Podcast appearances and mentions of Steven Spielberg

Chris Boardman is a master musician, arranger and composer. His resume is off the charts. He began his career in film, tv and recording in 1974. He's received an Academy Award nomination for his work on “The Color Purple”, 6 Emmy Awards, 13 Emmy nominations, and ASCAP and BMI film awards. He's worked with a Who's Who including Steven Spielberg, Barbra Streisand, Quincy Jones, Julie Andrews and Marvin Hamlisch. He's worked on the “Lethal Weapon” and “Die Hard” films, and on Anthony Newley's “Chaplin” on Broadway to name just a few. My featured song is “Catch You Later” from my 2012 album Spring Dance by my band Project Grand Slam. Spotify link.—-----------------------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!Click here for All Episodes Click here for Guest List Click here for Guest Groupings Click here for Guest TestimonialsClick here to Subscribe Click here to receive our Email UpdatesClick here to Rate and Review the podcast—----------------------------------------CONNECT WITH CHRIS:www.soundbridgehealth.com—----------------------------------------ROBERT'S NEW SINGLE:“MI CACHIMBER” is Robert's new single. It's Robert's tribute to his father who played the trumpet and loved Latin music.. Featuring world class guest artists Benny Benack III and Dave Smith on flugelhornCLICK HERE FOR YOUTUBE LINKCLICK HERE FOR ALL LINKS—--------------------------------------ROBERT'S RECENT SINGLE:“SUNDAY SLIDE” is Robert's recent single. It's been called “A fun, upbeat, you-gotta-move song”. Featuring 3 World Class guest artists: Laurence Juber on guitar (Wings with Paul McCartney), Paul Hanson on bassoon (Bela Fleck), and Eamon McLoughlin on violin (Grand Ole Opry band).CLICK HERE FOR ALL LINKSCLICK HERE FOR THE OFFICIAL VIDEO—-------------------------------------------ROBERT'S LATEST ALBUM:“WHAT'S UP!” is Robert's latest compilation album. Featuring 10 of his recent singles including all the ones listed below. Instrumentals and vocals. Jazz, Rock, Pop and Fusion. “My best work so far. (Robert)”CLICK HERE FOR THE OFFICIAL VIDEOCLICK HERE FOR ALL LINKS—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com  

Send us a textWelcome back to DMR!Jurassic World: Rebirth is a visually impressive but narratively uneven return to the dinosaur blockbuster formula. Critics praise its thrilling set pieces, polished effects, and renewed focus on the prehistoric stars that made the franchise iconic. It's a big, loud, entertaining ride that captures some of the old magic, and for audiences simply craving dino mayhem, it largely delivers. The cast is solid, the action sequences are well-executed, and it feels more respectful of the original Jurassic Park tone than some recent installments.But the story itself doesn't quite evolve — it's weighed down by thin characters, predictable plotting, and a few unnecessary subplots. Many reviewers describe it as fun but forgettable, a movie that entertains in the moment yet doesn't leave a lasting impact. That's why it sits at around 50% on Rotten Tomatoes: half the critics enjoyed the spectacle, while the other half felt the franchise is stuck in the past. In short, Rebirth roars but doesn't soar!Remember to grab your 30 day free Audible trial, link is in the show, you will also support DMR!Support the showThe audio clips used in this podcast, including excerpts from movie/series/documentary trailers, are used under the principles of fair use and fair dealing for the purpose of criticism, commentary, and review. All rights to the original trailer content & music belong to the respective copyright holders. DMR (Dewey's Movie Reviews) is an independent production and is not affiliated with or endorsed by any film studios or distributors.

Well, here we are. Chloe Zhao's Hamnet - one of the most critically acclaimed movies of the year - premiered at the BFI London Film Festival two weeks ago. Since it's premiere at Telluride back in late August, this movie has been billed as a locked-in OSCAR contender and potentially one of the biggest threats to WIN Best Picture. Reviews like that always get on my nerves because it's classic film festival overhype. You watch a movie surrounded by all the cast & crew and thousands of like-minded movie fans and, inevitably, the hype is going to be through the roof. All that being said, I watched this movie at a film festival as well... so I'll be telling you all today whether the hype was real. I've been a little nervous going into Hamnet because, while the trailers have excited me and the reviews were certainly promising, I am neither a Chloe Zhao guy or a Shakespeare guy. Zhao's movies have always felt cold to me and I truly believe that Nomadland is probably one of the worst Best Picture winners.... of all-time! But, I'm happy to report that Hamnet is the first time that I've truly been able to connect with one of her movies. Find out why in this review!Hmanet:Directed by: Chloé ZhaoScreenplay by: Chloé Zhao, Maggie O'FarrellBased on the novel "Hamnet" by Maggie O'FarrellProduced by: Liza Marshall, p.g.a., Pippa Harris, p.g.a, Nicolas Gonda, p.g.a., Steven Spielberg, p.g.a., Sam Mendes, p.g.a.Executive Producers: Laurie Borg, Kristie Macosko Krieger, Chloé ZhaoMusic by: Max RichterDirector of Photography: Lukasz ZalEdited by: Alfonso Gonçalves, Chloé ZhaoCasting by: Nina GoldProduction Design by: Fiona CrombieCostume Design by: Malgosia TurzanskaCast: Jessie Buckley, Paul Mescal, Emily Watson, Joe Alwyn, Jacobi Jupe, David Wilmot, Bodhi Rae Breathnach, Olivia Lynes, Freya Hannan-Mills, Noah JupeSynopsis: The powerful story of love and loss that inspired the creation of Shakespeare's timeless masterpiece, Hamlet.

On this edition of Parallax Views, we continue our annual Spooky Season series with a chilling deep dive into one of Hollywood's most infamous real-life tragedies — the Twilight Zone: The Movie helicopter crash. Journalist Steve Chain, author of Fly By Night: The Secret Story of Steven Spielberg, Warner Bros., and the Twilight Zone Deaths, joins the show to uncover the haunting true story that forever changed the film industry. Chain's explosive investigation revisits the 1982 disaster that claimed the lives of actor Vic Morrow and two children on set — and the five-year legal battle that followed. Was it a tragic accident, or was there a cover-up to protect some of Hollywood's most powerful names, including John Landis and Steven Spielberg? Chain pulls back the curtain on the shocking evidence, courtroom drama, and corporate maneuvering behind one of Tinseltown's darkest chapters. As part of Parallax Views' spooky season lineup, this episode isn't about ghosts or monsters — it's about real-life horror: power, negligence, and the human cost of spectacle. If you're fascinated by true crime, Hollywood scandals, media history, or the eerie intersection of fame and tragedy, you won't want to miss this one.

Is that your Mum?Its that time of year, ladies and gents.  The Growing Season highlights the wonders of fall on this week's episode. Fall Mums, bulbs and much more are the fare that The McFarlands dine out on this week.  Halloween kicks off the show. Matt talks a little about his kids and their halloween adventures.  On the horticultural side, is it time to remove your annuals?  The trio discuss. Ragweed is still raging and pollinating.  How is that possible? The Toronto Blue Jays are World Series bound so the McFarlands dive into the horticultural side of this wonderful turn of events. Pumpkin seeds, sunflower seeds and peanuts.  On the topic of fall mums, can they survive the winter in the GTA?   What are some great companion plants for fall mums? Matt tells a story about planters that he recently designed and installed. The tulip hysteria in history is highlighted. Halloween movies are discussed and Matt appeals to Steven Spielberg's property for landscaping. Are you supposed to remove your spring flowering bulbs after they have flowered?  Is that a common practice. Lynne outlines how to plant a spring flowering bulb. Bulb blindness!   WHAT!?Daffodils need to be planted at a different time then other spring flowering bulbs.  Why?  Matt discusses how to choose viable bulbs. Dogs and cats and bulb toxicity.  Be careful!How to deter rodents from relocating your spring flowering bulbs caps the show off. Tune in. Looking to book a consult for your property?  We'd love to help.  CLICK HERE.What is a TGS Tiny Garden? CLICK HERE.Subscribe to The Growing Season podcast.  CLICK HERE.

Episode Notes S6E37 - Join us as we chat with the one and only Jeffrey Voorhees aka Alex Kintner from JAWS. He'll be in the house telling tales from life to his epic and famous kill scene in one of the most bad ass films ever. JAWS!! Jeffrey Voorhees is a well known actor for fans of the movie Jaws, for his role as the ill-fated Alex Kintner. In one of the scenes of the iconic 1975 Steven Spielberg film, Voorhees portrays the boy Alex, who is attacked by the monstrous shark Bruce while swimming on his raft from the beach. This shocking incident sets off a chain of events that will haunt the fictional island of Amity for the rest of the summer. Despite his relatively small role in the movie, Voorhees has become a part of cinematic history, having one of the famous scenes to die on screen in Jaws. HELPFUL LINKS: VETERANS: https://www.va.gov/.../mental-health/suicide-prevention/ ADDICTION: https://lp.recoverycentersofamerica.com/.../continuum-of.../ Due you know someone that has lost their lives due to addiction? Or even someone that has made a full recovery? Reach out to Johnny Whitaker so they can help to celebrate the lives lost/ lives recovered at overdoseawareness0831@gmail.com Follow our guest https://thedeadalexkintner.com/ https://www.imdb.com/name/nm0903386/ https://www.instagram.com/thedeadalexkintner/?hl=en Toking with the Dead: https://www.stilltoking.com/ ————————————— Follow Still Toking With and their friends! https://smartpa.ge/5zv1 ————————————— Produced by Leo Pond and The Dorkening Podcast Network MORE ABOUT THE GUEST: After his memorable appearance in Jaws, Voorhees went on to appear in the popular TV series Santa Barbara and the drama movie One More Shot. He also went on to manage a seafood restaurant called 'The Wharf' on Martha's Vineyard, the same island used to depict Amity in Jaws. Now retired from managing the restaurant, interestingly, the restaurant still serves a sandwich called 'The Alex Kintner Burger'. He remains a popular figure among Jaws fans, frequently receiving interview requests from all over the world. He enjoys telling his customers about his role in the classic 70s movie and revels in the attention it brings him. Jeffrey Voorhees may have only had a brief appearance in Jaws, but his portrayal of Alex Kintner has left a lasting impression on moviegoers around the world. With his unique claim to fame, he continues to be a beloved figure among Jaws fans and he enjoys going to signings, cameos and conversing and sharing stories with the fans and also running his dog on the beach... the same beach that he died at on Martha's Vineyard while playing Alex when we was 12 years old in 1975. Find out more at https://still-toking-with.pinecast.co Send us your feedback online: https://pinecast.com/feedback/still-toking-with/40de5f90-6886-4079-a221-a95e11342c36

Which Alien movie would be easiest to survive? Neil deGrasse Tyson and Chuck Nice answer Cosmic Queries about aliens in film alongside Jake Roper, host of the YouTube channel Vsauce3 and their series “Could You Survive The Movies?”Originally aired January 13, 2020.NOTE: StarTalk+ Patrons can listen to this entire episode commercial-free here: https://startalkmedia.com/show/cosmic-queries-aliens-with-jake-roper/ Subscribe to SiriusXM Podcasts+ to listen to new episodes of StarTalk Radio ad-free and a whole week early.Start a free trial now on Apple Podcasts or by visiting siriusxm.com/podcastsplus. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

durée : 00:29:31 - Les Pieds sur terre - par : Sonia Kronlund, Karine Le Loët - 12 novembre 2022, Sir Alfred Mehran s'éteint dans l'aéroport de Roissy où il a vécu 18 ans. Ce réfugié politique iranien avait pourtant perçu une forte somme d'argent quand Steven Spielberg a voulu porter sa vie à l'écran dans "Terminal". Que s'est-il passé ensuite ? Un récit signé Karine Le Loët. - réalisation : Anne-Laure Chanel

Audio update: The original episode upload had missing audio near the end of the podcast. A new complete version of the episode replaced the first upload late on Friday evening. This week’s podcast features reviews of:Mr Scorsese (Apple TV, 5 episodes)Chad Powers (Disney+, 6 episodes)Boots (Netflix, 8 episodes)Watching You (Stan, 6 episodes) Plus James on the new movie Springsteen: Deliver Me from Nowhere, and Andrew on the Hollyoaks 30th anniversary specials and its Brookside crossover episode. Mr Scorsese (Apple TV, 5 episodes) Mr. Scorsese is a film portrait of America’s greatest living director through the lens of his work, exploring the many facets of a a man who redefined filmmaking, including his extraordinary career and unique personal history. With exclusive, unrestricted access to Martin Scorsese’s private archives, the documentary series is anchored by extensive conversations with the filmmaker himself and never-before-seen interviews with friends, family and creative collaborators including Robert De Niro, Daniel Day-Lewis, Leonardo DiCaprio, Mick Jagger, Robbie Robertson, Thelma Schoonmaker, Steven Spielberg, Sharon Stone, Jodie Foster, Paul Schrader, Margot Robbie, Cate Blanchett, Jay Cocks and Rodrigo Prieto, along with his children, wife Helen Morris and close childhood friends. Chad Powers (Disney+, 6 episodes) Eight years after an unforgivable mistake nukes his promising college football career, hotshot quarterback Russ Holliday tries to resurrect his dreams by disguising himself as Chad Powers — a talented oddball who walks onto the struggling South Georgia Catfish. The football star is played by Glen Powell. The series is being labelled as an American Ted Lasso by some. Boots (Netflix, 8 episodes) Inspired by former US Marine Greg Cope White’s memoir The Pink Marine, the eight-episode series is an irreverent, off-beat take on the coming-of-age story. Set in the tough, unpredictable world of the 1990s US Marine Corps—when being gay in the military was still illegal—the series follows directionless, closeted Cameron Cope (Miles Heizer) and his best friend Ray McAffey (Liam Oh), the son of a decorated Marine, as they join a diverse group of recruits. Watching You (Stan, 6 episodes) Watching You centres on thrill-seeking paramedic Lina (Aisha Dee) and the fallout of a single decision which threatens to upend her life. Though apparently happily engaged to Cain (Chai Hansen), a chance encounter with mysterious stranger Dan (Josh Helman) triggers Lina’s desire and culminates in a passionate one-night stand in a WeStay property. In the aftermath, Lina discovers that the affair has been captured by a hidden camera and is blackmailed with the footage. See omnystudio.com/listener for privacy information.

This week we'll be taking a look at Poltergeist (1982), directed by Tobe Hooper and co-written by Steven Spielberg. Poltergeist follows a family haunted by certain strange happenings in their home, a classic ghost story told through the lens of two visionary filmmakers of the time. Enjoy this review of Poltergeist (1982)!   Cinema Spectator is a movie podcast hosted by Isaac Ransom, Juzo Greenwood, and Cameron Tuttle. The show is executive produced by Darrin O'Neill and recorded & produced in the San Francisco Bay Area, CA. You can support the show at patreon.com/ecfsproductions. Follow us on YouTube, Facebook, Instagram, and Twitter under ECFS Productions (@ecfsproductions). Isaac and Cameron started recording podcasts with their first project, Everything Comes from Something (2018), and are now focusing on new weekly content for Cinema Spectator. Cameron Tuttle is a full-time professional cinematographer who majored in SFSU Film School to collaborate with corporate, private, and creative productions. Cameron is the expert. Isaac Ransom works full-time as a marketing leader, with creative experience in brand, advertising, product, music, and film. Isaac is the student. And Juzo, he knows everything about cinema. The podcast is a passion project between three longtime friends; we hope you can enjoy our project with the limited time we have! Thank you for your time, your generosity, and support. 

What if I told you that the rejection you fear most isn't coming from other people? Most of us spend our lives trying to avoid hearing "no." We don't send the email. We don't make the call. We don't start the business, ask for the promotion, or put ourselves out there—because we're terrified of being rejected. But here's what nobody talks about: there's a type of rejection that's far more painful than anything the world can throw at you. And chances are, you're experiencing it right now without even realizing it. In this episode, I'm sharing a lesson my late sister taught me about rejection—one that completely changed how I approach fear, failure, and putting myself out there. She faced constant rejection as a professional dancer, yet somehow, she never let it stop her. And what she understood is something that successful people like J.K. Rowling, Oprah, and Steven Spielberg all figured out too. In this episode, you'll discover: The two types of rejection we all face (and why one is guaranteed to keep you stuck) What your fear of failure is really costing you The one question that will change how you make decisions forever Why the most successful people are also the most rejected people How to finally stop playing small and start going after what you really want If you've been holding back on something—whether it's a career move, a difficult conversation, or a dream you've been sitting on—this episode will shift everything for you. Ready to stop letting fear run your life? Book a free 20-30 minute coaching call with me and let's talk through what's keeping you stuck and what your next step forward looks like. Schedule your clarity call here: https://www.kategladdin.com/coaching 

The third episode of our season on the awesome movie year of 1971 features the second of two picks for a notable debut feature, Steven Spielberg's Duel. Directed by Steven Spielberg from a screenplay by Richard Matheson (based on his short story) and starring Dennis Weaver, Duel aired as an ABC TV movie in the U.S. and was released theatrically in Europe and Australia.The contemporary review quoted in this episode comes from Janet Maslin in The New York Times (https://www.nytimes.com/1983/04/15/movies/spielberg-s-duel-four-wheel-combat.html).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on Bluesky at signalbleed.bsky.social and on Letterboxd at https://letterboxd.com/signalbleed/If you're a Letterboxd user and you watch any of the movies we talk about on the show, tag your review “Awesome Movie Year” to share your thoughts.You can find our producer David Rosen and his Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod, on Bluesky at piecingpod.bsky.social and on Letterboxd at https://letterboxd.com/bydavidrosen/ Join the Popcorn & Puzzle Pieces Facebook group at https://www.facebook.com/groups/piecingpod for more movie discussion and our Awesome Movie Year audience choice polls.All of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comSubscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year and Piecing It Together, plus music by David Rosen:

Hey, you guys! In honor of its 40th anniversary, we're revisiting the beloved 80s adventure classic “The Goonies!”   What experience from Steven Spielberg's own life inspired the idea for “The Goonies? Where are the cast members now? What elaborate prank did Steven Spielberg and the child actors play on director Chris Columbus? And how do the original cast members feel about the rumored sequel? We discuss all this and more!   If the phrase “Goonies never say die!” still brings a lump to your throat, this podcast is for you.    How to support Scandal Water: Rate, review, and subscribe! Follow the show on your favorite app or Scandal Water Podcast YouTube channel.  Send your shoutouts to scandalwaterpodcast@gmail.com. Become a member on patreon.com/ScandalWaterPodcast or buymeacoffee.com/scandalwaterpod – which will also grant you access to fabulous bonus content! #goonies #thegoonies #gooniesneversaydie #s #chunk #seanastin #stevenspielberg #coreyfeldman #richarddonner #joshbrolin #jeffcohen #marthaplimpton #kerrigreen #data #kehuyquan #johnmatuszak #mouth #mikeywalsh #robertdavi #andy #anneramsey #chriscolumbus #sloth #thisisourtime #thingsthatgobump #october #podcast #film #movie

“They're heeere…” Join Ian & Megs for our 301st episode as we grab the remote, face the static, and step into the spectral suburbia of Poltergeist (1982). Liam and Kev? They're not with us this week — the house they were recording in was built on an ancient podcast burial ground. We haven't heard from them since, but we're getting some weird interference through the TV… This week we discuss: 301 episodes in — how did we make it this far without getting dragged into the light? How Poltergeist terrified an entire generation while redefining the modern haunted house movie. The age-old debate: how much of this film was Tobe Hooper and how much was Steven Spielberg pulling the spectral strings? Why the film's suburban setting hits harder than gothic castles or spooky mansions — horror in the heart of normality. The infamous curse surrounding the film's production — what's real, what's coincidence, and what's just chilling. Is Poltergeist actually a family drama disguised as horror, and why does that emotional core make the scares land harder? Ian breaks down the film's special effects and practical wizardry — how they still hold up decades later. Ian also shares about some childhood traumas regarding losing beloved toys at school while Megs reminds him that's why you don't bring valuable stuff in Why Poltergeist manages to be scary without ever really being gory — and whether that balance is what makes it timeless. Why do they have a magic remote control and was the guy costuming Dana a creep? And finally, whether Poltergeist is the Best Film Ever — or just the reason we still side-eye our static screens. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Tom Ruegger is the fourteen-time Emmy Award-winning producer and creative force behind many of the most popular and successful animated TV series of all time, including: Pinky and the Brain, Freakazoid, Histeria, Road Rovers, and the feature film, Batman: Mask of the Phantasm. Tom also co-wrote the pilot and served as a script editor of the Emmy Award-winning animated series Tutenstein.Tom began his career as an animator at Hanna-Barbera Productions on such familiar cartoon series as Scooby Doo, The New Flintstones, Casper, and Godzilla. Later, as a story editor and producer, he worked on shows like Pound Puppies, and Scooby-Doo and Scrappy-Doo. Tom created and produced A Pup Named Scooby-Doo, the first Scooby-Doo series to be nominated for an Emmy.After honing his writing skills working at Filmation Studios on TV series like Blackstar, and Tarzan, Lord of the Jungle, Tom would subsequently join Warner Bros. Animation where he went on to head up production on Tiny Toon Adventures, beginning a decade-long, wildly successful creative collaboration with Steven Spielberg, spanning five hit series resulting in over 30 Emmy Awards in numerous categories. In 1993, in collaboration with Mr. Spielberg, Tom created a cast of breakout characters for Animaniacs, the multi-award-winning "hellzapoppin'-style" cartoon show, starring the zany siblings Yakko, Wakko and Dot Warner. Tom served as the show's senior producer, story editor, writer and lyricist.Tom served as chief creative executive of Warner Bros. Animation during its second "Golden Age." Along with Jean MacCurdy, Tom executive-produced: Taz-Mania and Batman: The Animated Series.

Celluloid Heroes: Episode 10Film: E.T. The Extra-Terrestrial (1982)Summer means many things. No more pencils. No more books. No more teachers dirty looks. And movies. Lots of movies. But in the legendary summer of 1982 a movie that would soon become a box office and cultural phenomenon and enshrine its director in the pantheon of all-time great filmmakers was released, and gave your host an unexpectedly somber glimpse into his own future. This is the story of Steven Spielberg's E.T. The Extra-Terrestrial.Follow Celluloid Heroes on INSTAGRAM https://www.instagram.com/TheCelluloidHeroesPodFollow Brad Abraham at www.bradabraham.comShare your thoughts with us! Send your comments to contact@longboxcrusade.comThis podcast is a member of the LONGBOX CRUSADE NETWORK:Visit the WEBSITE: https://www.LongboxCrusade.comFollow on TWITTER: https://twitter.com/LongboxCrusadeFollow on INSTAGRAM: https://www.instagram.com/longboxcrusadeLike the FACEBOOK page: https://www.facebook.com/LongboxCrusadeSubscribe to the YOUTUBE Channel: https://goo.gl/4LkhovSubscribe on APPLE PODCASTS at:https://itunes.apple.com/us/podcast/the-longboxcrusade/id1118783510?mt=2Subscribe on SPOTIFY at:https://open.spotify.com/show/3Hl0nrO7z1KYaHSDug9hsg?si=ee431b760c8c4a21Celluloid Heroes SPOTIFY Single Feed at:https://open.spotify.com/show/5G4VxlMzO0yy7Rub7MPUzx?si=389277ae77a84dd0We appreciate you joining us for this episode of Celluloid Heroes and hope you enjoyed listening!#film #cinema #movies #genx #nostalgia #ET #1982 #ExtraTerrestrial

Michael J. Fox is an award-winning actor, author, and philanthropist whose talent, humor, and heart have inspired generations. Four decades after Back to the Future made him a global star, Michael J. Fox sits down with Willie Geist to reflect on the film that defined a generation and the resilience that's defined his life since. He opens up about the whirlwind of becoming Marty McFly at 23, the joy of rediscovering the movie as a fan, and the impact of the Michael J. Fox Foundation, which has raised more than $2.5 billion for Parkinson's research. Plus, through decades of challenges and triumphs, Fox shares why he still believes “everything is possible.” Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

There’s a surprising amount of films called Fortress, but we’re watching the most obscure one, the Australian family thriller (if that’s a genre) that constantly switches between jovial, Steven Spielberg-esque kids adventure in the outback and violent horror thriller with kidnapping, murder and rape threats. Be prepared for: improvised tools and weapons, decapitated duck heads, … Continue reading "465: Fortress [1985] Movie Discussion"

Recientemente, el escritor Javier Sierra ha visitado la llamada Montaña del Diablo o Torre del Diablo (Wyoming, Estados Unidos). Este icónico lugar aparece en la película Encuentros en la Tercera Fase, de Steven Spielberg. En dicho filme aparece reflejado como un lugar de supuesto contacto con extraterrestres. Lo cierto es que, a partir de la difusión de la película, este lugar se ha convertido en centro de peregrinación de numerosos fans del fenómeno OVNI. Javier Sierra nos contará cómo es este lugar, el clima que se vive en él y si realmente hay algo de cierto en toda esta leyenda. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

This episode of Girls On Film is dedicated to BAFTA and Oscar contender, The Second Time Around. The film tells a complex, sensitive, universal story, and you can watch it on Channel 4 now. Anna talks to the two stars of the film: Caroline Goodall, best known for films like The Princess Diaries with Anne Hathaway, and her two collaborations with Steven Spielberg, in Hook alongside Robin WIlliams - and in Schindler's List. And Hannah Onslow, who featured alongside Olivia Colman in Empire of Light directed by Sam Mendes, and starred in the BBC's This City Is Ours alongside Sean Bean. Hannah can currently be seen in Noah Baumbach's new film Jay Kelly. Anna also talks to the writer and director, Jack Howard, and to executive producer Hedda Lornie Archbold, who also exec produces this podcast. And finally Anna talks to Rita Hirani, the CEO of MindOut, the mental health charity for the LGBTQ community, who proudly partner with The Second Time Around. Olivia Colman said: “It's a haunting and captivating short that lingers long after it ends. It unsettles you at first, then reveals an unexpected tenderness. An extraordinary depth of story told in just ten minutes." Sign up to the Girls On Film newsletter below: http://eepurl.com/iEKaM-/ or email girlsonfilmsocial@gmail.com to be signed up. Become a patreon of Girls On Film on Patreon here: www.patreon.com/girlsonfilmpodcast Follow us on socials: www.instagram.com/girlsonfilm_podcast/ www.facebook.com/girlsonfilmpodcast www.twitter.com/GirlsOnFilm_Pod www.twitter.com/annasmithjourno Watch Girls On Film on the BFI's YouTube channel: www.youtube.com/playlist?list=PLX…L89QKZsN5Tgr3vn7z Girls On Film is an HLA production. Host: Anna Smith Executive Producer: Hedda Lornie Archbold, who also produced this episode Intern: Ruby Bradshaw Principal Partners Vanessa Smith and Peter Brewer, Thanks to our sponsors for this episode, Lilac Grove Entertainment. © HLA Agency

My friend and animation aficionado Mark Brown joins me for a discussion about Steven Spielberg's motion-capture animated film THE ADVENTURES OF TINTIN (2011), based on the popular European comic books. More info at moviespastandpresent.com. Thanks for tuning in! (c) Movies Past and Present. All Rights Reserved.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! “Mr. Scorsese” es un retrato del cineasta a través de su propia obra: una mirada muy completa a un visionario que transformó el cine. Con acceso exclusivo a sus archivos personales, la serie se construye a partir de extensas charlas con Scorsese e incluye testimonios de familiares, amigos y colaboradores como Robert De Niro, Leonardo DiCaprio, Daniel Day-Lewis, Steven Spielberg o Thelma Schoonmaker entre otros.Escucha este episodio completo y accede a todo el contenido exclusivo de SCANNERS. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/19520

Adventure has a name...and it's name is Inside the Insider! Join Alex, Davis, and Jesse for more Last Crusade, including interviews with Harrison Ford, Sean Connery, and Steven Spielberg...from 1989! It's Inside the Insider Collection #3! To catch up to Inside the Insider, sign up on Patreon! A new bonus episode comes out every time we put out a main series episode! Or go check out SWNCBC Legends Collection 1 for free right now! www.patreon.com/SWOCBC

How do we tell stories that bring people together when everything else is pushing us apart?Oscar and Tony-winning producer Bruce Cohen, whose credits include American Beauty, Milk, Silver Linings Playbook, and Big Fish, joins The Caring Economy to talk about storytelling as an act of public service.In conversation with Toby Usnik, Bruce reflects on his life's work — from mentorship under Steven Spielberg to receiving the National Medal of Arts from President Biden — and why he believes the arts are essential to democracy.Cohen shares lessons from decades in Hollywood and on Broadway about collaboration, empathy, and the courage it takes to create something that matters. He also warns of what's at stake as the arts face renewed political scrutiny and funding threats.Tune in for a rare conversation on leadership, creativity, and how culture can still connect us in an increasingly divided world.

In part due to the unplanned hiatus during May and June, horror podcast episodes are not on the menu this year. But this episode is close, because H.G. Wells's is one of the most terrifying stories in the annals of science fiction. Much like we did a couple of years ago regarding Dracula, Phil Fasso and I look at Wells's classic through the perspective of some of its most famous iterations. We begin with Orson Welles's infamous radio play version, then go to Byron Haskins's 1953 film, Steven Spielberg's 2005 adaptation, and finally, this year's hideous adaptation. I hope you enjoy!

The second episode of our season on the awesome movie year of 1971 features the first of two picks for a notable debut feature, George Lucas' THX 1138. Directed and co-written by George Lucas and starring Robert Duvall, Donald Pleasence, Maggie McOmie and Don Pedro Colley, THX 1138 is based on Lucas' student film Electronic Labyrinth: THX 1138 4EB.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/thx-1138-2004), Vincent Canby in The New York Times (https://www.nytimes.com/1971/03/21/archives/wandas-a-wow-sos-thx-wandas-a-wow-sos-thx.html), and Stefan Kanfer in Time magazine (https://content.time.com/time/subscriber/article/0,33009,944339,00.html).Please like, share, rate and comment on the show and this episode, and tune in for the next 1971 episode, with the second of two picks for a notable debut feature, Steven Spielberg's Duel.The contemporary reviews quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/thx-1138-2004), Vincent Canby in The New York Times (https://www.nytimes.com/1971/03/21/archives/wandas-a-wow-sos-thx-wandas-a-wow-sos-thx.html), and Stefan Kanfer in Time magazine (https://content.time.com/time/subscriber/article/0,33009,944339,00.html).Check out more info and the entire archive of past episodes at https://www.awesomemovieyear.com and visit us on Facebook at http://www.facebook.com/awesomemovieyear You can find Jason on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Letterboxd at https://letterboxd.com/goforjason/You can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/, on

Alice Walker is an internationally celebrated author, poet and activist whose books included novels, collections of short stories, children's books, and volumes of essays and poetry. Her best known novel, The Color Purple, was adapted by Steven Spielberg into  a major motion picture. In 1992 she spoke at the John Adams Institute about her novel Possessing the Secret of Joy, about the devastating effects of female genital mutilation. The evening was mostly devoted to Ms. Walker's readings, followed by a Q&A with the audience that unfortunately did not survive the recording. But the sound of her voice, her reading and her work are still very powerful.This event took place on October 23, 1992 at the Aula of the UvA in Amsterdam.Visit our website for more info on events by the John Adams Institute or click here to become a member.Support the show

In this episode, we explore Lucas Wars by Laurent Hopman and Renaud Roche. The book reveals how a life-altering car crash in Modesto, CA, changed George Lucas's path forever, leading him to film school where he met the likes of Steven Spielberg and Francis Ford Coppola. We discuss his untold struggles, from the first film that bankrupted his company to a studio that wasn't thrilled with his vision. The book takes us behind the scenes of the on-set disasters, actor casting challenges, and studio interference that plagued the production of Star Wars: A New Hope. This is a must-read for any film fan, revealing the true grit and creative vision that built a galaxy far, far away.

Jurassic World Rebirth oder doch nur Regurgitation? Gelingt es dem erfolgreichsten Film des Sommers, das Dino-Franchise im siebten Teil auch mit neuem Leben zu füllen oder wärmt Gareth Edwards nur Steven Spielbergs chilean sea bass für die Kinokasse auf? Nach vielen PewCasts über die Animationsserien geht es mit Conrad endlich wieder um einen Jurassic-Film auf […] The post PewCast 171: Jurassic World Rebirth appeared first on PewPewPew.

Jeremy Licht talks with John Cato as he takes us behind the scenes of his Hollywood journey, starting with the wild audition that landed him the role on Valerie's Family—which soon became The Hogan Family. He opens up about the dramatic cast shift when Sandy Duncan replaced Valerie Harper and shares a hilarious behind-the-scenes story about Duncan. Jeremy talks about his close friendship with Jason Bateman, pranks on set, and working with beloved personalities on The Hogan Family like Edie McClurg, Willard Scott, and John Hillerman. He also shares stories from auditioning for Twilight Zone: The Movie with Steven Spielberg, acting with Lindsay Wagner on Jessie and David Birney and Shari Belafonte on St. Elsewhere. Thanks Jeremy, it was a lot of fun!That's Classic! Merchandise: http://tee.pub/lic/2R57OwHl2tESubscribe for free to That's Classic YouTube Channel: https://www.youtube.com/channel/UCBtpVKzLW389x6_nIVHpQcA?sub_confirmation=1Facebook: facebook.com/thatsclassictvHosted by John Cato, actor, voiceover artist, and moderator for over 20 years for the television and movie industry. John's background brings a unique insight and passion to the podcast.

I've been hated by the Party of Hate for five years and counting, maybe longer. For a while, I tricked myself into thinking it was people who didn't really know me. They judged me on my tweets or my opinions. But then, after I came out as a Trump voter, I felt hate even from the people who did know me.I've seen sons disown their mothers, wives disown their husbands. I've felt the hatred from the people in my town who put up alienating lawn signs that seem to come from a good place until you think about what they're really saying: agree with us, or we will hate you. When I was a kid, my stepdad forbade us from using the word “hate.” We were not allowed to say it for any reason, not “I hate brusselsprouts,” “I hate doing the dishes,” or most especially, “I hate you.”I felt it bubbling up so many times - what is a better word, I would wonder. There is no better word, I would conclude. Hate is the word we use to describe that all-consuming heat that bubbles up inside us that we can't control. There are perfect words for things, or as Anton Chigurh said in No Country for Old Men, “you pick the one right tool.”What is love? I knew what that was the first time I saw my baby's face. What is hate? What all of us felt in November of 2016 when Donald Trump won the election. From that day forward, for the next ten years, we would be defined by and consumed by hate.The hate wrapped itself around us. It comforted us. It made us feel morally superior and less alone in our misery and less helpless in our actions. It justified everything we did, whether it was protesting Trump's inauguration or forming the #Resistance. It justified even worse, beating up, spitting on, and knocking the red hats off of Trump supporters. The rulers of the Left's aristocracy, the empire that is now in tatters, said nothing. They seemed to delight in watching all of us good soldiers protest, even smash windows and burn buildings to show how angry we were, because that made them feel less like the failures they are. Blame Trump, blame the voters for the crime of voting them out. Blame anyone but themselves.All of culture was now consumed by the hatred that blotted out the sun and kept us trapped in a long, dark winter of misery and rage. It was our obligation as citizens of utopia to take a side against the half of America that had betrayed Barack Obama and Hillary Clinton. Hollywood, universities, corporations, institutions, book publishing, libraries, and restaurants all sent the same message to the Red Hats: you are not welcome here.The directive from on high was not to “normalize” what was not “normal.” The people didn't just vote in Trump to represent them — that would be democracy. This was something else. This was an affront to all the better people —the ones with all the power. Those who called themselves the good side, the moral side, the side written by Aaron Sorkin and directed by Steven Spielberg, the lawn sign people who say JUST BE KIND, were in the grips of an emotion they could not name, let alone control.You do not speak like we do. You do not believe what we believe. You do not accept our version of reality. We don't want you here. We hate you. Hate was what we were feeling, and yet hate was a word we'd given away. It didn't mean this overwhelming sensation that made us use our social media to demonize and dehumanize the working class. It meant people who did not go along with our progressive ideology. It started back in the 1990s with the fight for gay marriage. “Love is love” meant you're with us. “Hate” meant you were against us. Hate was what all of those bad people over there were, the God people, the Conservatives, that's what defined them, not us.Without the right words to describe what we were feeling, we had to find other words. Nazi, fascist, dictator, bigot, homophobe, racist, rapist, xenophobe, transphobe. And when that wasn't enough, we had to go after how he looked, his weight, his hair, his hands, his skin, his relationship with his family, the cars he drove, the food he ate.Trump was the only thing we could see because hate was the only thing we could feel. Like this woman on TikTok who embodies so much of what defines the Left today.It wasn't that Trump didn't troll or provoke us or give as good as he got. He did. Every one of his tweets drove us deeper into our hatred. How could he say that? That's not funny. That's not a joke. That's offensive. Presidents don't talk that way. Who would dare talk that way? Don't laugh. Take it seriously. Don't normalize him. Maybe for a while, the hatred was an understandable response to someone who offended everything we stood for. But after years of it, even I couldn't take it anymore. It wasn't just poison I could feel — a poison that began to make me sick — it was poison in our culture. It touched everything, ruined everything, destroyed a once-mighty movement, and collapsed an empire. That hate we felt, that united us, meant everything had to be sucked into it, like a black hole. Jokes weren't funny. Movies were dystopian and apocalyptic, and still are. Keep the people afraid. We are oppressed, said the wealthy ruling class. Hate became a useful weapon for the empire. They could police thought and speech to aim their weapon at anyone who disagreed with them, defied their rules, and thought for themselves. Two Minutes of Hate Although they will deny it and wish for it not to be true, what we all built back when Obama won was like 1984. We built an “inside” that kept everyone else on the “outside.” If you wanted to be on the “inside,” you had to follow our strict rules; otherwise, you were out.In 1984, Big Brother uses Two Minutes of Hate to keep the people consumed by an emotion that prevents them from ever thinking for themselves. Who would want to be hated like that?And yet, that described exactly what it was like to watch everyone I knew every single day on social media. It spilled over into real life because the media drove it — from morning news on NPR and the networks, through the day with social media feedback loops, to cable news, and late-night comedy. It was Two Minutes of Hate all day, every day.I didn't want to be part of it, and I had to know what was true and what wasn't. In 1984, we know Big Brother is lying about Goldstein, if Goldstein even existed. The version of Trump we thought existed was the same kind of useful illusion. What was the way out of this, I wondered. I'd already felt the wrath of my friends online for asking questions or breaking our strict code of thought and speech. They hated me, too. So I decided to try to reprogram my brain by cutting off all information coming from the media and social media.It wasn't easy. I filled up my head with only news from the Right. I wanted to know who they really were. I had to know if any of it was true. What I eventually found out was that no, it wasn't true. Every screeching accusation is a choice to condemn someone on flimsy evidence without giving them the benefit of the doubt. How can we live like this, I thought. We must be able to tolerate one another. But how? The first thing I needed to do was remember what words really meant. NewspeakNewspeak is necessary in 1984 for the same reason it's necessary on the Left. Like masks, it identifies who is who in a civilization migrating online, where words are sometimes all we have to decide who is who.Our manipulation of words like 'love' and 'hate' meant that they became elastic over time. We used them for our own purposes to drive our agenda. Break the rules of language, no matter how crazy and ridiculous they become, and you are HATE. The worst offender of Newspeak is undoubtedly “Gender Affirming Care.” It's a word game for them. You can't oppose it without opposing the “affirmation” of their gender. It is demanded and mandated. Which is how we get videos like this.Children are conditioned to obey these strict rules because waiting on the other side for them is Two Minutes of Hate, or a lifetime of it.Obey our rules, or else it's all done with rainbows and unicorns and a smile. Now look at how Charlie Kirk approached this difficult subject, with compassion and grace, but also by edging ever so closely to the truth. Is it any wonder they had to silence him by any means necessary? Child-like words are given for extreme procedures that they are in no way ready for. Top surgery is, in reality, a double mastectomy on a pre-teen or teenage girl who can't consent. Bottom surgery is either chemical or surgical castration, or mutilating your otherwise healthy organs to fake male body parts. The words became ways to define this bizarre new fundamentalism that has overtaken so many young people, and why so many of them are fleeing for freer, saner pastures. Did you know there was a word called Adultism? It means, “behaviors and attitudes based on the assumption that adults are better than young people, and entitled to act upon young people without their agreement. This mistreatment is reinforced by social institutions, laws, customs, and attitudes.” Heterosexism, cisgender — so many words. All it means is that you cannot question any of it and must follow these words to decide the meaning of things, rather than what you know in your mind and heart to be true; it's 2+5=5.Trump's biggest crime was that he stripped away gentle language and spoke the plain truth. None of their weapons of war — the Two Minutes of Hate — worked on him. We forgot the lesson from our childhood about the power of words. They are just words. They are not bullets whizzing through the air from rooftops. They are not shooting a CEO on the streets of New York. They are not setting fire to Teslas.I don't have to look far to see what the Left has become. I only have to scroll social media, and the algorithm gives me what is most popular. Yes, these are just words, but more and more lately, violence is echoing them. And on TikTok:Sticks and StonesCharlie Kirk was silenced because the shooter said he “spread too much hate” and it could “not be negotiated down.” An assassin did the dirty work. The end result was the same. That he wasn't immediately silenced, that his voice got louder as people mourned him and defended him, brought the hate back with a white hot fury. I've been waiting for five years for those I know on the Left to snap out of it, to thaw out, to find their humanity and their tolerance. Yet every day, it just seems to get worse. Because to them, they are becoming hate while combating what they have defined as hate. That's not everyone on the Left. I know some brave people who still treat me with kindness and decency. Those who lead their party, however, including their influencers, journalists, celebrities, and comedians, are the ones defined by hate that leave no room for any middle ground.Here is Jesse Kelly:Those who aren't consumed by hate are too afraid to stand up to the party. They can't even stand up against text messages that fantasize about violence and death against Republicans. Here is Abigail Spanburger in a debate with Winsome Earle-Sears, refusing to back off her support of Jay C. Jones:But I know that violence on the Left in the era of Trump is not new. The issue dates back to 2015 and has been reported on by Tucker Carlson and Liz Wheeler, tracing its origins to Trump's first term.But the Left controls the media narrative, and even if that's changing, it isn't changing fast enough. There aren't enough Democrats willing to stand up against any of it. Here is Pam Bondi and Benny Johnson on the arrest of a man who threatened Johnson's life:When I found my way into Trump world, I found exactly the opposite of what I expected: hate. I found tolerance. I found decency. I found kindness. I found love. It was unusual to find people who were not eternally miserable, bearing the weight of the world on their shoulders, like most progressives. Many of them are not driven by politics but rather by a higher power, and that is what prevents them from becoming a people and a movement defined by hate. There is also a lightness in escaping totalitarian oppression that polices every word that comes out of your mouth. It feels good to speak the truth, and it feels good to feel free. The death of Charlie Kirk has shaken moderate Democrats out of their hate stupor because of how so many on the Left reacted to his death.The Democrats didn't used to be the party of hate. But powerful people don't like having things taken away from them. In their fury and fanaticism, almost nothing of what they built, supposedly on inclusion and tolerance, remains. All that's left is the thing they can't name, the thing they can't extinguish: that all-consuming hate. I don't know how we end this madness. I don't have any hope that the Democrats will emerge from it any time soon. I guess that means we must move on without them to shape an America that, at the very least, understands the meaning of fundamental words like love and hate. // This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.sashastone.com/subscribe

Michael Savage speaks with Steve Williams, a pioneer in computer animation. Steve is renowned for his work on major films like Terminator 2 and Jurassic Park, where he developed groundbreaking visual effects including the T-1000 and the T-Rex. They discuss Steve's journey from being a weapons engineer to his significant role at Industrial Light and Magic (ILM), working with high-profile directors such as Steven Spielberg and James Cameron. Steve shares personal anecdotes about his rebellious nature, experiences with famous personalities, and technical insights into computer graphics and animation. The conversation also touches upon the evolution of the film industry, the impact of AI, and Steve's relocation to the Ozarks for a simpler life.

This was an enjoyable Wednesday crossword, with a warm, uplifting, nostalgia-centric theme that both cohosts greatly appreciated. We were glad to see Jules VERNE in the grid for his 77th time, in 48A, Author of "L'Île Mystérieuse"; we were not at all surprised to see YAOA (Yet Another OREO Answer) at 60D, Double Stuf cookie; and we also appreciated the next clue over, 62A, A 2-1 record has one, LOSS (of course!).A nice debut by Daniel Trujillo Diaz. Will his second appear before not too long? Outlook good!Show note imagery: Ariana DEBOSE as Anita in Steven Spielberg's West Side StoryWe love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

Edy Hurst is a critically acclaimed and award winning stand-up comedian and musician who has appeared on BBC Radio 4, MTV UK, NextUp Comedy, and BBC Radio Manchester. Having been successful in numerous new act competitions in his early career, he has also made the finals of the 2021 Musical Comedy Awards and been nominated for North West Comedy Award for Best Alternative Act and Best Comedy Show at Buxton Fringe. Edy has previously toured the UK with his debut hour Hurst Schmurst and Edy Hurst's Comedy Version of Jeff Wayne's Musical Version of H.G. Wells' Literary Version (Via Orson Welles' Radio Version and Steven Spielberg's Film Version) of The War of the Worlds and his podcast Edy Hurst's Podcast Version of… The War of the Worlds has been at the top of sci-fi podcast charts across the world. Edy is also the co-creator of Cultural Comedy Tours, which sees stand-up comedians perform tours across museums, galleries and heritage sites .Edy Hurst is our guest in episode 533 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Tickets for Edy's tour are available here - https://www.edyhurst.co.uk/witches-on-tour .Follow Edy Hurst on Twitter/X & Instagram @edyhurst . Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people .To support this podcast, get all episodes ad-free and a bonus episode every Wednesday of "My Time Capsule The Debrief', please sign up here - https://mytimecapsule.supercast.com. All money goes straight into the making of the podcast. Hosted on Acast. See acast.com/privacy for more information.

Welcome to another episode of Pods Like Us! Host Marv sits down with Cam from the Jacked Up Review Show for a lively, insightful conversation about podcasting, pop culture, and the power of positive discussion. Timestamps & Topics: ● 00:00 – Introduction ○ Marv introduces Cam from the Jacked Up Review Show and sets the stage for the conversation. ● 01:07 – What is the Jacked Up Review Show? ○ Cam explains the origins and mission of his podcast, focusing on pop culture, movies, and community. ● 02:15 – The Power of Validation & Community ○ Discussion about validating different perspectives and the importance of positive podcasting. ● 03:25 – Reminiscing: James Cameron Films ○ Marv and Cam recall their previous chat about James Cameron movies and share laughs about favorite moments. ● 05:00 – Creative Process & Show Format ○ Cam talks about the show's creative approach, including roasts, deep dives, and the unpredictability of what resonates with listeners. ● 06:40 – Highlight: Best of the Rest Podcast ○ Cam introduces “Best of the Rest,” a show that only says good things about infamous movies and focuses on self-improvement. ● 08:00 – Seeing Films & Music in a New Light ○ The hosts discuss how podcasts can help listeners appreciate lesser-known works by directors like Alfred Hitchcock and Steven Spielberg, and bands like Rage Against the Machine. ● 10:00 – Audience Engagement & Community ○ Marv and Cam encourage listeners to suggest topics and join the conversation. ● 11:30 – Where to Find the Shows ○ Cam shares how to connect with the Jacked Up Review Show on social media, and Marv shares where to find Pods Like Us. Best of the Rest Key Topics: ● Positive podcasting and community building ● James Cameron film discussions ● The value of looking for the good in movies, music, and pop culture ● Celebrating lesser-known works by famous directors and musicians Connect with the Hosts: ● Find Cam and the Jacked Up Review Show on Instagram, Twitter, and Blue Sky. ● Discover more episodes of Pods Like Us on all major streaming platforms and at marvzone.org. SEO Keywords: podcast interview, Jacked Up Review Show, Pods Like Us, Best of the Rest podcast, James Cameron films, Alfred Hitchcock, Steven Spielberg, Rage Against the Machine, positive podcasting, movie discussion, pop culture podcast, podcast community, film podcast, music podcast

Every Wednesday, Jake & Ben compete in Two 5-selection drafts - One sports-related & one not sports-related. This week on What You Got Wednesday: Biggest Wastes of Time in Sports | Best Steven Spielberg Movies Vote for your winner @JakeAndBenKSL on X. 

Episode 136: A Martha's Vineyard special report on the Joe Alves Documentary shoot. This week's episode is a little different. It is a behind the scenes update on our ongoing feature documentary about production designer and director Joe Alves (Jaws, Close Encounters, Escape from New York, Jaws 2, Jaws 3D). I take you through our trip to Martha's Vineyard in June 2024 to capture Joe's return to the island for the 50th anniversary of Jaws. Thanks to your generosity, we raised over £7,000 to cover the travel, ferry, car hire, and accommodation. Every penny went into the shoot. In this episode, I share:The challenges and triumphs of making the trip possibleShooting new interviews with Joe Alves, Marty Milner, Charles de Lauzirika, and Richard DreyfussFilming at iconic Jaws locations including Menemsha and the 4th July beach.The overwhelming warmth of the Jaws community and the atmosphere of the anniversary celebrationsHow the project has evolved from a short film idea into a full feature documentaryYour support is still needed!We still have more to do, including chasing interviews with Dean Cundey, John Carpenter, Lea Thompson, and Steven Spielberg. If you would like to support the film, visit the GoFundMe link in the show notes. Thanks again for helping us push this project forward. We could not do it without you. Support the documentary GoFundMeThis podcast is completely independent and made possible by listener support. If you'd like to help me keep making these episodes, you can join my Patreon community here: https://patreon.com/jamiebenning Watch more on YouTube:Check out the Filmumentaries YouTube channel for behind-the-scenes clips and extra content: https://youtube.com/filmumentariesAll my links

Creativity through the lens of a multifaceted artist, singer, composer, speaker and leadership coach"The creative impulse is what brings renewal."Owen Ó Súilleabháin is a multifaceted artist, renowned for his work as a singer, composer, speaker, and leadership coach. He draws on his rich heritage in the performing arts and academic background in philosophy, Greek and Roman civilization, and Peace Studies to inspire creativity and leadership. Owen believes in the transformative power of art and has collaborated with notable figures such as Steven Spielberg, Russell Crowe, Nigel Kennedy, and The Chieftains.In 2024 he established Inner Soul Circle, an online community focused on Celtic spirituality and the arts, alongside his mother Rev. Nóirín Ní Riain Ph.D and his brother Mícheál Moley Ó Súilleabháin.Owen's work spans various fields, including education, healthcare, and the corporate world, where he emphasizes the importance of listening and creativity for personal and organizational transformation. His contributions to the arts and leadership are recognized and sought after by numerous organizations globally.https://www.turasdanam.com/https://www.facebook.com/turasdanamhttps://www.youtube.com/@turasdanam/videosSend us a text

It's our fourth episode of the increasingly-inaccurately-titled Patreon Request "Month" 2025, and in the longest official episode of this podcast to date, the randomizer is going all the way back to 1988 to pick ArthurCrane's request for, quite simply, one of the greatest cinematic triumphs of all time, a tour-de-force of animation, live action and pre-CGI special effects wizardry, wrapped up in a still-relevant metaphorical fable about civil rights and gentrification set in an impossible fantasy world that combines a gritty film noir aesthetic with off-the-wall cartoon zaniness. Directed by future Oscar-winning blockbuster visionary Robert Zemeckis at the peak of his powers, with animation directed by often-underappreciated genius Richard Williams, and representing a Disney studio with new management eager to swing for the fences and conquer the world, this masterpiece was truly a once-in-a-lifetime perfect melding of artistry, ambition and anarchy. And granted, the whole project was blown out of the water just a few years later by the even greater achievement that was Ralph Bakshi's Cool World, but this movie was still pretty darn swell too. Join Tony Goldmark, Laura Barry, Sam Barry and Kit Quinn as they investigate WHO FRAMED ROGER RABBIT! Check out my guests' stuff! LAURA BARRY Website: https://www.laurabarryfinearts.com/  Twitter: https://twitter.com/laurabarry330   SAM BARRY Facebook: https://www.facebook.com/sambarry.author/  Twitter: https://twitter.com/sambarry  KIT QUINN  Podcast: https://channelkrtpodcast.libsyn.com/  Letterboxd: https://letterboxd.com/muppetvision3d/  And check out this show on social media! Bluesky: https://bsky.app/profile/vaultdisneypod.bsky.social  Host's Bluesky: https://bsky.app/profile/tonygoldmark.bsky.social  Twitter: https://twitter.com/efvdpodcast Host's Twitter: https://twitter.com/tonygoldmark Facebook Group: https://www.facebook.com/groups/972385353152531 YouTube: https://www.youtube.com/tonygoldmark Hear new episodes early and AD-FREE by supporting this show on Patreon: https://www.patreon.com/tonygoldmark

Steven Spielberg tried his hand at a Twilight Zone-ish series in 1985 that didn't exactly set the ratings world on fire, but would prove to be formative for a whole generation of imaginative kids. Amazing Stories brought in a combination of seasoned pros like Scorsese and Clint Eastwood and exciting, young talent, including today's guest, writer and filmmaker Mick Garris. Mick became famous for his Stephen King adaptations like The Stand and The Shining mini-series, but it was Steven Spielberg who gave him his first shot, first writing a few episodes on the first season of Amazing Stories, and then acting as head writer overseeing all the scripts coming in before eventually giving him a chance at directing an episode in Season 2. Mick makes his first appearance on The Spiel talking about his time on Amazing Stories, collaborating with Spielberg, and writing for people like Martin Scorsese and Joe Dante. Learn more about your ad choices. Visit megaphone.fm/adchoices

On Day 6 of our 31 Days of Halloween, Ryan, Matt, and I dive into Tobe Hooper and Steven Spielberg's 1982 classic Poltergeist. This suburban nightmare about a family haunted by restless spirits is one of our all-time favorite horror films, blending heart, humor, and hair-raising terror. We share our love for its unforgettable characters, groundbreaking special effects, and eerie moments that still hold up today. From “They're here” to the terrifying clown and beyond, we celebrate why Poltergeist remains a cornerstone of supernatural horror.Support The Conner & Smith Show on Patreon here:https://www.patreon.com/ConnerandSmith?utm_campaign=creatorshare_fan

Our two new books... STORY QUESTIONS: How To Unlock Your Story One Question At A Time - https://payhip.com/b/ZTvq9 and 17 Steps To Writing A Great Main Character - https://payhip.com/b/kCZGd Want to watch the video version of this podcast? https://www.youtube.com/watch?v=RrmKkDlprnI 0:00 - The Truth About Finding Work In The Movie Business 13:29 - How The Dinosaurs In Jurassic Park Were Created 24:29 - How Telling The Truth... Led To A 20 Year Job With Steven Spielberg 35:07 - Day I Realized That CGI Was Taking Over Hollywood 49:32 - How Filmmaking Is Better Today Than It Was 30 Years Ago 1:02:47 - 12 Principles Of Animation (According To Disney) 1:31:59 - Best Movies To Watch To Learn The Craft Of Filmmaking 1:38:00 - Big Reason Why Many People Quit The Movie Business 1:46:28 - Best Way To Teach Students Filmmaking With over 40 years in the film industry, Craig Caton-Largent is a legendary visual effects artist and the current Chair of 3D Animation & VFX at New York Film Academy (NYFA) Los Angeles. He has worked on over 100 films, creating some of Hollywood's most iconic creatures, including the Slimer ghost in Ghostbusters (1984), the penguins in Batman Returns (1992), and the raptors in Jurassic Park (1993). Craig has collaborated with top directors like Tim Burton, Steven Spielberg, and James Cameron, earning six Academy Award nominations for Best Visual Effects. A pioneer in digital effects, Craig co-founded Digital Domain and developed groundbreaking VFX software like Animservo, used by top studios and theme parks. As the Chair of the Visual Effects and Animation Department at NYFA, Craig is dedicated to helping his students develop animation and storytelling skills that will lead to success in the industry. Craig is also a sought-after speaker on motion capture technology at film festivals and universities worldwide. CONNECT WITH CRAIG CATON-LARGENT https://www.nyfa.edu/3d-animation-school https://www.imdb.com/name/nm0146253 Founded in 1992 by Jerry Sherlock, the New York Film Academy (NYFA) provides an accessible, hands-on education in filmmaking, media, and the performing arts. With a mission to make the film industry more accessible to all, NYFA empowers students from diverse backgrounds to tell powerful stories through a project-based, immersive curriculum. Students work closely with industry professionals, gaining invaluable mentorship and real-world experience while building creative, technical, and collaborative skills. NYFA's global community includes students from over 160 countries, fostering a network of passionate storytellers. From day one, students dive into creating projects that refine their craft and prepare them for successful careers. With a focus on practical experience and individualized support, NYFA equips students with the tools and confidence to excel in the competitive world of filmmaking and the arts. CONNECT WITH NYFA https://www.nyfa.edu SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage (Affiliates) ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 Stuff we use: LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq *Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we'll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!

Mark discusses the Obamas hanging out on Steven Spielberg's yacht; people in Chicago are complaining about the Obama Presidential library; Putin's calling up 135,000 more soldiers to go to Ukraine; LI pizza place fighting back against bad customers; 7-11 starting in-store dining and offering fresher food; AOL getting rid of dial-up Internet service; US test scores for kids are at all-time lows; major changes at NBC and MSNBC; luxury housing market in NYC is going crazy, bucking national trends in real state and the downsides to Ozempic. 

Mark discusses the Obamas hanging out on Steven Spielberg's yacht; people in Chicago are complaining about the Obama Presidential library; Putin's calling up 135,000 more soldiers to go to Ukraine; LI pizza place fighting back against bad customers; 7-11 starting in-store dining and offering fresher food; AOL getting rid of dial-up Internet service; US test scores for kids are at all-time lows; major changes at NBC and MSNBC; luxury housing market in NYC is going crazy, bucking national trends in real state and the downsides to Ozempic. See omnystudio.com/listener for privacy information.

For our final Hollywood Week episode, we welcome iconic character actor and comedian Eddie Deezen for a career retrospective exploring his journey from performing stand-up at The Comedy Store to becoming Hollywood's go-to "nerd" character in beloved films. Eddie shares his origin story growing up in Cumberland, Maryland, moving to Los Angeles after graduating high school in 1975, and his breakout role as Eugene Felsnic in the 1977 blockbuster Grease. That led to high-profile comedy films including Robert Zemeckis' I Wanna Hold Your Hand, Steven Spielberg's 1941, Midnight Madness, WarGames, and Grease 2. We explore his transition to independent films including cult favorites like Surf II, and his successful pivot to voice acting in the mid-80s, landing iconic roles as Mandark in Dexter's Laboratory and the Know-It-All in The Polar Express. You can keep up with all things Deezen by following Eddie on Facebook.Support the show___________________Check out video versions of this and other episodes on YouTube: youtube.com/dollarbinbandits!If you like this podcast, please rate, review, and subscribe on Apple Podcasts or wherever you found this episode. And if you really like this podcast, become a member of the Dollar Bin Boosters on Patreon: patreon.com/DollarBinBoosters.You can follow us @dollarbinbandits on Facebook, Instagram, and Bluesky, or @DBBandits on X. You can email us at dollarbinbandits@gmail.com.___________________Dollar Bin Bandits is the official podcast of TwoMorrows Publishing. Check out their fine publications at twomorrows.com. ___________________ Thank you to Sam Fonseca for our theme music, Sean McMillan for our graphics, and Pat McGrath for our logo.

ABOUT APRIL RINNE:BIO: My North Star: Helping people and organizations understand what's on the horizon – and how they fit into it. I decipher signals of change, help leaders and teams improve their tolerance for uncertainty, and scout new insights and opportunities in a world in flux. Over 25+ years and 100+ countries, I've been exposed to a wide range of companies, cultures, business models, leadership styles, and norms. And I've seen time and time again: Every organization, every team, and every individual struggles with change and uncertainty in some way. Even before the pandemic, and especially today. We've all had different experiences of change, and we could all use some help with the unknown. Leveling up our relationships to change and uncertainty is the opportunity of our lifetimes.My career portfolio includes futurist, speaker, author, advisor, global development executive, microfinance lawyer, investor, mental health advocate, certified yoga teacher, globetrotter, insatiable handstander, and ambassador of joy. Along the way I've been named one of the 50 Leading Female Futurists in the world, a World Economic Forum Young Global Leader, a member of Thinkers50 Radar and the Silicon Guild, and one of the earliest Estonian e-Residents. I'm also the author of the international bestseller Flux: 8 Superpowers for Thriving in Constant Change.My journey to Flux has been deeply personal. It began with the death of both of my parents in a car crash when I was 20. My entire life flipped upside-down. And today, there is nothing I enjoy more than sharing with others how I learned to see differently, find meaning, and strengthen my Flux Superpowers -- and how you can do so, too.April's LinkedIn Profile: https://www.linkedin.com/in/aprilrinne/Websites: https://aprilrinne.comBUY THE BOOK: https://www.amazon.com/Flux-Superpowers-Thriving-Constant-Change/dp/1523093595email: april@aprilrinne.comSHOW INTRO:Welcome to Season 7 of the NXTLVL Experience Design podcast – Episode 80!What started at a pivotal moment during the COVID pandemic in early 2020 has continued for seven seasons and now 80 episodes. This season we continue to follow our catch phrase of having “Dynamic Dialogues About DATA: Design, Architecture, Technology and the Arts. In the coming weeks we have some terrific conversations that are both fun and inspiring. They are going to include thought provoking futurists, AI technology mavens, retailers, international hotel design executives as well as designers and architects of brand experience places.We'll talk with authors and people focused on wellness and sustainable design practices as well as neuroscientists who will continue to help us look at the built environment and the connections between our mind-body and the built world around us.We'll also have guests who are creative marketing masters from international brands and people who have started and grown some of the companies that are striking a new path for us follow.And I don't know, maybe there will be a couple of mystery guests that will just shake things up and give us a perspective on things that we've never thought about before.As in the past couple of seasons, we are grateful for the support of VMSD magazine.VMSD brings us, in the brand experience world, the International Retail Design Conference. The IRDC is one of the best retail design conferences that there is bringing together the world of retailers, brands and experience place makers every year for two days of engaging conversations and pushing us to keep on talking about what makes retailing relevant. You will find the archive of the NXTLVL Experience Design podcast on VMSD.com.Thanks also goes to Shop Association the only global retail trade association dedicated to elevating the in-store experience. SHOP Association represents companies and affiliates from 25 countries and brings value to their members through research, networking, education, events and awards. Check then out on SHOPAssociation.org So, fasten your seat belt we're in for some good times…Today, EPISODE 80… I talk with April Rinne whose North Star is helping people and organizations understand what's on the horizon – and how they fit into it. April deciphers signals of change, helps leaders and teams improve their tolerance for uncertainty, and scouts new insights and opportunities in a world in flux. As well as being an excellent hand stander, (check out pics of her doing handstands in places all over the world on her website), she is also the author of the international bestseller “Flux: 8 Superpowers for Thriving in Constant Change.”We will get to her book, some of the key ideas and so much more in a minute but first a few thoughts…It seems to me that over the past few seasons I've tended to talk about the idea of ‘the pace of change' a lot.I'm beginning to think it's a little like my unnatural fear of sharks (thank you Steven Spielberg) and that I keep on talking about them and seeking out images of them on Instagram as some sort of cognitive behavioral therapy to get me better with the idea that I can actually go swimming in the ocean and not feel afraid of Spielberg's Bruce sneaking up on me. I seem to talk about change a lot for a few reasons…maybe because, I will confess, that I don't think that I was actually good with change for years. I was pretty set in my ways about having a plan and making sure the plan was followed. I got significantly bent out of shape if the plan didn't go as, well… planned.If we were off on our timing, if something was late or if some spontaneous moment interrupted the calendar and I was going to have to re-adjust, it took me sometimes quite a while to recalibrate and get with the ‘new' program.And then there was the spring of 2020 where, well…everything changed. No doubt for someone who wasn't so good with the idea that things could change on a dime and a path you had so expertly crafted into the near future would just disappear in front of you,I came to understand that there were three types of change:the change that's innate - you know built into the system of everything the seasons the sun rising in the east and setting in the West and that kind of change that if it didn't happen you would think something was significantly wrong with the universethere was the change that we choose that gives us a sense of agency the kind of change we actually like more than others because we get to determine where it's going and what it actually means for usand then there's a kind of change like the COVID pandemic that is thrust upon you and in those moments shifting circumstances open a door to uncertainty that sense of clarity and purpose dissipates into a swell of unknowns and deep discomfort settles in making everything seem tenuous.That kind of change, I would hazard a guess, not many of us are fond of.That sort of change demands an openness to confront the necessity of things we have often held so dear or the veracity of things we've believed in about ourselves and others.This type of change asks us to embrace the unknown and find an opportunity for transformation in the ambiguity.This kind of change is the kind of change that requires you to stare long into the face of hard questions, discover inconvenient answers and make challenging decisions.That kind of change, turns out, is where all the growth is.That kind of change is embracing the Robert frost poem of the ‘path not travelled…'The thing is… as I think I've said before… it's easy for us to fall for nostalgia.It's cozy. It's welcoming and reassuring because it's familiar and it's easy to continue to keep doing the same thing that we have always done because, for some, there's security in choosing the familiar in preference for going on an adventure.I love that one scene from The Hobbit where Bilbo Baggins, after refusing to go on the trip with the dwarves, finally gets it that maybe there's something in it for him, a growth opportunity, and he runs after the company exclaiming to neighbors, when asked where he was going, that he was ‘going on an adventure.'But there's a strange paradox in all of this and that is; we both avoid the perceived danger of the unknown because the unfamiliar signals potential dangers and our neurobiology is geared to sounding the alarms when the unfamiliar lurks near…while at the same time being driven towards novel and the unexpected because that's where our brain ultimately finds learning opportunities (should we care to pay attention).There's no point in continuing to pull a covers over your head and hope that the uncertainty will pass because it's quite likely that when you reemerge whatever the challenge was it will still be thereand you'll open up your eyes and feel a like Dorothy and you not being in Kansas anymore,because while you were conveniently not paying attention, the world was swept up tossed upside down and blown into a new reality in the context of the ever-increasing pace of change that we are all now exposed to.Of course, all of the speed that we're exposed to these days is forcing cultural shifts to happen, some of which we are not neurobiologically or evolutionarily adequately adapted to. Remember, it's taken a few billion years to get where we are. We can't expect that we'll be able to keep up with the mental machinery we now have. (Another challenge to talk about another time.)As we move into a new experience paradigm of continual change, failing fast and continual iteration may become ‘de rigeur' because constant change will demand it and make it mainstream. In order to remain in sync with change, we will have to find a way to get right with the idea of change.This presents a particular problem for leaders of all sorts who have been traditionally looked upon to be able to divine the future and help lead their teams with certainty into a near ordistant future state. How do leaders maintain a sense of trust and engender followership from their teams when they may legitimately be unsure of where their businesses might need to go as the ground shifts beneath their feet?All of this suggests a need for extraordinary flexibility when trying to plan a pathway through a period of unprecedented change. That flexibility in large part comes not from our ability to develop some sort of control over the pace of change in the outer world - those things that are happening around us - but trying to find a sense of calm and flexibility within our inner world - to adjust and find a way to be in relationship with change rather than imposing our will on and resisting change as it comes to us.This is where I get to introduce April Rennie, author of the book “Flux: 8 Superpowers For Thriving In Constant Change.”April's highly readable book landed on my desk during the COVID pandemic when I was struggling with trying to adapt to the unknown. Her idea of flux is looked at as a noun and a verb;in the case of a noun, FLUX could be considered as “constant change”as a verb FLUX can mean “to learn to become fluid”What April really focuses on however is 8 Superpowers that help you to develop what she calls the “FLUX Mindset”- ‘the state of mind that allows you to see all change whatever it is, the good the bad, the things that you have control over and the things you can't control, the expected and the unexpected, and see all of it as an opportunity to learn to grow and improve.'For April Rinne, the idea of change and living within a world in flux, as about seeing it as a space of emergent possibility.That has a lot to do with feeling OK with being lost, being comfortable with not knowing.This may mean letting go of old scripts, narratives that just don't fit anymore but that you've come to rely on as a way of explaining, or explaining away, circumstances of your life.Perhaps we need to embrace a mindset of change that is closer to indigenous wisdom than perhaps other more wired cultures on our planet.It's not that we control nothing, but that we shift our view to be in relationship with change.April suggests that when we can be in relationship with uncertainty there's a kind of a dance, a push and pull, and that indigenous cultures seemed to have a keener sense of relationship - a relationship with themselves, with one another and with Mother Nature.Our conversation leads to the invitation to see the value in our interdependence to each other and the world around us ( even if the world is in a state of FLUX ) and that we work on growing our appreciation for and prioritization of fostering a positive relationship with change.If we can, the healthier we will be, both individually and collectively….    The next level experience design podcast is presented by VMSD magazine and Smartwork Media. It is hosted and executive produced by David Kepron. Our original music and audio production by Kano Sound. The content of this podcast is copywrite to David Kepron and NXTLVL Experience Design. Any publication or rebroadcast of the content is prohibited without the expressed written consent of David Kepron and NXTLVL Experience Design.Make sure to tune in for more NXTLVL “Dialogues on DATA: Design Architecture Technology and the Arts” wherever you find your favorite podcasts and make sure to visit vmsd.com and look for the tab for the NXTLVL Experience Design podcast there too.

In today's episode, we dive into Poltergeist (1982), Tobe Hooper's suburban haunted-house classic produced by Steven Spielberg. We unpack the Freeling family's ordeal, Carol Anne's iconic “They're here,” and why this 80's-era paranormal horror still defines the genre. Support the show on Patreon Our Instagram Our Website Our Facebook Our TikTok Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Marcus Toji is one of the rare actors to play two totally unrelated characters in the same season, and now he’s stopping by Pod Meets World to talk about both “Einstein Kid” and “Kid #1.” Marcus, an established actor by the time he visited BMW, began his career at just 3 years old, experiencing all the good (and bad) of being a rare Asian child actor in the ‘90s. He also shares stories from the set of “Little Giants,” where he had to learn how to be “bad” at football and goof off in front of Steven Spielberg. So hit the gridiron and get ready for an all-new, touchdown episode of Pod Meets World! Follow @podmeetsworldshow on Instagram and TikTok!See omnystudio.com/listener for privacy information.

Detroit sacks Baltimore on MNF, Jimmy Kimmel returns, Eli Zaret joins us as the Tigers flail, WATP Karl dials in as Stuttering John embarrasses himself & Bill Corgan makes Bill Maher's Club Random awkward, revisiting Charlie Sheen's Korner, and new Corey Feldman antics. Eli Zaret drops by to recap the Detroit Lions incredible victory over the Baltimore Ravens, Amon-Ra's hot mic moment, the collapse of the Detroit Tigers, Virginia Tech's money troubles, Jordon Hudson on the UNC sidelines, Livvy Dunne's new commercial and more. Jessie Cave's OnlyFans cost her her Harry Potter career. Jimmy Kimmel vs The United States of America. Some markets will not air the show. JB Pritzker vs WGN. Politricks: Shots were fired into an ABC affiliate. No more politics for Howard Stern. Keith Olbermann vs Scott Jennings. Brenda Tracy's non-profit has failed. Where is former MSU head coach Mel Tucker these days? His former home is for sale. The mullet Mike Gundy BLOWN OUT at Oklahoma State. We check out some highlights of Charlie Sheen's short-lived ‘Sheen's Korner'. Karl from WATP joins the show to laugh at Stuttering John's license suspension & pathetic show, cover Club Random with Bill Maher featuring Billy Corgan and more. Corey Feldman: Being heckled. Jamming at The Who. and practicing his dance moves. Hey Ryan Seacrest… why you look different? James Van Der Beek looks really different. F**k cancer. Priscilla Presley can't believe her daughter ‘nailed' Michael Jackson. She herself banged Robert Kardashian. Martha Stewart f**ks… a lot. Victoria's Secret is trying to be sexy again. Gary Busey gets probation for groping. D4vd's house has been raided. That turd child murderer in Washington is found dead. The head of BLM Boston is headed to slammer for massive fraud. Kamala Harris is making the rounds and complaining a lot. A Process Server was arrested trying to serve Taylor Swift. Megan Farina is straining to do some explaining following a Charlie Kirk rant. The Obama's are separately galivanting on Steven Spielberg's super yacht. If you'd like to help support the show… consider subscribing to our YouTube Channel, Facebook, Instagram and Twitter (Drew Lane, Marc Fellhauer, Trudi Daniels, Jim Bentley and BranDon).