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The Cookware That's Secretly Poisoning Your Food Not all cookware is created equal. After months of investigating 21 major cookware brands, Dr. Christian Gonzalez uncovered a truth the industry doesn't want you to know: only one passed his strict standards for safety, transparency, and purity. Most companies, including billion-dollar icons like Le Creuset, Caraway, All-Clad, HexClad, and GreenPan - either ignored requests for safety data, relied on toxic PFAs coatings, or hid behind influencer marketing. In this episode, Dr. G exposes which brands are quietly contaminating your food, the dangerous materials to avoid, and how to choose cookware that protects your brain, hormones, and nervous system. To get the full updated product list, visit:
Windows 11's 25H2 release isn't hitting every device right away—find out how to jump the line and enable hidden new features before the official rollout. Host: Paul Thurrott Download or subscribe to Hands-On Windows at https://twit.tv/shows/hands-on-windows Want access to the ad-free video and exclusive features? Become a member of Club TWiT today! https://twit.tv/clubtwit Club TWiT members can discuss this episode and leave feedback in the Club TWiT Discord.
'Each of us was put on this earth at this time to personally determine the fate of humankind. Do you think you were put here for something less?' Chief Arvol Looking Horse. We exist in a world where the ultra-rich are getting richer, powered by a system we call 'the economy' which is serving to funnel power and value up to an ever-shrinking core of wounded individuals who then project their trauma out on the rest of the world in a doomed attempt to feel better about being caught in a system that doesn't promote human wellbeing. So far, so very obvious. The system is clearly dysfunctional and the cost of failure is the sixth mass extinction. The stakes could not be higher. So how do we create the unity and clarity we need to coalesce around a common cause? Explicitly, how do we create a system that aims for the longterm wellbeing for all - where 'all' is not just all of humanity now and for generations to come in perpetuity, but all of the web of life, the human and the more than human worlds? How, in fact, do we persuade at least a critical mass of our existing system, that we as humans exist to transform our selves and our world for the flourishing of all? This weeks' guest has wrestled with these questions for all her adult life. Victoria Hurth is an Independent Pracademic who works at the cutting edge of theory and practice to help the world clarify its consensus on foundational issues. As you'll hear, she firmly believes that we need to agree that our goal is the longterm wellbeing of all, and then co-create the governance system to frame the strategies that will take us there. We don't need everyone to sign up, but we do need a critical mass of people at all levels of our organisations from government, to NGOs to industry and beyond. To this end, Victoria co-led the five-year development of the global ISO standard in Governance of Organizations (ISO37000), was Technical Author for the first national standard in Purpose-Driven Organizations and is currently Project Leader of the development of an equivalent ISO (ISO37011). Victoria is a Fellow of the University of Cambridge Institute of Sustainability Leadership (CISL), Director at the Soil Association Certification Ltd and advises Planet Mark, UnaTerra Venture Capital, and formerly Creatives for Climate Collective and SACE – Italy's national export credit agency. She advised the UN on the SDG methodology for the business reporting target 12.6.1 and has over 25 years' global experience in business transformation and as a full time Associate Professor of Marketing and Sustainable Business. Alongside all this, she is a practicing Stoic. How inspiring is that? She is also co-author of a new book called 'Beyond Profit' which is one of those potentially world-changing books that lays out in explicit detail why the old system is dead, how slight tweaks to make it 'more sustainable' are never - were never - going to work - and how instead we might craft a new system of governance that allows us to step forward into a world that does prioritise the longterm wellbeing of all life. Beyond Profit book https://uk.bookshop.org/p/books/beyond-profit-purpose-driven-leadership-for-a-wellbeing-economy-lorenzo-fioramonti/7895496Victoria's website https://victoriahurth.comVictoria on LinkedIn https://www.linkedin.com/in/dr-victoria-hurth/'Beyond Profit' Book Community https://www.linkedin.com/groups/13085230/ISO37011 (Purpose-Driven Organisations) community https://www.linkedin.com/groups/13091442/What we offer: Accidental Gods, Dreaming Awake and the Thrutopia Writing Masterclass If you'd like to join our next Open Gathering offered by our Accidental Gods Programme it's 'Dreaming Your Death Awake' (you don't have to be a member) it's on 2nd November - details are here.If you'd like to join us at Accidental Gods, this is the membership where we endeavour to help you to connect fully with the living web of life. If you'd like to train more deeply in the contemporary shamanic work at Dreaming Awake, you'll find us here. If you'd like to explore the recordings from our last Thrutopia Writing Masterclass, the details are here
In this thought-provoking episode, Ern and Iso dive into the alleged Saweetie incident in Dubai, breaking down what really went down and how social media has twisted the story. From there, the duo takes it deeper — exploring the blurred lines of modern-day prostitution, the letter of the law, and how the definition of “selling yourself” has evolved in today's culture.With their usual mix of humor, raw honesty, and real talk, Ern and Iso question whether society's morals have shifted or if the game has just been rebranded for a new generation. This one's guaranteed to make you think, laugh, and question everything you thought you knew about fame, money, and morality.
Dime qué piensas del episodio.Adrián Villaseñor @adrianvillasenor.ai es fundador de Auronix y Lidd.ai, dos compañías que están redefiniendo cómo las empresas mexicanas usan la tecnología —no para verse innovadoras, sino para generar valor real.Adrian y yo hablamos de cómo usar la inteligencia artificial para pensar mejor, decidir mejor y liderar mejor, no solo para automatizar tareas. Vamos a entender cómo se construye una estrategia de IA desde el P&L hacia atrás, por qué el cambio cultural es más importante que la tecnología, y qué significa adoptar una mentalidad IA primero.Por favor ayúdame y sigue Cracks Podcast en YouTube aquí."Lo efímero no es solo la vida… también lo son tus logros. No te aferres. Reinvéntate."- Adrian VillaseñorComparte esta frase en TwitterEste episodio es presentado por Hospital Angeles Health System que cuenta con el programa de cirugía robótica más robusto en el sector privado en México y por LegaLario la empresa de tecnología legal que ayuda a reducir costos y tiempos de gestión hasta un 80%.Qué puedes aprender hoyCómo transformar el duelo en propósitoCómo construir relaciones que realmente sumenCómo detectar oportunidades antes que los demás*Este episodio es presentado por Hospital Angeles Health SystemLos avances en cirugía robótica permiten intervenciones con menos sangrado, menos dolor, cicatrices más pequeñas y una recuperación más rápida.Hospital Angeles Health System tiene el programa de cirugía robótica más robusto en el sector privado en México. Cuenta con 13 robots DaVinci, el más avanzado del mundo y con el mayor número de médicos certificados en cirugía robótica ya que tiene el único centro de capacitación de cirugía robótica en el país.Este es el futuro de la cirugía. Si quieres conocer más sobre el programa de cirugía robótica de Hospital Angeles Health System y ver el directorio de doctores visita cracks.la/angeles*Este episodio es presentado por LegaLario, la Legaltech líder en México.Con LegaLario, puedes transformar la manera en que manejas los acuerdos legales de tu empresa. Desde la creación y gestión de contratos electrónicos hasta la recolección de firmas digitales y la validación de identidades, LegaLario cumple rigurosamente con la legislación mexicana y las normativas internacionales.LegaLario ha ayudado a empresas de todos los tamaños y sectores a reducir costos y tiempos de gestión hasta un 80%. Y lo más importante, garantiza la validez legal de cada proceso y la seguridad de tu información, respaldada por certificaciones ISO 27001.Para ti que escuchas Cracks, LegaLario ofrece un 20% de descuento visitando www.legalario.com/cracks. Ve el episodio en Youtube
FREEDOM - HEALTH - HAPPINESSThis podcast is highly addictive and seriously good for your health.SUPPORT DOC MALIK To make sure you don't miss any episodes, have access to bonus content, back catalogue, and monthly Live Streams, please subscribe to either:The paid Spotify subscription here: https://creators.spotify.com/pod/show/docmalik/subscribe The paid Substack subscription here: https://docmalik.substack.com/subscribeThank you to all the new subscribers for your lovely messages and reviews! And a big thanks to my existing subscribers for sticking with me and supporting the show! ABOUT THIS CONVERSATION: It was a real pleasure speaking with Clare Rose Wills Harrison, former solicitor and founder of Lawyers of Light. We discussed the hidden dangers of digital ID, the illusion of safety it creates, and how corporate and state power are merging into one system of control. Clare explained how ISO 20022 and the UK's One Login framework are quietly eroding privacy under the banner of efficiency.I also shared how I was fooled into signing up for the Companies House Directors Verification, thinking it was just a harmless formality, before realising it was part of the same digital net. Thankfully, I managed to delete it and request erasure of my data. A hard lesson in vigilance, one I hope others can learn from.See my substack for more info. Much love, as always.Doc MalikLinksX https://x.com/AwakenedOfSubstack https://clarewillsharrison.substack.com/IMPORTANT INFORMATIONCONSULTATION SERVICEIn a world of rushed 7-minute consultations and endless referrals, I offer you something rare: time, context, and clear guidance.As your health advocate, I can help you:Understand your diagnosis and decode medical jargonDecide who to see: GP, specialist, osteopath, physio, accupuntcurist, homeopath etc?Break down treatment plans in plain, easy to understand non jargon EnglishPrepare for surgery, understand your risks, obtain true informed consent, and optimise yourself pre-op Recover from surgery, advise you how to heal faster and quicker and minimise post-op complicationsManage chronic illness with lifestyle, mindset, and dietary changesExplore holistic options that complement conventional careImplement lifestyle changes like fasting, stress reduction, or movementAsk better questions, and get real answersGet an unbiased second opinionReady to Take Control?If you're navigating a health concern, preparing for a big decision, or simply want to feel more confident in your path forward, I'd love to support you.Book here https://docmalik.com/consultations/ Because it's your body, your life, and your future. Let's make sure you're informed and heard.WaterpureI distill all my water for drinking, washing fruit and vegetables, and cooking. If you knew what was in tap water, so would you!https://waterpure.co.uk/docmalik BUY HERE TODAYHunter & Gather FoodsSeed oils are inflammatory, toxic and nasty; eliminate them from your diet immediately. Check out the products from this great companyhttps://hunterandgatherfoods.com/?ref=DOCHG BUY HERE TODAYUse DOCHG to get 10% OFF your purchase with Hunter & Gather Foods.IMPORTANT NOTICEIf you value my podcasts, please support the show so that I can continue to speak up by choosing one or both of the following options - Buy me a coffee If you want to make a one-off donation.Doc Malik Merch Store Check out my amazing freedom merch
For me, music is one of the core components that contributes to the enjoyment, and engagement, of a video game title, and this episode is our latest deep dive into some of the classic soundtracks from those games. In today's episode, we'll look specifically at the music, and story, of Final Fantasy X, as I'm joined by our resident FFX sponsor, Iso! This one is a little bit different from our standard Sounds of the Classics episodes, in that we'll be diving really deep into the story and lore of Final Fantasy X, so if you haven't played that particular epic title yet, be warned - there will be spoilers here. For those who have experienced the game before, though, this will hopefully be a comforting return to the world of Spira, as we listen to a bunch of songs, and discuss the amazing narrative, of Final Fantasy X. Join the discussion on Discord! Want more Classic Gaming Today? Sign up as a patron at Patreon.com/ClassicGamingToday!
Join us for an insightful episode exploring the global adoption and implementation of ISO 20022, the international standard for electronic data interchange among financial institutions. Our expert guests, Camilla Bullock and Joanne Fraser, share a comprehensive analysis of how various regions are embracing this transformative standard, offering valuable perspectives on its impact and future potential.
Iso is back solo for another fire episode of Expansion Team!
EP166 Interview With Mark & Simon From Elinchrom UK I sit down with Mark Cheatham and Simon Burfoot from Elinchrom UK to talk about the two words that matter most when you work with light: accuracy and consistency. We dig into flash vs. continuous, shaping light (not just adding it), why reliable gear shortens your workflow, and Elinchrom's new LED 100 C—including evenly filling big softboxes and that handy internal battery. We also wander into AI: threats, tools, and why authenticity still carries the highest value. Links: Elinchrom UK store/info: https://elinchrom.co.uk/ LED 100 C product page: https://elinchrom.co.uk/elinchrom-led-100-c Rotalux Deep Octa / strips: https://elinchrom.co.uk/elinchrom-rotalux-deep-octabox-100cm-softbox/ My workshop dates: https://masteringportraitphotography.com/workshops-and-mentoring/ Transcript: Paul: as quite a lot of, you know, I've had a love affair with Elinchrom Lighting for the past 20 something years. In fact, I'm sitting with one of the original secondhand lights I bought from the Flash Center 21 years ago in London. And on top of that, you couldn't ask for a nicer set of guys in the UK to deal with. So I'm sitting here about to talk to Simon and Mark from Elinchrom uk. I'm Paul and this is the Mastering Portrait Photography podcast. Paul: So before we get any further, tell me a little bit about who you are, each of you and the team from Elinchrom UK Mark: After you, Simon. Simon: Thank you very much, mark. Mark: That's fine. Simon: I'm, Simon Burfoot. I have, been in the industry now for longer than I care to think. 35 years almost to the, to the day. Always been in the industry even before I left school because my father was a photographer and a lighting tutor, working for various manufacturers I was always into photography, and when he started the whole lighting journey. I got on it with him, and was learning from a very young age. Did my first wedding at 16 years old. Had a Saturday job which turned into a full-time job in a retail camera shop. By the time I was 18, I was managing my own camera shop, in a little town in the Cotswolds called Cirencester. My dad always told me that to be a photographic rep in the industry, you needed to see it from all angles, to get the experience. So I ended up, working in retail, moving over to a framing company. Finishing off in a prolab, hand printing, wedding photographers pictures, processing E6 and C41, hand correcting big prints for framing for, for customers, which was really interesting and I really enjoyed it. And then ended up working for a company called Leeds Photo Visual, I was a Southwest sales guy for them. Then I moved to KJP before it became, what we know now as Wex, and got all of the customers back that I'd stolen for them for Leeds. And then really sort of started my career progressing through, and then started to work with Elinchrom, on the lighting side. Used Elinchrom way before I started working with them. I like you a bit of a love affair. I'd used lots of different lights and, just loved the quality of the light that the Elinchrom system produced. And that's down to a number of factors that I could bore you with, but it's the quality of the gear, the consistency in terms of color, and exposure. Shooting film was very important to have that consistency because we didn't have Photoshop to help us out afterwards. It was a learning journey, but I, I hit my goal after being a wedding photographer and a portrait photographer in my spare time, working towards getting out on the road, meeting people and being involved in the industry, which I love. And I think it's something that I'm scared of leaving 'cause I dunno anything else. It's a wonderful industry. It has its quirks, its, downfalls at points, but actually it's a really good group of people and everyone kind of, gets on and we all love working with each other. So we're friends rather than colleagues. Paul: I hesitate to ask, given the length of that answer, to cut Simon: You did ask. Mark: I know. Paul: a short story Mark: was wondering if I was gonna get a go. Paul: I was waiting to get to end into the podcast and I was about to sign off. Mark: So, hi Mark Cheatham, sales director for Elinchrom uk this is where it gets a little bit scary because me and Simon have probably known each other for 10 years, yet our journeys in the industry are remarkably similar. I went to college, did photography, left college, went to work at commercial photographers and hand printers. I was a hand printer, mainly black and white, anything from six by four to eight foot by four foot panels, which are horrible when you're deving in a dish. But we did it. Paul: To the generation now, deving in a dish doesn't mean anything. Simon: No, it doesn't. Mark: And, and when you're doing a eight foot by four foot print and you've got it, you're wearing most of the chemistry. You went home stinking every night. I was working in retail. As a Saturday lad and then got promoted from the Saturday lad to the manager and went to run a camera shop in a little town in the Lake District called Kendall. I stayed there for nine years. I left there, went on the road working for a brand called Olympus, where I did 10 years, I moved to Pentax, which became Rico Pentax. I did 10 years there. I've been in the industry all my life. Like Simon, I love the industry. I did go out the industry for 18 months where I went into the wonderful world of high end commercial vr, selling to blue light military, that sort of thing. And then came back. One of the, original members of Elinchrom uk. I don't do as much photography as Simon I take photos every day, probably too many looking at my Apple storage. I do shoot and I like shooting now and again, but I'm not a constant shooter like you guys i'm not a professional shooter, but when you spent 30 odd years in the industry, and part of that, I basically run the, the medium format business for Pentax. So 645D, 645Z. Yeah, it was a great time. I love the industry and, everything about it. So, yeah, that's it Paul: Obviously both of you at some point put your heads together and decided Elinchrom UK was the future. What triggered that and why do you think gimme your sales pitch for Elinchrom for a moment and then we can discuss the various merits. Simon: The sales pitch for Elinchrom is fairly straightforward. It's a nice, affordable system that does exactly what most photographers would like. We sell a lot of our modifiers, so soft boxes and things like that to other users, of Prophoto, Broncolor. Anybody else? Because actually the quality of the light that comes out the front of our diffusion material and our specular surfaces on the soft boxes is, is a lot, lot more superior than, than most. A lot more superior. A lot more Mark: A lot more superior. Paul: more superior. Simon: I'm trying to Paul: Superior. Simon: It's superior. And I think Paul, you'll agree, Paul: it's a lot more, Simon: You've used different manufacturers over the years and, I think the quality of light speaks for itself. As a photographer I want consistency. Beautiful light and the effects that the Elinchrom system gives me, I've tried other soft boxes. If you want a big contrasty, not so kind light, then use a cheaper soft box. If I've got a big tattoo guy full of piercings you're gonna put some contrasty light to create some ambience. Maybe the system for that isn't good enough, but for your standard portrait photographer in a studio, I don't think you can beat the light. Mark: I think the two key words for Elinchrom products are accuracy and consistency. And that's what, as a portrait photographer, you should be striving for, you don't want your equipment to lengthen your workflow or make your job harder in post-production. If you're using Elinchrom lights with Elinchrom soft boxes or Elinchrom modifiers, you know that you're gonna get accuracy and consistency. Which generally makes your job easier. Paul: I think there's a bit that neither of you, I don't think you've quite covered, and it's the bit of the puzzle that makes you want to use whatever is the tool of your trade. I mean, I worked with musicians, I grew up around orchestras. Watching people who utterly adore the instrument that's in their hand. It makes 'em wanna play it. If you own the instrument that you love to play, whether it's a drum kit a trumpet a violin or a piano, you will play it and get the very best out of your talent with it. It's just a joy to pick it up and use it for all the little tiny things I think it's the bit you've missed in your descriptions of it is the utter passion that people that use it have for it. Mark: I think one of the things I learned from my time in retail, which was obviously going back, a long way, even before digital cameras One of the things I learned from retail, I was in retail long before digital cameras, retail was a busier time. People would come and genuinely ask for advice. So yes, someone would come in and what's the best camera for this? Or what's the best camera for that? Honestly there is still no answer to that. All the kit was good then all the kit is good now. You might get four or five different SLRs out. And the one they'd pick at the end was the one that they felt most comfortable with and had the best connection with. When you are using something every day, every other day, however it might be, it becomes part of you. I'm a F1 fan, if you love the world of F1, you know that an F1 car, the driver doesn't sit in an F1 car, they become part of the F1 car. When you are using the same equipment day in, day out, you don't have to think about what button to press, what dial to to turn. You do it. And that, I think that's the difference between using something you genuinely love and get on with and using something because that's what you've got. And maybe that's a difference you genuinely love and get on with Elinchrom lights. So yes, they're given amazing output and I know there's, little things that you'd love to see improved on them, but that's not the light output. Paul: But the thing is, I mean, I've never, I've never heard the F1 analogy, but it's not a bad one. When you talk about these drivers and their cars and you are right, they're sort of symbiotic, so let's talk a little bit about why we use flash. So from the photographers listening who are just setting out, and that's an awful lot of our audience. I think broadly speaking, there are two roads or three roads, if you include available light if you're a portrait photographer. So there's available light. There's continuous light, and then there's strobes flash or whatever you wanna call it. Of course, there's, hybrid modeling and all sorts of things, but those are broadly the three ways that you're gonna light your scene or your subject. Why flash? What is it about that instantaneous pulse of light from a xenon tube that so appealing to photographers? Simon: I think there's a few reasons. The available light is lovely if you can control it, and by that I mean knowing how to use your camera, and control the ambient light. My experience of using available light, if you do it wrong, it can be quite flat and uninteresting. If you've got a bright, hot, sunny day, it can be harder to control than if it's a nice overcast day. But then the overcast day will provide you with some nice soft, flat lighting. Continuous light is obviously got its uses and there's a lot of people out there using it because what they see is what they get. The way I look at continuous light is you are adding to the ambient light, adding more daylight to the daylight you've already got, which isn't a problem, but you need to control that light onto the subject to make the subject look more interesting. So a no shadow, a chin shadow to show that that subject is three dimensional. There are very big limitations with LED because generally it's very unshapable. By that I mean the light is a very linear light. Light travels in straight lines anyway, but with a flash, we can shape the light, and that's why there's different shapes and sizes of modifiers, but it's very difficult to shape correctly -an LED array, the flash for me, gives me creativity. So with my flash, I get a sharper image to start with. I can put the shadows and the light exactly where I want and use the edge of a massive soft box, rather than the center if I'm using a flash gun or a constant light. It allows me to choose how much or how little contrast I put through that light, to create different dynamics in the image. It allows me to be more creative. I can kill the ambient light with flash rather than adding to it. I can change how much ambient I bring into my flash exposure. I've got a lot more control, and I'm not talking about TTL, I'm talking about full manual control of using the modifier, the flash, and me telling the camera what I want it to do, rather than the camera telling me what it thinks is right. Which generally 99% of the time is wrong. It's given me a beautiful, average exposure, but if I wanted to kill the sun behind the subject, well it's not gonna do that. It's gonna give me an average of everything. Whereas Flash will just give me that extra opportunity to be a lot more creative and have a lot more control over my picture. I've got quite a big saying in my workshops. I think a decent flash image is an image where it looks like flash wasn't used. As a flash photographer, Paul, I expect you probably agree with me, anyone can take a flash image. The control of light is important because anybody can light an image, but to light the subject within the image and control the environmental constraints, is the key to it and the most technical part of it. Mark: You've got to take your camera off P for professional to do that. You've got to turn it off p for professional and get it in manual mode. And that gives you the control Paul: Well, you say that, We have to at some point. Address the fact that AI is not just coming, it's sitting here in our studios all the time, and we are only a heartbeat away from P for professional, meaning AI analyzed and creating magic. I don't doubt for a minute. I mean, right now you're right, but not Mark: Well, at some point it will be integrated into the camera Paul: Of course it will. Mark: If you use an iPhone or any other phone, you know, we are using AI as phone photographers, your snapshots. You take your kids, your dogs, whatever they are highly modified images. Paul: Yeah. But in a lot of the modern cameras, there's AI behind the scenes, for instance, on the focusing Mark: Yeah. Paul: While we've, we are on that, we were on that thread. Let's put us back on that thread for a second. What's coming down the line with, all lighting and camera craft with ai. What are you guys seeing that maybe we're not Simon: in terms of flash technology or light technology? Paul: Alright. I mean, so I mean there's, I guess there's two angles, isn't there? What are the lights gonna do that use ai? What are the controllers gonna do, that uses ai, but more importantly, how will it hold its own in a world where I can hit a button and say, I want rebrand lighting on that face. I can do that today. Mark: Yeah. Simon: I'm not sure the lighting industry is anywhere near producing anything that is gonna give what a piece of software can give, because there's a lot more factors involved. There's what size light it is, what position that light is in, how high that light is, how low that light is. And I think the software we've all heard and played with Evoto we were talking about earlier, I was very skeptical and dubious about it to start with as everybody would be. I'm a Photoshop Lightroom user, have been for, many years. And I did some editing, in EEvoto with my five free credits to start with, three edits in, I bought some credits because I thought, actually this is very, very good. I'll never use it for lighting i'd like to think I can get that right myself. However, if somebody gives you a, a very flat image of a family outside and say, well, could you make this better for me? Well, guess what? I can do whatever you like to it. Is it gonna attack the photographer that's trying to earn a living? I think there's always a need for people to take real photographs and family photographs. I think as photographers, we need to embrace it as an aid to speed up our workflow. I don't think it will fully take over the art of photography because it's a different thing. It's not your work. It's a computer generated AI piece of work in my head. Therefore, who's responsible for that image? Who owns the copyright to that image? We deal with photographers all the time who literally point a camera, take a picture and spend three hours editing it and tell everyone that, look at this. The software's really good and it's made you look good. I think AI is capable of doing that to an extent. In five years time, we'll look back at Evoto today and what it's producing and we'll think cracky. That was awful. It's like when you watch a high definition movie from the late 1990s, you look at it and it was amazing at the time, but you look at it now and you think, crikey, look at the quality of it. I dunno if we're that far ahead where we won't get to that point. The quality is there. I mean, how much better can you go than 4K, eight K minus, all that kind of stuff. I'm unsure, but I don't think the AI side of it. Is applicable to flash at this moment in time? I don't know. Mark: I think you're right. To look at the whole, photography in general. If you are a social photographer, family photographer, whatever it might be, you are genuinely capturing that moment in time that can't be replaced. If you are a product photographer, that's a different matter. I think there's more of a threat. I think I might be right in saying. I was looking, I think I saw it on, LinkedIn. There is a fashion brand in the UK at the moment that their entire catalog of clothing has been shot without models. When you look at it on the website, there's models in it. They shoot the clothing on mannequins and then everything else is AI generated they've been developing their own AI platform now for a number of years. Does the person care Who's buying a dress for 30 quid? Probably not, but if you are photographing somebody's wedding, graduation, some, you know, a genuine moment in someone's life, I think it'd be really wrong to use any sort of AI other than a little bit of post-production, which we know is now quite standard for many people in the industry. Paul: Yeah, the curiosity for me is I suspect as an industry, Guess just released a full AI model advert in, Vogue. Declared as AI generated an ai agency created it. Everything about it is ai. There's no real photography involved except in the learning side of it. And that's a logical extension of the fact we've been Photoshopping to such a degree that the end product no longer related to the input. And we've been doing that 25 years. I started on Photoshop version one, whatever that was, 30 years More than 33. So we've kind of worked our way into a corner where the only way out of it is to continue. There's no backtracking now. Mark: Yeah. Paul: I think the damage to the industry though, or the worry for the industry, I think you're both right. I think if you can feel it, touch it, be there, there will always be that importance. In fact, the provenance of authenticity. Is the high value ticket item now, Simon: Mm-hmm. Paul: because you, everything else is synthetic, you can trust nothing. We are literally probably months away from 90% of social media being generated by ai. AI is both the consumer and the generator of almost everything online Mark: Absolutely. Paul: Goodness knows where we go. You certainly can't trust anything you read. You can't trust anything you see, so authenticity, face-to-face will become, I think a high value item. Yeah. Mark: Yeah. Paul: I think one problem for us as an industry in terms of what the damage might be is that all those people that photograph nameless products or create books, you know, use photography and then compositing for, let's say a novel that's gone, stock libraries that's gone because they're faceless. Simon: Mm-hmm. Paul: there doesn't have to be authentic. A designer can type in half a dozen keywords. Into an AI engine and get what he needs. If he doesn't get what he needs, he does it again. All of those photographers who currently own Kit are gonna look around with what do we do now? And so for those of us who specialize in weddings and portraits and family events, our market stands every chance of being diluted, which has the knock on effect of all of us having to keep an eye on AI to stay ahead of all competitors, which has the next knock on effect, that we're all gonna lean into ai, which begs the question, what happens after Because that's what happened in the Photoshop world. You know, I'm kind of, I mean, genuinely cur, and this will be a running theme on the podcast forever, is kind of prodding it and taking barometer readings as to where are we going? Mark: Yeah. I mean, who's more at threat at the moment from this technology? Is it the photographer or is it the retouch? You know, we do forget that there are retouchers That is their, they're not photographers. Paul: I don't forget. They email me 3, 4, 5 times a day. Mark: a Simon: day, Mark: You know, a highly skilled retouch isn't cheap. They've honed their craft for many years using whatever software product they prefer to use. I think they're the ones at risk now more so than the photographer. And I think we sort of lose sight of that. Looking at it from a photographer's point of view, there is a whole industry behind photography that actually is being affected more so than you guys at the moment. Simon: Mm-hmm. Paul: Yeah, I think there's truth in that, but. It's not really important. Of course, it's really important to all of those people, but this is the digital revolution that we went through as film photographers, and probably what the Daguerreotype generators went through when Fox Tolbert invented the first transfer. Negative. You know, they are, there are always these epochs in our industry and it wipes out entire skillset. You know, I mean, when we went to digital before then, like you, I could dev in a tank. Yeah. You know, and really liked it. I like I see, I suspect I just like the solitude, Mark: the dark, Paul: red light in the dark Mark: yeah. Paul: Nobody will come in. Not now. Go away. Yeah. All that kind of stuff. But of course those skills have gone, has as, have access to the equipment. I think we're there again, this feels like to me a huge transition in the industry and for those who want to keep up, AI is the keeping up whether you like it or not. Mark: Yeah. And if you don't like it, we've seen it, we're in the middle of a massive resurgence in film photography, which is great for the industry, great for the retail industry, great for the film manufacturers, chemical manufacturers, everything. You know, simon, myself, you, you, we, we, our earliest photography, whether we were shooting with flash, natural light, we were film shooters and that planes back. And what digital did, from a camera point of view, is make it easier and more accessible for less skilled people. But it's true. You know, if you shot with a digital camera now that's got a dynamic range of 15 stops, you actually don't even need to have your exposure, that accurate Go and shoot with a slide film that's got dynamic range of less than one stop and see how good you are. It has made it easier. The technology, it will always make it. Easier, but it opens up new doors, it opens up new avenues to skilled people as well as unskilled people. If you want, I'm using the word unskilled again, I'm not being, a blanket phrase, but it's true. You can pick up a digital camera now and get results that same person shooting with a slide film 20 years ago would not get add software to that post-production, everything else. It's an industry that we've seen so many changes in over the 30 odd years that we've been in it, Simon: been Mark: continue Simon: at times. It exciting Mark: The dawn of digital photography to the masses. was amazing. I was working for Olympus at the time when digital really took off and for Olympus it was amazing. They made some amazing products. We did quite well out of it and people started enjoying photography that maybe hadn't enjoyed photography before. You know, people might laugh at, you know, you, you, you're at a wedding, you're shooting a really nice wedding pool and there's always a couple of guests there which have got equipment as good as yours. Better, better than yours. Yeah. Got Simon: jobs and they can afford it. Mark: They've got proper jobs. Their pitches aren't going to be as good as yours. They're the ones laughing at everyone shooting on their phone because they've spent six grand on their new. Camera. But if shooting on a phone gets people into photography and then next year they buy a camera and two years later they upgrade their camera and it gets them into the hobby of photography? That's great for everyone. Hobbyists are as essential, as professional photographers to the industry. In fact, to keep the manufacturers going, probably more so Simon: the hobbyists are a massive part. Even if they go out and spend six or seven or 8,000 pounds on a camera because they think it's gonna make them a better photographer. Who knows in two years time with the AI side, maybe it will. That old saying, Hey Mr, that's a nice camera. I bet it takes great pictures, may become true. We have people on the lighting courses, the workshops we run, the people I train and they're asking me, okay, what sessions are we gonna use? And I'm saying, okay, well we're gonna be a hundred ISO at 125th, F 5.6. Okay, well if I point my camera at the subject, it's telling me, yeah, but you need to put it onto manual. And you see the color drain out their faces. You've got a 6,000 pound camera and you've never taken it off 'P'. Mark: True story. Simon: And we see this all the time. It's like the whole TTL strobe manual flash system. The camera's telling you what it wants to show you, but that maybe is not what you want. There are people out there that will spend a fortune on equipment but actually you could take just as good a picture with a much smaller, cheaper device with an nice bit of glass on the front if you know what you're doing. And that goes back to what Mark was saying about shooting film and slide film and digital today. Paul: I, mean, you know, I don't want this to be an echo chamber, and so what I am really interested in though, is the way that AI will change what flash photography does. I'm curious as to where we are headed in that, specific vertical. How is AI going to help and influence our ability to create great lip photography using flash? Mark: I think, Paul: I love the fact the two guys side and looked at each other. Mark: I, Simon: it's a difficult question to answer. Mark: physical light, Simon: is a difficult question to answer because if you're Mark: talking about the physical delivery of light. Simon: Not gonna change. Mark: Now, The only thing I can even compare it to, if you think about how the light is delivered, is what's the nearest thing? What's gotta change? Modern headlamps on cars, going back to cars again, you know, a modern car are using these LED arrays and they will switch on and switch off different LEDs depending on the conditions in front of them. Anti dazzle, all this sort of stuff. You know, the modern expensive headlamp is an amazing technical piece of kit. It's not just one ball, but it's hundreds in some cases of little arrays. Will that come into flash? I don't know. Will you just be able to put a soft box in front of someone and it will shape the light in the future using a massive array. Right? I dunno it, Simon: there's been many companies tested these arrays, in terms of LED Flash, And I think to be honest, that's probably the nearest it's gonna get to an AI point of view is this LED Flash. Now there's an argument to say, what is flash if I walk into a living room and flick the light on, on off really quickly, is that a flash? Mark: No, that's a folock in Paul: me Mark: turn, big lights off. Paul: Yeah. Mark: So Simon: it, you, you might be able to get these arrays to flush on and off. But LED technology, in terms of how it works, it's quite slow. It's a diode, it takes a while for it to get to its correct brightness and it takes a while for it to turn off. To try and get an LED. To work as a flash. It, it's not an explosion in a gas field tube. It's a a, a lighter emitting diode that is, is coming on and turning off again. Will AI help that? Due to the nature of its design, I don't think it can. Mark: Me and s aren't invented an AI flash anytime soon by the looks of, we're Simon: it's very secret. Mark: We're just putting everyone off Paul, Simon: It's alright. Mark: just so they don't think Simon: Yeah, Mark: Oh, it's gonna be too much hard work and we'll sort it. Paul: It's definitely coming. I don't doubt for a minute that this is all coming because there's no one not looking at anything Simon: that makes perfect sense. Paul: Right now there's an explosion of invention because everybody's trying to find an angle on everything. Simon: Mm-hmm. Paul: The guys I feel the most for are the guys who spent millions, , on these big LED film backdrop walls. Simon: Yep. Mark: So you can Paul: a car onto a flight sim, rack, and then film the whole lot in front of an LED wall. Well, it was great. And there was a market for people filming those backdrops, and now of course that's all AI generated in the LED, but that's only today's technology. Tomorrow's is, you don't need the LED wall. That's here today. VEO3 and Flow already, I mean, I had to play with one the other day for one of our lighting diagrams and it animated the whole thing. Absolute genius. Simon: Mm-hmm. Paul: I still generated the original diagram. Mark: Yeah, Paul: Yeah, that's useful. There's some skill in there still for now, but, you gotta face the music that anything that isn't, I can touch it and prod it. AI's gonna do it. Mark: Absolutely. If you've ever seen the series Mandalorian go and watch the making of the Mandalorian and they are using those big LED walls, that is their backdrop. Yeah. And it's amazing how fast they shift from, you know, they can, they don't need to build a set. Yeah. They shift from scene to scene. Paul: Well, aI is now building the scenes. But tomorrow they won't need the LED wall. 'cause AI will put it in behind the actors. Mark: Yeah. Say after Paul: that you won't need the actors because they're being forced to sign away the rights so that AI can be used. And even those that are standing their ground and saying no, well, the actors saying Yes. Are the ones being hired. You know, in the end, AI is gonna touch all of it. And so I mean, it's things like, imagine walking into a studio. Let's ignore the LED thing for a minute, by the way, that's a temporary argument, Simon: I know you're talking about. Paul: about today's, Simon: You're about the. Mark: days Paul: LEDs, Simon: we're in, We're in very, very interesting times and. I'm excited for the future. I'm excited for the new generation of photographers that are coming in to see how they work with what happens. We've gone from fully analog to me selling IMACON drum scanners that were digitizing negatives and all the five four sheet almost a shoot of properties for an estate agent were all digitized on an hassle blood scanner. And then the digital camera comes out and you start using it. It was a Kodak camera, I think the first SLRI used, Paul: Yeah. Simon: and you get the results back and you think, oh my God, it looks like it's come out of a practica MTL five B. Mark: But Simon: then suddenly the technology just changes and changes and changes and suddenly it's running away with itself and where we are today. I mean, I, I didn't like digital to start with. It was too. It was too digital. It was too sharp. It didn't have the feel of film, but do you know what? We get used to it and the files that my digital mirrorless camera provide now and my Fuji GFX medium format are absolutely stunning. But the first thing I do is turn the sharpness down because they are generally over sharp. For a lovely, beautifully lit portrait or whatever that anybody takes, it just needs knocking back a bit. We were speaking about this earlier, I did some comparison edits from what I'd done manually in Photoshop to the Evoto. Do you know what the pre-selected edits are? Great. If you not the slider back from 10 to about six, you're there or thereabouts? More is not always good. Mark: I think when it comes to imagery in our daily lives, the one thing that drives what we expect to see is TV and most people's TVs, everything's turned up to a hundred. The color, the contrast, that was a bit of a shock originally from the film to digital, crossover. Everything went from being relatively natural to way over the top Just getting back to AI and how it's gonna affect people like you and people that we work with day to day. I don't think we should be worried about that. We should be worried about the images we see on the news, not what we're seeing, hanging on people's walls and how they're gonna be affected by ai. That generally does affect everyone's daily life. Paul: Yeah, Mark: Yeah. But what Paul: people now ask me, for instance, I've photographed a couple head shots yesterday, and the one person had not ironed her blouse. And her first question was, can we sort that out in post? So this is the knock on effect people are becoming aware of what's possible. What's that? Nothing. Know, and the, the smooth clothing button in Evoto will get me quite a long way down that road and saves somebody picking up an eye and randomly, it's not me, it's now actually more work for me 'cause I shouldn't have to do it. But, you know, this is my point about the knock on effect. Our worlds are different. So I didn't really intend this to be just a great sort of circular conversation about AI cars and, future technology. It was more, I dunno, we ended up down there anyway. Simon: We went down a rabbit hole. Mark: A Paul: rabbit hole. Yeah Mark: was quite an interesting one. Simon: And I'm sorry if you've wasted your entire journey to work and we Paul: Yeah. Simon: Alright. It wasn't intended to be like that. Paul: I think it's a debate that we need to be having and there needs to be more discussion about it. Certainly for anybody that has a voice in the industry and people are listening to it because right now it might be a toddler of a technology, but it's growing faster than people realize. There is now a point in the written word online where AI is generating more than real people are generating, and AI is learning that. So AI is reading its own output. That's now beginning to happen in imagery and film and music. Simon: Well, even in Google results, you type in anything to a Google search bar. When it comes back to the results, the first section at the top is the AI generated version. And you know what, it's generally Paul: Yep. Simon: good and Paul: turn off all the rest of it now. So it's only ai. Simon: Not quite brave enough for that yet. No, not me. Mark: In terms Paul: of SEO for instance, you now need to tune it for large language models. You need to be giving. Google the LLM information you want it to learn so that you become part of that section on a website. And it, you know, this is where we are and it's happening at such a speed, every day I am learning something new about something else that's arriving. And I think TV and film is probably slightly ahead of the photography industry Mark: Yeah. Paul: The pressures on the costs are so big, Simon: Yes. Paul: Whereas the cost differential, I'm predicting our costs will actually go up, not down. Whereas in TV and film, the cost will come down dramatically. Mark: Absolutely. Simon: They are a horrifically high level anyway. That's Paul: I'm not disputing that, but I watched a demo of some new stuff online recently and they had a talking head and they literally typed in relight that with a kiss light here, hairlight there, Rembrandt variation on the front. And they did it off a flat picture and they can move the lights around as if you are moving lights. Yes. And that's there today. So that's coming our way too. And I still think the people who understand how to see light will have an advantage because you'll know when you've typed these words in that you've got it about right. It doesn't change the fact that it's going to be increasingly synthetic. The moment in the middle of it is real. We may well be asked to relight things, re clothe things that's already happening. Simon: Yeah. Paul: We get, can you just fill in my hairline? That's a fairly common one. Just removing a mole. Or removing two inches round a waist. This, we've been doing that forever. Simon: Mm-hmm. Paul: And so now it'll be done with keyword generation rather than, photoshop necessarily. Simon: I think you'll always have the people that embrace this, we can't ignore it as you rightly say. It's not going away. It's gonna get bigger, it's gonna feature more in our lives. I think there's gonna be three sets of people. It's gonna be the people like us generally on a daily basis. We're photographers or we're artists. We enjoy what we do. I enjoy correctly lighting somebody with the correct modifier properties to match light quality to get the best look and feel and the ambience of that image. And I enjoy the process of putting that together and then seeing the end result afterwards. I suppose that makes me an artist in, in, in loose terms. I think, you know, as, as, as a photographer, we are artists. You've then got another generation that are finding shortcuts. They're doing some of the job with their camera. They're making their image from an AI point of view. Does that make up an artist? I suppose it still does because they're creating their own art, but they have no interest 'cause they have no enjoyment in making that picture as good as it can be before you even hit the shutter. And then I think you've got other people, and us to an extent where you do what you need to do, you enjoy the process, you look at the images, and then you just finely tune it with a bit of AI or Photoshop retouching so I think there are different sets of people that will use AI to their advantage or completely ignore it. Mark: Yeah. I think you're right. And I think it comes down, I'm going to use another analogy here, you, you know, let's say you enjoy cooking. If you enjoy cooking, you're creating something. What's the alternative? You get a microwave meal. Well, Paul Simon: and Sarah do. Mark: No. Paul: Sarah does. Simon: We can't afford waitress. Mark: You might spend months creating your perfect risotto. You've got it right. You love it. Everyone else loves it. You share it around all your friends. Brilliant. Or you go to Waitrose, you buy one, put it three minutes in the microwave and it's done. That's yer AI I Imagery, isn't it? It's a microwave meal. Paul: There's a lot of microwave meals out there. And not that many people cook their own stuff and certainly not as many as used to. And there's a lesson. Simon: Is, Mark: but also, Simon: things have become easier Mark: there Simon: you go. Mark: I think what we also forget in the photographic industry and take the industry as a whole, and this is something I've experienced in the, in the working for manufacturers in that photography itself is, is a, is a huge hobby. There's lots of hobbyist photographers, but there's actually more people that do photography as part of another hobby, birdwatching, aviation, all that sort of thing. Anything, you know, the photography isn't the hobby, it's the birds that are the hobby, but they take photographs of, it's the planes that are the hobby, but they take photographs. They're the ones that actually keep the industry going and then they expand into other industries. They come on one of our workshops. You know, that's something that we're still and Simon still Absolutely. And yourself, educating photographers to do it right, to practice using the gear the right way, but the theory of it and getting it right. If anything that brings more people into wanting to learn to cook better, Paul: you Mark: have more chefs rather than people using microwave meals. Education's just so important. And when it comes to lighting, I wasn't competent in using flash. I'm still not, but having sat through Simon's course and other people's courses now for hundreds of times, I can light a scene sometimes, people are still gonna be hungry for education. I think some wills, some won't. If you wanna go and get that microwave risotto go and microwave u risotto. But there's always gonna be people that wanna learn how to do it properly, wanna learn from scratch, wanna learn the art of it. Creators and in a creative industry, we've got to embrace those people and bring more people into it and ensure there's more people on that journey of learning and upskilling and trying to do it properly. Um, and yes, if they use whatever technology at whatever stage in their journey, if they're getting enjoyment from it, what's it matter? Paul: Excellent. Mark: What a fine Paul: concluding statement. If they got enjoyment outta it. Yeah. Whatever. Excellent. Thank you, Mark, for your summing up. Simon: In conclusion, Paul: did that just come out your nose? What on earth. Mark: What Paul: what you can't see, dear Listener is the fact that Mark just spat his water everywhere, laughing at Si. It's been an interesting podcast. Anyway, I'm gonna drag this back onto topic for fear of it dissolving into three blokes having a pint. Mark: I think we should go for one. Simon: I think, Paul: I think we should know as well. Having said that with this conversation, maybe not. I was gonna ask you a little bit about, 'cause we've talked about strobes and the beauty of strobes, but of course Elinchrom still is more than that, and you've just launched a new LED light, so I know you like Strobe Simon. Now talk about the continuous light that also Elinchrom is producing. Simon: We have launched the Elinchrom LED 100 C. Those familiar with our Elinchrom One and Three OCF camera Flash system. It's basically a smaller unit, but still uses the OCF adapter. Elinchrom have put a lot of time into this. They've been looking at LED technology for many years, and I've been to the factory in Switzerland and seen different LED arrays being tested. The problem we had with LEDs is every single LED was different and put out a different color temperature. We're now manufacturing LEDs in batches, where they can all be matched. They all come from the same serial number batch. And the different colors of LED as well, 15 years ago, blue LEDs weren't even possible. You couldn't make a blue LED every other color, but not blue for some unknown reason. They've got the colors right now, they've got full RGB spectrum, which is perfectly accurate a 95 or 97 CRI index light. It's a true hundred watts, of light as well. From tosin through to past daylight and fully controllable like the CRO flash system in very accurate nth degrees. The LED array in the front of the, the LEDA hundred is one of the first shapeable, fully shapeable, LED arrays that I've come across and I've looked at lots. By shapeable, I mean you put it into a soft box, of any size and it's not gonna give you a hotspot in the middle, or it's not gonna light the first 12 inches of the middle of the soft box and leave the rest dark. I remember when we got the first LD and Mark got it before me And he said, I've put it onto a 70 centimeter soft box. And he said, I've taken a picture to the front. Look at this. And it was perfectly even from edge to edge. When I got it, I stuck it onto a 1 3 5 centimeter soft box and did the same and was absolutely blown away by how even it was from edge to edge. When I got my light meter out, if you remember what one of those is, uh, it, uh, it gave me a third of a stop different from the center to the outside edge. Now for an LED, that's brilliant. I mean, that's decent for a flash, but for an LED it's generally unheard of. So you can make the LED as big as you like. It's got all the special effects that some of the cheaper Chinese ones have got because people use that kind of thing. Apparently I have no idea what for. But it sits on its own in a market where there are very cheap and cheerful LEDs, that kind of do a job. And very expensive high-end LEDs that do a completely different job for the photographer that's gone hybrid and does a bit of shooting, but does a bit of video work. So, going into a solicitor's or an accountant's office where they want head shots, but also want a bit of talking head video for the MD or the CEO explaining about his company on the website. It's perfect. You can up the ISO and use the modeling lamp in generally the threes, the fives, the ones that we've got, the LEDs are brilliant. But actually the LED 100 will give you all your modifier that you've taken with you, you can use those. It's very small and light, with its own built-in battery and it will give you a very nice low iso. Talking head interview with a lovely big light source. And I've proved the point of how well it works and how nice it is at the price point it sits in. But it is our first journey into it. There will be others come in and there'll be an app control for it. And I think from an LED point of view, you're gonna say, I would say this, but actually it's one of the nicer ones I've used. And when you get yours, you can tell people exactly the same. Paul: Trust me, I will. Simon: Yes. Mark: I think Paul: very excited about it. Mark: I think the beauty of it as well is it's got an inbuilt battery. It'll give you up to 45 minutes on a full charge. You can plug it in and run it off the mains directly through the USB socket as well. But it means it's a truly portable light source. 45 minutes at a hundred watt and it's rated at a hundred watt actual light output. It's seems far in excess of that. When you actually, Simon: we had a photographer the other day who used it and he's used to using sort of 3, 2 50, 300 watt LEDs and he said put them side by side at full power. They were virtually comparable. Paul: That is certainly true, or in my case by lots. Simon: I seem to be surrounded Paul: by Elinchrom kit, Which is all good. So for anybody who's interested in buying one of these things, where'd you get them? How much are they? Simon: The LED itself, the singlehead unit is 499 inc VAT. If you want one with a charger, which sounds ridiculous, but there's always people who say, well, I don't want the charger. You can have one with a charger for 50 quid extra. So 549. The twin kit is just less than a thousand quid with chargers. And it comes in a very nice portable carry bag to, to carry them around in. Um, and, uh, yeah, available from all good photographic retailers, and, Ellen crom.co uk. Paul: Very good. So just to remind you beautiful people listening to this podcast, we only ever feature people and products, at least like this one where I've said, put a sales pitch in because I use it. It's only ever been about what we use here at the studio. I hate the idea of just being a renta-voice. You it. Mark: bought it. Paul: Yeah. That's true. You guys sold it to me. Mark: Yeah, Simon: if I gave you anything you'd tell everyone it was great. So if you buy it, no, I've bought Paul: Yeah. And then became an ambassador for you. As with everything here, I put my money where my mouth is, we will use it. We do use it. I'm really interested in the little LED light because I could have done with that the other night. It would've been perfect for a very particular need. So yes, I can highly recommend Elinchrom Fives and Threes if you're on a different system. The Rotalux, system of modifier is the best on the planet. Quick to set up, quick to take down. More importantly, the light that comes off them is just beautiful, whether it's a Godox, whether it's on a ProPhoto, which it was for me, or whether if you've really got your common sense about you on the front of an Elinchrom. And on that happy note and back to where we started, which is about lighting, I'm gonna say thanks to the guys. They came to the studio to fix a problem but it's always lovely to have them as guests here. Thank you, mark. Thank you Simon. Most importantly, you Elinchrom for creating Kit is just an absolute joy to use. If you've enjoyed the podcast, please head over to all your other episodes. Please subscribe and whatever is your podcast, play of choice, whether it's iTunes, Spotify, YouTube, or a other. After you head, if you head across to masteringportraitphotography.com the spiritual home of this, particular, podcast, I will put in the show notes all the little bits of detail and where to get these things. I'll get some links off the guys as to where to look for the kit. Thank you both. I dunno when I'll be seeing you again. I suspect it will be the Convention in January if I know the way these things go. Simon: We're not gonna get invited back, are we? Mark: Probably not. Enough. Paul: And I'm gonna get a mop and clean up that water. You've just sprayed all over the floor. What is going on? Simon: wish we'd video. That was a funny sun Mark: I just didn't expect it and never usually that sort of funny and quick, Simon: It's the funniest thing I've ever seen. Paul: On that happy note, whatever else is going on in your lives, be kind to yourself. Take care.
The La Rentrée du DM 2025 conference brought together regulators, manufacturers, and industry experts to discuss the evolving landscape of European and global medical device regulation. Main themes included: Updates on EU MDR/IVDR and new regulatory initiatives in France Structured dialogue with Notified Bodies and the harmonization of technical documentation Post-market discontinuation and the importance of anticipation for patient safety Eco-design and sustainability, bridging healthcare and environmental responsibility Software and AI in clinical investigations, and the use of real-world data Global market access – EU vs US pathways and MDSAP recognition Technical deep dives into ISO 13485, biocompatibility, usability, and cybersecurity The consensus was clear: regulatory pressure is increasing, but collaboration, innovation, and anticipation remain the keys to success. Who is Monir El Azzouzi? Monir El Azzouzi is a Medical Device Expert specializing in Quality and Regulatory Affairs. After working for many years with big Healthcare companies, particularly Johnson and Johnson, he decided to create EasyMedicalDevice.com to help people better understand Medical Device Regulations worldwide. He has now created the consulting firm Easy Medical Device GmbH and developed many ways to deliver knowledge through videos, podcasts, online courses… His company also acts as Authorized Representative for the EU, UK, and Switzerland. Easy Medical Device becomes a one-stop shop for medical device manufacturers that need support on Quality and Regulatory Affairs. Links Site web larentreedudm: https://www.larentreedudm.com Linkedin poste: https://www.linkedin.com/posts/melazzouzi_medicaldevice-easymedicaldevice-regulatoryaffairs-activity-7381678647151112192-WQqX?utm_source=share&utm_medium=member_desktop&rcm=ACoAADkVV4QBTohHEk1IW3vOF7GCRT4JjGn0ggQhttps://www.linkedin.com/posts/melazzouzi_medicaldevice-easymedicaldevice-regulatoryaffairs-activity-7381670070097297408-80sP?utm_source=share&utm_medium=member_desktop&rcm=ACoAADkVV4QBTohHEk1IW3vOF7GCRT4JjGn0ggQ https://www.linkedin.com/posts/melazzouzi_medicaldevice-easymedicaldevice-regulatoryaffairs-activity-7381641922739609600-HXhq?utm_source=share&utm_medium=member_desktop&rcm=ACoAADkVV4QBTohHEk1IW3vOF7GCRT4JjGn0ggQ https://www.linkedin.com/posts/melazzouzi_medicaldevice-easymedicaldevice-regulatoryaffairs-activity-7381639827718447104-SQs-?utm_source=share&utm_medium=member_desktop&rcm=ACoAADkVV4QBTohHEk1IW3vOF7GCRT4JjGn0ggQ https://www.linkedin.com/posts/melazzouzi_medicaldevice-regulatoryaffairs-easymedicaldevice-activity-7381629520535060480-kJ0p?utm_source=share&utm_medium=member_desktop&rcm=ACoAADkVV4QBTohHEk1IW3vOF7GCRT4JjGn0ggQ https://www.linkedin.com/posts/melazzouzi_medicaldevices-regulatoryaffairs-easymedicaldevice-activity-7381602405030711296-aHcv?utm_source=share&utm_medium=member_desktop&rcm=ACoAADkVV4QBTohHEk1IW3vOF7GCRT4JjGn0ggQ Social Media to follow Monir El Azzouzi Linkedin: https://linkedin.com/in/melazzouzi Twitter: https://twitter.com/elazzouzim Pinterest: https://www.pinterest.com/easymedicaldevice Instagram: https://www.instagram.com/easymedicaldevice
Join us in this recording for Part 2 of the August 4th, 2025 Bay Area SAA/COSA Quarterly Speaker meeting as Sandy S shares about her recovery in COSA. https://cosa-recovery.org YouTube Links to music in this episode (used for educational purposes): TOOL - Schism: https://www.youtube.com/watch?v=80RtBeB61LE Holden Miller - Jekyll & Hyde: https://www.youtube.com/watch?v=2nZoE_nzzKw The All-American Rejects - Move Along: https://www.youtube.com/watch?v=XleOkGsYgO8 Be sure to reach us via email: feedback@sexaddictsrecoverypod.com If you are comfortable and interested in being a guest or panelist, please feel free to contact me. jason@sexaddictsrecoverypod.com SARPodcast YouTube Playlist: https://www.youtube.com/playlist?list=PLn0dcZg-Ou7giI4YkXGXsBWDHJgtymw9q To find meetings in the San Francisco Bay Area, be sure to visit: https://www.bayareasaa.org/meetings To find meetings in the your local area or online, be sure to visit the main SAA website: https://saa-recovery.org/meetings/ The content of this podcast has not been approved by and may not reflect the opinions or policies of the ISO of SAA, Inc.
In episode 156 of Cybersecurity Where You Are, Sean Atkinson and Tony Sager are joined by Stephanie Gass, Sr. Director of Information Security at Center for Internet Security® (CIS®), and Angelo Marcotullio, Chief Information Officer at CIS. Together, they explore how CIS practices what it preaches by using CIS products and services internally, which includes implementation of the CIS Critical Security Controls® (CIS Controls®) and CIS Benchmarks®, automation, and alignment to compliance frameworks. Their discussion highlights how CIS builds a strong cybersecurity foundation while adapting to evolving threats and regulatory requirements.The conversation dives into practical applications, cultural alignment, and the importance of repeatable processes for scaling security across new products and services. It also touches on the role of privacy regulations, cyber risk quantification, and the community-driven approach that underpins CIS best practices. Here are some highlights from our episode:01:12. Why CIS “drinks its own champagne” when it comes to cybersecurity02:56. Three ways the CIS Controls help modern enterprises defend against threat actors04:02. The importance of pulling together security lessons learned in a way that's translatable10:03. Our use of the CIS Controls to align to SOC 2, ISO 27001, and other frameworks12:01. How governance, risk, and compliance (GRC) engineering works with automation to help build repeatable processes22:43. The role of collaboration and communication in building a cybersecurity program27:17. Privacy regulations as a catalyst for security innovation30:24. The CIS Community Defense Model and evidence-based practices32:40. How CIS leverages lessons learned to improve our security best practicesResourcesEpisode 146: What Security Looks Like for a Security CompanyImplementation Guide for Small and Medium-Sized Enterprises CIS Controls IG1How to Construct a Sustainable GRC Program in 8 StepsMapping and Compliance with the CIS ControlsCIS Completes SOC 2 Type II Audit Using CIS Best PracticesEpisode 74: The Nexus of Cybersecurity & Privacy LegislationCIS Community Defense Model 2.0Episode 121: The Economics of Cybersecurity Decision-MakingEpisode 77: Data's Value to Decision-Making in CybersecurityCIS CommunitiesIf you have some feedback or an idea for an upcoming episode of Cybersecurity Where You Are, let us know by emailing podcast@cisecurity.org.
Dr. Robert Brodnick, known to many as Dr. Bob, is a chemist, entrepreneur, and founder of PhenoTerps LLC, a company specializing in product formulation, compliance, and technical services. His work spans research and development in beverage formulations,botanical terpene and flavor applications, and ISO 17025 testing laboratory design-build, and operations. With a background in music, chemistry, andentrepreneurship, Dr. Bob has a unique perspective on the intersection of science, culture, and creativity. His recent focus includes advancing the cannabis and hemp industries through both scientific rigor and systems design, while also exploring deeper questions of coherence, intelligence, and the nature of reality.
In this solo episode of the Ern & Iso Podcast, Iso takes it back to his favorite era of hip-hop — what he calls “Dungeons and Dragons Rap.”
In this episode of "Clocking In, Forces of NC Manufacturing," host Phil Mintz, director of the North Carolina Manufacturing Extension Partnership (NCMEP), interviews John Weir, the founder and CEO of I2E Group ( I2E stands for "Innovation to Execution”). Based in High Point, North Carolina, the I2E Group specializes in the design, development, and production of a variety of electronic assemblies, including printed circuit boards, electromechanical assemblies, cable assemblies, and harness assemblies. Weir founded his first company, Nimbus Technologies, in 1993, which was a contract manufacturing business. He later started the I2E Group to offer a more comprehensive service, ranging from early-stage innovation to final execution and manufacturing. Listeners will gain insights into the status of the printed circuit board (PCB) industry, how I2E Group has succeeded by focusing on "high contact" projects, where they can protect customers' intellectual property and meet stringent quality standards for industries like medical, aerospace, and defense, the challenges of sourcing raw components, and the continued growth of domestic manufacturing. LINKS NCMEP | IES | I2E Group ABOUT The North Carolina Manufacturing Extension Partnership (NCMEP) NCMEP is the official state representative of the Hollings Manufacturing Extension Partnership (MEP), a program of the U.S. Department of Commerce's National Institute of Standards and Technology (NIST). The MEP National Network is a unique public-private partnership that delivers comprehensive solutions to manufacturers, fueling growth and advancing U.S. manufacturing. NCMEP is administered by NC State University Industry Expansion Solutions and partners with the Economic Development Partnership of NC, the Polymers Center of Excellence, Manufacturing Solutions Center, Hangar6, University of North Carolina at Charlotte Industrial Solutions Lab, and NC State University Wilson College of Textiles to help manufacturing companies develop and maintain efficient operations that are well-positioned to grow profitably. NC State University Industry Expansion Solutions (IES) Through combined resources and collaboration efforts, NC State University Industry Expansion Solutions provides services that help manufacturers to: Expand Local and U.S. Supply Chain Vendor Relationships Access Customized Training Programs to Narrow the Workforce Gap Realize the Efficiencies of Smart Manufacturing and Advanced Technology Save Time and Energy through Improved Processes, Productivity and Capacity Expand Facility and Equipment Capabilities Increase Sales and Profits Create and Retain Jobs Streamline New Product Design, Testing, Development and Time to Market Dr. Phil Mintz Dr. Phil Mintz is the executive director of NC State Industry Expansion Solutions (IES) and director of the North Carolina Manufacturing Extension Partnership (NCMEP). Phil drives outreach to NC manufacturers, builds relationships with federal and state leaders, and coordinates efforts to drive profitable manufacturing growth in the state. He also leads the broader IES Extension Operations outreach unit of regional managers, technical specialists, and business development leaders, providing business engagement, assessment, and improvement tools. This includes statewide peer networks, ISO 9000 quality management systems, Six Sigma, Lean manufacturing, environmental services, and health and safety solutions. John Weir John Weir is the Founder and Chief Executive Officer of i2E Group, LLC, based in High Point, North Carolina. With a career in manufacturing that began in 1993, he brings more than three decades of expertise in engineering, product development, and executive leadership. John earned his Bachelor of Science in Engineering and his Master of Business Administration from Cornell University, a foundation that has shaped his approach to innovative problem-solving and scalable manufacturing. Under his leadership, i2E Group has established itself as a trusted partner, supporting product design, prototyping, and low- to mid-volume electronics equipment production across diverse industries including aviation, life sciences, telecommunications, and defense.
Iso is back with another week of NFL betting breakdowns and predictions! In this episode of Expansion Team, he dives deep into Week 5 matchups, analyzing the odds, spreads, and key storylines that could shape your betting slips. From potential upsets to sure-fire locks, Iso gives his perspective on where the money should go and how each game might play out.Whether you're a casual fan or serious about betting, this episode is packed with insight, strategy, and Iso's unfiltered takes.
In this episode of the Ern & Iso Podcast, we dive into the tough question: What does it really mean to look out for the people we love? From family drama to friendships, relationships, and work life, listeners wrote in with powerful stories that test loyalty, boundaries, and what it means to carry others.Iso and Ern unpack it all with honesty, humor, and raw truth.⏱ Timestamps:0:00 – Intro: The meaning of “Am I My Brother's Keeper?”3:40 – When your little brother's always in trouble, do you keep cleaning up his mess?9:15 – Oldest sibling struggles: carrying the whole family on your back15:02 – A friend who always calls when he's in a jam, but never shows up for you22:18 – Relationships vs. family: when your partner feels like second place29:47 – Work pressures: should you cover for a coworker who keeps messing up?36:50 – Loyalty or being used? The thin line in friendships44:25 – Betrayal over money: can you ever forgive family?52:10 – Missing a friend's call before tragedy — living with the guilt1:00:30 – Street life choices: how much can you really save somebody?1:08:42 – Closing thoughts: setting boundaries while still showing love
EAGLES vs BRONCOSPhilly's second-half faceplant vs TB (0 passing yards
In Search of... “The Great Lakes Triangle” Recorded: 21 Sep 2025 Edited: 02 Oct 2025 Released: 03 Oct 2025 Links: The Wreck of the Edmund Fitzgerald - Wikipedia Gordon Lightfoot - Wreck Of The Edmund Fitzgerald (Official Audio) The Great Lakes Triangle (1980 NOAA Teacher's Guide, rev. 1982, pdf) What is a seiche? Lake Michigan Triangle - Wikipedia Skeptoid Podcast #464: The Lake Michigan Triangle The UnBelievable: Lake Michigan Triangle's Mysterious Phenomena (Season 1) Navigating the Mysteries of the Lake Michigan Triangle - Discovery UK Great Lakes Lore #18: The Lake Ontario Triangle Ghost Ships of the Great Lakes: Lost Beneath the Waves (Full Episode) | National Geographic On this date in 1863, the schooner Rose Belle was launched Looking back: schooner Rosa Belle's vanished crew Columbine 25th Anniversary Memorial Edition Elephant (2003 film) - Wikipedia (the movie by GusVan Sant, not Oliver Stone, Nic was trying to remember) Music: “Dark Science” by David Hilowitz “The Truth Is What We Make of It” by The Agrarians “True North” by Bad Religion All our episodes are at iwtrw.com (or at iwanttorewatch.com, if you want to type more letters for some reason). Links for everything else I Want To Rewatch-related (including our sweet merch) are at the IWTRW Bio Site.
The payments landscape is experiencing regulatory upheaval, forcing financial institutions to rethink their approach to money movement modernization. With ISO message format changes, Swift updates, and evolving fraud requirements hitting simultaneously, banks are facing a complex web of compliance demands that require immediate attention. "The regulatory agenda for money movement is probably one of the most aggressive we have," said Elaine Duff, SVP and Head of Money Movement at FIS. "It's across the globe. We're seeing the ISO message intended to help firms standardize their messaging, become more efficient, and make their operations much more standardized." Yet the scale of change extends far beyond simple messaging updates. The oncoming change affects fraud tools, digital channels, reporting formats, and entire operational workflows. For many institutions, the traditional rip-and-replace approach to modernization has become both financially and operationally untenable. Nick Dovaras, Global Account Manager at AWS, emphasized the broader pressures driving urgency: "There's customer expectations as well. Customers are expecting 24/7, instant, and customer-friendly mobile applications that are connected to online systems.” Dive into this episode to hear about how financial institutions are navigating regulatory pressures through modular modernization strategies. FIS' Duff and AWS' Dovaras break down the critical role embedded fraud protection is playing in real-time payments, and why cloud-based solutions are enabling banks to modernize their money movement capabilities without the risks of traditional rip-and-replace approaches.
Show Notes for the Billy Newman Photo Podcast Episode Summary Billy shares reflections on creative workflows in photography, discusses Comet NEOWISE and stargazing in rural Oregon, recounts recent outdoor camping and photo expeditions, and dives into technical thoughts on camera equipment and the creative process. He also touches on issues like light pollution, the evolving nature of digital cameras, and the unique challenges of capturing stunning night sky photography. Chapter Guide Timestamp Chapter Title Segment Highlights 00:00 Opening & Creative Reflections Creative challenge in photography, blending business and creative growth, brief show intro with music. 01:30 Website & Book Plugs Directing listeners to BillyNewmanPhoto.com and his photo books on Amazon; themes — film, desert, surrealism. 02:30 Camping & Comet NEOWISE Recounts July camping in Eastern Oregon seeking views and photographs of NEOWISE; context of earlier “great comets.” 06:30 Childhood Astronomy Memories Reminiscing about viewing comets Hale-Bopp and Hyakutake in the 1990s; missing Halley's comet and thoughts on astronomical cycles. 08:30 NEOWISE Observing Details Discusses best locations, challenges of light pollution and haze near sea level, and the difference clear mountain skies make. 10:30 Field Photography and Stargazing Describes equipment and techniques: using binoculars, manual focus, and camera settings, plus tips for night sky shots in the John Day River valley. 15:00 Outdoor Adventure Recap Details on the travel route, dispersed camping, Oregon terrain, rivers, geology, and solitude near the John Day River. 19:00 More on NEOWISE and Night Shots Observing NEOWISE in prime conditions, handling photography challenges, recording images till late night, astronomical observation techniques. 22:30 Tech Talk: Cameras & Workflow Reflections on camera gear — Sony a7R, its quirks, “chimping,” differences with older cameras, and latest high-speed image technology. 27:00 Outro & Calls to Action Directs to BillyNewmanPhoto.com and Patreon, thanks listeners, previews new content, and encourages support. Support the Podcast If you enjoyed this episode, visit billynewmanphoto.com/support or patreon.com/billynewmanphoto to participate in the value-for-value model and find ways to help keep the podcast going. Check out new blog posts, photo books, and more behind-the-scenes content. View links at wnp.app Explore outdoor photography, technical media projects, stories from backcountry expeditions, and insights from the creative process with Billy Newman—photographer, author, and podcast producer. Connect, learn, and follow along. Quick Links:Portfolio: billynewmanphoto.com/photographsStudio: wphoto.coPosts: billynewmanphoto.com/postsPhoto Books: billynewmanphoto.com/booksAmazon Author: amazon.com/author/billynewman Podcast Episodes:Billy Newman Photo Podcast: Listen hereRelax with Rain: Listen hereNight Sky Podcast: Listen here Connect With Billy Newman:Email: billy@billynewmanphoto.comInstagram: @billynewmanLinkedIn: billynewmanphotoX (Twitter): @billynewman Recommended Books:Landscape Portfolio (PDF): DownloadBlack and White Photography (PDF): DownloadWorking With Film (PDF): DownloadWestern Overland Excursion (PDF): Download Support the Podcast & Photography Projects:Make a sustaining financial donation: Visit Support Page Podcast Forward:The Billy Newman Photo Podcast blends real-world outdoor adventure, technical insight, and practical photography tips. [MUSIC] Hello and thank you very much for listening to this episode of the Billy Newman photo podcast. I hear different industries kind of talk about what a good day of work is or how that is to kind of get out and get what you need done. And just as like a creative system, it's sort of tough in photography. There's a lot of the entrepreneurial and sort of business related stuff of how do you get paid and how do you operate in a business, how do you function as a photographer sort of a thing. But still outside of that you need to do something nourishing in the system of creativity where you're kind of gaining new ideas and putting new materials together and sort of figuring out a way to make a union of something new with media and with something visual, especially as fast as technology is moving forward. It's definitely an interesting vector kind of using the progression of technology and artistic creativity to try and make new pieces of media to put out. And that's what I really like about new media as it goes. So it's kind of interesting. I'm kind of thinking about the way of making pieces of media and new media elements and working with photographs and stuff. But it's something that I've been really interested for a long time. [MUSIC] You can see more of my work at BillyNewmanPhoto.com. You can check out some of my photo books on Amazon. I think you can look up Billy Newman under the authors section there and see some of the photo books on film, on the desert, on surrealism, on camping. Some cool stuff over there. And I wanted to jump into a couple of the things I've been doing through the month of July and some of the outdoor camping and travel stuff I've been up to. I was going to run down some of that in this podcast today. I wanted to talk about a trip I did out toward Eastern Oregon, I think like last, or what was a week before last is when I was out in this area. And I was trying to get some good observations in for Comet NeoWise. I'm not sure if any of you guys got to check that out while it was in its prime viewing section there. I think that was why we had the new moon before it switched over to being a gibbous moon or a nearly full moon like it's been the last week or so. But I think, what was it, around the 15th through the 25th or so of July, there were some pretty good observations to be made of Comet NeoWise. I guess after reading about it a little bit, it's not considered a great comet, like HaleBopp was, or I think it was Hayataki in 1996. We haven't had a great comet in a long time. I've ever seen those when I was a kid though, and that was pretty cool. Watching HaleBopp come through for, it seemed like three months or something. You were just looking at that in the low corners of the Northwestern and Western skies. It was cruising across the skyline there. I remember that still from third, fourth grade when it was coming through. And I also remember the year before that, when straight up in the sky at night, for it was only a week or so. I was a kid, but I remember for that week, you could see a real bright two-tailed comet that was going through. I think, I can't remember how to pronounce it, I think it's Hayataki or, I think it's some Japanese name, I'm pretty sure. But that was a really cool one. That one I still remember really clearly. I was only like, I don't know, seven or something when that, when that comet came through, but I really appreciate getting to make some observations. So that one, when I was a kid, I missed Haley's comet though, back in what, '87, I think was the last one it came through. And I probably will be the few years or that, that decade or two of age range that doesn't get to see Haley's comet in their lifetime. So I think I was born in '88, of course. So if I make it past a hundred, maybe I'll see it. What is it? Maybe like 80 something years. So it's probably not going to come back around until, I think it's like the 2070s or 2080s that I'd have to make it to, for to see Haley's comet again. It'd be fun, but I don't know, maybe we'll see how future, how the, you know, the future is at that time. But it was really cool to get to see comet Neowise. It was just a little below what would be the legs and feet of Ursa Major, the Big Dipper or like the Big Bear as it would kind of be observed. But if you kind of look at the Dipper part that we're all mostly familiar with, if you kind of consider Ursa Major, the larger bear constellation that it's structured on, if you kind of look down below the Dipper is where I was able to make my observations, the comet Neowise. And over here in the elevation area that I'm at in Western Oregon, it's about 200 or 300 feet above sea level. And there's kind of a constant problem with haze and with light pollution in this area. And I think it has to do something with, well, like, I mean, of course, you know, the amount of population that's around, but also there's something about the air quality or about how the air kind of flows out around here that just doesn't ever seem to be as crisp or as dark as you can get up in the mountains. And really, it's just like a stunning difference when you're able to get out further and make some some more clear observations. You know, the level of magnitude of stars that you're able to reveal just in a dark night is so much more crisp and clear. It's just like a it's a total difference. So it was cool to I think I first was able to spot just a little fuzzy bit of a second magnitude version of comet Neowise while I was here in town. But I tried to make a special trip out toward eastern Oregon out into the desert just to do some camping stuff. But what I wanted to do at the same time was make some good observations and also try and get some good photographs of common Neowise as it was coming through during its period where you could you could make some some good sightings. But it was cool. So going out to eastern Oregon, as it got dark a little past 1030 or so, as you look to the northwest, you could really see the comet and its tail spread for a couple inches in the sky. And I was really surprised to notice how little of it you could really make out or see when you're in an area of almost any light pollution once you're back in town or once you're in a lower elevation area with some light pollution and haze around. It was really difficult to make out in the same way that I could out in the desert or out in the mountains. And so I thought that was pretty cool to get to get to see and get to check out over there. But yeah, it was a blast getting to do some stuff out in eastern Oregon. I went over to the John Day River area and I was checking out that area. There's a lot of public land out in that area, but there's also some a lot of private land, too. It's just kind of an interesting area, how it's sort of broken up. And it was cool to get to go out, go out to the I headed out to Madras and then I took off and headed over east of there until I ran into the John Day River. And then I was able to use this map that I have to go through and find some of the open off or just the open roads that are, you know, the smaller gravel roads that are set up to kind of traverse the backcountry out there. So I was able to find a few of those that were open and travel around on those for a while. Now, that was pretty cool. I was able to find some dispersed campsites and set up right along the John Day River, which is really cool. It's a beautiful area out there. It's kind of interesting. The John Day River flows through this sort of, I guess it would be, I don't know, it's kind of like Canyonland and it's also sort of these rolling grass hills that sort of make up the landscape of Northern and Northeastern Oregon. And I think, yeah, as soon as you kind of get a little bit for like a little bit north of Bend is when you get out of the Great Basin area and you start to get into another kind of landscape that seems to stretch up north of the Columbia River up into Washington. I figured that some of it's from like really old deposits from the river systems and the waterways that were up there and how there's old deposits and then an erosion that's happened from those rivers running through the area for such a long time. But really cool to see kind of the rolling hills and then some of the carved out canyons that go through the John Day River area up there. When I found the campsite I was at, I was pretty far away from everybody and I was really far away from any substantial town. I think I was near, I don't know, I don't even know what it is. There wasn't anything there when I drove through it. There was a bridge and a couple little ranch houses, you know, real ranches, right? Like just a little house, like a little two bedroom house and then 100 acres of cattle to deal with. So it seems like another life out there. I wonder how they're dealing with, you know, kind of the way of the world as things are this summer. But it was cool, yeah, getting out there. Went to, oh yeah, I kind of set up my campsite and stuff, had my truck going, and that was all pretty easy going. But then I waited till dark after 1030. Yeah, Comet NeoWiser is really visible up below the Big Dipper. That was pretty cool to get to see out there in eastern Oregon. Really bright, really clear. You could almost make out the second tail. I have my binoculars with me. I think there's some 10 by 42s and those worked really well to view it, to view the comet. Looked really crisp through the binoculars and it got really easy to spot most of the night. Even just to the naked eye, it was really easy to spot it. Just like, oh yeah, it's right there. There's a comet. It's just a big wisp in the sky. So it was really cool to get to view it. What I did is I set up my tripod and I have my camera with me. And so I set it up with a really wide angle and then I was trying to get some photographs of it as the comet was coming down to set on the landscape of the hillside as the hours went on into the night. So I think I stayed out until maybe one or two in the morning when the Big Dipper was sort of scooping down a little low onto the horizon. And then at that point, the place where the comet was dipped below the horizon and then was out of view for the rest of the evening. And I think even into the morning, I think by that time when I was photographing it, it wasn't visible any longer up in the morning sky. I think they said at first in early July, you could kind of view it around Capella if you were able to get out early enough, say three or four in the morning. But as the direction, as it was moving, it was kind of creeping up pretty quickly, day over day over day. It would kind of move a good chunk through the sky. And the direction that it was moving, it was moving to be more visible at the nighttime, which really offered more hours of good observation time. Which I thought was pretty cool to wait until it was really dark enough in the northwest view of the sky, probably about 1030 onward is when you were finally able to make out those kind of finer points of light in the sky in that region. So it was really cool to set up the tripod, set up the camera, set up some manual focus to get it kind of set sharp. You can't use autofocus when you're trying to make photographs of the night sky and the stars because it just kind of seeks back and forth. You have to set it to manual focus and then ring out your focus ring to infinity and then just back a little bit. You'll notice this every time if you do it. It's really frustrating, the dark, because you can't really always make it out in an easy way and edit your mistake quickly. But if you go all the way to infinity and then take pictures there of the night sky, you're going to notice that those points of light that are the stars sort of end up a little fuzzy. And it's because all the way to infinity for whatever reason just isn't quite in focus at infinity. So you have to go all the way out to infinity and then back it off just a little bit. And that'll nearly ensure that most of that part of the image is in focus the whole way. And it's difficult even if you do have an f-stop that's a little bit more tightened out, say like an f4 or f6 or something, you're still going to get a lot of that out of focus softness. If the focus ring isn't really dialed into the right spot. So I try to work on that a little bit. And yeah, dialed in my focus was able to set it up with a reasonable ISO to get some images of the night sky and pick up some of those finer points of light. And then I was able to take a series of photographs in a few different locations out there in the John Day River Valley, which I thought was really cool. It was pretty to be out there and it was a nice night, really warm in the river canyon. And really remote too, like I was mentioning, I think I was the only person out there for a few miles. I saw another group coming in on a, they had like a little mid-size SUV and they were going fishing out at a bend in the river a couple miles up from where I was. And so I took my truck down a little further and camped out just on the side of the river. It was cool, nice green river up to the kind of high desert tan rim rock that runs the area around there. So it was a cool evening, cool campsite area. It was a cool spot to check out Comet NeoWise too. So I tried to check it out up until, I don't know what, you know, 1.30 in the morning when I couldn't see it anymore. And then spent the night out there out in the John Day River area. And then the next morning got up and tried to check out some of the different roads and stuff that went around. You can check out more information at billynumanphoto.com. You can go to billynumanphoto.com/support if you want to help me out and participate in the value for value model that we're running this podcast with. If you receive some value out of some of the stuff that I was talking about, you're welcome to help me out and send some value my way through the portal at billynumanphoto.com/support. You can also find more information there about Patreon and the way that I use it. If you're interested or feel more comfortable using Patreon, that's patreon.com/billynumanphoto. I've got the Sony a7R going through its paces. It's been really cool using it for the last couple weeks. I've been trying to figure out its idiosyncrasies and there are a lot of them. There's a lot of them with these newer cameras and I can see definitely where from the a7R or from the first series of the a7s to the a7II and so on and so forth with the better and different accentuated camera models, they get better. They really do get better. There are some things with the first renditions of the electronic viewfinder and the system of how that takes photos, how it kind of interrupts when you're taking photos that don't quite seem to the level of professionalism that I'm really trying to hit for. I know that there's a lot of custom settings that I have to go into and sort of tweak how that a7R is going to be grabbing at photos and then how it's chimping. You guys heard of that before? Chimping. I don't know what it really has to do with but it's referring to when you take a photograph or you take a couple of photographs and then you look down at that screen on the bottom of your digital camera, the back plate of your digital camera. You look down and you see the photo and then you come up, you recompose and you shoot again and then come down and look at it. It's, I guess, I don't understand it completely. It just seems sort of like a modern approach to something that the technology allows you to do. I think it's totally acceptable but for whatever reason, it is sort of an interference in the creative or in the photography process sometimes. I know that there are many pros, all of those pros coming from a past world that's no longer here a film where it wasn't really acceptable to do half shutter press autofocus. You have to do autofocus from the back and then shutter is its own system. With that, there's all these kind of silly rules about how you can use focus, how you can use composition stuff, how you can set up your frame, when you can look at the screen or when you can review the images. I guess these film shooters, they thought it was uncouth to be able to review or see the photograph before the film was developed or before it was later on. Interesting and I see kind of psychologically there's this path that does seem to create better work or more intuitive photographs and those are better. They are more needed and I can see where some of these tricks might get you closer to that but the idea of just looking at the back of the screen that doesn't impede you so much and it doesn't really stop you. If you're a pro and you know what you're doing, you look at the screen, you're looking at the screen because you know why you're looking at the screen. It doesn't really seem to make sense that there's these sort of sideways rules about features you can and can't use that are put into your camera. But to speak about efficiency, the problem that I noticed about the a7R is that it will display the image to you for about a second and a half, two seconds and it will display it on the screen but it'll also display it in the electronic viewfinder for your eye. And you can shut this feature off but there's still a little bit of a hiccup around the time that you hit the shutter button. And the problem with this is if I'm framed up to take a photograph, let's say of a situation I remember back at OSU when I was shooting sports a lot, let's say there's a football game, I'm out in front of the action and I see that the beefs set up a play, they throw a pass, the guy gets it, he's right in the pocket on the third of the frame that I have and I have focus tracking on him. I want to take a series of shots with a high frame rate so I can get that whole run of action as he moves towards me. And so the issue that I'm having is in photography you're trying to select moments that look good. That's kind of the point. Aesthetically you want them to be choices that are appealing and that has to do a lot with gesture, a lot with movement, a lot with kind of positioning and framing and composition and sort of thoughtfully considering what does the person look like? How are all these things in the frame relating to each other and is it going to work when you press the shutter? And the difficulty is with these a7Rs or even with the Sony a6000 when I'm looking at it and I take this series of photographs, I'm almost blind that whole time. Whereas before in the past when I would have been working with an SLR, there's the shutter flap where you see black for just a moment but it comes back and it's optically correct immediately. It's optically correct to what you're going to be shooting but with the EVF there's just enough lag that in high action you seem to kind of miss where the gesture is. If stuff's moving around it seems like you almost have to kind of guess or assume that the next moment's going to happen and then try and take it but you can't see it. It's weird. It's like it shuts off the viewfinder right at the time that you need to be looking through it. And so in some ways like that it's a little bit complicated of am I framed up right? Am I looking at the thing right? When I take the picture it just shows me something else all of a sudden. And I know that they've solved a lot of these problems like if you look up the Sony a9 and some of the features that it has if you bring that into high speed shooting it's got this interesting system where instead of having the electronic viewfinder blink black or cut out completely have the processor move all of its attention to processing that image that it just captured and then bring back the electronic viewfinder momentarily later. What we see in the a9 is a system where there's the bracket. There's like a let's say like a red focus bracket that kind of goes around and you're shooting, you're shooting, you're shooting. But what you're seeing is instead of the electronic viewfinder blinking out black and then showing you a frame or just blinking out black and then coming back on what we see is just that bracket, that red bracket blink yellow or blink from black to yellow or black to red or something like that. And all that's indicating is that it is firing frames, but you're just still seeing it completely normally like you would view any action on a screen. And that's a really interesting process. I think it's like, I don't know, it's like 20 frames a second or something like that. It's almost video at that point when you're shooting raw frames. Are you kidding me? Raw frames on a Sony a9 at God knows what almost 50 megapixels that it's shooting at. And you can do 20 frames a second just looking at the thing and then seeing a little black bar blink yellow and that's signaling that you're capturing all that data. Thanks a lot for checking out this episode of the Billy Newman photo podcast. Hope you guys check out some stuff on Billy Newman photo.com. A few new things up there, some stuff on the home page, some good links to other, other outbound sources, some links to books and links to some podcasts, links to some blog posts. All pretty cool. Yeah. Check it out at Billy Newman, a photo.com. Thanks a lot for listening to this episode of the podcast. Talk to you next time. Bye. [MUSIC]
Discover how to shoot perched and flying birds with low ISO and high sharpness through the use of custom settings.
In this episode of The Quality Hub, host Xavier Francis is joined by Scott Dawson, President of Core Business Solutions, and Danny Norman, Advanced Manufacturing Consultant with Tennessee MEP, to explore whether AI in manufacturing is a real opportunity or just hype. Together, they dive into how manufacturers can begin experimenting with AI—particularly large language models. The conversation highlights three major areas where AI can make an impact: driving growth through product development, improving efficiency by customizing existing tools, and enhancing workforce training. They also emphasize the importance of starting small, focusing on data security, and leveraging national Manufacturing Extension Partnerships (MEPs) for guidance and pilot projects. This episode offers manufacturers a clear roadmap to responsibly explore AI while avoiding costly missteps. Helpful Resources: More About ISO 42001: https://www.thecoresolution.com/iso-42001-certification Why ISO 42001 Certification Matters: https://www.thecoresolution.com/why-grammarlys-iso-42001-certification-matters How is ISO 9001 Implemented?: https://www.thecoresolution.com/how-is-iso-9001-implemented For All Things ISO 9001:2015: https://www.thecoresolution.com/iso-9001-2015 Contact us at 866.354.0300 or email us at info@thecoresolution.com A Plethora of Articles: https://www.thecoresolution.com/free-learning-resources ISO 9001 Consulting: https://www.thecoresolution.com/iso-consulting
"Aujourd'hui, c'est vraiment l'année de la souveraineté&hellip grâ ou à cause de Trump." Le D.E.V. de la semaine est Damien Lecan, expert en numérique responsable. Au c&oeligur des échanges, la souveraineté numérique et la dépendance aux poids lourds du cloud. Damien évoque alors les enjeux du RGPD et recommande de réévaluer l'utilisation des outils dominants. Il mentionne également des alternatives européennes telles qu'OVH et Scaleway, tout en soulignant les défis de l'intégration et du service lors de la migration. En conclusion, une réflexion approfondie s'impose pour une transition réussie vers plus de souveraineté numérique.Chapitrages00:00:58 : Introduction à la souveraineté numérique00:03:16 : Changement de perspective sur les outils bureautiques00:05:23 : La pression législative et le marché européen00:07:14 : Enjeux de souveraineté et migrations technologiques00:08:13 : Supériorité technologique des cloud providers00:10:00 : Les défis de la diversité technologique00:11:54 : Risques et enjeux des technologies dominantes00:16:16 : L'impact de l'IA sur la souveraineté00:16:29 : Alternatives européennes aux géants du cloud00:22:12 : Les défis de l'open source aujourd'hui00:25:26 : Hébergement souverain comme avantage compétitif00:28:10 : Complexités de l'internationalisation des services00:30:13 : Modèles technologiques et adaptations locales00:33:07 : La montée en puissance de la technologie chinoise00:38:32 : Stratégies de migration vers des solutions souveraines00:43:19 : Priorités dans la migration des services00:46:24 : Recommandations de contenu et conclusions00:48:12 : Clôture et réflexions finales Liens évoqués pendant l'émission Clef de voûte | Ausha Double Slash **Restez compliant !** Cet épisode est soutenu par Vanta, la plateforme de Trust Management qui aide les entreprises à automatiser leur sécurité et leur conformité. Avec Vanta, se mettre en conformité avec des standards comme SOC 2, ISO 27001 ou HIPAA devient plus rapide, plus simple, et surtout durable. Plus de 10 000 entreprises dans le monde utilisent déjà Vanta pour transformer leurs obligations de sécurité en véritable moteur de croissance.
In this episode of the Ern and Iso Podcast, the duo dives into the latest controversy surrounding Nas and Jay-Z as both Hip-Hop legends push for casino projects in New York. While Nas recently got the green light to move forward, Jay-Z has faced disapproval and backlash from the community. Ern and Iso don't focus on the politics behind the approvals or denials—they highlight how these two giants are being talked about, judged, and criticized by fans and the community they've given so much to.Are Nas and Jay-Z damned if they do, damned if they don't?
Hydrogen storage might not be flashy, but it's foundational. In this episode of Hydrogen Innovators, we sit down with Kamden Maas, U.S. Sales Manager at Atlanta Cylinders, to unpack how Type I all-steel cylinders are helping projects move from pilot to deployment. Kamden explains why long-lived, stackable, high-pressure steel storage (700 bar U.S.; up to 1000 bar in the EU approvals) can cut costs versus composite alternatives, what third-party certifications (DOT/ASME vs. ISO) really mean for safety, and how storage design choices ripple through refueling, backup power, and site footprint. We also get a candid market tour—Spain/Portugal and Northern Europe's momentum, steady progress in the U.S. Gulf—and a call for practical collaboration across suppliers, developers, and communities. Kamden closes with advice for early-career professionals on leading with authenticity and pushing the envelope in a constantly evolving industry.
Send us a textCheck us out at: https://www.cisspcybertraining.com/Get access to 360 FREE CISSP Questions: https://www.cisspcybertraining.com/offers/dzHKVcDB/checkoutGet access to my FREE CISSP Self-Study Essentials Videos: https://www.cisspcybertraining.com/offers/KzBKKouvSecurity governance represents one of the most misunderstood yet critical components of any cybersecurity program. As we explore Domain 1.3 of the CISSP exam, we unpack how proper governance creates accountability and structure that protects both your organization and your career.We begin with a startling real-world example: the "Red November" campaign, where Chinese state-sponsored hackers exploited vulnerable internet-facing appliances and VPNs across defense, aerospace, and government sectors for a full year. This sophisticated operation highlights why casual approaches to security governance leave organizations exposed to devastating attacks.Security governance isn't merely a theoretical concept – it's a practical framework that defines who's responsible for what across your security landscape. We break down the crucial roles every organization must establish: from Senior Managers who hold ultimate responsibility, to Data Owners who classify information, to Data Custodians who implement protections, and the often-overlooked role of Auditors who verify everything works as intended. Understanding these distinctions protects security professionals from becoming scapegoats when incidents occur.The real value emerges when we examine how security control frameworks like NIST CSF, ISO 27001, and CRI provide structured approaches to managing risk. These aren't one-size-fits-all solutions, but rather customizable blueprints that help you systematically identify, implement, and monitor security measures appropriate to your specific needs. Framework mapping allows you to align multiple requirements efficiently, making compliance less burdensome and more effective.Finally, we demystify the concepts of due care and due diligence – the practical actions that demonstrate you've taken reasonable steps to protect your organization. These aren't just legal defenses; they're the fundamental building blocks of a mature security program that aligns with business objectives while meaningfully reducing risk.Whether you're preparing for the CISSP exam or building a more robust security program, this episode provides the practical knowledge you need to implement effective security governance that executives will support and auditors will approve.Support the showGain exclusive access to 360 FREE CISSP Practice Questions delivered directly to your inbox! Sign up at FreeCISSPQuestions.com and receive 30 expertly crafted practice questions every 15 days for the next 6 months—completely free! Don't miss this valuable opportunity to strengthen your CISSP exam preparation and boost your chances of certification success. Join now and start your journey toward CISSP mastery today!
Marisa Romeo never ceases to blow my mind. To be in the top 25 women at the biggest ultra trail running race in the world is unbelievable...she was 22nd by the way. I had to hear her story, and it did not disappoint. Going in with a great mental state and just reveling in the fact that she was even there was the perfect way to approach the start line. She was ready. Hear about her journey through these majestic mountains, battling crazy cold weather, and overcoming some personal lows and other issues. I found it so interesting to hear two different experiences of this same race back to back (Katti and Marisa). Both women are so strong, and I feel blessed to sit back and watch them excel. Thank you, Marisa, for coming back on the podcast. I SO enjoy our 'catch up times'. I certainly hope you can make your way back to UTMB, and I'll continue to be one of your biggest fans. :)Marisa's website: https://www.marisaromeo.comMarisa's coach: Ryne Anderson with CTSThank you for listening! Please follow Facing Vert on Instagram @facingvertIf you are enjoying, please share with your friends! Thank you!
To wrap up season 8 of The Gut Show, we're digging into the question: Which diet is best for IBS?
In this episode of Poducer, we sit down with Vincenzo Zino B and Jimmy Box — producers, engineers, and co-founders of Channel Recording Company, a brand-new Chicago studio designed to feel like a living room while sounding world-class. They share the story of transforming a raw warehouse into a fully treated space in Fort Knox Studios, complete with cedar diffusion walls, a 25×25 ft live room, and a glass-walled ISO booth big enough for a grand piano. We dive into their philosophy of hospitality-driven engineering, why “good sound should be the default,” and how creating a comfortable environment frees artists to focus on making their best music. Beyond the technical build, Zino B and Jimmy reflect on their paths through the Chicago scene — from Joyride sessions with legends like Buddy Guy to Grammy-nominated projects, to building a community hub where artistry, collaboration, and care come first. They also tackle big topics like AI in music, the importance of “first listeners” in mastering, and how true fans sustain independent art.
From rainbow logos during Pride Month to eco-friendly rebrands by oil giants, businesses often try to make themselves look more responsible than they really are. These tactics — known as 'image washing' — can involve sports, social causes, AI, or environmental promises. In this episode of Down to Business English, Skip Montreux and Dez Morgan explore the world of “image washing.” They define the term and discuss common forms such as sportswashing, pinkwashing, AI washing, and greenwashing. They also talk about well-known cases like BP's “Beyond Petroleum” campaign and discuss certification programs such as ISO 14001 and B Corp. Skip and Dez's conversation will help you better understand business ethics and expand your business English vocabulary. Key points of their discussion include: What “image washing” means and why companies use it. The many forms of image washing — sportswashing, pinkwashing, AI washing, and greenwashing. Real-world cases, including BP's “Beyond Petroleum” campaign. How ISO 14001 and B Corp certification programs work. Do you like what you hear? Become a D2B Member today for to access to our -- NEW!!!-- interactive audio scripts, PDF Audio Script Library, Bonus Vocabulary episodes, and D2B Member-only episodes. Visit d2benglish.com/membership for more information. Follow Down to Business English on Apple podcasts, rate the show, and leave a comment. Contact Skip, Dez, and Samantha at downtobusinessenglish@gmail.com Follow Skip & Dez Skip Montreux on Linkedin Skip Montreux on Instagram Skip Montreux on Twitter Skip Montreux on Facebook Dez Morgan on Twitter RSS Feed
Paul Thurrott reports live from Maui with exciting details on Qualcomm's next-gen Snapdragon X2 Elite chip and how it could shake up the PC world, while behind the scenes, Microsoft quietly drifts further from OpenAI just as an NVIDIA mega-deal makes headlines. Is Windows about to get its biggest reboot in years, and can ARM finally topple Intel? Windows 25H2 is imminent: The real ISOs and eKBs are here! Paul's Arm-based trip to Mexico and Arm-based Apple-tastic experience at Snapdragon Summit And yet. It's Week D. And we didn't get any preview updates (for 24H2) Windows AI Labs is a thing If you're migrating from Windows 10 get a Windows 11 on Arm PC, Microsoft suggests New AI features coming to Notepad, Paint, and Snipping Tool New Dev and Beta (and Canary) builds: Click to Do translation, Share with Copilot, Accounts management improvements AI The Microsoft/OpenAI rift widens yet again NVIDIA invests $100 billion in OpenAI, days after "investing" $5 billion in Intel Intel will keep making its own GPUs because who gives a crap Microsoft is bringing Anthropic Claude to Microsoft 365 Copilot - "Model choice" Microsoft reportedly trying to pay publishers for content used by AI Microsoft Teams is getting more agents Google Chrome is getting a major AI update Snapdragon Summit 2025 6G, AI as the new UI, glasses as the next wave, Android PCs out of nowhere X2 Elite and X2 Elite Extreme (with up to 18 cores for ultra-premium PCs) 3rd Gen Oryon CPU (X2 was 1st gen, last year's phone chip was G2) 75 percent faster CPU perf than competition at ISO power First Arm chip to hit 5+ GHz New Adreno GPU architecture with 2.3x perf per watt and power efficiency over previous gen Hexagon NPU with 80 TOPS for "concurrent AI experiences" on Copilot+ PCs Supports latest 5G SD X75 modem, Wi-Fi 7, BT 5.4 75 percent faster CPU perf than competition at ISO power Bad news: First half of 2026 availability Not in the press release: The secret of why X2 Elite Extreme is so fast Xbox Microsoft raises Xbox console prices for the second time in 2025 Here comes the Gaming Copilot on Windows 11 Google is copying it on Android and bringing Android and native games to Windows now Tips and Picks Tip of the week: Think of 1 story for everyone you care about App pick of the week: Notion 3.0 RunAs Radio this week: Managing Vendor Incidents with Mandi Walls Brown liquor pick of the week: High Coast Whisky Quercus IV Mongolica Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Download or subscribe to Windows Weekly at https://twit.tv/shows/windows-weekly Check out Paul's blog at thurrott.com The Windows Weekly theme music is courtesy of Carl Franklin. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: threatlocker.com/twit uscloud.com cachefly.com/twit
Paul Thurrott reports live from Maui with exciting details on Qualcomm's next-gen Snapdragon X2 Elite chip and how it could shake up the PC world, while behind the scenes, Microsoft quietly drifts further from OpenAI just as an NVIDIA mega-deal makes headlines. Is Windows about to get its biggest reboot in years, and can ARM finally topple Intel? Windows 25H2 is imminent: The real ISOs and eKBs are here! Paul's Arm-based trip to Mexico and Arm-based Apple-tastic experience at Snapdragon Summit And yet. It's Week D. And we didn't get any preview updates (for 24H2) Windows AI Labs is a thing If you're migrating from Windows 10 get a Windows 11 on Arm PC, Microsoft suggests New AI features coming to Notepad, Paint, and Snipping Tool New Dev and Beta (and Canary) builds: Click to Do translation, Share with Copilot, Accounts management improvements AI The Microsoft/OpenAI rift widens yet again NVIDIA invests $100 billion in OpenAI, days after "investing" $5 billion in Intel Intel will keep making its own GPUs because who gives a crap Microsoft is bringing Anthropic Claude to Microsoft 365 Copilot - "Model choice" Microsoft reportedly trying to pay publishers for content used by AI Microsoft Teams is getting more agents Google Chrome is getting a major AI update Snapdragon Summit 2025 6G, AI as the new UI, glasses as the next wave, Android PCs out of nowhere X2 Elite and X2 Elite Extreme (with up to 18 cores for ultra-premium PCs) 3rd Gen Oryon CPU (X2 was 1st gen, last year's phone chip was G2) 75 percent faster CPU perf than competition at ISO power First Arm chip to hit 5+ GHz New Adreno GPU architecture with 2.3x perf per watt and power efficiency over previous gen Hexagon NPU with 80 TOPS for "concurrent AI experiences" on Copilot+ PCs Supports latest 5G SD X75 modem, Wi-Fi 7, BT 5.4 75 percent faster CPU perf than competition at ISO power Bad news: First half of 2026 availability Not in the press release: The secret of why X2 Elite Extreme is so fast Xbox Microsoft raises Xbox console prices for the second time in 2025 Here comes the Gaming Copilot on Windows 11 Google is copying it on Android and bringing Android and native games to Windows now Tips and Picks Tip of the week: Think of 1 story for everyone you care about App pick of the week: Notion 3.0 RunAs Radio this week: Managing Vendor Incidents with Mandi Walls Brown liquor pick of the week: High Coast Whisky Quercus IV Mongolica Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Download or subscribe to Windows Weekly at https://twit.tv/shows/windows-weekly Check out Paul's blog at thurrott.com The Windows Weekly theme music is courtesy of Carl Franklin. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: threatlocker.com/twit uscloud.com cachefly.com/twit
Paul Thurrott reports live from Maui with exciting details on Qualcomm's next-gen Snapdragon X2 Elite chip and how it could shake up the PC world, while behind the scenes, Microsoft quietly drifts further from OpenAI just as an NVIDIA mega-deal makes headlines. Is Windows about to get its biggest reboot in years, and can ARM finally topple Intel? Windows 25H2 is imminent: The real ISOs and eKBs are here! Paul's Arm-based trip to Mexico and Arm-based Apple-tastic experience at Snapdragon Summit And yet. It's Week D. And we didn't get any preview updates (for 24H2) Windows AI Labs is a thing If you're migrating from Windows 10 get a Windows 11 on Arm PC, Microsoft suggests New AI features coming to Notepad, Paint, and Snipping Tool New Dev and Beta (and Canary) builds: Click to Do translation, Share with Copilot, Accounts management improvements AI The Microsoft/OpenAI rift widens yet again NVIDIA invests $100 billion in OpenAI, days after "investing" $5 billion in Intel Intel will keep making its own GPUs because who gives a crap Microsoft is bringing Anthropic Claude to Microsoft 365 Copilot - "Model choice" Microsoft reportedly trying to pay publishers for content used by AI Microsoft Teams is getting more agents Google Chrome is getting a major AI update Snapdragon Summit 2025 6G, AI as the new UI, glasses as the next wave, Android PCs out of nowhere X2 Elite and X2 Elite Extreme (with up to 18 cores for ultra-premium PCs) 3rd Gen Oryon CPU (X2 was 1st gen, last year's phone chip was G2) 75 percent faster CPU perf than competition at ISO power First Arm chip to hit 5+ GHz New Adreno GPU architecture with 2.3x perf per watt and power efficiency over previous gen Hexagon NPU with 80 TOPS for "concurrent AI experiences" on Copilot+ PCs Supports latest 5G SD X75 modem, Wi-Fi 7, BT 5.4 75 percent faster CPU perf than competition at ISO power Bad news: First half of 2026 availability Not in the press release: The secret of why X2 Elite Extreme is so fast Xbox Microsoft raises Xbox console prices for the second time in 2025 Here comes the Gaming Copilot on Windows 11 Google is copying it on Android and bringing Android and native games to Windows now Tips and Picks Tip of the week: Think of 1 story for everyone you care about App pick of the week: Notion 3.0 RunAs Radio this week: Managing Vendor Incidents with Mandi Walls Brown liquor pick of the week: High Coast Whisky Quercus IV Mongolica Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Download or subscribe to Windows Weekly at https://twit.tv/shows/windows-weekly Check out Paul's blog at thurrott.com The Windows Weekly theme music is courtesy of Carl Franklin. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: threatlocker.com/twit uscloud.com cachefly.com/twit
Paul Thurrott reports live from Maui with exciting details on Qualcomm's next-gen Snapdragon X2 Elite chip and how it could shake up the PC world, while behind the scenes, Microsoft quietly drifts further from OpenAI just as an NVIDIA mega-deal makes headlines. Is Windows about to get its biggest reboot in years, and can ARM finally topple Intel? Windows 25H2 is imminent: The real ISOs and eKBs are here! Paul's Arm-based trip to Mexico and Arm-based Apple-tastic experience at Snapdragon Summit And yet. It's Week D. And we didn't get any preview updates (for 24H2) Windows AI Labs is a thing If you're migrating from Windows 10 get a Windows 11 on Arm PC, Microsoft suggests New AI features coming to Notepad, Paint, and Snipping Tool New Dev and Beta (and Canary) builds: Click to Do translation, Share with Copilot, Accounts management improvements AI The Microsoft/OpenAI rift widens yet again NVIDIA invests $100 billion in OpenAI, days after "investing" $5 billion in Intel Intel will keep making its own GPUs because who gives a crap Microsoft is bringing Anthropic Claude to Microsoft 365 Copilot - "Model choice" Microsoft reportedly trying to pay publishers for content used by AI Microsoft Teams is getting more agents Google Chrome is getting a major AI update Snapdragon Summit 2025 6G, AI as the new UI, glasses as the next wave, Android PCs out of nowhere X2 Elite and X2 Elite Extreme (with up to 18 cores for ultra-premium PCs) 3rd Gen Oryon CPU (X2 was 1st gen, last year's phone chip was G2) 75 percent faster CPU perf than competition at ISO power First Arm chip to hit 5+ GHz New Adreno GPU architecture with 2.3x perf per watt and power efficiency over previous gen Hexagon NPU with 80 TOPS for "concurrent AI experiences" on Copilot+ PCs Supports latest 5G SD X75 modem, Wi-Fi 7, BT 5.4 75 percent faster CPU perf than competition at ISO power Bad news: First half of 2026 availability Not in the press release: The secret of why X2 Elite Extreme is so fast Xbox Microsoft raises Xbox console prices for the second time in 2025 Here comes the Gaming Copilot on Windows 11 Google is copying it on Android and bringing Android and native games to Windows now Tips and Picks Tip of the week: Think of 1 story for everyone you care about App pick of the week: Notion 3.0 RunAs Radio this week: Managing Vendor Incidents with Mandi Walls Brown liquor pick of the week: High Coast Whisky Quercus IV Mongolica Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Download or subscribe to Windows Weekly at https://twit.tv/shows/windows-weekly Check out Paul's blog at thurrott.com The Windows Weekly theme music is courtesy of Carl Franklin. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: threatlocker.com/twit uscloud.com cachefly.com/twit
Paul Thurrott reports live from Maui with exciting details on Qualcomm's next-gen Snapdragon X2 Elite chip and how it could shake up the PC world, while behind the scenes, Microsoft quietly drifts further from OpenAI just as an NVIDIA mega-deal makes headlines. Is Windows about to get its biggest reboot in years, and can ARM finally topple Intel? Windows 25H2 is imminent: The real ISOs and eKBs are here! Paul's Arm-based trip to Mexico and Arm-based Apple-tastic experience at Snapdragon Summit And yet. It's Week D. And we didn't get any preview updates (for 24H2) Windows AI Labs is a thing If you're migrating from Windows 10 get a Windows 11 on Arm PC, Microsoft suggests New AI features coming to Notepad, Paint, and Snipping Tool New Dev and Beta (and Canary) builds: Click to Do translation, Share with Copilot, Accounts management improvements AI The Microsoft/OpenAI rift widens yet again NVIDIA invests $100 billion in OpenAI, days after "investing" $5 billion in Intel Intel will keep making its own GPUs because who gives a crap Microsoft is bringing Anthropic Claude to Microsoft 365 Copilot - "Model choice" Microsoft reportedly trying to pay publishers for content used by AI Microsoft Teams is getting more agents Google Chrome is getting a major AI update Snapdragon Summit 2025 6G, AI as the new UI, glasses as the next wave, Android PCs out of nowhere X2 Elite and X2 Elite Extreme (with up to 18 cores for ultra-premium PCs) 3rd Gen Oryon CPU (X2 was 1st gen, last year's phone chip was G2) 75 percent faster CPU perf than competition at ISO power First Arm chip to hit 5+ GHz New Adreno GPU architecture with 2.3x perf per watt and power efficiency over previous gen Hexagon NPU with 80 TOPS for "concurrent AI experiences" on Copilot+ PCs Supports latest 5G SD X75 modem, Wi-Fi 7, BT 5.4 75 percent faster CPU perf than competition at ISO power Bad news: First half of 2026 availability Not in the press release: The secret of why X2 Elite Extreme is so fast Xbox Microsoft raises Xbox console prices for the second time in 2025 Here comes the Gaming Copilot on Windows 11 Google is copying it on Android and bringing Android and native games to Windows now Tips and Picks Tip of the week: Think of 1 story for everyone you care about App pick of the week: Notion 3.0 RunAs Radio this week: Managing Vendor Incidents with Mandi Walls Brown liquor pick of the week: High Coast Whisky Quercus IV Mongolica Hosts: Leo Laporte, Paul Thurrott, and Richard Campbell Download or subscribe to Windows Weekly at https://twit.tv/shows/windows-weekly Check out Paul's blog at thurrott.com The Windows Weekly theme music is courtesy of Carl Franklin. Join Club TWiT for Ad-Free Podcasts! Support what you love and get ad-free shows, a members-only Discord, and behind-the-scenes access. Join today: https://twit.tv/clubtwit Sponsors: threatlocker.com/twit uscloud.com cachefly.com/twit
In this episode, Subhi Saadeh sits down with Alan Stevens, CAPT, to break down the concept of five nines (99.999% reliability) in medical devices. They cover where the standard came from, why FDA introduced it in their 2020 draft guidance, and what it means for life-saving products like epinephrine and naloxone injectors.Alan explains how manufacturers can demonstrate reliability through fault tree analysis, robust process controls, and challenge testing—without needing impossible sample sizes.If you work in pharma, medtech, or quality, this episode will help you understand what “five nines” really means and how to meet FDA expectations while ensuring patient safety.Chapters00:00 – What is Five Nines Reliability?Intro to 99.999% and why it matters for medical devices.00:33 – FDA Guidance & Common Misconceptions2020 draft guidance, sample size myths, and industry confusion.01:17 – How to Demonstrate ReliabilityFeasibility, practical approaches, and FDA expectations.02:31 – High-Stakes Use CasesEpinephrine, naloxone, glucagon injectors.04:00 – Fault Tree Analysis ExplainedBreaking down failures and linking to design/manufacturing.05:25 – Why FDA Chose Five NinesBalancing feasibility, safety, and ISO 14971 influences.09:02 – Verification vs. ReliabilityDesign verification testing vs. true reliability demonstration.23:16 – Key Takeaways for IndustryClosing thoughts on meeting and maintaining reliability standards.Alan Stevens CAPT is the Global Head of Complex Devices and Drug Delivery Systems at AbbVie within the RA Emerging Technologies, Devices and Combination Products team. Prior to joining AbbVie, Alan spent 20 years at the FDA/CDRH leading premarket review and policy development for drug delivery devices and combination products.Subhi Saadeh is a Quality Professional and host of Let's Combinate. With a background in Quality, Manufacturing Operations and R&D he's worked in Large Medical Device/Pharma organizations to support the development and launch of Hardware Devices, Disposable Devices, and Combination Products for Vaccines, Generics, and Biologics. Subhi serves currently as the International Committee Chair for the Combination Products Coalition(CPC) and as a member of ASTM Committee E55 and also served as a committee member on AAMI's Combination Products Committee.For questions, inquiries or suggestions please reach out at letscombinate.com or on the show's LinkedIn Page.
Ern & Iso tap in on the biggest convo in hip-hop right now.
Swift's colossal impact on global finance remains largely invisible to most people, yet its messaging infrastructure moves the world's entire GDP every 2-3 days. Leigh Amaro, Head of North America for Swift, pulls back the curtain on this financial powerhouse in a fascinating conversation about the present and future of global payments.Founded in 1970 as a cooperative, Swift now connects approximately 11,000 financial institutions across 200 countries, processing an astounding 50+ million messages daily with just 3,000 employees worldwide. "We're like the backbone of financial services around the world," Amaro explains, highlighting Swift's role in providing secure messaging and value-added services like sanction screening and fraud detection.The payments landscape has transformed dramatically in recent years. What was once a "black box" process with unpredictable delivery times has evolved into a system where 90% of payments reach beneficiaries within one hour. This revolution in transparency comes through innovations like Swift's GPI tracker, addressing a major pain point for corporate treasurers who previously couldn't predict when payments would arrive.Looking forward, several developments promise to reshape global payments. The implementation of ISO 20022 in November will create a richer data layer enabling enhanced compliance, error reduction, and automation. Digital assets - including tokenized money and stablecoins - represent another frontier where Swift aims to support financial institutions through secure messaging. Meanwhile, AI continues to transform fraud detection and pattern recognition across the payment ecosystem.Amaro's passion for women's education and mentorship shines through as she shares the story of her great-grandmother, born in 1905, who emphasized education's importance despite having to leave school at age 11. This personal connection drives her work supporting women in technology and developing mentorship communities. Her advice for those entering payments? "Trust yourself more and don't wait for permission. No one has it figured out, no one's got all the answers... The sooner you believe in yourself, the sooner others will too."
Join us in this recording for Part 1 of the August 4th, 2025 Bay Area SAA/COSA Quarterly Speaker meeting as Mike T shares about his recovery in SAA. YouTube Links to music in this episode (used for educational purposes): Dermot Kennedy - Let Me In: https://www.youtube.com/watch?v=7CH8121AYp8 Wardruna - Voluspá: https://www.youtube.com/watch?v=8UPUPDo20nM Be sure to reach us via email: feedback@sexaddictsrecoverypod.com If you are comfortable and interested in being a guest or panelist, please feel free to contact me. jason@sexaddictsrecoverypod.com SARPodcast YouTube Playlist: https://www.youtube.com/playlist?list=PLn0dcZg-Ou7giI4YkXGXsBWDHJgtymw9q To find meetings in the San Francisco Bay Area, be sure to visit: https://www.bayareasaa.org/meetings To find meetings in the your local area or online, be sure to visit the main SAA website: https://saa-recovery.org/meetings/ The content of this podcast has not been approved by and may not reflect the opinions or policies of the ISO of SAA, Inc.
In this solo episode of Expansion Team, Iso holds it down by himself once again to break down Week 3 of the NFL season
I recorded this episode at Barracuda TechSummit25 in Alpbach, Austria, a mountain village that looks like a postcard and hosts some of the most grounded security conversations you will hear all year. My guest is Richard Flanders, Commercial Director at Aura Technology, a managed service provider on the south coast of England that supports public sector organisations and tightly regulated commercial clients. Richard arrived as part of Barracuda's Partner Advisory Board, which means he spends as much time feeding customer reality back into product teams as he does comparing notes with peers in the hallway. We talk through his first TechSummit experience and why the event's focus on hands-on engineering matters for MSPs who live in the weeds of configuration, policy, and response. Richard shares early thoughts on Barracuda's secure edge service and the continued maturation of XDR, but the heart of our chat is the pressure he sees on customers. Compliance is no longer a side quest. ISO 27001, Cyber Essentials Plus, supply chain reporting, and new European rules are shaping budgets and expectations. Boards want proof. Auditors want evidence. Buyers want to know a supplier chose fit-for-purpose tools. That makes documentation, contracts, and the ability to show your working as important as the tech itself. We also get into the human side. In a world that loves point solutions, many teams are tired of alert noise and tool sprawl. Richard explains why a single, coherent view helps his engineers move faster and train better, and why MSPs are leaning into prevention-focused workflows rather than waiting for the next fire. He is candid about the conversations no one enjoys, like end-of-life systems that keep a legacy app alive, and the need for tougher stances when risk sits outside an acceptable boundary. AI comes up too, without the hype. Aura is hiring a Head of AI and Automation, standing up a private AI platform, and committing to ship a handful of small, useful apps for customers in the year ahead. The lens is productivity and safety, with an emphasis on teaching teams how to question outputs and rethink everyday tasks. Add in security awareness training, phishing simulations, and tabletop exercises, and you start to see a culture shift from annual tick-boxes to regular, lived practice. There is a lovely moment of serendipity in here as well. Richard's first conversation on day one was with another partner from Pune, the same city where Aura runs its network operations. They swapped ideas on automation and integration that might never have surfaced on a video call. That is the value of getting people in a room together, especially when the room happens to be carved into the side of a mountain. If you work with an MSP, this episode will help you ask better questions. If you are an MSP, you will recognise the balance Richard describes. Pick the right controls for the risks you actually face. Prove what you do. Keep training. And give your teams a single place to see what matters, so the next incident stays small. ********* Visit the Sponsor of Tech Talks Network: Land your first job in tech in 6 months as a Software QA Engineering Bootcamp with Careerist https://crst.co/OGCLA
What if one of hip-hop's greatest "what-if" albums actually happened?
IBS flares can feel overwhelming, but you're not alone. In this episode of The Gut Show, we cover what a flare actually is, what to do when you're in one, and strategies to help you get through it faster. From heat, stretches, and supports to tackling constipation or diarrhea flares, this is your go-to flare survival guide! Thank you to our partners: FODZYME is the world's first enzyme supplement specialized to target FODMAPs. When sprinkled on or mixed with high-FODMAP meals, FODZYME's novel patent-pending enzyme blend breaks down fructan, GOS and lactose before they can trigger bloating, gas and other digestive issues. With FODZYME, enjoy garlic, onion, wheat, Brussels sprouts, beans, dairy and more — worry free! Discover the power of FODZYME's digestive enzyme blend and eat the foods you love and miss. Visit fodzyme.com and save 20% off your first order with code THEGUTSHOW. One use per customer. This episode is made possible with support from Ardelyx. Gemelli Biotech offers trusted, science-backed at-home tests for conditions like SIBO, IMO, ISO, and post-infectious IBS. Their Trio-Smart breath test measures all three key gases: hydrogen, methane, and hydrogen sulfide to detect different forms of microbial overgrowth. And for those with IBS symptoms, IBS-Smart is a simple blood test that can confirm post-infectious IBS with clinical accuracy. You simply order the test, complete it at home, send it back, and get clinically backed results in about a week that you can take to your provider! Find out which tests are right for you at getgutanswers.com and use code ERINJUDGE25 to save $35 on your order!
Dime qué piensas del episodio.Pedro Friedeberg @pedrofriedeberg es un genio excéntrico, un arquitecto del absurdo y uno de los artistas más irreverentes que ha dado México. Estudió arquitectura, pero la abandonó por consejo de Mathias Goeritz. Expuso por primera vez gracias a Remedios Varo. Y desde entonces ha creado un universo visual que combina geometría sagrada, arquitectura imposible, símbolos esotéricos, ironía refinada y una obsesión casi maniaca por la simetría —todo, sin usar el color verde, porque “hay que limitarse en algo”.Hoy, con 89 años, Pedro sigue dibujando todos los días desde su estudio en la Ciudad de México. Y aunque se burla de todo, cuando habla del arte, la arquitectura y la vida, deja claro que el verdadero caos solo puede construirse con inteligencia.Por favor ayúdame y sigue Cracks Podcast en YouTube aquí."Sí, soy excéntrico… pero no lo suficiente."- @pedrofriedebergComparte esta frase en TwitterEste episodio es presentado por LegaLario la empresa de tecnología legal que ayuda a reducir costos y tiempos de gestión hasta un 80% y por Hospital Angeles Health System que cuenta con el programa de cirugía robótica más robusto en el sector privado en México.Qué puedes aprender hoyCómo dejar de preocuparte por todoCómo diferenciarte del restoCómo convertir un chiste en ícono*Este episodio es presentado por LegaLario, la Legaltech líder en México.Con LegaLario, puedes transformar la manera en que manejas los acuerdos legales de tu empresa. Desde la creación y gestión de contratos electrónicos hasta la recolección de firmas digitales y la validación de identidades, LegaLario cumple rigurosamente con la legislación mexicana y las normativas internacionales.LegaLario ha ayudado a empresas de todos los tamaños y sectores a reducir costos y tiempos de gestión hasta un 80%. Y lo más importante, garantiza la validez legal de cada proceso y la seguridad de tu información, respaldada por certificaciones ISO 27001.Para ti que escuchas Cracks, LegaLario ofrece un 20% de descuento visitando www.legalario.com/cracks.*Este episodio es presentado por Hospital Angeles Health SystemLos avances en cirugía robótica permiten intervenciones con menos sangrado, menos dolor, cicatrices más pequeñas y una recuperación más rápida.Hospital Angeles Health System tiene el programa de cirugía robótica más robusto en el sector privado en México. Cuenta con 13 robots DaVinci, el más avanzado del mundo y con el mayor número de médicos certificados en cirugía robótica ya que tiene el único centro de capacitación de cirugía robótica en el país.Este es el futuro de la cirugía. Si quieres conocer más sobre el programa de cirugía robótica de Hospital Angeles Health System y ver el directorio de doctores visita cracks.la/angeles Ve el episodio en Youtube
In this week's episode of Expansion Team, Iso takes the mic solo with no Woods alongside him. Sticking straight to the script, Iso runs down the Week 2 NFL schedule and breaks down the betting odds for every matchup. No extra talk, no sidebars—just the games, the lines, and what fans and bettors need to know heading into the weekend. Whether you're looking to stay updated on the schedule or catch the spreads before you place your bets, Iso delivers it all in this fast-paced breakdown.
In this explosive part 2 of “Culturally Inappropriate”, Ern and Iso dive deep into loyalty, betrayal, and passion within the worlds of hip-hop and business.