Podcasts about Culture

Many believers want to pray more but struggle to fit prayer into already full lives. In this episode, we explore the difference between having prayer time and living prayerful lives.Introducing Life Rhythm Prayer, this conversation reframes prayer not as something we squeeze into our schedules, but as a posture we carry throughout the day. Rooted in the biblical call to “pray without ceasing,” Life Rhythm Prayer invites us to pause, acknowledge God, and invite the Spirit into ordinary moments like work, conversations, decisions, and daily routines.This episode introduces the heart behind Life Rhythm Prayer and invites listeners to consider what it looks like to carry God-consciousness into the everyday rhythms of life.

In his influential Anti-Semite and Jew, French philosopher Jean-Paul Sartre observed "If the Jew did not exist, the anti-Semite would invent him." In doing so he articulated the figure of an Antisemite responsible for imagining the Jew in a formulation that has lasted for decades. This figure became an indispensable trope in the period immediately after the war. It enabled Germans and Austrians to navigate a radically changed political and cultural landscape and reestablish lives upended by war by denying complicity in perpetuating antisemitic ideology. The deeply ingrained cultural practices that formed the basis for age-old prejudices against Jews persisted via coded references, taking new forms, and providing fertile ground for explicit eruptions.  Decades before the Nazi persecution of the Jews would emerge as a master moral paradigm of evil in popular culture, the constructed Antisemite became part of a forceful narrative structure that allowed stereotypes about Jews to persist, even as explicit antisemitism became taboo. Lisa Silverman examines the crucial development and implications of the figural Antisemite in a range of trials, films, and texts during the first years after the end of the Second World War. She argues that, in their economically shattered, emotionally exhausted, and culturally impoverished postwar world, Austrians, Germans, and others used the Antisemite as a way to come to terms with their altered circumstances and to shape new national self-understandings.  A readily recognizable and easily adaptable figure of evil, the Antisemite loomed large as a powerful and persistent trope in a wide range of artistic and cultural narratives. As a figure onto which to project or imagine as a source of the hatred of Jews, the Antisemite allowed audiences to avoid facing the implications of crimes committed by the Nazis and their accomplices and to deny the endurance of widespread and often coded antisemitic prejudices. In postwar Europe, where everyone looked to blame others for the murder and dispossession of the Jewish population, the authority to define the Antisemite as a receptacle for explicit Jew-hatred became a powerful force. As The Postwar Antisemite argues, antisemitism as a hidden code gained new force, packing stronger, more effective punches and affording its users more power. This era is critical to understanding ongoing struggles over the authority to set the parameters of antisemitism and the power and persistence of this hatred in society. Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

December 28th, 2025:  St John, Beloved Apostle;  The Holy Family of God;  That Which He Himself Formed;  The Holy Innocents & the Culture of Death

In his influential Anti-Semite and Jew, French philosopher Jean-Paul Sartre observed "If the Jew did not exist, the anti-Semite would invent him." In doing so he articulated the figure of an Antisemite responsible for imagining the Jew in a formulation that has lasted for decades. This figure became an indispensable trope in the period immediately after the war. It enabled Germans and Austrians to navigate a radically changed political and cultural landscape and reestablish lives upended by war by denying complicity in perpetuating antisemitic ideology. The deeply ingrained cultural practices that formed the basis for age-old prejudices against Jews persisted via coded references, taking new forms, and providing fertile ground for explicit eruptions.  Decades before the Nazi persecution of the Jews would emerge as a master moral paradigm of evil in popular culture, the constructed Antisemite became part of a forceful narrative structure that allowed stereotypes about Jews to persist, even as explicit antisemitism became taboo. Lisa Silverman examines the crucial development and implications of the figural Antisemite in a range of trials, films, and texts during the first years after the end of the Second World War. She argues that, in their economically shattered, emotionally exhausted, and culturally impoverished postwar world, Austrians, Germans, and others used the Antisemite as a way to come to terms with their altered circumstances and to shape new national self-understandings.  A readily recognizable and easily adaptable figure of evil, the Antisemite loomed large as a powerful and persistent trope in a wide range of artistic and cultural narratives. As a figure onto which to project or imagine as a source of the hatred of Jews, the Antisemite allowed audiences to avoid facing the implications of crimes committed by the Nazis and their accomplices and to deny the endurance of widespread and often coded antisemitic prejudices. In postwar Europe, where everyone looked to blame others for the murder and dispossession of the Jewish population, the authority to define the Antisemite as a receptacle for explicit Jew-hatred became a powerful force. As The Postwar Antisemite argues, antisemitism as a hidden code gained new force, packing stronger, more effective punches and affording its users more power. This era is critical to understanding ongoing struggles over the authority to set the parameters of antisemitism and the power and persistence of this hatred in society. Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

In his influential Anti-Semite and Jew, French philosopher Jean-Paul Sartre observed "If the Jew did not exist, the anti-Semite would invent him." In doing so he articulated the figure of an Antisemite responsible for imagining the Jew in a formulation that has lasted for decades. This figure became an indispensable trope in the period immediately after the war. It enabled Germans and Austrians to navigate a radically changed political and cultural landscape and reestablish lives upended by war by denying complicity in perpetuating antisemitic ideology. The deeply ingrained cultural practices that formed the basis for age-old prejudices against Jews persisted via coded references, taking new forms, and providing fertile ground for explicit eruptions.  Decades before the Nazi persecution of the Jews would emerge as a master moral paradigm of evil in popular culture, the constructed Antisemite became part of a forceful narrative structure that allowed stereotypes about Jews to persist, even as explicit antisemitism became taboo. Lisa Silverman examines the crucial development and implications of the figural Antisemite in a range of trials, films, and texts during the first years after the end of the Second World War. She argues that, in their economically shattered, emotionally exhausted, and culturally impoverished postwar world, Austrians, Germans, and others used the Antisemite as a way to come to terms with their altered circumstances and to shape new national self-understandings.  A readily recognizable and easily adaptable figure of evil, the Antisemite loomed large as a powerful and persistent trope in a wide range of artistic and cultural narratives. As a figure onto which to project or imagine as a source of the hatred of Jews, the Antisemite allowed audiences to avoid facing the implications of crimes committed by the Nazis and their accomplices and to deny the endurance of widespread and often coded antisemitic prejudices. In postwar Europe, where everyone looked to blame others for the murder and dispossession of the Jewish population, the authority to define the Antisemite as a receptacle for explicit Jew-hatred became a powerful force. As The Postwar Antisemite argues, antisemitism as a hidden code gained new force, packing stronger, more effective punches and affording its users more power. This era is critical to understanding ongoing struggles over the authority to set the parameters of antisemitism and the power and persistence of this hatred in society. Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

In his influential Anti-Semite and Jew, French philosopher Jean-Paul Sartre observed "If the Jew did not exist, the anti-Semite would invent him." In doing so he articulated the figure of an Antisemite responsible for imagining the Jew in a formulation that has lasted for decades. This figure became an indispensable trope in the period immediately after the war. It enabled Germans and Austrians to navigate a radically changed political and cultural landscape and reestablish lives upended by war by denying complicity in perpetuating antisemitic ideology. The deeply ingrained cultural practices that formed the basis for age-old prejudices against Jews persisted via coded references, taking new forms, and providing fertile ground for explicit eruptions.  Decades before the Nazi persecution of the Jews would emerge as a master moral paradigm of evil in popular culture, the constructed Antisemite became part of a forceful narrative structure that allowed stereotypes about Jews to persist, even as explicit antisemitism became taboo. Lisa Silverman examines the crucial development and implications of the figural Antisemite in a range of trials, films, and texts during the first years after the end of the Second World War. She argues that, in their economically shattered, emotionally exhausted, and culturally impoverished postwar world, Austrians, Germans, and others used the Antisemite as a way to come to terms with their altered circumstances and to shape new national self-understandings.  A readily recognizable and easily adaptable figure of evil, the Antisemite loomed large as a powerful and persistent trope in a wide range of artistic and cultural narratives. As a figure onto which to project or imagine as a source of the hatred of Jews, the Antisemite allowed audiences to avoid facing the implications of crimes committed by the Nazis and their accomplices and to deny the endurance of widespread and often coded antisemitic prejudices. In postwar Europe, where everyone looked to blame others for the murder and dispossession of the Jewish population, the authority to define the Antisemite as a receptacle for explicit Jew-hatred became a powerful force. As The Postwar Antisemite argues, antisemitism as a hidden code gained new force, packing stronger, more effective punches and affording its users more power. This era is critical to understanding ongoing struggles over the authority to set the parameters of antisemitism and the power and persistence of this hatred in society. Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

durée : 00:04:16 - Le Grand reportage de France Inter Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

We've been bringing creators from our community into the podcast to understand what's actually shaping culture locally - and right now, running culture is one of the biggest shifts we're seeing.  This week, we're joined by Hedda Schroeter Skaug, creator, runner, and one of the strongest voices in Norway's running community.  And she's refreshingly clear on what many brands still miss: running isn't becoming more extreme - it's becoming more human.  We talk about:  why the most important “metric” is learning to trust your body (not your Garmin)  what comes next after run clubs and where the running community is heading  plus Hedda's best running tips (including why you actually need at least 6 pairs of shoes)  If you're a brand trying to enter running culture in an authentic way, this episode is your shortcut to understanding what the community values right now. 

In his influential Anti-Semite and Jew, French philosopher Jean-Paul Sartre observed "If the Jew did not exist, the anti-Semite would invent him." In doing so he articulated the figure of an Antisemite responsible for imagining the Jew in a formulation that has lasted for decades. This figure became an indispensable trope in the period immediately after the war. It enabled Germans and Austrians to navigate a radically changed political and cultural landscape and reestablish lives upended by war by denying complicity in perpetuating antisemitic ideology. The deeply ingrained cultural practices that formed the basis for age-old prejudices against Jews persisted via coded references, taking new forms, and providing fertile ground for explicit eruptions.  Decades before the Nazi persecution of the Jews would emerge as a master moral paradigm of evil in popular culture, the constructed Antisemite became part of a forceful narrative structure that allowed stereotypes about Jews to persist, even as explicit antisemitism became taboo. Lisa Silverman examines the crucial development and implications of the figural Antisemite in a range of trials, films, and texts during the first years after the end of the Second World War. She argues that, in their economically shattered, emotionally exhausted, and culturally impoverished postwar world, Austrians, Germans, and others used the Antisemite as a way to come to terms with their altered circumstances and to shape new national self-understandings.  A readily recognizable and easily adaptable figure of evil, the Antisemite loomed large as a powerful and persistent trope in a wide range of artistic and cultural narratives. As a figure onto which to project or imagine as a source of the hatred of Jews, the Antisemite allowed audiences to avoid facing the implications of crimes committed by the Nazis and their accomplices and to deny the endurance of widespread and often coded antisemitic prejudices. In postwar Europe, where everyone looked to blame others for the murder and dispossession of the Jewish population, the authority to define the Antisemite as a receptacle for explicit Jew-hatred became a powerful force. As The Postwar Antisemite argues, antisemitism as a hidden code gained new force, packing stronger, more effective punches and affording its users more power. This era is critical to understanding ongoing struggles over the authority to set the parameters of antisemitism and the power and persistence of this hatred in society. Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Chaque samedi et dimanche, de 6h à 9h, Guillaume Lariche, entouré des journalistes de la rédaction et des chroniqueurs de la station, vous propose un point complet sur l'actualité pour mieux la comprendre. Un rendez-vous incontournable pour commencer votre week-end. Culture, société et évasion seront également au programme de ces trois heures. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Les musiques nées de l'esclavage (domaine français) est le nouveau livre du journaliste Bertrand Dicale. Entretien. (Rediffusion) Bertrand Dicale est né à Paris d'un père guadeloupéen et d'une mère auvergnate. Il est diplômé de l'Institut d'études politiques de Paris et du Centre de formation des journalistes. Depuis janvier 2017, il est directeur général du média numérique d'information News Tank Culture, consacré à l'économie et aux politiques de la culture. Auteur de plusieurs ouvrages, il vient de publier «Musiques Nées de l'Esclavage (domaine français)», aux éditions de la Philharmonie. Quelle trace la longue période coloniale a-t-elle laissée dans les cultures populaires des terres possédées ou exploitées par la France et ses colons ? Ces sociétés nées de l'esclavage ont engendré un nombre étonnant de genres musicaux : biguine, séga, zouk, quadrille, gwoka, bèlè, mazurka... L'Afrique jetée dans le creuset de la créolisation est partielle, composite, ruinée ; l'Europe que les colons apportent avec eux est incomplète, bancale et surtout confrontée à d'autres cultures, au contact des Africains, des Amérindiens et des Asiatiques dans un contexte radialement neuf. De ce qu'Edouard Glissant appelle la Relation émerge une créolité d'autant plus passionnante à explorer qu'elle annonce le Tout-Monde dans lequel nous vivons. Playlist de Bertrand Dicale : - Négoce et Signature La Pastourelle (4ème figure du quadrille, Guadeloupe) - Ti-Coca An Tan Mango (Haïti) - Stellio et Léona Gabriel Calalou (Martinique/Guyane) - Joséphine Baker Madiana (USA/Île-de-France) - Germain «Chabin» Calixte Zombi baré mwen (Guadeloupe) - Kassav Zouk La Sé Sèl Médikaman Nou Ni (Guadeloupe/Martinique) - Danyel Waro Batarsité (Île de La Réunion) - Theodora Congolese BBL (Congauloise). - Éditions de la Philharmonie  - X - Bertrand Dicale  Par ailleurs, Bertrand Dicale propose un podcast sur Martinique La 1ère depuis le 15/09/2025.

Chaque samedi et dimanche, de 6h à 9h, Guillaume Lariche, entouré des journalistes de la rédaction et des chroniqueurs de la station, vous propose un point complet sur l'actualité pour mieux la comprendre. Un rendez-vous incontournable pour commencer votre week-end. Culture, société et évasion seront également au programme de ces trois heures. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Les musiques nées de l'esclavage (domaine français) est le nouveau livre du journaliste Bertrand Dicale. Entretien. (Rediffusion) Bertrand Dicale est né à Paris d'un père guadeloupéen et d'une mère auvergnate. Il est diplômé de l'Institut d'études politiques de Paris et du Centre de formation des journalistes. Depuis janvier 2017, il est directeur général du média numérique d'information News Tank Culture, consacré à l'économie et aux politiques de la culture. Auteur de plusieurs ouvrages, il vient de publier «Musiques Nées de l'Esclavage (domaine français)», aux éditions de la Philharmonie. Quelle trace la longue période coloniale a-t-elle laissée dans les cultures populaires des terres possédées ou exploitées par la France et ses colons ? Ces sociétés nées de l'esclavage ont engendré un nombre étonnant de genres musicaux : biguine, séga, zouk, quadrille, gwoka, bèlè, mazurka... L'Afrique jetée dans le creuset de la créolisation est partielle, composite, ruinée ; l'Europe que les colons apportent avec eux est incomplète, bancale et surtout confrontée à d'autres cultures, au contact des Africains, des Amérindiens et des Asiatiques dans un contexte radialement neuf. De ce qu'Edouard Glissant appelle la Relation émerge une créolité d'autant plus passionnante à explorer qu'elle annonce le Tout-Monde dans lequel nous vivons. Playlist de Bertrand Dicale : - Négoce et Signature La Pastourelle (4ème figure du quadrille, Guadeloupe) - Ti-Coca An Tan Mango (Haïti) - Stellio et Léona Gabriel Calalou (Martinique/Guyane) - Joséphine Baker Madiana (USA/Île-de-France) - Germain «Chabin» Calixte Zombi baré mwen (Guadeloupe) - Kassav Zouk La Sé Sèl Médikaman Nou Ni (Guadeloupe/Martinique) - Danyel Waro Batarsité (Île de La Réunion) - Theodora Congolese BBL (Congauloise). - Éditions de la Philharmonie  - X - Bertrand Dicale  Par ailleurs, Bertrand Dicale propose un podcast sur Martinique La 1ère depuis le 15/09/2025.

In his influential Anti-Semite and Jew, French philosopher Jean-Paul Sartre observed "If the Jew did not exist, the anti-Semite would invent him." In doing so he articulated the figure of an Antisemite responsible for imagining the Jew in a formulation that has lasted for decades. This figure became an indispensable trope in the period immediately after the war. It enabled Germans and Austrians to navigate a radically changed political and cultural landscape and reestablish lives upended by war by denying complicity in perpetuating antisemitic ideology. The deeply ingrained cultural practices that formed the basis for age-old prejudices against Jews persisted via coded references, taking new forms, and providing fertile ground for explicit eruptions.  Decades before the Nazi persecution of the Jews would emerge as a master moral paradigm of evil in popular culture, the constructed Antisemite became part of a forceful narrative structure that allowed stereotypes about Jews to persist, even as explicit antisemitism became taboo. Lisa Silverman examines the crucial development and implications of the figural Antisemite in a range of trials, films, and texts during the first years after the end of the Second World War. She argues that, in their economically shattered, emotionally exhausted, and culturally impoverished postwar world, Austrians, Germans, and others used the Antisemite as a way to come to terms with their altered circumstances and to shape new national self-understandings.  A readily recognizable and easily adaptable figure of evil, the Antisemite loomed large as a powerful and persistent trope in a wide range of artistic and cultural narratives. As a figure onto which to project or imagine as a source of the hatred of Jews, the Antisemite allowed audiences to avoid facing the implications of crimes committed by the Nazis and their accomplices and to deny the endurance of widespread and often coded antisemitic prejudices. In postwar Europe, where everyone looked to blame others for the murder and dispossession of the Jewish population, the authority to define the Antisemite as a receptacle for explicit Jew-hatred became a powerful force. As The Postwar Antisemite argues, antisemitism as a hidden code gained new force, packing stronger, more effective punches and affording its users more power. This era is critical to understanding ongoing struggles over the authority to set the parameters of antisemitism and the power and persistence of this hatred in society. Paul Lerner is Chair of the History Department at the University of Southern California where he directs the Max Kade Institute for Austrian-German-Swiss Studies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/eastern-european-studies

El último programa del año de 808 Radio, en Radio Castilla-La Mancha, se convierte en una edición muy especial dedicada a celebrar los 40 años de Luismi Family como DJ. Cuatro décadas de trayectoria en la cabina, vividas desde la constancia, el criterio y una relación honesta con la música electrónica. A lo largo de 120 minutos, el programa recorre ese camino a través de los discos que han marcado su evolución, desde los primeros descubrimientos hasta la electrónica actual. Música y conversación se entrelazan para construir un relato pausado y natural, donde Luismi Family comparte recuerdos, aprendizajes y reflexiones surgidas de una vida vinculada al club y a la escena. Un homenaje sin artificios a una carrera sostenida en el tiempo, donde la música es memoria, oficio y presente.

Nous devions nous croiser au moment de la Saison lituanienne en France. Mais comme y a plus de saison ma p'tite dame, Mūza Rubackytė et ESM, c'est maintenant et en tournée en France, en Lituanie, à Porto Rico… 2025 sera lyrique. Pour cette artiste totale, Née sous un piano (c'est le titre de son autobiographie), le mouvement est son mantra. (Rediffusion) Mouvement d'une enfant surdouée, auréolée à 13 ans d'une grande victoire au concours All union récompensant les meilleurs pianistes d'Union soviétique, mouvement irrésistible pour la musique (de Franz Liszt, Godowsky, Chostakovitch) mouvement d'engagement pour la révolution lituanienne. Mouvement d'une soliste internationale en mission vers un au-delà musical qui n'empêche nullement les pieds sur terre : présidente de la société LISZTuania, marraine de la maison Debussy en France, Mūza Rubackytė exulte, transmet, voyage. Le regard vert entouré de taches de rousseur dit à peine la force de ce petit soldat mystique qui, entre Vilnius, Genève et Paris, nourrit un grand rêve européen pour sa Lituanie éternelle. 

"J'ai réalisé pas mal de mes rêves" : Marine Delplace, désormais connue par son simple prénom, revient sur son incroyable année 2025 au micro RTL de Marie Gicquel. Le succès n'en finit pas pour la lauréate de la "Star Academy" 2024 dont l'album "Cœur maladroit" cartonne. Également au sommaire de cette dernière émission de l'année, un entretien avec l'écrivain Laurent Mauvignier, des idées de films à voir, une visite du premier musée français dédié à l'histoire du jeu vidéo et un bilan de l'année côté télévision avec les tops et les flops. Ecoutez Laissez-vous tenter - Spécial fêtes avec Anthony Martin du 28 décembre 2025.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

L'année 2025 a été marquée par le 30ᵉ anniversaire des Clubs RFI et par une dynamique remarquable. Les Clubs RFI ont multiplié les projets économiques, sociaux et culturels : des initiatives citoyennes utiles, visibles et appréciées dans leurs villes et leurs pays respectifs. A l'aube de la nouvelle année. Les Clubs RFI font le bilan de 2025 et parlent des projets et perspectives pour l'année 2026. Avec la participation de Taofic Tassou, Club RFI Ouaké (Bénin), Maxime Adomayor , Club RFI Notsé (Togo), Richard Adodjévo Club RFI Parakou (Bénin), Steven Sokoukpé, Club RFI Dogbo et Tipozé Maxime du Centre Culturel de Rencontre international John Smith de Ouidah. Ernesto Alao, Club RFI Ouidah (Bénin),  Iréné Akay Messan , Club RFI Jeunesse Positive Abomey Calavi (Bénin) chargés de la coordination et de la programmation à Ouidah des émissions dans le cadre des 30 ans des Clubs RFI. Musique : Le groupe Dangbé Musik , orchestre du Centre Culturel de Rencontre international John Smith de Ouidah – CCRI ( en Live ). L'équipe du Club RFI Journaliste-producteur : Éric Amiens Réalisation : Cécile Bonici ; Julien Boileau Collaboration service des auditeurs – suivi des projets Clubs RFI : Audrey Lattoni et Sébastien Bonijol. Coordination L'écume des mots : Myriam Guilhot

Chaque samedi et dimanche, de 6h à 9h, Guillaume Lariche, entouré des journalistes de la rédaction et des chroniqueurs de la station, vous propose un point complet sur l'actualité pour mieux la comprendre. Un rendez-vous incontournable pour commencer votre week-end. Culture, société et évasion seront également au programme de ces trois heures. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Chaque samedi et dimanche, de 6h à 9h, Guillaume Lariche, entouré des journalistes de la rédaction et des chroniqueurs de la station, vous propose un point complet sur l'actualité pour mieux la comprendre. Un rendez-vous incontournable pour commencer votre week-end. Culture, société et évasion seront également au programme de ces trois heures. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Tim reflects on the year that was 2025: a montage of Epstein files, LA fires, foreign wars, Ai slop, political violence, and gross comfort. Tim also sits down with journalist Ryan Grim from Drop Site News for a very informative interview about the life and crimes of Jeffrey Epstein.  American Royalty Tour

No one tells you what birth actually feels like — until it's happening to you.Riley Gaines shares her raw birth story, the instincts that overrode expert advice, and how motherhood reshaped her body, faith, and purpose. We talk about modern birth, sleep deprivation, pressure to “bounce back,” and the truths new moms aren't warned about — in a culture that over-medicalizes something women were designed to do.Thank you to our sponsors!GEVITI: Use code "ALEX" to get 20% off your first purchasePALEOVALLEY: Use code "ALEX" for 15% off your first orderVANDY CRISPS: Use code "ALEXCLARK" for 25% offCROWDHEALTH: Use code “CULTURE” to get your first three months for only $99/monthZEBRA: Use code "ALEX" for 10% off any orderOur Guest:Riley GainesRiley's Links:InstagramXTikTokWebsite

The Rebel News podcasts features free audio-only versions of select RebelNews+ content and other Rebel News long-form videos, livestreams, and interviews. Monday to Friday enjoy the audio version of Ezra Levant's daily TV-style show, The Ezra Levant Show, where Ezra gives you his contrarian and conservative take on free speech, politics, and foreign policy through in-depth commentary and interviews. Wednesday evenings you can listen to the audio version of The Gunn Show with Sheila Gunn Reid the Chief Reporter of Rebel News. Sheila brings a western sensibility to Canadian news. With one foot in the oil patch and one foot in agriculture, Sheila challenges mainstream media narratives and stands up for Albertans. If you want to watch the video versions of these podcasts, make sure to begin your free RebelNewsPlus trial by subscribing at http://www.RebelNewsPlus.com

Joel Goldberg is a veteran TV broadcaster for the Kansas City Royals, serving as the in-game reporter and anchor for every pre-game and post-game show. With over 30 years in television, Joel has covered everything from Super Bowls to World Series, interviewing icons like Will Ferrell and Wayne Gretzky—while also reporting on quirky moments like tick racing on a pool table.He is the host of the podcast Rounding the Bases and the author of two books: Small Ball Big Results and Small Ball Big Dreams, where he shares stories of success through consistency, teamwork, and trust.Beyond the broadcast booth, Joel runs a thriving speaking business, helping organizations build cultures grounded in trust and connection. His practical, story-driven approach to leadership has helped companies improve morale, strengthen teamwork, and foster authentic engagement.A proud Emmy Award winner and storyteller at heart, Joel brings a unique blend of sports wisdom, business insight, and real-world perspective to every stage he steps on.SHOW SUMMARYIn this episode of Selling from the Heart Podcast. Larry Levine and Darrell Amy are joined by Joel Goldberg, a seasoned TV broadcaster and author, who shares his insights on storytelling and building trust in both sport and sales. Joel recounts captivating stories from his career, highlighting the power of small consistent actions to achieve big results. The episode emphasizes the importance of genuine and effective storytelling in sales, providing practical advice for sales professionals to connect better with their audience.KEY TAKEAWAYSAuthenticity and trust are the foundation of successful sales and relationships.Everyone is in the people business and, in some way, a storyteller.Consistency, small daily actions (“small ball”), and attention to detail lead to big results.Know your audience and listen before telling your story.Effective storytelling is about making your message relevant and emotionally resonant.Building trust with your team and clients enables you to achieve more together.QUOTES“We are all in the people business, and we are all storytellers.”“Authenticity sells.”“When people believe you have their best interests at heart before your own, it becomes a lot easier to sell.”“Small ball is the little things you do consistently that add up to big results.”“If you don't know what your audience wants, it becomes a lot harder to sell.”“You have to earn trust—once you have it, you can do anything.”Learn more about Joel Goldberg.LinkedIn: https://www.linkedin.com/in/joelgoldbergkc/Learn more about Darrell and Larry.Darrell's LinkedIn: https://www.linkedin.com/in/darrellamy/Larry's LinkedIn: https://www.linkedin.com/in/larrylevine1992/Website: https://www.sellingfromtheheart.net/ADDITIONAL RESOURCESDiscover Heart-Centered Leadership:Explore the Culture from the Heart Podcast and uncover the secrets to thriving workplace cultures. Know a visionary CEO? Nominate them today at

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Une conversation entre Laurent de Wilde et Philippe Meyer, enregistrée au studio l'Arrière-boutique le 22 septembre 2023.Pour ce nouveau Bada du Nouvel Esprit Public, Philippe Meyer a eu la joie de recevoir Laurent de Wilde, pianiste de Jazz, compositeur, producteur, écrivain et homme de radio. Dans ce troisième épisode, Laurent de Wilde nous parle du rapport qu'il entretient avec son instrument : le piano. Il analyse plus généralement le clavier et nous parle de son livre Les Fous du Son, dans lequel il retrace l'histoire des inventeurs de claviers électroniques.Chaque semaine, Philippe Meyer anime une conversation d'analyse politique, argumentée et courtoise, sur des thèmes nationaux et internationaux liés à l'actualité. Pour en savoir plus : www.lenouvelespritpublic.frHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Wrestling For the Culture returns as Brian H. Waters closing out 2025 looking back at some of the Black wrestlers who had great years (3:23).Naomi and Jade money feud (3:55) Ricky Saints and Oba Femi (5:00) Trick Williams' TNA Title run (5:28) Kelani Jordan's TNA Knockouts Title run (5:53)Lash Legend makes her mark (6:29)Mercedes Mone' and Swerve Strickland make their marks in 2026 (6:58) A.J. Francis big year in TNA (7:38)ASE Wrestling and 4th Rope Wrestling give Black wrestlers their much needed canvas (7:58)10 Black Wresters who will wear gold in 2026 (13:26) Save $20 on tickets $50 or more on https://seatgeek.com/ using the promo code: WrestlingWrealmCreate some of the best social clips using OPUS Clip. Be sure to click my link belowhttps://www.opus.pro/?via=brianhwaters

** OHH: Episode 166: What's Poppin'! ** _We're back this week with an episode of What's Poppin' - this week we dive into the latest, right before we wrap up 2025. Tune in, and let's get into it! _ Brandy & Monica “The Boy is Mine Tour” The Chocolate Nutcracker review Our picture featured on ABC news Happy Holidays!! Snoop hosts a star studded half time show in AZ New Shows: High Horse - Compton Cowboys featured (Peacock) Bel-Air (Final Season on Peacock) Anjela Johnson Comedy special - Say I Won't Dave Chapelle Comedy special “The Unstoppable Nigger” 50 Cent's Diddy documentary on Netflix Music Box series on HBO New Movies: Marty Supreme w/ Timothy Chalamet and Tyler Okonma, Gweneth Paltrow Avatar Fire and Ash - Nubia the Creator Favorite Christmas Movie - Jake Paul & Anthony Joshua fight (Jake finally got his ass KO'd) Jamie Foxx comes to Compton!! Invited by ChefBoy Beyonce, Venus Williams & Nicole Kidman will co-chair the next Met Gala in May 2026 Venus Williams gets married Andrea Preti Beyonce and Jay-Z expand their home - next album is rock & roll - we suspect In September, Nicole Kidman filed for divorce from Keith Urban. Ya'll know she Australian? *Article in OK Magazine: Three Siblings, One Mic, and the Art of Uncovering Conversations on Pop Culture & Politics *

** OHH: Episode 167: New Music ** We're back with this episode dedicated to all the NEW MUSIC of 2025. Tune in as we track what was in our ears the last year. New Music *Top Artists and Hits of 2025 * K-Pop Demon Hunters, Shaboozy, Elton John, Taylor Swift, Sabrina Carpenter, Kehlani Folded Single, Beyonce Album, Bad Bunny, Drake, Kedrick Lamar & Sza tour, Summer Walker Album, Lady Gaga and Bruno Mars, Lil Wayne, Pink Floyd, Mariah Carey, Biggest Tour: Chris Brown and Beyonce _ **Year started off with _** * Sexxy Redd / Bruno Mars - Fay Juicy, Wet - SINGLE * Leon Thomas - MUTT single POP * Sabrina Carpenter - Expresso * DRAKE - $ome $exy $ongs 4 U * Lady Gaga & Bruno Mars - Die with a Smile - SINGLE ** R&B** * Lady Wray - Cover Girl / BEST for US single * Thundercat - Upside Down (Candy Crush) - * Leon Thomas - PHOLKS / Just How You Are - SINGLE * Jane Handcock - It's Me, Not You / Stare at Me - SINGLE * Jenevieve - CRYSALIS * Kehlani - Folded * Cardi B - AM I THE DRAMA * Summer Walker - Finally Over It, The Afterparty * Heart of a Woman - SINGLE * Go Girl * SAULT - 10 * TEYANA Taylor - Escape Room * 803FRESH - Boots on the Ground * Mariah Carey - Here for it All * SZA & MoRuf - PT Cruiser - SINGLE * Chris Brown - RAP * GloRilla & Sexxy Redd - Whatchi Kno about me Gospel Say the Name - Deitrick Haddon

** OHH: Episode 168: Politricks ** _since we last had a politricks episode, the government shut down then unceremoniously re-opened. Let's get into this episode will al the frills and trickery that happened in 2025. _ US * End of government shutdown * DOJ released Jeffrey Epstein files, redacted pictures with Trump * Trump Tariffs and long term impact on American people of changing decades long trade policies * Nikki Minaj supporting Trump at recent rally Local * New Dept of Homeless services LA County effective Jan 31 * Running for mayor in city of compton - Andre Spicer * Starting Jan 2026 - landlord responsible and have to provide a working stove and refrigerator * New law - folic acid added to corn tortillas, can cancel contract with contractor for homeowners via phone or text message Global * LA preparing for 2028 Olympics - cleaning house with homeless population

We live in a culture that celebrates weakness, excuses, and comfort — so how do you win in a world like that? By becoming the opposite. In this episode, I break down exactly how to rise above a soft culture and build discipline that makes you unstoppable.

Chaque samedi et dimanche, de 6h à 9h, Guillaume Lariche, entouré des journalistes de la rédaction et des chroniqueurs de la station, vous propose un point complet sur l'actualité pour mieux la comprendre. Un rendez-vous incontournable pour commencer votre week-end. Culture, société et évasion seront également au programme de ces trois heures. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

De Rosalia à Little Simz, en passant par Bad Bunny, Sophian Fanen balaye son année 2025. En cette fin d'année, Sophian vous fait plaisir et sélectionne ses obsessions favorites. Rosalía, Berghain, tiré de l'album Lux (Columbia Records, 2025) Bad Bunny, Weltita (feat. Chuwi), tiré de l'album Debí Tirar Más Fotos (Rimas Entertainment)  Theodora, Ils me rient tous au nez, tiré de l'album Mega BBL (Boss Lady, 2025)  Tarta Relena, Si veriash a la rana, tiré de l'album És pregunta (Latency, 2024) Ale hop & Titi Bakorta, Bonne année, tiré de l'album Mapambazuko (Nyege Nyege Tapes, 2025)  Andrea Laszlo de Simone, Quando, tiré de l'album Una Lunghissima Ombra (Ekler/Hamburger Records, 2025)  Blaiz Fayah, Maureen et DJ Glad, Money Pull Up, tiré de l'album Shatta Ting (Creepy Music, 2025)  Little Simz, Lion (feat. Obongjayar), tiré de l'album Lotus (Awal, 2025)  Miki, Jtm encore, tiré de l'album Industry Plant (Structure, 2025)  Xania Monet, How Was I Supposed to Know?, tiré de l'album Unfolded (TMJ/Hallwood, 2025) 

De Rosalia à Little Simz, en passant par Bad Bunny, Sophian Fanen balaye son année 2025. En cette fin d'année, Sophian vous fait plaisir et sélectionne ses obsessions favorites. Rosalía, Berghain, tiré de l'album Lux (Columbia Records, 2025) Bad Bunny, Weltita (feat. Chuwi), tiré de l'album Debí Tirar Más Fotos (Rimas Entertainment)  Theodora, Ils me rient tous au nez, tiré de l'album Mega BBL (Boss Lady, 2025)  Tarta Relena, Si veriash a la rana, tiré de l'album És pregunta (Latency, 2024) Ale hop & Titi Bakorta, Bonne année, tiré de l'album Mapambazuko (Nyege Nyege Tapes, 2025)  Andrea Laszlo de Simone, Quando, tiré de l'album Una Lunghissima Ombra (Ekler/Hamburger Records, 2025)  Blaiz Fayah, Maureen et DJ Glad, Money Pull Up, tiré de l'album Shatta Ting (Creepy Music, 2025)  Little Simz, Lion (feat. Obongjayar), tiré de l'album Lotus (Awal, 2025)  Miki, Jtm encore, tiré de l'album Industry Plant (Structure, 2025)  Xania Monet, How Was I Supposed to Know?, tiré de l'album Unfolded (TMJ/Hallwood, 2025) 

Maintenant Vous Savez, c'est aussi ⁠Maintenant Vous Savez - Santé⁠ et ⁠Maintenant Vous Savez - Culture⁠. Le Pont d'Avignon, on y danse tous en rond, mais on ne sait pas vraiment pourquoi ? On ne connaît ni l'auteur, ni l'origine de la chansonnette. Plusieurs chansons du quinzième siècle traitent de ce fameux pont, comme celle de Pierre Cercon déjà intitulé "Sur le pont d'Avignon". Mais leurs textes n'ont rien à voir avec celui chanté dans nos maternelles. D'où vient cette chanson ? Et cette danse alors, est-ce dû à une coutume ou une tradition de la région ? Ce pont existe donc toujours ? Écoutez la suite dans cet épisode de "Maintenant vous savez - Culture". Un podcast Bababam Originals, écrit et réalisé par Jonathan Aupart. Première diffusion : décembre 2022 À écouter aussi : Qui a été la première Drag Queen de l'histoire ? Quelles sont les émeutes urbaines qui ont marqué l'histoire de la France ? Quelle est l'histoire tragique du vrai Anakin Skywalker ? Retrouvez tous les épisodes de "Maintenant vous savez". Suivez Bababam sur Instagram. Learn more about your ad choices. Visit megaphone.fm/adchoices

Crâne rasé et la mentale d'un mousquetaire. Le crâne rasé, c'est lui sur la photo, la mentale d'un mousquetaire c'est lui qui le dit. Dans la besace de cet ex-taulard du 9.4 qui a jamais été en taule, même dans sa piaule, y a du gros son, des posters et des noms qui ont laissé des traces dans le frigo de la vie : Malcolm X, Robespierre, Ice Cube, Magic Johnson, Kery James et toute la célèbre clique de Mafia K'1 Fry. (Rediffusion) L'âme de ce collectif hip-hop c'est lui, Samir Salah, plus connu sous le nom de O.G.B. 20 ans de carrière, 1 600 concerts entre la France et le Maghreb et 38 tonnes de doutes pour ce métis des banlieues. Grâce à un lit d'hôpital où il est passé à un cheveu de la grande faucheuse, O.G.B auteur interprète-producteur-régisseur se livre en tant qu'homme, fils, père, poto sur 300 pages au titre évocateur Je suis venu me dire, aux éditions Mindset. Une lecture qui m'a donné envie de cette conversation ESM pour remonter aux origines de l'artiste, même si dans la vie, on ne peut pas pull up comme dans la musique.   À écouter aussiL'artiste Samir Salah, dit OGB, présente son autobiographie «Je suis venu me dire ...»

Chaque samedi et dimanche, de 6h à 9h, Guillaume Lariche, entouré des journalistes de la rédaction et des chroniqueurs de la station, vous propose un point complet sur l'actualité pour mieux la comprendre. Un rendez-vous incontournable pour commencer votre week-end. Culture, société et évasion seront également au programme de ces trois heures. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On Culture Friday, John Stonestreet revisits the biggest cultural stories of 2025, Arsenio Orteza reviews the music of Gian-Luca Petrucci, and Listener Feedback for the month of December. Plus, the Friday morning newsSupport The World and Everything in It today at wng.org/donateAdditional support comes from Commuter Bible, the audio Bible podcast series to match the work week. Available via podcast apps and commuterbible.orgAnd from Missions Upside Down - a FREE, award-winning video series about Christian missions in the past, present, and into the future. You can find this free resource on RightNowMedia or at missionsupsidedown.com

It's the Christmas episode! The boys discuss holiday movies and holiday cheer, two Santas, Mike presents Steve with a present, and we read YOUR Holiday History Roads!Advertise on Dynamic Banter via gumball.fmJOIN the Patreon: patreon.com/dynamicbanterGET the MERCH: dynamicbanter.clothingSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

When some cloaked Romulans interrupt Space-Church, Kirk feels it necessary to investigate. But when a crew person with a bad attitude harshens the bridge's vibe it's time to follow a comet and learn some Vulcan history. Will Spock remember this Romulan? How many people does it take to fire a missile? Where's the stained-glass window? It's the episode that feels like a submarine, but lives like a warbird.Support the production of Greatest TrekGet a thing at podshop.biz!Sign up for our mailing list!Greatest Trek is produced by Wynde PriddySocial media is managed by Rob Adler and Bill TilleyMusic by Adam RaguseaFriends of DeSoto for: Labor | Democracy | JusticeDiscuss the show using the hashtag #GreatestTrek and find us on social media:YouTube | Facebook | X | Instagram | TikTok | Mastodon | Bluesky | ThreadsAnd check out these online communities run by FODs: Reddit | USS Hood Discord | Facebook group | Wikia | FriendsOfDeSoto.social Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This week, City Cast Chicago host Jacoby Cochran and pop culture writer Margaret H. Willison share their favorite news stories of the year. From real-life magicians to ficiton demon hunters, and museum detectives to Da Pope, there's plenty of good news to go around.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Welcome back to State of the Culture Pt 2 (Continuation)

Happy holidays from Sinica! This week, I speak with Paul Triolo, Senior Vice President for China and Technology Policy Lead at DGA Albright Stonebridge Group and nonresident honorary senior fellow on technology at the Asia Society Policy Institute's Center for China Analysis. On December 8th, Donald Trump announced via Truth Social that he would approve Nvidia H200 sales to vetted Chinese customers — a decision that immediately sparked fierce debate. Paul and I unpack why this decision was made, why it's provoked such strong reactions, and what it tells us about the future of technology export controls on China. We discuss the evolution of U.S. chip controls from the Entity List expansions under Trump's first term through the October 2022 rules and the Sullivan Doctrine, the role of David Sacks and Jensen Huang in advocating for this policy shift, whether Chinese firms will actually want to buy H200s given their heterogeneous hardware stacks and Beijing's autarky ambitions, what the Reuters report about China cracking ASML's EUV lithography code tells us about the choke point strategy, and whether selective engagement actually strengthens Taiwan's Silicon Shield or undermines it. This conversation is essential listening for understanding the strategic, technical, and political dimensions of the semiconductor competition.6:44 – What the H200 decision actually changes in the real world 9:23 – The evolution of U.S. chip controls: from Entity Lists to the Sullivan Doctrine 18:28 – How Jensen Huang and David Sacks convinced Trump 25:21 – The good-faith case for why export control advocates see H200 approval as a strategic mistake 32:12 – What H200s practically enable: training, inference, or stabilizing existing clusters 38:49 – Will Chinese companies actually buy H200s? The heterogeneous hardware reality 46:06 – The strategic contradiction: exporting 5nm GPUs while freezing tool controls at 16/14nm 51:01 – The Reuters EUV report and what it reveals about choke point technologies 58:43 – How Taiwan fits into this: does selective engagement strengthen the Silicon Shield? 1:07:26 – Looking ahead: broader rethinking of export controls or patchwork exceptions? 1:12:49 – What would have to be true in 2-3 years for critics to have been right about H200?Paying it forward: Poe Zhao and his Substack Hello China TechRecommendations: Paul: Zbig: The Life of Zbigniew Brzezinski, Amerca's Great Power Propheti by Ed Luce; Hyperdimensional Substack by Dean Ball Kaiser: Everything Is Tuberculosis by John Green; The Anthropocene Reviewed by John Green; So Very Small by Thomas LevensonSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Worship leader Rita Springer pushes back on performance-driven, industry-shaped Christian music and asks a deeper question: who are we actually ministering to on Sunday morning, and what does it mean to be near the brokenhearted? Listen to the full episode hereSpotifyiTunes----------------------Ben has completely revised and updated his powerful book, Jesus in the Secular World: Reaching a Culture in Crisis—a must-read guide for anyone longing to reach those who may never step foot in a church. Packed with real-world insights and practical strategies, this book could be the breakthrough you've been searching for.Don't wait—get your copy today!Click HERE to check it out on Amazon.For more information, go to: jesusinthesecularworld.com------------------------Questions, comments, or feedback? We'd love to hear what you think! Send them to provokeandinspire@steiger.org, or send us a message on Instagram.Click HERE to receive news, thought-provoking articles, and stories directly in your inbox from Ben, David, Luke, and Chad!Click below to follow the regulars on Instagram!Ben PierceDavid PierceChad JohnsonLuke GreenwoodSend us a text

Kelly Donahue, a public speaker and consultant with over a decade of experience in the local insurance agency space, joins Insurance Dudes to break down what it really takes to build a profitable, future-ready insurance agency. The conversation explores leadership at the agency-owner level, creating a strong internal culture, and using systems instead of shortcuts to drive sustainable growth. From sales processes and account rounding to marketing, technology, and accountability, this episode highlights how agency owners can align their mission with smart business strategy, adapt to industry changes, and build teams that perform consistently while delivering long-term value.Join the elite ranks of P&C agents. Sign up for Agent Elite today and get exclusive resources to grow your agency!

Retrouvez tous les jours le meilleur des Grosses Têtes en podcast sur RTL.fr et l'application RTL.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Un homme qui demande des préservatifs à une pharmacienne, 3 blondes qui discutent dans un café et un homme avec un crapaud sur la tête dans un bistrot... Découvrez les 3 histoires drôles du jour ! Tous les jours, en podcast, retrouvez une compilation des meilleures blagues de vos Grosses Têtes préférées.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans cette séquence, Steevy Boulay et Marcela Iacub donnent la liste de tous les cadeaux faits pour leurs animaux... Pendant ces fêtes, retrouvez tous les jours en podcast une archive de l'émission spéciale Noël !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Chaque jour, retrouvez une histoire drôle racontée par un sociétaire de l'époque de Philippe Bouvard. Jacques Balutin, Jacques Mailhot ou encore Pierre Bellemare, retrouvez toutes leurs blagues en podcast !Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Dans l'émission du 27 août 2025, Laurent Ruquier a raconté son "date" assez original... Pendant ces fêtes, retrouvez tous les jours en podcast les meilleurs moments depuis le début de cette saison ! Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On the cusp of what could be a new era of Artificial Intelligence (AI), some researchers are urging caution and the need for deliberate controls to keep the developing technology from robbing Indigenous people of their cultures and sovereignty. A project with three universities provides a framework of standards to prevent AI from stripping Native Americans and all other Indigenous peoples of their right to control images, language, cultural knowledge, and other components of their identities they've worked so hard to retain. We'll hear about the potential benefits and threats of AI to Native people. This is an encore show so we won’t be taking calls from listeners. GUESTS Danielle Boyer (Sault Ste Marie Tribe of Chippewa Indians), robotics inventor Randy Kekoa Akee (Native Hawaiian), Julie Johnson Kidd Professor of Indigenous Governance and Development at Harvard University Michael Running Wolf (Lakota and Cheyenne), community leader in AI research Crystal Hill-Pennington, professor at the University of Alaska, Fairbanks Break 1 Music: Obsidian (song) Red-209 (artist) Break 2 Music: Coventry Carol (song) PIQSIQ (artist) Coventry Carol (album)