POPULARITY
6 episodes with Aysel
2 episodes with Aysel
2 episodes with Aysel
2 episodes with Aysel
2 episodes with Aysel
2 episodes with Aysel
6 episodes with Aysel
3 episodes with Aysel
2 episodes with Aysel
Vandaag bij Zo Word Je Steenrijk Aysel! In deze aflevering praten we met Aysel over haar indrukwekkende reis als vastgoedinvesteerder. Ze vertelt hoe ze begon met investeren in zorgvastgoed en waarom deze niche zo krachtig is voor financiële groei. We bespreken ook het delen van woningen, haar kijk op de huidige vastgoedmarkt en waar ze zelf haar geld vandaag de dag in steekt.Aysel deelt openhartig waarom ze besloot naar Nederland te komen en hoe haar verleden haar gevormd heeft als ondernemer. Ze legt uit hoe ze haar vermogen heeft opgebouwd, welke fouten ze onderweg heeft gemaakt en welke waardevolle tips ze wil meegeven aan beginnende investeerdersIn deze aflevering kom jij te weten:-Waarom investeren in zorgvastgoed aantrekkelijk is-Hoe Aysel haar vermogen heeft opgebouwd-Hoe Aysel ondanks een hoop tegenslagen toch succesvol werd-Welke fouten Aysel heeft gemaakt als investeerder-Welke tips zij geeft voor succesvolle vastgoedinvesteringen-Waarom Aysel naar Nederland kwam en hoe dit haar carrière beïnvloedde-Hoe Aysel zichzelf blijft ontwikkelen als ondernemerEn veel meer!Luister of kijk nu de podcast om hier de antwoorden op te weten te komenWIL JIJ OOK VOOR VRIJHEID EN VASTGOED GAAN?Net als Dennis financieel vrij worden met vastgoed? Of ook lekker voor een langere periode in het buitenland gaan wonen? Kortom meer vrijheid hebben door vastgoed?Plan dan een gratis en vrijblijvend gesprek in met iemand uit ons team. Dan kunnen we samen kijken waar je nu staat, je doelen bespreken, samen een plan maken en al je vastgoed gerelateerde vragen beantwoorden. Plan nu een gesprek in via https://www.vrijheidvastgoed.nl/gratisgesprek Meer over Zo word je steenrijk vind je op https://www.zowordjesteenrijk.nlVolg ons op Instagram!Zo Word Je Steenrijk: https://www.instagram.com/zowordjesteenrijkpodcast/Dennis Mulder: https://www.instagram.com/dennis__mulder/Laat je ons weten wat je van de podcast vond? We maken deze gratis content met liefde voor je, maar een duimpje omhoog, comments, een review of een share kunnen we heel erg waarderen en helpt ons om Nederland het "rijkste" land van de wereld te maken! Abonneer je om als eerste te weten dat er een verse aflevering online staat! Deel de podcast zeker ook met familie, vrienden en collega's.Contact: info@vrijheidvastgoed.nlDisclaimer: Deze podcast is ter entertainment en inspiratie. Uitspraken van Dennis en zijn gasten kunnen niet gezien worden als financieel advies. Je bent zelf verantwoordelijk voor je investeringen. Informeer je goed en beleg nooit met geld wat je niet kan missen.0:00 - Introductie1:15 - Investeren in zorgvastgoed14:57 - Aysel Disbudak haar kijk op de huidige vastgoedmarkt19:29 - Waarin investeert Aysel Disbudak20:49 - Waarom Aysel Disbudak naar Nederland kwam22:35 - Het verleden van Aysel Disbudak33:06 - Hoe heeft Aysel Disbudak haar vermogen opgebouwd36:25 - Welke fouten heeft Aysel Disbudak gemaakt?44:13 - Wat leerde Aysel Disbudak van andere ondernemers49:23 - Hoe gaat Aysel Disbudak zichzelf verder ontwikkelen?Zie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.
Nuran struggles with her mental health and an abusive household. Is escape possible with a voice down the well? Content warnings: Mental Illness, death Copyright khōréō magazine 2024. Story by Esra Kahya, translated from Turkish by Aysel K. Basci, edited by Zhui Ning Chang. Audio edition read by Shakyra Dunn and produced by Lian Xia Rose, with casting by Jenelle DeCosta.
"Şəhər adamı"nda qonaq olan Aysel Şəfizadə insan psixologiyasını bilməyin fotoqraflıqdaki önəmindən, fotosessiya zamanı insanların komplekslərindən, bu sahədə olan rəqabətdən və digər maraqlı məqamlardan danışdı.
Son yıllarda vakti zamanında okuduğum kitapları sesli kitap olarak tekrar “okuyorum”/dinliyorum. Seyrettiğim filmlerin bazı sahnelerini tekrar izliyorum. Boş Beşik filminin bir bölümünü geçtiğimiz yaz tekrar izlediğimde sinematografik özellikleri ve köylülüğü (göçerliği de tabii) değişmez bir yapı olarak sabitlemesi bir yana, toplumsal bir meselesi olması bakımından dikkate değer buldum. Yönetmenliğini Orhan Elmas'ın yaptığı film Necati Cumalı'nın bir oyununa dayanıyor. Filmin senaryosunu Orhan Elmas, Memduh Ün ve Duygu Sağıroğlu'nun yazdığı Boş Beşik filmindeki rolü ile Fatma Girik, 1970 yılında 2. Altın Koza Film Festivali'nde en iyi kadın oyuncu ödülünü kazanmış. Filmi ilk defa bütün mahallenin Büyükannemlerin salonuna dolduğu bir kalabalığın ortasında, münazara mantığı atmosferinde, gelen misafirlere ikram yükümlülüğü altında, bölük pörçük seyrettiğimi hatırlıyorum. Beğenmeyenler kendi köy tecrübelerine dayanarak “Bizde böyle şey olmaz” diye itiraz ederken; beğenenler “Bizim köyde de böyle şeyler olmuştu” diye filmi hararetli bir şekilde “müdafaa” ediyordu. Kulağımda kalan en hakiki itiraz “Yav artist milleti, senin köyünü de bilmez bunun köyünü de. Efendi efendi seyredin işte” idi. İtirazın sahibi Tosyalı idi ve bir kasabalı olarak “köylülere” mesafesini koyması ile meşhurdu. Yıllar sonra anladım ki Boş Beşik, 1934 tarihli Bataklı Damın Kızı Aysel filmine göre oldukça “yerli” idi. İlk köy filmi olarak adı geçen, yönetmenliğini ve yapımcılığını Muhsin Ertuğrul'un yaptığı, senaryosunu Nazım Hikmet'in yazdığı Bataklı Damın Kızı Aysel filmi bir hayli “ecnebi” bir film. Filmin senaryosu, Selma Lagarlöf'ün bir İsveç köyünde geçen hikâyesinden uyarlanmış; aynı isimle 1917 tarihli bir sessiz filmi de çekilmiş. Uyarlama o kadar bariz ki bir sahnede filmin ana kahramanı Ali, köylü kızı Aysel ile vedalaşırken elini sıkıyor. Üzerinde konuşabilmek için önce kısaca filmin olay akışını vereyim. Aysel, çalıştığı çiftlik evinin sahibinin tecavüzüne uğramış ve ondan bir çocuğu olmuş fakir bir köylü kızıdır. Mahkemede hakkını aramak üzere şehre giderken Ali ile karşılaşır. Ali onu arabasına alır, ama hikâyesini öğrenince “Bilseydim, almazdım” der. Mahkemede, çocuğunun babası olan çiftlik sahibi yalan yere yemin etmesin diye davasından vazgeçen Aysel'i çok takdir eden Ali, onu yatalak annesine bakım için işe alır. İstanbullarda okuyan ama köyü çok sevdiği için dönen bir çiftlik sahibinin kızı olan Gülsüm'le nişanlıdır Ali. Gülsüm, adı çıkmış bir kızı gelin geleceği evde istemediği için Aysel'i evine geri gönderirler. Düğünden bir gece önce arkadaşlarıyla içki içen Ali bir kavgaya karışır. Kavgada Aysel'e tecavüz eden adam öldürülmüştür. Ali, çakısının ucundaki kırık yüzünden kendisinin öldürdüğünü zanneder. Gülsüm bir katil olduğu için onunla evlenmekten vazgeçer. Ali, başından beri onun masum olduğunu bilen Aysel'i sevdiğini anlar. Anne babası da Aysel'le evlenmesini onaylarlar. Tüm bu olaylar bize aktarılırken köylüler İstanbul Türkçesi ile konuşmakta, arka fonda yerel
İlçe minibüslerinin kalktığı yerde gideceği ilçenin minibüsünü aradı. Birkaç kişiye sormayı düşündü, her defasında soracakken vazgeçti. Sanki yabancı olduğu anlaşılırmış gibi. Yabancı olsa yabancı olmasının anlaşılması ürkütücü bir şey olmazdı. Ama “oralı” olup da oraya yabancı olmak ya da bile isteye yabancı kaldığı hissini uyandırmak daima ürkütücü gelirdi İnci'ye. “İnci, tasada birinci.” İlkokul üçüncü sınıfta, öğretmenleri herkesin sıra arkadaşının isminin geçtiği bir cümle kuracağı, ismin sahibinin de o cümlede kendi ismini işaretleyeceği bir oyun oynatmıştı. Herkes cümlesini tahtaya yazacak, ismi yazılmış olan da tahtada cümlenin ögelerini bulacaktı. Bütün oyunlar ilk bizim sıradan başlardı. Cam kenarı ilk sırada oturmanın nimet ve külfet dengesi. Koca sınıfta aynı sırada üç kişinin oturduğu tek sıra da bizimkiydi. Beni sık sık öksürük krizi tuttuğu için öğretmenin hemen gözünün önünde olmam gerekiyordu. Neşe'nin annesi yoktu, babası açık gemi kaptanıydı. Bazı günler öğretmen Neşe'yi öğretmenler odasına bile götürürdü. Neşe konuşmazdı, oyun oynamazdı, sadece ağlardı. Neşe'nin ağlamaması için devamlı meşgul edilmesi gerekiyordu. Temize çekilecek kâğıtları “Neşe'nin yazısı daha okunaklı olduğu için” öğretmen hep ona verirdi. Neşe'nin yazısı herkesin yazısı kadardı oysa. Hatta herkesinkinden biraz daha kötü. Aysel'in bir inat bizim sırada oturması öğretmeni çileden çıkarıyordu ama “torpilli Aysel” ile uğraşmak -ki Aysel Müdür Bey'in koruması altındaydı- öğretmen için bile zordu. Bugünden geriye baktığımda 3A sınıfının bütün öğrencileri sınıf arkadaşımız Aysel yüzünden adı Aysel olan herkes ile daha başında eksi yüz puan ile başlamıştı arkadaşlığa. Kendi aramızda bir deyimimiz bile vardı: “Adı Aysel'di.” Adı Aysel'di demek beyhude uğraşma, bırak olduğu gibi kalsın demekti. Aysel ismi ile barışmam Attila İlhan şiirlerinden sonra mıydı yoksa sokağımızda ilk eczaneyi açan eczacı Aysel Abla ile mi, hatırlamıyorum.
Türkiye'nin en iyi kadın patika koşucularından Aysel Yalaç @ayselyalac ile sohbet ettik.
‘55 saniye'ye topyekün hazırlık! #Engelsiz, Aysel Önder ve antrenörü Damla Tan'ı ağırlıyor.
"Yol Əhvalatı"nda qonaq olan Aysel Əlizadə Şri-Lankada küçə yeməklərinin məşhur olmasından, aktiv və passiv istirahətdən, cəngəllikdə yerləşən "Heritace Kandalama" otelindən, çay plantasiyalarında baş tutan turlardan, ailəvi istirahət etmək üçün Əbu Dabinin daha uyğun seçim olmasından və burada yerləşən məşhur parkdan bəhs edib.
Aysel Osmanoglu verdient 225.000 Euro im Jahr. Sie ist Sprecherin des Vorstands der GLS-Bank. Es gibt Menschen, die würden ein solches Gehalt lieber nicht öffentlich kommunizieren, aber Aysel sieht das anders. Sie sagt: Wir müssen über Geld reden und zwar offen und ehrlich und geradeheraus. Denn nur wenn wir über Geld sprechen, können wir die ganz großen Probleme anpacken: Gerechtigkeit und Nachhaltigkeit. Mit Sara spricht Aysel darüber wie sie es als migrantische Person geschafft hat, in Deutschland bis nach ganz oben zu kommen. Und warum sie sich jetzt für ein bedingungsloses Grundeinkommen einsetzt.Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.
Türkiye medyasında kadınlar yönetim pozisyonlarında ne ölçüde temsil ediliyorlar? Doç. Dr. Aysel Çetinkaya tarafından hazırlanan NewsLabTurkey Research Hub'ın raporunun temel amacı, Türkiye'de faaliyet gösteren medya şirketlerinin sahiplerinin, yönetim kurulu başkanlarının ve haber merkezi üst düzey yöneticilerinin cinsiyetlerinin tespit edilmesidir. Raporu okumak için: https://www.newslabturkey.org/turkiye-haber-medyasinda-kadin-ve-liderlik/ Podcaster: Berkan Beysel
"Yol Əhvalatı"nda qonaq olan Aysel Əlizadə Niderlandın həyat tərzindən, insanların münasibətindən, iş həyatının üstünlüklərindən, öz mətbəxinin olmamasından, tıxacın olmamasından, havanın ən çox müzakirə olunan mövzu olmasından, İtaliya və Dubayda olan iş və insan münasibətlərdən danışdı.
Geleneksel medyada olduğu gibi TikTok'ta da paylaşılan haberler gazetenin ideolojik yaklaşımına, hedef kitlenin profiline ve beklentilerine uygun kodlar ve mesajlar ile yayınlanıyor. Doç.Dr. Aysel Çetinkaya tarafından hazırlanan bu araştırma geleneksel gazetelerin TikTok kullanım biçimlerini inceliyor. Raporu okumak için: https://www.newslabturkey.org/tiktokta-haber-var-gazetelerin-tiktok-kullanimi-uzerine-bir-inceleme/ Podcaster: Berkan Beysel
Aysel, c'est mon bonbon aidant qui pique. Elle est l'aidante de son père qui est handicapé et qui ne parle pas français. Elle est d'origine turque et cela a son importance car c'est une des raisons pour lesquelles elle m'a contacté pour témoigner. Elles sont 5 sœurs à s'occuper de leur père, mais elle est l'aidante principale, celle que ses sœurs appellent « l'armée ». Nous avons beaucoup échangé sur la solidarité et l'acceptation que toutes ne vont pas s'investir au même titre. Aysel trouve que c'est une chance d'être en adelphité (que des sœurs), sans nier les difficultés qu'elles rencontrent au fil de cette aventure. Aysel, c'est mon bonbon aidant plein de douceur et d'amour pour son père, sa position de fille et d'aidante. Elle rit beaucoup des situations de vie qu'elle rencontre et elle en rit avec son père. J'ai beaucoup apprécié sa vision de femme, d'aidante, d'assistante sociale, de collègue, de féministe. Nous avons entretenu une longue relation épistolaire avant d'enregistrer, manière pour Aysel d'organiser sa pensée et réfléchir aux messages qu'elle voulait passer. Vous verrez/écouterez qu'ils sont forts. Ecouter cet épisode, c'est prendre sa dose d'espoir et d'amour. Nous avons abordé deux sujets : 1/ Être plutôt que faire : s'autoriser à prendre un peu de temps pour être VRAIMENT avec son proche, redevenir sa fille, s'autoriser à être soi même et écouter son père lui parler de son histoire, de sa mère, de ses origines. 2/ Choisir son rôle d'aidante et ce que cela implique par ses origines et le rôle de la fratrie. Quand Aysel m'a contactée, elle était surprise du ton que je donne à mon podcast : mais enfin, en quoi cela peut être positif d'être aidant ? Elle ne voyait pas au départ de nos échanges. Elle m'a dit : « je me suis connectée à ce qui me rend heureuse. J'essaie d'être plus dans la qualité que la quantité. Finalement je pense que c'est en se confrontant à la maladie et à la mort que je me suis reconnectée à la vie! » Je vous souhaite une très belle écoute. Vous avez aimé cet épisode ? Mettez 5 étoiles ou commentez s'il vous plait ! Vous vous retrouvez dans ce témoignage d'aidant ? Rejoignez la communauté Plan Aidants sur Facebook https://www.facebook.com/plan.aidants.podcast/ sur Instagram https://www.instagram.com/podcast_plan_aidants/ Vous pouvez également me contacter sigrid@lesaidantes.com Montage : Pauline Osmuk
28 Mayıs ikinci tur cumhurbaşkanlığı seçimleri öncesi üst siyasette kurulan mülteci karşıtı dil ve politikalar günlük hayata nasıl yansıyor, hangi tehlikeli sonuçları doğuruyor? Emek Partisi Göç ve Mülteci Bürosundan Aysel Ebru Ökten Geniş Açı'da değerlendirdi.
Nein, das ist nicht die typische CEO-Biografie im deutschen Banking. Und übrigens auch nicht darüber hinaus. Zur Welt kommt Aysel Osmanoglu im Jahr 1977 als Angehörige der türkischen Minderheit in Bulgarien. Als sie 12 ist, flieht die Familie in die Türkei, sechs Jahre später geht es weiter nach Deutschland. Osmanoglu lernt die Sprache, holt das Abitur nach, studiert BWL und beginnt als Werkstudentin bei der Frankfurter Ökobank, die später in der ebenfalls ökologisch ausgerichteten Bochumer GLS Bank aufgeht. Dort steigt sie rasch auf, wird 2017 in den Vorstand und Anfang 2023 schließlich auf den Chefposten berufen, mit gerade einmal 45 Jahren. Somit führt Aysel Osmanoglu nun also eine der spannendsten Banken der Republik. Einen Player, der sich einerseits noch immer als alternativ versteht. Der andererseits aber mittlerweile auf eine Bilanzsumme von fast 10 Mrd. Euro kommt und dabei schneller wächst als die meisten etablierten Wettbewerber (2022 stieg zum Beispiel die Kundenzahl um 9% auf 350.000, das Kreditvolumen bei Erneuerbaren Energien um 29%). Wo will Osmanoglu hin mit der führenden "grünen" Bank hierzulande? Wie können sich die Bochumer differenzieren in einer Zeit, in der sich mehr oder weniger alle Kreditinstitute der Nachhaltigkeit verschreiben (oder wenigstens so tun). Und, sehr konventionelle Frage an die Chefin einer unkonventionellen Bank: Was macht die GLS im Zuge der Zinswende jetzt eigentlich mit ihrem Einlagenüberhang von gut 3 Mrd. Euro? Gewinne, Gewinne, Gewinne – oder die Zinsen erhöhen? Wir freuen uns sehr, dass wir Aysel Osmanoglu für die heutige Ausgabe von "Finanz-Szene – Der Podcast" als Gast haben gewinnen können. == Fragen und Feedback zum Podcast: redaktion@finanz-szene.de oder (auch anonym) über Threema: TKUYV5Z6 Redaktion und Host: Christian Kirchner/Finanz-Szene.de Coverdesign: Elida Atelier, Hamburg Postproduction: Podstars Hamburg Musik: Liturgy of the street / Shane Ivers - www.silvermansound.com
★ Aysel Yakupoğlu -- Yare Gidin Turnalar REMIX 2020 (Official Remix)★ DJBünyamin ☑️
Sie verzichtet auf Flugreisen, obwohl sie mal Pilotin werden wollte, und sie verschenkt jeden Monat einen Teil ihres Gehalts. Aysel Osmanoglu ist eine unkonventionelle Bankerin und die Vorstandssprecherin einer etwas anderen Bank. Riedel, Annettewww.deutschlandfunkkultur.de, Im GesprächDirekter Link zur Audiodatei
Sie verzichtet auf Flugreisen, obwohl sie mal Pilotin werden wollte, und sie verschenkt jeden Monat einen Teil ihres Gehalts. Aysel Osmanoglu ist eine unkonventionelle Bankerin und die Vorstandssprecherin einer etwas anderen Bank. Riedel, Annettewww.deutschlandfunkkultur.de, Im GesprächDirekter Link zur Audiodatei
Patent Effect Podcast'in 48. bölümünü, GÜN PARTNERS sponsorluğunda Aysel Korkmaz Yatkın ve Maral Büyükkürkçü ile birlikte çektik. Bu bölümde; patent ihlal süreçlerine odaklandık. Bu konudaki görüşlerinizi, sorularınızı ve yorumlarınızı iletmek isterseniz bize yazabilirsiniz: info@patenteffect.com Peki bu bölümde hangi soruların cevaplarını bulacaksınız? Patent ihlali, taklit eden ve taklit edilen için ne gibi sonuçlar doğurur? Patent ihlal süreçleri, gerekçeleri ve sonuçları nelerdir? Patent ihlalini tespit ettiğimizde süreci başlatmak için ne zaman aksiyon almalıyız? Türkiye'de patent koruması olmayan bir ürünün Türkiye'de kopyalanması ne gibi hukuki problemlere yol açabilir? Bölümde bahsi geçen başlıkların ayrıntılarını aşağıda bulabilirsiniz: Gün Partners'ın düzenli olarak yayımladığı makaleleri buradan inceleyebilirsiniz. Türkiye'nin Patent Raporu 2021'i henüz incelemediyseniz buradan indirebilirsiniz. Yayında bahsettiğimiz Gün Partners ile daha önce çekilen “Türkiye'nin Patent ihlalleri ekosistemi” bölümünü buradan dinleyebilirsiniz. Gün Partners tarafından kaleme alınan “Delil Tespiti Talepleri Ve Bolar İstisnasının Kapsamı” makalesini incelemeyi unutmayın. TITCK (Türkiye İlaç ve Tıbbi Cihaz Kurumu) nedir? ------------------------------------------------------------------------------ Bizi Apple podcast, Spotify ve Google Podcast'ten dinleyebilirsiniz. Patent Effect'i Twitter ve Linkedin hesaplarından takip etmeyi unutmayın:) "Haftalık patent bilgi servisi" mottosuyla yayınladığımız haftalık bültenimize ("Patent Raporu") de ücretsiz üye olabilirsiniz: İçeriklerimizi tercihinize göre http://patentraporu.com, WhatsApp, ya da Telegram kanallarından takip edebilirsiniz. Patent odaklı tüm paylaşımlarımıza https://medium.com/patenteffect adresinden ulaşabilirsiniz. // www.patenteffect.com // Açılış ve kapanış müziği: Beauty Flow Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/
Sîyasetvan Aysel Tugluk, ji ber nexweşîna jibîrkirinê (demansê) piştî şeş salan ji zindanê hate berdan. Lê di heman rojê de seroka Yeketîya Doktorên Tirkiyê Şebnem Korur Fîncancî hate girtin bi îdaya artêşa Tirkiyê ku çekên kîmawî li ser şervanên PKKê bikar hatine. Serokomarê Tirkiyê û Serokê Berevaniyê bi tundî li dijî van îdayan derketin. Zêdetir derbarê van nûçeyan di raporta Hatice Kamer ji Amedê heye.
“Terör örgütü propagandası yapmak” suçlamasıyla gözaltına alınan ve bu sabah Ankara Adliyesi'ne getirilen Türk Tabipleri Birliği (TTB) Başkanı Şebnem Korur Fincancı, tutuklama talebiyle 3. Sulh Ceza Hâkimliğine sevk edilmişti. Fincancı sevk edildiği mahkemece tutuklandı ve Sincan Kapalı Kadın Cezaevi'ne gönderildi. Adli Tıp Kurumu, Kocaeli 1 No'lu F Tipi Cezaevi'nde Aralık 2016'dan beri tutuklu olan, bir süredir demans teşhisi konulması nedeniyle tahliyesi talep edilen eski HDP Eş Genel Başkan Yardımcısı Aysel Tuğluk hakkında “Cezaevinde kalamaz” raporu verdi. Sürecin nasıl işleyeceğine ilişkin kararı savcılık verecek. Tuğluk'un dün akşam saatlerinden beri tahliyesi bekleniyor. Türkiye Cumhuriyet Merkez Bankası, yıl sonu enflasyon tahminini, yüzde 60,4'ten yüzde 65,2'ye yukarı yönlü güncelledi. Rusya'nın Ukrayna'ya saldırıları devam ediyor. Rusya lideri Vladimir Putin, Rusya'nın her yıl gerçekleştirdiği nükleer tatbikatı izledi. Böylece Moskova, sekizinci ayını geride bırakan Ukrayna savaşında ilk kez bir nükleer tatbikat düzenledi. Gökçe Çiçek Kösedağı'nın sunduğu “Güne Bakış”ta, Medyascope Ankara muhabiri Cansu Timur ile Şebnem Korur Fincancı'nın son durumunu, Medyascope muhabiri Ali Macit ile Aysel Tuğluk'un tahliye sürecini, hukukçu Kerem Altıparmak ile Fincancı'nın hakkındaki suçlamaları ve tutuklanmasını konuştuk. Editör: Egemen Gök
Aysel Əskərova I Yol Əhvalatı #158 I Tam Vaxtı #343
This interview with Aysel Kucuksu tracks her recently published papers on a vulnerability approach to asylum law and on applying artificial intelligence to the European Court of Human Rights' decision-making process. Aysel can be found on Twitter @aysel_kucuksu. Articles mentioned: https://papers.ssrn.com/sol3/papers.cfm?abstract_id=4081945 https://www.tandfonline.com/doi/abs/10.1080/18918131.2022.2078028
Sozial und ökologisch – normalerweise nicht die ersten Begriffe, die einem zu der Finanzbranche in den Sinn kommen. In der neuen Folge von „Nie mehr 2. Liga!“ erzählt uns Aysel Osmanoglu, Vorständin der GLS Bank, der ältesten sozial-ökologischen Bank Deutschlands, warum die Themen Geld und Nachhaltigkeit aber eben doch zusammengehören. Im Talk mit Oberbürger Thomas Eiskirch geht es außerdem um das neu entstehende „Haus des Wissens“, die Suche nach dem persönlichen Traumland und Aha-Erlebnisse im BWL-Studium.
Medyascope Podcast'ten herkese merhaba. Hafta Sonu Yazıları köşemizde yayınlanan yazılarımızın seslendirmesiyle karşınızdayız. Sevilay Çelenk'in "Aysel, Aysel, Aysel diyoruz!" başlıklı yazısını Gamze Elvan sizler için seslendirdi. Beğenerek dinlemenizi umuyoruz.
"Aysel Tuğluk Bütün Siyasi Mahpuslar Gibi Hedef Alınıyor" | Ezo Özer Ile Odak by Artı TV
Sie wuchs in einer muslimischen Familie auf und musste mit 18 heiraten. Doch die Ehe ging zu Bruch und Aysel ging ihren eigenen Weg, machte Karriere. Bis sie auch davon genug hatte. Sie trennte sich von Wohnung und Besitz und reist seitdem um die Welt. Für sie der Inbegriff von Freiheit!
Aysel Tugluk ji sala 2016an û vir ve li Girtîgeha Kocaeliyê ye hatiye zindanîkirin û ligor malbat û parêzerên wê metirsî li ser jiyana wê heye. Parlementer Meral Danış Beştaş û parêzer Weysi Eski behsa rewşa tendirustiya Aysel Tuglukê dikin.
Ruşen Çakır, “Gomaşinen” podcast serisinin 70. bölümünde, tutuklu bulunduğu cezaevinde sağlık sorunları yaşayan HDP'li Aysel Tuğluk ve eski Genelkurmay Başkanı İlker Başbuğ ile ilgili anılarının gazetecilik hayatının bir döneminde nasıl kesiştiğini anlattı.
Sustainable Business Champions - Dein Podcast zu Nachhaltigkeit in Unternehmen
Bu dəfə "Söhbətgah"da uşaqlıq travmalarının indi verdiyimiz qərarlara təsirindən söhbət açdıq. Bu mövzuda qonağımız @paar.la Instagram səhifəsinin müəllifi və #thetahealing praktikası ilə məşğul olan Aysel Allahverdiyeva oldu.Theta healing nədir? Nələr uşaqlıq travmaları hesab edilə bilər? Bu travmalardan necə qurtulmaq olar? Bu kimi sualların cavabını bu buraxılışdan tapacağınıza əminəm. Çox sehrli bir buraxılış alınıb.Fikirlərinizi şərhlərdə yazın. Hansı uşaqlıq travmalarınız olub? Bu gün bu travmalar sizə necə mane olur? Bu barədə yazın.
2016 yılından beri cezaevinde olan HDP'li siyasetçi Aysel Tuğluk'un sağlık durumu günden güne kötüye gidiyor. Detayları Aysel Tuğluk'un avukatı Serdar Çelebi ile konuştuk.
”Yol əhvalatı” rubrikasında qonağımız Aysel Novruz Fransa və Türkiyəyə səyahəti zamanı başına gələn ən maraqlı əhvalatları bizimlə bölüşdü.
Dün Çorlu'daydık. TEGV Çorlu Aysel Öğücü-Lila Öğrenim Birimi binasının ve burada yapılacak çalışmaların açılış töreni vardı. Kimler gelmemişti ki?.. İşte katılımcılardan bazıları: MEB Temel Eğitim Genel Müdürlüğü Öğrenci İşleri ve Sosyal Etkinlikler Daire Başkanlığı Şube Müdürü Alpay Türkkan, Tekirdağ Valisi Aziz Yıldırım, İl Millî Eğitim Müdürü Ersan Ulusan, Çorlu Belediye Başkanı Ahmet Sarıkurt, Çorlu İlçe Millî Eğitim Müdürü Hüseyin Erdoğan, TEGV Yönetim Kurulu Başkanı Oktay Özinci ve Lila Group Yönetim Kurulu Başkanı Orhan Öğücü... Orhan Bey'den başka, tabii ki Öğücü ailesinin Lila Group içinde görev yapan bütün üyeleri de orada hazırdı. Türkiye Eğitim Gönüllüleri Vakfı'nın (TEGV) Genel Müdürü Sait Tosyalı ve uzun yıllar öncesinden dostumuz Suna ve İnan Kıraç Vakfı Kültür ve Sanat İşletmesi'nin (Pera Müzesi) Genel Müdürü Özalp Birol'u da görmek kısmet oldu.
Ersan Atar, 28 yıl önceki Vartinis katliamı dosyasını açıyor. Devletin 1990'lardaki köy yakma eylemlerinde sorumluluğu 28 sonra kabul ettiği tek olay olan Vartinis Katliamı davasında sanık yüzbaşı bir türlü “bulunamıyor”. 28 yıl önce bugün yaşanan olayın davası 2 yıl daha “dayanırsa” zamanaşımından düşecek. Çeyrek asırlık davanın tek müştekisi, anne – babası ve 7 kardeşi gözlerinin önünde yakılan Aysel Öğüt ise yorgun sesiyle Cumhurbaşkanı Erdoğan'dan yardım istiyor.
DUVAR - Kebikeç'in bu haftaki konuğu 'Almanca Seyahatnamelerde Osmanlı Şehirleri (1850-1912)' kitabının yazarı Dr. Aysel Kaya oldu. Kaya, seyyahların yolculuklarının kültürel ve tarihsel mirasını anlatıyor...
Bu gün "Yol əhvalatı" rubrikasında qonağımız Aysel Mirzəyeva Hindistanda iştirak etdiyi toy mərasimindən, Malayziyadakı hələ də qəbilə halında yaşayan insanlardan və Vyetnamda başına gələn ən maraqlı əhvalatları bizimlə bölüşdü.
Aysel Tuğluk 2016 yılından bu yana cezaevinde. Bir süredir yakın çevresinin bildiği rahatsızlığı giderek ağırlaştı. Ciddi riskler barındıran koşullara rağmen Adli Tıp Kurumu, Aysel Tuğluk için “cezaevinde kalabilir” kararı verdi. Yeri Gelmişken'de bu hafta, hasta tutsakların genel durumu çerçevesinde Aysel Tuğluk'un serbest kalması ve sağlıklı yaşam hakkı için ses verilmesi gerektiği konusu tartışıldı.
Welcome to ESL talk! A podcast for English Teachers, by English Teachers.In this topic, we discuss the subject of interpretation and translation. These are two topics all teachers could benefit from understanding a little more about, as they both play major roles in the way our students learn English and the way we teach them!Our special guest Aysel shares with us her experience working with Olympic Athletes, commentating and announcing on many global sports, and interpreting for her students, while also teaching them English! She also shares some tips and techniques of how you can also be a more effective teacher, utilizing translation in your classroom. As always, be sure to connect with us on Instagram and Facebook @esltalkpodcast. You can also send your English teaching questions to esltalkpodcast@gmail.com. New Episodes are released each Wednesday. So be sure to join us each week as we continue our English teaching journey together! See acast.com/privacy for privacy and opt-out information.
Die meistgelesensten Texte im Netz sind Artikel auf Wikipedia. Dies gilt auch für die Beiträge über den Eurovision Song Contest oder das Festival di Sanremo. Wiki-Autoren Martin Pfefferle und Raphael Mair geben Einblick.Die erste Nachricht erreicht uns aus Belarus: Der Sender BTRC (Belaruskaja Tele-Radio Campanija) ist endgültig aus der EBU ausgeschlossen worden, nachdem er eine Frist, Stellung zu beziehen, verstreichen hat lassen. Die Vorwürfe lauten auf Unterdrückung der Meinungsfreiheit und dass er nicht mehr unabhängig sei. Es geht da vor allem um die Ausstrahlung von regierungsfreundlichen Interviews mit offensichtlich gefolterten Regimegegnern, die vermutlich unter Zwang stattfanden. Das bedeutet aber auch, dass es keine Teilnahme von Belarus beim Song Contest in absehbarer Zeit gibt.Bosnien-Herzegowina möchte wieder teilnehmen am Song Contest, hat aber noch einen Schuldenberg bei der EBU und überlegt, wie er den abbaut.Es gibt Neuerscheinungen von Mahmood, Barbara Pravi und Vincent Bueno.Måneskin sind mit "Beggin'" einer Nummer aus dem Jahr 2017, in Österreich und Deutschland auf Platz 1. Und Damiano und Thomas haben in Polen auf der Bühne geküsst, um die LGBTIQ-Community in Polen zu unterstützen.Wikipedia ist eines der spannensten Projekte im Netz. Das gesammelte Wissen der Schwarmintelligenz als ein großes Lexikon für die Welt ist eine große Aufgabe. Martin und Raphael haben es sich zur Aufgabe gemacht, ihr Wissen um den Eurovision Song Contest und das Festival della Canzone Italiana - kurz "Sanremo" - mit anderen zu teilen. Sie gehören zu den Autoren, die sich den strengen Regeln von Wikipedia stellen: Neutralität und Behauptungen müssen mit Quellenangaben belegt werden. Raphael Mair lebt derzeit zum Studium in Rotterdam, stammt aber aus Südtirol. Martin Pfefferle ist aus Hamburg, jetzt aber der Liebe wegen nach Wien gezogen.Sie erzählen von den Schwierigkeiten bei der Recherche, aber auch von dem Spaß, den sie beim Finden von Quellen haben. Raphael hat auch einen deutschsprachigen Blog für die Liebhaber des Sanremo Festivals. Auf sanremo-festival.de darf er auch mal die Neutralität vergessen und seine persönliche Meinung zu den Beiträgen des renomierten Bewerbs schreiben.Die Standard-Fragen am Schluss müssen unsere Gäste natürlich auch beantworten:Vom Song Contest 2021 auf der Playlist wird Martin wohl The Roop 'Discoteque" behalten. Raphael dagegen eher Tusse aus Schweden mit "Voices".Beim Eurovisions-Lieblingssong aller Zeiten tun sich beide schwer und wir haben die Frage ein wenig abgewandelt, beide dürfen uns auch ihren Lieblings-Sanremo-Song nennen. Für Martin ist es wohl Katja Ebsteins "Wunder gibt es immer wieder" aus dem Jahr 1970 und Mahmoods "Soldi" aus dem Jahr 2018. Bei Raphael ist es auch schwierig: Von den italienischen Beiträgen ist es eindeutig Mia Martini mit Rapsodia der damals aber nicht bei Sanremo startete. Das war 1992 und über Mia Martini haben wir ja eine schöne Erinnerungsepisode Merci, Chérie #0212 gemacht. Der liebste nicht-italienische Beitrag ist für ihn Aysel and Arash aus Aserbaidschan mit "Always" aus dem Jahr 2009. Und sein Liebling von Sanremo ist Riccardo Fogli mit "Storie Di Tutti I Giorni" aus dem Jahr 1982.In der Kleinen Song Contest Geschichte am Schluss schaut Alkis noch mal auf das Interview von Anne Marie David bei Merci, Chérie #0317. Dort erzählt sie, wie sie am Premierenabend der französischen Erstaufführung von Jesus Christ Superstar für den Song Contest engagiert worden ist, den sie 1973 gewann. 1974 waren zwei weitere Ensemblemitglieder dieser Rockoper in Brighton auf der Bühne: Eine Darstellerin der Maria Magdalena und einer, der in seinem Heimatland Jesus gesungen hat. Wer waren die beiden wohl?
Hafta Sonu Siyaset‘in 65. bölümünde, Türkiye Komünist Hareketi (TKH) Genel Başkanı Aysel Tekerek ile erken seçim ve kabine değişikliği tartışmalarını, koronavirüs salgını sürecinin emekçiler açısından nasıl yönetildiğini ve siyasetteki diğer güncel gelişmeleri konuştuk.
Today we celebrate the man who is remembered in one of the garden’s sweetest summer annuals - the lobelia. We'll also learn about the man who invented the telephone - he also happened to love gardening and the natural world. We hear a great memory about rhubarb from one of my favorite garden books from 2020, and the author is an incredible artist to boot! We Grow That Garden Library™ with a book to help you develop positive, meaningful mantras in your life. And then we’ll wrap things up with some little-known facts about the birth flower for March. Subscribe Apple | Google | Spotify | Stitcher | iHeart To listen to the show while you're at home, just ask Alexa or Google to “Play the latest episode of The Daily Gardener Podcast.” And she will. It's just that easy. The Daily Gardener Friday Newsletter Sign up for the FREE Friday Newsletter featuring: A personal update from me Garden-related items for your calendar The Grow That Garden Library™ featured books for the week Gardener gift ideas Garden-inspired recipes Exclusive updates regarding the show Plus, each week, one lucky subscriber wins a book from the Grow That Garden Library™ bookshelf. Gardener Greetings Send your garden pics, stories, birthday wishes, and so forth to Jennifer@theDailyGardener.org Curated News Planning and Designing a Productive Vegetable Garden | The Ukiah Daily Journal | Melinda Myers Facebook Group If you'd like to check out my curated news articles and original blog posts for yourself, you're in luck. I share all of it with the Listener Community in the Free Facebook Group - The Daily Gardener Community. So, there’s no need to take notes or search for links. The next time you're on Facebook, search for Daily Gardener Community, where you’d search for a friend... and request to join. I'd love to meet you in the group. Important Events March 3, 1616 Today is the birthday of the Flemish physician and botanist Mathias de l'Obel ("ma-TEE-us dew Lew-bell"). Mathias practiced medicine in England. And among his accomplishments, Mathias was the first botanist to recognize the difference between monocots and dicots. Today we remember Mathias de l'Obel ("LEW-bell") with the Lobelia plant. Before researching Mathias, I pronounced obelia as "LOW- beel- ya". But now, knowing the French pronunciation of his name, I will say it "LEW-beel-ya." It's a subtle little change (LOW vs. LEW), but after all, the plant is named in Mathias's honor. Now, for as lovely as the Lobelia is, the common names for Lobelia are terribly unattractive and they include names like Asthma Weed, Bladderpod, Gagroot, Pukeweed, Vomit Wort, and Wild Tobacco. These common names for Lobelia reflect that Lobelia is very toxic to eat. Despite its toxicity, Lobelia is one of the sweetest-looking plants for your summer containers. This dainty annual comes in pink, light blue, and royal blue. Personally, every year, I buy two flats of light blue Lobelias. But no matter the color you choose, lobelias are a favorite of pollinators. The delicate blossoms frequently host bees, butterflies, and moths, which only adds to their charm. March 3, 1847 Today is the birthday of the Scottish-born inventor, scientist, and engineer credited with inventing and patenting the first practical telephone, Alexander Graham Bell. In 1855, Alexander co-founded the American Telephone and Telegraph Company, known today as AT&T. And although most people know about Alexander's story with regard to the telephone, most people are unaware that Alexander had a love for gardening and the natural world. Early on in his childhood, Alexander was drawn to the natural world, and he collected botanical specimens and conducted experiments. After attending school for only five years, Alexander took personal control over his lifelong love of learning. Growing up, Alexander's best friend, Ben Herdman, was from a family who owned a flour mill. When Alexander was 12 years old, he created a device that rotated paddles equipped with nail brushes and the family used this dehusking machine in their mill operations for years. As a gesture of thanks, Ben’s father made a space for the boys where they could invent to their heart's content. Now many people are unaware that Alexander’s mother was deaf, and Alexander had dedicated himself to helping the deaf his entire life. As a young man, Alexander opened a school for teachers of the deaf. While he was in Boston, he even worked with a young Helen Keller. Later on, he worked with a young woman named Mabel Hubbard, who became deaf as a child from scarlet fever. After five years of courtship, Alexander and Mabel married. At the ceremony, Alex presented Mabel with a special wedding present: nearly all the shares of the stock in a company called Bell Telephone. Alexander and Mabel shared a lifelong love of gardening. The couple built a summer home in the charming village of Baddeck, Canada, in 1889. Mabel would stroll the neighborhoods and ask about the plants that were growing in the gardens. Generous and kind, Mabel donated many flowers to the people of Baddeck. Today the Alexander Graham Bell National Historic Site features a lovely garden that boasts flowers, shrubs, and trees - including a magnolia which was a favorite of Mabel’s. Recently Candian scientists revealed that they suspect that Alexander may have planted Heracleum mantegazzianum, commonly known as Giant Hogweed, in his garden. Even now, there remains an impressive cluster of dangerous giant hogweed near Baddeck. The sap of Giant hogweed causes sensitivity to sunlight and UV rays, which can lead to severe skin and eye problems — including blindness, which would have been very upsetting to Alexander. And, here’s a little-known fact about Alexander: The gardener and children’s book illustrator Tasha Tudor learned to love gardening from Alexander Graham Bell. Tasha’s well-connected family had visited Alexander at his home in Maryland when he was a young single man. Tasha was five years old, and she recalled that fell in love with Alexander’s roses during that first visit. Tasha always credited the vision of Alexander’s rosebeds with inspiring her decision to become a gardener. Unearthed Words Every Sunday, my immediate and extended family gathered for dinner at my grandpa's house. Everyone congregated in the kitchen, and there was always a television on in the corner. There was a smiling pink plastic pig from RadioShack that sat in the refrigerator and oinked at you when you opened the door. We giggled in front of the antique glass cabinet, peeking in at the vintage salt and pepper shakers shaped like boobs that were supposed to be hidden. It felt like an adventure to explore the house and play with old decorations and trinkets. When it was summertime, we gathered on the back porch, where there were mismatched chairs and benches and another television in the corner. A baseball game was always on, and you could hear the hum and buzz of a bug zapper in the background. Rhubarb grew on a small knoll near the house. My cousin, sister, and I were told not to eat the big, broad green leaves, but we did pick and snack on the ruby-pink stalks straight from the ground, our mouths puckering from the intense sourness. — Katie Vaz (“Voz”), My Life in Plants, Rhubarb (Rheum rhabarbarum) Grow That Garden Library Find Your Mantra by Aysel Gunar This book came out in 2019, and the subtitle is Inspire and Empower Your Life with 75 Positive Affirmations. In this inspiring book with a delightful botanical cover, Aysel takes you through the steps to developing positive, meaningful mantras in your life. Now, this is not a gardening book, but it is about developing aspects of life that many gardeners seek: peace, love, happiness, and strength for your own personal journey. Aysel’s book is full of beautiful illustrations and design. You’ll find plenty of positivity and mindfulness. Aysel encourages us to be present, embrace love and light, choose joy, and recognizing our blessings. If you're looking for something for yourself or a friend, Aysel’s book is truly a gift. This book is 144 pages of affirmations to help you be more present, free yourself from worry and anxiety, and embrace all that is good in your life - like our gardens and our many blessings - and lead a more rewarding life. You can get a copy of Find Your Mantra by Aysel Gunar and support the show using the Amazon Link in today's Show Notes for around $7 Today’s Botanic Spark Reviving the little botanic spark in your heart The birth flower for March birthdays is the Daffodil. Daffodils are also the 10th-anniversary flower. A bouquet of Daffodils means happiness and hope, but a single Daffodil is an omen of bad luck in your future. In England, back in 1889, the Reverend George Herbert Engleheart began breeding Daffodils - some 700 varieties in his lifetime. Fans of ‘Beersheba,’ ‘Lucifer,’ or ‘White Lady,’ have Reverend Engleheart to thank. George spent every spare minute breeding, and his parishioners would often find a note tacked to the church door saying, “No service today, working with Daffodils.” Daffodils were highly valued in ancient times because the Romans believed that the sap could be used for healing. Today we know that all parts of the Daffodil are toxic, and the sap is toxic to other flowers, which is why you must soak Daffs separately for 24 hours before you add them to a bouquet. And if you do this, don’t recut the stems because that will release more sap, and then you’ll have to start all over. If you’re wondering, the compounds in Daffodil sap are lycorine and calcium oxalate crystals. Found in the leaves and stems of the Daffodil. the calcium oxalate crystals can irritate your skin, so be careful handling Daffodils. The toxic nature of Daffodils means that deer and other animals won’t eat them - unlike other spring-flowering bulbs like tulips. And contrary to popular opinion, daffs can be carefully divided in the early spring. Once the soil has started to thaw, you can take divisions from large clumps and then pop them into new places in the garden. As long as the bulbs are carefully lifted with plenty of soil attached to the roots and promptly replanted, they will still bloom this year. Generally, it is advised to separate and move bulbs after they have bloomed, but that can push the task into early summer when there is already so much to do. Finally, there's really one poem that is regarded as the Mother of All Daffodil Poems, and it's this one. I wandered lonely as a cloud That floats on high o'er vales and hills, When all at once I saw a crowd, A host, of golden Daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze. Continuous as the stars that shine And twinkle on the milky way, They stretched in never-ending line Along the margin of a bay: Ten thousand saw I at a glance, Tossing their heads in sprightly dance. For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the Daffodils. — William Wordsworth, English Romantic poet, I Wandered Lonely as a Cloud Thanks for listening to The Daily Gardener. And remember: "For a happy, healthy life, garden every day."
Es hat etwas gedauert, aber nun ist es soweit: Folge 10 von Gleichstellung Digital ist da! Diesmal mit Aysel Yollu-Tok. Aysel ist Professorin für Volkswirtschaftslehre, beschäftigt sich mit Gleichstellung, dem Arbeitsmarkt und sozialen Themen und hat den Vorsitz in der Sachverständigenkommission für den Dritten Gleichstellungsbericht der Bundesregierung inne. Es erwarten euch vorab Einblicke in den Bericht (erscheint im Januar 2021) und auch spannende Erkenntnisse zum Thema Gleichstellung - Homeoffice - Corona.
In Folge 10 von Gleichstellung Digital ist Aysel Yollu-Tok am Start! Aysel ist Professorin für Volkswirtschaftslehre und hat den Vorsitz in der Sachverständigenkommission für den Dritten Gleichstellungsbericht der Bundesregierung inne. Es erwarten euch viele Einblicke und Aha-Momente. Wir haben unter anderem über Plattform-Ökonomie gesprochen, und gelernt, wie sich Home Office auf die Verteilung von Care Arbeit auswirkt. Und natürlich über den 3. Gleichstellungsbericht. Zu diesem gibt es einige Einblicke vorab (der Bericht erscheint im Januar 2021) und, so viel verraten wir schon hier: Der Bericht hat den Schwerpunkt.. Überraschung.. Digitalisierung! Also, viel Spaß beim Reinhören! Links: Seite des 3. Gleichstellungsberichts: https://www.dritter-gleichstellungsbericht.de/ Studie Schweiz Einzelhandel: https://rotpunktverlag.ch/buecher/damit-der-laden-lauft Expertise zum Pay Gap DIW: https://www.dritter-gleichstellungsbericht.de/de/article/222.der-gender-pay-gap-in-it-berufen.html Expertise zu Home Office und den Auswirkungen auf den "gender care share": https://www.dritter-gleichstellungsbericht.de/de/article/204.samtlebenlottmueller.html Link zum Buch-Tipp: Invisible women: https://www.ndr.de/kultur/buch/tipps/Sachbuch-von-Caroline-Criado-Perez-Unsichtbare-Frauen,unsichtbarefrauen100.html
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Boğaziçi Gösteri Sanatları Topluluğu (BGST) Tiyatro, farklı sınıfsal ve sosyal konumlara sahip kadınların izolasyon sürecinde yaşadıklarını “Her Güne Bir Vaka” adlı bir video serisiyle anlatıyor. Feminist tiyatro ve kadın oyunları deyince akla ilk gelen isimlerden, akademisyen ve oyun yazarı Sevilay Saral‘ın yazdığı kadın monologlarını Aysel Yıldırım, Bulut B. Sezer, Ayşenil Şamlıoğlu, Elif Karaman, Songül Öden, Berna Laçin ve Zeynep Okan oynuyor. Bu yedi videoluk seride 32 yaşındaki Moldovyalı bir temizlik işçisinden 70 yaşında emekli bir öğretmene, 22 yaşında bir hemşireden 45 yaşında bir youtuber’a ve 38 yaşında bir kargo çalışanına, hayatın her alanından kadınları izliyoruz. “Her Güne Bir Vaka” vesilesiyle biz de serinin yazarı Sevilay Saral ve oyuncularından Aysel Yıldırım ile projenin çıkış noktasını, dijital ortamda tiyatro yapmayı, seride anlatılan kadınların hikayelerini ve karantinada kadınlık hallerini
In dieser Significant Objects Episode: Wie du die significant Objects ganz einfach auf online Plattformen verkaufen kannst, erfährst du hier. Verkauf von wichtigen Objekten Joshua Glenn Ebay Links zu Dingen, über die ich spreche: Significant Objects Amazon: Buch Joshua Glenn Significant Objects - Der Verkaufstrick des Jahres 2020 - Aufruf zur Challenge Hilf deinen Business Freunden mit Geld besser umgehen zu lernen und ihren monatlichen Umsatz zu steigern.... Wenn du den Panzerknacker Podcast magst, besuche www.panzerknacker-podcast.com, um dich kostenlos anzumelden, und du wirst keine Episode verpassen. Und wenn du den Panzerknacker Podcast wirklich magst, würde ich mich freuen, wenn du es einem Freund weitersagst (vielleicht sogar zwei). Folge mir auch auf Facebook Klick mir ins Gesicht Transcript Signifikant, ob Jackets oder der Trick wie Geschichten verkaufen. Ich habe ein Buch vor mir liegen, das schon einige Jahre alt ist. Mein Buch hat die Auflage Warte, ich schau mal rein. Mein Buch hat die Auflage, dass es nicht so ernst genommen. Das steht nämlich nicht auf der [00:00:30] ersten Seite. Ich glaube, ich habe mal gelesen von 2012. Hintzen Harmos. Genau. Significant Objects Mein Buch hat die Auflage, ich habe eine Erstauflage von 2012 und dieses Buch gibt es nur in Englisch. Das Besondere an diesem Buch ist, dass es wie ich sage ich, dass es ein Test ist, dass es ein fast [00:01:00] schon wissenschaftliches Werk ist, von oder ein Experiment. Significant Objects Experiment ist das richtige Wort von Joshua Glan ohne Rob Walker. Und die zwei haben beweisen wollen, dass die Geschichte, die um ein Objekt herum gestrickt oder gespannt wird, das die deutlich wichtiger ist als der Wert des Objektes selber, um als lukrativ zu verkaufen. Significant Objects Und dazu [00:01:30] sind sie hingegangen und haben Objekte vom Flohmarkt gekauft, und zwar im Schnitt für einen Dollar 25. Sie haben einhundert Objekte gekauft und haben dann, na ich glaube, sogar 200 und haben dann die berühmtesten Coppi, Rieter, die berühmtesten Autoren, die besten, die auch mitgemacht haben, und [00:02:00] haben die dann engagiert und haben kostenlos und haben gesagt Pass auf, ihr müsst zu diesem Objekt eine Geschichte schreiben für Ebay. Significant Objects Wir wollen das Objekt. Ihr dürft euch alles ausdenken und ihr dürft. Dieses Objekt soll dann meistbietend bei Ebay verkauft werden. Und wir haben eben diese Objekte gekauft, für im Schnitt einen Dollar 25 und haben damit über 8000 Dollar verdient. [00:02:30] Significant Objects Und das ist mal eine großartige Nummer. Das Besondere daran ist, dass Sie unter der Geschichte, die Sie bei Ebay reingestellt haben, darunter geschrieben haben. Diese Geschichte ist frei erfunden und hat mit dem Objekt rein gar nichts zu tun. Dennoch haben die Leute sich über Boten, und wenn du die Objekte sehen willst, dann kannst du auf Signifikant Objects dort kommen. Significant Objects Ich habe auch hier in den Showdowns [00:03:00] natürlich die Website noch einmal verlinkt, und ich habe sie jetzt auf. Und ich habe auch das Buch auf. Es handelt sich dabei um unsere Porzellanfiguren wie z.B. ein Entchen, wo Oma früher hier Kaffee Sahne rein gemacht hat oder einfach ein Teller. Ich sehe Aysel aus aus Porzellan, der einen Karren zieht und die Größe von etwa einem Fünf-Euro-Schein hat. Significant Objects Ich sehe ein kupfer farbenen Apfel. Ich sehe einfach einen gelben Bleche. Einmal mit Bienen drauf? Absolut. [00:03:30] Ja, mehr oder weniger wertlose Sachen, die durch die Geschichte an sich einen Wert gewonnen haben, und die haben das aufgeteilt in Fossilien. Significant Objects Wobei das hier jetzt keine Fossilien sind, sondern eher na ja, vielleicht Antiquitäten, Talismane, Idole Seidels. Was meinen Sie mit Adeles? Einfach schreckliche Figuren, Totems. Significant Objects Es [00:04:00] ist unglaublich ärztliches Zeug, einfach mal ein Teller oder oder so eine Klars Schale, die für Butter war ein Sparschwein, eine Keramik Dose, so eine Handpuppe ohne Stoff, Handpuppe ohne eine silberne Aluminium, Taschenlampe. Significant Objects Ja, wirklich wertloser Tand, wirklich Zeug, das sich keiner [00:04:30] holen würde. Und da wurden dann zwei, drei, vier Seiten Geschichten geschrieben und im Buch Selber wenn du dir dieses Buch holst, beispielsweise eine Tasse. Ja, ich bin jetzt auf einer Seite, da haben wir eine Tasse. Das ist das Item Nr. 9. Diese Tasse haben Sie eine weiße Tasse. Da steht drauf You can feind happiness at work on Friday. Significant Objects Haben Sie für 50 Cent gekauft und für 12 [00:05:00] Euro 50 verkauft? Ein Golfball mit Füßen drunter. 2 Dollar 99 gekauft, 14 50 verkauft. Ein Dollar für einen geschraubten Nussknacker. 14 50 verkauft. Und ganz besonders Da gibts so eine Art aus Knochen oder Bein geschnitzt, eine Känguruh Maus, der ein Ohr findet. Und die wurde gespendet, und [00:05:30] die haben sie für 162 Dollar 50 verkauft. Das Schöne ist Die Geschichten, die dazu geschrieben wurden, die sind so etwa Maja. Significant Objects Eine DIN-A4-Seite lang nicht mehr Und was will ich damit sagen? Warum machen wir heute die Episode darüber? Punkt eins Dieses Buch signifikant Objekts wird nicht mehr aufgelegt, sollte aber STANDARD für jeden sein, der etwas [00:06:00] verkaufen möchte und der lernen möchte, wie Geschichten wie Storytelling verkauft auf Amazon. Significant Objects Im Original hat das Buch 24 Dollar 99 gekostet. Wie gesagt, auf Deutsch ist nicht rausgekommen. Aber es tut, glaube ich, ganz wenig zur Sache, wenn du es übersetzen möchtest. Du sprichst kein Englisch. Dann gibt's einen kleinen Trick Du kannst dir auf deinem Handy den Google übersetzer runterladen, kannst die Seite abfotografieren, und der Google übersetzer übersetzt sie dir dann. Significant Objects Der [00:06:30] erkennt die Schrift selber. Und auf Amazon gibt's dieses Buch signifikant Objects gebraucht. Und es kostet bereits im Minimum 55 Euro, 8 geht hoch bis über hundert Euro. Eventuell möchtest du es auch als Geldanlage haben. In zehn Jahren wird es deutlich teurer. Wenn Sie es nicht nochmal auflegen. Ja, da ist eine abgebrochene Meerjungfrau Porzellane Meerjungfrau. Die wurde gespendet, [00:07:00] und die wurde für 68 Dollar verkauft. Es ist unheimlich wichtig, die Macht des Storytelling zu begreifen und kauft die einfach. Significant Objects Das Buch geht auch auf die Website und schau dir mal an, was die da wirklich für einen Mist verkauft haben und womit die dann 8000 Dollar gemacht haben und quasi steht, ist vielleicht auch ein Begriff. Casey leistet, hat eine Challenge, latscht letztes Jahr herausgebracht, [00:07:30] hat gesagt, er möchte, dass du die Challenge nimmst und durch Tausch und und Einkauf und Verkauf, dass du es hinbekommt. Von Januar bis Dezember fünf und zwanzig tausend Dollar zu erwirtschaften, so. Das heißt also signifikant Objekts ist. Significant Objects Das ist die Basis Du gehst mit, sagen wir mal, 150 Euro auf den Flohmarkt [00:08:00] und kaufst dir 1000 Objekte. Und jetzt schreibst du zu jedem Objekt eine super Geschichte, die komplett ausgedacht ist. Geht so signifikant Objekt und ließ die Dinger durch Hol dir das Buch, lerne daraus und generiert deine eigenen Geschichten, deine Emotionen, deine Traumwelten für deinen Käufer. Significant Objects In diese Welt, und der wird dir dafür Geld bezahlen. Ich das Schreiben also nicht [00:08:30] für das Objekt selber, sondern durch das Schreiben der Story wird er dir Geld bezahlen, und das Geld nimmst du dann und kaufst dir neue und wertvollere oder größere Objekte. Und die Challenge ist bis Ende diesen Jahres also jetzt gut. Jetzt haben wir schon im Februar. Also sagen wir, bis Ende Januar 2021 ist die Challenge 25000 Euro damit zu verdienen. Wer [00:09:00] das schafft? Mein lieber Schwan. Significant Objects Ich will jetzt nicht schon wieder. Ich kann ja nicht nur kostenlos arbeiten. Das ist jetzt so eine spontane Idee. Wer das schafft, kommt in eine geheime Facebook-Gruppe von mir und wird in Gruppen Coaching persönlich betreut. Und das komplett kostenlos. Aber du musst nachweisen können, dass du es rein. Du musst jeden einzelnen Thread nachweisen können. Dazu [00:09:30] rufe ich jetzt auf. Wer bis zum dreißigsten Januar 2021 aus 150 Euro durch einfache Trades wirklich über einen Flohmarkt 25 000 Euro eingesammelt hat. Dem helfe ich, mit diesen 25000 Euro ein Vermögen aufzubauen. Versprochen. Und jetzt geht Losey zu, dass ihr dieses Buch bekommt Sieh zu, dass ihr euch von jemanden [00:10:00] teilt oder ähnliches. Vielleicht gibt's das noch als pdf und lernend storytelling lernt schreiben. Und das nächste was mir gerade einfällt ist. Significant Objects Ich glaube, ich möchte da auch mitmachen. Aber ich suche hier mit Autoren. Wer sagt, er ist guter Coppi? Rieter hat Bock darauf, das nachzumachen. Mit mir. Ich brauch mindestens 50 Copyright Geschichtenerzähler. [00:10:30] Und dann gehen wir los, kaufen mindestens 50 Objekte und machen unser eigenes Buch. Und dann schauen wir mal, wieviel wir verkauft kriegen. Ziel ist es, dass wir auch bis Ende nächsten Jahres 25 000 Euro machen. Ich weiß nicht, ob es funktioniert, aber nicht gemacht haben wir schon so jeder copy writer und jeder Story Teller und jeder Schreiber, der darauf Lust hat, der meldet sich bitte bei mir Haus der Panzerknacker [00:11:00] Minos Podcast, dot. Com oder auf Facebook oder auf WhatsApp die Nummer schon hast. Haha! Und dann lass uns loslegen. Ich habe es gerade schon mal angedeutet. Bis zum 15. Februar geht das Gewinnspiel einfach auf meine Website gehen, zwei, drei Sekunden warten, dann kommt ein Pop up. Wenn das nicht kommt, dann schalte mal deinen Werbeblocker Peter aus und lade die Seite neu. Und da musst du mir nur eine Frage beantworten, nämlich Was möchtest du künftig beim Panzerknacker mehr hören? Significant Objects Musst mir deine [00:11:30] persönlichen Daten geben. Und dann kommst du am 16. Januar in die Auslosung und kannst dann Jahres Coaching im Wert von 18000 Euro gewinnen. Und zehnmal? Die sind jetzt schon im Druck. 100 von meinen Erfolgs. Planern, dass Querdenker Journal, die verschenke ich auch noch. Ja, bitte. Kurzes Kommentar, wie die die Folge gefallen hat, was du von der Idee hältst und ob es dich, André Eckert Die Herausforderung [00:12:00] anzunehmen. Significant Objects Ich meine Hey, wenn du das 150 Euro innerhalb von einem Jahr 25 000 machen kannst, was kannst du dann auf tausend fünf hundert innerhalb von einem Jahr machen? Und diese 25 000? Die reichen ja schon für die erste Immobilie. Dann haut mal rein. Ich wünsch dir alles Gute. Einen wunderschönen Tag, genießt den Sonntag und denke mal, dran sei die Stimme, nicht das Echo. Significant Objects Ja, das war es leider auch schon wieder für heute. [00:12:30] Ich danke dir fürs Zuhören. Die Informationen, die du in dieser Episode erhalten hast, werden natürlich wie immer durch die zusätzlichen Informationen auf www. Panzerknacker, Minos, Podcasts, Puttkamer ergänzt. Schau einfach mal rein. Dies ist eine Markus Habermann Produktion. Bitte besuchen mich auch nächste Woche wieder für eine weitere Folge von Panzerknacker Podcast.
Met Schwob zet het Letterenfonds in samenwerking met boekhandels en uitgeverijen vergeten auteurs in de schijnwerpers. Eens per maand zendt Nooit Meer Slapen de podcast LeesDees uit waarmee de VPRO-radio aanhaakt bij deze actie. Vandaag over het boek ‘Gaan liggen om te sterven’ van Adalet Agaoglu (spreek uit: Aaolu). De 40-jarige Aysel reflecteert op haar leven terwijl ze in een hotelkamer is gaan liggen om te sterven. Ze haalt herinneringen op aan vrienden en aan het land waarin ze is opgegroeid: de jonge republiek Turkije. Irene Houthuijs spreekt met vertaler Hanneke van der Heijden, acteur Nazmiye Oral en literatuurwetenschapper Guido Snel.
In aflevering 25 gaat het over het boek ‘Gaan liggen om te sterven’ van Adalet Agaoglu. De 40-jarige Aysel reflecteert op haar leven terwijl ze in een hotelkamer is gaan liggen om te sterven. Ze haalt herinneringen op aan vrienden en aan het land waarin ze is opgegroeid: de jonge republiek Turkije. Irene Houthuijs spreekt met vertaler Hanneke van der Heijden, acteur Nazmiye Oral en literatuurwetenschapper Guido Snel. Lees Dees is een podcast van VPRO Podcasts en vanaf deze afleveringen ook Nooit Meer Slapen. Lees Dees komt tot stand met steun van het Letterfonds en Schwob. Met Schwob zet het Letterenfonds in samenwerking met boekhandels en uitgeverijen vergeten auteurs in de schijnwerpers.
Le copiamos el juego a Colgados de Aro, y nos hemos propuesto encontrar a la mejor delegación de los 2010 en Eurovisión. Empezamos con el duelo entre la Ucrania de Jamala y la Azerbaiján de Aysel, que nos ha jodido por copyright. Con el duelo Carlos Pecharromán vs. Paqui la Contabe con Alberto Temprano como juez. Síguenos en Twitter: https://twitter.com/euromovidas Estamos también en Instagram: https://www.instagram.com/euromovidas/ --- Send in a voice message: https://anchor.fm/euromovidas/message
"Benim Sevgili Kanserlerim" kitabının yazarı Funda Aysel'in hikayesine kızı Karduş ve eşi tıp hekimi İnan Aysel ile devam ediyoruz.
Podcast EpisodeAykırı bir yolcuyum dünya geniş, Büyük bir kulak çınlıyor içimdeki. Çetrefil yolculuğum kesinleşmiş. Sakın başka bir şey getirme aklına. Aysel git başımdan ben sana göre değilim, ölümüm birden olacak seziyorum, hem kötüyüm, karanlığım biraz
Hem kötüyüm karanlığım biraz çirkinim
Esta es una ruta para escaparse a refrescarse, por las playas de Cantabria...aunque por el interior también habrá alguna que otra sorpresa.Nos sentaremos a la mesa de la cocina pasiega y prepararemos su dulce más típico: quesada pasiega. No te lo pierdas! Hoy aprenderemos a ser nomadas de la mano de nuestros compañeros de ruta: El viaje de Aysel. Y nos escaparemos en familia a un acuapark donde podremos pernoctar en un camping o en un area ¿Tienes listo el bañador? Venga! ¡Que arrancamos! http://furgobidaiak.eus/mundo/cantabria-de-playas-cuevas-museos-y/
In Germany, beginning in the 1960s, a major population shift took place. The reason for it was the German guest worker program. Due to the German ‘economic miracle,' the country was in growing need of cheap labor, and it found it in places like Turkey. Although it was assumed that these ‘guests' would later on move back to their home countries, they unexpectedly often stayed in Germany, founded families and became Germans. In her new book Women Between Strange Cities (Interkulturelle Stadtnomadinnen: Inszenierungen weiblicher Flanerie- und Migrationserfahrung in der deutsch-türkischen und türkischen Gegenwartsliteratur am Beispiel von Aysel Özakın, Emine Sevgi Özdamar und Aslı Erdoğan [Königshausen & Neumann, 2017]), Jannica Budde, a postdoc at Paderborn University, analyzes German-Turkish as well as Turkish contemporary literature thus shedding some light on the German-Tukish-cultural relationship. Reading works from Aysel Özakın, Emine Sevgi Özdamar and Aslı Erdoğan, she places particular emphasis on the female perspective. In Budde's study, it becomes clear how German-Turkish and Turkish literature transcends stereotypical perceptions of Germany's guest workers. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Germany, beginning in the 1960s, a major population shift took place. The reason for it was the German guest worker program. Due to the German ‘economic miracle,’ the country was in growing need of cheap labor, and it found it in places like Turkey. Although it was assumed that these ‘guests’ would later on move back to their home countries, they unexpectedly often stayed in Germany, founded families and became Germans. In her new book Women Between Strange Cities (Interkulturelle Stadtnomadinnen: Inszenierungen weiblicher Flanerie- und Migrationserfahrung in der deutsch-türkischen und türkischen Gegenwartsliteratur am Beispiel von Aysel Özakın, Emine Sevgi Özdamar und Aslı Erdoğan [Königshausen & Neumann, 2017]), Jannica Budde, a postdoc at Paderborn University, analyzes German-Turkish as well as Turkish contemporary literature thus shedding some light on the German-Tukish-cultural relationship. Reading works from Aysel Özakın, Emine Sevgi Özdamar and Aslı Erdoğan, she places particular emphasis on the female perspective. In Budde’s study, it becomes clear how German-Turkish and Turkish literature transcends stereotypical perceptions of Germany’s guest workers. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Germany, beginning in the 1960s, a major population shift took place. The reason for it was the German guest worker program. Due to the German ‘economic miracle,’ the country was in growing need of cheap labor, and it found it in places like Turkey. Although it was assumed that these ‘guests’ would later on move back to their home countries, they unexpectedly often stayed in Germany, founded families and became Germans. In her new book Women Between Strange Cities (Interkulturelle Stadtnomadinnen: Inszenierungen weiblicher Flanerie- und Migrationserfahrung in der deutsch-türkischen und türkischen Gegenwartsliteratur am Beispiel von Aysel Özakın, Emine Sevgi Özdamar und Aslı Erdoğan [Königshausen & Neumann, 2017]), Jannica Budde, a postdoc at Paderborn University, analyzes German-Turkish as well as Turkish contemporary literature thus shedding some light on the German-Tukish-cultural relationship. Reading works from Aysel Özakın, Emine Sevgi Özdamar and Aslı Erdoğan, she places particular emphasis on the female perspective. In Budde’s study, it becomes clear how German-Turkish and Turkish literature transcends stereotypical perceptions of Germany’s guest workers. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Germany, beginning in the 1960s, a major population shift took place. The reason for it was the German guest worker program. Due to the German ‘economic miracle,’ the country was in growing need of cheap labor, and it found it in places like Turkey. Although it was assumed that these ‘guests’ would later on move back to their home countries, they unexpectedly often stayed in Germany, founded families and became Germans. In her new book Women Between Strange Cities (Interkulturelle Stadtnomadinnen: Inszenierungen weiblicher Flanerie- und Migrationserfahrung in der deutsch-türkischen und türkischen Gegenwartsliteratur am Beispiel von Aysel Özakın, Emine Sevgi Özdamar und Aslı Erdoğan [Königshausen & Neumann, 2017]), Jannica Budde, a postdoc at Paderborn University, analyzes German-Turkish as well as Turkish contemporary literature thus shedding some light on the German-Tukish-cultural relationship. Reading works from Aysel Özakın, Emine Sevgi Özdamar and Aslı Erdoğan, she places particular emphasis on the female perspective. In Budde’s study, it becomes clear how German-Turkish and Turkish literature transcends stereotypical perceptions of Germany’s guest workers. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Germany, beginning in the 1960s, a major population shift took place. The reason for it was the German guest worker program. Due to the German ‘economic miracle,’ the country was in growing need of cheap labor, and it found it in places like Turkey. Although it was assumed that these ‘guests’ would later on move back to their home countries, they unexpectedly often stayed in Germany, founded families and became Germans. In her new book Women Between Strange Cities (Interkulturelle Stadtnomadinnen: Inszenierungen weiblicher Flanerie- und Migrationserfahrung in der deutsch-türkischen und türkischen Gegenwartsliteratur am Beispiel von Aysel Özakın, Emine Sevgi Özdamar und Aslı Erdoğan [Königshausen & Neumann, 2017]), Jannica Budde, a postdoc at Paderborn University, analyzes German-Turkish as well as Turkish contemporary literature thus shedding some light on the German-Tukish-cultural relationship. Reading works from Aysel Özakın, Emine Sevgi Özdamar and Aslı Erdoğan, she places particular emphasis on the female perspective. In Budde’s study, it becomes clear how German-Turkish and Turkish literature transcends stereotypical perceptions of Germany’s guest workers. Learn more about your ad choices. Visit megaphone.fm/adchoices
In Germany, beginning in the 1960s, a major population shift took place. The reason for it was the German guest worker program. Due to the German ‘economic miracle,’ the country was in growing need of cheap labor, and it found it in places like Turkey. Although it was assumed that these ‘guests’ would later on move back to their home countries, they unexpectedly often stayed in Germany, founded families and became Germans. In her new book Women Between Strange Cities (Interkulturelle Stadtnomadinnen: Inszenierungen weiblicher Flanerie- und Migrationserfahrung in der deutsch-türkischen und türkischen Gegenwartsliteratur am Beispiel von Aysel Özakın, Emine Sevgi Özdamar und Aslı Erdoğan [Königshausen & Neumann, 2017]), Jannica Budde, a postdoc at Paderborn University, analyzes German-Turkish as well as Turkish contemporary literature thus shedding some light on the German-Tukish-cultural relationship. Reading works from Aysel Özakın, Emine Sevgi Özdamar and Aslı Erdoğan, she places particular emphasis on the female perspective. In Budde’s study, it becomes clear how German-Turkish and Turkish literature transcends stereotypical perceptions of Germany’s guest workers. Learn more about your ad choices. Visit megaphone.fm/adchoices
Rabbit Jumping or Kaninhop Learn more about Rabbit Breeds, history, superstations, news, folk tales, and pop culture. Discover cool facts, Rabbit Care, resources and Rabbit Breed Info at the website http://www.hareoftherabbit.com/ If you would like to support the project, you can support through Patreon for one dollar a month. Patreon is an established online platform that allows fans to provide regular financial support to creators. you can also support the podcast, and help keep the lights on, whenever you use Amazon through the link at Hare of the Rabbit on the support the podcast page. It will not cost you anything extra, and I can not see who purchased what. Rabbit jumping is a growing sport that is becoming increasingly popular all around Scandinavia. Rabbit jumping exist in other parts of the world as well but it is often not as big and organized as in Scandinavia. The goal is to jump cleanly over a set course within an allotted time. Rabbit show jumping or Kaninhop is modeled after horse show jumping, only on a much smaller scale to suit rabbits. Competitions have been held in several European countries. The cool thing about Rabbit Hopping is that it doesn't matter if your rabbit has a pedigree as long as your arm or if it was bought from a pet shop, it can still do it and WIN!!! Rabbit jumping is perfect for someone who want to spend time with their rabbit and do something fun together! History Rabbit jumping as a sport started in Sweden in the late 1970’s when the first rabbit club started to have competitions in rabbit jumping. In the beginning the rules were based on the rules of horse jumping however, over time the rules changed to better fit rabbits. In the start a lot of breeders were very skeptical of rabbit hopping and thought it was a short craze. In 1986 the sport started spreading all over Sweden. Back then it was held separately in two different parts of Sweden with no contact between each other. In 1987, the first national championship for "straight line easy course" was held in Stockholm, Sweden. In 1991 they met and merged the two groups as a subgroup to the Swedish rabbit breeders association. Rabbit jumping grew bigger still and could not develop as fast as needed. This lead to the formation of the organization we have today. September 3rd 1994 the Swedish Federation of Rabbit Jumping was established. The Swedish Federation of Rabbit Jumping is nationwide. Today they have about 800 members in about 20 affiliated clubs, which are all arranging competitions in rabbit jumping. There are competitions arranged almost every week somewhere in the country. The main task of the federation is to develop the sport and make sure the competitions are fair. They also make sure there are two Swedish championships held every year and an opportunity each year to educate judges for the sport. Another important thing they work with is to have a good connection and cooperation with other countries. Germany joined the other countries in starting their own rabbit hopping club in 2000. Organizations were established in Norway (2002) and Finland (2004). Training and participation with translations for a new set of rabbit hopping rules came from the judges committee in Denmark. 2001 brought forth the Rabbit Hopping Organization of America. The rules and guidelines for rabbit hopping were established for all Americans with the help of the judges committee in Denmark and with personal assistance from hopping judge Aase Bjerner. The American Hopping Association for Rabbits and Cavies (AHARC) was chartered with the American Rabbit Breeders Association in 2013. The rules and guidelines for this association were molded after R.H.O.A. and Denmark. The AHARC held the very first official national competition in the United States during the 2011 ARBA Convention in Indianapolis, IN. The performance competition for rabbits during 2013 ARBA convention in Harrisburg, Pennsylvania was a Mid Atlantic Rabbit and Cavy event. AHARC had the first national performance event for cavies during the 2014 ARBA TX convention. The American Hopping Association for Rabbits and Cavies is the national performance club in the U.S. for rabbits and cavies (guinea pigs) chartered by the American Rabbit Breeders Association (ARBA). Their Purpose is to help others learn about the performance sports of Rabbit Hopping, Rabbit Agility and Cavy Agility. They are a resource and place for people to locate information about performance events all over North America. AHARC is in the process of developing Rules and a Guidebook for their members. The Rules Committee is currently headed by Tammy Steele. Please contact Tammy at alikattbunnies@hotmail.com with any questions. National Specialty Club - This has been an amazing and interesting adventure. Most people don't realize how much work and commitment is required to start up a national level club. Being welcomed under the ARBA umbrella in 2013 as a National Specialty Club was a rare and long awaited opportunity Rabbit Agility was developed by the Canadian Hopping Club and by Dell Robins from Minnesota independently of each other. They call theirs a Rabbit Obstacle Course. However they do not use weave poles for their courses. The Canadian Rabbit Hopping Club, like a lot of things, had a very humble beginning. During their 2005/2006 4-H year members Amanda Greening (entering her 2nd year in the 4-H rabbit project) & Krysta Turner (entering her first year) were looking for a fun activity to round out their project. That's when they found a website from Denmark & a magazine on the sport of rabbit hopping, which is like dog agility, but just with jumps. Although they did not have Dutch rabbits, generally the rabbit of choice, they thought it looked like fun. The first order of business was to build jumps to use, which were made as part of the project. They also needed to get the rabbits used to wearing harnesses and being on a leash. To train them to jump, first you have to lay a pole on the ground near the base of the jump, so they get used to the idea that they are supposed to go over it. Then you put the poles in the jump cups, gradually raising them as the rabbits get better. The girls use film canisters to make the jump cups. The bunnies performed in some fun shows & at Achievement Day, but the first really big live performance was at 4-H on Parade, our big year end show for 4-H. The demonstration was run in a space beside the dairy show & about half way through they had emptied the stands from the dairy show. It was there they were also noticed by a representative of the Calgary Stampede, who requested them for 5 demos, including in front of the main Grand Stand Stage during the 2007 Family Day breakfast. Since then, they have performed at pet stores, the S.A.R.B.A. Easter event in Airdrie, Calgary Pet Expo, Chestermere rabbit show, & will be back at 4-H on Parade & performed in Edmonton on Canada Day 2008! Since this time, they have made many more appearances, to see a full list, check out our events & performances link. There are lots of new members & even more new rabbits! Check out our Meet the Stars link for a list of all the rabbits & their trainers! Each rabbit even has it's own story & song & some even have their own music video! We have added new equipment, going for more toward agility, with an "A" frame, tunnel, pause table, hoop jumps, bunny walk, teeter totter & most recently, the high jump & long jump. In the summer of 2011, Amanda saw previews for a Canadian version of the popular show America's Got Talent. She sent off the application & on September 14, 2011, Amanda with some club members & bunnies auditioned in Edmonton, Ab. for Canada's Got Talent. On October 18, 2011 the club performed in front of the live studio audience. Interesting CGT facts: In September over 3000+ auditioned in Edmonton for the show! Out of those, 80 made it to the stage in Calgary on October 18 & 19, 2011. From those 80, we were one of only 18 shown on national TV on March 5, 2012! While the club did not advance to the next round, we did not receive any X's & got a standing ovation from the studio audience. Since CGT, the club has taken a huge step forward from it's humble beginning of two girls looking for a new 4-H rabbit project! 2013 saw the beginnings of The Rabbit Hopping Society Of Australia also with the assistance of Aase and Rasmus Bjerner. In 2015 Freya Pocock Johansson founded Rabbit Hopping New Zealand.I (Freya Pocock Johansson) introduced Rabbit Hopping to New Zealand in the beginning of 2015 at The Christchurch Pet Expo, and have gone on to hold many successful demo days and practices in Christchurch, thanks to Lynette Peebles who also hosted them! Thanks to Kathy Davis, we also now have Rabbit Hopping on The North Island!!! Inspired by equestrian jumping events, rabbit enthusiasts in the Czech Republic recently organized a bunny hop competition as an early Easter celebration. A rabbit, a symbol of Easter, jumps over an obstacle during Rabbit Steeple Chase at the Old Town Square’s Easter market on April 14, 2014 in Prague, Czech Republic. There are federations both in Norway (since 2002) and Finland (since 2004). Denmark, Germany, UK, and USA also arrange rabbit jumping although they don’t have any federations. Hopefully the sport will grow and get even bigger all over the world. About rabbit jumping Some basic rules There are four different types of rabbit jumping; straight course, crooked course, high jump and long jump. THE CLASSES STRAIGHT: In straight course the rabbits are divided into 4 classes: Easy class, where the course has 8 - 12 jumps at max. 25 cm (9.8 inch.) high at a distance of 180 cm (70.9 inch.) between the jumps. Medium class with 10 - 14 jumps at max. 35 cm (13.8 inch.) at a distance of 200 cm (78.7 inch.) between the jumps, Difficult class also with 10 - 14 jumps and a distance of 200 cm (78.7 inch.), but with a max. at 40 cm (15.7 inch.) high. At last the Elite class with 12 - 16 jumps at max. 50 cm (19.7 inch.) at a distance of 220 cm (86.6 inch.) between the jumps. CROOKED: At crooked course there are also 4 classes and the highs are the same as at straight. The jumps are placed in an other way; more like show jumping for horses. You follow the numbers at the jumps. HIGH JUMP: High jump takes place by letting the rabbit hop over a jump, which can be put up to about 100 cm (39.4 inch.), and you gradually put one more rails on, till the last rabbit goes out. Each rabbit has 3 trials at each high. The world record today is 99½ cm (39.2 inch.) made of the rabbit "Tøsen" with the handler Tine Hygom from Horsens, Denmark. It was made at the cattle show in Herning June 1997. The rabbit id dead now. LONG JUMP: Long jump takes place at a jump, where you start at 60 cm - 80 cm (23.6-31.5 inch.), an the length is put out till the last rabbit goes out. Each rabbit has 3 trials at each length. A crooked course is a lot like a show jumping course for horses with turns and loops while on a straight course the jumps are placed on a straight line. The goal is, as said before, to jump cleanly through the course. For every jump knocked down you will receive one fault. There is always one judge counting the faults and one person taking the time of the race from start to finish. If the rabbit doesn’t jump straight over the jump but askew you receive one fault. The same happens if you lift the rabbit over a jump that isn’t already knocked down. If the rabbit jumps the course in the wrong order or exceeds the time limit it will be excluded and will not receive a placing. It is important that the rabbit jumps out of free will and isn’t forced. The rabbit has to be in front of the owner. The tracks have 8-12 obstacles (depending on the level of difficulty) that the leader (något annat) is supposed to help the rabbit through with as few faults as possible. The obstacles needs to be passed in the correct order for the equipage not to be excluded for taking the wrong way. The height of the obstacles also depends on the level of difficulty. There are four different levels to compete in and the heights of the obstacles in each of them are 30, 38, 45 and 50 cm. A rabbit has 2 minutes to complete the course, if the time runs out before the course is completed, the rabbit is disqualified. In straight track the obstacles are placed in a row and in the winding track in a logically turned order, but not in a distinct pattern like an L, S or something like that (it should look almost like a horse jumping track). For each obstacle that is knocked down the rabbit and the leader (the ekuipage) gets one fault. You are also penalized with one fault if you choose to lift the rabbit over an intact obstacle, if the rabbit jumps over it the wrong way, that is adrift (criss-crossing or in between the bars, if the rabbits go over the start marker before it is allowed, and after three corrections. A correction is when the leader gives the rabbit a new run-up for an obstacle. Corrections are not taken into account at the lowest level of difficulty. The winning rabbit is the one with fewest number of faults. If two or more rabbits have tied for the same placing the one with the shortest time will be the winner. When winning or earning a placing (the number of placings depend on the number of participants) the rabbit will gain one promotion point with which the rabbit climb in the levels. In Sweden they call it a “promotion stick”. If the rabbit doesn’t receive any faults at all it will automatically receive a promotion stick. In straight and crooked course there are four official levels; easy, medium, difficult and elite. Older rabbits can compete in the veteran level and beginners can choose to compete in the unofficial mini level. The levels differ in height and length of the jumps but also in number and technical difficulties of jumps. The mini course is just an introductory course. In order to progress from easy to medium, etc. a rabbit has to earn promotion points. Rabbits are placed according to the number of faults they have (such as knocking a rail down) time only comes into play if 2 placing rabbits have tied for the same placing. High jump and long jump have different rules. Here the winner is the rabbit who jumps the highest or the longest. There is only one jump in high- and long jump but it is higher respectively longer than in straight- and crooked course. The rabbit can have three tries at one height/length. If two rabbits have tied for the same placing the one with the fewest amount of tries wins the competition. There are only two levels in high- and long jump; non-elite and elite. To gain a promotion stick the rabbit has to jump either 60 cm = 23.62 inches high respectively 160 cm = 62.99 inches long. In the elite level the rabbits compete about certificates, when the rabbit has gained three certificates in a specific course it will be a champion. One important rule in all courses is that the jumps must be constructed so that they can be knocked down in any direction without hurting the rabbit. You are not allowed to beat or kick the rabbit or to lift the rabbit only using the leach. The rabbit must be held in a harness with a leach, necklaces are not allowed as they can hurt the rabbit’s neck. And remember, only the rabbit is to jump, the human walks beside the jumps and not over them. In the tracks there is as mentioned four different levels of difficulty. Higher levels includes more difficult obstacles in the tracks. All equipage starts out in the lowest level of difficulty, and for each placing they get what we call an "upgrade point". When the rabbit has three upgrading points in the same level of difficulty it has qualified for the next following level. The number of placings in each given class is based on the number of starting rabbits. For every five starting rabbits one place is given. For example if there is 10 starting rabbits two places are given, if there are 26 starting rabbits six places are given. However the rabbit must finish the track with less than two faults per round to get an upgrading point. The most common is that one basic round and a final is arranged, which means that you can have up to at total of 4 faults and still get an upgrading point. If the rabbit completes two rounds without any faults it will receive a upgrading point no matter of the placing number. The lowest level of difficulty is called "easy" and this is the class were all rabbits begin. The maximum height is 30 cm (11,81 inches) and the track has at least 8 obstacles. After collecting three upgrading points the rabbit qualifies for the next level which is "harder than easy". Here the maximum height of the obstacles is 38 cm (14,96 inches) and the track should contain 10 of them. Like before, the rabbit has to collect three upgrading points until it's qualified for the next class which is called 'difficult'. This level has a maximum height of 45 cm (17,72 inches) and there should still be at least 10 obstacles. You must collect five upgrading points in the difficult level before you are qualified for the most difficult class, which is called 'Elite'. The elite has a maximum height of 50 cm (19.96 inches) and the track has 12 obstacles. The length of the obstacles are adjusted to fit the class, but there is a maximum length in the easy class that is 45 cm (17.72 inches) and for the other 80 cm (31,15 inches). There are also regulations for the shortest length between the obstacles. That is 250 cm (98.43 inches) in all the classes, but in the higher levels even a further distance is preferred to give the rabbits as many good possibilities as possible. In 'difficult' and 'elite' there must be a water obstacle. This is special in the way that it counts as one fault if the surface of the water is touched. The width of the obstacles, which is the length on the bars, should not be less than 60 cm (23.62 inches). In addition to the obstacles, there must be a low start and finish obstacle. These obstacles are not included in the track together with the other obstacles, they are only used for the purpose to know when to start and stop the time. In all the classes you need to finish within a maximum time limit, the most common is two minutes. The leader will be noticed when there are 30 and 10 seconds left. There are some different judgings, A-F. The most common is judging C which means that all ekuipages makes one round and that a pre-decided number of them will make it to a final round. Judging D is also. That means that all the ekuipages that completes the first round are allowed to start in the second round. This was a short description of the most important rules in the two tracks, so now let us move forward to the long and high jump. In these two events the rabbit jumps over a single specially made obstacle. In the high jump it is all about jumping as high as possible. The obstacle increases in height after every round. The rabbits have three attempts on each height. If the rabbit fails all three attempts the ekuipage is eliminated. The rabbits that performed the jump correctly continue to the next round, in which the height of the obstacle is increased. You cannot clear the same height more than once. If all the rabbits that is still in the competition fails at the same height, the winner is the rabbit that has used the least attempts to clear the previous height. If those results are also the same you have to look at the height before that and so on until you can separate them to get a winner. If not there have to be a "re competition" between those ekuipages that ended at the same result. Long jump has the same system of declaring a winner, but here the rabbit must jump as far as possible. In high and long jump we have a different upgrading system than in competition in tracks. There are only two classes, 'not elite' and 'elite'. The rabbits starts in not elite. To receive an upgrading point in these events a limit of 60 cm (23.62 inches) in high jump and 160 cm (5,2 feet) in long jump must be cleared. To advance to elite in either of the events, the ekuipage have to collect three upgrading points respectively. When you have reached the elite level in all events, there are no longer any competitions for upgrading points. Instead, the winner of the class receives a certificate, if the class has more than 10 starting rabbits. To receive a certificate in high jump the rabbit must also clear a height of at least 70 cm (27,56 inches) and in long jump 180 cm (5,9 feet). If a rabbit receives three certificates in the same event taken in at least two different clubs, the owner can, regardless of the number of certificates received in the other events, ad the title champion to its name. If the rabbit becomes a champion in two events you ad Great Champion, in three events Super Champion and in all four events Grand Champion. The most important factor in rabbit jumping is the safety of the rabbits. The obstacles are not allowed to be built in a way that the rabbits under any circumstances can hurt themselves. Nails cannot be used to put the bars on. You are not allowed to beat or kick the rabbit, and you can of course never lift it only by its leach. No stressing sounds or acts is allowed and if the rabbit needs to be guided, this should be done by gently using the hands, never the feet or just the leash. The hand holding the leash must be behind the rabbit at all times. The leader of the rabbit cannot go over the obstacles; he or she must pass next to them. To be allowed to participate in a competition the person must have turned 7 years old and the rabbit must be at least 4 months old. In high- and long jump the rabbit must be 12 months old. All breeds and crossbreeds are allowed to participate, the only important thing is that the rabbit is healthy! All breeds are allowed to compete; however, there may be problems with smaller and larger breeds. (Rabbit size is usually determined by weight: small rabbits are considered under 2 kilo/4.4 lbs and giant over 5 kilos / 11 lbs) Small rabbits, such as the Polish and Netherland dwarf sometimes have problems jumping over long obstacles due to their size. However, there are examples of small rabbits that still made it to the highest Scandinavian classes. Smaller rabbits can overcome weaknesses through style and will. Larger rabbits such as the Flemish Giant and French Lop will put a lot of weight on their front legs in the landing while jumping high over higher obstacles, which may cause injury. Generally, long-haired Angora type breeds, if not clipped, are excluded from competing because of the difficulties their coats cause with agility and vision. Neither English Lop should be entered as they risk injury to their ears. The ideal jumping rabbit has long legs and a long back, which will help it see over longer obstacles and correctly judge the height or length in order to get over. In the case of with slender bone, such as the Belgian Hare, the legs should be strong and muscular so high jumps will not hurt them. In Scandinavia, where rabbit show jumping has a strong base, most are crossbreeds, bred with good jumpers as parents, similar to the method of breeding show dogs. How to teach your rabbit to jump HOW TO TEACH THE RABBIT TO HOP It is best to start with a young. It is good to buy a young at 8 weeks at a breeder, who is a member of a breeding organization. The very first thing you have to teach your rabbit is to walk in a harness and leash. It might be a little cat´s harness or a special harness for rabbits with an eye behind in the back piece. It must not just be a necklace, because then the rabbit might be choked. It might take time to get it used to the harness, but don´t be in too great a hurry. It is very important, that nothing happens, that might frighten the rabbit, when it is in harness. Let it have a good experience, when it is in the harness. Then it will gradually look forward to come out into the harness for a walk. If you have more rabbits, it is best to have one harness for each rabbit. Some rabbits will bite in the harness, if it smells of an other rabbit. When the rabbit has got used to the harness, you can start teaching it, that you are the one, who decides, where you are going. When your rabbit is good at walking in the harness, you can start letting it hop over small jumps. As long time as the young is little, you must not let it jump too much and not too high. Just about 5 minutes at 0 - 5 cm. (0-2 inch.) (0 cm is when the bar is just lying at the grass). It will be good with some milk cartons or some small wood blocks with 100 cm. (40 inch.) between the cartons or blocks. After some weeks you can put one more carton upon the first. When you add the high, you have to add the length. If you already have a rabbit jump, you start with one bar or two bars. If the rabbit don´t want to jump, you can try to lift it once or twice, maybe it will jump by itself the next time. Teach your rabbit from the beginning just to hop the one way. Then it is easier to teach it just to go forward on a course. That´s what it´s about in an event. If your rabbit gets tired, you must let it get a rest and then try later the same day or the next day. To calm or encourage your rabbit it is important, that you talk with your rabbit the whole time both at training and at events. Don´t tell it off, if it doesn't go like you want. You don´t achieve anything by that. At straight course, there has to be the same distance between the jumps. In this way the rabbit gets a fluent run through and has a better chance to make the jumps. When the rabbit is 4 month, it can start training at an easy course (25 cm (9.8 inch.) high) and it can start in an event. Here in Denmark the handler has to be a member of the Breeding Organization of Denmark. Maybe you can try to train in an organization before being a member. All breed and mixed rabbits can learn to hop, but do not hop with very big and heavy rabbits. Don't over train your rabbit. By training once or twice a week it will quickly get used to hop and become a clever hopping rabbit. If you have got a rabbit, who in spite of your best attempts, will not hop, you must let it be a pet rabbit. If you force it, it might be aggressive and maybe you will get sour. It is hard to say, if it is best to hop with a male or a female. We have had best luck with the females. Our males are often more interested in sniffing and peeing and mating our legs. The females might be a little lazy, when they are in heat, but else they are very willing to hop. If it is very hot and very cold it is better not to hop. Rabbit hopping is fun for children and grown ups, and it is a different good and exciting way to have rabbits and to be a rabbit. If you have a little fenced area in your garden, your rabbit can have fun of running there too. It also will give it more exercise. Before you start teaching your rabbit to jump you must teach it how to walk in a harness. When the rabbit feels safe and brave walking in the harness you can start with low jumps (about 5 -10 cm = 2-4 inches). Put the rabbit in front of the first jump and give it some time to think. You might have to help it the first time by lifting the rabbit or by push loosely at its backside. Praise and let the rabbit walk to the next jump. When the rabbit has learned to jump – walk – jump you can add some more jumps and after a while you can increase the difficulty. Think about not to hurry and not practice too much. Otherwise the rabbit might loose interest. You can build jumps out of things you have at home as long as the rabbit can’t get hurt when jumping it. Remember that the jumps must be constructed so that they can be knocked down in any direction without hurting the rabbit. Most rabbits can be taught to jump but not all of them like it. You should never force a rabbit to jump. World records The Guinness Book of World Records makes note of the world record for the highest rabbit jump which is 99.5 cm (39.2 in), which was achieved by Mimrelunds Tösen (The Lassie of Quivering Grove) who was owned by Tine Hygom (Denmark) in Herning, Denmark on 28 June 1997. However, June 13, 2013 this record was beaten by Snöflingans (Super Champion) Majesty of Night "Aysel", owned by Tarkan Sönmez (Sweden) at 100 cm (39.4 in). A video of this can be found on YouTube. The record for longest jump is 3m (118.1 in), held by Yaboo (owner: Maria B Jensen, Denmark)and was set on June 10, 1999. The world record in high jump is held by a Swedish rabbit called Aysel. She has jumped 100 cm (39.37 inches). Her owner is Tarkan Sönmez. The world record in long jump is held by a Danish rabbit, he is called Yaboo and the longest jump was measured to 3 m (9.84 feet). In conclusion At events, there is always great attendance from the spectators. People of all ages have a good time by looking at rabbit hopping. Even radio, TV, newspapers and magazines find, that rabbit hopping is a good subject and now and then they bring photos or on-the-spot report. Of course now and then people, who think it is cruelty to animals, are passing by, but they have hardly ever understood, that the rabbits are hopping of joy. The critics do not think about, that all what we do, are be built on the natural movements of the rabbits. Rabbit jumping is a fun sport for both owner and rabbit. In Scandinavia it is growing and getting more popular. We wish that with this podcast we will inspire rabbit owners all over the world to try rabbit jumping safely! The more you do with your rabbit, the more fun you have with it. If you make rabbit hopping there will by itself come a very close tie between the handler and the rabbit. About 3,000 are expected to take part in the rabbit version of Hickstead. The Swedish rabbit jumping team is among 3,000 animals taking part at the Great Yorkshire Showground, in Harrogate. You are very welcome to contact the committee for The Swedish Federation of Rabbit Jumping if you have any questions. styrelsen@skhrf.com http://skhrf.com/englishsit/ https://en.wikipedia.org/wiki/Rabbit_show_jumping https://sites.google.com/site/americanhoppingassociation/ http://www.canadianrabbithoppingclub.com/ http://www.kaninhop.dk/uk/ http://rabbithoppingnz.wixsite.com/rabbithoppingnz http://www.huffingtonpost.com/2014/04/15/bunny-hop-competition-prague_n_5155397.html http://www.mirror.co.uk/news/weird-news/watch-adorable-bouncing-bunnies-take-5031497 www.smallanimalshow.co.uk. Plant of the Week: Barley Word of the Week: PrePaid
Listen to the episode here: Episode 8 – The Search for Azerbaijan In this episode, Danie and Mark delve into the trickiness of Azerbaijan – the politics, geography, and the country’s rise as one of the ones to watch at Eurovision. Songs Include: Always – AySel and Arash (2009) Miracle – Samra (2016) Hold Me – Farid … Continue reading Episode 8 – The Search of Azerbaijan
Aysel Gezik grew up in the Kurdish Highlands on a ranch with no running water or electricity. Her days were spent in the mountains or tending for farm animals. As an adult, she embraced technical mountaineering and began venturing into remote areas with challenging ascents. Her love for high places has carried her across the globe and her career as a chemical engineer has planted her in California where she continues to explore rugged peaks. She and Jason met in Corriganville Park to discuss her life as a mountain goat. LINKS: American Alpine Club: americanalpineclub.org Call us and leave a message (up to 3 minutes): 1-818-925-0106
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