Podcasts about shakespeare

In this episode, Andrew Pudewa and Julie Walker address how to assist students who join midyear. They discuss whether it is necessary to teach all the previous units before new students join the rest of the class and how to handle customizing the checklist. Listen to this helpful conversation that focuses on the best practices that will truly benefit a student. Referenced Materials Bible-Based Writing Lessons Episode 398: Think like Shakespeare, Part 1 Teaching Writing: Structure and Style® Structure and Style Overview Four Deadly Errors of Teaching Writing audio talk by Andrew Pudewa IEW Checklist Generator™ “IEW's Checklist: Supporting Student Success” Premium Membership Principles of Motivation audio talk by Andrew Pudewa “Perfecting Style with Time and Practice” If you have questions for Andrew, send them to podcast@IEW.comPerhaps your question will be answered at the next Ask Andrew Anything (AAA). If you have questions about IEW products or classes, contact customer service at 800.856.5815 or info@IEW.com

In this College Deep Dive, Joel Ferrell, a Professor of Practice in Theatre and Inaugural Director of the Sexton Institute for Musical Theatre at Southern Methodist University chats with MTCA Director Charlie Murphy.  Building a Musical Theater program on top of an already established Acting program The power of chutzpah: cultivating artists who will challenge with a real point of view. Confidence over false humility— being an artist means taking risks and embracing mistakes. If you have any questions about the college audition process, feel free to reach out at mailbag@mappingthecollegeaudition.com. If you're interested in working with MTCA for help with your individualized preparation for your College Audition journey, please check us out at mtca.com, or on Instagram or Facebook.  Follow Us!  Instagram: @mappingthecollegeaudition YouTube: @MTCA (Musical Theater College Auditions)  TikTok: @mtcollegeauditions  Charlie Murphy:@charmur7  About MTCA:  Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.com], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Meghan Cordier, Kelly Prendergast and Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley Learn more about your ad choices. Visit megaphone.fm/adchoices

Bitches love sonnets.Topics in this episode include putting Beurla on it, basilisks and 13th century bestiaries, Pericles and purported Shakespeare apocrypha, the Baconian theory of Shakespeare authorship, Bacon ciphers, George Brandes, Sidney, Frank Harris, the power of a granddaughter's love, Hans Walter Gabler and the most controversial line in Ulysses, Thomas Aquinas, George Bernard Shaw's take on Shakespeare, we finally get to the sonnets, Mary Fitton, William Herbet, Shakespeare's trauma, consubstantiality, and one of the best entrances in all of literature.Support us on Patreon to access episodes early, bonus content, and a video version of our podcast.Blooms & Barnacles Social Media:Facebook | BlueSky | InstagramSubscribe to Blooms & Barnacles:Apple Podcasts | Spotify | YouTube

Shakespeare's plays are filled with unforgettable women—but too often, their voices are cut short. Ophelia never gets to defend herself. Gertrude never explains her choices. Lady Anne surrenders to Richard III in silence. In her new book, She Speaks: What Shakespeare's Women Might Have Said, acclaimed actor Dame Harriet Walter imagines what those characters might tell us if given the chance. Through original poems, Walter reimagines moments of silence, expands on fleeting lines, and provides depth to women who were left without a final word. Walter invites us to see Shakespeare's plays in a new light—reconsidering how we understand his female characters, and how their voices might transform the stories we thought we knew. From the Shakespeare Unlimited podcast. Published October 7, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc. Dame Harriet Walter, DBE, is one of Britain's most esteemed Shakespearean actors, whose roles include Ophelia, Viola, Lady Macbeth, Cleopatra, Brutus, King Henry IV, and Prospero, among others.. She has received a Laurence Olivier Award, as well as numerous nominations, including a Tony Award nomination, three Primetime Emmy Awards, and a Screen Actors Guild Award. Walter is also well-known for her appearances in Sense and Sensibility, Atonement, Downton Abbey, The Crown, Succession, Killing Eve, and Ted Lasso, among many other notable projects. In 2011, she was appointed Dame Commander of the Order of the British Empire (DBE) for services to drama.

I talk with my friend, author, filmmaker, and pop culture historian, Mathew (with one “t”) Klickstein about Troma and Lloyd Kaufman's connection to Shakespeare; accessible asexuals; the one lack of representation you never hear about; and The Kids of Widney High. Check out my book, That Joke Isn't Funny Anymore: On the Death and Rebirth of Comedy https://amzn.to/3VhFa1r     Watch my sketch comedy streaming on Red Coral Universe: https://redcoraluniverse.com/en/series/the-lou-perez-comedy-68501a2fd369683d0f2a2a88?loopData=true&ccId=675bc891f78f658f73eaa46d  Rock XX-XY Athletics. You can get 20% off your purchase with promo code LOU20. https://www.xx-xyathletics.com/?sca_ref=7113152.ifIMaKpCG3ZfUHH4  Attorneys on Retainer https://attorneysforfreedom.my.site.com/signupattorneysonretainerus/s/?promoCode=LU51ZEZ324  Support me at www.substack.com/@louperez     Join my newsletter www.TheLouPerez.com   Apple: https://podcasts.apple.com/.../the-lou-perez.../id1535032081   Spotify: https://open.spotify.com/show/2KAtC7eFS3NHWMZp2UgMVU   Amazon: https://music.amazon.com/.../2b7d4d.../the-lou-perez-podcast   YouTube: https://www.youtube.com/playlist?list=PLb5trMQQvT077-L1roE0iZyAgT4dD4EtJ   Lou Perez is a comedian, producer, and the author of THAT JOKE ISN'T FUNNY ANYMORE: ON THE DEATH AND REBIRTH OF COMEDY. You may have seen him on Gutfeld! , FOX News Primetime, One Nation with Brian Kilmeade, and Open to Debate (with Michael Ian Black). Lou was the Head Writer and Producer of the Webby Award-winning comedy channel We the Internet TV. During his tenure at WTI, Lou made the kind of comedy that gets you put on lists and your words in the Wall Street Journal: “How I Became a ‘Far-Right Radical.'” As a stand-up comedian, Lou has opened for Rob Schneider, Rich Vos, Jimmy Dore, Dave Smith, and toured the US and Canada with Scott Thompson. Lou has also produced live shows with Colin Quinn, the Icarus Festival, and the Rutherford Comedy Festival. For years, Lou performed at the Upright Citizens Brigade Theater (both in NYC and L.A.) in sketch shows with the Hammerkatz and his comedy duo, Greg and Lou. Greg and Lou is best known for its sketch "Wolverine's Claws Suck," which has over 20 million views on YouTube alone. In addition to producing sketch comedy like Comedy Is Murder, performing stand-up across the country, and writing for The Blaze's Align, Lou is on the advisory board of Heresy Press, a FAIR-in-the-arts fellow, and host of the live debate series The Wrong Take and The Lou Perez Podcast (which is part of the Lions of Liberty Podcast Network). Learn more about your ad choices. Visit megaphone.fm/adchoices

(00:00-24:31) They're not happy in Pennsylvania after the Eagles, Penn State, and the Phillies all lose. Audio of some flustered Phillies fans not real happy. The wheel play in last night's Dodgers/Phillies game. Audio of Phillies manager Rob Thomson and Doddgers Max Muncy and Mookie Betts talking about the play. Show's over at 7:14. This is why Jackson wears a heavy sweater. They're also not happy with Craig Counsell in Chicago. Audio from Beers By The Ivy wanting Counsell fired. Audio of Counsell talking about three days rest for Matt Boyd. No one is happy today. Boys in the Ivy.(24:39-52:27) Everybody hurts. Tim's Movie Boi episode on Hunting Wives is breaking the internet. A listener coming through on tickets. Jackson wouldn't go to the game with a random listener. What about a big house with nothing but men? Calm down, Sharon. Shakespeare's Pizza. Tall Mark. Where does the journey of unhappiness take us next? Audio of Joe Buck's call of Trevor Lawrence's game winning touchdown last night. Audio of Mahomes after the game on losses stacking up. Parachuting into the stadium for free tickets. Bobby Boots putting out hype videos. Loyalty to Mark.(52:37-1:11:00) Doug, you a big Nine Inch Nails guy? The theme for today is depression. The video and poker and slot machine delaying sports gambling in Missouri. Color Doug perplexed. Sometimes you just gotta gamble in gas stations. Chairman would love to congratulate Beau after the big win. Mr. Lix and his time at Ole Miss. Eureka is NOT Pacific.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Cate is an author, podcaster, ADHD educator & advocate, kinkster and Shakespeare nerd. She hosts Sorry I Missed This, an everything guide to ADHD and relationships, and her new book, The ADHD Field Guide For Adults, drops in March. She's also running vampire games at literal Castle Dracula as one of the GMs of Danube of the Damned, which is one of the coolest sentences I've ever gotten to write.We got deep in the weeds on backyard concerts, monsters, lost identities, and tense showdowns between hunter and hunted in HUNTER(ER/ED) by Dillin Apelyan and Meghan Cross.CATE OSBORN: https://catieosaurus.com/linksTHE ADHD FIELD GUIDE FOR ADULTS: https://catieosaurus.com/the-adhd-field-guideSORRY I MISSED THIS: https://podcasts.apple.com/us/podcast/sorry-i-missed-this-the-everything-guide-to-adhd/id1751292386DANUBE OF THE DAMNED: https://brancastle.gamingatsea.com/ALL MY FANTASY CHILDREN: https://moonshotpods.com/all-my-fantasy-children/PARTY OF ONE DISCORD: https://discordapp.com/invite/SxpQKmKSUPPORT JEFF ON PATREON: https://www.patreon.com/jeffstormerFOLLOW JEFF ON TWITCH: https://www.twitch.tv/gmjeffstormerTHEME SONG: Mega Ran feat. D&D Sluggers, “Infinite Lives,” RandomBeats LLC, www.megaran.comSupport this podcast at — https://redcircle.com/party-of-one-podcast/donationsAdvertising Inquiries: https://redcircle.com/brands

The Q Brothers Collective (Othello: The Remix; Funk It Up About Nothing) have created Rome Sweet Rome, a wild and satirical new “add-rap-tation” of Shakespeare's Julius Caesar now running at Chicago Shakespeare Theater through October 19, 2025. Bri Sudia and Danielle Davis are stand-out members of a glorious ensemble, and they discuss how they've gotten comfortable with rapping and the “Q Vibe”; how having a percussion background really helps; how joy and satire are sometimes the only tools we have in troubled times; and how a comedy about the unintended consequences of political violence feels more necessary than ever. (Length 13:40) The post Rome Sweet Rome appeared first on Reduced Shakespeare Company.

This week on Crack the Book, I'm still in awe of Shakespeare — and not ready to leave him behind. Somewhere between Falstaff's jokes and Othello's heartbreak, I realized just how much I've climbed the Shakespeare learning curve. The language that once felt impossible now feels like music, and these plays — Henry IV, Parts 1 & 2, and Othello — have been my favorite week yet.To start, though, I covered a little of Shakespeare's own history, so that we can better understand what was happening around him as he wrote his plays.The Henry IV plays are part of Shakespeare's “Henriad,” tracing Prince Hal's transformation from tavern-dwelling prankster to King Henry V. Part 1 sets up the tension between fathers and sons — King Henry and Hal, Northumberland and Hotspur — while Falstaff brings both comedy and chaos. I was surprised by how much I loved the histories: the mix of battle and banter, the political drama, and the emotional depth. By Part 2, the story turns elegiac. Henry IV is aging, Hal is ready to lead, and Falstaff's charm finally wears thin. The final father–son scenes left me sobbing under a tree outside our hotel — Shakespeare reached across 400 years and hit me right in the heart.Then comes Othello, which could not be more different. Where Falstaff is funny, Iago is chilling. He's not a misunderstood fool — he's pure manipulation, the “honest” man who deceives everyone. I was struck by how quickly Shakespeare draws each character: Desdemona's sweetness, Emilia's courage, Othello's nobility. The tragedy lands hard because we believe them all. And even here, amid jealousy and death, Shakespeare finds humor — like a quick, ridiculous debate about national drinking habits.I watched the Royal Shakespeare Company productions of Henry IV with Anthony Sher's Falstaff, and they were brilliant — vivid sword fights, excellent pacing, and real warmth. By Othello, I'd developed my ear enough to read without watching.This project keeps surprising me — and this week, it reminded me why Shakespeare endures. His plays aren't ancient; they're alive, human, and heartbreakingly funny.This is a year-long challenge! Join me next week for Giorgio Vasari's Lives of the Artists and Benvenuto Cellini's Autobiography.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts -

As I wrap up with author Daniel Pollack-Pelzner, we have a first for the pod! A Patreon Peep is taking questions from his fellow Peeps! The deep dive continues as Daniel shares more stories that didn't make the book (Lin-Manuel Miranda: The Education of an Artist) and even tells us more details about things that *did* make the book. Plus, Daniel nerds out about Shakespeare, talks about his incredibly inspiring students and why "the future of the form is in good hands" (seriously, you will want to see these musicals YESTERDAY), and if you thought we were done talking about the nineties you have notttt been paying attention! Lin-Manuel Miranda: The Education of an Artist Daniel Pollack-Pelzner What Shakespeare Actually Did During the Plague (ARTICLE) Art + Medicine: What Shakespeare Actually Did During the Plague (VIDEO) Scrivener App (Not an ad! I don't do ads! It was mentioned!) Agustina San Martín Warriors /// Gillian's Website The Hamilcast on Twitter The Hamilcast on Instagram Join the Patreon Peeps

Emily Brontë only published one full-length book before dying at the tragically young age of 30. But that book, Wuthering Heights, which tells the story of obsessive and vengeful love on the rugged moors of Yorkshire, is still considered one of the pinnacles of English literature, landing at #15 on the list of Greatest Books of All Time. In this episode, Jacke takes a deep look into Emily Brontë's classic "bad boy" novel, with assistance from Virginia Woolf, Elizabeth Hardwick, Joyce Carol Oates, Anne Tyler, Alice Hoffman, Charlotte Brontë, and others. Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 189:For today's guest episode it is my pleasure to welcome Dr Iman Sheeha to the podcast. Her book ‘Neighbourly Relations in early modern drama has been published recently so it was a great opportunity to talk to her about her research after she had just completed a summer tour of conferences.Her work is a close examination of neighbourly relationships in early modern English drama, placing a select number of plays alongside other contemporary materials such as wills, pamphlets and sermons and other sources that give us a glimpse of the early modern lived life. The plays span the period between the 1550s and the 1620s, belong to different genres, were aimed at different audiences, and were written for different kinds of playhouses, which allows for conclusions to be drawn about the way genre shapes the treatment of neighbourly relationships, as well as revealing continuities and changes during the period.Iman Sheeha is a Senior Lecturer in Shakespeare and Early Modern Literature at Brunel University of London and co-General Editor of New Mermaids Classic Plays series. She has wide-ranging interests within the fields of Shakespeare and Early Modern Literature, including gender, race, devotional literature, service, and domesticity and she works with PhD candidates working on these and related topics.She is the author of two books: Household Servants in Early Modern Domestic Tragedy, and Neighbourly Relationships in Early Modern Drama. She has co-edited a special issue on liminal domestic spaces for Early Modern Literary Studies. Her research has appeared or is forthcoming in Shakespeare Survey, Early Theatre, The Journal of Early Modern Cultural Studies, Early Modern Literary Studies, and American Notes and Queries and she contributed a chapter to People and Piety: Devotional Writing in Print and Manuscript in Early Modern England (MUP, 2019).' She has written the introduction for the Oxford World's Classics edition of ‘The Tragedy of Master Arden of Faversham' which is due to be published by Oxford University Press in April, 2026.Links to books by Iman Sheehahttps://www.routledge.com/Neighbourly-Relationships-in-Early-Modern-Drama-Staged-Communities/Sheeha/p/book/9781032896670https://www.routledge.com/Household-Servants-in-Early-Modern-Domestic-Tragedy/Sheeha/p/book/9780367503772Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act IV Scene iii - Kent and Gentleman continue their discussion and we hear a startling description of Lear's emotional state. Written and presented by Conor Hanratty

durée : 01:31:16 - Les Nuits de France Culture - par : Albane Penaranda - Dès son plus jeune âge, Orson Welles adorait Shakespeare. Il l'adapte plusieurs fois à la radio et lui consacre trois longs métrages : Macbeth, Othello, Falstaff. Ce numéro des Mardis du cinéma évoque avec plusieurs spécialistes les nombreuses similitudes entre les univers de Welles et Shakespeare. - réalisation : Emily Vallat - invités : Jean-Pierre Berthomé Critique, historien et enseignant (cinéma); François Thomas Historien du cinéma, collaborateur de la revue Positif et professeur à la Sorbonne Nouvelle

On this edition of The Arts Section, host Gary Zidek catches up with Blues Note Records president and music legend Don Was to talk about his new music project. The Dueling Critics, Kelly Kleiman and Jonathan Abarbanel, join Gary to review a new play that looks back at how Shakespeare's works might've survived. Later in the show, Gary checks in with City Lit Theater to learn more about the company's Banned Books Week programming. And Gary visits a new virtual reality attraction in Rosemont.

Gunilla Kindstrand, Åsa Melldahl och Björn Johansson talar om ”Macbeth”. I år spelas minst fyra uppsättningar av den över 400 år gamla pjäsen på svenska scener. Samtidigt kommer ”Färga skräcken röd”, en nyutgåva av Shakespearetragedier i översättning av Ulf Peter Hallberg. Varför dras vi till detta drama om en krigare som tror sig vara utvald av högre makt till att bli kung? Och kan Tiktokhjärnor botas av blankvers?

This is the second part of this Encore Episode from 2021 featuring a conversation with Irene Sankoff & David Hein — the dynamic writing team and married couple that created the international smash hit musical Come From Away which recently topped American Theatre magazine's list of the most produced plays in America in 2025/26. On the previous episode Irene and David related how they got hooked on musicals, and how they went from their first show based on a true story — My Mother's Lesbian Jewish Wiccan Wedding — to deciding to create a musical based on the real life events that happened in the small town of Gander, Newfoundland in the days following 9/11. They also described what it was like to attend the 10th Anniversary of the events in Gander and then begin to transform the stories they heard there into a musical during an early workshop production at The Canadian Music Theatre Project at Sheridan College. We also explored the classic Broadway shows that influenced and inspired the writing of their book, music, and lyrics for Come From Away. If you missed part one you may want to go back and catch up on that episode before you listen to this one. Today we look at the extensive development process that CFA went through on its journey to Broadway — including a workshop in Seattle, a series of productions at the La Jolla Playhouse, The Seattle Rep, Ford's Theater in DC. and the Royal Alexandra Theatre in Toronto, as well as a thrilling concert presentation in Gander where it all began.  Back in 2015, I served as the Executive Producer and Artistic Director of The 5th Avenue Theatre in Seattle and, as such, I had the great pleasure of co-producing that original Seattle workshop of Come From Away. This was the first time that the show's Tony award winning director Christopher Ashley and choreographer, Kelly Devine began to work on the show — and it was great fun to recall that exciting experience with Irene and David. Come From Away is the fifth musical to originate in Canada and eventually open on Broadway.  The first was 1974's Rockabye Hamlet with book, music and lyrics by Cliff Jones. This rock musical adaptation of Shakespeare was originally titled Kronborg 1582 and was well received, first as a radio series on the CBC, and then at the Charlottetown Theatre Festival and on tour in Canada, before being retitled and opening on Broadway with Gower Champion as the director. It became a legendary flop and closed after 7 performances. Next, in 1980 came the intimate and engaging Billy Bishop Goes To War written by John McLachlan Gray the show featured one actor to playing18 different roles to tell the story of real life Canadian fighter pilot Billy Bishop during the first World War. This show nearly doubled the run of Rockabye Hamlet closing after 12 performances. However, over the next ten years Billy Bishop Goes To War received scores of productions at theaters all across North America.  The Story Of My Life, with music and lyrics by Neil Bartram and book by Brian Hill, opened on Broadway in 2009. Unfortunately, it had an even shorter run than either of the previous two Canadian shows. However, one year earlier, a group of Canadian writers finally scored a significant hit with The Drowsy Chaperone – book by Bob Martin and Don McKellar, and music and lyrics by Lisa Lambert & Greg Morrison. This delightful show opened on Broadway in 2008, received Tony Awards for Best Book and Best Original Score, and ran for 674 performances.   There have been a few other Canadian writers that found success on Broadway – Galt McDermott being the most famous of them – but that was with shows that originated in the US. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we welcome renowned Fight Choreographer and Gentlemen of All Things Weaponish, Dan O'Driscoll, to discuss what weapons and things people used to fight and slay and otherwise hurt each other in the Shakespeare canon.Rapiers? Halberds?? Poleaxes and pikes??? Hooray!!!Such pointy and sharp fun!!!  We love this!!!To send us an email - please do, we truly want to hear from you!!! - write us at: thebardcastyoudick@gmail.com To support us (by giving us money - we're a 501C3 Non-Profit - helllloooooo, tax deductible donation!!!) - per episode if you like! On Patreon, go here:  https://www.patreon.com/user?u=35662364&fan_landing=trueOr on Paypal:https://www.paypal.com/donate/?hosted_button_id=8KTK7CATJSRYJWe also take cash!   ;DTo visit our website, go here:https://www.thebardcastyoudick.comTo donate to an awesome charity, go here:https://actorsfund.org/help-our-entertainment-communiity-covid-19-emergency-reliefLike us? Don't have any extra moolah? We get it! Still love us and want to support us??   Then leave us a five-star rating AND a review wherever you get your podcasts!!

Angus Fletcher has a PhD in literature from Yale and teaches English at Ohio State. He's passionate about Shakespeare. He probably owns a tweed jacket. In other words, he's the last person you'd expect to receive the Army's fourth-highest civilian honor. But when he's not parsing King Lear or dissecting Hamlet, Angus is pioneering research into narrative cognition — our ability to think in stories — and how it can make us smarter. When the Army put his theories to the test, his methods reshaped how soldiers learn to think clearly under pressure and act decisively in volatile environments. Now, he has distilled this work into a new book called Primal Intelligence. Malcolm Gladwell says it's confirmation that Angus "has never had an uninteresting thought." We think you'll agree. — — — (04:21) What is Primal Intelligence? (8:24) Computers Think in Probabilities. Humans Think in Possibilities. (11:08) The Art of Intuition: Spotting Exceptions to Rules (29:59) Why Storytelling is the Essence of Human Intelligence (34:13) How to Plan (35:38) The Role of Emotion in Decision Making (45:27) How to Use Common Sense to ‘Tune Your Anxiety' (49:34) What Great Innovators Have in Common (51:25) The Best Way to Become a Better Communicator (54:22) Don't Freak Out About A.I. Do Freak Out the State of Your Intelligence. — — — Want to connect?

It's October! Jacke kicks off his favorite month with a classic tale of horror, "The Monkey's Paw" by W.W. Jacobs. Perhaps you know the general contours of the paradigmatic "be careful what you wish for" story from the Simpsons or another popularization - but just how scary was the original story? And who was W.W. Jacobs? Join Jacke on a trip through literary England (signup closing soon)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week's episode on The New Mason Jar, Cindy and Dawn chat with Joyce MacPherson, veteran homeschooling mom, author, and Cindy's personal friend Who were some of Joyce's first biographies about, and how did she start writing them? Why Joyce chose to write one of her most recent books about George MacDonald How Joyce decided to write about Jane Austen Where Joyce and her daughter went to learn about Austen in England How Joyce started writing the Shakespeare Scriptorium series

Frank and Squeaks break down LA Comic Con 2025 with a focus on fan-first panels and standout moments from the MCU stars on stage. Hear fresh stories from the Daredevil cast, WandaVision insights from Elizabeth Olsen and Paul Bettany, Jessica Jones reflections from Krysten Ritter, and Luke Cage set memories from Mike Colter. We close with Bryce Dallas Howard's early career lessons and why her directing continues to stand out. Full panel videos will be rolling out on YouTube. All news discussed comes from GeekFreaksPodcast.com. Timestamps and Topics 00:00 Intro, episode plan, why LA Comic Con hits different 01:00 First impressions of the show floor and overall vibe 03:30 Panel lineup overview and what we're featuring 04:30 Daredevil cast highlights and fan-favorite moments 08:30 WandaVision panel notes and Vision Quest themes 12:30 Behind the scenes with the MCU cast 24:40 Jessica Jones conversation and character craft 38:45 Luke Cage memories, stunt work, and street-level MCU talk 45:55 Bryce Dallas Howard reflections and career takeaways 52:00 Wrap up and what's coming next Key Takeaways LA Comic Con felt fan-centered, with panels that played like lively conversations rather than news dumps. Daredevil Born Again chatter stayed spoiler free, but the cast teased moments that comic readers will recognize. Vision Quest discussion focused on fatherhood and where Wiccan and Speed may fit, hinting at family-driven story beats. On-set stories from WandaVision and Age of Ultron showed the realities of extensive makeup and costume work. Krysten Ritter talked about grounding Jessica Jones through craft and balance on heavy shoot days. Mike Colter's Luke Cage memories highlight the physicality and appeal of street-level MCU storytelling. Bryce Dallas Howard's journey from Shakespeare to The Village underscores preparation, mentorship, and collaboration. Quotes “It felt like sitting at a bar with the cast. They shared stories, we laughed, and the panels were just fun.” — Squeaks “No super serum. That is all Fisk.” — Vincent D'Onofrio “David Tennant's acting is like jazz. You never know where it will go.” — Krysten Ritter “Luke doesn't need a weapon.” — Mike Colter Call to Action If you enjoyed this episode, follow or subscribe, drop a quick review, and share it with a friend using #GeekFreaksLACC. Panel videos will be on our YouTube soon. Tell a fellow MCU fan. Links and Resources GeekFreaksPodcast.com — our site and the source for all news discussed in this episode Full panel videos will be posted on our YouTube channel in the coming days Follow Us Website: https://GeekFreaksPodcast.com Twitter: https://twitter.com/geekfreakspod Instagram: https://www.instagram.com/geekfreakspodcast/ Facebook: https://www.facebook.com/thegeekfreakspodcast Threads: https://www.threads.net/@geekfreakspodcast Patreon: https://www.patreon.com/GeekFreakspodcast Hosts: Frank [@franklourence79], Thomas [@thomascraigviii] Listener Questions What other con coverage do you want next? Send questions and topic requests on our socials or through the contact form at GeekFreaksPodcast.com. Apple Podcast tags: LA Comic Con, LA Comic Con 2025, Geek Freaks, MCU, Marvel, Daredevil Born Again, Kingpin, Vincent D'Onofrio, Charlie Cox, Karen Page, Foggy Nelson, Jessica Jones, Krysten Ritter, Luke Cage, Mike Colter, WandaVision, Vision Quest, Elizabeth Olsen, Paul Bettany, Marvel Zombies, Bryce Dallas Howard, Spider-Man 3, Age of Ultron, cosplay, convention panels, Marvel TV, street level heroes, MCU theories, YouTube panel videos, pop culture podcast, convention coverage

This week Adam Biles speaks with international lawyer and acclaimed author Philippe Sands about his latest book, 38 Londres Street: On Impunity, Pinochet in England and a Nazi in Patagonia. Building on East West Street and The Ratline, Sands traces the remarkable and disturbing links between Nazi officer Walter Rauff—architect of the mobile gas vans—and Chilean dictator Augusto Pinochet. Their conversation explores how Rauff escaped Europe, settled in South America, and later became entangled with Pinochet's regime, raising profound questions about memory, complicity, and justice. Sands also shares his personal and professional connection to this history: as a barrister involved in Pinochet's extradition case, and as the descendant of a family decimated by the Holocaust. Blending archival detective work, courtroom drama, and encounters with extraordinary witnesses, Sands reveals the human stories behind the law. This is a gripping, moving, and sometimes unsettling dialogue about the echoes of history and the pursuit of accountability.Buy 38 Londres Street: https://www.shakespeareandcompany.com/books/38-londres-street-2*Philippe Sands was born in London in 1960 and studied Law at the University of Cambridge. His book East West Street was the winner of the Baillie Gifford Prize for Non Fiction 2016, the British Book Awards Non-fiction Book of the Year 2017 and 2018 Prix Montaigne He is also the author of Lawless World: America and the Making and Breaking of Global Rules, which inspired a stage play (Called to Account, Tricycle Theatre) and a television film (The Trial of Tony Blair, Channel 4). He writes regularly for the press and serves as a commentator for the BBC, CNN and other radio and television producers. His BBC Storyville film My Nazi Legacy: What Our Fathers Did premiered in April 2015 at the Tribecca Film Festival. Sands co-wrote a podcast of the same name for the BBC. Sands lectures around the world and has taught at New York University and been a visiting professor at the University of Toronto, the University of Melbourne, and the Université de Paris I (Sorbonne). He was appointed a Queen's Counsel in 2003. The Ratline: Love, Lies and Justice on the Trail of a Nazi Fugitive, was published in 2020 and The Last Colony: A Tale of Exile, Justice and Britain's Colonial Legacy in 2022. His most recent book, 38 Londres Street: On Impunity, Pinochet in England and a Nazi in Patagonia was published in 2025. He is currently Professor of Law at University College London and a barrister and arbitrator at 11 King's Bench Walk. He served as president of English PEN and is on the board of the Hay Festival of Arts and Literature.Adam Biles is Literary Director at Shakespeare and Company.Listen to Alex Freiman's latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w Hosted on Acast. See acast.com/privacy for more information.

Bath bun. Bobbinet. Poor basket. Vanity-bait. These are just a few of the words the Oxford English Dictionary credits Jane Austen with using for the first time in print—and almost all are words related to domestic and everyday life. In this episode, we sit down with scholar Charlotte Brewer to explore the Dictionary's 19th-century origins, its reliance on volunteer readers, its ongoing digital evolution, and the literary biases that shaped whose words were recorded. A must-listen for word nerds! Charlotte Brewer is Emerita Fellow in English at Hertford College, Oxford. She began her career as a medievalist, subsequently turning to the history of the English language and in particular its record in the Oxford English Dictionary. Her publications include studies of Jane Austen and Shakespeare in the OED, and she is currently working on the Murray Scriptorium, a co-edited edition of the letters of James Murray, the first chief editor of the OED.For a transcript and show notes, visit https://jasna.org/austen/podcast/ep28/.*********Visit our website: www.jasna.orgFollow us on Instagram and FacebookSubscribe to the podcast on our YouTube channelEmail: podcast@jasna.org

Our Corman Graduates series on exploitation filmmaker Jack Hill continues as we move on from Jack's American International Pictures days of COFFY and FOXY BROWN and move on to the next phase of his career, which gets a little help from Corman's New World Pictures staff, as he moves on to 1974's THE SWINGING CHEERLEADERS and 1975's SWITCHBLADE SISTERS.    Joining us to discuss the worlds of undercover college journalism and female gangs is none of than author and film historian Nathaniel Thompson of Mondo-Digital.com!   Nathaniel shares his love of Jack Hill with us, including stories about seeing his films in theaters, his theories on Jack Hill's career, and whether SWITCHBLADE SISTERS was indeed adapted from Shakespeare's Othello.  Why did Jack leave AIP? How did these two movies come about? Is THE SWINGING CHEERLEADERS a comedy? How did New World have a part (if any) in these movies? We do our best to answer these questions and celebrate the exploitation madness that is Jack Hill. To buy Nathaniel's book, The FrightFest Guide to Vampire Movies, head here. For all the shows in Someone's Favorite Productions Podcast Network, head here:  https://www.someonesfavoriteproductions.com/

Episode 103: Titus Andronicus by William Shakespeare Host: Douglas Schatz Guest: Max Webster Welcome to The Play Podcast where we explore the greatest new and classic plays. Each episode we choose a single play to talk about in depth with our expert guest. We'll discuss the play's origins, its themes, characters, structure and impact. For us the play is the thing. Titus Andronicus is Shakespeare's first tragedy, although in fact, scholars believe that Shakespeare did not write the whole play himself. Whatever its origins, the play is notorious for its graphic horror, which includes multiple killings, amputations, decapitations, rape and cannibalism. Horrors that have overwhelmed audiences and alienated critics for centuries. Although the play was hugely popular in Shakespeare's time, later critics dismissed it for its excessive violence and crude, fragmented structure. However, the play's bleak portrait of amoral leadership, sexual violence, racial conflict, and personal and political despair has struck a chord in more recent times, with several acclaimed productions and restored critical opinion. As we record this episode an exciting new production of the play is on stage at the Hampstead theatre in London, having transferred following its acclaimed run at the Royal Shakespeare Company in Stratford. The production is directed by Max Webster, who joins me to explore Shakespeare's full-blooded tragedy.

This week is one part Q&A about The Princess and the Goblin, one part ask-us-anything. That means we're discussing George McDonald's plot devices, Irene's grandmother, and goblins but also cooking, Shakespeare, new book releases, and the Muppets. Happy listening! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit closereads.substack.com/subscribe

In this Artist Exploration, David Loud, Author of Facing the Music, chats with MTCA Director Charlie Murphy. Tune in for a conversation about careers, detours, and navigating your ever-changing “Point Z.” Musical Theater College Auditions (MTCA) is the leader in coaching acting and musical theater students through the college audition process and beyond with superlative results. MTCA has assembled a roster of expert artist-educators who can guide students artistically, organizationally, strategically, and psychologically through the competitive college audition process. MTCA provides the tools, resources, and expertise along with a vast and strong support system. They train the unique individual, empowering the artist to bring their true, authentic self to their work. MTCA believes that by helping students reveal their potential it allows each school to connect with those who are truly right for their programs, which in turn guides each student toward their best college fit.  About Charlie Murphy:  Charlie is a proud graduate of Carnegie Mellon University's BFA program. As an Actor he has performed with theaters such as: NY Public Theatre's “Shakespeare in the Park”, The Pearl Theatre Company, Hudson Valley Shakespeare Festival, Chautauqua Theatre Company, Kinetic Theatre Company, and the Shakespeare Theatre of DC. With MTCA [Musical Theater College Auditions -- mtca.com], he has been helping prospective theatre students through the college process for over 15 years. As a Teacher and Director, he is able to do a few of his favorite things in life: help students to find their authentic selves as artists, and then help them find their best fit for their collegiate journey. Through this podcast, he hopes to continue that work as well as help demystify this intricate process. This episode was produced by Meghan Cordier, Kelly Prendergast and Socials by Jordan Rice. Episode theme music is created by Will Reynolds with Additional Vocals from Elizabeth Stanley Learn more about your ad choices. Visit megaphone.fm/adchoices

Hi everyone, thanks for listening. Drop a line or two about the episode! Omkara, Vishal Bhardwaj's critically acclaimed adaptation of Shakespeare's Othello, is unarguably one of the best Hindi film adaptations of all-time. Jamie Alter joins me as we look back on one of our favorite films of last 25 years.If you enjoy the podcast, do consider supporting the show: https://www.buzzsprout.com/257788/supportFeedback/comments/questions: loveofcinemasf@gmail.comCredits:Produced and hosted by: Himanshu Joglekar (@loveofcinemasf8)Editor: Devika JoglekarMusic: Nakul AbhyankarCopyrights © Love of Cinema 2025Support the showIf you liked the episode and found value, please considering supporting the show. Your support will help me continue making good content for fans of Indian cinema everywhere across the world: https://www.buzzsprout.com/257788/support

This week's Beyond Sunday features David Rambo, Michael Shearon, Josh Hensley, and Paxton Redd, diving into the launch of the new sermon series Wrecked. Yet. Renewed. The conversation centers around Adam and Eve, the instinct to hide our failures, and how God draws us out of hiding for healing and renewal. The hosts unpack Kevin's five key sermon points: opening the blinds that bind, shedding shame through confession, getting found in the history of hiding, dropping the blame game, and beginning again with God .   The team also plays a lively “Two Truths and a Lie – Hide & Seek Edition,” mixing biblical and historical stories of hiding. From Rahab to Shakespeare, the laughter flows even as deeper truths emerge about confession, generational struggles, and the freedom found in honesty before God and others. The episode closes with a look ahead to this Sunday's message on families wrecked by fear, with Josh sharing his own journey through anxiety and God's faithfulness.  

Today Dr. Johnny Lupinacci and Producer Jakob are joined by Dr. Jonathan Shailor to talk about the Shakespeare Prison Project. Started by Shailor in 2004, the Shakespeare Prison Project helps incarcerated men learn, perform, reflect and grow through the embrace of theater. From volunteers to students to families and inmates, embracing Shakespeare in prison has changed thousands of lives during the decades since it first began. Education doesn't have to take place in a classroom, and not every lesson worth learning comes from a syllabus plan, so join us for this special episode of BustED Pencils as we break it all down for you. BustED Pencils: Fully Leaded Education Talk is part of Civic Media. Subscribe to the podcast to be sure not to miss out on a single episode! Go to bustedpencils.com for swag, all of our episodes, and for information on partnering with us! For information on all of the programming across the Civic Media network, head over to https://civicmedia.us/shows. Join the conversation by calling or texting us at 608-557-8577 to leave a message! Guest: Jonathan Shailor

In this episode of The Tiberius Show, theater director, producer, and founder of the Reveller's Hour Theatre Company, Halie Smith, shares how she turned a childhood love of musicals into a career bringing stories to life on stage. She explains why she chose the nonprofit route, the real challenges of funding and sponsorships, and what makes theater such a rewarding (and sometimes unpredictable) path. From cabarets and Shakespeare to original works, Hailey gives us a behind-the-scenes look at the art, business, and heart of running a theater company.What you'll hear:    Origin story: from her grandmother showing The Sound of Music to launching her own theater company in 2023    Nonprofit path: why many theater companies go nonprofit and how education plays a central role    Resourceful producing: deciding shows based on budget, rights, and available cast/designers    Performing vs. backstage: how she transitioned from acting to sound, lighting, and leadership    Business challenges: fundraising, sponsorships, and turning passion into sustainable work    Live theater lessons: when fire alarms interrupt Macbeth and why imperfection is part of the magic    Adapting to COVID: shifting into online/Zoom theater and podcasting to stay connected    Kid-friendly shows: current performances, cabarets, and her future plans for youth programmingBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-tiberius-show--3352195/support.

Actor, comedian, and jazz singer Lea DeLaria joins the show. Over enchiladas and rosé, Lea reflects on a life of firsts — from becoming the first openly gay comic on American television with her legendary “Arsenio Hall Show” set, to stealing scenes as Big Boo on Netflix's “Orange Is the New Black.” We revisit our nearly 30-year friendship, beginning with playing lovers in Shakespeare in the Park's “On the Town,” and share behind-the-scenes stories from our time in the theater world together. Lea opens up about the pride and pressure of visibility in the '90s, why OITNB resonated so deeply with butch women who finally saw themselves represented on screen, and how a joke she improvised one night on stage became the now-iconic “U-Haul lesbian” punchline. This episode was recorded at Little Owl in the West Village — also known to TV fans as the building from “Friends." Learn more about your ad choices. Visit podcastchoices.com/adchoices

Today: Paul Finebaum says he might run for Senate; what we're hearing about businesses who hire illegal labor; and Alabama's getting more Shakespeare study. Learn more about your ad choices. Visit megaphone.fm/adchoices

Back with more Shakespeare! Before we get started with Romeo and Juliet, A Midsummer Night's Dream, and The Tempest, I share a little about my experience with Shakespeare before this project.In short, it was almost ZERO. I tell you this so you can have confidence as you start your own Shakespeare journey. I have been shocked, amazed and gratified at how rewarding the time put in with Shakespeare has been. And now, on to the plays!This week's Shakespeare trio is a true mix of tones.Romeo & Juliet isn't merely a teen love story—it's an indictment of a society where everyone stays locked in their roles. No one is evil, yet parents, the Nurse, and Friar Lawrence all fail to act, and two young lives pay the price. Far more than “star-crossed lovers,” it's a drama of systemic failure that rewards an adult reread.After four tragedies, A Midsummer Night's Dream felt light and mischievous. Dame Judi Dench as Titania (in the 1960s BBC version) was delightful, though I found myself too drained for full comedy—still, it's hilarious on stage.Finally, The Tempest surprised me most: part adventure, part morality play. Prospero's obsession with magic—and his choice to reclaim true leadership—offers a sharp reminder that power and technology can distract from real responsibility.Three plays, three moods, and a deeper appreciation for Shakespeare's range. And we aren't done! Join us next week to finish our Shakespeare trilogy with a couple of histories and the wonderful, tragic, Othello.LINKTed Gioia/The Honest Broker's 12-Month Immersive Humanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)My Romeo and Juliet Movie PickMy Midsummer Night's Dream Movie PickCONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/ LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321 Captivate - https://crackthebook.captivate.fm

Har du nogensinde haft følelsen af, at du ikke helt er så dygtig, som andre tror – og at det kun er et spørgsmål om tid, før du bliver afsløret? I dag handler podcasten om selvtillid og dét, man på engelsk kalder impostor syndrome. Det beskriver den indre kamp, hvor vi har svært ved at føle os lige så kompetente, som omverdenen ser os. Måske får vi gode karakterer eller klarer os godt på arbejdet, men alligevel sniger tanken sig ind: “Hvornår bliver jeg mon gennemskuet?”I episoden kommer jeg bl.a. ind på:Hvorfor vores vurdering af egne evner ikke altid stemmer overens med virkelighedenImpostor-paradokset: at det oftest er dem, der er mest kompetente, der også tvivler mest på egne evnerDén drøm, der fik mig til at kalde dette problem for Shakespeare-komplekset i mit eget livHvorfor det kan være selvcentreret at fokusere for meget på vores egne evnerLidt om at være verdensvendt i stedet for at sætte os selv i centrumDa jeg scrollede på Instagram og øjeblikkeligt blev fanget i sammenligningsræset... og ikke mindst hvordan vi kan slippe ud af disse tankemønstre og i stedet bruge vores energi på noget sjovt og meningsfuldt!>>> Se øvrige noter og links her

The Guilty Feminist 450. Shakespeare's Measure for Measure Presented by Deborah Frances-White with special guest Emily Burns Recorded 22 September 2025 at the Royal Shakespeare Theatre. Released 29 September. The Guilty Feminist theme composed by Mark Hodge. Measure for Measure is playing at the Royal Shakespeare Theatre in Stratford upon Avon until 25 October 2025. Get Deborah's new book with 30% off using the code SIXCONVERSATIONSPOD https://store.virago.co.uk/products/six-conversations-were-scared-to-have More about Deborah Frances-White ·       https://deborahfrances-white.com ·       https://www.instagram.com/dfdubz ·       https://www.virago.co.uk/titles/deborah-frances-white/six-conversations-were-scared-to-have/9780349015811 ·       https://www.virago.co.uk/titles/deborah-frances-white/the-guilty-feminist/9780349010120 More about Emily Burns and Measure for Measure ·       https://www.unitedagents.co.uk/emily-burns ·       https://www.rsc.org.uk/measure-for-measure For more information about this and other episodes… ·       visit https://www.guiltyfeminist.com ·       tweet us https://www.twitter.com/guiltfempod ·       like our Facebook page https://www.facebook.com/guiltyfeminist ·       check out our Instagram https://www.instagram.com/theguiltyfeminist ·       or join our mailing list http://www.eepurl.com/bRfSPT More Big Speeches workshops now available https://guiltyfeminist.com/big-speeches/ Come to a live show ·       Femonomics: Using Data to Improve Women's Lives, 6 October https://www.eventbrite.co.uk/e/femonomics-using-data-to-improve-womens-lives-tickets-1606840797079 ·       Cheltenham Book Festival with Poorna Ball, 11 October https://www.cheltenhamfestivals.org/events/deborah-frances-white ·       Wimbledon Book Fest with Jessica Swale, 21 October https://www.wimbledonbookfest.org/events/jessica-swale/ Thank you to our amazing Patreon supporters. To support the podcast yourself, go to https://www.patreon.com/guiltyfeminist You can also get an ad-free version of the podcast via Apple Podcasts. The Guilty Feminist is part of The AudioPlus Network. If you'd like to work with us, please get in touch at hello@weareaudioplus.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jane Austen had six brothers, but her older brother Henry was her favorite. Kind and witty, Henry has long been appreciated by Austen fans for his devotion to Jane and his championing of her novels. But Henry was a fascinating figure in his own right, capering through risky financial schemes and marrying an enigmatic French countess before ending his days as a hard-working curate. Highly successful at times and nearly bankrupt at others, Henry's colorful and turbulent life helps us better understand Jane's life and works. In this episode, Jacke talks to author Christopher Herbert about his new book, Jane Austen's Favourite Brother, Henry, which tells the illuminating and inspiring story of a special sibling relationship. PLUS Jacke shares a letter from a 22-year-old Australian reading his way through Europe. AND author Nicholas Jenkins (The Island: War and Belonging in Auden's England) discusses his choice for the last book he will ever read. Join Jacke on a trip through literary England (signup open through the end of September)! The History of Literature Podcast Tour is happening in May 2026! Act now to join Jacke and fellow literature fans on an eight-day journey through literary England in partnership with ⁠⁠⁠John Shors Travel⁠⁠⁠. Scheduled stops include The Charles Dickens Museum, Dr. Johnson's house, Jane Austen's Bath, Tolkien's Oxford, Shakespeare's Globe Theater, and more. Find out more by emailing jackewilsonauthor@gmail.com or masahiko@johnshorstravel.com, or by contacting us through our website ⁠⁠⁠historyofliterature.com⁠⁠⁠. Or visit the ⁠⁠⁠History of Literature Podcast Tour itinerary⁠⁠⁠ at ⁠⁠⁠John Shors Travel⁠⁠⁠. The music in this episode is by Gabriel Ruiz-Bernal. Learn more at ⁠⁠⁠gabrielruizbernal.com⁠⁠. Help support the show at ⁠⁠⁠patreon.com/literature ⁠⁠⁠or ⁠⁠⁠historyofliterature.com/donate ⁠⁠⁠. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at ⁠⁠⁠thepodglomerate.com/historyofliterature⁠⁠. Learn more about your ad choices. Visit megaphone.fm/adchoices

Just about everyone agrees that Jesus was a great man who spoke with wisdom, served the poor, and even worked miracles. But is that all Jesus was - a really great guy? Throughout the years, this world has seen plenty of great men come and go: names like Alexander, Leonardo, Shakespeare, and Churchill come to mind. But nobody worships or prays to other great men like we do with Jesus. So what sets Jesus apart ? Why is he worthy, not only of our admiration, but of our worship? For four weeks in September at The Story Church, we'll explore what makes Jesus unique, and we'll discover why the greatness of Jesus surpasses that of even the greatest men on earth.

Description Returning guests Lena English and Tayler Iverson join Joe to discuss the 1999 film 10 Things I Hate About You. Based on Shakespeare’s The Taming of the Shrew, this film moves the plot to an American high school in … Continue reading →

How can you tap into your hidden intelligence and transform your life? The Army might be able to show you how. If you've ever wondered where such visionary creatives and decision-makers such as Steve Jobs, Vincent van Gogh, Abraham Lincoln, Maya Angelou, Nikola Tesla, Marie Curie, Albert Einstein, Warren Buffett, and William Shakespeare get their extraordinary mental abilities, join us for an intriguing talk with Angus Fletcher, professor at The Ohio State University. Researchers at Ohio State's Project Narrative in 2021 said they have an answer: primal intelligence—something that cannot be found in computers but is in humans and can be strengthened. In response, U.S. Army Special Operations incorporated primal training for its most classified units; according to Fletcher, they saw the future faster, healed more quickly from trauma, and chose more wisely in life-and-death situations. The Army then authorized trials on civilians—entrepreneurs, doctors, engineers, managers, coaches, teachers, investors, and NFL players. Their leadership and innovation reportedly improved significantly; they coped better with change and uncertainty, and they experienced less anger and anxiety. Then the Army provided primal training to college and K–12 classrooms, where it is said to have produced substantial effects in students as young as eight. Fletcher has brought this training to a wider audience in his new book Primal Intelligence: You Are Smarter Than You Know. Join us as he shares what he learned about this approach to using your brain—you just might end up thinking more like Jobs, Lincoln and Shakespeare. Learn more about your ad choices. Visit megaphone.fm/adchoices

Send us a textJoin me and writer/translator Michael Curtotti on a discussion about the literary patronage of the Este court. Centered around Micheal's new translation of the playwright and novella author Cinzio, our discuss dives deep into the cultural moment of Duke Ercole d'Este's Ferrara. Michael walks us through the history of Cinzio and his work, both in theater and prose. Further, Michael leads us through his translation of the short story that would eventually influence Shakespeare's Othello, primarily investigatin notions of Renaissance misogyny and racism.Acquire Michael Curtotti's "Cinthio's Desdemona: The Story that Inspired Othello": https://beyondforeignness.org/book/cinthios-desdemona-the-story-that-inspired-othelloSupport/Watch/Follow: linktr.ee/italian_renaissance_podcastGet additional content by becoming a Patron: patreon.com/TheItalianRenaissancePodcast Support the show

Episode 188:Following on from the last episode before the run of summer guest conversations we take a sharp swerve from ‘Henry V' to ‘As You Like It'. Although we cannot be quite sure about the chronology in which Shakespeare wrote his plays, or how much the writing of one crossed over with the writing of another, whatever the precise order it is pretty clear that Shakespeare could move freely between the History and Comedy genres and within those how he was always pushing at the edges of the forms and conventions of the theatre and playwrighting to see what could work on stage and with language. ‘As You Like It' is no exception to that. The Dating of the playThe sources for the playThe possible first performance dateA brief synopsis of the playThe use of poetry and prose in the playThe play as part of the ‘Pastoral' genreThe location of the play and influence of the forestThe character of JacquesThe character of RosalindThe character of TouchstoneThe ending, Hyman, and the masqueA summary of the performance history of the playThe epilogueSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

When Shakespeare wrote Othello, he set his Moorish general against the “general enemy Ottoman.” Elsewhere in his plays, he invoked “Turks,” “Saracens,” and “infidels”—terms that reveal just how present the Islamic world was in the English imagination. From Elizabeth I's diplomatic exchanges with Persia to the cultural impact of the Ottoman Empire, the Islamic world loomed large in the politics, religion, and drama of Shakespeare's England.This week, we're joined by Dr. Chloe Houston (University of Reading), a leading authority on Persia in early modern drama, and Dr. Mark Hutchings (University of Valladolid), whose research explores England's engagement with Islam on the Renaissance stage. Together, they unpack how Elizabethans understood the Ottomans, Persians, and North Africans, and how those encounters shaped both history and Shakespeare's works.Discover how global trade, diplomacy, stereotypes, and real-life ambassadors influenced depictions of Moors, Persians, and “Turks” onstage, and why Shakespeare's audiences would have found these references powerful, familiar, and sometimes unsettling.Listen now and explore the fascinating world of Elizabethan encounters with Islam in Shakespeare's plays. Hosted on Acast. See acast.com/privacy for more information.

Welcome to "Literature and Us"! In our foundational episode, host Danny tackles a huge question: with AI that can write, summarize, and create, do we still need literature? We argue that the answer is a resounding YES. While algorithms process data, literature provides something irreplaceable: human experience. Join us as we explore how stories serve as the ultimate technology for understanding ourselves and others in a way that data streams simply can't. This isn't a battle against technology, but a celebration of what makes us uniquely human. In this episode, you'll discover: The crucial difference between an AI's summaryand a reader's experience. How literature acts as an "empathy engine,"allowing us to live a thousand lives and understand different perspectives through books like To Kill a Mockingbird and Never Let Me Go. Why reading is a powerful workout for your brain, serving as a "critical thinking gymnasium"that helps you spot misinformation and navigate a complex world. How timeless stories from Shakespeare to Tolstoy connect us to the unfiltered human condition—love, loss, grief, and joy—in all its messy glory. Why the "inefficiency" of reading is actually its greatest strength in our fast-paced, optimized world. To unlock full access to all our episodes, consider becoming a premium subscriber on Apple Podcasts or Patreon. And don't forget to visit englishpluspodcast.com for even more content, including articles, in-depth studies, and our brand-new audio series and courses now available in our Patreon Shop!

In the very seventieth episode of Bite-Sized, Ben, Sarah, and Ben Auxier discuss The Twilight Saga: New Moon- Scene 1 (0:00-1:22)! They talk about Shakespeare, and learn some MOON FACTS!We want to hear from you! Follow the show on social media (@bitesizedpod_ on YouTube, Instagram, and TikTok), email myfavoritetwilightpodcast@gmail.com, or become a supporter at patreon.com/TwilightPodcast!

Did you know that C-Section birth is referenced in Shakespeare's Macbeth? Cesarean Section is the most common laparotomy in the world, and yest we are still learning surprising facts about it. This episode we will summarize 2publications which have recently been released. One is from the American Journal of Perinatology (September 2025 ) and the other is from the AJOG (August 2025 ). Does a primary C-section on a laboring uterus have a different risk of PAS in the subsequent pregnancy compared to a non-labored uterus? And what is the percentage of patients who experience “pain” at time of C-section? Listen in for the surprising data.1. Kashani Ligumsky L, Lopian M, Jeong A, Desmond A, Elmalech A, Many A, Martinez G, Krakow D, Afshar Y. Impact of Labor in Primary Cesarean Delivery on Subsequent Risk of Placenta Accreta. Am J Perinatol. 2025 Sep 16. doi: 10.1055/a-2693-8599. Epub ahead of print. PMID: 40957594.2. Somerstein, Rachel. I feel pain, not pressure: a personal and methodological reflection on pain during cesarean delivery. American Journal of Obstetrics & Gynecology, Volume 0, Issue 0 (EPub Ahead of Print)

The Hamlet Podcast - a weekly exploration of Shakespeare's King Lear. Act IV Scene iii - Kent and his Gentleman messenger have met at Dover and discuss the state of affairs. Written and presented by Conor Hanratty

In 1598, Shakespeare's company secretly dismantled their old playhouse, The Theater, and carried the timbers across the Thames to build the Globe. This minicast tells the story of the midnight heist that gave us the most famous stage in history. Hosted on Acast. See acast.com/privacy for more information.

Professor Suzannah Lipscomb engages in a captivating conversation with award-winning dramatist Liz Duffy Adams about the new Royal Shakespeare production of her play Born With Teeth, which imagines a thrilling collaboration between William Shakespeare and Christopher Marlowe. Suzannah and Liz delve into the fiery dynamics of the two men's relationship and the influence of politics on their works.Shakespeare and Marlowe existed under a time of oppressive royal censorship, when displeasing the crown would mean a trip to the Tower, or worse. How did they balance this struggle for truth and creativity amid the palpable danger?Extracts from Born With Teeth by Liz Duffy Adams, performed by Ncuti Gatwa and Edward Bluemel, courtesy of Royal Shakespeare CompanyMORE:Murder of Christopher MarloweShakespeare's Son Hamnet with Maggie O'FarrellPresented by Professor Suzannah Lipscomb. The researcher is Max Wintle. Edited and produced by Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcastSign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://insights.historyhit.com/history-hit-podcast-always-on Hosted on Acast. See acast.com/privacy for more information.