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Smart Agency Masterclass with Jason Swenk: Podcast for Digital Marketing Agencies
Would you like access to our advanced agency training for FREE? https://www.agencymastery360.com/training How are the new technologies and tools shaping the future of agencies? How can you create an agency that outlasts trends? When you've been around for 75 years in the ad world, you've seen it all, from Mad Men, media buying by fax, the rise of the internet, and now, AI. Today's featured guest runs an agency that has been doing full-service marketing since 1950. What's impressive isn't just their longevity but also how they've stayed relevant and human in a business that changes faster than a TikTok trend. Jennifer Spire is the CEO of Preston Spire, an independent Minneapolis-based creative agency that's been helping brands grow with full-service marketing since 1950. She's the agency's fourth CEO, starting in small independent agencies, rising through global holding companies, and bringing both worlds' lessons to how she leads today. That mix of experiences shaped her leadership style grounded in independence, driven by creativity, and fiercely protective of agency culture. In this episode, we'll discuss: Building a culture that lasts seven decades and beyond. Why independence still matters in the agency world. The future of agency talent and AI. Subscribe Apple | Spotify | iHeart Radio Sponsors and Resources E2M Solutions: Today's episode of the Smart Agency Masterclass is sponsored by E2M Solutions, a web design, and development agency that has provided white-label services for the past 10 years to agencies all over the world. Check out e2msolutions.com/smartagency and get 10% off for the first three months of service. How One Agency Has Stayed Relevant for 75 Years Preston Spire started as a design shop in 1950 and quickly grew to a full service advertising agency, which differs from what we think of as full service today. Over the decades, it's evolved continuously, reinventing itself with every shift in marketing. Jennifer says the real secret to their longevity is adaptability. "It's really hard to continue to evolve and stay strong, but I think there's a lot to be said for an agency that can evolve and still grow while being relevant." Now they're 25 years away from a century, which is both impressive and humbling, as well as something they want to highlight more. Surprisingly, some advisors have actually told Jennifer it'd be best to not mention their 75-year run, since some might assume a 75-year-old agency should be bigger by now. However, Jennifer has a different perspective. For her, you don't have to be one of the biggest agencies to be better and longevity isn't a weakness but rather proof of resilience and reinvention. From Big Agency Bureaucracy to Small Agency Freedom Before joining Press Inspire, Jennifer spent years inside the machine of large agencies, where shareholder-driven decisions often overshadowed what's best for clients or teams. There, she learned that you don't have to be bigger to be better, a philosophy that now fuels how she runs Press Inspire, as she has chosen to keep it small enough to stay personal but strong enough to compete with anyone. Once she left the big-agency world for an independent shop, Jennifer cut her teeth doing everything from answering phones, assisting on shoots, starting media departments, and running PR. That early experience taught her the one skill every agency leader needs — resourcefulness — something she now encourages young people to develop early in their careers. Her time at big agencies, though, showed her what not to do. "You end up making decisions that are best for shareholders, not clients," she said. "At a smaller agency, I wanted everyone to be able to chart their own path and make decisions that serve both the client and the team." Building an Agency Culture Keeps People for Deacades People stay for decades at Preston, some for 37 years, others 30, and three just recently celebrated 25-year anniversaries. That kind of loyalty is nearly unheard of in today's agency churn cycle. So what's the secret? Balance. Jennifer encourages collaboration between long-time employees and newer hires with fresh perspectives. The agency operates in a hybrid setup, with three days in-office to keep creativity flowing while maintaining flexibility. It's a rhythm that keeps collaboration alive without burning people out. "Being together helps," she said. "That human connection is something you can't replicate over Zoom." Their internal compass is guided by what they call COOP values: Courage, Originality, Openness, and Positivity. The team is encouraged to take risks, fail fast, learn, and keep moving forward. Leading with Clarity: Building Alignment and Growth Paths Jennifer may be CEO, but being at a smaller agency she's not above the grind. She manages operations, oversees HR and finance, and still maintains direct relationships with every major client. That visibility matters because, as she explains, clients need to know leadership is invested in their business. Her team structure also breaks down roles by what percentage of their time is spent leading, managing, or making. This clarity helps people grow without being shoved into management if it's not something they want for their careers. This way, they get to build their unique path within the agency, a key to keeping them happy with their work. Quarterly goals, regular feedback, and individualized growth paths keep everyone aligned and fulfilled — a framework that scales culture without micromanagement. Furthermore, constant feedback, quarterly goals, and individualized growth paths help keep everyone aligned and fulfilled. Why Staying Independent Still Wins for Some Agencies Does a 75-year-old independent agency get offers from the big holding companies? They do, actually; all the time. Jennifer says M&A emails land in her inbox daily. But she's not interested. "We've had serious talks with other agencies," she said, "but we've said no every time. Staying independent is critical to our success." If they sold, they'd probably start making decisions for investors instead of their people and be back in the big agency world she escaped. For Jennifer, independence isn't just about control, it's about protecting the culture that makes their agency different. The freedom to put clients and people first is what keeps the agency thriving. Preparing for the Future: AI's Impact on Agency Talent Jennifer's not blind to the future. She's already planning staffing and financial strategy through 2030, a move that would make most agencies sweat. One question she's wrestling with: how AI will change entry-level roles and career paths. "AI has been an incredible tool and has allowed us to be more efficient," she said. "But if it takes away too much of the junior work, where do mid-level people come from five years from now?" The truth is that the jobs won't vanish, they'll evolve. Junior people using AI can perform at mid-level. Mid-level people can perform like senior leaders. You'll just need fewer of them. Still, Jennifer sees it as a call to action for colleagues and agency leaders alike: train people not just in the AI tools, but in critical thinking, problem solving, creativity, and the human side of marketing. Do You Want to Transform Your Agency from a Liability to an Asset? Looking to dig deeper into your agency's potential? Check out our Agency Blueprint. Designed for agency owners like you, our Agency Blueprint helps you uncover growth opportunities, tackle obstacles, and craft a customized blueprint for your agency's success.
Lynn Ollie, the costume designer from Hulu's "The Man in My Basement" starring William DafoeLynn has been fortunate enough to contribute to television shows such as Mad Men and Glee, as well as films including The Great Gatsby, Batman v. Superman: Dawn of Justice, and Space Jam 2.Follow Lynn on Instagram at @ollieflozPlease support the podcast by following us on Instagram @thedaronjenkins
Charlie Sheen joins Bill Maher for an off-the-rails, hilarious, and unexpectedly heartfelt ride through fame, fallout, and second (and third... and fourth) chances. From his stolen Mercedes getting pushed off a cliff to carving Christmas prime rib in jail, Charlie's stories are pure Sheen – wild, funny, and shockingly sincere. The two trade tales about Martin Sheen's legacy, Gary Busey's chaos, UFOs, baseball luck, and Mad Men fandom – and Bill drops a philosophy he learned from Charlie: “When you're ready to leave a restaurant, just put the cash down and go. I call it Sheening it.” Subscribe to the Club Random YouTube channel: https://www.youtube.com/c/clubrandompodcast?sub_confirmation=1 Watch episodes ad-free – subscribe to Bill Maher's Substack: https://billmaher.substack.com Subscribe to the podcast for free wherever you listen: https://bit.ly/ClubRandom Support our Advertisers: Go to https://www.radioactivemedia.com or text RANDOM to 511511 Get 50% off your first box plus free breakfast for 1 year at https://www.factormeals.com/random50off Get 25% off your first purchase and free shipping at https://www.wonderballsusa.com and use code RANDOM Buy Club Random Merch: https://clubrandom.com Learn more about your ad choices. Visit https://podcastchoices.com/adchoices ABOUT CLUB RANDOM Bill Maher rewrites the rules of podcasting the way he did in television in this series of one on one, hour long conversations with a wide variety of unexpected guests in the undisclosed location called Club Random. There's a whole big world out there that isn't about politics and Bill and his guests—from Bill Burr and Jerry Seinfeld to Jordan Peterson, Quentin Tarantino and Neil DeGrasse Tyson—talk about all of it. For advertising opportunities please email: PodcastPartnerships@Studio71us.com ABOUT BILL MAHER Bill Maher was the host of “Politically Incorrect” (Comedy Central, ABC) from 1993-2002, and for the last fourteen years on HBO's “Real Time,” Maher's combination of unflinching honesty and big laughs have garnered him 40 Emmy nominations. Maher won his first Emmy in 2014 as executive producer for the HBO series, “VICE.” In October of 2008, this same combination was on display in Maher's uproarious and unprecedented swipe at organized religion, “Religulous.” Maher has written five bestsellers: “True Story,” “Does Anybody Have a Problem with That? Politically Incorrect's Greatest Hits,” “When You Ride Alone, You Ride with Bin Laden,” “New Rules: Polite Musings from a Timid Observer,” and most recently, “The New New Rules: A Funny Look at How Everybody But Me Has Their Head Up Their Ass.” FOLLOW CLUB RANDOM https://www.clubrandom.com https://www.facebook.com/Club-Random-101776489118185 https://twitter.com/clubrandom_ https://www.instagram.com/clubrandompodcast https://www.tiktok.com/@clubrandompodcast FOLLOW BILL MAHER https://www.billmaher.com https://twitter.com/billmaher https://www.instagram.com/billmaher Learn more about your ad choices. Visit podcastchoices.com/adchoices
LISTEN and SUBSCRIBE on:Apple Podcasts: https://podcasts.apple.com/us/podcast/watchdog-on-wall-street-with-chris-markowski/id570687608 Spotify: https://open.spotify.com/show/2PtgPvJvqc2gkpGIkNMR5i WATCH and SUBSCRIBE on:https://www.youtube.com/@WatchdogOnWallstreet/featured A self-proclaimed “socially conscious” digital bank, Aspiration, promised investors they could save the planet while padding their portfolios—but it all turned out to be a $248 million fraud. In this fiery commentary, the host compares modern “woke capitalism” to Mad Men–era marketing manipulation, arguing that today's DEI and ESG branding is just the new way to sell self-righteousness. From carbon credit swag bags to fake green audits, this latest collapse shows what happens when virtue signaling replaces due diligence.
Tired of ADHD strategies that don't work? Here's what actually does. FREE training here: https://programs.tracyotsuka.com/signup_____Kiersten Lyons spent most of her life being told she was too much. Too loud, too dramatic, too many feelings all at once. She was also told she wasn't enough. Not pretty enough, not the right fit, not what Hollywood was looking for. The dichotomy nearly broke her. But it also became the foundation of her story.As a working actress in LA for over a decade, with recurring roles on Grey's Anatomy and Mad Men, Kiersten kept hearing the same feedback: "You're great, we just don't know what to do with you." So she created her own work, writing and starring in her award-winning one-woman show Crushed. It was supposed to become a TV series. Then the producer ghosted her. At 42, while advocating for her son's ADHD evaluation, she finally got her own diagnosis and suddenly all those years of rejection, of being "too much" and "not enough," made sense. She understood why she could memorize all 50 states in under 20 seconds to impress boys (it didn't work), why she felt everything so intensely, and why masking had left her exhausted for decades.Her debut memoir Crushed: The Boys That Never Liked Me Back opens with her fiancé confessing he didn't love her and had cheated at The Magic Castle while she was addressing their wedding invitations. Six months later, he won $100,000 on reality TV. Her life unraveled publicly, but the book isn't about revenge. It's about reclaiming yourself when everything falls apart. In this conversation, Kiersten and Tracy explore pattern recognition, rejection sensitivity, and why so many creative women with ADHD end up in industries that require constant validation. They talk about the loneliness of being the eldest daughter who takes care of everyone, the grief of late diagnosis, and why acceptance, not positivity, is what allows us to heal.Resources:Website: https://www.kierstenlyons.comInstagram: https://www.instagram.com/kierstenlyonsroarTikTok: https://www.tiktok.com/@kiersSend a Message: Your Name | Email | Message If this podcast helps you understand your ADHD brain, Shift helps you train it. Practice mindset work in just 10 minutes a day. Learn more at tracyotsuka.com/shift Instead of Struggling to figure out what to do next? ADHD isn't a productivity problem. It's an identity problem. That's why most strategies don't stick—they weren't designed for how your brain actually works. Your ADHD Brain is A-OK Academy is different. It's a patented, science-backed coaching program that helps you stop fighting your brain and start building a life that fits.
Blue Bloods is dead, but its spirit lives on (along with however many actors don't have anything better to do) in Boston Blue, CBS's new Beantown-set spinoff. How authentic is it to the Boston a Bostonian would know? Boston's own Margaret H. Willison returns to talk about it. Around The Dial takes us through Downey Wrote That, The Good Wife, The Good Fight, Love Is Blind, and Task. Never Not Mike pitches the Mad Men episode "The Suitcase" for induction into The Canon -- because no, it wasn't in there already, and we were surprised about that too. Then, after naming the week's Winner and Loser, it's on to a Game Time that only has a little bit to say. Park yourself at the Green Monster and join us! GUESTS
This week on the pod, Amy is on the “struggle bus”. The highs are high and the lows are low. She's decided that she and her husband need a wife like Betty Draper in Mad Men. She also describes a terrible nightmare. Maya jumps in with her recurring nightmares. Amy's husband accidentally goes to a BDSM lounge. Animal Report: Rat Hole Update. We lost some greats this month—Diane Keaton, Ace Frehley, and D'Angelo. Maya confesses she never watched Annie Hall, and Amy admits she turned it off. The ladies have some very strong opinions about Woody Allen. In other news, Pete Davidson came to town for the Paul McCartney show. Let's just admit that Ringo Starr is the lesser Beatle, but he's still a Beatle. Amy does her slot machine impression. Amy reviews Taylor Swift's new album, The Life of a Showgirl. Approved/Denied: Tyra Banks' “hot ice cream”, Reading Rainbow returns! Gen Z is bringing their parents to job interviews.
What I like about Substack is that its algorithm doesn't feed me things that will only make me angry — unlike some other social-media platforms, where you should totally be following me. If I'm not angering you here — I most definitely will over there. So I have the Sub coders to thank for feeding me Jason Noto. On this episode of The Lou Perez Podcast, I talk with the filmmaker about getting audiences back into movie theaters, the trauma of producing a feature film only to watch it drown in the slipstream(ing), and what it's like to have worked with Timothée Chalamet (“Timmy” to Jason) and Elisabeth Moss before their careers blew up. You can watch the pre-Mad Men, pre-Handmaid's Tale, Moss in Noto's El Camino (full movie on YouTube) and his latest feature film, Beyond the Night on Amazon. Check out my book, That Joke Isn't Funny Anymore: On the Death and Rebirth of Comedy https://amzn.to/3VhFa1r Watch my sketch comedy streaming on Red Coral Universe: https://redcoraluniverse.com/en/series/the-lou-perez-comedy-68501a2fd369683d0f2a2a88?loopData=true&ccId=675bc891f78f658f73eaa46d Rock XX-XY Athletics. You can get 20% off your purchase with promo code LOU20. https://www.xx-xyathletics.com/?sca_ref=7113152.ifIMaKpCG3ZfUHH4 Support me at www.substack.com/@louperez Join my newsletter www.TheLouPerez.com Apple: https://podcasts.apple.com/.../the-lou-perez.../id1535032081 Spotify: https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU Amazon: https://music.amazon.com/.../2b7d4d.../the-lou-perez-podcast YouTube: https://www.youtube.com/playlist?list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJ Learn more about your ad choices. Visit megaphone.fm/adchoices
What I like about Substack is that its algorithm doesn't feed me things that will only make me angry — unlike some other social-media platforms, where you should totally be following me. If I'm not angering you here — I most definitely will over there. So I have the Sub coders to thank for feeding me Jason Noto. On this episode of The Lou Perez Podcast, I talk with the filmmaker about getting audiences back into movie theaters, the trauma of producing a feature film only to watch it drown in the slipstream(ing), and what it's like to have worked with Timothée Chalamet (“Timmy” to Jason) and Elisabeth Moss before their careers blew up. You can watch the pre-Mad Men, pre-Handmaid's Tale, Moss in Noto's El Camino (full movie on YouTube) and his latest feature film, Beyond the Night on Amazon. Check out my book, That Joke Isn't Funny Anymore: On the Death and Rebirth of Comedy https://amzn.to/3VhFa1r Watch my sketch comedy streaming on Red Coral Universe: https://redcoraluniverse.com/en/series/the-lou-perez-comedy-68501a2fd369683d0f2a2a88?loopData=true&ccId=675bc891f78f658f73eaa46d Rock XX-XY Athletics. You can get 20% off your purchase with promo code LOU20. https://www.xx-xyathletics.com/?sca_ref=7113152.ifIMaKpCG3ZfUHH4 Support me at www.substack.com/@louperez Join my newsletter www.TheLouPerez.com Apple: https://podcasts.apple.com/.../the-lou-perez.../id1535032081 Spotify: https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU Amazon: https://music.amazon.com/.../2b7d4d.../the-lou-perez-podcast YouTube: https://www.youtube.com/playlist?list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJ Learn more about your ad choices. Visit megaphone.fm/adchoices
Freedom is often considered the cornerstone of the American political project. The 1776 revolutionaries declared it an inalienable right that could neither be taken nor granted, a sacred concept upon which the nation was established. The concept and actualization of freedom are also to be defended by the state. However, when such a concept has been arrogated, litigated, and delegitimized by a state that ignores its very definition, the concept of freedom comes under critical examination. Political theorist Elisabeth R. Anker, Associate Professor of American Studies and Political Science at George Washington University, has a new book dissecting the core of this conception of freedom. Ugly Freedoms (Duke UP, 2022) explores who defined and continues to define freedom, she also examines freedom's rhetorical capacity, and thus its potential for weaponization. Anker illuminates how the tainted gestation of freedom birthed a status quo based on the individualistic and conditional conception of ‘freedom' that has long been tangoing with white supremacy, colonialism, climate destruction, capitalism, and exploitation. Such a dance is by design and has been constant throughout U.S. history. Anker establishes that for democratic government to take hold in the United States, racial domination and violence transpired, limiting the freedoms of some individuals in order to establish a governmental system that is based, in theory, on protecting liberty and freedom. This is the kind of tension that Anker explains as “ugly freedom.” Thus, American freedom, our freedom, has embedded in it the role of colonialism, imperialism, enslavement, and land theft. The shocking stains of slavery produced freedom of prosperity and leisure for white people through direct dehumanization of Black and Brown people—this is what Anker is talking about within the concept of ugly freedom. This has also been manifested through more contemporary rhetoric regarding imperial wars like those in the Philippines, Vietnam, Afghanistan, and Iraq, destroying infrastructure and lives in those countries for the capital prosperity of the imperial core. These ugly freedoms legitimize the economic exploitation of the masses in the name of individual success for the few. Thus, ugly freedom examines the acts of freedom that rely on violence and brutality—this challenges how we often imagine freedom to be. Ugly Freedom explores the connection between politics and aesthetics as well, taking up an array of historical events, political theories and concepts, different forms of art, televisual productions, poetry, music, and biology to illustrate the compounding violence of the few in the name of freedom. The cultural artifacts interrogated were controversial in their own right, and Anker explores them to help understand which kinds of freedom are worth fighting for and which kinds of freedom must be fought against. Through a critical lens, Anker shifts the perception of freedom to help restore justice to its foundational value—one that is less dependent on the individual or individual heroics, and more enveloping of the community and shared collaboration. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy
Freedom is often considered the cornerstone of the American political project. The 1776 revolutionaries declared it an inalienable right that could neither be taken nor granted, a sacred concept upon which the nation was established. The concept and actualization of freedom are also to be defended by the state. However, when such a concept has been arrogated, litigated, and delegitimized by a state that ignores its very definition, the concept of freedom comes under critical examination. Political theorist Elisabeth R. Anker, Associate Professor of American Studies and Political Science at George Washington University, has a new book dissecting the core of this conception of freedom. Ugly Freedoms (Duke UP, 2022) explores who defined and continues to define freedom, she also examines freedom's rhetorical capacity, and thus its potential for weaponization. Anker illuminates how the tainted gestation of freedom birthed a status quo based on the individualistic and conditional conception of ‘freedom' that has long been tangoing with white supremacy, colonialism, climate destruction, capitalism, and exploitation. Such a dance is by design and has been constant throughout U.S. history. Anker establishes that for democratic government to take hold in the United States, racial domination and violence transpired, limiting the freedoms of some individuals in order to establish a governmental system that is based, in theory, on protecting liberty and freedom. This is the kind of tension that Anker explains as “ugly freedom.” Thus, American freedom, our freedom, has embedded in it the role of colonialism, imperialism, enslavement, and land theft. The shocking stains of slavery produced freedom of prosperity and leisure for white people through direct dehumanization of Black and Brown people—this is what Anker is talking about within the concept of ugly freedom. This has also been manifested through more contemporary rhetoric regarding imperial wars like those in the Philippines, Vietnam, Afghanistan, and Iraq, destroying infrastructure and lives in those countries for the capital prosperity of the imperial core. These ugly freedoms legitimize the economic exploitation of the masses in the name of individual success for the few. Thus, ugly freedom examines the acts of freedom that rely on violence and brutality—this challenges how we often imagine freedom to be. Ugly Freedom explores the connection between politics and aesthetics as well, taking up an array of historical events, political theories and concepts, different forms of art, televisual productions, poetry, music, and biology to illustrate the compounding violence of the few in the name of freedom. The cultural artifacts interrogated were controversial in their own right, and Anker explores them to help understand which kinds of freedom are worth fighting for and which kinds of freedom must be fought against. Through a critical lens, Anker shifts the perception of freedom to help restore justice to its foundational value—one that is less dependent on the individual or individual heroics, and more enveloping of the community and shared collaboration. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
Freedom is often considered the cornerstone of the American political project. The 1776 revolutionaries declared it an inalienable right that could neither be taken nor granted, a sacred concept upon which the nation was established. The concept and actualization of freedom are also to be defended by the state. However, when such a concept has been arrogated, litigated, and delegitimized by a state that ignores its very definition, the concept of freedom comes under critical examination. Political theorist Elisabeth R. Anker, Associate Professor of American Studies and Political Science at George Washington University, has a new book dissecting the core of this conception of freedom. Ugly Freedoms (Duke UP, 2022) explores who defined and continues to define freedom, she also examines freedom's rhetorical capacity, and thus its potential for weaponization. Anker illuminates how the tainted gestation of freedom birthed a status quo based on the individualistic and conditional conception of ‘freedom' that has long been tangoing with white supremacy, colonialism, climate destruction, capitalism, and exploitation. Such a dance is by design and has been constant throughout U.S. history. Anker establishes that for democratic government to take hold in the United States, racial domination and violence transpired, limiting the freedoms of some individuals in order to establish a governmental system that is based, in theory, on protecting liberty and freedom. This is the kind of tension that Anker explains as “ugly freedom.” Thus, American freedom, our freedom, has embedded in it the role of colonialism, imperialism, enslavement, and land theft. The shocking stains of slavery produced freedom of prosperity and leisure for white people through direct dehumanization of Black and Brown people—this is what Anker is talking about within the concept of ugly freedom. This has also been manifested through more contemporary rhetoric regarding imperial wars like those in the Philippines, Vietnam, Afghanistan, and Iraq, destroying infrastructure and lives in those countries for the capital prosperity of the imperial core. These ugly freedoms legitimize the economic exploitation of the masses in the name of individual success for the few. Thus, ugly freedom examines the acts of freedom that rely on violence and brutality—this challenges how we often imagine freedom to be. Ugly Freedom explores the connection between politics and aesthetics as well, taking up an array of historical events, political theories and concepts, different forms of art, televisual productions, poetry, music, and biology to illustrate the compounding violence of the few in the name of freedom. The cultural artifacts interrogated were controversial in their own right, and Anker explores them to help understand which kinds of freedom are worth fighting for and which kinds of freedom must be fought against. Through a critical lens, Anker shifts the perception of freedom to help restore justice to its foundational value—one that is less dependent on the individual or individual heroics, and more enveloping of the community and shared collaboration. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/law
Freedom is often considered the cornerstone of the American political project. The 1776 revolutionaries declared it an inalienable right that could neither be taken nor granted, a sacred concept upon which the nation was established. The concept and actualization of freedom are also to be defended by the state. However, when such a concept has been arrogated, litigated, and delegitimized by a state that ignores its very definition, the concept of freedom comes under critical examination. Political theorist Elisabeth R. Anker, Associate Professor of American Studies and Political Science at George Washington University, has a new book dissecting the core of this conception of freedom. Ugly Freedoms (Duke UP, 2022) explores who defined and continues to define freedom, she also examines freedom's rhetorical capacity, and thus its potential for weaponization. Anker illuminates how the tainted gestation of freedom birthed a status quo based on the individualistic and conditional conception of ‘freedom' that has long been tangoing with white supremacy, colonialism, climate destruction, capitalism, and exploitation. Such a dance is by design and has been constant throughout U.S. history. Anker establishes that for democratic government to take hold in the United States, racial domination and violence transpired, limiting the freedoms of some individuals in order to establish a governmental system that is based, in theory, on protecting liberty and freedom. This is the kind of tension that Anker explains as “ugly freedom.” Thus, American freedom, our freedom, has embedded in it the role of colonialism, imperialism, enslavement, and land theft. The shocking stains of slavery produced freedom of prosperity and leisure for white people through direct dehumanization of Black and Brown people—this is what Anker is talking about within the concept of ugly freedom. This has also been manifested through more contemporary rhetoric regarding imperial wars like those in the Philippines, Vietnam, Afghanistan, and Iraq, destroying infrastructure and lives in those countries for the capital prosperity of the imperial core. These ugly freedoms legitimize the economic exploitation of the masses in the name of individual success for the few. Thus, ugly freedom examines the acts of freedom that rely on violence and brutality—this challenges how we often imagine freedom to be. Ugly Freedom explores the connection between politics and aesthetics as well, taking up an array of historical events, political theories and concepts, different forms of art, televisual productions, poetry, music, and biology to illustrate the compounding violence of the few in the name of freedom. The cultural artifacts interrogated were controversial in their own right, and Anker explores them to help understand which kinds of freedom are worth fighting for and which kinds of freedom must be fought against. Through a critical lens, Anker shifts the perception of freedom to help restore justice to its foundational value—one that is less dependent on the individual or individual heroics, and more enveloping of the community and shared collaboration. Emma R. Handschke assisted in the production of this podcast. Lilly J. Goren is a professor of political science at Carroll University in Waukesha, WI. She is co-editor of the award winning book, Women and the White House: Gender, Popular Culture, and Presidential Politics (University Press of Kentucky, 2012), as well as co-editor of Mad Men and Politics: Nostalgia and the Remaking of Modern America (Bloomsbury Academic, 2015). Email her comments at lgoren@carrollu.edu or tweet to @gorenlj. Learn more about your ad choices. Visit megaphone.fm/adchoices
It's fun to talk about TV theme songs, so that's what Kirk and special guest Leigh Sales did. Does this episode need any more introduction than that? Probably not.Check out Leigh's wonderful podcast Chat 10 Looks 3A YouTube Playlist of many of the themes discussed (and some they didn't get to)DISCUSSED/REFERENCED:The Office Theme - “Handbags and Gladrags” - 1967 by Mike D'Abo, perf. Big George Webley -US theme 2005 by Jay FergusonParks & Recreation - 2009, by Gaby Moreno and Vincent JonesWelcome Back Kotter - by John Sebastian (1974 - 1979)“Suicide is Painless” by Johnny Mandel, from MA_S_HThe Nanny Theme by Ann Hampton CallawayThe Brady Bunch theme by Frank De Vol & Sherwood SchwartzGilligan's Island theme by Sherwood Schwartz (lyrics) & George Wyle (music)Beverley Hillbillies theme by Paul Hennig feat. Lester Flatt & Earl ScruggsMoney For Nothing/Beverley Hillbillies by Weird Al Yankovic from UHF, 1988"Money For Nothing" by Dire Straits from Brothers in Arms, 1985The Americans theme by Nathan Barr"Do Ya Wanna Taste It" by Wig Wam from Peacemaker, 2021The Pi Song from AsapSCIENCESymphony No. 8 in B Minor, D. 759 by Franz Schubert“Green Acres Theme” by Vic Mizzy“Woke Up This Morning” by Alabama 3, from The Sopranos"A Beautiful Mine" from Mad Men by RJD2“Sex and the City Theme” by Douglas J. CuomoSix Feet Under theme by Thomas NewmanBreaking Bad theme by Dave PorterHouse of Cards Theme by Jeff BealTank! by Yoko Kanno and SeatbeltsLEIGH'S MUSIC PICKS:Frank Sinatra Live at the Sands, ‘66 with the Count Basie Orchestra conducted by Quincy JonesINXS - Kick, 1987The Villagers - Becoming a Jackal, 2010----LINKS-----
Actor/Director Helen Hunt & Actor singer/songwriter psych/mythology PHD phd Helen Slater discuss a deep friendship and love, growing up in art, the beginning of their friendship on a trip to russia, Winnie The Pooh,, growing beyond your first dream, parenting, parenting artists, Helen H. introducing Helen S. to her husband, improv, acting styles, baseball, French Fries, & clown school.Bio: Helen Hunt has enjoyed a distinguished career not only as an award-winning actor, but as an accomplished writer, director, and producer. As an actress, her extensive and diverse body of work includes roles in film, theater, and television. Hunt enjoyed a residency at The Old Vic Theatre in EUREKA DAY, a story about parents on the Executive Committee of a progressive private school in Berkeley, California. While taking pride in their ability to accept everyone, a public health scare erupts, testing their tolerance and revealing their true colors. Written by Jonathan Spector and directed by Katy Rudd. It was the European premiere of a multi award-winning story. Hunt performed alongside Kirsten Foster, Mark McKinney, Ben Schnetzer and Susan Kelechi Watson. In television, Hunt can most recently be seen as Winnie Landell in HACKS, created by Paul W. Downs, Lucia Aniello, and Jen Statsky. She can also be seen as Rainey in Daveed Diggs and Rafael Casal's BLINDSPOTTING, a show based on the film with the same title. In 2022 it was nominated for a Film Independent Spirit Award for Best New Scripted Series. The second season was released in April 2023. Hunt returned to the stage this February in Susan V. Booth's major revival of Pinter's famed masterwork BETRAYAL at Chicago's Goodman Theatre. The Oscar, Emmy, and Golden Globe Award winner currently stars in the play alongside Tony nominee and Outer Critics Circle Award winner Ian Barford, respectively playing Emma and Robert. In 2019, Hunt revived her role as Jamie Buchman for another season of the hit show MAD ABOUT YOU opposite Paul Reiser. The show returned as a limited series on Spectrum Originals with all episodes available on demand. In 2012 Hunt's performance in THE SESSIONS earned her an Independent Spirit Award for Best Supporting Female and notations in the same category by the Academy Awards, Golden Globe Awards, SAG Awards, Broadcast Film Critics' Awards and the BAFTA Awards. The film premiered in competition at the 2012 Sundance Film Festival and took home the Audience Award as well as the jury prize for Best Ensemble. Other film credits include: Netflix's Comedy CANDY JAR, RIDE (which Hunt also co-wrote, produced, and directed), DECODING ANNIE PARKER, SOUL SURFER, EVERY DAY, BOBBY, THEN SHE FOUND ME (which Hunt again also co-wrote, produced, and directed), AS GOOD AS IT GETS, WHAT WOMEN WANT, CASTAWAY, A GOOD WOMAN, Woody Allen's THE CURSE OF THE JADE SCORPION, Robert Altman's DR. T AND THE WOMEN, PAY IT FORWARD, and TWISTER. Hunt can last be seen in HOW IT ENDS, Michael Cristopher's THE NIGHT CLERK and Adam Randall's thriller I SEE YOU. Early career film credits are: THE WATERDANCE, KISS OF DEATH, MR. SATURDAY NIGHT, PEGGY SUE GOT MARRIED, NEXT OF KIN, GIRLS JUST WANNA HAVE FUN, PROJECT X. and MILES FROM HOME. Additional television credits include “MAD ABOUT YOU” and the critically acclaimed HBO Miniseries EMPIRE FALLS. For her role as Jamie Buchman in MAD ABOUT YOU, Hunt garnered four Emmy Awards, four Golden Globe Awards (three as lead actress and one as Producer for Best Comedy), and a Screen Actors Guild Award. She was also named “Best Actress” for her role in the film AS GOOD AS IT GETS for which Hunt won a Golden Globe Award, a Screen Actors Guild Award, and an Oscar. Helen Slater is an American actress and singer-songwriter. In 1982 she was cast in the title role of the film Supergirl (1984) opposite Peter O'Toole and Faye Dunaway. Other credits include The Legend of Billie Jean (1985), Ruthless People (1986), The Secret of My Success (1987), City Slickers (1991), Sticky Fingers (1988), Lassie (1994), No Way Back (1995), The Steal (1995), Seeing Other People (2004) and most recently, Confetti (2021). Slater starred in the Fox original movie 12:01 (1993), Hallmark Hall of Fame's Best Friends for Life (1998), Toothless (1997) and Lifetime's The Good Mother (2013). She was also a part of the all-star ensemble cast of Showtimes guided improvisational films Chantilly Lace (1993), Parallel Lives (1994) and most recently completed filming the sequel Chantilly Bridge (2021). In series television, Helen starred in ABC's The Lying Game (2011-2013), Gigantic (2010-2011) and the CW series Supergirl (2015-2022). As a guest star, she has appeared on such series as Seinfeld, Caroline in the City, HBO's Dream On, CBS' Michael Hayes, Will and Grace, Grey's Anatomy, Private Practice, Supernatural, Smallville and the series finale episode of Madmen. Slater appeared in the off-Broadway plays Almost Romance (1987), Responsible Parties (1988), and starred in the Pasadena Playhouse's world premiere production of The Big Day (1990). She is a co-founder of the theatre group The Naked Angels and one of the founding members of the Los Angeles improvisational group, The Bubalaires, and SHPLOTZ! She is also a member of Turbine Arts Collective (https://www.turbine-arts.org/), a non-profit arts organization dedicated to the exploration of creativity.
Spectrum of Solutions serves hundreds of children and adults with intellectual and developmental disabilities (IDD) across the Permian Basin. In this episode, Eddie James and Krystian Chacon join host Ryan Shewchuk to share how the organization is enriching lives — and how the community can get involved through their upcoming Cruise for a Cause weekend.From their Children's Therapy Center to Adult Vocational Services and Host Homes, Spectrum of Solutions provides critical support for individuals of all ages. Plus, hear about their Mad Men–themed gala, car cruise, car show, and the incredible Porsche giveaway — all happening October 23–25 at the Horseshoe Arena.Learn more, volunteer, or register your vehicle: https://spectrumofsolutions.orgTimestamps:0:00 – Intro0:47 – What Spectrum of Solutions Does2:25 – What is IDD and Who They Serve3:10 – Programs for Children (Speech & Music Therapy)5:00 – Early Signs for Parents to Watch6:15 – Adult Housing & Vocational Programs8:30 – Building a New Vocational Center9:50 – Community Support & Volunteer Opportunities13:00 – How Anyone Can Get Involved14:20 – The Mad Men Gala & Cruise for a Cause16:10 – Car Show Details & Registration Info18:30 – Porsche Raffle Announcement20:00 – Auctions, Prizes & Weekend Schedule22:00 – Final Thoughts & Volunteer InvitationCONNECT WITH USWebsite: https://www.bestofmidlandtx.comRyan Shewchuk: https://www.instagram.com/shewchukTerra Avery: https://www.instagram.com/terrawaypantsTikTok: www.tiktok.com/@bestofmidlandtxFacebook: https://www.facebook.com/bestofmidlandtxInstagram: https://www.instagram.com/bestofmidlandtxFacebook Group: https://www.facebook.com/groups/bestofmidlandtx—-----------------------LISTEN / SUBSCRIBE TO THE PODCASTApple Podcasts: https://bit.ly/bomtxitunesSpotify: https://bit.ly/bomtxspotify—-----------------------PRODUCED AND EDITED BY FORTY WOLVES STUDIOShttps://www.fortywolves.com
This is a long talk with special guest, Uncle Rob of the Blaqlabs Podcast. We are also joined by West Coast Michael. We discuss the long history of offenses and swindles, murders and mayhem of a group you dare not mention.Get Dr Monzo's Whole Food Supplements for your 90 Essential Revitalizing Nutrients here:https://SemperFryLLC.comClick His Picture on the Right for the AZURE WELL products and use code BB5 for your discount.Pods & Exclusives AD-FREE!https://patreon.com/c/DisguisetheLimitsDon't be a schmoe, Support the Show!https://GiveSendGo.com/BaalBustersConsistent shows, Consistent effort.Want Dan's book or his Award winning hot sauces and spicy honey? Go here:https://SemperFryLLC.comJoin Dr. Glidden's Membership site:https://leavebigpharmabehind.com/?via=pgndhealthCode: baalbusters for 25% OffBooks and Documentaries You Should Own:https://www.bannedbyamazon.com/Use Code: BBDan for 10% OffSupport keeps the videos coming.Find clickable portals to Dr Monzo and Dr Glidden on Dan's site, and it's the home of the best hot sauce, his book, and Clean Source Creatine-HCL.Subscribe to the NEW dedicated channel for Dr Glidden's Health Solutions Showhttps://rumble.com/c/DrGliddenHealthShowBecome a supporter of this podcast: https://www.spreaker.com/podcast/ba-al-busters-broadcast--5100262/support.
Voice Of Costume - Creating Character through Costume Design
In this inspiring interview on The Voice of Costume, host Catherine Baumgardner talks with acclaimed costume designer Lynn Ollie about her creative evolution from sketching fashion plates as a child to working for major productions like Black Panther, Mad Men, and The Great Gatsby. Lynn opens up about discovering her passion for storytelling through costume, her mentorship from legendary designer Ann Roth, and how persistence and curiosity helped her break into the film industry. She shares behind-the-scenes stories from “The Man in My Basement,” including collaborating with Corey Hawkins, Willem Dafoe, and director Nadia Latif, recreating authentic 1990s Long Island style, and improvising through last-minute wardrobe crises. Lynn also discusses her creative philosophy—how costume design bridges character psychology, history, and visual poetry. From the gritty realism of American Horror Stories to the cultural symbolism of Black Panther, she reveals the emotional truth behind every fabric choice. Filled with wisdom for aspiring costume designers, filmmakers, and creatives, this episode explores the art of collaboration, the balance of vision and budget, and why costume design is truly storytelling through texture, color, and time. Watch more episodes on youtube: @voiceofcostume The “Voice of Costume” is the first podcast created between working costume designers sharing stories, inspiration, struggles, and insights into the creative career of costume design. A behind-the-scenes podcast to showcase the voices of Costume Designers around the world. Listen in on this inspirational, one-on-one conversation between Kathleen and Catherine Baumgardner. Audio available wherever you get podcasts. https://voiceofcostume.com/
Author Ashley Jordan joins Book Gang to share her LitUp Fellowship journey to launch her debut, Once Upon a Time in Dollywood, and how fanfiction paved her path.Ashley Jordan, a Reese's Book Club LitUp Fellow, joins us this week to share the story behind her sparkling debut Once Upon a Time in Dollywood—a romance that pairs laugh-out-loud humor with deeply emotional storytelling.In this light conversation, we discuss:
Scrutiny of the figure of the “trad wife” has hit a fever pitch. These influencers' accounts feature kempt, feminine women embracing hyper-traditional roles in marriage and home-making—and, in doing so, garnering millions of followers. On this episode of Critics at Large, Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss standout practitioners of the “trad” life style, including Nara Smith, who makes cereal and toothpaste from scratch, and Hannah Neeleman, who, posting under the handle @ballerinafarm, presents a life caring for eight children in rural Utah as a bucolic fantasy. The hosts also discuss “The Secret Lives of Mormon Wives,” a reality-television show on Hulu about a group of Mormon influencers engulfed in scandal, whose notions of female empowerment read as a quaint reversal of the trad-wife trend. A common defense of a life style that some would call regressive is that it's a personal choice, devoid of political meaning. But this gloss is complicated by societal changes such as the erosion of women's rights in America and skyrocketing child-care costs. “In American society, the way choice works has everything to do with child-care options, financial options,” Schwartz says. “When you talk about the idea of choice, are we just talking about false choices?” This episode originally aired on Sept. 5, 2024. Read, watch, and listen with the critics:@ballerinafarm@gwenthemilkmaid@naraazizasmith“How Lucky Blue and Nara Aziza Smith Made Viral Internet Fame From Scratch,” by Carrie Battan (GQ)“The Secret Lives of Mormon Wives” (2024–)@esteecwilliams“Mad Men” (2007-15)The Little House on the Prairie series, by Laura Ingalls Wilder“Wilder Women,” by Judith Thurman (The New Yorker)“Meet the Queen of the “Trad Wives” (and Her Eight Children),” by Megan Agnew (The Times of London) New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts. Learn about your ad choices: dovetail.prx.org/ad-choices
Dave and Alonso talk sweaters, robots, icons, and homicides with actor Michael Cyril Creighton, who co-stars as Howard on the acclaimed Hulu hit Only Murders in the Building. Then friend and neighbor Gary Cotti joins us to discuss our recent rewatch of Mad Men, a show he watched for the first time with us. Want more LKTV? Join our Patreon. https://www.patreon.com/LinoleumKnife Subscribe to Dave's newsletter: https://sluggish.ghost.io Buy the new edition of Alonso's book Have Yourself a Movie Little Christmas: https://preorder-movie-little-christmas.carrd.co/
Don and Tom kick off this episode with a satirical bang—mocking the apocalyptic tone of a MarketWatch article about the “Fourth Turning,” a cyclical doom prophecy claiming America faces a cataclysmic reset every 80–100 years. Citing wars, depressions, and now AI, wealth taxes, and the fall of the dollar, the hosts break down the fatalistic tone, expose the fear-marketing behind it, and reassure listeners that, historically, markets have recovered—and rewarded long-term investors. 0:04 Faux alien warning: the Fourth Turning economic apocalypse is coming 1:16 Dissecting the MarketWatch article and the “Fourth Turning” theory 2:26 Peak catastrophe by 2030? AI job loss, collapsing dollar, wealth taxes 3:38 Don asks: what is this guy selling? Spoiler: $100M wealth club 6:01 $180k to join R360—clearly not for the average listener 6:33 Don's “financial flinch reflex” PSA spoof (ad) 7:41 Tom: “We love being scared”—AI panic and deepfake video fears 9:07 Caller Sue (68): Ready to retire with $820k and SS? Don says yes 13:05 Sue's next step: get a fiduciary checkup, maybe run Monte Carlo 14:10 Tom runs one: 50th percentile = she hits zero at 98 15:32 Flexible withdrawal rates might work better than rigid 4% 16:34 Listener voicemail: Should we switch from Roth to Traditional now? 18:16 DT's Roth vs. traditional strategy: save taxes while you can 20:14 WSJ article on taxes and stock gains—do ETFs instead 21:25 Tax basics for investors: capital gains rates and efficiency 23:26 Mad Men nostalgia and mid-century tax rates 25:15 TV detour: Bewitched vs. I Dream of Jeannie vs. Outlander 27:10 Back to calls: Theodore asks about 403(b) options in Burlington 29:10 Don explodes: garbage annuity vendors dominate the plan 31:01 Aspire is the only halfway-decent vendor… if you avoid their advisors 33:54 Don tells how an Albuquerque teacher got Vanguard into their plan 35:44 Aspire hack: use FundSource for no-load mutual funds 36:14 Caller Steve: hold 20 stocks or sell and rebalance? 37:53 Tom: hybrid approach. Don: depends on need. Watch tax bracket Learn more about your ad choices. Visit megaphone.fm/adchoices
This 1981 Acorn Deck House got its start as the model home for Central Texas in an effort to expand the Massachusetts-based company's modular home business. Although the home featured an abundance of rich textures, expansive windows/doors, and a spacious layout, it felt dated and never fully embraced its tree-lined site and downtown views.Four homeowners later, the home now goes by the name of The Sterling Cooper Residence as an homage to AMC's show ‘Mad Men' and its quintessential mid-century-cool vibe, and as a way to guide the aesthetic aspirations of the two-part remodel/addition.Phase 1, completed in 2017, focused on remodeling the interior by opening spaces, expanding the kitchen, reimagining a secondary family room, and modernizing and brightening the material palette.Phase 2, completed in 2024, concentrated on enriching the connections of the home to its site by adding a series of exterior spaces, a floating architectural stair, and an infinity pool that juts out into the valley.The final product is a careful balance of deck house influence and modern expression in a home that invites visitors to stay for a cocktail or two. Hosted on Acast. See acast.com/privacy for more information.
BEWARE THE TETHERED!! US Full Movie Reaction Watch Along: / thereelrejects Visit https://huel.com/rejects to get 15% off your order Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ With HIM from Monkeypaw playing in theatres now (and having recently caught up with his debut, Get Out) Greg & Andrew RETURN to the twisted world of Jordan Peele giving their Reaction, Recap, Commentary, Breakdown, & Spoiler Review! Greg Alba & Andrew Gordon dive into Us (2019), the critically acclaimed horror film written and directed by Jordan Peele (Get Out, Nope). A chilling exploration of duality, privilege, and hidden societal truths, Us follows Adelaide Wilson, played by Lupita Nyong'o (Black Panther, 12 Years a Slave), as she takes her family on a beach vacation only to be confronted by terrifying doppelgängers known as the “Tethered.” Alongside Nyong'o, the cast includes Winston Duke (Black Panther, Avengers: Infinity War) as her husband Gabe, Shahadi Wright Joseph (The Lion King 2019, Hairspray Live!) as daughter Zora, and Evan Alex (Mani) as son Jason. The film also features standout performances from Elisabeth Moss (The Handmaid's Tale, Mad Men) and Tim Heidecker (Tim & Eric Awesome Show), whose chilling turns highlight Peele's ability to blend suburban normalcy with pure terror. From the unforgettable opening scenes at the Santa Cruz boardwalk to the haunting “Hands Across America” imagery and the now-iconic reveal of Red (Nyong'o's Tethered double) with her eerie, rasping voice, Us has become one of the most analyzed and highly searched horror films of the past decade. In this full reaction & review, Greg and Andrew break down Peele's masterful use of symbolism, the shocking home invasion sequences, the underground world of the Tethered, and the legendary final twist that redefined how audiences see Adelaide's story. Whether it's the chilling “Good Vibrations” sequence, the scissor imagery, or Nyong'o's tour-de-force dual performance, Us remains a milestone in modern horror cinema. Follow Andrew Gordon on Socials: YouTube: https://www.youtube.com/@MovieSource Instagram: https://www.instagram.com/agor711/?hl=en Twitter: https://twitter.com/Agor711 Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials: Instagram: https://www.instagram.com/reelrejects/ Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad: Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM: FB: https://www.facebook.com/TheReelRejects/ INSTAGRAM: https://www.instagram.com/reelrejects/ TWITTER: https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM: https://www.instagram.com/thegregalba/ TWITTER: https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices
Pete Campbell takes the wheel and crashes straight into an existential pileup in one of Mad Men’s sharpest, saddest hours. On this episode of Mad Men Men, Jon Negroni, Will Ashton, and Mike Overhulse unpack Season 5, Episode 5, “Signal 30,” directed by John Slattery and co-written by Matthew Weiner and Frank Pierson (Dog Day Afternoon). We break down Pete’s slow-motion unraveling, the infamous office fight, and what Ken’s sci-fi side hustle really says about corporate life. In case you’re new here, Mad Men Men recaps Mad Men through the perspectives of three different types of viewers: a first-timer, a first-time rewatcher, and someone who thought the best way to deal with their feelings about Don Draper was to start a podcast. EXTRA CREDITS Matthew Weiner created Mad Men, which aired on AMC from 2007 to 2015. The show stars Jon Hamm, January Jones, Elisabeth Moss, Vincent Kartheiser, Christina Hendricks, John Slattery, Robert Morse, and many more. Our intro music is “Mad Men Men” by Tom Davidson, which is an original remix of the show’s opening theme “A Beautiful Mine” by RJD2. Podcast illustration is by Jon Negroni. Our podcast hosts include Jon Negroni (Podcast Editor of InBetweenDrafts), Will Ashton (cohost of the Cinemaholics podcast), and Michael Overhulse (a guy who’s addicted to working at startups). We’ll be back soon to discuss Season 5 Episode 6, titled “Far Away Places.” Subscribe to Mad Men Men on Apple Podcasts, Spotify, Google Podcasts, or wherever else podcasts are, ahem, advertised.See omnystudio.com/listener for privacy information.
Delanie Fischer chats with actor and filmmaker Kit Williamson, best known for Mad Men, Eastsiders, and Unconventional , about the ebbs and flows of a long-term creative career. They dive into the resilience and recommitment required for longevity, navigating big breaks and dead projects, exercising creative agency, and behind-the-scenes insights into filmmaking. Plus: + The Process of Selling a Project vs. Creating a World + Avoiding Perfection Paralysis and Releasing Shame + Repurposing, Financing, and Getting Resourceful Unconventional: https://www.revry.tv/originals/unconventional?srsltid=AfmBOoqpHDsMf__K9un9PxTtwQO4rU5U2HGBxcf4lpN7JgG1bcpS429h Self-Helpless on Patreon: https://www.patreon.com/selfhelpless Your Host, Delanie Fischer: https://www.delaniefischer.com EPISODES RELATED TO THIS TOPIC: We Need Your Art! For Health, Community, and More with Amie McNee: https://www.delaniefischer.com/selfhelplesspodcast/episode/25b6ee3e/we-need-your-fcking-art-for-health-community-and-more-with-amie-mcnee It's Not Too Late To Start with Jared Champion: https://www.delaniefischer.com/selfhelplesspodcast/episode/23f7190f/its-not-too-late-to-start-with-jared-champion Q&A: Publishing, Podcasting, and Creative Entrepreneurship with Literary Agent Lindsey Smith and Podcaster Delanie Fischer: https://www.delaniefischer.com/selfhelplesspodcast/episode/23bfb9d7/qanda-publishing-podcasting-and-creative-entrepreneurship-with-literary-agent-lindsey-smith-and-podcaster-delanie-fischer Making Less And Living More with Creator of Lore and Lust Karla Nikole: https://www.delaniefischer.com/selfhelplesspodcast/episode/24656068/making-less-and-living-more-with-creator-of-lore-and-lust-karla-nikole Learn more about your ad choices. Visit megaphone.fm/adchoices
This week on Moped Outlaws, Sometimes the road takes you places you never expect. In this episode of Moped Outlaws, Marc and Greg ride alongside Lee Livingston, author of In the Rear View Mirror, as he unpacks his life through stories of friendship, rebellion, advertising glory, and personal redemption. Lee's journey begins with a 1956 […]
The Sopranos ou Família Sopranos é uma série clássica da HBO que mudou tudo o que a gente via na TV. Apesar de não ser adaptação, a série é um marco e tão boa que resolvemos juntar os apresentadores Domenica, Senhor Basso e Frango para debater sobre ela sob uma ótica diferente: como Sopranos influenciou em outras séries depois como Mad Men e Breaking Bad? Como as mulheres são retratadas na série?Vem com a gente e bom episódio!Vote no Perdidos na Estante no Prêmio Melhores Podcasts do BrasilO Perdidos está concorrendo ao MPB na categoria Cultura e Literatura!Passamos pra segunda fase e estamos quase lá! Acesse o site premiompb.com.br/votar e vote no nosso podcast.Vote também nos nossos parceiros:
A little something to tide you over until SeptemberJer gets back into Mad Men as Don tries to get into swimming, sobriety, and some.... cabs.
On time and sublime as the banter boys get to the facts, fictions, and tasty brews with gusto. Among the topics in the crosshairs are enormous cruise ships, Croatian castles, Chiefs fandom, "Mad Men", phrase derivations, "Game Of Thrones", and more. Raise a glass and join us!
Manchmal tut es gut, in Erinnerungen zu schwelgen. Diese Podcast-Episode ist der ultimative Nostalgie-Trip für alle Serienjunkies, denn wir sprechen über die große Frage: Was sind die besten Serien aller Zeiten? Oder etwas konkreter: Welche Serien haben das Golden Age of Television definiert? Sind serientechnisch die besten Tage schon vorbei, wenn “The Sopranos”, “Mad Men” und “Breaking Bad” bereits gelaufen sind? Und wie sieht die Zukunft aus, wann kommt das Golden Age of Streaming?Als Grundlage des Gesprächs dient Hanna und Bjarne die Auswahl des US-Serienkritikers Alan Sepinwall, der mit Büchern wie “The Revolution Was Televised” oder “TV (The Book)” und seinen tollen Reviews weltweit bekannt geworden ist. Zu unserem Unverständnis hat der Rolling Stone Sepinwall kürzlich entlassen, was uns wieder an ihn denken ließ. Seine lesenswerten Artikel gibt es aber auch beim Serien-Blog https://alansepinwall.ghost.io/ weiterhin zum Abruf. Schaut da mal rein und schnallt euch an für unseren wilden Ritt durch die besten Serien aller Zeiten.Hanna Twitter/ X: https://twitter.com/HannaHuge Bluesky: https://bsky.app/profile/mediawhore.bsky.social Instagram: https://www.instagram.com/mediawhore BjarneBluesky: https://bsky.app/profile/bjarnebock.bsky.socialSankt Podcast: https://open.spotify.com/show/0ztNeRqXyxw8Z5Q Hosted on Acast. See acast.com/privacy for more information.
Don’s fever breaks, but not before Mad Men delivers one of its most surreal and polarizing hours to date. On this episode of Mad Men Men, Jon Negroni, Will Ashton, and Mike Overhulse react to Season 5, Episode 4, “Mystery Date,” directed by Matt Shakman (WandaVision and Fantastic Four: First Steps) and co-written by Victor Levin and Matthew Weiner. We break down the episode’s Lynchian detour into Don’s subconscious, the true-crime parallels to the Richard Speck murders, and whether the Joan and Greg subplot belongs in this episode at all. Plus, we dive into Peggy’s fraught night with Dawn and Sally’s loss of innocence. In case you’re new here, Mad Men Men recaps Mad Men through the perspectives of three different types of viewers: a first-timer, a first-time rewatcher, and someone who thought the best way to deal with their feelings about Don Draper was to start a podcast. EXTRA CREDITS Matthew Weiner created Mad Men, which aired on AMC from 2007 to 2015. The show stars Jon Hamm, January Jones, Elisabeth Moss, Vincent Kartheiser, Christina Hendricks, John Slattery, Robert Morse, and many more. Our intro music is “Mad Men Men” by Tom Davidson, which is an original remix of the show’s opening theme “A Beautiful Mine” by RJD2. Podcast illustration is by Jon Negroni. Our podcast hosts include Jon Negroni (Podcast Editor of InBetweenDrafts), Will Ashton (cohost of the Cinemaholics podcast), and Michael Overhulse (a guy who’s addicted to working at startups). We’ll be back soon to discuss Season 5 Episode 5, titled “Signal 30.” Subscribe to Mad Men Men on Apple Podcasts, Spotify, Google Podcasts, or wherever else podcasts are, ahem, advertised.See omnystudio.com/listener for privacy information.
(00:00) The guys open the 7 o'clock hour discussing Rhamondre Stevenson's little issue with holding a football.(17:30) Bill Koch from the Providence Journal joins Toucher & Hardy to weigh in on the current state of the Boston Red Sox(34:20) You know that NYC culture portrayed in the TV show Mad Men? Well, Fred's dad insists it was never really like that.(PLEASE be aware timecodes may shift up to a few minutes due to inserted ads)CONNECT WITH TOUCHER & HARDY: linktr.ee/ToucherandHardyFor the latest updates, visit the show page on 985thesportshub.com. Follow 98.5 The Sports Hub on Twitter, Facebook and Instagram. Watch the show every morning on YouTube, and subscribe to stay up-to-date with all the best moments from Boston's home for sports!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
We're joined by Graham today to answer YOUR questions for our season finale!Topics discussed include our Persuasion dream adaptation, the theme of persuasion in other Austen novels, the way Taylor Swift defined our lives, Persuasion's message to modern audiences, chronic illness in Austen, our Persuasion murder mystery, our Mansfield Park predictions (and some spoilers), the Wuthering Heights remake, our Austen superlatives, and marzipan.Glossary of People, Places, and Things: Anne of Avenue A, Sarah Snook, Succession, The Picture of Dorian Gray, Pedro Pascal, Viggo Mortensen, Orlando Bloom, The Last of Us, David Corenswet, Fleetwood Mac - Silver Springs, Mad Men, Agatha Christie, Wuthering Heights, Emerald FennellNext episode: Becoming JaneTeepublic is now Dashery! Check out our new merch store at https://podandprejudice.dashery.com.Our show art was created by Torrence Browne, and our audio is produced by Graham Cook. For bios and transcripts, check out our website at podandprejudice.com. Pod and Prejudice is transcribed by speechdocs.com. To support the show, check out our Patreon!Instagram: @podandprejudiceTwitter: @podandprejudiceFacebook: Pod and PrejudiceYoutube: Pod and PrejudiceMerch store: https://podandprejudice.dashery.com/
In this episode, Ryan enjoys some ignorance as bliss since he missed Nashville SC's most recent heartbreak against Orlando. Jon and Evan fill him in on the details, including a befuddling choice for the midfield lineup, a poorly timed injury for one of our defenders and the complete lack of depth at center back. But there's plenty to celebrate, too, as the boys cheer on a terrific victory in the US Open Cup semifinal led by Super Sam Surridge. The boys also share some love for perhaps the greatest show in television history, Mad Men, as well as celebrate the 40th anniversary of the incredible charity and musical event, Farm Aid. And when it comes down to it, the boys are beginning to lose hope around this team's chances in the MLS playoffs, and they're also betting that it's past time to make a switch at goal. But after all that, they still have some positive predictions about the upcoming game versus Houston. And they drink beer.
We have a fantastic episode for you. My guest is screenwriter, producer, and standup comedian Patricia Resnick, best known as the writer of the iconic film “9 to 5” and the author of the book for “9 to 5: the Musical.” Patricia Resnick was also involved in writing and producing on TV's “Mad Men” and “Better Things,” among many other projects. Writers and friends, I promise you'll want to listen to this episode multiple times. Patricia shares her journey of becoming a successful, working screenwriter and explains how she, as a single mom, navigated a writing career during a time when women at work were often called "the girl."The PAGE International Screenwriting Awards sponsors the WRITERS HANGOUT.Executive Producer Kristin OvernCreator/Executive Producer Sandy AdomaitisProducer Terry SampsonMusic by Ethan Stoller
Joker month continues! Peter R. Verra returns to the show to discuss an intriguing Joker origin tale found in the pages of Batman: Confidential, "Lovers & Madmen". Hear us dissect: -this origin story -the strengths and weaknesses -if it elevates the Batman-Joker relationship Also, our favorite parts, panels, and if it should be adapted in animation. Rate and Review the Show: Apple | Spotify | iHeartradio | Amazon Follow The Batman Book Club on X: @thebatmanbc. Follow The Batman Book Club on Instagram: @thebatmanbc. Follow Peter on X: @PeteIllustrated. Follow Straight Outta Gotham on X: @Straight_O_G. Subscribe to The Batman Book Club YouTube Channel. Support the Show Through Patreon: patreon.com/thebatmanbc. Support the Show with Merchandise from TeePublic. Transition Music: "The Dark Knight Returns", by Christopher Drake. Outro Music: "Overdrive", by Matrika.
Jon Hamm steps behind the camera for Mad Men Season 5, Episode 3, “Tea Leaves” and the results are…complicated! On this episode of Mad Men Men, Jon Negroni, Will Ashton, and Mike Overhulse react to Betty’s triumphant return. They also talk Peggy’s new hire Michael Ginsberg and Harry Crane continuing to be the worst man alive. We break down the real-life inspiration behind Betty’s storyline (and January Jones’ pregnancy), debate the effectiveness of Jon Hamm’s directorial debut, and explore how the show tackles themes of youth culture, generational anxiety, and desperate rebranding (looking at you, Roger). In case you’re new here, Mad Men Men recaps Mad Men through the perspectives of three different types of viewers: a first-timer, a first-time rewatcher, and someone who thought the best way to deal with their feelings about Don Draper was to start a podcast. EXTRA CREDITS Matthew Weiner created Mad Men, which aired on AMC from 2007 to 2015. Jon Hamm directed “Tea Leaves” and Erin Levy and Matthew Weiner co-wrote the script. The show stars Jon Hamm, January Jones, Elisabeth Moss, Vincent Kartheiser, Christina Hendricks, John Slattery, Robert Morse, and many more. Our intro music is “Mad Men Men” by Tom Davidson, which is an original remix of the show’s opening theme “A Beautiful Mine” by RJD2. Podcast illustration is by Jon Negroni. Our podcast hosts include Jon Negroni (Podcast Editor of InBetweenDrafts), Will Ashton (cohost of the Cinemaholics podcast), and Michael Overhulse (a guy who’s addicted to working at startups). We’ll be back soon to discuss Season 5 Episode 4, titled “Mystery Date.” Subscribe to Mad Men Men on Apple Podcasts, Spotify, Google Podcasts, or wherever else podcasts are, ahem, advertised.See omnystudio.com/listener for privacy information.
Walter Jacobs was an automotive geek. From the assembly line to owning a Ford dealership to Rental Car King. Walter built and Empire. Dave Young: Welcome to the Empire Builders Podcast. Teaching business owners the not-so-secret techniques that took famous businesses from mom and pop to major brands. Stephen Simple is a marketing consultant, story collector, and storyteller. I'm Stephen's sidekick and business partner, Dave Young. Before we get into today's episode, a word from our sponsor, which is ... Well, it's us. But we're highlighting ads we've written and produced for our clients, so here's one of those. [Travis Crawford Ad] Dave Young: Welcome back to the Empire Builders Podcast. Dave Young here alongside Stephen Semple, and we're talking about empires. We're talking about big businesses that started out as usually smaller businesses. None of them ever start big, Stephen, when are we going to talk about businesses that just started huge? Stephen Semple: I don't know that they're as interesting, Dave Young: But today we're talking about Hertz Rental Car. Stephen Semple: Yes. Hertz Rental Car. Dave Young: And in my mind, they've always been the big one. They're the big guy. They're the top dog. Stephen Semple: Well, actually in the market today they're number two. Enterprise is the largest one, and they're number two, and then Avis is number three. Dave Young: But the Enterprise combined ... They conglomerated a bunch of them, right? Stephen Semple: Yeah. And there's even a few that are under Hertz as well these days. None of them are just one banner anymore. Dave Young: Yeah. Everything's becoming one brand. Stephen Semple: They're big. They do over nine billion in revenues in 160 countries, and they're part of the S&P 600. So they're a big deal. Dave Young: They've been big for a while. Stephen Semple: They've been big for a long time. Dave Young: I remember when Avis started, this was back in the Mad Men era. The big idea, the big advertising slogan for Avis was, "We're number two, but we try harder." So at that point, Hertz was number one. Stephen Semple: Yeah. We'll find out as we go into the story, Hertz was the first national brand as well. Dave Young: Okay. Stephen Semple: So they really, and in many ways, kind of created the car rental business as we know it today. Dave Young: Awesome. Stephen Semple: They were founded by Walter Jacobs in 1918 in Chicago. And as I was saying, today they do like nine billion in revenue. So it's 1918 in Chicago, and the Model T Ford has been out for 10 years. There's about six million cars on the road, which is about 60 cars per 1000 people in the United States at that time. So they're pretty new, but you'll see a car. They're not foreign, but they're not new. It's kind of at that stage where you'll see them. Dave Young: Sure. Stephen Semple: So now back to Walter Jacobs. Walter's this real car junkie, and he had started out actually working on an assembly line, and now he owns a Ford car dealership. He really sees cars as the future. And when he opens the dealership, he has some sales success, but he runs into a problem. Lots of people are coming in to test drive a car, but they really still see them as a novelty. So if you think about it, there's no driver's license. Vehicles are standard, they're not automatic. And he would take people out for this test drive and it's kind of exciting, and it's a thrill, but what he's finding is that people are coming to do these test drives for the thrill. They're not really buying, to the stage where people come back and offer him money to take the test drive. Dave Young: Do another test drive. Stephen Semple: It was almost like an amusement ride for them. So lots of people want to drive, they don't want to buy it. And Walter looks at it and goes, well, people like the idea of a car.
Erik Carpenter (Assistant Director on Mad Men, Ballers, Goliath, and Producer on Dexter: Original Sin) joins SOMETHIN' CRUNCHY to discuss the life of an AD, working on The Burbs remake, Mad Men wrap parties, strangest riders and demand-sheets, the Mount Rushmore of TV, a game to guess if the one-sentence story is a news headline or the plot of a 90's movie, and more! Sponsored by: Verdant Cannabis Smoking Gun Jerky (Discount code: CRUNCHY10)
This week Ken welcomes artist, all around coolest human, and writer/illustrator of the Minky Woodcock comic series, including the newest volum "The Girl Called Cthlulu", Cynthia Von Buhler. (yes I know I called it "Mindy" Woodcock a couple times instead of "Minky". It's Minky) Ken and Cynthia discuss Ken's fandom, art, coming up in Boston, the Boston Phoenix, growing up in Western MA, Children's Books, illustrating, noir, alternative history, HP Lovecraft, Tesla, Alestair Crowley, going to Art School, living in London, people missing the joke, tongue in cheek, Women of Sodom, parody, Love Boat, Fantasy Island, Sid & Marty Kroft, immersive theater, Illuminati Ball, Land of the Lost, Jem, Crime Story, Faces of Death, extreme video nasties, Kolchak: The Night Stalker, I Spit on Your Grave, Japanese weirdness, Pee Wee's Playhouse, Letters to Cleo, appearing in the Macy's parade, being a free range child, consuming things more deeply because they are harder to get, being shocked you have no tattoos, James Bond, how society's pop culture has caught up with the underground, Gumby, Archie, Hubba Hubba, Davey and Goliath, Christian Shows, Mr. Rogers' Neighborhood, how all kinds are hard wired to love monsters, Squid Games, Patchinko, loving foreign television, subtitles, Korean Culture, Mad Men, the difficulty of telling stories in ongoing TV series, knowing when a story is done, trauma induced nightmares, and the weird legacy of HP Lovecraft.
What does “Don't commit adultery” really mean—and how can it shape our daily mindfulness? This week, Rabbi Josh Feigelson explores the Seventh Commandment as more than just a rule about fidelity. From Don Draper's complicated story in Mad Men to the Torah's vision of holiness, Josh explains how saying “no” to certain impulses allows us to say a deeper “yes” to love, truth, and sacred commitments. Be in touch at josh@unpacked.media. This episode is sponsored by Jonathan and Kori Kalafer and the Somerset Patriots: The Bridgewater, NJ-based AA Affiliate of the New York Yankees, AND BY Rebecca Halpern, in loving memory of her father, Richard, and her mother, Maddy, at the conclusion of the first thirty days of mourning since she passed away. May their memories be a blessing. BOOK TICKETS for Unpacking Israeli History LIVE in NYC - Sep 7 at 92nd St Y with special guest Dan Senor: https://unpacked.bio/uihny25 Use Promo code UIH20 to get 20% off your tickets --------------- This podcast was brought to you by Unpacked, a division of OpenDor Media. For other podcasts from Unpacked, check out: Jewish History Nerds Stars of David with Elon Gold Unpacking Israeli History Wondering Jews
Ted PageTake a walk with me down Fascination Street as I get to know Ted Page. Ted is a marketing executive with his own firm, as well the author of several books. In this episode we discuss his early days in advertising; working for McCann- Erickson, and what led him to start his own company called Captains of Industry. Next, we get into a couple of the books that he has written previously, including a collection of family stories, and a book about branding & marketing. Then we talk about his most recent book Good Grandpa: Stories From the Heart of Grandfatherhood. Along the way, we discover that he worked with a previous guest of my show, more than 30 years ago! We dive into the impact that his own grandfathers had on him growing up, and why he felt that it was important to be that figure in the lives of his own grandchildren. We touch on the book and some of the folks that he interviewed and some of the things that he learned during this process. Ted shares anecdotes about Monarch butterflies, City Slickers, 'The Number One Thing', and 'The Greatest Generation'. This book is a fantastic read, even if you may never be a grandparent. The book is worth the read just for life lessons and the engaging stories from his family's campground on Lake Willoughby in Vermont. Special thanks to previous guest and really good dude; Greg Payne of The Cool Grandpa Podcast for making this happen.
Mad Yourself a Man is coming back next week! Here's an unlocked Frotcast to get you to join the Patreon.
Welcome back to Hooked! On this one, Jo and Rob play office politics and make their respective cases for why “Marriage of Figaro” and “Indian Summer” are the best places to start for those wanting to give ‘Mad Men' another shot. (0:00) Intro (2:03) Why ‘Mad Men'? (8:06) Jo's pick: “Marriage of Figaro” (10:28) Rob's pick: “Indian Summer” (20:01) Standout scenes (22:54) Essential character dynamics (28:55) Who won the episode? (32:44) How each episode sets up the rest of the series (41:43) The pilot (50:14) **SPOILERS** Email us! prestigetv@spotify.com Subscribe to the Ringer TV YouTube channel here for full episodes of ‘The Prestige TV Podcast' and so much more! Hosts: Joanna Robinson and Rob Mahoney Producers: Kai Grady and Donnie Beacham Jr. Additional Production Support: Justin Sayles Learn more about your ad choices. Visit podcastchoices.com/adchoices
Subscribe to Throwing Fits on Substack. You have been selected. This week, Jimmy is Zooming in from Greece to check in with Larry on makeshift sweatsuits, luxury logo belts, Greek beer graphic design, the NFL script has been written, a potential futures bet involving Taylor Swift, how much integrity does Jay-Z really have, toilet paper dilemmas, tapping into a Mad Men rewatch, the block party scene in Brooklyn has changed, against all odds we were somehow selected for the CFDA Fashion Awards Guild so we break down the categories and cast our votes live on pod, checking in on Kith and Ronnie Fieg after their comeback fashion show and the institution they've built, Pinterest's top 10 fall trends predictions give us a look into Gen Z's fried brains, Lawrence went on a double date with friend of the show and Industry co-creator Konrad Kay to Le Veau d'Or and had supposedly the best entree the city has to offer, James breaks down everything happening on his favorite Greek island, partying with crazy Euro guys, 5:30pm lunches, rich boat guy swag, one half of the pod is being impersonated on Hinge in Australia so we review this ridiculous attempt at catfishing, 9/11 weather and more.
Dear Humans, I thought it would be nice to take a break from the doom and gloom, so I laughed My Ass off with one of My favorite actors. Thank you to our subscribers who made this possible! Please subscribe now if you can. Jesus and I got a little taste of the Hollywood red carpet this week when we attended a press junket to speak with actor and comedian Ben Feldman! Mr. Feldman has a new animated series coming to Netflix called Long Story Short, and considering it's by the creator of the incredible series Bojack Horseman, it looks like it's a series not to be missed. I loved that show! We Discuss: The Superstore and Mad Men star reveals why Long Story Short may be his favorite role yet, and why he's so excited to talk about this show. Ben explains why COVID storylines were a hot topic in Hollywood. Ben's hilariously candid take on parenting two young kids. Why animation allows more creative freedom than live-action TV. What it's like to have this show renewed for Season 2 before it even airs. If God could prevent The Big One from hitting the Los Angeles area any time soon. Don't forget: God and Jesus stream daily. Catch God Pod LIVE every weekday at 2 PM ET / 11 AM PT. Thou shalt tune in and tell a friend! Remember to add the God Pod wherever you listen to podcasts, like Apple Podcasts or Spotify.
Dust off the external hard drive and find some hidden gems. Nothing new new, but maybe lots of new to you... featuring RESONANCE, LOW THREAT PROFILE, MEMORIAL, CREATURES, MAD MEN, PITCHFORK and more. Learn more about your ad choices. Visit megaphone.fm/adchoices
"Now, at work, women are treated very equally." Mad Men-rewatcher Jessica Smetana is here to discuss the modern-day Barbara Walters, why she won't be returning to Miami for Notre Dame vs. UM, monogamy, and the best TV-watching windows. And the Carson Beck PR machine is out in full force. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Norma Kamali started her career when women were expected to type memos in Mad Men-esque offices, not build their own empires. She came of age in 1960s New York City and since then, Norma's become one of the most influential names in fashion. Norma is responsible for iconic looks like Farrah Fawcett's red swimsuit, the sleeping bag coat, and some of the earliest activewear, before “athleisure” was ever a thing. At 80-years-old, she's showing no signs of stopping. In this episode of 9 to 5ish, Norma also shares: How a $29 flight and a basement boutique kicked off her career What it took to walk away from a toxic business – and marriage Why she took her brand to Walmart, even when people told her not to How learning to ask for help changed her life Why AI gives her a bigger creative high than anything else Learn more about your ad choices. Visit megaphone.fm/adchoices
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