Podcasts about montages

durée : 00:58:10 - Avec philosophie - par : Géraldine Mosna-Savoye - Comment l'art du montage et la recette du pathétique du cinéaste et théoricien Sergueï Eisenstein ont-ils influencé l'écriture d'Adèle Yon, l'autrice qui a marqué avec "Mon vrai nom est Élisabeth" ? Elle revient sur cette oeuvre dont la fameuse recette a été pervertie par Hollywood... - équipe : Manon de La Selle, Nicolas Berger, Anaïs Ysebaert, Carla Michel - invités : Adèle Yon Romancière, Docteure SACRe - ENS Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

It was a thrilling ten-inning victory for the Philadelphia Phillies over the Atlanta Braves to keep their postseason hopes alive. Joe DeCamara and Jon Ritchie highlight Andrew Painter's composure on the mound and the clutch back-to-back home runs from Kyle Schwarber and Bryce Harper that forced extra innings.(00:01:00) Andrew Painter Dominates(00:04:06) Realmuto's Defensive Brilliance(00:05:35) Dramatic Game Highlights

Lindsay Clancy's lawyer just stood in a Plymouth courtroom and asked the judge where the evidence is that she killed her three children. Cora was 5. Dawson was 3. Callan was 8 months. In January 2023 their father, Patrick Clancy, came home from errands and found them on the basement floor with exercise bands around their necks. Lindsay Clancy was in the yard after jumping from a second-floor window. She was charged with three counts of first-degree murder. At trial the defense was not criminally responsible — postpartum psychosis, a voice telling her to kill the children and herself — because the judge would not split guilt from insanity. Kevin Reddington said it himself: they had to admit culpability to raise criminal responsibility. A six-week trial ended September 4 in a mistrial after the jury hung. On September 29 he flipped. “Where is the evidence that she did this?” No real investigation, he said. Speculation. She was told what happened. She had no memory. Prosecutor Shanan Buckingham called that laughable and reminded the court that at trial the defense objected on the grounds that she admits she did this. Judge William Sullivan was not ready to rule. Both sides said it was too soon to set a second trial. Next date is November 2. Reddington says his caseload means he cannot try it before June 2027. Three kids. A hung jury. A new theory. And a calendar that runs into the summer after next. Pat also covered: Jack Smith went back to Congress and told the same January 6 story. When does he answer for it? Alaska just picked its fattest bear. 89 Backpack took Fat Bear Week, 103,334 votes to 98,253. Did SpaceX just livestream a UAP during a Starlink deploy, or was that the booster plume? President Trump and the SI bosses agreed to internal controls on cyber and bio risk. The resignation question is running ahead of the facts. Trump's plan this month is a 32-day midterm tour, not an exit. Did the “no evidence” line survive five minutes of what the husband walked in on? Yes or no. If you were Patrick Clancy, what would you want the court to do with a lawyer who is booked until June 2027? If you want unfiltered truth and common-sense analysis that cuts through the noise, hit subscribe and turn on notifications. 00:00 Pat Gray UNLEASHED! 00:14 Pat Reschedules today's Show??? 01:32 Lindsay Clancy Case Pushed to November 2nd 04:33 Kevin Reddington Defends his Attacks on the Holdout Juror 05:36 Kevin Reddington: Then VS. Now 07:57 Lindsay Clancy Trial Discussion 15:37 John Thune Thinks Trump Needs to Get More Voters to the Polls 20:08 President Trump's 32-Day City Tour 23:36 Jack Smith VS. Josh Hawley 27:22 Jack Smith on Trump Talking with Congress on J6 28:53 FLASHBACK: Jack Smith in January 2026 on Trump / Congress Talks 30:12 Jack Smith on Capitol Police during J6 32:41 Michael Fanone Confronted by Reporter 34:28 Jack Smith VS. Eric Schmitt 39:20 Chewing the Fat 49:29 Ken Paxton is Up by Three Points against James Talarico?! 50:02 Angela Paxton Campaigning for her Estranged Husband? 51:52 Another Anti-James Talarico Ad 53:31 James Talarico is Worse than "Weird" 54:05 Pro-James Talarico Ad Criticizing Ken Paxton's Homes 56:29 Pat will Leave Texas (& Eat his Underwear) if James Talarico Wins 56:50 Pat's Remodeling is Still Not Done after Eight Months 57:31 President Trump's Meeting with AI Leaders 58:51 President Trump on AI Concerns / Guardrails 1:00:11 NVIDIA OpenShell Security System 1:01:45 Elon Musk Accidentally Says AI instead of SI 1:05:05 Camryn Manheim Wanted her Straight Son to be Gay 1:12:31 Candace Owens' Many Mispronunciations 1:16:44 What is the Most Famous Mormon Pie? 1:18:30 Complaining about Morning Salad 1:19:21 How Does Anyone Take Candace Owens Seriously? 1:21:23 James Talarico Asked about God's Gender 1:23:42 50,000 People Give a Standing Ovation to James Talarico 1:25:53 James Talarico is Still Fighting for Trans Kids 1:27:51 Montage of Trump's 2nd Term Predictions 1:31:50 Kalshi Prediction: Will Trump Resign During his 2nd Term? Learn more about your ad choices. Visit megaphone.fm/adchoices

Extraits d'épisodes de podcasts sur le sujet de la rupture amicale, qu'on évoque plus longuement dans l'épisode avec Alice Raybaud, autrice de "Nos puissantes amitiés" (éditions La Découverte).Dans l'ordre d'écoute : Lucile Bellan dans "(R)évolution - aimer en conscience" par Self Love Project - Claudia Colombani https://www.self-love-project.com/podcasts/r-evolution-aimer-en-conscience/episodes/2149093779 Lucile Bellan dans "Entre nos lèvres" https://podcast.ausha.co/entrenoslevres/lucile Lucile Bellan dans "C'est compliqué" par Slate.fr https://www.slate.fr/podcasts/cest-complique/peut-trop-aimer-ses-amis Alice Raybaud dans "Single Jungle" https://singlejungle.lepodcast.fr/et-si-lamitie-etait-notre-veritable-grand-amour-avec-alice-raybaud-nos-puissantes-amities-rediff Si vous voulez soutenir Single Jungle, avec un don en une seule fois, j'ai ouvert un Tipeee : https://fr.tipeee.com/single-jungle. J'ai suivi le conseil d'auditrices et d'auditeurs qui ont proposé de participer à la hauteur de leurs moyens, ponctuellement, aux frais des épisodes (prise de son/montage). Merci aux premières personnes qui ont participé ! Retrouvez Alice Raybaud sur les réseaux sociauxInstagram : https://www.instagram.com/raybaudalice/ En librairies : "Nos puissantes amitiés" d'Alice Raybaud, éditions de la Découverte https://www.placedeslibraires.fr/livre/9782348079702-nos-puissantes-amities-alice-raybaud/Résumé du livre : "On aime à se dire qu'elle est essentielle. Mais, en réalité, l'amitié est souvent raillée, considérée comme futile ou invisibilisée. Dans les films, les livres, les imaginaires et les récits que l'on fait de nos parcours, elle passe presque toujours à l'arrière-plan : la jeunesse terminée, elle devrait s'éclipser au profit du couple et de la famille. Elle est ce lien que l'on sacrifie volontiers les années passant, quitte à abandonner une petite part de soi avec. Mais pourquoi le couple romantique représenterait-il l'unique façon de cheminer avec d'autres dans l'existence ?Depuis quelques années, de plus en plus de personnes décident de revendiquer leurs amitiés et de s'engager pleinement dans ces relations. Elles y découvrent des lieux de joie, mais aussi de solidarité et de résistance face aux aliénations du système patriarcal, capitaliste et dans une période de grande incertitude écologique. Hétéros ou queers, entre femmes, entre hommes ou dans des groupes mixtes, elles et ils sont nombreux à réinventer, entre ami.es, des manières de militer, d'habiter, de consommer, de faire famille, de vieillir ensemble et, finalement, de prendre soin les un.es des autres.Mobilisant de nombreux entretiens, des références culturelles, des études sociologiques aussi bien que des textes philosophiques, Alice Raybaud montre que l'amitié porte une dimension libératrice puissante, qu'elle peut être une force de dissidence et d'émancipation. Elle appelle ainsi à réinventer ce lien, intime et politique, et à remettre nos amitiés au centre de nos vies." Références citées dans l'épisode ou en bonus (à suivre) "Nos solitudes : Déjouer les politiques de l'isolement" d'Alice Raybaud (éditions de la découverte) : https://www.placedeslibraires.fr/livre/9782348090356-nos-solitudes-dejouer-les-politiques-de-l-isolement-alice-raybaud/"Elles vécurent heureuses : L'amitié entre femmes comme idéal de vie" de Johanna Cincinatis (éditions Points)"S'engager en amitié" de Camille Toffoli (éditions Écosociété Radar), à écouter dans l'épisode de Sologamie, par Marie Albert https://shows.acast.com/sologamie/episodes/sengager-en-amitie-avec-camille-toffoli"3, une aspiration au dehors" de Geoffroy de Lagasnerie (éditions Flammarion)AVERTISSEMENT IMPORTANT : Ne jamais s'inscrire sur une application ou site de rencontres payant sans 1) lire les avis sur Google (Play store) ou Apple (App store) 2) lire les conditions tarifaires de l'abonnement. Ainsi je vous déconseille fortement le site PARSHIP, qui pratique l'extorsion : on ne peut pas résilier avant 1 an obligatoire, même si on n'utilise plus le service, qui n'est pas satisfaisant, car très peu de personnes dans votre région. Le service client n'a que mépris pour les clients et le service communication ne veut rien entendre (un comble), aucun arrangement possible. Donc évitez-vous une dépense inutile. Episode enregistré en février 2024, à Paris, dans les locaux de la rédaction du Monde, merci à Alice Raybaud et ses collègues pour leur hospitalitéMontage et mixage : Isabelle FieldMusique : Générique de "Manimal", virgules sonores : Edouard JoguetLogo conçu par Lynda Mac-ConnellHébergement : Podcloud

Ein Schritt nach vorn, ein Foto. Noch ein Schritt, noch ein Foto. Und dann, dreißig, vierzig, hundert Fotos später, entsteht daraus ein Fluss aus Bildern, in dem sich Kirchtürme drehen, Fassaden vorbeiwirbeln und ganze Städte in wenigen Sekunden an einem vorbeirauschen. Der Schnitt? Ist da. Man sieht ihn nur nicht. Im Credit to the Edit Podcast geht es diesmal um genau diese Kunst des Unsichtbaren: den seamless flow, das Verstecken der Schnittkante, die Montage als reine Bewegung. Zu Gast ist Andras Ra, den seine Community im Netz auch "Hyperlapse King" nennt. Er erklärt, wie ein Hyperlapse eigentlich funktioniert (kurz: Zeitraffer auf Steroiden, bei dem sich nicht nur die Zeit, sondern auch der Raum bewegt), warum jeder einzelne Frame in der Post stabilisiert werden muss und wie er mit Google Street View seine Drehwege plant, bevor er überhaupt am Zielort ankommt. Es geht um Musik, die immer vor dem ersten Foto feststeht, um die Frage, worauf der Blick gerade fokussiert, kurz bevor geschnitten wird, und um den kleinen, feinen Unterschied zwischen einem Hyperlapse und einem inszenierten Hyperlapse, der gesehen werden will. Nebenbei verrät Andras, warum Touristen sein größtes Problem sind, wie ihm KI heute als Ideenzulieferer für Übergänge dient und weshalb ihm der Schnitt daheim, mit heruntergelassenen Rollos, immer noch lieber ist als das Reisen selbst. Andras Ra kommt ursprünglich aus Ungarn und lebt in München. Er hat einen Bachelor in Film und Fernsehen mit Schwerpunkt Schnitt, arbeitet als Freelancer für Marken wie Adobe, DJI, Insta360 und Beautiful Destinations und ist zertifizierter Adobe Video Editor. Was mit Call-of-Duty-Montagen auf YouTube begann, ist heute eine sehr eigene Nische zwischen Editing Suite, Gimbal und 360-Grad-Drohne. Eine Folge über Planung, Kontrollverlust an den passenden Stellen, das Handwerk dahinter und die Frage, ob man aus der eigenen Schublade eigentlich wieder herauskommen möchte, wenn sie so gut läuft. Reinhören lohnt sich, auch wenn man dabei die Schnitte partout nicht zählen kann.   "Ich würde meinen Style als seamless flow bezeichnen."   Timeline-Shortcuts 00:00  Anmoderation 02:14  Gesprächsstart / Was ist ein Hyperlapse? 04:25  Planung und Aufnahmetechnik am Set 10:57  Schnitt, Musik und KI als Inspiration 20:46  Style, Nische und der unsichtbare Schnitt 29:23  Editor mit Leib und Seele 34:22  Kategorien 47:36  Blick in die Zukunft 50:45  Abmoderation   Weiterführende Links Andras Ra Andras Ra (Instagram) Videos & Referenzen Andras Ra bei DJI (Hyperlapse Wizard) Andras Ra x DJI (YouTube) Andras Ra Video (YouTube) Andras Ra Video (YouTube) Andras Ra x Insta360 X5 (YouTube) Andras Ra Reel (Instagram) Andras Ra Video (YouTube) Andras Ra Video (YouTube) Adobe MAX 2025 Session mit Andras Ra

With the goal of living a purposeful life, Vida Valiente was founded in Napa as a combination luxury winery and charity. The foundation is focused on providing last dollar scholarships and mentorship to 1st generation college students. The winery is establishing a newly planted vineyard as the next “grand cru” site in Napa. Hayes and Susana Drumwright combine these two elements into a pathway to connect people who have succeeded with grit to the next generation through wine and impactful experiences. Detailed Show Notes: Susana's background: career in tech, now full-time with the foundation and wineryHayes' background: had cancer early, many early failures, then sold a tech company and founded Memento Mori Winery in 2010, Vida Valiente in 2019, and just bought Edge Hill Winery in 2026; just published The Empty CenterVida Valiente (“VV”) overviewPlanted vines to create a “grand cru” wine vs Memento Mori leveraged existing “grand cru” sitesHas had 5 100 point wines in the last 3 yearsProduced ~3,000 cases in 2025, goal is ~4,500 casesDonates $100/btl of every bottle of “The Movement,” the signature blend soldHas a guaranteed allocation group “Los Padrinos” (“the godparents”)Foundation founded to uplift 1st generation college students at StanfordBoard member, Memento Mori founder, and friend Adriel Lares went to Stanford191 students in the program now, admit 50 students/year of ~100 applicantsGive each student $5k/year for last dollar scholarships, provide mentorship, and leadership offsitesHas raised ~$6.5M to date, ~$500k from “The Movement” (goal is $100k/year); goal is $3-4M/yearWants to raise ~$2M/year from corporate donorsCosts ~$1.2M/year to run, could be $2.5M if all applicants acceptedMany VV customers have done great things and feel alignment with studentsSusana and Hayes are foundation's only employeesNapa in Cabo charity event, held by Vida Valiente3 days at the Montage in Los CabosFeatures 10 Napa wineries, e.g. - Scarecrow, Lokoya, EiseleRaised $6M, $2.3M in 20251st night meet & greet, 2nd night charity gala, 3rd night to support other wineries (sold $760k of wine for other wineries)Exploring a “Napa in Napa” eventVV marketingNot as much crossover from Memento Mori as originally thoughtNapa Valley referrals importantHospitality a big driver, including client dinners and impactful experiencesArc of 3 Napa projectsMemento Mori - “remember to live”Vida Valiente - “live a purposeful life”Ultra Mortem (at Edge Hill site) - “beyond death, do something worth remembering” Hosted on Acast. See acast.com/privacy for more information.

Itonje Søimer Guttormsen er vår spesialgjest i denne ferske episoden av Filmfrelst, og Gritt-regissøren åpner opp om arbeidet med og inspirasjonskildene bak hennes kinoaktuelle nye film Butterfly. Butterfly er en tragikomisk reise tilbake til en charterresort på Gran Canaria, der halvsøstrene Diana (Helene Bjørneby) og Lily (Renate Reinsve) vokste opp som de eneste fastboende barna. Når den grenseløse moren Vera (Lillian Müller) blir funnet død, må søstrene, som har valgt vidt forskjellige liv, vende tilbake til øya og alt de aldri har tatt tak i.  Etter verdenspremieren i Rotterdam i vinter har filmen nå endelig nådd norske kinoer. Allerede i 2021 møtte vi Søimer Guttormsen til samtale i anledning TIFF i formatet Filmprat, der hun fortalte om samarbeidet med Birgitte Larsen som ledet frem til Gritt. I Patrik Syversens podkast Split Diopter ga hun senere et åpenhjertig innblikk i arbeidet med Butterfly mens filmen ennå var i klippen, i en samtale mellom to regissørkolleger om deres kunstneriske prosesser. I dialog med Montages-redaktør Karsten Meinich i episoden nedenfor forteller filmskaperen om reisen med Butterfly – fra den første ideen ble sådd i 2008, via det første manusutkastet, frem til det ferdige verket. Hun gir oss også et innblikk i de personlige beveggrunnene bak prosjektet, og inspirasjonskildene spenner vidt: fra hennes eget søsterforhold og møtene med virkelige mennesker på Gran Canaria, til kunstnerbiografier og en «ellevill» filmklassiker hun har hatt som ledestjerne. Samtalen kommer også inn på den krevende castingprosessen, skammen og motet som følger med det å lage film, og mot slutten bekrefter hun at den mytiske fem timer lange versjonen av Gritt eksisterer – og at hun nylig har sett den på nytt. God lytting!

John Keim's Breakdown of the Game, EB was wrong about Mariota, Did the Commanders save their season?

Audio of EB's compilation of Mariota leading up the game.

Dan and Brian continue their "train" month of movies about teachers, training, and self-improvement with a look at the entire Rocky and Creed series. Come celebrate 50 years of Sylverster Stallone's epic saga as Dan and Brian go all nine rounds and discuss Rocky as an unlikely success story that claimed Best Picture among an unusually stacked class of candidates. Then they look at each of the Rocky movies one by one, lingering for a bit on Rocky IV and its generational montage sequence. Join as they discuss the terrific screenwriting of the original, the many flavors of Rocky follow-up, the surprising wholesomeness of Rocky and Adrian, the insufferable Paulie getting a cool robot, the mirror images of Rocky V and Rocky Balboa, Ryan Coogler's fresh reframing of the Rocky saga, and the duelling approaches to sequels between Creed II and III. Then, Dan and Brian rate and rank all nine films. Dan's movie reviews: http://thegoodsreviews.com/ Subscribe, join the Discord, and find us on Letterboxd: http://thegoodsfilmpodcast.com/

Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australian 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman. Produced & edited by Matty Ray. See Facebook for links to videos & songs mentioned in this episode! Email: Samantha@planet80s.com.auFacebook: the80smontagepodcast twitter: @the80smontage instagram: the80smontageRewind 80's Band - www.rewind80sband.comTickets - www.rewind80sband.comBookings - samantha@planet80s.com.auPlease Subscribe, Like, Share, Rate (Itunes please)You can join to for only $2 a month (Get On It)https://www.patreon.com/the80smontagepodcast*The views & opinions expressed in this Podcast are solely those of the individuals expressing them & do not represent the views or opinions of any third party.Where guests appear on the Podcast, their views & opinions are solely their own & do not represent the views or opinions of The 80's Montage hosts or team.The 80's Montage does not accept responsibility for the views of its guests & their appearance on this Podcast does not imply an endorsement of them or any entity they represent.*Links: Starship - Sara (Official Music Video) [HD]https://youtu.be/32ScTb6_KHg?si=We0mO3lRHGBGfUMtSharon O'Neill - Maxine (1983)https://youtu.be/c-gLnGpFagU?si=iCh9eKndfAxaZ9jElvis Costello - Veronicahttps://youtu.be/g-rF4COOd9c?si=A3ARwPiS6dEjASgQvillage people samanthahttps://youtu.be/dX2kje3CVp0?si=BRIhLGflb-ROph4iKool & The Gang - Joannahttps://youtu.be/hsklsxReSe0?si=v1wLdFYvcbBmu-PxTampax "Invitation to the Mall" Commercial (1980's)https://www.youtube.com/watch?v=KfZiV2uaE0sShakin' Stevens - Oh Juliehttps://youtu.be/6AtOcWOPT50?si=XL_VB-yWIOpD75diCindy C - Prince Black Albumhttps://www.youtube.com/watch?v=Rp4DUGK-XbI&list=RDRp4DUGK-XbI&start_radio=1Steve Perry - Oh Sherriehttps://youtu.be/5-WpsdC2-Cc?si=qSQINsnwdbmrwZeoToto - Rosanna (Official HD Video)https://youtu.be/qmOLtTGvsbM?si=caiwtn6IkyaF830EMichael Jackson - Billie Jean (Official Video)https://youtu.be/Zi_XLOBDo_Y?si=BzIa6MpDoRBRJRQBThanks For Listening!The 80's Montage Podcast

Covino & Rich share their 4 greatest memories so far at FSR! Danny G. put together an epic audio montage to walk down a funny memory lane! Plus, 'WEEKEND HOBNOBBING!' See omnystudio.com/listener for privacy information.

Listen to the Central Bank Tiger Network salute to Mike Kelly as he calls his 400th Mizzou football game tonight.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Relive the best moments from this week's Bickley and Marotta show in montage form.

Dans cet épisode de Folie Douce, je reçois la réalisatrice Jeanne Herry à l'occasion de la sortie de Garance, avec Adèle Exarchopoulos, son quatrième long métrage, distribué par StudioCanal, au cinéma actuellement. Elle y met en scène le parcours de rétablissement d'une femme atteinte d'addiction à l'alcool. Un récit subjectif, incarné, qui s'inscrit dans la lignée de son travail, obsédé par la réparation et les interdépendances. C'est un immense plaisir pour moi de la recevoir, car j'avais été, comme beaucoup d'entre nous, bouleversée par Je verrai toujours vos visages.Je suis très reconnaissante à Jeanne d'avoir parlé de fatigue, proposé une magnifique définition de l'amour et décrit sa « chambre intérieure », l'endroit où elle se retire parfois pour trier ses émotions. Elle révèle que Garance est née d'une volonté qu'elle nourrissait depuis longtemps : écrire un film sur une femme mobile, qui s'appelait dans les premières versions du scénario « l'électron libre ».Avec Hannah Arendt, Jeanne Herry présente cette mobilité comme son propre remède à l'anxiété. Elle cherche avec moi à dater la naissance de sa crainte du temps qui passe, qu'elle situe à ses 18 ans et à son départ pour Londres, où elle voulait devenir comédienne et n'était peut-être pas tout à fait à sa place. Elle nomme avec lucidité les grands privilèges que lui confère son statut de “fille de” et parle de sa façon d'être une femme de 48 ans qui élève des ados, « ces gens tellement touchants ».C'est à la toute fin de l'entretien qu'elle révèle l'existence d'une “matière biographique cachée derrière ses films”, qui lui fait du bien à elle autant qu'à nous. Bonne écoute.Garance est un film distribué par Studiocanal, le partenaire de cet épisode, actuellement au cinéma.Crédit photo : Patricia Khan.

Mes retours, conseils et nuances sur "ce-nest-pas-le-role-de-ta-partenaire-de-te-donner-du-sexe" tiré du post @danykoneSponsor de cet épisode : www.hedonx.com, Retrouvez toutes les spécifications techniques et demandez vos échantillons professionnels sur hedonx.com/pro IG: hedonxofficial https://www.instagram.com/hedonxofficialLinkedIn https://www.linkedin.com/company/hedonx/ https://theartofintimacyrituals.com/discover PS : après enregistrement, on m'a dit que son texte était écrit entièrement par ChatGPT/IA. Je ne sais pas si c'est le cas ou pas. En tout cas, mes avis sont bien de moi, Camille Bataillon, une humaine :)Compte instagram : @camilleparlesexe -// Site internet : www.camillebataillon.comPréparation, Montage, Communication : Camille BataillonVisuel by Laforet Designer -/-

Elle a dansé avec des stars : Madonna, Stromae, Demi Moore... La chorégraphe Marion Motin s'inquiète de l'arrivée de la ménopause et se demande quelle place on fait aux femmes après 45 ans. Avec Claire Fournier, elle parle d'accepter son visage, son corps qui change et de l'importance de bouger et de danser, à tout âge. CRÉDITS : Chaud Dedans est un podcast Binge Audio. Il est écrit et présenté par Claire Fournier. Réalisation : Octave Bothier. Montage et habillage vidéo : Julien Dubus. Production et édition : Aude Miquel. Direction de production : Albane Fily. Communication : Lise Niederkorn. Identité sonore Binge Audio : Jean-Benoît Dunckel (musique) et Bonnie El Bokeili (voix). Direction artistique : Garance Poisson et Jocelyn Besnard. Identité graphique : Upian. Direction générale : Joël RonezHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Après l'artisan isolé dans son atelier qui fabrique et répare des roues, le monteur spécialisé qui a touché aux montages pour une équipe du WorldTour, l'industriel qui a développé sa marque, je vous invite à découvrir ce que propose Canyon qui a décidé d'associer ingénierie, innovation et intégration de ses composants dans une approche globale.Pour cette découverte, j'ai contacté Maxime Brunand, chef de produit chez le constructeur allemand, qui travaille pour cette fonction transverse avec les autres chefs de produits vélo de la marque.Infos sur : https://www.canyon.com/fr-fr/accessoires-velo/composants/pneus-chambres-a-air/wheels/•Répondre•Ajouter un lien comme pièce jointeHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

La rentrée littéraire et politique 2026 a vu l'amitié émerger dans les débats, grâce au livre de Clémence Guetté (députée LFI, La France Insoumise) "Pour une politique de l'amitié" (éditions La Découverte). En octobre sortira l'ouvrage collectif "Autant que l'amour : 7 autrices racontent la puissance, la joie et les tempête de l'amitié" (éditions l'Iconoclaste). Je suis très heureuse que le sujet ait de plus en plus d'espace médiatique, puisque j'en parle au micro avec mes invités depuis le début !L'occasion de découvrir ou redécouvrir, l'épisode 79, diffusé en février 2024, dédié à l'amitié. Alice Raybaud, journaliste au Monde, a publié en janvier 2024 "Nos puissantes amitiés" (éditions de La Découverte). Un livre qui célèbre ces liens forts, structurants. Imaginez votre vie sans vos amis, sans ces personnes qui vous ont soutenu, fait rire, bouleversé. Parfois on n'a pas besoin d'imaginer, car on a déjà vécu le deuil, ou la séparation amicale.Pour les célibataires, tout particulièrement, ces relations sont précieuses. La hiérarchie relationnelle qui consiste à dire que l'amoureux, l'amoureuse, est plus important que nos amis, s'avère souvent absurde. Les premiers passent dans nos vies, les autres restent. Comment chérir ces amitiés ? Pourquoi les amitiés masculines hétéro restent à la surface (souvent) quand on les compare aux amitiés féminines ? Pour les personnes LGBTQIA+, les amitiés compensent souvent une famille pas toujours à l'écoute, voire toxique. Comment vieillir ensemble ? Compter sur l'aide de nos amis, est souvent plus réaliste que compter sur notre famille. Où habiter ? Et lorsque les enfants arrivent, les amis seront de précieux alliés. Autant de sujets traités dans le livre, qu'on a pu aborder dans cet épisode. Bonne écoute ! Si vous voulez soutenir Single Jungle, avec un don en une seule fois, j'ai ouvert un Tipeee : https://fr.tipeee.com/single-jungle. J'ai suivi le conseil d'auditrices et d'auditeurs qui ont proposé de participer à la hauteur de leurs moyens, ponctuellement, aux frais des épisodes (prise de son/montage). Merci aux premières personnes qui ont participé ! Retrouvez Alice Raybaud sur les réseaux sociauxInstagram : https://www.instagram.com/raybaudalice/ En librairies : "Nos puissantes amitiés" d'Alice Raybaud, éditions de la Découverte https://www.placedeslibraires.fr/livre/9782348079702-nos-puissantes-amities-alice-raybaud/Résumé du livre : "On aime à se dire qu'elle est essentielle. Mais, en réalité, l'amitié est souvent raillée, considérée comme futile ou invisibilisée. Dans les films, les livres, les imaginaires et les récits que l'on fait de nos parcours, elle passe presque toujours à l'arrière-plan : la jeunesse terminée, elle devrait s'éclipser au profit du couple et de la famille. Elle est ce lien que l'on sacrifie volontiers les années passant, quitte à abandonner une petite part de soi avec. Mais pourquoi le couple romantique représenterait-il l'unique façon de cheminer avec d'autres dans l'existence ?Depuis quelques années, de plus en plus de personnes décident de revendiquer leurs amitiés et de s'engager pleinement dans ces relations. Elles y découvrent des lieux de joie, mais aussi de solidarité et de résistance face aux aliénations du système patriarcal, capitaliste et dans une période de grande incertitude écologique. Hétéros ou queers, entre femmes, entre hommes ou dans des groupes mixtes, elles et ils sont nombreux à réinventer, entre ami.es, des manières de militer, d'habiter, de consommer, de faire famille, de vieillir ensemble et, finalement, de prendre soin les un.es des autres.Mobilisant de nombreux entretiens, des références culturelles, des études sociologiques aussi bien que des textes philosophiques, Alice Raybaud montre que l'amitié porte une dimension libératrice puissante, qu'elle peut être une force de dissidence et d'émancipation. Elle appelle ainsi à réinventer ce lien, intime et politique, et à remettre nos amitiés au centre de nos vies." Références citées dans l'épisode ou en bonus (à suivre) "Nos solitudes : Déjouer les politiques de l'isolement" d'Alice Raybaud (éditions de la découverte) : https://www.placedeslibraires.fr/livre/9782348090356-nos-solitudes-dejouer-les-politiques-de-l-isolement-alice-raybaud/ "Elles vécurent heureuses : L'amitié entre femmes comme idéal de vie" de Johanna Cincinatis (éditions Points) "S'engager en amitié" de Camille Toffoli (éditions Écosociété Radar), à écouter dans l'épisode de Sologamie, par Marie Albert https://shows.acast.com/sologamie/episodes/sengager-en-amitie-avec-camille-toffoli "3, une aspiration au dehors" de Geoffroy de Lagasnerie (éditions Flammarion) AVERTISSEMENT IMPORTANT : Ne jamais s'inscrire sur une application ou site de rencontres payant sans 1) lire les avis sur Google (Play store) ou Apple (App store) 2) lire les conditions tarifaires de l'abonnement. Ainsi je vous déconseille fortement le site PARSHIP, qui pratique l'extorsion : on ne peut pas résilier avant 1 an obligatoire, même si on n'utilise plus le service, qui n'est pas satisfaisant, car très peu de personnes dans votre région. Le service client n'a que mépris pour les clients et le service communication ne veut rien entendre (un comble), aucun arrangement possible. Donc évitez-vous une dépense inutile. Episode enregistré en février 2024, à Paris, dans les locaux de la rédaction du Monde, merci à Alice Raybaud et ses collègues pour leur hospitalitéMontage et mixage : Isabelle FieldMusique : Générique de "Manimal", virgules sonores : Edouard JoguetLogo conçu par Lynda Mac-ConnellHébergement : Podcloud

Trump just put the Iran question on the table in language nobody in Washington wanted on tape: “When do I blow the entire nation up?” The options he named are not think-tank fog. Make a deal. Let Iran rot under the naval blockade. Or wipe the regime out. Last week, he told Axios a big decision was coming on whether to annihilate Iran's government. Now he's saying very big things are coming in the not-so-distant future — and he cut Camp David short, coming back to the White House a day early to sit with it. Iranian officials are headed to New York for the U.N. General Assembly. Trump says he'd probably be open to meeting President Masoud Pezeshkian. He also says Tehran keeps sending people who cannot close a deal, and some of them are “hiding like rats.” Meanwhile the blockade is still squeezing a battered economy, CENTCOM has escorted a billion barrels of crude through the Strait of Hormuz, Houthis fired a ballistic missile toward Riyadh, and the State Department quietly warned Americans about sudden escalation and airspace closures. Pat also covered: CENTCOM moved one billion barrels through the Strait of Hormuz. Iran exported zero. Did Ed Sheeran just bend the knee to the rage mob? UFO over Tehran. Is America flying tech we won't admit we have? Karl Rove gets the state of the Republican Party wrong. Again. Talarico is up six on Paxton. Is Texas about to send a beta male to the Senate? Would you take a deal with this regime after that warning? If Trump picks “wipe them out,” is that strength — or a war you actually want? If you want unfiltered truth and commonsense analysis that cuts through the noise, hit subscribe and turn on notifications. 00:00 Pat Gray UNLEASHED! 00:21 BYU News 08:37 Trey Yingst on Trump's Words regarding Iran Yesterday 12:39 Election in Russia Amidst Conflict with Ukraine 14:30 Are We in World War III? 16:13 One Billion Barrels of Oil Pass Through the Strait of Hormuz 17:05 Gas / Oil Prices 18:51 ~40% of American Men are Not Looking for a Job?! 21:04 Political Ads: Ken Paxton VS. James Talarico 30:51 Will Republicans get Steamrolled in the Midterms? 34:08 Fat Five 43:04 Bill Maher VS. Ana Kasparian on Islam 50:26 Barack Obama on the White House Banning CNN 51:41 FLASHBACK: Brian Stelter on White House Access in 2013 55:07 FLASHBACK: Brian Stelter on White House Access in 2021 56:26 Montage of People Wanting Trump Banned from Twitter / X 1:04:45 Rainbow Lights Spotted in the Skies above Iran? 1:12:18 Karl Rove on the State of the Republican Party 1:23:13 George W. Bush on Islam & 9/11 1:27:18 President Trump's Busy Schedule 1:30:52 Maura Healey on New Parents Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australian 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman. Produced & edited by Matty Ray. See Facebook for links to videos & songs mentioned in this episode! Email: Samantha@planet80s.com.auFacebook: the80smontagepodcast twitter: @the80smontage instagram: the80smontageRewind 80's Band - www.rewind80sband.comTickets - www.rewind80smixtape.com.auBookings - samantha@planet80s.com.auPlease Subscribe, Like, Share, Rate (Itunes please)You can join to for only $2 a month (Get On It)https://www.patreon.com/the80smontagepodcast*The views & opinions expressed in this Podcast are solely those of the individuals expressing them & do not represent the views or opinions of any third party.Where guests appear on the Podcast, their views & opinions are solely their own & do not represent the views or opinions of The 80's Montage hosts or team.The 80's Montage does not accept responsibility for the views of its guests & their appearance on this Podcast does not imply an endorsement of them or any entity they represent.*Links: 867-5309 / Jennyhttps://youtu.be/tHL2XeuA6Yg?si=6QWyMNq07Z_UePbBAnna Stesia - Prince / Visual Music - liolihttps://youtu.be/3KbAqXV-9DE?si=C_0ZoyrCcuuHj0P6Steve Winwood - Valeriehttps://youtu.be/cbKNICg-REA?si=tiZ93HeGTXLGVfOjLaura Branigan - Gloria (Official Music Video)https://youtu.be/nNEb2k_EmMg?si=h4nz1T1ftYsvst0QDexys Midnight Runners, Kevin Rowland - Come On Eileen (1982 Version)https://youtu.be/6BODDyZRF6A?si=xI1AEU6JR_D6aDivSade - Jezebel (Live 2011)https://youtu.be/yK3IlV3l9xY?si=5kgL_5YoOVZEyEqkElton John - Nikita https://youtu.be/Tg-Q-Acv4qs?si=sBuMimIKZC2Kt3HRichard Marx - Angeliahttps://youtu.be/lfsRdvqV2-E?si=ODpb1aYYc--J4f4eMr. Mister - Kyrie (Official Video)https://youtu.be/9NDjt4FzFWY?si=L5JtPx9t2izULHv7Thanks For Listening!The 80's Montage Podcast

Relive the best moments from this week's Bickley and Marotta show in montage form.

We had ideas for topics for this episode, but things got weird…

Régulièrement, l'équipe de Folie Douce partage avec vous les extraits les plus marquants des épisodes du podcast. Aujourd'hui, on vous propose de réécouter l'autrice et militante Louisa Yousfi.Dans cet extrait, Louisa Yousfi évoque le motif du trou, central dans son livre La Grande Méthode, qui symbolise l'endroit du sacré, inatteignable. Une manière de se demander comment transmettre lorsque l'héritage a été interrompu. Je n'en étais pas à la page 50 de La Grande Méthode de Louisa Yousfi que je savais qu'il fallait que je la reçoive dans Folie Douce. J'ai été cueillie telle une cerise mûre à chaque lecture de ce texte qui relève autant du journal de bord que du livre sacré, oscillant entre la spiritualité la plus élevée et l'odeur de café brûlé d'un local militant la veille d'une manif.Louisa Yousfi est journaliste de formation, militante décoloniale et écrivaine. Depuis l'enfance, elle passe sa vie à “chercher le bon mot” et semble presque subir “une sophistication de la pensée qui est une incapacité à juste vivre”. Elle dédie son livre à sa mère, “qui n'en ferait pas toute une histoire”.Elle qui a secoué le monde des essais politiques avec son premier livre, Rester barbare (2022), embrasse ici le deuil d'un père, et un voyage funéraire vers l'Algérie qui convoque à la fois l'histoire familiale et coloniale.Avec Louisa Yousfi, nous parlons de la catastrophe imminente, du fascisme, de la guerre, de ce que ça fait d'élever deux garçons arabes dans un monde dans lequel “elle n'a aucune confiance” et de la transmission des luttes, comme son père lui a transmis le mot “Palestine”, avec sa force et sa magie.Elle dit qu'elle a l'impression de “comparaître” quand elle doit expliquer son geste créatif aux médias. Mais elle parle si bien de son geste d'écriture en "spirale autour d'un lieu" qui est "un grand secret, un silence, un trou", autour duquel il faut danser. Elle préfère rendre politique ce que d'autres décriraient comme psychique et propose d'affronter la noirceur de l'avenir "comme une grande épreuve qu'on traverse en retenant son souffle", plutôt que de l'aborder en "petites monades fragiles et vulnérables". C'est peut-être ça, sa Grande Méthode. Bonne écoute et partagez en masse sur les réseaux, commentez et likez pour aider Folie Douce à essaimer !Photo : Anthony Francin/La fabrique éditions

The Storm Skiing Journal and Podcast likes it when ski areas are run by people who are good at running ski areas. Please subscribe to the email newsletter to get new posts the moment they're live. Thank you for supporting independent ski journalism.About CamelbackOwned by: EPR Properties, managed by Peregrine Hospitality (formerly KSL Resorts)Located in: Tannersville, PennsylvaniaYear founded: 1963Pass affiliations:* Ikon Pass: 7 days, no blackouts* Ikon Base Pass: 5 days, holiday blackoutsClosest neighboring ski areas: Shawnee Mountain (:24), Jack Frost (:26), Big Boulder (:27), Skytop Lodge (:29), Saw Creek (:37), Blue Mountain (:41), Pocono Ranchlands (:43), Montage (:44), Hideout (:51), Elk Mountain (1:05), Bear Creek (1:09), Ski Big Bear (1:16)Base elevation: 1,252 feetSummit elevation: 2,079 feetVertical drop: 827 feetSkiable Acres: 166Average annual snowfall: 50 inchesTrail count: 45, with three new trails for 2026-27 (not on the map below, but discussed on the podcast)Lift count: 12 (1 high-speed six-pack, 1 high-speed quad, 1 fixed-grip quad, 2 triples, 2 doubles, 5 carpets – view Lift Blog's inventory of Camelback's lift fleet)For reference:The Zoom transcript (click “transcript” above for the Substack transcript, then click on any text block to teleport to the associated point in the video; timestamps below DO NOT MATCH THE VIDEO)00:03:25.000 --> 00:03:37.000Stuart Winchester: Welcome to The Storm! I'm your host, Stuart Winchester. Today is Wednesday, September 16th, 2026, and I've got a really good show for you today.00:03:37.000 --> 00:03:45.000Stuart Winchester: we're going to talk some Pennsylvania skiing. And Pennsylvania skiing is a really interesting thing. As I travel around the country.00:03:45.000 --> 00:03:56.000Stuart Winchester: and ski at all these different places in the Midwest, and out West, and in New England, and in the Mid-Atlantic. Uh, and as I talk to folks who… who don't ski that much, or only ski at the big mountains.00:03:56.000 --> 00:04:05.000Stuart Winchester: I'll often bring up some experience I had at a Pennsylvania ski area. Pennsylvania has quite a few ski areas as 21.00:04:05.000 --> 00:04:20.000Stuart Winchester: public chairlift-served ski areas, and it does 2.6 million skier visits on average per year. That is more than any state except for Colorado, California, Utah, Vermont, and New York.00:04:20.000 --> 00:04:26.000Stuart Winchester: It's more than Washington, it's more than Oregon, it's more than Montana, it's more than New.00:04:26.000 --> 00:04:39.000Stuart Winchester: So, Pennsylvania is a really important ski state, which is probably why Vail Resorts owns 8 ski areas there, because it is really close to a lot of population centers. In western PA, you have Pittsburgh.00:04:39.000 --> 00:04:54.000Stuart Winchester: and Seven Springs, and Laurel, and Hidden Valley, and then you have Philadelphia on the east side, and you can also draw up from Baltimore and D.C. for Round Top and Whitetail. And uh…00:04:54.000 --> 00:04:57.000Stuart Winchester: And Jack Frost's Big Boulder up in the Poconos. So…00:04:58.000 --> 00:05:00.000Stuart Winchester: Vail has a big presence there.00:05:00.000 --> 00:05:15.000Stuart Winchester: Icon has a presence there with Camelback and Blue Mountain. Uh, and then Indy Pass just signed their 8th ski area in Pennsylvania with Spring Mountain, uh, down near Philadelphia. So, so it's, it's a place where a lot of skiers start.00:05:15.000 --> 00:05:19.000Stuart Winchester: And it's a little bit of a funny place to ski, because…00:05:19.000 --> 00:05:29.000Stuart Winchester: it tends to have an outsized number of novice skiers, which is great. They're very good at doing that. Uh, but it can make it a little chaotic.00:05:29.000 --> 00:05:38.000Stuart Winchester: And the lift lines can get a little crazy, and people are all over the hill, and sometimes they're walking down the hill because they're frustrated and they're giving up.00:05:38.000 --> 00:05:40.000Stuart Winchester: Uh, and…00:05:40.000 --> 00:05:44.000Stuart Winchester: You take that as your baseline in Pennsylvania.00:05:44.000 --> 00:05:49.000Stuart Winchester: And you had any sort of complications.00:05:49.000 --> 00:05:54.000Stuart Winchester: And things get out of hand really quickly. And in general.00:05:55.000 --> 00:06:00.000Stuart Winchester: For that reason, the ski areas that have survived in Pennsylvania.00:06:00.000 --> 00:06:07.000Stuart Winchester: are among the best operators in the world, and I would put that up against anyone.00:06:07.000 --> 00:06:14.000Stuart Winchester: It's a very, very challenging environment, not only because you have a high number of novice skiers.00:06:14.000 --> 00:06:17.000Stuart Winchester: Uh, but also because you have…00:06:17.000 --> 00:06:31.000Stuart Winchester: not a ton of snow, sometimes in the west part of the state, where there's higher elevation, they do get a lot of snow, but… but not as a rule, you couldn't count on it for natural snow. Uh, you get a lot of rain, you get a lot of warm-ups.00:06:31.000 --> 00:06:35.000Stuart Winchester: Uh, and… and you, in general, have to rely on…00:06:35.000 --> 00:06:42.000Stuart Winchester: a very short season, generally mid-December-ish to mid-March-ish.00:06:42.000 --> 00:06:45.000Stuart Winchester: And the skiers there…00:06:47.000 --> 00:06:52.000Stuart Winchester: They're they're accustomed to a pretty high standard, so.00:06:52.000 --> 00:06:57.000Stuart Winchester: So when things do get out of control, uh…00:06:57.000 --> 00:07:04.000Stuart Winchester: They really rebelled, and they really noticed. So, a couple years ago, this is what happened at Camelback. So, Camelback…00:07:05.000 --> 00:07:09.000Stuart Winchester: You know, I don't generally do ops stories, uh…00:07:09.000 --> 00:07:10.000Stuart Winchester: You know.00:07:10.000 --> 00:07:19.000Stuart Winchester: ski area didn't groom this run, or they haven't opened this lift, or, uh, you know, they usually let this bump up, but they don't, or, or…00:07:19.000 --> 00:07:27.000Stuart Winchester: you know, they… they are trying to save money, or they're being cheap. I generally don't bother with those, even though I get a lot of messages.00:07:27.000 --> 00:07:32.000Stuart Winchester: Complaining about things like that, because there's almost always a pretty good reason.00:07:32.000 --> 00:07:38.000Stuart Winchester: Uh, and it's almost always temporary, and it's really not worth the effort.00:07:38.000 --> 00:07:48.000Stuart Winchester: to write the story if I'm just writing about, you know, why Stratton or Mount Snow or Magic Mountain didn't open a certain lift on a certain day.00:07:48.000 --> 00:08:04.000Stuart Winchester: Uh, it's, it's a lot to track down and it's a lot of, uh, this person said this and the other person said that. It's just not the kind of thing that I'm want to cover with the storm, right? I want to do bigger stories. I want to do trend stories. I want to look at the culture and evolution of skiing.00:08:04.000 --> 00:08:11.000Stuart Winchester: And the passes, and all the infrastructure, and all the fun stuff. So I don't generally cover the day-to-day stuff, just because…00:08:12.000 --> 00:08:18.000Stuart Winchester: The ski areas that remain in 2026 are, for the most part, run by really good operators.00:08:18.000 --> 00:08:32.000Stuart Winchester: Uh, it… because… and they've survived. Most of the bad ski areas that were either mismanaged or were in the wrong places, they went out of business a long time ago, which is why the number of ski areas has been stable for around 25 years now in America.00:08:32.000 --> 00:08:35.000Stuart Winchester: So I but I started to notice.00:08:35.000 --> 00:08:45.000Stuart Winchester: several years ago that I was getting an outsized number of complaints around one ski area in particular in the Poconos.00:08:45.000 --> 00:08:47.000Stuart Winchester: And it was Camelback.00:08:47.000 --> 00:08:51.000Stuart Winchester: And Camelback had a long history of being an independent.00:08:51.000 --> 00:08:52.000Stuart Winchester: And…00:08:52.000 --> 00:08:54.000Stuart Winchester: Really…00:08:54.000 --> 00:08:59.000Stuart Winchester: the way it's been described to me by… by season pass holders, and I've skied…00:08:59.000 --> 00:09:04.000Stuart Winchester: some at Camelback, but I don't have that depth of knowledge of having grown up there.00:09:04.000 --> 00:09:20.000Stuart Winchester: That Camelback for a long time, for decades, set the standard on snowmaking, on grooming, on just general maintenance of lifts in the ski area in the Poconos. And that was why they had chosen to ski there all those years.00:09:20.000 --> 00:09:30.000Stuart Winchester: But things had started to fall apart when a new owner showed up in 2019. It was at the time KSL Capital, who was.00:09:30.000 --> 00:09:43.000Stuart Winchester: was managing it for EPR Properties, which is the entity that bought it, and they own a bunch of ski areas, EPR Properties, including a bunch owned by Vail, including North Star, and a lot of the old Peak Resorts in Ohio and such.00:09:43.000 --> 00:09:50.000Stuart Winchester: And KSL Resorts was a division of KSL Capital.00:09:50.000 --> 00:09:53.000Stuart Winchester: which is a part owner of Altera.00:09:53.000 --> 00:09:58.000Stuart Winchester: But for some reason, Altera, which is very good at running ski resorts.00:09:58.000 --> 00:10:00.000Stuart Winchester: did not…00:10:00.000 --> 00:10:15.000Stuart Winchester: get assigned as the… as the owner of Camelback. And when KSL Resorts purchased Blue Mountain, not in Ontario, the Blue Mountain in Pennsylvania, that's about 45 minutes from Camelback, two years later, in 2021.00:10:15.000 --> 00:10:26.000Stuart Winchester: That ski area also did not fall under Altera's ownership. And it was an odd choice to make, because Altera's really good at running ski areas, and they run…00:10:26.000 --> 00:10:35.000Stuart Winchester: Mammoth, and Deer Valley, and Steamboat, and Solitude, and Palisades Tahoe, and Stratton, and Sugarbush, and they definitely have.00:10:35.000 --> 00:10:41.000Stuart Winchester: the institutional knowledge and internal firepower to be able to run these ski areas in the Poconos.00:10:41.000 --> 00:10:43.000Stuart Winchester: Uh, Blue Mountain…00:10:43.000 --> 00:10:47.000Stuart Winchester: Had the benefit of a long time tenured management team.00:10:47.000 --> 00:11:02.000Stuart Winchester: That kept the place, by all accounts, running pretty well. Camelback, on the other hand, seemed to be falling apart before our eyes, and before the eyes of the loyalist skiers who loved the place so much. And they were really, really concerned, and I started to…00:11:02.000 --> 00:11:08.000Stuart Winchester: Because they had put, uh, a management team in place, it seemed.00:11:08.000 --> 00:11:10.000Stuart Winchester: that…00:11:11.000 --> 00:11:22.000Stuart Winchester: was not familiar with the… with the inner workings of a ski area. Uh, I… I hosted Dave Makarski, the former general manager of Kalenbach, on this podcast.00:11:22.000 --> 00:11:33.000Stuart Winchester: and very nice guy. We had a great conversation. Uh, he's not a skier. And, and, you know, sometimes you can be not a skier and run a great ski resort. Uh, look at Bill Stritzler up at Smuggler's Notch.00:11:33.000 --> 00:11:43.000Stuart Winchester: Bill hasn't skied in years, and he snowboarded for a little bit, but he's not a daily skier. Look at Shawnee.00:11:43.000 --> 00:11:54.000Stuart Winchester: that where the owner… that's one of the most modern, nice ski areas in the Poconos, uh, and the owner has not skied in decades. So, so it's not always necessary, uh, but…00:11:55.000 --> 00:12:10.000Stuart Winchester: It does help and it's certainly a benefit. So everyone I talked to, I was, I was gathering all this stuff for a story and I was gonna write about Camelback and, and it, it really seemed like it was the worst run ski area anywhere that I could find based on the amount of feedback I was getting.00:12:10.000 --> 00:12:25.000Stuart Winchester: I was gathering all this feedback from all these long-time pass holders, and then they hired a new general manager, and so I scrapped the story, but I still wanted to get it, and by all accounts, Jason Bays, who I'll bring on the podcast in a moment.00:12:25.000 --> 00:12:34.000Stuart Winchester: has really done a nice job of turning CamelBak around. So, so let's go to Jason now.00:14:09.000 --> 00:14:16.000Stuart Winchester: My guest today is the Vice President and General Manager of Camelback Ski Area in Pennsylvania.00:14:16.000 --> 00:14:26.000Stuart Winchester: Camelback runs six chairlifts, or maybe seven. I might have had a typo there. Serving 45 trails on an 827-foot vertical drop.00:14:26.000 --> 00:14:41.000Stuart Winchester: Prior to taking the top job at Camelback, he was general manager for Great Wolf Resorts around the United States. He also spent time as chief operating officer and general manager of Mountain Creek Ski Area in New Jersey and director of operations.00:14:41.000 --> 00:14:54.000Stuart Winchester: for Jay Peak, Vermont. His very first jobs as a teenager were as a lifeguard and ski instructor at Camelback. Jason Bay is my guest. Jason, welcome to the Storm. Awesome to have you. How you doing today?00:14:53.000 --> 00:15:00.000Jason Bays: Thank you, Stuart. Great to be here. I've been a listener from day one, so excited to join you.00:14:59.000 --> 00:15:14.000Stuart Winchester: I love that. I'm so hyped to hear that. I know I started with a little Northeast focus. You know, you're the… you probably know this already, but you're the second straight guest I've had on. There was a Mountain Creek alum, Chris Haggerty, on yesterday. Are you acquainted with Chris?00:15:13.000 --> 00:15:18.000Jason Bays: Yeah, Chris and I worked together, um, back in our days at Mountain Creek, great guy.00:15:17.000 --> 00:15:33.000Stuart Winchester: Yeah, yeah, I'm, uh, I'm not sure, I'm sure you're aware I'm based in New York City and Mountain Creek is one of my go-tos and, and was my home mountain before I started traveling all over the place for the storm. So, so, you know, Jason, I, I think it's awesome that you grew up at Camelback. Tal.00:15:34.000 --> 00:15:41.000Stuart Winchester: your childhood Camelback. What was the kingdom of Camelback like to you, uh, when you were growing up skiing there?00:15:40.000 --> 00:16:03.000Jason Bays: Yeah, look, I, you know, took, I grew up in Pocono Kid, born and raised 10 minutes from the resort. After school ski program was the first, you know, first sort of foray into life at Camelback and was immediately hooked in the summer as a swimming pool and two water slides. I thought that was the most awesome place in the world too.00:15:44.000 --> 00:15:45.000Stuart Winchester: Yeah.00:15:54.000 --> 00:15:55.000Stuart Winchester: Mmhm.00:16:03.000 --> 00:16:04.000Stuart Winchester: Mmhm.00:16:03.000 --> 00:16:21.000Jason Bays: And my parents thought it was a great babysitting service, you know, relative to that. So it was just an awesome, awesome place to grow up and, you know, be part of the small but mighty ski community that is Tannersville, Pennsylvania, in this area, in the Poconos.00:16:21.000 --> 00:16:39.000Jason Bays: um, you know, when it came to get a first job, uh, there's no place I was, uh, gonna consider other than Camelback. It's where all my friends were, it's where we all hung out all the time, and, um, you know, really just got introduced to, uh, to the sport, and, um, had some freedom. It was the first time I had some freedom, and it was to be at Camelback, so that's.00:16:27.000 --> 00:16:29.000Stuart Winchester: Mmhm.00:16:39.000 --> 00:16:56.000Stuart Winchester: So you worked there, and you were part of the machine, so to speak, and I realized you were sort of on the peripheral of the machine, as opposed to in the center of it, as you are now. But, you know, you grew up in the Poconos, and had that experience, and you had this vision of Camelback in your head, right? Then you went off and had a big life, as…00:16:56.000 --> 00:16:57.000Jason Bays: Yes.00:16:56.000 --> 00:17:00.000Stuart Winchester: as people do, and you went and worked at all these places that I just mentioned.00:17:00.000 --> 00:17:03.000Stuart Winchester: And then you came back to Camelback.00:17:03.000 --> 00:17:06.000Stuart Winchester: When you, when you arrived.00:17:06.000 --> 00:17:10.000Stuart Winchester: How had the place changed? And I just want to tee this up. I, you know.00:17:10.000 --> 00:17:19.000Stuart Winchester: before you came on, I was talking about how I don't generally write operations stories, right? Because it… there's usually a good reason for why a trail is closed, a lift's not running.00:17:19.000 --> 00:17:26.000Stuart Winchester: Uh, but a few years ago, I started to get an outsized number of complaints about Camelback.00:17:26.000 --> 00:17:38.000Stuart Winchester: And so I started to write a story about it, and then when you came along, I shelved it, because honestly, everyone immediately was like, oh, this is so much better. So, you know, how had…00:17:38.000 --> 00:17:41.000Stuart Winchester: Camelback changed.00:17:41.000 --> 00:17:42.000Stuart Winchester: when you…00:17:42.000 --> 00:17:44.000Stuart Winchester: Came back to work there.00:17:44.000 --> 00:17:51.000Stuart Winchester: And what were the challenges facing the resort? What did you focus on immediately?00:17:50.000 --> 00:18:08.000Jason Bays: Yeah, I'll just back up to say, you know, just to contextualize, um, from when I was there as a teenager and, um, through college on the ski team, too, I would say that community was a really big word, um, that was used all the time. You, you felt like it was, it was the Camelback community, and there's a really big emphasis on the ski product.00:18:08.000 --> 00:18:28.000Jason Bays: Um, as a ski instructor, like, what we were putting out, how we were doing lessons, how many lessons we could do, and the experience that was surrounding that. And same thing on the water park side. And, you know, I think the, um, you know, some of the observations, um, coming back to Camelback was, um, I think there's a little bit of focus, um, focus direction for, for, like, to focus on the ski product.00:18:28.000 --> 00:18:44.000Jason Bays: and focusing on the water park product, and I sort of look at it as, like, a… as Disney World, right? Whereas we fill out… if we do the ski part well, we do the snow tubing part well, we do the water park well, that puts heads in beds, um, versus trying to put heads in beds.00:18:44.000 --> 00:19:01.000Jason Bays: And then have them do the activities. We're leading with an activity front and centered focus. And that means making the strategic investments in the ski product, in our recreational product, and making that the very best that it can be.00:19:01.000 --> 00:19:23.000Jason Bays: back in 2008 when I was here as a teenager, that was all there was. There was no hotel product, right? So the ski product got outsized attention just naturally because it was a 560-acre resort that identified as a ski area and a water park. And I think some of the context that was missing was that while there's been a great evolution of Camelback as a four-season resort.00:19:15.000 --> 00:19:16.000Stuart Winchester: Mmhm.00:19:23.000 --> 00:19:40.000Jason Bays: It's really important that, to me, that each of those business units gets the time and attention that they would deserve if they were stand-alone units, particularly because a cog… it's a cog in the wheel, and that wheel is… it's a flywheel. It needs to… it all needs to turn at once, and so we lead with.00:19:40.000 --> 00:19:43.000Jason Bays: the recreational offerings first.00:19:43.000 --> 00:19:48.000Stuart Winchester: You know, you mentioned the community, and I wasn't aware…00:19:48.000 --> 00:19:59.000Stuart Winchester: that there was such a strong community around Camelback, and I'm not surprised, because most ski areas have that group of folks who, you know, they're retirees, and they boot up at 8am, and they take runs together.00:19:59.000 --> 00:20:14.000Stuart Winchester: But they were really passionate, and the running theme, Jason, in the emails and messages that I got from Camelback locals was that they loved Camelback. It wasn't that they hated Camelback, they hated to complain about Camelback.00:20:14.000 --> 00:20:18.000Stuart Winchester: They wanted to love it, but they couldn't. There was there was.00:20:18.000 --> 00:20:34.000Stuart Winchester: a lot of things they cited, uh, not making snowmaking when it's cold, understaffed grooming, uh, missed lift inspections. I don't know if this is true. This is what people were… they were reaching, I think, for answers. Uh, put it all together, and there was… it was definitely…00:20:34.000 --> 00:20:47.000Stuart Winchester: seemed as though the ski product was not the focus. So when you came in, what did you focus on right away and say, okay, this is what we gotta change, you know, we have to cover every trail 100% right away, or whatever it was?00:20:47.000 --> 00:21:09.000Jason Bays: Yeah, I think that's, look, I would start, you hit the nail on the head that there's a very passionate skiing community here at Camelback and in the Poconos and it means a lot to people. This is second, third generations that are learning to ski here, bring their families here and be part of this. And to your point, everyone wants to be prideful of Camelback, right?00:21:09.000 --> 00:21:24.000Jason Bays: This was the, this was family run for a really long time and, you know, very focused on sort of the, you know, season pass holders renewing year after year.00:21:24.000 --> 00:21:40.000Jason Bays: You know, a couple of things. One is I think that how we authentically tell our story isn't done in a way that is, you know, is done in a way that's authentic. A, bringing back the Camelback Mountain Facebook page that communicated ski related content.00:21:38.000 --> 00:21:39.000Stuart Winchester: Yeah.00:21:40.000 --> 00:22:06.000Jason Bays: Right? I think that, you know, there's only so many things you can say about a hotel room and how exciting it is. Like, we really lead now first with authentically telling the story. Our snow report got a lot more detailed, gave granular information as to what was going on. So, you know, did we have a perfect winter last winter? By all means, no, but we communicated that authentically. And where we messed up, we took.00:22:06.000 --> 00:22:23.000Jason Bays: the blame for it, and said, hey, we didn't get this right, and where we were working to improve the experience, we communicated that… communicated that story. So, to me, it started from a communication standpoint, that we were authentic, that we were honest, that we were truthful, and that we were communicating on a medium that.00:22:23.000 --> 00:22:31.000Jason Bays: our guests would see, um, and relate to. So I think a big miss was, I think, admittedly, a big miss was removing the, um, Camelback Mountain.00:22:31.000 --> 00:22:53.000Jason Bays: social media pages, um, and bringing those back were really important so that, um, we could tell the story authentically. I think SKUs really appreciate, um, knowing what's going on, and to your point on, hey, there's sort of this rumor flying or that rumor flying, um, you know, we were able to, uh, sort of hone in and, and tell, tell that story. Secondarily, I think from an infrastructure standpoint.00:22:53.000 --> 00:23:09.000Jason Bays: um, we really needed to make sure that we had, um, the right team in place. And we have an amazingly talented team at Camelback, um, but we did not have key positions filled, um, in certain areas. Um, and so, we bolstered up the snowmaking. Snowmaking team went from.00:23:04.000 --> 00:23:05.000Stuart Winchester: Mmhm.00:23:06.000 --> 00:23:08.000Stuart Winchester: Like, what areas?00:23:09.000 --> 00:23:30.000Jason Bays: you know, 3 to 4 to 30, um, this past winter, um, that makes a big difference, right? Our trail rollout was, um, you know, first to open in the East, uh, for Pennsylvania, um, and, uh, um, and, and focus on the core products. Um, same thing with lift operations. We brought in a really experienced lift, uh, maintenance manager.00:23:12.000 --> 00:23:13.000Stuart Winchester: Hey!00:23:13.000 --> 00:23:14.000Stuart Winchester: Wow.00:23:14.000 --> 00:23:16.000Stuart Winchester: Yeah.00:23:20.000 --> 00:23:21.000Stuart Winchester: Yep.00:23:30.000 --> 00:23:46.000Jason Bays: Um, to our team that really helped, um, support our Lyft, um, uh, operation. Um, decisions on when Lyfts ran and what time they ran, uh, you know, our thought was, let's, um, be more… like, you have to run the Terrain Park Lyft every day.00:23:46.000 --> 00:23:47.000Stuart Winchester: Mmhm.00:23:46.000 --> 00:24:06.000Jason Bays: to me, that's a commitment. We make that every day. We say we're running the Glen Lift every day. It services great novice terrain. It services the train park. And so, looking at the operational plan and saying, okay, what are ways that we can give back, you know, and make deposits back to our skiers? And in turn.00:24:06.000 --> 00:24:24.000Jason Bays: that builds momentum, right? People talk, and, like, the ski community is so connected, right? It's like, if you do something, like, people find out about it, because they're really, you know, they hear about it. And so, for us, focus on the core business was, um, you know, from a ski standpoint, was really important, and the infrastructure.00:24:12.000 --> 00:24:13.000Stuart Winchester: Right.00:24:17.000 --> 00:24:19.000Stuart Winchester: Mmhm.00:24:24.000 --> 00:24:41.000Jason Bays: to be able to do it. And I would just, lastly, just say I go back to making sure that our team had the resources to do their job. We're supported, we're empowered, collaborative leadership, you know, we sat around the table and said, this is the operating plan, this is what we're going to do for our guests.00:24:41.000 --> 00:24:46.000Jason Bays: And then go out and execute it to the best we can.00:24:45.000 --> 00:25:03.000Stuart Winchester: You know, Jason, I, I, I think you could have run for governor with one of the first things that you did, which was get rid of paid parking. I, I, I don't think that I've ever, uh, heard people happier about anything. Now, now, and let me, let me qualify this, right? I think in, in some instances, paid parking and parking reservations.00:25:03.000 --> 00:25:05.000Stuart Winchester: make sense.00:25:05.000 --> 00:25:18.000Stuart Winchester: you know, super high volume days. Arapahoe Basin, I think, is a model in Colorado where they only charge for certain days and certain times, and they keep backing off which days as they learn when they really need it. Camelback was charging every day.00:25:18.000 --> 00:25:36.000Stuart Winchester: All day, you know, a Monday with, you know, 10 people on the mountain, they were charging for it. And, you know, acknowledging that sometimes it's appropriate, I think Camelback got pretty out of hand with it, and when I had Mr. Markowski on the podcast, great guy, we had a great conversation, but he was not backing off that. He said, nope, paid parking.00:25:36.000 --> 00:25:51.000Stuart Winchester: we're all in. You said no. So talk about that and how you sold. I'd imagine it was a revenue stream, right? And you had to sell management on that, and I don't know if I'm giving you credit for something someone else did, but talk to us about parking and the evolution there.00:25:51.000 --> 00:26:12.000Jason Bays: Yeah, that was a week one decision from the Camelback team when I got here made from our leadership team at Camelback that everyone was in alignment on our senior leadership team here at the property and myself to remove the paid parking. And I think definitely there's actually you have so many nice pictures behind you.00:26:12.000 --> 00:26:30.000Jason Bays: I have a picture of the old paid parking sign behind me there, if you can see it on the corner, and it actually serves to me as a reminder of the guest experience, because someone's put a sticker on that paid parking sign that you probably can't see there, but it says, Ski Camelback, we're not happy until you're not happy.00:26:15.000 --> 00:26:19.000Stuart Winchester: Yeah.00:26:30.000 --> 00:26:48.000Jason Bays: Um, and it's a reminder to, to me and our team, um, that we're here to have fun, and we're here for the guest experience, and we're here to live, live and breathe fun Camelback style. This is not a, um, you know, we want guests to look forward to, to being here. And I think, you know, yes, there was.00:26:37.000 --> 00:26:38.000Stuart Winchester: Mmhm.00:26:48.000 --> 00:27:05.000Jason Bays: So obviously we ran a financial model. We didn't just, you know, get rid of paid parking and not assume, you know, that there wasn't some revenue to be recaptured elsewhere with a strategy to do it. But I think more importantly, you know, think about it.00:27:05.000 --> 00:27:22.000Jason Bays: a non-busy day, it might even be raining, it's 40 degrees, the last thing you want is someone running around a parking lot telling you, like, hey, I need you to hand over $15, and by the way, then you're gonna schlep your stuff up two different levels of parking, um, you know, that might be even charged higher, and then get to.00:27:18.000 --> 00:27:19.000Stuart Winchester: Mmhm.00:27:22.000 --> 00:27:38.000Jason Bays: uh, the mountain and go to guest services. You know, I have a 3-year-old. If my wife and I went skiing, that would be an incredible amount of friction, um, just to get to, uh, the front of the mountain. And so I think putting ourselves in the guest lens of saying, is that really what we want the guests to experience?00:27:29.000 --> 00:27:30.000Stuart Winchester: Mmhm.00:27:38.000 --> 00:27:53.000Jason Bays: Um, it's not, and, and it was a burden to everyone at this, you know, you think I'm talking about, we talked to frontline associates too, like, the first thing that they had to tell people was that they had to pay for parking. You just imagine, sort of, the cascading effect that, that, that, uh, that that had, and we said, look, is there.00:27:53.000 --> 00:28:09.000Jason Bays: Um, is there a better way? Um, can we run shuttles to these lots and pick people up and bring them to the mountain and make them feel, um, you know, like our valued… like our valued guests? What does that arrival experience look like? Um, you know, that's really what we… what we looked at, and then said, okay.00:28:09.000 --> 00:28:25.000Jason Bays: can we… ultimately, will we drive more volume here? Will more people come because of a better guest experience? And I'll say that I would rather grow the sport, grow the industry. Our team would rather grow the sport and grow the industry than figuring out how to.00:28:25.000 --> 00:28:35.000Jason Bays: You know, sort of, you know, run a secondary ancillary business that's not to our core product and what we want our guests to experience here.00:28:34.000 --> 00:28:48.000Stuart Winchester: You know, it's a little counterintuitive, but sometimes, by removing a revenue stream, you get that less-is-more effect. Another example, your season pass, you know, according to my records.00:28:48.000 --> 00:29:04.000Stuart Winchester: Starting in 2020 to ‘21, the season pass was $599 at its early bird price, and it hovered between that and $649 for the next five years. This year, you put it on sale for $399. It's still at that price for unlimited Camelback.00:29:04.000 --> 00:29:20.000Stuart Winchester: That's a great bargain for, uh, for a season pass on the East Coast, and, you know, for the listeners, you are competing with the Epic Pass, which has Jack Frost, Big Boulder, right down the road, a couple exits down I-80, and their Northeast season pass is pretty affordable, and it's a pretty good deal.00:29:20.000 --> 00:29:33.000Stuart Winchester: So… so talk to us about that decision and… and… and how… how that $399 is worth it. You also wrote back, if you want to talk about, uh, the… the triple pack. I thought that was great, and I don't have the price right in front of me, but… but you've really done a lot to… to…00:29:33.000 --> 00:29:39.000Stuart Winchester: create more of a value experience for that loyal Camelback skier, from my point of view.00:29:39.000 --> 00:29:55.000Jason Bays: Yeah, thank you, and that's definitely the goal. Um, you know, I think our thought process here is let's get more people on Snow, um, and have them have a great experience while they're here. Um, I would love to tell you that there's some master business plan behind this.00:29:50.000 --> 00:29:52.000Stuart Winchester: Mmhm.00:29:55.000 --> 00:30:10.000Jason Bays: But, you know, truly, at the heart of what we do is, let's figure out how to get more people on snow, get them to a spot where they want to come back and learn and be part of it. And guess what I would just share to that is.00:30:10.000 --> 00:30:24.000Jason Bays: you know, we were charging a day ticket in 2025 of $169, um, at its highest point, right? And I would rather have a lifelong… I would rather have one per… I would much rather, I think from business proposition, we would rather have.00:30:16.000 --> 00:30:17.000Stuart Winchester: Mmhm.00:30:24.000 --> 00:30:39.000Jason Bays: one person definitely not come and spend $15 to $40 to park and $169 and say, I'm never coming back, versus $399, now they're like, wow, this place is awesome, I'm getting a great value, I bring my family.00:30:32.000 --> 00:30:33.000Stuart Winchester: Damn.00:30:39.000 --> 00:31:01.000Jason Bays: I want to come enjoy food and beverage. And hey, by the way, we also have this great snow tubing park and this great water park. And would you like to stay at our hotel when you come with your season pass and enjoy Aquatopia? And we're debuting The Curse of Camelback this fall, right? Which is the Halloween, if you haven't heard, it's a Halloween 13 scare zones. Take a chair, lift up to it.00:31:01.000 --> 00:31:03.000Stuart Winchester: Mmhm.00:31:01.000 --> 00:31:24.000Jason Bays: But I say all that to say we've got so many great cross marketing promotional opportunities at Camelback that that really becomes a super compelling business case for us. And I think it's the right thing to do for the sport is grow it, make it more accessible, allow more people to come here and see what we have to offer. I can't tell you how many people I meet, whether it's snow tubing, skiing.00:31:24.000 --> 00:31:41.000Jason Bays: water park, the hotel, whatever they're here for, CBKMA or Adventure Park, they have no idea that the other part exists to, um, the resort. And I'll share that that's been the case even in, like, when I was, uh, at Jay Peak running the water park.00:31:32.000 --> 00:31:34.000Stuart Winchester: Hmm. Okay.00:31:41.000 --> 00:31:43.000Jason Bays: People would come there, and they'd be like.00:31:43.000 --> 00:32:02.000Jason Bays: what is this mountain that is here? And it's Jay Peak, like, one of the most hardcore ski resorts in the world. And there were people that were coming there and were like, I had no idea there was a ski resort here. So, if it's true at Jay Peak, it certainly is true at Camelback, where.00:31:48.000 --> 00:31:49.000Stuart Winchester: Right.00:31:49.000 --> 00:31:52.000Stuart Winchester: Yeah.00:31:52.000 --> 00:31:53.000Stuart Winchester: Yeah, thank you.00:31:59.000 --> 00:32:00.000Stuart Winchester: Mm-hmm.00:32:01.000 --> 00:32:02.000Stuart Winchester: Yeah, okay.00:32:02.000 --> 00:32:19.000Jason Bays: we have all these different offerings that people don't know about, maybe necessarily about all of them, so our fundamental business philosophy is make it accessible, make them lifelong, um, skiers and riders, and introduce them to everything that we have to offer here in the Poconos. And I would just argue, when I say Poconos.00:32:19.000 --> 00:32:41.000Jason Bays: Like go, like experience Shawnee and experience Jack Frost Big Boulder and experience, you know, the other great ski areas in this region and Mountain Creek and wherever else and get a flavor for it. I think that's, we could use more skiers in the industry and to grow the sport. So for us, that's sort of the long-term business model that we're using.00:32:22.000 --> 00:32:23.000Stuart Winchester: Mmhm.00:32:41.000 --> 00:32:58.000Stuart Winchester: So, I just looked at the triple ticket, and it looks like $149, and I think that's no blackouts. $199 includes rentals. That's pretty amazing. So, talk about that product, and then you mentioned the $169 peak day ticket. Have you settled on prices yet for 2020?00:32:58.000 --> 00:33:03.000Stuart Winchester: 6, 27. I should have checked your site in advance, but I didn't. So I don't know if you've.00:33:03.000 --> 00:33:21.000Jason Bays: Yeah, we have not, uh, posted, uh, day ticket prices for this year. Last year, um, we didn't exceed around $110, um, on a day ticket. Uh, so we kept it, I think, pretty reasonable for, for, for a, for a Pocono offering. Um, triple tickets, massive, um, success, uh, for us.00:33:10.000 --> 00:33:12.000Stuart Winchester: Oh, okay.00:33:14.000 --> 00:33:15.000Stuart Winchester: Yeah, yeah.00:33:21.000 --> 00:33:37.000Jason Bays: Um, and when we talk about, like, again, getting more people introduced to the sport, you don't necessarily pick up skiing on the first time. Um, you think about that rental product, which we, um, tremendously… whatever we had on the pro forma for that was, uh, blown by by, like.00:33:28.000 --> 00:33:30.000Stuart Winchester: Mmhm.00:33:37.000 --> 00:33:53.000Jason Bays: 400% on the triple ticket with rentals. And what I really believe in is that, you know, you become a lifelong skier by getting repetition, not by going once a year. It's really hard to sustain as a skier going once a year.00:33:50.000 --> 00:33:52.000Stuart Winchester: Yeah. Okay.00:33:53.000 --> 00:34:11.000Jason Bays: and saying, oh yeah, that was our trip. We're really trying to create a guest for life and get them to return visit. That's in many ways more important to us than, again, trying to get, like, the highest yield on that one day that they picked. Like, come back and visit our resort and, um, you know, again, the business side to this is.00:34:11.000 --> 00:34:28.000Jason Bays: we're cross-marketing across all of our other offerings here that we have on this campus to say, come and visit us again. And again, to us, that's more important than, you know, the highest yield that we can get to. So the triple ticket's really successful. And I think one last thing I would share.00:34:28.000 --> 00:34:46.000Jason Bays: a lot of season passes in the market right now, um, the triple ticket's a great opportunity for people to get a couple of days at Camelback, even if they've committed somewhere else, and particularly, you know, our long season, um, there's plenty of time to use it, um, as well, uh, from the, uh, long season that we established from last year.00:34:46.000 --> 00:34:50.000Stuart Winchester: Jason, I think that's a really smart way to look at it as…00:34:50.000 --> 00:34:57.000Stuart Winchester: a… creating a habit rather than pulling as much yield as possible. And a lot of the larger operators.00:34:57.000 --> 00:35:11.000Stuart Winchester: get frustrated with me and the rest of the ski media because they don't understand why we focus on that peak price, right? Because the peak lift ticket this year at Beaver Creek is $392, set to be. Probably almost no one will pay that price, but…00:35:11.000 --> 00:35:28.000Stuart Winchester: What it does is it acts as a, a billboard for the rest of the ski industry and especially so, so Camelback for, for people who don't know when you're driving on I 80 I mean, you see it, it looms right over the highway. It is one of the major interstates in America, especially at night. The thing is lit up.00:35:28.000 --> 00:35:46.000Stuart Winchester: And so, chances are, if people think about skiing, and they think about where to go, they're gonna think about the most obvious one, and that's Camelback, and that's why, for many years, it was that, or Seven Springs was the busiest ski area in Pennsylvania, traditionally. So I think that's a really smart way to look at it, because if people show up that one time, and.00:35:46.000 --> 00:35:59.000Stuart Winchester: cost them, you know, $500 for 2 people, they're just not gonna come back, and they're not gonna try Shawnee, or… or Blue Mountain, or Jack Frost, or Elk Mountain, or Montage. So, um, I wanna talk about… Jason, I wanna talk about Lyft.00:35:59.000 --> 00:36:16.000Stuart Winchester: And… can you see this trail map? This is an old trail map. I mentioned that I know this, so for those watching on StormSkiing.com or YouTube, you can see this. So there's been a ton of changes, and I want to break all these down with you. The first I want to talk about is, over the past couple years.00:36:16.000 --> 00:36:32.000Stuart Winchester: Mark Antony and Cleopatra, these two lifts right here, an old triple and an old double, have been removed. Can you talk about why you took those lifts out of service, and if you plan to replace them with anything, or what you planned, or what the rationale was behind it?00:36:32.000 --> 00:36:49.000Jason Bays: Yeah, I appreciate that. Uh, that does predate my time here, that they had reached the end of their, um, uh, ability to operate. Um, and so they have, um, both been, um, sort of partially disassembled. Um, there is unfortunately not.00:36:35.000 --> 00:36:37.000Stuart Winchester: Mmhm.00:36:39.000 --> 00:36:41.000Stuart Winchester: Mmhm.00:36:46.000 --> 00:36:47.000Stuart Winchester: Okay.00:36:49.000 --> 00:37:05.000Jason Bays: I, by the way, two of my favorite lifts when I was a ski instructor, because you could get right up and not wait in long lines on the weekends, so absolutely realizing and recognizing the capacity that they brought, but no opportunity for us to.00:37:01.000 --> 00:37:02.000Stuart Winchester: Mmhm.00:37:05.000 --> 00:37:23.000Jason Bays: um, reinstate those lifts as presently, um, as presently, uh, uh, sort of, um, situated, um, and, and not, not, not able to, uh, um, not able to, uh, rerun them. It will require a, um, new, uh, chairlift to, um, to ultimately replace.00:37:23.000 --> 00:37:37.000Jason Bays: those two lifts. It saddens me to share that, but that is, in fact, what has happened there, and I've been very open with our season pass holders about that messaging and the why behind it.00:37:38.000 --> 00:37:41.000Stuart Winchester: So, so in fantasy ski resort world, Jason.00:37:41.000 --> 00:37:46.000Stuart Winchester: Would you put a new lift here, and what would you put, if you could?00:37:45.000 --> 00:38:04.000Jason Bays: Yeah, absolutely. Um, same thing. We've, uh, we've made clear, uh, with no time, no official time frame to share, um, but certainly, uh, we've, we've, um, had, uh, preliminary conversations, um, about a fixed grip, um, quad that would, uh, would be able to take the place of both of those lifts, uh, and create that.00:38:03.000 --> 00:38:04.000Stuart Winchester: Mmhm.00:38:04.000 --> 00:38:10.000Jason Bays: original redundancy that those two lifts brought to the resort when they were in operation.00:38:10.000 --> 00:38:27.000Stuart Winchester: Yeah, that would be really nice. So, so, so these are gone and I, I have a, a current trail map now. So, um, and, and it's not completely current. We'll discuss the new trails in a moment, but this is the most current posted on your website. So, uh, we go over, these are the lifts that remain and see, uh, yeah, I, I miscounted in my intro, so sorry about that.00:38:27.000 --> 00:38:42.000Stuart Winchester: So this one is Stevenson, and Stevenson was, uh, it's a high-speed quad, uh, for the listeners, and it… it was a real junker. It was always stop, stop, stop, and, you know, it was… it was really… seemed to be falling apart and have a lot of issues. Now, uh, in 2020…00:38:42.000 --> 00:38:51.000Stuart Winchester: 5, this year, or 2024, I believe, Camelback, uh, McCarthy, the GM at the time, sent out a letter saying it was due for a…00:38:51.000 --> 00:38:53.000Stuart Winchester: Waltz.00:38:53.000 --> 00:39:02.000Stuart Winchester: Uh, let me see what he said… like, a complete modernization of Stevenson. So, so did that happen? And talk to us about Stevenson, and what kind of shape it's in right now.00:39:01.000 --> 00:39:20.000Jason Bays: Yeah, great, um, yes, that was a, uh, look, an amazing, um, project that was completed by, uh, by Dave and team, um, to modernize that lift. Um, it has, essentially, Doppelmayr came in and put in an entire new, uh, minus the, uh, minus the, uh, uh, the terminals and the.00:39:08.000 --> 00:39:09.000Stuart Winchester: Mmhm.00:39:20.000 --> 00:39:35.000Jason Bays: Um, uh, and the structure itself, um, essentially all new components, all new electrical, um, uh, wiring components to it, a lot of the things that had plagued it. Um, and last year, uh, it operated 138 days.00:39:34.000 --> 00:39:36.000Stuart Winchester: Unbelievable.00:39:35.000 --> 00:39:53.000Jason Bays: Uh, which for Pennsylvania, uh, that's pretty darn good. I think we recognize it's a workhorse, um, it's key to accessing some really, um, fantastic terrain for us, um, and that modernization project with Doppel… in, um, partnership with Doppelmeyer that was done in the summer and fall of 2025.00:39:53.000 --> 00:39:54.000Stuart Winchester: Mmhm.00:39:53.000 --> 00:40:08.000Jason Bays: um, was, uh, very, uh, so it's all immediate impact, um, with, uh, Stevenson Reliability this past year, and we expect that to, uh, you know, knock on wood, to, uh, to continue going forward. We essentially, again, have a brand new lift, minus the, uh.00:40:08.000 --> 00:40:10.000Jason Bays: Uh, minus the physical pieces.00:40:10.000 --> 00:40:26.000Stuart Winchester: That's a really smart way to do it because they are tremendously expensive, these new lifts. And for folks who are watching or listening, this Stevenson is really important because you walk out of this giant hotel that's right here, that's not on the trail map with 400 and some rooms, and that is how you get up the mountain. Otherwise you got to.00:40:26.000 --> 00:40:41.000Stuart Winchester: pull your way over, so when that lift is not running or has problems, it's a real big issue. So, the alternative was, over here, Black Bear 6, uh, you replaced an old high-speed quad that was there, and… and I love this Black Bear 6 lift. It is…00:40:41.000 --> 00:41:01.000Stuart Winchester: Freakin' Ferrari, man. I think the price they gave me was something like $12 million that they spent, or maybe it was $10 to put that in. So that's the alternative, right? If you don't just modernize that current lift, you replace it. So, uh, Black Bear is awesome. I love it. It has bubbles. Is it too much? I mean, I know that KSL Now Peregrine had reasons for.00:41:01.000 --> 00:41:16.000Stuart Winchester: for putting it in, but what have you learned from a couple of years of having BlackBerry around, which is, again, probably the nicest lift in the state of Pennsylvania and one of the nicest in the Northeast, but maybe a little heavier than what you need for CamelBak, but I don't know, you tell me.00:41:17.000 --> 00:41:41.000Jason Bays: Yeah, you know, you know what I would share to that, um, you know, we, we brought it back for scenic chairlift rides this summer, and I mean, it's a massive hit. The summer, summer guests love, uh, the bubbles, they put them down when it's sunny, they put them down, um, probably gets more use in the summer as a bubble lift than the winter, uh, but look, it's, it's nice to, uh, have on the days where, you know, there's some liquid precipitation out here. It certainly happens in the Poconos.00:41:22.000 --> 00:41:24.000Stuart Winchester: Hmm.00:41:34.000 --> 00:41:35.000Stuart Winchester: Okay.00:41:41.000 --> 00:41:58.000Jason Bays: um, and, uh, and, and or, um, uh, you know, other, other weather events, it's, it's, it's a nice to have, um, and it certainly, it gets you up in, you know, a little bit over two minutes. Um, it's a smooth ride, it's a great ride. Um, you are not going to get any complaints from me that we have a, um.00:41:47.000 --> 00:41:48.000Stuart Winchester: Mmhm.00:41:51.000 --> 00:41:52.000Stuart Winchester: Mm-hmm.00:41:58.000 --> 00:42:11.000Jason Bays: bubble, D-line, six-pack, um, in place, uh, and able to operate as our main workhorse lift. Um, and, uh, I think the six-pack versus the quad was absolutely the right, uh, call. Um…00:42:11.000 --> 00:42:27.000Jason Bays: from my experience being here before with the Sullivan Express, um, with the four-seater, the six-seater, just the… the added, uh, ability, uh, there is, uh, is… is well worth it. So, uh, we're happy to have that… happy to have that lift. I… I wouldn't, uh… I wouldn't…00:42:27.000 --> 00:42:31.000Jason Bays: We won't be trading it in at this point. Let's put it that way.00:42:30.000 --> 00:42:38.000Stuart Winchester: It is a gorgeous machine, and I have to tell you, I'm that weird person who, if there's a line on one lift.00:42:38.000 --> 00:42:56.000Stuart Winchester: And no line on the lift next to it. Even if it's a slower lift, I'll take the slower lift, because I just would rather not deal with the hassle of the line. So right here, for those who are watching, is the Bailey Double, and this is an old chair lift. It's an old slow double, it runs almost exactly parallel to Black Bear 6, doesn't land quite as high.00:42:56.000 --> 00:43:16.000Stuart Winchester: on the mountain, but functionally, it does about the same thing for you. So I like Bailey, and I was glad to see that not only did you keep it, and it does run, and that was true even under the previous regime, but you got a new gearbox for it, which is a really big deal for a lift like this in several decades. Also, talk about the work you've done on Bailey, and how you hope to use that lift.00:43:16.000 --> 00:43:18.000Stuart Winchester: this year to complement Black Bear.00:43:18.000 --> 00:43:21.000Jason Bays: Yeah, so, um, Bailey Lift…00:43:21.000 --> 00:43:32.000Jason Bays: full disclosure, Bailey Lift, Meadows Lift, Raceway Lift, and our season pass holders are very aware of this. Um, unfortunately, uh, we're not, um…00:43:32.000 --> 00:43:41.000Jason Bays: ready for day one of last year, um, or even close. And so, uh, we had to do a lot of, um…00:43:34.000 --> 00:43:35.000Stuart Winchester: Mmhm.00:43:41.000 --> 00:43:57.000Jason Bays: normal PM maintenance, um, throughout the, um, end of fall and into winter to have all of them operational. Um, what I share to that is, um, we will run, just level set here really quickly, we will run all the lifts that we have on this trail map.00:43:42.000 --> 00:43:44.000Stuart Winchester: Okay.00:43:57.000 --> 00:44:02.000Jason Bays: Um, and take care of them, maintain them, operate them.00:44:02.000 --> 00:44:18.000Jason Bays: Staff them, everything that you would do to run the extra capacity, we certainly need it. We'd like more capacity, actually. So that being said, Bailey Lift is critical. We got it back online.00:44:08.000 --> 00:44:10.000Stuart Winchester: Yeah. Okay.00:44:18.000 --> 00:44:34.000Jason Bays: End of January, it ran for 2 or 3 weekends, and we had a failed gearbox, um, on it, which is really unfortunate. Um, this off-season, uh, we've replaced the gearbox, we've done a full PM over the course of the summer on it, which is…00:44:34.000 --> 00:44:50.000Jason Bays: the, as you, as everyone knows, the ideal time, uh, to be, um, conducting such work, um, so that it is ready on, uh, day one. Um, it is a critical backup lift. We will run it every weekend.00:44:50.000 --> 00:45:07.000Jason Bays: Um, that we're, you know, in season, I would say in the heart of season, we're gonna run it. Won't be shy to not run it. Um, same thing with the Meadows, same thing with the Glen, same thing with the Raceway, which, um, you know, I know that that was, um, certainly chief among the complaints of.00:45:07.000 --> 00:45:22.000Jason Bays: locals and guests who were visiting from out of town alike was Lyft availability, Lyft reliability. That was something that we focused as fast as we could on last year, but we're setting ourselves up this year to be.00:45:22.000 --> 00:45:39.000Jason Bays: um, very proactive to that, and recognizing the importance of, of each of, uh, uh, you know, each of these. And look, every once in a while, uh, if the, you always want to have, like, Bailey is critical because it's the only other, if there's Black Bear, without Black Bear, it's the only other thing left, right?00:45:36.000 --> 00:45:38.000Stuart Winchester: Yeah.00:45:39.000 --> 00:45:55.000Jason Bays: Um, and so, uh, you know, I think the, you know, back in the, when I was here, like, every Lyft ran on the weekends. It was Camelback. Um, it was busy, right? Like, everything was going. That's, that's essentially our, our, our philosophy, um, will continue to be our philosophy going forward.00:45:46.000 --> 00:45:48.000Stuart Winchester: Mmhm.00:45:55.000 --> 00:46:11.000Stuart Winchester: Yeah, Jason, I'll admit, I didn't come to Camelback last season, so I wasn't able to experience it firsthand. I really wanted to come to your May thing, which I'll talk about, I'll get to in a minute, but I had a shoulder surgery, so I wasn't able to do that. But I wasn't only basing my perceptions of C.00:46:11.000 --> 00:46:19.000Stuart Winchester: on locals' reactions. I had skied there myself in recent years, and the lift line management, I have to say.00:46:19.000 --> 00:46:21.000Stuart Winchester: It was…00:46:21.000 --> 00:46:33.000Stuart Winchester: really frustrating from a skier point of view, when you're waiting for the Stevenson lift, and there's a big line, and every chair is going up with one or two people, and this is not peak COVID or anything else, this is several years later.00:46:33.000 --> 00:46:50.000Stuart Winchester: So, you know, and I had a lot of locals tell me, oh, we walk up Sun Bowl because the lift line is just too chaotic. People come from both sides. No, no, again, that was all before. What's your philosophy of lift line management? How have you tried to tame that? And there's always, it's always going to be a little wild and hard in Pennsylvan.00:46:50.000 --> 00:46:56.000Stuart Winchester: Uh, but they could definitely have been managed better. Is that something that was important to you, that you focused on?00:46:56.000 --> 00:47:15.000Jason Bays: Yeah, we focused on that. We have a new lift operations manager that was hired in November of 2025, who took the bull by the horns. We developed a supervisor team in fairly short order to that as well, to build out a well-rounded team. And then I would just share that our lift attendants.00:47:15.000 --> 00:47:32.000Jason Bays: All hired locally within the community. And I think that we were fully staffed in LiftOps this year, which was a big, very big win. It starts there, right? A, the people, and then B, the right people.00:47:22.000 --> 00:47:23.000Stuart Winchester: Mmhm.00:47:32.000 --> 00:47:49.000Jason Bays: um, on the, uh, on the bus, um, as a catalyst to drive, uh, lift operations forward. Um, and then absolutely, uh, we focused on, uh, line management, queuing, um, we set new, in some cases, new queues. We had, um, uh, supervisors, in many cases, out.00:47:49.000 --> 00:48:04.000Jason Bays: um, putting up chairs, um, and, um, and managing the lift line. We added, once we got that right, and we felt like we were in a good spot, and we, you know, look, I think, admittedly, a couple technology hiccups here and there, it was not a perfect, uh.00:48:04.000 --> 00:48:17.000Jason Bays: we didn't, like, on opening day, it wasn't perfect, but, uh, we improved, it was a big focus for our team, and I think when we talk about fundamental ski operation, um, if we just were a ski area, we would absolutely be focusing on.00:48:06.000 --> 00:48:08.000Stuart Winchester: Yeah.00:48:17.000 --> 00:48:36.000Jason Bays: lift queuing, but we have to do that, like, we have to execute that every day because we are a ski area, um, and that's core to our business, and so that's important. Um, then we added, once we got queuing, uh, uh, correct, we added surprise and delights. Lift, uh, chocolate chip cookies were massively popular.00:48:36.000 --> 00:49:04.000Jason Bays: We handed out over 15,000 chocolate chip cookies this winter at the Stevenson lift line. And so, you know, then it becomes fun, right? Then it's the hospitality side of the business of how do we engage with our guests now that we have full chairs going up for the most part off of the Stevenson and the Black Bear and the Sun Bowl. So we hired extra associates to do that, to surprise and delight, to help our guests.00:48:40.000 --> 00:48:42.000Stuart Winchester: Cool.00:49:04.000 --> 00:49:20.000Jason Bays: The one other thing I would just share is Sunbowl is a great example. How many people get down to the Sunbowl and have never ridden a lift before? And so you need that extra human touch to be able to help. It's not even just putting people in groups of four. It's just helping them with like, here's where you go to load the lift. Here's what you do.00:49:12.000 --> 00:49:14.000Stuart Winchester: Yeah.00:49:20.000 --> 00:49:21.000Stuart Winchester: Yep.00:49:20.000 --> 00:49:33.000Jason Bays: Um, I think that that investment in our people to provide that service to our guests is very well worth it, and it's the difference between someone having a bad experience getting on a lift and never coming back.00:49:33.000 --> 00:49:43.000Jason Bays: or having a great experience, feeling well cared for, and wanting to try again. Um, and so that, that, that was, um, you know, I think that's a core, um, focus for us.00:49:43.000 --> 00:50:02.000Stuart Winchester: So, one of the ways that I can tell the resort is being run by a skier, in addition to all the things you just said, and your passion for the minutiae of things like lift lines, which I share, is that you're cutting 3 new trails in a resort that's 60 years old, and I love that. So, talk us through these trails, Jason. I'll do my best to trace them.00:50:02.000 --> 00:50:08.000Stuart Winchester: on the trail map. I don't have the updated trail map, I don't know if you've created it yet, but talk us through these three trails.00:50:08.000 --> 00:50:25.000Jason Bays: Yeah, so we're really excited. Look, this, you know, came after, you know, the so many guests, new guests that visited us at Camelback this past season. We said, you know what, let's do something fun and exciting. And like, you know, you think about how.00:50:25.000 --> 00:50:43.000Jason Bays: Um, yeah, I just, you know, if someone said, anyone puts in a new trail, uh, the skier in me wants to drive to that resort, no matter how big or small, and be like, alright, like, let's do it. Um, and our team feels, uh, you know, much of the same way. So, um, that being said, uh, we had a lot of natural snowfall this year, so…00:50:32.000 --> 00:50:33.000Stuart Winchester: Yeah.00:50:33.000 --> 00:50:36.000Stuart Winchester: Yeah.00:50:36.000 --> 00:50:37.000Stuart Winchester: Yeah, sure. Yeah.00:50:43.000 --> 00:50:59.000Jason Bays: I was acutely paying attention to where people were skiing when we had natural snowfall, where they wanted to go, and then, you know, maybe following those lines, too, and seeing what the fun was about. So, my point to all of that is, we said, let's create some, and I think for Camelback, too.00:50:46.000 --> 00:50:48.000Stuart Winchester: Mm-hmm.00:50:59.000 --> 00:51:15.000Jason Bays: it's very, um, you know, we wanted to create something that was sort of unique. I didn't want to just put in, like, regular trails that, A, we don't have a lot of space for regular trails, and B, um, we really wanted to create sort of unique experience. So, right underneath Black Bear, um, in between Sullivan and John Bailey there.00:51:07.000 --> 00:51:09.000Stuart Winchester: Mmhm.00:51:15.000 --> 00:51:30.000Jason Bays: um, there's a, um, there's a chute, um, where the old Alpine Slide used to go. Basculus goes back into Rocket, uh, but underneath there is some really fun rolling terrain. Like, it's, it's because the mountain, the, uh, Alpine Slide.00:51:26.000 --> 00:51:28.000Stuart Winchester: Yeah, thank you.00:51:30.000 --> 00:51:54.000Jason Bays: back in the day did had several dips and curves and so we're going to lean into those dips and curves and create something sort of fun that you can get some you know launch some airtime off of if you want or carve a turn over it but it'll have some some really nice terrain variation in a way that most trails at Camelback don't have and they're coming off of an expert trail there so.00:51:54.000 --> 00:52:06.000Jason Bays: um, gives, uh, you know, anyone skiing Asp, Hump, Rocket, um, or Basilisk would be able to reach that trail, um, and, uh, and be able to, uh, just have a little bit more excitement on the way back down.00:52:06.000 --> 00:52:08.000Jason Bays: Um…00:52:08.000 --> 00:52:20.000Jason Bays: Upper Cleopatra there, if you go to the, uh, where the U is, uh, or where Upper is, we're gonna cut a trail through the woods there that's going to end up on the bottom of Big Pocono.00:52:19.000 --> 00:52:21.000Stuart Winchester: Okay.00:52:20.000 --> 00:52:31.000Jason Bays: Um, so it's gonna go down and across. So, um, that… um, and I see where your cursor is. If you go to the… where it says Upper on Upper Cleopatra.00:52:26.000 --> 00:52:29.000Stuart Winchester: So, like, here? Or…00:52:30.000 --> 00:52:32.000Stuart Winchester: Oh, upper…00:52:32.000 --> 00:52:54.000Jason Bays: So, Big Pocono, that's Uncle B. Yeah, right there. Yep, we're going through there. Yeah, so that's gonna be, that's a narrow blue square. So, you know, I think one of the things that's fun for us is we're gonna create a blue square there. That used to be a trail back in the 60s and 70s, fun fact, when Walter Foger was designing Camelback.00:52:34.000 --> 00:52:37.000Stuart Winchester: Upper… oh, this one. Okay, so you're cutting through here?00:52:37.000 --> 00:52:39.000Stuart Winchester: Oh, cool. Okay.00:52:49.000 --> 00:52:51.000Stuart Winchester: Oh, cool.00:52:54.000 --> 00:53:09.000Jason Bays: Um, that being said, um, the… actually, it got filled in with pine trees, so it's gonna be really cool, because there's pine trees on both sides. Um, we made it narrow, so we kept the pine trees, um, and so that's gonna be a really fun, um, sort of narrow… I think about, like, the, um.00:52:58.000 --> 00:52:59.000Stuart Winchester: Mmhm.00:53:01.000 --> 00:53:03.000Stuart Winchester: That's cool. It's pretty.00:53:09.000 --> 00:53:26.000Jason Bays: the ending of Jay Peak with some of the blues at the very bottom there by Interstate. We're trying to sort of have that, obviously in a much smaller zone, have that same effect, though, where you're feeling like you're really in the trees, and you've got some nice twists and turns to it. It's not terribly steep.00:53:12.000 --> 00:53:13.000Stuart Winchester: Yeah, okay.00:53:26.000 --> 00:53:44.000Jason Bays: Um, two things on that trail. One is, it takes traffic off of Honeymoon Lane, which is a main boulevard, it pushes it onto the Sphinx, which has much more trail capacity, which is great, um, comfortable carrying capacity, and secondarily, um, on weekends, we're gonna have a hot chocolate, um, hut that people can ski up to.00:53:31.000 --> 00:53:32.000Stuart Winchester: Mmhm.00:53:44.000 --> 00:53:52.000Jason Bays: Um, and get shots of hot chocolate, um, as well, so we're excited to, um, uh, to offer that to our guests. We think that'll be really fun.00:53:46.000 --> 00:53:47.000Stuart Winchester: That's cool.00:53:51.000 --> 00:53:53.000Stuart Winchester: That was awesome.00:53:53.000 --> 00:54:17.000Jason Bays: And then the Stevenson, it's going to drop on the cliffhanger side and drop down that lift line and go right down into the Faroe there and follow that lift line. Vermont skiing in a very short array but very much Vermont skiing, that's an intimidating drop. Stevenson for those that may not be familiar has a extremely.00:53:53.000 --> 00:53:55.000Stuart Winchester: And it.00:53:58.000 --> 00:53:59.000Stuart Winchester: Okay.00:54:08.000 --> 00:54:09.000Stuart Winchester: Yeah, I think so.00:54:17.000 --> 00:54:34.000Jason Bays: extremely tight, um, and high, uh, crest of the lift, because the mountain crests, um, really steeply. Well, we're gonna ski that, um, and, uh, and make snow on it, and, uh, and, and, uh, and allow our guests to, uh, um, and allow skiers to, uh, to, to, to test, um, you know, a more narrow.00:54:34.000 --> 00:54:44.000Jason Bays: um, uh, trail up there that has a really great expansive view ov

Fiona Bourdon est sexologue et psychotraumatologue enseignant.e dans les questions de BDSM Kink auprès des professionnel.les de santé depuis maintenant 3 ans. Je fais le lien entre la psychotraumtologie et le BDSM, ses ressources et ses limites.Dans cet épisode, vous allez nous entendre parler de :5 Étapes du Cadre Pratique (Ressources)Trauma = Revivre ou RemaniementAgressions sexuelles et excitation ?Les fétichistes Paraphilies VS troubles paraphiles Pour retrouver mon invité.e :https://www.fiona-bourdon-sexologie.com + @fionab_sexotherapieCompte instagram : @camilleparlesexe -// Site internet : www.camillebataillon.comPréparation, Montage, Communication : Camille BataillonVisuel by Laforet Designer -/-

"mon corps réagit, mais je n'ai pas envie" (ou l'inverse) : comprendre la non-concordance de l'excitation Pourquoi je l'aborde en séanceErection matinale, lubrificationViol et "orgasme"Ce que disent les étudesCompte instagram : @camilleparlesexe -// Site internet : www.camillebataillon.comPréparation, Montage, Communication : Camille BataillonVisuel by Laforet Designer -/-

NEXT REWIND 80's SHOWS - Tickets www.rewind80sband.com Burvale Hotel - Thursday 24 September SS&A Albury - Saturday 3 October The Village Green Hotel - Saturday 10 October Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australian 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman. Produced & edited by Matty Ray. See Facebook for links to videos & songs mentioned in this episode! Email: Samantha@planet80s.com.auFacebook: the80smontagepodcast twitter: @the80smontage instagram: the80smontageRewind 80's Band - www.rewind80sband.comTickets - www.rewind80smixtape.com.auBookings - samantha@planet80s.com.auPlease Subscribe, Like, Share, Rate (Itunes please)You can join to for only $2 a month (Get On It)https://www.patreon.com/the80smontagepodcast*The views & opinions expressed in this Podcast are solely those of the individuals expressing them & do not represent the views or opinions of any third party.Where guests appear on the Podcast, their views & opinions are solely their own & do not represent the views or opinions of The 80's Montage hosts or team.The 80's Montage does not accept responsibility for the views of its guests & their appearance on this Podcast does not imply an endorsement of them or any entity they represent.*Links: The Pointer Sisters - Neutron Dance (Official Video)https://youtu.be/i-jdhorGtQI?si=OV_ucUHqf6CW_cJ0Models - Barbados (Official Music Video)https://youtu.be/TsPz2bJkw10?si=orG4NkbE0hC6ojLzDynamic Hepnotics - Gotta Be Wrong (1985)https://youtu.be/WzfO0L0kkHo?si=ACJ1NCts15AxEtjwMaria Vidal - Body Rock (official video)https://youtu.be/Nn4dR7purWs?si=E7fW32CvNVp3sJ5bBilly Ocean - Loverboy (Official HD Video)https://youtu.be/tyrowWnlNnQ?si=V2cOzg7hOG7R0wrdThis Is Not America (with The Pat Metheny Group) [2014 Remaster]https://youtu.be/6PRtZDQJXoE?si=Ts3sNiLkSF9RQwkPPollywaffle (Australian ad, 1981)https://youtu.be/qRM_aZhosf8?si=kkZw-PEqk8bEZ5e7Lin Buckfield James Reyne - R-O-C-K ROCK (1985)https://youtu.be/rEHUvuYjhhM?si=HTZeevbRQQPFZ20MVitabeats - Boom Box (1985)https://youtu.be/CMoXtlCTB3w?si=Vsmyowe5r9fxmKCjDaryl Hall & John Oates - Method of Modern Love (Official Video)https://youtu.be/Q3F4c7E9IBU?si=5Bi9XsD7dV47vHPLJacko - I'm An Individualhttps://youtu.be/fw9xwBdv1Eg?si=EFFHA2mCCuDdBWNuThanks For Listening!The 80's Montage Podcast

Synopsis Épisode « intime » : Patrick et Steve Waterhouse en duo, présenté comme la pratique avant le vrai trois-centième, qui se fera devant public au Hackfest. Steve arrive avec sept pages de nouvelles et un point de méthode qu'il enseigne à ses étudiants : remonter à la source primaire, parce que la nouvelle qu'on lit est souvent le quatrième filtre de l'événement. Le gros morceau est local. Epic, le logiciel de dossier médical déployé par Santé Québec, a décidé de connecter ChatGPT et Codex aux données patients. L'activation est manuelle — mais quelqu'un va le faire. La vraie question n'est pas technique : où est le consentement du patient, et qui possède la liste des sous-traitants de Santé Québec ? Personne. Steve génère en direct une évaluation des menaces et des risques : souveraineté des données, exposition au Cloud Act, centralisation et rayon d'impact élargi, dette de sécurité liée au déploiement précipité, et une lacune linguistique documentée dès le jour un. Patrick enchaîne sur l'offre d'emploi sortie cette semaine à Santé Québec — dix ans d'expérience plus une pile de certificats que deux personnes au Québec possèdent — pour illustrer un système d'embauche qui mesure des papiers et jamais l'expérience. Côté incidents, chapeau à la CCQ : transparence, présidente en entrevue radio sans cassette, aucune rançon payée, restauration à partir des sauvegardes. En face, Qilin a mis les données en ligne avec un compteur, cinq cent mille fichiers, neuf cent trente gigaoctets — et une exfiltration qui ne s'est clairement pas faite en une fin de semaine. Puis le tour de la souveraineté : Hydro-Québec et les composants de contrôle industriel chinois, la commission américaine sur les émanations électromagnétiques et le décret qui relance la fabrication de transformateurs en Amérique du Nord, la stratégie du quarante pour cent sous le prix du marché, et le rappel que tout ce qui est « smart » documente ce qui se passe chez vous. Le clou de l'épisode : à quelques semaines des élections québécoises, les deux fouillent en direct les plateformes des partis. Cyber : zéro chez la CAQ hors du livre bleu, une mention de souveraineté numérique au PQ, rien au PLQ. Seul le PCQ a un document de plateforme numérique — onze pages, un statut d'expert numérique stratégique et « garantir la sécurité des données ». Ça se termine sur les cyber-conflits : mille vulnérabilités au dernier Patch Tuesday de Microsoft, quatre sabotages cinétiques du réseau électrique allemand et des drones sur deux aéroports, Berlin siphonnée via une municipalité voisine, les trackers publicitaires coupés par l'armée américaine, l'ID Windows qui a fait tomber un attaquant, COSCO qui remonte de la géolocalisation à Pékin — et la seule sortie possible : une loi qui force les entreprises à faire de la cyber. Crew Patrick Mathieu — Cofondateur de Hackfest.ca et fondateur de Hexius Steve Waterhouse — Conférencier, consultant en cybersécurité, vétéran et chroniqueur Liens et ressources Patrick « La situation pourrait être hors de contrôle » d'ici un an, avertit un chercheur en IA Using the Epic plugin with ChatGPT and Codex (OpenAI) ChatGPT Health adds Epic integration for clinicians to import patient data (TechCrunch) Hydro-Québec finance l'achat d'équipement chinois banni en Europe (La Presse) Offre d'emploi Santé Québec en cybersécurité Microsoft Patch Tuesday de septembre 2026 GrapheneOS Steve Waterhouse Germany plans anti-sabotage shield after airport drone attack (Reuters) Berlin investigates new data leak after hackers publish stolen login credentials (The Record) US military turns off ad trackers on devices amid Middle East targeting reports (Reuters) How China industrialized the infrastructure behind state hacking (CSO Online) Chinese shipper COSCO collects intel for Beijing with concealed equipment, US officials say (Reuters) G7 urges organizations to prepare for quantum cyber threats (The Record) Commission américaine sur les émanations électromagnétiques (EMP Commission) Décret présidentiel sur la production de composantes de réseaux électriques Projet de loi C-22 — infrastructures essentielles et déclaration d'incidents Dossier CCQ CCQ — 4 septembre 2026 : reprise complète des services et mise à jour sur les renseignements personnels CCQ — mise à jour du 6 septembre 2026 Cyberattaque à la CCQ : des pirates russes ont volé les données de 350 000 personnes (La Presse) Qilin Strikes Commission de la construction du Québec (dexpose.io) Commission de la construction du Québec — Qilin ransomware (SOCRadar) Ransomware.live — Commission de la construction du Québec / Qilin Une cyberattaque paralyse des services de la CCQ (La Presse, 26 août) Cyberattaque : la CCQ demeure toujours paralysée (TVA Nouvelles, 28 août) Élections provinciales 2026 Groupe de travail sur les menaces en matière de sécurité et de renseignements visant les élections Élections provinciales : l'IA inquiète les Québécois (Protégez-Vous) Charles Milliard (PLQ) promet une plateforme de télésanté 100 % publique (Le Droit) Russia's Operation Matryoshka uses fake videos to target German election (Cybernews) Plateforme numérique du Parti conservateur du Québec Le livre bleu de la CAQ Loi 25 — protection des renseignements personnels Shamelessplug Join Discord ISC2 SECURE Canada 2026 — Toronto, 17 septembre 2026 BSidesMtl — Montréal, 19 septembre 2026 GoSec26 — Montréal, 23-24 septembre 2026 Congrès du Groupe Millénium Micro — workshop tabletop de Patrick, 24 septembre 2026 SecTor — Toronto, 6-8 octobre 2026 Sommet international Cybersécurité et Souveraineté numérique — Québec, 21 octobre 2026 Conférence PolarCon — Québec, 29 octobre 2026 HACKFEST — Québec, 29-30-31 octobre 2026 — le vrai épisode 0x300 sera enregistré devant public SiberX Operation: Defend the North 2026 — Toronto/virtuel, 8 décembre 2026 Crédits Montage audio par Hackfest Communication Locaux virtuels par Streamyard

Patrick Madrid opens this episode on the 25th anniversary of September 11th with a poignant audio montage that brings listeners back to the shock, loss, and bravery witnessed on that tragic day. First-hand stories from callers, along with Patrick’s own vivid memories, blend the immediacy of lived experience with the enduring grief and resilience that shaped a nation. Patrick reflects on how 9/11 changed the collective soul of Americans, highlights the acts of selfless courage, and keeps alive the importance of remembering the victims and the faith that sustained so many during those dark hours. Audio: 9/11 Montage from Glen Beck - https://www.youtube.com/watch?v=G6_LcD4WRlA Audio: Compilation of historical 9/11 footage (The raw clips themselves were filmed by various news crews and bystanders on September 11, 2001) - https://x.com/SlimWiggy/status/2092095340744671362 (05:41) Audio: Brooke Jackan’s last voicemail to her family - https://x.com/realredsd/status/2097117791526490594/video/1?s=46 (18:18) Audio: 9/11 calls on 9/11 - https://x.com/realredsd/status/2097119687477735824/video/1?s=46 (19:57) Jeff - We need to remember there was a 4th plane headed for the White House that was taken over by people and crashed in Pennsylvania. Also, the people in New Brunswick Canada took care of stranded Americans. (22:16) Audio: Flight 93 call from flight attendant CeeCee Lyels - https://www.youtube.com/watch?v=Jo7VbSMECg4 (26:00) Audio: Katrina Mario’s husband Kenny was a fireman on 911 and he kissed his kids goodbye - https://x.com/Francin28577060/status/2098096388324413542?s=20 (27:44) , NYPD Officer Moira Smith, was killed helping guide people out of the south tower on 911 - https://x.com/NY1/status/2098154270562431429/video/1?s=46 (30:05) Anne Marie - I lived through 9/11 and could see people jumping from the top of the World Trade Center (37:26) Val - My son was an air traffic controller on 9/11 and he was told that all planes would divert to the nearest airports. (41:20)

Relive the best moments from this week's Bickley and Marotta show in montage form.

▶️ Dans cette deuxième partie de notre entretien avec Nicole El Karoui, nous revenons sur un tournant majeur de son parcours : sa rencontre avec le monde de la finance et les débuts des mathématiques financières en France.

Épisode produit en collaboration avec Gaze Magazine. Comment ça va, vous, en cette rentrée, genre vraiment ? Moi c'est moyen moyen, comme je vous le raconte dans l'introduction de cet épisode. Mais comment aller bien dans un monde qui brûle et où la question de la santé mentale est tellement dépolitisée qu'on en vient à culpabiliser de se sentir anxieux ou dépressif ? Heureusement, j'ai à vous proposer aujourd'hui une conversation enregistrée il y a quelques mois au festival Susurre à la Gaîté Lyrique, en compagnie de Gaze magazine. La journaliste Mélissa Chidiac m'a tendu son micro et m'a posé tout un tas de questions sur l'évolution des discours sur la santé mentale dans la société, sur mon parcours thérapeutique, et sur les choses les plus importantes que j'ai apprises auprès de mes invités dans ce podcast qui célèbre cette rentrée le début de sa quatrième saison déjà ! Ce jour-là, le public a posé des questions très chouettes, alors on les a laissées dans l'enregistrement pour que vous puissiez en profiter. C'est un épisode qui vous intéressera si vous suivez mon travail depuis longtemps, en attendant la toute première invitée de la saison quatre dans deux semaines. Merci d'être ici, merci de me soutenir, n'hésitez pas à liker l'épisode et à le partager sur les réseaux sociaux pour aider Folie Douce à essaimer. Merci encore à la Gaîté Lyrique et à Gaze pour cette collab en or !Bonne écoute, prenez soin de vous, prenez votre temps, et partagez en masse cet épisode. C'est important !Gaze, la revue des regards féminins, est un magazine féministe et artistique indépendant, fondé en 2020 par Clarence Edgard-Rosa et porté par une équipe entièrement féminine. Son but : faire rayonner les talents féminins et mettre les femmes et personnes non-binaires sur le devant de la scène. La revue est semestrielle et distribuée en ligne et en librairie.Crédit photo : Luna Harst

Quand on imagine une dominatrice professionnelle, on pense tout de suite aux clichés des films : du cuir, des fouets, des visages froids et de la colère. Mais en poussant la porte du Boudoir, on découvre une réalité tout autre. Madame Lule est dominatrice professionnelle. Dans son Boudoir parisien elle orchestre des séances BDSM, donne des ateliers et accompagne celles et ceux qui veulent explorer des sexualités non conventionnelles. Elle est aussi autrice et créatrice de La Férule, un site artistique dédié à ses cruels petits mondes. Sous le nom d'Alda Mantisse, elle a publié chez La Musardine La Loi du talon, un roman qui retrace son parcours depuis ses drôles de fantasmes Dans cet épisode, vous allez nous entendre parler de :Comment elle se prépare et prépare ses séances au boudoirQuelles sont les pratiques ou les profils exclus du cabinet ? Poser ses limites en tant que pro D'où vient ce besoin de sensations extrêmes pour ressentir de l'excitation ?La transgression et le jardin secret Prendre soin de soiPour retrouver mon invité.e :laferule.comCompte instagram : @camilleparlesexe -// Site internet : www.camillebataillon.comPréparation, Montage, Communication : Camille BataillonVisuel by Laforet Designer -/-

Ep.137 Avec Kenza Tahri, autrice de "Peut-on tout déconstruire ? Vivre ensemble après Me Too (éditions de l'Aube) et Vincent Cocquebert, auteur de "La guerre de Sexcession" (éditions Arkhê).On prend un peu de hauteur, de recul, pour réaliser les bouleversements apparus ces dernières années, dans les relations entre femmes et hommes, ici dans le cadre hétéro, mais ça peut s'appliquer aussi dans un cadre queer / LGBTQIA+, le capitalisme et le patriarcat, les rapports de force, sont partout. A l'image de la fameuse tirade de Romain Duris, dans "les Poupées russes", de Cédric Klapisch "C'est quoi ce bordel avec l'amour ?"Avant de parler d'amour, il faudrait déjà savoir comment se rencontrer, se parler vraiment, avec nos vulnérabilités, nos valeurs, nos limites. Restez bien jusqu'au bout de l'épisode, vous saurez comment Kenza a rencontré son compagnon, alors qu'elle était maman célibataire, et comment Vincent a rencontré sa compagne, devenu la maman de leur enfant. Et qui a fait le premier pas ? Bonne écoute ! Références citées dans l'épisode ou en bonus à suivreLivres des invité.es : "Peut-on tout déconstruire ? Vivre ensemble après Me Too (éditions de l'Aube) de Kenza Tahrihttps://editionsdelaube.fr/catalogue_de_livres/peut-on-tout-deconstruire/ "La guerre de Sexcession" (éditions Arkhê) de Vincent Cocquebert https://www.arkhe-editions.com/livre/la-guerre-de-sexcession/ Tirade de Romain Duris dans "Les poupées russes" de Cédric Klapisch https://youtu.be/QvmLOxsECoE?si=RLhU0cWn71sIDXxg Si vous voulez soutenir Single Jungle, avec un don en une seule fois (ou +), j'ai ouvert un Tipeee : https://fr.tipeee.com/single-jungle. J'ai suivi le conseil d'auditrices et d'auditeurs qui ont proposé de participer à la hauteur de leurs moyens, ponctuellement, aux frais des épisodes (prise de son/montage). Merci aux premières personnes qui ont participé ! AVERTISSEMENT IMPORTANT : Ne jamais s'inscrire sur une application ou site de rencontres payant sans 1) lire les avis sur Google (Play store) ou Apple (App store) 2) lire les conditions tarifaires de l'abonnement. Ainsi je vous déconseille fortement le site PARSHIP, qui pratique l'extorsion : on ne peut pas résilier avant 1 an obligatoire, même si on n'utilise plus le service, qui n'est pas satisfaisant, car très peu de personnes dans votre région. Le service clients n'a que mépris pour les clients et le service communication ne veut rien entendre (un comble), aucun arrangement possible. Donc évitez une dépense inutile. Episode enregistré en juillet 2026, chez Isabelle, merci à elle et à son chat pour leur hospitalitéMontage et mixage : Isabelle FieldMusique : générique de la série mythique des années 90 "Code Quantum" avec Scott BakulaVirgules sonores : Edouard JoguetLogo conçu par Lynda Mac-ConnellHébergement : Podcloud

▶️ Dans cet épisode en deux parties, aux côtés de Nina Aguillon et Nastassia Pouradier Duteil, j'ai le plaisir et l'honneur de recevoir Nicole El Karoui, mathématicienne et professeure émérite à Sorbonne Université. Figure majeure des probabilités et pionnière des mathématiques financières en France, son nom est notamment associé à l'une des formations les plus reconnues dans ce domaine.

Radio Highlights montage of key plays from the Georgia Southern Football season opening win vs Charleston Southern on September 5.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australian 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman. Produced & edited by Matty Ray. See Facebook for links to videos & songs mentioned in this episode! Email: Samantha@planet80s.com.auFacebook: the80smontagepodcast twitter: @the80smontage instagram: the80smontageRewind 80's Band - www.rewind80sband.comTickets - www.rewind80smixtape.com.auBookings - samantha@planet80s.com.auPlease Subscribe, Like, Share, Rate (Itunes please)You can join to for only $2 a month (Get On It)https://www.patreon.com/the80smontagepodcast*The views & opinions expressed in this Podcast are solely those of the individuals expressing them & do not represent the views or opinions of any third party.Where guests appear on the Podcast, their views & opinions are solely their own & do not represent the views or opinions of The 80's Montage hosts or team.The 80's Montage does not accept responsibility for the views of its guests & their appearance on this Podcast does not imply an endorsement of them or any entity they represent.*Links: Thanks For Listening!The 80's Montage Podcast

durée : 01:49:39 - Les émissions culturelles de France Culture - par : Arnaud Laporte - Carte blanche à Géraldine Nakache qui réunit deux femmes qui résument à elles seules sa culture : la cheffe monteuse Juliette Welfling et l'icône de la chanson Chantal Goya. - équipe : Alexandre Fougeron, Jules Barbier, Théa Corler - invités : Géraldine Nakache Actrice et Réalisatrice, Juliette Welfling Monteuse, Chantal Goya Chanteuse et actrice, Augusta Artiste folk Vous aimez ce podcast ? Pour écouter tous les épisodes sans limite, rendez-vous sur Radio France

Relive the best moments from this week's Bickley and Marotta show in montage form.

Pour célébrer les trois premières saisons de Folie Douce, et vous faire découvrir des épisodes que vous auriez loupés, on vous propose cet été de réécouter les moments les plus forts du podcast avant de lancer la nouvelle saison à la rentrée !D'ici là bel été, et prenez soin de vous.Cet épisode de Folie Douce a été diffusé le 13 février 2026.Ce début d'année a des allures de dystopie, je sais. J'ai moi-même un petit coup de mou, comme je vous le confie dans l'introduction de cet épisode, qui tombe à pic.Mon invitée, la poétesse Kiyémis, déteste les dystopies. Et nous propose, pour balayer la peur, de convoquer la joie, la joie comme outil de résistance, responsabilité collective et pratique politique. Oui la joie est une déraison, voire une folie face à la violence du monde. Mais le monde n'est-il pas lui-même absolument déraisonnable ?Je connais Kiyémis depuis longtemps. J'observe depuis des années sa voix s'épanouir et ses vers fleurir « et refleurir » - du titre de son magnifique roman sur l'histoire de sa grand-mère - sur nos plaies. Sa dernière production est un ouvrage collectif intitulé : « Pour la Joie, Une ode à la résistance poétique et politique » (ed. Les Liens qui Libèrent), un ouvrage collectif où l'on retrouve à ses côtés les plumes de plusieurs autrices : Rim Battal, Douce Dibondo, Claude-Emmanuelle Gaian-Maull, Nadia Yala Kisukidi, Mélissa Laveaux, Fania Noël, Laura Nsafou et Coline Pierré.Plongez vous dans cet épisode, imbibez-vous du rire de Kiyémis, des quelques lignes qu'elle lit pour vous à voix haute, et convainquez-vous, avec nous, que « l'autre rive existe ». Une expression qui oblige à l'espoir, à l'amour, à la lutte. Elle est une façon de fuir la peur qui paralyse et d'habiller de lumière la colère, qui reste une boussole mais, à la longue, épuise les corps.De corps, il est beaucoup question aussi dans notre échange. Kiyémis aborde son enfance de petite fille « solaire » qui aime écrire, rêvasser et danser devant son miroir, suivie d'une adolescence où les injonctions à « se faire petite » ont eu raison de son élan. Elle qui est l'autrice d'un essai sur la grossophobie « Je suis votre pire cauchemar », nous invite à faire corps avec ce corps et à l'envisager comme un navire puissant, un survivant magnifique capable de nous faire jouir de la beauté du monde et surtout de créer.Car la clé de la leçon de Kiyémis c'est créer. Dans son cas, écrire. Elle nous désigne ainsi la possibilité de grandir non pas malgré mais à partir des traumatismes des générations précédentes. « Les roses héritent des épines, mais aussi des couleurs », souligne-t-elle vers la fin de notre échange, dans un passage que vous n'êtes pas prêtes d'oublier.Bonne écoute et n'hésitez pas à nous faire des retours sur vos plateformes de podcasts et sur les réseaux sociaux.Photo : Adeline Rapon

Montage Gold CEO Martino De Ciccio joins Mining Stock Daily as the company closes in on first gold production from the Koné Project in Côte d'Ivoire. Martino discusses the accelerated start-up through the oxide circuit, continued growth of higher-grade satellite deposits, and the potential to increase Koné's future production profile. The conversation also turns to Didievi as Montage's next potential development asset, the emerging opportunity at Wendé, and the company's expansion into Mauritania. We finish with capital allocation and how Montage plans to transition from a successful developer into a multi-asset African gold producer.

Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australian 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman. Produced & edited by Matty Ray. See Facebook for links to videos & songs mentioned in this episode! Email: Samantha@planet80s.com.auFacebook: the80smontagepodcast twitter: @the80smontage instagram: the80smontageRewind 80's Band - www.rewind80sband.com ( Ticket link on front page)Bookings - samantha@planet80s.com.auPlease Subscribe, Like, Share, Rate (Itunes please)You can join to for only $2 a month (Get On It)https://www.patreon.com/the80smontagepodcast*The views & opinions expressed in this Podcast are solely those of the individuals expressing them & do not represent the views or opinions of any third party.Where guests appear on the Podcast, their views & opinions are solely their own & do not represent the views or opinions of The 80's Montage hosts or team.The 80's Montage does not accept responsibility for the views of its guests & their appearance on this Podcast does not imply an endorsement of them or any entity they represent.*Dolly Parton: Rhinestones, Romance & Country GoldLinks: Dolly Parton - 9 To 5 (Official Video)https://youtu.be/UbxUSsFXYo4?si=QkLwVJGFNOpL-LyhKENNY ROGERS & DOLLY PARTON - ISLANDS IN THE STREAM - HQ Audiohttps://youtu.be/HQW7I62TNOw?si=JUdqvMhb_KetYwlpMötley Crüe - Home Sweet Home - Featuring Dolly Parton (Official Music Video)https://youtu.be/U3Xw6Sm3lQY?si=vZrwCYBhLe58m3GjSlim Dusty - Duncanhttps://youtu.be/hOML9zwoZn0?si=yv3R9HLiEpTFx6YRJuice Newton - Queen Of Heartshttps://youtu.be/P0DK-0fIKCw?si=3WH7ue1b8Y7-K7RaBlue Hotel - Official Music Videohttps://youtu.be/pZbyQftBwOA?si=-J6fZuwdSDresK4LAre Your Macleans Showing 1980s Advertisement Australia Commercial Adhttps://youtu.be/GEqOsp6odWs?si=2aFyQvgqV5qKsBcYBonnie Raitt - Thing Called Lovehttps://youtu.be/krF6LpUXODc?si=WsQE99hVf6b5Hq14Willie Nelson / On The Road Againhttps://youtu.be/Gdlyi5mckg0?si=G0inrlAekuqRm3BWAlabama - Mountain Music (Official Video)https://youtu.be/M6WfM0cXWSQ?si=dwOpxTkbu_9JhCLlEddie Rabbitt - I Love A Rainy Nighthttps://youtu.be/mMZ4amjbqhU?si=rFG592rNzZU_6bmHDolly Parton - Jolene 19880110https://youtu.be/L0eeSoU35wM?si=LAofBgaOXFSm1cy0Thanks For Listening!The 80's Montage Podcast

Relive the best moments from this week's Bickley and Marotta show in montage form.

The GymCastic Movie Club takes on FLASHDANCE—the runaway 1983 hit that is essentially a collection of MTV music videos held together by sparks, leg warmers and vibes. Thank you, Rose for commissioning this episode.  We discuss the stunt wigs, the film's gymnastics influence, and the gayest welder's burlesque bar in Pittsburgh. Alex's complete lack of ballet training and the legendary final audition featuring a dive roll performed by collegiate gymnastics history-maker Sharon Shapiro. Jessica also brings us firsthand stories from Sharon about filming the scene. Commissioned by Rose.  WIN A FULL-EPISODE COMMISSION Enter the raffle for the chance to choose the subject of an entire GymCastic episode—as long as it is tangentially gymnastics-related! The raffle helps fund our on-site coverage of the 2026 World Championships in Rotterdam. IN THIS EPISODE • Which one is Flashdance again? • The true story that inspired the movie • Jennifer Beals and Pittsburgh Ballet Versailles • How Flashdance influenced gymnastics floor routines • Sharon Shapiro's iconic audition dive roll • The stunt doubles and constantly changing wigs • The gayest welder's burlesque of all time • Tina Tech's "Manhunt" routine • Jeanie's disastrous skating audition • Everything wrong with Alex's boss-turned-boyfriend • The "What a Feeling" finale • Casting a gymnastics remake   CHAPTERS 00:00 – Welcome to the Flashdance Movie Club 02:51 – The True Story and 1983 Phenomenon 07:05 – Why Flashdance Is Gymnastics-Related 11:37 – The Plot, Such as It Is 21:06 – The Gayest Welder's Burlesque 40:49 – Montage-a-Palooza 49:25 – Jeanie, Skating and the Supporting Characters 59:20 – Who Is Hannah? 1:02:53 – Lobster and the Horrible Boss Romance 1:14:23 – The "What a Feeling" Audition 1:18:52 – Sharon Shapiro's Stories from the Set 1:25:08 – Casting the Flashdance Remake   JOIN CLUB GYM NERD FOR BONUS STUFF Ad-free episodes, weekly bonus shows, our complete archive, members-only games and tools, the community message board and Behind The Scenes every Friday at noon Pacific: https://gymcastic.com/club/  GYMCASTIC TOOLS LA 2028 Roster Lab: https://gymcastic.com/2028-roster-lab/ Elite Score Explorer: https://gymcastic.com/elite-scores/ International Gymnastics Calendar: https://gymcastic.com/gymnastics-calendar/ GymCastic Games: https://gymcastic.com/games/ SHOP GYMCASTIC https://store.gymcastic.com/