Podcasts about Venice

Following the vines through Umbria yields rich rewards. Discover the untold wines of this central Italian region and follow their stories through rolling hills home to medieval towns and long held traditions. Read the full episode show notes here > untolditaly.com/287NEW! - the Untold Italy app - Umbria guide available - DOWNLOAD FOR iOS  •  DOWNLOAD FOR ANDROIDThe app is FREE to download and check out our Milan guide and general travel content. Upgrade to PREMIUM  for a one time fee to access Rome, Florence, Venice, Sorrento, Cinque Terre, Amalfi Coast, Capri, Ischia, Tuscany, Lake Como, Lake Garda, Veneto, Lombardy, Campania, Lazio, Puglia, Abruzzo, Calabria with much more to comeSupport the showJoin our mailing list and get our FREE Italy trip planning checklist - subscribe here | Join us on tour: Trip schedule | Discover our Trip Planning Services | Visit our online store | Follow: Instagram • Substack • Facebook • YouTube • Online travel assistantThe Untold Italy travel podcast is an independent production. Podcast Editing, Audio Production and Website Development by Mark Hatter. Production Assistance and Content Writing by the other Katie Clarke - yes there are two of us!

It's hard to accept the fact that summer is winding down. But there's lots of fall culture to look forward to! Our editors sat down to talk about the films, television and sports events they're most excited about, including The Monster of Venice, Preparation for the Next Life and, of course, the WNBA finals.Here at Vogue, it's been the Dogue days of summer. After last year's inaugural Dogue launch, we were inundated with messages from readers asking how their own dog could snag a Dogue cover. So this year we conducted a Dogue cover contest. More than 56,000 (!!) people submitted photos of their dogs, but only one could win! Plus, fashion writer Hannah Jackson takes you behind the scenes with The Dogist for our “Adopt This Dogue!” photo shoot. Learn about your ad choices: dovetail.prx.org/ad-choices

Here is Pastor Frank Vargo's sermon on 8/17/25 titled, "Answering Questions About Baptism" from Acts 2:38. Freedom Bible Church is a nondenominational church located at 5550 S. Sumter Blvd in North Port, Florida. The name “Freedom” comes from 2 Corinthians 3:17, "Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom." Our desire is to be a God-centered church, not man-centered.Freedom Bible Church is a Bible based church located at 5550 S. Sumter Blvd in North Port, Florida. The name “Freedom” comes from 2 Corinthians 3:17, "Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom." Our desire is to be a God-centered church, not man-centered.Website: https://freedombiblechurch.com/Facebook: https://www.facebook.com/freedombiblepcInstagram: https://www.instagram.com/freedombiblechurchOur church members come from North Port, Wellen Park, West Port, Port Charlotte, Punta Gorda, Venice, and Englewood.

For Episode 455, I am joined by Katie Johnson, Josh Parham & Tom O'Brien to discuss the 2025 New York Film Festival (NYFF) Spotlight announcement and the final additions to the 2025 Toronto International Film Festival (TIFF) lineup. We reveal the winner of last week's poll for NYFF63, where we asked, "Which Film From The 2025 New York Film Festival Main Slate Are You Most Looking Forward To Seeing?" For this week's poll, now that we know the full lineups for Venice, TIFF50 and NYFF63 (with Telluride to announce still, but with many of its titles already inferred), we're asking, "Which 2025 Fall Film Festival Films Are You Most Excited To See?" We also share our reactions to the trailers for "Marty Supreme," "It Was Just An Accident," "Eleanor The Great," "Steve," reveal the 2009 NBP Film Community Award Winners, answer your fan-submitted questions, and more! Thank you all for listening, supporting, subscribing, and voting. We will see you all again next week! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Love travel and history? Join us as anthropologist Dr. Monique Skidmore unveils the world of the Etruscans in Tuscany - the original Italians - revealing their unique culture, powerful women, and the incredible sites you can visit to walk in their footsteps today.Read the full episode show notes here > untolditaly.com/286NEW! - the Untold Italy app - DOWNLOAD FOR iOS  •  DOWNLOAD FOR ANDROIDThe app is FREE to download and check out our Milan guide and general travel content. Upgrade to PREMIUM  for a one time fee to access Rome, Florence, Venice, Sorrento, Cinque Terre, Amalfi Coast, Capri, Ischia, Tuscany, Lake Como, Lake Garda, Veneto, Lombardy, Campania, Lazio, Puglia, Abruzzo, Calabria with much more to comeSupport the showJoin our mailing list and get our FREE Italy trip planning checklist - subscribe here | Join us on tour: Trip schedule | Discover our Trip Planning Services | Visit our online store | Follow: Instagram • Substack • Facebook • YouTube • Italy Travel Planning Community • Online travel assistantThe Untold Italy travel podcast is an independent production. Podcast Editing, Audio Production and Website Development by Mark Hatter. Production Assistance and Content Writing by the other Katie Clarke - yes there are two of us!

*This is the Free Content version of my interview with Dr. Mariano Villalba. To access the full interview, please consider becoming a paid Patreon member; alternatively, this episode is also available for a one-time purchase here on Patreon (under 'Shop' tab). www.patreon.com/RejectedReligion My guest this month is Dr. Mariano Villalba. Mariano is a postdoctoral fellow in Spirituality and the Arts, in collaboration with the Giorgio Cini Foundation in Venice, the History of Hermetic Philosophy and Related Currents at the University of Amsterdam, and the Warburg Institute at the University of London.Mariano specializes in esotericism in Colonial America, contemporary Latin America, and early modern Spain. He completed a joint PhD in religious studies at the University of Lausanne and the French l'École Pratique des Hautes Études- Paris Sciences & Letters University.Mariano serves as the editor in chief of Melancolia, an annual journal dedicated to the study of esotericism in Latin America. His methodology combines a global history perspective on Colonial America with a decolonial approach, intersecting themes of race, gender, and imperialism to analyze modern occultism in Latin America. His new research project will focus on “Occult Movements and Mexican Mural Art: What Role Did Occult Movements Play in Mexican Mural Art During the Interwar Period?”In this episode, Mariano and I explore his groundbreaking research into the overlooked women of the Mexican muralist movement. Building on his earlier work, Mariano dives into the rich, complex history of Mexican muralism—an artistic revolution born from post-revolutionary ideals and dominated by the towering figures of “Los Tres Grandes.”But beyond the celebrated murals of Rivera, Orozco, and Siqueiros lies a hidden narrative: the women artists whose contributions were marginalized or erased. Mariano introduces us to several of these remarkable figures, focusing in particular on María Izquierdo and Sofía Bassi. He shares insights into their lives, artistic themes, and the esoteric influences that shaped their work, while unpacking why their legacies remain in the shadows compared to contemporaries like Frida Kahlo and Leonora Carrington.This episode is a compelling journey into art history, gender politics, and the mystical dimensions of creativity. Dr. Villalba also discusses the goals of his current project and how listeners can engage with the research on his online platform.An editing correction: Just a note to correct a mistake made during the interview: In the discussion about Frieda Kahlo's parents (a German father and a Mexican mother), Mariano mistakenly states that (María) Izquierdo was the daughter instead of Kahlo. There was a slight mix-up here as Mariano was comparing Frieda Kahlo and María Izquierdo. So please be aware of this when listening.PROGRAM NOTESMariano Villalba | Center for the Study of World ReligionsOccult Mexican art | Explore the Occult in Mexican visual artAbout Gender & Visual Arts | Discover Women's Insight — Occult Mexican artAbout Esotericism & Muralism | Explore Mexican Art — Occult Mexican artMuralism and Mexican Identity: Rediscovering the Esoteric Visions of Post-Revolution Female Artists: Q&A with Mariano Villalba | Center for the Study of World ReligionsOccult Movements and Mexican Mural Art | Center for the Study of World ReligionsThe Visionary World of Sofía Bassi | Center for the Study of World ReligionsFundación | Sofia BassiEsotericism, Gender, and the Legacy of a Mexican Artist | Center for the Study of World ReligionsMariano Villalba - Harvard University Music and Editing: Daniel P. SheaEnd Production: Stephanie Shea

Hello, True Drews! On this week's episode, Nancy heads back to Italy--Venice, Italy to be exact!--to help her father with a case involving a missing glass blowing artist, and Nancy quickly gets tangled up in matters of the heart with not one, but two separate love interests who--*gasp*---aren't Ned Nickerson! This book, the 78th in the series, which the 18th Nancy Drew computer game is also based on, is a fun one, full of twists and turns! I hope you all will tune in and enjoy the episode!

On episode 302 of the AwardsWatch podcast, Editor-In-Chief Erik Anderson is joined by Executive Editor Ryan McQuade and Associate Editor Sophia Ciminello as we look at the state of the Oscar race post-TIFF and NYFF lineup announcements and ahead of the Venice and Telluride film festivals. In our conversation, which begins looking at how a film's surplus of festival appearances can help or hurt its chances and, on the other side, how a minimal footprint can be a hindrance or a benefit, especially for voters who feel they can discover a film rather than be told what to vote for. We turn our eyes to two specific categories on this episode: Best Casting and Best Supporting Actress. With the new Casting category making its Oscar debut this season, we wanted to look at not just the types of films we expect to see - like Sinners, Jay Kelly, Sentimental Value, Wicked: For Good and more - but also why, and how much the branch might raise up titans in their industry who will be earning the highest accolade for the first time. Our focus then moves to Best Supporting Actress as the fervor over Amy Madigan's performance as Aunt Gladys in Zach Cregger's horror hit Weapons this last weekend has people pounding the alarm to take her seriously as a potential nominee. We look at the reality of it happening in a race full of potential contenders. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music, YouTube and more. This podcast runs 47m. We will be back in next week for a preview of the 2025 Telluride Film Festival. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Join marriage coach Christa for a delightfully honest audio diary of her European family adventure! From London subway mishaps to finding her great-grandmother's mysterious grave on the Croatian island of Mali Lošinj, this episode captures the beautiful chaos of ambitious travel with heart and humor. Experience the highs and lows of trains through the English countryside to inside of Jane Austen's home where she wrote all of her books, experience Parisian haircut disasters, Venice joys and navigation challenges, and ferry rides to family history. As a 749 tritype with big dreams and bigger heart, Christa shares how travel mishaps became meaningful memories, why following family mysteries across oceans matters, and how adventure can deepen both family bonds and marriage connection. Perfect for anyone who loves travel stories, family legacy exploration, or just needs a good laugh about the reality behind Instagram-perfect vacation posts. Head on over to ⁠⁠⁠https://www.enneagramandmarriage.com/⁠⁠⁠ to check out all of our amazing freebies and resources! Instagram: ⁠⁠⁠@enneagramandmarriage⁠⁠⁠ | ⁠⁠⁠Facebook @ enneagramandmarriage ⁠⁠⁠ Have a specific question? ⁠⁠⁠⁠Fill out this form to get your personal questions answered now! ⁠⁠⁠⁠ Leave us a comment or question by sending an MP4 recording to enneagramandmarriage@gmail.com. (You can use your voice memos app on your phone to record). Love what you're learning on E + M? Make sure you leave us a podcast review so others can find us, too⁠⁠ here!⁠⁠ Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today's guest is Kiira Benz, a filmmaker, theatre director, and pioneer in immersive storytelling. She has been working in the XR space for the last decade, pushing boundaries at the intersection of film, theatre, and virtual reality. Kiira is the founder of Double Eye Studios, the award-winning creative XR studio behind Finding Pandora X, which became the first VR theatre production to win a Lion at the Venice International Film Festival. She has directed acclaimed immersive projects including Territory, Runnin', Loveseat, and Cardboard City, and she was the first VR director to film on the Intel Studios volumetric capture stage. Her work has been recognized with major honors at Venice, SXSW, and with a JustFilms Fellowship from the Ford Foundation. She is also the host of the Portal to the Next Stage podcast, where she talks with trailblazers working at the crossroads of art, technology, and human connection. In our conversation we dig into her creative process, where immersive media is headed, and we break down two of her favorite movie scenes: from AMELIE (2001) and the poetic mirror-filled moments from Agnès Varda's THE BEACHES OF AGNES (2008).   Hosted by Zef Cota

Though the Catholic Church is not new nor immune to scandals and corruption, the premise of an action-filled thriller, Vatican Daughter is sure to stir some controversy.Author Joni Marie Iraci's novel is sure to shock and entertain readers with a story that is based on little-known facts that take us into a cauldron of secrecy, hypocrisy, and power. “When you write about what goes on behind the walls of the Vatican, you realize that, like any corporation, leadership will go to great extent to protect their organization from the public exposure of a scandal, even when the price involves deadly violence.”When the first American pope is about to ascend the throne of St. Peter, he confesses his affair with a female journalist who's about to give birth to his child. The confession given to a corrupt traditional cardinal, sparks a murderous spree as the baby is taken and kept sequestered behind the walls of the Vatican. The injured mother is taken to Venice where she is kept in a Benedictine convent secretly guarded by an unscrupulous Vatican spy.Twelve-years pass before the mother fully recovers. The child, shielded from the outside world, is wise beyond her years and at great risk. She challenges the hypocrisy around her. Under the tutelage of the kindly Bibliotheca of the Vatican Archives, she gains access to hidden Vatican documents and begins to question the validity of Vatican teachings.With vivid detail, Vatican Daughter takes the reader on a suspenseful journey through the cities of Rome and Venice as one woman attempts to expose Vatican treachery and retrieve her kidnapped daughter from behind the walls of the most powerful entity on earth.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

In this episode of PAC Talk, I sit down with fitness industry legend Paul Fetters to talk about a lifetime in bodybuilding, business, and the pursuit of sustainable health. From training at the iconic Gold's Gym during bodybuilding's golden era to pioneering personal training, launching semi-private training studios, and building a nationwide nutrition program, Paul shares the lessons that kept him thriving for decades. Hear stories of Arnold-era Venice Beach, competing in 44 bodybuilding shows, building businesses from scratch, and why sustainability—not extremes—is the key to lasting results. Packed with history, insight, and practical advice, this is a must-listen for gym owners, trainers, and anyone chasing long-term health.Connect with PaulInstagramWelcome to the Pac, please make sure you subscribe wherever you are listening to this show and if you loved this show please leave us a 5 star review in the iTunes store. It is the currency of podcasts and it really goes along in helping us grow our show.If you are in Southern California come train with us Echo ParkRedondo BeachIdyllwildPalm SpringsFollow Pharos, Piet and Emylee on Instagram for more fitness related content. Hosted on Acast. See acast.com/privacy for more information.

The Dime Museum (Unbridled Books, 2025) is a novel spanning several generations, told in stories that begin in the early 1900s and end during the 2020 pandemic. Set in Chicago, Reading and Philadelphia, Pennsylvania, and Europe, the linked stories tell an overall tale of how the rich and the poor survive in a challenging modern world. Charlie, who's interested in the writing of Ezra Pound, appears in most of the stories, and is a wealthy American college graduate living in Venice. Min (Minerva), his Dominican ex-girlfriend is overwhelmed as a nurse even before the pandemic takes hold. Charlie's great-great grandmother is the source of his wealth, and his great aunt controlled his upbringing. Hinnefeld's characters strive for happiness, struggle to be connected, heal from heartbreak, seek refuge, and find solace in planting gardens, poetry and art. JOYCE HINNEFELD is the author of the short story collections Tell Me Everything (winner of the 1997 Bread Loaf Bakeless Prize in Fiction) and The Beauty of Their Youth (2020), the novels In Hovering Flight (2008) and Stranger Here Below (2010), and other short stories and essays. She is Emerita Professor of English at Moravian University in Bethlehem, PA, director of the Moravian Writers' Conference, and a Program Facilitator with Shining Light, an organization that provides reentry-based programming for incarcerated people throughout the U.S. Find her online at joycehinnefeld.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Dime Museum (Unbridled Books, 2025) is a novel spanning several generations, told in stories that begin in the early 1900s and end during the 2020 pandemic. Set in Chicago, Reading and Philadelphia, Pennsylvania, and Europe, the linked stories tell an overall tale of how the rich and the poor survive in a challenging modern world. Charlie, who's interested in the writing of Ezra Pound, appears in most of the stories, and is a wealthy American college graduate living in Venice. Min (Minerva), his Dominican ex-girlfriend is overwhelmed as a nurse even before the pandemic takes hold. Charlie's great-great grandmother is the source of his wealth, and his great aunt controlled his upbringing. Hinnefeld's characters strive for happiness, struggle to be connected, heal from heartbreak, seek refuge, and find solace in planting gardens, poetry and art. JOYCE HINNEFELD is the author of the short story collections Tell Me Everything (winner of the 1997 Bread Loaf Bakeless Prize in Fiction) and The Beauty of Their Youth (2020), the novels In Hovering Flight (2008) and Stranger Here Below (2010), and other short stories and essays. She is Emerita Professor of English at Moravian University in Bethlehem, PA, director of the Moravian Writers' Conference, and a Program Facilitator with Shining Light, an organization that provides reentry-based programming for incarcerated people throughout the U.S. Find her online at joycehinnefeld.com Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literature

Here is Pastor Frank Vargo's sermon on 8/10/25 titled, "Salvation In The Last Days" from Acts 2:14-21. Freedom Bible Church is a nondenominational church located at 5550 S. Sumter Blvd in North Port, Florida. The name “Freedom” comes from 2 Corinthians 3:17, "Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom." Our desire is to be a God-centered church, not man-centered.Freedom Bible Church is a Bible based church located at 5550 S. Sumter Blvd in North Port, Florida. The name “Freedom” comes from 2 Corinthians 3:17, "Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom." Our desire is to be a God-centered church, not man-centered.Website: https://freedombiblechurch.com/Facebook: https://www.facebook.com/freedombiblepcInstagram: https://www.instagram.com/freedombiblechurchOur church members come from North Port, Wellen Park, West Port, Port Charlotte, Punta Gorda, Venice, and Englewood.

How Kate got her groove back… could be an alternate title to David Lean's Katherine Hepburn-starring romance set in the canals of mid-century Venice.  An aging single American lady, looking for a little bit of culture and beauty, discovers far more than just a bit of Murano glass in this visual stunner… By which I mean that she finds no-strings-attached sex with hot Italian dudes. Join the Random Acts of Cinema Discord server here! *Come support the podcast and get yourself or someone you love a random gift at our merch store.  T-shirts, hoodies, mugs, stickers, and more! If you'd like to watch ahead for next week's film, we will be discussing and reviewing Kon Ichikawa's An Actor's Revenge(1962).

Your Nightly Prayer

Harris hawks are used at sporting events and major tourist sites such as Venice to keep pigeons away.

Venice residents band together to buy plague pit island, transforming a site of mass death into their private sanctuary — where tourists will never set footREAD or HEAR the story: https://weirddarkness.com/poveglia-island-venice-haunted-sold-locals/= = = = = = = = = = = = = = = = = = = = = = = = = = = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.#PovegliaIsland #VeniceHauntedIsland #ItalianGhostIsland #PlagueIslandVenice #AbandonedAsylumItaly #PovegliaPerTutti #VeniceLocalsBuyIsland #PlaguePitIsland #BlackDeathVenice #AbandonedHospitalPoveglia #VeniceLagoonMystery #ItalianParanormalSites #PovegliaIslandSold2025 #VeniceTourismEscape #HauntedPlacesItaly #PovegliaAsylum #MassGravesVenice #ItalianUrbanExploration #VeniceResidents #PovegliaHistory

Imagine being alone in the Vatican Museums at sunrise, turning on the lights in the Sistine Chapel, or stepping into Florence's Duomo to view Brunelleschi's dome with a handful of other travelers after hours. We're discussing recently added VIP experiences at some of Italy's most iconic sites with Walks of Italy's Denyse PantaleoRome - Vatican Key Master's Tour - tour detailsRome - Alone in the Sistine Chapel - tour detailsRome - Colosseum Tour with VIP Caesar's Palace - tour detailsFlorence - Alone in the Duomo with private terrace access - tour detailsVenice - Alone in St Mark's with Doge's Palace - tour detailsRead the full episode show notes here > untolditaly.com/285NEW! - the Untold Italy app - DOWNLOAD FOR iOS  •  DOWNLOAD FOR ANDROIDThe app is FREE to download and check out our Milan guide and general travel content. Upgrade to PREMIUM  for a one time fee to access Rome, Florence, Venice, Sorrento, Cinque Terre, Amalfi Coast, Capri, Ischia, Tuscany, Lake Como, Lake Garda, Veneto, Lombardy, Campania, Lazio, Puglia, Abruzzo, Calabria with much more to comeSupport the showJoin our mailing list and get our FREE Italy trip planning checklist - subscribe here | Join us on tour: Trip schedule | Discover our Trip Planning Services | Visit our online store | Follow: Instagram • Facebook • YouTube • Italy Travel Planning Community • Online travel assistantThe Untold Italy travel podcast is an independent production. Podcast Editing, Audio Production and Website Development by Mark Hatter. Production Assistance and Content Writing by the other Katie Clarke - yes there are two of us!

Everyone wants to visit Italy! Brent shares some of the best things to eat and drink in Florence, Venice, and the Bay of Naples off the Amalfi Coast. Except these aren't the typical tourist haunts. There's a literary cafe in Florence that has finally reopened, islands that are better than Capri, and hunting truffles in Tuscany. Plus dishes like grass pea soup, braised rabbit, and an alternative to Aperol Spritz [Ep 349] Show Notes: Destination Eat Drink Foodie Travel Guides at Buy Me a Coffee Taste Florence food tours Katie Parla's books, tours, and podcast Monica's Venice cocktail and food tours Pete's Trips2Savor tours of Tuscany and Puglia.

This week on The Pet Buzz, Petrendologist Charlotte Reed speaks with Venice Canals Association's Ramon Goni, about the mysterious illness that is killing dogs that frequent the Venice Canals in California; and with University of Illinois's Dr. Rebecca Smith, about how State Health officials would conduct to find the toxin which is killing the dogs.

Full Text of ReadingsThursday of the Eighteenth Week in Ordinary Time Lectionary: 410The Saint of the day is Saint CajetanSaint Cajetan’s Story Like most of us, Cajetan seemed headed for an “ordinary” life—first as a lawyer, then as a priest engaged in the work of the Roman Curia. His life took a characteristic turn when he joined the Oratory of Divine Love in Rome, a group devoted to piety and charity, shortly after his ordination at 36. When he was 42 he founded a hospital for incurables at Venice. At Vicenza, he joined a “disreputable” religious community that consisted only of men of the lowest stations of life—and was roundly censured by his friends, who thought his action was a reflection on his family. He sought out the sick and poor of the town and served them. The greatest need of the time was the reformation of a Church that was “sick in head and members.” Cajetan and three friends decided that the best road to reformation lay in reviving the spirit and zeal of the clergy. Together they founded a congregation known as the Theatines—from Teate [Chieti] where their first superior-bishop had his see. One of the friends later became Pope Paul IV. They managed to escape to Venice after their house in Rome was wrecked when Emperor Charles V's troops sacked Rome in 1527. The Theatines were outstanding among the Catholic reform movements that took shape before the Protestant Reformation. Cajetan founded a monte de pieta—“mountain or fund of piety”—in Naples, one of many charitable, nonprofit credit organizations that lent money on the security of pawned objects. The purpose was to help the poor and protect them against usurers. Cajetan's little organization ultimately became the Bank of Naples, with great changes in policy. Reflection If Vatican II had been summarily stopped after its first session in 1962, many Catholics would have felt that a great blow had been dealt to the growth of the Church. Cajetan had the same feeling about the Council of Trent, held from 1545 to 1563. But as he said, God is the same in Naples as in Venice, with or without Trent or Vatican II. We open ourselves to God's power in whatever circumstances we find ourselves, and God's will is done. God's standards of success differ from ours. Saint of the Day, Copyright Franciscan Media

Hello, True Drews!On this week's episode, we discuss a cult classic in the Nancy Drew fan community: The Bluebeard Room, the 77th book in the series!This book marked a very distinct shift in the Stratemeyer Syndicate and for the Nancy Drew series. The tone for this book and the one after it, The Phantom of Venice, were more mature and would pave the way for a new Nancy Drew series, The Nancy Drew Files!In this book, Nancy has a tryst with a rockstar, explores the haunted moors of the UK while helping a friend who now lives there and recently got married, and busts up a potential witch cult and drug running gang?! Yep, it's the same Nancy Drew series, but a whoooolllleee different side to Nancy!I hope you all enjoy this off the wall episode!Content Warning: This book references illegal dr*gs. I know, kind of crazy for a Nancy Drew book!

Prayer Judgment and Revival (2) (audio) David Eells – 8/6/25 Going over What the Lord Showed Me About the Asteroid that's Coming Brandon @ Last Days – 7/26/25 (David's notes in red) https://youtu.be/xUTlHLlBy_g?si=1W7FB9aV5GfR-osX Portion of transcript: Speaking of the revival, the Lord said, “Heaven and Earth are about to collide with the greatest harvest of souls and the greatest demonstration and manifestations of My glory that this world has ever seen before. In a 24-hour period, He said, “Brandon, everything you know, [will change] we're at the point of no return. We're at that point. It's time to push.” It's time to push. (Laboring to bring forth the Man-child body which will bring the revival as it was with Jesus the Man-child. History repeats on a larger scale.) He said, “You're looking at a thin thread.” Remember that hair-thin thread I saw coming up? I said, “Adam's lease is coming up.” Do you understand? We're about to step over the water's edge. We're about to step over the waterfall. (Revival) And the Lord said, “You're about to see something I long for you to see.” Why? Because it was there, the lease; it was Adam's timeframe of a 6,000-year window. Now, we're about to step into the 7,000–year window with the 7-year tribulation. (According to Numeric Bible Chronology we are already in the thousand year sabbath but men are breaking it by their works so tribulation comes.) We're about to see some radical things. Radical and amazing things with the Holy Ghost and fire like we've never seen it before. We've only seen glimpses of it. The Lord said, “You've only seen glimpses of it with Azusa Street, …, with the Welch revival. These only lasted for just a short window. But, Brandon, what I'm about to do, all those others will pale in comparison to what is about to happen in these last days.” (Amen!) But He said, “I have to give you a warning about the plague. I have to tell you to stand and pray and tell the people that I'm coming.” And He talked about Psalm 91. (He will come to us as the Latter Rain to once again heal the plagues of men as Jesus did in the former rain.) Then I saw an asteroid, and He was talking about this telescope called Lucifer. And then He called it Satan.  (I have read that the Vatican's telescope was originally called Lucifer but was changed to Luci in 2012 to avoid controversy.) I thought how this was a very demonic name, and I wondered if I was hearing this right? And is this the Lord or Satan? I saw this telescope in the Arizona West and it is massive. (That is where Luci is.) The lens on it was ginormous. As I was looking at this, I saw men wearing white lab coats, and they were talking and writing things down. They said, “The odds are in our favor.” And “It's unlikely this will happen.” China was involved, and they were communicating back and forth about what they were seeing coming. China said, “This is going to hit. This is serious.” But the people in America were like, “Uh, I don't know, I don't think so.” But China was taking it seriously. They were freaking out. I could see these educated Chinese men calculating and talking back and forth. They knew something serious was about to happen and that we were not going to divert it. As I was looking over into outer space, I saw a massive rock heading toward Earth. They said, “We were not telling them because it would cause panic. But the odds are in our favor that it will not happen that it will miss.” But it will not. I saw other space debris by this major rock. It was a massive piece of rock, like the size of a planet. (No one would survive the largest rock; there would be no tribulation.) And there was a smaller one beside it, and there were ones they would consider to be…. And I heard the word ‘planet killers' were behind it, like bunches of them. As this thing was moving and all the others with it, it looked like a debris field behind it. (Earth can generally survive impacts from asteroids smaller than about 0.6 miles (1 kilometer) in diameter, as these are less likely to cause catastrophic damage. However, an asteroid around 7 to 8 miles (11 to 12 kilometers) wide could potentially wipe out most life on Earth. https://science.howstuffworks.com/nature/natural-disasters/asteroid-hits-earth.htm ) (I have no doubt a rock in the tail will hit. Brandon has been very accurate.) The Lord said, “Watch the sun, watch the tides. For things are going to change, and change quickly. Your water and your waves, the way the tides come in and go out because of the moon. Things are going to start to shift like you've never seen before. The tides are going to act very strangely; they will be higher than average. They will come in further than what they're supposed to. When they pull back out, they will move out further than they are supposed to.” I heard this and I could see it. Something was affecting the tides. This rock, something serious. The Lord said, “Watch the pressure on the Earth for a major volcano is about to erupt, and not just one volcano, but it will be multiple all at the same time.” I saw earthquakes measuring more than 9.0 in more than one place. They happened in multiple places at the same time. (Even a flyby of this monster could do this but I suspect one or more from the tail will hit.) The Lord said, “I told you and I warned you that it would affect the sun's light and the way it shines upon the Earth, for it will create a disruption in the birds' migration. It will cause a difference in the timing of when animals breed because it will confuse their natural instincts. All animals and creation were acting weird. Even the agriculture of the flowering and planning (planting) will be thrown off because of what's coming. I saw the magnetic poles and how the Earth was shifting, and it was moving differently.  Even the daytime will be different, and the way the Earth spins will be different. (A wobble is likely) Some people think it's a flat Earth, but it's not. (Amen)  He said the sun will look different in the days ahead. You will need to hear Him in the days ahead because of what I saw. The Lord said, “Look at Venice, Italy.” I could see the water in the city acting weird; there was flooding and a rise in the tides. There were “water events,” that's what I'll call them. Water events are about to take place in Italy that have never happened before because of what's happening to the Earth. The Lord said, “Watch Venice, Italy, and watch Rome. Watch the volcano that's about to go off in Europe.” This will be an event that is not just one in the ring of fire, but this will be a global event that starts taking place. Then I saw India and the Lord said, “Look at India, for a lot of the pagan temples will be destroyed with earthquakes in the days ahead.” I saw the glory of God coming in, and there were many in the harvest. I'm talking major revival throughout India. I saw monkeys on the temples and old shrines completely decimated by earthquakes. It was like when the walls of Jericho came down. Everything was flattened; there was nothing left, it was like rubble. The Lord said, “I will bring in My presence, and I'm going to decimate those false gods and false places of worship. There will be a great revival throughout India and all throughout Asia. I saw great Buddhist temples completely decimated when this takes place. They were shaken to the ground like piles of rubble. A major distraction is about to take place. So I asked the Lord more about this. I asked Him, “Is this about the two flying saucers? Is it the two alien ships?” This is a deception that's about to take place and it's false. It's demonic spirits. There is no such thing as aliens. (Absolutely True) There will be things in the sky that are going to scare many people in the days ahead, thinking, “This is E.T.; they really exist!” No. These are fallen angels; it's demonic. This will be how they will explain away the rapture of the church. People say, ‘I don't believe in the rapture,' but it's going to happen. (See our book: Hidden Manna- It clearly comes at the end of the Trib.)  I'm telling you by the Spirit of God, you need to get your houses ready. If you're not on fire for Jesus and your heart is not serving Jesus, today is the day. You need to get right with the Lord. People ask me when this will happen. I don't know how long before this happens; I'm just here to warn you about what's coming. So, I saw these major alien ships, and I saw it go over the Vatican and go over the Mayan temples down in Mexico. And I asked the Lord, “Are there two of these?” I have been praying about this, and He said, “No, it's just one.” This is going to make everyone freak out because they will see it moving across the ocean and think it's more than one. It will be seen on TV. Then I saw little tiny ships coming out of the mother ship that looked like balls of light. But it wasn't a real ship. Understand. This was a demonic-looking light that was traveling around, causing much confusion in our skies. I know this sounds “way out there.” I didn't even want to talk about it, but I'm instructed to. I'm here to warn you. As wild as it may sound, there will be fearful sights you will see that will bring you to your knees. I'm here to warn you of these things. The enemy does not play fair; he's trying to deceive people with what's coming and throwing many curveballs to try and deceive the nations. When the antichrist comes (See Hidden Manna) on the scene and he says, “Hey, we have a solution for all the problems in the days ahead.” “I'm going to bring peace and prosperity. All you have to do is bow down and worship me on Fridays…” “And you're going to have to get a chip. But it's going to be a solution because we're going to take care of all of this with AI. AI has the cure for diseases. We're going to fix diabetes, we'll fix cancer, and we'll fix autism. We're going to do all this through AI technology. If you just serve me on Fridays and do all that I tell you to do, we're going to fix all your ailments.” You watch! This is how they get everybody with hook, line and sinker. People will think that he's such a nice guy! (antichrist) They'll say, “Don't you know he has a plan to help everybody?” It's coming. But I won't be here to see it. I won't be here, and none of you will be here to see it. Those of us who are believers and have our lamps full of oil. (See Hidden Manna- Absolute proof we will all be here.) I heard the Lord say, “Pray. They're going to try to get another major virus in the days ahead.” I saw another major virus and the Lord said, “Rise up and pray, church! Pray that the glorious church rises.” People will be looking at us and asking us, “Do you have a solution for this new virus?” And we don't need to be handling this like we did COVID. You can either be hiding in your church or your houses because you're afraid of this thing, or we can be the glorious church and rise up and pray and take our authority over things. (Amen! Brandon – Exo. 15:26- “I will put none of the diseases upon thee”.) Last time in 2019, people were caught off guard. I heard about it six months in advance, about how there was going to be a major virus, but I didn't have a platform to warn people like I do now. (I told people 3 years in advance.) The Lord told me, “I'm giving you a window, Brandon, pray and tell them that they're going to try to do it again. But this time it will be COVID on steroids and it will be a whole different strand.” I'm trying to warn you that they have a plan for the future, and it's not that far off. (We can pray most of this down.) This will not just affect humans; I saw that it will also affect cattle and your pets. I saw dogs, cattle, birds, everything, lying dead everywhere. It was spreading to livestock everywhere like a plague. It was like the black plague of death. (in Europe 1346-1353) It was awful. But the glorious church! Remember, they had light in Goshen while it was dark in Egypt. I'm telling you that in the household of faith, if you rise up, if you pray and you read your Bible to know the Word of God, it will be like He said, “A thousand shall fall at your side and 10,000 at your right hand, but it will not come nigh you.” (True, if you believe) I asked the Lord, “What things can we stop?” He said, “Terrorist attacks; you can stop plots against the churches, but Brandon, you cannot stop Matthew 24.” He said, “You can be at the right place at the right time, and it won't affect you because you're My beloved. Be where I tell you to be and do what I tell you to do. Hear Me and be in sync with Me at all times and know that nothing will come nigh you.” (True) The Lord said, “Listen to Me, Matthew 24 will take place.” Which says, there will be wars and rumors of wars, plagues, pestilence and earthquakes in diverse places, massive storms, all these things and seas and waves roaring, men's hearts failing them for fear when they see all these things coming upon the Earth. We're going to see things we've never seen before, because the Bible says so. But there are certain things we can pray about and stop, and things we cannot stop. (We can almost always lessen the effect of them.) I'm telling you the things we cannot stop are going to happen, but they don't have to affect you. We're here in this world, but we're not of this world, right? We're underneath the shadow of the Almighty, under His wings, and Him shall we trust! And I know He's watching over me. His goodness and mercy are following me all the days of my life, and I will dwell in the house of the Lord forever. But it doesn't say I won't go through the valley of the shadow of death, but I will fear no evil. His rod and staff comfort me. He prepares a table before me in the presence of all my enemies. He told me He would take care of me, and I believe Him with all my heart that He will. And that's the place where I want to see all of you too. Regardless of what we see coming, and the birth pangs. He said, “As the labor pains that are coming upon a woman, Brandon, it's going to get really radical now.” And He said that as we go from Rosh Hashanah and even more from September (I think it's like the 21st)), when we hit this time frame, an acceleration of things is going to happen even on a greater level. But I'm giving you a window of financial outpouring. Believer for it. Pray for Judge Torres and these judges to let go of the things and crypto. That these corrupt people will set boundaries and laws and establish it and that it will all be a blessing for the body of Christ. People need to be listening. It won't all come through certain investments that you think it will come through. Don't limit God in your natural minds. Think bigger! The Lord said, “You're not thinking big enough.” He told me, “Brandon, I have a million and one ways to get you a million dollars. Do you understand Me?” “I am the God of more than enough. I'll provide for your ministry. I'll do whatever you need if you just ask Me in faith. Do you understand? My hand is not short.” Do you understand? He's an exceedingly abundantly above all that you ask or think to ask, God! And from what I've seen coming, you better get your house in order and your heart right before the Lord. You cannot be playing church anymore. If you thought COVID was bad, you haven't seen anything like what I've seen. For most people, it will steamroll them because their hearts are not ready, and they're not right with the Lord. It's not time to play church anymore. You're either hot or cold, but if you're lukewarm, He will spew you out of His mouth. You may say, “Where's the grace in all this?” I believe His grace is sufficient for every single one of you, but you need to be on the side where the devourer is rebuked, and He said He rebuked the devourer for your sake. You say, “Well, I'm a tither and I have tither's rights.” You either believe what the Word of God says for His promises (Psalm 91) or you are a doubter. A true believer believes that God will do what He says He will do. The Lord told me that there's too much static in the air. There are too many false prophetic words going forth. They're listening to a familiar spirit and they're speaking to itching ears, and they are not warning you what I'm trying to tell you. And He said that you either speak for Me or sit down and be quiet. Because I'm telling you, I saw judgments. The Lord said, “Judgement begins in My house first and many people don't like that.” But He said, “I'm cleaning house, Brandon, and I'm really about to clean house!” There will be righteous people rise up who have never had a platform before, similar to mine. They will rise up and say exactly what He says to speak. You're going to see signs and wonders that follow those who believe. (The “greater works” ministry.) He said, the true demonstrations of the manifested presence of the sons of God. When you're moving and doing what He told us to do, you will see the signs and wonders. I believe it with all my heart. We're about to see things like we've never seen before. But it's time to be like it was for Jeremiah and all those other prophets of old, when they spoke for God; you'll see things. You're going to start to see the manifestations of what they're saying. You are going to see healings and demonstrations in the glory. There is too much confusion and too many people parroting things. The Lord said, “I'm dealing with this.” He told me, “Your job is to tell what you see and what I'm telling you in prayer, and you relay what I'm saying.” I don't consider myself a prophet, and I've said this before. The Lord said, “I want you to pray and intercede for the revival and lead My people to Jesus. That's your main priority right now.” And He said, “True prophetic voices will be leading people to Jesus.” They'll have altar calls and tell people they're going to hell if they don't repent. They're telling people that Jesus is coming, like John the Baptist in the wilderness eating locust and honey and telling everybody, “There's One coming. Jesus is coming.” But they missed the way Jesus was coming, and history repeats. He came in a body of the Son of David, and the apostates missed him. Here, Hidden Manna could show us how He is coming in the firstfruits sons of David and then His elect, before coming for us. Just as in Jesus' day, the creation of God was waiting for a Son to come with the Word of deliverance from the curse of corruption, so it is in our day. (Rom.8:19) For the earnest expectation of the creation waiteth for the revealing of the sons of God. (21) that the creation itself also shall be delivered from the bondage of corruption into the liberty of the glory of the children of God. In Jesus' day, spiritual “children” had led His creation into bondage to corrupt religion and sin, but God sent His “Son” to deliver them with the unleavened bread. So it will be in our day. The foundations have been destroyed by many generations of children put in positions of leadership by those who have wanted their ears tickled. In times of apostasy God gives them what they want. (Isa.3:4) And I will give children to be their princes, and babes shall rule over them. (5) And the people shall be oppressed, every one by another, and every one by his neighbor: the child shall behave himself proudly against the old man (mature), and the base against the honorable. (12) As for my people, children are their oppressors, and women rule over them. O my people, they that lead thee cause thee to err, and destroy the way of thy paths. God's solution will be to reveal His sons, whom He will use to restore a repentant remnant with the truth that sets free. In His first body, Jesus offered this deliverance to “the lost sheep of the house of Israel” (Mat.10:6) before there was a great falling away, but in the corporate Man-child Jesus will offer it to the called of the “whole creation” to restore the elect. (Rom.8:22) For we know that the whole creation groaneth and travaileth in pain together until now. The work of the Spirit is to bring us to adoption: spirit, soul, and ultimately body. Jesus was the Son of God abiding in the Son of Man. He was the Son in Spirit and Soul when He still inhabited a body of the seed of David (Rom.1:3). His ability to fully walk in the Kingdom came when He received His redeemed, glorified body. So shall it be with the Man-child manifested “sons.” They will first manifest Sonship in spirit and then progressively in soul through persecution and suffering, as it was with Jesus. (Heb.5:8) Though he was a Son, yet learned obedience by the things which he suffered; (9) and having been made perfect, he became unto all them that obey him the author of eternal salvation. Through this stage, the Man-child sons will minister in power to the called of God, as it was with our pattern, Jesus. In Romans we see the last step of full adoption through the new body. (Rom.8:23) And not only so, but ourselves also, who have the first-fruits of the Spirit, even we ourselves groan within ourselves, waiting for [our] adoption, [to wit], the redemption of our body. Our faith, like our Father's faith, “calleth the things that are not, as though they were” (Rom.4:17), so we must claim our Sonship before we see it. (Gal.3:26) For ye are all sons of God, through faith, in Christ Jesus. The manifestation will come to those who walk by faith, beholding the Son in the mirror. (2Co.3:18) Those who claim their Sonship, and the authority and privileges that go with it, because of the redemption wrought in Christ are accounted as sons. We are “justified (Greek: “reckoned or accounted righteous”) by faith in Christ” (2:16). If I believe that “I have been crucified with Christ; and it is no longer I that live, but Christ liveth in me” (20), then I am a son by faith even if I am not yet a son by manifestation. (3:6) Even as Abraham believed God, and it was reckoned unto him for righteousness. (7) Know therefore that they that are of faith, the same are sons of Abraham. Therefore, if we have received the Spirit of Christ and believe that He now lives in us to do His works, we are sons by faith. (4:6) And because ye are sons, God sent forth the Spirit of his Son into our hearts, crying, Abba, Father. (7) So that thou art no longer a bondservant, but a son; and if a son, then an heir through God. Those who live as joint heirs with Christ are walking in the faith of Sonship and will manifest His works by God's power. Jesus said, “He that believeth on me, the works that I do shall he do also; and greater [works] than these shall he do; because I go unto the Father” (Joh.14:12). God is carefully bringing His servants/children who walk by faith to manifest Sonship, first the Man-child and then those disciples who follow in His steps. (Pro.29:21) He that delicately bringeth up his servant from a child Shall have him become a son at the last. While the apostates were waiting for the coming Messiah, He was being manifest in their midst as a man-child born to a woman. According to this type, the apostates in our day are waiting for Jesus to come in the sky to save them. They do not understand that He will come first manifested in the Man-child. The “Son” will come to be manifested only in those “children” who “abide in Him.” This is what the manifestation of Sonship is. Those who do not manifest Sonship will be “ashamed” like the man without the wedding garment, when they physically see Jesus. (1Jn.2:28) And now, [my] little children, abide in him; that, if he shall be manifested (in us through Sonship), we may have boldness, and not be ashamed before him at his coming (Greek: parousia, meaning His “physical presence”). Both the ancient manuscripts and the numeric pattern say, “if … He be manifested” (NENT). “If” shows that only the “children” who manifest Jesus or Sonship will not be “ashamed” when He comes. The KJV translated this as “when He shall appear” because they thought this was a reference to Jesus' physical coming, which truly is a “when” and not an “if.” A major problem with this translation is that it has Jesus coming twice at the same time. “When he shall appear, we may have confidence, and not be ashamed before him at his coming (KJV).” However, “manifested” here is the Greek word phaneroo, meaning “to ‘appear' or make visible.” It comes from the root word phan, meaning “to shine.” The same word used in many other places plainly shows us that the glory of Jesus will “shine” out of our “mortal bodies” (Rom.8:11) to “appear” to the world. (2Cor.4:11) For we who live are always delivered unto death for Jesus' sake, that the life also of Jesus may be manifested (Greek: Phaneroo meaning “shining appearance”) in our mortal flesh. Obviously this is a spiritual shining out of us of the righteous glory of God, but sometimes God allows even lost people to see it. Around 1984 I was witnessing to a man who said, “I saw you some years ago and there was a light shining out of you wherever you went and I wondered what it meant.” (6) Seeing it is God, that said, Light shall shine out of darkness, who shined in our hearts, to give the light of the knowledge of the glory of God in the face of Jesus Christ. Notice in the same text that if we know the true “face of Jesus Christ” in the mirror by faith, His glory will shine in us. (3:18) But we all, with unveiled face beholding as in a mirror the glory of the Lord, are transformed into the same image from glory to glory…. (Col.3:4) When Christ, [who is] our life, shall be manifested (in us), then shall ye also with him be manifested (“shining appearance”) in glory. Back in our 1 John text, we see that when we are children, He has not yet made His shining appearance in us. (1Jn.3:2) Beloved, now are we children (Greek: teknon) of God, and it is not yet made manifest (“shining appearance”) what we shall be. (If He makes His shining appearance in us, “we shall be like him.”) We know that, if he shall be manifested (“shining appearance,” i.e. in us), we shall be like him; for we shall see him even as he is (in the mirror). The ancient manuscripts, the numeric pattern, and the Received Text all say “if he … be manifested” here. Notice also that those who “see him even as he is” in the mirror by faith “shall be like him.” We must believe that “as he is, even so are we in this world” (1Jn.4:17). The rest of this text confirms this manifestation of Jesus will come in those who have a “confident expectation” of it. (1Jn.3:3) And every one that hath this hope (Greek: “a good, confident expectation”) [set] on him purifieth himself, even as he is pure. Can we purify ourselves “as he is pure”? Those who have a “confident expectation” of this manifestation of Christ in them will receive “grace” to walk in it. (Titus 2:11) For the grace of God hath appeared, bringing salvation to all men, (12) instructing us, to the intent that, denying ungodliness and worldly lusts, we should live soberly and righteously and godly in this present world; (Only those who are “looking for” the “shining appearance” of Jesus' glory from them will have it.) (13) looking for the blessed hope and appearing (Greek: epiphaneia, a “shining forth”) of the glory of the great God and our Saviour Jesus Christ; (Notice that this does not speak of the physical coming of the Lord but of the coming of His glory in us. Epiphaneia here speaks of Jesus' coming in us and is distinct from parousia, which speaks of His personal “presence” or coming. In other words, He will come for those from whom He is “shining forth.” He is coming in His saints before He comes for His saints. To this end He sacrificed Himself.) (14) who gave himself for us, that he might redeem us from all iniquity, and purify unto himself a people for his own possession, zealous of good works. The Man-child is made up of those who are the First-fruits company to manifest the glory of this purity. Those who “fight the good fight of the faith” shall have this epiphany of Jesus, either as the Man-child or as the Woman He leads into this understanding. (2Tim.4:7) I have fought the good fight, I have finished the course, I have kept the faith: (8) henceforth there is laid up for me the crown of righteousness, which the Lord, the righteous judge, shall give to me at that day; and not to me only, but also to all them that have loved his appearing (Greek: epiphaneia). Like Paul, those who have loved His “shining forth” in them shall have the “crown of righteousness.” Jesus was called the first fruits who, as a reformer, imparted Himself into disciples through the Word and anointing of the Holy Spirit. Then they went forth as a corporate body to pass this on to others. Today a corporate body of reformers is about to be revealed to do the same with a much larger portion of the Church. Signs and wonders will cover the earth. Now, here's a portion of a prophetic warning we shared earlier from Brandon Biggs at Last Days: https://youtu.be/9epckXNXLN0 Also, we need to pray over our water supply. (Brandon doesn't share anymore about the water supply in this video. However, I read Bill Gates or his organization plans to buy up water suppliers. Given his depopulation history this cannot be good.) He continues, I saw an article from Fox News saying that Trump and BB have agreed on a two-state solution. This is one of the things from the Abraham Accords and they were saying how they wanted to make a two-state solution, and they were agreeing upon it. I have spoken before that if they do this two-state solution, 3 days later the New Madrid fault line will go off and America will be divided in half. (I have said this for at least 30 years. believe the NM will go off but it will be greatly diminished compared to the dreams and visions because of prayers for God's mercy.) When this happened, I saw great big Chinook helicopters flying from the west to the central part of America carrying supplies. It sounded like the earth was shaking, they had so many helicopters over the affected area. And this is where I said before where I saw the Lion's face carved into the side of a building and I had warned everyone that I saw tumbleweeds going down Wall Street. (In the Long Run we will lose Wall Street) The Lord told me to look at the Lion's face and I saw it was the building that was the New York Stock Exchange. The Lord was warning that if they divide Jerusalem, if they do a two-state solution, He is going to divide America. (I believe it will quake and crack but not with the huge divide) I saw the nation split down the middle and all the bridges going down from West to East, completely destroyed on the Mississippi River. I saw from Texarkana, Texas, to Tulsa, Oklahoma where I saw over 1800 people die. I saw the massive building at ORU (Oral Roberts University) was split down the middle and on fire when this earthquake happens. Houses that were built on cinderblocks were completely leveled and destroyed. Houses built on a foundation did better. I saw thousands of people died when this event takes place. That is why I've always told people we must not divide Jerusalem, for when we do, 3 days after… Now I want you to hear me, that's how strong this Word was. I saw the Liberty Bell ringing and old cast iron bells ringing when this event happens. Three days after Jerusalem is divided and agreed upon, there will be 3 days and God will divide America. We must pray that this does not take place. This announcement has been shared on multiple news channels and including The Jerusalem Post. Pray. (I do not believe it will be stopped, only lessened. I have taught for many years that the Man-child ministry of Jesus will begin when the NM goes off.)

David Mayernik is an architect, artist, writer, educator and most of all, he is a life-long student. David grew up in Allentown Pennsylvania. As he tells us during this episode, even at a young age of two he already loved to draw. He says he always had a pencil and paper with him and he used them constantly. His mother kept many of his drawings and he still has many of them to this day.   After graduating from University of Notre Dame David held several positions with various architectural firms. He always believed that he learned more by teaching himself, however, and eventually he decided to leave the professional world of architecture and took teaching positions at Notre Dame. He recently retired and is now Professor Emeritus at Notre Dame.   Our conversation is far ranging including discussions of life, the importance of learning and growing by listening to your inner self. David offers us many wonderful and insightful lessons and thoughts we all can use. We even talk some about about how technology such as Computer Aided Design systems, (CAD), are affecting the world of Architecture. I know you will enjoy what David has to say. Please let me know your thoughts through email at michaelhi@accessibe.com.     About the Guest:   David Mayernik is an architect, artist, writer, and educator. He was born in 1960 in Allentown, Pennsylvania; his parents were children of immigrants from Slovakia and Italy. He is a Fellow of the American Academy in Rome and the British Royal Society for the Encouragement of Arts, Manufactures, and Commerce, and has won numerous grants, awards and competitions, including the Gabriel Prize for research in France, the Steedman Competition, and the Minnesota State Capitol Grounds competition (with then partner Thomas N. Rajkovich). In 1995 he was named to the decennial list of the top forty architects in the United States under forty. In the fall of 2022, he was a resident at the Bogliasco Foundation in Liguria and the Cini foundation in Venice.   His design work for the TASIS campus in Switzerland over twenty-eight years has been recognized with a Palladio Award from Traditional Building magazine, an honorable mention in the INTBAU Excellence Awards, and a jury prize from the Prix Européen d'Architecture Philippe Rotthier. TASIS Switzerland was named one of the nine most beautiful boarding schools in the world by AD Magazine in March 2024. For ten years he also designed a series of new buildings for TASIS England in Surrey.   David Mayernik studied fresco painting with the renowned restorer Leonetto Tintori, and he has painted frescoes for the American Academy in Rome, churches in the Mugello and Ticino, and various buildings on the TASIS campus in Switzerland. He designed stage sets for the Haymarket Opera company of Chicago for four seasons between 2012 and 2014. He won the competition to paint the Palio for his adopted home of Lucca in 2013. His paintings and drawings have been exhibited in New York, Chicago, London, Innsbruck, Rome, and Padova and featured in various magazines, including American Artist and Fine Art Connoisseur.   David Mayernik is Professor Emeritus with the University of Notre Dame, where for twenty years he taught in the School of Architecture. He is the author of two books, The Challenge of Emulation in Art and Architecture (Routledge, UK) and Timeless Cities: An Architect's Reflections on Renaissance Italy, (Basic Books), and numerous essays and book chapters, including “The Baroque City” for the Oxford Handbook of the Baroque. In 2016 he created the online course The Meaning of Rome for Notre Dame, hosted on the edX platform, which had an audience of six thousand followers. Ways to connect with David:   Website: www.davidmayernik.com Instagram: davidmayernik LinkedIn: davidmayernik EdX: The Meaning of Rome https://www.edx.org/learn/humanities/university-of-notre-dame-the-meaning-of-rome-the-renaissance-and-baroque-city     About the Host:   Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog.   Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards.   https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/   accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/       Thanks for listening!   Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below!   Subscribe to the podcast   If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset .   Leave us an Apple Podcasts review   Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts.       Transcription Notes:   Michael Hingson ** 00:00 Access Cast and accessiBe Initiative presents Unstoppable Mindset. The podcast where inclusion, diversity and the unexpected meet. Hi, I'm Michael Hingson, Chief Vision Officer for accessiBe and the author of the number one New York Times bestselling book, Thunder dog, the story of a blind man, his guide dog and the triumph of trust. Thanks for joining me on my podcast as we explore our own blinding fears of inclusion unacceptance and our resistance to change. We will discover the idea that no matter the situation, or the people we encounter, our own fears, and prejudices often are our strongest barriers to moving forward. The unstoppable mindset podcast is sponsored by accessiBe, that's a c c e s s i capital B e. Visit www.accessibe.com to learn how you can make your website accessible for persons with disabilities. And to help make the internet fully inclusive by the year 2025. Glad you dropped by we're happy to meet you and to have you here with us.   Michael Hingson ** 01:17 Well, hi and welcome once again. Wherever you happen to be, to another episode of unstoppable mindset. Today, we get to chat with David Mayernik, unless you're in Europe, and then it's David Mayernik, but either way, we're glad to have him. He is an architect. He is an award winning architect. He's an author. He's done a number of things in his life, and we're going to talk about all of those, and it's kind of more fun to let him be the one to talk more about it, and then I can just pick up and ask questions as we go, and that's what we'll do. But we're really glad that he's here. So David, welcome to unstoppable mindset.   David Mayernik ** 01:57 Oh, thanks so much. Michael, thanks for the invitation. I'm looking forward to it.   Michael Hingson ** 02:02 Well, I know we've been working on getting this set up, and David actually happens to be in Italy today, as opposed to being in the US. He was a professor at Notre Dame for 20 years, but he has spent a lot of time in Europe and elsewhere, and I'm sure he's going to talk about that. But why don't we start, as I mentioned earlier, as I love to do, tell us kind of about the early David growing up.   David Mayernik ** 02:25 Well, so my both of my parents passed away several years ago, and when I was at my mom's funeral, one of our next door neighbors was telling my wife what I was like when I was a kid, and she said he was very quiet and very intense. And I suppose that's how I was perceived. I'm not sure I perceived myself that way I did. The thing about me is I've always drawn my mom. I mean, lots of kids draw, but I drew like credibly, well, when I was, you know, two and three years old. And of course, my mother saved everything. But the best thing about it was that I always had paper and pencil available. You know, we were terribly well off. We weren't poor, but we weren't, you know, well to do, but I never lacked for paper and pencils, and that just allowed me to just draw as much as I possibly could.   Michael Hingson ** 03:16 And so I guess the other question is, of course, do you still have all those old drawings since your mom kept   David Mayernik ** 03:23 them? Well, you know? Yeah, actually, after she passed, I did get her, Well, her collection of them. I don't know that all of them. My father had a penchant for throwing things away, unfortunately. So some of the archive is no longer with us, but no but enough of it. Just odds and bits from different areas of my life. And the thing is, you know, I was encouraged enough. I mean, all kids get encouraged. I think when they're young, everything they do is fabulous, but I had enough encouragement from people who seem to take it seriously that I thought maybe I had something and and it was the kind of thing that allowed me to have enough confidence in myself that I actually enjoyed doing it and and mostly, my parents were just impressed. You know, it just was impressive to them. And so I just happily went along my own way. The thing about it was that I really wanted to find my own path as somebody who drew and had a chance in high school for a scholarship to a local art school. I won a competition for a local art school scholarship, and I went for a couple of lessons, and I thought, you know, they're just teaching me to draw like them. I want to draw like me. So for better or worse, I'm one of those autodidacts who tries to find my own way, and, you know, it has its ups and downs. I mean, the downside of it is it's a slower learning process. Is a lot more trial and error. But the upside of it is, is that it's your own. I mean, essentially, I had enough of an ego that, you know, I really wanted to do. Things my way.   Michael Hingson ** 05:02 Well, you illustrate something that I've believed and articulate now I didn't used to, but I do now a lot more, which is I'm my own best teacher. And the reality is that you you learn by doing, and people can can give you information. And, yeah, you're right. Probably they wanted you to mostly just draw like them. But the bottom line is, you already knew from years of drawing as a child, you wanted to perhaps go a slightly different way, and you worked at it, and it may have taken longer, but look at what you learned.   David Mayernik ** 05:37 Yeah, I think it's, I mean, for me, it's, it's important that whatever you do, you do because you feel like you're being true to yourself somehow. I mean, I think that at least that's always been important to me, is that I don't, I don't like doing things for the sake of doing them. I like doing them because I think they matter. And I like, you know, I think essentially pursuing my own way of doing it meant that it always was, I mean, beyond just personal, it was something I was really committed to. And you know, the thing about it, eventually, for my parents was they thought it was fabulous, you know, loved great that you draw, but surely you don't intend to be an artist, because, you know, you want to have a job and make a living. And so I eventually realized that in high school, that while they, well, they probably would have supported anything I did that, you know, I was being nudged towards something a little bit more practical, which I think happens to a lot of kids who choose architecture like I did. It's a way, it's a practical way of being an artist and and that's we could talk about that. But I think that's not always true.   Michael Hingson ** 06:41 Bill, go ahead, talk about that. Well, I think that the   David Mayernik ** 06:44 thing about architecture is that it's become, well, one it became a profession in America, really, in the 20th century. I mean, it's in the sense that there was a licensing exam and all the requirements of what we think of as, you know, a professional service that, you know, like being a lawyer or a doctor, that architecture was sort of professionalized in the 20th century, at least in the United States. And, and it's a business, you know, ostensibly, I mean, you're, you know, you're doing what you do for a fee. And, and so architecture tries to balance the art part of it, or the creative side, the professional side of it, and the business side. And usually it's some rather imperfect version of all of those things. And the hard part, I think the hardest part to keep alive is the art part, because the business stuff and the professional stuff can really kind of take over. And that's been my trial. Challenge is to try to have it all three ways, essentially.   Michael Hingson ** 07:39 Do you think that Frank Lloyd Wright had a lot to do with bringing architecture more to the forefront of mindsets, mindsets, and also, of course, from an art standpoint, clearly, he had his own way of doing things.   David Mayernik ** 07:54 Yeah, absolutely he comes from, I mean, I wouldn't call it a rebellious tradition, but there was a streak of chafing at East Coast European classicism that happened in Chicago. Louis Sullivan, you know, is mostly responsible for that. And I but, but Right, had this, you know, kind of heroic sense of himself and and I think that his ability to draw, which was phenomenal. His sense that he wanted to do something different, and his sense that he wanted to do something American, made him a kind of a hero. Eventually, I think it coincided with America's growing sense of itself. And so for me, like lot of kids in America, my from my day, if you told somebody in high school you wanted to be an architect, they would give you a book on Frank Lloyd Wright. I mean, that's just, you know, part of the package.   Michael Hingson ** 08:47 Yeah, of course, there are others as well, but still, he brought a lot into it. And of course there, there are now more architects that we hear about and designers and so on the people what, I m Pei, who designed the world, original World Trade Center and other things like that. Clearly, there are a number of people who have made major impacts on the way we design and think of Building and Construction today,   David Mayernik ** 09:17 you know, I mean America's, you know, be kind of, it really was a leader in the development of architecture in the 20th century. I mean, in the 19th century was very much, you know, following what was happening in Europe. But essentially, by the 20th century, the America had a sense of itself that didn't always mean that it rejected the European tradition. Sometimes it tried to do it, just bigger and better, but, but it also felt like it had its, you know, almost a responsibility to find its own way, like me and, you know, come up with an American kind of architecture and and so it's always been in a kind of dialog with architecture from around the world. I mean, especially in Europe, at Frank Lloyd Wright was heavily influenced by Japanese architecture and. And so we've always seen ourselves, I think, in relationship to the world. And it's just the question of whether we were master or pupil to a certain extent,   Michael Hingson ** 10:07 and in reality, probably a little bit of both.   David Mayernik ** 10:12 Yeah, and we are, and I think, you know, acknowledging who we are, the fact that we didn't just, you know, spring from the earth in the United States, where we're all, I mean, essentially all immigrants, mostly, and essentially we, you know, essentially bring, we have baggage, essentially, as a culture, from lots of other places. And that's actually an advantage. I mean, I think it's actually what makes us a rich culture, is the diversity. I mean, even me, my father's family was Slovak, my mother's family Italian. And, you know from when I tell you know Europeans that they think that's just quintessentially American. That's what makes you an American, is that you're not a purebred of some kind.   Michael Hingson ** 10:49 Yeah, yeah. Pure purebred American is, is really sort of nebulous and and not necessarily overly accurate, because you are probably immigrants or part other kinds of races or nationalities as well. And that's, that's okay.   David Mayernik ** 11:08 It's, it's rich, you know, I think it's, it's a richer. It's the extent to which you want to engage with it. And the interesting thing about my parents was that they were both children of first generation immigrants. My mom's parents had been older Italian, and they were already married, and when they came to the States, my father's parents were younger and Slovak, and they met in the United States. And my father really wasn't that interested in his Slovak heritage. I mean, just, you know, he could speak some of the language, you know, really feel like it was something he wanted to hold on to or pass along, was my mom was, I mean, she loved her parents. She, you know, spoke with him in Italian, or actually not even Italian, the dialect from where her parents came from, which is north of Venice. And so she, I think she kind of, whether consciously or unconsciously, passed that on to me, that sense that I wanted to be. I was interested in where I came from, where the origins of my where my roots were, and it's something that had an appeal for me that wasn't just it wasn't front brain, it was really kind of built into who I was, which is why, you know, one of the reasons I chose to go to Notre Dame to study where I also wound up teaching like, welcome back Carter, is that I we had a Rome program, and so I've been teaching in the Rome program for our school, but we, I was there 44 years ago as a student.   Michael Hingson ** 12:28 Yeah. So quite a while, needless to say. And you know, I think, well, my grandmother on my mother's side was Polish, but I I never did get much in the way of information about the culture and so on from her and and my mom never really dealt with it much, because she was totally from The Bronx in New York, and was always just American, so I never really got a lot of that. But very frankly, in talking to so many people on this podcast over almost the last four years, talking to a number of people whose parents and grandparents all came to this country and how that affected them. It makes me really appreciate the kind of people who we all are, and we all are, are a conglomerate of so many different cultures, and that's okay, yeah? I mean,   David Mayernik ** 13:31 I think it's more than okay, and I think we need to just be honest about it, yeah. And, you know, kind of celebrate it, because the Italians brought with them, you know, tremendous skills. For example, a lot of my grandfather was a stone mason. You know, during the Depression, he worked, you know, the for the WPA essentially sponsored a whole series of public works projects in the parks in the town I grew up in Allentown, Pennsylvania. And Allentown has a fabulous park system. And my grandfather built a lot of stone walls in the parks in the 1930s and, you know, all these cultures that came to the states often brought, you know, specialized skills. You know, from where they they came from, and, and they enriched the American, you know, skill set, essentially, and, and that's, you know, again, that's we are, who we are because of that, you know, I celebrated I, you know, I'm especially connected to my Italian heritage. I feel like, in part because my grandfather, the stone mason, was a bit of jack of all trades. He could paint and draw. And my mom, you know, wrote poetry and painted. And even though she mostly, you know, in my life, was a was a housewife, but before she met my father, and they got married relatively late for their day, she had a professional life in World War Two, my mom actually went to Penn State for a couple of years in the start of at the start of the war, and then parents wanted her to come home, and so she did two years of engineering. Penn State. When she came back to Allentown, she actually got a job at the local airplane manufacturing plant that was making fighter planes for the United States called company called volte, and she did drafting for them. And then after World War Two, she got a job for the local power company drafting modern electrical kitchens and and so I've inherited all my mom's drafting equipment. And, you know, she's, she's very much a kind of a child of the culture that she came from, and in the sense that it was a, you know, artistic culture, a creative culture. And, you know, I definitely happy and proud of   Michael Hingson ** 15:37 that. You know, one of the things that impresses me, and I think about a lot in talking to so many people whose parents and grandparents immigrated to this country and so on, is not just the skill sets that they brought, but the work ethic that they had, that they imparted to people. And I think people who have had a number of generations here have not always kept that, and I think they've lost something very valuable, because that work ethic is what made those people who they were   David Mayernik ** 16:08 absolutely I mean, my Yeah, I mean my father. I mean absolutely true is, I mean tireless worker, capable of tremendous self sacrifice and and, you know, and that whole generation, I mean, he fought in World War Two. He actually joined, joined the Navy underage. He lied about his age to get in the Navy and that. But they were capable of self, tremendous self sacrifice and tremendous effort. And, you know, I think, you know, we're always, you know, these days, we always talk about work life balance. And I have to say, being an architect, most architects don't have a great work life balance. Mostly it's, it's a lot of work and a little bit of life. And that's, I don't, you know. I think not everybody survives that. Not every architects marriage survives that mine has. But I think it's, you know, that the idea that you're, you're sort of defined by what you do. I think there's a lot of talk these days about that's not a good thing. I I'm sort of okay with that. I'm sort of okay with being defined by what I do.   Michael Hingson ** 17:13 Yeah, and, and that that's, that's okay, especially if you're okay with it. That's good. Well, you So you went to Notre Dame, and obviously dealt with architecture. There some,   David Mayernik ** 17:28 yeah. I mean, the thing, the great thing about Notre Dame is to have the Rome program, and that was the idea of actually a Sicilian immigrant to the States in the early 20th century who became a professor at Notre Dame. And he had, he won the Paris prize. A guy named Frank Montana who won the Paris prize in the 1930s went to Harvard and was a professor at Notre Dame. And he had the good idea that, you know, maybe sending kids to five years of architecture education in Indiana, maybe wasn't the best, well rounded education possible, and maybe they should get out of South Bend for a year, and he, on his own initiative, without even support from the university, started a Rome program, and then said to the university, hey, we have a Rome program now. And so that was, that was his instinct to do that. And while I got, I think, a great education there, especially after Rome, the professor, one professor I had after Rome, was exceptional for me. But you know, Rome was just the opportunity to see great architecture. I mean, I had seen some. I mean, I, you know, my parents would go to Philadelphia, New York and, you know, we I saw some things. But, you know, I wasn't really bowled over by architecture until I went to Rome. And just the experience of that really changed my life, and it gave me a direction,   Michael Hingson ** 18:41 essentially. So the Rome program would send you to Rome for a year.   David Mayernik ** 18:46 Yeah, which is unusual too, because a lot of overseas programs do a semester. We were unusual in that the third year out of a five year undergraduate degree in architecture, the whole year is spent in Rome. And you know, when you're 20 ish, you know, 20 I turned 21 when I was over there. It's a real transition time in your life. I mean, it's, it was really transformative. And for all of us, small of my classmates, I mean, we're all kind of grew up. We all became a bit, you know, European. We stopped going to football games when we went back on campus, because it wasn't cool anymore, but, but we, we definitely were transformed by it personally, but, it really opened our eyes to what architecture was capable of, and that once you've, once you've kind of seen that, you know, once you've been to the top of the mountain, kind of thing, it can really get under your skin. And, you know, kind of sponsor whatever you do for the rest of your life. At least for me, it   Michael Hingson ** 19:35 did, yeah, yeah. So what did you do after you graduated?   David Mayernik ** 19:40 Well, I graduated, and I think also a lot of our students lately have had a pretty reasonably good economy over the last couple of decades, that where it's been pretty easy for our students to get a job. I graduated in a recession. I pounded the pavements a lot. I went, you know, staying with my parents and. Allentown, went back and forth to New York, knocking on doors. There was actually a woman who worked at the unemployment agency in New York who specialized in architects, and she would arrange interviews with firms. And, you know, I just got something for the summer, essentially, and then finally, got a job in the in the fall for somebody I wanted to work with in Philadelphia and and that guy left that firm after about three months because he won a competition. He didn't take me with him, and I was in a firm that really didn't want to be with. I wanted to be with him, not with the firm. And so I then I picked up stakes and moved to Chicago and worked for an architect who'd been a visiting professor at Notre Dame eventually became dean at Yale Tom Beebe, and it was a great learning experience, but it was also a lot of hours at low pay. You know, I don't think, I don't think my students, I can't even tell my students what I used to make an hour as a young architect. I don't think they would understand, yeah, I mean, I really don't, but it was, it was a it was the sense that you were, that your early years was a kind of, I mean an apprenticeship. I mean almost an unpaid apprenticeship at some level. I mean, I needed to make enough money to pay the rent and eat, but that was about it. And and so I did that, but I bounced around a lot, you know, and a lot of kids, I think a lot of our students, when they graduate, they think that getting a job is like a marriage, like they're going to be in it forever. And, you know, I, for better or worse, I moved around a lot. I mean, I moved every time I hit what I felt was like a point of diminishing returns. When I felt like I was putting more in and getting less out, I thought it was time to go and try something else. And I don't know that's always good advice. I mean, it can make you look flighty or unstable, but I kind of always followed my my instinct on that.   Michael Hingson ** 21:57 I don't remember how old I was. You're talking about wages. But I remember it was a Sunday, and my parents were reading the newspaper, and they got into a discussion just about the fact that the minimum wage had just been changed to be $1.50 an hour. I had no concept of all of that. But of course, now looking back on it, $1.50 an hour, and looking at it now, it's pretty amazing. And in a sense, $1.50 an hour, and now we're talking about $15 and $16 an hour, and I had to be, I'm sure, under 10. So it was sometime between 1958 and 1960 or so, or maybe 61 I don't remember exactly when, but in a sense, looking at it now, I'm not sure that the minimum wage has gone up all that much. Yes, 10 times what it was. But so many other things are a whole lot more than 10 times what they were back then,   David Mayernik ** 23:01 absolutely, yeah. I mean, I mean, in some ways also, my father was a, my father was a factory worker. I mean, he tried to have lots of other businesses of his own. He, you're, you're obviously a great salesman. And the one skill my father didn't have is he could, he could, like, for example, he had a home building business. He could build a great house. He just couldn't sell it. And so, you know, I think he was a factory worker, but he was able to send my sister and I to private college simultaneously on a factory worker salary, you know, with, with, I mean, I had some student loan debt, but not a lot. And that's, that's not possible today.   Michael Hingson ** 23:42 No, he saved and put money aside so that you could do that, yeah, and,   David Mayernik ** 23:47 and he made enough. I mean, essentially, the cost of college was not that much. And he was, you know, right, yeah. And he had a union job. It was, you know, reasonably well paid. I mean, we lived in a, you know, a nice middle class neighborhood, and, you know, we, we had a nice life growing up, and he was able to again, send us to college. And I that's just not possible for without tremendous amount of debt. It's not possible today. So the whole scale of our economy shifted tremendously. What I was making when I was a young architect. I mean, it was not a lot then, but I survived. Fact, actually saved money in Chicago for a two month summer in Europe after that. So, you know, essentially, the cost of living was, it didn't take a lot to cover your your expenses, right? The advantage of that for me was that it allowed me time when I had free time when I after that experience, and I traveled to Europe, I came back and I worked in Philadelphia for the same guy who had left the old firm in Philadelphia and went off on his own, started his own business. I worked for him for about nine months, but I had time in the evenings, because I didn't have to work 80 hours a week to do other things. I taught myself how to paint. And do things that I was interested in, and I could experiment and try things and and, you know, because surviving wasn't all that hard. I mean, it was easy to pay your bills and, and I think that's one of the things that's, I think, become more onerous, is that, I think for a lot of young people just kind of dealing with both college debt and then, you know, essentially the cost of living. They don't have a lot of time or energy to do anything else. And you know, for me, that was, I had the luxury of having time and energy to invest in my own growth, let's say as a more career, as a creative person. And you know, I also, I also tell students that, you know, there are a lot of hours in the day, you know, and whatever you're doing in an office. There are a lot of hours after that, you could be doing something else, and that I used every one of those hours as best I could.   Michael Hingson ** 25:50 Yeah. Well, you know, we're all born with challenges in life. What kind of challenges, real challenges did you have growing up as you look back on it?   David Mayernik ** 26:01 Yeah, my, I mean, my, I mean, there was some, there was some, a few rocky times when my father was trying to have his own business. And, you know, I'm not saying we grew up. We didn't struggle, but it wasn't, you know, always smooth sailing. But I think one of the things I learned about being an architect, which I didn't realize, and only kind of has been brought home to me later. Right now, I have somebody who's told me not that long ago, you know? You know, the problem is, architecture is a gentleman's profession. You know that IT architecture, historically was practiced by people from a social class, who knew, essentially, they grew up with the people who would become their clients, right? And so the way a lot of architects built their practice was essentially on, you know, family connections and personal connections, college connections. And I didn't have that advantage. So, you know, I've, I've essentially had to define myself or establish myself based on what I'm capable of doing. And you know, it's not always a level playing field. The great breakthrough for me, in a lot of ways, was that one of the one of my classmates and I entered a big international competition when we were essentially 25 years old. I think we entered. I turned 26 and it was an open competition. So, you know, no professional requirements. You know, virtually no entry fee to redesign the state capitol grounds of Minnesota, and it was international, and we, and we actually were selected as one of the top five teams that were allowed to proceed onto the second phase, and at which point we we weren't licensed architects. We didn't have a lot of professional sense or business sense, so we had to associate with a local firm in Minnesota and and we competed for the final phase. We did most of the work. The firm supported us, but they gave us basically professional credibility and and we won. We were the architects of the state capitol grounds in Minnesota, 26 years old, and that's because the that system of competition was basically a level playing field. It was, you know, ostensibly anonymous, at least the first phase, and it was just basically who had the best design. And you know, a lot of the way architecture gets architects get chosen. The way architecture gets distributed is connections, reputation, things like that, but, but you know, when you find those avenues where it's kind of a level playing field and you get to show your stuff. It doesn't matter where you grew up or who you are, it just matters how good you are, yeah,   Michael Hingson ** 28:47 well, and do you think it's still that way today?   David Mayernik ** 28:51 There are a lot fewer open professional competitions. They're just a lot fewer of them. It was the and, you know, maybe they learned a lesson. I mean, maybe people like me shouldn't have been winning competitions. I mean, at some level, we were out of our league. I wouldn't say, I wouldn't say, from a design point of view. I mean, we were very capable of doing what the project involved, but we were not ready for the hardball of collaborating with a big firm and and the and the politics of what we were doing and the business side of it, we got kind of crushed, and, and, and eventually they never had the money to build the project, so the project just kind of evaporated. And the guy I used to work with in Philadelphia told me, after I won the competition, he said, you know, because he won a competition. He said, You know, the second project is the hardest one to get, you know, because you might get lucky one time and you win a competition, the question is, how do you build practice out of that?   Michael Hingson ** 29:52 Yeah, and it's a good point, yeah, yeah.   David Mayernik ** 29:55 I mean, developing some kind of continuity is hard. I mean, I. Have a longer, more discontinuous practice after that, but it's that's the hard part.   Michael Hingson ** 30:07 Well, you know, I mentioned challenges before, and we all, we all face challenges and so on. How do we overcome the challenges, our inherited challenges, or the perceived challenges that we have? How do we overcome those and work to move forward, to be our best? Because that's clearly kind of what you're talking about here.   David Mayernik ** 30:26 Yeah, well, the true I mean, so the challenges that we're born with, and I think there are also some challenges that, you know, we impose on ourselves, right? I mean, in this, in the best sense, I mean the ways that we challenge ourselves. And for me, I'm a bit of an idealist, and you know, the world doesn't look kindly on idealist. If you know, from a business, professional point of view, idealism is often, I'm not saying it's frowned upon, but it's hardly encouraged and rewarded and but I think that for me, I've learned over time that it's you really just beating your head against the wall is not the best. A little bit of navigating your way around problems rather than trying to run through them or knock them over is a smarter strategy. And so you have to be a little nimble. You have to be a little creative about how you find work and essentially, how you keep yourself afloat and and if you're if you're open to possibilities, and if you take some risks, you can, you can actually navigate yourself through a series of obstacles and actually have a rich, interesting life, but it may not follow the path that you thought you were starting out on at the beginning. And that's the, I think that's the skill that not everybody has.   Michael Hingson ** 31:43 The other part about that, though, is that all too often, we don't really give thought to what we're going to do, or we we maybe even get nudges about what we ought to do, but we discount them because we think, Oh, that's just not the way to do it. Rather than stepping back and really analyzing what we're seeing, what we're hearing. And I, for 1am, a firm believer in the fact that our inner self, our inner voice, will guide us if we give it the opportunity to do that.   David Mayernik ** 32:15 You know, I absolutely agree. I think a lot of people, you know, I was, I for, I have, for better or worse, I've always had a good sense of what I wanted to do with my life, even if architecture was a you know, conscious way to do something that was not exactly maybe what I dreamed of doing, it was a, you know, as a more rational choice. But, but I've, but I've basically followed my heart, more or less, and I've done the things that I always believed in it was true too. And when I meet people, especially when I have students who don't really know what they love, or, you know, really can't tell you what they really are passionate about, but my sense of it is, this is just my I might be completely wrong, but my sense of it is, they either can't admit it to themselves, or they can't admit it to somebody else that they that, either, in the first case, they're not prepared to listen to themselves and actually really deep, dig deep and think about what really matters to them, or if they do know what that is, they're embarrassed to admit it, or they're embarrassed to tell somebody else. I think most of us have some drive, or some internal, you know, impetus towards something and, and you're right. I mean, learning to listen to that is, is a, I mean, it's rewarding. I mean, essentially, you become yourself. You become more, or the best possible self you can be, I guess.   Michael Hingson ** 33:42 Yeah, I agree. And I guess that that kind of answers the question I was was thinking of, and that is, basically, as you're doing things in life, should you follow your dreams?   David Mayernik ** 33:53 You know, there's a lot, a lot of people are writing these days, if you read, if you're just, you know, on the, on the internet, reading the, you know, advice that you get on, you know, the new services, from the BBC to, you know, any other form of information that's out there, there's a lot of back and forth by between the follow your dreams camp and the don't follow your dreams camp. And the argument of the don't follow your dreams camp seems to be that it's going to be hard and you'll be frustrated, and you know, and that's true, but it doesn't mean you're going to fail, and I don't think anybody should expect life to be easy. So I think if you understand going in, and maybe that's part of my Eastern European heritage that you basically expect life to be hard, not, not that it has to be unpleasant, but you know it's going to be a struggle, but, but if you are true to yourself or follow your dreams, you're probably not going to wake up in the middle of your life with a crisis. You know, because I think a lot of times when you suppress your dreams, they. Stay suppressed forever, and the frustrations come out later, and it's better to just take them on board and try to again, navigate your way through life with those aspirations that you have, that you know are really they're built in like you were saying. They're kind of hardwired to be that person, and it's best to listen to that person.   Michael Hingson ** 35:20 There's nothing wrong with having real convictions, and I think it's important to to step back and make sure that you're really hearing what your convictions are and feeling what your convictions are. But that is what people should do, because otherwise, you're just not going to be happy.   David Mayernik ** 35:36 You're not and you're you're at one level, allowing yourself to manipulate yourself. I mean, essentially, you're, you know, kind of essentially deterring yourself from being who you are. You're probably also susceptible to other people doing that to you, that if you don't have enough sense of yourself, a lot of other people can manipulate you, push you around. And, you know, the thing about having a good sense of yourself is you also know how to stand up for yourself, or at least you know that you're a self that's worth standing up for. And that's you know. That's that, that thing that you know the kids learn in the school yard when you confront the bully, you know you have to, you know, the parents always tell you, you know, stand up to the bully. And at some level, life is going to bully you unless you really are prepared to stand up for something.   Michael Hingson ** 36:25 Yeah, and there's so many examples of that I know as a as a blind person, I've been involved in taking on some pretty major tasks in life. For example, it used to be that anyone with a so called Disability couldn't buy life insurance, and eventually, we took on the insurance industry and won to get the laws passed in every state that now mandate that you can't discriminate against people with disabilities in providing life insurance unless you really have evidence To prove that it's appropriate to do that, and since the laws were passed, there hasn't been any evidence. And the reason is, of course, there never has been evidence, and insurance companies kept claiming they had it, but then when they were challenged to produce it, they couldn't. But the reality is that you can take on major tasks and major challenges and win as long as you really understand that that is what your life is steering you to do,   David Mayernik ** 37:27 yeah, like you said, and also too, having a sense of your your self worth beyond whatever that disability is, that you know what you're capable of, apart from that, you know that's all about what you can't do, but all the things that you can do are the things that should allow you to do anything. And, yeah, I think we're, I think it's a lot of times people will try to define you by what you can't do, you   Michael Hingson ** 37:51 know? And the reality is that those are traditionally misconceptions and inaccurate anyway, as I point out to people, disability does not mean a lack of ability. Although a lot of people say, Well, of course it, it is because it starts with dis. And my response is, what do you then? How do you deal with the words disciple, discern and discrete? For example, you know the fact of the matter is, we all have a disability. Most of you are light dependent. You don't do well with out light in your life, and that's okay. We love you anyway, even though you you have to have light but. But the reality is, in a sense, that's as much a disability is not being light dependent or being light independent. The difference is that light on demand has caused so much focus that it's real easy to get, but it doesn't change the fact that your disability is covered up, but it's still there.   David Mayernik ** 38:47 No, it's true. I mean, I think actually, yeah, knowing. I mean, you're, we're talking about knowing who you are, and, you know, listening to your inner voice and even listening to your aspirations. But also, I mean being pretty honest about where your liabilities are, like what the things are that you struggle with and just recognizing them, and not not to dwell on them, but to just recognize how they may be getting in the way and how you can work around them. You know, one of the things I tell students is that it's really important to be self critical, but, but it's, it's not good to be self deprecating, you know. And I think being self critical if you're going to be a self taught person like I am, in a lot of ways, you you have to be aware of where you're not getting it right. Because I think the problem is sometimes you can satisfy yourself too easily. You're too happy with your own progress. You know, the advantage of having somebody outside teaching you is they're going to tell you when you're doing it wrong, and most people are kind of loath do that for themselves, but, but the other end of that is the people who are so self deprecating, constantly putting themselves down, that they never are able to move beyond it, because they're only aware of what they can't do. And you know, I think balancing self criticism with a sense of your self worth is, you know, one of the great balancing acts of life. You.   Michael Hingson ** 40:00 Well, that's why I've adopted the concept of I'm my own best teacher, because rather than being critical and approaching anything in a negative way, if I realize that I'm going to be my own best teacher, and people will tell me things, I can look at them, and I should look at them, analyze them, step back, internalize them or not, but use that information to grow, then that's what I really should do, and I would much prefer the positive approach of I'm my own best teacher over anything else.   David Mayernik ** 40:31 Yeah, well, I mean, the last kind of teachers, and I, you know, a lot of my students have thought of me as a critical teacher. One of the things I think my students have misunderstood about that is, it's not that I have a low opinion of them. It's actually that I have such a high opinion that I always think they're capable of doing better. Yeah, I think one of the problems in our educational system now is that it's so it's so ratifying and validating. There's so we're so low to criticize and so and the students are so fragile with criticism that they they don't take the criticism well, yeah, we don't give it and, and you without some degree of what you're not quite getting right, you really don't know what you're capable of, right? And, and I think you know. But being but again, being critical is not that's not where you start. I think you start from the aspiration and the hope and the, you know, the actually, the joy of doing something. And then, you know, you take a step back and maybe take a little you know, artists historically had various techniques for judging their own work. Titian used to take one of his paintings and turn it away, turn it facing the wall so that he couldn't see it, and he would come back to it a month later. And, you know, because when he first painted, he thought it was the greatest thing ever painted, he would come back to it a month later and think, you know, I could have done some of those parts better, and you would work on it and fix it. And so, you know, the self criticism comes from this capacity to distance yourself from yourself, look at yourself almost as as hard as it is from the outside, yeah, try to see yourself as other people see you. Because I think in your own mind, you can kind of become completely self referential. And you know, that's that. These are all life skills. You know, I had to say this to somebody recently, but, you know, I think the thing you should get out of your education is learning how to learn and like you're talking about, essentially, how do you approach something new or challenging or different? Is has to do with essentially, how do you how do you know? Do you know how to grow and learn on your own?   Michael Hingson ** 42:44 Yeah, exactly, well, being an architect and so on. How did you end up going off and becoming a professor and and teaching? Yeah, a   David Mayernik ** 42:52 lot of architects do it. I have to say. I mean, there's always a lot of the people who are the kind of heroes when I was a student, were practicing architects who also taught and and they had a kind of, let's say, intellectual approach to what they did. They were conceptual. It wasn't just the mundane aspects of getting a building built, but they had some sense of where they fit, with respect to the culture, with respect to history and issues outside of architecture, the extent to which they were tied into other aspects of culture. And so I always had the idea that, you know, to be a full, you know, a fully, you know, engaged architect. You should have an academic, intellectual side to your life. And teaching would be an opportunity to do that. The only thing is, I didn't feel like I knew enough until I was older, in my 40s, to feel like I actually knew enough about what I was doing to be able to teach somebody else. A lot of architects get into teaching early, I think, before they're actually fully formed to have their own identities. And I think it's been good for me that I waited a while until I had a sense of myself before I felt like I could teach somebody else. And so there was, there was that, I mean, the other side of it, and it's not to say that it was just a day job, but one of the things I decided from the point of your practice is a lot of architects have to do a lot of work that they're not proud of to keep the lights on and keep the business operating. And I have decided for myself, I only really want to do work that I'm proud of, and in order to do that, because clients that you can work for and be you know feel proud of, are rather rare, and so I balanced teaching and practice, because teaching allowed me to ostensibly, theoretically be involved with the life of the mind and only work for people and projects that interested me and that I thought could offer me the chance to do something good and interesting and important. And so one I had the sense that I had something to convey I learned. Enough that I felt like I could teach somebody else. But it was also, for me, an opportunity to have a kind of a balanced life in which practice was compensated. You know that a lot of practice, even interesting practice, has a banal, you know, mundane side. And I like being intellectually stimulated, so I wanted that. Not everybody wants   Michael Hingson ** 45:24 that. Yeah, so you think that the teaching brings you that, or it put you in a position where you needed to deal with that?   David Mayernik ** 45:32 You know, having just retired, I wish there had been more of that. I really had this romantic idea that academics, being involved in academics, would be an opportunity to live in a world of ideas. You know? I mean, because when I was a student, I have to say we, after we came back from Rome, I got at least half of my education for my classmates, because we were deeply engaged. We debated stuff. We, you know, we we challenged each other. We were competitive in a healthy way and and I remember academics my the best part of my academic formation is being immensely intellectually rich. In fact, I really missed it. For about the first five years I was out of college, I really missed the intellectual side of architecture, and I thought going back as a teacher, I would reconnect with that, and I realized not necessarily, there's a lot about academics that's just as mundane and bureaucratic as practice can be so if you really want to have a satisfying intellectual life, unfortunately, you can't look to any institution or other people for it. You got to find it on your own.   46:51 Paperwork, paperwork,   David Mayernik ** 46:55 committee meetings, just stuff. Yeah, yeah,   Michael Hingson ** 47:00 yeah. Yeah, which never, which never. Well, I won't say they never help, but there's probably, there's probably some valuable stuff that you can get, even from writing and doing, doing paperwork, because it helps you learn to write. I suppose you can look at it that way.   David Mayernik ** 47:16 No, it's true. I mean, you're, you're definitely a glass half full guy. Michael, I appreciate that's good. No. I mean, I, obviously, I always try to make get the most out of whatever experience I have. But, I mean, in the sense that there wasn't as much intellectual discourse, yeah, you know, as my I would have liked, yeah, and I, you know, in the practice or in the more academic side of architecture. Several years ago, somebody said we were in a post critical phase like that. Ideas weren't really what was driving architecture. It was going to be driven by issues of sustainability, issues of social structure, you know, essentially how people live together, issues that have to do with things that weren't really about, let's call it design in the esthetic sense, and all that stuff is super important. And I'm super interested in, you know, the social impact of my architecture, the sustainable impact of it, but the the kind of intellectual society side of the design part of it, we're in a weird phase where it that's just not in my world, we just it's not talked about a lot. You know,   Michael Hingson ** 48:33 it's not what it what it used to be. Something tells me you may be retired, but you're not going to stop searching for intellectual and various kinds of stimulation to help keep your mind active.   David Mayernik ** 48:47 Oh, gosh, no, no. I mean, effectively. I mean, I just stopped one particular job. I describe it now as quitting with benefits. That's my idea of what I retired from. I retired from a particular position in a particular place, but, but I haven't stopped. I mean, I'm certainly going to keep working. I have a very interesting design project in Switzerland. I've been working on for almost 29 years, and it's got a number of years left in it. I paint, I write, I give lectures, I you know, and you obviously have a rich life. You know, not being at a job. Doesn't mean that the that your engagement with the world and with ideas goes away. I mean, unless you wanted to, my wife's my wife had three great uncles who were great jazz musicians. I mean, some quite well known jazz musicians. And one of them was asked, you know, was he ever going to retire? And he said, retire to what? Because, you know, he was a musician. I mean, you can't stop being a musician, you know, you know, if, some level, if you're really engaged with what you do, you You never stop, really,   Michael Hingson ** 49:51 if you enjoy it, why would you? No, I   David Mayernik ** 49:54 mean, the best thing is that your work is your fun. I mean, you know, talking about, we talked about it. I. You that You know you're kind of defined by your work, but if your work is really what you enjoy, I mean, actually it's fulfilling, rich, enriching, interesting, you don't want to stop doing that. I mean, essentially, you want to do it as long as you possibly can. Yeah,   Michael Hingson ** 50:13 and it's and it's really important to do that. And I think, in reality, when you retire from a job, you're not really retiring from a job. You're retiring, as you said, from one particular thing. But the job isn't a negative thing at all. It is what you like to do.   David Mayernik ** 50:31 Yeah. I mean, there's, yeah, there's the things that you do that. I mean, I guess the job is the, if you like, the thing that is the, you know, the institution or the entity that you know, pays your bills and that kind of stuff, but the career or the thing that you're invested in that had the way you define yourself is you never stop being that person, that person. And in some ways, you know, what I'm looking forward to is a richer opportunity to pursue my own avenue of inquiry, and, you know, do things on my own terms, without some of the obligations I had   Michael Hingson ** 51:03 as a teacher, and where's your wife and all that.   David Mayernik ** 51:06 So she's with me here in LUCA, and she's she's had a super interesting life, because she she she studied. We, when we were together in New York, she was getting a degree in art history, Medieval and Renaissance studies in art history at NYU, and then she decided she really wanted to be a chef, and she went to cooking school in New York and then worked in a variety of food businesses in New York, and then got into food writing and well, food styling for magazines, making food for photographs, and then eventually writing. And through a strange series of connections and experiences. She got an opportunity to cook at an Art Foundation in the south of France, and I was in New York, and I was freelancing. I was I'd quit a job I'd been at for five years, and I was freelancing around, doing some of my own stuff and working with other architects, and I had work I could take with me. And you know, it was there was there was, we didn't really have the internet so much, but we had FedEx. And I thought I could do drawings in the south of France. I could do them in Brooklyn. So, so I went to the south of France, and it just happens to be that my current client from Switzerland was there at that place at that time, scouting it out for some other purpose. And she said, I hear you're architect. I said, Yeah. And I said, Well, you know, she said, I like, you know, classical architecture, and I like, you know, traditional villages, and we have a campus, and we need a master plan architect. And I was doing a master plan back in Delaware at that time, and my wife's you know, career trajectory actually enabled me to meet a client who's basically given me an opportunity to build, you know, really interesting stuff, both in Switzerland and in England for the last, you know, again, almost 29 years. And so my wife's been a partner in this, and she's been, you know, because she's pursued her own parallel interest. But, but our interests overlap enough and we share enough that we our interests are kind of mutually reinforcing. It's, it's been like an ongoing conversation between us, which has been alive and rich and wonderful.   Michael Hingson ** 53:08 You know, with everything going on in architecture and in the world in general, we see more and more technology in various arenas and so on. How do you think that the whole concept of CAD has made a difference, or in any way affected architecture. And where do you think CAD systems really fit into all of that?   David Mayernik ** 53:33 Well, so I mean this, you know, CAD came along. I mean, it already was, even when I was early in my apprenticeship, yeah, I was in Chicago, and there was a big for som in Chicago, had one of the first, you know, big computers that was doing some drawing work for them. And one of my, a friend of mine, you know, went to spend some time and figure out what they were capable of. And, but, you know, never really came into my world until kind of the late night, mid, mid to late 90s and, and, and I kind of resisted it, because I, the reason I got into architecture is because I like to draw by hand, and CAD just seemed to be, you know, the last thing I'd want to do. But at the same time, you, some of you, can't avoid it. I mean, it has sort of taken over the profession that, essentially, you either have people doing it for you, or you have to do it yourself, and and so the interesting thing is, I guess that I, at some point with Switzerland, I had to, basically, I had people helping me and doing drawing for me, but I eventually taught myself. And I actually, I jumped over CAD and I went to a 3d software called ArchiCAD, which is a parametric design thing where you're essentially building a 3d model. Because I thought, Look, if I'm going to do drawing on the computer, I want the computer to do something more than just make lines, because I can make lines on my own. But so the computer now was able to help me build a 3d model understand buildings in space and construction. And so I've taught myself to be reasonably, you know, dangerous with ArchiCAD and but the. Same time, the creative side of it, I still, I still think, and a lot of people think, is still tied to the intuitive hand drawing aspect and and so a lot of schools that gave up on hand drawing have brought it back, at least in the early years of formation of architects only for the the conceptual side of architecture, the the part where you are doodling out your first ideas, because CAD drawing is essentially mechanical and methodical and sort of not really intuitive, whereas the intuitive marking of paper With a pencil is much more directly connected to the mind's capacity to kind of speculate and imagine and daydream a little bit, or wander a little bit your mind wanders, and it actually is time when some things can kind of emerge on the page that you didn't even intend. And so, you know, the other thing about the computer is now on my iPad, I can actually do hand drawing on my iPad, and that's allowed me to travel with it, show it to clients. And so I still obviously do a lot of drawing on paper. I paint by hand, obviously with real paints and real materials. But I also have found also I can do free hand drawing on my iPad. I think the real challenge now is artificial intelligence, which is not really about drawing, it's about somebody else or the machine doing the creative side of it. And that's the big existential crisis that I think the profession is facing right now.   Michael Hingson ** 56:36 Yeah, I think I agree with that. I've always understood that you could do free hand drawing with with CAD systems. And I know that when I couldn't find a job in the mid 1980s I formed a company, and we sold PC based CAD systems to architects and engineers. And you know, a number of them said, well, but when we do designs, we charge by the time that we put into drawing, and we can't do that with a CAD system, because it'll do it in a fraction of the time. And my response always was, you're looking at it all wrong. You don't change how much you charge a customer, but now you're not charging for your time, you're charging for your expertise, and you do the same thing. The architects who got that were pretty successful using CAD systems, and felt that it wasn't really stifling their creativity to use a CAD system to enhance and speed up what they did, because it also allowed them to find more jobs more quickly.   David Mayernik ** 57:35 Yeah, one of the things it did was actually allow smaller firms to compete with bigger firms, because you just didn't need as many bodies to produce a set of drawings to get a project built or to make a presentation. So I mean, it has at one level, and I think it still is a kind of a leveler of, in a way, the scale side of architecture, that a lot of small creative firms can actually compete for big projects and do them successfully. There's also, it's also facilitated collaboration, because of the ability to exchange files and have people in different offices, even around the world, working on the same drawing. So, you know, I'm working in Switzerland. You know, one of the reasons to be on CAD is that I'm, you know, sharing drawings with local architects there engineers, and that you know that that collaborative sharing process is definitely facilitated by the computer.   Michael Hingson ** 58:27 Yeah, information exchange is always valuable, especially if you have a number of people who are committed to the same thing. It really helps. Collaboration is always a good thing,   David Mayernik ** 58:39 yeah? I mean, I think a lot of, I mean, there's always the challenge between the ego side of architecture, you know, creative genius, genius, the Howard Roark Fountainhead, you know, romantic idea. And the reality is that it takes a lot of people to get a building built, and one person really can't do it by themselves. And So collaboration is kind of built into it at the same time, you know, for any kind of coherence, or some any kind of, let's say, anything, that brings a kind of an artistic integrity to a work of architecture, mostly, that's got to come from one person, or at least people with enough shared vision that that there's a kind of coherence to it, you know. And so there still is space for the individual creative person. It's just that it's inevitably a collaborative process to get, you know, it's the it's the 1% inspiration, 99% perspiration. Side architecture is very much that there's a lot of heavy lifting that goes into getting a set of drawings done to get

Pastor Andy brought a powerful word out of Titus this past weekend as we kicked off the month of August together. After spending July reading Titus as a church, this message reminded us what it means to live lives marked by truth, self-control, and hope in Christ.If you missed it, go back and give it a listen—this is the kind of foundation worth building on.Join us for Box Church durning the month of August, Meeting at the koWorx building in Venice. Sunday 10:30 a.m.

Venice and a long train ride. Cool. Transcript

Here is Youth Pastor Jeremy LaVigne's sermon on 8/3/25 titled, "Servants Of Honor: The Heart Of A Deacon" from 1 Timothy 3:8-13. Freedom Bible Church is a nondenominational church located at 5550 S. Sumter Blvd in North Port, Florida. The name “Freedom” comes from 2 Corinthians 3:17, "Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom." Our desire is to be a God-centered church, not man-centered.Freedom Bible Church is a Bible based church located at 5550 S. Sumter Blvd in North Port, Florida. The name “Freedom” comes from 2 Corinthians 3:17, "Now the Lord is the Spirit, and where the Spirit of the Lord is, there is freedom." Our desire is to be a God-centered church, not man-centered.Website: https://freedombiblechurch.com/Facebook: https://www.facebook.com/freedombiblepcInstagram: https://www.instagram.com/freedombiblechurchOur church members come from North Port, Wellen Park, West Port, Port Charlotte, Punta Gorda, Venice, and Englewood.

Despite what we’re hearing about close-to-home travel, Americans are still headed to Europe in large numbers and to tourism hot spots like Venice, Barcelona, Greece and Lisbon. Many of these places have also been the sites of protests over tourism – in Barcelona, for example, protesters were again using water guns to spray visitors in an attempt to make their concerns known. Travel advisor Miriam Martinez of Revigorate, who works with and advises American clients, joins tours editor Brinley Hineman and host Rebecca Tobin to talk about whether travelers are concerned about overtourism protests and anti-tourism sentiment; how advisors and tour companies are packaging and selling lesser-visited destinations to travelers; and possible solutions to overcrowded cities. Episode sponsor This episode is sponsored by Travel Insured International https://www.travelinsured.com Summer series: This episode is part of our annual Summer Series, where we feature some of our favorite recent Folo by Travel Weekly discussions. This episode was recorded June 30 and has been edited for length and clarity. Related links In Europe, tour operators and advisors plan around overtourism https://www.travelweekly.com/Travel-News/Tour-Operators/Tour-operators-and-advisors-plan-around-overtourism Protesters spray tourists with water guns in Spain https://www.travelweekly.com/Europe-Travel/Protestors-spray-tourists-with-water-guns-in-Spain Cruise industry navigates a new wave of port taxes https://www.travelweekly.com/Cruise-Travel/Cruise-industry-navigates-new-wave-port-taxes Previous Folo episodes Is the term 'overtourism' being overused? https://www.travelweekly.com/Podcasts/Folo/overtourism-overusedSee omnystudio.com/listener for privacy information.

9th Circuit keeps freeze on Southern California ICE patrols. Here's what could get more expensive from Trump's massive tariff hikes. Jeffrey Epstein's former girlfriend, Ghislaine Maxwell, is transferred to a prison camp in Texas. 9 year old boy killed in RV collision in Korea Town. Venice pet owners on edge after several unexplained dog deaths in recent weeks. Santa Monica Council Ousts Downtown Board in Surprise Shakeup. Tarantulas coming to California as mating season begins.

Solo traveler Rebel shares her transformative journeys in Italy, from spontaneous friendships to joining a traditional flower festival in Umbria, and hear how you too can find magic, community, and adventure in "untold" Italy!*Untold Italy Tours - detailsRead the full episode show notes here > untolditaly.com/284NEW! - the Untold Italy app - DOWNLOAD FOR iOS  •  DOWNLOAD FOR ANDROIDThe app is FREE to download and check out our Milan guide and general travel content. Upgrade to PREMIUM  for a one time fee to access Rome, Florence, Venice, Sorrento, Cinque Terre, Amalfi Coast, Capri, Ischia, Tuscany, Lake Como, Lake Garda, Veneto, Lombardy, Campania, Lazio, Puglia, Abruzzo, Calabria with much more to comeSupport the showJoin our mailing list and get our FREE Italy trip planning checklist - subscribe here | Join us on tour: Trip schedule | Discover our Trip Planning Services | Visit our online store | Follow: Instagram • Facebook • YouTube • Italy Travel Planning Community • Online travel assistantThe Untold Italy travel podcast is an independent production. Podcast Editing, Audio Production and Website Development by Mark Hatter. Production Assistance and Content Writing by the other Katie Clarke - yes there are two of us!

Double exclamation points!!; Marco Polo AirBNB in Venice; robot waiters at Denny's; ugly American; gazpacho vs vichyssoise; AI public restrooms; and rampant Siri abuse.Unlock the BONUS SCENE(S) at improv4humans.com and gain access to every episode of i4h, all ad-free, as well as TONS of exclusive new podcasts delving deeper into improv, the history of comedy, music and sci-fi.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, Monica meets two extraordinary women who brought the rhythm of the East to the heart of the lagoon.Katerina, from Russia, and Regina, from Kazakhstan, met by chance in Venice — and chose to stay.Together, they created Venetians (By Choice and By Occasion), the very first Russian-language radio show on Radio Ca' Foscari.Their story is one of identity, migration, and transformation — a testament to how Venice can welcome, inspire, and redefine belonging in the most unexpected ways.

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Singer, songwriter, guitar player, and producer. Performing under the artist name Osmunda Music, she just released a new single less than three weeks ago, having put out three new songs since April 25th now, in the leadup to an August 15th EP. Her influences and the music she releases have been described as spanning numerous genres and her original music has been submitted for several GRAMMY nominations. She is also a founding member and the lead singer of the band Space Babies, and in 2010 opened Earthstar Creation Center, a recording studio in Venice, California. More recently, along with two other artists, she established the nonprofit Pandion Music Foundation in 2022, to help independent music creators further their careers with free weekly online music industry workshops and a monthly newsletter.

In this episode of Wisdom from the Wardrobe, the team kicks things off with a stylish stroll through the latest fashion headlines. First up: Anna Wintour announced her stepping down as Editor-in-Chief of Vogue on a random Thursday, that news had the fashion world buzzing. Then there's was that not-so-subtle spectacle that was the Bezos wedding in Venice. While the event itself was dripping in star power and staggering expense, it was the bride's dress that really stole the spotlight—and not necessarily in a good way. Aiming for Sophia Loren glam but landing somewhere between Dynasty cosplay and 1980s prom queen, it left the internet divided and our fashion senses tingling. But once the veil lifts, it's time to bare legs and bold opinions in our main topic: shorts in the workplace. Are they a sign of modern dress code evolution or a professional misstep? Can you channel Tom Browne tailoring without looking like you wandered in from a school drop-off? From inseams to office norms, the team debates the do's and beware of workplace shorts, how to style them with intention, and how to decode your company culture before letting your knees do the talking. As always, expect laughs, side-eye-worthy examples, and practical tips on how to stay stylish (and employed) when the temperatures rise. Spoiler: It's not just about shorts; it's about the strategy. Whether you are team trouser or pro-pedal pusher, this episode is a must-listen for anyone trying to beat the heat without breaking the unspoken office style rules. Happy Listening!

Today, I'm joined by Lindsey Wilson, the founder of Owl Venice, a wellness brand specializing in handcrafted, organic broth elixirs and cleanse programs. You can think of this episode as a foundational course in all things bone broth. Lindsey shares her journey in creating Owl Venice, detailing how it evolved from a simple bone broth company into a comprehensive holistic wellness brand, and discusses the incredible benefits of bone broth for optimizing gut health, reducing inflammation, and healing your body from the inside out. Suggested Resources:Owl Venice (code wellnstrong10 for a discount)Gut healing bone broth recipeBone broth benefits: how its nutrients fortify gut barrier in health & diseaseBone broth hot chocolateSend me a text!This episode is proudly sponsored by: SizzlefishLet's talk about fueling your body with the best nature has to offer. If you're looking for premium, sustainable seafood delivered straight to your door, you need to check out Sizzlefish! Head to sizzlefish.com and use my code “wellnstrong” at checkout for an exclusive discount on your first order. Trust me, you're going to taste the difference with Sizzlefish!Join the WellnStrong mailing list for exclusive content here!Want more of The How To Be WellnStrong Podcast? Subscribe to the YouTube channel. Follow Jacqueline: Instagram Pinterest TikTok Youtube To access notes from the show & full transcripts, head over to WellnStrong's Podcast Page

If you think your job is bad, have you tried being a plague doctor in 17th century Venice?Join Anthony and Maddy as they wake up on a quarantine island and take you through a day in the life of a plague doctor, including the sights, smells and horrors of what you would have seen as you explored plague-riddled Venice in 1631.Find out what they would have worn, what they did on their lunch break, and what the perks of the job were!This podcast was edited by Tom Delargy and produced by Stuart Beckwith. The senior producer was Charlotte Long.Please vote for us for Listeners' Choice at the British Podcast Awards! Follow this link, and don't forget to confirm the email. Thank you!You can now watch After Dark on Youtube! www.youtube.com/@afterdarkhistoryhitSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe.  You can take part in our listener survey here.All music from Epidemic Sounds.After Dark: Myths, Misdeeds & the Paranormal is a History Hit podcast.

For Episode 452, Josh Parham, Dan Bayer, and I recap and break down this massive week of film festival announcements including the full lineup for the 2025 Venice Film Festival, a majority of the Toronto International Film Festival (TIFF) lineup, the Opening and Centerpiece announcements for the New York Film Festival, and what this all means for the Telluride Film Festival. For this week's poll, for Venezia 82 (mainly because we at least have the full lineup for this one), we ask, "Which Film From The 2025 Venice Film Festival Are You Most Looking Forward To?" And for last week's poll, for the first time this season, we asked, "Which Film Do You Feel Will Be The Next Best Picture Oscar Winner?" and we reveal your top 10 early results for this almighty important question. We also share our reactions to the trailers for Park Chan-wook's much-anticipated "No Other Choice," Aziz Ansari's "Good Fortune," Clint Bentley's "Train Dreams," Oliver Hermanus' "The History Of Sound," Rob Reiner's "Spinal Tap II: The End Continues," the A24 English dubbed re-release of "Ne Zha 2," reveal the 2009 NBP Film Community Award Nominations, answer your fan-submitted questions, and more! We will post the 2009 NBP Film Community Award nominations on the site for you to vote on tomorrow. Thank you all for listening, supporting, subscribing, and voting. You're all the very best fans we could ever ask for, and we look forward to seeing you all again next week! Check out more on NextBestPicture.com Please subscribe on... Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture and listen to this podcast ad-free Learn more about your ad choices. Visit megaphone.fm/adchoices

Sir Gregory Doran is the former artistic director of the Royal Shakespeare Company. He spent a total of thirty five years with the RSC directing fifty productions in the UK and abroad. He's been called “one of the great Shakespeareans of his age” and has won multiple awards for his work.Born in 1958, Greg was brought up near Preston and played a number of female Shakespeare roles when he was a young pupil attending an all-boys secondary school. He went on to study English and Drama at Bristol University followed by a stint studying classical acting at the Bristol Old Vic Theatre School. After a few bit parts in TV sitcoms and a spell at Nottingham Playhouse, Sir Greg decided that he would prefer to carve out a career as a director. He went on to stage some of the most critically acclaimed theatre productions – including an all-black cast of Julius Caesar and took Titus Andronicus to South Africa.More recently, he has been touring the globe on his Shakespeare's First Folio tour to look at as many different copies of the texts as possible. He survives his husband, the actor Sir Anthony Sher whom he met in 1987 whilst they were both part of a production of the Merchant of Venice at the RSC in Stratford. Sir Greg lives in London.DISC ONE: Giulio Cesare in Egitto, HWV 17, Act 1: Duetto. "Son nata a lagrimar" (Cornelia, Sesto) Composed by Georg Friedrich Händel and performed by Nathalie Stutzmann (contralto) Philippe Jaroussky (counter tenor) Oreo 55 (Orchestra) DISC TWO: Sicut cervus – The Choir of Preston Catholic College DISC THREE: Born Free - Matt Monro DISC FOUR: It's Raining Men - The Weather Girls DISC FIVE: Diamonds on the Soles of Her Shoes - Paul Simon DISC SIX: J.S. Bach: Cantata "Ich habe genug" BWV 82: I. "Ich habe genug, ich habe den Heiland". Performed by Thomas Quasthoff (bass-baritone), Berliner Barock Solisten, conducted by Rainer Kussmaul DISC SEVEN: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville Marriner DISC EIGHT: Where the Bee Sucks - Paul Englishby, Royal Shakespeare Company BOOK CHOICE: A 1609 copy of Shakespeare's Sonnets LUXURY ITEM: A shelf of photo albums CASTAWAY'S FAVOURITE: Piano Concerto No. 12 in A, K.414: 2. Andante. Composed by Mozart and performed by Alfred Brendel (piano) and Academy of St Martin in the Fields, conducted by Sir Neville MarrinerPresenter: Lauren Laverne Producer: Sarah Taylor

Sean and Amanda react to a long list of fall film festival lineup announcements; highlight their main takeaways from Venice, Toronto, and Telluride; and create their way-too-early top 25 Best Picture contenders list (2:16). Then, they unpack the newest installment in the Marvel Cinematic Universe, ‘The Fantastic Four: First Steps,' starring Pedro Pascal and Vanessa Kirby, which they found incredibly disappointing (23:23). They dive deep into spoilers, explain why they found a majority of the stars to be deeply miscast, and talk through what they think the MCU will look like going forward (40:23). Hosts: Sean Fennessey and Amanda Dobbins Producer: Jack Sanders THIS EPISODE IS SPONSORED BY THE STARBUCKS COFFEE COMPANY. ORDER NOW | STARBUCKS.COM/MENU Learn more about your ad choices. Visit podcastchoices.com/adchoices

In episode #86 we review and talk about Alex Midler for GUESS JEANS video part, the Girl Skateboards video "SPLINTER", Austin Heilman for Ace Trucks and much more! Become a Channel Member & Receive Perks: https://www.youtube.com/TheNineClub/joinNew Merch: https://thenineclub.com Sponsored By: AG1: Get a free 1-year supply of immune-supporting Vitamin D3 + K2 and 5 travel packs with your first purchase. https://drinkag1.com/nineclubLMNT: Grab a free Sample Pack with 8 flavors when you buy any drink mix or Sparkling. https://drinklmnt.com/nineclubWoodward: Save $100 off summer camp with code NINECLUB. Join Chris, Kelly, Jeron, and Roger at Woodward West Adult Camp, Aug 11-16. https://www.woodwardwest.com & https://www.woodwardpa.comBear Mattress: Delivered to your door with easy setup. Use code NINECLUB for 40% off your order. https://www.bearmattress.comMonster Energy: https://www.monsterenergy.comSkullcandy: https://www.skullcandy.comYeti: https://www.yeti.comEmerica: Get 10% off your purchase using our code NINECLUB or use our custom link. https://emerica.com/NINECLUB Find The Nine Club: Website: https://thenineclub.com Instagram: https://www.instagram.com/thenineclub X: https://www.twitter.com/thenineclub Facebook: https://www.facebook.com/thenineclub Discord: https://discord.gg/thenineclub Twitch: https://www.twitch.tv/nineclub Nine Club Clips: https://www.youtube.com/nineclubclips More Nine Club: https://www.youtube.com/morenineclub I'm Glad I'm Not Me: https://www.youtube.com/chrisroberts Chris Roberts: https://linktr.ee/Chrisroberts Timestamps (00:00:00) Nine Club Live #86 (00:00:01) We Are live with no headphones! (00:02:00) Kelly needs a new hip (00:12:00) Austin Heilman Ace Trucks (00:20:00) A discussion of Trucks (00:25:00) Cordan Russell is Now Pro for Toy Machine (00:29:00) Village PM is a new shoe brand (00:41:00) Skate the legendary Venice curb with Roger Bagley (01:02:00) Millions of skateboarders, Are there really 50 Million? (01:32:00) Alex Midler Guess Jeans (01:45:00) Girl Skateboards Splinter (02:15:00) The Nine Club Classic Learn more about your ad choices. Visit megaphone.fm/adchoices

Wong Kar-Wai's In the Mood For Love (which some are calling the fifth best movie ever made, or at least the fourth best this century?) was released 25 years ago, and anniversary screenings of a new 4k restoration have been happening all over. We've got critic John Powers (Fresh Air, Vogue), author of WKW: The Cinema of Wong Kar-Wai with us to help us take an inside look at a movie that continues to enchant and haunt audiences through the decades.What's GoodAlonso - Boorman and the Devil to premiere at Venice (and Selena Gomez Oreos)Drea - pomodoro method (for Spirit Awards spreadsheet mode)John - Chris Marker: Immemory Gutenberg VersionKevin - ComiCon 2025ITIDICChristopher Nolan's ‘Odyssey' Sells Out in IMAX a Year Ahead of ReleaseNeon Promoting ‘Together' With a “Free Vegas Wedding” ContestPee-Wee's Red Bike Acquired by the AlamoStaff PicksAlonso - We All Loved Each Other So MuchDrea - Familiar TouchJohn - CloudKevin - Dancer in the Dark Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

Curious what happens when you mix Roman rooftop bars, a Vespa sidecar adventure, medieval towns, and the Umbrian countryside? Join host Katy Clarke as she shares her latest Italy trip report, revealing insider tips, plus unforgettable highlights from Rome, Naples, Orvieto and untold Urbino.Read the full episode show notes here > untolditaly.com/283NEW! - the Untold Italy app - DOWNLOAD FOR iOS  •  DOWNLOAD FOR ANDROIDThe app is FREE to download and check out our Milan guide and general travel content. Upgrade to PREMIUM  for a one time fee to access Rome, Florence, Venice, Sorrento, Cinque Terre, Amalfi Coast, Capri, Ischia, Tuscany, Lake Como, Lake Garda, Veneto, Lombardy, Campania, Lazio, Puglia, Abruzzo, Calabria with much more to comeSupport the showJoin our mailing list and get our FREE Italy trip planning checklist - subscribe here | Join us on tour: Trip schedule | Discover our Trip Planning Services | Visit our online store | Follow: Instagram • Facebook • YouTube • Italy Travel Planning Community • Online travel assistantThe Untold Italy travel podcast is an independent production. Podcast Editing, Audio Production and Website Development by Mark Hatter. Production Assistance and Content Writing by the other Katie Clarke - yes there are two of us!

This week, David, Rebecca, and Richard dive into the newly announced TIFF and Venice Film Festival lineups for clues on front-runners and sleepers in the Oscar season to come—as well as a few surprising omissions. The hosts also dig into the shocking cancellation of Stephen Colbert's The Late Show, and revisit Ari Aster's Eddington after its muted opening weekend.Our next Little Gold Men book club read is Hamnet by Maggie O'Farrell. We'll be discussing the novel and its upcoming film adaptation on our August 14 episode. We've also added one more book for this summer, the third most-popular in our listener survey: The Ballad of a Small Player by Rowan Joffé. We'll be discussing that one on our August 28 episode. Read along with us and send your questions to littlegoldmen@vf.com.  Learn about your ad choices: dovetail.prx.org/ad-choices

We discuss the Venice Lineup + our early guesses at who could win some awards. Then we dive into the most humongous What We're Watching segment in the history of MMO. 54 Separate Films or Television Series are review from Eddington & I Still Know What You Did Last Summer to a Stanley Kubrick double feature to an Arnold triple feature to Final Destination: Bloodlines & Bring Her Back to Elio & Superman rewatches to Bird, starring another dancing Barry Keoghan. THE 2025 VENICE FILM FESTIVAL LINEUP: The Alexander Payne Jury & what films they might select - 3:14 In Competition Headliners - 6:36 Jay Kelly, A House of Dynamite, Frankenstein, The Testament of Ann Lee, Bugonia, The Smashing Machine & La Grazia. Other Notables In Competition - 12:30 The latest from directors of Personal Shopper, Four Daughters, Son of Saul and Only Lovers Left Alive. No Other Choice than to review the teaser for this Park Chan-wook movie with a thoughtful discussion on werewolves - 17:32 Why After The Hunt is playing Out of Competition + its NYFF Opening slot - 21:05 Other Out of Competition Films from Dead Man's Wire to Late Fame - 25:04 What's NOT Going To Venice - 29:04 BOX OFFICE UPDATE AlsoMike's Superman rewatch & week 2 bobo - 33:15 I Know What You Did Last Summer reviewing grinds us to a halt - 38:19 Eddington makes us mad that it makes us mad - 41:16 M1's Elio review and the rest of the Top 10 - 45:06 What We're Watching Newish Horror Films - 47:34 Final Destination: Bloodlines, The Shrouds, Bring Her Back, The Ugly Stepsister, Opus. New Comedies, Docs & KPOP Demon Hunter Films - 55:19 Magic Farm, Friendship, Pavements, KPOP Demon Hunters, My Mom Jayne, The Luckiest Man in America, Jaws @ 50: The Definitive Inside Story, Apocalypse in the Tropics, Barbara Walters: Tell Me Everything, Restless, Sally, and Surviving Ohio State. AM's Blind Spots & M1 Goes Artsy Fartsy - 1:13:36 Black Coal Thin Ice, Sabrina, Hard Boiled, Invention & Bird. AM's Rewatches - 1:20:31 Emma, Bull Durham, The Birdcage, Closer, I Saw The Devil, The Chaser. M1's Quickies - 1:23:28 American Splendor, Smile 2, Heretic, Dream Scenario, A History of Violence, Prince of Darkness. The Start of AM's TV Watching + M1's Arnold-a-palooza + Tuesday - 1:26:12 Dept. Q, Fred & Rose: A British Horror Story, Trainwreck: Poop Cruise, True Lies, End of Days, Commando and Tuesday. M1's Kubrick Double Feature + Past Contendres & The Rest of AM's TV Watching - 1:31:48 Paths of Glory, 2001: A Space Odyssey, September 5, Close Encounters of the Third Kind, Bad Thoughts, Mike Birbiglia: The Good Life, Untamed, Aftersun, Dexter: Resurrection. OUTRO: We attempt to avoid jinxing anything in the future. But stay tuned to more episodes, eventually or immediately, whatever happens. Oh, and go and listen to the Poop Cruise Jen Baxter interview from our friends at Chaz & AJ in the Morning https://www.wplr.com/2025/07/14/pod-pick-poop-cruise-director-jen-baxter/

Dr. Eleanor Janega is joined by historian Roger Crowley to unravel the captivating history of Venice, the Queen of the Adriatic. How did this city, born from a lagoon, ride the changing tides of trade in the 15th century to evolve into a formidable maritime empire? From its unique social structures to its role in the Fourth Crusade, Eleanor and Roger take an in-depth look at Venice's unparalleled success and its challenges.Gone Medieval is presented by Dr. Eleanor Janega. It was edited by Rob Weinberg, the producer is Joseph Knight. The senior producer is Anne-Marie Luff.All music used is courtesy of Epidemic Sounds.Gone Medieval is a History Hit podcast.More:The Holy Roman Empire >The Silk Road: Where Cultures Collided >Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on

Show Notes: Italy — land of empires, saints… and monsters. In this haunting series of The Devil Within, we uncover the chilling legends that lurk behind Italy's beauty. From the night battles of the Benandanti in Friuli to the wolf cults of Lucera, the possessed convent of Prato, and the submerged beasts of Venice — these are not just stories. These are warnings. Across 12 gripping episodes, we explore centuries of folklore, true crime, and the terrifying spaces where they overlap. Werewolves in noble courts. Skinwalkers among shepherds. Choirs that sang to the abyss. Some say these tales are myth. Others know better.

Newt talks with Daniel Silva, #1 New York Times bestselling novelist known for his Gabriel Allon series. Silva discusses his latest novel, "An Inside Job," the 25th installment in the series, which features the intriguing character Gabriel Allon, an art restorer and legendary spy. Silva shares the inspiration behind Allon's character, including influences from real-life art restorers and historical events like Munich massacre of Israeli Olympic athletes in September 1972. Their conversation explores the novel's plot, which involves a mysterious death in Venice and a scandal at the Vatican, drawing parallels to real-world events. Silva also discusses his writing process, which includes crafting his novels in longhand on yellow legal pads, and his unique approach to storytelling without a predefined outline. Silva describes his knowledge of art, history, and the intricacies of Vatican politics, which makes this latest novel very engaging.See omnystudio.com/listener for privacy information.