Podcasts about artists

MERCH HERE! https://artistsonartistsonartistsonartists.com/shop Get your popcorn and protect your nuts from kangaroo kicks or slingshot whiplash, it’s time for the one and only Jackass! This franchise has been iconic, synonymous with the lengths people will go to entertain, prank, and bodily injure their friends in the name of comedy. But have you ever considered the creative minds behind such a project? This week we sit down with those very writers as we contemplate the science and craft behind their biggest feats, what is still left to do, and why Jackass has become their writing home. So put on your beer hat and listen in as this episode begs the question, what will you do in the name of pranks? This episode was filmed in the beautiful Dynasty Typewriter Theater, and tech-produced by Samuel Curtis. For live shows and events you can find more about them at dynastytypewriter.com. To learn more about the BTS of this episode and to find a world of challenges, games, inside scoop, and the Artists being themselves, subscribe to our Patreon! You won't be disappointed with what you find. Check out patreon.com/aoaoaoapod Artists on Artists on Artists on Artists is an improvised Hollywood roundtable podcast Created and Hosted by Kylie Brakeman, Jeremy Culhane, Angela Giarratana and Patrick McDonald. It is a production of Will Ferrell’s Big Money Players and iHeartMedia Podcasts. Executive Produced by Matt Apodaca and produced by Alexandra Dennis and Laservision Productions. Music By Gabriel Ponton and Edited by Conner McCabe. Thumbnails by Josh Fleury and logo design by Lucy Tomkiewicz. Hollywood's talking. Make sure you're listening. Subscribe to us on Apple Podcasts, Spotify, and Youtube! Please rate us five stars!See omnystudio.com/listener for privacy information.

Thomas and Panu unpacked the emotional and psychological effects we experience when we have an opportunity to see our planet and lands from on high. Artificial borders disappear and natural and human systems and patterns are revealed. Artists, explorers, and land and species protectors have long used visions of “Earth from Above” to raise our awareness and consciousness, and you can expand your own vision too.

This episode originally aired on May 20, 2026. Subscribe to ⁠⁠⁠Music Person⁠. Kevin Morby from Los Angeles, CA and Kansas City, MO. Kevin and Dylan discuss butterflies, his return to Los Angeles, the nuances between Kansas and Missouri culture, his life with partner and fellow songwriter Katie Crutchfield, a canon of indie musicians who play the long game, examining your own mythos, Elvis, and tennis. + Kevin gives a letter of recommendation. ++ Kevin asks the Magic 8 Ball on Dylan's coffee table some questions. Artists we mentioned: David Berman/Silver Jews/Purple Mountains, Hand Habits, Woods, Lou Reed, Bruce Springsteen, Tom Petty, Joan Baez, The National, Taylor Swift, Waxahatchee, the Babies, Geese, Elvis Presely. Find more illuminating podcasts on the ⁠⁠⁠Talkhouse Podcast Network⁠⁠⁠. Visit ⁠⁠⁠talkhouse.com⁠⁠⁠ to read essays, reviews, and more. Follow @talkhouse on ⁠⁠⁠Instagram⁠⁠⁠, ⁠⁠⁠Bluesky⁠⁠⁠, ⁠⁠⁠Twitter (X)⁠⁠⁠, ⁠⁠⁠Threads⁠⁠⁠, and ⁠⁠⁠Facebook⁠⁠⁠.

Thursday 3pm Hour: Henry Lake is in for Jason. He talks about the Timberwolves sending popular F Naz Reid to Charlotte for PG LaMelo Ball. Did they make the team markedly better? Then he talks about Lionel Ritchie ending last night's concert in St. Paul early due to a medical issue - do 70+ year old artists need to respect their legacy and hang it up?

Last month, the streaming platform Spotify added a new feature that allows users to generate their own AI remixes. With no signs of AI slowing down in the music industry, we're revisiting this episode about the labor implications, and how human artists are adapting. This episode first aired Nov. 14, 2025 Learn more about your ad choices. Visit megaphone.fm/adchoices

Twenty-seven can be a pivotal and tumultuous age. It's held up as the year of peak performance in many sports and it's also seen as a cursed age for pop and rock stars, exemplified by the so-called 27 Club. Artists like Jimi Hendrix, Janis Joplin, Kurt Cobain and Amy Winehouse, all died at 27. As part of our series, The Greatest Numbers of All Time, IDEAS producer Chris Wodskou makes the case for a number that may not stick out in your mind but is more significant than you think.More episodes in this series:Listen to 12 is SublimeListen to The Curse of 13Guests in this podcast:David Awosoga is a PhD student in Statistics at University of Waterloo and sports performance data analyst.Alan Cross is a music historian, broadcaster, and host of The Ongoing History of New Music podcastDianna Kenny is a professor emerita of psychology and music at University of Sydney and psychotherapist in private practice.Michael Owen is a retired clinical psychologist and author of The 27 Club.Maria Westerstahl is senior lecturer at Karolinska Institutet in Sweden.

Our guest is TODD WILSON, longtime president of Exponential, one of the most influential church planting movements in America, and also the author of the new book How Did We Get Here?, a look back at the 70 year Church Growth movement in America. We discuss the history and timeline of the Church growth movement, why operating systems matter, leadership, succession, and so much more. Plus, check out the list of 20 Worship Leaders and Artists to to be aware of. Make sure to visit http://h3leadership.com to access the full list and all the show notes. Share them with your team, repost the lists, and follow and subscribe. Thanks again to our partners for this episode: REGENT BANK - connect with the team at https://www.regent.bank/. Regent Bank is one of the fastest-growing financial institutions in the country, uniquely positioned as a faith-based bank with a clear purpose: "To show God's love to employees, clients, and communities." Regent Bank stands out with both a dedicated prayer team and a specialized department focused exclusively on serving faith-based organizations, where all nonprofit clients are offered completely free banking services, along with highly competitive interest rates and access to specialized support across multiple financial areas. Find out more at http://regent.bank. And OPEN DOORS - Get the latest FREE 2026 World Watch List and prayer guide at http://opendoorsus.org. Since they were founded by Brother Andrew nearly 70 years ago, Open Doors has become the world's largest on-the-ground network working to strengthen persecuted Christians. 380 million Christians face high levels of persecution for their faith- 1 in 7 worldwide. Download the FREE World Watch List now. Plus the Prayer Guide gives you the World Watch List, real stories of persecuted Christians, profiles of all 50 countries and specific ways to pray for each one. Again, visit http://opendoorsus.org.

Vibez on super high this week as we step into the Ioneyez Studio for another night of word, sound and power – from classic roots and lovers rock to the newest in roots & culture! Artists featured this week include David Isaacs, The African Brothers, Justin Hinds and The Dominoes, Culture, Bunny Wailer, Gregory Isaacs, […]

What if creativity isn't about setting the perfect goal, but about learning to trust yourself in the unknown? In this episode, Heather and Alan sit down with choreographer, educator, somatic practitioner, and author Alexandra Beller for a conversation that moves far beyond dance. Alexandra shares how a lifetime of listening to her body, embracing uncertainty, and following curiosity led her from performing with a world-renowned dance company to creating her own work, teaching artists, and helping others reconnect with their intuition. Together, they explore the relationship between the mind and body, the difference between goals and drive, why modern culture has taught us to outsource our self-trust, and how creativity thrives when we stop demanding certainty. Alexandra also discusses her upcoming book, The Anatomy of Art, and explains why failure is not the opposite of success but a necessary part of invention, growth, and becoming who we are meant to be. If you've ever struggled to trust your instincts, felt trapped by expectations, or wondered how to create more authentically, this conversation offers a refreshing perspective on what it means to embrace uncertainty and create yourself intentionally. Alexandra Beller is a choreographer, movement educator, somatic practitioner, and author whose work bridges the worlds of dance, embodiment, creativity, and personal transformation. A former member of the Bill T. Jones/Arnie Zane Company, she spent seven years performing internationally before launching her own acclaimed choreographic career. Alexandra has taught at institutions including Princeton University and has created work for stages across the United States. Through her teaching, coaching, and writing, she helps artists and non-artists alike cultivate deeper self-awareness, creative confidence, and trust in their own inner wisdom. Her upcoming book, The Anatomy of Art, explores how artists can reclaim intuition and develop a more embodied creative practice. Connect with Alexandra: Website: AlexandraBellerDances.org Book: The Anatomy of Art (available for pre-order) Connect With Us:

We must persevere, to subdue, to create beauty in our world. When the walls within our home bring safety, the music brings comfort, the food satisfies the body, the touch brings affection, the words bring hope, we are like the Holy Spirit—bringing the reality of God to the dark places of our world.

What does originality mean in the age of AI? Why should artists resist the temptation to fear AI? What role will human creativity play in the future we're building?Jaron Lanier, a visionary computer scientist, artist, composer, futurist, and writer, discusses his latest artistic ventures and the importance of originality in art. Lanier shares insights into how technology intersects with creativity, the challenges of maintaining authenticity in a digital age, and the evolving role of the artist in shaping the future. Don't miss this opportunity to hear from one of the most forward-thinking minds of our time as he reflects on the future of art and innovation.Don't hesitate to email us at podcast@iai.tv with your thoughts or questions on the episode!To witness such talks live buy tickets for our upcoming festival: https://howthelightgetsin.org/festivals/And visit our website for many more articles, videos, and podcasts like this one: https://iai.tv/You can find everything we referenced here: https://linktr.ee/philosophyforourtimesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

As we move toward another Fourth of July, it feels especially urgent to revisit the American Revolution through the lives of people who rarely make it into our textbooks or monuments. Art historian Zara Anishanslin does exactly that by recasting the founding era through the artists — many of them women, enslaved people, and immigrants — who used art, espionage and activism to shape a new nation from unexpected places, including London.  Learn more about your ad choices. Visit megaphone.fm/adchoices

When reading up about pro wrestlers and their lifestyle choices, you might come across the phrase "personal demons." It's a euphemism for drug and alcohol problems, which sadly are a common occurrence when you look at wrestling and its history of premature deaths. On this episode, Andrew and returning guest Cola the Lodger exorcise some personal demons by playing songs about drugs and alcohol, whether they're positive, neutral, or negative about the substances. Artists played include Primus, Hank Williams III, The Pharcyde, KRS-One, George Michael, Nathaniel Rateliff & the Night Sweats, Kyuss, Melle Mel, and many more. This episode is definitely not passing a drug test.Theme song: "Hemispheres" by Silent PartnerBluesky: @MusicoftheMat / @justandrewAll VOW podcasts, articles, previews, and reviews: VoicesofWrestling.comJoin the VOW Discord to discuss Music of the Mat and other shows/topics: VoicesofWrestling.com/DiscordDonate to Music of the Mat and other VOW podcasts: VoicesofWrestling.com/DonateAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

June Stratton is an American representational figurative painter known for her work capturing the human form with clarity, discipline, and emotional depth.  In this episode of the AART Podcast,  Chris speaks with June Stratton about her career in figurative painting, her studio practice, and how she approaches realism in contemporary art. This conversation covers:How June Stratton became a figurative artistHer approach to painting the human figure and working from observationThe role of light, composition, and gesture in representational artBalancing technical precision with intuition in paintingWhat it takes to sustain a career as a contemporary realist painterChris' signature unscripted, intimate interview style allows  Stratton to go beyond technique and talk about the mindset behind her work—how she sees, thinks, and builds a painting over time. If you're interested in figurative painting, representational art, portrait painting, or the creative process of contemporary artists, this episode offers a clear and practical insight into how one artist approaches her craft.June's links:Website: junestratton.comInstagram: instagram.com/june_stratton/Facebook: facebook.com/JuneStrattonStudio/June's Female artists: Nadine Robbins Marilyn Minter April Gornik Vija Celmins Julie Heffernan Mae Read Mia Bergeron Pamela Wilson Katherine Sandoz Annie Lebowitz Dorielle Caimi Rebecca Leveille Guay Megan LangeDinner Party Guests: Benjamin Franklin Dolly Parton Mary Munter Hedy Lamar Jack White Paitti Smith John MuirKeywordsJune Stratton, figurative painting, representational art, realism painting, contemporary realist artist, portrait painting, human figure drawing, painting process, studio practice artist, American painter interview, AART podcast, Chris Stafford, Women Unscripted podcast network, art podcast, how to paint people, observational painting, fine art interview, contemporary figurative art, artist career insightsBecome a supporter of this podcast: https://www.spreaker.com/podcast/women-unscripted--4769409/support.Host: Chris StaffordProduced by Hollowell StudiosFollow @twomenunscriptedpodcasts on InstagramOn Facebook at Women Unscripted PodcastsEmail: hollowellstudios@gmail.com

June Stratton is an American representational figurative painter known for her work capturing the human form with clarity, discipline, and emotional depth.  In this episode of the AART Podcast,  Chris speaks with June Stratton about her career in figurative painting, her studio practice, and how she approaches realism in contemporary art.This conversation covers:How June Stratton became a figurative artistHer approach to painting the human figure and working from observationThe role of light, composition, and gesture in representational artBalancing technical precision with intuition in paintingWhat it takes to sustain a career as a contemporary realist painterChris' signature unscripted, intimate interview style allows  Stratton to go beyond technique and talk about the mindset behind her work—how she sees, thinks, and builds a painting over time. If you're interested in figurative painting, representational art, portrait painting, or the creative process of contemporary artists, this episode offers a clear and practical insight into how one artist approaches her craft.June's links:Website: junestratton.comInstagram: instagram.com/june_stratton/Facebook: facebook.com/JuneStrattonStudio/June's Female artists: Nadine Robbins Marilyn Minter April Gornik Vija Celmins Julie Heffernan Mae Read Mia Bergeron Pamela Wilson Katherine Sandoz Annie Lebowitz Dorielle Caimi Rebecca Leveille Guay Megan LangeDinner Party Guests: Benjamin Franklin Dolly Parton Mary Munter Hedy Lamar Jack White Paitti Smith John MuirKeywordsJune Stratton, figurative painting, representational art, realism painting, contemporary realist artist, portrait painting, human figure drawing, painting process, studio practice artist, American painter interview, AART podcast, Chris Stafford, Women Unscripted podcast network, art podcast, how to paint people, observational painting, fine art interview, contemporary figurative art, artist career insightsBecome a supporter of this podcast: https://www.spreaker.com/podcast/aart--5814675/support.A Hollowell Studios ProductionInstagram: @theaartpodcast Email: theaartpodcast@gmail.com© Copyright: Chris Stafford | Hollowell StudiosAll Rights Reserved

It was a pleasure to speak with Jessica and listen as she shared  all that she experienced as a high school drop out and single mother with a husband behind bars.   This major turning point in her life,  motivated her to complete her GED as well as complete college and law school, with honors, in order to help those similarly unfamiliar with the way the criminal justice system works.  When you hear the compelling stories about both  Jessica and her mother, you'll say, 'the fruit doesn't fall far from the tree.'   Both women have been working tirelessly for decades in order to educate victims and their family members,  as well as inform  society to be more compassionate and aware and to update the parole and probation system. Resilience is one of the words that Jessica uses over and over again when describing her mother Maria who is originally from  Stockholm, Sweden.  Jessica also describes her mom as "a pioneer in her field." Very early on in the AIDS epidemic, Maria was involved with helping patients and their families maneuver the scary waters of a frightening disease.  While in graduate school, Maria brought her days old daughter Jessica with her to class.  Jessica went where ever her mother took her, to HIV/Aids conferences, seminars, etc. "She showed us"  says Jessica, when referring to her mother, "by her actions, not her words, on how to live life." Jessica was adamant about how her mom had a "show them, don't tell them" philosophy about life. In other words, Maria was an  example by her actions, not her words. Jessica reflects, "I never once saw my mom give up." Again, the parallels between mother and daughter are striking, Maria working with HIV/AIDS patients and Jessica with people in prison. Again, those whose lives were turned upside down, found a smart, caring and devoted women to make a difference in these unfortunate individuals lives. When Kim Kardashian West wanted tutoring in law once aware of wrongfully incarcerated first time offenders, she went to Jessica Jackson for help.  On November 29, 2019, USA Today wrote "Kim Kardashian West came on board with the campaign after she heard about Alice Marie Johnson, a grandmother who had served 21 years of a life sentence for her first-ever drug conviction, and was moved to help. Kardashian West was instrumental in convincing Trump to grant Johnson clemency. "  That's just one of thousands of cases that Jackson has had overturned and continues to fight in order to get families back together under one roof. Both of these women with all that they have accomplished and continue  to accomplish is living proof that if you set your mind to something, anything and everything is possible. As Maria said to her daughter "you can do anything, you can achieve anything, if you work hard enough."    REFORM Alliance Mission Statement: REFORM Alliance aims to transform probation and parole by changing laws, systems and culture to create real pathways to work and wellbeing. A justice system that holds people accountable and redirects back to work and wellbeing leads to stronger families and safer communities. Instead of keeping people trapped in a revolving door from probation/parole to prison — which costs taxpayers billions of dollars — we're working to move people from the justice system into stability.  History REFORM's story starts with the unjust re-imprisonment of recording artist Meek Mill. The shocking two-to-four year sentence he received for popping a wheelie spurred the international #FreeMeek movement, which led to release on bail and eventually his freedom. Although Meek had the resources and public platform to fight his case, his case is only one of millions. The vast majority of people trapped in the system don't get their stories told, or have the resources to fight back. On January 23, 2019, a world-class group of philanthropists and activists came together to launch the REFORM Alliance to change this REFORM Alliance 1675 Broadway, 21st Floor New York, NY 10019-5820 If you would like to learn more about how to support REFORM, please contact us at development@reformalliance.com. #cut50-Co founder along with Van JonesAn organization designed to cut prison populations, but also wipe out the stigmas associated with being incarcerated because of the current criminal justice system. The family  member behind bars is not the only one negatively affected. COO/CAO Reform Alliance; Fmr. Mayor & Council Member City of Mill Valley; WEF Young Global Leader; Co-founder of #cut50; Human Rights Attorney "Should Have Listened To My Mother" is an ongoing conversation about mothers/female role models and the roles they play in our lives. Jackie's guests are open and honest and answer the question, are you who you are today because of, or in spite of, your mother and so much more. You'll be amazed at what the responses are.Gina Kunadian wrote this 5 Star review on Apple Podcast:SHLTMM TESTIMONIAL GINA KUNADIAN JUNE 18, 2024“A Heartfelt and Insightful Exploration of Maternal Love”Jackie Tantillo's “Should Have Listened To My Mother” Podcast is a treasure and it's clear why it's a 2023 People's Choice Podcast Award Nominee. This show delves into the profound impact mother and maternal role models have on our lives through personal stories and reflections.Each episode offers a chance to learn how different individuals have been shaped by their mothers' actions and words. Jackie skillfully guides these conversations, revealing why guests with similar backgrounds have forged different paths.This podcast is a collection of timeless stories that highlight the powerful role of maternal figures in our society. Whether your mother influenced you positively or you thrived despite challenges, this show resonates deeply.I highly recommend “Should Have Listened To My Mother” Podcast for its insightful, heartfelt and enriching content.Gina Kunadian"Should Have Listened To My Mother" would not be possible without the generosity, sincerity and insight from my guests. In 2018/2019, in getting ready to launch my podcast, so many were willing to give their time and share their personal stories of their relationship with their mother, for better or worse and what they learned from that maternal relationship. Some of my guests include Nationally and Internationally recognized authors, Journalists, Columbia University Professors, Health Practitioners, Scientists, Artists, Attorneys, Baritone Singer, Pulitzer Prize Winning Journalist, Activists, Freighter Sea Captain, Film Production Manager, Professor of Writing Montclair State University, Attorney and family advocate @CUNY Law; NYC First Responder/NYC Firefighter, Child and Adult Special Needs Activist, Property Manager, Chefs, Self Help Advocates, therapists and so many more talented and insightful women and men.Jackie has worked in the broadcasting industry for over four decades. She has interviewed many fascinating people including musicians, celebrities, authors, activists, entrepreneurs, politicians and more.A big thank you goes to Ricky Soto, NYC based Graphic Designer, who created the logo for "Should Have Listened To My Mother".MORE INFORMATION ABOUT SHLTMM PODCAST:Link to website and show notes: https://shltmm.simplecast.com/ and https://www.jackietantillo.com/Or more demos of what's to come at https://soundcloud.com/jackie-tantillo Listen wherever you find podcasts: https://www.facebook.com/ShouldHaveListenedToMyMotherhttps://www.facebook.com/jackietantilloInstagram:https://www.instagram.com/shouldhavelistenedtomymother/https://www.instagram.com/jackietantillo7/LinkedIn:https://www.linkedin.com/in/jackie-tantillo/YOUTUBE: https://www.youtube.com/@ShouldHaveListenedToMyMother

If you're an artist, filmmaker, author, podcaster, musician, or creator struggling with self-promotion, this episode is for you. One of the biggest creative marketing mistakes is assuming that once a project is released, its promotional window has closed. The reality is that people discover books, films, podcasts, music, and creative projects every day—often years after they were originally released.I share why promoting past work is essential for creative growth, audience building, and long-term success. Using the five-year anniversary of my feature film Finding Love in Bogotá as a case study, I explore practical ways to market older projects, leverage anniversaries, reflect on your creative journey, and generate renewed interest in work you've already completed.Whether you're wondering how to market your book after launch, promote an old podcast episode, revive interest in a film, grow your audience as a creator, or build a sustainable creative career, this episode will help you stop abandoning past work and start maximizing its value.Topics: Why promoting old work feels so difficult The creator mindset that hurts long-term growth Why audiences discover art years later How anniversaries create natural marketing opportunities What happened when I promoted my film's 5-year anniversary Lessons from Finding Love in Bogotá five years later Reflecting on your creative evolution through past projects Why promoting old work isn't repetitive A simple 7-day challenge to revive a past project How old work can support new creative goals Other projects worth revisiting and learning from Final thoughts on building a lasting creative legacy7-Day Challenge: Revive One Forgotten ProjectGoal: Get your past work in front of new people within the next 7 days.Step 1: Pick One ProjectChoose a piece of work that is at least 6 months old.Step 2: Create One New Piece of Content About ItInstead of simply reposting it, create something fresh: What you learned from making it What you'd do differently today A behind-the-scenes story A challenge you overcame Why the message is still relevant A favorite moment from the projectStep 3: Share ItPost it on at least one platform within the next 7 days.Step 4: Include a Clear Call-to-ActionInvite people to: Watch it Read it Listen to it Share it Tell you their thoughtsSuccess MetricYour challenge is complete if: ✅ You selected one older project. ✅ You created one new post about it. ✅ You published it within 7 days.

We're back with another AFTN Soccer Show packed full of World Cup, Canadian national team, and even Vancouver Whitecaps chat. The World Cup is in full flow and it's been a fantastic feast of footballing action with many twists and turns along the way. Canada is doing the country proud, claiming their first ever win and clean sheet at the tournament in their 6-0 demolition of Qatar to top Group B. We look back at the historic match and occasion, and get some postgame reaction from Alistair Johnston, Ali Ahmed, and Max Crepeau, and look ahead to the big Switzerland clash on Wednesday. Egypt also got their first ever World Cup win on Sunday, in a 3-1 come-from-behind victory over New Zealand and we bring you some postgame audio and chats with Egypt's Mo Salah and New Zealand's Finn Surman, Michael Boxall, Francis de Vries, and Elijah Just. We also cast our eyes over the tournament so far after day 10 as all three host nations are flying high. Who's impressed, who's disappointed, and can Scotland make it to the knockout rounds for the first time? We also look at some great moments for World Cup first timers and have a quick chat with Whitecaps midfielder Sebastian Berhalter about his tournament experience so far. Plus we look at the stadium experiences and atmospheres we've experienced first-hand. It's not all World Cup chat though as we bring you some audio from MLS Commissioner Don Garber as he talks about the latest situation to #SaveTheCaps and keep them in Vancouver. Plus music-wise, legendary Scottish band Deacon Blue continue their residency as our Artists of the Month and we've got another Scotland World Cup song in Wavelength. Here's the rundown for the main segments from the episode: 01.22: Intro - lots of football, lots of marching, lots of memories 10.34: World Cup stadium experiences - logistics, atmospheres, crowds 42.30: The tournament so far - hosts flying high, Scotland in tough, first timers get their moments 65.05: Hydration breaks and group tiebreakers irk 78.30: Canada thrash Qatar, now Swiss test awaits 115.00: Ali Ahmed after Qatar win 117.50: Maxime Crepeau after Qatar win 122.30: Alistair Johnston after Qatar win 141.20: Mo Salah reflects on Egypt's historic win over New Zealand 148.30: Finn Surman on his bittersweet night in Vancouver 152.40: Michael Boxall talks after NZ's loss to Egypt 162.00: Francis de Vries chats about his World Cup debut in the place he started as a pro 168.00: Eli Just chats after NZ's loss to Egypt 173.35: Don Garber on the latest to #SaveTheCaps 184.40: Wavelength - Sanjeev Kohli and Tom Urie - Back In The Game

Chapter 535 (This week) Indy lopez playing the best Soulful and Deep House from Patacona Beach, Valencia featuring tracks by: (Intro Herbert - Rude) 1 Louie Gomez Feat. Soh Darling - Teardrops (No More) (Jesse Rivera Remix) - Bassment Tapes 2 Ladi Adiosoul, Deli & Decency - I'm Giving Away - InQfive Music 3 Slow Af - The Far Side Of The Moon - Like That Underground 4 I-Que - I Reminisce - DeepClicks Music Label 5 Ivan Garci - Infinity Nights - Vlosfer Records 6 Paul Ross Feat. Esthe Bauman - I Need Your Touch - Wtse Music 7 Paul Ross - Looking For The Perfect Moment - Wtse Music 8 Black Mighty Wax, The Black Mighty Orchestra, Silvia Donati - Losing My Religion (Paolo Faz Club Rmx) - Irma Records 9 Haldo, Kanedo Ft. S.A.N.E. - The One (Lounge Mix) - Personal Belongings 10 Tom Caruso - Take It Away - Sift Music 11 Indy Lopez - Guitar Seduction (Mr.Lopez Ibiza Beach Mix)- Deep Rhymes Music 12 Michael Gray Feat. Kelli Sae & Errol Reid - Detonate - Sultra Thanks to all the Labels and Artists for their Music. All tracks selected and mixed by Indy Lopez. Indy Lopez (Producer,Dj & Artist) WWW.INDYLOPEZ.COM Send your Promos to:promo@indylopez.com ALL MY MUSIC CLICK HERE More info: INSTAGRAM FACEBOOK YOUTUBE Bookings Worldwide: Musiczone Records: bookings@indylopez.com Encoded by MUSICZONE PODCAST SERVICES

Join Mike, Ben, Kirk, and Marshall as react to two Universal Music-related pieces of news: specifically their deals with Spotify in relation to the new AI-powered remixes, and their updated licensing deal with TikTok. We'd love to hear what your thoughts are on these news items, and if you agree with the team's assessment of how these developments may impact artists.Let us know in the comments or on the all:ambient Discord server at ⁠⁠https://on.all-ambient.com/discord⁠⁠Over on https://all-ambient.com you can also check out our labs (courses) and virtual instrument lineup!Got any questions you want answered in an upcoming episode? Email us at podcast@all-ambient.com.

Walter Murch, one of the greatest film editors who ever lived, doesn't fix bad footage. He decides what the film actually is, from hundreds of hours of raw material that could tell a dozen different stories. Rick Rubin, one of the most successful and iconic record producers in history, famously describes his role as just listening. He sits on a couch, hears what's true and what isn't, and tells the artist. Artists pay enormous sums for that. Your clients now have the camera. They have the recording equipment. AI is giving them raw material faster and cheaper than ever before. What they don't have is the ear and the eye. The judgment about what to do with all of it. In this episode, I make the case that this judgment is where your real value lives, and that it lives in two places: before the work starts, and after it's done. Both are underpriced by most writers. Both are in growing demand. What You'll Learn Why the film editor and record producer are the right mental models for where your value sits in an AI-shaped market What "upstream judgment" actually means and why writers have been giving it away for free for years The specific decisions that happen before content is created that AI genuinely cannot make well Why the demand for downstream editorial judgment is growing as AI content floods the market How to identify where your judgment is most needed inside your existing client relationships Key Ideas & Takeaways 1. Your clients have the raw material. They need the judgment. AI is making content production faster and cheaper than ever. What it's not providing is the editorial eye that decides what's worth making and what's worth keeping. That's the gap you can fill. 2. The most important decisions are made upstream. Before a word gets written, someone has to decide what's worth creating, for whom, with what angle, and why. Those decisions require context that doesn't exist in any dataset: the client's internal politics, their buyer psychology, the competitive landscape, what leadership will actually approve. That's where experienced writers have enormous value they rarely charge for. 3. You've been doing advisory work your whole career. Every time you asked a clarifying question that changed a project's direction, pushed back on a brief that didn't make sense, or flagged an angle that wouldn't land with the audience, that was advisory work. It was just embedded invisibly in your writing process. The move is to make it visible and price it separately. 4. Downstream judgment is in growing demand. The more content AI helps produce, the more critical it becomes to have someone with real editorial judgment reviewing it before it ships. Companies that skipped this step are learning the hard way what it costs to publish without a quality filter. That's a real and growing opportunity for writers who position themselves as that filter. 5. You don't have to stop writing. Moving into judgment-focused work doesn't mean giving up the craft. Most writers who've made this shift still write. They do it alongside upstream strategy work and downstream editorial review that puts them closer to the decisions where the real value lives. Action Steps Think of one current client and ask: what decisions are they making before they produce content that my experience gives me an opinion about? Ask the same client: what content are they shipping that nobody with real editorial judgment is reviewing first? Write down one upstream service you could offer this client based on what you know about their strategy, their audience, and their blind spots. Write down one downstream service based on the content quality issues you've noticed in their recent work. Pick one of those two and draft a one-paragraph description of what it would look like as a packaged offer.

Artists create the work. But do they really understand the business behind it?In Episode 6 of Season 6, Arts to Hearts founder Charuka Arora is joined by Nina Orm, founder of Creativity Meets Capital, for a powerful conversation about the side of the art world many creatives are never taught to navigate: contracts, copyrights, ownership, licensing, negotiations, and the decisions that can shape a career long after a deal is signed.Many artists spend years mastering their craft, yet very few are taught how to protect their work, understand their rights, or confidently navigate the financial and legal realities of the creative industry.Together, Charuka and Nina explore why understanding the business of art is no longer optional, what artists should know before signing agreements, and how ownership and knowledge can become some of the most powerful tools in a creative career.Because making great work is only part of the story.Understanding how to protect it is the other.And if you've ever felt intimidated by contracts, confused by copyright, or unsure how the business side of art really works, this episode is for you.Tune in this Tuesday for the full conversation.

The longer you create mokuhanga, the more your individual tastes reveal themselves in your own  work, your style, your ideas, and your unique way of seeing the world. These are the qualities that make a mokuhanga artist or craftsperson shine, and they represent the place many practitioners aspire to reach. On this episode of The Unfinished Print: A Mokuhanga Podcast, I speak with someone who has spent decades refining his style, developing his ideas, and defining his relationship with mokuhanga at the same time exploring a variety of printmaking mediums. Daniel Kelly lives and works in Kyoto, Japan, and for many years his work has been exhibited in galleries all around the world. It can also be found in private collections and in some of the world's most important museums. We discuss Daniel's studies under Tomikichiro Tokuriki and the lasting influence Tokuriki has had on his work. Daniel explains his preference for papers from outside Japan and why he generally avoids using Japanese washi. He also details his creative process, discusses his use of multiple printmaking mediums alongside mokuhanga, and he reflects on the advantages each brings to his practice. We also talk about galleries, selling work, and Daniel's views on tradition—and how, in some cases, it can hold artists back. Please follow The Unfinished Print and my own mokuhanga work on Instagram @andrezadoroznyprints or email me theunfinishedprint@gmail.com Notes: may contain a hyperlink. Simply click on the highlighted word or phrase. Artists works follow after the note if available. Pieces are mokuhanga unless otherwise noted. Dimensions are given if known. Print publishers are given if known. Daniel Kelly - website  Children's Parade (2025) [16" x 28") Lithograph on kozo Typhoon (2002) Lithograph, woodblock, and platinum on Nepalese paper. Tomikichirō Tokuriki (1902-2000) - was a Kyoto based mokuhanga printmaker and teacher. His work touched on many themes and styles. From "creative prints" or sōsaku hanga in Japanese, and his publisher/printer prints, or shin hanga prints of traditional Japanese landscapes.  Spring Night at Hirasawa Pond  (1970's) deshi (弟子) - is an apprentice under a teacher in Japanese culture. It can be found across many disciplines such as martial arts, fine arts and sport.  Citty Lights Bookstore - City Lights Bookstore is a famous independent bookstore in San Francisco's North Beach neighborhood, founded in 1953 by poet Lawrence Ferlinghetti (1919-2021). Clifton Karhu (1927-2007) -  was a mokuhanga printmaker based in Japan. Karhu lived in Japan for most of his life after studying with Tetsuo Yamada and Stanton Macdonald-Wright. HIs themes were of his home city of Kyoto, Japan. More information can be found, here.  Shijo River Bank - Famous Places of Kyoto (18.5" x 15.2")  Honoré Daumier (1808–1879) was a French printmaker, painter, and sculptor best known for his sharp social and political satire. Working primarily in lithography, he created thousands of prints that critiqued politicians, the legal system, and everyday life in nineteenth-century France. Daumier's ability to combine technical mastery with keen observation of human character made him one of the most influential printmakers in Western art history, and his work continues to inspire artists today. Les Plaisirs de l'Hiver (1836) Colour Lithograph [7" x 8.3"] Ted Coyler - is a Canadian printmaker originally from Nova Scotia, Canada. He studied under Toshi Yoshida and makes mokuhanga with mixed media as well as CEAHD lithography. More info, here.  Tsumago (20" x 14")  CWAJ (College Women's Association of Japan) Print Show - is one of Japan's most respected exhibitions of contemporary printmaking. Established in 1956, the annual exhibition showcases both emerging and established artists working across a variety of printmaking techniques. Organized by the College Women's Association of Japan, the show has played an important role in promoting contemporary Japanese prints to international audiences while supporting educational scholarships and programs. For many artists, inclusion in the exhibition is a significant mark of recognition within the printmaking community.  Maurice Sanchez - is a New York–based master printmaker specializing in lithography and collaborative fine art printing. Working through his workshop Derrière L'Étoile Studios, he has collaborated with many major contemporary artists, helping translate drawings and ideas into technically precise and visually rich prints. More info, here.  Untitled (1988) by Maurice Sánchez, Barbara Kruger & James Miller - photo offset lithograph on Rives BFK wove paper   Tatyana Grosman (1904–1982) - was a Russian-American print publisher and founder of Universal Limited Art Editions (ULAE) on Long Island, one of the most influential print workshops in postwar American art. Working closely with artists in a highly collaborative studio environment, she encouraged experimentation with lithography and other print techniques, helping to redefine printmaking as a primary artistic medium rather than reproduction. Through ULAE, she supported landmark collaborations with artists such as Jasper Johns, Robert Rauschenberg, Helen Frankenthaler, and Cy Twombly, playing a central role in the resurgence of American printmaking in the 1960s. Nihonteki (日本的) - is a Japanese word meaning Japanese-style. And is often used to describe a thing thsat reflects qualities that are associated with Japan. It's often used to describe something that reflects qualities associated with Japan such as aesthetics, behavior, design, or cultural approach.  Tamarind Institute - was originally founded in Los Angeles in 1960 by June Wayne, and is a world renowned center for fine art lithography. Established to revive and sustain the art of lithography, which was in decline in the United States, Tamarind quickly became a leader in the education and promotion of lithographic techniques. In 1970, the institute moved to the University of New Mexico in Albuquerque, where it continues to thrive as a key institution in the printmaking world. Dedicated to advancing the lithographic arts through rigorous education, collaborative projects, and the production of high-quality prints, the Tamarind Institute's influence extends globally, contributing significantly to the development and appreciation of lithography as a vibrant art form. More info, here.  Michael Verne - is a gallerist based in Cleveland, Ohio, USA.  Michael specializes in contemporary Japanese prints and paintings. Michael's interview with The Unfinished Print can be found, here.  Sarah Brayer - is a visual artist who is based in Kyoto, Japan. Her works are predominantly poured Japanese paper (washi). Sarah was the first Western artist to work at the Taki paper mill in Echizen. This is where she currently make her paperworks. Sarah have worked continuously in Echizen since 1986 as the only Western artist to do so. Sarah Brayer has also produced mokuhanga in her career. More information can be found, here. Sarah's interview with The Unfinished Print can be found, here.  White Spread (2026) - poured washi [23.75″ x 36.25″] Ren Brown Collection -  is gallery in Bodega Bay, California featuring contemporary Japanese prints, handmade ceramics and jewelry, Japanese antiques, and works by California artists and sculptors. Each piece reflects a dedication to quality, cultural heritage, and creative expression. More info, here.  Mayumi Oda - is a Buddhist teacher and artist based in Hawai'i. Her artwork has gained international recognition, having traveled worldwide. In addition to her artistic pursuits, Mayumi is an environmental activist and resides and works at Ginger Hill Farm, an eco-retreat on the Big Island of Hawai'i. Explore more about Mayumi Oda's work, here. Majushri - on a bicycle (1980) [20" x 29"] seriagraph Kremer Pigemente - is a European based seller of various types of pigments for the world market.Kremer sells different pigment powders, binders, tools, and specialty chemicals tailored for fine art painting, restoration, monument preservation, and specialized handcrafts. More info can be found, here.  Fauvist Colour Theory -   is an approach to colour developed by the Fauves in early 20th-century France, including artists like Henri Matisse (1869-1954) and André Derain (1880-1854). Instead of using colour to describe reality, they used it expressively—often applying pure, unmixed pigments directly from the tube to create intense, non-naturalistic effects. Colour became independent from form and light, used to convey emotion, rhythm, and visual impact rather than accurate representation. This liberated approach to colour was short-lived as a movement but had a lasting influence on modern and contemporary art. Kathy Caraccio - is a master printer, artist, curator, professor, and collector who has collaborated with hundreds of artists from around the world. Through her studio, she has fostered a vibrant, supportive community rooted in shared creativity and craft. More info can be found, here.  Offering (1973) viscosity etching [11"x11") Stanton Macdonald-Wright's colour theory - formed the basis of Synchromism, an abstract art movement he co-founded in 1913 with Morgan Russell. Synchromism, meaning "with colour," sought to construct painting through colour alone, treating it as the primary driver of form, rhythm, and spatial depth rather than line or traditional representation. Drawing parallels with musical composition, Macdonald-Wright and Russell aimed to create visual "harmonies" where colours functioned like chords, building dynamic and structured relationships across the canvas. The result was one of the earliest American contributions to abstraction, grounded in a systematic exploration of colour as an expressive and structural force. © Popular Wheat Productions logo designed and produced by Douglas Batchelor and André Zadorozny  Introduction music while working - Lester Young / Oscar Peterson  Disclaimer: Please do not reproduce or use anything from this podcast without shooting me an email and getting my express written or verbal consent. I'm friendly :) The opinions expressed by guests on The Unfinished Print: A Mokuhanga Podcast do not necessarily represent the opinions or beliefs of André Zadorozny.       

This episode is an hourlong survey of Simpson Records, the eponymously-titled gospel label of Richard "Bishop" Simpson. Artists include the COGICS, Utterbach Concert Ensemble, Kendrix Singers of LA, Gospel Descendants, Gospel Clefs, and others.

Indigenous in Music with Larry K and Chantil Dukart in our Spotlight Interview (Jazz, Pop) You're tuned in to Indigenous in Music with Larry K, and today we're excited to be part of a very special album premiere. From Colorado by way of Alaska, we welcome back Chantil Dukart. She's an Indigenous artist known for blending jazz, hip-hop, and experimental sound into something truly her own. Three years ago, she joined us with her album Lady and the Champ—and today, she's back. We're honored to help launch her brand new release, Chantil and the Dukes of Art. Read all about Chantil at our place at our place on the web at www.indigenousinmusicandarts.org/past-shows/chantil-dukart. Enjoy music from Chantil Dukart, Shon Denay, Ailaika, Def-i, Erik Glow, Richie Desersa, Itz Lil Lee, Keith Secola, Julian Taylor, Jim James, The North Sound, Stolen Identity, Robin Cisek, Johnny Ray Jones, Lisa LaRue, J.A.M, Sinematic, TRIBZ, Shawnee Kish, Crystal Shawanda, Curtis Clear Sky and the Constellationz, Levi Platero, Nathan Cunningham, Indigenous, Graeme Jonez, JD Crosstown, The Melawmen Collective and much more. Visit us at www.indigenousinmusicandarts.org to explore our programs, celebrate culture, and connect with powerful voices shaping our communities. Step inside Two Buffalo Studios, browse our SAY Magazine Library, and meet the incredible Artists and Entrepreneurs who are making an impact today.

This week on Sludge Underground  @Thorns_Of_Sludge shares his experience at Misty Waters Music Festival. This festival was nothing short of a love letter to artist, festival goers, anda most importantly music lovers. Hired along as a second shooter he was front and center for all 27 bands who played seeing familiar faces but also a ton of new ones. This was one of the most diverse lineups imaginable from artists within Indie, electronic, blues, rock, punk to almost everything inbetween.Here's a breakdown of almost everything Marcel experienced, from meeting fans of the channel to Fokofpolisiekar's frontman conveying his thoughts on our videos, to the overall experience of a festival Sludge Underground will definitely be returning to. A massive shoutout goes to  @DizzyKhaki for providing all the band footage used in this video and for giving Marcel this opportunity! Artists mentioned and music used:Simeon krielAbsolute SilenceTaxi Violence Van PletzenSwimmerMaxx And LoveIndie DogThe Black Cat BonesFokofpolosiekarCrash And The VoidSA Blues SocietyTidal WavesZaan SonnekusDie Heuwels FantastiesMan MotelsDoomFairyJoin the discord to be part of the discussion:https://discord.gg/JUDEUeKTPKExplore our exclusive merch store for unique and high-quality items inspired by our podcast! From stylish t-shirts to snug beanies, there's something for every listener. Show your support and grab your favourite merch today!Support the showHelp us continue making great content for listeners everywhere by subscribing to Sludge Underground Podcast +Websitehttps://www.sludgeunderground.comMerchhttps://sludgeunderground.store/Instagramhttps://www.instagram.com/sludgeundergroundTikTokhttps://www.tiktok.com/@sludgeundergroundYouTubehttps://www.youtube.com/@sludgeundergroundTwitterhttps://twitter.com/Sludge031Facebookhttps://www.facebook.com/SludgeUnderground

If you're like me, a child of the 80s, you grew up watching Star Wars. I understood a lot about Star Wars but what I didn't understand at the time was how political it was. The empire and the rebellion. Resistance. Fighting for the underdog and the oppressed. Fighting for an alternative way of being that is not dictated by empire. One of my goals with this podcast is to create a diverse platform of voices within the church. Voices on the margins. Artists on the margins. Theologians on the margins. One of those important voices is author and Cuban-American theologian Kat Armas. One of my favorite books this year is her new book Liturgies for Resisting Empire. This is a conversation about reimagination. Decolonization. Reclaiming agency. Seeing the beauty in humanity in dehumanizing times. There's a lot here, but the entire conversation is worth your time if you like to be challenged, stretched, and gain perspective from a different vantage point in a global and diverse Christianity. Topics Covered: The importance of listening to marginalized people Deconstruction vs Decolonization How the Bible is co-opted in support of various political agendas Why The United States of America can’t be de-colonized How to resist empire Global missions and colonialism How to care for those who have deconstructed their faith Resources Mentioned: Show Sponsor: Planning Center Liturgies for Resisting Empire by Kat Armas Abuelita Faith by Kat Armas Sacred Belonging by Kat Armas Bewilderment by Richard Powers Show Sponsor: Planning Center This episode is brought to you by Planning Center, helping you sync all your ministry details across your whole church. Planning Center has become so essential to how I manage a team, that it's almost impossible to consider local church ministry without it anymore. Today, I want to leave you with a PCO pro-tip. Does this sound like a familiar situation? It's the end of the week. You're about to leave the office when you suddenly think: Did all of our volunteers confirm for Sunday? You scroll through the schedule and sure enough—there's a gap. Instead of allowing yourself to spiral into a panic, try this: In Services, Planning Center has gap alerts. Turn them on, and you'll get a heads-up days before service if positions are still unfilled or unconfirmed. No more end of the week scrambling. Speaking of less scrambling, did you know you can access everything you need for rehearsals right from the Service media player on your phone? Lyrics, chord charts, arrangement notes—it's all right there, so you're not hunting for files in the middle of hitting those power chords. To see what else you can do to make your Sundays easier, go to planningcenter.com/blog. The post #394: Empire, Resistance, and Faith On The Margins with Kat Armas appeared first on Beyond Sunday Worship.

In this show, we'll hear an hour's worth of dream songs with some dream artists mixed in.  You'll hear these artists: Orchestral Manoeuvres In The Dark, Robert Palmer, The Dream Academy, Beabadoobee w/ The Marias, Gary Numan, Love And Rockets, Business Of Dreams, Dreamcar, The Dream Syndicate. On most podcast platforms. Facebook: SuburbanUndergroundRadio     Instagram: SuburbanUnderground     #newwave #altrock #alternativerock #punkrock #indierock

WOAFM99 Radio Show - Certified Indie Songs of the Week (The Ultimate Seamless Weekend Mix!) Description: Kick off your weekend with an extraordinary musical journey on today's episode of the WOAFM99 Radio Show and Podcast with your host, Oliver Sean! This week, the WOA International Team has curated an exceptional Spotlight playlist featuring our latest Certified Indie Songs of the Week. We are breaking the mold with a masterfully crafted sonic experience that transitions seamlessly across genres to keep you completely hooked from start to finish. We begin the show with raw, stripped-back, live acoustic vibes, effortlessly blending into beautifully produced folk and roots tracks. From there, we gradually crank up the energy with highly produced anthems and driving rock, before closing out the night with an infectious, electronic-fueled wave of dance, hip-hop, and atmospheric music. It's a masterclass in musical curation, covering an incredible range of independent music while maintaining a perfect, seamless flow. Discover your next favorite track and let the WOA Team soundtrack your weekend! Today's Certified Indie Spotlight Tracklist: The Raw & Acoustic Beginnings Oliver Sean – Before You Accuse Me (Unplugged) Honolulu O'Dughin – Freight Train Rolling in the Night The McDades – The Lily of the West The Roots & Evolving Production Elam McKnight & Bob Bogdan – The Rural Wasteland Firecamino – Vodka Sweet Tea Leave the Bones – Pinch Me Darlin The High-Energy Rock Peak Reva K – Something Bob Martinez – The Devil's Dance Floor The Dance & Electronic Finale Pixel Pulse The Lab – Painted Nature Saint Louis – Dancing with the Dark Inside Catch WOA TV Show Season 7 & Exclusive Video Extras! Fans and artists can also catch the latest WOA TV Show Season 7, produced by the WOAFM99 Team and masterfully packaged and edited by the WOA Films team to showcase Breakthrough Independent Music Videos. The show has officially expanded its massive global footprint and is now licensed to network TV in Brazil and the broader Latin American markets, Cable TV in India, and dedicated TV and Community TV channels in Dubai and London! Where to Watch & Listen: The Main Shows: The main WOAFM99 Radio Show and the WOA TV Show are fully available wherever you get your favorite podcasts, as well as on woafm99.com and woafilms.com. Exclusive Video Extras: To catch all of our video extras, companion episodes, the popular Get To Know Your Artists series, and special WOA TV Show preview intro shows, head over exclusively to the official YouTube channel at YouTube.com/@OliverSean/Podcasts. Tune in now to discover the very best independent artists from around the globe! Artists can submit their music and videos at www.woaentertainment.com/store

Live from Art Basel 2026, Marie Krimphoff and Carolyn Stocker-Seiler debrief from the fair floor, discussing the artworks, artists and gallery presentations that are defining this year's edition. They share their highlights, examine collector sentiment and buying behaviour, and explore what the mood in Basel may signal for the global art market in the months ahead.Tune in for a concise, on-the-ground conversation from the world's leading art fair, packed with observations, insights and key takeaways.DISCLAIMER This publication is for information- and marketing purposes only. The provided information is not legally binding and neither constitutes a financial analysis, nor an offer for investment-transactions or an investment advice and does not substitute any legal, tax or financial advice. Bergos AG does not accept any liability for the accuracy, correctness or completeness of the information. Bergos AG excludes any liability for the realisation of forecasts or other statements contained in the publication. The reproduction in part or in full without prior written permission of Bergos is not permitted.

Episode 531 / Jo DennisJo Dennis (b. 1973, UK) is a British artist based in London. Her practice spans two decades,working across painting, sculpture, photography, and installation. Dennis explores ourpsychological and emotional connection to place and memory, specifically in relation to ruination,surface, and decay, and how these themes link with notions of mortality.Dennis received her MA in Painting from the Royal College of Art, London (2022) and her BA inFine Art and Contemporary Critical Theory from Goldsmiths College, London (2002).Recent exhibitions: Never the Straightest Path (solo) Belenius, Stockholm, Sweden 2026: A Letterto my Daughter (solo) Carvalho New York 2025: The Long Now, Saatchi Gallery, London, curatedby Phillipa Adams 2025: David Zwirner PLATFORM (group) curated by Elisabeth Johs 2025, AGlass of Absinth (solo) at JO-HS, Mexico City 2025.A Hopper Prize grant winner (2025) and a recipient of an Arts Council England Grant (2023-24),Dennis is the co-founder of several artist lead projects in London; Pigeon Park (2021-22)Peckham 24 Photo Festival (2016 - 2024) AMP Gallery (2015 - 2018) and Asylum Chapel (2010 -current) She has collaborated with Sid Motion Gallery on five solo projects (2017-2023)including the launch of her artists book ‘I touched this with my hand, I touched that with my eye'(2020) Dennis is a trustee and sits on the Artists' council for the Artists' General BenevolentInstitution.Her work was recently included in The Book Of Ladders, 100 Contemporary Art Works, edited byPaul Carey Kent and Adeline de Monseignat (2023), and Site Specific by Tall Poppy Press (2023). 

GET YER MERCH! https://artistsonartistsonartistsonartists.com/shop Wicked. Mama Mia. Moulin Rouge. These and many other musicals have one thing in common - they’re beloved by women and gay men. But what about the straight men, you might ask? Well you’re in luck, because the newest hot musical on Broadway, Seal Team Sex, was written with those very men in mind. At the intersection of masculinity and jazz hands, the creative team behind this innovative show talk us through their process, the ways they have adapted Broadway traditions to fit bro culture, and why this show is so important to put on now. So grab your hotdog, find your seat in the orchestra, and listen in! Our guest this week is the hilarious Tim Baltz. Find him in your favorite shows - Widow’s Bay, I Love LA, Righteous Gemstones, and Shrink - and on Instagram as @tim.baltz. This episode was filmed in the beautiful Dynasty Typewriter Theater, and tech-produced by Samuel Curtis. For live shows and events you can find more about them at dynastytypewriter.com. To learn more about the BTS of this episode and to find a world of challenges, games, inside scoop, and the Artists being themselves, subscribe to our Patreon! You won't be disappointed with what you find. Check out patreon.com/aoaoaoapod Artists on Artists on Artists on Artists is an improvised Hollywood roundtable podcast Created and Hosted by Kylie Brakeman, Jeremy Culhane, Angela Giarratana and Patrick McDonald. It is a production of Will Ferrell’s Big Money Players and iHeartMedia Podcasts. Executive Produced by Matt Apodaca and produced by Alexandra Dennis and Laservision Productions. Music By Gabriel Ponton and Edited by Conner McCabe. Thumbnails by Josh Fleury and logo design by Lucy Tomkiewicz. Hollywood's talking. Make sure you're listening. Subscribe to us on Apple Podcasts, Spotify, and Youtube! Please rate us five stars!See omnystudio.com/listener for privacy information.

EP 33 - "Capturing Moments, Creating Worlds" | David Ellis | New York Times–Featured Poet, Author, Artist, and EducatorDavid is very much a part of this New Harlem Renaissance and his thoughtful poetry captures that elegantly. His love of this community and teaching is evident as well as his passion for poetry, artistry. - Marcus Samuelsson Featured in the New York Times for his haiku poetry that he paints on driftwood and first poetry book "Beach in City Island", David has been working in Harlem as a teacher for almost two decades, David fell in love with Harlem the moment he entered. "I feel the souls of those that were here before I was born, especially when I walk down Lenox Avenue." Most of the poems written in this poetry books are on display at many restaurants and cafes in Harlem. Hand painted on canvas and written in frames.

AJ is fresh off the best concert of her life, and Shane is headed to the World Cup, so episode 192 kicks off with appropriate energy before diving into some of the meatiest topics the pod has covered in a while. They start with a Wall Street Journal piece about an elite retreat where children of ultra-high-net-worth families learn how not to blow their inheritance. AJ renames it Slumlord Training Camp, and she is not wrong. The conversation turns into a broader discussion about wealth hoarding, trickle-down economics, and why the top 0.001% of Americans added $2.7 trillion in wealth between 2020 and 2025 — roughly 250 people, for the record. From there, AJ and Shane dig into PwC's report on how AI is splitting the labor market into two distinct tracks, what it means for entry-level workers, and why your intern is now literally Claude. They also break down Zillow's latest housing market report and why you should always read the fine print on who is paying for the research. And they close on the Nest Egg Protection Act, a Republican proposal to give homeowners over 65 a one-million-dollar capital gains exclusion, and why AJ thinks we will never hear about this bill again. Topics covered: The R365 retreat for ultra high net worth kids and what it actually teaches them Wealth hoarding, trickle-down economics, and the $2.7 trillion wealth increase for 250 Americans PwC's two-track AI labor market report and what it means for entry-level workers Why radiologists and developers are thriving in the AI era Zillow's housing market update and why you should read who funded the research The Nest Egg Protection Act and a one-million-dollar capital gains exclusion for homeowners over 65 AJ's book Creative Money: New Financial Rules for Artists, Innovators, and Misfits Timestamps: 00:00 AJ went to Rosalía at MSG, and it was the best show of her life 03:17 Shane is wearing a Colombia jersey and headed to the World Cup 05:30 The Wall Street Journal's elite retreat, where wealthy kids learn not to blow their inheritance 10:41 The $2.7 trillion wealth increase for the top 0.001% and why this is getting out of control 15:06 PwC's AI labor market report: the two-track economy and what it means for entry-level workers 19:15 Why companies using AI are hiring more, not less 21:52 Zillow's housing market update and the fine print on who benefits 24:09 The Nest Egg Protection Act: a one million dollar capital gains exclusion for homeowners over 65 30:53 Why this bill is not a real solution to housing inventory 35:35 AJ's book Creative Money and a teaser for next week's Peter Thiel secret society episode

This episode is part of a nine-part series on commissions. How to prepare for them, respond to them, deliver them, and, crucially, how to stop them burning you out. If you haven't followed the podcast yet, hit follow so you don't miss an episode. Today, episode four of nine. And this is where the series shifts gears. For the last three episodes, we have been doing the preparation work. The mindset. The five signatures of under-pricing. The commission ecosystem. Today, an enquiry has arrived. This is the moment most artists get wrong because this is the moment their nervous system takes over. When an enquiry lands in your inbox. And before you've finished reading it, your stomach has tightened, your brain is already drafting a reply, and somewhere in the next three sentences you're going to offer availability, ideas, enthusiasm, and a half-committed yes – all before you know you are a good fit. And the principle is this. Before you reply with anything, you filter. How, is what today´s episode is about. KEY TAKEAWAYS Ceri´s short enquiry form is a low-friction sieve: it quietly filters out tire-kickers, and a serious client will fill it in within 10 minutes. The right questions reveal what they actually want, how committed they are, whether they really get your work, and whether their budget and timeline are realistic. After the enquiry form, you move into a chemistry call – 30 minutes - to ask important questions and spot red flags. Then, produce an alignment document to further test understanding. If the client confirms the alignment document, you move forward; if they come back with big changes, it's a sign you weren't fully aligned on the call – it's far better to catch that now than 3 months into making. BEST MOMENTS “Stage one of responding to any inquiry is the initial filter, low friction, high signal, a sieve, not a conversation.” “If those signals are weak, you slow things down, you don't ghost them, but you don't rescue them, you reply politely with more questions,” “The alignment document - a short-written document that confirms in writing what you heard, not a proposal, not a quote, an alignment document.” For a text version of today's teaching, plus new practical guidance every week, you can subscribe to Beat the Block at http://cerihand.com/subscribe EPISODE RESOURCES First episode of this 9-part series - https://podcasts.apple.com/gb/podcast/designing-the-way-you-want-to-work-the-mindset/id1709105337?i=1000769915059 HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/

We're living in a moment when the geopolitical intersects with the personal in a profound way. The relationship between the United States and Cuba is once again in the news, and it happens at a time when there are a handful of new releases from Cuban artists on the island and around the world. The sounds of the albums are vastly different, but they all draw from the same deep well of inspiration that has always fueled Cuban music: a deep love for the intersection of cultures. The music we share this week is a reminder of the very real lives of the people caught in the middle of a situation with an uncertain outcome. It is joyous, contemplative, rhythmically sophisticated and lyrically profound. Just like all Cuban music.Artists & songs featured in this episode:(00:52) OKAN, "Ajé (Owo Nla Nla)"(03:30) Ibeyo, "Aset"(06:45) Orquesta Akokán, "No Me Voy" (11:50) Cimafunk, "Cocinarte"(15:47) X Alfonso, "Unicornio"This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

Aaaand we're back, this time with iitsAD pulling up to the ranch for episode 307, where AD and Snow get into a faked hospital visit that ran up $40k in bills, the goats at the ranch, online hate and the pages people made about her son, being pigeonholed as an artist, and raising her son Drew. From there it goes everywhere: strip club stories, car crashes, Drew getting fired over taped-up hats, the World Cup trip to Mexico, a bungee jumping death video, AI coming for everybody's jobs, and Elon Musk's moon hotel promises. Watch on YouTube and catch the livestreamed podcast every Tuesday at 6pm Pacific to join the chat. Find all episodes at http://everynightnights.com/Join the BCC everynightnights chat→ http://www.everynightnights.chathttps://www.youtube.com/@SnowThaProducthttps://www.tiktok.com/@snowthaproducthttps://www.instagram.com/snowthaproduct/

We're living in a moment when the geopolitical intersects with the personal in a profound way. The relationship between the United States and Cuba is once again in the news, and it happens at a time when there are a handful of new releases from Cuban artists on the island and around the world. The sounds of the albums are vastly different, but they all draw from the same deep well of inspiration that has always fueled Cuban music: a deep love for the intersection of cultures. The music we share this week is a reminder of the very real lives of the people caught in the middle of a situation with an uncertain outcome. It is joyous, contemplative, rhythmically sophisticated and lyrically profound. Just like all Cuban music.Artists & songs featured in this episode:(00:52) OKAN, "Ajé (Owo Nla Nla)"(03:30) Ibeyo, "Aset"(06:45) Orquesta Akokán, "No Me Voy" (11:50) Cimafunk, "Cocinarte"(15:47) X Alfonso, "Unicornio"This podcast episode was produced by Noah Caldwell. Suraya Mohamed is the executive producer of NPR Music.See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

For more than four decades, Anthony Mason has been one of the most trusted voices in American journalism, bringing curiosity, intelligence, and a steady presence to his reporting for CBS News. As a correspondent and former co-host of CBS This Morning, he's interviewed presidents, cultural icons, and some of the world's most influential artists.Now, Mason is launching a project that feels especially personal. His new series, 'Alchemy,' explores the creative process through intimate, long-form conversations with musicians and artists including Hozier, Paul Simon, and Nile Rodgers. But 'Alchemy' isn't focused on fame, success, or even the work itself. Instead, it asks a deeper question: how does creativity help people transform hardship, uncertainty, and experience into something meaningful?

Artists on the Hudson by Kacey

THE AFTER PARTY IS BACK. And on this one we feature the new girls of Cincy Street. They tell about their bartending journey to Cincy Street, give us their latest relationship tea and our boy Gee asks them some crazy questions! Follow us on social media @AaronScenesAfterParty

Have you ever taken a close look at the University Bridge? Specifically those little towers on either side? Earlier this year, depending on which one you looked at, you might have seen a person hanging out. Maybe you waved at her. That was Vivian Cho. She was one of two people that Seattle picked to serve as this year’s Bridge Artists in Residence. It’s a program that the city runs annually. Artists are invited to hang out in a bridge tower for months, either on the Fremont or the University Bridge. At the end of these stints, they showcase art that they created during their residencies. Vivian's artwork went up at King Street Station in early June.... so we took a trip back to November, when we visited her in the bridge tower studio. Guest: Vivian Cho, one of Seattle's Bridge Artists in Residence Related links: Big News from the Bridges: Meet the 2025 Bridge Artists in Residence! - Art Beat Thank you to the supporters of KUOW, you help make this show possible! If you want to help out, go to kuow.org/donate/soundsidenotes Soundside is a production of KUOW in Seattle, a proud member of the NPR Network.See omnystudio.com/listener for privacy information.

There's something so human about live theatre. Real people are telling a story in a shared space, while you share space with other people watching. It's intimate. For playwright Gabriel Diego Hernández, it's also a way to tell truths about, and poke fun at, race in the United States. His play “Quarter Rican” explores his worldview as a mixed-race Puerto Rican man and father. In this episode, we talk about the power of the stage to be its own brand of protest, which includes talking about representation. And since our host is a playwright too, they had a lot to say about how we tell stories on stage to make bigger points about the world we live in. Learn more about New Jersey hip hop artist, actor, poet, educator, and playwright Gabriel Diego Hernández on Instagram: @gabriel_diego_hernandezThis season of Race Unwrapped is supported by the Kentucky Center for African American Heritage, and by our listeners. Click here to help make this work possible!

Running lash salons since 2016 teaches you one thing fast: the look a client asks for and the look her natural lashes can carry are rarely the same thing. In this episode, Mike and Shauna walk through how they close that gap without losing the client, from the consultation question that prevents a set someone secretly hates, to why they refuse the words "thin" and "damaged" at the station, to the rare cases where the honest answer is no. Practical, salon-tested guidance on consultations, natural lash health, and managing expectations for lash artists at any level.

Hello, Artists on Artists on Artists on Artists Listeners! We want to share a new show you might enjoy, it’s “Humor Me with Robert Smigel & Friends ”!!! About the Show: A weekly podcast where host, Robert Smigel, and a rotating panel, his friends, assist callers seeking help in making something in their real life funnier. Anything. A best man speech, a eulogy, a breakup letter, a cover letter, an apology, a Tinder profile - Robert, with a panel of professional comedy writers and comedians, will punch it up and get results. Want help with your writing assignment? Submit it to: speakpipe.com/humorme Listen here and subscribe to Humor Me with Robert Smigel & Friends on the iHeartRadio App or wherever you get your podcasts!See omnystudio.com/listener for privacy information.

Johan Svendsen: Norwegian Artists CarnivalIceland Symphony Orchestra Bjarte Engeset, conductorMore info about today's track: Naxos 8.557017Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

As host of SHLTMM, I wanted you to know that this episode of my podcast contains some graphic or sensitive content that some may find disturbing. Gregg's podcast, "The Compulsive Storyteller" which can be found where ever you listen to podcast, is Gregg continuing the art of telling stories handed down from past generations. Worth a listen for sure. (Link is below.) When Gregg was a little boy the family had moved to the Albany, New York area. Betty owned a plane, so who better to fly with his mom on a regular basis. He loved seeing the landscape from way up in the sky. It was quite an experience for a little boy. They'd go out to lunch and fly from one location to another. Gregg really cherishes his memories of his mom. Gregg's parents were apparently too similar personalities to make a good match according to Gregg. When Betty was checked out of  the WASP at the end of WWII, she received a job offer as the first ever female flight controller at LaGuardia Airport. Her husband sent her a telegraph ordering her to go back to buffalo and wait for him and not to take the job. Gregg shares a few very telling stories about his mother's experience in the military. Unfortunately a strong, talented, fearless  women had a  tough time in a male dominated industry such as the military. Gregg often says, "she was a woman ahead of her time." Betty flew an AT-6 which was considered the best fighter training aircraft during WWII, P38 Fighter Bomber and more. Over the 32 years that Gregg knew his mother, he laments  "she never once said 'I'm sorry,' nor did she say so to my sisters or my father. That was a real disability she had.  She was very proud."  Unfortunately, Gregg's maternal  grandmother held onto grudges similar to his mother. Anyone who went against his grandmother, they also were crossed off the list forever. Being in the military was not always easy, the most challenging  was when confronted by misogynistic men. That happened on a regular basis. Unfortunately, the harassment continued after the military while working in the real estate business. "A woman who was strong and decisive and stood up for herself was basically a difficult woman," Gregg explains out of frustration. Unfortunately, Betty LeFevre, even with all her accomplishments,  was more unhappy than anyone  could have understood.  * About Gregg In His Words I'm a public artist with permanent commissions around the world, a passion for the art world, entrepreneurship, multiculturalism, & stories. I have completed over 200 permanently installed public art projects all over the world, many in the USA and a dozen in Manhattan. Library Walk, at Fifth and 41st, is the latest work of public art in NYC. Many of my projects are unique in that they consist of a series of bronze panels with text and imagery that are set in sidewalks, parks and plazas. Library Walk is two blocks long, and it's 96 bronze panels lead the viewer toward the front door of NY's central Schwarzman Library.  My public art is all about exploring the history and character of the places where it is set. I have a particular interest in telling the lost and forgotten stories from African American history, women's history, Hispanic history, natural history and those of other minority cultures. I have also turned many my experiences in and around the world of art into a podcast of short personal stories that proves truth can be stranger than fiction. The Compulsive Storytelleris my podcast of intriguing comic, tragic and weird stories, many of which involve getting myself into and out of trouble. It is available on Apple, Spotify and most other platforms.  Reviews of my public artworks can be found in the New York Times, the Wall Street Journal, the Boston Globe, the Washington Post, the Chicago Tribune, and many other newspapers, magazines and online publications.   Discover More http://andrewslefevre.com/ https://www.gregglefevre.com/nyt-bronze-star https://www.gregglefevre.com/nyt-what-lies-beneath    https://www.wsj.com/amp/articles/the-great-library-way-1411003094    https://www.grandcentralpartnership.nyc/our-neighborhood/library-way    https://www.youtube.com/watch?v=sqwr1WdayQ0&feature=emb_imp_woyt https://open.spotify.com/show/5MllPsrmeipHqZ0vtiw2Mx https://www.thecompulsivestoryteller.com/ https://www.instagram.com/thecompulsivestoryteller/ https://www.facebook.com/TheCompulsiveStoryteller "Should Have Listened To My Mother" is an ongoing conversation about mothers/female role models and the roles they play in our lives. Jackie's guests are open and honest and answer the question, are you who you are today because of, or in spite of, your mother and so much more. You'll be amazed at what the responses are.Gina Kunadian wrote this 5 Star review on Apple Podcast:SHLTMM TESTIMONIAL GINA KUNADIAN JUNE 18, 2024“A Heartfelt and Insightful Exploration of Maternal Love”Jackie Tantillo's “Should Have Listened To My Mother” Podcast is a treasure and it's clear why it's a 2023 People's Choice Podcast Award Nominee. This show delves into the profound impact mother and maternal role models have on our lives through personal stories and reflections.Each episode offers a chance to learn how different individuals have been shaped by their mothers' actions and words. Jackie skillfully guides these conversations, revealing why guests with similar backgrounds have forged different paths.This podcast is a collection of timeless stories that highlight the powerful role of maternal figures in our society. Whether your mother influenced you positively or you thrived despite challenges, this show resonates deeply.I highly recommend “Should Have Listened To My Mother” Podcast for its insightful, heartfelt and enriching content.Gina Kunadian"Should Have Listened To My Mother" would not be possible without the generosity, sincerity and insight from my guests. In 2018/2019, in getting ready to launch my podcast, so many were willing to give their time and share their personal stories of their relationship with their mother, for better or worse and what they learned from that maternal relationship. Some of my guests include Nationally and Internationally recognized authors, Journalists, Columbia University Professors, Health Practitioners, Scientists, Artists, Attorneys, Baritone Singer, Pulitzer Prize Winning Journalist, Activists, Freighter Sea Captain, Film Production Manager, Professor of Writing Montclair State University, Attorney and family advocate @CUNY Law; NYC First Responder/NYC Firefighter, Child and Adult Special Needs Activist, Property Manager, Chefs, Self Help Advocates, therapists and so many more talented and insightful women and men.Jackie has worked in the broadcasting industry for over four decades. She has interviewed many fascinating people including musicians, celebrities, authors, activists, entrepreneurs, politicians and more.A big thank you goes to Ricky Soto, NYC based Graphic Designer, who created the logo for "Should Have Listened To My Mother".MORE INFORMATION ABOUT SHLTMM PODCAST:Link to website and show notes: https://shltmm.simplecast.com/ and https://www.jackietantillo.com/Or more demos of what's to come at https://soundcloud.com/jackie-tantillo Listen wherever you find podcasts: https://www.facebook.com/ShouldHaveListenedToMyMotherhttps://www.facebook.com/jackietantilloInstagram:https://www.instagram.com/shouldhavelistenedtomymother/https://www.instagram.com/jackietantillo7/LinkedIn:https://www.linkedin.com/in/jackie-tantillo/YOUTUBE: https://www.youtube.com/@ShouldHaveListenedToMyMother

Chicago is just days away from the grand opening of the Obama Presidential Center in Jackson Park. And it's not just a museum or library, but also a home to a whole lot of art. Inside, outside, on the walls, IN the walls, overhead – and even the benches visitors will sit on. So who is this art for, and what message does it convey? In The Loop talks with three of the Chicago artists featured in the inaugural permanent collection at the Obama Presidential Center: visual artist Tyanna J. Buie, and muralists Dorian Sylvain and Sam Kirk. For a full archive of In the Loop interviews, head over to wbez.org/intheloop.

Further reading: https://elephantartgallery.com/blogs/meet Desmond Morris with his favorite Congo painting: Peter/Pierre Brassau and some of his paintings: The so-called donkey painting, and I described it wrong in the episode: Pockets at work: Show transcript: Welcome to Strange Animals Podcast. I'm your host, Kate Shaw. Back in the early days of the podcast I did an episode about animal musicians, which for a long time was my favorite episode. Today let's visit a similar topic, animals who are visual artists. Back in the 1950s through the 60s, researchers studying how humans make art studied monkeys and apes who were taught how to use a brush and paints. The studies caught the public's fancy and it became something of a fad to own a piece of art created by an animal—whether it was a monkey or ape, an elephant, or some other animal. One of the earliest big name animal artists was a chimpanzee named Congo. Zoologist Desmond Morris, who was studying creativity in apes and humans, and who was also an artist himself, offered Congo a pencil and paper when he was two years old in 1956. Congo enjoyed drawing and especially liked to draw circles. When Morris eventually gave the chimp paints, Congo was even more enthusiastic. But while he was considered a novelty, he only had one art exhibition while he was alive, a 1957 event arranged by Morris. It wasn't until 2005 that the remaining paintings were exhibited, along with the art of some other apes, and some of them sold for thousands of dollars. A new exhibit appeared in December of 2019 in the Mayor Gallery in London. One interesting thing is that Morris worked with several apes to see how they drew and painted, but only Congo showed enthusiasm and skill for art. Congo died of tuberculosis in 1964 when he was only ten years old. Also in 1964, a French avant-garde artist named Pierre Brassau exhibited four of his paintings at an art show in Sweden. No one knew who Brassau was, but his paintings were critically acclaimed—except for one critic who wrote, “Only an ape could have done this.” Ahem, yes. That is correct. The artist turned out to be a West African chimpanzee named Peter who lived in a zoo in Sweden. The whole thing started with a Swedish journalist who apparently wasn't much of a fan of modern art. The journalist persuaded a zookeeper to give Peter a canvas, paints, and brush. At first Peter just ate the paint, but eventually he started making marks on the canvas. The journalist ultimately chose four of the paintings and submitted them to the exhibition under the name Pierre Brassau. One of the paintings sold for the equivalent of about $750 today. But animal artists making modern art isn't limited to the 1950s and 60s. In 1905 a painting by an unknown artist, J.R. Boronali, went on display in a Parisian salon. It didn't cause any kind of stir, though, because it was nothing special, until 1910 when word got out that the painting had been made by a donkey. According to the story, an art critic tied a paintbrush to the donkey's tail and fed the donkey carrots, which made it wag its tail, which dabbed paint on a canvas. I've seen the painting, though, and it seems clear that a human artist prepped the canvas by slapping a coat of background paint on it that resembles a red sea and blue sky. There are some dabs and blobs of paint over that in yellow and red, presumably from the donkey. In this case, of course, the donkey wasn't trying to paint a picture and didn't even know what was going on behind it, just that it was getting lots of carrots. An avant-garde Russian school of art named itself The Donkey's Tail in 1912 as a result, though, so that's pretty neat. More recently, a capuchin monkey named Pockets has become a big-name artist in the animal world. Pockets was donated to a Canadian animal sanctuary after his owner finally realized that capuchin monkeys are wild animals and don't actually make very good pets. One of the volunteers at the sanctuary gave Pockets the nickname Warhol because of his white hair, which reminded her of the artist Andy Warhol. That gave her the idea to give Pockets some paints and see what he would do with them. It turns out that Pockets really likes to paint. In 2011 the sanctuary held an exhibit of his paintings to help raise money, and since then his paintings have been exhibited in art shows around the world. He's collaborated with a human artist, who basically paints something and then gives the canvas to Pockets to add to it. His art recently appeared on the cover of an album released by a member of Depeche Mode too. Not all animal artists are apes or monkeys, though. Bini the Bunny stars in a lot of videos where he plays basketball, dances, plays the guitar, and does a lot of other things you would not expect a bunny to do. He also paints. Bini, of course, has been trained to make certain movements, including picking up a paintbrush in his mouth and moving it upward with the paint-covered bristles sometimes touching a canvas, but sometimes not. Bini isn't choosing what paint colors to use and doesn't even really look at the canvas while he's working. He's cute, but he's not making art spontaneously the way Pockets and his predecessors do. Elephants also make art, holding a paintbrush with the tip of the trunk. The most famous elephant artist was named Ruby, an Asian elephant who lived at the Phoenix Zoo in Arizona in the United States, although she was born in Thailand in 1973. When her keepers saw her using a stick to draw in the dirt, they gave her painting supplies to see what she would do with them. Ruby enjoyed painting, choosing her colors carefully, and some of her paintings sold for as much as $25,000. Ruby died from complications of a failed pregnancy in 1998, sadly. So many artists die young. Sometimes you'll see videos of elephants painting a picture of an elephant, but these aren't spontaneously created. The elephant has always been taught to make the same brush strokes, and sometimes the training is cruel. An authentic elephant painting looks abstract, with lines and dots that the elephant places in a shape it finds pleasing, not to resemble something specific. This is the same with ape and monkey artists too. If you listened to the episode about animal musicians, you will probably remember the Thai Elephant Orchestra. Well, the same conservation center that hosts the elephant orchestra also has some elephant artists. The Elephant Art Gallery sells paintings made by various of the elephants who live in the sanctuary. They're allowed to choose their own paints and decide if they want to paint at all that day. Elephants who don't show interest in learning to paint don't have to try, and instead get to do different activities. The main difference between human art and art made by non-human animals is that humans naturally create representational art without being taught. Little kids draw wobbly stick people with big smiles and no one has to show them how. Humans can make abstract art, of course, but a skilled abstract artist chooses colors, textures, and patterns carefully to invoke a feeling in the people who look at the finished painting. This is different from a little kid finger-painting who is just having fun making a mess, although of course you can make art with finger paints too. Animals never create representational art spontaneously, and we can't know if their choice of colors, textures, and patterns is intended to invoke a particular feeling because we can't ask them. (I mean, we can ask them but they wouldn't understand the question and we wouldn't get an answer.) But it does seem obvious that animals who enjoy painting and who make deliberate marks on paper or canvas are taking pleasure from the process of creation. And when you come right down to it, that's the most important thing about making art. Finally, you may remember the court case about the monkey selfie from 2014. Nature photographer David Slater was taking pictures in a nature reserve in Indonesia when he stepped away from his camera, which was set up on a tripod. A Celebes crested macaque monkey investigated the camera and ended up taking a number of photos, one of which was a selfie that became almost instantly famous online. Slater tried to claim copyright to get paid for the photograph as it became more and more popular. In August of 2014 the United States Copyright Office decided that the owner of camera equipment can't claim copyright for a photo taken by an animal. Neither can the owner of an animal who takes a photograph or otherwise produces artwork. Only a human can hold copyright, but if the human doesn't actually create the art, they don't get the copyright. Hey, this would be a great day to make a drawing or a painting! Thanks for your support, and thanks for listening!

UV lash systems are one of the hottest topics in the lash industry and unfortunately, one of the most misunderstood. In this episode, we break down the biggest myths surrounding UV lash extensions, including safety concerns, eye exposure, retention claims, allergies, curing times, and what lash artists need to know before making the switch. If you've heard conflicting information about UV lash technology, this episode will help separate fact from fiction so you can make informed decisions for your business and clients.