Podcast appearances and mentions of Michelle Ryan

Earlier this week Alan Morrissey spoke about the near 200% increase in the number of children waiting over one year for initial speech and language therapy in the last three years. During the chat, we heard calls for ‘less talk and more action' to reduce waiting times for special needs supports In Clare. Alan spoke with Kilfenora native Deirdre Linnane, who told us about her son, Jack. The two-year-old is among the children awaiting an assessment of needs, as well as speech and language therapy. Deirdre told us she feels her son is being let down by the system. On Fridays Morning Focus, Alan Morrissey was joined by Michelle Ryan a listener who knows all about the system. Michelle, who lives in Inch, is a parent of two autistic children, and both have been diagnosed through the CDNT – Children's Disability Network Team - in Clare. NDA hope to hear from families on their experience of the Children's Disability Network Team service model. Further details and survey link can be found at the following link: https://nda.ie/news/we-would-like-to-hear-from-families-on-their-experience-of-the-childrens-disability-network-team-service-model

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Send us a Text Message.How to write copy that converts with tips from Michelle Ryan on welcome emails, email frequency, language, personality, and dealing with unsubscribes.Enhance your listening experience with our detailed show notes, featuring bonus resources, additional insights and takeaways from this episode.Timestamps:[01:24] What is Copywriting?[11:44] Copywriting in Email Marketing[21:07] Consistency & Timing in Copywriting[30:18] The Ideal Email Structure

Welcome back to Life Virtually, the podcast for Online Service Providers! This week, we're thrilled to have Michelle Ryan join us to discuss a crucial aspect of your business that often gets overlooked - finding your unique tone of voice. Michelle is a Copywriter, Content Writer and Founder of Ryan Virtual. Tune in to this episode to gain practical tips and deep insights from Michelle Ryan on crafting a tone of voice that truly represents you and your business, transforming how you communicate with your audience and attracting the clients you're meant to serve! Tune in as we discuss: Why the words you choose matter in attracting your ideal clients. What exactly is your tone of voice in business, and why is it so important? How your tone of voice helps in attracting clients who resonate with your values and services. The mix of understanding your ideal client while showing up authentically as yourself. Reflecting your business's core values and mission through your tone of voice. Integrating your personal identity into your business tone. The importance of maintaining a consistent tone of voice across all your marketing efforts. How a unique tone of voice sets you apart from other Online Service Providers. Why emulating others won't bring success or aligned clients. Discussing one of the most overused words in marketing within the online service industry. Useful Links: Connect with Michelle on Instagram HERE. Learn more about Ryan Virtual HERE. Connect with Ellie on Instagram HERE.

Michelle Ryan – Artistic Director at Restless Dance Theatre – joins Graham Cornes. Listen live on the FIVEAA Player. Follow us on Facebook, X and Instagram.See omnystudio.com/listener for privacy information.

All Ireland LGFA Final Day in Croke Park is nearly here as Matthew is joined by former Waterford player Michelle Ryan to discuss the Senior, Intermediate and Junior Finals in Croke Park. TIMESTAMPS 00:00 Start 05:55 Kerry v Galway (Senior) 35:50 Tyrone v Leitrim (Intermediate) 50:00 Fermanagh v Louth (Junior) Follow us here: https://linktr.ee/gaelicstatsman?fbclid=PAZXh0bgNhZW0CMTEAAaYd2am-EoJ2FU7zRIYLqL8d-EKffAPfeoFmwSqFc5vtFVs96XMRbFYvg44_aem_AZXKYrtoWgk3-R90O49ZjXLlFWtpahdo9ZrFUVPUzHrDU_ZEsnLw5QmERoPoJKNRy_qCLLB6GqYrdNx5TEQ_MGUQ Sponsored by Capture Athletics: https://capture-athletics.com/?fbclid=PAZXh0bgNhZW0CMTEAAaZaXrEurgmCsDtMcytZceOqCt8ECqw3zZFPW3hxCpIA4Z_QSlB4VlMvLSw_aem_AZXN9yURzDB57ZIudwGV-00rwzPctX4_01lu-fneo7sPCQg6nBWaV795Z-YcvVAQg-fX0T5jVefckbqHaBvIcHT3

It's time for one of those huge episodes. Well, it's a three parter anyways. 2012 was for me, a little bit of a slacker for horror movies, some would say that not enough time has elapsed to make this assessment, I say, shnozwaddle! The highs are really high & the lows can be quite messy. But, what do I think was the very greatest horror movie that came out during 2012? Well, here we have the top 10. The worst 10. A slew of also rans. Some awesome mates. Some special guests. Several pints of beer and a 5 hours of running time split over 3 episodes. This is 2012, A Year In Horror.0.33 - The Impossible 7.15 - Cockneys VS Zombies (w/ Michelle Ryan)21.11 - Also Rans (Part 2)22.02 - Resident Evil: Retribution (w/ Andre Dack)59.42 - V/H/S (w/ Niki Jones)

It's been nearly 20 years since the researchers, Michelle Ryan and Alexander Haslam, documented a phenomenon they called the glass cliff. 

Dr. Janet Laidla shares her work on charting the roles and contributions of women at the University of Tartu from the early days of the Estonian Republic, and what it means today. Baltic Ways is a podcast brought to you by the Association for the Advancement of Baltic Studies, produced in partnership with the Baltic Initiative at the Foreign Policy Research Institute. The views and opinions expressed in this podcast are those of the authors and do not necessarily reflect the official policy or position of AABS or FPRI.Read more: * Estonia's first female doctorates were educators and physicians | News | ERR * Eesti esimestest naisdoktoritest said eeskätt arstid ja õpetajad | Ajalugu | ERR* Laidla, Janet; Anepaio, Lembi (2024). Esimesed doktorikraadiga naised tänapäeva Eesti aladelt [The First Female PhDs from the Present-day Estonian Area]. Õpetatud Eesti Seltsi aastaraamat / Annales Litterarum Societatis Esthonicae, 28−67. https://oes.ut.ee/publikatsioonid/TranscriptIndra Ekmanis: Welcome to Baltic Ways, a podcast bringing you interviews and insights from the world of Baltic studies. I'm your host, Dr. Indra Ekmanis. Today, we listen to a conversation with Dr. Janet Laidla, lecturer in Estonian history at the University of Tartu. Dr. Laidla's recent research has focused on the history of women at the university and the essential roles they have played in both academic and non academic work. Stay tuned.Thank you so much for joining us on Baltic Ways. Perhaps you can start with a bit about your background and how you came to be involved in Baltic studies.Janet Laidla: Thank you so much for inviting me. It's a bit of a long story. So bear with me, because I have a bit of an unconventional academic career path. It started out conventional enough. So I did my BA and MA in history at the University of Tartu in Estonia, and then right after went straight to PhD also in history, also at the University of Tartu.But in my fourth year of PhD, in early modern chronicles, I got a bit stuck. So instead of graduating, I went out to look for a job. And eventually I was hired by the University of Tartu Museum. And there I worked in different positions and for several years I was the head of the Old Observatory. I enjoyed that a lot.But instead of history I was promoting astronomy for 10 years, and my research was more concentrated on the history of science [rather] than the history of 17th century chronicles. I still had a small position at the Institute of History and Archaeology as lecturer, and although I always planned to defend my PhD eventually, I got around to it when the university changed the rules and said you now have to have a PhD to be a lecturer.But as I said, my focus had already changed, so after graduating I was moving slowly at first towards the 20th century. And, because I had been working on the early modern period, I now also had to seek out new networks. And I had been aware, through a lot of my colleagues, of the Association for the Advancement of Baltic Studies. But, well, a few years ago, I decided now it's time because I was working in similar topics that my colleagues who were members were now working on.IE: Maybe you can tell us a little bit about that transition from studying early modern historiography, and then you went into history of astronomy and sciences, and now your focus is on studying women in academia. Perhaps you can trace that path for us a little bit.JL: Well, the University Museum is not only about history of science, it was also about the history of university, and I had been interested in the history of university, especially women students for a while, specifically the period of the 1920s and the '30s, the interwar period.And for the university centenary in 2019, where we celebrated the hundred years of Estonian-language university, we were preparing an exhibition at the National Archives on academic women. And we were so surprised that there was so little research on that subject. So basically, this is how I ended up with the topic that I'm really passionate about. However, my first research paper I did in my first year of university was actually on the position of women in Greek society. So in a way I was going back to the roots.IE: A full circle sort of a journey then. Well, can you tell us a little bit about your current work, looking at women, studying and working at the University of Tartu? You mentioned that you started looking at the interwar period. Maybe you can tell us a bit about the role of the university during those first years of the Estonian Republic and how it developed and how it came to admit women also into different fields of study.JL: The University of Tartu has a long and illustrious history going back, well, almost 400 years. So it already played a role in the national awakening in the 19th century of Estonian and also Latvian and many other nations of the Russian Empire. And of course it was important for the young republic. Its official name was the University of Tartu of the Republic of Estonia. So the state was literally in the name. Also, there was the political decision, to change the language of instruction to Estonian that we celebrated. So Estonian at the time was not a language of scholarly use. The secondary education had mostly been in German or Russian.And so the university was tasked, alongside other organizations, to create the vocabulary needed for research. And the university also concentrated on Estonian culture, Estonian history, literature, but also Estonian geography and nature, natural resources, instead of the whole Russian Empire, or the world.It was not as provincial as it sounds, of course, there were still world renowned scholars like Ernst and Armin Öpik, Ludvig Puusepp, Johann Villip, Walter Andersson, and others. But when we talk about women — women had been admitted as auditors since 1905 and full students since 1915, which is much later than in the US or the UK, for example.But in the Russian empire, and also, in fact, Germany, the struggle for female higher education had been going on over the 19th century. Many women also from Estonia went to Switzerland and there were the higher courses in Tartu, but also in St. Petersburg and Moscow, and some of them are kind of like women's colleges. But this is like a topic that I plan to have a closer look at in the future.So the university in 1919 did not reverse the decision to admit women — it was already admitting women, it had been admitting women for, for some years already. And I think it would have been an unpopular decision if they had decided to no longer admit women, but I mean, not everybody was in favor as well. It was like not 100 percent that all the male academics were like, “Yes, let all those women come in.”IE: Maybe you can share a little bit about how the career paths of women in these academic positions at University of Tartu evolved over time — some of the trends that you saw.JL: So, even before you had some women working as assistants in the university clinics, or assistant assistants at the astronomical observatory, Maria Orlova, for example. But, in 1919, they started with a temporary lecturer of English. She was called Jenny Leidig, and she had been appointed already in 1905 [edit: 1906]. But then the state said, the government said, “No, no women in academia, in the staff positions, I mean, we don't even have them as students, so what were you thinking?”So in 1919, you had Jenny Leidig. You had some assistants in the clinics, and there was this young woman, Lidia Poska-Teiss, who also applied to become an assistant in — first she was working at the Faculty of Mathematics and Natural Sciences, but then sort of moved into medicine. And, over the period of the 1920s and the '30s, you could say that the number of and the percentage of female staff grew steadily.By 1938, it was around 16 percent of the whole staff. That includes all of the clerical, the secretary positions and the libraries and so on. But we can say that perhaps around 13 percent of the staff were doing at least some research and teaching. And over time, some women rose from junior to senior assistants.The first woman to be invited to become a professor was in 1939. She was, however, not appointed, again by the state. For different reasons, gender had probably less to do with it. So Alma Tomingas basically became the first auxiliary professor in 1940. And she was a pharmacologist.IE: In your work, you also speak a little bit about the challenges facing women in their career progression. And those challenges — one being dealing with gender and patriarchal society, but also other social and economic and political factors. Can you tell us a little bit about those and their impact on women at the University of Tartu?JL: Basically, it was as complicated as it is now, in a sense. A fair part of the society still saw women's place at home. Single women, and also men in Estonia, in the marriageable age were frowned upon.IE: In terms of coming into the university?JL: Well, sort of basically coming to university because either you were there to find a husband or you were there to sit in a cafe and, you know, waste your life.And also the fear that if you had a higher education, you would not marry because that myth stayed around for quite a bit of time. However, there were still many working mothers — also at the university. So economically, it made sense in many cases that both of the parents worked, except right after the Great Depression, where, especially in civil service, only one of the spouses was supposed to work.It could be the woman, but of course more often it was the man. So, and also the university — all this apparent progress aside, the steady rise of women and staff numbers — there is no question of the fact that the university and the state saw research as mainly as a male profession, because the graduate research scholarships that are listed in the staff lists were given almost exclusively to men.Vera Poska-Grünthal, she was a specialist in social law, is a notable exception. This of course, led women to search for alternative opportunities, for example, through the International Council [edit: Federation] of University Women. Hilda Taba, who worked in the US, is a very good example. But this also needs a little bit of a deeper investigation.A lot of women were working in temporary, low paying positions at the university. If you see that there's a job opportunity in, say, high school, or you can become a barrister, or open your own practice in medicine, work for a hospital, you figure that this will perhaps give me a higher salary. But definitely it might give you more financial security. The Baltic German women went to have careers in Germany. So there were a lot of issues at play here. So it was quite complicated. And of course there were stay at home moms and wives, it's just that I'm interested in professional women.IE: Of course. Can you speak a little bit more about these sorts of non-academic roles that women held and how they played into the overall culture at the university?JL: Yeah, interestingly, women had worked for the university long before they were admitted as students. From the first part of the 19th century, you had the midwives working for the university. From the second part, you had the housekeepers at clinics, you had the first secretaries. And the beginning of the 20th century, as I mentioned, the assistants at the Astronomical Observatory and the clinics. In the 1920s and '30s, there were also a lot of women working as secretaries in the offices, also at different libraries and with collections.And some of these women working especially in the collections might have also pursued research and they also could have done some teaching. I think the archaeologist Marta Schmiedehelm is a good example of this. So in my opinion, the line between academic and non-academic is blurred. And this is why I don't want to dismiss the non-academic positions from my research as many other scholars have done.IE: Yeah, absolutely. The work and the history of women at the university extending far beyond what we think of as formal academic roles. That's an important point to make. I wonder if you can tell us about the overall situation, and some of the key takeaways that you're finding in your research or areas perhaps that you want to continue to explore.JL: Well, some of the things that I have found from study of the University of Tartu during the interwar period, when I sort of engage them with the previous research on the subjects done in the US, the UK and Germany — then, in some places, the women were engaged in the so called feminine fields, such as home economics, for example. But in Tartu there were no clearly defined feminine fields because they did not have the home economics department for starts. But there are definitely non-female fields. So the faculties of theology, agriculture, and law were dominantly, if not exclusively, male fields. So women were more numerous in the faculties of medicine, veterinary medicine, mathematics and natural sciences.But it's sort of interesting because I think that the factor here is also the hierarchy, like how many levels of positions you have. For example, in humanities, you have lecturers, docents and professors. So in humanities, women only have the lower positions, at least until 1939. But in these other areas where you have the temporary assistants and junior assistants, senior assistant, docent, if you have more layers, then you actually can see women sort of starting from the bottom and going up.Of course, men also start from the bottom and go up and sometimes they linger in the lower positions and sometimes they are similarly demoted or leave the university. So I think that I need to do some more data analysis to really understand how the sort of the restructuring or the structure or the hierarchy of the position works for women at the time and perhaps how it works for women now.Also, the preliminary survey of the social status also suggests a more varied social background for the academic women in Estonia, in comparison to some other Western European countries. several are indeed from lower and upper middle class, but there are also a fair number of working class women and farmer's daughters.Now, farmer's daughters, there is a range, so they could be quite wealthy in Estonia, or relatively poor. So there's other factors as well. And, in many places, marriage ended the academic career. So academic women were single, but there's a significant number of married couples working at the university, such as Elfriede and Vilhelm Ridala, Elisa Käer-Kingisepp and Georg Kingisepp, Gerhard and Natalia Rägö, Salme and Ilmar Vooremaa, and so on. Many others were also married, just not to fellow academics, including Lidia Poska-Teiss, that I mentioned earlier. And of course there are fathers and daughters. So we get to mothers and daughters only in the 1940s.That said, there are several women students who remember being told that if they are serious about their research, they should not marry. One by Professor Gustav Suits, whose wife Aino worked at the university as a lecturer for over 15 years.IE: Oh, a bit ironic then!JL: Yeah, sort of, I know that this discussion took place before Aino took up the position of lecturer, so maybe he changed his mind when he, because Aino was also a mother, she was a working mother, they had children and so she had to somehow cope with everything. IE: It's interesting that you talk about this kind of range of economic backgrounds with the women who entered into these roles. Do you have any inclination as to why there is that type of access, that range?Janet Laidla: So I think it has something to do with Estonia, being the young republic, that sort of, sort of declared itself classless or where class wasn't as prominent. Also for many of these women, the secondary education, and also the university education was a way of social mobility. And they were out there to get a job, because the university education was costly, and they thought that it would be an easier way to work for the university while studying at the university. So they sometimes weren't motivated so much by the sort of idea of an academic career, they didn't see it as entering academia, as perhaps we sometimes do now that you have this career path ahead of you. It was just a job as any other. But this was a preliminary study and I would need to go further in order to make any kind of more profound arguments based on this. But it was interesting to see. But it was also expected, thinking about Estonian history, and what the Estonian state declared in the beginning it was about to do. I think that was one of the things that perhaps makes the Estonian state and probably some other similar case studies stand out on the background of the Western European situation.IE: I wonder what you think of all this work that you're doing — the study of the interwar period — how do you think it translates into today? How can it impact the way that we are thinking about women in academia now? I'm thinking a little bit about a study that I recently read about the United States, where there are fears of a “demographic crisis” regarding too many women in comparatively, in academia. The argument was that there's not necessarily a balance anymore. And I wonder what it's like in Estonia. And at the same time, keeping in the back of our mind that there are plenty of areas where we are not seeing parity or equity. So, curious about your thoughts on that.JL: Well, it's also a complex issue. Yes, I actually heard that argument recently. When we had the women in science days, one of the discussants was saying that soon we will be talking about the lack of men in university, so they will become a minority. Not yet in Estonia.Of course, things have changed where in 1940, we had one professor. And now we have around 30 percent of professors at the University of Tartu are women. So we're getting closer to balance. Thinking about recent research, Michelle Ryan wrote a paper in Nature in 2022 saying that one of the misconceptions we have is that we overestimate the progress.So perhaps, perhaps it was based on statistics, perhaps it was another overestimation of the representation of women. And I'm thinking perhaps partly we underestimate the number of women working at the university in the past. So we overestimate now because we think that there has been this huge progress.And then you might say, and that, yes, that's the numbers, but their positions and their contributions in comparison today were insignificant. But nowadays we understand research much more as teamwork, as a collaborative effort. So perhaps, the women of the past their contributions were not as insignificant. I mean, the records did not file themselves, the notes and manuscripts did not type themselves at the time. And we also know these later controversies concerning, for example, Rosalind Franklin or Jocelyn Bell Burnell. And I'm not saying that we'll find something like that here in Tartu as well, but still.Coming back to the overestimation or the fact that women are becoming dominant, that there's a fear that women might start to dominate academia some — well, it then tells you something about academia. Because the IT sector used to be a female area in the beginning, because the computers and it all started from the universities. It started from Harvard University where the computations and also the glass plates the astrographs were making were analyzed by a group of women, called the Pickering Harem. And also Tartu had its own sets of women computers and they were called computers.It's the whole “Hidden Figures” story at NASA and so on. So in the beginning, these sort of computer programs and computing, well, not in the beginning, but at some point this was women's work. And then it started to pay something. It started to be prominent. It started to be, you know, the salaries got higher. And then for some reason it became a dominantly male field. And now we're looking to include women in STEM, but also IT. So maybe we should do some soul searching and see if the working positions in academia are then not highly paid or prestigious enough that men are no longer interested.So it's not about women taking over. What I see when I look at professional women is that they are often stuck into low prestige, low paying jobs. So if, you know, if they're overflowing the academia, it says something about academia in the future. But well, at least in Tartu, we're a fair bit away from that.And it's also sort of about numbers. It's another thing that Michelle Ryan said that it's not the percentage of staff, you have to look at the positions. And I mean, are the sort of the heads of, you know, these Ivy League universities and colleges, the top positions, are they being taken over massively by women? Or is it just that you have women in administrative positions, the low paying the teaching positions. Is the overall percentage more than 50 or are you having women in the higher positions?IE: Yeah, absolutely. And you speak really well to that idea of those hierarchies and also the unrecognized labor that really does support broader academic achievement. Filing. Typing. Being a sounding board. It is important and significant to recognize that labor as well.Perhaps you can tell, tell us a little bit more about the future of your work.JL: The Tartu example is very interesting and also there is a lot of material because the University of Tartu collected masses of information on its staff and students — so, much more than many other institutions around the world, so you can do different things with the material. But I would also like to do some comparative history. For example, Zane Rosīte is doing similar studies, for her Ph.D. at the University of Latvia. I am looking to compare the Tartu case with Latvia because they are so close. But I'm also looking to compare my Tartu case with the universities in Finland, New Zealand, and Australia. And now you might be wondering why these countries.Well, the obvious factor, of course, is the early vote for women. But also the size of population, the number of universities, the empire factor is also there, and in a way, all four countries trying somehow to redefine themselves before the Second World War. Two of them becoming independent, and two of them sort of becoming definitely more autonomous within the empire. So I think it would be interesting to compare these. I don't think many people would agree Estonia and Finland as being a frontier in the 20th century, but somehow sort of these frontier, co-educational institutions in these four countries to see what else comes out from this comparison.IE: We will certainly look forward to seeing the results of that future work from you as well. You know, this has been such a fascinating discussion. And I think it's such an interesting and significant topic. It's really necessary to understand our histories, the histories of our institutions, the role of women throughout the course of those institutions, which has so often been undervalued or understudied at the very least. And this is making a significant contribution to that work. So I appreciate the discussion very much — especially in this time where we're seeing slow and incremental, but still important progress. I often think of the Baltics as one of those key regions that advances the visibility of women in leadership positions — thinking very much about those strong women Kaja Kallas, Vaira Vīķe-Freiberga, Dalia Gribauskaite — so it's interesting to have this perspective as well.Janet: Yes, because sort of we assume that the position of women, especially in the 20th century, has been linear, sort of progressive, but it hasn't actually. Also in academia, it hasn't. And there is a PhD thesis on the University of Washington in the US, for example, where she starts out in the 19th century and ends in, I think, 1970s. And she so shows how it has been up and down. It hasn't been this linear progress that I'm showing and, and here the fact that it's linear is really interesting.But of course in Estonia, there's a different kind of break in the 1940s. And this apparent understanding that in the Soviet Union, the gender question had been solved. And, I don't know if I'll really go into the Soviet period as well, but, well. It isn't as easy as that, definitely. So even if we are making progress at the moment, I think, especially in the US, you're feeling that when women's rights in general are in question. And then it's definitely sort of if you have reached some level, it's not, “Yes, we can also only go forward from here.” No, you can actually go back.I think it's something that needs to be kept in minds — every victory we have won is not certain.IE: It is certainly not a guarantee for that progress to be guaranteed. That's such an important point. Well, again, I am so thankful for the opportunity to be in discussion with you. Thank you so much, Dr. Laidla for joining us on the podcast. We certainly look forward to your future workJL: Thank you for having me. Thank you so much. IE:Thank you for tuning in to Baltic Ways, a podcast from the Association for the Advancement of Baltic Studies, produced in partnership with the Baltic Initiative at the Foreign Policy Research Institute. A note that the views and opinions expressed in this podcast are those of the authors and do not necessarily reflect the official policy or position of AABS or FPRI.I'm your host, Indra Ekmanis. Subscribe to our newsletters at AABS dash Baltic studies dot org and FPRI dot org slash baltic dash initiative for more from the world of Baltic studies. Thanks for listening and see you next time.  This transcript has been slightly edited for clarity. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit fpribalticinitiative.substack.com

Continuing the conversation on diversity, this episode focuses on a very specific , yet troubling phenomena that affect women in c-suite positionsJoin us as we uncover the origins of the Glass Cliff, the research behind it and how a status quo bias might be what is underpinning to this day. Finally we look to the future and consider what actions leaders can take when hiring staff to reduce its effect.  As always, if you've listened to the episode, here are some of the resources we reference:[1] Michelle Ryan and Alex Haslam introduce the concept of the Glass Cliff in 2004[2] Researcher Susanne Bruckmüller's studies on the Glass Cliff  [3] Vox article on the challenges of a Glass Cliff Visit our website www.humble.associatesOr check out our LinkedIn page to learn more about Humble Associates

Paul Corry is in studio to talk Premier League, plus Marie sits down with Republic of Ireland manager Eileen Gleeson. In Gaelic Games, we're at the business end of the league in Camogie & Ladies Football with Aoife Murray & Michelle Ryan, while Damian Lawlor chats Championship throw-in in Gaelic Football.

Paul Corry is in studio to talk Premier League, plus Marie sits down with Republic of Ireland manager Eileen Gleeson. In Gaelic Games, we're at the business end of the league in Camogie & Ladies Football with Aoife Murray & Michelle Ryan, while Damian Lawlor chats Championship throw-in in Gaelic Football.

A public hearing was held Tuesday night, March 26 jointly presented by the Illinois Environmental Protection Agency (IEPA) and the U.S. Environmental Protection Agency (USEPA). Ameren Illinois was initially invited to participate, but they refused.The hearing was related to the former Central Illinois Public Service (CIPS) manufactured gas plant (MGP) site, which has been under scrutiny by the public since four Taylorville-based children were diagnosed with the rare cancer neuroblastoma, which attacks the adrenal glands and the nervous system, between 1987 and 1989.The neuroblastoma incidents have been the focus of a 1997 Washington Post article, a 2018 book by private investigator Bill Clutter, and further scrutiny of the cleanup efforts. Currently, the pump-and-treat method takes 100 years to remediate fully. Efforts to expedite this cleanup process are also under scrutiny by the public, especially as other health ailments have emerged throughout the past four decades since the neuroblastoma diagnoses from 1987 to 1989.The facility was closed by CIPS in 1932, but it remained a part of their assets even after CIPS, the Central Illinois Light Company, and Illinois Power merged with St. Louis-based Union Electric to form what is now known as Ameren Corporation (aka Ameren Illinois and Ameren Missouri) in 1997.This hearing particularly focused on the five-year review and action items in the future with the MGP site.Public comments are being accepted via email (and during additional public hearings) through June 1, 2024.Present on the panel from IEPA were legal counsel Michelle Ryan, environmental protection specialist Greggory Miller, presenter Paul Lake, and Chris Hill. Also present from the USEPA was David Linnear. Moderating the hearing was community relations manager Brad Frost.There were five speakers slated to speak, with one person not present and one opting out. The speakers asking the panel questions were Keith Boston, Scott Perry, and Stacia Perry.A master archive of all documentation relating to the MGP site is located at Taylorville Public Library, 121 W Vine St. Additional documentation that we have found, including previous non-local media coverage, will be included below:Washington Post, 1997: Families allege coal tar cleanup caused children's cancerState Journal-Register, 2014: Superfund legacy remains in Taylorville and beyondWCIA, 2023: These are the contaminated Superfund sites in IllinoisAmeren Illinois: Taylorville MGP Site InformationU.S. Environmental Protection Agency: Taylorville MGP Site InformationNearby Superfund sites:Eagle Zinc Co, Hillsboro: Superfund Site InformationPodcast from March 26, 2024, on the Heartland Newsfeed Radio Network, online at heartlandnewsfeed.com, Spreaker, the Heartland Newsfeed Alexa radio skill, and other platforms. Now available on Google Assistant speakers!Listen Live: https://www.heartlandnewsfeed.com/listenliveFollow us on social mediaFacebook: https://www.facebook.com/hlnfradionetworkTwitter: https://www.twitter.com/HLNF_BulletinInstagram: https://www.instagram.com/heartlandnewsfeedMastadon: https://liberdon.com/@heartlandnewsfeedTikTok: https://tiktok.com/@heartlandnewsfeedDiscord: https://discord.gg/6b6u6DTSupport us with your financial supportStreamlabs: https://streamlabs.com/heartlandmediaPayPal: https://www.paypal.me/heartlandmediaSquare Cash: https://cash.app/$heartlandnewsfeedPatreon: https://www.patreon.com/heartlandnewsfeedCrypto via 1UpCoin: https://1upcoin.com/donate/heartlandmediaBecome a supporter of this podcast: https://www.spreaker.com/podcast/heartland-newsfeed-radio-network--2904397/support.

Frankenstein: Legacy.On this episode we are joined by Michelle Ryan. Michelle Ryan is a British actress. She played Zoe Slater on the BBC soap opera EastEnders. In 2007, she starred in the short-lived American television series Bionic Woman.Mark and Me is now on YouTube - Please subscribe here https://www.youtube.com/@markandmePlease support the Mark and Me Podcast via Patreon here: https://www.patreon.com/Markandme or you can buy me a coffee here: https://ko-fi.com/markandme.The Mark and Me podcast is proudly sponsored by Richer Sounds.Visit richersounds.com now to shop for all your hi-fi, home cinema and TV solutions. Also, don't forget to join their VIP club for FREE with just your email address to receive a great range of fantastic privileges.

In our first episode, host Kim Sinatra is joined by Alex Haslam and Michelle Ryan, the two academics who coined the term, “The Glass Cliff.”  We discuss its origin, application, and victims.  Additionally, Kim shares her story of career gain and loss, setting the stage for the conversations to come. Learn more about Scaling the Glass Cliff.

Champion Chatter - Season 02 Episode 42 0:00-5:18 - Intro; 5:18-24:53 - A truly memorable season for Chloe Moloney finishes this Saturday when Peamount United collect the Women's National League cup, coming only days after being honoured on the Intermediate Ladies Football Team of the Year. The West Clare star speaks with Eoin and James on Peamount, Clare and the prospect of Champions League football in 2024; 24:53-34:26 - Ahead of Banner Ladies latest Munster Senior A Final showdown with chief rivals Ballymacarbry, Eoin and James speak with one of the perennial Waterford champions' most decorated players Michelle Ryan on their new-look side and their familiarity with the Clare champions over the past twelve years; 34:26-55:51 - Corofin and Banner's Munster hurling triumph's are reviewed with regular guest Derek Dormer who also looked ahead to major provincial showdowns for Banner Ladies and Truagh-Clonlara this weekend; 55:51-1.15:27 - Football analyst Kieran Madigan returns, fresh from watching the Cork Senior and Intermediate Football deciders, to preview Cratloe and Kilmihil's trips to the Rebel County this Sunday; 1.15:27-1.34:59 - Avenue United are the sole Clare side remaining in the FAI Junior Cup after dethroning champions Newmarket Celtic. The Clare Youths, the Munster Junior Cup and a full schedule of league action are also on the agenda as CDSL PRO Dean Russell joined the lads; 1.41:14- Round Up of U-21 Hurling and Football Championships, Coach Education courses, domestic rugby and Post-Primary hurling Championships including Friday's Dean Ryan Cup Final for St Flannan's College.

It wouldn't be a series of Too Hot For TV without the On The Timelash boys. Join Dylan, Mark and Ben as they explore the best and worst that Scotland has to offer when it comes to Doctor Who. First up it's the tenth doctor and Martha novel 'The Many Hands' by Dale Smith. Then it's the Lady Christina audio 'Death on the Mile' by Donald McLeary. As always we answer the bring questions: How many is too many cocks? Who is reading the script on their lunch break? What is the worst thing John Barrowman has ever done? 

It's been the biggest movie of the year and Michelle Ryan is one of a very select few who have had the opportunity to step into the pink bedecked Barbie world. Michelle runs Epik Media Ireland and makes all the incredible behind the scenes footage that fans love to watch. Speaking to Dermot and Dave, Michelle spilled the secrets from the sets of movies like Jurassic World: Dominion, Barbie and even Cats.

The Glass Cliff is a phenomenon that describes the tendency for women to be appointed to leadership positions in challenging or risky situations, such as when a company is experiencing financial difficulties or when there is a high likelihood of failure. The term "glass cliff" was coined by researchers Michelle Ryan and Alex Haslam in 2005. Mel and Michelle discuss what The Glass Cliff is, and importantly, how women can be on the lookout for it when moving up.Links and ResourcesThe Glass Cliff: Exploring the Dynamics Surrounding the Appointment of Women to Precarious Leadership Positions by Michelle Ryan and Alex HaslamLead to Soar NetworkLead to Soar is a global online network for businesswomen, a podcast, and we host live-streaming and in person events to help women have a career that soars! The podcast is hosted by Mel Butcher (melbutcher.com) and Michelle Redfern (michelleredfern.com) Hosted on Acast. See acast.com/privacy for more information.

As mamas, we give everyone else everything we have before we give ourselves grace. We try to make our kids' lives full with every possible thing they could love. We pack their schedule because we don't want their time wasted on screens, but we also often forget to allow them their own sanctuary to figure out how to pass time by themselves. When all that backfires, it can be hard to let everyone breathe and give everyone—including ourselves— space.Today, I'm welcoming my dear friend from my red carpet days, Michelle Ryan Bathé. Michelle is an actress and an extraordinary mama of two boys.Tune in and listen to episode 75 of Mamaste with Tanika Ray. Michelle and I are talking all about shifting and adapting, raising small kids during the pandemic, and some of the positives that came out of all that time at home.In This Episode, You Will Learn:What it was like for Michelle to film during the COVID-19 pandemic started (04:00)Why neither of us miss homeschooling our kids during the pandemic (08:37)Our kids often don't have the skills to occupy themselves because we keep them so busy (15:51)How Michelle parents around screens and devices (22:39)What it's like parenting children so that they're aware of their privilege (28:25)Connect with Amerie:InstagramAlliance of MomsLet's Connect!WebsiteFacebookInstagramYouTubeTwitter Hosted on Acast. See acast.com/privacy for more information.

Michelle is a business founder, certified transformational coach and qualified yoga teacher. Having progressed to Director level in one of Londons most competitive sales industries, Michelle chose fo follow her intuition and walked away from the big salary, the title, the all expenses paid holidays and the hustle and bustle to create a business that makes a positive difference. In 2021, Michelle founded her business, The Holistic Leaders in the cross-section of what she is passionate about: business and wellness and where she feels she can make the greatest impact by working with conscious leaders, founders and entrepreneurs. Taking a whole-person approach and combining both scientific and intuitive methods, Michelle's clients achieve clarity, business and personal growth and a renewal of purpose through her coaching. Her personal and business values are Human Connection, Energy, Purpose and Freedom.Through her work she authentically lives out every single one of these and this is experienced by her clients who range from partners in law firms, leaders at LinkedIn, creative entrepreneurs and tech start-ups COOs. Michelle is passionate about travel, music, festivals, movement, self-development, books, fashion and holistic wellness. A little wilding at heart, she has already been to 50+ countries and now works with her clients on a 1:1 basis online and her backdrop can vary from the Irish countryside to table mountain in South Africa or a beach in Mexico. In this episode we cover:Is peace the new successWhat makes a holistic leaderHow to get rid of burnoutThe journey of practices - what is right for you.For more from Michelle, check her out here:Website: www.theholisticleaders.com Instagram: @the.holistic.leaders Facebook: www.facebook.com/the.holistic.leaders/ LinkedIN: https://www.linkedin.com/in/michelleryancoach/ Always keen to connect, she offers free Discovery calls to new clients:https://theholisticleaders.com/calendly/ Other links:Simon Sinek on Diary of a CEO Wim Hof Hosted on Acast. See acast.com/privacy for more information.

The seizure and search of a computer at Patrick Quirke's home as part of investigations into the 2011 murder of Bobby Ryan was unlawful, the Supreme Court declared this week. The prosecution said during the appeal that the computer was used for internet searches on the rate of decomposition of human remains and on the limitations of forensic DNA. They scheduled a hearing for further case management next Wednesday. Bobby Ryan's daughter Michelle spoke to Fran on Tipp Today this morning.

On Thursday's Tipp Today Sinn Fein's Martin Browne spoke about last nights Dail vote on the eviction ban, Michelle O'Donnell on the quality of water, Michelle Ryan, daughter of Bobby Ryan on this week's Supreme court ruling, Grandmum Therese spoke to us as part of Down Syndrome awareness week, Liz Nallon spoke to us from the Meitheal Festival, Muriel Cuddy on inflammation, a taste of this week's Down Your Way, we speak to Owen, Grainne and Joe ahead of Strictly in Clonmel.

Michelle Ryan (or Shell as she is more commonly known) is a business founder, certified transformational coach and qualified yoga teacher. Having progressed to Director level in one of London's most competitive sales industries, Michelle chose to follow her intuition and walked away from the big salary, the title, the-all-expenses paid holidays and the hustle and bustle to create a business that makes a positive difference. In 2021, Michelle founded her business, The Holistic Leaders in the cross-section of what she is passionate about: business and wellness and where she feels she can make the greatest impact by working with conscious leaders, founders and entrepreneurs. Taking a whole-person approach and combining both scientific and intuitive methods, Michelle's clients achieve clarity, business and personal growth and a renewal of purpose through her coaching. Michelle is passionate about travel, music, festivals, movement, self-development, books, fashion and holistic wellness. A little wilding at heart, she has already been to 50+ countries and now works with her clients on a 1:1 basis online and her backdrop can vary from the Irish countryside to Table Mountain in South Africa or a beach in Mexico. www.theholisticleaders.com

Michelle Ryan on Identity Theft Awareness WeekSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Happy New Year! This month we've got a New in EM looking at the use of neutrophil-lymphocyte ratios in septic arthritis and a discussion on specificity vs. sensitivity. Becky and Chris look at the new NICE guidance on subarachnoid haemorrhage and Rob talks for too long about it, and then we return to New Online with some new articles for your CPD. If you'd like to email us, please feel free to do so here. here. (02:38) New in EM – Neutrophil:lymphocyte ratio in septic arthritis - Synovial Fluid and Serum Neutrophil-to-Lymphocyte Ratio Novel Biomarkers for the Diagnosis and Prognosis of Native Septic Arthritis in Adults (14:49) Guidelines for EM – NICE Guidance on the diagnosis and management of subarachnoid haemorrhage NICE NG228 - Subarachnoid haemorrhage caused by a ruptured aneurysm: diagnosis and management An Observational Study of 2,248 Patients Presenting With Headache, Suggestive of Subarachnoid Hemorrhage, Who Received Lumbar Punctures Following Normal Computed Tomography of the Head - Sayer et al. (2015) Prospective Implementation of the Ottawa Subarachnoid Hemorrhage Rule and 6-Hour Computed Tomography Rule - Perry et al. (2020) An international study of emergency physicians' practice for acute headache management and the need for a clinical decision rule - Perry et al. (2009) The SHED Study - TERN (56:21) New Online – new articles on RCEMLearning for your CPD GAS, iGAS and Scarlet Fever – Nikki Abela Agents of Change – Public Health in ED – Ines Corcuera and Michelle Ryan

We continue our ‘Buying Irish' series today, with thanks to Champion Green, Ireland's Support Local Campaign. Champion Green and Lunchtime Live are encouraging local people to support local business and jobs this Christmas. This week, Irish presents! Andrea was joined by Amy Orr, CC Creatives, Julie from Jando, Michelle Ryan from Marketstreet.ie and Sheelin Conlon from The Kind…

The Guilty Feminist episode 325: Live from CanberraPresented by Deborah Frances-White and Nikki Britton and special guests Professor Michelle Ryan and Hangama Obaidullah and music from Grace PetrieRecorded 17 July at the Canberra Theatre Centre. Released 26 September 2022.The Guilty Feminist theme by Mark Hodge and produced by Nick Sheldon.More about Deborah Frances-Whitehttps://deborahfrances-white.comhttps://twitter.com/DeborahFWhttps://www.virago.co.uk/the-guilty-feminist-bookMore about Nikki Brittonhttps://twitter.com/nikki_brittonhttps://www.instagram.com/thenikkibrittonMore about Professor Michelle Ryanhttps://twitter.com/shellkryanhttps://youtu.be/79tRTivyMSMhttps://giwl.anu.edu.auMore about Hangama Obaidullahhttps://twitter.com/hangamaohttps://www.tuggeranongarts.com/events/united-through-art/More about Grace Petriehttps://twitter.com/gracepetriehttps://gracepetrie.comFor more information about this and other episodes…visit https://www.guiltyfeminist.comtweet us https://www.twitter.com/guiltfempodlike our Facebook page https://www.facebook.com/guiltyfeministcheck out our Instagram https://www.instagram.com/theguiltyfeministor join our mailing list http://www.eepurl.com/bRfSPTOur new podcasts are out nowMedia Storm https://podfollow.com/media-stormAbsolute Power https://podfollow.com/john-bercows-absolute-powerFOC it UP Comedy Club https://podfollow.com/foc-it-up-comedy-clubCome to a live recordingFOC it Up Comedy Club https://www.21-soho.com/foc-it-upSEVENTH BIRTHDAY SHOW in LONDON, 1 October https://www.eventim.co.uk/event/the-guilty-feminist-eventim-apollo-14545290/Ulster Hall, 14 October: https://www.ulsterhall.co.uk/what-s-on/the-guilty-feminist/Thank you to our amazing Patreon supporters.To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist Hosted on Acast. See acast.com/privacy for more information.

The Guilty Feminist episode 325: Live from CanberraPresented by Deborah Frances-White and Nikki Britton and special guests Professor Michelle Ryan and Hangama Obaidullah and music from Grace PetrieRecorded 17 July at the Canberra Theatre Centre. Released 26 September 2022.The Guilty Feminist theme by Mark Hodge and produced by Nick Sheldon.More about Deborah Frances-Whitehttps://deborahfrances-white.comhttps://twitter.com/DeborahFWhttps://www.virago.co.uk/the-guilty-feminist-bookMore about Nikki Brittonhttps://twitter.com/nikki_brittonhttps://www.instagram.com/thenikkibrittonMore about Professor Michelle Ryanhttps://twitter.com/shellkryanhttps://youtu.be/79tRTivyMSMhttps://giwl.anu.edu.auMore about Hangama Obaidullahhttps://twitter.com/hangamaohttps://www.tuggeranongarts.com/events/united-through-art/More about Grace Petriehttps://twitter.com/gracepetriehttps://gracepetrie.comFor more information about this and other episodes…visit https://www.guiltyfeminist.comtweet us https://www.twitter.com/guiltfempodlike our Facebook page https://www.facebook.com/guiltyfeministcheck out our Instagram https://www.instagram.com/theguiltyfeministor join our mailing list http://www.eepurl.com/bRfSPTOur new podcasts are out nowMedia Storm https://podfollow.com/media-stormAbsolute Power https://podfollow.com/john-bercows-absolute-powerFOC it UP Comedy Club https://podfollow.com/foc-it-up-comedy-clubCome to a live recordingFOC it Up Comedy Club https://www.21-soho.com/foc-it-upSEVENTH BIRTHDAY SHOW in LONDON, 1 October https://www.eventim.co.uk/event/the-guilty-feminist-eventim-apollo-14545290/Ulster Hall, 14 October: https://www.ulsterhall.co.uk/what-s-on/the-guilty-feminist/Thank you to our amazing Patreon supporters.To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist Hosted on Acast. See acast.com/privacy for more information.

Host Mimi Banks is joined this week by Michelle Ryan, the Head of Marketing for Better Natured. Michelle discusses her 20 year career, developing some of the most successful skincare and haircare brands on the market. She also talks about helping create the Better Natured brand, and what it was like to launch during the beginning of the pandemic. Instagram: https://www.instagram.com/beautybizshow/ See omnystudio.com/listener for privacy information.

Danish dancer and choreographer, Mette Ingvartsen, talks exploring pornography's pervasive creep in her performance '21 Pornographies' at RISING; Restless Dance Theatre director Michelle Ryan on another RISING favourite ‘Rewards for The Tribe'; Dr James Rule, curatorial research assistant of Palaeontology at Museums Victoria, delves into dinosaurs for their Triceratops exhibition. With presenter Richard Watts.

Professor Michelle Ryan from the ANU's Global Institute for Women's Leadership has analysed male and female candidates from both major parties in every electorate. She says just 2 out of every 10 female candidates from Australia's major parties are contesting winnable seats this election, with a much higher proportion of safe seats going to male candidates.

Women are disproportionately at the helm of organisations and governments in crisis. Professor Michelle Ryan points out that this might not be due to women causing these crises, but rather a phenomenon where women are often only given power at times of unease. Host Helen McCabe asks Professor Ryan why this trend has appeared, how you may be able to avoid or utilise it, and what changes you can make to improve your leadership style. See omnystudio.com/listener for privacy information.

Darran is joined in studio by Michelle Ryan and Denise Masterson to review the weekend's Ladies league finals. Also, we speak to Brisbane Lions All-Australian Orla O'Dwyer, and SportsJoe's Lee Costello has the latest GAA news. (00:40) - Meath v Donegal (15:55) - Kerry v Armagh (31:10) - Orla O'Dwyer interview (46:35) - Offaly development panel controversy (56:45) - Questions around Tyrone

What is #consciousleadership: Why it is important? People are craving depth and human-to-human connection now more than ever, meaning the expectation is rising for authenticity, vulnerability, and relationship-based interactions. We're shifting away from a hyper-masculine way of operating into a more balanced way of having healthy structures with the spaciousness to flow and feel creative. And this is what we talked about with our guest this week, Michelle Ryan @the.holistic.leaders Michelle (Shell) has 13 years of experience in business development, executive account management, leadership, team coaching and career development, mentorship. And Founder of The Holistic Leaders. _______________________________________________ You can find Michelle Ryan at IG | FB: @the.holistic.leaders Website: https://theholisticleaders.com/ To connect with us: contact@wearepeac.com www.wearepeac.com https://www.facebook.com/groups/yourbestlifebypeac

Michelle Ryan, Daughter of murdered DJ Bobby 'Moonlight' Ryan, speaks of her loss and the impact of the recent appeal on the family. She tells Brendan they will never find closure.

When a devastating diagnosis halted Michelle Ryan's dance career, she spent ten years away from the stage, but then some giants of dance brought her back into the spotlight. She's now artistic director of Adelaide's Restless Dance Theatre, which turns 30 this year.Also, award-winning playwright Kendall Feaver confronts sexual assault on campus in Wherever She Wanders at Griffin and we take a look at the curious history of pantomime with Virginia Gay, whose new play at Belvoir is called The Boomkak Panto.

When a devastating diagnosis halted Michelle Ryan's dance career, she spent ten years away from the stage, but then some giants of dance brought her back into the spotlight. She's now artistic director of Adelaide's Restless Dance Theatre, which turns 30 this year. Also, award-winning playwright Kendall Feaver confronts sexual assault on campus in Wherever She Wanders at Griffin and we take a look at the curious history of pantomime with Virginia Gay, whose new play at Belvoir is called The Boomkak Panto.

When a devastating diagnosis halted Michelle Ryan's dance career, she spent ten years away from the stage, but then some giants of dance brought her back into the spotlight. She's now artistic director of Adelaide's Restless Dance Theatre, which turns 30 this year. Also, award-winning playwright Kendall Feaver confronts sexual assault on campus in Wherever She Wanders at Griffin and we take a look at the curious history of pantomime with Virginia Gay, whose new play at Belvoir is called The Boomkak Panto.

Darren Kelly and Niamh Kindlon for the weekly football magazine show looking at the All-Stars and the provincial club championships. Schedule: Weekend Review/News (0:20) Michelle Ryan - Ballymacarbry/Waterford/Underdogs (13:50) All-Stars 2021 - Darren and Niamh pick their respective XVs (26:10) Preview - Ulster Senior Final - Bredagh vs Donaghmoyne (53:40) SportsDaz Football is back and we look at all the weekend news including Westmeath's strategic plan, Friday Night Finals, Dunboyne celebrating in Meath and Ballymacarbry turning 40! And that brings us to our special guest MICHELLE RYAN. The Waterford legend scored 2-2 in Ballymacarbry's county final success over Comeragh Rangers. She chats county glory, history, her dad Michael, Munster ambitions and gives us an insight to working on TG4's programme Underdogs. The All-Stars are this Saturday and after looking at the nominations before. Darren and Niamh pick their respective teams. Will they fully agree and what do you make of their selections? And finally, we look ahead to Sunday's Ulster Senior Football Final between Down's Bredagh and Monaghan's Donaghmoyne. Niamh gives your prediction and we also throw our eye on the finals in Cork and Carlow. == SPORTSDAZ FOOTBALL broadcasts every week on sportsdaz.ie This week's special guest on THE FAIR GREEN is Waterford's ANNALISA CROTTY Theme Song - 'Elevation' (c) josephmcdade.com/music #SportsDaz

Agus COP26 ag dul ar aghaidh faoi láthair cluineann muid ó Dheirdre de Bhailís atá mar bhainisteoir ar thoscairí as Mol Cruthaitheachta agus Nuálaíochta Chorca Duibhne a thaistil an bealach ar fad ón Daingean go Glaschú i gcarr leictreach. Insíonn Michelle Ryan d'Fhearghal faoin tsraith úr den chlár Underdogs a bheidh le feiceáil ar TG4 agus faoin dúshlán atá rompu i mbliana. Faigheann muid léargas ar an saol sa Tuaisceart i 1981 ón iriseoir Póilín Ní Chiaráin atá i ndiaidh a bheith aitheanta dá cuid oibre le Buaic-Ghradam Cumarsáide Oireachtas na Gaeilge Labhraíonn Damian McCann, stiúrthóir scannán faoina rogha scannáin agus imeachtaí ó chlár na bliana seo ag Féile Scannán Bhéal Feirste. We hear from Deirdre de Bhailís, manager of a team of delegates from the Dingle Creativity and Innovation Hub who travelled the whole way from Dingle to Glasgow in an electric car. Selector Michelle Ryan from the new series of Underdogs on TG4, talks to Fearghal about this year's challenge. Veteran broadcaster Póilín Ní Chiaráin talks about her early days working in the North of Ireland, and film director Damian McCann gives us his choice of events and films from this year's Belfast Film Festival.

Today we have Michelle Ryan on the podcast. We talk about the movement she lead against child trafficking, how to start your own movement, and what the Black Panthers taught her about social justice.    Michelle Ryan is a musician, creative director, marketing strategist, UX/UI expert, and social entrepreneur. She has helped create movements that have resulted in community solidarity and societal/political change, such as We Are Louder to extend the movement for social good through entertainment and to expand the scope of social justice initiatives. Her movements have gotten the attention and support of high profile musicians, artists, and organizations like UN Women and UNICEF.   [Disclaimer: this episode was originally recorded in August 2019.]   FOLLOW OUR GUEST Michelle Ryan on Instagram We Are Louder on Instagram and their Website   RATE & REVIEW Rate & Review on iTunes! Leave me a review and let me know what you liked about this episode. Thank you for helping it grow!    CONNECT WITH EMILY On Twitter, Instagram, & LinkedIn - @heyemilykennedy Sign up for our email newsletter: www.emilykennedy.org    Music by: Taste the Vibe - “Arctic Monkeys - R U Mine? (Mungø Remix)” unedited, via Creative Commons

Julia is joined by Michelle Ryan, a Professor of Social and Organisational Psychology who famously uncovered the phenomenon of the glass cliff, whereby women (and members of other minority groups) are more likely to be placed in leadership positions that are risky or precarious. Julia and Michelle discuss how this phenomenon has played out during the pandemic, how Covid-19 has impacted progress towards gender equality more generally and why we should interrogate seemingly empowering messages for women to “lean in” to development opportunities. See acast.com/privacy for privacy and opt-out information.

Today we welcome Michelle Ryan from Bespoke Money who shares her knowledge with us in relation to who is borrowing money at the moment and for what purpose.  Michelle is a local Brisbane based Mortgage Broker who helps home buyers and investors as well as home owners looking to refinance or renovate. We cover the pros and cons of obtaining a finance pre-approval in the current market in Brisbane. For some people this is more necessary than others and Michelle shares her wisdom in this regard. Tune in to find out if your situation is more favourable for fast tracking this process! We also discuss what buyers are looking for when arranging finance with a broker and what buyers can do if a valuation on a property comes in under the purchase price. There is a lot of value packed into this episode, so if you are looking to buy sometime soon, there will be some key takeaways for you. To get in touch with Michelle, visit https://www.bespokemoney.com.au/ Learn more about your hosts, Scott & Melinda Jennison at www.streamlineproperty.com.au

Michelle Ryan returns to the show to talk with J about the problems with teacher training and the deeper issues corrupting yoga. They discuss what happened to her yoga center since they last spoke and the collective model she attempted to forge, her opposition to the Yoga Alliance 200-hour standards, cultural appropriation of indigenous knowledge, the detriment of neoliberal politics and late stage capitalism, and holding ourselves and others to account for what we claim to know or be. This episode is sponsored by Moonclerk.   To subscribe and support the show… GET PREMIUM.   Check out J's other podcast… J. BROWN YOGA THOUGHTS.  

During this episode, Scott Alexander of Legal Island and Michelle Ryan, Senior Associate at RDJ, discuss the data protection implications of seeking information on an employee's covid-19 vaccination status in light of the proposed directive from the HSE that frontline health staff will have to indicate their vaccination status.  They also discuss the further extension to the suspension of Section 12a of the Redundancy Payments Act preventing employees who are laid off making a request for a redundancy payment. 

We're back with one last edition of Office Hours before we drop some guest content in anticipation of Season 3.Breweries are no strangers to the concepts of generalization versus specialization. So today's episode is all about niche firms and specialization.We're talking with another superstar here at SBS, Michelle Ryan, a Brewery Accountant and Tax Specialist. Having worked at a generalist firm and now with us as a specialist, she has an excellent perspective on the implications of niching down.She tells us about this past year and the moving target we call taxes, some of the major differences between general firms and niche firms, and the importance of sharing and fine-tuning an organization's collective knowledge.Enjoy!

In episode 7 of the Women in Sport Podcast with Ger McCarthy: 1.03 Rower Claire Lambe 12.35 Cork's Martina O'Brien and coach Paddy O'Shea following the defeat to Dublin in the Lidl Ladies National League Final 24.35 TG4 analyst and former Waterford footballer Michelle Ryan looks back on the Cork v Dublin clash 32.43 Cork Camogie u16 and Junior boss Donie Daly 38.52 Irish Hockey's Phil Oakley

In this episode, I chat with Waterford Legend and TG4 LGFA Analyst Michelle Ryan. We preview the Division 1 (Dublin v Cork) and Division 2 (Kerry v Meath) Finals happening on Saturday. We'll also chat about the development of Ladies Football over the last few years. FortuneFavours.ie (Sponsor)

In this episode Ger speaks to 1.30 Olympic bound rower Emily Hegarty 11.28 Caroline Condon of AFL side Cork Vikings 16.36 Cork senior camogie boss Paudie Murray previews their game with Galway 20.58 Cork intermediate camogie manager Mark McCarthy on their defeat to Down 27.00 Former Waterford star and now TG4 pundit and co-commentator Michelle Ryan previews this weekend's Lidl Ladies National Football League Semi Finals 36.19 Reaction from Cork's win over Waterford, featuring Aine Terry O'Sullivan, Sadhbh O'Leary, Ciara O'Sullivan and Martina O'Brien

It all happens in a virtual coffee shop. Michelle Ryan, Chair of the Arboricultural Association, has created a Women in Arb group, and for this episode, Sharon has joined her and a group of ladies in the profession to discuss everything from a woman's point of view.If you're looking to get into this profession, this is a fascinating insight from people who do it, and some great views about what is happening in the industry from a female perspective, including interviews with Lesley Adams, Claire Harbinson, Georgi Ennis, Michelle Ryan herself, Stella Bolam and Theri Riechlin, with contributions from Sophie Chappell of the Arboricultural Association, Sarah Maddox (Bartlett UK), Bettina Broadway-Mann, Sara Noons, (Gloucestershire Council), Jane Conway, Laura Gardener and Sheila Bishop. 

Michelle Ryan, Chair of the Arboricultural Association, talks to Sharon for this episode of Women in Arb. 

Kate Davis talks to Michelle Ryan about her research on the glass cliff. Ryan is a professor of social and organisational psychology at the University of Exeter. She’s also the incoming director of the Global Institute of Women’s Leadership at the Australian National University.  She, along with Alex Haslam, coined the term “glass cliff” as part of their research back in 2004.

In this brand new bi-monthly podcast from Legal Island and Ronan Daly Jermyn, Scott Alexander, Head of Learning and Development, discuss key employment law developments with the Partners in RDJ's Employment Team, including the effervescent Jennifer Cashman and her equally lively colleagues David McCarroll, Deirdre Malone, Antoinette Vahey and Michelle Ryan.Our lead panellist in this first session is David McCarroll, who is based in RDJ's Galway office.David and Scott discuss…An employer's statutory defence against bullying and/or harassment claims - what is this and when might an employer rely on it?The difference between good/strong performance management and bullying under the new unified Code of Practice?If complaints are made to the WRC, what important factors do employers need to know about remote hearings?DISCLAIMER:The information in this podcast is provided as part of Legal Island's Irish Employment Law Hub. We regret we are not able to respond to requests for specific legal or HR queries and recommend that professional advice is obtained before relying on information supplied anywhere within this podcast.

We are joined by Michelle Ryan to discuss her new dehydrated meal company, Feed the Hike. Providing tasty, fresh and smartly packaged options for the trail, we talk about why she created Feed the Hike, the journey to get to this point and what's in the future. As a special offer for Real Trail Talk listeners, use the code REALTRAILTALK15 for 15% off any purchase on the website (https://feedthehike.com/store/) Thanks to our wine sponsor, Green Door Wines and as a special offer for Real Trail Talk listeners simply enter TRAILTALK at the checkout for a 10% discount on your first online order.

Join us as we start our series on Mercy, Grace, & Goodness. You won't want to miss it! Be sure to share with someone. Follow us on: Facebook: https://www.facebook.com/sustaininglifepodcast/ Instagram:https://www.instagram.com/sustaininglifepodcast/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/sustaininglife/message

September is Personal Preparedness month and in this episode, Michelle interviews Ryan Nicholls who works in emergency management. Ryan encourages us not to get overwhelmed in planning for emergencies, but make it a lifestyle of consistently planning for possible future events, especially those specific to the area in which you live. He encourages us to think about possible crisis situations and plan as a family what you would do in those situations. Where would you meet if there is a fire or communication issue? What would you need if there was a power outage? What documents would you need saved in case of a house fire, tornado, or hurricane? We hope these tips encourage you to get started planning for emergencies! We'll share what our families are doing to prepare on Instagram, so be sure to check us out there! Feel free to send us an email with any questions or comments to adifferenceforone@gmail.com -Practical resources to help you prepare: https://www.redcross.org/ -Resource: https://providentliving.churchofjesuschrist.org/ -Resource: https://www.ready.gov/plan -Resource: https://do1thing.com/ (breaks down things you can do every month to prepare for emergencies) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/adifferenceforone/support

Thank you for listening to this track produced by the Art Gallery of South Australia. Join us as Maria Zagala, Associate Curator of Prints, Drawings & Photographs, connects the works of French Expressionist artist Georges Rouault with the new work from Restless Dance titled Seeing Through Darkness. For more information please visit: agsa.sa.gov.au image: Restless Dance Theatre, Seeing Through Darkness directed by Michelle Ryan, 2020; Developed with the support of the Art Gallery of South Australia in response to the Gallery’s collection of works of art by Georges Rouault, © Restless Dance Theatre; photo: Shane Reid.

It’s Easter 2009, and here we are, huddling in a bus with Michelle Ryan on the desert planet San Helios, with the sun in our eyes, hope in our hearts and a hundred billion dead people in our hair. It’s the first special episode of David Tennant’s final year: welcome to the Planet of the Dead.

Thank you for listening to this talk produced by the Art Gallery of South Australia. Join Restless Dance Theatre’s Artistic Director Michelle Ryan, lighting and stage designer Geoff Cobham and Assistant Director Dr Lisa Slade for a colourful discussion about the creative development of Seeing Through Darkness. For further information visit www.agsa.sa.gov.au image: Restless Dance Theatre, Seeing Through Darkness directed by Michelle Ryan, 2020; Developed with the support of the Art Gallery of South Australia in response to the Gallery’s collection of works of art by Georges Rouault, © Restless Dance Theatre; photo: Shane Reid.

Join Holly and Hannah as they spill the steam about how work/life balance relates to gender, women's roles in the workplace, and their own experiences of overloading their plates (literally and figuratively). Check out Michelle Ryan's TED Talk here: https://www.youtube.com/watch?v=79tRTivyMSM Full STEAM Ahead is a podcast initiative from Cybermentor- an online mentoring program for girls age 11-18 in Alberta, Canada that connects them with women in STEAM careers. To learn more about Cybermentor, follow us @cybermentor on Twitter, Facebook, Instagram and LinkedIn or check out our website at cybermentor.ca

WLR's Waterford's Greatest Sporting Hero has been running all month on the station. An expert judging panel made up of Matt Keane, Kieran O’Connor, Michelle Ryan and Ray Scott compiled the final list of 25 sportsmen and women from Waterford who have had made an impact in their chosen fields. Here the top 7 are discussed and the overall winner revealed!

A Bonus Episode! Who New Podcast visits the 31 Flavors of Gallifrey One! At Los Angeles’s, biggest Doctor Who convention, we saw panels and interviews with Christopher Eccleston, Peter Davison, Pearl Mackie, Tosin Cole, Janet Fielding, Anjli Mohindra, Michelle Ryan, the New Mars Rover, and a few more… Join us as we discuss actors, production ...

Hospital cancellations, shopping in Dungarvan, a Liverversary and Michelle Ryan talks retirement.

Michelle Ryan, criadora do playgroup, faz o convite para a festa dos pequeninos, no sábado, dia 12 de outubro, em Maroubra. - Michelle Ryan, criadora do playgroup, faz o convite para a festa dos pequeninos, no sábado, dia 12 de outubro, em Maroubra.

We are pleased to welcome back Michelle Ryan from Walkingtwobytwo to discuss Caminos from around the world, what they are, what defines them, the experience of walking a Camino and who hikes them.

This podcast covers the new CPS position statement on neuroprotection from acute brain injury in preterm infants.  This podcast was developed by Dr. Larissa Shapka, a pediatric resident at the University of Toronto with Drs. Michelle Ryan,Thierry Lacaze-Masmonteiland Khorshid Mohammad, the principal authors of the statement. Dr. Ryan is a Neonatologist at the Montreal Children’s Hospital in Montreal, and Dr. Lacaze-Masmonteil is a Neonatologist at the University of Calgary. Dr. Mohammad is a Neonatologist, NICU lead of the Neuro-Critical Care Program in Calgary, and chair of the Canadian Neonatal Brain Health Working Group at the University of Calgary.

As a long trusted source of education for legal professionals, the Law Society of Ontario (LSO) is committed to providing high-quality continuing education opportunities to a diverse group of learners. And one of the leaders working to ensure this happens is LSO’s director of continuing professional development, Michelle Ryan. In this episode of the Leading Learning podcast, Celisa talks with Michelle about LSO’s learning portfolio and how the generational make-up of the learners they serve – and other key demographic factors – translate into what they offer and how those offerings have evolved in the past decade. They also discuss what LSO is doing to ensure their professional development opportunities offer both practicality and accessibility. Full show notes available at https://www.leadinglearning.com/episode184.  We are grateful to our sponsors for this quarter, Community Brands and WBT Systems. WBT Systems develops the industry-leading TopClass LMS, which delivers transformative professional development experiences for education and certification programs. With a single point of support from in-house integration experts, TopClass LMS easily integrates with a wide variety of systems to provide efficient administration and a unified learning experience. WBT supports organizations in using learning technology to help drive growth in membership, increase revenues, and enhance the learning experience. WBT believes in truly understanding your challenges and partnering with you to ensure the success of your education programs. Community Brands provides a suite of cloud-based software for organizations to engage and grow relationships with the individuals they serve, including association management software, learning management software, job board software, and event management software. Community Brands’ award-winning Crowd Wisdom learning platform is among the world’s best LMSes for corporate extended enterprise and is a leading LMS for association-driven professional education programs. Award-winning Freestone, Community Brands’ live event learning platform, is a leading platform for live learning event capture, Webinars, Webcasts, and on-demand streaming.   

We've all heard the term ‘glass ceiling', which is often used to describe the invisible barrier women face as they approach positions of leadership. But what happens when women access leadership positions? Are all leadership positions the same? What challenges are women leaders likely to encounter? In this episode, we are going to unpack the glass cliff phenomenon, a term coined by researchers Alexander Haslam and Michelle Ryan. Alexander will share with us what the glass cliff is, why it happens and what organizations can do to address it. Sign up for our newsletter: www.michellepking.com/thefix This show is produced Hueman Group Media.

Wilkommen! Bienvenue! Welcome! Sally Bowles is one of Zane’s all-time favourite characters and so we are taking this opportunity to bring back this great episode with that hilarious cabaret-star Tash York! Tash is still living her best life, touring Australia, so check out her website to see what she is up to!Find Tash and info about her upcoming events online: www.tashyork.com- FURTHER READING -Wiki - Musical, Film, Christopher Isherwood.IMDbiTunesSpotify- CELEBRITY SHOUTOUTS -John Kander, Fred Ebb, Joe Masteroff, Christopher Isherwood, Jill Haworth, Bert Convy, Lotte Lenya, Joel Grey, Judi Dench, Kevin Colson, Barry Dennen, Jane Horrocks, Adam Godley, Alan Cumming, Liza Minnelli, Michael York, Anna Maxwell Martin, Michelle Ryan, Michelle WilliamsLike us on Facebook! Follow us on Twitter! Support us on Patreon!Email us: musicalstaughtmepodcast@gmail.comVisit our home on the web thatsnotcanonproductions.comOur theme song and interstitial music all by the one and only Benedict Braxton Smith. Find out more about him at www.benedictbraxtonsmith.com

Charles Skaggs is joined by returning special guest companion Christine Peruski to discuss “Planet of the Dead”, the Doctor Who Easter Special from 2009, featuring David Tennant as the Tenth Doctor, Michelle Ryan as Lady Christina de Souza, Lee Evans as Dr. Malcolm Taylor, and Daniel Kaluuya as Barclay! Find us here:Twitter: @NextStopSMG, @CharlesSkaggs, @JesseJacksonDFW, @C_Peruski Instagram: @nextstopeverywherepodcast Facebook: Facebook.com/NextStopEverywherePodcast  Email: NextStopEverywhereSMG@gmail.com Listen and subscribe to us in Apple Podcasts and leave us a review!

Avec Kiyémis.Cette semaine, Clémentine Gallot et Kiyémis s’intéressent à l’histoire d’une revanche, et pas n’importe laquelle : celle des femmes américaines. Depuis janvier dernier, elles sont 177 femmes à siéger au Congrès américain. Parmi elles, 42 sont issues de minorités ethniques, et 3 de minorité LGBT+. De quoi se dire que finalement, Hillary Clinton n’a pas tout perdu…Mais même si aujourd’hui, il n’y a jamais eu autant de femmes en position de pouvoir aux Etats-Unis, cela suffira-t-il pour ébranler la gouvernance Trump ? Où en est-on en matière de parité aux Etats-Unis, mais aussi chez nous, en France ? Et puis, au fond, la politique a-t-elle un genre ?Références entendues dans l’épisode: Clémentine s'est faite tatouée par la tatoueuse Anna WandaLes féministes espagnoles qui s’étaient déjà illustrées dans les médias par leur immense marche des femmes, se mobilisent contre la coalition Centre-Droit qui arrive au pouvoir grâce au parti d’extrême droite, Vox. De nombreuses manifestations sont prévues à Séville, Madrid et Barcelone.L’abrogation de la loi sur la lutte contre les violences machistes en EspagneL’élection des adjoints et adjointes au maire de la ville de Sarcelles, dans le Val d’Oise, annulée à cause d’une “rupture d’égalité en faveur des femmes”En 1992, aux Etats-Unis, on parlait d’ores et déjà de “Year of the Woman”, “l’année de la femme”,en politique, en françaisL’affaire Anita Hill: professeure de politique sociale et de droit qui a révélé, lorsque le juge Clarence Thomas a été nommé à la Cour Suprême, que celui-ci lui avait fait des remarques à caractère sexuel lorsqu’il était son superviseurLa “Vague Rose” : mobilisation des femmes après la défaite d’Hilary Clinton et contre Donald Trump, multipliant les attaques sexistesRashida Tlaib et Ilhan Omar, les deux premières femmes musulmanes élues au CongrèsJeannette Rankin, la première femme élue au Congrès américain élue en 1917Donald Trump annule l’obligation de remboursement de la contraception par les employeursLa sociologue française Françoise Gaspard qui a étudié comment on construit la politique comme un domaine réservé et un exercice viril qui est fondé sur une sociabilité et une expression qui reste purement masculine. Ses entretiens dans l'émission A Voix Nue sur France Culture à écouter ici.EMILY's List : un comité d'action politique aux États-Unis qui a pour but l'aide à l'élection de femmes progressistes pro-choix.VoteRunLead: est une organisation à but non lucratif qui forme les femmes à se présenter aux élections aux États-UnisLe rapport “Girls just wanna not run” publié en 2013 qui évoquait le fossé de l’ambitionLa “falaise de verre” théorisée par des chercheurs anglais Michelle Ryan et Alexander Haslam qui explique qu’en période de crise, les hommes ont souvent tendance à refuser les postes à responsabilité et à les “refourguer” aux femmesLa politologue française Frédérique Matonti et son livre “Le genre présidentiel”, aux éditions La découverteQuelques noms de femmes politiques républicaines :Kellyanne Conway, conseillère de Donald TrumpSarah Huckabee Sanders est le 32ᵉ porte-parole de la Maison-Blanche, en fonction depuis le 21 juillet 2017Omarosa Manigault-Newman, participante des deux émissions de Donald Trump, The Apprentice et The Celebrity ApprenticeQuelques noms de femmes politiques démocrates :La femme politique américaine Alexandria Ocasio-Cortez, élue le 6 novembre 2018 représentante du 14ᵉ district de New York à la Chambre des représentants des États-Unis, devenant la plus jeune représentante jamais élue au Congrès américainMaxine Waters, démocrate et députée depuis les années 1990. Elle s’est opposée à la guerre en Irak et cela fait plusieurs mois qu’elle appelle à la démission du président, Donald TrumpNancy Pelosi, femme politique américaine membre du parti démocrate et cheffe de la Chambre Basse, et donc de la majorité démocrateLe “shutdown”: chute du gouvernement face à l’impossibilité de voter une loi sur le budgetElizabeth Warren, une femme politique et universitaire américaine. Elle est membre du Parti démocrate, elle siège au Sénat des États-Unis depuis le 3 janvier 2013Kirsten Gillibrand, femme politique américaine membre du Parti démocrate et sénatrice fédérale de l'État de New York depuis le 26 janvier 2009. Elle succède ainsi à Hillary Clinton, devenue secrétaire d'ÉtatKamala Harris, membre du Parti démocrate. Elle est procureure générale de Californie de 2011 à 2017 et sénatrice des États-Unis pour la Californie depuis 2017Le témoignage d’Hélène Guinhut, journaliste au sein du magazine Elle France présente au meeting à Oakland au cours duquel Kamala Harris s’est expriméeL’échange entre Kamala Harris et Brett KavanaughWomen’s March: La marche des femmes est un rassemblement politique ayant eu lieu le 21 janvier 2017 à Washington, D.C. pour promouvoir les droits des femmesL’historien Nicolas Martin-Breteau qui a expliqué dans Libération que le rôle de l’électorat féminin noir est devenu central depuis la première élection de Barack Obama en 2008Le discours et les études de certaines féministes noires dont Kimberlé Crenshaw qui a théorisé le concept de l'intersectionnalité qui rappelle la contribution de certaines femmes blanches au maintien de la suprématie blancheLes femmes politiques dans la pop culture :La série “Baron Noir” et notamment la deuxième saison avec le personnage joué par Anna Mouglalis qui devient présidenteLa série danoise “Borgen: une femme au pouvoir” qui suit une femme première ministreLa série satirique “Veep” dans laquelle l’actrice Julia Louis-Dreyfus joue une vice présidenteLa série de Shonda Rhimes, “Scandal” qui est l’une des premières séries où une femme noire tient le premier rôle dans une position de très grand pouvoirLa dernière saison d’“House of Cards” avec l’éviction de Kevin Spacey remplacé par Robin Wright, Claire Underwood dans la série qui devient présidenteLa rappeuse Cardi B s’est exprimée sur Instagram contre le shutdown qui privait des milliers de personnes de leurs paiesLes recommandations culturelles :Kiyémis : L’essai de science politique “Black French Women and the struggle for equality 1848-2016” de Félix Germain et Silyane Larcher aux éditions University of Nebraska PressClémentine : La pièce de théâtre “Speculum” jouée et écrite par Delphine Biard, Flore Grimaud et Caroline Sahuquet qui dénonce les violences obstétricales"Les règles... quelle aventure” de Mirion Malle et Elise Thiébault,Pour poser une question à la team Quoi de meuf : hello@quoidemeuf.netQuoi de Meuf est une émission de Nouvelles Écoutes, animée par Clémentine Gallot et Kiyémis. Réalisée par Aurore Meyer Mahieu, montée et mixée par Laurie Galligani, coordonnée par Laura Cuissard.

Tall Poppy Podcast Series on Women and Power-  Michelle Ryan: Powerful woman. They say that women hold up half the sky yet the number of women in positions of leadership doesn’t reflect this. Michelle Ryan is a professor at Exeter University, a researcher, social and organisational psychologist, looking at gender inequality. What does that mean, and what can we do to promote equality? Michelle helps us unpack the reasons for the low numbers of women in leading roles, and impact of stereotyping and imposter syndrome relating to women and power. She helps us see that we’re not alone and […] The post TP 48: Prof Michelle Ryan – Powerful Woman appeared first on Tathra Street.

Tall Poppy Podcast Series on Women and Power-  Michelle Ryan: Powerful woman. They say that women hold up half the sky yet the number of women in positions of leadership doesn’t reflect this. Michelle Ryan is a professor at Exeter University, a researcher, social and organisational psychologist, looking at gender inequality. What does that mean, and what can we do to promote equality? Michelle helps us unpack the reasons for the low numbers of women in leading roles, and impact of stereotyping and imposter syndrome relating to women and power. She helps us see that we’re not alone and […]The post TP 48: Prof Michelle Ryan – Powerful Woman appeared first on Tathra Street.

Nick and Benji with all your favourite features. Behind-the-scenes with the cast of Class . Drama Tease: Lady Christina .

This week Zane will chat with Melbourne cabaret artist Tash York about which of life's truths can be gleaned from classic musical Cabaret!Find Tash and info about her upcoming events online: www.tashyork.com- FURTHER READING -Wiki - Musical, Film, Christopher Isherwood.IMDbiTunesSpotify- CELEBRITY SHOUTOUTS -John Kander, Fred Ebb, Joe Masteroff, Christopher Isherwood, Jill Haworth, Bert Convy, Lotte Lenya, Joel Grey, Judi Dench, Kevin Colson, Barry Dennen, Jane Horrocks, Adam Godley, Alan Cumming, Liza Minnelli, Michael York, Anna Maxwell Martin, Michelle Ryan, Michelle WilliamsLike us on Facebook! Follow us on Twitter! Support us on Patreon!Email us: musicalstaughtmepodcast@gmail.comVisit our home on the web thatsnotcanonproductions.comOur theme song and interstitial music all by the one and only Benedict Braxton Smith. Find out more about him at www.benedictbraxtonsmith.com

Show Notes: On episode 88 we get you ready for the 2018 Transplant Games of America by chatting with TGA President and CEO, Bill Ryan. Sally talks us through some of the mental health benefits of exercise, and Bill Ryan rejoins the conversation honoring his hero and daughter, Michelle Ryan. Be on the lookout for more inspiring stories in the weeks to come as The Gifted Life Podcast team travels to Utah for the 2018 Transplant Games of America.

Tony talks about Westpac's Skills for Life program which aims to help employees develop generic, portable skills that will be valuable to 2025. Hosts: Michelle Ockers and Karen Moloney Producer: Amanda Ashby Guest: Tony Dunford  Resources: The Future of Jobs. Employment, Skills and Workforce Strategy for the Fourth Industrial Revolution, World Economic Forum, January 2016 Enabling the Future of Work, Kelly Kajewski, Arun Pradhan and Michelle Ryan, DeakinCo, March 2018 Soft Skills for Business Success, Deloitte Access Economics, DeakinCo,May 2017 Deloitte Insights - Future of Work  Creativity Inc. Overcoming the Unseen Forces that Stand in the way of True Inspiration by Ed Catmull Guitar Zero. The Science of Becoming Musical at Any Age by Gary Marcus The Practice of Practice by Jonathan Harnum   For more information https://learningexperts.com.au/about-learning-uncut-podcast 

Welcome to Episode 33. I was invited to attend the Austin Marathon Expo and interview the athletes running the Marathon and Half Marathon. I learned a LOT from the Pacers and some of the out of town guests.   If you listen to the end you'll learn a little something special about me. I want to thank everyone who stopped by the booth to say HI or grab some swag. It was great meeting you all.   Our Guests Today: (in order of appearance) Michelle Hittner, Stewart Mickler, Sam Lemelle, Elaine Chung, Matt Fletcher, Patrick Hall, Nora Colligan, Jim Moore, Michelle Ryan, Robert Nathan, David Fuentes, Roger Moore, Joel Stanford, Kapler Burnett, and Mark Wignall. #WeRunThisTown #RunAustin18   Austin Marathon HIgh Five Events Get your Drunk Athlete Merchandise at our store.   https://www.bigpistachio.com/shop   To be a patron or make a donation to this podcast, go to https://www.bigpistachio.com/drunk-athlete-podcast   For more information go to:   email erin@bigpistachio.com http://www.bigpistachio.com https://www.bigpistachio.com/drunk-athlete-podcast   PARTNERS:   A special thank you to our partner Big Mouth Announcing Logan@BigMouthAnnouncing.com   Thank you to our sponsor Austin Massage Company   Check out the amazing bike tours at Velo View Bike Tours! Get 5% off when you mention Drunk Athlete.   Big Pistachio Racing https://www.bigpistachio.com/team Alphay International https://www.bigpistachio.com/alphay   FOLLOW US:   INSTAGRAM - @DrunkAthletePodcast FACEBOOK - https://www.facebook.com/DrunkAthlete   Please Share, Rate & Review this podcast so other awesome people like you can find it easier.   Cheers!  

With the highly anticipated premiere of a documentary about the Bibbulmun Track and the people who use it we talk to the woman behind the project, Michelle Ryan from WalkingTwoByTwo about what went into making it and her love for the track. We also discuss the recent destruction of the Helena Campsite and the devastation of losing another campsite to bushfires.

This [National Security Strategy] sort of fits the mold, in that it is strong on ends, aspirations, and vision, but vague on ways. In this podcast, four members of the U.S. Army War College engage in dialogue about the Trump Administration's National Security Strategy (NSS), released in December 2017. Beyond focusing on the content of the strategy itself, they look at it through a historical lens. What is new and what is unchanged from previous strategies may be surprising.   https://warroom.armywarcollege.edu/wp-content/uploads/18-011-NSS-roundtable-Final.mp3   You can also download the podcast here.   Mark Duckenfield is Chair of the Department of National Security Strategy at the U.S. Army War College. Richard Lacquement is Dean of the School of Strategic Landpower at the U.S. Army War College. Michelle Ryan is a colonel in the U.S. Army and Director of the National Security Policy Program at the U.S. Army War College. Jacqueline E. Whitt is Professor of Strategy at the U.S. Army War College and WAR ROOM's Podcast Editor. The views expressed in this podcast are those of the speakers and do not necessarily reflect those of the U.S. Army War College, U.S. Army, and Department of Defense. Photo Credit:  The White House.  

Michelle Ryan, founder of Ashtanga Yoga Northampton, has been listening to the podcast and, after hearing J and his guests talking about new models for yoga centers, felt compelled to reach out via email. She is running her center in a different way that brings some new ideas to the table, so J brought her on to discuss what she is doing. They track Michele’s background in yoga and owning centers, the pitfalls and tribulations of the life, and the methods that she has arrived at to forge more sustainable means of operation.  This episode is part of our premium podcast subscription. To subscribe and support the show… GET PREMIUM.  

Meryl Tankard is a powerhouse of Australian dance. She learnt ballet the 1960s and 70s when training was grueling with the discipline expected of the teachers was close to torture. She remembers seeing a teacher pushing a little girl’s head in to a bucket of water until she was forced smiled. She compares dance discipline to that of the military – her father served in air force in the Second World War. Born in Darwin, she lived in Melbourne, Newcastle and Penang and her childhood has inspired many of her works, including Two Feet. Meryl’s professional dancing career started with The Australian Ballet in 1975, but her time in the world of ballet was short lived. In 1978 Meryl moved to Germany to work with Pina Bausch at Tanztheater Wuppertal . Meryl says she blew in from Australia “red lips, red nails”, it was the 70s after all, employed on a soloist contact to the surprise of many. Soon after, she was performing in one of Bausch’s most revered works Café Müller and became one of Pina Bausch’s most recognised dancers. Bausch described her style: “There was a tension between her fragility and her courage. Meryl had and understanding of measure, of boundaries; this instinct and experience gave her that edge.” When starting at the company, audiences didn’t understand Bausch’s style. “People were booing, we sometimes only had 30 people in the audiences”. Bausch “wanted everything” Meryl explains: “She was stubborn and very vague”. Meryl came back to Australia in 1984 because she was home sick and missed the sky. During the 1980s she started to make her mark on the Australian dance scene. In 1989, she took on a small company in Canberra and called it the Meryl Tankard Company. Her work was almost a hybrid between dance and theatre a style that divided audience and critics. They were truly incredible shows. In 1993, Meryl took on the artistic directorship of the Australian Dance Theatre (ADT), in Adelaide. Her period at the company helped to put Australian contemporary dance on the world stage. Robyn Archer has described this as an amazing time for Adelaide: “It was new and exciting, it was risky and it was courageous”. Meryl time at ADT was cut short with the board terminating her contract in 1999. The industry was in shock; how could the board be so short sighted when ADT was at the height of such phenomenal success. Where there elements of sexism involved? Meryl explains in regards to gender and dance: “We have this fake idea that dance is a very feminine art form, it is only because we see the women busting their guts on the stage.” Meryl continued choreographing and her worked ranged from the Sydney Olympic Opening Ceremony to Disney’s Tarzan. And her work The Oracle, set to Stravinsky’s “Rite of Spring”, with dancer Paul White was a triumph. Meryl re-defines the boundaries and is increasingly turning to film. Her film Michelle’s Story is a moving portrait of her friend Michelle Ryan, who was a dance for Meryl Tankard’s Australian Dance Theatre and was later diagnosed with MS. This was an interview where I was left constantly saying “wow”. Because WOW what an amazing creative woman. Meryl Tankard is truly incredible! This conversation covers includes managing boards, gender and dance; Pina Bausch; making dance for film; and so much else in between. It was recorded on Anzac Day in a quiet spot in the park (until all the children came to play around us). “People say to me, ‘are you still dancing’, and I go ‘well what is dancing? What does dancing mean, I go in to the studio and put music on?’ Maybe I dance when I play with my niece. […] we are sort of dancing every day aren’t we?” This is the last episode of season two. I am overwhelmed by the reception of this podcast with absolutely zero budget; there are thousands of people listening. Season three is already in production with three episodes already recorded. Stay tuned. If you want to help spread the word, please share these episodes with your networks. Thanks for listening.

[English version below] Labhair Michelle Ryan le hÉilís Ní Anluain, údar Filleann Seoirse maidir le téamaí an leabhair agus faoina réamhshaol spéisiúil. [Leagan Gaeilge thuas] Michelle Ryan spoke to Éilís Ní Anluain, author of Filleann Seoirse about the themes of the above and about its interesting early life. Le tacaíocht ó Chlár na Leabhar Gaeilge (Foras na Gaeilge) agus ón gComhairle Ealaíon

[English version below] Labhair Michelle Ryan le Pádraig Standún le déanaí agus bhí go leor rudaí spéisiúla le rá aige faoi I gCóngar i gCéin, faoi bheith ag scríobh i dteanga nach í a mháthairtheanga í agus faoi théamaí conspóideacha a chuid leabhar. [Leagan Gaeilge thuas] Michelle Ryan spoke to Pádraig Standún and he had interesting things to say about I gCóngar i gCéin, about writing in a language which is not your mother tongue and about the controversial themes of his books. Le tacaíocht ó Chlár na Leabhar Gaeilge (Foras na Gaeilge) agus ón gComhairle Ealaíon

[English version below] Labhair Pádraic Ó Siadhail le Michelle Ryan faoi na deacrachtaí a bhaineann le fíorais agus ficsean a nascadh le chéile chun úrscéal stairiúil a scríobh agus faoi na fadhbanna a bhaineann le bheith ag scríobh faoin laoch litríochta Pádraic Ó Conaire. [Leagan Gaeilge thuas] Pádraic Ó Siadhail spoke to me about the difficulty of combining fact and fiction in a historical novel and about the challenges of writing about the literary hero Pádraic Ó Conaire. Le tacaíocht ó Chlár na Leabhar Gaeilge (Foras na Gaeilge) agus ón gComhairle Ealaíon

On this week's most Bodacious of horror podcasts, your inefficacious anchors Gill and Roscoe are joined by not one but two very special guests! First up, we talk to Matthias Hoene, the director of the excellent horror comedy "Cockneys vs Zombies" (2012) (featuring a stellar cast of British players, including Alan Ford, Honor Blackman, Michelle Ryan and Richard Briers). Matthias tells us about his experiences of living in East London and how the unique cockney mindset influenced this most original of fright flick. Next, we have an interview with Trevor Juenger, who presents us with an altogether different take on the genre, in the form of his psychological arthouse feature, "Coyote" (2013), starring BoHoPo and fan favourite, Bill Oberst Jr. Trevor chats to us about his particular vision for 21st Century cinema, expressed through both his work and his DIY KINO manifesto, his influences and creative processes. Matthias Hoene: www.cockneysvszombies.com www.matthiashoene.com Trevor Juenger: www.diykino.org Gill & Roscoe: Website: www.bodacioushorror.co.uk Twitter: @BodaciousHorror and @GillRockatansky Email: feedback@BodaciousHorror.co.uk Facebook: www.facebook.com/BodaciousHorror Gill & Roscoe are proud members of the Horrorphilia Podcasting Network (www.horrorphilia.com).

Michelle Ryan returns to the show to discuss all matters Breaking Bad with Hoge and Dave. Up for discussion are favourite characters, favourite moments, best camera shots, predictions, readers e-mails and more. This should go without saying but obviously this episode is chock-full of spoilers and is only intended for Breaking Bad viewers that have seen up to the halfway point in season five. Big ups to Declan Quinn of creakystudios.com for his assistance this week on fixing up the recording One last thing, please please please go to https://www.facebook.com/CycleAgainstSuicide and https://www.facebook.com/therace.ie and throw a few likes in their direction!

Is it too soon to start looking forward to our 200th episode?  It is when we have so much to get to in Episode 195 of Mail Order Zombie!  This time around, Brother D reviews the feature film release Operation: Nazi Zombies (dir. David B. Stewart III), as well as three more shorts from JABB pictures' The Collective, Vol. 5 (A (gore)aphobic, Consumption of the Heart, and Zombie Soup).  Miss Bren joins him to look at three more episodes of Season Two of The Walking Dead before lending her voice to help D review the zombie movie reference book Zombi Mexicano by Keith J. Rainville.  Silent Death takes us back to his bunker to review Metal and Ash by Jake Bible (when he isn't trying to school Brother D on who Michelle Ryan is or tell us what he continues to think about the television series Revolution), Jimmy and Eric from Galactic Gaming News have a special announcement, and Need-a-Nickname Scott has the news in the Zombie Beat.   Viva la Twinkie! INTRO (00:00)ZOMBIE BEAT (02:08)THE COLLECTIVE, VOL. 5 (13:37)OPERATION: NAZI ZOMBIES (22:02)METAL AND ASH (34:07)THE WALKING DEAD (37:00)ZOMBI MEXICANO (1:01:44)GALACTIC GAMING NEWS (1:14:41)FEEDBACK (1:17:56) Mail Order Zombie Facebook Group - http://tinyurl.com/facebookmozMail Order Zombie Twitter - http://www.twitter.com/mailorderzombieEmail us at MailOrderZombie@gmail.com or call us at 206-202-2505!Galactic Gaming News - http://www.galacticgamingnews.tumblr.comGalactic Gaming News Facebook - http://www.facebook.com/galacticgamingnews From Parts Unknown - http://frompartsunknown.net/ JABB pictures - http://www.jabbpictures.com/Jenna Jameson Ordered to pay over missed Zombie Stripper appearances - http://www.suntimes.com/news/metro/16360277-418/judge-orders-porn-star-jenna-jameson-to-pay-up.htmlScream Factory’s Facebook page - http://www.facebook.com/ScreamFactoryDVDWorld War Z trailer - http://www.comingsoon.net/films.php?id=50522Warm Bodies trailer - http://www.deadline.com/2012/11/warm-bodies-trailer-zombies-nicholas-hoult-teresa-palmer/How to Train Your Zombie - http://www.kolotv.com/home/headlines/PhD-Student-Uses-Zombies-to-Get-Students-Excited-About-Learning-179898091.html(Some production music produced by Kevin MacLeod.)

On this episode of The Wheelhouse: Bower and “The Sweet Nasty" Chris Cause start off the final LIVE SHOW of 2010 by having possibly the GREATEST NEWS STORY of the YEAR! We look at the MICHELLE RYAN FOOT FETISH videos and even bring back one of our FAVORITE BITS for the OCCASION! We then wrap up the show for this week's edition of HEY! NICE TWITS! www.wheelhouseradio.com

"Planet of the Dead" is an episode of the television series that was on and on 11 April 2009. It is the first of four special episodes to be broadcast throughout 2009 and early 2010, which serve as lead actor 's denouement as the . He is joined in the episode by actress , who plays one-off to the Doctor . The episode was co-written by and : the first writing partnership since the show's revival in 2005. The episode depicts Christina fleeing the police from a museum robbery by boarding a bus that accidentally travels from to the desert planet of San Helios, trapping her, the Doctor, and several passengers on board a damaged bus. After the bus driver dies trying to return to Earth, the , headed by () and scientific advisor (), attempt to return the bus to Earth while preventing a race of metallic aliens from posing a threat to Earth. At the end of the episode, one of the passengers delivers a warning to the Doctor which the remaining three specials. "Planet of the Dead" is the first Doctor Who episode to be filmed in , after a positive reaction to the visual quality of spin-off series and the financial viability of HDTV convinced the production team to switch formats. To ensure that the desert scenes looked as realistic as possible, the production team filmed in for three days, sending several props—most notably, a 1980 double-decker bus—to the for filming. After the bus was unintentionally damaged in Dubai by a shipping container, Davies rewrote the script to explain the damage in the narrative. Reaction to the episode was mixed: the audience gave the episode an of 88—considered excellent—but critics gave average reviews to the episode. The consensus among critics was that it was enjoyable as a whole but that it was only an average script. The main point of praise was Evans' performance alongside Dumezweni in scenes set on Earth, which countered their criticism of the events on San Helios as being relatively boring. // if (window.showTocToggle) { var tocShowText = "show"; var tocHideText = "hide"; showTocToggle(); } // Plot The episode begins with a young thrill-seeking burglar, Lady Christina de Souza (Ryan), stealing a gold chalice once belonging to King from a museum. She then narrowly evades the police by riding on a on which the Doctor (Tennant) is also travelling, shortly before the bus suddenly passes through a and arrives on the desert planet of San Helios. The Doctor and the other passengers find that the wormhole is still present, but deduce that the bus had protected them like a after the bus driver is killed trying to cross back on foot, evaporating to a skeleton instantly. Seeing the driver's skeleton coming out on the other side of the portal, the police call in , commanded by (Dumezweni) and aided by scientific advisor (Evans), to close the wormhole. Trapped on a heavily damaged bus, the other passengers introduce themselves: Angela (Victoria Alcock) is a middle-aged mother travelling home to her family; Lou (Reginald Tsiboe) and Carmen () are an elderly couple who win £10 each time they play the due to Carmen's low-level psychic abilities; Barclay () was travelling to a friend's house to ask her on a date; and Nathan () was travelling home to watch television. The Doctor and Christina decide to scout the planet, spotting an approaching storm, while Nathan and Barclay try to fix the bus. As they travel, the Doctor learns of Christina's troubled history, and appreciates her callousness and aptitude to the alien situation. The Doctor and Christina encounter the Tritovore, an anthropomorphic fly species, who take them to their wrecked spaceship. The Tritovore explain that they were making a routine goods collection from the planet but crashed in an unfamiliar environment; a year previously, the planet housed a hundred billion inhabitants and a thriving ecosystem. The Tritovore send out a probe to investigate the cause, and discover a large swarm of metallic -like aliens who routinely create wormholes and destroy ecospheres as their . To rescue the Tritovore and the bus passengers, Christina uses her burglary skills to retrieve a crystal which powers the spaceship (together with the pedestal it is located on), unintentionally awakening a stingray that kills the two Tritovore. The Doctor attaches parts of the pedestal to the bus and uses the chalice of Athelstan as an interface to the technology. This allows the bus to fly through the wormhole, with the stingrays in hot pursuit. Taylor quickly closes the wormhole but not before three of the stingrays pass through it. After UNIT has shot down the stingrays and the passengers have been debriefed, Christina asks the Doctor to let her travel with him; he rejects her because he does not want to lose another companion. The characters part ways. The Doctor recommends that UNIT hire Barclay and Nathan, Christina is arrested by the police for the theft and Carmen has a premonition that visibly unnerves the Doctor: You be careful, because your song is ending, sir. It is returning, it is returning through the dark. And then Doctor... oh, but then... he will knock four times. —Carmen, "Planet of the Dead" As a final act of kindness, the Doctor uses his to release Christina from her handcuffs. The pair part on good terms as she flies away in the bus as the Doctor enters his and dematerialises. Production Writing and casting Ryan and Tennant reviewing the script before filming in Butetown on 28 January 2009. Russell T Davies co-wrote the episode with , the first writing partnership for the show since its 2005 revival. "Planet of the Dead" was a departure from Roberts' usual stories—Roberts had previously only written pseudo-historical stories—and instead consisted of "wild" science fiction elements from his literary career and teenage imagination. The episode had no clear concept—such as and in "" or and a in ""—and instead was a deliberate "clash [of concepts] with many disparate elements". Roberts explained he was cautious to ensure that each element had to "feel precise and defined ... like we meant that", citing the serial as an example where such control was not enforced. The episode includes a common feature of Davies' writing in that there is no clear antagonist: the Tritovore are eventually sympathetic to the protagonists and the stingrays are only following their biological imperative. Unlike the Christmas specials, the theme of Easter was not emphasised in the story; the episode only contained a "fleeting mention" of the holiday instead of "robot bunnies carrying baskets full of deadly egg bombs". The episode's tone word—"joyous"—was influenced by Davies' realisation that "every story since "" [had] a bittersweet quality" and subsequent desire to avoid the recurring theme. The starting point for the story was Roberts' first novel . Davies liked the image of a on a desert planet and rewrote it to contain a bus. Davies nevertheless emphasised it was not an "adaptation as such" because tangential elements were constantly being conceived and added. portrays Lady Christina de Souza, the daughter of a recently impoverished aristocrat and . Christina is a "typical" Doctor Who companion, Davies electing to draw parallels from the rather than new series companion . Roberts described her as an "" who is "upper class and glam, suited and booted, and extremely intelligent" which the Doctor could relate to because they both rejected their heritages. The episode's director James Strong described the character as reverting to a traditional romantic-based companionship—rather than the platonic companionship of () in the —while still being a unique companion: It's back to basics: she's probably more of a traditional, romantic kind of kind of heroine, if you like. [...] It echoes to me of Rose, in that there may be a good old fashioned romantic connection between them. She's young, she's beautiful, she's sexy, but whereas Rose was a very ordinary, normal girl, Lady Christina is a lady, she comes from a very privileged, very elite background. She's different to any of the companions we've ever had in that she doesn't particularly want to get caught up with the Doctor. She's got her own thing going on, so she's very much a match for the Doctor and very much an equal. Often in an adventure the Doctor will take control and everyone will do what he says. She's very much in control – the two of them are in a sparring way, battling against each other to get through this adventure. —, Digital Spy interview. Comedian plays Professor Malcolm Taylor, a UNIT scientist devoted to his predecessor, the Doctor. Davies created Evans' character to serve as a for 's pragmatic character , who previously appeared in the episode "". Roberts noted after writing the episode that Evans' character had unintentionally become a "loving" caricature of Doctor Who fandom. The episode was influenced by several works: Davies described "Planet of the Dead" as "a great big adventure, a little bit , a little bit , a little bit ."; the relationship between the Doctor and Christina was influenced by 1960s films such as and , which included and "being witty and sophisticated together, and then running for their lives"; and the Tritovore were influenced by 1950s and 1970s science fiction such as and Davies' habit of including aliens that were recognisable to the audience as animals from Earth, such as the . Carmen's warning evoked memories of the 's warning to the Doctor and Donna in the fourth series episode "". Tennant explained the prophecy meant that the Doctor's "card [had become] marked" and the three specials would thus be darker—characterising "Planet of the Dead" as the "last time the Doctor gets to have any fun"—and that the subject of the prophecy was not the obvious answer: David TennantReally, from this moment on, the Doctor's card is marked. Because when we come back in "The Waters of Mars", it's all become a little bit darker.And as we know, David, he really does knock four times.TennantYeah, absolutely, and if you think you've figured out what that means, you're wrong!GardnerBut when you do figure it out, it's a sad day. —David Tennant and Julie Gardner, , "Planet of the Dead" Filming The two major filming locations of the episode: the desert of was used for scenes on the "planet of the dead"; and the Queen's Gate Tunnel in , was used for the majority of Earth-bound scenes. Pre-production on the four specials started on 20 November 2008—four days before scheduled—because the episode's overseas filming in Dubai required the extra planning time. Two weeks later, the production team was on a for the special and the final draft of the script was completed. The production team examined overseas locations to film the episode because they wanted the scenery to feel "real" and thought that they would be unable to film on a Welsh beach in winter. After examining countries such as and , the production team decided to film in Dubai because the area was more amicable to the filming industry and viable filming locations were nearer to urban areas than other locations. Production began on 19 January in Wales. The special was the first Doctor Who episode to be filmed in resolution. The move to HD had previously been resisted for two major reasons: when the show was revived in 2005, high-definition television was not adopted by an adequate portion of the audience to be financially viable; and special effects were considerably more expensive to create in high-definition than in standard-definition. "Planet of the Dead" was used to switch to HD because of the show's reduced schedule in 2009 and because the filming crew had become experienced with the equipment while they were filming . Filming began at the , which doubled for the history museum depicted in the episode's first scene. To portray the tunnel the bus travelled into, the of the in was closed for four nights to accommodate filming. The last major piece of filming in Wales took place in the closed Mir (formerly Alphasteel) in , which doubled almost unaltered for the Tritovore spaceship. Filming took place at the peak of the , where the sub-zero temperatures slowed filming and had a visible effect on the cast. To accommodate for the adverse conditions, Davies included a line in the script that specified that the Tritovore spaceship cooled as external temperatures increase. The 200 bus—so named after the episode's landmark—in dock at Dubai City Port, after a container was accidentally dropped on it. Filming in Dubai took place in mid-February 2009. Two weeks previously, one of the two 1980 double-decker buses bought for filming had been substantially damaged when a crane accidentally dropped a container in Dubai City Port.After an emergency discussion by the production team, they agreed that the damage was unintentionally artistic and decided to include the damaged bus in the episode; instead of shipping the spare bus from Cardiff—which would have delayed the already hurried filming schedule—the production team decided to partially reconstruct the bus in Dubai, damage the spare bus in Cardiff to match the bus in Dubai, and rewrite part of the script to accommodate and mention the damage to the bus. James Strong recalled the reaction of the production team to the damage to the bus in an issue of : One morning in the first week of February, I was leaving my flat when Julie Gardner phoned. She said, "there's been a little accident with the bus [...] it's a disaster; the bus is fucked." When I got into the office, I was handed a photograph—and my initial reaction was absolute horror. We called an emergency meeting. Russell came in [...] and we discussed our options. We had bought an identical London bus to film on in Cardiff, so could we send that out to Dubai? We could have got it out in time if it'd left Cardiff, literally, the next day, but we'd have had to find a third bus, an exact replica, to film on in Cardiff a week later. It had taken us a month to find the one we had. It was even mooted that we'd have to forget Dubai and opt for a beach in the UK. But Russell's response was "Okay, let's embrace it. Let's say that the bus was damaged on its way to the alien planet. [...] He wove it into the narrative. We're not trying to hide the damage at all. In fact, we show it off, enhancing it with special effects, smoke and sparks. It works rather marvellously. That London bus, damaged and smoking, in the middle of the desert—yeah, it looks incredible, especially in gorgeous hi-def. —James Strong, issue 407. A notable use of lens flares being used in the episode for artistic effect. Strong sought to maximise—rather than minimise—effects such as these because it disguised the fact it was filmed in a studio and allowed the viewer to more easily; this specific shot was highlighted by Strong and Tennant as an example of how it was correctly utilised. The damaged bus was not the only problem to filming in Dubai: the first of the three days was afflicted by a which left most of the footage shot unusable. The production team then struggled to complete three days of filming in two days; the last day was compared to "filming ". To complete the episode's filming, interior scenes in the bus were filmed in a studio in Wales. To disguise the fact they were using a —a 360-degree background image—, Strong utilised often-avoided techniques such as muddied windows and ; the latter also served to create a warmer environment for the viewer. After filming ended, editing and post-processing took place until two days before transmission, leaving the BBC to resort to using an unfinished copy to market the episode. 200th story "Planet of the Dead" was advertised as Doctor Who's 200th story. Writer Russell T Davies admitted that the designation was arbitrary and debatable, based upon how fans counted the unfinished serial , the season-long fourteen-part serial , and the third series finale consisting of "", "" and "". Davies personally disagreed about counting The Trial of a Time Lord as one serial—arguing that it "felt like four stories" to him—and grouping "Utopia" with its following episodes, but agreed that it was only an opinion which did not override any others. Gareth Roberts inserted a reference to the landmark—specifically, the bus number is 200—and Davies emailed the show's publicity team to advertise the special as such. 's editor aknowledged the controversy in the magazine's 407th issue, which ran a reader survey of all 200 stories. €Broadcast and reception Overnight figures estimated that the special was watched by 8.41 million people, a 39.6% share of the audience. An additional 184,000 watched the programme on BBC HD, the channel's highest rating so far. The initial showing had an of 88: considered excellent. A BBC One repeat, two days later, gained an overnight figure of 1.8 million viewers. The special was therefore the second most watched programme of the day, being beaten by the premiere of the new series of . The final viewing figure for the initial broadcast was 9.54 million viewers on BBC One and 200,000 viewers on BBC HD, making it the fifth most watched programme of the week and the most watched programme ever aired on BBC HD. Including repeats in the following week and viewings on the , 13.89 million viewers watched the episode in total. The episode received average critical reviews. Simon Brew of science fiction blog Den of Geek said the episode was "by turns ambitious and predictable" but "still quite entertaining". The first part of the review mentioned an objection from his wife that the bus trapped in the sand "[looked] really fake", despite the episode being actually filmed in Dubai, and then mentioned Brew's appreciation of the concept of people stranded in the desert and concluded that "made a fair fist of it". Brew positively reviewed Michelle Ryan's performance—comparing her performance to be on par to her role in rather than her role as in —and Lee Evans' performance as Malcolm Taylor, calling him the highlight of the episode because of his dialogue. He closed his review by saying that ""Planet of the Dead" was passable enough": he thought it "never really gelled" for him; but he thought it was overall entertaining and was excited for the remaining three specials as a result of Carmen's prophecy. of "mostly loved "Planet Of The Dead"", commenting that it was a standard Russell T Davies script that had the "elements of a cracking good story": POTD was pretty much everything you've come to expect from Russell T. Davies' Who: crazy adventures, slightly cartoony characters, clever dialogue, moments of sheer silly fun, a childlike solemnity, a miraculous save, bombastic music, and one woman who's held up as being the most special person ever. It didn't hurt that POTD had all the elements of a cracking good story: The Doctor and friends trapped on an alien planet, on the other side of the universe, with no easy way to get home. Alien creatures who might be hostile. A deadly swarm coming to tear our heroes apart. And UNIT on the other side of the wormhole, trying to come to grips with this almost unimaginable threat. —,  She compared it to two previous episodes, "" and "", both of which she enjoyed. She criticised three aspects of the episode: Lady Christina, who was the "first RTD heroine who actually filled [her] with revulsion", leaving her hoping that the character would be killed off-screen, Malcolm's reluctance to close the wormhole and the implausibility of only three stingrays travelling through it. She thought that the episode was "a pretty solid adventure with a cool set of monsters". Ben Rawson-Jones of entertainment website gave the episode two stars out of five. He characterised the episode as being "as hollow as a big chocolate Easter egg" because it was "lacking in the enthralling drama and compelling characterisation that has been the lynchpin of the Russell T Davies era". His main criticism was towards Ryan's character, describing the romantic tension between Christina and the Doctor as "feeling forced" and arguing that Ryan was "utterly unconvincing" as Christina. Conversely, he was appreciative of Strong's direction and the UNIT subplot. Specifically, he approved of Evans' performance, noting that "the fact that Malcolm names a unit of measurement after himself is both inspired and hilarious". His review ended by describing the episode as "lifeless for much of the hour" and expressing his hope that the ambiguous entity from Carmen's premonition would "hurry up". Orlando Parfitt of gave the episode a 7.1 (Good) rating out of ten. Parfitt called it a "straightforward story" that did not elevate to the level of excitement typically seen in Doctor Who until the episode's climax, instead describing the majority of the story as being "taken up with Tennant and Ryan standing in the desert, swapping flirtatious banter in between proclaiming how dire their situation in between", and criticised the writing of the part of the episode where the bus was on San Helios, claiming that plot devices such as the Tritovore or Taylor being held at gunpoint and ordered to close the wormhole as "feel[ing] forced and unnaturally shoe-horned into the script". His praise of the episode went to Ryan and Evans: although he thought of Christina as a "shameless ripoff", he said that the character "still proves a sexy and wise-cracking counterpart to the Doctor"; and Evans' acting alongside Dumezweni highlighted his "undeniably great comic acting" as opposed to his "love-it-or-hate-it" . The last paragraph of his review focused on the climax, which he thought was "a cracker [that] just-about makes up for the previously plodding plot", and described the entire episode as having "enough enjoyable moments" to entertain fans before the transmission of "The Waters of Mars". DVD and Blu-Ray release "Planet of the Dead" will be released on DVD on 15 June 2009, and on Blu-Ray on 29 June 2009.

The Three Who Rule were in fine fettle this week, covering a wide swath of news involving all the exciting goings-on on Torchwood, the Sarah Jane Adventures and even Red Dwarf. Truly, this was a momentous week for fans of British sci-fi adventuring. Truly. No, really.  

Steven Moffat to be Doctor Who Lead Writer and Executive Producer Category: Wales; TV Drama; BBC One Date: 20.05.2008 Printable version BBC Wales and BBC Drama has announced that BAFTA and Hugo Award-winning writer Steven Moffat will succeed Russell T Davies as Lead Writer and Executive Producer of the fifth series of Doctor Who, which will broadcast on BBC One in 2010. Moffat has penned some of the series' most unforgettable and acclaimed episodes, including Blink, with its terrifying weeping angels, for which he was awarded the BAFTA Writer Award 2008 on Sunday 11 May. His previous work on Doctor Who includes The Girl In The Fireplace for series two, which earned him his second Hugo Award. His first was for the series one two-parter The Empty Child, which became famous for its terrifying refrain "Are you my mummy?" For the current series, Moffat has written Silence In The Library, a two-parter starring Alex Kingston which transmits on 31 May and 7 June 2008 on BBC One. Steven's career began with the landmark ITV children's drama Press Gang in 1989, for which he won his first Bafta. Coupling, the hugely popular and award-winning sitcom he created and wrote for BBC Two, began in 2000 and ran for four seasons. Jekyll, his six-part thriller starring James Nesbitt and Michelle Ryan, transmitted on BBC One last year. Steven will continue as one of the directors on the board of Hartswood Films which produced Coupling and Jekyll, where he is also working on his new comedy Adam & Eve with wife Sue Vertue. He has just delivered the screenplay for Tintin – the first instalment of the trilogy of films featuring the iconic Belgian comic-strip hero – to Steven Spielberg who will direct it for DreamWorks. Thomas Sangster and Andy Serkis will star. Steven Moffat says: "My entire career has been a Secret Plan to get this job. I applied before but I got knocked back 'cos the BBC wanted someone else. Also I was seven. "Anyway, I'm glad the BBC has finally seen the light, and it's a huge honour to be following Russell into the best - and the toughest - job in television. I say toughest 'cos Russell's at my window right now, pointing and laughing." Lead Writer and Executive Producer Russell T Davies says: "It's been a delight and an honour working with Steven, and I can't wait to see where his extraordinary imagination takes the Doctor. Best of all, I get to be a viewer again, watching on a Saturday night!" Jane Tranter, Controller, BBC Fiction, says: "Scripts and writers are at the heart of what BBC Drama is all about, and especially at the heart of Doctor Who. The past four series have been brilliantly helmed by the spectacularly talented Russell T Davies. "As Lead Writer and Executive Producer, he has overseen the creative direction and detail of the 21st century relaunch of Doctor Who and we are delighted to have his continued presence on the specials over the next 18 months. "But the challenge and excitement of the fifth series is now being handed to Steven Moffat. The Tardis couldn't be in safer hands. Steven's talents on both Doctor Who and beyond are well known. He is a writer of glittering brilliance, comedy and depth, with an extraordinary imagination and a unique voice. "Steven has a wonderful mix of being a committed Doctor Who fan and a true artist, and his plans for the next series are totally thrilling." The announcement follows the news that Piers Wenger will take over the role of Executive Producer from Julie Gardner on series five of Doctor Who. Piers Wenger says: "The challenge of taking Doctor Who to a new future is a huge and thrilling one and BBC Wales is blessed to have someone with Steven's extraordinary talent in charge. "His imagination and creativity have already given birth to some of the series' most unforgettable monsters though in this instance no-one need fear; time, space and the future of The Doctor are safe with him." Wenger and Moffat are already working closely together on the planning of the series. Menna Richards, Controller, BBC Wales, says: "BBC Wales is very proud of Doctor Who's phenomenal success. Steven Moffat is an extraordinary talent and we are very much looking forward to him joining the Doctor Who team." Series four has achieved some of the show's highest audience figures to date and forthcoming episodes feature a stellar line-up of guests including Lesley Sharp, Lindsey Coulson, Alex Kingston, Colin Salmon and Michael Brandon. Freema Agyeman and Billie Piper – The Doctor's two former companions – have also returned to assist The Doctor in series four. Doctor Who will return in 2009 with four specials, and the full-length fifth series is currently scheduled to be broadcast on BBC One in Spring 2010. SH