Podcasts about Varvara

In this inspiring podcast episode, we explore how art can be a path to emotional healing and empowerment. Francesca shares how painting helped her process grief and release emotions that words couldn't express. Dante opens up about using art to navigate personal loss and transform pain into creative expression. Varvara sheds light on her journey as a female artist and her mission to uplift women's voices in the art world. Together, their stories show how creativity can foster healing, self-expression, and a sense of connection. This episode is a must-listen for artists and anyone seeking inspiration through the power of art.

Guest for this Episode is KE Semmel. KE Semmel spoke to us about his life in Literature and his debut novel ' The Book of Losman'. He is a writer and a translatorfrom Danish to English. His fiction and nonfiction have appeared in Lithub, The Millions, Electric Literature, The Writer's Chronicle, Washington Post, and elsewhere. The Book of Losman (SFWP) is his debut novel. "Daniel Losman, an American translator living a solitary life in Copenhagen, grapples with loneliness after his girlfriend's departure. His only solace comes from his three-year-old son, whom he fears may inherit his Tourette Syndrome, a neurological disorder characterized by involuntary movements and sounds. When he learns of a groundbreaking drug trial promising to address the root of his condition by accessing childhood memories, Losman, despite his initial skepticism, finds himself drawn in. The unexpected consequences of his participation form the heart of this compelling novel." - You can buy 'the book of Losman' and the books by Danish Writer Simon Frueland using the link given in the show notes.To buy the book - https://tinyurl.com/semmelnbTo buy 'Milk and other stories' of Simon Frueland -https://tinyurl.com/simonfmilkTo Buy 'The Wold adn Varvara ' of Simon Fruelandhttps://tinyurl.com/varvarasimon* For your Valuable feedback on this Episode - Please click the link below.https://tinyurl.com/4zbdhrwrHarshaneeyam on Spotify App –https://harshaneeyam.captivate.fm/onspotHarshaneeyam on Apple App – https://harshaneeyam.captivate.fm/onapple*Contact us - harshaneeyam@gmail.com ***Disclaimer: The views and opinions expressed by Interviewees in interviews conducted by Harshaneeyam Podcast are those of the Interviewees and do not necessarily reflect the official policy or position of Harshaneeyam Podcast. Any content provided by Interviewees is of their opinion and is not intended to malign any religion, ethnic group, club, organization, company, individual, or anyone or anything.This podcast uses the following third-party services for analysis: Podtrac - https://analytics.podtrac.com/privacy-policy-gdrp

Miercuri, Decembrie 4 - + Sf. Mare Mc. Varvara; Cuv. Ioan Damaschin

Today's episode is with Akshat and Varvara the founders of 100 Hands Handmade Shirts based in Amsterdam. Akshat has a hertiage background from family who are in textiles in India both come from a background of investment bankers who have turned their hands to a trade with the most talented artisans craftsman based in India who have these exceptional tailors in the art of bespoke. Join Akshat & Varvara and myself on a conversation in how 100 Hands have become one the most prestigious center of mens bespoke shirts in this trade who have made their name throughout within the menswear industry. After talking with them both you totally understand how 100 Hands shirt is not just a shirt. You can find 100 Hands here www.100hands.nl Today episode was hosted, presented and researched by Sarmilla, music by Charles J.

In this engaging episode, Charuka Arora sits down with three incredible women from the art world: Francesca, Dante M. Pirouz, and Varvara. They share their unique journeys, insights, and experiences, making this a must-listen for artists and art enthusiasts alike. Francesca introduces herself as an eco-artivist, explaining her transition from being a solicitor to a fine arts mosaic artist. She talks about her commitment to sustainability and how she uses waste materials to create beautiful art. Francesca shares her inspiring projects with corporations, where she turns their waste into stunning office artwork. Her story highlights the importance of promoting environmental awareness through creative means. Dante shares her fascinating journey of finding her artistic voice. Growing up in a family of artists, she discusses how her upbringing influenced her path. Dante talks about the personal experiences and losses that have shaped her work and identity as an artist. Her insights into self-discovery and creative expression are both relatable and motivating for listeners. Varvara provides a deep dive into the challenges and triumphs faced by women in the art world. She talks about her experiences as a female artist and emphasizes the need for greater representation and recognition. Varvara shares her creative process and the themes she explores in her work, offering valuable advice for aspiring female artists. Overall, Francesca, Dante, and Varvara explore common themes in their work, such as sustainability and women's representation in art. They share their thoughts on the future of women in the art industry and the importance of community and support among female artists. Their collective insights provide a rich and empowering perspective on art and creativity. Charuka wraps up the episode by thanking the guests and encouraging listeners to explore the book "Art and Women" to learn more about these inspiring artists and their work. This episode is filled with personal stories, valuable insights, and practical advice, making it a powerful resource for anyone interested in art and the experiences of women artists.

Tous les dimanches à minuit, Daniel Riolo propose une heure de show en direct avec Moundir Zoughari pour les passionnés de poker. Conseils d'un joueur professionnel, actualité, tournois... Votre rendez-vous poker, sur RMC ! RMC est une radio généraliste, essentiellement axée sur l'actualité et sur l'interactivité avec les auditeurs, dans un format 100% parlé, inédit en France. La grille des programmes de RMC s'articule autour de rendez-vous phares comme Apolline Matin (6h30-8h30), les Grandes Gueules (9h-12h), Estelle Midi (12h-15h), Super Moscato Show (15h-18h), Rothen s'enflamme (18h-20h), l'After Foot (20h-minuit).

Tous les dimanches à minuit, Daniel Riolo propose une heure de show en direct avec Moundir Zoughari pour les passionnés de poker. Conseils d'un joueur professionnel, actualité, tournois... Votre rendez-vous poker, sur RMC !

Merci à Tennis Actu de nous permettre de diffuser les conférences de presse de Roland-Garros 2024.Régalez-vous !Pour les retrouver en vidéos c'est par ici : https://www.youtube.com/@TennisActuTV------------

Il n'y a plus de Françaises ni de Français à Roland-Garros : après Corentin Moutet la veille dans le tableau masculin, Varvara Gracheva a été éliminée en 8e de finale par la jeune prodige russe Mirra Andreeva, 17 ans. La belle histoire s'arrête donc ici pour la Russe naturalisée Française en 2023 (88e mondiale) qui réalise à Paris son meilleur parcours en Grand Chelem à 23 ans. Le défi était un peu trop grand face à la talentueuse Mirra Andreeva (38e), qui de son côté poursuit sa fulgurante progression en atteignant pour la première fois les quarts d'un des quatre grands tournois, où elle défiera la n°2 Aryna Sabalenka.

Déjà auteure de la meilleure performance de sa carrière en atteignant les 8es de finale de Roland-Garros, la Française Varvara Gracheva (23 ans, Russe naturalisée en juin 2023) retrouve la jeune et talentueuse russe Mirra Andreeva, à l'expérience déjà riche du haut de ses 17 ans, pour viser encore plus haut. La gagnante de ce duel, qui se tiendra lundi après-midi sur le court Suzanne-Lenglen, pourrait retrouver ensuite l'une des grandes favorites du tournoi, la Bélarusse Aryna Sabalenka, n°2 mondiale.

Merci à Tennis Actu de nous permettre de diffuser les conférences de presse de Roland-Garros 2024.Régalez-vous !Pour les retrouver en vidéos c'est par ici : https://www.youtube.com/@TennisActuTV------------

Varvara Grasheva, c'est une Russe naturalisée française il y a moins d'un an. En 2023, elle a commencé tranquillement en Allemagne avec sa maman et puis par la suite, elle est arrivée en France. Elle a créé la surprise en sortant la numéro 6 mondiale Sakkari au premier tour. Elle a une intelligence de jeu et elle est capable de s'adapter en fonction de son adversaire. Ça veut dire quoi ? Ça veut dire qu'on a plusieurs joueuses qui jouent que simplement un plan A. Elle, elle a le plan B, elle a le plan C, elle a le plan D. Je pense qu'elle peut vraiment apporter beaucoup de choses au tennis français. Écoutez On refait le sport avec Henri Leconte du 01 juin sur RTL

Après sa victoire au troisième tour de Roland-Garros et avant son affrontement contre Mirra Andreeva, Varvara Gracheva s'est confiée à Sarah Pitkowski. Ses ambitions, son arrivée en France et sa personnalité attachante : vous saurez tout !

Varvara once had a healthy relationship with food, until she moved to the US, where everything changed. Suddenly thrust into the frenzy of American weight-loss culture, she felt like the odd one out in a sea of "lose weight quick" mantras. Varvara found herself in a rut, loathing her reflection in photos and videos. As someone who loves to travel, V was determined to break free from binge eating and reclaim her confidence, and that's when she came across my Nourished & Free program.In this episode, we talk about her wins, struggles, and transformation in her life, career and mind. So, if you're itching to ditch the self-doubt and feel confident in your skin, this episode is a must-listen! TOPICS COVERED

Sam catches up with Megan, Varvara and Maria who all attended PACES Ahead in January 2024 and get their first hand opinion of how they found the course!^_^ SUPPORT THE SHOW ^_^> > Sign up for Pastest HERE! <

Please Rate and Review us on your podcast app of choice!Get involved with Data Mesh Understanding's free community roundtables and introductions: https://landing.datameshunderstanding.com/If you want to be a guest or give feedback (suggestions for topics, comments, etc.), please see hereEpisode list and links to all available episode transcripts here.Provided as a free resource by Data Mesh Understanding. Get in touch with Scott on LinkedIn.Transcript for this episode (link) provided by Starburst. You can download their Data Products for Dummies e-book (info-gated) here and their Data Mesh for Dummies e-book (info gated) here.Benny's LinkedIn: https://www.linkedin.com/in/bennybenford/Iulia's LinkedIn: https://www.linkedin.com/in/iuliavarvara/Nailya's LinkedIn: https://www.linkedin.com/in/nailya-sabirzyanova-5b724310b/Stefan's LinkedIn: https://www.linkedin.com/in/stefan-zima-650229b7/In this episode, guest host Benny Benford, Founder and CEO at Datent - a data transformation focused consultancy/community - and guest of episode #244 facilitated a discussion with Iulia Varvara, Advisory Consultant in Digital and Organizational Transformation at Thoughtworks (guest of episode #268), Nailya Sabirzyanova, Digitalization Manager at DHL (guest of a soon-to-be-released episode), and Stefan Zima, Data Transformation Lead at Raiffeisen Bank International AG (guest of episode #270). As per usual, all guests were only reflecting their own views.The topic for this panel was transformation when it comes to data and data mesh in general but especially understanding how organizational transformation must play a large part in a data mesh implementation to be successful. And that transformation is not simply making changes, it is making _lasting_ changes. Organizational transformation is a crucial aspect of doing data mesh even if it's not spoken about all that often.Scott note: I wanted to share my takeaways rather than trying to reflect the nuance of the panelists' views individually.Scott's Top Takeaways:Transformation means changing something. We aren't starting from scratch. You have to consider the starting points, not only the target end points - and in data mesh, there isn't really an end. Every organization's transformation starting point, whether a data mesh transformation or otherwise, will be unique so adjust your...

Luni, Decembrie 4 - + Sf. Mare Mc. Varvara; Cuv. Ioan Damaschin

Please Rate and Review us on your podcast app of choice!Get involved with Data Mesh Understanding's free community roundtables and introductions: https://landing.datameshunderstanding.com/If you want to be a guest or give feedback (suggestions for topics, comments, etc.), please see hereEpisode list and links to all available episode transcripts here.Provided as a free resource by Data Mesh Understanding. Get in touch with Scott on LinkedIn if you want to chat data mesh.Transcript for this episode (link) provided by Starburst. See their Data Mesh Summit recordings here and their great data mesh resource center here. You can download their Data Mesh for Dummies e-book (info gated) here.Iulia's LinkedIn: https://www.linkedin.com/in/iuliavarvara/In this episode, Scott interviewed Iulia Varvara, Advisory Consultant in Digital and Organizational Transformation at Thoughtworks. To be clear, she was only representing her own views on the episode.Some key takeaways/thoughts from Iulia's point of view:If you are greatly changing your general approach to something - which data mesh does in many ways - you need to focus some amount on actual transformation. These approaches are not a switch you flip, it takes time and concerted effort to make lasting changes that work well.If an organization hasn't really broadly embraced product thinking, starting with data as a product/product thinking in data can act as a catalyst for other aspects of the business to embrace product thinking.You don't change the organizational mindset through words - you start using new ways of working that change people's mindset as they see the benefit of those ways of working. At the end of the day, talk is cheap.To do data mesh well and have it work for an organization, it's best to tailor to their existing ways of working. Yes, change is necessary but a revolution is far less likely to work than an evolution. How are teams working and where can we make smaller tweaks?Because you need to tailor your implementation to your own organization, any data mesh blueprint that will supposedly work for all organizations is likely to be snake oil at best.?Controversial?: The first two principles of data mesh - domain data ownership and data as a product - have the most impact on the organizational...

Eski püskü odasında dikkate değer tek varlığı kitapları olan genç Pokrovski ölmeden hemen önce aslında deliler gibi âşık olduğu ama bir türlü açılamadığı Varvara'ya “perdeleri aç” demişti değil mi? Varvara perdeleri açmış ama odadan içeriye en küçük bir ışık huzmesi bile girmemişti. Çünkü o gün şehir pustan ve sisten yapılı bir kasvet anıtı gibiydi. Tam o pusun ve sisin içindeyim işte. Tamamlanmamış tüm heveslerimle Neva'nın kenarında belki ahşaptan yapılma dilenci kutuma birkaç bakır kopek atarlar diye laternamı döndürüp duruyorum. Aslında dilenmek işin bahanesi. İnsanlara uzattığım ve içinde yalan dolan bazı acındırmaların olduğu o kötü yazılmış mektubun da hiçbir önemi yok. Cılız, küçük bir ışık arıyorum ben. Köşeye sıkışmış dindar bir Hristiyan'ın çaresizce “ışığın gelsin” diye yakarmasına yahut ikindiden yenice çıkmış Beyrutlu bir ihtiyarın “ah dünya” diyerek iç çekisine benzer bir yalvarışa sahip değilim. Onlar, kendilerini, kendilerinden çok daha büyük bir şeyin parçası haline getirebilmeyi başarmış son derece talihli insanlar. Oysa ben, bütün talihsizliklerimi anlamlandırmaya çabalayarak hayatımı kuşatan enkazı incecik bir tırnak törpüsüyle yarmaya çabalamaktan gayrısını yapamıyorum. Allah kalbime “tek bir ayet seç ve onu anla” diye ilham etseydi o hiç şüphe yok ki “insana elinin emeğinden başkası yoktur” ayeti olurdu. Allah kuluna ilham eder. Buna böylece inanıyorum ben. Bütün kalbimle hem de. Ama sorun şurada: O korkunç sıkışmışlığın çıkardığı uğultudan duyamıyorum O'nun sesini. Şiir de yazamıyorum artık, aşk mektubu da. Oysa nicelerini yazıp bozmuştum. Laternamı biteviye ve yeknesak şekilde çevirmekten ve ışığı umut etmekten başkası gelmez oldu elimden. “Elleri titrediği için saat tamirini bırakmak zorunda kalan mahzun bir saatçi gibiyim” desem bana kimseler inanmaz üstelik. Varvara, ah o iyi kalpli kız, Pokrovski'ye doğum günü hediyesi almak isteyerek on rubleyi, yani cebindeki son parayı bir sahafın avcuna bırakmış, yine de alamamıştı o Puşkin kitaplarını değil mi? Pokrovski'nin bütün amacı oğluna kendisini affettirmek isteyen ayyaş babası imdada yetişmiş, o da cebindeki son iki rubleyi vermiş, sahaf insafa gelerek bırakmıştı kitapları değil mi? Benim için kimse insafa gelmiyor gibi hissettiğimde aklıma geliyor sürekli o sahne. Bir sahaf insafa gelsin istiyorum. Biri yardımıma yetişsin istiyorum. Işık olsun. Biraz aydınlık. İstanbul'a geldiğim ilk yıl kaldığım o bodrum katında ışığın içeriye incecik sızmasını dileyerek açardım küçücük pencerenin perdesini. Eğer pencerenin önüne bir araba park ettiyse -ki her zaman ederdi- ışık olmazdı. Gece ile gündüzü ayırt edecek kadar bile aydınlık dolmazdı evin içine.

Ce 1er septembre entre en vigueur l'interdiction de toute « propagande LGBT ». La définition est large et comprend notamment « tout ce qui peut donner une perception positive des personnes qui entretiennent des relations LGBT » et « tout ce qui entretient l'idée que les relations sexuelles traditionnelles et non traditionnelles sont équivalentes ». La répression avait commencé dès l'annonce de l'offensive russe en Ukraine, mais le vote puis l'application de la loi rendent la vie des LGBT en Russie encore plus difficile. De notre correspondante à Moscou,C'est un des nouveaux tournants pour la communauté homosexuelle en Russie depuis le 24 février 2022. Le climat n'y a jamais été facile en Russie pour elle, il s'était même alourdi ces dernières années, mais pour de nombreux activistes il y a bien un avant et un après « opération spéciale ».Pour Varvara, psychologue et lesbienne de 29 ans, une des rares à avoir accepté de s'exprimer certes au téléphone, mais avec son vrai prénom, il y avait même jusque-là « une prise de conscience et une tolérance croissante de la société, et non seulement on n'avait pas l'impression que les choses empiraient, mais même que peut-être de nouvelles lois bonnes pour nous allaient arriver ».C'est désormais terminé, et ce n'est pas une surprise pour M*, drag-queen de 25 ans : « Ce n'est évidemment pas la première chose qui m'est venue à l'esprit le 24 février 2022, tant le choc était grand, mais je n'ai très vite eu absolument aucun doute », souligne M. « Tout conflit militaire entraîne avec lui l'idée de l'importance des valeurs traditionnelles, de la famille, de la protection de la maternité, de l'enfance et tout le reste. Peut-être que pour moi, c'est plus facile à comprendre parce que je me suis toujours beaucoup intéressé à l'histoire, et que dans l'histoire, c'est un leitmotiv dans ces situations : il faut toujours trouver un coupable. Comme Alla Borissovna Pougatcheva [une cantatrice immensément populaire en Russie qui ne fait pas mystère de son opposition à « l'opération spéciale », NDLR] l'a dit un jour “Qui est à blâmer sinon les artistes, les Juifs ou les pédérastes ?” En tout cas, ici, c'est comme ça que ça passe. Et tous les autres sont des saints à célébrer. Je ne vois même pas comment cela aurait pu se passer autrement. »Des conséquences très largesLe ton de la conversation avec ces artistes a beau être le plus souvent léger, le vécu de noirceur de ces derniers mois marque chaque confidence du sceau lourd de la peur. Personne n'est venu costumé, ni maquillé. « J'ai désormais le sentiment de vivre avec une guillotine perpétuelle au-dessus de la tête », dit N. L'entrée en application de la loi dite « anti-propagande LGBT » a pour elle des conséquences très larges.« Cette loi ouvre la possibilité de poursuites judiciaires », détaille N. « Imaginons que j'ai un podcast et que j'y dise “ha ha ha ha ha, être gay c'est génial, rendons le monde entier gay”. Si jamais un million de personnes entendent ça, qu'on se rend compte quelque part que je deviens un leader d'opinion ; alors désormais, on a un mécanisme pour m'arrêter et me faire taire. La deuxième conséquence est l'autocensure. J'ai peur. Je suis venu ici aujourd'hui avec des boucles d'oreilles, et en quittant la maison je me suis dit “peut-être que je n'aurais pas dû les mettre” ».Une expérience récente lui revient : « J'ai arrêté de me faire des manucures, car mon compagnon en fait. Nous sommes allés au marché hier, et les regards sur nous étaient lourds, vraiment inconfortables. Mais pour moi, il y a une troisième conséquence à cette loi, et c'est la plus dangereuse, car c'est comme si elle donnait la permission, une sorte de feu vert à toutes les personnes agressivement homophobes, transphobes, queerphobes d'agir comme elles le souhaitent ».« C'est dur pour les artistes »Assise à leur côté sur la banquette du restaurant, leur manager ajoute : « C'est particulièrement difficile pour les artistes. Peu importe ce qui leur arrive, ils doivent mettre un masque, sourire et divertir l'audience. Et quand on comprend ce qu'il y a derrière les paillettes et les plumes, alors on réalise à quel point c'est une tâche herculéenne, à quel point tout ça est dur pour eux ».Certains projets de développements se sont arrêtés, les listes noires d'artistes anti « opération spéciale » sont désormais une habitude, des bars à Saint-Pétersbourg ont été fermés. Pourtant, aujourd'hui dans la nuit moscovite, les cafés et les boîtes où se rassemblent les LGBT sont pleins, les files d'attente pour les spectacles de drag-queens s'allongent. Chacun l'a remarqué : à la condition – non dite, mais stricte – de faire profil bas sur leur existence, ces lieux sont devenus plus que le moyen de pouvoir être soi-même en toute sécurité le temps de quelques heures.« Plus l'empire s'effondre, plus sa loi devient absurde »Désormais on y parle facilement à un voisin de table, on va même – c'est rare en Russie – jusqu'à prendre des inconnus dans ses bras. La communauté tente dans cette période de répression de s'y réchauffer dans le partage et la fête, tentant d'éviter de penser à la question du départ. « Je ne dirais pas que je surveille sans cesse le climat, mais je regarde régulièrement, et j'ai toujours peur, j'ai toujours ce sentiment que quelque chose peut arriver », dit A.Pour N., pour qui cela est une « pensée quasi constante », les conditions matérielles ne sont aujourd'hui pas réunies. Et dans une allusion transparente au pouvoir et à sa décision d'envoyer des soldats russes en Ukraine, elle ajoute : « Je n'ai pas voté pour lui, je n'ai rien autorisé, personne ne m'a demandé mon avis. Mais je suis du pays agresseur. Et ce sont les Ukrainiens d'abord qui ont besoin d'être protégés et accueillis. »« Plus l'empire s'effondre, plus sa loi devient absurde », commente Varvara, qui n'envisage pas de partir pour l'instant. « Je ne travaille pas pour l'État, et je n'ai pas de patron qui puisse me punir ou me licencier en cas de quoi que ce soit. La seule chose qui me limite vraiment » dit-elle, « c'est que je ne peux pas me positionner en tant que psychologue LGBT et publiquement proposer mes services directement à cette catégorie de personnes. Oui, il y a de la censure, et c'est vraiment déprimant. Mais la Russie, c'est chez moi, et jusqu'à ce que quelque chose de vraiment grave se produise, comme une loi criminalisant l'homosexualité en elle-même, je n'irai nulle part ».*À leur demande et pour des raisons de sécurité, seules ces lettres sont utilisées pour les drag-queens et leur manager qui ont accepté de s'exprimer

Eight months in the country after losing her husband and daughter. Ukrainecast catches up with Viktoria Kovalenko, whose story we've followed since the early days of the war. In the most tragic of circumstances, her husband and 12-year-old daughter Veronika were killed in front of her when they tried to escape the town of Chernihiv last year. She then spent weeks hiding in bunkers while looking after her baby daughter Varvara, who also survived the attack, and eventually found her way to Poland. Late last year she and Varvara were able to move here to the UK. After eight months of living in the UK, how is she adjusting to life now? Today's episode is presented by Victoria Derbyshire and Vitaly Shevchenko. Translation was provided by Irena Taranyuk. The producers were Arsenii Sokolov and Ivana Davidovic. The technical producer was Emma Crowe. The series producer is Tim Walklate. The senior news editor is Sam Bonham. Email Ukrainecast@bbc.co.uk with your questions and comments. You can also send us a message or voice note via WhatsApp, Signal or Telegram to +44 330 1239480. You can join the Ukrainecast discussion on Newscast's Discord server here: tinyurl.com/ukrainecastdiscord If you have been affected by any of the issues mentioned in this episode, you can find help and support here https://www.bbc.co.uk/actionline.

Toute l'actualité footballistique et sportive analysée et décryptée par Lionel Rosso, nos journalistes, nos correspondants, les consultants et les experts.

Daki räägib loo mehest, kes mõtles välja sõna väliseestlane - magister Jakob Lukats oli üks pöörane kuju, kes muuhulgas tunnistas inimsöömispidu. Heidi räägib habemenoaga Varvarast, kel ka parajalt suu suitses, ning põikame ka Inglistesse, kus leidis aset üks kummaline... armukolmnurk pole vist kõige õigem sõna, aga kuulake ise! Padi oli igal juhul mängus. Patreonidele mõeldud lisalugudes räägime Tallinna metsikust klassiõhtust ja kummituslikust Vergi sadamast. Toeta meid: patreon.com/kikimoorid Kirjuta meile: kikimoorid@gmail.com --- Send in a voice message: https://podcasters.spotify.com/pod/show/kikimoorid/message

Ukrainecast has been following the story of Viktoria Kovalenko, whose husband and 12-year-old daughter Veronika were killed in front of her when they tried to escape from the besieged town of Chernihiv in the early days of the war. After weeks of hiding in bunkers, Viktoria and her surviving baby daughter Varvara eventually managed to find their way to Poland. Viktoria's dream was to get to the UK to start a new chapter for Varvara. After 191 days of waiting for a visa, they, together with Viktoria's brother, finally arrived in England and came into the Ukrainecast studio. In an emotional meeting with Victoria Derbyshire, Viktoria talks about loss, hope and why she could never leave Ukraine permanently. This episode of Ukrainecast was made by Ivana Davidovic. Alison Gee is the assistant editor. The technical producer was Emma Crowe. The editor is Jonathan Aspinwall. Email Ukrainecast@bbc.co.uk with your questions and comments. You can also send us a message or voice note via WhatsApp to +44 0330 1239480.

Duminica, Decembrie 4 - + Sf. Mare Mc. Varvara; Cuv. Ioan Damaschin

EMISIUNE SUSȚINUTĂ DE ACADEMIE VIE Vrei să Scrii Texte Eficiente pe Internet? Înscrie-te la Copywriting Funcțional și află cum Transformi Cuvintele în Bani chiar dacă ai 5 la Română. Ai 30% Reducere la Abonamentul Anual. Cea mai mare Reducere evăr special pentru tine și comunitatea Unu Noaptea. Economisești 64,7€ și plătești 150,95€ în loc de 215,64€. Ce să faci? ♦ Click aici: https://bit.ly/3LQ40hH ♦ Alege Abonamentul Anual ♦ Aplică Codul: 1NOAPTEA ♦ Primește 30% Reducere Cunoaște totul despre Top 5 Servicii de Copywriting cu cea mai mare cerere în Moldova și România. __________________________ VERA VARVARA:

Jak rozpoznat násilnický partnerský vztah? Jaké druhy násilí se mohou ve vztahu vyskytovat? A které z devíti varovných signálů napoví, že bychom měli být na pozoru? Každá třetí žena na světě se setká s partnerským násilím, podobně jsme na tom i v České republice. Problematika násilí ve vztazích se ale netýká pouze žen. A násilí nemusí mít formu pouze fyzického charakteru. Jak se chovat a pomoci, pokud oběť domácího násilí objevíme ve svém blízkém okolí? O tom všem jsme si povídali s Varvarou Fetisovou, produktovou manažerkou Yves Saint Laurent Beauty, spadající pod skupinu L‘oréal. Značka YSL Beauty se postavila do boje proti domácímu násilí už v 17 zemích světa. Se svou kampaní Abuse is not Love a ve spolupráci s lokálními neziskovými organizacemi se stará o osvětu tolik důležitého tématu. V České republice navázala spolupráci s centrem pro oběti domácího násilí proFem. Jaké aktivity v rámci osvěty plánují a co vše komunikují? 

Steve Dawson & Robert Varvara, top producers and founders of the Dawson | Varvara Team at Compass, sit down with Noah Rosenblatt and John Walkup from UrbanDigs to discuss today's shifting markets. Steve and Robert work on all types of deals, from rentals to resale to new dev to townhouses across Manhattan and Brooklyn. They have a great view of what's happening across all market levels and speak to what buyers, sellers, and agents need to know today. Grab a pen, because you'll want to take notes! Highlights: (0:26) Market shifted so quickly that it caught many "off-guard" (2:36) The sell side conversation (8:18) Price reduction strategies for stubborn sellers (10:26) Recapturing buyer attention for listings (13:14) Buyers are starting to feel more “empowered” (18:01) Will there be blood on the streets? (19:05) Investor sentiment & domestic investing trends (21:50) Strategies agents should do now Pages: Dawson | Varvara Team page at Compass: https://www.compass.com/agents/dawson-varvara-team/ Steve's Page at Compass: https://www.compass.com/agents/steve-dawson/ Robert's Page at Compass: https://www.compass.com/agents/robert-varvara/ Got questions? We got answers! Visit our forum: https://www.urbandigs.com/forum/index.php?forums/main-forum.2/ Track the New York City real estate market with real-time data and charts: https://www.urbandigs.com/ Link to our overview of Manhattan or Brooklyn real estate stats: https://www.urbandigs.com/marketwide-charts/ For more Manhattan and Brooklyn real estate conversations: http://www.talkingmanhattan.com/

Our guest on the podcast this week is Varvara Pakhomenko. Varvara Pakhomenko has been a human rights activist for a very long time. Back in her native Tomsk she was actively involved in human rights activities. Having moved to Moscow, Varvara began working with many human rights activists in the capital, but the geography of her travels remained very wide. Since 2006, Varvara Pakhomenko has worked in conflict zones in the North and South Caucasus: in 2006-2009 at the human rights organization Demos, in 2009-2011 at the Dutch organization Russian Justice Initiative, and since 2011 she has worked as a programme analyst for Europe and Central Asia at the International Crisis Group. When the Russian authorities effectively closed the ICG's Moscow office, Varvara left to work in Ukraine. There she worked first for the UN Development Programme and after that for Geneva Call. A move to Canada seemed to put some distance between her and Europe, but now Varvara Pakhomenko is back again on the old continent. The recording took place on 24 June 2022. This podcast is in Russian. You can also listen to the podcast on our website, SoundCloud, Podcasts.com, Spotify, iTunes, Google Podcasts, Anchor and YouTube. You can also listen to the podcast in full here (see also below): The questions we ask Varvara Pakhomenko include: · How did human rights activism come into your life? · One of Tomsk's leading human rights activists was Boris Maksovich Kreindel. He was involved in many projects, including defending the rights of Roma in Tomsk region. How did it happen that he had to leave his native land? · Tell us about your work in the conflict zones in the Caucasus – where did you work? To what extent was it dangerous? · Which Moscow human rights activists and which organizations have you worked with in Russia? · When and why did you decide to move to Ukraine? · How does the human rights movement in Ukraine differ from that in Russia? · At least since 2012 the Russian authorities have pursued policies of increasing restrictions on human rights work in the country, attacks on freedom of speech, freedom of assembly, and a general moved towards isolationism. Do you think they have been preparing for the war against Ukraine for a long time? · What has been your role at the UNDP and Geneva Call? · How has the Ukrainian army changed since 2014. How do you assess the Ukrainian military's compliance with international humanitarian law and with the rules and customs of warfare? · How do you see the future of human rights in Russia and the future of human rights organizations? Sergei Nikitin writes on Facebook: “I remember when I was working on South Ossetia in 2010,” Varya Pakhomenko told Simon Cosgrove and I. “I had to make a difficult decision at the time: I did not know what to do. I called Sasha Cherkasov and asked him what to do in this situation. Sasha replied: ‘You know, no one can make this decision better than you right now. Because you know all that's going on there better than anyone.' And at that moment I realized that these fine people had begun to see me as an equal colleague.” In this podcast, Varya Pakhomenko talks about her native Tomsk, about Tomsk human rights activist Boris Kreindel, and about how a student from Siberia became a human rights activist. Varya and I were in South Ossetia together two weeks after the end of the war in 2008, so I had a chance to work with her myself then. After Russia, Varvara Pakhomenko has worked in Ukraine: in the United Nations Development Programme (UNDP) and, after that, with the Geneva Call organization. It was then that she participated in training the Ukrainian Armed Forces, teaching the Ukrainian military how to comply with international humanitarian norms and protect civilians in armed conflict.

This morning, we discussed the strange trends dominating the market, and had Jesse Dylan from Snowcrash to talk about their platform. They discuss the Birds of Solis drop by Varvara Alay where they took some old art and brought it back to life with Varvara. Snowcrash Twitter Tune in live every weekday Monday through Friday from 9:00 AM Eastern to 10:30 AM Buy our NFT Sign up for FTX Join our discord Check out our Twitter Give us your thoughts on the show by leaving a rating. -- DISCLAIMER: You should never treat any opinion expressed by the hosts of this content as a recommendation to make a particular investment, or to follow a particular strategy. The thoughts and commentary on this show are an expression of the hosts' opinions and are for entertainment and informational purposes only. This show is never financial advice.

Conectar: Varvara C. e Ivanna V.

I was in a studio session a couple of weeks ago with one of my members, Varvara. We were talking about how distracting it can be when you see the work of others and think 'ooh, I want to make art like that'. We then go on a pursuit to make that type of art and sometimes it works and sometimes it really doesn't. In this week's episode, I talk about why this happens and also how liking our work can change from one week to the next and that's ok!  Enjoy

You can help establish safe birthing centers for Ukrainian women.Sunflower Birthing Cirlces: We are grassroots women from around the world, shocked and shaken by the genocide and ecocide, in Ukraine. We saw the image of the pregnant woman on a stretcher coming out of the bombed maternity hospital, in Mariupol where 20,000 civilians at least have died, and hundreds of children have died. We saw Marcus Yam's images of the women in the basements of Kharkiv, going without adequate food, water and medical care for weeks.  We watched the images feeling powerless.   But then...   a seed, a spark, a dream... seemed to touch us all simultaneously.FEEL, THINK, DOLike a river of birds in migration, we were moved to come together in circle one night on Zoom in early March, and share with tears of grief and rage that, which was breaking our hearts.   As our hearts opened with compassion, we invited each one to think together creatively about possible ways to collectively act on behalf of our sisters there, especially the late term pregnant ones in dire living situations.  Then we all began a miraculous whirl of community development and organizing, meeting and developing relationships with birthworkers across Poland who were touched by Varvara's writing, Asiya's thoughtful planning,  and Nadiia's sensitivity in working with women coming from her hometown of war-struck Kharkiv and her desire to bring others out of danger.Find out more and how YOU can help!https://www.sunflowerbirthingcircles.org/solidarityhttps://www.thecore.spacehttp://daleallenproductions.com/index.htmlhttp://www.greententcircle.com

Julia Varvara, a photographer, actress, producer and director is the CEO of Hollyfield Productions. Based in London, she and her partner, Adam Morse, work with established and emerging artists to create original and thought-provoking cinematic content for a global audience. In alignment with their mission to make commercial movies with visionary filmmakers while promoting inclusion on screen and behind camera, they unveil ‘Suppression'. What follows is a conversation not only about her film, but about herself. This exclusive interview is found in 'The Rise Edition' of AwareNow Magazine: www.awarenowmagazine.com Featuring: Julia Varvara Interviewed by: Allié McGuire Music by: Sol Rising Produced by: Awareness Ties

On February 24, 2022, Vladimir Putin launched a full-scale invasion of Ukraine, under the pretext of defending two unrecognized, Kremlin-backed "republics" in the country's east. Before this, since it began in 2014, the conflict in Ukraine's eastern Donbas region had waxed and waned, resulting in thousands of casualties on both sides. To find out more about life in the Donbas over the past eight years, Meduza turned to human rights and humanitarian law expert Varvara Pakhomenko, who was part of the UN mission in Ukraine from 2016 to 2018, and went on to work as the country director for Ukraine for the humanitarian organization Geneva Call. Original Article: https://meduza.io/en/feature/2022/03/06/from-frozen-conflict-to-full-scale-invasion

On February 24, 2022, Vladimir Putin launched a full-scale invasion of Ukraine, under the pretext of defending two unrecognized, Kremlin-backed "republics" in the country's east. Before this, since it began in 2014, the conflict in Ukraine's eastern Donbas region had waxed and waned, resulting in thousands of casualties on both sides. To find out more about life in the Donbas over the past eight years, Meduza turned to human rights and humanitarian law expert Varvara Pakhomenko, who was part of the UN mission in Ukraine from 2016 to 2018, and went on to work as the country director for Ukraine for the humanitarian organization Geneva Call. Original Article: https://meduza.io/en/feature/2022/03/06/from-frozen-conflict-to-full-scale-invasion

This soundscape created in March, 2022 incorporates sounds from a trip to Greece, Bulgaria and Turkey in August / September 2021. There are rural and urban sounds, streets and churches. It was incredible to experience some moments in this region that are home to many of my family roots. Endless love to Tanha Gomes who shared this voyage. This soundscape is created for broadcast on @radioalhara in Palestine, @radiobeguin in Lyon, France and @radiockut in Montréal. Thank you for listening ! –– Stefan. 0:00-1:14 /// Walking in Beyoğlu, Istanbul, Sept. 2021. 1:00-1:19 // Playing electric guitar off Jean Talon, Fall 2000. 1:09-2:01 // Arriving in Thessaloniki, August 2021. 1:53-3:08 // On a bus from Thessaloniki to Sofia, August 2021. 2:52-10:47 // An early morning sound of a balcony in Varvara village in southern Bulgaria. 10:36-29:41 // An Eastern Orthodox church service choir in Sofia, Bulgaria. 29:20-30:00 // On a bus in Sofia, Bulgaria. Accompanying photo taken on a hiking trail outside of Rila Monastery in Bulgaria.

Hele verden fordømmer Rusland. Men hvordan er det som russer at være vidne til sit eget lands moralske deroute? Avistid spørger russer og ruslandskorrespondent Andrey Kazankov. »Det er jo rendyrket imperialistisk ondskab. Fiasko hele vejen rundt.« Sådan tænkte ugens gæst, Andrey Kazankov, da Vladimir Putin invaderede Ukraine en tidlig torsdag morgen for mindre end et par uger siden. Han føler, at hans folk har svigtet. De har gjort alt for lidt. Han skammer sig over det. Og Kazankov er ikke den eneste, der skammer sig. Mange russere går i disse dage på gaden i landets største byer. De protesterer over krigen, men det er ikke håb, der driver dem. Det er afmagt og desperation, fortæller 22-årige Varvara, som har deltaget i demonstrationerne i Moskva. Vi taler i disse dage om Putins krig. Om Putins rationale, om hvad der sker i Putins hoved. Men hvad med russerne? Hvad mener de? Hvad tænker de? Det spørger vi om i denne uges Avistid. Avistid er produceret og tilrettelagt af Birgit Nissen Pedersen, Marie Louise Vesthardt og Leah Skovby Burke. See omnystudio.com/listener for privacy information.

In this episode I talk with a Ukrainian girl who used to live in Ukraine for over a decade, born there and has many close friends there. We talk in the podcast about the current situation in Ukraine to do with Putin invading Ukraine and waging war on the country. We dive into talking about the love for communism that young people have in the west have. We also talk about the raging nationalism that is currently happening in Ukraine which is rallying the nation to do well against the Russian soldiers shown from how strong the Ukrainian army has held so far. Specifically talking about the prime minister Volodymyr Zelenskyy and how he has really stepped up since the situation with Russia and has not been cowardly but instead been brave. We also talk about the recent economic sanctions on Russia and we debate will this make a difference. Furthermore, talking about if the rumours to do with Vladimir Putin being terminally ill and that if this is the case we could well be on the complete brink of WW III. Not only that but we talk about how if any nuclear power joins the fight on the ground with Ukraine that it will be a sign of war and therefore we would be in WW III so what proactively can be done to stop Putin without it escalating to WW III? Well that's what we discuss in this podcast I hope you enjoy it an learn a lot like I did making it! Follow guest Varvara - https://www.instagram.com/varyaromaniuk/?hl=en Follow the Podcast - https://www.instagram.com/regpodcast/?hl=en Follow me - https://www.instagram.com/rory_jacobs_/?hl=en (00:51) - The history of Ukraine with the Soviet union (03:25) - The famine in Ukraine called the Holodomor (07:00) - Chernobyl and was it done on purpose by the Russians? (12:23) - Ukrainian independence (14:40) - Why do young people today love communism? (23:58) - Viktor Yanukovych and the yellow revolution in Ukraine (33:01) - The Euromaidan square protests in Ukraine (37:07)- What is Russia doing right now to Ukraine (45:32) - Is the Ukrainian prime minister good and brave? (49:39) - Will Putin stop invading Ukraine due to the economic sanctions on Russia (50:48) - Is Putin terminally ill and that is why he will start world war III (55:40) - Are Ukraine soldier winning the fight against Russia (01:14:26) - Will Russia attack the civilians fleeing Ukraine? (01:16:58) - The nationalism in Ukraine right now to fight for freedom

This devotional was written by Varvara Khan.Receive Daily Devotionals, sent to your email, by clicking on this link: https://bit.ly/2C1B1sH and filling out your info!Comments or Questions? Please email us at mail@3abn.org or call 618-627-4651 during our regular business hours (MON-THURS 8:00 AM-5:30 PM).Donate: https://3abn.org/donate-quick.html

Công chúng tại Pháp là những người may mắn được lần lượt chiêm ngưỡng trong vòng 5 năm hai bộ sưu tập những kiệt tác của nhiều danh họa Pháp nhưng lại được bảo quản ở Nga. Sau triển lãm bộ sưu tập của Serguei Shchukin, Fondation Louis Vuitton (Paris) tổ chức triển lãm Bộ sưu tập Morozov (La Collection Morozov), quý tộc giầu có Matxcơva đầu thế kỷ XX, từ ngày 22/09/2021 đến 22/02/2022. Mắt thẩm mỹ, nhà sưu tập tiên phong Anh em nhà Morozov không phải là họa sĩ mà là nhà sưu tập có mắt nghệ thuật, có kiến thức phê bình hội họa và « chịu chi ». Trả lời RFI ngày 17/09/2021, bà Souria Sadekoda, bảo tàng Nghệ thuật Shchukin, đồng phụ trách Triển lãm La Collection Morozov tại Fondation Louis Vuitton, giải thích : « Hai nhà sáng lập bộ sưu tập là những doanh nhân Nga, gốc Matxcơva. Phải nhấn mạnh đến điểm này vì Matxcơva và Saint-Petersburg là hai thế giới khác nhau. Hai anh em Morozov xuất thân từ gia đình quý tộc giầu có Nga kinh doanh trong ngành vải sợi. Cả hai được mẹ là Varvara dạy học, bà là doanh nhân và cũng là phụ nữ đấu tranh cho nữ từ rất sớm. Chính bà là người thuê hai gia sư là họa sĩ để dạy về hội họa cho Mikhail và Ivan. Nhờ đó mà bà tôi luyện được con mắt họa sĩ, kiến thức hội họa cho hai nhà sưu tập tương lai. Mikhail là người bắt đầu sưu tập trước tiên, rồi Ivan theo bước cho đến lúc Mikhail qua đời sớm và Ivan trở thành một trong những nhà sưu tập lớn nhất thời đó ». Cả hai cùng quan tâm đầu tư vào nền hội họa đang hình thành ở Paris trong đầu thế kỷ XX. Tại sao lại là Paris ? Theo bà Anne Baldassari, phụ trách triển lãm, « vì mọi chuyện đều phải qua Paris. Paris là thủ đô nghệ thuật thời đó ». « Họ có sự nhạy bén mà chỉ họ mới có vì cần nhớ rằng vào thời đó, những tác phẩm mà họ mua đều mới được hoàn thiện và xuất xưởng là đã được treo trong phòng khách nhà Morozov. Ví dụ, tác phẩm đầu tiên của Matisse mà họ mua đã được treo trong phòng khách ngay năm 1907 và còn đậm mùi nhựa thông. Cần phải nhấn mạnh đến điểm này, vì lúc đó một nền hội họa đang được hình thành với các trường phái, các nhánh khác nhau. Những vấn đề có vẻ là hàn lâm với chúng ta hiện nay, thậm chí là nhàm chán, thì vào giai đoạn đó lại là cả một cuộc chiến, với những cuộc tranh cãi nảy lửa ở Paris ». Bộ sưu tập toàn kiệt tác Người anh Mikhail Morozov (sinh năm 1870) bắt đầu sưu tập ngay từ rất trẻ, vào năm 1890. Mikhail xấu số qua đời năm 1903 để lại bộ sưu tập gồm 44 tác phẩm hội họa Nga và 39 tác phẩm đặt mua từ Pháp, của Manet, Corot, đến Monet, Toulouse-Lautrec hay Degas, Bonnard, Denis, Gauguin và Van Gogh. Họ sở hữu nhiều tác phẩm của một Renoir lúc đó đã nổi tiếng và cũng có một tác phẩm khởi nghiệp của Picasso, mua ở Paris chỉ với giá 300 franc. Ivan (sinh năm 1871) tiếp bước anh trai để lập một bộ sưu tập nghệ thuật hiện đại Pháp. Cuối năm 1903, Ivan bắt đầu quan tâm đến trường phái ấn tượng. Chính những tác phẩm của Cézanne mà ông khám phá năm 1907 đã khiến Ivan đầu như nhiều hơn vào bộ sưu tập. Bà Souria Sadekoda giải thích : « Tôi nghĩ là cả hai đều có khiếu nghệ sĩ, như lẽ ra họ đã trở thành nghệ sĩ. Và tâm hồn nghệ sĩ của họ đã biến thành hiện thực khi họ sưu tập những tác phẩm nghệ thuật đẹp nhất thời đại họ. Tôi nghĩ là Mikhail mạo hiểm hơn, chính ông là người mang về Nga tác phẩm hội họa đầu tiên của Van Gogh vào năm 1903. Chính ông cũng là người mua tác phẩm của Munch và hiện giờ đây vẫn là tác phẩm duy nhất của Munch có ở Nga. Ivan thì cổ điển hơn một chút. Ông không đi trước thời đại mà theo đúng nhịp thời đại của mình. Ông tái hiện không khí Paris trong lâu đài riêng ở Matxcơva. Ông thường xuyên đến Paris và làm quen với các nhà sưu tập lớn, các nghệ sĩ thời đó. Ông cũng tính toán rất nhiều chứ không phải là người sẵn sàng mua chỉ vì chợt thích. Ông từng bước hình thành bộ sưu tập, tìm những tác phẩm cụ thể theo hướng bộ sưu tập mà ông muốn. Trong kho lưu trữ của chúng tôi có những cuốn sổ ghi chép của Ivan, ghi lại những tác phẩm ông đã xem, ông muốn mua gì với giá như nào. Đúng là ông trả giá đắt cho những tác phẩm, nhưng ông tính toán ». Gu thẩm mỹ tinh tế, tinh thần tiên phong là những yếu tố giúp Bộ sưu tập Morozov phong phú và chỉ gồm những kiệt tác, tiêu biểu như tác phẩm Acrobate à la boule (tạm dịch : Người nhào lộn giữ thăng bằng trên quả bóng) của Picasso, với phong cách đặc trưng Maroc hoặc La Ronde de nuit (Tạm dịch : Tuần đêm) của Van Gogh… Có quá nhiều kiệt tác nổi tiếng thế giới, nhưng điều bất ngờ ít ai biết đến, đó là những tác phẩm này lại nằm trong bộ sưu tập của một người. Cùng với bộ sưu tập của Serguei và Pavel Tretiakov, của Shchukin và anh em nhà Morozov, Nga sở hữu những kiệt tác hội họa Pháp kéo dài từ thời David đến Matisse. Bộ sưu tập Morozov có gần 300 tác phẩm, trong đó 165 tác phẩm được triển lãm tại Fondation Louis Vuitton, cùng với vài chục tác phẩm của các tác giả Nga. Đây là lần đầu tiên Bộ sưu tập Morozov được triển lãm riêng, sau triển lãm Bộ sưu tập Shchukin, cũng tại Fondation Louis Vuitton năm 2016. Bà Souria Sadekoda tỏ ra hài lòng vì « cuối cùng, sau suốt một thế kỷ, công chúng có thể hiểu được bộ sưu tập Morozov là như thế nào », vì cho đến giờ, « người ta vẫn nói gộp bộ sưu tập Shchukin-Morozov » : « Sau cuộc Cách Mạng, hai bộ sưu tập nghệ thuật đương đại lớn nhất Shchukin và Morozov bị quốc hữu hóa. Đây là nền móng để người Xô Viết thành lập bảo tàng Nghệ thuật Hiện đại ở Matxcơva và tồn tại đến năm 1948. Sau đó là thời kỳ lưu lạc của hai bộ sưu tập vì năm 1948, Stalin ra lệnh giải thể bảo tàng này. Tất các các tác phẩm được chuyển sang bảo tàng Shchukin. Bảo tàng của chúng tôi có rất nhiều bộ sưu tập nhưng diện tích lại quá nhỏ, không đủ chỗ để chứa hết cả hai bộ sưu tập lớn Shchukin và Morozov với tổng cộng gần 600 tác phẩm. Vì thế ban giám đốc bảo tàng Shchukin đã gọi điện cho giám đốc bảo tàng Hermitage thời đó để đề xuất chia bộ sưu tập. Vì thế, bộ sưu tập bị xé lẻ. Nhưng phải nói đây là giải pháp tốt nhất vào thời đó bởi vì sau khi bảo tàng Nghệ thuật Hiện đại bị Stalin giải thể, người ta đã lo là những kiệt tác đó sẽ bị hủy. Cuối cùng, Stalin, với tất cả những sai lầm mà chúng ta thấy, cũng hiểu ra nghệ thuật là gì. Dù ông không muốn thấy những tác phẩm đó nhưng ông cũng hiểu đó là những tác phẩm rất có giá trị. Vì thế chúng được giữ trong kho, dù không được trưng bày, và được bảo quản tốt cho đến ngày nay. Chỉ sau khi Stalin qua đời, những tác phẩm trong hai bộ sưu tập Shchukin và Morozov dần được giới thiệu đến công chúng ». Fondation Louis Vuitton : Nhà tài trợ hào phóng Bộ sưu tập Morozov lần đầu tiên được triển lãm ở Fondation Louis Vuitton, mà thực ra lần đầu tiên trên quy mô lớn như vậy ở bên ngoài nước Nga. Hai phòng triển lãm lớn nhất dành cho những tác phẩm của Gauguin và Cézanne. Khách tham quan còn được ngắm những tác phẩm khổ lớn của Pierre Bonnard. Bà Anne Baldassari, người từng thu hút hơn 1,3 triệu khách tham quan đến triển lãm Bộ sưu tập Shchukin năm 2016, giải thích : « Đúng thế, thậm chí là cả ở Nga, vì bộ sưu tập này chưa bao giờ được hội tụ ở Nga dù năm 2019 đã có một triển lãm ở Saint-Petersburg, nhưng quy mô nhỏ hơn nhiều. Chưa bao giờ bộ sưu tập Morozov được quy tụ các kiệt tác lớn như vậy ở cùng một địa điểm kể từ khi các tác phẩm bị phân tán vào cuối những năm 1930. Vì thế, đây là thời điểm rất được trông đợi ở Nga, cũng như ở Pháp và ở châu Âu. Sự trở lại của những tác phẩm tuyệt vời như này luôn là khoảnh khắc rất thú vị bởi chúng giúp người xem cảm nhận được bộ sưu tập được đánh giá như thế nào vào thời kỳ đó với đúng nghĩa sức mạnh mới, một cú sốc vừa về thẩm mỹ lẫn cảm xúc do chính những tác phẩm vừa mới được hoàn thiện tạo nên, trong đó có những tác phẩm được đặt hàng vẽ tại chỗ ». Hiếm khi nào tập giới thiệu một triển lãm lại được hai tổng thống Nga và Pháp viết chung lời nói đầu. Tối 21/09, đích thân tổng thống Emmanuel Macron khai mạc triển lãm, được đánh giá mang tính ngoại giao trong bối cảnh quan hệ giữa Matxcơva và phương Tây không ngừng xấu đi trong những năm gần đây. Còn đối với Nga, đây là một kiểu « quyền lực mềm ». Thành công của triển lãm còn dựa vào mối quan hệ lâu năm, vào sự tin tưởng lẫn nhau giữa hai người phụ nữ Suzanne Pagé, giám đốc nghệ thuật của Fondation Louis Vuitton và Anne Baldassari, phụ trách triển lãm Shchukin và tiếp theo là Morozov với những đồng nghiệp Nga. Bà Souria Sadekoda, bảo tàng Nghệ thuật Shchukin tại Nga, giải thích : « Chúng tôi chuẩn bị cho triển lãm này trong khoảng bốn năm. Công việc khoa học được hai nhóm chuyên gia của Fondation Louis Vuitton và các bảo tàng Nga đảm nhiệm. Nhờ trợ giúp của Fondation Louis Vuitton, những chuyên gia, những nhà phục chế nổi tiếng, có tay nghề lão luyện đã đến bảo tàng của chúng tôi. Chúng tôi đã cùng nhau lập danh sách các tác phẩm. Anne Baldasari đã lập một danh mục thật tuyệt vời, bà tra cứu trong lưu trữ và có nhiều khám phá thú vị. Đúng là đằng sau triển lãm tuyệt vời này là cả một khối lượng lớn công việc của rất nhiều người ». Tổng chi phí được Fondation Louis Vuitton đài thọ vẫn là một bí mật. Riêng những tác phẩm quá mong manh để vận chuyển thì ở lại Nga vì « trong Thế Chiến II, chúng được bảo quản ở Siberi trong cái lạnh -40°C nên một số tranh đã bị hư hỏng rất nhiều ». Theo bà Anne Baldassari, hiện vẫn chưa có những công cụ cần thiết để phục chế.

Sambata, Decembrie 4 - + Sf. Mare Mc. Varvara; Cuv. Ioan Damaschin

In this episode, Sian Edwards tells us about her career as a conductor and some of the advantages and challenges of being a woman in the profession. She shares her favourite operas and tips for young musicians who might be tempted to give conducting a go. Musical excerpt: Katya Kabanova Act II (Kudryash, Varvara) by Janáček sang by Alexander Sprague and Katie Bray, and conducted by Sian Edwards

Varvara Mironova is a senior researcher at the Faculty of Geography of Moscow State University, Candidate of Sciences in Geography. Specialist in medical geography and biogeography, her main area of interest is the geography of natural diseases and ecological parasitology. She is currently working on the impact of climate change on the areas of infectious and parasitic diseases, as well as on other issues of nosogeography (geography of diseases), such as migration and spread of infectious and parasitic diseases, natural and socio-economic prerequisites for their spread, geography of new and recurring infections. FIND VARVARA ON SOCIAL MEDIA LinkedIn | Facebook | VKontakte ================================ SUPPORT & CONNECT: Support on Patreon: https://www.patreon.com/denofrich Twitter: https://twitter.com/denofrich Facebook: https://www.facebook.com/denofrich YouTube: https://www.youtube.com/denofrich Instagram: https://www.instagram.com/den_of_rich/ Hashtag: #denofrich © Copyright 2022 Den of Rich. All rights reserved.

Varvara Mironova is a senior researcher at the Faculty of Geography of Moscow State University, Candidate of Sciences in Geography. Specialist in medical geography and biogeography, her main area of ​​interest is the geography of natural diseases and ecological parasitology. She is currently working on the impact of climate change on the areas of infectious and parasitic diseases, as well as on other issues of nosogeography (geography of diseases), such as migration and spread of infectious and parasitic diseases, natural and socio-economic prerequisites for their spread, geography of new and recurring infections.FIND VARVARA ON SOCIAL MEDIALinkedIn | Facebook | VKontakte================================PODCAST INFO:Podcast website: https://www.uhnwidata.com/podcastApple podcast: https://apple.co/3kqOA7QSpotify: https://spoti.fi/2UOtE1AGoogle podcast: https://bit.ly/3jmA7ulSUPPORT & CONNECT:Support on Patreon: https://www.patreon.com/denofrichTwitter: https://www.instagram.com/denofrich/Instagram: https://www.instagram.com/denofrich/Facebook: https://www.facebook.com/denofrich

Episood 156. Tänases episoodis Agnes räägib loo Narvas kaduma läinud väikesest tüdrukust nimega Varvara Ivanova. Eliise räägib fenomenist nimega PANic ning meie jaoks uutest tegelastest, Lihakõnnakutest. Nautige, saatke meile oma lugusid (unejutudpodcast@gmail.com) ning kuuleme juba järgmisel nädalal!

Varvara Stepanova was a leader of the constructivist movement and co-author of the constructivist manifesto. Described as “a frenzied artist,” she designed books, magazines, posters, advertisements, as well as textiles, clothing, and costumes. On top of that, she was an author and poet. Her design style and aesthetic was avant garde, modern, and often characterized by simplicity and geometric forms and patterns, but Varvara was never content with stasis. She constantly evolved her style and worked to develop new concepts and ideas. As a co-founder of the Constructivist movement, her work typifies the aesthetic and philosophies of Constructivism. While Varavara worked on many of her own projects, she also did many together with her husband, Alexander Rodchenko, another well-known Constructivist designer. Her work often gets linked to Rodchenko's, and it's Rodchenko who gets mentioned in histories of graphic design and credit for designs that should be attributed to Stepanova as well. At a time when women were largely still expected to be no more than wives and mothers, Stepanova was a woman who made an unmistakable mark on art and design.TIMELINE1894 – b Kovno [now Kaunas, Lithuania]1910-11 – Attended Kazan' School of Art (meets Aleksandr Rodchenko)1913-14 – Attended Stroganov School, studied with Konstantin Yuon & Il'ya Mashkov1920-30 – Taught at the Vkhutemas design school1921 – Work included as part of the 5 x 5 = 25 exhibition1922 – Co-wrote the Constructivist Manifesto with Alexander Rodchenko & Aleksei Gan 1922 – Designed the set and costumes for The Death of Tarelkin1923 – Worked at the  First Textile Printing Factory designing fabrics1924 – Vladimir Lenin dies, marks the beginning of the end of the Soviet Avant Garde1925 – Costume designs for the play The Death of Tarelkin were exhibited in the Soviet Pavilion at the International Exhibition of Modern Industrial and Decorative Arts in Paris1932 – Independent artist groups are banned by Josef Stalin1958 – d Moscow, May 20thREFERENCESAdaskina, N. (1987). Constructivist Fabrics and Dress Design. The Journal of Decorative and Propaganda Arts, 5, 144-159. doi:10.2307/1503941Aspden, R. (2009, Jan 26). Constructing a new world. New Statesman, 138, 40-43. Retrieved from Cunningham, R. (1998). The Russian women artist/designers of the avant-garde. TD&T: Theatre Design & Technology, 34(2), 38–51. Fer, B. (1989). Tatlin; Varvara Stepanova: a Constructivist life. Art History, 12, 382–385. Goldman, W. (2002). Women at the gates gender and industry in Stalin's Russia. Cambridge, UK; New York, NY: Cambridge University Press.Jenkins, S. (2014). Russia's dynamic duo. Art Newspaper, 24(263), 32. Lavrentiev, A. (1988). Varvara Stepanova: A constructivist life. London; Thames and Hudson.Nazarov, Y. (1996). Can Man Live Without Wonder? by Varvara Stepanova (review). Leonardo, 29(1), 79.Vkhutemas. (2004). In G. Julier, The Thames & Hudson dictionary of design since 1900 (2nd ed.). Thames & Hudson. Credo Reference: Wolanksi, M. (retrieved on June 25, 2020) “The Role of Women in Soviet Russia”. Guided History: History Research guides by Boston University students. Blog. https://blogs.bu.edu/guidedhistory/moderneurope/molly-wolanski/

As a practitioner, Varvara originally trained in psychotherapy and spiritual development. Because of her personal journey, she later found out that our fear of relating doesn't necessarily come from our brain, but from our body and the lack of safety we experienced as an infant. This is where her passion for somatic teaching comes from. Varvara joins us in today's episode to explain how developmental trauma can limit intimacy and connection in adult partnership, how our implicit memories can create conflict in our relationships, and how healing can help us take responsibility for our experience and reach out to our partner for support. Varvara Erochina is a somatic teacher and coach dedicated to personal and collective healing. She offers a multi-disciplinary approach to healing, informed by trauma resolution, Gestalt psychotherapy, spirituality, and life coaching. Her popular course 'How to Feel' offers practical education and embodied practice for feeling your feelings. She is the creator of Cards for Self-Care and offers 1-1 and group coaching, workshops, retreats, classes, and more. Check out the transcript to this episode in Dr. Jessica Higgin's website. In this episode: 04:35 The lived experience of each individual comes from the very first relationships we form with ourselves and our caregivers when we were born. It also goes back to how that relationship is built upon memories that form in the body as we grow. 13:51 Talking about trauma can scare and put so many of us into defense. However, it's essential to recognize trauma as a chronic experience of not having our needs met as an infant. 15:44 The habits of blaming our partners or shutting ourselves off emotionally are the wise survival mechanisms we unconsciously developed as infants. Reclaiming those habits as such will help us move into greater self-connectedness. 21:03 Implicit memories, which is a formal term for feeling memories, are the thought patterns developed in response to a feeling we couldn't process as an infant. 23:18 Corrective experience happens when a new neural pathway gets created. This neural pathway gets deepened when we're being honest about how we feel, and when we experience appropriate co-regulation and safe attachment. 27:02 Corrective experience is also one of the best ways to experience a newfound safety, freedom, and possibility in our relationships. In order to access this, we must start by acknowledging our feeling of shame, understanding why it has developed in our younger years, and naming its impact by knowing whether it works in our relational life. 33:20 Whether or not our partner is ready to work with the process, we should always start with ourselves; then we go on and take that as far as we want in our relationship. 37:26 Babies experience chronic stress responses when parents appear frightened or frightening to them. If we have this kind of parenting, our infant implicit memory gets activated when we experience ourselves or our partners being frightened or frightening. Therefore, it's incredibly important to use our sensation and non-verbal clues at that moment to notice and differentiate between our adult selves and that very young response. 42:31 How to get in touch with Varvara Mentioned Be With website Varvara Erochina Instagram Connect with Dr. Jessica Higgins Facebook: facebook.com/EmpoweredRelationship  Instagram: instagram.com/drjessicahiggins  Podcast: drjessicahiggins.com/podcasts/ Pinterest: pinterest.com/EmpowerRelation  LinkedIn: linkedin.com/in/drjessicahiggins  Twitter: @DrJessHiggins  Website: drjessicahiggins.com   Email: jessica@drjessicahiggins.com If you have a topic you would like me to discuss, please contact me by clicking on the “Ask Dr. Jessica Higgins” button here.  Thank you so much for your interest in improving your relationship.  Also, I would so appreciate your honest rating and review. Please leave a review by clicking here.  Thank you!   *With Amazon Affiliate Links, I may earn a few cents from Amazon, if you purchase the book from this link.

Blankets Project  2018-2019, Eight felt blankets, screen print, metal hinges. 180cm x 220cm eachThis is the project about migration and borders, belonging and alienation, statelessness and trauma. As part of The Sea is the Limit project I made a series of eight printed felt blankets that reflect on the experience of being a migrant. The blankets are conceived as an interactive installation, where the participants are invited to wear the blankets in the exhibition space as an act of sharing and empathy. Picture: Anthony Chappel-Ross Varvara Keidan Shavrova is a visual artist, curator, educator and researcher. Born in the USSR, she lives and works between London, Dublin and Berlin. She studied at the Moscow State University of Printing Arts, received her MFA from Goldsmiths, University of London, and has been awarded Arts & Humanities Research Council Studentship by London Arts & Humanities Partnership, to conduct her practice-based PhD at the Royal College of Art in London. She has exhibited internationally, including at the Venice Biennale of Architecture, Gallery of Photography Ireland, Moscow Museum of Modern Art, Espacio Cultural El Tanque, Tenerife.Shavrova curated international visual arts projects, including The Sea is the Limit at York Art Gallery (2018) and Virginia Commonwealth University, Qatar (2019), and co-curated Beijing Map Games: Dynamics of Change , an international art and architecture exhibition in Beijing (China), Birmingham (UK) and Terni (Italy).  She is the recipient of the National Lottery Arts Council of England Project Awards (2019-2020 and 2020-2021), the Arts Council Ireland Visual Arts Bursary Award (2021), and the Prince's Trust Individual Artist's Award, among others. Her work is included in a number of public and private collections worldwide, including at the Department of the Foreign Affairs and Trade of Ireland, at the Office of Public Works art collection in Dublin, at the Ballinglen Arts Foundation collection in County Mayo, and at the Museum of the History of St.Petersburg in Russia. Shavrova is represented by Patrick Heide Contemporary Art, London. Inna's Dream. 2019 Hand tufted Axminster wool carpet objects, digital embroidery on velvet, acrylic and emulsion on wall. 7 m x 5.5 m x 4 m. In 1930 my great uncle, Vadim Borisovitch Shavrov, a well-known Soviet engineer and author, designed and built the first Soviet amphibious plane Sh-2 in his apartment in Petrograd. Between 1934 and 1964 the Sh-2 flying boat was used by the agricultural, medical and military sectors, as well as in exploration of the Arctic. In my recent installation Inna's Dream, I reinterpret the Sh-2 by rendering it in carpet and textiles. This demilitarized and domesticized version of a deflated military machine echoes the collapsed Soviet dreamworld, while the materials I use comment on women's labour. The Palace of the Soviets and King Kong. 2020 Digital knitting, hand stitching and embroidery, wool and synthetic thread. 122cm x 255 cm In these recent works that created during the lockdown, I am questioning the symbols of global power and authority by juxtaposing iconic images from movie stills and archival documents associated with the Communist and the Capitalist empirical architecture, the Palace of the Soviets and the Empire State Building. I employ methodologies of knitting, stitching and embroidery, to physically interlink the historically opponent political narratives that appear uncannily similar.

Dr. Pasiali received a BA Honors in Music Performance, from the University of East Anglia, Norwich, UK. Subsequently, she worked as a public school music teacher and a freelance flute performer in Cyprus. She completed her equivalency/Master's degree in Music Therapy at the University of Kansas. Upon graduation, she worked as a music therapist in private practice (Ohio, US) and at the Music School Settlement (Cleveland, Ohio). She completed her PhD in Music Education with a cognate in Music Therapy at Michigan State. Currently, she is Associate & Livingstone Professor of music therapy and Chair of the Academic Honors Program at Queens University of Charlotte, North Carolina. Her research interests include early intervention, family-based music therapy, prevention, wellness and mental health, resilience, and socioemotional health. Dr. Pasiali is a regular presenter at conferences and has published in various journals. Main lecturing areas include improvisation, applied clinical techniques, and psychology of music. She is an invited reviewer for music therapy journals including Nordic Journal of Music Therapy, Journal of Music Therapy, The Arts in Psychotherapy and Frontiers in Psychology. She served as an associate editor for the open access peer-reviewed journal Therapy, and Approaches: An Interdisciplinary Journal of Music Therapy  and on the editorial board for the Journal of Music Therapy.  Currently she serves on the editorial board for Music Therapy Perspectives  and Approaches: An Interdisciplinary Journal of Music Therapy. At the very end of our conversation we alluded to Pinker's views on the non-adaptive role of music which he describes as 'auditory cheesecake'. Here are some links to follow this up, for anyone interested: https://www.fastcompany.com/90569391/how-did-music-evolve-harvard-study-reveals-a-surprising-theory-no-its-not-a-sexual-mating-call   Also, here is a discussion by Levitin (evolutionary origins of music) about/against Pinker (who argues that music is a by product or an 'auditory cheesecake') https://youtu.be/bf_tJK-we2w  Part 1 https://youtu.be/iDJH9ITlF9E    Part 2 https://youtu.be/UgGRR-6jHmI   Part 3 And Pinker still argues about auditory cheesecake: 12:40 Pinker discussion.  http://trbq.org/trbq-podcast-6-steven-pinker-on-music/ Here also are some references and links to Varvara's work: Pasiali, V. & Clark, C. (2018). Evaluation of a music therapy social skills development program for youth with limited resources.  Journal of Music Therapy, 55(3), 280-308. https://doi.org/10.1093/jmt/thy007 Pasiali, V., Schoolmeesters, L., & Engen, R. (2018). Mapping resilience: Analyses of measures and suggested uses in music therapy.  Approaches: An Interdisciplinary Journal of Music Therapy, 10(1), 1-25. https://approaches.gr/wp-content/uploads/2018/10/2-Approaches-10-1-2018-a20160920_pasiali.pdf Pasiali, V. (2014).  Music therapy and attachment relationships across the lifespan. Nordic Journal of Music Therapy, 23(3), 202-223. https://doi.org/10.1080/08098131.2013.829863  Pasiali, V. (2012a). Supporting parent-child interactions: Music therapy as an intervention for promoting mutually responsive orientation. Journal of Music Therapy, 49(3), 303-334. https://doi.org/10.1093/jmt/49.3.303 Pasiali, V. (2012b). Resilience, music therapy, and human adaptation: Nurturing young children and families. Nordic Journal of Music Therapy, 21(1), 36-56. https://doi.org 10.1080/08098131.2011.571276

Wed, 19 May 2021 14:45:00 +0200 Canal Extremadura http://www.canalextremadura.es/audio/alvaro-albiach-afronta-sus-ultimos-conciertos-como-director-titular-de-la-oex http://www.canalextremadura.es/audio/alvaro-albiach-afronta-sus-ultimos-conciertos-como-director-titular-de-la-oex El Valse lente, de Franz Schreker, —que la OEX va a interpretar por primera vez—,   la suite en versión de 1949 del ballet Pulcinella, de Ígor Stravinski, y el Concierto para piano y orquesta en sol mayor, de Maurice Ravel, con la pianista rusa Varvara como solista invitada: ese es el programa que ha elegido Álvaro Albiach para despedirse. Sin Mahler. Llegó en una crisis y puso a la OEX en el mapa musical español. Charlamos con él.  

Love Song (feat Varvara) by ERIC BORN MUSIC

+

Lullaby for everybody

Eric Born & Varvara - Midnight by ERIC BORN MUSIC

Zero Point (feat Varvara) by ERIC BORN MUSIC

Future People (feat Varvara) by ERIC BORN MUSIC

Today on the Everything Belongs Podcast, Madison is in conversation with Varvara Erochina. Varvara's work as a somatic depth coach, teacher and facilitator was born of her own unrelenting devotion to personal and collective healing. Varvara is the founder of Be With through which she offers a multi-disciplinary approach to healing, combining Gestalt psychotherapy, spiritual care, peer support, coaching and somatic trauma resolution. As the creator of How to Feel, a six week course offering education and embodied practice for feeling your feelings, Varvara is passionate about making psychoeducation accessible to more people. She is the creator of Cards for Self-Care and has supported hundreds of clients through 1-1 and group coaching, workshops, retreats, classes and more. She is a queer femme and Russian immigrant invested in mutual liberation and relationships of interdependant care. In this episode, Madison and Varvara speak on self sabotage and why we destroy the goodness in our life. They dive into rising the emotional wave, building capacity for joy and the reality of our daily experience of healing.Listen in and find the full show notes here: http://madisonmorrigan.com/podcast-rss-feed/Join the Everything Belongs Membership for Madison's personal shownotes, journal prompts for each episode and seasonal private workshops:  https://www.madisonmorrigan.com/membershipGuest LinksVarvara's How to Feel course: https://www.bewith.org/Varvara's Instagram: https://www.instagram.com/bewithvarvara/Varvara's Podcast: https://soundcloud.com/thebewithpodcast

Vineri, Decembrie 4 - + Sf. Mare Mc. Varvara; Cuv. Ioan Damaschin

advert,advertising,beats,commercial,cool,fashion,glamour,inspirational,inspiring,model,modern,motivational,neo soul,piano,pop,r&b,retro,rhythm,runway,singing,sophisticated,soul,soulful,soundtrack,strings,style,uplifting,urban,vintage,vocals,music,new,moderat,indie,folk,the xx,massive attack,music for life,meditation,high tech,city,morning,day,big city,life,hq,new music,playlist,bar music,background music,universal music

My Blood (Twenty One Pilots - My Blood cover) Twenty One Pilots - My Blood (Eric Born & Varvara cover)

Midnight feat Varvara by ERIC BORN MUSIC

Last week I launched my NEW virtual emotional eating support program, The Break Free Method, which teaches a whole new way of looking at and managing emotional eating. One of the strategies I discuss in great depth in the course is the importance of learning how to sit with uncomfortable emotions, rather than flee them by turning to food. It's something we aren't really taught as kids. Fast forward to adulthood, and we're thrown into a society filled with stressors and varying emotions left, right and centre without any idea as to how to cope or deal with them.  Enter: Varvara Erochina; coach, teacher and lifelong student of embodiment. Varvara is formally trained in experiential psychotherapy, spiritual care and coaching. Varvara has spent the last thirteen years offering embodied emotional and spiritual support through one on one and group work, writing, teaching, ritual and facilitation. In this episode we discuss: The fear of sitting with emotions Reframing emotions and feelings How our emotions can be here for us The influence white supremacy, race and gender have on our emotions  The intensity of emotions lasting 90 seconds Hot seat coaching: processing anger Learning to sit with emotions to manage emotional eating  How parents can positively support their kids in embracing their emotions Nudity and embodiment THANKS FOR LISTENING! SIGN UP: THE BREAK FREE METHOD The Break Free Method is a 4-week self-paced, virtual emotional eating support program for stressed-out, high achieving women who want to stop feeling out of control around food. Learn more and sign up here.  Resources:   Varvara Erochina website: bewith.org Varvara Erochina Instagram: @bewithcards Sign Up: Back In My Body Workshop Get On The Waitlist: Loving The Child Within 8-Week Workshop Series Feelings 101 Webinar Replay Hot Seat Coaching for Anger ft.Varvara Erochina & Rachel Molenda

Hope all is well with our listeners. We've got a great show, today we discuss another Matt Strackbein comic, "Varvara: That Evil Little Russian Girl" and we begin our epic conclusion with "B.P.R.D. Hell On Earth: Cometh The Hour Part 1!" I'm so thankful for you damn guys and gals. Enjoy the show! 04:19 - Listener Feedback 36:34 - Bookclub discussion begins   Dethklok "Go Into The Water," & Queen "You're My Best Friend," used for educational purposes only.  More from Matt Strackbein https://mattstrackbein.weebly.com/, https://twitter.com/theletterhack?lang=en More from The Side Street Steppers - http://www.sidestreetsteppers.com/

Vorhang auf: Die Show beginnt! Tausende Berliner Kinder träumen davon, einmal auf einer großen Bühne zu stehen – aber nur für wenige wird der Traum Realität. Tilda, Luisa und Varvara haben es geschafft: Sie trainieren mit dem Jungen Ensemble am Friedrichstadt-Palast – es ist das größte Kinder- und Jugendensemble Europas und besteht schon seit fast 75 Jahren. Wie sie sich im Casting durchgesetzt haben, erzählen uns die drei Mädchen in dieser Folge. Außerdem verrät uns Christina Tarelkin, die Direktorin des Jungen Ensembles, warum sie an zweite Chancen glaubt. Redaktion: medienzentrum Berlin / Anne Roggensack

Falling leaves (feat Varvara) by ERIC BORN MUSIC

Varvara is a one-of-a-kind photographer. She's a professional artist with big ambitions and a beautiful intelligent mind and a big heart. She's genuinely very passionate about her art, her blog, and all the projects she works on. Varvara chooses empowerment and support over competition and loves making her subjects feel comfortable in their skin during a photoshoot. Listen to her as speaks about her roots, her business, confidence and how communication is key not only as a photographer, but also daily in every aspect of life, especially in our relationships/friendships. Follow Varvara: https://www.photobyvk.com/blog https://www.instagram.com/photo_byvk/ https://www.instagram.com/varvara.stone/ https://www.instagram.com/varv.stone/

Eric Born & Varvara - New Wave by ERIC BORN MUSIC

Love song

Varvara Lyalyagina from Start Blog Up joins Callie Willows for this episode of Behind the Membership to talk all about her membership for Russian speaking entrepreneurs, The Studio. In this episode Varvara's talking about how she is succeeding with her membership despite it being for a market not as familiar with the membership model, and why she has decided, after a year of being open all the time, to experiment with moving from an always open model to closing the doors and only letting new members in at certain times. Varvara also talks about the emotional challenges of running a membership and learning not to take cancellations personally, the power of members promoting your membership for you, and how adding a personal touch with things like video and gifts is aiding her retention. And Varvara also shares her strategy for running online parties to attract new members, plus more!

Varvara Lyalyagina is a true trailblazer in her native Russia. She’s done an amazing job of building her online business over many years and has pivoted, niched and adapted as her own skills and personal brand have grown. She’s living proof that the best route to success is never a straight line About Varvara Varvara Lyalyagina is a founder of Start Blog Up (startblogup.com). She works with Russian speaking creative entrepreneurs and teach them to spread the word about themselves by building their platform. She's is a leader of emerging community of Russian-speaking creative entrepreneurs Studio (startblogup.com/studio), that is functioning as a membership site. In April 2019 Studio celebrated a 1 year anniversary and currently there are 130 members inside. Varvara graduated the Saint Petersburg University as a journalist, worked in journalism and PR and had a 10 year career in Procter & Gamble human resources. She created her first blog in 2002 and in 2014 launched a blog Home Where You Want to Come (hometocome.com) that helped her to leave corporate world and start her entrepreneurial journey. Visit the show website at www.bobgentle.com (http://www.bobgentle.com) Download > 7 Keys to unlock success in your digital agency : Free download @ www.bobgentle.com (http://www.bobgentle.com) Follow on Instagram and Twitter @bobgentle Join the Gravity Agency Facebook Community : https://www.facebook.com/groups/533887233740170/ (https://www.facebook.com/groups/533887233740170/) Please take a second to rate this show in iTunes. ❤ It will mean a lot to me.

Where is my mind (feat Varvara / pixies cover) by ERIC BORN MUSIC

SUNDOWN BLUES (ft Varvara. The XX, Pixies, Phantogram style) by ERIC BORN MUSIC

Who do heroes turn to when they find themselves in trouble? Is the Consultant the answer? Also, Hellboy and the BPRD 1956 #1, Man-Eaters #3, Sword Daughter #4, and Hex Wives #2 go under the microscope in this week's episode of the Major Spoilers Podcast! Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! REVIEWS STEPHEN HELLBOY AND THE BPRD 1956 #1 Writer: Chris Roberson Artists: Yishan Li, Mike NOrton, Michael Avon Oeming, Dave Stewart Publisher: Dark Horse Comics Cover Price: $3.99 Release Date: November 28, 2018 Pressure is mounting within the bureau to uncover the Soviets' secret plans, but a suspicious cover-up leads one agent off the radar in search of answers. Meanwhile, demonic Soviet occult leader Varvara pushes her team to follow her own whims, and Hellboy is sent on the mission that would lead to his infamous misadventures in Mexico. But even more clandestine plots are at work-both inside the B.P.R.D. and out. [rating:4/5] MATTHEW MAN-EATERS #3 Writer: Chelsea Cain Artist: Kate Niemczyk Publisher: Image Comics Cover Price: $3.99 Release Date: November 28, 2018 "A VISIT FROM AUNT FLO," Day Three Maude suspects that the cat lady downstairs may be part of a cult. The toilet is clogged by a strange blockage in the septic system. And a recent spat of deadly mauling attacks takes its toll on the community. Plus: bonus backmatter featuring art and words by smart, angry teens! [rating:4/5] RODRIGO SWORD DAUGHTER #4 Writer: Brian Wood Artist: Mack Chater Publisher: Dark Horse Comics Cover Price: 4.99 Release Date: December 5, 2018 On the run from the Forty Swords, Dag and Elsbeth fall back to the wilds of Northern Europe and shelter with a secretive group of mountain warriors. Elsbeth learns the history of the sword she carries, and we get a glimpse at the woman she's destined to become. [rating: 4/5] ASHLEY HEX WIVES #2 Writer: Ben Blacker Artist: Mirka Andolfo Publisher: Vertigo Cover Price: $3.99 Release Date: November 28, 2018 Nov 28, 2018 The wives of Desert Canyon still don't know the secret power they possess. Their husbands continue their campaign of insidious manipulation. Izzy hears scratching in the walls. A cat jumps into a cake. Blood is spilled. And the creepiest sex scene in all of comics. [rating: 4/5] MAJOR SPOILERS POLL OF THE WEEK http://majorspoilers.com/2018/11/25/major-spoilers-poll-of-the-week-time-travel-companion-edition/ DISCUSSION The Consultant Volume 1 Writer: Jason Sterr Artist: Daniel Maine, Simon Fraser Publisher: Action Lab Entertainment Marcus Greenberg has a very particular set of skills, as a former Navy S.E.A.L., he does the dirty work of our nation's superheroes, keeping his clients out of the papers and off of death row. With the help of his assistant Russell, a reformed shape-shifting supervillain, Greenberg is the go-to-guy for making super-sins disappear. When the hero Spartan is arrested for murder, its sets off a chain of events that threaten not only Marcus's business model, but the lives every super-powered “hero” in his rolodex. Collecting The Consultant #1-4; written by Jason Sterr, art by Dainel Mainé, and covers by Simon Fraser. CLOSE Contact us at podcast@majorspoilers.com Call the Major Spoilers Hotline at (785) 727-1939. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends! Closing music comes from Ookla the Mok.

Who do heroes turn to when they find themselves in trouble? Is the Consultant the answer? Also, Hellboy and the BPRD 1956 #1, Man-Eaters #3, Sword Daughter #4, and Hex Wives #2 go under the microscope in this week's episode of the Major Spoilers Podcast! Show your thanks to Major Spoilers for this episode by becoming a Major Spoilers Patron at http://patreon.com/MajorSpoilers. It will help ensure the Major Spoilers Podcast continues far into the future! REVIEWS STEPHEN HELLBOY AND THE BPRD 1956 #1 Writer: Chris Roberson Artists: Yishan Li, Mike NOrton, Michael Avon Oeming, Dave Stewart Publisher: Dark Horse Comics Cover Price: $3.99 Release Date: November 28, 2018 Pressure is mounting within the bureau to uncover the Soviets' secret plans, but a suspicious cover-up leads one agent off the radar in search of answers. Meanwhile, demonic Soviet occult leader Varvara pushes her team to follow her own whims, and Hellboy is sent on the mission that would lead to his infamous misadventures in Mexico. But even more clandestine plots are at work-both inside the B.P.R.D. and out. [rating:4/5] MATTHEW MAN-EATERS #3 Writer: Chelsea Cain Artist: Kate Niemczyk Publisher: Image Comics Cover Price: $3.99 Release Date: November 28, 2018 "A VISIT FROM AUNT FLO," Day Three Maude suspects that the cat lady downstairs may be part of a cult. The toilet is clogged by a strange blockage in the septic system. And a recent spat of deadly mauling attacks takes its toll on the community. Plus: bonus backmatter featuring art and words by smart, angry teens! [rating:4/5] RODRIGO SWORD DAUGHTER #4 Writer: Brian Wood Artist: Mack Chater Publisher: Dark Horse Comics Cover Price: 4.99 Release Date: December 5, 2018 On the run from the Forty Swords, Dag and Elsbeth fall back to the wilds of Northern Europe and shelter with a secretive group of mountain warriors. Elsbeth learns the history of the sword she carries, and we get a glimpse at the woman she's destined to become. [rating: 4/5] ASHLEY HEX WIVES #2 Writer: Ben Blacker Artist: Mirka Andolfo Publisher: Vertigo Cover Price: $3.99 Release Date: November 28, 2018 Nov 28, 2018 The wives of Desert Canyon still don’t know the secret power they possess. Their husbands continue their campaign of insidious manipulation. Izzy hears scratching in the walls. A cat jumps into a cake. Blood is spilled. And the creepiest sex scene in all of comics. [rating: 4/5] MAJOR SPOILERS POLL OF THE WEEK http://majorspoilers.com/2018/11/25/major-spoilers-poll-of-the-week-time-travel-companion-edition/ DISCUSSION The Consultant Volume 1 Writer: Jason Sterr Artist: Daniel Maine, Simon Fraser Publisher: Action Lab Entertainment Marcus Greenberg has a very particular set of skills, as a former Navy S.E.A.L., he does the dirty work of our nation’s superheroes, keeping his clients out of the papers and off of death row. With the help of his assistant Russell, a reformed shape-shifting supervillain, Greenberg is the go-to-guy for making super-sins disappear. When the hero Spartan is arrested for murder, its sets off a chain of events that threaten not only Marcus’s business model, but the lives every super-powered “hero” in his rolodex. Collecting The Consultant #1-4; written by Jason Sterr, art by Dainel Mainé, and covers by Simon Fraser. CLOSE Contact us at podcast@majorspoilers.com Call the Major Spoilers Hotline at (785) 727-1939. A big Thank You goes out to everyone who downloads, subscribes, listens, and supports this show. We really appreciate you taking the time to listen to our ramblings each week. Tell your friends! Closing music comes from Ookla the Mok.

"Doing one thing better and better over time is eventually more satisfying than doing many different things" Varvara is a mom, wife, and a 103 pound weight class powerlifter and Coach. Varvara talks about the benifits of powerlifting. The mental, emotional and physical aspect of powerlifting translates into everyday life. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/optimal-nutrition/support

Resonance #140 w/ Varvara (21.04.2018) by Nikita Zabelin

I detta avsnitt möter vi två av de konstnärer som var inbjudna till A.I.R Blekinge Baltic One - ett konstnärsresidens arrangerat av Konst i Blekinge och som ägde rum under hösten 2017. Varvara Guljajeva och Mar Canet arbetar som konstnärsduo sedan 2009. Deras arbete rör sig oftast inom områden som rör de delar av tillvaron som alltmer berörs av digital informationsteknik - och inte minst dess maktmässiga och ekonomiska aspekter. De använder sig av allt från egna högteknologiska konstruktioner till stickmaskiner – och en samling identiskt likadana metronomer, utskrivna på 3D-skrivare. Duon är verksam i Tallinn i Estland där Varvara Guljajeva också är född, medan Mar Canet kommer från Barcelona. Susanne Skog träffade dem för ett samtal om deras verk och idéerna bakom. Hör intervjun, på engelska, eller den svenska introduktionen som du finner separat här bredvid. Producent: Susanne Skog Musik: Jesper Norda

We import Russian born, pan-continental artist Varvara Shavrova in our continuing endeavor to bring you the best in sub and counter-culture. Land meets Sea and East meets West in an exploratory interview that attempts to get at the heart of what it means to be an artist. Chad Keveny co-hosts and there is some speculation that it is an inherited illness. Toby is back as the guest on Shower Talk for "Showers without Borders". Andrea does 90 seconds about caffeine, the publisher informs Adam that he is not only published but also being sued; a foot sticks out of a neighboring grave in the Scary News and we go for a walk with political activists in Basque Country.

Seekord tuleb juttu Varvara Mjasnikovast, kes mängis 1934. aastal valminud Stalini lemmikfilmis "Tšapajev" kuulipildujatar Ankat.Saate autor on David Vseviov, helirežissöör Maris Tombach. Kuulake 25. juunil kell 11.20. Soovitame külastada ka Müstilise Venemaa Facebooki lehte, kuhu mitmed saadetes mainitud filmid üles riputatakse.

Seekord tuleb juttu Varvara Mjasnikovast, kes mängis 1934. aastal valminud Stalini lemmikfilmis "Tšapajev" kuulipildujatar Ankat.Saate autor on David Vseviov, helirežissöör Maris Tombach. Kuulake 25. juunil kell 11.20. Soovitame külastada ka Müstilise Venemaa Facebooki lehte, kuhu mitmed saadetes mainitud filmid üles riputatakse.

Seekord tuleb juttu Varvara Mjasnikovast, kes mängis 1934. aastal valminud Stalini lemmikfilmis "Tšapajev" kuulipildujatar Ankat.Saate autor on David Vseviov, helirežissöör Maris Tombach. Kuulake 25. juunil kell 11.20. Soovitame külastada ka Müstilise Venemaa Facebooki lehte, kuhu mitmed saadetes mainitud filmid üles riputatakse.

Seekord tuleb juttu Varvara Mjasnikovast, kes mängis 1934. aastal valminud Stalini lemmikfilmis "Tšapajev" kuulipildujatar Ankat.Saate autor on David Vseviov, helirežissöör Maris Tombach. Kuulake 25. juunil kell 11.20. Soovitame külastada ka Müstilise Venemaa Facebooki lehte, kuhu mitmed saadetes mainitud filmid üles riputatakse.

IN THE NEWS In the news, Spencer, Lauren, and Jessica chat about: Progress is being made at the top of the elite program Regionals Recap (5:00) Session I: Oklahoma, UCLA, Utah, Washington, Oregon State, Denver. Session II: LSU, Alabama, Florida, Michigan, Georgia, Nebraska Denelle Pedrick, Central Michigan, vault with a DTTTYYYYYY Answer to criteria for the Pac-12 Freshman of the Year vote? There was no criteria. The coaches simply did not vote for MyKayla Skinner. Leotards: OSU and Oklahoma's lehenga choli style Kentucky gymnast Shelby HIlton update Jesolo (44:30) Results Ermine's Nabieva, Victoria Nguyen’s Chinese beam Riley McCusker = E score heaven  Trinity Thomas just being fantastic  Nina Derwael, Elisa Iorio, Ana Padurariu, Abby Paulson,  Everyone needs to do choreographed warmups to music like the French! Will Brazil beat the Russians in the future? We think so. 10 minutes just about Varvara from planet Zubova USA Gymnastics Sexual Abuse Investigation (1:17:10) Rachael Denhollander won her IX case against Larry Nassar The new judge in the Nassar case is an adjunct professor at MSU College of Law. MSU is a defendant in the case along with John Geddart and USA Gymnastics.  Attorneys challenge 'gag order' in Nassar case USA Gymnastics Blasted for Skipping Senate Hearing on Sex Abuse Statement from USA Gymnastics in response to our questions about how soon they are requiring themselves to report suspected criminal conduct: GymCastic: "Does USAG report possible criminal misconduct  (sexual or non-sexual) to law enforcement immediately (within 24 hours of receipt)? If not, why?"  USAG: USA Gymnastics makes reports to law enforcement/child protection services consistent with its legal obligations, as well as to the U.S. Center for SafeSport.  To be clear, if USA Gymnastics receives a complaint or report of alleged sexual abuse from anyone, a report must be filed with both law enforcement/child protection services and the U.S. Center for Safe Sport. GymCastic follow up: Can you please clarify what the time frame is for your legal obligation? USA Gymnastics response: "The timing for the legal reporting obligation varies by state. As noted previously, if USA Gymnastics receives a complaint or report of alleged sexual abuse from anyone, a report must be filed with both law enforcement/child protection services, consistent with legal obligations, and the U.S. Center for Safe Sport." FEEDBACK Body Hair and Male Hugs Double Don't Square the E Score:  Hey guys, this is Evan the engineer. I just wanted to comment on the mathematical implications of the notion Jessica has suggested several times in the past about E-score deductions being squared. I agree that something needs to be done to increase the impact the execution score has on the final score relative to that of the D score; especially on vault, I think a fall should be something like a 3-point deduction, but that’s just me editorializing. I absolutely appreciate Jessica’s sentiment here, but I think a more mathematically-sound approach would be for deductions to be scaled geometrically, i.e., multiplied by some common factor across the board, like doubling all deductions (incidentally, halving the D score and keeping the deductions the same would have the same effect mathematically, which if I’m not mistaken I believe Bruno Grandi actually suggested doing himself), or multiplying by some other specified factor. The problem with squaring E-score deductions is that the increase in a gymnast’s deductions becomes de-linearized relative to the scores of other gymnasts; that is, the amount the deductions are increased varies relative to the magnitude of the deductions themselves, rather than by some fixed factor, which would be more fair. For instance, consider a geometric scaling up of deductions (what I think is fair) by a factor of 2. Gymnast A originally receives an E score of 8.5 (1.5 in deductions) while gymnast B receives an E score of 8.0 (2.0 in deductions); if these deductions were each scaled upward by a factor of 2 gymnast A would receive an E score of 7.0 (3.0 in deductions) while gymnast B would receive an E score of 6.0 (4.0 in deductions). Relative fairness is preserved because though both gymnasts are deducted more harshly, Gymnast B still receives 133% the deductions of gymnast A in each case (2/1.5=4/3=1.33), and ultimately because of this the weight of the D-scores would be reduced. However, squaring deductions sacrifices this deduction-increase relativity; using this approach gymnast A would receive an E score of 7.75 (1.5^2=2.25 in deductions), while gymnast B would receive an E score of 6.0 (2.0^2=4.0 in deductions). Here gymnast B receives 178% of the deductions of gymnast A [note gymnast A’s score increases under this system while gymnast B’s remains the same]; effectively, gymnast B is deducted more for being deducted more in the first place. Perhaps paradoxically, because power series converge with a base value below 1, if a gymnast C originally receives an E-score of 9.3 (0.7 in deductions), under the squaring system their E-score would actually increase to 9.51 (0.7^2=0.49 in deductions). For these reasons, I think elevating the importance of execution could be best achieved by scaling the E-score deductions up by some factor geometrically rather than squaring, or, novel concept, if judges actually took the deductions they could/should/need to at all times. Because, math. Thanks for reading. SUPPORT THE SHOW Join Club Gym Nerd here. Buy one of our awesome shirts here. Club Gym Nerd Giveaway for April : Spanny Tampson's Gymnastics ABC Book Email gymcastic@gmail.com  Subject line: Spanny’s ABC Book No need to tell us why, you want it, just email us that you want it. We’ll randomly choose winner on the last day of the month RELATED EPISODES 246: Kathy Johnson Clarke Regionals Preview Episode 15: Joan Ryan Author of Little Girls in Pretty Boxes Episode 17: Growing Up In The Soviet Gymnastics System And Training At Round Lake Episode 31: Elise Ray Episode 28: Kristen Maloney Episode 33: Simone Biles & Her Coaches 187: McKayla Maroney 163: ENOUGH Episode 56: Preventing Abuse in Gymnastics 63: Doctor Larry Nassar 245: Steve Penny is GONE 244: Russian Nationals & Gymnix 2017 243: Senate Bill 534 242: Standards 241: The Pittsburgh Incident 240: Chalkography 239: Elite Canada, Reykjavik & NCAA Olympic/World Championship Team Members Competing in College Gymnastics in 2017

Varvara Pasiali, PhD, MT-BC, is an associate professor of music therapy at Queens University of Charlotte. She completed her Master’s in music therapy at the University of Kansas and her doctorate at Michigan State. Her research interests include early intervention, prevention, resilience, and parent-child attachment/reciprocity. Dr. Pasiali is a regular presenter at conferences and has […] The post MTRB #17 – Varvara Pasiali appeared first on Music Therapy Research Blog.

For July's Mixtape, we spotlight a band from Finland called VARVARA! This is their single CAUGHT. Follow the band ON: http://www.varvaraband.com https://www.facebook.com/varvaraband https://twitter.com/varvaraband https://instagram.com/varvara_official/ https://varvara.bandcamp.com

Join Mike and Micki, along with The Amanda Happening each week for the Weekend Round-up, learn about what happened Today in Geek History, play along with your newest favorite game, "IS IT REAL OR IS IT FAKE?", get the 411 on all your BFFs during the Slumber Party, and finally ending the night with shout-outs. During the WEEKEND ROUND-UP, Amanda talks about how fun being a parent can be. Micki continues her takeover of KGRG. How small is the radio world? Mike talks about a surprising KGRG connection at his new job. We play the brand new YELLOWCARD song and talk about their final tour and album. It's a jam-packed TODAY IN GEEK HISTORY, full of classic TV shows and movies. And what the hell is captain video? Does mike really think that cleanliness is fake? Find out during IS IT REAL OR IS IT FAKE? And Micki adds a new twist that will change the game forever! As the last hour starts, get your shock gloves, because MMAD favorite Wild Dog is BACK! We discuss death outfits and ice cream flavors on this week's slumber party. VARVARA from Finland is “the best college rock you haven't heard yet” and we play their song CAUGHT. As we close out the night with Shout-outs, Mike makes a shocking announcement. Listen LIVE every Monday night from 9-Midnight (PST) on 89.9 KGRG-FM! Check out our ON DEMAND page on KGRG's website for all of your MMAD needs! kgrg.com/Mike-and-Micki-After-Dark/22491384

Eesti Ekspressi podcasti kuuendas saates on külas ajakir…, ptüi, poliitik Viktoria Ladõnskaja, kes räägib, mida tema arvates politsei Varvara juhtumi puhul valesti tegi. Samuti on stuudios Jakob Rosin, kes jagab pimedana reisimise kogemusi. Tänases Eesti Ekspressis kirjutas Viktoria Ladõnskaja, et politsei kolistas Varvara juhtumi lõpetamisel ämbritega. Endise ajakirjanikuna tõi ta välja just venekeelse elanikkonna korralikult informeerimata jätmise, mistõttu levivad nüüd Narvas umbusust nõretavad meeleolud. Jakob Rosin kirjutas lehes enda kogemusi reisil Birminghami. Sünnist saati pime Jakob kirjeldab podcastis, kuidas üldse pime reisib, mida vaatab ja kas ka tema masside saatel ikka Eiffeli torni Pariisis ära külastab. Saate lõpetab Jakobi enda loodud laul Veetilgad. Saadet juhivad Eesti Ekspressi ajakirjanikud Dannar Leitmaa ja Toomas „Vabakäik“ Vabamäe.

Being Russia's search giant, Yandex employs thousands of developers, who are daily challenged by a huge amount of frontend development problems. Such as fast developing, maintaining long-lived services, code reusing, team scalability an many more. I would like to share with the comminity our solutions to these problems and speak about how they evolved through time and technological changes. More info at: https://fronteers.nl/congres/2012/jam-session/frontend-evolution-at-yandex-varvara-stepanova

Being Russia's search giant, Yandex employs thousands of developers, who are daily challenged by a huge amount of frontend development problems. Such as fast developing, maintaining long-lived services, code reusing, team scalability an many more. I would like to share with the comminity our solutions to these problems and speak about how they evolved through time and technological changes. More info at: https://fronteers.nl/congres/2012/jam-session/frontend-evolution-at-yandex-varvara-stepanova