Podcasts about i iii

Music: "All Creatures of Our God and King" Tune: Harm. by Ralph Vaughan Williams; Public Domain Text: Original text by Francis of Assissi; tr. by Draper; Public Domain "Psalm 30: I Will Praise You, Lord" Contributors: Michel Guimont Tune: © 1994, GIA Publications, Inc. "Celtic Alleluia" Verse text: based on the Te Deum. Music and verses text © 1985, Fintan O'Carroll and Christopher Walker. Published by OCP, 5536 NE Hassalo, Portland, OR 97213. All rights reserved. "Organ Sonata no. II - II. Allegro Maestoso e Vivace" Felix Mendelssohn Bartholdy (1809-1847). All music reproduced and streamed with permission from ONE LICENSE, license #A-723939. Musician: Amanda Bruce Celebrant: Fr. Michael Stumpf Today's readings (via USCCB): https://bible.usccb.org/bible/readings/062721.cfm For more information regarding the announcement of our merged parishes, visit our parish website at MaryQueenofPeacePGH.org.

Jak przygotować dziecko do bezpiecznego korzystania ze smartfona? Czy każdy musi umieć programować? I czy szkoła może pomóc naszym dzieciom zdobywać cyfrowe kompetencje? Na te pytania odpowiedzą Tosia Bojanowska oraz Magda Mierzwińska - dwie wspaniałe dziewczyny działające na co dzień na styku edukacji oraz technologii, które są gośćmi 72. odcinka podcastu. Partnerem tego odcinka jest Fundacja Orange, w ramach której Magda i Tosia tworzą programy MegaMisja oraz SuperKoderzy, których celem jest zapewnienie jak najszerszego dostępu do edukacji cyfrowej w Polsce, przekazywanie zasad bezpiecznego poruszania się po świecie cyfrowym, a także zachęcanie do twórczego oraz etycznego wykorzystywania nowych technologii w codziennym życiu, nauce oraz w przyszłej pracy. Linki do miejsc wymienionych w podcaście oraz transkrypcję znajdziesz na https://www.ojcowskastronamocy.pl/072 01:50 - Kiedy zaczyna się edukacja cyfrowa? 13:40 - Uważność cyfrowa 19:01 - Domowe Zasady Ekranowe 23:25 - MegaMisja dla klas I-III 30:20 - Program #SuperKoderzy dla klas IV-VIII 32:20 - Czy wszyscy muszą być programistami? 41:35 - Nasze dzieci będą tworzyć przyszłość, w której my będziemy żyć 46:15 - Jak dołączyć do programu MegaMisja i #SuperKoderzy Zobacz pozostałe odsłony Ojcowskiej Strony Mocy Podcast: http://www.ojcowskastronamocy.pl/podcast FB: https://www.facebook.com/OjcowskaStronaMocy IG: https://www.instagram.com/OjcowskaStronaMocy Blog: http://www.ojcowskastronamocy.pl Życzę Ci, byś każdego dnia stawał się lepszym ojcem i lepszym człowiekiem oraz byś zawsze powodował uśmiech na twarzach swoich dzieci Zapraszam Jarek Kania #megamisja #superkoderzy #polskipodcast

"Zakładamy, że już od 19 kwietnia będzie możliwy powrót do przedszkoli. Kluczowe będą dane ze środy i czwartku" - mówił w Porannej rozmowie w RMF FM minister edukacji i nauki Przemysław Czarnek. "Jeśli potwierdzą tendencję spadkową, to począwszy od poniedziałku jest wielka szansa, żebyśmy wracali do przedszkoli, w kolejnym tygodniu do klas I-III i do kolejnych klas szkół podstawowych, a następnie w maju do szkół ponadpodstawowych, tak żeby w maju już wszyscy byli w systemie stacjonarnym" - zapewniał gość Roberta Mazurka. Pytany o nauczanie hybrydowe, Czarnek podkreślał, że to propozycja alternatywna. "Żeby w szkole było do 50 proc. uczniów, szkoły są na to przygotowane. To nie jest przesądzone, to jeden ze scenariuszy" - dodał.

Sur le cadran de la plupart des horloges et dess montres à aiguilles, le 4, qui indiquent 4 heures, est bien écrit en chiffres romains mais pas comme il devrait l'être ! Normalement ce devrait être IV. Mais à la place il est représenté ainsi: IIII. On appelle ce quatre, le “quatre d'horloger”. See acast.com/privacy for privacy and opt-out information.

The L.I.F.E. Podcast - Season 3 - Episode 13 "Anger Management”. ‘In your anger do not sin': do not let the sun go down while you are still angry,  and do not give the devil a foothold.(Ephesians 4: 26-27) For Aristotle Quote see:https://www.brainyquote.com/quotes/aristotle_132211Thomas Aguinas Quote from Summa Theologica Vol 2 Ch 2. At.https://Summa_Theologica, II-II, Q. 158, a. 1, sed contra.For more information about the Campaign Against Drunk Driving see:https://cadd.org.ukSupport the Podcast athttps://www.patreon.com/livingfaitheveryday?fan_landing=trueThe LIFE Community Websitehttps://livinginfaith.ukPodcast Webhosthttps://the-living-in-faith-everyday-podcast.buzzsprout.comFacebook Pagehttps://www.facebook.com/LivingInFaithEverydayPodcast.co.uk/Background Music and sound design by Bonadventure.https://soundcloud.com/bonadventureSupport the show (https://www.patreon.com/livingfaitheveryday?fan_landing=true)

Alright everyone, settle in, settle in. Today we are continuing our lecture series on the Keepers. As I'm sure you'll recall, we last left Virgil and Jacques on the road to Amanita Town with Pandora as their chaperone. She set up a training exercise for them to try their hand at tracking, and the boys took it upon themselves to battle two large and ferocious beasts that they found in the process of attacking each other - a far cry from, well, crying at the thought of sparring with each other. Now that their adrenaline is pumping, Team Catapult has decided to try their luck looking for something bigger and badder to fight. Is this plan as ill-advised as it sounds? Will it pay off for Virgil and Jacques to hit the EXP grind this hard? Or will their hubris be their downfall? Pandora's on standby in case they royally mess this up, so let's find out what happens in our latest installment… Food Chain! DM: Jonah M. Jackson / Virgil: Andrew Johnson / Jacques: Joseph Leitess Music: Braxton Burks & Materia Collective - The Adventure Begins, A Tale of Three Beasts pt. I & III, Azalea Town Daniel Ran & Materia Collective - The Sleeping Sky, Blood Frenzy, To Fell an Ogre, Bloodlines Dark Fantasy Studio - Infinite Land, Facing the Dragon, Death or Glory, Battle Beast, Under Malediction, Rage Celestial Aeon Project - Epic Danger The U.S. Army Band - Stars and Stripes Forever Bad Snacks - Kawaii! WillRock - Slowpoke Shuffle TabletopAudio.com - Barren Wastes

W przyszłym tygodniu będzie decyzja, co dalej z nauką w szkołach, na razie obecny stan obowiązuje do końca lutego - podkreślał w Porannej rozmowie w RMF FM Dariusz Piontkowski. "Mamy kilka możliwych wariantów, w zależności od tego, jak będzie rozwijała się epidemia. Mamy nadzieję, że przynajmniej uda się utrzymać to, że dzieci z klas I-III uczą się stacjonarnie" - stwierdził wiceminister edukacji i nauki. Jak zaznaczył gość Roberta Mazurka, jeżeli doszłoby do gwałtownego wzrostu liczby zakażeń, to decyzję ws. dalszego funkcjonowania szkół będzie podejmował premier z Radą Medyczną. "Nasze dane wskazują na to, że w tej chwili nie widać wzrostu liczby zakażeń w szkołach" - dodał Piontkowski.

Minister zdrowia Andrzej Niedzielski ogłosił poluzowanie obostrzeń sanitarnych. Od poniedziałku działalność wznawiają galerie handlowe, przestają obowiązywać godziny dla seniorów. Od 1 lutego otwarte zostaną również muzea i galerie sztuki. W szkołach bez zmian. Pozostaje nauczanie zdalne dla uczniów klas I - III, dla pozostałych utrzymany zostaje tryb zdalny. I tak ma być do 14 lutego.

Hi beautiful friend,Welcome to A Journey to Grace vol. IIII.A few years ago I titled a journal " A Journey to Grace," and a few years ago I just opened vol. IIII. When I started this journey I had just given up my house, and decided (!) to be homeless to save my business...and understood that this was probably a really weird decision so I reached out for help from a coach.She told me to explore self-love and self-worth. And body have I.I realized I had none, of either.This journey has been incredible and horrific, amazing, awe-inspiring, and gut wrenching. That's what this human experience is about, you know. Going through it. Learning the lessons our lives have to teach us. I want to talk about that. I want this podcast to be another place where we talk about coming home to ourselves, remembering who we are, and discovering that we are worthy, simply because "I am."Honored you're here,-C

 1.  Adult Books - Holiday  2.  Pool Holograph - Blank Suite  3.  Kiwi jr. - Waiting In Line  4.  Buzzcocks - Ever Fallen in Love (With Someone You Shouldn't've)?  5.  Mara Wild - Birds in the Morning  6.  Widowspeak - Romeo and Juliet  7.  Alexis Neon - All My Dreams Of You  8.  Death Cab for Cutie - Lightness  9.  Sleepy Gonzales - The Legend of Jonny B. (Pt. I-III)  10.  Dance the Misery - Radio  11.  Cathedral Bells - Dark Aura  12.  Yellow Dudes - Never Ending Memories  13.  Touched - Bougie Boogie  14.  Aaron Frazer - You Don't Wanna Be My Baby  15.  Gloria - You Had it All  16.  Cool Sounds - Crimson Mask  17.  Fruit Bats - Holy Rose  18.  Gabacho - I Would Like That  19.  Mickey Newball - Ruby Jean  20.  Dent May - I Could Use A Miracle  21.  Boise Cover Band - Ashes to Ashes  22.  Magic Wands - Honeymoon  23.  EUT - Cool 

Pierwszym gościem będzie była ambasador RP w Moskwie Agnieszka Magdziak-Milszewska porozmawia o światowym dniu dialogu z judaizmem w kościele katolickim i proces B. Engelking i J. Grabowskiego. Andrzej Kondratowicz- prof. Uniwersytetu SWPS w Warszawie (ekonomista, amerykanista) już dziś na antenie Halo.Radio. O powrocie do szkoły ucznió klas I-III podyskutuje z Państwem Dorota Łoboda - Warszawska Rada Edukacyjna.

Renata Kim rozmawia z Dorotą Łobodą i Jarosławem Pytlakiem o powrocie uczniów klas I-III do szkół.

Powrót do szkoły zaraz po feriach klas I-III a także temat szczepionek skomentuje Renata Kaznowska - vice-prezydent m.st. Warszawy. Kolejnym gościem będzie Piotr Pobrotyn - Dyrektor Uniwersyteckiego Szpitala Klinicznego im. Jana Mikulicza-Radeckiego we Wrocławiu. 

Dziś u red. Byśka Sędzia IGOR TULEYA. Jaka przyszłość czeka polskie sądy? Dlaczego Sędzia nie ma zamiaru stawiać się na wezwania prokuratury? Zadamy również pytania od Państwa:

Andrzej Gajcy rozmawia z Przemysławem Czarnkiem o koronawirusie i powrocie uczniów klas I-III do szkół.

hour one: "26-2" john coltrane "seasik shor" (from 'the price of frontier' book 2 martial) nandor nevai "the main liif" (from 'the price of frontier' book 4 hard-won) nandor nevai "huommo de mare" (demo) arrgo "iron fist" end of hope"bedtime stories" sophie sparham and christopher gregory "got them saints" dwarves "the philly freeze (live)" bomis prendin "ruckus upstairs" kim cooper complex "galaktik refrain" (from 'the price of frontier' book 1 fulk) nandor nevai hour two: "ar you ready?" (from 'the price of frontier' book 4 hard-won) nandor nevai "suffragette city" samm bennett "a nuvem onde estavamos salvos" arubu avua "harddruggin'" (from 'the price of frontier' book 4 hard-won) nandor nevai "vampiir smiil" (from 'the price of frontier' book 4 hard-won) nandor nevai "red show at the opera" plutonium farmers "miniature twelve" mike cooper automatic sonata number 3 by 3 hands nandor nevai hour three; string oktet in a movements I-III nandor nevai "the big spin I" another umbrella "day of the dead" dynamite for partisans "into the blue" simon waldram "transfer" trigger cut "my miikrophohn" (from 'the price of frontier' book 1 fulk) nandor nevai "honolulu" [I] (from 'the price of frontier' book 3 jassom) nandor nevai "broken again" quiet pig symphonik hnw monuments movement I [coda] (from 'the price of frontier' book 2 martial) nandor nevai

宏观经济 【中国成英国最大商品进口来源国】欧盟统计局发布的数据显示，今年前9个月，欧盟与中国货物贸易总额维持增长势头，中国继续保持欧盟最大贸易伙伴地位。数据显示，今年前9个月欧盟与中国货物贸易总额为4255亿欧元（约合33676亿元人民币），同比增长3%。欧盟统计局9月公布的数据显示，今年前7个月，欧盟27个成员国与中国进出口总额为3287亿欧元，同比增长约2.6%。中国首次超越美国成为欧盟第一大贸易伙伴。 产业纵深 【国家药监局再出手！15个特殊用途化妆品被撤销许可】近日，国家药品监督管理局官网发布《国家药监局关于撤销部分承诺制延续特殊用途化妆品行政许可批件的公告》。15个特殊用途化妆品，存在不符合产品安全性相关规定要求等违法违规情形，现依法予以撤销批准文号。 【离婚冷静期制度落地在即，法律界呼吁配套措施】按照民法典规定，2021年1月1日起夫妻双方协议离婚，办理离婚登记时需经过30天冷静期。这一制度是否会让家暴者“钻空子”，一直存在争议。有律师建议引入婚姻辅导等配套制度，帮助夫妻理性看待家庭矛盾。 【70大中城市房价五年变化：深圳涨幅第一，有城市跌回五年前】根据国家统计局发布的统计显示，近五年来，二手房涨幅最多的五个城市分别是深圳、合肥、无锡、广州和杭州，主要集中在长三角和珠三角的一二线城市。其中深圳涨幅在全国高居榜首。涨幅最低的城市分别是牡丹江、锦州、湛江、岳阳和常德。其中牡丹江的房价更是低于5年前。 【香港证监会拟在港股全面推行实名制】香港证监会近日称，最快计划于2022年第一季度前，在港股全面推行场内交易实名制。目前仅内地投资者经沪深港通南下投资港股需要实名，其他港股投资者参与市场不需要实名。 企业动态 【知情人士：恒大汽车工厂投产时间紧迫】恒大造车采用“买买买”模式拼凑而来，磨合难度较大。一名接近恒大汽车南沙工厂的人士认为，恒驰品牌产品难以在2021年真正量产。 【银保监会：因原油宝风险事件，中国银行罚款5050万】银保监会宣布对中国银行罚款5050万元，原因为在“原油宝”产品风险事件中的相关违法违规。银保监会表示，近期，中国银保监会就中国银行“原油宝”产品风险事件依法开展调查工作，对所涉违法违规行为作出行政处罚决定，并采取相应的监管措施。 【蛋壳爆雷，多名租户向银保监会投诉微众银行】在蛋壳和微众银行的合作模式下，微众银行并未将贷款发放至本人账户，而是发放至蛋壳的账户，这导致蛋壳在爆雷后，租户还必须向房东偿还租房款，如房东未收到房租，则多会选择驱逐租户。 【收购案“黄了”，但不用担心罗永浩还不上钱】尚纬股份发布公告称，终止收购罗永浩直播电商业务运营主体星空野望40.27%股权事项。此次收购交易案中止，将拖慢罗永浩的还款计划。今年9月，罗永浩在《脱口秀大会》上表示，目前已经偿还了4亿元债务，还有2亿不出意外将在1年内还清。 【中芯控股、国家集成电路基金II和亦庄国投共同成立合资企业】中芯国际发布公告，中芯控股、国家集成电路基金II和亦庄国投订立合资合同以共同成立合资企业。合资企业的注册资本为50亿美元，中芯控股、国家集成电路基金II和亦庄国投各自同意出资25.5亿美元、12.245亿美元和12.255亿美元，分别占合资企业注册资本51%、24.49%和24.51%。合资企业的业务范围包括生产12吋集成电路晶圆及集成电路封装系列；技术测试等。 【苹果承认部分iPhone11存在触摸问题】苹果在官网公告中加入了一项针对iPhone 11的全球维修服务计划。苹果表示部分在2019年11月至2020年5月之间制造的设备会出现停止响应触摸的问题，如果用户设备符合条件则苹果可为其免费维修（更换屏幕）。 社会聚焦 【成都马拉松1人伪造核酸报告终身禁赛】12月5日消息，经成都马拉松组委会核查，在今年的成马赛事中，有两人存在违规行为：其中一人伪造号码布参赛，另一人使用伪造核酸检测报告领取参赛装备。成马组委会对两人给予终身禁赛的处罚，并报请中国田径协会追加处罚。（人民日报） 【重庆永川煤矿事故已致18人遇难，已成功救出幸存者1名】据重庆市永川区吊水洞煤矿安全事故应急救援指挥部消息，截至5日7时，已成功救出幸存者1名，发现遇难者18名，搜救工作仍在紧张进行中。 国际视野 【美国将对更多中国公民实施签证限制】美国国务院当地时间12月4日说，美国将对参与海外影响力行动的中国公民实施签证限制。美国国务卿蓬佩奥说，这些限制将适用于中国共产党官员或任何其他参与与统战部有关的宣传或影响活动的人。报道称，目前尚不清楚该项新限制措施会覆盖多少人。（参考消息） 【英国脱欧谈判暂停，英镑短线下挫】英国与欧盟的脱欧谈判代表称，由于“达成协议的条件尚不具备”，他们已暂停会谈。英国和欧盟在三个关键问题上尚未达成一致：欧盟在英国渔业水域的捕捞权，企业公平竞争，以及整体协议如何执行。英国首相约翰逊和欧盟委员会主席冯德莱恩将于周六就陷入危机的英国脱欧谈判进行通话，争取促成英国退欧后贸易协议的达成。 【莫斯科开始大规模接种新冠疫苗，分二次注射相隔三周】莫斯科市5日开始大规模疫苗接种。莫斯科市政府疫苗接种电子申请系统显示，本次大规模接种的疫苗需注射两次，第一次注射三天内，尽量避免洗澡、饮酒和体育锻炼，在第一次注射三周后进行第二次注射。在第二次注射前，系统将自动向接种者发送短信提醒。在完成两剂疫苗的接种后，接种者将获得带有日期、疫苗名称和医生签名的证书。

TESTO DELL'ARTICOLO ➜http://www.bastabugie.it/it/articoli.php?id=6343MUORE SEAN CONNERY... SI TORNA A PARLARE DE IL NOME DELLA ROSAIl celebre romanzo di Umberto Eco è ideologico, anticattolico e storicamente falsodi Corrado GnerreIn occasione della morte del celebre attore Sean Connery, si è tornati a parlare de Il nome della rosa, il celebre romanzo di Umberto Eco. Se ne è tornato a parlare perché la sua traduzione filmica del 1986 vide come interprete del protagonista (fra Guglielmo di Baskerville) proprio il celebre attore scozzese.Va ricordato che il celebre romanzo di Umberto Eco (1932-2016) non è affatto un romanzo storicamente attendibile, ma solo spudoratamente (consentiteci questo avverbio) "ideologico". Un'ideologia del peggiore, anticattolico, neo-illuminismo.Il nome della rosa può essere, al limite, considerato un romanzo storico, nel senso che alcuni suoi personaggi sono storicamente esistiti, ma non certo un romanzo storicamente attendibile.Prima di tutto non lo è per come vengono raccontati certi personaggi realmente vissuti. Per esempio, il domenicano, inquisitore, Bernardo Gui (1261-1331) fu uomo colto, mite e clemente, tutt'altro da come viene descritto nel romanzo e soprattutto nel film del 1986.Ma veniamo al dunque e vediamo di capire brevemente perché Il nome della rosa è un romanzo ideologico.LA TRAMAIn un monastero benedettino avvengono degli omicidi. Per risolvere il mistero, l'abate chiama un frate francescano, Gugliemo di Baskerville (Baskerville, dal famoso "giallo" Il mastino di Baskerville della serie di Sherlock Holmes. Eco infatti era un ammiratore di sir Arthur Conan Doyle, il creatore del celebre detective).Questi scopre che a morire sono monaci che nella biblioteca erano venuti in contatto con un misterioso libro imbevuto di veleno. In realtà, si trattava del secondo libro della Poetica di Aristotele, in cui il celebre filosofo parla positivamente della commedia e quindi dell'allegria.L'assassino è il bibliotecario, un anziano monaco, chiamato venerabile Jorge, il quale decide di continuare a tenere all'oscuro il libro di Aristotele affinché non si alterasse l'immagine che il medioevo voleva dare del filosofo. Un immagine seriosa e oscurantista, compatibile con una cultura, come quella cattolico-medioevale, che sarebbe stata altrettanto seriosa e oscurantista, ovviamente secondo le convinzioni neo-illuministe.Ci sono dunque due elementi molto importanti che dimostrano l'inattendibilità del romanzo. Il primo è la presunta avversione medievale verso l'allegria; il secondo l'intento censorio della cultura monastica. AVVERSIONE VERSO L'ALLEGRIA E CENSURA DEI TESTI SCOMODIIl medioevo sarebbe stata un'epoca "seriosa", intollerante nei confronti dell'allegria. Grande sciocchezza!Se c'è stata un'epoca amante dell'allegria questa è stata appunto il medioevo. Ci sono tanti segni che lo dimostrano. Solo alcuni esempi.I medievali aggiunsero ufficiosamente un ottavo peccato capitale: la tristitia. Avevano ben capito che il cristiano, malgrado le prove della vita, non può mai assecondare la tristezza.I medievali avevano un atteggiamento positivo nei confronti della vita che dimostravano attraverso varie espressioni artistiche, fra cui anche l'amore per il forte contrasto cromatico che contraddistingueva i dipinti, le vetrate delle cattedrali, l'araldica, il vestiario, le miniature, ecc.Nel medioevo il suicidio era pressoché inesistente.Ma poi, a tagliare la testa al toro, come si suol dire, è ciò che scrive san Tommaso d'Aquino (1225-1274), massima espressione della filosofia e teologia di questo periodo, il quale nella II-II, questione 168, della Summa, citando sant'Ambrogio, dice che l'uomo equilibrato deve avere un volto sorridente. Se non è così, questi potrebbe nascondere un vizio.L'altro elemento che dimostra l'inattendibilità de Il nome della rosa è la convinzione secondo cui la cultura monastica avrebbe svolto un opera di censura nei confronti della cultura classica, trasmettendo ciò che è più o meno compatibile con il Cristianesimo, censurando ciò che è invece incompatibile.Ora - diciamolo francamente - qui siamo su un'affermazione che è talmente errata da essere da "matita blu".Si sa che le opere letterarie del mondo classico sono arrivate a noi grazie alla mediazione della cultura monastica. Ora, se i monaci avessero voluto fare ciò che indirettamente sostiene Eco nel romanzo, noi dovremmo conoscere solo opere del mondo classico edificanti. Ciò che invece non è. Si pensi che il XIII secolo è stato definito dagli studiosi come l'età ovidiana, perché caratterizzata da una forte riscoperta di questo scrittore latino. Ebbene, tra le opere di Ovidio, vi è anche l'Ars amandi che è un'opera inequivocabilmente licenziosa. Come mai i monaci l'hanno trasmessa ugualmente?UN ROMANZO FILOSOFICORimane però un altro interrogativo. Perché Il nome della rosa si chiama così? Cosa c'entra la parola "nome" e la parola "rosa"?Per rispondere dobbiamo necessariamente fare riferimento alla filosofia, ma cercheremo di essere quanto più semplici possibile.Nel XIV secolo entrò in crisi la scolastica (la corrente filosofica il cui vertice fu il pensiero di san Tommaso). Da questa crisi subentrò un pensiero chiamato nominalismo che affermava l'impossibilità di conoscere una verità universale, ma solo verità particolari. Da qui la messa in discussione della possibilità di dimostrare razionalmente l'esistenza di Dio e quindi anche l'esistenza di una morale universale. Pertanto si arrivò al principio della "doppia verità": un conto è ciò che farebbe conoscere la fede, altro ciò che farebbe conoscere la ragione.Ragione e fede possono anche contraddirsi. Anzi, in un certo qual modo devono contraddirsi per essere davvero se stesse. Insomma, è il sorgere del dramma della modernità, con la sua carica inevitabilmente schizofrenica.Ed ecco perché "nome della rosa". Ciò che la ragione può conoscere sono solo gli oggetti particolari, gli universali altro non sarebbero che dei "nomi" (flatus vocis: espressioni vocali). Ed ecco il nominalismo; ed ecco anche lo scetticismo moderno. La verità? Sarebbe solo un'espressione vocale e basta.E pensare che ci sono professori che pretendono insegnare ai nostri figli il medioevo con Il nome della rosa.Nota di BastaBugie: nel 2019 è uscita una nuova versione-kolossal (finanziata da RaiCinema, cioè dai contribuenti), se possibile, anche peggiore del film del 1986 con protagonista il recentemente scomparso Sean Connery. Ecco il link all'articolo che parla dell'ultima riproposizione cinematografica del libro Il nome della Rosa. A seguire due articoli su Umberto Eco autore del romanzo.LA SERIE TV ''IL NOME DELLA ROSA'' HA RIPROPOSTO I SOLITI ERRORI SUL MEDIOEVO E LA CHIESADel resto Umberto Eco, autore del libro, era relativista, anticattolico e antistorico... potevamo aspettarci qualcosa di diverso dalla nuova fiction Rai?di Rino Cammillerihttp://www.bastabugie.it/it/articoli.php?id=5870UMBERTO ECO, RELATIVISTA ANTICATTOLICO E ANTISTORICO... PER QUESTO ESALTATO DAL MONDONel suo famigerato romanzo, Il nome della rosa, deturpa la verità storica su medioevo e inquisizione arrivando alla conclusione che Dio e la verità non esistonodi Aldo Vitalehttp://www.bastabugie.it/it/articoli.php?id=4114MUORE UMBERTO ECO, IL FRUTTO PEGGIORE DELLA CULTURA TORINESE ED ITALIANA DEL XX SECOLOL'autore de ''Il nome della rosa'' a 22 anni abbandonò la fede e diventò un nominalista, cioè non credeva che esistano verità universali (tanto meno Dio), ma solo nomi convenzionalidi Roberto de Matteihttp://www.bastabugie.it/it/articoli.php?id=4125 Titolo originale: Il nome della rosa? Un romanzo ideologico e per nulla storico!Fonte: I Tre Sentieri, 2 novembre 2020Pubblicato su BastaBugie n. 689

Podcast. Zapraszamy do wysłuchania opowieści o uczeniu języka polskiego dzieci z z klas I-III. Ola, dzieli się się swoimi doświadczeniami nauczycielki, mamy, osoby egzaminującej uczniów edukacji wczesnoszkolnej. Dowiecie się o wielu ciekawych pomysłach, rozwiązaniach pozwalających na zainteresowaniem dziecka czytaniem, pisaniem, a nawet uczeniem się ortografii.

Plötsligt blev det bråttom, ett gammalt liv höll på att rinna ut och ett nytt skulle snart (hoppas!) få börja. Då skrev Tove Folkesson Hennes ord Värk I-III, mittemellan mormorsängslan och barnlängtan. I podden berättar Tove om poesin som bodde i mormors röriga Ölandskök och om ensamheten när missfallet kommer, trots att det händer miljoner kvinnor varje dag. Till kaffet norska Marie Auberts roman Vuxna människor. Programledare Lisa Tallroth. See acast.com/privacy for privacy and opt-out information.

  Dr. Brad Spellberg is a  polymath. He’s simultaneously a Chief Medical Officer, of a major medical center, Professor of Medicine, medical researcher, practicing clinician, founder-entrepreneur, and  author of multiple books. He brings a uniquely holistic perspective to his public policy recommendations on the future of the US healthcare system Chief Medical Officer at the Los Angeles County-University of Southern California (LAC+USC) Medical Center. He is also Associate Dean for Clinical Affairs at the Keck School of Medicine at USC. He received his BA in Molecular Cell Biology-Immunology from UC Berkeley, and MD at UCLA, where he served as the UCLA AOA Chapter Co-President and won the prestigious Stafford Warren award for the topic academic performance in his graduating class. Dr. Spellberg completed his Residency in Internal Medicine and fellowship in Infectious Diseases at Harbor-UCLA Med Center. As CMO, Dr. Spellberg has transformed the quality and efficiency of care delivered at LAC+USC Medical Center, the largest public hospital in the US west of the Mississippi. As CMO, he has 18 non-clinical direct reports and another 18 Chiefs of Clinical Services reporting to him. He has improved many aspects of hospital operations, from HR, to patient flow, to personnel, to UR, Social Services, medical documentation and billing, clinical care, etc. He has markedly increased inpatient billing, helped increase primary care empanelment and managed care revenue, successfully recruited multiple physician leaders, and has established new clinical programs (e.g., LGBTQ clinic, bariatrics surgery). Dr. Spellberg may be the only CMO in the US who not only continues to be actively clinically, staffing both Internal Medicine ward teams and Infectious Diseases consulting service, but also maintains an active NIH-funded basic science laboratory. Dr. Spellberg has also co-founded 3 biotechnology start up companies, which have resulted in 3 molecules that are in active clinical development (phase I-III clinical trials). He is also a national policy expert with respect to antibiotic resistance, having testified before Congress, been interviewed on multiple television programs, in the documentary movie Resistance, and written an award winning book, Rising Plague.  In this episode, we explore the fascinating insights and key recommendations in Dr. Spellberg’s latest book,” Broken, Bankrupt and Dying”  where he discusses the  precarious state of the US Health care system, the underlying reasons that have led to this dysfunction and key recommendations to improve the system to deliver a level of healthcare that American citizens deserve.

Daniel Zhu, the creator of the popular social media channel, Stance Elements, discusses his insight on how his channels blew up on social media, social media marketing, the bboy scene, breakdancing in the Olympics, and the dance scenes similarity to the Esports scene.A broke degenerate hooligan documents conversations about being a Bboy, Breakin', Hip Hop, Dance, Art, Music, Creativity, Innovation, and the slow subtle crumble of society in audio form. Follow @Instagram: noiseofthebrokeboysTwitter: BrokeBoysNoise Listen to the Audio on all Podcast platforms. All The Links Here: https://linktr.ee/NoiseOfTheBrokeBoys----more----[Music]this episode of noise of the probe boysis brought to you by free time are theremoments in your lifehas there ever been a time no those arenot questions I forgot to finish theyare legit inquisitions i have for all mylisteners free time is something that isoften overlooked in our lives but thesum of all our short moments in lifehappened to add up to many wasted hoursper day in that time consider how manybread making cookbooks you could haveread or how many shake weights you couldhave well shook next time you have aspare second consider using it in a more/ less constructive way by turning onthe noise of the broke boys podcast anddropping us alike thanks for yourcontinued support and now on to the show[Music]in this episode the creator of Stan'selements an online movement artsplatform sits down to discuss thehistory of its creation we discussvarious topics related to digital mediamarketing videography hip hop andentrepreneurship I had a great timepicking his brain about his side ofbreaking in social media that I don'tknow much about please enjoy the episodewith mr. Daniels ooh hellowelcome everybody to the slow subtlecollapse of society in podcast form thisis north of the broke boys I am yourhost Kurt the hurt and today I have aspecial guest his name is Daniel zu heis mr. Stan's the creator of Stan's theCEO of Stan I don't know what is yourtitle grand wizard of Grand Wizard justcall me a creators the Creator witchso Stan's is I consider it like in urbanarts like media platform but what whatdo you what do you call it we call it amovement arts platform movement artsplatform interesting ok yep so thatbasically is saying likeI guess you guys do dance you guys filmtricking you guys do yeah anything yourbody you've in some way can move andthen in artistic format of weather soit's not just dance it's just it'sreally men arts yeah I guess is the bestname for it he kind of made it that waybecause we wanted to just you know notback ourselves in a corner with onetopic yeah yeah okay and so the firsttime I think I saw stance was it was onyour YouTube channel in I don't know ifthat's where you guys started but Ithink that's when I first saw and youguys were posting a lot of footage fromb-boy battles and stuff and now you'vekind of grown to this social mediaplatform and then yeah and then filmingall these other different events and nowit's like I see like literally everylarge dance event you guys are there andit's like I don't watch footage toooften but when I do I immediately go toyoutube type in stance and then look atthat look at what you guys have so Iwould say that you know seems to me likeyou probably have the biggest or atleast the most successful media platformin this space which I'm curious like howthat makes you feel like what thejourney to get there it just seems socrazy it's uh it's a lot of momentumyeah it's a Activ that's I can say it'syou know you start something small andnow it's just you have a lot of momentumand then you know it feels weird likeyou go a couple of days without postanything keeper like so hmm what's goingon yeah yeah and so you just kind ofride that and keep going and goingyeah yeah yeah you know and theneventually get to where you are where Ithink now you're is it your face butlike I don't I think between all yourplatforms you've got like over a millionkind of subscribers or a couple billionsyeah a couple million wow that's greatso I mean that's that's crazy to thinkthat that came from breaking and nowit's to where you are now is just greatbecause you know when I started breakingthis was like events were barely a thingyou won an event and they were likehere's a some gas money and stuff andlike it was the ghettoest shit ever andso to see it now to where you guysthere's a legitimate media company outthere that is traveling the worldfilming all these huge events theirsponsors involved with the events andstuff it's just crazy to see that in mylifetime I was able to see that I meanit's really a short time in a way I meanI've been breaking less than 20 yearsprobably think about 18 19 years so tosee it happen within that span it's likecrazy it feels like we were in the StoneAge compared to to now and so like Idon't know it's just when I when I lookat Stan's it's like it makes me proud asa b-boy to see that we've gone so far toyou know be like a legitimate um I don'tknow what you'd call us but more thanjust some people rolling around on thefloor legitimate movement it's alegitimate movement yeah I mean at leastit's being recognized as that now yeahwe I think all of us always considered alegitimate form but you know yourparents are like rolling on the floorand shit yeah yeah that's our biggest Ithink I think every time we createsomething major or stance or somethingthat we always think about people likeour parents people that don't understandthe dance and we're like okay how can wereach these kind of people yes there'smore of these those kind of people thanthey are dancers oh yeah yeah and sowe're like okay we the more non dancepeople or non people associated with thescene that get addicted to this mmmyou know the more momentum we get yeahyeah and and I do think that that isgonna play a huge part in the the latersuccess of this culture as more peopleget involved with it see it fall in lovewith it and continue to follow it andhopefully participate in it not thatthey have to but I think you'll see youknow right now the participation rate isfrom mostly dancers but I think we'regoing to start seeing participation fromthe like viewers now youno like legitimate fans and stuff like Ikind of compared to like skateboardingor something you know we're you knowyou'll watch it on TV as on like the XGames and you're like dude this stuff iscrazyskateboarding Mme Mme yeah exactly noanything like there's a big boxing fightthis weekend mm-hmm I mean everyone theonline is talking about but who the hellreally boxes uh-huh yeah you know butthey're all fans yeah yeah I mean it'slike yeah a lot of the fans the they'lltake a boxing class or whatever butthey're not like some freaking hardcorein the disguising everybody but it'slike they're talking about anyways yeahit's like it's a casual fan casual notin the sense of that they don't knowwhat's going on in the sport but casualin the sense that they're not in thering punching each other oh I thinkwe're gonna see a lot more of that inBreaking and I do think that you guysare kind of a hinge point of making thathappenmm-hm and I know that there's a fewother creators out there that are alsodoing a similar thing to you guys but Isee you guys that's probably the biggestand also the catalyst to I guess makingwhat they're doing happen as well it'slike I really see you guys as the onesthat paved the way to make it happen Idon't know if you feel that way but Imean I'm a little ice I came from I camefrom the other channel to strife that'sright and that literally did pave theway that's right yes Drive yeah I guessthey yeah but you were involved withthat right and I guess yes like onceonce strife kind of whenever wentwherever it went you kind of took it tothe next level and continued to to pushit to where it is now so I don't knowit's just it's just cool to see that nowmm-hmmchanging topics uh I'm curious how youactually got involved in the hip-hopscene the dancing cuz I know you're fromSouth Dakota which yes like all I canthink of from there is like oil fieldsand like snow is that rightlike I don't see hip-hop is somethingbeing up farms farms yeah there's yeahpretty much there wasn't really muchhip-hop at all yeahbut I got I got into the scene becauseof college okay yeah and you went tocollege out there or no I went tocollege in a university Wisconsin okaythere's probably not a lot of b-boysthere either actually I have a friendwho's going to school in Wisconsin nowhe's in med school and he says there'snot a lot of people so imagine there'sprobably more than South Dakota there'sa lot more than South DakotaI mean Wisco Wisconsin you got thebenefit of you got the Milwaukee sceneyeah that's right you got the Chicagoscene okay they're all within an hour todrive away so you know when I started Igood friends with like motion disordersyeah yeah okay you know Rick heads Rickheadsyou know Chicago tribe Chicago Tribuneyeah yeah yeah so but no college was youknow you see you hear about these likebreaking clubs that they have in collegeand that's how I started you knowthat's tight ya know I have a lot offriends that did the same thing I meanone I went to UC Davis I was alreadybreaking before them but like once I gotthere one of my friends he started heused to do the Warriors games with meactually he started a club and I waskind of just a bum and I was like I'mgonna really be a part of I mean Iwanted to be a part of yeah but I waslike kind of like how about you do thework like come and break but he built ithe built the club up and he did a lot ofstuff with it and like introduced somany people to the dance and I look backand I'm like oh man I wish I could havebeen more involved with that now it'snot been so I guess selfishcuz the back then I was just like oh Idon't care about this I just want tobreak yeah but seeing seeing now thatthere's a lot of guys that started thenand kept goingI mean think is really cool and and andthat I'm seeing that happen more oftennow is like when people are going touniversities they're like beingintroduced to a lot of new things andhip hop is one of them in fact now hiphop is kind of being taught in someuniversities as like a subject yeah likea curriculum yeah there's a yeahI know a couple people that do that Imean even here in LA you gotI think UCLA and UC Riverside canswiftly he teaches okay I didn't knowthat yeah Wowyeah though I know my friend Serge frombeets and pieces he teaches out in themin the Bay Area couple schools I thinkum and then there's another guy who's Ithink in Chicago area who does it yeah Imean it's starting to get a lot bigger Ithink why not does it - yep all ski Paulski okay yeah so yeah it's yeah it justblows my mind to think about like thatlike those guys were there like ones youknow 20 years ago rolling on the groundyeah they're like oh yeah that's coolbut you know it's just rolling on theground but now it's like some stuffgetting taught in university so it's Idon't know it's just cool it's cool tosee that that can change we'redefinitely in a time where yeah I guesship hip hop culture is being more comingmore to the forefront of I don't knowcommunity pop culture I guess is thebest way to say itmm-hmm right before it was such anunderground movement and now it's nowit's a university course if that wasoffered nowadays and I was still inschool I would totally take it yeah Iprobably would do just cuz it's fun tohear the different viewpoints on thisculture because you know like I grew upin in Sacramento you know I know youknow somewhat history of everything butI know it from the point of view inSacramento so go into a universitylearning it from maybe someone who'sfrom New York or whatever in you know inKent Swift's case hearing where he'scoming from it's like hearing all theseperspectives it gives you a betterunderstanding of like what what thisculture really is yeah and I thinkdefinitely people who only know hip-hopmusiccoming into a class like that would gainso much stuff because most of my friendsthat only know hip-hop through musicthey don't know anything about like howhow breaking really helped create thatmusic in a way and I guess they don'tmaybe understand how direct that thatwas you know in terms of like the onlyreason a break really exists is becausea DJ was like oh I want to see thatdancer go off yeah let me replay thispart of the song and then oh let me rapto it okay oh now that's hip-hop musicoh dope that's like that directconnection I don't think a lot of peopleunderstand that and so I'm happy to seethat now there's that's becoming morethe forefront of the hip hop Coleman sohopefully hopefully casual musiclisteners start you know understandingthat too so but anyway so some so fromSouth Dakota to Wisconsin and then nowto LA were you in any place beforebetween there yeah okay so I was so inbetween college and here in LA I've beenin a bunch of places actually uh been inWashington DC okay then in West Africanice piece of court been in Alaska okayI've been to from Alaska up into Koreamm-hmm South Korea that was not NorthKorea no you know you can't not allowedin North Koreabut been to South Korea that was purelyon the fact that I just wanted toexperience the dance culture there okayI got a job just like his win oh youknow that's man that's that's crazy tolike to just go oh man I'm gonna pick upeverything I'm gonna move to Korea andlike you know just for the dance that'stight yeah yeah yeah and then and thennow here and then to Minnesota and thennow here in LA so I've been bebop inquite a bit and so where did Stan's fitin with that or I guess Drive TV andthen Stan's where did that fit in likewhen did that start for you like wherewere you2008 strife startedand that was all because of my collegefriends okay my friends from college atthe university Wisconsin we're like heythey recognize the need right they werelike wheat there's not an officialchannel that provides high qualityfootage yeah we'll do it yeah you knowand they moved here to LA - okay andthey they're the ones to film backgroundso what I was a career at that time andthey're like Dan you're in Korea Koreaseems really big can you get a cameraand film for us oh and I'm like sorrylet me let's do this Wow so you kind oflike fell into the film world right solike they just said here's like you knowgo get a camera and you have did beforethen have you ever thought that youwould be doing any kind of filming Ohwhat No uh sort of I am prior to beingin Korea I was in Africa and Alaska andum I you know I had a camera and I keptI did like blogs mm-hmm I had a head ofthis thing called a live journal wayback then okay um and by you saying uhyeah basically just showing people mylife yeah in other countries and it wasfun so I was thinking you know what it'sjust be like that in video form okayyeah I but I didn't go to video schoolor anything I my first Kim was a flipphone those like flip cameras in Koreaand that's where all the Korean strifefootage was car you serious I kid younotthat's funny oh man I remember going toa jam back when uhlike cell phones just started havingcameras and they were like you can't butya know dude that's crazy they'refilming I mean yeah that's that's reallylike the beginnings of YouTube I thinkall the footage on there was like2008-2009 around that time yeah it waslike flip yeah yeah that's yeah but itwas like those big Korean events thatyou never see yeah yeah yeah he had thegamblers you had the gene shows you hadthe ti peas you know like old schoolrivers old school like everyone wantedto watch that stuff yeahthat yeah that was me and so you werethe you were the pioneer of putting aKorean footage out I guess I mean Iguess there's a couple other guys thatwere doing it but that's I guess in theYouTube era that was you Lee you huh sointeresting so then from strife it whendid Stan's come about so ideally wewanted strife to go to where Stan's wasokay but all the rest of my friends justkind of lost interest in filming okaythey yeah they they either moved or theyjust didn't find interest in breaking oryou know they had other interests yeahyou know and so I was the only one andso that's when I created Stan's mainlybecause you know if you know just forbusiness purposes you wanted to be anactual owner I wasn't an actual owner ofstrife I guess just helping out at thattime yes okay so you're just you're anemployee of strife and then you you knowI guess you had the vision to create itto to where you took to where stancesnow and so you said okay well I need todo this if you guys aren't gonna help medo itexactly then build stance up owner andnow you have like a couple guys with youright it sucks starting from scratchagain with like zero views and yeah zeropeople it'll come but it came and uh youknow you still keep your real lifeconnections you still keep you you knowyou're friends with this event organizerwith your friends with all these otherb-boys and then definitely like when westarted Stan's a lot of people that werefilmed with me that I recruited tostrife came along okay you know sothat's why we had mad tech out in thebay he came along to Anderson out in LAhe had my friends out in the UK okay andthen I had another friends in Korea sowe covered a great portion of the worldscene yeah without you know mephysically have to travel there yeah butyou still travel a lot I switch outquite a bit yeah yeah but you got yougot a good team that's we have a goodteam like you know a good standingyeah good understanding yetthis this whole vision alive and runningand so like I guess how do you see itexpanding do you see it expanding moreto like getting more employees going tomore countries um I've been alwayscautious on expanding mainly becauseit's hard to keep quality control mm-hmmyou know you have you need to have thesame vision and then at the same timeyou need to have like a certain type ofteamwork involved that's you know ifthis whole stance fill thing wasn't funin the first place I wouldn't be doingit yeah yeah you know the less so it hasstill has to be fun for us yeah for sureyeah right and so yeah we do we doexpand we were trying to I think I thinkat the at this moment we're pretty goodfilming events around the world I thinkwhat we are working on next are justquality stories that you might not hearhmm within not only dance but otherdancer interests yeah yeah yeah and thenas well as other areaChandra's that we have a big interest insuch as tricking tricking yeah yeah Ithink the tricking is the next big thenext big thing yeah okay yeah um it'slike with all these new countries comingin I imagine it gets hard to reallyjuggle that and so yeah it seems likeexpanding your company to cover all thisstuff is like probably on the forefrontof like making stance successful and Iguess yeah training your team to youknow keep that same quality and then Iguess like figuring out what works withthese new things like tricking and stuffbecause I imagine the way you film andcover a b-boy event is probably not howyou cover a tricking event maybe there'ssome crossover but like there's youdefinitely gotta like get involved withthe scene to really understand likewhat's okay what's not and and then likejust go full in and then and thenunderstand that I guess maybe it's notsuch a big test but I'm just imaginingme if I was a videographer which I'm notI'm terrible at this kind of thing butlike I would I would I guess I wouldknow breaking because I'm a b-boy and Ican like know okay I don't want to jumpin the middle of the circle and likegetting this dudes away but liketricking I think I would just freakin goto the back of the room cuz I ain'ttrying to get kicked you know what Imean so it's like but I'm sure thatthat's not the best way to get footageso it's like figuring out where you gota stand-in like you know what's notgonna mess them up when they're doingtheir thing I feel like that's probablycore to like what you guys need to dofor that there's a lot of crossover it'spretty goodmainly because though uh you know whenwe decided stands to be a movement artspage it's because we looked at ourselvesand were like well we like dance whatelse do you like to do I like to go to agymnastics gym and mess around and jumparound okaylet's add that in what else do you liketo do this person likes to skateboardokay let's add I did what I'll see youknow when we think and so everyone haslike a different interest really drawupon different influences and likewiselike people trickers and gymnasts theylike to watch dance tooyeah yeah so you're like okay okay thisthere's so much crossover between allthese different things I mean like forone thing I think like music productionand stuff I think it actually crossesover with dance a lot more than peoplethink it does like I've started gettinginto music production a lot no I knowTech has too and it's just like I thinkas dancers we understand music a lot andso producing music becomes a lot easierthan I think someone who came in coldand I would think that I would think thecrossover between a producer coming intodance would probably be the same I meanbecause they obviously understand musicto a very high degree they might notknow how to move their body quite thesame way but that's just a matter oftraining a little bit to figure it outjust same same thingwith a b-boy trying a dancer trying tolearn music production it's like you gotto learn some of the music theory andeverything but like once you understandthe tools it's kind of just like getyourself into like a creative flow stateand just let it gocorrect that's like how that's how I'vealways been I mean IIIi was a painter along time ago and um and that's like howI would always paint is all just kind oflike get into the mode of painting mymom my mom is an artist so she kind oftaught me how to do this and then once Icame into dancing it was like the samekind of thing once I learned like a fewfundamental moves it was just like youget into this creative flow state andit's just like the same thing really butyou're just using different tools in away so yeah um I don't know I I imaginethere's that that's the same thing withlike filmmaking too like that you kindof you guys get some kind of creativeyou get into some creative groove andthen it just turns into like hours andhours and hours of you like making thisa really cool project or somethingthat's totally editing that's basicallywhat I've been doing for the entire weekediting pretty much yeah yeah I I'veedited a few videos in my life and theysuck a lot but it's yeah it feels thesame way that's the way to get betteryou suck a bunch and then you keep onsucking and yeah yeah just keep doing ityeah yeahthere's some good quotes on that but Ican't remember but yeah basically yeahit's the best way to stop sucking I lookat my old videos I'm like what was Ithinking yeah but that was a good ideaso I'll take that little bit I look atthe pot the old podcasts I've I recordedI'm like what the hell was I thinkingbut my god it's getting me to where Iwant to be then you're thinking likepeople really watched what I did dudeactually I haven't even posted a singleone because I keep looking back andgoing oh manlike I'm starting to figure out how todo podcasting a lot better and I've beenfiguring out like how to film better tooand so like now I'm looking at it likeoh I don't want to release these oldones cuz like I straight-up just didn'tgive it I like would walk in I mean likeI had good equipment but yeah I wouldcome in Ididn't have like a studio I mean I stilldon't really have a studio they justhave a freaking blank wall with somestuff on it but like I straight up wouldjust bring my equipment to like afriend's house they wouldn't haveanywhere to put it so we would likerecord on the floor and so it was ghettoas hell but I'm just like oh you knowwhat that brought us and it's not likethe conversation wasn't good I think itwas good it's just like if you don't seeany video you're like okay this was coolmaybe it was done in a real studio butyou see the footage in like all thesesitting on the freaking carpet so butyeah I don't know yeah humble roots Iguess is the best way to call it mm-hmmand I guess you guys have your own yourown humble roots as well so where do yousee yourself going next I mean like youobviously have a vision of where stanceis going but like what other hobbies areyou into and like how does that involvewith like the rest of your life and likewhere do you see that taking you I meanI see you have a league of Legends likeKeith I you know I I love eSports yup Ilove eSports obviously League of Legendsis huge yeah overwatch is huge you knowit's a it's a big scene yeah um andthere's actually crossover betweeneSports and like a movement arts - yeahbig I mean it's I mean competitive sceneI would think that there's like a lot ofcrossover in terms of like manydifferent they how people are reactingto each other some merchants hold on soeSports um I don't know a lot abouteSports but it's like it's reallyintrigued me to see where it is becauseit's kind of like I kind of look at itit's like breaking in a way because likeagain when I started playing video gameslike Super Smash Brothers when I waslike in middle school or whatever I waslike oh cool we're just gonna go over tomy friends house and just play orwhatever and now it's like there'slegitimate competitions for legitimatemoneyit's like broadcaston the internet and has started aroundthe same time it started around the sametime so it's like the scenes are kind ofgrowing I think it's really it comesdown to this digital age I think is it'sit's allowing everything to get aroundto more people but it's just so cool tosee all these new communities of youknow competitive sports competitivewhatever out there and and you knowsomething that I never would havethought would happen or I like I justdon't know anything about seeing it ifyou look at our stance produce livestreams with the commentators and mm-hmmthe way they talk to people and stufflike that it comes from eSports oh yeahI kid you not it's um I look at Leagueof Legends I look at Street Fighterlivestreams I'm like I want that settlewell I want that's it I like how they'reengaging with the audience I you knowthen that and that's where totally ourinfluences come interested you know theylook like they have a somewhat similarbudget to us that's interesting you knowthe ugly bar I I'm influenced by eSportsa lot and then you know I'm alsointerested in you know other things likeyou look at other influences of eSportshow many dance emojis there are ineSports no no like for tonighteveryone's in everyone's doing this fortonight moves rightI actually I have a theory that like thekids now that are learning to break youknow that are young like elementaryschool age are gonna start doingFortnight moves in as actual breakingmoves I think that's they already youknow yeah they probably already do theyalready do that I filmed the battle toit I filmed the battle two years ago andthis guy just flipped up in the air andjust laying on his side and then did hislittle floss move or something yeah it'slike okay it was it was fun it was funto see yeah but they already do and youknow it's uh if it gets them hooked tothe scene then yeah yeah it's yeah Ithink it's a good thing to see thatstuff I mean there's a lot of likebreaking purists and stuff that go likeoh it's not it's decreasing the rawnessof it but I think that those are justlike old people thatsalty or whatever I think seeing well myperspective is that the if you thinkthat that's gonna degrade its rawness Ithink you weren't raw in the first placeI think that you're you're you're justyou're trying to crap on someone else'sparade this this person sees somethingand now they're invested into the sceneI think that's a good thingand period really like I can't see areason why that would be a bad thingthat some what some new people are beingintroduced into the dance every everygeneration basically every decade thator so there's there's always like dancerelated media out there or names relatedtrends that that may seem cheesy at thebeginning yeah but it gets young kidsinterested yeah you know I've seen theirstories of like really high competitivedancers that started with you got servedoh yeah and like that movie if youreally saw at me and that was supercheesy it was a cheese dude but theystarted and now they are at the top oftheir scene right now and they arefucking wrong yeah yeah beat Street isthe cheesiest movie ever you know that'sa hot take but battle me Beach Street isso cheesy it's a dope movie sure butit's cheesy as hell breaking is breakingand breaking to electric Boogaloo arealso two of the worst movies everI mean cheesy in terms of were worsethan cheesy movies even Flashdance dudethat was probably the first timebreaking was on like a big screen thatmovie's cheesy as hell it was a catalystand got people to catalyst yup yes so Imean yeah I don't know I think it's um Ithink it's it's great to see that and Iguess with the with the oncomingOlympics in 2024 which is in Paris Ibelieve yeah now you're gonna see it onanother stage to a whole new audience Ithink we're gonna also see a huge influxof new b-boys as well there already isbecause Olympics yeah and from the theJunior Olympics right from the Juneit's like I try traveling around the USAjust the USA itselfa lot of my friends as dance studioshave had influx of students that justwant to learn yeah you know so manylittle kids are enrolling in their dancestudios and it's great yeah I think it'sgreat too and and that's just the USAyou know Japan is another monster Russiais another monster China especially Imean you're just getting kids enrollingeverywhere yeah and these little kidscan fly and yeah you can fly I didn'teven break when he you know he's like Ididn't start breaking the laws maybelike 14 you got these 10 year olds thatare like flying and stuff so I'm likedang dudewhat is breaking gonna be like when theyare my age I'm 32 I mean maybe maybetheir bodies just gonna be broken butlike if they're 10 years old and can dolike twice as much as I can do dang dudeI don't know I don't know what to saybut they're gonna be crazy yes yes so Ithink that's exciting to see thatso I guess once the Olympics rollsaround in 2024 we're gonna see some veryhigh-level stuff there and I get youknow what I'm curious about actuallywith the Olympics and I don't know ifyou would be the person to know thissince because you are like a it on theadvisory board or whatever right and soI'm curious like how they how they planto actually do this is it like gonna bebattles as like were used to in thebreaking communities they're gonna bemore like a showcase kind of thing likelike a show or something I know they'redoing what like a 1 one-on-one kind ofsituation and then I guess I'm curiousabout like how it's being judged and Idon't know maybe maybe yeah so thecatalyst of the Olympics is WDS F worlddance sport Federation mm-hmmthey're the main dance sport you knoworganizational group around the worldand they like oversee all the dancingthere so like salsa and correct yeahyeahand luckily they've organ they did theYouth Olympics two years ago yeah lastyear they did two other events the WD SFchampionship in China and then you hadthe world urban games on Budapest sookay it's and you there's already videosonline of those events okay we wecovered a couple of them and it's it'sjust it's really just and they have ajudging system they have you know justlike any normal dance event that youhave like the judges that we're used toyou have the competitors that we wereused to hmm things like that yeah theDJs and the music that we're used to soit really isn't any different it isn'tany different than other breaking eventsthat we have seen okay I guess the onlything that only difference is thatthere's so for me I feel there's a lotof rounds it's okaylike oh my gosh it was like the ready mogroup stage and then you have a tough 16to 8 and your people those dancers weretired those dancers are tired so werethey doing like five round battles everytime or something or it was like it waslike two three round battles every timestarting from group stages I actuallymissed that because when I first startedbreaking that's how it was it was likeyou would go a crap ton of rounds andyour rounds wouldn't be like as long asthey are now and so yeah I mean I thinkbattles were just longer I don't knowand then now it's like you see one roundbattles which to me feels kind of weirdI don't know it kind of works I guesswith what we're doing now but it's itstill feels weird to me but I don't knowthat I think that's cool that they'redoing more rounds but it definitely putsyou to the test I can imagine you gottabe an athlete you have that stamina yeahyou gotta be a gold medal athlete to getthat gold medal yeah yeah but I meanyeah I guess that comes with theterritoryyeah but no the organisationally yourall the stuff that you see is onlinealready Youth Olympics in 2022 gonna bein Dakar Senegal that would be anotherwarm-up for the Olympics in 24 but Ithinkyeah having Paris be the forefront ofthis is gonna be greatyeah cuz that's the first time I don'twill be a part of it right yep and it'llbe most likely you'll be they haven'tdecided yet already but it's most likelygonna be one-on-ones okay just keep itsimpleactually I know I know we want to seecrew battles but yeah the first time Ifeel it's too much we got is just startwith one on ones firstyeah yeah yeah what what do you likemore as a sidenotecrew battles are won on well Holly Ilove crew battles do you know I'vealways loved crew battles and anotherhot take is like I freakin love watchingroutines and know there's something likepurist b-boys that are like routine suckand stuff but like I don't know I'vealways loved routines I'm the crew Iused to be a part of his flexible Flavoh you guys had great routines yeah dudewe like we're kind of on the I don'tknow innovators I guess of the routinegame and so like I don't know I'vealways loved doing routines and stuffand just watching new stuff coming solike you know I was inflexible Flavuntil 2020 no it's 20 2007 I think iswhen I stopped 2008 maybe 2009 I don'tknow I don't know one of those dates butlike before then it was like we werealways making these routines and like wewould see another crew like starting todo the same thing once we stopped oronce I got out of the crew then youstarted seeing more crews like jinjo andstuff coming out at that point I thinkrivers and gamblers were already likehuge on the routine game and so it's Idon't know a top 9 huge in the routinegame so I don't know I missed that cuzyou don't see it so much anymore I thinkeverybody used to cut mad cuz all thosecrews are winning every I love crewbattles because like like Saints likesame example your crew you had when yourcrew memberswell associate chram it was dizzy rightoh yeah he was he was not really flexplay but he was like he would enter alot of battles he understood the theFlex Flay battleyeah ala D which is like you're notgoing you're you you it's like there's acertain way to winyeah yeah right and whether it isthrough teamwork or whether it's it'snot the hardest move it's just how youdo it yeah and that's what and that'swhat made like crew battles so more muchmore intriguing you have someone do acrazy move and the other team willrespond with something totally differentyeah hmm what the routines what I alwaysliked about routines was that it wasanother element to control the battleyeah like with one-on-onesyour arsenal is kind of your limitationto controlling the battle like you seethis guy attack you in a certain way youcan do a lot of things to to respondright but like with a routine you canalmost like bulldoze them a little bitbecause they throw something at you evenif they threw a routine at you then youturn around and eat and you can goalright here's this crazy trick boomhere's another crazy trick here's thisreally cool choreography set and nowboom flip over BAM there's a dude andhe's just gonna like do what a normalb-boy would do in like go off andrespond to everything that you threw athim it's it's just kind of like extraicing on the cake Joe to say that youknow we we're controlling this battlenow you know and so that's why some ofthe greatest battles in in history Ithink have always been like crew battleswhere you see something like you'll seeone crew really controlling it then allof a sudden boom it's like the tidetotally shifts and I feel like a lot ofb-boys maybe felt that routines werelike hacks in a way it gets to refer tolike eSports like they're using hacksnow because it's like it's so effectiveto like to draw another crew into yourinto your own into your strategy to winif they can't respond with routines welland usually crews can't it's like oh noI'm gonna lose now you know you got tothrow some really crazy thing you got tohave pocket take every freaking roundafter that - like really respond oh soit's like I don't know I definitelythink they they felt like it was hacksbut but you can tell bad routines youcan yeah there's definitelyyou can beat bad routines with a goodsoul around yeah sure but it's hard tobe a really good routine with a solo andI think that just goes to show you thatlike that's how powerful a good routinereally is and so I think to embrace itand say okay I'm gonna use this as partof my strategy is is is something that Ithink the whole community was ontosomething when it was really sparkingoff and then when there was this bigsurge in people like not liking and Ithink it kind of killed it a little bitso but I'm seeing it happen more so I'mexcited to see maybe like some crewbattles in the future with maybe even inthe Olympics yeah I like watching crewbattles this year you can this you'regonna have five and five freestylesession okay cool pseudo crew battleyeah I went my personal favorite eventto film is battle year okay I lovewatching battle year do you like it cuzof the shows uh the shows are cool Ilike seeing my favorite shows actuallyare seeing countries that don't get achance to be on stage oh yeah like soyou get to see the Senegal's you get tosee like Madagascar you can oh yeah yeahlike country said alright normally onthe stage see it those are beautiful funand then I like to see you knowsometimes I like to see the battleswhere you have a country that you didn'tthink of make it you know last year lastyear Venezuela came all like Venezuelaya know when two years ago was likeThailand uh-huh you know like that thoseare funny yeah whenever I see stuff likethat I'm like dude they got breakingover there and I mean like that's kindof an ignorant thing to say butespecially because my brother Vincesanity he's he teaches he has all hisYouTube videos yeah and he he alwaysshows me like where his videos are beingwatched in a lot of them are like inthese crazy third-world countries I'venever heard of you know and so but thenseeing them come to like the stage ofbattle of the year and you're like ohthese guys are like really good - yeahcrazy soI don't know what I guess what in battleI don't really haven't really seen a lotof battle of the year recently but dothey still do those shows the showyup cases okay cuz I always thought thatthat was such an interesting way to likeweed out crews - you're like top fourthey probably do like top eight they dotop six now 600 that word the first twocrews no I'm gonna buy Ohgonna buy and then you have fourwildcard interesting so then the wildcarves battle and then they link up withthe first first place in second placecrews tie okay that's that's crazy yeahthat's because yeah I used to be justtop four yeah and you know they came allthat wayyeah and what do you want to see morebattle yeah no there was a there's astory I think of like cuz the US wasbanned for a long time for comingbecause I think one of the crews I'm notgonna say who was but they came andapparently like destroyed like a hotelroom because they didn't make it to thebattles and thought that they shouldhave and so then they were like you knowu.s. is banned and then I think it tooklike good five years or something to letthe u.s. back in so not that not thatthey should have done that or anythinglike that's definitely a bad way to actbut you know now you know having moreability to make it at us top categoriesI think it's like nice because becausereally like breaking has expanded somuch you're gonna have so many peopleending I mean on all these bigcompetitions I'm always seeing like fourhundred people entering or something andit's like geez man that's crazy I'm usedto like 10 people and 20 people enteringor whatever you know it's just more moreinterest more more people interested inyou know yeah and you haven't gonecheyna yet yeah you've got full days 13hours of prelims Wowthat's I mean that's insane yeah I meanyeah I guess yeah I guess that's anothertopic by itself I went to ibe and theyhad a whole day of likeprelims I remember and it took a longfreakin time it wasn't 13 hours but feellike it was like five or six hours orsomething like that just like kind of inthe same it's like a jam in itself youknow yeah kind of like you gotta winthis Jam out of like fifty people andyou know they have like a bunch ofdifferent groups of that you gotta winthat and then you're going against allthese other people that won their groupof fifty the next day or whatever that'sthat's insane so but but it's anexciting time I think for breaking forsure going back to the Olympics I hadanother question about it because likeso you're saying that Olympics is youknow for the most parts as far as youcan see it's very similar to the eventsthat we are used to but I'm also I'mcurious about like the rules that theyhave in terms of like who canparticipate because I know there's likeyou know in others in other Olympicsports there's a lot of stuff likedoping in the event in drugs and stuffand like I don't know not to put the thebreaking scene under the bus but there'sa lot of people that use drugs and soI'm like I feel like the OlympicCommittee would probably be like youknow what I I don't know I'm not reallyfamiliar with drug testing I don't knowmuch about it but I would assume there'ssome kind of requirement I mean luckilythe Olympic start this year 2020 andsimilar sports such as skateboardingwill be there for the first time is itreally yup skateboarding Oh surfing soeverything - yep so just keep your eyesopen that's if you see what happens yeahI mean you can't say that people thatskateboard don't do drugs yeah I meanit's prominent in I imagine every cloudyin sport but yes sir us snowboardinglike oh sure you know so just keep youreyes open see what happens and yeahbasically like skateboarding is greatbecause you you you you take a look atwhat its gonna happen at the Olympicsyeah and you're like okay similarlythat'swhat will happen to breaking in 2024mm-hmm in terms of you know media andyeah coverage and things like that yeahI I guess I'm I'm a little bit scaredbecause like I know that the breakingscene kind of needs to be on its bestbehavior a little bit when that comesaround or else you know the Olympicscould just be like ah these guys are toohard to work with so you know I know itand the way the reason I'm bringing thisup is cuz like I know like the stuffthat happened with like you deaf and howSteve Graham decided to just kind ofcome cancel the whole thing really andthat was really kind of a decision Imean it was a personal decision for himbut a lot of it came from he was gettingso much backlash from the community andstuffiness like I don't want to dealwith this anymoreyeah and unfortunately he you know hadto just terminate the the whole set ofevents and and I guess really hisbusiness so I I don't want that tohappen when the Olympics comes downbecause I think that that'll be just ahuge punch to the face of the wholecommunity because there's so many Iwould say like 95% of the communitywants to see this once I see thecommunity grow wants to see more peopleinvolved want to see fans want to seejust I guess it in the Olympics it'slike an accomplishment to the scene tosee that happen but then the small 5% ofpeople that are like I'm too raw forthis could easily ruin it for everybodyand so I and that's why I'm I was askingthe question about drug test cuz it'syou know I want everybody to to have theright information going into it ifthey're thinking about competing in itjust be aware that maybe that is gonnabe something that's involved with it'sokay if you're a drug addict get cleandude not just for the Olympics but foryour own health but so but yeah I thinkbeing the scene being on his bestbehavior I think will be the best way toreally like prove that we are worth itbecause I think showing showing theOlympics not that we need to like proveanything but I do think that firstimpressions matter a lot and this isgonna be one of the first impressions Imean I guess we saw it with the JuniorOlympics but I imagine you know thesekids you know they have their parents tolike stop acting up yeah but we're gonnahave a lot of adults that I feel I feelwe're pretty good on a big stage I meanyeah I think so too you take a look atbig stage events like BC ones there yeaheveryone's on their best behavioryeah you know every I've just heard alot more chatter about the Olympics cuzthere's just a lot of like people goingoh it's run by you know whatever salsadance whatever and like I don't knowwhat you're talking about but you knowit seems to me like it's gonna be likeany other event just you know now it'sgot the backing of a big organizationand it's on a bigger it's on thisdifferent stage I guess yeah but it'sit's business as usualI would imagine same kind of music samekind of judges same kind of thingeverything you would expect justdifferent audience Madrid you know or amixture of the new audience and theexisting audience so I don't know it'sexciting and a little scary I think Idon't know I mean I'm I might just be 2or being worried for no reason but butlike I said just take a look at snowskateboarding this year yeah andthere'll be something similar yeah ok Iguess skateboarding has been on a largestage for such a long time I mean withthe X Games and stuff so I think a lotof people I mean in a way skateboardingis probably 20 to 30 years ahead of thein the pop culture aspect as breakingbecause it's been on that stage sincemaybe like the 90s or like maybe mid 80sor something and at that point breakingwas barely even knew a thing at thatpoint so but anyways yeah I don't knowmaybe I'm just rammedbut it it's something that that worriesme a little bit about it and I guessalso judging because um eivol eivol wayshad a thing about judging because itthis is like a art form and in a waythere's a lot of opinion that isinvolved with a judge's decision of whowins and I've always been curious howthat would play out on a larger stage orlike you know when an organization suchas the Olympics is backing an event ifthey're coming in and going like ok wellhow do you guys judge this and they gooh you know we point to the guy wethought we want and then they go oh wellwhy and then you go give me like somequantitative curriculum or give me someyet quantitative reason for why they wonit's really hard to do that I think Imean you can we can say okay it's on apoint system we're giving you thisamount of points for this type of moveor this you know this particularcategory but I think when it startsbreaking down like what you're judgingon it kind of falls apart to whereyou're just going like I like what thatdude did over what that dude is so it itbothers me a little bit cuz I think ifyou know the Olympics starts like reallydigging into what that is like what howthey would react to that I don't know ifmaybe there's other sports Olympicsports that are judged in a similar wayI mean if you're skating figure skatingI was thinking like because you're apurely numbers opinion-based sometimesyeah I know but with with figure skatinga lot of times as they say okay here'sour routine that we're doing and then wehave these big moves at this point thispoint this point so they know what towatch for and then ultimately they'regrading them on how they land that thosemoves and so they have a point system onthat and then they'll give them anotherscore on like their creative creativityand like all the dancing and stuff thatwas involved with that I think thatcomes into that score so there's like asmall part of it that's on that kind ofsubjective scale and I guess that worksI guess it's also kind of with floorroutines forfor Olympia Olympia gymnasts it's kindof the same thing but I was trying tosee how that relates to braking and itwas hard for me to figure that outbecause it's not like you're going up tothese judges and saying hey I'm gonnahit every flare flare windmill 90 andthey're like okay I'll watch for thatyou do it dude and then you're gonna geta creative score for like whatever otherthing you're gonna do but I mean a lotof it is how you're responding tosomebody right and in a way I think it'smore like combat sports because you dosomething to me and I'm gonna react toit in a way right and then I dosomething to you and you're gonna reactto it away so to me it seems like somekind of merge between those two thingsand I just don't I don't know judginghas always been kind of like on my mindabout how you know because I thinkthat's probably one of the other hingepoints in making taking breaking fromwhere it is now to the like you know NBAlevel sport or something MMA level sportI think the way we've always judged jamsand events now has always worked and wehaven't really questioned it too muchbut I think when it moves into you knowbigger space where there's like actualcasual audience they're gonna go likehow do I know how do I judge this myselfyou know what I mean in like with youknow like UFC fighting casual fans dounderstand that you know because theythere's there's a lot of just criteriathat is spelled out on how to make thatyou know how to how to I guess get yourwin right and breaking I don't thinkthere is that like because I justimagine if I showed a battle to my momwho knows barely anything about breakingI mean she knows something but I don'tthink she could judge a battle but if Isaid who wins and it was like close Idon't know if she could probably figurethat out you know because there's notreally a quantitative way to do that andalso I think there's an argument to bemade that it there doesn't need to be aon a tative way because this is again anart form and I do think that when ajudge says I like that's what this guydid and his around more than that Ithink that's actually a legitimate wayof judging because again it's likejudging a painting two paintings thatare completely different from each otheryou might be like I like thebrushstrokes in that and that shit lookslike crap to me you know that's why Ilike that one more and then someone elsecould be like oh I like you know thecolors in this and not that one that's alegitimate point of view too so I don'tknow the the merger between those Ithink is is something that's always beenin my mind of them like we're breakingis gonna be in I don't know if thereever will be a solution to that and I Idon't imagine you you have a solution toit either partly judging so complex it'svery common I'm just happy I'm justdoing video yeah yeah yeah there'severyone has a different judging formatand a judging system definitely yeah soso yeah I just figured that maybe theOlympics was gonna be more of like akind of strict on like what they'redoing well I mean they use the systemthat originated from renegade and stormand okay so I mean like I said look atthe Youth Olympics okay that judgingsystem will be familiar with thatthey're still in play it there's a lotit's a lot of numbers it's a sliderbased system oh I'll have to look intothat YUMyou said that was from renegade andstorm renegade storm there's a coupleother people that involved with I wouldsay neke from rugged 's okay would behelping out but if you look in the YouthOlympics if you look at the WDS Fchampionship from last year in Chinathey all use it so it's still I mean Iwould assume buy-in within four years orso when 2024 they would have a more firmyeah and there's a big handbook to it toa big hand but everyone has to bebriefed I wouldn't hit a handbook I kindof want to read it it is online actuallyokay yeah yeahokay cool um yeah I'll have to look intothat yeah cuz that that's that'ssomething that I've been like reallytalking to so many people about and it'sit's kind of something that you know weall are kind of like stuck on and Iimagine everybody's stuck on it but likeat least seeing you know where we're atnow maybe building on that cuz I knowdizzi has his systemyeowch I think is a good start my issuewith his system was always that like andfor people who don't know it's there'slike five categories and you have onejudge for each of those categories Ithink that's like a pretty good startit's my problem was always that you kindof have this one you know monarch ofthat particular thing that particularcategory but ultimately I think everyall five of those judges probably havesomething good to say about thatcategory so i i imagine maybe that's howStormin and renegade system maybefactors more into like every judges maybe judging on each of those categoriesright okay yeah cuz I think that thatwould probably be a little bit fairerway of doing it or at least like more ofa mud majora majority rule type of wayof doing itthis this I had this one idea a longtime ago and it was to just have like 20judges and hear me out cuz I know itsounds crazy how do you afford 20 judgesI don't know you can't afford it I don'tknow I don't know yeah but cuz breakingkind of started as like you know acombat between two dancers in a circlewith a crowd and usually you were tryingto like burn the other guy in front ofthis crowd to you know get a responsefrom the crowd so in a way the crowd isalready the judge from the verybeginning of whatbreaking was so it kind of makes sense alot in now that we're in this more youknow well-defined Creek competitiveworldthat maybe it makes sense to just have acrowd of judges right twenty peoplestanding around the circle or whateverand they are judging as if they were acrowd member but instead of it justbeing like your mom and you know yourgrandma or whatever to around in thecircle it's like storm and you knowrenegade or whoever all these other youknow well-versed dancers and peoplewho've been in the scene for a long timeknowledgeable people in that crowd so Idon't know that was just a weird ideahouse throwing out and then kind of likeyou're just saying okay well themajority of these people said this guywon okay maybe that's the way to do itthen you know at least it at least likegets rid of the argument a little bitwhere they go oh yeah this was onlythree panel judge and those two judgesdon't like me or something you know Idon't know but that's always bothered mewhen people say that like I think you'rejust complaining but well anyways Ithink we've been going for about an hourI want to probably close the show out soin closing like do you have any otherhobbies outside of hip hop in you knowhow does that like kind of go into yourlife and you know I mean like like likeI said already I love eSports you lovethese sports yeah I a lot of my hobbiesI draw is I you can I draw you knowinsight into what I do so I take alittle bit of what I see in eSports andthrow into stance coverages I travel alot travel a lot I make a lot of travelvideos you know apart from working youknow with dances stuff like that I dofreelance travel videos mm-hmmI work with hotels I work with travelcompanies tourism bureaus yeah and wecreate you know commercials like thatyeah and so a lot of times for example Ijust got back from Mexico okay and I wasthere to cover an event for a week andthen I stayed in nextweek just to travel around and filmtravel videos okay that's that's awesomeso you know things like that I I drawinterest in yeah yeah I heard you'realso filming umaces wedding yes I doI do the occasional wedding when I firstmoved to LA I I filmed a lot of weddingsand so yes I I do weddings and Iactually learned how to do weddings froma b-boy from the bay by the name Natronoh yeah nature own yeah nature does alot of wood he had a business with acouple other guys from his cousin giardiis that were his brother Jordie I don'tthink it's his cousin but when I startedfilming weddings for the first time outI went to I I messaged me Tron's likehey show me one of your wedding videosand I'm gonna copy this exactly becauseI have no idea what wedding videos arereally this is weddings videos are goodand and you know what in terms filmingweddings have helped me film breakingevents tooyeah because it made me understand likewhen to anticipate moments oh yeahcertain important moments whetherthey're doing something or they'retalking something oh yeah or somethingis about to happen that you can you cananticipate it yeah it's like you got yougotta read the whole room and know likewhat's about to happencorrect you gotta be in the spot whereyou're like I guess you're invisible inthe sense that you're not ruining themoment but you're also in the best spotto capture it yes yeah imagine there's athere's an art form to Perth exactlysaid it just right yeah so it has helpedme so just filming so many types ofvariety of things help me in filming youknow stanceyeah well tight dude yeah well great Ithink that was that was dope I I thinkthat was a learned a lot from from youand like what you're all aboutthank you that's been great do you haveany last minute shoutouts while I closethis show out Thank You Kurt for havingme onyes yeah thank you for coming dude Ireally appreciate ityeah trying to get this podcast out verysoon so I'll let you know when I do thatyes and then you know it'd be great tohave you on again I'm trying to maybefigure out a way to get like multiplepeople in a podcast yeah we have so manyof I mean more than more than happy tocover on a variety of topics yeah youknow um I know I know later in April I'mgoing to an event in Toronto and I'mgiving I'm giving a little mini workshopthere on social media ya know like howto get views how to what are what'swhat's exactly the algorithm way or howyou you know quote unquote things likethat you know like the motored chef he'sa good friend of mine he's like Dan Iwant you to give you a talk and havepeople have an insight on how to createa brain and how to do this let's do it Ineed to go to that cuz I don't know crapabout social media like I actually justfrickin don't use social media yeah likenow that I'm starting this podcast I'mlike oh I guess I gotta learn how to dothat my brother's pretty good at itJoe I can learn some stuff from him butI could definitely use the help on thatcoz I'll be hitting you up well thankyou uh for for joining me today andthank you guys for listening sorry thisjust sucks[Music][Music]you[Music] 

II cannot heed the words they say,The lights grow far away and dim,Amid the laughing men and maidsMy eyes unbidden seek for him.I hope that when he smiles at meHe does not guess my joy and pain,For if he did, he is too kindTo ever look my way again.III have a secret in my heartNo ears have ever heard,And still it sings there day by dayMost like a caged bird.And when it beats against the bars,I do not set it free,For I am happier to knowIt only sings for me.IIII wrote his name along the beach,I love the letters so.Far up it seemed and out of reach,For still the tide was low.But oh, the sea came creeping up,And washed the name away,And on the sand where it had beenA bit of sea-grass lay.A bit of sea-grass on the sand,Dropped from a mermaid's hair --Ah, had she come to kiss his nameAnd leave a token there?IVWhat am I that he should love me,He who stands so far above me,What am I?I am like a cowslip turningToward the sky,Where a planet's golden burningBreaks the cowslip's heart with yearning,What am I that he should love me,What am I?VO dreams that flock about my sleep,I pray you bring my love to me,And let me think I hear his voiceAgain ring free.And if you care to please me well,And live to-morrow in my mind,Let him who was so cold before,To-night seem kind.VII plucked a daisy in the fields,And there beneath the sunI let its silver petals fallOne after one.I said, "He loves me, loves me not,"And oh, my heart beat fast,The flower was kind, it let me say"He loves me," last.I kissed the little leafless stem,But oh, my poor heart knewThe words the flower had said to me,They were not true.VIII sent my love a letter,And if he loves me not,He shall not find my love for himIn any line or dot.But if he loves me truly,He'll find it hidden deep,As dawn gleams red thro' chilly cloudsTo eyes awaked from sleep.VIIIThe world is cold and gray and wet,And I am heavy-hearted, yetWhen I am home and look to seeThe place my letters wait for me,If I should find one letter there,I think I should not greatly careIf it were rainy or were fair,For all the world would suddenlySeem like a festival to me.IXI hid three words within my heart,That longed to fly to him,At dawn they woke me with a start,They sang till day was dim.And now at last I let them fly,As little birds should do,And he will know the first is "I",The others "Love" and "You".XAcross the twilight's violetHis curtained window glimmers gold;Oh happy light that round my loveCan fold.Oh happy book within his hand,Oh happy page he glorifies,Oh happy little word beneathHis eyes.But oh, thrice happy, happy IWho love him more than songs can tell,For in the heaven of his heartI dwell.Find us online at thatsnotcanon.com/epigraphySubscribe to us on ITUNES, STITCHER, SPOTIFY, RADIOPUBLIC or your podcatcher of... See acast.com/privacy for privacy and opt-out information.

サンキュータツオさんをお迎えして、三人がこれまで辿ってきた進路について話しました。 タツオさんの、研究に対するクリアなスタンスに憧れます。 文字起こし版 by keiさん（本編の音声の文字に起こしたものをnoteに上げてくれています） 「いんよう！」ブログ 褒められたから喜んで来た/たらればさんじゃない/犬/事務員G/路傍の石/先輩後輩/高３高２高１/嫌な部活/医学部/一番苦手/巣鴨/陸軍系/海軍系/ふんどしで泳ぐ/３２キロ/夜中の12時に山に放り出される/ずっと札幌/地元にいない/畏敬の念/欠点がない/数学しかさせない/東大/負け組/つまんないっすね/島根/医科歯科/理III/ずっとフラフラしてた/一定数いる/各方面に申し訳ない/片道切符/修士まで/元々6年/理I/物理/憧れ/科学も医学も変わらん/文系の修士/気合/想像/文学部/親を説得/博士課程/学問のことを考える/輪郭を掴む/全然わかってなかった/自動車修理工/頭の良さの基準/祖父/文Iか文III/後期受験/博覧強記/色々の頭が良い/ハードディクス系/フリーメーソン/内田百閒/路線変更は悪いことじゃない/やりたいことよりできること/文学じゃなく言語学/文体/表現/文芸評論/人並みの幸せ/就職氷河期/片道切符/耳が痛い/比喩/擬人法/ダイダラボッチ/幸田文/文の予測/接続詞/石黒圭/提喩/換喩/用例を集める/社畜になる/漫才/最晩年/コミュニケーション/笑い/病理学講座/生命科学/生物学/医学/バグ/上を目指す/じゃじゃ馬グルーミン☆UP!/ゲーマー指向/目標がないと/最短10年/壁にぶち当たる/フラジャイル/病理医の理想像/病理医の専門/上を倒さなくていい吸収/核の外/核の中/作家/技法/現実から乖離/山中伸弥/整形外科医/仏像研究者/月イチ配信/北海道収録

TESTO DELL'ARTICOLO ➜http://www.bastabugie.it/it/articoli.php?id=6126IL RISCATTO PAGATO PER SILVIA ROMANO E' IMMORALE PERCHE' SERVIRA' PER UCCIDERE E SEQUESTRARE ALTRE PERSONE di Graziano MottaLa vicenda di ostaggi italiani catturati da fondamentalisti musulmani continua a dominare l'interesse dell'opinione pubblica, e di riflesso le cronache, specialmente televisive, con punte critiche ricorrenti, come il caso di Silvia Romano.Sedici anni orsono suscitò scalpore e polemiche la vicenda delle due Simone, la romana Torretta e la riminese Pari. Si concluse il 5 ottobre 2004 con la loro visita di ringraziamento a Giovanni Paolo II. L'anno successivo suscitò grande interesse la liberazione della giornalista Giuliana Sgrena. Paradossalmente tra la persistente, e diffusa, ignoranza di un fenomeno storico secolare; ma sempre con il coinvolgimento pieno del potere politico.Ha fatto il suo tempo il coinvolgimento religioso. Importantissimo sino agli albori dell'Ottocento, ebbe come grandi protagonisti due Ordini religiosi - onore e vanto della Chiesa cattolica - cioè gli Ordini dei Trinitari e dei Mercedari, fondati proprio per un'opera meravigliosa di carità - la liberazione degli ostaggi (secondo un calcolo attendibile, più di centomila) - arricchita dalla palma del martirio di tanti suoi membri. Mai però, prima d'ora, si era visto uno spiegamento di uomini, intelligenze, energie e denaro per il riscatto di un'italiana ostaggio dei musulmani che, una volta "liberata", ha affermato di essersi convertita all'Islam, confermando questa sua decisione con un rigoroso abbigliamento per la cerimonia di accoglienza.LIBERAZIONE?A questo punto non si capisce di che "liberazione" sia stata oggetto. Come musulmana, Silvia non aveva bisogno di essere riscattata, era titolare di diritti sanciti dalla Sharia e da secolari consuetudini sociali. Forse non le era consentito dai suoi rapitori di venire in Italia, ma i Servizi segreti, italiani e turchi, più quelli dell'inesistente Stato somalo, in mesi e mesi di trattative si presume fossero venuti (o dovessero essere giunti) a conoscenza della sua condizione. Cioè che non in una "liberazione" essi erano impegnati, quanto in un'impresa di sottrazione di una musulmana ad un'emergenza, ormai però ovvia in società islamiche che i fondamentalisti intendono sottomettere pienamente alle loro convinzioni religiose. Convinzioni che Silvia, convertendosi all'Islam, dovrebbe ben conoscere e, se non apprezzare, almeno accettare.Quindi non si capisce perché abbia aderito al progetto di venire in Italia a spese dei suoi connazionali, su un aereo di Stato, con tutti gli onori e gli applausi riservati ad una "liberata". Non si capisce nemmeno perché di questo non ne sapessero (o non fossero stati informati) il presidente del Consiglio e il ministro degli Esteri. E la pubblica opinione. Alla luce di quanto sopra l'aspetto e il quantum, sempre annebbiato, del "riscatto", dovrà essere portato alla luce.MILLE ANNI DI RAPIMENTI, UCCISIONI E CONVERSIONI FORZATEIn attesa dunque degli attesi chiarimenti, dei Servizi segreti impegnati e della Magistratura, il caso di Silvia Romano offre l'occasione di evocare all'interessata e a tanti nostri connazionali come, per secoli, siano intercorsi i rapporti tra i musulmani del Mediterraneo e gli europei, in particolare gli italiani. Ricordando fra l'altro che i Mercedari, entrando nell'Ordine, aggiungevano ai tre voti di povertà, castità e ubbidienza quello "di sostituire con la loro persona i prigionieri in pericolo di rinnegare la fede". E che, per consuetudine, chiedevano ai "redenti" di testimoniare ai benefattori "il buon impiego delle loro offerte".E se si ha desiderio di approfondire queste relazioni, c'è un'abbondanza di studi e libri storici, dalle ricostruzioni affascinanti oppure orripilanti (correlati a episodi di eroismo o di crudeltà), come l'eroica difesa di Famagosta (agosto 1571) di cui fu protagonista Marcantonio Bragadin, pagata con un inenarrabile martirio (fu addirittura scuoiato!) per aver egli disdegnato di convertirsi all'Islam. E a proposito di conversioni - tutte di cristiani deboli o malvagi - le pagine di storia ne sono rivelatrici di parecchie, tra le righe delle guerre tra Venezia e l'Impero ottomano. Fra le più evocate quella di un perfido uomo di mare di origini calabre, conosciuto col nuovo nome di Uluch Alì, che fu Bey di Algeri nonché uno dei tre ammiragli turchi nella famosa battaglia navale di Lepanto (7 ottobre 1571).Nota di BastaBugie: Tommaso Scandroglio nell'articolo seguente dal titolo "Immorale quel riscatto: i soldi faranno morti e sequestri" spiega perché non è stato moralmente lecito pagare il riscatto per Silvia Romano. Il perché è semplice: gli effetti negativi sopravanzano quelli positivi, infatti quei soldi serviranno per uccidere più di una persona e per sequestrare molte altre persone.Ecco l'articolo completo pubblicato su La Nuova Bussola Quotidiana il 12 maggio 2020:Quattro milioni di euro. Tale è stato forse il riscatto pagato per liberare la cooperante Silvia Romano. Da qui un quesito: è stato moralmente lecito pagare questo riscatto? La risposta è negativa. Cerchiamo di comprenderne i motivi.Il caso, dal punto di vista etico, si inquadra nella cooperazione materiale al male. Nella cooperazione formale, colui che coopera condivide l'intenzione dell'agente principale: Tizio vende un'arma a Caio sia per guadagnarci sia per aiutare Caio a compiere un assassinio. Nella cooperazione materiale, invece colui che coopera non condivide l'intenzione dell'agente principale: è il caso del riscatto per la liberazione della Romano. Coloro che hanno sborsato i quattro milioni di euro non lo hanno fatto con l'intenzione di agevolare i progetti terroristici dei sequestratori, ma lo hanno fatto per vedere libera la Romano.La cooperazione materiale può essere, a seconda dei casi, lecita o illecita. Per comprendere se è moralmente lecita o illecita occorre applicare il principio del duplice effetto, principio che viene chiamato in causa quando un atto produce un effetto positivo (o più di un effetto positivo) e un effetto negativo (o più di un effetto negativo). Il principio del duplice effetto consta di alcune condizioni che occorre soddisfare affinché l'azione, che produce questi effetti contrastanti, sia moralmente lecita. La prima condizione esige che la natura dell'atto sia buona. È una condizione implicita alla fattispecie interessata dal principio del duplice effetto: si compie l'atto per ottenere l'effetto positivo. In questo caso si paga una somma di denaro per vedere liberata la persona sequestrata. L'atto è in sé moralmente lecito.La seconda condizione prevede che l'effetto negativo non sia voluto direttamente ma meramente tollerato. Come già accennato, l'agevolazione di future attività terroristiche, tramite il pagamento del riscatto, è effetto tollerato, non ricercato direttamente. La terza condizione chiede che l'effetto negativo non sia causa dell'effetto positivo: l'agevolazione di future azioni terroristiche non ha prodotto la liberazione dell'ostaggio. È dunque effetto negativo che non ha un nesso causale con l'effetto positivo. Un'altra condizione prevede che si versi in stato di necessità: la soluzione di pagare il riscatto era la soluzione ottimale, ossia l'unica soluzione che prometteva i maggiori benefici rispetto agli effetti negativi prodotti. Facciamo dunque il caso che, ad esempio, un intervento militare avrebbe causato più danni che benefici rispetto alla soluzione del pagamento del riscatto.Veniamo infine ad una quinta condizione che nel caso di specie è quella che fa la differenza: gli effetti positivi devono essere di pari importanza degli effetti negativi o di maggior importanza tenendo altresì in conto la probabilità che si verifichino sia gli effetti negativi che quelli positivi. Nella vicenda del riscatto della Romano gli effetti negativi, assai probabili, sopravanzano per importanza quelli positivi, quindi l'atto risulta essere inefficace, più in particolare risulta essere dannoso. Infatti su un piatto della bilancia abbiamo un duplice effetto buono: la salvezza e la liberazione di una donna. Sull'altro piatto della bilancia abbiamo molti più effetti negativi della medesima natura: quei soldi serviranno per uccidere più di una persona e per sequestrare molte altre persone. Insomma il gioco non vale la candela.Dunque nella ipotesi del riscatto della cooperante milanese il criterio che non è stato soddisfatto è quello relativo al principio di efficacia o di proporzione. Tommaso d'Aquino spiega che alcune condizioni in cui è calato un atto possono mutarne la natura: da astrattamente buona a concretamente malvagia. L'Aquinate scrive: «un atto che parte da una buona intenzione può diventare illecito, se è sproporzionato al fine» (Summa Theologiae, II-II, q. 64, a. 7 c.). Traduciamo: paghiamo il riscatto con l'intenzione buona di liberare la donna, ma le modalità dell'atto fanno sì che esista una sproporzione tra effetti negativi a danno di quelli positivi, proprio perché i soldi versati avranno salvato e liberato una persona a fronte della morte e incarcerazione di molti più innocenti. Dato che l'atto è alla fine dannoso (o globalmente inteso come dannoso), l'intelletto lo giudica irragionevole e quindi malvagio.

I. How was God glorified in the Cross- 31-32--II. A New Commandment 33-34--IIII. Distinguishing Disciples 35--1 Cor. 13-4-7 - Love suffers long and is kind- love does not envy- love does not parade itself, is not puffed up- does not behave rudely, does not seek its own, is not provoked,-thinks no evil -keeps no accounts of evil-- does not rejoice in iniquity, but rejoices in the truth- bears all things, believes all things, hopes all things, endures all things.

An interview with Dr. Benjamin Levy from Johns Hopkins Sidney Kimmel Cancer Center at Sibley Memorial Hospital on “Lung Surveillance After Definitive Curative-Intent Therapy: ASCO Guideline.” This guideline provides recommendations to clinicians on radiographic imaging and biomarker surveillance strategies after definitive curative-intent therapy in patients with stage I-III non–small-cell lung cancer and small-cell lung cancer. Read the full guideline at www.asco.org/thoracic-cancer-guidelines   Transcript Hi. My name is Clifford Hudis, and I am the CEO of the American Society of Clinical Oncology, as well as the host of the ASCO in Action podcast. About twice a month, I interview thought leaders in health care and experts in oncology, and we provide analysis and commentary on a wide range of cancer policy and practice issues. You can find the ASCO in Action podcast on Apple Podcasts or wherever you are listening to this show, and you can find all nine of ASCO's podcasts which cover a wide range of educational and scientific content, and offer enriching insight into the world of cancer care at podcast.asco.org.   The purpose of this podcast is to educate and to inform. This is not a substitute for professional medical care, and is not intended for use in the diagnosis or treatment of individual conditions. Guests on this podcast express their own opinions, experience, and conclusions. The mention of any product, service, organization, activity, or therapy should not be construed as an ASCO endorsement.   Hello and welcome to the ASCO Guidelines podcast series, brought to you by the ASCO Podcast Network, a collection of nine programs covering a range of educational and scientific content, and offering enriching insight into the world of cancer care. You can find all the shows, including this one, at podcast.asco.org. My name is Brittany Harvey, and today I'm interviewing Dr. Benjamin Levy from Johns Hopkins Sidney Kimmel Cancer Center at Sibley Memorial Hospital, author on "Lung Surveillance After Definitive Curative Intent Therapy ASCO Guideline." Thank you for being here, Dr. Levy.   Thanks for having me.   So first, can you give us a general overview of what this guideline covers?   Yeah, I think that the general broad stroke intent of this consensus paper was to provide evidence-based guidelines and recommendations for practicing clinicians on what the optimal radiographic imaging and biomarker surveillance strategy should be for patients who received definitive curative intent therapy, and specifically for patients with stage I through III non-small-cell lung cancer, or patients who have received curative intent therapy for a limited-stage small-cell lung cancer.   And importantly, this expert panel comprised a multidisciplinary team, and this included not only medical oncologists, but surgical oncologists, pulmonologists, radiologists, a general internist, a patient representative. So we had, I think, the relevant stakeholders to make the best recommendations we could based on the evidence. And we really framed our recommendations by answering five questions, and I think we can get to the five questions at a later time during this cast, but we try to answer these five questions in a systematic way. And really looked at the type-- was an evidence-based or was it informal consensus? What was the evidence quality? Was it low, was it intermediate, or was it high? And then finally, the strength of the recommendation.   And importantly, we tried to answer these questions based on the evidence. We did a literature search, which culminated in a systematic review of more than-- close to 1,200 studies of which 14 studies were identified, and these 14 studies included meta-analysis, randomized control trials, case-controlled trials, and retrospective studies, and really by doing this, we wanted to come up with important guidelines. I think these guidelines are coming on the heels of a lot of confusion about what is the optimal surveillance strategies post-curative intent therapy for our lung cancer patients? So we recognize this confusion and tried our best to create guidelines that were reasonable to follow, and hopefully it can change practice.   Great. So you just mentioned that there were five key questions that you looked at for this guideline.   Yeah.   Could you elaborate on what those questions are and the key recommendations of the guideline?   Sure. So the crux of our recommendations, again, come on these five questions, and just a summary of these questions. One, what should be the frequency of surveillance imaging post-curative intent therapy? Two, what is the optimal imaging modality? Three, are there any patient factors such as performance status or age limits that would preclude surveillance? Four, is there a role for circulating biomarkers and surveillance? And then five, is there-- or what is the role of brain MRI imaging for surveillance of curative intent patients both non-small cell and small-cell?   And just briefly in terms of-- I'll maybe go over briefly just the answers to these questions that we tried to hash out in this consensus work-- for the question, what should be the frequency of surveillance imaging? We recommended that patients should undergo surveillance imaging for recurrence every six months for two years. We then recommend that patients should undergo surveillance imaging for detection of new primary lung cancers annually after the first two years.   And in question 2, what is the optimal imaging modality? We recommended a diagnostic chest CT that included the adrenals with contrast, that's preferred, or without contrast when conducting surveillance for recurrence during the first two years post-treatment. We did state that there was no evidence of any added benefit for CT of the abdomen and pelvis over a chest CT through the adrenals, that surveillance. We then, again, similar answer to recommendation 1, we do recommend a low dose screening for chest CT when conducting surveillance for new lung primaries after those first two years. And then I think importantly, we take a hard stand on PET scans as part of the answer to question 2, where we really should not be using PET scans as a surveillance tool in the surveillance starting post-curative intent therapy.   Question 3, are there any patient factors such as performance status or age limits that would preclude surveillance? And for us, we make the recommendation that surveillance imaging may be permitted in some patients who are clinically unsuitable, have multiple medical comorbidities, or unwilling to undergo further treatment. Doesn't make a lot of sense to offer surveillance imaging if patients are stating that they're not going to undergo any further treatment. We also state that age should not preclude surveillance imaging, but there needs to be a consideration for overall health status and chronic medical conditions and patient preferences.   Question 4 was, is there a role for circulating biomarkers in surveillance? And this is probably one of the more confusing parts of surveillance. Many physicians are still using CEA to monitor for a recurrence, and we really take a hard stand and say that clinicians should not be using circulating biomarkers as surveillance strategy for the detection of recurrence in patients who've undergone curative intent treatment, but we also do state that there is emerging data looking at ctDNA that may change this over the next four or five years, but we're certainly not there yet. So standard of care should not be-- to be using anything like that.   And then question 5 is, are there-- or what is the role for brain MRI for surveillance in patients with both non-small-cell and small-cell? And our recommendations are a little nuanced here. We did say for patients with stage I through III non-small-cell lung cancer, clinicians should not be using a brain MRI for routine surveillance after curative intent therapy, and patients who have undergone curative intent treatment for small-cell and did not receive prophylactic cranial radiation, this is where we do say clinicians should offer a brain MRI every three months for the first year and then every six months for the second year for surveillance. So a little bit different surveillance strategies for patients whether you're small-cell or non-small-cell.   So those are the broad stroke overviews of the recommendations that we put together in this consensus statement.   And then can you speak to the importance of this guideline and these recommendations and how they will impact practice?   I think that ASCO recognized how much confusion there was post-curative intent therapy. So I think this is the reason why these guidelines are so important. We need to keep in mind that health care resources that are utilized and be mindful of that. There's no real role for routine imaging less than the intervals that we're describing as they may obviously not be in touch with health care utilization and cost.   The other thing is this idea that patients are getting scans so frequently that we're picking up on a lot of false positive information that can't be used, and so we recognize that as well. So I think that on the heels of the confusion coupled with cost considerations, as well as what we're picking up on frequent scans, we do have to make recommendations that will hopefully unify and harmonize practice across the country to better suit patients and also evidence-based practice. I think that's really important.   And finally, how will these guideline recommendations affect patients?   Yeah, I think patients hopefully, if physicians follow these guidelines, will be receiving the appropriate interval. I mean, look, we understand that two-thirds of patients with lung cancer who relapse will present with metastatic disease and that there have been limited data thus far on what should be the optimal interval for scans. But we understand also that patients who do relapse could present with potentially curable lung cancer, and in addition, there's been recent data to suggest that even patients with limited metastatic disease who was detected on recurrence may be cured or may have improved survival with certain strategies like local ablative therapy.   So we hope that these guidelines can be firmly cemented into the practice for clinicians so that the appropriate interval is selected, but that also patients can benefit from these appropriately timed-out scans to improve outcomes for them.   Great. Thank you for your work on these guidelines, and thank you for taking the time today to give an overview to our listeners, Dr. Levy.   Thank you so much.   And thank you to all of our listeners for tuning into the ASCO Guidelines podcast series. To read the full guideline, go to www.asco.org/thoracic-cancer-guidelines. You can also find many of our guidelines and interactive resources in the free ASCO guidelines app available on iTunes or the Google Play Store. If you have enjoyed what you have heard today, please rate and review the podcast and be sure to subscribe so you never miss an episode.

How can we be more virtuous in the conversations we have? Dylan and Nick share their tips for having transformative conversations. If you have questions or comments, you can contact us at colloquiumshow@gmail.com.  Things we referenced directly or indirectly: The Power of Silence by Robert Cardinal Sarah Summa Theologica III.40, II-II.188 by St. Thomas Aquinas Leisure and the Basis of Culture by Josef Pieper

Nem tudni, a húsvéti szünet vagy a tavasz ihletett meg bennünket, de ma csak olyan történetekről beszélünk, amik a lelkünket nem veszik igénybe, ehelyett színtiszta, nyugodt kikapcsolódást ígérnek. Járunk a francia Riviérán 1992-ben, belecsöppenünk egy parasztfelkelésbe a XVI. századi Angliában egy ügyvéd-nyomozó oldalán, a világ legnagyobb matematikusával számolgatunk, és még az erdélyi nemesség kártyajárásába is belelesünk, mindennek a közepén pedig egy gyönyörű Strauss-valzer andalít bennünket.   Az adásban tárgyalt könyvek:   J. Sansom: Hamis próféciák I-II. A. Chakraborty: Bronzváros Daniel Kehlmann: A világ fölmérése Bánffy Miklós: Erdélyi történet I-III. Kim Fay: Sárga Babilon Guillaume Musso: Az éjszaka és a lányka   Az adásban Johann Strauss La Valse de L’Empereur-ének részlete hallható (https://www.youtube.com/watch?v=inb3E9au7Q4).

This season of CarmelCast we'll be exploring the life and teaching of St. Thérèse of Lisieux, the Little Flower. We encourage you to follow along this Lent as we journey through her life by reading her autobiography. In this episode, Br. Pier Giorgio, Fr. Michael-Joseph, and Br. John-Mary discuss the early childhood of St. Thérèse found in chapters I-III of Story of a Soul. For our Lent sale this year, ICS Publications has selected 10 St. Thérèse titles that we think will be a boost to your spiritual growth and help your Lenten practice as we approach the Easter season. Use promo code LENT20 at checkout now through April 12, 2020, and save 40% on these select titles. Be sure to check out Fr. Mark O'Keefe's new book, In Context: Teresa of Ávila, John of the Cross, and Their World. For more information: http://www.icspublications.org http://www.discalcedcarmel.org http://ocdfriarsvocation.org Contact us with comments, questions, and suggestions at carmelcast@icspublications.org

Med vår heder som insats tar vi den slaka linan upp till himmelen och vandrar i en populärkulturell gigants fotspår. I det sjätte avsnittet av Kulturschmultur diskuterar vi Star Wars i ljuset av den tredje trilogins konklusion - och med det, hela ennealogin om Himlavandrarens fullbordan! Både våra egna, och andras, analyser duggar lika tätt som fakta-droppandet. Vi sticker ut hakan (nåja) och ifrågasätter de cineastiska kvalitéerna i episod I-III och episod VII - IX, vi gissar, gör nedslag, och myser, i George Lucas älskade universum. Kort sagt: vi tar er med på en resa till en tid för länge sedan, i en galax långt långt borta.

TESTO DELL'ARTICOLO ➜http://www.bastabugie.it/it/articoli.php?id=6014SAI DIRE ESATTAMENTE COS'E' LA SIMONIA? di Roberto de MatteiLa Conferenza Episcopale tedesca [...] è l'azienda più ricca e privilegiata di tutta la Germania. Questa ricchezza deriva dalla Kirchensteuer, una tassa che lo Stato devolve alla Chiesa, trattenendo dal reddito dei cattolici tedeschi, una cifra che ammonta all'8-9% del loro carico fiscale complessivo. Il prelievo fiscale però è obbligatorio, a differenza di altri paesi, dove le chiese sono finanziate dalla generosità dei fedeli che scelgono liberamente di versare ad esse una parte del loro reddito.In Germania, chi vuole essere esentato dalla Kirchensteuer deve firmare una dichiarazione di abbandono della Chiesa (Kirchenaustritt) che, come conseguenza, lo priva dei sacramenti. Il 20 settembre 2012, i vescovi tedeschi hanno decretato che quanti hanno chiesto di non essere più registrati per evitare di pagare la tassa ecclesiastica, non potranno più confessarsi, fare la comunione o la cresima e, al momento della morte, non potranno ricevere un funerale cattolico; non potranno nemmeno fare volontariato in un'associazione cattolica, né tanto meno lavorare in un'istituzione della Chiesa come una scuola o un ospedale. In un'intervista sulla Schwäbische Zeitung del 17 luglio 2016, l'arcivescovo Georg Gänswein, ha denunciato in questi termini tale clamorosa contraddizione: «Come reagisce la Chiesa cattolica in Germania con chi non paga la tassa per la Chiesa? Con l'automatica esclusione dalla comunità ecclesiale, il che significa: scomunica. Ciò è eccessivo, incomprensibile. Si possono mettere in dubbio i dogmi e nessuno viene cacciato fuori. Forse che il non pagamento della Kirchensteuer è un'infrazione più grave che non le trasgressioni contro le verità di fede? L'impressione è che, finché c'è in gioco la fede, non sia così tragico, quando però entra in gioco il denaro, allora non si scherza più». Se lo slogan dei coloni americani nel XVIII secolo era: «No taxation without representation», lo slogan dei vescovi tedeschi oggi è «No Sacraments without taxation». Se paghi ricevi i sacramenti, se non paghi ne sei privato. La ricchezza della chiesa tedesca è fondata, in una parola, sulla simonia.LA SIMONIA E IL NICOLAISMOLa simonia è un peccato che ha accompagnato la storia della Chiesa nel corso dei secoli, associandosi spesso al cosiddetto "nicolaismo", il concubinato dei preti. I primi sinodi di san Gregorio VII (1073-1085), il grande papa riformatore del Medioevo, furono proprio dedicati alla lotta contro i vescovi tedeschi simoniaci e trasgressori del celibato ecclesiastico. Una piaga molto più grave della vendita delle indulgenze che offrì il pretesto alla Rivoluzione di Lutero.Il termine simonia deriva da Simon Mago del quale si legge che «offrì denaro agli apostoli» (Atti, 8, 18) per acquistare un potere spirituale. San Tommaso d'Aquino, che dedica un'intera questione della Summa Theologica alla simonia (q.100, II-II), spiega che simoniaci sono sia quelli che comprano, sia quelli che vendono le cose spirituali: «Quelli che vendono le cose spirituali assomigliano a Simon Mago nelle intenzioni, mentre quelli che le comprano gli assomigliano nelle azioni» (q. 100, a. 1). Secondo san Tommaso «ricevere il denaro per la grazia spirituale dei sacramenti è un peccato di simonia che non può essere giustificato da alcuna consuetudine: poiché "la consuetudine non può mai pregiudicare la legge naturale o divina"» (q. 100, art. 2, resp.). «Se quindi per consuetudine si esigesse qualcosa come compenso di un bene spirituale, con l'intenzione di comprare o di vendere, si commetterebbe simonia; specialmente poi se lo si esigesse contro la volontà del contribuente» (art. 2, ad 4). Essendo la Kirchensteuer estorta contro la volontà del contribuente, la dichiarazione di uscita dalla chiesa tedesca (Kirchenaustritt) sottoscritta da chi vuole evitare il pagamento, è priva di valore di fronte alla Chiesa.CONDIZIONI PER L'ABBANDONO DELLA CHIESA CATTOLICAIl Pontificio Consiglio per i testi legislativi della Santa Sede, in un documento del 13 marzo 2006, ha spiegato che l'abbandono della Chiesa cattolica, perché possa essere validamente configurato come un vero actusformalisdefectionis ab Ecclesia deve concretizzarsi nei seguenti elementi:a) decisione interna di uscire dalla Chiesa cattolica;b) l'attuazione e manifestazione esterna di questa decisione;c) recezione diretta da parte dell'autorità ecclesiastica competente di tale decisione.Ogni atto che non nasca da una motivazione interna, ma sia obbligato, non può essere considerato come una libera decisione interna di uscire dalla Chiesa cattolica ed è invalido. Inoltre, il parroco dovrebbe constatare se c'è veramente la volontà di abbandonare la Chiesa, il che mai avviene in Germania. Il cattolico tedesco che firma la Kirchenaustritt non deve dunque temere di essere scismatico, se non ha la reale intenzione di abbandonare la Chiesa, ma vuole solo separarsi dal perverso sistema finanziario che lo lega alla Conferenza Episcopale. [...]Molti cattolici tedeschi criticano la Kirchensteuer, ma affermano di non potere fare a meno di pagarla per non essere privati dei sacramenti. [...]Ma sarà veramente impossibile in Germania e fuori di essa trovare sacerdoti e vescovi disposti ad amministrare i sacramenti agli obiettori di coscienza della Kirchensteueur? Non lo crediamo, anche perché nulla è impossibile a chi cerca prima di tutto il Regno di Dio e la sua Giustizia (Mt 6,33). [...]Ciò che io oggi temo di più sono i cattolici rassegnati e rinunciatari. Chi sono i cattolici rinunciatari? Quelli che sono convinti che c'è una sproporzione di forze tra noi e i nostri avversari (il che è vero) e che non possiamo far altro che accettare la situazione de facto (il che non è vero). I cattolici rinunciatari criticano in privato la Kirchensteuer, ma pensano che sia inutile criticarla pubblicamente, perché tanto nulla cambierà. [...] L'Europa secolarizzata ha bisogno di eroismo, non di rassegnazione.

Previously on…  Cynthia talked shit to someone about Nene, and that person recorded it.  Porsha and Dennis are trying to work things out.  The Kenya proposal ruining thing.  Nene shows up on the trip.  ACT ONE Picking back up from the proposal conversation. I don’t understand what Kenya’s intention was. There is no way she didn’t choose to try to create a moment over her friendship with Cynthia. Porsha thinks it was beautiful.  Ok… we need to talk about this proposal. It was a mess. I don’t want you to think I’m shitting all over Cynthia’s happiness but… what was that?! First he pretends he’s going to propose, then says nevermind, then the kids hand him a bottle, that bottle has a question mark scotch taped to it, then the girls bring together a mirror that’s in pieces… no. Additionally, if it’s the opening of her wine cellar, let that be about her boring wine cellar and not about you proposing. Also don’t propose in front of other people, that’s weird…  **funny** ok then tanya says ‘i’m SOARRY i missed it.’ I feel like I JUST learned that Tanya is canadian and now she’s playing up the accent.  **funny** then porsha goes oh right you weren’t there!!! Which is so sad but true… Tanya is really growing on me but she’s this goody two shoes high energy sign my yearbook type girl that most people don’t notice.  Nene says me not being there felt weird, but that’s out of my control, I wish it was different.  Kenya reminds us she’s the only one who is really on decent terms with Nene right now.  KING AND QUEEN SHOWCASE This showcase is very cool, and so unexpected for Toronto! The whole cast seems into it too which is nice to see.  They check into the hotel. Tanya says ‘go OOT’ for the day. I swear she’s just doing this now!  Nene, Marlo, Kandi, and Yoonna chat in the hotel room. They talk about Kenya ruining the moment for Cynthia. Nene asks, does she know she ruined Marlo’s moment? All of this leads to the recording question. None of the women know, Nene chews her chips obnoxiously making horrible faces. That’s all she does.  Nene calls Yovanna something like..shojanna?? And then Marlo corrects her Shavonna. Not her name… also whyyy is she here on this trip?!  Tanya shows up.  Ok now they start talking about HOW did nene’s letter to cynthia make it B. Scott. I forgot about this! Nene claims that she has no relationship with B Scott and would never hand over the letter. The other mystery this season is how did the card get to the blog?? All Nene knows is that Cynthia said her card went missing for a period of time. Hmmm…!  Cynthia calls the hot dog king on the phone. Kandy calls Todd in black lips which is where…  Tanya: “Thank god I ate arugula for a week. Now I can try these costumes on!”  COSTUME TRIALS I have to say I like how excited the cast is about all this because when they arrived, remember Tanya talked to them all in the lobby and they all looked over it already.  Eva says she wont be there because she has a charity event. Boooo why are you here thennn. Don’t pull a denise now missing out on main events, because that’s what’s getting her in trouble on RHOBH.  Cynthia reminds us that the snake is probably in this room. Why does this story feel like a mislead? Normally when things go on for this long it’s because there is no real answer. We would have heard it by now.  Nene says she has to leave in the morning because she’s hosting a comedy show in the morning. Nene calls Eva over to talk to her. I love how Nene beckons Eva over, the pregnant lady, when she could walk over to herself. But of course Eva is like SURE!! And rushes over.  ACT TWO Nene wants to own her part in things, as everyone stands around and listens. Eva says they were building something good, and Eva felt betrayed that Nene had a whole convo with her while she had a mic on. And then she was upset Nene didn’t own up to it at the reunion. Oh I forgot all this stuff… yeah that’s really shitty of Nene.  Nene tells us she came to canada because she used to have a sisterhood with these girls. Iiii don’t buy it for a minute. She feels excluded and feels obligated to hash it out. This doesn’t feel genuine.  The best part is all these women talk a big game about Nene but everyone wants to get closer to her so they’ll accept anything she gives them.  THE CN TOWER Tanya wants to strap everyone to the side of a tower or something?  So while they wait to go up, they talk about Nene and Eva making up but in separate groups. Kenya asks Eva if it was sincere, Eva said she couldn’ tell because she had sunglasses on. Kenya thinks Nene has no choice because she’s alone on an island. Which is so true. I love this checklist of people she has made up with.  Nene and Eva stay back while everyone else suits up. I still don’t understand what they’re doing so let’s see…  ACT THREE The women walk out onto the tower. It is hiiiigh. Seeing Cynthia panic is kind of funny. “I don’t like thissssss….” Are they going to jump??  The woman who is leading this expedition is SO over the top but also sounds exactly like Tanya…  Back inside Eva asks Nene if she’s going to have conversations with anyone else. Nene says she’s open to having some sort of conversation with Porsha. Her issue was she was a big sister to Porsha but never got that energy back. Then the closet thing happened, Nene hate texted Porsha, Porsha put it on social media. Nene is pissed about that.  Nene is wrong for this… it’s totally fair game. Nene then says that porsha was fat before she got pregnant so she wasn’t fat shaming her. Nene is being such an asshole. She’s reminding me a lot of Teresa. Super arrogant and doubling down.  In this moment i I realize fully that Nene really has no intention of pursuing a long term friendship with Eva. If she was really on this kick of wanting to do better and get back in with the circle, she wouldn’t double down on calling Porsha fat. That’s some high school shit.  ACT FOUR In the bus, they tell Yovanna she needs nair. This is literally why she is on this trip. Apparently when she put on her bikini they saw she was hairy. Porsha: It’s ok that’s why it goes tehre!!  Porsha is getting her make up done and there’s a knock, she’s got flowers. GUYS FLOWERS ON VACATION IS THE STUPIDEST THING EVER!! I say this every show!! You just have to leave them behind in the next day or two!!  Ugh dennis had a note with it that said dog gone it, I’m sorry. Porsha tells her sister that he’s threatened to pull up in canada.  Meanwhile cutting to Tanya greeting her fiance. ...I thought she was married? I’ve never seen this guy before.  Her fiance shows up and Dennis walks in with him. I kind of love Tanya’s reaction. She collapses to the ground and says “that’s the spiiirittttt.’  Ugh dennis sits down and pulls the ring OUT OF HIS HOODIE POCKET. NO. So Tanya is really really excited about these to get back together. Like Married to medicine levels, getting too involved in each other’s relationship levels…  ACT FIVE So they all get in a bus and Kenya does an impression of Tanya that is…. Spot on. Nene refuses to laugh. Nene is also wearing silk which I think is going to get super wrinkled on the bus.  Porsha does an impression of Cynthia. Wow impersonations are really doing the rounds on these shows.  Eva does an impression of Yovanna but the bus is moving! Sit down Eva!!  Yovanna’s impression of porsha and everyone’s reaction… i almost spit out my water. Porsha: so all i do is ask for chicken all the time? Yovanna: you ask for food all the time.  So they enter the party and porsha says…  Amazing. Then Tanya’s fiance comes, everyone cheers, and Porsha, Kenya, and Kandi split off to get a drink. Porsha asks the bartender…  CLIP The three start talking about the recording. Porsha: have we cancelled out yovanne? Does anyone know her name?!  They still have their eyes set on Yovanna, so they’re going to try to get her to crack.  ACT SIX I just want to point out that… they could have figured this out by now. I guess Cynthia has talked so much crap to so many people that she can’t even remember who she could have possibly said it to. Also why are we so sure it was someone in this immediate group?  The confront Yovanna and she immediately knows something is up.  Back at teh table, Cynthia thanks Nene for the letter. This felt awkward… and not enough words… and then Nene referencing blocking Cynthia after Cynthia blocked her first. There feels like there is no affection here.  Back at the bar… Yovanna says there is a lot of foo foo going on. Everyone is talking about being real but no one is. Porsha has no time for this girl but she’s humoring her. Porsha asks Yovanna if she was the one who did the recording, Yovanna says no, but it’s someone in the circle, and she won’t speak on who it is. Porsha tells Yovanna she’s fake for not saying something.  I guess I missed that this was Tanya’s entire family and friends at this party. Why haven’t we seen any of them?  EWWW speaking of snakes!! Dennis shows up worming his way through the crowd. Wowww that was slapped together! He walks up, they hug, he proposes! Wow that caught me by surprise.  Next week we have carnivale finally, and then a huge blow out where it looks like once again nene gets physical with someone and ends up charging down a hall. Watch your backs cameramen!!  Please don’t forget to subscribe and leave a rating, it really helps me out. That’s all I got for tonight… talk soon! 

Valentina, Kinoppi e Lorenzo concludono il loro viaggio nel 1999. L'articolo 1999 parte IIII proviene da RadioAnimati.

Today I take a look at what Aquinas had to say about correcting our Christian friends (and leaders ... like the Pope and stuff ... {crickets} ...) Please support our work here and get COOL rewards as a thank you! Here's what I read from the ST II-II, Q. 33. Article 1. Whether fraternal correction is an act of charity? On the contrary, To correct the wrongdoer is a spiritual almsdeed. But almsdeeds are works of charity, as stated above (II-II:32:1). Therefore fraternal correction is an act of charity. I answer that, The correction of the wrongdoer is a remedy which should be employed against a man's sin. Now a man's sin may be considered in two ways, first as being harmful to the sinner, secondly as conducing to the harm of others, by hurting or scandalizing them, or by being detrimental to the common good, the justice of which is disturbed by that man's sin. Consequently the correction of a wrongdoer is twofold, one which applies a remedy to the sin considered as an evil of the sinner himself. This is fraternal correction properly so called, which is directed to the amendment of the sinner. Now to do away with anyone's evil is the same as to procure his good: and to procure a person's good is an act of charity, whereby we wish and do our friend well. Consequently fraternal correction also is an act of charity, because thereby we drive out our brother's evil, viz. sin, the removal of which pertains to charity rather than the removal of an external loss, or of a bodily injury, in so much as the contrary good of virtue is more akin to charity than the good of the body or of external things. Therefore fraternal correction is an act of charity rather than the healing of a bodily infirmity, or the relieving of an external bodily need. There is another correction which applies a remedy to the sin of the wrongdoer, considered as hurtful to others, and especially to the common good. This correction is an act of justice, whose concern it is to safeguard the rectitude of justice between one man and another.   Article 4. Whether a man is bound to correct his prelate? Objection 1. It would seem that no man is bound to correct his prelate. For it is written (Exodus 19:12): "The beast that shall touch the mount shall be stoned," [Vulgate: 'Everyone that shall touch the mount, dying he shall die.'] and (2 Samuel 6:7) it is related that the Lord struck Oza for touching the ark. Now the mount and the ark signify our prelates. Therefore prelates should not be corrected by their subjects. Objection 2. Further, a gloss on Galatians 2:11, "I withstood him to the face," adds: "as an equal." Therefore, since a subject is not equal to his prelate, he ought not to correct him. Objection 3. Further, Gregory says (Moral. xxiii, 8) that "one ought not to presume to reprove the conduct of holy men, unless one thinks better of oneself." But one ought not to think better of oneself than of one's prelate. Therefore one ought not to correct one's prelate. On the contrary, Augustine says in his Rule: "Show mercy not only to yourselves, but also to him who, being in the higher position among you, is therefore in greater danger." But fraternal correction is a work of mercy. Therefore even prelates ought to be corrected. I answer that, A subject is not competent to administer to his prelate the correction which is an act of justice through the coercive nature of punishment: but the fraternal correction which is an act of charity is within the competency of everyone in respect of any person towards whom he is bound by charity, provided there be something in that person which requires correction. Now an act which proceeds from a habit or power extends to whatever is contained under the object of that power or habit: thus vision extends to all things comprised in the object of sight. Since, however, a virtuous act needs to be moderated by due circumstances, it follows that when a subject corrects his prelate, he ought to do so in a becoming manner, not with impudence and harshness, but with gentleness and respect. Hence the Apostle says (1 Timothy 5:1): "An ancient man rebuke not, but entreat him as a father." Wherefore Dionysius finds fault with the monk Demophilus (Ep. viii), for rebuking a priest with insolence, by striking and turning him out of the church. Reply to Objection 1. It would seem that a subject touches his prelate inordinately when he upbraids him with insolence, as also when he speaks ill of him: and this is signified by God's condemnation of those who touched the mount and the ark. Reply to Objection 2. To withstand anyone in public exceeds the mode of fraternal correction, and so Paul would not have withstood Peter then, unless he were in some way his equal as regards the defense of the faith. But one who is not an equal can reprove privately and respectfully. Hence the Apostle in writing to the Colossians (4:17) tells them to admonish their prelate: "Say to Archippus: Fulfil thy ministry [Vulgate: 'Take heed to the ministry which thou hast received in the Lord, that thou fulfil it.' Cf. 2 Timothy 4:5." It must be observed, however, that if the faith were endangered, a subject ought to rebuke his prelate even publicly. Hence Paul, who was Peter's subject, rebuked him in public, on account of the imminent danger of scandal concerning faith, and, as the gloss of Augustine says on Galatians 2:11, "Peter gave an example to superiors, that if at any time they should happen to stray from the straight path, they should not disdain to be reproved by their subjects." Reply to Objection 3. To presume oneself to be simply better than one's prelate, would seem to savor of presumptuous pride; but there is no presumption in thinking oneself better in some respect, because, in this life, no man is without some fault. We must also remember that when a man reproves his prelate charitably, it does not follow that he thinks himself any better, but merely that he offers his help to one who, "being in the higher position among you, is therefore in greater danger," as Augustine observes in his Rule quoted above.

Fr. Gregory Pine discusses knowledge and the virtue of studiousness We sit down with Fr. Gregory Pine from https://thomisticinstitute.org/ (Thomistic Institute.) We are looking for a few men who are taking their faith seriously. Join us on Patreon: Extra content, great thank you gifts, exclusive access to Adam and David, private FB page, and much more. https://www.patreon.com/bePatron?u=15843387 (Become a Patron!) About our topic:  Article 1. Whether the proper matter of studiousness is knowledge? Objection 1. It would seem that http://www.newadvent.org/cathen/08673a.htm (knowledge) is not the proper http://www.newadvent.org/cathen/10053b.htm (matter) of studiousness. For a http://www.newadvent.org/cathen/11726a.htm (person) is said to be studious because he applies study to certain things. Now a man ought to apply study to every matter, in order to do aright what has to be done. Therefore seemingly http://www.newadvent.org/cathen/08673a.htm (knowledge) is not the special http://www.newadvent.org/cathen/10053b.htm (matter) of studiousness. Objection 2. Further, studiousness is opposed to curiosity. Now curiosity, which is derived from “cura” [care], may also refer to elegance of apparel and other such things, which regard the body; wherefore the http://www.newadvent.org/cathen/11567b.htm (Apostle) says (http://www.newadvent.org/bible/rom013.htm#verse14 (Romans [13:14])): “Make not provision [curam] for the flesh in its http://www.newadvent.org/cathen/04208a.htm (concupiscences).” Objection 3. Further it is written (http://www.newadvent.org/bible/jer006.htm#verse13 (Jeremiah [6:13])): “From the least of them even to the greatest, all study [http://www.newadvent.org/cathen/05140a.htm (Douay): ‘are given to’] http://www.newadvent.org/cathen/04462a.htm (covetousness).” Now http://www.newadvent.org/cathen/04462a.htm (covetousness) is not properly about http://www.newadvent.org/cathen/08673a.htm (knowledge), but rather about the possession of http://www.newadvent.org/cathen/15571a.htm (wealth), as stated above (http://www.newadvent.org/summa/3118.htm#article2 (II-II:118:2)). Therefore studiousness, which is derived from “study,” is not properly about http://www.newadvent.org/cathen/08673a.htm (knowledge). On the contrary, It is written (http://www.newadvent.org/bible/pro027.htm#verse11 (Proverbs [27:11])): “Study wisdom, my son, and make my heart http://www.newadvent.org/cathen/07131b.htm (joyful), that thou mayest give an answer to him that reproacheth.” Now study, which is commended as a http://www.newadvent.org/cathen/15472a.htm (virtue), is the same as that to which the http://www.newadvent.org/cathen/10582c.htm (Law) urges. Therefore studiousness is properly about “http://www.newadvent.org/cathen/08673a.htm (knowledge).” I answer that, Properly speaking, study denotes keen application of the http://www.newadvent.org/cathen/10321a.htm (mind) to something. Now the http://www.newadvent.org/cathen/10321a.htm (mind) is not applied to a thing except by http://www.newadvent.org/cathen/08673a.htm (knowing) that thing. Wherefore the http://www.newadvent.org/cathen/10321a.htm (mind’s) application to http://www.newadvent.org/cathen/08673a.htm (knowledge) precedes its application to those things to which http://www.newadvent.org/cathen/09580c.htm (man) is directed by his http://www.newadvent.org/cathen/08673a.htm (knowledge). Hence study regards http://www.newadvent.org/cathen/08673a.htm (knowledge) in the first place, and as a result it regards any other things the working of which requires to be directed by http://www.newadvent.org/cathen/08673a.htm (knowledge). Now the http://www.newadvent.org/cathen/15472a.htm (virtues) lay claim to that http://www.newadvent.org/cathen/10053b.htm (matter) about which they are first and foremost; thus http://www.newadvent.org/cathen/06147a.htm (fortitude) is concerned about dangers of death, and... Support this podcast

Studies on the effect of partial- and full-thickness chondral damage of the hip on outcomes and the ability to achieve meaningful clinical outcomes are limited. Patients with grade IV chondral defects experienced worse functional outcomes, lower satisfaction, and increased pain when compared with both patients without chondral damage or grade I-III chondromalacia at 2-year follow-up. Several predictors were associated with achieving clinically significant function in patients undergoing hip arthroscopic surgery for FAIS.   Click here to read the article.

Today we're going to talk with Aquinas about backbiting, slander, and calumny. --- Become a patron to support our work and get access to our upcoming Flannery O'Connor book study! --- We're reading from the Secunda Secundae, Q. 73. A. 1;4. On the contrary, It is written (Ecclesiastes 10:11): "If a serpent bite in silence, he is nothing better that backbiteth." I answer that, Just as one man injures another by deed in two ways—openly, as by robbery or by doing him any kind of violence—and secretly, as by theft, or by a crafty blow, so again one man injures another by words in two ways—in one way, openly, and this is done by reviling him, as stated above (II-II:72:1)—and in another way secretly, and this is done by backbiting. Now from the fact that one man openly utters words against another man, he would appear to think little of him, so that for this reason he dishonors him, so that reviling is detrimental to the honor of the person reviled. On the other hand, he that speaks against another secretly, seems to respect rather than slight him, so that he injures directly, not his honor but his good name, in so far as by uttering such words secretly, he, for his own part, causes his hearers to have a bad opinion of the person against whom he speaks. For the backbiter apparently intends and aims at being believed. It is therefore evident that backbiting differs from reviling in two points: first, in the way in which the words are uttered, the reviler speaking openly against someone, and the backbiter secretly; secondly, as to the end in view, i.e. as regards the injury inflicted, the reviler injuring a man's honor, the backbiter injuring his good name. --- On the contrary, Jerome says (Ep. ad Nepot. lii): "Take care not to have an itching tongue, nor tingling ears, that is, neither detract others nor listen to backbiters." I answer that, According to the Apostle (Romans 1:32), they "are worthy of death . . . not only they that" commit sins, "but they also that consent to them that do them." Now this happens in two ways. First, directly, when, to wit, one man induces another to sin, or when the sin is pleasing to him: secondly, indirectly, that is, if he does not withstand him when he might do so, and this happens sometimes, not because the sin is pleasing to him, but on account of some human fear. Accordingly we must say that if a man list ens to backbiting without resisting it, he seems to consent to the backbiter, so that he becomes a participator in his sin. And if he induces him to backbite, or at least if the detraction be pleasing to him on account of his hatred of the person detracted, he sins no less than the detractor, and sometimes more. Wherefore Bernard says (De Consid. ii, 13): "It is difficult to say which is the more to be condemned the backbiter or he that listens to backbiting." If however the sin is not pleasing to him, and he fails to withstand the backbiter, through fear negligence, or even shame, he sins indeed, but much less than the backbiter, and, as a rule venially. Sometimes too this may be a mortal sin, either because it is his official duty to cor. rect the backbiter, or by reason of some consequent danger; or on account of the radical reason for which human fear may sometimes be a mortal sin, as stated above (II-II:19:3).

Discord: https://discord.gg/b9ZYyjA Thank You to our Patreon Producers: Chuck O’Brien Joci Moore Sam Sugg Jeremy Moses Tyler Hughes Steven Sanders Chris Scott Required Reading: Destiny 2 Director’s Cut Pt. I-III: https://www.bungie.net/en/Explore/Detail/News/48058 https://www.bungie.net/en/Explore/Detail/News/48064 https://www.bungie.net/en/Explore/Detail/News/48072 https://kotaku.com/anthem-six-months-later-1837488400 News Sony buys Insomniac: https://kotaku.com/sony-buys-spider-man-developer-insomniac-games-1837378300 Halo Infinite Creative Director leaves company: https://kotaku.com/halo-infinite-creative-director-leaves-company-1837312778 More Scarlett details: https://www.ign.com/articles/2019/08/15/xbox-scarlett-playability-frame-rate-major-focus-for-next-gen-xbox PS Games on PC???: https://www.gamesindustry.biz/articles/2019-08-20-sony-open-to-pc-ports-of-playstation-exclusives GameInformer layoffs: https://kotaku.com/gamestop-lays-off-over-100-people-including-nearly-hal-1837418024 Note from EIC: https://www.gameinformer.com/from-the-editor/2019/08/21/dear-game-informer-community Loot Crate is in trouble: https://www.gamesindustry.biz/articles/2019-08-15-loot-crate-files-for-bankruptcy-lays-off-over-50 Anthem lead leaves Bioware: https://twitter.com/BenIrvo/status/1162042498140819456 Epic Games now has cloud saves + more: https://www.epicgames.com/store/en-US/news/august-feature-update Armor 2.0 for Destiny 2: https://www.youtube.com/watch?v=T1PSkU7L63I Gamescom 2019: https://www.gamespot.com/articles/gamescom-2019-conference-roundup-schedule-and-news/1100-6468538/ Nintendo: https://kotaku.com/nintendo-switch-is-getting-a-ton-of-new-indie-games-in-1837366899 INTRO THEME: "Punch It!" by TechnoCenturion is licensed under Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)Artist: https://soundcloud.com/charles-e-samuel-jr END THEME: "Bye Bye, See You Again" by wyver9 is licensed under Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/)Artist: http://incompetech.com/Source: http://www.newgrounds.com/audio/listen/637032

Magister Diodōrus, postquam discipulōs numerōs breviter scrībere docuit, sex numerōs iīs dictat: ‘quattuor’, ‘novem’, ‘quattuordecim’, ‘ūndēvīgintī’, ‘quadringenta’, ‘nōngenta’. Cūr magister ‘quadringenta’ et ‘nōngenta’ dīcit, nōn ‘quadringentī’ et nōngentī’? Numerī quī in -genta dēsinunt sunt neutrum plūrālis.Quisque discipulus suō modō numerōs scrībit. Sextus sīc scrībit: IV, IX, XI, XIX, CD, CM; Titus sīc: IV, IX, XIV, XIX, XL, XC; Mārcus sīc: IIII, VIIII, XIIII, XVIIII, CCCC, DCCCC.Diodōrus, postquam numerōs dictāvit et discipulī eōs scrīpsērunt, tabulam cuiusque discipulī in manūs sūmit et spectat id quod scrīptum est. Nēmō discipulus omnēs numerōs rēctē scrīpsit, at magister Sextum et Titum quattuor numerōs rēctē scrīpsisse videt. “Vōs” inquit “quattuor numerōs rēctē scrīpsistis, Sexte et Tite.”Sextus: “Scrīpsimus ita ut nōs numerōs scrībere docuistī.”Diodōrus: “Nec vērō tē CD et CM scrībere docuī, Sexte, nam C rārō pōnitur ante D et M, ‘quadringenta’ et ‘nōngenta’ rēctius scrībuntur CCCC et DCCCC.”Mārcus: “Ego ita scrīpsī!” Mārcus dīcit ‘sē ita scrīpsisse’Magister: “Tū rēctē C quater scrīpsistī in iīs numerīs, sed etiam I quater scrīpsistī in numerīs ‘quattuor’, ‘novem’, ‘quattuordecim’, ‘ūndēvīgintī’: IIII, VIIII, XIIII, XVIIII. Id tē nōn docuī! Sciō antīquōs Rōmānōs totiēs I scrīpsisse, sed hodiē littera I pōnitur ante V et X: ‘quattuor’ scrībitur IV, ‘novem’ IX, ‘quattuordecim’ XIV, ‘ūndēvīgintī’ XIX – hī numerī rēctē scrīptī sunt ā Sextō et Titō.” Magister dīcit ‘hōs numerōs ā Sextō et Titō rectē scrīptōs esse.’Tum magister sē vertit ad Titum, quī XL et XC scrīpsit, et “Sed cūr tū” inquit “XL et XC scrīpsistī? Eae litterae significant ‘quadrāgintā et ‘nōnāgintā’, nōn ‘quadringenta’ et ‘nōngenta’, ut ego vōbīs dictāvī.”Titus: “Ego tē ‘quadrāgintā’ et ‘nōnāgintā’ dīcere audīvī.”Magister: “Male audīvistī! Tūne malās aurēs habēs? Profectō ‘quadringenta’ et ‘nōngenta’ dīxī. Nōnne vōs mē ita dīcere audīvistis, Mārce et Sexte?”Sextus: “Certē nōs ita tē dīcere audīvimus. Scrīpsimus eōs numerōs quōs nōbīs dictāvistī.” Sextus et Mārcus magistrum numerōs ‘quadringenta’ et ‘nōngenta’ dictantem bene audīvērunt, Titus male audīvit.Mārcus: “Sed ego ūnus ex tribus discipulīs eōs numerōs rēctē scrīpsī! Cūr mē nōn laudāvistī, magister?”Magister: “Tē nōn laudāvī, quia aliōs quattuor numerōs prāvē scrīpsistī.”Mārcus: “Ego scrīpsī ut antīquī Rōmānī scrībēbant. Num tū antīquōs Rōmānōs prāvē scrīpsisse putās?”

Shakespeare vígjátékának I-III. felvonása a kiváló műsorkészítők avatott interpretálásában. A 2011. november 15-ei műsor ismétlése.

Thanks for listening! Please support me on Patreon (Thank you!) here. Check out that photo of me and Br. Joseph here. Here's the text I read from the Summa II-II, Q.2 (articles 1,2, and 3). I answer that, "To think" can be taken in three ways. First, in a general way for any kind of actual consideration of the intellect, as Augustine observes (De Trin. xiv, 7): "By understanding I mean now the faculty whereby we understand when thinking." Secondly, "to think" is more strictly taken for that consideration of the intellect, which is accompanied by some kind of inquiry, and which precedes the intellect's arrival at the stage of perfection that comes with the certitude of sight. On this sense Augustine says (De Trin. xv, 16) that "the Son of God is not called the Thought, but the Word of God. When our thought realizes what we know and takes form therefrom, it becomes our word. Hence the Word of God must be understood without any thinking on the part of God, for there is nothing there that can take form, or be unformed." In this way thought is, properly speaking, the movement of the mind while yet deliberating, and not yet perfected by the clear sight of truth. Since, however, such a movement of the mind may be one of deliberation either about universal notions, which belongs to the intellectual faculty, or about particular matters, which belongs to the sensitive part, hence it is that "to think" is taken secondly for an act of the deliberating intellect, and thirdly for an act of the cogitative power. Accordingly, if "to think" be understood broadly according to the first sense, then "to think with assent," does not express completely what is meant by "to believe": since, in this way, a man thinks with assent even when he considers what he knows by science [Science is certain knowledge of a demonstrated conclusion through its demonstration.], or understands. If, on the other hand, "to think" be understood in the second way, then this expresses completely the nature of the act of believing. For among the acts belonging to the intellect, some have a firm assent without any such kind of thinking, as when a man considers the things that he knows by science, or understands, for this consideration is already formed. But some acts of the intellect have unformed thought devoid of a firm assent, whether they incline to neither side, as in one who "doubts"; or incline to one side rather than the other, but on account of some slight motive, as in one who "suspects"; or incline to one side yet with fear of the other, as in one who "opines." But this act "to believe," cleaves firmly to one side, in which respect belief has something in common with science and understanding; yet its knowledge does not attain the perfection of clear sight, wherein it agrees with doubt, suspicion and opinion. Hence it is proper to the believer to think with assent: so that the act of believing is distinguished from all the other acts of the intellect, which are about the true or the false. (Article 1)   I answer that, The act of any power or habit depends on the relation of that power or habit to its object. Now the object of faith can be considered in three ways. For, since "to believe" is an act of the intellect, in so far as the will moves it to assent, as stated above (Article 1, Reply to Objection 3), the object of faith can be considered either on the part of the intellect, or on the part of the will that moves the intellect. If it be considered on the part of the intellect, then two things can be observed in the object of faith, as stated above (II-II:1:1). One of these is the material object of faith, and in this way an act of faith is "to believe in a God"; because, as stated above (II-II:1:1) nothing is proposed to our belief, except in as much as it is referred to God. The other is the formal aspect of the object, for it is the medium on account of which we assent to such and such a point of faith; and thus an act of faith is "to believe God," since, as stated above (II-II:1:1) the formal object of faith is the First Truth, to Which man gives his adhesion, so as to assent to Its sake to whatever he believes. Thirdly, if the object of faith be considered in so far as the intellect is moved by the will, an act of faith is "to believe in God." For the First Truth is referred to the will, through having the aspect of an end.  (Article 2) I answer that, Wherever one nature is subordinate to another, we find that two things concur towards the perfection of the lower nature, one of which is in respect of that nature's proper movement, while the other is in respect of the movement of the higher nature. Thus water by its proper movement moves towards the centre (of the earth), while according to the movement of the moon, it moves round the centre by ebb and flow. On like manner the planets have their proper movements from west to east, while in accordance with the movement of the first heaven, they have a movement from east to west. Now the created rational nature alone is immediately subordinate to God, since other creatures do not attain to the universal, but only to something particular, while they partake of the Divine goodness either in "being" only, as inanimate things, or also in "living," and in "knowing singulars," as plants and animals; whereas the rational nature, in as much as it apprehends the universal notion of good and being, is immediately related to the universal principle of being. Consequently the perfection of the rational creature consists not only in what belongs to it in respect of its nature, but also in that which it acquires through a supernatural participation of Divine goodness. Hence it was said above (I-II:3:8) that man's ultimate happiness consists in a supernatural vision of God: to which vision man cannot attain unless he be taught by God, according to John 6:45: "Every one that hath heard of the Father and hath learned cometh to Me." Now man acquires a share of this learning, not indeed all at once, but by little and little, according to the mode of his nature: and every one who learns thus must needs believe, in order that he may acquire science in a perfect degree; thus also the Philosopher remarks (De Soph. Elench. i, 2) that "it behooves a learner to believe." Hence in order that a man arrive at the perfect vision of heavenly happiness, he must first of all believe God, as a disciple believes the master who is teaching him. (Article 3)

Verificar y validar el desarrollo software externalizado incluye controlar el proceso seguido por el proveedor para desarrollar el producto y controlar el propio producto externalizado. En este episodio te contamos buenas prácticas aplicables al ciclo de vida del software externalizado (proceso y producto) y conocemos cómo ha sido la evolución de la India de modelo de servicios a hub de producto. Te recomendamos: India y Filipinas para mercados angloparlantes y Marruecos, Túnez o Senegal para países de lengua francesa. Fascinante lectura sobre la externacionalización a estos países debido a su rápido internet: https://qz.com/africa/1519409/madagascars-fast-internet-fuels-outsourcing-boom/?utm_source=qzfb Interesante post sobre externalización del desarrollo software: http://www.233gradosdeti.com/articulos/externalizacion-del-desarrollo-software/ Cinco elementos clave en una buena externalización del desarrollo software (I/II): https://www.javiergarzas.com/2010/05/cinco-elementos-externalizacion-desarrollo-software-i.html Cinco elementos clave en una buena externalización del desarrollo software (II/II): https://www.javiergarzas.com/2010/05/cinco-elementos-externalizacion-desarrollo-software-ii-html.html ¿Es el outsourcing recomendable para desarrollar proyectos de software? https://www.genbeta.com/desarrollo/es-el-outsourcing-recomendable-para-desarrollar-software Reflexión de John Larson acerca de su experiencia en proyectos desarrollados por empresas de outsourcing: http://www.blog.jpl-consulting.com/2011/12/why-i-will-never-feel-threatened-by-programmers-in-india/ Productos mencionados: LaunchDarkly: https://launchdarkly.com/ Zoho: https://www.zoho.com/es-xl/ Freshworks: https://www.freshworks.com GO-JEK: https://www.go-jek.com XRadar: http://www.xradar.sourceforge.net

Sup!  Today we chat with Aquinas about the 3 reasons we should fast. If you'd like to support me and get a bunch of FREE stuff in return, go here. When you give me $10 or more a month you'll get access to Aquinas' meditations for Lent! Thanks for your support,  y'all. Here's what Aquinas had to say on the matter: I answer that, An act is virtuous through being directed by reason to some virtuous [honestum] [Cf. II-II:145:1] good. Now this is consistent with fasting, because fasting is practiced for a threefold purpose. First, in order to bridle the lusts of the flesh, wherefore the Apostle says (2 Corinthians 6:5-6): "In fasting, in chastity," since fasting is the guardian of chastity. For, according to Jerome [Contra Jov. ii.] "Venus is cold when Ceres and Bacchus are not there," that is to say, lust is cooled by abstinence in meat and drink. Secondly, we have recourse to fasting in order that the mind may arise more freely to the contemplation of heavenly things: hence it is related (Daniel 10) of Daniel that he received a revelation from God after fasting for three weeks. Thirdly, in order to satisfy for sins: wherefore it is written (Joel 2:12): "Be converted to Me with all your heart, in fasting and in weeping and in mourning." The same is declared by Augustine in a sermon (De orat. et Jejun. [Serm. lxxii (ccxxx, de Tempore)]): "Fasting cleanses the soul, raises the mind, subjects one's flesh to the spirit, renders the heart contrite and humble, scatters the clouds of concupiscence, quenches the fire of lust, kindles the true light of chastity."

Iiiiiha! Iiii konjiček! Pop N Dekl tokrat jaha na krilih domač(ijsk)e popkulture! Kakšna oddaja, kakšni gostje, kakšna montaža, kakšen smeh! Še mi - mijedva plus povratnik Mihaaaa - nismo tega jemali, kaj šele vi! V Pop N Deklu imamo Jana Plestenjaka, Zalo & Gašperja, Darjo Švajger, Leo Sirk in, upamo, tudi vas! Pop N Dekl, ki se preriva v vaša ušesa vsako drugo sredo točno opoldan, lahko poslušate na www.vecer.com, na Soundcloudu, na Apple Podcasts in Google Podcasts. Komot se tudi naročite

Today I chat with Fr. Chris Pietraszko about the sin of sloth. Please support me and all my work at PintsWithAquinas.com/Donate Here's the texts we read: I answer that, Sloth, according to Damascene (De Fide Orth. ii, 14) is an oppressive sorrow, which, to wit, so weighs upon man's mind, that he wants to do nothing; thus acid things are also cold. Hence sloth implies a certain weariness of work, as appears from a gloss on Psalm 106:18, "Their soul abhorred all manner of meat," and from the definition of some who say that sloth is a "sluggishness of the mind which neglects to begin good." Now this sorrow is always evil, sometimes in itself, sometimes in its effect. For sorrow is evil in itself when it is about that which is apparently evil but good in reality, even as, on the other hand, pleasure is evil if it is about that which seems to be good but is, in truth, evil. Since, then, spiritual good is a good in very truth, sorrow about spiritual good is evil in itself. And yet that sorrow also which is about a real evil, is evil in its effect, if it so oppresses man as to draw him away entirely from good deeds. Hence the Apostle (2 Corinthians 2:7) did not wish those who repented to be "swallowed up with overmuch sorrow." --- Objection 2. Further, a capital sin is one to which daughters are assigned. Now Gregory (Moral. xxxi, 45) assigns six daughters to sloth, viz. "malice, spite, faint-heartedness, despair, sluggishness in regard to the commandments, wandering of the mind after unlawful things." Now these do not seem in reality to arise from sloth. For "spite" is, seemingly the same as hatred, which arises from envy, as stated above (II-II:34:6); "malice" is a genus which contains all vices, and, in like manner, a "wandering" of the mind after unlawful things is to be found in every vice; "sluggishness" about the commandments seems to be the same as sloth, while "faint-heartedness" and "despair" may arise from any sin. Therefore sloth is not rightly accounted a capital sin. Reply to Objection 2. Gregory fittingly assigns the daughters of sloth. For since, according to the Philosopher (Ethic. viii, 5,6) "no man can be a long time in company with what is painful and unpleasant," it follows that something arises from sorrow in two ways: first, that man shuns whatever causes sorrow; secondly, that he passes to other things that give him pleasure: thus those who find no joy in spiritual pleasures, have recourse to pleasures of the body, according to the Philosopher (Ethic. x, 6). Now in the avoidance of sorrow the order observed is that man at first flies from unpleasant objects, and secondly he even struggles against such things as cause sorrow. Now spiritual goods which are the object of the sorrow of sloth, are both end and means. Avoidance of the end is the result of "despair," while avoidance of those goods which are the means to the end, in matters of difficulty which come under the counsels, is the effect of "faint-heartedness," and in matters of common righteousness, is the effect of "sluggishness about the commandments." The struggle against spiritual goods that cause sorrow is sometimes with men who lead others to spiritual goods, and this is called "spite"; and sometimes it extends to the spiritual goods themselves, when a man goes so far as to detest them, and this is properly called "malice." On so far as a man has recourse to eternal objects of pleasure, the daughter of sloth is called "wandering after unlawful things." From this it is clear how to reply to the objections against each of the daughters: for "malice" does not denote here that which is generic to all vices, but must be understood as explained. Nor is "spite" taken as synonymous with hatred, but for a kind of indignation, as stated above: and the same applies to the others.

Bohaterką pierwszego odcinka EduGadek w roku 2019 jest Joanna Apanasewicz. Zanim jednak ją przedstawimy, chcemy ogłosić dwie ważne zmiany. Od Nowego Roku EduGadki się zmieniają - dodajemy dział "Szanujmy wspomnienia", który pojawi się przed głównym wywiadem, oraz dział "Skrzynka z narzędziami", który usłyszycie w końcowej części podcastu. Wracając jednak do naszego gościa - Asia jest nauczycielką edukacji wczesnoszkolnej w Szkole Podstawowej im. Piastów Śląskich w Chrząstawie Wielkiej koło Wrocławia, a także trenerką w programie Mistrzowie Kodowania i członkinią grupy Superbelfrzy RP i Superbelfrzy Mini. W 2018 r. znalazła się na "Liście 100 osób mających wpływ na rozwój kompetencji cyfrowych w Polsce". Joanna jest autorką publikacji i scenariuszy z wykorzystaniem nowoczesnych metod nauczania (w tym TIKu) oraz programowania w klasach młodszych. Uwielbia naukę przez działanie, prace ręczne i lekcje o charakterze STEAMowym (wytłumaczenie znajdziecie w samym wywiadzie). Asia jest blogerką - prowadzi blogi maliprogramisci.blogspot.com oraz apanaski.blogspot.com! Napisała także książkę pt. „Zrób to sam/a. Dydaktyczne pomoce (niemal) z niczego”. O czym usłyszymy w tym odcinku? * Dlaczego nazywają Asię "Adamem Słodowym polskiej edukacji"? * Co to jest "Makey Makey" i co można z nim zrobić na lekcji? * Co to jest "STEAM" i dlaczego ten trend jest ważny w dzisiejszej edukacji? * Czy nauka programowania w klasach I - III to siedzenie przy komputerach i zapisywanie kolejnych linijek kodu? * Kto to jest Mitch Resnick? * Jak powinno wyglądać programowanie na pierwszych etapach edukacji? * Skąd czerpać pomysły na lekcji kreatywne, ale realizujące podstawę programową? * Czy w licznej klasie można wykorzystać gry i zabawy? Jak to zrobić? * Jak przekonać rodziców, że to co robimy na lekcji to też edukacja, a nie tylko zabawa? * Dlaczego warto tłumaczyć rodzicom to, co się  dzieje w naszej klasie? * Jaką edukacyjną porażkę udało się Joasi przekuć  w sukces? * Co nowego w "Skrzynce z narzędziami"? Materiały dotyczące odcinka na stronie rozmowy na [edugadki.pl](http://edugadki.pl/?p=691&preview=true)

W tym odcinku EduGadek rozmawiamy z Sabiną Pilat, nauczycielką edukacji zintegrowanej pracującej obecnie w Szkole Europejskiej w Luksemburgu. Sabina jest autorką bloga edukacyjnego "W mojej klasie" oraz podróżniczego bloga saabway.blogspot.com.  Należy do społeczności Superbelfrzy RP. Wcześniej pracowała jako nauczycielka klas I-III w Warszawskich szkołach, była lektorką języka angielskiego w Hiszpanii i była wicedyrektorką SP nr 234 w Warszawie. Ma na swoim koncie także doświadczenie w pracy dziennikarskiej w warszawskim wydaniu Gazety Stołecznej. Jak sama o sobie pisze: "Swoją pracę opiera na metodach projektowych i problemowych, działaniu i ruchu. Stara się, aby uczniowie, nawet ci najmłodsi, przejmowali współodpowiedzialność za proces uczenia się. W swojej pracy wychodzi z założenia, że jej podstawowym obowiązkiem jako nauczyciela jest zainspirować uczniów do pracy, dać im narzędzia do zdobywania wiedzy i pomóc pokochać nawet nie tyle szkołę, co naukę."  O czym będzie nasza rozmowa? * Jaka była dotychczasowa droga zawodowa naszej rozmówczyni? * Co ma wspólnego hodowanie fasolek z programowaniem? * W jaki sposób Sabina znalazła się w szkole w Luksemburgu? * Jak wygląda typowy dzień w luksemburskiej szkole europejskiej? * Jak wygląda struktura systemu edukacji w Luksemburgu? * Jakie rozwiązanie edukacyjne można by przenieść z Luksemburga do Polski? * Jak można uczyć matematyki w oparciu o zadania praktyczne? * Na czym polega europejska wieża Babel? * Kto jeszcze uczy przy użyciu kredy i małych tabliczek? * Co daje podglądanie innych nauczycieli? * Jak wygląda czas przedświąteczny w szkole Sabiny? * Jak można uczniów z innych kultur do tego, żeby poszerzać uczniowskie horyzonty? Wszystkie linki [na stronie odcinka](http://edugadki.pl/?p=663&preview=true)

I'm going to cut to the chase: Dr. Andy Bondy and I had such a fun conversation about all things PECS, SGD's, Cues vs. Prompts, and so forth, that I can't wait to hear your feedback on it. Additionally, he was very gracious with his time (fitting me in between babysitting his grandchildren no less!), and so informative on a wide variety of issues we face as practitioners. I would also be remiss if I didn't give a shout out to Andy's daughter (who also happens to be a newly minted BCBA) Lexi for connecting the two of us. Lexi, thanks for sharing the podcast with your Dad!!! If you want to learn more about PECS, you can check out their website here. In the meantime, Andy was kind enough to share a treasure trove of resources that he mentioned in our interview. So in no particular order, here you go: “Considering the overall quality of the available research we would suggest that there are insufficient data to advocate for the use of sign language either alone or in combination with oral language as a method for substantially improving communication in children with autism. “SCHWARTZ, J., & NYE, C. (2006). Improving communication for children with autism: Does sign language work? Evidence-Based Practice Briefs, 1, 1–17. Summarizing 25 years of research on teaching sign-language to those with ASD, Layton and Watson (1995) conclude that “even after intensive training with signs, a significant number of nonverbal children continue to be mute and acquire only a few useful signs” (p. 81).    LAYTON, T., & WATSON, L. (1995). Enhancing communication in non-verbal children with autism. In K. A. Quill (Ed.), Teaching children with autism: Strategies to enhance communication and socialization (pp. 73–101). New York, NY: Delmar Publishers. Bonvillian, J. D., & Blackbum. D. W (1991). Manual communication and factors relating to sign language acquisition. In P Siple & S. Fischer (Eds.). Theoretical issues in sign language research: Vol. 2, Psychology (pp. 255-277). Chicago: The University of Chicago Press. Lori Frost's two published guidelines on transitioning from PECS to SGDs: Frost, L., & McGowan, J. (2011). Strategies for Transitioning From PECS to SGD. Part I: Overview and Device Selection. Perspectives on Augmentative and Alternative Communication, 20, 114-120. Frost, L., & McGowan, J. (2012). Strategies for Transitioning From PECS to SGD. Part 2: Maintaining Communication Competency. Perspectives on Augmentative and Alternative Communication, 21, 3-10. Recent SGD review: Gilroy, S., McCleery, J. & Leader, G. (2017). Systematic Review of Methods for Teaching Social and Communicative Behavior with High-Tech Augmentative and Alternative Communication Modalities, Review Journal of Autism and Developmental Disorders, 4, 307-320. Looked at transitioning from PECS to SGD Hill, D. & Flores, M. (2014). Comparing the Picture Exchange Communication System and the iPad™ for communication of students with autism spectrum disorder and developmental delay, TechTrends, 58, 45-53. Concluded: “The authors recommend that PECS™ phases I-III be mastered before the iPad™ is introduced, to ensure the students master these prerequisite skills since they are more difficult to scaffold (break into smaller units for teaching and then build additional skills) using the iPad™. This session of The Behavioral Observations Podcast is supported by the following: Clinical Behavior Analysis, Kentucky’s leading provider of Applied Behavior Analysis (ABA), counseling and direct support services to individuals with intellectual and developmental disabilities, acquired brain injury and autism.They are about to open The Center for Behavior Analysis, a 13,000 square foot, state of art facility in Louisville, KY, and they’re looking for a clinical director to lead a highly motivated team of clinicians and technicians.If you’re not familiar with Louisville, it’s been rated by US News & World Report as one of the nation’s best places to live. With a low cost of living, your industry-leading salary and signing bonus will go a lot farther. And with an abundance of cultural and recreational activities, you will not lack for fun things to do.So to learn more, go to cbacares.com/careers and set up your confidential interview today! HRIC, which brings 30 years of recruiting experience to help BCBA's find their dream jobs. Click here to schedule your confidential inquiry. The Behavioral Observations Podcast merchandise store. Need a gift for that behavior-nerd friend of yours? I have you covered. From T-shirts, to coffee mugs, from totes to even onesies, we have something for everyone. A great discount on BOP CE's for Newly Minted BCBA's can be found here. For the rest of us, check these out. If you're in the New England area this fall (and it's a great place to visit, just saying...) come check out the NH ABA conference in downtown Manchester, NH. Details are here. If you want to see a short interview I did with conference organizer and mentor extraordinaire, Dr. Le'Ann Milinder, in which we talk all things NH ABA 2018, you can check that out here.

Gorgoneion, Illuminations du brouillard I-III, Solitude-Nocturne, W.A.S.T.E.2, Hommage au hautbois | Peter Veale, Oboe | Ernest Rombout, Piccolooboe | Sven Thomas Kiebler, Klavier | ELISON - Eugene Ughetti, Dirigent

Diesmal dreht sich alles rund um Geocaching 2.0 mit NFC und QR-Codes, Turmuhren die IIII oder IV zeigen, einem Ergebnis zur zusätzlichen Logbedingung-Diskussion und vielem mehr!

E3 is soon but for now we've got to wait by playing wonderful video games. Life is so hard.   All this AND MORE™!   Games discussed: Onrush, Far: Lone Sails, Steamlink, Alluvium, Millanoir, Sushi Striker, Yoku’s Island Express, Pokemon Quest, 3030 Deathwar Redux - A Space Odyssey, Pokemon Quest, BLOPS IIII, No Man’s Sky, Sea Of Thieves, PUBG, Fortnite, Pokemon: Let's Go Pikachu, Pokemon: Let's Go Eevee Join us on Discord: discord.eightandahalfbit.com   Follow us on twitter! Eight and a Half Bit: @8AndAHalfBit James: @JamesBowling Amy: @iamtoshki Paul: @MrParoxysm

Otra   semana  que   termina  y  otra   semana  más  con GamersRD Podcast,  esta    semana   estuvo  cargada   de  filtraciones,   nuevas revelaciones  de  juegos, y mucho  contenido pre  E3,  que siempre se filtra, aunque algo de hype se va junto con estas  filtraciones, siempre es bueno tener idea de lo que vendrá en las conferencias. Hablamos sobre  la presentación de Call of Duty: Black Ops IIII y todo lo nuevo  que vendrá a este juego, pudimos hacerle el review  al juego State of Decay 2 y finalmente  hablamos  sobre el trailer gameplay del juego Rage 2.  Pueden visitarnos en www.gamersrd.com 

In the April 2018 edition of Suite (212), returning host Juliet Jacques talks to artist, musician and filmmaker Larry Achiampong and dancer/performer Alexandrina Hemsley (of Project O) about race, racism and the arts. (Cover image: 'Self-Portrait Exaggerating My Negroid Features' by Adrian Piper, 1981) WORKS REFERENCED: LARRY ACHIAMPONG & DAVID BLANDY: Biters - http://www.larryachiampong.co.uk/list-of-artworks/biters LARRY ACHIAMPONG & DAVID BLANDY: Finding Fanon, parts I-III - https://vimeo.com/138951543 LARRY ACHIAMPONG: Relic Traveller - http://larryachiampong.co.uk/list-of-artworks/voyage-of-the-relic-traveller ALEXANDRINA HEMSLEY: Feminist Shakedown - http://feministshakedown.tumblr.com/ ALEXANDRINA HEMSLEY & SEKE CHIMUTENGWENDE: Black Holes - www.blackholes.co.uk JAY BERNARD: Surge - Side A - https://www.theguardian.com/books/2018/apr/05/speaking-out-jay-bernard-surge-side-a-poet BLACK AUDIO FILM COLLECTIVE: Handsworth Songs, Part I (1986) - http://unrealisedfutures.tumblr.com/post/134049237625/black-audio-film-collective-handsworth-songs RENI EDDO-LODGE, Why I'm No Longer Talking to White People abour Race [2014 blog post] - http://renieddolodge.co.uk/why-im-no-longer-talking-to-white-people-about-race/ STUART HALL & MAGGIE STEED: It Ain't Half Racist Mum - http://unrealisedfutures.tumblr.com/post/133964781230/stuart-hall-it-aint-half-racist-mum-1979 CLARISSA PINKOLA ESTÉS: Women Who Run with the Wolves - https://medium.com/@kami_leon/13-reasons-why-you-should-read-women-who-run-with-the-wolves-instead-36435ea32b4 ADRIAN PIPER: 'Self-Portrait Exaggerating My Negroid Features' - http://adrianpiperarted.blogspot.co.uk/2009/11/self-portrait-exaggerating-my-negroid.html NIKESH SHUKLA (ed.): The Good Immigrant - https://unbound.com/books/the-good-immigrant/ Sutapa Biswas: https://en.wikipedia.org/wiki/Sutapa_Biswas Sonia Boyce: https://www.royalacademy.org.uk/art-artists/name/sonia-boyce-ra Octavia Butler: https://www.theguardian.com/news/2006/mar/16/guardianobituaries.bookscomment Lubaina Himid: http://www.tate.org.uk/art/artists/lubaina-himid-2356/turner-prize-2017-biography Sabrina Mahfouz: http://www.sabrinamahfouz.com/ Pauline Mayers: https://paulinemayers.wordpress.com/ Wangechi Mutu: http://www.ubu.com/film/mutu.html Network 11 (Junior Boakye-Yiadom, Beverly Bennett and others): https://ntwrk11.wordpress.com Kamile Ofoeme: https://vimeo.com/user35307978 Selina Thompson: http://selinathompson.co.uk/ Akeim Toussaint Buck: http://www.toussainttomove.com/ Priyamvada Gopal's response to the Daily Mail - https://medium.com/@zen.catgirl/my-heartfelt-thanks-to-the-hundreds-of-people-who-have-sent-their-solidarity-and-support-via-email-5f9739ec5dba Ash Sarkar on the BBC and Enoch Powell - https://www.independent.co.uk/voices/bbc-enoch-powell-rivers-of-blood-racism-brexit-wrong-to-run-it-a8302766.html Kit de Waal interview (Guardian) - https://www.theguardian.com/books/2018/mar/24/kit-de-waal-interview-the-trick-to-time Tate, 'The Other Story' exhibition (1989) - http://www.tate.org.uk/research/publications/tate-papers/no-12/the-other-story-and-the-past-imperfect Tate Modern, 'Soul of a Nation' exhibition (2017) - https://www.theguardian.com/artanddesign/2017/jul/16/soul-of-a-nation-art-in-the-age-of-black-power-tate-modern-review

Only one hour from the DC and Baltimore Metro Regions, River Riders Inc., offers white water rafting, tubing, canopy tour/zipline, aerial forest adventure parks, kayaking, canoeing, mountain biking, lodging options and fishing adventures on the beautiful Shenandoah and Potomac Rivers (class I-III) in Harpers Ferry, West Virginia. Using their expertise and the best adventure equipment available, they run all trips in a professional, personable manner. They pride themselves on superior guest service. Show Notes: 00:31-2:00: Jim introduces the company River Riders Family Adventure Resort owner, Matthew Knott. Continue reading Episode 11: River Riders Family Resort: Keeping Customer Service Alive at Positively West Virginia.

Esta semana estuvo cargada de noticias, pero sobre todo cargada de noticias calientes, top, de esas que te dejan con esa sensación de que al fin tenemos cosas buenas para los próximos meses y años en los videojuegos. Para empezar, hablaremos un poco del Nintendo Direct, que nos trajo esta importante conferencia que suele hacer Nintendo, cada cierto tiempo. Xbox Inside: Vino intenso también, se centraron en sus próximos lanzamientos y lo que vendrá para Sea of Theaves, lo que tendrá, que será un multijugador increíblemente interesante para muchos jugadores, centrado básicamente en el cooperativo. The Duke: será un control original de Xbox, será de color verde, incluso con el logo de la consola original, un excelente control para todo amante de Xbox. PUBG: hablaron de cómo va su desarrollo, y lo que planifican en su progreso en Xbox One, poniéndole actualizaciones y la experiencia de juego, su punto es mejorarlo en todo aspecto (gráficos, rendimiento, tramposos). Activision muestra fecha y por sobre todo Call of Duty: Black ops IIII, con un nuevo teaser además de imágenes de lo que nos espera en esta nueva entrega de esta famosa saga. Days Gone se retrasa a 2019, era de esperar, pues no han mostrado muchos detalles sobre este juego y ya se confirmó por fuentes oficiales. The Division 2, ya fue confirmado oficialmente por Ubisoft, pero mostraran más detalles en el E3 2018. Y como siempre nuestros reviews de la semana. Monster Energy Superross, Defender of Ekron, Fear Effect Sedna, Kirby Battle Royale, Scribblenouts Showdown, Final Fantasy XV: Windows Edition.

Det börjar dra ihop sig. I det sista avsnittet innan vi fyller 200 snackas det om The Witcher-Geralts eventuella gästspel i något annat 2018-spel, ett Grand Theft Auto 6 i Vice City och med kvinnlig huvudroll, Call of Duty: Black Ops IIII (inte IV!), Metal Gear Survive, Rad Rogers, Zonen vi ärvde, The Witcher 3, Stardew Valley, nyversionen av Shadow of the Colossus samt fenomenet backlogs.

Jämna tiotal av bloggen bjuder vi på frågeavsnitt – så i detta avsnitt gör vi det för fjärde gången. Frågor handlar om allt från säkerhet, navigering och trygghetskänslor när man reser själv, till absolut mesta drömresan just nu och hur tillförlitliga resebloggare egentligen är. Trevlig sommarlyssning! I avsnittet nämner vi Ditt Dubai som duktig arrangör av tjejresor till Dubai, och här har Lisa respektive Annika skrivit mer om dem.    Dagens avsnitt presenteras i samarbete med KRY, där du som […] Inlägget 040: Att svara på frågor (IIII) dök först upp på Att resa-podden.

Today we discuss with Thomas the sin of sloth. What is it? When does it become a mortal sin? --- Please consider supporting the show: www.patreon.com/pwa Get the book: https://www.amazon.com/Pints-Aquinas-Thoughts-Angelic-Doctor/dp/0692752404 --- Sloth, according to Damascene (De Fide Orth. ii, 14) is an oppressive sorrow, which, to wit, so weighs upon man's mind, that he wants to do nothing; thus acid things are also cold. Hence sloth implies a certain weariness of work, as appears from a gloss on Psalm 106:18, "Their soul abhorred all manner of meat," and from the definition of some who say that sloth is a "sluggishness of the mind which neglects to begin good." Now this sorrow is always evil, sometimes in itself, sometimes in its effect. For sorrow is evil in itself when it is about that which is apparently evil but good in reality, even as, on the other hand, pleasure is evil if it is about that which seems to be good but is, in truth, evil. Since, then, spiritual good is a good in very truth, sorrow about spiritual good is evil in itself. And yet that sorrow also which is about a real evil, is evil in its effect, if it so oppresses man as to draw him away entirely from good deeds. Hence the Apostle (2 Corinthians 2:7) did not wish those who repented to be "swallowed up with overmuch sorrow." Accordingly, since sloth, as we understand it here, denotes sorrow for spiritual good, it is evil on two counts, both in itself and in point of its effect. Consequently it is a sin, for by sin we mean an evil movement of the appetite, as appears from what has been said above (II-II:10:2; I-II:74:4). ... mortal sin is so called because it destroys the spiritual life which is the effect of charity, whereby God dwells in us. Wherefore any sin which by its very nature is contrary to charity is a mortal sin by reason of its genus. And such is sloth, because the proper effect of charity is joy in God, as stated above (II-II:28:1), while sloth is sorrow about spiritual good in as much as it is a Divine good. Therefore sloth is a mortal sin in respect of its genus. But it must be observed with regard to all sins that are mortal in respect of their genus, that they are not mortal, save when they attain to their perfection. Because the consummation of sin is in the consent of reason: for we are speaking now of human sins consisting in human acts, the principle of which is the reason. Wherefore if the sin be a mere beginning of sin in the sensuality alone, without attaining to the consent of reason, it is a venial sin on account of the imperfection of the act. Thus in the genus of adultery, the concupiscence that goes no further than the sensuality is a venial sin, whereas if it reach to the consent of reason, it is a mortal sin. So too, the movement of sloth is sometimes in the sensuality alone, by reason of the opposition of the flesh to the spirit, and then it is a venial sin; whereas sometimes it reaches to the reason, which consents in the dislike, horror and detestation of the Divine good, on account of the flesh utterly prevailing over the spirit. On this case it is evident that sloth is a mortal sin.   ST II-II, Q. 35, A. 1;3.  --- Thanks to the following patrons of Pints With Aquinas   Jed Florstat Daniel Szafran Phillip Hadden Katie Kuchar   Phillipe Ortiz Malcolm Paul MacDonald Nick Sungenis Kevin Donaoe Dennis Mahoney Katherine Szojka Shawn Pierce

Support the show here! - www.Patreon.com/pwa Learn more about PWA here - www.pintswithaquinas.com --- Huge thanks to Philipe Ortiz and Katie Kuchar in particular for supporting to the show! --- We may speak about prayer in two ways: first, by considering it in itself; secondly, by considering it in its cause. The cause of prayer is the desire of charity, from which prayer ought to arise: and this desire ought to be in us continually, either actually or virtually, for the virtue of this desire remains in whatever we do out of charity; and we ought to "do all things to the glory of God" (1 Corinthians 10:31). From this point of view prayer ought to be continual: wherefore Augustine says (ad Probam, Ep. cxxx, 9): "Faith, hope and charity are by themselves a prayer of continual longing." But prayer, considered in itself, cannot be continual, because we have to be busy about other works, and, as Augustine says (ad Probam. Ep. cxxx, 9), "we pray to God with our lips at certain intervals and seasons, in order to admonish ourselves by means of such like signs, to take note of the amount of our progress in that desire, and to arouse ourselves more eagerly to an increase thereof." Now the quantity of a thing should be commensurate with its end, for instance the quantity of the dose should be commensurate with health. And so it is becoming that prayer should last long enough to arouse the fervor of the interior desire: and when it exceeds this measure, so that it cannot be continued any longer without causing weariness, it should be discontinued. Wherefore Augustine says (ad Probam. Ep. cxxx): "It is said that the brethren in Egypt make frequent but very short prayers, rapid ejaculations, as it were, lest that vigilant and erect attention which is so necessary in prayer slacken and languish, through the strain being prolonged. By so doing they make it sufficiently clear not only that this attention must not be forced if we are unable to keep it up, but also that if we are able to continue, it should not be broken off too soon." And just as we must judge of this in private prayers by considering the attention of the person praying, so too, in public prayers we must judge of it by considering the devotion of the people.   Objection 1. It would seem that prayer should not be continual. It is written (Matthew 6:7): "When you are praying, speak not much." Now one who prays a long time needs to speak much, especially if his be vocal prayer. Therefore prayer should not last a long time. Reply to Objection 1. As Augustine says (ad Probam. Ep. cxxx), "to pray with many words is not the same as to pray long; to speak long is one thing, to be devout long is another. For it is written that our Lord passed the whole night in prayer, and that He 'prayed the longer' in order to set us an example." Further on he says: "When praying say little, yet pray much so long as your attention is fervent. For to say much in prayer is to discuss your need in too many words: whereas to pray much is to knock at the door of Him we pray, by the continuous and devout clamor of the heart. Indeed this business is frequently done with groans rather than with words, with tears rather than with speech." Objection 4. On the contrary, It would seem that we ought to pray continually. For our Lord said (Luke 18:1): "We ought always to pray, and not to faint": and it is written (1 Thessalonians 5:17): "Pray without ceasing." Reply to Objection 4. One may pray continually, either through having a continual desire, as stated above; or through praying at certain fixed times, though interruptedly; or by reason of the effect, whether in the person who prays--because he remains more devout even after praying, or in some other person--as when by his kindness a man incites another to pray for him, even after he himself has ceased praying.  ST. II-II, Q. 83, A. 14. --- Thanks to http://www.bensound.com/ for some of the music.

We've got another single topic episode for you this week. We're talking about the Invisible Sun Kickstarter ARG, the puzzles, the solutions, and where things are at now. If you cannot see the audio controls, your browser does not support the audio element Show Notes Segment One - Invisible Sun Kickstarter ARG (A Distant Light Pierces the Mist) Alternate Reality Game (ARG) -- link Path of Suns website -- link G+ Invisible Sun community -- link Kickstarter puzzles Clocks Our Kickstarter History -- link The Invisible Sun Kickstarter Is Different -- link Deluxe Games -- link Group Purchases -- link Shipping -- link Changing the Way RPGs Are Played -- link The Directed Campaign -- link The Active Sun -- link Details of the Contents -- link A Solid Door The door was made known with the Green Sun update -- link Solution #1 The first solution was figured out based upon Paladin Revenant’s theory about the clocks -- link Putting the clocks in hour order and taking the roman numeral the minute hand is pointing at will give you the key: 376298415 Door leads to Are You a Spider or an Ant? -- link Solution #2 Clue about the clocks dropped in the Indigo Sun update -- link “There is more than one way for clocks to be keys” Ryan Chaddock and Robert Marino seemed to have figured this one out -- link Putting the clocks in order of the minute hands and taking the roman numeral the hour hand is pointing at gives you the key: 841793265 Door leads to Are You an Ant or a Spider? -- link Solution #3 Memory stick, The Blade, was found in a cache with an image of Wrong Cat and a text file. -- link The image had white text on the transparent background which read “If you are looking for lies, use Grey” What Also Opens the Door.txt had the following text: To see that the door is opened by a lie, you may need an extra eye. Another hint was dropped in a Tweet, which I cannot locate. It was an image of a clock, and I thought it was pointing at the fourth hour. Hour four on the clock is incorrect: IIII instead of IV Entering IIII in the door opens it Door leads to Fartown -- link Spiders and Ants The solid door puzzle leads to two different pages about Spiders and Ants. There has been much discussion about what Spiders and Ants are, but no solid conclusions yet. Monte is a Spider -- link Geocaches Several updates included GPS coordinates to geocaches Some of the caches had USB memory sticks that contained files that predicted keyfalls Digital contents of the caches -- link Two images were found Changery image asks about the solid door -- link Wrong Cat pointing to the third Solid Door puzzle -- link Clues were hidden in the background of the images Looking through the bytes of the images revealed no further hidden information Current state Shanna stated in the Kickstarter comments that there are two or three puzzles that have not been solved -- link This was before the third solution to the Solid Door puzzle was found Not all of the caches have been recovered, or reported on the G+ group Nothing conclusive was determined about Spiders and Ants Follow us at: @drscottrobinson and @tex_red on Twitter. We can be contacted via email at incantationspodcast@gmail.com. You can also get in touch with us on the Invisible Sun G+ community. Music in the episode was drawn from the song "Beyond" by Wes Otis and Plate Mail Games. It is available at DriveThruRPG. Invisible Sun is the intellectual property of Monte Cook Games. Subscribe: iTunes | Google Play | RSS

Poeten Carolina Thorell fick hösten 2016 i uppdrag av Region Gävleborg att poetiskt tolka ett kulturhistoriskt material kring en byggnad kallad Sysslomansbostaden på Gävle Sjukhus. Byggnaden byggdes 1914-1916 som bostad men fungerar nu som konferens- och kontorsmiljö. Materialet hon utgick ifrån var det researchmaterial som utställningsproducent Desirée Kjellberg samlade ihop: gamla dokument ur landstingsarkivet, fotografier, ritningar, protokoll etc. och information i kyrkböcker men också den intervju som gjordes med två systrar som växte upp i byggnaden på 30-&40-talen, vilket också finns här som bonusmaterial. Dessutom besökte Carolina Thorell byggnaden, tittade på spegeldörrar, trappor, handtag och tegel. Carolina Thorells tre dikter "En enda plats av allt I-III" finns nu både som ljudinstallation och tryckta på glas som svävar i rummen på nedersta våningen i byggnaden.

Objection 1. It seems that flattery is not a sin. For flattery consists in words of praise offered to another in order to please him. But it is not a sin to praise a person, according to Proverbs 31:28, "Her children rose up and called her blessed: her husband, and he praised her." Moreover, there is no evil in wishing to please others, according to 1 Corinthians 10:33, "I . . . in all things please all men." Therefore flattery is not a sin. Objection 2. Further, evil is contrary to good, and blame to praise. But it is not a sin to blame evil. Neither, then, is it a sin to praise good, which seems to belong to flattery. Therefore flattery is not a sin. Objection 3. Further, detraction is contrary to flattery. Wherefore Gregory says (Moral. xxii, 5) that detraction is a remedy against flattery. "It must be observed," says he, "that by the wonderful moderation of our Ruler, we are often allowed to be rent by detractions but are uplifted by immoderate praise, so that whom the voice of the flatterer upraises, the tongue of the detractor may humble." But detraction is an evil, as stated above (II-II:73:3). Therefore flattery is a good. On the contrary, A gloss on Ezekiel 13:18, "Woe to them that sew cushions under every elbow," says, "that is to say, sweet flattery." Therefore flattery is a sin. I answer that, As stated above (II-II:114:1 ad 3), although the friendship of which we have been speaking, or affability, intends chiefly the pleasure of those among whom one lives, yet it does not fear to displease when it is a question of obtaining a certain good, or of avoiding a certain evil. Accordingly, if a man were to wish always to speak pleasantly to others, he would exceed the mode of pleasing, and would therefore sin by excess. If he do this with the mere intention of pleasing he is said to be "complaisant," according to the Philosopher (Ethic. iv, 6): whereas if he do it with the intention of making some gain out of it, he is called a "flatterer" or "adulator." As a rule, however, the term "flattery" is wont to be applied to all who wish to exceed the mode of virtue in pleasing others by words or deeds in their ordinary behavior towards their fellows. Reply to Objection 1. One may praise a person both well and ill, according as one observes or omits the due circumstances. For if while observing other due circumstances one were to wish to please a person by praising him, in order thereby to console him, or that he may strive to make progress in good, this will belong to the aforesaid virtue of friendship. But it would belong to flattery, if one wished to praise a person for things in which he ought not to be praised; since perhaps they are evil, according to Psalm 9:24, "The sinner is praised in the desires of his soul"; or they may be uncertain, according to Sirach 27:8, "Praise not a man before he speaketh," and again (Sirach 11:2), "Praise not a man for his beauty"; or because there may be fear lest human praise should incite him to vainglory, wherefore it is written, (Sirach 11:30), "Praise not any man before death." Again, in like manner it is right to wish to please a man in order to foster charity, so that he may make spiritual progress therein. But it would be sinful to wish to please men for the sake of vainglory or gain, or to please them in something evil, according to Psalm 52:6, "God hath scattered the bones of them that please men," and according to the words of the Apostle (Galatians 1:10), "If I yet pleased men, I should not be the servant of Christ." Reply to Objection 2. Even to blame evil is sinful, if due circumstances be not observed; and so too is it to praise good. Reply to Objection 3. Nothing hinders two vices being contrary to one another. Wherefore even as detraction is evil, so is flattery, which is contrary thereto as regards what is said, but not directly as regards the end. Because flattery seeks to please the person flattered, whereas the detractor seeks not the displeasure of the person defamed, since at times he defames him in secret, but seeks rather his defamation.     ---   Objection 1. It seems that flattery is a mortal sin. For, according to Augustine (Enchiridion xii), "a thing is evil because it is harmful." But flattery is most harmful, according to Psalm 9:24, "For the sinner is praised in the desires of his soul, and the unjust man is blessed. The sinner hath provoked the Lord." Wherefore Jerome says (Ep. ad Celant): "Nothing so easily corrupts the human mind as flattery": and a gloss on Psalm 69:4, "Let them be presently turned away blushing for shame that say to me: 'Tis well, 'Tis well," says: "The tongue of the flatterer harms more than the sword of the persecutor." Therefore flattery is a most grievous sin.   On the contrary, Augustine in a sermon on Purgatory (xli, de Sanctis) reckons among slight sins, "if one desire to flatter any person of higher standing, whether of one's own choice, or out of necessity." I answer that, As stated above (II-II:112:2), a mortal sin is one that is contrary to charity. Now flattery is sometimes contrary to charity and sometimes not. It is contrary to charity in three ways. First, by reason of the very matter, as when one man praises another's sin: for this is contrary to the love of God, against Whose justice he speaks, and contrary to the love of his neighbor, whom he encourages to sin. Wherefore this is a mortal sin, according to Isaiah 5:20. "Woe to you that call evil good." Secondly, by reason of the intention, as when one man flatters another, so that by deceiving him he may injure him in body or in soul; this is also a mortal sin, and of this it is written (Proverbs 27:6): "Better are the wounds of a friend than the deceitful kisses of an enemy." Thirdly, by way of occasion, as when the praise of a flatterer, even without his intending it, becomes to another an occasion of sin. On this case it is necessary to consider, whether the occasion were given or taken, and how grievous the consequent downfall, as may be understood from what has been said above concerning scandal (II-II:43:4). If, however, one man flatters another from the mere craving to please others, or again in order to avoid some evil, or to acquire something in a case of necessity, this is not contrary to charity. Consequently it is not a mortal but a venial sin. --- PintsWithAquinas.com Pints With Aquinas (the book!) https://www.amazon.com/Pints-Aquinas-Thoughts-Angelic-Doctor/dp/0692752404

Imagine you get to meet your celebrity crush, imagine you get to talk to them and ask them to be on your show...imagine they say yes...what do you do? Would you ask them out?! Guess what Iiii diiiddd... Oh wait, you don't have to guess... It's all been perfectly recorded... for your amusement... Laugh it up fuzzballs., In part B of this episode which is actually the first half of their conversation, Mason is joined by the coolest Internet Celebrity superstar ever Alexi Wasser for a heart-wrenching soul searching talk about love and breakup, first dates, drugs, and fantasy vs reality and maybe even a little bit of anime... All amazing things happening right here on this astonishing and completely -typical episode of Anime Attic Presented by Meltdown Comics! T-shirts: https://www.teepublic.com/user/meltdownnetwork Alexi Wasser Podcast: Love Alexi iTunes: https://itunes.apple.com/us/podcast/love-alexi/id336174425?mt=2 Twitter: @alexiwasser Instagram: @alexiwasser Snapchat:@AlexiWasser Follow the show! Twitter: @animeatticlove Instagram: @animeatticlove Produced and engineered by Mason Booker Logo by Laura Darby www.Lauradarby.com

In der 11. Episode von RKK geht es um das Uhrenziffernblatt. Genauer gesagt geht es um die Schreibweise der römischen Vier die auf vielen Zifferblättern mit vier IIII und nicht wie eigentlich richtig, mit IV dargestellt wird. Es gibt für diese Schreibweise mehrerer Begründungen. !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! !!! Achtung, auch die zweite Seite beachten, mit vier weiteren Episoden !!!! !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! Blog: http://rodensteinskunstkabinett.podspot.de Louisrodenstein@gmx.de Facebook: Louis Rodestein

Professor Menon speaks with ecancertv at ASCO 2016 about screening strategies to detect early stage ovarian cancer. Ovarian cancer was responsible for over 14,000 deaths in the US last year, but is often not diagnosed in stage I-III. With regular screening, such as annual ultrasound and multimodal sample collection, Dr Menon reports early diagnoses and intervention from a patient pool of over 200,000 respondents. Further analysis is ongoing to determine overall survival benefit.

Die 53. Folge Humoralpathologie!Der älteste Podcast Tübingens meldet sich zurück aus ganz Deutschland. Ein feuchter Traum für alle mit einem Fetisch für disjunkte Einzelsätze geht in Erfüllung…Diesmal mit - Eroterisches Autoorakel (ab ~ 10:00)  - Traumdeutungen (ab ~ 30:37)- Beccas hottes Bibelquiz (ab ~ 40:15)- Deutschlernen mit Hentai (ab 1:14:35)- Philipp Lahm (ab ~ 1:34:38)und die Tasties (ab ~ 1:49:00): www.youtube.com/user/MishutiirioStar Wars Ep. I - IIIBrooklyn Nine-NineAlben der Woche: 666 - Aphrodite’s Child / Live at Carnegy Hall - Harry BelafonteSendet Anregungen, Fragen und andere Kommentare an: humoralpathologie@gmail.com oder schreibt uns auf Facebook und erhaltet einen kostenlosen Ursprungsnamen - Jetzt auch via Twitter @ZunZunChao. Außerdem bei Twitter: @rogerbraun @timschierbaum @Benkei2000 @beccatosaurusBesucht uns unter:http://humoralpathologie.de/und beweist Geschmack, indem ihr unserem Podcast auf Facebook ein Thumbs-Up gebthttps://www.facebook.com/humoralpathologieWeiterführende Links:Das Auto spirituell erklärtStimulierender DeutschkursFür die Musik bedanken wir uns bei Revolution Void.Angespielte Tracks: The Modern Divide & Obscure Terrain.Von dem Album “Increase the Dosage” und Burned Sky vom Album “Let 1,000 Flowers Bloomhttp://www.revolutionvoid.com/Sämtliche Musik ist unter der Creative Commons Lizenz veröffentlicht worden.

Hoje seria sobre “De Volta para o Futuro I, II, III, IIII e IIIII” sei lá quantos episódios tem essa merda de filme. Mas pra variar ninguém teve a capacidade de abrir o IQUIPÉDIA pra ler e pagar de Manjadão….

Hoje seria sobre “De Volta para o Futuro I, II, III, IIII e IIIII” sei lá quantos episódios tem essa merda de filme. Mas pra variar ninguém teve a capacidade de abrir o IQUIPÉDIA pra ler e pagar de Manjadão….

Ken Brashier’s new book is another tour de force and must-read for scholars of Chinese studies. Public Memory in Early China (Harvard University Asia Center, 2014) offers a history of identity and public memory in early China. An extensive introductory chapter lays a foundation for the rest of the book by exploring Han understandings of memory as concept and practice, including the import and nature of memorization within early manuscript culture and the ways that writing and recitation may have helped shape the cultural and political history of the Han dynasty. This introduction is followed by three parts of the book (I-III) that respectively examine the significance of the most important parameters of identity – name, age, and kinship – by understanding how each helped position individuals in relative terms. These are followed by two parts (IV; V) devoted to the tangible and intangible tools that facilitated such positioning. In each case, Brashier helps readers understand the major ways that early Chinese notions of self and identity (and the concepts that undergirded them) were importantly different or (in one case) fascinatingly similar to comparable notions in Western texts. As a result of this comparative attention, Public Memory in Early China is also a wonderful instrument for helping rethink our most basic assumptions about time, aging, and death. It is an important books well worth reading and remembering. For my interview with Brashier about his earlier book, see here. For his wonderful website on the Hell Scrolls, see here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ken Brashier’s new book is another tour de force and must-read for scholars of Chinese studies. Public Memory in Early China (Harvard University Asia Center, 2014) offers a history of identity and public memory in early China. An extensive introductory chapter lays a foundation for the rest of the book by exploring Han understandings of memory as concept and practice, including the import and nature of memorization within early manuscript culture and the ways that writing and recitation may have helped shape the cultural and political history of the Han dynasty. This introduction is followed by three parts of the book (I-III) that respectively examine the significance of the most important parameters of identity – name, age, and kinship – by understanding how each helped position individuals in relative terms. These are followed by two parts (IV; V) devoted to the tangible and intangible tools that facilitated such positioning. In each case, Brashier helps readers understand the major ways that early Chinese notions of self and identity (and the concepts that undergirded them) were importantly different or (in one case) fascinatingly similar to comparable notions in Western texts. As a result of this comparative attention, Public Memory in Early China is also a wonderful instrument for helping rethink our most basic assumptions about time, aging, and death. It is an important books well worth reading and remembering. For my interview with Brashier about his earlier book, see here. For his wonderful website on the Hell Scrolls, see here. Learn more about your ad choices. Visit megaphone.fm/adchoices

Iodine-125 brachytherapy has been applied to brain tumours since 1979. Even though the physical and biological characteristics make these implants particularly attractive for minimal invasive treatment, the place for stereotactic brachytherapy is still poorly defined. An extensive review of the literature has been performed, especially concerning indications, results and complications. Iodine-125 seeds have been implanted in astrocytomas I-III, glioblastomas, metastases and several other tumour entities. Outcome data given in the literature are summarized. Complications are rare in carefully selected patients. All in all, for highly selected patients with newly diagnosed or recurrent primary or metastatic tumours, this method provides encouraging survival rates with relatively low complication rates and a good quality of life.

Harken back to the days before Geek Salad joined the Podbean family with Retro Episode 14: Midichlorian Mania!!! Join Andy, original co-host Mike C, and Mike G when he was still just an in-studio guest, as they go through the Star Wars Prequels. Be prepared to be shocked as the trio go over both the very bad, but also the good points about Star Wars episodes I-III. Originally posted June 18, 2009. Geek Salad is available at www.geeksalad.podbean.com, or can be subscribed to at the iTunes store by using keyword “geek salad.” Contact Geek Salad at geeksalad@yahoo.com or visit their MySpace page at www.myspace.com/geeksalad. Geek Salad is also available on Facebook under the group heading “Geek Salad Podcast.” Please subscribe to their Twitter feed: @geeksaladradio Geek Salad is intended for adult listeners and contains coarse language and profanity. Listener discretion is advised.

Brent Harris (1956 Aotearoa New Zealand), Deities series I–III 2005. Woodcuts, printed in colour, 106.7 h x 81.3 w cm (each sheet). Gordon Dowling Australia Pacific Print Fund 2006.

Tue, 1 Jan 1557 12:00:00 +0100 http://epub.ub.uni-muenchen.de/11087/ http://epub.ub.uni-muenchen.de/11087/1/4Hist.1082_2a.pdf Unbekannter Autor Bericht von dem Fride, So zwischen Bapst Paulo dem IIII. [et]c. und Philippo Königen in Hispanien und Engeland [et]c. bey Rom auff freyem Feldt gemacht worden. Von dem grossen wasser, So den Xv. Septemb