Podcast appearances and mentions of Iggy Pop

Dave and Chuck the Freak talk about a listener saw Jason at swim class, ad renting out a room might be a lady of the night, Dave calls alleged cuck barber, 2 planes nearly collide midair, travel warning about measles cases, teens rescue family from house fire on prom night, bees scaped after truck spilled its load, group of kids ding-dong-ditched a guy, fewer tourists traveling to Las Vegas, NBA and NHL playoffs, NBA on TNT ending, Ohtani fell asleep during game, sexiest MLB mascots, athletes who will not be drug tested, 103-year-old lady still bowling, Annabel doll escaped, actors who were nearly killed while filming, chairs caught fire at movie theater, final season of Stranger Things, firework from stage hit fan in head, Taylor Swift bought rights to music back, Iggy Pop hauled off stage in a coffin, water in Dave’s ear, old woman confronted man for playing bagpipes, flight attendant found naked dancing in business class bathroom, guy who stripped nude on flight gets to keep job, women in trouble for staging near nude photoshoot at Greek palace, woman woke up to her stalker sucking on her toes, drunk things, cop was stealing from work and selling at pawn shop, adults only mini golf in Las Vegas, car gets torn apart to look for woman’s engagement ring, man accused of stealing panties from laundromat, police searching for ferret fondler, break-in at the home of Beanie Baby inventor, man who lost nose in fight trying to rebuild it, toddler rescued from conveyer belt, family reeled in 800lbs great white shark, guy claims to be inventor of Flamin’ Hot Cheetos, girl goes viral for love of guacamole, and more!

Cristobal Tapia de Veer on instinct, tension, and walking away from The White LotusIt‘s not often I have a guest on the show primarily known for scorring for screen but the outspoken, punk-rock ethosed, voice-warping composer Cristobal Tapia de Veer is so Lost and Sound it hurts. Whether it's the unnerving soundworld of Utopia, the chaotic beauty of The White Lotus, or the warped voices of A24‘s Babygirl, his scores don't just sit behind the picture—they shape how you feel it.In this conversation, we talk about how some of his most striking ideas come in a flash. How one of The White Lotus‘ most memoral earworms: “took me the time it takes you to listen to it,” he says. “I feel like somebody else did it for me.”We get into why scoring the show felt like “trying on a yellow dress,” and how stepping into unfamiliar territory let him bring something raw and unexpected to it. He's honest about how uncomfortable that space was—and how that discomfort helped him land something sharper.Cristobal opens up about working in an industry that often pulls in the opposite direction of intuition. We talk about trusting the subconscious, letting go of control, and how stepping back sometimes allows something better to come through.We also touch on his recent public split from The White Lotus—and the bigger questions that come when creativity and power don't align.If you're interested in how a politically minded Iggy Pop fan became one of the most highly revered film and TV composers working right now, or just curious about what it takes to stay true to your instincts inside a system that often doesn't want you to, this one's worth your time.If you're enjoying Lost and Sound, please do subscribe and leave a rating or review on Apple, Spotify, Amazon, or wherever you listen. It really helps to spread the word and support Lost and Sound.Cristobal Tapia de Veer on Instagram Cristobal Tapia de Veer on Apple Music and TIDAL.Follow me on Instagram at PaulhanfordLost and Sound is sponsored by Audio-TechnicaMy BBC World Service radio documentary “The man who smuggled punk rock across the Berlin Wall” is available now on BBC Sounds. Click here to listen.My book, Coming To Berlin: Global Journeys Into An Electronic Music And Club Culturet Capital is out now on Velocity Press. Click here to find out more. Lost and Sound title music by Thomas Giddins

Another can't miss edition focuses on the refreshing Rock Hall of Fame improvements, anniversaries, tributes and more spotlighting George Wendt, Cyndi Lauper, Outkast, Cher, The White Stripes, The Who, Counting Crows, robust ticket prices, Iggy Pop, Foo Fighters, and others. Always an imformative blast!

Iggy Pop & Jack White will headline the new CBGB festival in New York, Soundgarden will finally release their final album with Chris Cornell's vocals, Alice In Chains have cancelled their tour & festival appearances for the summer due to an undisclosed medical emergency & more!  PLUS ‘This Week in Rock & Roll History Trivia', Rock Birthdays, ‘The Best & Worst Rock Album Artwork of the Week' & so much more!Everything is up at www.rocknewsweekly.com Watch us LIVE, chat with us & more…Every Sunday around 2pm PST @ https://www.twitch.tv/rocknewsweeklyWatch all of our videos, interviews & subscribe at Youtube.com/@rocknewsweeklyFollow us online:Instagram.com/rocknewsweeklyFacebook.com/rocknewsweeklyTwitter.com/rocknewsweeklyAll of our links are up at www.rocknewsweekly.com every Monday, where you canCheck it out on 8 different platforms (including Amazon Audible & Apple/Google Podcasts) #Rock #News #RockNews #RockNewsWeekly #RockNewsWeeklyPodcast #Podcast #Podcasts #Metal #HeavyMetal #Alt #Alternative #ClassicRock #70s #80s #90s #Indie #Indie #Trivia #RockBirthdays  #BestAndWorstAlbumCovers #AlbumCovers #BadAlbumCovers #soundgarden #cbgb #cbgbfestival #chriscornell #iggypop #jackwhite #aliceinchains #seankinney

As coisas nunca foram fáceis pro Edwyn Collins. A carreira dele já quase acabou algumas vezes, primeiro com o fim da banda dele, o Orange Juice, depois nas duas vezes em que ficou sem gravadora e na última delas, quando foi a vida que quase acabou depois de dois derrames que o deixaram sem andar nem falar. Mas ele sempre volta, e já está no 5º disco pós derrames, que é assunto desse episódio.

The drummer and percussionist Billy Martin, whose name many Time Sensitive listeners may recognize—he created the Time Sensitive theme song—defies any boxed-in or limiting definitions of his work. Best known as a member of the band Medeski Martin & Wood (MMW), he's spent the past three-plus decades making experimental, boundary-pushing, and uncategorizable instrumental jazz-funk-groove music, shaping sounds that feel as expansive as they are definitive and distinctive. Across all his artistic output, Martin continually, meditatively searches for harmony. He is also a composer, a teacher, a visual artist, and a builder and craftsman. His expansive creative practice comes most alive at his home in Englewood, New Jersey, where he has cultivated a bamboo garden, crafted his own Japanese-style teahouse, and constructed a music studio. Martin is someone for whom rhythm is not just something heard, but also seen and felt.On the episode, he talks about his MMW journey at length, his concept of “rhythmic harmony,” and why he views sound creation as a sacred act.Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.Show notes:Billy Martin[7:31] Medeski Martin & Wood[7:31] John Medeski[7:31] Chris Wood[7:31] “Not Not Jazz” (2024)[10:12] Iggy Pop's “Avenue B” (1999)[10:12] Don Was[11:27] “The Lover” (1995)[11:27] “Friday Afternoon in the Universe” (1995)[11:27] “Old Angel Midnight” (1973) by Jack Kerouac[13:44] Ra-Kalam Bob Moses[13:44] John Scofield[13:44] David Baker[15:57] “Shuck It Up” (1993)[15:57] “It's a Jungle in Here” (1993)[18:12] “Latin Shuffle” (1998)[18:12] “Combustication” (1998)[18:12] Frankie Malabe[18:12] Art Blakey[33:25] Thelonious Monk[33:58] “Life on Drums” (2011)[38:32] John Bonham[38:32] Charlie Watts[38:32] Stewart Copeland[38:32] Elvin Jones[38:32] Max Roach[38:32] Danny Richmond[38:32] Charles Mingus[38:32] Jack DeJohnette[38:32] Joe Morello[38:32] Roy Haynes[38:32] Stan Getz[38:32] Airto Moreira[38:32] Naná Vasconcelos[38:32] Babatunde Olatunji[39:58] Gus Johnson[39:58] “Whatever Happened to Gus” (1998)[39:58] Steve Cannon[40:54] “Chubb Sub” (1995)[40:54] ”Uncle Chubb” (1992)[46:41] “Shack-man” (1996)[47:06] “Drumming Birds” (2004)[54:48] “Bamboo Rainsticks” (1999)[54:48] Amulet Records[1:00:23] Creative Music Studio

Nadine Whitney had the wonderful opportunity to speak with Karan Kandhari and Radhika Apte about Sister Midnight and how as original and ‘weird' as it is, it's also representative of people who are rarely seen as (essential) inhabitants of Mumbai. Both Karan and Radhika are an absolute joy to listen to. Kandhari's film is a marvel of inventiveness. The work itself breaks the rules of what is considered genre cinema by never settling on one. Sister Midnight is much like the artist who performed the song after which it is named. Igwald Popstar – known to people who haven't chosen a ridiculous nickname for him as Iggy Pop or James Newell Osterberg Jr., – a man for whom conformity is as anathema as wearing a shirt. It's punk, it's unpredictable, and it has no time to explain itself to people who aren't feeling its strange and wonderful rhythms.Uma and Gopal barely speak to each other but when Uma does open her mouth the crude (but funny) invectives pour out. Her spikiness doesn't bother her neighbour Sheetal (Chhaya Kadam) greatly who takes her under her own resigned wing. However, even when Uma tries (and fails) to be wifely Gopal isn't particularly receptive preferring instead to drink alone than to accommodate Uma. When they do try to be a young couple, they end up taking a pointless thirteen-hour excursion to a beach, only to have to turn around and go home again. Life seems to demand that when they are with each other it is in extremely close quarters which makes Uma more aggressive and Gopal more avoidant. The green wedding bangles she wears (and shakes in anger) become shackles she can't wait to have cut off.Uma begins to make her own way through the city encountering other people whose lives are on the fringes. A trans sex worker who feels a kind of kinship with Uma's oddness. An elevator attendant in a building she begins working at as a cleaner (“Can you clean?” Uma is asked. “I'm a domestic goddess.” She replies), and then there are the goats who seem to follow her wherever she goes. Something is rising in her – something feral and undeniable – neither welcomed nor wholly unwelcomed.Trying to describe what goes on in Sister Midnight is much like humming a blisteringly brilliant song and hoping your paltry version matches up. Karan Kandhari's marvellous vision simply needs to be seen and heard (the soundtrack is incredible) for the fantastic jolts to pull you into its idiosyncratic and singular orbit.Sister Midnight is vivid and infectious. Radhika Apte is towering as Uma who inability to just “be a person” makes her an outlaw setting her own rules. Expect the unexpected in Sister Midnight and trust wherever it takes you is going to be rebellious and irresistible. Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories from storytellers to a wider audience. Hosted on Acast. See acast.com/privacy for more information.

Nadine Whitney had the wonderful opportunity to speak with Karan Kandhari and Radhika Apte about Sister Midnight and how as original and ‘weird' as it is, it's also representative of people who are rarely seen as (essential) inhabitants of Mumbai. Both Karan and Radhika are an absolute joy to listen to. Kandhari's film is a marvel of inventiveness. The work itself breaks the rules of what is considered genre cinema by never settling on one. Sister Midnight is much like the artist who performed the song after which it is named. Igwald Popstar – known to people who haven't chosen a ridiculous nickname for him as Iggy Pop or James Newell Osterberg Jr., – a man for whom conformity is as anathema as wearing a shirt. It's punk, it's unpredictable, and it has no time to explain itself to people who aren't feeling its strange and wonderful rhythms.Uma and Gopal barely speak to each other but when Uma does open her mouth the crude (but funny) invectives pour out. Her spikiness doesn't bother her neighbour Sheetal (Chhaya Kadam) greatly who takes her under her own resigned wing. However, even when Uma tries (and fails) to be wifely Gopal isn't particularly receptive preferring instead to drink alone than to accommodate Uma. When they do try to be a young couple, they end up taking a pointless thirteen-hour excursion to a beach, only to have to turn around and go home again. Life seems to demand that when they are with each other it is in extremely close quarters which makes Uma more aggressive and Gopal more avoidant. The green wedding bangles she wears (and shakes in anger) become shackles she can't wait to have cut off.Uma begins to make her own way through the city encountering other people whose lives are on the fringes. A trans sex worker who feels a kind of kinship with Uma's oddness. An elevator attendant in a building she begins working at as a cleaner (“Can you clean?” Uma is asked. “I'm a domestic goddess.” She replies), and then there are the goats who seem to follow her wherever she goes. Something is rising in her – something feral and undeniable – neither welcomed nor wholly unwelcomed.Trying to describe what goes on in Sister Midnight is much like humming a blisteringly brilliant song and hoping your paltry version matches up. Karan Kandhari's marvellous vision simply needs to be seen and heard (the soundtrack is incredible) for the fantastic jolts to pull you into its idiosyncratic and singular orbit.Sister Midnight is vivid and infectious. Radhika Apte is towering as Uma who inability to just “be a person” makes her an outlaw setting her own rules. Expect the unexpected in Sister Midnight and trust wherever it takes you is going to be rebellious and irresistible. Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.We'd also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories from storytellers to a wider audience. Hosted on Acast. See acast.com/privacy for more information.

Here's a preview of “To Hell with Poverty!”, a new audiobook from Jon King, legendary frontman of iconic post-punk band Gang of Four. “To Hell with Poverty!” documents King's story from a south London slum and working-class background to international success as core musician, lyricist, writer, and producer in the legendary post-punk/funk band Gang of Four. King's memoir takes the reader on a journey full of raucous adventures from his childhood and teenage years, to the height of Gang of Four's success in the seventies and eighties. Thrown off Top of the Pops, truncheoned by police at an anti-Nazi rally, coming of age in the heart of the Leeds music scene and the UK post-punk movement, mingling with Hells Angels and other undesirables, supported by bands like R.E.M. and playing with the likes of the Police, Iggy Pop, and the Buzzcocks―King's time with Gang of Four is rich with jaw-dropping stories. Find “To Hell with Poverty!”, from Pushkin Industries, on Spotify, Audible, Pushkin.fm, or wherever you get audiobooks.  Learn more about your ad choices. Visit megaphone.fm/adchoices

The theme song by Iggy Pop rules.

Episode 184: Some Of The Goodies From 1969 May 1, 2025 Hello and welcome!  It's another Tales Vinyl Tells, an excursion into the great album cuts of our vinyl records of the 60s & 70s.  Today we're tuned into some of the 1969 releases that rocked and changed the consciousness of the world. Tommy, the Who's Rock Opera came out in 69. So did the Stones' Let It Bleed, Santana's first,  The Stooges debuted with Iggy Pop and the first two Zeppelin LPs came out in that year. So did Abbey Road.  And “The Band” LP, with Cripple Creek and The night they drove old dixie down.  Yeh!  It was a great musical year, 1969.   I'm Brian Hallgren.  I've been doing this podcast since December 2019 and the radio program since January of 2022.  And here's today's episode, #184, exposing some of the Tales Vinyl Tells. Welcome to the camp. I want to say thank you to all the financial supporters of Tales Vinyl Tells. Whether a small amount monthly or a very generous donation, each of you listeners is very appreciated and if you can and do give monthly, my deepest gratitude goes to you. If you're not a patron yet and want to know more about becoming a patron of this music program you can go Patron.podbean.com/talesvinyltellssupport. Thank you and rock on! And thanks for listening today.  My email is talesvinyltells@gmail.com.  If you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, Apple podcasts, iHeart podcasts, Player FM podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime.

Hola, os damos la bienvenida a un nuevo programa de ERA Magazine, el podcast de la música independiente española. En el programa de hoy hablamos con los grupos mallorquines Peligro! (Esther Oller), Lyras Hell (Andrea Trujillo) y Fera (Carlos Riera, notodoesindie.com) sobre el Mallorca Live Festival que se celebra del 12 al 14 de junio. Un evento que ya es una referencia en las islas y necesario para el desarrollo musical balear. Las canciones que sonarán en el programa son: Peligro!, "Sed de caramelo". Peligro!, "Patada y derribo". Peligro!, "Donde caben 2". Fera, "Kill The Time". Massive Attack, "Teardrop". Iggy Pop, "Lust For Life". Nathy Peluso, "Menina". Alcalá Norte, "Westminster". Suede, "She Still Leads Me On". Judeline, Mc Morena, "Tú Et Moi". Los Wilds, "No me toques mamá". Hasta aquí el programa de hoy, gracias a todos los que nos apoyáis a través de eramagazine.fm/donacion con vuestras aportaciones, sin vosotros y vosotras, esto no sería posible. Hasta el programa que viene, Un saludo.

Iggy Pop pushed rock further than anyone before him, committing to live acts of sex, sickness, and rumored suicide on stage. From his cocaine fueled bromance with David Bowie, to his search for inspiration in the voodoo rituals of Haiti, Iggy Pop never just crossed the line between art and madness. He bled all over it, and danced on the stains. This episode was originally published on October 15, 2019. To listen to Disgraceland ad free and get access to a monthly exclusive episode, weekly bonus content and more, become a Disgraceland All Access member at disgracelandpod.com/membership. Sign up for our newsletter and get the inside dirt on events, merch and other awesomeness - GET THE NEWSLETTER Follow Jake and DISGRACELAND: Instagram YouTube X (formerly Twitter)  Facebook Fan Group TikTok To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

This week, we received our annual audit visit from corporate! That's right, The Chairman not only graced us with his presence, but he demanded we deliver to you this episode: “Grave Mistake: BÖC Shoulda Been Huge!!!”. One could argue that selling 24M albums would negate “Shoulda Been Huge” treatment. However, when most folks can only name 3 songs by this band, and one of them is due to an SNL skit, we think they fit the bill.This episode is rooted in our Should Have Been category; however, there is a strong case to be made that they've been largely forgotten as innovators and architects of what we know as heavy metal. We think they should be remembered as titans of hard rock and metal! Hope ya dig!Songs this week include:Blue Öyster Cult - “Transmaniacon MC” from Blue Öyster Cult(1972)Blue Öyster Cult - “The Red & The Black” from Tyranny And Mutation (1973)Blue Öyster Cult - “Flaming Telepaths” from Secret Treaties (1974)Blue Öyster Cult - “Tenderloin” from Agents Of Fortune (1976)Blue Öyster Cult - “R.U. Ready 2 Rock” from Spectres (1977)Blue Öyster Cult - “The Vigil” from Mirrors (1979)Blue Öyster Cult - “Monsters” from Cultosaurus Erectus (1980)Blue Öyster Cult - “Joan Crawford” from Fire Of Unknown Origin (1981)Please subscribe everywhere that you listen to podcasts!Visit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://twitter.com/inobscuriahttps://www.instagram.com/inobscuria/Buy cool stuff with our logo on it!: https://www.redbubble.com/people/InObscuria?asc=uCheck out Robert's amazing fire sculptures and metal workings here: http://flamewerx.com/If you'd like to check out Kevin's band THE SWEAR, take a listen on all streaming services or pick up a digital copy of their latest release here: https://theswear.bandcamp.com/If you want to hear Robert and Kevin's band from the late 90s – early 00s BIG JACK PNEUMATIC, check it out here: https://bigjackpnuematic.bandcamp.com/

Zwar nicht mehr ganz so laut wie in seinen jungen Jahren, dafür jetzt mit umso mehr (positivem) Pathos: Iggy Pops Gastauftritt auf der neuen Moonlandigz-LP führt unsere – wie immer – handverlesene New Music Friday-Selektion an. Auch mit dabei: Haim, Lorde, Self Esteem, The Raveonettes u.v.m.

Rescatamos canciones bien conocidas transformadas en versiones de rockabilly, psychobilly y otros sonidos de raíces o tupés.Playlist;(sintonía) LOS MAMBO JAMBO “Camino de la cama” (Siniestro Total)MELLOW JO & THE HI-TONES “Rock and Roll” (Led Zeppelin)THE HILLBILLY MOON EXPLOSION “Call me” (Blondie)MAD SIN “I shot the sheriff” (Bob Marley)THE METEORS “These boots are made for walkin’” (Nancy Sinatra)LOS CAVERNAS “20th century boy (T-Rex)SOUTHERN CULTURE ON THE SKIDS “Happy Jack” (The Who)THE QUAKES “Send me an angel” (Real Life)PAUL ANSELL’S NUMBER NINE “Red light” (Billy Ocean)JD McPHERSON “Lust for life” (Iggy Pop)HISTORIA DEL CRIMEN “She talks to rainbows” (Ramones)ZOMBIE GHOST TRAIN “Girl U want” (Devo)LIVING END “10-15 Saturday night” (The Cure)THE HEADCAT “You can’t do that” (The Beatles)WACO BROTHERS “The harder they come” (Jimmy Cliff)THE COAL PORTERS “Heroes” (Bowie)Escuchar audio

Amy and Paul choose life this week by visiting the 1996 British black comedy-drama, Trainspotting. They discuss Iggy Pop's reaction to the film, Amy's favorite Scottish dish, and Ewan McGregors dive into the filthiest toilet in Scotland.. You can join the Unspooled conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 Follow Paul and Amy on Letterboxd for more of their movie hot takes! https://letterboxd.com/paulscheer/  https://letterboxd.com/theamynicholson/ Paul's book Joyful Recollections of Trauma is out now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Check out more of Paul's writing on his Substack https://substack.com/@paulscheer Episodic Art by Kim Troxall: https://www.unspooledart.com/ Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices

En este audio hablamos de: 1. Reflexión sobre la canción "We Have All the Time in the World", interpretada por Louis Armstrong y también por Iggy Pop. Esta canción sirve como punto de partida para reflexionar sobre el tiempo y la vida. 2. La angustia por el paso del tiempo. Con el tiempo, esa angustia se transformó en una percepción positiva del tiempo como algo disponible, no como algo que se pierde. 3. Reemplaza la preocupación por el envejecimiento o los logros con una valoración del simple hecho de estar vivo y sentir profundamente. 4. La experiencia interior se convierte en el logro más valioso. 5. existe la sensación de que el tiempo es suficiente cuando se vive desde el amor y la conexión humana. Música: 1. soundcloud.com/nhamer-garcia/hamer-metamorphosis 2. Valkiria. Nhamer García. https://www.youtube.com/watch?v=IwSu1nKgAo Si quieres invitarme a algo, puedes hacerlo aquí: 1. https://www.ivoox.com/support/36379 2. Paypal: contacto@alvarogomez.info 3. Transferencia a nombre de Álvaro Gómez Contreras en la cuenta: ES98 1491 0001 2930 0007 5447 Si quieres contactarme puedes hacerlo en : contacto@buscadoresdesentido.es

Always varied and enjoyable, this episode weaves from yacht rock to punk, folk to classic rock, and other detours. In the spotlight Bon Iver, The Who, Billie Eilish, REM, Goose, Bruce Hornsby, Iggy Pop, Prince, Sam Fender, and more. Enjoy the commentary and fun!

National Bulldogs are beautiful day.  Entertainment from 1995.  German ace the Red Baron shot down, Texas won its independence from Mexico, Spain declared war on the U.S.   Todays birthdays - Anthony Quinn, Queen Elizabeth 2, Charles Grodin, Iggy Pop, Paul Davis, Tony Danza, Andie McDowell, Robert Smith.  Prince died.Intro - God did good - Dianna Corcoran   https://www.diannacorcoran.com/ Billy does your bulldog bite - Sawyer BrownAs it was - Harry StylesDrunk (Don't wanna go home) - Elle King  Miranda LambertBirthdays - In da club - 50 Cent   http://50cent.com/Candy - Iggy Pop65' Love Affair - Paul DavisFriday, I'm in love - The CureSoft & Wet - PrinceExit - Keeping the ring - Jessie Lynn  https://www.jessielynn.net/ countryundergroundradio.comhttps://coolcasts.cooolmedia.com/

On the April 21 edition of Music History Today, Paul McCartney sets a record, S Club 7 calls it quits, & the world loses a Prince & a Divinyl, along with Nina. Also, happy birthday to Iggy Pop & Robert Smith of the Cure.  For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY  PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytodayResources for mental health issues - https://en.wikipedia.org/wiki/List_of_suicide_crisis_lineshttps://findahelpline.com

Zpěvák Iggy Pop se zjevil se jako přízrak koncem 60. let s kapelou The Stooges. Narodil se 21. dubna 1947. Koncerty jeho kapely byly proslulé svou divokostí. Tloukl sebou o zem, skákal do publika a rval se fanoušky. Jeho desky nikdo nekupoval, a přesto dnes patří k nejvlivnějším albům v historii. Jeho hudba předběhla svou dobu a předznamenala nástup punkové revolty v 70. letech. V Berlíně našel domov i sám sebe.

Nick welcomes music journalist Jim Ryan to talk about his recent interview with none other than Jeff Bridges—The Dude himself—and why Jim considers him the best actor on the planet. They also dive into some recent and classic concerts that Jim and/or Nick have attended, including Iggy Pop, Ratboys, Suzanne Vega, Daryl Hall, Heart, Cheap Trick, and more. Later, Esmeralda Leon joins Nick to recap her birthday night out (a show at The Hideout featuring Al Scorch), answer more questions from the Ultimate Pop Culture Quiz, and react to some surprising behind-the-scenes Hollywood trivia—like the fact that Beverly Hills Cop was originally written for Sylvester Stallone, and My Cousin Vinny was first pitched to Andrew "Dice" Clay. Whoah! [Ep 342]

Nuestro pequeño homenaje al elegante Clem Burke, preciso y vistoso batería que falleció por cáncer el pasado 6 de abril a los 70 años de edad. Su arrolladora energía e impecable pericia fueron cruciales en el sonido de Blondie desde sus primeros días. Pero además, este todoterreno estilístico puso el ritmo a innumerables bandas y artistas.Playlist;(sintonía) BLONDIE “Call me (instrumental)” (1980)BLONDIE “X-Offender” (1976)BLONDIE “One way or another” (1978)BLONDIE “Dreaming” (1979)BLONDIE “Rapture” (1980)BLONDIE “Ring of fire (live)” (1981)JOAN JETT and THE BLACKHEARTS “Wully Bully” (1980)IGGY POP “The horse song” (1982)IGGY POP “Some weird sin (live)” (1981)IGGY POP “Repo man” (1984)THE PLIMSOULS “Kool trash” (1998)MAGIC CHRISTIAN “Out in the street” (2009)THE SPLIT SQUAD “Hey DJ” (2022)BLONDIE “Heart of glass” (1978)Escuchar audio

Matty Grace is this weeks guest to talk all about her debut solo album Cheap Shame (out now on Dirt Cult Records) and more!MATTY GRACEhttps://mattygrace.bandcamp.comhttps://www.instagram.com/mattydisgracehttps://linktr.ee/mattydisgracePCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Special Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com

Fashion journalist Jeanne Beker shares some wild stories in her memoir, Heart on My Sleeve, from chatting to famous musicians in the bath to walking out on an interview with Iggy Pop. In an interview from October, she shows Matt Galloway how the items in her closet tell her story, from a yellow bikini top to a boxy Chanel dress.

Hace dos años entrevistamos en exclusiva a Glem Burke baterista de Blondie desde sus inicios. Tocó con the Ramones e Iggy Pop tambièn. Esta semana murió luego de una batalla contra el cancer y en este episodio a manera de tributo recordamos su historia de viva voz. 

It's another Shorty-ish ep, live from the Long Room! We chat about the snoozer of a White Lotus season, the aggravating cast and the oh-so-many monkeys. But did we love the finale? Listen to the ep and find out… Then we hit on our favorite moments of our 5 concert bender, including: all hits left behind, JK's Kylie high and more. We also share our new Picks of the Pod.

 We had such a fantastic chat with Lenny Zenith on this episode talking about his latest release “He/Hymn.” We talked about his decades long career, what's coming up next for him, and what he calls “lush pop”.    A vibrant tapestry of sound that defies easy classification, Lenny Zenith's He/Hymn (released October 2024) is a sonic exploration of the redemptive power of music. “I honestly think this album marks an evolution in my songwriting,” he confesses. Each of He/Hymn's nine tracks stands as a miniature masterpiece, contributing uniquely to the album's overall narrative. Zenith's versatility as a songwriter and performer shines through. His lyrics, vibrant and often poetic, navigate universal themes of love, loss, and the human condition, while his musical prowess creates lush, cinematic soundscapes.     Beginning his journey of self-discovery in New Orleans where he found refuge in compassionate doctors who helped him navigate the challenges of being a transgender adolescent, he emerged as a confident artist who fronted acclaimed bands such as Jennifer Convertible, Tenterhooks, Minor Planets, and Pop Combo. His collaborations with renowned producers James Murphy (pre-LCD Soundsystem) and Wharton Tiers (Sonic Youth, Dinosaur Jr.) and performances with legendary acts like U2, Iggy Pop, The Replacements,and X underscore his influential presence in the music world.   Check Lenny out here:  Band Camp: https://lennyzenith.bandcamp.com/  Website: https://lennyzenith.com/  Facebook: Lenny Zenith Music  IG: detached_retsina  TikTok: Lennyzenith  

Alan Duggan Borges, the guitarist in Gilla Band, released his debut self-titled EP as The Null Club on April 4. Comrprising three tracks, 'Frameshift' features the rapper ELUCID (one half of Armand Hammer), '14 Hours' features Faris Badwan (The Horrors), and 'Slip Angles' has vocals by Valentine Caulfield (Mandy, Indiana). We talk about how the Null Club began and what it was like making the tracks with those contributors and what the future holds. We also discuss Alan's previous 'other' band, The Claque, and topics from Fontaines DC to Gilla Band's cover of Blawan's 'Why They Hide Their Bodies Under My Garage', which felt like a turning point for them, techno music, and supporting Iggy Pop at In The Meadows on June 7. Buy The Null Club EP: https://thenullclub.bandcamp.com/album/the-null-club-ep The Null Club live dates: May 2: The Workmans Club - Dublin May 13: Corsica Studios - London May 14: Rough Trade - Bristol May 16: Yes, The Basement - Manchester --- Press release: Spending time over the last few years learning about synthesis, production, and how to record has been an incredibly rewarding experience for Alan. This project has created an opportunity to explore genres and styles of music outside of Gilla Band that he's never done before, as well as being completely in control of the production and instrumentation. It's also been an opportunity to work with incredible artists who Alan truly admires and have had a massive influence. Getting the caliber of talent on the EP happened very naturally and somewhat unremarkably. He reached out to Val from Mandy, Indiana via Instagram and she thankfully agreed. Faris and ELUCID had both reached out to Gilla Band to say hey and he jumped at the opportunity to get them involved in the project. The EP will be released on a limited run of 500 12” white label records, each hand stamped by Alan and released independently on a label ran by his wife and himself. The EP was mixed by Daniel Fox (Gilla Band), and mastered by Jamie Hyland (M(h)aol). with vocals contributed by the artists. All instrumentals were performed and recorded by Alan in his home, and rehearsal studio in Dublin, Ireland. with vocals being recorded in a mix of places – NYC, London, and Manchester (sometimes in studios, sometimes in the artists homes). There will be a number of solo shows across Ireland and England where Alan will be reworking the tracks from the EP live along with a number of unheard pieces of music. There will be numerous synths, noise machines, guitars, and many pedals on stage all being looped into different amps to bring the songs to life in a live setting. Tickets on-sale now.

Idag ses han som en gullig liten rockgubbe som vägrar gå i pension, men en gång i tiden var han farligast av alla. Lyssna på alla avsnitt i Sveriges Radio Play. En senig man med blont stripigt hår rör sig stapplande över den stora scenen. Till publikens stora förtjusning, är han sin vana trogen barbröstad. Det är slutet av mars 2025 och den 77-årige amerikanen headlinar festivalen Punkspring i Tokyo, vilket fångas på film av youtubekontot Toshi Aizawa.Han haltar och den solbrända huden - på den en gång så tajta torson - har börjat rynka sig rejält. Men dom svarta jeansen är lika lågt skurna som alltid. Samtidigt som körsbärsblommorna slagit ut i den japanska huvudstaden river han av låt efter låt. Det har gått över ett halvt sekel sen han väckte ramaskri som gränslös frontman i The Stooges, genom att bland annat skära upp sitt bröst under var och varannan spelning. Sen dess har han hunnit uppfinna stage dive:n, kräkas rakt ut över sin publik, gripas för att ha visat kuken på scen och både börjat och slutat med heroin - flera gånger. Det är helt enkelt ett mirakel att punkrockens gudfader fortfarande står på benen.Medverkande: Patrik Arve, Lena Nordlund och Markus LarssonProgrammet är gjort och programlett av Joanna Korbutiak våren 2025Producent Robin JonssonExekutiv producent Lars TruedsonSlutmix Fredrik NilssonP3 Musikdokumentär produceras av Tredje Statsmakten MediaLjudklippen i programmet kommer från Lena Nordlunds dokumentär Den långa jakten på Iggy Pop (Sveriges Radio, 2022), Vetenskapsradion hälsa (Sveriges Radio, 2022), Hitlåtens historia (SVT, 2017), Behind the Music (VH1, 1999), Late Show with David Letterman (CBS, 1982), 90 Minutes Live (CBC, 1977), Much Music TV (Much, 1997),”The Screaming Eagles in Vietnam” (C-span, 1967), Dinah! (20th Century Fox, 1977) och youtubekontot Toshi Aizawa.

Thomas Dutronc,Iggy Pop,Diana Krall, Dédé Minvielle, Guillaume Gallienne, Michel Korb  Christian Escoudé et Fréric  Sylvestre

Episode 189 of Pudding On The Wrist.  In which your faithful deejay and psychic friend, Frozen Lazuras, spins choice cuts from Kay Johnson, Hasil Adkins, Silver Apples, Age of Chance, OMD, Iggy Pop, Norther Soul Stompers, fine ass Doo Wop, and so much more.

"This is not a time to be dismayed, this is punk rock time. This is what Joe Strummer trained you for. It is now time to go. You're a good person. That means more now more than ever." - Henry RollinsWe could not have said it better, Henry. If 2025 isn't punk rock time, then when is? The word ICONOCLAST is defined by Merriam-Webster as “A person who attacks settled beliefs or institutions”. That sounds pretty punk rock to us. We need these folks now for their wisdom, their fearlessness and their heart. Our old friend Ryan Stockstad is back along with our new friend, first time ATTT guest Chris Bickel for a look at our favorite icons that embody the righteousness and goodness that is the spirit of punk rock. Picks 10-6 are featured here in Part 1.Between acting, writing and directing, Ryan's always up to stuff. Follow him on Instagram to keep up.https://www.instagram.com/hollywoodpsychic/Chris Bickel's latest film Pater Noster & Mission Of Light is getting rave reviews. Don't miss it!https://www.indiegogo.com/projects/pater-noster-and-the-mission-of-light-horror-film#/We've lowered our prices, but not our standards over at the ATTT Patreon! Those who are kindly contributing $2 a month are receiving an exclusive monthly Emergency Pod episode featuring our favorite guests and utilizing our patent-pending improv format in which we miraculously pull a playlist out of thin air. The great David Daskal makes his return April 1st. No Foolin'!Find out more at https://www.patreon.com/c/alltimetoptenWe're having a blast chatting it up about music over on the ATTT Facebook Group. Join us and start a conversation!https://www.facebook.com/groups/940749894391295

Kevin Cummins has an international reputation as one of the world's leading photographers and is famed for his iconic portraits of musicians including Ian Curtis, Bowie, The Smiths, Iggy Pop, Bjork, Debbie Harry, Bob Marley, Public Enemy, Patti Smith and Oasis. These photographs have appeared on magazine covers and in galleries and museums worldwide, including Brooklyn Museum, Sydney Opera House, and the Pace Gallery, His work is included in the permanent collections of the National Portrait Gallery, V&A Museum and Manchester City Art Gallery. Kevin had a 20-year association with the NME, where he created many of the best-known images in modern music history. From the acting world he's photographed Helen Mirren, Ralph Fiennes, Vanessa Redgrave, Stephen Graham, Gary Oldman, and Richard E. Grant. His work has appeared on over 500 magazine covers and he's published many books documenting much of his own work with his latest, Oasis The Masterplan, being his sixteenth. It's out in April but you can pre-order it now. It documents twelve months of seismic change at the start of their career through the photographs he took that cemented the identity of Oasis and helped to define the band. You can buy the book, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683Kevin Cummins is our guest in episode 478 of My Time Capsule and chats to Michael Fenton Stevens about the five things he'd like to put in a time capsule; four he'd like to preserve and one he'd like to bury and never have to think about again .Buy Oasis The Masterplan by Kevin Cummins, here - https://www.waterstones.com/book/oasis-the-masterplan/kevin-cummins/9781788405683For everything Kevin Cummins, visit - http://www.kevincummins.co.ukFollow Kevin Cummins on Instagram & Twitter/X: @dkcmanc .Follow My Time Capsule on Instagram: @mytimecapsulepodcast & Twitter/X & Facebook: @MyTCpod .Follow Michael Fenton Stevens on Twitter/X: @fentonstevens & Instagram @mikefentonstevens .Produced and edited by John Fenton-Stevens for Cast Off Productions .Music by Pass The Peas Music .Artwork by matthewboxall.com .This podcast is proud to be associated with the charity Viva! Providing theatrical opportunities for hundreds of young people . Get bonus episodes and ad-free listening by becoming a team member with Acast+! Your support will help us to keep making My Time Capsule. Join our team now! https://plus.acast.com/s/mytimecapsule. Hosted on Acast. See acast.com/privacy for more information.

What is the most "Punk Rock" anthem of all time? What does that even mean? Check out Drew's video here: https://www.tiktok.com/@drewxdeficit/video/7482515325527837982FRUMESS is POWERED by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.riotstickers.com/frumess⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JOIN THE PATREON FOR LESS THAN A $2 CUP OF COFFEE!!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/Frumess ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Rocker Frank Meyer (The Street Walkin' Cheetahs / Trading Aces / Fear) has a new album out on 3/25 called Living Between the Lines (Kitten Robot Records) and he joins Nicole and Ryan to discuss his career and the soundtrack to the 1984 film, Repo Man. It's a soundtrack full of LA punk rock legends like Black Flag, Fear, The Plugz and the Circle Jerks. Iggy Pop contributed the theme for Repo Man being backed by a super group featuring Steve Jones from The Sex Pistols and Blondie's rhythm section (Nigel Harrison and Clem Burke). Frank discusses the soundtrack's influence on him as well as what it's like to be one of the bands on the soundtrack!We Discuss:His First Record Under His Own NameHow Frank discovered the film Repo Man as well as the soundtrackBeing in Fear with Lee VingOther Punk Rock Films of the 80sThe Humor of Repo ManRocking out with His Brother BreckinCheck out All of Frank's Music:https://frankmeyer.bandcamp.com/

Dire Straits : Romeo And Juliet La reprise, l'originale Johnny Cash : One U2 : One Wizard Fan Club : The Fox And Dog The Who : Behind Blue Eyes Bryan Adams : Cut's Like A Knife Dead Sexy Inc : We Are Youth Pat Benatar : Love Is A Battlefield Gyasi : Baby Blue T Rex : 20Th Century Boy Iggy Pop : I Wanna Be Your Dog Dan Fogelberg : Tucson Arizona (Gazette) Jessie Buckley & Bernard Butler : Footnotes On The Map AC/DC : It's A Long Way To The Top (If You Wanna Rock N Roll) La Reprise L'originale The King : Whole Lotta Love Led Zeppelin : Whole Lotta Love Last Train : One By One Queen : Hammer To Fall The Cure : Underneath The Stars Reb Fountain : Come Down Slowdive : Star Roving Urge : Surrenders Love & Rockets : So Alive Sleep Token : Emergence The Breathing Method : This Time Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Film reviews - The Paris Express - Iggy Pop

Sharon Smith in conversation with David Eastaugh https://www.ideanow.online/cameragirl https://store.magalleria.co.uk/products/camera-girl-sharon-smith   In New York in 1979, Sharon was a 28- year-old photographer who walked into the Ritz, an East Village club that was the center of the New Wave music scene. She went on to work at the Savoy, the Red Parrot, Studio 54, Roseland Ballroom, Merlyn's, 4D, Area, Palladium, Mars and the club called New York, New York. The book is of course full of unseen Polaroid pictures of Madonna, Andy Warhol, Sylvester, David Bowie, Iggy Pop, Grace Jones, Debbie Harry and many, many club kids and disco dancers. The main text features Sharon Smith with the book's editor Bill Shapiro. The introduction is by 2024 legend Honey Dijon. It is the perfect package.  

Selección de Rock’n’Roll con aderezo soulero. Play it loud!!Playlist;(sintonía) THE SATANS PILGRIMS “Soul pilgrim”THE RAUNCH HANDS “Chicken scratch”THE LOST CRUSADERS “Downward road”THE MEOWS “Sugar woman”LOS CHICOS “Treat her right”KING KHAN and THE SHRINES “Land of the freak”THE FUZZTONES “99th floor”MITCH RYDER and THE DETROIT WHEELS “I’d rather go to jail”GENTLEMEN’S AGREEMENTS “Sock it to me baby”IGGY POP “Pleasure”THE SAINTS “Know your product”THE WOGGLES “Big bird”THE FLESHTONES “I surrender”ANDRE WILLIAMS “I ain’t guilty”HEAVY TRASH “Lover street”THE SOLUTION “Get on back”SCOTT MORGAN “Mom, Scott’s smoking”SOUTHERN CULTURE ON THE SKIDS “Soulfull garage”RAMONES “Time has come today”Escuchar audio

Join me as I speak with author, Madeline Bocaro, about her book "In Your Mind - the Infinite Universe of Yoko Ono." Madeline also write the Sparks Fan Club Newsletter! 

Folks, we're stretching a bit on this one.  Lynch noticed that Roger Waters performed "The Wall" at the Berlin wall in this month, and used that as an excuse to feature A Momentary Lapse of Reason, which was the latest studio album by Pink Floyd. Since that originally came out in 1987, we're asking you to squint a bit to see it's relevance to the summer of 1990.  That being said...A Momentary Lapse of Reason is the first Pink Floyd album released after bassist and primary songwriter Roger Waters left the band.  Waters had expected that Pink Floyd would simply disband, and was surprised when David Gilmour and Nick Mason decided to continue without him.  Acrimony and lawsuits appeared, but in the end a Water-less Pink Floyd continued on.Unlike many prior Pink Floyd albums, this one is not playing off a single concept.  Instead, it is a more traditional collection of songs.  Gilmour presented the album as a return to earlier Pink Floyd material, which was perhaps a reaction to common critiques of their previous album "The Final Cut" as a Roger Waters solo effort masquerading as a Pink Floyd album.  There are a number of well-known session musicians that participated in the making of this album.The album was a commercial success, debuting at number 3 on both the US and UK albums charts.  The US tour was the most successful of the year, selling out almost every venue it played in the States.  Roger Water's lawsuits would be overcome, and a settlement was reached between Waters and the band by the end of 1987.Lynch brings us this Pink Floyd reboot album for today's podcast and we're joined by guest host Julie Doran joins us on this episode. On the Turning AwayThis power ballad was co-written by Gilmour and British experimental composer Anthony Moore.  It is an anti-war song, one of the more political Pink Floyd songs written since the departure of Waters. It begins with a solemn Gilmour vocal supported by understated keyboards, then builds to an almost orchestral conclusion.  Learning to FlyA surprisingly upbeat song for the group, the inspiration for this first single is David Gilmour's experience learning to fly airplanes.  At the time he would do practice flights in the mornings and work in the studio in the afternoons.  It is also a metaphor for the band coming back together after splitting with Roger Waters.One SlipThe fourth US single discusses the long-term consequences of a one-night stand, and contains the lyrics that would become the title to the album as a whole.  Gilmour co-wrote this song with Roxy Music guitarist Phil Manzanera.  Fans of bassist Tony Levin may recognize his work on a Chapman Stick in the instrumentation for this track.  ENTERTAINMENT TRACK:Real Wild Child by Iggy Pop (from the motion picture “Problem Child”)This dark comedy starring John Ritter follows the trials of Ben Healy Jr. as he adopts a less-than-model child from a questionable adoption agency.   STAFF PICKS:Stop by Jane's AddictionWayne leads off the staff picks with a college radio hit off the "Ritual De Lo Habitual" album.  Lead singer Perry Farrell warns about apathy towards environmental disaster, telling people to turn off the smokestacks.  "And the water will run, come a day, the water will run, no man will stand for things he had done."Brave New World by Michael PennRob brings us a jangly deeper cut with a song with rapid fire lyrics off Penn's "March" album.  The song reflects confusion in where the singer is going, perhaps making a commentary on society as it heads into a "brave new world."  "This may not be my best day, but this ain't no golden age.  You looked pretty on the freeway.  Let's drive into the brave new world."Give It Up by Hothouse FlowersBruce features a s song from an Irish group off their second album, "Home."  This song that went to number 2 on the US Modern Rock chart is summed up in the lyrics, "Well, this song's inspired by a good man and his tune doing good for others, sing 'Amazing Grace' for you." Rub You the Right Way by Johnny GillJulie's staff pick is an upbeat hip hop song, and Gill's first single after he left New Edition earlier in the year.  Despite the lyrics, Gill was the son of a minister and got his start in gospel music.  He signed with Motown as a teenager.  Gill had become very accustomed to performing live, and had a difficult time switching to studio work.  Blue Sky Mine by Midnight OilLynch closes out the staff picks with the first single off Midnight Oil's seventh studio album.  The inspiration for the song was the experience of workers in the Wittenoom asbestos mines in western Australia, where they contracted a variety of asbestos-related diseases.  The "blue" in the title refers to "blue asbestos," a form of the mineral considered most hazardous. INSTRUMENTAL TRACK:Erotic Nightmares by Steve VaiGuitar virtuoso Steve Vai carries us out of this week's podcast. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

In this episode of Seeing Them Live, host Charles Berman interviews Giuliana Funkhauser, a transdisciplinary artist known for her innovative blend of digital code and synthesized audio to create immersive art installations. Giuliana, based on the U.S. East Coast, completed her graduate studies at the San Francisco Art Institute, concentrating on art and technology, with a particular interest in sound synthesis. Besides her artistic endeavors, she teaches courses on data sonification and video game development. Her collaborative projects include working with musical artist Elizabeth Verosa and visual artist Alison Tannenhaus, performing excerpts from their EP '2021' in events such as the 2022 New England Synthesizer Festival. Additionally, Verosa and Funkhauser's track is featured in the Rewoven Transmissions collection, a remix of Cathode Raytube's works.Giuliana's shares how she got introduced to music and her unique concert experiences, ranging from middle school outings to witnessing legendary bands like Everclear, Judas Priest, and Iggy Pop. She recounts attending the Radio 104 Fest and vividly describes how Everclear was not her favorite but ended up being the main act she saw due to time restrictions. A humorous and memorable moment emerges from a misunderstanding that led to her attending a performance by Mono of Japan instead of the expected European band Mono, a life-changing encounter that profoundly influenced her musical tastesGiuliana also narrates her experiences at the Halloween Industrial Music Fest during Hurricane Sandy, where she saw numerous notable acts like Author & Punisher and Theologian in an incredibly intense, weather-challenged environment. Her story culminates in recounting the remarkable Sunn O show, a visceral and intense performance where the sheer power of the sound and visuals led to a memorable audience connection.Throughout the discussion, Giuliana elaborates on her creative process, revealing how she and her collaborators use data sonification and visual cues to guide their live performances and improvisations. Listeners are invited to explore Giuliana's work further on her website  gfunkhouser.com and through various platforms like Bandcamp that feature her recordings.BANDS: Animals, Author and Punisher, Big Brave, Bohemia, Butthole Surfers, Candlebox, Cathode Ray Tube, Cracker, David Linton, Dead Voices on Air, Dear Woman, Dishwalla, Everclear, Flock of Seagulls, Freeze Pop, Go Go's, Harpy, Iggy pop, Inkanti, Iron Maiden, Judas Priest, King Gizzard, Lady Purge, Local H, Lush, Mogwai, Mono, Otto von Schirach, Police, Semisonic, Snowbeasts, Stabbing Westward, Sunn, The Pretenders, Theologian, Tony the Floyd Dementia, Uriah HeepVENUES: Club X, Radio 104 Fest PATREON:https://www.patreon.com/SeeingThemLivePlease help us defer the cost of producing this podcast by making a donation on Patreon.WEBSITE:https://seeingthemlive.com/Visit the Seeing Them Live website for bonus materials including the show blog, resource links for concert buffs, photos, materials related to our episodes, and our Ticket Stub Museum.INSTAGRAM:https://www.instagram.com/seeingthemlive/FACEBOOK:https://www.facebook.com/profile.php?id=61550090670708

En el último episodio del mes seleccionamos algunas de las novedades que hemos presentado a lo largo del mes de febrero.Playlist;(sintonía) HOMBRE LOBO INTERNACIONAL “The one and lonely wolfman band”MARKY RAMONE’S BLITZKRIEG “Keep on dancing”IGGY POP “TV Eye”JAMIE PERRETT “Glory days”AWEFUL KANAWFUL “Horse with no name”RAMBALAYA “Telephone”FEEDBACKS “Hate is all around”THE SPEEDWAYS “Visiting hour”FLATHEAD “I won’t be sartisfied”ZACK KEIM “Alice”MURAT “Seher vakti”LOS MEJILLONES TIGRE “Mejor que tú”GO CACTUS “Palma Barcelona”EXFAN “Para nada”AUTOMATIC LOVERS “Boston brats”LAS GÓNADAS feat JUANITO WAU “Orujo”Escuchar audio

This week's Suburban Underground playlist which features songs from the 1970s covered in the 1980s and songs from the 80s covered in the 90s.  Artists in this week's show are: The Cars (with an Iggy Pop cover), Iron Maiden (with a Montrose cover), David Bowie/Tina Turner (with an Iggy Pop cover), Redd Kross (with a Kiss cover), The Bangles (with a Big Star cover), Michael Monroe (with a Flamin' Groovies cover), R.E.M. (with a Wire cover), Book Of Love (with a Mike Oldfield cover), Violent Femmes (with a Culture Club cover), David Bowie (with a Morrissey cover), Biomekkanoid (with a Ultravox cover), The Smashing Pumpkins (with a Alice Cooper cover), Dubstar (with a Billy Bragg cover), Placebo (with The Smiths cover), Heaven 17 (with a U2 cover).     AI-free since 2016!   On the Air on Bedford 105.1 FM Radio *** 5pm Friday *** *** 10am Sunday *** *** 8pm Monday ***   Stream live at http://209.95.50.189:8178/stream Stream on-demand most recent episodes at https://wbnh1051.podbean.com/category/suburban-underground/ And available on demand on your favorite podcast app!   Facebook: SuburbanUndergroundRadio *** Instagram: SuburbanUnderground ***   #newwave #altrock #alternativerock #punkrock #indierock

Listen to an interview with the legendary producer and bassist Don Was. He'll be performing in Central Indiana, with the Pan Detroit Ensemble on February 28 at the Allied Solutions Center for the Performing Arts. Born in Detroit, Michigan in 1952, Don Was rose to prominence in the 1980s, with the band Was (Not Was), the group's music featured a surreal mix of funk, electronic dance music, new wave, and avant-garde jazz, along with an unexpected cast of guest performers that included Mel Torme, Ozzy Osbourne, Frank Sinatra Jr., Iggy Pop, and Leonard Cohen. Was (Not Was)  scored a top 10 hit in 1987, with the infection dance song “Walk the Dinosaur”.  The notoriety Was gained with Was (Not Was) paved the way for his historic work as a record producer. Was has received 6 Grammy Awards for his work as a producer, including album of the year in 1989  for Bonnie Raitt's Nick of Time and producer of the year in 1994. Was has produced dozens of significant recordings, including the B-52's breakout album Cosmic Thing, along with notable work, from The Rolling Stones, Iggy Pop, Bob Dylan, Willie Nelson, Elton John, Ringo Starr, Brian Wilson, Wayne Shorter, and Waylon Jennings, to name a few. Since 2011, Was has served as president of the revered jazz label Blue Note Records.   Throughout his life, Was has looked to the culture of his hometown Detroit as a reference point and source of inspiration for his work, that's evident in his latest project the Pan Detroit Ensemble a group of veteran Detroit jazz and R&B musicians.

A well-placed song in a film holds the power to shape a viewer's emotions, heighten tension, set the tone, foreshadow events, provide insight into characters, or deepen the narrative. In essence, music is the heartbeat of the cinema that can elevate a film from good to sublime. Take it from someone who knows, like this week's Third Lad, Barry Andrews - he's had songs soundtracking pivotal moments in films such as Manhunter and Band of the Hand. Barry Andrews began his professional music career in the punk era lending his keyboard stylings to a little band that you may have heard of, XTC, giving them one of the most defining and distinctive features of their sound for their first two albums. After leaving XTC in 1979, he released a fine solo EP and single, formed the short lived Restaurant for Dogs, and played with Iggy Pop and Robert Fripp's League of Gentlemen before forming the band Shriekback with Gang of Four bassist Dave Allen and singer Carl Marsh in 1981. For the better part of the last 43 years, Barry has kept Shriekback alive through various incarnations, continuing to release music that's daring, experimental, and artful, as well as maintaining an ambitious and rewarding solo career. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chris Ballew (The Presidents of the United States of America, Casper Babypants) is our first guest of 2025 to talk all about his new solo album Truth and Dare as well as the first PUSA record which turns 30 this yearCHRIS BALLEWhttps://chrisballew.orghttps://chrisballew.bandcamp.comhttps://www.instagram.com/chrisballewhttps://www.instagram.com/pusabandPCHInstagram - www.instagram.com/powerchordhourTwitter - www.twitter.com/powerchordhourFacebook - www.facebook.com/powerchordhourYoutube - www.youtube.com/channel/UC6jTfzjB3-mzmWM-51c8LggSpotify Episode Playlists - https://open.spotify.com/user/kzavhk5ghelpnthfby9o41gnr?si=4WvOdgAmSsKoswf_HTh_MgDonate to help show costs -https://www.paypal.com/paypalme/pchanthonyhttps://cash.app/$anthmerchpowerchordhour@gmail.comCheck out the Power Chord Hour radio show every Friday night at 8 to 11 est/Tuesday Midnight to 3 est on 107.9 WRFA in Jamestown, NY. Stream the station online at wrfalp.com/streaming/ or listen on the WRFA app.Special Thanks to my buddy Jay Vics for the behind the scenes help on this episode!https://www.meettheexpertspodcast.comhttps://www.jvimobile.com