25, 1865, aboard the paddle steamboat River Queen. President Lincoln is on his way to General Grant's headquarters at City Point, Virginia, and he's decided he won't return to Washington until he's witnessed, or perhaps even orchestrated, the end of the Civil War. Now, it turns out, more than a century and a half later, historians are still searching for that end. Was it April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose work served as a key source of Steven Spielberg's Lincoln. Vorenbergwas inspired to write this groundbreaking book, finding its title in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death.  To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

LAST SHOT IN ANGER: 5/8: Lincoln's Peace: The Struggle to End the American Civil War Hardcover – Illustrated, March 18, 2025  by  Michael Vorenberg   https://www.amazon.com/Lincolns-Peace-Struggle-American-Civil/dp/1524733172 We set out on the James River, March 25, 1865, aboard the paddle steamboat River Queen. President Lincoln is on his way to General Grant's headquarters at City Point, Virginia, and he's decided he won't return to Washington until he's witnessed, or perhaps even orchestrated, the end of the Civil War. Now, it turns out, more than a century and a half later, historians are still searching for that end. Was it April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose work served as a key source of Steven Spielberg's Lincoln. Vorenbergwas inspired to write this groundbreaking book, finding its title in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death.  To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

LAST SHOT IN ANGER: 6/8: Lincoln's Peace: The Struggle to End the American Civil War Hardcover – Illustrated, March 18, 2025  by  Michael Vorenberg   https://www.amazon.com/Lincolns-Peace-Struggle-American-Civil/dp/1524733172 We set out on the James River, March 25, 1865, aboard the paddle steamboat River Queen. President Lincoln is on his way to General Grant's headquarters at City Point, Virginia, and he's decided he won't return to Washington until he's witnessed, or perhaps even orchestrated, the end of the Civil War. Now, it turns out, more than a century and a half later, historians are still searching for that end. Was it April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose work served as a key source of Steven Spielberg's Lincoln. Vorenbergwas inspired to write this groundbreaking book, finding its title in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death.  To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

LAST SHOT IN ANGER: 7/8: Lincoln's Peace: The Struggle to End the American Civil War Hardcover – Illustrated, March 18, 2025  by  Michael Vorenberg   https://www.amazon.com/Lincolns-Peace-Struggle-American-Civil/dp/1524733172 We set out on the James River, March 25, 1865, aboard the paddle steamboat River Queen. President Lincoln is on his way to General Grant's headquarters at City Point, Virginia, and he's decided he won't return to Washington until he's witnessed, or perhaps even orchestrated, the end of the Civil War. Now, it turns out, more than a century and a half later, historians are still searching for that end. Was it April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose work served as a key source of Steven Spielberg's Lincoln. Vorenbergwas inspired to write this groundbreaking book, finding its title in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death.  To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

LAST SHOT IN ANGER: 8/8: Lincoln's Peace: The Struggle to End the American Civil War Hardcover – Illustrated, March 18, 2025  by  Michael Vorenberg   https://www.amazon.com/Lincolns-Peace-Struggle-American-Civil/dp/1524733172 We set out on the James River, March 25, 1865, aboard the paddle steamboat River Queen. President Lincoln is on his way to General Grant's headquarters at City Point, Virginia, and he's decided he won't return to Washington until he's witnessed, or perhaps even orchestrated, the end of the Civil War. Now, it turns out, more than a century and a half later, historians are still searching for that end. Was it April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose work served as a key source of Steven Spielberg's Lincoln. Vorenbergwas inspired to write this groundbreaking book, finding its title in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death.  To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

LAST SHOT IN ANGER: 1/8: Lincoln's Peace: The Struggle to End the American Civil War Hardcover – Illustrated, March 18, 2025  by  Michael Vorenberg   https://www.amazon.com/Lincolns-Peace-Struggle-American-Civil/dp/1524733172 We set out on the James River, March 25, 1865, aboard the paddle steamboat River Queen. President Lincoln is on his way to General Grant's headquarters at City Point, Virginia, and he's decided he won't return to Washington until he's witnessed, or perhaps even orchestrated, the end of the Civil War. Now, it turns out, more than a century and a half later, historians are still searching for that end. Was it April 9, at Appomattox, as conventional wisdom holds, where Lee surrendered to Grant in Wilmer McLean's parlor? Or was it ten weeks afterward, in Galveston, where a federal commander proclaimed Juneteenth the end of slavery? Or perhaps in August of 1866, when President Andrew Johnson simply declared “the insurrection is at an end”? That the answer was elusive was baffling even to a historian of the stature of Michael Vorenberg, whose work served as a key source of Steven Spielberg's Lincoln. Vorenbergwas inspired to write this groundbreaking book, finding its title in the peace Lincoln hoped for but could not make before his assassination. A peace that required not one but many endings, as Vorenberg reveals in these pages, the most important of which came well more than a year after Lincoln's untimely death.  To say how a war ends is to suggest how it should be remembered, and Vorenberg's search is not just for the Civil War's endpoint but for its true nature and legacy, so essential to the American identity. It's also a quest, in our age of “forever wars,” to understand whether the United States's interminable conflicts of the current era have a precedent in the Civil War—and whether, in a sense, wars ever end at all, or merely wax and wane.

On the 69th episode of Bomb Squad Matinee, Tim, Tanner, Cody, Joe V, and special guest Hysteria Fest director Paul Hibbard celebrate the 50th anniversary of the original summer blockbuster, Steven Spielberg's Jaws. After 50 years of critical acclaim, is the shark still working? What lengths did Spielberg go to to deliver the perfect scares? Could they ever remake this film? Tune in to find out!

Aidan Magee delivers the latest entertainment news on:- The wedding of Jeff Bezos and Lauren Sanchez.- Steven Spielberg getting a theatre dedicated in his honor.- Uma Thurman talking about her children's acting success.

Drafting the best Steven Spielberg directed movies, auction draft style. Let us know who picked the best team!Become a Patron! Join to gain access to exclusive perks like Discord access, giveaways, & more: https://www.patreon.com/reeltokpodcastGrab some ReelTok merch: https://reeltokpodcast.com/Follow ReelTok everywhere:ReelTok PodcastYouTube: https://www.youtube.com/@reeltokpodcastTikTok: https://www.tiktok.com/@reeltokpodcastInstagram: https://www.instagram.com/reeltokpodcast/Twitter: https://twitter.com/reeltokpodcastLetterboxd: https://letterboxd.com/reeltokpodcast/Patreon: https://www.patreon.com/reeltokpodcastListen and Rate Us 5 Stars on Spotify and Apple Podcasts:Spotify: https://open.spotify.com/show/3V214vWwkO823aa4OaeDrOApple Podcasts: https://podcasts.apple.com/us/podcast/reeltok-podcast/id1644680412George CarmiLetterboxd: https://letterboxd.com/georgecarmi/TikTok: https://www.tiktok.com/@moviesandstuff14YouTube: https://www.youtube.com/@moviesandstuff14Instagram: https://www.instagram.com/georgecarmi/Twitter: https://twitter.com/georgecarmiTyler WhitmoreLetterboxd: https://letterboxd.com/TylerCWhitmore/TikTok: https://www.tiktok.com/@tylercwhitmoreYouTube: https://www.youtube.com/@tylercwhitmoreInstagram: https://www.instagram.com/tylercwhitmore/Twitter: https://twitter.com/TylerCWhitmoreSeth's Film ReviewsLetterboxd: https://letterboxd.com/sethsreviews/TikTok: https://www.tiktok.com/@sethsfilmreviewsYouTube: https://www.youtube.com/@SethsfilmreviewsInstagram: https://www.instagram.com/sethsfilmreviews/Twitter: https://twitter.com/sethsfilmreviewCam WalshLetterboxd: https://letterboxd.com/cjwalsh27/TikTok: https://www.tiktok.com/@camwalsh27Instagram: https://www.instagram.com/camwalsh/Twitter: https://twitter.com/CamWalsh27YouTube: https://www.youtube.com/@camwalsh27Twitch: https://www.twitch.tv/camwalsh27New episodes every Monday reviewing the latest movie releases and covering the most recent movie trailers and industry news. Reviews, rankings, deep-dives, drafts, movie trivia, and so much more. The ReelTok Podcast is co-hosted by 4 of the largest film social media content creators, George, Seth, Tyler, and Cam. Bonus episodes every Thursday doing a movie-related draft, ranking, or game, and more bonus episodes every Friday reviewing a movie recommended by our viewers. Make sure to follow us as you have now found your new favorite podcast.#movies #moviereviews #podcast #moviepodcast #reeltok #reeltokpodcastHelp us become the #1 movie podcast in the entire world!

A film editor's job is much like the work of a sculptor. You take a massive block of material—raw footage—and with a series of delicate, precise cuts, you shape it into something cohesive, something meaningful. In today's episode, we welcome Michael Trent, a master of cinematic storytelling who has spent his career assembling some of Hollywood's most unforgettable films. From the war-torn beaches of Saving Private Ryan to the eerie corridors of The Hatred, his work is the unseen hand that guides an audience's emotions, turning chaos into art.For Michael Trent, the journey into the editing room began long before he ever set foot in Hollywood. His father, a sound editor in England, introduced him to the craft at an early age. “I was using a Moviola by the time I was ten,” he recalls, describing the tactile magic of celluloid film. But talent alone wasn't enough to break into the industry—his leap from England to Hollywood in 1994 was an act of faith, a cold call to the right person at the right time, proving that the universe often conspires in favor of those who dare.Editing is not merely about cutting and pasting scenes together. It is about rhythm, about knowing when to hold a shot and when to move on. It is the balance between subtlety and impact, between quiet tension and explosive release. “I think a lot of editors cut too much,” Michael Trent shares. “You have to feel the emotion of a scene and let it breathe.” His work on The Hatred is a testament to this philosophy, particularly in its ability to sustain suspense, making audiences feel the presence of something sinister lurking just beyond the frame.One of the most fascinating aspects of his career was working alongside Steven Spielberg. Editing Saving Private Ryan meant moving between locations, from an Irish field to an aerospace museum in England, adapting to whatever environment was necessary. But beyond the logistics, Spielberg's ability to visualize an edit in his head was what amazed Michael Trent the most. “He called in from Japan with an edit suggestion, and when we made the change, it worked perfectly. It was as if he had a video camera inside his mind.”Horror editing, in particular, demands a unique approach. Timing becomes everything—not just in the obvious jump scares, but in the slow-building unease that keeps an audience gripping their seats.A shadow lingering a second too long, a door creaking open just slightly out of sync—these are the choices that make a horror film work. “There's a scene in The Hatred where Alice walks toward the cellar,” Michael Trent explains. “We held the shot longer than usual, just to build that sense of dread.”To be an editor is to be both an artist and a storyteller, sculpting not with clay or paint, but with time itself. The true test of an editor's skill lies not in what they add, but in what they take away. Sometimes, entire scenes—ones that took days to shoot—must be discarded for the sake of pacing and narrative flow. “You have to be ruthless,” Michael Trent says. “If it doesn't serve the story, it has to go.”Become a supporter of this podcast: https://www.spreaker.com/podcast/bulletproof-screenwriting-podcast--2881148/support.

Turning 50 is a big deal, especially for a classic like Jaws, and boy, does it have a lot to teach us about podcasting. Picture this: a film that was barely held together by duct tape and creativity, yet it became a cultural phenomenon. The behind-the-scenes drama? A mechanical shark that was more trouble than it was worth and a filming schedule that doubled in time. But instead of throwing in the towel, Steven Spielberg and crew got creative. They used suspense, killer music, and a whole lot of storytelling to keep audiences on the edge of their seats. So, what's the takeaway for us podcasters? Just like the Jaws team had to adapt, we can make magic with what we've got, even if our gear isn't top-notch. We don't need the fanciest mics or perfect lighting to tell our stories — sometimes, limitations spark the most creativity. So grab that old mic, hit record, and let's make something awesome!Takeaways: Sometimes, not having everything you need can spark more creativity than you think. Jaws was a mess behind the scenes but turned into a classic anyway, so chill! If Spielberg can make a shark out of a broken toy, you can too! Starting small with what you have can lead to amazing skills and growth. Your podcast journey doesn't need fancy gear; it needs your unique voice. Creativity often thrives in the chaos of not having everything perfectly lined up. Mentionedschoolofpodcasting.com/joinJaws at 50 TrailerThis podcast uses the following third-party services for analysis: OP3 - https://op3.dev/privacy

You're gonna need a longer pod   The Becks get out of the water and into the studio to talk about Peter Benchley's novel Jaws and its 1975 film adaptation by Steven Spielberg. In this episode: Billy goes to the beach, Codie talks to the Department of Water and Power, and someone fights for shark rights from BEYOND THE GRAVE! Enjoy!   linktr.ee/soonmajorpod   Next episode homework: The Lost World: Jurassic Park

Tony and Johanna take a look back at Steven Spielberg's War Of The Worlds. His retelling of the classic H.G. Wells story. It's more remembered for Tom Cruise's antics off-screen these days but it was a decent hit at the time. 20 years later how does it hold up? Is it Spielberg at his best? Watch and find out!https://youtu.be/5QZHq9Dz4Z4

With the exception of those of us who no longer welcome birthdays, most people love anniversaries. But when it comes to movies, anniversaries give us the opportunity to remember great cinema and the directors who make it. On this week's show, Dan Webster, Nathan Weinbender, and Mary Pat Treuthart discuss two such directors, Akira Kurosawa, whose film “Ran” is enjoying the 40th anniversary of its release this month, and Steven Spielberg, whose 1975 film “Jaws” is celebrating its 50th anniversary.

For 50 years, the movie Jaws has kept us looking down for what might be beneath the waves when we go swimming. Carl Cottlieb is one of the screenwriters responsible for our discomfort. His friend Steven Spielberg handed him the original script and asked him to eviscerate it. Gottlieb was there every day on set to witness the mechanical shark constantly breaking down, the budget overruns, the delays and ultimately the making of highest grossing film of all time. Carl Gottlieb shares his memories as we celebrate the 50th anniversary of Jaws.

The Real Fans celebrate 50 years of Steven Spielberg's JAWS by sharing their memories and thoughts of the original summer blockbuster. Find more Real Fans 4 Real Movies on the internet: Web | Twitter | Facebook | Instagram   Rate, review, & subscribe to the RF4RM Podcast on: Apple Podcasts | Google Play | Stitcher | TuneIn   Your feedback is appreciated. Send emails to podcast@rf4rm.com

This Week for your Daily Ratings Movie News: We have some updates on the new James Bond Film. Steven Spielberg quietly wraps his next movie. Ron Howard continues on and Jeremy Saulnier's next film gets a title. Most of all, Johnny Depp might make a comeback with Captain Jack Sparrow once more. Don't forget to check out thedailyratings.com for our New Shop! Where you can find all kinds of Daily Ratings shirts, hoodies, hats, and mugs. Also check out the massive amount films that Vince has rated and remember to send a donation in to become a Producer!!

In another excused absence episode the Say Reporter take their time to celebrate the 50th Anniversary of the film tha changed the entire landscape of cinema…Steven Spielberg's origin of the blockbuster film: “Jaws”

Erika Eleniak: From E.T. to Baywatch to Under Siege In this heartfelt episode, Steve Kmetko sits down with Erika Eleniak to discuss her iconic Hollywood journey—from stealing a scene in E.T. at just 12 years old to becoming a global sex symbol on Baywatch, and starring in the action classic Under Siege. Erika opens up about the challenges of fame, posing for Playboy, her deep love of tattoos, and the strength it took to walk away from the spotlight on her own terms.Show Credits Host/Producer: Steve Kmetko All things technical: Justin Zangerle Executive Producer: Jim Lichtenstein Music by: Brian Sanyshyn Transcription:  Mushtaq Hussain   https://stillherehollywood.com http://patreon.com/stillherehollywood Suggest Guests at: stillherehollywood@gmail.com Advertise on Still Here Hollywood: jim@stillherenetwork.com Publicist: Maggie Perlich: maggie@numbertwelvemarketing.com  

It's fitting that three unknown filmmakers caught lightning in a bottle with a B-movie that features an invisible villain. They pay homage to Steven Spielberg and other classic films from the past while creating an Inception-style moment of film history with Sean Astin! Travis and Rob break down the brilliance of this modern B-movie in Episode 26: The Invisible Raptor!

Max Pearson presents a collection of the week's Witness History interviews from the BBC World Service.This programme includes outdated and offensive language.It's 50 years since the original Jaws film was released in cinemas across America. The movie premiered on 20 June 1975. Our guest is Jenny He, senior exhibitions curator at the Academy Museum of Motion Pictures in Los Angeles. She tells us about the history of this blockbuster movie. We also hear from Carl Gottlieb, who co-wrote the screenplay.Also, the story of the women who were forcibly detained in sexual health clinics across East Germany, the signing of the Treaty of Versailles, and the 1964 civil rights swimming protest that ended when acid was poured into the pool.Finally, the horrific account of Polly Sheppard who was a survivor of the Charleston church shooting in South Carolina, USA in 2015.Contributors: Carl Gottlieb - Jaws co-writer. Jenny He - senior exhibitions curator at the Academy Museum of Motion Pictures in Los Angeles. Sabine - one of the women forcibly detained and abused in a sexual health clinic in East Germany. Archive of William Norman Ewer - journalist who attended the signing of the Treaty of Versailles. Archive of JT Johnson and Mimi Jones -activists in a civil rights swimming protest . Polly Sheppard- survivor of the Charleston Church shooting.This programme contains movie excerpts from the 1975 film which was a Universal Picture, a Zanuck/Brown production and directed by Steven Spielberg. (Photo: Steven Spielberg on the set of the film 'Jaws' in 1975. Credit: Archive Photos/Stringer)

June 20, 1975. Steven Spielberg's thriller Jaws is released in theaters and becomes the highest grossing movie of all time, essentially creating the genre of the “summer blockbuster”. This episode originally aired in 2022.Support the show! Join Into History for ad-free listening and more.History Daily is a co-production of Airship and Noiser.Go to HistoryDaily.com for more history, daily.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

It's 50 years since the original Jaws film was released in cinemas across America. The movie premiered on 20 June 1975. Directed by a young Steven Spielberg, who was relatively unknown at the time, it was considered Hollywood's pioneering summer blockbuster. The thriller broke records by becoming the first movie to gross over $100 million at the US box office and made millions of people afraid to go into the water. Carl Gottlieb, who co-wrote the screenplay, looks back at guiding the chaotic production into cinematic history. Produced and presented by Megan Jones. With movie excerpts from the 1975 film which was a Universal Picture, a Zanuck/Brown production and directed by Steven Spielberg. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: A scene from the movie. Credit: Screen Archives/Getty Images)

In this episode, we do a rewatchable review of the iconic 1975 blockbuster thriller Jaws, directed by Steven Spielberg and starring Roy Scheider. We discuss whether this film still holds up, and we debate whether it started the cinematic revolution of the term "summer blockbuster." Learn more about your ad choices. Visit megaphone.fm/adchoices

Yes, it has been 50-years. Jaws came to theatres on this date and is being celebrated throughout the world. We pay our respects by talking about the new book "Robert Shaw: An Actor's Life on the set of Jaws and Beyond." Author Christopher Shaw Myers offers an intimate portrait of his legendary uncle, the acclaimed actor and writer best known for his unforgettable role as Quint in Jaws. Today marks the 50th anniversary of Steven Spielberg's iconic blockbuster starring Roy Scheider, Richard Dreyfuss and Robert Shaw as the weather seaman, Captain Quint.

It's June 17th. This day in 1975, Steven Spielberg's JAWS is in theaters -- it is the first proper summer blockbuster, and also has a massive political and cultural effect.Jody, NIki, and Kellie discuss how the movie ruined the reputation of sharks, and also served as a parable for late-1970s American malaise.Sign up for our newsletter! Get your hands on This Day merch!Find out more at thisdaypod.comThis Day In Esoteric Political History is a proud member of Radiotopia from PRX.Your support helps foster independent, artist-owned podcasts and award-winning stories.If you want to support the show directly, you can do so on our website: ThisDayPod.comGet in touch if you have any ideas for future topics, or just want to say hello. Follow us on social @thisdaypodOur team: Jacob Feldman, Researcher/Producer; Brittani Brown, Producer; Khawla Nakua, Transcripts; music by Teen Daze and Blue Dot Sessions; Audrey Mardavich is our Executive Producer at Radiotopia Learn about your ad choices: dovetail.prx.org/ad-choices